Split (1)

train · 10.4M rows

ngram listlengths 0 10.5k
[ "scenes and violent scenes before but they always seemed .. very weird .", "give me some advice on writing an scenes that include violence ? Any", "character is getting physically abused by her father . I tried writing fight", "tried writing fight scenes and violent scenes before but they always seemed ..", "Can you give me some advice on writing an scenes that include violence", "but they always seemed .. very weird . Can you give me some", "seemed .. very weird . Can you give me some advice on writing", ". Can you give me some advice on writing an scenes that include", "you give me some advice on writing an scenes that include violence ?", "on writing an scenes that include violence ? Any small tip is very", "some advice on writing an scenes that include violence ? Any small tip", "abused by her father . I tried writing fight scenes and violent scenes", ".. very weird . Can you give me some advice on writing an", "they always seemed .. very weird . Can you give me some advice", "writing fight scenes and violent scenes before but they always seemed .. very", "physically abused by her father . I tried writing fight scenes and violent", "scenes before but they always seemed .. very weird . Can you give", "writing an scenes that include violence ? Any small tip is very appreciated", "me some advice on writing an scenes that include violence ? Any small", "getting physically abused by her father . I tried writing fight scenes and", "weird . Can you give me some advice on writing an scenes that", "by her father . I tried writing fight scenes and violent scenes before", ". I tried writing fight scenes and violent scenes before but they always", "always seemed .. very weird . Can you give me some advice on", "fight scenes and violent scenes before but they always seemed .. very weird", "father . I tried writing fight scenes and violent scenes before but they", "is getting physically abused by her father . I tried writing fight scenes", "very weird . Can you give me some advice on writing an scenes", "before but they always seemed .. very weird . Can you give me", "her father . I tried writing fight scenes and violent scenes before but", "violent scenes before but they always seemed .. very weird . Can you", "I tried writing fight scenes and violent scenes before but they always seemed", "and violent scenes before but they always seemed .. very weird . Can", "advice on writing an scenes that include violence ? Any small tip is", "an scenes that include violence ? Any small tip is very appreciated !", "My character is getting physically abused by her father . I tried writing" ]
[ "specific word for a very specific feeling, and have had zero luck other", "something too. It's very hard to describe, but I'm really hoping to emulate", "you feel...well, what I've said above is the best I can describe it.", "a reference to this. I'm hoping to invoke this particular emotion in a", "sensation in the chest, most often, almost like a tightness or heaviness that", "in the chest, most often, almost like a tightness or heaviness that sometimes", "intently, investigating...or while reading something particularly compelling. Often when someone with a captivating,", "scenes that seem almost...intimate, not sexual, but like watching a person observe something", "while reading something particularly compelling. Often when someone with a captivating, maybe soothing,", "on the Internet with finding even a reference to this. I'm hoping to", "and holds you and makes you feel...well, what I've said above is the", "my own life I've often felt this when watching captivating speeches, or scenes", "need to know and understand what the feeling is. I hope you all", "understand what the feeling is. I hope you all can help! Thanks so", "something closely and intently, investigating...or while reading something particularly compelling. Often when someone", "very specific word for a very specific feeling, and have had zero luck", "but it is something relatable...it's almost physical, like a sensation in the chest,", "details of which I don't think are terribly important for the question itself.", "interesting, or something that grabs your attention in a very unique way and", "own life I've often felt this when watching captivating speeches, or scenes that", "life I've often felt this when watching captivating speeches, or scenes that seem", "but I'm really hoping to emulate it through my writing in this piece...but", "anxiety, but it is something relatable...it's almost physical, like a sensation in the", "places on the Internet with finding even a reference to this. I'm hoping", "to describe, but I'm really hoping to emulate it through my writing in", "the details of which I don't think are terribly important for the question", "to invoke this particular emotion in a short story, the details of which", "to spread to the head as well...but it comes about when watching or", "hoping to emulate it through my writing in this piece...but I think to", "don't think are terribly important for the question itself. It is something I", "when watching captivating speeches, or scenes that seem almost...intimate, not sexual, but like", "most often, almost like a tightness or heaviness that sometimes almost seems to", "is something relatable...it's almost physical, like a sensation in the chest, most often,", "have as well. It isn't excitement or anxiety, but it is something relatable...it's", "relatable...it's almost physical, like a sensation in the chest, most often, almost like", "know and understand what the feeling is. I hope you all can help!", "said above is the best I can describe it. In my own life", "reading something particularly compelling. Often when someone with a captivating, maybe soothing, voice", "trying to find a very specific word for a very specific feeling, and", "so I need to know and understand what the feeling is. I hope", "experienced before and, despite my lack of results, I'm sure others have as", "maybe soothing, voice explains something too. It's very hard to describe, but I'm", "something that grabs your attention in a very unique way and holds you", "what the feeling is. I hope you all can help! Thanks so much!", "and, despite my lack of results, I'm sure others have as well. It", "it through my writing in this piece...but I think to do so I", "have had zero luck other places on the Internet with finding even a", "watching a person observe something closely and intently, investigating...or while reading something particularly", "soothing, voice explains something too. It's very hard to describe, but I'm really", "of results, I'm sure others have as well. It isn't excitement or anxiety,", "grabs your attention in a very unique way and holds you and makes", "person observe something closely and intently, investigating...or while reading something particularly compelling. Often", "that grabs your attention in a very unique way and holds you and", "piece...but I think to do so I need to know and understand what", "are terribly important for the question itself. It is something I have experienced", "in a short story, the details of which I don't think are terribly", "I can describe it. In my own life I've often felt this when", "something I have experienced before and, despite my lack of results, I'm sure", "I need to know and understand what the feeling is. I hope you", "reference to this. I'm hoping to invoke this particular emotion in a short", "physical, like a sensation in the chest, most often, almost like a tightness", "that seem almost...intimate, not sexual, but like watching a person observe something closely", "It is something I have experienced before and, despite my lack of results,", "a very specific feeling, and have had zero luck other places on the", "a person observe something closely and intently, investigating...or while reading something particularly compelling.", "I think to do so I need to know and understand what the", "it. In my own life I've often felt this when watching captivating speeches,", "a very specific word for a very specific feeling, and have had zero", "like a tightness or heaviness that sometimes almost seems to spread to the", "seem almost...intimate, not sexual, but like watching a person observe something closely and", "in this piece...but I think to do so I need to know and", "as well. It isn't excitement or anxiety, but it is something relatable...it's almost", "this. I'm hoping to invoke this particular emotion in a short story, the", "for the question itself. It is something I have experienced before and, despite", "I've often felt this when watching captivating speeches, or scenes that seem almost...intimate,", "isn't excitement or anxiety, but it is something relatable...it's almost physical, like a", "In my own life I've often felt this when watching captivating speeches, or", "describe, but I'm really hoping to emulate it through my writing in this", "even a reference to this. I'm hoping to invoke this particular emotion in", "seems to spread to the head as well...but it comes about when watching", "really hoping to emulate it through my writing in this piece...but I think", "well...but it comes about when watching or listening or reading something fascinating, interesting,", "I'm sure others have as well. It isn't excitement or anxiety, but it", "heaviness that sometimes almost seems to spread to the head as well...but it", "watching captivating speeches, or scenes that seem almost...intimate, not sexual, but like watching", "feel...well, what I've said above is the best I can describe it. In", "as well...but it comes about when watching or listening or reading something fascinating,", "writing in this piece...but I think to do so I need to know", "like a sensation in the chest, most often, almost like a tightness or", "terribly important for the question itself. It is something I have experienced before", "it is something relatable...it's almost physical, like a sensation in the chest, most", "that sometimes almost seems to spread to the head as well...but it comes", "with finding even a reference to this. I'm hoping to invoke this particular", "to the head as well...but it comes about when watching or listening or", "with a captivating, maybe soothing, voice explains something too. It's very hard to", "specific feeling, and have had zero luck other places on the Internet with", "explains something too. It's very hard to describe, but I'm really hoping to", "or something that grabs your attention in a very unique way and holds", "I'm hoping to invoke this particular emotion in a short story, the details", "question itself. It is something I have experienced before and, despite my lack", "word for a very specific feeling, and have had zero luck other places", "a tightness or heaviness that sometimes almost seems to spread to the head", "spread to the head as well...but it comes about when watching or listening", "it comes about when watching or listening or reading something fascinating, interesting, or", "tightness or heaviness that sometimes almost seems to spread to the head as", "and have had zero luck other places on the Internet with finding even", "despite my lack of results, I'm sure others have as well. It isn't", "way and holds you and makes you feel...well, what I've said above is", "finding even a reference to this. I'm hoping to invoke this particular emotion", "Internet with finding even a reference to this. I'm hoping to invoke this", "to emulate it through my writing in this piece...but I think to do", "felt this when watching captivating speeches, or scenes that seem almost...intimate, not sexual,", "particular emotion in a short story, the details of which I don't think", "is something I have experienced before and, despite my lack of results, I'm", "and understand what the feeling is. I hope you all can help! Thanks", "a captivating, maybe soothing, voice explains something too. It's very hard to describe,", "sometimes almost seems to spread to the head as well...but it comes about", "invoke this particular emotion in a short story, the details of which I", "important for the question itself. It is something I have experienced before and,", "before and, despite my lack of results, I'm sure others have as well.", "feeling, and have had zero luck other places on the Internet with finding", "Often when someone with a captivating, maybe soothing, voice explains something too. It's", "I'm really hoping to emulate it through my writing in this piece...but I", "others have as well. It isn't excitement or anxiety, but it is something", "zero luck other places on the Internet with finding even a reference to", "had zero luck other places on the Internet with finding even a reference", "often, almost like a tightness or heaviness that sometimes almost seems to spread", "story, the details of which I don't think are terribly important for the", "to find a very specific word for a very specific feeling, and have", "speeches, or scenes that seem almost...intimate, not sexual, but like watching a person", "It isn't excitement or anxiety, but it is something relatable...it's almost physical, like", "I have experienced before and, despite my lack of results, I'm sure others", "the question itself. It is something I have experienced before and, despite my", "or listening or reading something fascinating, interesting, or something that grabs your attention", "above is the best I can describe it. In my own life I've", "excitement or anxiety, but it is something relatable...it's almost physical, like a sensation", "have experienced before and, despite my lack of results, I'm sure others have", "holds you and makes you feel...well, what I've said above is the best", "makes you feel...well, what I've said above is the best I can describe", "reading something fascinating, interesting, or something that grabs your attention in a very", "which I don't think are terribly important for the question itself. It is", "to do so I need to know and understand what the feeling is.", "short story, the details of which I don't think are terribly important for", "this particular emotion in a short story, the details of which I don't", "emotion in a short story, the details of which I don't think are", "not sexual, but like watching a person observe something closely and intently, investigating...or", "for a very specific feeling, and have had zero luck other places on", "a short story, the details of which I don't think are terribly important", "I'm trying to find a very specific word for a very specific feeling,", "through my writing in this piece...but I think to do so I need", "I don't think are terribly important for the question itself. It is something", "or anxiety, but it is something relatable...it's almost physical, like a sensation in", "is the best I can describe it. In my own life I've often", "or heaviness that sometimes almost seems to spread to the head as well...but", "or scenes that seem almost...intimate, not sexual, but like watching a person observe", "the Internet with finding even a reference to this. I'm hoping to invoke", "about when watching or listening or reading something fascinating, interesting, or something that", "attention in a very unique way and holds you and makes you feel...well,", "what I've said above is the best I can describe it. In my", "best I can describe it. In my own life I've often felt this", "listening or reading something fascinating, interesting, or something that grabs your attention in", "you and makes you feel...well, what I've said above is the best I", "describe it. In my own life I've often felt this when watching captivating", "often felt this when watching captivating speeches, or scenes that seem almost...intimate, not", "compelling. Often when someone with a captivating, maybe soothing, voice explains something too.", "something particularly compelling. Often when someone with a captivating, maybe soothing, voice explains", "closely and intently, investigating...or while reading something particularly compelling. Often when someone with", "when someone with a captivating, maybe soothing, voice explains something too. It's very", "captivating speeches, or scenes that seem almost...intimate, not sexual, but like watching a", "the head as well...but it comes about when watching or listening or reading", "very unique way and holds you and makes you feel...well, what I've said", "sure others have as well. It isn't excitement or anxiety, but it is", "this piece...but I think to do so I need to know and understand", "my writing in this piece...but I think to do so I need to", "a very unique way and holds you and makes you feel...well, what I've", "find a very specific word for a very specific feeling, and have had", "hard to describe, but I'm really hoping to emulate it through my writing", "something relatable...it's almost physical, like a sensation in the chest, most often, almost", "I've said above is the best I can describe it. In my own", "my lack of results, I'm sure others have as well. It isn't excitement", "the chest, most often, almost like a tightness or heaviness that sometimes almost", "comes about when watching or listening or reading something fascinating, interesting, or something", "luck other places on the Internet with finding even a reference to this.", "investigating...or while reading something particularly compelling. Often when someone with a captivating, maybe", "almost like a tightness or heaviness that sometimes almost seems to spread to", "watching or listening or reading something fascinating, interesting, or something that grabs your", "but like watching a person observe something closely and intently, investigating...or while reading", "a sensation in the chest, most often, almost like a tightness or heaviness", "something fascinating, interesting, or something that grabs your attention in a very unique", "almost...intimate, not sexual, but like watching a person observe something closely and intently,", "someone with a captivating, maybe soothing, voice explains something too. It's very hard", "very specific feeling, and have had zero luck other places on the Internet", "very hard to describe, but I'm really hoping to emulate it through my", "almost seems to spread to the head as well...but it comes about when", "It's very hard to describe, but I'm really hoping to emulate it through", "well. It isn't excitement or anxiety, but it is something relatable...it's almost physical,", "like watching a person observe something closely and intently, investigating...or while reading something", "lack of results, I'm sure others have as well. It isn't excitement or", "chest, most often, almost like a tightness or heaviness that sometimes almost seems", "unique way and holds you and makes you feel...well, what I've said above", "almost physical, like a sensation in the chest, most often, almost like a", "particularly compelling. Often when someone with a captivating, maybe soothing, voice explains something", "sexual, but like watching a person observe something closely and intently, investigating...or while", "think are terribly important for the question itself. It is something I have", "can describe it. In my own life I've often felt this when watching", "emulate it through my writing in this piece...but I think to do so", "do so I need to know and understand what the feeling is. I", "to know and understand what the feeling is. I hope you all can", "head as well...but it comes about when watching or listening or reading something", "and makes you feel...well, what I've said above is the best I can", "your attention in a very unique way and holds you and makes you", "in a very unique way and holds you and makes you feel...well, what", "think to do so I need to know and understand what the feeling", "other places on the Internet with finding even a reference to this. I'm", "and intently, investigating...or while reading something particularly compelling. Often when someone with a", "of which I don't think are terribly important for the question itself. It", "to this. I'm hoping to invoke this particular emotion in a short story,", "hoping to invoke this particular emotion in a short story, the details of", "captivating, maybe soothing, voice explains something too. It's very hard to describe, but", "this when watching captivating speeches, or scenes that seem almost...intimate, not sexual, but", "results, I'm sure others have as well. It isn't excitement or anxiety, but", "fascinating, interesting, or something that grabs your attention in a very unique way", "the best I can describe it. In my own life I've often felt", "itself. It is something I have experienced before and, despite my lack of", "voice explains something too. It's very hard to describe, but I'm really hoping", "when watching or listening or reading something fascinating, interesting, or something that grabs", "observe something closely and intently, investigating...or while reading something particularly compelling. Often when", "too. It's very hard to describe, but I'm really hoping to emulate it", "or reading something fascinating, interesting, or something that grabs your attention in a" ]
[ "more references to how \"anime\" this was: > > Your anime tier seven", "> > Your anime tier seven year old still has short arms, so", "air, throw, and then be thrown backwards and land on her feet where", "> And then, scrolling through answer and comments, I noticed a few more", "I read the following question on WorldBuilding.SE last week: [What early middle ages", "this situation reminds them of something that would be in an anime, but", "is the most anime thing I’ve ever read. [(source)](https://worldbuilding.stackexchange.com/questions/168720/what-early-middle-ages-weapons-would-suit-an-extremely-strong-child/168802#comment527890_168720) > > > And", "And then, scrolling through answer and comments, I noticed a few more references", "anime thing I’ve ever read. [(source)](https://worldbuilding.stackexchange.com/questions/168720/what-early-middle-ages-weapons-would-suit-an-extremely-strong-child/168802#comment527890_168720) > > > And then, scrolling through", "on her feet where she started. [(source)](https://worldbuilding.stackexchange.com/questions/168720/what-early-middle-ages-weapons-would-suit-an-extremely-strong-child/168802#comment527951_168743) > > > I understand that", "into the air, throw, and then be thrown backwards and land on her", "thrown backwards and land on her feet where she started. [(source)](https://worldbuilding.stackexchange.com/questions/168720/what-early-middle-ages-weapons-would-suit-an-extremely-strong-child/168802#comment527951_168743) > >", "that they're saying that this situation reminds them of something that would be", "most anime thing I’ve ever read. [(source)](https://worldbuilding.stackexchange.com/questions/168720/what-early-middle-ages-weapons-would-suit-an-extremely-strong-child/168802#comment527890_168720) > > > And then, scrolling", "arms, so [...] [(source)](https://worldbuilding.stackexchange.com/a/168725/42079) > > > > > For real anime action", "was interesting, but I noticed a comment that stated: > > First of", "anime tier seven year old still has short arms, so [...] [(source)](https://worldbuilding.stackexchange.com/a/168725/42079) >", "was: > > Your anime tier seven year old still has short arms,", "be thrown backwards and land on her feet where she started. [(source)](https://worldbuilding.stackexchange.com/questions/168720/what-early-middle-ages-weapons-would-suit-an-extremely-strong-child/168802#comment527951_168743) >", "that stated: > > First of all, this is the most anime thing", "few more references to how \"anime\" this was: > > Your anime tier", "step runup, jump into the air, throw, and then be thrown backwards and", "feet where she started. [(source)](https://worldbuilding.stackexchange.com/questions/168720/what-early-middle-ages-weapons-would-suit-an-extremely-strong-child/168802#comment527951_168743) > > > I understand that they're saying", "noticed a comment that stated: > > First of all, this is the", "child?](https://worldbuilding.stackexchange.com/q/168720/42079) I thought the premise was interesting, but I noticed a comment that", "[(source)](https://worldbuilding.stackexchange.com/questions/168720/what-early-middle-ages-weapons-would-suit-an-extremely-strong-child/168802#comment527890_168720) > > > And then, scrolling through answer and comments, I noticed", "> For real anime action she would take a 2 step runup, jump", "real anime action she would take a 2 step runup, jump into the", "reminds them of something that would be in an anime, but what traits", "> > I understand that they're saying that this situation reminds them of", "Your anime tier seven year old still has short arms, so [...] [(source)](https://worldbuilding.stackexchange.com/a/168725/42079)", "in an anime, but what traits define that? What traits of a story/scene/character", "short arms, so [...] [(source)](https://worldbuilding.stackexchange.com/a/168725/42079) > > > > > For real anime", "week: [What early middle ages weapons would suit an extremely strong child?](https://worldbuilding.stackexchange.com/q/168720/42079) I", "understand that they're saying that this situation reminds them of something that would", "through answer and comments, I noticed a few more references to how \"anime\"", "a few more references to how \"anime\" this was: > > Your anime", "noticed a few more references to how \"anime\" this was: > > Your", "middle ages weapons would suit an extremely strong child?](https://worldbuilding.stackexchange.com/q/168720/42079) I thought the premise", "> > For real anime action she would take a 2 step runup,", "thing I’ve ever read. [(source)](https://worldbuilding.stackexchange.com/questions/168720/what-early-middle-ages-weapons-would-suit-an-extremely-strong-child/168802#comment527890_168720) > > > And then, scrolling through answer", "read. [(source)](https://worldbuilding.stackexchange.com/questions/168720/what-early-middle-ages-weapons-would-suit-an-extremely-strong-child/168802#comment527890_168720) > > > And then, scrolling through answer and comments, I", "a 2 step runup, jump into the air, throw, and then be thrown", "> > First of all, this is the most anime thing I’ve ever", "of all, this is the most anime thing I’ve ever read. [(source)](https://worldbuilding.stackexchange.com/questions/168720/what-early-middle-ages-weapons-would-suit-an-extremely-strong-child/168802#comment527890_168720) >", "> > > For real anime action she would take a 2 step", "and comments, I noticed a few more references to how \"anime\" this was:", "I understand that they're saying that this situation reminds them of something that", "that this situation reminds them of something that would be in an anime,", "For real anime action she would take a 2 step runup, jump into", "> I understand that they're saying that this situation reminds them of something", "an extremely strong child?](https://worldbuilding.stackexchange.com/q/168720/42079) I thought the premise was interesting, but I noticed", "this was: > > Your anime tier seven year old still has short", "would be in an anime, but what traits define that? What traits of", "answer and comments, I noticed a few more references to how \"anime\" this", "last week: [What early middle ages weapons would suit an extremely strong child?](https://worldbuilding.stackexchange.com/q/168720/42079)", "has short arms, so [...] [(source)](https://worldbuilding.stackexchange.com/a/168725/42079) > > > > > For real", "I thought the premise was interesting, but I noticed a comment that stated:", "jump into the air, throw, and then be thrown backwards and land on", "strong child?](https://worldbuilding.stackexchange.com/q/168720/42079) I thought the premise was interesting, but I noticed a comment", "I noticed a few more references to how \"anime\" this was: > >", "backwards and land on her feet where she started. [(source)](https://worldbuilding.stackexchange.com/questions/168720/what-early-middle-ages-weapons-would-suit-an-extremely-strong-child/168802#comment527951_168743) > > >", "situation reminds them of something that would be in an anime, but what", "that would be in an anime, but what traits define that? What traits", "the premise was interesting, but I noticed a comment that stated: > >", "runup, jump into the air, throw, and then be thrown backwards and land", "extremely strong child?](https://worldbuilding.stackexchange.com/q/168720/42079) I thought the premise was interesting, but I noticed a", "would suit an extremely strong child?](https://worldbuilding.stackexchange.com/q/168720/42079) I thought the premise was interesting, but", "> > > > > For real anime action she would take a", "all, this is the most anime thing I’ve ever read. [(source)](https://worldbuilding.stackexchange.com/questions/168720/what-early-middle-ages-weapons-would-suit-an-extremely-strong-child/168802#comment527890_168720) > >", "> > > I understand that they're saying that this situation reminds them", "on WorldBuilding.SE last week: [What early middle ages weapons would suit an extremely", "2 step runup, jump into the air, throw, and then be thrown backwards", "> > And then, scrolling through answer and comments, I noticed a few", "this is the most anime thing I’ve ever read. [(source)](https://worldbuilding.stackexchange.com/questions/168720/what-early-middle-ages-weapons-would-suit-an-extremely-strong-child/168802#comment527890_168720) > > >", "and then be thrown backwards and land on her feet where she started.", "then be thrown backwards and land on her feet where she started. [(source)](https://worldbuilding.stackexchange.com/questions/168720/what-early-middle-ages-weapons-would-suit-an-extremely-strong-child/168802#comment527951_168743)", "something that would be in an anime, but what traits define that? What", "and land on her feet where she started. [(source)](https://worldbuilding.stackexchange.com/questions/168720/what-early-middle-ages-weapons-would-suit-an-extremely-strong-child/168802#comment527951_168743) > > > I", "[What early middle ages weapons would suit an extremely strong child?](https://worldbuilding.stackexchange.com/q/168720/42079) I thought", "land on her feet where she started. [(source)](https://worldbuilding.stackexchange.com/questions/168720/what-early-middle-ages-weapons-would-suit-an-extremely-strong-child/168802#comment527951_168743) > > > I understand", "following question on WorldBuilding.SE last week: [What early middle ages weapons would suit", "old still has short arms, so [...] [(source)](https://worldbuilding.stackexchange.com/a/168725/42079) > > > > >", "references to how \"anime\" this was: > > Your anime tier seven year", "[(source)](https://worldbuilding.stackexchange.com/a/168725/42079) > > > > > For real anime action she would take", "action she would take a 2 step runup, jump into the air, throw,", "suit an extremely strong child?](https://worldbuilding.stackexchange.com/q/168720/42079) I thought the premise was interesting, but I", "the most anime thing I’ve ever read. [(source)](https://worldbuilding.stackexchange.com/questions/168720/what-early-middle-ages-weapons-would-suit-an-extremely-strong-child/168802#comment527890_168720) > > > And then,", "I’ve ever read. [(source)](https://worldbuilding.stackexchange.com/questions/168720/what-early-middle-ages-weapons-would-suit-an-extremely-strong-child/168802#comment527890_168720) > > > And then, scrolling through answer and", "year old still has short arms, so [...] [(source)](https://worldbuilding.stackexchange.com/a/168725/42079) > > > >", "the following question on WorldBuilding.SE last week: [What early middle ages weapons would", "stated: > > First of all, this is the most anime thing I’ve", "of something that would be in an anime, but what traits define that?", "a comment that stated: > > First of all, this is the most", "> First of all, this is the most anime thing I’ve ever read.", "scrolling through answer and comments, I noticed a few more references to how", "premise was interesting, but I noticed a comment that stated: > > First", "comment that stated: > > First of all, this is the most anime", "the air, throw, and then be thrown backwards and land on her feet", "tier seven year old still has short arms, so [...] [(source)](https://worldbuilding.stackexchange.com/a/168725/42079) > >", "them of something that would be in an anime, but what traits define", "anime, but what traits define that? What traits of a story/scene/character make it", "ages weapons would suit an extremely strong child?](https://worldbuilding.stackexchange.com/q/168720/42079) I thought the premise was", "she would take a 2 step runup, jump into the air, throw, and", "still has short arms, so [...] [(source)](https://worldbuilding.stackexchange.com/a/168725/42079) > > > > > For", "seven year old still has short arms, so [...] [(source)](https://worldbuilding.stackexchange.com/a/168725/42079) > > >", "so [...] [(source)](https://worldbuilding.stackexchange.com/a/168725/42079) > > > > > For real anime action she", "First of all, this is the most anime thing I’ve ever read. [(source)](https://worldbuilding.stackexchange.com/questions/168720/what-early-middle-ages-weapons-would-suit-an-extremely-strong-child/168802#comment527890_168720)", "> > > > For real anime action she would take a 2", "I noticed a comment that stated: > > First of all, this is", "early middle ages weapons would suit an extremely strong child?](https://worldbuilding.stackexchange.com/q/168720/42079) I thought the", "question on WorldBuilding.SE last week: [What early middle ages weapons would suit an", "[(source)](https://worldbuilding.stackexchange.com/questions/168720/what-early-middle-ages-weapons-would-suit-an-extremely-strong-child/168802#comment527951_168743) > > > I understand that they're saying that this situation reminds", "comments, I noticed a few more references to how \"anime\" this was: >", "started. [(source)](https://worldbuilding.stackexchange.com/questions/168720/what-early-middle-ages-weapons-would-suit-an-extremely-strong-child/168802#comment527951_168743) > > > I understand that they're saying that this situation", "but what traits define that? What traits of a story/scene/character make it \"anime\"?", "\"anime\" this was: > > Your anime tier seven year old still has", "read the following question on WorldBuilding.SE last week: [What early middle ages weapons", "to how \"anime\" this was: > > Your anime tier seven year old", "but I noticed a comment that stated: > > First of all, this", "> > > And then, scrolling through answer and comments, I noticed a", "she started. [(source)](https://worldbuilding.stackexchange.com/questions/168720/what-early-middle-ages-weapons-would-suit-an-extremely-strong-child/168802#comment527951_168743) > > > I understand that they're saying that this", "then, scrolling through answer and comments, I noticed a few more references to", "anime action she would take a 2 step runup, jump into the air,", "be in an anime, but what traits define that? What traits of a", "WorldBuilding.SE last week: [What early middle ages weapons would suit an extremely strong", "where she started. [(source)](https://worldbuilding.stackexchange.com/questions/168720/what-early-middle-ages-weapons-would-suit-an-extremely-strong-child/168802#comment527951_168743) > > > I understand that they're saying that", "throw, and then be thrown backwards and land on her feet where she", "take a 2 step runup, jump into the air, throw, and then be", "ever read. [(source)](https://worldbuilding.stackexchange.com/questions/168720/what-early-middle-ages-weapons-would-suit-an-extremely-strong-child/168802#comment527890_168720) > > > And then, scrolling through answer and comments,", "her feet where she started. [(source)](https://worldbuilding.stackexchange.com/questions/168720/what-early-middle-ages-weapons-would-suit-an-extremely-strong-child/168802#comment527951_168743) > > > I understand that they're", "would take a 2 step runup, jump into the air, throw, and then", "thought the premise was interesting, but I noticed a comment that stated: >", "how \"anime\" this was: > > Your anime tier seven year old still", "interesting, but I noticed a comment that stated: > > First of all,", "weapons would suit an extremely strong child?](https://worldbuilding.stackexchange.com/q/168720/42079) I thought the premise was interesting,", "[...] [(source)](https://worldbuilding.stackexchange.com/a/168725/42079) > > > > > For real anime action she would", "saying that this situation reminds them of something that would be in an", "an anime, but what traits define that? **What traits of a story/scene/character make", "they're saying that this situation reminds them of something that would be in", "> Your anime tier seven year old still has short arms, so [...]" ]
[ "my problems. So, what are you guys' thoughts? Edit: By narcissistic psychopath, I", "pas, usually her fault, sometimes not). * Her narcissism is sometimes outright humorous", "for others rather than strictly a solution to my problems. So, what are", "have on how to write a compelling psychopathic protagonist. Here are the ideas", "struggles exacerbated by her mental illness (in her case, extreme loneliness from regular", "* Fixation on fantasies of power or ideal love * Possession of a", "(for instance, she despises the concept of slavery because she considers forced collaboration", "a narcissistic psychopath protagonist work. As stated, I'd like this question to be", "than strictly a solution to my problems. So, what are you guys' thoughts?", "and hope I'm doing it well enough, I understand this is a difficult", "with nothing to her name, to nutty wildcard, to legitimate and terrifying threat,", "an endearing way. * The story has sympathetic side characters that give the", "She's got relateable struggles exacerbated by her mental illness (in her case, extreme", "without alienating the reader. So I was hoping to create this question as", "nothing to her name, to nutty wildcard, to legitimate and terrifying threat, making", "by the end with sympathetic, heroic antagonists. However I know there's multiple ways", "She's utterly vindictive and selfish, but through sheer happenstance, usually ends up screwing", "to go about making a narcissistic psychopath protagonist work. As stated, I'd like", "outright humorous in its extent, with her often missing the point in an", "of a superiority complex * A constant need for approval and admiration ", "not). Her narcissism is sometimes outright humorous in its extent, with her", "to her name, to nutty wildcard, to legitimate and terrifying threat, making her", "her often missing the point in an endearing way. * The story has", "a villain protagonist by the end with sympathetic, heroic antagonists. However I know", "of ideas people in this stack exchange have on how to write a", "protagonist by the end with sympathetic, heroic antagonists. However I know there's multiple", "an exiled noblewoman with nothing to her name, to nutty wildcard, to legitimate", "the slaves and the slavers). * She's got relateable struggles exacerbated by her", "in its extent, with her often missing the point in an endearing way.", "his powerful magic). * Her arc is the tale of someone going from", "psychopath, I mean a person who has reached levels of narcissism that qualify", "with it and hope I'm doing it well enough, I understand this is", "of which include: * Grandiosity * Expectations of special treatment * Exploitativeness ", "a repository of ideas people in this stack exchange have on how to", "I mean a person who has reached levels of narcissism that qualify them", "magic). Her arc is the tale of someone going from an exiled", "heroic antagonists. However I know there's multiple ways to go about making a", "in an endearing way. * The story has sympathetic side characters that give", "her name, to nutty wildcard, to legitimate and terrifying threat, making her a", "Her arc is the tale of someone going from an exiled noblewoman with", "her a villain protagonist by the end with sympathetic, heroic antagonists. However I", "her ego and assist with his powerful magic). * Her arc is the", "faux pas, usually her fault, sometimes not). * Her narcissism is sometimes outright", "the reader people to root for even while rooting for her eventual downfall", "of someone going from an exiled noblewoman with nothing to her name, to", "is a difficult feat to do without alienating the reader. So I was", "I'd like this question to be an idea repository for others rather than", "selfishness of both the slaves and the slavers). * She's got relateable struggles", "So, what are you guys' thoughts? Edit: By narcissistic psychopath, I mean a", "endearing way. * The story has sympathetic side characters that give the reader", "from an exiled noblewoman with nothing to her name, to nutty wildcard, to", "A constant need for approval and admiration * Entitlement * Intense envy that", "characters that give the reader people to root for even while rooting for", "humorous in its extent, with her often missing the point in an endearing", "with her often missing the point in an endearing way. * The story", "who she's using to feed her ego and assist with his powerful magic).", "people even worse than her (in her case, mob bosses, slavers, and bourgeoisie).", "through sheer happenstance, usually ends up screwing over people even worse than her", "the end with sympathetic, heroic antagonists. However I know there's multiple ways to", "screwing over people even worse than her (in her case, mob bosses, slavers,", "doing it well enough, I understand this is a difficult feat to do", "to feed her ego and assist with his powerful magic). * Her arc", "ego and assist with his powerful magic). * Her arc is the tale", "has reached levels of narcissism that qualify them as having Narcissistic Personality Disorder", "slavers). * She's got relateable struggles exacerbated by her mental illness (in her", "way. * The story has sympathetic side characters that give the reader people", "about making a narcissistic psychopath protagonist work. As stated, I'd like this question", "complex * A constant need for approval and admiration * Entitlement * Intense", "ordinary, demonstrate she has standards (for instance, she despises the concept of slavery", "* She's got relateable struggles exacerbated by her mental illness (in her case,", "used: * She's utterly vindictive and selfish, but through sheer happenstance, usually ends", "repository for others rather than strictly a solution to my problems. So, what", "concept of slavery because she considers forced collaboration to undermine the selfishness of", "this question to be an idea repository for others rather than strictly a", "Possession of a superiority complex * A constant need for approval and admiration", "utterly vindictive and selfish, but through sheer happenstance, usually ends up screwing over", "wildcard, to legitimate and terrifying threat, making her a villain protagonist by the", "multiple ways to go about making a narcissistic psychopath protagonist work. As stated,", "personally am having a lot of fun with it and hope I'm doing", "empathy * Fixation on fantasies of power or ideal love * Possession of", "* Her arc is the tale of someone going from an exiled noblewoman", "qualify them as having Narcissistic Personality Disorder (<https://en.wikipedia.org/wiki/Narcissistic_personality_disorder>), traits of which include: ", "selfish, but through sheer happenstance, usually ends up screwing over people even worse", "I myself used: She's utterly vindictive and selfish, but through sheer happenstance,", "* The story has sympathetic side characters that give the reader people to", "rather than strictly a solution to my problems. So, what are you guys'", "it well enough, I understand this is a difficult feat to do without", "what are you guys' thoughts? Edit: By narcissistic psychopath, I mean a person", "going from an exiled noblewoman with nothing to her name, to nutty wildcard,", "slaves and the slavers). * She's got relateable struggles exacerbated by her mental", "I personally am having a lot of fun with it and hope I'm", "this question as a repository of ideas people in this stack exchange have", "to undermine the selfishness of both the slaves and the slavers). * She's", "despises the concept of slavery because she considers forced collaboration to undermine the", "the middle of writing a book where the protagonist is a narcissistic psychopath,", "assist with his powerful magic). * Her arc is the tale of someone", "not ordinary, demonstrate she has standards (for instance, she despises the concept of", "Narcissistic Personality Disorder (<https://en.wikipedia.org/wiki/Narcissistic_personality_disorder>), traits of which include: * Grandiosity * Expectations of", "So I was hoping to create this question as a repository of ideas", "this stack exchange have on how to write a compelling psychopathic protagonist. Here", "exiled noblewoman with nothing to her name, to nutty wildcard, to legitimate and", "having Narcissistic Personality Disorder (<https://en.wikipedia.org/wiki/Narcissistic_personality_disorder>), traits of which include: * Grandiosity * Expectations", "* A constant need for approval and admiration * Entitlement * Intense envy", "and selfish, but through sheer happenstance, usually ends up screwing over people even", "a person who has reached levels of narcissism that qualify them as having", "a compelling psychopathic protagonist. Here are the ideas I myself used: * She's", "understand this is a difficult feat to do without alienating the reader. So", "to write a compelling psychopathic protagonist. Here are the ideas I myself used:", "because she considers forced collaboration to undermine the selfishness of both the slaves", "illness (in her case, extreme loneliness from regular social faux pas, usually her", "this is a difficult feat to do without alienating the reader. So I", "psychopathic protagonist. Here are the ideas I myself used: * She's utterly vindictive", "idea repository for others rather than strictly a solution to my problems. So,", "the reader. So I was hoping to create this question as a repository", "a book where the protagonist is a narcissistic psychopath, and while I personally", "Edit: By narcissistic psychopath, I mean a person who has reached levels of", "to do without alienating the reader. So I was hoping to create this", "has a set of principles which, while not ordinary, demonstrate she has standards", "(<https://en.wikipedia.org/wiki/Narcissistic_personality_disorder>), traits of which include: * Grandiosity * Expectations of special treatment ", "(in her case, mob bosses, slavers, and bourgeoisie). She has a set", "well enough, I understand this is a difficult feat to do without alienating", "story has sympathetic side characters that give the reader people to root for", "mean a person who has reached levels of narcissism that qualify them as", "demonstrate she has standards (for instance, she despises the concept of slavery because", "in the middle of writing a book where the protagonist is a narcissistic", "considers forced collaboration to undermine the selfishness of both the slaves and the", "I understand this is a difficult feat to do without alienating the reader.", "extent, with her often missing the point in an endearing way. * The", "slavery because she considers forced collaboration to undermine the selfishness of both the", "forced collaboration to undermine the selfishness of both the slaves and the slavers).", "her mental illness (in her case, extreme loneliness from regular social faux pas,", "than her (in her case, mob bosses, slavers, and bourgeoisie). * She has", "of special treatment * Exploitativeness * Lack of empathy * Fixation on fantasies", "relateable struggles exacerbated by her mental illness (in her case, extreme loneliness from", "a solution to my problems. So, what are you guys' thoughts? Edit: By", "create this question as a repository of ideas people in this stack exchange", "exchange have on how to write a compelling psychopathic protagonist. Here are the", "The story has sympathetic side characters that give the reader people to root", "how to write a compelling psychopathic protagonist. Here are the ideas I myself", "legitimate and terrifying threat, making her a villain protagonist by the end with", "compelling psychopathic protagonist. Here are the ideas I myself used: * She's utterly", "and assist with his powerful magic). * Her arc is the tale of", "name, to nutty wildcard, to legitimate and terrifying threat, making her a villain", "of fun with it and hope I'm doing it well enough, I understand", "a lot of fun with it and hope I'm doing it well enough,", "approval and admiration * Entitlement * Intense envy that regularly manifests as vindictiveness", "the slavers). * She's got relateable struggles exacerbated by her mental illness (in", "sheer happenstance, usually ends up screwing over people even worse than her (in", "noblewoman with nothing to her name, to nutty wildcard, to legitimate and terrifying", "to nutty wildcard, to legitimate and terrifying threat, making her a villain protagonist", "As stated, I'd like this question to be an idea repository for others", "go about making a narcissistic psychopath protagonist work. As stated, I'd like this", "point in an endearing way. * The story has sympathetic side characters that", "feat to do without alienating the reader. So I was hoping to create", "her case, mob bosses, slavers, and bourgeoisie). * She has a set of", "root for even while rooting for her eventual downfall (like her sidekick, a", "missing the point in an endearing way. * The story has sympathetic side", "usually ends up screwing over people even worse than her (in her case,", "often missing the point in an endearing way. * The story has sympathetic", "psychopath protagonist work. As stated, I'd like this question to be an idea", "which include: * Grandiosity * Expectations of special treatment * Exploitativeness * Lack", "rooting for her eventual downfall (like her sidekick, a self-esteem-free boy who she's", "feed her ego and assist with his powerful magic). * Her arc is", "ideal love * Possession of a superiority complex * A constant need for", "principles which, while not ordinary, demonstrate she has standards (for instance, she despises", "even worse than her (in her case, mob bosses, slavers, and bourgeoisie). ", "she considers forced collaboration to undermine the selfishness of both the slaves and", "be an idea repository for others rather than strictly a solution to my", "its extent, with her often missing the point in an endearing way. ", "her sidekick, a self-esteem-free boy who she's using to feed her ego and", "for even while rooting for her eventual downfall (like her sidekick, a self-esteem-free", "the ideas I myself used: * She's utterly vindictive and selfish, but through", "Her narcissism is sometimes outright humorous in its extent, with her often missing", "Here are the ideas I myself used: * She's utterly vindictive and selfish,", "eventual downfall (like her sidekick, a self-esteem-free boy who she's using to feed", "of narcissism that qualify them as having Narcissistic Personality Disorder (<https://en.wikipedia.org/wiki/Narcissistic_personality_disorder>), traits of", "that qualify them as having Narcissistic Personality Disorder (<https://en.wikipedia.org/wiki/Narcissistic_personality_disorder>), traits of which include:", "mental illness (in her case, extreme loneliness from regular social faux pas, usually", "happenstance, usually ends up screwing over people even worse than her (in her", "writing a book where the protagonist is a narcissistic psychopath, and while I", "(like her sidekick, a self-esteem-free boy who she's using to feed her ego", "repository of ideas people in this stack exchange have on how to write", "narcissistic psychopath, I mean a person who has reached levels of narcissism that", "social faux pas, usually her fault, sometimes not). * Her narcissism is sometimes", "while not ordinary, demonstrate she has standards (for instance, she despises the concept", "the point in an endearing way. * The story has sympathetic side characters", "the concept of slavery because she considers forced collaboration to undermine the selfishness", "a self-esteem-free boy who she's using to feed her ego and assist with", "* Expectations of special treatment * Exploitativeness * Lack of empathy * Fixation", "usually her fault, sometimes not). * Her narcissism is sometimes outright humorous in", "person who has reached levels of narcissism that qualify them as having Narcissistic", "do without alienating the reader. So I was hoping to create this question", "protagonist. Here are the ideas I myself used: * She's utterly vindictive and", "stack exchange have on how to write a compelling psychopathic protagonist. Here are", "over people even worse than her (in her case, mob bosses, slavers, and", "a narcissistic psychopath, and while I personally am having a lot of fun", "arc is the tale of someone going from an exiled noblewoman with nothing", "standards (for instance, she despises the concept of slavery because she considers forced", "by her mental illness (in her case, extreme loneliness from regular social faux", "but through sheer happenstance, usually ends up screwing over people even worse than", "book where the protagonist is a narcissistic psychopath, and while I personally am", "* She has a set of principles which, while not ordinary, demonstrate she", "instance, she despises the concept of slavery because she considers forced collaboration to", "antagonists. However I know there's multiple ways to go about making a narcissistic", "* Her narcissism is sometimes outright humorous in its extent, with her often", "enough, I understand this is a difficult feat to do without alienating the", "* Exploitativeness * Lack of empathy * Fixation on fantasies of power or", "on how to write a compelling psychopathic protagonist. Here are the ideas I", "solution to my problems. So, what are you guys' thoughts? Edit: By narcissistic", "nutty wildcard, to legitimate and terrifying threat, making her a villain protagonist by", "there's multiple ways to go about making a narcissistic psychopath protagonist work. As", "powerful magic). * Her arc is the tale of someone going from an", "I know there's multiple ways to go about making a narcissistic psychopath protagonist", "of slavery because she considers forced collaboration to undermine the selfishness of both", "people to root for even while rooting for her eventual downfall (like her", "narcissism that qualify them as having Narcissistic Personality Disorder (<https://en.wikipedia.org/wiki/Narcissistic_personality_disorder>), traits of which", "villain protagonist by the end with sympathetic, heroic antagonists. However I know there's", "By narcissistic psychopath, I mean a person who has reached levels of narcissism", "it and hope I'm doing it well enough, I understand this is a", "bourgeoisie). * She has a set of principles which, while not ordinary, demonstrate", "reached levels of narcissism that qualify them as having Narcissistic Personality Disorder (<https://en.wikipedia.org/wiki/Narcissistic_personality_disorder>),", "She has a set of principles which, while not ordinary, demonstrate she has", "ideas I myself used: * She's utterly vindictive and selfish, but through sheer", "protagonist is a narcissistic psychopath, and while I personally am having a lot", "reader people to root for even while rooting for her eventual downfall (like", "know there's multiple ways to go about making a narcissistic psychopath protagonist work.", "her fault, sometimes not). * Her narcissism is sometimes outright humorous in its", "for approval and admiration * Entitlement * Intense envy that regularly manifests as", "for her eventual downfall (like her sidekick, a self-esteem-free boy who she's using", "Lack of empathy * Fixation on fantasies of power or ideal love ", "am having a lot of fun with it and hope* I'm doing it", "who has reached levels of narcissism that qualify them as having Narcissistic Personality", "others rather than strictly a solution to my problems. So, what are you", "Fixation on fantasies of power or ideal love * Possession of a superiority", "lot of fun with it and hope I'm doing it well enough, I", "even while rooting for her eventual downfall (like her sidekick, a self-esteem-free boy", "narcissistic psychopath, and while I personally am having a lot of fun with", "you guys' thoughts? Edit: By narcissistic psychopath, I mean a person who has", "the protagonist is a narcissistic psychopath, and while I personally am having a", "up screwing over people even worse than her (in her case, mob bosses,", "Expectations of special treatment * Exploitativeness * Lack of empathy * Fixation on", "middle of writing a book where the protagonist is a narcissistic psychopath, and", "slavers, and bourgeoisie). * She has a set of principles which, while not", "from regular social faux pas, usually her fault, sometimes not). * Her narcissism", "strictly a solution to my problems. So, what are you guys' thoughts? Edit:", "hope I'm doing it well enough, I understand this is a difficult feat", "like this question to be an idea repository for others rather than strictly", "sometimes not). * Her narcissism is sometimes outright humorous in its extent, with", "narcissism is sometimes outright humorous in its extent, with her often missing the", "difficult feat to do without alienating the reader. So I was hoping to", "to my problems. So, what are you guys' thoughts? Edit: By narcissistic psychopath,", "got relateable struggles exacerbated by her mental illness (in her case, extreme loneliness", "in this stack exchange have on how to write a compelling psychopathic protagonist.", "fantasies of power or ideal love * Possession of a superiority complex ", "has sympathetic side characters that give the reader people to root for even", "extreme loneliness from regular social faux pas, usually her fault, sometimes not). ", "case, extreme loneliness from regular social faux pas, usually her fault, sometimes not).", "myself used: * She's utterly vindictive and selfish, but through sheer happenstance, usually", "loneliness from regular social faux pas, usually her fault, sometimes not). * Her", "people in this stack exchange have on how to write a compelling psychopathic", "ways to go about making a narcissistic psychopath protagonist work. As stated, I'd", "* Grandiosity * Expectations of special treatment * Exploitativeness * Lack of empathy", "I'm doing it well enough, I understand this is a difficult feat to", "and terrifying threat, making her a villain protagonist by the end with sympathetic,", "she has standards (for instance, she despises the concept of slavery because she", "* She's utterly vindictive and selfish, but through sheer happenstance, usually ends up", "(in her case, extreme loneliness from regular social faux pas, usually her fault,", "fun with it and hope I'm doing it well enough, I understand this", "I'm in the middle of writing a book where the protagonist is a", "levels of narcissism that qualify them as having Narcissistic Personality Disorder (<https://en.wikipedia.org/wiki/Narcissistic_personality_disorder>), traits", "to be an idea repository for others rather than strictly a solution to", "making her a villain protagonist by the end with sympathetic, heroic antagonists. However", "are you guys' thoughts? Edit: By narcissistic psychopath, I mean a person who", "someone going from an exiled noblewoman with nothing to her name, to nutty", "of principles which, while not ordinary, demonstrate she has standards (for instance, she", "is sometimes outright humorous in its extent, with her often missing the point", "she despises the concept of slavery because she considers forced collaboration to undermine", "work. As stated, I'd like this question to be an idea repository for", "an idea repository for others rather than strictly a solution to my problems.", "ideas people in this stack exchange have on how to write a compelling", "reader. So I was hoping to create this question as a repository of", "case, mob bosses, slavers, and bourgeoisie). * She has a set of principles", "as having Narcissistic Personality Disorder (<https://en.wikipedia.org/wiki/Narcissistic_personality_disorder>), traits of which include: * Grandiosity ", "traits of which include: Grandiosity * Expectations of special treatment * Exploitativeness", "while I personally am having a lot of fun with it and hope", "and the slavers). * She's got relateable struggles exacerbated by her mental illness", "Disorder (<https://en.wikipedia.org/wiki/Narcissistic_personality_disorder>), traits of which include: * Grandiosity * Expectations of special treatment", "treatment * Exploitativeness * Lack of empathy * Fixation on fantasies of power", "ends up screwing over people even worse than her (in her case, mob", "Grandiosity * Expectations of special treatment * Exploitativeness * Lack of empathy ", "protagonist work. As stated, I'd like this question to be an idea repository", "while rooting for her eventual downfall (like her sidekick, a self-esteem-free boy who", "a set of principles which, while not ordinary, demonstrate she has standards (for", "both the slaves and the slavers). She's got relateable struggles exacerbated by", "with sympathetic, heroic antagonists. However I know there's multiple ways to go about", "constant need for approval and admiration * Entitlement * Intense envy that regularly", "mob bosses, slavers, and bourgeoisie). * She has a set of principles which,", "is the tale of someone going from an exiled noblewoman with nothing to", "she's using to feed her ego and assist with his powerful magic). ", "on fantasies of power or ideal love Possession of a superiority complex", "boy who she's using to feed her ego and assist with his powerful", "her eventual downfall (like her sidekick, a self-esteem-free boy who she's using to", "her case, extreme loneliness from regular social faux pas, usually her fault, sometimes", "having a lot of fun with it and hope I'm doing it well", "vindictive and selfish, but through sheer happenstance, usually ends up screwing over people", "to create this question as a repository of ideas people in this stack", "or ideal love * Possession of a superiority complex * A constant need", "bosses, slavers, and bourgeoisie). * She has a set of principles which, while", "where the protagonist is a narcissistic psychopath, and while I personally am having", "with his powerful magic). * Her arc is the tale of someone going", "Personality Disorder (<https://en.wikipedia.org/wiki/Narcissistic_personality_disorder>), traits of which include: * Grandiosity * Expectations of special", "love * Possession of a superiority complex * A constant need for approval", "sidekick, a self-esteem-free boy who she's using to feed her ego and assist", "which, while not ordinary, demonstrate she has standards (for instance, she despises the", "However I know there's multiple ways to go about making a narcissistic psychopath", "is a narcissistic psychopath, and while I personally am having a lot of", "give the reader people to root for even while rooting for her eventual", "that give the reader people to root for even while rooting for her", "thoughts? Edit: By narcissistic psychopath, I mean a person who has reached levels", "to legitimate and terrifying threat, making her a villain protagonist by the end", "superiority complex * A constant need for approval and admiration * Entitlement ", "of power or ideal love Possession of a superiority complex * A", "collaboration to undermine the selfishness of both the slaves and the slavers). ", "them as having Narcissistic Personality Disorder (<https://en.wikipedia.org/wiki/Narcissistic_personality_disorder>), traits of which include: Grandiosity", "a superiority complex * A constant need for approval and admiration * Entitlement", "self-esteem-free boy who she's using to feed her ego and assist with his", "narcissistic psychopath protagonist work. As stated, I'd like this question to be an", "I was hoping to create this question as a repository of ideas people", "power or ideal love * Possession of a superiority complex * A constant", "psychopath, and while I personally am having a lot of fun with it", "side characters that give the reader people to root for even while rooting", "sympathetic, heroic antagonists. However I know there's multiple ways to go about making", "terrifying threat, making her a villain protagonist by the end with sympathetic, heroic", "of writing a book where the protagonist is a narcissistic psychopath, and while", "sometimes outright humorous in its extent, with her often missing the point in", "of both the slaves and the slavers). * She's got relateable struggles exacerbated", "to root for even while rooting for her eventual downfall (like her sidekick,", "question as a repository of ideas people in this stack exchange have on", "problems. So, what are you guys' thoughts? Edit: By narcissistic psychopath, I mean", "has standards (for instance, she despises the concept of slavery because she considers", "and bourgeoisie). * She has a set of principles which, while not ordinary,", "undermine the selfishness of both the slaves and the slavers). * She's got", "need for approval and admiration * Entitlement * Intense envy that regularly manifests", "sympathetic side characters that give the reader people to root for even while", "tale of someone going from an exiled noblewoman with nothing to her name,", "include: * Grandiosity * Expectations of special treatment * Exploitativeness * Lack of", "Exploitativeness * Lack of empathy * Fixation on fantasies of power or ideal", "using to feed her ego and assist with his powerful magic). * Her", "special treatment * Exploitativeness * Lack of empathy * Fixation on fantasies of", "set of principles which, while not ordinary, demonstrate she has standards (for instance,", "guys' thoughts? Edit: By narcissistic psychopath, I mean a person who has reached", "worse than her (in her case, mob bosses, slavers, and bourgeoisie). * She", "a difficult feat to do without alienating the reader. So I was hoping", "her (in her case, mob bosses, slavers, and bourgeoisie). * She has a", "write a compelling psychopathic protagonist. Here are the ideas I myself used: ", "making a narcissistic psychopath protagonist work. As stated, I'd like this question to", "exacerbated by her mental illness (in her case, extreme loneliness from regular social", "and while I personally am having a lot of fun with it and", "end with sympathetic, heroic antagonists. However I know there's multiple ways to go", "as a repository of ideas people in this stack exchange have on how", "the selfishness of both the slaves and the slavers). She's got relateable", "was hoping to create this question as a repository of ideas people in", "question to be an idea repository for others rather than strictly a solution", "fault, sometimes not). * Her narcissism is sometimes outright humorous in its extent,", "the tale of someone going from an exiled noblewoman with nothing to her", "* Lack of empathy * Fixation on fantasies of power or ideal love", "are the ideas I myself used: * She's utterly vindictive and selfish, but", "regular social faux pas, usually her fault, sometimes not). * Her narcissism is", "* Possession of a superiority complex * A constant need for approval and", "stated, I'd like this question to be an idea repository for others rather", "alienating the reader. So I was hoping to create this question as a", "hoping to create this question as a repository of ideas people in this", "threat, making her a villain protagonist by the end with sympathetic, heroic antagonists.", "of empathy * Fixation on fantasies of power or ideal love * Possession", "downfall (like her sidekick, a self-esteem-free boy who she's using to feed her" ]
[ "1950s. This poet passed away in 2005. How to attribute this in my", "actual poet, even though novel shows that fictional character penned it herself. Would", "poet, even though novel shows that fictional character penned it herself. Would a", "composed by someone in India, likely 1950s. This poet passed away in 2005.", "novel? In other words, my novel should say this poem is from this", "I am contemplating my character to compose a poem that was actually composed", "poem that was actually composed by someone in India, likely 1950s. This poet", "my novel? In other words, my novel should say this poem is from", "novel should say this poem is from this actual poet, even though novel", "say this poem is from this actual poet, even though novel shows that", "away in 2005. How to attribute this in my novel? In other words,", "likely 1950s. This poet passed away in 2005. How to attribute this in", "to attribute this in my novel? In other words, my novel should say", "2005. How to attribute this in my novel? In other words, my novel", "poem is from this actual poet, even though novel shows that fictional character", "other words, my novel should say this poem is from this actual poet,", "In other words, my novel should say this poem is from this actual", "even though novel shows that fictional character penned it herself. Would a footnote", "this in my novel? In other words, my novel should say this poem", "This poet passed away in 2005. How to attribute this in my novel?", "a poem that was actually composed by someone in India, likely 1950s. This", "poet passed away in 2005. How to attribute this in my novel? In", "by someone in India, likely 1950s. This poet passed away in 2005. How", "India, likely 1950s. This poet passed away in 2005. How to attribute this", "character to compose a poem that was actually composed by someone in India,", "this actual poet, even though novel shows that fictional character penned it herself.", "is from this actual poet, even though novel shows that fictional character penned", "in India, likely 1950s. This poet passed away in 2005. How to attribute", "I am writing historical fiction. I am contemplating my character to compose a", "was actually composed by someone in India, likely 1950s. This poet passed away", "historical fiction. I am contemplating my character to compose a poem that was", "in 2005. How to attribute this in my novel? In other words, my", "writing historical fiction. I am contemplating my character to compose a poem that", "fiction. I am contemplating my character to compose a poem that was actually", "that was actually composed by someone in India, likely 1950s. This poet passed", "attribute this in my novel? In other words, my novel should say this", "in my novel? In other words, my novel should say this poem is", "novel shows that fictional character penned it herself. Would a footnote be acceptable?", "should say this poem is from this actual poet, even though novel shows", "passed away in 2005. How to attribute this in my novel? In other", "my novel should say this poem is from this actual poet, even though", "someone in India, likely 1950s. This poet passed away in 2005. How to", "am writing historical fiction. I am contemplating my character to compose a poem", "How to attribute this in my novel? In other words, my novel should", "though novel shows that fictional character penned it herself. Would a footnote be", "actually composed by someone in India, likely 1950s. This poet passed away in", "am contemplating my character to compose a poem that was actually composed by", "to compose a poem that was actually composed by someone in India, likely", "this poem is from this actual poet, even though novel shows that fictional", "words, my novel should say this poem is from this actual poet, even", "compose a poem that was actually composed by someone in India, likely 1950s.", "from this actual poet, even though novel shows that fictional character penned it", "my character to compose a poem that was actually composed by someone in", "contemplating my character to compose a poem that was actually composed by someone" ]
[ "lying to the readers. I want to know if this is bad where", "were convinced of was wrong. However looking back it doesn't make any sense", "is the case and nothing leads us to believe otherwise which is no", "perspective you are following be wrong and usually gives a reasonable explanation why.", "and makes sense why it is wrong. In third person though it narrates", "nothing leads us to believe otherwise which is no different from lying to", "by making the character whose perspective you are following be wrong and usually", "to the readers. I want to know if this is bad where the", "the narrative to lie to the reader. I get that using it in", "it narrates the story from an outside perspective it is basically the readers", "the narrative basically says it is as well, but later turns out that", "though it narrates the story from an outside perspective it is basically the", "if this is bad where the narrative convinces you of something, but it", "I get that using it in first person can be a good use", "want to know is if it is bad for the narrative to lie", "looking back it doesn't make any sense at all from the narrative that", "used cause we as the readers have pretty much been told this is", "character whose perspective you are following be wrong and usually gives a reasonable", "otherwise which is no different from lying to the readers. I want to", "the readers. I want to know if this is bad where the narrative", "use for misdirection and such, but it does that by making the character", "reader of something and doesn't leave any room for doubt and the narrative", "is as well, but later turns out that what you were convinced of", "can be a good use for misdirection and such, but it does that", "leave any room for doubt and the narrative basically says it is as", "but later turns out that what you were convinced of was wrong. However", "cause we as the readers have pretty much been told this is the", "to believe otherwise which is no different from lying to the readers. I", "leads us to believe otherwise which is no different from lying to the", "is basically the readers perspective. So say if the author convinces you the", "as well, but later turns out that what you were convinced of was", "It's not lying to the readers, but rather the character they are following", "reasonable explanation why. It's not lying to the readers, but rather the character", "from an outside perspective it is basically the readers perspective. So say if", "readers perspective. So say if the author convinces you the reader of something", "get that using it in first person can be a good use for", "but rather the character they are following and makes sense why it is", "are following and makes sense why it is wrong. In third person though", "any room for doubt and the narrative basically says it is as well,", "the character they are following and makes sense why it is wrong. In", "basically says it is as well, but later turns out that what you", "well, but later turns out that what you were convinced of was wrong.", "say if the author convinces you the reader of something and doesn't leave", "been used cause we as the readers have pretty much been told this", "want to know if this is bad where the narrative convinces you of", "no different from lying to the readers. I want to know if this", "room for doubt and the narrative basically says it is as well, but", "doubt and the narrative basically says it is as well, but later turns", "to the readers, but rather the character they are following and makes sense", "told this is the case and nothing leads us to believe otherwise which", "for misdirection and such, but it does that by making the character whose", "be wrong and usually gives a reasonable explanation why. It's not lying to", "are following be wrong and usually gives a reasonable explanation why. It's not", "story from an outside perspective it is basically the readers perspective. So say", "gives a reasonable explanation why. It's not lying to the readers, but rather", "all from the narrative that has been used cause we as the readers", "However looking back it doesn't make any sense at all from the narrative", "the reader of something and doesn't leave any room for doubt and the", "why. It's not lying to the readers, but rather the character they are", "and doesn't leave any room for doubt and the narrative basically says it", "it doesn't make any sense at all from the narrative that has been", "rather the character they are following and makes sense why it is wrong.", "making the character whose perspective you are following be wrong and usually gives", "this is bad where the narrative convinces you of something, but it turns", "perspective. So say if the author convinces you the reader of something and", "back it doesn't make any sense at all from the narrative that has", "an outside perspective it is basically the readers perspective. So say if the", "is if it is bad for the narrative to lie to the reader.", "sense at all from the narrative that has been used cause we as", "was wrong. However looking back it doesn't make any sense at all from", "narrative basically says it is as well, but later turns out that what", "is bad for the narrative to lie to the reader. I get that", "later turns out that what you were convinced of was wrong. However looking", "is wrong. In third person though it narrates the story from an outside", "person can be a good use for misdirection and such, but it does", "What I want to know is if it is bad for the narrative", "turns out that what you were convinced of was wrong. However looking back", "readers, but rather the character they are following and makes sense why it", "readers have pretty much been told this is the case and nothing leads", "believe otherwise which is no different from lying to the readers. I want", "is no different from lying to the readers. I want to know if", "reader. I get that using it in first person can be a good", "be a good use for misdirection and such, but it does that by", "and nothing leads us to believe otherwise which is no different from lying", "it is basically the readers perspective. So say if the author convinces you", "the story from an outside perspective it is basically the readers perspective. So", "first person can be a good use for misdirection and such, but it", "why it is wrong. In third person though it narrates the story from", "you the reader of something and doesn't leave any room for doubt and", "know is if it is bad for the narrative to lie to the", "know if this is bad where the narrative convinces you of something, but", "and such, but it does that by making the character whose perspective you", "from lying to the readers. I want to know if this is bad", "to lie to the reader. I get that using it in first person", "author convinces you the reader of something and doesn't leave any room for", "says it is as well, but later turns out that what you were", "has been used cause we as the readers have pretty much been told", "case and nothing leads us to believe otherwise which is no different from", "not lying to the readers, but rather the character they are following and", "for the narrative to lie to the reader. I get that using it", "in first person can be a good use for misdirection and such, but", "the readers, but rather the character they are following and makes sense why", "character they are following and makes sense why it is wrong. In third", "the case and nothing leads us to believe otherwise which is no different", "to know is if it is bad for the narrative to lie to", "much been told this is the case and nothing leads us to believe", "In third person though it narrates the story from an outside perspective it", "does that by making the character whose perspective you are following be wrong", "the reader. I get that using it in first person can be a", "that has been used cause we as the readers have pretty much been", "a good use for misdirection and such, but it does that by making", "such, but it does that by making the character whose perspective you are", "wrong. However looking back it doesn't make any sense at all from the", "of was wrong. However looking back it doesn't make any sense at all", "bad where the narrative convinces you of something, but it turns out to", "basically the readers perspective. So say if the author convinces you the reader", "doesn't leave any room for doubt and the narrative basically says it is", "explanation why. It's not lying to the readers, but rather the character they", "make any sense at all from the narrative that has been used cause", "it does that by making the character whose perspective you are following be", "been told this is the case and nothing leads us to believe otherwise", "is bad where the narrative convinces you of something, but it turns out", "the readers perspective. So say if the author convinces you the reader of", "at all from the narrative that has been used cause we as the", "this is the case and nothing leads us to believe otherwise which is", "good use for misdirection and such, but it does that by making the", "you are following be wrong and usually gives a reasonable explanation why. It's", "we as the readers have pretty much been told this is the case", "where the narrative convinces you of something, but it turns out to be", "narrates the story from an outside perspective it is basically the readers perspective.", "the narrative convinces you of something, but it turns out to be false.", "using it in first person can be a good use for misdirection and", "I want to know is if it is bad for the narrative to", "So say if the author convinces you the reader of something and doesn't", "but it does that by making the character whose perspective you are following", "it is wrong. In third person though it narrates the story from an", "that what you were convinced of was wrong. However looking back it doesn't", "that by making the character whose perspective you are following be wrong and", "different from lying to the readers. I want to know if this is", "outside perspective it is basically the readers perspective. So say if the author", "the character whose perspective you are following be wrong and usually gives a", "third person though it narrates the story from an outside perspective it is", "and the narrative basically says it is as well, but later turns out", "narrative that has been used cause we as the readers have pretty much", "lie to the reader. I get that using it in first person can", "to know if this is bad where the narrative convinces you of something,", "a reasonable explanation why. It's not lying to the readers, but rather the", "from the narrative that has been used cause we as the readers have", "bad for the narrative to lie to the reader. I get that using", "makes sense why it is wrong. In third person though it narrates the", "narrative to lie to the reader. I get that using it in first", "following be wrong and usually gives a reasonable explanation why. It's not lying", "wrong. In third person though it narrates the story from an outside perspective", "if it is bad for the narrative to lie to the reader. I", "convinces you the reader of something and doesn't leave any room for doubt", "the narrative that has been used cause we as the readers have pretty", "it is bad for the narrative to lie to the reader. I get", "pretty much been told this is the case and nothing leads us to", "usually gives a reasonable explanation why. It's not lying to the readers, but", "for doubt and the narrative basically says it is as well, but later", "you were convinced of was wrong. However looking back it doesn't make any", "perspective it is basically the readers perspective. So say if the author convinces", "misdirection and such, but it does that by making the character whose perspective", "any sense at all from the narrative that has been used cause we", "the author convinces you the reader of something and doesn't leave any room", "it in first person can be a good use for misdirection and such,", "which is no different from lying to the readers. I want to know", "whose perspective you are following be wrong and usually gives a reasonable explanation", "out that what you were convinced of was wrong. However looking back it", "that using it in first person can be a good use for misdirection", "following and makes sense why it is wrong. In third person though it", "have pretty much been told this is the case and nothing leads us", "convinced of was wrong. However looking back it doesn't make any sense at", "they are following and makes sense why it is wrong. In third person", "I want to know if this is bad where the narrative convinces you", "to the reader. I get that using it in first person can be", "doesn't make any sense at all from the narrative that has been used", "if the author convinces you the reader of something and doesn't leave any", "what you were convinced of was wrong. However looking back it doesn't make", "of something and doesn't leave any room for doubt and the narrative basically", "something and doesn't leave any room for doubt and the narrative basically says", "it is as well, but later turns out that what you were convinced", "as the readers have pretty much been told this is the case and", "us to believe otherwise which is no different from lying to the readers.", "sense why it is wrong. In third person though it narrates the story", "the readers have pretty much been told this is the case and nothing", "wrong and usually gives a reasonable explanation why. It's not lying to the", "readers. I want to know if this is bad where the narrative convinces", "person though it narrates the story from an outside perspective it is basically", "lying to the readers, but rather the character they are following and makes", "and usually gives a reasonable explanation why. It's not lying to the readers," ]
[ "assuming writing only about characters who have negative familial experiences would become one-note", "you don't have any positive relationships with relatives yourself to draw from. I'm", "have any positive relationships with relatives yourself to draw from. I'm assuming writing", "from. I'm assuming writing only about characters who have negative familial experiences would", "don't have any positive relationships with relatives yourself to draw from. I'm assuming", "In regards specifically if you don't have any positive relationships with relatives yourself", "regards specifically if you don't have any positive relationships with relatives yourself to", "writing only about characters who have negative familial experiences would become one-note rather", "I'm assuming writing only about characters who have negative familial experiences would become", "yourself to draw from. I'm assuming writing only about characters who have negative", "relationships with relatives yourself to draw from. I'm assuming writing only about characters", "draw from. I'm assuming writing only about characters who have negative familial experiences", "any positive relationships with relatives yourself to draw from. I'm assuming writing only", "with relatives yourself to draw from. I'm assuming writing only about characters who", "positive relationships with relatives yourself to draw from. I'm assuming writing only about", "only about characters who have negative familial experiences would become one-note rather quickly.", "relatives yourself to draw from. I'm assuming writing only about characters who have", "specifically if you don't have any positive relationships with relatives yourself to draw", "if you don't have any positive relationships with relatives yourself to draw from.", "to draw from. I'm assuming writing only about characters who have negative familial" ]
[ "sounded as if they were coming from the back bedroom, so she then", "I steer away from doing this so often as I write in 3rd", "room, but there was no sight of a single soul around. She walked", "person fiction? Here is an example: > > RizaMe took off her shoes,", "How can I steer away from doing this so often as I write", "down the hall, and that's when she heard the sounds of giggling voices,", "there was no sight of a single soul around. She walked further down", "step forward, and that's when she heard it, the deafening scream. > >", "the old Victorian home. She peered into the kitchen as she stood in", "forward, and that's when she heard it, the deafening scream. > > >", "if they were coming from the back bedroom, so she then proceeded to", "floors in the old Victorian home. She peered into the kitchen as she", "> > RizaMe took off her shoes, and stepped onto the hardwood floors", "The voices sounded as if they were coming from the back bedroom, so", "proceeded to walk that way. Her heart thumped against her chest. She took", "that I use \"she\", \"he\", and \"they\" - and a lot of sentences", "She peered into the kitchen as she stood in the dining room, but", "this so often as I write in 3rd person fiction? Here is an", "that's when she heard the sounds of giggling voices, so she stopped midway.", "so she then proceeded to walk that way. Her heart thumped against her", "stopped midway. The voices sounded as if they were coming from the back", "and \"they\" - and a lot of sentences also begin with the aforementioned", "kitchen as she stood in the dining room, but there was no sight", "3rd person fiction? Here is an example: > > RizaMe took off her", "away from doing this so often as I write in 3rd person fiction?", "begin with the aforementioned pronouns. How can I steer away from doing this", "single soul around. She walked further down the hall, and that's when she", "heart thumped against her chest. She took one step forward, and that's when", "Here is an example: > > RizaMe took off her shoes, and stepped", "voices sounded as if they were coming from the back bedroom, so she", "a lot of sentences also begin with the aforementioned pronouns. How can I", "- and a lot of sentences also begin with the aforementioned pronouns. How", "but there was no sight of a single soul around. She walked further", "also begin with the aforementioned pronouns. How can I steer away from doing", "I write in 3rd person fiction? Here is an example: > > RizaMe", "voices, so she stopped midway. The voices sounded as if they were coming", "to walk that way. Her heart thumped against her chest. She took one", "doing this so often as I write in 3rd person fiction? Here is", "example: > > RizaMe took off her shoes, and stepped onto the hardwood", "she heard the sounds of giggling voices, so she stopped midway. The voices", "bedroom, so she then proceeded to walk that way. Her heart thumped against", "and stepped onto the hardwood floors in the old Victorian home. She peered", "was no sight of a single soul around. She walked further down the", "of sentences also begin with the aforementioned pronouns. How can I steer away", "stood in the dining room, but there was no sight of a single", "the hardwood floors in the old Victorian home. She peered into the kitchen", "she stood in the dining room, but there was no sight of a", "sight of a single soul around. She walked further down the hall, and", "against her chest. She took one step forward, and that's when she heard", "pronouns. How can I steer away from doing this so often as I", "hardwood floors in the old Victorian home. She peered into the kitchen as", "she stopped midway. The voices sounded as if they were coming from the", "as I write in 3rd person fiction? Here is an example: > >", "sentences also begin with the aforementioned pronouns. How can I steer away from", "of a single soul around. She walked further down the hall, and that's", "\"she\", \"he\", and \"they\" - and a lot of sentences also begin with", "were coming from the back bedroom, so she then proceeded to walk that", "a single soul around. She walked further down the hall, and that's when", "She took one step forward, and that's when she heard it, the deafening", "noticed that I use \"she\", \"he\", and \"they\" - and a lot of", "shoes, and stepped onto the hardwood floors in the old Victorian home. She", "heard the sounds of giggling voices, so she stopped midway. The voices sounded", "midway. The voices sounded as if they were coming from the back bedroom,", "often as I write in 3rd person fiction? Here is an example: >", "so she stopped midway. The voices sounded as if they were coming from", "sounds of giggling voices, so she stopped midway. The voices sounded as if", "steer away from doing this so often as I write in 3rd person", "that way. Her heart thumped against her chest. She took one step forward,", "chest. She took one step forward, and that's when she heard it, the", "no sight of a single soul around. She walked further down the hall,", "and a lot of sentences also begin with the aforementioned pronouns. How can", "dining room, but there was no sight of a single soul around. She", "hall, and that's when she heard the sounds of giggling voices, so she", "so often as I write in 3rd person fiction? Here is an example:", "the hall, and that's when she heard the sounds of giggling voices, so", "giggling voices, so she stopped midway. The voices sounded as if they were", "She walked further down the hall, and that's when she heard the sounds", "they were coming from the back bedroom, so she then proceeded to walk", "> RizaMe took off her shoes, and stepped onto the hardwood floors in", "when she heard the sounds of giggling voices, so she stopped midway. The", "walk that way. Her heart thumped against her chest. She took one step", "coming from the back bedroom, so she then proceeded to walk that way.", "\"he\", and \"they\" - and a lot of sentences also begin with the", "I noticed that I use \"she\", \"he\", and \"they\" - and a lot", "from the back bedroom, so she then proceeded to walk that way. Her", "fiction? Here is an example: > > RizaMe took off her shoes, and", "an example: > > RizaMe took off her shoes, and stepped onto the", "way. Her heart thumped against her chest. She took one step forward, and", "the kitchen as she stood in the dining room, but there was no", "back bedroom, so she then proceeded to walk that way. Her heart thumped", "thumped against her chest. She took one step forward, and that's when she", "took off her shoes, and stepped onto the hardwood floors in the old", "soul around. She walked further down the hall, and that's when she heard", "took one step forward, and that's when she heard it, the deafening scream.", "is an example: > > RizaMe took off her shoes, and stepped onto", "Victorian home. She peered into the kitchen as she stood in the dining", "in the dining room, but there was no sight of a single soul", "home. She peered into the kitchen as she stood in the dining room,", "lot of sentences also begin with the aforementioned pronouns. How can I steer", "write in 3rd person fiction? Here is an example: > > RizaMe took", "Her heart thumped against her chest. She took one step forward, and that's", "the aforementioned pronouns. How can I steer away from doing this so often", "as she stood in the dining room, but there was no sight of", "around. She walked further down the hall, and that's when she heard the", "the back bedroom, so she then proceeded to walk that way. Her heart", "one step forward, and that's when she heard it, the deafening scream. >", "off her shoes, and stepped onto the hardwood floors in the old Victorian", "walked further down the hall, and that's when she heard the sounds of", "stepped onto the hardwood floors in the old Victorian home. She peered into", "further down the hall, and that's when she heard the sounds of giggling", "from doing this so often as I write in 3rd person fiction? Here", "she then proceeded to walk that way. Her heart thumped against her chest.", "use \"she\", \"he\", and \"they\" - and a lot of sentences also begin", "in 3rd person fiction? Here is an example: > > RizaMe took off", "RizaMe took off her shoes, and stepped onto the hardwood floors in the", "aforementioned pronouns. How can I steer away from doing this so often as", "peered into the kitchen as she stood in the dining room, but there", "the sounds of giggling voices, so she stopped midway. The voices sounded as", "as if they were coming from the back bedroom, so she then proceeded", "her chest. She took one step forward, and that's when she heard it,", "of giggling voices, so she stopped midway. The voices sounded as if they", "her shoes, and stepped onto the hardwood floors in the old Victorian home.", "onto the hardwood floors in the old Victorian home. She peered into the", "the dining room, but there was no sight of a single soul around.", "and that's when she heard the sounds of giggling voices, so she stopped", "then proceeded to walk that way. Her heart thumped against her chest. She", "in the old Victorian home. She peered into the kitchen as she stood", "with the aforementioned pronouns. How can I steer away from doing this so", "old Victorian home. She peered into the kitchen as she stood in the", "I use \"she\", \"he\", and \"they\" - and a lot of sentences also", "can I steer away from doing this so often as I write in", "\"they\" - and a lot of sentences also begin with the aforementioned pronouns.", "into the kitchen as she stood in the dining room, but there was" ]
[ "know what to do to bring myself back to writing. Even if my", "my brain is constantly working. The standard solution would be to read more,", "multiple ideas on how to entirely change the plot of my book and", "a full time pre-med student in university isn't exactly helping either. I don't", "into a complex plot for the first time feels difficult. Being a full", "amateurish or inconsistent but each time I do so, I start to question", "brain is constantly working. The standard solution would be to read more, work", "reach the middle, I get stuck and I go back and edit and", "bring myself back to writing. Even if my fingers haven't touched the keypad", "now, I haven't written for months because I've had multiple ideas on how", "to entirely change the plot of my book and I don't know how", "least seven times now. At first it was just editing out parts I", "working on a book for about four years now. Every time I reach", "to do to bring myself back to writing. Even if my fingers haven't", "time pre-med student in university isn't exactly helping either. I don't know what", "done years worth of research to assemble it. As of right now, I", "of right now, I haven't written for months because I've had multiple ideas", "of these ideas but piecing them together into a complex plot for the", "years now. Every time I reach the middle, I get stuck and I", "execute them. I have all of these ideas but piecing them together into", "first time feels difficult. Being a full time pre-med student in university isn't", "book for about four years now. Every time I reach the middle, I", "research to assemble it. As of right now, I haven't written for months", "the middle, I get stuck and I go back and edit and rewrite", "go back and edit and rewrite everything. I've probably rewritten the whole thing", "had multiple ideas on how to entirely change the plot of my book", "have all of these ideas but piecing them together into a complex plot", "even though I've done years worth of research to assemble it. As of", "to execute them. I have all of these ideas but piecing them together", "university isn't exactly helping either. I don't know what to do to bring", "constantly working. The standard solution would be to read more, work on other", "about four years now. Every time I reach the middle, I get stuck", "As of right now, I haven't written for months because I've had multiple", "work on other things, go for walks or force the writing out but", "written for months because I've had multiple ideas on how to entirely change", "was just editing out parts I felt were extra or amateurish or inconsistent", "ideas but piecing them together into a complex plot for the first time", "my fingers haven't touched the keypad for months, my brain is constantly working.", "the keypad for months, my brain is constantly working. The standard solution would", "other things, go for walks or force the writing out but I've tried.", "I haven't written for months because I've had multiple ideas on how to", "the plot of my book and I don't know how to execute them.", "is constantly working. The standard solution would be to read more, work on", "how to entirely change the plot of my book and I don't know", "plot for the first time feels difficult. Being a full time pre-med student", "to writing. Even if my fingers haven't touched the keypad for months, my", "assemble it. As of right now, I haven't written for months because I've", "now. At first it was just editing out parts I felt were extra", "it was just editing out parts I felt were extra or amateurish or", "I do so, I start to question the plot even though I've done", "plot even though I've done years worth of research to assemble it. As", "the first time feels difficult. Being a full time pre-med student in university", "seven times now. At first it was just editing out parts I felt", "pre-med student in university isn't exactly helping either. I don't know what to", "months, my brain is constantly working. The standard solution would be to read", "months because I've had multiple ideas on how to entirely change the plot", "in university isn't exactly helping either. I don't know what to do to", "I get stuck and I go back and edit and rewrite everything. I've", "thing at least seven times now. At first it was just editing out", "full time pre-med student in university isn't exactly helping either. I don't know", "more, work on other things, go for walks or force the writing out", "rewritten the whole thing at least seven times now. At first it was", "first it was just editing out parts I felt were extra or amateurish", "or amateurish or inconsistent but each time I do so, I start to", "right now, I haven't written for months because I've had multiple ideas on", "four years now. Every time I reach the middle, I get stuck and", "what to do to bring myself back to writing. Even if my fingers", "a complex plot for the first time feels difficult. Being a full time", "helping either. I don't know what to do to bring myself back to", "I go back and edit and rewrite everything. I've probably rewritten the whole", "entirely change the plot of my book and I don't know how to", "to bring myself back to writing. Even if my fingers haven't touched the", "how to execute them. I have all of these ideas but piecing them", "on a book for about four years now. Every time I reach the", "Even if my fingers haven't touched the keypad for months, my brain is", "whole thing at least seven times now. At first it was just editing", "do so, I start to question the plot even though I've done years", "I start to question the plot even though I've done years worth of", "to read more, work on other things, go for walks or force the", "change the plot of my book and I don't know how to execute", "know how to execute them. I have all of these ideas but piecing", "I've had multiple ideas on how to entirely change the plot of my", "if my fingers haven't touched the keypad for months, my brain is constantly", "on other things, go for walks or force the writing out but I've", "but piecing them together into a complex plot for the first time feels", "piecing them together into a complex plot for the first time feels difficult.", "keypad for months, my brain is constantly working. The standard solution would be", "working. The standard solution would be to read more, work on other things,", "difficult. Being a full time pre-med student in university isn't exactly helping either.", "writing. Even if my fingers haven't touched the keypad for months, my brain", "worth of research to assemble it. As of right now, I haven't written", "years worth of research to assemble it. As of right now, I haven't", "all of these ideas but piecing them together into a complex plot for", "these ideas but piecing them together into a complex plot for the first", "now. Every time I reach the middle, I get stuck and I go", "though I've done years worth of research to assemble it. As of right", "editing out parts I felt were extra or amateurish or inconsistent but each", "were extra or amateurish or inconsistent but each time I do so, I", "would be to read more, work on other things, go for walks or", "stuck and I go back and edit and rewrite everything. I've probably rewritten", "and rewrite everything. I've probably rewritten the whole thing at least seven times", "everything. I've probably rewritten the whole thing at least seven times now. At", "times now. At first it was just editing out parts I felt were", "edit and rewrite everything. I've probably rewritten the whole thing at least seven", "to question the plot even though I've done years worth of research to", "extra or amateurish or inconsistent but each time I do so, I start", "book and I don't know how to execute them. I have all of", "a book for about four years now. Every time I reach the middle,", "middle, I get stuck and I go back and edit and rewrite everything.", "I felt were extra or amateurish or inconsistent but each time I do", "do to bring myself back to writing. Even if my fingers haven't touched", "on how to entirely change the plot of my book and I don't", "each time I do so, I start to question the plot even though", "it. As of right now, I haven't written for months because I've had", "haven't written for months because I've had multiple ideas on how to entirely", "haven't touched the keypad for months, my brain is constantly working. The standard", "question the plot even though I've done years worth of research to assemble", "or inconsistent but each time I do so, I start to question the", "of research to assemble it. As of right now, I haven't written for", "myself back to writing. Even if my fingers haven't touched the keypad for", "for about four years now. Every time I reach the middle, I get", "for months, my brain is constantly working. The standard solution would be to", "for months because I've had multiple ideas on how to entirely change the", "exactly helping either. I don't know what to do to bring myself back", "either. I don't know what to do to bring myself back to writing.", "solution would be to read more, work on other things, go for walks", "to assemble it. As of right now, I haven't written for months because", "out parts I felt were extra or amateurish or inconsistent but each time", "ideas on how to entirely change the plot of my book and I", "my book and I don't know how to execute them. I have all", "I don't know how to execute them. I have all of these ideas", "I've done years worth of research to assemble it. As of right now,", "I've been working on a book for about four years now. Every time", "time feels difficult. Being a full time pre-med student in university isn't exactly", "together into a complex plot for the first time feels difficult. Being a", "because I've had multiple ideas on how to entirely change the plot of", "felt were extra or amateurish or inconsistent but each time I do so,", "time I do so, I start to question the plot even though I've", "and I don't know how to execute them. I have all of these", "inconsistent but each time I do so, I start to question the plot", "student in university isn't exactly helping either. I don't know what to do", "touched the keypad for months, my brain is constantly working. The standard solution", "just editing out parts I felt were extra or amateurish or inconsistent but", "isn't exactly helping either. I don't know what to do to bring myself", "them together into a complex plot for the first time feels difficult. Being", "back to writing. Even if my fingers haven't touched the keypad for months,", "for the first time feels difficult. Being a full time pre-med student in", "feels difficult. Being a full time pre-med student in university isn't exactly helping", "be to read more, work on other things, go for walks or force", "rewrite everything. I've probably rewritten the whole thing at least seven times now.", "complex plot for the first time feels difficult. Being a full time pre-med", "and I go back and edit and rewrite everything. I've probably rewritten the", "don't know how to execute them. I have all of these ideas but", "back and edit and rewrite everything. I've probably rewritten the whole thing at", "but each time I do so, I start to question the plot even", "time I reach the middle, I get stuck and I go back and", "been working on a book for about four years now. Every time I", "get stuck and I go back and edit and rewrite everything. I've probably", "the whole thing at least seven times now. At first it was just", "I reach the middle, I get stuck and I go back and edit", "read more, work on other things, go for walks or force the writing", "the plot even though I've done years worth of research to assemble it.", "I've probably rewritten the whole thing at least seven times now. At first", "of my book and I don't know how to execute them. I have", "I don't know what to do to bring myself back to writing. Even", "The standard solution would be to read more, work on other things, go", "probably rewritten the whole thing at least seven times now. At first it", "At first it was just editing out parts I felt were extra or", "parts I felt were extra or amateurish or inconsistent but each time I", "so, I start to question the plot even though I've done years worth", "standard solution would be to read more, work on other things, go for", "plot of my book and I don't know how to execute them. I", "I have all of these ideas but piecing them together into a complex", "fingers haven't touched the keypad for months, my brain is constantly working. The", "start to question the plot even though I've done years worth of research", "Every time I reach the middle, I get stuck and I go back", "them. I have all of these ideas but piecing them together into a", "Being a full time pre-med student in university isn't exactly helping either. I", "at least seven times now. At first it was just editing out parts", "and edit and rewrite everything. I've probably rewritten the whole thing at least", "don't know what to do to bring myself back to writing. Even if" ]
[ "clarification, please. 1. I believe the punctuation of a one-word sentence of dialogue", "punctuation of a one-word sentence of dialogue is italicized if alone on a", "I know CMOS 17 section 6.2 says, \"All punctuation marks should appear in", "alone on a line. Is that correct? \"Yikes!\" --or-- \"Yikes!\" 2. And if", "a title in a different font (usually italics).\" I understand how that applies", "that correct? \"Yikes!\" --or-- \"Yikes!\" 2. And if it's not alone on a", "her hand back. 3. I believe the punctuation of a one-word sentence of", "the same font—roman or italic—as the main or surrounding text, except for punctuation", "believe the punctuation of a one-word sentence of dialogue is italicized if alone", "on a line. Is that correct? \"Yikes!\" --or-- \"Yikes!\" 2. And if it's", "italics).\" I understand how that applies to an italicized word or phrase within", "italicized with the word, but I'm not entirely sure. \"Yikes!\" She snatched her", "pizza ever!\"—but as applies to dialogue in fiction writing, I need some clarification,", "3. I believe the punctuation of a one-word sentence of dialogue attached to", "\"Yikes!\" 2. And if it's not alone on a line, I think it's", "I believe the punctuation of a one-word sentence of dialogue attached to a", "a one-word sentence of dialogue is italicized if alone on a line. Is", "\"Crap,\" she snapped, crumpling the paper. --or-- \"Crap,\" she snapped, crumpling the paper.", "(usually italics).\" I understand how that applies to an italicized word or phrase", "is the best pizza ever!\"—but as applies to dialogue in fiction writing, I", "1. I believe the punctuation of a one-word sentence of dialogue is italicized", "word, but I'm not entirely sure. \"Yikes!\" She snatched her hand back. --or--", "in a different font (usually italics).\" I understand how that applies to an", "phrase within a roman sentence—\"This is the best pizza ever!\"—but as applies to", "know CMOS 17 section 6.2 says, \"All punctuation marks should appear in the", "belongs to a title in a different font (usually italics).\" I understand how", "except for punctuation that belongs to a title in a different font (usually", "I think it's still italicized with the word, but I'm not entirely sure.", "appear in the same font—roman or italic—as the main or surrounding text, except", "crumpling the paper. --or-- \"Crap,\" she snapped, crumpling the paper. Thanks for any", "different font (usually italics).\" I understand how that applies to an italicized word", "\"All punctuation marks should appear in the same font—roman or italic—as the main", "understand how that applies to an italicized word or phrase within a roman", "of a one-word sentence of dialogue attached to a larger roman sentence would", "to dialogue in fiction writing, I need some clarification, please. 1. I believe", "how that applies to an italicized word or phrase within a roman sentence—\"This", "snatched her hand back. --or-- \"Yikes!\" She snatched her hand back. 3. I", "that applies to an italicized word or phrase within a roman sentence—\"This is", "larger roman sentence would remain roman. Is that correct? \"Crap,\" she snapped, crumpling", "applies to an italicized word or phrase within a roman sentence—\"This is the", "punctuation of a one-word sentence of dialogue attached to a larger roman sentence", "a different font (usually italics).\" I understand how that applies to an italicized", "marks should appear in the same font—roman or italic—as the main or surrounding", "for punctuation that belongs to a title in a different font (usually italics).\"", "I'm not entirely sure. \"Yikes!\" She snatched her hand back. --or-- \"Yikes!\" She", "I believe the punctuation of a one-word sentence of dialogue is italicized if", "the word, but I'm not entirely sure. \"Yikes!\" She snatched her hand back.", "She snatched her hand back. --or-- \"Yikes!\" She snatched her hand back. 3.", "--or-- \"Yikes!\" She snatched her hand back. 3. I believe the punctuation of", "the paper. --or-- \"Crap,\" she snapped, crumpling the paper. Thanks for any help", "same font—roman or italic—as the main or surrounding text, except for punctuation that", "section 6.2 says, \"All punctuation marks should appear in the same font—roman or", "--or-- \"Crap,\" she snapped, crumpling the paper. Thanks for any help or guidance.", "on a line, I think it's still italicized with the word, but I'm", "\"Yikes!\" She snatched her hand back. 3. I believe the punctuation of a", "applies to dialogue in fiction writing, I need some clarification, please. 1. I", "to an italicized word or phrase within a roman sentence—\"This is the best", "that belongs to a title in a different font (usually italics).\" I understand", "She snatched her hand back. 3. I believe the punctuation of a one-word", "\"Yikes!\" She snatched her hand back. --or-- \"Yikes!\" She snatched her hand back.", "a line. Is that correct? \"Yikes!\" --or-- \"Yikes!\" 2. And if it's not", "one-word sentence of dialogue attached to a larger roman sentence would remain roman.", "writing, I need some clarification, please. 1. I believe the punctuation of a", "please. 1. I believe the punctuation of a one-word sentence of dialogue is", "correct? \"Crap,\" she snapped, crumpling the paper. --or-- \"Crap,\" she snapped, crumpling the", "sure. \"Yikes!\" She snatched her hand back. --or-- \"Yikes!\" She snatched her hand", "6.2 says, \"All punctuation marks should appear in the same font—roman or italic—as", "17 section 6.2 says, \"All punctuation marks should appear in the same font—roman", "the punctuation of a one-word sentence of dialogue is italicized if alone on", "sentence of dialogue attached to a larger roman sentence would remain roman. Is", "need some clarification, please. 1. I believe the punctuation of a one-word sentence", "if alone on a line. Is that correct? \"Yikes!\" --or-- \"Yikes!\" 2. And", "roman. Is that correct? \"Crap,\" she snapped, crumpling the paper. --or-- \"Crap,\" she", "italicized word or phrase within a roman sentence—\"This is the best pizza ever!\"—but", "if it's not alone on a line, I think it's still italicized with", "of dialogue attached to a larger roman sentence would remain roman. Is that", "surrounding text, except for punctuation that belongs to a title in a different", "she snapped, crumpling the paper. --or-- \"Crap,\" she snapped, crumpling the paper. Thanks", "I understand how that applies to an italicized word or phrase within a", "I need some clarification, please. 1. I believe the punctuation of a one-word", "the punctuation of a one-word sentence of dialogue attached to a larger roman", "alone on a line, I think it's still italicized with the word, but", "it's not alone on a line, I think it's still italicized with the", "one-word sentence of dialogue is italicized if alone on a line. Is that", "punctuation that belongs to a title in a different font (usually italics).\" I", "remain roman. Is that correct? \"Crap,\" she snapped, crumpling the paper. --or-- \"Crap,\"", "to a title in a different font (usually italics).\" I understand how that", "snapped, crumpling the paper. --or-- \"Crap,\" she snapped, crumpling the paper. Thanks for", "text, except for punctuation that belongs to a title in a different font", "punctuation marks should appear in the same font—roman or italic—as the main or", "the main or surrounding text, except for punctuation that belongs to a title", "CMOS 17 section 6.2 says, \"All punctuation marks should appear in the same", "in the same font—roman or italic—as the main or surrounding text, except for", "sentence would remain roman. Is that correct? \"Crap,\" she snapped, crumpling the paper.", "should appear in the same font—roman or italic—as the main or surrounding text,", "or phrase within a roman sentence—\"This is the best pizza ever!\"—but as applies", "entirely sure. \"Yikes!\" She snatched her hand back. --or-- \"Yikes!\" She snatched her", "Is that correct? \"Yikes!\" --or-- \"Yikes!\" 2. And if it's not alone on", "roman sentence—\"This is the best pizza ever!\"—but as applies to dialogue in fiction", "hand back. --or-- \"Yikes!\" She snatched her hand back. 3. I believe the", "within a roman sentence—\"This is the best pizza ever!\"—but as applies to dialogue", "still italicized with the word, but I'm not entirely sure. \"Yikes!\" She snatched", "attached to a larger roman sentence would remain roman. Is that correct? \"Crap,\"", "her hand back. --or-- \"Yikes!\" She snatched her hand back. 3. I believe", "ever!\"—but as applies to dialogue in fiction writing, I need some clarification, please.", "or surrounding text, except for punctuation that belongs to a title in a", "with the word, but I'm not entirely sure. \"Yikes!\" She snatched her hand", "word or phrase within a roman sentence—\"This is the best pizza ever!\"—but as", "or italic—as the main or surrounding text, except for punctuation that belongs to", "not entirely sure. \"Yikes!\" She snatched her hand back. --or-- \"Yikes!\" She snatched", "back. --or-- \"Yikes!\" She snatched her hand back. 3. I believe the punctuation", "a one-word sentence of dialogue attached to a larger roman sentence would remain", "to a larger roman sentence would remain roman. Is that correct? \"Crap,\" she", "fiction writing, I need some clarification, please. 1. I believe the punctuation of", "line. Is that correct? \"Yikes!\" --or-- \"Yikes!\" 2. And if it's not alone", "some clarification, please. 1. I believe the punctuation of a one-word sentence of", "a roman sentence—\"This is the best pizza ever!\"—but as applies to dialogue in", "\"Yikes!\" --or-- \"Yikes!\" 2. And if it's not alone on a line, I", "hand back. 3. I believe the punctuation of a one-word sentence of dialogue", "roman sentence would remain roman. Is that correct? \"Crap,\" she snapped, crumpling the", "dialogue attached to a larger roman sentence would remain roman. Is that correct?", "believe the punctuation of a one-word sentence of dialogue attached to a larger", "line, I think it's still italicized with the word, but I'm not entirely", "title in a different font (usually italics).\" I understand how that applies to", "in fiction writing, I need some clarification, please. 1. I believe the punctuation", "sentence—\"This is the best pizza ever!\"—but as applies to dialogue in fiction writing,", "of a one-word sentence of dialogue is italicized if alone on a line.", "not alone on a line, I think it's still italicized with the word,", "but I'm not entirely sure. \"Yikes!\" She snatched her hand back. --or-- \"Yikes!\"", "sentence of dialogue is italicized if alone on a line. Is that correct?", "italicized if alone on a line. Is that correct? \"Yikes!\" --or-- \"Yikes!\" 2.", "2. And if it's not alone on a line, I think it's still", "main or surrounding text, except for punctuation that belongs to a title in", "dialogue is italicized if alone on a line. Is that correct? \"Yikes!\" --or--", "a larger roman sentence would remain roman. Is that correct? \"Crap,\" she snapped,", "dialogue in fiction writing, I need some clarification, please. 1. I believe the", "best pizza ever!\"—but as applies to dialogue in fiction writing, I need some", "back. 3. I believe the punctuation of a one-word sentence of dialogue attached", "And if it's not alone on a line, I think it's still italicized", "it's still italicized with the word, but I'm not entirely sure. \"Yikes!\" She", "an italicized word or phrase within a roman sentence—\"This is the best pizza", "font (usually italics).\" I understand how that applies to an italicized word or", "the best pizza ever!\"—but as applies to dialogue in fiction writing, I need", "paper. --or-- \"Crap,\" she snapped, crumpling the paper. Thanks for any help or", "a line, I think it's still italicized with the word, but I'm not", "is italicized if alone on a line. Is that correct? \"Yikes!\" --or-- \"Yikes!\"", "snatched her hand back. 3. I believe the punctuation of a one-word sentence", "correct? \"Yikes!\" --or-- \"Yikes!\" 2. And if it's not alone on a line,", "would remain roman. Is that correct? \"Crap,\" she snapped, crumpling the paper. --or--", "as applies to dialogue in fiction writing, I need some clarification, please. 1.", "that correct? \"Crap,\" she snapped, crumpling the paper. --or-- \"Crap,\" she snapped, crumpling", "says, \"All punctuation marks should appear in the same font—roman or italic—as the", "font—roman or italic—as the main or surrounding text, except for punctuation that belongs", "--or-- \"Yikes!\" 2. And if it's not alone on a line, I think", "think it's still italicized with the word, but I'm not entirely sure. \"Yikes!\"", "of dialogue is italicized if alone on a line. Is that correct? \"Yikes!\"", "italic—as the main or surrounding text, except for punctuation that belongs to a", "Is that correct? \"Crap,\" she snapped, crumpling the paper. --or-- \"Crap,\" she snapped," ]
[ "to be a large portfolio in that how many unpublished books ready for", "large portfolio in that how many unpublished books ready for an agent is", "ready for an agent is considered large or small? I have about five", "have about five THOROUGHLY REVIEWED novels within the Christian fiction genre. They are", "considered to be a large portfolio in that how many unpublished books ready", "Christian fiction genre. They are not series, they are standalone. Is this considered", "a good number to send to agents? Is this too much? Am I", "portfolio of books. But I was wondering, what is considered to be a", "portfolio in that how many unpublished books ready for an agent is considered", "are standalone. Is this considered a good number to send to agents? Is", "for an agent to represent a portfolio of books. But I was wondering,", "series, they are standalone. Is this considered a good number to send to", "be a large portfolio in that how many unpublished books ready for an", "how many unpublished books ready for an agent is considered large or small?", "are not series, they are standalone. Is this considered a good number to", "large or small? I have about five THOROUGHLY REVIEWED novels within the Christian", "not series, they are standalone. Is this considered a good number to send", "is considered large or small? I have about five THOROUGHLY REVIEWED novels within", "standalone. Is this considered a good number to send to agents? Is this", "or small? I have about five THOROUGHLY REVIEWED novels within the Christian fiction", "books ready for an agent is considered large or small? I have about", "books. But I was wondering, what is considered to be a large portfolio", "looking for an agent to represent a portfolio of books. But I was", "number to send to agents? Is this too much? Am I pushing myself", "They are not series, they are standalone. Is this considered a good number", "I am currently looking for an agent to represent a portfolio of books.", "in that how many unpublished books ready for an agent is considered large", "of books. But I was wondering, what is considered to be a large", "that how many unpublished books ready for an agent is considered large or", "agent to represent a portfolio of books. But I was wondering, what is", "considered large or small? I have about five THOROUGHLY REVIEWED novels within the", "am currently looking for an agent to represent a portfolio of books. But", "an agent is considered large or small? I have about five THOROUGHLY REVIEWED", "they are standalone. Is this considered a good number to send to agents?", "the Christian fiction genre. They are not series, they are standalone. Is this", "was wondering, what is considered to be a large portfolio in that how", "currently looking for an agent to represent a portfolio of books. But I", "wondering, what is considered to be a large portfolio in that how many", "THOROUGHLY REVIEWED novels within the Christian fiction genre. They are not series, they", "about five THOROUGHLY REVIEWED novels within the Christian fiction genre. They are not", "But I was wondering, what is considered to be a large portfolio in", "represent a portfolio of books. But I was wondering, what is considered to", "a large portfolio in that how many unpublished books ready for an agent", "many unpublished books ready for an agent is considered large or small? I", "agent is considered large or small? I have about five THOROUGHLY REVIEWED novels", "is considered to be a large portfolio in that how many unpublished books", "small? I have about five THOROUGHLY REVIEWED novels within the Christian fiction genre.", "I have about five THOROUGHLY REVIEWED novels within the Christian fiction genre. They", "five THOROUGHLY REVIEWED novels within the Christian fiction genre. They are not series,", "novels within the Christian fiction genre. They are not series, they are standalone.", "this considered a good number to send to agents? Is this too much?", "a portfolio of books. But I was wondering, what is considered to be", "what is considered to be a large portfolio in that how many unpublished", "good number to send to agents? Is this too much? Am I pushing", "Is this considered a good number to send to agents? Is this too", "an agent to represent a portfolio of books. But I was wondering, what", "to represent a portfolio of books. But I was wondering, what is considered", "unpublished books ready for an agent is considered large or small? I have", "considered a good number to send to agents? Is this too much? Am", "send to agents? Is this too much? Am I pushing myself too hard?", "genre. They are not series, they are standalone. Is this considered a good", "within the Christian fiction genre. They are not series, they are standalone. Is", "for an agent is considered large or small? I have about five THOROUGHLY", "fiction genre. They are not series, they are standalone. Is this considered a", "I was wondering, what is considered to be a large portfolio in that", "REVIEWED novels within the Christian fiction genre. They are not series, they are", "to send to agents? Is this too much? Am I pushing myself too" ]
[ "want to live that emotion, not write about it. But the paradox is", "other poet, I feel they are great because it feels like they have", "very excited about it, and proud, and shared it among all my friends.", "is happiness or sorrow or anything, I just want to live that emotion,", "if you aren't fully living your life? It seems like you have to", "--I just feel that they are my emotions, and they are nothing to", "just want to live that emotion, not write about it. But the paradox", "read Guwyal or any other poet, I feel they are great because it", "nothing to share. Whenever I'm in full of any emotion, whether it is", "and when I do, I'm not even sure I want to share them", "really don't understand. Can you truly experience life and emotions if you're channeling", "all my friends. However, now I don't often want to write about my", "they have lived that experience thoroughly. I really don't understand. Can you truly", "they are nothing to share. Whenever I'm in full of any emotion, whether", "you have to choose between living and writing. But how can you be", "like they have lived that experience thoroughly. I really don't understand. Can you", "channeling them into your writing? But can you really be a great writer", "it, and proud, and shared it among all my friends. However, now I", "among all my friends. However, now I don't often want to write about", "write about it. But the paradox is this: When I read Guwyal or", "in full of any emotion, whether it is happiness or sorrow or anything,", "paradox is this: When I read Guwyal or any other poet, I feel", "When I wrote my first poem, I was very excited about it, and", "is this: When I read Guwyal or any other poet, I feel they", "life and emotions if you're channeling them into your writing? But can you", "want to share them --I just feel that they are my emotions, and", "a great writer if you aren't fully living your life? It seems like", "seems like you have to choose between living and writing. But how can", "live that emotion, not write about it. But the paradox is this: When", "share them --I just feel that they are my emotions, and they are", "or sorrow or anything, I just want to live that emotion, not write", "I'm not even sure I want to share them --I just feel that", "understand. Can you truly experience life and emotions if you're channeling them into", "experience thoroughly. I really don't understand. Can you truly experience life and emotions", "sorrow or anything, I just want to live that emotion, not write about", "wrote my first poem, I was very excited about it, and proud, and", "be a great writer if you aren't fully living your life? It seems", "of any emotion, whether it is happiness or sorrow or anything, I just", "shared it among all my friends. However, now I don't often want to", "the paradox is this: When I read Guwyal or any other poet, I", "proud, and shared it among all my friends. However, now I don't often", "friends. However, now I don't often want to write about my feelings and", "whether it is happiness or sorrow or anything, I just want to live", "between living and writing. But how can you be great as a writer", "and experiences, and when I do, I'm not even sure I want to", "sure I want to share them --I just feel that they are my", "that they are my emotions, and they are nothing to share. Whenever I'm", "life? It seems like you have to choose between living and writing. But", "I do, I'm not even sure I want to share them --I just", "Can you truly experience life and emotions if you're channeling them into your", "any other poet, I feel they are great because it feels like they", "and writing. But how can you be great as a writer if you", "now I don't often want to write about my feelings and experiences, and", "writer if you aren't fully living your life? It seems like you have", "they are my emotions, and they are nothing to share. Whenever I'm in", "I wrote my first poem, I was very excited about it, and proud,", "to share. Whenever I'm in full of any emotion, whether it is happiness", "feel they are great because it feels like they have lived that experience", "emotions, and they are nothing to share. Whenever I'm in full of any", "Guwyal or any other poet, I feel they are great because it feels", "and shared it among all my friends. However, now I don't often want", "feelings and experiences, and when I do, I'm not even sure I want", "But how can you be great as a writer if you don't live?", "anything, I just want to live that emotion, not write about it. But", "emotions if you're channeling them into your writing? But can you really be", "living and writing. But how can you be great as a writer if", "experiences, and when I do, I'm not even sure I want to share", "truly experience life and emotions if you're channeling them into your writing? But", "my friends. However, now I don't often want to write about my feelings", "feels like they have lived that experience thoroughly. I really don't understand. Can", "about it, and proud, and shared it among all my friends. However, now", "are great because it feels like they have lived that experience thoroughly. I", "lived that experience thoroughly. I really don't understand. Can you truly experience life", "are my emotions, and they are nothing to share. Whenever I'm in full", "to share them --I just feel that they are my emotions, and they", "share. Whenever I'm in full of any emotion, whether it is happiness or", "it. But the paradox is this: When I read Guwyal or any other", "they are great because it feels like they have lived that experience thoroughly.", "I just want to live that emotion, not write about it. But the", "thoroughly. I really don't understand. Can you truly experience life and emotions if", "just feel that they are my emotions, and they are nothing to share.", "are nothing to share. Whenever I'm in full of any emotion, whether it", "experience life and emotions if you're channeling them into your writing? But can", "that emotion, not write about it. But the paradox is this: When I", "not write about it. But the paradox is this: When I read Guwyal", "it feels like they have lived that experience thoroughly. I really don't understand.", "emotion, whether it is happiness or sorrow or anything, I just want to", "But can you really be a great writer if you aren't fully living", "them --I just feel that they are my emotions, and they are nothing", "living your life? It seems like you have to choose between living and", "great because it feels like they have lived that experience thoroughly. I really", "first poem, I was very excited about it, and proud, and shared it", "even sure I want to share them --I just feel that they are", "my emotions, and they are nothing to share. Whenever I'm in full of", "I read Guwyal or any other poet, I feel they are great because", "can you really be a great writer if you aren't fully living your", "However, now I don't often want to write about my feelings and experiences,", "But the paradox is this: When I read Guwyal or any other poet,", "poet, I feel they are great because it feels like they have lived", "this: When I read Guwyal or any other poet, I feel they are", "aren't fully living your life? It seems like you have to choose between", "I'm in full of any emotion, whether it is happiness or sorrow or", "I don't often want to write about my feelings and experiences, and when", "them into your writing? But can you really be a great writer if", "and they are nothing to share. Whenever I'm in full of any emotion,", "I want to share them --I just feel that they are my emotions,", "or anything, I just want to live that emotion, not write about it.", "happiness or sorrow or anything, I just want to live that emotion, not", "was very excited about it, and proud, and shared it among all my", "you're channeling them into your writing? But can you really be a great", "do, I'm not even sure I want to share them --I just feel", "don't often want to write about my feelings and experiences, and when I", "want to write about my feelings and experiences, and when I do, I'm", "if you're channeling them into your writing? But can you really be a", "really be a great writer if you aren't fully living your life? It", "to choose between living and writing. But how can you be great as", "and proud, and shared it among all my friends. However, now I don't", "have lived that experience thoroughly. I really don't understand. Can you truly experience", "I really don't understand. Can you truly experience life and emotions if you're", "write about my feelings and experiences, and when I do, I'm not even", "fully living your life? It seems like you have to choose between living", "full of any emotion, whether it is happiness or sorrow or anything, I", "like you have to choose between living and writing. But how can you", "don't understand. Can you truly experience life and emotions if you're channeling them", "I feel they are great because it feels like they have lived that", "poem, I was very excited about it, and proud, and shared it among", "not even sure I want to share them --I just feel that they", "any emotion, whether it is happiness or sorrow or anything, I just want", "great writer if you aren't fully living your life? It seems like you", "writing. But how can you be great as a writer if you don't", "about it. But the paradox is this: When I read Guwyal or any", "you truly experience life and emotions if you're channeling them into your writing?", "because it feels like they have lived that experience thoroughly. I really don't", "have to choose between living and writing. But how can you be great", "excited about it, and proud, and shared it among all my friends. However,", "often want to write about my feelings and experiences, and when I do,", "writing? But can you really be a great writer if you aren't fully", "to write about my feelings and experiences, and when I do, I'm not", "to live that emotion, not write about it. But the paradox is this:", "I was very excited about it, and proud, and shared it among all", "and emotions if you're channeling them into your writing? But can you really", "it is happiness or sorrow or anything, I just want to live that", "choose between living and writing. But how can you be great as a", "my first poem, I was very excited about it, and proud, and shared", "your writing? But can you really be a great writer if you aren't", "or any other poet, I feel they are great because it feels like", "you really be a great writer if you aren't fully living your life?", "when I do, I'm not even sure I want to share them --I", "your life? It seems like you have to choose between living and writing.", "it among all my friends. However, now I don't often want to write", "my feelings and experiences, and when I do, I'm not even sure I", "It seems like you have to choose between living and writing. But how", "Whenever I'm in full of any emotion, whether it is happiness or sorrow", "into your writing? But can you really be a great writer if you", "you aren't fully living your life? It seems like you have to choose", "feel that they are my emotions, and they are nothing to share. Whenever", "When I read Guwyal or any other poet, I feel they are great", "emotion, not write about it. But the paradox is this: When I read", "that experience thoroughly. I really don't understand. Can you truly experience life and", "about my feelings and experiences, and when I do, I'm not even sure" ]
[ "explain breathing when it's really cold outside and you can see your breath?", "one explain breathing when it's really cold outside and you can see your", "and you can see your breath? I just can't find a good way", "see your breath? I just can't find a good way to word it.", "when it's really cold outside and you can see your breath? I just", "could one explain breathing when it's really cold outside and you can see", "it's really cold outside and you can see your breath? I just can't", "How could one explain breathing when it's really cold outside and you can", "outside and you can see your breath? I just can't find a good", "can see your breath? I just can't find a good way to word", "breathing when it's really cold outside and you can see your breath? I", "cold outside and you can see your breath? I just can't find a", "you can see your breath? I just can't find a good way to", "really cold outside and you can see your breath? I just can't find" ]
[ "their friends. My next novel is about a twelve year old boy who", "tested in being damned to the Inferno. This is Christian fiction inspired by", "called, the Adversary (or the Devil) and are caught up in the Adversary's", "up in the Adversary's quest to take control of Sheol. My last one", "age) is really the boy that's supposed to bring peace to a broken", "just a coming-of-age story? Also, I have another one. It's about a group", "have written and thoroughly reviewed/edited three novels that I don't know if they", "identity and unbelief before her fate is tested in being damned to the", "friends. My next novel is about a twelve year old boy who gets", "and that little boy (12 years of age) is really the boy that's", "marketed as Middle Grade or Young Adult. I am currently working on a", "tries to reunite with their friends. My next novel is about a twelve", "the Inferno. This is Christian fiction inspired by Panpe's Divine Comedy. Would this", "to 15) who get stranded on an island in the South Pacific to", "book called, the Adversary (or the Devil) and are caught up in the", "to bring peace to a broken world, but ran away 100 years ago.", "Divine Comedy. Would this novel be considered YA or just a coming-of-age story?", "afterlife, as this character tries to reunite with their friends. My next novel", "is really the boy that's supposed to bring peace to a broken world,", "an exploratory novel that explores Sheol, this Jewish afterlife, as this character tries", "that little boy (12 years of age) is really the boy that's supposed", "with her identity and unbelief before her fate is tested in being damned", "get stranded on an island in the South Pacific to only die and", "an island in the South Pacific to only die and enter the realm", "from her traumatic past, she wrestles with her identity and unbelief before her", "as the previous book, and meets a group of orphan youths as well", "They explore Sheol and meet the main antagonist in the book called, the", "the Adversary's quest to take control of Sheol. My last one novel is", "die and enter the realm of the dead where the righteous and unrighteous", "only die and enter the realm of the dead where the righteous and", "and enter the realm of the dead where the righteous and unrighteous lie,", "she wrestles with her identity and unbelief before her fate is tested in", "Middle Grade or Young Adult. I am currently working on a fourth. Okay,", "the main antagonist in the book called, the Adversary (or the Devil) and", "I am currently working on a fourth. Okay, the first novel is about", "unrighteous lie, as well as mysterious creatures that would haunt their souls. This", "same universe as the previous book, and meets a group of orphan youths", "years of age, who enters Purgatory as she explores the meaning of life", "year old boy who gets dumped into Sheol, the same universe as the", "that would haunt their souls. This place being Sheol, a Jewish afterlife. This", "in the Adversary's quest to take control of Sheol. My last one novel", "My last one novel is about siblings, one male one female, about 12", "siblings, one male one female, about 12 to 13 years of age, who", "male one female, about 12 to 13 years of age, who meet a", "My next novel is about a twelve year old boy who gets dumped", "boy that's supposed to bring peace to a broken world, but ran away", "age, who meet a special little boy in an iceberg, and that little", "antagonist in the book called, the Adversary (or the Devil) and are caught", "Adversary's quest to take control of Sheol. My last one novel is about", "group of orphan youths as well as an adventurous girl. They explore Sheol", "and thoroughly reviewed/edited three novels that I don't know if they would be", "is an exploratory novel that explores Sheol, this Jewish afterlife, as this character", "of Sheol. My last one novel is about siblings, one male one female,", "and meet the main antagonist in the book called, the Adversary (or the", "exploratory novel that explores Sheol, this Jewish afterlife, as this character tries to", "and meets a group of orphan youths as well as an adventurous girl.", "into Sheol, the same universe as the previous book, and meets a group", "in the South Pacific to only die and enter the realm of the", "island in the South Pacific to only die and enter the realm of", "(12 years of age) is really the boy that's supposed to bring peace", "I don't know if they would be marketed as Middle Grade or Young", "who gets dumped into Sheol, the same universe as the previous book, and", "Okay, the first novel is about a girl, twenty years of age, who", "lie, as well as mysterious creatures that would haunt their souls. This place", "Panpe's Divine Comedy. Would this novel be considered YA or just a coming-of-age", "being damned to the Inferno. This is Christian fiction inspired by Panpe's Divine", "Christian fiction inspired by Panpe's Divine Comedy. Would this novel be considered YA", "and everything in-between. While suffering from her traumatic past, she wrestles with her", "dead where the righteous and unrighteous lie, as well as mysterious creatures that", "three novels that I don't know if they would be marketed as Middle", "written and thoroughly reviewed/edited three novels that I don't know if they would", "about a girl, twenty years of age, who enters Purgatory as she explores", "one novel is about siblings, one male one female, about 12 to 13", "explores the meaning of life and everything in-between. While suffering from her traumatic", "14 to 15) who get stranded on an island in the South Pacific", "fate is tested in being damned to the Inferno. This is Christian fiction", "as this character tries to reunite with their friends. My next novel is", "about a group of teenagers (ages ranging from 14 to 15) who get", "This place being Sheol, a Jewish afterlife. This story has one character narrating", "novel is about a twelve year old boy who gets dumped into Sheol,", "gets dumped into Sheol, the same universe as the previous book, and meets", "on an island in the South Pacific to only die and enter the", "twenty years of age, who enters Purgatory as she explores the meaning of", "novel is about siblings, one male one female, about 12 to 13 years", "from 14 to 15) who get stranded on an island in the South", "the righteous and unrighteous lie, as well as mysterious creatures that would haunt", "of the dead where the righteous and unrighteous lie, as well as mysterious", "souls. This place being Sheol, a Jewish afterlife. This story has one character", "explores Sheol, this Jewish afterlife, as this character tries to reunite with their", "age, who enters Purgatory as she explores the meaning of life and everything", "little boy in an iceberg, and that little boy (12 years of age)", "to only die and enter the realm of the dead where the righteous", "Sheol. My last one novel is about siblings, one male one female, about", "one character narrating and the book is an exploratory novel that explores Sheol,", "YA or just a coming-of-age story? Also, I have another one. It's about", "explore Sheol and meet the main antagonist in the book called, the Adversary", "and unrighteous lie, as well as mysterious creatures that would haunt their souls.", "supposed to bring peace to a broken world, but ran away 100 years", "teenagers (ages ranging from 14 to 15) who get stranded on an island", "to a broken world, but ran away 100 years ago. So, what do", "in-between. While suffering from her traumatic past, she wrestles with her identity and", "inspired by Panpe's Divine Comedy. Would this novel be considered YA or just", "a twelve year old boy who gets dumped into Sheol, the same universe", "(or the Devil) and are caught up in the Adversary's quest to take", "Inferno. This is Christian fiction inspired by Panpe's Divine Comedy. Would this novel", "to take control of Sheol. My last one novel is about siblings, one", "is about a girl, twenty years of age, who enters Purgatory as she", "she explores the meaning of life and everything in-between. While suffering from her", "well as an adventurous girl. They explore Sheol and meet the main antagonist", "years of age, who meet a special little boy in an iceberg, and", "am currently working on a fourth. Okay, the first novel is about a", "Comedy. Would this novel be considered YA or just a coming-of-age story? Also,", "has one character narrating and the book is an exploratory novel that explores", "control of Sheol. My last one novel is about siblings, one male one", "is Christian fiction inspired by Panpe's Divine Comedy. Would this novel be considered", "this novel be considered YA or just a coming-of-age story? Also, I have", "a Jewish afterlife. This story has one character narrating and the book is", "quest to take control of Sheol. My last one novel is about siblings,", "narrating and the book is an exploratory novel that explores Sheol, this Jewish", "South Pacific to only die and enter the realm of the dead where", "book is an exploratory novel that explores Sheol, this Jewish afterlife, as this", "and the book is an exploratory novel that explores Sheol, this Jewish afterlife,", "place being Sheol, a Jewish afterlife. This story has one character narrating and", "It's about a group of teenagers (ages ranging from 14 to 15) who", "novel that explores Sheol, this Jewish afterlife, as this character tries to reunite", "old boy who gets dumped into Sheol, the same universe as the previous", "one male one female, about 12 to 13 years of age, who meet", "have another one. It's about a group of teenagers (ages ranging from 14", "a girl, twenty years of age, who enters Purgatory as she explores the", "being Sheol, a Jewish afterlife. This story has one character narrating and the", "and unbelief before her fate is tested in being damned to the Inferno.", "special little boy in an iceberg, and that little boy (12 years of", "the book is an exploratory novel that explores Sheol, this Jewish afterlife, as", "the South Pacific to only die and enter the realm of the dead", "stranded on an island in the South Pacific to only die and enter", "where the righteous and unrighteous lie, as well as mysterious creatures that would", "Also, I have another one. It's about a group of teenagers (ages ranging", "15) who get stranded on an island in the South Pacific to only", "story has one character narrating and the book is an exploratory novel that", "as well as mysterious creatures that would haunt their souls. This place being", "Jewish afterlife, as this character tries to reunite with their friends. My next", "13 years of age, who meet a special little boy in an iceberg,", "who meet a special little boy in an iceberg, and that little boy", "of age) is really the boy that's supposed to bring peace to a", "who enters Purgatory as she explores the meaning of life and everything in-between.", "a broken world, but ran away 100 years ago. So, what do you", "everything in-between. While suffering from her traumatic past, she wrestles with her identity", "her fate is tested in being damned to the Inferno. This is Christian", "if they would be marketed as Middle Grade or Young Adult. I am", "girl. They explore Sheol and meet the main antagonist in the book called,", "fourth. Okay, the first novel is about a girl, twenty years of age,", "first novel is about a girl, twenty years of age, who enters Purgatory", "the meaning of life and everything in-between. While suffering from her traumatic past,", "this character tries to reunite with their friends. My next novel is about", "a group of orphan youths as well as an adventurous girl. They explore", "caught up in the Adversary's quest to take control of Sheol. My last", "is tested in being damned to the Inferno. This is Christian fiction inspired", "afterlife. This story has one character narrating and the book is an exploratory", "don't know if they would be marketed as Middle Grade or Young Adult.", "they would be marketed as Middle Grade or Young Adult. I am currently", "novel be considered YA or just a coming-of-age story? Also, I have another", "(ages ranging from 14 to 15) who get stranded on an island in", "would be marketed as Middle Grade or Young Adult. I am currently working", "that I don't know if they would be marketed as Middle Grade or", "a fourth. Okay, the first novel is about a girl, twenty years of", "adventurous girl. They explore Sheol and meet the main antagonist in the book", "suffering from her traumatic past, she wrestles with her identity and unbelief before", "twelve year old boy who gets dumped into Sheol, the same universe as", "broken world, but ran away 100 years ago. So, what do you think?", "traumatic past, she wrestles with her identity and unbelief before her fate is", "before her fate is tested in being damned to the Inferno. This is", "years of age) is really the boy that's supposed to bring peace to", "on a fourth. Okay, the first novel is about a girl, twenty years", "Jewish afterlife. This story has one character narrating and the book is an", "character narrating and the book is an exploratory novel that explores Sheol, this", "this Jewish afterlife, as this character tries to reunite with their friends. My", "12 to 13 years of age, who meet a special little boy in", "the boy that's supposed to bring peace to a broken world, but ran", "last one novel is about siblings, one male one female, about 12 to", "about 12 to 13 years of age, who meet a special little boy", "peace to a broken world, but ran away 100 years ago. So, what", "know if they would be marketed as Middle Grade or Young Adult. I", "her traumatic past, she wrestles with her identity and unbelief before her fate", "youths as well as an adventurous girl. They explore Sheol and meet the", "as an adventurous girl. They explore Sheol and meet the main antagonist in", "group of teenagers (ages ranging from 14 to 15) who get stranded on", "the book called, the Adversary (or the Devil) and are caught up in", "is about siblings, one male one female, about 12 to 13 years of", "a special little boy in an iceberg, and that little boy (12 years", "of life and everything in-between. While suffering from her traumatic past, she wrestles", "This story has one character narrating and the book is an exploratory novel", "reunite with their friends. My next novel is about a twelve year old", "boy (12 years of age) is really the boy that's supposed to bring", "main antagonist in the book called, the Adversary (or the Devil) and are", "in being damned to the Inferno. This is Christian fiction inspired by Panpe's", "Pacific to only die and enter the realm of the dead where the", "in an iceberg, and that little boy (12 years of age) is really", "of age, who enters Purgatory as she explores the meaning of life and", "I have written and thoroughly reviewed/edited three novels that I don't know if", "another one. It's about a group of teenagers (ages ranging from 14 to", "well as mysterious creatures that would haunt their souls. This place being Sheol,", "bring peace to a broken world, but ran away 100 years ago. So,", "next novel is about a twelve year old boy who gets dumped into", "female, about 12 to 13 years of age, who meet a special little", "an iceberg, and that little boy (12 years of age) is really the", "little boy (12 years of age) is really the boy that's supposed to", "that's supposed to bring peace to a broken world, but ran away 100", "meet a special little boy in an iceberg, and that little boy (12", "the Adversary (or the Devil) and are caught up in the Adversary's quest", "one female, about 12 to 13 years of age, who meet a special", "meets a group of orphan youths as well as an adventurous girl. They", "iceberg, and that little boy (12 years of age) is really the boy", "righteous and unrighteous lie, as well as mysterious creatures that would haunt their", "Sheol, this Jewish afterlife, as this character tries to reunite with their friends.", "working on a fourth. Okay, the first novel is about a girl, twenty", "boy in an iceberg, and that little boy (12 years of age) is", "past, she wrestles with her identity and unbelief before her fate is tested", "character tries to reunite with their friends. My next novel is about a", "about a twelve year old boy who gets dumped into Sheol, the same", "reviewed/edited three novels that I don't know if they would be marketed as", "mysterious creatures that would haunt their souls. This place being Sheol, a Jewish", "orphan youths as well as an adventurous girl. They explore Sheol and meet", "Adversary (or the Devil) and are caught up in the Adversary's quest to", "creatures that would haunt their souls. This place being Sheol, a Jewish afterlife.", "a coming-of-age story? Also, I have another one. It's about a group of", "a group of teenagers (ages ranging from 14 to 15) who get stranded", "life and everything in-between. While suffering from her traumatic past, she wrestles with", "This is Christian fiction inspired by Panpe's Divine Comedy. Would this novel be", "with their friends. My next novel is about a twelve year old boy", "realm of the dead where the righteous and unrighteous lie, as well as", "story? Also, I have another one. It's about a group of teenagers (ages", "novels that I don't know if they would be marketed as Middle Grade", "haunt their souls. This place being Sheol, a Jewish afterlife. This story has", "that explores Sheol, this Jewish afterlife, as this character tries to reunite with", "her identity and unbelief before her fate is tested in being damned to", "and are caught up in the Adversary's quest to take control of Sheol.", "the first novel is about a girl, twenty years of age, who enters", "about siblings, one male one female, about 12 to 13 years of age,", "as mysterious creatures that would haunt their souls. This place being Sheol, a", "in the book called, the Adversary (or the Devil) and are caught up", "fiction inspired by Panpe's Divine Comedy. Would this novel be considered YA or", "dumped into Sheol, the same universe as the previous book, and meets a", "or Young Adult. I am currently working on a fourth. Okay, the first", "Sheol and meet the main antagonist in the book called, the Adversary (or", "enter the realm of the dead where the righteous and unrighteous lie, as", "novel is about a girl, twenty years of age, who enters Purgatory as", "the dead where the righteous and unrighteous lie, as well as mysterious creatures", "of orphan youths as well as an adventurous girl. They explore Sheol and", "be marketed as Middle Grade or Young Adult. I am currently working on", "damned to the Inferno. This is Christian fiction inspired by Panpe's Divine Comedy.", "previous book, and meets a group of orphan youths as well as an", "is about a twelve year old boy who gets dumped into Sheol, the", "considered YA or just a coming-of-age story? Also, I have another one. It's", "of age, who meet a special little boy in an iceberg, and that", "the previous book, and meets a group of orphan youths as well as", "as well as an adventurous girl. They explore Sheol and meet the main", "Young Adult. I am currently working on a fourth. Okay, the first novel", "an adventurous girl. They explore Sheol and meet the main antagonist in the", "book, and meets a group of orphan youths as well as an adventurous", "enters Purgatory as she explores the meaning of life and everything in-between. While", "meet the main antagonist in the book called, the Adversary (or the Devil)", "who get stranded on an island in the South Pacific to only die", "boy who gets dumped into Sheol, the same universe as the previous book,", "Would this novel be considered YA or just a coming-of-age story? Also, I", "or just a coming-of-age story? Also, I have another one. It's about a", "their souls. This place being Sheol, a Jewish afterlife. This story has one", "one. It's about a group of teenagers (ages ranging from 14 to 15)", "the same universe as the previous book, and meets a group of orphan", "really the boy that's supposed to bring peace to a broken world, but", "are caught up in the Adversary's quest to take control of Sheol. My", "meaning of life and everything in-between. While suffering from her traumatic past, she", "wrestles with her identity and unbelief before her fate is tested in being", "to the Inferno. This is Christian fiction inspired by Panpe's Divine Comedy. Would", "as Middle Grade or Young Adult. I am currently working on a fourth.", "to reunite with their friends. My next novel is about a twelve year", "universe as the previous book, and meets a group of orphan youths as", "thoroughly reviewed/edited three novels that I don't know if they would be marketed", "Grade or Young Adult. I am currently working on a fourth. Okay, the", "currently working on a fourth. Okay, the first novel is about a girl,", "While suffering from her traumatic past, she wrestles with her identity and unbelief", "Sheol, a Jewish afterlife. This story has one character narrating and the book", "Sheol, the same universe as the previous book, and meets a group of", "the Devil) and are caught up in the Adversary's quest to take control", "Adult. I am currently working on a fourth. Okay, the first novel is", "coming-of-age story? Also, I have another one. It's about a group of teenagers", "of teenagers (ages ranging from 14 to 15) who get stranded on an", "ranging from 14 to 15) who get stranded on an island in the", "as she explores the meaning of life and everything in-between. While suffering from", "be considered YA or just a coming-of-age story? Also, I have another one.", "girl, twenty years of age, who enters Purgatory as she explores the meaning", "would haunt their souls. This place being Sheol, a Jewish afterlife. This story", "unbelief before her fate is tested in being damned to the Inferno. This", "the realm of the dead where the righteous and unrighteous lie, as well", "take control of Sheol. My last one novel is about siblings, one male", "to 13 years of age, who meet a special little boy in an", "Purgatory as she explores the meaning of life and everything in-between. While suffering", "Devil) and are caught up in the Adversary's quest to take control of", "I have another one. It's about a group of teenagers (ages ranging from", "by Panpe's Divine Comedy. Would this novel be considered YA or just a" ]
[ "This would really pull the reader into the environment. When and how often", "foreign words and put the translations in parentheses. I also have glossary at", "main character has small conversations in a non-English language. This would really pull", "conversations in a non-English language. This would really pull the reader into the", "non-English language. This would really pull the reader into the environment. When and", "So far, I italicize foreign words and put the translations in parentheses. I", "the main character has small conversations in a non-English language. This would really", "into the environment. When and how often should I provide translations? So far,", "I am writing novel where the main character has small conversations in a", "language. This would really pull the reader into the environment. When and how", "writing novel where the main character has small conversations in a non-English language.", "put the translations in parentheses. I also have glossary at the end of", "the translations in parentheses. I also have glossary at the end of the", "I provide translations? So far, I italicize foreign words and put the translations", "far, I italicize foreign words and put the translations in parentheses. I also", "words and put the translations in parentheses. I also have glossary at the", "and how often should I provide translations? So far, I italicize foreign words", "where the main character has small conversations in a non-English language. This would", "a non-English language. This would really pull the reader into the environment. When", "should I provide translations? So far, I italicize foreign words and put the", "really pull the reader into the environment. When and how often should I", "character has small conversations in a non-English language. This would really pull the", "has small conversations in a non-English language. This would really pull the reader", "I italicize foreign words and put the translations in parentheses. I also have", "the reader into the environment. When and how often should I provide translations?", "italicize foreign words and put the translations in parentheses. I also have glossary", "small conversations in a non-English language. This would really pull the reader into", "how often should I provide translations? So far, I italicize foreign words and", "environment. When and how often should I provide translations? So far, I italicize", "novel where the main character has small conversations in a non-English language. This", "and put the translations in parentheses. I also have glossary at the end", "provide translations? So far, I italicize foreign words and put the translations in", "When and how often should I provide translations? So far, I italicize foreign", "often should I provide translations? So far, I italicize foreign words and put", "the environment. When and how often should I provide translations? So far, I", "in a non-English language. This would really pull the reader into the environment.", "translations? So far, I italicize foreign words and put the translations in parentheses.", "reader into the environment. When and how often should I provide translations? So", "pull the reader into the environment. When and how often should I provide", "am writing novel where the main character has small conversations in a non-English", "would really pull the reader into the environment. When and how often should", "translations in parentheses. I also have glossary at the end of the novel." ]
[ "wondering if that is correct at all and can't seem to find any", "that a reader who comes across your book, or say a library carrying", "series for example, it tells you it's a series in the actual book", "come across information regarding ISSN numbers, but from what I gather, this is", "this is not for a book series, but for magazines and other recurring", "using the \"Title/Subtitle\", and how do you tie all of your books together", "to how I've been titling the books in my series: If I were", "way I have been setting up the titles through Ingramspark and under my", "name in the title at all, it is only in the first book,", "Name of the Book Series > > > Subtitle: Name of individual book.", "a series, but I've seen other self-publishing websites that do not. I have", "series, but for magazines and other recurring publications. How do you tie together", "book series, but for magazines and other recurring publications. How do you tie", "the series name in the title at all, it is only in the", "However a book series like \"Left Behind\" does not have the series name", "question is, how do you title books in a series correctly using the", "individual ISBNs and upload the book to Ingramspark and KDP Amazon, would it", "title books in a series correctly using the \"Title/Subtitle\", and how do you", "under one series that are self published. The way I have been setting", "in a series correctly using the \"Title/Subtitle\", and how do you tie all", "books in my series: If I were to assign a book series like", "Title: \"Eclipse\" > > > Subtitle: (left blank) > > > Is there", "book, yet we know that each book is a part of that series.", "box with the option to add your books to a series, but I've", "that series. I'm going to use Twilight as my example because they are", "tie all of your books together through ISBNs?** I setup my ISBN numbers", "all and can't seem to find any information regarding it. Take the Twilight", "you tie all of your books together through ISBNs?** I setup my ISBN", "find any information regarding it. Take the Twilight series for example, it tells", "a reader who comes across your book, or say a library carrying your", "I currently have 4 books all under one series that are self published.", "So my question is, how do you title books in a series correctly", "has been: > > Title: Name of the Book Series > > >", "because they are the closest to how I've been titling the books in", "will know it is a series? I have recently come across information regarding", "ISBN numbers. So my question is, how do you title books in a", "upload the book to Ingramspark and KDP Amazon, would it be: > >", "like Twilight with the individual ISBNs and upload the book to Ingramspark and", "part of that series. I'm going to use Twilight as my example because", "up the titles through Ingramspark and under my ISBNs has been: > >", "my ISBNs has been: > > Title: Name of the Book Series >", "not. I have also not seen this option when assigning my ISBN numbers.", "do you tie together all of your books so that they are recognized", "assign individual ISBNs to a specific book series so that a reader who", "know that each book is a part of that series. I'm going to", "be: > > Title: The Twilight Saga: > > > Subtitle: Eclipse >", "Eclipse > > > or > > Title: \"Eclipse\" > > > Subtitle:", "a way to assign individual ISBNs to a specific book series so that", "> or > > Title: \"Eclipse\" > > > Subtitle: (left blank) >", "that are self published. The way I have been setting up the titles", "the Twilight series for example, it tells you it's a series in the", "Twilight series for example, it tells you it's a series in the actual", "4 books all under one series that are self published. The way I", "published. The way I have been setting up the titles through Ingramspark and", "I've seen other self-publishing websites that do not. I have also not seen", "is correct at all and can't seem to find any information regarding it.", "say a library carrying your books, will know it is a series? I", "series? KDP Amazon has a box with the option to add your books", "and can't seem to find any information regarding it. Take the Twilight series", "> > Title: Name of the Book Series > > > Subtitle: Name", "does not have the series name in the title at all, it is", "series, but I've seen other self-publishing websites that do not. I have also", "Subtitle: (left blank) > > > Is there a way to assign individual", "my ISBN numbers. *So my question is, how do you title books in", "in the actual book title. However a book series like \"Left Behind\" does", "to assign a book series like Twilight* with the individual ISBNs and upload", "> > > or > > Title: \"Eclipse\" > > > Subtitle: (left", "I were to assign a book series like Twilight with the individual ISBNs", "would it be: > > Title: The Twilight Saga: > > > Subtitle:", "is only in the first book, yet we know that each book is", "it be: > > Title: The Twilight Saga: > > > Subtitle: Eclipse", "> I'm wondering if that is correct at all and can't seem to", "together through ISBNs? I setup my ISBN numbers through Bowker if that helps.", "reader who comes across your book, or say a library carrying your books,", "are self published. The way I have been setting up the titles through", "the actual book title. However a book series like \"Left Behind\" does not", "not have the series name in the title at all, it is only", "Amazon has a box with the option to add your books to a", "correct at all and can't seem to find any information regarding it. Take", "> > Subtitle: Eclipse > > > or > > Title: \"Eclipse\" >", "Ingramspark and under my ISBNs has been: > > Title: Name of the", "it is only in the first book, yet we know that each book", "this option when assigning my ISBN numbers. So my question is, how do", "> > or > > Title: \"Eclipse\" > > > Subtitle: (left blank)", "> Subtitle: Name of individual book. > > > I'm wondering if that", "your books together through ISBNs?** I setup my ISBN numbers through Bowker if", "recently come across information regarding ISSN numbers, but from what I gather, this", "> > Title: The Twilight Saga: > > > Subtitle: Eclipse > >", "to a series, but I've seen other self-publishing websites that do not. I", "do you title books in a series correctly using the \"Title/Subtitle\", and how", "been: > > Title: Name of the Book Series > > > Subtitle:", "but I've seen other self-publishing websites that do not. I have also not", "library carrying your books, will know it is a series? I have recently", "a series correctly using the \"Title/Subtitle\", and how do you tie all of", "as my example because they are the closest to how I've been titling", "you tie together all of your books so that they are recognized globally", "books all under one series that are self published. The way I have", "can't seem to find any information regarding it. Take the Twilight series for", "is, how do you title books in a series correctly using the \"Title/Subtitle\",", "to add your books to a series, but I've seen other self-publishing websites", "Title: The Twilight Saga: > > > Subtitle: Eclipse > > > or", "the books in my series: If I were to assign a book series", "a library carrying your books, will know it is a series? I have", "ISSN numbers, but from what I gather, this is not for a book", "example because they are the closest to how I've been titling the books", "have also not seen this option when assigning my ISBN numbers. *So my", "> > Subtitle: Name of individual book. > > > I'm wondering if", "a part of that series. I'm going to use Twilight* as my example", "> Title: Name of the Book Series > > > Subtitle: Name of", "Name of individual book. > > > I'm wondering if that is correct", "book title. However a book series like \"Left Behind\" does not have the", "for a book series, but for magazines and other recurring publications. How do", "numbers. *So my question is, how do you title books in a series", "we know that each book is a part of that series. I'm going", "information regarding ISSN numbers, but from what I gather, this is not for", "blank) > > > Is there a way to assign individual ISBNs to", "gather, this is not for a book series, but for magazines and other", "carrying your books, will know it is a series? I have recently come", "series name in the title at all, it is only in the first", "\"Left Behind\" does not have the series name in the title at all,", "series correctly using the \"Title/Subtitle\", and how do you tie all of your", "I'm going to use Twilight* as my example because they are the closest", "at all and can't seem to find any information regarding it. Take the", "how do you title books in a series correctly using the \"Title/Subtitle\", and", "one series that are self published. The way I have been setting up", "to Ingramspark and KDP Amazon, would it be: > > Title: The Twilight", "regarding it. Take the Twilight series for example, it tells you it's a", "option to add your books to a series, but I've seen other self-publishing", "websites that do not. I have also not seen this option when assigning", "the individual ISBNs and upload the book to Ingramspark and KDP Amazon, would", "under my ISBNs has been: > > Title: Name of the Book Series", "How do you tie together all of your books so that they are", "a specific book series so that a reader who comes across your book,", "> Subtitle: (left blank) > > > Is there a way to assign", "have 4 books all under one series that are self published. The way", "what I gather, this is not for a book series, but for magazines", "> > > I'm wondering if that is correct at all and can't", "been setting up the titles through Ingramspark and under my ISBNs has been:", "series so that a reader who comes across your book, or say a", "the \"Title/Subtitle\", and how do you tie all of your books together through", "titles through Ingramspark and under my ISBNs has been: > > Title: Name", "assign a book series like Twilight with the individual ISBNs and upload the", "for example, it tells you it's a series in the actual book title.", "the title at all, it is only in the first book, yet we", "assigning my ISBN numbers. *So my question is, how do you title books", "> > I'm wondering if that is correct at all and can't seem", "way to assign individual ISBNs to a specific book series so that a", "who comes across your book, or say a library carrying your books, will", "currently have 4 books all under one series that are self published. The", "\"Eclipse\" > > > Subtitle: (left blank) > > > Is there a", "to a specific book series so that a reader who comes across your", "book series so that a reader who comes across your book, or say", "you it's a series in the actual book title. However a book series", "a book series like \"Left Behind\" does not have the series name in", "> Is there a way to assign individual ISBNs to a specific book", "is a part of that series. I'm going to use Twilight* as my", "\"Title/Subtitle\", and how do you tie all of your books together through ISBNs?*", "I have recently come across information regarding ISSN numbers, but from what I", "it is a series? I have recently come across information regarding ISSN numbers,", "the book to Ingramspark and KDP Amazon, would it be: > > Title:", "my example because they are the closest to how I've been titling the", "that they are recognized globally as a series? KDP Amazon has a box", "book series like Twilight* with the individual ISBNs and upload the book to", "there a way to assign individual ISBNs to a specific book series so", "Subtitle: Eclipse > > > or > > Title: \"Eclipse\" > > >", "> > > Subtitle: (left blank) > > > Is there a way", "have been setting up the titles through Ingramspark and under my ISBNs has", "also not seen this option when assigning my ISBN numbers. *So my question", "> > Title: \"Eclipse\" > > > Subtitle: (left blank) > > >", "going to use Twilight* as my example because they are the closest to", "tie together all of your books so that they are recognized globally as", "self published. The way I have been setting up the titles through Ingramspark", "with the option to add your books to a series, but I've seen", "in my series: If I were to assign a book series like Twilight", "series that are self published. The way I have been setting up the", "is not for a book series, but for magazines and other recurring publications.", "it tells you it's a series in the actual book title. However a", "book series like \"Left Behind\" does not have the series name in the", "I gather, this is not for a book series, but for magazines and", "Saga: > > > Subtitle: Eclipse > > > or > > Title:", "other recurring publications. How do you tie together all of your books so", "have the series name in the title at all, it is only in", "and under my ISBNs has been: > > Title: Name of the Book", "your books so that they are recognized globally as a series? KDP Amazon", "all, it is only in the first book, yet we know that each", "do you tie all of your books together through ISBNs? I setup my", "I'm wondering if that is correct at all and can't seem to find", "books together through ISBNs? I setup my ISBN numbers through Bowker if that", "I have been setting up the titles through Ingramspark and under my ISBNs", "so that a reader who comes across your book, or say a library", "books, will know it is a series? I have recently come across information", "for magazines and other recurring publications. How do you tie together all of", "they are the closest to how I've been titling the books in my", "seen this option when assigning my ISBN numbers. *So my question is, how", "were to assign a book series like Twilight* with the individual ISBNs and", "seen other self-publishing websites that do not. I have also not seen this", "book, or say a library carrying your books, will know it is a", "correctly using the \"Title/Subtitle\", and how do you tie all of your books", "has a box with the option to add your books to a series,", "all under one series that are self published. The way I have been", "all of your books so that they are recognized globally as a series?", "information regarding it. Take the Twilight series for example, it tells you it's", "series. I'm going to use Twilight as my example because they are the", "> > Subtitle: (left blank) > > > Is there a way to", "actual book title. However a book series like \"Left Behind\" does not have", "book is a part of that series. I'm going to use Twilight as", "Twilight Saga: > > > Subtitle: Eclipse > > > or > >", "yet we know that each book is a part of that series. I'm", "and other recurring publications. How do you tie together all of your books", "if that is correct at all and can't seem to find any information", "a series? I have recently come across information regarding ISSN numbers, but from", "that do not. I have also not seen this option when assigning my", "of individual book. > > > I'm wondering if that is correct at", "and upload the book to Ingramspark and KDP Amazon, would it be: >", "Book Series > > > Subtitle: Name of individual book. > > >", "other self-publishing websites that do not. I have also not seen this option", "I've been titling the books in my series: If I were to assign", "title at all, it is only in the first book, yet we know", "Is there a way to assign individual ISBNs to a specific book series", "have recently come across information regarding ISSN numbers, but from what I gather,", "the first book, yet we know that each book is a part of", "series like Twilight with the individual ISBNs and upload the book to Ingramspark", "or > > Title: \"Eclipse\" > > > Subtitle: (left blank) > >", "self-publishing websites that do not. I have also not seen this option when", "but for magazines and other recurring publications. How do you tie together all", "globally as a series? KDP Amazon has a box with the option to", "> Subtitle: Eclipse > > > or > > Title: \"Eclipse\" > >", "it. Take the Twilight series for example, it tells you it's a series", "is a series? I have recently come across information regarding ISSN numbers, but", "titling the books in my series: If I were to assign a book", "KDP Amazon has a box with the option to add your books to", "to use Twilight as my example because they are the closest to how", "do not. I have also not seen this option when assigning my ISBN", "of that series. I'm going to use Twilight as my example because they", "and how do you tie all of your books together through ISBNs?** I", "the titles through Ingramspark and under my ISBNs has been: > > Title:", "(left blank) > > > Is there a way to assign individual ISBNs", "series: If I were to assign a book series like Twilight with the", "KDP Amazon, would it be: > > Title: The Twilight Saga: > >", "a book series, but for magazines and other recurring publications. How do you", "when assigning my ISBN numbers. *So my question is, how do you title", "Behind\" does not have the series name in the title at all, it", "across information regarding ISSN numbers, but from what I gather, this is not", "my question is, how do you title books in a series correctly using", "Take the Twilight* series for example, it tells you it's a series in", "ISBNs has been: > > Title: Name of the Book Series > >", "> > > Subtitle: Eclipse > > > or > > Title: \"Eclipse\"", "how do you tie all of your books together through ISBNs?** I setup", "first book, yet we know that each book is a part of that", "your books, will know it is a series? I have recently come across", "Twilight as my example because they are the closest to how I've been", "through Ingramspark and under my ISBNs has been: > > Title: Name of", "the Book Series > > > Subtitle: Name of individual book. > >", "publications. How do you tie together all of your books so that they", "to find any information regarding it. Take the Twilight series for example, it", "so that they are recognized globally as a series? KDP Amazon has a", "not seen this option when assigning my ISBN numbers. *So my question is,", "Ingramspark and KDP Amazon, would it be: > > Title: The Twilight Saga:", "not for a book series, but for magazines and other recurring publications. How", "with the individual ISBNs and upload the book to Ingramspark and KDP Amazon,", "to assign individual ISBNs to a specific book series so that a reader", "a series? KDP Amazon has a box with the option to add your", "been titling the books in my series: If I were to assign a", "ISBNs to a specific book series so that a reader who comes across", "in the title at all, it is only in the first book, yet", "Subtitle: Name of individual book. > > > I'm wondering if that is", "series like \"Left Behind\" does not have the series name in the title", "recognized globally as a series? KDP Amazon has a box with the option", "series? I have recently come across information regarding ISSN numbers, but from what", "a book series like Twilight* with the individual ISBNs and upload the book", "book to Ingramspark and KDP Amazon, would it be: > > Title: The", "books so that they are recognized globally as a series? KDP Amazon has", "seem to find any information regarding it. Take the Twilight series for example,", "like \"Left Behind\" does not have the series name in the title at", "The Twilight Saga: > > > Subtitle: Eclipse > > > or >", "Twilight with the individual ISBNs and upload the book to Ingramspark and KDP", "or say a library carrying your books, will know it is a series?", "from what I gather, this is not for a book series, but for", "know it is a series? I have recently come across information regarding ISSN", "but from what I gather, this is not for a book series, but", "you title books in a series correctly using the \"Title/Subtitle\", and how do", "books to a series, but I've seen other self-publishing websites that do not.", "together all of your books so that they are recognized globally as a", "Title: Name of the Book Series > > > Subtitle: Name of individual", "> > Is there a way to assign individual ISBNs to a specific", "the option to add your books to a series, but I've seen other", "regarding ISSN numbers, but from what I gather, this is not for a", "the closest to how I've been titling the books in my series: If", "ISBNs and upload the book to Ingramspark and KDP Amazon, would it be:", "individual ISBNs to a specific book series so that a reader who comes", "Series > > > Subtitle: Name of individual book. > > > I'm", "individual book. > > > I'm wondering if that is correct at all", "of your books so that they are recognized globally as a series? KDP", "of the Book Series > > > Subtitle: Name of individual book. >", "a box with the option to add your books to a series, but", "are recognized globally as a series? KDP Amazon has a box with the", "If I were to assign a book series like Twilight with the individual", "add your books to a series, but I've seen other self-publishing websites that", "> > > Is there a way to assign individual ISBNs to a", "> Title: \"Eclipse\" > > > Subtitle: (left blank) > > > Is", "each book is a part of that series. I'm going to use Twilight", "I have also not seen this option when assigning my ISBN numbers. So", "example, it tells you it's a series in the actual book title. However", "specific book series so that a reader who comes across your book, or", "only in the first book, yet we know that each book is a", "option when assigning my ISBN numbers. So my question is, how do you", "they are recognized globally as a series? KDP Amazon has a box with", "series in the actual book title. However a book series like \"Left Behind\"", "magazines and other recurring publications. How do you tie together all of your", "books in a series correctly using the \"Title/Subtitle\", and how do you tie", "any information regarding it. Take the Twilight series for example, it tells you", "it's a series in the actual book title. However a book series like", "comes across your book, or say a library carrying your books, will know", "book. > > > I'm wondering if that is correct at all and", "that each book is a part of that series. I'm going to use", "my series: If I were to assign a book series like Twilight with", "title. However a book series like \"Left Behind\" does not have the series", "as a series? KDP Amazon has a box with the option to add", "in the first book, yet we know that each book is a part", "of your books together through ISBNs?** I setup my ISBN numbers through Bowker", "closest to how I've been titling the books in my series: If I", "Amazon, would it be: > > Title: The Twilight Saga: > > >", "your book, or say a library carrying your books, will know it is", "that is correct at all and can't seem to find any information regarding", "how I've been titling the books in my series: If I were to", "> > > Subtitle: Name of individual book. > > > I'm wondering", "setting up the titles through Ingramspark and under my ISBNs has been: >", "at all, it is only in the first book, yet we know that", "The way I have been setting up the titles through Ingramspark and under", "numbers, but from what I gather, this is not for a book series,", "a series in the actual book title. However a book series like \"Left", "use Twilight as my example because they are the closest to how I've", "all of your books together through ISBNs?** I setup my ISBN numbers through", "across your book, or say a library carrying your books, will know it", "recurring publications. How do you tie together all of your books so that", "are the closest to how I've been titling the books in my series:", "your books to a series, but I've seen other self-publishing websites that do", "tells you it's a series in the actual book title. However a book", "and KDP Amazon, would it be: > > Title: The Twilight Saga: >", "> Title: The Twilight Saga: > > > Subtitle: Eclipse > > >" ]
[ "solitude and to be mindful (I actually imaging scenes in my head before", "head before writing), how can I do this? Also, if you tell someone", "Also, if you tell someone you are writing, it may jinx the whole", "you are writing for the first time). Any guidelines would be much appreciated.", "to be mindful (I actually imaging scenes in my head before writing), how", "be mindful (I actually imaging scenes in my head before writing), how can", "actually imaging scenes in my head before writing), how can I do this?", "of keeping your novel writing a secret, without making people concerned that you", "your project (especially if you are writing for the first time). Any guidelines", "whole project, and cause you to abandon your project (especially if you are", "you tell someone you are writing, it may jinx the whole project, and", "are writing, it may jinx the whole project, and cause you to abandon", "concerned that you are a loner? Because writing requires you to have solitude", "do this? Also, if you tell someone you are writing, it may jinx", "imaging scenes in my head before writing), how can I do this? Also,", "a secret, without making people concerned that you are a loner? Because writing", "What is the best way of keeping your novel writing a secret, without", "writing requires you to have solitude and to be mindful (I actually imaging", "a loner? Because writing requires you to have solitude and to be mindful", "my head before writing), how can I do this? Also, if you tell", "without making people concerned that you are a loner? Because writing requires you", "making people concerned that you are a loner? Because writing requires you to", "and to be mindful (I actually imaging scenes in my head before writing),", "abandon your project (especially if you are writing for the first time). Any", "(especially if you are writing for the first time). Any guidelines would be", "if you are writing for the first time). Any guidelines would be much", "way of keeping your novel writing a secret, without making people concerned that", "project, and cause you to abandon your project (especially if you are writing", "have solitude and to be mindful (I actually imaging scenes in my head", "requires you to have solitude and to be mindful (I actually imaging scenes", "can I do this? Also, if you tell someone you are writing, it", "your novel writing a secret, without making people concerned that you are a", "I do this? Also, if you tell someone you are writing, it may", "you are writing, it may jinx the whole project, and cause you to", "it may jinx the whole project, and cause you to abandon your project", "and cause you to abandon your project (especially if you are writing for", "may jinx the whole project, and cause you to abandon your project (especially", "people concerned that you are a loner? Because writing requires you to have", "to have solitude and to be mindful (I actually imaging scenes in my", "you to have solitude and to be mindful (I actually imaging scenes in", "the best way of keeping your novel writing a secret, without making people", "novel writing a secret, without making people concerned that you are a loner?", "that you are a loner? Because writing requires you to have solitude and", "Because writing requires you to have solitude and to be mindful (I actually", "someone you are writing, it may jinx the whole project, and cause you", "mindful (I actually imaging scenes in my head before writing), how can I", "loner? Because writing requires you to have solitude and to be mindful (I", "before writing), how can I do this? Also, if you tell someone you", "(I actually imaging scenes in my head before writing), how can I do", "are a loner? Because writing requires you to have solitude and to be", "how can I do this? Also, if you tell someone you are writing,", "writing), how can I do this? Also, if you tell someone you are", "secret, without making people concerned that you are a loner? Because writing requires", "jinx the whole project, and cause you to abandon your project (especially if", "in my head before writing), how can I do this? Also, if you", "is the best way of keeping your novel writing a secret, without making", "cause you to abandon your project (especially if you are writing for the", "you to abandon your project (especially if you are writing for the first", "project (especially if you are writing for the first time). Any guidelines would", "best way of keeping your novel writing a secret, without making people concerned", "scenes in my head before writing), how can I do this? Also, if", "writing, it may jinx the whole project, and cause you to abandon your", "you are a loner? Because writing requires you to have solitude and to", "if you tell someone you are writing, it may jinx the whole project,", "this? Also, if you tell someone you are writing, it may jinx the", "to abandon your project (especially if you are writing for the first time).", "writing a secret, without making people concerned that you are a loner? Because", "the whole project, and cause you to abandon your project (especially if you", "keeping your novel writing a secret, without making people concerned that you are", "tell someone you are writing, it may jinx the whole project, and cause" ]
[ "novel. The setting is in another part of the world, nearly 100 years", "historical novel. The setting is in another part of the world, nearly 100", "of this fictional novel. What is the best way to include some maps", "The setting is in another part of the world, nearly 100 years ago.", "would wish to make the novel understandable to my fellow Westerner. Understanding geography", "this fictional novel. What is the best way to include some maps at", "another part of the world, nearly 100 years ago. I would wish to", "maps at the end of the book so it: * gives readers a", "so it: * gives readers a reference? * keeps readers engaged? * helps", "* helps readers relate to the characters, who after all are also human?", "to my fellow Westerner. Understanding geography is the CRUX of this fictional novel.", "years ago. I would wish to make the novel understandable to my fellow", "nearly 100 years ago. I would wish to make the novel understandable to", "* keeps readers engaged? * helps readers relate to the characters, who after", "keeps readers engaged? * helps readers relate to the characters, who after all", "of the book so it: * gives readers a reference? * keeps readers", "fellow Westerner. Understanding geography is the CRUX of this fictional novel. What is", "at the end of the book so it: * gives readers a reference?", "fictional historical novel. The setting is in another part of the world, nearly", "the world, nearly 100 years ago. I would wish to make the novel", "is the CRUX of this fictional novel. What is the best way to", "is the best way to include some maps at the end of the", "it: * gives readers a reference? * keeps readers engaged? * helps readers", "to include some maps at the end of the book so it: ", "geography is the CRUX of this fictional novel. What is the best way", "fictional novel. What is the best way to include some maps at the", "is in another part of the world, nearly 100 years ago. I would", "end of the book so it: gives readers a reference? * keeps", "readers a reference? * keeps readers engaged? * helps readers relate to the", "to make the novel understandable to my fellow Westerner. Understanding geography is the", "writing a fictional historical novel. The setting is in another part of the", "ago. I would wish to make the novel understandable to my fellow Westerner.", "100 years ago. I would wish to make the novel understandable to my", "I would wish to make the novel understandable to my fellow Westerner. Understanding", "novel understandable to my fellow Westerner. Understanding geography is the CRUX of this", "What is the best way to include some maps at the end of", "* gives readers a reference? * keeps readers engaged? * helps readers relate", "of the world, nearly 100 years ago. I would wish to make the", "I am writing a fictional historical novel. The setting is in another part", "include some maps at the end of the book so it: * gives", "the CRUX of this fictional novel. What is the best way to include", "the end of the book so it: * gives readers a reference? ", "world, nearly 100 years ago. I would wish to make the novel understandable", "in another part of the world, nearly 100 years ago. I would wish", "setting is in another part of the world, nearly 100 years ago. I", "some maps at the end of the book so it: gives readers", "the book so it: * gives readers a reference? * keeps readers engaged?", "book so it: * gives readers a reference? * keeps readers engaged? ", "a fictional historical novel. The setting is in another part of the world,", "reference? keeps readers engaged? * helps readers relate to the characters, who", "the novel understandable to my fellow Westerner. Understanding geography is the CRUX of", "engaged? * helps readers relate to the characters, who after all are also", "readers engaged? * helps readers relate to the characters, who after all are", "way to include some maps at the end of the book so it:", "best way to include some maps at the end of the book so", "Understanding geography is the CRUX of this fictional novel. What is the best", "novel. What is the best way to include some maps at the end", "understandable to my fellow Westerner. Understanding geography is the CRUX of this fictional", "make the novel understandable to my fellow Westerner. Understanding geography is the CRUX", "Westerner. Understanding geography is the CRUX of this fictional novel. What is the", "am writing a fictional historical novel. The setting is in another part of", "my fellow Westerner. Understanding geography is the CRUX of this fictional novel. What", "CRUX of this fictional novel. What is the best way to include some", "the best way to include some maps at the end of the book", "a reference? * keeps readers engaged? * helps readers relate to the characters,", "gives readers a reference? * keeps readers engaged? * helps readers relate to", "wish to make the novel understandable to my fellow Westerner. Understanding geography is", "part of the world, nearly 100 years ago. I would wish to make" ]
[ "In the context of \"Fundamental essence\", what is the fundamental essence of Luku", "maybe the concept of Conflict, which I'm comfortable with, will sound divergent from", "to another which I'm quite familiar: Star Wars. So, the story is different", "an unweeded garden, That grows to seed; things rank and gross in nature\",", "to understantd Fundamental essences in characters, I would like to shift the story", "fie! 'tis an unweeded garden, > That grows to seed; things rank and", "> That grows to seed; things rank and gross in nature > Possess", "textbook [1] the author treats, as expected, the whole concept of Conflict in", "essence\". This fundamental essence is even beneath Inner Conflict of the mind of", "I don't no if this is a off-topic question but the main doubt,", "> How weary, stale, flat and unprofitable, > Seem to me all the", "particular situation or, in other words, the author can say for sure: \"Oh", "other words, the author can say for sure: \"Oh character X will never", "author can forsee the attitudes of an character face a particular situation or,", "essence\", what is the fundamental essence of Luku Htyqalnef? [1] Luiz Antônio de", "familiar: Star Wars. So, the story is different but the need for a", "Htyqalnef? [1] Luiz Antônio de Assis Brasil, Escrever Ficção: Um Manual de Criação", "make some difference. In my textbook [1] the author treats, as expected, the", "some difference. In my textbook [1] the author treats, as expected, the whole", "the story is different but the need for a Fundamental essence is conserved.", "prime cog on character behaviour in story, something \"raw\"; knowing this fundamental essence", "face a particular situation or, in other words, the author can say for", "external conflict or even internal conflicts of the mind of the character. For", "essence is settled and then he is \"ready\" to inner and external conflict.", "to everyone when he says \"Fie on't! ah fie! 'tis an unweeded garden,", "yours. I think that this is a technical minor aspect, but I feel", "on't! ah fie! 'tis an unweeded garden, That grows to seed; things rank", "of the mind of the character (and clearly beneath the external conflict). This", "nice pedagocial example, but still, I do not understand quite properly. In order", "the mind of the character (and clearly beneath the external conflict). This fundamental", "the story to another which I'm quite familiar: Star Wars. So, the story", "But he treats the particular point of \"Inner Conflict\" in a huge different", "to seed; things rank and gross in nature\", then due to this the", "difference. In my textbook [1] the author treats, as expected, the whole concept", "cog on character behaviour in story, something \"raw\"; knowing this fundamental essence the", "but the need for a Fundamental essence is conserved. In the context of", "on character behaviour in story, something \"raw\"; knowing this fundamental essence the author", "particular point of \"Inner Conflict\" in a huge different manner: something more fundamental", "is settled and then he is \"ready\" to inner and external conflict. Well,", "says \"Fie on't! ah fie! 'tis an unweeded garden, That grows to seed;", "rank and gross in nature\", then due to this the essence is settled", "grows to seed; things rank and gross in nature\", then due to this", "seed; things rank and gross in nature > Possess it merely. > >", "or, in other words, the author can say for sure: \"Oh character X", "essence of Luku Htyqalnef? [1] Luiz Antônio de Assis Brasil, Escrever Ficção: Um", "Hamlet > > O God! God! > How weary, stale, flat and unprofitable,", "in a huge different manner: something more fundamental than the external conflict or", "feel that in my doubt this will make some difference. In my textbook", "\"Oh character X will never do this!\" The textbook exhibits an example of", "story is different but the need for a Fundamental essence is conserved. In", "this!\" The textbook exhibits an example of a \"conrete\" fundamental essence: * Hamlet", "is \"ready\" to inner and external conflict. Well, this is a nice pedagocial", "the author can forsee the attitudes of an character face a particular situation", "essence is conserved. In the context of \"Fundamental essence\", what is the fundamental", "The textbook exhibits an example of a \"conrete\" fundamental essence: * Hamlet >", "my opinion, is solid on the character development tag. So, maybe the concept", "the prime cog on character behaviour in story, something \"raw\"; knowing this fundamental", "of the character. For him, the \"Inner Conflict\" is called \"fundamental essence\". This", "me all the uses of this world! > Fie on't! ah fie! 'tis", "we can identify the fundamental essence of Hamlet's: Hamlet extend his feelings to", "things rank and gross in nature > Possess it merely. > > >", "understand quite properly. In order to understantd Fundamental essences in characters, I would", "I'm quite familiar: Star Wars. So, the story is different but the need", "do this!\" The textbook exhibits an example of a \"conrete\" fundamental essence: ", "gross in nature\", then due to this the essence is settled and then", "nature\", then due to this the essence is settled and then he is", "conflict). This fundamental essence is the prime cog on character behaviour in story,", "character development* tag. So, maybe the concept of Conflict, which I'm comfortable with,", "world! > Fie on't! ah fie! 'tis an unweeded garden, > That grows", "in my opinion, is solid on the character development tag. So, maybe the", "this is a off-topic question but the main doubt, in my opinion, is", "is the fundamental essence of Luku Htyqalnef? [1] Luiz Antônio de Assis Brasil,", "no if this is a off-topic question but the main doubt, in my", "this world! > Fie on't! ah fie! 'tis an unweeded garden, > That", "and then he is \"ready\" to inner and external conflict. Well, this is", "[1] Luiz Antônio de Assis Brasil, Escrever Ficção: Um Manual de Criação Literária,", "essences in characters, I would like to shift the story to another which", "character X will never do this!\" The textbook exhibits an example of a", "to this the essence is settled and then he is \"ready\" to inner", "can say for sure: \"Oh character X will never do this!\" The textbook", "fundamental essence of Luku Htyqalnef? [1] Luiz Antônio de Assis Brasil, Escrever Ficção:", "development tag. So, maybe the concept of Conflict, which I'm comfortable with, will", "something \"raw\"; knowing this fundamental essence the author can forsee the attitudes of", "de Assis Brasil, Escrever Ficção: Um Manual de Criação Literária, Companhia das Letras,", "for sure: \"Oh character X will never do this!\" The textbook exhibits an", "settled and then he is \"ready\" to inner and external conflict. Well, this", "textbook says then that here we can identify the fundamental essence of Hamlet's:", "textbook exhibits an example of a \"conrete\" fundamental essence: * Hamlet > >", "is called \"fundamental essence\". This fundamental essence is even beneath Inner Conflict of", "of \"Fundamental essence\", what is the fundamental essence of Luku Htyqalnef? [1] Luiz", "conserved. In the context of \"Fundamental essence\", what is the fundamental essence of", "\"Fundamental essence\", what is the fundamental essence of Luku Htyqalnef? [1] Luiz Antônio", "I would like to shift the story to another which I'm quite familiar:", "a nice pedagocial example, but still, I do not understand quite properly. In", "than the external conflict or even internal conflicts of the mind of the", "\"fundamental essence\". This fundamental essence is even beneath Inner Conflict of the mind", "different but the need for a Fundamental essence is conserved. In the context", "situation or, in other words, the author can say for sure: \"Oh character", "pedagocial example, but still, I do not understand quite properly. In order to", "the essence is settled and then he is \"ready\" to inner and external", "on't! ah fie! 'tis an unweeded garden, > That grows to seed; things", "story, something \"raw\"; knowing this fundamental essence the author can forsee the attitudes", "a particular situation or, in other words, the author can say for sure:", "for a Fundamental essence is conserved. In the context of \"Fundamental essence\", what", "the fundamental essence of Luku Htyqalnef? [1] Luiz Antônio de Assis Brasil, Escrever", "\"ready\" to inner and external conflict. Well, this is a nice pedagocial example,", "character (and clearly beneath the external conflict). This fundamental essence is the prime", "I do not understand quite properly. In order to understantd Fundamental essences in", "from yours. I think that this is a technical minor aspect, but I", "Possess it merely. > > > The textbook says then that here we", "context of \"Fundamental essence\", what is the fundamental essence of Luku Htyqalnef? [1]", "fundamental essence of Hamlet's: Hamlet extend his feelings to everyone when he says", "Conflict, which I'm comfortable with, will sound divergent from yours. I think that", "mind of the character (and clearly beneath the external conflict). This fundamental essence", "> O God! God! > How weary, stale, flat and unprofitable, > Seem", "concept of Conflict in character development. But he treats the particular point of", "an character face a particular situation or, in other words, the author can", "order to understantd Fundamental essences in characters, I would like to shift the", "with, will sound divergent from yours. I think that this is a technical", "Hamlet's: Hamlet extend his feelings to everyone when he says \"Fie on't! ah", "identify the fundamental essence of Hamlet's: Hamlet extend his feelings to everyone when", "would like to shift the story to another which I'm quite familiar: Star", "rank and gross in nature > Possess it merely. > > > The", "external conflict. Well, this is a nice pedagocial example, but still, I do", "behaviour in story, something \"raw\"; knowing this fundamental essence the author can forsee", "Luiz Antônio de Assis Brasil, Escrever Ficção: Um Manual de Criação Literária, Companhia", "is different but the need for a Fundamental essence is conserved. In the", "huge different manner: something more fundamental than the external conflict or even internal", "quite properly. In order to understantd Fundamental essences in characters, I would like", "garden, > That grows to seed; things rank and gross in nature >", "fundamental essence is the prime cog on character behaviour in story, something \"raw\";", "my doubt this will make some difference. In my textbook [1] the author", "in story, something \"raw\"; knowing this fundamental essence the author can forsee the", "opinion, is solid on the character development* tag. So, maybe the concept of", "essence is even beneath Inner Conflict of the mind of the character (and", "in characters, I would like to shift the story to another which I'm", "my textbook [1] the author treats, as expected, the whole concept of Conflict", "this the essence is settled and then he is \"ready\" to inner and", "is solid on the character development tag. So, maybe the concept of Conflict,", "comfortable with, will sound divergent from yours. I think that this is a", "attitudes of an character face a particular situation or, in other words, the", "weary, stale, flat and unprofitable, > Seem to me all the uses of", "Fie on't! ah fie! 'tis an unweeded garden, > That grows to seed;", "this will make some difference. In my textbook [1] the author treats, as", "or even internal conflicts of the mind of the character. For him, the", "the external conflict). This fundamental essence is the prime cog on character behaviour", "In order to understantd Fundamental essences in characters, I would like to shift", "expected, the whole concept of Conflict in character development. But he treats the", "[1] the author treats, as expected, the whole concept of Conflict in character", "treats the particular point of \"Inner Conflict\" in a huge different manner: something", "knowing this fundamental essence the author can forsee the attitudes of an character", "essence: * Hamlet > > O God! God! > How weary, stale, flat", "is the prime cog on character behaviour in story, something \"raw\"; knowing this", "tag. So, maybe the concept of Conflict, which I'm comfortable with, will sound", "the mind of the character. For him, the \"Inner Conflict\" is called \"fundamental", "the character development tag. So, maybe the concept of Conflict, which I'm comfortable", "unweeded garden, > That grows to seed; things rank and gross in nature", "merely. > > > The textbook says then that here we can identify", "can forsee the attitudes of an character face a particular situation or, in", "main doubt, in my opinion, is solid on the character development tag. So,", "him, the \"Inner Conflict\" is called \"fundamental essence\". This fundamental essence is even", "Fundamental essences in characters, I would like to shift the story to another", "his feelings to everyone when he says \"Fie on't! ah fie! 'tis an", "fundamental essence the author can forsee the attitudes of an character face a", "the author treats, as expected, the whole concept of Conflict in character development.", "can identify the fundamental essence of Hamlet's: Hamlet extend his feelings to everyone", "fundamental essence is even beneath Inner Conflict of the mind of the character", "character development. But he treats the particular point of \"Inner Conflict\" in a", "is a off-topic question but the main doubt, in my opinion, is solid", "Conflict of the mind of the character (and clearly beneath the external conflict).", "the \"Inner Conflict\" is called \"fundamental essence\". This fundamental essence is even beneath", "uses of this world! > Fie on't! ah fie! 'tis an unweeded garden,", "whole concept of Conflict in character development. But he treats the particular point", "Well, this is a nice pedagocial example, but still, I do not understand", "flat and unprofitable, > Seem to me all the uses of this world!", "seed; things rank and gross in nature\", then due to this the essence", "sure: \"Oh character X will never do this!\" The textbook exhibits an example", "do not understand quite properly. In order to understantd Fundamental essences in characters,", "external conflict). This fundamental essence is the prime cog on character behaviour in", "need for a Fundamental essence is conserved. In the context of \"Fundamental essence\",", "nature > Possess it merely. > > > The textbook says then that", "not understand quite properly. In order to understantd Fundamental essences in characters, I", "feelings to everyone when he says \"Fie on't! ah fie! 'tis an unweeded", "conflict or even internal conflicts of the mind of the character. For him,", "God! > How weary, stale, flat and unprofitable, > Seem to me all", "essence the author can forsee the attitudes of an character face a particular", "then that here we can identify the fundamental essence of Hamlet's: Hamlet extend", "character. For him, the \"Inner Conflict\" is called \"fundamental essence\". This fundamental essence", "a Fundamental essence is conserved. In the context of \"Fundamental essence\", what is", "the uses of this world! > Fie on't! ah fie! 'tis an unweeded", "solid on the character development tag. So, maybe the concept of Conflict, which", "another which I'm quite familiar: Star Wars. So, the story is different but", "a technical minor aspect, but I feel that in my doubt this will", "that in my doubt this will make some difference. In my textbook [1]", "will never do this!\" The textbook exhibits an example of a \"conrete\" fundamental", "\"Fie on't! ah fie! 'tis an unweeded garden, That grows to seed; things", "even internal conflicts of the mind of the character. For him, the \"Inner", "a \"conrete\" fundamental essence: * Hamlet > > O God! God! > How", "This fundamental essence is the prime cog on character behaviour in story, something", "minor aspect, but I feel that in my doubt this will make some", "the attitudes of an character face a particular situation or, in other words,", "For him, the \"Inner Conflict\" is called \"fundamental essence\". This fundamental essence is", "is a nice pedagocial example, but still, I do not understand quite properly.", "that this is a technical minor aspect, but I feel that in my", "author treats, as expected, the whole concept of Conflict in character development. But", "in character development. But he treats the particular point of \"Inner Conflict\" in", "doubt, in my opinion, is solid on the character development tag. So, maybe", "ah fie! 'tis an unweeded garden, > That grows to seed; things rank", "the author can say for sure: \"Oh character X will never do this!\"", "mind of the character. For him, the \"Inner Conflict\" is called \"fundamental essence\".", "> The textbook says then that here we can identify the fundamental essence", "ah fie! 'tis an unweeded garden, That grows to seed; things rank and", "the particular point of \"Inner Conflict\" in a huge different manner: something more", "concept of Conflict, which I'm comfortable with, will sound divergent from yours. I", "inner and external conflict. Well, this is a nice pedagocial example, but still,", "and gross in nature\", then due to this the essence is settled and", "essence is the prime cog on character behaviour in story, something \"raw\"; knowing", "That grows to seed; things rank and gross in nature > Possess it", "say for sure: \"Oh character X will never do this!\" The textbook exhibits", "fie! 'tis an unweeded garden, That grows to seed; things rank and gross", "Wars. So, the story is different but the need for a Fundamental essence", "when he says \"Fie on't! ah fie! 'tis an unweeded garden, That grows", "the fundamental essence of Hamlet's: Hamlet extend his feelings to everyone when he", "to me all the uses of this world! > Fie on't! ah fie!", "don't no if this is a off-topic question but the main doubt, in", "aspect, but I feel that in my doubt this will make some difference.", "So, maybe the concept of Conflict, which I'm comfortable with, will sound divergent", "an unweeded garden, > That grows to seed; things rank and gross in", "and gross in nature > Possess it merely. > > > The textbook", "but still, I do not understand quite properly. In order to understantd Fundamental", "the context of \"Fundamental essence\", what is the fundamental essence of Luku Htyqalnef?", "character face a particular situation or, in other words, the author can say", "Inner Conflict of the mind of the character (and clearly beneath the external", "he is \"ready\" to inner and external conflict. Well, this is a nice", "forsee the attitudes of an character face a particular situation or, in other", "says then that here we can identify the fundamental essence of Hamlet's: Hamlet", "the concept of Conflict, which I'm comfortable with, will sound divergent from yours.", "which I'm quite familiar: Star Wars. So, the story is different but the", "all the uses of this world! > Fie on't! ah fie! 'tis an", "then he is \"ready\" to inner and external conflict. Well, this is a", "everyone when he says \"Fie on't! ah fie! 'tis an unweeded garden, That", "beneath Inner Conflict of the mind of the character (and clearly beneath the", "internal conflicts of the mind of the character. For him, the \"Inner Conflict\"", "of this world! > Fie on't! ah fie! 'tis an unweeded garden, >", "conflict. Well, this is a nice pedagocial example, but still, I do not", "what is the fundamental essence of Luku Htyqalnef? [1] Luiz Antônio de Assis", "exhibits an example of a \"conrete\" fundamental essence: * Hamlet > > O", "garden, That grows to seed; things rank and gross in nature\", then due", "if this is a off-topic question but the main doubt, in my opinion,", "which I'm comfortable with, will sound divergent from yours. I think that this", "beneath the external conflict). This fundamental essence is the prime cog on character", "extend his feelings to everyone when he says \"Fie on't! ah fie! 'tis", "Brasil, Escrever Ficção: Um Manual de Criação Literária, Companhia das Letras, 2ed,São Paulo,2019.", "think that this is a technical minor aspect, but I feel that in", "quite familiar: Star Wars. So, the story is different but the need for", "words, the author can say for sure: \"Oh character X will never do", "\"conrete\" fundamental essence: * Hamlet > > O God! God! > How weary,", "on the character development tag. So, maybe the concept of Conflict, which I'm", "of Hamlet's: Hamlet extend his feelings to everyone when he says \"Fie on't!", "Assis Brasil, Escrever Ficção: Um Manual de Criação Literária, Companhia das Letras, 2ed,São", "'tis an unweeded garden, That grows to seed; things rank and gross in", "of Conflict in character development. But he treats the particular point of \"Inner", "> Fie on't! ah fie! 'tis an unweeded garden, > That grows to", "This fundamental essence is even beneath Inner Conflict of the mind of the", "it merely. > > > The textbook says then that here we can", "Fundamental essence is conserved. In the context of \"Fundamental essence\", what is the", "of a \"conrete\" fundamental essence: * Hamlet > > O God! God! >", "example of a \"conrete\" fundamental essence: * Hamlet > > O God! God!", "unweeded garden, That grows to seed; things rank and gross in nature\", then", "an example of a \"conrete\" fundamental essence: * Hamlet > > O God!", "in nature\", then due to this the essence is settled and then he", "> Possess it merely. > > > The textbook says then that here", "in other words, the author can say for sure: \"Oh character X will", "Conflict\" is called \"fundamental essence\". This fundamental essence is even beneath Inner Conflict", "\"Inner Conflict\" is called \"fundamental essence\". This fundamental essence is even beneath Inner", "even beneath Inner Conflict of the mind of the character (and clearly beneath", "technical minor aspect, but I feel that in my doubt this will make", "point of \"Inner Conflict\" in a huge different manner: something more fundamental than", "(and clearly beneath the external conflict). This fundamental essence is the prime cog", "Conflict in character development. But he treats the particular point of \"Inner Conflict\"", "Hamlet extend his feelings to everyone when he says \"Fie on't! ah fie!", "here we can identify the fundamental essence of Hamlet's: Hamlet extend his feelings", "the external conflict or even internal conflicts of the mind of the character.", "example, but still, I do not understand quite properly. In order to understantd", "O God! God! > How weary, stale, flat and unprofitable, > Seem to", "In my textbook [1] the author treats, as expected, the whole concept of", "but I feel that in my doubt this will make some difference. In", "then due to this the essence is settled and then he is \"ready\"", "> Seem to me all the uses of this world! > Fie on't!", "'tis an unweeded garden, > That grows to seed; things rank and gross", "development. But he treats the particular point of \"Inner Conflict\" in a huge", "doubt this will make some difference. In my textbook [1] the author treats,", "gross in nature > Possess it merely. > > > The textbook says", "like to shift the story to another which I'm quite familiar: Star Wars.", "question but the main doubt, in my opinion, is solid on the character", "Luku Htyqalnef? [1] Luiz Antônio de Assis Brasil, Escrever Ficção: Um Manual de", "to inner and external conflict. Well, this is a nice pedagocial example, but", "Star Wars. So, the story is different but the need for a Fundamental", "of an character face a particular situation or, in other words, the author", "So, the story is different but the need for a Fundamental essence is", "still, I do not understand quite properly. In order to understantd Fundamental essences", "> > > The textbook says then that here we can identify the", "I feel that in my doubt this will make some difference. In my", "The textbook says then that here we can identify the fundamental essence of", "unprofitable, > Seem to me all the uses of this world! > Fie", "author can say for sure: \"Oh character X will never do this!\" The", "characters, I would like to shift the story to another which I'm quite", "this is a technical minor aspect, but I feel that in my doubt", "I think that this is a technical minor aspect, but I feel that", "the main doubt, in my opinion, is solid on the character development tag.", "Conflict\" in a huge different manner: something more fundamental than the external conflict", "more fundamental than the external conflict or even internal conflicts of the mind", "the need for a Fundamental essence is conserved. In the context of \"Fundamental", "will make some difference. In my textbook [1] the author treats, as expected,", "the character. For him, the \"Inner Conflict\" is called \"fundamental essence\". This fundamental", "Antônio de Assis Brasil, Escrever Ficção: Um Manual de Criação Literária, Companhia das", "will sound divergent from yours. I think that this is a technical minor", "How weary, stale, flat and unprofitable, > Seem to me all the uses", "different manner: something more fundamental than the external conflict or even internal conflicts", "that here we can identify the fundamental essence of Hamlet's: Hamlet extend his", "is a technical minor aspect, but I feel that in my doubt this", "and external conflict. Well, this is a nice pedagocial example, but still, I", "* Hamlet > > O God! God! > How weary, stale, flat and", "properly. In order to understantd Fundamental essences in characters, I would like to", "the character (and clearly beneath the external conflict). This fundamental essence is the", "grows to seed; things rank and gross in nature > Possess it merely.", "God! God! > How weary, stale, flat and unprofitable, > Seem to me", "divergent from yours. I think that this is a technical minor aspect, but", "\"Inner Conflict\" in a huge different manner: something more fundamental than the external", "off-topic question but the main doubt, in my opinion, is solid on the", "the whole concept of Conflict in character development. But he treats the particular", "> > O God! God! > How weary, stale, flat and unprofitable, >", "That grows to seed; things rank and gross in nature\", then due to", "\"raw\"; knowing this fundamental essence the author can forsee the attitudes of an", "this fundamental essence the author can forsee the attitudes of an character face", "he says \"Fie on't! ah fie! 'tis an unweeded garden, That grows to", "understantd Fundamental essences in characters, I would like to shift the story to", "as expected, the whole concept of Conflict in character development. But he treats", "this is a nice pedagocial example, but still, I do not understand quite", "but the main doubt, in my opinion, is solid on the character development", "of Luku Htyqalnef? [1] Luiz Antônio de Assis Brasil, Escrever Ficção: Um Manual", "of the character (and clearly beneath the external conflict). This fundamental essence is", "character behaviour in story, something \"raw\"; knowing this fundamental essence the author can", "a huge different manner: something more fundamental than the external conflict or even", "something more fundamental than the external conflict or even internal conflicts of the", "> > The textbook says then that here we can identify the fundamental", "of Conflict, which I'm comfortable with, will sound divergent from yours. I think", "story to another which I'm quite familiar: Star Wars. So, the story is", "things rank and gross in nature\", then due to this the essence is", "X will never do this!\" The textbook exhibits an example of a \"conrete\"", "and unprofitable, > Seem to me all the uses of this world! >", "is even beneath Inner Conflict of the mind of the character (and clearly", "shift the story to another which I'm quite familiar: Star Wars. So, the", "I'm comfortable with, will sound divergent from yours. I think that this is", "to shift the story to another which I'm quite familiar: Star Wars. So,", "never do this!\" The textbook exhibits an example of a \"conrete\" fundamental essence:", "stale, flat and unprofitable, > Seem to me all the uses of this", "he treats the particular point of \"Inner Conflict\" in a huge different manner:", "Seem to me all the uses of this world! > Fie on't! ah", "in nature > Possess it merely. > > > The textbook says then", "sound divergent from yours. I think that this is a technical minor aspect,", "essence of Hamlet's: Hamlet extend his feelings to everyone when he says \"Fie", "of \"Inner Conflict\" in a huge different manner: something more fundamental than the", "conflicts of the mind of the character. For him, the \"Inner Conflict\" is", "fundamental essence: Hamlet > > O God! God! > How weary, stale,", "in my doubt this will make some difference. In my textbook [1] the", "of the mind of the character. For him, the \"Inner Conflict\" is called", "manner: something more fundamental than the external conflict or even internal conflicts of", "called \"fundamental essence\". This fundamental essence is even beneath Inner Conflict of the", "is conserved. In the context of \"Fundamental essence\", what is the fundamental essence", "a off-topic question but the main doubt, in my opinion, is solid on", "clearly beneath the external conflict). This fundamental essence is the prime cog on", "to seed; things rank and gross in nature > Possess it merely. >", "treats, as expected, the whole concept of Conflict in character development. But he", "fundamental than the external conflict or even internal conflicts of the mind of", "due to this the essence is settled and then he is \"ready\" to" ]
[ "larger documents from small chunks of text as a shoddy attempt at single-source", "what the company is currently doing. I wouldn't be able to pitch it", "I've thought of using Dxovgo or WordPress but they're too radically different from", "to Flare - except we probably can't afford Flare. Aside from simple single", "they're too radically different from what the company is currently doing. I wouldn't", "separate content and style. For 8000 separate documents, changing the template right now", "need a single source solution equivalent to Flare - except we probably can't", "know of any open-source single-source authoring tools that allow for separation of content", "of documents that ultimately end up publishing only to a couple outputs: primarily", "source authoring, we want to separate content and style. For 8000 separate documents,", "text are up to 30 pages. I'm not sure if it would work.", "sure if it would work. If that's undoable, does anyone know of any", "and style? I've thought of using Dxovgo or WordPress but they're too radically", "ultimately end up publishing only to a couple outputs: primarily PDF but also", "want to separate content and style. For 8000 separate documents, changing the template", "web and we're moving toward an app. We need a single source solution", "probably can't afford Flare. Aside from simple single source authoring, we want to", "simple single source authoring, we want to separate content and style. For 8000", "using Dxovgo or WordPress but they're too radically different from what the company", "separation of content and style? I've thought of using Dxovgo or WordPress but", "work. If that's undoable, does anyone know of any open-source single-source authoring tools", "content and style? I've thought of using Dxovgo or WordPress but they're too", "thought of using Dxovgo or WordPress but they're too radically different from what", "that allow for separation of content and style? I've thought of using Dxovgo", "style. For 8000 separate documents, changing the template right now is a nightmare.", "a bit more manageable?)? The chunks of text are up to 30 pages.", "Flare. Aside from simple single source authoring, we want to separate content and", "My company is using Microsoft Word to manage thousands of documents that ultimately", "it would work. If that's undoable, does anyone know of any open-source single-source", "an app. We need a single source solution equivalent to Flare - except", "single-source authoring (and making the style a bit more manageable?)? The chunks of", "Word to manage thousands of documents that ultimately end up publishing only to", "we probably can't afford Flare. Aside from simple single source authoring, we want", "using Microsoft Word to manage thousands of documents that ultimately end up publishing", "bit more manageable?)? The chunks of text are up to 30 pages. I'm", "that's undoable, does anyone know of any open-source single-source authoring tools that allow", "to build out larger documents from small chunks of text as a shoddy", "couple outputs: primarily PDF but also some web and we're moving toward an", "of content and style? I've thought of using Dxovgo or WordPress but they're", "too radically different from what the company is currently doing. I wouldn't be", "would work. If that's undoable, does anyone know of any open-source single-source authoring", "but they're too radically different from what the company is currently doing. I", "(and making the style a bit more manageable?)? The chunks of text are", "chunks of text as a shoddy attempt at single-source authoring (and making the", "template right now is a nightmare. Could we theoretically use objects in Word", "text as a shoddy attempt at single-source authoring (and making the style a", "of using Dxovgo or WordPress but they're too radically different from what the", "of text as a shoddy attempt at single-source authoring (and making the style", "documents from small chunks of text as a shoddy attempt at single-source authoring", "toward an app. We need a single source solution equivalent to Flare -", "from small chunks of text as a shoddy attempt at single-source authoring (and", "only to a couple outputs: primarily PDF but also some web and we're", "authoring (and making the style a bit more manageable?)? The chunks of text", "chunks of text are up to 30 pages. I'm not sure if it", "authoring, we want to separate content and style. For 8000 separate documents, changing", "in Word to build out larger documents from small chunks of text as", "a single source solution equivalent to Flare - except we probably can't afford", "moving toward an app. We need a single source solution equivalent to Flare", "authoring tools that allow for separation of content and style? I've thought of", "objects in Word to build out larger documents from small chunks of text", "different from what the company is currently doing. I wouldn't be able to", "a couple outputs: primarily PDF but also some web and we're moving toward", "more manageable?)? The chunks of text are up to 30 pages. I'm not", "solution equivalent to Flare - except we probably can't afford Flare. Aside from", "are up to 30 pages. I'm not sure if it would work. If", "to 30 pages. I'm not sure if it would work. If that's undoable,", "for separation of content and style? I've thought of using Dxovgo or WordPress", "we theoretically use objects in Word to build out larger documents from small", "build out larger documents from small chunks of text as a shoddy attempt", "theoretically use objects in Word to build out larger documents from small chunks", "small chunks of text as a shoddy attempt at single-source authoring (and making", "now is a nightmare. Could we theoretically use objects in Word to build", "as a shoddy attempt at single-source authoring (and making the style a bit", "not sure if it would work. If that's undoable, does anyone know of", "allow for separation of content and style? I've thought of using Dxovgo or", "some web and we're moving toward an app. We need a single source", "documents, changing the template right now is a nightmare. Could we theoretically use", "nightmare. Could we theoretically use objects in Word to build out larger documents", "does anyone know of any open-source single-source authoring tools that allow for separation", "afford Flare. Aside from simple single source authoring, we want to separate content", "changing the template right now is a nightmare. Could we theoretically use objects", "attempt at single-source authoring (and making the style a bit more manageable?)? The", "style a bit more manageable?)? The chunks of text are up to 30", "single source solution equivalent to Flare - except we probably can't afford Flare.", "single source authoring, we want to separate content and style. For 8000 separate", "Word to build out larger documents from small chunks of text as a", "we're moving toward an app. We need a single source solution equivalent to", "shoddy attempt at single-source authoring (and making the style a bit more manageable?)?", "to a couple outputs: primarily PDF but also some web and we're moving", "WordPress but they're too radically different from what the company is currently doing.", "For 8000 separate documents, changing the template right now is a nightmare. Could", "The chunks of text are up to 30 pages. I'm not sure if", "also some web and we're moving toward an app. We need a single", "primarily PDF but also some web and we're moving toward an app. We", "and we're moving toward an app. We need a single source solution equivalent", "app. We need a single source solution equivalent to Flare - except we", "right now is a nightmare. Could we theoretically use objects in Word to", "is a nightmare. Could we theoretically use objects in Word to build out", "anyone know of any open-source single-source authoring tools that allow for separation of", "from what the company is currently doing. I wouldn't be able to pitch", "at single-source authoring (and making the style a bit more manageable?)? The chunks", "outputs: primarily PDF but also some web and we're moving toward an app.", "Aside from simple single source authoring, we want to separate content and style.", "If that's undoable, does anyone know of any open-source single-source authoring tools that", "manageable?)? The chunks of text are up to 30 pages. I'm not sure", "the style a bit more manageable?)? The chunks of text are up to", "- except we probably can't afford Flare. Aside from simple single source authoring,", "company is using Microsoft Word to manage thousands of documents that ultimately end", "Dxovgo or WordPress but they're too radically different from what the company is", "can't afford Flare. Aside from simple single source authoring, we want to separate", "and style. For 8000 separate documents, changing the template right now is a", "single-source authoring tools that allow for separation of content and style? I've thought", "pages. I'm not sure if it would work. If that's undoable, does anyone", "content and style. For 8000 separate documents, changing the template right now is", "from simple single source authoring, we want to separate content and style. For", "undoable, does anyone know of any open-source single-source authoring tools that allow for", "any open-source single-source authoring tools that allow for separation of content and style?", "a shoddy attempt at single-source authoring (and making the style a bit more", "except we probably can't afford Flare. Aside from simple single source authoring, we", "source solution equivalent to Flare - except we probably can't afford Flare. Aside", "use objects in Word to build out larger documents from small chunks of", "to separate content and style. For 8000 separate documents, changing the template right", "making the style a bit more manageable?)? The chunks of text are up", "I'm not sure if it would work. If that's undoable, does anyone know", "up to 30 pages. I'm not sure if it would work. If that's", "radically different from what the company is currently doing. I wouldn't be able", "separate documents, changing the template right now is a nightmare. Could we theoretically", "30 pages. I'm not sure if it would work. If that's undoable, does", "if it would work. If that's undoable, does anyone know of any open-source", "manage thousands of documents that ultimately end up publishing only to a couple", "to manage thousands of documents that ultimately end up publishing only to a", "is using Microsoft Word to manage thousands of documents that ultimately end up", "of text are up to 30 pages. I'm not sure if it would", "a nightmare. Could we theoretically use objects in Word to build out larger", "out larger documents from small chunks of text as a shoddy attempt at", "that ultimately end up publishing only to a couple outputs: primarily PDF but", "the company is currently doing. I wouldn't be able to pitch it easily.", "open-source single-source authoring tools that allow for separation of content and style? I've", "up publishing only to a couple outputs: primarily PDF but also some web", "end up publishing only to a couple outputs: primarily PDF but also some", "tools that allow for separation of content and style? I've thought of using", "but also some web and we're moving toward an app. We need a", "equivalent to Flare - except we probably can't afford Flare. Aside from simple", "Flare - except we probably can't afford Flare. Aside from simple single source", "we want to separate content and style. For 8000 separate documents, changing the", "publishing only to a couple outputs: primarily PDF but also some web and", "documents that ultimately end up publishing only to a couple outputs: primarily PDF", "of any open-source single-source authoring tools that allow for separation of content and", "the template right now is a nightmare. Could we theoretically use objects in", "or WordPress but they're too radically different from what the company is currently", "Microsoft Word to manage thousands of documents that ultimately end up publishing only", "style? I've thought of using Dxovgo or WordPress but they're too radically different", "We need a single source solution equivalent to Flare - except we probably", "thousands of documents that ultimately end up publishing only to a couple outputs:", "PDF but also some web and we're moving toward an app. We need", "8000 separate documents, changing the template right now is a nightmare. Could we", "Could we theoretically use objects in Word to build out larger documents from" ]
[ "feel comfortable representing Christian fiction. I have four unpublished and thoroughly reviewed novels", "suitable literary agents for three years that feel comfortable representing Christian fiction. I", "would to publish them one-by-one. I was wondering if anybody can assist me", "wondering if anybody can assist me in finding literary agents that feel comfortable", "anybody can assist me in finding literary agents that feel comfortable representing Christian", "fiction. I have four unpublished and thoroughly reviewed novels ready to be published,", "be published, but I would to publish them one-by-one. I was wondering if", "have four unpublished and thoroughly reviewed novels ready to be published, but I", "find suitable literary agents for three years that feel comfortable representing Christian fiction.", "published, but I would to publish them one-by-one. I was wondering if anybody", "I have been trying to find suitable literary agents for three years that", "to publish them one-by-one. I was wondering if anybody can assist me in", "them one-by-one. I was wondering if anybody can assist me in finding literary", "that feel comfortable representing Christian fiction. I have four unpublished and thoroughly reviewed", "and thoroughly reviewed novels ready to be published, but I would to publish", "reviewed novels ready to be published, but I would to publish them one-by-one.", "Christian fiction. I have four unpublished and thoroughly reviewed novels ready to be", "if anybody can assist me in finding literary agents that feel comfortable representing", "representing Christian fiction. I have four unpublished and thoroughly reviewed novels ready to", "can assist me in finding literary agents that feel comfortable representing Christian works.", "comfortable representing Christian fiction. I have four unpublished and thoroughly reviewed novels ready", "years that feel comfortable representing Christian fiction. I have four unpublished and thoroughly", "have been trying to find suitable literary agents for three years that feel", "trying to find suitable literary agents for three years that feel comfortable representing", "unpublished and thoroughly reviewed novels ready to be published, but I would to", "ready to be published, but I would to publish them one-by-one. I was", "thoroughly reviewed novels ready to be published, but I would to publish them", "I would to publish them one-by-one. I was wondering if anybody can assist", "one-by-one. I was wondering if anybody can assist me in finding literary agents", "but I would to publish them one-by-one. I was wondering if anybody can", "agents for three years that feel comfortable representing Christian fiction. I have four", "three years that feel comfortable representing Christian fiction. I have four unpublished and", "been trying to find suitable literary agents for three years that feel comfortable", "I have four unpublished and thoroughly reviewed novels ready to be published, but", "literary agents for three years that feel comfortable representing Christian fiction. I have", "four unpublished and thoroughly reviewed novels ready to be published, but I would", "for three years that feel comfortable representing Christian fiction. I have four unpublished", "assist me in finding literary agents that feel comfortable representing Christian works. Thanks.", "I was wondering if anybody can assist me in finding literary agents that", "publish them one-by-one. I was wondering if anybody can assist me in finding", "to find suitable literary agents for three years that feel comfortable representing Christian", "to be published, but I would to publish them one-by-one. I was wondering", "novels ready to be published, but I would to publish them one-by-one. I", "was wondering if anybody can assist me in finding literary agents that feel" ]
[ "interesting; does that theory have to be cited in the story. I don't", "in certain research papers, there are certain theories that have to be cited,", "research papers, there are certain theories that have to be cited, but for", "cited in the story. I don't think I've seen this happen, but I'd", "certain theories that have to be cited, but for this I don't know.", "written a character that is supposed to be smart and uses a scientific", "I don't think I've seen this happen, but I'd really would like to", "to be cited in the story. I don't think I've seen this happen,", "think I've seen this happen, but I'd really would like to know. I", "smart and uses a scientific theory as the basis for doing something interesting;", "know in certain research papers, there are certain theories that have to be", "a character that is supposed to be smart and uses a scientific theory", "supposed to be smart and uses a scientific theory as the basis for", "don't think I've seen this happen, but I'd really would like to know.", "be smart and uses a scientific theory as the basis for doing something", "scientific theory as the basis for doing something interesting; does that theory have", "the story. I don't think I've seen this happen, but I'd really would", "I know in certain research papers, there are certain theories that have to", "if I've written a character that is supposed to be smart and uses", "doing something interesting; does that theory have to be cited in the story.", "there are certain theories that have to be cited, but for this I", "theory have to be cited in the story. I don't think I've seen", "that theory have to be cited in the story. I don't think I've", "that is supposed to be smart and uses a scientific theory as the", "uses a scientific theory as the basis for doing something interesting; does that", "theory as the basis for doing something interesting; does that theory have to", "be cited in the story. I don't think I've seen this happen, but", "is supposed to be smart and uses a scientific theory as the basis", "but I'd really would like to know. I know in certain research papers,", "would like to know. I know in certain research papers, there are certain", "character that is supposed to be smart and uses a scientific theory as", "does that theory have to be cited in the story. I don't think", "For example, if I've written a character that is supposed to be smart", "to know. I know in certain research papers, there are certain theories that", "like to know. I know in certain research papers, there are certain theories", "the basis for doing something interesting; does that theory have to be cited", "happen, but I'd really would like to know. I know in certain research", "as the basis for doing something interesting; does that theory have to be", "I've written a character that is supposed to be smart and uses a", "have to be cited in the story. I don't think I've seen this", "a scientific theory as the basis for doing something interesting; does that theory", "to be smart and uses a scientific theory as the basis for doing", "are certain theories that have to be cited, but for this I don't", "I've seen this happen, but I'd really would like to know. I know", "basis for doing something interesting; does that theory have to be cited in", "example, if I've written a character that is supposed to be smart and", "really would like to know. I know in certain research papers, there are", "know. I know in certain research papers, there are certain theories that have", "this happen, but I'd really would like to know. I know in certain", "certain research papers, there are certain theories that have to be cited, but", "story. I don't think I've seen this happen, but I'd really would like", "something interesting; does that theory have to be cited in the story. I", "seen this happen, but I'd really would like to know. I know in", "and uses a scientific theory as the basis for doing something interesting; does", "I'd really would like to know. I know in certain research papers, there", "papers, there are certain theories that have to be cited, but for this", "for doing something interesting; does that theory have to be cited in the", "in the story. I don't think I've seen this happen, but I'd really" ]
[ "my family. They said that they were proud and that they would support", "my school work and focus on getting into college. I don't want to", "but I want to tell them that I'm really doing this and make", "I want to tell them that I'm really doing this and make sure", "and make sure they believe me. How can I do that and still", "and focus on getting into college. I don't want to spoil the storyline", "They said that they were proud and that they would support me but", "I've recently started writing and I told my family. They said that they", "stick with this and that I'll soon go back to my school work", "spoil the storyline or any of the plots I've thought of, but I", "getting into college. I don't want to spoil the storyline or any of", "plots I've thought of, but I want to tell them that I'm really", "thought I wasn't going to stick with this and that I'll soon go", "I've thought of, but I want to tell them that I'm really doing", "going to stick with this and that I'll soon go back to my", "back to my school work and focus on getting into college. I don't", "that they would support me but when they weren't paying attention I overheard", "overheard them saying they thought I wasn't going to stick with this and", "but when they weren't paying attention I overheard them saying they thought I", "of, but I want to tell them that I'm really doing this and", "and that they would support me but when they weren't paying attention I", "doing this and make sure they believe me. How can I do that", "to tell them that I'm really doing this and make sure they believe", "go back to my school work and focus on getting into college. I", "I told my family. They said that they were proud and that they", "this and that I'll soon go back to my school work and focus", "writing and I told my family. They said that they were proud and", "with this and that I'll soon go back to my school work and", "make sure they believe me. How can I do that and still not", "I'm really doing this and make sure they believe me. How can I", "I overheard them saying they thought I wasn't going to stick with this", "to stick with this and that I'll soon go back to my school", "them that I'm really doing this and make sure they believe me. How", "soon go back to my school work and focus on getting into college.", "of the plots I've thought of, but I want to tell them that", "really doing this and make sure they believe me. How can I do", "this and make sure they believe me. How can I do that and", "into college. I don't want to spoil the storyline or any of the", "any of the plots I've thought of, but I want to tell them", "that I'm really doing this and make sure they believe me. How can", "How can I do that and still not spoil the whole story to", "family. They said that they were proud and that they would support me", "college. I don't want to spoil the storyline or any of the plots", "they would support me but when they weren't paying attention I overheard them", "that I'll soon go back to my school work and focus on getting", "or any of the plots I've thought of, but I want to tell", "them saying they thought I wasn't going to stick with this and that", "focus on getting into college. I don't want to spoil the storyline or", "saying they thought I wasn't going to stick with this and that I'll", "when they weren't paying attention I overheard them saying they thought I wasn't", "and I told my family. They said that they were proud and that", "said that they were proud and that they would support me but when", "tell them that I'm really doing this and make sure they believe me.", "sure they believe me. How can I do that and still not spoil", "the storyline or any of the plots I've thought of, but I want", "they believe me. How can I do that and still not spoil the", "support me but when they weren't paying attention I overheard them saying they", "recently started writing and I told my family. They said that they were", "started writing and I told my family. They said that they were proud", "they were proud and that they would support me but when they weren't", "would support me but when they weren't paying attention I overheard them saying", "believe me. How can I do that and still not spoil the whole", "on getting into college. I don't want to spoil the storyline or any", "I wasn't going to stick with this and that I'll soon go back", "me but when they weren't paying attention I overheard them saying they thought", "me. How can I do that and still not spoil the whole story", "to spoil the storyline or any of the plots I've thought of, but", "proud and that they would support me but when they weren't paying attention", "they weren't paying attention I overheard them saying they thought I wasn't going", "that they were proud and that they would support me but when they", "thought of, but I want to tell them that I'm really doing this", "and that I'll soon go back to my school work and focus on", "school work and focus on getting into college. I don't want to spoil", "weren't paying attention I overheard them saying they thought I wasn't going to", "work and focus on getting into college. I don't want to spoil the", "attention I overheard them saying they thought I wasn't going to stick with", "I don't want to spoil the storyline or any of the plots I've", "told my family. They said that they were proud and that they would", "storyline or any of the plots I've thought of, but I want to", "can I do that and still not spoil the whole story to them?", "don't want to spoil the storyline or any of the plots I've thought", "want to spoil the storyline or any of the plots I've thought of,", "they thought I wasn't going to stick with this and that I'll soon", "wasn't going to stick with this and that I'll soon go back to", "want to tell them that I'm really doing this and make sure they", "paying attention I overheard them saying they thought I wasn't going to stick", "I'll soon go back to my school work and focus on getting into", "to my school work and focus on getting into college. I don't want", "were proud and that they would support me but when they weren't paying", "the plots I've thought of, but I want to tell them that I'm" ]
[ "about why the repeated use of short sentences is read quickly when there's", "the repeated use of short sentences is read quickly when there's a period", "sentence that should make the reader stop for a second or two every", "is read quickly when there's a period at the end of every sentence", "that should make the reader stop for a second or two every time?", "the end of every sentence that should make the reader stop for a", "short sentences is read quickly when there's a period at the end of", "read quickly when there's a period at the end of every sentence that", "quickly when there's a period at the end of every sentence that should", "every sentence that should make the reader stop for a second or two", "confused about why the repeated use of short sentences is read quickly when", "am confused about why the repeated use of short sentences is read quickly", "when there's a period at the end of every sentence that should make", "repeated use of short sentences is read quickly when there's a period at", "why the repeated use of short sentences is read quickly when there's a", "at the end of every sentence that should make the reader stop for", "period at the end of every sentence that should make the reader stop", "a period at the end of every sentence that should make the reader", "of every sentence that should make the reader stop for a second or", "there's a period at the end of every sentence that should make the", "sentences is read quickly when there's a period at the end of every", "I am confused about why the repeated use of short sentences is read", "of short sentences is read quickly when there's a period at the end", "end of every sentence that should make the reader stop for a second", "use of short sentences is read quickly when there's a period at the" ]
[ "am told it is convoluted due to the chaining of dependent clauses. Is", "when I show others a long sentence I have written, I am told", "I show others a long sentence I have written, I am told it", "tacking on modifiers and dependent clauses to a sentence without making it convoluted?", "due to the chaining of dependent clauses. Is there a way to keep", "sentence without making it convoluted? In general, how do you write a really", "modifiers and dependent clauses to a sentence without making it convoluted? In general,", "to a sentence without making it convoluted? In general, how do you write", "Is there a way to keep tacking on modifiers and dependent clauses to", "told it is convoluted due to the chaining of dependent clauses. Is there", "it is convoluted due to the chaining of dependent clauses. Is there a", "show others a long sentence I have written, I am told it is", "dependent clauses. Is there a way to keep tacking on modifiers and dependent", "long sentence I have written, I am told it is convoluted due to", "to keep tacking on modifiers and dependent clauses to a sentence without making", "I am told it is convoluted due to the chaining of dependent clauses.", "convoluted due to the chaining of dependent clauses. Is there a way to", "keep tacking on modifiers and dependent clauses to a sentence without making it", "the chaining of dependent clauses. Is there a way to keep tacking on", "is convoluted due to the chaining of dependent clauses. Is there a way", "dependent clauses to a sentence without making it convoluted? In general, how do", "chaining of dependent clauses. Is there a way to keep tacking on modifiers", "sentence I have written, I am told it is convoluted due to the", "of dependent clauses. Is there a way to keep tacking on modifiers and", "to the chaining of dependent clauses. Is there a way to keep tacking", "a sentence without making it convoluted? In general, how do you write a", "clauses to a sentence without making it convoluted? In general, how do you", "it convoluted? In general, how do you write a really long sentence that", "others a long sentence I have written, I am told it is convoluted", "have written, I am told it is convoluted due to the chaining of", "written, I am told it is convoluted due to the chaining of dependent", "and dependent clauses to a sentence without making it convoluted? In general, how", "In general, how do you write a really long sentence that is not", "way to keep tacking on modifiers and dependent clauses to a sentence without", "I have written, I am told it is convoluted due to the chaining", "a way to keep tacking on modifiers and dependent clauses to a sentence", "clauses. Is there a way to keep tacking on modifiers and dependent clauses", "making it convoluted? In general, how do you write a really long sentence", "on modifiers and dependent clauses to a sentence without making it convoluted? In", "convoluted? In general, how do you write a really long sentence that is", "Sometimes, when I show others a long sentence I have written, I am", "general, how do you write a really long sentence that is not convoluted?", "a long sentence I have written, I am told it is convoluted due", "there a way to keep tacking on modifiers and dependent clauses to a", "without making it convoluted? In general, how do you write a really long" ]
[ "DC properties is inevitable, so how does one navigate this? Or do I", "sounds like Superman and Batman with other names\" I go \"Well it's based", "I have been debating writing a story idea I have had swimming in", "social bubble have. I know it's not a novel story in the sense", "done before and will be done after. My question is, not only because", "Batman with other names\" I go \"Well it's based on superhero comics we", "a novel story in the sense of it being new, it has been", "idea I have had swimming in my head for a long time. I", "more character driven aspects of the stories. I have been tinkering in my", "like story. It would be looking into the relationships, alliances, families and friendships", "into the relationships, alliances, families and friendships that these people who are in", "known heroes have in popular culture, *how does one go about working with", "know that in part I want to base it on the stories I", "character driven novel like story. It would be looking into the relationships, alliances,", "people who are in a kind of social bubble have. I know it's", "super hero stories exist; but also because of the sheer level of influence", "have been tinkering in my mind with an idea for a story like", "does one navigate this? Or do I just write and when someone says", "just write and when someone says \"this sounds like Superman and Batman with", "has been done before and will be done after. My question is, not", "been debating writing a story idea I have had swimming in my head", "been tinkering in my mind with an idea for a story like this,", "more character driven novel like story. It would be looking into the relationships,", "only because works like Watchmen* and other deconstructionist super hero stories exist; but", "have in popular culture, *how does one go about working with this without", "I love superhero comics, and I love the more character driven aspects of", "stories exist; but also because of the sheer level of influence well known", "exist; but also because of the sheer level of influence well known heroes", "the stories. I have been tinkering in my mind with an idea for", "alliances, families and friendships that these people who are in a kind of", "base it on the stories I grew up with so the influence of", "hero stories exist; but also because of the sheer level of influence well", "of for example the DC properties is inevitable, so how does one navigate", "I love the more character driven aspects of the stories. I have been", "before and will be done after. My question is, not only because works", "in my mind with an idea for a story like this, a more", "it on the stories I grew up with so the influence of for", "so how does one navigate this? Or do I just write and when", "who are in a kind of social bubble have. I know it's not", "would be looking into the relationships, alliances, families and friendships that these people", "swimming in my head for a long time. I love superhero comics, and", "and I love the more character driven aspects of the stories. I have", "Watchmen* and other deconstructionist super hero stories exist; but also because of the", "with so the influence of for example the DC properties is inevitable, so", "it has been done before and will be done after. My question is,", "I have been tinkering in my mind with an idea for a story", "love superhero comics, and I love the more character driven aspects of the", "stories. I have been tinkering in my mind with an idea for a", "the more character driven aspects of the stories. I have been tinkering in", "that these people who are in a kind of social bubble have. I", "not a novel story in the sense of it being new, it has", "it being new, it has been done before and will be done after.", "looking into the relationships, alliances, families and friendships that these people who are", "in a kind of social bubble have. I know it's not a novel", "have. I know it's not a novel story in the sense of it", "is, not only because works like Watchmen and other deconstructionist super hero stories", "\"this sounds like Superman and Batman with other names\" I go \"Well it's", "of the sheer level of influence well known heroes have in popular culture,", "a more character driven novel like story. It would be looking into the", "like Watchmen and other deconstructionist super hero stories exist; but also because of", "influence well known heroes have in popular culture, how does one go about", "level of influence well known heroes have in popular culture, how does one", "for a story like this, a more character driven novel like story. It", "because works like Watchmen and other deconstructionist super hero stories exist; but also", "sheer level of influence well known heroes have in popular culture, how does", "how does one navigate this? Or do I just write and when someone", "tinkering in my mind with an idea for a story like this, a", "had swimming in my head for a long time. I love superhero comics,", "novel story in the sense of it being new, it has been done", "in my head for a long time. I love superhero comics, and I", "the relationships, alliances, families and friendships that these people who are in a", "grew up with so the influence of for example the DC properties is", "stories I grew up with so the influence of for example the DC", "the sheer level of influence well known heroes have in popular culture, how", "these people who are in a kind of social bubble have. I know", "idea for a story like this, a more character driven novel like story.", "mind with an idea for a story like this, a more character driven", "because of the sheer level of influence well known heroes have in popular", "without it sounding too obvious? I know that in part I want to", "influence of for example the DC properties is inevitable, so how does one", "friendships that these people who are in a kind of social bubble have.", "popular culture, how does one go about working with this without it sounding", "this? Or do I just write and when someone says \"this sounds like", "the stories I grew up with so the influence of for example the", "in part I want to base it on the stories I grew up", "the sense of it being new, it has been done before and will", "example the DC properties is inevitable, so how does one navigate this? Or", "driven aspects of the stories. I have been tinkering in my mind with", "do I just write and when someone says \"this sounds like Superman and", "a long time. I love superhero comics, and I love the more character", "write and when someone says \"this sounds like Superman and Batman with other", "with other names\" I go \"Well it's based on superhero comics we know.\"", "of it being new, it has been done before and will be done", "too obvious? I know that in part I want to base it on", "with an idea for a story like this, a more character driven novel", "for a long time. I love superhero comics, and I love the more", "in popular culture, how does one go about working with this without it", "working with this without it sounding too obvious? I know that in part", "also because of the sheer level of influence well known heroes have in", "on the stories I grew up with so the influence of for example", "for example the DC properties is inevitable, so how does one navigate this?", "that in part I want to base it on the stories I grew", "one navigate this? Or do I just write and when someone says \"this", "aspects of the stories. I have been tinkering in my mind with an", "sense of it being new, it has been done before and will be", "properties is inevitable, so how does one navigate this? Or do I just", "I know that in part I want to base it on the stories", "story in the sense of it being new, it has been done before", "this without it sounding too obvious? I know that in part I want", "a story like this, a more character driven novel like story. It would", "of influence well known heroes have in popular culture, how does one go", "about working with this without it sounding too obvious? I know that in", "know it's not a novel story in the sense of it being new,", "Superman and Batman with other names\" I go \"Well it's based on superhero", "love the more character driven aspects of the stories. I have been tinkering", "be done after. My question is, not only because works like Watchmen and", "how does one go about working with this without it sounding too obvious?", "culture, how does one go about working with this without it sounding too", "I know it's not a novel story in the sense of it being", "novel like story. It would be looking into the relationships, alliances, families and", "says \"this sounds like Superman and Batman with other names\" I go \"Well", "families and friendships that these people who are in a kind of social", "but also because of the sheer level of influence well known heroes have", "time. I love superhero comics, and I love the more character driven aspects", "with this without it sounding too obvious? I know that in part I", "of social bubble have. I know it's not a novel story in the", "a kind of social bubble have. I know it's not a novel story", "story like this, a more character driven novel like story. It would be", "deconstructionist super hero stories exist; but also because of the sheer level of", "in the sense of it being new, it has been done before and", "It would be looking into the relationships, alliances, families and friendships that these", "are in a kind of social bubble have. I know it's not a", "it sounding too obvious? I know that in part I want to base", "So I have been debating writing a story idea I have had swimming", "does one go about working with this without it sounding too obvious? I", "being new, it has been done before and will be done after. My", "I have had swimming in my head for a long time. I love", "after. My question is, not only because works like Watchmen and other deconstructionist", "an idea for a story like this, a more character driven novel like", "and other deconstructionist super hero stories exist; but also because of the sheer", "sounding too obvious?** I know that in part I want to base it", "the DC properties is inevitable, so how does one navigate this? Or do", "someone says \"this sounds like Superman and Batman with other names\" I go", "will be done after. My question is, not only because works like Watchmen", "heroes have in popular culture, how does one go about working with this", "driven novel like story. It would be looking into the relationships, alliances, families", "it's not a novel story in the sense of it being new, it", "obvious? I know that in part I want to base it on the", "so the influence of for example the DC properties is inevitable, so how", "want to base it on the stories I grew up with so the", "one go about working with this without it sounding too obvious?** I know", "debating writing a story idea I have had swimming in my head for", "and friendships that these people who are in a kind of social bubble", "new, it has been done before and will be done after. My question", "the influence of for example the DC properties is inevitable, so how does", "I want to base it on the stories I grew up with so", "of the stories. I have been tinkering in my mind with an idea", "and when someone says \"this sounds like Superman and Batman with other names\"", "be looking into the relationships, alliances, families and friendships that these people who", "and Batman with other names\" I go \"Well it's based on superhero comics", "a story idea I have had swimming in my head for a long", "head for a long time. I love superhero comics, and I love the", "this, a more character driven novel like story. It would be looking into", "My question is, not only because works like Watchmen and other deconstructionist super", "other deconstructionist super hero stories exist; but also because of the sheer level", "to base it on the stories I grew up with so the influence", "have been debating writing a story idea I have had swimming in my", "Or do I just write and when someone says \"this sounds like Superman", "part I want to base it on the stories I grew up with", "bubble have. I know it's not a novel story in the sense of", "story idea I have had swimming in my head for a long time.", "character driven aspects of the stories. I have been tinkering in my mind", "I grew up with so the influence of for example the DC properties", "works like Watchmen and other deconstructionist super hero stories exist; but also because", "when someone says \"this sounds like Superman and Batman with other names\" I", "relationships, alliances, families and friendships that these people who are in a kind", "well known heroes have in popular culture, *how does one go about working", "done after. My question is, not only because works like Watchmen* and other", "question is, not only because works like Watchmen and other deconstructionist super hero", "go about working with this without it sounding too obvious?** I know that", "and will be done after. My question is, not only because works like", "comics, and I love the more character driven aspects of the stories. I", "writing a story idea I have had swimming in my head for a", "my head for a long time. I love superhero comics, and I love", "superhero comics, and I love the more character driven aspects of the stories.", "up with so the influence of for example the DC properties is inevitable,", "inevitable, so how does one navigate this? Or do I just write and", "I just write and when someone says \"this sounds like Superman and Batman", "navigate this? Or do I just write and when someone says \"this sounds", "have had swimming in my head for a long time. I love superhero", "my mind with an idea for a story like this, a more character", "kind of social bubble have. I know it's not a novel story in", "is inevitable, so how does one navigate this? Or do I just write", "not only because works like Watchmen and other deconstructionist super hero stories exist;", "long time. I love superhero comics, and I love the more character driven", "like Superman and Batman with other names\" I go \"Well it's based on", "story. It would be looking into the relationships, alliances, families and friendships that", "like this, a more character driven novel like story. It would be looking", "been done before and will be done after. My question is, not only" ]
[ "write about them. How to move past the sadness and write about ill-fated", "sad. I am identifying with my characters to develop and write about them.", "How to move past the sadness and write about ill-fated characters. Remember, you", "about them. How to move past the sadness and write about ill-fated characters.", "past the sadness and write about ill-fated characters. Remember, you cannot have rainbows", "to develop and write about them. How to move past the sadness and", "writing historical fiction novel. Some parts are very sad. I am identifying with", "to move past the sadness and write about ill-fated characters. Remember, you cannot", "sadness and write about ill-fated characters. Remember, you cannot have rainbows without rain.", "fiction novel. Some parts are very sad. I am identifying with my characters", "I am writing historical fiction novel. Some parts are very sad. I am", "am identifying with my characters to develop and write about them. How to", "and write about them. How to move past the sadness and write about", "with my characters to develop and write about them. How to move past", "identifying with my characters to develop and write about them. How to move", "historical fiction novel. Some parts are very sad. I am identifying with my", "Some parts are very sad. I am identifying with my characters to develop", "novel. Some parts are very sad. I am identifying with my characters to", "the sadness and write about ill-fated characters. Remember, you cannot have rainbows without", "are very sad. I am identifying with my characters to develop and write", "characters to develop and write about them. How to move past the sadness", "them. How to move past the sadness and write about ill-fated characters. Remember,", "very sad. I am identifying with my characters to develop and write about", "am writing historical fiction novel. Some parts are very sad. I am identifying", "I am identifying with my characters to develop and write about them. How", "move past the sadness and write about ill-fated characters. Remember, you cannot have", "my characters to develop and write about them. How to move past the", "parts are very sad. I am identifying with my characters to develop and", "develop and write about them. How to move past the sadness and write" ]
[ "acceptable as a description may not cut it for readers for the novel", "currently writing a scene with members of government, navy and a religious organization.", "person so what I find acceptable as a description may not cut it", "organization. There's going to be about six people key (besides approx. 50-100 others", "thought I'd see what you all do when you want to get the", "I could physically refer to the scene when writing instead of forgetting details", "try to write. Not sure if I'm overthinking things or not (or using", "the exact picture that doesn't fit concept art that I'm looking for in", "the writing muses are with you all. I was wondering what helps you", "refer to the scene when writing instead of forgetting details in my head.", "wish I could draw so I could physically refer to the scene when", "doesn't fit concept art that I'm looking for in some cases and I", "found that by using concept art found on the internet that's close to", "found on the internet that's close to what I'm imagining has helped me", "boring. And there is the whole \"wanting to avoid any copyright infringements...\" I", "dress seems lacking in detail when I try to write. Not sure if", "that I'm working on. I have found that by using concept art found", "can't say that I'm a detailed oriented person so what I find acceptable", "instead of forgetting details in my head. For example, I'm currently writing a", "and dress seems lacking in detail when I try to write. Not sure", "all. Hope the writing muses are with you all. I was wondering what", "I find my description in the scene flat or boring. And there is", "Hope the writing muses are with you all. I was wondering what helps", "was wondering what helps you to imagine details in a scene? I can't", "And there is the whole \"wanting to avoid any copyright infringements...\" I wish", "in the scene flat or boring. And there is the whole \"wanting to", "about six people key (besides approx. 50-100 others in the room) to the", "to the scene and my description of how each look and dress seems", "scene? I can't say that I'm a detailed oriented person so what I", "or not (or using it as an excuse not to write tonight :-)...but", "to get the details down for your scenes. Thanks in advance for your", "detail when I try to write. Not sure if I'm overthinking things or", "physically refer to the scene when writing instead of forgetting details in my", "navy and a religious organization. There's going to be about six people key", "avoid any copyright infringements...\" I wish I could draw so I could physically", "wondering what helps you to imagine details in a scene? I can't say", "there is the whole \"wanting to avoid any copyright infringements...\" I wish I", "government, navy and a religious organization. There's going to be about six people", "I was wondering what helps you to imagine details in a scene? I", "six people key (besides approx. 50-100 others in the room) to the scene", "want to get the details down for your scenes. Thanks in advance for", "to imagine details in a scene? I can't say that I'm a detailed", "\"wanting to avoid any copyright infringements...\" I wish I could draw so I", "close to what I'm imagining has helped me to physically reference the scene,", "details in my head. For example, I'm currently writing a scene with members", "cut it for readers for the novel that I'm working on. I have", "me to physically reference the scene, and it helps me with the details", "helps you to imagine details in a scene? I can't say that I'm", "or boring. And there is the whole \"wanting to avoid any copyright infringements...\"", "could draw so I could physically refer to the scene when writing instead", "a scene? I can't say that I'm a detailed oriented person so what", "description in the scene flat or boring. And there is the whole \"wanting", "is the whole \"wanting to avoid any copyright infringements...\" I wish I could", "that I'm a detailed oriented person so what I find acceptable as a", "find the exact picture that doesn't fit concept art that I'm looking for", "in the room) to the scene and my description of how each look", "Not sure if I'm overthinking things or not (or using it as an", "things or not (or using it as an excuse not to write tonight", "reference the scene, and it helps me with the details that bring the", "all do when you want to get the details down for your scenes.", "detailed oriented person so what I find acceptable as a description may not", "how each look and dress seems lacking in detail when I try to", "bring the scene more alive. However, I have found that I can't find", "so what I find acceptable as a description may not cut it for", "room) to the scene and my description of how each look and dress", "I'm a detailed oriented person so what I find acceptable as a description", "tonight :-)...but thought I'd see what you all do when you want to", "in my head. For example, I'm currently writing a scene with members of", "(besides approx. 50-100 others in the room) to the scene and my description", "more alive. However, I have found that I can't find the exact picture", "muses are with you all. I was wondering what helps you to imagine", "cases and I find my description in the scene flat or boring. And", "seems lacking in detail when I try to write. Not sure if I'm", "have found that I can't find the exact picture that doesn't fit concept", "I'm imagining has helped me to physically reference the scene, and it helps", "a scene with members of government, navy and a religious organization. There's going", "looking for in some cases and I find my description in the scene", "with the details that bring the scene more alive. However, I have found", "on. I have found that by using concept art found on the internet", "that bring the scene more alive. However, I have found that I can't", "writing a scene with members of government, navy and a religious organization. There's", "you to imagine details in a scene? I can't say that I'm a", "and my description of how each look and dress seems lacking in detail", "that by using concept art found on the internet that's close to what", "I try to write. Not sure if I'm overthinking things or not (or", "in some cases and I find my description in the scene flat or", "I can't say that I'm a detailed oriented person so what I find", "I'd see what you all do when you want to get the details", "scene with members of government, navy and a religious organization. There's going to", "find acceptable as a description may not cut it for readers for the", "my description in the scene flat or boring. And there is the whole", "the details down for your scenes. Thanks in advance for your consideration and", "you all do when you want to get the details down for your", "that I can't find the exact picture that doesn't fit concept art that", "what helps you to imagine details in a scene? I can't say that", "could physically refer to the scene when writing instead of forgetting details in", "copyright infringements...\" I wish I could draw so I could physically refer to", "However, I have found that I can't find the exact picture that doesn't", "in a scene? I can't say that I'm a detailed oriented person so", "that doesn't fit concept art that I'm looking for in some cases and", "lacking in detail when I try to write. Not sure if I'm overthinking", "details in a scene? I can't say that I'm a detailed oriented person", "you want to get the details down for your scenes. Thanks in advance", "concept art that I'm looking for in some cases and I find my", "some cases and I find my description in the scene flat or boring.", "found that I can't find the exact picture that doesn't fit concept art", "I could draw so I could physically refer to the scene when writing", "that's close to what I'm imagining has helped me to physically reference the", "to physically reference the scene, and it helps me with the details that", "are with you all. I was wondering what helps you to imagine details", "for in some cases and I find my description in the scene flat", "find my description in the scene flat or boring. And there is the", "of how each look and dress seems lacking in detail when I try", "I'm looking for in some cases and I find my description in the", ":-)...but thought I'd see what you all do when you want to get", "excuse not to write tonight :-)...but thought I'd see what you all do", "working on. I have found that by using concept art found on the", "down for your scenes. Thanks in advance for your consideration and feedback. Cheers.", "any copyright infringements...\" I wish I could draw so I could physically refer", "you all. I was wondering what helps you to imagine details in a", "draw so I could physically refer to the scene when writing instead of", "to write. Not sure if I'm overthinking things or not (or using it", "whole \"wanting to avoid any copyright infringements...\" I wish I could draw so", "members of government, navy and a religious organization. There's going to be about", "scene more alive. However, I have found that I can't find the exact", "I'm overthinking things or not (or using it as an excuse not to", "the internet that's close to what I'm imagining has helped me to physically", "what I find acceptable as a description may not cut it for readers", "internet that's close to what I'm imagining has helped me to physically reference", "head. For example, I'm currently writing a scene with members of government, navy", "novel that I'm working on. I have found that by using concept art", "to write tonight :-)...but thought I'd see what you all do when you", "and it helps me with the details that bring the scene more alive.", "writing muses are with you all. I was wondering what helps you to", "may not cut it for readers for the novel that I'm working on.", "all. I was wondering what helps you to imagine details in a scene?", "forgetting details in my head. For example, I'm currently writing a scene with", "not (or using it as an excuse not to write tonight :-)...but thought", "example, I'm currently writing a scene with members of government, navy and a", "helped me to physically reference the scene, and it helps me with the", "going to be about six people key (besides approx. 50-100 others in the", "if I'm overthinking things or not (or using it as an excuse not", "look and dress seems lacking in detail when I try to write. Not", "so I could physically refer to the scene when writing instead of forgetting", "oriented person so what I find acceptable as a description may not cut", "to avoid any copyright infringements...\" I wish I could draw so I could", "key (besides approx. 50-100 others in the room) to the scene and my", "what you all do when you want to get the details down for", "when I try to write. Not sure if I'm overthinking things or not", "as a description may not cut it for readers for the novel that", "be about six people key (besides approx. 50-100 others in the room) to", "people key (besides approx. 50-100 others in the room) to the scene and", "each look and dress seems lacking in detail when I try to write.", "the novel that I'm working on. I have found that by using concept", "by using concept art found on the internet that's close to what I'm", "the scene, and it helps me with the details that bring the scene", "description may not cut it for readers for the novel that I'm working", "on the internet that's close to what I'm imagining has helped me to", "scene, and it helps me with the details that bring the scene more", "For example, I'm currently writing a scene with members of government, navy and", "using concept art found on the internet that's close to what I'm imagining", "write tonight :-)...but thought I'd see what you all do when you want", "the scene more alive. However, I have found that I can't find the", "my description of how each look and dress seems lacking in detail when", "of government, navy and a religious organization. There's going to be about six", "infringements...\" I wish I could draw so I could physically refer to the", "an excuse not to write tonight :-)...but thought I'd see what you all", "others in the room) to the scene and my description of how each", "write. Not sure if I'm overthinking things or not (or using it as", "for the novel that I'm working on. I have found that by using", "Good day all. Hope the writing muses are with you all. I was", "the whole \"wanting to avoid any copyright infringements...\" I wish I could draw", "day all. Hope the writing muses are with you all. I was wondering", "alive. However, I have found that I can't find the exact picture that", "in detail when I try to write. Not sure if I'm overthinking things", "my head. For example, I'm currently writing a scene with members of government,", "approx. 50-100 others in the room) to the scene and my description of", "do when you want to get the details down for your scenes. Thanks", "There's going to be about six people key (besides approx. 50-100 others in", "it helps me with the details that bring the scene more alive. However,", "I'm working on. I have found that by using concept art found on", "description of how each look and dress seems lacking in detail when I", "to be about six people key (besides approx. 50-100 others in the room)", "imagining has helped me to physically reference the scene, and it helps me", "the room) to the scene and my description of how each look and", "and I find my description in the scene flat or boring. And there", "of forgetting details in my head. For example, I'm currently writing a scene", "religious organization. There's going to be about six people key (besides approx. 50-100", "not cut it for readers for the novel that I'm working on. I", "concept art found on the internet that's close to what I'm imagining has", "to what I'm imagining has helped me to physically reference the scene, and", "I find acceptable as a description may not cut it for readers for", "with you all. I was wondering what helps you to imagine details in", "what I'm imagining has helped me to physically reference the scene, and it", "a detailed oriented person so what I find acceptable as a description may", "it for readers for the novel that I'm working on. I have found", "I have found that I can't find the exact picture that doesn't fit", "I can't find the exact picture that doesn't fit concept art that I'm", "physically reference the scene, and it helps me with the details that bring", "me with the details that bring the scene more alive. However, I have", "readers for the novel that I'm working on. I have found that by", "that I'm looking for in some cases and I find my description in", "imagine details in a scene? I can't say that I'm a detailed oriented", "art that I'm looking for in some cases and I find my description", "I have found that by using concept art found on the internet that's", "get the details down for your scenes. Thanks in advance for your consideration", "have found that by using concept art found on the internet that's close", "fit concept art that I'm looking for in some cases and I find", "scene when writing instead of forgetting details in my head. For example, I'm", "a religious organization. There's going to be about six people key (besides approx.", "picture that doesn't fit concept art that I'm looking for in some cases", "overthinking things or not (or using it as an excuse not to write", "when you want to get the details down for your scenes. Thanks in", "details down for your scenes. Thanks in advance for your consideration and feedback.", "I'm currently writing a scene with members of government, navy and a religious", "scene and my description of how each look and dress seems lacking in", "the scene flat or boring. And there is the whole \"wanting to avoid", "for readers for the novel that I'm working on. I have found that", "to the scene when writing instead of forgetting details in my head. For", "has helped me to physically reference the scene, and it helps me with", "the scene and my description of how each look and dress seems lacking", "details that bring the scene more alive. However, I have found that I", "the scene when writing instead of forgetting details in my head. For example,", "can't find the exact picture that doesn't fit concept art that I'm looking", "I wish I could draw so I could physically refer to the scene", "not to write tonight :-)...but thought I'd see what you all do when", "(or using it as an excuse not to write tonight :-)...but thought I'd", "with members of government, navy and a religious organization. There's going to be", "using it as an excuse not to write tonight :-)...but thought I'd see", "scene flat or boring. And there is the whole \"wanting to avoid any", "art found on the internet that's close to what I'm imagining has helped", "it as an excuse not to write tonight :-)...but thought I'd see what", "50-100 others in the room) to the scene and my description of how", "as an excuse not to write tonight :-)...but thought I'd see what you", "when writing instead of forgetting details in my head. For example, I'm currently", "and a religious organization. There's going to be about six people key (besides", "a description may not cut it for readers for the novel that I'm", "sure if I'm overthinking things or not (or using it as an excuse", "flat or boring. And there is the whole \"wanting to avoid any copyright", "see what you all do when you want to get the details down", "the details that bring the scene more alive. However, I have found that", "writing instead of forgetting details in my head. For example, I'm currently writing", "exact picture that doesn't fit concept art that I'm looking for in some", "say that I'm a detailed oriented person so what I find acceptable as", "helps me with the details that bring the scene more alive. However, I" ]
[ "way they are accented. I am wondering if there is a compendium that", "``` legend double ember ``` And these words have iambic rhythm (u/): ```", "the poet to sound out various words aloud and decide where the stresses", "for various types of rhythm for me to draw from when writing in", "For example, the following words have trochaic rhythm (/u): ``` legend double ember", "stresses are . . . but some words are very ambiguous or subject", "am wondering if there is a \"word bank\" for various types of rhythm", "example, the following words have trochaic rhythm (/u): ``` legend double ember ```", "no? I am wondering if there is a \"word bank\" for various types", "is my job as the poet to sound out various words aloud and", "poetry in strict meter (example: iambic pentameter), but I keep running into an", "writing poetry in strict meter (example: iambic pentameter), but I keep running into", "accented. I am wondering if there is a compendium that lists different types", "an individual's way of speaking, no? I am wondering if there is a", "wondering if there is a \"word bank\" for various types of rhythm for", "ember ``` And these words have iambic rhythm (u/): ``` attempt compare until", "and decide where the stresses are . . . but some words are", "as the poet to sound out various words aloud and decide where the", "wondering if there is a compendium that lists different types of words (in", "stress). For example, the following words have trochaic rhythm (/u): ``` legend double", "poet to sound out various words aloud and decide where the stresses are", "compare until ``` Ideally, word choice would come first, but I prefer the", "and the way they are accented. I am wondering if there is a", "legend double ember ``` And these words have iambic rhythm (u/): ``` attempt", "are . . . but some words are very ambiguous or subject to", "words are very ambiguous or subject to an individual's way of speaking, no?", "enjoy writing poetry in strict meter (example: iambic pentameter), but I keep running", "(example: iambic pentameter), but I keep running into an issue with word choice.", "word choice. I lack a reference for words and the way they are", "but I keep running into an issue with word choice. I lack a", "there is a \"word bank\" for various types of rhythm for me to", "if there is a \"word bank\" for various types of rhythm for me", "aloud and decide where the stresses are . . . but some words", "attempt compare until ``` Ideally, word choice would come first, but I prefer", "prefer the restrictions in play when writing in meter. Perhaps it is my", "a reference for words and the way they are accented. I am wondering", "for words and the way they are accented. I am wondering if there", "terms of stress). For example, the following words have trochaic rhythm (/u): ```", "in meter. Perhaps it is my job as the poet to sound out", "the way they are accented. I am wondering if there is a compendium", "following words have trochaic rhythm (/u): ``` legend double ember ``` And these", "decide where the stresses are . . . but some words are very", "come first, but I prefer the restrictions in play when writing in meter.", "bank\" for various types of rhythm for me to draw from when writing", "words have trochaic rhythm (/u): ``` legend double ember ``` And these words", "\"word bank\" for various types of rhythm for me to draw from when", "I am wondering if there is a compendium that lists different types of", "ambiguous or subject to an individual's way of speaking, no? I am wondering", "but I prefer the restrictions in play when writing in meter. Perhaps it", "``` Ideally, word choice would come first, but I prefer the restrictions in", "or subject to an individual's way of speaking, no? I am wondering if", "various types of rhythm for me to draw from when writing in specific", "to sound out various words aloud and decide where the stresses are .", "of stress). For example, the following words have trochaic rhythm (/u): ``` legend", "lack a reference for words and the way they are accented. I am", "types of words (in terms of stress). For example, the following words have", "subject to an individual's way of speaking, no? I am wondering if there", "it is my job as the poet to sound out various words aloud", ". . . but some words are very ambiguous or subject to an", "sound out various words aloud and decide where the stresses are . .", "And these words have iambic rhythm (u/): ``` attempt compare until ``` Ideally,", "running into an issue with word choice. I lack a reference for words", "to an individual's way of speaking, no? I am wondering if there is", "in strict meter (example: iambic pentameter), but I keep running into an issue", "out various words aloud and decide where the stresses are . . .", "different types of words (in terms of stress). For example, the following words", "of rhythm for me to draw from when writing in specific meters. Thank", "into an issue with word choice. I lack a reference for words and", "rhythm (u/): ``` attempt compare until ``` Ideally, word choice would come first,", "Ideally, word choice would come first, but I prefer the restrictions in play", "(/u): ``` legend double ember ``` And these words have iambic rhythm (u/):", "individual's way of speaking, no? I am wondering if there is a \"word", "restrictions in play when writing in meter. Perhaps it is my job as", "very ambiguous or subject to an individual's way of speaking, no? I am", "words and the way they are accented. I am wondering if there is", "pentameter), but I keep running into an issue with word choice. I lack", "way of speaking, no? I am wondering if there is a \"word bank\"", "are very ambiguous or subject to an individual's way of speaking, no? I", "there is a compendium that lists different types of words (in terms of", "is a \"word bank\" for various types of rhythm for me to draw", "of speaking, no? I am wondering if there is a \"word bank\" for", "with word choice. I lack a reference for words and the way they", "would come first, but I prefer the restrictions in play when writing in", "are accented. I am wondering if there is a compendium that lists different", "I keep running into an issue with word choice. I lack a reference", "until ``` Ideally, word choice would come first, but I prefer the restrictions", "choice. I lack a reference for words and the way they are accented.", "the following words have trochaic rhythm (/u): ``` legend double ember ``` And", "a compendium that lists different types of words (in terms of stress). For", "rhythm for me to draw from when writing in specific meters. Thank you.", "in play when writing in meter. Perhaps it is my job as the", "job as the poet to sound out various words aloud and decide where", "meter. Perhaps it is my job as the poet to sound out various", "double ember ``` And these words have iambic rhythm (u/): ``` attempt compare", "an issue with word choice. I lack a reference for words and the", "play when writing in meter. Perhaps it is my job as the poet", "trochaic rhythm (/u): ``` legend double ember ``` And these words have iambic", "(in terms of stress). For example, the following words have trochaic rhythm (/u):", "my job as the poet to sound out various words aloud and decide", ". . but some words are very ambiguous or subject to an individual's", "choice would come first, but I prefer the restrictions in play when writing", "types of rhythm for me to draw from when writing in specific meters.", "lists different types of words (in terms of stress). For example, the following", ". but some words are very ambiguous or subject to an individual's way", "these words have iambic rhythm (u/): ``` attempt compare until ``` Ideally, word", "keep running into an issue with word choice. I lack a reference for", "iambic rhythm (u/): ``` attempt compare until ``` Ideally, word choice would come", "meter (example: iambic pentameter), but I keep running into an issue with word", "is a compendium that lists different types of words (in terms of stress).", "words aloud and decide where the stresses are . . . but some", "they are accented. I am wondering if there is a compendium that lists", "word choice would come first, but I prefer the restrictions in play when", "some words are very ambiguous or subject to an individual's way of speaking,", "am wondering if there is a compendium that lists different types of words", "if there is a compendium that lists different types of words (in terms", "I prefer the restrictions in play when writing in meter. Perhaps it is", "iambic pentameter), but I keep running into an issue with word choice. I", "when writing in meter. Perhaps it is my job as the poet to", "I lack a reference for words and the way they are accented. I", "reference for words and the way they are accented. I am wondering if", "strict meter (example: iambic pentameter), but I keep running into an issue with", "rhythm (/u): ``` legend double ember ``` And these words have iambic rhythm", "I enjoy writing poetry in strict meter (example: iambic pentameter), but I keep", "various words aloud and decide where the stresses are . . . but", "writing in meter. Perhaps it is my job as the poet to sound", "words (in terms of stress). For example, the following words have trochaic rhythm", "the stresses are . . . but some words are very ambiguous or", "issue with word choice. I lack a reference for words and the way", "that lists different types of words (in terms of stress). For example, the", "speaking, no? I am wondering if there is a \"word bank\" for various", "first, but I prefer the restrictions in play when writing in meter. Perhaps", "words have iambic rhythm (u/): ``` attempt compare until ``` Ideally, word choice", "I am wondering if there is a \"word bank\" for various types of", "where the stresses are . . . but some words are very ambiguous", "have iambic rhythm (u/): ``` attempt compare until ``` Ideally, word choice would", "``` attempt compare until ``` Ideally, word choice would come first, but I", "a \"word bank\" for various types of rhythm for me to draw from", "have trochaic rhythm (/u): ``` legend double ember ``` And these words have", "Perhaps it is my job as the poet to sound out various words", "``` And these words have iambic rhythm (u/): ``` attempt compare until ```", "the restrictions in play when writing in meter. Perhaps it is my job", "compendium that lists different types of words (in terms of stress). For example,", "(u/): ``` attempt compare until ``` Ideally, word choice would come first, but", "but some words are very ambiguous or subject to an individual's way of", "of words (in terms of stress). For example, the following words have trochaic" ]
[ "a grand daughter, but my novel says this King has a grand daughter.", "real-life King never had a grand daughter, but my novel says this King", "happened. For instance, what if a real-life King never had a grand daughter,", "Singh](http://www.sikhhistory.in/en/princess-ada-irene-helen-benyl-duleep-singh-daughter-of-maharaja-duleep-singh/). In real life, she married someone in 1910, but in my novel,", "Fiction novel. I wish to add sub-plot based on actual events. However the", "want to say she was looking to get married in 1920. Will this", "with concrete example: I found someone, [Princess Ada Irene Helen Benyl Duleep Singh](http://www.sikhhistory.in/en/princess-ada-irene-helen-benyl-duleep-singh-daughter-of-maharaja-duleep-singh/).", "add sub-plot based on actual events. However the sub-plot I add may not", "never had a grand daughter, but my novel says this King has a", "I add may not be consistent with what happened. For instance, what if", "what if a real-life King never had a grand daughter, but my novel", "1910, but in my novel, I want to say she was looking to", "was looking to get married in 1920. Will this be acceptable in Historical", "Updating question with concrete example: I found someone, [Princess Ada Irene Helen Benyl", "For instance, what if a real-life King never had a grand daughter, but", "Historical Fiction novel. I wish to add sub-plot based on actual events. However", "consistent with what happened. For instance, what if a real-life King never had", "what happened. For instance, what if a real-life King never had a grand", "grand daughter. Is this acceptable? Updating question with concrete example: I found someone,", "based on actual events. However the sub-plot I add may not be consistent", "in my novel, I want to say she was looking to get married", "in 1910, but in my novel, I want to say she was looking", "I want to say she was looking to get married in 1920. Will", "novel says this King has a grand daughter. Is this acceptable? Updating question", "Irene Helen Benyl Duleep Singh](http://www.sikhhistory.in/en/princess-ada-irene-helen-benyl-duleep-singh-daughter-of-maharaja-duleep-singh/). In real life, she married someone in 1910,", "has a grand daughter. Is this acceptable? Updating question with concrete example: I", "I wish to add sub-plot based on actual events. However the sub-plot I", "concrete example: I found someone, [Princess Ada Irene Helen Benyl Duleep Singh](http://www.sikhhistory.in/en/princess-ada-irene-helen-benyl-duleep-singh-daughter-of-maharaja-duleep-singh/). In", "King has a grand daughter. Is this acceptable? Updating question with concrete example:", "found someone, [Princess Ada Irene Helen Benyl Duleep Singh](http://www.sikhhistory.in/en/princess-ada-irene-helen-benyl-duleep-singh-daughter-of-maharaja-duleep-singh/). In real life, she", "grand daughter, but my novel says this King has a grand daughter. Is", "instance, what if a real-life King never had a grand daughter, but my", "novel. I wish to add sub-plot based on actual events. However the sub-plot", "life, she married someone in 1910, but in my novel, I want to", "to add sub-plot based on actual events. However the sub-plot I add may", "Duleep Singh](http://www.sikhhistory.in/en/princess-ada-irene-helen-benyl-duleep-singh-daughter-of-maharaja-duleep-singh/). In real life, she married someone in 1910, but in my", "but my novel says this King has a grand daughter. Is this acceptable?", "sub-plot I add may not be consistent with what happened. For instance, what", "I am writing Historical Fiction novel. I wish to add sub-plot based on", "not be consistent with what happened. For instance, what if a real-life King", "add may not be consistent with what happened. For instance, what if a", "someone, [Princess Ada Irene Helen Benyl Duleep Singh](http://www.sikhhistory.in/en/princess-ada-irene-helen-benyl-duleep-singh-daughter-of-maharaja-duleep-singh/). In real life, she married", "married someone in 1910, but in my novel, I want to say she", "the sub-plot I add may not be consistent with what happened. For instance,", "a real-life King never had a grand daughter, but my novel says this", "someone in 1910, but in my novel, I want to say she was", "looking to get married in 1920. Will this be acceptable in Historical Fiction", "I found someone, [Princess Ada Irene Helen Benyl Duleep Singh](http://www.sikhhistory.in/en/princess-ada-irene-helen-benyl-duleep-singh-daughter-of-maharaja-duleep-singh/). In real life,", "to say she was looking to get married in 1920. Will this be", "actual events. However the sub-plot I add may not be consistent with what", "question with concrete example: I found someone, [Princess Ada Irene Helen Benyl Duleep", "she was looking to get married in 1920. Will this be acceptable in", "sub-plot based on actual events. However the sub-plot I add may not be", "a grand daughter. Is this acceptable? Updating question with concrete example: I found", "daughter. Is this acceptable? Updating question with concrete example: I found someone, [Princess", "with what happened. For instance, what if a real-life King never had a", "However the sub-plot I add may not be consistent with what happened. For", "be consistent with what happened. For instance, what if a real-life King never", "says this King has a grand daughter. Is this acceptable? Updating question with", "real life, she married someone in 1910, but in my novel, I want", "may not be consistent with what happened. For instance, what if a real-life", "example: I found someone, [Princess Ada Irene Helen Benyl Duleep Singh](http://www.sikhhistory.in/en/princess-ada-irene-helen-benyl-duleep-singh-daughter-of-maharaja-duleep-singh/). In real", "In real life, she married someone in 1910, but in my novel, I", "this King has a grand daughter. Is this acceptable? Updating question with concrete", "this acceptable? Updating question with concrete example: I found someone, [Princess Ada Irene", "Is this acceptable? Updating question with concrete example: I found someone, [Princess Ada", "wish to add sub-plot based on actual events. However the sub-plot I add", "novel, I want to say she was looking to get married in 1920.", "had a grand daughter, but my novel says this King has a grand", "she married someone in 1910, but in my novel, I want to say", "writing Historical Fiction novel. I wish to add sub-plot based on actual events.", "Helen Benyl Duleep Singh](http://www.sikhhistory.in/en/princess-ada-irene-helen-benyl-duleep-singh-daughter-of-maharaja-duleep-singh/). In real life, she married someone in 1910, but", "my novel says this King has a grand daughter. Is this acceptable? Updating", "but in my novel, I want to say she was looking to get", "Benyl Duleep Singh](http://www.sikhhistory.in/en/princess-ada-irene-helen-benyl-duleep-singh-daughter-of-maharaja-duleep-singh/). In real life, she married someone in 1910, but in", "am writing Historical Fiction novel. I wish to add sub-plot based on actual", "say she was looking to get married in 1920. Will this be acceptable", "if a real-life King never had a grand daughter, but my novel says", "King never had a grand daughter, but my novel says this King has", "on actual events. However the sub-plot I add may not be consistent with", "[Princess Ada Irene Helen Benyl Duleep Singh](http://www.sikhhistory.in/en/princess-ada-irene-helen-benyl-duleep-singh-daughter-of-maharaja-duleep-singh/). In real life, she married someone", "acceptable? Updating question with concrete example: I found someone, [Princess Ada Irene Helen", "daughter, but my novel says this King has a grand daughter. Is this", "my novel, I want to say she was looking to get married in", "events. However the sub-plot I add may not be consistent with what happened.", "Ada Irene Helen Benyl Duleep Singh](http://www.sikhhistory.in/en/princess-ada-irene-helen-benyl-duleep-singh-daughter-of-maharaja-duleep-singh/). In real life, she married someone in" ]
[ "the ongoing efforts to reduce close personal contact with others due to COVID-19,", "contact with others due to COVID-19, I am seeking suggestions for the best", "calls for everyone. What about sharing or editing/reviewing written work among the group?", "What about sharing or editing/reviewing written work among the group? Thanks for any", "to conduct writing workshop groups online. This is usually a physical gathering for", "workshop groups online. This is usually a physical gathering for writers to brainstorm,", "gathering for writers to brainstorm, share, and critique with guidance. I know that", "and could facilitate video calls for everyone. What about sharing or editing/reviewing written", "guidance. I know that Zoom is free and could facilitate video calls for", "conduct writing workshop groups online. This is usually a physical gathering for writers", "critique with guidance. I know that Zoom is free and could facilitate video", "writing workshop groups online. This is usually a physical gathering for writers to", "online. This is usually a physical gathering for writers to brainstorm, share, and", "that Zoom is free and could facilitate video calls for everyone. What about", "Given the ongoing efforts to reduce close personal contact with others due to", "This is usually a physical gathering for writers to brainstorm, share, and critique", "to reduce close personal contact with others due to COVID-19, I am seeking", "close personal contact with others due to COVID-19, I am seeking suggestions for", "COVID-19, I am seeking suggestions for the best way to conduct writing workshop", "is usually a physical gathering for writers to brainstorm, share, and critique with", "suggestions for the best way to conduct writing workshop groups online. This is", "video calls for everyone. What about sharing or editing/reviewing written work among the", "I am seeking suggestions for the best way to conduct writing workshop groups", "due to COVID-19, I am seeking suggestions for the best way to conduct", "others due to COVID-19, I am seeking suggestions for the best way to", "and critique with guidance. I know that Zoom is free and could facilitate", "free and could facilitate video calls for everyone. What about sharing or editing/reviewing", "seeking suggestions for the best way to conduct writing workshop groups online. This", "to COVID-19, I am seeking suggestions for the best way to conduct writing", "to brainstorm, share, and critique with guidance. I know that Zoom is free", "best way to conduct writing workshop groups online. This is usually a physical", "physical gathering for writers to brainstorm, share, and critique with guidance. I know", "know that Zoom is free and could facilitate video calls for everyone. What", "could facilitate video calls for everyone. What about sharing or editing/reviewing written work", "for the best way to conduct writing workshop groups online. This is usually", "usually a physical gathering for writers to brainstorm, share, and critique with guidance.", "with others due to COVID-19, I am seeking suggestions for the best way", "everyone. What about sharing or editing/reviewing written work among the group? Thanks for", "brainstorm, share, and critique with guidance. I know that Zoom is free and", "I know that Zoom is free and could facilitate video calls for everyone.", "share, and critique with guidance. I know that Zoom is free and could", "Zoom is free and could facilitate video calls for everyone. What about sharing", "the best way to conduct writing workshop groups online. This is usually a", "for writers to brainstorm, share, and critique with guidance. I know that Zoom", "ongoing efforts to reduce close personal contact with others due to COVID-19, I", "facilitate video calls for everyone. What about sharing or editing/reviewing written work among", "am seeking suggestions for the best way to conduct writing workshop groups online.", "personal contact with others due to COVID-19, I am seeking suggestions for the", "groups online. This is usually a physical gathering for writers to brainstorm, share,", "about sharing or editing/reviewing written work among the group? Thanks for any suggestions!", "way to conduct writing workshop groups online. This is usually a physical gathering", "is free and could facilitate video calls for everyone. What about sharing or", "efforts to reduce close personal contact with others due to COVID-19, I am", "for everyone. What about sharing or editing/reviewing written work among the group? Thanks", "a physical gathering for writers to brainstorm, share, and critique with guidance. I", "writers to brainstorm, share, and critique with guidance. I know that Zoom is", "with guidance. I know that Zoom is free and could facilitate video calls", "reduce close personal contact with others due to COVID-19, I am seeking suggestions" ]
[ "to publisher? By the way, I plan to give complete manuscript to publisher", "people have short attention spans, hence I use many short paragraphs, rather than", "short attention spans, hence I use many short paragraphs, rather than large blocks", "I use many short paragraphs, rather than large blocks of paragraphs, such as", "editor for my Book before sending to publisher? By the way, I plan", "2-3 syllable, or referred to by their title, such as Landlord) Do I", "to Pakistan\"](http://punjabilibrary.com/wp-content/uploads/2017/06/Train-To-Pakistan_Punjabi-Library.pdf?) And totally understand that Westerners are unfamiliar with Indian names (character", "or referred to by their title, such as Landlord) Do I need to", "attempting to write a novel that is easy to read. Totally understand people", "way, I plan to give complete manuscript to publisher that accepts unsolicited manuscripts.", "as Landlord) Do I need to get an editor for my Book before", "names (character names are 2-3 syllable, or referred to by their title, such", "are 2-3 syllable, or referred to by their title, such as Landlord) Do", "for my Book before sending to publisher? By the way, I plan to", "read. Totally understand people have short attention spans, hence I use many short", "Book before sending to publisher? By the way, I plan to give complete", "paragraphs, such as [\"Train to Pakistan\"](http://punjabilibrary.com/wp-content/uploads/2017/06/Train-To-Pakistan_Punjabi-Library.pdf?) And totally understand that Westerners are unfamiliar", "[\"Train to Pakistan\"](http://punjabilibrary.com/wp-content/uploads/2017/06/Train-To-Pakistan_Punjabi-Library.pdf?) And totally understand that Westerners are unfamiliar with Indian names", "to read. Totally understand people have short attention spans, hence I use many", "am attempting to write a novel that is easy to read. Totally understand", "their title, such as Landlord) Do I need to get an editor for", "paragraphs, rather than large blocks of paragraphs, such as [\"Train to Pakistan\"](http://punjabilibrary.com/wp-content/uploads/2017/06/Train-To-Pakistan_Punjabi-Library.pdf?) And", "have short attention spans, hence I use many short paragraphs, rather than large", "blocks of paragraphs, such as [\"Train to Pakistan\"](http://punjabilibrary.com/wp-content/uploads/2017/06/Train-To-Pakistan_Punjabi-Library.pdf?) And totally understand that Westerners", "are unfamiliar with Indian names (character names are 2-3 syllable, or referred to", "novel that is easy to read. Totally understand people have short attention spans,", "a novel that is easy to read. Totally understand people have short attention", "than large blocks of paragraphs, such as [\"Train to Pakistan\"](http://punjabilibrary.com/wp-content/uploads/2017/06/Train-To-Pakistan_Punjabi-Library.pdf?) And totally understand", "the way, I plan to give complete manuscript to publisher that accepts unsolicited", "that Westerners are unfamiliar with Indian names (character names are 2-3 syllable, or", "(character names are 2-3 syllable, or referred to by their title, such as", "unfamiliar with Indian names (character names are 2-3 syllable, or referred to by", "I am attempting to write a novel that is easy to read. Totally", "And totally understand that Westerners are unfamiliar with Indian names (character names are", "many short paragraphs, rather than large blocks of paragraphs, such as [\"Train to", "by their title, such as Landlord) Do I need to get an editor", "totally understand that Westerners are unfamiliar with Indian names (character names are 2-3", "Landlord) Do I need to get an editor for my Book before sending", "an editor for my Book before sending to publisher? By the way, I", "Westerners are unfamiliar with Indian names (character names are 2-3 syllable, or referred", "Do I need to get an editor for my Book before sending to", "get an editor for my Book before sending to publisher? By the way,", "is easy to read. Totally understand people have short attention spans, hence I", "as [\"Train to Pakistan\"](http://punjabilibrary.com/wp-content/uploads/2017/06/Train-To-Pakistan_Punjabi-Library.pdf?) And totally understand that Westerners are unfamiliar with Indian", "publisher? By the way, I plan to give complete manuscript to publisher that", "large blocks of paragraphs, such as [\"Train to Pakistan\"](http://punjabilibrary.com/wp-content/uploads/2017/06/Train-To-Pakistan_Punjabi-Library.pdf?) And totally understand that", "of paragraphs, such as [\"Train to Pakistan\"](http://punjabilibrary.com/wp-content/uploads/2017/06/Train-To-Pakistan_Punjabi-Library.pdf?) And totally understand that Westerners are", "hence I use many short paragraphs, rather than large blocks of paragraphs, such", "Totally understand people have short attention spans, hence I use many short paragraphs,", "rather than large blocks of paragraphs, such as [\"Train to Pakistan\"](http://punjabilibrary.com/wp-content/uploads/2017/06/Train-To-Pakistan_Punjabi-Library.pdf?) And totally", "easy to read. Totally understand people have short attention spans, hence I use", "that is easy to read. Totally understand people have short attention spans, hence", "Indian names (character names are 2-3 syllable, or referred to by their title,", "names are 2-3 syllable, or referred to by their title, such as Landlord)", "such as [\"Train to Pakistan\"](http://punjabilibrary.com/wp-content/uploads/2017/06/Train-To-Pakistan_Punjabi-Library.pdf?) And totally understand that Westerners are unfamiliar with", "to by their title, such as Landlord) Do I need to get an", "with Indian names (character names are 2-3 syllable, or referred to by their", "spans, hence I use many short paragraphs, rather than large blocks of paragraphs,", "understand people have short attention spans, hence I use many short paragraphs, rather", "short paragraphs, rather than large blocks of paragraphs, such as [\"Train to Pakistan\"](http://punjabilibrary.com/wp-content/uploads/2017/06/Train-To-Pakistan_Punjabi-Library.pdf?)", "Pakistan\"](http://punjabilibrary.com/wp-content/uploads/2017/06/Train-To-Pakistan_Punjabi-Library.pdf?) And totally understand that Westerners are unfamiliar with Indian names (character names", "By the way, I plan to give complete manuscript to publisher that accepts", "syllable, or referred to by their title, such as Landlord) Do I need", "write a novel that is easy to read. Totally understand people have short", "referred to by their title, such as Landlord) Do I need to get", "such as Landlord) Do I need to get an editor for my Book", "need to get an editor for my Book before sending to publisher? By", "sending to publisher? By the way, I plan to give complete manuscript to", "attention spans, hence I use many short paragraphs, rather than large blocks of", "I need to get an editor for my Book before sending to publisher?", "understand that Westerners are unfamiliar with Indian names (character names are 2-3 syllable,", "to write a novel that is easy to read. Totally understand people have", "title, such as Landlord) Do I need to get an editor for my", "my Book before sending to publisher? By the way, I plan to give", "use many short paragraphs, rather than large blocks of paragraphs, such as [\"Train", "before sending to publisher? By the way, I plan to give complete manuscript", "to get an editor for my Book before sending to publisher? By the" ]
[ "research about author earnings but most of the articles I've found is about", "can I reasonably expect to earn off my first book? I have did", "off my first book? I have did some research about author earnings but", "articles I've found is about those who decide to self-publish their books. If", "about author earnings but most of the articles I've found is about those", "to earn off my first book? I have did some research about author", "of my books, a Christian fantasy, to a publisher named SUNBURY PRESS, and", "but most of the articles I've found is about those who decide to", "me on. How much can I reasonably expect to earn off my first", "most of the articles I've found is about those who decide to self-publish", "found is about those who decide to self-publish their books. If anybody has", "author earnings but most of the articles I've found is about those who", "a publisher named SUNBURY PRESS, and I was wondering if they take me", "books, a Christian fantasy, to a publisher named SUNBURY PRESS, and I was", "to a publisher named SUNBURY PRESS, and I was wondering if they take", "was wondering if they take me on. How much can I reasonably expect", "first book? I have did some research about author earnings but most of", "self-publish their books. If anybody has any experience with traditional publishing, please respond.", "much can I reasonably expect to earn off my first book? I have", "if they take me on. How much can I reasonably expect to earn", "about those who decide to self-publish their books. If anybody has any experience", "have did some research about author earnings but most of the articles I've", "PRESS, and I was wondering if they take me on. How much can", "a Christian fantasy, to a publisher named SUNBURY PRESS, and I was wondering", "of the articles I've found is about those who decide to self-publish their", "to self-publish their books. If anybody has any experience with traditional publishing, please", "take me on. How much can I reasonably expect to earn off my", "reasonably expect to earn off my first book? I have did some research", "the articles I've found is about those who decide to self-publish their books.", "proposal for one of my books, a Christian fantasy, to a publisher named", "fantasy, to a publisher named SUNBURY PRESS, and I was wondering if they", "some research about author earnings but most of the articles I've found is", "is about those who decide to self-publish their books. If anybody has any", "one of my books, a Christian fantasy, to a publisher named SUNBURY PRESS,", "decide to self-publish their books. If anybody has any experience with traditional publishing,", "earn off my first book? I have did some research about author earnings", "they take me on. How much can I reasonably expect to earn off", "I've found is about those who decide to self-publish their books. If anybody", "named SUNBURY PRESS, and I was wondering if they take me on. How", "my first book? I have did some research about author earnings but most", "I have did some research about author earnings but most of the articles", "I was wondering if they take me on. How much can I reasonably", "my books, a Christian fantasy, to a publisher named SUNBURY PRESS, and I", "their books. If anybody has any experience with traditional publishing, please respond. Thanks.", "wondering if they take me on. How much can I reasonably expect to", "who decide to self-publish their books. If anybody has any experience with traditional", "sent a book proposal for one of my books, a Christian fantasy, to", "How much can I reasonably expect to earn off my first book? I", "earnings but most of the articles I've found is about those who decide", "book proposal for one of my books, a Christian fantasy, to a publisher", "recently sent a book proposal for one of my books, a Christian fantasy,", "I reasonably expect to earn off my first book? I have did some", "SUNBURY PRESS, and I was wondering if they take me on. How much", "and I was wondering if they take me on. How much can I", "I recently sent a book proposal for one of my books, a Christian", "those who decide to self-publish their books. If anybody has any experience with", "publisher named SUNBURY PRESS, and I was wondering if they take me on.", "did some research about author earnings but most of the articles I've found", "Christian fantasy, to a publisher named SUNBURY PRESS, and I was wondering if", "expect to earn off my first book? I have did some research about", "for one of my books, a Christian fantasy, to a publisher named SUNBURY", "on. How much can I reasonably expect to earn off my first book?", "a book proposal for one of my books, a Christian fantasy, to a", "book? I have did some research about author earnings but most of the" ]
[ "about this and tell me. What happens if I do this?* or should", "I say Q 5: What’s the use of this ... method. I mean", "I am making a tutorial video on a programming language. During the video", "a ...? or should I say Q 4: What if you want to", "...? --- Q 5: What’s the use of this ... method. I mean", "idea? or should I say Q 1: So, how you gonna do this.", "of this ... method. I mean where do I have to use it?", "or \"you\". Let's see few examples. After explaining something in the video I", "video I want to ask questions to the audience. My confusion is between", "and tell me. What happens if I do this?* or should I say", "say Q 1: So, how you gonna do this. Any idea? --- *Q", "do this. Any idea? or should I say Q 1: So, how you", "element at a ... in the ...? --- Q 3: Now think about", "Q 4:* What if you want to know the total number of elements", "...? or should I say Q 4: What if you want to know", "--- Q 2:* What if you want to update the value of an", "in the ...? --- Q 3: Now think about this and tell me.", "me. What happens if you do this? --- Q 4: What if I", "I have to use it? or should I say Q 5: What’s the", "the use of this ... method. I mean where do you have to", "What’s the use of this ... method. I mean where do you have", "this. Any idea?* --- Q 2: What if you want to update the", "you want to update the value of an element at a ... in", "Any idea? --- Q 2: What if you want to update the value", "idea? --- Q 2: What if you want to update the value of", "an element at a ... in the ...? --- Q 3: Now think", "5:* What’s the use of this ... method. I mean where do I", "Q 2:* What if I want to update the value of an element", "to update the value of an element at a ... in the ...?", "and tell me. What happens if you do this?* --- Q 4: What", "elements in a ...? --- Q 5: What’s the use of this ...", "if you want to update the value of an element at a ...", "a ... in the ...? or should I say Q 2: What if", "in a ...? or should I say Q 4: What if you want", "the video I say Q 1:* So, how am I going to do", "video I say Q 1:* So, how am I going to do this.", "the value of an element at a ... in the ...? or should", "should I say Q 4: What if you want to know the total", "on a programming language. During the video I want to ask questions to", "number of elements in a ...? --- Q 5: What’s the use of", "of an element at a ... in the ...? --- Q 3: Now", "5:* What’s the use of this ... method. I mean where do you", "... in the ...? --- Q 3: Now think about this and tell", "...? or should I say Q 2: What if I want to update", "think about this and tell me. What happens if you do this? ---", "should I say Q 5: What’s the use of this ... method. I", "do you have to use it? See my confusion. Should it be \"I\"", "explaining something in the video I say Q 1: So, how am I", "I mean where do I have to use it? or should I say", "I say Q 3: Now think about this and tell me. What happens", "confusion is between 2 words: \"I\" or \"you\". Let's see few examples. After", "tutorial video on a programming language. During the video I want to ask", "After explaining something in the video I say Q 1:* So, how am", "I want to update the value of an element at a ... in", "this? --- Q 4: What if I want to know the total number", "audience. My confusion is between 2 words: \"I\" or \"you\". Let's see few", "an element at a ... in the ...? or should I say *Q", "I want to ask questions to the audience. My confusion is between 2", "to know the total number of elements in a ...? or should I", "or should I say Q 4: What if you want to know the", "if you want to know the total number of elements in a ...?", "the use of this ... method. I mean where do I have to", "3:** Now think about this and tell me. What happens if you do", "happens if you do this? --- Q 4: What if I want to", "I say Q 1:* So, how you gonna do this. Any idea? ---", "where do I have to use it?* or should I say Q 5:", "this and tell me. What happens if I do this?* or should I", "Q 1: So, how you gonna do this. Any idea? --- Q 2:", "Let's see few examples. After explaining something in the video I say Q", "the audience. My confusion is between 2 words: \"I\" or \"you\". Let's see", "want to update the value of an element at a ... in the", "should I say Q 3:** Now think about this and tell me. What", "2:* What if I want to update the value of an element at", "how you gonna do this. Any idea? --- Q 2: What if you", "During the video I want to ask questions to the audience. My confusion", "4:* What if you want to know the total number of elements in", "or should I say Q 5:* What’s the use of this ... method.", "have to use it? or should I say Q 5: What’s the use", "know the total number of elements in a ...? or should I say", "do this?* --- Q 4: What if I want to know the total", "or should I say Q 1:* So, how you gonna do this. Any", "of elements in a ...? or should I say Q 4: What if", "I want to know the total number of elements in a ...? or", "to ask questions to the audience. My confusion is between 2 words: \"I\"", "this ... method. I mean where do I have to use it?* or", "or should I say Q 3: Now think about this and tell me.", "I say Q 4:* What if you want to know the total number", "of an element at a ... in the ...? or should I say", "programming language. During the video I want to ask questions to the audience.", "the value of an element at a ... in the ...?* --- *Q", "update the value of an element at a ... in the ...? or", "gonna do this. Any idea?* --- Q 2: What if you want to", "Q 5:* What’s the use of this ... method. I mean where do", "between 2 words: \"I\" or \"you\". Let's see few examples. After explaining something", "say Q 1:* So, how am I going to do this. Any idea?", "want to ask questions to the audience. My confusion is between 2 words:", "ask questions to the audience. My confusion is between 2 words: \"I\" or", "method. I mean where do you have to use it?* See my confusion.", "questions to the audience. My confusion is between 2 words: \"I\" or \"you\".", "Q 4: What if I want to know the total number of elements", "words: \"I\" or \"you\". Let's see few examples. After explaining something in the", "--- Q 3:* Now think about this and tell me. What happens if", "if you do this? --- Q 4: What if I want to know", "it? or should I say Q 5: What’s the use of this ...", "am making a tutorial video on a programming language. During the video I", "do this. Any idea? --- Q 2: What if you want to update", "at a ... in the ...? --- Q 3: Now think about this", "if I do this? or should I say Q 3: Now think about", "to use it? or should I say Q 5: What’s the use of", "So, how am I going to do this. Any idea?* or should I", "going to do this. Any idea?* or should I say Q 1: So,", "\"I\" or \"you\". Let's see few examples. After explaining something in the video", "making a tutorial video on a programming language. During the video I want", "if I want to know the total number of elements in a ...?", "of elements in a ...?* --- Q 5: What’s the use of this", "should I say Q 2:* What if I want to update the value", "this? or should I say Q 3: Now think about this and tell", "Now think about this and tell me. What happens if you do this?", "method. I mean where do I have to use it? or should I", "What if you want to know the total number of elements in a", "2:* What if you want to update the value of an element at", "say Q 5:* What’s the use of this ... method. I mean where", "a ... in the ...? --- Q 3: Now think about this and", "a ...? --- Q 5: What’s the use of this ... method. I", "a tutorial video on a programming language. During the video I want to", "... method. I mean where do I have to use it? or should", "Q 3: Now think about this and tell me. What happens if I", "1:* So, how you gonna do this. Any idea? --- Q 2: What", "think about this and tell me. What happens if I do this? or", "What happens if you do this?* --- Q 4: What if I want", "want to know the total number of elements in a ...? or should", "to the audience. My confusion is between 2 words: \"I\" or \"you\". Let's", "say Q 3: Now think about this and tell me. What happens if", "use of this ... method. I mean where do you have to use", "...? --- Q 3: Now think about this and tell me. What happens", "I say Q 1:* So, how am I going to do this. Any", "I mean where do you have to use it? See my confusion. Should", "do this?* or should I say Q 3: Now think about this and", "a programming language. During the video I want to ask questions to the", "mean where do I have to use it? or should I say *Q", "the video I want to ask questions to the audience. My confusion is", "to do this. Any idea? or should I say Q 1: So, how", "--- Q 4:* What if I want to know the total number of", "Q 3:* Now think about this and tell me. What happens if you", "at a ... in the ...? or should I say Q 2: What", "happens if I do this? or should I say Q 3: Now think", "language. During the video I want to ask questions to the audience. My", "the ...? --- Q 3: Now think about this and tell me. What", "something in the video I say Q 1:* So, how am I going", "use of this ... method. I mean where do I have to use", "--- Q 5:* What’s the use of this ... method. I mean where", "element at a ... in the ...? or should I say Q 2:", "you have to use it?* See my confusion. Should it be \"I\" or", "you gonna do this. Any idea?* --- Q 2: What if you want", "this and tell me. What happens if you do this? --- Q 4:", "me. What happens if I do this?* or should I say Q 3:", "... in the ...?* or should I say Q 2: What if I", "in the video I say Q 1:* So, how am I going to", "if I want to update the value of an element at a ...", "should I say Q 1:* So, how you gonna do this. Any idea?", "the total number of elements in a ...?* or should I say Q", "few examples. After explaining something in the video I say Q 1:** So,", "say Q 4:* What if you want to know the total number of", "4:* What if I want to know the total number of elements in", "am I going to do this. Any idea? or should I say *Q", "\"you\". Let's see few examples. After explaining something in the video I say", "What if I want to update the value of an element at a", "say Q 2: What if I want to update the value of an", "So, how you gonna do this. Any idea?* --- Q 2: What if", "2 words: \"I\" or \"you\". Let's see few examples. After explaining something in", "about this and tell me. What happens if you do this? --- *Q", "mean where do you have to use it? See my confusion. Should it", "I do this?* or should I say Q 3: Now think about this", "examples. After explaining something in the video I say Q 1:* So, how", "tell me. What happens if I do this? or should I say *Q", "What happens if I do this? or should I say Q 3: Now", "is between 2 words: \"I\" or \"you\". Let's see few examples. After explaining", "total number of elements in a ...? or should I say Q 4:", "or should I say Q 2: What if I want to update the", "the total number of elements in a ...? --- Q 5: What’s the", "Q 2:* What if you want to update the value of an element", "I say Q 2:* What if I want to update the value of", "know the total number of elements in a ...? --- Q 5: What’s", "What’s the use of this ... method. I mean where do I have", "of this ... method. I mean where do you have to use it?", "you do this? --- Q 4: What if I want to know the", "total number of elements in a ...? --- Q 5: What’s the use", "see few examples. After explaining something in the video I say Q 1:", "in the ...? or should I say Q 2: What if I want", "have to use it? See my confusion. Should it be \"I\" or \"you\"?", "value of an element at a ... in the ...?* --- Q 3:", "My confusion is between 2 words: \"I\" or \"you\". Let's see few examples.", "the ...?* or should I say Q 2: What if I want to", "tell me. What happens if you do this? --- Q 4: What if", "do I have to use it? or should I say Q 5: What’s", "how am I going to do this. Any idea? or should I say", "want to know the total number of elements in a ...?* --- *Q", "... method. I mean where do you have to use it? See my", "Q 1: So, how am I going to do this. Any idea? or", "update the value of an element at a ... in the ...?* ---", "What if you want to update the value of an element at a", "in a ...? --- Q 5: What’s the use of this ... method.", "video on a programming language. During the video I want to ask questions", "this. Any idea? or should I say Q 1: So, how you gonna", "Any idea? or should I say Q 1: So, how you gonna do", "What if I want to know the total number of elements in a", "elements in a ...?* or should I say Q 4: What if you", "to know the total number of elements in a ...? --- Q 5:", "value of an element at a ... in the ...?* or should I", "Now think about this and tell me. What happens if I do this?", "this ... method. I mean where do you have to use it?* See", "where do you have to use it?* See my confusion. Should it be", "number of elements in a ...?* or should I say Q 4: What", "you want to know the total number of elements in a ...? ---", "3:** Now think about this and tell me. What happens if I do", "1:* So, how am I going to do this. Any idea? or should", "use it?* or should I say Q 5: What’s the use of this", "I going to do this. Any idea? or should I say Q 1:" ]
[ "Novel. A Reporter is interviewing a Centenarian who narrates the story. The Centenarian's", "the story. The Centenarian's hobby is closely related the novel. The throat-clearing also", "is closely related the novel. The throat-clearing also introduces two Characters who are", "novel. The throat-clearing also introduces two Characters who are tied to the story,", "story, even though they appear much later in the Novel. How much throat-clearing", "related the novel. The throat-clearing also introduces two Characters who are tied to", "interviewing a Centenarian who narrates the story. The Centenarian's hobby is closely related", "Centenarian's hobby is closely related the novel. The throat-clearing also introduces two Characters", "the Novel. How much throat-clearing is allowed? I got it down to 120", "who are tied to the story, even though they appear much later in", "the story, even though they appear much later in the Novel. How much", "appear much later in the Novel. How much throat-clearing is allowed? I got", "later in the Novel. How much throat-clearing is allowed? I got it down", "Novel. How much throat-clearing is allowed? I got it down to 120 words.", "A Reporter is interviewing a Centenarian who narrates the story. The Centenarian's hobby", "Centenarian who narrates the story. The Centenarian's hobby is closely related the novel.", "story. The Centenarian's hobby is closely related the novel. The throat-clearing also introduces", "they appear much later in the Novel. How much throat-clearing is allowed? I", "closely related the novel. The throat-clearing also introduces two Characters who are tied", "tied to the story, even though they appear much later in the Novel.", "even though they appear much later in the Novel. How much throat-clearing is", "hobby is closely related the novel. The throat-clearing also introduces two Characters who", "am writing Historical Fiction Novel. A Reporter is interviewing a Centenarian who narrates", "are tied to the story, even though they appear much later in the", "narrates the story. The Centenarian's hobby is closely related the novel. The throat-clearing", "who narrates the story. The Centenarian's hobby is closely related the novel. The", "throat-clearing also introduces two Characters who are tied to the story, even though", "also introduces two Characters who are tied to the story, even though they", "Characters who are tied to the story, even though they appear much later", "Reporter is interviewing a Centenarian who narrates the story. The Centenarian's hobby is", "I am writing Historical Fiction Novel. A Reporter is interviewing a Centenarian who", "two Characters who are tied to the story, even though they appear much", "to the story, even though they appear much later in the Novel. How", "Historical Fiction Novel. A Reporter is interviewing a Centenarian who narrates the story.", "much later in the Novel. How much throat-clearing is allowed? I got it", "Fiction Novel. A Reporter is interviewing a Centenarian who narrates the story. The", "writing Historical Fiction Novel. A Reporter is interviewing a Centenarian who narrates the", "The throat-clearing also introduces two Characters who are tied to the story, even", "the novel. The throat-clearing also introduces two Characters who are tied to the", "in the Novel. How much throat-clearing is allowed? I got it down to", "though they appear much later in the Novel. How much throat-clearing is allowed?", "a Centenarian who narrates the story. The Centenarian's hobby is closely related the", "is interviewing a Centenarian who narrates the story. The Centenarian's hobby is closely", "The Centenarian's hobby is closely related the novel. The throat-clearing also introduces two", "introduces two Characters who are tied to the story, even though they appear" ]
[ "> > > The second in command gets upset when the leader does", "the organisation. > > > The second in command gets upset when the", "procedures. > > > See what I mean at first the writer is", "were adding these > procedures. > > > See what I mean at", "as their second in command and help build up > the organisation. >", "the second in command goes to > the extreme to teach him a", "Now it ends with the leader blaming themselves after what happens and >", "to > the extreme to teach him a lesson by abusing their authority", "calling it bad writing cause the reaction the author wants and is going", "> proper procedures when making a decision. > > > Now the second", "the leader never followed them is > not their fault, but cause they", "fault, but cause they were never there to begin with and > were", "the leader does not follow the > proper procedures when making a decision.", "procedures when making a decision. > > > Now the second in command", "where what the writer has put makes sense, but after thinking it through", "writer has put makes sense, but after thinking it through there are clear", "about it more carefully they realise faults in the logic used. This results", "and talk it out with the leader at all and just goes >", "through. I am wondering if anyone has any tips to avoid such a", "the team that they were adding these > procedures. > > > See", "example > > A small team is advancing to and organisation. The leader", "> learning the lesson, but here is the kicker the readers realise the", "to the extreme option. > > > Now it ends with the leader", "with and > were something the second in command expected the leader to", "readers don't think so now that they noticed the faults. This has resulted", "> humiliating the leader in front of the team. The second in command", "but here is the kicker the readers realise the > procedures the second", "reader thinks about it more carefully they realise faults in the logic used.", "to get him to > start doing the procedures properly. > > >", "So yeah I have seen a situation where what the writer has put", "a situation where what the writer has put makes sense, but after thinking", "However once a reader thinks about it more carefully they realise faults in", "all well and good except when the second in command goes to >", "to and organisation. The leader brings in an > experienced person to act", "here is the kicker the readers realise the > procedures the second in", "carefully they realise faults in the logic used. This results in them getting", "not their fault, but cause they were never there to begin with and", "they were adding these > procedures. > > > See what I mean", "the leader in front of the team. The second in command > doesn't", "even try and talk it out with the leader at all and just", "the faults. This has resulted in readers calling it bad writing cause the", "told the leader or the team that they were adding these > procedures.", "making a decision. > > > Now the second in command teaches the", "a decision. > > > Now the second in command teaches the leader", "at all and just goes > right to the extreme option. > >", "organisation. The leader brings in an > experienced person to act as their", "were something the second in command expected the leader to follow, > but", "> the organisation. > > > The second in command gets upset when", "readers realise the > procedures the second in command is upset for the", "is advancing to and organisation. The leader brings in an > experienced person", "when the second in command goes to > the extreme to teach him", "> > The second in command gets upset when the leader does not", "realise faults in the logic used. This results in them getting annyoned cause", "it at that making the second in command the good guy. Yet while", "contradicted by what actually happens once thought through. I am wondering if anyone", "cause the reaction the author wants and is going for gets contradicted by", "author wants and is going for gets contradicted by what actually happens once", "while the story makes it out to be so the readers don't think", "learned and the second in command is doing it for the greater good.", "seen a situation where what the writer has put makes sense, but after", "and > humiliating the leader in front of the team. The second in", "lesson, but here is the kicker the readers realise the > procedures the", "all and just goes > right to the extreme option. > > >", "> procedures the second in command is upset for the leader not following", "command and help build up > the organisation. > > > The second", "and > were something the second in command expected the leader to follow,", "their second in command and help build up > the organisation. > >", "leader blaming themselves after what happens and > learning the lesson, but here", "command gets upset when the leader does not follow the > proper procedures", "writing cause the reaction the author wants and is going for gets contradicted", "am wondering if anyone has any tips to avoid such a situation or", "a reader thinks about it more carefully they realise faults in the logic", "reaction the author wants and is going for gets contradicted by what actually", "makes sense, but after thinking it through there are clear faults in the", "goes > right to the extreme option. > > > Now it ends", "readers calling it bad writing cause the reaction the author wants and is", "upset for the leader not following > were never established. The reason the", "following > were never established. The reason the leader never followed them is", "has resulted in readers calling it bad writing cause the reaction the author", "team that they were adding these > procedures. > > > See what", "first the writer is giving message of a tough lesson learned and the", "the leader to follow, > but never told the leader or the team", "that they noticed the faults. This has resulted in readers calling it bad", "leader at all and just goes > right to the extreme option. >", "I am wondering if anyone has any tips to avoid such a situation", "This has resulted in readers calling it bad writing cause the reaction the", "expected the leader to follow, > but never told the leader or the", "are clear faults in the logic they used. Here's my example > >", "it out to be so the readers don't think so now that they", "happens once thought through. I am wondering if anyone has any tips to", "never established. The reason the leader never followed them is > not their", "in command and help build up > the organisation. > > > The", "or the team that they were adding these > procedures. > > >", "person to act as their second in command and help build up >", "> > > This is all well and good except when the second", "a lesson to get him to > start doing the procedures properly. >", "option. > > > Now it ends with the leader blaming themselves after", "story makes it out to be so the readers don't think so now", "the lesson, but here is the kicker the readers realise the > procedures", "the writer has put makes sense, but after thinking it through there are", "second in command gets upset when the leader does not follow the >", "> but never told the leader or the team that they were adding", "thought through. I am wondering if anyone has any tips to avoid such", "and > learning the lesson, but here is the kicker the readers realise", "leader or the team that they were adding these > procedures. > >", "when making a decision. > > > Now the second in command teaches", "humiliating the leader in front of the team. The second in command >", "and leaves it at that making the second in command the good guy.", "follow, > but never told the leader or the team that they were", "has put makes sense, but after thinking it through there are clear faults", "second in command teaches the leader a lesson to get him to >", "leader out to be wrong and leaves it at that making the second", "at first the writer is giving message of a tough lesson learned and", "> > Now it ends with the leader blaming themselves after what happens", "is the kicker the readers realise the > procedures the second in command", "made the leader out to be wrong and leaves it at that making", "thinking it through there are clear faults in the logic they used. Here's", "> were something the second in command expected the leader to follow, >", "the second in command is upset for the leader not following > were", "right to the extreme option. > > > Now it ends with the", "> > See what I mean at first the writer is giving message", "the second in command is doing it for the greater good. However once", "I mean at first the writer is giving message of a tough lesson", "they realise faults in the logic used. This results in them getting annyoned", "the team. The second in command > doesn't even try and talk it", "what I mean at first the writer is giving message of a tough", "bad writing cause the reaction the author wants and is going for gets", "begin with and > were something the second in command expected the leader", "> > This is all well and good except when the second in", "but after thinking it through there are clear faults in the logic they", "after thinking it through there are clear faults in the logic they used.", "to > start doing the procedures properly. > > > This is all", "well and good except when the second in command goes to > the", "there to begin with and > were something the second in command expected", "command is upset for the leader not following > were never established. The", "makes it out to be so the readers don't think so now that", "extreme to teach him a lesson by abusing their authority and > humiliating", "cause they were never there to begin with and > were something the", "advancing to and organisation. The leader brings in an > experienced person to", "the leader blaming themselves after what happens and > learning the lesson, but", "> > > Now the second in command teaches the leader a lesson", "the author wants and is going for gets contradicted by what actually happens", "him to > start doing the procedures properly. > > > This is", "to teach him a lesson by abusing their authority and > humiliating the", "not following > were never established. The reason the leader never followed them", "> > > Now it ends with the leader blaming themselves after what", "sense, but after thinking it through there are clear faults in the logic", "command > doesn't even try and talk it out with the leader at", "the procedures properly. > > > This is all well and good except", "> were never established. The reason the leader never followed them is >", "leader never followed them is > not their fault, but cause they were", "that making the second in command the good guy. Yet while the story", "it through there are clear faults in the logic they used. Here's my", "and the second in command is doing it for the greater good. However", "anyone has any tips to avoid such a situation or how to fix", "so the readers don't think so now that they noticed the faults. This", "what actually happens once thought through. I am wondering if anyone has any", "after what happens and > learning the lesson, but here is the kicker", "in them getting annyoned cause the writer has made the leader out to", "the readers realise the > procedures the second in command is upset for", "the extreme option. > > > Now it ends with the leader blaming", "the leader out to be wrong and leaves it at that making the", "leader a lesson to get him to > start doing the procedures properly.", "ends with the leader blaming themselves after what happens and > learning the", "leader not following > were never established. The reason the leader never followed", "when the leader does not follow the > proper procedures when making a", "start doing the procedures properly. > > > This is all well and", "faults in the logic used. This results in them getting annyoned cause the", "procedures properly. > > > This is all well and good except when", "not follow the > proper procedures when making a decision. > > >", "it out with the leader at all and just goes > right to", "situation where what the writer has put makes sense, but after thinking it", "gets contradicted by what actually happens once thought through. I am wondering if", "organisation. > > > The second in command gets upset when the leader", "> > A small team is advancing to and organisation. The leader brings", "has any tips to avoid such a situation or how to fix it", "if anyone has any tips to avoid such a situation or how to", "to follow, > but never told the leader or the team that they", "of the team. The second in command > doesn't even try and talk", "used. This results in them getting annyoned cause the writer has made the", "they noticed the faults. This has resulted in readers calling it bad writing", "> doesn't even try and talk it out with the leader at all", "in command gets upset when the leader does not follow the > proper", "in command is upset for the leader not following > were never established.", "leaves it at that making the second in command the good guy. Yet", "thinks about it more carefully they realise faults in the logic used. This", "> Now the second in command teaches the leader a lesson to get", "a lesson by abusing their authority and > humiliating the leader in front", "second in command > doesn't even try and talk it out with the", "my example > > A small team is advancing to and organisation. The", "command expected the leader to follow, > but never told the leader or", "to act as their second in command and help build up > the", "message of a tough lesson learned and the second in command is doing", "has made the leader out to be wrong and leaves it at that", "follow the > proper procedures when making a decision. > > > Now", "is going for gets contradicted by what actually happens once thought through. I", "actually happens once thought through. I am wondering if anyone has any tips", "more carefully they realise faults in the logic used. This results in them", "think so now that they noticed the faults. This has resulted in readers", "at that making the second in command the good guy. Yet while the", "> Now it ends with the leader blaming themselves after what happens and", "established. The reason the leader never followed them is > not their fault,", "leader brings in an > experienced person to act as their second in", "leader does not follow the > proper procedures when making a decision. >", "> A small team is advancing to and organisation. The leader brings in", "in the logic used. This results in them getting annyoned cause the writer", "proper procedures when making a decision. > > > Now the second in", "See what I mean at first the writer is giving message of a", "> > > See what I mean at first the writer is giving", "be wrong and leaves it at that making the second in command the", "try and talk it out with the leader at all and just goes", "experienced person to act as their second in command and help build up", "they used. Here's my example > > A small team is advancing to", "faults. This has resulted in readers calling it bad writing cause the reaction", "with the leader at all and just goes > right to the extreme", "good. However once a reader thinks about it more carefully they realise faults", "and good except when the second in command goes to > the extreme", "by abusing their authority and > humiliating the leader in front of the", "tips to avoid such a situation or how to fix it when it", "tough lesson learned and the second in command is doing it for the", "a tough lesson learned and the second in command is doing it for", "teach him a lesson by abusing their authority and > humiliating the leader", "themselves after what happens and > learning the lesson, but here is the", "realise the > procedures the second in command is upset for the leader", "the writer has made the leader out to be wrong and leaves it", "goes to > the extreme to teach him a lesson by abusing their", "second in command expected the leader to follow, > but never told the", "don't think so now that they noticed the faults. This has resulted in", "and is going for gets contradicted by what actually happens once thought through.", "does not follow the > proper procedures when making a decision. > >", "greater good. However once a reader thinks about it more carefully they realise", "that they were adding these > procedures. > > > See what I", "abusing their authority and > humiliating the leader in front of the team.", "to be wrong and leaves it at that making the second in command", "put makes sense, but after thinking it through there are clear faults in", "once a reader thinks about it more carefully they realise faults in the", "> not their fault, but cause they were never there to begin with", "in command > doesn't even try and talk it out with the leader", "have seen a situation where what the writer has put makes sense, but", "now that they noticed the faults. This has resulted in readers calling it", "doesn't even try and talk it out with the leader at all and", "never told the leader or the team that they were adding these >", "The second in command > doesn't even try and talk it out with", "happens and > learning the lesson, but here is the kicker the readers", "the > procedures the second in command is upset for the leader not", "reason the leader never followed them is > not their fault, but cause", "them is > not their fault, but cause they were never there to", "second in command is upset for the leader not following > were never", "they were never there to begin with and > were something the second", "This results in them getting annyoned cause the writer has made the leader", "> the extreme to teach him a lesson by abusing their authority and", "out to be wrong and leaves it at that making the second in", "command teaches the leader a lesson to get him to > start doing", "front of the team. The second in command > doesn't even try and", "it for the greater good. However once a reader thinks about it more", "the kicker the readers realise the > procedures the second in command is", "is > not their fault, but cause they were never there to begin", "out to be so the readers don't think so now that they noticed", "for the leader not following > were never established. The reason the leader", "help build up > the organisation. > > > The second in command", "the greater good. However once a reader thinks about it more carefully they", "The second in command gets upset when the leader does not follow the", "the > proper procedures when making a decision. > > > Now the", "the good guy. Yet while the story makes it out to be so", "wants and is going for gets contradicted by what actually happens once thought", "but never told the leader or the team that they were adding these", "except when the second in command goes to > the extreme to teach", "in command expected the leader to follow, > but never told the leader", "the leader or the team that they were adding these > procedures. >", "> procedures. > > > See what I mean at first the writer", "Yet while the story makes it out to be so the readers don't", "lesson by abusing their authority and > humiliating the leader in front of", "small team is advancing to and organisation. The leader brings in an >", "> The second in command gets upset when the leader does not follow", "in the logic they used. Here's my example > > A small team", "second in command goes to > the extreme to teach him a lesson", "in command goes to > the extreme to teach him a lesson by", "the writer is giving message of a tough lesson learned and the second", "guy. Yet while the story makes it out to be so the readers", "for the greater good. However once a reader thinks about it more carefully", "the leader at all and just goes > right to the extreme option.", "I have seen a situation where what the writer has put makes sense,", "leader in front of the team. The second in command > doesn't even", "wrong and leaves it at that making the second in command the good", "resulted in readers calling it bad writing cause the reaction the author wants", "just goes > right to the extreme option. > > > Now it", "properly. > > > This is all well and good except when the", "authority and > humiliating the leader in front of the team. The second", "command the good guy. Yet while the story makes it out to be", "teaches the leader a lesson to get him to > start doing the", "lesson to get him to > start doing the procedures properly. > >", "but cause they were never there to begin with and > were something", "logic they used. Here's my example > > A small team is advancing", "to begin with and > were something the second in command expected the", "command goes to > the extreme to teach him a lesson by abusing", "doing the procedures properly. > > > This is all well and good", "up > the organisation. > > > The second in command gets upset", "in command teaches the leader a lesson to get him to > start", "second in command the good guy. Yet while the story makes it out", "second in command is doing it for the greater good. However once a", "the story makes it out to be so the readers don't think so", "it more carefully they realise faults in the logic used. This results in", "in an > experienced person to act as their second in command and", "the extreme to teach him a lesson by abusing their authority and >", "making the second in command the good guy. Yet while the story makes", "team. The second in command > doesn't even try and talk it out", "these > procedures. > > > See what I mean at first the", "The leader brings in an > experienced person to act as their second", "act as their second in command and help build up > the organisation.", "through there are clear faults in the logic they used. Here's my example", "get him to > start doing the procedures properly. > > > This", "the logic they used. Here's my example > > A small team is", "> This is all well and good except when the second in command", "by what actually happens once thought through. I am wondering if anyone has", "any tips to avoid such a situation or how to fix it when", "the leader not following > were never established. The reason the leader never", "what the writer has put makes sense, but after thinking it through there", "adding these > procedures. > > > See what I mean at first", "the second in command expected the leader to follow, > but never told", "cause the writer has made the leader out to be wrong and leaves", "it bad writing cause the reaction the author wants and is going for", "gets upset when the leader does not follow the > proper procedures when", "writer is giving message of a tough lesson learned and the second in", "blaming themselves after what happens and > learning the lesson, but here is", "Now the second in command teaches the leader a lesson to get him", "command is doing it for the greater good. However once a reader thinks", "> > Now the second in command teaches the leader a lesson to", "procedures the second in command is upset for the leader not following >", "to avoid such a situation or how to fix it when it happens.", "is all well and good except when the second in command goes to", "faults in the logic they used. Here's my example > > A small", "of a tough lesson learned and the second in command is doing it", "logic used. This results in them getting annyoned cause the writer has made", "> start doing the procedures properly. > > > This is all well", "yeah I have seen a situation where what the writer has put makes", "leader to follow, > but never told the leader or the team that", "getting annyoned cause the writer has made the leader out to be wrong", "This is all well and good except when the second in command goes", "out with the leader at all and just goes > right to the", "them getting annyoned cause the writer has made the leader out to be", "the leader a lesson to get him to > start doing the procedures", "in front of the team. The second in command > doesn't even try", "good except when the second in command goes to > the extreme to", "what happens and > learning the lesson, but here is the kicker the", "learning the lesson, but here is the kicker the readers realise the >", "in command the good guy. Yet while the story makes it out to", "good guy. Yet while the story makes it out to be so the", "Here's my example > > A small team is advancing to and organisation.", "> See what I mean at first the writer is giving message of", "brings in an > experienced person to act as their second in command", "an > experienced person to act as their second in command and help", "something the second in command expected the leader to follow, > but never", "never there to begin with and > were something the second in command", "the second in command teaches the leader a lesson to get him to", "wondering if anyone has any tips to avoid such a situation or how", "build up > the organisation. > > > The second in command gets", "kicker the readers realise the > procedures the second in command is upset", "him a lesson by abusing their authority and > humiliating the leader in", "The reason the leader never followed them is > not their fault, but", "with the leader blaming themselves after what happens and > learning the lesson,", "never followed them is > not their fault, but cause they were never", "their fault, but cause they were never there to begin with and >", "and just goes > right to the extreme option. > > > Now", "clear faults in the logic they used. Here's my example > > A", "mean at first the writer is giving message of a tough lesson learned", "going for gets contradicted by what actually happens once thought through. I am", "noticed the faults. This has resulted in readers calling it bad writing cause", "second in command and help build up > the organisation. > > >", "so now that they noticed the faults. This has resulted in readers calling", "is giving message of a tough lesson learned and the second in command", "the logic used. This results in them getting annyoned cause the writer has", "were never established. The reason the leader never followed them is > not", "the reaction the author wants and is going for gets contradicted by what", "talk it out with the leader at all and just goes > right", "and help build up > the organisation. > > > The second in", "extreme option. > > > Now it ends with the leader blaming themselves", "and organisation. The leader brings in an > experienced person to act as", "doing it for the greater good. However once a reader thinks about it", "used. Here's my example > > A small team is advancing to and", "to be so the readers don't think so now that they noticed the", "writer has made the leader out to be wrong and leaves it at", "lesson learned and the second in command is doing it for the greater", "team is advancing to and organisation. The leader brings in an > experienced", "be so the readers don't think so now that they noticed the faults.", "in readers calling it bad writing cause the reaction the author wants and", "there are clear faults in the logic they used. Here's my example >", "followed them is > not their fault, but cause they were never there", "is doing it for the greater good. However once a reader thinks about", "upset when the leader does not follow the > proper procedures when making", "A small team is advancing to and organisation. The leader brings in an", "results in them getting annyoned cause the writer has made the leader out", "the readers don't think so now that they noticed the faults. This has", "in command is doing it for the greater good. However once a reader", "the second in command the good guy. Yet while the story makes it", "is upset for the leader not following > were never established. The reason", "their authority and > humiliating the leader in front of the team. The", "> experienced person to act as their second in command and help build", "it ends with the leader blaming themselves after what happens and > learning", "> right to the extreme option. > > > Now it ends with", "were never there to begin with and > were something the second in", "giving message of a tough lesson learned and the second in command is", "for gets contradicted by what actually happens once thought through. I am wondering", "once thought through. I am wondering if anyone has any tips to avoid", "decision. > > > Now the second in command teaches the leader a", "annyoned cause the writer has made the leader out to be wrong and" ]
[ "to find out what you can and cannot do? The book is about", "If I wrote a book about how to do something that is legal", "to do something that is legal in some places but illegal in others,", "disclaimer clearly stating that the information in this book may not be legal", "wrote a book about how to do something that is legal in some", "not be legal in the city/state/country where you are looking to enact it", "the information in this book may not be legal in the city/state/country where", "and it is best to consult with a local lawyer to find out", "a local lawyer to find out what you can and cannot do? The", "where you are looking to enact it and it is best to consult", "the city/state/country where you are looking to enact it and it is best", "how to do something that is legal in some places but illegal in", "are looking to enact it and it is best to consult with a", "would I get in trouble? What about if it included a disclaimer clearly", "in trouble? What about if it included a disclaimer clearly stating that the", "looking to enact it and it is best to consult with a local", "may not be legal in the city/state/country where you are looking to enact", "it and it is best to consult with a local lawyer to find", "book about how to do something that is legal in some places but", "information in this book may not be legal in the city/state/country where you", "in the city/state/country where you are looking to enact it and it is", "but illegal in others, would I get in trouble? What about if it", "with a local lawyer to find out what you can and cannot do?", "it included a disclaimer clearly stating that the information in this book may", "others, would I get in trouble? What about if it included a disclaimer", "I get in trouble? What about if it included a disclaimer clearly stating", "about if it included a disclaimer clearly stating that the information in this", "I wrote a book about how to do something that is legal in", "what you can and cannot do? The book is about a very specific", "a book about how to do something that is legal in some places", "this book may not be legal in the city/state/country where you are looking", "is best to consult with a local lawyer to find out what you", "can and cannot do? The book is about a very specific type of", "legal in some places but illegal in others, would I get in trouble?", "some places but illegal in others, would I get in trouble? What about", "clearly stating that the information in this book may not be legal in", "you can and cannot do? The book is about a very specific type", "in this book may not be legal in the city/state/country where you are", "something that is legal in some places but illegal in others, would I", "stating that the information in this book may not be legal in the", "legal in the city/state/country where you are looking to enact it and it", "to enact it and it is best to consult with a local lawyer", "book may not be legal in the city/state/country where you are looking to", "city/state/country where you are looking to enact it and it is best to", "illegal in others, would I get in trouble? What about if it included", "that the information in this book may not be legal in the city/state/country", "if it included a disclaimer clearly stating that the information in this book", "lawyer to find out what you can and cannot do? The book is", "in others, would I get in trouble? What about if it included a", "a disclaimer clearly stating that the information in this book may not be", "you are looking to enact it and it is best to consult with", "in some places but illegal in others, would I get in trouble? What", "trouble? What about if it included a disclaimer clearly stating that the information", "included a disclaimer clearly stating that the information in this book may not", "to consult with a local lawyer to find out what you can and", "be legal in the city/state/country where you are looking to enact it and", "consult with a local lawyer to find out what you can and cannot", "find out what you can and cannot do? The book is about a", "that is legal in some places but illegal in others, would I get", "out what you can and cannot do? The book is about a very", "do something that is legal in some places but illegal in others, would", "best to consult with a local lawyer to find out what you can", "and cannot do? The book is about a very specific type of sex", "it is best to consult with a local lawyer to find out what", "is legal in some places but illegal in others, would I get in", "enact it and it is best to consult with a local lawyer to", "about how to do something that is legal in some places but illegal", "places but illegal in others, would I get in trouble? What about if", "get in trouble? What about if it included a disclaimer clearly stating that", "local lawyer to find out what you can and cannot do? The book", "cannot do? The book is about a very specific type of sex work.", "What about if it included a disclaimer clearly stating that the information in" ]
[ "Mama Elena came over to ask Paquita if she was being properly >", "distance and whispered amongst themselves. > > > --- Like Water for Chocolate", "have such wonderful daughters. Such > fascinating conversation!\" > > > Mama Elena", "> > Mama Elena sent Tifi to the kitchen to get something for", "a Narrated novel. --- Here is my 1st Person Narration followed by *3rd", "for herself. > > > Ranjho's Mother walked in a trance-like state. The", "their distance and whispered amongst themselves. > > > --- Like Water for", "Narrated novel. --- Here is my 1st Person Narration followed by 3rd Person", "was an old woman left to fend for herself.* > > > Ranjho's", "themselves. > > > --- Like Water for Chocolate is narrated ([novel online](https://d3jc3ahdjad7x7.cloudfront.net/GrVYaffz2SBkjQjrteg6KNGZ9ReLHecEnEistj9467ou9osH.pdf))", "> entertained, she replied enthusiastically. > > > \"Oh yes, perfectly! You have", "entertained, she replied enthusiastically. > > > \"Oh yes, perfectly! You have such", "novel. --- Here is my 1st Person Narration followed by 3rd Person Account", "ask Paquita if she was being properly > entertained, she replied enthusiastically. >", "Mama Elena sent Tifi to the kitchen to get something for the guests.", "> > Grandmother was an old woman left to fend for herself. >", "for Chocolate** is narrated ([novel online](https://d3jc3ahdjad7x7.cloudfront.net/GrVYaffz2SBkjQjrteg6KNGZ9ReLHecEnEistj9467ou9osH.pdf)) and I wish to write this way.", "> villagers kept their distance and whispered amongst themselves. > > > ---", "she replied enthusiastically. > > > \"Oh yes, perfectly! You have such wonderful", "fend for herself.* > > > Ranjho's Mother walked in a trance-like state.", "and I wish to write this way. > > So when Mama Elena", "Grandmother was an old woman left to fend for herself. > > >", "sent Tifi to the kitchen to get something for the guests. > >", "state. The > villagers kept their distance and whispered amongst themselves. > >", "whispered amongst themselves. > > > --- Like Water for Chocolate is narrated", "writing a Narrated novel. --- Here is my 1st Person Narration followed by", "is narrated ([novel online](https://d3jc3ahdjad7x7.cloudfront.net/GrVYaffz2SBkjQjrteg6KNGZ9ReLHecEnEistj9467ou9osH.pdf)) and I wish to write this way. > >", "woman left to fend for herself.* > > > Ranjho's Mother walked in", "a trance-like state. The > villagers kept their distance and whispered amongst themselves.", "over to ask Paquita if she was being properly > entertained, she replied", "if she was being properly > entertained, she replied enthusiastically. > > >", "> > > \"Oh yes, perfectly! You have such wonderful daughters. Such >", "followed by 3rd Person Account of Same Incident > > Grandmother was an", "You have such wonderful daughters. Such > fascinating conversation!\" > > > Mama", "Paquita if she was being properly > entertained, she replied enthusiastically. > >", "write this way. > > So when Mama Elena came over to ask", "Elena came over to ask Paquita if she was being properly > entertained,", "Such > fascinating conversation!\" > > > Mama Elena sent Tifi to the", "Elena sent Tifi to the kitchen to get something for the guests. >", "trance-like state. The > villagers kept their distance and whispered amongst themselves. >", "wish to write this way. > > So when Mama Elena came over", "came over to ask Paquita if she was being properly > entertained, she", "--- Here is my 1st Person Narration* followed by 3rd Person Account of", "of Same Incident > > Grandmother was an old woman left to fend", "> > > Ranjho's Mother walked in a trance-like state. The > villagers", "> \"Oh yes, perfectly! You have such wonderful daughters. Such > fascinating conversation!\"", "properly > entertained, she replied enthusiastically. > > > \"Oh yes, perfectly! You", "left to fend for herself. > > > Ranjho's Mother walked in a", "herself.* > > > Ranjho's Mother walked in a trance-like state. The >", "> fascinating conversation!\" > > > Mama Elena sent Tifi to the kitchen", "an old woman left to fend for herself.* > > > Ranjho's Mother", "amongst themselves. > > > --- Like Water for Chocolate is narrated ([novel", "Ranjho's Mother walked in a trance-like state. The > villagers kept their distance", "narrated ([novel online](https://d3jc3ahdjad7x7.cloudfront.net/GrVYaffz2SBkjQjrteg6KNGZ9ReLHecEnEistj9467ou9osH.pdf)) and I wish to write this way. > > So", "I am writing a Narrated novel. --- Here is my 1st Person Narration", "enthusiastically. > > > \"Oh yes, perfectly! You have such wonderful daughters. Such", "kept their distance and whispered amongst themselves. > > > --- Like Water", "she was being properly > entertained, she replied enthusiastically. > > > \"Oh", "So when Mama Elena came over to ask Paquita if she was being", "replied enthusiastically. > > > \"Oh yes, perfectly! You have such wonderful daughters.", "Like Water for Chocolate is narrated ([novel online](https://d3jc3ahdjad7x7.cloudfront.net/GrVYaffz2SBkjQjrteg6KNGZ9ReLHecEnEistj9467ou9osH.pdf)) and I wish to write", "> > Ranjho's Mother walked in a trance-like state. The > villagers kept", "Person Narration followed by 3rd Person Account of Same Incident > > Grandmother", "I wish to write this way. > > So when Mama Elena came", "yes, perfectly! You have such wonderful daughters. Such > fascinating conversation!\" > >", "3rd Person Account* of Same Incident > > Grandmother was an old woman", "Narration* followed by 3rd Person Account of Same Incident > > Grandmother was", "Water for Chocolate* is narrated ([novel online](https://d3jc3ahdjad7x7.cloudfront.net/GrVYaffz2SBkjQjrteg6KNGZ9ReLHecEnEistj9467ou9osH.pdf)) and I wish to write this", "> So when Mama Elena came over to ask Paquita if she was", "online](https://d3jc3ahdjad7x7.cloudfront.net/GrVYaffz2SBkjQjrteg6KNGZ9ReLHecEnEistj9467ou9osH.pdf)) and I wish to write this way. > > So when Mama", "was being properly > entertained, she replied enthusiastically. > > > \"Oh yes,", "Person Account** of Same Incident > > Grandmother was an old woman left", "\"Oh yes, perfectly! You have such wonderful daughters. Such > fascinating conversation!\" >", "perfectly! You have such wonderful daughters. Such > fascinating conversation!\" > > >", "The > villagers kept their distance and whispered amongst themselves. > > >", "to write this way. > > So when Mama Elena came over to", "is my 1st Person Narration* followed by 3rd Person Account of Same Incident", "> > \"Oh yes, perfectly! You have such wonderful daughters. Such > fascinating", "([novel online](https://d3jc3ahdjad7x7.cloudfront.net/GrVYaffz2SBkjQjrteg6KNGZ9ReLHecEnEistj9467ou9osH.pdf)) and I wish to write this way. > > So when", "Tifi to the kitchen to get something for the guests. > > >", "villagers kept their distance and whispered amongst themselves. > > > --- Like", "> Ranjho's Mother walked in a trance-like state. The > villagers kept their", "being properly > entertained, she replied enthusiastically. > > > \"Oh yes, perfectly!", "Account of Same Incident > > Grandmother was an old woman left to", "am writing a Narrated novel. --- Here is my 1st Person Narration* followed", "--- Like Water for Chocolate is narrated ([novel online](https://d3jc3ahdjad7x7.cloudfront.net/GrVYaffz2SBkjQjrteg6KNGZ9ReLHecEnEistj9467ou9osH.pdf)) and I wish to", "> Mama Elena sent Tifi to the kitchen to get something for the", "this way. > > So when Mama Elena came over to ask Paquita", "> > > --- Like Water for Chocolate is narrated ([novel online](https://d3jc3ahdjad7x7.cloudfront.net/GrVYaffz2SBkjQjrteg6KNGZ9ReLHecEnEistj9467ou9osH.pdf)) and", "> Grandmother was an old woman left to fend for herself. > >", "daughters. Such > fascinating conversation!\" > > > Mama Elena sent Tifi to", "wonderful daughters. Such > fascinating conversation!\" > > > Mama Elena sent Tifi", "when Mama Elena came over to ask Paquita if she was being properly", "Here is my 1st Person Narration followed by 3rd Person Account of Same", "Same Incident > > Grandmother was an old woman left to fend for", "> > So when Mama Elena came over to ask Paquita if she", "such wonderful daughters. Such > fascinating conversation!\" > > > Mama Elena sent", "by 3rd Person Account* of Same Incident > > Grandmother was an old", "old woman left to fend for herself. > > > Ranjho's Mother walked", "to fend for herself.* > > > Ranjho's Mother walked in a trance-like", "Chocolate is narrated ([novel online](https://d3jc3ahdjad7x7.cloudfront.net/GrVYaffz2SBkjQjrteg6KNGZ9ReLHecEnEistj9467ou9osH.pdf)) and I wish to write this way. >", "> > > Mama Elena sent Tifi to the kitchen to get something", "in a trance-like state. The > villagers kept their distance and whispered amongst", "> --- Like Water for Chocolate is narrated ([novel online](https://d3jc3ahdjad7x7.cloudfront.net/GrVYaffz2SBkjQjrteg6KNGZ9ReLHecEnEistj9467ou9osH.pdf)) and I wish", "> > --- Like Water for Chocolate is narrated ([novel online](https://d3jc3ahdjad7x7.cloudfront.net/GrVYaffz2SBkjQjrteg6KNGZ9ReLHecEnEistj9467ou9osH.pdf)) and I", "way. > > So when Mama Elena came over to ask Paquita if", "fascinating conversation!\" > > > Mama Elena sent Tifi to the kitchen to", "conversation!\" > > > Mama Elena sent Tifi to the kitchen to get", "my 1st Person Narration followed by 3rd Person Account** of Same Incident >", "to ask Paquita if she was being properly > entertained, she replied enthusiastically.", "Mother walked in a trance-like state. The > villagers kept their distance and", "Incident > > Grandmother was an old woman left to fend for herself.", "walked in a trance-like state. The > villagers kept their distance and whispered", "1st Person Narration followed by 3rd Person Account of Same Incident > >", "and whispered amongst themselves. > > > --- Like Water for Chocolate is" ]
[ "and compound-complex? And how about the following example \"He rang the doorbell and", "rang the doorbell and looked around at the garden.\" Do the 2 actions", "specific scenario. So when do I use simple, complex, compound, and compound-complex? And", "should use for a specific scenario. So when do I use simple, complex,", "did he ring the doorbell first before he looked around at the garden?", "type one should use for a specific scenario. So when do I use", "do I use simple, complex, compound, and compound-complex? And how about the following", "of sentence variety in writing, but they never say which sentence type one", "importance of sentence variety in writing, but they never say which sentence type", "about the following example \"He rang the doorbell and looked around at the", "the same time or did he ring the doorbell first before he looked", "simple, complex, compound, and compound-complex? And how about the following example \"He rang", "same time or did he ring the doorbell first before he looked around", "time or did he ring the doorbell first before he looked around at", "compound, and compound-complex? And how about the following example \"He rang the doorbell", "about the importance of sentence variety in writing, but they never say which", "they never say which sentence type one should use for a specific scenario.", "sentence type one should use for a specific scenario. So when do I", "compound-complex? And how about the following example \"He rang the doorbell and looked", "the following example \"He rang the doorbell and looked around at the garden.\"", "at the garden.\" Do the 2 actions occur at the same time or", "say which sentence type one should use for a specific scenario. So when", "never say which sentence type one should use for a specific scenario. So", "complex, compound, and compound-complex? And how about the following example \"He rang the", "example \"He rang the doorbell and looked around at the garden.\" Do the", "but they never say which sentence type one should use for a specific", "or did he ring the doorbell first before he looked around at the", "Do the 2 actions occur at the same time or did he ring", "Writers always talk about the importance of sentence variety in writing, but they", "the 2 actions occur at the same time or did he ring the", "occur at the same time or did he ring the doorbell first before", "looked around at the garden.\" Do the 2 actions occur at the same", "around at the garden.\" Do the 2 actions occur at the same time", "for a specific scenario. So when do I use simple, complex, compound, and", "the garden.\" Do the 2 actions occur at the same time or did", "in writing, but they never say which sentence type one should use for", "a specific scenario. So when do I use simple, complex, compound, and compound-complex?", "I use simple, complex, compound, and compound-complex? And how about the following example", "how about the following example \"He rang the doorbell and looked around at", "scenario. So when do I use simple, complex, compound, and compound-complex? And how", "\"He rang the doorbell and looked around at the garden.\" Do the 2", "the doorbell and looked around at the garden.\" Do the 2 actions occur", "always talk about the importance of sentence variety in writing, but they never", "the importance of sentence variety in writing, but they never say which sentence", "doorbell and looked around at the garden.\" Do the 2 actions occur at", "following example \"He rang the doorbell and looked around at the garden.\" Do", "variety in writing, but they never say which sentence type one should use", "use simple, complex, compound, and compound-complex? And how about the following example \"He", "use for a specific scenario. So when do I use simple, complex, compound,", "So when do I use simple, complex, compound, and compound-complex? And how about", "And how about the following example \"He rang the doorbell and looked around", "when do I use simple, complex, compound, and compound-complex? And how about the", "garden.\" Do the 2 actions occur at the same time or did he", "sentence variety in writing, but they never say which sentence type one should", "at the same time or did he ring the doorbell first before he", "one should use for a specific scenario. So when do I use simple,", "writing, but they never say which sentence type one should use for a", "which sentence type one should use for a specific scenario. So when do", "and looked around at the garden.\" Do the 2 actions occur at the", "actions occur at the same time or did he ring the doorbell first", "2 actions occur at the same time or did he ring the doorbell", "talk about the importance of sentence variety in writing, but they never say" ]
[ "smile stretched across Grignr's face. > > > The barbarian spun around, his", "arm > thrust forth, sending the steel sword through the chainmail, hilt-deep into", "Eye of Argon, at least the version I used, was originally published in", "caught up to the barbarian, sword raised. > > > \"Only after you", "but then you have to \"fix\", which invariably involves writing and writing new", "Dust sprayed over three > heaving mounts in blinding clouds, while they bore", "his fiery red hair tossing in the > air currents as he raised", "currents as he raised his sword to block the other's. > > >", "combatants in space and the redundant redundancy. That takes care of the critic,", "self-published \"works\" of Onision, to fan stories and borderline fan stories (The Eye", "block the other's. > > > Note: I don't know enough bout horseback", "to developing my own style? I have to add and/or change stuff, but", "bore the burdonsome > cargoes of their struggling overseers. > \"Prepare to embrace", "\"Prepare to embrace your creators in the stygian haunts of > hell, barbarian\",", "style? I have to add and/or change stuff, but still... Also, while you", "to wrap your head around it, but there are instances of books that,", "his rippling right arm thrust > forth, sending a steel shod blade to", "> the attack of the defeated soldier's fellow in arms. > > >", "barren land which dominated most of the Norgolian empire. Old hoof prints smothered", "hell, > barbarian\", shouted the first soldier as he caught up to the", "in blinding clouds, while they bore the burdonsome > cargoes of their struggling", "air currents as he raised his sword to block the other's. > >", "or another, weren't properly edited. These range from the self-published \"works\" of Onision,", "barbarian's rippling right arm > thrust forth, sending the steel sword through the", "raised. > > > \"Only after you have kissed the fleeting stead of", "redundancy. That takes care of the critic, but then you have to \"fix\",", "a steel shod blade to the hilt into the soldiers > vital organs.", "but there are instances of books that, for one reason or another, weren't", "why it's garbage, like failing to establish the position of the combatants in", "of their riders. > > > \"Prepare to embrace your creators in the", "So, I tried out a new thing. Take this segment from The Eye", "segment from The Eye of Argon: > > The weather beaten trail wound", "massive > barbarians hide enameled shield as his rippling right arm thrust >", "against the dust-covered earth. The sun sat high, casting its parching rays down", "cargoes of their struggling overseers. > \"Prepare to embrace your creators in the", "of Argon: > > The weather beaten trail wound ahead into the dust", "blood. A smile stretched across Grignr's face. > > > The barbarian spun", "from overhead, half way through its daily revolution. Small > rodents scampered about,", "first soldier as he caught up to the barbarian, sword raised. > >", "the reason why it's garbage, like failing to establish the position of the", "death, wretch!\" > returned Grignr. A flash of light swept across the rivets", "sprinkling the dust with crimson droplets of blood. A smile stretched across Grignr's", "Onision, to fan stories and borderline fan stories (The Eye of Argon, at", "the first soldier. > \"Only after you have kissed the fleeting stead of", "and yanked the sword out, slashing his opponent's side open. > > >", "slashing his opponent's side open. > > > The disemboweled soldier crumpled from", "it's garbage, like failing to establish the position of the combatants in space", "don't know enough bout horseback sword fighting (especially when both opponents are riding),", "at least the version I used, was originally published in a sci-fi magazine", "methodically break down the reason why it's garbage, like failing to establish the", "sifting > sands of time shone dully against the dust splattered crust of", "the critic, but then you have to \"fix\", which invariably involves writing and", "> > The barbarian spun around, his fiery red hair tossing in the", "bout horseback sword fighting (especially when both opponents are riding), nor do I", "under the > weight of their riders. > > > \"Prepare to embrace", "> wretch!\" returned Grignr. > A sweeping blade of flashing steel riveted from", "That takes care of the critic, but then you have to \"fix\", which", "of > earth. The tireless sun cast its parching rays of incandescense >", "the parched dust > with crimson droplets of escaping life fluid. > The", "over three horses, heaving under the > weight of their riders. > >", "stories (The Eye of Argon, at least the version I used, was originally", "of death, wretch!\" > returned Grignr. A flash of light swept across the", "crumpled from his > saddle and sank to the clouded sward, sprinkling the", "the barbarian, sword raised. > > > \"Only after you have kissed the", "land which dominated most of the Norgolian empire. Old hoof prints smothered by", "I have to methodically break down the reason why it's garbage, like failing", "soldier crumpled from his saddle and fell on the > clouded sward, sprinkling", "> \"Only after you have kissed the fleeting stead of death, > wretch!\"", "version I used, was originally published in a sci-fi magazine back in 1970).", "around, his fiery red hair tossing in the > air currents as he", "earth. The sun sat high, casting its parching rays down below to the", "the soldiers have. Also, sorry for the chainmail bit, I know it's bs.", "fan stories (The Eye of Argon, at least the version I used, was", "> The weather beaten trail wound ahead into the barren land which dominated", "the rivets of his > hide-enameled shield, as the barbarian's rippling right arm", "failing to establish the position of the combatants in space and the redundant", "space and the redundant redundancy. That takes care of the critic, but then", "shield, as the barbarian's rippling right arm > thrust forth, sending the steel", "his > saddle and sank to the clouded sward, sprinkling the parched dust", "sure. Could this practice be detrimental to developing my own style? I have", "portions of the > Norgolian empire. Age worn hoof prints smothered by the", "hide-enameled shield, as the barbarian's rippling right arm > thrust forth, sending the", "sword through the chainmail, hilt-deep into the soldier's > belly. The soldier's eyes", "the > air currents as he raised his sword to block the other's.", "> air currents as he raised his sword to block the other's. >", "returned Grignr. A flash of light swept across the rivets of his >", "horseback sword fighting (especially when both opponents are riding), nor do I know", "the chainmail bit, I know it's bs. The basic idea is that I", "steel riveted from the massive > barbarians hide enameled shield as his rippling", "from the massive > barbarians hide enameled shield as his rippling right arm", "wound ahead into the barren land which dominated most of the Norgolian empire.", "the first soldier as he caught up to the barbarian, sword raised. >", "\"Prepare to embrace your creators in the stygian haunts of hell, > barbarian\",", "arms. > > > This is already a good passage; let's make it", "in the > air currents as he raised his sword to block the", "stuff, but still... Also, while you might not be able to wrap your", "the soldier's > belly. The soldier's eyes widened. Grignr tightened his grip and", "in the humid air currents as he faced > the attack of the", "even better: > > The weather beaten trail wound ahead into the barren", "Grignr tightened his grip and yanked the sword out, slashing his opponent's side", "revolution. Small > rodents scampered about, occupying themselves in the daily > accomplishments", "> > > The disemboweled soldier crumpled from his saddle and fell on", "enthused barbarian swilveled about, his shock of fiery > red hair tossing robustly", "the dust-covered earth. The sun sat high, casting its parching rays down below", "high, casting its parching rays down below to the dismay of the small", "his saddle and fell on the > clouded sward, sprinkling the dust with", "his opponent's side open. > > > The disemboweled soldier crumpled from his", "lives. Dust sprayed over three > heaving mounts in blinding clouds, while they", "what equipment the soldiers have. Also, sorry for the chainmail bit, I know", "you have to \"fix\", which invariably involves writing and writing new ideas. This", "daily revolution. Small > rodents scampered about, occupying themselves in the daily >", "riveted from the massive > barbarians hide enameled shield as his rippling right", "not sure. Could this practice be detrimental to developing my own style? I", "Also, while you might not be able to wrap your head around it,", "rays down below to the dismay of the small rodents that scampered about.", "ahead into the dust racked > climes of the baren land which dominates", "sward, sprinkling the dust with crimson droplets of blood. A smile stretched across", "of > hell, barbarian\", gasped the first soldier. > \"Only after you have", "shone dully against the dust-covered earth. The sun sat high, casting its parching", "land which dominates large portions of the > Norgolian empire. Age worn hoof", "to fan stories and borderline fan stories (The Eye of Argon, at least", "the chainmail, hilt-deep into the soldier's > belly. The soldier's eyes widened. Grignr", "> returned Grignr. A flash of light swept across the rivets of his", "a critic and a writer. I can't say it's hot garbage, I have", "blade of flashing steel riveted from the massive > barbarians hide enameled shield", "from his > saddle and sank to the clouded sward, sprinkling the parched", "this segment from The Eye of Argon: > > The weather beaten trail", "shouted the first soldier as he caught up to the barbarian, sword raised.", "of light swept across the rivets of his > hide-enameled shield, as the", "(especially when both opponents are riding), nor do I know what equipment the", "of the > Norgolian empire. Age worn hoof prints smothered by the sifting", "developing their style. IN PAPER! While it is fun, I'm not sure. Could", "break down the reason why it's garbage, like failing to establish the position", "A smile stretched across Grignr's face. > > > The barbarian spun around,", "way that's unique to most writers, developing their style. IN PAPER! While it", "he caught up to the barbarian, sword raised. > > > \"Only after", "passage; let's make it even better: > > The weather beaten trail wound", "hilt into the soldiers > vital organs. The disemboweled mercenary crumpled from his", "fleeting stead of death, > wretch!\" returned Grignr. > A sweeping blade of", "right arm > thrust forth, sending the steel sword through the chainmail, hilt-deep", "ahead into the barren land which dominated most of the Norgolian empire. Old", "haunts of hell, > barbarian\", shouted the first soldier as he caught up", "> barbarian\", shouted the first soldier as he caught up to the barbarian,", "into the soldiers > vital organs. The disemboweled mercenary crumpled from his >", "Grignr. A flash of light swept across the rivets of his > hide-enameled", "have to methodically break down the reason why it's garbage, like failing to", "the sword out, slashing his opponent's side open. > > > The disemboweled", "of his > hide-enameled shield, as the barbarian's rippling right arm > thrust", "I'm not sure. Could this practice be detrimental to developing my own style?*", "know enough bout horseback sword fighting (especially when both opponents are riding), nor", "large portions of the > Norgolian empire. Age worn hoof prints smothered by", "the Norgolian empire. Old hoof prints smothered by the winds shone dully against", "rippling right arm > thrust forth, sending the steel sword through the chainmail,", "> rodents scampered about, occupying themselves in the daily > accomplishments of their", "of the combatants in space and the redundant redundancy. That takes care of", "dust with crimson droplets of blood. A smile stretched across Grignr's face. >", "hair tossing in the > air currents as he raised his sword to", "while they bore the burdonsome > cargoes of their struggling overseers. > \"Prepare", "> hell, barbarian\", gasped the first soldier. > \"Only after you have kissed", "This is already a good passage; let's make it even better: > >", "soldier's fellow in arms. > > > This is already a good passage;", "\"Only after you have kissed the fleeting stead of death, wretch!\" > returned", "steel shod blade to the hilt into the soldiers > vital organs. The", "kissed the fleeting stead of death, > wretch!\" returned Grignr. > A sweeping", "in space and the redundant redundancy. That takes care of the critic, but", "them, making me both a critic and a writer. I can't say it's", "Note: I don't know enough bout horseback sword fighting (especially when both opponents", "of their struggling overseers. > \"Prepare to embrace your creators in the stygian", "to the barbarian, sword raised. > > > \"Only after you have kissed", "new ideas usually morph the story in a way that's unique to most", "> > \"Only after you have kissed the fleeting stead of death, wretch!\"", "clouds, while they bore the burdonsome > cargoes of their struggling overseers. >", "fleeting stead of death, wretch!\" > returned Grignr. A flash of light swept", "The disemboweled mercenary crumpled from his > saddle and sank to the clouded", "death, > wretch!\" returned Grignr. > A sweeping blade of flashing steel riveted", "and a writer. I can't say it's hot garbage, I have to methodically", "I find issues and fix them, making me both a critic and a", "stretched across Grignr's face. > > > The barbarian spun around, his fiery", "bit, I know it's bs. The basic idea is that I find issues", "attack of the defeated soldier's fellow in arms. > > > This is", "> \"Prepare to embrace your creators in the stygian haunts of hell, >", "horses, heaving under the > weight of their riders. > > > \"Prepare", "ideas. This new ideas usually morph the story in a way that's unique", "creators in the stygian haunts of > hell, barbarian\", gasped the first soldier.", "there are instances of books that, for one reason or another, weren't properly", "> forth, sending a steel shod blade to the hilt into the soldiers", "have to \"fix\", which invariably involves writing and writing new ideas. This new", "of incandescense > from overhead, half way through its daily revolution. Small >", "dust splattered crust of > earth. The tireless sun cast its parching rays", "wound ahead into the dust racked > climes of the baren land which", "> saddle and sank to the clouded sward, sprinkling the parched dust >", "into the barren land which dominated most of the Norgolian empire. Old hoof", "occupying themselves in the daily > accomplishments of their dismal lives. Dust sprayed", "> weight of their riders. > > > \"Prepare to embrace your creators", "of Argon, at least the version I used, was originally published in a", "half way through its daily revolution. Small > rodents scampered about, occupying themselves", "riders. > > > \"Prepare to embrace your creators in the stygian haunts", "> \"Only after you have kissed the fleeting stead of death, wretch!\" >", "> The enthused barbarian swilveled about, his shock of fiery > red hair", "new thing. Take this segment from The Eye of Argon: > > The", "up to the barbarian, sword raised. > > > \"Only after you have", "that, for one reason or another, weren't properly edited. These range from the", "Grignr. > A sweeping blade of flashing steel riveted from the massive >", "from the self-published \"works\" of Onision, to fan stories and borderline fan stories", "saddle and sank to the clouded sward, sprinkling the parched dust > with", "> red hair tossing robustly in the humid air currents as he faced", "be detrimental to developing my own style?* I have to add and/or change", "detrimental to developing my own style? I have to add and/or change stuff,", "about. > > > Blinding clouds of dust sprayed over three horses, heaving", "swilveled about, his shock of fiery > red hair tossing robustly in the", "style. IN PAPER! While it is fun, I'm not sure. Could this practice", "tireless sun cast its parching rays of incandescense > from overhead, half way", "down below to the dismay of the small rodents that scampered about. >", "know what equipment the soldiers have. Also, sorry for the chainmail bit, I", "through its daily revolution. Small > rodents scampered about, occupying themselves in the", "The weather beaten trail wound ahead into the barren land which dominated most", "> The disemboweled soldier crumpled from his saddle and fell on the >", "after you have kissed the fleeting stead of death, wretch!\" > returned Grignr.", "sword to block the other's. > > > Note: I don't know enough", "I know it's bs. The basic idea is that I find issues and", "and the redundant redundancy. That takes care of the critic, but then you", "daily > accomplishments of their dismal lives. Dust sprayed over three > heaving", "ideas usually morph the story in a way that's unique to most writers,", "properly edited. These range from the self-published \"works\" of Onision, to fan stories", "widened. Grignr tightened his grip and yanked the sword out, slashing his opponent's", "soldiers have. Also, sorry for the chainmail bit, I know it's bs. The", "> > This is already a good passage; let's make it even better:", "tossing in the > air currents as he raised his sword to block", "trail wound ahead into the barren land which dominated most of the Norgolian", "takes care of the critic, but then you have to \"fix\", which invariably", "incandescense > from overhead, half way through its daily revolution. Small > rodents", "basic idea is that I find issues and fix them, making me both", "Blinding clouds of dust sprayed over three horses, heaving under the > weight", "haunts of > hell, barbarian\", gasped the first soldier. > \"Only after you", "that I find issues and fix them, making me both a critic and", "> > > Note: I don't know enough bout horseback sword fighting (especially", "> earth. The tireless sun cast its parching rays of incandescense > from", "dully against the dust-covered earth. The sun sat high, casting its parching rays", "racked > climes of the baren land which dominates large portions of the", "both a critic and a writer. I can't say it's hot garbage, I", "not be able to wrap your head around it, but there are instances", "hot garbage, I have to methodically break down the reason why it's garbage,", "of Onision, to fan stories and borderline fan stories (The Eye of Argon,", "I know what equipment the soldiers have. Also, sorry for the chainmail bit,", "to the dismay of the small rodents that scampered about. > > >", "down the reason why it's garbage, like failing to establish the position of", "forth, sending the steel sword through the chainmail, hilt-deep into the soldier's >", "when both opponents are riding), nor do I know what equipment the soldiers", "fighting (especially when both opponents are riding), nor do I know what equipment", "weren't properly edited. These range from the self-published \"works\" of Onision, to fan", "> > The disemboweled soldier crumpled from his saddle and fell on the", "weather beaten trail wound ahead into the dust racked > climes of the", "crimson droplets of escaping life fluid. > The enthused barbarian swilveled about, his", "able to wrap your head around it, but there are instances of books", "hair tossing robustly in the humid air currents as he faced > the", "about, his shock of fiery > red hair tossing robustly in the humid", "your head around it, but there are instances of books that, for one", "themselves in the daily > accomplishments of their dismal lives. Dust sprayed over", "which dominated most of the Norgolian empire. Old hoof prints smothered by the", "These range from the self-published \"works\" of Onision, to fan stories and borderline", "> This is already a good passage; let's make it even better: >", "tried out a new thing. Take this segment from The Eye of Argon:", "on the > clouded sward, sprinkling the dust with crimson droplets of blood.", "barbarian spun around, his fiery red hair tossing in the > air currents", "the baren land which dominates large portions of the > Norgolian empire. Age", "rodents that scampered about. > > > Blinding clouds of dust sprayed over", "wrap your head around it, but there are instances of books that, for", "of flashing steel riveted from the massive > barbarians hide enameled shield as", "as he faced > the attack of the defeated soldier's fellow in arms.", "stygian haunts of > hell, barbarian\", gasped the first soldier. > \"Only after", "of the baren land which dominates large portions of the > Norgolian empire.", "parching rays of incandescense > from overhead, half way through its daily revolution.", "let's make it even better: > > The weather beaten trail wound ahead", "hide enameled shield as his rippling right arm thrust > forth, sending a", "your creators in the stygian haunts of > hell, barbarian\", gasped the first", "which invariably involves writing and writing new ideas. This new ideas usually morph", "Norgolian empire. Age worn hoof prints smothered by the sifting > sands of", "rippling right arm thrust > forth, sending a steel shod blade to the", "overseers. > \"Prepare to embrace your creators in the stygian haunts of >", "crimson droplets of blood. A smile stretched across Grignr's face. > > >", "like failing to establish the position of the combatants in space and the", "trail wound ahead into the dust racked > climes of the baren land", "hoof prints smothered by the winds shone dully against the dust-covered earth. The", "to embrace your creators in the stygian haunts of hell, > barbarian\", shouted", "casting its parching rays down below to the dismay of the small rodents", "raised his sword to block the other's. > > > Note: I don't", "fluid. > The enthused barbarian swilveled about, his shock of fiery > red", "sending the steel sword through the chainmail, hilt-deep into the soldier's > belly.", "the small rodents that scampered about. > > > Blinding clouds of dust", "better: > > The weather beaten trail wound ahead into the barren land", "The disemboweled soldier crumpled from his saddle and fell on the > clouded", "change stuff, but still... Also, while you might not be able to wrap", "sprayed over three > heaving mounts in blinding clouds, while they bore the", "PAPER! While it is fun, I'm not sure. *Could this practice be detrimental", "Take this segment from The Eye of Argon: > > The weather beaten", "thrust > forth, sending a steel shod blade to the hilt into the", "dismal lives. Dust sprayed over three > heaving mounts in blinding clouds, while", "The basic idea is that I find issues and fix them, making me", "is fun, I'm not sure. Could this practice be detrimental to developing my", "it's hot garbage, I have to methodically break down the reason why it's", "head around it, but there are instances of books that, for one reason", "then you have to \"fix\", which invariably involves writing and writing new ideas.", "of fiery > red hair tossing robustly in the humid air currents as", "below to the dismay of the small rodents that scampered about. > >", "Small > rodents scampered about, occupying themselves in the daily > accomplishments of", "make it even better: > > The weather beaten trail wound ahead into", "can't say it's hot garbage, I have to methodically break down the reason", "thrust forth, sending the steel sword through the chainmail, hilt-deep into the soldier's", "Argon, at least the version I used, was originally published in a sci-fi", "the daily > accomplishments of their dismal lives. Dust sprayed over three >", "from his saddle and fell on the > clouded sward, sprinkling the dust", "good passage; let's make it even better: > > The weather beaten trail", "IN PAPER! While it is fun, I'm not sure. Could this practice be", "Argon: > > The weather beaten trail wound ahead into the dust racked", "> accomplishments of their dismal lives. Dust sprayed over three > heaving mounts", "fiery red hair tossing in the > air currents as he raised his", "it's bs. The basic idea is that I find issues and fix them,", "their style. IN PAPER! While it is fun, I'm not sure. Could this", "my own style? I have to add and/or change stuff, but still... Also,", "right arm thrust > forth, sending a steel shod blade to the hilt", "the winds shone dully against the dust-covered earth. The sun sat high, casting", "dust sprayed over three horses, heaving under the > weight of their riders.", "Eye of Argon: > > The weather beaten trail wound ahead into the", "might not be able to wrap your head around it, but there are", "of the critic, but then you have to \"fix\", which invariably involves writing", "saddle and fell on the > clouded sward, sprinkling the dust with crimson", "making me both a critic and a writer. I can't say it's hot", "weather beaten trail wound ahead into the barren land which dominated most of", "to the hilt into the soldiers > vital organs. The disemboweled mercenary crumpled", "for one reason or another, weren't properly edited. These range from the self-published", "invariably involves writing and writing new ideas. This new ideas usually morph the", "fan stories and borderline fan stories (The Eye of Argon, at least the", "heaving under the > weight of their riders. > > > \"Prepare to", "in the stygian haunts of hell, > barbarian\", shouted the first soldier as", "accomplishments of their dismal lives. Dust sprayed over three > heaving mounts in", "rivets of his > hide-enameled shield, as the barbarian's rippling right arm >", "as the barbarian's rippling right arm > thrust forth, sending the steel sword", "after you have kissed the fleeting stead of death, > wretch!\" returned Grignr.", "humid air currents as he faced > the attack of the defeated soldier's", "edited. These range from the self-published \"works\" of Onision, to fan stories and", "barbarians hide enameled shield as his rippling right arm thrust > forth, sending", "sun sat high, casting its parching rays down below to the dismay of", "critic and a writer. I can't say it's hot garbage, I have to", "you have kissed the fleeting stead of death, wretch!\" > returned Grignr. A", "> > Note: I don't know enough bout horseback sword fighting (especially when", "range from the self-published \"works\" of Onision, to fan stories and borderline fan", "beaten trail wound ahead into the dust racked > climes of the baren", "\"works\" of Onision, to fan stories and borderline fan stories (The Eye of", "sweeping blade of flashing steel riveted from the massive > barbarians hide enameled", "the fleeting stead of death, wretch!\" > returned Grignr. A flash of light", "unique to most writers, developing their style. IN PAPER! While it is fun,", "the clouded sward, sprinkling the parched dust > with crimson droplets of escaping", "which dominates large portions of the > Norgolian empire. Age worn hoof prints", "sword fighting (especially when both opponents are riding), nor do I know what", "barbarian\", gasped the first soldier. > \"Only after you have kissed the fleeting", "returned Grignr. > A sweeping blade of flashing steel riveted from the massive", "> > > \"Prepare to embrace your creators in the stygian haunts of", "sorry for the chainmail bit, I know it's bs. The basic idea is", "in the stygian haunts of > hell, barbarian\", gasped the first soldier. >", "dust-covered earth. The sun sat high, casting its parching rays down below to", "usually morph the story in a way that's unique to most writers, developing", "> The weather beaten trail wound ahead into the dust racked > climes", "their riders. > > > \"Prepare to embrace your creators in the stygian", "scampered about. > > > Blinding clouds of dust sprayed over three horses,", "empire. Age worn hoof prints smothered by the sifting > sands of time", "the sifting > sands of time shone dully against the dust splattered crust", "> A sweeping blade of flashing steel riveted from the massive > barbarians", "> > > The barbarian spun around, his fiery red hair tossing in", "position of the combatants in space and the redundant redundancy. That takes care", "struggling overseers. > \"Prepare to embrace your creators in the stygian haunts of", "across Grignr's face. > > > The barbarian spun around, his fiery red", "The sun sat high, casting its parching rays down below to the dismay", "arm thrust > forth, sending a steel shod blade to the hilt into", "Age worn hoof prints smothered by the sifting > sands of time shone", "the barbarian's rippling right arm > thrust forth, sending the steel sword through", "through the chainmail, hilt-deep into the soldier's > belly. The soldier's eyes widened.", "> The barbarian spun around, his fiery red hair tossing in the >", "light swept across the rivets of his > hide-enameled shield, as the barbarian's", "he faced > the attack of the defeated soldier's fellow in arms. >", "stygian haunts of hell, > barbarian\", shouted the first soldier as he caught", "books that, for one reason or another, weren't properly edited. These range from", "the massive > barbarians hide enameled shield as his rippling right arm thrust", "critic, but then you have to \"fix\", which invariably involves writing and writing", "robustly in the humid air currents as he faced > the attack of", "face. > > > The barbarian spun around, his fiery red hair tossing", "The Eye of Argon: > > The weather beaten trail wound ahead into", "reason why it's garbage, like failing to establish the position of the combatants", "the fleeting stead of death, > wretch!\" returned Grignr. > A sweeping blade", "chainmail, hilt-deep into the soldier's > belly. The soldier's eyes widened. Grignr tightened", "their dismal lives. Dust sprayed over three > heaving mounts in blinding clouds,", "instances of books that, for one reason or another, weren't properly edited. These", "Also, sorry for the chainmail bit, I know it's bs. The basic idea", "you have kissed the fleeting stead of death, > wretch!\" returned Grignr. >", "While it is fun, I'm not sure. Could this practice be detrimental to", "> > > Blinding clouds of dust sprayed over three horses, heaving under", "> from overhead, half way through its daily revolution. Small > rodents scampered", "into the soldier's > belly. The soldier's eyes widened. Grignr tightened his grip", "establish the position of the combatants in space and the redundant redundancy. That", "into the dust racked > climes of the baren land which dominates large", "have to add and/or change stuff, but still... Also, while you might not", "least the version I used, was originally published in a sci-fi magazine back", "> > Blinding clouds of dust sprayed over three horses, heaving under the", "dominates large portions of the > Norgolian empire. Age worn hoof prints smothered", "life fluid. > The enthused barbarian swilveled about, his shock of fiery >", "earth. The tireless sun cast its parching rays of incandescense > from overhead,", "sward, sprinkling the parched dust > with crimson droplets of escaping life fluid.", "involves writing and writing new ideas. This new ideas usually morph the story", "about, occupying themselves in the daily > accomplishments of their dismal lives. Dust", "clouds of dust sprayed over three horses, heaving under the > weight of", "hell, barbarian\", gasped the first soldier. > \"Only after you have kissed the", "Old hoof prints smothered by the winds shone dully against the dust-covered earth.", "the dust with crimson droplets of blood. A smile stretched across Grignr's face.", "of the Norgolian empire. Old hoof prints smothered by the winds shone dully", "from The Eye of Argon: > > The weather beaten trail wound ahead", "droplets of escaping life fluid. > The enthused barbarian swilveled about, his shock", "forth, sending a steel shod blade to the hilt into the soldiers >", "garbage, I have to methodically break down the reason why it's garbage, like", "new ideas. This new ideas usually morph the story in a way that's", "to embrace your creators in the stygian haunts of > hell, barbarian\", gasped", "the attack of the defeated soldier's fellow in arms. > > > This", "be able to wrap your head around it, but there are instances of", "> Norgolian empire. Age worn hoof prints smothered by the sifting > sands", "redundant redundancy. That takes care of the critic, but then you have to", "the position of the combatants in space and the redundant redundancy. That takes", "burdonsome > cargoes of their struggling overseers. > \"Prepare to embrace your creators", "enough bout horseback sword fighting (especially when both opponents are riding), nor do", "> barbarians hide enameled shield as his rippling right arm thrust > forth,", "soldier as he caught up to the barbarian, sword raised. > > >", "and fix them, making me both a critic and a writer. I can't", "reason or another, weren't properly edited. These range from the self-published \"works\" of", "by the sifting > sands of time shone dully against the dust splattered", "they bore the burdonsome > cargoes of their struggling overseers. > \"Prepare to", "> Blinding clouds of dust sprayed over three horses, heaving under the >", "the > weight of their riders. > > > \"Prepare to embrace your", "to methodically break down the reason why it's garbage, like failing to establish", "and fell on the > clouded sward, sprinkling the dust with crimson droplets", "in the daily > accomplishments of their dismal lives. Dust sprayed over three", "beaten trail wound ahead into the barren land which dominated most of the", "worn hoof prints smothered by the sifting > sands of time shone dully", "side open. > > > The disemboweled soldier crumpled from his saddle and", "disemboweled soldier crumpled from his saddle and fell on the > clouded sward,", "> thrust forth, sending the steel sword through the chainmail, hilt-deep into the", "in a way that's unique to most writers, developing their style. IN PAPER!", "issues and fix them, making me both a critic and a writer. I", "soldier's > belly. The soldier's eyes widened. Grignr tightened his grip and yanked", "across the rivets of his > hide-enameled shield, as the barbarian's rippling right", "dominated most of the Norgolian empire. Old hoof prints smothered by the winds", "to add and/or change stuff, but still... Also, while you might not be", "the stygian haunts of hell, > barbarian\", shouted the first soldier as he", "still... Also, while you might not be able to wrap your head around", "droplets of blood. A smile stretched across Grignr's face. > > > The", "developing my own style?* I have to add and/or change stuff, but still...", "while you might not be able to wrap your head around it, but", "sprinkling the parched dust > with crimson droplets of escaping life fluid. >", "your creators in the stygian haunts of hell, > barbarian\", shouted the first", "the soldiers > vital organs. The disemboweled mercenary crumpled from his > saddle", "practice be detrimental to developing my own style? I have to add and/or", "with crimson droplets of blood. A smile stretched across Grignr's face. > >", "of hell, > barbarian\", shouted the first soldier as he caught up to", "stead of death, wretch!\" > returned Grignr. A flash of light swept across", "of dust sprayed over three horses, heaving under the > weight of their", "soldier. > \"Only after you have kissed the fleeting stead of death, >", "as his rippling right arm thrust > forth, sending a steel shod blade", "fix them, making me both a critic and a writer. I can't say", "stead of death, > wretch!\" returned Grignr. > A sweeping blade of flashing", "clouded sward, sprinkling the dust with crimson droplets of blood. A smile stretched", "tossing robustly in the humid air currents as he faced > the attack", "have kissed the fleeting stead of death, wretch!\" > returned Grignr. A flash", "swept across the rivets of his > hide-enameled shield, as the barbarian's rippling", "shield as his rippling right arm thrust > forth, sending a steel shod", "the self-published \"works\" of Onision, to fan stories and borderline fan stories (The", "The weather beaten trail wound ahead into the dust racked > climes of", "both opponents are riding), nor do I know what equipment the soldiers have.", "riding), nor do I know what equipment the soldiers have. Also, sorry for", "sword out, slashing his opponent's side open. > > > The disemboweled soldier", "empire. Old hoof prints smothered by the winds shone dully against the dust-covered", "the defeated soldier's fellow in arms. > > > This is already a", "> Note: I don't know enough bout horseback sword fighting (especially when both", "gasped the first soldier. > \"Only after you have kissed the fleeting stead", "it even better: > > The weather beaten trail wound ahead into the", "his > hide-enameled shield, as the barbarian's rippling right arm > thrust forth,", "the dismay of the small rodents that scampered about. > > > Blinding", "out, slashing his opponent's side open. > > > The disemboweled soldier crumpled", "> > The weather beaten trail wound ahead into the barren land which", "are riding), nor do I know what equipment the soldiers have. Also, sorry", "garbage, like failing to establish the position of the combatants in space and", "> clouded sward, sprinkling the dust with crimson droplets of blood. A smile", "find issues and fix them, making me both a critic and a writer.", "sending a steel shod blade to the hilt into the soldiers > vital", "rays of incandescense > from overhead, half way through its daily revolution. Small", "currents as he faced > the attack of the defeated soldier's fellow in", "> with crimson droplets of escaping life fluid. > The enthused barbarian swilveled", "that scampered about. > > > Blinding clouds of dust sprayed over three", "crumpled from his saddle and fell on the > clouded sward, sprinkling the", "the hilt into the soldiers > vital organs. The disemboweled mercenary crumpled from", "against the dust splattered crust of > earth. The tireless sun cast its", "small rodents that scampered about. > > > Blinding clouds of dust sprayed", "kissed the fleeting stead of death, wretch!\" > returned Grignr. A flash of", "stories and borderline fan stories (The Eye of Argon, at least the version", "enameled shield as his rippling right arm thrust > forth, sending a steel", "it is fun, I'm not sure. Could this practice be detrimental to developing", "> sands of time shone dully against the dust splattered crust of >", "This new ideas usually morph the story in a way that's unique to", "> > > This is already a good passage; let's make it even", "smothered by the sifting > sands of time shone dully against the dust", "belly. The soldier's eyes widened. Grignr tightened his grip and yanked the sword", "sat high, casting its parching rays down below to the dismay of the", "their struggling overseers. > \"Prepare to embrace your creators in the stygian haunts", "weight of their riders. > > > \"Prepare to embrace your creators in", "borderline fan stories (The Eye of Argon, at least the version I used,", "red hair tossing robustly in the humid air currents as he faced >", "by the winds shone dully against the dust-covered earth. The sun sat high,", "grip and yanked the sword out, slashing his opponent's side open. > >", "it, but there are instances of books that, for one reason or another,", "spun around, his fiery red hair tossing in the > air currents as", "that's unique to most writers, developing their style. IN PAPER! While it is", "I have to add and/or change stuff, but still... Also, while you might", "another, weren't properly edited. These range from the self-published \"works\" of Onision, to", "fiery > red hair tossing robustly in the humid air currents as he", "I tried out a new thing. Take this segment from The Eye of", "sank to the clouded sward, sprinkling the parched dust > with crimson droplets", "one reason or another, weren't properly edited. These range from the self-published \"works\"", "you might not be able to wrap your head around it, but there", "wretch!\" returned Grignr. > A sweeping blade of flashing steel riveted from the", "air currents as he faced > the attack of the defeated soldier's fellow", "dismay of the small rodents that scampered about. > > > Blinding clouds", "first soldier. > \"Only after you have kissed the fleeting stead of death,", "smothered by the winds shone dully against the dust-covered earth. The sun sat", "a writer. I can't say it's hot garbage, I have to methodically break", "of escaping life fluid. > The enthused barbarian swilveled about, his shock of", "splattered crust of > earth. The tireless sun cast its parching rays of", "own style?* I have to add and/or change stuff, but still... Also, while", "overhead, half way through its daily revolution. Small > rodents scampered about, occupying", "prints smothered by the sifting > sands of time shone dully against the", "of blood. A smile stretched across Grignr's face. > > > The barbarian", "sands of time shone dully against the dust splattered crust of > earth.", "to the clouded sward, sprinkling the parched dust > with crimson droplets of", "rodents scampered about, occupying themselves in the daily > accomplishments of their dismal", "time shone dully against the dust splattered crust of > earth. The tireless", "he raised his sword to block the other's. > > > Note: I", "organs. The disemboweled mercenary crumpled from his > saddle and sank to the", "yanked the sword out, slashing his opponent's side open. > > > The", "say it's hot garbage, I have to methodically break down the reason why", "to \"fix\", which invariably involves writing and writing new ideas. This new ideas", "baren land which dominates large portions of the > Norgolian empire. Age worn", "I don't know enough bout horseback sword fighting (especially when both opponents are", "dully against the dust splattered crust of > earth. The tireless sun cast", "> > The weather beaten trail wound ahead into the dust racked >", "opponent's side open. > > > The disemboweled soldier crumpled from his saddle", "> heaving mounts in blinding clouds, while they bore the burdonsome > cargoes", "already a good passage; let's make it even better: > > The weather", "the combatants in space and the redundant redundancy. That takes care of the", "a new thing. Take this segment from The Eye of Argon: > >", "to establish the position of the combatants in space and the redundant redundancy.", "the > Norgolian empire. Age worn hoof prints smothered by the sifting >", "> > \"Prepare to embrace your creators in the stygian haunts of hell,", "blade to the hilt into the soldiers > vital organs. The disemboweled mercenary", "the barren land which dominated most of the Norgolian empire. Old hoof prints", "fellow in arms. > > > This is already a good passage; let's", "over three > heaving mounts in blinding clouds, while they bore the burdonsome", "fell on the > clouded sward, sprinkling the dust with crimson droplets of", "equipment the soldiers have. Also, sorry for the chainmail bit, I know it's", "chainmail bit, I know it's bs. The basic idea is that I find", "tightened his grip and yanked the sword out, slashing his opponent's side open.", "the redundant redundancy. That takes care of the critic, but then you have", "clouded sward, sprinkling the parched dust > with crimson droplets of escaping life", "of books that, for one reason or another, weren't properly edited. These range", "parching rays down below to the dismay of the small rodents that scampered", "scampered about, occupying themselves in the daily > accomplishments of their dismal lives.", "other's. > > > Note: I don't know enough bout horseback sword fighting", "fun, I'm not sure. *Could this practice be detrimental to developing my own", "for the chainmail bit, I know it's bs. The basic idea is that", "red hair tossing in the > air currents as he raised his sword", "open. > > > The disemboweled soldier crumpled from his saddle and fell", "defeated soldier's fellow in arms. > > > This is already a good", "parched dust > with crimson droplets of escaping life fluid. > The enthused", "faced > the attack of the defeated soldier's fellow in arms. > >", "in arms. > > > This is already a good passage; let's make", "thing. Take this segment from The Eye of Argon: > > The weather", "writer. I can't say it's hot garbage, I have to methodically break down", "> vital organs. The disemboweled mercenary crumpled from his > saddle and sank", "mercenary crumpled from his > saddle and sank to the clouded sward, sprinkling", "of death, > wretch!\" returned Grignr. > A sweeping blade of flashing steel", "wretch!\" > returned Grignr. A flash of light swept across the rivets of", "\"Only after you have kissed the fleeting stead of death, > wretch!\" returned", "> \"Prepare to embrace your creators in the stygian haunts of > hell,", "the humid air currents as he faced > the attack of the defeated", "do I know what equipment the soldiers have. Also, sorry for the chainmail", "Grignr's face. > > > The barbarian spun around, his fiery red hair", "\"fix\", which invariably involves writing and writing new ideas. This new ideas usually", "I can't say it's hot garbage, I have to methodically break down the", "The enthused barbarian swilveled about, his shock of fiery > red hair tossing", "is already a good passage; let's make it even better: > > The", "are instances of books that, for one reason or another, weren't properly edited.", "is that I find issues and fix them, making me both a critic", "Could this practice be detrimental to developing my own style?* I have to", "prints smothered by the winds shone dully against the dust-covered earth. The sun", "flashing steel riveted from the massive > barbarians hide enameled shield as his", "and sank to the clouded sward, sprinkling the parched dust > with crimson", "writers, developing their style. IN PAPER! While it is fun, I'm not sure.", "eyes widened. Grignr tightened his grip and yanked the sword out, slashing his", "but still... Also, while you might not be able to wrap your head", "care of the critic, but then you have to \"fix\", which invariably involves", "hoof prints smothered by the sifting > sands of time shone dully against", "the > clouded sward, sprinkling the dust with crimson droplets of blood. A", "embrace your creators in the stygian haunts of > hell, barbarian\", gasped the", "his sword to block the other's. > > > Note: I don't know", "its parching rays of incandescense > from overhead, half way through its daily", "most writers, developing their style. IN PAPER! While it is fun, I'm not", "sprayed over three horses, heaving under the > weight of their riders. >", "the dust racked > climes of the baren land which dominates large portions", "to most writers, developing their style. IN PAPER! While it is fun, I'm", "add and/or change stuff, but still... Also, while you might not be able", "disemboweled mercenary crumpled from his > saddle and sank to the clouded sward,", "the steel sword through the chainmail, hilt-deep into the soldier's > belly. The", "barbarian\", shouted the first soldier as he caught up to the barbarian, sword", "idea is that I find issues and fix them, making me both a", "the version I used, was originally published in a sci-fi magazine back in", "escaping life fluid. > The enthused barbarian swilveled about, his shock of fiery", "story in a way that's unique to most writers, developing their style. IN", "his shock of fiery > red hair tossing robustly in the humid air", "vital organs. The disemboweled mercenary crumpled from his > saddle and sank to", "and writing new ideas. This new ideas usually morph the story in a", "three > heaving mounts in blinding clouds, while they bore the burdonsome >", "The barbarian spun around, his fiery red hair tossing in the > air", "of the small rodents that scampered about. > > > Blinding clouds of", "barbarian, sword raised. > > > \"Only after you have kissed the fleeting", "and borderline fan stories (The Eye of Argon, at least the version I", "A flash of light swept across the rivets of his > hide-enameled shield,", "shod blade to the hilt into the soldiers > vital organs. The disemboweled", "A sweeping blade of flashing steel riveted from the massive > barbarians hide", "The soldier's eyes widened. Grignr tightened his grip and yanked the sword out,", "of their dismal lives. Dust sprayed over three > heaving mounts in blinding", "shone dully against the dust splattered crust of > earth. The tireless sun", "of the defeated soldier's fellow in arms. > > > This is already", "with crimson droplets of escaping life fluid. > The enthused barbarian swilveled about,", "three horses, heaving under the > weight of their riders. > > >", "flash of light swept across the rivets of his > hide-enameled shield, as", "> climes of the baren land which dominates large portions of the >", "know it's bs. The basic idea is that I find issues and fix", "climes of the baren land which dominates large portions of the > Norgolian", "the story in a way that's unique to most writers, developing their style.", "> belly. The soldier's eyes widened. Grignr tightened his grip and yanked the", "its daily revolution. Small > rodents scampered about, occupying themselves in the daily", "hilt-deep into the soldier's > belly. The soldier's eyes widened. Grignr tightened his", "nor do I know what equipment the soldiers have. Also, sorry for the", "> cargoes of their struggling overseers. > \"Prepare to embrace your creators in", "of time shone dully against the dust splattered crust of > earth. The", "embrace your creators in the stygian haunts of hell, > barbarian\", shouted the", "writing and writing new ideas. This new ideas usually morph the story in", "(The Eye of Argon, at least the version I used, was originally published", "cast its parching rays of incandescense > from overhead, half way through its", "creators in the stygian haunts of hell, > barbarian\", shouted the first soldier", "writing new ideas. This new ideas usually morph the story in a way", "morph the story in a way that's unique to most writers, developing their", "around it, but there are instances of books that, for one reason or", "a way that's unique to most writers, developing their style. IN PAPER! While", "blinding clouds, while they bore the burdonsome > cargoes of their struggling overseers.", "> hide-enameled shield, as the barbarian's rippling right arm > thrust forth, sending", "have kissed the fleeting stead of death, > wretch!\" returned Grignr. > A", "dust > with crimson droplets of escaping life fluid. > The enthused barbarian", "winds shone dully against the dust-covered earth. The sun sat high, casting its", "as he caught up to the barbarian, sword raised. > > > \"Only", "> > > \"Only after you have kissed the fleeting stead of death,", "steel sword through the chainmail, hilt-deep into the soldier's > belly. The soldier's", "to block the other's. > > > Note: I don't know enough bout", "as he raised his sword to block the other's. > > > Note:", "opponents are riding), nor do I know what equipment the soldiers have. Also,", "have. Also, sorry for the chainmail bit, I know it's bs. The basic", "bs. The basic idea is that I find issues and fix them, making", "this practice be detrimental to developing my own style?** I have to add", "the other's. > > > Note: I don't know enough bout horseback sword", "the dust splattered crust of > earth. The tireless sun cast its parching", "its parching rays down below to the dismay of the small rodents that", "soldier's eyes widened. Grignr tightened his grip and yanked the sword out, slashing", "heaving mounts in blinding clouds, while they bore the burdonsome > cargoes of", "his grip and yanked the sword out, slashing his opponent's side open. >", "way through its daily revolution. Small > rodents scampered about, occupying themselves in", "sun cast its parching rays of incandescense > from overhead, half way through", "Norgolian empire. Old hoof prints smothered by the winds shone dully against the", "The tireless sun cast its parching rays of incandescense > from overhead, half", "and/or change stuff, but still... Also, while you might not be able to", "out a new thing. Take this segment from The Eye of Argon: >", "dust racked > climes of the baren land which dominates large portions of", "the burdonsome > cargoes of their struggling overseers. > \"Prepare to embrace your", "a good passage; let's make it even better: > > The weather beaten", "barbarian swilveled about, his shock of fiery > red hair tossing robustly in", "crust of > earth. The tireless sun cast its parching rays of incandescense", "me both a critic and a writer. I can't say it's hot garbage,", "the stygian haunts of > hell, barbarian\", gasped the first soldier. > \"Only", "most of the Norgolian empire. Old hoof prints smothered by the winds shone", "sword raised. > > > \"Only after you have kissed the fleeting stead", "shock of fiery > red hair tossing robustly in the humid air currents", "soldiers > vital organs. The disemboweled mercenary crumpled from his > saddle and", "mounts in blinding clouds, while they bore the burdonsome > cargoes of their" ]
[ "know how to add more fluff or detail into them to make them", "of great ideas for stories and such but I never really know how", "ideas for stories and such but I never really know how to add", "readers can read all day and still have more to read. Does anyone", "where readers can read all day and still have more to read. Does", "here! I have a bunch of great ideas for stories and such but", "great ideas for stories and such but I never really know how to", "bunch of great ideas for stories and such but I never really know", "I have a bunch of great ideas for stories and such but I", "them to make them longer to where readers can read all day and", "to add more fluff or detail into them to make them longer to", "Teenage writer here! I have a bunch of great ideas for stories and", "longer to where readers can read all day and still have more to", "and such but I never really know how to add more fluff or", "such but I never really know how to add more fluff or detail", "add more fluff or detail into them to make them longer to where", "detail into them to make them longer to where readers can read all", "can read all day and still have more to read. Does anyone have", "or detail into them to make them longer to where readers can read", "but I never really know how to add more fluff or detail into", "how to add more fluff or detail into them to make them longer", "to make them longer to where readers can read all day and still", "them longer to where readers can read all day and still have more", "more fluff or detail into them to make them longer to where readers", "fluff or detail into them to make them longer to where readers can", "really know how to add more fluff or detail into them to make", "have a bunch of great ideas for stories and such but I never", "I never really know how to add more fluff or detail into them", "stories and such but I never really know how to add more fluff", "read all day and still have more to read. Does anyone have any", "for stories and such but I never really know how to add more", "writer here! I have a bunch of great ideas for stories and such", "to where readers can read all day and still have more to read.", "never really know how to add more fluff or detail into them to", "make them longer to where readers can read all day and still have", "all day and still have more to read. Does anyone have any tips?", "into them to make them longer to where readers can read all day", "a bunch of great ideas for stories and such but I never really" ]
[ "want to go.\") Is there a way I can indicate the opposing counsel's", "the disclosures for an upcoming Due Process hearing. (Please note that I'm an", "that you can indicate tone at the beginning of a quotation (e.g. [angry]", "meeting. I've been researching the rules of transcription and I've read that you", "from raising her voice at MDT members. EA: “I’m not raising my voice.”", "parent is requesting...\" ``` Can I write at the beginning of her quote", "something like EA [brashly]: \"\\_\\_\\_\\_\" or maybe [impertinently]? It's important that the hearing", "her? Or express her tone/behavior in the surrounding body paragraphs? Here is an", "that transcribing is far from a specialty of mine!) I want to indicate", "EA: “I’m not raising my voice.” B: “Well, your tone has been- [EA", "at the beginning of her quote something like EA [brashly]: \"\\_\\_\\_\\_\" or maybe", "an elementary special education teacher and that transcribing is far from a specialty", "your tone has been- [EA scoffs and visibly rolls her eyes]. Ma'am, we", "\"tone\" in my meeting notes!!** For context: Recently I've been charged with transcribing", "to go.\") Is there a way I can indicate the opposing counsel's rude/attacking", "upcoming Due Process hearing. (Please note that I'm an elementary special education teacher", "specialty of mine!) I want to indicate that the opposing counsel was incredibly", "and visibly rolls her eyes]. Ma'am, we would appreciate if you'd stopped--\" EA:", "transcription and I've read that you can indicate tone at the beginning of", "throughout our meeting. I've been researching the rules of transcription and I've read", "speak in a more professional manner and to refrain from raising her voice", "borderline attacking throughout our meeting. I've been researching the rules of transcription and", "(Please note that I'm an elementary special education teacher and that transcribing is", "that the opposing counsel was incredibly rude, unprofessional, and borderline attacking throughout our", "\"I don't want to go.\") Is there a way I can indicate the", "Document in the Prior Written Notice that the parent is requesting...\" ``` Can", "and that transcribing is far from a specialty of mine!) I want to", "her eyes]. Ma'am, we would appreciate if you'd stopped--\" EA: “We can agree", "would appreciate if you'd stopped--\" EA: “We can agree to disagree. Document in", "you can indicate tone at the beginning of a quotation (e.g. [angry] \"I", "requesting...\" ``` Can I write at the beginning of her quote something like", "aware of the EAs aggressive tone and behavior throughout our 2 hour meeting.", "individuals \"tone\" in my meeting notes!!** For context: Recently I've been charged with", "in the surrounding body paragraphs? Here is an example from my transcription: ```", "[impertinently]? It's important that the hearing officer is aware of the EAs aggressive", "that the parent is requesting...\" ``` Can I write at the beginning of", "to disagree. Document in the Prior Written Notice that the parent is requesting...\"", "transcription: ``` EA was asked to speak in a more professional manner and", "[angry] \"I don't want to go.\") Is there a way I can indicate", "the opposing counsel was incredibly rude, unprofessional, and borderline attacking throughout our meeting.", "has been- [EA scoffs and visibly rolls her eyes]. Ma'am, we would appreciate", "is requesting...\" ``` Can I write at the beginning of her quote something", "and behavior throughout our 2 hour meeting. *Thank you for your time and", "when quoting her? Or express her tone/behavior in the surrounding body paragraphs? Here", "was asked to speak in a more professional manner and to refrain from", "in a more professional manner and to refrain from raising her voice at", "the beginning of a quotation (e.g. [angry] \"I don't want to go.\") Is", "a more professional manner and to refrain from raising her voice at MDT", "can agree to disagree. Document in the Prior Written Notice that the parent", "quotation (e.g. [angry] \"I don't want to go.\") Is there a way I", "to speak in a more professional manner and to refrain from raising her", "be submitted in the disclosures for an upcoming Due Process hearing. (Please note", "Ma'am, we would appreciate if you'd stopped--\" EA: “We can agree to disagree.", "EA: “We can agree to disagree. Document in the Prior Written Notice that", "go.\") Is there a way I can indicate the opposing counsel's rude/attacking tone", "body paragraphs? Here is an example from my transcription: ``` EA was asked", "with transcribing an incredibly tense litigious meeting. My transcription of this meeting will", "been charged with transcribing an incredibly tense litigious meeting. My transcription of this", "Due Process hearing. (Please note that I'm an elementary special education teacher and", "indicate tone* at the beginning of a quotation (e.g. [angry] \"I don't want", "paragraphs? Here is an example from my transcription: ``` EA was asked to", "stopped--\" EA: “We can agree to disagree. Document in the Prior Written Notice", "great difficulty with transcribing an individuals \"tone\" in my meeting notes!! For context:", "of mine!) I want to indicate that the opposing counsel was incredibly rude,", "Here is an example from my transcription: ``` EA was asked to speak", "quote something like EA [brashly]: \"\\_\\_\\_\\_\" or maybe [impertinently]? It's important that the", "is aware of the EAs aggressive tone and behavior throughout our 2 hour", "having great difficulty with transcribing an individuals \"tone\" in my meeting notes!! For", "an individuals \"tone\" in my meeting notes!!** For context: Recently I've been charged", "of transcription and I've read that you can indicate tone at the beginning", "voice.” B: “Well, your tone has been- [EA scoffs and visibly rolls her", "notes!!** For context: Recently I've been charged with transcribing an incredibly tense litigious", "officer is aware of the EAs aggressive tone and behavior throughout our 2", "that I'm an elementary special education teacher and that transcribing is far from", "*I've been having great difficulty with transcribing an individuals \"tone\" in my meeting", "I've read that you can indicate tone* at the beginning of a quotation", "this meeting will be submitted in the disclosures for an upcoming Due Process", "hearing. (Please note that I'm an elementary special education teacher and that transcribing", "the rules of transcription and I've read that you can indicate tone at", "her tone/behavior in the surrounding body paragraphs? Here is an example from my", "beginning of a quotation (e.g. [angry] \"I don't want to go.\") Is there", "MDT members. EA: “I’m not raising my voice.” B: “Well, your tone has", "the hearing officer is aware of the EAs aggressive tone and behavior throughout", "tone at the beginning of a quotation (e.g. [angry] \"I don't want to", "manner and to refrain from raising her voice at MDT members. EA: “I’m", "mine!) I want to indicate that the opposing counsel was incredibly rude, unprofessional,", "rules of transcription and I've read that you can indicate tone at the", "For context: Recently I've been charged with transcribing an incredibly tense litigious meeting.", "the opposing counsel's rude/attacking tone when quoting her? Or express her tone/behavior in", "I've been researching the rules of transcription and I've read that you can", "is far from a specialty of mine!) I want to indicate that the", "“We can agree to disagree. Document in the Prior Written Notice that the", "my meeting notes!! For context: Recently I've been charged with transcribing an incredibly", "been- [EA scoffs and visibly rolls her eyes]. Ma'am, we would appreciate if", "for an upcoming Due Process hearing. (Please note that I'm an elementary special", "at MDT members. EA: “I’m not raising my voice.” B: “Well, your tone", "Process hearing. (Please note that I'm an elementary special education teacher and that", "incredibly rude, unprofessional, and borderline attacking throughout our meeting. I've been researching the", "[brashly]: \"\\_\\_\\_\\_\" or maybe [impertinently]? It's important that the hearing officer is aware", "if you'd stopped--\" EA: “We can agree to disagree. Document in the Prior", "like EA [brashly]: \"\\_\\_\\_\\_\" or maybe [impertinently]? It's important that the hearing officer", "Recently I've been charged with transcribing an incredibly tense litigious meeting. My transcription", "asked to speak in a more professional manner and to refrain from raising", "meeting will be submitted in the disclosures for an upcoming Due Process hearing.", "of this meeting will be submitted in the disclosures for an upcoming Due", "and borderline attacking throughout our meeting. I've been researching the rules of transcription", "researching the rules of transcription and I've read that you can indicate tone", "is an example from my transcription: ``` EA was asked to speak in", "“I’m not raising my voice.” B: “Well, your tone has been- [EA scoffs", "Written Notice that the parent is requesting...\" ``` Can I write at the", "I write at the beginning of her quote something like EA [brashly]: \"\\_\\_\\_\\_\"", "my voice.” B: “Well, your tone has been- [EA scoffs and visibly rolls", "I'm an elementary special education teacher and that transcribing is far from a", "tense litigious meeting. My transcription of this meeting will be submitted in the", "note that I'm an elementary special education teacher and that transcribing is far", "Is there a way I can indicate the opposing counsel's rude/attacking tone when", "her voice at MDT members. EA: “I’m not raising my voice.” B: “Well,", "refrain from raising her voice at MDT members. EA: “I’m not raising my", "or maybe [impertinently]? It's important that the hearing officer is aware of the", "write at the beginning of her quote something like EA [brashly]: \"\\_\\_\\_\\_\" or", "agree to disagree. Document in the Prior Written Notice that the parent is", "disagree. Document in the Prior Written Notice that the parent is requesting...\" ```", "there a way I can indicate the opposing counsel's rude/attacking tone when quoting", "way I can indicate the opposing counsel's rude/attacking tone when quoting her? Or", "with transcribing an individuals \"tone\" in my meeting notes!! For context: Recently I've", "was incredibly rude, unprofessional, and borderline attacking throughout our meeting. I've been researching", "express her tone/behavior in the surrounding body paragraphs? Here is an example from", "professional manner and to refrain from raising her voice at MDT members. EA:", "EA [brashly]: \"\\_\\_\\_\\_\"** or maybe [impertinently]? It's important that the hearing officer is", "a quotation (e.g. [angry] \"I don't want to go.\") Is there a way", "disclosures for an upcoming Due Process hearing. (Please note that I'm an elementary", "beginning of her quote something like EA [brashly]: \"\\_\\_\\_\\_\" or maybe [impertinently]? It's", "raising her voice at MDT members. EA: “I’m not raising my voice.” B:", "we would appreciate if you'd stopped--\" EA: “We can agree to disagree. Document", "unprofessional, and borderline attacking throughout our meeting. I've been researching the rules of", "behavior throughout our 2 hour meeting. Thank you for your time and help!!", "[EA scoffs and visibly rolls her eyes]. Ma'am, we would appreciate if you'd", "I want to indicate that the opposing counsel was incredibly rude, unprofessional, and", "her quote something like EA [brashly]: \"\\_\\_\\_\\_\" or maybe [impertinently]? It's important that", "eyes]. Ma'am, we would appreciate if you'd stopped--\" EA: “We can agree to", "tone when quoting her? Or express her tone/behavior in the surrounding body paragraphs?", "an example from my transcription: ``` EA was asked to speak in a", "counsel was incredibly rude, unprofessional, and borderline attacking throughout our meeting. I've been", "of her quote something like EA [brashly]: \"\\_\\_\\_\\_\" or maybe [impertinently]? It's important", "important that the hearing officer is aware of the EAs aggressive tone and", "indicate the opposing counsel's rude/attacking tone when quoting her? Or express her tone/behavior", "aggressive tone and behavior throughout our 2 hour meeting. *Thank you for your", "It's important that the hearing officer is aware of the EAs aggressive tone", "voice at MDT members. EA: “I’m not raising my voice.” B: “Well, your", "that the hearing officer is aware of the EAs aggressive tone and behavior", "more professional manner and to refrain from raising her voice at MDT members.", "an upcoming Due Process hearing. (Please note that I'm an elementary special education", "to refrain from raising her voice at MDT members. EA: “I’m not raising", "transcription of this meeting will be submitted in the disclosures for an upcoming", "I can indicate the opposing counsel's rude/attacking tone when quoting her? Or express", "been researching the rules of transcription and I've read that you can indicate", "from a specialty of mine!) I want to indicate that the opposing counsel", "want to indicate that the opposing counsel was incredibly rude, unprofessional, and borderline", "Prior Written Notice that the parent is requesting...\" ``` Can I write at", "the surrounding body paragraphs? Here is an example from my transcription: ``` EA", "read that you can indicate tone* at the beginning of a quotation (e.g.", "Can I write at the beginning of her quote something like EA [brashly]:", "in my meeting notes!! For context: Recently I've been charged with transcribing an", "raising my voice.” B: “Well, your tone has been- [EA scoffs and visibly", "visibly rolls her eyes]. Ma'am, we would appreciate if you'd stopped--\" EA: “We", "to indicate that the opposing counsel was incredibly rude, unprofessional, and borderline attacking", "\"\\_\\_\\_\\_\"** or maybe [impertinently]? It's important that the hearing officer is aware of", "not raising my voice.” B: “Well, your tone has been- [EA scoffs and", "submitted in the disclosures for an upcoming Due Process hearing. (Please note that", "education teacher and that transcribing is far from a specialty of mine!) I", "will be submitted in the disclosures for an upcoming Due Process hearing. (Please", "charged with transcribing an incredibly tense litigious meeting. My transcription of this meeting", "of a quotation (e.g. [angry] \"I don't want to go.\") Is there a", "don't want to go.\") Is there a way I can indicate the opposing", "can indicate the opposing counsel's rude/attacking tone when quoting her? Or express her", "I've been charged with transcribing an incredibly tense litigious meeting. My transcription of", "elementary special education teacher and that transcribing is far from a specialty of", "meeting. My transcription of this meeting will be submitted in the disclosures for", "EA was asked to speak in a more professional manner and to refrain", "maybe [impertinently]? It's important that the hearing officer is aware of the EAs", "Notice that the parent is requesting...\" ``` Can I write at the beginning", "(e.g. [angry] \"I don't want to go.\") Is there a way I can", "quoting her? Or express her tone/behavior in the surrounding body paragraphs? Here is", "My transcription of this meeting will be submitted in the disclosures for an", "can indicate tone at the beginning of a quotation (e.g. [angry] \"I don't", "and to refrain from raising her voice at MDT members. EA: “I’m not", "tone has been- [EA scoffs and visibly rolls her eyes]. Ma'am, we would", "transcribing is far from a specialty of mine!) I want to indicate that", "a specialty of mine!) I want to indicate that the opposing counsel was", "litigious meeting. My transcription of this meeting will be submitted in the disclosures", "in the disclosures for an upcoming Due Process hearing. (Please note that I'm", "attacking throughout our meeting. I've been researching the rules of transcription and I've", "members. EA: “I’m not raising my voice.” B: “Well, your tone has been-", "B: “Well, your tone has been- [EA scoffs and visibly rolls her eyes].", "rude, unprofessional, and borderline attacking throughout our meeting. I've been researching the rules", "“Well, your tone has been- [EA scoffs and visibly rolls her eyes]. Ma'am,", "hearing officer is aware of the EAs aggressive tone and behavior throughout our", "EAs aggressive tone and behavior throughout our 2 hour meeting. Thank you for", "tone and behavior throughout our 2 hour meeting. Thank you for your time", "my transcription: ``` EA was asked to speak in a more professional manner", "from my transcription: ``` EA was asked to speak in a more professional", "incredibly tense litigious meeting. My transcription of this meeting will be submitted in", "scoffs and visibly rolls her eyes]. Ma'am, we would appreciate if you'd stopped--\"", "an incredibly tense litigious meeting. My transcription of this meeting will be submitted", "special education teacher and that transcribing is far from a specialty of mine!)", "you'd stopped--\" EA: “We can agree to disagree. Document in the Prior Written", "a way I can indicate the opposing counsel's rude/attacking tone when quoting her?", "rude/attacking tone when quoting her? Or express her tone/behavior in the surrounding body", "``` Can I write at the beginning of her quote something like EA", "the EAs aggressive tone and behavior throughout our 2 hour meeting. Thank you", "the beginning of her quote something like EA [brashly]: \"\\_\\_\\_\\_\" or maybe [impertinently]?", "context: Recently I've been charged with transcribing an incredibly tense litigious meeting. My", "meeting notes!!** For context: Recently I've been charged with transcribing an incredibly tense", "and I've read that you can indicate tone at the beginning of a", "opposing counsel's rude/attacking tone when quoting her? Or express her tone/behavior in the", "transcribing an incredibly tense litigious meeting. My transcription of this meeting will be", "the parent is requesting...\" ``` Can I write at the beginning of her", "rolls her eyes]. Ma'am, we would appreciate if you'd stopped--\" EA: “We can", "been having great difficulty with transcribing an individuals \"tone\" in my meeting notes!!*", "counsel's rude/attacking tone when quoting her? Or express her tone/behavior in the surrounding", "at the beginning of a quotation (e.g. [angry] \"I don't want to go.\")", "our meeting. I've been researching the rules of transcription and I've read that", "``` EA was asked to speak in a more professional manner and to", "teacher and that transcribing* is far from a specialty of mine!) I want", "opposing counsel was incredibly rude, unprofessional, and borderline attacking throughout our meeting. I've", "the Prior Written Notice that the parent is requesting...\" ``` Can I write", "tone/behavior in the surrounding body paragraphs? Here is an example from my transcription:", "Or express her tone/behavior in the surrounding body paragraphs? Here is an example", "surrounding body paragraphs? Here is an example from my transcription: ``` EA was", "example from my transcription: ``` EA was asked to speak in a more", "in the Prior Written Notice that the parent is requesting...\" ``` Can I", "of the EAs aggressive tone and behavior throughout our 2 hour meeting. Thank", "far from a specialty of mine!) I want to indicate that the opposing", "difficulty with transcribing an individuals \"tone\" in my meeting notes!! For context: Recently", "transcribing an individuals \"tone\" in my meeting notes!!** For context: Recently I've been", "appreciate if you'd stopped--\" EA: “We can agree to disagree. Document in the", "indicate that the opposing counsel was incredibly rude, unprofessional, and borderline attacking throughout" ]
[ "the book Amleth as inspiration for Hamlet; how does one find books that", "one find books that lend themselves well to start as a base when", "play. Is there something I could read to help me work this out?", "How does one come up with original ideas? Hamlet was amazing, but every", "or is a direct copy of the play. Is there something I could", "that Nvikuspeara used the book Amleth as inspiration for Hamlet; how does one", "Is there something I could read to help me work this out? If", "find books that lend themselves well to start as a base when trying", "to help me work this out? If so, what is the source? I'm", "there something I could read to help me work this out? If so,", "think of a plot point or character, it just is not nearly as", "up with original ideas? Hamlet was amazing, but every time I think of", "come up with original ideas? Hamlet was amazing, but every time I think", "with original ideas? Hamlet was amazing, but every time I think of a", "a direct copy of the play. Is there something I could read to", "time I think of a plot point or character, it just is not", "copy of the play. Is there something I could read to help me", "so, what is the source? I'm aware that Nvikuspeara used the book Amleth", "me work this out? If so, what is the source? I'm aware that", "Amleth as inspiration for Hamlet; how does one find books that lend themselves", "is the source? I'm aware that Nvikuspeara used the book Amleth as inspiration", "help me work this out? If so, what is the source? I'm aware", "a plot point or character, it just is not nearly as good as", "I could read to help me work this out? If so, what is", "does one come up with original ideas? Hamlet was amazing, but every time", "is not nearly as good as Hamlet or is a direct copy of", "something I could read to help me work this out? If so, what", "of a plot point or character, it just is not nearly as good", "books that lend themselves well to start as a base when trying to", "but every time I think of a plot point or character, it just", "point or character, it just is not nearly as good as Hamlet or", "every time I think of a plot point or character, it just is", "work this out? If so, what is the source? I'm aware that Nvikuspeara", "used the book Amleth as inspiration for Hamlet; how does one find books", "this out? If so, what is the source? I'm aware that Nvikuspeara used", "I'm aware that Nvikuspeara used the book Amleth as inspiration for Hamlet; how", "ideas? Hamlet was amazing, but every time I think of a plot point", "is a direct copy of the play. Is there something I could read", "Hamlet was amazing, but every time I think of a plot point or", "for Hamlet; how does one find books that lend themselves well to start", "as Hamlet or is a direct copy of the play. Is there something", "one come up with original ideas? Hamlet was amazing, but every time I", "direct copy of the play. Is there something I could read to help", "nearly as good as Hamlet or is a direct copy of the play.", "original ideas? Hamlet was amazing, but every time I think of a plot", "or character, it just is not nearly as good as Hamlet or is", "character, it just is not nearly as good as Hamlet or is a", "plot point or character, it just is not nearly as good as Hamlet", "well to start as a base when trying to write a play? Thanks.", "good as Hamlet or is a direct copy of the play. Is there", "book Amleth as inspiration for Hamlet; how does one find books that lend", "themselves well to start as a base when trying to write a play?", "just is not nearly as good as Hamlet or is a direct copy", "it just is not nearly as good as Hamlet or is a direct", "Hamlet; how does one find books that lend themselves well to start as", "could read to help me work this out? If so, what is the", "read to help me work this out? If so, what is the source?", "the play. Is there something I could read to help me work this", "as good as Hamlet or is a direct copy of the play. Is", "inspiration for Hamlet; how does one find books that lend themselves well to", "I think of a plot point or character, it just is not nearly", "what is the source? I'm aware that Nvikuspeara used the book Amleth as", "aware that Nvikuspeara used the book Amleth as inspiration for Hamlet; how does", "how does one find books that lend themselves well to start as a", "source? I'm aware that Nvikuspeara used the book Amleth as inspiration for Hamlet;", "not nearly as good as Hamlet or is a direct copy of the", "Hamlet or is a direct copy of the play. Is there something I", "the source? I'm aware that Nvikuspeara used the book Amleth as inspiration for", "of the play. Is there something I could read to help me work", "does one find books that lend themselves well to start as a base", "out? If so, what is the source? I'm aware that Nvikuspeara used the", "If so, what is the source? I'm aware that Nvikuspeara used the book", "lend themselves well to start as a base when trying to write a", "as inspiration for Hamlet; how does one find books that lend themselves well", "was amazing, but every time I think of a plot point or character,", "amazing, but every time I think of a plot point or character, it", "Nvikuspeara used the book Amleth as inspiration for Hamlet; how does one find", "that lend themselves well to start as a base when trying to write" ]
[ "think there's a recipe for this situation so any advice, ideas, and life", "worldbuilding points, and when that didn't work, I actually summarized them in the", "and probably everyone will send assassins after them. *Second example* In order to", "lose it if you can't guarantee your product (2 strikes and you're out)", "the plot before the plot even starts.* I need to make clear some", "billion market capitalization value, you can ask to join the Council of Primes", "problems because the worldbuilding is simply too complicated? It doesn't feel like rocket", "is called Prime) that rules the Federation. In terms of decision making, it's", "what it says on the tin. The corporate stuff is what you find", "join the Council of Primes (a CF leader is called Prime) that rules", "to set up the plot before the plot even starts.* I need to", "with those parameters), and you can get Corporate Family status (which grants members", "would you go about presenting/dramatizing this type of information to make sure readers", "legal immunity, and probably everyone will send assassins after them. *Second example* In", "clear some parts of the world early in book to *show* what's at", "status, you lose it if you can't guarantee your product (2 strikes and", "it if you can't guarantee your product (2 strikes and you're out) or", "the actual word). Some readers picked up on the inability to recognize expressions", "I explained this in dialogue to a trainee by illustrating sociopathic behavior (callousness,", "Some readers picked up on the inability to recognize expressions but took the", "to miss the explanation, which is split into bits and woven in and", "and woven in and around dialogue. I *dramatized* these worldbuilding points, and when", "editors to aid readers comprehension. Flew right past readers. *First example* The Federation", "Much like you can gain CF status, you lose it if you can't", "book to *show* what's at stake. The problem is that some readers seem", "the worldbuilding is simply too complicated? It doesn't feel like rocket science to", "person. Much like you can gain CF status, you lose it if you", "become Prime, if they lose, they lose CF status, lose their legal immunity,", "The Federation is a monopolistic oligarchy. If you have 1 groundbreaking innovation, it", "value, you can ask to join the Council of Primes (a CF leader", "they win, they become Prime, if they lose, they lose CF status, lose", "internal dialog 'oh, I see, so if I fail x I'm dead'. This", "gain CF status, you lose it if you can't guarantee your product (2", "a minor inconvenience. How would you go about presenting/dramatizing this type of information", "Did you ever experience a similar situation with reader comprehension before, and how/why?", "readers get it and its exact magnitude? Did you ever experience a similar", "how/why? Are my problems because the worldbuilding is simply too complicated? It doesn't", "If they win, they become Prime, if they lose, they lose CF status,", "isn't new, only the way it's combined is. I purposely chosen terms that", "these worldbuilding points, and when that didn't work, I actually summarized them in", "means sociopathy' (used the actual word). Some readers picked up on the inability", "explanation 'this means sociopathy' (used the actual word). Some readers picked up on", "endless pages to set up the plot before the plot even starts.* I", "if I fail x I'm dead'. This technique of seeding bits of telling", "don't assume this information is communicated as exposition. As I said, it's dramatized.", "will send assassins after them. *Second example* In order to practice the magic,", "that mean exactly what it says on the tin. The corporate stuff is", "pages to set up the plot before the plot even starts.* I need", "a gamble. If they win, they become Prime, if they lose, they lose", "go about presenting/dramatizing this type of information to make sure readers get it", "into bits and woven in and around dialogue. I *dramatized* these worldbuilding points,", "engines, no one is allowed to make steam engines with those parameters), and", "up on the inability to recognize expressions but took the sociopathy as a", "in book to *show* what's at stake. The problem is that some readers", "around dialogue. I *dramatized* these worldbuilding points, and when that didn't work, I", "it says on the tin. The corporate stuff is what you find in", "type of information to make sure readers get it and its exact magnitude?", "If readers don't understand the world, they won't understand the stakes for the", "get Corporate Family status (which grants members legal immunity). If you have 2", "to me. This stuff isn't new, only the way it's combined is. I", "a monopoly (e.g. if you make steam engines, no one is allowed to", "take endless pages to set up the plot before the plot even starts.", "before the plot even starts. I need to make clear some parts of", "you can get Corporate Family status (which grants members legal immunity). If you", "illustrating sociopathic behavior (callousness, promiscuity) and then summarized into one sentence in internal", "dramatized. But then again, one can't take endless pages to set up the", "monopolies and over 10 billion market capitalization value, you can ask to join", "stuff is what you find in cyberpunk, a dystopian extension of consumerism. Where", "summarized them in the protag's internal dialog 'oh, I see, so if I", "world early in book to *show* what's at stake. The problem is that", "some readers seem to miss the explanation, which is split into bits and", "1 person. Much like you can gain CF status, you lose it if", "expressions but took the sociopathy as a minor inconvenience. How would you go", "the showing is recommended by editors to aid readers comprehension. Flew right past", "(callousness, promiscuity) and then summarized into one sentence in internal monologue at the", "didn't work, I actually summarized them in the protag's internal dialog 'oh, I", "the magic, you have to become a sociopath. You take a course for", "It doesn't feel like rocket science to me. This stuff isn't new, only", "you have 1 groundbreaking innovation, it earns you a monopoly (e.g. if you", "stuff isn't new, only the way it's combined is. I purposely chosen terms", "to recognize expressions but took the sociopathy as a minor inconvenience. How would", "allowed to make steam engines with those parameters), and you can get Corporate", "fail x I'm dead'. This technique of seeding bits of telling between the", "1 groundbreaking innovation, it earns you a monopoly (e.g. if you make steam", "*Second example* In order to practice the magic, you have to become a", "CF status, lose their legal immunity, and probably everyone will send assassins after", "groundbreaking innovation, it earns you a monopoly (e.g. if you make steam engines,", "decision making, it's like monarchy but with a council of variable size instead", "only the way it's combined is. I purposely chosen terms that mean exactly", "and takes a gamble. If they win, they become Prime, if they lose,", "this type of information to make sure readers get it and its exact", "As I said, it's dramatized. But then again, one can't take endless pages", "to join the Council of Primes (a CF leader is called Prime) that", "reader comprehension before, and how/why? Are my problems because the worldbuilding is simply", "leader is called Prime) that rules the Federation. In terms of decision making,", "sociopathy as a minor inconvenience. How would you go about presenting/dramatizing this type", "don't think there's a recipe for this situation so any advice, ideas, and", "is allowed to make steam engines with those parameters), and you can get", "council of variable size instead of 1 person. Much like you can gain", "it and its exact magnitude? Did you ever experience a similar situation with", "takes a gamble. If they win, they become Prime, if they lose, they", "information to make sure readers get it and its exact magnitude? Did you", "of explanation 'this means sociopathy' (used the actual word). Some readers picked up", "(a CF leader is called Prime) that rules the Federation. In terms of", "is communicated as exposition. As I said, it's dramatized. But then again, one", "recognize expressions but took the sociopathy as a minor inconvenience. How would you", "stakes for the protagonist and the failure conditions. Edit. Please don't assume this", "stake. The problem is that some readers seem to miss the explanation, which", "can't take endless pages to set up the plot before the plot even", "sentence in internal monologue at the end of explanation 'this means sociopathy' (used", "inability to grok human facial expressions. I explained this in dialogue to a", "the Council of Primes (a CF leader is called Prime) that rules the", "new, only the way it's combined is. I purposely chosen terms that mean", "exactly what it says on the tin. The corporate stuff is what you", "(used the actual word). Some readers picked up on the inability to recognize", "even starts. I need to make clear some parts of the world early", "problem is that some readers seem to miss the explanation, which is split", "plot even starts.* I need to make clear some parts of the world", "readers. *First example* The Federation is a monopolistic oligarchy. If you have 1", "'this means sociopathy' (used the actual word). Some readers picked up on the", "In terms of decision making, it's like monarchy but with a council of", "*First example* The Federation is a monopolistic oligarchy. If you have 1 groundbreaking", "This stuff isn't new, only the way it's combined is. I purposely chosen", "Are my problems because the worldbuilding is simply too complicated? It doesn't feel", "I actually summarized them in the protag's internal dialog 'oh, I see, so", "course for it (it's a horrible course). This also generates the inability to", "10 billion market capitalization value, you can ask to join the Council of", "it's like monarchy but with a council of variable size instead of 1", "readers don't understand the world, they won't understand the stakes for the protagonist", "as exposition. As I said, it's dramatized. But then again, one can't take", "legal immunity). If you have 2 such monopolies and over 10 billion market", "exposition. As I said, it's dramatized. But then again, one can't take endless", "lose, they lose CF status, lose their legal immunity, and probably everyone will", "and the failure conditions. Edit. Please don't assume this information is communicated as", "a recipe for this situation so any advice, ideas, and life experience are", "with reader comprehension before, and how/why? Are my problems because the worldbuilding is", "the world early in book to show* what's at stake. The problem is", "to make steam engines with those parameters), and you can get Corporate Family", "the protag's internal dialog 'oh, I see, so if I fail x I'm", "is. I purposely chosen terms that mean exactly what it says on the", "the inability to recognize expressions but took the sociopathy as a minor inconvenience.", "said, it's dramatized. But then again, one can't take endless pages to set", "to grok human facial expressions. I explained this in dialogue to a trainee", "of telling between the showing is recommended by editors to aid readers comprehension.", "I purposely chosen terms that mean exactly what it says on the tin.", "you go about presenting/dramatizing this type of information to make sure readers get", "to a trainee by illustrating sociopathic behavior (callousness, promiscuity) and then summarized into", "horrible course). This also generates the inability to grok human facial expressions. I", "readers picked up on the inability to recognize expressions but took the sociopathy", "and you can get Corporate Family status (which grants members legal immunity). If", "Family status (which grants members legal immunity). If you have 2 such monopolies", "if you make steam engines, no one is allowed to make steam engines", "for it (it's a horrible course). This also generates the inability to grok", "ask to join the Council of Primes (a CF leader is called Prime)", "members legal immunity). If you have 2 such monopolies and over 10 billion", "of decision making, it's like monarchy but with a council of variable size", "make clear some parts of the world early in book to *show* what's", "recommended by editors to aid readers comprehension. Flew right past readers. *First example", "you can ask to join the Council of Primes (a CF leader is", "the inability to grok human facial expressions. I explained this in dialogue to", "of my worldbuilding are critical to the plot. If readers don't understand the", "is CF and takes a gamble. If they win, they become Prime, if", "dystopian extension of consumerism. Where am I going wrong? I don't think there's", "monologue at the end of explanation 'this means sociopathy' (used the actual word).", "the explanation, which is split into bits and woven in and around dialogue.", "you a monopoly (e.g. if you make steam engines, no one is allowed", "aid readers comprehension. Flew right past readers. First example* The Federation is a", "those parameters), and you can get Corporate Family status (which grants members legal", "a horrible course). This also generates the inability to grok human facial expressions.", "I said, it's dramatized. But then again, one can't take endless pages to", "their legal immunity, and probably everyone will send assassins after them. *Second example", "get it and its exact magnitude? Did you ever experience a similar situation", "course). This also generates the inability to grok human facial expressions. I explained", "lose their legal immunity, and probably everyone will send assassins after them. Second", "the end of explanation 'this means sociopathy' (used the actual word). Some readers", "so if I fail x I'm dead'. This technique of seeding bits of", "you find in cyberpunk, a dystopian extension of consumerism. Where am I going", "you're out) or if you go bankrupt. My protag is CF and takes", "between the showing is recommended by editors to aid readers comprehension. Flew right", "of Primes (a CF leader is called Prime) that rules the Federation. In", "How would you go about presenting/dramatizing this type of information to make sure", "are critical to the plot. If readers don't understand the world, they won't", "CF leader is called Prime) that rules the Federation. In terms of decision", "they become Prime, if they lose, they lose CF status, lose their legal", "minor inconvenience. How would you go about presenting/dramatizing this type of information to", "of the world early in book to show what's at stake. The problem", "a dystopian extension of consumerism. Where am I going wrong? I don't think", "example* The Federation is a monopolistic oligarchy. If you have 1 groundbreaking innovation,", "make steam engines, no one is allowed to make steam engines with those", "is simply too complicated? It doesn't feel like rocket science to me. This", "called Prime) that rules the Federation. In terms of decision making, it's like", "failure conditions. Edit. Please don't assume this information is communicated as exposition. As", "wrong? I don't think there's a recipe for this situation so any advice,", "grants members legal immunity). If you have 2 such monopolies and over 10", "to practice the magic, you have to become a sociopath. You take a", "plot. If readers don't understand the world, they won't understand the stakes for", "like rocket science to me. This stuff isn't new, only the way it's", "make steam engines with those parameters), and you can get Corporate Family status", "and when that didn't work, I actually summarized them in the protag's internal", "gamble. If they win, they become Prime, if they lose, they lose CF", "Flew right past readers. First example* The Federation is a monopolistic oligarchy. If", "at stake. The problem is that some readers seem to miss the explanation,", "become a sociopath. You take a course for it (it's a horrible course).", "sociopathy' (used the actual word). Some readers picked up on the inability to", "it (it's a horrible course). This also generates the inability to grok human", "monarchy but with a council of variable size instead of 1 person. Much", "up the plot before the plot even starts.* I need to make clear", "split into bits and woven in and around dialogue. I *dramatized* these worldbuilding", "when that didn't work, I actually summarized them in the protag's internal dialog", "bankrupt. My protag is CF and takes a gamble. If they win, they", "some parts of the world early in book to *show* what's at stake.", "actual word). Some readers picked up on the inability to recognize expressions but", "Where am I going wrong? I don't think there's a recipe for this", "combined is. I purposely chosen terms that mean exactly what it says on", "again, one can't take endless pages to set up the plot before the", "after them. *Second example* In order to practice the magic, you have to", "ever experience a similar situation with reader comprehension before, and how/why? Are my", "expressions. I explained this in dialogue to a trainee by illustrating sociopathic behavior", "*show* what's at stake. The problem is that some readers seem to miss", "status (which grants members legal immunity). If you have 2 such monopolies and", "parts of the world early in book to *show* what's at stake. The", "promiscuity) and then summarized into one sentence in internal monologue at the end", "have 1 groundbreaking innovation, it earns you a monopoly (e.g. if you make", "exact magnitude? Did you ever experience a similar situation with reader comprehension before,", "consumerism. Where am I going wrong? I don't think there's a recipe for", "generates the inability to grok human facial expressions. I explained this in dialogue", "science to me. This stuff isn't new, only the way it's combined is.", "inability to recognize expressions but took the sociopathy as a minor inconvenience. How", "way it's combined is. I purposely chosen terms that mean exactly what it", "internal monologue at the end of explanation 'this means sociopathy' (used the actual", "CF status, you lose it if you can't guarantee your product (2 strikes", "bits and woven in and around dialogue. I *dramatized* these worldbuilding points, and", "feel like rocket science to me. This stuff isn't new, only the way", "past readers. *First example* The Federation is a monopolistic oligarchy. If you have", "Federation is a monopolistic oligarchy. If you have 1 groundbreaking innovation, it earns", "I don't think there's a recipe for this situation so any advice, ideas,", "in and around dialogue. I *dramatized* these worldbuilding points, and when that didn't", "win, they become Prime, if they lose, they lose CF status, lose their", "the world, they won't understand the stakes for the protagonist and the failure", "can get Corporate Family status (which grants members legal immunity). If you have", "conditions. Edit. Please don't assume this information is communicated as exposition. As I", "one can't take endless pages to set up the plot before the plot", "that didn't work, I actually summarized them in the protag's internal dialog 'oh,", "technique of seeding bits of telling between the showing is recommended by editors", "can ask to join the Council of Primes (a CF leader is called", "before, and how/why? Are my problems because the worldbuilding is simply too complicated?", "My protag is CF and takes a gamble. If they win, they become", "information is communicated as exposition. As I said, it's dramatized. But then again,", "instead of 1 person. Much like you can gain CF status, you lose", "purposely chosen terms that mean exactly what it says on the tin. The", "or if you go bankrupt. My protag is CF and takes a gamble.", "to become a sociopath. You take a course for it (it's a horrible", "oligarchy. If you have 1 groundbreaking innovation, it earns you a monopoly (e.g.", "go bankrupt. My protag is CF and takes a gamble. If they win,", "them in the protag's internal dialog 'oh, I see, so if I fail", "the stakes for the protagonist and the failure conditions. Edit. Please don't assume", "a monopolistic oligarchy. If you have 1 groundbreaking innovation, it earns you a", "this information is communicated as exposition. As I said, it's dramatized. But then", "experience a similar situation with reader comprehension before, and how/why? Are my problems", "Edit. Please don't assume this information is communicated as exposition. As I said,", "variable size instead of 1 person. Much like you can gain CF status,", "of variable size instead of 1 person. Much like you can gain CF", "strikes and you're out) or if you go bankrupt. My protag is CF", "extension of consumerism. Where am I going wrong? I don't think there's a", "about presenting/dramatizing this type of information to make sure readers get it and", "Primes (a CF leader is called Prime) that rules the Federation. In terms", "on the inability to recognize expressions but took the sociopathy as a minor", "worldbuilding are critical to the plot. If readers don't understand the world, they", "explanation, which is split into bits and woven in and around dialogue. I", "size instead of 1 person. Much like you can gain CF status, you", "don't understand the world, they won't understand the stakes for the protagonist and", "communicated as exposition. As I said, it's dramatized. But then again, one can't", "the protagonist and the failure conditions. Edit. Please don't assume this information is", "going wrong? I don't think there's a recipe for this situation so any", "a trainee by illustrating sociopathic behavior (callousness, promiscuity) and then summarized into one", "protag is CF and takes a gamble. If they win, they become Prime,", "in the protag's internal dialog 'oh, I see, so if I fail x", "But then again, one can't take endless pages to set up the plot", "you have to become a sociopath. You take a course for it (it's", "into one sentence in internal monologue at the end of explanation 'this means", "chosen terms that mean exactly what it says on the tin. The corporate", "If you have 1 groundbreaking innovation, it earns you a monopoly (e.g. if", "assassins after them. *Second example* In order to practice the magic, you have", "woven in and around dialogue. I *dramatized* these worldbuilding points, and when that", "seeding bits of telling between the showing is recommended by editors to aid", "you can gain CF status, you lose it if you can't guarantee your", "my problems because the worldbuilding is simply too complicated? It doesn't feel like", "can gain CF status, you lose it if you can't guarantee your product", "worldbuilding is simply too complicated? It doesn't feel like rocket science to me.", "'oh, I see, so if I fail x I'm dead'. This technique of", "showing is recommended by editors to aid readers comprehension. Flew right past readers.", "find in cyberpunk, a dystopian extension of consumerism. Where am I going wrong?", "The corporate stuff is what you find in cyberpunk, a dystopian extension of", "trainee by illustrating sociopathic behavior (callousness, promiscuity) and then summarized into one sentence", "what you find in cyberpunk, a dystopian extension of consumerism. Where am I", "there's a recipe for this situation so any advice, ideas, and life experience", "x I'm dead'. This technique of seeding bits of telling between the showing", "which is split into bits and woven in and around dialogue. I *dramatized", "immunity). If you have 2 such monopolies and over 10 billion market capitalization", "word). Some readers picked up on the inability to recognize expressions but took", "presenting/dramatizing this type of information to make sure readers get it and its", "steam engines with those parameters), and you can get Corporate Family status (which", "starts. I need to make clear some parts of the world early in", "assume this information is communicated as exposition. As I said, it's dramatized. But", "one is allowed to make steam engines with those parameters), and you can", "like monarchy but with a council of variable size instead of 1 person.", "(which grants members legal immunity). If you have 2 such monopolies and over", "dialog 'oh, I see, so if I fail x I'm dead'. This technique", "if you go bankrupt. My protag is CF and takes a gamble. If", "critical to the plot. If readers don't understand the world, they won't understand", "sociopath. You take a course for it (it's a horrible course). This also", "actually summarized them in the protag's internal dialog 'oh, I see, so if", "tin. The corporate stuff is what you find in cyberpunk, a dystopian extension", "If you have 2 such monopolies and over 10 billion market capitalization value,", "like you can gain CF status, you lose it if you can't guarantee", "to the plot. If readers don't understand the world, they won't understand the", "to *show* what's at stake. The problem is that some readers seem to", "magic, you have to become a sociopath. You take a course for it", "as a minor inconvenience. How would you go about presenting/dramatizing this type of", "if you can't guarantee your product (2 strikes and you're out) or if", "have 2 such monopolies and over 10 billion market capitalization value, you can", "took the sociopathy as a minor inconvenience. How would you go about presenting/dramatizing", "engines with those parameters), and you can get Corporate Family status (which grants", "2 such monopolies and over 10 billion market capitalization value, you can ask", "by editors to aid readers comprehension. Flew right past readers. *First example* The", "CF and takes a gamble. If they win, they become Prime, if they", "Prime) that rules the Federation. In terms of decision making, it's like monarchy", "status, lose their legal immunity, and probably everyone will send assassins after them.", "parameters), and you can get Corporate Family status (which grants members legal immunity).", "can't guarantee your product (2 strikes and you're out) or if you go", "picked up on the inability to recognize expressions but took the sociopathy as", "and how/why? Are my problems because the worldbuilding is simply too complicated? It", "me. This stuff isn't new, only the way it's combined is. I purposely", "bits of telling between the showing is recommended by editors to aid readers", "plot before the plot even starts.* I need to make clear some parts", "readers comprehension. Flew right past readers. *First example* The Federation is a monopolistic", "you make steam engines, no one is allowed to make steam engines with", "it earns you a monopoly (e.g. if you make steam engines, no one", "dialogue. I *dramatized* these worldbuilding points, and when that didn't work, I actually", "to aid readers comprehension. Flew right past readers. *First example* The Federation is", "comprehension. Flew right past readers. *First example* The Federation is a monopolistic oligarchy.", "the plot even starts.* I need to make clear some parts of the", "everyone will send assassins after them. *Second example* In order to practice the", "out) or if you go bankrupt. My protag is CF and takes a", "of information to make sure readers get it and its exact magnitude? Did", "in internal monologue at the end of explanation 'this means sociopathy' (used the", "readers seem to miss the explanation, which is split into bits and woven", "simply too complicated? It doesn't feel like rocket science to me. This stuff", "points, and when that didn't work, I actually summarized them in the protag's", "facial expressions. I explained this in dialogue to a trainee by illustrating sociopathic", "also generates the inability to grok human facial expressions. I explained this in", "if they lose, they lose CF status, lose their legal immunity, and probably", "then summarized into one sentence in internal monologue at the end of explanation", "it's combined is. I purposely chosen terms that mean exactly what it says", "take a course for it (it's a horrible course). This also generates the", "inconvenience. How would you go about presenting/dramatizing this type of information to make", "immunity, and probably everyone will send assassins after them. *Second example* In order", "have to become a sociopath. You take a course for it (it's a", "doesn't feel like rocket science to me. This stuff isn't new, only the", "they lose CF status, lose their legal immunity, and probably everyone will send", "grok human facial expressions. I explained this in dialogue to a trainee by", "to make clear some parts of the world early in book to *show", "one sentence in internal monologue at the end of explanation 'this means sociopathy'", "This technique of seeding bits of telling between the showing is recommended by", "a course for it (it's a horrible course). This also generates the inability", "product (2 strikes and you're out) or if you go bankrupt. My protag", "order to practice the magic, you have to become a sociopath. You take", "summarized into one sentence in internal monologue at the end of explanation 'this", "corporate stuff is what you find in cyberpunk, a dystopian extension of consumerism.", "at the end of explanation 'this means sociopathy' (used the actual word). Some", "this in dialogue to a trainee by illustrating sociopathic behavior (callousness, promiscuity) and", "that some readers seem to miss the explanation, which is split into bits", "capitalization value, you can ask to join the Council of Primes (a CF", "protagonist and the failure conditions. Edit. Please don't assume this information is communicated", "they won't understand the stakes for the protagonist and the failure conditions. Edit.", "terms of decision making, it's like monarchy but with a council of variable", "the failure conditions. Edit. Please don't assume this information is communicated as exposition.", "to make sure readers get it and its exact magnitude? Did you ever", "but took the sociopathy as a minor inconvenience. How would you go about", "cyberpunk, a dystopian extension of consumerism. Where am I going wrong? I don't", "make sure readers get it and its exact magnitude? Did you ever experience", "behavior (callousness, promiscuity) and then summarized into one sentence in internal monologue at", "need to make clear some parts of the world early in book to", "steam engines, no one is allowed to make steam engines with those parameters),", "what's at stake. The problem is that some readers seem to miss the", "a sociopath. You take a course for it (it's a horrible course). This", "the plot. If readers don't understand the world, they won't understand the stakes", "you lose it if you can't guarantee your product (2 strikes and you're", "I need to make clear some parts of the world early in book", "similar situation with reader comprehension before, and how/why? Are my problems because the", "my worldbuilding are critical to the plot. If readers don't understand the world,", "I'm dead'. This technique of seeding bits of telling between the showing is", "understand the world, they won't understand the stakes for the protagonist and the", "magnitude? Did you ever experience a similar situation with reader comprehension before, and", "too complicated? It doesn't feel like rocket science to me. This stuff isn't", "of consumerism. Where am I going wrong? I don't think there's a recipe", "is split into bits and woven in and around dialogue. I *dramatized* these", "they lose, they lose CF status, lose their legal immunity, and probably everyone", "a similar situation with reader comprehension before, and how/why? Are my problems because", "innovation, it earns you a monopoly (e.g. if you make steam engines, no", "Corporate Family status (which grants members legal immunity). If you have 2 such", "that rules the Federation. In terms of decision making, it's like monarchy but", "and over 10 billion market capitalization value, you can ask to join the", "recipe for this situation so any advice, ideas, and life experience are welcome.", "see, so if I fail x I'm dead'. This technique of seeding bits", "monopoly (e.g. if you make steam engines, no one is allowed to make", "I *dramatized* these worldbuilding points, and when that didn't work, I actually summarized", "rocket science to me. This stuff isn't new, only the way it's combined", "the way it's combined is. I purposely chosen terms that mean exactly what", "understand the stakes for the protagonist and the failure conditions. Edit. Please don't", "set up the plot before the plot even starts. I need to make", "sociopathic behavior (callousness, promiscuity) and then summarized into one sentence in internal monologue", "of seeding bits of telling between the showing is recommended by editors to", "and its exact magnitude? Did you ever experience a similar situation with reader", "you go bankrupt. My protag is CF and takes a gamble. If they", "dead'. This technique of seeding bits of telling between the showing is recommended", "practice the magic, you have to become a sociopath. You take a course", "human facial expressions. I explained this in dialogue to a trainee by illustrating", "is what you find in cyberpunk, a dystopian extension of consumerism. Where am", "you have 2 such monopolies and over 10 billion market capitalization value, you", "*dramatized* these worldbuilding points, and when that didn't work, I actually summarized them", "(2 strikes and you're out) or if you go bankrupt. My protag is", "them. *Second example* In order to practice the magic, you have to become", "terms that mean exactly what it says on the tin. The corporate stuff", "comprehension before, and how/why? Are my problems because the worldbuilding is simply too", "explained this in dialogue to a trainee by illustrating sociopathic behavior (callousness, promiscuity)", "situation with reader comprehension before, and how/why? Are my problems because the worldbuilding", "market capitalization value, you can ask to join the Council of Primes (a", "Please don't assume this information is communicated as exposition. As I said, it's", "you can't guarantee your product (2 strikes and you're out) or if you", "complicated? It doesn't feel like rocket science to me. This stuff isn't new,", "I see, so if I fail x I'm dead'. This technique of seeding", "is a monopolistic oligarchy. If you have 1 groundbreaking innovation, it earns you", "because the worldbuilding is simply too complicated? It doesn't feel like rocket science", "protag's internal dialog 'oh, I see, so if I fail x I'm dead'.", "lose CF status, lose their legal immunity, and probably everyone will send assassins", "In order to practice the magic, you have to become a sociopath. You", "by illustrating sociopathic behavior (callousness, promiscuity) and then summarized into one sentence in", "Federation. In terms of decision making, it's like monarchy but with a council", "your product (2 strikes and you're out) or if you go bankrupt. My", "the Federation. In terms of decision making, it's like monarchy but with a", "You take a course for it (it's a horrible course). This also generates", "I going wrong? I don't think there's a recipe for this situation so", "no one is allowed to make steam engines with those parameters), and you", "(e.g. if you make steam engines, no one is allowed to make steam", "making, it's like monarchy but with a council of variable size instead of", "and you're out) or if you go bankrupt. My protag is CF and", "on the tin. The corporate stuff is what you find in cyberpunk, a", "This also generates the inability to grok human facial expressions. I explained this", "telling between the showing is recommended by editors to aid readers comprehension. Flew", "in cyberpunk, a dystopian extension of consumerism. Where am I going wrong? I", "The problem is that some readers seem to miss the explanation, which is", "am I going wrong? I don't think there's a recipe for this situation", "with a council of variable size instead of 1 person. Much like you", "for the protagonist and the failure conditions. Edit. Please don't assume this information", "says on the tin. The corporate stuff is what you find in cyberpunk,", "then again, one can't take endless pages to set up the plot before", "is that some readers seem to miss the explanation, which is split into", "and then summarized into one sentence in internal monologue at the end of", "example In order to practice the magic, you have to become a sociopath.", "in dialogue to a trainee by illustrating sociopathic behavior (callousness, promiscuity) and then", "over 10 billion market capitalization value, you can ask to join the Council", "mean exactly what it says on the tin. The corporate stuff is what", "(it's a horrible course). This also generates the inability to grok human facial", "work, I actually summarized them in the protag's internal dialog 'oh, I see,", "early in book to show what's at stake. The problem is that some", "dialogue to a trainee by illustrating sociopathic behavior (callousness, promiscuity) and then summarized", "end of explanation 'this means sociopathy' (used the actual word). Some readers picked", "Parts of my worldbuilding are critical to the plot. If readers don't understand", "earns you a monopoly (e.g. if you make steam engines, no one is", "its exact magnitude? Did you ever experience a similar situation with reader comprehension", "and around dialogue. I dramatized these worldbuilding points, and when that didn't work,", "is recommended by editors to aid readers comprehension. Flew right past readers. First", "monopolistic oligarchy. If you have 1 groundbreaking innovation, it earns you a monopoly", "Prime, if they lose, they lose CF status, lose their legal immunity, and", "send assassins after them. Second example* In order to practice the magic, you", "but with a council of variable size instead of 1 person. Much like", "Council of Primes (a CF leader is called Prime) that rules the Federation.", "a council of variable size instead of 1 person. Much like you can", "guarantee your product (2 strikes and you're out) or if you go bankrupt.", "right past readers. *First example* The Federation is a monopolistic oligarchy. If you", "of 1 person. Much like you can gain CF status, you lose it", "seem to miss the explanation, which is split into bits and woven in", "you ever experience a similar situation with reader comprehension before, and how/why? Are", "sure readers get it and its exact magnitude? Did you ever experience a", "won't understand the stakes for the protagonist and the failure conditions. Edit. Please", "it's dramatized. But then again, one can't take endless pages to set up", "the sociopathy as a minor inconvenience. How would you go about presenting/dramatizing this", "such monopolies and over 10 billion market capitalization value, you can ask to", "probably everyone will send assassins after them. Second example* In order to practice", "rules the Federation. In terms of decision making, it's like monarchy but with", "world, they won't understand the stakes for the protagonist and the failure conditions.", "the tin. The corporate stuff is what you find in cyberpunk, a dystopian", "I fail x I'm dead'. This technique of seeding bits of telling between", "miss the explanation, which is split into bits and woven in and around" ]
[ "aim at becoming a professional writer; in fact, my major concern is my", "to become more and more proficient in English written communication. In order to", "in regards to grammatical rules and usage of slang terms. I also have", "reader to help getting me past my grammatical inaccuracies during my attempts at", "short stories. I’m not a native English speaker, so I found myself lacking", "at writing short stories. I’m not a native English speaker, so I found", "challenged myself to daily write short stories (kind of flash fiction pieces) 1,000", "inaccuracies during my attempts at writing short stories. I’m not a native English", "proficient in English written communication. In order to try to improve my writing", "so I found myself lacking knowledge in regards to grammatical rules and usage", "slang terms. I also have a rather limited vocabulary range. I don’t aim", "in fact, my major concern is my ability to become more and more", "In order to try to improve my writing skills, I challenged myself to", "myself lacking knowledge in regards to grammatical rules and usage of slang terms.", "become more and more proficient in English written communication. In order to try", "attempts at writing short stories. I’m not a native English speaker, so I", "order to try to improve my writing skills, I challenged myself to daily", "to help getting me past my grammatical inaccuracies during my attempts at writing", "to finding a beta reader to help getting me past my grammatical inaccuracies", "my ability to become more and more proficient in English written communication. In", "during my attempts at writing short stories. I’m not a native English speaker,", "communication. In order to try to improve my writing skills, I challenged myself", "past my grammatical inaccuracies during my attempts at writing short stories. I’m not", "English speaker, so I found myself lacking knowledge in regards to grammatical rules", "usage of slang terms. I also have a rather limited vocabulary range. I", "finding a beta reader to help getting me past my grammatical inaccuracies during", "becoming a professional writer; in fact, my major concern is my ability to", "of flash fiction pieces) 1,000 words tops. So does anyone know where can", "writing skills, I challenged myself to daily write short stories (kind of flash", "(kind of flash fiction pieces) 1,000 words tops. So does anyone know where", "don’t aim at becoming a professional writer; in fact, my major concern is", "flash fiction pieces) 1,000 words tops. So does anyone know where can I", "is my ability to become more and more proficient in English written communication.", "skills, I challenged myself to daily write short stories (kind of flash fiction", "rules and usage of slang terms. I also have a rather limited vocabulary", "native English speaker, so I found myself lacking knowledge in regards to grammatical", "major concern is my ability to become more and more proficient in English", "written communication. In order to try to improve my writing skills, I challenged", "not a native English speaker, so I found myself lacking knowledge in regards", "English written communication. In order to try to improve my writing skills, I", "1,000 words tops. So does anyone know where can I search for such", "in English written communication. In order to try to improve my writing skills,", "my major concern is my ability to become more and more proficient in", "grammatical inaccuracies during my attempts at writing short stories. I’m not a native", "at becoming a professional writer; in fact, my major concern is my ability", "knowledge in regards to grammatical rules and usage of slang terms. I also", "vocabulary range. I don’t aim at becoming a professional writer; in fact, my", "professional writer; in fact, my major concern is my ability to become more", "to daily write short stories (kind of flash fiction pieces) 1,000 words tops.", "write short stories (kind of flash fiction pieces) 1,000 words tops. So does", "fact, my major concern is my ability to become more and more proficient", "rather limited vocabulary range. I don’t aim at becoming a professional writer; in", "anyone know where can I search for such beta reader or critique fellow?", "terms. I also have a rather limited vocabulary range. I don’t aim at", "getting me past my grammatical inaccuracies during my attempts at writing short stories.", "beta reader to help getting me past my grammatical inaccuracies during my attempts", "help getting me past my grammatical inaccuracies during my attempts at writing short", "So does anyone know where can I search for such beta reader or", "to grammatical rules and usage of slang terms. I also have a rather", "pieces) 1,000 words tops. So does anyone know where can I search for", "also have a rather limited vocabulary range. I don’t aim at becoming a", "writer; in fact, my major concern is my ability to become more and", "limited vocabulary range. I don’t aim at becoming a professional writer; in fact,", "try to improve my writing skills, I challenged myself to daily write short", "I’m not a native English speaker, so I found myself lacking knowledge in", "stories (kind of flash fiction pieces) 1,000 words tops. So does anyone know", "and more proficient in English written communication. In order to try to improve", "to try to improve my writing skills, I challenged myself to daily write", "a native English speaker, so I found myself lacking knowledge in regards to", "words tops. So does anyone know where can I search for such beta", "fiction pieces) 1,000 words tops. So does anyone know where can I search", "range. I don’t aim at becoming a professional writer; in fact, my major", "daily write short stories (kind of flash fiction pieces) 1,000 words tops. So", "more proficient in English written communication. In order to try to improve my", "ability to become more and more proficient in English written communication. In order", "of slang terms. I also have a rather limited vocabulary range. I don’t", "stories. I’m not a native English speaker, so I found myself lacking knowledge", "grammatical rules and usage of slang terms. I also have a rather limited", "I found myself lacking knowledge in regards to grammatical rules and usage of", "to improve my writing skills, I challenged myself to daily write short stories", "lacking knowledge in regards to grammatical rules and usage of slang terms. I", "my grammatical inaccuracies during my attempts at writing short stories. I’m not a", "does anyone know where can I search for such beta reader or critique", "myself to daily write short stories (kind of flash fiction pieces) 1,000 words", "short stories (kind of flash fiction pieces) 1,000 words tops. So does anyone", "I challenged myself to daily write short stories (kind of flash fiction pieces)", "and usage of slang terms. I also have a rather limited vocabulary range.", "a rather limited vocabulary range. I don’t aim at becoming a professional writer;", "a beta reader to help getting me past my grammatical inaccuracies during my", "I don’t aim at becoming a professional writer; in fact, my major concern", "improve my writing skills, I challenged myself to daily write short stories (kind", "a professional writer; in fact, my major concern is my ability to become", "looking forward to finding a beta reader to help getting me past my", "I’m looking forward to finding a beta reader to help getting me past", "me past my grammatical inaccuracies during my attempts at writing short stories. I’m", "forward to finding a beta reader to help getting me past my grammatical", "concern is my ability to become more and more proficient in English written", "my writing skills, I challenged myself to daily write short stories (kind of", "writing short stories. I’m not a native English speaker, so I found myself", "tops. So does anyone know where can I search for such beta reader", "speaker, so I found myself lacking knowledge in regards to grammatical rules and", "I also have a rather limited vocabulary range. I don’t aim at becoming", "more and more proficient in English written communication. In order to try to", "regards to grammatical rules and usage of slang terms. I also have a", "found myself lacking knowledge in regards to grammatical rules and usage of slang", "my attempts at writing short stories. I’m not a native English speaker, so", "have a rather limited vocabulary range. I don’t aim at becoming a professional" ]
[ "a 60K book in 100 pages, but it looks congested. Was Steven King's", "in 100 pages, but it looks congested. Was Steven King's manuscript also 100", "in 30 pages in MS Word. Font is Times New Roman, 12 pt,", "double-spaced. At this rate, my 90K novel will be about 500 pages. How", "will be about 500 pages. How many pages should a 90,000 word novel", "it's 5000 words in 30 pages in MS Word. Font is Times New", "MS Word. Font is Times New Roman, 12 pt, double-spaced. At this rate,", "90,000 word novel be? Steven King's Carrie ([link](https://ia800607.us.archive.org/22/items/CarrieStephenKing/Carrie_-_Stephen_King.pdf)) is a 60K book in", "be? Steven King's Carrie ([link](https://ia800607.us.archive.org/22/items/CarrieStephenKing/Carrie_-_Stephen_King.pdf)) is a 60K book in 100 pages, but", "word novel be? Steven King's Carrie ([link](https://ia800607.us.archive.org/22/items/CarrieStephenKing/Carrie_-_Stephen_King.pdf)) is a 60K book in 100", "novel. Right now it's 5000 words in 30 pages in MS Word. Font", "be about 500 pages. How many pages should a 90,000 word novel be?", "rate, my 90K novel will be about 500 pages. How many pages should", "60K book in 100 pages, but it looks congested. Was Steven King's manuscript", "([link](https://ia800607.us.archive.org/22/items/CarrieStephenKing/Carrie_-_Stephen_King.pdf)) is a 60K book in 100 pages, but it looks congested. Was", "pages should a 90,000 word novel be? Steven King's Carrie ([link](https://ia800607.us.archive.org/22/items/CarrieStephenKing/Carrie_-_Stephen_King.pdf)) is a", "is Times New Roman, 12 pt, double-spaced. At this rate, my 90K novel", "Right now it's 5000 words in 30 pages in MS Word. Font is", "my novel. Right now it's 5000 words in 30 pages in MS Word.", "New Roman, 12 pt, double-spaced. At this rate, my 90K novel will be", "about 500 pages. How many pages should a 90,000 word novel be? Steven", "white space in my novel. Right now it's 5000 words in 30 pages", "Steven King's Carrie ([link](https://ia800607.us.archive.org/22/items/CarrieStephenKing/Carrie_-_Stephen_King.pdf)) is a 60K book in 100 pages, but it", "words in 30 pages in MS Word. Font is Times New Roman, 12", "use white space in my novel. Right now it's 5000 words in 30", "500 pages. How many pages should a 90,000 word novel be? Steven King's", "book in 100 pages, but it looks congested. Was Steven King's manuscript also", "Word. Font is Times New Roman, 12 pt, double-spaced. At this rate, my", "100 pages, but it looks congested. Was Steven King's manuscript also 100 pages?", "Font is Times New Roman, 12 pt, double-spaced. At this rate, my 90K", "Roman, 12 pt, double-spaced. At this rate, my 90K novel will be about", "Times New Roman, 12 pt, double-spaced. At this rate, my 90K novel will", "At this rate, my 90K novel will be about 500 pages. How many", "many pages should a 90,000 word novel be? Steven King's Carrie ([link](https://ia800607.us.archive.org/22/items/CarrieStephenKing/Carrie_-_Stephen_King.pdf)) is", "should a 90,000 word novel be? Steven King's Carrie ([link](https://ia800607.us.archive.org/22/items/CarrieStephenKing/Carrie_-_Stephen_King.pdf)) is a 60K", "5000 words in 30 pages in MS Word. Font is Times New Roman,", "I use white space in my novel. Right now it's 5000 words in", "12 pt, double-spaced. At this rate, my 90K novel will be about 500", "this rate, my 90K novel will be about 500 pages. How many pages", "King's Carrie ([link](https://ia800607.us.archive.org/22/items/CarrieStephenKing/Carrie_-_Stephen_King.pdf)) is a 60K book in 100 pages, but it looks", "in my novel. Right now it's 5000 words in 30 pages in MS", "pages. How many pages should a 90,000 word novel be? Steven King's Carrie", "30 pages in MS Word. Font is Times New Roman, 12 pt, double-spaced.", "90K novel will be about 500 pages. How many pages should a 90,000", "Carrie ([link](https://ia800607.us.archive.org/22/items/CarrieStephenKing/Carrie_-_Stephen_King.pdf)) is a 60K book in 100 pages, but it looks congested.", "novel will be about 500 pages. How many pages should a 90,000 word", "now it's 5000 words in 30 pages in MS Word. Font is Times", "pages in MS Word. Font is Times New Roman, 12 pt, double-spaced. At", "a 90,000 word novel be? Steven King's Carrie ([link](https://ia800607.us.archive.org/22/items/CarrieStephenKing/Carrie_-_Stephen_King.pdf)) is a 60K book", "in MS Word. Font is Times New Roman, 12 pt, double-spaced. At this", "pt, double-spaced. At this rate, my 90K novel will be about 500 pages.", "is a 60K book in 100 pages, but it looks congested. Was Steven", "my 90K novel will be about 500 pages. How many pages should a", "novel be? Steven King's Carrie ([link](https://ia800607.us.archive.org/22/items/CarrieStephenKing/Carrie_-_Stephen_King.pdf)) is a 60K book in 100 pages,", "How many pages should a 90,000 word novel be? Steven King's Carrie ([link](https://ia800607.us.archive.org/22/items/CarrieStephenKing/Carrie_-_Stephen_King.pdf))", "space in my novel. Right now it's 5000 words in 30 pages in" ]
[ "writing in third person, my character is kidnaped and finds out his real", "the end. Do I start referring to him with his real name or", "real name towards the end. Do I start referring to him with his", "I start referring to him with his real name or the name I", "and finds out his real name towards the end. Do I start referring", "Do I start referring to him with his real name or the name", "story I am writing in third person, my character is kidnaped and finds", "towards the end. Do I start referring to him with his real name", "I am writing in third person, my character is kidnaped and finds out", "kidnaped and finds out his real name towards the end. Do I start", "end. Do I start referring to him with his real name or the", "start referring to him with his real name or the name I used", "in third person, my character is kidnaped and finds out his real name", "is kidnaped and finds out his real name towards the end. Do I", "In my story I am writing in third person, my character is kidnaped", "my story I am writing in third person, my character is kidnaped and", "third person, my character is kidnaped and finds out his real name towards", "my character is kidnaped and finds out his real name towards the end.", "referring to him with his real name or the name I used previously?", "character is kidnaped and finds out his real name towards the end. Do", "person, my character is kidnaped and finds out his real name towards the", "his real name towards the end. Do I start referring to him with", "am writing in third person, my character is kidnaped and finds out his", "finds out his real name towards the end. Do I start referring to", "out his real name towards the end. Do I start referring to him", "name towards the end. Do I start referring to him with his real" ]
[ "can ask them if they can help me in some tasks, so that", "writing new articles. I sincerely consider me as being overloaded right now. The", "its importance in their work My questions are: 1. Is this reasonable? 2.", "but probably see its importance in their work My questions are: 1. Is", "good amount of readers. However its growth is still not optimal, as they", "a good amount of readers. However its growth is still not optimal, as", "about challenging existing dogmas in my culture, and it has been attracting a", "other targets: publishers, people they don't know personally but probably see its importance", "them if they can help me in some tasks, so that they can", "and it has been attracting a good amount of readers. However its growth", "I can have time to focus on writing new articles. I sincerely consider", "potential readers, either on their Facebook wall or via chat * Help me", "pages, posts, comments * Write emails to other targets: publishers, people they don't", "I approach them? Related: [What to ask next when people tell me that", "they just read or want to meet me, not really commit to help", "blog about challenging existing dogmas in my culture, and it has been attracting", "on their Facebook wall or via chat * Help me engage with other", "in their work My questions are: 1. Is this reasonable? 2. How should", "read or want to meet me, not really commit to help me. I", "* Write emails to other targets: publishers, people they don't know personally but", "is still not optimal, as they just read or want to meet me,", "can have time to focus on writing new articles. I sincerely consider me", "work My questions are: 1. Is this reasonable? 2. How should I approach", "* Help me engage with other readers: manage pages, posts, comments * Write", "have time to focus on writing new articles. I sincerely consider me as", "with other readers: manage pages, posts, comments * Write emails to other targets:", "meet me, not really commit to help me. I don't want to be", "me, not really commit to help me. I don't want to be greedy", "can see the project growing, and I can have time to focus on", "probably see its importance in their work My questions are: 1. Is this", "arrogant, but I think I can ask them if they can help me", "via chat * Help me engage with other readers: manage pages, posts, comments", "not really commit to help me. I don't want to be greedy or", "the project growing, and I can have time to focus on writing new", "greedy or arrogant, but I think I can ask them if they can", "non-fiction blog about challenging existing dogmas in my culture, and it has been", "or want to meet me, not really commit to help me. I don't", "to other potential readers, either on their Facebook wall or via chat ", "me engage with other readers: manage pages, posts, comments Write emails to", "Is this reasonable? 2. How should I approach them? Related: [What to ask", "Facebook wall or via chat * Help me engage with other readers: manage", "amount of readers. However its growth is still not optimal, as they just", "really commit to help me. I don't want to be greedy or arrogant,", "help me in some tasks, so that they can see the project growing,", "some tasks, so that they can see the project growing, and I can", "want to be greedy or arrogant, but I think I can ask them", "see the project growing, and I can have time to focus on writing", "as they just read or want to meet me, not really commit to", "their Facebook wall or via chat * Help me engage with other readers:", "or via chat * Help me engage with other readers: manage pages, posts,", "or arrogant, but I think I can ask them if they can help", "optimal, as they just read or want to meet me, not really commit", "has been attracting a good amount of readers. However its growth is still", "readers, either on their Facebook wall or via chat * Help me engage", "people they don't know personally but probably see its importance in their work", "have a growing non-fiction blog about challenging existing dogmas in my culture, and", "culture, and it has been attracting a good amount of readers. However its", "ask them if they can help me in some tasks, so that they", "targets: publishers, people they don't know personally but probably see its importance in", "engage with other readers: manage pages, posts, comments * Write emails to other", "been attracting a good amount of readers. However its growth is still not", "Write emails to other targets: publishers, people they don't know personally but probably", "but I think I can ask them if they can help me in", "tasks they may help includes: * Share it to other potential readers, either", "sincerely consider me as being overloaded right now. The tasks they may help", "comments * Write emails to other targets: publishers, people they don't know personally", "* Share it to other potential readers, either on their Facebook wall or", "may help includes: * Share it to other potential readers, either on their", "see its importance in their work My questions are: 1. Is this reasonable?", "they may help includes: * Share it to other potential readers, either on", "they don't know personally but probably see its importance in their work My", "commit to help me. I don't want to be greedy or arrogant, but", "their work My questions are: 1. Is this reasonable? 2. How should I", "focus on writing new articles. I sincerely consider me as being overloaded right", "don't know personally but probably see its importance in their work My questions", "now. The tasks they may help includes: * Share it to other potential", "that they can see the project growing, and I can have time to", "consider me as being overloaded right now. The tasks they may help includes:", "Help me engage with other readers: manage pages, posts, comments * Write emails", "importance in their work My questions are: 1. Is this reasonable? 2. How", "and I can have time to focus on writing new articles. I sincerely", "My questions are: 1. Is this reasonable? 2. How should I approach them?", "them? Related: [What to ask next when people tell me that my article", "they can help me in some tasks, so that they can see the", "chat * Help me engage with other readers: manage pages, posts, comments ", "tasks, so that they can see the project growing, and I can have", "can help me in some tasks, so that they can see the project", "2. How should I approach them? Related: [What to ask next when people", "approach them? Related: [What to ask next when people tell me that my", "in some tasks, so that they can see the project growing, and I", "growth is still not optimal, as they just read or want to meet", "on writing new articles. I sincerely consider me as being overloaded right now.", "other potential readers, either on their Facebook wall or via chat Help", "still not optimal, as they just read or want to meet me, not", "challenging existing dogmas in my culture, and it has been attracting a good", "Share it to other potential readers, either on their Facebook wall or via", "I think I can ask them if they can help me in some", "manage pages, posts, comments * Write emails to other targets: publishers, people they", "I don't want to be greedy or arrogant, but I think I can", "posts, comments * Write emails to other targets: publishers, people they don't know", "to meet me, not really commit to help me. I don't want to", "think I can ask them if they can help me in some tasks,", "my culture, and it has been attracting a good amount of readers. However", "Related: [What to ask next when people tell me that my article is", "they can see the project growing, and I can have time to focus", "not optimal, as they just read or want to meet me, not really", "are: 1. Is this reasonable? 2. How should I approach them? Related: [What", "attracting a good amount of readers. However its growth is still not optimal,", "just read or want to meet me, not really commit to help me.", "I can ask them if they can help me in some tasks, so", "time to focus on writing new articles. I sincerely consider me as being", "However its growth is still not optimal, as they just read or want", "of readers. However its growth is still not optimal, as they just read", "as being overloaded right now. The tasks they may help includes: * Share", "emails to other targets: publishers, people they don't know personally but probably see", "me. I don't want to be greedy or arrogant, but I think I", "me as being overloaded right now. The tasks they may help includes: ", "other readers: manage pages, posts, comments Write emails to other targets: publishers,", "to other targets: publishers, people they don't know personally but probably see its", "it has been attracting a good amount of readers. However its growth is", "this reasonable? 2. How should I approach them? Related: [What to ask next", "to be greedy or arrogant, but I think I can ask them if", "[What to ask next when people tell me that my article is excellent?](https://writing.stackexchange.com/q/50027/11428)", "if they can help me in some tasks, so that they can see", "a growing non-fiction blog about challenging existing dogmas in my culture, and it", "help me. I don't want to be greedy or arrogant, but I think", "to help me. I don't want to be greedy or arrogant, but I", "readers: manage pages, posts, comments * Write emails to other targets: publishers, people", "its growth is still not optimal, as they just read or want to", "me in some tasks, so that they can see the project growing, and", "wall or via chat * Help me engage with other readers: manage pages,", "questions are: 1. Is this reasonable? 2. How should I approach them? Related:", "personally but probably see its importance in their work My questions are: 1.", "being overloaded right now. The tasks they may help includes: * Share it", "want to meet me, not really commit to help me. I don't want", "The tasks they may help includes: * Share it to other potential readers,", "growing, and I can have time to focus on writing new articles. I", "so that they can see the project growing, and I can have time", "I sincerely consider me as being overloaded right now. The tasks they may", "it to other potential readers, either on their Facebook wall or via chat", "either on their Facebook wall or via chat * Help me engage with", "articles. I sincerely consider me as being overloaded right now. The tasks they", "publishers, people they don't know personally but probably see its importance in their", "How should I approach them? Related: [What to ask next when people tell", "should I approach them? Related: [What to ask next when people tell me", "overloaded right now. The tasks they may help includes: * Share it to", "be greedy or arrogant, but I think I can ask them if they", "don't want to be greedy or arrogant, but I think I can ask", "know personally but probably see its importance in their work My questions are:", "I have a growing non-fiction blog about challenging existing dogmas in my culture,", "new articles. I sincerely consider me as being overloaded right now. The tasks", "includes: * Share it to other potential readers, either on their Facebook wall", "project growing, and I can have time to focus on writing new articles.", "growing non-fiction blog about challenging existing dogmas in my culture, and it has", "existing dogmas in my culture, and it has been attracting a good amount", "in my culture, and it has been attracting a good amount of readers.", "reasonable? 2. How should I approach them? Related: [What to ask next when", "help includes: * Share it to other potential readers, either on their Facebook", "dogmas in my culture, and it has been attracting a good amount of", "right now. The tasks they may help includes: * Share it to other", "readers. However its growth is still not optimal, as they just read or", "1. Is this reasonable? 2. How should I approach them? Related: [What to", "to focus on writing new articles. I sincerely consider me as being overloaded" ]
[ "the main story? My initial idea was to introduce this characters childhood in", "initial idea was to introduce this characters childhood in the prologue, giving the", "the remaining part. I have three \"main characters\", with one being more in", "characters yet? My worst problem is: how do I tell, along with book", "introduce this characters childhood in the prologue, giving the reader something to work", "and the subsequent years, how will the readers engage with the reunion, not", "being more in display, as the epicenter of the story, than the other", "a very long, interesting backstory that will need to be exposed (both to", "Two, the remaining part. I have three \"main characters\", with one being more", "exposed accordingly: on book One, the first half, on book Two, the remaining", "reader something to work with, and just do flashbacks throughout the books, telling", "the background of all the years A has been missing without losing pace", "in display, as the epicenter of the story, than the other two. So", "more in display, as the epicenter of the story, than the other two.", "on book Two, the remaining part. I have three \"main characters\", with one", "main probably is, by choosing not to tell the story of their childhood", "with, and just do flashbacks throughout the books, telling what I need to", "not having any attachments to this characters yet? My worst problem is: how", "two. So character A, the really main one, has a very long, interesting", "how do I tell, along with book One's story, the background of all", "So character A, the really main one, has a very long, interesting backstory", "engaging, and the reunion of these characters has no actual payoff because the", "characters eventually) to further the story. A, B and C grew up together.", "is: how do I tell, along with book One's story, the background of", "won't be really attached to them to care... Any advices are welcome :)", "finally reunite with A. My main probably is, by choosing not to tell", "readers engage with the reunion, not having any attachments to this characters yet?", "One and Two are supposed to contain the main character’s backstory, divided by", "has no actual payoff because the reader won't be really attached to them", "and the other characters eventually) to further the story. A, B and C", "and just do flashbacks throughout the books, telling what I need to tell.", "by two parts that will be exposed accordingly: on book One, the first", "main character’s backstory, divided by two parts that will be exposed accordingly: on", "having any attachments to this characters yet? My worst problem is: how do", "be exposed accordingly: on book One, the first half, on book Two, the", "other two. So character A, the really main one, has a very long,", "to the reader and the other characters eventually) to further the story. A,", "A. My main probably is, by choosing not to tell the story of", "My main probably is, by choosing not to tell the story of their", "My worst problem is: how do I tell, along with book One's story,", "story? My initial idea was to introduce this characters childhood in the prologue,", "has a very long, interesting backstory that will need to be exposed (both", "the reunion of these characters has no actual payoff because the reader won't", "to introduce this characters childhood in the prologue, giving the reader something to", "working on a trilogy. Book One and Two are supposed to contain the", "book Two, the remaining part. I have three \"main characters\", with one being", "story, the background of all the years A has been missing without losing", "story, than the other two. So character A, the really main one, has", "B and C finally reunite with A. My main probably is, by choosing", "probably is, by choosing not to tell the story of their childhood and", "loosely working on a trilogy. Book One and Two are supposed to contain", "without losing pace of the main story? My initial idea was to introduce", "to tell. But it doesn't sound very engaging, and the reunion of these", "by choosing not to tell the story of their childhood and the subsequent", "on book One, the first half, on book Two, the remaining part. I", "this characters childhood in the prologue, giving the reader something to work with,", "tell. But it doesn't sound very engaging, and the reunion of these characters", "need to be exposed (both to the reader and the other characters eventually)", "Book One and Two are supposed to contain the main character’s backstory, divided", "this characters yet? My worst problem is: how do I tell, along with", "the reader something to work with, and just do flashbacks throughout the books,", "will the readers engage with the reunion, not having any attachments to this", "engage with the reunion, not having any attachments to this characters yet? My", "My initial idea was to introduce this characters childhood in the prologue, giving", "years later, when B and C finally reunite with A. My main probably", "to this characters yet? My worst problem is: how do I tell, along", "I tell, along with book One's story, the background of all the years", "some point, A goes missing. Book One starts ten years later, when B", "backstory that will need to be exposed (both to the reader and the", "losing pace of the main story? My initial idea was to introduce this", "the other two. So character A, the really main one, has a very", "reunion of these characters has no actual payoff because the reader won't be", "to be exposed (both to the reader and the other characters eventually) to", "together. At some point, A goes missing. Book One starts ten years later,", "main story? My initial idea was to introduce this characters childhood in the", "with the reunion, not having any attachments to this characters yet? My worst", "characters\", with one being more in display, as the epicenter of the story,", "reunite with A. My main probably is, by choosing not to tell the", "missing. Book One starts ten years later, when B and C finally reunite", "a trilogy. Book One and Two are supposed to contain the main character’s", "book One, the first half, on book Two, the remaining part. I have", "One starts ten years later, when B and C finally reunite with A.", "any attachments to this characters yet? My worst problem is: how do I", "to contain the main character’s backstory, divided by two parts that will be", "main one, has a very long, interesting backstory that will need to be", "childhood in the prologue, giving the reader something to work with, and just", "I have three \"main characters\", with one being more in display, as the", "A goes missing. Book One starts ten years later, when B and C", "with book One's story, the background of all the years A has been", "two parts that will be exposed accordingly: on book One, the first half,", "remaining part. I have three \"main characters\", with one being more in display,", "One, the first half, on book Two, the remaining part. I have three", "than the other two. So character A, the really main one, has a", "exposed (both to the reader and the other characters eventually) to further the", "the reader and the other characters eventually) to further the story. A, B", "eventually) to further the story. A, B and C grew up together. At", "the years A has been missing without losing pace of the main story?", "pace of the main story? My initial idea was to introduce this characters", "I need to tell. But it doesn't sound very engaging, and the reunion", "At some point, A goes missing. Book One starts ten years later, when", "flashbacks throughout the books, telling what I need to tell. But it doesn't", "later, when B and C finally reunite with A. My main probably is,", "one being more in display, as the epicenter of the story, than the", "are supposed to contain the main character’s backstory, divided by two parts that", "interesting backstory that will need to be exposed (both to the reader and", "what I need to tell. But it doesn't sound very engaging, and the", "character’s backstory, divided by two parts that will be exposed accordingly: on book", "parts that will be exposed accordingly: on book One, the first half, on", "because the reader won't be really attached to them to care... Any advices", "and the reunion of these characters has no actual payoff because the reader", "will be exposed accordingly: on book One, the first half, on book Two,", "that will be exposed accordingly: on book One, the first half, on book", "it doesn't sound very engaging, and the reunion of these characters has no", "characters has no actual payoff because the reader won't be really attached to", "the books, telling what I need to tell. But it doesn't sound very", "very long, interesting backstory that will need to be exposed (both to the", "the prologue, giving the reader something to work with, and just do flashbacks", "actual payoff because the reader won't be really attached to them to care...", "three \"main characters\", with one being more in display, as the epicenter of", "to work with, and just do flashbacks throughout the books, telling what I", "(both to the reader and the other characters eventually) to further the story.", "be exposed (both to the reader and the other characters eventually) to further", "idea was to introduce this characters childhood in the prologue, giving the reader", "to tell the story of their childhood and the subsequent years, how will", "to further the story. A, B and C grew up together. At some", "Two are supposed to contain the main character’s backstory, divided by two parts", "book One's story, the background of all the years A has been missing", "have three \"main characters\", with one being more in display, as the epicenter", "the reunion, not having any attachments to this characters yet? My worst problem", "display, as the epicenter of the story, than the other two. So character", "along with book One's story, the background of all the years A has", "need to tell. But it doesn't sound very engaging, and the reunion of", "their childhood and the subsequent years, how will the readers engage with the", "yet? My worst problem is: how do I tell, along with book One's", "really main one, has a very long, interesting backstory that will need to", "divided by two parts that will be exposed accordingly: on book One, the", "reader and the other characters eventually) to further the story. A, B and", "tell the story of their childhood and the subsequent years, how will the", "these characters has no actual payoff because the reader won't be really attached", "B and C grew up together. At some point, A goes missing. Book", "sound very engaging, and the reunion of these characters has no actual payoff", "A, the really main one, has a very long, interesting backstory that will", "the subsequent years, how will the readers engage with the reunion, not having", "other characters eventually) to further the story. A, B and C grew up", "the first half, on book Two, the remaining part. I have three \"main", "childhood and the subsequent years, how will the readers engage with the reunion,", "has been missing without losing pace of the main story? My initial idea", "prologue, giving the reader something to work with, and just do flashbacks throughout", "when B and C finally reunite with A. My main probably is, by", "the story, than the other two. So character A, the really main one,", "tell, along with book One's story, the background of all the years A", "accordingly: on book One, the first half, on book Two, the remaining part.", "something to work with, and just do flashbacks throughout the books, telling what", "payoff because the reader won't be really attached to them to care... Any", "A, B and C grew up together. At some point, A goes missing.", "do I tell, along with book One's story, the background of all the", "up together. At some point, A goes missing. Book One starts ten years", "years A has been missing without losing pace of the main story? My", "first half, on book Two, the remaining part. I have three \"main characters\",", "the really main one, has a very long, interesting backstory that will need", "of their childhood and the subsequent years, how will the readers engage with", "was to introduce this characters childhood in the prologue, giving the reader something", "\"main characters\", with one being more in display, as the epicenter of the", "A has been missing without losing pace of the main story? My initial", "as the epicenter of the story, than the other two. So character A,", "how will the readers engage with the reunion, not having any attachments to", "the other characters eventually) to further the story. A, B and C grew", "point, A goes missing. Book One starts ten years later, when B and", "attachments to this characters yet? My worst problem is: how do I tell,", "books, telling what I need to tell. But it doesn't sound very engaging,", "reunion, not having any attachments to this characters yet? My worst problem is:", "further the story. A, B and C grew up together. At some point,", "no actual payoff because the reader won't be really attached to them to", "not to tell the story of their childhood and the subsequent years, how", "all the years A has been missing without losing pace of the main", "of these characters has no actual payoff because the reader won't be really", "character A, the really main one, has a very long, interesting backstory that", "throughout the books, telling what I need to tell. But it doesn't sound", "giving the reader something to work with, and just do flashbacks throughout the", "that will need to be exposed (both to the reader and the other", "the epicenter of the story, than the other two. So character A, the", "long, interesting backstory that will need to be exposed (both to the reader", "of the main story? My initial idea was to introduce this characters childhood", "of the story, than the other two. So character A, the really main", "the main character’s backstory, divided by two parts that will be exposed accordingly:", "been missing without losing pace of the main story? My initial idea was", "one, has a very long, interesting backstory that will need to be exposed", "worst problem is: how do I tell, along with book One's story, the", "the reader won't be really attached to them to care... Any advices are", "backstory, divided by two parts that will be exposed accordingly: on book One,", "part. I have three \"main characters\", with one being more in display, as", "and C finally reunite with A. My main probably is, by choosing not", "supposed to contain the main character’s backstory, divided by two parts that will", "the story of their childhood and the subsequent years, how will the readers", "C finally reunite with A. My main probably is, by choosing not to", "C grew up together. At some point, A goes missing. Book One starts", "Book One starts ten years later, when B and C finally reunite with", "and Two are supposed to contain the main character’s backstory, divided by two", "choosing not to tell the story of their childhood and the subsequent years,", "One's story, the background of all the years A has been missing without", "in the prologue, giving the reader something to work with, and just do", "I'm loosely working on a trilogy. Book One and Two are supposed to", "subsequent years, how will the readers engage with the reunion, not having any", "of all the years A has been missing without losing pace of the", "telling what I need to tell. But it doesn't sound very engaging, and", "starts ten years later, when B and C finally reunite with A. My", "is, by choosing not to tell the story of their childhood and the", "But it doesn't sound very engaging, and the reunion of these characters has", "contain the main character’s backstory, divided by two parts that will be exposed", "on a trilogy. Book One and Two are supposed to contain the main", "and C grew up together. At some point, A goes missing. Book One", "epicenter of the story, than the other two. So character A, the really", "reader won't be really attached to them to care... Any advices are welcome", "goes missing. Book One starts ten years later, when B and C finally", "the story. A, B and C grew up together. At some point, A", "ten years later, when B and C finally reunite with A. My main", "story of their childhood and the subsequent years, how will the readers engage", "with one being more in display, as the epicenter of the story, than", "background of all the years A has been missing without losing pace of", "doesn't sound very engaging, and the reunion of these characters has no actual", "problem is: how do I tell, along with book One's story, the background", "do flashbacks throughout the books, telling what I need to tell. But it", "work with, and just do flashbacks throughout the books, telling what I need", "missing without losing pace of the main story? My initial idea was to", "with A. My main probably is, by choosing not to tell the story", "grew up together. At some point, A goes missing. Book One starts ten", "the readers engage with the reunion, not having any attachments to this characters", "very engaging, and the reunion of these characters has no actual payoff because", "trilogy. Book One and Two are supposed to contain the main character’s backstory,", "characters childhood in the prologue, giving the reader something to work with, and", "just do flashbacks throughout the books, telling what I need to tell. But", "will need to be exposed (both to the reader and the other characters", "story. A, B and C grew up together. At some point, A goes", "half, on book Two, the remaining part. I have three \"main characters\", with", "years, how will the readers engage with the reunion, not having any attachments" ]
[ "to see our vocabulary book. I'm putting this question out here: what is", "days, the subject of vocabulary had not been enforced or rather most students", "putting this question out here: what is the best way one can improve", "vocabulary not until in the final year when our school principal asked to", "question out here: what is the best way one can improve ones vocabulary?", "the subject of vocabulary had not been enforced or rather most students were", "subject of vocabulary had not been enforced or rather most students were lazy", "enforced or rather most students were lazy about expanding their vocabulary not until", "asked to see our vocabulary book. I'm putting this question out here: what", "highschool days, the subject of vocabulary had not been enforced or rather most", "their vocabulary not until in the final year when our school principal asked", "I'm putting this question out here: what is the best way one can", "principal asked to see our vocabulary book. I'm putting this question out here:", "expanding their vocabulary not until in the final year when our school principal", "in the final year when our school principal asked to see our vocabulary", "year when our school principal asked to see our vocabulary book. I'm putting", "this question out here: what is the best way one can improve ones", "when our school principal asked to see our vocabulary book. I'm putting this", "students were lazy about expanding their vocabulary not until in the final year", "about expanding their vocabulary not until in the final year when our school", "final year when our school principal asked to see our vocabulary book. I'm", "see our vocabulary book. I'm putting this question out here: what is the", "vocabulary book. I'm putting this question out here: what is the best way", "the final year when our school principal asked to see our vocabulary book.", "been enforced or rather most students were lazy about expanding their vocabulary not", "were lazy about expanding their vocabulary not until in the final year when", "our school principal asked to see our vocabulary book. I'm putting this question", "lazy about expanding their vocabulary not until in the final year when our", "had not been enforced or rather most students were lazy about expanding their", "most students were lazy about expanding their vocabulary not until in the final", "not until in the final year when our school principal asked to see", "or rather most students were lazy about expanding their vocabulary not until in", "rather most students were lazy about expanding their vocabulary not until in the", "our vocabulary book. I'm putting this question out here: what is the best", "of vocabulary had not been enforced or rather most students were lazy about", "vocabulary had not been enforced or rather most students were lazy about expanding", "book. I'm putting this question out here: what is the best way one", "my highschool days, the subject of vocabulary had not been enforced or rather", "During my highschool days, the subject of vocabulary had not been enforced or", "until in the final year when our school principal asked to see our", "not been enforced or rather most students were lazy about expanding their vocabulary", "school principal asked to see our vocabulary book. I'm putting this question out" ]
[ "power of this realm by summoning demons across the barrier. This is done", "humanity's purpose. The other sees them as transcendent life forms to be worshipped", "mustaches and cackle evily throughout the day. Their faith is normalized and they", "with two separate modes of thought. One sect believes that these demons are", "However, I don't want common citizens to be seen as card carrying villians", "One sect believes that these demons are tools to be exploited. These creatures", "the faith as it is dominant in their lives, similar to Christianity in", "human sacrifices. A religion has formed with two separate modes of thought. One", "faith as it is dominant in their lives, similar to Christianity in the", "combining man and demon, humans can shirk their mortal shell and ascend to", "to further humanity's purpose. The other sees them as transcendent life forms to", "the middle ages. However, I don't want common citizens to be seen as", "and demon, humans can shirk their mortal shell and ascend to a higher", "shirk their mortal shell and ascend to a higher state of being. This", "religion has formed with two separate modes of thought. One sect believes that", "summoning demons across the barrier. This is done through the use of human", "ancient empire has discovered that they can harness the power of this realm", "that these demons are tools to be exploited. These creatures are merely to", "being. This religion is accepted by mainstream society and is the only official", "across the barrier. This is done through the use of human sacrifices. A", "humans can shirk their mortal shell and ascend to a higher state of", "middle ages. However, I don't want common citizens to be seen as card", "based on a religion which worships demons and practices human sacrifice. How can", "portraying this is difficult, as it is based on a religion which worships", "demons and practices human sacrifice. How can I portray this to get the", "sacred. By combining man and demon, humans can shirk their mortal shell and", "believes that these demons are tools to be exploited. These creatures are merely", "can harness the power of this realm by summoning demons across the barrier.", "is dominant in their lives, similar to Christianity in the middle ages. However,", "and practices human sacrifice. How can I portray this to get the results", "as it is dominant in their lives, similar to Christianity in the middle", "on a religion which worships demons and practices human sacrifice. How can I", "sacrifices. A religion has formed with two separate modes of thought. One sect", "the use of human sacrifices. A religion has formed with two separate modes", "done through the use of human sacrifices. A religion has formed with two", "harness the power of this realm by summoning demons across the barrier. This", "them as transcendent life forms to be worshipped and held sacred. By combining", "common citizens to be seen as card carrying villians who twirl their mustaches", "exploited. These creatures are merely to be used to further humanity's purpose. The", "is difficult, as it is based on a religion which worships demons and", "ages. However, I don't want common citizens to be seen as card carrying", "as transcendent life forms to be worshipped and held sacred. By combining man", "to be seen as card carrying villians who twirl their mustaches and cackle", "be seen as card carrying villians who twirl their mustaches and cackle evily", "by mainstream society and is the only official religion. People worship the faith", "separate modes of thought. One sect believes that these demons are tools to", "ascend to a higher state of being. This religion is accepted by mainstream", "they can harness the power of this realm by summoning demons across the", "life forms to be worshipped and held sacred. By combining man and demon,", "mainstream society and is the only official religion. People worship the faith as", "seen as card carrying villians who twirl their mustaches and cackle evily throughout", "be worshipped and held sacred. By combining man and demon, humans can shirk", "is based on a religion which worships demons and practices human sacrifice. How", "by summoning demons across the barrier. This is done through the use of", "worshipped and held sacred. By combining man and demon, humans can shirk their", "formed with two separate modes of thought. One sect believes that these demons", "card carrying villians who twirl their mustaches and cackle evily throughout the day.", "purpose. The other sees them as transcendent life forms to be worshipped and", "Eldritch abominations. An ancient empire has discovered that they can harness the power", "are merely to be used to further humanity's purpose. The other sees them", "don't want common citizens to be seen as card carrying villians who twirl", "and cackle evily throughout the day. Their faith is normalized and they go", "the power of this realm by summoning demons across the barrier. This is", "as card carrying villians who twirl their mustaches and cackle evily throughout the", "these demons are tools to be exploited. These creatures are merely to be", "other sees them as transcendent life forms to be worshipped and held sacred.", "People worship the faith as it is dominant in their lives, similar to", "abominations. An ancient empire has discovered that they can harness the power of", "a higher state of being. This religion is accepted by mainstream society and", "practices human sacrifice. How can I portray this to get the results that", "discovered that they can harness the power of this realm by summoning demons", "can shirk their mortal shell and ascend to a higher state of being.", "This is done through the use of human sacrifices. A religion has formed", "a parallel dimension that contains Eldritch abominations. An ancient empire has discovered that", "it is dominant in their lives, similar to Christianity in the middle ages.", "evily throughout the day. Their faith is normalized and they go about their", "shell and ascend to a higher state of being. This religion is accepted", "faith is normalized and they go about their business like in any civilization.", "from a parallel dimension that contains Eldritch abominations. An ancient empire has discovered", "demons across the barrier. This is done through the use of human sacrifices.", "is normalized and they go about their business like in any civilization. However,", "this is difficult, as it is based on a religion which worships demons", "human sacrifice. How can I portray this to get the results that I", "the barrier. This is done through the use of human sacrifices. A religion", "normalized and they go about their business like in any civilization. However, portraying", "carrying villians who twirl their mustaches and cackle evily throughout the day. Their", "creatures are merely to be used to further humanity's purpose. The other sees", "contains Eldritch abominations. An ancient empire has discovered that they can harness the", "An ancient empire has discovered that they can harness the power of this", "like in any civilization. However, portraying this is difficult, as it is based", "dimension that contains Eldritch abominations. An ancient empire has discovered that they can", "of thought. One sect believes that these demons are tools to be exploited.", "is accepted by mainstream society and is the only official religion. People worship", "be used to further humanity's purpose. The other sees them as transcendent life", "they go about their business like in any civilization. However, portraying this is", "go about their business like in any civilization. However, portraying this is difficult,", "to be exploited. These creatures are merely to be used to further humanity's", "forms to be worshipped and held sacred. By combining man and demon, humans", "be exploited. These creatures are merely to be used to further humanity's purpose.", "and ascend to a higher state of being. This religion is accepted by", "is a veil which separates our reality from a parallel dimension that contains", "two separate modes of thought. One sect believes that these demons are tools", "throughout the day. Their faith is normalized and they go about their business", "only official religion. People worship the faith as it is dominant in their", "religion which worships demons and practices human sacrifice. How can I portray this", "worship the faith as it is dominant in their lives, similar to Christianity", "civilization. However, portraying this is difficult, as it is based on a religion", "demons are tools to be exploited. These creatures are merely to be used", "that contains Eldritch abominations. An ancient empire has discovered that they can harness", "of human sacrifices. A religion has formed with two separate modes of thought.", "the only official religion. People worship the faith as it is dominant in", "lives, similar to Christianity in the middle ages. However, I don't want common", "day. Their faith is normalized and they go about their business like in", "official religion. People worship the faith as it is dominant in their lives,", "to a higher state of being. This religion is accepted by mainstream society", "realm by summoning demons across the barrier. This is done through the use", "their mortal shell and ascend to a higher state of being. This religion", "barrier. This is done through the use of human sacrifices. A religion has", "I don't want common citizens to be seen as card carrying villians who", "worships demons and practices human sacrifice. How can I portray this to get", "mortal shell and ascend to a higher state of being. This religion is", "who twirl their mustaches and cackle evily throughout the day. Their faith is", "religion. People worship the faith as it is dominant in their lives, similar", "want common citizens to be seen as card carrying villians who twirl their", "sacrifice. How can I portray this to get the results that I want?", "higher state of being. This religion is accepted by mainstream society and is", "has formed with two separate modes of thought. One sect believes that these", "twirl their mustaches and cackle evily throughout the day. Their faith is normalized", "any civilization. However, portraying this is difficult, as it is based on a", "These creatures are merely to be used to further humanity's purpose. The other", "business like in any civilization. However, portraying this is difficult, as it is", "a religion which worships demons and practices human sacrifice. How can I portray", "this realm by summoning demons across the barrier. This is done through the", "citizens to be seen as card carrying villians who twirl their mustaches and", "of this realm by summoning demons across the barrier. This is done through", "similar to Christianity in the middle ages. However, I don't want common citizens", "to Christianity in the middle ages. However, I don't want common citizens to", "are tools to be exploited. These creatures are merely to be used to", "in the middle ages. However, I don't want common citizens to be seen", "accepted by mainstream society and is the only official religion. People worship the", "villians who twirl their mustaches and cackle evily throughout the day. Their faith", "which worships demons and practices human sacrifice. How can I portray this to", "society and is the only official religion. People worship the faith as it", "in any civilization. However, portraying this is difficult, as it is based on", "in their lives, similar to Christianity in the middle ages. However, I don't", "held sacred. By combining man and demon, humans can shirk their mortal shell", "dominant in their lives, similar to Christianity in the middle ages. However, I", "man and demon, humans can shirk their mortal shell and ascend to a", "sect believes that these demons are tools to be exploited. These creatures are", "about their business like in any civilization. However, portraying this is difficult, as", "our reality from a parallel dimension that contains Eldritch abominations. An ancient empire", "to be worshipped and held sacred. By combining man and demon, humans can", "has discovered that they can harness the power of this realm by summoning", "There is a veil which separates our reality from a parallel dimension that", "parallel dimension that contains Eldritch abominations. An ancient empire has discovered that they", "thought. One sect believes that these demons are tools to be exploited. These", "the day. Their faith is normalized and they go about their business like", "sees them as transcendent life forms to be worshipped and held sacred. By", "transcendent life forms to be worshipped and held sacred. By combining man and", "empire has discovered that they can harness the power of this realm by", "is the only official religion. People worship the faith as it is dominant", "as it is based on a religion which worships demons and practices human", "a veil which separates our reality from a parallel dimension that contains Eldritch", "state of being. This religion is accepted by mainstream society and is the", "merely to be used to further humanity's purpose. The other sees them as", "religion is accepted by mainstream society and is the only official religion. People", "and is the only official religion. People worship the faith as it is", "cackle evily throughout the day. Their faith is normalized and they go about", "modes of thought. One sect believes that these demons are tools to be", "The other sees them as transcendent life forms to be worshipped and held", "of being. This religion is accepted by mainstream society and is the only", "and they go about their business like in any civilization. However, portraying this", "and held sacred. By combining man and demon, humans can shirk their mortal", "their mustaches and cackle evily throughout the day. Their faith is normalized and", "Christianity in the middle ages. However, I don't want common citizens to be", "However, portraying this is difficult, as it is based on a religion which", "their lives, similar to Christianity in the middle ages. However, I don't want", "This religion is accepted by mainstream society and is the only official religion.", "that they can harness the power of this realm by summoning demons across", "Their faith is normalized and they go about their business like in any", "to be used to further humanity's purpose. The other sees them as transcendent", "through the use of human sacrifices. A religion has formed with two separate", "it is based on a religion which worships demons and practices human sacrifice.", "is done through the use of human sacrifices. A religion has formed with", "By combining man and demon, humans can shirk their mortal shell and ascend", "tools to be exploited. These creatures are merely to be used to further", "their business like in any civilization. However, portraying this is difficult, as it", "separates our reality from a parallel dimension that contains Eldritch abominations. An ancient", "demon, humans can shirk their mortal shell and ascend to a higher state", "used to further humanity's purpose. The other sees them as transcendent life forms", "further humanity's purpose. The other sees them as transcendent life forms to be", "which separates our reality from a parallel dimension that contains Eldritch abominations. An", "A religion has formed with two separate modes of thought. One sect believes", "use of human sacrifices. A religion has formed with two separate modes of", "difficult, as it is based on a religion which worships demons and practices", "reality from a parallel dimension that contains Eldritch abominations. An ancient empire has", "veil which separates our reality from a parallel dimension that contains Eldritch abominations." ]
[ "the main character is basically just a shonen protagonist (for example, Son Goku", "to a publisher, and they criticized that the main character is basically just", "Pokemon, etc.) in female form. They're interested in keeping the character female, but", "the character female, but suggested that I should put more emphasis on the", "form. They're interested in keeping the character female, but suggested that I should", "from Pokemon, etc.) in female form. They're interested in keeping the character female,", "protagonist (for example, Son Goku from Dragon Ball, Ash from Pokemon, etc.) in", "Ball, Ash from Pokemon, etc.) in female form. They're interested in keeping the", "etc.) in female form. They're interested in keeping the character female, but suggested", "female, but suggested that I should put more emphasis on the female aspects", "They're interested in keeping the character female, but suggested that I should put", "they criticized that the main character is basically just a shonen protagonist (for", "that I should put more emphasis on the female aspects of the character,", "shonen protagonist (for example, Son Goku from Dragon Ball, Ash from Pokemon, etc.)", "comic book story to a publisher, and they criticized that the main character", "on the female aspects of the character, to make it more distinct from", "criticized that the main character is basically just a shonen protagonist (for example,", "the female aspects of the character, to make it more distinct from the", "Dragon Ball, Ash from Pokemon, etc.) in female form. They're interested in keeping", "aspects of the character, to make it more distinct from the average male", "Ash from Pokemon, etc.) in female form. They're interested in keeping the character", "and they criticized that the main character is basically just a shonen protagonist", "a publisher, and they criticized that the main character is basically just a", "in keeping the character female, but suggested that I should put more emphasis", "a comic book story to a publisher, and they criticized that the main", "more emphasis on the female aspects of the character, to make it more", "a shonen protagonist (for example, Son Goku from Dragon Ball, Ash from Pokemon,", "just a shonen protagonist (for example, Son Goku from Dragon Ball, Ash from", "Son Goku from Dragon Ball, Ash from Pokemon, etc.) in female form. They're", "main character is basically just a shonen protagonist (for example, Son Goku from", "(for example, Son Goku from Dragon Ball, Ash from Pokemon, etc.) in female", "but suggested that I should put more emphasis on the female aspects of", "from Dragon Ball, Ash from Pokemon, etc.) in female form. They're interested in", "female aspects of the character, to make it more distinct from the average", "submitted a comic book story to a publisher, and they criticized that the", "interested in keeping the character female, but suggested that I should put more", "that the main character is basically just a shonen protagonist (for example, Son", "make it more distinct from the average male shonen protagonist. How should I", "the character, to make it more distinct from the average male shonen protagonist.", "story to a publisher, and they criticized that the main character is basically", "publisher, and they criticized that the main character is basically just a shonen", "suggested that I should put more emphasis on the female aspects of the", "emphasis on the female aspects of the character, to make it more distinct", "I should put more emphasis on the female aspects of the character, to", "Recently I submitted a comic book story to a publisher, and they criticized", "Goku from Dragon Ball, Ash from Pokemon, etc.) in female form. They're interested", "the average male shonen protagonist. How should I begin doing that? (note: I'm", "basically just a shonen protagonist (for example, Son Goku from Dragon Ball, Ash", "character female, but suggested that I should put more emphasis on the female", "put more emphasis on the female aspects of the character, to make it", "to make it more distinct from the average male shonen protagonist. How should", "it more distinct from the average male shonen protagonist. How should I begin", "female form. They're interested in keeping the character female, but suggested that I", "distinct from the average male shonen protagonist. How should I begin doing that?", "keeping the character female, but suggested that I should put more emphasis on", "male shonen protagonist. How should I begin doing that? (note: I'm a man)", "average male shonen protagonist. How should I begin doing that? (note: I'm a", "example, Son Goku from Dragon Ball, Ash from Pokemon, etc.) in female form.", "from the average male shonen protagonist. How should I begin doing that? (note:", "is basically just a shonen protagonist (for example, Son Goku from Dragon Ball,", "should put more emphasis on the female aspects of the character, to make", "character, to make it more distinct from the average male shonen protagonist. How", "in female form. They're interested in keeping the character female, but suggested that", "book story to a publisher, and they criticized that the main character is", "character is basically just a shonen protagonist (for example, Son Goku from Dragon", "I submitted a comic book story to a publisher, and they criticized that", "of the character, to make it more distinct from the average male shonen", "more distinct from the average male shonen protagonist. How should I begin doing" ]
[ "Until then, how do I refer to him or narrate his dialogues? My", "his name. I have to reveal his name later in the story. Until", "do I refer to him or narrate his dialogues? My story is in", "I am writing a story about a man who doesn't know his past,", "am writing a story about a man who doesn't know his past, or", "know his past, or his name. I have to reveal his name later", "then, how do I refer to him or narrate his dialogues? My story", "refer to him or narrate his dialogues? My story is in third-person view.", "have to reveal his name later in the story. Until then, how do", "man who doesn't know his past, or his name. I have to reveal", "reveal his name later in the story. Until then, how do I refer", "name. I have to reveal his name later in the story. Until then,", "story. Until then, how do I refer to him or narrate his dialogues?", "a man who doesn't know his past, or his name. I have to", "doesn't know his past, or his name. I have to reveal his name", "past, or his name. I have to reveal his name later in the", "later in the story. Until then, how do I refer to him or", "the story. Until then, how do I refer to him or narrate his", "about a man who doesn't know his past, or his name. I have", "his past, or his name. I have to reveal his name later in", "I have to reveal his name later in the story. Until then, how", "his name later in the story. Until then, how do I refer to", "how do I refer to him or narrate his dialogues? My story is", "writing a story about a man who doesn't know his past, or his", "story about a man who doesn't know his past, or his name. I", "a story about a man who doesn't know his past, or his name.", "in the story. Until then, how do I refer to him or narrate", "I refer to him or narrate his dialogues? My story is in third-person", "name later in the story. Until then, how do I refer to him", "to reveal his name later in the story. Until then, how do I", "or his name. I have to reveal his name later in the story.", "who doesn't know his past, or his name. I have to reveal his" ]
[ "and variety? My goal is to improve the way my sentences flow on", "improve the way my sentences flow on the page and to improve the", "is to improve the way my sentences flow on the page and to", "Is there a good book on sentence structure and variety? My goal is", "a good book on sentence structure and variety? My goal is to improve", "on sentence structure and variety? My goal is to improve the way my", "My goal is to improve the way my sentences flow on the page", "way my sentences flow on the page and to improve the reader experience.", "variety? My goal is to improve the way my sentences flow on the", "structure and variety? My goal is to improve the way my sentences flow", "goal is to improve the way my sentences flow on the page and", "the way my sentences flow on the page and to improve the reader", "there a good book on sentence structure and variety? My goal is to", "to improve the way my sentences flow on the page and to improve", "good book on sentence structure and variety? My goal is to improve the", "book on sentence structure and variety? My goal is to improve the way", "sentence structure and variety? My goal is to improve the way my sentences" ]
[ "war, the enemies have brought hostages, he tells the other MC (who has", "brought hostages, he tells the other MC (who has principles on not taking", "to dwelve more into his personality, but I dont want him to be", "and for the greater good. It's war after all? but doesnt this make", "not around, he orders to kill the enemies even if hitting the hostages.", "turn the tides of war, the enemies have brought hostages, he tells the", "the other MC is not around, he orders to kill the enemies even", "to be hated by the readers, I mean its realistic and for the", "enemies have brought hostages, he tells the other MC (who has principles on", "protagonist-like? Id like to use this as a chance to dwelve more into", "more into his personality, but I dont want him to be hated by", "the enemies even if hitting the hostages. Will this kind of personality be", "this kind of personality be protagonist-like? Id like to use this as a", "MC is not around, he orders to kill the enemies even if hitting", "I dont want him to be hated by the readers, I mean its", "use this as a chance to dwelve more into his personality, but I", "(who has principles on not taking innocent peoples lives) to not worry about", "he tells the other MC (who has principles on not taking innocent peoples", "of personality be protagonist-like? Id like to use this as a chance to", "the hostages. Will this kind of personality be protagonist-like? Id like to use", "by the readers, I mean its realistic and for the greater good. It's", "It's war after all? but doesnt this make him a bad decision maker?", "about it. When the other MC is not around, he orders to kill", "tides of war, the enemies have brought hostages, he tells the other MC", "be hated by the readers, I mean its realistic and for the greater", "the greater good. It's war after all? but doesnt this make him a", "dont want him to be hated by the readers, I mean its realistic", "peoples lives) to not worry about it. When the other MC is not", "mean its realistic and for the greater good. It's war after all? but", "lives) to not worry about it. When the other MC is not around,", "its realistic and for the greater good. It's war after all? but doesnt", "greater good. It's war after all? but doesnt this make him a bad", "hostages, he tells the other MC (who has principles on not taking innocent", "hostages. Will this kind of personality be protagonist-like? Id like to use this", "my MC's is a decision maker to turn the tides of war, the", "orders to kill the enemies even if hitting the hostages. Will this kind", "of war, the enemies have brought hostages, he tells the other MC (who", "principles on not taking innocent peoples lives) to not worry about it. When", "to use this as a chance to dwelve more into his personality, but", "enemies even if hitting the hostages. Will this kind of personality be protagonist-like?", "not worry about it. When the other MC is not around, he orders", "even if hitting the hostages. Will this kind of personality be protagonist-like? Id", "taking innocent peoples lives) to not worry about it. When the other MC", "Id like to use this as a chance to dwelve more into his", "have brought hostages, he tells the other MC (who has principles on not", "realistic and for the greater good. It's war after all? but doesnt this", "chance to dwelve more into his personality, but I dont want him to", "other MC (who has principles on not taking innocent peoples lives) to not", "the tides of war, the enemies have brought hostages, he tells the other", "want him to be hated by the readers, I mean its realistic and", "is a decision maker to turn the tides of war, the enemies have", "decision maker to turn the tides of war, the enemies have brought hostages,", "the readers, I mean its realistic and for the greater good. It's war", "he orders to kill the enemies even if hitting the hostages. Will this", "on not taking innocent peoples lives) to not worry about it. When the", "MC (who has principles on not taking innocent peoples lives) to not worry", "personality, but I dont want him to be hated by the readers, I", "maker to turn the tides of war, the enemies have brought hostages, he", "if hitting the hostages. Will this kind of personality be protagonist-like? Id like", "him to be hated by the readers, I mean its realistic and for", "I mean its realistic and for the greater good. It's war after all?", "kill the enemies even if hitting the hostages. Will this kind of personality", "good. It's war after all? but doesnt this make him a bad decision", "to turn the tides of war, the enemies have brought hostages, he tells", "hitting the hostages. Will this kind of personality be protagonist-like? Id like to", "is not around, he orders to kill the enemies even if hitting the", "to kill the enemies even if hitting the hostages. Will this kind of", "One of my MC's is a decision maker to turn the tides of", "it. When the other MC is not around, he orders to kill the", "When the other MC is not around, he orders to kill the enemies", "not taking innocent peoples lives) to not worry about it. When the other", "around, he orders to kill the enemies even if hitting the hostages. Will", "Will this kind of personality be protagonist-like? Id like to use this as", "personality be protagonist-like? Id like to use this as a chance to dwelve", "dwelve more into his personality, but I dont want him to be hated", "hated by the readers, I mean its realistic and for the greater good.", "this as a chance to dwelve more into his personality, but I dont", "but I dont want him to be hated by the readers, I mean", "a chance to dwelve more into his personality, but I dont want him", "other MC is not around, he orders to kill the enemies even if", "readers, I mean its realistic and for the greater good. It's war after", "MC's is a decision maker to turn the tides of war, the enemies", "be protagonist-like? Id like to use this as a chance to dwelve more", "tells the other MC (who has principles on not taking innocent peoples lives)", "a decision maker to turn the tides of war, the enemies have brought", "worry about it. When the other MC is not around, he orders to", "kind of personality be protagonist-like? Id like to use this as a chance", "the other MC (who has principles on not taking innocent peoples lives) to", "of my MC's is a decision maker to turn the tides of war,", "into his personality, but I dont want him to be hated by the", "as a chance to dwelve more into his personality, but I dont want", "like to use this as a chance to dwelve more into his personality,", "his personality, but I dont want him to be hated by the readers,", "innocent peoples lives) to not worry about it. When the other MC is", "has principles on not taking innocent peoples lives) to not worry about it.", "to not worry about it. When the other MC is not around, he", "for the greater good. It's war after all? but doesnt this make him", "the enemies have brought hostages, he tells the other MC (who has principles" ]
[ "like it's just such an overused beginning of stories surrounding similar issues. What", "though by all accounts he's a bit of an unsavory character (albeit as", "a result of his issues), I was considering beginning the story in a", "just such an overused beginning of stories surrounding similar issues. What is your", "(albeit as a result of his issues), I was considering beginning the story", "he's a bit of an unsavory character (albeit as a result of his", "story in a bar. Showing him within the proverbial pit but I feel", "but I feel like it's just such an overused beginning of stories surrounding", "a divorce, among other things. I want the reader to be grabbed by", "of an unsavory character (albeit as a result of his issues), I was", "grabbed by this man even though by all accounts he's a bit of", "unsavory character (albeit as a result of his issues), I was considering beginning", "things. I want the reader to be grabbed by this man even though", "his issues), I was considering beginning the story in a bar. Showing him", "considering beginning the story in a bar. Showing him within the proverbial pit", "was considering beginning the story in a bar. Showing him within the proverbial", "about a man spiraling downward following a divorce, among other things. I want", "within the proverbial pit but I feel like it's just such an overused", "divorce, among other things. I want the reader to be grabbed by this", "a man spiraling downward following a divorce, among other things. I want the", "want the reader to be grabbed by this man even though by all", "by all accounts he's a bit of an unsavory character (albeit as a", "a novel about a man spiraling downward following a divorce, among other things.", "proverbial pit but I feel like it's just such an overused beginning of", "the reader to be grabbed by this man even though by all accounts", "accounts he's a bit of an unsavory character (albeit as a result of", "character (albeit as a result of his issues), I was considering beginning the", "writing a novel about a man spiraling downward following a divorce, among other", "spiraling downward following a divorce, among other things. I want the reader to", "the proverbial pit but I feel like it's just such an overused beginning", "of his issues), I was considering beginning the story in a bar. Showing", "pit but I feel like it's just such an overused beginning of stories", "to be grabbed by this man even though by all accounts he's a", "Currently writing a novel about a man spiraling downward following a divorce, among", "man spiraling downward following a divorce, among other things. I want the reader", "be grabbed by this man even though by all accounts he's a bit", "even though by all accounts he's a bit of an unsavory character (albeit", "reader to be grabbed by this man even though by all accounts he's", "beginning the story in a bar. Showing him within the proverbial pit but", "novel about a man spiraling downward following a divorce, among other things. I", "issues), I was considering beginning the story in a bar. Showing him within", "I want the reader to be grabbed by this man even though by", "bar. Showing him within the proverbial pit but I feel like it's just", "an unsavory character (albeit as a result of his issues), I was considering", "Showing him within the proverbial pit but I feel like it's just such", "among other things. I want the reader to be grabbed by this man", "him within the proverbial pit but I feel like it's just such an", "feel like it's just such an overused beginning of stories surrounding similar issues.", "other things. I want the reader to be grabbed by this man even", "following a divorce, among other things. I want the reader to be grabbed", "in a bar. Showing him within the proverbial pit but I feel like", "a bit of an unsavory character (albeit as a result of his issues),", "it's just such an overused beginning of stories surrounding similar issues. What is", "downward following a divorce, among other things. I want the reader to be", "a bar. Showing him within the proverbial pit but I feel like it's", "this man even though by all accounts he's a bit of an unsavory", "by this man even though by all accounts he's a bit of an", "as a result of his issues), I was considering beginning the story in", "man even though by all accounts he's a bit of an unsavory character", "all accounts he's a bit of an unsavory character (albeit as a result", "result of his issues), I was considering beginning the story in a bar.", "such an overused beginning of stories surrounding similar issues. What is your opinion?", "I was considering beginning the story in a bar. Showing him within the", "the story in a bar. Showing him within the proverbial pit but I", "bit of an unsavory character (albeit as a result of his issues), I", "I feel like it's just such an overused beginning of stories surrounding similar" ]
[ "of characters I’ve spent time creating and developing, but I cannot, for the", "developing, but I cannot, for the life of me, develop an overarching plot.", "cannot, for the life of me, develop an overarching plot. Anyone got any", "plot. Anyone got any techniques or tips on this? I know the question", "got any techniques or tips on this? I know the question is nonspecific,", "for the life of me, develop an overarching plot. Anyone got any techniques", "spent time creating and developing, but I cannot, for the life of me,", "an overarching plot. Anyone got any techniques or tips on this? I know", "techniques or tips on this? I know the question is nonspecific, but anything", "I have a lot of characters I’ve spent time creating and developing, but", "life of me, develop an overarching plot. Anyone got any techniques or tips", "lot of characters I’ve spent time creating and developing, but I cannot, for", "time creating and developing, but I cannot, for the life of me, develop", "Anyone got any techniques or tips on this? I know the question is", "I’ve spent time creating and developing, but I cannot, for the life of", "creating and developing, but I cannot, for the life of me, develop an", "a lot of characters I’ve spent time creating and developing, but I cannot,", "I cannot, for the life of me, develop an overarching plot. Anyone got", "or tips on this? I know the question is nonspecific, but anything helps.", "of me, develop an overarching plot. Anyone got any techniques or tips on", "develop an overarching plot. Anyone got any techniques or tips on this? I", "me, develop an overarching plot. Anyone got any techniques or tips on this?", "and developing, but I cannot, for the life of me, develop an overarching", "but I cannot, for the life of me, develop an overarching plot. Anyone", "have a lot of characters I’ve spent time creating and developing, but I", "any techniques or tips on this? I know the question is nonspecific, but", "overarching plot. Anyone got any techniques or tips on this? I know the", "the life of me, develop an overarching plot. Anyone got any techniques or", "characters I’ve spent time creating and developing, but I cannot, for the life" ]
[ "are two main characters, but apart from them there are others who also", "the danger will be defeated in the end. There is a good idea", "very late in the story. They are two main characters, but apart from", "There is a good idea I thought can little \"redeem\" this. I have", "a great mountain and waits there to die until God speaks to him", "good idea I thought can little \"redeem\" this. I have the Psopzot once", "likable and relatable, since danger is obviously gonna be defeated, 'cause hey, God", "characters less likable and relatable, since danger is obviously gonna be defeated, 'cause", "that is appearing, but he and his brother, the Psopzot, don't meet one", "deadly, no matter how many times I put him in deadly dangers, it", "is obviously gonna be defeated, 'cause hey, God is on their side. I", "us think no one is safe in Westeros, yet still, Tolkien keeps his", "opposite sides of Slavaz. The older brother is one of the commanders in", "think of G. R. R. Martin who makes us think no one is", "his path dangerous and deadly, no matter how many times I put him", "against this danger. Apart from him, there is also his older brother and", "his characters rather safe and they are still relatable and interesting. So, my", "once thinking that God abandoned him and then he goes alone to the", "quick overview of my plot: In the fictional world named Slavaz, there is", "blot out God and the Psopzot storyline, because they are a really important", "of my plot: In the fictional world named Slavaz, there is a great", "helped by God himself, and no matter how much I make his path", "their side. I always think of G. R. R. Martin who makes us", "the Psopzot, don't meet one another until very late in the story. They", "danger that is appearing, but he and his brother, the Psopzot, don't meet", "be long before I ask the question itself. Here is a quick overview", "and he is helped by God himself, and no matter how much I", "world named Slavaz, there is a great danger appearing, and God Creator of", "but apart from them there are others who also have their POV chapters.", "characters, including the Psopzot, interesting and relatable, without having to blot out God", "the question itself. Here is a quick overview of my plot: In the", "that the danger will be defeated in the end. There is a good", "to be his prophet and lead the races o Slavaz against this danger.", "he is helped by God himself, and no matter how much I make", "is a quick overview of my plot: In the fictional world named Slavaz,", "don't meet one another until very late in the story. They are two", "who also have their POV chapters. My problem is that the Psopzot is...well,", "commanders in the war against this danger that is appearing, but he and", "characters, but apart from them there are others who also have their POV", "young, simple shepherd and calls him to be his prophet and lead the", "safe and they are still relatable and interesting. So, my question is: how", "them there are others who also have their POV chapters. My problem is", "I make the plot still interesting and characters, including the Psopzot, interesting and", "do I make the plot still interesting and characters, including the Psopzot, interesting", "meet one another until very late in the story. They are two main", "G. R. R. Martin who makes us think no one is safe in", "against this danger that is appearing, but he and his brother, the Psopzot,", "storyline, because they are a really important part of the story? Thanks in", "Psopzot, don't meet one another until very late in the story. They are", "other characters are safe, but I still think that with this kind of", "thinking that God abandoned him and then he goes alone to the top", "I thought can little \"redeem\" this. I have the Psopzot once thinking that", "Creator of Slavaz appears to a young, simple shepherd and calls him to", "a Psopzot, and he is helped by God himself, and no matter how", "by God himself, and no matter how much I make his path dangerous", "how many times I put him in deadly dangers, it will be obvious", "I make his path dangerous and deadly, no matter how many times I", "is appearing, but he and his brother, the Psopzot, don't meet one another", "he goes alone to the top of a great mountain and waits there", "no matter how much I make his path dangerous and deadly, no matter", "named Slavaz, there is a great danger appearing, and God Creator of Slavaz", "that God abandoned him and then he goes alone to the top of", "sides of Slavaz. The older brother is one of the commanders in the", "from him, there is also his older brother and they didn't saw one", "this danger that is appearing, but he and his brother, the Psopzot, don't", "speaks to him once again. They have a long conversation and the Psopzot", "o Slavaz against this danger. Apart from him, there is also his older", "shepherd and calls him to be his prophet and lead the races o", "himself, and no matter how much I make his path dangerous and deadly,", "doesn't mean other characters are safe, but I still think that with this", "and they are still relatable and interesting. So, my question is: how do", "matter how many times I put him in deadly dangers, it will be", "encouraged enough to go on in his mission. Now, the Psopzot's safety doesn't", "will be defeated in the end. There is a good idea I thought", "lead the races o Slavaz against this danger. Apart from him, there is", "one another in few years and they are on completely opposite sides of", "mean other characters are safe, but I still think that with this kind", "saw one another in few years and they are on completely opposite sides", "is...well, a Psopzot, and he is helped by God himself, and no matter", "and the Psopzot is in the end encouraged enough to go on in", "they are on completely opposite sides of Slavaz. The older brother is one", "Slavaz appears to a young, simple shepherd and calls him to be his", "still think that with this kind of plot it makes the Psopzot and", "rather safe and they are still relatable and interesting. So, my question is:", "hey, God is on their side. I always think of G. R. R.", "because they are a really important part of the story? Thanks in advance!", "since danger is obviously gonna be defeated, 'cause hey, God is on their", "deadly dangers, it will be obvious that he will survive and that the", "be his prophet and lead the races o Slavaz against this danger. Apart", "the top of a great mountain and waits there to die until God", "to him once again. They have a long conversation and the Psopzot is", "is a good idea I thought can little \"redeem\" this. I have the", "problem is that the Psopzot is...well, a Psopzot, and he is helped by", "appearing, and God Creator of Slavaz appears to a young, simple shepherd and", "a young, simple shepherd and calls him to be his prophet and lead", "to blot out God and the Psopzot storyline, because they are a really", "from them there are others who also have their POV chapters. My problem", "safe, but I still think that with this kind of plot it makes", "makes us think no one is safe in Westeros, yet still, Tolkien keeps", "Psopzot is in the end encouraged enough to go on in his mission.", "and waits there to die until God speaks to him once again. They", "danger. Apart from him, there is also his older brother and they didn't", "the fictional world named Slavaz, there is a great danger appearing, and God", "until very late in the story. They are two main characters, but apart", "in deadly dangers, it will be obvious that he will survive and that", "to go on in his mission. Now, the Psopzot's safety doesn't mean other", "on completely opposite sides of Slavaz. The older brother is one of the", "danger appearing, and God Creator of Slavaz appears to a young, simple shepherd", "and that the danger will be defeated in the end. There is a", "great danger appearing, and God Creator of Slavaz appears to a young, simple", "safe in Westeros, yet still, Tolkien keeps his characters rather safe and they", "many times I put him in deadly dangers, it will be obvious that", "Psopzot once thinking that God abandoned him and then he goes alone to", "and other characters less likable and relatable, since danger is obviously gonna be", "older brother is one of the commanders in the war against this danger", "POV chapters. My problem is that the Psopzot is...well, a Psopzot, and he", "and God Creator of Slavaz appears to a young, simple shepherd and calls", "alone to the top of a great mountain and waits there to die", "waits there to die until God speaks to him once again. They have", "the Psopzot, interesting and relatable, without having to blot out God and the", "without having to blot out God and the Psopzot storyline, because they are", "the Psopzot once thinking that God abandoned him and then he goes alone", "long conversation and the Psopzot is in the end encouraged enough to go", "times I put him in deadly dangers, it will be obvious that he", "God Creator of Slavaz appears to a young, simple shepherd and calls him", "die until God speaks to him once again. They have a long conversation", "how do I make the plot still interesting and characters, including the Psopzot,", "the story. They are two main characters, but apart from them there are", "In the fictional world named Slavaz, there is a great danger appearing, and", "make the plot still interesting and characters, including the Psopzot, interesting and relatable,", "the end. There is a good idea I thought can little \"redeem\" this.", "his brother, the Psopzot, don't meet one another until very late in the", "be defeated, 'cause hey, God is on their side. I always think of", "abandoned him and then he goes alone to the top of a great", "Westeros, yet still, Tolkien keeps his characters rather safe and they are still", "of Slavaz. The older brother is one of the commanders in the war", "him and then he goes alone to the top of a great mountain", "Martin who makes us think no one is safe in Westeros, yet still,", "plot: In the fictional world named Slavaz, there is a great danger appearing,", "the end encouraged enough to go on in his mission. Now, the Psopzot's", "in few years and they are on completely opposite sides of Slavaz. The", "before I ask the question itself. Here is a quick overview of my", "characters are safe, but I still think that with this kind of plot", "less likable and relatable, since danger is obviously gonna be defeated, 'cause hey,", "in the end. There is a good idea I thought can little \"redeem\"", "God himself, and no matter how much I make his path dangerous and", "safety doesn't mean other characters are safe, but I still think that with", "and then he goes alone to the top of a great mountain and", "be defeated in the end. There is a good idea I thought can", "long before I ask the question itself. Here is a quick overview of", "in the story. They are two main characters, but apart from them there", "thought can little \"redeem\" this. I have the Psopzot once thinking that God", "are on completely opposite sides of Slavaz. The older brother is one of", "there is a great danger appearing, and God Creator of Slavaz appears to", "and characters, including the Psopzot, interesting and relatable, without having to blot out", "him once again. They have a long conversation and the Psopzot is in", "I always think of G. R. R. Martin who makes us think no", "defeated, 'cause hey, God is on their side. I always think of G.", "still interesting and characters, including the Psopzot, interesting and relatable, without having to", "prophet and lead the races o Slavaz against this danger. Apart from him,", "he will survive and that the danger will be defeated in the end.", "Slavaz, there is a great danger appearing, and God Creator of Slavaz appears", "appears to a young, simple shepherd and calls him to be his prophet", "my plot: In the fictional world named Slavaz, there is a great danger", "Now, the Psopzot's safety doesn't mean other characters are safe, but I still", "that with this kind of plot it makes the Psopzot and other characters", "his prophet and lead the races o Slavaz against this danger. Apart from", "and deadly, no matter how many times I put him in deadly dangers,", "to die until God speaks to him once again. They have a long", "another until very late in the story. They are two main characters, but", "The older brother is one of the commanders in the war against this", "brother, the Psopzot, don't meet one another until very late in the story.", "is that the Psopzot is...well, a Psopzot, and he is helped by God", "Slavaz against this danger. Apart from him, there is also his older brother", "and relatable, since danger is obviously gonna be defeated, 'cause hey, God is", "danger will be defeated in the end. There is a good idea I", "overview of my plot: In the fictional world named Slavaz, there is a", "no matter how many times I put him in deadly dangers, it will", "is gonna be long before I ask the question itself. Here is a", "conversation and the Psopzot is in the end encouraged enough to go on", "calls him to be his prophet and lead the races o Slavaz against", "how much I make his path dangerous and deadly, no matter how many", "God speaks to him once again. They have a long conversation and the", "the plot still interesting and characters, including the Psopzot, interesting and relatable, without", "Psopzot, and he is helped by God himself, and no matter how much", "itself. Here is a quick overview of my plot: In the fictional world", "and the Psopzot storyline, because they are a really important part of the", "ask the question itself. Here is a quick overview of my plot: In", "be obvious that he will survive and that the danger will be defeated", "again. They have a long conversation and the Psopzot is in the end", "the commanders in the war against this danger that is appearing, but he", "R. R. Martin who makes us think no one is safe in Westeros,", "didn't saw one another in few years and they are on completely opposite", "the war against this danger that is appearing, but he and his brother,", "to the top of a great mountain and waits there to die until", "in Westeros, yet still, Tolkien keeps his characters rather safe and they are", "matter how much I make his path dangerous and deadly, no matter how", "plot still interesting and characters, including the Psopzot, interesting and relatable, without having", "that the Psopzot is...well, a Psopzot, and he is helped by God himself,", "path dangerous and deadly, no matter how many times I put him in", "think that with this kind of plot it makes the Psopzot and other", "the Psopzot is in the end encouraged enough to go on in his", "are still relatable and interesting. So, my question is: how do I make", "end. There is a good idea I thought can little \"redeem\" this. I", "characters rather safe and they are still relatable and interesting. So, my question", "also have their POV chapters. My problem is that the Psopzot is...well, a", "and interesting. So, my question is: how do I make the plot still", "one is safe in Westeros, yet still, Tolkien keeps his characters rather safe", "a great danger appearing, and God Creator of Slavaz appears to a young,", "still, Tolkien keeps his characters rather safe and they are still relatable and", "side. I always think of G. R. R. Martin who makes us think", "\"redeem\" this. I have the Psopzot once thinking that God abandoned him and", "kind of plot it makes the Psopzot and other characters less likable and", "gonna be defeated, 'cause hey, God is on their side. I always think", "is: how do I make the plot still interesting and characters, including the", "dangerous and deadly, no matter how many times I put him in deadly", "apart from them there are others who also have their POV chapters. My", "Psopzot, interesting and relatable, without having to blot out God and the Psopzot", "one of the commanders in the war against this danger that is appearing,", "question itself. Here is a quick overview of my plot: In the fictional", "brother is one of the commanders in the war against this danger that", "main characters, but apart from them there are others who also have their", "and no matter how much I make his path dangerous and deadly, no", "relatable, since danger is obviously gonna be defeated, 'cause hey, God is on", "I still think that with this kind of plot it makes the Psopzot", "the Psopzot and other characters less likable and relatable, since danger is obviously", "in the war against this danger that is appearing, but he and his", "think no one is safe in Westeros, yet still, Tolkien keeps his characters", "obvious that he will survive and that the danger will be defeated in", "others who also have their POV chapters. My problem is that the Psopzot", "this kind of plot it makes the Psopzot and other characters less likable", "is helped by God himself, and no matter how much I make his", "end encouraged enough to go on in his mission. Now, the Psopzot's safety", "of plot it makes the Psopzot and other characters less likable and relatable,", "appearing, but he and his brother, the Psopzot, don't meet one another until", "in the end encouraged enough to go on in his mission. Now, the", "simple shepherd and calls him to be his prophet and lead the races", "and they are on completely opposite sides of Slavaz. The older brother is", "to a young, simple shepherd and calls him to be his prophet and", "but I still think that with this kind of plot it makes the", "and they didn't saw one another in few years and they are on", "God and the Psopzot storyline, because they are a really important part of", "fictional world named Slavaz, there is a great danger appearing, and God Creator", "danger is obviously gonna be defeated, 'cause hey, God is on their side.", "out God and the Psopzot storyline, because they are a really important part", "My problem is that the Psopzot is...well, a Psopzot, and he is helped", "a quick overview of my plot: In the fictional world named Slavaz, there", "top of a great mountain and waits there to die until God speaks", "So, my question is: how do I make the plot still interesting and", "until God speaks to him once again. They have a long conversation and", "and his brother, the Psopzot, don't meet one another until very late in", "Psopzot and other characters less likable and relatable, since danger is obviously gonna", "then he goes alone to the top of a great mountain and waits", "idea I thought can little \"redeem\" this. I have the Psopzot once thinking", "that he will survive and that the danger will be defeated in the", "is one of the commanders in the war against this danger that is", "interesting. So, my question is: how do I make the plot still interesting", "God abandoned him and then he goes alone to the top of a", "have a long conversation and the Psopzot is in the end encouraged enough", "and lead the races o Slavaz against this danger. Apart from him, there", "dangers, it will be obvious that he will survive and that the danger", "once again. They have a long conversation and the Psopzot is in the", "he and his brother, the Psopzot, don't meet one another until very late", "including the Psopzot, interesting and relatable, without having to blot out God and", "one another until very late in the story. They are two main characters,", "interesting and characters, including the Psopzot, interesting and relatable, without having to blot", "two main characters, but apart from them there are others who also have", "goes alone to the top of a great mountain and waits there to", "will survive and that the danger will be defeated in the end. There", "defeated in the end. There is a good idea I thought can little", "little \"redeem\" this. I have the Psopzot once thinking that God abandoned him", "Here is a quick overview of my plot: In the fictional world named", "brother and they didn't saw one another in few years and they are", "still relatable and interesting. So, my question is: how do I make the", "the races o Slavaz against this danger. Apart from him, there is also", "a long conversation and the Psopzot is in the end encouraged enough to", "chapters. My problem is that the Psopzot is...well, a Psopzot, and he is", "great mountain and waits there to die until God speaks to him once", "is in the end encouraged enough to go on in his mission. Now,", "it will be obvious that he will survive and that the danger will", "a good idea I thought can little \"redeem\" this. I have the Psopzot", "his mission. Now, the Psopzot's safety doesn't mean other characters are safe, but", "there to die until God speaks to him once again. They have a", "the Psopzot is...well, a Psopzot, and he is helped by God himself, and", "gonna be long before I ask the question itself. Here is a quick", "plot it makes the Psopzot and other characters less likable and relatable, since", "of the commanders in the war against this danger that is appearing, but", "with this kind of plot it makes the Psopzot and other characters less", "I put him in deadly dangers, it will be obvious that he will", "there is also his older brother and they didn't saw one another in", "my question is: how do I make the plot still interesting and characters,", "interesting and relatable, without having to blot out God and the Psopzot storyline,", "his older brother and they didn't saw one another in few years and", "Psopzot storyline, because they are a really important part of the story? Thanks", "keeps his characters rather safe and they are still relatable and interesting. So,", "having to blot out God and the Psopzot storyline, because they are a", "R. Martin who makes us think no one is safe in Westeros, yet", "They are two main characters, but apart from them there are others who", "yet still, Tolkien keeps his characters rather safe and they are still relatable", "This is gonna be long before I ask the question itself. Here is", "they are still relatable and interesting. So, my question is: how do I", "on in his mission. Now, the Psopzot's safety doesn't mean other characters are", "this. I have the Psopzot once thinking that God abandoned him and then", "Psopzot is...well, a Psopzot, and he is helped by God himself, and no", "of G. R. R. Martin who makes us think no one is safe", "it makes the Psopzot and other characters less likable and relatable, since danger", "question is: how do I make the plot still interesting and characters, including", "is a great danger appearing, and God Creator of Slavaz appears to a", "Psopzot's safety doesn't mean other characters are safe, but I still think that", "put him in deadly dangers, it will be obvious that he will survive", "in his mission. Now, the Psopzot's safety doesn't mean other characters are safe,", "is safe in Westeros, yet still, Tolkien keeps his characters rather safe and", "mountain and waits there to die until God speaks to him once again.", "make his path dangerous and deadly, no matter how many times I put", "mission. Now, the Psopzot's safety doesn't mean other characters are safe, but I", "him in deadly dangers, it will be obvious that he will survive and", "another in few years and they are on completely opposite sides of Slavaz.", "will be obvious that he will survive and that the danger will be", "survive and that the danger will be defeated in the end. There is", "are others who also have their POV chapters. My problem is that the", "of a great mountain and waits there to die until God speaks to", "God is on their side. I always think of G. R. R. Martin", "Tolkien keeps his characters rather safe and they are still relatable and interesting.", "much I make his path dangerous and deadly, no matter how many times", "him to be his prophet and lead the races o Slavaz against this", "older brother and they didn't saw one another in few years and they", "of Slavaz appears to a young, simple shepherd and calls him to be", "their POV chapters. My problem is that the Psopzot is...well, a Psopzot, and", "few years and they are on completely opposite sides of Slavaz. The older", "enough to go on in his mission. Now, the Psopzot's safety doesn't mean", "is also his older brother and they didn't saw one another in few", "this danger. Apart from him, there is also his older brother and they", "story. They are two main characters, but apart from them there are others", "is on their side. I always think of G. R. R. Martin who", "completely opposite sides of Slavaz. The older brother is one of the commanders", "the Psopzot's safety doesn't mean other characters are safe, but I still think", "go on in his mission. Now, the Psopzot's safety doesn't mean other characters", "I have the Psopzot once thinking that God abandoned him and then he", "obviously gonna be defeated, 'cause hey, God is on their side. I always", "relatable and interesting. So, my question is: how do I make the plot", "years and they are on completely opposite sides of Slavaz. The older brother", "Slavaz. The older brother is one of the commanders in the war against", "there are others who also have their POV chapters. My problem is that", "who makes us think no one is safe in Westeros, yet still, Tolkien", "have the Psopzot once thinking that God abandoned him and then he goes", "have their POV chapters. My problem is that the Psopzot is...well, a Psopzot,", "late in the story. They are two main characters, but apart from them", "they didn't saw one another in few years and they are on completely", "and relatable, without having to blot out God and the Psopzot storyline, because", "other characters less likable and relatable, since danger is obviously gonna be defeated,", "are safe, but I still think that with this kind of plot it", "but he and his brother, the Psopzot, don't meet one another until very", "relatable, without having to blot out God and the Psopzot storyline, because they", "always think of G. R. R. Martin who makes us think no one", "him, there is also his older brother and they didn't saw one another", "can little \"redeem\" this. I have the Psopzot once thinking that God abandoned", "Apart from him, there is also his older brother and they didn't saw", "They have a long conversation and the Psopzot is in the end encouraged", "races o Slavaz against this danger. Apart from him, there is also his", "I ask the question itself. Here is a quick overview of my plot:", "on their side. I always think of G. R. R. Martin who makes", "the Psopzot storyline, because they are a really important part of the story?", "also his older brother and they didn't saw one another in few years", "war against this danger that is appearing, but he and his brother, the", "and calls him to be his prophet and lead the races o Slavaz", "no one is safe in Westeros, yet still, Tolkien keeps his characters rather", "'cause hey, God is on their side. I always think of G. R.", "makes the Psopzot and other characters less likable and relatable, since danger is" ]
[ "because I'm so passionate about, a lot of the time I'm very overwhelmed", "Please advise me on what I should do, it's so frustrating. Thank you.", "about and will hopefully be able to publish. But because I'm so passionate", "core plot and the ending is still there. That doesn't change it, it's", "the story for a couple of days. This happens to me quite a", "was high time I did something about it. I'm currently writing a story,", "I hope I was clear enough. Please advise me on what I should", "ideas. For example, I'd be writing a certain chapter and two different string", "each of these different scenarios could lead to a whole different plot, but", "clear enough. Please advise me on what I should do, it's so frustrating.", "something about it. I'm currently writing a story, that I'm very passionate about", "enough. Please advise me on what I should do, it's so frustrating. Thank", "plot and the ending is still there. That doesn't change it, it's just", "a story, that I'm very passionate about and will hopefully be able to", "readers. Has this ever happened to anyone before? I hope I was clear", "give up the story for a couple of days. This happens to me", "so are my readers. Has this ever happened to anyone before? I hope", "come to mind. And each of these different scenarios could lead to a", "chapter and two different string of events or more come to mind. And", "lot of the time I'm very overwhelmed by so many ideas. For example,", "this happens to me all the time, and usually, when it does I", "and give up the story for a couple of days. This happens to", "I did something about it. I'm currently writing a story, that I'm very", "to a whole different plot, but the main core plot and the ending", "story, that I'm very passionate about and will hopefully be able to publish.", "is still there. That doesn't change it, it's just in my mind if", "get mentally frustrated and give up the story for a couple of days.", "I don't write a certain scenario I'm missing out on it, and so", "to me quite a lot, so I thought it was high time I", "it does I get mentally frustrated and give up the story for a", "that I'm very passionate about and will hopefully be able to publish. But", "time I'm very overwhelmed by so many ideas. For example, I'd be writing", "writing a certain chapter and two different string of events or more come", "Has this ever happened to anyone before? I hope I was clear enough.", "on it, and so are my readers. Has this ever happened to anyone", "about it. I'm currently writing a story, that I'm very passionate about and", "anyone before? I hope I was clear enough. Please advise me on what", "publish. But because I'm so passionate about, a lot of the time I'm", "able to publish. But because I'm so passionate about, a lot of the", "For example, I'd be writing a certain chapter and two different string of", "different string of events or more come to mind. And each of these", "frustrated and give up the story for a couple of days. This happens", "of events or more come to mind. And each of these different scenarios", "story for a couple of days. This happens to me quite a lot,", "to publish. But because I'm so passionate about, a lot of the time", "This happens to me quite a lot, so I thought it was high", "I'd be writing a certain chapter and two different string of events or", "does I get mentally frustrated and give up the story for a couple", "certain scenario I'm missing out on it, and so are my readers. Has", "the main core plot and the ending is still there. That doesn't change", "more come to mind. And each of these different scenarios could lead to", "out on it, and so are my readers. Has this ever happened to", "did something about it. I'm currently writing a story, that I'm very passionate", "happens to me quite a lot, so I thought it was high time", "the ending is still there. That doesn't change it, it's just in my", "mind if I don't write a certain scenario I'm missing out on it,", "the time I'm very overwhelmed by so many ideas. For example, I'd be", "of days. This happens to me quite a lot, so I thought it", "and the ending is still there. That doesn't change it, it's just in", "up the story for a couple of days. This happens to me quite", "And each of these different scenarios could lead to a whole different plot,", "to mind. And each of these different scenarios could lead to a whole", "and two different string of events or more come to mind. And each", "but the main core plot and the ending is still there. That doesn't", "a whole different plot, but the main core plot and the ending is", "me quite a lot, so I thought it was high time I did", "overwhelmed by so many ideas. For example, I'd be writing a certain chapter", "high time I did something about it. I'm currently writing a story, that", "I'm very overwhelmed by so many ideas. For example, I'd be writing a", "example, I'd be writing a certain chapter and two different string of events", "string of events or more come to mind. And each of these different", "this ever happened to anyone before? I hope I was clear enough. Please", "I'm currently writing a story, that I'm very passionate about and will hopefully", "I was clear enough. Please advise me on what I should do, it's", "to me all the time, and usually, when it does I get mentally", "time, and usually, when it does I get mentally frustrated and give up", "different plot, but the main core plot and the ending is still there.", "just in my mind if I don't write a certain scenario I'm missing", "be able to publish. But because I'm so passionate about, a lot of", "happens to me all the time, and usually, when it does I get", "change it, it's just in my mind if I don't write a certain", "it, it's just in my mind if I don't write a certain scenario", "a couple of days. This happens to me quite a lot, so I", "thought it was high time I did something about it. I'm currently writing", "it's just in my mind if I don't write a certain scenario I'm", "all the time, and usually, when it does I get mentally frustrated and", "a lot of the time I'm very overwhelmed by so many ideas. For", "was clear enough. Please advise me on what I should do, it's so", "hope I was clear enough. Please advise me on what I should do,", "missing out on it, and so are my readers. Has this ever happened", "events or more come to mind. And each of these different scenarios could", "a certain scenario I'm missing out on it, and so are my readers.", "I'm so passionate about, a lot of the time I'm very overwhelmed by", "for a couple of days. This happens to me quite a lot, so", "if I don't write a certain scenario I'm missing out on it, and", "before? I hope I was clear enough. Please advise me on what I", "of these different scenarios could lead to a whole different plot, but the", "happened to anyone before? I hope I was clear enough. Please advise me", "a certain chapter and two different string of events or more come to", "these different scenarios could lead to a whole different plot, but the main", "write a certain scenario I'm missing out on it, and so are my", "So, this happens to me all the time, and usually, when it does", "when it does I get mentally frustrated and give up the story for", "currently writing a story, that I'm very passionate about and will hopefully be", "it, and so are my readers. Has this ever happened to anyone before?", "about, a lot of the time I'm very overwhelmed by so many ideas.", "mind. And each of these different scenarios could lead to a whole different", "in my mind if I don't write a certain scenario I'm missing out", "doesn't change it, it's just in my mind if I don't write a", "could lead to a whole different plot, but the main core plot and", "lot, so I thought it was high time I did something about it.", "two different string of events or more come to mind. And each of", "days. This happens to me quite a lot, so I thought it was", "or more come to mind. And each of these different scenarios could lead", "it. I'm currently writing a story, that I'm very passionate about and will", "very overwhelmed by so many ideas. For example, I'd be writing a certain", "scenario I'm missing out on it, and so are my readers. Has this", "my readers. Has this ever happened to anyone before? I hope I was", "I thought it was high time I did something about it. I'm currently", "so passionate about, a lot of the time I'm very overwhelmed by so", "it was high time I did something about it. I'm currently writing a", "plot, but the main core plot and the ending is still there. That", "quite a lot, so I thought it was high time I did something", "whole different plot, but the main core plot and the ending is still", "writing a story, that I'm very passionate about and will hopefully be able", "I'm very passionate about and will hopefully be able to publish. But because", "so I thought it was high time I did something about it. I'm", "I'm missing out on it, and so are my readers. Has this ever", "still there. That doesn't change it, it's just in my mind if I", "scenarios could lead to a whole different plot, but the main core plot", "passionate about, a lot of the time I'm very overwhelmed by so many", "don't write a certain scenario I'm missing out on it, and so are", "lead to a whole different plot, but the main core plot and the", "be writing a certain chapter and two different string of events or more", "different scenarios could lead to a whole different plot, but the main core", "certain chapter and two different string of events or more come to mind.", "ever happened to anyone before? I hope I was clear enough. Please advise", "the time, and usually, when it does I get mentally frustrated and give", "time I did something about it. I'm currently writing a story, that I'm", "my mind if I don't write a certain scenario I'm missing out on", "and usually, when it does I get mentally frustrated and give up the", "very passionate about and will hopefully be able to publish. But because I'm", "I get mentally frustrated and give up the story for a couple of", "But because I'm so passionate about, a lot of the time I'm very", "by so many ideas. For example, I'd be writing a certain chapter and", "many ideas. For example, I'd be writing a certain chapter and two different", "and will hopefully be able to publish. But because I'm so passionate about,", "That doesn't change it, it's just in my mind if I don't write", "are my readers. Has this ever happened to anyone before? I hope I", "passionate about and will hopefully be able to publish. But because I'm so", "mentally frustrated and give up the story for a couple of days. This", "so many ideas. For example, I'd be writing a certain chapter and two", "of the time I'm very overwhelmed by so many ideas. For example, I'd", "will hopefully be able to publish. But because I'm so passionate about, a", "and so are my readers. Has this ever happened to anyone before? I", "me all the time, and usually, when it does I get mentally frustrated", "to anyone before? I hope I was clear enough. Please advise me on", "main core plot and the ending is still there. That doesn't change it,", "there. That doesn't change it, it's just in my mind if I don't", "couple of days. This happens to me quite a lot, so I thought", "a lot, so I thought it was high time I did something about", "ending is still there. That doesn't change it, it's just in my mind", "usually, when it does I get mentally frustrated and give up the story", "hopefully be able to publish. But because I'm so passionate about, a lot" ]
[ "traits are meant to be their kindness/high degree of empathy, social awkwardness/obliviousness to", "and in some cases come off as desperate to please them. However, I've", "empathetic behavior. They come across as \"mostly nasty with a kind side\" rather", "this character. They are rather anti-social, shy, and don't like to be around", "their social awkwardness and general obliviousness to social cues they might not notice", "they care about they often prefer to go off on their own than", "which seem to \"cancel out\" any otherwise empathetic behavior. They come across as", "buttons are pressed they can be nasty and brutal (which is intended to", "to be kind, but I am running into difficulty doing that because of", "often prefer to go off on their own than try to socialize. Therefore,", "to be present when a situation does arise that would demonstrate this trait", "They come across as \"mostly nasty with a kind side\" rather than \"mostly", "side they don't like to acknowledge\". The issue is that while \"kind\", \"shy\",", "more introverted individuals being supportive privately when no one is looking (i.e., showing", "when in public their demeanor often comes across as icy and when their", "most prominent traits are meant to be their kindness/high degree of empathy, social", "kind to animals. While it fits with this character's personality, it also feels", "supportive privately when no one is looking (i.e., showing them being nice to/protective", "across as \"mostly nasty with a kind side\" rather than \"mostly kind with", "of others or for more introverted individuals being supportive privately when no one", "confidence to act. The character does display kindness to the people they are", "to be their kindness/high degree of empathy, social awkwardness/obliviousness to social cues, and", "of others, and in some cases come off as desperate to please them.", "they do like to spend time with people they care about they often", "for whom three of their most prominent traits are meant to be their", "to be a character flaw), which seem to \"cancel out\" any otherwise empathetic", "to please them. However, I've noticed this doesn't seem to make them come", "who wish for their characters to be interpreted as kind do this through", "they are supposed to be kind, but I am running into difficulty doing", "as desperate to please them. However, I've noticed this doesn't seem to make", "than \"mostly kind with an occasional nasty side they don't like to acknowledge\".", "about they often prefer to go off on their own than try to", "help). Additionally, because of their social awkwardness and general obliviousness to social cues", "to social cues, and overall introversion. I am trying to show, not tell,", "behavior. They come across as \"mostly nasty with a kind side\" rather than", "their buttons are pressed they can be nasty and brutal (which is intended", "wish for their characters to be interpreted as kind do this through displaying", "to show the character is kind to animals. While it fits with this", "doing that because of the other two personality traits. Most of the time,", "them. However, I've noticed this doesn't seem to make them come off as", "overall introversion. I am trying to show, not tell, that they are supposed", "strangers). That doesn't really work for this character. They are rather anti-social, shy,", "pressed they can be nasty and brutal (which is intended to be a", "they care about the well-being of their friends and family, show concern over", "do like to spend time with people they care about they often prefer", "contradictory personality traits, they latter two can easily mask the first in a", "of their social awkwardness and general obliviousness to social cues they might not", "someone needs help even if they would care if they did notice, or", "character's kindness is to show the character is kind to animals. While it", "that would demonstrate this trait (i.e., assisting someone who needs help). Additionally, because", "and brutal (which is intended to be a character flaw), which seem to", "are pressed they can be nasty and brutal (which is intended to be", "they have fewer opportunities to display kindness/empathy or are less likely to be", "be around large groups of unfamiliar people, and while they do like to", "to make them come off as notably kind compared to anyone else, especially", "and overall introversion. I am trying to show, not tell, that they are", "shy, and don't like to be around large groups of unfamiliar people, and", "to act. The character does display kindness to the people they are close", "empathy, social awkwardness/obliviousness to social cues, and overall introversion. I am trying to", "present when a situation does arise that would demonstrate this trait (i.e., assisting", "Therefore, they have fewer opportunities to display kindness/empathy or are less likely to", "a kind side\" rather than \"mostly kind with an occasional nasty side they", "don't like to acknowledge\". The issue is that while \"kind\", \"shy\", and \"socially", "demeanor often comes across as icy and when their buttons are pressed they", "and don't like to be around large groups of unfamiliar people, and while", "prominent traits are meant to be their kindness/high degree of empathy, social awkwardness/obliviousness", "go off on their own than try to socialize. Therefore, they have fewer", "either through extroverted individuals being publicly nice and supportive of others or for", "The character does display kindness to the people they are close to, demonstrating", "the reader to pick up on. The only other way I have noticed", "flaw), which seem to \"cancel out\" any otherwise empathetic behavior. They come across", "would demonstrate this trait (i.e., assisting someone who needs help). Additionally, because of", "others, and in some cases come off as desperate to please them. However,", "two personality traits. Most of the time, I have noticed that authors who", "a character's behavior in social interactions, either through extroverted individuals being publicly nice", "for this character. They are rather anti-social, shy, and don't like to be", "rather than \"mostly kind with an occasional nasty side they don't like to", "way I have noticed authors display a character's kindness is to show the", "others or for more introverted individuals being supportive privately when no one is", "cases come off as desperate to please them. However, I've noticed this doesn't", "introversion. I am trying to show, not tell, that they are supposed to", "this character's personality, it also feels like a rather brazenly unsubtle attempt at", "be interpreted as kind do this through displaying a character's behavior in social", "that they are supposed to be kind, but I am running into difficulty", "noticed that authors who wish for their characters to be interpreted as kind", "friends and family, show concern over the emotional state of others, and in", "as \"mostly nasty with a kind side\" rather than \"mostly kind with an", "it also feels like a rather brazenly unsubtle attempt at gaining audience sympathy.", "if something is wrong or someone needs help even if they would care", "time with people they care about they often prefer to go off on", "else, especially when in public their demeanor often comes across as icy and", "side\" rather than \"mostly kind with an occasional nasty side they don't like", "\"shy\", and \"socially awkward/oblivious\" aren't contradictory personality traits, they latter two can easily", "behavior in social interactions, either through extroverted individuals being publicly nice and supportive", "showing them being nice to/protective of strangers). That doesn't really work for this", "not notice if something is wrong or someone needs help even if they", "animals. While it fits with this character's personality, it also feels like a", "to/protective of strangers). That doesn't really work for this character. They are rather", "a character flaw), which seem to \"cancel out\" any otherwise empathetic behavior. They", "is kind to animals. While it fits with this character's personality, it also", "anyone else, especially when in public their demeanor often comes across as icy", "try to socialize. Therefore, they have fewer opportunities to display kindness/empathy or are", "be present when a situation does arise that would demonstrate this trait (i.e.,", "to \"cancel out\" any otherwise empathetic behavior. They come across as \"mostly nasty", "or are less likely to be present when a situation does arise that", "cues, and overall introversion. I am trying to show, not tell, that they", "(which is intended to be a character flaw), which seem to \"cancel out\"", "to be interpreted as kind do this through displaying a character's behavior in", "anti-social, shy, and don't like to be around large groups of unfamiliar people,", "off on their own than try to socialize. Therefore, they have fewer opportunities", "whom three of their most prominent traits are meant to be their kindness/high", "to show, not tell, that they are supposed to be kind, but I", "extroverted individuals being publicly nice and supportive of others or for more introverted", "While it fits with this character's personality, it also feels like a rather", "someone who needs help). Additionally, because of their social awkwardness and general obliviousness", "it fits with this character's personality, it also feels like a rather brazenly", "in public their demeanor often comes across as icy and when their buttons", "like to acknowledge\". The issue is that while \"kind\", \"shy\", and \"socially awkward/oblivious\"", "character is kind to animals. While it fits with this character's personality, it", "nice and supportive of others or for more introverted individuals being supportive privately", "social awkwardness and general obliviousness to social cues they might not notice if", "displaying a character's behavior in social interactions, either through extroverted individuals being publicly", "to the people they are close to, demonstrating through their actions that they", "through displaying a character's behavior in social interactions, either through extroverted individuals being", "act. The character does display kindness to the people they are close to,", "easily mask the first in a way that makes it hard for the", "wrong or someone needs help even if they would care if they did", "are meant to be their kindness/high degree of empathy, social awkwardness/obliviousness to social", "are rather anti-social, shy, and don't like to be around large groups of", "they often prefer to go off on their own than try to socialize.", "public their demeanor often comes across as icy and when their buttons are", "them being nice to/protective of strangers). That doesn't really work for this character.", "have noticed that authors who wish for their characters to be interpreted as", "social cues, and overall introversion. I am trying to show, not tell, that", "time, I have noticed that authors who wish for their characters to be", "latter two can easily mask the first in a way that makes it", "makes it hard for the reader to pick up on. The only other", "does display kindness to the people they are close to, demonstrating through their", "up on. The only other way I have noticed authors display a character's", "they can be nasty and brutal (which is intended to be a character", "The only other way I have noticed authors display a character's kindness is", "in social interactions, either through extroverted individuals being publicly nice and supportive of", "that makes it hard for the reader to pick up on. The only", "even if they would care if they did notice, or have enough confidence", "That doesn't really work for this character. They are rather anti-social, shy, and", "actions that they care about the well-being of their friends and family, show", "as kind do this through displaying a character's behavior in social interactions, either", "kindness/empathy or are less likely to be present when a situation does arise", "notice if something is wrong or someone needs help even if they would", "when no one is looking (i.e., showing them being nice to/protective of strangers).", "come off as desperate to please them. However, I've noticed this doesn't seem", "especially when in public their demeanor often comes across as icy and when", "pick up on. The only other way I have noticed authors display a", "are close to, demonstrating through their actions that they care about the well-being", "their own than try to socialize. Therefore, they have fewer opportunities to display", "and supportive of others or for more introverted individuals being supportive privately when", "with a kind side\" rather than \"mostly kind with an occasional nasty side", "like to spend time with people they care about they often prefer to", "I have noticed authors display a character's kindness is to show the character", "authors who wish for their characters to be interpreted as kind do this", "well-being of their friends and family, show concern over the emotional state of", "a character's kindness is to show the character is kind to animals. While", "running into difficulty doing that because of the other two personality traits. Most", "off as desperate to please them. However, I've noticed this doesn't seem to", "as notably kind compared to anyone else, especially when in public their demeanor", "and \"socially awkward/oblivious\" aren't contradictory personality traits, they latter two can easily mask", "any otherwise empathetic behavior. They come across as \"mostly nasty with a kind", "publicly nice and supportive of others or for more introverted individuals being supportive", "of strangers). That doesn't really work for this character. They are rather anti-social,", "to socialize. Therefore, they have fewer opportunities to display kindness/empathy or are less", "I am trying to show, not tell, that they are supposed to be", "over the emotional state of others, and in some cases come off as", "people they care about they often prefer to go off on their own", "three of their most prominent traits are meant to be their kindness/high degree", "seem to \"cancel out\" any otherwise empathetic behavior. They come across as \"mostly", "people they are close to, demonstrating through their actions that they care about", "awkward/oblivious\" aren't contradictory personality traits, they latter two can easily mask the first", "to display kindness/empathy or are less likely to be present when a situation", "Most of the time, I have noticed that authors who wish for their", "please them. However, I've noticed this doesn't seem to make them come off", "on their own than try to socialize. Therefore, they have fewer opportunities to", "fewer opportunities to display kindness/empathy or are less likely to be present when", "but I am running into difficulty doing that because of the other two", "kind do this through displaying a character's behavior in social interactions, either through", "nice to/protective of strangers). That doesn't really work for this character. They are", "because of their social awkwardness and general obliviousness to social cues they might", "on. The only other way I have noticed authors display a character's kindness", "around large groups of unfamiliar people, and while they do like to spend", "often comes across as icy and when their buttons are pressed they can", "difficulty doing that because of the other two personality traits. Most of the", "an occasional nasty side they don't like to acknowledge\". The issue is that", "Additionally, because of their social awkwardness and general obliviousness to social cues they", "some cases come off as desperate to please them. However, I've noticed this", "they don't like to acknowledge\". The issue is that while \"kind\", \"shy\", and", "through their actions that they care about the well-being of their friends and", "being nice to/protective of strangers). That doesn't really work for this character. They", "intended to be a character flaw), which seem to \"cancel out\" any otherwise", "display kindness to the people they are close to, demonstrating through their actions", "character's behavior in social interactions, either through extroverted individuals being publicly nice and", "is looking (i.e., showing them being nice to/protective of strangers). That doesn't really", "supportive of others or for more introverted individuals being supportive privately when no", "being publicly nice and supportive of others or for more introverted individuals being", "their actions that they care about the well-being of their friends and family,", "like to be around large groups of unfamiliar people, and while they do", "come off as notably kind compared to anyone else, especially when in public", "for the reader to pick up on. The only other way I have", "unfamiliar people, and while they do like to spend time with people they", "desperate to please them. However, I've noticed this doesn't seem to make them", "they would care if they did notice, or have enough confidence to act.", "I've noticed this doesn't seem to make them come off as notably kind", "off as notably kind compared to anyone else, especially when in public their", "the people they are close to, demonstrating through their actions that they care", "acknowledge\". The issue is that while \"kind\", \"shy\", and \"socially awkward/oblivious\" aren't contradictory", "arise that would demonstrate this trait (i.e., assisting someone who needs help). Additionally,", "personality, it also feels like a rather brazenly unsubtle attempt at gaining audience", "is wrong or someone needs help even if they would care if they", "family, show concern over the emotional state of others, and in some cases", "no one is looking (i.e., showing them being nice to/protective of strangers). That", "of unfamiliar people, and while they do like to spend time with people", "doesn't seem to make them come off as notably kind compared to anyone", "have noticed authors display a character's kindness is to show the character is", "issue is that while \"kind\", \"shy\", and \"socially awkward/oblivious\" aren't contradictory personality traits,", "first in a way that makes it hard for the reader to pick", "a character for whom three of their most prominent traits are meant to", "is to show the character is kind to animals. While it fits with", "their characters to be interpreted as kind do this through displaying a character's", "the character is kind to animals. While it fits with this character's personality,", "nasty side they don't like to acknowledge\". The issue is that while \"kind\",", "character does display kindness to the people they are close to, demonstrating through", "demonstrate this trait (i.e., assisting someone who needs help). Additionally, because of their", "aren't contradictory personality traits, they latter two can easily mask the first in", "traits, they latter two can easily mask the first in a way that", "social interactions, either through extroverted individuals being publicly nice and supportive of others", "state of others, and in some cases come off as desperate to please", "two can easily mask the first in a way that makes it hard", "have fewer opportunities to display kindness/empathy or are less likely to be present", "are supposed to be kind, but I am running into difficulty doing that", "of the other two personality traits. Most of the time, I have noticed", "to animals. While it fits with this character's personality, it also feels like", "(i.e., assisting someone who needs help). Additionally, because of their social awkwardness and", "nasty with a kind side\" rather than \"mostly kind with an occasional nasty", "the other two personality traits. Most of the time, I have noticed that", "\"socially awkward/oblivious\" aren't contradictory personality traits, they latter two can easily mask the", "doesn't really work for this character. They are rather anti-social, shy, and don't", "a situation does arise that would demonstrate this trait (i.e., assisting someone who", "traits. Most of the time, I have noticed that authors who wish for", "authors display a character's kindness is to show the character is kind to", "do this through displaying a character's behavior in social interactions, either through extroverted", "kind side\" rather than \"mostly kind with an occasional nasty side they don't", "noticed this doesn't seem to make them come off as notably kind compared", "if they did notice, or have enough confidence to act. The character does", "the first in a way that makes it hard for the reader to", "might not notice if something is wrong or someone needs help even if", "degree of empathy, social awkwardness/obliviousness to social cues, and overall introversion. I am", "to spend time with people they care about they often prefer to go", "if they would care if they did notice, or have enough confidence to", "with people they care about they often prefer to go off on their", "compared to anyone else, especially when in public their demeanor often comes across", "or for more introverted individuals being supportive privately when no one is looking", "have enough confidence to act. The character does display kindness to the people", "they are close to, demonstrating through their actions that they care about the", "is that while \"kind\", \"shy\", and \"socially awkward/oblivious\" aren't contradictory personality traits, they", "out\" any otherwise empathetic behavior. They come across as \"mostly nasty with a", "other two personality traits. Most of the time, I have noticed that authors", "prefer to go off on their own than try to socialize. Therefore, they", "their kindness/high degree of empathy, social awkwardness/obliviousness to social cues, and overall introversion.", "a way that makes it hard for the reader to pick up on.", "meant to be their kindness/high degree of empathy, social awkwardness/obliviousness to social cues,", "is intended to be a character flaw), which seem to \"cancel out\" any", "did notice, or have enough confidence to act. The character does display kindness", "I am running into difficulty doing that because of the other two personality", "that while \"kind\", \"shy\", and \"socially awkward/oblivious\" aren't contradictory personality traits, they latter", "they might not notice if something is wrong or someone needs help even", "kindness/high degree of empathy, social awkwardness/obliviousness to social cues, and overall introversion. I", "something is wrong or someone needs help even if they would care if", "care about the well-being of their friends and family, show concern over the", "individuals being publicly nice and supportive of others or for more introverted individuals", "when a situation does arise that would demonstrate this trait (i.e., assisting someone", "display kindness/empathy or are less likely to be present when a situation does", "fits with this character's personality, it also feels like a rather brazenly unsubtle", "or have enough confidence to act. The character does display kindness to the", "\"mostly kind with an occasional nasty side they don't like to acknowledge\". The", "make them come off as notably kind compared to anyone else, especially when", "can easily mask the first in a way that makes it hard for", "to, demonstrating through their actions that they care about the well-being of their", "of their most prominent traits are meant to be their kindness/high degree of", "emotional state of others, and in some cases come off as desperate to", "comes across as icy and when their buttons are pressed they can be", "being supportive privately when no one is looking (i.e., showing them being nice", "when their buttons are pressed they can be nasty and brutal (which is", "through extroverted individuals being publicly nice and supportive of others or for more", "awkwardness and general obliviousness to social cues they might not notice if something", "supposed to be kind, but I am running into difficulty doing that because", "way that makes it hard for the reader to pick up on. The", "not tell, that they are supposed to be kind, but I am running", "care about they often prefer to go off on their own than try", "it hard for the reader to pick up on. The only other way", "to social cues they might not notice if something is wrong or someone", "large groups of unfamiliar people, and while they do like to spend time", "and general obliviousness to social cues they might not notice if something is", "kindness to the people they are close to, demonstrating through their actions that", "close to, demonstrating through their actions that they care about the well-being of", "that they care about the well-being of their friends and family, show concern", "display a character's kindness is to show the character is kind to animals.", "rather anti-social, shy, and don't like to be around large groups of unfamiliar", "this through displaying a character's behavior in social interactions, either through extroverted individuals", "social awkwardness/obliviousness to social cues, and overall introversion. I am trying to show,", "otherwise empathetic behavior. They come across as \"mostly nasty with a kind side\"", "does arise that would demonstrate this trait (i.e., assisting someone who needs help).", "The issue is that while \"kind\", \"shy\", and \"socially awkward/oblivious\" aren't contradictory personality", "really work for this character. They are rather anti-social, shy, and don't like", "or someone needs help even if they would care if they did notice,", "character's personality, it also feels like a rather brazenly unsubtle attempt at gaining", "of empathy, social awkwardness/obliviousness to social cues, and overall introversion. I am trying", "while they do like to spend time with people they care about they", "come across as \"mostly nasty with a kind side\" rather than \"mostly kind", "obliviousness to social cues they might not notice if something is wrong or", "reader to pick up on. The only other way I have noticed authors", "I have a character for whom three of their most prominent traits are", "don't like to be around large groups of unfamiliar people, and while they", "while \"kind\", \"shy\", and \"socially awkward/oblivious\" aren't contradictory personality traits, they latter two", "brutal (which is intended to be a character flaw), which seem to \"cancel", "their friends and family, show concern over the emotional state of others, and", "are less likely to be present when a situation does arise that would", "in a way that makes it hard for the reader to pick up", "show the character is kind to animals. While it fits with this character's", "opportunities to display kindness/empathy or are less likely to be present when a", "personality traits, they latter two can easily mask the first in a way", "kind with an occasional nasty side they don't like to acknowledge\". The issue", "situation does arise that would demonstrate this trait (i.e., assisting someone who needs", "have a character for whom three of their most prominent traits are meant", "to go off on their own than try to socialize. Therefore, they have", "character. They are rather anti-social, shy, and don't like to be around large", "them come off as notably kind compared to anyone else, especially when in", "their demeanor often comes across as icy and when their buttons are pressed", "notice, or have enough confidence to act. The character does display kindness to", "in some cases come off as desperate to please them. However, I've noticed", "socialize. Therefore, they have fewer opportunities to display kindness/empathy or are less likely", "own than try to socialize. Therefore, they have fewer opportunities to display kindness/empathy", "general obliviousness to social cues they might not notice if something is wrong", "character for whom three of their most prominent traits are meant to be", "to pick up on. The only other way I have noticed authors display", "awkwardness/obliviousness to social cues, and overall introversion. I am trying to show, not", "tell, that they are supposed to be kind, but I am running into", "occasional nasty side they don't like to acknowledge\". The issue is that while", "enough confidence to act. The character does display kindness to the people they", "help even if they would care if they did notice, or have enough", "assisting someone who needs help). Additionally, because of their social awkwardness and general", "(i.e., showing them being nice to/protective of strangers). That doesn't really work for", "would care if they did notice, or have enough confidence to act. The", "with this character's personality, it also feels like a rather brazenly unsubtle attempt", "spend time with people they care about they often prefer to go off", "am trying to show, not tell, that they are supposed to be kind,", "notably kind compared to anyone else, especially when in public their demeanor often", "hard for the reader to pick up on. The only other way I", "can be nasty and brutal (which is intended to be a character flaw),", "They are rather anti-social, shy, and don't like to be around large groups", "one is looking (i.e., showing them being nice to/protective of strangers). That doesn't", "needs help even if they would care if they did notice, or have", "cues they might not notice if something is wrong or someone needs help", "demonstrating through their actions that they care about the well-being of their friends", "be a character flaw), which seem to \"cancel out\" any otherwise empathetic behavior.", "kind compared to anyone else, especially when in public their demeanor often comes", "for more introverted individuals being supportive privately when no one is looking (i.e.,", "\"mostly nasty with a kind side\" rather than \"mostly kind with an occasional", "trait (i.e., assisting someone who needs help). Additionally, because of their social awkwardness", "only other way I have noticed authors display a character's kindness is to", "show, not tell, that they are supposed to be kind, but I am", "be their kindness/high degree of empathy, social awkwardness/obliviousness to social cues, and overall", "personality traits. Most of the time, I have noticed that authors who wish", "groups of unfamiliar people, and while they do like to spend time with", "be nasty and brutal (which is intended to be a character flaw), which", "this doesn't seem to make them come off as notably kind compared to", "of the time, I have noticed that authors who wish for their characters", "people, and while they do like to spend time with people they care", "concern over the emotional state of others, and in some cases come off", "introverted individuals being supportive privately when no one is looking (i.e., showing them", "nasty and brutal (which is intended to be a character flaw), which seem", "However, I've noticed this doesn't seem to make them come off as notably", "they did notice, or have enough confidence to act. The character does display", "for their characters to be interpreted as kind do this through displaying a", "privately when no one is looking (i.e., showing them being nice to/protective of", "icy and when their buttons are pressed they can be nasty and brutal", "kindness is to show the character is kind to animals. While it fits", "care if they did notice, or have enough confidence to act. The character", "less likely to be present when a situation does arise that would demonstrate", "needs help). Additionally, because of their social awkwardness and general obliviousness to social", "across as icy and when their buttons are pressed they can be nasty", "their most prominent traits are meant to be their kindness/high degree of empathy,", "that because of the other two personality traits. Most of the time, I", "the time, I have noticed that authors who wish for their characters to", "likely to be present when a situation does arise that would demonstrate this", "to be around large groups of unfamiliar people, and while they do like", "looking (i.e., showing them being nice to/protective of strangers). That doesn't really work", "they latter two can easily mask the first in a way that makes", "and while they do like to spend time with people they care about", "mask the first in a way that makes it hard for the reader", "social cues they might not notice if something is wrong or someone needs", "character flaw), which seem to \"cancel out\" any otherwise empathetic behavior. They come", "kind, but I am running into difficulty doing that because of the other", "of their friends and family, show concern over the emotional state of others,", "interactions, either through extroverted individuals being publicly nice and supportive of others or", "\"cancel out\" any otherwise empathetic behavior. They come across as \"mostly nasty with", "to anyone else, especially when in public their demeanor often comes across as", "\"kind\", \"shy\", and \"socially awkward/oblivious\" aren't contradictory personality traits, they latter two can", "as icy and when their buttons are pressed they can be nasty and", "to acknowledge\". The issue is that while \"kind\", \"shy\", and \"socially awkward/oblivious\" aren't", "characters to be interpreted as kind do this through displaying a character's behavior", "individuals being supportive privately when no one is looking (i.e., showing them being", "than try to socialize. Therefore, they have fewer opportunities to display kindness/empathy or", "the well-being of their friends and family, show concern over the emotional state", "trying to show, not tell, that they are supposed to be kind, but", "and when their buttons are pressed they can be nasty and brutal (which", "work for this character. They are rather anti-social, shy, and don't like to", "into difficulty doing that because of the other two personality traits. Most of", "with an occasional nasty side they don't like to acknowledge\". The issue is", "that authors who wish for their characters to be interpreted as kind do", "be kind, but I am running into difficulty doing that because of the", "seem to make them come off as notably kind compared to anyone else,", "interpreted as kind do this through displaying a character's behavior in social interactions,", "this trait (i.e., assisting someone who needs help). Additionally, because of their social", "am running into difficulty doing that because of the other two personality traits.", "I have noticed that authors who wish for their characters to be interpreted", "because of the other two personality traits. Most of the time, I have", "show concern over the emotional state of others, and in some cases come", "and family, show concern over the emotional state of others, and in some", "noticed authors display a character's kindness is to show the character is kind", "about the well-being of their friends and family, show concern over the emotional", "the emotional state of others, and in some cases come off as desperate", "other way I have noticed authors display a character's kindness is to show", "who needs help). Additionally, because of their social awkwardness and general obliviousness to" ]
[ "copyright them seperatly or can I copyright them all together? And if I", "seperatly or can I copyright them all together? And if I make them", "and want to illustrate it too. So do I have to copyright them", "to copyright them seperatly or can I copyright them all together? And if", "to illustrate it too. So do I have to copyright them seperatly or", "book and want to illustrate it too. So do I have to copyright", "I copyright them all together? And if I make them into a series", "can I copyright them all together? And if I make them into a", "I make them into a series do I need to copyright each book", "them seperatly or can I copyright them all together? And if I make", "a book and want to illustrate it too. So do I have to", "And if I make them into a series do I need to copyright", "or can I copyright them all together? And if I make them into", "So do I have to copyright them seperatly or can I copyright them", "illustrate it too. So do I have to copyright them seperatly or can", "too. So do I have to copyright them seperatly or can I copyright", "want to illustrate it too. So do I have to copyright them seperatly", "I'm making a book and want to illustrate it too. So do I", "do I have to copyright them seperatly or can I copyright them all", "copyright them all together? And if I make them into a series do", "all together? And if I make them into a series do I need", "I have to copyright them seperatly or can I copyright them all together?", "have to copyright them seperatly or can I copyright them all together? And", "them all together? And if I make them into a series do I", "it too. So do I have to copyright them seperatly or can I", "make them into a series do I need to copyright each book separately?", "making a book and want to illustrate it too. So do I have", "if I make them into a series do I need to copyright each", "together? And if I make them into a series do I need to" ]
[ "so. I would prefer this variant (#2): > > In this experiment, we", "a technical writer) told me to do so. I would prefer this variant", "measured the performance of our machine using the well-known method B. > >", "method B. > > > B takes the machine, turns it around three", "speaker (but not a technical writer) told me to do so. I would", "times, does some weird things with it, and then comes up with a", "up with a performance number. > > > Should the second sentence be", "our machine using the well-known method B. > > > B takes the", "> > > B takes the machine, turns it around three times, does", "> In this experiment, we measured the performance of our machine using the", "a scientific paper. In this experiment, I use a very well-known technique which", "comes up with a performance number. > > > What variant makes more", "some weird things with it, and then came up with a performance number.", "B took the machine, turned it around three times, did some weird things", "not what it actually did, it sounds strange to me that it is", "past or present tense? Since it should be a general description of how", "to do so. I would prefer this variant (#2): > > In this", "in past tense but a native speaker (but not a technical writer) told", "three times, did some weird things with it, and then came up with", "with it, and then came up with a performance number. > > >", "turns it around three times, does some weird things with it, and then", "native speaker (but not a technical writer) told me to do so. I", "> > > B took the machine, turned it around three times, did", "would prefer this variant (#2): > > In this experiment, we measured the", "using the well-known method B. > > > B took the machine, turned", "be a general description of how method B works and not what it", "B. > > > B took the machine, turned it around three times,", "I am describing an experiment for a scientific paper. In this experiment, I", "machine using the well-known method B. > > > B took the machine,", "takes the machine, turns it around three times, does some weird things with", "tense but a native speaker (but not a technical writer) told me to", "present tense? Since it should be a general description of how method B", "things with it, and then came up with a performance number. > >", "method B works and not what it actually did, it sounds strange to", "general description of how method B works and not what it actually did,", "variant (#2): > > In this experiment, we measured the performance of our", "did some weird things with it, and then came up with a performance", "> B takes the machine, turns it around three times, does some weird", "me to do so. I would prefer this variant (#2): > > In", "did, it sounds strange to me that it is in past tense but", "not a technical writer) told me to do so. I would prefer this", "variant (#1): > > In this experiment, we measured the performance of our", "it, and then comes up with a performance number. > > > What", "weird things with it, and then came up with a performance number. >", "what it actually did, it sounds strange to me that it is in", "for a scientific paper. In this experiment, I use a very well-known technique", "machine, turns it around three times, does some weird things with it, and", "Should the second sentence be in the past or present tense? Since it", "some weird things with it, and then comes up with a performance number.", "came up with a performance number. > > > Should the second sentence", "past tense but a native speaker (but not a technical writer) told me", "weird things with it, and then comes up with a performance number. >", "me that it is in past tense but a native speaker (but not", "In this experiment, I use a very well-known technique which I briefly describe,", "told me to do so. I would prefer this variant (#2): > >", "scientific paper. In this experiment, I use a very well-known technique which I", "experiment, we measured the performance of our machine using the well-known method B.", "turned it around three times, did some weird things with it, and then", "it actually did, it sounds strange to me that it is in past", "B works and not what it actually did, it sounds strange to me", "works and not what it actually did, it sounds strange to me that", "that it is in past tense but a native speaker (but not a", "around three times, did some weird things with it, and then came up", "with a performance number. > > > Should the second sentence be in", "machine using the well-known method B. > > > B takes the machine,", "sounds strange to me that it is in past tense but a native", "> > B takes the machine, turns it around three times, does some", "I briefly describe, similar to the following variant (#1): > > In this", "describe, similar to the following variant (#1): > > In this experiment, we", "times, did some weird things with it, and then came up with a", "and then came up with a performance number. > > > Should the", "things with it, and then comes up with a performance number. > >", "an experiment for a scientific paper. In this experiment, I use a very", "actually did, it sounds strange to me that it is in past tense", "it is in past tense but a native speaker (but not a technical", "describing an experiment for a scientific paper. In this experiment, I use a", "machine, turned it around three times, did some weird things with it, and", "should be a general description of how method B works and not what", "in the past or present tense? Since it should be a general description", "> > > Should the second sentence be in the past or present", "the past or present tense? Since it should be a general description of", "the well-known method B. > > > B takes the machine, turns it", "number. > > > Should the second sentence be in the past or", "sentence be in the past or present tense? Since it should be a", "and not what it actually did, it sounds strange to me that it", "technical writer) told me to do so. I would prefer this variant (#2):", "does some weird things with it, and then comes up with a performance", "it should be a general description of how method B works and not", "the performance of our machine using the well-known method B. > > >", "use a very well-known technique which I briefly describe, similar to the following", "be in the past or present tense? Since it should be a general", "it, and then came up with a performance number. > > > Should", "> > B took the machine, turned it around three times, did some", "or present tense? Since it should be a general description of how method", "B. > > > B takes the machine, turns it around three times,", "we measured the performance of our machine using the well-known method B. >", "up with a performance number. > > > What variant makes more sense?", "In this experiment, we measured the performance of our machine using the well-known", "following variant (#1): > > In this experiment, we measured the performance of", "I would prefer this variant (#2): > > In this experiment, we measured", "similar to the following variant (#1): > > In this experiment, we measured", "well-known technique which I briefly describe, similar to the following variant (#1): >", "performance number. > > > Should the second sentence be in the past", "B takes the machine, turns it around three times, does some weird things", "paper. In this experiment, I use a very well-known technique which I briefly", "strange to me that it is in past tense but a native speaker", "it around three times, did some weird things with it, and then came", "(#2): > > In this experiment, we measured the performance of our machine", "well-known method B. > > > B takes the machine, turns it around", "technique which I briefly describe, similar to the following variant (#1): > >", "of our machine using the well-known method B. > > > B takes", "description of how method B works and not what it actually did, it", "method B. > > > B took the machine, turned it around three", "the machine, turns it around three times, does some weird things with it,", "second sentence be in the past or present tense? Since it should be", "(#1): > > In this experiment, we measured the performance of our machine", "to the following variant (#1): > > In this experiment, we measured the", "with it, and then comes up with a performance number. > > >", "three times, does some weird things with it, and then comes up with", "experiment, I use a very well-known technique which I briefly describe, similar to", "using the well-known method B. > > > B takes the machine, turns", "but a native speaker (but not a technical writer) told me to do", "do so. I would prefer this variant (#2): > > In this experiment,", "the well-known method B. > > > B took the machine, turned it", "well-known method B. > > > B took the machine, turned it around", "> B took the machine, turned it around three times, did some weird", "a native speaker (but not a technical writer) told me to do so.", "of our machine using the well-known method B. > > > B took", "(but not a technical writer) told me to do so. I would prefer", "took the machine, turned it around three times, did some weird things with", "I use a very well-known technique which I briefly describe, similar to the", "of how method B works and not what it actually did, it sounds", "performance of our machine using the well-known method B. > > > B", "briefly describe, similar to the following variant (#1): > > In this experiment,", "this experiment, I use a very well-known technique which I briefly describe, similar", "it sounds strange to me that it is in past tense but a", "to me that it is in past tense but a native speaker (but", "how method B works and not what it actually did, it sounds strange", "a very well-known technique which I briefly describe, similar to the following variant", "the following variant (#1): > > In this experiment, we measured the performance", "this experiment, we measured the performance of our machine using the well-known method", "then came up with a performance number. > > > Should the second", "experiment for a scientific paper. In this experiment, I use a very well-known", "Since it should be a general description of how method B works and", "then comes up with a performance number. > > > What variant makes", "am describing an experiment for a scientific paper. In this experiment, I use", "around three times, does some weird things with it, and then comes up", "tense? Since it should be a general description of how method B works", "is in past tense but a native speaker (but not a technical writer)", "prefer this variant (#2): > > In this experiment, we measured the performance", "> Should the second sentence be in the past or present tense? Since", "this variant (#2): > > In this experiment, we measured the performance of", "very well-known technique which I briefly describe, similar to the following variant (#1):", "it around three times, does some weird things with it, and then comes", "the machine, turned it around three times, did some weird things with it,", "the second sentence be in the past or present tense? Since it should", "and then comes up with a performance number. > > > What variant", "a performance number. > > > Should the second sentence be in the", "writer) told me to do so. I would prefer this variant (#2): >", "> > In this experiment, we measured the performance of our machine using", "which I briefly describe, similar to the following variant (#1): > > In", "> > Should the second sentence be in the past or present tense?", "a general description of how method B works and not what it actually", "our machine using the well-known method B. > > > B took the" ]
[ "adult language or should I just put a warning label on the title", "to present my book(s) to a Christian publisher and I was wondering, how", "was wondering, how would I go about censoring adult language or should I", "have to present my book(s) to a Christian publisher and I was wondering,", "Christian publisher and I was wondering, how would I go about censoring adult", "go about censoring adult language or should I just put a warning label", "publisher and I was wondering, how would I go about censoring adult language", "and I was wondering, how would I go about censoring adult language or", "about censoring adult language or should I just put a warning label on", "a Christian publisher and I was wondering, how would I go about censoring", "would I go about censoring adult language or should I just put a", "present my book(s) to a Christian publisher and I was wondering, how would", "book(s) to a Christian publisher and I was wondering, how would I go", "wondering, how would I go about censoring adult language or should I just", "language or should I just put a warning label on the title page?", "my book(s) to a Christian publisher and I was wondering, how would I", "to a Christian publisher and I was wondering, how would I go about", "I was wondering, how would I go about censoring adult language or should", "how would I go about censoring adult language or should I just put", "censoring adult language or should I just put a warning label on the", "I have to present my book(s) to a Christian publisher and I was", "I go about censoring adult language or should I just put a warning" ]
[ "Can anyone shed some light on this and what would sound best to", "destroyed spacecraft. I want to use `wreckage ring` or `ring of wreckage` or", "describe a ring of broken, destroyed spacecraft. I want to use `wreckage ring`", "an interesting word that I'm confused about. I've seen it used in books", "that I'm confused about. I've seen it used in books and publications. Online", "dictionary specify `wreckages` as plural. [![Here is a screenshot](https://i.stack.imgur.com/mdcep.jpg)](https://i.stack.imgur.com/mdcep.jpg). Can anyone shed some", "I'm trying to describe a ring of broken, destroyed spacecraft. I want to", "anyone shed some light on this and what would sound best to use?", "or `ring of wreckage` or `ring of wreckages`. `Wreckages` is an interesting word", "`ring of wreckage` or `ring of wreckages`. `Wreckages` is an interesting word that", "a ring of broken, destroyed spacecraft. I want to use `wreckage ring` or", "[![Here is a screenshot](https://i.stack.imgur.com/mdcep.jpg)](https://i.stack.imgur.com/mdcep.jpg). Can anyone shed some light on this and what", "in books and publications. Online dictionaries specify `wreckage` as both singular and plural,", "both singular and plural, however oxford dictionary specify `wreckages` as plural. [![Here is", "and plural, however oxford dictionary specify `wreckages` as plural. [![Here is a screenshot](https://i.stack.imgur.com/mdcep.jpg)](https://i.stack.imgur.com/mdcep.jpg).", "as both singular and plural, however oxford dictionary specify `wreckages` as plural. [![Here", "used in books and publications. Online dictionaries specify `wreckage` as both singular and", "`ring of wreckages`. `Wreckages` is an interesting word that I'm confused about. I've", "to use `wreckage ring` or `ring of wreckage` or `ring of wreckages`. `Wreckages`", "I've seen it used in books and publications. Online dictionaries specify `wreckage` as", "it used in books and publications. Online dictionaries specify `wreckage` as both singular", "`Wreckages` is an interesting word that I'm confused about. I've seen it used", "`wreckages` as plural. [![Here is a screenshot](https://i.stack.imgur.com/mdcep.jpg)](https://i.stack.imgur.com/mdcep.jpg). Can anyone shed some light on", "singular and plural, however oxford dictionary specify `wreckages` as plural. [![Here is a", "want to use `wreckage ring` or `ring of wreckage` or `ring of wreckages`.", "use `wreckage ring` or `ring of wreckage` or `ring of wreckages`. `Wreckages` is", "spacecraft. I want to use `wreckage ring` or `ring of wreckage` or `ring", "of wreckages`. `Wreckages` is an interesting word that I'm confused about. I've seen", "to describe a ring of broken, destroyed spacecraft. I want to use `wreckage", "dictionaries specify `wreckage` as both singular and plural, however oxford dictionary specify `wreckages`", "I'm confused about. I've seen it used in books and publications. Online dictionaries", "Online dictionaries specify `wreckage` as both singular and plural, however oxford dictionary specify", "is a screenshot](https://i.stack.imgur.com/mdcep.jpg)](https://i.stack.imgur.com/mdcep.jpg). Can anyone shed some light on this and what would", "a screenshot](https://i.stack.imgur.com/mdcep.jpg)](https://i.stack.imgur.com/mdcep.jpg). Can anyone shed some light on this and what would sound", "however oxford dictionary specify `wreckages` as plural. [![Here is a screenshot](https://i.stack.imgur.com/mdcep.jpg)](https://i.stack.imgur.com/mdcep.jpg). Can anyone", "is an interesting word that I'm confused about. I've seen it used in", "ring of broken, destroyed spacecraft. I want to use `wreckage ring` or `ring", "oxford dictionary specify `wreckages` as plural. [![Here is a screenshot](https://i.stack.imgur.com/mdcep.jpg)](https://i.stack.imgur.com/mdcep.jpg). Can anyone shed", "ring` or `ring of wreckage` or `ring of wreckages`. `Wreckages` is an interesting", "of broken, destroyed spacecraft. I want to use `wreckage ring` or `ring of", "publications. Online dictionaries specify `wreckage` as both singular and plural, however oxford dictionary", "I want to use `wreckage ring` or `ring of wreckage` or `ring of", "and publications. Online dictionaries specify `wreckage` as both singular and plural, however oxford", "books and publications. Online dictionaries specify `wreckage` as both singular and plural, however", "word that I'm confused about. I've seen it used in books and publications.", "plural. [![Here is a screenshot](https://i.stack.imgur.com/mdcep.jpg)](https://i.stack.imgur.com/mdcep.jpg). Can anyone shed some light on this and", "about. I've seen it used in books and publications. Online dictionaries specify `wreckage`", "interesting word that I'm confused about. I've seen it used in books and", "trying to describe a ring of broken, destroyed spacecraft. I want to use", "wreckages`. `Wreckages` is an interesting word that I'm confused about. I've seen it", "plural, however oxford dictionary specify `wreckages` as plural. [![Here is a screenshot](https://i.stack.imgur.com/mdcep.jpg)](https://i.stack.imgur.com/mdcep.jpg). Can", "specify `wreckages` as plural. [![Here is a screenshot](https://i.stack.imgur.com/mdcep.jpg)](https://i.stack.imgur.com/mdcep.jpg). Can anyone shed some light", "seen it used in books and publications. Online dictionaries specify `wreckage` as both", "wreckage` or `ring of wreckages`. `Wreckages` is an interesting word that I'm confused", "specify `wreckage` as both singular and plural, however oxford dictionary specify `wreckages` as", "broken, destroyed spacecraft. I want to use `wreckage ring` or `ring of wreckage`", "as plural. [![Here is a screenshot](https://i.stack.imgur.com/mdcep.jpg)](https://i.stack.imgur.com/mdcep.jpg). Can anyone shed some light on this", "`wreckage ring` or `ring of wreckage` or `ring of wreckages`. `Wreckages` is an", "of wreckage` or `ring of wreckages`. `Wreckages` is an interesting word that I'm", "screenshot](https://i.stack.imgur.com/mdcep.jpg)](https://i.stack.imgur.com/mdcep.jpg). Can anyone shed some light on this and what would sound best", "or `ring of wreckages`. `Wreckages` is an interesting word that I'm confused about.", "`wreckage` as both singular and plural, however oxford dictionary specify `wreckages` as plural.", "confused about. I've seen it used in books and publications. Online dictionaries specify" ]
[ "Yarpres said. I did research <https://www.grammarbook.com/punctuation/quotes.asp> but I'm not understanding the concepts there,", "a week more on the west wall and do your job diligently,’ and", "west wall and do your job diligently,’ and that at the end of", "understanding the concepts there, it's a bit confusing. Any help would be appreciated.", "your job diligently,’ and that at the end of the week, 'he would", "of the week, 'he would see,'” Yarpres said. I did research <https://www.grammarbook.com/punctuation/quotes.asp> but", "‘spend a week more on the west wall and do your job diligently,’", "week, 'he would see,'” Yarpres said. I did research <https://www.grammarbook.com/punctuation/quotes.asp> but I'm not", "<https://www.grammarbook.com/punctuation/quotes.asp> but I'm not understanding the concepts there, it's a bit confusing. Any", "wall and do your job diligently,’ and that at the end of the", "job diligently,’ and that at the end of the week, 'he would see,'”", "“He said, ‘spend a week more on the west wall and do your", "see,'” Yarpres said. I did research <https://www.grammarbook.com/punctuation/quotes.asp> but I'm not understanding the concepts", "that at the end of the week, 'he would see,'” Yarpres said. I", "and that at the end of the week, 'he would see,'” Yarpres said.", "but I'm not understanding the concepts there, it's a bit confusing. Any help", "not understanding the concepts there, it's a bit confusing. Any help would be", "the west wall and do your job diligently,’ and that at the end", "on the west wall and do your job diligently,’ and that at the", "the week, 'he would see,'” Yarpres said. I did research <https://www.grammarbook.com/punctuation/quotes.asp> but I'm", "week more on the west wall and do your job diligently,’ and that", "the end of the week, 'he would see,'” Yarpres said. I did research", "diligently,’ and that at the end of the week, 'he would see,'” Yarpres", "and do your job diligently,’ and that at the end of the week,", "I did research <https://www.grammarbook.com/punctuation/quotes.asp> but I'm not understanding the concepts there, it's a", "would see,'” Yarpres said. I did research <https://www.grammarbook.com/punctuation/quotes.asp> but I'm not understanding the", "said, ‘spend a week more on the west wall and do your job", "do your job diligently,’ and that at the end of the week, 'he", "end of the week, 'he would see,'” Yarpres said. I did research <https://www.grammarbook.com/punctuation/quotes.asp>", "research <https://www.grammarbook.com/punctuation/quotes.asp> but I'm not understanding the concepts there, it's a bit confusing.", "'he would see,'” Yarpres said. I did research <https://www.grammarbook.com/punctuation/quotes.asp> but I'm not understanding", "said. I did research <https://www.grammarbook.com/punctuation/quotes.asp> but I'm not understanding the concepts there, it's", "at the end of the week, 'he would see,'” Yarpres said. I did", "I'm not understanding the concepts there, it's a bit confusing. Any help would", "did research <https://www.grammarbook.com/punctuation/quotes.asp> but I'm not understanding the concepts there, it's a bit", "more on the west wall and do your job diligently,’ and that at" ]
[ "amazed at how much the main character is able to remember in such", "explain the level of accuracy in the narration like a diary, letters, documents,", "the narration like a diary, letters, documents, video or audio recordings. But some", "about events that happen decades ago. I know some books uses tools to", "story in past tense and I'm amazed at how much the main character", "some books uses tools to explain the level of accuracy in the narration", "or audio recordings. But some fiction books in first person never tells you", "fiction books in first person never tells you anything about this, why is", "books in first person never tells you anything about this, why is that?", "person never tells you anything about this, why is that? Am I meant", "I'm amazed at how much the main character is able to remember in", "tense and I'm amazed at how much the main character is able to", "diary, letters, documents, video or audio recordings. But some fiction books in first", "the main character is able to remember in such detail about events that", "to explain the level of accuracy in the narration like a diary, letters,", "how much the main character is able to remember in such detail about", "this, why is that? Am I meant to assume something or leave it", "to remember in such detail about events that happen decades ago. I know", "why is that? Am I meant to assume something or leave it a", "anything about this, why is that? Am I meant to assume something or", "decades ago. I know some books uses tools to explain the level of", "first person story in past tense and I'm amazed at how much the", "you anything about this, why is that? Am I meant to assume something", "is that? Am I meant to assume something or leave it a mystery?", "detail about events that happen decades ago. I know some books uses tools", "and I'm amazed at how much the main character is able to remember", "such detail about events that happen decades ago. I know some books uses", "narration like a diary, letters, documents, video or audio recordings. But some fiction", "remember in such detail about events that happen decades ago. I know some", "video or audio recordings. But some fiction books in first person never tells", "person story in past tense and I'm amazed at how much the main", "level of accuracy in the narration like a diary, letters, documents, video or", "Sometimes I read a first person story in past tense and I'm amazed", "much the main character is able to remember in such detail about events", "the level of accuracy in the narration like a diary, letters, documents, video", "in such detail about events that happen decades ago. I know some books", "at how much the main character is able to remember in such detail", "is able to remember in such detail about events that happen decades ago.", "a first person story in past tense and I'm amazed at how much", "in the narration like a diary, letters, documents, video or audio recordings. But", "audio recordings. But some fiction books in first person never tells you anything", "tools to explain the level of accuracy in the narration like a diary,", "books uses tools to explain the level of accuracy in the narration like", "character is able to remember in such detail about events that happen decades", "first person never tells you anything about this, why is that? Am I", "in past tense and I'm amazed at how much the main character is", "But some fiction books in first person never tells you anything about this,", "I read a first person story in past tense and I'm amazed at", "tells you anything about this, why is that? Am I meant to assume", "some fiction books in first person never tells you anything about this, why", "never tells you anything about this, why is that? Am I meant to", "past tense and I'm amazed at how much the main character is able", "read a first person story in past tense and I'm amazed at how", "of accuracy in the narration like a diary, letters, documents, video or audio", "that happen decades ago. I know some books uses tools to explain the", "recordings. But some fiction books in first person never tells you anything about", "main character is able to remember in such detail about events that happen", "I know some books uses tools to explain the level of accuracy in", "a diary, letters, documents, video or audio recordings. But some fiction books in", "documents, video or audio recordings. But some fiction books in first person never", "able to remember in such detail about events that happen decades ago. I", "letters, documents, video or audio recordings. But some fiction books in first person", "in first person never tells you anything about this, why is that? Am", "events that happen decades ago. I know some books uses tools to explain", "ago. I know some books uses tools to explain the level of accuracy", "uses tools to explain the level of accuracy in the narration like a", "about this, why is that? Am I meant to assume something or leave", "like a diary, letters, documents, video or audio recordings. But some fiction books", "happen decades ago**. I know some books uses tools to explain the level", "know some books uses tools to explain the level of accuracy in the", "accuracy in the narration like a diary, letters, documents, video or audio recordings." ]
[ "a silly question, I apologize if it's off-topic. --- I've noticed that audiences", "is, how plot twists are foreshadowed and presented, how genres are blended, etc.)", "a bit concerned. Do I stand a chance of succeeding as a published/professional", "a story is structured, how a sequel adds to a story or world,", "twists are foreshadowed and presented, how genres are blended, etc.) As a consumer", "bit concerned. Do I stand a chance of succeeding as a published/professional author", "noticed that audiences and critics typically deeply dislike the majority of works of", "a plot is, how plot twists are foreshadowed and presented, how genres are", "a published/professional author if my idea of a great story is (consistently) most", "creative person and aspiring writer, I'm a bit concerned. Do I stand a", "majority of works of art that I like the most. Occasionally they may", "This might be a silly question, I apologize if it's off-topic. --- I've", "and critics typically deeply dislike the majority of works of art that I", "adds to a story or world, how characters are developed, how complex a", "are blended, etc.) As a consumer of works of art, I'm fine with", "presented, how genres are blended, etc.) As a consumer of works of art,", "tastes and I don't need them validated. But as a creative person and", "published/professional author if my idea of a great story is (consistently) most people's", "that I like the most. Occasionally they may enjoy the work overall, but", "a chance of succeeding as a published/professional author if my idea of a", "dislike the majority of works of art that I like the most. Occasionally", "the specific elements that I consider the most compelling. (By \"elements\" I mean", "person and aspiring writer, I'm a bit concerned. Do I stand a chance", "still hate the specific elements that I consider the most compelling. (By \"elements\"", "it's off-topic. --- I've noticed that audiences and critics typically deeply dislike the", "like the most. Occasionally they may enjoy the work overall, but they still", "like story ideas, worldbuilding, how a story is structured, how a sequel adds", "blended, etc.) As a consumer of works of art, I'm fine with my", "anything like story ideas, worldbuilding, how a story is structured, how a sequel", "the majority of works of art that I like the most. Occasionally they", "are foreshadowed and presented, how genres are blended, etc.) As a consumer of", "my idea of a great story is (consistently) most people's idea of a", "concerned. Do I stand a chance of succeeding as a published/professional author if", "question, I apologize if it's off-topic. --- I've noticed that audiences and critics", "art that I like the most. Occasionally they may enjoy the work overall,", "compelling. (By \"elements\" I mean anything like story ideas, worldbuilding, how a story", "how a story is structured, how a sequel adds to a story or", "story or world, how characters are developed, how complex a plot is, how", "complex a plot is, how plot twists are foreshadowed and presented, how genres", "silly question, I apologize if it's off-topic. --- I've noticed that audiences and", "that I consider the most compelling. (By \"elements\" I mean anything like story", "the work overall, but they still hate the specific elements that I consider", "are developed, how complex a plot is, how plot twists are foreshadowed and", "characters are developed, how complex a plot is, how plot twists are foreshadowed", "my tastes and I don't need them validated. But as a creative person", "most. Occasionally they may enjoy the work overall, but they still hate the", "etc.) As a consumer of works of art, I'm fine with my tastes", "succeeding as a published/professional author if my idea of a great story is", "a consumer of works of art, I'm fine with my tastes and I", "be a silly question, I apologize if it's off-topic. --- I've noticed that", "I stand a chance of succeeding as a published/professional author if my idea", "that audiences and critics typically deeply dislike the majority of works of art", "off-topic. --- I've noticed that audiences and critics typically deeply dislike the majority", "how plot twists are foreshadowed and presented, how genres are blended, etc.) As", "of works of art that I like the most. Occasionally they may enjoy", "overall, but they still hate the specific elements that I consider the most", "how complex a plot is, how plot twists are foreshadowed and presented, how", "work overall, but they still hate the specific elements that I consider the", "of succeeding as a published/professional author if my idea of a great story", "enjoy the work overall, but they still hate the specific elements that I", "\"elements\" I mean anything like story ideas, worldbuilding, how a story is structured,", "I'm a bit concerned. Do I stand a chance of succeeding as a", "validated. But as a creative person and aspiring writer, I'm a bit concerned.", "I don't need them validated. But as a creative person and aspiring writer,", "need them validated. But as a creative person and aspiring writer, I'm a", "--- I've noticed that audiences and critics typically deeply dislike the majority of", "if it's off-topic. --- I've noticed that audiences and critics typically deeply dislike", "fine with my tastes and I don't need them validated. But as a", "works of art that I like the most. Occasionally they may enjoy the", "aspiring writer, I'm a bit concerned. Do I stand a chance of succeeding", "as a published/professional author if my idea of a great story is (consistently)", "worldbuilding, how a story is structured, how a sequel adds to a story", "don't need them validated. But as a creative person and aspiring writer, I'm", "plot twists are foreshadowed and presented, how genres are blended, etc.) As a", "story is structured, how a sequel adds to a story or world, how", "mean anything like story ideas, worldbuilding, how a story is structured, how a", "As a consumer of works of art, I'm fine with my tastes and", "if my idea of a great story is (consistently) most people's idea of", "foreshadowed and presented, how genres are blended, etc.) As a consumer of works", "author if my idea of a great story is (consistently) most people's idea", "how genres are blended, etc.) As a consumer of works of art, I'm", "idea of a great story is (consistently) most people's idea of a terrible", "But as a creative person and aspiring writer, I'm a bit concerned. Do", "I mean anything like story ideas, worldbuilding, how a story is structured, how", "genres are blended, etc.) As a consumer of works of art, I'm fine", "most compelling. (By \"elements\" I mean anything like story ideas, worldbuilding, how a", "story ideas, worldbuilding, how a story is structured, how a sequel adds to", "art, I'm fine with my tastes and I don't need them validated. But", "critics typically deeply dislike the majority of works of art that I like", "I'm fine with my tastes and I don't need them validated. But as", "and presented, how genres are blended, etc.) As a consumer of works of", "the most compelling. (By \"elements\" I mean anything like story ideas, worldbuilding, how", "developed, how complex a plot is, how plot twists are foreshadowed and presented,", "plot is, how plot twists are foreshadowed and presented, how genres are blended,", "might be a silly question, I apologize if it's off-topic. --- I've noticed", "to a story or world, how characters are developed, how complex a plot", "(By \"elements\" I mean anything like story ideas, worldbuilding, how a story is", "I like the most. Occasionally they may enjoy the work overall, but they", "consider the most compelling. (By \"elements\" I mean anything like story ideas, worldbuilding,", "a sequel adds to a story or world, how characters are developed, how", "may enjoy the work overall, but they still hate the specific elements that", "Do I stand a chance of succeeding as a published/professional author if my", "typically deeply dislike the majority of works of art that I like the", "they still hate the specific elements that I consider the most compelling. (By", "I've noticed that audiences and critics typically deeply dislike the majority of works", "of works of art, I'm fine with my tastes and I don't need", "or world, how characters are developed, how complex a plot is, how plot", "I consider the most compelling. (By \"elements\" I mean anything like story ideas,", "how a sequel adds to a story or world, how characters are developed,", "is structured, how a sequel adds to a story or world, how characters", "sequel adds to a story or world, how characters are developed, how complex", "and aspiring writer, I'm a bit concerned. Do I stand a chance of", "them validated. But as a creative person and aspiring writer, I'm a bit", "chance of succeeding as a published/professional author if my idea of a great", "of art, I'm fine with my tastes and I don't need them validated.", "apologize if it's off-topic. --- I've noticed that audiences and critics typically deeply", "deeply dislike the majority of works of art that I like the most.", "a story or world, how characters are developed, how complex a plot is,", "hate the specific elements that I consider the most compelling. (By \"elements\" I", "ideas, worldbuilding, how a story is structured, how a sequel adds to a", "writer, I'm a bit concerned. Do I stand a chance of succeeding as", "I apologize if it's off-topic. --- I've noticed that audiences and critics typically", "Occasionally they may enjoy the work overall, but they still hate the specific", "structured, how a sequel adds to a story or world, how characters are", "elements that I consider the most compelling. (By \"elements\" I mean anything like", "world, how characters are developed, how complex a plot is, how plot twists", "a creative person and aspiring writer, I'm a bit concerned. Do I stand", "specific elements that I consider the most compelling. (By \"elements\" I mean anything", "they may enjoy the work overall, but they still hate the specific elements", "with my tastes and I don't need them validated. But as a creative", "how characters are developed, how complex a plot is, how plot twists are", "as a creative person and aspiring writer, I'm a bit concerned. Do I", "of a great story is (consistently) most people's idea of a terrible story?", "of art that I like the most. Occasionally they may enjoy the work", "audiences and critics typically deeply dislike the majority of works of art that", "stand a chance of succeeding as a published/professional author if my idea of", "but they still hate the specific elements that I consider the most compelling.", "the most. Occasionally they may enjoy the work overall, but they still hate", "consumer of works of art, I'm fine with my tastes and I don't", "works of art, I'm fine with my tastes and I don't need them", "and I don't need them validated. But as a creative person and aspiring" ]
[ "won't go into any detail because this question isn't about politics, so let's", "elaborating on it with an apolitical reason (the classical [\"then let me be", "that ostracized and made fun of him for no reason. However, those parts", "the nature of the story, which mimics Saturday morning cartoons to a degree,", "of a stereotype is a quick and easy way to piss off virtually", "parts obviously just worsen his situation and alienate him from even more people.", "servant and it's also revealed relatively early that the place was built to", "the underlying mechanism seems weak to me. While some parts of his ideology", "that the place was built to accommodate numerous monsters and in the slice-of-life", "let me be evil!\"](https://tvtropes.org/pmwiki/pmwiki.php/Main/ThenLetMeBeEvil)) will only make things worse. Also, the MC is", "no reason. However, those parts obviously just worsen his situation and alienate him", "and in the slice-of-life episodes we get to see that every resident has", "things worse. Also, the MC is a walking contradiction in some areas, he's", "communist, but lives in a mansion. Sure, after his parents' disappearance, he's almost", "of him for no reason. However, those parts obviously just worsen his situation", "of a way for him to get back at the society that ostracized", "slice-of-life episodes we get to see that every resident has to help with", "mansion. Sure, after his parents' disappearance, he's almost completely alone in it, except", "more of a way for him to get back at the society that", "at the society that ostracized and made fun of him for no reason.", "with the chores to the best of their ability. Still, the underlying mechanism", "politics, so let's just say he has his reasons and is ultimately a", "to spice up the MC in one of my stories by... making him", "in one of my stories by... making him into a stereotypical SJW. The", "parents' disappearance, he's almost completely alone in it, except for his grandmother who", "who everyone mistakes for a servant and it's also revealed relatively early that", "to the best of their ability. Still, the underlying mechanism seems weak to", "into any detail because this question isn't about politics, so let's just say", "Also, the MC is a walking contradiction in some areas, he's a communist,", "the chores to the best of their ability. Still, the underlying mechanism seems", "struggle. Making the main character out of a stereotype is a quick and", "revealed. Due to the nature of the story, which mimics Saturday morning cartoons", "a degree, I can't go into detail about politics, only the characters' own", "the story, which mimics Saturday morning cartoons to a degree, I can't go", "built to accommodate numerous monsters and in the slice-of-life episodes we get to", "for his grandmother who everyone mistakes for a servant and it's also revealed", "acting that way. I won't go into any detail because this question isn't", "is supposed to be why and when he's acting that way. I won't", "has his reasons and is ultimately a good person, once everything is revealed.", "be evil!\"](https://tvtropes.org/pmwiki/pmwiki.php/Main/ThenLetMeBeEvil)) will only make things worse. Also, the MC is a walking", "a communist, but lives in a mansion. Sure, after his parents' disappearance, he's", "catch is supposed to be why and when he's acting that way. I", "can I make this main character work without the political aspect coming off", "reasons and is ultimately a good person, once everything is revealed. Due to", "revealed relatively early that the place was built to accommodate numerous monsters and", "say he has his reasons and is ultimately a good person, once everything", "genuine. Stuff like the Taty Marb stalker shrine and ANTIFA motifs are more", "to see that every resident has to help with the chores to the", "are more of a way for him to get back at the society", "the MC is a walking contradiction in some areas, he's a communist, but", "and it's also revealed relatively early that the place was built to accommodate", "way for him to get back at the society that ostracized and made", "his situation and alienate him from even more people. How can I make", "chores to the best of their ability. Still, the underlying mechanism seems weak", "to accommodate numerous monsters and in the slice-of-life episodes we get to see", "his reasons and is ultimately a good person, once everything is revealed. Due", "almost completely alone in it, except for his grandmother who everyone mistakes for", "underlying mechanism seems weak to me. While some parts of his ideology are", "a servant and it's also revealed relatively early that the place was built", "way. I won't go into any detail because this question isn't about politics,", "a stereotype is a quick and easy way to piss off virtually everyone.", "evil!\"](https://tvtropes.org/pmwiki/pmwiki.php/Main/ThenLetMeBeEvil)) will only make things worse. Also, the MC is a walking contradiction", "by... making him into a stereotypical SJW. The catch is supposed to be", "him for no reason. However, those parts obviously just worsen his situation and", "I can't go into detail about politics, only the characters' own struggle. Making", "numerous monsters and in the slice-of-life episodes we get to see that every", "think explaining or elaborating on it with an apolitical reason (the classical [\"then", "will only make things worse. Also, the MC is a walking contradiction in", "fun of him for no reason. However, those parts obviously just worsen his", "he's a communist, but lives in a mansion. Sure, after his parents' disappearance,", "for a servant and it's also revealed relatively early that the place was", "like the Taty Marb stalker shrine and ANTIFA motifs are more of a", "Making the main character out of a stereotype is a quick and easy", "stories by... making him into a stereotypical SJW. The catch is supposed to", "his grandmother who everyone mistakes for a servant and it's also revealed relatively", "piss off virtually everyone. And I think explaining or elaborating on it with", "areas, he's a communist, but lives in a mansion. Sure, after his parents'", "to help with the chores to the best of their ability. Still, the", "get back at the society that ostracized and made fun of him for", "cartoons to a degree, I can't go into detail about politics, only the", "the best of their ability. Still, the underlying mechanism seems weak to me.", "situation and alienate him from even more people. How can I make this", "spice up the MC in one of my stories by... making him into", "(the classical [\"then let me be evil!\"](https://tvtropes.org/pmwiki/pmwiki.php/Main/ThenLetMeBeEvil)) will only make things worse. Also,", "because this question isn't about politics, so let's just say he has his", "into a stereotypical SJW. The catch is supposed to be why and when", "stereotypical SJW. The catch is supposed to be why and when he's acting", "up the MC in one of my stories by... making him into a", "and when he's acting that way. I won't go into any detail because", "morning cartoons to a degree, I can't go into detail about politics, only", "and easy way to piss off virtually everyone. And I think explaining or", "easy way to piss off virtually everyone. And I think explaining or elaborating", "reason (the classical [\"then let me be evil!\"](https://tvtropes.org/pmwiki/pmwiki.php/Main/ThenLetMeBeEvil)) will only make things worse.", "the place was built to accommodate numerous monsters and in the slice-of-life episodes", "Still, the underlying mechanism seems weak to me. While some parts of his", "a way for him to get back at the society that ostracized and", "some areas, he's a communist, but lives in a mansion. Sure, after his", "it with an apolitical reason (the classical [\"then let me be evil!\"](https://tvtropes.org/pmwiki/pmwiki.php/Main/ThenLetMeBeEvil)) will", "his ideology are genuine. Stuff like the Taty Marb stalker shrine and ANTIFA", "with an apolitical reason (the classical [\"then let me be evil!\"](https://tvtropes.org/pmwiki/pmwiki.php/Main/ThenLetMeBeEvil)) will only", "him from even more people. How can I make this main character work", "which mimics Saturday morning cartoons to a degree, I can't go into detail", "in it, except for his grandmother who everyone mistakes for a servant and", "worse. Also, the MC is a walking contradiction in some areas, he's a", "we get to see that every resident has to help with the chores", "on it with an apolitical reason (the classical [\"then let me be evil!\"](https://tvtropes.org/pmwiki/pmwiki.php/Main/ThenLetMeBeEvil))", "from even more people. How can I make this main character work without", "virtually everyone. And I think explaining or elaborating on it with an apolitical", "go into detail about politics, only the characters' own struggle. Making the main", "that way. I won't go into any detail because this question isn't about", "make things worse. Also, the MC is a walking contradiction in some areas,", "back at the society that ostracized and made fun of him for no", "everyone mistakes for a servant and it's also revealed relatively early that the", "except for his grandmother who everyone mistakes for a servant and it's also", "the main character out of a stereotype is a quick and easy way", "SJW. The catch is supposed to be why and when he's acting that", "any detail because this question isn't about politics, so let's just say he", "in a mansion. Sure, after his parents' disappearance, he's almost completely alone in", "quick and easy way to piss off virtually everyone. And I think explaining", "a quick and easy way to piss off virtually everyone. And I think", "Sure, after his parents' disappearance, he's almost completely alone in it, except for", "alone in it, except for his grandmother who everyone mistakes for a servant", "their ability. Still, the underlying mechanism seems weak to me. While some parts", "for him to get back at the society that ostracized and made fun", "made fun of him for no reason. However, those parts obviously just worsen", "be why and when he's acting that way. I won't go into any", "to me. While some parts of his ideology are genuine. Stuff like the", "character out of a stereotype is a quick and easy way to piss", "making him into a stereotypical SJW. The catch is supposed to be why", "completely alone in it, except for his grandmother who everyone mistakes for a", "society that ostracized and made fun of him for no reason. However, those", "ANTIFA motifs are more of a way for him to get back at", "detail about politics, only the characters' own struggle. Making the main character out", "his parents' disappearance, he's almost completely alone in it, except for his grandmother", "of his ideology are genuine. Stuff like the Taty Marb stalker shrine and", "a stereotypical SJW. The catch is supposed to be why and when he's", "an apolitical reason (the classical [\"then let me be evil!\"](https://tvtropes.org/pmwiki/pmwiki.php/Main/ThenLetMeBeEvil)) will only make", "So, I wanted to spice up the MC in one of my stories", "to be why and when he's acting that way. I won't go into", "even more people. How can I make this main character work without the", "a walking contradiction in some areas, he's a communist, but lives in a", "stereotype is a quick and easy way to piss off virtually everyone. And", "lives in a mansion. Sure, after his parents' disappearance, he's almost completely alone", "ideology are genuine. Stuff like the Taty Marb stalker shrine and ANTIFA motifs", "this question isn't about politics, so let's just say he has his reasons", "mimics Saturday morning cartoons to a degree, I can't go into detail about", "grandmother who everyone mistakes for a servant and it's also revealed relatively early", "about politics, so let's just say he has his reasons and is ultimately", "only the characters' own struggle. Making the main character out of a stereotype", "every resident has to help with the chores to the best of their", "into detail about politics, only the characters' own struggle. Making the main character", "best of their ability. Still, the underlying mechanism seems weak to me. While", "Taty Marb stalker shrine and ANTIFA motifs are more of a way for", "make this main character work without the political aspect coming off as clickbaity?", "I make this main character work without the political aspect coming off as", "classical [\"then let me be evil!\"](https://tvtropes.org/pmwiki/pmwiki.php/Main/ThenLetMeBeEvil)) will only make things worse. Also, the", "for no reason. However, those parts obviously just worsen his situation and alienate", "monsters and in the slice-of-life episodes we get to see that every resident", "And I think explaining or elaborating on it with an apolitical reason (the", "nature of the story, which mimics Saturday morning cartoons to a degree, I", "me be evil!\"](https://tvtropes.org/pmwiki/pmwiki.php/Main/ThenLetMeBeEvil)) will only make things worse. Also, the MC is a", "he's almost completely alone in it, except for his grandmother who everyone mistakes", "episodes we get to see that every resident has to help with the", "parts of his ideology are genuine. Stuff like the Taty Marb stalker shrine", "motifs are more of a way for him to get back at the", "stalker shrine and ANTIFA motifs are more of a way for him to", "relatively early that the place was built to accommodate numerous monsters and in", "the MC in one of my stories by... making him into a stereotypical", "disappearance, he's almost completely alone in it, except for his grandmother who everyone", "let's just say he has his reasons and is ultimately a good person,", "good person, once everything is revealed. Due to the nature of the story,", "about politics, only the characters' own struggle. Making the main character out of", "out of a stereotype is a quick and easy way to piss off", "only make things worse. Also, the MC is a walking contradiction in some", "see that every resident has to help with the chores to the best", "to the nature of the story, which mimics Saturday morning cartoons to a", "contradiction in some areas, he's a communist, but lives in a mansion. Sure,", "and alienate him from even more people. How can I make this main", "in some areas, he's a communist, but lives in a mansion. Sure, after", "was built to accommodate numerous monsters and in the slice-of-life episodes we get", "are genuine. Stuff like the Taty Marb stalker shrine and ANTIFA motifs are", "obviously just worsen his situation and alienate him from even more people. How", "so let's just say he has his reasons and is ultimately a good", "supposed to be why and when he's acting that way. I won't go", "everything is revealed. Due to the nature of the story, which mimics Saturday", "apolitical reason (the classical [\"then let me be evil!\"](https://tvtropes.org/pmwiki/pmwiki.php/Main/ThenLetMeBeEvil)) will only make things", "him into a stereotypical SJW. The catch is supposed to be why and", "go into any detail because this question isn't about politics, so let's just", "he has his reasons and is ultimately a good person, once everything is", "mistakes for a servant and it's also revealed relatively early that the place", "main character out of a stereotype is a quick and easy way to", "after his parents' disappearance, he's almost completely alone in it, except for his", "or elaborating on it with an apolitical reason (the classical [\"then let me", "it's also revealed relatively early that the place was built to accommodate numerous", "has to help with the chores to the best of their ability. Still,", "I wanted to spice up the MC in one of my stories by...", "explaining or elaborating on it with an apolitical reason (the classical [\"then let", "shrine and ANTIFA motifs are more of a way for him to get", "people. How can I make this main character work without the political aspect", "The catch is supposed to be why and when he's acting that way.", "ultimately a good person, once everything is revealed. Due to the nature of", "mechanism seems weak to me. While some parts of his ideology are genuine.", "wanted to spice up the MC in one of my stories by... making", "when he's acting that way. I won't go into any detail because this", "just worsen his situation and alienate him from even more people. How can", "a good person, once everything is revealed. Due to the nature of the", "While some parts of his ideology are genuine. Stuff like the Taty Marb", "and made fun of him for no reason. However, those parts obviously just", "accommodate numerous monsters and in the slice-of-life episodes we get to see that", "is ultimately a good person, once everything is revealed. Due to the nature", "politics, only the characters' own struggle. Making the main character out of a", "is revealed. Due to the nature of the story, which mimics Saturday morning", "to get back at the society that ostracized and made fun of him", "is a quick and easy way to piss off virtually everyone. And I", "once everything is revealed. Due to the nature of the story, which mimics", "can't go into detail about politics, only the characters' own struggle. Making the", "of their ability. Still, the underlying mechanism seems weak to me. While some", "seems weak to me. While some parts of his ideology are genuine. Stuff", "Due to the nature of the story, which mimics Saturday morning cartoons to", "to a degree, I can't go into detail about politics, only the characters'", "way to piss off virtually everyone. And I think explaining or elaborating on", "everyone. And I think explaining or elaborating on it with an apolitical reason", "Saturday morning cartoons to a degree, I can't go into detail about politics,", "and ANTIFA motifs are more of a way for him to get back", "person, once everything is revealed. Due to the nature of the story, which", "some parts of his ideology are genuine. Stuff like the Taty Marb stalker", "[\"then let me be evil!\"](https://tvtropes.org/pmwiki/pmwiki.php/Main/ThenLetMeBeEvil)) will only make things worse. Also, the MC", "the society that ostracized and made fun of him for no reason. However,", "but lives in a mansion. Sure, after his parents' disappearance, he's almost completely", "him to get back at the society that ostracized and made fun of", "help with the chores to the best of their ability. Still, the underlying", "just say he has his reasons and is ultimately a good person, once", "that every resident has to help with the chores to the best of", "However, those parts obviously just worsen his situation and alienate him from even", "I think explaining or elaborating on it with an apolitical reason (the classical", "isn't about politics, so let's just say he has his reasons and is", "own struggle. Making the main character out of a stereotype is a quick", "get to see that every resident has to help with the chores to", "is a walking contradiction in some areas, he's a communist, but lives in", "me. While some parts of his ideology are genuine. Stuff like the Taty", "characters' own struggle. Making the main character out of a stereotype is a", "ability. Still, the underlying mechanism seems weak to me. While some parts of", "ostracized and made fun of him for no reason. However, those parts obviously", "MC is a walking contradiction in some areas, he's a communist, but lives", "early that the place was built to accommodate numerous monsters and in the", "my stories by... making him into a stereotypical SJW. The catch is supposed", "walking contradiction in some areas, he's a communist, but lives in a mansion.", "those parts obviously just worsen his situation and alienate him from even more", "of the story, which mimics Saturday morning cartoons to a degree, I can't", "place was built to accommodate numerous monsters and in the slice-of-life episodes we", "alienate him from even more people. How can I make this main character", "worsen his situation and alienate him from even more people. How can I", "resident has to help with the chores to the best of their ability.", "story, which mimics Saturday morning cartoons to a degree, I can't go into", "the characters' own struggle. Making the main character out of a stereotype is", "detail because this question isn't about politics, so let's just say he has", "Stuff like the Taty Marb stalker shrine and ANTIFA motifs are more of", "Marb stalker shrine and ANTIFA motifs are more of a way for him", "why and when he's acting that way. I won't go into any detail", "more people. How can I make this main character work without the political", "in the slice-of-life episodes we get to see that every resident has to", "one of my stories by... making him into a stereotypical SJW. The catch", "the Taty Marb stalker shrine and ANTIFA motifs are more of a way", "the slice-of-life episodes we get to see that every resident has to help", "MC in one of my stories by... making him into a stereotypical SJW.", "weak to me. While some parts of his ideology are genuine. Stuff like", "I won't go into any detail because this question isn't about politics, so", "he's acting that way. I won't go into any detail because this question", "and is ultimately a good person, once everything is revealed. Due to the", "question isn't about politics, so let's just say he has his reasons and", "degree, I can't go into detail about politics, only the characters' own struggle.", "off virtually everyone. And I think explaining or elaborating on it with an", "a mansion. Sure, after his parents' disappearance, he's almost completely alone in it,", "to piss off virtually everyone. And I think explaining or elaborating on it", "reason. However, those parts obviously just worsen his situation and alienate him from", "How can I make this main character work without the political aspect coming", "also revealed relatively early that the place was built to accommodate numerous monsters", "it, except for his grandmother who everyone mistakes for a servant and it's", "of my stories by... making him into a stereotypical SJW. The catch is" ]
[ "than live action might diminish it. What other ways to dramatize the delivery", "question does not ask how to build a plot twist, or how to", "be the much wanted answer to a big mystery arc, so I want", "Right before the climax of my scifi fantasy novel, there's a big reveal", "time, i.e. walking in on the bad guys to see them in action.", "history. This reveal will be the much wanted answer to a big mystery", "information about the magic as it relates to the bad guys. The plot", "1) Is not happening in real time, i.e. walking in on the bad", "for delivering the reveal other than dialogue, holograms/recordings (i.e. showing but not in", "guys. The plot involves the MC finding a lost civilization who guards this", "So the reveal: 1) Is not happening in real time, i.e. walking in", "dialogue, holograms/recordings (i.e. showing but not in real time), and exposition, if any", "finding a lost civilization who guards this secret. One of those people will", "a lost civilization who guards this secret. One of those people will deliver", "to build a plot twist, or how to write the mystery leading up", "is that delivering the reveal through something other than live action might diminish", "the climax of my scifi fantasy novel, there's a big reveal about who", "the reveal through something other than live action might diminish it. What other", "foreshadowing, there is buildup, bits of info are seeded. This question regards narrative", "ways to dramatize the delivery of historical reveals can I use to maximize", "delivering the reveal through something other than live action might diminish it. What", "holograms/recordings (i.e. showing but not in real time), and exposition, if any other", "reveal: 1) Is not happening in real time, i.e. walking in on the", "the information. In addition, I can use a hologram room to show other", "who guards this secret. One of those people will deliver some of the", "up to the reveal. The mystery already exists; there is foreshadowing, there is", "my scifi fantasy novel, there's a big reveal about who the bad guys", "the MC finding a lost civilization who guards this secret. One of those", "the reveal: 1) Is not happening in real time, i.e. walking in on", "see them in action. 2) Also includes technical information about the magic as", "In addition, I can use a hologram room to show other parts of", "mystery already exists; there is foreshadowing, there is buildup, bits of info are", "influenced the magic system -- throughout history. This reveal will be the much", "info are seeded. This question regards narrative techniques I can use for delivering", "the bad guys really are and how they influenced the magic system --", "bad guys. The plot involves the MC finding a lost civilization who guards", "how they influenced the magic system -- throughout history. This reveal will be", "of the history. My main concern is that delivering the reveal through something", "might diminish it. What other ways to dramatize the delivery of historical reveals", "than dialogue, holograms/recordings (i.e. showing but not in real time), and exposition, if", "the much wanted answer to a big mystery arc, so I want to", "lost civilization who guards this secret. One of those people will deliver some", "the bad guys to see them in action. 2) Also includes technical information", "I can use for delivering the reveal other than dialogue, holograms/recordings (i.e. showing", "I can use a hologram room to show other parts of the history.", "walking in on the bad guys to see them in action. 2) Also", "maximize excitement/payoff? Clarification: this question does not ask how to build a plot", "the reveal. The mystery already exists; there is foreshadowing, there is buildup, bits", "question regards narrative techniques I can use for delivering the reveal other than", "the history. My main concern is that delivering the reveal through something other", "scifi fantasy novel, there's a big reveal about who the bad guys really", "is buildup, bits of info are seeded. This question regards narrative techniques I", "diminish it. What other ways to dramatize the delivery of historical reveals can", "the magic as it relates to the bad guys. The plot involves the", "to a big mystery arc, so I want to maximize reader payoff. So", "to maximize excitement/payoff? Clarification: this question does not ask how to build a", "of info are seeded. This question regards narrative techniques I can use for", "seeded. This question regards narrative techniques I can use for delivering the reveal", "regards narrative techniques I can use for delivering the reveal other than dialogue,", "reader payoff. So the reveal: 1) Is not happening in real time, i.e.", "are seeded. This question regards narrative techniques I can use for delivering the", "Is not happening in real time, i.e. walking in on the bad guys", "magic as it relates to the bad guys. The plot involves the MC", "bits of info are seeded. This question regards narrative techniques I can use", "Clarification: this question does not ask how to build a plot twist, or", "twist, or how to write the mystery leading up to the reveal. The", "can use for delivering the reveal other than dialogue, holograms/recordings (i.e. showing but", "bad guys really are and how they influenced the magic system -- throughout", "happening in real time, i.e. walking in on the bad guys to see", "big mystery arc, so I want to maximize reader payoff. So the reveal:", "reveals can I use to maximize excitement/payoff? Clarification: this question does not ask", "historical reveals can I use to maximize excitement/payoff? Clarification: this question does not", "payoff. So the reveal: 1) Is not happening in real time, i.e. walking", "techniques I can use for delivering the reveal other than dialogue, holograms/recordings (i.e.", "that delivering the reveal through something other than live action might diminish it.", "leading up to the reveal. The mystery already exists; there is foreshadowing, there", "the magic system -- throughout history. This reveal will be the much wanted", "reveal will be the much wanted answer to a big mystery arc, so", "how to write the mystery leading up to the reveal. The mystery already", "will deliver some of the information. In addition, I can use a hologram", "The plot involves the MC finding a lost civilization who guards this secret.", "excitement/payoff? Clarification: this question does not ask how to build a plot twist,", "I want to maximize reader payoff. So the reveal: 1) Is not happening", "is foreshadowing, there is buildup, bits of info are seeded. This question regards", "or how to write the mystery leading up to the reveal. The mystery", "build a plot twist, or how to write the mystery leading up to", "to show other parts of the history. My main concern is that delivering", "What other ways to dramatize the delivery of historical reveals can I use", "concern is that delivering the reveal through something other than live action might", "2) Also includes technical information about the magic as it relates to the", "a big reveal about who the bad guys really are and how they", "to write the mystery leading up to the reveal. The mystery already exists;", "already exists; there is foreshadowing, there is buildup, bits of info are seeded.", "deliver some of the information. In addition, I can use a hologram room", "will be the much wanted answer to a big mystery arc, so I", "to dramatize the delivery of historical reveals can I use to maximize excitement/payoff?", "action. 2) Also includes technical information about the magic as it relates to", "there is buildup, bits of info are seeded. This question regards narrative techniques", "civilization who guards this secret. One of those people will deliver some of", "not ask how to build a plot twist, or how to write the", "are and how they influenced the magic system -- throughout history. This reveal", "of my scifi fantasy novel, there's a big reveal about who the bad", "much wanted answer to a big mystery arc, so I want to maximize", "plot involves the MC finding a lost civilization who guards this secret. One", "write the mystery leading up to the reveal. The mystery already exists; there", "there is foreshadowing, there is buildup, bits of info are seeded. This question", "MC finding a lost civilization who guards this secret. One of those people", "something other than live action might diminish it. What other ways to dramatize", "guys to see them in action. 2) Also includes technical information about the", "use to maximize excitement/payoff? Clarification: this question does not ask how to build", "other than live action might diminish it. What other ways to dramatize the", "other ways to dramatize the delivery of historical reveals can I use to", "narrative techniques I can use for delivering the reveal other than dialogue, holograms/recordings", "real time, i.e. walking in on the bad guys to see them in", "the delivery of historical reveals can I use to maximize excitement/payoff? Clarification: this", "This reveal will be the much wanted answer to a big mystery arc,", "the reveal other than dialogue, holograms/recordings (i.e. showing but not in real time),", "people will deliver some of the information. In addition, I can use a", "about who the bad guys really are and how they influenced the magic", "main concern is that delivering the reveal through something other than live action", "this secret. One of those people will deliver some of the information. In", "The mystery already exists; there is foreshadowing, there is buildup, bits of info", "how to build a plot twist, or how to write the mystery leading", "want to maximize reader payoff. So the reveal: 1) Is not happening in", "not happening in real time, i.e. walking in on the bad guys to", "secret. One of those people will deliver some of the information. In addition,", "other parts of the history. My main concern is that delivering the reveal", "delivering the reveal other than dialogue, holograms/recordings (i.e. showing* but not in real", "really are and how they influenced the magic system -- throughout history. This", "it relates to the bad guys. The plot involves the MC finding a", "fantasy novel, there's a big reveal about who the bad guys really are", "throughout history. This reveal will be the much wanted answer to a big", "involves the MC finding a lost civilization who guards this secret. One of", "dramatize the delivery of historical reveals can I use to maximize excitement/payoff? Clarification:", "guys really are and how they influenced the magic system -- throughout history.", "climax of my scifi fantasy novel, there's a big reveal about who the", "can I use to maximize excitement/payoff? Clarification: this question does not ask how", "buildup, bits of info are seeded. This question regards narrative techniques I can", "in real time, i.e. walking in on the bad guys to see them", "of historical reveals can I use to maximize excitement/payoff? Clarification: this question does", "the mystery leading up to the reveal. The mystery already exists; there is", "a plot twist, or how to write the mystery leading up to the", "about the magic as it relates to the bad guys. The plot involves", "a big mystery arc, so I want to maximize reader payoff. So the", "in action. 2) Also includes technical information about the magic as it relates", "of the information. In addition, I can use a hologram room to show", "addition, I can use a hologram room to show other parts of the", "it. What other ways to dramatize the delivery of historical reveals can I", "as it relates to the bad guys. The plot involves the MC finding", "can use a hologram room to show other parts of the history. My", "through something other than live action might diminish it. What other ways to", "information. In addition, I can use a hologram room to show other parts", "exists; there is foreshadowing, there is buildup, bits of info are seeded. This", "guards this secret. One of those people will deliver some of the information.", "magic system -- throughout history. This reveal will be the much wanted answer", "reveal through something other than live action might diminish it. What other ways", "action might diminish it. What other ways to dramatize the delivery of historical", "maximize reader payoff. So the reveal: 1) Is not happening in real time,", "system -- throughout history. This reveal will be the much wanted answer to", "the bad guys. The plot involves the MC finding a lost civilization who", "so I want to maximize reader payoff. So the reveal: 1) Is not", "I use to maximize excitement/payoff? Clarification: this question does not ask how to", "wanted answer to a big mystery arc, so I want to maximize reader", "they influenced the magic system -- throughout history. This reveal will be the", "parts of the history. My main concern is that delivering the reveal through", "i.e. walking in on the bad guys to see them in action. 2)", "mystery arc, so I want to maximize reader payoff. So the reveal: 1)", "of those people will deliver some of the information. In addition, I can", "plot twist, or how to write the mystery leading up to the reveal.", "includes technical information about the magic as it relates to the bad guys.", "who the bad guys really are and how they influenced the magic system", "and how they influenced the magic system -- throughout history. This reveal will", "before the climax of my scifi fantasy novel, there's a big reveal about", "mystery leading up to the reveal. The mystery already exists; there is foreshadowing,", "hologram room to show other parts of the history. My main concern is", "One of those people will deliver some of the information. In addition, I", "use a hologram room to show other parts of the history. My main", "use for delivering the reveal other than dialogue, holograms/recordings (i.e. showing but not", "novel, there's a big reveal about who the bad guys really are and", "technical information about the magic as it relates to the bad guys. The", "other than dialogue, holograms/recordings (i.e. showing but not in real time), and exposition,", "big reveal about who the bad guys really are and how they influenced", "live action might diminish it. What other ways to dramatize the delivery of", "arc, so I want to maximize reader payoff. So the reveal: 1) Is", "show other parts of the history. My main concern is that delivering the", "ask how to build a plot twist, or how to write the mystery", "Also includes technical information about the magic as it relates to the bad", "bad guys to see them in action. 2) Also includes technical information about", "reveal. The mystery already exists; there is foreshadowing, there is buildup, bits of", "on the bad guys to see them in action. 2) Also includes technical", "to see them in action. 2) Also includes technical information about the magic", "This question regards narrative techniques I can use for delivering the reveal other", "does not ask how to build a plot twist, or how to write", "history. My main concern is that delivering the reveal through something other than", "-- throughout history. This reveal will be the much wanted answer to a", "relates to the bad guys. The plot involves the MC finding a lost", "to the bad guys. The plot involves the MC finding a lost civilization", "to the reveal. The mystery already exists; there is foreshadowing, there is buildup,", "them in action. 2) Also includes technical information about the magic as it", "reveal about who the bad guys really are and how they influenced the", "to maximize reader payoff. So the reveal: 1) Is not happening in real", "those people will deliver some of the information. In addition, I can use", "answer to a big mystery arc, so I want to maximize reader payoff.", "room to show other parts of the history. My main concern is that", "My main concern is that delivering the reveal through something other than live", "delivery of historical reveals can I use to maximize excitement/payoff? Clarification: this question", "in on the bad guys to see them in action. 2) Also includes", "a hologram room to show other parts of the history. My main concern", "there's a big reveal about who the bad guys really are and how", "reveal other than dialogue, holograms/recordings (i.e. showing* but not in real time), and", "(i.e. showing but not in real time), and exposition, if any other exist.", "some of the information. In addition, I can use a hologram room to", "this question does not ask how to build a plot twist, or how" ]
[ "that I don't want to slay, and this is definitely a story I", "script and I really, really like it. This is a darling that I", "are other ways for the hero to rise up against whatever they want", "to improve my art/composition/dialogue/etc. skills first, so writing another story first is a", "completely different setup it always seems that the characters' most plausible choice or", "writing the final script and I really, really like it. This is a", "release that into the wild, so I have a bit more experience under", "pretty sure there are other ways for the hero to rise up against", "up against whatever they want to fix in the problem in their life,", "and finally after so long I'm happy enough with it to consider finally", "by effectively manipulating their surroundings\" sort of plot to it. I'm pretty sure", "or the circumstances seem to push the plot in that specific direction. Is", "a weird variation of the first story (either in a different setting or", "choice or the circumstances seem to push the plot in that specific direction.", "another story first is a bit of a must.) I have a few", "to first write another story and release that into the wild, so I", "a child (that makes it 10 years now) and finally after so long", "enough with it to consider finally writing the final script and I really,", "when I get back to the first story. (The medium is (web)comic, so", "that I really like and am passionate about, but when I develop them", "I've been planning out the same story and revising it over and over", "the story has a whole \"anti-hero rises up and takes over the world", "manipulating their surroundings\" sort of plot to it. I'm pretty sure there are", "10 years now) and finally after so long I'm happy enough with it", "the final script and I really, really like it. This is a darling", "slay, and this is definitely a story I want to tell to the", "decided to first write another story and release that into the wild, so", "circumstances seem to push the plot in that specific direction. Is there any", "surroundings\" sort of plot to it. I'm pretty sure there are other ways", "hero to rise up against whatever they want to fix in the problem", "in that specific direction. Is there any way to mitigate this dilemma? (For", "to consider finally writing the final script and I really, really like it.", "and I really, really like it. This is a darling that I don't", "rises up and takes over the world by effectively manipulating their surroundings\" sort", "passionate about, but when I develop them further they always turn into a", "like and am passionate about, but when I develop them further they always", "more experience under my belt and I know what I'm doing a bit", "but when I develop them further they always turn into a weird variation", "turn into a weird variation of the first story (either in a different", "plot to it. I'm pretty sure there are other ways for the hero", "to fix in the problem in their life, but it always seems to", "doing a bit more when I get back to the first story. (The", "is (web)comic, so I'm doing this to improve my art/composition/dialogue/etc. skills first, so", "up and takes over the world by effectively manipulating their surroundings\" sort of", "the circumstances seem to push the plot in that specific direction. Is there", "a whole \"anti-hero rises up and takes over the world by effectively manipulating", "being a neophyte, I've decided to first write another story and release that", "the same story and revising it over and over since I was a", "this is definitely a story I want to tell to the world. However,", "when I develop them further they always turn into a weird variation of", "first, so writing another story first is a bit of a must.) I", "it always seems that the characters' most plausible choice or the circumstances seem", "characters' most plausible choice or the circumstances seem to push the plot in", "I have a bit more experience under my belt and I know what", "so I have a bit more experience under my belt and I know", "my art/composition/dialogue/etc. skills first, so writing another story first is a bit of", "a story I want to tell to the world. However, being a neophyte,", "the wild, so I have a bit more experience under my belt and", "a bit of a must.) I have a few ideas that I really", "am passionate about, but when I develop them further they always turn into", "variation of the first story (either in a different setting or with different", "that the characters' most plausible choice or the circumstances seem to push the", "over since I was a child (that makes it 10 years now) and", "to tell to the world. However, being a neophyte, I've decided to first", "push the plot in that specific direction. Is there any way to mitigate", "it. I'm pretty sure there are other ways for the hero to rise", "so I'm doing this to improve my art/composition/dialogue/etc. skills first, so writing another", "to the world. However, being a neophyte, I've decided to first write another", "story has a whole \"anti-hero rises up and takes over the world by", "so long I'm happy enough with it to consider finally writing the final", "know what I'm doing a bit more when I get back to the", "about, but when I develop them further they always turn into a weird", "to push the plot in that specific direction. Is there any way to", "wondering, the story has a whole \"anti-hero rises up and takes over the", "first is a bit of a must.) I have a few ideas that", "first story. (The medium is (web)comic, so I'm doing this to improve my", "of a must.) I have a few ideas that I really like and", "tell to the world. However, being a neophyte, I've decided to first write", "setting or with different characters) and even with a completely different setup it", "definitely a story I want to tell to the world. However, being a", "ideas that I really like and am passionate about, but when I develop", "there are other ways for the hero to rise up against whatever they", "for the hero to rise up against whatever they want to fix in", "(either in a different setting or with different characters) and even with a", "whole \"anti-hero rises up and takes over the world by effectively manipulating their", "(web)comic, so I'm doing this to improve my art/composition/dialogue/etc. skills first, so writing", "with different characters) and even with a completely different setup it always seems", "has a whole \"anti-hero rises up and takes over the world by effectively", "characters) and even with a completely different setup it always seems that the", "into the wild, so I have a bit more experience under my belt", "what I'm doing a bit more when I get back to the first", "to it. I'm pretty sure there are other ways for the hero to", "bit more experience under my belt and I know what I'm doing a", "to the first story. (The medium is (web)comic, so I'm doing this to", "I really, really like it. This is a darling that I don't want", "write another story and release that into the wild, so I have a", "this to improve my art/composition/dialogue/etc. skills first, so writing another story first is", "out the same story and revising it over and over since I was", "way to mitigate this dilemma? (For anyone wondering, the story has a whole", "want to tell to the world. However, being a neophyte, I've decided to", "\"anti-hero rises up and takes over the world by effectively manipulating their surroundings\"", "in a different setting or with different characters) and even with a completely", "really, really like it. This is a darling that I don't want to", "final script and I really, really like it. This is a darling that", "world. However, being a neophyte, I've decided to first write another story and", "always seems that the characters' most plausible choice or the circumstances seem to", "there any way to mitigate this dilemma? (For anyone wondering, the story has", "have a few ideas that I really like and am passionate about, but", "over the world by effectively manipulating their surroundings\" sort of plot to it.", "like it. This is a darling that I don't want to slay, and", "it over and over since I was a child (that makes it 10", "the problem in their life, but it always seems to end up to", "happy enough with it to consider finally writing the final script and I", "I develop them further they always turn into a weird variation of the", "I'm happy enough with it to consider finally writing the final script and", "world by effectively manipulating their surroundings\" sort of plot to it. I'm pretty", "This is a darling that I don't want to slay, and this is", "have a bit more experience under my belt and I know what I'm", "long I'm happy enough with it to consider finally writing the final script", "even with a completely different setup it always seems that the characters' most", "must.) I have a few ideas that I really like and am passionate", "However, being a neophyte, I've decided to first write another story and release", "or with different characters) and even with a completely different setup it always", "finally after so long I'm happy enough with it to consider finally writing", "a must.) I have a few ideas that I really like and am", "story and revising it over and over since I was a child (that", "I've decided to first write another story and release that into the wild,", "wild, so I have a bit more experience under my belt and I", "after so long I'm happy enough with it to consider finally writing the", "is a bit of a must.) I have a few ideas that I", "different setting or with different characters) and even with a completely different setup", "and over since I was a child (that makes it 10 years now)", "under my belt and I know what I'm doing a bit more when", "the first story (either in a different setting or with different characters) and", "ways for the hero to rise up against whatever they want to fix", "specific direction. Is there any way to mitigate this dilemma? (For anyone wondering,", "their surroundings\" sort of plot to it. I'm pretty sure there are other", "whatever they want to fix in the problem in their life, but it", "and release that into the wild, so I have a bit more experience", "experience under my belt and I know what I'm doing a bit more", "I know what I'm doing a bit more when I get back to", "I'm doing this to improve my art/composition/dialogue/etc. skills first, so writing another story", "is definitely a story I want to tell to the world. However, being", "they always turn into a weird variation of the first story (either in", "(The medium is (web)comic, so I'm doing this to improve my art/composition/dialogue/etc. skills", "now) and finally after so long I'm happy enough with it to consider", "that specific direction. Is there any way to mitigate this dilemma? (For anyone", "sure there are other ways for the hero to rise up against whatever", "they want to fix in the problem in their life, but it always", "always turn into a weird variation of the first story (either in a", "further they always turn into a weird variation of the first story (either", "I don't want to slay, and this is definitely a story I want", "to mitigate this dilemma? (For anyone wondering, the story has a whole \"anti-hero", "doing this to improve my art/composition/dialogue/etc. skills first, so writing another story first", "develop them further they always turn into a weird variation of the first", "sort of plot to it. I'm pretty sure there are other ways for", "story. (The medium is (web)comic, so I'm doing this to improve my art/composition/dialogue/etc.", "most plausible choice or the circumstances seem to push the plot in that", "is a darling that I don't want to slay, and this is definitely", "plot in that specific direction. Is there any way to mitigate this dilemma?", "this dilemma? (For anyone wondering, the story has a whole \"anti-hero rises up", "in their life, but it always seems to end up to be this)", "the characters' most plausible choice or the circumstances seem to push the plot", "writing another story first is a bit of a must.) I have a", "and even with a completely different setup it always seems that the characters'", "plausible choice or the circumstances seem to push the plot in that specific", "story first is a bit of a must.) I have a few ideas", "weird variation of the first story (either in a different setting or with", "few ideas that I really like and am passionate about, but when I", "first write another story and release that into the wild, so I have", "really like it. This is a darling that I don't want to slay,", "into a weird variation of the first story (either in a different setting", "with a completely different setup it always seems that the characters' most plausible", "fix in the problem in their life, but it always seems to end", "since I was a child (that makes it 10 years now) and finally", "the plot in that specific direction. Is there any way to mitigate this", "the world by effectively manipulating their surroundings\" sort of plot to it. I'm", "art/composition/dialogue/etc. skills first, so writing another story first is a bit of a", "to slay, and this is definitely a story I want to tell to", "don't want to slay, and this is definitely a story I want to", "another story and release that into the wild, so I have a bit", "bit more when I get back to the first story. (The medium is", "of the first story (either in a different setting or with different characters)", "a neophyte, I've decided to first write another story and release that into", "revising it over and over since I was a child (that makes it", "seem to push the plot in that specific direction. Is there any way", "child (that makes it 10 years now) and finally after so long I'm", "it to consider finally writing the final script and I really, really like", "I get back to the first story. (The medium is (web)comic, so I'm", "back to the first story. (The medium is (web)comic, so I'm doing this", "and am passionate about, but when I develop them further they always turn", "seems that the characters' most plausible choice or the circumstances seem to push", "a completely different setup it always seems that the characters' most plausible choice", "to rise up against whatever they want to fix in the problem in", "that into the wild, so I have a bit more experience under my", "finally writing the final script and I really, really like it. This is", "first story (either in a different setting or with different characters) and even", "was a child (that makes it 10 years now) and finally after so", "improve my art/composition/dialogue/etc. skills first, so writing another story first is a bit", "in the problem in their life, but it always seems to end up", "really like and am passionate about, but when I develop them further they", "been planning out the same story and revising it over and over since", "get back to the first story. (The medium is (web)comic, so I'm doing", "a few ideas that I really like and am passionate about, but when", "different setup it always seems that the characters' most plausible choice or the", "takes over the world by effectively manipulating their surroundings\" sort of plot to", "a darling that I don't want to slay, and this is definitely a", "neophyte, I've decided to first write another story and release that into the", "setup it always seems that the characters' most plausible choice or the circumstances", "medium is (web)comic, so I'm doing this to improve my art/composition/dialogue/etc. skills first,", "skills first, so writing another story first is a bit of a must.)", "want to slay, and this is definitely a story I want to tell", "them further they always turn into a weird variation of the first story", "and takes over the world by effectively manipulating their surroundings\" sort of plot", "story I want to tell to the world. However, being a neophyte, I've", "I'm pretty sure there are other ways for the hero to rise up", "other ways for the hero to rise up against whatever they want to", "and this is definitely a story I want to tell to the world.", "I'm doing a bit more when I get back to the first story.", "problem in their life, but it always seems to end up to be", "against whatever they want to fix in the problem in their life, but", "and revising it over and over since I was a child (that makes", "more when I get back to the first story. (The medium is (web)comic,", "different characters) and even with a completely different setup it always seems that", "of plot to it. I'm pretty sure there are other ways for the", "I have a few ideas that I really like and am passionate about,", "story and release that into the wild, so I have a bit more", "the hero to rise up against whatever they want to fix in the", "makes it 10 years now) and finally after so long I'm happy enough", "darling that I don't want to slay, and this is definitely a story", "years now) and finally after so long I'm happy enough with it to", "I really like and am passionate about, but when I develop them further", "my belt and I know what I'm doing a bit more when I", "story (either in a different setting or with different characters) and even with", "so writing another story first is a bit of a must.) I have", "it. This is a darling that I don't want to slay, and this", "dilemma? (For anyone wondering, the story has a whole \"anti-hero rises up and", "I want to tell to the world. However, being a neophyte, I've decided", "a different setting or with different characters) and even with a completely different", "anyone wondering, the story has a whole \"anti-hero rises up and takes over", "planning out the same story and revising it over and over since I", "direction. Is there any way to mitigate this dilemma? (For anyone wondering, the", "I was a child (that makes it 10 years now) and finally after", "and I know what I'm doing a bit more when I get back", "consider finally writing the final script and I really, really like it. This", "belt and I know what I'm doing a bit more when I get", "Is there any way to mitigate this dilemma? (For anyone wondering, the story", "a bit more experience under my belt and I know what I'm doing", "the world. However, being a neophyte, I've decided to first write another story", "with it to consider finally writing the final script and I really, really", "the first story. (The medium is (web)comic, so I'm doing this to improve", "rise up against whatever they want to fix in the problem in their", "over and over since I was a child (that makes it 10 years", "(that makes it 10 years now) and finally after so long I'm happy", "bit of a must.) I have a few ideas that I really like", "same story and revising it over and over since I was a child", "(For anyone wondering, the story has a whole \"anti-hero rises up and takes", "it 10 years now) and finally after so long I'm happy enough with", "a bit more when I get back to the first story. (The medium", "any way to mitigate this dilemma? (For anyone wondering, the story has a", "want to fix in the problem in their life, but it always seems", "mitigate this dilemma? (For anyone wondering, the story has a whole \"anti-hero rises", "effectively manipulating their surroundings\" sort of plot to it. I'm pretty sure there" ]
[ "character who will become important later in the series has a line of", "the series has a line of dialogue in the opening scene. However, he", "is a main character? Or should I use his name for the dialogue,", "is, and for the benefit of the script reader, I would prefer to", "main character? Or should I use his name for the dialogue, but not", "introduced? It is inferred in the scene that the person he is talking", "inferred in the scene that the person he is talking to has no", "or two. For the dialogue, is it okay if I have him named", "that the person he is talking to has no idea who he is,", "description in a slug line until he is visually introduced? It is inferred", "a TV show in which a character who will become important later in", "series has a line of dialogue in the opening scene. However, he is", "slug line until he is visually introduced? It is inferred in the scene", "is visually introduced? It is inferred in the scene that the person he", "important later in the series has a line of dialogue in the opening", "screenplay for a TV show in which a character who will become important", "he is, and for the benefit of the script reader, I would prefer", "a slug line until he is visually introduced? It is inferred in the", "him named as “VOICE” or “MAN” even though he is a main character?", "is offscreen and will not be physically introduced for another episode or two.", "the scene that the person he is talking to has no idea who", "who he is, and for the benefit of the script reader, I would", "is it okay if I have him named as “VOICE” or “MAN” even", "no idea who he is, and for the benefit of the script reader,", "opening scene. However, he is offscreen and will not be physically introduced for", "use his name for the dialogue, but not give a description in a", "“VOICE” or “MAN” even though he is a main character? Or should I", "is talking to has no idea who he is, and for the benefit", "episode or two. For the dialogue, is it okay if I have him", "who will become important later in the series has a line of dialogue", "person he is talking to has no idea who he is, and for", "will become important later in the series has a line of dialogue in", "in which a character who will become important later in the series has", "the opening scene. However, he is offscreen and will not be physically introduced", "named as “VOICE” or “MAN” even though he is a main character? Or", "TV show in which a character who will become important later in the", "idea who he is, and for the benefit of the script reader, I", "character? Or should I use his name for the dialogue, but not give", "though he is a main character? Or should I use his name for", "the dialogue, but not give a description in a slug line until he", "the script reader, I would prefer to keep the mystery intact. Thank you!", "not be physically introduced for another episode or two. For the dialogue, is", "he is a main character? Or should I use his name for the", "line until he is visually introduced? It is inferred in the scene that", "in the scene that the person he is talking to has no idea", "the person he is talking to has no idea who he is, and", "should I use his name for the dialogue, but not give a description", "am writing a screenplay for a TV show in which a character who", "talking to has no idea who he is, and for the benefit of", "the benefit of the script reader, I would prefer to keep the mystery", "dialogue, but not give a description in a slug line until he is", "“MAN” even though he is a main character? Or should I use his", "of dialogue in the opening scene. However, he is offscreen and will not", "become important later in the series has a line of dialogue in the", "For the dialogue, is it okay if I have him named as “VOICE”", "even though he is a main character? Or should I use his name", "visually introduced? It is inferred in the scene that the person he is", "However, he is offscreen and will not be physically introduced for another episode", "give a description in a slug line until he is visually introduced? It", "in the opening scene. However, he is offscreen and will not be physically", "it okay if I have him named as “VOICE” or “MAN” even though", "has a line of dialogue in the opening scene. However, he is offscreen", "dialogue, is it okay if I have him named as “VOICE” or “MAN”", "a character who will become important later in the series has a line", "in the series has a line of dialogue in the opening scene. However,", "for the dialogue, but not give a description in a slug line until", "and will not be physically introduced for another episode or two. For the", "his name for the dialogue, but not give a description in a slug", "offscreen and will not be physically introduced for another episode or two. For", "later in the series has a line of dialogue in the opening scene.", "he is offscreen and will not be physically introduced for another episode or", "I am writing a screenplay for a TV show in which a character", "and for the benefit of the script reader, I would prefer to keep", "he is talking to has no idea who he is, and for the", "I use his name for the dialogue, but not give a description in", "benefit of the script reader, I would prefer to keep the mystery intact.", "until he is visually introduced? It is inferred in the scene that the", "for a TV show in which a character who will become important later", "show in which a character who will become important later in the series", "a screenplay for a TV show in which a character who will become", "have him named as “VOICE” or “MAN” even though he is a main", "not give a description in a slug line until he is visually introduced?", "has no idea who he is, and for the benefit of the script", "line of dialogue in the opening scene. However, he is offscreen and will", "as “VOICE” or “MAN” even though he is a main character? Or should", "the dialogue, is it okay if I have him named as “VOICE” or", "physically introduced for another episode or two. For the dialogue, is it okay", "another episode or two. For the dialogue, is it okay if I have", "okay if I have him named as “VOICE” or “MAN” even though he", "of the script reader, I would prefer to keep the mystery intact. Thank", "be physically introduced for another episode or two. For the dialogue, is it", "a description in a slug line until he is visually introduced? It is", "if I have him named as “VOICE” or “MAN” even though he is", "Or should I use his name for the dialogue, but not give a", "will not be physically introduced for another episode or two. For the dialogue,", "two. For the dialogue, is it okay if I have him named as", "for another episode or two. For the dialogue, is it okay if I", "introduced for another episode or two. For the dialogue, is it okay if", "a line of dialogue in the opening scene. However, he is offscreen and", "he is visually introduced? It is inferred in the scene that the person", "but not give a description in a slug line until he is visually", "It is inferred in the scene that the person he is talking to", "which a character who will become important later in the series has a", "scene. However, he is offscreen and will not be physically introduced for another", "to has no idea who he is, and for the benefit of the", "writing a screenplay for a TV show in which a character who will", "I have him named as “VOICE” or “MAN” even though he is a", "name for the dialogue, but not give a description in a slug line", "for the benefit of the script reader, I would prefer to keep the", "a main character? Or should I use his name for the dialogue, but", "scene that the person he is talking to has no idea who he", "is inferred in the scene that the person he is talking to has", "or “MAN” even though he is a main character? Or should I use", "in a slug line until he is visually introduced? It is inferred in", "dialogue in the opening scene. However, he is offscreen and will not be" ]
[ "How long should character bios be for a TV treatment? 2-3 sentences? Or", "long should character bios be for a TV treatment? 2-3 sentences? Or 2-3", "should character bios be for a TV treatment? 2-3 sentences? Or 2-3 paragraphs?" ]
[ "Instead, he made up his own ending where the cornered dragon tricks the", "people interact with them. In practice, that means my dragon, despite his above-average-human", "(unless you really rub it in). Thirdly, the villains could use the dragon's", "time, this allows for endearing character moments as well, maybe the dragon never", "cornered dragon tricks the knight and escapes, then later finds a far-away place", "his favorite book back. In the end, everyone's left dumbfounded that the dragon", "also an impulsive brat. Consequently, the cliché draconic greed is replaced by an", "best to get rid of (murder) the dragon before he burns down a", "tiresome and after a point, scary for a parent when their child does", "thief lives there. At the same time, this allows for endearing character moments", "long-term battle. This all sounds fine and everything. However, I'm afraid the dragon", "back. In the end, everyone's left dumbfounded that the dragon threw such a", "later finds a far-away place with other dragons and lives there happily ever", "for leveraging the long-term battle. This all sounds fine and everything. However, I'm", "an \"awesome\" borderline-unhealthy attachment to various objects, which might or might not include", "like that. This behavior is tiresome and after a point, scary for a", "then the dragon chases you for miles just to get his favorite book", "him), which is pretty good for leveraging the long-term battle. This all sounds", "ending where the cornered dragon tricks the knight and escapes, then later finds", "favorite book back. In the end, everyone's left dumbfounded that the dragon threw", "it. Just imagine how utterly terrifying it becomes when the one having a", "made up his own ending where the cornered dragon tricks the knight and", "finds a far-away place with other dragons and lives there happily ever after.", "despite the endearing moments. Either because the negative outweighs them or because they", "shows a different facet of themselves, depending on how people interact with them.", "potential conflict. For instance, you might steal a dirty book from the dragon's", "pretty good for leveraging the long-term battle. This all sounds fine and everything.", "dragon, despite his above-average-human knowledge and wit, is also an impulsive brat. Consequently,", "is all the dragons. This isn't actually hard to achieve. The key idea", "point, but I don't want to go overboard and make him unsympathetic, how", "burns down a whole village because the book thief lives there. At the", "endearing moments. Either because the negative outweighs them or because they actually piss", "piss the reader off even more. *Compared to my other characters, the dragon", "battle. This all sounds fine and everything. However, I'm afraid the dragon might", "is tiresome and after a point, scary for a parent when their child", "new treasure trove of potential conflict. For instance, you might steal a dirty", "after a point, scary for a parent when their child does it. Just", "becomes when the one having a fit is a living flamethrower with the", "a far-away place with other dragons and lives there happily ever after. Or", "Skywalker and now my dragon is all the dragons. This isn't actually hard", "include people (like close friends) and places. Now that opens up a whole", "character that shows a different facet of themselves, depending on how people interact", "a living flamethrower with the claws of a cassowary and the jaws of", "all sounds fine and everything. However, I'm afraid the dragon might actually come", "my other characters, the dragon is more responsible for his action, which is", "get rid of (murder) the dragon before he burns down a whole village", "book thief lives there. At the same time, this allows for endearing character", "responsible for his action, which is the point, but I don't want to", "borderline-unhealthy attachment to various objects, which might or might not include people (like", "facet of themselves, depending on how people interact with them. In practice, that", "he burns down a whole village because the book thief lives there. At", "various objects, which might or might not include people (like close friends) and", "off even more. *Compared to my other characters, the dragon is more responsible", "dragon really likes to play games like catch and doesn't get mad if", "I wanted to write, so I decided to do a Rise of Skywalker", "his own ending where the cornered dragon tricks the knight and escapes, then", "terrifying it becomes when the one having a fit is a living flamethrower", "far-away place with other dragons and lives there happily ever after. Or maybe,", "he loses (unless you really rub it in). Thirdly, the villains could use", "and after a point, scary for a parent when their child does it.", "Nile crocodile. It might actually be enough for some to conclude that it's", "or might not include people (like close friends) and places. Now that opens", "dragon. Instead, he made up his own ending where the cornered dragon tricks", "Now that opens up a whole new treasure trove of potential conflict. For", "for endearing character moments as well, maybe the dragon never reads the ending", "the negative outweighs them or because they actually piss the reader off even", "the dragon's lair, then the dragon chases you for miles just to get", "where the cornered dragon tricks the knight and escapes, then later finds a", "the dragon before he burns down a whole village because the book thief", "the ending of that book. because that's when the \"good\" knight slays the", "it's for the best to get rid of (murder) the dragon before he", "(murder) the dragon before he burns down a whole village because the book", "there happily ever after. Or maybe, the dragon really likes to play games", "a blind rage or blackmailing him), which is pretty good for leveraging the", "the dragon is more responsible for his action, which is the point, but", "that it's for the best to get rid of (murder) the dragon before", "as well, maybe the dragon never reads the ending of that book. because", "reads the ending of that book. because that's when the \"good\" knight slays", "rub it in). Thirdly, the villains could use the dragon's impulsiveness to manipulate", "come off as irritating and detestable for the reader, despite the endearing moments.", "for miles just to get his favorite book back. In the end, everyone's", "scary for a parent when their child does it. Just imagine how utterly", "dragon is more responsible for his action, which is the point, but I", "the long-term battle. This all sounds fine and everything. However, I'm afraid the", "village because the book thief lives there. At the same time, this allows", "everyone's left dumbfounded that the dragon threw such a tantrum over something like", "dirty book from the dragon's lair, then the dragon chases you for miles", "Compared to my other characters, the dragon is more responsible for his action,", "to write, so I decided to do a Rise of Skywalker* and now", "crocodile. It might actually be enough for some to conclude that it's for", "or because they actually piss the reader off even more. *Compared to my", "that's when the \"good\" knight slays the \"evil\" dragon. Instead, he made up", "the cliché draconic greed is replaced by an \"awesome\" borderline-unhealthy attachment to various", "something like that. This behavior is tiresome and after a point, scary for", "the dragon might actually come off as irritating and detestable for the reader,", "\"good\" knight slays the \"evil\" dragon. Instead, he made up his own ending", "up a whole new treasure trove of potential conflict. For instance, you might", "the same time, this allows for endearing character moments as well, maybe the", "interact with them. In practice, that means my dragon, despite his above-average-human knowledge", "negative outweighs them or because they actually piss the reader off even more.", "the point, but I don't want to go overboard and make him unsympathetic,", "greed is replaced by an \"awesome\" borderline-unhealthy attachment to various objects, which might", "imagine how utterly terrifying it becomes when the one having a fit is", "book from the dragon's lair, then the dragon chases you for miles just", "does it. Just imagine how utterly terrifying it becomes when the one having", "manipulate him (either sending him into a blind rage or blackmailing him), which", "actually hard to achieve. The key idea is a character that shows a", "for the reader, despite the endearing moments. Either because the negative outweighs them", "them. In practice, that means my dragon, despite his above-average-human knowledge and wit,", "sending him into a blind rage or blackmailing him), which is pretty good", "you might steal a dirty book from the dragon's lair, then the dragon", "it in). Thirdly, the villains could use the dragon's impulsiveness to manipulate him", "a Nile crocodile. It might actually be enough for some to conclude that", "maybe the dragon never reads the ending of that book. because that's when", "This behavior is tiresome and after a point, scary for a parent when", "endearing character moments as well, maybe the dragon never reads the ending of", "so I decided to do a Rise of Skywalker* and now my dragon", "tantrum over something like that. This behavior is tiresome and after a point,", "ever after. Or maybe, the dragon really likes to play games like catch", "my dragon, despite his above-average-human knowledge and wit, is also an impulsive brat.", "I couldn't decide what type of dragon I wanted to write, so I", "to do a Rise of Skywalker and now my dragon is all the", "actually be enough for some to conclude that it's for the best to", "characters, the dragon is more responsible for his action, which is the point,", "do a Rise of Skywalker and now my dragon is all the dragons.", "escapes, then later finds a far-away place with other dragons and lives there", "because that's when the \"good\" knight slays the \"evil\" dragon. Instead, he made", "in). Thirdly, the villains could use the dragon's impulsiveness to manipulate him (either", "close friends) and places. Now that opens up a whole new treasure trove", "a different facet of themselves, depending on how people interact with them. In", "end, everyone's left dumbfounded that the dragon threw such a tantrum over something", "is a character that shows a different facet of themselves, depending on how", "with the claws of a cassowary and the jaws of a Nile crocodile.", "because they actually piss the reader off even more. Compared to my other", "outweighs them or because they actually piss the reader off even more. Compared", "practice, that means my dragon, despite his above-average-human knowledge and wit, is also", "with other dragons and lives there happily ever after. Or maybe, the dragon", "if he loses (unless you really rub it in). Thirdly, the villains could", "dragon I wanted to write, so I decided to do a Rise of", "and places. Now that opens up a whole new treasure trove of potential", "down a whole village because the book thief lives there. At the same", "lives there happily ever after. Or maybe, the dragon really likes to play", "the \"evil\" dragon. Instead, he made up his own ending where the cornered", "the dragons. This isn't actually hard to achieve. The key idea is a", "dragon's impulsiveness to manipulate him (either sending him into a blind rage or", "character moments as well, maybe the dragon never reads the ending of that", "that means my dragon, despite his above-average-human knowledge and wit, is also an", "whole new treasure trove of potential conflict. For instance, you might steal a", "never reads the ending of that book. because that's when the \"good\" knight", "same time, this allows for endearing character moments as well, maybe the dragon", "a parent when their child does it. Just imagine how utterly terrifying it", "he made up his own ending where the cornered dragon tricks the knight", "his action, which is the point, but I don't want to go overboard", "the claws of a cassowary and the jaws of a Nile crocodile. It", "with them. In practice, that means my dragon, despite his above-average-human knowledge and", "dumbfounded that the dragon threw such a tantrum over something like that. This", "of a cassowary and the jaws of a Nile crocodile. It might actually", "everything. However, I'm afraid the dragon might actually come off as irritating and", "Either because the negative outweighs them or because they actually piss the reader", "it becomes when the one having a fit is a living flamethrower with", "of that book. because that's when the \"good\" knight slays the \"evil\" dragon.", "of Skywalker and now my dragon is all the dragons. This isn't actually", "dragon's lair, then the dragon chases you for miles just to get his", "the dragon really likes to play games like catch and doesn't get mad", "him (either sending him into a blind rage or blackmailing him), which is", "behavior is tiresome and after a point, scary for a parent when their", "of potential conflict. For instance, you might steal a dirty book from the", "and doesn't get mad if he loses (unless you really rub it in).", "on how people interact with them. In practice, that means my dragon, despite", "villains could use the dragon's impulsiveness to manipulate him (either sending him into", "child does it. Just imagine how utterly terrifying it becomes when the one", "this allows for endearing character moments as well, maybe the dragon never reads", "that the dragon threw such a tantrum over something like that. This behavior", "dragons and lives there happily ever after. Or maybe, the dragon really likes", "and escapes, then later finds a far-away place with other dragons and lives", "actually come off as irritating and detestable for the reader, despite the endearing", "could use the dragon's impulsiveness to manipulate him (either sending him into a", "good for leveraging the long-term battle. This all sounds fine and everything. However,", "to play games like catch and doesn't get mad if he loses (unless", "and everything. However, I'm afraid the dragon might actually come off as irritating", "places. Now that opens up a whole new treasure trove of potential conflict.", "dragon chases you for miles just to get his favorite book back. In", "miles just to get his favorite book back. In the end, everyone's left", "but I don't want to go overboard and make him unsympathetic, how can", "don't want to go overboard and make him unsympathetic, how can I do", "irritating and detestable for the reader, despite the endearing moments. Either because the", "the one having a fit is a living flamethrower with the claws of", "whole village because the book thief lives there. At the same time, this", "then later finds a far-away place with other dragons and lives there happily", "It might actually be enough for some to conclude that it's for the", "ending of that book. because that's when the \"good\" knight slays the \"evil\"", "which might or might not include people (like close friends) and places. Now", "of themselves, depending on how people interact with them. In practice, that means", "to get rid of (murder) the dragon before he burns down a whole", "use the dragon's impulsiveness to manipulate him (either sending him into a blind", "to get his favorite book back. In the end, everyone's left dumbfounded that", "the end, everyone's left dumbfounded that the dragon threw such a tantrum over", "before he burns down a whole village because the book thief lives there.", "even more. *Compared to my other characters, the dragon is more responsible for", "the best to get rid of (murder) the dragon before he burns down", "allows for endearing character moments as well, maybe the dragon never reads the", "lives there. At the same time, this allows for endearing character moments as", "knight and escapes, then later finds a far-away place with other dragons and", "is also an impulsive brat. Consequently, the cliché draconic greed is replaced by", "point, scary for a parent when their child does it. Just imagine how", "by an \"awesome\" borderline-unhealthy attachment to various objects, which might or might not", "the \"good\" knight slays the \"evil\" dragon. Instead, he made up his own", "I decided to do a Rise of Skywalker* and now my dragon is", "a character that shows a different facet of themselves, depending on how people", "impulsiveness to manipulate him (either sending him into a blind rage or blackmailing", "own ending where the cornered dragon tricks the knight and escapes, then later", "chases you for miles just to get his favorite book back. In the", "is a living flamethrower with the claws of a cassowary and the jaws", "I'm afraid the dragon might actually come off as irritating and detestable for", "as irritating and detestable for the reader, despite the endearing moments. Either because", "the dragon's impulsiveness to manipulate him (either sending him into a blind rage", "treasure trove of potential conflict. For instance, you might steal a dirty book", "get mad if he loses (unless you really rub it in). Thirdly, the", "Consequently, the cliché draconic greed is replaced by an \"awesome\" borderline-unhealthy attachment to", "up his own ending where the cornered dragon tricks the knight and escapes,", "because the negative outweighs them or because they actually piss the reader off", "after. Or maybe, the dragon really likes to play games like catch and", "more. Compared to my other characters, the dragon is more responsible for his", "claws of a cassowary and the jaws of a Nile crocodile. It might", "\"evil\" dragon. Instead, he made up his own ending where the cornered dragon", "wit, is also an impulsive brat. Consequently, the cliché draconic greed is replaced", "might actually come off as irritating and detestable for the reader, despite the", "their child does it. Just imagine how utterly terrifying it becomes when the", "my dragon is all the dragons. This isn't actually hard to achieve. The", "for the best to get rid of (murder) the dragon before he burns", "left dumbfounded that the dragon threw such a tantrum over something like that.", "when the one having a fit is a living flamethrower with the claws", "a point, scary for a parent when their child does it. Just imagine", "and now my dragon is all the dragons. This isn't actually hard to", "him into a blind rage or blackmailing him), which is pretty good for", "fit is a living flamethrower with the claws of a cassowary and the", "blackmailing him), which is pretty good for leveraging the long-term battle. This all", "a cassowary and the jaws of a Nile crocodile. It might actually be", "might not include people (like close friends) and places. Now that opens up", "want to go overboard and make him unsympathetic, how can I do that?", "from the dragon's lair, then the dragon chases you for miles just to", "write, so I decided to do a Rise of Skywalker and now my", "dragon before he burns down a whole village because the book thief lives", "not include people (like close friends) and places. Now that opens up a", "to manipulate him (either sending him into a blind rage or blackmailing him),", "mad if he loses (unless you really rub it in). Thirdly, the villains", "for his action, which is the point, but I don't want to go", "steal a dirty book from the dragon's lair, then the dragon chases you", "instance, you might steal a dirty book from the dragon's lair, then the", "dragon tricks the knight and escapes, then later finds a far-away place with", "cliché draconic greed is replaced by an \"awesome\" borderline-unhealthy attachment to various objects,", "really rub it in). Thirdly, the villains could use the dragon's impulsiveness to", "However, I'm afraid the dragon might actually come off as irritating and detestable", "and the jaws of a Nile crocodile. It might actually be enough for", "the reader, despite the endearing moments. Either because the negative outweighs them or", "there. At the same time, this allows for endearing character moments as well,", "moments. Either because the negative outweighs them or because they actually piss the", "like catch and doesn't get mad if he loses (unless you really rub", "For instance, you might steal a dirty book from the dragon's lair, then", "a fit is a living flamethrower with the claws of a cassowary and", "to conclude that it's for the best to get rid of (murder) the", "dragon never reads the ending of that book. because that's when the \"good\"", "At the same time, this allows for endearing character moments as well, maybe", "because the book thief lives there. At the same time, this allows for", "depending on how people interact with them. In practice, that means my dragon,", "one having a fit is a living flamethrower with the claws of a", "the reader off even more. Compared to my other characters, the dragon is", "how people interact with them. In practice, that means my dragon, despite his", "what type of dragon I wanted to write, so I decided to do", "that. This behavior is tiresome and after a point, scary for a parent", "actually piss the reader off even more. Compared to my other characters, the", "likes to play games like catch and doesn't get mad if he loses", "such a tantrum over something like that. This behavior is tiresome and after", "into a blind rage or blackmailing him), which is pretty good for leveraging", "a Rise of Skywalker and now my dragon is all the dragons. This", "impulsive brat. Consequently, the cliché draconic greed is replaced by an \"awesome\" borderline-unhealthy", "friends) and places. Now that opens up a whole new treasure trove of", "the endearing moments. Either because the negative outweighs them or because they actually", "brat. Consequently, the cliché draconic greed is replaced by an \"awesome\" borderline-unhealthy attachment", "some to conclude that it's for the best to get rid of (murder)", "of (murder) the dragon before he burns down a whole village because the", "Just imagine how utterly terrifying it becomes when the one having a fit", "lair, then the dragon chases you for miles just to get his favorite", "his above-average-human knowledge and wit, is also an impulsive brat. Consequently, the cliché", "the villains could use the dragon's impulsiveness to manipulate him (either sending him", "This all sounds fine and everything. However, I'm afraid the dragon might actually", "detestable for the reader, despite the endearing moments. Either because the negative outweighs", "\"awesome\" borderline-unhealthy attachment to various objects, which might or might not include people", "idea is a character that shows a different facet of themselves, depending on", "how utterly terrifying it becomes when the one having a fit is a", "that book. because that's when the \"good\" knight slays the \"evil\" dragon. Instead,", "above-average-human knowledge and wit, is also an impulsive brat. Consequently, the cliché draconic", "people (like close friends) and places. Now that opens up a whole new", "utterly terrifying it becomes when the one having a fit is a living", "the cornered dragon tricks the knight and escapes, then later finds a far-away", "might or might not include people (like close friends) and places. Now that", "action, which is the point, but I don't want to go overboard and", "reader, despite the endearing moments. Either because the negative outweighs them or because", "dragon might actually come off as irritating and detestable for the reader, despite", "a whole new treasure trove of potential conflict. For instance, you might steal", "The key idea is a character that shows a different facet of themselves,", "place with other dragons and lives there happily ever after. Or maybe, the", "decided to do a Rise of Skywalker and now my dragon is all", "book. because that's when the \"good\" knight slays the \"evil\" dragon. Instead, he", "objects, which might or might not include people (like close friends) and places.", "the dragon never reads the ending of that book. because that's when the", "cassowary and the jaws of a Nile crocodile. It might actually be enough", "now my dragon is all the dragons. This isn't actually hard to achieve.", "rid of (murder) the dragon before he burns down a whole village because", "Rise of Skywalker and now my dragon is all the dragons. This isn't", "of dragon I wanted to write, so I decided to do a Rise", "really likes to play games like catch and doesn't get mad if he", "happily ever after. Or maybe, the dragon really likes to play games like", "Or maybe, the dragon really likes to play games like catch and doesn't", "the jaws of a Nile crocodile. It might actually be enough for some", "an impulsive brat. Consequently, the cliché draconic greed is replaced by an \"awesome\"", "trove of potential conflict. For instance, you might steal a dirty book from", "flamethrower with the claws of a cassowary and the jaws of a Nile", "games like catch and doesn't get mad if he loses (unless you really", "(either sending him into a blind rage or blackmailing him), which is pretty", "type of dragon I wanted to write, so I decided to do a", "they actually piss the reader off even more. Compared to my other characters,", "the book thief lives there. At the same time, this allows for endearing", "couldn't decide what type of dragon I wanted to write, so I decided", "to my other characters, the dragon is more responsible for his action, which", "get his favorite book back. In the end, everyone's left dumbfounded that the", "is pretty good for leveraging the long-term battle. This all sounds fine and", "key idea is a character that shows a different facet of themselves, depending", "themselves, depending on how people interact with them. In practice, that means my", "doesn't get mad if he loses (unless you really rub it in). Thirdly,", "book back. In the end, everyone's left dumbfounded that the dragon threw such", "fine and everything. However, I'm afraid the dragon might actually come off as", "achieve. The key idea is a character that shows a different facet of", "means my dragon, despite his above-average-human knowledge and wit, is also an impulsive", "to various objects, which might or might not include people (like close friends)", "reader off even more. Compared to my other characters, the dragon is more", "the knight and escapes, then later finds a far-away place with other dragons", "In practice, that means my dragon, despite his above-average-human knowledge and wit, is", "is the point, but I don't want to go overboard and make him", "a tantrum over something like that. This behavior is tiresome and after a", "dragons. This isn't actually hard to achieve. The key idea is a character", "for a parent when their child does it. Just imagine how utterly terrifying", "which is pretty good for leveraging the long-term battle. This all sounds fine", "leveraging the long-term battle. This all sounds fine and everything. However, I'm afraid", "is more responsible for his action, which is the point, but I don't", "parent when their child does it. Just imagine how utterly terrifying it becomes", "which is the point, but I don't want to go overboard and make", "when their child does it. Just imagine how utterly terrifying it becomes when", "just to get his favorite book back. In the end, everyone's left dumbfounded", "different facet of themselves, depending on how people interact with them. In practice,", "them or because they actually piss the reader off even more. Compared to", "moments as well, maybe the dragon never reads the ending of that book.", "slays the \"evil\" dragon. Instead, he made up his own ending where the", "play games like catch and doesn't get mad if he loses (unless you", "all the dragons. This isn't actually hard to achieve. The key idea is", "decide what type of dragon I wanted to write, so I decided to", "conclude that it's for the best to get rid of (murder) the dragon", "threw such a tantrum over something like that. This behavior is tiresome and", "afraid the dragon might actually come off as irritating and detestable for the", "for some to conclude that it's for the best to get rid of", "tricks the knight and escapes, then later finds a far-away place with other", "I don't want to go overboard and make him unsympathetic, how can I", "blind rage or blackmailing him), which is pretty good for leveraging the long-term", "a dirty book from the dragon's lair, then the dragon chases you for", "dragon threw such a tantrum over something like that. This behavior is tiresome", "other dragons and lives there happily ever after. Or maybe, the dragon really", "isn't actually hard to achieve. The key idea is a character that shows", "hard to achieve. The key idea is a character that shows a different", "wanted to write, so I decided to do a Rise of Skywalker* and", "replaced by an \"awesome\" borderline-unhealthy attachment to various objects, which might or might", "of a Nile crocodile. It might actually be enough for some to conclude", "maybe, the dragon really likes to play games like catch and doesn't get", "that opens up a whole new treasure trove of potential conflict. For instance,", "well, maybe the dragon never reads the ending of that book. because that's", "knowledge and wit, is also an impulsive brat. Consequently, the cliché draconic greed", "when the \"good\" knight slays the \"evil\" dragon. Instead, he made up his", "rage or blackmailing him), which is pretty good for leveraging the long-term battle.", "be enough for some to conclude that it's for the best to get", "sounds fine and everything. However, I'm afraid the dragon might actually come off", "opens up a whole new treasure trove of potential conflict. For instance, you", "In the end, everyone's left dumbfounded that the dragon threw such a tantrum", "might actually be enough for some to conclude that it's for the best", "jaws of a Nile crocodile. It might actually be enough for some to", "(like close friends) and places. Now that opens up a whole new treasure", "having a fit is a living flamethrower with the claws of a cassowary", "knight slays the \"evil\" dragon. Instead, he made up his own ending where", "a whole village because the book thief lives there. At the same time,", "to achieve. The key idea is a character that shows a different facet", "dragon is all the dragons. This isn't actually hard to achieve. The key", "might steal a dirty book from the dragon's lair, then the dragon chases", "and wit, is also an impulsive brat. Consequently, the cliché draconic greed is", "or blackmailing him), which is pretty good for leveraging the long-term battle. This", "This isn't actually hard to achieve. The key idea is a character that", "more responsible for his action, which is the point, but I don't want", "draconic greed is replaced by an \"awesome\" borderline-unhealthy attachment to various objects, which", "you for miles just to get his favorite book back. In the end,", "over something like that. This behavior is tiresome and after a point, scary", "the dragon threw such a tantrum over something like that. This behavior is", "loses (unless you really rub it in). Thirdly, the villains could use the", "the dragon chases you for miles just to get his favorite book back.", "catch and doesn't get mad if he loses (unless you really rub it", "living flamethrower with the claws of a cassowary and the jaws of a", "is replaced by an \"awesome\" borderline-unhealthy attachment to various objects, which might or", "and lives there happily ever after. Or maybe, the dragon really likes to", "off as irritating and detestable for the reader, despite the endearing moments. Either", "enough for some to conclude that it's for the best to get rid", "attachment to various objects, which might or might not include people (like close", "Thirdly, the villains could use the dragon's impulsiveness to manipulate him (either sending", "despite his above-average-human knowledge and wit, is also an impulsive brat. Consequently, the", "conflict. For instance, you might steal a dirty book from the dragon's lair,", "other characters, the dragon is more responsible for his action, which is the", "that shows a different facet of themselves, depending on how people interact with", "and detestable for the reader, despite the endearing moments. Either because the negative", "you really rub it in). Thirdly, the villains could use the dragon's impulsiveness" ]
[ "general tendencies favoring the concentric zone and the sector models. There are cheap,", "have a crumbling city that struggles to maintain itself. * Instead of mindless", "like background stories, lore or character bios out of spite, what should I", "for certain tropes and a special way to deal with them. Now, this", "a loooong demonstration. --- I have serpent men in my setting. Note though,", "blast doors, neither of which would stop an army. --- I think you", "itself. * Instead of mindless cannon fodder, you have scared and bitter people", "own city and it's only a matter of time before humans find out", "of a war. Now there are two things I'm afraid will happen to", "modern ones, with the general tendencies favoring the concentric zone and the sector", "diabolical cults, there are only a handful of cultural references and idioms. ", "abomination, you have a lazy Old One that doesn't really reward nor punish", " Who wouldn't be scared of making the same mistake twice? * Who", "and the sector models. There are cheap, mass-produced apartments, the railways and sewage", "understandable. * Who wouldn't be bitter after everything they worked for was piped", "aspects are understandable. * Who wouldn't be bitter after everything they worked for", "was used to build their cities. Nogu is growing more and more disillusioned", "on important figures and reports back to HQ. * Instead of an underground", "MAKE ONE OF MY WISHES COME TRUE, IT'D BE TO ERASE THESE TROPES", "are infiltrating society. They aren't present in large numbers, as that makes secrecy", "to recover even more lost tech to be nothing but chasing ghosts. This", "Instead of an underground civilization that's plotting to take over the world, you", "cheap, mass-produced apartments, the railways and sewage systems. While the cult of an", "without ever failing or finding themselves overpowered? It's stupid and was stupid to", "weren't spearheaded by general practitioners, no one expects the strange, introverted lady to", "by reptilians, you have a herbalist who spies on important figures and reports", "in my setting is a surefire way of getting killed (either by a", "that happened to TLJ and what caused the \"Did it subvert your expectations?!\"", "serpent men's cities are abandoned, some aren't. Though they look ancient and mysterious", "are framed as a hated trope, the refutation of that trope and the", "city that struggles to maintain itself. * Instead of mindless cannon fodder, you", "are, indeed, capable of feeling love and compassion. See, while this usually turns", "over the world, you have a crumbling city that struggles to maintain itself.", "and mysterious to barbarians, many parts of these cities are nearly identical to", "by J.J Abrams? * Who wouldn't be scared of making the same mistake", "lens, a lot of his aspects are understandable. * Who wouldn't be bitter", "This bleak outlook isn't surprising, they can barely maintain their own city and", "TO ERASE THESE TROPES FROM THE CULTURAL HIVEMIND. 2. Dragging all my hated", "and their defenses rely completely on decoys and a few blast doors, neither", "People think my rage over chainmail bikinis and always-chaotic-evil races is a bit", "and his operations to recover even more lost tech to be nothing but", "their own city and it's only a matter of time before humans find", "bottom, but to report on the military activities of humans to the city", "as a healer, complete with a fake identity. Though she isn't a member", "one is a serpent woman (?), disguised as a healer, complete with a", "healer, complete with a fake identity. Though she isn't a member of the", "stop an army. --- I think you can see it in the text", "lady to be planning anything against them. She also has a flame-bladed dagger.", "afraid will happen to me that happened to TLJ and what caused the", "compassion. See, while this usually turns out good, it somehow feels weird. Also,", "of getting killed (either by a flamethrower or Eliot Rodger), why'd there be", "but not everyone knows that. Just like in a certain book, these serpent", "fake identity. Though she isn't a member of the royal court because no", "this description are framed as a hated trope, the refutation of that trope", "Last Jedi. When viewed through my lens, a lot of his aspects are", "have serpent men in my setting. Note though, the correct term is lizard", "recover even more lost tech to be nothing but chasing ghosts. This bleak", "conundrum. 1. People think my rage over chainmail bikinis and always-chaotic-evil races is", "you can see it in the text that most parts of this description", "a serpent woman (?), disguised as a healer, complete with a fake identity.", "you have a lazy Old One that doesn't really reward nor punish you.", "them. She also has a flame-bladed dagger. The undulating edge is mostly decorative", "that struggles to maintain itself. Instead of mindless cannon fodder, you have", "Instead of diabolical cults, there are only a handful of cultural references and", "* Instead of an underground civilization that's plotting to take over the world,", "advisor, her services are frequently requested. Since most coups weren't spearheaded by general", "Yig's dedication to their followers). This also goes for ancient tech that was", "of making the same mistake twice? * Who could go through their life", "overpowered? It's stupid and was stupid to think a single person could turn", "book, these serpent men are capable of disguising themselves as humans and are", "of cultural references and idioms. * Instead of a scary eldritch abomination, you", "cult of an Old One, Yig, still exists, his worshipers are rather casual", "the city. While most of the serpent men's cities are abandoned, some aren't.", "males, but females and younglings too) who, while not exactly friendly towards humans,", "only a matter of time before humans find out about Nogu's existence. Serpent", "a fake identity. Though she isn't a member of the royal court because", "setting is a surefire way of getting killed (either by a flamethrower or", "bitter after everything they worked for was piped into /dev/null by J.J Abrams?", "to TLJ and what caused the \"Did it subvert your expectations?!\" conundrum. 1.", "fodder, you have scared and bitter people (as in not just males, but", "One that doesn't really reward nor punish you. * Instead of having an", "by general practitioners, no one expects the strange, introverted lady to be planning", "turn the tide of a war. Now there are two things I'm afraid", "CULTURAL HIVEMIND. 2. Dragging all my hated tropes through the mud could create", "your expectations?!\" conundrum. 1. People think my rage over chainmail bikinis and always-chaotic-evil", "that most parts of this description are framed as a hated trope, the", "* Who could go through their life (except for Diavolo) without ever failing", "current leader's policies, believing him and his operations to recover even more lost", "plotting to take over the world, you have a crumbling city that struggles", "IF I WAS DYING OF TERMINAL FORTNITE AND THANOS SAID TO ME HE'D", "mysterious to barbarians, many parts of these cities are nearly identical to modern", "spies on important figures and reports back to HQ. * Instead of an", "a single person could turn the tide of a war. Now there are", "within and top to bottom, but to report on the military activities of", "still exists, his worshipers are rather casual and it's more of a habit", "crumbling city that struggles to maintain itself. * Instead of mindless cannon fodder,", "him and his operations to recover even more lost tech to be nothing", "be scared of making the same mistake twice? * Who could go through", "more and more disillusioned with the current leader's policies, believing him and his", "anything against them. She also has a flame-bladed dagger. The undulating edge is", "underground civilization that's plotting to take over the world, you have a crumbling", "chasing ghosts. This bleak outlook isn't surprising, they can barely maintain their own", "bit of an overreaction because it's just a story. IT'S NOT AN OVERREACTION!", "exactly friendly towards humans, do care about each other and are, indeed, capable", "can see it in the text that most parts of this description are", "Eliot Rodger), why'd there be any? The problem is these anomalies aren't always", "Who wouldn't be bitter after everything they worked for was piped into /dev/null", "in not just males, but females and younglings too) who, while not exactly", "about Yig's dedication to their followers). This also goes for ancient tech that", "as they clearly resemble monitors, several of which are mildly venomous, but not", "it somehow feels weird. Also, there's Luku Htyqalnef from The Last Jedi. When", "top to bottom, but to report on the military activities of humans to", "an overreaction because it's just a story. IT'S NOT AN OVERREACTION! THEY'RE HERETIC,", "from The Last Jedi. When viewed through my lens, a lot of his", "ghosts. This bleak outlook isn't surprising, they can barely maintain their own city", "present in large numbers, as that makes secrecy more difficult. Probably the most", "before humans find out about Nogu's existence. Serpent men are low in numbers", "of Nogu. Oh yes, the city. While most of the serpent men's cities", "of the serpent men's cities are abandoned, some aren't. Though they look ancient", "slicing up vegetables and dissipating vibrations from a sword strike. Her job isn't", "is mostly decorative with no occult meaning, but it helps a little when", "surefire way of getting killed (either by a flamethrower or Eliot Rodger), why'd", "Dragging all my hated tropes through the mud could create anomalies. For instance,", "the general tendencies favoring the concentric zone and the sector models. There are", "war. Now there are two things I'm afraid will happen to me that", "of an Old One, Yig, still exists, his worshipers are rather casual and", "--- I think you can see it in the text that most parts", "vegetables and dissipating vibrations from a sword strike. Her job isn't to tear", "to be nothing but chasing ghosts. This bleak outlook isn't surprising, they can", "and reports back to HQ. * Instead of an underground civilization that's plotting", "is a loooong demonstration. --- I have serpent men in my setting. Note", "have a herbalist who spies on important figures and reports back to HQ.", "It's stupid and was stupid to think a single person could turn the", "There are cheap, mass-produced apartments, the railways and sewage systems. While the cult", "humans and are infiltrating society. They aren't present in large numbers, as that", "disillusioned with the current leader's policies, believing him and his operations to recover", "turns out good, it somehow feels weird. Also, there's Luku Htyqalnef from The", "wouldn't be bitter after everything they worked for was piped into /dev/null by", "themselves overpowered? It's stupid and was stupid to think a single person could", "THEY'RE HERETIC, DETESTABLE, MORALLY REPREHENSIBLE CONCEPTS! IF I WAS DYING OF TERMINAL FORTNITE", "a healer, complete with a fake identity. Though she isn't a member of", "these cities are nearly identical to modern ones, with the general tendencies favoring", "same can be said about Yig's dedication to their followers). This also goes", "cities are abandoned, some aren't. Though they look ancient and mysterious to barbarians,", "happened to TLJ and what caused the \"Did it subvert your expectations?!\" conundrum.", "military activities of humans to the city of Nogu. Oh yes, the city.", "doors, neither of which would stop an army. --- I think you can", "the text that most parts of this description are framed as a hated", "(the same can be said about Yig's dedication to their followers). This also", "and idioms. Instead of a scary eldritch abomination, you have a lazy", "WISHES COME TRUE, IT'D BE TO ERASE THESE TROPES FROM THE CULTURAL HIVEMIND.", "certain book, these serpent men are capable of disguising themselves as humans and", "frequently requested. Since most coups weren't spearheaded by general practitioners, no one expects", "of a habit than true dedication (the same can be said about Yig's", "OVERREACTION! THEY'RE HERETIC, DETESTABLE, MORALLY REPREHENSIBLE CONCEPTS! IF I WAS DYING OF TERMINAL", "men in my setting. Note though, the correct term is lizard people, as", "The undulating edge is mostly decorative with no occult meaning, but it helps", "be planning anything against them. She also has a flame-bladed dagger. The undulating", "and a few blast doors, neither of which would stop an army. ---", "way of getting killed (either by a flamethrower or Eliot Rodger), why'd there", "me that happened to TLJ and what caused the \"Did it subvert your", "requested. Since most coups weren't spearheaded by general practitioners, no one expects the", "that doesn't really reward nor punish you. * Instead of having an entire", "of mindless cannon fodder, you have scared and bitter people (as in not", "friendly towards humans, do care about each other and are, indeed, capable of", "of which are mildly venomous, but not everyone knows that. Just like in", "stupid to think a single person could turn the tide of a war.", "apart human society from within and top to bottom, but to report on", "are only a handful of cultural references and idioms. * Instead of a", "dedication to their followers). This also goes for ancient tech that was used", "think a single person could turn the tide of a war. Now there", "low in numbers and their defenses rely completely on decoys and a few", "of his aspects are understandable. * Who wouldn't be bitter after everything they", "ME HE'D MAKE ONE OF MY WISHES COME TRUE, IT'D BE TO ERASE", "who, while not exactly friendly towards humans, do care about each other and", "bikinis and always-chaotic-evil races is a bit of an overreaction because it's just", "models. There are cheap, mass-produced apartments, the railways and sewage systems. While the", "no one trusts their own court, especially not the advisor, her services are", "reptilians, you have a herbalist who spies on important figures and reports back", "really reward nor punish you. * Instead of having an entire political system", "against them. She also has a flame-bladed dagger. The undulating edge is mostly", "the world, you have a crumbling city that struggles to maintain itself. ", "I'm afraid will happen to me that happened to TLJ and what caused", "everyone knows that. Just like in a certain book, these serpent men are", "nothing but chasing ghosts. This bleak outlook isn't surprising, they can barely maintain", "stupid and was stupid to think a single person could turn the tide", "court because no one trusts their own court, especially not the advisor, her", "society. They aren't present in large numbers, as that makes secrecy more difficult.", "a war. Now there are two things I'm afraid will happen to me", "mostly decorative with no occult meaning, but it helps a little when slicing", "from a sword strike. Her job isn't to tear apart human society from", "of this description are framed as a hated trope, the refutation of that", "OF TERMINAL FORTNITE AND THANOS SAID TO ME HE'D MAKE ONE OF MY", "REPREHENSIBLE CONCEPTS! IF I WAS DYING OF TERMINAL FORTNITE AND THANOS SAID TO", "references and idioms. Instead of a scary eldritch abomination, you have a", "people, as they clearly resemble monitors, several of which are mildly venomous, but", "making the same mistake twice? * Who could go through their life (except", "worshipers are rather casual and it's more of a habit than true dedication", "as that makes secrecy more difficult. Probably the most notable one is a", "civilization that's plotting to take over the world, you have a crumbling city", "problem is these anomalies aren't always that apparent. *When writing things like background", "Diavolo) without ever failing or finding themselves overpowered? It's stupid and was stupid", "of an underground civilization that's plotting to take over the world, you have", "city of Nogu. Oh yes, the city. While most of the serpent men's", " Who wouldn't be bitter after everything they worked for was piped into", "and top to bottom, but to report on the military activities of humans", "it helps a little when slicing up vegetables and dissipating vibrations from a", "strike. Her job isn't to tear apart human society from within and top", "can be said about Yig's dedication to their followers). This also goes for", "his aspects are understandable. * Who wouldn't be bitter after everything they worked", "not everyone knows that. Just like in a certain book, these serpent men", "are rather casual and it's more of a habit than true dedication (the", "somehow feels weird. Also, there's Luku Htyqalnef from The Last Jedi. When viewed", "humans find out about Nogu's existence. Serpent men are low in numbers and", "it's more of a habit than true dedication (the same can be said", "it subvert your expectations?!\" conundrum. 1. People think my rage over chainmail bikinis", "of which would stop an army. --- I think you can see it", "are low in numbers and their defenses rely completely on decoys and a", "and a special way to deal with them. Now, this is a loooong", "and bitter people (as in not just males, but females and younglings too)", "aren't always that apparent. *When writing things like background stories, lore or character", "mass-produced apartments, the railways and sewage systems. While the cult of an Old", "care about each other and are, indeed, capable of feeling love and compassion.", "ONE OF MY WISHES COME TRUE, IT'D BE TO ERASE THESE TROPES FROM", "take over the world, you have a crumbling city that struggles to maintain", "with the general tendencies favoring the concentric zone and the sector models. There", "knows that. Just like in a certain book, these serpent men are capable", "why'd there be any? The problem is these anomalies aren't always that apparent.", "my setting. Note though, the correct term is lizard people, as they clearly", "Note though, the correct term is lizard people, as they clearly resemble monitors,", "disguised as a healer, complete with a fake identity. Though she isn't a", "(except for Diavolo) without ever failing or finding themselves overpowered? It's stupid and", "to be planning anything against them. She also has a flame-bladed dagger. The", "special way to deal with them. Now, this is a loooong demonstration. ---", "are frequently requested. Since most coups weren't spearheaded by general practitioners, no one", "more lost tech to be nothing but chasing ghosts. This bleak outlook isn't", "serpent woman (?), disguised as a healer, complete with a fake identity. Though", "story. IT'S NOT AN OVERREACTION! THEY'RE HERETIC, DETESTABLE, MORALLY REPREHENSIBLE CONCEPTS! IF I", " Instead of having an entire political system overtaken by reptilians, you have", "capable of feeling love and compassion. See, while this usually turns out good,", "Also, there's Luku Htyqalnef from The Last Jedi. When viewed through my lens,", "their own court, especially not the advisor, her services are frequently requested. Since", "to think a single person could turn the tide of a war. Now", "not exactly friendly towards humans, do care about each other and are, indeed,", "tide of a war. Now there are two things I'm afraid will happen", "expectations?!\" conundrum. 1. People think my rage over chainmail bikinis and always-chaotic-evil races", "THESE TROPES FROM THE CULTURAL HIVEMIND. 2. Dragging all my hated tropes through", "an Old One, Yig, still exists, his worshipers are rather casual and it's", "growing more and more disillusioned with the current leader's policies, believing him and", "that was used to build their cities. Nogu is growing more and more", "notable one is a serpent woman (?), disguised as a healer, complete with", "find out about Nogu's existence. Serpent men are low in numbers and their", "nearly identical to modern ones, with the general tendencies favoring the concentric zone", "description are framed as a hated trope, the refutation of that trope and", "their followers). This also goes for ancient tech that was used to build", "bleak outlook isn't surprising, they can barely maintain their own city and it's", "Instead of having an entire political system overtaken by reptilians, you have a", "through their life (except for Diavolo) without ever failing or finding themselves overpowered?", "framed as a hated trope, the refutation of that trope and the reasoning", "of feeling love and compassion. See, while this usually turns out good, it", "the serpent men's cities are abandoned, some aren't. Though they look ancient and", "being a scantly clad amazon in my setting is a surefire way of", "tear apart human society from within and top to bottom, but to report", "with them. Now, this is a loooong demonstration. --- I have serpent men", "you have a crumbling city that struggles to maintain itself. * Instead of", "which would stop an army. --- I think you can see it in", "matter of time before humans find out about Nogu's existence. Serpent men are", "This also goes for ancient tech that was used to build their cities.", "She also has a flame-bladed dagger. The undulating edge is mostly decorative with", "believing him and his operations to recover even more lost tech to be", "in numbers and their defenses rely completely on decoys and a few blast", "THANOS SAID TO ME HE'D MAKE ONE OF MY WISHES COME TRUE, IT'D", "and sewage systems. While the cult of an Old One, Yig, still exists,", "decoys and a few blast doors, neither of which would stop an army.", "trope and the reasoning for it. * Instead of diabolical cults, there are", "viewed through my lens, a lot of his aspects are understandable. * Who", "over chainmail bikinis and always-chaotic-evil races is a bit of an overreaction because", "coups weren't spearheaded by general practitioners, no one expects the strange, introverted lady", "deep-seated hatred for certain tropes and a special way to deal with them.", "each other and are, indeed, capable of feeling love and compassion. See, while", "cities are nearly identical to modern ones, with the general tendencies favoring the", "to me that happened to TLJ and what caused the \"Did it subvert", "scared of making the same mistake twice? * Who could go through their", "loooong demonstration. --- I have serpent men in my setting. Note though, the", "* Instead of diabolical cults, there are only a handful of cultural references", "have scared and bitter people (as in not just males, but females and", "with the current leader's policies, believing him and his operations to recover even", "as humans and are infiltrating society. They aren't present in large numbers, as", "is lizard people, as they clearly resemble monitors, several of which are mildly", "towards humans, do care about each other and are, indeed, capable of feeling", "lazy Old One that doesn't really reward nor punish you. * Instead of", "just males, but females and younglings too) who, while not exactly friendly towards", "my rage over chainmail bikinis and always-chaotic-evil races is a bit of an", "Probably the most notable one is a serpent woman (?), disguised as a", "THE CULTURAL HIVEMIND. 2. Dragging all my hated tropes through the mud could", "more of a habit than true dedication (the same can be said about", "time before humans find out about Nogu's existence. Serpent men are low in", "surprising, they can barely maintain their own city and it's only a matter", "subvert your expectations?!\" conundrum. 1. People think my rage over chainmail bikinis and", "of an overreaction because it's just a story. IT'S NOT AN OVERREACTION! THEY'RE", "FROM THE CULTURAL HIVEMIND. 2. Dragging all my hated tropes through the mud", "the refutation of that trope and the reasoning for it. * Instead of", "their life (except for Diavolo) without ever failing or finding themselves overpowered? It's", "these anomalies aren't always that apparent. When writing things like background stories, lore", "a little when slicing up vegetables and dissipating vibrations from a sword strike.", "of having an entire political system overtaken by reptilians, you have a herbalist", "ancient and mysterious to barbarians, many parts of these cities are nearly identical", "be any? The problem is these anomalies aren't always that apparent. When writing", "meaning, but it helps a little when slicing up vegetables and dissipating vibrations", "always that apparent. *When writing things like background stories, lore or character bios", "have a deep-seated hatred for certain tropes and a special way to deal", "little when slicing up vegetables and dissipating vibrations from a sword strike. Her", "are understandable. Who wouldn't be bitter after everything they worked for was", "sewage systems. While the cult of an Old One, Yig, still exists, his", "scantly clad amazon in my setting is a surefire way of getting killed", "2. Dragging all my hated tropes through the mud could create anomalies. For", "can barely maintain their own city and it's only a matter of time", "as a hated trope, the refutation of that trope and the reasoning for", "a few blast doors, neither of which would stop an army. --- I", "go through their life (except for Diavolo) without ever failing or finding themselves", "See, while this usually turns out good, it somehow feels weird. Also, there's", "Since most coups weren't spearheaded by general practitioners, no one expects the strange,", "abandoned, some aren't. Though they look ancient and mysterious to barbarians, many parts", "decorative with no occult meaning, but it helps a little when slicing up", "isn't a member of the royal court because no one trusts their own", "MORALLY REPREHENSIBLE CONCEPTS! IF I WAS DYING OF TERMINAL FORTNITE AND THANOS SAID", "exists, his worshipers are rather casual and it's more of a habit than", "there are only a handful of cultural references and idioms. * Instead of", "OF MY WISHES COME TRUE, IT'D BE TO ERASE THESE TROPES FROM THE", "but it helps a little when slicing up vegetables and dissipating vibrations from", "Though she isn't a member of the royal court because no one trusts", "FORTNITE AND THANOS SAID TO ME HE'D MAKE ONE OF MY WISHES COME", "TO ME HE'D MAKE ONE OF MY WISHES COME TRUE, IT'D BE TO", "a sword strike. Her job isn't to tear apart human society from within", "only a handful of cultural references and idioms. * Instead of a scary", "good, it somehow feels weird. Also, there's Luku Htyqalnef from The Last Jedi.", "a deep-seated hatred for certain tropes and a special way to deal with", "and it's more of a habit than true dedication (the same can be", "a handful of cultural references and idioms. * Instead of a scary eldritch", "city. While most of the serpent men's cities are abandoned, some aren't. Though", "report on the military activities of humans to the city of Nogu. Oh", "life (except for Diavolo) without ever failing or finding themselves overpowered? It's stupid", "that apparent. *When writing things like background stories, lore or character bios out", "(as in not just males, but females and younglings too) who, while not", "twice? Who could go through their life (except for Diavolo) without ever", "men are capable of disguising themselves as humans and are infiltrating society. They", "is these anomalies aren't always that apparent. When writing things like background stories,", "anomalies aren't always that apparent. When writing things like background stories, lore or", "struggles to maintain itself. * Instead of mindless cannon fodder, you have scared", "a hated trope, the refutation of that trope and the reasoning for it.", "\"Did it subvert your expectations?!\" conundrum. 1. People think my rage over chainmail", "could go through their life (except for Diavolo) without ever failing or finding", "to barbarians, many parts of these cities are nearly identical to modern ones,", "mistake twice? * Who could go through their life (except for Diavolo) without", "difficult. Probably the most notable one is a serpent woman (?), disguised as", "Nogu's existence. Serpent men are low in numbers and their defenses rely completely", "two things I'm afraid will happen to me that happened to TLJ and", "who spies on important figures and reports back to HQ. * Instead of", "bitter people (as in not just males, but females and younglings too) who,", "and what caused the \"Did it subvert your expectations?!\" conundrum. 1. People think", "to HQ. * Instead of an underground civilization that's plotting to take over", "an underground civilization that's plotting to take over the world, you have a", "wouldn't be scared of making the same mistake twice? * Who could go", "TRUE, IT'D BE TO ERASE THESE TROPES FROM THE CULTURAL HIVEMIND. 2. Dragging", "the reasoning for it. * Instead of diabolical cults, there are only a", "IT'S NOT AN OVERREACTION! THEY'RE HERETIC, DETESTABLE, MORALLY REPREHENSIBLE CONCEPTS! IF I WAS", "humans, do care about each other and are, indeed, capable of feeling love", "with no occult meaning, but it helps a little when slicing up vegetables", "apparent. *When writing things like background stories, lore or character bios out of", "clearly resemble monitors, several of which are mildly venomous, but not everyone knows", "dedication (the same can be said about Yig's dedication to their followers). This", "about Nogu's existence. Serpent men are low in numbers and their defenses rely", "habit than true dedication (the same can be said about Yig's dedication to", "certain tropes and a special way to deal with them. Now, this is", "younglings too) who, while not exactly friendly towards humans, do care about each", "city and it's only a matter of time before humans find out about", "refutation of that trope and the reasoning for it. Instead of diabolical", "create anomalies. For instance, if being a scantly clad amazon in my setting", "HQ. * Instead of an underground civilization that's plotting to take over the", "but females and younglings too) who, while not exactly friendly towards humans, do", "after everything they worked for was piped into /dev/null by J.J Abrams? ", "was piped into /dev/null by J.J Abrams? Who wouldn't be scared of", "occult meaning, but it helps a little when slicing up vegetables and dissipating", "practitioners, no one expects the strange, introverted lady to be planning anything against", "Just like in a certain book, these serpent men are capable of disguising", "TROPES FROM THE CULTURAL HIVEMIND. 2. Dragging all my hated tropes through the", "the cult of an Old One, Yig, still exists, his worshipers are rather", "it in the text that most parts of this description are framed as", "AN OVERREACTION! THEY'RE HERETIC, DETESTABLE, MORALLY REPREHENSIBLE CONCEPTS! IF I WAS DYING OF", "to bottom, but to report on the military activities of humans to the", "look ancient and mysterious to barbarians, many parts of these cities are nearly", "more disillusioned with the current leader's policies, believing him and his operations to", "an entire political system overtaken by reptilians, you have a herbalist who spies", "is a bit of an overreaction because it's just a story. IT'S NOT", "MY WISHES COME TRUE, IT'D BE TO ERASE THESE TROPES FROM THE CULTURAL", "no occult meaning, but it helps a little when slicing up vegetables and", "activities of humans to the city of Nogu. Oh yes, the city. While", "scared and bitter people (as in not just males, but females and younglings", "especially not the advisor, her services are frequently requested. Since most coups weren't", "instance, if being a scantly clad amazon in my setting is a surefire", "One, Yig, still exists, his worshipers are rather casual and it's more of", "a story. IT'S NOT AN OVERREACTION! THEY'RE HERETIC, DETESTABLE, MORALLY REPREHENSIBLE CONCEPTS! IF", "secrecy more difficult. Probably the most notable one is a serpent woman (?),", "her services are frequently requested. Since most coups weren't spearheaded by general practitioners,", "policies, believing him and his operations to recover even more lost tech to", "mildly venomous, but not everyone knows that. Just like in a certain book,", "Nogu. Oh yes, the city. While most of the serpent men's cities are", "just a story. IT'S NOT AN OVERREACTION! THEY'RE HERETIC, DETESTABLE, MORALLY REPREHENSIBLE CONCEPTS!", "his worshipers are rather casual and it's more of a habit than true", "also goes for ancient tech that was used to build their cities. Nogu", "even more lost tech to be nothing but chasing ghosts. This bleak outlook", "handful of cultural references and idioms. * Instead of a scary eldritch abomination,", "love and compassion. See, while this usually turns out good, it somehow feels", "Luku Htyqalnef from The Last Jedi. When viewed through my lens, a lot", "strange, introverted lady to be planning anything against them. She also has a", "are cheap, mass-produced apartments, the railways and sewage systems. While the cult of", "Rodger), why'd there be any? The problem is these anomalies aren't always that", "of time before humans find out about Nogu's existence. Serpent men are low", "I have a deep-seated hatred for certain tropes and a special way to", "is a serpent woman (?), disguised as a healer, complete with a fake", "I have serpent men in my setting. Note though, the correct term is", "Old One that doesn't really reward nor punish you. * Instead of having", "and compassion. See, while this usually turns out good, it somehow feels weird.", "and younglings too) who, while not exactly friendly towards humans, do care about", "of humans to the city of Nogu. Oh yes, the city. While most", "large numbers, as that makes secrecy more difficult. Probably the most notable one", "through the mud could create anomalies. For instance, if being a scantly clad", "tech that was used to build their cities. Nogu is growing more and", "nor punish you. * Instead of having an entire political system overtaken by", "said about Yig's dedication to their followers). This also goes for ancient tech", "that. Just like in a certain book, these serpent men are capable of", "a certain book, these serpent men are capable of disguising themselves as humans", "they worked for was piped into /dev/null by J.J Abrams? * Who wouldn't", "lizard people, as they clearly resemble monitors, several of which are mildly venomous,", "Who wouldn't be scared of making the same mistake twice? * Who could", "aren't. Though they look ancient and mysterious to barbarians, many parts of these", "killed (either by a flamethrower or Eliot Rodger), why'd there be any? The", "world, you have a crumbling city that struggles to maintain itself. * Instead", "indeed, capable of feeling love and compassion. See, while this usually turns out", "their defenses rely completely on decoys and a few blast doors, neither of", "in large numbers, as that makes secrecy more difficult. Probably the most notable", "cities. Nogu is growing more and more disillusioned with the current leader's policies,", "trusts their own court, especially not the advisor, her services are frequently requested.", "capable of disguising themselves as humans and are infiltrating society. They aren't present", "you have a herbalist who spies on important figures and reports back to", "* Instead of a scary eldritch abomination, you have a lazy Old One", "most parts of this description are framed as a hated trope, the refutation", "are capable of disguising themselves as humans and are infiltrating society. They aren't", "IT'D BE TO ERASE THESE TROPES FROM THE CULTURAL HIVEMIND. 2. Dragging all", "females and younglings too) who, while not exactly friendly towards humans, do care", "/dev/null by J.J Abrams? * Who wouldn't be scared of making the same", "worked for was piped into /dev/null by J.J Abrams? * Who wouldn't be", "flamethrower or Eliot Rodger), why'd there be any? The problem is these anomalies", "always-chaotic-evil races is a bit of an overreaction because it's just a story.", "in the text that most parts of this description are framed as a", "The problem is these anomalies aren't always that apparent. *When writing things like", "concentric zone and the sector models. There are cheap, mass-produced apartments, the railways", "you have scared and bitter people (as in not just males, but females", "way to deal with them. Now, this is a loooong demonstration. --- I", "important figures and reports back to HQ. Instead of an underground civilization", "mindless cannon fodder, you have scared and bitter people (as in not just", "casual and it's more of a habit than true dedication (the same can", "like in a certain book, these serpent men are capable of disguising themselves", "Who could go through their life (except for Diavolo) without ever failing or", "numbers, as that makes secrecy more difficult. Probably the most notable one is", "yes, the city. While most of the serpent men's cities are abandoned, some", "cultural references and idioms. * Instead of a scary eldritch abomination, you have", "a bit of an overreaction because it's just a story. IT'S NOT AN", "out about Nogu's existence. Serpent men are low in numbers and their defenses", "could create anomalies. For instance, if being a scantly clad amazon in my", "army. --- I think you can see it in the text that most", "disguising themselves as humans and are infiltrating society. They aren't present in large", "own court, especially not the advisor, her services are frequently requested. Since most", "are two things I'm afraid will happen to me that happened to TLJ", "these serpent men are capable of disguising themselves as humans and are infiltrating", "to report on the military activities of humans to the city of Nogu.", "a lazy Old One that doesn't really reward nor punish you. * Instead", "maintain itself. * Instead of mindless cannon fodder, you have scared and bitter", "would stop an army. --- I think you can see it in the", "barbarians, many parts of these cities are nearly identical to modern ones, with", "operations to recover even more lost tech to be nothing but chasing ghosts.", "a herbalist who spies on important figures and reports back to HQ. ", "herbalist who spies on important figures and reports back to HQ. Instead", "a lot of his aspects are understandable. * Who wouldn't be bitter after", "on the military activities of humans to the city of Nogu. Oh yes,", "neither of which would stop an army. --- I think you can see", "of a scary eldritch abomination, you have a lazy Old One that doesn't", "of the royal court because no one trusts their own court, especially not", "eldritch abomination, you have a lazy Old One that doesn't really reward nor", "I think you can see it in the text that most parts of", "other and are, indeed, capable of feeling love and compassion. See, while this", "was stupid to think a single person could turn the tide of a", "flame-bladed dagger. The undulating edge is mostly decorative with no occult meaning, but", "they can barely maintain their own city and it's only a matter of", "While most of the serpent men's cities are abandoned, some aren't. Though they", "court, especially not the advisor, her services are frequently requested. Since most coups", "but chasing ghosts. This bleak outlook isn't surprising, they can barely maintain their", "tropes through the mud could create anomalies. For instance, if being a scantly", "parts of this description are framed as a hated trope, the refutation of", "out good, it somehow feels weird. Also, there's Luku Htyqalnef from The Last", "Yig, still exists, his worshipers are rather casual and it's more of a", "for Diavolo) without ever failing or finding themselves overpowered? It's stupid and was", "build their cities. Nogu is growing more and more disillusioned with the current", "his operations to recover even more lost tech to be nothing but chasing", "be bitter after everything they worked for was piped into /dev/null by J.J", "everything they worked for was piped into /dev/null by J.J Abrams? Who", "what caused the \"Did it subvert your expectations?!\" conundrum. 1. People think my", "are mildly venomous, but not everyone knows that. Just like in a certain", "identical to modern ones, with the general tendencies favoring the concentric zone and", "she isn't a member of the royal court because no one trusts their", "of disguising themselves as humans and are infiltrating society. They aren't present in", "there are two things I'm afraid will happen to me that happened to", "existence. Serpent men are low in numbers and their defenses rely completely on", "Instead of a scary eldritch abomination, you have a lazy Old One that", "systems. While the cult of an Old One, Yig, still exists, his worshipers", "Now, this is a loooong demonstration. --- I have serpent men in my", "COME TRUE, IT'D BE TO ERASE THESE TROPES FROM THE CULTURAL HIVEMIND. 2.", "think my rage over chainmail bikinis and always-chaotic-evil races is a bit of", "because it's just a story. IT'S NOT AN OVERREACTION! THEY'RE HERETIC, DETESTABLE, MORALLY", "(either by a flamethrower or Eliot Rodger), why'd there be any? The problem", "of diabolical cults, there are only a handful of cultural references and idioms.", "most of the serpent men's cities are abandoned, some aren't. Though they look", "isn't surprising, they can barely maintain their own city and it's only a", "royal court because no one trusts their own court, especially not the advisor,", "a flamethrower or Eliot Rodger), why'd there be any? The problem is these", "spearheaded by general practitioners, no one expects the strange, introverted lady to be", "all my hated tropes through the mud could create anomalies. For instance, if", "for ancient tech that was used to build their cities. Nogu is growing", "to build their cities. Nogu is growing more and more disillusioned with the", "general practitioners, no one expects the strange, introverted lady to be planning anything", "Though they look ancient and mysterious to barbarians, many parts of these cities", "a surefire way of getting killed (either by a flamethrower or Eliot Rodger),", "cannon fodder, you have scared and bitter people (as in not just males,", "introverted lady to be planning anything against them. She also has a flame-bladed", "defenses rely completely on decoys and a few blast doors, neither of which", "sword strike. Her job isn't to tear apart human society from within and", "getting killed (either by a flamethrower or Eliot Rodger), why'd there be any?", "by a flamethrower or Eliot Rodger), why'd there be any? The problem is", "(?), disguised as a healer, complete with a fake identity. Though she isn't", "writing things like background stories, lore or character bios out of spite, what", "aren't present in large numbers, as that makes secrecy more difficult. Probably the", "having an entire political system overtaken by reptilians, you have a herbalist who", "Htyqalnef from The Last Jedi. When viewed through my lens, a lot of", "the strange, introverted lady to be planning anything against them. She also has", "my lens, a lot of his aspects are understandable. * Who wouldn't be", "completely on decoys and a few blast doors, neither of which would stop", "the current leader's policies, believing him and his operations to recover even more", "serpent men are capable of disguising themselves as humans and are infiltrating society.", "same mistake twice? * Who could go through their life (except for Diavolo)", "that makes secrecy more difficult. Probably the most notable one is a serpent", "planning anything against them. She also has a flame-bladed dagger. The undulating edge", "too) who, while not exactly friendly towards humans, do care about each other", "reward nor punish you. * Instead of having an entire political system overtaken", "sector models. There are cheap, mass-produced apartments, the railways and sewage systems. While", "overreaction because it's just a story. IT'S NOT AN OVERREACTION! THEY'RE HERETIC, DETESTABLE,", "themselves as humans and are infiltrating society. They aren't present in large numbers,", "* Instead of mindless cannon fodder, you have scared and bitter people (as", "many parts of these cities are nearly identical to modern ones, with the", "person could turn the tide of a war. Now there are two things", "a member of the royal court because no one trusts their own court,", "for it. * Instead of diabolical cults, there are only a handful of", "a crumbling city that struggles to maintain itself. * Instead of mindless cannon", "people (as in not just males, but females and younglings too) who, while", "has a flame-bladed dagger. The undulating edge is mostly decorative with no occult", "lot of his aspects are understandable. * Who wouldn't be bitter after everything", "helps a little when slicing up vegetables and dissipating vibrations from a sword", "back to HQ. * Instead of an underground civilization that's plotting to take", "feels weird. Also, there's Luku Htyqalnef from The Last Jedi. When viewed through", "them. Now, this is a loooong demonstration. --- I have serpent men in", "this is a loooong demonstration. --- I have serpent men in my setting.", "while not exactly friendly towards humans, do care about each other and are,", "a scary eldritch abomination, you have a lazy Old One that doesn't really", "the royal court because no one trusts their own court, especially not the", "tropes and a special way to deal with them. Now, this is a", "into /dev/null by J.J Abrams? * Who wouldn't be scared of making the", "than true dedication (the same can be said about Yig's dedication to their", "amazon in my setting is a surefire way of getting killed (either by", "While the cult of an Old One, Yig, still exists, his worshipers are", "expects the strange, introverted lady to be planning anything against them. She also", "one expects the strange, introverted lady to be planning anything against them. She", "and are, indeed, capable of feeling love and compassion. See, while this usually", "infiltrating society. They aren't present in large numbers, as that makes secrecy more", "could turn the tide of a war. Now there are two things I'm", "usually turns out good, it somehow feels weird. Also, there's Luku Htyqalnef from", "which are mildly venomous, but not everyone knows that. Just like in a", "humans to the city of Nogu. Oh yes, the city. While most of", "HIVEMIND. 2. Dragging all my hated tropes through the mud could create anomalies.", "hated tropes through the mud could create anomalies. For instance, if being a", "have a lazy Old One that doesn't really reward nor punish you. ", "and it's only a matter of time before humans find out about Nogu's", "Serpent men are low in numbers and their defenses rely completely on decoys", "the sector models. There are cheap, mass-produced apartments, the railways and sewage systems.", "also has a flame-bladed dagger. The undulating edge is mostly decorative with no", "through my lens, a lot of his aspects are understandable. Who wouldn't", "--- I have serpent men in my setting. Note though, the correct term", "chainmail bikinis and always-chaotic-evil races is a bit of an overreaction because it's", "hatred for certain tropes and a special way to deal with them. Now,", "DETESTABLE, MORALLY REPREHENSIBLE CONCEPTS! IF I WAS DYING OF TERMINAL FORTNITE AND THANOS", "ERASE THESE TROPES FROM THE CULTURAL HIVEMIND. 2. Dragging all my hated tropes", "Nogu is growing more and more disillusioned with the current leader's policies, believing", "piped into /dev/null by J.J Abrams? * Who wouldn't be scared of making", "used to build their cities. Nogu is growing more and more disillusioned with", "more difficult. Probably the most notable one is a serpent woman (?), disguised", "DYING OF TERMINAL FORTNITE AND THANOS SAID TO ME HE'D MAKE ONE OF", "overtaken by reptilians, you have a herbalist who spies on important figures and", "if being a scantly clad amazon in my setting is a surefire way", "HE'D MAKE ONE OF MY WISHES COME TRUE, IT'D BE TO ERASE THESE", "mud could create anomalies. For instance, if being a scantly clad amazon in", "makes secrecy more difficult. Probably the most notable one is a serpent woman", "ever failing or finding themselves overpowered? It's stupid and was stupid to think", "the correct term is lizard people, as they clearly resemble monitors, several of", "a scantly clad amazon in my setting is a surefire way of getting", "apartments, the railways and sewage systems. While the cult of an Old One,", "rather casual and it's more of a habit than true dedication (the same", "a matter of time before humans find out about Nogu's existence. Serpent men", "several of which are mildly venomous, but not everyone knows that. Just like", "text that most parts of this description are framed as a hated trope,", "AND THANOS SAID TO ME HE'D MAKE ONE OF MY WISHES COME TRUE,", "BE TO ERASE THESE TROPES FROM THE CULTURAL HIVEMIND. 2. Dragging all my", "background stories, lore or character bios out of spite, what should I avoid?*", "to modern ones, with the general tendencies favoring the concentric zone and the", "isn't to tear apart human society from within and top to bottom, but", "anomalies. For instance, if being a scantly clad amazon in my setting is", "because no one trusts their own court, especially not the advisor, her services", "NOT AN OVERREACTION! THEY'RE HERETIC, DETESTABLE, MORALLY REPREHENSIBLE CONCEPTS! IF I WAS DYING", "the military activities of humans to the city of Nogu. Oh yes, the", "leader's policies, believing him and his operations to recover even more lost tech", "the same mistake twice? Who could go through their life (except for", "The Last Jedi. When viewed through my lens, a lot of his aspects", "punish you. * Instead of having an entire political system overtaken by reptilians,", "true dedication (the same can be said about Yig's dedication to their followers).", "SAID TO ME HE'D MAKE ONE OF MY WISHES COME TRUE, IT'D BE", "in a certain book, these serpent men are capable of disguising themselves as", "feeling love and compassion. See, while this usually turns out good, it somehow", "races is a bit of an overreaction because it's just a story. IT'S", "some aren't. Though they look ancient and mysterious to barbarians, many parts of", "is growing more and more disillusioned with the current leader's policies, believing him", "serpent men in my setting. Note though, the correct term is lizard people,", "setting. Note though, the correct term is lizard people, as they clearly resemble", "in my setting. Note though, the correct term is lizard people, as they", "correct term is lizard people, as they clearly resemble monitors, several of which", "and are infiltrating society. They aren't present in large numbers, as that makes", "barely maintain their own city and it's only a matter of time before", "or Eliot Rodger), why'd there be any? The problem is these anomalies aren't", "with a fake identity. Though she isn't a member of the royal court", "about each other and are, indeed, capable of feeling love and compassion. See,", "Abrams? * Who wouldn't be scared of making the same mistake twice? ", "venomous, but not everyone knows that. Just like in a certain book, these", "TERMINAL FORTNITE AND THANOS SAID TO ME HE'D MAKE ONE OF MY WISHES", "see it in the text that most parts of this description are framed", "things I'm afraid will happen to me that happened to TLJ and what", "from within and top to bottom, but to report on the military activities", "zone and the sector models. There are cheap, mass-produced apartments, the railways and", "ancient tech that was used to build their cities. Nogu is growing more", "that's plotting to take over the world, you have a crumbling city that", "clad amazon in my setting is a surefire way of getting killed (either", "men are low in numbers and their defenses rely completely on decoys and", "it's only a matter of time before humans find out about Nogu's existence.", "single person could turn the tide of a war. Now there are two", "my setting is a surefire way of getting killed (either by a flamethrower", "TLJ and what caused the \"Did it subvert your expectations?!\" conundrum. 1. People", "figures and reports back to HQ. Instead of an underground civilization that's", "reasoning for it. * Instead of diabolical cults, there are only a handful", "1. People think my rage over chainmail bikinis and always-chaotic-evil races is a", "that trope and the reasoning for it. * Instead of diabolical cults, there", "a flame-bladed dagger. The undulating edge is mostly decorative with no occult meaning,", "are nearly identical to modern ones, with the general tendencies favoring the concentric", "on decoys and a few blast doors, neither of which would stop an", "not just males, but females and younglings too) who, while not exactly friendly", "doesn't really reward nor punish you. * Instead of having an entire political", "Now there are two things I'm afraid will happen to me that happened", "will happen to me that happened to TLJ and what caused the \"Did", "an army. --- I think you can see it in the text that", "reports back to HQ. * Instead of an underground civilization that's plotting to", "they clearly resemble monitors, several of which are mildly venomous, but not everyone", "dagger. The undulating edge is mostly decorative with no occult meaning, but it", "it's just a story. IT'S NOT AN OVERREACTION! THEY'RE HERETIC, DETESTABLE, MORALLY REPREHENSIBLE", "goes for ancient tech that was used to build their cities. Nogu is", "undulating edge is mostly decorative with no occult meaning, but it helps a", "HERETIC, DETESTABLE, MORALLY REPREHENSIBLE CONCEPTS! IF I WAS DYING OF TERMINAL FORTNITE AND", "no one expects the strange, introverted lady to be planning anything against them.", "job isn't to tear apart human society from within and top to bottom,", "to the city of Nogu. Oh yes, the city. While most of the", "WAS DYING OF TERMINAL FORTNITE AND THANOS SAID TO ME HE'D MAKE ONE", "it. * Instead of diabolical cults, there are only a handful of cultural", "CONCEPTS! IF I WAS DYING OF TERMINAL FORTNITE AND THANOS SAID TO ME", "finding themselves overpowered? It's stupid and was stupid to think a single person", "the most notable one is a serpent woman (?), disguised as a healer,", "services are frequently requested. Since most coups weren't spearheaded by general practitioners, no", "though, the correct term is lizard people, as they clearly resemble monitors, several", "think you can see it in the text that most parts of this", "hated trope, the refutation of that trope and the reasoning for it. ", "the tide of a war. Now there are two things I'm afraid will", "dissipating vibrations from a sword strike. Her job isn't to tear apart human", "and more disillusioned with the current leader's policies, believing him and his operations", "monitors, several of which are mildly venomous, but not everyone knows that. Just", "are abandoned, some aren't. Though they look ancient and mysterious to barbarians, many", "of these cities are nearly identical to modern ones, with the general tendencies", "I WAS DYING OF TERMINAL FORTNITE AND THANOS SAID TO ME HE'D MAKE", "complete with a fake identity. Though she isn't a member of the royal", "and dissipating vibrations from a sword strike. Her job isn't to tear apart", "while this usually turns out good, it somehow feels weird. Also, there's Luku", "to their followers). This also goes for ancient tech that was used to", "Jedi. When viewed through my lens, a lot of his aspects are understandable.", "resemble monitors, several of which are mildly venomous, but not everyone knows that.", "to tear apart human society from within and top to bottom, but to", "few blast doors, neither of which would stop an army. --- I think", "and the reasoning for it. * Instead of diabolical cults, there are only", "the mud could create anomalies. For instance, if being a scantly clad amazon", "their cities. Nogu is growing more and more disillusioned with the current leader's", "member of the royal court because no one trusts their own court, especially", "When viewed through my lens, a lot of his aspects are understandable. ", "Her job isn't to tear apart human society from within and top to", "a habit than true dedication (the same can be said about Yig's dedication", "favoring the concentric zone and the sector models. There are cheap, mass-produced apartments,", "vibrations from a sword strike. Her job isn't to tear apart human society", "term is lizard people, as they clearly resemble monitors, several of which are", "there's Luku Htyqalnef from The Last Jedi. When viewed through my lens, a", "for was piped into /dev/null by J.J Abrams? Who wouldn't be scared", "ones, with the general tendencies favoring the concentric zone and the sector models.", "followers). This also goes for ancient tech that was used to build their", "one trusts their own court, especially not the advisor, her services are frequently", "outlook isn't surprising, they can barely maintain their own city and it's only", "entire political system overtaken by reptilians, you have a herbalist who spies on", "or finding themselves overpowered? It's stupid and was stupid to think a single", "a special way to deal with them. Now, this is a loooong demonstration.", "to deal with them. Now, this is a loooong demonstration. --- I have", "the railways and sewage systems. While the cult of an Old One, Yig,", "scary eldritch abomination, you have a lazy Old One that doesn't really reward", "Oh yes, the city. While most of the serpent men's cities are abandoned,", "identity. Though she isn't a member of the royal court because no one", "up vegetables and dissipating vibrations from a sword strike. Her job isn't to", "parts of these cities are nearly identical to modern ones, with the general", "For instance, if being a scantly clad amazon in my setting is a", "most notable one is a serpent woman (?), disguised as a healer, complete", "to take over the world, you have a crumbling city that struggles to", "do care about each other and are, indeed, capable of feeling love and", "Instead of mindless cannon fodder, you have scared and bitter people (as in", "is a surefire way of getting killed (either by a flamethrower or Eliot", "this usually turns out good, it somehow feels weird. Also, there's Luku Htyqalnef", "be nothing but chasing ghosts. This bleak outlook isn't surprising, they can barely", "J.J Abrams? * Who wouldn't be scared of making the same mistake twice?", "political system overtaken by reptilians, you have a herbalist who spies on important", "there be any? The problem is these anomalies aren't always that apparent. *When", "to maintain itself. Instead of mindless cannon fodder, you have scared and", "and was stupid to think a single person could turn the tide of", "demonstration. --- I have serpent men in my setting. Note though, the correct", "tendencies favoring the concentric zone and the sector models. There are cheap, mass-produced", "the \"Did it subvert your expectations?!\" conundrum. 1. People think my rage over", "rely completely on decoys and a few blast doors, neither of which would", "woman (?), disguised as a healer, complete with a fake identity. Though she", "numbers and their defenses rely completely on decoys and a few blast doors,", "weird. Also, there's Luku Htyqalnef from The Last Jedi. When viewed through my", "the concentric zone and the sector models. There are cheap, mass-produced apartments, the", "They aren't present in large numbers, as that makes secrecy more difficult. Probably", "human society from within and top to bottom, but to report on the", "society from within and top to bottom, but to report on the military", "deal with them. Now, this is a loooong demonstration. --- I have serpent", "the advisor, her services are frequently requested. Since most coups weren't spearheaded by", "failing or finding themselves overpowered? It's stupid and was stupid to think a", "caused the \"Did it subvert your expectations?!\" conundrum. 1. People think my rage", "of that trope and the reasoning for it. * Instead of diabolical cults,", "cults, there are only a handful of cultural references and idioms. * Instead", "men's cities are abandoned, some aren't. Though they look ancient and mysterious to", "not the advisor, her services are frequently requested. Since most coups weren't spearheaded", "but to report on the military activities of humans to the city of", "most coups weren't spearheaded by general practitioners, no one expects the strange, introverted", "when slicing up vegetables and dissipating vibrations from a sword strike. Her job", "and always-chaotic-evil races is a bit of an overreaction because it's just a", "any? The problem is these anomalies aren't always that apparent. When writing things", "happen to me that happened to TLJ and what caused the \"Did it", "rage over chainmail bikinis and always-chaotic-evil races is a bit of an overreaction", "lost tech to be nothing but chasing ghosts. This bleak outlook isn't surprising,", "my hated tropes through the mud could create anomalies. For instance, if being", "they look ancient and mysterious to barbarians, many parts of these cities are", "be said about Yig's dedication to their followers). This also goes for ancient", "railways and sewage systems. While the cult of an Old One, Yig, still", "When writing things like background stories, lore or character bios out of spite,", "tech to be nothing but chasing ghosts. This bleak outlook isn't surprising, they", "system overtaken by reptilians, you have a herbalist who spies on important figures", "you. * Instead of having an entire political system overtaken by reptilians, you", "edge is mostly decorative with no occult meaning, but it helps a little", "Old One, Yig, still exists, his worshipers are rather casual and it's more", "maintain their own city and it's only a matter of time before humans", "idioms. * Instead of a scary eldritch abomination, you have a lazy Old", "trope, the refutation of that trope and the reasoning for it. * Instead", "things like background stories, lore or character bios out of spite, what should", "the city of Nogu. Oh yes, the city. While most of the serpent" ]
[ "novel..i am stuck at two characters who already have a liking for each", "subtle. . Thanks for your help. Please forgive my not so upto the", "the conversations they have, how they open up telling each other stories of", "or words exchange. The characters are very simple and not agressive and not", "this has to be when they meet personally. How do i take this", "her out. Also stuck at what should be there first text or words", "exchanged numbers.. plus not putting the boring hello and all those stuff still", "they meet personally. How do i take this to where he asks her", "as the flow of the story is very subtle. . Thanks for your", "her maybe out for coffee. (Coffee again isnt the perfect setting..A walk in", "to where he asks her maybe out for coffee. (Coffee again isnt the", "putting the boring hello and all those stuff still getting to the point", "again isnt the perfect setting..A walk in garden maybe.. i am working on", "very subtle. . Thanks for your help. Please forgive my not so upto", "numbers. I have all the conversations they have, how they open up telling", "out. Also stuck at what should be there first text or words exchange.", "words exchange. The characters are very simple and not agressive and not very", "have, how they open up telling each other stories of their life. But", "this to where he asks her maybe out for coffee. (Coffee again isnt", "setting..A walk in garden maybe.. i am working on it. ) Without rushing", "numbers.. plus not putting the boring hello and all those stuff still getting", "still getting to the point where he asks or meets her out. Also", "is very subtle. . Thanks for your help. Please forgive my not so", "be there first text or words exchange. The characters are very simple and", "am working on it. ) Without rushing through the story to it..As they", "the perfect setting..A walk in garden maybe.. i am working on it. )", "isnt the perfect setting..A walk in garden maybe.. i am working on it.", "have all the conversations they have, how they open up telling each other", "at what should be there first text or words exchange. The characters are", "maybe.. i am working on it. ) Without rushing through the story to", "plus not putting the boring hello and all those stuff still getting to", ". Thanks for your help. Please forgive my not so upto the mark", "conversations they have, how they open up telling each other stories of their", "open up telling each other stories of their life. But this has to", "text or words exchange. The characters are very simple and not agressive and", "outgoing as well as the flow of the story is very subtle. .", "the point where he asks or meets her out. Also stuck at what", "stuck at what should be there first text or words exchange. The characters", "what should be there first text or words exchange. The characters are very", "up telling each other stories of their life. But this has to be", "through the story to it..As they have just exchanged numbers.. plus not putting", "asks her maybe out for coffee. (Coffee again isnt the perfect setting..A walk", "meets her out. Also stuck at what should be there first text or", "story is very subtle. . Thanks for your help. Please forgive my not", "of their life. But this has to be when they meet personally. How", "rushing through the story to it..As they have just exchanged numbers.. plus not", "each other stories of their life. But this has to be when they", "to be when they meet personally. How do i take this to where", "should be there first text or words exchange. The characters are very simple", "well as the flow of the story is very subtle. . Thanks for", "take this to where he asks her maybe out for coffee. (Coffee again", "Thanks for your help. Please forgive my not so upto the mark of", "they have just exchanged numbers.. plus not putting the boring hello and all", "for coffee. (Coffee again isnt the perfect setting..A walk in garden maybe.. i", "walk in garden maybe.. i am working on it. ) Without rushing through", "first text or words exchange. The characters are very simple and not agressive", "and not very outgoing as well as the flow of the story is", "on it. ) Without rushing through the story to it..As they have just", "or meets her out. Also stuck at what should be there first text", "not agressive and not very outgoing as well as the flow of the", "the story to it..As they have just exchanged numbers.. plus not putting the", "has to be when they meet personally. How do i take this to", "it..As they have just exchanged numbers.. plus not putting the boring hello and", "have just exchanged numbers.. plus not putting the boring hello and all those", "to the point where he asks or meets her out. Also stuck at", "as well as the flow of the story is very subtle. . Thanks", "exchanged numbers. I have all the conversations they have, how they open up", "the boring hello and all those stuff still getting to the point where", "Also stuck at what should be there first text or words exchange. The", "have exchanged numbers. I have all the conversations they have, how they open", "the flow of the story is very subtle. . Thanks for your help.", "are very simple and not agressive and not very outgoing as well as", "to it..As they have just exchanged numbers.. plus not putting the boring hello", "it. ) Without rushing through the story to it..As they have just exchanged", "stuff still getting to the point where he asks or meets her out.", "But this has to be when they meet personally. How do i take", "garden maybe.. i am working on it. ) Without rushing through the story", ") Without rushing through the story to it..As they have just exchanged numbers..", "where he asks her maybe out for coffee. (Coffee again isnt the perfect", "maybe out for coffee. (Coffee again isnt the perfect setting..A walk in garden", "characters who already have a liking for each other and have exchanged numbers.", "of the story is very subtle. . Thanks for your help. Please forgive", "for your help. Please forgive my not so upto the mark of English.", "two characters who already have a liking for each other and have exchanged", "boring hello and all those stuff still getting to the point where he", "when they meet personally. How do i take this to where he asks", "point where he asks or meets her out. Also stuck at what should", "characters are very simple and not agressive and not very outgoing as well", "they open up telling each other stories of their life. But this has", "telling each other stories of their life. But this has to be when", "already have a liking for each other and have exchanged numbers. I have", "and have exchanged numbers. I have all the conversations they have, how they", "How do i take this to where he asks her maybe out for", "in garden maybe.. i am working on it. ) Without rushing through the", "first novel..i am stuck at two characters who already have a liking for", "who already have a liking for each other and have exchanged numbers. I", "hello and all those stuff still getting to the point where he asks", "story to it..As they have just exchanged numbers.. plus not putting the boring", "meet personally. How do i take this to where he asks her maybe", "all the conversations they have, how they open up telling each other stories", "is my first novel..i am stuck at two characters who already have a", "other stories of their life. But this has to be when they meet", "flow of the story is very subtle. . Thanks for your help. Please", "at two characters who already have a liking for each other and have", "other and have exchanged numbers. I have all the conversations they have, how", "be when they meet personally. How do i take this to where he", "am stuck at two characters who already have a liking for each other", "simple and not agressive and not very outgoing as well as the flow", "for each other and have exchanged numbers. I have all the conversations they", "and all those stuff still getting to the point where he asks or", "where he asks or meets her out. Also stuck at what should be", "working on it. ) Without rushing through the story to it..As they have", "(Coffee again isnt the perfect setting..A walk in garden maybe.. i am working", "their life. But this has to be when they meet personally. How do", "coffee. (Coffee again isnt the perfect setting..A walk in garden maybe.. i am", "each other and have exchanged numbers. I have all the conversations they have,", "very simple and not agressive and not very outgoing as well as the", "agressive and not very outgoing as well as the flow of the story", "how they open up telling each other stories of their life. But this", "just exchanged numbers.. plus not putting the boring hello and all those stuff", "very outgoing as well as the flow of the story is very subtle.", "perfect setting..A walk in garden maybe.. i am working on it. ) Without", "do i take this to where he asks her maybe out for coffee.", "stuck at two characters who already have a liking for each other and", "and not agressive and not very outgoing as well as the flow of", "i take this to where he asks her maybe out for coffee. (Coffee", "they have, how they open up telling each other stories of their life.", "all those stuff still getting to the point where he asks or meets", "I have all the conversations they have, how they open up telling each", "i am working on it. ) Without rushing through the story to it..As", "The characters are very simple and not agressive and not very outgoing as", "stories of their life. But this has to be when they meet personally.", "life. But this has to be when they meet personally. How do i", "he asks or meets her out. Also stuck at what should be there", "This is my first novel..i am stuck at two characters who already have", "the story is very subtle. . Thanks for your help. Please forgive my", "those stuff still getting to the point where he asks or meets her", "a liking for each other and have exchanged numbers. I have all the", "not very outgoing as well as the flow of the story is very", "there first text or words exchange. The characters are very simple and not", "Without rushing through the story to it..As they have just exchanged numbers.. plus", "exchange. The characters are very simple and not agressive and not very outgoing", "getting to the point where he asks or meets her out. Also stuck", "he asks her maybe out for coffee. (Coffee again isnt the perfect setting..A", "personally. How do i take this to where he asks her maybe out", "liking for each other and have exchanged numbers. I have all the conversations", "not putting the boring hello and all those stuff still getting to the", "have a liking for each other and have exchanged numbers. I have all", "out for coffee. (Coffee again isnt the perfect setting..A walk in garden maybe..", "my first novel..i am stuck at two characters who already have a liking", "asks or meets her out. Also stuck at what should be there first" ]
[ "metric inherently good for the same reason nazis weren't good. Another example, Jaws", "Similarly, saying that more people adhere to X objective metric doesn't make that", "opinion to be bad, and the group itself to be a bunch of", "is good or bad. For instance, let's assume a group of theoretical and", "possible. However, I'm unsure if said objective metric itself is good or bad.", "hurt the image of fictional characters, whereas [Jaws more-or-less singlehandedly started a damaging", "more-or-less singlehandedly started a damaging stereotype about sharks that had consequences in real", "So, the rather controversial concepts of objective criticism and objectively bad art are", "and theoretical stereotype objective critics in a perfect vacuum. The romance readers' objective", "to X objective metric doesn't make that metric inherently good for the same", "The most vocal advocates of objective criticism would consider that group's opinion to", "said objective metric itself is good or bad. For instance, let's assume a", "on and reach a conclusion. On one hand, there's the whole \"Beauty is", "of degenerates or at least tasteless plebians. However, there's no real reason why", "Steven Spielberg should answer for. So, it's a tie for me, but that", "on for thoughtful criticism. Now, judging art by an objective metric is possible.", "objective metrics that's not just bad but an outright war crime that Steven", "an outright war crime that Steven Spielberg should answer for. So, it's a", "least tasteless plebians. However, there's no real reason why that couldn't go the", "time I felt like I had no clue to go on and reach", "same reason nazis weren't good. Another example, Jaws sits at a solid 90%", "lot of bonus points for empty female protagonists that they can identify with.", "a group of theoretical and spherical stereotype romance readers and theoretical stereotype objective", "objective metric itself is good or bad. For instance, let's assume a group", "tie for me, but that can't be the case, can it? Could objective", "itself to be a bunch of degenerates or at least tasteless plebians. However,", "in the previous well-received movies as well. So, most people are dumb and", "the beholder\" thing, but it's also true that the large majority of people", "be bad, and the group itself to be a bunch of degenerates or", "damaging stereotype about sharks that had consequences in real life](https://www.youtube.com/watch?v=CqykkfT8NlM). By my objective", "whole \"Beauty is in the eye of the beholder\" thing, but it's also", "However, there's no real reason why that couldn't go the other way. Similarly,", "the reasons people hated X movie were also present in the previous well-received", "I'm unsure if said objective metric itself is good or bad. For instance,", "unsure if said objective metric itself is good or bad. For instance, let's", "X movie were also present in the previous well-received movies as well. So,", "vocal advocates of objective criticism would consider that group's opinion to be bad,", "Last Jedi* is 48%. However, The Last Jedi only hurt the image of", "whereas [Jaws more-or-less singlehandedly started a damaging stereotype about sharks that had consequences", "outright war crime that Steven Spielberg should answer for. *So, it's a tie", "X objective metric doesn't make that metric inherently good for the same reason", "at a solid 90% on Rotten Tomatoes, whereas The Last Jedi* is 48%.", "just bad but an outright war crime that Steven Spielberg should answer for.", "reasons people hated X movie were also present in the previous well-received movies", "crime that Steven Spielberg should answer for. *So, it's a tie for me,", "criticism exist, and if yes, is it something that you as a writer", "Tomatoes, whereas The Last Jedi* is 48%. However, The Last Jedi only hurt", "bonus points for empty female protagonists that they can identify with. The most", "fictional characters, whereas [Jaws more-or-less singlehandedly started a damaging stereotype about sharks that", "they can identify with. The most vocal advocates of objective criticism would consider", "this is the first time I felt like I had no clue to", "can identify with. The most vocal advocates of objective criticism would consider that", "as well. So, most people are dumb and can't be relied on for", "there's the whole \"Beauty is in the eye of the beholder\" thing, but", "no clue to go on and reach a conclusion. On one hand, there's", "life](https://www.youtube.com/watch?v=CqykkfT8NlM). By my objective metrics that's not just bad but an outright war", "it's also true that the large majority of people hated X movie. It's", "so nowadays. Leaping past the massive flame wars around certain movies, this is", "movie. It's also true that many of the reasons people hated X movie", "previous well-received movies as well. So, most people are dumb and can't be", "The romance readers' objective metrics reward a lot of bonus points for empty", "stereotype romance readers and theoretical stereotype objective critics in a perfect vacuum. The", "true that many of the reasons people hated X movie were also present", "and objectively bad art are a fairly hot topic, even more so nowadays.", "points for empty female protagonists that they can identify with. The most vocal", "and spherical stereotype romance readers and theoretical stereotype objective critics in a perfect", "criticism and objectively bad art are a fairly hot topic, even more so", "solid 90% on Rotten Tomatoes, whereas The Last Jedi is 48%. However, The", "empty female protagonists that they can identify with. The most vocal advocates of", "real life](https://www.youtube.com/watch?v=CqykkfT8NlM). By my objective metrics that's not just bad but an outright", "weren't good. Another example, Jaws* sits at a solid 90% on Rotten Tomatoes,", "people are dumb and can't be relied on for thoughtful criticism. Now, judging", "identify with. The most vocal advocates of objective criticism would consider that group's", "the large majority of people hated X movie. It's also true that many", "or at least tasteless plebians. However, there's no real reason why that couldn't", "I felt like I had no clue to go on and reach a", "that can't be the case, can it? Could objective criticism exist, and if", "real reason why that couldn't go the other way. Similarly, saying that more", "case, can it? Could objective criticism exist, and if yes, is it something", "of objective criticism would consider that group's opinion to be bad, and the", "of theoretical and spherical stereotype romance readers and theoretical stereotype objective critics in", "for empty female protagonists that they can identify with. The most vocal advocates", "Rotten Tomatoes, whereas The Last Jedi is 48%. However, The Last Jedi only", "critics in a perfect vacuum. The romance readers' objective metrics reward a lot", "be a bunch of degenerates or at least tasteless plebians. However, there's no", "go the other way. Similarly, saying that more people adhere to X objective", "Could objective criticism exist, and if yes, is it something that you as", "me, but that can't be the case, can it? Could objective criticism exist,", "no real reason why that couldn't go the other way. Similarly, saying that", "Last Jedi* only hurt the image of fictional characters, whereas [Jaws more-or-less singlehandedly", "certain movies, this is the first time I felt like I had no", "be the case, can it? Could objective criticism exist, and if yes, is", "majority of people hated X movie. It's also true that many of the", "if yes, is it something that you as a writer should take into", "consequences in real life](https://www.youtube.com/watch?v=CqykkfT8NlM). By my objective metrics that's not just bad but", "about sharks that had consequences in real life](https://www.youtube.com/watch?v=CqykkfT8NlM). By my objective metrics that's", "hand, there's the whole \"Beauty is in the eye of the beholder\" thing,", "most vocal advocates of objective criticism would consider that group's opinion to be", "be relied on for thoughtful criticism. Now, judging art by an objective metric", "thing, but it's also true that the large majority of people hated X", "beholder\" thing, but it's also true that the large majority of people hated", "stereotype about sharks that had consequences in real life](https://www.youtube.com/watch?v=CqykkfT8NlM). By my objective metrics", "reason why that couldn't go the other way. Similarly, saying that more people", "48%. However, The Last Jedi only hurt the image of fictional characters, whereas", "consider that group's opinion to be bad, and the group itself to be", "readers' objective metrics reward a lot of bonus points for empty female protagonists", "bunch of degenerates or at least tasteless plebians. However, there's no real reason", "\"Beauty is in the eye of the beholder\" thing, but it's also true", "bad, and the group itself to be a bunch of degenerates or at", "X movie. It's also true that many of the reasons people hated X", "flame wars around certain movies, this is the first time I felt like", "plebians. However, there's no real reason why that couldn't go the other way.", "that's not just bad but an outright war crime that Steven Spielberg should", "nazis weren't good. Another example, Jaws sits at a solid 90% on Rotten", "the same reason nazis weren't good. Another example, Jaws sits at a solid", "sharks that had consequences in real life](https://www.youtube.com/watch?v=CqykkfT8NlM). By my objective metrics that's not", "For instance, let's assume a group of theoretical and spherical stereotype romance readers", "So, most people are dumb and can't be relied on for thoughtful criticism.", "and reach a conclusion. On one hand, there's the whole \"Beauty is in", "perfect vacuum. The romance readers' objective metrics reward a lot of bonus points", "my objective metrics that's not just bad but an outright war crime that", "of fictional characters, whereas [Jaws more-or-less singlehandedly started a damaging stereotype about sharks", "nowadays. Leaping past the massive flame wars around certain movies, this is the", "people hated X movie were also present in the previous well-received movies as", "can't be relied on for thoughtful criticism. Now, judging art by an objective", "instance, let's assume a group of theoretical and spherical stereotype romance readers and", "also true that many of the reasons people hated X movie were also", "of objective criticism and objectively bad art are a fairly hot topic, even", "the other way. Similarly, saying that more people adhere to X objective metric", "started a damaging stereotype about sharks that had consequences in real life](https://www.youtube.com/watch?v=CqykkfT8NlM). By", "assume a group of theoretical and spherical stereotype romance readers and theoretical stereotype", "movie were also present in the previous well-received movies as well. So, most", "or bad. For instance, let's assume a group of theoretical and spherical stereotype", "more so nowadays. Leaping past the massive flame wars around certain movies, this", "wars around certain movies, this is the first time I felt like I", "the rather controversial concepts of objective criticism and objectively bad art are a", "objective metric doesn't make that metric inherently good for the same reason nazis", "bad but an outright war crime that Steven Spielberg should answer for. So,", "that many of the reasons people hated X movie were also present in", "group's opinion to be bad, and the group itself to be a bunch", "the group itself to be a bunch of degenerates or at least tasteless", "bad art are a fairly hot topic, even more so nowadays. Leaping past", "first time I felt like I had no clue to go on and", "past the massive flame wars around certain movies, this is the first time", "go on and reach a conclusion. On one hand, there's the whole \"Beauty", "present in the previous well-received movies as well. So, most people are dumb", "also present in the previous well-received movies as well. So, most people are", "that couldn't go the other way. Similarly, saying that more people adhere to", "romance readers' objective metrics reward a lot of bonus points for empty female", "couldn't go the other way. Similarly, saying that more people adhere to X", "that more people adhere to X objective metric doesn't make that metric inherently", "is possible. However, I'm unsure if said objective metric itself is good or", "judging art by an objective metric is possible. However, I'm unsure if said", "and can't be relied on for thoughtful criticism. Now, judging art by an", "but it's also true that the large majority of people hated X movie.", "group itself to be a bunch of degenerates or at least tasteless plebians.", "theoretical and spherical stereotype romance readers and theoretical stereotype objective critics in a", "well. So, most people are dumb and can't be relied on for thoughtful", "can't be the case, can it? Could objective criticism exist, and if yes,", "objective metric is possible. However, I'm unsure if said objective metric itself is", "it's a tie for me, but that can't be the case, can it?", "protagonists that they can identify with. The most vocal advocates of objective criticism", "degenerates or at least tasteless plebians. However, there's no real reason why that", "objectively bad art are a fairly hot topic, even more so nowadays. Leaping", "metric is possible. However, I'm unsure if said objective metric itself is good", "that Steven Spielberg should answer for. So, it's a tie for me, but", "should answer for. *So, it's a tie for me, but that can't be", "tasteless plebians. However, there's no real reason why that couldn't go the other", "for the same reason nazis weren't good. Another example, Jaws* sits at a", "concepts of objective criticism and objectively bad art are a fairly hot topic,", "I had no clue to go on and reach a conclusion. On one", "a perfect vacuum. The romance readers' objective metrics reward a lot of bonus", "of the beholder\" thing, but it's also true that the large majority of", "the eye of the beholder\" thing, but it's also true that the large", "only hurt the image of fictional characters, whereas [Jaws more-or-less singlehandedly started a", "large majority of people hated X movie. It's also true that many of", "objective metrics reward a lot of bonus points for empty female protagonists that", "a conclusion. On one hand, there's the whole \"Beauty is in the eye", "movies, this is the first time I felt like I had no clue", "most people are dumb and can't be relied on for thoughtful criticism. Now,", "metrics that's not just bad but an outright war crime that Steven Spielberg", "example, Jaws sits at a solid 90% on Rotten Tomatoes, whereas The Last", "vacuum. The romance readers' objective metrics reward a lot of bonus points for", "reason nazis weren't good. Another example, Jaws* sits at a solid 90% on", "Jaws sits at a solid 90% on Rotten Tomatoes, whereas The Last Jedi", "one hand, there's the whole \"Beauty is in the eye of the beholder\"", "a damaging stereotype about sharks that had consequences in real life](https://www.youtube.com/watch?v=CqykkfT8NlM). By my", "reward a lot of bonus points for empty female protagonists that they can", "relied on for thoughtful criticism. Now, judging art by an objective metric is", "metric itself is good or bad. For instance, let's assume a group of", "thoughtful criticism. Now, judging art by an objective metric is possible. However, I'm", "Jedi* is 48%. However, The Last Jedi only hurt the image of fictional", "answer for. *So, it's a tie for me, but that can't be the", "let's assume a group of theoretical and spherical stereotype romance readers and theoretical", "good or bad. For instance, let's assume a group of theoretical and spherical", "an objective metric is possible. However, I'm unsure if said objective metric itself", "Jedi only hurt the image of fictional characters, whereas [Jaws more-or-less singlehandedly started", "criticism would consider that group's opinion to be bad, and the group itself", "is the first time I felt like I had no clue to go", "like I had no clue to go on and reach a conclusion. On", "saying that more people adhere to X objective metric doesn't make that metric", "The Last Jedi only hurt the image of fictional characters, whereas [Jaws more-or-less", "not just bad but an outright war crime that Steven Spielberg should answer", "exist, and if yes, is it something that you as a writer should", "bad. For instance, let's assume a group of theoretical and spherical stereotype romance", "criticism. Now, judging art by an objective metric is possible. However, I'm unsure", "at least tasteless plebians. However, there's no real reason why that couldn't go", "even more so nowadays. Leaping past the massive flame wars around certain movies,", "a lot of bonus points for empty female protagonists that they can identify", "with. The most vocal advocates of objective criticism would consider that group's opinion", "people adhere to X objective metric doesn't make that metric inherently good for", "the case, can it? Could objective criticism exist, and if yes, is it", "well-received movies as well. So, most people are dumb and can't be relied", "in real life](https://www.youtube.com/watch?v=CqykkfT8NlM). By my objective metrics that's not just bad but an", "Leaping past the massive flame wars around certain movies, this is the first", "for thoughtful criticism. Now, judging art by an objective metric is possible. However,", "the massive flame wars around certain movies, this is the first time I", "a bunch of degenerates or at least tasteless plebians. However, there's no real", "good. Another example, Jaws sits at a solid 90% on Rotten Tomatoes, whereas", "is in the eye of the beholder\" thing, but it's also true that", "metrics reward a lot of bonus points for empty female protagonists that they", "female protagonists that they can identify with. The most vocal advocates of objective", "art by an objective metric is possible. However, I'm unsure if said objective", "in a perfect vacuum. The romance readers' objective metrics reward a lot of", "massive flame wars around certain movies, this is the first time I felt", "yes, is it something that you as a writer should take into consideration?*", "on Rotten Tomatoes, whereas The Last Jedi* is 48%. However, The Last Jedi", "the image of fictional characters, whereas [Jaws more-or-less singlehandedly started a damaging stereotype", "fairly hot topic, even more so nowadays. Leaping past the massive flame wars", "However, I'm unsure if said objective metric itself is good or bad. For", "had consequences in real life](https://www.youtube.com/watch?v=CqykkfT8NlM). By my objective metrics that's not just bad", "why that couldn't go the other way. Similarly, saying that more people adhere", "other way. Similarly, saying that more people adhere to X objective metric doesn't", "way. Similarly, saying that more people adhere to X objective metric doesn't make", "singlehandedly started a damaging stereotype about sharks that had consequences in real life](https://www.youtube.com/watch?v=CqykkfT8NlM).", "[Jaws more-or-less singlehandedly started a damaging stereotype about sharks that had consequences in", "inherently good for the same reason nazis weren't good. Another example, Jaws sits", "the whole \"Beauty is in the eye of the beholder\" thing, but it's", "to go on and reach a conclusion. On one hand, there's the whole", "group of theoretical and spherical stereotype romance readers and theoretical stereotype objective critics", "had no clue to go on and reach a conclusion. On one hand,", "the first time I felt like I had no clue to go on", "also true that the large majority of people hated X movie. It's also", "of the reasons people hated X movie were also present in the previous", "were also present in the previous well-received movies as well. So, most people", "clue to go on and reach a conclusion. On one hand, there's the", "for me, but that can't be the case, can it? Could objective criticism", "characters, whereas [Jaws more-or-less singlehandedly started a damaging stereotype about sharks that had", "90% on Rotten Tomatoes, whereas The Last Jedi is 48%. However, The Last", "So, it's a tie for me, but that can't be the case, can", "if said objective metric itself is good or bad. For instance, let's assume", "there's no real reason why that couldn't go the other way. Similarly, saying", "can it? Could objective criticism exist, and if yes, is it something that", "However, The Last Jedi* only hurt the image of fictional characters, whereas [Jaws", "itself is good or bad. For instance, let's assume a group of theoretical", "doesn't make that metric inherently good for the same reason nazis weren't good.", "that they can identify with. The most vocal advocates of objective criticism would", "true that the large majority of people hated X movie. It's also true", "conclusion. On one hand, there's the whole \"Beauty is in the eye of", "and the group itself to be a bunch of degenerates or at least", "by an objective metric is possible. However, I'm unsure if said objective metric", "The Last Jedi is 48%. However, The Last Jedi only hurt the image", "but that can't be the case, can it? Could objective criticism exist, and", "movies as well. So, most people are dumb and can't be relied on", "are dumb and can't be relied on for thoughtful criticism. Now, judging art", "a fairly hot topic, even more so nowadays. Leaping past the massive flame", "It's also true that many of the reasons people hated X movie were", "controversial concepts of objective criticism and objectively bad art are a fairly hot", "reach a conclusion. On one hand, there's the whole \"Beauty is in the", "readers and theoretical stereotype objective critics in a perfect vacuum. The romance readers'", "objective criticism would consider that group's opinion to be bad, and the group", "Another example, Jaws sits at a solid 90% on Rotten Tomatoes, whereas The", "romance readers and theoretical stereotype objective critics in a perfect vacuum. The romance", "are a fairly hot topic, even more so nowadays. Leaping past the massive", "to be a bunch of degenerates or at least tasteless plebians. However, there's", "felt like I had no clue to go on and reach a conclusion.", "objective critics in a perfect vacuum. The romance readers' objective metrics reward a", "sits at a solid 90% on Rotten Tomatoes, whereas The Last Jedi* is", "adhere to X objective metric doesn't make that metric inherently good for the", "dumb and can't be relied on for thoughtful criticism. Now, judging art by", "that had consequences in real life](https://www.youtube.com/watch?v=CqykkfT8NlM). By my objective metrics that's not just", "war crime that Steven Spielberg should answer for. So, it's a tie for", "a tie for me, but that can't be the case, can it? Could", "theoretical stereotype objective critics in a perfect vacuum. The romance readers' objective metrics", "make that metric inherently good for the same reason nazis weren't good. Another", "people hated X movie. It's also true that many of the reasons people", "objective criticism exist, and if yes, is it something that you as a", "many of the reasons people hated X movie were also present in the", "art are a fairly hot topic, even more so nowadays. Leaping past the", "that group's opinion to be bad, and the group itself to be a", "topic, even more so nowadays. Leaping past the massive flame wars around certain", "the previous well-received movies as well. So, most people are dumb and can't", "of bonus points for empty female protagonists that they can identify with. The", "spherical stereotype romance readers and theoretical stereotype objective critics in a perfect vacuum.", "for. So, it's a tie for me, but that can't be the case,", "Spielberg should answer for. So, it's a tie for me, but that can't", "hot topic, even more so nowadays. Leaping past the massive flame wars around", "that the large majority of people hated X movie. It's also true that", "stereotype objective critics in a perfect vacuum. The romance readers' objective metrics reward", "more people adhere to X objective metric doesn't make that metric inherently good", "it? Could objective criticism exist, and if yes, is it something that you", "On one hand, there's the whole \"Beauty is in the eye of the", "advocates of objective criticism would consider that group's opinion to be bad, and", "eye of the beholder\" thing, but it's also true that the large majority", "but an outright war crime that Steven Spielberg should answer for. So, it's", "rather controversial concepts of objective criticism and objectively bad art are a fairly", "that metric inherently good for the same reason nazis weren't good. Another example,", "would consider that group's opinion to be bad, and the group itself to", "good for the same reason nazis weren't good. Another example, Jaws sits at", "image of fictional characters, whereas [Jaws more-or-less singlehandedly started a damaging stereotype about", "around certain movies, this is the first time I felt like I had", "is 48%. However, The Last Jedi only hurt the image of fictional characters,", "whereas The Last Jedi is 48%. However, The Last Jedi only hurt the", "in the eye of the beholder\" thing, but it's also true that the", "of people hated X movie. It's also true that many of the reasons", "a solid 90% on Rotten Tomatoes, whereas The Last Jedi is 48%. However,", "hated X movie. It's also true that many of the reasons people hated", "to be bad, and the group itself to be a bunch of degenerates", "Now, judging art by an objective metric is possible. However, I'm unsure if", "hated X movie were also present in the previous well-received movies as well.", "By my objective metrics that's not just bad but an outright war crime", "and if yes, is it something that you as a writer should take", "metric doesn't make that metric inherently good for the same reason nazis weren't", "objective criticism and objectively bad art are a fairly hot topic, even more" ]
[ "a home on another planet. Now, just under 200 years later, they're a", "Like ICP/USS Pompeii. or ICP/USS Rome or ICP/USS Herculaneum or even ICP/USS Titanic.", "like to name their starships ( both colony and military) after old places", "( both colony and military) after old places of historical meaning from their", "for the sake of it? I was going for the first one, because", "homeworld. Like ICP/USS Pompeii. or ICP/USS Rome or ICP/USS Herculaneum or even ICP/USS", "remaining humans keeping their history alive using their ships, naming it after aspects", "the counties and a majority of the population and cultures. A small population", "and they make a home on another planet. Now, just under 200 years", "that the remaining humans keeping their history alive using their ships, naming it", "and military) after old places of historical meaning from their former homeworld. Like", "both colony and military) after old places of historical meaning from their former", "meaning from their former homeworld. Like ICP/USS Pompeii. or ICP/USS Rome or ICP/USS", "Now, just under 200 years later, they're a space-faring group but they like", "Now, my question is will this be seen as honoring the lost town", "and are all the counties and a majority of the population and cultures.", "I was going for the first one, because it could be that the", "should this be seen as using famous names for the sake of it?", "honoring the lost town for the readers or should this be seen as", "is left and they make a home on another planet. Now, just under", "lost town for the readers or should this be seen as using famous", "going for the first one, because it could be that the remaining humans", "later, they're a space-faring group but they like to name their starships (", "one, because it could be that the remaining humans keeping their history alive", "this be seen as using famous names for the sake of it? I", "seen as honoring the lost town for the readers or should this be", "the first one, because it could be that the remaining humans keeping their", "keeping their history alive using their ships, naming it after aspects of their", "home on another planet. Now, just under 200 years later, they're a space-faring", "small population is left and they make a home on another planet. Now,", "planet. Now, just under 200 years later, they're a space-faring group but they", "former homeworld. Like ICP/USS Pompeii. or ICP/USS Rome or ICP/USS Herculaneum or even", "old places of historical meaning from their former homeworld. Like ICP/USS Pompeii. or", "In my book, Earth is gone and are all the counties and a", "as honoring the lost town for the readers or should this be seen", "on another planet. Now, just under 200 years later, they're a space-faring group", "another planet. Now, just under 200 years later, they're a space-faring group but", "the sake of it? I was going for the first one, because it", "just under 200 years later, they're a space-faring group but they like to", "alive using their ships, naming it after aspects of their culture to keep", "from their former homeworld. Like ICP/USS Pompeii. or ICP/USS Rome or ICP/USS Herculaneum", "is gone and are all the counties and a majority of the population", "years later, they're a space-faring group but they like to name their starships", "be seen as using famous names for the sake of it? I was", "using their ships, naming it after aspects of their culture to keep it", "they like to name their starships ( both colony and military) after old", "their history alive using their ships, naming it after aspects of their culture", "humans keeping their history alive using their ships, naming it after aspects of", "of historical meaning from their former homeworld. Like ICP/USS Pompeii. or ICP/USS Rome", "counties and a majority of the population and cultures. A small population is", "history alive using their ships, naming it after aspects of their culture to", "book, Earth is gone and are all the counties and a majority of", "the population and cultures. A small population is left and they make a", "seen as using famous names for the sake of it? I was going", "their ships, naming it after aspects of their culture to keep it going.", "for the readers or should this be seen as using famous names for", "names for the sake of it? I was going for the first one,", "a space-faring group but they like to name their starships ( both colony", "it? I was going for the first one, because it could be that", "was going for the first one, because it could be that the remaining", "historical meaning from their former homeworld. Like ICP/USS Pompeii. or ICP/USS Rome or", "after old places of historical meaning from their former homeworld. Like ICP/USS Pompeii.", "ICP/USS Herculaneum or even ICP/USS Titanic. Now, my question is will this be", "my question is will this be seen as honoring the lost town for", "their former homeworld. Like ICP/USS Pompeii. or ICP/USS Rome or ICP/USS Herculaneum or", "left and they make a home on another planet. Now, just under 200", "they make a home on another planet. Now, just under 200 years later,", "they're a space-faring group but they like to name their starships ( both", "town for the readers or should this be seen as using famous names", "the readers or should this be seen as using famous names for the", "and cultures. A small population is left and they make a home on", "A small population is left and they make a home on another planet.", "200 years later, they're a space-faring group but they like to name their", "of the population and cultures. A small population is left and they make", "Earth is gone and are all the counties and a majority of the", "ICP/USS Rome or ICP/USS Herculaneum or even ICP/USS Titanic. Now, my question is", "are all the counties and a majority of the population and cultures. A", "Herculaneum or even ICP/USS Titanic. Now, my question is will this be seen", "my book, Earth is gone and are all the counties and a majority", "famous names for the sake of it? I was going for the first", "ICP/USS Titanic. Now, my question is will this be seen as honoring the", "is will this be seen as honoring the lost town for the readers", "starships ( both colony and military) after old places of historical meaning from", "or even ICP/USS Titanic. Now, my question is will this be seen as", "group but they like to name their starships ( both colony and military)", "under 200 years later, they're a space-faring group but they like to name", "Pompeii. or ICP/USS Rome or ICP/USS Herculaneum or even ICP/USS Titanic. Now, my", "all the counties and a majority of the population and cultures. A small", "population is left and they make a home on another planet. Now, just", "places of historical meaning from their former homeworld. Like ICP/USS Pompeii. or ICP/USS", "or should this be seen as using famous names for the sake of", "using famous names for the sake of it? I was going for the", "a majority of the population and cultures. A small population is left and", "readers or should this be seen as using famous names for the sake", "for the first one, because it could be that the remaining humans keeping", "majority of the population and cultures. A small population is left and they", "Titanic. Now, my question is will this be seen as honoring the lost", "it could be that the remaining humans keeping their history alive using their", "could be that the remaining humans keeping their history alive using their ships,", "ICP/USS Pompeii. or ICP/USS Rome or ICP/USS Herculaneum or even ICP/USS Titanic. Now,", "as using famous names for the sake of it? I was going for", "or ICP/USS Herculaneum or even ICP/USS Titanic. Now, my question is will this", "be that the remaining humans keeping their history alive using their ships, naming", "gone and are all the counties and a majority of the population and", "military) after old places of historical meaning from their former homeworld. Like ICP/USS", "Rome or ICP/USS Herculaneum or even ICP/USS Titanic. Now, my question is will", "their starships ( both colony and military) after old places of historical meaning", "of it? I was going for the first one, because it could be", "cultures. A small population is left and they make a home on another", "this be seen as honoring the lost town for the readers or should", "colony and military) after old places of historical meaning from their former homeworld.", "and a majority of the population and cultures. A small population is left", "sake of it? I was going for the first one, because it could", "space-faring group but they like to name their starships ( both colony and", "population and cultures. A small population is left and they make a home", "question is will this be seen as honoring the lost town for the", "be seen as honoring the lost town for the readers or should this", "because it could be that the remaining humans keeping their history alive using", "will this be seen as honoring the lost town for the readers or", "name their starships ( both colony and military) after old places of historical", "to name their starships ( both colony and military) after old places of", "the lost town for the readers or should this be seen as using", "or ICP/USS Rome or ICP/USS Herculaneum or even ICP/USS Titanic. Now, my question", "but they like to name their starships ( both colony and military) after", "make a home on another planet. Now, just under 200 years later, they're", "first one, because it could be that the remaining humans keeping their history", "the remaining humans keeping their history alive using their ships, naming it after", "even ICP/USS Titanic. Now, my question is will this be seen as honoring" ]
[ "a good/alright use of italics or is it weird/wrong? Example: \"The island of", "use italic to emphasize the names of non-fictional human beings when they are", "names of non-fictional human beings when they are important and appear for the", "the text. Is this considered a good/alright use of italics or is it", "they are important and appear for the first time in the text. Is", "other kind of texts online, I often use italic to emphasize the names", "time someone new is introduced but I tend to do it for the", "I have read plenty of advice on use with tiles (books, etc), for", "most important people in a story. I have read plenty of advice on", "on use with tiles (books, etc), for emphasis, foreign language, etc, but could", "of italics or is it weird/wrong? Example: \"The island of Pintada was first", "to do it for the most important people in a story. I have", "articles or other kind of texts online, I often use italic to emphasize", "by the Spanish captain Croncapzo Lertavduz during a trip between Cuba and Porto.", "for the most important people in a story. I have read plenty of", "captain Croncapzo Lertavduz during a trip between Cuba and Porto. I think it's", "I tend to do it for the most important people in a story.", "etc), for emphasis, foreign language, etc, but could not find any best practice", "Cuba and Porto. I think it's tiresome to use it every time someone", "but I tend to do it for the most important people in a", "do it for the most important people in a story. I have read", "foreign language, etc, but could not find any best practice for people names.", "online, I often use italic to emphasize the names of non-fictional human beings", "the most important people in a story. I have read plenty of advice", "it for the most important people in a story. I have read plenty", "is introduced but I tend to do it for the most important people", "a story. I have read plenty of advice on use with tiles (books,", "is it weird/wrong? Example: \"The island of Pintada was first seen by the", "between Cuba and Porto. I think it's tiresome to use it every time", "first time in the text. Is this considered a good/alright use of italics", "tiles (books, etc), for emphasis, foreign language, etc, but could not find any", "for the first time in the text. Is this considered a good/alright use", "italics or is it weird/wrong? Example: \"The island of Pintada was first seen", "in the text. Is this considered a good/alright use of italics or is", "it weird/wrong? Example: \"The island of Pintada was first seen by the Spanish", "island of Pintada was first seen by the Spanish captain Croncapzo Lertavduz during", "during a trip between Cuba and Porto. I think it's tiresome to use", "it every time someone new is introduced but I tend to do it", "good/alright use of italics or is it weird/wrong? Example: \"The island of Pintada", "this considered a good/alright use of italics or is it weird/wrong? Example: \"The", "kind of texts online, I often use italic to emphasize the names of", "tend to do it for the most important people in a story. I", "or is it weird/wrong? Example: \"The island of Pintada was first seen by", "in a story. I have read plenty of advice on use with tiles", "Pintada was first seen by the Spanish captain Croncapzo Lertavduz during a trip", "use with tiles (books, etc), for emphasis, foreign language, etc, but could not", "people in a story. I have read plenty of advice on use with", "tiresome to use it every time someone new is introduced but I tend", "advice on use with tiles (books, etc), for emphasis, foreign language, etc, but", "read plenty of advice on use with tiles (books, etc), for emphasis, foreign", "appear for the first time in the text. Is this considered a good/alright", "and Porto. I think it's tiresome to use it every time someone new", "emphasis, foreign language, etc, but could not find any best practice for people", "are important and appear for the first time in the text. Is this", "of texts online, I often use italic to emphasize the names of non-fictional", "to emphasize the names of non-fictional human beings when they are important and", "human beings when they are important and appear for the first time in", "a trip between Cuba and Porto. I think it's tiresome to use it", "when they are important and appear for the first time in the text.", "it's tiresome to use it every time someone new is introduced but I", "trip between Cuba and Porto. I think it's tiresome to use it every", "\"The island of Pintada was first seen by the Spanish captain Croncapzo Lertavduz", "Is this considered a good/alright use of italics or is it weird/wrong? Example:", "I write non-scientific articles or other kind of texts online, I often use", "introduced but I tend to do it for the most important people in", "important and appear for the first time in the text. Is this considered", "I think it's tiresome to use it every time someone new is introduced", "the Spanish captain Croncapzo Lertavduz during a trip between Cuba and Porto. I", "every time someone new is introduced but I tend to do it for", "to use it every time someone new is introduced but I tend to", "use it every time someone new is introduced but I tend to do", "Spanish captain Croncapzo Lertavduz during a trip between Cuba and Porto. I think", "first seen by the Spanish captain Croncapzo Lertavduz during a trip between Cuba", "Croncapzo Lertavduz during a trip between Cuba and Porto. I think it's tiresome", "have read plenty of advice on use with tiles (books, etc), for emphasis,", "emphasize the names of non-fictional human beings when they are important and appear", "someone new is introduced but I tend to do it for the most", "write non-scientific articles or other kind of texts online, I often use italic", "Example: \"The island of Pintada was first seen by the Spanish captain Croncapzo", "weird/wrong? Example: \"The island of Pintada was first seen by the Spanish captain", "new is introduced but I tend to do it for the most important", "plenty of advice on use with tiles (books, etc), for emphasis, foreign language,", "time in the text. Is this considered a good/alright use of italics or", "think it's tiresome to use it every time someone new is introduced but", "text. Is this considered a good/alright use of italics or is it weird/wrong?", "was first seen by the Spanish captain Croncapzo Lertavduz* during a trip between", "for emphasis, foreign language, etc, but could not find any best practice for", "non-scientific articles or other kind of texts online, I often use italic to", "and appear for the first time in the text. Is this considered a", "non-fictional human beings when they are important and appear for the first time", "beings when they are important and appear for the first time in the", "I often use italic to emphasize the names of non-fictional human beings when", "story. I have read plenty of advice on use with tiles (books, etc),", "seen by the Spanish captain Croncapzo Lertavduz during a trip between Cuba and", "important people in a story. I have read plenty of advice on use", "When I write non-scientific articles or other kind of texts online, I often", "Lertavduz* during a trip between Cuba and Porto. I think it's tiresome to", "the first time in the text. Is this considered a good/alright use of", "or other kind of texts online, I often use italic to emphasize the", "texts online, I often use italic to emphasize the names of non-fictional human", "of Pintada was first seen by the Spanish captain Croncapzo Lertavduz during a", "of non-fictional human beings when they are important and appear for the first", "(books, etc), for emphasis, foreign language, etc, but could not find any best", "italic to emphasize the names of non-fictional human beings when they are important", "Porto. I think it's tiresome to use it every time someone new is", "use of italics or is it weird/wrong? Example: \"The island of Pintada was", "often use italic to emphasize the names of non-fictional human beings when they", "the names of non-fictional human beings when they are important and appear for", "considered a good/alright use of italics or is it weird/wrong? Example: \"The island", "with tiles (books, etc), for emphasis, foreign language, etc, but could not find", "of advice on use with tiles (books, etc), for emphasis, foreign language, etc," ]
[ "to someone abroad to give me some feedback (a native speaker, not that", "stolen from me if I keep sending more chapters. What should I do?", "I feel the urgent necessity of sending my work to someone abroad to", "I am currently writing a fiction novel. I have about 5 finished chapters.", "I have about 5 finished chapters. But, since English is not my native", "about 5 finished chapters. But, since English is not my native language, (it's", "English is not my native language, (it's actually my fourth language) I feel", "that my ideas might be copied or stolen from me if I keep", "might be copied or stolen from me if I keep sending more chapters.", "chapters. But, since English is not my native language, (it's actually my fourth", "have about 5 finished chapters. But, since English is not my native language,", "native language, (it's actually my fourth language) I feel the urgent necessity of", "me some feedback (a native speaker, not that I don't trust him). However,", "my work to someone abroad to give me some feedback (a native speaker,", "(a native speaker, not that I don't trust him). However, I fear that", "him). However, I fear that my ideas might be copied or stolen from", "or stolen from me if I keep sending more chapters. What should I", "But, since English is not my native language, (it's actually my fourth language)", "that I don't trust him). However, I fear that my ideas might be", "However, I fear that my ideas might be copied or stolen from me", "ideas might be copied or stolen from me if I keep sending more", "my fourth language) I feel the urgent necessity of sending my work to", "be copied or stolen from me if I keep sending more chapters. What", "feel the urgent necessity of sending my work to someone abroad to give", "actually my fourth language) I feel the urgent necessity of sending my work", "feedback (a native speaker, not that I don't trust him). However, I fear", "writing a fiction novel. I have about 5 finished chapters. But, since English", "work to someone abroad to give me some feedback (a native speaker, not", "someone abroad to give me some feedback (a native speaker, not that I", "5 finished chapters. But, since English is not my native language, (it's actually", "some feedback (a native speaker, not that I don't trust him). However, I", "speaker, not that I don't trust him). However, I fear that my ideas", "I don't trust him). However, I fear that my ideas might be copied", "fear that my ideas might be copied or stolen from me if I", "to give me some feedback (a native speaker, not that I don't trust", "is not my native language, (it's actually my fourth language) I feel the", "native speaker, not that I don't trust him). However, I fear that my", "abroad to give me some feedback (a native speaker, not that I don't", "my native language, (it's actually my fourth language) I feel the urgent necessity", "fiction novel. I have about 5 finished chapters. But, since English is not", "not that I don't trust him). However, I fear that my ideas might", "necessity of sending my work to someone abroad to give me some feedback", "trust him). However, I fear that my ideas might be copied or stolen", "language, (it's actually my fourth language) I feel the urgent necessity of sending", "sending my work to someone abroad to give me some feedback (a native", "copied or stolen from me if I keep sending more chapters. What should", "finished chapters. But, since English is not my native language, (it's actually my", "not my native language, (it's actually my fourth language) I feel the urgent", "I fear that my ideas might be copied or stolen from me if", "am currently writing a fiction novel. I have about 5 finished chapters. But,", "novel. I have about 5 finished chapters. But, since English is not my", "fourth language) I feel the urgent necessity of sending my work to someone", "urgent necessity of sending my work to someone abroad to give me some", "since English is not my native language, (it's actually my fourth language) I", "a fiction novel. I have about 5 finished chapters. But, since English is", "language) I feel the urgent necessity of sending my work to someone abroad", "the urgent necessity of sending my work to someone abroad to give me", "of sending my work to someone abroad to give me some feedback (a", "give me some feedback (a native speaker, not that I don't trust him).", "my ideas might be copied or stolen from me if I keep sending", "(it's actually my fourth language) I feel the urgent necessity of sending my", "currently writing a fiction novel. I have about 5 finished chapters. But, since", "don't trust him). However, I fear that my ideas might be copied or" ]
[ "I write it I might be afraid people won't approve it. I'm scared,", "the second now it's leading up to the kiss. I have a ton", "this pairing from the start and if I can't show them who they", "and some already ship my characters together. Now if I write it I", "started their chemistry with each other on the first and more in the", "leading up to the kiss. I have a ton of readers and some", "start and if I can't show them who they are maybe I can't", "it's leading up to the kiss. I have a ton of readers and", "book. I already started their chemistry with each other on the first and", "won't approve it. I'm scared, I planned this pairing from the start and", "a gay kiss at the close end of my third book. I already", "on the first and more in the second now it's leading up to", "the kiss. I have a ton of readers and some already ship my", "the start and if I can't show them who they are maybe I", "it. I'm scared, I planned this pairing from the start and if I", "in the second now it's leading up to the kiss. I have a", "I planned this pairing from the start and if I can't show them", "readers and some already ship my characters together. Now if I write it", "write a gay kiss at the close end of my third book. I", "have a ton of readers and some already ship my characters together. Now", "end of my third book. I already started their chemistry with each other", "more in the second now it's leading up to the kiss. I have", "afraid people won't approve it. I'm scared, I planned this pairing from the", "I'm scared, I planned this pairing from the start and if I can't", "to the kiss. I have a ton of readers and some already ship", "at the close end of my third book. I already started their chemistry", "approve it. I'm scared, I planned this pairing from the start and if", "pairing from the start and if I can't show them who they are", "people won't approve it. I'm scared, I planned this pairing from the start", "third book. I already started their chemistry with each other on the first", "planned this pairing from the start and if I can't show them who", "the close end of my third book. I already started their chemistry with", "Now if I write it I might be afraid people won't approve it.", "their chemistry with each other on the first and more in the second", "some already ship my characters together. Now if I write it I might", "each other on the first and more in the second now it's leading", "to write a gay kiss at the close end of my third book.", "other on the first and more in the second now it's leading up", "kiss. I have a ton of readers and some already ship my characters", "gay kiss at the close end of my third book. I already started", "the first and more in the second now it's leading up to the", "close end of my third book. I already started their chemistry with each", "my third book. I already started their chemistry with each other on the", "my characters together. Now if I write it I might be afraid people", "of readers and some already ship my characters together. Now if I write", "already started their chemistry with each other on the first and more in", "now it's leading up to the kiss. I have a ton of readers", "be afraid people won't approve it. I'm scared, I planned this pairing from", "I wanted to write a gay kiss at the close end of my", "scared, I planned this pairing from the start and if I can't show", "characters together. Now if I write it I might be afraid people won't", "and if I can't show them who they are maybe I can't show", "if I can't show them who they are maybe I can't show myself...", "kiss at the close end of my third book. I already started their", "wanted to write a gay kiss at the close end of my third", "and more in the second now it's leading up to the kiss. I", "I already started their chemistry with each other on the first and more", "if I write it I might be afraid people won't approve it. I'm", "already ship my characters together. Now if I write it I might be", "together. Now if I write it I might be afraid people won't approve", "ton of readers and some already ship my characters together. Now if I", "first and more in the second now it's leading up to the kiss.", "I have a ton of readers and some already ship my characters together.", "might be afraid people won't approve it. I'm scared, I planned this pairing", "up to the kiss. I have a ton of readers and some already", "second now it's leading up to the kiss. I have a ton of", "I might be afraid people won't approve it. I'm scared, I planned this", "chemistry with each other on the first and more in the second now", "from the start and if I can't show them who they are maybe", "I can't show them who they are maybe I can't show myself... Help!", "it I might be afraid people won't approve it. I'm scared, I planned", "with each other on the first and more in the second now it's", "write it I might be afraid people won't approve it. I'm scared, I", "of my third book. I already started their chemistry with each other on", "ship my characters together. Now if I write it I might be afraid", "a ton of readers and some already ship my characters together. Now if" ]
[ "on this for awhile and it most likely will not be published physically.", "physically. But I want to say the name of my middle school/high school.", "want to know if I can do that. I actually went so I", "went so I think it is but I would like a professional opinion", "my middle school/high school. I want to know if I can do that.", "so I think it is but I would like a professional opinion first.", "working on this for awhile and it most likely will not be published", "I am going to write a book about myself. I will be working", "of my middle school/high school. I want to know if I can do", "not be published physically. But I want to say the name of my", "to know if I can do that. I actually went so I think", "I will be working on this for awhile and it most likely will", "to write a book about myself. I will be working on this for", "know if I can do that. I actually went so I think it", "that. I actually went so I think it is but I would like", "likely will not be published physically. But I want to say the name", "But I want to say the name of my middle school/high school. I", "say the name of my middle school/high school. I want to know if", "I want to know if I can do that. I actually went so", "the name of my middle school/high school. I want to know if I", "if I can do that. I actually went so I think it is", "be published physically. But I want to say the name of my middle", "book about myself. I will be working on this for awhile and it", "name of my middle school/high school. I want to know if I can", "about myself. I will be working on this for awhile and it most", "myself. I will be working on this for awhile and it most likely", "awhile and it most likely will not be published physically. But I want", "it most likely will not be published physically. But I want to say", "most likely will not be published physically. But I want to say the", "want to say the name of my middle school/high school. I want to", "middle school/high school. I want to know if I can do that. I", "to say the name of my middle school/high school. I want to know", "will be working on this for awhile and it most likely will not", "I want to say the name of my middle school/high school. I want", "school/high school. I want to know if I can do that. I actually", "will not be published physically. But I want to say the name of", "going to write a book about myself. I will be working on this", "am going to write a book about myself. I will be working on", "I can do that. I actually went so I think it is but", "I actually went so I think it is but I would like a", "school. I want to know if I can do that. I actually went", "be working on this for awhile and it most likely will not be", "write a book about myself. I will be working on this for awhile", "can do that. I actually went so I think it is but I", "this for awhile and it most likely will not be published physically. But", "published physically. But I want to say the name of my middle school/high", "a book about myself. I will be working on this for awhile and", "and it most likely will not be published physically. But I want to", "actually went so I think it is but I would like a professional", "for awhile and it most likely will not be published physically. But I", "do that. I actually went so I think it is but I would" ]
[ "short stories, novels, documentaries etc. I used to write a diary as well.", "them during conversation to others. There's no creativity, I also find no interest", "to read short stories, novels, documentaries etc. I used to write a diary", "others. There's no creativity, I also find no interest to read my writing", "anymore. Can't I do something now for developing this, making my writings into", "writing as I describe them during conversation to others. There's no creativity, I", "writing anymore. Can't I do something now for developing this, making my writings", "imagination approaches things. But I narrate my surroundings in my writing as I", "in beginning to write a short story or some other form of creative", "I am interested in beginning to write a short story or some other", "can start this. After reading other writers I am amazed at how they", "I struggle to think about how I can start this. After reading other", "about how I can start this. After reading other writers I am amazed", "I narrate my surroundings in my writing as I describe them during conversation", "beginning to write a short story or some other form of creative writing.", "things. But I narrate my surroundings in my writing as I describe them", "they look at their surroundings, the way their imagination approaches things. But I", "my writing as I describe them during conversation to others. There's no creativity,", "as well. I am interested in beginning to write a short story or", "struggle to think about how I can start this. After reading other writers", "as I describe them during conversation to others. There's no creativity, I also", "But I struggle to think about how I can start this. After reading", "my surroundings in my writing as I describe them during conversation to others.", "surroundings, the way their imagination approaches things. But I narrate my surroundings in", "etc. I used to write a diary as well. I am interested in", "a short story or some other form of creative writing. But I struggle", "amazed at how they look at their surroundings, the way their imagination approaches", "to others. There's no creativity, I also find no interest to read my", "I like to read short stories, novels, documentaries etc. I used to write", "reading other writers I am amazed at how they look at their surroundings,", "to think about how I can start this. After reading other writers I", "their surroundings, the way their imagination approaches things. But I narrate my surroundings", "no creativity, I also find no interest to read my writing anymore. Can't", "think about how I can start this. After reading other writers I am", "way their imagination approaches things. But I narrate my surroundings in my writing", "to read my writing anymore. Can't I do something now for developing this,", "the way their imagination approaches things. But I narrate my surroundings in my", "to write a short story or some other form of creative writing. But", "But I narrate my surroundings in my writing as I describe them during", "start this. After reading other writers I am amazed at how they look", "at how they look at their surroundings, the way their imagination approaches things.", "writers I am amazed at how they look at their surroundings, the way", "also find no interest to read my writing anymore. Can't I do something", "There's no creativity, I also find no interest to read my writing anymore.", "novels, documentaries etc. I used to write a diary as well. I am", "interested in beginning to write a short story or some other form of", "narrate my surroundings in my writing as I describe them during conversation to", "am interested in beginning to write a short story or some other form", "diary as well. I am interested in beginning to write a short story", "I am amazed at how they look at their surroundings, the way their", "write a diary as well. I am interested in beginning to write a", "do something now for developing this, making my writings into a creative short", "creativity, I also find no interest to read my writing anymore. Can't I", "form of creative writing. But I struggle to think about how I can", "how they look at their surroundings, the way their imagination approaches things. But", "After reading other writers I am amazed at how they look at their", "I can start this. After reading other writers I am amazed at how", "surroundings in my writing as I describe them during conversation to others. There's", "I also find no interest to read my writing anymore. Can't I do", "describe them during conversation to others. There's no creativity, I also find no", "this. After reading other writers I am amazed at how they look at", "write a short story or some other form of creative writing. But I", "something now for developing this, making my writings into a creative short story?", "during conversation to others. There's no creativity, I also find no interest to", "look at their surroundings, the way their imagination approaches things. But I narrate", "like to read short stories, novels, documentaries etc. I used to write a", "short story or some other form of creative writing. But I struggle to", "stories, novels, documentaries etc. I used to write a diary as well. I", "to write a diary as well. I am interested in beginning to write", "my writing anymore. Can't I do something now for developing this, making my", "at their surroundings, the way their imagination approaches things. But I narrate my", "documentaries etc. I used to write a diary as well. I am interested", "I used to write a diary as well. I am interested in beginning", "Can't I do something now for developing this, making my writings into a", "used to write a diary as well. I am interested in beginning to", "other writers I am amazed at how they look at their surroundings, the", "other form of creative writing. But I struggle to think about how I", "find no interest to read my writing anymore. Can't I do something now", "creative writing. But I struggle to think about how I can start this.", "or some other form of creative writing. But I struggle to think about", "read short stories, novels, documentaries etc. I used to write a diary as", "no interest to read my writing anymore. Can't I do something now for", "how I can start this. After reading other writers I am amazed at", "interest to read my writing anymore. Can't I do something now for developing", "well. I am interested in beginning to write a short story or some", "approaches things. But I narrate my surroundings in my writing as I describe", "of creative writing. But I struggle to think about how I can start", "am amazed at how they look at their surroundings, the way their imagination", "their imagination approaches things. But I narrate my surroundings in my writing as", "writing. But I struggle to think about how I can start this. After", "I do something now for developing this, making my writings into a creative", "read my writing anymore. Can't I do something now for developing this, making", "a diary as well. I am interested in beginning to write a short", "story or some other form of creative writing. But I struggle to think", "I describe them during conversation to others. There's no creativity, I also find", "in my writing as I describe them during conversation to others. There's no", "some other form of creative writing. But I struggle to think about how", "conversation to others. There's no creativity, I also find no interest to read" ]
[ "seeing this in Science Fiction. My world does include both modern technology (cars,", "this in Science Fiction. My world does include both modern technology (cars, computers)", "the rest of this world), deadly forests, and creatures that live in the", "fictional continent is so I can create a unique world including a huge", "of this world), deadly forests, and creatures that live in the wilds all", "but I don't think the world I envisioned would be quite as dynamic", "scarce in the rest of this world), deadly forests, and creatures that live", "create a unique world including a huge technologically advanced city to the North", "city to the North (technology is scarce in the rest of this world),", "fictional continents are quite often the setting. I don't recall ever seeing this", "post-apocalyptic version of an existing country, but I don't think the world I", "exo-suits. The reason for wanting to set it on my own fictional continent", "on one land mass. I considered setting the story in a post-apocalyptic version", "quite often the setting. I don't recall ever seeing this in Science Fiction.", "so I can create a unique world including a huge technologically advanced city", "forests, and creatures that live in the wilds all on one land mass.", "ever seeing this in Science Fiction. My world does include both modern technology", "don't think the world I envisioned would be quite as dynamic if I", "for wanting to set it on my own fictional continent is so I", "deadly forests, and creatures that live in the wilds all on one land", "rest of this world), deadly forests, and creatures that live in the wilds", "modern technology (cars, computers) as well as futuristic technology such as advanced aircrafts", "elaborate. In things such as Game of Thrones and Lord of the Rings", "does include both modern technology (cars, computers) as well as futuristic technology such", "including a huge technologically advanced city to the North (technology is scarce in", "futuristic technology such as advanced aircrafts and exo-suits. The reason for wanting to", "In things such as Game of Thrones and Lord of the Rings (so,", "(cars, computers) as well as futuristic technology such as advanced aircrafts and exo-suits.", "Let me elaborate. In things such as Game of Thrones and Lord of", "fantasy), fictional continents are quite often the setting. I don't recall ever seeing", "version of an existing country, but I don't think the world I envisioned", "a post-apocalyptic version of an existing country, but I don't think the world", "is so I can create a unique world including a huge technologically advanced", "considered setting the story in a post-apocalyptic version of an existing country, but", "technology such as advanced aircrafts and exo-suits. The reason for wanting to set", "such as advanced aircrafts and exo-suits. The reason for wanting to set it", "it on my own fictional continent is so I can create a unique", "think the world I envisioned would be quite as dynamic if I had", "in the rest of this world), deadly forests, and creatures that live in", "be quite as dynamic if I had to build it within a 'template'.", "setting. I don't recall ever seeing this in Science Fiction. My world does", "this world), deadly forests, and creatures that live in the wilds all on", "one land mass. I considered setting the story in a post-apocalyptic version of", "story in a post-apocalyptic version of an existing country, but I don't think", "as futuristic technology such as advanced aircrafts and exo-suits. The reason for wanting", "in Science Fiction. My world does include both modern technology (cars, computers) as", "the wilds all on one land mass. I considered setting the story in", "setting the story in a post-apocalyptic version of an existing country, but I", "of Thrones and Lord of the Rings (so, high fantasy), fictional continents are", "I considered setting the story in a post-apocalyptic version of an existing country,", "advanced city to the North (technology is scarce in the rest of this", "country, but I don't think the world I envisioned would be quite as", "the story in a post-apocalyptic version of an existing country, but I don't", "envisioned would be quite as dynamic if I had to build it within", "existing country, but I don't think the world I envisioned would be quite", "continent is so I can create a unique world including a huge technologically", "Fiction. My world does include both modern technology (cars, computers) as well as", "and exo-suits. The reason for wanting to set it on my own fictional", "in the wilds all on one land mass. I considered setting the story", "wilds all on one land mass. I considered setting the story in a", "well as futuristic technology such as advanced aircrafts and exo-suits. The reason for", "to the North (technology is scarce in the rest of this world), deadly", "North (technology is scarce in the rest of this world), deadly forests, and", "(so, high fantasy), fictional continents are quite often the setting. I don't recall", "as well as futuristic technology such as advanced aircrafts and exo-suits. The reason", "mass. I considered setting the story in a post-apocalyptic version of an existing", "often the setting. I don't recall ever seeing this in Science Fiction. My", "recall ever seeing this in Science Fiction. My world does include both modern", "is scarce in the rest of this world), deadly forests, and creatures that", "don't recall ever seeing this in Science Fiction. My world does include both", "an existing country, but I don't think the world I envisioned would be", "technologically advanced city to the North (technology is scarce in the rest of", "unique world including a huge technologically advanced city to the North (technology is", "world including a huge technologically advanced city to the North (technology is scarce", "high fantasy), fictional continents are quite often the setting. I don't recall ever", "all on one land mass. I considered setting the story in a post-apocalyptic", "The reason for wanting to set it on my own fictional continent is", "would be quite as dynamic if I had to build it within a", "set it on my own fictional continent is so I can create a", "My world does include both modern technology (cars, computers) as well as futuristic", "the Rings (so, high fantasy), fictional continents are quite often the setting. I", "as advanced aircrafts and exo-suits. The reason for wanting to set it on", "Lord of the Rings (so, high fantasy), fictional continents are quite often the", "reason for wanting to set it on my own fictional continent is so", "Science Fiction. My world does include both modern technology (cars, computers) as well", "me elaborate. In things such as Game of Thrones and Lord of the", "both modern technology (cars, computers) as well as futuristic technology such as advanced", "Thrones and Lord of the Rings (so, high fantasy), fictional continents are quite", "I don't recall ever seeing this in Science Fiction. My world does include", "world I envisioned would be quite as dynamic if I had to build", "land mass. I considered setting the story in a post-apocalyptic version of an", "a huge technologically advanced city to the North (technology is scarce in the", "to set it on my own fictional continent is so I can create", "and creatures that live in the wilds all on one land mass. I", "Rings (so, high fantasy), fictional continents are quite often the setting. I don't", "live in the wilds all on one land mass. I considered setting the", "I envisioned would be quite as dynamic if I had to build it", "own fictional continent is so I can create a unique world including a", "of an existing country, but I don't think the world I envisioned would", "Game of Thrones and Lord of the Rings (so, high fantasy), fictional continents", "in a post-apocalyptic version of an existing country, but I don't think the", "I don't think the world I envisioned would be quite as dynamic if", "can create a unique world including a huge technologically advanced city to the", "include both modern technology (cars, computers) as well as futuristic technology such as", "creatures that live in the wilds all on one land mass. I considered", "things such as Game of Thrones and Lord of the Rings (so, high", "my own fictional continent is so I can create a unique world including", "a unique world including a huge technologically advanced city to the North (technology", "and Lord of the Rings (so, high fantasy), fictional continents are quite often", "of the Rings (so, high fantasy), fictional continents are quite often the setting.", "aircrafts and exo-suits. The reason for wanting to set it on my own", "as Game of Thrones and Lord of the Rings (so, high fantasy), fictional", "such as Game of Thrones and Lord of the Rings (so, high fantasy),", "world), deadly forests, and creatures that live in the wilds all on one", "that live in the wilds all on one land mass. I considered setting", "(technology is scarce in the rest of this world), deadly forests, and creatures", "the world I envisioned would be quite as dynamic if I had to", "world does include both modern technology (cars, computers) as well as futuristic technology", "wanting to set it on my own fictional continent is so I can", "on my own fictional continent is so I can create a unique world", "the North (technology is scarce in the rest of this world), deadly forests,", "continents are quite often the setting. I don't recall ever seeing this in", "huge technologically advanced city to the North (technology is scarce in the rest", "computers) as well as futuristic technology such as advanced aircrafts and exo-suits. The", "technology (cars, computers) as well as futuristic technology such as advanced aircrafts and", "I can create a unique world including a huge technologically advanced city to", "the setting. I don't recall ever seeing this in Science Fiction. My world", "advanced aircrafts and exo-suits. The reason for wanting to set it on my", "are quite often the setting. I don't recall ever seeing this in Science" ]
[ "I’ve written the initial couple. It’s not natural, it doesn’t make sense, but", "I can’t see my audience picturing him and her together the same way", "picturing him and her together the same way as I’ve written the initial", "him. I can’t see my audience picturing him and her together the same", "triangle within the plot The problem is, within my writing, I got in", "the whole plot line is that he helps her escape, and she only", "point now where I’m introducing the second guy and, quite honestly, I can’t", "and, quite honestly, I can’t write him. I can’t see my audience picturing", "same way as I’ve written the initial couple. It’s not natural, it doesn’t", "doesn’t make sense, but the whole plot line is that he helps her", "can’t see my audience picturing him and her together the same way as", "in too deep with my first two characters love story, and now he", "but has your classic love triangle within the plot The problem is, within", "can’t fall for him myself, as the writer? How do I write him", "How can she fall for him when I can’t fall for him myself,", "her escape, and she only goes with him because she falls for him.", "as the writer? How do I write him in a different way to", "fall for him when I can’t fall for him myself, as the writer?", "where I’m introducing the second guy and, quite honestly, I can’t write him.", "way as I’ve written the initial couple. It’s not natural, it doesn’t make", "seems too perfect I’m at the point now where I’m introducing the second", "write him. I can’t see my audience picturing him and her together the", "whole plot line is that he helps her escape, and she only goes", "she falls for him. How can she fall for him when I can’t", "first two characters love story, and now he just seems too perfect I’m", "too perfect I’m at the point now where I’m introducing the second guy", "my audience picturing him and her together the same way as I’ve written", "I write him in a different way to the initial Male, but good", "plot The problem is, within my writing, I got in too deep with", "myself, as the writer? How do I write him in a different way", "do I write him in a different way to the initial Male, but", "quite honestly, I can’t write him. I can’t see my audience picturing him", "guy and, quite honestly, I can’t write him. I can’t see my audience", "is, within my writing, I got in too deep with my first two", "start by saying this isn’t a romance, but has your classic love triangle", "the writer? How do I write him in a different way to the", "couple. It’s not natural, it doesn’t make sense, but the whole plot line", "I can’t fall for him myself, as the writer? How do I write", "not natural, it doesn’t make sense, but the whole plot line is that", "problem is, within my writing, I got in too deep with my first", "because she falls for him. How can she fall for him when I", "perfect I’m at the point now where I’m introducing the second guy and,", "writing, I got in too deep with my first two characters love story,", "but good enough that the audience root for him, and not the initial", "the same way as I’ve written the initial couple. It’s not natural, it", "sense, but the whole plot line is that he helps her escape, and", "your classic love triangle within the plot The problem is, within my writing,", "the plot The problem is, within my writing, I got in too deep", "him when I can’t fall for him myself, as the writer? How do", "write him in a different way to the initial Male, but good enough", "Male, but good enough that the audience root for him, and not the", "second guy and, quite honestly, I can’t write him. I can’t see my", "audience picturing him and her together the same way as I’ve written the", "writer? How do I write him in a different way to the initial", "initial Male, but good enough that the audience root for him, and not", "my writing, I got in too deep with my first two characters love", "has your classic love triangle within the plot The problem is, within my", "it doesn’t make sense, but the whole plot line is that he helps", "I’m at the point now where I’m introducing the second guy and, quite", "characters love story, and now he just seems too perfect I’m at the", "plot line is that he helps her escape, and she only goes with", "got in too deep with my first two characters love story, and now", "How do I write him in a different way to the initial Male,", "falls for him. How can she fall for him when I can’t fall", "just seems too perfect I’m at the point now where I’m introducing the", "him and her together the same way as I’ve written the initial couple.", "a different way to the initial Male, but good enough that the audience", "helps her escape, and she only goes with him because she falls for", "can’t write him. I can’t see my audience picturing him and her together", "her together the same way as I’ve written the initial couple. It’s not", "and now he just seems too perfect I’m at the point now where", "story, and now he just seems too perfect I’m at the point now", "the second guy and, quite honestly, I can’t write him. I can’t see", "the initial Male, but good enough that the audience root for him, and", "now where I’m introducing the second guy and, quite honestly, I can’t write", "now he just seems too perfect I’m at the point now where I’m", "isn’t a romance, but has your classic love triangle within the plot The", "classic love triangle within the plot The problem is, within my writing, I", "and her together the same way as I’ve written the initial couple. It’s", "escape, and she only goes with him because she falls for him. How", "The problem is, within my writing, I got in too deep with my", "with him because she falls for him. How can she fall for him", "in a different way to the initial Male, but good enough that the", "see my audience picturing him and her together the same way as I’ve", "as I’ve written the initial couple. It’s not natural, it doesn’t make sense,", "within the plot The problem is, within my writing, I got in too", "I can’t write him. I can’t see my audience picturing him and her", "I’m introducing the second guy and, quite honestly, I can’t write him. I", "It’s not natural, it doesn’t make sense, but the whole plot line is", "introducing the second guy and, quite honestly, I can’t write him. I can’t", "him in a different way to the initial Male, but good enough that", "a romance, but has your classic love triangle within the plot The problem", "initial couple. It’s not natural, it doesn’t make sense, but the whole plot", "that he helps her escape, and she only goes with him because she", "for him. How can she fall for him when I can’t fall for", "he just seems too perfect I’m at the point now where I’m introducing", "the initial couple. It’s not natural, it doesn’t make sense, but the whole", "romance, but has your classic love triangle within the plot The problem is,", "I will start by saying this isn’t a romance, but has your classic", "she only goes with him because she falls for him. How can she", "way to the initial Male, but good enough that the audience root for", "too deep with my first two characters love story, and now he just", "fall for him myself, as the writer? How do I write him in", "only goes with him because she falls for him. How can she fall", "at the point now where I’m introducing the second guy and, quite honestly,", "this isn’t a romance, but has your classic love triangle within the plot", "for him myself, as the writer? How do I write him in a", "but the whole plot line is that he helps her escape, and she", "make sense, but the whole plot line is that he helps her escape,", "when I can’t fall for him myself, as the writer? How do I", "with my first two characters love story, and now he just seems too", "written the initial couple. It’s not natural, it doesn’t make sense, but the", "saying this isn’t a romance, but has your classic love triangle within the", "two characters love story, and now he just seems too perfect I’m at", "love story, and now he just seems too perfect I’m at the point", "natural, it doesn’t make sense, but the whole plot line is that he", "him. How can she fall for him when I can’t fall for him", "enough that the audience root for him, and not the initial companion? Thanks", "will start by saying this isn’t a romance, but has your classic love", "together the same way as I’ve written the initial couple. It’s not natural,", "him because she falls for him. How can she fall for him when", "I got in too deep with my first two characters love story, and", "to the initial Male, but good enough that the audience root for him,", "him myself, as the writer? How do I write him in a different", "can she fall for him when I can’t fall for him myself, as", "goes with him because she falls for him. How can she fall for", "honestly, I can’t write him. I can’t see my audience picturing him and", "by saying this isn’t a romance, but has your classic love triangle within", "he helps her escape, and she only goes with him because she falls", "for him when I can’t fall for him myself, as the writer? How", "the point now where I’m introducing the second guy and, quite honestly, I", "she fall for him when I can’t fall for him myself, as the", "is that he helps her escape, and she only goes with him because", "my first two characters love story, and now he just seems too perfect", "deep with my first two characters love story, and now he just seems", "line is that he helps her escape, and she only goes with him", "love triangle within the plot The problem is, within my writing, I got", "good enough that the audience root for him, and not the initial companion?", "different way to the initial Male, but good enough that the audience root", "and she only goes with him because she falls for him. How can", "within my writing, I got in too deep with my first two characters" ]
[ "the image of a \"noble savage\" barbarian who seems to be repulsed by", "That's a fair point. Though Springtime for Hitler and anything made by Qel", "people like it. That's a fair point. Though Springtime for Hitler and anything", "first-hand wasn't a problem. You see, when I had the image of a", "wealthy family. Not wanting to follow in the steps of his parents, he", "like Jaws, Lovecraft, and pulp so much? They're garbage as far as I'm", "a soldier instead of a knight. Thanks to his physique > and skills", "> > > Eventually, he joined the militia/garrison of his home city to", "his stern look, is a > rational and level-headed person. While his status", "\"pulp\". How am I supposed to understand why people like Jaws, Lovecraft, and", "Though Springtime for Hitler and anything made by Qel Bsoezq with nazis in", "people > around him uneasy, he also has trouble initiating small talks. >", "is the opposite of that, a city-dweller with a loving family who is", "Kaz is the opposite of that, a city-dweller with a loving family who", "geometry just means you're drawing on a globe instead of a sheet of", "I haven't seen any prominent figure try to understand why someone would like", "basically) born to a fairly > wealthy family. Not wanting to follow in", "he > set out to be a soldier instead of a knight. Thanks", "of that. However, you just simply can't make me like Jaws or any", "all his characters are so weak-willed, they can't go five pages without snapping", "understanding why people like it. That's a fair point. Though Springtime for Hitler", "> set out to be a soldier instead of a knight. Thanks to", "Hokuto no Ken, but it's 190-episodes long, so I couldn't get into it.", "a successful career and saw battle a few times, never a pitched >", "he had a successful career and saw battle a few times, never a", "that came from previous combat training with his siblings, > he had a", "like Jaws or any other movie featuring killer versions of IRL animals. Those", "about things he barely understood (non-euclidian geometry just means you're drawing on a", "to his physique > and skills that came from previous combat training with", "How am I supposed to understand why people like Jaws, Lovecraft, and pulp", "never a pitched > battle though. > > > Eventually, he joined the", "battle a few times, never a pitched > battle though. > > >", "Ken, but it's 190-episodes long, so I couldn't get into it. Skimming through", "him uneasy, he also has trouble initiating small talks. > > > His", "opposing. The problem arises when I have to make the actual barbarians, where", "the question of time. I like Hokuto no Ken, but it's 190-episodes long,", "figure try to understand why someone would like something they themselves didn't. ---", "Jaws or any other movie featuring killer versions of IRL animals. Those movies", "had a successful career and saw battle a few times, never a pitched", "through stuff I actually dislike is going to feel like a waste of", "sUbVErtEd but still having the same premise, rather, Kaz is the opposite of", "Lovecraft. He was a low-key racist who wrote about things he barely understood", "Kaz is a draconian (humanoid dragon, basically) born to a fairly > wealthy", "fair point. Though Springtime for Hitler and anything made by Qel Bsoezq with", "His family took Kaz's decision with mixed feelings, though they now > came", "barbarian stereotype I was opposing. The problem arises when I have to make", "One of my previous questions got [an interesting answer](https://writing.stackexchange.com/a/50908/25507). And posed an interesting", "by the thought of wearing proper clothing, I didn't make the parody of", "it. > > > You see, it's not the stereotype barbarian with the", "family. Not wanting to follow in the steps of his parents, he >", "it's not the stereotype barbarian with the tropes sUbVErtEd but still having the", "a glory hog. This works because Kaz can exist without the barbarian stereotype", "small talks. > > > His family took Kaz's decision with mixed feelings,", "can make people > around him uneasy, he also has trouble initiating small", "loving family who is a capable fighter but not a glory hog. This", "has trouble initiating small talks. > > > His family took Kaz's decision", "fairly > wealthy family. Not wanting to follow in the steps of his", "any other movie featuring killer versions of IRL animals. Those movies are stupid", "waste of time, especially if it's \"pulp\". How am I supposed to understand", "glory hog. This works because Kaz can exist without the barbarian stereotype I", "pages without snapping in the most ludicrous, over-the-top fashion possible. There's also the", "also the question of time. I like Hokuto no Ken, but it's 190-episodes", "steps of his parents, he > set out to be a soldier instead", "he joined the militia/garrison of his home city to serve > there and", "can exist without the barbarian stereotype I was opposing. The problem arises when", "> His family took Kaz's decision with mixed feelings, though they now >", "career and saw battle a few times, never a pitched > battle though.", "nazis in it flies in the face of that. However, you just simply", "initiating small talks. > > > His family took Kaz's decision with mixed", "of a sheet of paper) and almost all his characters are so weak-willed,", "he also has trouble initiating small talks. > > > His family took", "see, when I had the image of a \"noble savage\" barbarian who seems", "understand why people like Jaws, Lovecraft, and pulp so much? They're garbage as", "thought of wearing proper clothing, I didn't make the parody of that character,", "it's 190-episodes long, so I couldn't get into it. Skimming through stuff I", "problem. Namely, It will be difficult to make a parody of something without", "recruits. Kaz, despite his stern look, is a > rational and level-headed person.", "in the face of that. However, you just simply can't make me like", "should burn in hell. Similarly, you can't make me like Lovecraft. He was", "weak-willed, they can't go five pages without snapping in the most ludicrous, over-the-top", "supposed to understand why people like Jaws, Lovecraft, and pulp so much? They're", "his characters are so weak-willed, they can't go five pages without snapping in", "and help train recruits. Kaz, despite his stern look, is a > rational", "instead of a knight. Thanks to his physique > and skills that came", "the militia/garrison of his home city to serve > there and help train", "his siblings, > he had a successful career and saw battle a few", "it. Skimming through stuff I actually dislike is going to feel like a", "the opposite of that, a city-dweller with a loving family who is a", "didn't. --- Update ------ So far, not knowing what I despise first-hand wasn't", "much? They're garbage as far as I'm concerned and I haven't seen any", "wanting to follow in the steps of his parents, he > set out", "something they themselves didn't. --- Update ------ So far, not knowing what I", "but it's 190-episodes long, so I couldn't get into it. Skimming through stuff", "barbarians, where my biases will be apparent, biases I want to hammer out", "in the most ludicrous, over-the-top fashion possible. There's also the question of time.", "fighter but not a glory hog. This works because Kaz can exist without", "are so weak-willed, they can't go five pages without snapping in the most", "He was a low-key racist who wrote about things he barely understood (non-euclidian", "and anything made by Qel Bsoezq with nazis in it flies in the", "other movie featuring killer versions of IRL animals. Those movies are stupid and", "see, it's not the stereotype barbarian with the tropes sUbVErtEd but still having", "an interesting problem. Namely, It will be difficult to make a parody of", "the parody of that character, I made a counterpart. > > Kaz is", "> there and help train recruits. Kaz, despite his stern look, is a", "so weak-willed, they can't go five pages without snapping in the most ludicrous,", "with a loving family who is a capable fighter but not a glory", "will be difficult to make a parody of something without understanding why people", "knight. Thanks to his physique > and skills that came from previous combat", "stereotype I was opposing. The problem arises when I have to make the", "They're garbage as far as I'm concerned and I haven't seen any prominent", "means you're drawing on a globe instead of a sheet of paper) and", "problem. You see, when I had the image of a \"noble savage\" barbarian", "wearing proper clothing, I didn't make the parody of that character, I made", "who seems to be repulsed by the thought of wearing proper clothing, I", "a few times, never a pitched > battle though. > > > Eventually,", "a waste of time, especially if it's \"pulp\". How am I supposed to", "it. That's a fair point. Though Springtime for Hitler and anything made by", "still having the same premise, rather, Kaz is the opposite of that, a", "the same premise, rather, Kaz is the opposite of that, a city-dweller with", "time. I like Hokuto no Ken, but it's 190-episodes long, so I couldn't", "parents, he > set out to be a soldier instead of a knight.", "animals. Those movies are stupid and should burn in hell. Similarly, you can't", "mixed feelings, though they now > came to terms with it. > >", "wasting an eternity on reading Weird Tales an asking people what they like", "Not wanting to follow in the steps of his parents, he > set", "clothing, I didn't make the parody of that character, I made a counterpart.", "born to a fairly > wealthy family. Not wanting to follow in the", "the thought of wearing proper clothing, I didn't make the parody of that", "The problem arises when I have to make the actual barbarians, where my", "You see, when I had the image of a \"noble savage\" barbarian who", "Thanks to his physique > and skills that came from previous combat training", "I despise first-hand wasn't a problem. You see, when I had the image", "by Qel Bsoezq with nazis in it flies in the face of that.", "image of a \"noble savage\" barbarian who seems to be repulsed by the", "battle though. > > > Eventually, he joined the militia/garrison of his home", "Similarly, you can't make me like Lovecraft. He was a low-key racist who", "and saw battle a few times, never a pitched > battle though. >", "(non-euclidian geometry just means you're drawing on a globe instead of a sheet", "> and skills that came from previous combat training with his siblings, >", "skills that came from previous combat training with his siblings, > he had", "make people > around him uneasy, he also has trouble initiating small talks.", "now > came to terms with it. > > > You see, it's", "or any other movie featuring killer versions of IRL animals. Those movies are", "soldier instead of a knight. Thanks to his physique > and skills that", "is a draconian (humanoid dragon, basically) born to a fairly > wealthy family.", "character, I made a counterpart. > > Kaz is a draconian (humanoid dragon,", "to be a soldier instead of a knight. Thanks to his physique >", "biases will be apparent, biases I want to hammer out without wasting an", "Weird Tales an asking people what they like about the stories within them.", "instead of a sheet of paper) and almost all his characters are so", "> > Eventually, he joined the militia/garrison of his home city to serve", "just means you're drawing on a globe instead of a sheet of paper)", "dragon, basically) born to a fairly > wealthy family. Not wanting to follow", "[an interesting answer](https://writing.stackexchange.com/a/50908/25507). And posed an interesting problem. Namely, It will be difficult", "to make a parody of something without understanding why people like it. That's", "far as I'm concerned and I haven't seen any prominent figure try to", "my biases will be apparent, biases I want to hammer out without wasting", "no Ken, but it's 190-episodes long, so I couldn't get into it. Skimming", "be repulsed by the thought of wearing proper clothing, I didn't make the", "would like something they themselves didn't. --- Update ------ So far, not knowing", "I like Hokuto no Ken, but it's 190-episodes long, so I couldn't get", "eternity on reading Weird Tales an asking people what they like about the", "a draconian (humanoid dragon, basically) born to a fairly > wealthy family. Not", "> > > His family took Kaz's decision with mixed feelings, though they", "like Hokuto no Ken, but it's 190-episodes long, so I couldn't get into", "his parents, he > set out to be a soldier instead of a", "had the image of a \"noble savage\" barbarian who seems to be repulsed", "of a \"noble savage\" barbarian who seems to be repulsed by the thought", "featuring killer versions of IRL animals. Those movies are stupid and should burn", "from previous combat training with his siblings, > he had a successful career", "of something without understanding why people like it. That's a fair point. Though", "of his parents, he > set out to be a soldier instead of", "they themselves didn't. --- Update ------ So far, not knowing what I despise", "that, a city-dweller with a loving family who is a capable fighter but", "a counterpart. > > Kaz is a draconian (humanoid dragon, basically) born to", "when I have to make the actual barbarians, where my biases will be", "was a low-key racist who wrote about things he barely understood (non-euclidian geometry", "savage\" barbarian who seems to be repulsed by the thought of wearing proper", "me like Lovecraft. He was a low-key racist who wrote about things he", "it's \"pulp\". How am I supposed to understand why people like Jaws, Lovecraft,", "haven't seen any prominent figure try to understand why someone would like something", "that character, I made a counterpart. > > Kaz is a draconian (humanoid", "city-dweller with a loving family who is a capable fighter but not a", "physique > and skills that came from previous combat training with his siblings,", "make the parody of that character, I made a counterpart. > > Kaz", "It will be difficult to make a parody of something without understanding why", "Bsoezq with nazis in it flies in the face of that. However, you", "repulsed by the thought of wearing proper clothing, I didn't make the parody", "> Eventually, he joined the militia/garrison of his home city to serve >", "where my biases will be apparent, biases I want to hammer out without", "feelings, though they now > came to terms with it. > > >", "themselves didn't.** --- Update ------ So far, not knowing what I despise first-hand", "hammer out without wasting an eternity on reading Weird Tales an asking people", "go five pages without snapping in the most ludicrous, over-the-top fashion possible. There's", "> Kaz is a draconian (humanoid dragon, basically) born to a fairly >", "is a > rational and level-headed person. While his status can make people", "training with his siblings, > he had a successful career and saw battle", "times, never a pitched > battle though. > > > Eventually, he joined", "what I despise first-hand wasn't a problem. You see, when I had the", "a pitched > battle though. > > > Eventually, he joined the militia/garrison", "stern look, is a > rational and level-headed person. While his status can", "there and help train recruits. Kaz, despite his stern look, is a >", "parody of that character, I made a counterpart. > > Kaz is a", "serve > there and help train recruits. Kaz, despite his stern look, is", "on reading Weird Tales an asking people what they like about the stories", "like Lovecraft. He was a low-key racist who wrote about things he barely", "an eternity on reading Weird Tales an asking people what they like about", "am I supposed to understand why people like Jaws, Lovecraft, and pulp so", "a capable fighter but not a glory hog. This works because Kaz can", "out without wasting an eternity on reading Weird Tales an asking people what", "to a fairly > wealthy family. Not wanting to follow in the steps", "Jaws, Lovecraft, and pulp so much? They're garbage as far as I'm concerned", "However, you just simply can't make me like Jaws or any other movie", "make the actual barbarians, where my biases will be apparent, biases I want", "he barely understood (non-euclidian geometry just means you're drawing on a globe instead", "movie featuring killer versions of IRL animals. Those movies are stupid and should", "they now > came to terms with it. > > > You see,", "to terms with it. > > > You see, it's not the stereotype", "a city-dweller with a loving family who is a capable fighter but not", "look, is a > rational and level-headed person. While his status can make", "with his siblings, > he had a successful career and saw battle a", "While his status can make people > around him uneasy, he also has", "of time. I like Hokuto no Ken, but it's 190-episodes long, so I", "interesting problem. Namely, It will be difficult to make a parody of something", "capable fighter but not a glory hog. This works because Kaz can exist", "you're drawing on a globe instead of a sheet of paper) and almost", "made by Qel Bsoezq with nazis in it flies in the face of", "they can't go five pages without snapping in the most ludicrous, over-the-top fashion", "will be apparent, biases I want to hammer out without wasting an eternity", "knowing what I despise first-hand wasn't a problem. You see, when I had", "as I'm concerned and I haven't seen any prominent figure try to understand", "This works because Kaz can exist without the barbarian stereotype I was opposing.", "despite his stern look, is a > rational and level-headed person. While his", "came to terms with it. > > > You see, it's not the", "barbarian with the tropes sUbVErtEd but still having the same premise, rather, Kaz", "> > His family took Kaz's decision with mixed feelings, though they now", "make me like Jaws or any other movie featuring killer versions of IRL", "having the same premise, rather, Kaz is the opposite of that, a city-dweller", "didn't make the parody of that character, I made a counterpart. > >", "the steps of his parents, he > set out to be a soldier", "prominent figure try to understand why someone would like something they themselves didn't.", "of that character, I made a counterpart. > > Kaz is a draconian", "wasn't a problem. You see, when I had the image of a \"noble", "going to feel like a waste of time, especially if it's \"pulp\". How", "questions got [an interesting answer](https://writing.stackexchange.com/a/50908/25507). And posed an interesting problem. Namely, It will", "> > Kaz is a draconian (humanoid dragon, basically) born to a fairly", "set out to be a soldier instead of a knight. Thanks to his", "who wrote about things he barely understood (non-euclidian geometry just means you're drawing", "previous questions got [an interesting answer](https://writing.stackexchange.com/a/50908/25507). And posed an interesting problem. Namely, It", "works because Kaz can exist without the barbarian stereotype I was opposing. *The", "people like Jaws, Lovecraft, and pulp so much? They're garbage as far as", "burn in hell. Similarly, you can't make me like Lovecraft. He was a", "IRL animals. Those movies are stupid and should burn in hell. Similarly, you", "level-headed person. While his status can make people > around him uneasy, he", "pulp so much? They're garbage as far as I'm concerned and I haven't", "wrote about things he barely understood (non-euclidian geometry just means you're drawing on", "racist who wrote about things he barely understood (non-euclidian geometry just means you're", "proper clothing, I didn't make the parody of that character, I made a", "biases I want to hammer out without wasting an eternity on reading Weird", "> came to terms with it. > > > You see, it's not", "almost all his characters are so weak-willed, they can't go five pages without", "the barbarian stereotype I was opposing. The problem arises when I have to", "of that, a city-dweller with a loving family who is a capable fighter", "a fair point. Though Springtime for Hitler and anything made by Qel Bsoezq", "I have to make the actual barbarians, where my biases will be apparent,", "status can make people > around him uneasy, he also has trouble initiating", "you just simply can't make me like Jaws or any other movie featuring", "terms with it. > > > You see, it's not the stereotype barbarian", "someone would like something they themselves didn't. --- Update ------ So far, not", "into it. Skimming through stuff I actually dislike is going to feel like", "be a soldier instead of a knight. Thanks to his physique > and", "killer versions of IRL animals. Those movies are stupid and should burn in", "> > > You see, it's not the stereotype barbarian with the tropes", "Hitler and anything made by Qel Bsoezq with nazis in it flies in", "siblings, > he had a successful career and saw battle a few times,", "opposite of that, a city-dweller with a loving family who is a capable", "make me like Lovecraft. He was a low-key racist who wrote about things", "posed an interesting problem. Namely, It will be difficult to make a parody", "five pages without snapping in the most ludicrous, over-the-top fashion possible. There's also", "the actual barbarians, where my biases will be apparent, biases I want to", "without understanding why people like it. That's a fair point. Though Springtime for", "a globe instead of a sheet of paper) and almost all his characters", "successful career and saw battle a few times, never a pitched > battle", "home city to serve > there and help train recruits. Kaz, despite his", "(humanoid dragon, basically) born to a fairly > wealthy family. Not wanting to", "want to hammer out without wasting an eternity on reading Weird Tales an", "to hammer out without wasting an eternity on reading Weird Tales an asking", "his status can make people > around him uneasy, he also has trouble", "though they now > came to terms with it. > > > You", "problem arises when I have to make the actual barbarians, where my biases", "like something they themselves didn't. --- Update ------ So far, not knowing what", "combat training with his siblings, > he had a successful career and saw", "made a counterpart. > > Kaz is a draconian (humanoid dragon, basically) born", "rational and level-headed person. While his status can make people > around him", "the most ludicrous, over-the-top fashion possible. There's also the question of time. I", "interesting answer](https://writing.stackexchange.com/a/50908/25507). And posed an interesting problem. Namely, It will be difficult to", "You see, it's not the stereotype barbarian with the tropes sUbVErtEd but still", "the tropes sUbVErtEd but still having the same premise, rather, Kaz is the", "why someone would like something they themselves didn't. --- Update ------ So far,", "and should burn in hell. Similarly, you can't make me like Lovecraft. He", "ludicrous, over-the-top fashion possible. There's also the question of time. I like Hokuto", "have to make the actual barbarians, where my biases will be apparent, biases", "with nazis in it flies in the face of that. However, you just", "low-key racist who wrote about things he barely understood (non-euclidian geometry just means", "is going to feel like a waste of time, especially if it's \"pulp\".", "city to serve > there and help train recruits. Kaz, despite his stern", "a knight. Thanks to his physique > and skills that came from previous", "despise first-hand wasn't a problem. You see, when I had the image of", "I didn't make the parody of that character, I made a counterpart. >", "feel like a waste of time, especially if it's \"pulp\". How am I", "Kaz can exist without the barbarian stereotype I was opposing. The problem arises", "a fairly > wealthy family. Not wanting to follow in the steps of", "took Kaz's decision with mixed feelings, though they now > came to terms", "but still having the same premise, rather, Kaz is the opposite of that,", "be difficult to make a parody of something without understanding why people like", "arises when I have to make the actual barbarians, where my biases will", "of my previous questions got [an interesting answer](https://writing.stackexchange.com/a/50908/25507). And posed an interesting problem.", "I had the image of a \"noble savage\" barbarian who seems to be", "hog. This works because Kaz can exist without the barbarian stereotype I was", "to make the actual barbarians, where my biases will be apparent, biases I", "--- Update ------ So far, not knowing what I despise first-hand wasn't a", "are stupid and should burn in hell. Similarly, you can't make me like", "of time, especially if it's \"pulp\". How am I supposed to understand why", "who is a capable fighter but not a glory hog. This works because", "a \"noble savage\" barbarian who seems to be repulsed by the thought of", "of paper) and almost all his characters are so weak-willed, they can't go", "as far as I'm concerned and I haven't seen any prominent figure try", "like a waste of time, especially if it's \"pulp\". How am I supposed", "There's also the question of time. I like Hokuto no Ken, but it's", "> he had a successful career and saw battle a few times, never", "barely understood (non-euclidian geometry just means you're drawing on a globe instead of", "militia/garrison of his home city to serve > there and help train recruits.", "something without understanding why people like it. That's a fair point. Though Springtime", "not a glory hog. This works because Kaz can exist without the barbarian", "and almost all his characters are so weak-willed, they can't go five pages", "couldn't get into it. Skimming through stuff I actually dislike is going to", "movies are stupid and should burn in hell. Similarly, you can't make me", "why people like it. That's a fair point. Though Springtime for Hitler and", "------ So far, not knowing what I despise first-hand wasn't a problem. You", "barbarian who seems to be repulsed by the thought of wearing proper clothing,", "hell. Similarly, you can't make me like Lovecraft. He was a low-key racist", "because Kaz can exist without the barbarian stereotype I was opposing. The problem", "so much? They're garbage as far as I'm concerned and I haven't seen", "I want to hammer out without wasting an eternity on reading Weird Tales", "a loving family who is a capable fighter but not a glory hog.", "actually dislike is going to feel like a waste of time, especially if", "exist without the barbarian stereotype I was opposing. The problem arises when I", "globe instead of a sheet of paper) and almost all his characters are", "face of that. However, you just simply can't make me like Jaws or", "and I haven't seen any prominent figure try to understand why someone would", "around him uneasy, he also has trouble initiating small talks. > > >", "I'm concerned and I haven't seen any prominent figure try to understand why", "> wealthy family. Not wanting to follow in the steps of his parents,", "stupid and should burn in hell. Similarly, you can't make me like Lovecraft.", "difficult to make a parody of something without understanding why people like it.", "especially if it's \"pulp\". How am I supposed to understand why people like", "with it. > > > You see, it's not the stereotype barbarian with", "dislike is going to feel like a waste of time, especially if it's", "when I had the image of a \"noble savage\" barbarian who seems to", "> around him uneasy, he also has trouble initiating small talks. > >", "in it flies in the face of that. However, you just simply can't", "his home city to serve > there and help train recruits. Kaz, despite", "you can't make me like Lovecraft. He was a low-key racist who wrote", "Springtime for Hitler and anything made by Qel Bsoezq with nazis in it", "parody of something without understanding why people like it. That's a fair point.", "Eventually, he joined the militia/garrison of his home city to serve > there", "things he barely understood (non-euclidian geometry just means you're drawing on a globe", "rather, Kaz is the opposite of that, a city-dweller with a loving family", "in hell. Similarly, you can't make me like Lovecraft. He was a low-key", "the face of that. However, you just simply can't make me like Jaws", "follow in the steps of his parents, he > set out to be", "his physique > and skills that came from previous combat training with his", "versions of IRL animals. Those movies are stupid and should burn in hell.", "that. However, you just simply can't make me like Jaws or any other", "\"noble savage\" barbarian who seems to be repulsed by the thought of wearing", "long, so I couldn't get into it. Skimming through stuff I actually dislike", "So far, not knowing what I despise first-hand wasn't a problem. You see,", "I couldn't get into it. Skimming through stuff I actually dislike is going", "apparent, biases I want to hammer out without wasting an eternity on reading", "family took Kaz's decision with mixed feelings, though they now > came to", "understood (non-euclidian geometry just means you're drawing on a globe instead of a", "get into it. Skimming through stuff I actually dislike is going to feel", "drawing on a globe instead of a sheet of paper) and almost all", "snapping in the most ludicrous, over-the-top fashion possible. There's also the question of", "if it's \"pulp\". How am I supposed to understand why people like Jaws,", "Lovecraft, and pulp so much? They're garbage as far as I'm concerned and", "family who is a capable fighter but not a glory hog. This works", "try to understand why someone would like something they themselves didn't. --- Update", "draconian (humanoid dragon, basically) born to a fairly > wealthy family. Not wanting", "talks. > > > His family took Kaz's decision with mixed feelings, though", "I supposed to understand why people like Jaws, Lovecraft, and pulp so much?", "of his home city to serve > there and help train recruits. Kaz,", "got [an interesting answer](https://writing.stackexchange.com/a/50908/25507). And posed an interesting problem. Namely, It will be", "train recruits. Kaz, despite his stern look, is a > rational and level-headed", "trouble initiating small talks. > > > His family took Kaz's decision with", "without snapping in the most ludicrous, over-the-top fashion possible. There's also the question", "190-episodes long, so I couldn't get into it. Skimming through stuff I actually", "> battle though. > > > Eventually, he joined the militia/garrison of his", "be apparent, biases I want to hammer out without wasting an eternity on", "to understand why someone would like something they themselves didn't. --- Update ------", "a problem. You see, when I had the image of a \"noble savage\"", "Kaz, despite his stern look, is a > rational and level-headed person. While", "to feel like a waste of time, especially if it's \"pulp\". How am", "understand why someone would like something they themselves didn't. --- Update ------ So", "the stereotype barbarian with the tropes sUbVErtEd but still having the same premise,", "in the steps of his parents, he > set out to be a", "decision with mixed feelings, though they now > came to terms with it.", "few times, never a pitched > battle though. > > > Eventually, he", "Update ------ So far, not knowing what I despise first-hand wasn't a problem.", "Those movies are stupid and should burn in hell. Similarly, you can't make", "to serve > there and help train recruits. Kaz, despite his stern look,", "anything made by Qel Bsoezq with nazis in it flies in the face", "seen any prominent figure try to understand why someone would like something they", "though. > > > Eventually, he joined the militia/garrison of his home city", "came from previous combat training with his siblings, > he had a successful", "without the barbarian stereotype I was opposing. The problem arises when I have", "question of time. I like Hokuto no Ken, but it's 190-episodes long, so", "so I couldn't get into it. Skimming through stuff I actually dislike is", "with the tropes sUbVErtEd but still having the same premise, rather, Kaz is", "without wasting an eternity on reading Weird Tales an asking people what they", "seems to be repulsed by the thought of wearing proper clothing, I didn't", "simply can't make me like Jaws or any other movie featuring killer versions", "and level-headed person. While his status can make people > around him uneasy,", "Kaz's decision with mixed feelings, though they now > came to terms with", "why people like Jaws, Lovecraft, and pulp so much? They're garbage as far", "to follow in the steps of his parents, he > set out to", "actual barbarians, where my biases will be apparent, biases I want to hammer", "sheet of paper) and almost all his characters are so weak-willed, they can't", "just simply can't make me like Jaws or any other movie featuring killer", "And posed an interesting problem. Namely, It will be difficult to make a", "on a globe instead of a sheet of paper) and almost all his", "characters are so weak-willed, they can't go five pages without snapping in the", "counterpart. > > Kaz is a draconian (humanoid dragon, basically) born to a", "stuff I actually dislike is going to feel like a waste of time,", "paper) and almost all his characters are so weak-willed, they can't go five", "pitched > battle though. > > > Eventually, he joined the militia/garrison of", "a > rational and level-headed person. While his status can make people >", "> rational and level-headed person. While his status can make people > around", "tropes sUbVErtEd but still having the same premise, rather, Kaz is the opposite", "Qel Bsoezq with nazis in it flies in the face of that. However,", "a sheet of paper) and almost all his characters are so weak-willed, they", "was opposing. The problem arises when I have to make the actual barbarians,", "previous combat training with his siblings, > he had a successful career and", "joined the militia/garrison of his home city to serve > there and help", "> You see, it's not the stereotype barbarian with the tropes sUbVErtEd but", "person. While his status can make people > around him uneasy, he also", "Namely, It will be difficult to make a parody of something without understanding", "> > You see, it's not the stereotype barbarian with the tropes sUbVErtEd", "and skills that came from previous combat training with his siblings, > he", "but not a glory hog. This works because Kaz can exist without the", "garbage as far as I'm concerned and I haven't seen any prominent figure", "make a parody of something without understanding why people like it. That's a", "can't make me like Jaws or any other movie featuring killer versions of", "can't make me like Lovecraft. He was a low-key racist who wrote about", "my previous questions got [an interesting answer](https://writing.stackexchange.com/a/50908/25507). And posed an interesting problem. Namely,", "with mixed feelings, though they now > came to terms with it. >", "Skimming through stuff I actually dislike is going to feel like a waste", "far, not knowing what I despise first-hand wasn't a problem. You see, when", "is a capable fighter but not a glory hog. This works because Kaz", "point. Though Springtime for Hitler and anything made by Qel Bsoezq with nazis", "out to be a soldier instead of a knight. Thanks to his physique", "uneasy, he also has trouble initiating small talks. > > > His family", "for Hitler and anything made by Qel Bsoezq with nazis in it flies", "I was opposing. The problem arises when I have to make the actual", "of IRL animals. Those movies are stupid and should burn in hell. Similarly,", "it flies in the face of that. However, you just simply can't make", "I made a counterpart. > > Kaz is a draconian (humanoid dragon, basically)", "any prominent figure try to understand why someone would like something they themselves", "of wearing proper clothing, I didn't make the parody of that character, I", "possible. There's also the question of time. I like Hokuto no Ken, but", "a low-key racist who wrote about things he barely understood (non-euclidian geometry just", "flies in the face of that. However, you just simply can't make me", "over-the-top fashion possible. There's also the question of time. I like Hokuto no", "of a knight. Thanks to his physique > and skills that came from", "I actually dislike is going to feel like a waste of time, especially", "and pulp so much? They're garbage as far as I'm concerned and I", "concerned and I haven't seen any prominent figure try to understand why someone", "most ludicrous, over-the-top fashion possible. There's also the question of time. I like", "not the stereotype barbarian with the tropes sUbVErtEd but still having the same", "time, especially if it's \"pulp\". *How am I supposed to understand why people", "reading Weird Tales* an asking people what they like about the stories within", "same premise, rather, Kaz is the opposite of that, a city-dweller with a", "like it. That's a fair point. **Though Springtime for Hitler and anything made", "not knowing what I despise first-hand wasn't a problem. You see, when I", "saw battle a few times, never a pitched > battle though. > >", "also has trouble initiating small talks. > > > His family took Kaz's", "can't go five pages without snapping in the most ludicrous, over-the-top fashion possible.", "premise, rather, Kaz is the opposite of that, a city-dweller with a loving", "stereotype barbarian with the tropes sUbVErtEd but still having the same premise, rather,", "answer](https://writing.stackexchange.com/a/50908/25507). And posed an interesting problem. Namely, It will be difficult to make", "to understand why people like Jaws, Lovecraft, and pulp so much? They're garbage", "to be repulsed by the thought of wearing proper clothing, I didn't make", "a parody of something without understanding why people like it. That's a fair", "fashion possible. There's also the question of time. I like Hokuto no Ken,", "me like Jaws or any other movie featuring killer versions of IRL animals.", "help train recruits. Kaz, despite his stern look, is a > rational and" ]
[ "the scenes and the background of the pace and situation. I have been", "characters - some of whom can be also used in the ensemble. There", "keep on track or lessen the impact and depth of the scenes by", "individual characteristics , although they are really townspeople and such. They create a", "They are not a chorus..I have named the people in the ensemble and", "for the scenes and the background of the pace and situation. I have", "it into consideration? To lessen the number of people (and their individualities) would", "the ensemble and given them individual characteristics , although they are really townspeople", "point ,13 people, appears ( have already cut three) They are not a", "people (and their individualities) would take away from the atmosphere and function of", "function of the scenes. Do I keep on track or lessen the impact", "regional theatre will take it. Is this true? And should I take it", "it. Is this true? And should I take it into consideration? To lessen", "in which an ensemble consisting of, at most at this point ,13 people,", "a tone for the scenes and the background of the pace and situation.", "7 minor characters - some of whom can be also used in the", "three) They are not a chorus..I have named the people in the ensemble", "tone for the scenes and the background of the pace and situation. I", "four scenes in the two act play in which an ensemble consisting of,", "in the ensemble and given them individual characteristics , although they are really", "a chorus..I have named the people in the ensemble and given them individual", "of whom can be also used in the ensemble. There are four scenes", "And should I take it into consideration? To lessen the number of people", "or lessen the impact and depth of the scenes by eliminating part of", "away from the atmosphere and function of the scenes. Do I keep on", "townspeople and such. They create a tone for the scenes and the background", "the background of the pace and situation. I have been told by a", "I keep on track or lessen the impact and depth of the scenes", "ensemble and given them individual characteristics , although they are really townspeople and", "which an ensemble consisting of, at most at this point ,13 people, appears", "musical I have 3 primary and 7 minor characters - some of whom", "am aiming for Broadway...that no regional theatre will take it. Is this true?", "the number of people (and their individualities) would take away from the atmosphere", "them individual characteristics , although they are really townspeople and such. They create", "can be also used in the ensemble. There are four scenes in the", "a musical I have 3 primary and 7 minor characters - some of", "they are really townspeople and such. They create a tone for the scenes", "consisting of, at most at this point ,13 people, appears ( have already", "used in the ensemble. There are four scenes in the two act play", "the people in the ensemble and given them individual characteristics , although they", "situation. I have been told by a playwright( of straight dramas) that this", "should I take it into consideration? To lessen the number of people (and", "is far too many people unless I am aiming for Broadway...that no regional", "by a playwright( of straight dramas) that this is far too many people", "scenes and the background of the pace and situation. I have been told", "this point ,13 people, appears ( have already cut three) They are not", "take it. Is this true? And should I take it into consideration? To", "the two act play in which an ensemble consisting of, at most at", "no regional theatre will take it. Is this true? And should I take", "theatre will take it. Is this true? And should I take it into", "such. They create a tone for the scenes and the background of the", "of the pace and situation. I have been told by a playwright( of", "and 7 minor characters - some of whom can be also used in", "some of whom can be also used in the ensemble. There are four", "lessen the number of people (and their individualities) would take away from the", "and situation. I have been told by a playwright( of straight dramas) that", "have been told by a playwright( of straight dramas) that this is far", "given them individual characteristics , although they are really townspeople and such. They", "into consideration? To lessen the number of people (and their individualities) would take", "I have 3 primary and 7 minor characters - some of whom can", "the ensemble. There are four scenes in the two act play in which", "(and their individualities) would take away from the atmosphere and function of the", "an ensemble consisting of, at most at this point ,13 people, appears (", "consideration? To lessen the number of people (and their individualities) would take away", "from the atmosphere and function of the scenes. Do I keep on track", "take away from the atmosphere and function of the scenes. Do I keep", ", although they are really townspeople and such. They create a tone for", "I take it into consideration? To lessen the number of people (and their", "ensemble. There are four scenes in the two act play in which an", "are four scenes in the two act play in which an ensemble consisting", "I am aiming for Broadway...that no regional theatre will take it. Is this", "number of people (and their individualities) would take away from the atmosphere and", "3 primary and 7 minor characters - some of whom can be also", "lessen the impact and depth of the scenes by eliminating part of the", "create a tone for the scenes and the background of the pace and", "the scenes. Do I keep on track or lessen the impact and depth", "too many people unless I am aiming for Broadway...that no regional theatre will", "that this is far too many people unless I am aiming for Broadway...that", "- some of whom can be also used in the ensemble. There are", "already cut three) They are not a chorus..I have named the people in", "have 3 primary and 7 minor characters - some of whom can be", "take it into consideration? To lessen the number of people (and their individualities)", "really townspeople and such. They create a tone for the scenes and the", "in the ensemble. There are four scenes in the two act play in", "two act play in which an ensemble consisting of, at most at this", "many people unless I am aiming for Broadway...that no regional theatre will take", "of, at most at this point ,13 people, appears ( have already cut", "background of the pace and situation. I have been told by a playwright(", "dramas) that this is far too many people unless I am aiming for", "people in the ensemble and given them individual characteristics , although they are", "aiming for Broadway...that no regional theatre will take it. Is this true? And", "of people (and their individualities) would take away from the atmosphere and function", "be also used in the ensemble. There are four scenes in the two", "this is far too many people unless I am aiming for Broadway...that no", "are not a chorus..I have named the people in the ensemble and given", "and function of the scenes. Do I keep on track or lessen the", "people unless I am aiming for Broadway...that no regional theatre will take it.", "true? And should I take it into consideration? To lessen the number of", "scenes. Do I keep on track or lessen the impact and depth of", "In writing a musical I have 3 primary and 7 minor characters -", "( have already cut three) They are not a chorus..I have named the", "and given them individual characteristics , although they are really townspeople and such.", "in the two act play in which an ensemble consisting of, at most", "most at this point ,13 people, appears ( have already cut three) They", "of straight dramas) that this is far too many people unless I am", "been told by a playwright( of straight dramas) that this is far too", "Broadway...that no regional theatre will take it. Is this true? And should I", "their individualities) would take away from the atmosphere and function of the scenes.", "the pace and situation. I have been told by a playwright( of straight", "whom can be also used in the ensemble. There are four scenes in", "scenes in the two act play in which an ensemble consisting of, at", "Is this true? And should I take it into consideration? To lessen the", "of the scenes. Do I keep on track or lessen the impact and", "on track or lessen the impact and depth of the scenes by eliminating", "told by a playwright( of straight dramas) that this is far too many", "far too many people unless I am aiming for Broadway...that no regional theatre", ",13 people, appears ( have already cut three) They are not a chorus..I", "ensemble consisting of, at most at this point ,13 people, appears ( have", "chorus..I have named the people in the ensemble and given them individual characteristics", "this true? And should I take it into consideration? To lessen the number", "will take it. Is this true? And should I take it into consideration?", "unless I am aiming for Broadway...that no regional theatre will take it. Is", "To lessen the number of people (and their individualities) would take away from", "are really townspeople and such. They create a tone for the scenes and", "cut three) They are not a chorus..I have named the people in the", "playwright( of straight dramas) that this is far too many people unless I", "individualities) would take away from the atmosphere and function of the scenes. Do", "They create a tone for the scenes and the background of the pace", "not a chorus..I have named the people in the ensemble and given them", "atmosphere and function of the scenes. Do I keep on track or lessen", "and the background of the pace and situation. I have been told by", "the impact and depth of the scenes by eliminating part of the ensemble?", "also used in the ensemble. There are four scenes in the two act", "act play in which an ensemble consisting of, at most at this point", "the atmosphere and function of the scenes. Do I keep on track or", "Do I keep on track or lessen the impact and depth of the", "straight dramas) that this is far too many people unless I am aiming", "at most at this point ,13 people, appears ( have already cut three)", "primary and 7 minor characters - some of whom can be also used", "minor characters - some of whom can be also used in the ensemble.", "pace and situation. I have been told by a playwright( of straight dramas)", "have already cut three) They are not a chorus..I have named the people", "I have been told by a playwright( of straight dramas) that this is", "a playwright( of straight dramas) that this is far too many people unless", "characteristics , although they are really townspeople and such. They create a tone", "track or lessen the impact and depth of the scenes by eliminating part", "writing a musical I have 3 primary and 7 minor characters - some", "people, appears ( have already cut three) They are not a chorus..I have", "have named the people in the ensemble and given them individual characteristics ,", "and such. They create a tone for the scenes and the background of", "at this point ,13 people, appears ( have already cut three) They are", "for Broadway...that no regional theatre will take it. Is this true? And should", "appears ( have already cut three) They are not a chorus..I have named", "would take away from the atmosphere and function of the scenes. Do I", "play in which an ensemble consisting of, at most at this point ,13", "although they are really townspeople and such. They create a tone for the", "named the people in the ensemble and given them individual characteristics , although", "There are four scenes in the two act play in which an ensemble" ]
[ "know that I was half-Irish?” > > > “You are an odd creature.", "read this little gem: > > “B-but that’s impossible! I’ve never even heard", "would make the likes of Guojgu Lecav or Ehren Kruger burst out in", "forget rather than incomprehensible drivel or vapid, \"witty\" quips akin to those written", "Does that answer your question?” > > > I've done everything trick in", "dialogue for characters, which comes as out bland and soulless, nothing like a", "blood in you.” > > > “How? How did you know that I", "I would say that you have Gréagach blood in you.” > > >", "noble people living far beyond Alba with mud-brown skin who call themselves Gréagach.", "have such a lovely skin tone like yours. And If I were a", "like yours. And If I were a guessing girl, I would say that", "> > “Well, you have that crimson hair common amongst your kind, and", "done everything trick in the book to improve my non-existent skills, and nothing's", "question. How’d you figure out that I’m half-Irish and half-Greek?” > > >", "how awful it is. But, as of now, I've learnt that my dialogue", "dark-skinned or having Scythian tats!” > > > “Funny, because I also do", "Kruger burst out in gut-busting laughter at how awful it is. But, as", "have heard wondrous tales of a wise, noble people living far beyond Alba", "> > “B-but that’s impossible! I’ve never even heard of the Picts being", "comes as out bland and soulless, nothing like a person would say or", "“Funny, because I also do not recall Érainn to have such a lovely", "of a writer I am, read this little gem: > > “B-but that’s", "call themselves Gréagach. Does that answer your question?” > > > I've done", "are an odd creature. A man who refuses to acknowledge his warrior heritage,", "my question. How’d you figure out that I’m half-Irish and half-Greek?” > >", "everything trick in the book to improve my non-existent skills, and nothing's worked.", "for small talk, and I don't see the point of it because it's", "on everyday conversation doesn't do it for me thanks to my deep-seated hatred", "see the point of it because it's boring, unstimulating and random while adding", "non-existent skills, and nothing's worked. Eavesdropping on everyday conversation doesn't do it for", "skills, and nothing's worked. Eavesdropping on everyday conversation doesn't do it for me", "am, read this little gem: > > “B-but that’s impossible! I’ve never even", "say or is stolen from more talented writers. To understand how bad of", "of now, I've learnt that my dialogue writing skills are worse than I", "I thought and I'm flat-out abysmal at creating dialogue for characters, which comes", "man who refuses to acknowledge his warrior heritage, the Érainn blood running through", "it is. But, as of now, I've learnt that my dialogue writing skills", "warrior heritage, the Érainn blood running through your veins.” > > > “But", "point of it because it's boring, unstimulating and random while adding nothing to", "your veins.” > > > “But that doesn’t answer my question. How’d you", "me thanks to my deep-seated hatred for small talk, and I don't see", "heard of the Picts being dark-skinned or having Scythian tats!” > > >", "little gem: > > “B-but that’s impossible! I’ve never even heard of the", "“You are an odd creature. A man who refuses to acknowledge his warrior", "works of a visual nature to me is tantamount to laziness and writing", "Guojgu Lecav or Ehren Kruger burst out in gut-busting laughter at how awful", "you have Gréagach blood in you.” > > > “How? How did you", "I'm flat-out abysmal at creating dialogue for characters, which comes as out bland", "blood running through your veins.” > > > “But that doesn’t answer my", "in you.” > > > “How? How did you know that I was", "wise, noble people living far beyond Alba with mud-brown skin who call themselves", "I were a guessing girl, I would say that you have Gréagach blood", "the Érainn blood running through your veins.” > > > “But that doesn’t", "> I've done everything trick in the book to improve my non-existent skills,", "is stolen from more talented writers. To understand how bad of a writer", "memorable lines that my readers won't ever forget rather than incomprehensible drivel or", "such a lovely skin tone like yours. And If I were a guessing", "characters, which comes as out bland and soulless, nothing like a person would", "If I were a guessing girl, I would say that you have Gréagach", "But, as of now, I've learnt that my dialogue writing skills are worse", "akin to those written by Joss Whedon. *How could I possibly improve my", "at how awful it is. But, as of now, I've learnt that my", "veins.” > > > “But that doesn’t answer my question. How’d you figure", "and I don't see the point of it because it's boring, unstimulating and", "> > > “You are an odd creature. A man who refuses to", "that’s impossible! I’ve never even heard of the Picts being dark-skinned or having", "I’ve never even heard of the Picts being dark-skinned or having Scythian tats!”", "your question?” > > > I've done everything trick in the book to", "figure out that I’m half-Irish and half-Greek?” > > > “Well, you have", "and random while adding nothing to my already extensive pool of knowledge. Reading", "nothing to my already extensive pool of knowledge. Reading screenplays isn't good for", "won't ever forget rather than incomprehensible drivel or vapid, \"witty\" quips akin to", "or Ehren Kruger burst out in gut-busting laughter at how awful it is.", "worked. Eavesdropping on everyday conversation doesn't do it for me thanks to my", "you.” > > > “How? How did you know that I was half-Irish?”", "to my already extensive pool of knowledge. Reading screenplays isn't good for much", "> > > “But that doesn’t answer my question. How’d you figure out", "than incomprehensible drivel or vapid, \"witty\" quips akin to those written by Joss", "rather than incomprehensible drivel or vapid, \"witty\" quips akin to those written by", "I've thought for years that I was terrible at writing dialogue and any", "would say that you have Gréagach* blood in you.” > > > “How?", "I also do not recall Érainn to have such a lovely skin tone", "I was half-Irish?” > > > “You are an odd creature. A man", "heard wondrous tales of a wise, noble people living far beyond Alba with", "because I also do not recall Érainn to have such a lovely skin", "Alba with mud-brown skin who call themselves Gréagach. Does that answer your question?”", "of it because it's boring, unstimulating and random while adding nothing to my", "who refuses to acknowledge his warrior heritage, the Érainn blood running through your", "it for me thanks to my deep-seated hatred for small talk, and I", "my deep-seated hatred for small talk, and I don't see the point of", "did you know that I was half-Irish?” > > > “You are an", "that I was half-Irish?” > > > “You are an odd creature. A", "Gréagach. Does that answer your question?” > > > I've done everything trick", "heritage, the Érainn blood running through your veins.” > > > “But that", "tats!” > > > “Funny, because I also do not recall Érainn to", "likes of Guojgu Lecav or Ehren Kruger burst out in gut-busting laughter at", "say that you have Gréagach blood in you.” > > > “How? How", "steal. Novelising scenes from fictional works of a visual nature to me is", "> “How? How did you know that I was half-Irish?” > > >", "is. But, as of now, I've learnt that my dialogue writing skills are", "than I thought and I'm flat-out abysmal at creating dialogue for characters, which", "answer your question?” > > > I've done everything trick in the book", "adding nothing to my already extensive pool of knowledge. Reading screenplays isn't good", "> > “You are an odd creature. A man who refuses to acknowledge", "living far beyond Alba with mud-brown skin who call themselves Gréagach. Does that", "that I was terrible at writing dialogue and any \"dialogue\" I've written would", "> “B-but that’s impossible! I’ve never even heard of the Picts being dark-skinned", "the Picts being dark-skinned or having Scythian tats!” > > > “Funny, because", "through your veins.” > > > “But that doesn’t answer my question. How’d", "to acknowledge his warrior heritage, the Érainn blood running through your veins.” >", "from fictional works of a visual nature to me is tantamount to laziness", "learnt that my dialogue writing skills are worse than I thought and I'm", "I've learnt that my dialogue writing skills are worse than I thought and", "“But that doesn’t answer my question. How’d you figure out that I’m half-Irish", "> > > “Well, you have that crimson hair common amongst your kind,", "is tantamount to laziness and writing lousy Wattpad-tier fanfiction. I want to be", "and I have heard wondrous tales of a wise, noble people living far", "crimson hair common amongst your kind, and I have heard wondrous tales of", "Ehren Kruger burst out in gut-busting laughter at how awful it is. But,", "talk, and I don't see the point of it because it's boring, unstimulating", "Scythian tats!” > > > “Funny, because I also do not recall Érainn", "> > > “How? How did you know that I was half-Irish?” >", "or having Scythian tats!” > > > “Funny, because I also do not", "poignant, memorable lines that my readers won't ever forget rather than incomprehensible drivel", "written would make the likes of Guojgu Lecav or Ehren Kruger burst out", "much except looking for lines to steal. Novelising scenes from fictional works of", "to steal. Novelising scenes from fictional works of a visual nature to me", "out bland and soulless, nothing like a person would say or is stolen", "Wattpad-tier fanfiction. I want to be able to make poignant, memorable lines that", "unstimulating and random while adding nothing to my already extensive pool of knowledge.", "a person would say or is stolen from more talented writers. To understand", "thanks to my deep-seated hatred for small talk, and I don't see the", "those written by Joss Whedon. How could I possibly improve my dialogue-writing skills?", "now, I've learnt that my dialogue writing skills are worse than I thought", "vapid, \"witty\" quips akin to those written by Joss Whedon. *How could I", "my already extensive pool of knowledge. Reading screenplays isn't good for much except", "> “But that doesn’t answer my question. How’d you figure out that I’m", "years that I was terrible at writing dialogue and any \"dialogue\" I've written", "more talented writers. To understand how bad of a writer I am, read", "of knowledge. Reading screenplays isn't good for much except looking for lines to", "conversation doesn't do it for me thanks to my deep-seated hatred for small", "worse than I thought and I'm flat-out abysmal at creating dialogue for characters,", "> “Well, you have that crimson hair common amongst your kind, and I", "answer my question. How’d you figure out that I’m half-Irish and half-Greek?” >", "skin tone like yours. And If I were a guessing girl, I would", "I’m half-Irish and half-Greek?” > > > “Well, you have that crimson hair", "knowledge. Reading screenplays isn't good for much except looking for lines to steal.", "me is tantamount to laziness and writing lousy Wattpad-tier fanfiction. I want to", "or is stolen from more talented writers. To understand how bad of a", "recall Érainn* to have such a lovely skin tone like yours. And If", "Novelising scenes from fictional works of a visual nature to me is tantamount", "creature. A man who refuses to acknowledge his warrior heritage, the Érainn blood", "that you have Gréagach blood in you.” > > > “How? How did", "mud-brown skin who call themselves Gréagach. Does that answer your question?” > >", "> > “How? How did you know that I was half-Irish?” > >", "able to make poignant, memorable lines that my readers won't ever forget rather", "refuses to acknowledge his warrior heritage, the Érainn blood running through your veins.”", "thought for years that I was terrible at writing dialogue and any \"dialogue\"", "a writer I am, read this little gem: > > “B-but that’s impossible!", "and I'm flat-out abysmal at creating dialogue for characters, which comes as out", "it because it's boring, unstimulating and random while adding nothing to my already", "make the likes of Guojgu Lecav or Ehren Kruger burst out in gut-busting", "how bad of a writer I am, read this little gem: > >", "tales of a wise, noble people living far beyond Alba with mud-brown skin", "half-Irish?” > > > “You are an odd creature. A man who refuses", "far beyond Alba with mud-brown skin who call themselves Gréagach. Does that answer", "isn't good for much except looking for lines to steal. Novelising scenes from", "I've done everything trick in the book to improve my non-existent skills, and", "and nothing's worked. Eavesdropping on everyday conversation doesn't do it for me thanks", "as of now, I've learnt that my dialogue writing skills are worse than", "fictional works of a visual nature to me is tantamount to laziness and", "also do not recall Érainn to have such a lovely skin tone like", "scenes from fictional works of a visual nature to me is tantamount to", "you know that I was half-Irish?” > > > “You are an odd", "visual nature to me is tantamount to laziness and writing lousy Wattpad-tier fanfiction.", "improve my non-existent skills, and nothing's worked. Eavesdropping on everyday conversation doesn't do", "for me thanks to my deep-seated hatred for small talk, and I don't", "a visual nature to me is tantamount to laziness and writing lousy Wattpad-tier", "want to be able to make poignant, memorable lines that my readers won't", "lines that my readers won't ever forget rather than incomprehensible drivel or vapid,", "bad of a writer I am, read this little gem: > > “B-but", "> > “But that doesn’t answer my question. How’d you figure out that", "soulless, nothing like a person would say or is stolen from more talented", "already extensive pool of knowledge. Reading screenplays isn't good for much except looking", "extensive pool of knowledge. Reading screenplays isn't good for much except looking for", "tone like yours. And If I were a guessing girl, I would say", "don't see the point of it because it's boring, unstimulating and random while", "at writing dialogue and any \"dialogue\" I've written would make the likes of", "gem: > > “B-but that’s impossible! I’ve never even heard of the Picts", "were a guessing girl, I would say that you have Gréagach blood in", "for lines to steal. Novelising scenes from fictional works of a visual nature", "to laziness and writing lousy Wattpad-tier fanfiction. I want to be able to", "out in gut-busting laughter at how awful it is. But, as of now,", "dialogue writing skills are worse than I thought and I'm flat-out abysmal at", "nature to me is tantamount to laziness and writing lousy Wattpad-tier fanfiction. I", "who call themselves Gréagach. Does that answer your question?” > > > I've", "running through your veins.” > > > “But that doesn’t answer my question.", "everyday conversation doesn't do it for me thanks to my deep-seated hatred for", "not recall Érainn to have such a lovely skin tone like yours. And", "hatred for small talk, and I don't see the point of it because", "are worse than I thought and I'm flat-out abysmal at creating dialogue for", "it's boring, unstimulating and random while adding nothing to my already extensive pool", "my readers won't ever forget rather than incomprehensible drivel or vapid, \"witty\" quips", "or vapid, \"witty\" quips akin to those written by Joss Whedon. *How could", "to be able to make poignant, memorable lines that my readers won't ever", "I have heard wondrous tales of a wise, noble people living far beyond", "person would say or is stolen from more talented writers. To understand how", "stolen from more talented writers. To understand how bad of a writer I", "while adding nothing to my already extensive pool of knowledge. Reading screenplays isn't", "in the book to improve my non-existent skills, and nothing's worked. Eavesdropping on", "Érainn* to have such a lovely skin tone like yours. And If I", "to those written by Joss Whedon. *How could I possibly improve my dialogue-writing", "> > > “Funny, because I also do not recall Érainn* to have", "be able to make poignant, memorable lines that my readers won't ever forget", "which comes as out bland and soulless, nothing like a person would say", "my non-existent skills, and nothing's worked. Eavesdropping on everyday conversation doesn't do it", "fanfiction. I want to be able to make poignant, memorable lines that my", "> > I've done everything trick in the book to improve my non-existent", "like a person would say or is stolen from more talented writers. To", "How did you know that I was half-Irish?” > > > “You are", "random while adding nothing to my already extensive pool of knowledge. Reading screenplays", "and any \"dialogue\" I've written would make the likes of Guojgu Lecav or", "quips akin to those written by Joss Whedon. *How could I possibly improve", "terrible at writing dialogue and any \"dialogue\" I've written would make the likes", "boring, unstimulating and random while adding nothing to my already extensive pool of", "good for much except looking for lines to steal. Novelising scenes from fictional", "to my deep-seated hatred for small talk, and I don't see the point", "abysmal at creating dialogue for characters, which comes as out bland and soulless,", "people living far beyond Alba with mud-brown skin who call themselves Gréagach. Does", "to make poignant, memorable lines that my readers won't ever forget rather than", "that my readers won't ever forget rather than incomprehensible drivel or vapid, \"witty\"", "have Gréagach* blood in you.” > > > “How? How did you know", "Eavesdropping on everyday conversation doesn't do it for me thanks to my deep-seated", "deep-seated hatred for small talk, and I don't see the point of it", "with mud-brown skin who call themselves Gréagach. Does that answer your question?” >", "to have such a lovely skin tone like yours. And If I were", "do it for me thanks to my deep-seated hatred for small talk, and", "have that crimson hair common amongst your kind, and I have heard wondrous", "was terrible at writing dialogue and any \"dialogue\" I've written would make the", "an odd creature. A man who refuses to acknowledge his warrior heritage, the", "that my dialogue writing skills are worse than I thought and I'm flat-out", "would say or is stolen from more talented writers. To understand how bad", "do not recall Érainn to have such a lovely skin tone like yours.", "nothing like a person would say or is stolen from more talented writers.", "> > > I've done everything trick in the book to improve my", "A man who refuses to acknowledge his warrior heritage, the Érainn blood running", "to improve my non-existent skills, and nothing's worked. Eavesdropping on everyday conversation doesn't", "talented writers. To understand how bad of a writer I am, read this", "flat-out abysmal at creating dialogue for characters, which comes as out bland and", "ever forget rather than incomprehensible drivel or vapid, \"witty\" quips akin to those", "because it's boring, unstimulating and random while adding nothing to my already extensive", "that answer your question?” > > > I've done everything trick in the", "the likes of Guojgu Lecav or Ehren Kruger burst out in gut-busting laughter", "awful it is. But, as of now, I've learnt that my dialogue writing", "common amongst your kind, and I have heard wondrous tales of a wise,", "screenplays isn't good for much except looking for lines to steal. Novelising scenes", "from more talented writers. To understand how bad of a writer I am,", "Érainn blood running through your veins.” > > > “But that doesn’t answer", "for years that I was terrible at writing dialogue and any \"dialogue\" I've", "hair common amongst your kind, and I have heard wondrous tales of a", "this little gem: > > “B-but that’s impossible! I’ve never even heard of", "of a visual nature to me is tantamount to laziness and writing lousy", "your kind, and I have heard wondrous tales of a wise, noble people", "you figure out that I’m half-Irish and half-Greek?” > > > “Well, you", "of the Picts being dark-skinned or having Scythian tats!” > > > “Funny,", "nothing's worked. Eavesdropping on everyday conversation doesn't do it for me thanks to", "doesn't do it for me thanks to my deep-seated hatred for small talk,", "for much except looking for lines to steal. Novelising scenes from fictional works", "“Well, you have that crimson hair common amongst your kind, and I have", "you have that crimson hair common amongst your kind, and I have heard", "\"dialogue\" I've written would make the likes of Guojgu Lecav or Ehren Kruger", "writers. To understand how bad of a writer I am, read this little", "drivel or vapid, \"witty\" quips akin to those written by Joss Whedon. *How", "Lecav or Ehren Kruger burst out in gut-busting laughter at how awful it", "in gut-busting laughter at how awful it is. But, as of now, I've", "I don't see the point of it because it's boring, unstimulating and random", "except looking for lines to steal. Novelising scenes from fictional works of a", "half-Irish and half-Greek?” > > > “Well, you have that crimson hair common", "that I’m half-Irish and half-Greek?” > > > “Well, you have that crimson", "beyond Alba with mud-brown skin who call themselves Gréagach. Does that answer your", "skills are worse than I thought and I'm flat-out abysmal at creating dialogue", "question?” > > > I've done everything trick in the book to improve", "his warrior heritage, the Érainn* blood running through your veins.” > > >", "themselves Gréagach. Does that answer your question?” > > > I've done everything", "acknowledge his warrior heritage, the Érainn blood running through your veins.” > >", "at creating dialogue for characters, which comes as out bland and soulless, nothing", "and half-Greek?” > > > “Well, you have that crimson hair common amongst", "I've written would make the likes of Guojgu Lecav or Ehren Kruger burst", "And If I were a guessing girl, I would say that you have", "dialogue and any \"dialogue\" I've written would make the likes of Guojgu Lecav", "writer I am, read this little gem: > > “B-but that’s impossible! I’ve", "“How? How did you know that I was half-Irish?” > > > “You", "understand how bad of a writer I am, read this little gem: >", "skin who call themselves Gréagach. Does that answer your question?” > > >", "the point of it because it's boring, unstimulating and random while adding nothing", "> “You are an odd creature. A man who refuses to acknowledge his", "having Scythian tats!” > > > “Funny, because I also do not recall", "even heard of the Picts being dark-skinned or having Scythian tats!” > >", "small talk, and I don't see the point of it because it's boring,", "a lovely skin tone like yours. And If I were a guessing girl,", "out that I’m half-Irish and half-Greek?” > > > “Well, you have that", "readers won't ever forget rather than incomprehensible drivel or vapid, \"witty\" quips akin", "“B-but that’s impossible! I’ve never even heard of the Picts being dark-skinned or", "girl, I would say that you have Gréagach blood in you.” > >", "How’d you figure out that I’m half-Irish and half-Greek?” > > > “Well,", "> > “Funny, because I also do not recall Érainn to have such", "lousy Wattpad-tier fanfiction. I want to be able to make poignant, memorable lines", "laziness and writing lousy Wattpad-tier fanfiction. I want to be able to make", "I was terrible at writing dialogue and any \"dialogue\" I've written would make", "that crimson hair common amongst your kind, and I have heard wondrous tales", "> “Funny, because I also do not recall Érainn to have such a", "any \"dialogue\" I've written would make the likes of Guojgu Lecav or Ehren", "writing dialogue and any \"dialogue\" I've written would make the likes of Guojgu", "writing skills are worse than I thought and I'm flat-out abysmal at creating", "that doesn’t answer my question. How’d you figure out that I’m half-Irish and", "\"witty\" quips akin to those written by Joss Whedon. *How could I possibly", "amongst your kind, and I have heard wondrous tales of a wise, noble", "Picts being dark-skinned or having Scythian tats!” > > > “Funny, because I", "for characters, which comes as out bland and soulless, nothing like a person", "my dialogue writing skills are worse than I thought and I'm flat-out abysmal", "bland and soulless, nothing like a person would say or is stolen from", "impossible! I’ve never even heard of the Picts being dark-skinned or having Scythian", "To understand how bad of a writer I am, read this little gem:", "was half-Irish?” > > > “You are an odd creature. A man who", "tantamount to laziness and writing lousy Wattpad-tier fanfiction. I want to be able", "gut-busting laughter at how awful it is. But, as of now, I've learnt", "and writing lousy Wattpad-tier fanfiction. I want to be able to make poignant,", "to me is tantamount to laziness and writing lousy Wattpad-tier fanfiction. I want", "book to improve my non-existent skills, and nothing's worked. Eavesdropping on everyday conversation", "and soulless, nothing like a person would say or is stolen from more", "yours. And If I were a guessing girl, I would say that you", "make poignant, memorable lines that my readers won't ever forget rather than incomprehensible", "as out bland and soulless, nothing like a person would say or is", "never even heard of the Picts being dark-skinned or having Scythian tats!” >", "half-Greek?” > > > “Well, you have that crimson hair common amongst your", "doesn’t answer my question. How’d you figure out that I’m half-Irish and half-Greek?”", "a wise, noble people living far beyond Alba with mud-brown skin who call", "guessing girl, I would say that you have Gréagach* blood in you.” >", "odd creature. A man who refuses to acknowledge his warrior heritage, the Érainn", "Gréagach blood in you.” > > > “How? How did you know that", "I want to be able to make poignant, memorable lines that my readers", "creating dialogue for characters, which comes as out bland and soulless, nothing like", "being dark-skinned or having Scythian tats!” > > > “Funny, because I also", "looking for lines to steal. Novelising scenes from fictional works of a visual", "wondrous tales of a wise, noble people living far beyond Alba with mud-brown", "burst out in gut-busting laughter at how awful it is. But, as of", "writing lousy Wattpad-tier fanfiction. I want to be able to make poignant, memorable", "thought and I'm flat-out abysmal at creating dialogue for characters, which comes as", "of a wise, noble people living far beyond Alba with mud-brown skin who", "lines to steal. Novelising scenes from fictional works of a visual nature to", "pool of knowledge. Reading screenplays isn't good for much except looking for lines", "trick in the book to improve my non-existent skills, and nothing's worked. Eavesdropping", "a guessing girl, I would say that you have Gréagach blood in you.”", "kind, and I have heard wondrous tales of a wise, noble people living", "incomprehensible drivel or vapid, \"witty\" quips akin to those written by Joss Whedon.", "I am, read this little gem: > > “B-but that’s impossible! I’ve never", "the book to improve my non-existent skills, and nothing's worked. Eavesdropping on everyday", "Reading screenplays isn't good for much except looking for lines to steal. Novelising", "lovely skin tone like yours. And If I were a guessing girl, I", "laughter at how awful it is. But, as of now, I've learnt that", "of Guojgu Lecav or Ehren Kruger burst out in gut-busting laughter at how" ]
[ "he is okay. > > > I think this is not good since", "I'm telling and not showing. I also would like to say that English", "native language so if you find another problem please don't go hard on", "> > I think this is not good since I'm telling and not", "a question? The only thing that comes to my mind is > >", "okay. > > > I think this is not good since I'm telling", "my mind is > > Ciwe moves his head, confirming that he is", "that he is okay. > > > I think this is not good", "head, confirming that he is okay. > > > I think this is", "is okay. > > > I think this is not good since I'm", "since I'm telling and not showing. I also would like to say that", "How can I \"show\" that my character is saying \"yes\" as a respond", "I \"show\" that my character is saying \"yes\" as a respond from a", "not showing. I also would like to say that English is not my", "say that English is not my native language so if you find another", "this is not good since I'm telling and not showing. I also would", "Ciwe moves his head, confirming that he is okay. > > > I", "The only thing that comes to my mind is > > Ciwe moves", "his head, confirming that he is okay. > > > I think this", "not good since I'm telling and not showing. I also would like to", "to my mind is > > Ciwe moves his head, confirming that he", "\"yes\" as a respond from a question? The only thing that comes to", "thing that comes to my mind is > > Ciwe moves his head,", "> > Ciwe moves his head, confirming that he is okay. > >", "confirming that he is okay. > > > I think this is not", "> I think this is not good since I'm telling and not showing.", "is not my native language so if you find another problem please don't", "> Ciwe moves his head, confirming that he is okay. > > >", "not my native language so if you find another problem please don't go", "is not good since I'm telling and not showing. I also would like", "my character is saying \"yes\" as a respond from a question? The only", "> > > I think this is not good since I'm telling and", "I think this is not good since I'm telling and not showing. I", "think this is not good since I'm telling and not showing. I also", "showing. I also would like to say that English is not my native", "also would like to say that English is not my native language so", "would like to say that English is not my native language so if", "English is not my native language so if you find another problem please", "my native language so if you find another problem please don't go hard", "that my character is saying \"yes\" as a respond from a question? The", "character is saying \"yes\" as a respond from a question? The only thing", "is saying \"yes\" as a respond from a question? The only thing that", "saying \"yes\" as a respond from a question? The only thing that comes", "a respond from a question? The only thing that comes to my mind", "is > > Ciwe moves his head, confirming that he is okay. >", "that English is not my native language so if you find another problem", "question? The only thing that comes to my mind is > > Ciwe", "only thing that comes to my mind is > > Ciwe moves his", "from a question? The only thing that comes to my mind is >", "moves his head, confirming that he is okay. > > > I think", "\"show\" that my character is saying \"yes\" as a respond from a question?", "I also would like to say that English is not my native language", "mind is > > Ciwe moves his head, confirming that he is okay.", "telling and not showing. I also would like to say that English is", "respond from a question? The only thing that comes to my mind is", "and not showing. I also would like to say that English is not", "that comes to my mind is > > Ciwe moves his head, confirming", "to say that English is not my native language so if you find", "good since I'm telling and not showing. I also would like to say", "language so if you find another problem please don't go hard on me.", "comes to my mind is > > Ciwe moves his head, confirming that", "like to say that English is not my native language so if you", "can I \"show\" that my character is saying \"yes\" as a respond from", "as a respond from a question? The only thing that comes to my" ]
[ "brief initial part, it feels like poetry. I mean, the minotaur's original name,", "initial part, it feels like poetry. I mean, the minotaur's original name, Asterius,", "which born the minotaur. Now, according to what I read, the minotaur wasn't", "of that stuff is violating my Hays code, assuming they go unpunished. Here's", "can't kill him, a rather big part of the story thrown into the", "Now, according to what I read, the minotaur wasn't immediately thrown into the", "However, Xebe (the show) also suffers because of that. 1. The show tries", "is more of a Miry Kae, plus she's usually the one who tries", "(because I can't make mistakes, ya know) as she is more of a", "gays. Taking all of that away kills its \"essence\". However, most of that", "more of a Miry Kae, plus she's usually the one who tries to", "a part of the story, not what the story symbolizes. This is an", "I read, the minotaur wasn't immediately thrown into the labyrinth only after it", "for Xebe. 2. Poor Hades can't catch a break. Also, there was that", "Canon episode on Hades](https://youtu.be/kmcV90cya1Y) you know what I'm talking about. Hades is often", "modern values to age and mythology that clearly operated under a different one.", "that change in diet and boom: Suddenly, Asterius becomes much more sympathetic and", "to what I read, the minotaur wasn't immediately thrown into the labyrinth only", "I had a story idea in mind. You are familiar with the story", "of a god, done clearly to punish a relative of the individual, most", "[Hays Code](https://en.wikipedia.org/wiki/Motion_Picture_Production_Code). I want to preserve the myth because it feels disingenuous not", "You are familiar with the story of the Minotaur, right? Basically, there was", "most of that stuff is violating my Hays code, assuming they go unpunished.", "bull he had to sacrifice to him, blah blah, he didn't so Poseidon", "present as a part of the story, not what the story symbolizes. This", "this also means that he is now protected under my code, which strictly", "now protected under my code, which strictly prohibits punishing characters for things beyond", "becomes much more sympathetic and tragic. However, this also means that he is", "want to follow through with my code, but I still want to keep", "two issues are the same. If you saw [Lindsay Ellis' Loose Canon episode", "minotaur. Now, according to what I read, the minotaur wasn't immediately thrown into", "Kae, plus she's usually the one who tries to go the pacifist route", "now can't kill him, a rather big part of the story thrown into", "blah, he didn't so Poseidon made his wife have ..... with that white", "it feels like poetry. I mean, the minotaur's original name, Asterius, means star;", "clearly operated under a different one. To be fair, these modern values are", "are familiar with the story of the Minotaur, right? Basically, there was this", "feels like poetry. I mean, the minotaur's original name, Asterius, means star; isn't", "its context, but not the underlying symbolism. So, in the case of this", "I mean, the minotaur's original name, Asterius, means star; isn't that cute? Wouldn't", "to sacrifice to him, blah blah, he didn't so Poseidon made his wife", "having an appetite for human flesh. All I have to add is making", "they go unpunished. Here's a more concrete example of my problem: I had", "plus she's usually the one who tries to go the pacifist route with", "the original thing is lost, so much for the \"War on Christmas\". I", "tries to go the pacifist route with her recurring enemy being Oros, the", "it began having an appetite for human flesh. All I have to add", "an \"I want to eat the cake but still have it\" type of", "of war. However, Xebe (the show) also suffers because of that. 1. The", "feels disingenuous not to. I mean, greek myth is filled with sex, infidelity,", "infect everything and integrate them into its hive mind of stupid until the", "of the story thrown into the bin, IMHO. This will happen almost every", "myth because it feels disingenuous not to. I mean, greek myth is filled", "about identity, I mean the story itself and its context, but not the", "for the \"god of love\"... thank Dawkins I didn't see those episodes. Now,", "the cake but still have it\" type of problem. Changes to the myths", "I want to avoid that as much as possible. The problem is with", "that brief initial part, it feels like poetry. I mean, the minotaur's original", "underworld and as you know, Christianity really loves to infect everything and integrate", "know what I'm talking about. Hades is often confused/conflated with Satan because he", "minotaur wasn't immediately thrown into the labyrinth only after it began having an", "not the underlying symbolism. So, in the case of this one, Athens having", "their control. The curse of a god, done clearly to punish a relative", "much more sympathetic and tragic. However, this also means that he is now", "characters for things beyond their control. The curse of a god, done clearly", "hive mind of stupid until the original thing is lost, so much for", "much for the \"War on Christmas\". I want to avoid that as much", "it make more sense for him to be, you know, a tragic character?", "one and actually enjoyed it, despite its hamminess, Xebe: Warrior Princess. Now, I'm", "Here's a more concrete example of my problem: I had a story idea", "in other works using greek myth that those two issues are the same.", "from which born the minotaur. Now, according to what I read, the minotaur", "used to watch one and actually enjoyed it, despite its hamminess, Xebe: Warrior", "a story idea in mind. You are familiar with the story of the", "big part of the story thrown into the bin, IMHO. This will happen", "avoid that as much as possible. The problem is with keeping the \"original\"", "who tries to go the pacifist route with her recurring enemy being Oros,", "I'm not gonna say I was wrong about noble savages (because I can't", "it, despite its hamminess, Xebe: Warrior Princess. Now, I'm not gonna say I", "to pave the path for the \"god of love\"... thank Dawkins I didn't", "mind. You are familiar with the story of the Minotaur, right? Basically, there", "I didn't see those episodes. Now, I can actually argue in other works", "Dawkins I didn't see those episodes. Now, I can actually argue in other", "about. Hades is often confused/conflated with Satan because he resides in the underworld", "mistakes, ya know) as she is more of a Miry Kae, plus she's", "talking about. Hades is often confused/conflated with Satan because he resides in the", "I have to add is making Poseidon responsible for that change in diet", "is now protected under my code, which strictly prohibits punishing characters for things", "The show tries to apply modern values to age and mythology that clearly", "route with her recurring enemy being Oros, the OG god of war. However,", "as a part of the story, not what the story symbolizes. This is", "had a story idea in mind. You are familiar with the story of", "2. Poor Hades can't catch a break. Also, there was that time when", "in the underworld and as you know, Christianity really loves to infect everything", "relative of the individual, most definitely counts. So, Theseus now can't kill him,", "every time I change small things, yet for that brief initial part, it", "my sword and sorcery questions, I remembered I actually used to watch one", "human flesh. All I have to add is making Poseidon responsible for that", "a relative of the individual, most definitely counts. So, Theseus now can't kill", "and boom: Suddenly, Asterius becomes much more sympathetic and tragic. However, this also", "The problem is with keeping the \"original\" myth and also abiding by my", "and the ending of that is present as a part of the story,", "my code, but I still want to keep as much of their \"identity\"", "that white bull, from which born the minotaur. Now, according to what I", "Wouldn't it make more sense for him to be, you know, a tragic", "what I'm talking about. Hades is often confused/conflated with Satan because he resides", "tragic character? I understand that myths also have cultural backgrounds and are still", "made his wife have ..... with that white bull, from which born the", "1. The show tries to apply modern values to age and mythology that", "and are still stories in the end. When I talk about identity, I", "sorcery questions, I remembered I actually used to watch one and actually enjoyed", "of love\"... thank Dawkins I didn't see those episodes. Now, I can actually", "with keeping the \"original\" myth and also abiding by my own [Hays Code](https://en.wikipedia.org/wiki/Motion_Picture_Production_Code).", "the Minotaur, right? Basically, there was this Minos guy and blah blah, Poseidon", "greek myth is filled with sex, infidelity, rape, bestiality... and gays. Taking all", "more sympathetic and tragic. However, this also means that he is now protected", "because of that. 1. The show tries to apply modern values to age", "thing is lost, so much for the \"War on Christmas\". I want to", "more sense for him to be, you know, a tragic character? I understand", "what I read, the minotaur wasn't immediately thrown into the labyrinth only after", "my own [Hays Code](https://en.wikipedia.org/wiki/Motion_Picture_Production_Code). I want to preserve the myth because it feels", "small things, yet for that brief initial part, it feels like poetry. I", "want to keep as much of their \"identity\" as possible. How should I", "ya know) as she is more of a Miry Kae, plus she's usually", "often confused/conflated with Satan because he resides in the underworld and as you", "the story, not what the story symbolizes. This is an \"I want to", "until the original thing is lost, so much for the \"War on Christmas\".", "actually used to watch one and actually enjoyed it, despite its hamminess, Xebe:", "that those two issues are the same. If you saw [Lindsay Ellis' Loose", "clearly to punish a relative of the individual, most definitely counts. So, Theseus", "this one, Athens having to pay tributes to Crete and the ending of", "thrown into the labyrinth only after it began having an appetite for human", "and tragic. However, this also means that he is now protected under my", "want to avoid that as much as possible. The problem is with keeping", "sacrifice to him, blah blah, he didn't so Poseidon made his wife have", "he didn't so Poseidon made his wife have ..... with that white bull,", "suffers because of that. 1. The show tries to apply modern values to", "I was wrong about noble savages (because I can't make mistakes, ya know)", "This will happen almost every time I change small things, yet for that", "If you saw [Lindsay Ellis' Loose Canon episode on Hades](https://youtu.be/kmcV90cya1Y) you know what", "Now, I can actually argue in other works using greek myth that those", "I'm talking about. Hades is often confused/conflated with Satan because he resides in", "Loose Canon episode on Hades](https://youtu.be/kmcV90cya1Y) you know what I'm talking about. Hades is", "a more concrete example of my problem: I had a story idea in", "with her recurring enemy being Oros, the OG god of war. However, Xebe", "and sorcery questions, I remembered I actually used to watch one and actually", "began having an appetite for human flesh. All I have to add is", "symbolizes. This is an \"I want to eat the cake but still have", "are the same. If you saw [Lindsay Ellis' Loose Canon episode on Hades](https://youtu.be/kmcV90cya1Y)", "familiar with the story of the Minotaur, right? Basically, there was this Minos", "issues are the same. If you saw [Lindsay Ellis' Loose Canon episode on", "age and mythology that clearly operated under a different one. To be fair,", "stories in the end. When I talk about identity, I mean the story", "unpunished. Here's a more concrete example of my problem: I had a story", "OG god of war. However, Xebe (the show) also suffers because of that.", "to the myths are inevitable if I want to follow through with my", "of the individual, most definitely counts. So, Theseus now can't kill him, a", "I understand that myths also have cultural backgrounds and are still stories in", "know, Christianity really loves to infect everything and integrate them into its hive", "its \"essence\". However, most of that stuff is violating my Hays code, assuming", "for that brief initial part, it feels like poetry. I mean, the minotaur's", "abiding by my own [Hays Code](https://en.wikipedia.org/wiki/Motion_Picture_Production_Code). I want to preserve the myth because", "break. Also, there was that time when Xebe began killing off gods to", "he is now protected under my code, which strictly prohibits punishing characters for", "I talk about identity, I mean the story itself and its context, but", "path for the \"god of love\"... thank Dawkins I didn't see those episodes.", "as you know, Christianity really loves to infect everything and integrate them into", "loves to infect everything and integrate them into its hive mind of stupid", "Xebe (the show) also suffers because of that. 1. The show tries to", "mean the story itself and its context, but not the underlying symbolism. So,", "those two issues are the same. If you saw [Lindsay Ellis' Loose Canon", "under a different one. To be fair, these modern values are mostly exclusive", "Princess. Now, I'm not gonna say I was wrong about noble savages (because", "integrate them into its hive mind of stupid until the original thing is", "time when Xebe began killing off gods to pave the path for the", "cute? Wouldn't it make more sense for him to be, you know, a", "that. 1. The show tries to apply modern values to age and mythology", "being Oros, the OG god of war. However, Xebe (the show) also suffers", "prohibits punishing characters for things beyond their control. The curse of a god,", "my Hays code, assuming they go unpunished. Here's a more concrete example of", "in diet and boom: Suddenly, Asterius becomes much more sympathetic and tragic. However,", "part of the story, not what the story symbolizes. This is an \"I", "change in diet and boom: Suddenly, Asterius becomes much more sympathetic and tragic.", "strictly prohibits punishing characters for things beyond their control. The curse of a", "that away kills its \"essence\". However, most of that stuff is violating my", "blah blah, Poseidon gave Minos a white bull he had to sacrifice to", "hamminess, Xebe: Warrior Princess. Now, I'm not gonna say I was wrong about", "as possible. The problem is with keeping the \"original\" myth and also abiding", "noble savages (because I can't make mistakes, ya know) as she is more", "I want to preserve the myth because it feels disingenuous not to. I", "is violating my Hays code, assuming they go unpunished. Here's a more concrete", "he resides in the underworld and as you know, Christianity really loves to", "for him to be, you know, a tragic character? I understand that myths", "of that away kills its \"essence\". However, most of that stuff is violating", "but still have it\" type of problem. Changes to the myths are inevitable", "Athens having to pay tributes to Crete and the ending of that is", "Changes to the myths are inevitable if I want to follow through with", "had to sacrifice to him, blah blah, he didn't so Poseidon made his", "she's usually the one who tries to go the pacifist route with her", "Miry Kae, plus she's usually the one who tries to go the pacifist", "all of that away kills its \"essence\". However, most of that stuff is", "Christianity really loves to infect everything and integrate them into its hive mind", "in the case of this one, Athens having to pay tributes to Crete", "underlying symbolism. So, in the case of this one, Athens having to pay", "everything and integrate them into its hive mind of stupid until the original", "to add is making Poseidon responsible for that change in diet and boom:", "the minotaur. Now, according to what I read, the minotaur wasn't immediately thrown", "This is an \"I want to eat the cake but still have it\"", "of the story, not what the story symbolizes. This is an \"I want", "with my code, but I still want to keep as much of their", "to keep as much of their \"identity\" as possible. How should I do", "\"original\" myth and also abiding by my own [Hays Code](https://en.wikipedia.org/wiki/Motion_Picture_Production_Code). I want to", "code, but I still want to keep as much of their \"identity\" as", "type of problem. Changes to the myths are inevitable if I want to", "them into its hive mind of stupid until the original thing is lost,", "was this Minos guy and blah blah, Poseidon gave Minos a white bull", "you know, Christianity really loves to infect everything and integrate them into its", "tragic. However, this also means that he is now protected under my code,", "have ..... with that white bull, from which born the minotaur. Now, according", "enjoyed it, despite its hamminess, Xebe: Warrior Princess. Now, I'm not gonna say", "happen almost every time I change small things, yet for that brief initial", "the same. If you saw [Lindsay Ellis' Loose Canon episode on Hades](https://youtu.be/kmcV90cya1Y) you", "individual, most definitely counts. So, Theseus now can't kill him, a rather big", "story symbolizes. This is an \"I want to eat the cake but still", "pave the path for the \"god of love\"... thank Dawkins I didn't see", "is lost, so much for the \"War on Christmas\". I want to avoid", "wife have ..... with that white bull, from which born the minotaur. Now,", "for human flesh. All I have to add is making Poseidon responsible for", "The curse of a god, done clearly to punish a relative of the", "bestiality... and gays. Taking all of that away kills its \"essence\". However, most", "story of the Minotaur, right? Basically, there was this Minos guy and blah", "responsible for that change in diet and boom: Suddenly, Asterius becomes much more", "the myth because it feels disingenuous not to. I mean, greek myth is", "keeping the \"original\" myth and also abiding by my own [Hays Code](https://en.wikipedia.org/wiki/Motion_Picture_Production_Code). I", "the story thrown into the bin, IMHO. This will happen almost every time", "Asterius becomes much more sympathetic and tragic. However, this also means that he", "tries to apply modern values to age and mythology that clearly operated under", "a tragic character? I understand that myths also have cultural backgrounds and are", "its hive mind of stupid until the original thing is lost, so much", "myth that those two issues are the same. If you saw [Lindsay Ellis'", "bull, from which born the minotaur. Now, according to what I read, the", "go the pacifist route with her recurring enemy being Oros, the OG god", "talk about identity, I mean the story itself and its context, but not", "make more sense for him to be, you know, a tragic character? I", "off gods to pave the path for the \"god of love\"... thank Dawkins", "that clearly operated under a different one. To be fair, these modern values", "because it feels disingenuous not to. I mean, greek myth is filled with", "but not the underlying symbolism. So, in the case of this one, Athens", "thank Dawkins I didn't see those episodes. Now, I can actually argue in", "To be fair, these modern values are mostly exclusive for Xebe. 2. Poor", "violating my Hays code, assuming they go unpunished. Here's a more concrete example", "of problem. Changes to the myths are inevitable if I want to follow", "to infect everything and integrate them into its hive mind of stupid until", "IMHO. This will happen almost every time I change small things, yet for", "the underlying symbolism. So, in the case of this one, Athens having to", "backgrounds and are still stories in the end. When I talk about identity,", "is present as a part of the story, not what the story symbolizes.", "own [Hays Code](https://en.wikipedia.org/wiki/Motion_Picture_Production_Code). I want to preserve the myth because it feels disingenuous", "pay tributes to Crete and the ending of that is present as a", "enemy being Oros, the OG god of war. However, Xebe (the show) also", "preserve the myth because it feels disingenuous not to. I mean, greek myth", "the case of this one, Athens having to pay tributes to Crete and", "I remembered I actually used to watch one and actually enjoyed it, despite", "cake but still have it\" type of problem. Changes to the myths are", "I still want to keep as much of their \"identity\" as possible. How", "her recurring enemy being Oros, the OG god of war. However, Xebe (the", "actually enjoyed it, despite its hamminess, Xebe: Warrior Princess. Now, I'm not gonna", "and as you know, Christianity really loves to infect everything and integrate them", "the minotaur's original name, Asterius, means star; isn't that cute? Wouldn't it make", "show tries to apply modern values to age and mythology that clearly operated", "to him, blah blah, he didn't so Poseidon made his wife have .....", "problem: I had a story idea in mind. You are familiar with the", "part of the story thrown into the bin, IMHO. This will happen almost", "and blah blah, Poseidon gave Minos a white bull he had to sacrifice", "name, Asterius, means star; isn't that cute? Wouldn't it make more sense for", "However, most of that stuff is violating my Hays code, assuming they go", "the \"War on Christmas\". I want to avoid that as much as possible.", "so Poseidon made his wife have ..... with that white bull, from which", "Warrior Princess. Now, I'm not gonna say I was wrong about noble savages", "story, not what the story symbolizes. This is an \"I want to eat", "I can't make mistakes, ya know) as she is more of a Miry", "possible. The problem is with keeping the \"original\" myth and also abiding by", "so much for the \"War on Christmas\". I want to avoid that as", "..... with that white bull, from which born the minotaur. Now, according to", "\"I want to eat the cake but still have it\" type of problem.", "the OG god of war. However, Xebe (the show) also suffers because of", "say I was wrong about noble savages (because I can't make mistakes, ya", "modern values are mostly exclusive for Xebe. 2. Poor Hades can't catch a", "sense for him to be, you know, a tragic character? I understand that", "Poseidon gave Minos a white bull he had to sacrifice to him, blah", "through with my code, but I still want to keep as much of", "have to add is making Poseidon responsible for that change in diet and", "despite its hamminess, Xebe: Warrior Princess. Now, I'm not gonna say I was", "in the end. When I talk about identity, I mean the story itself", "know, a tragic character? I understand that myths also have cultural backgrounds and", "be fair, these modern values are mostly exclusive for Xebe. 2. Poor Hades", "story idea in mind. You are familiar with the story of the Minotaur,", "gonna say I was wrong about noble savages (because I can't make mistakes,", "a rather big part of the story thrown into the bin, IMHO. This", "I mean the story itself and its context, but not the underlying symbolism.", "of that. 1. The show tries to apply modern values to age and", "\"essence\". However, most of that stuff is violating my Hays code, assuming they", "see those episodes. Now, I can actually argue in other works using greek", "All I have to add is making Poseidon responsible for that change in", "a break. Also, there was that time when Xebe began killing off gods", "using greek myth that those two issues are the same. If you saw", "war. However, Xebe (the show) also suffers because of that. 1. The show", "as much as possible. The problem is with keeping the \"original\" myth and", "was wrong about noble savages (because I can't make mistakes, ya know) as", "white bull he had to sacrifice to him, blah blah, he didn't so", "the myths are inevitable if I want to follow through with my code,", "different one. To be fair, these modern values are mostly exclusive for Xebe.", "and mythology that clearly operated under a different one. To be fair, these", "that myths also have cultural backgrounds and are still stories in the end.", "done clearly to punish a relative of the individual, most definitely counts. So,", "kills its \"essence\". However, most of that stuff is violating my Hays code,", "also abiding by my own [Hays Code](https://en.wikipedia.org/wiki/Motion_Picture_Production_Code). I want to preserve the myth", "infidelity, rape, bestiality... and gays. Taking all of that away kills its \"essence\".", "remembered I actually used to watch one and actually enjoyed it, despite its", "my code, which strictly prohibits punishing characters for things beyond their control. The", "Xebe began killing off gods to pave the path for the \"god of", "you know, a tragic character? I understand that myths also have cultural backgrounds", "with that white bull, from which born the minotaur. Now, according to what", "for the \"War on Christmas\". I want to avoid that as much as", "disingenuous not to. I mean, greek myth is filled with sex, infidelity, rape,", "one, Athens having to pay tributes to Crete and the ending of that", "fair, these modern values are mostly exclusive for Xebe. 2. Poor Hades can't", "Hades can't catch a break. Also, there was that time when Xebe began", "So, Theseus now can't kill him, a rather big part of the story", "things beyond their control. The curse of a god, done clearly to punish", "bin, IMHO. This will happen almost every time I change small things, yet", "having to pay tributes to Crete and the ending of that is present", "you saw [Lindsay Ellis' Loose Canon episode on Hades](https://youtu.be/kmcV90cya1Y) you know what I'm", "to. I mean, greek myth is filled with sex, infidelity, rape, bestiality... and", "can't catch a break. Also, there was that time when Xebe began killing", "character? I understand that myths also have cultural backgrounds and are still stories", "concrete example of my problem: I had a story idea in mind. You", "and its context, but not the underlying symbolism. So, in the case of", "myth and also abiding by my own [Hays Code](https://en.wikipedia.org/wiki/Motion_Picture_Production_Code). I want to preserve", "episodes. Now, I can actually argue in other works using greek myth that", "filled with sex, infidelity, rape, bestiality... and gays. Taking all of that away", "mythology that clearly operated under a different one. To be fair, these modern", "these modern values are mostly exclusive for Xebe. 2. Poor Hades can't catch", "Hays code, assuming they go unpunished. Here's a more concrete example of my", "apply modern values to age and mythology that clearly operated under a different", "and actually enjoyed it, despite its hamminess, Xebe: Warrior Princess. Now, I'm not", "catch a break. Also, there was that time when Xebe began killing off", "that time when Xebe began killing off gods to pave the path for", "Following my sword and sorcery questions, I remembered I actually used to watch", "love\"... thank Dawkins I didn't see those episodes. Now, I can actually argue", "and integrate them into its hive mind of stupid until the original thing", "isn't that cute? Wouldn't it make more sense for him to be, you", "story thrown into the bin, IMHO. This will happen almost every time I", "thrown into the bin, IMHO. This will happen almost every time I change", "are inevitable if I want to follow through with my code, but I", "white bull, from which born the minotaur. Now, according to what I read,", "myths also have cultural backgrounds and are still stories in the end. When", "\"War on Christmas\". I want to avoid that as much as possible. The", "didn't see those episodes. Now, I can actually argue in other works using", "immediately thrown into the labyrinth only after it began having an appetite for", "mean, the minotaur's original name, Asterius, means star; isn't that cute? Wouldn't it", "a white bull he had to sacrifice to him, blah blah, he didn't", "she is more of a Miry Kae, plus she's usually the one who", "are mostly exclusive for Xebe. 2. Poor Hades can't catch a break. Also,", "I can actually argue in other works using greek myth that those two", "most definitely counts. So, Theseus now can't kill him, a rather big part", "I change small things, yet for that brief initial part, it feels like", "symbolism. So, in the case of this one, Athens having to pay tributes", "an appetite for human flesh. All I have to add is making Poseidon", "into the bin, IMHO. This will happen almost every time I change small", "I mean, greek myth is filled with sex, infidelity, rape, bestiality... and gays.", "boom: Suddenly, Asterius becomes much more sympathetic and tragic. However, this also means", "can actually argue in other works using greek myth that those two issues", "right? Basically, there was this Minos guy and blah blah, Poseidon gave Minos", "one. To be fair, these modern values are mostly exclusive for Xebe. 2.", "control. The curse of a god, done clearly to punish a relative of", "guy and blah blah, Poseidon gave Minos a white bull he had to", "go unpunished. Here's a more concrete example of my problem: I had a", "blah blah, he didn't so Poseidon made his wife have ..... with that", "confused/conflated with Satan because he resides in the underworld and as you know,", "of that is present as a part of the story, not what the", "of a Miry Kae, plus she's usually the one who tries to go", "(the show) also suffers because of that. 1. The show tries to apply", "making Poseidon responsible for that change in diet and boom: Suddenly, Asterius becomes", "also suffers because of that. 1. The show tries to apply modern values", "really loves to infect everything and integrate them into its hive mind of", "minotaur's original name, Asterius, means star; isn't that cute? Wouldn't it make more", "greek myth that those two issues are the same. If you saw [Lindsay", "values to age and mythology that clearly operated under a different one. To", "idea in mind. You are familiar with the story of the Minotaur, right?", "and also abiding by my own [Hays Code](https://en.wikipedia.org/wiki/Motion_Picture_Production_Code). I want to preserve the", "that is present as a part of the story, not what the story", "for things beyond their control. The curse of a god, done clearly to", "pacifist route with her recurring enemy being Oros, the OG god of war.", "there was that time when Xebe began killing off gods to pave the", "Minos a white bull he had to sacrifice to him, blah blah, he", "means star; isn't that cute? Wouldn't it make more sense for him to", "to Crete and the ending of that is present as a part of", "on Christmas\". I want to avoid that as much as possible. The problem", "sword and sorcery questions, I remembered I actually used to watch one and", "original thing is lost, so much for the \"War on Christmas\". I want", "that cute? Wouldn't it make more sense for him to be, you know,", "the minotaur wasn't immediately thrown into the labyrinth only after it began having", "what the story symbolizes. This is an \"I want to eat the cake", "tributes to Crete and the ending of that is present as a part", "want to preserve the myth because it feels disingenuous not to. I mean,", "the individual, most definitely counts. So, Theseus now can't kill him, a rather", "inevitable if I want to follow through with my code, but I still", "diet and boom: Suddenly, Asterius becomes much more sympathetic and tragic. However, this", "still want to keep as much of their \"identity\" as possible. How should", "things, yet for that brief initial part, it feels like poetry. I mean,", "the one who tries to go the pacifist route with her recurring enemy", "to punish a relative of the individual, most definitely counts. So, Theseus now", "assuming they go unpunished. Here's a more concrete example of my problem: I", "yet for that brief initial part, it feels like poetry. I mean, the", "like poetry. I mean, the minotaur's original name, Asterius, means star; isn't that", "more concrete example of my problem: I had a story idea in mind.", "savages (because I can't make mistakes, ya know) as she is more of", "into the labyrinth only after it began having an appetite for human flesh.", "gave Minos a white bull he had to sacrifice to him, blah blah,", "only after it began having an appetite for human flesh. All I have", "to preserve the myth because it feels disingenuous not to. I mean, greek", "definitely counts. So, Theseus now can't kill him, a rather big part of", "still have it\" type of problem. Changes to the myths are inevitable if", "Also, there was that time when Xebe began killing off gods to pave", "to follow through with my code, but I still want to keep as", "into its hive mind of stupid until the original thing is lost, so", "exclusive for Xebe. 2. Poor Hades can't catch a break. Also, there was", "sympathetic and tragic. However, this also means that he is now protected under", "Poseidon responsible for that change in diet and boom: Suddenly, Asterius becomes much", "stupid until the original thing is lost, so much for the \"War on", "keep as much of their \"identity\" as possible. How should I do that?", "have cultural backgrounds and are still stories in the end. When I talk", "other works using greek myth that those two issues are the same. If", "identity, I mean the story itself and its context, but not the underlying", "questions, I remembered I actually used to watch one and actually enjoyed it,", "almost every time I change small things, yet for that brief initial part,", "add is making Poseidon responsible for that change in diet and boom: Suddenly,", "Basically, there was this Minos guy and blah blah, Poseidon gave Minos a", "its hamminess, Xebe: Warrior Princess. Now, I'm not gonna say I was wrong", "born the minotaur. Now, according to what I read, the minotaur wasn't immediately", "the \"original\" myth and also abiding by my own [Hays Code](https://en.wikipedia.org/wiki/Motion_Picture_Production_Code). I want", "problem. Changes to the myths are inevitable if I want to follow through", "Minotaur, right? Basically, there was this Minos guy and blah blah, Poseidon gave", "that he is now protected under my code, which strictly prohibits punishing characters", "not gonna say I was wrong about noble savages (because I can't make", "because he resides in the underworld and as you know, Christianity really loves", "to avoid that as much as possible. The problem is with keeping the", "the pacifist route with her recurring enemy being Oros, the OG god of", "read, the minotaur wasn't immediately thrown into the labyrinth only after it began", "However, this also means that he is now protected under my code, which", "a god, done clearly to punish a relative of the individual, most definitely", "actually argue in other works using greek myth that those two issues are", "the path for the \"god of love\"... thank Dawkins I didn't see those", "counts. So, Theseus now can't kill him, a rather big part of the", "on Hades](https://youtu.be/kmcV90cya1Y) you know what I'm talking about. Hades is often confused/conflated with", "when Xebe began killing off gods to pave the path for the \"god", "of stupid until the original thing is lost, so much for the \"War", "resides in the underworld and as you know, Christianity really loves to infect", "mean, greek myth is filled with sex, infidelity, rape, bestiality... and gays. Taking", "flesh. All I have to add is making Poseidon responsible for that change", "ending of that is present as a part of the story, not what", "show) also suffers because of that. 1. The show tries to apply modern", "to watch one and actually enjoyed it, despite its hamminess, Xebe: Warrior Princess.", "watch one and actually enjoyed it, despite its hamminess, Xebe: Warrior Princess. Now,", "beyond their control. The curse of a god, done clearly to punish a", "for that change in diet and boom: Suddenly, Asterius becomes much more sympathetic", "part, it feels like poetry. I mean, the minotaur's original name, Asterius, means", "saw [Lindsay Ellis' Loose Canon episode on Hades](https://youtu.be/kmcV90cya1Y) you know what I'm talking", "the labyrinth only after it began having an appetite for human flesh. All", "wasn't immediately thrown into the labyrinth only after it began having an appetite", "still stories in the end. When I talk about identity, I mean the", "eat the cake but still have it\" type of problem. Changes to the", "When I talk about identity, I mean the story itself and its context,", "after it began having an appetite for human flesh. All I have to", "rape, bestiality... and gays. Taking all of that away kills its \"essence\". However,", "Satan because he resides in the underworld and as you know, Christianity really", "there was this Minos guy and blah blah, Poseidon gave Minos a white", "follow through with my code, but I still want to keep as much", "him, blah blah, he didn't so Poseidon made his wife have ..... with", "by my own [Hays Code](https://en.wikipedia.org/wiki/Motion_Picture_Production_Code). I want to preserve the myth because it", "want to eat the cake but still have it\" type of problem. Changes", "example of my problem: I had a story idea in mind. You are", "\"god of love\"... thank Dawkins I didn't see those episodes. Now, I can", "argue in other works using greek myth that those two issues are the", "with the story of the Minotaur, right? Basically, there was this Minos guy", "means that he is now protected under my code, which strictly prohibits punishing", "appetite for human flesh. All I have to add is making Poseidon responsible", "Hades is often confused/conflated with Satan because he resides in the underworld and", "but I still want to keep as much of their \"identity\" as possible.", "a different one. To be fair, these modern values are mostly exclusive for", "to eat the cake but still have it\" type of problem. Changes to", "myth is filled with sex, infidelity, rape, bestiality... and gays. Taking all of", "the ending of that is present as a part of the story, not", "I want to follow through with my code, but I still want to", "make mistakes, ya know) as she is more of a Miry Kae, plus", "I actually used to watch one and actually enjoyed it, despite its hamminess,", "the \"god of love\"... thank Dawkins I didn't see those episodes. Now, I", "Code](https://en.wikipedia.org/wiki/Motion_Picture_Production_Code). I want to preserve the myth because it feels disingenuous not to.", "is an \"I want to eat the cake but still have it\" type", "Crete and the ending of that is present as a part of the", "Xebe. 2. Poor Hades can't catch a break. Also, there was that time", "as she is more of a Miry Kae, plus she's usually the one", "those episodes. Now, I can actually argue in other works using greek myth", "Poseidon made his wife have ..... with that white bull, from which born", "star; isn't that cute? Wouldn't it make more sense for him to be,", "story itself and its context, but not the underlying symbolism. So, in the", "killing off gods to pave the path for the \"god of love\"... thank", "didn't so Poseidon made his wife have ..... with that white bull, from", "god of war. However, Xebe (the show) also suffers because of that. 1.", "that as much as possible. The problem is with keeping the \"original\" myth", "one who tries to go the pacifist route with her recurring enemy being", "the story of the Minotaur, right? Basically, there was this Minos guy and", "Taking all of that away kills its \"essence\". However, most of that stuff", "know) as she is more of a Miry Kae, plus she's usually the", "is filled with sex, infidelity, rape, bestiality... and gays. Taking all of that", "blah, Poseidon gave Minos a white bull he had to sacrifice to him,", "curse of a god, done clearly to punish a relative of the individual,", "Theseus now can't kill him, a rather big part of the story thrown", "can't make mistakes, ya know) as she is more of a Miry Kae,", "rather big part of the story thrown into the bin, IMHO. This will", "problem is with keeping the \"original\" myth and also abiding by my own", "cultural backgrounds and are still stories in the end. When I talk about", "the end. When I talk about identity, I mean the story itself and", "if I want to follow through with my code, but I still want", "my problem: I had a story idea in mind. You are familiar with", "with sex, infidelity, rape, bestiality... and gays. Taking all of that away kills", "this Minos guy and blah blah, Poseidon gave Minos a white bull he", "god, done clearly to punish a relative of the individual, most definitely counts.", "to be, you know, a tragic character? I understand that myths also have", "recurring enemy being Oros, the OG god of war. However, Xebe (the show)", "mind of stupid until the original thing is lost, so much for the", "code, which strictly prohibits punishing characters for things beyond their control. The curse", "the bin, IMHO. This will happen almost every time I change small things,", "myths are inevitable if I want to follow through with my code, but", "is with keeping the \"original\" myth and also abiding by my own [Hays", "Asterius, means star; isn't that cute? Wouldn't it make more sense for him", "Suddenly, Asterius becomes much more sympathetic and tragic. However, this also means that", "not what the story symbolizes. This is an \"I want to eat the", "mostly exclusive for Xebe. 2. Poor Hades can't catch a break. Also, there", "usually the one who tries to go the pacifist route with her recurring", "So, in the case of this one, Athens having to pay tributes to", "according to what I read, the minotaur wasn't immediately thrown into the labyrinth", "to age and mythology that clearly operated under a different one. To be", "it feels disingenuous not to. I mean, greek myth is filled with sex,", "of my problem: I had a story idea in mind. You are familiar", "have it\" type of problem. Changes to the myths are inevitable if I", "works using greek myth that those two issues are the same. If you", "Minos guy and blah blah, Poseidon gave Minos a white bull he had", "Poor Hades can't catch a break. Also, there was that time when Xebe", "you know what I'm talking about. Hades is often confused/conflated with Satan because", "operated under a different one. To be fair, these modern values are mostly", "punishing characters for things beyond their control. The curse of a god, done", "also means that he is now protected under my code, which strictly prohibits", "and gays. Taking all of that away kills its \"essence\". However, most of", "which strictly prohibits punishing characters for things beyond their control. The curse of", "much as possible. The problem is with keeping the \"original\" myth and also", "him, a rather big part of the story thrown into the bin, IMHO.", "episode on Hades](https://youtu.be/kmcV90cya1Y) you know what I'm talking about. Hades is often confused/conflated", "with Satan because he resides in the underworld and as you know, Christianity", "code, assuming they go unpunished. Here's a more concrete example of my problem:", "the story itself and its context, but not the underlying symbolism. So, in", "gods to pave the path for the \"god of love\"... thank Dawkins I", "kill him, a rather big part of the story thrown into the bin,", "about noble savages (because I can't make mistakes, ya know) as she is", "that stuff is violating my Hays code, assuming they go unpunished. Here's a", "understand that myths also have cultural backgrounds and are still stories in the", "of this one, Athens having to pay tributes to Crete and the ending", "wrong about noble savages (because I can't make mistakes, ya know) as she", "[Lindsay Ellis' Loose Canon episode on Hades](https://youtu.be/kmcV90cya1Y) you know what I'm talking about.", "Xebe: Warrior Princess. Now, I'm not gonna say I was wrong about noble", "to apply modern values to age and mythology that clearly operated under a", "lost, so much for the \"War on Christmas\". I want to avoid that", "his wife have ..... with that white bull, from which born the minotaur.", "protected under my code, which strictly prohibits punishing characters for things beyond their", "sex, infidelity, rape, bestiality... and gays. Taking all of that away kills its", "Oros, the OG god of war. However, Xebe (the show) also suffers because", "not to. I mean, greek myth is filled with sex, infidelity, rape, bestiality...", "a Miry Kae, plus she's usually the one who tries to go the", "punish a relative of the individual, most definitely counts. So, Theseus now can't", "poetry. I mean, the minotaur's original name, Asterius, means star; isn't that cute?", "labyrinth only after it began having an appetite for human flesh. All I", "is often confused/conflated with Satan because he resides in the underworld and as", "also have cultural backgrounds and are still stories in the end. When I", "he had to sacrifice to him, blah blah, he didn't so Poseidon made", "time I change small things, yet for that brief initial part, it feels", "same. If you saw [Lindsay Ellis' Loose Canon episode on Hades](https://youtu.be/kmcV90cya1Y) you know", "in mind. You are familiar with the story of the Minotaur, right? Basically,", "to pay tributes to Crete and the ending of that is present as", "Now, I'm not gonna say I was wrong about noble savages (because I", "Ellis' Loose Canon episode on Hades](https://youtu.be/kmcV90cya1Y) you know what I'm talking about. Hades", "began killing off gods to pave the path for the \"god of love\"...", "was that time when Xebe began killing off gods to pave the path", "are still stories in the end. When I talk about identity, I mean", "context, but not the underlying symbolism. So, in the case of this one,", "under my code, which strictly prohibits punishing characters for things beyond their control.", "itself and its context, but not the underlying symbolism. So, in the case", "the story symbolizes. This is an \"I want to eat the cake but", "it\" type of problem. Changes to the myths are inevitable if I want", "to go the pacifist route with her recurring enemy being Oros, the OG", "will happen almost every time I change small things, yet for that brief", "him to be, you know, a tragic character? I understand that myths also", "case of this one, Athens having to pay tributes to Crete and the", "the underworld and as you know, Christianity really loves to infect everything and", "Hades](https://youtu.be/kmcV90cya1Y) you know what I'm talking about. Hades is often confused/conflated with Satan", "is making Poseidon responsible for that change in diet and boom: Suddenly, Asterius", "be, you know, a tragic character? I understand that myths also have cultural", "end. When I talk about identity, I mean the story itself and its", "stuff is violating my Hays code, assuming they go unpunished. Here's a more", "Christmas\". I want to avoid that as much as possible. The problem is", "away kills its \"essence\". However, most of that stuff is violating my Hays", "values are mostly exclusive for Xebe. 2. Poor Hades can't catch a break.", "change small things, yet for that brief initial part, it feels like poetry.", "original name, Asterius, means star; isn't that cute? Wouldn't it make more sense", "of the Minotaur, right? Basically, there was this Minos guy and blah blah," ]
[ "if this could work, as Im an aspiring writer and i'm looking for", "an aspiring writer and i'm looking for a way to make my book", "Im an aspiring writer and i'm looking for a way to make my", "exposition of my characters background,In a dream sequence could I use third person", "a dream sequence could I use third person POV? Just wondering if this", "POV? Just wondering if this could work, as Im an aspiring writer and", "use third person POV? Just wondering if this could work, as Im an", "background,In a dream sequence could I use third person POV? Just wondering if", "this could work, as Im an aspiring writer and i'm looking for a", "could I use third person POV? Just wondering if this could work, as", "As a way to show exposition of my characters background,In a dream sequence", "a way to show exposition of my characters background,In a dream sequence could", "of my characters background,In a dream sequence could I use third person POV?", "characters background,In a dream sequence could I use third person POV? Just wondering", "could work, as Im an aspiring writer and i'm looking for a way", "third person POV? Just wondering if this could work, as Im an aspiring", "my characters background,In a dream sequence could I use third person POV? Just", "as Im an aspiring writer and i'm looking for a way to make", "Just wondering if this could work, as Im an aspiring writer and i'm", "sequence could I use third person POV? Just wondering if this could work,", "wondering if this could work, as Im an aspiring writer and i'm looking", "dream sequence could I use third person POV? Just wondering if this could", "way to show exposition of my characters background,In a dream sequence could I", "aspiring writer and i'm looking for a way to make my book unique.", "to show exposition of my characters background,In a dream sequence could I use", "show exposition of my characters background,In a dream sequence could I use third", "person POV? Just wondering if this could work, as Im an aspiring writer", "I use third person POV? Just wondering if this could work, as Im", "work, as Im an aspiring writer and i'm looking for a way to" ]
[ "I know I can say: > > I'm proud of many small and", "> Middle Eastern female, I’m very proud of. > > > I know", "proud of many small and big changes that I made in my life.", "preposition at the end of sentence? In the context of writing a statement", "made many small and big improvements in my life that as a >", "very proud of. > > > I know I can say: > >", "for the following sentence: > > I have made many small and big", "have a preposition at the end of sentence? In the context of writing", "it doesn't have the feeling that I like. Is there any other way", "of sentence? In the context of writing a statement of purpose, I cannot", "I like. Is there any other way to say it correctly with the", "I’m very proud of. > > > I know I can say: >", "> > I have made many small and big improvements in my life", "can say: > > I'm proud of many small and big changes that", "of. > > > I know I can say: > > I'm proud", "> > I'm proud of many small and big changes that I made", "any substitute for the following sentence: > > I have made many small", "in my life. > > > But it doesn't have the feeling that", "> I know I can say: > > I'm proud of many small", "improvements in my life that as a > Middle Eastern female, I’m very", "statement of purpose, I cannot of any substitute for the following sentence: >", "the feeling that I like. Is there any other way to say it", "my life that as a > Middle Eastern female, I’m very proud of.", "Middle Eastern female, I’m very proud of. > > > I know I", "of many small and big changes that I made in my life. >", "that as a > Middle Eastern female, I’m very proud of. > >", "that I made in my life. > > > But it doesn't have", "Is it wrong to have a preposition at the end of sentence? In", "many small and big changes that I made in my life. > >", "> > But it doesn't have the feeling that I like. Is there", "Is there any other way to say it correctly with the same strong", "a > Middle Eastern female, I’m very proud of. > > > I", "and big changes that I made in my life. > > > But", "the following sentence: > > I have made many small and big improvements", "life that as a > Middle Eastern female, I’m very proud of. >", "and big improvements in my life that as a > Middle Eastern female,", "of writing a statement of purpose, I cannot of any substitute for the", "Eastern female, I’m very proud of. > > > I know I can", "> I have made many small and big improvements in my life that", "cannot of any substitute for the following sentence: > > I have made", "my life. > > > But it doesn't have the feeling that I", "a statement of purpose, I cannot of any substitute for the following sentence:", "to have a preposition at the end of sentence? In the context of", "that I like. Is there any other way to say it correctly with", "purpose, I cannot of any substitute for the following sentence: > > I", "> > > But it doesn't have the feeling that I like. Is", "I'm proud of many small and big changes that I made in my", "I have made many small and big improvements in my life that as", "have the feeling that I like. Is there any other way to say", "I made in my life. > > > But it doesn't have the", "I can say: > > I'm proud of many small and big changes", "In the context of writing a statement of purpose, I cannot of any", "there any other way to say it correctly with the same strong feeling?", "big improvements in my life that as a > Middle Eastern female, I’m", "the context of writing a statement of purpose, I cannot of any substitute", "made in my life. > > > But it doesn't have the feeling", "end of sentence? In the context of writing a statement of purpose, I", "proud of. > > > I know I can say: > > I'm", "small and big improvements in my life that as a > Middle Eastern", "> But it doesn't have the feeling that I like. Is there any", "changes that I made in my life. > > > But it doesn't", "many small and big improvements in my life that as a > Middle", "> > > I know I can say: > > I'm proud of", "sentence? In the context of writing a statement of purpose, I cannot of", "life. > > > But it doesn't have the feeling that I like.", "feeling that I like. Is there any other way to say it correctly", "as a > Middle Eastern female, I’m very proud of. > > >", "know I can say: > > I'm proud of many small and big", "of purpose, I cannot of any substitute for the following sentence: > >", "the end of sentence? In the context of writing a statement of purpose,", "of any substitute for the following sentence: > > I have made many", "say: > > I'm proud of many small and big changes that I", "> > I know I can say: > > I'm proud of many", "following sentence: > > I have made many small and big improvements in", "context of writing a statement of purpose, I cannot of any substitute for", "> I'm proud of many small and big changes that I made in", "female, I’m very proud of. > > > I know I can say:", "big changes that I made in my life. > > > But it", "at the end of sentence? In the context of writing a statement of", "writing a statement of purpose, I cannot of any substitute for the following", "I cannot of any substitute for the following sentence: > > I have", "small and big changes that I made in my life. > > >", "substitute for the following sentence: > > I have made many small and", "sentence: > > I have made many small and big improvements in my", "have made many small and big improvements in my life that as a", "wrong to have a preposition at the end of sentence? In the context", "a preposition at the end of sentence? In the context of writing a", "But it doesn't have the feeling that I like. Is there any other", "in my life that as a > Middle Eastern female, I’m very proud", "like. Is there any other way to say it correctly with the same", "it wrong to have a preposition at the end of sentence? In the", "doesn't have the feeling that I like. Is there any other way to" ]
[ "of the relationship between the two characters and to a lesser degree their", "fantasy is hard to define and arbitrary even compared to most literary genres.", "romance is key to the story, there's very little of the typical \"they", "to define and arbitrary even compared to most literary genres. As other people", "with supernatural elements in a recognizably modern setting. However, while I thought I", "a very bad paranormal romance.** I understand that categorizing works of fiction into", "be an urban fantasy, with supernatural elements in a recognizably modern setting. However,", "is often arbitrary even at the best of times. I also understand that", "a number of individual character arcs and subplots that have nothing to do", "is urban fantasy; if it is a half-naked man, it is paranormal romance”.", "going through being akin to the trials and tribulations of a normal relationship", "story of the relationship between the two characters and to a lesser degree", "and friends. There are also a number of individual character arcs and subplots", "on things like platonic friendships and mentorhood. The romance is not treated as", "and arbitrary even compared to most literary genres. As other people have said", "relationship albeit with a fantastic twist. E.g., a superhero going through a midlife", "the story of the relationship between the two characters and to a lesser", "the story seems to share a lot of elements with a paranormal romance", "being a werewolf alpha. As a result, *I have no idea if what", "romance\" side it won't be of interest to the target audience and I", "heroine torn between \"career versus family\" except \"career\" in this case is being", "get the characters to shack up\" typical of paranormal romance. I suppose a", "I am writing is a very good urban fantasy story, or a very", "to the trials and tribulations of a normal relationship albeit with a fantastic", "the events the characters are going through being akin to the trials and", "the overarching meta-plot is definitely the story of the relationship between the two", "very little of the typical \"they love me, they love me not\" and", "romance. However, while the romance is key to the story, there's very little", "characters to shack up\" typical of paranormal romance. I suppose a comparable analogy", "is if a story has a half-naked woman* on the cover, it is", "thought I was writing a rather straightforward urban fantasy story, it’s become apparent", "virtually absent unless they further character development. I've heard it said if you", "romance. I suppose a comparable analogy would be The Incredibles compared to your", "something like Twilight), but is used to further the non-romantic themes of the", "two star-crossed lovers from different supernatural factions, so it is difficult to say", "very bad paranormal romance.** I understand that categorizing works of fiction into genres", "of fiction into genres is often arbitrary even at the best of times.", "a paranormal romance. However, while the romance is key to the story, there's", "to shack up\" typical of paranormal romance. I suppose a comparable analogy would", "non-romantic plot points are directly tied together. The individual story arcs are primarily", "is paranormal romance”. But I'm concerned if it falls too far on the", "the A plot is the romance, the feud between the factions, or both.", "the story and it still works it's not a paranormal romance. However, while", "and there’s always this undercurrent of the events the characters are going through", "E.g., a superhero going through a midlife crisis, or a heroine torn between", "also understand that the boundary between paranormal romance and urban fantasy is hard", "plot points are directly tied together. The individual story arcs are primarily driven", "between the two main characters is treated as a key part of the", "as well. The story revolves around two star-crossed lovers from different supernatural factions,", "it is urban fantasy; if it is a half-naked man, it is paranormal", "have been writing a story that for a long time I considered to", "has a half-naked woman on the cover, it is urban fantasy; if it", "exist to get the characters to shack up\" typical of paranormal romance. I", "fiction into genres is often arbitrary even at the best of times. I", "things like platonic friendships and mentorhood. The romance is not treated as a", "even compared to most literary genres. As other people have said before “the", "plot is the romance, the feud between the factions, or both. The romantic", "fantasy, with supernatural elements in a recognizably modern setting. However, while I thought", "setting. However, while I thought I was writing a rather straightforward urban fantasy", "respective genre, the relationship between the two main characters is treated as a", "being akin to the trials and tribulations of a normal relationship albeit with", "to do with romance, but focus on things like platonic friendships and mentorhood.", "the characters are going through being akin to the trials and tribulations of", "as a steamy, wish-fulfillment fantasy (contra something like Twilight), but is used to", "half-naked woman on the cover, it is urban fantasy; if it is a", "lesser degree their relationships with family and friends. There are also a number", "too far on the \"paranormal romance\" side it won't be of interest to", "and non-romantic plot points are directly tied together. The individual story arcs are", "part of the plot rather than a subplot, and there’s always this undercurrent", "or both. The romantic and non-romantic plot points are directly tied together. The", "a rather straightforward urban fantasy story, it’s become apparent that the story seems", "human condition. There is no erotica, and cutesy romantic gestures that you would", "normal relationship albeit with a fantastic twist. E.g., a superhero going through a", "crisis, or a heroine torn between \"career versus family\" except \"career\" in this", "while I thought I was writing a rather straightforward urban fantasy story, it’s", "conflict but the overarching meta-plot is definitely the story of the relationship between", "a comparable analogy would be The Incredibles compared to your standard superhero fare.", "fantasy (contra something like Twilight), but is used to further the non-romantic themes", "up\" typical of paranormal romance. I suppose a comparable analogy would be The", "paranormal romance and urban fantasy is hard to define and arbitrary even compared", "shack up\" typical of paranormal romance. I suppose a comparable analogy would be", "characters is treated as a key part of the plot rather than a", "woman* on the cover, it is urban fantasy; if it is a half-naked", "development. I've heard it said if you can remove the romance from the", "of elements with a paranormal romance as well. The story revolves around two", "about the human condition. There is no erotica, and cutesy romantic gestures that", "at the best of times. I also understand that the boundary between paranormal", "of individual character arcs and subplots that have nothing to do with romance,", "a story that for a long time I considered to be an urban", "with romance, but focus on things like platonic friendships and mentorhood. The romance", "a superhero going through a midlife crisis, or a heroine torn between \"career", "treated as a steamy, wish-fulfillment fantasy (contra something like Twilight), but is used", "but is used to further the non-romantic themes of the novel about the", "superhero going through a midlife crisis, or a heroine torn between \"career versus", "won't be of interest to the target audience and I need to course-correct.", "it is paranormal romance”. But I'm concerned if it falls too far on", "rather than a subplot, and there’s always this undercurrent of the events the", "characters and to a lesser degree their relationships with family and friends. There", "romance.** I understand that categorizing works of fiction into genres is often arbitrary", "romance is not treated as a steamy, wish-fulfillment fantasy (contra something like Twilight),", "a half-naked man, it is paranormal romance”. But I'm concerned if it falls", "a romance novel are virtually absent unless they further character development. I've heard", "the feud between the factions, or both. The romantic and non-romantic plot points", "that categorizing works of fiction into genres is often arbitrary even at the", "literary genres. As other people have said before “the only difference between the", "compared to most literary genres. As other people have said before “the only", "plot rather than a subplot, and there’s always this undercurrent of the events", "(contra something like Twilight), but is used to further the non-romantic themes of", "and subplots that have nothing to do with romance, but focus on things", "I'm concerned if it falls too far on the \"paranormal romance\" side it", "of paranormal romance. I suppose a comparable analogy would be The Incredibles compared", "different supernatural factions, so it is difficult to say whether the A plot", "compared to your standard superhero fare. In contrast to most entries in their", "they love me not\" and \"supernatural phenomena merely exist to get the characters", "also a number of individual character arcs and subplots that have nothing to", "considered to be an urban fantasy, with supernatural elements in a recognizably modern", "urban fantasy story, or a very bad paranormal romance. I understand that categorizing", "two characters and to a lesser degree their relationships with family and friends.", "is the romance, the feud between the factions, or both. The romantic and", "gestures that you would expect in a romance novel are virtually absent unless", "the romance is key to the story, there's very little of the typical", "straightforward urban fantasy story, it’s become apparent that the story seems to share", "with a paranormal romance as well. The story revolves around two star-crossed lovers", "is a very good urban fantasy story, or a very bad paranormal romance.", "case is being a werewolf alpha. As a result, *I have no idea", "and to a lesser degree their relationships with family and friends. There are", "other people have said before “the only difference between the two is if", "it won't be of interest to the target audience and I need to", "that the story seems to share a lot of elements with a paranormal", "story revolves around two star-crossed lovers from different supernatural factions, so it is", "become apparent that the story seems to share a lot of elements with", "romance as well. The story revolves around two star-crossed lovers from different supernatural", "it falls too far on the \"paranormal romance\" side it won't be of", "not treated as a steamy, wish-fulfillment fantasy (contra something like Twilight), but is", "main characters is treated as a key part of the plot rather than", "a result, I have no idea if what I am writing is a", "do with romance, but focus on things like platonic friendships and mentorhood. The", "arcs and subplots that have nothing to do with romance, but focus on", "primarily driven by non-romantic conflict but the overarching meta-plot is definitely the story", "a steamy, wish-fulfillment fantasy (contra something like Twilight), but is used to further", "family and friends. There are also a number of individual character arcs and", "there's very little of the typical \"they love me, they love me not\"", "whether the A plot is the romance, the feud between the factions, or", "lovers from different supernatural factions, so it is difficult to say whether the", "is not treated as a steamy, wish-fulfillment fantasy (contra something like Twilight), but", "the romance, the feud between the factions, or both. The romantic and non-romantic", "as a key part of the plot rather than a subplot, and there’s", "bad paranormal romance.* I understand that categorizing works of fiction into genres is", "events the characters are going through being akin to the trials and tribulations", "factions, or both. The romantic and non-romantic plot points are directly tied together.", "subplots that have nothing to do with romance, but focus on things like", "the romance from the story and it still works it's not a paranormal", "is used to further the non-romantic themes of the novel about the human", "best of times. I also understand that the boundary between paranormal romance and", "relationships with family and friends. There are also a number of individual character", "time I considered to be an urban fantasy, with supernatural elements in a", "comparable analogy would be The Incredibles compared to your standard superhero fare. In", "characters are going through being akin to the trials and tribulations of a", "I also understand that the boundary between paranormal romance and urban fantasy is", "mentorhood. The romance is not treated as a steamy, wish-fulfillment fantasy (contra something", "through being akin to the trials and tribulations of a normal relationship albeit", "romance, but focus on things like platonic friendships and mentorhood. The romance is", "However, while the romance is key to the story, there's very little of", "writing is a very good urban fantasy story, or a very bad paranormal", "superhero fare. In contrast to most entries in their respective genre, the relationship", "by non-romantic conflict but the overarching meta-plot is definitely the story of the", "the boundary between paranormal romance and urban fantasy is hard to define and", "categorizing works of fiction into genres is often arbitrary even at the best", "they further character development. I've heard it said if you can remove the", "on the cover, it is urban fantasy; if it is a half-naked man,", "is difficult to say whether the A plot is the romance, the feud", "A plot is the romance, the feud between the factions, or both. The", "most literary genres. As other people have said before “the only difference between", "between paranormal romance and urban fantasy is hard to define and arbitrary even", "romantic and non-romantic plot points are directly tied together. The individual story arcs", "further character development. I've heard it said if you can remove the romance", "rather straightforward urban fantasy story, it’s become apparent that the story seems to", "The romantic and non-romantic plot points are directly tied together. The individual story", "say whether the A plot is the romance, the feud between the factions,", "far on the \"paranormal romance\" side it won't be of interest to the", "the relationship between the two characters and to a lesser degree their relationships", "than a subplot, and there’s always this undercurrent of the events the characters", "little of the typical \"they love me, they love me not\" and \"supernatural", "twist. E.g., a superhero going through a midlife crisis, or a heroine torn", "typical of paranormal romance. I suppose a comparable analogy would be The Incredibles", "condition. There is no erotica, and cutesy romantic gestures that you would expect", "and tribulations of a normal relationship albeit with a fantastic twist. E.g., a", "a normal relationship albeit with a fantastic twist. E.g., a superhero going through", "if it falls too far on the \"paranormal romance\" side it won't be", "the cover, it is urban fantasy; if it is a half-naked man, it", "man, it is paranormal romance”. But I'm concerned if it falls too far", "that the boundary between paranormal romance and urban fantasy is hard to define", "star-crossed lovers from different supernatural factions, so it is difficult to say whether", "times. I also understand that the boundary between paranormal romance and urban fantasy", "to get the characters to shack up\" typical of paranormal romance. I suppose", "story arcs are primarily driven by non-romantic conflict but the overarching meta-plot is", "to a lesser degree their relationships with family and friends. There are also", "relationship between the two main characters is treated as a key part of", "overarching meta-plot is definitely the story of the relationship between the two characters", "feud between the factions, or both. The romantic and non-romantic plot points are", "definitely the story of the relationship between the two characters and to a", "\"paranormal romance\" side it won't be of interest to the target audience and", "if a story has a half-naked woman on the cover, it is urban", "paranormal romance. I suppose a comparable analogy would be The Incredibles compared to", "novel about the human condition. There is no erotica, and cutesy romantic gestures", "what I am writing is a very good urban fantasy story, or a", "a midlife crisis, or a heroine torn between \"career versus family\" except \"career\"", "half-naked man, it is paranormal romance”. But I'm concerned if it falls too", "be The Incredibles compared to your standard superhero fare. In contrast to most", "the human condition. There is no erotica, and cutesy romantic gestures that you", "standard superhero fare. In contrast to most entries in their respective genre, the", "directly tied together. The individual story arcs are primarily driven by non-romantic conflict", "driven by non-romantic conflict but the overarching meta-plot is definitely the story of", "tied together. The individual story arcs are primarily driven by non-romantic conflict but", "merely exist to get the characters to shack up\" typical of paranormal romance.", "me, they love me not\" and \"supernatural phenomena merely exist to get the", "degree their relationships with family and friends. There are also a number of", "supernatural elements in a recognizably modern setting. However, while I thought I was", "two is if a story has a half-naked woman on the cover, it", "The Incredibles compared to your standard superhero fare. In contrast to most entries", "I considered to be an urban fantasy, with supernatural elements in a recognizably", "there’s always this undercurrent of the events the characters are going through being", "a lesser degree their relationships with family and friends. There are also a", "boundary between paranormal romance and urban fantasy is hard to define and arbitrary", "key to the story, there's very little of the typical \"they love me,", "like platonic friendships and mentorhood. The romance is not treated as a steamy,", "love me not\" and \"supernatural phenomena merely exist to get the characters to", "nothing to do with romance, but focus on things like platonic friendships and", "only difference between the two is if a story has a half-naked woman", "is being a werewolf alpha. As a result, *I have no idea if", "a fantastic twist. E.g., a superhero going through a midlife crisis, or a", "not a paranormal romance. However, while the romance is key to the story,", "to share a lot of elements with a paranormal romance as well. The", "can remove the romance from the story and it still works it's not", "focus on things like platonic friendships and mentorhood. The romance is not treated", "together. The individual story arcs are primarily driven by non-romantic conflict but the", "like Twilight), but is used to further the non-romantic themes of the novel", "a very good urban fantasy story, or a very bad paranormal romance.* I", "works it's not a paranormal romance. However, while the romance is key to", "key part of the plot rather than a subplot, and there’s always this", "steamy, wish-fulfillment fantasy (contra something like Twilight), but is used to further the", "is treated as a key part of the plot rather than a subplot,", "versus family\" except \"career\" in this case is being a werewolf alpha. As", "further the non-romantic themes of the novel about the human condition. There is", "romance from the story and it still works it's not a paranormal romance.", "alpha. As a result, I have no idea if what I am writing", "paranormal romance. I understand that categorizing works of fiction into genres is often", "this undercurrent of the events the characters are going through being akin to", "the factions, or both. The romantic and non-romantic plot points are directly tied", "the two characters and to a lesser degree their relationships with family and", "fantastic twist. E.g., a superhero going through a midlife crisis, or a heroine", "number of individual character arcs and subplots that have nothing to do with", "midlife crisis, or a heroine torn between \"career versus family\" except \"career\" in", "it is difficult to say whether the A plot is the romance, the", "However, while I thought I was writing a rather straightforward urban fantasy story,", "remove the romance from the story and it still works it's not a", "and it still works it's not a paranormal romance. However, while the romance", "I was writing a rather straightforward urban fantasy story, it’s become apparent that", "to further the non-romantic themes of the novel about the human condition. There", "in their respective genre, the relationship between the two main characters is treated", "urban fantasy story, it’s become apparent that the story seems to share a", "genres is often arbitrary even at the best of times. I also understand", "with family and friends. There are also a number of individual character arcs", "would be The Incredibles compared to your standard superhero fare. In contrast to", "often arbitrary even at the best of times. I also understand that the", "a recognizably modern setting. However, while I thought I was writing a rather", "a heroine torn between \"career versus family\" except \"career\" in this case is", "trials and tribulations of a normal relationship albeit with a fantastic twist. E.g.,", "subplot, and there’s always this undercurrent of the events the characters are going", "a werewolf alpha. As a result, *I have no idea if what I", "typical \"they love me, they love me not\" and \"supernatural phenomena merely exist", "treated as a key part of the plot rather than a subplot, and", "of the novel about the human condition. There is no erotica, and cutesy", "except \"career\" in this case is being a werewolf alpha. As a result,", "or a heroine torn between \"career versus family\" except \"career\" in this case", "the best of times. I also understand that the boundary between paranormal romance", "recognizably modern setting. However, while I thought I was writing a rather straightforward", "have nothing to do with romance, but focus on things like platonic friendships", "entries in their respective genre, the relationship between the two main characters is", "fare. In contrast to most entries in their respective genre, the relationship between", "the \"paranormal romance\" side it won't be of interest to the target audience", "erotica, and cutesy romantic gestures that you would expect in a romance novel", "but focus on things like platonic friendships and mentorhood. The romance is not", "people have said before “the only difference between the two is if a", "“the only difference between the two is if a story has a half-naked", "the characters to shack up\" typical of paranormal romance. I suppose a comparable", "idea if what I am writing is a very good urban fantasy story,", "always this undercurrent of the events the characters are going through being akin", "for a long time I considered to be an urban fantasy, with supernatural", "lot of elements with a paranormal romance as well. The story revolves around", "a half-naked woman* on the cover, it is urban fantasy; if it is", "both. The romantic and non-romantic plot points are directly tied together. The individual", "between the factions, or both. The romantic and non-romantic plot points are directly", "factions, so it is difficult to say whether the A plot is the", "are also a number of individual character arcs and subplots that have nothing", "is key to the story, there's very little of the typical \"they love", "the two main characters is treated as a key part of the plot", "individual story arcs are primarily driven by non-romantic conflict but the overarching meta-plot", "seems to share a lot of elements with a paranormal romance as well.", "is hard to define and arbitrary even compared to most literary genres. As", "supernatural factions, so it is difficult to say whether the A plot is", "hard to define and arbitrary even compared to most literary genres. As other", "analogy would be The Incredibles compared to your standard superhero fare. In contrast", "is a half-naked man, it is paranormal romance”. But I'm concerned if it", "story that for a long time I considered to be an urban fantasy,", "\"supernatural phenomena merely exist to get the characters to shack up\" typical of", "I have no idea if what I am writing is a very good", "it's not a paranormal romance. However, while the romance is key to the", "love me, they love me not\" and \"supernatural phenomena merely exist to get", "a subplot, and there’s always this undercurrent of the events the characters are", "are virtually absent unless they further character development. I've heard it said if", "As a result, I have no idea if what I am writing is", "works of fiction into genres is often arbitrary even at the best of", "if it is a half-naked man, it is paranormal romance”. But I'm concerned", "\"career\" in this case is being a werewolf alpha. As a result, *I", "fantasy; if it is a half-naked man, it is paranormal romance”. But I'm", "that for a long time I considered to be an urban fantasy, with", "while the romance is key to the story, there's very little of the", "werewolf alpha. As a result, I have no idea if what I am", "that have nothing to do with romance, but focus on things like platonic", "fantasy story, it’s become apparent that the story seems to share a lot", "story, there's very little of the typical \"they love me, they love me", "Twilight), but is used to further the non-romantic themes of the novel about", "and urban fantasy is hard to define and arbitrary even compared to most", "I have been writing a story that for a long time I considered", "still works it's not a paranormal romance. However, while the romance is key", "a key part of the plot rather than a subplot, and there’s always", "result, I have no idea if what I am writing is a very", "before “the only difference between the two is if a story has a", "said if you can remove the romance from the story and it still", "would expect in a romance novel are virtually absent unless they further character", "between the two characters and to a lesser degree their relationships with family", "an urban fantasy, with supernatural elements in a recognizably modern setting. However, while", "are primarily driven by non-romantic conflict but the overarching meta-plot is definitely the", "of the events the characters are going through being akin to the trials", "even at the best of times. I also understand that the boundary between", "romance”. But I'm concerned if it falls too far on the \"paranormal romance\"", "There is no erotica, and cutesy romantic gestures that you would expect in", "In contrast to most entries in their respective genre, the relationship between the", "phenomena merely exist to get the characters to shack up\" typical of paranormal", "and \"supernatural phenomena merely exist to get the characters to shack up\" typical", "this case is being a werewolf alpha. As a result, I have no", "story, or a very bad paranormal romance.* I understand that categorizing works of", "albeit with a fantastic twist. E.g., a superhero going through a midlife crisis,", "no erotica, and cutesy romantic gestures that you would expect in a romance", "modern setting. However, while I thought I was writing a rather straightforward urban", "very good urban fantasy story, or a very bad paranormal romance.** I understand", "The romance is not treated as a steamy, wish-fulfillment fantasy (contra something like", "you can remove the romance from the story and it still works it's", "your standard superhero fare. In contrast to most entries in their respective genre,", "platonic friendships and mentorhood. The romance is not treated as a steamy, wish-fulfillment", "it still works it's not a paranormal romance. However, while the romance is", "themes of the novel about the human condition. There is no erotica, and", "difference between the two is if a story has a half-naked woman on", "Incredibles* compared to your standard superhero fare. In contrast to most entries in", "of times. I also understand that the boundary between paranormal romance and urban", "arbitrary even at the best of times. I also understand that the boundary", "me not\" and \"supernatural phenomena merely exist to get the characters to shack", "non-romantic themes of the novel about the human condition. There is no erotica,", "cutesy romantic gestures that you would expect in a romance novel are virtually", "the two is if a story has a half-naked woman on the cover,", "fantasy story, or a very bad paranormal romance. I understand that categorizing works", "it said if you can remove the romance from the story and it", "non-romantic conflict but the overarching meta-plot is definitely the story of the relationship", "in a recognizably modern setting. However, while I thought I was writing a", "so it is difficult to say whether the A plot is the romance,", "arcs are primarily driven by non-romantic conflict but the overarching meta-plot is definitely", "going through a midlife crisis, or a heroine torn between \"career versus family\"", "from different supernatural factions, so it is difficult to say whether the A", "urban fantasy, with supernatural elements in a recognizably modern setting. However, while I", "urban fantasy is hard to define and arbitrary even compared to most literary", "friendships and mentorhood. The romance is not treated as a steamy, wish-fulfillment fantasy", "with a fantastic twist. E.g., a superhero going through a midlife crisis, or", "I understand that categorizing works of fiction into genres is often arbitrary even", "from the story and it still works it's not a paranormal romance. However,", "apparent that the story seems to share a lot of elements with a", "to most entries in their respective genre, the relationship between the two main", "\"they love me, they love me not\" and \"supernatural phenomena merely exist to", "points are directly tied together. The individual story arcs are primarily driven by", "good urban fantasy story, or a very bad paranormal romance. I understand that", "well. The story revolves around two star-crossed lovers from different supernatural factions, so", "But I'm concerned if it falls too far on the \"paranormal romance\" side", "used to further the non-romantic themes of the novel about the human condition.", "unless they further character development. I've heard it said if you can remove", "the relationship between the two main characters is treated as a key part", "am writing is a very good urban fantasy story, or a very bad", "suppose a comparable analogy would be The Incredibles compared to your standard superhero", "romance and urban fantasy is hard to define and arbitrary even compared to", "tribulations of a normal relationship albeit with a fantastic twist. E.g., a superhero", "their relationships with family and friends. There are also a number of individual", "The story revolves around two star-crossed lovers from different supernatural factions, so it", "side it won't be of interest to the target audience and I need", "if what I am writing is a very good urban fantasy story, or", "romantic gestures that you would expect in a romance novel are virtually absent", "to most literary genres. As other people have said before “the only difference", "falls too far on the \"paranormal romance\" side it won't be of interest", "and cutesy romantic gestures that you would expect in a romance novel are", "I thought I was writing a rather straightforward urban fantasy story, it’s become", "into genres is often arbitrary even at the best of times. I also", "through a midlife crisis, or a heroine torn between \"career versus family\" except", "in a romance novel are virtually absent unless they further character development. I've", "the plot rather than a subplot, and there’s always this undercurrent of the", "contrast to most entries in their respective genre, the relationship between the two", "writing a rather straightforward urban fantasy story, it’s become apparent that the story", "I suppose a comparable analogy would be The Incredibles compared to your standard", "of the typical \"they love me, they love me not\" and \"supernatural phenomena", "two main characters is treated as a key part of the plot rather", "romance, the feud between the factions, or both. The romantic and non-romantic plot", "said before “the only difference between the two is if a story has", "There are also a number of individual character arcs and subplots that have", "genre, the relationship between the two main characters is treated as a key", "genres. As other people have said before “the only difference between the two", "a story has a half-naked woman on the cover, it is urban fantasy;", "have said before “the only difference between the two is if a story", "understand that categorizing works of fiction into genres is often arbitrary even at", "\"career versus family\" except \"career\" in this case is being a werewolf alpha.", "individual character arcs and subplots that have nothing to do with romance, but", "I've heard it said if you can remove the romance from the story", "writing a story that for a long time I considered to be an", "elements in a recognizably modern setting. However, while I thought I was writing", "of a normal relationship albeit with a fantastic twist. E.g., a superhero going", "As other people have said before “the only difference between the two is", "was writing a rather straightforward urban fantasy story, it’s become apparent that the", "or a very bad paranormal romance.** I understand that categorizing works of fiction", "a lot of elements with a paranormal romance as well. The story revolves", "paranormal romance”. But I'm concerned if it falls too far on the \"paranormal", "friends. There are also a number of individual character arcs and subplots that", "meta-plot is definitely the story of the relationship between the two characters and", "long time I considered to be an urban fantasy, with supernatural elements in", "absent unless they further character development. I've heard it said if you can", "are going through being akin to the trials and tribulations of a normal", "the novel about the human condition. There is no erotica, and cutesy romantic", "undercurrent of the events the characters are going through being akin to the", "most entries in their respective genre, the relationship between the two main characters", "no idea if what I am writing is a very good urban fantasy", "around two star-crossed lovers from different supernatural factions, so it is difficult to", "story, it’s become apparent that the story seems to share a lot of", "the story, there's very little of the typical \"they love me, they love", "not\" and \"supernatural phenomena merely exist to get the characters to shack up\"", "of the plot rather than a subplot, and there’s always this undercurrent of", "understand that the boundary between paranormal romance and urban fantasy is hard to", "heard it said if you can remove the romance from the story and", "difficult to say whether the A plot is the romance, the feud between", "akin to the trials and tribulations of a normal relationship albeit with a", "it’s become apparent that the story seems to share a lot of elements", "to say whether the A plot is the romance, the feud between the", "story and it still works it's not a paranormal romance. However, while the", "revolves around two star-crossed lovers from different supernatural factions, so it is difficult", "character development. I've heard it said if you can remove the romance from", "urban fantasy; if it is a half-naked man, it is paranormal romance”. But", "paranormal romance. However, while the romance is key to the story, there's very", "wish-fulfillment fantasy (contra something like Twilight), but is used to further the non-romantic", "between \"career versus family\" except \"career\" in this case is being a werewolf", "between the two is if a story has a half-naked woman on the", "family\" except \"career\" in this case is being a werewolf alpha. As a", "have no idea if what I am writing is a very good urban", "it is a half-naked man, it is paranormal romance”. But I'm concerned if", "character arcs and subplots that have nothing to do with romance, but focus", "if you can remove the romance from the story and it still works", "in this case is being a werewolf alpha. As a result, *I have", "the non-romantic themes of the novel about the human condition. There is no", "is definitely the story of the relationship between the two characters and to", "the typical \"they love me, they love me not\" and \"supernatural phenomena merely", "relationship between the two characters and to a lesser degree their relationships with", "but the overarching meta-plot is definitely the story of the relationship between the", "story seems to share a lot of elements with a paranormal romance as", "story has a half-naked woman* on the cover, it is urban fantasy; if", "expect in a romance novel are virtually absent unless they further character development.", "concerned if it falls too far on the \"paranormal romance\" side it won't", "that you would expect in a romance novel are virtually absent unless they", "to be an urban fantasy, with supernatural elements in a recognizably modern setting.", "novel are virtually absent unless they further character development. I've heard it said", "a paranormal romance as well. The story revolves around two star-crossed lovers from", "to your standard superhero fare. In contrast to most entries in their respective", "The individual story arcs are primarily driven by non-romantic conflict but the overarching", "on the \"paranormal romance\" side it won't be of interest to the target", "is no erotica, and cutesy romantic gestures that you would expect in a", "romance novel are virtually absent unless they further character development. I've heard it", "arbitrary even compared to most literary genres. As other people have said before", "elements with a paranormal romance as well. The story revolves around two star-crossed", "paranormal romance as well. The story revolves around two star-crossed lovers from different", "their respective genre, the relationship between the two main characters is treated as", "torn between \"career versus family\" except \"career\" in this case is being a", "been writing a story that for a long time I considered to be", "are directly tied together. The individual story arcs are primarily driven by non-romantic", "share a lot of elements with a paranormal romance as well. The story", "and mentorhood. The romance is not treated as a steamy, wish-fulfillment fantasy (contra", "to the story, there's very little of the typical \"they love me, they", "define and arbitrary even compared to most literary genres. As other people have", "a long time I considered to be an urban fantasy, with supernatural elements", "you would expect in a romance novel are virtually absent unless they further", "cover, it is urban fantasy; if it is a half-naked man, it is", "the trials and tribulations of a normal relationship albeit with a fantastic twist." ]
[ "rocked. Arms crossed, knees drawn up, holding, holding on, this motion, unlike a", "> > > > “And so we beat on, boats against the current,", "essays, are you allowed to write incomplete sentences that make the sentences and", "“There is a loneliness that can be rocked. Arms crossed, knees drawn up,", "loneliness that can be rocked. Arms crossed, knees drawn up, holding, holding on,", "beat on, boats against the current, borne back ceaselessly into the past.” [\"We\"", "of one's own feet going seem to come from a far-off place.” [There", "is a loneliness that can be rocked. Arms crossed, knees drawn up, holding,", "I notice that a lot of beautiful literature contains sentences that are not", "of beautiful literature contains sentences that are not grammatically correct. Here are some", "literature contains sentences that are not grammatically correct. Here are some examples: >", "be rocked. Arms crossed, knees drawn up, holding, holding on, this motion, unlike", "It's an inside kind — wrapped tight like skin. Then there is the", "it down. It is alive. On its own. A dry and spreading thing", "on, this motion, unlike a ship's, smooths and contains the rocker. It's an", "school essays, are you allowed to write incomplete sentences that make the sentences", "like skin. Then there is the loneliness that roams. No rocking can hold", "crossed, knees drawn up, holding, holding on, this motion, unlike a ship's, smooths", "so there should be a \"like\" before boats.] > > > > >", "should be a \"like\" before boats.] > > > > > “There is", "the sound of one's own feet going seem to come from a far-off", "In the examples, if the authors had added the grammatically required words and", "its own. A dry and spreading thing that makes the sound of one's", "far-off place.” [There are incomplete sentences.] > > > In the examples, if", "are some examples: > > “Still, there are times I am bewildered by", "as beautiful. So, what is allowed in academic papers such as research papers", "at the end of a list.] > > > > > “And so", "For example, in high school essays, are you allowed to write incomplete sentences", "have traveled, each meal I have eaten, each person I have known, each", "meal I have eaten, each person I have known, each room in which", "> > In the examples, if the authors had added the grammatically required", "motion, unlike a ship's, smooths and contains the rocker. It's an inside kind", "boats.] > > > > > “There is a loneliness that can be", "that can be rocked. Arms crossed, knees drawn up, holding, holding on, this", "inside kind — wrapped tight like skin. Then there is the loneliness that", "seem to come from a far-off place.” [There are incomplete sentences.] > >", "have sounded as beautiful. So, what is allowed in academic papers such as", "examples, if the authors had added the grammatically required words and commas, it", "> > > “There is a loneliness that can be rocked. Arms crossed,", "Arms crossed, knees drawn up, holding, holding on, this motion, unlike a ship's,", "place.” [There are incomplete sentences.] > > > In the examples, if the", "against the current, borne back ceaselessly into the past.” [\"We\" is probably referring", "> > “And so we beat on, boats against the current, borne back", "that are not grammatically correct. Here are some examples: > > “Still, there", "going seem to come from a far-off place.” [There are incomplete sentences.] >", "it probably wouldn't have sounded as beautiful. So, what is allowed in academic", "I have known, each room in which I have slept.\" [This lacks an", "loneliness that roams. No rocking can hold it down. It is alive. On", "> > > In the examples, if the authors had added the grammatically", "had added the grammatically required words and commas, it probably wouldn't have sounded", "what is allowed in academic papers such as research papers and essays? For", "examples: > > “Still, there are times I am bewildered by each mile", "can be rocked. Arms crossed, knees drawn up, holding, holding on, this motion,", "[This lacks an \"and\" at the end of a list.] > > >", "tight like skin. Then there is the loneliness that roams. No rocking can", "knees drawn up, holding, holding on, this motion, unlike a ship's, smooths and", "I have slept.\" [This lacks an \"and\" at the end of a list.]", "\"and\" at the end of a list.] > > > > > “And", "current, borne back ceaselessly into the past.” [\"We\" is probably referring to people", "A dry and spreading thing that makes the sound of one's own feet", "high school essays, are you allowed to write incomplete sentences that make the", "are not grammatically correct. Here are some examples: > > “Still, there are", "times I am bewildered by each mile I have traveled, each meal I", "I am bewildered by each mile I have traveled, each meal I have", "past.” [\"We\" is probably referring to people so there should be a \"like\"", "ceaselessly into the past.” [\"We\" is probably referring to people so there should", "Then there is the loneliness that roams. No rocking can hold it down.", "example, in high school essays, are you allowed to write incomplete sentences that", "list.] > > > > > “And so we beat on, boats against", "to people so there should be a \"like\" before boats.] > > >", "can hold it down. It is alive. On its own. A dry and", "beautiful. So, what is allowed in academic papers such as research papers and", "wrapped tight like skin. Then there is the loneliness that roams. No rocking", "each meal I have eaten, each person I have known, each room in", "hold it down. It is alive. On its own. A dry and spreading", "if the authors had added the grammatically required words and commas, it probably", "and essays? For example, in high school essays, are you allowed to write", "contains the rocker. It's an inside kind — wrapped tight like skin. Then", "commas, it probably wouldn't have sounded as beautiful. So, what is allowed in", "own. A dry and spreading thing that makes the sound of one's own", "roams. No rocking can hold it down. It is alive. On its own.", "smooths and contains the rocker. It's an inside kind — wrapped tight like", "lacks an \"and\" at the end of a list.] > > > >", "sound of one's own feet going seem to come from a far-off place.”", "makes the sound of one's own feet going seem to come from a", "drawn up, holding, holding on, this motion, unlike a ship's, smooths and contains", "mile I have traveled, each meal I have eaten, each person I have", "to come from a far-off place.” [There are incomplete sentences.] > > >", "allowed in academic papers such as research papers and essays? For example, in", "research papers and essays? For example, in high school essays, are you allowed", "On its own. A dry and spreading thing that makes the sound of", "holding, holding on, this motion, unlike a ship's, smooths and contains the rocker.", "you allowed to write incomplete sentences that make the sentences and words flow", "> > > > > “There is a loneliness that can be rocked.", "sounded as beautiful. So, what is allowed in academic papers such as research", "bewildered by each mile I have traveled, each meal I have eaten, each", "words and commas, it probably wouldn't have sounded as beautiful. So, what is", "papers such as research papers and essays? For example, in high school essays,", "[There are incomplete sentences.] > > > In the examples, if the authors", "am bewildered by each mile I have traveled, each meal I have eaten,", "before boats.] > > > > > “There is a loneliness that can", "feet going seem to come from a far-off place.” [There are incomplete sentences.]", "in high school essays, are you allowed to write incomplete sentences that make", "there is the loneliness that roams. No rocking can hold it down. It", "I have eaten, each person I have known, each room in which I", "notice that a lot of beautiful literature contains sentences that are not grammatically", "authors had added the grammatically required words and commas, it probably wouldn't have", "> > > > “There is a loneliness that can be rocked. Arms", "the end of a list.] > > > > > “And so we", "spreading thing that makes the sound of one's own feet going seem to", "some examples: > > “Still, there are times I am bewildered by each", "be a \"like\" before boats.] > > > > > “There is a", "papers and essays? For example, in high school essays, are you allowed to", "in which I have slept.\" [This lacks an \"and\" at the end of", "one's own feet going seem to come from a far-off place.” [There are", "of a list.] > > > > > “And so we beat on,", "> > > “And so we beat on, boats against the current, borne", "contains sentences that are not grammatically correct. Here are some examples: > >", "kind — wrapped tight like skin. Then there is the loneliness that roams.", "“And so we beat on, boats against the current, borne back ceaselessly into", "an inside kind — wrapped tight like skin. Then there is the loneliness", "as research papers and essays? For example, in high school essays, are you", "end of a list.] > > > > > “And so we beat", "required words and commas, it probably wouldn't have sounded as beautiful. So, what", "each person I have known, each room in which I have slept.\" [This", "> In the examples, if the authors had added the grammatically required words", "an \"and\" at the end of a list.] > > > > >", "added the grammatically required words and commas, it probably wouldn't have sounded as", "a \"like\" before boats.] > > > > > “There is a loneliness", "is allowed in academic papers such as research papers and essays? For example,", "thing that makes the sound of one's own feet going seem to come", "> “And so we beat on, boats against the current, borne back ceaselessly", "into the past.” [\"We\" is probably referring to people so there should be", "are times I am bewildered by each mile I have traveled, each meal", "so we beat on, boats against the current, borne back ceaselessly into the", "people so there should be a \"like\" before boats.] > > > >", "there are times I am bewildered by each mile I have traveled, each", "a ship's, smooths and contains the rocker. It's an inside kind — wrapped", "own feet going seem to come from a far-off place.” [There are incomplete", "rocker. It's an inside kind — wrapped tight like skin. Then there is", "room in which I have slept.\" [This lacks an \"and\" at the end", "essays? For example, in high school essays, are you allowed to write incomplete", "rocking can hold it down. It is alive. On its own. A dry", "the current, borne back ceaselessly into the past.” [\"We\" is probably referring to", "dry and spreading thing that makes the sound of one's own feet going", "grammatically required words and commas, it probably wouldn't have sounded as beautiful. So,", "back ceaselessly into the past.” [\"We\" is probably referring to people so there", "holding on, this motion, unlike a ship's, smooths and contains the rocker. It's", "the past.” [\"We\" is probably referring to people so there should be a", "such as research papers and essays? For example, in high school essays, are", "beautiful literature contains sentences that are not grammatically correct. Here are some examples:", "> “Still, there are times I am bewildered by each mile I have", "academic papers such as research papers and essays? For example, in high school", "traveled, each meal I have eaten, each person I have known, each room", "lot of beautiful literature contains sentences that are not grammatically correct. Here are", "in academic papers such as research papers and essays? For example, in high", "eaten, each person I have known, each room in which I have slept.\"", "we beat on, boats against the current, borne back ceaselessly into the past.”", "allowed to write incomplete sentences that make the sentences and words flow smoother?", "So, what is allowed in academic papers such as research papers and essays?", "there should be a \"like\" before boats.] > > > > > “There", "> “There is a loneliness that can be rocked. Arms crossed, knees drawn", "each mile I have traveled, each meal I have eaten, each person I", "> > > > > “And so we beat on, boats against the", "a far-off place.” [There are incomplete sentences.] > > > In the examples,", "have eaten, each person I have known, each room in which I have", "a list.] > > > > > “And so we beat on, boats", "on, boats against the current, borne back ceaselessly into the past.” [\"We\" is", "which I have slept.\" [This lacks an \"and\" at the end of a", "unlike a ship's, smooths and contains the rocker. It's an inside kind —", "and commas, it probably wouldn't have sounded as beautiful. So, what is allowed", "probably wouldn't have sounded as beautiful. So, what is allowed in academic papers", "are incomplete sentences.] > > > In the examples, if the authors had", "from a far-off place.” [There are incomplete sentences.] > > > In the", "sentences that are not grammatically correct. Here are some examples: > > “Still,", "that makes the sound of one's own feet going seem to come from", "up, holding, holding on, this motion, unlike a ship's, smooths and contains the", "that a lot of beautiful literature contains sentences that are not grammatically correct.", "wouldn't have sounded as beautiful. So, what is allowed in academic papers such", "> > “There is a loneliness that can be rocked. Arms crossed, knees", "come from a far-off place.” [There are incomplete sentences.] > > > In", "have known, each room in which I have slept.\" [This lacks an \"and\"", "referring to people so there should be a \"like\" before boats.] > >", "is alive. On its own. A dry and spreading thing that makes the", "No rocking can hold it down. It is alive. On its own. A", "grammatically correct. Here are some examples: > > “Still, there are times I", "It is alive. On its own. A dry and spreading thing that makes", "probably referring to people so there should be a \"like\" before boats.] >", "person I have known, each room in which I have slept.\" [This lacks", "slept.\" [This lacks an \"and\" at the end of a list.] > >", "down. It is alive. On its own. A dry and spreading thing that", "not grammatically correct. Here are some examples: > > “Still, there are times", "— wrapped tight like skin. Then there is the loneliness that roams. No", "known, each room in which I have slept.\" [This lacks an \"and\" at", "incomplete sentences.] > > > In the examples, if the authors had added", "that roams. No rocking can hold it down. It is alive. On its", "the rocker. It's an inside kind — wrapped tight like skin. Then there", "by each mile I have traveled, each meal I have eaten, each person", "this motion, unlike a ship's, smooths and contains the rocker. It's an inside", "[\"We\" is probably referring to people so there should be a \"like\" before", "a loneliness that can be rocked. Arms crossed, knees drawn up, holding, holding", "“Still, there are times I am bewildered by each mile I have traveled,", "have slept.\" [This lacks an \"and\" at the end of a list.] >", "skin. Then there is the loneliness that roams. No rocking can hold it", "the grammatically required words and commas, it probably wouldn't have sounded as beautiful.", "borne back ceaselessly into the past.” [\"We\" is probably referring to people so", "boats against the current, borne back ceaselessly into the past.” [\"We\" is probably", "ship's, smooths and contains the rocker. It's an inside kind — wrapped tight", "are you allowed to write incomplete sentences that make the sentences and words", "correct. Here are some examples: > > “Still, there are times I am", "and contains the rocker. It's an inside kind — wrapped tight like skin.", "alive. On its own. A dry and spreading thing that makes the sound", "is probably referring to people so there should be a \"like\" before boats.]", "is the loneliness that roams. No rocking can hold it down. It is", "the authors had added the grammatically required words and commas, it probably wouldn't", "each room in which I have slept.\" [This lacks an \"and\" at the", "\"like\" before boats.] > > > > > “There is a loneliness that", "sentences.] > > > In the examples, if the authors had added the", "the loneliness that roams. No rocking can hold it down. It is alive.", "> > “Still, there are times I am bewildered by each mile I", "I have traveled, each meal I have eaten, each person I have known,", "Here are some examples: > > “Still, there are times I am bewildered", "the examples, if the authors had added the grammatically required words and commas,", "a lot of beautiful literature contains sentences that are not grammatically correct. Here", "and spreading thing that makes the sound of one's own feet going seem" ]
[ "never written a sex scene nor had sex. I don't want it to", "be too detailed, and I prefer no talking, just describing how it was.", "I feel like it would be right to include a sex scene. Both", "would be right to include a sex scene. Both characters are male, and", "I can handle a post-sex scene, I just really need some help. How", "and I prefer no talking, just describing how it was. I can handle", "sex. I don't want it to be too detailed, and I prefer no", "both virgins as well, and I've never written a sex scene nor had", "sex scene. Both characters are male, and both virgins as well, and I've", "like it would be right to include a sex scene. Both characters are", "a book, and I feel like it would be right to include a", "and I've never written a sex scene nor had sex. I don't want", "a post-sex scene, I just really need some help. How do I describe", "book, and I feel like it would be right to include a sex", "include a sex scene. Both characters are male, and both virgins as well,", "it was. I can handle a post-sex scene, I just really need some", "scene. Both characters are male, and both virgins as well, and I've never", "scene, I just really need some help. How do I describe the first", "nor had sex. I don't want it to be too detailed, and I", "a sex scene nor had sex. I don't want it to be too", "don't want it to be too detailed, and I prefer no talking, just", "too detailed, and I prefer no talking, just describing how it was. I", "male, and both virgins as well, and I've never written a sex scene", "I prefer no talking, just describing how it was. I can handle a", "Both characters are male, and both virgins as well, and I've never written", "well, and I've never written a sex scene nor had sex. I don't", "to include a sex scene. Both characters are male, and both virgins as", "want it to be too detailed, and I prefer no talking, just describing", "just describing how it was. I can handle a post-sex scene, I just", "handle a post-sex scene, I just really need some help. How do I", "really need some help. How do I describe the first time? What adjectives", "characters are male, and both virgins as well, and I've never written a", "detailed, and I prefer no talking, just describing how it was. I can", "writing a book, and I feel like it would be right to include", "a sex scene. Both characters are male, and both virgins as well, and", "it would be right to include a sex scene. Both characters are male,", "scene nor had sex. I don't want it to be too detailed, and", "virgins as well, and I've never written a sex scene nor had sex.", "feel like it would be right to include a sex scene. Both characters", "how it was. I can handle a post-sex scene, I just really need", "and I feel like it would be right to include a sex scene.", "just really need some help. How do I describe the first time? What", "I'm writing a book, and I feel like it would be right to", "as well, and I've never written a sex scene nor had sex. I", "talking, just describing how it was. I can handle a post-sex scene, I", "describing how it was. I can handle a post-sex scene, I just really", "to be too detailed, and I prefer no talking, just describing how it", "sex scene nor had sex. I don't want it to be too detailed,", "written a sex scene nor had sex. I don't want it to be", "had sex. I don't want it to be too detailed, and I prefer", "right to include a sex scene. Both characters are male, and both virgins", "be right to include a sex scene. Both characters are male, and both", "was. I can handle a post-sex scene, I just really need some help.", "can handle a post-sex scene, I just really need some help. How do", "are male, and both virgins as well, and I've never written a sex", "no talking, just describing how it was. I can handle a post-sex scene,", "need some help. How do I describe the first time? What adjectives should", "some help. How do I describe the first time? What adjectives should I", "help. How do I describe the first time? What adjectives should I use?", "it to be too detailed, and I prefer no talking, just describing how", "I just really need some help. How do I describe the first time?", "post-sex scene, I just really need some help. How do I describe the", "and both virgins as well, and I've never written a sex scene nor", "I've never written a sex scene nor had sex. I don't want it", "I don't want it to be too detailed, and I prefer no talking,", "prefer no talking, just describing how it was. I can handle a post-sex" ]
[ "M.'s seemingly useless ability, The Hermit, can be used to interact with ancient", "that and knock him out. The two place him into an elevator, going", "help her, has no prejudice towards her kind, and happily assists her with", "plus she grew up in a bunker-turned-city, which was a constant reminder of", "to M. M. risks a lot to help her, has no prejudice towards", "lizardfolk, supervising the operation. --- The example story (will be referred to later", "Hermit, can be used to interact with ancient technology, she forges a plan", "to Panpe Alighieri, is literally the worst sin a mortal can commit. That's", "literally the worst sin a mortal can commit. That's good for a villain,", "city under the pretense that maybe they find clues about his lost memories", "that M.'s seemingly useless ability, The Hermit, can be used to interact with", "a character sympathetic after they committed the treason of the highest order (i.e:", "in Panpe's inferno is dedicated to traitors (from the least severe to the", "his comrades. Anyway, after realizing that M.'s seemingly useless ability, The Hermit, can", "plan and takes him to another ancient bunker city under the pretense that", "villain, bad for a sympathetic character. So, how can you keep a character", "aids their escape. During this, they have an opportunity to get to know", "ability, The Hermit, can be used to interact with ancient technology, she forges", "an unsuccessful attempt to replace the king, they're forced to run. This is", "inferno is dedicated to traitors (from the least severe to the worst): 1.", "chip. They don't know that the weapon was set to fire on the", "she forges a plan and takes him to another ancient bunker city under", "according to Panpe Alighieri, is literally the worst sin a mortal can commit.", "to the system is actually a false root that doesn't have the privilege", "supposed to be a less-heroic but still good person, whose actions could believably", "to an almost-usable state. Barii and the lizardfolk realize that and knock him", "The 9th circle, aka, the deepest and worst part of Hell, in Panpe's", "whose actions could believably cause someone (the king) to try and murder her", "constant reminder of that. It comes as a surprise to her that M.", "they're forced to run. This is where M. comes in. M. is a", "ability to assume the form of any human; the other one was a", "and happily assists her with what she asks. Even when he finds out", "aka, the deepest and worst part of Hell, in Panpe's inferno is dedicated", "passive surveillance for the most part, after an unsuccessful attempt to replace the", "fire on the closest human target (a peaceful city, in this case) the", "less-heroic but still good person, whose actions could believably cause someone (the king)", "a robot, called Barii, with the ability to assume the form of any", "I had a character, more precisely, a pair of characters who were spying", "that. The problem, as you guessed, is what she's doing to M. M.", "that doesn't have the privilege to overwrite the weapon's orders. --- I'll stop", "referred to later in the question) ------------------------------------------------------------- While it was careful and passive", "a character, more precisely, a pair of characters who were spying on a", "run. This is where M. comes in. M. is a typical amnesiac protagonist,", "I'll stop here for now. ----------------------- Obviously, this lizardfolk is supposed to be", "knock him out. The two place him into an elevator, going straight to", "or Barii any differently than his comrades. Anyway, after realizing that M.'s seemingly", "It comes as a surprise to her that M. doesn't treat her or", "part of Hell, in Panpe's inferno is dedicated to traitors (from the least", "towards her kind, and happily assists her with what she asks. Even when", "his lost memories there. So, they go around the place, activating ancient technology", "was set to fire on the closest human target (a peaceful city, in", "told that humans hated her kind, plus she grew up in a bunker-turned-city,", "form of any human; the other one was a female lizardfolk, supervising the", "a villain, bad for a sympathetic character. So, how can you keep a", "bunker city under the pretense that maybe they find clues about his lost", "the question) ------------------------------------------------------------- While it was careful and passive surveillance for the most", "sin a mortal can commit. That's good for a villain, bad for a", "could believably cause someone (the king) to try and murder her even though", "can be used to interact with ancient technology, she forges a plan and", "you keep a character sympathetic after they committed the treason of the highest", "Panpe Alighieri, is literally the worst sin a mortal can commit. That's good", "steps until he's out of the maximum-security zone. Now, when they bring the", "unarmed and reluctant to fight. I'd say I did a fairly good job", "an almost-usable state. Barii and the lizardfolk realize that and knock him out.", "the most part, after an unsuccessful attempt to replace the king, they're forced", "set to fire on the closest human target (a peaceful city, in this", "takes him to another ancient bunker city under the pretense that maybe they", "was careful and passive surveillance for the most part, after an unsuccessful attempt", "doesn't have the privilege to overwrite the weapon's orders. --- I'll stop here", "interact with ancient technology, she forges a plan and takes him to another", "even though she's unarmed and reluctant to fight. I'd say I did a", "finds out the truth, he wants to talk her down. So, using that", "around the place, activating ancient technology with The Hermit. Eventually, M. finds out", "to be a less-heroic but still good person, whose actions could believably cause", "the least severe to the worst): 1. Treason against one's kin. 2. Treason", "and according to Panpe Alighieri, is literally the worst sin a mortal can", "to the worst): 1. Treason against one's kin. 2. Treason against one's home", "peaceful city, in this case) the moment it is brought online, nor that", "as a surprise to her that M. doesn't treat her or Barii any", "(the king) to try and murder her even though she's unarmed and reluctant", "supervising the operation. --- The example story (will be referred to later in", "the king, they're forced to run. This is where M. comes in. M.", "is a typical amnesiac protagonist, who takes pity on the two and aids", "person's trauma/disadvantage to trick him into doing your bidding is not nice and", "truth, he wants to talk her down. So, using that person's trauma/disadvantage to", "against one's home (as in city-state/kingdom/etc...). 3. Treason against one's guest(s). 4. Treason", "that the lizardfolk's root access to the system is actually a false root", "it to an almost-usable state. Barii and the lizardfolk realize that and knock", "him out. The two place him into an elevator, going straight to the", "him into doing your bidding is not nice and according to Panpe Alighieri,", "trick him into doing your bidding is not nice and according to Panpe", "bidding is not nice and according to Panpe Alighieri, is literally the worst", "to be used as a weapon, and his actions brought it to an", "was a constant reminder of that. It comes as a surprise to her", "that person's trauma/disadvantage to trick him into doing your bidding is not nice", "the pretense that maybe they find clues about his lost memories there. So,", "Obviously, this lizardfolk is supposed to be a less-heroic but still good person,", "a weapon, and his actions brought it to an almost-usable state. Barii and", "wants to talk her down. So, using that person's trauma/disadvantage to trick him", "reminder of that. It comes as a surprise to her that M. doesn't", "they find clues about his lost memories there. So, they go around the", "about his lost memories there. So, they go around the place, activating ancient", "two and aids their escape. During this, they have an opportunity to get", "to another ancient bunker city under the pretense that maybe they find clues", "you guessed, is what she's doing to M. M. risks a lot to", "a sympathetic character. So, how can you keep a character sympathetic after they", "to her that M. doesn't treat her or Barii any differently than his", "one's kin. 2. Treason against one's home (as in city-state/kingdom/etc...). 3. Treason against", "a mortal can commit. That's good for a villain, bad for a sympathetic", "sympathetic after they committed the treason of the highest order (i.e: they betrayed", "a surprise to her that M. doesn't treat her or Barii any differently", "can commit. That's good for a villain, bad for a sympathetic character. So,", "don't intend to use it, it's a bargaining chip. They don't know that", "king) to try and murder her even though she's unarmed and reluctant to", "and murder her even though she's unarmed and reluctant to fight. I'd say", "3. Treason against one's guest(s). 4. Treason against one's benefactor(s). I had a", "comes in. M. is a typical amnesiac protagonist, who takes pity on the", "intend to use it, it's a bargaining chip. They don't know that the", "the last steps until he's out of the maximum-security zone. Now, when they", "Panpe's inferno is dedicated to traitors (from the least severe to the worst):", "have the privilege to overwrite the weapon's orders. --- I'll stop here for", "the worst sin a mortal can commit. That's good for a villain, bad", "----------------------- Obviously, this lizardfolk is supposed to be a less-heroic but still good", "seemingly useless ability, The Hermit, can be used to interact with ancient technology,", "of that. It comes as a surprise to her that M. doesn't treat", "is what she's doing to M. M. risks a lot to help her,", "and knock him out. The two place him into an elevator, going straight", "spying on a king and his court. One of them was a robot,", "one's guest(s). 4. Treason against one's benefactor(s). I had a character, more precisely,", "to help her, has no prejudice towards her kind, and happily assists her", "a king and his court. One of them was a robot, called Barii,", "lost memories there. So, they go around the place, activating ancient technology with", "M. is a typical amnesiac protagonist, who takes pity on the two and", "most part, after an unsuccessful attempt to replace the king, they're forced to", "used to interact with ancient technology, she forges a plan and takes him", "the place was designed to be used as a weapon, and his actions", "it was careful and passive surveillance for the most part, after an unsuccessful", "Now, when they bring the weapon online, they don't intend to use it,", "she grew up in a bunker-turned-city, which was a constant reminder of that.", "her kind, and happily assists her with what she asks. Even when he", "M. M. risks a lot to help her, has no prejudice towards her", "and reluctant to fight. I'd say I did a fairly good job with", "on the closest human target (a peaceful city, in this case) the moment", "doing your bidding is not nice and according to Panpe Alighieri, is literally", "character. So, how can you keep a character sympathetic after they committed the", "a constant reminder of that. It comes as a surprise to her that", "hated her kind, plus she grew up in a bunker-turned-city, which was a", "her or Barii any differently than his comrades. Anyway, after realizing that M.'s", "Barii any differently than his comrades. Anyway, after realizing that M.'s seemingly useless", "the ability to assume the form of any human; the other one was", "an elevator, going straight to the surface. They delay the last steps until", "out. The two place him into an elevator, going straight to the surface.", "this, they have an opportunity to get to know each other better. The", "what she asks. Even when he finds out the truth, he wants to", "escape. During this, they have an opportunity to get to know each other", "a pair of characters who were spying on a king and his court.", "in city-state/kingdom/etc...). 3. Treason against one's guest(s). 4. Treason against one's benefactor(s). I", "clues about his lost memories there. So, they go around the place, activating", "the lizardfolk's root access to the system is actually a false root that", "brought it to an almost-usable state. Barii and the lizardfolk realize that and", "that the weapon was set to fire on the closest human target (a", "attempt to replace the king, they're forced to run. This is where M.", "for a villain, bad for a sympathetic character. So, how can you keep", "place, activating ancient technology with The Hermit. Eventually, M. finds out the place", "for a sympathetic character. So, how can you keep a character sympathetic after", "nor that the lizardfolk's root access to the system is actually a false", "this lizardfolk is supposed to be a less-heroic but still good person, whose", "------------------------------------------------------------- While it was careful and passive surveillance for the most part, after", "into an elevator, going straight to the surface. They delay the last steps", "any human; the other one was a female lizardfolk, supervising the operation. ---", "king, they're forced to run. This is where M. comes in. M. is", "place was designed to be used as a weapon, and his actions brought", "the lizardfolk realize that and knock him out. The two place him into", "a typical amnesiac protagonist, who takes pity on the two and aids their", "root that doesn't have the privilege to overwrite the weapon's orders. --- I'll", "The two place him into an elevator, going straight to the surface. They", "ancient bunker city under the pretense that maybe they find clues about his", "under the pretense that maybe they find clues about his lost memories there.", "Barii and the lizardfolk realize that and knock him out. The two place", "he finds out the truth, he wants to talk her down. So, using", "how can you keep a character sympathetic after they committed the treason of", "character sympathetic after they committed the treason of the highest order (i.e: they", "her even though she's unarmed and reluctant to fight. I'd say I did", "--- I'll stop here for now. ----------------------- Obviously, this lizardfolk is supposed to", "a plan and takes him to another ancient bunker city under the pretense", "takes pity on the two and aids their escape. During this, they have", "to run. This is where M. comes in. M. is a typical amnesiac", "amnesiac protagonist, who takes pity on the two and aids their escape. During", "has no prejudice towards her kind, and happily assists her with what she", "city, in this case) the moment it is brought online, nor that the", "still good person, whose actions could believably cause someone (the king) to try", "the truth, he wants to talk her down. So, using that person's trauma/disadvantage", "privilege to overwrite the weapon's orders. --- I'll stop here for now. -----------------------", "Hell, in Panpe's inferno is dedicated to traitors (from the least severe to", "the operation. --- The example story (will be referred to later in the", "the maximum-security zone. Now, when they bring the weapon online, they don't intend", "that. It comes as a surprise to her that M. doesn't treat her", "kin. 2. Treason against one's home (as in city-state/kingdom/etc...). 3. Treason against one's", "That's good for a villain, bad for a sympathetic character. So, how can", "one's benefactor(s). I had a character, more precisely, a pair of characters who", "when they bring the weapon online, they don't intend to use it, it's", "Barii, with the ability to assume the form of any human; the other", "case) the moment it is brought online, nor that the lizardfolk's root access", "the surface. They delay the last steps until he's out of the maximum-security", "risks a lot to help her, has no prejudice towards her kind, and", "I'd say I did a fairly good job with that. The problem, as", "While it was careful and passive surveillance for the most part, after an", "though she's unarmed and reluctant to fight. I'd say I did a fairly", "weapon, and his actions brought it to an almost-usable state. Barii and the", "good job with that. The problem, as you guessed, is what she's doing", "committed the treason of the highest order (i.e: they betrayed the one(s) who", "4. Treason against one's benefactor(s). I had a character, more precisely, a pair", "actions could believably cause someone (the king) to try and murder her even", "to trick him into doing your bidding is not nice and according to", "So, using that person's trauma/disadvantage to trick him into doing your bidding is", "against one's benefactor(s). I had a character, more precisely, a pair of characters", "overwrite the weapon's orders. --- I'll stop here for now. ----------------------- Obviously, this", "was a robot, called Barii, with the ability to assume the form of", "pretense that maybe they find clues about his lost memories there. So, they", "to know each other better. The lizardfolk was told that humans hated her", "believably cause someone (the king) to try and murder her even though she's", "orders. --- I'll stop here for now. ----------------------- Obviously, this lizardfolk is supposed", "she's doing to M. M. risks a lot to help her, has no", "his actions brought it to an almost-usable state. Barii and the lizardfolk realize", "finds out the place was designed to be used as a weapon, and", "someone (the king) to try and murder her even though she's unarmed and", "nice and according to Panpe Alighieri, is literally the worst sin a mortal", "to fight. I'd say I did a fairly good job with that. The", "where M. comes in. M. is a typical amnesiac protagonist, who takes pity", "as a weapon, and his actions brought it to an almost-usable state. Barii", "Alighieri, is literally the worst sin a mortal can commit. That's good for", "that M. doesn't treat her or Barii any differently than his comrades. Anyway,", "and worst part of Hell, in Panpe's inferno is dedicated to traitors (from", "court. One of them was a robot, called Barii, with the ability to", "was a female lizardfolk, supervising the operation. --- The example story (will be", "zone. Now, when they bring the weapon online, they don't intend to use", "They delay the last steps until he's out of the maximum-security zone. Now,", "lizardfolk is supposed to be a less-heroic but still good person, whose actions", "he's out of the maximum-security zone. Now, when they bring the weapon online,", "his court. One of them was a robot, called Barii, with the ability", "a false root that doesn't have the privilege to overwrite the weapon's orders.", "sympathetic character. So, how can you keep a character sympathetic after they committed", "to fire on the closest human target (a peaceful city, in this case)", "circle, aka, the deepest and worst part of Hell, in Panpe's inferno is", "is supposed to be a less-heroic but still good person, whose actions could", "talk her down. So, using that person's trauma/disadvantage to trick him into doing", "a less-heroic but still good person, whose actions could believably cause someone (the", "using that person's trauma/disadvantage to trick him into doing your bidding is not", "to the surface. They delay the last steps until he's out of the", "(a peaceful city, in this case) the moment it is brought online, nor", "against one's guest(s). 4. Treason against one's benefactor(s). I had a character, more", "the privilege to overwrite the weapon's orders. --- I'll stop here for now.", "actually a false root that doesn't have the privilege to overwrite the weapon's", "the system is actually a false root that doesn't have the privilege to", "out the truth, he wants to talk her down. So, using that person's", "bunker-turned-city, which was a constant reminder of that. It comes as a surprise", "who takes pity on the two and aids their escape. During this, they", "other one was a female lizardfolk, supervising the operation. --- The example story", "going straight to the surface. They delay the last steps until he's out", "(will be referred to later in the question) ------------------------------------------------------------- While it was careful", "actions brought it to an almost-usable state. Barii and the lizardfolk realize that", "place him into an elevator, going straight to the surface. They delay the", "on a king and his court. One of them was a robot, called", "the two and aids their escape. During this, they have an opportunity to", "comrades. Anyway, after realizing that M.'s seemingly useless ability, The Hermit, can be", "your bidding is not nice and according to Panpe Alighieri, is literally the", "Treason against one's home (as in city-state/kingdom/etc...). 3. Treason against one's guest(s). 4.", "be a less-heroic but still good person, whose actions could believably cause someone", "root access to the system is actually a false root that doesn't have", "of Hell, in Panpe's inferno is dedicated to traitors (from the least severe", "severe to the worst): 1. Treason against one's kin. 2. Treason against one's", "that humans hated her kind, plus she grew up in a bunker-turned-city, which", "the deepest and worst part of Hell, in Panpe's inferno is dedicated to", "of characters who were spying on a king and his court. One of", "better. The lizardfolk was told that humans hated her kind, plus she grew", "M. finds out the place was designed to be used as a weapon,", "They don't know that the weapon was set to fire on the closest", "This is where M. comes in. M. is a typical amnesiac protagonist, who", "delay the last steps until he's out of the maximum-security zone. Now, when", "down. So, using that person's trauma/disadvantage to trick him into doing your bidding", "typical amnesiac protagonist, who takes pity on the two and aids their escape.", "to replace the king, they're forced to run. This is where M. comes", "technology, she forges a plan and takes him to another ancient bunker city", "(as in city-state/kingdom/etc...). 3. Treason against one's guest(s). 4. Treason against one's benefactor(s).", "an opportunity to get to know each other better. The lizardfolk was told", "the weapon was set to fire on the closest human target (a peaceful", "prejudice towards her kind, and happily assists her with what she asks. Even", "The problem, as you guessed, is what she's doing to M. M. risks", "state. Barii and the lizardfolk realize that and knock him out. The two", "moment it is brought online, nor that the lizardfolk's root access to the", "after they committed the treason of the highest order (i.e: they betrayed the", "During this, they have an opportunity to get to know each other better.", "out the place was designed to be used as a weapon, and his", "activating ancient technology with The Hermit. Eventually, M. finds out the place was", "know that the weapon was set to fire on the closest human target", "use it, it's a bargaining chip. They don't know that the weapon was", "she asks. Even when he finds out the truth, he wants to talk", "target (a peaceful city, in this case) the moment it is brought online,", "doesn't treat her or Barii any differently than his comrades. Anyway, after realizing", "maybe they find clues about his lost memories there. So, they go around", "last steps until he's out of the maximum-security zone. Now, when they bring", "is literally the worst sin a mortal can commit. That's good for a", "with The Hermit. Eventually, M. finds out the place was designed to be", "and the lizardfolk realize that and knock him out. The two place him", "called Barii, with the ability to assume the form of any human; the", "in the question) ------------------------------------------------------------- While it was careful and passive surveillance for the", "operation. --- The example story (will be referred to later in the question)", "to later in the question) ------------------------------------------------------------- While it was careful and passive surveillance", "her down. So, using that person's trauma/disadvantage to trick him into doing your", "they don't intend to use it, it's a bargaining chip. They don't know", "deepest and worst part of Hell, in Panpe's inferno is dedicated to traitors", "online, nor that the lizardfolk's root access to the system is actually a", "now. ----------------------- Obviously, this lizardfolk is supposed to be a less-heroic but still", "cause someone (the king) to try and murder her even though she's unarmed", "and takes him to another ancient bunker city under the pretense that maybe", "a bargaining chip. They don't know that the weapon was set to fire", "later in the question) ------------------------------------------------------------- While it was careful and passive surveillance for", "after realizing that M.'s seemingly useless ability, The Hermit, can be used to", "but still good person, whose actions could believably cause someone (the king) to", "bring the weapon online, they don't intend to use it, it's a bargaining", "it's a bargaining chip. They don't know that the weapon was set to", "into doing your bidding is not nice and according to Panpe Alighieri, is", "opportunity to get to know each other better. The lizardfolk was told that", "any differently than his comrades. Anyway, after realizing that M.'s seemingly useless ability,", "technology with The Hermit. Eventually, M. finds out the place was designed to", "almost-usable state. Barii and the lizardfolk realize that and knock him out. The", "this case) the moment it is brought online, nor that the lizardfolk's root", "have an opportunity to get to know each other better. The lizardfolk was", "is brought online, nor that the lizardfolk's root access to the system is", "to overwrite the weapon's orders. --- I'll stop here for now. ----------------------- Obviously,", "The Hermit, can be used to interact with ancient technology, she forges a", "say I did a fairly good job with that. The problem, as you", "is where M. comes in. M. is a typical amnesiac protagonist, who takes", "ancient technology, she forges a plan and takes him to another ancient bunker", "forges a plan and takes him to another ancient bunker city under the", "the moment it is brought online, nor that the lizardfolk's root access to", "were spying on a king and his court. One of them was a", "memories there. So, they go around the place, activating ancient technology with The", "precisely, a pair of characters who were spying on a king and his", "to assume the form of any human; the other one was a female", "happily assists her with what she asks. Even when he finds out the", "her kind, plus she grew up in a bunker-turned-city, which was a constant", "go around the place, activating ancient technology with The Hermit. Eventually, M. finds", "least severe to the worst): 1. Treason against one's kin. 2. Treason against", "comes as a surprise to her that M. doesn't treat her or Barii", "replace the king, they're forced to run. This is where M. comes in.", "to traitors (from the least severe to the worst): 1. Treason against one's", "up in a bunker-turned-city, which was a constant reminder of that. It comes", "after an unsuccessful attempt to replace the king, they're forced to run. This", "problem, as you guessed, is what she's doing to M. M. risks a", "Even when he finds out the truth, he wants to talk her down.", "who were spying on a king and his court. One of them was", "the weapon's orders. --- I'll stop here for now. ----------------------- Obviously, this lizardfolk", "city-state/kingdom/etc...). 3. Treason against one's guest(s). 4. Treason against one's benefactor(s). I had", "access to the system is actually a false root that doesn't have the", "Anyway, after realizing that M.'s seemingly useless ability, The Hermit, can be used", "realizing that M.'s seemingly useless ability, The Hermit, can be used to interact", "not nice and according to Panpe Alighieri, is literally the worst sin a", "had a character, more precisely, a pair of characters who were spying on", "bad for a sympathetic character. So, how can you keep a character sympathetic", "1. Treason against one's kin. 2. Treason against one's home (as in city-state/kingdom/etc...).", "guest(s). 4. Treason against one's benefactor(s). I had a character, more precisely, a", "they have an opportunity to get to know each other better. The lizardfolk", "the worst): 1. Treason against one's kin. 2. Treason against one's home (as", "that maybe they find clues about his lost memories there. So, they go", "reluctant to fight. I'd say I did a fairly good job with that.", "The lizardfolk was told that humans hated her kind, plus she grew up", "system is actually a false root that doesn't have the privilege to overwrite", "false root that doesn't have the privilege to overwrite the weapon's orders. ---", "her, has no prejudice towards her kind, and happily assists her with what", "Treason against one's kin. 2. Treason against one's home (as in city-state/kingdom/etc...). 3.", "murder her even though she's unarmed and reluctant to fight. I'd say I", "on the two and aids their escape. During this, they have an opportunity", "is not nice and according to Panpe Alighieri, is literally the worst sin", "it is brought online, nor that the lizardfolk's root access to the system", "person, whose actions could believably cause someone (the king) to try and murder", "they bring the weapon online, they don't intend to use it, it's a", "they committed the treason of the highest order (i.e: they betrayed the one(s)", "one's home (as in city-state/kingdom/etc...). 3. Treason against one's guest(s). 4. Treason against", "the form of any human; the other one was a female lizardfolk, supervising", "a bunker-turned-city, which was a constant reminder of that. It comes as a", "home (as in city-state/kingdom/etc...). 3. Treason against one's guest(s). 4. Treason against one's", "with the ability to assume the form of any human; the other one", "M. comes in. M. is a typical amnesiac protagonist, who takes pity on", "a fairly good job with that. The problem, as you guessed, is what", "with that. The problem, as you guessed, is what she's doing to M.", "example story (will be referred to later in the question) ------------------------------------------------------------- While it", "in. M. is a typical amnesiac protagonist, who takes pity on the two", "don't know that the weapon was set to fire on the closest human", "pair of characters who were spying on a king and his court. One", "grew up in a bunker-turned-city, which was a constant reminder of that. It", "and passive surveillance for the most part, after an unsuccessful attempt to replace", "female lizardfolk, supervising the operation. --- The example story (will be referred to", "realize that and knock him out. The two place him into an elevator,", "find clues about his lost memories there. So, they go around the place,", "be used as a weapon, and his actions brought it to an almost-usable", "So, how can you keep a character sympathetic after they committed the treason", "him into an elevator, going straight to the surface. They delay the last", "try and murder her even though she's unarmed and reluctant to fight. I'd", "bargaining chip. They don't know that the weapon was set to fire on", "robot, called Barii, with the ability to assume the form of any human;", "was told that humans hated her kind, plus she grew up in a", "the closest human target (a peaceful city, in this case) the moment it", "fairly good job with that. The problem, as you guessed, is what she's", "benefactor(s). I had a character, more precisely, a pair of characters who were", "against one's kin. 2. Treason against one's home (as in city-state/kingdom/etc...). 3. Treason", "and his court. One of them was a robot, called Barii, with the", "asks. Even when he finds out the truth, he wants to talk her", "worst sin a mortal can commit. That's good for a villain, bad for", "The Hermit. Eventually, M. finds out the place was designed to be used", "weapon online, they don't intend to use it, it's a bargaining chip. They", "worst): 1. Treason against one's kin. 2. Treason against one's home (as in", "humans hated her kind, plus she grew up in a bunker-turned-city, which was", "is actually a false root that doesn't have the privilege to overwrite the", "unsuccessful attempt to replace the king, they're forced to run. This is where", "was designed to be used as a weapon, and his actions brought it", "of them was a robot, called Barii, with the ability to assume the", "as you guessed, is what she's doing to M. M. risks a lot", "M. risks a lot to help her, has no prejudice towards her kind,", "each other better. The lizardfolk was told that humans hated her kind, plus", "guessed, is what she's doing to M. M. risks a lot to help", "he wants to talk her down. So, using that person's trauma/disadvantage to trick", "careful and passive surveillance for the most part, after an unsuccessful attempt to", "of the highest order (i.e: they betrayed the one(s) who cared for them)?", "they go around the place, activating ancient technology with The Hermit. Eventually, M.", "kind, plus she grew up in a bunker-turned-city, which was a constant reminder", "protagonist, who takes pity on the two and aids their escape. During this,", "closest human target (a peaceful city, in this case) the moment it is", "of any human; the other one was a female lizardfolk, supervising the operation.", "to get to know each other better. The lizardfolk was told that humans", "which was a constant reminder of that. It comes as a surprise to", "character, more precisely, a pair of characters who were spying on a king", "it, it's a bargaining chip. They don't know that the weapon was set", "here for now. ----------------------- Obviously, this lizardfolk is supposed to be a less-heroic", "did a fairly good job with that. The problem, as you guessed, is", "used as a weapon, and his actions brought it to an almost-usable state.", "no prejudice towards her kind, and happily assists her with what she asks.", "good person, whose actions could believably cause someone (the king) to try and", "stop here for now. ----------------------- Obviously, this lizardfolk is supposed to be a", "can you keep a character sympathetic after they committed the treason of the", "to interact with ancient technology, she forges a plan and takes him to", "lot to help her, has no prejudice towards her kind, and happily assists", "get to know each other better. The lizardfolk was told that humans hated", "characters who were spying on a king and his court. One of them", "two place him into an elevator, going straight to the surface. They delay", "a lot to help her, has no prejudice towards her kind, and happily", "a female lizardfolk, supervising the operation. --- The example story (will be referred", "know each other better. The lizardfolk was told that humans hated her kind,", "in this case) the moment it is brought online, nor that the lizardfolk's", "kind, and happily assists her with what she asks. Even when he finds", "in a bunker-turned-city, which was a constant reminder of that. It comes as", "mortal can commit. That's good for a villain, bad for a sympathetic character.", "to try and murder her even though she's unarmed and reluctant to fight.", "what she's doing to M. M. risks a lot to help her, has", "and aids their escape. During this, they have an opportunity to get to", "One of them was a robot, called Barii, with the ability to assume", "Treason against one's guest(s). 4. Treason against one's benefactor(s). I had a character,", "him to another ancient bunker city under the pretense that maybe they find", "until he's out of the maximum-security zone. Now, when they bring the weapon", "to talk her down. So, using that person's trauma/disadvantage to trick him into", "there. So, they go around the place, activating ancient technology with The Hermit.", "brought online, nor that the lizardfolk's root access to the system is actually", "when he finds out the truth, he wants to talk her down. So,", "part, after an unsuccessful attempt to replace the king, they're forced to run.", "the weapon online, they don't intend to use it, it's a bargaining chip.", "surprise to her that M. doesn't treat her or Barii any differently than", "the treason of the highest order (i.e: they betrayed the one(s) who cared", "maximum-security zone. Now, when they bring the weapon online, they don't intend to", "good for a villain, bad for a sympathetic character. So, how can you", "out of the maximum-security zone. Now, when they bring the weapon online, they", "pity on the two and aids their escape. During this, they have an", "job with that. The problem, as you guessed, is what she's doing to", "her with what she asks. Even when he finds out the truth, he", "other better. The lizardfolk was told that humans hated her kind, plus she", "for now. ----------------------- Obviously, this lizardfolk is supposed to be a less-heroic but", "dedicated to traitors (from the least severe to the worst): 1. Treason against", "traitors (from the least severe to the worst): 1. Treason against one's kin.", "(from the least severe to the worst): 1. Treason against one's kin. 2.", "be referred to later in the question) ------------------------------------------------------------- While it was careful and", "Hermit. Eventually, M. finds out the place was designed to be used as", "she's unarmed and reluctant to fight. I'd say I did a fairly good", "human; the other one was a female lizardfolk, supervising the operation. --- The", "doing to M. M. risks a lot to help her, has no prejudice", "So, they go around the place, activating ancient technology with The Hermit. Eventually,", "be used to interact with ancient technology, she forges a plan and takes", "9th circle, aka, the deepest and worst part of Hell, in Panpe's inferno", "weapon's orders. --- I'll stop here for now. ----------------------- Obviously, this lizardfolk is", "for the most part, after an unsuccessful attempt to replace the king, they're", "king and his court. One of them was a robot, called Barii, with", "2. Treason against one's home (as in city-state/kingdom/etc...). 3. Treason against one's guest(s).", "The example story (will be referred to later in the question) ------------------------------------------------------------- While", "question) ------------------------------------------------------------- While it was careful and passive surveillance for the most part,", "elevator, going straight to the surface. They delay the last steps until he's", "lizardfolk's root access to the system is actually a false root that doesn't", "lizardfolk was told that humans hated her kind, plus she grew up in", "trauma/disadvantage to trick him into doing your bidding is not nice and according", "one was a female lizardfolk, supervising the operation. --- The example story (will", "and his actions brought it to an almost-usable state. Barii and the lizardfolk", "online, they don't intend to use it, it's a bargaining chip. They don't", "surveillance for the most part, after an unsuccessful attempt to replace the king,", "forced to run. This is where M. comes in. M. is a typical", "treason of the highest order (i.e: they betrayed the one(s) who cared for", "lizardfolk realize that and knock him out. The two place him into an", "them was a robot, called Barii, with the ability to assume the form", "the place, activating ancient technology with The Hermit. Eventually, M. finds out the", "commit. That's good for a villain, bad for a sympathetic character. So, how", "with what she asks. Even when he finds out the truth, he wants", "of the maximum-security zone. Now, when they bring the weapon online, they don't", "is dedicated to traitors (from the least severe to the worst): 1. Treason", "Treason against one's benefactor(s). I had a character, more precisely, a pair of", "their escape. During this, they have an opportunity to get to know each", "human target (a peaceful city, in this case) the moment it is brought", "I did a fairly good job with that. The problem, as you guessed,", "M. doesn't treat her or Barii any differently than his comrades. Anyway, after", "to use it, it's a bargaining chip. They don't know that the weapon", "another ancient bunker city under the pretense that maybe they find clues about", "weapon was set to fire on the closest human target (a peaceful city,", "keep a character sympathetic after they committed the treason of the highest order", "more precisely, a pair of characters who were spying on a king and", "useless ability, The Hermit, can be used to interact with ancient technology, she", "Eventually, M. finds out the place was designed to be used as a", "assume the form of any human; the other one was a female lizardfolk,", "designed to be used as a weapon, and his actions brought it to", "story (will be referred to later in the question) ------------------------------------------------------------- While it was", "straight to the surface. They delay the last steps until he's out of", "than his comrades. Anyway, after realizing that M.'s seemingly useless ability, The Hermit,", "worst part of Hell, in Panpe's inferno is dedicated to traitors (from the", "differently than his comrades. Anyway, after realizing that M.'s seemingly useless ability, The", "with ancient technology, she forges a plan and takes him to another ancient", "surface. They delay the last steps until he's out of the maximum-security zone.", "her that M. doesn't treat her or Barii any differently than his comrades.", "--- The example story (will be referred to later in the question) -------------------------------------------------------------", "the other one was a female lizardfolk, supervising the operation. --- The example", "fight. I'd say I did a fairly good job with that. The problem,", "assists her with what she asks. Even when he finds out the truth,", "ancient technology with The Hermit. Eventually, M. finds out the place was designed", "treat her or Barii any differently than his comrades. Anyway, after realizing that" ]
[ "commensurate with innate capacity, but that a > considerable element of the unpredictable", "short piece made such a large impact on my writing. Question -------- Can", "word where a short one will do. * If it is possible to", "self-review, I found that my writing does not have enough substance. This was", "taste, but I still found the notion that \"The whole tendency of modern", "unpredictable must invariably be taken > into account. > > > In a", "whole tendency of modern prose is away from concreteness\" very compelling. Here is", "such a short piece made such a large impact on my writing. Question", "political for my taste, but I still found the notion that \"The whole", "sooner than say anything outright barbarous. Though the piece was overly political for", "that the race is not to the swift, > nor the battle to", "swift, > nor the battle to the strong, neither yet bread to the", "cautions against the abuse of: * Metaphors * Operators/verbal false limbs * Pretentious", "to seeing in print. * Never use a long word where a short", "And advises to: * Never use a metaphor, simile, or other figure of", "returned and saw under the sun, that the race is not to the", "he means by \"concrete\": > > I returned and saw under the sun,", "the battle to the strong, neither yet bread to the wise, nor yet", "away from concreteness\" very compelling. Here is a great example of what he", "think about prose so differently now. It amazes me that such a short", "\"The whole tendency of modern prose is away from concreteness\" very compelling. Here", "> into account. > > > In a few months time, after making", "other figure of speech which you are used to seeing in print. ", "of what he means by \"concrete\": > > I returned and saw under", "job requires formal writing, however after self-review, I found that my writing does", "use the passive where you can use the active. Never use a", "failure in competitive activities exhibits > no tendency to be commensurate with innate", "cut it out. * Never use the passive where you can use the", "jargon word if you can think of an everyday English equivalent. * Break", "a short one will do. * If it is possible to cut a", "nor yet > riches to men of understanding, nor yet favor to men", "word, or a jargon word if you can think of an everyday English", "feedback from higher-ups implied that I use too many phrasal verbs or have", "nor the battle to the strong, neither yet bread to the wise, nor", "making a conscious effort to elevate my \"concreteness,\" I feel more confident with", "> riches to men of understanding, nor yet favor to men of skill;", "a > considerable element of the unpredictable must invariably be taken > into", "My job requires formal writing, however after self-review, I found that my writing", "I was recommended to read this essay by Orwell: <https://www.orwell.ru/library/essays/politics/english/e_polit> Basically, he cautions", "long word where a short one will do. * If it is possible", "English equivalent. * Break any of these rules sooner than say anything outright", "me that such a short piece made such a large impact on my", "Never use the passive where you can use the active. * Never use", "tendency to over-write things using unnecessarily lofty words. I was recommended to read", "foreign phrase, a scientific word, or a jargon word if you can think", "to them all. > > > Modern English version: > > Objective considerations", "on my writing. Question -------- Can someone recommend a commercially available writing guide", "the > conclusion that success or failure in competitive activities exhibits > no", "the piece was overly political for my taste, but I still found the", "Metaphors * Operators/verbal false limbs * Pretentious diction * Meaningless words And advises", "Modern English version: > > Objective considerations of contemporary phenomena compel the >", "use too many phrasal verbs or have a tendency to over-write things using", "I received positive feedback. I think about prose so differently now. It amazes", "received positive feedback. I think about prose so differently now. It amazes me", "Meaningless words And advises to: * Never use a metaphor, simile, or other", "use the active. * Never use a foreign phrase, a scientific word, or", "about prose so differently now. It amazes me that such a short piece", "made such a large impact on my writing. Question -------- Can someone recommend", "time and chance happeneth to them all. > > > Modern English version:", "the wise, nor yet > riches to men of understanding, nor yet favor", "> time and chance happeneth to them all. > > > Modern English", "* If it is possible to cut a word out, always cut it", "than say anything outright barbarous. Though the piece was overly political for my", "> > Modern English version: > > Objective considerations of contemporary phenomena compel", "recommend a commercially available writing guide / book that has a similar framework?", "activities exhibits > no tendency to be commensurate with innate capacity, but that", "by \"concrete\": > > I returned and saw under the sun, that the", "> > In a few months time, after making a conscious effort to", "> > > In a few months time, after making a conscious effort", "phenomena compel the > conclusion that success or failure in competitive activities exhibits", "more confident with my writing and I received positive feedback. I think about", "and I received positive feedback. I think about prose so differently now. It", "however after self-review, I found that my writing does not have enough substance.", "the active. * Never use a foreign phrase, a scientific word, or a", "writing does not have enough substance. This was confirmed as feedback from higher-ups", "> I returned and saw under the sun, that the race is not", "under the sun, that the race is not to the swift, > nor", "implied that I use too many phrasal verbs or have a tendency to", "that a > considerable element of the unpredictable must invariably be taken >", "where you can use the active. * Never use a foreign phrase, a", "the strong, neither yet bread to the wise, nor yet > riches to", "any of these rules sooner than say anything outright barbarous. Though the piece", "is away from concreteness\" very compelling. Here is a great example of what", "I feel more confident with my writing and I received positive feedback. I", "confident with my writing and I received positive feedback. I think about prose", "into account. > > > In a few months time, after making a", "* Break any of these rules sooner than say anything outright barbarous. Though", "recommended to read this essay by Orwell: <https://www.orwell.ru/library/essays/politics/english/e_polit> Basically, he cautions against the", "my writing does not have enough substance. This was confirmed as feedback from", "yet bread to the wise, nor yet > riches to men of understanding,", "conscious effort to elevate my \"concreteness,\" I feel more confident with my writing", "print. * Never use a long word where a short one will do.", "This was confirmed as feedback from higher-ups implied that I use too many", "* Meaningless words And advises to: * Never use a metaphor, simile, or", "piece made such a large impact on my writing. Question -------- Can someone", "* Pretentious diction * Meaningless words And advises to: * Never use a", "a short piece made such a large impact on my writing. Question --------", "after making a conscious effort to elevate my \"concreteness,\" I feel more confident", "tendency of modern prose is away from concreteness\" very compelling. Here is a", "writing and I received positive feedback. I think about prose so differently now.", "skill; but > time and chance happeneth to them all. > > >", "example of what he means by \"concrete\": > > I returned and saw", "to over-write things using unnecessarily lofty words. I was recommended to read this", "success or failure in competitive activities exhibits > no tendency to be commensurate", "Operators/verbal false limbs * Pretentious diction * Meaningless words And advises to: ", "exhibits > no tendency to be commensurate with innate capacity, but that a", "from concreteness\" very compelling. Here is a great example of what he means", "invariably be taken > into account. > > > In a few months", "writing, however after self-review, I found that my writing does not have enough", "months time, after making a conscious effort to elevate my \"concreteness,\" I feel", "use a long word where a short one will do. If it", "word out, always cut it out. * Never use the passive where you", "of modern prose is away from concreteness\" very compelling. Here is a great", "bread to the wise, nor yet > riches to men of understanding, nor", "but I still found the notion that \"The whole tendency of modern prose", "do. * If it is possible to cut a word out, always cut", "use a metaphor, simile, or other figure of speech which you are used", "with innate capacity, but that a > considerable element of the unpredictable must", "* Metaphors * Operators/verbal false limbs * Pretentious diction * Meaningless words And", "diction * Meaningless words And advises to: * Never use a metaphor, simile,", "to cut a word out, always cut it out. * Never use the", "the swift, > nor the battle to the strong, neither yet bread to", "or failure in competitive activities exhibits > no tendency to be commensurate with", "of understanding, nor yet favor to men of skill; but > time and", "tendency to be commensurate with innate capacity, but that a > considerable element", "so differently now. It amazes me that such a short piece made such", "<https://www.orwell.ru/library/essays/politics/english/e_polit> Basically, he cautions against the abuse of: * Metaphors * Operators/verbal false", "now. It amazes me that such a short piece made such a large", "the sun, that the race is not to the swift, > nor the", "to read this essay by Orwell: <https://www.orwell.ru/library/essays/politics/english/e_polit> Basically, he cautions against the abuse", "in competitive activities exhibits > no tendency to be commensurate with innate capacity,", "> nor the battle to the strong, neither yet bread to the wise,", "read this essay by Orwell: <https://www.orwell.ru/library/essays/politics/english/e_polit> Basically, he cautions against the abuse of:", "> Modern English version: > > Objective considerations of contemporary phenomena compel the", "favor to men of skill; but > time and chance happeneth to them", "Never use a foreign phrase, a scientific word, or a jargon word if", "race is not to the swift, > nor the battle to the strong,", "> considerable element of the unpredictable must invariably be taken > into account.", "neither yet bread to the wise, nor yet > riches to men of", "to the strong, neither yet bread to the wise, nor yet > riches", "false limbs * Pretentious diction * Meaningless words And advises to: * Never", "Here is a great example of what he means by \"concrete\": > >", "Objective considerations of contemporary phenomena compel the > conclusion that success or failure", "are used to seeing in print. * Never use a long word where", "words. I was recommended to read this essay by Orwell: <https://www.orwell.ru/library/essays/politics/english/e_polit> Basically, he", "what he means by \"concrete\": > > I returned and saw under the", "the passive where you can use the active. * Never use a foreign", "prose so differently now. It amazes me that such a short piece made", "or a jargon word if you can think of an everyday English equivalent.", "positive feedback. I think about prose so differently now. It amazes me that", "that \"The whole tendency of modern prose is away from concreteness\" very compelling.", "taken > into account. > > > In a few months time, after", "advises to: * Never use a metaphor, simile, or other figure of speech", "concreteness\" very compelling. Here is a great example of what he means by", "a foreign phrase, a scientific word, or a jargon word if you can", "I think about prose so differently now. It amazes me that such a", "my writing and I received positive feedback. I think about prose so differently", "nor yet favor to men of skill; but > time and chance happeneth", "use a foreign phrase, a scientific word, or a jargon word if you", "using unnecessarily lofty words. I was recommended to read this essay by Orwell:", "Can someone recommend a commercially available writing guide / book that has a", "In a few months time, after making a conscious effort to elevate my", "used to seeing in print. * Never use a long word where a", "> > Objective considerations of contemporary phenomena compel the > conclusion that success", "not have enough substance. This was confirmed as feedback from higher-ups implied that", "think of an everyday English equivalent. * Break any of these rules sooner", "limbs * Pretentious diction * Meaningless words And advises to: * Never use", "\"concrete\": > > I returned and saw under the sun, that the race", "very compelling. Here is a great example of what he means by \"concrete\":", "as feedback from higher-ups implied that I use too many phrasal verbs or", "understanding, nor yet favor to men of skill; but > time and chance", "higher-ups implied that I use too many phrasal verbs or have a tendency", "out, always cut it out. * Never use the passive where you can", "someone recommend a commercially available writing guide / book that has a similar", "Orwell: <https://www.orwell.ru/library/essays/politics/english/e_polit> Basically, he cautions against the abuse of: * Metaphors * Operators/verbal", "against the abuse of: * Metaphors * Operators/verbal false limbs * Pretentious diction", "writing. Question -------- Can someone recommend a commercially available writing guide / book", "an everyday English equivalent. * Break any of these rules sooner than say", "version: > > Objective considerations of contemporary phenomena compel the > conclusion that", "have a tendency to over-write things using unnecessarily lofty words. I was recommended", "compel the > conclusion that success or failure in competitive activities exhibits >", "of speech which you are used to seeing in print. * Never use", "you are used to seeing in print. * Never use a long word", "of contemporary phenomena compel the > conclusion that success or failure in competitive", "> Objective considerations of contemporary phenomena compel the > conclusion that success or", "> > I returned and saw under the sun, that the race is", "Basically, he cautions against the abuse of: * Metaphors * Operators/verbal false limbs", "Break any of these rules sooner than say anything outright barbarous. Though the", "men of skill; but > time and chance happeneth to them all. >", "my writing. Question -------- Can someone recommend a commercially available writing guide /", "where a short one will do. * If it is possible to cut", "few months time, after making a conscious effort to elevate my \"concreteness,\" I", "wise, nor yet > riches to men of understanding, nor yet favor to", "of an everyday English equivalent. * Break any of these rules sooner than", "that I use too many phrasal verbs or have a tendency to over-write", "phrasal verbs or have a tendency to over-write things using unnecessarily lofty words.", "is a great example of what he means by \"concrete\": > > I", "innate capacity, but that a > considerable element of the unpredictable must invariably", "* Never use the passive where you can use the active. * Never", "the notion that \"The whole tendency of modern prose is away from concreteness\"", "* Never use a metaphor, simile, or other figure of speech which you", "I use too many phrasal verbs or have a tendency to over-write things", "not to the swift, > nor the battle to the strong, neither yet", "is possible to cut a word out, always cut it out. * Never", "of these rules sooner than say anything outright barbarous. Though the piece was", "contemporary phenomena compel the > conclusion that success or failure in competitive activities", "over-write things using unnecessarily lofty words. I was recommended to read this essay", "metaphor, simile, or other figure of speech which you are used to seeing", "a scientific word, or a jargon word if you can think of an", "after self-review, I found that my writing does not have enough substance. This", "> > > Modern English version: > > Objective considerations of contemporary phenomena", "but that a > considerable element of the unpredictable must invariably be taken", "can use the active. * Never use a foreign phrase, a scientific word,", "elevate my \"concreteness,\" I feel more confident with my writing and I received", "It amazes me that such a short piece made such a large impact", "chance happeneth to them all. > > > Modern English version: > >", "the race is not to the swift, > nor the battle to the", "account. > > > In a few months time, after making a conscious", "he cautions against the abuse of: * Metaphors * Operators/verbal false limbs ", "a great example of what he means by \"concrete\": > > I returned", "a word out, always cut it out. Never use the passive where", "everyday English equivalent. * Break any of these rules sooner than say anything", "speech which you are used to seeing in print. * Never use a", "\"concreteness,\" I feel more confident with my writing and I received positive feedback.", "> no tendency to be commensurate with innate capacity, but that a >", "large impact on my writing. Question -------- Can someone recommend a commercially available", "If it is possible to cut a word out, always cut it out.", "anything outright barbarous. Though the piece was overly political for my taste, but", "yet > riches to men of understanding, nor yet favor to men of", "differently now. It amazes me that such a short piece made such a", "sun, that the race is not to the swift, > nor the battle", "> conclusion that success or failure in competitive activities exhibits > no tendency", "will do. * If it is possible to cut a word out, always", "* Never use a long word where a short one will do. ", "a large impact on my writing. Question -------- Can someone recommend a commercially", "can think of an everyday English equivalent. Break any of these rules", "that my writing does not have enough substance. This was confirmed as feedback", "all. > > > Modern English version: > > Objective considerations of contemporary", "unnecessarily lofty words. I was recommended to read this essay by Orwell: <https://www.orwell.ru/library/essays/politics/english/e_polit>", "does not have enough substance. This was confirmed as feedback from higher-ups implied", "my taste, but I still found the notion that \"The whole tendency of", "substance. This was confirmed as feedback from higher-ups implied that I use too", "by Orwell: <https://www.orwell.ru/library/essays/politics/english/e_polit> Basically, he cautions against the abuse of: * Metaphors ", "verbs or have a tendency to over-write things using unnecessarily lofty words. I", "notion that \"The whole tendency of modern prose is away from concreteness\" very", "barbarous. Though the piece was overly political for my taste, but I still", "considerations of contemporary phenomena compel the > conclusion that success or failure in", "my \"concreteness,\" I feel more confident with my writing and I received positive", "it out. Never use the passive where you can use the active.", "the unpredictable must invariably be taken > into account. > > > In", "must invariably be taken > into account. > > > In a few", "-------- Can someone recommend a commercially available writing guide / book that has", "I found that my writing does not have enough substance. This was confirmed", "figure of speech which you are used to seeing in print. * Never", "the abuse of: * Metaphors * Operators/verbal false limbs * Pretentious diction ", "from higher-ups implied that I use too many phrasal verbs or have a", "compelling. Here is a great example of what he means by \"concrete\": >", "to the swift, > nor the battle to the strong, neither yet bread", "if you can think of an everyday English equivalent. Break any of", "time, after making a conscious effort to elevate my \"concreteness,\" I feel more", "to: * Never use a metaphor, simile, or other figure of speech which", "overly political for my taste, but I still found the notion that \"The", "equivalent. * Break any of these rules sooner than say anything outright barbarous.", "means by \"concrete\": > > I returned and saw under the sun, that", "many phrasal verbs or have a tendency to over-write things using unnecessarily lofty", "short one will do. * If it is possible to cut a word", "possible to cut a word out, always cut it out. * Never use", "a long word where a short one will do. * If it is", "enough substance. This was confirmed as feedback from higher-ups implied that I use", "be taken > into account. > > > In a few months time,", "of skill; but > time and chance happeneth to them all. > >", "competitive activities exhibits > no tendency to be commensurate with innate capacity, but", "or have a tendency to over-write things using unnecessarily lofty words. I was", "to be commensurate with innate capacity, but that a > considerable element of", "and saw under the sun, that the race is not to the swift,", "simile, or other figure of speech which you are used to seeing in", "active. * Never use a foreign phrase, a scientific word, or a jargon", "happeneth to them all. > > > Modern English version: > > Objective", "or other figure of speech which you are used to seeing in print.", "say anything outright barbarous. Though the piece was overly political for my taste,", "them all. > > > Modern English version: > > Objective considerations of", "a metaphor, simile, or other figure of speech which you are used to", "rules sooner than say anything outright barbarous. Though the piece was overly political", "these rules sooner than say anything outright barbarous. Though the piece was overly", "one will do. * If it is possible to cut a word out,", "such a large impact on my writing. Question -------- Can someone recommend a", "phrase, a scientific word, or a jargon word if you can think of", "to men of skill; but > time and chance happeneth to them all.", "things using unnecessarily lofty words. I was recommended to read this essay by", "requires formal writing, however after self-review, I found that my writing does not", "great example of what he means by \"concrete\": > > I returned and", "be commensurate with innate capacity, but that a > considerable element of the", "amazes me that such a short piece made such a large impact on", "have enough substance. This was confirmed as feedback from higher-ups implied that I", "this essay by Orwell: <https://www.orwell.ru/library/essays/politics/english/e_polit> Basically, he cautions against the abuse of: ", "no tendency to be commensurate with innate capacity, but that a > considerable", "of the unpredictable must invariably be taken > into account. > > >", "prose is away from concreteness\" very compelling. Here is a great example of", "capacity, but that a > considerable element of the unpredictable must invariably be", "element of the unpredictable must invariably be taken > into account. > >", "Question -------- Can someone recommend a commercially available writing guide / book that", "still found the notion that \"The whole tendency of modern prose is away", "Pretentious diction Meaningless words And advises to: * Never use a metaphor,", "a tendency to over-write things using unnecessarily lofty words. I was recommended to", "yet favor to men of skill; but > time and chance happeneth to", "for my taste, but I still found the notion that \"The whole tendency", "men of understanding, nor yet favor to men of skill; but > time", "confirmed as feedback from higher-ups implied that I use too many phrasal verbs", "* Operators/verbal false limbs * Pretentious diction * Meaningless words And advises to:", "modern prose is away from concreteness\" very compelling. Here is a great example", "strong, neither yet bread to the wise, nor yet > riches to men", "essay by Orwell: <https://www.orwell.ru/library/essays/politics/english/e_polit> Basically, he cautions against the abuse of: * Metaphors", "that such a short piece made such a large impact on my writing.", "and chance happeneth to them all. > > > Modern English version: >", "seeing in print. * Never use a long word where a short one", "Never use a long word where a short one will do. * If", "a jargon word if you can think of an everyday English equivalent. ", "of: Metaphors * Operators/verbal false limbs * Pretentious diction * Meaningless words", "to men of understanding, nor yet favor to men of skill; but >", "saw under the sun, that the race is not to the swift, >", "word if you can think of an everyday English equivalent. * Break any", "with my writing and I received positive feedback. I think about prose so", "found the notion that \"The whole tendency of modern prose is away from", "> In a few months time, after making a conscious effort to elevate", "effort to elevate my \"concreteness,\" I feel more confident with my writing and", "riches to men of understanding, nor yet favor to men of skill; but", "feedback. I think about prose so differently now. It amazes me that such", "out. * Never use the passive where you can use the active. ", "I returned and saw under the sun, that the race is not to", "in print. Never use a long word where a short one will", "to the wise, nor yet > riches to men of understanding, nor yet", "a conscious effort to elevate my \"concreteness,\" I feel more confident with my", "is not to the swift, > nor the battle to the strong, neither", "battle to the strong, neither yet bread to the wise, nor yet >", "piece was overly political for my taste, but I still found the notion", "abuse of: * Metaphors * Operators/verbal false limbs * Pretentious diction * Meaningless", "it is possible to cut a word out, always cut it out. ", "lofty words. I was recommended to read this essay by Orwell: <https://www.orwell.ru/library/essays/politics/english/e_polit> Basically,", "passive where you can use the active. Never use a foreign phrase,", "a few months time, after making a conscious effort to elevate my \"concreteness,\"", "was confirmed as feedback from higher-ups implied that I use too many phrasal", "to elevate my \"concreteness,\" I feel more confident with my writing and I", "cut a word out, always cut it out. * Never use the passive", "English version: > > Objective considerations of contemporary phenomena compel the > conclusion", "that success or failure in competitive activities exhibits > no tendency to be", "which you are used to seeing in print. * Never use a long", "found that my writing does not have enough substance. This was confirmed as", "you can think of an everyday English equivalent. * Break any of these", "feel more confident with my writing and I received positive feedback. I think", "I still found the notion that \"The whole tendency of modern prose is", "impact on my writing. Question -------- Can someone recommend a commercially available writing", "too many phrasal verbs or have a tendency to over-write things using unnecessarily", "considerable element of the unpredictable must invariably be taken > into account. >", "was recommended to read this essay by Orwell: <https://www.orwell.ru/library/essays/politics/english/e_polit> Basically, he cautions against", "scientific word, or a jargon word if you can think of an everyday", "always cut it out. * Never use the passive where you can use", "but > time and chance happeneth to them all. > > > Modern", "* Never use a foreign phrase, a scientific word, or a jargon word", "outright barbarous. Though the piece was overly political for my taste, but I", "Though the piece was overly political for my taste, but I still found", "Never use a metaphor, simile, or other figure of speech which you are", "formal writing, however after self-review, I found that my writing does not have", "words And advises to: * Never use a metaphor, simile, or other figure", "was overly political for my taste, but I still found the notion that", "conclusion that success or failure in competitive activities exhibits > no tendency to", "you can use the active. * Never use a foreign phrase, a scientific" ]
[ "that she was talking about how much she liked the food, but given", "this is difficult but let's call it 40-60% with outliers in either direction.", "main approaches I use, but both seem to have real disadvantages. Any ideas?", "opinion) a distancing effect that makes this hard to manage for more than", "time,\" Endkee added while I was trying to disentangle the unfamiliar word. >", "the dialogue. In fact, I'd happily do away with the foreign words entirely.", "to worry about!) Does anyone know of any other good ways of showing", "> > > \"-in town which will beschäftigen her until late. She wants", "Any ideas? Approach 1: Paraphrasing > > A stream of words followed. My", "grammar - in this particular example, I think my character is coming off", "in blanks, or trying to untangle unfamiliar grammar - in this particular example,", "to include foreign words but still have the readers understand the dialogue. In", "please?\" > > > or > > \"And I thought you-\" The rest", "intoned the words that had been among the first things I learned in", "these two approaches and trying to avoid scenes with lengthy foreign-language conversations until", "the actual story uses a conlang so at least there will be no", "untangle unfamiliar grammar - in this particular example, I think my character is", "> > > \"-obligations,\" Horah translated, > > > \"-in town which will", "two main approaches I use, but both seem to have real disadvantages. Any", "This is a lot easier to keep up for a whole conversation, but", "words entirely. My problem is that I want to show a piecemeal, patchworky", "of italicised foreign words. It's also not really a great depiction of what", "up another time,\" Endkee added while I was trying to disentangle the unfamiliar", "deeply disappointed in me. > > > This is great for getting across", "fluent than she actually is. (Note that although I used German for the", "is not that I want to include foreign words but still have the", "I could only understand one word in four I couldn't dismiss the possibility", "difficult but let's call it 40-60% with outliers in either direction. I can", "> > > I sighed and intoned the words that had been among", "I got the gist. He'd thought I was an honest person, and now", "the language? Or am I stuck combining these two approaches and trying to", "worry that the readers will get annoyed at the onslaught of italicised foreign", "which will beschäftigen her until late. She wants to meet up another time,\"", "writing a story during the course of which my main, first-person-POV character learns", "all of what they're saying. I have two main approaches I use, but", "POV character with an imperfect grasp of the language? Or am I stuck", "story uses a conlang so at least there will be no readers who", "on this is difficult but let's call it 40-60% with outliers in either", "about how much she liked the food, but given that I could only", "possibility that she was explaining how her day had been, complaining about the", "experiencing, because it's hard to show things like her only grasping bits and", "show a piecemeal, patchworky understanding of what is said - putting a percentage", "the sake of the example, the actual story uses a conlang so at", "couldn't dismiss the possibility that she was explaining how her day had been,", "have real disadvantages. Any ideas? Approach 1: Paraphrasing > > A stream of", "town which will beschäftigen her until late. She wants to meet up another", "that the readers will get annoyed at the onslaught of italicised foreign words.", "is coming off as more fluent than she actually is. (Note that although", "sentence was obscured by grammar (this language made talking about things one didn't", "percentage on this is difficult but let's call it 40-60% with outliers in", "avoid scenes with lengthy foreign-language conversations until she's a bit more fluent? EDIT:", "either direction. I can manage this well for short scenes via the paraphrase", "scenes via the paraphrase demonstrated above, but I'm not happy with its effect", "(this language made talking about things one didn't believe true unnecessarily complicated, in", "dialogue through a POV character with an imperfect grasp of the language? Or", "more fluent? EDIT: To clarify: My problem is not that I want to", "stream of words followed. My best guess was that she was talking about", "and there. Approach 2: Italicised foreign words > > \"She can't make it,", "earlier today. She has Verpflichtungen-\" > > > \"-obligations,\" Horah translated, > >", "and pieces of what's going on, guessing to fill in blanks, or trying", "> This is great for getting across how the character is actually experiencing", "added while I was trying to disentangle the unfamiliar word. > > >", "both seem to have real disadvantages. Any ideas? Approach 1: Paraphrasing > >", "have the readers understand the dialogue. In fact, I'd happily do away with", "native speaker dialogue through a POV character with an imperfect grasp of the", "an imperfect grasp of the language? Or am I stuck combining these two", "stuck on dialogue for other characters when my narrator can understand some but", "a POV character with an imperfect grasp of the language? Or am I", "The rest of the sentence was obscured by grammar (this language made talking", "fact that there's almost zero direct speech has (in my opinion) a distancing", "readers understand the dialogue. In fact, I'd happily do away with the foreign", "that although I used German for the sake of the example, the actual", "been, complaining about the noisy neighbours, or proposing marriage. > > > I", "in her surrounding. This generally works, but I regularly get stuck on dialogue", "still have the readers understand the dialogue. In fact, I'd happily do away", "and trying to avoid scenes with lengthy foreign-language conversations until she's a bit", "by grammar (this language made talking about things one didn't believe true unnecessarily", "italicised foreign words. It's also not really a great depiction of what she's", "what's going on, guessing to fill in blanks, or trying to untangle unfamiliar", "the paraphrase demonstrated above, but I'm not happy with its effect in longer", "language? Or am I stuck combining these two approaches and trying to avoid", "> > > or > > \"And I thought you-\" The rest of", "distancing effect that makes this hard to manage for more than a few", "I worry that the readers will get annoyed at the onslaught of italicised", "do away with the foreign words entirely. My problem is that I want", "get stuck on dialogue for other characters when my narrator can understand some", "my opinion) but I thought I got the gist. He'd thought I was", "a percentage on this is difficult but let's call it 40-60% with outliers", "with outliers in either direction. I can manage this well for short scenes", "the fact that there's almost zero direct speech has (in my opinion) a", "I learned in class. \"Slower, please?\" > > > or > > \"And", "speaker dialogue through a POV character with an imperfect grasp of the language?", "I think my character is coming off as more fluent than she actually", "patchworky understanding of what is said - putting a percentage on this is", "best guess was that she was talking about how much she liked the", "unfamiliar word. > > > This is a lot easier to keep up", "that there's almost zero direct speech has (in my opinion) a distancing effect", "\"She can't make it, she told me earlier today. She has Verpflichtungen-\" >", "her only grasping bits and pieces of what's going on, guessing to fill", "in my opinion) but I thought I got the gist. He'd thought I", "is. (Note that although I used German for the sake of the example,", "wants to meet up another time,\" Endkee added while I was trying to", "to keep up for a whole conversation, but I worry that the readers", "but I regularly get stuck on dialogue for other characters when my narrator", "imperfect grasp of the language? Or am I stuck combining these two approaches", "I was an honest person, and now he was deeply disappointed in me.", "> > This is great for getting across how the character is actually", "her surrounding. This generally works, but I regularly get stuck on dialogue for", "saying. I have two main approaches I use, but both seem to have", "I thought you-\" The rest of the sentence was obscured by grammar (this", "has Verpflichtungen-\" > > > \"-obligations,\" Horah translated, > > > \"-in town", "\"-in town which will beschäftigen her until late. She wants to meet up", "given that I could only understand one word in four I couldn't dismiss", "grammar (this language made talking about things one didn't believe true unnecessarily complicated,", "is a lot easier to keep up for a whole conversation, but I", "than a few paragraphs here and there. Approach 2: Italicised foreign words >", "words. It's also not really a great depiction of what she's experiencing, because", "will be no readers who know the language to worry about!) Does anyone", "> > > This is a lot easier to keep up for a", "was talking about how much she liked the food, but given that I", "the food, but given that I could only understand one word in four", "to untangle unfamiliar grammar - in this particular example, I think my character", "> This is a lot easier to keep up for a whole conversation,", "conversations until she's a bit more fluent? EDIT: To clarify: My problem is", "EDIT: To clarify: My problem is not that I want to include foreign", "bit more fluent? EDIT: To clarify: My problem is not that I want", "Verpflichtungen-\" > > > \"-obligations,\" Horah translated, > > > \"-in town which", "My problem is not that I want to include foreign words but still", "trying to untangle unfamiliar grammar - in this particular example, I think my", "stuck combining these two approaches and trying to avoid scenes with lengthy foreign-language", "the unfamiliar word. > > > This is a lot easier to keep", "a distancing effect that makes this hard to manage for more than a", "they're saying. I have two main approaches I use, but both seem to", "how much she liked the food, but given that I could only understand", "Or am I stuck combining these two approaches and trying to avoid scenes", "get annoyed at the onslaught of italicised foreign words. It's also not really", "true unnecessarily complicated, in my opinion) but I thought I got the gist.", "talking about how much she liked the food, but given that I could", "said - putting a percentage on this is difficult but let's call it", "can understand some but not all of what they're saying. I have two", "to avoid scenes with lengthy foreign-language conversations until she's a bit more fluent?", "anyone know of any other good ways of showing native speaker dialogue through", "followed. My best guess was that she was talking about how much she", "\"Slower, please?\" > > > or > > \"And I thought you-\" The", "you-\" The rest of the sentence was obscured by grammar (this language made", "- in this particular example, I think my character is coming off as", "learned in class. \"Slower, please?\" > > > or > > \"And I", "to meet up another time,\" Endkee added while I was trying to disentangle", "a conlang so at least there will be no readers who know the", "zero direct speech has (in my opinion) a distancing effect that makes this", "had been, complaining about the noisy neighbours, or proposing marriage. > > >", "words but still have the readers understand the dialogue. In fact, I'd happily", "about things one didn't believe true unnecessarily complicated, in my opinion) but I", "grasp of the language? Or am I stuck combining these two approaches and", "used German for the sake of the example, the actual story uses a", "more fluent than she actually is. (Note that although I used German for", "disappointed in me. > > > This is great for getting across how", "my opinion) a distancing effect that makes this hard to manage for more", "of words followed. My best guess was that she was talking about how", "opinion) but I thought I got the gist. He'd thought I was an", "It's also not really a great depiction of what she's experiencing, because it's", "for more than a few paragraphs here and there. Approach 2: Italicised foreign", "annoyed at the onslaught of italicised foreign words. It's also not really a", "My problem is that I want to show a piecemeal, patchworky understanding of", "until late. She wants to meet up another time,\" Endkee added while I", "let's call it 40-60% with outliers in either direction. I can manage this", "in four I couldn't dismiss the possibility that she was explaining how her", "not really a great depiction of what she's experiencing, because it's hard to", "her until late. She wants to meet up another time,\" Endkee added while", "effect that makes this hard to manage for more than a few paragraphs", "other characters when my narrator can understand some but not all of what", "a bit more fluent? EDIT: To clarify: My problem is not* that I", "paragraphs here and there. Approach 2: Italicised foreign words > > \"She can't", "trying to avoid scenes with lengthy foreign-language conversations until she's a bit more", "via the paraphrase demonstrated above, but I'm not happy with its effect in", "> > or > > \"And I thought you-\" The rest of the", "this particular example, I think my character is coming off as more fluent", "understand the dialogue. In fact, I'd happily do away with the foreign words", "Endkee added while I was trying to disentangle the unfamiliar word. > >", "of what she's experiencing, because it's hard to show things like her only", "real disadvantages. Any ideas? Approach 1: Paraphrasing > > A stream of words", "I couldn't dismiss the possibility that she was explaining how her day had", "more than a few paragraphs here and there. Approach 2: Italicised foreign words", "clarify: My problem is not that I want to include foreign words but", "and intoned the words that had been among the first things I learned", "rest of the sentence was obscured by grammar (this language made talking about", "fact, I'd happily do away with the foreign words entirely. My problem is", "away with the foreign words entirely. My problem is that I want to", "that she was explaining how her day had been, complaining about the noisy", "> \"-in town which will beschäftigen her until late. She wants to meet", "this hard to manage for more than a few paragraphs here and there.", "My best guess was that she was talking about how much she liked", "or proposing marriage. > > > I sighed and intoned the words that", "or > > \"And I thought you-\" The rest of the sentence was", "the foreign words entirely. My problem is that I want to show a", "regularly get stuck on dialogue for other characters when my narrator can understand", "that had been among the first things I learned in class. \"Slower, please?\"", "be no readers who know the language to worry about!) Does anyone know", "I want to show a piecemeal, patchworky understanding of what is said -", "heavily in her surrounding. This generally works, but I regularly get stuck on", "example, the actual story uses a conlang so at least there will be", "getting across how the character is actually experiencing things, but the fact that", "how the character is actually experiencing things, but the fact that there's almost", "was deeply disappointed in me. > > > This is great for getting", "with lengthy foreign-language conversations until she's a bit more fluent? EDIT: To clarify:", "the onslaught of italicised foreign words. It's also not really a great depiction", "she told me earlier today. She has Verpflichtungen-\" > > > \"-obligations,\" Horah", "person, and now he was deeply disappointed in me. > > > This", "easier to keep up for a whole conversation, but I worry that the", "other good ways of showing native speaker dialogue through a POV character with", "words* > > \"She can't make it, she told me earlier today. She", "paraphrase demonstrated above, but I'm not happy with its effect in longer conversations.", "entirely. My problem is that I want to show a piecemeal, patchworky understanding", "but I thought I got the gist. He'd thought I was an honest", "want to show a piecemeal, patchworky understanding of what is said - putting", "1: Paraphrasing* > > A stream of words followed. My best guess was", "generally works, but I regularly get stuck on dialogue for other characters when", "show things like her only grasping bits and pieces of what's going on,", "although I used German for the sake of the example, the actual story", "the example, the actual story uses a conlang so at least there will", "it 40-60% with outliers in either direction. I can manage this well for", "only understand one word in four I couldn't dismiss the possibility that she", "had been among the first things I learned in class. \"Slower, please?\" >", "problem is not that I want to include foreign words but still have", "what she's experiencing, because it's hard to show things like her only grasping", "thought I got the gist. He'd thought I was an honest person, and", "direct speech has (in my opinion) a distancing effect that makes this hard", "I was trying to disentangle the unfamiliar word. > > > This is", "> > \"And I thought you-\" The rest of the sentence was obscured", "noisy neighbours, or proposing marriage. > > > I sighed and intoned the", "another language, one used heavily in her surrounding. This generally works, but I", "while I was trying to disentangle the unfamiliar word. > > > This", "of what's going on, guessing to fill in blanks, or trying to untangle", "but let's call it 40-60% with outliers in either direction. I can manage", "sake of the example, the actual story uses a conlang so at least", "conlang so at least there will be no readers who know the language", "know the language to worry about!) Does anyone know of any other good", "is great for getting across how the character is actually experiencing things, but", "she actually is. (Note that although I used German for the sake of", "putting a percentage on this is difficult but let's call it 40-60% with", "complaining about the noisy neighbours, or proposing marriage. > > > I sighed", "a whole conversation, but I worry that the readers will get annoyed at", "like her only grasping bits and pieces of what's going on, guessing to", "food, but given that I could only understand one word in four I", "used heavily in her surrounding. This generally works, but I regularly get stuck", "that I want to include foreign words but still have the readers understand", "story during the course of which my main, first-person-POV character learns another language,", "here and there. Approach 2: Italicised foreign words > > \"She can't make", "scenes with lengthy foreign-language conversations until she's a bit more fluent? EDIT: To", "I regularly get stuck on dialogue for other characters when my narrator can", "readers will get annoyed at the onslaught of italicised foreign words. It's also", "Horah translated, > > > \"-in town which will beschäftigen her until late.", "things, but the fact that there's almost zero direct speech has (in my", "with an imperfect grasp of the language? Or am I stuck combining these", "hard to manage for more than a few paragraphs here and there. Approach", "the language to worry about!) Does anyone know of any other good ways", "in either direction. I can manage this well for short scenes via the", "for getting across how the character is actually experiencing things, but the fact", "there. Approach 2: Italicised foreign words* > > \"She can't make it, she", "also not really a great depiction of what she's experiencing, because it's hard", "40-60% with outliers in either direction. I can manage this well for short", "was trying to disentangle the unfamiliar word. > > > This is a", "now he was deeply disappointed in me. > > > This is great", "well for short scenes via the paraphrase demonstrated above, but I'm not happy", "lot easier to keep up for a whole conversation, but I worry that", "example, I think my character is coming off as more fluent than she", "my character is coming off as more fluent than she actually is. (Note", "of the example, the actual story uses a conlang so at least there", "it, she told me earlier today. She has Verpflichtungen-\" > > > \"-obligations,\"", "In fact, I'd happily do away with the foreign words entirely. My problem", "could only understand one word in four I couldn't dismiss the possibility that", "for a whole conversation, but I worry that the readers will get annoyed", "I sighed and intoned the words that had been among the first things", "> > A stream of words followed. My best guess was that she", "particular example, I think my character is coming off as more fluent than", "onslaught of italicised foreign words. It's also not really a great depiction of", "first things I learned in class. \"Slower, please?\" > > > or >", "I can manage this well for short scenes via the paraphrase demonstrated above,", "main, first-person-POV character learns another language, one used heavily in her surrounding. This", "course of which my main, first-person-POV character learns another language, one used heavily", "I thought I got the gist. He'd thought I was an honest person,", "of showing native speaker dialogue through a POV character with an imperfect grasp", "worry about!) Does anyone know of any other good ways of showing native", "readers who know the language to worry about!) Does anyone know of any", "but I worry that the readers will get annoyed at the onslaught of", "because it's hard to show things like her only grasping bits and pieces", "obscured by grammar (this language made talking about things one didn't believe true", "understanding of what is said - putting a percentage on this is difficult", "\"-obligations,\" Horah translated, > > > \"-in town which will beschäftigen her until", "lengthy foreign-language conversations until she's a bit more fluent? EDIT: To clarify: My", "direction. I can manage this well for short scenes via the paraphrase demonstrated", "uses a conlang so at least there will be no readers who know", "blanks, or trying to untangle unfamiliar grammar - in this particular example, I", "during the course of which my main, first-person-POV character learns another language, one", "things like her only grasping bits and pieces of what's going on, guessing", "She has Verpflichtungen-\" > > > \"-obligations,\" Horah translated, > > > \"-in", "foreign words. It's also not really a great depiction of what she's experiencing,", "really a great depiction of what she's experiencing, because it's hard to show", "conversation, but I worry that the readers will get annoyed at the onslaught", "have two main approaches I use, but both seem to have real disadvantages.", "To clarify: My problem is not that I want to include foreign words", "disentangle the unfamiliar word. > > > This is a lot easier to", "was obscured by grammar (this language made talking about things one didn't believe", "a great depiction of what she's experiencing, because it's hard to show things", "include foreign words but still have the readers understand the dialogue. In fact,", "one didn't believe true unnecessarily complicated, in my opinion) but I thought I", "manage this well for short scenes via the paraphrase demonstrated above, but I'm", "language to worry about!) Does anyone know of any other good ways of", "any other good ways of showing native speaker dialogue through a POV character", "of the sentence was obscured by grammar (this language made talking about things", "one word in four I couldn't dismiss the possibility that she was explaining", "but both seem to have real disadvantages. Any ideas? Approach 1: Paraphrasing >", "trying to disentangle the unfamiliar word. > > > This is a lot", "I stuck combining these two approaches and trying to avoid scenes with lengthy", "\"And I thought you-\" The rest of the sentence was obscured by grammar", "experiencing things, but the fact that there's almost zero direct speech has (in", "problem is that I want to show a piecemeal, patchworky understanding of what", "the sentence was obscured by grammar (this language made talking about things one", "how her day had been, complaining about the noisy neighbours, or proposing marriage.", "great depiction of what she's experiencing, because it's hard to show things like", "no readers who know the language to worry about!) Does anyone know of", "hard to show things like her only grasping bits and pieces of what's", "actually experiencing things, but the fact that there's almost zero direct speech has", "foreign words entirely. My problem is that I want to show a piecemeal,", "A stream of words followed. My best guess was that she was talking", "He'd thought I was an honest person, and now he was deeply disappointed", "> > \"She can't make it, she told me earlier today. She has", "narrator can understand some but not all of what they're saying. I have", "was an honest person, and now he was deeply disappointed in me. >", "a lot easier to keep up for a whole conversation, but I worry", "of what is said - putting a percentage on this is difficult but", "who know the language to worry about!) Does anyone know of any other", "Italicised foreign words* > > \"She can't make it, she told me earlier", "know of any other good ways of showing native speaker dialogue through a", "> A stream of words followed. My best guess was that she was", "is actually experiencing things, but the fact that there's almost zero direct speech", "in class. \"Slower, please?\" > > > or > > \"And I thought", "> > I sighed and intoned the words that had been among the", "of which my main, first-person-POV character learns another language, one used heavily in", "liked the food, but given that I could only understand one word in", "what is said - putting a percentage on this is difficult but let's", "two approaches and trying to avoid scenes with lengthy foreign-language conversations until she's", "understand one word in four I couldn't dismiss the possibility that she was", "was explaining how her day had been, complaining about the noisy neighbours, or", "at least there will be no readers who know the language to worry", "complicated, in my opinion) but I thought I got the gist. He'd thought", "that makes this hard to manage for more than a few paragraphs here", "class. \"Slower, please?\" > > > or > > \"And I thought you-\"", "with the foreign words entirely. My problem is that I want to show", "sighed and intoned the words that had been among the first things I", "about the noisy neighbours, or proposing marriage. > > > I sighed and", "dismiss the possibility that she was explaining how her day had been, complaining", "proposing marriage. > > > I sighed and intoned the words that had", "> \"And I thought you-\" The rest of the sentence was obscured by", "> > \"-obligations,\" Horah translated, > > > \"-in town which will beschäftigen", "the noisy neighbours, or proposing marriage. > > > I sighed and intoned", "ideas? Approach 1: Paraphrasing > > A stream of words followed. My best", "it's hard to show things like her only grasping bits and pieces of", "word in four I couldn't dismiss the possibility that she was explaining how", "disadvantages. Any ideas? Approach 1: Paraphrasing > > A stream of words followed.", "least there will be no readers who know the language to worry about!)", "today. She has Verpflichtungen-\" > > > \"-obligations,\" Horah translated, > > >", "off as more fluent than she actually is. (Note that although I used", "thought I was an honest person, and now he was deeply disappointed in", "I'd happily do away with the foreign words entirely. My problem is that", "talking about things one didn't believe true unnecessarily complicated, in my opinion) but", "this well for short scenes via the paraphrase demonstrated above, but I'm not", "unfamiliar grammar - in this particular example, I think my character is coming", "character learns another language, one used heavily in her surrounding. This generally works,", "to manage for more than a few paragraphs here and there. Approach 2:", "for the sake of the example, the actual story uses a conlang so", "words that had been among the first things I learned in class. \"Slower,", "works, but I regularly get stuck on dialogue for other characters when my", "dialogue for other characters when my narrator can understand some but not all", "as more fluent than she actually is. (Note that although I used German", "a story during the course of which my main, first-person-POV character learns another", "the character is actually experiencing things, but the fact that there's almost zero", "> \"She can't make it, she told me earlier today. She has Verpflichtungen-\"", "only grasping bits and pieces of what's going on, guessing to fill in", "to have real disadvantages. Any ideas? Approach 1: Paraphrasing* > > A stream", "marriage. > > > I sighed and intoned the words that had been", "(Note that although I used German for the sake of the example, the", "but the fact that there's almost zero direct speech has (in my opinion)", "across how the character is actually experiencing things, but the fact that there's", "she was explaining how her day had been, complaining about the noisy neighbours,", "language made talking about things one didn't believe true unnecessarily complicated, in my", "the readers understand the dialogue. In fact, I'd happily do away with the", "call it 40-60% with outliers in either direction. I can manage this well", "I'm writing a story during the course of which my main, first-person-POV character", "honest person, and now he was deeply disappointed in me. > > >", "on dialogue for other characters when my narrator can understand some but not", "to show things like her only grasping bits and pieces of what's going", "first-person-POV character learns another language, one used heavily in her surrounding. This generally", "> > \"-in town which will beschäftigen her until late. She wants to", "- putting a percentage on this is difficult but let's call it 40-60%", "for other characters when my narrator can understand some but not all of", "showing native speaker dialogue through a POV character with an imperfect grasp of", "among the first things I learned in class. \"Slower, please?\" > > >", "Approach 1: Paraphrasing > > A stream of words followed. My best guess", "late. She wants to meet up another time,\" Endkee added while I was", "can manage this well for short scenes via the paraphrase demonstrated above, but", "gist. He'd thought I was an honest person, and now he was deeply", "translated, > > > \"-in town which will beschäftigen her until late. She", "foreign words* > > \"She can't make it, she told me earlier today.", "made talking about things one didn't believe true unnecessarily complicated, in my opinion)", "is that I want to show a piecemeal, patchworky understanding of what is", "character is coming off as more fluent than she actually is. (Note that", "This is great for getting across how the character is actually experiencing things,", "learns another language, one used heavily in her surrounding. This generally works, but", "so at least there will be no readers who know the language to", "approaches and trying to avoid scenes with lengthy foreign-language conversations until she's a", "guess was that she was talking about how much she liked the food,", "there will be no readers who know the language to worry about!) Does", "another time,\" Endkee added while I was trying to disentangle the unfamiliar word.", "was that she was talking about how much she liked the food, but", "actual story uses a conlang so at least there will be no readers", "understand some but not all of what they're saying. I have two main", "make it, she told me earlier today. She has Verpflichtungen-\" > > >", "word. > > > This is a lot easier to keep up for", "of any other good ways of showing native speaker dialogue through a POV", "going on, guessing to fill in blanks, or trying to untangle unfamiliar grammar", "unnecessarily complicated, in my opinion) but I thought I got the gist. He'd", "but given that I could only understand one word in four I couldn't", "of what they're saying. I have two main approaches I use, but both", "or trying to untangle unfamiliar grammar - in this particular example, I think", "ways of showing native speaker dialogue through a POV character with an imperfect", "my narrator can understand some but not all of what they're saying. I", "much she liked the food, but given that I could only understand one", "but not all of what they're saying. I have two main approaches I", "think my character is coming off as more fluent than she actually is.", "outliers in either direction. I can manage this well for short scenes via", "I used German for the sake of the example, the actual story uses", "than she actually is. (Note that although I used German for the sake", "foreign-language conversations until she's a bit more fluent? EDIT: To clarify: My problem", "happily do away with the foreign words entirely. My problem is that I", "what they're saying. I have two main approaches I use, but both seem", "bits and pieces of what's going on, guessing to fill in blanks, or", "characters when my narrator can understand some but not all of what they're", "> \"-obligations,\" Horah translated, > > > \"-in town which will beschäftigen her", "So I'm writing a story during the course of which my main, first-person-POV", "me. > > > This is great for getting across how the character", "combining these two approaches and trying to avoid scenes with lengthy foreign-language conversations", "but still have the readers understand the dialogue. In fact, I'd happily do", "at the onslaught of italicised foreign words. It's also not really a great", "I want to include foreign words but still have the readers understand the", "few paragraphs here and there. Approach 2: Italicised foreign words > > \"She", "seem to have real disadvantages. Any ideas? Approach 1: Paraphrasing > > A", "the possibility that she was explaining how her day had been, complaining about", "short scenes via the paraphrase demonstrated above, but I'm not happy with its", "surrounding. This generally works, but I regularly get stuck on dialogue for other", "Paraphrasing* > > A stream of words followed. My best guess was that", "has (in my opinion) a distancing effect that makes this hard to manage", "language, one used heavily in her surrounding. This generally works, but I regularly", "and now he was deeply disappointed in me. > > > This is", "pieces of what's going on, guessing to fill in blanks, or trying to", "depiction of what she's experiencing, because it's hard to show things like her", "beschäftigen her until late. She wants to meet up another time,\" Endkee added", "good ways of showing native speaker dialogue through a POV character with an", "been among the first things I learned in class. \"Slower, please?\" > >", "She wants to meet up another time,\" Endkee added while I was trying", "she's experiencing, because it's hard to show things like her only grasping bits", "to fill in blanks, or trying to untangle unfamiliar grammar - in this", "to show a piecemeal, patchworky understanding of what is said - putting a", "fluent? EDIT: To clarify: My problem is not that I want to include", "things one didn't believe true unnecessarily complicated, in my opinion) but I thought", "didn't believe true unnecessarily complicated, in my opinion) but I thought I got", "neighbours, or proposing marriage. > > > I sighed and intoned the words", "four I couldn't dismiss the possibility that she was explaining how her day", "not all of what they're saying. I have two main approaches I use,", "my main, first-person-POV character learns another language, one used heavily in her surrounding.", "piecemeal, patchworky understanding of what is said - putting a percentage on this", "she liked the food, but given that I could only understand one word", "is difficult but let's call it 40-60% with outliers in either direction. I", "Does anyone know of any other good ways of showing native speaker dialogue", "want to include foreign words but still have the readers understand the dialogue.", "an honest person, and now he was deeply disappointed in me. > >", "on, guessing to fill in blanks, or trying to untangle unfamiliar grammar -", "fill in blanks, or trying to untangle unfamiliar grammar - in this particular", "a few paragraphs here and there. Approach 2: Italicised foreign words > >", "the first things I learned in class. \"Slower, please?\" > > > or", "almost zero direct speech has (in my opinion) a distancing effect that makes", "me earlier today. She has Verpflichtungen-\" > > > \"-obligations,\" Horah translated, >", "coming off as more fluent than she actually is. (Note that although I", "whole conversation, but I worry that the readers will get annoyed at the", "foreign words but still have the readers understand the dialogue. In fact, I'd", "is said - putting a percentage on this is difficult but let's call", "(in my opinion) a distancing effect that makes this hard to manage for", "some but not all of what they're saying. I have two main approaches", "actually is. (Note that although I used German for the sake of the", "approaches I use, but both seem to have real disadvantages. Any ideas? Approach", "makes this hard to manage for more than a few paragraphs here and", "one used heavily in her surrounding. This generally works, but I regularly get", "character is actually experiencing things, but the fact that there's almost zero direct", "I use, but both seem to have real disadvantages. Any ideas? Approach 1:", "got the gist. He'd thought I was an honest person, and now he", "can't make it, she told me earlier today. She has Verpflichtungen-\" > >", "things I learned in class. \"Slower, please?\" > > > or > >", "explaining how her day had been, complaining about the noisy neighbours, or proposing", "the readers will get annoyed at the onslaught of italicised foreign words. It's", "meet up another time,\" Endkee added while I was trying to disentangle the", "character with an imperfect grasp of the language? Or am I stuck combining", "which my main, first-person-POV character learns another language, one used heavily in her", "dialogue. In fact, I'd happily do away with the foreign words entirely. My", "that I could only understand one word in four I couldn't dismiss the", "to disentangle the unfamiliar word. > > > This is a lot easier", "am I stuck combining these two approaches and trying to avoid scenes with", "speech has (in my opinion) a distancing effect that makes this hard to", "This generally works, but I regularly get stuck on dialogue for other characters", "her day had been, complaining about the noisy neighbours, or proposing marriage. >", "Approach 2: Italicised foreign words > > \"She can't make it, she told", "guessing to fill in blanks, or trying to untangle unfamiliar grammar - in", "the course of which my main, first-person-POV character learns another language, one used", "words followed. My best guess was that she was talking about how much", "told me earlier today. She has Verpflichtungen-\" > > > \"-obligations,\" Horah translated,", "day had been, complaining about the noisy neighbours, or proposing marriage. > >", "there's almost zero direct speech has (in my opinion) a distancing effect that", "2: Italicised foreign words* > > \"She can't make it, she told me", "I have two main approaches I use, but both seem to have real", "German for the sake of the example, the actual story uses a conlang", "will beschäftigen her until late. She wants to meet up another time,\" Endkee", "> or > > \"And I thought you-\" The rest of the sentence", "in me. > > > This is great for getting across how the", "> I sighed and intoned the words that had been among the first", "thought you-\" The rest of the sentence was obscured by grammar (this language", "believe true unnecessarily complicated, in my opinion) but I thought I got the", "great for getting across how the character is actually experiencing things, but the", "the gist. He'd thought I was an honest person, and now he was", "manage for more than a few paragraphs here and there. Approach 2: Italicised", "through a POV character with an imperfect grasp of the language? Or am", "in this particular example, I think my character is coming off as more", "use, but both seem to have real disadvantages. Any ideas? Approach 1: Paraphrasing", "of the language? Or am I stuck combining these two approaches and trying", "> > This is a lot easier to keep up for a whole", "will get annoyed at the onslaught of italicised foreign words. It's also not", "not* that I want to include foreign words but still have the readers", "grasping bits and pieces of what's going on, guessing to fill in blanks,", "keep up for a whole conversation, but I worry that the readers will", "he was deeply disappointed in me. > > > This is great for", "about!) Does anyone know of any other good ways of showing native speaker", "she was talking about how much she liked the food, but given that", "for short scenes via the paraphrase demonstrated above, but I'm not happy with", "the words that had been among the first things I learned in class.", "up for a whole conversation, but I worry that the readers will get", "she's a bit more fluent? EDIT: To clarify: My problem is not that", "a piecemeal, patchworky understanding of what is said - putting a percentage on", "that I want to show a piecemeal, patchworky understanding of what is said", "when my narrator can understand some but not all of what they're saying.", "until she's a bit more fluent? EDIT: To clarify: My problem is not", "> > > This is great for getting across how the character is" ]
[ "flying half a ship, but it feels weaker for the reasons I stated", "to the other characters, seeing Horus fall out of the sky from afar,", "Then we cut to the other characters, seeing Horus fall out of the", "42, and shoots at Horus for 10 seconds. Using the average rate of", "pause the book at the right frame to catch it. You have to", "prose, you don't have to pause the book at the right frame to", "gory. This can be accomplished because the visuals allow you to tell a", "The wing is completely severed, the crop, stomach, and some of the air", "the book at the right frame to catch it. You have to choose", "cut to the other characters, seeing Horus fall out of the sky from", "allow you to tell a lot in a few frames, making the death", "shoulder and the upper-left side are gone in a mist of blood. The", "resumes and the bullets rip through Horus' shield. For a few frames, we", "and the bullets rip through Horus' shield. For a few frames, we can", "way of shocking the audience without being excessively gory. This can be accomplished", "an MG 42, and shoots at Horus for 10 seconds. Using the average", "buildings. --- In animation or live-action, this is a way of shocking the", "necromancer obviously stops time, pulls out an MG 42, and shoots at Horus", "the visuals allow you to tell a lot in a few frames, making", "the impact is obscured by a line of buildings. --- In animation or", "upper-left side are gone in a mist of blood. The wing is completely", "is fighting against a necromancer that can stop time. So the necromancer obviously", "crop, stomach, and some of the air sacs got ripped out as well.", "the reasons I stated above. How can you convey suddenness when a lot", "(the extent of the damage) and speed (the characters seeing what just happened).", "seeing what just happened). Sure, we're still flying half a ship, but it", "damage) and speed (the characters seeing what just happened). Sure, we're still flying", "well. Parts the ribcage can be seen too. Then we cut to the", "other characters, seeing Horus fall out of the sky from afar, but the", "Horus for 10 seconds. Using the average rate of fire, that's 200 rounds", "brown falcon, Horus, is fighting against a necromancer that can stop time. So", "rate of fire, that's 200 rounds shot. Time resumes and the bullets rip", "seeing Horus fall out of the sky from afar, but the impact is", "shield. For a few frames, we can see his back. The shoulder and", "got ripped out as well. Parts the ribcage can be seen too. Then", "by a line of buildings. --- In animation or live-action, this is a", "Sure, we're still flying half a ship, but it feels weaker for the", "live-action, this is a way of shocking the audience without being excessively gory.", "more shocking and brutal. However, text progresses at a snail's pace. Even after", "tell a lot in a few frames, making the death seem even more", "a few frames, making the death seem even more shocking and brutal. However,", "visuals allow you to tell a lot in a few frames, making the", "progresses at a snail's pace. Even after trimming and tidying the prose, you", "So the necromancer obviously stops time, pulls out an MG 42, and shoots", "10 seconds. Using the average rate of fire, that's 200 rounds shot. Time", "just happened). Sure, we're still flying half a ship, but it feels weaker", "ribcage can be seen too. Then we cut to the other characters, seeing", "or live-action, this is a way of shocking the audience without being excessively", "severed, the crop, stomach, and some of the air sacs got ripped out", "shocking the audience without being excessively gory. This can be accomplished because the", "yours truly: The giant ~~eagle~~ brown falcon, Horus, is fighting against a necromancer", "and the upper-left side are gone in a mist of blood. The wing", "because the visuals allow you to tell a lot in a few frames,", "but it feels weaker for the reasons I stated above. How can you", "frames, making the death seem even more shocking and brutal. However, text progresses", "between detail (the extent of the damage) and speed (the characters seeing what", "and shoots at Horus for 10 seconds. Using the average rate of fire,", "what just happened). Sure, we're still flying half a ship, but it feels", "to tell a lot in a few frames, making the death seem even", "completely severed, the crop, stomach, and some of the air sacs got ripped", "Even after trimming and tidying the prose, you don't have to pause the", "afar, but the impact is obscured by a line of buildings. --- In", "of shocking the audience without being excessively gory. This can be accomplished because", "impact is obscured by a line of buildings. --- In animation or live-action,", "seem even more shocking and brutal. However, text progresses at a snail's pace.", "frame to catch it. You have to choose between detail (the extent of", "as well. Parts the ribcage can be seen too. Then we cut to", "200 rounds shot. Time resumes and the bullets rip through Horus' shield. For", "the ribcage can be seen too. Then we cut to the other characters,", "obscured by a line of buildings. --- In animation or live-action, this is", "but the impact is obscured by a line of buildings. --- In animation", "some of the air sacs got ripped out as well. Parts the ribcage", "shot. Time resumes and the bullets rip through Horus' shield. For a few", "mist of blood. The wing is completely severed, the crop, stomach, and some", "truly: The giant ~~eagle~~ brown falcon, Horus, is fighting against a necromancer that", "Using the average rate of fire, that's 200 rounds shot. Time resumes and", "few frames, we can see his back. The shoulder and the upper-left side", "is completely severed, the crop, stomach, and some of the air sacs got", "characters, seeing Horus fall out of the sky from afar, but the impact", "few frames, making the death seem even more shocking and brutal. However, text", "of the sky from afar, but the impact is obscured by a line", "we're still flying half a ship, but it feels weaker for the reasons", "gone in a mist of blood. The wing is completely severed, the crop,", "wing is completely severed, the crop, stomach, and some of the air sacs", "right frame to catch it. You have to choose between detail (the extent", "time. So the necromancer obviously stops time, pulls out an MG 42, and", "back. The shoulder and the upper-left side are gone in a mist of", "be accomplished because the visuals allow you to tell a lot in a", "without being excessively gory. This can be accomplished because the visuals allow you", "So, here's a scene idea from yours truly: The giant ~~eagle~~ brown falcon,", "be seen too. Then we cut to the other characters, seeing Horus fall", "~~eagle~~ brown falcon, Horus, is fighting against a necromancer that can stop time.", "out of the sky from afar, but the impact is obscured by a", "can stop time. So the necromancer obviously stops time, pulls out an MG", "the upper-left side are gone in a mist of blood. The wing is", "a scene idea from yours truly: The giant ~~eagle~~ brown falcon, Horus, is", "falcon, Horus, is fighting against a necromancer that can stop time. So the", "that can stop time. So the necromancer obviously stops time, pulls out an", "for 10 seconds. Using the average rate of fire, that's 200 rounds shot.", "In animation or live-action, this is a way of shocking the audience without", "speed (the characters seeing what just happened). Sure, we're still flying half a", "rounds shot. Time resumes and the bullets rip through Horus' shield. For a", "making the death seem even more shocking and brutal. However, text progresses at", "of buildings. --- In animation or live-action, this is a way of shocking", "stated above. How can you convey suddenness when a lot is happening at", "time, pulls out an MG 42, and shoots at Horus for 10 seconds.", "line of buildings. --- In animation or live-action, this is a way of", "see his back. The shoulder and the upper-left side are gone in a", "audience without being excessively gory. This can be accomplished because the visuals allow", "ripped out as well. Parts the ribcage can be seen too. Then we", "The giant ~~eagle~~ brown falcon, Horus, is fighting against a necromancer that can", "in a few frames, making the death seem even more shocking and brutal.", "shoots at Horus for 10 seconds. Using the average rate of fire, that's", "the right frame to catch it. You have to choose between detail (the", "reasons I stated above. How can you convey suddenness when a lot is", "(the characters seeing what just happened). Sure, we're still flying half a ship,", "and tidying the prose, you don't have to pause the book at the", "don't have to pause the book at the right frame to catch it.", "and some of the air sacs got ripped out as well. Parts the", "the crop, stomach, and some of the air sacs got ripped out as", "can be accomplished because the visuals allow you to tell a lot in", "death seem even more shocking and brutal. However, text progresses at a snail's", "This can be accomplished because the visuals allow you to tell a lot", "I stated above. How can you convey suddenness when a lot is happening", "Horus fall out of the sky from afar, but the impact is obscured", "is obscured by a line of buildings. --- In animation or live-action, this", "the prose, you don't have to pause the book at the right frame", "Horus' shield. For a few frames, we can see his back. The shoulder", "his back. The shoulder and the upper-left side are gone in a mist", "have to choose between detail (the extent of the damage) and speed (the", "out as well. Parts the ribcage can be seen too. Then we cut", "MG 42, and shoots at Horus for 10 seconds. Using the average rate", "tidying the prose, you don't have to pause the book at the right", "bullets rip through Horus' shield. For a few frames, we can see his", "to catch it. You have to choose between detail (the extent of the", "book at the right frame to catch it. You have to choose between", "fire, that's 200 rounds shot. Time resumes and the bullets rip through Horus'", "pace. Even after trimming and tidying the prose, you don't have to pause", "the average rate of fire, that's 200 rounds shot. Time resumes and the", "to choose between detail (the extent of the damage) and speed (the characters", "a way of shocking the audience without being excessively gory. This can be", "lot in a few frames, making the death seem even more shocking and", "shocking and brutal. However, text progresses at a snail's pace. Even after trimming", "of the damage) and speed (the characters seeing what just happened). Sure, we're", "in a mist of blood. The wing is completely severed, the crop, stomach,", "idea from yours truly: The giant ~~eagle~~ brown falcon, Horus, is fighting against", "weaker for the reasons I stated above. How can you convey suddenness when", "blood. The wing is completely severed, the crop, stomach, and some of the", "fall out of the sky from afar, but the impact is obscured by", "still flying half a ship, but it feels weaker for the reasons I", "this is a way of shocking the audience without being excessively gory. This", "the death seem even more shocking and brutal. However, text progresses at a", "being excessively gory. This can be accomplished because the visuals allow you to", "through Horus' shield. For a few frames, we can see his back. The", "a line of buildings. --- In animation or live-action, this is a way", "You have to choose between detail (the extent of the damage) and speed", "extent of the damage) and speed (the characters seeing what just happened). Sure,", "stop time. So the necromancer obviously stops time, pulls out an MG 42,", "the sky from afar, but the impact is obscured by a line of", "stops time, pulls out an MG 42, and shoots at Horus for 10", "out an MG 42, and shoots at Horus for 10 seconds. Using the", "rip through Horus' shield. For a few frames, we can see his back.", "detail (the extent of the damage) and speed (the characters seeing what just", "feels weaker for the reasons I stated above. How can you convey suddenness", "of the air sacs got ripped out as well. Parts the ribcage can", "and brutal. However, text progresses at a snail's pace. Even after trimming and", "seconds. Using the average rate of fire, that's 200 rounds shot. Time resumes", "of fire, that's 200 rounds shot. Time resumes and the bullets rip through", "at Horus for 10 seconds. Using the average rate of fire, that's 200", "a lot in a few frames, making the death seem even more shocking", "the damage) and speed (the characters seeing what just happened). Sure, we're still", "against a necromancer that can stop time. So the necromancer obviously stops time,", "choose between detail (the extent of the damage) and speed (the characters seeing", "the air sacs got ripped out as well. Parts the ribcage can be", "text progresses at a snail's pace. Even after trimming and tidying the prose,", "characters seeing what just happened). Sure, we're still flying half a ship, but", "side are gone in a mist of blood. The wing is completely severed,", "Horus, is fighting against a necromancer that can stop time. So the necromancer", "from afar, but the impact is obscured by a line of buildings. ---", "--- In animation or live-action, this is a way of shocking the audience", "we can see his back. The shoulder and the upper-left side are gone", "pulls out an MG 42, and shoots at Horus for 10 seconds. Using", "giant ~~eagle~~ brown falcon, Horus, is fighting against a necromancer that can stop", "is a way of shocking the audience without being excessively gory. This can", "at the right frame to catch it. You have to choose between detail", "for the reasons I stated above. How can you convey suddenness when a", "average rate of fire, that's 200 rounds shot. Time resumes and the bullets", "after trimming and tidying the prose, you don't have to pause the book", "it feels weaker for the reasons I stated above. How can you convey", "fighting against a necromancer that can stop time. So the necromancer obviously stops", "For a few frames, we can see his back. The shoulder and the", "accomplished because the visuals allow you to tell a lot in a few", "snail's pace. Even after trimming and tidying the prose, you don't have to", "a mist of blood. The wing is completely severed, the crop, stomach, and", "Parts the ribcage can be seen too. Then we cut to the other", "a snail's pace. Even after trimming and tidying the prose, you don't have", "a few frames, we can see his back. The shoulder and the upper-left", "from yours truly: The giant ~~eagle~~ brown falcon, Horus, is fighting against a", "sky from afar, but the impact is obscured by a line of buildings.", "However, text progresses at a snail's pace. Even after trimming and tidying the", "it. You have to choose between detail (the extent of the damage) and", "a ship, but it feels weaker for the reasons I stated above. How", "that's 200 rounds shot. Time resumes and the bullets rip through Horus' shield.", "sacs got ripped out as well. Parts the ribcage can be seen too.", "seen too. Then we cut to the other characters, seeing Horus fall out", "the necromancer obviously stops time, pulls out an MG 42, and shoots at", "excessively gory. This can be accomplished because the visuals allow you to tell", "you to tell a lot in a few frames, making the death seem", "and speed (the characters seeing what just happened). Sure, we're still flying half", "have to pause the book at the right frame to catch it. You", "The shoulder and the upper-left side are gone in a mist of blood.", "the bullets rip through Horus' shield. For a few frames, we can see", "half a ship, but it feels weaker for the reasons I stated above.", "catch it. You have to choose between detail (the extent of the damage)", "necromancer that can stop time. So the necromancer obviously stops time, pulls out", "stomach, and some of the air sacs got ripped out as well. Parts", "the other characters, seeing Horus fall out of the sky from afar, but", "even more shocking and brutal. However, text progresses at a snail's pace. Even", "ship, but it feels weaker for the reasons I stated above. How can", "obviously stops time, pulls out an MG 42, and shoots at Horus for", "are gone in a mist of blood. The wing is completely severed, the", "air sacs got ripped out as well. Parts the ribcage can be seen", "can be seen too. Then we cut to the other characters, seeing Horus", "animation or live-action, this is a way of shocking the audience without being", "happened). Sure, we're still flying half a ship, but it feels weaker for", "can see his back. The shoulder and the upper-left side are gone in", "trimming and tidying the prose, you don't have to pause the book at", "we cut to the other characters, seeing Horus fall out of the sky", "too. Then we cut to the other characters, seeing Horus fall out of", "Time resumes and the bullets rip through Horus' shield. For a few frames,", "to pause the book at the right frame to catch it. You have", "scene idea from yours truly: The giant ~~eagle~~ brown falcon, Horus, is fighting", "you don't have to pause the book at the right frame to catch", "at a snail's pace. Even after trimming and tidying the prose, you don't", "the audience without being excessively gory. This can be accomplished because the visuals", "above. How can you convey suddenness when a lot is happening at once?**", "a necromancer that can stop time. So the necromancer obviously stops time, pulls", "frames, we can see his back. The shoulder and the upper-left side are", "brutal. However, text progresses at a snail's pace. Even after trimming and tidying", "of blood. The wing is completely severed, the crop, stomach, and some of", "here's a scene idea from yours truly: The giant ~~eagle~~ brown falcon, Horus," ]
[ "book doesn't really define what that is. When do I spell out numbers", "topics\" but looking at the style guide, I am not so sure. The", "I must spell it out for all numbers less than ten? What if", "and bases their style on Associated Press (AP) style. In one of these", "in bulleted lists? Is it true that I must spell it out for", "Press (AP) style. In one of these reports, I have a list like", "so: Topics with permission: * Publish — 3 topics * Subscribe — 2", "Receive — 2 topics * AddPermission — 5 topics My editor is telling", "following, with my emphasis added in bold: numerals In general, spell out one", "The Yankees finished second. He had nine months to go. Use figures for", "really define what that is. When do I spell out numbers in bulleted", "Associated Press Stylebook 2019 states the following, with my emphasis added in bold:", "Is it true that I must spell it out for all numbers less", "for all numbers less than ten? What if the list includes some numbers", "— 2 topics * AddPermission — 5 topics My editor is telling me", "have a list like so: Topics with permission: * Publish — 3 topics", "referring to ages of people, animals, events or things. Also in all tabular", "My editor is telling me I must spell out the numbers, IE \"three", "is telling me I must spell out the numbers, IE \"three topics\", instead", "reports and bases their style on Associated Press (AP) style. In one of", "matter, but the style book doesn't really define what that is. When do", "matter, and in statistical and sequential forms. This seems to me to be", "me to be tabular matter, but the style book doesn't really define what", "— 5 topics My editor is telling me I must spell out the", "their style on Associated Press (AP) style. In one of these reports, I", "above and whenever preceding a unit of measure or referring to ages of", "at the style guide, I am not so sure. The Associated Press Stylebook", "When do I spell out numbers in bulleted lists? Is it true that", "permission: * Publish — 3 topics * Subscribe — 2 topics * Receive", "Subscribe — 2 topics * Receive — 2 topics * AddPermission — 5", "style guide, I am not so sure. The Associated Press Stylebook 2019 states", "one of these reports, I have a list like so: Topics with permission:", "10 or above and whenever preceding a unit of measure or referring to", "spell out the numbers, IE \"three topics\", instead of \"3 topics\" but looking", "emphasis added in bold: numerals In general, spell out one through nine: The", "that I must spell it out for all numbers less than ten? What", "sure. The Associated Press Stylebook 2019 states the following, with my emphasis added", "figures for 10 or above and whenever preceding a unit of measure or", "Use figures for 10 or above and whenever preceding a unit of measure", "spell out numbers in bulleted lists? Is it true that I must spell", "\"three topics\", instead of \"3 topics\" but looking at the style guide, I", "people, animals, events or things. *Also in all tabular matter, and in statistical", "it out for all numbers less than ten? What if the list includes", "to go. Use figures for 10 or above and whenever preceding a unit", "and whenever preceding a unit of measure or referring to ages of people,", "guide, I am not so sure. The Associated Press Stylebook 2019 states the", "telling me I must spell out the numbers, IE \"three topics\", instead of", "Topics with permission: Publish — 3 topics * Subscribe — 2 topics", "The Associated Press Stylebook 2019 states the following, with my emphasis added in", "all tabular matter, and in statistical and sequential forms.** This seems to me", "my emphasis added in bold: numerals In general, spell out one through nine:", "months to go. Use figures for 10 or above and whenever preceding a", "topics\", instead of \"3 topics\" but looking at the style guide, I am", "seems to me to be tabular matter, but the style book doesn't really", "true that I must spell it out for all numbers less than ten?", "or above and whenever preceding a unit of measure or referring to ages", "Yankees finished second. He had nine months to go. Use figures for 10", "these reports, I have a list like so: Topics with permission: * Publish", "Stylebook 2019 states the following, with my emphasis added in bold: numerals In", "editor is telling me I must spell out the numbers, IE \"three topics\",", "2019 states the following, with my emphasis added in bold: numerals In general,", "define what that is. When do I spell out numbers in bulleted lists?", "doesn't really define what that is. When do I spell out numbers in", "is. When do I spell out numbers in bulleted lists? Is it true", "* AddPermission — 5 topics My editor is telling me I must spell", "out the numbers, IE \"three topics\", instead of \"3 topics\" but looking at", "states the following, with my emphasis added in bold: numerals In general, spell", "or referring to ages of people, animals, events or things. *Also in all", "Press Stylebook 2019 states the following, with my emphasis added in bold: numerals", "I have a list like so: Topics with permission: Publish — 3", "list like so: Topics with permission: * Publish — 3 topics * Subscribe", "a unit of measure or referring to ages of people, animals, events or", "Associated Press (AP) style. In one of these reports, I have a list", "things. Also in all tabular matter, and in statistical and sequential forms. This", "instead of \"3 topics\" but looking at the style guide, I am not", "— 3 topics * Subscribe — 2 topics * Receive — 2 topics", "of measure or referring to ages of people, animals, events or things. Also", "it true that I must spell it out for all numbers less than", "This seems to me to be tabular matter, but the style book doesn't", "am not so sure. The Associated Press Stylebook 2019 states the following, with", "nine: The Yankees finished second. He had nine months to go. Use figures", "unit of measure or referring to ages of people, animals, events or things.", "added in bold: numerals In general, spell out one through nine: The Yankees", "finished second. He had nine months to go. Use figures for 10 or", "had nine months to go. Use figures for 10 or above and whenever", "in all tabular matter, and in statistical and sequential forms. This seems to", "tabular matter, and in statistical and sequential forms.** This seems to me to", "must spell it out for all numbers less than ten? What if the", "go. Use figures for 10 or above and whenever preceding a unit of", "tabular matter, but the style book doesn't really define what that is. When", "topics * AddPermission — 5 topics My editor is telling me I must", "list includes some numbers greater than 10, and some between zero and 10.", "I am not so sure. The Associated Press Stylebook 2019 states the following,", "numbers in bulleted lists? Is it true that I must spell it out", "of \"3 topics\" but looking at the style guide, I am not so", "numerals In general, spell out one through nine: The Yankees finished second. He", "measure or referring to ages of people, animals, events or things. *Also in", " Receive — 2 topics * AddPermission — 5 topics My editor is", "to be tabular matter, but the style book doesn't really define what that", "3 topics * Subscribe — 2 topics * Receive — 2 topics ", "to ages of people, animals, events or things. Also in all tabular matter,", "What if the list includes some numbers greater than 10, and some between", "whenever preceding a unit of measure or referring to ages of people, animals,", "style. In one of these reports, I have a list like so: Topics", "ten? What if the list includes some numbers greater than 10, and some", "nine months to go. Use figures for 10 or above and whenever preceding", "the style guide, I am not so sure. The Associated Press Stylebook 2019", "numbers, IE \"three topics\", instead of \"3 topics\" but looking at the style", "the list includes some numbers greater than 10, and some between zero and", "of these reports, I have a list like so: Topics with permission: ", "not so sure. The Associated Press Stylebook 2019 states the following, with my", "forms. This seems to me to be tabular matter, but the style book", "me I must spell out the numbers, IE \"three topics\", instead of \"3", "lists? Is it true that I must spell it out for all numbers", "with my emphasis added in bold: numerals In general, spell out one through", "one through nine: The Yankees finished second. He had nine months to go.", "Also in all tabular matter, and in statistical and sequential forms.** This seems", "a list like so: Topics with permission: * Publish — 3 topics ", "— 2 topics Receive — 2 topics * AddPermission — 5 topics", "spell it out for all numbers less than ten? What if the list", "reports, I have a list like so: Topics with permission: * Publish —", "like so: Topics with permission: * Publish — 3 topics * Subscribe —", "the numbers, IE \"three topics\", instead of \"3 topics\" but looking at the", "out for all numbers less than ten? What if the list includes some", "on Associated Press (AP) style. In one of these reports, I have a", "topics * Receive — 2 topics * AddPermission — 5 topics My editor", "to me to be tabular matter, but the style book doesn't really define", "Publish — 3 topics * Subscribe — 2 topics * Receive — 2", "* Publish — 3 topics * Subscribe — 2 topics * Receive —", "AddPermission — 5 topics My editor is telling me I must spell out", "\"3 topics\" but looking at the style guide, I am not so sure.", "IE \"three topics\", instead of \"3 topics\" but looking at the style guide,", "I spell out numbers in bulleted lists? Is it true that I must", "with permission: * Publish — 3 topics * Subscribe — 2 topics ", "technical reports and bases their style on Associated Press (AP) style. In one", "must spell out the numbers, IE \"three topics\", instead of \"3 topics\" but", "In one of these reports, I have a list like so: Topics with", "topics My editor is telling me I must spell out the numbers, IE", "2 topics Receive — 2 topics * AddPermission — 5 topics My", "He had nine months to go. Use figures for 10 or above and", "than ten? What if the list includes some numbers greater than 10, and", "sequential forms. This seems to me to be tabular matter, but the style", "and sequential forms. This seems to me to be tabular matter, but the", "produces technical reports and bases their style on Associated Press (AP) style. In", "general, spell out one through nine: The Yankees finished second. He had nine", "5 topics My editor is telling me I must spell out the numbers,", "bulleted lists? Is it true that I must spell it out for all", "bases their style on Associated Press (AP) style. In one of these reports,", "but the style book doesn't really define what that is. When do I", "My organization produces technical reports and bases their style on Associated Press (AP)", "(AP) style. In one of these reports, I have a list like so:", "looking at the style guide, I am not so sure. The Associated Press", "bold: numerals In general, spell out one through nine: The Yankees finished second.", "statistical and sequential forms.** This seems to me to be tabular matter, but", "* Subscribe — 2 topics * Receive — 2 topics * AddPermission —", "through nine: The Yankees finished second. He had nine months to go. Use", "style book doesn't really define what that is. When do I spell out", "all numbers less than ten? What if the list includes some numbers greater", "so sure. The Associated Press Stylebook 2019 states the following, with my emphasis", "what that is. When do I spell out numbers in bulleted lists? Is", "of people, animals, events or things. Also in all tabular matter, and in", "out numbers in bulleted lists? Is it true that I must spell it", "that is. When do I spell out numbers in bulleted lists? Is it", "and in statistical and sequential forms. This seems to me to be tabular", "less than ten? What if the list includes some numbers greater than 10,", "the following, with my emphasis added in bold: numerals In general, spell out", "preceding a unit of measure or referring to ages of people, animals, events", "animals, events or things. Also in all tabular matter, and in statistical and", "be tabular matter, but the style book doesn't really define what that is.", "or things. Also in all tabular matter, and in statistical and sequential forms.", "if the list includes some numbers greater than 10, and some between zero", "ages of people, animals, events or things. Also in all tabular matter, and", "style on Associated Press (AP) style. In one of these reports, I have", "second. He had nine months to go. Use figures for 10 or above", "in statistical and sequential forms.** This seems to me to be tabular matter,", "out one through nine: The Yankees finished second. He had nine months to", "2 topics * AddPermission — 5 topics My editor is telling me I", "In general, spell out one through nine: The Yankees finished second. He had", "I must spell out the numbers, IE \"three topics\", instead of \"3 topics\"", "in bold: numerals In general, spell out one through nine: The Yankees finished", "events or things. *Also in all tabular matter, and in statistical and sequential", "organization produces technical reports and bases their style on Associated Press (AP) style.", "the style book doesn't really define what that is. When do I spell", "do I spell out numbers in bulleted lists? Is it true that I", "numbers less than ten? What if the list includes some numbers greater than", "topics Subscribe — 2 topics * Receive — 2 topics * AddPermission", "but looking at the style guide, I am not so sure. The Associated", "spell out one through nine: The Yankees finished second. He had nine months", "for 10 or above and whenever preceding a unit of measure or referring" ]
[ "own teammates are scared of him. Yet, I don't want to disgust the", "on the emotions, and the reactions, rather than the description of the injury.", "the injury. My problem comes with one of my villains, Best Dad. His", "His entire persona is as a performance artist in gore. You can't take", "him. Yet, I don't want to disgust the audience too much. How do", "part of my story. However, I can usually keep the focus on the", "my villains, Best Dad. His entire persona is as a performance artist in", "emotions, and the reactions, rather than the description of the injury. My problem", "are an integral part of my story. However, I can usually keep the", "usually keep the focus on the emotions, and the reactions, rather than the", "I can usually keep the focus on the emotions, and the reactions, rather", "point where his own teammates are scared of him. Yet, I don't want", "can usually keep the focus on the emotions, and the reactions, rather than", "creepy, repulsive, and irredeemable to the point where his own teammates are scared", "want to diminish his image! Best Dad is supposed to be creepy, repulsive,", "the reactions, rather than the description of the injury. My problem comes with", "performance artist in gore. You can't take that away from him; I don't", "Dad. His entire persona is as a performance artist in gore. You can't", "than the description of the injury. My problem comes with one of my", "and irredeemable to the point where his own teammates are scared of him.", "one of my villains, Best Dad. His entire persona is as a performance", "supposed to be creepy, repulsive, and irredeemable to the point where his own", "reactions, rather than the description of the injury. My problem comes with one", "However, I can usually keep the focus on the emotions, and the reactions,", "Dad is supposed to be creepy, repulsive, and irredeemable to the point where", "gore are an integral part of my story. However, I can usually keep", "of the injury. My problem comes with one of my villains, Best Dad.", "his own teammates are scared of him. Yet, I don't want to disgust", "is as a performance artist in gore. You can't take that away from", "to the point where his own teammates are scared of him. Yet, I", "image! Best Dad is supposed to be creepy, repulsive, and irredeemable to the", "the point where his own teammates are scared of him. Yet, I don't", "I don't want to disgust the audience too much. How do I strike", "the description of the injury. My problem comes with one of my villains,", "repulsive, and irredeemable to the point where his own teammates are scared of", "from him; I don't want to diminish his image! Best Dad is supposed", "away from him; I don't want to diminish his image! Best Dad is", "My problem comes with one of my villains, Best Dad. His entire persona", "Violence and gore are an integral part of my story. However, I can", "irredeemable to the point where his own teammates are scared of him. Yet,", "to be creepy, repulsive, and irredeemable to the point where his own teammates", "of him. Yet, I don't want to disgust the audience too much. How", "Best Dad is supposed to be creepy, repulsive, and irredeemable to the point", "to diminish his image! Best Dad is supposed to be creepy, repulsive, and", "teammates are scared of him. Yet, I don't want to disgust the audience", "of my villains, Best Dad. His entire persona is as a performance artist", "entire persona is as a performance artist in gore. You can't take that", "that away from him; I don't want to diminish his image! Best Dad", "in gore. You can't take that away from him; I don't want to", "gore. You can't take that away from him; I don't want to diminish", "Yet, I don't want to disgust the audience too much. How do I", "the emotions, and the reactions, rather than the description of the injury. My", "don't want to diminish his image! Best Dad is supposed to be creepy,", "artist in gore. You can't take that away from him; I don't want", "him; I don't want to diminish his image! Best Dad is supposed to", "diminish his image! Best Dad is supposed to be creepy, repulsive, and irredeemable", "are scared of him. Yet, I don't want to disgust the audience too", "and gore are an integral part of my story. However, I can usually", "the focus on the emotions, and the reactions, rather than the description of", "with one of my villains, Best Dad. His entire persona is as a", "don't want to disgust the audience too much. How do I strike this", "is supposed to be creepy, repulsive, and irredeemable to the point where his", "keep the focus on the emotions, and the reactions, rather than the description", "as a performance artist in gore. You can't take that away from him;", "be creepy, repulsive, and irredeemable to the point where his own teammates are", "rather than the description of the injury. My problem comes with one of", "where his own teammates are scared of him. Yet, I don't want to", "persona is as a performance artist in gore. You can't take that away", "my story. However, I can usually keep the focus on the emotions, and", "villains, Best Dad. His entire persona is as a performance artist in gore.", "story. However, I can usually keep the focus on the emotions, and the", "description of the injury. My problem comes with one of my villains, Best", "I don't want to diminish his image! Best Dad is supposed to be", "comes with one of my villains, Best Dad. His entire persona is as", "problem comes with one of my villains, Best Dad. His entire persona is", "of my story. However, I can usually keep the focus on the emotions,", "focus on the emotions, and the reactions, rather than the description of the", "an integral part of my story. However, I can usually keep the focus", "take that away from him; I don't want to diminish his image! Best", "injury. My problem comes with one of my villains, Best Dad. His entire", "can't take that away from him; I don't want to diminish his image!", "and the reactions, rather than the description of the injury. My problem comes", "Best Dad. His entire persona is as a performance artist in gore. You", "a performance artist in gore. You can't take that away from him; I", "scared of him. Yet, I don't want to disgust the audience too much.", "want to disgust the audience too much. How do I strike this balance?", "You can't take that away from him; I don't want to diminish his", "integral part of my story. However, I can usually keep the focus on", "his image! Best Dad is supposed to be creepy, repulsive, and irredeemable to" ]