Split (1)

train · 10.4M rows

ngram listlengths 0 10.5k
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[ "from the outside. Can I do this with a first person narrator without", "narrator without creeping out the reader? A little background: The narrator was born", "Hmdobr* is my inspiration, but that book was written from a third person", "giving into those dark desires. Dr. Jekyll/Mr. Hmdobr is my inspiration, but that", "and the temptation of giving into those dark desires. Dr. Jekyll/Mr. Hmdobr is", "Dr. Jekyll/Mr. Hmdobr is my inspiration, but that book was written from a", "I do this with a first person narrator without creeping out the reader?", "trying to live a normal life while suppressing his evil impulses and the", "from a third person perspective, a friend of the character looking into his", "but that book was written from a third person perspective, a friend of", "background: The narrator was born into a cult, and is half-demon as a", "narrator was born into a cult, and is half-demon as a result of", "little background: The narrator was born into a cult, and is half-demon as", "suppressing his evil impulses and the temptation of giving into those dark desires.", "a friend of the character looking into his life from the outside. Can", "the reader? A little background: The narrator was born into a cult, and", "to live a normal life while suppressing his evil impulses and the temptation", "cult, and is half-demon as a result of a ritual performed at his", "protagonist trying to live a normal life while suppressing his evil impulses and", "a normal life while suppressing his evil impulses and the temptation of giving", "into a cult, and is half-demon as a result of a ritual performed", "a protagonist trying to live a normal life while suppressing his evil impulses", "person narrator without creeping out the reader? A little background: The narrator was", "around a protagonist trying to live a normal life while suppressing his evil", "life while suppressing his evil impulses and the temptation of giving into those", "centered around a protagonist trying to live a normal life while suppressing his", "the temptation of giving into those dark desires. Dr. Jekyll/Mr. Hmdobr is my", "life from the outside. Can I do this with a first person narrator", "reader? A little background: The narrator was born into a cult, and is", "a third person perspective, a friend of the character looking into his life", "his evil impulses and the temptation of giving into those dark desires. Dr.", "do this with a first person narrator without creeping out the reader?* A", "while suppressing his evil impulses and the temptation of giving into those dark", "normal life while suppressing his evil impulses and the temptation of giving into", "temptation of giving into those dark desires. Dr. Jekyll/Mr. Hmdobr is my inspiration,", "book was written from a third person perspective, a friend of the character", "was written from a third person perspective, a friend of the character looking", "a first person narrator without creeping out the reader?** A little background: The", "of giving into those dark desires. Dr. Jekyll/Mr. Hmdobr is my inspiration, but", "evil impulses and the temptation of giving into those dark desires. Dr. Jekyll/Mr.", "I'm writing a story centered around a protagonist trying to live a normal", "this with a first person narrator without creeping out the reader?* A little", "was born into a cult, and is half-demon as a result of a", "a story centered around a protagonist trying to live a normal life while", "his life from the outside. Can I do this with a first person", "perspective, a friend of the character looking into his life from the outside.", "creeping out the reader? A little background: The narrator was born into a", "Jekyll/Mr. Hmdobr* is my inspiration, but that book was written from a third", "third person perspective, a friend of the character looking into his life from", "a cult, and is half-demon as a result of a ritual performed at", "person perspective, a friend of the character looking into his life from the", "desires. Dr. Jekyll/Mr. Hmdobr is my inspiration, but that book was written from", "the character looking into his life from the outside. Can I do this", "the outside. Can I do this with a first person narrator without creeping", "inspiration, but that book was written from a third person perspective, a friend", "looking into his life from the outside. Can I do this with a", "The narrator was born into a cult, and is half-demon as a result", "first person narrator without creeping out the reader? A little background: The narrator", "*Can I do this with a first person narrator without creeping out the", "my inspiration, but that book was written from a third person perspective, a", "that book was written from a third person perspective, a friend of the", "and is half-demon as a result of a ritual performed at his birth.", "story centered around a protagonist trying to live a normal life while suppressing", "those dark desires. Dr. Jekyll/Mr. Hmdobr* is my inspiration, but that book was", "with a first person narrator without creeping out the reader? A little background:", "of the character looking into his life from the outside. Can I do", "live a normal life while suppressing his evil impulses and the temptation of", "outside. Can I do this with a first person narrator without creeping out", "is my inspiration, but that book was written from a third person perspective,", "born into a cult, and is half-demon as a result of a ritual", "character looking into his life from the outside. Can I do this with", "writing a story centered around a protagonist trying to live a normal life", "dark desires. Dr. Jekyll/Mr. Hmdobr is my inspiration, but that book was written", "without creeping out the reader?** A little background: The narrator was born into", "impulses and the temptation of giving into those dark desires. Dr. Jekyll/Mr. Hmdobr", "written from a third person perspective, a friend of the character looking into", "into those dark desires. Dr. Jekyll/Mr. Hmdobr is my inspiration, but that book", "into his life from the outside. Can I do this with a first", "out the reader? A little background: The narrator was born into a cult,", "friend of the character looking into his life from the outside. **Can I", "A little background: The narrator was born into a cult, and is half-demon" ]
[ "full stop? It seems no matter which way round I write, it just", "can't win when I need to put more than one emoji in a", "- some before the period, some after. Yes, I might be being slightly", "the full stop? It seems no matter which way round I write, it", "some before the period, some after. Yes, I might be being slightly pedantic", "I make a hilarious joke on social media it's easy to put an", "make a more reasoned argument over a paragraph or so. I might put", "period, some after. Yes, I might be being slightly pedantic about this, but", "with an inconsistency - some before the period, some after. Yes, I might", "wrong, and one can look like a clown rather than act like one.", "Get it wrong, and one can look like a clown rather than act", "I easily end up with an inconsistency - some before the period, some", "on even informal writing is important to me. Get it wrong, and one", "after. 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The alternative is to put the", "I need to put more than one emoji in a single paragraph .", "slightly pedantic about this, but getting my grammar right on even informal writing", "follow this with another sentence, it feels like the emoji is now attached", "to set the context and make a more reasoned argument over a paragraph", "now attached to the latter rather than former sentence. I can't win. I", "feels like the emoji is now attached to the latter rather than former", "funny in the middle . Should I put the emoji before or after", "on social media it's easy to put an emoji/emoticon/smiley on the end. But", "it wrong, and one can look like a clown rather than act like", "after the full stop. But when I follow this with another sentence, it", "getting my grammar right on even informal writing is important to me. Get", "before or after the full stop? It seems no matter which way round", "is to put the emoji after the full stop. But when I follow", "the emoji before or after the full stop? It seems no matter which", "which way round I write, it just looks wrong to me. Here, the", "the emoji makes the period feel a bit orphaned. The alternative is to", "stop. But when I follow this with another sentence, it feels like the", "win. I particularly can't win when I need to put more than one", "emoji after the full stop. But when I follow this with another sentence,", "emoji in a single paragraph . I easily end up with an inconsistency", "like the emoji is now attached to the latter rather than former sentence.", "over a paragraph or so. I might put something funny in the middle", "the full stop. But when I follow this with another sentence, it feels", "need to put more than one emoji in a single paragraph . I", "might put something funny in the middle . Should I put the emoji", "When I make a hilarious joke on social media it's easy to put", "Should I put the emoji before or after the full stop? 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The", "a hilarious joke on social media it's easy to put an emoji/emoticon/smiley on", "joke on social media it's easy to put an emoji/emoticon/smiley on the end.", "something funny in the middle . Should I put the emoji before or", "easy to put an emoji/emoticon/smiley on the end. But sometimes I want to", "reasoned argument over a paragraph or so. I might put something funny in", "I can't win. I particularly can't win when I need to put more", "to put more than one emoji in a single paragraph . I easily", "to me. Get it wrong, and one can look like a clown rather", "or after the full stop? It seems no matter which way round I", "sentence, it feels like the emoji is now attached to the latter rather", ". Should I put the emoji before or after the full stop? It", "matter which way round I write, it just looks wrong to me. Here,", "paragraph or so. I might put something funny in the middle . Should", "with another sentence, it feels like the emoji is now attached to the", "write, it just looks wrong to me. Here, the emoji makes the period", "to put an emoji/emoticon/smiley on the end. But sometimes I want to set", "sometimes I want to set the context and make a more reasoned argument", "just looks wrong to me. Here, the emoji makes the period feel a", "Here, the emoji makes the period feel a bit orphaned. The alternative is", "put the emoji after the full stop. But when I follow this with", "round I write, it just looks wrong to me. Here, the emoji makes", "bit orphaned. The alternative is to put the emoji after the full stop.", "orphaned. The alternative is to put the emoji after the full stop. But", "more than one emoji in a single paragraph . I easily end up", "to put the emoji after the full stop. But when I follow this", "wrong to me. 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I could really use", "the Men. > > A MAN from the group gets up and walks", "a name or dialog and doesn't have any further role in the screenplay." ]
[ "but it seems no one hyphenates this word. I guess it's not a", "I have to write about multiple response questions, which is a slightly different", "this too, since I already established it with \"multiple-choice,\" but it seems no", "for a website that tests people. In much of the copy for the", "look weird to have \"multiple-choice\" and \"multiple response\" in the same document, or", "big deal, but would it look weird to have \"multiple-choice\" and \"multiple response\"", "a help document for a website that tests people. In much of the", "response questions, which is a slightly different type of question. I was thinking", "people. In much of the copy for the website, I've referred to \"multiple-choice\"", "is a slightly different type of question. I was thinking of hyphenating this", "that tests people. In much of the copy for the website, I've referred", "and \"multiple response\" in the same document, or should I hyphenate both types?", "much of the copy for the website, I've referred to \"multiple-choice\" questions with", "Now, I have to write about multiple response questions, which is a slightly", "question. I was thinking of hyphenating this too, since I already established it", "to have \"multiple-choice\" and \"multiple response\" in the same document, or should I", "hyphen. Now, I have to write about multiple response questions, which is a", "of hyphenating this too, since I already established it with \"multiple-choice,\" but it", "I'm writing a help document for a website that tests people. In much", "document for a website that tests people. In much of the copy for", "for the website, I've referred to \"multiple-choice\" questions with the hyphen. Now, I", "tests people. In much of the copy for the website, I've referred to", "since I already established it with \"multiple-choice,\" but it seems no one hyphenates", "In much of the copy for the website, I've referred to \"multiple-choice\" questions", "\"multiple-choice,\" but it seems no one hyphenates this word. I guess it's not", "but would it look weird to have \"multiple-choice\" and \"multiple response\" in the", "website that tests people. In much of the copy for the website, I've", "the website, I've referred to \"multiple-choice\" questions with the hyphen. Now, I have", "write about multiple response questions, which is a slightly different type of question.", "no one hyphenates this word. I guess it's not a big deal, but", "slightly different type of question. I was thinking of hyphenating this too, since", "with the hyphen. Now, I have to write about multiple response questions, which", "a slightly different type of question. I was thinking of hyphenating this too,", "hyphenating this too, since I already established it with \"multiple-choice,\" but it seems", "have \"multiple-choice\" and \"multiple response\" in the same document, or should I hyphenate", "word. I guess it's not a big deal, but would it look weird", "guess it's not a big deal, but would it look weird to have", "questions, which is a slightly different type of question. I was thinking of", "seems no one hyphenates this word. I guess it's not a big deal,", "to \"multiple-choice\" questions with the hyphen. Now, I have to write about multiple", "to write about multiple response questions, which is a slightly different type of", "have to write about multiple response questions, which is a slightly different type", "the hyphen. Now, I have to write about multiple response questions, which is", "\"multiple-choice\" and \"multiple response\" in the same document, or should I hyphenate both", "weird to have \"multiple-choice\" and \"multiple response\" in the same document, or should", "one hyphenates this word. I guess it's not a big deal, but would", "which is a slightly different type of question. I was thinking of hyphenating", "established it with \"multiple-choice,\" but it seems no one hyphenates this word. I", "writing a help document for a website that tests people. In much of", "would it look weird to have \"multiple-choice\" and \"multiple response\" in the same", "website, I've referred to \"multiple-choice\" questions with the hyphen. Now, I have to", "\"multiple-choice\" questions with the hyphen. Now, I have to write about multiple response", "multiple response questions, which is a slightly different type of question. I was", "about multiple response questions, which is a slightly different type of question. I", "it with \"multiple-choice,\" but it seems no one hyphenates this word. I guess", "deal, but would it look weird to have \"multiple-choice\" and \"multiple response\" in", "already established it with \"multiple-choice,\" but it seems no one hyphenates this word.", "a website that tests people. In much of the copy for the website,", "it seems no one hyphenates this word. I guess it's not a big", "I guess it's not a big deal, but would it look weird to", "of question. I was thinking of hyphenating this too, since I already established", "I've referred to \"multiple-choice\" questions with the hyphen. Now, I have to write", "it look weird to have \"multiple-choice\" and \"multiple response\" in the same document,", "it's not a big deal, but would it look weird to have \"multiple-choice\"", "questions with the hyphen. Now, I have to write about multiple response questions,", "this word. I guess it's not a big deal, but would it look", "with \"multiple-choice,\" but it seems no one hyphenates this word. I guess it's", "thinking of hyphenating this too, since I already established it with \"multiple-choice,\" but", "I was thinking of hyphenating this too, since I already established it with", "too, since I already established it with \"multiple-choice,\" but it seems no one", "help document for a website that tests people. In much of the copy", "copy for the website, I've referred to \"multiple-choice\" questions with the hyphen. Now,", "a big deal, but would it look weird to have \"multiple-choice\" and \"multiple", "of the copy for the website, I've referred to \"multiple-choice\" questions with the", "hyphenates this word. I guess it's not a big deal, but would it", "the copy for the website, I've referred to \"multiple-choice\" questions with the hyphen.", "was thinking of hyphenating this too, since I already established it with \"multiple-choice,\"", "different type of question. I was thinking of hyphenating this too, since I", "referred to \"multiple-choice\" questions with the hyphen. Now, I have to write about", "type of question. I was thinking of hyphenating this too, since I already", "not a big deal, but would it look weird to have \"multiple-choice\" and", "I already established it with \"multiple-choice,\" but it seems no one hyphenates this" ]
[ "the sentence is such an important description of 'they' that it seems possible", "consumers about the effects of products they face a tradeoff.\" I cannot decide", "it. My intuition tells me that I perhaps should, but the first part", "of consumers about the effects of products they face a tradeoff.\" I cannot", "if I should omit it. My intuition tells me that I perhaps should,", "I should omit it. My intuition tells me that I perhaps should, but", "an important description of 'they' that it seems possible that it should not", "description of 'they' that it seems possible that it should not be separated", "one: \"When advertisers try to influence the beliefs of consumers about the effects", "part of the sentence is such an important description of 'they' that it", "'they' that it seems possible that it should not be separated by a", "to influence the beliefs of consumers about the effects of products they face", "of products they face a tradeoff.\" I cannot decide whether I should put", "such an important description of 'they' that it seems possible that it should", "that it seems possible that it should not be separated by a comma.", "\"When advertisers try to influence the beliefs of consumers about the effects of", "tells me that I perhaps should, but the first part of the sentence", "cannot decide whether I should put a comma after 'products' or if I", "they face a tradeoff.\" I cannot decide whether I should put a comma", "after 'products' or if I should omit it. My intuition tells me that", "intuition tells me that I perhaps should, but the first part of the", "similar to this one: \"When advertisers try to influence the beliefs of consumers", "have a sentence with a structure similar to this one: \"When advertisers try", "influence the beliefs of consumers about the effects of products they face a", "of the sentence is such an important description of 'they' that it seems", "should, but the first part of the sentence is such an important description", "it should not be separated by a comma. Any input is much appreciated.", "advertisers try to influence the beliefs of consumers about the effects of products", "a sentence with a structure similar to this one: \"When advertisers try to", "beliefs of consumers about the effects of products they face a tradeoff.\" I", "face a tradeoff.\" I cannot decide whether I should put a comma after", "should put a comma after 'products' or if I should omit it. My", "put a comma after 'products' or if I should omit it. My intuition", "that I perhaps should, but the first part of the sentence is such", "I perhaps should, but the first part of the sentence is such an", "I have a sentence with a structure similar to this one: \"When advertisers", "sentence with a structure similar to this one: \"When advertisers try to influence", "whether I should put a comma after 'products' or if I should omit", "'products' or if I should omit it. My intuition tells me that I", "or if I should omit it. My intuition tells me that I perhaps", "me that I perhaps should, but the first part of the sentence is", "I should put a comma after 'products' or if I should omit it.", "the first part of the sentence is such an important description of 'they'", "of 'they' that it seems possible that it should not be separated by", "with a structure similar to this one: \"When advertisers try to influence the", "decide whether I should put a comma after 'products' or if I should", "comma after 'products' or if I should omit it. My intuition tells me", "this one: \"When advertisers try to influence the beliefs of consumers about the", "should omit it. My intuition tells me that I perhaps should, but the", "but the first part of the sentence is such an important description of", "about the effects of products they face a tradeoff.\" I cannot decide whether", "omit it. My intuition tells me that I perhaps should, but the first", "effects of products they face a tradeoff.\" I cannot decide whether I should", "tradeoff.\" I cannot decide whether I should put a comma after 'products' or", "the beliefs of consumers about the effects of products they face a tradeoff.\"", "it seems possible that it should not be separated by a comma. Any", "My intuition tells me that I perhaps should, but the first part of", "first part of the sentence is such an important description of 'they' that", "seems possible that it should not be separated by a comma. Any input", "possible that it should not be separated by a comma. Any input is", "that it should not be separated by a comma. Any input is much", "products they face a tradeoff.\" I cannot decide whether I should put a", "a tradeoff.\" I cannot decide whether I should put a comma after 'products'", "is such an important description of 'they' that it seems possible that it", "a comma after 'products' or if I should omit it. My intuition tells", "sentence is such an important description of 'they' that it seems possible that", "try to influence the beliefs of consumers about the effects of products they", "structure similar to this one: \"When advertisers try to influence the beliefs of", "perhaps should, but the first part of the sentence is such an important", "a structure similar to this one: \"When advertisers try to influence the beliefs", "important description of 'they' that it seems possible that it should not be", "I cannot decide whether I should put a comma after 'products' or if", "to this one: \"When advertisers try to influence the beliefs of consumers about", "the effects of products they face a tradeoff.\" I cannot decide whether I" ]
[ "character, and I won't give him too much dialogue that would make the", "have difficulty pronouncing? This [thread on writing slurred speech](https://writing.stackexchange.com/questions/45337/writing-slurred-speech) has some useful ideas,", "when necessary. What sounds would the character have difficulty pronouncing? This [thread on", "him too much dialogue that would make the reading tedious, but it's important", "won't give him too much dialogue that would make the reading tedious, but", "how to write his dialogue. He isn't a POV character, and I won't", "the reading tedious, but it's important that I show his mumbling through his", "character have difficulty pronouncing? This [thread on writing slurred speech](https://writing.stackexchange.com/questions/45337/writing-slurred-speech) has some useful", "difficulty pronouncing? This [thread on writing slurred speech](https://writing.stackexchange.com/questions/45337/writing-slurred-speech) has some useful ideas, though", "much dialogue that would make the reading tedious, but it's important that I", "necessary. What sounds would the character have difficulty pronouncing? This [thread on writing", "speech](https://writing.stackexchange.com/questions/45337/writing-slurred-speech) has some useful ideas, though I'm not sure any of them apply", "to write his dialogue. He isn't a POV character, and I won't give", "on how to write his dialogue. He isn't a POV character, and I", "that would make the reading tedious, but it's important that I show his", "a character that mumbles, and I'd like good advice on how to write", "advice on how to write his dialogue. He isn't a POV character, and", "like good advice on how to write his dialogue. He isn't a POV", "give him too much dialogue that would make the reading tedious, but it's", "make the reading tedious, but it's important that I show his mumbling through", "POV character, and I won't give him too much dialogue that would make", "reading tedious, but it's important that I show his mumbling through his dialogue,", "his mumbling through his dialogue, when necessary. What sounds would the character have", "too much dialogue that would make the reading tedious, but it's important that", "a POV character, and I won't give him too much dialogue that would", "on writing slurred speech](https://writing.stackexchange.com/questions/45337/writing-slurred-speech) has some useful ideas, though I'm not sure any", "has some useful ideas, though I'm not sure any of them apply to", "that mumbles, and I'd like good advice on how to write his dialogue.", "slurred speech](https://writing.stackexchange.com/questions/45337/writing-slurred-speech) has some useful ideas, though I'm not sure any of them", "but it's important that I show his mumbling through his dialogue, when necessary.", "some useful ideas, though I'm not sure any of them apply to mumbled", "that I show his mumbling through his dialogue, when necessary. What sounds would", "through his dialogue, when necessary. What sounds would the character have difficulty pronouncing?", "dialogue, when necessary. What sounds would the character have difficulty pronouncing? This [thread", "would make the reading tedious, but it's important that I show his mumbling", "would the character have difficulty pronouncing? This [thread on writing slurred speech](https://writing.stackexchange.com/questions/45337/writing-slurred-speech) has", "pronouncing? This [thread on writing slurred speech](https://writing.stackexchange.com/questions/45337/writing-slurred-speech) has some useful ideas, though I'm", "writing slurred speech](https://writing.stackexchange.com/questions/45337/writing-slurred-speech) has some useful ideas, though I'm not sure any of", "write his dialogue. He isn't a POV character, and I won't give him", "What sounds would the character have difficulty pronouncing? This [thread on writing slurred", "mumbling through his dialogue, when necessary. What sounds would the character have difficulty", "and I'd like good advice on how to write his dialogue. He isn't", "[thread on writing slurred speech](https://writing.stackexchange.com/questions/45337/writing-slurred-speech) has some useful ideas, though I'm not sure", "I'd like good advice on how to write his dialogue. He isn't a", "This [thread on writing slurred speech](https://writing.stackexchange.com/questions/45337/writing-slurred-speech) has some useful ideas, though I'm not", "good advice on how to write his dialogue. He isn't a POV character,", "He isn't a POV character, and I won't give him too much dialogue", "isn't a POV character, and I won't give him too much dialogue that", "it's important that I show his mumbling through his dialogue, when necessary. What", "his dialogue, when necessary. What sounds would the character have difficulty pronouncing? This", "and I won't give him too much dialogue that would make the reading", "tedious, but it's important that I show his mumbling through his dialogue, when", "I show his mumbling through his dialogue, when necessary. What sounds would the", "sounds would the character have difficulty pronouncing? This [thread on writing slurred speech](https://writing.stackexchange.com/questions/45337/writing-slurred-speech)", "dialogue. He isn't a POV character, and I won't give him too much", "the character have difficulty pronouncing? This [thread on writing slurred speech](https://writing.stackexchange.com/questions/45337/writing-slurred-speech) has some", "I won't give him too much dialogue that would make the reading tedious,", "got a character that mumbles, and I'd like good advice on how to", "useful ideas, though I'm not sure any of them apply to mumbled speech.", "I've got a character that mumbles, and I'd like good advice on how", "dialogue that would make the reading tedious, but it's important that I show", "mumbles, and I'd like good advice on how to write his dialogue. He", "important that I show his mumbling through his dialogue, when necessary. What sounds", "his dialogue. He isn't a POV character, and I won't give him too", "character that mumbles, and I'd like good advice on how to write his", "show his mumbling through his dialogue, when necessary. What sounds would the character" ]
[ "the room who surprises and scares her. What does she SAY? At the", "actually say, outside an episode of Scooby Doo. \"Eek!\" sounds equally implausible. Does", "an episode of Scooby Doo. \"Eek!\" sounds equally implausible. Does anyone have any", "\"Eek!\" sounds equally implausible. Does anyone have any suggestion of a suitable interjection?", "the right word to use in a (serious) comic I'm writing. The character", "something any modern teenager would actually say, outside an episode of Scooby Doo.", "say, outside an episode of Scooby Doo. \"Eek!\" sounds equally implausible. Does anyone", "she's just met. Suddenly, in mid-sentence, she sees someone entering the room who", "doesn't sound to me like something any modern teenager would actually say, outside", "in a (serious) comic I'm writing. The character is an eighteen year old", "to me like something any modern teenager would actually say, outside an episode", "character is an eighteen year old American girl, talking to some older women", "in mid-sentence, she sees someone entering the room who surprises and scares her.", "sounds equally implausible. Does anyone have any suggestion of a suitable interjection? I", "Does anyone have any suggestion of a suitable interjection? I want her to", "is an eighteen year old American girl, talking to some older women who", "comic I'm writing. The character is an eighteen year old American girl, talking", "have any suggestion of a suitable interjection? I want her to stop short", "got her saying \"Yikes!\" But this doesn't sound to me like something any", "she sees someone entering the room who surprises and scares her. What does", "of Scooby Doo. \"Eek!\" sounds equally implausible. Does anyone have any suggestion of", "modern teenager would actually say, outside an episode of Scooby Doo. \"Eek!\" sounds", "outside an episode of Scooby Doo. \"Eek!\" sounds equally implausible. Does anyone have", "the moment I've got her saying \"Yikes!\" But this doesn't sound to me", "equally implausible. Does anyone have any suggestion of a suitable interjection? I want", "At the moment I've got her saying \"Yikes!\" But this doesn't sound to", "who she's just met. Suddenly, in mid-sentence, she sees someone entering the room", "entering the room who surprises and scares her. What does she SAY? At", "I'm trying to find the right word to use in a (serious) comic", "I'm writing. The character is an eighteen year old American girl, talking to", "any suggestion of a suitable interjection? I want her to stop short of", "to use in a (serious) comic I'm writing. The character is an eighteen", "she SAY? At the moment I've got her saying \"Yikes!\" But this doesn't", "But this doesn't sound to me like something any modern teenager would actually", "sees someone entering the room who surprises and scares her. What does she", "SAY? At the moment I've got her saying \"Yikes!\" But this doesn't sound", "eighteen year old American girl, talking to some older women who she's just", "American girl, talking to some older women who she's just met. Suddenly, in", "episode of Scooby Doo. \"Eek!\" sounds equally implausible. Does anyone have any suggestion", "suggestion of a suitable interjection? I want her to stop short of actually", "of a suitable interjection? I want her to stop short of actually screaming.", "talking to some older women who she's just met. Suddenly, in mid-sentence, she", "any modern teenager would actually say, outside an episode of Scooby Doo. \"Eek!\"", "word to use in a (serious) comic I'm writing. The character is an", "year old American girl, talking to some older women who she's just met.", "would actually say, outside an episode of Scooby Doo. \"Eek!\" sounds equally implausible.", "\"Yikes!\" But this doesn't sound to me like something any modern teenager would", "What does she SAY? At the moment I've got her saying \"Yikes!\" But", "me like something any modern teenager would actually say, outside an episode of", "old American girl, talking to some older women who she's just met. Suddenly,", "an eighteen year old American girl, talking to some older women who she's", "scares her. What does she SAY? At the moment I've got her saying", "a (serious) comic I'm writing. The character is an eighteen year old American", "implausible. Does anyone have any suggestion of a suitable interjection? I want her", "teenager would actually say, outside an episode of Scooby Doo. \"Eek!\" sounds equally", "anyone have any suggestion of a suitable interjection? I want her to stop", "her saying \"Yikes!\" But this doesn't sound to me like something any modern", "moment I've got her saying \"Yikes!\" But this doesn't sound to me like", "just met. Suddenly, in mid-sentence, she sees someone entering the room who surprises", "trying to find the right word to use in a (serious) comic I'm", "saying \"Yikes!\" But this doesn't sound to me like something any modern teenager", "to some older women who she's just met. Suddenly, in mid-sentence, she sees", "her. What does she SAY? At the moment I've got her saying \"Yikes!\"", "and scares her. What does she SAY? At the moment I've got her", "some older women who she's just met. Suddenly, in mid-sentence, she sees someone", "does she SAY? At the moment I've got her saying \"Yikes!\" But this", "right word to use in a (serious) comic I'm writing. The character is", "met. Suddenly, in mid-sentence, she sees someone entering the room who surprises and", "girl, talking to some older women who she's just met. Suddenly, in mid-sentence,", "Suddenly, in mid-sentence, she sees someone entering the room who surprises and scares", "find the right word to use in a (serious) comic I'm writing. The", "to find the right word to use in a (serious) comic I'm writing.", "Scooby Doo. \"Eek!\" sounds equally implausible. Does anyone have any suggestion of a", "someone entering the room who surprises and scares her. What does she SAY?", "mid-sentence, she sees someone entering the room who surprises and scares her. What", "room who surprises and scares her. What does she SAY? At the moment", "use in a (serious) comic I'm writing. The character is an eighteen year", "women who she's just met. Suddenly, in mid-sentence, she sees someone entering the", "surprises and scares her. What does she SAY? At the moment I've got", "who surprises and scares her. What does she SAY? At the moment I've", "sound to me like something any modern teenager would actually say, outside an", "(serious) comic I'm writing. The character is an eighteen year old American girl,", "The character is an eighteen year old American girl, talking to some older", "like something any modern teenager would actually say, outside an episode of Scooby", "writing. The character is an eighteen year old American girl, talking to some", "older women who she's just met. Suddenly, in mid-sentence, she sees someone entering", "I've got her saying \"Yikes!\" But this doesn't sound to me like something", "Doo. \"Eek!\" sounds equally implausible. Does anyone have any suggestion of a suitable", "this doesn't sound to me like something any modern teenager would actually say," ]
[ "and a chance to move on with his life. The homicide of family", "alongside this main plot is the subplot linked to his wife. This subplot", "First Plot Point / First Pinch Point / Mid-Point / Second Pinch Point", "should assign that to these plot beats/points instead and using that as the", "beginning to the end and, I think I'm right in saying, would typically", "/ Resolution The hook at the beginning will be the homicide of the", "victim. The detective always believed the family friend had something to do with", "and, I think I'm right in saying, would typically be assigned to the", "I should assign that to these plot beats/points instead and using that as", "(subplot?) has higher importance than the current case as it would allow him", "Plot Point / Climatic Moment / Resolution The hook at the beginning will", "instead and using that as the force driving him forward at each stage?", "Second Pinch Point / Third Plot Point / Climatic Moment / Resolution The", "case that my protagonist, a police detective, has to solve. He faces conflict", "discovers that the homicide victim (who was a family friend) had in his", "death happened as backstory, with my Protagonist having such a strong connection to", "case as it would allow him some closure and a chance to move", "Inciting Incident / First Plot Point / First Pinch Point / Mid-Point /", "force driving him forward at each stage? Thank you in advance for your", "as it would allow him some closure and a chance to move on", "case. For the detective, solving his wife's disappearance (subplot?) has higher importance than", "the main plot running from the beginning to the end and, I think", "have voluntarily disappeared like that. With her case unsolved, it went cold. The", "points: Inciting Incident / First Plot Point / First Pinch Point / Mid-Point", "to these plot beats/points instead and using that as the force driving him", "the story. His wife was presumed to have drowned five years earlier, and", "an arrest. At the inciting incident, he discovers that the homicide victim (who", "First Pinch Point / Mid-Point / Second Pinch Point / Third Plot Point", "her case unsolved, it went cold. The last person with her on the", "think I'm right in saying, would typically be assigned to the following plot", "belonged to the detective's wife, who mysteriously died five years earlier. Running alongside", "typically be assigned to the following plot points: Inciting Incident / First Plot", "new homicide victim. The detective always believed the family friend had something to", "linked to his wife. This subplot influences his character arc through the story.", "this main plot is the subplot linked to his wife. This subplot influences", "died five years earlier. Running alongside this main plot is the subplot linked", "He faces conflict and difficulties along the way, until solving who did it", "body was never found. Relations had been excellent between them, though, and he", "be assigned to the following plot points: Inciting Incident / First Plot Point", "this subplot, I'm wondering if I should assign that to these plot beats/points", "and making an arrest. At the inciting incident, he discovers that the homicide", "Plot Point / First Pinch Point / Mid-Point / Second Pinch Point /", "story. His wife was presumed to have drowned five years earlier, and after", "wife. This subplot influences his character arc through the story. His wife was", "the new homicide victim. The detective always believed the family friend had something", "chance to move on with his life. The homicide of family friend, however,", "them, though, and he knows she wouldn't have voluntarily disappeared like that. With", "she disappeared was the family friend, the new homicide victim. The detective always", "though, and he knows she wouldn't have voluntarily disappeared like that. With her", "have drowned five years earlier, and after several years missing, 'death in absentia'", "friend, however, is the main plot running from the beginning to the end", "her. He refuses to accept her death, as a body was never found.", "like that. With her case unsolved, it went cold. The last person with", "the current case as it would allow him some closure and a chance", "Point / Mid-Point / Second Pinch Point / Third Plot Point / Climatic", "Climatic Moment / Resolution The hook at the beginning will be the homicide", "having such a strong connection to this subplot, I'm wondering if I should", "writing a crime/mystery fiction novel. The main plot involves a murder at the", "had been excellent between them, though, and he knows she wouldn't have voluntarily", "person with her on the day she disappeared was the family friend, the", "to the end and, I think I'm right in saying, would typically be", "that case. For the detective, solving his wife's disappearance (subplot?) has higher importance", "was declared for her. He refuses to accept her death, as a body", "start, a case that my protagonist, a police detective, has to solve. He", "five years earlier. Running alongside this main plot is the subplot linked to", "was a family friend) had in his possession an item that belonged to", "between them, though, and he knows she wouldn't have voluntarily disappeared like that.", "fiction novel. The main plot involves a murder at the start, a case", "/ Mid-Point / Second Pinch Point / Third Plot Point / Climatic Moment", "my Protagonist having such a strong connection to this subplot, I'm wondering if", "family friend. Although the events of his wife's death happened as backstory, with", "arrest. At the inciting incident, he discovers that the homicide victim (who was", "The main plot involves a murder at the start, a case that my", "closure and a chance to move on with his life. The homicide of", "will be the homicide of the family friend. Although the events of his", "difficulties along the way, until solving who did it and making an arrest.", "do with her disappearance, but there was no proof, no evidence linking him", "absentia' was declared for her. He refuses to accept her death, as a", "last person with her on the day she disappeared was the family friend,", "would allow him some closure and a chance to move on with his", "linking him to her death. The item found on the new victim forces", "her death, as a body was never found. Relations had been excellent between", "the way, until solving who did it and making an arrest. At the", "earlier. Running alongside this main plot is the subplot linked to his wife.", "protagonist, a police detective, has to solve. He faces conflict and difficulties along", "years missing, 'death in absentia' was declared for her. He refuses to accept", "plot beats/points instead and using that as the force driving him forward at", "some closure and a chance to move on with his life. The homicide", "homicide of family friend, however, is the main plot running from the beginning", "earlier, and after several years missing, 'death in absentia' was declared for her.", "with my Protagonist having such a strong connection to this subplot, I'm wondering", "arc through the story. His wife was presumed to have drowned five years", "has to solve. He faces conflict and difficulties along the way, until solving", "to the detective's wife, who mysteriously died five years earlier. Running alongside this", "excellent between them, though, and he knows she wouldn't have voluntarily disappeared like", "incident, he discovers that the homicide victim (who was a family friend) had", "crime/mystery fiction novel. The main plot involves a murder at the start, a", "the end and, I think I'm right in saying, would typically be assigned", "importance than the current case as it would allow him some closure and", "using that as the force driving him forward at each stage? Thank you", "of family friend, however, is the main plot running from the beginning to", "Relations had been excellent between them, though, and he knows she wouldn't have", "a case that my protagonist, a police detective, has to solve. He faces", "subplot influences his character arc through the story. His wife was presumed to", "never found. Relations had been excellent between them, though, and he knows she", "plot is the subplot linked to his wife. This subplot influences his character", "such a strong connection to this subplot, I'm wondering if I should assign", "in his possession an item that belonged to the detective's wife, who mysteriously", "something to do with her disappearance, but there was no proof, no evidence", "backstory, with my Protagonist having such a strong connection to this subplot, I'm", "but there was no proof, no evidence linking him to her death. The", "of the family friend. Although the events of his wife's death happened as", "the start, a case that my protagonist, a police detective, has to solve.", "right in saying, would typically be assigned to the following plot points: Inciting", "main plot is the subplot linked to his wife. This subplot influences his", "five years earlier, and after several years missing, 'death in absentia' was declared", "and using that as the force driving him forward at each stage? Thank", "Point / Climatic Moment / Resolution The hook at the beginning will be", "declared for her. He refuses to accept her death, as a body was", "a crime/mystery fiction novel. The main plot involves a murder at the start,", "item found on the new victim forces the detective to reinvestigate her case", "'death in absentia' was declared for her. He refuses to accept her death,", "beats/points instead and using that as the force driving him forward at each", "years earlier, and after several years missing, 'death in absentia' was declared for", "case unsolved, it went cold. The last person with her on the day", "saying, would typically be assigned to the following plot points: Inciting Incident /", "disappearance, but there was no proof, no evidence linking him to her death.", "until solving who did it and making an arrest. At the inciting incident,", "wondering if I should assign that to these plot beats/points instead and using", "after several years missing, 'death in absentia' was declared for her. He refuses", "to the following plot points: Inciting Incident / First Plot Point / First", "his wife. This subplot influences his character arc through the story. His wife", "homicide of the family friend. Although the events of his wife's death happened", "Pinch Point / Mid-Point / Second Pinch Point / Third Plot Point /", "with his life. The homicide of family friend, however, is the main plot", "I think I'm right in saying, would typically be assigned to the following", "/ Third Plot Point / Climatic Moment / Resolution The hook at the", "she wouldn't have voluntarily disappeared like that. With her case unsolved, it went", "wife was presumed to have drowned five years earlier, and after several years", "Moment / Resolution The hook at the beginning will be the homicide of", "detective's wife, who mysteriously died five years earlier. Running alongside this main plot", "at the start, a case that my protagonist, a police detective, has to", "to have drowned five years earlier, and after several years missing, 'death in", "the family friend. Although the events of his wife's death happened as backstory,", "in absentia' was declared for her. He refuses to accept her death, as", "end and, I think I'm right in saying, would typically be assigned to", "For the detective, solving his wife's disappearance (subplot?) has higher importance than the", "the homicide of the family friend. Although the events of his wife's death", "presumed to have drowned five years earlier, and after several years missing, 'death", "faces conflict and difficulties along the way, until solving who did it and", "hook at the beginning will be the homicide of the family friend. Although", "to her death. The item found on the new victim forces the detective", "him to her death. The item found on the new victim forces the", "proof, no evidence linking him to her death. The item found on the", "as the force driving him forward at each stage? Thank you in advance", "her death. The item found on the new victim forces the detective to", "he knows she wouldn't have voluntarily disappeared like that. With her case unsolved,", "wife's death happened as backstory, with my Protagonist having such a strong connection", "solve. He faces conflict and difficulties along the way, until solving who did", "happened as backstory, with my Protagonist having such a strong connection to this", "was never found. Relations had been excellent between them, though, and he knows", "his wife's disappearance (subplot?) has higher importance than the current case as it", "wife, who mysteriously died five years earlier. Running alongside this main plot is", "main plot involves a murder at the start, a case that my protagonist,", "voluntarily disappeared like that. With her case unsolved, it went cold. The last", "Mid-Point / Second Pinch Point / Third Plot Point / Climatic Moment /", "way, until solving who did it and making an arrest. At the inciting", "Although the events of his wife's death happened as backstory, with my Protagonist", "his wife's death happened as backstory, with my Protagonist having such a strong", "a strong connection to this subplot, I'm wondering if I should assign that", "refuses to accept her death, as a body was never found. Relations had", "detective, solving his wife's disappearance (subplot?) has higher importance than the current case", "with her disappearance, but there was no proof, no evidence linking him to", "a family friend) had in his possession an item that belonged to the", "With her case unsolved, it went cold. The last person with her on", "a police detective, has to solve. He faces conflict and difficulties along the", "on with his life. The homicide of family friend, however, is the main", "mysteriously died five years earlier. Running alongside this main plot is the subplot", "The detective always believed the family friend had something to do with her", "influences his character arc through the story. His wife was presumed to have", "is the main plot running from the beginning to the end and, I", "to accept her death, as a body was never found. Relations had been", "no evidence linking him to her death. The item found on the new", "forces the detective to reinvestigate her case alongside that case. For the detective,", "believed the family friend had something to do with her disappearance, but there", "cold. The last person with her on the day she disappeared was the", "homicide victim. The detective always believed the family friend had something to do", "that as the force driving him forward at each stage? Thank you in", "plot points: Inciting Incident / First Plot Point / First Pinch Point /", "a murder at the start, a case that my protagonist, a police detective,", "the inciting incident, he discovers that the homicide victim (who was a family", "at the beginning will be the homicide of the family friend. Although the", "was presumed to have drowned five years earlier, and after several years missing,", "running from the beginning to the end and, I think I'm right in", "would typically be assigned to the following plot points: Inciting Incident / First", "as backstory, with my Protagonist having such a strong connection to this subplot,", "the beginning to the end and, I think I'm right in saying, would", "At the inciting incident, he discovers that the homicide victim (who was a", "along the way, until solving who did it and making an arrest. At", "years earlier. Running alongside this main plot is the subplot linked to his", "a body was never found. Relations had been excellent between them, though, and", "was no proof, no evidence linking him to her death. The item found", "family friend, the new homicide victim. The detective always believed the family friend", "case alongside that case. For the detective, solving his wife's disappearance (subplot?) has", "The homicide of family friend, however, is the main plot running from the", "with her on the day she disappeared was the family friend, the new", "the detective, solving his wife's disappearance (subplot?) has higher importance than the current", "a chance to move on with his life. The homicide of family friend,", "This subplot influences his character arc through the story. His wife was presumed", "I'm writing a crime/mystery fiction novel. The main plot involves a murder at", "that. With her case unsolved, it went cold. The last person with her", "that the homicide victim (who was a family friend) had in his possession", "I'm wondering if I should assign that to these plot beats/points instead and", "be the homicide of the family friend. Although the events of his wife's", "strong connection to this subplot, I'm wondering if I should assign that to", "driving him forward at each stage? Thank you in advance for your answers.", "assign that to these plot beats/points instead and using that as the force", "that to these plot beats/points instead and using that as the force driving", "always believed the family friend had something to do with her disappearance, but", "assigned to the following plot points: Inciting Incident / First Plot Point /", "for her. He refuses to accept her death, as a body was never", "friend, the new homicide victim. The detective always believed the family friend had", "to move on with his life. The homicide of family friend, however, is", "solving who did it and making an arrest. At the inciting incident, he", "Point / Third Plot Point / Climatic Moment / Resolution The hook at", "detective always believed the family friend had something to do with her disappearance,", "the family friend, the new homicide victim. The detective always believed the family", "knows she wouldn't have voluntarily disappeared like that. With her case unsolved, it", "her disappearance, but there was no proof, no evidence linking him to her", "solving his wife's disappearance (subplot?) has higher importance than the current case as", "found on the new victim forces the detective to reinvestigate her case alongside", "disappearance (subplot?) has higher importance than the current case as it would allow", "to solve. He faces conflict and difficulties along the way, until solving who", "was the family friend, the new homicide victim. The detective always believed the", "plot involves a murder at the start, a case that my protagonist, a", "there was no proof, no evidence linking him to her death. The item", "victim (who was a family friend) had in his possession an item that", "found. Relations had been excellent between them, though, and he knows she wouldn't", "accept her death, as a body was never found. Relations had been excellent", "did it and making an arrest. At the inciting incident, he discovers that", "possession an item that belonged to the detective's wife, who mysteriously died five", "conflict and difficulties along the way, until solving who did it and making", "of his wife's death happened as backstory, with my Protagonist having such a", "/ Climatic Moment / Resolution The hook at the beginning will be the", "has higher importance than the current case as it would allow him some", "and he knows she wouldn't have voluntarily disappeared like that. With her case", "beginning will be the homicide of the family friend. Although the events of", "Resolution The hook at the beginning will be the homicide of the family", "to do with her disappearance, but there was no proof, no evidence linking", "/ Second Pinch Point / Third Plot Point / Climatic Moment / Resolution", "move on with his life. The homicide of family friend, however, is the", "The last person with her on the day she disappeared was the family", "friend) had in his possession an item that belonged to the detective's wife,", "Third Plot Point / Climatic Moment / Resolution The hook at the beginning", "detective, has to solve. He faces conflict and difficulties along the way, until", "death, as a body was never found. Relations had been excellent between them,", "novel. The main plot involves a murder at the start, a case that", "it would allow him some closure and a chance to move on with", "The hook at the beginning will be the homicide of the family friend.", "following plot points: Inciting Incident / First Plot Point / First Pinch Point", "Point / First Pinch Point / Mid-Point / Second Pinch Point / Third", "that belonged to the detective's wife, who mysteriously died five years earlier. Running", "and after several years missing, 'death in absentia' was declared for her. He", "subplot, I'm wondering if I should assign that to these plot beats/points instead", "her on the day she disappeared was the family friend, the new homicide", "His wife was presumed to have drowned five years earlier, and after several", "the events of his wife's death happened as backstory, with my Protagonist having", "no proof, no evidence linking him to her death. The item found on", "that my protagonist, a police detective, has to solve. He faces conflict and", "making an arrest. At the inciting incident, he discovers that the homicide victim", "Protagonist having such a strong connection to this subplot, I'm wondering if I", "Pinch Point / Third Plot Point / Climatic Moment / Resolution The hook", "higher importance than the current case as it would allow him some closure", "had something to do with her disappearance, but there was no proof, no", "death. The item found on the new victim forces the detective to reinvestigate", "detective to reinvestigate her case alongside that case. For the detective, solving his", "unsolved, it went cold. The last person with her on the day she", "from the beginning to the end and, I think I'm right in saying,", "police detective, has to solve. He faces conflict and difficulties along the way,", "evidence linking him to her death. The item found on the new victim", "these plot beats/points instead and using that as the force driving him forward", "the following plot points: Inciting Incident / First Plot Point / First Pinch", "the new victim forces the detective to reinvestigate her case alongside that case.", "than the current case as it would allow him some closure and a", "disappeared was the family friend, the new homicide victim. The detective always believed", "reinvestigate her case alongside that case. For the detective, solving his wife's disappearance", "my protagonist, a police detective, has to solve. He faces conflict and difficulties", "subplot linked to his wife. This subplot influences his character arc through the", "through the story. His wife was presumed to have drowned five years earlier,", "to reinvestigate her case alongside that case. For the detective, solving his wife's", "plot running from the beginning to the end and, I think I'm right", "him some closure and a chance to move on with his life. The", "victim forces the detective to reinvestigate her case alongside that case. For the", "connection to this subplot, I'm wondering if I should assign that to these", "main plot running from the beginning to the end and, I think I'm", "had in his possession an item that belonged to the detective's wife, who", "day she disappeared was the family friend, the new homicide victim. The detective", "who mysteriously died five years earlier. Running alongside this main plot is the", "who did it and making an arrest. At the inciting incident, he discovers", "however, is the main plot running from the beginning to the end and,", "his life. The homicide of family friend, however, is the main plot running", "item that belonged to the detective's wife, who mysteriously died five years earlier.", "to his wife. This subplot influences his character arc through the story. His", "family friend had something to do with her disappearance, but there was no", "missing, 'death in absentia' was declared for her. He refuses to accept her", "went cold. The last person with her on the day she disappeared was", "friend. Although the events of his wife's death happened as backstory, with my", "an item that belonged to the detective's wife, who mysteriously died five years", "on the new victim forces the detective to reinvestigate her case alongside that", "/ First Plot Point / First Pinch Point / Mid-Point / Second Pinch", "is the subplot linked to his wife. This subplot influences his character arc", "family friend, however, is the main plot running from the beginning to the", "the subplot linked to his wife. This subplot influences his character arc through", "the family friend had something to do with her disappearance, but there was", "the detective's wife, who mysteriously died five years earlier. Running alongside this main", "He refuses to accept her death, as a body was never found. Relations", "involves a murder at the start, a case that my protagonist, a police", "inciting incident, he discovers that the homicide victim (who was a family friend)", "wouldn't have voluntarily disappeared like that. With her case unsolved, it went cold.", "murder at the start, a case that my protagonist, a police detective, has", "and difficulties along the way, until solving who did it and making an", "the beginning will be the homicide of the family friend. Although the events", "new victim forces the detective to reinvestigate her case alongside that case. For", "on the day she disappeared was the family friend, the new homicide victim.", "I'm right in saying, would typically be assigned to the following plot points:", "alongside that case. For the detective, solving his wife's disappearance (subplot?) has higher", "(who was a family friend) had in his possession an item that belonged", "Running alongside this main plot is the subplot linked to his wife. This", "family friend) had in his possession an item that belonged to the detective's", "the day she disappeared was the family friend, the new homicide victim. The", "life. The homicide of family friend, however, is the main plot running from", "it and making an arrest. At the inciting incident, he discovers that the", "allow him some closure and a chance to move on with his life.", "in saying, would typically be assigned to the following plot points: Inciting Incident", "the detective to reinvestigate her case alongside that case. For the detective, solving", "events of his wife's death happened as backstory, with my Protagonist having such", "homicide victim (who was a family friend) had in his possession an item", "been excellent between them, though, and he knows she wouldn't have voluntarily disappeared", "drowned five years earlier, and after several years missing, 'death in absentia' was", "/ First Pinch Point / Mid-Point / Second Pinch Point / Third Plot", "character arc through the story. His wife was presumed to have drowned five", "friend had something to do with her disappearance, but there was no proof,", "Incident / First Plot Point / First Pinch Point / Mid-Point / Second", "wife's disappearance (subplot?) has higher importance than the current case as it would", "his character arc through the story. His wife was presumed to have drowned", "the homicide victim (who was a family friend) had in his possession an", "he discovers that the homicide victim (who was a family friend) had in", "her case alongside that case. For the detective, solving his wife's disappearance (subplot?)", "several years missing, 'death in absentia' was declared for her. He refuses to", "current case as it would allow him some closure and a chance to", "as a body was never found. Relations had been excellent between them, though,", "it went cold. The last person with her on the day she disappeared", "disappeared like that. With her case unsolved, it went cold. The last person", "the force driving him forward at each stage? Thank you in advance for", "if I should assign that to these plot beats/points instead and using that", "his possession an item that belonged to the detective's wife, who mysteriously died", "The item found on the new victim forces the detective to reinvestigate her", "to this subplot, I'm wondering if I should assign that to these plot" ]
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Clothes", "such as chiton and palla are hardly ever referenced in thesauruses, and when", "use encyclopedia they may only cover items during Antiquity and in certain regions.", "this as efficiently as possible. Is there any book you would recommend, what", "to a certain culture? For example, when I want to look for all", "as chiton and palla are hardly ever referenced in thesauruses, and when you", "are related to a certain culture? For example, when I want to look", "you can find all items and not just related ones associated with a", "look for words that are related to a certain culture? For example, when", "as possible. Is there any book you would recommend, what about items during", "resource where you can find all items and not just related ones associated", "for words that are related to a certain culture? For example, when I", "the Meiji Era? Clothes such as chiton and palla are hardly ever referenced", "when you use encyclopedia they may only cover items during Antiquity and in", "find all items and not just related ones associated with a certain region", "there a good online resource where you can find all items and not" ]
[ "the sky like raging horses.\" > > > Horses don't soar, but is", "I am wondering if this kind of comparison is permitted. The direction is", "Horses don't soar, but is it ok to use \"like raging horses\" after", "but is it ok to use \"like raging horses\" after \"soar high into", "is permitted. The direction is \"wrong\" and the verb is \"wrong\", so I", "\"wrong\" and the verb is \"wrong\", so I am wondering if the use", "don't soar, but is it ok to use \"like raging horses\" after \"soar", "if the use of like would be warranted and if another comparison should", "wondering if the use of like would be warranted and if another comparison", "wondering if this kind of comparison is permitted. The direction is \"wrong\" and", "> Horses don't soar, but is it ok to use \"like raging horses\"", "high into the sky like raging horses.\" > > > Horses don't soar,", "it ok to use \"like raging horses\" after \"soar high into the sky\"?", "permitted. The direction is \"wrong\" and the verb is \"wrong\", so I am", "into the sky like raging horses.\" > > > Horses don't soar, but", "after \"soar high into the sky\"? I am wondering if this kind of", "The direction is \"wrong\" and the verb is \"wrong\", so I am wondering", "> > \"Clouds soared high into the sky like raging horses.\" > >", "horses\" after \"soar high into the sky\"? I am wondering if this kind", "\"like raging horses\" after \"soar high into the sky\"? I am wondering if", "> > > Horses don't soar, but is it ok to use \"like", "comparison is permitted. The direction is \"wrong\" and the verb is \"wrong\", so", "\"wrong\", so I am wondering if the use of like would be warranted", "use \"like raging horses\" after \"soar high into the sky\"? I am wondering", "soar, but is it ok to use \"like raging horses\" after \"soar high", "the verb is \"wrong\", so I am wondering if the use of like", "kind of comparison is permitted. The direction is \"wrong\" and the verb is", "to use \"like raging horses\" after \"soar high into the sky\"? I am", "this kind of comparison is permitted. The direction is \"wrong\" and the verb", "ok to use \"like raging horses\" after \"soar high into the sky\"? I", "the sky\"? I am wondering if this kind of comparison is permitted. The", "is it ok to use \"like raging horses\" after \"soar high into the", "like raging horses.\" > > > Horses don't soar, but is it ok", "horses.\" > > > Horses don't soar, but is it ok to use", "> \"Clouds soared high into the sky like raging horses.\" > > >", "\"soar high into the sky\"? I am wondering if this kind of comparison", "if this kind of comparison is permitted. The direction is \"wrong\" and the", "am wondering if the use of like would be warranted and if another", "so I am wondering if the use of like would be warranted and", "> > Horses don't soar, but is it ok to use \"like raging", "am wondering if this kind of comparison is permitted. The direction is \"wrong\"", "soared high into the sky like raging horses.\" > > > Horses don't", "sky like raging horses.\" > > > Horses don't soar, but is it", "raging horses.\" > > > Horses don't soar, but is it ok to", "verb is \"wrong\", so I am wondering if the use of like would", "is \"wrong\" and the verb is \"wrong\", so I am wondering if the", "use of like would be warranted and if another comparison should be used.", "direction is \"wrong\" and the verb is \"wrong\", so I am wondering if", "sky\"? I am wondering if this kind of comparison is permitted. The direction", "and the verb is \"wrong\", so I am wondering if the use of", "high into the sky\"? I am wondering if this kind of comparison is", "\"Clouds soared high into the sky like raging horses.\" > > > Horses", "the use of like would be warranted and if another comparison should be", "of comparison is permitted. The direction is \"wrong\" and the verb is \"wrong\",", "into the sky\"? I am wondering if this kind of comparison is permitted.", "is \"wrong\", so I am wondering if the use of like would be", "raging horses\" after \"soar high into the sky\"? I am wondering if this", "I am wondering if the use of like would be warranted and if" ]
[ "a computer programmer, I comment my code. For example: > > The following", "Gateway requires a > token. > > > I double quote \"source 1\"", "and \"source 2\". > \"Source 2\" is a user login and password. Overall,", "entities. * Should I use double quotes or something else, such as italics", "I use double quotes or something else, such as italics or bold? ", "is a user login and password. Overall, the purpose is to > retrieve", "an AWS Gateway requires a > token. > > > I double quote", "following lines are dependent on \"source 1\" and \"source 2\". > \"Source 2\"", "1\" and \"source 2\" to make it clear they are entities. Should", "> token. > > > I double quote \"source 1\" and \"source 2\"", "I comment my code. For example: > > The following lines are dependent", "and \"source 2\" to make it clear they are entities. * Should I", "Overall, the purpose is to > retrieve an AWS token The ajax call", "> > The following lines are dependent on \"source 1\" and \"source 2\".", "ajax call to an AWS Gateway requires a > token. > > >", "password. Overall, the purpose is to > retrieve an AWS token The ajax", "example: > > The following lines are dependent on \"source 1\" and \"source", "\"source 1\" and \"source 2\". > \"Source 2\" is a user login and", "token The ajax call to an AWS Gateway requires a > token. >", "are dependent on \"source 1\" and \"source 2\". > \"Source 2\" is a", "AWS token The ajax call to an AWS Gateway requires a > token.", "AWS Gateway requires a > token. > > > I double quote \"source", "something else, such as italics or bold? * For double-quotes, should I put", "or bold? * For double-quotes, should I put the period inside or outside", "a user login and password. Overall, the purpose is to > retrieve an", "else, such as italics or bold? * For double-quotes, should I put the", "2\" is a user login and password. Overall, the purpose is to >", "double-quotes, should I put the period inside or outside the closing quotation mark?", "* For double-quotes, should I put the period inside or outside the closing", "token. > > > I double quote \"source 1\" and \"source 2\" to", "\"source 1\" and \"source 2\" to make it clear they are entities. ", "> retrieve an AWS token The ajax call to an AWS Gateway requires", "requires a > token. > > > I double quote \"source 1\" and", "> > I double quote \"source 1\" and \"source 2\" to make it", "a > token. > > > I double quote \"source 1\" and \"source", "double quotes or something else, such as italics or bold? For double-quotes,", "For example: > > The following lines are dependent on \"source 1\" and", "The following lines are dependent on \"source 1\" and \"source 2\". > \"Source", "and password. Overall, the purpose is to > retrieve an AWS token The", "1\" and \"source 2\". > \"Source 2\" is a user login and password.", "I double quote \"source 1\" and \"source 2\" to make it clear they", "\"Source 2\" is a user login and password. Overall, the purpose is to", "italics or bold? * For double-quotes, should I put the period inside or", "As a computer programmer, I comment my code. For example: > > The", "retrieve an AWS token The ajax call to an AWS Gateway requires a", "bold? * For double-quotes, should I put the period inside or outside the", "2\" to make it clear they are entities. * Should I use double", "> > > I double quote \"source 1\" and \"source 2\" to make", "quote \"source 1\" and \"source 2\" to make it clear they are entities.", "programmer, I comment my code. For example: > > The following lines are", "call to an AWS Gateway requires a > token. > > > I", "clear they are entities. * Should I use double quotes or something else,", "> \"Source 2\" is a user login and password. Overall, the purpose is", "to make it clear they are entities. * Should I use double quotes", "they are entities. * Should I use double quotes or something else, such", "to > retrieve an AWS token The ajax call to an AWS Gateway", "quotes or something else, such as italics or bold? * For double-quotes, should", "> I double quote \"source 1\" and \"source 2\" to make it clear", "For double-quotes, should I put the period inside or outside the closing quotation", "code. For example: > > The following lines are dependent on \"source 1\"", "Should I use double quotes or something else, such as italics or bold?", "lines are dependent on \"source 1\" and \"source 2\". > \"Source 2\" is", "to an AWS Gateway requires a > token. > > > I double", "is to > retrieve an AWS token The ajax call to an AWS", "* Should I use double quotes or something else, such as italics or", "my code. For example: > > The following lines are dependent on \"source", "\"source 2\" to make it clear they are entities. * Should I use", "user login and password. Overall, the purpose is to > retrieve an AWS", "or something else, such as italics or bold? * For double-quotes, should I", "comment my code. For example: > > The following lines are dependent on", "on \"source 1\" and \"source 2\". > \"Source 2\" is a user login", "computer programmer, I comment my code. For example: > > The following lines", "dependent on \"source 1\" and \"source 2\". > \"Source 2\" is a user", "\"source 2\". > \"Source 2\" is a user login and password. Overall, the", "The ajax call to an AWS Gateway requires a > token. > >", "login and password. Overall, the purpose is to > retrieve an AWS token", "make it clear they are entities. * Should I use double quotes or", "it clear they are entities. * Should I use double quotes or something", "such as italics or bold? * For double-quotes, should I put the period", "purpose is to > retrieve an AWS token The ajax call to an", "as italics or bold? * For double-quotes, should I put the period inside", "use double quotes or something else, such as italics or bold? * For", "are entities. * Should I use double quotes or something else, such as", "2\". > \"Source 2\" is a user login and password. Overall, the purpose", "double quote \"source 1\" and \"source 2\" to make it clear they are", "the purpose is to > retrieve an AWS token The ajax call to", "an AWS token The ajax call to an AWS Gateway requires a >", "> The following lines are dependent on \"source 1\" and \"source 2\". >" ]
[ "example: \"They marched in two perfectly formed lines. Their footsteps echoing through the", "POV past tense? (Not only within dialog.) For example: \"They marched in two", "acceptable to switch to present tense when writing in third person POV past", "version seems more appealing than: \"They marched in two perfectly formed lines. Their", "two perfectly formed lines. Their footsteps echoing through the hall.\" The above version", "tense? (Not only within dialog.) For example: \"They marched in two perfectly formed", "hall.\" The above version seems more appealing than: \"They marched in two perfectly", "appealing than: \"They marched in two perfectly formed lines. Their footsteps echoed through", "person POV past tense? (Not only within dialog.) For example: \"They marched in", "writing in third person POV past tense? (Not only within dialog.) For example:", "past tense? (Not only within dialog.) For example: \"They marched in two perfectly", "only within dialog.) For example: \"They marched in two perfectly formed lines. Their", "echoing through the hall.\" The above version seems more appealing than: \"They marched", "third person POV past tense? (Not only within dialog.) For example: \"They marched", "switch to present tense when writing in third person POV past tense? (Not", "lines. Their footsteps echoing through the hall.\" The above version seems more appealing", "\"They marched in two perfectly formed lines. Their footsteps echoed through the hall.\"", "For example: \"They marched in two perfectly formed lines. Their footsteps echoing through", "when writing in third person POV past tense? (Not only within dialog.) For", "in two perfectly formed lines. Their footsteps echoing through the hall.\" The above", "\"They marched in two perfectly formed lines. Their footsteps echoing through the hall.\"", "through the hall.\" The above version seems more appealing than: \"They marched in", "to switch to present tense when writing in third person POV past tense?", "it acceptable to switch to present tense when writing in third person POV", "in third person POV past tense? (Not only within dialog.) For example: \"They", "the hall.\" The above version seems more appealing than: \"They marched in two", "to present tense when writing in third person POV past tense? (Not only", "dialog.) For example: \"They marched in two perfectly formed lines. Their footsteps echoing", "The above version seems more appealing than: \"They marched in two perfectly formed", "tense when writing in third person POV past tense? (Not only within dialog.)", "footsteps echoing through the hall.\" The above version seems more appealing than: \"They", "than: \"They marched in two perfectly formed lines. Their footsteps echoed through the", "seems more appealing than: \"They marched in two perfectly formed lines. Their footsteps", "Their footsteps echoing through the hall.\" The above version seems more appealing than:", "formed lines. Their footsteps echoing through the hall.\" The above version seems more", "(Not only within dialog.) For example: \"They marched in two perfectly formed lines.", "above version seems more appealing than: \"They marched in two perfectly formed lines.", "present tense when writing in third person POV past tense? (Not only within", "marched in two perfectly formed lines. Their footsteps echoing through the hall.\" The", "Is it acceptable to switch to present tense when writing in third person", "perfectly formed lines. Their footsteps echoing through the hall.\" The above version seems", "within dialog.) For example: \"They marched in two perfectly formed lines. Their footsteps", "more appealing than: \"They marched in two perfectly formed lines. Their footsteps echoed" ]
[ "the answer. If I ask them if they mind it being publishes is", "with their name by the answer. If I ask them if they mind", "name by the answer. If I ask them if they mind it being", "and relations a question and want to publish the answers with their name", "by the answer. If I ask them if they mind it being publishes", "their name by the answer. If I ask them if they mind it", "publish the answers with their name by the answer. If I ask them", "have asked friend and relations a question and want to publish the answers", "asked friend and relations a question and want to publish the answers with", "a question and want to publish the answers with their name by the", "If I ask them if they mind it being publishes is that enough?", "to publish the answers with their name by the answer. If I ask", "answer. If I ask them if they mind it being publishes is that", "question and want to publish the answers with their name by the answer.", "and want to publish the answers with their name by the answer. If", "the answers with their name by the answer. If I ask them if", "want to publish the answers with their name by the answer. If I", "relations a question and want to publish the answers with their name by", "I have asked friend and relations a question and want to publish the", "answers with their name by the answer. If I ask them if they", "friend and relations a question and want to publish the answers with their" ]
[ "I expected this simple, but cannot find any good source. Assume there are", "good source. Assume there are two sources, source A and source B. Both", "2012). I realize I could split it somehow, but just assume that this", "provides some info on a problem, B provides other info. I would like", "there are two sources, source A and source B. Both are different from", "are different from each other, that is A provides some info on a", "assume that this combination makes sense in my context. Is the above way", "thought the \";\" can only be used if both sources say the same", "combination makes sense in my context. Is the above way correct? I thought", "I do ... because ... (And, 2008; Byl, 2012). I realize I could", "other info. I would like to cite the combination. Something like: I do", "Both are different from each other, that is A provides some info on", "like: I do ... because ... (And, 2008; Byl, 2012). I realize I", "like to cite the combination. Something like: I do ... because ... (And,", "I realize I could split it somehow, but just assume that this combination", "sources, source A and source B. Both are different from each other, that", "Is the above way correct? I thought the \";\" can only be used", "correct? I thought the \";\" can only be used if both sources say", "that is A provides some info on a problem, B provides other info.", "info. I would like to cite the combination. Something like: I do ...", "are different parts, adding up together. Thanks for any hints how to handle", "combination. Something like: I do ... because ... (And, 2008; Byl, 2012). I", "any good source. Assume there are two sources, source A and source B.", "could split it somehow, but just assume that this combination makes sense in", "here they are different parts, adding up together. Thanks for any hints how", "Byl, 2012). I realize I could split it somehow, but just assume that", "problem, B provides other info. I would like to cite the combination. Something", "the same thing. But here they are different parts, adding up together. Thanks", "above way correct? I thought the \";\" can only be used if both", "both sources say the same thing. But here they are different parts, adding", "do ... because ... (And, 2008; Byl, 2012). I realize I could split", "this combination makes sense in my context. Is the above way correct? I", "parts, adding up together. Thanks for any hints how to handle this correctly.", "... (And, 2008; Byl, 2012). I realize I could split it somehow, but", "they are different parts, adding up together. Thanks for any hints how to", "be used if both sources say the same thing. But here they are", "say the same thing. But here they are different parts, adding up together.", "different from each other, that is A provides some info on a problem,", "from each other, that is A provides some info on a problem, B", "info on a problem, B provides other info. I would like to cite", "cite the combination. Something like: I do ... because ... (And, 2008; Byl,", "expected this simple, but cannot find any good source. Assume there are two", "2008; Byl, 2012). I realize I could split it somehow, but just assume", "sense in my context. Is the above way correct? I thought the \";\"", "way correct? I thought the \";\" can only be used if both sources", "context. Is the above way correct? I thought the \";\" can only be", "it somehow, but just assume that this combination makes sense in my context.", "thing. But here they are different parts, adding up together. Thanks for any", "only be used if both sources say the same thing. But here they", "the combination. Something like: I do ... because ... (And, 2008; Byl, 2012).", "Assume there are two sources, source A and source B. Both are different", "to cite the combination. Something like: I do ... because ... (And, 2008;", "other, that is A provides some info on a problem, B provides other", "(And, 2008; Byl, 2012). I realize I could split it somehow, but just", "I would like to cite the combination. Something like: I do ... because", "I could split it somehow, but just assume that this combination makes sense", "different parts, adding up together. Thanks for any hints how to handle this", "this simple, but cannot find any good source. Assume there are two sources,", "B. Both are different from each other, that is A provides some info", "but cannot find any good source. Assume there are two sources, source A", "and source B. Both are different from each other, that is A provides", "find any good source. Assume there are two sources, source A and source", "source. Assume there are two sources, source A and source B. Both are", "because ... (And, 2008; Byl, 2012). I realize I could split it somehow,", "that this combination makes sense in my context. Is the above way correct?", "Something like: I do ... because ... (And, 2008; Byl, 2012). I realize", "in my context. Is the above way correct? I thought the \";\" can", "A and source B. Both are different from each other, that is A", "provides other info. I would like to cite the combination. Something like: I", "simple, but cannot find any good source. Assume there are two sources, source", "on a problem, B provides other info. I would like to cite the", "can only be used if both sources say the same thing. But here", "two sources, source A and source B. Both are different from each other,", "makes sense in my context. Is the above way correct? I thought the", "A provides some info on a problem, B provides other info. I would", "\";\" can only be used if both sources say the same thing. But", "used if both sources say the same thing. But here they are different", "are two sources, source A and source B. Both are different from each", "sources say the same thing. But here they are different parts, adding up", "I thought the \";\" can only be used if both sources say the", "But here they are different parts, adding up together. Thanks for any hints", "the \";\" can only be used if both sources say the same thing.", "somehow, but just assume that this combination makes sense in my context. Is", "cannot find any good source. Assume there are two sources, source A and", "but just assume that this combination makes sense in my context. Is the", "is A provides some info on a problem, B provides other info. I", "my context. Is the above way correct? I thought the \";\" can only", "B provides other info. I would like to cite the combination. Something like:", "would like to cite the combination. Something like: I do ... because ...", "source A and source B. Both are different from each other, that is", "source B. Both are different from each other, that is A provides some", "just assume that this combination makes sense in my context. Is the above", "some info on a problem, B provides other info. I would like to", "each other, that is A provides some info on a problem, B provides", "... because ... (And, 2008; Byl, 2012). I realize I could split it", "a problem, B provides other info. I would like to cite the combination.", "if both sources say the same thing. But here they are different parts,", "split it somehow, but just assume that this combination makes sense in my", "the above way correct? I thought the \";\" can only be used if", "same thing. But here they are different parts, adding up together. Thanks for", "realize I could split it somehow, but just assume that this combination makes" ]
[ "realization, etc). A has a question for B, but A doesn't get all", "question for B, but A doesn't get all the words out. How does", "the words out. How does one write that down? Examples (random context, don't", "the to reader hear a different delivery of the phrase in their head.", "they ask a question vs when they say a statement, and the distinction", "always speak in complete sentences (think about when people interrupt themselves out of", "B: \"Dude, stop.\" A: \"What?\" B: \"Don't ask me about that.\" A: \"What", "(think about when people interrupt themselves out of confusion, or a sudden realization,", "you supposed to leave it off? Or do you as the author have", "words are the same regardless if you place the mark there or not,", "How does one write that down? Examples (random context, don't worry about it", "it because it doesn't matter) (look at the bold part): B: \"Dude, stop.\"", "way to show that the phrase is, in fact, a question, and should", "speak in complete sentences (think about when people interrupt themselves out of confusion,", "about that.\" A: \"What are you-?\" You can see the only difference between", "the phrase is, in fact, a question, and should be read as one.", "the only way to show that the phrase is, in fact, a question,", "stop.\" A: \"What?\" B: \"Don't ask me about that.\" A: \"What are you-\"", "final question mark [?]. I know that the words are the same regardless", "that.\" A: \"What are you-\" OR B: \"Dude, stop.\" A: \"What?\" B: \"Don't", "because it doesn't matter) (look at the bold part): B: \"Dude, stop.\" A:", "\"What are you-\" OR B: \"Dude, stop.\" A: \"What?\" B: \"Don't ask me", "of speech and pitch when they ask a question vs when they say", "read as one. Is it correct to add the question mark at the", "get all the words out. How does one write that down? Examples (random", "vs when they say a statement, and the distinction is important. Adding the", "So I have a question concerning punctuation. Let's say that Character A is", "the final question mark [?]. I know that the words are the same", "etc). A has a question for B, but A doesn't get all the", "a different cadence of speech and pitch when they ask a question vs", "people, doesn't always speak in complete sentences (think about when people interrupt themselves", "to leave it off? Or do you as the author have the choice", "mark at the end, or are you supposed to leave it off? Or", "say that Character A is talking to Character B. Character A, like most", "when people interrupt themselves out of confusion, or a sudden realization, etc). A", "when they say a statement, and the distinction is important. Adding the question", "at the bold part): B: \"Dude, stop.\" A: \"What?\" B: \"Don't ask me", "words out. How does one write that down? Examples (random context, don't worry", "A, like most people, doesn't always speak in complete sentences (think about when", "in complete sentences (think about when people interrupt themselves out of confusion, or", "doesn't always speak in complete sentences (think about when people interrupt themselves out", "(random context, don't worry about it because it doesn't matter) (look at the", "but putting it there allows the to reader hear a different delivery of", "Adding the question mark there is the only way to show that the", "to add the question mark at the end, or are you supposed to", "Character A is talking to Character B. Character A, like most people, doesn't", "have a different cadence of speech and pitch when they ask a question", "Character A, like most people, doesn't always speak in complete sentences (think about", "and pitch when they ask a question vs when they say a statement,", "are you-?\" You can see the only difference between these is the final", "cadence of speech and pitch when they ask a question vs when they", "B: \"Don't ask me about that.\" A: \"What are you-\" OR B: \"Dude,", "that down? Examples (random context, don't worry about it because it doesn't matter)", "end, or are you supposed to leave it off? Or do you as", "about that.\" A: \"What are you-\" OR B: \"Dude, stop.\" A: \"What?\" B:", "the same regardless if you place the mark there or not, but putting", "different delivery of the phrase in their head. Humans have a different cadence", "A doesn't get all the words out. How does one write that down?", "don't worry about it because it doesn't matter) (look at the bold part):", "\"What?\" B: \"Don't ask me about that.\" A: \"What are you-?\" You can", "question mark at the end, or are you supposed to leave it off?", "are you supposed to leave it off? Or do you as the author", "know that the words are the same regardless if you place the mark", "statement, and the distinction is important. Adding the question mark there is the", "phrase is, in fact, a question, and should be read as one. Is", "one. Is it correct to add the question mark at the end, or", "distinction is important. Adding the question mark there is the only way to", "one write that down? Examples (random context, don't worry about it because it", "mark there is the only way to show that the phrase is, in", "does one write that down? Examples (random context, don't worry about it because", "only difference between these is the final question mark [?]. I know that", "You can see the only difference between these is the final question mark", "worry about it because it doesn't matter) (look at the bold part): B:", "in fact, a question, and should be read as one. Is it correct", "Examples (random context, don't worry about it because it doesn't matter) (look at", "doesn't get all the words out. How does one write that down? Examples", "difference between these is the final question mark [?]. I know that the", "question vs when they say a statement, and the distinction is important. Adding", "should be read as one. Is it correct to add the question mark", "or are you supposed to leave it off? Or do you as the", "off? Or do you as the author have the choice between the two?", "the question mark at the end, or are you supposed to leave it", "Let's say that Character A is talking to Character B. Character A, like", "about when people interrupt themselves out of confusion, or a sudden realization, etc).", "matter) (look at the bold part): B: \"Dude, stop.\" A: \"What?\" B: \"Don't", "the bold part): B: \"Dude, stop.\" A: \"What?\" B: \"Don't ask me about", "a different delivery of the phrase in their head. Humans have a different", "talking to Character B. Character A, like most people, doesn't always speak in", "the distinction is important. Adding the question mark there is the only way", "hear a different delivery of the phrase in their head. Humans have a", "[?]. I know that the words are the same regardless if you place", "A: \"What?\" B: \"Don't ask me about that.\" A: \"What are you-?\" You", "Humans have a different cadence of speech and pitch when they ask a", "add the question mark at the end, or are you supposed to leave", "leave it off? Or do you as the author have the choice between", "there is the only way to show that the phrase is, in fact,", "\"Don't ask me about that.\" A: \"What are you-?\" You can see the", "or a sudden realization, etc). A has a question for B, but A", "OR B: \"Dude, stop.\" A: \"What?\" B: \"Don't ask me about that.\" A:", "Is it correct to add the question mark at the end, or are", "the end, or are you supposed to leave it off? Or do you", "be read as one. Is it correct to add the question mark at", "most people, doesn't always speak in complete sentences (think about when people interrupt", "is talking to Character B. Character A, like most people, doesn't always speak", "B: \"Don't ask me about that.\" A: \"What are you-?\" You can see", "regardless if you place the mark there or not, but putting it there", "question mark [?]. I know that the words are the same regardless if", "themselves out of confusion, or a sudden realization, etc). A has a question", "it doesn't matter) (look at the bold part): B: \"Dude, stop.\" A: \"What?\"", "you-\" OR B: \"Dude, stop.\" A: \"What?\" B: \"Don't ask me about that.\"", "me about that.\" A: \"What are you-\" OR B: \"Dude, stop.\" A: \"What?\"", "the words are the same regardless if you place the mark there or", "it correct to add the question mark at the end, or are you", "it off? Or do you as the author have the choice between the", "correct to add the question mark at the end, or are you supposed", "place the mark there or not, but putting it there allows the to", "and the distinction is important. Adding the question mark there is the only", "part): B: \"Dude, stop.\" A: \"What?\" B: \"Don't ask me about that.\" A:", "there allows the to reader hear a different delivery of the phrase in", "the question mark there is the only way to show that the phrase", "bold part): B: \"Dude, stop.\" A: \"What?\" B: \"Don't ask me about that.\"", "pitch when they ask a question vs when they say a statement, and", "like most people, doesn't always speak in complete sentences (think about when people", "A: \"What are you-?\" You can see the only difference between these is", "there or not, but putting it there allows the to reader hear a", "at the end, or are you supposed to leave it off? Or do", "of the phrase in their head. Humans have a different cadence of speech", "same regardless if you place the mark there or not, but putting it", "have a question concerning punctuation. Let's say that Character A is talking to", "say a statement, and the distinction is important. Adding the question mark there", "A is talking to Character B. Character A, like most people, doesn't always", "if you place the mark there or not, but putting it there allows", "interrupt themselves out of confusion, or a sudden realization, etc). A has a", "ask me about that.\" A: \"What are you-?\" You can see the only", "only way to show that the phrase is, in fact, a question, and", "B. Character A, like most people, doesn't always speak in complete sentences (think", "out. How does one write that down? Examples (random context, don't worry about", "important. Adding the question mark there is the only way to show that", "are you-\" OR B: \"Dude, stop.\" A: \"What?\" B: \"Don't ask me about", "question concerning punctuation. Let's say that Character A is talking to Character B.", "A: \"What are you-\" OR B: \"Dude, stop.\" A: \"What?\" B: \"Don't ask", "to Character B. Character A, like most people, doesn't always speak in complete", "concerning punctuation. Let's say that Character A is talking to Character B. Character", "out of confusion, or a sudden realization, etc). A has a question for", "question, and should be read as one. Is it correct to add the", "allows the to reader hear a different delivery of the phrase in their", "doesn't matter) (look at the bold part): B: \"Dude, stop.\" A: \"What?\" B:", "\"Dude, stop.\" A: \"What?\" B: \"Don't ask me about that.\" A: \"What are", "mark [?]. I know that the words are the same regardless if you", "in their head. Humans have a different cadence of speech and pitch when", "supposed to leave it off? Or do you as the author have the", "fact, a question, and should be read as one. Is it correct to", "complete sentences (think about when people interrupt themselves out of confusion, or a", "a question for B, but A doesn't get all the words out. How", "between these is the final question mark [?]. I know that the words", "phrase in their head. Humans have a different cadence of speech and pitch", "A: \"What?\" B: \"Don't ask me about that.\" A: \"What are you-\" OR", "confusion, or a sudden realization, etc). A has a question for B, but", "\"Don't ask me about that.\" A: \"What are you-\" OR B: \"Dude, stop.\"", "ask a question vs when they say a statement, and the distinction is", "a question, and should be read as one. Is it correct to add", "delivery of the phrase in their head. Humans have a different cadence of", "all the words out. How does one write that down? Examples (random context,", "write that down? Examples (random context, don't worry about it because it doesn't", "(look at the bold part): B: \"Dude, stop.\" A: \"What?\" B: \"Don't ask", "see the only difference between these is the final question mark [?]. I", "is the final question mark [?]. I know that the words are the", "sudden realization, etc). A has a question for B, but A doesn't get", "different cadence of speech and pitch when they ask a question vs when", "not, but putting it there allows the to reader hear a different delivery", "when they ask a question vs when they say a statement, and the", "as one. Is it correct to add the question mark at the end,", "these is the final question mark [?]. I know that the words are", "to show that the phrase is, in fact, a question, and should be", "stop.\" A: \"What?\" B: \"Don't ask me about that.\" A: \"What are you-?\"", "reader hear a different delivery of the phrase in their head. Humans have", "and should be read as one. Is it correct to add the question", "mark there or not, but putting it there allows the to reader hear", "it there allows the to reader hear a different delivery of the phrase", "B, but A doesn't get all the words out. How does one write", "ask me about that.\" A: \"What are you-\" OR B: \"Dude, stop.\" A:", "that the phrase is, in fact, a question, and should be read as", "a question vs when they say a statement, and the distinction is important.", "the mark there or not, but putting it there allows the to reader", "me about that.\" A: \"What are you-?\" You can see the only difference", "the only difference between these is the final question mark [?]. I know", "sentences (think about when people interrupt themselves out of confusion, or a sudden", "I know that the words are the same regardless if you place the", "but A doesn't get all the words out. How does one write that", "is important. Adding the question mark there is the only way to show", "to reader hear a different delivery of the phrase in their head. Humans", "about it because it doesn't matter) (look at the bold part): B: \"Dude,", "the phrase in their head. Humans have a different cadence of speech and", "you-?\" You can see the only difference between these is the final question", "\"What are you-?\" You can see the only difference between these is the", "a statement, and the distinction is important. Adding the question mark there is", "\"What?\" B: \"Don't ask me about that.\" A: \"What are you-\" OR B:", "a question concerning punctuation. Let's say that Character A is talking to Character", "is, in fact, a question, and should be read as one. Is it", "question mark there is the only way to show that the phrase is,", "punctuation. Let's say that Character A is talking to Character B. Character A,", "context, don't worry about it because it doesn't matter) (look at the bold", "can see the only difference between these is the final question mark [?].", "people interrupt themselves out of confusion, or a sudden realization, etc). A has", "are the same regardless if you place the mark there or not, but", "for B, but A doesn't get all the words out. How does one", "they say a statement, and the distinction is important. Adding the question mark", "that the words are the same regardless if you place the mark there", "speech and pitch when they ask a question vs when they say a", "that Character A is talking to Character B. Character A, like most people,", "of confusion, or a sudden realization, etc). A has a question for B,", "their head. Humans have a different cadence of speech and pitch when they", "A has a question for B, but A doesn't get all the words", "or not, but putting it there allows the to reader hear a different", "putting it there allows the to reader hear a different delivery of the", "has a question for B, but A doesn't get all the words out.", "show that the phrase is, in fact, a question, and should be read", "a sudden realization, etc). A has a question for B, but A doesn't", "down? Examples (random context, don't worry about it because it doesn't matter) (look", "that.\" A: \"What are you-?\" You can see the only difference between these", "head. Humans have a different cadence of speech and pitch when they ask", "is the only way to show that the phrase is, in fact, a", "you place the mark there or not, but putting it there allows the", "I have a question concerning punctuation. Let's say that Character A is talking", "Character B. Character A, like most people, doesn't always speak in complete sentences" ]
[ "act in my mind, but I can't convey it enough to readers. A", "but helps them relax every now and then, making them more able to", "to write a character that is oblivious to romantic advances because they mistake", "they are about to be let go unless they can come up with", "main character doesn't solve the love interest's problem, but helps them relax every", "are just disinterested in it because they are focused more on their career.", "is a stubborn nihilist. They don't not like romance, but they are just", "been trying to write a character that is oblivious to romantic advances because", "normal, platonic reactions. I know how they act in my mind, but I", "can come up with a way to save it. The main character doesn't", "relax every now and then, making them more able to focus on their", "about to be let go unless they can come up with a way", "because they mistake them for normal, platonic reactions. I know how they act", "doesn't solve the love interest's problem, but helps them relax every now and", "be let go unless they can come up with a way to save", "I can't convey it enough to readers. A little background; The love interest", "to readers. A little background; The love interest is a stubborn nihilist. They", "The main character doesn't solve the love interest's problem, but helps them relax", "their job is because they are about to be let go unless they", "they are focused more on their career. The reason behind their focus on", "go unless they can come up with a way to save it. The", "mind, but I can't convey it enough to readers. A little background; The", "with a way to save it. The main character doesn't solve the love", "enough to readers. A little background; The love interest is a stubborn nihilist.", "on their job is because they are about to be let go unless", "have been trying to write a character that is oblivious to romantic advances", "mistake them for normal, platonic reactions. I know how they act in my", "they are just disinterested in it because they are focused more on their", "oblivious to romantic advances because they mistake them for normal, platonic reactions. I", "I have been trying to write a character that is oblivious to romantic", "a character that is oblivious to romantic advances because they mistake them for", "save it. The main character doesn't solve the love interest's problem, but helps", "character doesn't solve the love interest's problem, but helps them relax every now", "let go unless they can come up with a way to save it.", "that is oblivious to romantic advances because they mistake them for normal, platonic", "the love interest's problem, but helps them relax every now and then, making", "stubborn nihilist. They don't not like romance, but they are just disinterested in", "to be let go unless they can come up with a way to", "reactions. I know how they act in my mind, but I can't convey", "interest's problem, but helps them relax every now and then, making them more", "romantic advances because they mistake them for normal, platonic reactions. I know how", "are about to be let go unless they can come up with a", "my mind, but I can't convey it enough to readers. A little background;", "a stubborn nihilist. They don't not like romance, but they are just disinterested", "behind their focus on their job is because they are about to be", "more on their career. The reason behind their focus on their job is", "not like romance, but they are just disinterested in it because they are", "them relax every now and then, making them more able to focus on", "love interest's problem, but helps them relax every now and then, making them", "readers. A little background; The love interest is a stubborn nihilist. They don't", "know how they act in my mind, but I can't convey it enough", "interest is a stubborn nihilist. They don't not like romance, but they are", "their career. The reason behind their focus on their job is because they", "romance, but they are just disinterested in it because they are focused more", "but I can't convey it enough to readers. A little background; The love", "little background; The love interest is a stubborn nihilist. They don't not like", "helps them relax every now and then, making them more able to focus", "I know how they act in my mind, but I can't convey it", "unless they can come up with a way to save it. The main", "way to save it. The main character doesn't solve the love interest's problem,", "their focus on their job is because they are about to be let", "problem, but helps them relax every now and then, making them more able", "to save it. The main character doesn't solve the love interest's problem, but", "it. The main character doesn't solve the love interest's problem, but helps them", "they act in my mind, but I can't convey it enough to readers.", "disinterested in it because they are focused more on their career. The reason", "job is because they are about to be let go unless they can", "platonic reactions. I know how they act in my mind, but I can't", "character that is oblivious to romantic advances because they mistake them for normal,", "A little background; The love interest is a stubborn nihilist. They don't not", "don't not like romance, but they are just disinterested in it because they", "The love interest is a stubborn nihilist. They don't not like romance, but", "because they are about to be let go unless they can come up", "a way to save it. The main character doesn't solve the love interest's", "just disinterested in it because they are focused more on their career. The", "background; The love interest is a stubborn nihilist. They don't not like romance,", "nihilist. They don't not like romance, but they are just disinterested in it", "love interest is a stubborn nihilist. They don't not like romance, but they", "in my mind, but I can't convey it enough to readers. A little", "but they are just disinterested in it because they are focused more on", "focus on their job is because they are about to be let go", "on their career. The reason behind their focus on their job is because", "focused more on their career. The reason behind their focus on their job", "write a character that is oblivious to romantic advances because they mistake them", "advances because they mistake them for normal, platonic reactions. I know how they", "up with a way to save it. The main character doesn't solve the", "every now and then, making them more able to focus on their task.", "They don't not like romance, but they are just disinterested in it because", "it because they are focused more on their career. The reason behind their", "can't convey it enough to readers. A little background; The love interest is", "is because they are about to be let go unless they can come", "solve the love interest's problem, but helps them relax every now and then,", "how they act in my mind, but I can't convey it enough to", "career. The reason behind their focus on their job is because they are", "is oblivious to romantic advances because they mistake them for normal, platonic reactions.", "like romance, but they are just disinterested in it because they are focused", "The reason behind their focus on their job is because they are about", "they can come up with a way to save it. The main character", "in it because they are focused more on their career. The reason behind", "are focused more on their career. The reason behind their focus on their", "come up with a way to save it. The main character doesn't solve", "for normal, platonic reactions. I know how they act in my mind, but", "trying to write a character that is oblivious to romantic advances because they", "reason behind their focus on their job is because they are about to", "So I have been trying to write a character that is oblivious to", "because they are focused more on their career. The reason behind their focus", "it enough to readers. A little background; The love interest is a stubborn", "to romantic advances because they mistake them for normal, platonic reactions. I know", "they mistake them for normal, platonic reactions. I know how they act in", "them for normal, platonic reactions. I know how they act in my mind,", "convey it enough to readers. A little background; The love interest is a" ]
[ "every character be white. I don't believe Boyega understands the background of the", "Boyega for having every character be white. I don't believe Boyega understands the", "actor John Boyega for having every character be white. I don't believe Boyega", "If I were to write my own epic fantasy based on medieval England,", "believe Boyega understands the background of the series (i.e. that it's based on", "that it's based on medieval England). If I were to write my own", "my own epic fantasy based on medieval England, would I also get in", "has been criticized by actor John Boyega for having every character be white.", "to write my own epic fantasy based on medieval England, would I also", "of the Rings has been criticized by actor John Boyega for having every", "don't believe Boyega understands the background of the series (i.e. that it's based", "the background of the series (i.e. that it's based on medieval England). If", "England). If I were to write my own epic fantasy based on medieval", "medieval England). If I were to write my own epic fantasy based on", "by actor John Boyega for having every character be white. I don't believe", "I don't believe Boyega understands the background of the series (i.e. that it's", "criticized by actor John Boyega for having every character be white. I don't", "background of the series (i.e. that it's based on medieval England). If I", "be white. I don't believe Boyega understands the background of the series (i.e.", "(i.e. that it's based on medieval England). If I were to write my", "Boyega understands the background of the series (i.e. that it's based on medieval", "The Lord of the Rings has been criticized by actor John Boyega for", "understands the background of the series (i.e. that it's based on medieval England).", "it's based on medieval England). If I were to write my own epic", "on medieval England). If I were to write my own epic fantasy based", "I were to write my own epic fantasy based on medieval England, would", "were to write my own epic fantasy based on medieval England, would I", "write my own epic fantasy based on medieval England, would I also get", "John Boyega for having every character be white. I don't believe Boyega understands", "the Rings has been criticized by actor John Boyega for having every character", "series (i.e. that it's based on medieval England). If I were to write", "been criticized by actor John Boyega for having every character be white. I", "the series (i.e. that it's based on medieval England). If I were to", "fantasy based on medieval England, would I also get in trouble for discrimination?", "own epic fantasy based on medieval England, would I also get in trouble", "Lord of the Rings has been criticized by actor John Boyega for having", "for having every character be white. I don't believe Boyega understands the background", "of the series (i.e. that it's based on medieval England). If I were", "epic fantasy based on medieval England, would I also get in trouble for", "white. I don't believe Boyega understands the background of the series (i.e. that", "character be white. I don't believe Boyega understands the background of the series", "based on medieval England). If I were to write my own epic fantasy", "Rings has been criticized by actor John Boyega for having every character be", "having every character be white. I don't believe Boyega understands the background of" ]
[ "by government workers. Maybe the children are raised by people, assigned by the", "I thought of is that a government would collect children. I am not", "I had an idea for a setting. I don't know if it has", "raised to do the job that their 'parents' do. Is there any information", "am not sure if I should have the children be distributed to other", "not sure if I should have the children be distributed to other families", "for a setting. I don't know if it has been done before. What", "to other families or if they are to be raised by government workers.", "government would collect children. I am not sure if I should have the", "don't know if it has been done before. What I thought of is", "assigned by the government, and raised to do the job that their 'parents'", "distributed to other families or if they are to be raised by government", "be raised by government workers. Maybe the children are raised by people, assigned", "that their 'parents' do. Is there any information that I can use for", "been done before. What I thought of is that a government would collect", "if it has been done before. What I thought of is that a", "children are raised by people, assigned by the government, and raised to do", "done before. What I thought of is that a government would collect children.", "have the children be distributed to other families or if they are to", "and raised to do the job that their 'parents' do. Is there any", "would collect children. I am not sure if I should have the children", "has been done before. What I thought of is that a government would", "I am not sure if I should have the children be distributed to", "'parents' do. Is there any information that I can use for this? Is", "I don't know if it has been done before. What I thought of", "thought of is that a government would collect children. I am not sure", "to be raised by government workers. Maybe the children are raised by people,", "collect children. I am not sure if I should have the children be", "raised by people, assigned by the government, and raised to do the job", "raised by government workers. Maybe the children are raised by people, assigned by", "sure if I should have the children be distributed to other families or", "the children are raised by people, assigned by the government, and raised to", "Is there any information that I can use for this? Is there anything", "if they are to be raised by government workers. Maybe the children are", "other families or if they are to be raised by government workers. Maybe", "is that a government would collect children. I am not sure if I", "children. I am not sure if I should have the children be distributed", "that I can use for this? Is there anything I should think about?", "a setting. I don't know if it has been done before. What I", "the job that their 'parents' do. Is there any information that I can", "by the government, and raised to do the job that their 'parents' do.", "information that I can use for this? Is there anything I should think", "children be distributed to other families or if they are to be raised", "or if they are to be raised by government workers. Maybe the children", "the children be distributed to other families or if they are to be", "their 'parents' do. Is there any information that I can use for this?", "government, and raised to do the job that their 'parents' do. Is there", "there any information that I can use for this? Is there anything I", "What I thought of is that a government would collect children. I am", "to do the job that their 'parents' do. Is there any information that", "they are to be raised by government workers. Maybe the children are raised", "be distributed to other families or if they are to be raised by", "any information that I can use for this? Is there anything I should", "should have the children be distributed to other families or if they are", "before. What I thought of is that a government would collect children. I", "had an idea for a setting. I don't know if it has been", "do the job that their 'parents' do. Is there any information that I", "the government, and raised to do the job that their 'parents' do. Is", "government workers. Maybe the children are raised by people, assigned by the government,", "a government would collect children. I am not sure if I should have", "idea for a setting. I don't know if it has been done before.", "of is that a government would collect children. I am not sure if", "know if it has been done before. What I thought of is that", "an idea for a setting. I don't know if it has been done", "workers. Maybe the children are raised by people, assigned by the government, and", "job that their 'parents' do. Is there any information that I can use", "Maybe the children are raised by people, assigned by the government, and raised", "are raised by people, assigned by the government, and raised to do the", "people, assigned by the government, and raised to do the job that their", "that a government would collect children. I am not sure if I should", "families or if they are to be raised by government workers. Maybe the", "by people, assigned by the government, and raised to do the job that", "do. Is there any information that I can use for this? Is there", "I should have the children be distributed to other families or if they", "are to be raised by government workers. Maybe the children are raised by", "it has been done before. What I thought of is that a government", "if I should have the children be distributed to other families or if", "setting. I don't know if it has been done before. What I thought" ]
[ "the reader that time is passing when the character wakes up only occasionally,", "In the writing, I was doing recently, a character is locked up in", "seeing very little of the outside world, and is drugged to unconsciousness whenever", "and dragged across the country by rich slavers. How could I show the", "is locked up in a wagon and dragged across the country by rich", "could I show the reader that time is passing when the character wakes", "and three other prisoners - two girls unknown to him, and a childhood", "a character is locked up in a wagon and dragged across the country", "passing when the character wakes up only occasionally, seeing very little of the", "up only occasionally, seeing very little of the outside world, and is drugged", "is passing when the character wakes up only occasionally, seeing very little of", "wakes up only occasionally, seeing very little of the outside world, and is", "show the reader that time is passing when the character wakes up only", "that time is passing when the character wakes up only occasionally, seeing very", "character wakes up only occasionally, seeing very little of the outside world, and", "a caravan with many slavers and three other prisoners - two girls unknown", "locked up in a wagon and dragged across the country by rich slavers.", "are seen awake. The character is in a caravan with many slavers and", "many slavers and three other prisoners - two girls unknown to him, and", "in a caravan with many slavers and three other prisoners - two girls", "two girls unknown to him, and a childhood friend he was captured with.", "doing recently, a character is locked up in a wagon and dragged across", "in a wagon and dragged across the country by rich slavers. How could", "wagon and dragged across the country by rich slavers. How could I show", "the country by rich slavers. How could I show the reader that time", "slavers. How could I show the reader that time is passing when the", "time is passing when the character wakes up only occasionally, seeing very little", "is drugged to unconsciousness whenever they are seen awake. The character is in", "reader that time is passing when the character wakes up only occasionally, seeing", "seen awake. The character is in a caravan with many slavers and three", "by rich slavers. How could I show the reader that time is passing", "they are seen awake. The character is in a caravan with many slavers", "across the country by rich slavers. How could I show the reader that", "I was doing recently, a character is locked up in a wagon and", "very little of the outside world, and is drugged to unconsciousness whenever they", "prisoners - two girls unknown to him, and a childhood friend he was", "three other prisoners - two girls unknown to him, and a childhood friend", "the character wakes up only occasionally, seeing very little of the outside world,", "and is drugged to unconsciousness whenever they are seen awake. The character is", "country by rich slavers. How could I show the reader that time is", "recently, a character is locked up in a wagon and dragged across the", "only occasionally, seeing very little of the outside world, and is drugged to", "to unconsciousness whenever they are seen awake. The character is in a caravan", "- two girls unknown to him, and a childhood friend he was captured", "caravan with many slavers and three other prisoners - two girls unknown to", "with many slavers and three other prisoners - two girls unknown to him,", "slavers and three other prisoners - two girls unknown to him, and a", "writing, I was doing recently, a character is locked up in a wagon", "a wagon and dragged across the country by rich slavers. How could I", "is in a caravan with many slavers and three other prisoners - two", "character is locked up in a wagon and dragged across the country by", "drugged to unconsciousness whenever they are seen awake. The character is in a", "occasionally, seeing very little of the outside world, and is drugged to unconsciousness", "outside world, and is drugged to unconsciousness whenever they are seen awake. The", "character is in a caravan with many slavers and three other prisoners -", "How could I show the reader that time is passing when the character", "of the outside world, and is drugged to unconsciousness whenever they are seen", "rich slavers. How could I show the reader that time is passing when", "the outside world, and is drugged to unconsciousness whenever they are seen awake.", "dragged across the country by rich slavers. How could I show the reader", "unconsciousness whenever they are seen awake. The character is in a caravan with", "awake. The character is in a caravan with many slavers and three other", "other prisoners - two girls unknown to him, and a childhood friend he", "was doing recently, a character is locked up in a wagon and dragged", "whenever they are seen awake. The character is in a caravan with many", "I show the reader that time is passing when the character wakes up", "little of the outside world, and is drugged to unconsciousness whenever they are", "when the character wakes up only occasionally, seeing very little of the outside", "world, and is drugged to unconsciousness whenever they are seen awake. The character", "the writing, I was doing recently, a character is locked up in a", "The character is in a caravan with many slavers and three other prisoners", "up in a wagon and dragged across the country by rich slavers. How" ]
[ "I'm writing a new story. The main character is male. I know how", "I'm lost on writing him. Here's the story so far: His family was", "and then he ended up in the position to save a kingdom. I'm", "but should I add more females or other characters? I'm really stuck on", "of a male (I am one), but I'm lost on writing him. Here's", "gay, so I wouldn't know what to write about if he were straight", "also need to figure out how the story is going to end up.", "need to know what sexuality would work and if he does end up", "sexuality, race, personality, etc. he has. Is there anyway that I could figure", "do asexual, since I do want some sexual tension in the book), but", "but I don't know if he should be gay, straight, bi, or other.", "need to figure out how the story is going to end up. I'm", "Here's the story so far: His family was killed, he ended up in", "how to write him. What I mean, is I don't know what sexuality,", "the sexuality part. I would be fine giving him any sexuality (I would", "story is going to end up. I'm going to have a mainly male", "(I would rather not do asexual, since I do want some sexual tension", "to write about if he were straight or bisexual. And I don't necessarily", "I'm not sure why. I need to know what sexuality would work and", "I'm lost on how to write him. What I mean, is I don't", "character is male. I know how to write from the viewpoint of a", "a male (I am one), but I'm lost on writing him. Here's the", "but I'm lost on writing him. Here's the story so far: His family", "be fine giving him any sexuality (I would rather not do asexual, since", "he were straight or bisexual. And I don't necessarily want to make him", "want some sexual tension in the book), but I don't know if he", "a new story. The main character is male. I know how to write", "save a kingdom. I'm lost on how to write him. What I mean,", "to have a mainly male cast (I'm more comfortable writing males than females),", "that I could figure it out? Or got any ideas? I also need", "more females or other characters? I'm really stuck on the sexuality part. I", "would be fine giving him any sexuality (I would rather not do asexual,", "wouldn't know what to write about if he were straight or bisexual. And", "other. The problem is that I'm gay, so I wouldn't know what to", "could figure it out? Or got any ideas? I also need to figure", "I'm going to have a mainly male cast (I'm more comfortable writing males", "up. I'm going to have a mainly male cast (I'm more comfortable writing", "one), but I'm lost on writing him. Here's the story so far: His", "on writing him. Here's the story so far: His family was killed, he", "story. The main character is male. I know how to write from the", "far: His family was killed, he ended up in the court of a", "or other characters? I'm really stuck on the sexuality part. I would be", "lost on how to write him. What I mean, is I don't know", "or other. The problem is that I'm gay, so I wouldn't know what", "what sexuality would work and if he does end up being attracted to", "male. I know how to write from the viewpoint of a male (I", "anyway that I could figure it out? Or got any ideas? I also", "asexual, since I do want some sexual tension in the book), but I", "race, personality, etc. he has. Is there anyway that I could figure it", "gay, straight, bi, or other. The problem is that I'm gay, so I", "to end up. I'm going to have a mainly male cast (I'm more", "the book), but I don't know if he should be gay, straight, bi,", "not do asexual, since I do want some sexual tension in the book),", "to women in some way shape or form, what is it like? Thanks.", "know what to write about if he were straight or bisexual. And I", "does end up being attracted to women in some way shape or form,", "know what sexuality, race, personality, etc. he has. Is there anyway that I", "know how to write from the viewpoint of a male (I am one),", "if he does end up being attracted to women in some way shape", "he has. Is there anyway that I could figure it out? Or got", "end up. I'm going to have a mainly male cast (I'm more comfortable", "royal family, and then he ended up in the position to save a", "on the sexuality part. I would be fine giving him any sexuality (I", "ended up in the position to save a kingdom. I'm lost on how", "any sexuality (I would rather not do asexual, since I do want some", "that I'm gay, so I wouldn't know what to write about if he", "stuck on the sexuality part. I would be fine giving him any sexuality", "Or got any ideas? I also need to figure out how the story", "about if he were straight or bisexual. And I don't necessarily want to", "bisexual. And I don't necessarily want to make him gay, though I'm not", "not sure why. I need to know what sexuality would work and if", "in the court of a royal family, and then he ended up in", "I'm gay, so I wouldn't know what to write about if he were", "know what sexuality would work and if he does end up being attracted", "males than females), but should I add more females or other characters? I'm", "got any ideas? I also need to figure out how the story is", "more comfortable writing males than females), but should I add more females or", "it out? Or got any ideas? I also need to figure out how", "giving him any sexuality (I would rather not do asexual, since I do", "be gay, straight, bi, or other. The problem is that I'm gay, so", "why. I need to know what sexuality would work and if he does", "is I don't know what sexuality, race, personality, etc. he has. Is there", "to write from the viewpoint of a male (I am one), but I'm", "straight, bi, or other. The problem is that I'm gay, so I wouldn't", "figure it out? Or got any ideas? I also need to figure out", "or bisexual. And I don't necessarily want to make him gay, though I'm", "want to make him gay, though I'm not sure why. I need to", "What I mean, is I don't know what sexuality, race, personality, etc. he", "cast (I'm more comfortable writing males than females), but should I add more", "don't know if he should be gay, straight, bi, or other. The problem", "were straight or bisexual. And I don't necessarily want to make him gay,", "family, and then he ended up in the position to save a kingdom.", "I wouldn't know what to write about if he were straight or bisexual.", "I could figure it out? Or got any ideas? I also need to", "make him gay, though I'm not sure why. I need to know what", "(I am one), but I'm lost on writing him. Here's the story so", "some sexual tension in the book), but I don't know if he should", "if he should be gay, straight, bi, or other. The problem is that", "out how the story is going to end up. I'm going to have", "have a mainly male cast (I'm more comfortable writing males than females), but", "story so far: His family was killed, he ended up in the court", "really stuck on the sexuality part. I would be fine giving him any", "don't know what sexuality, race, personality, etc. he has. Is there anyway that", "figure out how the story is going to end up. I'm going to", "sexuality part. I would be fine giving him any sexuality (I would rather", "being attracted to women in some way shape or form, what is it", "straight or bisexual. And I don't necessarily want to make him gay, though", "part. I would be fine giving him any sexuality (I would rather not", "I mean, is I don't know what sexuality, race, personality, etc. he has.", "write from the viewpoint of a male (I am one), but I'm lost", "up in the position to save a kingdom. I'm lost on how to", "a royal family, and then he ended up in the position to save", "tension in the book), but I don't know if he should be gay,", "he ended up in the position to save a kingdom. I'm lost on", "attracted to women in some way shape or form, what is it like?", "how the story is going to end up. I'm going to have a", "comfortable writing males than females), but should I add more females or other", "what to write about if he were straight or bisexual. And I don't", "in the book), but I don't know if he should be gay, straight,", "(I'm more comfortable writing males than females), but should I add more females", "I don't necessarily want to make him gay, though I'm not sure why.", "killed, he ended up in the court of a royal family, and then", "The problem is that I'm gay, so I wouldn't know what to write", "so I wouldn't know what to write about if he were straight or", "the court of a royal family, and then he ended up in the", "him. Here's the story so far: His family was killed, he ended up", "the position to save a kingdom. I'm lost on how to write him.", "since I do want some sexual tension in the book), but I don't", "And I don't necessarily want to make him gay, though I'm not sure", "females or other characters? I'm really stuck on the sexuality part. I would", "end up being attracted to women in some way shape or form, what", "if he were straight or bisexual. And I don't necessarily want to make", "His family was killed, he ended up in the court of a royal", "up in the court of a royal family, and then he ended up", "book), but I don't know if he should be gay, straight, bi, or", "sure why. I need to know what sexuality would work and if he", "to save a kingdom. I'm lost on how to write him. What I", "from the viewpoint of a male (I am one), but I'm lost on", "write him. What I mean, is I don't know what sexuality, race, personality,", "though I'm not sure why. I need to know what sexuality would work", "to figure out how the story is going to end up. I'm going", "main character is male. I know how to write from the viewpoint of", "what sexuality, race, personality, etc. he has. Is there anyway that I could", "then he ended up in the position to save a kingdom. I'm lost", "Is there anyway that I could figure it out? Or got any ideas?", "sexual tension in the book), but I don't know if he should be", "don't necessarily want to make him gay, though I'm not sure why. I", "would rather not do asexual, since I do want some sexual tension in", "sexuality would work and if he does end up being attracted to women", "to write him. What I mean, is I don't know what sexuality, race,", "to make him gay, though I'm not sure why. I need to know", "the viewpoint of a male (I am one), but I'm lost on writing", "going to end up. I'm going to have a mainly male cast (I'm", "should I add more females or other characters? 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I know how to", "the story is going to end up. I'm going to have a mainly", "I would be fine giving him any sexuality (I would rather not do", "ended up in the court of a royal family, and then he ended", "I do want some sexual tension in the book), but I don't know", "how to write from the viewpoint of a male (I am one), but", "writing males than females), but should I add more females or other characters?", "the story so far: His family was killed, he ended up in the", "do want some sexual tension in the book), but I don't know if", "add more females or other characters? I'm really stuck on the sexuality part.", "and if he does end up being attracted to women in some way", "position to save a kingdom. I'm lost on how to write him. What", "rather not do asexual, since I do want some sexual tension in the", "male cast (I'm more comfortable writing males than females), but should I add", "characters? I'm really stuck on the sexuality part. 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Or got any", "fine giving him any sexuality (I would rather not do asexual, since I", "he ended up in the court of a royal family, and then he", "ideas? I also need to figure out how the story is going to", "to know what sexuality would work and if he does end up being", "sexuality (I would rather not do asexual, since I do want some sexual", "problem is that I'm gay, so I wouldn't know what to write about", "would work and if he does end up being attracted to women in", "The main character is male. I know how to write from the viewpoint", "is going to end up. I'm going to have a mainly male cast", "male (I am one), but I'm lost on writing him. Here's the story", "he should be gay, straight, bi, or other. The problem is that I'm", "I also need to figure out how the story is going to end", "was killed, he ended up in the court of a royal family, and", "mainly male cast (I'm more comfortable writing males than females), but should I", "should be gay, straight, bi, or other. The problem is that I'm gay,", "lost on writing him. Here's the story so far: His family was killed,", "he does end up being attracted to women in some way shape or", "females), but should I add more females or other characters? I'm really stuck" ]
[ "chapter, is stiff as a board. Way too much subject, verb sentence structure", "enough. Oh, and I’ve rewritten the first chapter I do not know how", "the star of the opening chapter, I can’t stop overthinking every detail! As", "first paragraph, indeed the first chapter, is stiff as a board. Way too", "be dead easy to write her. But I somewhat freeze, worried that I’m", "her. But I somewhat freeze, worried that I’m not conveying her experiences, emotions,", "the flow. I know this, but can’t break out. I need to get", "unfortunately, is suffering under my constraint and concern. I know her inside out,", "not know how many times. But because my protagonist is the star of", "the first chapter, is stiff as a board. Way too much subject, verb", "too. A couple of chapters in, my writing flows just fine. Also, I", "board. Way too much subject, verb sentence structure (clean and safe). Basically, I’m", "I’m strangling the voice too. A couple of chapters in, my writing flows", "the first chapter I do not know how many times. But because my", "are fun to write, as a result. My protagonist, unfortunately, is suffering under", "well enough. Oh, and I’ve rewritten the first chapter I do not know", "a result, I’m stifling the flow. I know this, but can’t break out.", "paper. But the first paragraph, indeed the first chapter, is stiff as a", "worried about striking the correct chords that I’m strangling the opening of my", "quite clearly. They are fun to write, as a result. My protagonist, unfortunately,", "result. My protagonist, unfortunately, is suffering under my constraint and concern. I know", "They are fun to write, as a result. My protagonist, unfortunately, is suffering", "is suffering under my constraint and concern. I know her inside out, and", "write her. But I somewhat freeze, worried that I’m not conveying her experiences,", "I’m not conveying her experiences, emotions, and dilemmas well enough. Oh, and I’ve", "suffering under my constraint and concern. I know her inside out, and it", "in, my writing flows just fine. Also, I notice that my secondary characters’", "I can’t stop overthinking every detail! As a result, I’m stifling the flow.", "break out. I need to get over this hump. Any ideas are welcome!", "and dilemmas well enough. Oh, and I’ve rewritten the first chapter I do", "and concern. I know her inside out, and it should be dead easy", "her inside out, and it should be dead easy to write her. But", "paragraph, indeed the first chapter, is stiff as a board. Way too much", "personalities come through quite clearly. They are fun to write, as a result.", "I notice that my secondary characters’ personalities come through quite clearly. They are", "many times. But because my protagonist is the star of the opening chapter,", "stop overthinking every detail! As a result, I’m stifling the flow. I know", "the opening chapter, I can’t stop overthinking every detail! As a result, I’m", "chords that I’m strangling the opening of my story and it has no", "the voice too. A couple of chapters in, my writing flows just fine.", "I need to get over this hump. Any ideas are welcome! Thank you.", "I’ve rewritten the first chapter I do not know how many times. But", "I’m so worried about striking the correct chords that I’m strangling the opening", "because my protagonist is the star of the opening chapter, I can’t stop", "overthinking every detail! As a result, I’m stifling the flow. I know this,", "indeed the first chapter, is stiff as a board. Way too much subject,", "much subject, verb sentence structure (clean and safe). Basically, I’m so worried about", "But the first paragraph, indeed the first chapter, is stiff as a board.", "strangling the voice too. A couple of chapters in, my writing flows just", "that my secondary characters’ personalities come through quite clearly. They are fun to", "story is raring to be put on paper. But the first paragraph, indeed", "Basically, I’m so worried about striking the correct chords that I’m strangling the", "of my story and it has no flow. I’m strangling the voice too.", "voice too. A couple of chapters in, my writing flows just fine. Also,", "rewritten the first chapter I do not know how many times. But because", "notice that my secondary characters’ personalities come through quite clearly. They are fun", "fine. Also, I notice that my secondary characters’ personalities come through quite clearly.", "A couple of chapters in, my writing flows just fine. Also, I notice", "as a result. My protagonist, unfortunately, is suffering under my constraint and concern.", "fun to write, as a result. My protagonist, unfortunately, is suffering under my", "do not know how many times. But because my protagonist is the star", "times. But because my protagonist is the star of the opening chapter, I", "the opening of my story and it has no flow. I’m strangling the", "correct chords that I’m strangling the opening of my story and it has", "Way too much subject, verb sentence structure (clean and safe). Basically, I’m so", "know how many times. But because my protagonist is the star of the", "should be dead easy to write her. But I somewhat freeze, worried that", "inside out, and it should be dead easy to write her. But I", "too much subject, verb sentence structure (clean and safe). Basically, I’m so worried", "detail! As a result, I’m stifling the flow. I know this, but can’t", "flows just fine. Also, I notice that my secondary characters’ personalities come through", "writing flows just fine. Also, I notice that my secondary characters’ personalities come", "of the opening chapter, I can’t stop overthinking every detail! As a result,", "Also, I notice that my secondary characters’ personalities come through quite clearly. They", "first chapter, is stiff as a board. Way too much subject, verb sentence", "safe). Basically, I’m so worried about striking the correct chords that I’m strangling", "emotions, and dilemmas well enough. Oh, and I’ve rewritten the first chapter I", "come through quite clearly. They are fun to write, as a result. My", "concern. I know her inside out, and it should be dead easy to", "it should be dead easy to write her. But I somewhat freeze, worried", "my constraint and concern. I know her inside out, and it should be", "I’m stifling the flow. I know this, but can’t break out. I need", "is stiff as a board. Way too much subject, verb sentence structure (clean", "under my constraint and concern. I know her inside out, and it should", "As a result, I’m stifling the flow. I know this, but can’t break", "constraint and concern. I know her inside out, and it should be dead", "out. I need to get over this hump. Any ideas are welcome! Thank", "characters’ personalities come through quite clearly. They are fun to write, as a", "a board. 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A couple of chapters in,", "But because my protagonist is the star of the opening chapter, I can’t", "worried that I’m not conveying her experiences, emotions, and dilemmas well enough. Oh,", "result, I’m stifling the flow. I know this, but can’t break out. I", "my writing flows just fine. Also, I notice that my secondary characters’ personalities", "know her inside out, and it should be dead easy to write her.", "structure (clean and safe). Basically, I’m so worried about striking the correct chords", "as a board. Way too much subject, verb sentence structure (clean and safe).", "secondary characters’ personalities come through quite clearly. They are fun to write, as", "I know this, but can’t break out. I need to get over this", "opening of my story and it has no flow. I’m strangling the voice", "flow. I know this, but can’t break out. I need to get over", "easy to write her. But I somewhat freeze, worried that I’m not conveying", "conveying her experiences, emotions, and dilemmas well enough. Oh, and I’ve rewritten the", "the correct chords that I’m strangling the opening of my story and it", "chapter I do not know how many times. But because my protagonist is", "is the star of the opening chapter, I can’t stop overthinking every detail!", "experiences, emotions, and dilemmas well enough. Oh, and I’ve rewritten the first chapter", "My protagonist, unfortunately, is suffering under my constraint and concern. I know her", "flow. I’m strangling the voice too. A couple of chapters in, my writing", "protagonist is the star of the opening chapter, I can’t stop overthinking every", "be put on paper. But the first paragraph, indeed the first chapter, is", "write, as a result. My protagonist, unfortunately, is suffering under my constraint and", "to write her. But I somewhat freeze, worried that I’m not conveying her", "stifling the flow. 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I know this, but", "freeze, worried that I’m not conveying her experiences, emotions, and dilemmas well enough.", "can’t break out. I need to get over this hump. Any ideas are", "a result. My protagonist, unfortunately, is suffering under my constraint and concern. I", "first chapter I do not know how many times. But because my protagonist", "on paper. But the first paragraph, indeed the first chapter, is stiff as", "but can’t break out. I need to get over this hump. Any ideas", "so worried about striking the correct chords that I’m strangling the opening of", "to be put on paper. But the first paragraph, indeed the first chapter,", "subject, verb sentence structure (clean and safe). Basically, I’m so worried about striking", "somewhat freeze, worried that I’m not conveying her experiences, emotions, and dilemmas well", "can’t stop overthinking every detail! As a result, I’m stifling the flow. I", "couple of chapters in, my writing flows just fine. Also, I notice that", "to write, as a result. My protagonist, unfortunately, is suffering under my constraint", "how many times. But because my protagonist is the star of the opening", "her experiences, emotions, and dilemmas well enough. Oh, and I’ve rewritten the first", "and it should be dead easy to write her. But I somewhat freeze,", "Oh, and I’ve rewritten the first chapter I do not know how many", "that I’m not conveying her experiences, emotions, and dilemmas well enough. Oh, and", "the first paragraph, indeed the first chapter, is stiff as a board. Way", "(clean and safe). Basically, I’m so worried about striking the correct chords that", "strangling the opening of my story and it has no flow. I’m strangling", "of chapters in, my writing flows just fine. Also, I notice that my", "and I’ve rewritten the first chapter I do not know how many times.", "and safe). Basically, I’m so worried about striking the correct chords that I’m", "no flow. I’m strangling the voice too. A couple of chapters in, my", "My story is raring to be put on paper. But the first paragraph," ]
[ "So, I had a dream about this demon character named Sin (I physically", "Okumura from Blue Exorcist. I decided to change my characters name to Sihn,", "story, but I feel like it's too similar to Rin Okumura from Blue", "too similar to Rin Okumura from Blue Exorcist. I decided to change my", "but I feel like it's too similar to Rin Okumura from Blue Exorcist.", "named Sin (I physically saw his name in my dream) that goes to", "my characters name to Sihn, but I feel like it's still too similar.", "dream about this demon character named Sin (I physically saw his name in", "church. I wanted to make this into a story, but I feel like", "dream) that goes to church. I wanted to make this into a story,", "character named Sin (I physically saw his name in my dream) that goes", "about this demon character named Sin (I physically saw his name in my", "demon character named Sin (I physically saw his name in my dream) that", "Rin Okumura from Blue Exorcist. I decided to change my characters name to", "to make this into a story, but I feel like it's too similar", "saw his name in my dream) that goes to church. I wanted to", "from Blue Exorcist. I decided to change my characters name to Sihn, but", "a dream about this demon character named Sin (I physically saw his name", "into a story, but I feel like it's too similar to Rin Okumura", "feel like it's still too similar. Any tips on copyright and the like?", "I had a dream about this demon character named Sin (I physically saw", "my dream) that goes to church. I wanted to make this into a", "this demon character named Sin (I physically saw his name in my dream)", "that goes to church. I wanted to make this into a story, but", "decided to change my characters name to Sihn, but I feel like it's", "to Rin Okumura from Blue Exorcist. I decided to change my characters name", "like it's too similar to Rin Okumura from Blue Exorcist. I decided to", "a story, but I feel like it's too similar to Rin Okumura from", "I decided to change my characters name to Sihn, but I feel like", "Sin (I physically saw his name in my dream) that goes to church.", "had a dream about this demon character named Sin (I physically saw his", "(I physically saw his name in my dream) that goes to church. I", "to church. I wanted to make this into a story, but I feel", "to change my characters name to Sihn, but I feel like it's still", "but I feel like it's still too similar. Any tips on copyright and", "I wanted to make this into a story, but I feel like it's", "change my characters name to Sihn, but I feel like it's still too", "physically saw his name in my dream) that goes to church. I wanted", "Blue Exorcist. I decided to change my characters name to Sihn, but I", "wanted to make this into a story, but I feel like it's too", "similar to Rin Okumura from Blue Exorcist. I decided to change my characters", "I feel like it's still too similar. Any tips on copyright and the", "characters name to Sihn, but I feel like it's still too similar. Any", "name in my dream) that goes to church. I wanted to make this", "his name in my dream) that goes to church. I wanted to make", "in my dream) that goes to church. I wanted to make this into", "this into a story, but I feel like it's too similar to Rin", "feel like it's too similar to Rin Okumura from Blue Exorcist. I decided", "it's too similar to Rin Okumura from Blue Exorcist. I decided to change", "Exorcist. I decided to change my characters name to Sihn, but I feel", "make this into a story, but I feel like it's too similar to", "name to Sihn, but I feel like it's still too similar. Any tips", "I feel like it's too similar to Rin Okumura from Blue Exorcist. I", "like it's still too similar. Any tips on copyright and the like? Thanks!", "goes to church. I wanted to make this into a story, but I", "to Sihn, but I feel like it's still too similar. Any tips on", "Sihn, but I feel like it's still too similar. Any tips on copyright" ]
[ "mean I chose to make a career out of writing, but now only", "and no more story ideas running through my mind. Today I read a", "finish a single page even if my life depended on it. And writing?", "mind. Today I read a post on Tumblr, where someone posted something similar", "being creative again? Have I lost my creativity? Thanks in advance:) P.S: It", "makes me feel more sad and depressed. I've been trying to change the", "to read, I can't finish a single page even if my life depended", "dreaming and no more story ideas running through my mind. Today I read", "please help me out here. Should I consider changing my career path? How", "creativity? Thanks in advance:) P.S: It took me 2 hours to write this", "similar and also mentioned that it's all because of depression. I've been feeling", "to make a career out of writing, but now only blank word documents", "changing my career path? How can I go back to being creative again?", "get back to my job, my career and my dream. Staring at a", "mentioned that it's all because of depression. I've been feeling low for a", "my job, my career and my dream. Staring at a blank document just", "I've been feeling low for a while, but I need to get back", "documents are saved in my laptop. Zero inspiration with no more day dreaming", "again? Have I lost my creativity? Thanks in advance:) P.S: It took me", "How can I go back to being creative again? Have I lost my", "more day dreaming and no more story ideas running through my mind. Today", "I read a post on Tumblr, where someone posted something similar and also", "I think but nothing is really working and nothing is making sense anymore.", "a while, but I need to get back to my job, my career", "is making sense anymore. If you're reading this and have gone through something", "similar please help me out here. Should I consider changing my career path?", "anymore. If you're reading this and have gone through something similar please help", "days. All I did was read books and sometimes I took some time", "career and my dream. Staring at a blank document just makes me feel", "dream. Staring at a blank document just makes me feel more sad and", "can I go back to being creative again? Have I lost my creativity?", "just makes me feel more sad and depressed. I've been trying to change", "I consider changing my career path? How can I go back to being", "is really working and nothing is making sense anymore. If you're reading this", "this and have gone through something similar please help me out here. Should", "of writing, but now only blank word documents are saved in my laptop.", "more story ideas running through my mind. Today I read a post on", "there was a time when I could finish a book in 2 days.", "me out here. Should I consider changing my career path? How can I", "when I could finish a book in 2 days. All I did was", "When I sit to read, I can't finish a single page even if", "could finish a book in 2 days. All I did was read books", "back to being creative again? Have I lost my creativity? Thanks in advance:)", "did was read books and sometimes I took some time out to write", "saved in my laptop. Zero inspiration with no more day dreaming and no", "think but nothing is really working and nothing is making sense anymore. If", "no more day dreaming and no more story ideas running through my mind.", "can't finish a single page even if my life depended on it. And", "story ideas running through my mind. Today I read a post on Tumblr,", "me feel more sad and depressed. I've been trying to change the way", "page even if my life depended on it. And writing? I mean I", "career out of writing, but now only blank word documents are saved in", "even if my life depended on it. And writing? I mean I chose", "now only blank word documents are saved in my laptop. Zero inspiration with", "though? Nothing. When I sit to read, I can't finish a single page", "out of writing, but now only blank word documents are saved in my", "read a post on Tumblr, where someone posted something similar and also mentioned", "to being creative again? Have I lost my creativity? Thanks in advance:) P.S:", "a single page even if my life depended on it. And writing? I", "day dreaming and no more story ideas running through my mind. Today I", "running through my mind. Today I read a post on Tumblr, where someone", "I did was read books and sometimes I took some time out to", "Zero inspiration with no more day dreaming and no more story ideas running", "reading this and have gone through something similar please help me out here.", "well. For the past few months though? Nothing. When I sit to read,", "write something as well. For the past few months though? Nothing. When I", "someone posted something similar and also mentioned that it's all because of depression.", "really working and nothing is making sense anymore. If you're reading this and", "trying to change the way I think but nothing is really working and", "I need to get back to my job, my career and my dream.", "to my job, my career and my dream. Staring at a blank document", "writing, but now only blank word documents are saved in my laptop. Zero", "that it's all because of depression. I've been feeling low for a while,", "more sad and depressed. I've been trying to change the way I think", "you're reading this and have gone through something similar please help me out", "2 days. All I did was read books and sometimes I took some", "in 2 days. All I did was read books and sometimes I took", "feeling low for a while, but I need to get back to my", "the way I think but nothing is really working and nothing is making", "read, I can't finish a single page even if my life depended on", "finish a book in 2 days. All I did was read books and", "but I need to get back to my job, my career and my", "I can't finish a single page even if my life depended on it.", "some time out to write something as well. For the past few months", "back to my job, my career and my dream. Staring at a blank", "for a while, but I need to get back to my job, my", "a blank document just makes me feel more sad and depressed. I've been", "been feeling low for a while, but I need to get back to", "I've been trying to change the way I think but nothing is really", "I could finish a book in 2 days. All I did was read", "few months though? Nothing. When I sit to read, I can't finish a", "and depressed. I've been trying to change the way I think but nothing", "of depression. I've been feeling low for a while, but I need to", "I sit to read, I can't finish a single page even if my", "posted something similar and also mentioned that it's all because of depression. I've", "nothing is making sense anymore. If you're reading this and have gone through", "Have I lost my creativity? Thanks in advance:) P.S: It took me 2", "and nothing is making sense anymore. If you're reading this and have gone", "on it. And writing? I mean I chose to make a career out", "I took some time out to write something as well. For the past", "something as well. For the past few months though? Nothing. When I sit", "was a time when I could finish a book in 2 days. All", "ideas running through my mind. Today I read a post on Tumblr, where", "depression. I've been feeling low for a while, but I need to get", "with no more day dreaming and no more story ideas running through my", "where someone posted something similar and also mentioned that it's all because of", "as well. For the past few months though? Nothing. When I sit to", "career path? How can I go back to being creative again? Have I", "writing? I mean I chose to make a career out of writing, but", "feel more sad and depressed. I've been trying to change the way I", "gone through something similar please help me out here. Should I consider changing", "path? How can I go back to being creative again? Have I lost", "in my laptop. Zero inspiration with no more day dreaming and no more", "because of depression. I've been feeling low for a while, but I need", "depressed. I've been trying to change the way I think but nothing is", "months though? Nothing. When I sit to read, I can't finish a single", "And writing? I mean I chose to make a career out of writing,", "a time when I could finish a book in 2 days. All I", "I chose to make a career out of writing, but now only blank", "For the past few months though? Nothing. When I sit to read, I", "and have gone through something similar please help me out here. Should I", "time out to write something as well. For the past few months though?", "but now only blank word documents are saved in my laptop. Zero inspiration", "at a blank document just makes me feel more sad and depressed. I've", "laptop. Zero inspiration with no more day dreaming and no more story ideas", "depended on it. And writing? I mean I chose to make a career", "read books and sometimes I took some time out to write something as", "Today I read a post on Tumblr, where someone posted something similar and", "job, my career and my dream. Staring at a blank document just makes", "Should I consider changing my career path? How can I go back to", "nothing is really working and nothing is making sense anymore. If you're reading", "my laptop. Zero inspiration with no more day dreaming and no more story", "and my dream. Staring at a blank document just makes me feel more", "time when I could finish a book in 2 days. All I did", "to change the way I think but nothing is really working and nothing", "low for a while, but I need to get back to my job,", "was read books and sometimes I took some time out to write something", "it. And writing? I mean I chose to make a career out of", "also mentioned that it's all because of depression. I've been feeling low for", "sad and depressed. I've been trying to change the way I think but", "to write something as well. For the past few months though? Nothing. When", "single page even if my life depended on it. And writing? I mean", "change the way I think but nothing is really working and nothing is", "a career out of writing, but now only blank word documents are saved", "my career and my dream. Staring at a blank document just makes me", "book in 2 days. All I did was read books and sometimes I", "need to get back to my job, my career and my dream. Staring", "post on Tumblr, where someone posted something similar and also mentioned that it's", "been trying to change the way I think but nothing is really working", "sense anymore. If you're reading this and have gone through something similar please", "life depended on it. And writing? I mean I chose to make a", "no more story ideas running through my mind. Today I read a post", "blank document just makes me feel more sad and depressed. I've been trying", "Staring at a blank document just makes me feel more sad and depressed.", "working and nothing is making sense anymore. If you're reading this and have", "my life depended on it. And writing? I mean I chose to make", "if my life depended on it. And writing? I mean I chose to", "Thanks in advance:) P.S: It took me 2 hours to write this description.", "chose to make a career out of writing, but now only blank word", "sometimes I took some time out to write something as well. For the", "All I did was read books and sometimes I took some time out", "I go back to being creative again? Have I lost my creativity? Thanks", "blank word documents are saved in my laptop. Zero inspiration with no more", "I mean I chose to make a career out of writing, but now", "Nothing. When I sit to read, I can't finish a single page even", "my career path? How can I go back to being creative again? Have", "I lost my creativity? Thanks in advance:) P.S: It took me 2 hours", "it's all because of depression. I've been feeling low for a while, but", "something similar please help me out here. Should I consider changing my career", "way I think but nothing is really working and nothing is making sense", "through something similar please help me out here. Should I consider changing my", "and also mentioned that it's all because of depression. I've been feeling low", "in advance:) P.S: It took me 2 hours to write this description. Lol", "have gone through something similar please help me out here. Should I consider", "all because of depression. I've been feeling low for a while, but I", "while, but I need to get back to my job, my career and", "sit to read, I can't finish a single page even if my life", "making sense anymore. If you're reading this and have gone through something similar", "out to write something as well. For the past few months though? Nothing.", "to get back to my job, my career and my dream. Staring at", "my dream. Staring at a blank document just makes me feel more sad", "help me out here. Should I consider changing my career path? How can", "a post on Tumblr, where someone posted something similar and also mentioned that", "my mind. Today I read a post on Tumblr, where someone posted something", "books and sometimes I took some time out to write something as well.", "lost my creativity? Thanks in advance:) P.S: It took me 2 hours to", "word documents are saved in my laptop. Zero inspiration with no more day", "and sometimes I took some time out to write something as well. For", "are saved in my laptop. Zero inspiration with no more day dreaming and", "through my mind. Today I read a post on Tumblr, where someone posted", "document just makes me feel more sad and depressed. I've been trying to", "only blank word documents are saved in my laptop. Zero inspiration with no", "go back to being creative again? Have I lost my creativity? Thanks in", "Tumblr, where someone posted something similar and also mentioned that it's all because", "creative again? Have I lost my creativity? Thanks in advance:) P.S: It took", "consider changing my career path? How can I go back to being creative", "a book in 2 days. All I did was read books and sometimes", "If you're reading this and have gone through something similar please help me", "but nothing is really working and nothing is making sense anymore. If you're", "took some time out to write something as well. For the past few", "past few months though? Nothing. When I sit to read, I can't finish", "something similar and also mentioned that it's all because of depression. I've been", "on Tumblr, where someone posted something similar and also mentioned that it's all", "So, there was a time when I could finish a book in 2", "make a career out of writing, but now only blank word documents are", "out here. Should I consider changing my career path? How can I go", "here. Should I consider changing my career path? How can I go back", "inspiration with no more day dreaming and no more story ideas running through", "my creativity? Thanks in advance:) P.S: It took me 2 hours to write", "the past few months though? Nothing. When I sit to read, I can't" ]
[ "I've been writing a book for almost a year now. But it takes", "I stare at a blank screen for hours. I try to start a", "shouldn't be a writer at all. Because I can't write a sentence without", "So I think \"Why would I even write that. It's so boring\". I", "to write. Mostly it's a piece of scene or dialogue. I don't know", "that makes me excited and want to write. Mostly it's a piece of", "plot forward. Unfortunately it happens rarely. And without inspiration I'm just the worst", "year now. But it takes so long because I have to wait for", "but I call it that way, because out of nowhere the idea will", "boring ideas. I stare at a blank screen for hours. I try to", "by writing some useless random scenes. I don't even finish them. Maybe I", "it seems to happen randomly. I haven't yet discovered how to trigger this", "empty, I feel no urge, no emotion. So I think \"Why would I", "happens rarely. And without inspiration I'm just the worst writer ever. I force", "I try to start a scene but then leave it. I tried to", "randomly. I haven't yet discovered how to trigger this \"state\" and I can't", "I call it that way, because out of nowhere the idea will strike", "will get an idea that makes me excited and want to write. Mostly", "the shop and steals something\". But I'm empty, I feel no urge, no", "to plan the scene in my mind but it doesn't help. For example,", "push my plot forward. Unfortunately it happens rarely. And without inspiration I'm just", "me. Writing is effortless so I am able to write many pages and", "be a writer at all. Because I can't write a sentence without an", "control it, it seems to happen randomly. I haven't yet discovered how to", "come up with something (aka brainstorm) but those are just random ideas. Very", "but those are just random ideas. Very boring ideas. I stare at a", "have to wait for \"inspiration\". Sometimes I will get an idea that makes", "been writing a book for almost a year now. But it takes so", "write many pages and enjoy it. Suddenly I will have strong, emotional ideas", "don't even finish them. Maybe I shouldn't be a writer at all. Because", "goes to the shop and steals something\". But I'm empty, I feel no", "finish them. Maybe I shouldn't be a writer at all. Because I can't", "without inspiration I'm just the worst writer ever. I force myself to come", "it. Suddenly I will have strong, emotional ideas and I am able to", "Because I can't write a sentence without an inspiration. It's like my ability", "to write doesn't depend on me. I can't control it, it seems to", "write doesn't depend on me. I can't control it, it seems to happen", "wait for \"inspiration\". Sometimes I will get an idea that makes me excited", "something (aka brainstorm) but those are just random ideas. Very boring ideas. I", "write - Grace goes to the shop and steals something\". But I'm empty,", "that way, because out of nowhere the idea will strike me. Writing is", "because out of nowhere the idea will strike me. Writing is effortless so", "to the shop and steals something\". But I'm empty, I feel no urge,", "a sentence without an inspiration. It's like my ability to write doesn't depend", "haven't yet discovered how to trigger this \"state\" and I can't write without", "It's so boring\". I end up torturing myself by writing some useless random", "my mind but it doesn't help. For example, I think \"okay I'll write", "I think \"okay I'll write - Grace goes to the shop and steals", "worst writer ever. I force myself to come up with something (aka brainstorm)", "I can't write a sentence without an inspiration. It's like my ability to", "don't know if this is an inspiration, but I call it that way,", "out of nowhere the idea will strike me. Writing is effortless so I", "Unfortunately it happens rarely. And without inspiration I'm just the worst writer ever.", "depend on me. I can't control it, it seems to happen randomly. I", "enjoy it. Suddenly I will have strong, emotional ideas and I am able", "for \"inspiration\". Sometimes I will get an idea that makes me excited and", "I will have strong, emotional ideas and I am able to push my", "\"okay I'll write - Grace goes to the shop and steals something\". But", "And without inspiration I'm just the worst writer ever. I force myself to", "useless random scenes. I don't even finish them. Maybe I shouldn't be a", "in my mind but it doesn't help. For example, I think \"okay I'll", "that. It's so boring\". I end up torturing myself by writing some useless", "because I have to wait for \"inspiration\". Sometimes I will get an idea", "steals something\". But I'm empty, I feel no urge, no emotion. So I", "it. I tried to plan the scene in my mind but it doesn't", "forward. Unfortunately it happens rarely. And without inspiration I'm just the worst writer", "and enjoy it. Suddenly I will have strong, emotional ideas and I am", "inspiration, but I call it that way, because out of nowhere the idea", "random ideas. Very boring ideas. I stare at a blank screen for hours.", "it's a piece of scene or dialogue. I don't know if this is", "I even write that. It's so boring\". I end up torturing myself by", "write a sentence without an inspiration. It's like my ability to write doesn't", "of scene or dialogue. I don't know if this is an inspiration, but", "ideas. Very boring ideas. I stare at a blank screen for hours. I", "doesn't help. For example, I think \"okay I'll write - Grace goes to", "ideas and I am able to push my plot forward. Unfortunately it happens", "blank screen for hours. I try to start a scene but then leave", "I force myself to come up with something (aka brainstorm) but those are", "at all. Because I can't write a sentence without an inspiration. It's like", "am able to push my plot forward. Unfortunately it happens rarely. And without", "an inspiration, but I call it that way, because out of nowhere the", "nowhere the idea will strike me. Writing is effortless so I am able", "stare at a blank screen for hours. I try to start a scene", "hours. I try to start a scene but then leave it. I tried", "it doesn't help. For example, I think \"okay I'll write - Grace goes", "write that. It's so boring\". I end up torturing myself by writing some", "random scenes. I don't even finish them. Maybe I shouldn't be a writer", "writer at all. Because I can't write a sentence without an inspiration. It's", "takes so long because I have to wait for \"inspiration\". Sometimes I will", "able to push my plot forward. Unfortunately it happens rarely. And without inspiration", "and steals something\". But I'm empty, I feel no urge, no emotion. So", "no urge, no emotion. So I think \"Why would I even write that.", "urge, no emotion. So I think \"Why would I even write that. It's", "just random ideas. Very boring ideas. I stare at a blank screen for", "at a blank screen for hours. I try to start a scene but", "makes me excited and want to write. Mostly it's a piece of scene", "I'm just the worst writer ever. I force myself to come up with", "way, because out of nowhere the idea will strike me. Writing is effortless", "so I am able to write many pages and enjoy it. Suddenly I", "but then leave it. I tried to plan the scene in my mind", "myself by writing some useless random scenes. I don't even finish them. Maybe", "I tried to plan the scene in my mind but it doesn't help.", "can't write a sentence without an inspiration. It's like my ability to write", "dialogue. I don't know if this is an inspiration, but I call it", "think \"okay I'll write - Grace goes to the shop and steals something\".", "Sometimes I will get an idea that makes me excited and want to", "strike me. Writing is effortless so I am able to write many pages", "call it that way, because out of nowhere the idea will strike me.", "up torturing myself by writing some useless random scenes. I don't even finish", "try to start a scene but then leave it. I tried to plan", "a year now. But it takes so long because I have to wait", "end up torturing myself by writing some useless random scenes. I don't even", "know if this is an inspiration, but I call it that way, because", "a book for almost a year now. But it takes so long because", "scene or dialogue. I don't know if this is an inspiration, but I", "Grace goes to the shop and steals something\". But I'm empty, I feel", "a writer at all. Because I can't write a sentence without an inspiration.", "It's like my ability to write doesn't depend on me. I can't control", "I feel no urge, no emotion. So I think \"Why would I even", "I think \"Why would I even write that. It's so boring\". I end", "to come up with something (aka brainstorm) but those are just random ideas.", "write. Mostly it's a piece of scene or dialogue. I don't know if", "help. For example, I think \"okay I'll write - Grace goes to the", "this is an inspiration, but I call it that way, because out of", "I am able to push my plot forward. Unfortunately it happens rarely. And", "tried to plan the scene in my mind but it doesn't help. For", "no emotion. So I think \"Why would I even write that. It's so", "so long because I have to wait for \"inspiration\". Sometimes I will get", "writing a book for almost a year now. But it takes so long", "I'm empty, I feel no urge, no emotion. So I think \"Why would", "Very boring ideas. I stare at a blank screen for hours. I try", "- Grace goes to the shop and steals something\". But I'm empty, I", "those are just random ideas. Very boring ideas. I stare at a blank", "Suddenly I will have strong, emotional ideas and I am able to push", "almost a year now. But it takes so long because I have to", "Mostly it's a piece of scene or dialogue. I don't know if this", "doesn't depend on me. I can't control it, it seems to happen randomly.", "I have to wait for \"inspiration\". Sometimes I will get an idea that", "Writing is effortless so I am able to write many pages and enjoy", "my plot forward. Unfortunately it happens rarely. And without inspiration I'm just the", "I am able to write many pages and enjoy it. Suddenly I will", "am able to write many pages and enjoy it. Suddenly I will have", "it, it seems to happen randomly. I haven't yet discovered how to trigger", "have strong, emotional ideas and I am able to push my plot forward.", "emotional ideas and I am able to push my plot forward. Unfortunately it", "idea will strike me. Writing is effortless so I am able to write", "up with something (aka brainstorm) but those are just random ideas. Very boring", "but it doesn't help. For example, I think \"okay I'll write - Grace", "boring\". I end up torturing myself by writing some useless random scenes. I", "I end up torturing myself by writing some useless random scenes. I don't", "are just random ideas. Very boring ideas. I stare at a blank screen", "feel no urge, no emotion. So I think \"Why would I even write", "screen for hours. I try to start a scene but then leave it.", "scene but then leave it. I tried to plan the scene in my", "For example, I think \"okay I'll write - Grace goes to the shop", "and I am able to push my plot forward. Unfortunately it happens rarely.", "the worst writer ever. I force myself to come up with something (aka", "scenes. I don't even finish them. Maybe I shouldn't be a writer at", "yet discovered how to trigger this \"state\" and I can't write without it.", "it that way, because out of nowhere the idea will strike me. Writing", "the idea will strike me. Writing is effortless so I am able to", "shop and steals something\". But I'm empty, I feel no urge, no emotion.", "writing some useless random scenes. I don't even finish them. Maybe I shouldn't", "want to write. Mostly it's a piece of scene or dialogue. I don't", "\"Why would I even write that. It's so boring\". I end up torturing", "inspiration I'm just the worst writer ever. I force myself to come up", "ever. I force myself to come up with something (aka brainstorm) but those", "brainstorm) but those are just random ideas. Very boring ideas. I stare at", "just the worst writer ever. I force myself to come up with something", "all. Because I can't write a sentence without an inspiration. It's like my", "is effortless so I am able to write many pages and enjoy it.", "sentence without an inspiration. It's like my ability to write doesn't depend on", "it takes so long because I have to wait for \"inspiration\". Sometimes I", "them. Maybe I shouldn't be a writer at all. Because I can't write", "to start a scene but then leave it. I tried to plan the", "I will get an idea that makes me excited and want to write.", "so boring\". I end up torturing myself by writing some useless random scenes.", "like my ability to write doesn't depend on me. I can't control it,", "happen randomly. I haven't yet discovered how to trigger this \"state\" and I", "an inspiration. It's like my ability to write doesn't depend on me. I", "many pages and enjoy it. Suddenly I will have strong, emotional ideas and", "long because I have to wait for \"inspiration\". Sometimes I will get an", "even write that. It's so boring\". I end up torturing myself by writing", "seems to happen randomly. I haven't yet discovered how to trigger this \"state\"", "pages and enjoy it. Suddenly I will have strong, emotional ideas and I", "to push my plot forward. Unfortunately it happens rarely. And without inspiration I'm", "with something (aka brainstorm) but those are just random ideas. Very boring ideas.", "emotion. So I think \"Why would I even write that. It's so boring\".", "on me. I can't control it, it seems to happen randomly. I haven't", "torturing myself by writing some useless random scenes. I don't even finish them.", "even finish them. Maybe I shouldn't be a writer at all. Because I", "me. I can't control it, it seems to happen randomly. I haven't yet", "would I even write that. It's so boring\". I end up torturing myself", "mind but it doesn't help. For example, I think \"okay I'll write -", "my ability to write doesn't depend on me. I can't control it, it", "piece of scene or dialogue. I don't know if this is an inspiration,", "can't control it, it seems to happen randomly. I haven't yet discovered how", "start a scene but then leave it. I tried to plan the scene", "of nowhere the idea will strike me. Writing is effortless so I am", "will strike me. Writing is effortless so I am able to write many", "it happens rarely. And without inspiration I'm just the worst writer ever. I", "book for almost a year now. But it takes so long because I", "plan the scene in my mind but it doesn't help. For example, I", "a piece of scene or dialogue. I don't know if this is an", "to happen randomly. I haven't yet discovered how to trigger this \"state\" and", "force myself to come up with something (aka brainstorm) but those are just", "to write many pages and enjoy it. Suddenly I will have strong, emotional", "me excited and want to write. Mostly it's a piece of scene or", "the scene in my mind but it doesn't help. For example, I think", "I don't even finish them. Maybe I shouldn't be a writer at all.", "myself to come up with something (aka brainstorm) but those are just random", "I don't know if this is an inspiration, but I call it that", "for almost a year now. But it takes so long because I have", "think \"Why would I even write that. It's so boring\". I end up", "writer ever. I force myself to come up with something (aka brainstorm) but", "to wait for \"inspiration\". Sometimes I will get an idea that makes me", "leave it. I tried to plan the scene in my mind but it", "without an inspiration. It's like my ability to write doesn't depend on me.", "But it takes so long because I have to wait for \"inspiration\". Sometimes", "is an inspiration, but I call it that way, because out of nowhere", "I can't control it, it seems to happen randomly. I haven't yet discovered", "Maybe I shouldn't be a writer at all. Because I can't write a", "But I'm empty, I feel no urge, no emotion. So I think \"Why", "now. But it takes so long because I have to wait for \"inspiration\".", "will have strong, emotional ideas and I am able to push my plot", "example, I think \"okay I'll write - Grace goes to the shop and", "idea that makes me excited and want to write. Mostly it's a piece", "something\". But I'm empty, I feel no urge, no emotion. So I think", "excited and want to write. Mostly it's a piece of scene or dialogue.", "inspiration. It's like my ability to write doesn't depend on me. I can't", "some useless random scenes. I don't even finish them. Maybe I shouldn't be", "get an idea that makes me excited and want to write. Mostly it's", "rarely. And without inspiration I'm just the worst writer ever. I force myself", "effortless so I am able to write many pages and enjoy it. Suddenly", "I haven't yet discovered how to trigger this \"state\" and I can't write", "ability to write doesn't depend on me. I can't control it, it seems", "(aka brainstorm) but those are just random ideas. Very boring ideas. I stare", "I shouldn't be a writer at all. Because I can't write a sentence", "then leave it. I tried to plan the scene in my mind but", "an idea that makes me excited and want to write. Mostly it's a", "and want to write. Mostly it's a piece of scene or dialogue. I", "a scene but then leave it. I tried to plan the scene in", "if this is an inspiration, but I call it that way, because out", "ideas. I stare at a blank screen for hours. I try to start", "a blank screen for hours. I try to start a scene but then", "I'll write - Grace goes to the shop and steals something\". But I'm", "for hours. I try to start a scene but then leave it. I", "strong, emotional ideas and I am able to push my plot forward. Unfortunately", "\"inspiration\". Sometimes I will get an idea that makes me excited and want", "able to write many pages and enjoy it. Suddenly I will have strong,", "or dialogue. I don't know if this is an inspiration, but I call", "scene in my mind but it doesn't help. For example, I think \"okay" ]
[ "say anything. > > > \"They rejected your claim again?\" > > >", "claim again?\" > > > Mreldat shook his head. \"They reached a decision\",", "the > dangers outside.” > > > “And what if someone is not", "that word”, Taoi said, turning to the other twin. “We > actually prefer...”", "resident > gets access to food, clothing and medicines, and protection from the", "stilted or unnatural at certain points. * If I'm trying to present information", "rounded up and brought in and yet the cities were overwhelmingly > empty.", "have found that even though I know what the goal of a dialogue", "and explains them the history of his world. He has a vision there", "words brought a bitter taste to Mreldat's mouth. \"There is nothing for me", "unison, heartily agreeing with > each other. > > > “You both are", "near a few, mines near some.” > > > “That is good, right?”", "near some.” > > > “That is good, right?” Taoi asked tentatively. >", "> dome, they all would require a large amount of energy to sustain", "trained in multiple disciplines to qualify.” > > > “We are good at", "goal. Some of the feedback I have received is: * The segue from", "> > Upam opened his mouth to counter but Mreldat cut him off", "have not been able to prove my abilities. > They...they...would rather-\" Mreldat stopped", "were > rounded up and brought in and yet the cities were overwhelmingly", "> die?” > > > “There is a reason for that”, Upam said.", "lamented. > > > Excerpt 2 Goals - * Show the vastness of", "Mreldat is angry at him but can not outright say it. (That is", "with an air of sudden > inspiration. > > > “Experimenterist?”, Taoi said", "The eight cities were quite distinctly visible on the map. “The cities >", "> > “That's horrible”, Taoi said. > > > “The Empire does not", "map. “The cities > sure are vast”, Taoi said, eyes glued to the", "> \"I am not giving all this up just because you had a", "able to contribute?” > > > “Everyone contributes. One way or another.” >", "and breathed > deeply. \"You know what, it does not matter.\" > >", "this”, the other twin nodded as if it was fact. “It is >", "if you are able and willing, you will be given a choice to", "residents. It is one of the > conditions of being allowed to live", "overwhelmingly > empty. Over the course of time, the survivors thrived, in a", "chapters. I will also include the goals I try to achieve from that", "\"You know what, it does not matter.\" > > > \"I am sure", "brightly. > > > “Experiment artists?” The twins looked at each other and", "each other. > > > “You both are bad at naming things”, Upam", "\"The blind bats on > the council decided that I, the prince, was", "I am not able to convincingly pen it down. I get lost in", "a choice to > enrol in the army or find work in the", "the other twin. “We > actually prefer...” > > > “Experimenters?”, the other", "inside the dome are dedicated to various > industries. There are large farmlands", "or any > other industry. But if you are not able or unwilling,", "industry. But if you are not able or unwilling, then the Empire >", "are vast”, Taoi said, eyes glued to the map. > > > “When", "> > “Besides, we have put in the effort”, the other twin said.", "\"They rejected your claim again?\" > > > Mreldat shook his head. \"They", "He has a vision there about the death of him and his brother", "> They...they...would rather-\" Mreldat stopped suddenly and breathed > deeply. \"You know what,", "points. * If I'm trying to present information (like two characters discussing history", "them.\" > > > \"Some hundred orcs have escaped in all. There are", "> “We fix it”, the other twin said. > > > “If something", "> > > “When the cities were unveiled, they were not as vast.", "To show Upam is concerned about the whole thing but Mreldat is not.", "> > “If the Empire does not care about the people, then why", "are dedicated to various > industries. There are large farmlands near a few,", "became the leader (but he does not know it) and Mreldat is angry", "cities were quite distinctly visible on the map. “The cities > sure are", "still is not concerned about the whole thing * What happened in the", "allowed to live in the cities. The Empire claims > everything you create.", "what if someone is not able to contribute?” > > > “Everyone contributes.", "every resident > gets access to food, clothing and medicines, and protection from", "just mulch they feed into the machinery to keep it > running.” >", "“Scientists ?” Upam supplied. > > > “We don't like that word”, Taoi", "> \"I would, if you would not keep making hasty decisions.\" > >", "Taoi said. > > > “We fix it”, the other twin said. >", "struggling a lot. I usually divide my chapters into scenes and each scene", "1** Goals - * Humour * To show the Taoi twins share a", "(That is a reveal for later) > > \"I am not giving all", "would, if you would not keep making hasty decisions.\" > > > Mreldat", "“You both are bad at naming things”, Upam observed. > > > “It", "> > > “That's horrible”, Taoi said. > > > “The Empire does", "for you and there is a single option. You will be > mutated", "need the humans to mine them\", Upam agreed. > > > Excerpt 3", "“Everything belongs to the Empire, > whatever the results of the labour of", "dome are dedicated to various > industries. There are large farmlands near a", "does not want to leave. Excerpt 1 Goals - * Humour * To", "a Idiot Savant or Rainman type personality. > > “So what?” Taoi shrugged,", "I know what the goal of a dialogue between certain characters is, I", "information (like two characters discussing history or a war in the past), then", "the results of the labour of the residents. It is one of the", "to thank for that. > > > Excerpt 4 Goals - * To", "“There is a reason for that”, Upam said. “The same one which caused", "giving all this up just because you had a bad dream\", Mreldat said.", "am sure we can make them see reason-\" > > > Mreldat interrupted.", "> > “What do you mean?”, the other twin asked. > > >", "> > > “If something needs fixing”, Taoi said. > > > “We", "or any good tips that they use, it would be useful. --- I", "shrugged. “To them, the > humans are just mulch they feed into the", "at him but can not outright say it. (That is a reveal for", "> “Experiment enthusiasts”, they said in unison, heartily agreeing with > each other.", "is, I am not able to convincingly pen it down. I get lost", "- * To highlight Upam's concern with staying and wanting Mreldat to return", "the > conditions of being allowed to live in the cities. The Empire", "thing * What happened in the council * Upam became the leader (but", "Wasn't it quite something?\" he said proudly. \"I have lucrano > to thank", "> > “There is a reason for that”, Upam said. “The same one", "> mutated into Clamors, genetically modified creatures which serve as > the Empire's", "running.” > > > “If the Empire does not care about the people,", "it > running.” > > > “If the Empire does not care about", "tips that they use, it would be useful. --- I am attaching four", "a way, and > the cities grew, extending to accommodate the growing population.", "“Why build cities to accommodate the > populace?” > > > “Why set", "which freaks him out. Upam is now trying to get Mreldat (the chosen", "in thought. “Of course, the cities, the > dome, they all would require", "a reveal for later) > > \"I am not giving all this up", "> the cities grew, extending to accommodate the growing population. What > you", "Taoi asked. “Why build cities to accommodate the > populace?” > > >", "of the city and the other industries * Show how the cities function", "flaw”, Taoi lamented. > > > Excerpt 2 Goals - * Show the", "* Humour * To show the Taoi twins share a mental connection (not", "good at this”, the other twin nodded as if it was fact. “It", "> > > “Why set up the dome to safeguard them? Why not", "and the other industries * Show how the cities function * Show the", "> them.” > > > \"And they need the humans to mine them\",", "are good at this”, the other twin nodded as if it was fact.", "“If the Empire does not care about the people, then why does it", "books or videos or any good tips that they use, it would be", "sounds like an interrogation. I am not sure how to improve this or", "the humans to mine them\", Upam agreed. > > > Excerpt 3 Goals", "for a moment before he comprehended Upam's words. \"The > oath ? Wasn't", "in and yet the cities were overwhelmingly > empty. Over the course of", "thing but Mreldat is not. * The oath which Mreldat took in an", "“The Empire does not value human life”, Upam shrugged. “To them, the >", "segue from one topic of conversation to another is not fluid. * The", "does not value human life”, Upam shrugged. “To them, the > humans are", "machinery to keep it > running.” > > > “If the Empire does", "outright say it. (That is a reveal for later) > > \"I am", "felt that I have not been able to prove my abilities. > They...they...would", "would require a large amount of energy to sustain > them.” > >", "is not concerned about the whole thing * What happened in the council", "again. \"You > know you need to loosen up a little. Let go", "vision\", Upam repeated.\"And don't you want to return back to Medullia?\" he asked.", "* The dialogue sounds wooden or stilted or unnatural at certain points. ", "- Humour * To show the Taoi twins share a mental connection", "tentatively. > > > The other twin nodded. “People have the means to", "Excerpt 2 Goals - * Show the vastness of the city and the", "let everyone else > die?” > > > “There is a reason for", "livelihood.” > > > “Not exactly.” Upam shook his head. “Everything belongs to", "reason-\" > > > Mreldat interrupted. \"I do not care anymore. The council", "> “If the Empire does not care about the people, then why does", "is now trying to get Mreldat (the chosen one) to return back but", "sure we can make them see reason-\" > > > Mreldat interrupted. \"I", "* Show the people don't really have a choice * Show the Empire's", "an air of sudden > inspiration. > > > “Experimenterist?”, Taoi said just", "nodded as if it was fact. “It is > the reason the elves", "Mreldat shook his head. \"They reached a decision\", he said. > > >", "disciplines to qualify.” > > > “We are good at this”, the other", "council decided that I, the prince, was not fit to be the leader", "everything you create. In return for the contribution‟, every resident > gets access", "the > humans are just mulch they feed into the machinery to keep", "in the cities. The Empire claims > everything you create. In return for", "around it, a large area outside > the walls of the city but", "The other twin nodded. “People have the means to earn their own >", "create. In return for the contribution‟, every resident > gets access to food,", "defeated. Single-handedly, if I might add.\" > > > \"But there will be", "“Everyone contributes. One way or another.” > > > “Ominous”, Taoi commented. >", "also include the goals I try to achieve from that dialogue. To help", "not able to convincingly pen it down. I get lost in writing convincing", "> > > Mreldat did not say anything. > > > \"They rejected", "looked at each other and shook their > heads. > > > “Experiment", "try to achieve from that dialogue. To help you you understand the excerpt.", "a single option. You will be > mutated into Clamors, genetically modified creatures", "is: * The segue from one topic of conversation to another is not", "> > The words brought a bitter taste to Mreldat's mouth. \"There is", "other and shook their > heads. > > > “Experiment enthusiasts”, they said", "stopped suddenly and breathed > deeply. \"You know what, it does not matter.\"", "they need the humans to mine them\", Upam agreed. > > > *Excerpt", "I have received is: The segue from one topic of conversation to", "large area outside > the walls of the city but inside the dome", "a large amount of energy to sustain > them.” > > > \"And", "but Mreldat does not want to leave. Excerpt 1 Goals - * Humour", "that needs experimenting” > > > “We experiment with it. You can call", "Upam's concern with staying and wanting Mreldat to return back * Mreldat still", "“Of course, the cities, the > dome, they all would require a large", "> “What do you mean?”, the other twin asked. > > > “Well,", "distinctly visible on the map. “The cities > sure are vast”, Taoi said,", "industries * Show how the cities function * Show the people don't really", "the growing population. What > you see on the map is not their", "twins share a mental connection (not to state it explicitly yet) * The", "it's not you\", Upam was genuinely surprised. > > > Anger burned in", "They...they...would rather-\" Mreldat stopped suddenly and breathed > deeply. \"You know what, it", "> > \"I am sure we can make them see reason-\" > >", "a goal(s) that I have to achieve. And I have found that even", "food, clothing and medicines, and protection from the > dangers outside.” > >", "in the fields or in the mines or any > other industry. But", "not a dream. It was a vision\", Upam repeated.\"And don't you want to", "them? Why not let everyone else > die?” > > > “There is", "qualify.” > > > “We are good at this”, the other twin nodded", "the history of his world. He has a vision there about the death", "? Wasn't it quite something?\" he said proudly. \"I have lucrano > to", "creatures which serve as > the Empire's first line of defence.” > >", "\"And they need the humans to mine them\", Upam agreed. > > >", "?\" > > > Mreldat did not say anything. > > > \"They", "> oath ? Wasn't it quite something?\" he said proudly. \"I have lucrano", "or stilted or unnatural at certain points. * If I'm trying to present", "see on the map is not their entire extent though. For some of", "Upam said. “The same one which caused > the wars.” > > >", "> deeply. \"You know what, it does not matter.\" > > > \"I", "\"You saw those orcs we fought-\" > > > \"-and defeated. Single-handedly, if", "said. > > > \"And it's not you\", Upam was genuinely surprised. >", "rejected your claim again?\" > > > Mreldat shook his head. \"They reached", "will also include the goals I try to achieve from that dialogue. To", "mutated into Clamors, genetically modified creatures which serve as > the Empire's first", "The twins have kind of a Idiot Savant or Rainman type personality. >", "inspiration. > > > “Experimenterist?”, Taoi said just as brightly. > > >", "> > Excerpt 4 Goals - * To highlight Upam's concern with staying", "is our greatest flaw”, Taoi lamented. > > > Excerpt 2 Goals -", "> > “We fix it”, the other twin said. > > > “If", "elves than > that.\" > > > Upam opened his mouth to counter", "they all would require a large amount of energy to sustain > them.”", "trying to present information (like two characters discussing history or a war in", "at naming things”, Upam observed. > > > “It is our greatest flaw”,", "goals I try to achieve from that dialogue. To help you you understand", "> dangers outside.” > > > “And what if someone is not able", "a vision there about the death of him and his brother (Mreldat) which", "dangers outside.” > > > “And what if someone is not able to", "> \"And they need the humans to mine them\", Upam agreed. > >", "> > > “The Empire does not value human life”, Upam shrugged. “To", "Mreldat to return back * Mreldat still is not concerned about the whole", "breathed > deeply. \"You know what, it does not matter.\" > > >", "said with an air of sudden > inspiration. > > > “Experimenterist?”, Taoi", "or unnatural at certain points. * If I'm trying to present information (like", "\"-and defeated. Single-handedly, if I might add.\" > > > \"But there will", "at this”, the other twin nodded as if it was fact. “It is", "enthusiasts”, they said in unison, heartily agreeing with > each other. > >", "other industries * Show how the cities function * Show the people don't", "and there is a single option. You will be > mutated into Clamors,", "> “The Empire does not value human life”, Upam shrugged. “To them, the", "belongs to the Empire, > whatever the results of the labour of the", "it would be useful. --- I am attaching four excerpts from two of", "outside.” > > > “And what if someone is not able to contribute?”", "(the chosen one) to return back but Mreldat does not want to leave.", "> > > “It is our greatest flaw”, Taoi lamented. > > >", "cities. The Empire claims > everything you create. In return for the contribution‟,", "of defence.” > > > “That's horrible”, Taoi said. > > > “The", "prefer...” > > > “Experimenters?”, the other Taoi said with an air of", "way, and > the cities grew, extending to accommodate the growing population. What", "with which I shall > achieve my destiny\", he declared. > > >", "the vastness of the city and the other industries * Show how the", "observed. > > > “It is our greatest flaw”, Taoi lamented. > >", "whole thing * What happened in the council * Upam became the leader", "we can make them see reason-\" > > > Mreldat interrupted. \"I do", "You will be > mutated into Clamors, genetically modified creatures which serve as", "fields or in the mines or any > other industry. But if you", "the elves and this is the weapon with which I shall > achieve", "“Experimenterist?”, Taoi said just as brightly. > > > “Experiment artists?” The twins", "it ?\" > > > Mreldat did not say anything. > > >", "the Taoi twins share a mental connection (not to state it explicitly yet)", "were not as vast. Survivors were > rounded up and brought in and", "“The same one which caused > the wars.” > > > “Energy?” Taoi's", "able to prove my abilities. > They...they...would rather-\" Mreldat stopped suddenly and breathed", "and wanting Mreldat to return back * Mreldat still is not concerned about", "\"I have lucrano > to thank for that. > > > Excerpt 4", "> “There is a reason for that”, Upam said. “The same one which", "Some of the feedback I have received is: * The segue from one", "> Excerpt 2 Goals - * Show the vastness of the city and", "Mreldat stared for a moment before he comprehended Upam's words. \"The > oath", "given a choice to > enrol in the army or find work in", "proudly. \"I have lucrano > to thank for that. > > > Excerpt", "Single-handedly, if I might add.\" > > > \"But there will be more", "Empire's dependence on the population > > The eight cities were quite distinctly", "know you need to loosen up a little. Let go of the worries.\"", "> > > “Not exactly.” Upam shook his head. “Everything belongs to the", "would be useful. --- I am attaching four excerpts from two of my", "said. “We have > trained in multiple disciplines to qualify.” > > >", "then why does it bother > with them?” Taoi asked. “Why build cities", "had a bad dream\", Mreldat said. > > > \"It was not a", "> > “Everyone contributes. One way or another.” > > > “Ominous”, Taoi", "suddenly and breathed > deeply. \"You know what, it does not matter.\" >", "want to leave. Excerpt 1** Goals - * Humour * To show the", "of his world. He has a vision there about the death of him", "> > > \"I am sure we can make them see reason-\" >", "say that?\" > > > Mreldat did not answer. > > > \"It's", "not concerned about the whole thing * What happened in the council ", "more of them.\" > > > \"Some hundred orcs have escaped in all.", "“That is good, right?” Taoi asked tentatively. > > > The other twin", "or a war in the past), then it sounds like an interrogation. I", "live in the cities. The Empire claims > everything you create. In return", "asked. “Why build cities to accommodate the > populace?” > > > “Why", "“The cities > sure are vast”, Taoi said, eyes glued to the map.", "Upam supplied. > > > “We don't like that word”, Taoi said, turning", "said. > > > \"It was not a dream. It was a vision\",", "can make them see reason-\" > > > Mreldat interrupted. \"I do not", "do not care anymore. The council can select > whoever they want\", he", "Mreldat (the chosen one) to return back but Mreldat does not want to", "Mreldat still is not concerned about the whole thing What happened in", "\"There is nothing for me there.\" > > > \"Why do you say", "kind of a Idiot Savant or Rainman type personality. > > “So what?”", "> “Experimenterist?”, Taoi said just as brightly. > > > “Experiment artists?” The", "furrowed in thought. “Of course, the cities, the > dome, they all would", "little. Let go of the worries.\" > > > \"I would, if you", "You can call us...The…umm...” > > > “Scientists ?” Upam supplied. > >", "function * Show the people don't really have a choice * Show the", "There are large farmlands near a few, mines near some.” > > >", "not able to contribute?” > > > “Everyone contributes. One way or another.”", "\"Some hundred orcs have escaped in all. There are more elves than >", "are not able or unwilling, then the Empire > will make the choice", "is where I belong. It is my destiny.\" > Upam wanted to make", "I have to achieve. And I have found that even though I know", "own > livelihood.” > > > “Not exactly.” Upam shook his head. “Everything", "> > “Experimenterist?”, Taoi said just as brightly. > > > “Experiment artists?”", "fixing”, Taoi said. > > > “We fix it”, the other twin said.", "of the > conditions of being allowed to live in the cities. The", "Anger burned in Mreldat's eyes as he looked at Upam. \"The blind bats", "> > > “You both are bad at naming things”, Upam observed. >", "on the map. “The cities > sure are vast”, Taoi said, eyes glued", "other. > > > “You both are bad at naming things”, Upam observed.", "the labour of the residents. It is one of the > conditions of", "(Mreldat) which freaks him out. Upam is now trying to get Mreldat (the", "of energy to sustain > them.” > > > \"And they need the", "I find myself struggling a lot. I usually divide my chapters into scenes", "sure are vast”, Taoi said, eyes glued to the map. > > >", "off again. \"You > know you need to loosen up a little. Let", "Mreldat's eyes as he looked at Upam. \"The blind bats on > the", "> “We don't like that word”, Taoi said, turning to the other twin.", "Mreldat took in an earlier chapter was not really his idea. > >", "have > trained in multiple disciplines to qualify.” > > > “We are", "said. “The same one which caused > the wars.” > > > “Energy?”", "set up the dome to safeguard them? Why not let everyone else >", "been able to prove my abilities. > They...they...would rather-\" Mreldat stopped suddenly and", "area of writing that I find myself struggling a lot. I usually divide", "the cities. The Empire claims > everything you create. In return for the", "there about the death of him and his brother (Mreldat) which freaks him", "him off again. \"You > know you need to loosen up a little.", "> > “Not exactly.” Upam shook his head. “Everything belongs to the Empire,", "that goal. Some of the feedback I have received is: * The segue", "Mreldat cut him off again. \"You > know you need to loosen up", "> > > “We invent it”, the other twin said. > > >", "> Excerpt 3 Goals - * To show Upam is concerned about the", "really his idea. > > \"You saw those orcs we fought-\" > >", "artists?” The twins looked at each other and shook their > heads. >", "> > “We are good at this”, the other twin nodded as if", "anything. > > > \"They rejected your claim again?\" > > > Mreldat", "goal of a dialogue between certain characters is, I am not able to", "include the goals I try to achieve from that dialogue. To help you", "horrible”, Taoi said. > > > “The Empire does not value human life”,", "were quite distinctly visible on the map. “The cities > sure are vast”,", "them the history of his world. He has a vision there about the", "> > > “Energy?” Taoi's brow furrowed in thought. “Of course, the cities,", "is my destiny.\" > Upam wanted to make him see reason but Mreldat", "not say anything. > > > \"They rejected your claim again?\" > >", "from one topic of conversation to another is not fluid. * The dialogue", "deeply. \"You know what, it does not matter.\" > > > \"I am", "looked at Upam. \"The blind bats on > the council decided that I,", "* Show how the cities function * Show the people don't really have", "weapon with which I shall > achieve my destiny\", he declared. > >", "not keep making hasty decisions.\" > > > Mreldat stared for a moment", "leader > yet.They felt that I have not been able to prove my", "> “That's horrible”, Taoi said. > > > “The Empire does not value", "belong. It is my destiny.\" > Upam wanted to make him see reason", "\"The > oath ? Wasn't it quite something?\" he said proudly. \"I have", "I, the prince, was not fit to be the leader > yet.They felt", "in unison, heartily agreeing with > each other. > > > “You both", "whatever the results of the labour of the residents. It is one of", "in the army or find work in the fields or in the mines", "it) and Mreldat is angry at him but can not outright say it.", "have received is: * The segue from one topic of conversation to another", "up just because you had a bad dream\", Mreldat said. > > >", "commented. > > > “What do you mean?”, the other twin asked. >", "rather-\" Mreldat stopped suddenly and breathed > deeply. \"You know what, it does", "\"But there will be more of them.\" > > > \"Some hundred orcs", "why does it bother > with them?” Taoi asked. “Why build cities to", "can call us...The…umm...” > > > “Scientists ?” Upam supplied. > > >", "the elves turn to us.” > > > “If something needs fixing”, Taoi", "was a vision\", Upam repeated.\"And don't you want to return back to Medullia?\"", "show Upam is concerned about the whole thing but Mreldat is not. ", "the goal of a dialogue between certain characters is, I am not able", "people, then why does it bother > with them?” Taoi asked. “Why build", "(not to state it explicitly yet) The twins have kind of a", "course, the cities, the > dome, they all would require a large amount", "environment around it, a large area outside > the walls of the city", "\"I am not giving all this up just because you had a bad", "Upam was genuinely surprised. > > > Anger burned in Mreldat's eyes as", "concerned about the whole thing * What happened in the council * Upam", "> > > “We fix it”, the other twin said. > > >", "“We invent it”, the other twin said. > > > “Basically anything that", "us.” > > > “If something needs fixing”, Taoi said. > > >", "use, it would be useful. --- I am attaching four excerpts from two", "enrol in the army or find work in the fields or in the", "that I, the prince, was not fit to be the leader > yet.They", "other twin nodded as if it was fact. “It is > the reason", "my destiny.\" > Upam wanted to make him see reason but Mreldat raised", "cities were overwhelmingly > empty. Over the course of time, the survivors thrived,", "Upam became the leader (but he does not know it) and Mreldat is", "we fought-\" > > > \"-and defeated. Single-handedly, if I might add.\" >", "to safeguard them? Why not let everyone else > die?” > > >", "to make him see reason but Mreldat raised his blade. \"I am >", "I am attaching four excerpts from two of my chapters. I will also", "of the residents. It is one of the > conditions of being allowed", "needs inventing”, Taoi said. > > > “We invent it”, the other twin", "said, turning to the other twin. “We > actually prefer...” > > >", "find work in the fields or in the mines or any > other", "is not able to contribute?” > > > “Everyone contributes. One way or", "the whole thing but Mreldat is not. * The oath which Mreldat took", "the past), then it sounds like an interrogation. I am not sure how", "> > > “Experiment artists?” The twins looked at each other and shook", "as brightly. > > > “Experiment artists?” The twins looked at each other", "does not drive skill.” > > > “Besides, we have put in the", "him and his brother (Mreldat) which freaks him out. Upam is now trying", "> \"But there will be more of them.\" > > > \"Some hundred", "I usually divide my chapters into scenes and each scene has a goal(s)", "twins looked at each other and shook their > heads. > > >", "council can select > whoever they want\", he spat. \"This is where I", "has a vision there about the death of him and his brother (Mreldat)", "you\", Upam was genuinely surprised. > > > Anger burned in Mreldat's eyes", "> sure are vast”, Taoi said, eyes glued to the map. > >", "a dialogue between certain characters is, I am not able to convincingly pen", "brother (Mreldat) which freaks him out. Upam is now trying to get Mreldat", "not fluid. * The dialogue sounds wooden or stilted or unnatural at certain", "war in the past), then it sounds like an interrogation. I am not", "as > the Empire's first line of defence.” > > > “That's horrible”,", "“Not exactly.” Upam shook his head. “Everything belongs to the Empire, > whatever", "\"You > know you need to loosen up a little. Let go of", "be useful. --- I am attaching four excerpts from two of my chapters.", "\"I am sure we can make them see reason-\" > > > Mreldat", "not value human life”, Upam shrugged. “To them, the > humans are just", "agreeing with > each other. > > > “You both are bad at", "> “Besides, we have put in the effort”, the other twin said. “We", "> > “That is good, right?” Taoi asked tentatively. > > > The", "matter.\" > > > \"I am sure we can make them see reason-\"", "Mreldat did not answer. > > > \"It's because of the council, isn't", "Idiot Savant or Rainman type personality. > > “So what?” Taoi shrugged, “Age", "> > > “We don't like that word”, Taoi said, turning to the", "not as vast. Survivors were > rounded up and brought in and yet", "> > “We invent it”, the other twin said. > > > “Basically", "not let everyone else > die?” > > > “There is a reason", "few, mines near some.” > > > “That is good, right?” Taoi asked", "keep making hasty decisions.\" > > > Mreldat stared for a moment before", "to earn their own > livelihood.” > > > “Not exactly.” Upam shook", "where I belong. It is my destiny.\" > Upam wanted to make him", "the environment around it, a large area outside > the walls of the", "to food, clothing and medicines, and protection from the > dangers outside.” >", "state it explicitly yet) * The twins have kind of a Idiot Savant", "leave. Excerpt 1 Goals - * Humour * To show the Taoi twins", "industries. There are large farmlands near a few, mines near some.” > >", "able and willing, you will be given a choice to > enrol in", "> > > “We experiment with it. You can call us...The…umm...” > >", "wanted to make him see reason but Mreldat raised his blade. \"I am", "twin said. > > > “Basically anything that needs experimenting” > > >", "convincingly pen it down. I get lost in writing convincing dialogue to reach", "shook his head. “Everything belongs to the Empire, > whatever the results of", "have escaped in all. There are more elves than > that.\" > >", "> > > \"Why do you say that?\" > > > Mreldat did", "\"I would, if you would not keep making hasty decisions.\" > > >", "he spat. \"This is where I belong. It is my destiny.\" > Upam", "do you mean?”, the other twin asked. > > > “Well, if you", "those orcs we fought-\" > > > \"-and defeated. Single-handedly, if I might", "of time, the survivors thrived, in a way, and > the cities grew,", "experiment with it. You can call us...The…umm...” > > > “Scientists ?” Upam", "grew, extending to accommodate the growing population. What > you see on the", "> the wars.” > > > “Energy?” Taoi's brow furrowed in thought. “Of", "bitter taste to Mreldat's mouth. \"There is nothing for me there.\" > >", "sure how to improve this or what steps to take. If someone can", "the council * Upam became the leader (but he does not know it)", "that. > > > Excerpt 4 Goals - * To highlight Upam's concern", "someone can suggest some good books or videos or any good tips that", "to various > industries. There are large farmlands near a few, mines near", "prove my abilities. > They...they...would rather-\" Mreldat stopped suddenly and breathed > deeply.", "one of the > conditions of being allowed to live in the cities.", "of the council, isn't it ?\" > > > Mreldat did not say", "“That's horrible”, Taoi said. > > > “The Empire does not value human", "you want to return back to Medullia?\" he asked. > > > The", "which Mreldat took in an earlier chapter was not really his idea. >", "> Excerpt 4 Goals - * To highlight Upam's concern with staying and", "> > > “Scientists ?” Upam supplied. > > > “We don't like", "him but can not outright say it. (That is a reveal for later)", "not you\", Upam was genuinely surprised. > > > Anger burned in Mreldat's", "was not really his idea. > > \"You saw those orcs we fought-\"", "to another is not fluid. * The dialogue sounds wooden or stilted or", "right?” Taoi asked tentatively. > > > The other twin nodded. “People have", "understand the excerpt. The flow is that Upam meets with the Taoi twins", "heads. > > > “Experiment enthusiasts”, they said in unison, heartily agreeing with", "> industries. There are large farmlands near a few, mines near some.” >", "explicitly yet) * The twins have kind of a Idiot Savant or Rainman", "to the Empire, > whatever the results of the labour of the residents.", "cities > sure are vast”, Taoi said, eyes glued to the map. >", "> the salvation of the elves and this is the weapon with which", "being allowed to live in the cities. The Empire claims > everything you", "“We > actually prefer...” > > > “Experimenters?”, the other Taoi said with", "other twin said. “We have > trained in multiple disciplines to qualify.” >", "to reach that goal. Some of the feedback I have received is: ", "useful. --- I am attaching four excerpts from two of my chapters. I", "chapter was not really his idea. > > \"You saw those orcs we", "they feed into the machinery to keep it > running.” > > >", "2* Goals - * Show the vastness of the city and the other", "> > Mreldat interrupted. \"I do not care anymore. The council can select", "bad at naming things”, Upam observed. > > > “It is our greatest", "escaped in all. There are more elves than > that.\" > > >", "said. > > > “We fix it”, the other twin said. > >", "Empire's first line of defence.” > > > “That's horrible”, Taoi said. >", "does not care about the people, then why does it bother > with", "the council, isn't it ?\" > > > Mreldat did not say anything.", "> “If something needs inventing”, Taoi said. > > > “We invent it”,", "the other twin said. “We have > trained in multiple disciplines to qualify.”", "hundred orcs have escaped in all. There are more elves than > that.\"", "* The segue from one topic of conversation to another is not fluid.", "cities, depending on the environment around it, a large area outside > the", "a moment before he comprehended Upam's words. \"The > oath ? Wasn't it", "caused > the wars.” > > > “Energy?” Taoi's brow furrowed in thought.", "Upam meets with the Taoi twins and explains them the history of his", "am not sure how to improve this or what steps to take. If", "> Mreldat stared for a moment before he comprehended Upam's words. \"The >", "agreed. > > > Excerpt 3 Goals - * To show Upam is", "map is not their entire extent though. For some of the > cities,", "is the weapon with which I shall > achieve my destiny\", he declared.", "if I might add.\" > > > \"But there will be more of", "lot. I usually divide my chapters into scenes and each scene has a", "> The other twin nodded. “People have the means to earn their own", "characters is, I am not able to convincingly pen it down. I get", "head. \"They reached a decision\", he said. > > > \"And it's not", "* Mreldat still is not concerned about the whole thing * What happened", "But if you are not able or unwilling, then the Empire > will", "a reason for that”, Upam said. “The same one which caused > the", "> > > “What do you mean?”, the other twin asked. > >", "> > \"-and defeated. Single-handedly, if I might add.\" > > > \"But", "Show the Empire's dependence on the population > > The eight cities were", "> “Energy?” Taoi's brow furrowed in thought. “Of course, the cities, the >", "> > “Basically anything that needs experimenting” > > > “We experiment with", "“When the cities were unveiled, they were not as vast. Survivors were >", "a bitter taste to Mreldat's mouth. \"There is nothing for me there.\" >", "scenes and each scene has a goal(s) that I have to achieve. And", "inventing”, Taoi said. > > > “We invent it”, the other twin said.", "If someone can suggest some good books or videos or any good tips", "his idea. > > \"You saw those orcs we fought-\" > > >", "in a way, and > the cities grew, extending to accommodate the growing", "surprised. > > > Anger burned in Mreldat's eyes as he looked at", "that they use, it would be useful. --- I am attaching four excerpts", "mine them\", Upam agreed. > > > Excerpt 3 Goals - * To", "to the map. > > > “When the cities were unveiled, they were", "the city and the other industries * Show how the cities function ", "Upam opened his mouth to counter but Mreldat cut him off again. \"You", "he looked at Upam. \"The blind bats on > the council decided that", "course of time, the survivors thrived, in a way, and > the cities", "the Taoi twins and explains them the history of his world. He has", "you mean?”, the other twin asked. > > > “Well, if you are", "“We are good at this”, the other twin nodded as if it was", "said in unison, heartily agreeing with > each other. > > > “You", "> > > “And what if someone is not able to contribute?” >", "“Experimenters?”, the other Taoi said with an air of sudden > inspiration. >", "the city but inside the dome are dedicated to various > industries. There", "show the Taoi twins share a mental connection (not to state it explicitly", "and each scene has a goal(s) that I have to achieve. And I", "and this is the weapon with which I shall > achieve my destiny\",", "> \"And it's not you\", Upam was genuinely surprised. > > > Anger", "?” Upam supplied. > > > “We don't like that word”, Taoi said,", "a vision\", Upam repeated.\"And don't you want to return back to Medullia?\" he", "> \"I am sure we can make them see reason-\" > > >", "because of the council, isn't it ?\" > > > Mreldat did not", "> > \"Why do you say that?\" > > > Mreldat did not", "the Empire, > whatever the results of the labour of the residents. It", "suggest some good books or videos or any good tips that they use,", "actually prefer...” > > > “Experimenters?”, the other Taoi said with an air", "modified creatures which serve as > the Empire's first line of defence.” >", "experimenting” > > > “We experiment with it. You can call us...The…umm...” >", "people don't really have a choice Show the Empire's dependence on the", "a choice * Show the Empire's dependence on the population > > The", "my abilities. > They...they...would rather-\" Mreldat stopped suddenly and breathed > deeply. \"You", "> > “You both are bad at naming things”, Upam observed. > >", "divide my chapters into scenes and each scene has a goal(s) that I", "Taoi asked tentatively. > > > The other twin nodded. “People have the", "but Mreldat cut him off again. \"You > know you need to loosen", "can suggest some good books or videos or any good tips that they", "down. I get lost in writing convincing dialogue to reach that goal. Some", "up and brought in and yet the cities were overwhelmingly > empty. Over", "human life”, Upam shrugged. “To them, the > humans are just mulch they", "what steps to take. If someone can suggest some good books or videos", "> the Empire's first line of defence.” > > > “That's horrible”, Taoi", "dream. It was a vision\", Upam repeated.\"And don't you want to return back", "(like two characters discussing history or a war in the past), then it", "them?” Taoi asked. “Why build cities to accommodate the > populace?” > >", "flow is that Upam meets with the Taoi twins and explains them the", "happened in the council * Upam became the leader (but he does not", "be given a choice to > enrol in the army or find work", "about the people, then why does it bother > with them?” Taoi asked.", "> > > “Experiment enthusiasts”, they said in unison, heartily agreeing with >", "“If something needs fixing”, Taoi said. > > > “We fix it”, the", "line of defence.” > > > “That's horrible”, Taoi said. > > >", "> > > “That is good, right?” Taoi asked tentatively. > > >", "conversation to another is not fluid. * The dialogue sounds wooden or stilted", "The council can select > whoever they want\", he spat. \"This is where", "things”, Upam observed. > > > “It is our greatest flaw”, Taoi lamented.", "brought in and yet the cities were overwhelmingly > empty. Over the course", "Empire does not value human life”, Upam shrugged. “To them, the > humans", "> > “Energy?” Taoi's brow furrowed in thought. “Of course, the cities, the", "his blade. \"I am > the salvation of the elves and this is", "farmlands near a few, mines near some.” > > > “That is good,", "For some of the > cities, depending on the environment around it, a", "oath ? Wasn't it quite something?\" he said proudly. \"I have lucrano >", "To show the Taoi twins share a mental connection (not to state it", "choice for you and there is a single option. You will be >", "> > Excerpt 3 Goals - * To show Upam is concerned about", "> \"Some hundred orcs have escaped in all. There are more elves than", "Over the course of time, the survivors thrived, in a way, and >", "counter but Mreldat cut him off again. \"You > know you need to", "meets with the Taoi twins and explains them the history of his world.", "to accommodate the > populace?” > > > “Why set up the dome", "not really his idea. > > \"You saw those orcs we fought-\" >", "this is the weapon with which I shall > achieve my destiny\", he", "Taoi commented. > > > “What do you mean?”, the other twin asked.", "stared for a moment before he comprehended Upam's words. \"The > oath ?", "Clamors, genetically modified creatures which serve as > the Empire's first line of", "other twin nodded. “People have the means to earn their own > livelihood.”", "at Upam. \"The blind bats on > the council decided that I, the", "history or a war in the past), then it sounds like an interrogation.", "his world. He has a vision there about the death of him and", "value human life”, Upam shrugged. “To them, the > humans are just mulch", "> \"-and defeated. Single-handedly, if I might add.\" > > > \"But there", "4** Goals - * To highlight Upam's concern with staying and wanting Mreldat", "> “Well, if you are able and willing, you will be given a", "it”, the other twin said. > > > “If something needs inventing”, Taoi", "to take. If someone can suggest some good books or videos or any", "> > \"You saw those orcs we fought-\" > > > \"-and defeated.", "- * Show the vastness of the city and the other industries ", "moment before he comprehended Upam's words. \"The > oath ? Wasn't it quite", "before he comprehended Upam's words. \"The > oath ? Wasn't it quite something?\"", "good books or videos or any good tips that they use, it would", "fit to be the leader > yet.They felt that I have not been", "of them.\" > > > \"Some hundred orcs have escaped in all. There", "convincing dialogue to reach that goal. Some of the feedback I have received", "“We have > trained in multiple disciplines to qualify.” > > > “We", "> “Why set up the dome to safeguard them? Why not let everyone", "thank for that. > > > Excerpt 4* Goals - * To highlight", "get Mreldat (the chosen one) to return back but Mreldat does not want", "he asked. > > > The words brought a bitter taste to Mreldat's", "making hasty decisions.\" > > > Mreldat stared for a moment before he", "Mreldat said. > > > \"It was not a dream. It was a", "how the cities function * Show the people don't really have a choice", "and shook their > heads. > > > “Experiment enthusiasts”, they said in", "> “It is our greatest flaw”, Taoi lamented. > > > Excerpt 2", "“Experiment artists?” The twins looked at each other and shook their > heads.", "and protection from the > dangers outside.” > > > “And what if", "> > > \"They rejected your claim again?\" > > > Mreldat shook", "they said in unison, heartily agreeing with > each other. > > >", "> “Everyone contributes. One way or another.” > > > “Ominous”, Taoi commented.", "the leader (but he does not know it) and Mreldat is angry at", "needs fixing”, Taoi said. > > > “We fix it”, the other twin", "> the council decided that I, the prince, was not fit to be", "to sustain > them.” > > > \"And they need the humans to", "> > > “Well, if you are able and willing, you will be", "would not keep making hasty decisions.\" > > > Mreldat stared for a", "Mreldat did not say anything. > > > \"They rejected your claim again?\"", "or Rainman type personality. > > “So what?” Taoi shrugged, “Age does not", "bats on > the council decided that I, the prince, was not fit", "or unwilling, then the Empire > will make the choice for you and", "- * To show Upam is concerned about the whole thing but Mreldat", "mental connection (not to state it explicitly yet) * The twins have kind", "a bad dream\", Mreldat said. > > > \"It was not a dream.", "is concerned about the whole thing but Mreldat is not. * The oath", "know it) and Mreldat is angry at him but can not outright say", "nothing for me there.\" > > > \"Why do you say that?\" >", "the reason the elves turn to us.” > > > “If something needs", "at each other and shook their > heads. > > > “Experiment enthusiasts”,", "twin nodded as if it was fact. “It is > the reason the", "asked. > > > The words brought a bitter taste to Mreldat's mouth.", "reason but Mreldat raised his blade. \"I am > the salvation of the", "is not. * The oath which Mreldat took in an earlier chapter was", "it. You can call us...The…umm...” > > > “Scientists ?” Upam supplied. >", "> > “Ominous”, Taoi commented. > > > “What do you mean?”, the", "quite something?\" he said proudly. \"I have lucrano > to thank for that.", "glued to the map. > > > “When the cities were unveiled, they", "> > > Excerpt 3 Goals - * To show Upam is concerned", "> heads. > > > “Experiment enthusiasts”, they said in unison, heartily agreeing", "> > “If something needs inventing”, Taoi said. > > > “We invent", "exactly.” Upam shook his head. “Everything belongs to the Empire, > whatever the", "are able and willing, you will be given a choice to > enrol", "defence.” > > > “That's horrible”, Taoi said. > > > “The Empire", "need to loosen up a little. Let go of the worries.\" > >", "Mreldat stopped suddenly and breathed > deeply. \"You know what, it does not", "topic of conversation to another is not fluid. * The dialogue sounds wooden", "don't really have a choice * Show the Empire's dependence on the population", "put in the effort”, the other twin said. “We have > trained in", "the Empire does not care about the people, then why does it bother", "mouth to counter but Mreldat cut him off again. \"You > know you", "> > “If something needs fixing”, Taoi said. > > > “We fix", "return for the contribution‟, every resident > gets access to food, clothing and", "was genuinely surprised. > > > Anger burned in Mreldat's eyes as he", "don't like that word”, Taoi said, turning to the other twin. “We >", "> > “Well, if you are able and willing, you will be given", "that even though I know what the goal of a dialogue between certain", "the survivors thrived, in a way, and > the cities grew, extending to", "are large farmlands near a few, mines near some.” > > > “That", "might add.\" > > > \"But there will be more of them.\" >", "did not answer. > > > \"It's because of the council, isn't it", "is nothing for me there.\" > > > \"Why do you say that?\"", "Taoi twins and explains them the history of his world. He has a", "vast”, Taoi said, eyes glued to the map. > > > “When the", "word”, Taoi said, turning to the other twin. “We > actually prefer...” >", "Excerpt 3 Goals - * To show Upam is concerned about the whole", "will make the choice for you and there is a single option. You", "Empire does not care about the people, then why does it bother >", "elves and this is the weapon with which I shall > achieve my", "the cities function * Show the people don't really have a choice ", "> > > \"It's because of the council, isn't it ?\" > >", "“So what?” Taoi shrugged, “Age does not drive skill.” > > > “Besides,", "writing that I find myself struggling a lot. I usually divide my chapters", "\"It's because of the council, isn't it ?\" > > > Mreldat did", "them, the > humans are just mulch they feed into the machinery to", "said. > > > “Basically anything that needs experimenting” > > > “We", "Upam is concerned about the whole thing but Mreldat is not. The", "drive skill.” > > > “Besides, we have put in the effort”, the", "> “When the cities were unveiled, they were not as vast. Survivors were", "care about the people, then why does it bother > with them?” Taoi", "again?\" > > > Mreldat shook his head. \"They reached a decision\", he", "> “So what?” Taoi shrugged, “Age does not drive skill.” > > >", "you and there is a single option. You will be > mutated into", "> > “Experiment enthusiasts”, they said in unison, heartily agreeing with > each", "a war in the past), then it sounds like an interrogation. I am", "cities function * Show the people don't really have a choice * Show", "back * Mreldat still is not concerned about the whole thing * What", "air of sudden > inspiration. > > > “Experimenterist?”, Taoi said just as", "multiple disciplines to qualify.” > > > “We are good at this”, the", "Mreldat interrupted. \"I do not care anymore. The council can select > whoever", "yet) * The twins have kind of a Idiot Savant or Rainman type", "> each other. > > > “You both are bad at naming things”,", "which caused > the wars.” > > > “Energy?” Taoi's brow furrowed in", "mulch they feed into the machinery to keep it > running.” > >", "something needs inventing”, Taoi said. > > > “We invent it”, the other", "add.\" > > > \"But there will be more of them.\" > >", "with them?” Taoi asked. “Why build cities to accommodate the > populace?” >", "have kind of a Idiot Savant or Rainman type personality. > > “So", "> > “It is our greatest flaw”, Taoi lamented. > > > Excerpt", "> > The other twin nodded. “People have the means to earn their", "the Empire > will make the choice for you and there is a", "> populace?” > > > “Why set up the dome to safeguard them?", "of a dialogue between certain characters is, I am not able to convincingly", "unwilling, then the Empire > will make the choice for you and there", "> Mreldat interrupted. \"I do not care anymore. The council can select >", "he said proudly. \"I have lucrano > to thank for that. > >", "To help you you understand the excerpt. The flow is that Upam meets", "usually divide my chapters into scenes and each scene has a goal(s) that", "you are able and willing, you will be given a choice to >", "> > > Mreldat stared for a moment before he comprehended Upam's words.", "a few, mines near some.” > > > “That is good, right?” Taoi", "am not able to convincingly pen it down. I get lost in writing", "it”, the other twin said. > > > “Basically anything that needs experimenting”", "bad dream\", Mreldat said. > > > \"It was not a dream. It", "hasty decisions.\" > > > Mreldat stared for a moment before he comprehended", "of the city but inside the dome are dedicated to various > industries.", "> you see on the map is not their entire extent though. For", "> > \"I would, if you would not keep making hasty decisions.\" >", "labour of the residents. It is one of the > conditions of being", "Mreldat raised his blade. \"I am > the salvation of the elves and", "effort”, the other twin said. “We have > trained in multiple disciplines to", "but Mreldat raised his blade. \"I am > the salvation of the elves", "or another.” > > > “Ominous”, Taoi commented. > > > “What do", "Taoi said, turning to the other twin. “We > actually prefer...” > >", "> > > Excerpt 2** Goals - * Show the vastness of the", "require a large amount of energy to sustain > them.” > > >", "* To show the Taoi twins share a mental connection (not to state", "twins and explains them the history of his world. He has a vision", "Taoi lamented. > > > Excerpt 2 Goals - * Show the vastness", "it down. I get lost in writing convincing dialogue to reach that goal.", "of a Idiot Savant or Rainman type personality. > > “So what?” Taoi", "staying and wanting Mreldat to return back * Mreldat still is not concerned", "this up just because you had a bad dream\", Mreldat said. > >", "Goals - * To highlight Upam's concern with staying and wanting Mreldat to", "> > > The words brought a bitter taste to Mreldat's mouth. \"There", "twin said. “We have > trained in multiple disciplines to qualify.” > >", "at certain points. * If I'm trying to present information (like two characters", "means to earn their own > livelihood.” > > > “Not exactly.” Upam", "for me there.\" > > > \"Why do you say that?\" > >", "eight cities were quite distinctly visible on the map. “The cities > sure", "serve as > the Empire's first line of defence.” > > > “That's", "brought a bitter taste to Mreldat's mouth. \"There is nothing for me there.\"", "> > Excerpt 2 Goals - * Show the vastness of the city", "am > the salvation of the elves and this is the weapon with", "said. > > > “The Empire does not value human life”, Upam shrugged.", "their > heads. > > > “Experiment enthusiasts”, they said in unison, heartily", "* Show the vastness of the city and the other industries * Show", "> whoever they want\", he spat. \"This is where I belong. It is", "> \"They rejected your claim again?\" > > > Mreldat shook his head.", "> everything you create. In return for the contribution‟, every resident > gets", "something needs fixing”, Taoi said. > > > “We fix it”, the other", "> “Basically anything that needs experimenting” > > > “We experiment with it.", "on the environment around it, a large area outside > the walls of", "of being allowed to live in the cities. The Empire claims > everything", "back to Medullia?\" he asked. > > > The words brought a bitter", "of the labour of the residents. It is one of the > conditions", "> other industry. But if you are not able or unwilling, then the", "to prove my abilities. > They...they...would rather-\" Mreldat stopped suddenly and breathed >", "with it. You can call us...The…umm...” > > > “Scientists ?” Upam supplied.", "they use, it would be useful. --- I am attaching four excerpts from", "growing population. What > you see on the map is not their entire", "are bad at naming things”, Upam observed. > > > “It is our", "not fit to be the leader > yet.They felt that I have not", "results of the labour of the residents. It is one of the >", "them.” > > > \"And they need the humans to mine them\", Upam", "anything that needs experimenting” > > > “We experiment with it. You can", "the contribution‟, every resident > gets access to food, clothing and medicines, and", "> gets access to food, clothing and medicines, and protection from the >", "received is: * The segue from one topic of conversation to another is", "good tips that they use, it would be useful. --- I am attaching", "blind bats on > the council decided that I, the prince, was not", "one) to return back but Mreldat does not want to leave. Excerpt 1", "not giving all this up just because you had a bad dream\", Mreldat", "> conditions of being allowed to live in the cities. The Empire claims", "burned in Mreldat's eyes as he looked at Upam. \"The blind bats on", "in an earlier chapter was not really his idea. > > \"You saw", "Upam's words. \"The > oath ? Wasn't it quite something?\" he said proudly.", "to us.” > > > “If something needs fixing”, Taoi said. > >", "concern with staying and wanting Mreldat to return back * Mreldat still is", "The dialogue sounds wooden or stilted or unnatural at certain points. * If", "what, it does not matter.\" > > > \"I am sure we can", "the wars.” > > > “Energy?” Taoi's brow furrowed in thought. “Of course,", "Taoi said just as brightly. > > > “Experiment artists?” The twins looked", "in the past), then it sounds like an interrogation. I am not sure", "with the Taoi twins and explains them the history of his world. He", "twin nodded. “People have the means to earn their own > livelihood.” >", "reason the elves turn to us.” > > > “If something needs fixing”,", "> “Not exactly.” Upam shook his head. “Everything belongs to the Empire, >", "Upam agreed. > > > Excerpt 3 Goals - * To show Upam", "survivors thrived, in a way, and > the cities grew, extending to accommodate", "another is not fluid. * The dialogue sounds wooden or stilted or unnatural", "later) > > \"I am not giving all this up just because you", "for the contribution‟, every resident > gets access to food, clothing and medicines,", "> \"It was not a dream. It was a vision\", Upam repeated.\"And don't", "> “Experimenters?”, the other Taoi said with an air of sudden > inspiration.", "> > “Why set up the dome to safeguard them? Why not let", "some of the > cities, depending on the environment around it, a large", "> > \"It's because of the council, isn't it ?\" > > >", "> > “We don't like that word”, Taoi said, turning to the other", "Taoi said with an air of sudden > inspiration. > > > “Experimenterist?”,", "certain points. * If I'm trying to present information (like two characters discussing", "because you had a bad dream\", Mreldat said. > > > \"It was", "there.\" > > > \"Why do you say that?\" > > > Mreldat", "raised his blade. \"I am > the salvation of the elves and this", "> “We are good at this”, the other twin nodded as if it", "the other industries * Show how the cities function * Show the people", "amount of energy to sustain > them.” > > > \"And they need", "> > > \"And they need the humans to mine them\", Upam agreed.", "Why not let everyone else > die?” > > > “There is a", "map. > > > “When the cities were unveiled, they were not as", "Let go of the worries.\" > > > \"I would, if you would", "be more of them.\" > > > \"Some hundred orcs have escaped in", "each other and shook their > heads. > > > “Experiment enthusiasts”, they", "are more elves than > that.\" > > > Upam opened his mouth", "fact. “It is > the reason the elves turn to us.” > >", "not sure how to improve this or what steps to take. If someone", "it was fact. “It is > the reason the elves turn to us.”", "history of his world. He has a vision there about the death of", "not been able to prove my abilities. > They...they...would rather-\" Mreldat stopped suddenly", "now trying to get Mreldat (the chosen one) to return back but Mreldat", "> > “Experimenters?”, the other Taoi said with an air of sudden >", "return back to Medullia?\" he asked. > > > The words brought a", "“Ominous”, Taoi commented. > > > “What do you mean?”, the other twin", "> > Mreldat stared for a moment before he comprehended Upam's words. \"The", "spat. \"This is where I belong. It is my destiny.\" > Upam wanted", "dialogue to reach that goal. Some of the feedback I have received is:", "Taoi said, eyes glued to the map. > > > “When the cities", "everyone else > die?” > > > “There is a reason for that”,", "> whatever the results of the labour of the residents. It is one", "> livelihood.” > > > “Not exactly.” Upam shook his head. “Everything belongs", "the people don't really have a choice * Show the Empire's dependence on", "of my chapters. I will also include the goals I try to achieve", "> empty. Over the course of time, the survivors thrived, in a way,", "does not know it) and Mreldat is angry at him but can not", "care anymore. The council can select > whoever they want\", he spat. \"This", "you will be given a choice to > enrol in the army or", "can not outright say it. (That is a reveal for later) > >", "see reason but Mreldat raised his blade. \"I am > the salvation of", "heartily agreeing with > each other. > > > “You both are bad", "to achieve. And I have found that even though I know what the", "you need to loosen up a little. Let go of the worries.\" >", "that I have to achieve. And I have found that even though I", "not matter.\" > > > \"I am sure we can make them see", "> > > Mreldat shook his head. \"They reached a decision\", he said.", "for that. > > > Excerpt 4 Goals - * To highlight Upam's", "twin. “We > actually prefer...” > > > “Experimenters?”, the other Taoi said", "> trained in multiple disciplines to qualify.” > > > “We are good", "you had a bad dream\", Mreldat said. > > > \"It was not", "“Age does not drive skill.” > > > “Besides, we have put in", "go of the worries.\" > > > \"I would, if you would not", "have lucrano > to thank for that. > > > Excerpt 4 Goals", "though. For some of the > cities, depending on the environment around it,", "to counter but Mreldat cut him off again. \"You > know you need", "the excerpt. The flow is that Upam meets with the Taoi twins and", "> > > “Experimenterist?”, Taoi said just as brightly. > > > “Experiment", "as he looked at Upam. \"The blind bats on > the council decided", "needs experimenting” > > > “We experiment with it. You can call us...The…umm...”", "the machinery to keep it > running.” > > > “If the Empire", "> > Anger burned in Mreldat's eyes as he looked at Upam. \"The", "one topic of conversation to another is not fluid. * The dialogue sounds", "> actually prefer...” > > > “Experimenters?”, the other Taoi said with an", "decided that I, the prince, was not fit to be the leader >", "else > die?” > > > “There is a reason for that”, Upam", "Upam wanted to make him see reason but Mreldat raised his blade. \"I", "said just as brightly. > > > “Experiment artists?” The twins looked at", "the course of time, the survivors thrived, in a way, and > the", "Rainman type personality. > > “So what?” Taoi shrugged, “Age does not drive", "the army or find work in the fields or in the mines or", "\"Why do you say that?\" > > > Mreldat did not answer. >", "will be more of them.\" > > > \"Some hundred orcs have escaped", "mean?”, the other twin asked. > > > “Well, if you are able", "that”, Upam said. “The same one which caused > the wars.” > >", "skill.” > > > “Besides, we have put in the effort”, the other", "keep it > running.” > > > “If the Empire does not care", "death of him and his brother (Mreldat) which freaks him out. Upam is", "* Show the Empire's dependence on the population > > The eight cities", "sustain > them.” > > > \"And they need the humans to mine", "clothing and medicines, and protection from the > dangers outside.” > > >", "or find work in the fields or in the mines or any >", "with staying and wanting Mreldat to return back * Mreldat still is not", "mines or any > other industry. But if you are not able or", "greatest flaw”, Taoi lamented. > > > Excerpt 2 Goals - * Show", "> > Mreldat did not say anything. > > > \"They rejected your", "a decision\", he said. > > > \"And it's not you\", Upam was", "an earlier chapter was not really his idea. > > \"You saw those", "sounds wooden or stilted or unnatural at certain points. * If I'm trying", "my chapters. I will also include the goals I try to achieve from", "orcs we fought-\" > > > \"-and defeated. Single-handedly, if I might add.\"", "Show how the cities function * Show the people don't really have a", "> > \"But there will be more of them.\" > > > \"Some", "from that dialogue. To help you you understand the excerpt. The flow is", "It is my destiny.\" > Upam wanted to make him see reason but", "like an interrogation. I am not sure how to improve this or what", "not drive skill.” > > > “Besides, we have put in the effort”,", "orcs have escaped in all. There are more elves than > that.\" >", "two of my chapters. I will also include the goals I try to", "does it bother > with them?” Taoi asked. “Why build cities to accommodate", "What > you see on the map is not their entire extent though.", "that?\" > > > Mreldat did not answer. > > > \"It's because", "then it sounds like an interrogation. I am not sure how to improve", "> > The eight cities were quite distinctly visible on the map. “The", "* If I'm trying to present information (like two characters discussing history or", "is one of the > conditions of being allowed to live in the", "the goals I try to achieve from that dialogue. To help you you", "is good, right?” Taoi asked tentatively. > > > The other twin nodded.", "choice to > enrol in the army or find work in the fields", "or in the mines or any > other industry. But if you are", "able to convincingly pen it down. I get lost in writing convincing dialogue", "Taoi said. > > > “The Empire does not value human life”, Upam", "explains them the history of his world. He has a vision there about", "you see on the map is not their entire extent though. For some", "but inside the dome are dedicated to various > industries. There are large", "whole thing but Mreldat is not. * The oath which Mreldat took in", "“If something needs inventing”, Taoi said. > > > “We invent it”, the", "writing convincing dialogue to reach that goal. Some of the feedback I have", "do you say that?\" > > > Mreldat did not answer. > >", "> > > Anger burned in Mreldat's eyes as he looked at Upam.", "wanting Mreldat to return back * Mreldat still is not concerned about the", "first line of defence.” > > > “That's horrible”, Taoi said. > >", "to improve this or what steps to take. If someone can suggest some", "build cities to accommodate the > populace?” > > > “Why set up", "lost in writing convincing dialogue to reach that goal. Some of the feedback", "wooden or stilted or unnatural at certain points. * If I'm trying to", "cities, the > dome, they all would require a large amount of energy", "> with them?” Taoi asked. “Why build cities to accommodate the > populace?”", "dialogue between certain characters is, I am not able to convincingly pen it", "took in an earlier chapter was not really his idea. > > \"You", "the cities were overwhelmingly > empty. Over the course of time, the survivors", "depending on the environment around it, a large area outside > the walls", "make him see reason but Mreldat raised his blade. \"I am > the", "> “You both are bad at naming things”, Upam observed. > > >", "said proudly. \"I have lucrano > to thank for that. > > >", "it explicitly yet) * The twins have kind of a Idiot Savant or", "Empire claims > everything you create. In return for the contribution‟, every resident", "“We don't like that word”, Taoi said, turning to the other twin. “We", "to the other twin. “We > actually prefer...” > > > “Experimenters?”, the", "Mreldat is not. * The oath which Mreldat took in an earlier chapter", "which serve as > the Empire's first line of defence.” > > >", "them\", Upam agreed. > > > Excerpt 3 Goals - * To show", "Excerpt 4 Goals - * To highlight Upam's concern with staying and wanting", "in the mines or any > other industry. But if you are not", "The words brought a bitter taste to Mreldat's mouth. \"There is nothing for", "dependence on the population > > The eight cities were quite distinctly visible", "there will be more of them.\" > > > \"Some hundred orcs have", "videos or any good tips that they use, it would be useful. ---", "you create. In return for the contribution‟, every resident > gets access to", "abilities. > They...they...would rather-\" Mreldat stopped suddenly and breathed > deeply. \"You know", "and > the cities grew, extending to accommodate the growing population. What >", "of the feedback I have received is: * The segue from one topic", "trying to get Mreldat (the chosen one) to return back but Mreldat does", "idea. > > \"You saw those orcs we fought-\" > > > \"-and", "or videos or any good tips that they use, it would be useful.", "> > > \"It was not a dream. It was a vision\", Upam", "be the leader > yet.They felt that I have not been able to", "call us...The…umm...” > > > “Scientists ?” Upam supplied. > > > “We", "--- I am attaching four excerpts from two of my chapters. I will", "not outright say it. (That is a reveal for later) > > \"I", "though I know what the goal of a dialogue between certain characters is,", "it, a large area outside > the walls of the city but inside", "Taoi's brow furrowed in thought. “Of course, the cities, the > dome, they", "with > each other. > > > “You both are bad at naming", "into Clamors, genetically modified creatures which serve as > the Empire's first line", "my chapters into scenes and each scene has a goal(s) that I have", "nodded. “People have the means to earn their own > livelihood.” > >", "\"They reached a decision\", he said. > > > \"And it's not you\",", "highlight Upam's concern with staying and wanting Mreldat to return back * Mreldat", "his mouth to counter but Mreldat cut him off again. \"You > know", "I belong. It is my destiny.\" > Upam wanted to make him see", "* The oath which Mreldat took in an earlier chapter was not really", "the map is not their entire extent though. For some of the >", "you you understand the excerpt. The flow is that Upam meets with the", "is that Upam meets with the Taoi twins and explains them the history", "naming things”, Upam observed. > > > “It is our greatest flaw”, Taoi", "them see reason-\" > > > Mreldat interrupted. \"I do not care anymore.", "in the council * Upam became the leader (but he does not know", "have a choice * Show the Empire's dependence on the population > >", "> “Scientists ?” Upam supplied. > > > “We don't like that word”,", "taste to Mreldat's mouth. \"There is nothing for me there.\" > > >", "fought-\" > > > \"-and defeated. Single-handedly, if I might add.\" > >", "claims > everything you create. In return for the contribution‟, every resident >", "the other twin said. > > > “If something needs inventing”, Taoi said.", "was not a dream. It was a vision\", Upam repeated.\"And don't you want", "that I have not been able to prove my abilities. > They...they...would rather-\"", "saw those orcs we fought-\" > > > \"-and defeated. Single-handedly, if I", "access to food, clothing and medicines, and protection from the > dangers outside.”", "to contribute?” > > > “Everyone contributes. One way or another.” > >", "don't you want to return back to Medullia?\" he asked. > > >", "not. * The oath which Mreldat took in an earlier chapter was not", "feedback I have received is: * The segue from one topic of conversation", "medicines, and protection from the > dangers outside.” > > > “And what", "Mreldat does not want to leave. Excerpt 1 Goals - * Humour ", "in all. There are more elves than > that.\" > > > Upam", "just as brightly. > > > “Experiment artists?” The twins looked at each", "dialogue. To help you you understand the excerpt. The flow is that Upam", "twin asked. > > > “Well, if you are able and willing, you", "twins have kind of a Idiot Savant or Rainman type personality. > >", "unveiled, they were not as vast. Survivors were > rounded up and brought", "you are not able or unwilling, then the Empire > will make the", "> running.” > > > “If the Empire does not care about the", "opened his mouth to counter but Mreldat cut him off again. \"You >", "area outside > the walls of the city but inside the dome are", "> > > “Ominous”, Taoi commented. > > > “What do you mean?”,", "> “Experiment artists?” The twins looked at each other and shook their >", "for later) > > \"I am not giving all this up just because", "two characters discussing history or a war in the past), then it sounds", "of the worries.\" > > > \"I would, if you would not keep", "> > > Excerpt 4* Goals - * To highlight Upam's concern with", "turn to us.” > > > “If something needs fixing”, Taoi said. >", "he said. > > > \"And it's not you\", Upam was genuinely surprised.", "humans to mine them\", Upam agreed. > > > Excerpt 3 Goals -", "same one which caused > the wars.” > > > “Energy?” Taoi's brow", "It was a vision\", Upam repeated.\"And don't you want to return back to", "invent it”, the other twin said. > > > “Basically anything that needs", "way or another.” > > > “Ominous”, Taoi commented. > > > “What", "you say that?\" > > > Mreldat did not answer. > > >", "the other twin nodded as if it was fact. “It is > the", "the Empire's dependence on the population > > The eight cities were quite", "excerpt. The flow is that Upam meets with the Taoi twins and explains", "and yet the cities were overwhelmingly > empty. Over the course of time,", "the weapon with which I shall > achieve my destiny\", he declared. >", "said. > > > “We invent it”, the other twin said. > >", "“People have the means to earn their own > livelihood.” > > >", "what?” Taoi shrugged, “Age does not drive skill.” > > > “Besides, we", "> > “The Empire does not value human life”, Upam shrugged. “To them,", "energy to sustain > them.” > > > \"And they need the humans", "> > > Mreldat did not answer. > > > \"It's because of", "Taoi shrugged, “Age does not drive skill.” > > > “Besides, we have", "if it was fact. “It is > the reason the elves turn to", "> > > \"Some hundred orcs have escaped in all. There are more", "make them see reason-\" > > > Mreldat interrupted. \"I do not care", "safeguard them? Why not let everyone else > die?” > > > “There", "> Anger burned in Mreldat's eyes as he looked at Upam. \"The blind", "the salvation of the elves and this is the weapon with which I", "visible on the map. “The cities > sure are vast”, Taoi said, eyes", "to keep it > running.” > > > “If the Empire does not", "his head. \"They reached a decision\", he said. > > > \"And it's", "Goals - * To show Upam is concerned about the whole thing but", "it does not matter.\" > > > \"I am sure we can make", "accommodate the growing population. What > you see on the map is not", "he does not know it) and Mreldat is angry at him but can", "\"And it's not you\", Upam was genuinely surprised. > > > Anger burned", "large farmlands near a few, mines near some.” > > > “That is", "other twin asked. > > > “Well, if you are able and willing,", "walls of the city but inside the dome are dedicated to various >", "council, isn't it ?\" > > > Mreldat did not say anything. >", "Humour * To show the Taoi twins share a mental connection (not to", "> > > Mreldat interrupted. \"I do not care anymore. The council can", "on the map is not their entire extent though. For some of the", "> > \"I am not giving all this up just because you had", "head. “Everything belongs to the Empire, > whatever the results of the labour", "the cities grew, extending to accommodate the growing population. What > you see", "have the means to earn their own > livelihood.” > > > “Not", "“What do you mean?”, the other twin asked. > > > “Well, if", "how to improve this or what steps to take. If someone can suggest", "the residents. It is one of the > conditions of being allowed to", "“We experiment with it. You can call us...The…umm...” > > > “Scientists ?”", "past), then it sounds like an interrogation. I am not sure how to", "type personality. > > “So what?” Taoi shrugged, “Age does not drive skill.”", "into scenes and each scene has a goal(s) that I have to achieve.", "of the elves and this is the weapon with which I shall >", "> “We experiment with it. You can call us...The…umm...” > > > “Scientists", "me there.\" > > > \"Why do you say that?\" > > >", "city but inside the dome are dedicated to various > industries. There are", "have to achieve. And I have found that even though I know what", "> that.\" > > > Upam opened his mouth to counter but Mreldat", "(but he does not know it) and Mreldat is angry at him but", "can select > whoever they want\", he spat. \"This is where I belong.", "extending to accommodate the growing population. What > you see on the map", "lucrano > to thank for that. > > > Excerpt 4 Goals -", "“To them, the > humans are just mulch they feed into the machinery", "> > “When the cities were unveiled, they were not as vast. Survivors", "time, the survivors thrived, in a way, and > the cities grew, extending", "eyes glued to the map. > > > “When the cities were unveiled,", "the death of him and his brother (Mreldat) which freaks him out. Upam", "for that”, Upam said. “The same one which caused > the wars.” >", "one which caused > the wars.” > > > “Energy?” Taoi's brow furrowed", "other twin said. > > > “Basically anything that needs experimenting” > >", "> Mreldat shook his head. \"They reached a decision\", he said. > >", "share a mental connection (not to state it explicitly yet) * The twins", "vision there about the death of him and his brother (Mreldat) which freaks", "The oath which Mreldat took in an earlier chapter was not really his", "populace?” > > > “Why set up the dome to safeguard them? Why", "Upam shook his head. “Everything belongs to the Empire, > whatever the results", "not care about the people, then why does it bother > with them?”", "each scene has a goal(s) that I have to achieve. And I have", "twin said. > > > “If something needs inventing”, Taoi said. > >", "able or unwilling, then the Empire > will make the choice for you", "is not their entire extent though. For some of the > cities, depending", "* To highlight Upam's concern with staying and wanting Mreldat to return back", "not able or unwilling, then the Empire > will make the choice for", "present information (like two characters discussing history or a war in the past),", "to return back but Mreldat does not want to leave. Excerpt 1 Goals", "“Well, if you are able and willing, you will be given a choice", "like that word”, Taoi said, turning to the other twin. “We > actually", "Upam is now trying to get Mreldat (the chosen one) to return back", "quite distinctly visible on the map. “The cities > sure are vast”, Taoi", "> “Ominous”, Taoi commented. > > > “What do you mean?”, the other", "want\", he spat. \"This is where I belong. It is my destiny.\" >", "reveal for later) > > \"I am not giving all this up just", "Savant or Rainman type personality. > > “So what?” Taoi shrugged, “Age does", "large amount of energy to sustain > them.” > > > \"And they", "cut him off again. \"You > know you need to loosen up a", "want to return back to Medullia?\" he asked. > > > The words", "> “That is good, right?” Taoi asked tentatively. > > > The other", "> > “And what if someone is not able to contribute?” > >", "some.” > > > “That is good, right?” Taoi asked tentatively. > >", "angry at him but can not outright say it. (That is a reveal", "fluid. * The dialogue sounds wooden or stilted or unnatural at certain points.", "world. He has a vision there about the death of him and his", "that dialogue. To help you you understand the excerpt. The flow is that", "I am not sure how to improve this or what steps to take.", "The flow is that Upam meets with the Taoi twins and explains them", "Empire > will make the choice for you and there is a single", "shook his head. \"They reached a decision\", he said. > > > \"And", "Goals - * Humour * To show the Taoi twins share a mental", "> > \"They rejected your claim again?\" > > > Mreldat shook his", "other twin. “We > actually prefer...” > > > “Experimenters?”, the other Taoi", "Upam shrugged. “To them, the > humans are just mulch they feed into", "the whole thing * What happened in the council * Upam became the", "Taoi said. > > > “We invent it”, the other twin said. >", "another.” > > > “Ominous”, Taoi commented. > > > “What do you", "to get Mreldat (the chosen one) to return back but Mreldat does not", "he comprehended Upam's words. \"The > oath ? Wasn't it quite something?\" he", "> “We invent it”, the other twin said. > > > “Basically anything", "> rounded up and brought in and yet the cities were overwhelmingly >", "the other twin said. > > > “Basically anything that needs experimenting” >", "there is a single option. You will be > mutated into Clamors, genetically", "of sudden > inspiration. > > > “Experimenterist?”, Taoi said just as brightly.", "other twin said. > > > “If something needs inventing”, Taoi said. >", "3** Goals - * To show Upam is concerned about the whole thing", "population > > The eight cities were quite distinctly visible on the map.", "the prince, was not fit to be the leader > yet.They felt that", "the other twin asked. > > > “Well, if you are able and", "than > that.\" > > > Upam opened his mouth to counter but", "and Mreldat is angry at him but can not outright say it. (That", "And I have found that even though I know what the goal of", "Show the people don't really have a choice * Show the Empire's dependence", "prince, was not fit to be the leader > yet.They felt that I", "vast. Survivors were > rounded up and brought in and yet the cities", "choice * Show the Empire's dependence on the population > > The eight", "The Empire claims > everything you create. In return for the contribution‟, every", "am attaching four excerpts from two of my chapters. I will also include", "even though I know what the goal of a dialogue between certain characters", "to mine them\", Upam agreed. > > > Excerpt 3 Goals - ", "excerpts from two of my chapters. I will also include the goals I", "dream\", Mreldat said. > > > \"It was not a dream. It was", "Empire, > whatever the results of the labour of the residents. It is", "Show the vastness of the city and the other industries Show how", "mouth. \"There is nothing for me there.\" > > > \"Why do you", "in multiple disciplines to qualify.” > > > “We are good at this”,", "know what, it does not matter.\" > > > \"I am sure we", "Medullia?\" he asked. > > > The words brought a bitter taste to", "find myself struggling a lot. I usually divide my chapters into scenes and", "> > “Experiment artists?” The twins looked at each other and shook their", "your claim again?\" > > > Mreldat shook his head. \"They reached a", "protection from the > dangers outside.” > > > “And what if someone", "see reason-\" > > > Mreldat interrupted. \"I do not care anymore. The", "that Upam meets with the Taoi twins and explains them the history of", "certain characters is, I am not able to convincingly pen it down. I", "into the machinery to keep it > running.” > > > “If the", "achieve. And I have found that even though I know what the goal", "is not fluid. * The dialogue sounds wooden or stilted or unnatural at", "dome, they all would require a large amount of energy to sustain >", "not their entire extent though. For some of the > cities, depending on", "yet.They felt that I have not been able to prove my abilities. >", "mines near some.” > > > “That is good, right?” Taoi asked tentatively.", "contribution‟, every resident > gets access to food, clothing and medicines, and protection", "> “And what if someone is not able to contribute?” > > >", "to Mreldat's mouth. \"There is nothing for me there.\" > > > \"Why", "“Basically anything that needs experimenting” > > > “We experiment with it. You", "> > > “There is a reason for that”, Upam said. “The same", "select > whoever they want\", he spat. \"This is where I belong. It", "population. What > you see on the map is not their entire extent", "leader (but he does not know it) and Mreldat is angry at him", "Taoi twins share a mental connection (not to state it explicitly yet) ", "\"I do not care anymore. The council can select > whoever they want\",", "all. There are more elves than > that.\" > > > Upam opened", "eyes as he looked at Upam. \"The blind bats on > the council", "the worries.\" > > > \"I would, if you would not keep making", "empty. Over the course of time, the survivors thrived, in a way, and", "of conversation to another is not fluid. The dialogue sounds wooden or", "and his brother (Mreldat) which freaks him out. Upam is now trying to", "not answer. > > > \"It's because of the council, isn't it ?\"", "is a reveal for later) > > \"I am not giving all this", "* The twins have kind of a Idiot Savant or Rainman type personality.", "> enrol in the army or find work in the fields or in", "shook their > heads. > > > “Experiment enthusiasts”, they said in unison,", "were overwhelmingly > empty. Over the course of time, the survivors thrived, in", "> The words brought a bitter taste to Mreldat's mouth. \"There is nothing", "found that even though I know what the goal of a dialogue between", "both are bad at naming things”, Upam observed. > > > “It is", "return back * Mreldat still is not concerned about the whole thing ", "to Medullia?\" he asked. > > > The words brought a bitter taste", "steps to take. If someone can suggest some good books or videos or", "the map. > > > “When the cities were unveiled, they were not", "of him and his brother (Mreldat) which freaks him out. Upam is now", "The segue from one topic of conversation to another is not fluid. ", "really have a choice * Show the Empire's dependence on the population >", "they want\", he spat. \"This is where I belong. It is my destiny.\"", "up the dome to safeguard them? Why not let everyone else > die?”", "genetically modified creatures which serve as > the Empire's first line of defence.”", "to > enrol in the army or find work in the fields or", "that I find myself struggling a lot. I usually divide my chapters into", "worries.\" > > > \"I would, if you would not keep making hasty", "> > \"It was not a dream. It was a vision\", Upam repeated.\"And", "his head. “Everything belongs to the Empire, > whatever the results of the", "then the Empire > will make the choice for you and there is", "the walls of the city but inside the dome are dedicated to various", "him out. Upam is now trying to get Mreldat (the chosen one) to", "you understand the excerpt. The flow is that Upam meets with the Taoi", "in Mreldat's eyes as he looked at Upam. \"The blind bats on >", "> > > “Basically anything that needs experimenting” > > > “We experiment", "anymore. The council can select > whoever they want\", he spat. \"This is", "four excerpts from two of my chapters. I will also include the goals", "their own > livelihood.” > > > “Not exactly.” Upam shook his head.", "dialogue sounds wooden or stilted or unnatural at certain points. * If I'm", "> > Mreldat did not answer. > > > \"It's because of the", "did not say anything. > > > \"They rejected your claim again?\" >", "single option. You will be > mutated into Clamors, genetically modified creatures which", "an interrogation. I am not sure how to improve this or what steps", "the dome are dedicated to various > industries. There are large farmlands near", "blade. \"I am > the salvation of the elves and this is the", "help you you understand the excerpt. The flow is that Upam meets with", "and brought in and yet the cities were overwhelmingly > empty. Over the", "to accommodate the growing population. What > you see on the map is", "about the death of him and his brother (Mreldat) which freaks him out.", "is angry at him but can not outright say it. (That is a", "him see reason but Mreldat raised his blade. \"I am > the salvation", "are just mulch they feed into the machinery to keep it > running.”", "“We fix it”, the other twin said. > > > “If something needs", "> > \"And they need the humans to mine them\", Upam agreed. >", "the population > > The eight cities were quite distinctly visible on the", "elves turn to us.” > > > “If something needs fixing”, Taoi said.", "> \"It's because of the council, isn't it ?\" > > > Mreldat", "> > > Upam opened his mouth to counter but Mreldat cut him", "Mreldat's mouth. \"There is nothing for me there.\" > > > \"Why do", "said, eyes glued to the map. > > > “When the cities were", "to qualify.” > > > “We are good at this”, the other twin", "all would require a large amount of energy to sustain > them.” >", "the leader > yet.They felt that I have not been able to prove", "was not fit to be the leader > yet.They felt that I have", "> > > \"-and defeated. Single-handedly, if I might add.\" > > >", "* Upam became the leader (but he does not know it) and Mreldat", "> Mreldat did not say anything. > > > \"They rejected your claim", "improve this or what steps to take. If someone can suggest some good", "not want to leave. Excerpt 1 Goals - * Humour * To show", "> the walls of the city but inside the dome are dedicated to", "brow furrowed in thought. “Of course, the cities, the > dome, they all", "> know you need to loosen up a little. Let go of the", "asked. > > > “Well, if you are able and willing, you will", "it. (That is a reveal for later) > > \"I am not giving", "their entire extent though. For some of the > cities, depending on the", "in the effort”, the other twin said. “We have > trained in multiple", "work in the fields or in the mines or any > other industry.", "repeated.\"And don't you want to return back to Medullia?\" he asked. > >", "as vast. Survivors were > rounded up and brought in and yet the", "one area of writing that I find myself struggling a lot. I usually", "> > “We experiment with it. You can call us...The…umm...” > > >", "various > industries. There are large farmlands near a few, mines near some.”", "> > “Scientists ?” Upam supplied. > > > “We don't like that", "the mines or any > other industry. But if you are not able", "of writing that I find myself struggling a lot. I usually divide my", "what the goal of a dialogue between certain characters is, I am not", "and medicines, and protection from the > dangers outside.” > > > “And", "wars.” > > > “Energy?” Taoi's brow furrowed in thought. “Of course, the", "it bother > with them?” Taoi asked. “Why build cities to accommodate the", "contribute?” > > > “Everyone contributes. One way or another.” > > >", "answer. > > > \"It's because of the council, isn't it ?\" >", "a little. Let go of the worries.\" > > > \"I would, if", "is a reason for that”, Upam said. “The same one which caused >", "our greatest flaw”, Taoi lamented. > > > Excerpt 2 Goals - ", "“Besides, we have put in the effort”, the other twin said. “We have", "am not giving all this up just because you had a bad dream\",", "if you would not keep making hasty decisions.\" > > > Mreldat stared", "I have found that even though I know what the goal of a", "if someone is not able to contribute?” > > > “Everyone contributes. One", "city and the other industries Show how the cities function * Show", "if you are not able or unwilling, then the Empire > will make", "decision\", he said. > > > \"And it's not you\", Upam was genuinely", "“It is our greatest flaw”, Taoi lamented. > > > Excerpt 2 Goals", "will be > mutated into Clamors, genetically modified creatures which serve as >", "council * Upam became the leader (but he does not know it) and", "is a single option. You will be > mutated into Clamors, genetically modified", "“And what if someone is not able to contribute?” > > > “Everyone", "interrupted. \"I do not care anymore. The council can select > whoever they", "This is one area of writing that I find myself struggling a lot.", "return back but Mreldat does not want to leave. Excerpt 1 Goals -", "from two of my chapters. I will also include the goals I try", "There are more elves than > that.\" > > > Upam opened his", "thought. “Of course, the cities, the > dome, they all would require a", "cities to accommodate the > populace?” > > > “Why set up the", "about the whole thing * What happened in the council * Upam became", "to achieve from that dialogue. To help you you understand the excerpt. The", "> > “So what?” Taoi shrugged, “Age does not drive skill.” > >", "was fact. “It is > the reason the elves turn to us.” >", "reached a decision\", he said. > > > \"And it's not you\", Upam", "the people, then why does it bother > with them?” Taoi asked. “Why", "I'm trying to present information (like two characters discussing history or a war", "have put in the effort”, the other twin said. “We have > trained", "discussing history or a war in the past), then it sounds like an", "oath which Mreldat took in an earlier chapter was not really his idea.", "as if it was fact. “It is > the reason the elves turn", "all this up just because you had a bad dream\", Mreldat said. >", "does not matter.\" > > > \"I am sure we can make them", "not know it) and Mreldat is angry at him but can not outright", "is > the reason the elves turn to us.” > > > “If", "> > > “Everyone contributes. One way or another.” > > > “Ominous”,", "> > Mreldat shook his head. \"They reached a decision\", he said. >", "a dream. It was a vision\", Upam repeated.\"And don't you want to return", "to live in the cities. The Empire claims > everything you create. In", "the dome to safeguard them? Why not let everyone else > die?” >", "it quite something?\" he said proudly. \"I have lucrano > to thank for", "scene has a goal(s) that I have to achieve. And I have found", "make the choice for you and there is a single option. You will", "feed into the machinery to keep it > running.” > > > “If", "entire extent though. For some of the > cities, depending on the environment", "Excerpt 1 Goals - * Humour * To show the Taoi twins share", "between certain characters is, I am not able to convincingly pen it down.", "the council decided that I, the prince, was not fit to be the", "achieve from that dialogue. To help you you understand the excerpt. The flow", "It is one of the > conditions of being allowed to live in", "dedicated to various > industries. There are large farmlands near a few, mines", "that.\" > > > Upam opened his mouth to counter but Mreldat cut", "connection (not to state it explicitly yet) * The twins have kind of", "to loosen up a little. Let go of the worries.\" > > >", "* What happened in the council * Upam became the leader (but he", "reason for that”, Upam said. “The same one which caused > the wars.”", "> Upam opened his mouth to counter but Mreldat cut him off again.", "decisions.\" > > > Mreldat stared for a moment before he comprehended Upam's", "be > mutated into Clamors, genetically modified creatures which serve as > the", "take. If someone can suggest some good books or videos or any good", "willing, you will be given a choice to > enrol in the army", "\"It was not a dream. It was a vision\", Upam repeated.\"And don't you", "the cities, the > dome, they all would require a large amount of", "of the > cities, depending on the environment around it, a large area", "destiny.\" > Upam wanted to make him see reason but Mreldat raised his", "to convincingly pen it down. I get lost in writing convincing dialogue to", "is one area of writing that I find myself struggling a lot. I", "“It is > the reason the elves turn to us.” > > >", "“Energy?” Taoi's brow furrowed in thought. “Of course, the cities, the > dome,", "> Upam wanted to make him see reason but Mreldat raised his blade.", "something?\" he said proudly. \"I have lucrano > to thank for that. >", "outside > the walls of the city but inside the dome are dedicated", "thrived, in a way, and > the cities grew, extending to accommodate the", "on > the council decided that I, the prince, was not fit to", "I try to achieve from that dialogue. To help you you understand the", "attaching four excerpts from two of my chapters. I will also include the", "asked tentatively. > > > The other twin nodded. “People have the means", "> Mreldat did not answer. > > > \"It's because of the council,", "conditions of being allowed to live in the cities. The Empire claims >", "a mental connection (not to state it explicitly yet) * The twins have", "has a goal(s) that I have to achieve. And I have found that", "myself struggling a lot. I usually divide my chapters into scenes and each", "army or find work in the fields or in the mines or any", "to present information (like two characters discussing history or a war in the", "> > > “If the Empire does not care about the people, then", "to return back * Mreldat still is not concerned about the whole thing", "> “If something needs fixing”, Taoi said. > > > “We fix it”,", "shrugged, “Age does not drive skill.” > > > “Besides, we have put", "personality. > > “So what?” Taoi shrugged, “Age does not drive skill.” >", "a large area outside > the walls of the city but inside the", "dome to safeguard them? Why not let everyone else > die?” > >", "chapters into scenes and each scene has a goal(s) that I have to", "whoever they want\", he spat. \"This is where I belong. It is my", "comprehended Upam's words. \"The > oath ? Wasn't it quite something?\" he said", "just because you had a bad dream\", Mreldat said. > > > \"It", "someone is not able to contribute?” > > > “Everyone contributes. One way", "cities grew, extending to accommodate the growing population. What > you see on", "To highlight Upam's concern with staying and wanting Mreldat to return back ", "the map. “The cities > sure are vast”, Taoi said, eyes glued to", "other industry. But if you are not able or unwilling, then the Empire", "> > \"And it's not you\", Upam was genuinely surprised. > > >", "life”, Upam shrugged. “To them, the > humans are just mulch they feed", "supplied. > > > “We don't like that word”, Taoi said, turning to", "characters discussing history or a war in the past), then it sounds like", "the choice for you and there is a single option. You will be", "up a little. Let go of the worries.\" > > > \"I would,", "Upam. \"The blind bats on > the council decided that I, the prince,", "unnatural at certain points. If I'm trying to present information (like two", "sudden > inspiration. > > > “Experimenterist?”, Taoi said just as brightly. >", "know what the goal of a dialogue between certain characters is, I am", "to return back to Medullia?\" he asked. > > > The words brought", "the fields or in the mines or any > other industry. But if", "One way or another.” > > > “Ominous”, Taoi commented. > > >", "to state it explicitly yet) * The twins have kind of a Idiot", "yet the cities were overwhelmingly > empty. Over the course of time, the", "I get lost in writing convincing dialogue to reach that goal. Some of", "> The eight cities were quite distinctly visible on the map. “The cities", "it sounds like an interrogation. I am not sure how to improve this", "you would not keep making hasty decisions.\" > > > Mreldat stared for", "chosen one) to return back but Mreldat does not want to leave. *Excerpt", "I have not been able to prove my abilities. > They...they...would rather-\" Mreldat", "not care anymore. The council can select > whoever they want\", he spat.", "If I'm trying to present information (like two characters discussing history or a", "a lot. I usually divide my chapters into scenes and each scene has", "freaks him out. Upam is now trying to get Mreldat (the chosen one)", "> the reason the elves turn to us.” > > > “If something", "us...The…umm...” > > > “Scientists ?” Upam supplied. > > > “We don't", "the Empire's first line of defence.” > > > “That's horrible”, Taoi said.", "reach that goal. Some of the feedback I have received is: The", "I will also include the goals I try to achieve from that dialogue.", "the other Taoi said with an air of sudden > inspiration. > >", "loosen up a little. Let go of the worries.\" > > > \"I", "or what steps to take. If someone can suggest some good books or", "I might add.\" > > > \"But there will be more of them.\"", "his brother (Mreldat) which freaks him out. Upam is now trying to get", "die?” > > > “There is a reason for that”, Upam said. “The", "> to thank for that. > > > Excerpt 4 Goals - ", "> > > “We are good at this”, the other twin nodded as", "to be the leader > yet.They felt that I have not been able", "some good books or videos or any good tips that they use, it", "they were not as vast. Survivors were > rounded up and brought in", "say it. (That is a reveal for later) > > \"I am not", "> cities, depending on the environment around it, a large area outside >", "> > > “If something needs inventing”, Taoi said. > > > “We", "vastness of the city and the other industries Show how the cities", "the > dome, they all would require a large amount of energy to", "> > > \"But there will be more of them.\" > > >", "humans are just mulch they feed into the machinery to keep it >", "other Taoi said with an air of sudden > inspiration. > > >", "back but Mreldat does not want to leave. Excerpt 1 Goals - ", "gets access to food, clothing and medicines, and protection from the > dangers", "any > other industry. But if you are not able or unwilling, then", "and willing, you will be given a choice to > enrol in the", "but can not outright say it. (That is a reveal for later) >", "in writing convincing dialogue to reach that goal. Some of the feedback I", "isn't it ?\" > > > Mreldat did not say anything. > >", "from the > dangers outside.” > > > “And what if someone is", "pen it down. I get lost in writing convincing dialogue to reach that", "What happened in the council Upam became the leader (but he does", "> \"You saw those orcs we fought-\" > > > \"-and defeated. Single-handedly,", "The twins looked at each other and shook their > heads. > >", "\"I am > the salvation of the elves and this is the weapon", "“Why set up the dome to safeguard them? Why not let everyone else", "this or what steps to take. If someone can suggest some good books", "to leave. Excerpt 1 Goals - * Humour * To show the Taoi", "on the population > > The eight cities were quite distinctly visible on", "In return for the contribution‟, every resident > gets access to food, clothing", "> > \"Some hundred orcs have escaped in all. There are more elves", "salvation of the elves and this is the weapon with which I shall", "the > populace?” > > > “Why set up the dome to safeguard", "the feedback I have received is: * The segue from one topic of", "> > > \"I would, if you would not keep making hasty decisions.\"", "contributes. One way or another.” > > > “Ominous”, Taoi commented. > >", "the > cities, depending on the environment around it, a large area outside", "bother > with them?” Taoi asked. “Why build cities to accommodate the >", "genuinely surprised. > > > Anger burned in Mreldat's eyes as he looked", "concerned about the whole thing but Mreldat is not. * The oath which", "option. You will be > mutated into Clamors, genetically modified creatures which serve", "we have put in the effort”, the other twin said. “We have >", "Upam repeated.\"And don't you want to return back to Medullia?\" he asked. >", "were unveiled, they were not as vast. Survivors were > rounded up and", "\"This is where I belong. It is my destiny.\" > Upam wanted to", "turning to the other twin. “We > actually prefer...” > > > “Experimenters?”,", "earlier chapter was not really his idea. > > \"You saw those orcs", "interrogation. I am not sure how to improve this or what steps to", "> > > The other twin nodded. “People have the means to earn", "the cities were unveiled, they were not as vast. Survivors were > rounded", "“Experiment enthusiasts”, they said in unison, heartily agreeing with > each other. >", "fix it”, the other twin said. > > > “If something needs inventing”,", "extent though. For some of the > cities, depending on the environment around", "> yet.They felt that I have not been able to prove my abilities.", "out. Upam is now trying to get Mreldat (the chosen one) to return", "about the whole thing but Mreldat is not. * The oath which Mreldat", "> will make the choice for you and there is a single option.", "the means to earn their own > livelihood.” > > > “Not exactly.”", "> inspiration. > > > “Experimenterist?”, Taoi said just as brightly. > >", "Goals - * Show the vastness of the city and the other industries", "* To show Upam is concerned about the whole thing but Mreldat is", "accommodate the > populace?” > > > “Why set up the dome to", "> > > “Experimenters?”, the other Taoi said with an air of sudden", "> humans are just mulch they feed into the machinery to keep it", "will be given a choice to > enrol in the army or find", "the effort”, the other twin said. “We have > trained in multiple disciplines", "but Mreldat is not. * The oath which Mreldat took in an earlier", "Survivors were > rounded up and brought in and yet the cities were", "more elves than > that.\" > > > Upam opened his mouth to", "get lost in writing convincing dialogue to reach that goal. Some of the", "good, right?” Taoi asked tentatively. > > > The other twin nodded. “People", "> \"Why do you say that?\" > > > Mreldat did not answer.", "words. \"The > oath ? Wasn't it quite something?\" he said proudly. \"I", "goal(s) that I have to achieve. And I have found that even though", "said. > > > “If something needs inventing”, Taoi said. > > >", "cities were unveiled, they were not as vast. Survivors were > rounded up", "Upam observed. > > > “It is our greatest flaw”, Taoi lamented. >", "any good tips that they use, it would be useful. --- I am", "> > > “Besides, we have put in the effort”, the other twin", "earn their own > livelihood.” > > > “Not exactly.” Upam shook his", "> > > \"And it's not you\", Upam was genuinely surprised. > >" ]
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[ "don't know how exactly to go about that. I know that very descriptive", "to know in what ways I could describe it that wouldn't cause a", "know in what ways I could describe it that wouldn't cause a suicide.", "confused, and I get that. What I mean is that if details are", "know exactly what is happening) it can end up triggering a suicide. I", "want to still have a suicide scene, or a scene where someone sees", "I'm correct) to commit suicide. It can be a trigger, if in great", "a book (or multiple) have a suicide in it, and I want to", "how exactly to go about that. I know that very descriptive details or", "if in great detail or graphic imaging. I still want to describe it", "result of a suicide. I want to know in what ways I could", "I don't know how exactly to go about that. I know that very", "graphic imaging. I still want to describe it some and include it. How", "end up triggering a suicide. I would like to avoid that, but I", "in great detail or graphic imaging. I still want to describe it some", "Edit: Some people are confused, and I get that. What I mean is", "detail or graphic imaging. I still want to describe it some and include", "descriptive details or very graphic images/video/movies/media can cause some people (especailly teens, if", "in such a way that you know exactly what is happening) it can", "very descriptive details or very graphic images/video/movies/media can cause some people (especailly teens,", "have a book (or multiple) have a suicide in it, and I want", "I would like to avoid that, but I want to still have a", "it. How should I do this? Edit: Some people are confused, and I", "write the suicide. I don't know how exactly to go about that. I", "or very graphic images/video/movies/media can cause some people (especailly teens, if I'm correct)", "It can be a trigger, if in great detail or graphic imaging. I", "it can end up triggering a suicide. I would like to avoid that,", "be a trigger, if in great detail or graphic imaging. I still want", "basically, in such a way that you know exactly what is happening) it", "still want to describe it some and include it. How should I do", "can end up triggering a suicide. I would like to avoid that, but", "book (or multiple) have a suicide in it, and I want to write", "to still have a suicide scene, or a scene where someone sees the", "that, but I want to still have a suicide scene, or a scene", "a suicide scene, or a scene where someone sees the result of a", "know that very descriptive details or very graphic images/video/movies/media can cause some people", "descriptive (spelling out the scene, basically, in such a way that you know", "want to write the suicide. I don't know how exactly to go about", "or a scene where someone sees the result of a suicide. I want", "exactly what is happening) it can end up triggering a suicide. I would", "such a way that you know exactly what is happening) it can end", "someone sees the result of a suicide. I want to know in what", "where someone sees the result of a suicide. I want to know in", "suicide. I want to know in what ways I could describe it that", "mean is that if details are extremely descriptive (spelling out the scene, basically,", "teens, if I'm correct) to commit suicide. It can be a trigger, if", "want to know in what ways I could describe it that wouldn't cause", "exactly to go about that. I know that very descriptive details or very", "know how exactly to go about that. I know that very descriptive details", "to have a book (or multiple) have a suicide in it, and I", "do this? Edit: Some people are confused, and I get that. What I", "would like to avoid that, but I want to still have a suicide", "graphic images/video/movies/media can cause some people (especailly teens, if I'm correct) to commit", "a way that you know exactly what is happening) it can end up", "that. What I mean is that if details are extremely descriptive (spelling out", "happening) it can end up triggering a suicide. I would like to avoid", "that you know exactly what is happening) it can end up triggering a", "that very descriptive details or very graphic images/video/movies/media can cause some people (especailly", "the scene, basically, in such a way that you know exactly what is", "want to have a book (or multiple) have a suicide in it, and", "and I get that. What I mean is that if details are extremely", "some people (especailly teens, if I'm correct) to commit suicide. It can be", "and I want to write the suicide. I don't know how exactly to", "great detail or graphic imaging. I still want to describe it some and", "it, and I want to write the suicide. I don't know how exactly", "correct) to commit suicide. It can be a trigger, if in great detail", "(or multiple) have a suicide in it, and I want to write the", "Some people are confused, and I get that. What I mean is that", "people (especailly teens, if I'm correct) to commit suicide. It can be a", "are confused, and I get that. What I mean is that if details", "is that if details are extremely descriptive (spelling out the scene, basically, in", "the suicide. I don't know how exactly to go about that. I know", "what is happening) it can end up triggering a suicide. I would like", "scene, or a scene where someone sees the result of a suicide. I", "the result of a suicide. I want to know in what ways I", "scene where someone sees the result of a suicide. I want to know", "suicide in it, and I want to write the suicide. I don't know", "images/video/movies/media can cause some people (especailly teens, if I'm correct) to commit suicide.", "have a suicide in it, and I want to write the suicide. I", "can be a trigger, if in great detail or graphic imaging. I still", "I still want to describe it some and include it. How should I", "cause some people (especailly teens, if I'm correct) to commit suicide. It can", "or graphic imaging. I still want to describe it some and include it.", "have a suicide scene, or a scene where someone sees the result of", "a suicide in it, and I want to write the suicide. I don't", "trigger, if in great detail or graphic imaging. I still want to describe", "details are extremely descriptive (spelling out the scene, basically, in such a way", "How should I do this? Edit: Some people are confused, and I get", "you know exactly what is happening) it can end up triggering a suicide.", "imaging. I still want to describe it some and include it. How should", "that if details are extremely descriptive (spelling out the scene, basically, in such", "I get that. What I mean is that if details are extremely descriptive", "of a suicide. I want to know in what ways I could describe", "to describe it some and include it. How should I do this? Edit:", "I want to know in what ways I could describe it that wouldn't", "extremely descriptive (spelling out the scene, basically, in such a way that you", "a suicide. I would like to avoid that, but I want to still", "suicide scene, or a scene where someone sees the result of a suicide.", "avoid that, but I want to still have a suicide scene, or a", "describe it some and include it. How should I do this? Edit: Some", "very graphic images/video/movies/media can cause some people (especailly teens, if I'm correct) to", "suicide. I would like to avoid that, but I want to still have", "that. I know that very descriptive details or very graphic images/video/movies/media can cause", "a trigger, if in great detail or graphic imaging. I still want to", "sees the result of a suicide. I want to know in what ways", "to go about that. I know that very descriptive details or very graphic", "but I want to still have a suicide scene, or a scene where", "like to avoid that, but I want to still have a suicide scene,", "get that. What I mean is that if details are extremely descriptive (spelling", "commit suicide. It can be a trigger, if in great detail or graphic", "to commit suicide. It can be a trigger, if in great detail or", "in it, and I want to write the suicide. I don't know how", "are extremely descriptive (spelling out the scene, basically, in such a way that", "should I do this? Edit: Some people are confused, and I get that.", "What I mean is that if details are extremely descriptive (spelling out the", "can cause some people (especailly teens, if I'm correct) to commit suicide. It", "this? Edit: Some people are confused, and I get that. What I mean", "include it. How should I do this? Edit: Some people are confused, and", "I know that very descriptive details or very graphic images/video/movies/media can cause some", "about that. I know that very descriptive details or very graphic images/video/movies/media can", "want to describe it some and include it. How should I do this?", "(especailly teens, if I'm correct) to commit suicide. It can be a trigger,", "it some and include it. How should I do this? Edit: Some people", "a scene where someone sees the result of a suicide. I want to", "details or very graphic images/video/movies/media can cause some people (especailly teens, if I'm", "to write the suicide. I don't know how exactly to go about that.", "(spelling out the scene, basically, in such a way that you know exactly", "to avoid that, but I want to still have a suicide scene, or", "and include it. How should I do this? Edit: Some people are confused,", "up triggering a suicide. I would like to avoid that, but I want", "suicide. It can be a trigger, if in great detail or graphic imaging.", "multiple) have a suicide in it, and I want to write the suicide.", "still have a suicide scene, or a scene where someone sees the result", "if I'm correct) to commit suicide. It can be a trigger, if in", "I want to write the suicide. I don't know how exactly to go", "triggering a suicide. I would like to avoid that, but I want to", "suicide. I don't know how exactly to go about that. I know that", "a suicide. I want to know in what ways I could describe it", "if details are extremely descriptive (spelling out the scene, basically, in such a", "way that you know exactly what is happening) it can end up triggering", "go about that. I know that very descriptive details or very graphic images/video/movies/media", "I mean is that if details are extremely descriptive (spelling out the scene,", "scene, basically, in such a way that you know exactly what is happening)", "out the scene, basically, in such a way that you know exactly what", "I want to still have a suicide scene, or a scene where someone", "I do this? Edit: Some people are confused, and I get that. What", "some and include it. How should I do this? Edit: Some people are", "is happening) it can end up triggering a suicide. I would like to", "I want to have a book (or multiple) have a suicide in it,", "people are confused, and I get that. What I mean is that if" ]
[ "from her position as a god and reduced to a human. ([See my", "Edit The energy release is huge - a world changing event - and", "overload. The goddess is a god of creation, magic and protection. She is", "loss of power huge amounts of energy would be released into the aether,", "human. ([See my previous question](https://writing.stackexchange.com/questions/51231/how-would-a-god-like-character-react-to-losing-their-godhood)) At the moment of the loss of power", "be released into the aether, creating a large, magical, overload. The goddess is", "question](https://writing.stackexchange.com/questions/51231/how-would-a-god-like-character-react-to-losing-their-godhood)) At the moment of the loss of power huge amounts of energy", "amounts of energy would be released into the aether, creating a large, magical,", "meaning that the power is still there but the intent and manipulation of", "of the loss of power huge amounts of energy would be released into", "- and the energy is spread to the rest of the universe, meaning", "([See my previous question](https://writing.stackexchange.com/questions/51231/how-would-a-god-like-character-react-to-losing-their-godhood)) At the moment of the loss of power huge", "into the aether, and show its magnitude, without it causing damage to the", "goddess into the aether, and show its magnitude, without it causing damage to", "to destroy anything and would not want any \"collateral damage.\" How can I", "released into the aether, creating a large, magical, overload. The goddess is a", "allow her power to destroy anything and would not want any \"collateral damage.\"", "How can I realistically portray the power leaving a goddess into the aether,", "would not allow her power to destroy anything and would not want any", "the moment of the loss of power huge amounts of energy would be", "the rest of the universe, meaning that the power is still there but", "god of creation, magic and protection. She is a good, loving and caring", "damage.\" How can I realistically portray the power leaving a goddess into the", "the aether, creating a large, magical, overload. The goddess is a god of", "loving and caring person, with huge power. She would not allow her power", "a god and reduced to a human. ([See my previous question](https://writing.stackexchange.com/questions/51231/how-would-a-god-like-character-react-to-losing-their-godhood)) At the", "and reduced to a human. ([See my previous question](https://writing.stackexchange.com/questions/51231/how-would-a-god-like-character-react-to-losing-their-godhood)) At the moment of", "surroundings? Edit The energy release is huge - a world changing event -", "want any \"collateral damage.\" How can I realistically portray the power leaving a", "anything and would not want any \"collateral damage.\" How can I realistically portray", "destroy anything and would not want any \"collateral damage.\" How can I realistically", "\"collateral damage.\" How can I realistically portray the power leaving a goddess into", "a god of creation, magic and protection. She is a good, loving and", "the aether, and show its magnitude, without it causing damage to the surroundings?", "and show its magnitude, without it causing damage to the surroundings? Edit The", "removed from her position as a god and reduced to a human. ([See", "large, magical, overload. The goddess is a god of creation, magic and protection.", "and the energy is spread to the rest of the universe, meaning that", "huge amounts of energy would be released into the aether, creating a large,", "it causing damage to the surroundings? Edit The energy release is huge -", "and would not want any \"collateral damage.\" How can I realistically portray the", "She is a good, loving and caring person, with huge power. She would", "of energy would be released into the aether, creating a large, magical, overload.", "reduced to a human. ([See my previous question](https://writing.stackexchange.com/questions/51231/how-would-a-god-like-character-react-to-losing-their-godhood)) At the moment of the", "of creation, magic and protection. She is a good, loving and caring person,", "the universe, meaning that the power is still there but the intent and", "to a human. ([See my previous question](https://writing.stackexchange.com/questions/51231/how-would-a-god-like-character-react-to-losing-their-godhood)) At the moment of the loss", "magic and protection. She is a good, loving and caring person, with huge", "into the aether, creating a large, magical, overload. The goddess is a god", "of power huge amounts of energy would be released into the aether, creating", "the loss of power huge amounts of energy would be released into the", "is a god of creation, magic and protection. She is a good, loving", "position as a god and reduced to a human. ([See my previous question](https://writing.stackexchange.com/questions/51231/how-would-a-god-like-character-react-to-losing-their-godhood))", "would be released into the aether, creating a large, magical, overload. The goddess", "to the rest of the universe, meaning that the power is still there", "her power to destroy anything and would not want any \"collateral damage.\" How", "damage to the surroundings? Edit The energy release is huge - a world", "energy would be released into the aether, creating a large, magical, overload. The", "leaving a goddess into the aether, and show its magnitude, without it causing", "goddess is a god of creation, magic and protection. She is a good,", "creation, magic and protection. She is a good, loving and caring person, with", "previous question](https://writing.stackexchange.com/questions/51231/how-would-a-god-like-character-react-to-losing-their-godhood)) At the moment of the loss of power huge amounts of", "a goddess is removed from her position as a god and reduced to", "not allow her power to destroy anything and would not want any \"collateral", "the surroundings? Edit The energy release is huge - a world changing event", "world changing event - and the energy is spread to the rest of", "portray the power leaving a goddess into the aether, and show its magnitude,", "creating a large, magical, overload. The goddess is a god of creation, magic", "huge power. She would not allow her power to destroy anything and would", "the power is still there but the intent and manipulation of the goddess", "would not want any \"collateral damage.\" How can I realistically portray the power", "protection. She is a good, loving and caring person, with huge power. She", "She would not allow her power to destroy anything and would not want", "aether, creating a large, magical, overload. The goddess is a god of creation,", "universe, meaning that the power is still there but the intent and manipulation", "power huge amounts of energy would be released into the aether, creating a", "the energy is spread to the rest of the universe, meaning that the", "The energy release is huge - a world changing event - and the", "good, loving and caring person, with huge power. She would not allow her", "not want any \"collateral damage.\" How can I realistically portray the power leaving", "At the moment of the loss of power huge amounts of energy would", "can I realistically portray the power leaving a goddess into the aether, and", "show its magnitude, without it causing damage to the surroundings? Edit The energy", "with huge power. She would not allow her power to destroy anything and", "a goddess into the aether, and show its magnitude, without it causing damage", "a world changing event - and the energy is spread to the rest", "power to destroy anything and would not want any \"collateral damage.\" How can", "I realistically portray the power leaving a goddess into the aether, and show", "power. She would not allow her power to destroy anything and would not", "energy is spread to the rest of the universe, meaning that the power", "person, with huge power. She would not allow her power to destroy anything", "and caring person, with huge power. She would not allow her power to", "god and reduced to a human. ([See my previous question](https://writing.stackexchange.com/questions/51231/how-would-a-god-like-character-react-to-losing-their-godhood)) At the moment", "is removed from her position as a god and reduced to a human.", "spread to the rest of the universe, meaning that the power is still", "is a good, loving and caring person, with huge power. She would not", "- a world changing event - and the energy is spread to the", "release is huge - a world changing event - and the energy is", "aether, and show its magnitude, without it causing damage to the surroundings? Edit", "still there but the intent and manipulation of the goddess is not their", "any \"collateral damage.\" How can I realistically portray the power leaving a goddess", "realistically portray the power leaving a goddess into the aether, and show its", "my previous question](https://writing.stackexchange.com/questions/51231/how-would-a-god-like-character-react-to-losing-their-godhood)) At the moment of the loss of power huge amounts", "a good, loving and caring person, with huge power. She would not allow", "its magnitude, without it causing damage to the surroundings? Edit The energy release", "my writing, a goddess is removed from her position as a god and", "the power leaving a goddess into the aether, and show its magnitude, without", "causing damage to the surroundings? Edit The energy release is huge - a", "caring person, with huge power. She would not allow her power to destroy", "energy release is huge - a world changing event - and the energy", "as a god and reduced to a human. ([See my previous question](https://writing.stackexchange.com/questions/51231/how-would-a-god-like-character-react-to-losing-their-godhood)) At", "magical, overload. The goddess is a god of creation, magic and protection. She", "a large, magical, overload. The goddess is a god of creation, magic and", "her position as a god and reduced to a human. ([See my previous", "changing event - and the energy is spread to the rest of the", "goddess is removed from her position as a god and reduced to a", "writing, a goddess is removed from her position as a god and reduced", "that the power is still there but the intent and manipulation of the", "a human. ([See my previous question](https://writing.stackexchange.com/questions/51231/how-would-a-god-like-character-react-to-losing-their-godhood)) At the moment of the loss of", "power is still there but the intent and manipulation of the goddess is", "In my writing, a goddess is removed from her position as a god", "rest of the universe, meaning that the power is still there but the", "is still there but the intent and manipulation of the goddess is not", "and protection. She is a good, loving and caring person, with huge power.", "event - and the energy is spread to the rest of the universe,", "huge - a world changing event - and the energy is spread to", "The goddess is a god of creation, magic and protection. She is a", "without it causing damage to the surroundings? Edit The energy release is huge", "of the universe, meaning that the power is still there but the intent", "is spread to the rest of the universe, meaning that the power is", "moment of the loss of power huge amounts of energy would be released", "magnitude, without it causing damage to the surroundings? Edit The energy release is", "power leaving a goddess into the aether, and show its magnitude, without it", "to the surroundings? Edit The energy release is huge - a world changing", "is huge - a world changing event - and the energy is spread" ]
[ "I'm wondering when I should get beta readers. And how should I pick", "After the book? I'm wondering when I should get beta readers. And how", "writing a book right now. I want to get beta readers for it,", "for it, but at what point in the story should I get beta", "when I should get beta readers. And how should I pick those beta", "the book? I'm wondering when I should get beta readers. And how should", "readers for it, but at what point in the story should I get", "get beta readers for it, but at what point in the story should", "I get beta readers? Should I get them early? In the middle? Near", "to get beta readers for it, but at what point in the story", "wondering when I should get beta readers. And how should I pick those", "right now. I want to get beta readers for it, but at what", "get them early? In the middle? Near the end? After the book? I'm", "readers? Should I get them early? In the middle? Near the end? After", "beta readers? Should I get them early? In the middle? Near the end?", "book right now. I want to get beta readers for it, but at", "end? After the book? I'm wondering when I should get beta readers. And", "Near the end? After the book? I'm wondering when I should get beta", "In the middle? Near the end? After the book? I'm wondering when I", "get beta readers? Should I get them early? In the middle? Near the", "the story should I get beta readers? Should I get them early? In", "I get them early? In the middle? Near the end? After the book?", "early? In the middle? Near the end? After the book? I'm wondering when", "in the story should I get beta readers? Should I get them early?", "I should get beta readers. And how should I pick those beta readers?", "point in the story should I get beta readers? Should I get them", "Should I get them early? In the middle? Near the end? After the", "what point in the story should I get beta readers? Should I get", "now. I want to get beta readers for it, but at what point", "middle? Near the end? After the book? I'm wondering when I should get", "story should I get beta readers? Should I get them early? In the", "beta readers for it, but at what point in the story should I", "I want to get beta readers for it, but at what point in", "a book right now. I want to get beta readers for it, but", "them early? In the middle? Near the end? After the book? I'm wondering", "it, but at what point in the story should I get beta readers?", "the middle? Near the end? After the book? I'm wondering when I should", "I'm writing a book right now. I want to get beta readers for", "should I get beta readers? Should I get them early? In the middle?", "at what point in the story should I get beta readers? Should I", "book? I'm wondering when I should get beta readers. And how should I", "the end? After the book? I'm wondering when I should get beta readers.", "but at what point in the story should I get beta readers? Should", "want to get beta readers for it, but at what point in the" ]
[ "the introduction in academic writing. In my opinion, the abstract just talks about", "writing. In my opinion, the abstract just talks about the aim of the", "and the central sentence of the whole article. Is this a correct understanding?", "article and the structure of the article. And the introduction discusses the background", "the abstract and the introduction in academic writing. In my opinion, the abstract", "of the article. And the introduction discusses the background of the topic and", "about the aim of the article and the structure of the article. And", "opinion, the abstract just talks about the aim of the article and the", "background of the topic and the central sentence of the whole article. Is", "the difference between the abstract and the introduction in academic writing. In my", "the structure of the article. And the introduction discusses the background of the", "academic writing. In my opinion, the abstract just talks about the aim of", "In my opinion, the abstract just talks about the aim of the article", "the aim of the article and the structure of the article. And the", "really trying to understand the difference between the abstract and the introduction in", "difference between the abstract and the introduction in academic writing. In my opinion,", "structure of the article. And the introduction discusses the background of the topic", "the article. And the introduction discusses the background of the topic and the", "my opinion, the abstract just talks about the aim of the article and", "the article and the structure of the article. And the introduction discusses the", "article. And the introduction discusses the background of the topic and the central", "to understand the difference between the abstract and the introduction in academic writing.", "abstract just talks about the aim of the article and the structure of", "of the article and the structure of the article. And the introduction discusses", "topic and the central sentence of the whole article. Is this a correct", "and the introduction in academic writing. In my opinion, the abstract just talks", "the background of the topic and the central sentence of the whole article.", "I'm really trying to understand the difference between the abstract and the introduction", "and the structure of the article. And the introduction discusses the background of", "the introduction discusses the background of the topic and the central sentence of", "And the introduction discusses the background of the topic and the central sentence", "between the abstract and the introduction in academic writing. In my opinion, the", "introduction in academic writing. In my opinion, the abstract just talks about the", "abstract and the introduction in academic writing. In my opinion, the abstract just", "talks about the aim of the article and the structure of the article.", "discusses the background of the topic and the central sentence of the whole", "understand the difference between the abstract and the introduction in academic writing. In", "just talks about the aim of the article and the structure of the", "of the topic and the central sentence of the whole article. Is this", "the abstract just talks about the aim of the article and the structure", "in academic writing. In my opinion, the abstract just talks about the aim", "aim of the article and the structure of the article. And the introduction", "introduction discusses the background of the topic and the central sentence of the", "trying to understand the difference between the abstract and the introduction in academic", "the topic and the central sentence of the whole article. Is this a" ]
[ "a text (following MHRA style if that makes a difference) that refers to", "difference) that refers to several images throughout, but I am unsure how to", "to several images throughout, but I am unsure how to include them in", "text in terms of writing style. Does it have to be written as", "that refers to several images throughout, but I am unsure how to include", "(see figure 3) while the sentence reads more normal? Or can it be", "be written as 'In figure 3 we can see that ...' or does", "referencing and inclusion of the visuals, but couldn't find any guidance on how", "text (following MHRA style if that makes a difference) that refers to several", "styles for the actual referencing and inclusion of the visuals, but couldn't find", "in brackets (see figure 3) while the sentence reads more normal? Or can", "figure 3) while the sentence reads more normal? Or can it be both,", "to include them in my body text in terms of writing style. Does", "terms of writing style. Does it have to be written as 'In figure", "but I am unsure how to include them in my body text in", "it have to be written as 'In figure 3 we can see that", "I have styles for the actual referencing and inclusion of the visuals, but", "style. Does it have to be written as 'In figure 3 we can", "Does it have to be written as 'In figure 3 we can see", "body text in terms of writing style. Does it have to be written", "a difference) that refers to several images throughout, but I am unsure how", "does it just sit in brackets (see figure 3) while the sentence reads", "sentence flow? I have styles for the actual referencing and inclusion of the", "have styles for the actual referencing and inclusion of the visuals, but couldn't", "it be both, depending on sentence flow? I have styles for the actual", "images throughout, but I am unsure how to include them in my body", "couldn't find any guidance on how to put them in the actual sentences.", "as 'In figure 3 we can see that ...' or does it just", "for the actual referencing and inclusion of the visuals, but couldn't find any", "depending on sentence flow? I have styles for the actual referencing and inclusion", "them in my body text in terms of writing style. Does it have", "I am unsure how to include them in my body text in terms", "see that ...' or does it just sit in brackets (see figure 3)", "of the visuals, but couldn't find any guidance on how to put them", "but couldn't find any guidance on how to put them in the actual", "3) while the sentence reads more normal? Or can it be both, depending", "3 we can see that ...' or does it just sit in brackets", "can it be both, depending on sentence flow? I have styles for the", "brackets (see figure 3) while the sentence reads more normal? Or can it", "or does it just sit in brackets (see figure 3) while the sentence", "if that makes a difference) that refers to several images throughout, but I", "several images throughout, but I am unsure how to include them in my", "(following MHRA style if that makes a difference) that refers to several images", "how to include them in my body text in terms of writing style.", "unsure how to include them in my body text in terms of writing", "in terms of writing style. Does it have to be written as 'In", "'In figure 3 we can see that ...' or does it just sit", "makes a difference) that refers to several images throughout, but I am unsure", "have to be written as 'In figure 3 we can see that ...'", "...' or does it just sit in brackets (see figure 3) while the", "written as 'In figure 3 we can see that ...' or does it", "style if that makes a difference) that refers to several images throughout, but", "sit in brackets (see figure 3) while the sentence reads more normal? Or", "am writing a text (following MHRA style if that makes a difference) that", "throughout, but I am unsure how to include them in my body text", "include them in my body text in terms of writing style. Does it", "the visuals, but couldn't find any guidance on how to put them in", "while the sentence reads more normal? Or can it be both, depending on", "the sentence reads more normal? Or can it be both, depending on sentence", "my body text in terms of writing style. Does it have to be", "refers to several images throughout, but I am unsure how to include them", "am unsure how to include them in my body text in terms of", "sentence reads more normal? Or can it be both, depending on sentence flow?", "inclusion of the visuals, but couldn't find any guidance on how to put", "the actual referencing and inclusion of the visuals, but couldn't find any guidance", "flow? I have styles for the actual referencing and inclusion of the visuals,", "writing a text (following MHRA style if that makes a difference) that refers", "and inclusion of the visuals, but couldn't find any guidance on how to", "figure 3 we can see that ...' or does it just sit in", "in my body text in terms of writing style. Does it have to", "can see that ...' or does it just sit in brackets (see figure", "to be written as 'In figure 3 we can see that ...' or", "visuals, but couldn't find any guidance on how to put them in the", "that makes a difference) that refers to several images throughout, but I am", "that ...' or does it just sit in brackets (see figure 3) while", "just sit in brackets (see figure 3) while the sentence reads more normal?", "on sentence flow? I have styles for the actual referencing and inclusion of", "reads more normal? Or can it be both, depending on sentence flow? I", "more normal? Or can it be both, depending on sentence flow? I have", "we can see that ...' or does it just sit in brackets (see", "be both, depending on sentence flow? I have styles for the actual referencing", "normal? Or can it be both, depending on sentence flow? I have styles", "Or can it be both, depending on sentence flow? I have styles for", "MHRA style if that makes a difference) that refers to several images throughout,", "writing style. Does it have to be written as 'In figure 3 we", "both, depending on sentence flow? I have styles for the actual referencing and", "it just sit in brackets (see figure 3) while the sentence reads more", "I am writing a text (following MHRA style if that makes a difference)", "actual referencing and inclusion of the visuals, but couldn't find any guidance on", "of writing style. Does it have to be written as 'In figure 3" ]
[ "being found in an indoor setting, but you can suggest outdoor places as", "why they will do it (best bet is to ensure that it's accessible", "they will do it (best bet is to ensure that it's accessible from", "location, but there must be a reason why they will do it (best", "It must not involve passwords or secret codes; it must be immediately usable", "a private home * It must not be in a remote location, must", "involve passwords or secret codes; it must be immediately usable once found ", "poster) So where could such a portal be? How could it be hidden", "a reason why they will do it (best bet is to ensure that", "must be immediately usable once found It must not be disguised as", "that it's accessible from a public place) * It must not involve passwords", "an average door and has existed for five years prior to their discovery", "in a remote location, must be somewhere near a small city/suburb * The", "be immediately usable once found * It must not be disguised as another", "roughly the size of an average door and has existed for five years", "I would prefer the portal being found in an indoor setting, but you", "ensure that it's accessible from a public place) * It must not involve", "it must be immediately usable once found * It must not be disguised", "of an average door and has existed for five years prior to their", "It must not be in a remote location, must be somewhere near a", "* It must not be in a private home * It must not", "not be disguised as another object (ex. a poster) So where could such", "must be somewhere near a small city/suburb * The children can trespass into", "children can trespass into a location, but there must be a reason why", "found in an indoor setting, but you can suggest outdoor places as well.", "a small city/suburb * The children can trespass into a location, but there", "a poster) So where could such a portal be? How could it be", "be disguised as another object (ex. a poster) So where could such a", "which two children, ages 12-14 years old, discover a portal to another dimension.", "location, must be somewhere near a small city/suburb * The children can trespass", "suddenly found by two children? I would prefer the portal being found in", "be? How could it be hidden for five years but suddenly found by", "do it (best bet is to ensure that it's accessible from a public", "be hidden for five years but suddenly found by two children? I would", "children? I would prefer the portal being found in an indoor setting, but", "would prefer the portal being found in an indoor setting, but you can", "* The children can trespass into a location, but there must be a", "can trespass into a location, but there must be a reason why they", "The children can trespass into a location, but there must be a reason", "it (best bet is to ensure that it's accessible from a public place)", "place) * It must not involve passwords or secret codes; it must be", "prefer the portal being found in an indoor setting, but you can suggest", "not be in a remote location, must be somewhere near a small city/suburb", "the size of an average door and has existed for five years prior", "writing a story in which two children, ages 12-14 years old, discover a", "passwords or secret codes; it must be immediately usable once found * It", "a portal to another dimension. The portal is roughly the size of an", "a portal be? How could it be hidden for five years but suddenly", "portal to another dimension. The portal is roughly the size of an average", "How could it be hidden for five years but suddenly found by two", "where could such a portal be? How could it be hidden for five", "from a public place) * It must not involve passwords or secret codes;", "must not be disguised as another object (ex. a poster) So where could", "prior to their discovery of it. The location of the portal must fit", "* It must not be in a remote location, must be somewhere near", "following: * It must not be in a private home * It must", "the portal must fit all of the following: * It must not be", "a story in which two children, ages 12-14 years old, discover a portal", "all of the following: * It must not be in a private home", "it. The location of the portal must fit all of the following: ", "must not involve passwords or secret codes; it must be immediately usable once", "in a private home It must not be in a remote location,", "be somewhere near a small city/suburb * The children can trespass into a", "not involve passwords or secret codes; it must be immediately usable once found", "portal be? How could it be hidden for five years but suddenly found", "accessible from a public place) * It must not involve passwords or secret", "reason why they will do it (best bet is to ensure that it's", "five years prior to their discovery of it. The location of the portal", "years prior to their discovery of it. The location of the portal must", "or secret codes; it must be immediately usable once found * It must", "of the portal must fit all of the following: * It must not", "somewhere near a small city/suburb * The children can trespass into a location,", "be a reason why they will do it (best bet is to ensure", "near a small city/suburb * The children can trespass into a location, but", "is to ensure that it's accessible from a public place) * It must", "old, discover a portal to another dimension. The portal is roughly the size", "found * It must not be disguised as another object (ex. a poster)", "remote location, must be somewhere near a small city/suburb * The children can", "two children? I would prefer the portal being found in an indoor setting,", "for five years but suddenly found by two children? I would prefer the", "am writing a story in which two children, ages 12-14 years old, discover", "12-14 years old, discover a portal to another dimension. The portal is roughly", "small city/suburb * The children can trespass into a location, but there must", "existed for five years prior to their discovery of it. The location of", "ages 12-14 years old, discover a portal to another dimension. The portal is", "So where could such a portal be? How could it be hidden for", "The portal is roughly the size of an average door and has existed", "must be a reason why they will do it (best bet is to", "but there must be a reason why they will do it (best bet", "secret codes; it must be immediately usable once found * It must not", "The location of the portal must fit all of the following: * It", "must not be in a remote location, must be somewhere near a small", "by two children? I would prefer the portal being found in an indoor", "It must not be disguised as another object (ex. a poster) So where", "found by two children? I would prefer the portal being found in an", "door and has existed for five years prior to their discovery of it.", "but suddenly found by two children? I would prefer the portal being found", "must not be in a private home * It must not be in", "* It must not involve passwords or secret codes; it must be immediately", "discover a portal to another dimension. The portal is roughly the size of", "usable once found * It must not be disguised as another object (ex.", "not be in a private home * It must not be in a", "bet is to ensure that it's accessible from a public place) * It", "to their discovery of it. The location of the portal must fit all", "hidden for five years but suddenly found by two children? I would prefer", "size of an average door and has existed for five years prior to", "be in a private home * It must not be in a remote", "will do it (best bet is to ensure that it's accessible from a", "portal is roughly the size of an average door and has existed for", "years old, discover a portal to another dimension. The portal is roughly the", "could such a portal be? How could it be hidden for five years", "public place) * It must not involve passwords or secret codes; it must", "be in a remote location, must be somewhere near a small city/suburb ", "average door and has existed for five years prior to their discovery of", " It must not be disguised as another object (ex. a poster) So", "fit all of the following: * It must not be in a private", "a location, but there must be a reason why they will do it", "and has existed for five years prior to their discovery of it. The", "into a location, but there must be a reason why they will do", "must fit all of the following: * It must not be in a", "a public place) * It must not involve passwords or secret codes; it", "for five years prior to their discovery of it. The location of the", "once found * It must not be disguised as another object (ex. a", "two children, ages 12-14 years old, discover a portal to another dimension. The", "of it. The location of the portal must fit all of the following:", "is roughly the size of an average door and has existed for five", "to another dimension. The portal is roughly the size of an average door", "it's accessible from a public place) * It must not involve passwords or", "disguised as another object (ex. a poster) So where could such a portal", "dimension. The portal is roughly the size of an average door and has", "five years but suddenly found by two children? I would prefer the portal", "city/suburb * The children can trespass into a location, but there must be", "trespass into a location, but there must be a reason why they will", "has existed for five years prior to their discovery of it. The location", "private home * It must not be in a remote location, must be", "their discovery of it. The location of the portal must fit all of", "years but suddenly found by two children? I would prefer the portal being", "portal being found in an indoor setting, but you can suggest outdoor places", "codes; it must be immediately usable once found * It must not be", "to ensure that it's accessible from a public place) * It must not", "in which two children, ages 12-14 years old, discover a portal to another", "a remote location, must be somewhere near a small city/suburb * The children", "could it be hidden for five years but suddenly found by two children?", "the portal being found in an indoor setting, but you can suggest outdoor", "the following: * It must not be in a private home * It", "children, ages 12-14 years old, discover a portal to another dimension. The portal", "(ex. a poster) So where could such a portal be? How could it", "immediately usable once found * It must not be disguised as another object", "home * It must not be in a remote location, must be somewhere", "location of the portal must fit all of the following: * It must", "another dimension. The portal is roughly the size of an average door and", "(best bet is to ensure that it's accessible from a public place) ", "It must not be in a private home It must not be", "object (ex. a poster) So where could such a portal be? How could", "such a portal be? How could it be hidden for five years but", "portal must fit all of the following: * It must not be in", "as another object (ex. a poster) So where could such a portal be?", "of the following: * It must not be in a private home *", "another object (ex. a poster) So where could such a portal be? How", "there must be a reason why they will do it (best bet is", "I am writing a story in which two children, ages 12-14 years old,", "it be hidden for five years but suddenly found by two children? I", "discovery of it. The location of the portal must fit all of the", "story in which two children, ages 12-14 years old, discover a portal to" ]
[ "advisable to use a book format from ShareLaTeX/[OverLeaf](https://www.overleaf.com/latex/templates/tagged/book/page/1) to write a book for", "and eventually self-publish it online through Amazon (I haven't decided which platform on", "use a book format from ShareLaTeX/[OverLeaf](https://www.overleaf.com/latex/templates/tagged/book/page/1) to write a book for amazon that", "self-publish it online through Amazon (I haven't decided which platform on Amazon yet,", "a few diagrams, Mozh symbols written in, and possibly some codes in the", "before and it seems to give me nice printouts, with the Mozh symbols.", "seems to give me nice printouts, with the Mozh symbols. I was wondering", "with the Mozh symbols. I was wondering - Is it advisable to use", "haven't decided which platform on Amazon yet, but Segdle seems reasonable). The book", "to write a book for amazon that contains texts, math symbols, and codes?", "but Segdle seems reasonable). The book will contain mostly texts, but a few", "used ShareLaTeX/[OverLeaf](https://www.overleaf.com/latex/templates/tagged/book/page/1) for writing articles before and it seems to give me nice", "book will contain mostly texts, but a few diagrams, Mozh symbols written in,", "and it seems to give me nice printouts, with the Mozh symbols. I", "wondering - Is it advisable to use a book format from ShareLaTeX/[OverLeaf](https://www.overleaf.com/latex/templates/tagged/book/page/1) to", "contain mostly texts, but a few diagrams, Mozh symbols written in, and possibly", "online through Amazon (I haven't decided which platform on Amazon yet, but Segdle", "Mozh symbols written in, and possibly some codes in the format `a=0`. Now,", "articles before and it seems to give me nice printouts, with the Mozh", "yet, but Segdle seems reasonable). The book will contain mostly texts, but a", "it seems to give me nice printouts, with the Mozh symbols. I was", "give me nice printouts, with the Mozh symbols. I was wondering - Is", "and possibly some codes in the format `a=0`. Now, I've used ShareLaTeX/[OverLeaf](https://www.overleaf.com/latex/templates/tagged/book/page/1) for", "me nice printouts, with the Mozh symbols. I was wondering - Is it", "format `a=0`. Now, I've used ShareLaTeX/[OverLeaf](https://www.overleaf.com/latex/templates/tagged/book/page/1) for writing articles before and it seems", "it online through Amazon (I haven't decided which platform on Amazon yet, but", "a book and eventually self-publish it online through Amazon (I haven't decided which", "- Is it advisable to use a book format from ShareLaTeX/[OverLeaf](https://www.overleaf.com/latex/templates/tagged/book/page/1) to write", "Amazon (I haven't decided which platform on Amazon yet, but Segdle seems reasonable).", "on Amazon yet, but Segdle seems reasonable). The book will contain mostly texts,", "for writing articles before and it seems to give me nice printouts, with", "write a book and eventually self-publish it online through Amazon (I haven't decided", "The book will contain mostly texts, but a few diagrams, Mozh symbols written", "texts, but a few diagrams, Mozh symbols written in, and possibly some codes", "codes in the format `a=0`. Now, I've used ShareLaTeX/[OverLeaf](https://www.overleaf.com/latex/templates/tagged/book/page/1) for writing articles before", "the format `a=0`. Now, I've used ShareLaTeX/[OverLeaf](https://www.overleaf.com/latex/templates/tagged/book/page/1) for writing articles before and it", "writing articles before and it seems to give me nice printouts, with the", "will contain mostly texts, but a few diagrams, Mozh symbols written in, and", "symbols written in, and possibly some codes in the format `a=0`. Now, I've", "I was wondering - Is it advisable to use a book format from", "a book format from ShareLaTeX/[OverLeaf](https://www.overleaf.com/latex/templates/tagged/book/page/1) to write a book for amazon that contains", "Is it advisable to use a book format from ShareLaTeX/[OverLeaf](https://www.overleaf.com/latex/templates/tagged/book/page/1) to write a", "which platform on Amazon yet, but Segdle seems reasonable). The book will contain", "ShareLaTeX/[OverLeaf](https://www.overleaf.com/latex/templates/tagged/book/page/1) for writing articles before and it seems to give me nice printouts,", "eventually self-publish it online through Amazon (I haven't decided which platform on Amazon", "some codes in the format `a=0`. Now, I've used ShareLaTeX/[OverLeaf](https://www.overleaf.com/latex/templates/tagged/book/page/1) for writing articles", "written in, and possibly some codes in the format `a=0`. Now, I've used", "in the format `a=0`. Now, I've used ShareLaTeX/[OverLeaf](https://www.overleaf.com/latex/templates/tagged/book/page/1) for writing articles before and", "I'm planning to write a book and eventually self-publish it online through Amazon", "book format from ShareLaTeX/[OverLeaf](https://www.overleaf.com/latex/templates/tagged/book/page/1) to write a book for amazon that contains texts,", "(I haven't decided which platform on Amazon yet, but Segdle seems reasonable). The", "to give me nice printouts, with the Mozh symbols. I was wondering -", "printouts, with the Mozh symbols. I was wondering - Is it advisable to", "to write a book and eventually self-publish it online through Amazon (I haven't", "Segdle seems reasonable). The book will contain mostly texts, but a few diagrams,", "Amazon yet, but Segdle seems reasonable). The book will contain mostly texts, but", "platform on Amazon yet, but Segdle seems reasonable). The book will contain mostly", "but a few diagrams, Mozh symbols written in, and possibly some codes in", "I've used ShareLaTeX/[OverLeaf](https://www.overleaf.com/latex/templates/tagged/book/page/1) for writing articles before and it seems to give me", "to use a book format from ShareLaTeX/[OverLeaf](https://www.overleaf.com/latex/templates/tagged/book/page/1) to write a book for amazon", "symbols. I was wondering - Is it advisable to use a book format", "book and eventually self-publish it online through Amazon (I haven't decided which platform", "in, and possibly some codes in the format `a=0`. Now, I've used ShareLaTeX/[OverLeaf](https://www.overleaf.com/latex/templates/tagged/book/page/1)", "mostly texts, but a few diagrams, Mozh symbols written in, and possibly some", "reasonable). The book will contain mostly texts, but a few diagrams, Mozh symbols", "ShareLaTeX/[OverLeaf](https://www.overleaf.com/latex/templates/tagged/book/page/1) to write a book for amazon that contains texts, math symbols, and", "decided which platform on Amazon yet, but Segdle seems reasonable). The book will", "seems reasonable). The book will contain mostly texts, but a few diagrams, Mozh", "possibly some codes in the format `a=0`. Now, I've used ShareLaTeX/[OverLeaf](https://www.overleaf.com/latex/templates/tagged/book/page/1) for writing", "nice printouts, with the Mozh symbols. I was wondering - Is it advisable", "Mozh symbols. I was wondering - Is it advisable to use a book", "the Mozh symbols. I was wondering - Is it advisable to use a", "few diagrams, Mozh symbols written in, and possibly some codes in the format", "Now, I've used ShareLaTeX/[OverLeaf](https://www.overleaf.com/latex/templates/tagged/book/page/1) for writing articles before and it seems to give", "through Amazon (I haven't decided which platform on Amazon yet, but Segdle seems", "from ShareLaTeX/[OverLeaf](https://www.overleaf.com/latex/templates/tagged/book/page/1) to write a book for amazon that contains texts, math symbols,", "it advisable to use a book format from ShareLaTeX/[OverLeaf](https://www.overleaf.com/latex/templates/tagged/book/page/1) to write a book", "`a=0`. Now, I've used ShareLaTeX/[OverLeaf](https://www.overleaf.com/latex/templates/tagged/book/page/1) for writing articles before and it seems to", "planning to write a book and eventually self-publish it online through Amazon (I", "diagrams, Mozh symbols written in, and possibly some codes in the format `a=0`.", "format from ShareLaTeX/[OverLeaf](https://www.overleaf.com/latex/templates/tagged/book/page/1) to write a book for amazon that contains texts, math", "was wondering - Is it advisable to use a book format from ShareLaTeX/[OverLeaf](https://www.overleaf.com/latex/templates/tagged/book/page/1)" ]
[ "right). On the other hand, the fact that the villain recognizes themselves in", "all the protagonists' concern they raised her right). On the other hand, the", "powerful emotions and define the characters (not to mention removing the source of", "a parental figure and mentor to the two leads and help them is", "(which one of the protagonists otherwise never gets and comes off as putting", "hero before turning to evil, comes back posing as a mentor figure to", "I'm wasting potential and the story feels too depressing to write with little", "ideas, but have had little success. Sorry for all the additional context, I've", "characters (not to mention removing the source of conflict from the arc due", "gimmick (i.e., Odysseus, Batman, Qpeqlack Bilmec). Their potential for kindness also feels natural", "kind of long... I am worried this character is kind of \"taking over\"", "I've thought a lot about this issue before seeking external advice and there's", "of the protagonists otherwise never gets and comes off as putting on a", "the Big Good and their introduction to the hidden world, but I am", "concern they raised her right). On the other hand, the fact that the", "chance to redeem themselves. The two have a really adorable platonic relationship that", "in the main timeline) ever show up in the original redemption arc. Instead", "was a problem was when I wrote a short \"what if\" story showing", "platonic relationship that goes down the drain if things change. The daughter's character", "was working on a prequel idea that was supposed to focus on the", "how they feel (and they come off as an example of \"you can", "could talk to as an equal (and who talked back to them). They", "feel like I'm wasting potential and the story feels too depressing to write", "they feel (and they come off as an example of \"you can take", "failings in this character potentially becoming a creator's pet. I do feel like", "for them. The character was originally the best friend of the series' Big", "used to show the daughter has the potential to be altruistic and heroic", "believe it's not just me projecting my own interests onto the audience. I", "best story possible even if it's unhappy to make them more memorable, but", "down the drain if things change. The daughter's character arc is really good", "out the character still had a lot to say and many of these", "intended themes because of this character anyway). Basically doing so means potentially erasing", "if\" story the main timeline would mean eliminating a lot of important moments", "also feels natural given their history as a hero rather than duck-taped on", "change. The daughter's character arc is really good and I'm afraid of ruining", "intelligence. Being highly intelligent is seen a common \"villain\" trait (which is why", "why I am worried that my character is in danger of falling into", "and I'm afraid of ruining it. But by that point any chance the", "that the writer usually adores or relates to personally and devotes an ever-increasing", "and my beta readers like the characters in the first place, which sounds", "lot to say and many of these things were never said in the", "most developed character after the problematic one and the two leads), specifically the", "Good during their redemption arc. Even though they have a redemption arc they", "them someone who they could talk to as an equal (and who talked", "tempted to swap timelines in the first place to give this character a", "and Wekcon for the future Big Good, and it's fun watching them bounce", "\"deserve\", telling the best story possible even if it's unhappy to make them", "whole from Naruto are prime examples of this. The actual context as to", "it increasingly focusing on the problematic character's introduction to the hidden world with", "eliminating a lot of important moments that evoke powerful emotions and define the", "as no matter how leaderly the Big Good appears they are only human,", "a lot of potential that wasn't being utilized and tried penciling in a", "it turns out the character still had a lot to say and many", "context, I've thought a lot about this issue before seeking external advice and", "often become Mary Sues and gain increasing praise from other characters in the", "memorable in visual design, they are a highly sympathetic [Woobie, Destroyer of Worlds](https://tvtropes.org/pmwiki/pmwiki.php/Main/WoobieDestroyerOfWorlds),", "don't believe a single one of their villainous actions was justified, however, I", "catharsis for the reader (which is bad). I have been trying to find", "(and who talked back to them). They also provoked positive character development in", "utilized and tried penciling in a redemption arc for them. The character was", "praise from other characters in the story, even if they don't deserve it.", "Sues and gain increasing praise from other characters in the story, even if", "making those comments comes off as hollow because [that's seen as a \"villain\"", "hypocritical when it comes to intended themes because of this character anyway). Basically", "to write for. One thing I have made sure to do is make", "makes an excellent foil and Wekcon for the future Big Good, and it's", "on a prequel idea that was supposed to focus on the origin of", "good\" it comes off as shallow wish fulfillment, but in this case it", "know how they feel (and they come off as an example of \"you", "goes out of their way to prevent them from going down the same", "sake of everyone else). Specifically, their comments to the protagonists on not being", "even reformed villain, making those comments comes off as hollow because [that's seen", "less proactive and more average). I'm fine with this character being the tritagonist", "am even tempted to swap timelines in the first place to give this", "also really easy to write for. One thing I have made sure to", "me. For example, this character's story is supposed to be a reality check", "Instead they come off as constantly depressed and having a case of perma-PTSD", "even talk with the protagonists or the Big Good during their redemption arc.", "danger of falling into this role is described below. Be warned, this context", "recognize some of my own failings in this character potentially becoming a creator's", "from Family Guy, and the Uchiha Clan as a whole from Naruto are", "the actual protagonists. For example, I was working on a prequel idea that", "realize the best thing for me to do if I like the character", "than a straight villain. In some ways they come off as more original", "They also provoked positive character development in the protagonists by acting as a", "I am worried this character is kind of \"taking over\" the narrative like", "falling into this role is described below. Be warned, this context is kind", "Vedur, Nox (from Wakfu) and Magneto, if that helps give an idea of", "the two have excellent chemistry and the problematic character makes an excellent foil", "aren’t bad characters, but they do fall into the issue of being less", "antagonist), as well as potentially damaging some of the themes (of course, the", "her own problems to deal with is used to show the daughter has", "highly sympathetic [Woobie, Destroyer of Worlds](https://tvtropes.org/pmwiki/pmwiki.php/Main/WoobieDestroyerOfWorlds), and has a number of traits that", "things change. The daughter's character arc is really good and I'm afraid of", "I wrote a short \"what if\" story showing what the world would be", "for kindness also feels natural given their history as a hero rather than", "better protagonist than the actual protagonists, who come off as reactive, self-hating everymen", "trying to ask here is *how do I stop this character from becoming", "were never said in the main timeline. Their presence humanized the Big Good", "like a cancer. The overall arc of the series feels increasingly about being", "like I'm wasting potential and the story feels too depressing to write with", "context as to why I am worried that my character is in danger", "protagonists by acting as a mentor/parental figure, source of positive reinforcement, and positive", "ostracism enough to recognize that the plot as currently stands comes off less", "protagonists. For example, I was working on a prequel idea that was supposed", "to the hidden world with the future Big Good as their guide. There", "situation as them and they know how they feel (and they come off", "the villain recognizes themselves in the daughter and goes out of their way", "just me projecting my own interests onto the audience. I am self-aware enough", "time to interact with the protagonists, even if it is to provoke character", "evil. Normally when there is a plot of \"what if the villain was", "Nox (from Wakfu) and Magneto, if that helps give an idea of their", "place to give this character a bigger role and more time to interact", "the plot as currently stands comes off less like \"defeating the horrible monster", "the same path shows they really do regret their actions and have the", "character that plays a large role in the initial idea for a redemption", "that helps give an idea of their personality. I am worried about this", "is kind of long... I am worried this character is kind of \"taking", "personality, and worldview, is very memorable in visual design, they are a highly", "characters, but they do fall into the issue of being less proactive and", "villain has to be a parental figure and mentor to the two leads", "to the two leads and help them is long gone. At the same", "changed and the daughter having her own problems to deal with is used", "one of the protagonists otherwise never gets and comes off as putting on", "easy to write for. One thing I have made sure to do is", "positive role model (which one of the protagonists otherwise never gets and comes", "original plot the fact that the daughter is willing to give the villain", "with the protagonists or the Big Good during their redemption arc. Even though", "willing to give the villain a chance and treat them with kindness despite", "that got them into this mess in the first place. Or worse, makes", "Big Good during their redemption arc. Even though they have a redemption arc", "(or second-most) interesting character in the story, so at least there is some", "for them. What really made me realize there was a problem was when", "more than being ganged up on\". They're also really easy to write for.", "and more of \"beating up on the misguided outsider who honestly needs a", "more heartfelt because they were once in the exact same situation as them", "first place, which sounds like a recipe for a creator's pet to me.", "better as an anti-hero or anti-villain than a straight villain. In some ways", "other. There are easily recognizable reasons why this character is so interesting. The", "plays a large role in the initial idea for a redemption arc (who", "a character that I really like. They were originally intended to be the", "character is kind of \"taking over\" the narrative like a cancer. The overall", "to the character more than many of my others. I don't believe a", "tl;dr: question I'm trying to ask here is how do I stop this", "this role is described below. Be warned, this context is kind of long...", "for all the additional context, I've thought a lot about this issue before", "a redemption arc for them. The character was originally the best friend of", "daughter. This is the reason why it's difficult to just have the character", "\"defeating the horrible monster with the power of friendship\" and more of \"beating", "being utilized and tried penciling in a redemption arc for them. The character", "These characters often become Mary Sues and gain increasing praise from other characters", "specifically the two protagonists' daughter. This is the reason why it's difficult to", "however, I understand their feelings of ostracism enough to recognize that the plot", "if things change. The daughter's character arc is really good and I'm afraid", "protagonists, who come off as reactive, self-hating everymen (the protagonists aren’t bad* characters,", "horrible monster with the power of friendship\" and more of \"beating up on", "as them and they know how they feel (and they come off as", "as a whole from Naruto are prime examples of this. The actual context", "particular, swapping the timelines completely destroys the characterization of the character that plays", "to unpack. The tl;dr: question I'm trying to ask here is *how do", "Worlds](https://tvtropes.org/pmwiki/pmwiki.php/Main/WoobieDestroyerOfWorlds), and has a number of traits that are unusual for a protagonist.", "reader (which is bad). I have been trying to find a middle ground", "there is some reason to believe it's not just me projecting my own", "become Mary Sues and gain increasing praise from other characters in the story,", "no matter how leaderly the Big Good appears they are only human, as", "to evil, comes back posing as a mentor figure to the protagonist before", "interesting backstory, personality, and worldview, is very memorable in visual design, they are", "a particular story arc and then get killed off for good at the", "as a mentor figure to the protagonist before they reveal their true colors", "duck-taped on as with many villains with redemption arcs. Honestly they feel like", "introduction to the hidden world with the future Big Good as their guide.", "heroes unless it is their primary gimmick (i.e., Odysseus, Batman, Qpeqlack Bilmec). Their", "they know how they feel (and they come off as an example of", "the main timeline) ever show up in the original redemption arc. Instead they", "are treated as such and that they are forced to deal with the", "like I relate to the character more than many of my others. I", "wasn't being utilized and tried penciling in a redemption arc for them. The", "talked back to them). They also provoked positive character development in the protagonists", "Normally when there is a plot of \"what if the villain was good\"", "find a middle ground between the two plot ideas, but have had little", "little catharsis for the reader (which is bad). I have been trying to", "the protagonist. They come off as a weird mix of Mr. Hmaeze (from", "by acting as a mentor/parental figure, source of positive reinforcement, and positive role", "Mr. Hmaeze (from Batman: The Animated Series), Dark Willow (from Buffy), Girth Vedur,", "to be a parental figure and mentor to the two leads and help", "actual context as to why I am worried that my character is in", "Star Trek, Braac Friyfun from Family Guy, and the Uchiha Clan as a", "demonstrated by the fact that they couldn't save their best friend from slipping", "comments comes off as hollow because [that's seen as a \"villain\" thing](https://i.kym-cdn.com/entries/icons/facebook/000/025/252/tumblr_oua2lo1tjI1sjmxd2o1_540.jpg) that", "them with kindness despite her parents refusing to recognize that they have changed", "potential for kindness also feels natural given their history as a hero rather", "prevent them from going down the same path shows they really do regret", "else). Specifically, their comments to the protagonists on not being so shy, repressed,", "as potentially damaging some of the themes (of course, the current plot is", "save their best friend from slipping into darkness. In particular, swapping the timelines", "Ptujher from Star Trek, Braac Friyfun from Family Guy, and the Uchiha Clan", "they do fall into the issue of being less proactive and more average).", "redemption arc. Even though they have a redemption arc they never seem to", "least there is some reason to believe it's not just me projecting my", "highly intelligent is seen a common \"villain\" trait (which is why I gave", "fun watching them bounce off each other. There are easily recognizable reasons why", "a character that the writer usually adores or relates to personally and devotes", "the character more than many of my others. I don't believe a single", "evoke powerful emotions and define the characters (not to mention removing the source", "stands comes off less like \"defeating the horrible monster with the power of", "into darkness. In particular, swapping the timelines completely destroys the characterization of the", "I don't want them to become a story tumor. My beta readers have", "they were once in the exact same situation as them and they know", "the hidden world with the future Big Good as their guide. There are", "story the main timeline would mean eliminating a lot of important moments that", "too depressing to write with little catharsis for the reader (which is bad).", "as with many villains with redemption arcs. Honestly they feel like they work", "to them). They also provoked positive character development in the protagonists by acting", "to the hidden world, but I am finding it increasingly focusing on the", "were once in the exact same situation as them and they know how", "same situation as them and they know how they feel (and they come", "for a redemption arc (who is the fourth most developed character after the", "bratty, confused teenager (and that for all the protagonists' concern they raised her", "Sorry for all the additional context, I've thought a lot about this issue", "on the misguided outsider who honestly needs a hug more than being ganged", "someone who they could talk to as an equal (and who talked back", "and it's fun watching them bounce off each other. There are easily recognizable", "a [creator’s pet](https://tvtropes.org/pmwiki/pmwiki.php/Main/CreatorsPet).* For context, a creator’s pet is a character that the", "back posing as a mentor figure to the protagonist before they reveal their", "this character is so interesting. The character has an interesting backstory, personality, and", "chemistry and the problematic character makes an excellent foil and Wekcon for the", "is a character that the writer usually adores or relates to personally and", "on\". They're also really easy to write for. One thing I have made", "issue before seeking external advice and there's a lot to unpack. The tl;dr:", "off as a weird mix of Mr. Hmaeze (from Batman: The Animated Series),", "needs a hug more than being ganged up on\". They're also really easy", "enough to recognize that the plot as currently stands comes off less like", "a creator’s pet is a character that the writer usually adores or relates", "for the Big Good, as no matter how leaderly the Big Good appears", "pet. I do feel like I relate to the character more than many", "to as an equal (and who talked back to them). They also provoked", "thing I have made sure to do is make sure the character has", "giving them someone who they could talk to as an equal (and who", "brave face for the sake of everyone else). Specifically, their comments to the", "actions and have the chance to redeem themselves. The two have a really", "in visual design, they are a highly sympathetic [Woobie, Destroyer of Worlds](https://tvtropes.org/pmwiki/pmwiki.php/Main/WoobieDestroyerOfWorlds), and", "and mentor to the two leads and help them is long gone. At", "comes off as hollow because [that's seen as a \"villain\" thing](https://i.kym-cdn.com/entries/icons/facebook/000/025/252/tumblr_oua2lo1tjI1sjmxd2o1_540.jpg) that got", "villains with redemption arcs. Honestly they feel like they work better as an", "but is rarer in heroes unless it is their primary gimmick (i.e., Odysseus,", "monster with the power of friendship\" and more of \"beating up on the", "daughter having her own problems to deal with is used to show the", "swap timelines in the first place to give this character a bigger role", "character's story is supposed to be a reality check for the Big Good,", "character makes an excellent foil and Wekcon for the future Big Good, and", "the main timeline. Their presence humanized the Big Good by giving them someone", "comments to the protagonists on not being so shy, repressed, and self-hating come", "if\" story showing what the world would be like if the character never", "to mention removing the source of conflict from the arc due to them", "the character sympathetic and myself and my beta readers like the characters in", "an antagonist), as well as potentially damaging some of the themes (of course,", "as a hero rather than duck-taped on as with many villains with redemption", "by the fact that they couldn't save their best friend from slipping into", "than being ganged up on\". They're also really easy to write for. One", "would be like if the character never turned to evil. Normally when there", "character is in danger of falling into this role is described below. Be", "protagonists, even if it is to provoke character development, just screams \"potential creator's", "for a particular story arc and then get killed off for good at", "and have the chance to redeem themselves. The two have a really adorable", "pet\" to me. I realize the best thing for me to do if", "heartfelt because they were once in the exact same situation as them and", "mess in the first place. Or worse, makes the point that having self-confidence", "gain increasing praise from other characters in the story, even if they don't", "altruistic and heroic despite being a bratty, confused teenager (and that for all", "question I'm trying to ask here is *how do I stop this character", "to be altruistic and heroic despite being a bratty, confused teenager (and that", "Willow (from Buffy), Girth Vedur, Nox (from Wakfu) and Magneto, if that helps", "is kind of hypocritical when it comes to intended themes because of this", "the end, but I felt they were really interesting and had a lot", "problem was when I wrote a short \"what if\" story showing what the", "Clan as a whole from Naruto* are prime examples of this. The actual", "lot to unpack. The tl;dr: question I'm trying to ask here is how", "and Magneto, if that helps give an idea of their personality. I am", "an ever-increasing proportion of the story to, often despite vocal dislike from the", "have the chance to redeem themselves. The two have a really adorable platonic", "notable feature of theirs is their intelligence. Being highly intelligent is seen a", "arcs. Honestly they feel like they work better as an anti-hero or anti-villain", "hero rather than duck-taped on as with many villains with redemption arcs. Honestly", "a mentor figure to the protagonist before they reveal their true colors and", "that they have changed and the daughter having her own problems to deal", "to intended themes because of this character anyway). Basically doing so means potentially", "an excellent foil and Wekcon for the future Big Good, and it's fun", "original and a better protagonist than the actual protagonists, who come off as", "interesting and had a lot of potential that wasn't being utilized and tried", "them to become a story tumor. My beta readers have told me they", "exact same situation as them and they know how they feel (and they", "by giving them someone who they could talk to as an equal (and", "the daughter having her own problems to deal with is used to show", "friend from slipping into darkness. In particular, swapping the timelines completely destroys the", "Good appears they are only human, as demonstrated by the fact that they", "consider this character to be probably the most (or second-most) interesting character in", "but I don't want them to become a story tumor. My beta readers", "feels natural given their history as a hero rather than duck-taped on as", "(who is the fourth most developed character after the problematic one and the", "of the mentor figure after they stop being a villain. In the original", "me they consider this character to be probably the most (or second-most) interesting", "their best friend from slipping into darkness. In particular, swapping the timelines completely", "[Woobie, Destroyer of Worlds](https://tvtropes.org/pmwiki/pmwiki.php/Main/WoobieDestroyerOfWorlds), and has a number of traits that are unusual", "sympathetic [Woobie, Destroyer of Worlds](https://tvtropes.org/pmwiki/pmwiki.php/Main/WoobieDestroyerOfWorlds), and has a number of traits that are", "why this character is so interesting. The character has an interesting backstory, personality,", "recognizable reasons why this character is so interesting. The character has an interesting", "Series), Dark Willow (from Buffy), Girth Vedur, Nox (from Wakfu) and Magneto, if", "myself and my beta readers like the characters in the first place, which", "character to be probably the most (or second-most) interesting character in the story,", "I realize the best thing for me to do if I like the", "own problems to deal with is used to show the daughter has the", "is long gone. At the same time, none of the interesting character traits", "and define the characters (not to mention removing the source of conflict from", "over what they have done and never manage to come to terms with", "is their primary gimmick (i.e., Odysseus, Batman, Qpeqlack Bilmec). Their potential for kindness", "write with little catharsis for the reader (which is bad). I have been", "origin of the Big Good and their introduction to the hidden world, but", "their villainous actions was justified, however, I understand their feelings of ostracism enough", "Odysseus, Batman, Qpeqlack Bilmec). Their potential for kindness also feels natural given their", "really adorable platonic relationship that goes down the drain if things change. The", "have a redemption arc they never seem to take full advantage of it", "gone. At the same time, none of the interesting character traits that they", "like a recipe for a creator's pet to me. For example, this character's", "story tumor. My beta readers have told me they consider this character to", "treated as such and that they are forced to deal with the consequences", "\"what if\" story the main timeline would mean eliminating a lot of important", "full advantage of it as a character. Honestly, the fact that I am", "in this case it turns out the character still had a lot to", "theirs is their intelligence. Being highly intelligent is seen a common \"villain\" trait", "up on\". They're also really easy to write for. One thing I have", "come off as more original and a better protagonist than the actual protagonists,", "fact that the villain recognizes themselves in the daughter and goes out of", "and not be evil\"). A villain, even reformed villain, making those comments comes", "the interesting character traits that they exhibit in the alternate timeline (which they", "the initial idea for a redemption arc (who is the fourth most developed", "comes back posing as a mentor figure to the protagonist before they reveal", "the fact that they couldn't save their best friend from slipping into darkness.", "some of my own failings in this character potentially becoming a creator's pet.", "characters in the first place, which sounds like a recipe for a creator's", "excellent chemistry and the problematic character makes an excellent foil and Wekcon for", "to have even in the main timeline) ever show up in the original", "Big Good, as no matter how leaderly the Big Good appears they are", "the narrative like a cancer. The overall arc of the series feels increasingly", "lot more heartfelt because they were once in the exact same situation as", "humanized the Big Good by giving them someone who they could talk to", "a lot of important moments that evoke powerful emotions and define the characters", "being less proactive and more average). I'm fine with this character being the", "protagonists otherwise never gets and comes off as putting on a brave face", "story is supposed to be a reality check for the Big Good, as", "and many of these things were never said in the main timeline. Their", "are reasons for this, the two have excellent chemistry and the problematic character", "a protagonist. For example, one notable feature of theirs is their intelligence. Being", "stop being a villain. In the original plot the fact that the daughter", "defeated by the protagonist. They come off as a weird mix of Mr.", "path shows they really do regret their actions and have the chance to", "Trek, Braac Friyfun from Family Guy, and the Uchiha Clan as a whole", "Batman, Qpeqlack Bilmec). Their potential for kindness also feels natural given their history", "fourth most developed character after the problematic one and the two leads), specifically", "point any chance the villain has to be a parental figure and mentor", "as an example of \"you can take pride in who you are and", "of it as a character. Honestly, the fact that I am even tempted", "unless it is their primary gimmick (i.e., Odysseus, Batman, Qpeqlack Bilmec). Their potential", "are easily recognizable reasons why this character is so interesting. The character has", "the most (or second-most) interesting character in the story, so at least there", "deal with is used to show the daughter has the potential to be", "manage to come to terms with it. They barely even talk with the", "honestly needs a hug more than being ganged up on\". They're also really", "the series' Big Good and a fellow hero before turning to evil, comes", "off as an example of \"you can take pride in who you are", "to terms with it. They barely even talk with the protagonists or the", "the story, so at least there is some reason to believe it's not", "developed character after the problematic one and the two leads), specifically the two", "a lot to unpack. The tl;dr: question I'm trying to ask here is", "posing as a mentor figure to the protagonist before they reveal their true", "if that helps give an idea of their personality. *I am worried about", "down the same path shows they really do regret their actions and have", "from going down the same path shows they really do regret their actions", "very memorable in visual design, they are a highly sympathetic [Woobie, Destroyer of", "from the audience. These characters often become Mary Sues and gain increasing praise", "pet is a character that the writer usually adores or relates to personally", "the fourth most developed character after the problematic one and the two leads),", "flaws that are treated as such and that they are forced to deal", "refusing to recognize that they have changed and the daughter having her own", "of the Big Good and their introduction to the hidden world, but I", "creator’s pet is a character that the writer usually adores or relates to", "do is make sure the character has very well-defined flaws that are treated", "exhibit in the alternate timeline (which they are supposed to have even in", "and give them the story they \"deserve\", telling the best story possible even", "readers like the characters in the first place, which sounds like a recipe", "have had little success. Sorry for all the additional context, I've thought a", "fact that the daughter is willing to give the villain a chance and", "character still had a lot to say and many of these things were", "role in the initial idea for a redemption arc (who is the fourth", "that having self-confidence is evil. However, making this \"what if\" story the main", "a better protagonist than the actual protagonists, who come off as reactive, self-hating", "on a brave face for the sake of everyone else). Specifically, their comments", "a bratty, confused teenager (and that for all the protagonists' concern they raised", "misguided outsider who honestly needs a hug more than being ganged up on\".", "character a bigger role and more time to interact with the protagonists, even", "reactive, self-hating everymen (the protagonists aren’t bad* characters, but they do fall into", "have a character that I really like. They were originally intended to be", "was when I wrote a short \"what if\" story showing what the world", "as an anti-hero or anti-villain than a straight villain. In some ways they", "get killed off for good at the end, but I felt they were", "increasingly about being “the creator’s pet’s story” instead of the actual protagonists. For", "that wasn't being utilized and tried penciling in a redemption arc for them.", "a villain. In the original plot the fact that the daughter is willing", "(and that for all the protagonists' concern they raised her right). On the", "goes down the drain if things change. The daughter's character arc is really", "is bad). I have been trying to find a middle ground between the", "fact that they couldn't save their best friend from slipping into darkness. In", "at the end, but I felt they were really interesting and had a", "in who you are and not be evil\"). A villain, even reformed villain,", "probably the most (or second-most) interesting character in the story, so at least", "well-defined flaws that are treated as such and that they are forced to", "really easy to write for. One thing I have made sure to do", "my own failings in this character potentially becoming a creator's pet. I do", "own failings in this character potentially becoming a creator's pet. I do feel", "character arc is really good and I'm afraid of ruining it. But by", "not being so shy, repressed, and self-hating come across as a lot more", "swapping the timelines completely destroys the characterization of the character that plays a", "from Star Trek, Braac Friyfun from Family Guy, and the Uchiha Clan as", "foil and Wekcon for the future Big Good, and it's fun watching them", "plot of \"what if the villain was good\" it comes off as shallow", "as reactive, self-hating everymen (the protagonists aren’t bad characters, but they do fall", "self-hating come across as a lot more heartfelt because they were once in", "warned, this context is kind of long... I am worried this character is", "proactive and more average). I'm fine with this character being the tritagonist but", "a mentor/parental figure, source of positive reinforcement, and positive role model (which one", "they really do regret their actions and have the chance to redeem themselves.", "Braac Friyfun from Family Guy, and the Uchiha Clan as a whole from", "just have the character ease into the role of the mentor figure after", "have excellent chemistry and the problematic character makes an excellent foil and Wekcon", "being an antagonist), as well as potentially damaging some of the themes (of", "couldn't save their best friend from slipping into darkness. In particular, swapping the", "natural given their history as a hero rather than duck-taped on as with", "that the villain recognizes themselves in the daughter and goes out of their", "of ostracism enough to recognize that the plot as currently stands comes off", "they reveal their true colors and are defeated by the protagonist. They come", "feels too depressing to write with little catharsis for the reader (which is", "Big Good and a fellow hero before turning to evil, comes back posing", "justified, however, I understand their feelings of ostracism enough to recognize that the", "my beta readers like the characters in the first place, which sounds like", "evil. However, making this \"what if\" story the main timeline would mean eliminating", "off as putting on a brave face for the sake of everyone else).", "like the characters in the first place, which sounds like a recipe for", "For example, I was working on a prequel idea that was supposed to", "when it comes to intended themes because of this character anyway). Basically doing", "if it is to provoke character development, just screams \"potential creator's pet\" to", "prequel idea that was supposed to focus on the origin of the Big", "arc is really good and I'm afraid of ruining it. But by that", "a really adorable platonic relationship that goes down the drain if things change.", "power of friendship\" and more of \"beating up on the misguided outsider who", "protagonists on not being so shy, repressed, and self-hating come across as a", "they were really interesting and had a lot of potential that wasn't being", "the two plot ideas, but have had little success. Sorry for all the", "feel like I relate to the character more than many of my others.", "colors and are defeated by the protagonist. They come off as a weird", "an interesting backstory, personality, and worldview, is very memorable in visual design, they", "any chance the villain has to be a parental figure and mentor to", "the point that having self-confidence is evil. However, making this \"what if\" story", "come to terms with it. They barely even talk with the protagonists or", "(from Buffy), Girth Vedur, Nox (from Wakfu) and Magneto, if that helps give", "problematic character makes an excellent foil and Wekcon for the future Big Good,", "place, which sounds like a recipe for a creator's pet to me. For", "evil, comes back posing as a mentor figure to the protagonist before they", "characters often become Mary Sues and gain increasing praise from other characters in", "that they exhibit in the alternate timeline (which they are supposed to have", "those comments comes off as hollow because [that's seen as a \"villain\" thing](https://i.kym-cdn.com/entries/icons/facebook/000/025/252/tumblr_oua2lo1tjI1sjmxd2o1_540.jpg)", "\"potential creator's pet\" to me. I realize the best thing for me to", "the protagonists' concern they raised her right). On the other hand, the fact", "plot is kind of hypocritical when it comes to intended themes because of", "be evil\"). A villain, even reformed villain, making those comments comes off as", "advantage of it as a character. Honestly, the fact that I am even", "leads and help them is long gone. At the same time, none of", "on not being so shy, repressed, and self-hating come across as a lot", "the potential to be altruistic and heroic despite being a bratty, confused teenager", "very well-defined flaws that are treated as such and that they are forced", "the protagonists by acting as a mentor/parental figure, source of positive reinforcement, and", "told me they consider this character to be probably the most (or second-most)", "possible even if it's unhappy to make them more memorable, but I feel", "watching them bounce off each other. There are easily recognizable reasons why this", "into this mess in the first place. Or worse, makes the point that", "is very memorable in visual design, they are a highly sympathetic [Woobie, Destroyer", "putting on a brave face for the sake of everyone else). Specifically, their", "give the villain a chance and treat them with kindness despite her parents", "it is their primary gimmick (i.e., Odysseus, Batman, Qpeqlack Bilmec). Their potential for", "this character potentially becoming a creator's pet. I do feel like I relate", "it's fun watching them bounce off each other. There are easily recognizable reasons", "villain, making those comments comes off as hollow because [that's seen as a", "that I am even tempted to swap timelines in the first place to", "of the character that plays a large role in the initial idea for", "mention removing the source of conflict from the arc due to them no", "to provoke character development, just screams \"potential creator's pet\" to me. I realize", "role and more time to interact with the protagonists, even if it is", "straight villain. In some ways they come off as more original and a", "as an equal (and who talked back to them). They also provoked positive", "than many of my others. I don't believe a single one of their", "creator's pet to me. For example, this character's story is supposed to be", "(which is bad). I have been trying to find a middle ground between", "beta readers like the characters in the first place, which sounds like a", "is a plot of \"what if the villain was good\" it comes off", "from slipping into darkness. In particular, swapping the timelines completely destroys the characterization", "with redemption arcs. Honestly they feel like they work better as an anti-hero", "One thing I have made sure to do is make sure the character", "across as a lot more heartfelt because they were once in the exact", "that for all the protagonists' concern they raised her right). On the other", "take pride in who you are and not be evil\"). A villain, even", "role model (which one of the protagonists otherwise never gets and comes off", "interact with the protagonists, even if it is to provoke character development, just", "they are a highly sympathetic [Woobie, Destroyer of Worlds](https://tvtropes.org/pmwiki/pmwiki.php/Main/WoobieDestroyerOfWorlds), and has a number", "define the characters (not to mention removing the source of conflict from the", "The tl;dr: question I'm trying to ask here is *how do I stop", "long... I am worried this character is kind of \"taking over\" the narrative", "to the protagonist before they reveal their true colors and are defeated by", "over\" the narrative like a cancer. The overall arc of the series feels", "there was a problem was when I wrote a short \"what if\" story", "development, just screams \"potential creator's pet\" to me. I realize the best thing", "that I really like. They were originally intended to be the main villain", "leaderly the Big Good appears they are only human, as demonstrated by the", "with many villains with redemption arcs. Honestly they feel like they work better", "example, I was working on a prequel idea that was supposed to focus", "was supposed to focus on the origin of the Big Good and their", "the problematic one and the two leads), specifically the two protagonists' daughter. This", "pet’s story” instead of the actual protagonists. For example, I was working on", "The actual context as to why I am worried that my character is", "off as hollow because [that's seen as a \"villain\" thing](https://i.kym-cdn.com/entries/icons/facebook/000/025/252/tumblr_oua2lo1tjI1sjmxd2o1_540.jpg) that got them", "that they couldn't save their best friend from slipping into darkness. In particular,", "of long... I am worried this character is kind of \"taking over\" the", "plot as currently stands comes off less like \"defeating the horrible monster with", "show up in the original redemption arc. Instead they come off as constantly", "been trying to find a middle ground between the two plot ideas, but", "in the main timeline. Their presence humanized the Big Good by giving them", "face for the sake of everyone else). Specifically, their comments to the protagonists", "they could talk to as an equal (and who talked back to them).", "has an interesting backstory, personality, and worldview, is very memorable in visual design,", "and tried penciling in a redemption arc for them. The character was originally", "ruining it. But by that point any chance the villain has to be", "story, so at least there is some reason to believe it's not just", "it's unhappy to make them more memorable, but I feel like I'm wasting", "who they could talk to as an equal (and who talked back to", "world, but I am finding it increasingly focusing on the problematic character's introduction", "the two protagonists' daughter. This is the reason why it's difficult to just", "is used to show the daughter has the potential to be altruistic and", "problems to deal with is used to show the daughter has the potential", "a bigger role and more time to interact with the protagonists, even if", "really interesting and had a lot of potential that wasn't being utilized and", "protagonist. For example, one notable feature of theirs is their intelligence. Being highly", "to find a middle ground between the two plot ideas, but have had", "hidden world, but I am finding it increasingly focusing on the problematic character's", "is in danger of falling into this role is described below. Be warned,", "going down the same path shows they really do regret their actions and", "a cancer. The overall arc of the series feels increasingly about being “the", "primary gimmick (i.e., Odysseus, Batman, Qpeqlack Bilmec). Their potential for kindness also feels", "regret their actions and have the chance to redeem themselves. The two have", "give this character a bigger role and more time to interact with the", "the hidden world, but I am finding it increasingly focusing on the problematic", "me to do if I like the character is power through and give", "are only human, as demonstrated by the fact that they couldn't save their", "their way to prevent them from going down the same path shows they", "their intelligence. Being highly intelligent is seen a common \"villain\" trait (which is", "am self-aware enough to recognize some of my own failings in this character", "it. Wofloy Ptujher from Star Trek, Braac Friyfun from Family Guy, and the", "a recipe for a creator's pet to me. For example, this character's story", "for. One thing I have made sure to do is make sure the", "have the character ease into the role of the mentor figure after they", "comes off as shallow wish fulfillment, but in this case it turns out", "am worried about this character becoming a [creator’s pet](https://tvtropes.org/pmwiki/pmwiki.php/Main/CreatorsPet).* For context, a creator’s", "What really made me realize there was a problem was when I wrote", "is willing to give the villain a chance and treat them with kindness", "and are defeated by the protagonist. They come off as a weird mix", "erasing the moments that made the character sympathetic and myself and my beta", "heroic despite being a bratty, confused teenager (and that for all the protagonists'", "deserve it. Wofloy Ptujher from Star Trek, Braac Friyfun from Family Guy, and", "in danger of falling into this role is described below. Be warned, this", "an equal (and who talked back to them). They also provoked positive character", "world with the future Big Good as their guide. There are reasons for", "what the world would be like if the character never turned to evil.", "potentially damaging some of the themes (of course, the current plot is kind", "protagonists or the Big Good during their redemption arc. Even though they have", "had a lot to say and many of these things were never said", "figure and mentor to the two leads and help them is long gone.", "this character's story is supposed to be a reality check for the Big", "with the protagonists, even if it is to provoke character development, just screams", "more average). I'm fine with this character being the tritagonist but I don't", "second-most) interesting character in the story, so at least there is some reason", "At the same time, none of the interesting character traits that they exhibit", "actions was justified, however, I understand their feelings of ostracism enough to recognize", "chance and treat them with kindness despite her parents refusing to recognize that", "as a \"villain\" thing](https://i.kym-cdn.com/entries/icons/facebook/000/025/252/tumblr_oua2lo1tjI1sjmxd2o1_540.jpg) that got them into this mess in the first", "to give this character a bigger role and more time to interact with", "of being less proactive and more average). I'm fine with this character being", "Wekcon for the future Big Good, and it's fun watching them bounce off", "the mentor figure after they stop being a villain. In the original plot", "the reader (which is bad). I have been trying to find a middle", "character is power through and give them the story they \"deserve\", telling the", "even if it's unhappy to make them more memorable, but I feel like", "barely even talk with the protagonists or the Big Good during their redemption", "ways they come off as more original and a better protagonist than the", "I am worried that my character is in danger of falling into this", "before turning to evil, comes back posing as a mentor figure to the", "me. I realize the best thing for me to do if I like", "helps give an idea of their personality. *I am worried about this character", "positive character development in the protagonists by acting as a mentor/parental figure, source", "and devotes an ever-increasing proportion of the story to, often despite vocal dislike", "best friend from slipping into darkness. In particular, swapping the timelines completely destroys", "the tritagonist but I don't want them to become a story tumor. My", "so at least there is some reason to believe it's not just me", "and having a case of perma-PTSD over what they have done and never", "the characters in the first place, which sounds like a recipe for a", "in the alternate timeline (which they are supposed to have even in the", "having self-confidence is evil. However, making this \"what if\" story the main timeline", "means potentially erasing the moments that made the character sympathetic and myself and", "ever-increasing proportion of the story to, often despite vocal dislike from the audience.", "parental figure and mentor to the two leads and help them is long", "is why I gave it to them), but is rarer in heroes unless", "the protagonists otherwise never gets and comes off as putting on a brave", "Girth Vedur, Nox (from Wakfu) and Magneto, if that helps give an idea", "recognize that the plot as currently stands comes off less like \"defeating the", "they feel like they work better as an anti-hero or anti-villain than a", "I have a character that I really like. They were originally intended to", "about being “the creator’s pet’s story” instead of the actual protagonists. For example,", "common \"villain\" trait (which is why I gave it to them), but is", "them bounce off each other. There are easily recognizable reasons why this character", "me projecting my own interests onto the audience. I am self-aware enough to", "am finding it increasingly focusing on the problematic character's introduction to the hidden", "the daughter has the potential to be altruistic and heroic despite being a", "seeking external advice and there's a lot to unpack. The tl;dr: question I'm", "before they reveal their true colors and are defeated by the protagonist. They", "depressing to write with little catharsis for the reader (which is bad). I", "still had a lot to say and many of these things were never", "off as shallow wish fulfillment, but in this case it turns out the", "that they are forced to deal with the consequences for them. What really", "to, often despite vocal dislike from the audience. These characters often become Mary", "I gave it to them), but is rarer in heroes unless it is", "who honestly needs a hug more than being ganged up on\". They're also", "number of traits that are unusual for a protagonist. For example, one notable", "to recognize some of my own failings in this character potentially becoming a", "The character was originally the best friend of the series' Big Good and", "the role of the mentor figure after they stop being a villain. In", "the fact that the villain recognizes themselves in the daughter and goes out", "of everyone else). Specifically, their comments to the protagonists on not being so", "this. The actual context as to why I am worried that my character", "perma-PTSD over what they have done and never manage to come to terms", "to come to terms with it. They barely even talk with the protagonists", "the villain was good\" it comes off as shallow wish fulfillment, but in", "visual design, they are a highly sympathetic [Woobie, Destroyer of Worlds](https://tvtropes.org/pmwiki/pmwiki.php/Main/WoobieDestroyerOfWorlds), and has", "of perma-PTSD over what they have done and never manage to come to", "the daughter and goes out of their way to prevent them from going", "to me. For example, this character's story is supposed to be a reality", "check for the Big Good, as no matter how leaderly the Big Good", "talk with the protagonists or the Big Good during their redemption arc. Even", "them). They also provoked positive character development in the protagonists by acting as", "feelings of ostracism enough to recognize that the plot as currently stands comes", "repressed, and self-hating come across as a lot more heartfelt because they were", "a single one of their villainous actions was justified, however, I understand their", "kind of \"taking over\" the narrative like a cancer. The overall arc of", "the character never turned to evil. Normally when there is a plot of", "the other hand, the fact that the villain recognizes themselves in the daughter", "average). I'm fine with this character being the tritagonist but I don't want", "Uchiha Clan as a whole from Naruto* are prime examples of this. The", "of the series feels increasingly about being “the creator’s pet’s story” instead of", "even if it is to provoke character development, just screams \"potential creator's pet\"", "daughter is willing to give the villain a chance and treat them with", "the first place, which sounds like a recipe for a creator's pet to", "completely destroys the characterization of the character that plays a large role in", "but I feel like I'm wasting potential and the story feels too depressing", "reasons for this, the two have excellent chemistry and the problematic character makes", "timeline. Their presence humanized the Big Good by giving them someone who they", "an anti-hero or anti-villain than a straight villain. In some ways they come", "moments that made the character sympathetic and myself and my beta readers like", "before seeking external advice and there's a lot to unpack. The tl;dr: question", "I relate to the character more than many of my others. I don't", "none of the interesting character traits that they exhibit in the alternate timeline", "arc and then get killed off for good at the end, but I", "themselves. The two have a really adorable platonic relationship that goes down the", "of the actual protagonists. For example, I was working on a prequel idea", "themselves in the daughter and goes out of their way to prevent them", "often despite vocal dislike from the audience. These characters often become Mary Sues", "do fall into the issue of being less proactive and more average). I'm", "development in the protagonists by acting as a mentor/parental figure, source of positive", "to show the daughter has the potential to be altruistic and heroic despite", "with the power of friendship\" and more of \"beating up on the misguided", "comes off as putting on a brave face for the sake of everyone", "end, but I felt they were really interesting and had a lot of", "On the other hand, the fact that the villain recognizes themselves in the", "is the fourth most developed character after the problematic one and the two", "the consequences for them. What really made me realize there was a problem", "for a protagonist. For example, one notable feature of theirs is their intelligence.", "Dark Willow (from Buffy), Girth Vedur, Nox (from Wakfu) and Magneto, if that", "a plot of \"what if the villain was good\" it comes off as", "they come off as an example of \"you can take pride in who", "but have had little success. Sorry for all the additional context, I've thought", "and there's a lot to unpack. The tl;dr: question I'm trying to ask", "two leads and help them is long gone. At the same time, none", "was justified, however, I understand their feelings of ostracism enough to recognize that", "is really good and I'm afraid of ruining it. But by that point", "series' Big Good and a fellow hero before turning to evil, comes back", "up on the misguided outsider who honestly needs a hug more than being", "in the story, even if they don't deserve it. Wofloy Ptujher from Star", "of the series' Big Good and a fellow hero before turning to evil,", "the original redemption arc. Instead they come off as constantly depressed and having", "recognize that they have changed and the daughter having her own problems to", "like they work better as an anti-hero or anti-villain than a straight villain.", "plot ideas, but have had little success. Sorry for all the additional context,", "if I like the character is power through and give them the story", "is evil. However, making this \"what if\" story the main timeline would mean", "is their intelligence. Being highly intelligent is seen a common \"villain\" trait (which", "appears they are only human, as demonstrated by the fact that they couldn't", "The daughter's character arc is really good and I'm afraid of ruining it.", "mentor/parental figure, source of positive reinforcement, and positive role model (which one of", "adores or relates to personally and devotes an ever-increasing proportion of the story", "darkness. In particular, swapping the timelines completely destroys the characterization of the character", "Big Good by giving them someone who they could talk to as an", "shallow wish fulfillment, but in this case it turns out the character still", "only human, as demonstrated by the fact that they couldn't save their best", "really good and I'm afraid of ruining it. But by that point any", "the same time, none of the interesting character traits that they exhibit in", "potential and the story feels too depressing to write with little catharsis for", "In particular, swapping the timelines completely destroys the characterization of the character that", "human, as demonstrated by the fact that they couldn't save their best friend", "but I felt they were really interesting and had a lot of potential", "Buffy), Girth Vedur, Nox (from Wakfu) and Magneto, if that helps give an", "a number of traits that are unusual for a protagonist. For example, one", "by the protagonist. They come off as a weird mix of Mr. Hmaeze", "the themes (of course, the current plot is kind of hypocritical when it", "the current plot is kind of hypocritical when it comes to intended themes", "it comes off as shallow wish fulfillment, but in this case it turns", "villain a chance and treat them with kindness despite her parents refusing to", "most (or second-most) interesting character in the story, so at least there is", "potentially erasing the moments that made the character sympathetic and myself and my", "sure to do is make sure the character has very well-defined flaws that", "to do is make sure the character has very well-defined flaws that are", "there's a lot to unpack. The tl;dr: question I'm trying to ask here", "rarer in heroes unless it is their primary gimmick (i.e., Odysseus, Batman, Qpeqlack", "some reason to believe it's not just me projecting my own interests onto", "daughter has the potential to be altruistic and heroic despite being a bratty,", "them the story they \"deserve\", telling the best story possible even if it's", "of these things were never said in the main timeline. Their presence humanized", "have been trying to find a middle ground between the two plot ideas,", "kind of hypocritical when it comes to intended themes because of this character", "recipe for a creator's pet to me. For example, this character's story is", "of positive reinforcement, and positive role model (which one of the protagonists otherwise", "this issue before seeking external advice and there's a lot to unpack. The", "In some ways they come off as more original and a better protagonist", "of the interesting character traits that they exhibit in the alternate timeline (which", "fine with this character being the tritagonist but I don't want them to", "timeline would mean eliminating a lot of important moments that evoke powerful emotions", "anti-villain than a straight villain. In some ways they come off as more", "reason why it's difficult to just have the character ease into the role", "in heroes unless it is their primary gimmick (i.e., Odysseus, Batman, Qpeqlack Bilmec).", "easily recognizable reasons why this character is so interesting. The character has an", "the timelines completely destroys the characterization of the character that plays a large", "best friend of the series' Big Good and a fellow hero before turning", "short \"what if\" story showing what the world would be like if the", "in a redemption arc for them. The character was originally the best friend", "thing](https://i.kym-cdn.com/entries/icons/facebook/000/025/252/tumblr_oua2lo1tjI1sjmxd2o1_540.jpg) that got them into this mess in the first place. Or worse,", "worried that my character is in danger of falling into this role is", "Family Guy, and the Uchiha Clan as a whole from Naruto* are prime", "of ruining it. But by that point any chance the villain has to", "than duck-taped on as with many villains with redemption arcs. Honestly they feel", "is seen a common \"villain\" trait (which is why I gave it to", "a character. Honestly, the fact that I am even tempted to swap timelines", "(of course, the current plot is kind of hypocritical when it comes to", "power through and give them the story they \"deserve\", telling the best story", "the audience. These characters often become Mary Sues and gain increasing praise from", "course, the current plot is kind of hypocritical when it comes to intended", "of the story to, often despite vocal dislike from the audience. These characters", "character ease into the role of the mentor figure after they stop being", "is the reason why it's difficult to just have the character ease into", "daughter and goes out of their way to prevent them from going down", "first place. Or worse, makes the point that having self-confidence is evil. However,", "story to, often despite vocal dislike from the audience. These characters often become", "me realize there was a problem was when I wrote a short \"what", "time, none of the interesting character traits that they exhibit in the alternate", "creator's pet. I do feel like I relate to the character more than", "story showing what the world would be like if the character never turned", "that are unusual for a protagonist. For example, one notable feature of theirs", "a reality check for the Big Good, as no matter how leaderly the", "external advice and there's a lot to unpack. The tl;dr: question I'm trying", "I am worried about this character becoming a [creator’s pet](https://tvtropes.org/pmwiki/pmwiki.php/Main/CreatorsPet). For context, a", "for all the protagonists' concern they raised her right). On the other hand,", "give an idea of their personality. I am worried about this character becoming", "[creator’s pet](https://tvtropes.org/pmwiki/pmwiki.php/Main/CreatorsPet). For context, a creator’s pet is a character that the writer", "increasing praise from other characters in the story, even if they don't deserve", "the protagonists on not being so shy, repressed, and self-hating come across as", "This is the reason why it's difficult to just have the character ease", "afraid of ruining it. But by that point any chance the villain has", "because they were once in the exact same situation as them and they", "they raised her right). On the other hand, the fact that the villain", "ever show up in the original redemption arc. Instead they come off as", "true colors and are defeated by the protagonist. They come off as a", "bad characters, but they do fall into the issue of being less proactive", "write for. One thing I have made sure to do is make sure", "of the themes (of course, the current plot is kind of hypocritical when", "they consider this character to be probably the most (or second-most) interesting character", "to write with little catharsis for the reader (which is bad). I have", "\"villain\" thing](https://i.kym-cdn.com/entries/icons/facebook/000/025/252/tumblr_oua2lo1tjI1sjmxd2o1_540.jpg) that got them into this mess in the first place. Or", "self-hating everymen (the protagonists aren’t bad characters, but they do fall into the", "having a case of perma-PTSD over what they have done and never manage", "and worldview, is very memorable in visual design, they are a highly sympathetic", "role of the mentor figure after they stop being a villain. In the", "believe a single one of their villainous actions was justified, however, I understand", "bounce off each other. There are easily recognizable reasons why this character is", "a short \"what if\" story showing what the world would be like if", "despite vocal dislike from the audience. These characters often become Mary Sues and", "many of my others. I don't believe a single one of their villainous", "of potential that wasn't being utilized and tried penciling in a redemption arc", "world would be like if the character never turned to evil. Normally when", "(i.e., Odysseus, Batman, Qpeqlack Bilmec). Their potential for kindness also feels natural given", "readers have told me they consider this character to be probably the most", "[that's seen as a \"villain\" thing](https://i.kym-cdn.com/entries/icons/facebook/000/025/252/tumblr_oua2lo1tjI1sjmxd2o1_540.jpg) that got them into this mess in", "an idea of their personality. *I am worried about this character becoming a", "a large role in the initial idea for a redemption arc (who is", "the two leads), specifically the two protagonists' daughter. This is the reason why", "character in the story, so at least there is some reason to believe", "protagonist. They come off as a weird mix of Mr. Hmaeze (from Batman:", "there is a plot of \"what if the villain was good\" it comes", "they are forced to deal with the consequences for them. What really made", "unhappy to make them more memorable, but I feel like I'm wasting potential", "mean eliminating a lot of important moments that evoke powerful emotions and define", "reinforcement, and positive role model (which one of the protagonists otherwise never gets", "off as more original and a better protagonist than the actual protagonists, who", "they work better as an anti-hero or anti-villain than a straight villain. In", "no longer being an antagonist), as well as potentially damaging some of the", "they come off as more original and a better protagonist than the actual", "in the exact same situation as them and they know how they feel", "show the daughter has the potential to be altruistic and heroic despite being", "that plays a large role in the initial idea for a redemption arc", "For example, this character's story is supposed to be a reality check for", "interests onto the audience. I am self-aware enough to recognize some of my", "otherwise never gets and comes off as putting on a brave face for", "weird mix of Mr. Hmaeze (from Batman: The Animated Series), Dark Willow (from", "writer usually adores or relates to personally and devotes an ever-increasing proportion of", "them into this mess in the first place. Or worse, makes the point", "redemption arcs. Honestly they feel like they work better as an anti-hero or", "come across as a lot more heartfelt because they were once in the", "plot the fact that the daughter is willing to give the villain a", "first place to give this character a bigger role and more time to", "is so interesting. The character has an interesting backstory, personality, and worldview, is", "say and many of these things were never said in the main timeline.", "little success. Sorry for all the additional context, I've thought a lot about", "a brave face for the sake of everyone else). Specifically, their comments to", "place. Or worse, makes the point that having self-confidence is evil. However, making", "example of \"you can take pride in who you are and not be", "to swap timelines in the first place to give this character a bigger", "be like if the character never turned to evil. Normally when there is", "acting as a mentor/parental figure, source of positive reinforcement, and positive role model", "a common \"villain\" trait (which is why I gave it to them), but", "villain. In some ways they come off as more original and a better", "are a highly sympathetic [Woobie, Destroyer of Worlds](https://tvtropes.org/pmwiki/pmwiki.php/Main/WoobieDestroyerOfWorlds), and has a number of", "I really like. They were originally intended to be the main villain for", "or the Big Good during their redemption arc. Even though they have a", "well as potentially damaging some of the themes (of course, the current plot", "series feels increasingly about being “the creator’s pet’s story” instead of the actual", "as their guide. There are reasons for this, the two have excellent chemistry", "relate to the character more than many of my others. I don't believe", "friendship\" and more of \"beating up on the misguided outsider who honestly needs", "turns out the character still had a lot to say and many of", "main timeline would mean eliminating a lot of important moments that evoke powerful", "the fact that I am even tempted to swap timelines in the first", "some ways they come off as more original and a better protagonist than", "is power through and give them the story they \"deserve\", telling the best", "anti-hero or anti-villain than a straight villain. In some ways they come off", "(which is why I gave it to them), but is rarer in heroes", "do regret their actions and have the chance to redeem themselves. The two", "mentor figure to the protagonist before they reveal their true colors and are", "out of their way to prevent them from going down the same path", "of my own failings in this character potentially becoming a creator's pet. I", "initial idea for a redemption arc (who is the fourth most developed character", "A villain, even reformed villain, making those comments comes off as hollow because", "raised her right). On the other hand, the fact that the villain recognizes", "never seem to take full advantage of it as a character. Honestly, the", "Good and their introduction to the hidden world, but I am finding it", "and more average). I'm fine with this character being the tritagonist but I", "the origin of the Big Good and their introduction to the hidden world,", "a prequel idea that was supposed to focus on the origin of the", "kindness despite her parents refusing to recognize that they have changed and the", "context is kind of long... I am worried this character is kind of", "worse, makes the point that having self-confidence is evil. However, making this \"what", "the character that plays a large role in the initial idea for a", "enough to recognize some of my own failings in this character potentially becoming", "of Worlds](https://tvtropes.org/pmwiki/pmwiki.php/Main/WoobieDestroyerOfWorlds), and has a number of traits that are unusual for a", "an example of \"you can take pride in who you are and not", "working on a prequel idea that was supposed to focus on the origin", "There are easily recognizable reasons why this character is so interesting. The character", "becoming a [creator’s pet](https://tvtropes.org/pmwiki/pmwiki.php/Main/CreatorsPet). For context, a creator’s pet is a character that", "come off as an example of \"you can take pride in who you", "two have excellent chemistry and the problematic character makes an excellent foil and", "more time to interact with the protagonists, even if it is to provoke", "never turned to evil. Normally when there is a plot of \"what if", "reasons why this character is so interesting. The character has an interesting backstory,", "unusual for a protagonist. For example, one notable feature of theirs is their", "They were originally intended to be the main villain for a particular story", "confused teenager (and that for all the protagonists' concern they raised her right).", "for a creator's pet to me. For example, this character's story is supposed", "in the daughter and goes out of their way to prevent them from", "\"villain\" trait (which is why I gave it to them), but is rarer", "shy, repressed, and self-hating come across as a lot more heartfelt because they", "a story tumor. My beta readers have told me they consider this character", "prime examples of this. The actual context as to why I am worried", "way to prevent them from going down the same path shows they really", "arc of the series feels increasingly about being “the creator’s pet’s story” instead", "for this, the two have excellent chemistry and the problematic character makes an", "comes off less like \"defeating the horrible monster with the power of friendship\"", "them is long gone. At the same time, none of the interesting character", "cancer. The overall arc of the series feels increasingly about being “the creator’s", "off as constantly depressed and having a case of perma-PTSD over what they", "making this \"what if\" story the main timeline would mean eliminating a lot", "seen as a \"villain\" thing](https://i.kym-cdn.com/entries/icons/facebook/000/025/252/tumblr_oua2lo1tjI1sjmxd2o1_540.jpg) that got them into this mess in the", "had little success. Sorry for all the additional context, I've thought a lot", "the best friend of the series' Big Good and a fellow hero before", "actual protagonists. For example, I was working on a prequel idea that was", "have made sure to do is make sure the character has very well-defined", "wasting potential and the story feels too depressing to write with little catharsis", "be probably the most (or second-most) interesting character in the story, so at", "character becoming a [creator’s pet](https://tvtropes.org/pmwiki/pmwiki.php/Main/CreatorsPet). For context, a creator’s pet is a character", "felt they were really interesting and had a lot of potential that wasn't", "redeem themselves. The two have a really adorable platonic relationship that goes down", "vocal dislike from the audience. These characters often become Mary Sues and gain", "not just me projecting my own interests onto the audience. I am self-aware", "reveal their true colors and are defeated by the protagonist. They come off", "intended to be the main villain for a particular story arc and then", "their true colors and are defeated by the protagonist. They come off as", "the power of friendship\" and more of \"beating up on the misguided outsider", "this character a bigger role and more time to interact with the protagonists,", "of traits that are unusual for a protagonist. For example, one notable feature", "important moments that evoke powerful emotions and define the characters (not to mention", "source of conflict from the arc due to them no longer being an", "about this issue before seeking external advice and there's a lot to unpack.", "character's introduction to the hidden world with the future Big Good as their", "of this. The actual context as to why I am worried that my", "they have done and never manage to come to terms with it. They", "I am even tempted to swap timelines in the first place to give", "story, even if they don't deserve it. Wofloy Ptujher from Star Trek, Braac", "mentor figure after they stop being a villain. In the original plot the", "Qpeqlack Bilmec). Their potential for kindness also feels natural given their history as", "it's difficult to just have the character ease into the role of the", "in the story, so at least there is some reason to believe it's", "pet to me. For example, this character's story is supposed to be a", "The overall arc of the series feels increasingly about being “the creator’s pet’s", "their personality. I am worried about this character becoming a [creator’s pet](https://tvtropes.org/pmwiki/pmwiki.php/Main/CreatorsPet). For", "that are treated as such and that they are forced to deal with", "a lot to say and many of these things were never said in", "into the role of the mentor figure after they stop being a villain.", "traits that they exhibit in the alternate timeline (which they are supposed to", "to recognize that the plot as currently stands comes off less like \"defeating", "their introduction to the hidden world, but I am finding it increasingly focusing", "but they do fall into the issue of being less proactive and more", "evil\"). A villain, even reformed villain, making those comments comes off as hollow", "hollow because [that's seen as a \"villain\" thing](https://i.kym-cdn.com/entries/icons/facebook/000/025/252/tumblr_oua2lo1tjI1sjmxd2o1_540.jpg) that got them into this", "in the protagonists by acting as a mentor/parental figure, source of positive reinforcement,", "never manage to come to terms with it. They barely even talk with", "feature of theirs is their intelligence. Being highly intelligent is seen a common", "a weird mix of Mr. Hmaeze (from Batman: The Animated Series), Dark Willow", "being the tritagonist but I don't want them to become a story tumor.", "and the Uchiha Clan as a whole from Naruto are prime examples of", "in this character potentially becoming a creator's pet. I do feel like I", "themes because of this character anyway). Basically doing so means potentially erasing the", "timeline) ever show up in the original redemption arc. Instead they come off", "pride in who you are and not be evil\"). A villain, even reformed", "pet](https://tvtropes.org/pmwiki/pmwiki.php/Main/CreatorsPet).** For context, a creator’s pet is a character that the writer usually", "turned to evil. Normally when there is a plot of \"what if the", "proportion of the story to, often despite vocal dislike from the audience. These", "Wakfu) and Magneto, if that helps give an idea of their personality. *I", "character development in the protagonists by acting as a mentor/parental figure, source of", "narrative like a cancer. The overall arc of the series feels increasingly about", "story arc and then get killed off for good at the end, but", "\"beating up on the misguided outsider who honestly needs a hug more than", "come off as a weird mix of Mr. Hmaeze (from Batman: The Animated", "the protagonists, even if it is to provoke character development, just screams \"potential", "like if the character never turned to evil. Normally when there is a", "recognizes themselves in the daughter and goes out of their way to prevent", "have done and never manage to come to terms with it. They barely", "for the sake of everyone else). Specifically, their comments to the protagonists on", "really like. They were originally intended to be the main villain for a", "usually adores or relates to personally and devotes an ever-increasing proportion of the", "Big Good appears they are only human, as demonstrated by the fact that", "to give the villain a chance and treat them with kindness despite her", "the villain has to be a parental figure and mentor to the two", "to focus on the origin of the Big Good and their introduction to", "kindness also feels natural given their history as a hero rather than duck-taped", "through and give them the story they \"deserve\", telling the best story possible", "gave it to them), but is rarer in heroes unless it is their", "I'm afraid of ruining it. But by that point any chance the villain", "back to them). They also provoked positive character development in the protagonists by", "main timeline) ever show up in the original redemption arc. Instead they come", "made me realize there was a problem was when I wrote a short", "character more than many of my others. I don't believe a single one", "my character is in danger of falling into this role is described below.", "and self-hating come across as a lot more heartfelt because they were once", "the protagonists or the Big Good during their redemption arc. Even though they", "positive reinforcement, and positive role model (which one of the protagonists otherwise never", "that point any chance the villain has to be a parental figure and", "the two leads and help them is long gone. At the same time,", "arc. Even though they have a redemption arc they never seem to take", "her right). On the other hand, the fact that the villain recognizes themselves", "for me to do if I like the character is power through and", "was good\" it comes off as shallow wish fulfillment, but in this case", "reformed villain, making those comments comes off as hollow because [that's seen as", "the main timeline would mean eliminating a lot of important moments that evoke", "take full advantage of it as a character. Honestly, the fact that I", "worried about this character becoming a [creator’s pet](https://tvtropes.org/pmwiki/pmwiki.php/Main/CreatorsPet). For context, a creator’s pet", "with the consequences for them. What really made me realize there was a", "this character becoming a [creator’s pet](https://tvtropes.org/pmwiki/pmwiki.php/Main/CreatorsPet). For context, a creator’s pet is a", "and treat them with kindness despite her parents refusing to recognize that they", "the Big Good during their redemption arc. Even though they have a redemption", "is kind of \"taking over\" the narrative like a cancer. The overall arc", "the Big Good by giving them someone who they could talk to as", "the source of conflict from the arc due to them no longer being", "For context, a creator’s pet is a character that the writer usually adores", "things were never said in the main timeline. Their presence humanized the Big", "to do if I like the character is power through and give them", "more memorable, but I feel like I'm wasting potential and the story feels", "of friendship\" and more of \"beating up on the misguided outsider who honestly", "and the story feels too depressing to write with little catharsis for the", "to them), but is rarer in heroes unless it is their primary gimmick", "mix of Mr. Hmaeze (from Batman: The Animated Series), Dark Willow (from Buffy),", "supposed to focus on the origin of the Big Good and their introduction", "the issue of being less proactive and more average). I'm fine with this", "For example, one notable feature of theirs is their intelligence. Being highly intelligent", "idea for a redemption arc (who is the fourth most developed character after", "as a character. Honestly, the fact that I am even tempted to swap", "them and they know how they feel (and they come off as an", "particular story arc and then get killed off for good at the end,", "are prime examples of this. The actual context as to why I am", "the original plot the fact that the daughter is willing to give the", "future Big Good, and it's fun watching them bounce off each other. There", "additional context, I've thought a lot about this issue before seeking external advice", "the additional context, I've thought a lot about this issue before seeking external", "I have been trying to find a middle ground between the two plot", "on the origin of the Big Good and their introduction to the hidden", "(the protagonists aren’t bad characters, but they do fall into the issue of", "terms with it. They barely even talk with the protagonists or the Big", "never gets and comes off as putting on a brave face for the", "memorable, but I feel like I'm wasting potential and the story feels too", "why I gave it to them), but is rarer in heroes unless it", "current plot is kind of hypocritical when it comes to intended themes because", "\"you can take pride in who you are and not be evil\"). A", "Big Good, and it's fun watching them bounce off each other. There are", "then get killed off for good at the end, but I felt they", "as to why I am worried that my character is in danger of", "as a lot more heartfelt because they were once in the exact same", "are unusual for a protagonist. For example, one notable feature of theirs is", "do feel like I relate to the character more than many of my", "to prevent them from going down the same path shows they really do", "arc. Instead they come off as constantly depressed and having a case of", "point that having self-confidence is evil. However, making this \"what if\" story the", "of falling into this role is described below. Be warned, this context is", "\"what if the villain was good\" it comes off as shallow wish fulfillment,", "creator’s pet’s story” instead of the actual protagonists. For example, I was working", "as currently stands comes off less like \"defeating the horrible monster with the", "history as a hero rather than duck-taped on as with many villains with", "because [that's seen as a \"villain\" thing](https://i.kym-cdn.com/entries/icons/facebook/000/025/252/tumblr_oua2lo1tjI1sjmxd2o1_540.jpg) that got them into this mess", "to the protagonists on not being so shy, repressed, and self-hating come across", "My beta readers have told me they consider this character to be probably", "from other characters in the story, even if they don't deserve it. Wofloy", "to take full advantage of it as a character. Honestly, the fact that", "lot of important moments that evoke powerful emotions and define the characters (not", "their primary gimmick (i.e., Odysseus, Batman, Qpeqlack Bilmec). Their potential for kindness also", "are forced to deal with the consequences for them. What really made me", "originally intended to be the main villain for a particular story arc and", "this character is kind of \"taking over\" the narrative like a cancer. The", "interesting character traits that they exhibit in the alternate timeline (which they are", "below. Be warned, this context is kind of long... I am worried this", "emotions and define the characters (not to mention removing the source of conflict", "wrote a short \"what if\" story showing what the world would be like", "the exact same situation as them and they know how they feel (and", "Their potential for kindness also feels natural given their history as a hero", "have told me they consider this character to be probably the most (or", "the sake of everyone else). Specifically, their comments to the protagonists on not", "drain if things change. The daughter's character arc is really good and I'm", "off each other. There are easily recognizable reasons why this character is so", "bad). I have been trying to find a middle ground between the two", "consequences for them. What really made me realize there was a problem was", "“the creator’s pet’s story” instead of the actual protagonists. For example, I was", "relates to personally and devotes an ever-increasing proportion of the story to, often", "is to provoke character development, just screams \"potential creator's pet\" to me. I", "a middle ground between the two plot ideas, but have had little success.", "the story they \"deserve\", telling the best story possible even if it's unhappy", "was originally the best friend of the series' Big Good and a fellow", "of theirs is their intelligence. Being highly intelligent is seen a common \"villain\"", "and then get killed off for good at the end, but I felt", "as shallow wish fulfillment, but in this case it turns out the character", "showing what the world would be like if the character never turned to", "said in the main timeline. Their presence humanized the Big Good by giving", "character after the problematic one and the two leads), specifically the two protagonists'", "turning to evil, comes back posing as a mentor figure to the protagonist", "this character being the tritagonist but I don't want them to become a", "daughter's character arc is really good and I'm afraid of ruining it. But", "good and I'm afraid of ruining it. But by that point any chance", "even tempted to swap timelines in the first place to give this character", "two plot ideas, but have had little success. Sorry for all the additional", "story they \"deserve\", telling the best story possible even if it's unhappy to", "original redemption arc. Instead they come off as constantly depressed and having a", "Honestly they feel like they work better as an anti-hero or anti-villain than", "good at the end, but I felt they were really interesting and had", "villain was good\" it comes off as shallow wish fulfillment, but in this", "the chance to redeem themselves. The two have a really adorable platonic relationship", "overall arc of the series feels increasingly about being “the creator’s pet’s story”", "is make sure the character has very well-defined flaws that are treated as", "main timeline. Their presence humanized the Big Good by giving them someone who", "others. I don't believe a single one of their villainous actions was justified,", "all the additional context, I've thought a lot about this issue before seeking", "it as a character. Honestly, the fact that I am even tempted to", "are and not be evil\"). A villain, even reformed villain, making those comments", "interesting. The character has an interesting backstory, personality, and worldview, is very memorable", "feel (and they come off as an example of \"you can take pride", "who come off as reactive, self-hating everymen (the protagonists aren’t bad characters, but", "presence humanized the Big Good by giving them someone who they could talk", "the audience. I am self-aware enough to recognize some of my own failings", "talk to as an equal (and who talked back to them). They also", "reason to believe it's not just me projecting my own interests onto the", "the main villain for a particular story arc and then get killed off", "the problematic character's introduction to the hidden world with the future Big Good", "I am finding it increasingly focusing on the problematic character's introduction to the", "with it. They barely even talk with the protagonists or the Big Good", "The Animated Series), Dark Willow (from Buffy), Girth Vedur, Nox (from Wakfu) and", "relationship that goes down the drain if things change. The daughter's character arc", "between the two plot ideas, but have had little success. Sorry for all", "damaging some of the themes (of course, the current plot is kind of", "a creator's pet. I do feel like I relate to the character more", "tritagonist but I don't want them to become a story tumor. My beta", "really made me realize there was a problem was when I wrote a", "during their redemption arc. Even though they have a redemption arc they never", "many villains with redemption arcs. Honestly they feel like they work better as", "and had a lot of potential that wasn't being utilized and tried penciling", "redemption arc they never seem to take full advantage of it as a", "themes (of course, the current plot is kind of hypocritical when it comes", "like the character is power through and give them the story they \"deserve\",", "are supposed to have even in the main timeline) ever show up in", "own interests onto the audience. I am self-aware enough to recognize some of", "be a parental figure and mentor to the two leads and help them", "and the problematic character makes an excellent foil and Wekcon for the future", "Destroyer of Worlds](https://tvtropes.org/pmwiki/pmwiki.php/Main/WoobieDestroyerOfWorlds), and has a number of traits that are unusual for", "the writer usually adores or relates to personally and devotes an ever-increasing proportion", "a creator's pet to me. For example, this character's story is supposed to", "in the first place to give this character a bigger role and more", "I'm trying to ask here is how do I stop this character from", "make them more memorable, but I feel like I'm wasting potential and the", "of \"taking over\" the narrative like a cancer. The overall arc of the", "figure, source of positive reinforcement, and positive role model (which one of the", "they come off as constantly depressed and having a case of perma-PTSD over", "of their personality. I am worried about this character becoming a [creator’s pet](https://tvtropes.org/pmwiki/pmwiki.php/Main/CreatorsPet).", "potentially becoming a creator's pet. I do feel like I relate to the", "same path shows they really do regret their actions and have the chance", "excellent foil and Wekcon for the future Big Good, and it's fun watching", "them), but is rarer in heroes unless it is their primary gimmick (i.e.,", "villain, even reformed villain, making those comments comes off as hollow because [that's", "Batman: The Animated Series), Dark Willow (from Buffy), Girth Vedur, Nox (from Wakfu)", "thing for me to do if I like the character is power through", "main villain for a particular story arc and then get killed off for", "them more memorable, but I feel like I'm wasting potential and the story", "when I wrote a short \"what if\" story showing what the world would", "really do regret their actions and have the chance to redeem themselves. The", "Specifically, their comments to the protagonists on not being so shy, repressed, and", "that was supposed to focus on the origin of the Big Good and", "despite being a bratty, confused teenager (and that for all the protagonists' concern", "context, a creator’s pet is a character that the writer usually adores or", "her parents refusing to recognize that they have changed and the daughter having", "my own interests onto the audience. I am self-aware enough to recognize some", "a hero rather than duck-taped on as with many villains with redemption arcs.", "everyone else). Specifically, their comments to the protagonists on not being so shy,", "have changed and the daughter having her own problems to deal with is", "as hollow because [that's seen as a \"villain\" thing](https://i.kym-cdn.com/entries/icons/facebook/000/025/252/tumblr_oua2lo1tjI1sjmxd2o1_540.jpg) that got them into", "from Naruto* are prime examples of this. The actual context as to why", "a lot about this issue before seeking external advice and there's a lot", "the character still had a lot to say and many of these things", "\"taking over\" the narrative like a cancer. The overall arc of the series", "become a story tumor. My beta readers have told me they consider this", "character sympathetic and myself and my beta readers like the characters in the", "help them is long gone. At the same time, none of the interesting", "supposed to be a reality check for the Big Good, as no matter", "and positive role model (which one of the protagonists otherwise never gets and", "character traits that they exhibit in the alternate timeline (which they are supposed", "not be evil\"). A villain, even reformed villain, making those comments comes off", "less like \"defeating the horrible monster with the power of friendship\" and more", "it's not just me projecting my own interests onto the audience. I am", "to interact with the protagonists, even if it is to provoke character development,", "sounds like a recipe for a creator's pet to me. For example, this", "I do feel like I relate to the character more than many of", "it is to provoke character development, just screams \"potential creator's pet\" to me.", "that made the character sympathetic and myself and my beta readers like the", "to me. I realize the best thing for me to do if I", "Their presence humanized the Big Good by giving them someone who they could", "come off as constantly depressed and having a case of perma-PTSD over what", "this character anyway). Basically doing so means potentially erasing the moments that made", "creator's pet\" to me. I realize the best thing for me to do", "Basically doing so means potentially erasing the moments that made the character sympathetic", "fellow hero before turning to evil, comes back posing as a mentor figure", "be a reality check for the Big Good, as no matter how leaderly", "the story to, often despite vocal dislike from the audience. These characters often", "potential to be altruistic and heroic despite being a bratty, confused teenager (and", "idea of their personality. I am worried about this character becoming a [creator’s", "However, making this \"what if\" story the main timeline would mean eliminating a", "shows they really do regret their actions and have the chance to redeem", "who talked back to them). They also provoked positive character development in the", "makes the point that having self-confidence is evil. However, making this \"what if\"", "realize there was a problem was when I wrote a short \"what if\"", "of \"beating up on the misguided outsider who honestly needs a hug more", "such and that they are forced to deal with the consequences for them.", "to recognize that they have changed and the daughter having her own problems", "character was originally the best friend of the series' Big Good and a", "a redemption arc they never seem to take full advantage of it as", "described below. Be warned, this context is kind of long... I am worried", "to deal with the consequences for them. What really made me realize there", "how leaderly the Big Good appears they are only human, as demonstrated by", "I feel like I'm wasting potential and the story feels too depressing to", "unpack. The tl;dr: question I'm trying to ask here is how do I", "problematic character's introduction to the hidden world with the future Big Good as", "character has an interesting backstory, personality, and worldview, is very memorable in visual", "one of their villainous actions was justified, however, I understand their feelings of", "for the future Big Good, and it's fun watching them bounce off each", "am worried that my character is in danger of falling into this role", "ganged up on\". They're also really easy to write for. One thing I", "a fellow hero before turning to evil, comes back posing as a mentor", "so interesting. The character has an interesting backstory, personality, and worldview, is very", "due to them no longer being an antagonist), as well as potentially damaging", "devotes an ever-increasing proportion of the story to, often despite vocal dislike from", "interesting character in the story, so at least there is some reason to", "tumor. My beta readers have told me they consider this character to be", "story” instead of the actual protagonists. For example, I was working on a", "them. The character was originally the best friend of the series' Big Good", "a problem was when I wrote a short \"what if\" story showing what", "and their introduction to the hidden world, but I am finding it increasingly", "The two have a really adorable platonic relationship that goes down the drain", "villainous actions was justified, however, I understand their feelings of ostracism enough to", "forced to deal with the consequences for them. What really made me realize", "I'm fine with this character being the tritagonist but I don't want them", "fall into the issue of being less proactive and more average). I'm fine", "(not to mention removing the source of conflict from the arc due to", "have even in the main timeline) ever show up in the original redemption", "the characterization of the character that plays a large role in the initial", "to deal with is used to show the daughter has the potential to", "of their villainous actions was justified, however, I understand their feelings of ostracism", "future Big Good as their guide. There are reasons for this, the two", "as constantly depressed and having a case of perma-PTSD over what they have", "best thing for me to do if I like the character is power", "of important moments that evoke powerful emotions and define the characters (not to", "the problematic character makes an excellent foil and Wekcon for the future Big", "given their history as a hero rather than duck-taped on as with many", "hug more than being ganged up on\". They're also really easy to write", "of their way to prevent them from going down the same path shows", "a \"villain\" thing](https://i.kym-cdn.com/entries/icons/facebook/000/025/252/tumblr_oua2lo1tjI1sjmxd2o1_540.jpg) that got them into this mess in the first place.", "of Mr. Hmaeze (from Batman: The Animated Series), Dark Willow (from Buffy), Girth", "character that the writer usually adores or relates to personally and devotes an", "dislike from the audience. These characters often become Mary Sues and gain increasing", "Be warned, this context is kind of long... I am worried this character", "doing so means potentially erasing the moments that made the character sympathetic and", "their redemption arc. Even though they have a redemption arc they never seem", "a redemption arc (who is the fourth most developed character after the problematic", "destroys the characterization of the character that plays a large role in the", "other hand, the fact that the villain recognizes themselves in the daughter and", "of \"you can take pride in who you are and not be evil\").", "but in this case it turns out the character still had a lot", "onto the audience. I am self-aware enough to recognize some of my own", "depressed and having a case of perma-PTSD over what they have done and", "fact that I am even tempted to swap timelines in the first place", "their actions and have the chance to redeem themselves. The two have a", "with this character being the tritagonist but I don't want them to become", "of \"what if the villain was good\" it comes off as shallow wish", "understand their feelings of ostracism enough to recognize that the plot as currently", "example, one notable feature of theirs is their intelligence. Being highly intelligent is", "a lot more heartfelt because they were once in the exact same situation", "of this character anyway). Basically doing so means potentially erasing the moments that", "I was working on a prequel idea that was supposed to focus on", "to them no longer being an antagonist), as well as potentially damaging some", "has very well-defined flaws that are treated as such and that they are", "have a really adorable platonic relationship that goes down the drain if things", "or anti-villain than a straight villain. In some ways they come off as", "characters in the story, even if they don't deserve it. Wofloy Ptujher from", "is described below. Be warned, this context is kind of long... I am", "Even though they have a redemption arc they never seem to take full", "after they stop being a villain. In the original plot the fact that", "ask here is *how do I stop this character from becoming a creator's", "alternate timeline (which they are supposed to have even in the main timeline)", "of conflict from the arc due to them no longer being an antagonist),", "and has a number of traits that are unusual for a protagonist. For", "the reason why it's difficult to just have the character ease into the", "many of these things were never said in the main timeline. Their presence", "on the problematic character's introduction to the hidden world with the future Big", "the fact that the daughter is willing to give the villain a chance", "worldview, is very memorable in visual design, they are a highly sympathetic [Woobie,", "having her own problems to deal with is used to show the daughter", "Animated Series), Dark Willow (from Buffy), Girth Vedur, Nox (from Wakfu) and Magneto,", "so shy, repressed, and self-hating come across as a lot more heartfelt because", "feel like they work better as an anti-hero or anti-villain than a straight", "make sure the character has very well-defined flaws that are treated as such", "as such and that they are forced to deal with the consequences for", "beta readers have told me they consider this character to be probably the", "is supposed to be a reality check for the Big Good, as no", "even in the main timeline) ever show up in the original redemption arc.", "this context is kind of long... I am worried this character is kind", "in the original redemption arc. Instead they come off as constantly depressed and", "being a bratty, confused teenager (and that for all the protagonists' concern they", "figure after they stop being a villain. In the original plot the fact", "to redeem themselves. The two have a really adorable platonic relationship that goes", "guide. There are reasons for this, the two have excellent chemistry and the", "to say and many of these things were never said in the main", "role is described below. Be warned, this context is kind of long... I", "I don't believe a single one of their villainous actions was justified, however,", "large role in the initial idea for a redemption arc (who is the", "by that point any chance the villain has to be a parental figure", "has to be a parental figure and mentor to the two leads and", "lot about this issue before seeking external advice and there's a lot to", "don't deserve it. Wofloy Ptujher from Star Trek, Braac Friyfun from Family Guy,", "case of perma-PTSD over what they have done and never manage to come", "hidden world with the future Big Good as their guide. There are reasons", "Good as their guide. There are reasons for this, the two have excellent", "to why I am worried that my character is in danger of falling", "issue of being less proactive and more average). I'm fine with this character", "teenager (and that for all the protagonists' concern they raised her right). On", "they have changed and the daughter having her own problems to deal with", "as a weird mix of Mr. Hmaeze (from Batman: The Animated Series), Dark", "as demonstrated by the fact that they couldn't save their best friend from", "the first place. Or worse, makes the point that having self-confidence is evil.", "character is so interesting. The character has an interesting backstory, personality, and worldview,", "the arc due to them no longer being an antagonist), as well as", "and help them is long gone. At the same time, none of the", "same time, none of the interesting character traits that they exhibit in the", "my others. I don't believe a single one of their villainous actions was", "timelines in the first place to give this character a bigger role and", "constantly depressed and having a case of perma-PTSD over what they have done", "the world would be like if the character never turned to evil. Normally", "this \"what if\" story the main timeline would mean eliminating a lot of", "anyway). Basically doing so means potentially erasing the moments that made the character", "sympathetic and myself and my beta readers like the characters in the first", "are defeated by the protagonist. They come off as a weird mix of", "it comes to intended themes because of this character anyway). Basically doing so", "after the problematic one and the two leads), specifically the two protagonists' daughter.", "gets and comes off as putting on a brave face for the sake", "more than many of my others. I don't believe a single one of", "lot of potential that wasn't being utilized and tried penciling in a redemption", "the Big Good, as no matter how leaderly the Big Good appears they", "I am self-aware enough to recognize some of my own failings in this", "arc due to them no longer being an antagonist), as well as potentially", "They come off as a weird mix of Mr. Hmaeze (from Batman: The", "the future Big Good, and it's fun watching them bounce off each other.", "design, they are a highly sympathetic [Woobie, Destroyer of Worlds](https://tvtropes.org/pmwiki/pmwiki.php/Main/WoobieDestroyerOfWorlds), and has a", "two have a really adorable platonic relationship that goes down the drain if", "Being highly intelligent is seen a common \"villain\" trait (which is why I", "if they don't deserve it. Wofloy Ptujher from Star Trek, Braac Friyfun from", "Mary Sues and gain increasing praise from other characters in the story, even", "with the future Big Good as their guide. There are reasons for this,", "of hypocritical when it comes to intended themes because of this character anyway).", "two protagonists' daughter. This is the reason why it's difficult to just have", "off for good at the end, but I felt they were really interesting", "the future Big Good as their guide. There are reasons for this, the", "ground between the two plot ideas, but have had little success. Sorry for", "that my character is in danger of falling into this role is described", "a hug more than being ganged up on\". They're also really easy to", "protagonists' concern they raised her right). On the other hand, the fact that", "this character to be probably the most (or second-most) interesting character in the", "off as reactive, self-hating everymen (the protagonists aren’t bad* characters, but they do", "these things were never said in the main timeline. Their presence humanized the", "with little catharsis for the reader (which is bad). I have been trying", "because of this character anyway). Basically doing so means potentially erasing the moments", "arc for them. The character was originally the best friend of the series'", "friend of the series' Big Good and a fellow hero before turning to", "protagonists aren’t bad characters, but they do fall into the issue of being", "trying to find a middle ground between the two plot ideas, but have", "the drain if things change. The daughter's character arc is really good and", "adorable platonic relationship that goes down the drain if things change. The daughter's", "They barely even talk with the protagonists or the Big Good during their", "Big Good and their introduction to the hidden world, but I am finding", "be the main villain for a particular story arc and then get killed", "they \"deserve\", telling the best story possible even if it's unhappy to make", "for good at the end, but I felt they were really interesting and", "and a better protagonist than the actual protagonists, who come off as reactive,", "one and the two leads), specifically the two protagonists' daughter. This is the", "to be probably the most (or second-most) interesting character in the story, so", "being ganged up on\". They're also really easy to write for. One thing", "and they know how they feel (and they come off as an example", "which sounds like a recipe for a creator's pet to me. For example,", "timeline (which they are supposed to have even in the main timeline) ever", "I felt they were really interesting and had a lot of potential that", "character potentially becoming a creator's pet. I do feel like I relate to", "the horrible monster with the power of friendship\" and more of \"beating up", "were originally intended to be the main villain for a particular story arc", "the Big Good appears they are only human, as demonstrated by the fact", "the character ease into the role of the mentor figure after they stop", "intelligent is seen a common \"villain\" trait (which is why I gave it", "to ask here is how do I stop this character from becoming a", "as a mentor/parental figure, source of positive reinforcement, and positive role model (which", "figure to the protagonist before they reveal their true colors and are defeated", "the character has very well-defined flaws that are treated as such and that", "off less like \"defeating the horrible monster with the power of friendship\" and", "personality. I am worried about this character becoming a [creator’s pet](https://tvtropes.org/pmwiki/pmwiki.php/Main/CreatorsPet).** For context,", "to personally and devotes an ever-increasing proportion of the story to, often despite", "I like the character is power through and give them the story they", "being “the creator’s pet’s story” instead of the actual protagonists. For example, I", "it. They barely even talk with the protagonists or the Big Good during", "leads), specifically the two protagonists' daughter. This is the reason why it's difficult", "character has very well-defined flaws that are treated as such and that they", "once in the exact same situation as them and they know how they", "and a fellow hero before turning to evil, comes back posing as a", "audience. These characters often become Mary Sues and gain increasing praise from other", "from the arc due to them no longer being an antagonist), as well", "they couldn't save their best friend from slipping into darkness. In particular, swapping", "even if they don't deserve it. Wofloy Ptujher from Star Trek, Braac Friyfun", "audience. I am self-aware enough to recognize some of my own failings in", "Wofloy Ptujher from Star Trek, Braac Friyfun from Family Guy, and the Uchiha", "this case it turns out the character still had a lot to say", "their comments to the protagonists on not being so shy, repressed, and self-hating", "on as with many villains with redemption arcs. Honestly they feel like they", "and never manage to come to terms with it. They barely even talk", "is rarer in heroes unless it is their primary gimmick (i.e., Odysseus, Batman,", "of my others. I don't believe a single one of their villainous actions", "case it turns out the character still had a lot to say and", "backstory, personality, and worldview, is very memorable in visual design, they are a", "hand, the fact that the villain recognizes themselves in the daughter and goes", "here is how do I stop this character from becoming a creator's pet?", "in the first place. Or worse, makes the point that having self-confidence is", "the moments that made the character sympathetic and myself and my beta readers", "done and never manage to come to terms with it. They barely even", "who you are and not be evil\"). A villain, even reformed villain, making", "the characters (not to mention removing the source of conflict from the arc", "so means potentially erasing the moments that made the character sympathetic and myself", "be altruistic and heroic despite being a bratty, confused teenager (and that for", "to be a reality check for the Big Good, as no matter how", "to make them more memorable, but I feel like I'm wasting potential and", "telling the best story possible even if it's unhappy to make them more", "currently stands comes off less like \"defeating the horrible monster with the power", "just screams \"potential creator's pet\" to me. I realize the best thing for", "were really interesting and had a lot of potential that wasn't being utilized", "mentor to the two leads and help them is long gone. At the", "example, this character's story is supposed to be a reality check for the", "comes to intended themes because of this character anyway). Basically doing so means", "their history as a hero rather than duck-taped on as with many villains", "the protagonist before they reveal their true colors and are defeated by the", "the alternate timeline (which they are supposed to have even in the main", "middle ground between the two plot ideas, but have had little success. Sorry", "got them into this mess in the first place. Or worse, makes the", "Honestly, the fact that I am even tempted to swap timelines in the", "Bilmec). Their potential for kindness also feels natural given their history as a", "projecting my own interests onto the audience. I am self-aware enough to recognize", "I understand their feelings of ostracism enough to recognize that the plot as", "the best thing for me to do if I like the character is", "it to them), but is rarer in heroes unless it is their primary", "self-aware enough to recognize some of my own failings in this character potentially", "it. But by that point any chance the villain has to be a", "as well as potentially damaging some of the themes (of course, the current", "Hmaeze (from Batman: The Animated Series), Dark Willow (from Buffy), Girth Vedur, Nox", "model (which one of the protagonists otherwise never gets and comes off as", "and that they are forced to deal with the consequences for them. What", "outsider who honestly needs a hug more than being ganged up on\". They're", "redemption arc for them. The character was originally the best friend of the", "being a villain. In the original plot the fact that the daughter is", "character. Honestly, the fact that I am even tempted to swap timelines in", "introduction to the hidden world, but I am finding it increasingly focusing on", "rather than duck-taped on as with many villains with redemption arcs. Honestly they", "a chance and treat them with kindness despite her parents refusing to recognize", "advice and there's a lot to unpack. The tl;dr: question I'm trying to", "The character has an interesting backstory, personality, and worldview, is very memorable in", "Guy, and the Uchiha Clan as a whole from Naruto* are prime examples", "as more original and a better protagonist than the actual protagonists, who come", "they are supposed to have even in the main timeline) ever show up", "the Uchiha Clan as a whole from Naruto are prime examples of this.", "There are reasons for this, the two have excellent chemistry and the problematic", "But by that point any chance the villain has to be a parental", "feels increasingly about being “the creator’s pet’s story” instead of the actual protagonists.", "can take pride in who you are and not be evil\"). A villain,", "Good, and it's fun watching them bounce off each other. There are easily", "equal (and who talked back to them). They also provoked positive character development", "would mean eliminating a lot of important moments that evoke powerful emotions and", "Good and a fellow hero before turning to evil, comes back posing as", "that the plot as currently stands comes off less like \"defeating the horrible", "seen a common \"villain\" trait (which is why I gave it to them),", "though they have a redemption arc they never seem to take full advantage", "the daughter is willing to give the villain a chance and treat them", "redemption arc. Instead they come off as constantly depressed and having a case", "than the actual protagonists, who come off as reactive, self-hating everymen (the protagonists", "they never seem to take full advantage of it as a character. Honestly,", "in the first place, which sounds like a recipe for a creator's pet", "character that I really like. They were originally intended to be the main", "they stop being a villain. In the original plot the fact that the", "this mess in the first place. Or worse, makes the point that having", "villain for a particular story arc and then get killed off for good", "some of the themes (of course, the current plot is kind of hypocritical", "matter how leaderly the Big Good appears they are only human, as demonstrated", "character being the tritagonist but I don't want them to become a story", "In the original plot the fact that the daughter is willing to give", "when there is a plot of \"what if the villain was good\" it", "and gain increasing praise from other characters in the story, even if they", "the misguided outsider who honestly needs a hug more than being ganged up", "fulfillment, but in this case it turns out the character still had a", "and myself and my beta readers like the characters in the first place,", "that the daughter is willing to give the villain a chance and treat", "parents refusing to recognize that they have changed and the daughter having her", "focusing on the problematic character's introduction to the hidden world with the future", "villain recognizes themselves in the daughter and goes out of their way to", "give them the story they \"deserve\", telling the best story possible even if", "has a number of traits that are unusual for a protagonist. For example,", "made sure to do is make sure the character has very well-defined flaws", "protagonist before they reveal their true colors and are defeated by the protagonist.", "personally and devotes an ever-increasing proportion of the story to, often despite vocal", "like. They were originally intended to be the main villain for a particular", "had a lot of potential that wasn't being utilized and tried penciling in", "but I am finding it increasingly focusing on the problematic character's introduction to", "long gone. At the same time, none of the interesting character traits that", "a straight villain. In some ways they come off as more original and", "with is used to show the daughter has the potential to be altruistic", "bigger role and more time to interact with the protagonists, even if it", "they have a redemption arc they never seem to take full advantage of", "more of \"beating up on the misguided outsider who honestly needs a hug", "they exhibit in the alternate timeline (which they are supposed to have even", "as putting on a brave face for the sake of everyone else). Specifically,", "becoming a creator's pet. I do feel like I relate to the character", "that goes down the drain if things change. The daughter's character arc is", "potential that wasn't being utilized and tried penciling in a redemption arc for", "character development, just screams \"potential creator's pet\" to me. I realize the best", "I have made sure to do is make sure the character has very", "moments that evoke powerful emotions and define the characters (not to mention removing", "wish fulfillment, but in this case it turns out the character still had", "removing the source of conflict from the arc due to them no longer", "the series feels increasingly about being “the creator’s pet’s story” instead of the", "also provoked positive character development in the protagonists by acting as a mentor/parental", "they don't deserve it. Wofloy Ptujher from Star Trek, Braac Friyfun from Family", "at least there is some reason to believe it's not just me projecting", "timelines completely destroys the characterization of the character that plays a large role", "redemption arc (who is the fourth most developed character after the problematic one", "despite her parents refusing to recognize that they have changed and the daughter", "provoke character development, just screams \"potential creator's pet\" to me. I realize the", "and more time to interact with the protagonists, even if it is to", "in the initial idea for a redemption arc (who is the fourth most", "come off as reactive, self-hating everymen (the protagonists aren’t bad* characters, but they", "single one of their villainous actions was justified, however, I understand their feelings", "to believe it's not just me projecting my own interests onto the audience.", "success. Sorry for all the additional context, I've thought a lot about this", "examples of this. The actual context as to why I am worried that", "story feels too depressing to write with little catharsis for the reader (which", "story possible even if it's unhappy to make them more memorable, but I", "originally the best friend of the series' Big Good and a fellow hero", "the story, even if they don't deserve it. Wofloy Ptujher from Star Trek,", "focus on the origin of the Big Good and their introduction to the", "source of positive reinforcement, and positive role model (which one of the protagonists", "chance the villain has to be a parental figure and mentor to the", "the character is power through and give them the story they \"deserve\", telling", "slipping into darkness. In particular, swapping the timelines completely destroys the characterization of", "made the character sympathetic and myself and my beta readers like the characters", "being so shy, repressed, and self-hating come across as a lot more heartfelt", "and goes out of their way to prevent them from going down the", "work better as an anti-hero or anti-villain than a straight villain. In some", "Good, as no matter how leaderly the Big Good appears they are only", "(from Batman: The Animated Series), Dark Willow (from Buffy), Girth Vedur, Nox (from", "penciling in a redemption arc for them. The character was originally the best", "Naruto are prime examples of this. The actual context as to why I", "trait (which is why I gave it to them), but is rarer in", "\"what if\" story showing what the world would be like if the character", "(which they are supposed to have even in the main timeline) ever show", "what they have done and never manage to come to terms with it.", "Magneto, if that helps give an idea of their personality. *I am worried", "their guide. There are reasons for this, the two have excellent chemistry and", "this, the two have excellent chemistry and the problematic character makes an excellent", "and the two leads), specifically the two protagonists' daughter. This is the reason", "character anyway). Basically doing so means potentially erasing the moments that made the", "idea that was supposed to focus on the origin of the Big Good", "and heroic despite being a bratty, confused teenager (and that for all the", "them no longer being an antagonist), as well as potentially damaging some of", "They're also really easy to write for. One thing I have made sure", "provoked positive character development in the protagonists by acting as a mentor/parental figure,", "Friyfun from Family Guy, and the Uchiha Clan as a whole from Naruto", "ease into the role of the mentor figure after they stop being a", "Or worse, makes the point that having self-confidence is evil. However, making this", "Good by giving them someone who they could talk to as an equal", "the first place to give this character a bigger role and more time", "longer being an antagonist), as well as potentially damaging some of the themes", "want them to become a story tumor. My beta readers have told me", "killed off for good at the end, but I felt they were really", "them from going down the same path shows they really do regret their", "into the issue of being less proactive and more average). I'm fine with", "traits that are unusual for a protagonist. For example, one notable feature of", "characterization of the character that plays a large role in the initial idea", "a case of perma-PTSD over what they have done and never manage to", "if the character never turned to evil. Normally when there is a plot", "one notable feature of theirs is their intelligence. Being highly intelligent is seen", "for the reader (which is bad). I have been trying to find a", "actual protagonists, who come off as reactive, self-hating everymen (the protagonists aren’t bad", "protagonist than the actual protagonists, who come off as reactive, self-hating everymen (the", "into this role is described below. Be warned, this context is kind of", "sure the character has very well-defined flaws that are treated as such and", "reality check for the Big Good, as no matter how leaderly the Big", "their feelings of ostracism enough to recognize that the plot as currently stands", "a highly sympathetic [Woobie, Destroyer of Worlds](https://tvtropes.org/pmwiki/pmwiki.php/Main/WoobieDestroyerOfWorlds), and has a number of traits", "has the potential to be altruistic and heroic despite being a bratty, confused", "do if I like the character is power through and give them the", "to evil. Normally when there is a plot of \"what if the villain", "you are and not be evil\"). A villain, even reformed villain, making those", "up in the original redemption arc. Instead they come off as constantly depressed", "difficult to just have the character ease into the role of the mentor", "villain. In the original plot the fact that the daughter is willing to", "supposed to have even in the main timeline) ever show up in the", "protagonists' daughter. This is the reason why it's difficult to just have the", "seem to take full advantage of it as a character. Honestly, the fact", "a whole from Naruto* are prime examples of this. The actual context as", "each other. There are easily recognizable reasons why this character is so interesting.", "is some reason to believe it's not just me projecting my own interests", "to become a story tumor. My beta readers have told me they consider", "like \"defeating the horrible monster with the power of friendship\" and more of", "to just have the character ease into the role of the mentor figure", "Big Good as their guide. There are reasons for this, the two have", "to be the main villain for a particular story arc and then get", "treat them with kindness despite her parents refusing to recognize that they have", "the villain a chance and treat them with kindness despite her parents refusing", "about this character becoming a [creator’s pet](https://tvtropes.org/pmwiki/pmwiki.php/Main/CreatorsPet).** For context, a creator’s pet is", "or relates to personally and devotes an ever-increasing proportion of the story to,", "everymen (the protagonists aren’t bad characters, but they do fall into the issue", "thought a lot about this issue before seeking external advice and there's a", "screams \"potential creator's pet\" to me. I realize the best thing for me", "(from Wakfu) and Magneto, if that helps give an idea of their personality.", "self-confidence is evil. However, making this \"what if\" story the main timeline would", "deal with the consequences for them. What really made me realize there was", "character never turned to evil. Normally when there is a plot of \"what", "the story feels too depressing to write with little catharsis for the reader", "instead of the actual protagonists. For example, I was working on a prequel", "increasingly focusing on the problematic character's introduction to the hidden world with the", "problematic one and the two leads), specifically the two protagonists' daughter. This is", "them. What really made me realize there was a problem was when I", "the actual protagonists, who come off as reactive, self-hating everymen (the protagonists aren’t", "arc (who is the fourth most developed character after the problematic one and", "if the villain was good\" it comes off as shallow wish fulfillment, but", "if it's unhappy to make them more memorable, but I feel like I'm", "they are only human, as demonstrated by the fact that they couldn't save", "and the daughter having her own problems to deal with is used to", "never said in the main timeline. Their presence humanized the Big Good by", "arc they never seem to take full advantage of it as a character.", "am worried this character is kind of \"taking over\" the narrative like a", "worried this character is kind of \"taking over\" the narrative like a cancer.", "(and they come off as an example of \"you can take pride in", "why it's difficult to just have the character ease into the role of", "other characters in the story, even if they don't deserve it. Wofloy Ptujher", "don't want them to become a story tumor. My beta readers have told", "the best story possible even if it's unhappy to make them more memorable,", "more original and a better protagonist than the actual protagonists, who come off", "two leads), specifically the two protagonists' daughter. This is the reason why it's", "with kindness despite her parents refusing to recognize that they have changed and", "conflict from the arc due to them no longer being an antagonist), as", "that evoke powerful emotions and define the characters (not to mention removing the", "and comes off as putting on a brave face for the sake of", "tried penciling in a redemption arc for them. The character was originally the", "finding it increasingly focusing on the problematic character's introduction to the hidden world" ]
[ "closest I have come in terms of understanding the mindset. Compared to a", "noticed something similar in how I see the world with my professional expertise", "that, it's not clear how to describe someone as computer literate without running", "(xkcd comes across as funny, but very alien to me). However, I have", "characterization. Given this, *I have been trying to figure out how to write", "a person/character sees the world, specifically how they approach problems, the personal skills", "give you a detailed rundown as to the differences between Python and Ubuntu\".", "detailed rundown as to the differences between Python and Ubuntu\". As an example", "being computer literate does* affect one's worldview (xkcd comes across as funny, but", "these problems, how would one go about portraying that a character is computer", "seem to be a lot of guides to get into a computer literate", "of people in my life have described me as computer literate because I", "because I don't even know how to write a line of code! On", "out how to write a character that is skilled at programming or a", "in my story for whom being computer savvy is supposed to be a", "personal skills they learn, and the points of reference they have (and the", "computers for a living (even if their side job they do as part", "skilled at programming or a hacker and show how they would approach the", "with that site's style of humor, it has become very apparent to me", "lot of people in my life have described me as computer literate because", "be a major personality trait. The character works with computers for a living", "character as being savvy with a specific programming language or operating system that", "you a detailed rundown as to the differences between Python and Ubuntu\". As", "programming would affect the way a person/character sees the world, specifically how they", "skilled in any given field makes people contextualize the world in terms of", "Adobe Photoshop, but I wouldn't because I don't even know how to write", "as being savvy with a specific programming language or operating system that within", "to depict a computer literate character on the Internet. Again, xkcd is about", "funny, but very alien to me). However, I have been unable to find", "worldview (xkcd comes across as funny, but very alien to me). However, I", "terms of understanding the mindset. Compared to a lot of other subcultures, there", "versus how other people do with theirs. Being a fan of [xkcd](https://xkcd.com/) and", "to write a character that is skilled at programming or a hacker and", "reference they have (and the references they make), just like how being skilled", "expertise versus how other people do with theirs. Being a fan of [xkcd](https://xkcd.com/)", "references they make), just like how being skilled in any given field makes", "even clear what a reader would accept as constituting being \"computer literate\". From", "affect one's worldview (xkcd comes across as funny, but very alien to me).", "how to write a line of code! On top of that, it's not", "computer literate mindset. It's not even clear what a reader would accept as", "literate\" can be anything from \"can use Powerpoint\" to \"can give you a", "as a result negatively impacts their characterization. Given this, I have been trying", "as one of their hobbies. However, I have noticed this trait almost never", "given field makes people contextualize the world in terms of knowledge in that", "and uploading viruses of laughing skulls to Area 51\". One would think that", "in my life have described me as computer literate because I know how", "horribly dating the character. One might depict a character as being savvy with", "code! On top of that, it's not clear how to describe someone as", "impacts their characterization. Given this, I have been trying to figure out how", "and as a result negatively impacts their characterization. Given this, I have been", "specific programming language or operating system that within five years of publication is", "but I wouldn't because I don't even know how to write a line", "as to the differences between Python and Ubuntu\". As an example of how", "a hacker and show how they would approach the world. Overall, I am", "they approach problems, the personal skills they learn, and the points of reference", "know how to write a line of code! On top of that, it's", "experience the way people define \"computer literate\" can be anything from \"can use", "a character as being savvy with a specific programming language or operating system", "someone as computer literate without running the risk of horribly dating the character.", "being savvy with a specific programming language or operating system that within five", "Being a fan of [xkcd](https://xkcd.com/) and familiar with that site's style of humor,", "how to describe someone as computer literate without running the risk of horribly", "computer-savvy hacker, rather than the unrealistic \"hack all the Internets by typing really", "example of how varied definitions can be: a lot of people in my", "world, specifically how they approach problems, the personal skills they learn, and the", "without running the risk of horribly dating the character. One might depict a", "don't even know how to write a line of code! On top of", "the world in terms of knowledge in that field. I've noticed something similar", "a fan of [xkcd](https://xkcd.com/) and familiar with that site's style of humor, it", "to a lot of other subcultures, there don't seem to be a lot", "guides to get into a computer literate mindset. It's not even clear what", "job they do as part of the plot is almost purely physical) and", "that being computer literate does affect one's worldview (xkcd comes across as funny,", "of the plot is almost purely physical) and considers being a white-hat hacker", "From my experience the way people define \"computer literate\" can be anything from", "even know how to write a line of code! On top of that,", "story for whom being computer savvy is supposed to be a major personality", "computer savvy is supposed to be a major personality trait. The character works", "their hobbies. However, I have noticed this trait almost never seems to impact", "know how to use Microsoft Office and Adobe Photoshop, but I wouldn't because", "to find any good advice on how to depict a computer literate character", "with computers and programming would affect the way a person/character sees the world,", "and Ubuntu\". As an example of how varied definitions can be: a lot", "being \"computer literate\". From my experience the way people define \"computer literate\" can", "be: a lot of people in my life have described me as computer", "they do as part of the plot is almost purely physical) and considers", "the mindset. Compared to a lot of other subcultures, there don't seem to", "they make), just like how being skilled in any given field makes people", "life have described me as computer literate because I know how to use", "an example of how varied definitions can be: a lot of people in", "write a line of code! On top of that, it's not clear how", "clear how to describe someone as computer literate without running the risk of", "other people do with theirs. Being a fan of [xkcd](https://xkcd.com/) and familiar with", "of reference they have (and the references they make), just like how being", "top of that, it's not clear how to describe someone as computer literate", "way a person/character sees the world, specifically how they approach problems, the personal", "the risk of horribly dating the character. One might depict a character as", "with a specific programming language or operating system that within five years of", "on the Internet. Again, xkcd is about the closest I have come in", "of understanding the mindset. Compared to a lot of other subcultures, there don't", "I am trying to go for a more realistic depiction of a computer-savvy", "problems, how would one go about portraying that a character is computer savvy", "wouldn't because I don't even know how to write a line of code!", "lot of guides to get into a computer literate mindset. It's not even", "a line of code! On top of that, it's not clear how to", "me as computer literate because I know how to use Microsoft Office and", "Internet. Again, xkcd is about the closest I have come in terms of", "\"can give you a detailed rundown as to the differences between Python and", "Given these problems, how would one go about portraying that a character is", "with theirs. Being a fan of [xkcd](https://xkcd.com/) and familiar with that site's style", "trying to go for a more realistic depiction of a computer-savvy hacker, rather", "unrealistic \"hack all the Internets by typing really fast and uploading viruses of", "The character works with computers for a living (even if their side job", "humor, it has become very apparent to me that being computer literate does", "that being familiar with computers and programming would affect the way a person/character", "at programming or a hacker and show how they would approach the world.", "understanding the mindset. Compared to a lot of other subcultures, there don't seem", "character in my story for whom being computer savvy is supposed to be", "other subcultures, there don't seem to be a lot of guides to get", "makes people contextualize the world in terms of knowledge in that field. I've", "is supposed to be a major personality trait. The character works with computers", "the references they make), just like how being skilled in any given field", "system that within five years of publication is completely dead. Given these problems,", "laughing skulls to Area 51\". One would think that being familiar with computers", "familiar with that site's style of humor, it has become very apparent to", "being computer savvy is supposed to be a major personality trait. The character", "a lot of other subcultures, there don't seem to be a lot of", "a living (even if their side job they do as part of the", "their characterization. Given this, I have been trying to figure out how to", "of other subcultures, there don't seem to be a lot of guides to", "one go about portraying that a character is computer savvy or a hacker?", "there don't seem to be a lot of guides to get into a", "one of their hobbies. However, I have noticed this trait almost never seems", "people in my life have described me as computer literate because I know", "computer literate does affect one's worldview (xkcd comes across as funny, but very", "works with computers for a living (even if their side job they do", "a more realistic depiction of a computer-savvy hacker, rather than the unrealistic \"hack", "typing really fast and uploading viruses of laughing skulls to Area 51\". One", "computer literate because I know how to use Microsoft Office and Adobe Photoshop,", "fan of [xkcd](https://xkcd.com/) and familiar with that site's style of humor, it has", "living (even if their side job they do as part of the plot", "a computer literate character on the Internet. Again, xkcd is about the closest", "terms of knowledge in that field. I've noticed something similar in how I", "person/character sees the world, specifically how they approach problems, the personal skills they", "between Python and Ubuntu\". As an example of how varied definitions can be:", "something similar in how I see the world with my professional expertise versus", "character. One might depict a character as being savvy with a specific programming", "the points of reference they have (and the references they make), just like", "whom being computer savvy is supposed to be a major personality trait. The", "varied definitions can be: a lot of people in my life have described", "as computer literate because I know how to use Microsoft Office and Adobe", "how being skilled in any given field makes people contextualize the world in", "I've noticed something similar in how I see the world with my professional", "for a living (even if their side job they do as part of", "definitions can be: a lot of people in my life have described me", "the way a person/character sees the world, specifically how they approach problems, the", "computers and programming would affect the way a person/character sees the world, specifically", "find any good advice on how to depict a computer literate character on", "way people define \"computer literate\" can be anything from \"can use Powerpoint\" to", "does affect one's worldview (xkcd comes across as funny, but very alien to", "to the differences between Python and Ubuntu\". As an example of how varied", "how to use Microsoft Office and Adobe Photoshop, but I wouldn't because I", "any good advice on how to depict a computer literate character on the", "go for a more realistic depiction of a computer-savvy hacker, rather than the", "do with theirs. Being a fan of [xkcd](https://xkcd.com/) and familiar with that site's", "with computers for a living (even if their side job they do as", "accept as constituting being \"computer literate\". From my experience the way people define", "savvy with a specific programming language or operating system that within five years", "viruses of laughing skulls to Area 51\". One would think that being familiar", "how I see the world with my professional expertise versus how other people", "see the world with my professional expertise versus how other people do with", "for whom being computer savvy is supposed to be a major personality trait.", "in how I see the world with my professional expertise versus how other", "they have (and the references they make), just like how being skilled in", "and Adobe Photoshop, but I wouldn't because I don't even know how to", "me that being computer literate does affect one's worldview (xkcd comes across as", "been unable to find any good advice on how to depict a computer", "rather than the unrealistic \"hack all the Internets by typing really fast and", "computer literate without running the risk of horribly dating the character. One might", "lot of other subcultures, there don't seem to be a lot of guides", "Microsoft Office and Adobe Photoshop, but I wouldn't because I don't even know", "for a more realistic depiction of a computer-savvy hacker, rather than the unrealistic", "purely physical) and considers being a white-hat hacker as one of their hobbies.", "[xkcd](https://xkcd.com/) and familiar with that site's style of humor, it has become very", "I don't even know how to write a line of code! On top", "have noticed this trait almost never seems to impact the story and as", "in terms of understanding the mindset. Compared to a lot of other subcultures,", "described me as computer literate because I know how to use Microsoft Office", "site's style of humor, it has become very apparent to me that being", "five years of publication is completely dead. Given these problems, how would one", "and show how they would approach the world. Overall, I am trying to", "the way people define \"computer literate\" can be anything from \"can use Powerpoint\"", "Overall, I am trying to go for a more realistic depiction of a", "me). However, I have been unable to find any good advice on how", "the plot is almost purely physical) and considers being a white-hat hacker as", "write a character that is skilled at programming or a hacker and show", "people define \"computer literate\" can be anything from \"can use Powerpoint\" to \"can", "about the closest I have come in terms of understanding the mindset. Compared", "almost purely physical) and considers being a white-hat hacker as one of their", "by typing really fast and uploading viruses of laughing skulls to Area 51\".", "not even clear what a reader would accept as constituting being \"computer literate\".", "the character. One might depict a character as being savvy with a specific", "can be: a lot of people in my life have described me as", "and programming would affect the way a person/character sees the world, specifically how", "might depict a character as being savvy with a specific programming language or", "specifically how they approach problems, the personal skills they learn, and the points", "the world, specifically how they approach problems, the personal skills they learn, and", "skulls to Area 51\". One would think that being familiar with computers and", "and familiar with that site's style of humor, it has become very apparent", "51\". One would think that being familiar with computers and programming would affect", "I wouldn't because I don't even know how to write a line of", "approach problems, the personal skills they learn, and the points of reference they", "one's worldview (xkcd comes across as funny, but very alien to me). However,", "reader would accept as constituting being \"computer literate\". From my experience the way", "completely dead. Given these problems, how would one go about portraying that a", "world. Overall, I am trying to go for a more realistic depiction of", "become very apparent to me that being computer literate does affect one's worldview", "I have noticed this trait almost never seems to impact the story and", "mindset. Compared to a lot of other subcultures, there don't seem to be", "to get into a computer literate mindset. It's not even clear what a", "alien to me). However, I have been unable to find any good advice", "in that field. I've noticed something similar in how I see the world", "and considers being a white-hat hacker as one of their hobbies. However, I", "clear what a reader would accept as constituting being \"computer literate\". From my", "sees the world, specifically how they approach problems, the personal skills they learn,", "Area 51\". One would think that being familiar with computers and programming would", "the story and as a result negatively impacts their characterization. Given this, I", "points of reference they have (and the references they make), just like how", "xkcd is about the closest I have come in terms of understanding the", "Photoshop, but I wouldn't because I don't even know how to write a", "literate without running the risk of horribly dating the character. One might depict", "Python and Ubuntu\". As an example of how varied definitions can be: a", "this trait almost never seems to impact the story and as a result", "use Powerpoint\" to \"can give you a detailed rundown as to the differences", "dead. Given these problems, how would one go about portraying that a character", "have a character in my story for whom being computer savvy is supposed", "as constituting being \"computer literate\". From my experience the way people define \"computer", "to Area 51\". One would think that being familiar with computers and programming", "the world. Overall, I am trying to go for a more realistic depiction", "Ubuntu\". As an example of how varied definitions can be: a lot of", "uploading viruses of laughing skulls to Area 51\". One would think that being", "of how varied definitions can be: a lot of people in my life", "world in terms of knowledge in that field. I've noticed something similar in", "noticed this trait almost never seems to impact the story and as a", "is about the closest I have come in terms of understanding the mindset.", "to describe someone as computer literate without running the risk of horribly dating", "what a reader would accept as constituting being \"computer literate\". From my experience", "a computer literate mindset. It's not even clear what a reader would accept", "personality trait. The character works with computers for a living (even if their", "(even if their side job they do as part of the plot is", "have (and the references they make), just like how being skilled in any", "been trying to figure out how to write a character that is skilled", "am trying to go for a more realistic depiction of a computer-savvy hacker,", "field. I've noticed something similar in how I see the world with my", "the unrealistic \"hack all the Internets by typing really fast and uploading viruses", "a character that is skilled at programming or a hacker and show how", "to figure out how to write a character that is skilled at programming", "come in terms of understanding the mindset. Compared to a lot of other", "would affect the way a person/character sees the world, specifically how they approach", "part of the plot is almost purely physical) and considers being a white-hat", "can be anything from \"can use Powerpoint\" to \"can give you a detailed", "risk of horribly dating the character. One might depict a character as being", "of code! On top of that, it's not clear how to describe someone", "very alien to me). However, I have been unable to find any good", "impact the story and as a result negatively impacts their characterization. Given this,", "of humor, it has become very apparent to me that being computer literate", "be anything from \"can use Powerpoint\" to \"can give you a detailed rundown", "have come in terms of understanding the mindset. Compared to a lot of", "in terms of knowledge in that field. I've noticed something similar in how", "would one go about portraying that a character is computer savvy or a", "not clear how to describe someone as computer literate without running the risk", "world with my professional expertise versus how other people do with theirs. Being", "story and as a result negatively impacts their characterization. Given this, I have", "to me). However, I have been unable to find any good advice on", "and the points of reference they have (and the references they make), just", "\"computer literate\". From my experience the way people define \"computer literate\" can be", "On top of that, it's not clear how to describe someone as computer", "side job they do as part of the plot is almost purely physical)", "more realistic depiction of a computer-savvy hacker, rather than the unrealistic \"hack all", "a lot of guides to get into a computer literate mindset. It's not", "fast and uploading viruses of laughing skulls to Area 51\". One would think", "hacker, rather than the unrealistic \"hack all the Internets by typing really fast", "considers being a white-hat hacker as one of their hobbies. However, I have", "on how to depict a computer literate character on the Internet. Again, xkcd", "show how they would approach the world. Overall, I am trying to go", "\"computer literate\" can be anything from \"can use Powerpoint\" to \"can give you", "the Internets by typing really fast and uploading viruses of laughing skulls to", "years of publication is completely dead. Given these problems, how would one go", "physical) and considers being a white-hat hacker as one of their hobbies. However,", "hobbies. However, I have noticed this trait almost never seems to impact the", "of publication is completely dead. Given these problems, how would one go about", "\"can use Powerpoint\" to \"can give you a detailed rundown as to the", "how they would approach the world. Overall, I am trying to go for", "depict a computer literate character on the Internet. Again, xkcd is about the", "programming language or operating system that within five years of publication is completely", "However, I have noticed this trait almost never seems to impact the story", "I have come in terms of understanding the mindset. Compared to a lot", "than the unrealistic \"hack all the Internets by typing really fast and uploading", "that field. I've noticed something similar in how I see the world with", "affect the way a person/character sees the world, specifically how they approach problems,", "major personality trait. The character works with computers for a living (even if", "I know how to use Microsoft Office and Adobe Photoshop, but I wouldn't", "to use Microsoft Office and Adobe Photoshop, but I wouldn't because I don't", "figure out how to write a character that is skilled at programming or", "depiction of a computer-savvy hacker, rather than the unrealistic \"hack all the Internets", "really fast and uploading viruses of laughing skulls to Area 51\". One would", "this, I have been trying to figure out how to write a character", "use Microsoft Office and Adobe Photoshop, but I wouldn't because I don't even", "\"hack all the Internets by typing really fast and uploading viruses of laughing", "would accept as constituting being \"computer literate\". From my experience the way people", "white-hat hacker as one of their hobbies. However, I have noticed this trait", "being a white-hat hacker as one of their hobbies. However, I have noticed", "mindset. It's not even clear what a reader would accept as constituting being", "to me that being computer literate does affect one's worldview (xkcd comes across", "think that being familiar with computers and programming would affect the way a", "learn, and the points of reference they have (and the references they make),", "or operating system that within five years of publication is completely dead. Given", "do as part of the plot is almost purely physical) and considers being", "my story for whom being computer savvy is supposed to be a major", "language or operating system that within five years of publication is completely dead.", "into a computer literate mindset. It's not even clear what a reader would", "trait almost never seems to impact the story and as a result negatively", "good advice on how to depict a computer literate character on the Internet.", "they learn, and the points of reference they have (and the references they", "like how being skilled in any given field makes people contextualize the world", "how to depict a computer literate character on the Internet. Again, xkcd is", "that within five years of publication is completely dead. Given these problems, how", "the Internet. Again, xkcd is about the closest I have come in terms", "hacker and show how they would approach the world. Overall, I am trying", "of [xkcd](https://xkcd.com/) and familiar with that site's style of humor, it has become", "negatively impacts their characterization. Given this, I have been trying to figure out", "it's not clear how to describe someone as computer literate without running the", "subcultures, there don't seem to be a lot of guides to get into", "publication is completely dead. Given these problems, how would one go about portraying", "Office and Adobe Photoshop, but I wouldn't because I don't even know how", "almost never seems to impact the story and as a result negatively impacts", "a computer-savvy hacker, rather than the unrealistic \"hack all the Internets by typing", "the personal skills they learn, and the points of reference they have (and", "comes across as funny, but very alien to me). However, I have been", "familiar with computers and programming would affect the way a person/character sees the", "from \"can use Powerpoint\" to \"can give you a detailed rundown as to", "character works with computers for a living (even if their side job they", "would approach the world*. Overall, I am trying to go for a more", "rundown as to the differences between Python and Ubuntu\". As an example of", "my professional expertise versus how other people do with theirs. Being a fan", "differences between Python and Ubuntu\". As an example of how varied definitions can", "to write a line of code! On top of that, it's not clear", "knowledge in that field. I've noticed something similar in how I see the", "trait. The character works with computers for a living (even if their side", "has become very apparent to me that being computer literate does* affect one's", "of horribly dating the character. One might depict a character as being savvy", "is completely dead. Given these problems, how would one go about portraying that", "my life have described me as computer literate because I know how to", "how other people do with theirs. Being a fan of [xkcd](https://xkcd.com/) and familiar", "programming or a hacker and show how they would approach the world*. Overall,", "the differences between Python and Ubuntu\". As an example of how varied definitions", "operating system that within five years of publication is completely dead. Given these", "seems to impact the story and as a result negatively impacts their characterization.", "I see the world with my professional expertise versus how other people do", "apparent to me that being computer literate does* affect one's worldview (xkcd comes", "get into a computer literate mindset. It's not even clear what a reader", "Internets by typing really fast and uploading viruses of laughing skulls to Area", "their side job they do as part of the plot is almost purely", "advice on how to depict a computer literate character on the Internet. Again,", "trying to figure out how to write a character that is skilled at", "in any given field makes people contextualize the world in terms of knowledge", "realistic depiction of a computer-savvy hacker, rather than the unrealistic \"hack all the", "plot is almost purely physical) and considers being a white-hat hacker as one", "as part of the plot is almost purely physical) and considers being a", "that is skilled at programming or a hacker and show how they would", "unable to find any good advice on how to depict a computer literate", "across as funny, but very alien to me). However, I have been unable", "a specific programming language or operating system that within five years of publication", "how to write a character that is skilled at programming or a hacker", "computer literate character on the Internet. Again, xkcd is about the closest I", "(and the references they make), just like how being skilled in any given", "I have a character in my story for whom being computer savvy is", "to \"can give you a detailed rundown as to the differences between Python", "how would one go about portraying that a character is computer savvy or", "It's not even clear what a reader would accept as constituting being \"computer", "a lot of people in my life have described me as computer literate", "have been trying to figure out how to write a character that is", "literate character on the Internet. Again, xkcd is about the closest I have", "people contextualize the world in terms of knowledge in that field. I've noticed", "literate\". From my experience the way people define \"computer literate\" can be anything", "any given field makes people contextualize the world in terms of knowledge in", "character that is skilled at programming or a hacker and show how they", "it has become very apparent to me that being computer literate does affect", "literate does affect one's worldview (xkcd comes across as funny, but very alien", "that site's style of humor, it has become very apparent to me that", "with my professional expertise versus how other people do with theirs. Being a", "never seems to impact the story and as a result negatively impacts their", "but very alien to me). However, I have been unable to find any", "I have been unable to find any good advice on how to depict", "running the risk of horribly dating the character. One might depict a character", "have been unable to find any good advice on how to depict a", "a major personality trait. The character works with computers for a living (even", "just like how being skilled in any given field makes people contextualize the", "literate mindset. It's not even clear what a reader would accept as constituting", "of laughing skulls to Area 51\". One would think that being familiar with", "approach the world*. Overall, I am trying to go for a more realistic", "very apparent to me that being computer literate does* affect one's worldview (xkcd", "within five years of publication is completely dead. Given these problems, how would", "savvy is supposed to be a major personality trait. The character works with", "of knowledge in that field. I've noticed something similar in how I see", "my experience the way people define \"computer literate\" can be anything from \"can", "a character in my story for whom being computer savvy is supposed to", "is skilled at programming or a hacker and show how they would approach", "be a lot of guides to get into a computer literate mindset. It's", "how varied definitions can be: a lot of people in my life have", "as funny, but very alien to me). However, I have been unable to", "field makes people contextualize the world in terms of knowledge in that field.", "literate because I know how to use Microsoft Office and Adobe Photoshop, but", "As an example of how varied definitions can be: a lot of people", "However, I have been unable to find any good advice on how to", "similar in how I see the world with my professional expertise versus how", "dating the character. One might depict a character as being savvy with a", "of guides to get into a computer literate mindset. It's not even clear", "or a hacker and show how they would approach the world. Overall, I", "anything from \"can use Powerpoint\" to \"can give you a detailed rundown as", "have described me as computer literate because I know how to use Microsoft", "line of code! On top of that, it's not clear how to describe", "of a computer-savvy hacker, rather than the unrealistic \"hack all the Internets by", "One would think that being familiar with computers and programming would affect the", "character on the Internet. Again, xkcd is about the closest I have come", "of their hobbies. However, I have noticed this trait almost never seems to", "constituting being \"computer literate\". From my experience the way people define \"computer literate\"", "problems, the personal skills they learn, and the points of reference they have", "a detailed rundown as to the differences between Python and Ubuntu\". As an", "One might depict a character as being savvy with a specific programming language", "they would approach the world. Overall, I am trying to go for a", "Compared to a lot of other subcultures, there don't seem to be a", "style of humor, it has become very apparent to me that being computer", "hacker as one of their hobbies. However, I have noticed this trait almost", "to impact the story and as a result negatively impacts their characterization. Given", "the world with my professional expertise versus how other people do with theirs.", "because I know how to use Microsoft Office and Adobe Photoshop, but I", "people do with theirs. Being a fan of [xkcd](https://xkcd.com/) and familiar with that", "being skilled in any given field makes people contextualize the world in terms", "supposed to be a major personality trait. The character works with computers for", "to be a lot of guides to get into a computer literate mindset.", "skills they learn, and the points of reference they have (and the references", "make), just like how being skilled in any given field makes people contextualize", "result negatively impacts their characterization. Given this, I have been trying to figure", "would think that being familiar with computers and programming would affect the way", "if their side job they do as part of the plot is almost", "is almost purely physical) and considers being a white-hat hacker as one of", "all the Internets by typing really fast and uploading viruses of laughing skulls", "Powerpoint\" to \"can give you a detailed rundown as to the differences between", "depict a character as being savvy with a specific programming language or operating", "as computer literate without running the risk of horribly dating the character. One", "the closest I have come in terms of understanding the mindset. Compared to", "a reader would accept as constituting being \"computer literate\". From my experience the", "a result negatively impacts their characterization. Given this, I have been trying to", "don't seem to be a lot of guides to get into a computer", "describe someone as computer literate without running the risk of horribly dating the", "theirs. Being a fan of [xkcd](https://xkcd.com/) and familiar with that site's style of", "contextualize the world in terms of knowledge in that field. I've noticed something", "Given this, I have been trying to figure out how to write a", "Again, xkcd is about the closest I have come in terms of understanding", "to go for a more realistic depiction of a computer-savvy hacker, rather than", "professional expertise versus how other people do with theirs. Being a fan of", "define \"computer literate\" can be anything from \"can use Powerpoint\" to \"can give", "of that, it's not clear how to describe someone as computer literate without", "to be a major personality trait. The character works with computers for a", "being familiar with computers and programming would affect the way a person/character sees", "how they approach problems, the personal skills they learn, and the points of", "I have been trying to figure out how to write a character that", "a white-hat hacker as one of their hobbies. However, I have noticed this" ]
[ "is the best font size to use with Times New Roman: 12 or", "am writing a short book. What is the best font size to use", "writing a short book. What is the best font size to use with", "What is the best font size to use with Times New Roman: 12", "I am writing a short book. What is the best font size to", "a short book. What is the best font size to use with Times", "short book. What is the best font size to use with Times New", "book. What is the best font size to use with Times New Roman:", "the best font size to use with Times New Roman: 12 or 14?" ]
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(genre of the story so far is mystery and psychological) Thank you", "reflect on the fact that whether it would be considered as an insensitive", "the story so far is mystery and psychological) Thank you for advice in", "instances of abuse during childhood. Of course I intend to write about the", "purely coincidental but I wanted to get an opinion before continuing on working", "of abuse during childhood. Of course I intend to write about the issue", "it made me reflect on the fact that whether it would be considered", "But I personally haven't experienced such an issue and it made me reflect", "been affected by such instances of abuse during childhood. Of course I intend", "seems to be related to another person's experiences are purely coincidental but I", "working on the story. (genre of the story so far is mystery and", "intend to write about the issue in a genuine way and make it", "well being ). But I personally haven't experienced such an issue and it", "and so far what I've come up is a story that is to", "an insensitive work of literature by those who have been affected by such", "mental well being ). But I personally haven't experienced such an issue and", "attempt at trying to write a long length story of my own and", "purely fictional work where instances that seems to be related to another person's", "is a story that is to be centered around child abuse (sexual abuse)", "that is to be centered around child abuse (sexual abuse) (the psychological and", "opinion before continuing on working on the story. (genre of the story so", "It's my first attempt at trying to write a long length story of", "and make it a purely fictional work where instances that seems to be", "whether it would be considered as an insensitive work of literature by those" ]
[ "lines of a \"fire being ignited inside of him\". However, I was wondering,", "undergoing a realisation, thus feeling an idea along the lines of a \"fire", "there any better ways to express this? (I feel like the fire metaphor", "inside of him\". However, I was wondering, are there any better ways to", "are there any better ways to express this? (I feel like the fire", "any better ways to express this? (I feel like the fire metaphor is", "realisation, thus feeling an idea along the lines of a \"fire being ignited", "of him\". However, I was wondering, are there any better ways to express", "However, I was wondering, are there any better ways to express this? (I", "along the lines of a \"fire being ignited inside of him\". However, I", "being ignited inside of him\". However, I was wondering, are there any better", "thus feeling an idea along the lines of a \"fire being ignited inside", "the lines of a \"fire being ignited inside of him\". However, I was", "better ways to express this? (I feel like the fire metaphor is slightly", "this? (I feel like the fire metaphor is slightly overused) Thanks in advance", "a realisation, thus feeling an idea along the lines of a \"fire being", "idea of a character undergoing a realisation, thus feeling an idea along the", "wondering, are there any better ways to express this? (I feel like the", "trying to express the idea of a character undergoing a realisation, thus feeling", "was wondering, are there any better ways to express this? (I feel like", "I was wondering, are there any better ways to express this? (I feel", "to express the idea of a character undergoing a realisation, thus feeling an", "ways to express this? (I feel like the fire metaphor is slightly overused)", "express this? (I feel like the fire metaphor is slightly overused) Thanks in", "him\". However, I was wondering, are there any better ways to express this?", "to express this? (I feel like the fire metaphor is slightly overused) Thanks", "ignited inside of him\". However, I was wondering, are there any better ways", "express the idea of a character undergoing a realisation, thus feeling an idea", "of a \"fire being ignited inside of him\". However, I was wondering, are", "a \"fire being ignited inside of him\". However, I was wondering, are there", "feeling an idea along the lines of a \"fire being ignited inside of", "\"fire being ignited inside of him\". However, I was wondering, are there any", "of a character undergoing a realisation, thus feeling an idea along the lines", "(I feel like the fire metaphor is slightly overused) Thanks in advance :)", "an idea along the lines of a \"fire being ignited inside of him\".", "the idea of a character undergoing a realisation, thus feeling an idea along", "idea along the lines of a \"fire being ignited inside of him\". However,", "a character undergoing a realisation, thus feeling an idea along the lines of", "character undergoing a realisation, thus feeling an idea along the lines of a", "I'm trying to express the idea of a character undergoing a realisation, thus" ]
[ "situations and why. Does anyone have any tips to help create realistic characters", "difficult to create fictional characters with personalities that are not a copy of", "of myself. I'm having trouble trying to understand what others a character would", "do in certain situations and why. Does anyone have any tips to help", "create fictional characters with personalities that are not a copy of myself. I'm", "myself. I'm having trouble trying to understand what others a character would do", "with personalities that are not a copy of myself. I'm having trouble trying", "why. Does anyone have any tips to help create realistic characters with distinct", "a character would do in certain situations and why. Does anyone have any", "Does anyone have any tips to help create realistic characters with distinct personalities", "certain situations and why. Does anyone have any tips to help create realistic", "others a character would do in certain situations and why. Does anyone have", "to understand what others a character would do in certain situations and why.", "anyone have any tips to help create realistic characters with distinct personalities different", "copy of myself. I'm having trouble trying to understand what others a character", "fictional characters with personalities that are not a copy of myself. I'm having", "and why. Does anyone have any tips to help create realistic characters with", "characters with personalities that are not a copy of myself. I'm having trouble", "I'm having trouble trying to understand what others a character would do in", "having trouble trying to understand what others a character would do in certain", "have any tips to help create realistic characters with distinct personalities different from", "am finding it difficult to create fictional characters with personalities that are not", "in certain situations and why. Does anyone have any tips to help create", "any tips to help create realistic characters with distinct personalities different from my", "personalities that are not a copy of myself. I'm having trouble trying to", "tips to help create realistic characters with distinct personalities different from my own?", "not a copy of myself. I'm having trouble trying to understand what others", "understand what others a character would do in certain situations and why. Does", "trouble trying to understand what others a character would do in certain situations", "trying to understand what others a character would do in certain situations and", "character would do in certain situations and why. Does anyone have any tips", "I am finding it difficult to create fictional characters with personalities that are", "to create fictional characters with personalities that are not a copy of myself.", "finding it difficult to create fictional characters with personalities that are not a", "what others a character would do in certain situations and why. Does anyone", "would do in certain situations and why. Does anyone have any tips to", "that are not a copy of myself. I'm having trouble trying to understand", "are not a copy of myself. I'm having trouble trying to understand what", "a copy of myself. I'm having trouble trying to understand what others a", "it difficult to create fictional characters with personalities that are not a copy" ]
[ "to your understanding liberates a writer from the constraints of a restricted imagination", "from the constraints of a restricted imagination and a restrained style arising out", "arising out of naïve reverence and limited cognizance of the aesthetics, design, style,", "writer from the constraints of a restricted imagination and a restrained style arising", "the aesthetics, design, style, and composition of celebrated fiction to emerge with his", "liberates a writer from the constraints of a restricted imagination and a restrained", "the constraints of a restricted imagination and a restrained style arising out of", "understanding liberates a writer from the constraints of a restricted imagination and a", "constraints of a restricted imagination and a restrained style arising out of naïve", "of naïve reverence and limited cognizance of the aesthetics, design, style, and composition", "out of naïve reverence and limited cognizance of the aesthetics, design, style, and", "a restricted imagination and a restrained style arising out of naïve reverence and", "your understanding liberates a writer from the constraints of a restricted imagination and", "of the aesthetics, design, style, and composition of celebrated fiction to emerge with", "style arising out of naïve reverence and limited cognizance of the aesthetics, design,", "What according to your understanding liberates a writer from the constraints of a", "design, style, and composition of celebrated fiction to emerge with his own style?", "imagination and a restrained style arising out of naïve reverence and limited cognizance", "aesthetics, design, style, and composition of celebrated fiction to emerge with his own", "and limited cognizance of the aesthetics, design, style, and composition of celebrated fiction", "restricted imagination and a restrained style arising out of naïve reverence and limited", "restrained style arising out of naïve reverence and limited cognizance of the aesthetics,", "reverence and limited cognizance of the aesthetics, design, style, and composition of celebrated", "naïve reverence and limited cognizance of the aesthetics, design, style, and composition of", "a restrained style arising out of naïve reverence and limited cognizance of the", "a writer from the constraints of a restricted imagination and a restrained style", "limited cognizance of the aesthetics, design, style, and composition of celebrated fiction to", "and a restrained style arising out of naïve reverence and limited cognizance of", "cognizance of the aesthetics, design, style, and composition of celebrated fiction to emerge", "of a restricted imagination and a restrained style arising out of naïve reverence", "according to your understanding liberates a writer from the constraints of a restricted" ]
[ "using any word non-figuratively related to sadness? I have been told that in", "you express sadness without using any word non-figuratively related to sadness? I have", "I have been told that in poetry you need to \"Show, but not", "without using any literal word related to the concept of sadness. There are", "saying thing literally, so I am seriously wondering how you can express sadness", "thing literally, so I am seriously wondering how you can express sadness without", "without using any word non-figuratively related to sadness? I have been told that", "instead of saying thing literally, so I am seriously wondering how you can", "There are probably many techniques, but I can't really think of many to", "of sadness. There are probably many techniques, but I can't really think of", "literally, so I am seriously wondering how you can express sadness without using", "in poetry you need to \"Show, but not tell\" instead of saying thing", "seriously wondering how you can express sadness without using any literal word related", "using any literal word related to the concept of sadness. There are probably", "concept of sadness. There are probably many techniques, but I can't really think", "I am seriously wondering how you can express sadness without using any literal", "wondering how you can express sadness without using any literal word related to", "need to \"Show, but not tell\" instead of saying thing literally, so I", "sadness without using any word non-figuratively related to sadness? I have been told", "been told that in poetry you need to \"Show, but not tell\" instead", "to sadness? I have been told that in poetry you need to \"Show,", "any word non-figuratively related to sadness? I have been told that in poetry", "express sadness without using any word non-figuratively related to sadness? I have been", "have been told that in poetry you need to \"Show, but not tell\"", "not tell\" instead of saying thing literally, so I am seriously wondering how", "express sadness without using any literal word related to the concept of sadness.", "am seriously wondering how you can express sadness without using any literal word", "are probably many techniques, but I can't really think of many to be", "word related to the concept of sadness. There are probably many techniques, but", "How can you express sadness without using any word non-figuratively related to sadness?", "you can express sadness without using any literal word related to the concept", "how you can express sadness without using any literal word related to the", "tell\" instead of saying thing literally, so I am seriously wondering how you", "told that in poetry you need to \"Show, but not tell\" instead of", "\"Show, but not tell\" instead of saying thing literally, so I am seriously", "sadness? I have been told that in poetry you need to \"Show, but", "poetry you need to \"Show, but not tell\" instead of saying thing literally,", "you need to \"Show, but not tell\" instead of saying thing literally, so", "sadness without using any literal word related to the concept of sadness. There", "but not tell\" instead of saying thing literally, so I am seriously wondering", "can express sadness without using any literal word related to the concept of", "of saying thing literally, so I am seriously wondering how you can express", "can you express sadness without using any word non-figuratively related to sadness? I", "to \"Show, but not tell\" instead of saying thing literally, so I am", "any literal word related to the concept of sadness. There are probably many", "that in poetry you need to \"Show, but not tell\" instead of saying", "literal word related to the concept of sadness. There are probably many techniques,", "related to sadness? I have been told that in poetry you need to", "so I am seriously wondering how you can express sadness without using any", "related to the concept of sadness. There are probably many techniques, but I", "the concept of sadness. There are probably many techniques, but I can't really", "sadness. There are probably many techniques, but I can't really think of many", "non-figuratively related to sadness? I have been told that in poetry you need", "to the concept of sadness. There are probably many techniques, but I can't", "probably many techniques, but I can't really think of many to be honest.", "word non-figuratively related to sadness? I have been told that in poetry you" ]
[ "write that just doesn't feel right. It currently reads \"It is commonly said", "Y.\" * \"X under normal circumstances, but Y.\" Examples for X and Y", "but the truth is that Y.\" The second part feels okay, but the", "tried a couple other approaches but I'm not quite happy with them: ", "society; everyone was out for themselves They were holding the reins; they", "nobody slept * The citizens worked towards the betterment of society; everyone was", "the betterment of society; everyone was out for themselves * They were holding", "that just doesn't feel right. It currently reads \"It is commonly said that", "okay, but the first part feels like something you have to climb over", "normal circumstances, but Y.\" Examples for X and Y can be: * The", "that X, but in this case Y.\" * \"X under normal circumstances, but", "be: * The world slept; nobody slept * The citizens worked towards the", "I have a sentence I am trying to write that just doesn't feel", "the point. I've tried a couple other approaches but I'm not quite happy", "to get to the point. I've tried a couple other approaches but I'm", "a couple other approaches but I'm not quite happy with them: * \"It", "but the first part feels like something you have to climb over to", "sentence I am trying to write that just doesn't feel right. It currently", "feels okay, but the first part feels like something you have to climb", "but in this case Y.\" * \"X under normal circumstances, but Y.\" Examples", "for X and Y can be: * The world slept; nobody slept ", "towards the betterment of society; everyone was out for themselves They were", "just doesn't feel right. It currently reads \"It is commonly said that X,", "of society; everyone was out for themselves * They were holding the reins;", "* The citizens worked towards the betterment of society; everyone was out for", "but Y.\" Examples for X and Y can be: * The world slept;", "was out for themselves * They were holding the reins; they were being", "you have to climb over to get to the point. I've tried a", "first part feels like something you have to climb over to get to", "a sentence I am trying to write that just doesn't feel right. It", "Y.\" The second part feels okay, but the first part feels like something", "feel right. It currently reads \"It is commonly said that X, but the", "right. It currently reads \"It is commonly said that X, but the truth", "commonly said that X, but the truth is that Y.\" The second part", "them: * \"It is popular to say that X, but in this case", "the first part feels like something you have to climb over to get", "slept * The citizens worked towards the betterment of society; everyone was out", "point. I've tried a couple other approaches but I'm not quite happy with", "* \"It is popular to say that X, but in this case Y.\"", "the truth is that Y.\" The second part feels okay, but the first", "to the point. I've tried a couple other approaches but I'm not quite", "is that Y.\" The second part feels okay, but the first part feels", "can be: * The world slept; nobody slept * The citizens worked towards", "\"X under normal circumstances, but Y.\" Examples for X and Y can be:", "The citizens worked towards the betterment of society; everyone was out for themselves", "part feels like something you have to climb over to get to the", "am trying to write that just doesn't feel right. It currently reads \"It", "X, but the truth is that Y.\" The second part feels okay, but", "I've tried a couple other approaches but I'm not quite happy with them:", "in this case Y.\" * \"X under normal circumstances, but Y.\" Examples for", "is commonly said that X, but the truth is that Y.\" The second", "circumstances, but Y.\" Examples for X and Y can be: * The world", "approaches but I'm not quite happy with them: * \"It is popular to", "everyone was out for themselves * They were holding the reins; they were", "to write that just doesn't feel right. It currently reads \"It is commonly", "case Y.\" * \"X under normal circumstances, but Y.\" Examples for X and", "have a sentence I am trying to write that just doesn't feel right.", "feels like something you have to climb over to get to the point.", "other approaches but I'm not quite happy with them: * \"It is popular", "I'm not quite happy with them: * \"It is popular to say that", "* \"X under normal circumstances, but Y.\" Examples for X and Y can", "* The world slept; nobody slept * The citizens worked towards the betterment", "out for themselves * They were holding the reins; they were being led", "is popular to say that X, but in this case Y.\" * \"X", "said that X, but the truth is that Y.\" The second part feels", "climb over to get to the point. I've tried a couple other approaches", "truth is that Y.\" The second part feels okay, but the first part", "to say that X, but in this case Y.\" * \"X under normal", "that X, but the truth is that Y.\" The second part feels okay,", "with them: * \"It is popular to say that X, but in this", "quite happy with them: * \"It is popular to say that X, but", "under normal circumstances, but Y.\" Examples for X and Y can be: ", "reads \"It is commonly said that X, but the truth is that Y.\"", "betterment of society; everyone was out for themselves They were holding the", "slept; nobody slept * The citizens worked towards the betterment of society; everyone", "X, but in this case Y.\" * \"X under normal circumstances, but Y.\"", "second part feels okay, but the first part feels like something you have", "It currently reads \"It is commonly said that X, but the truth is", "like something you have to climb over to get to the point. I've", "doesn't feel right. It currently reads \"It is commonly said that X, but", "not quite happy with them: * \"It is popular to say that X,", "popular to say that X, but in this case Y.\" * \"X under", "\"It is popular to say that X, but in this case Y.\" ", "have to climb over to get to the point. I've tried a couple", "to climb over to get to the point. I've tried a couple other", "get to the point. I've tried a couple other approaches but I'm not", "over to get to the point. I've tried a couple other approaches but", "citizens worked towards the betterment of society; everyone was out for themselves ", "world slept; nobody slept * The citizens worked towards the betterment of society;", "happy with them: * \"It is popular to say that X, but in", "currently reads \"It is commonly said that X, but the truth is that", "X and Y can be: * The world slept; nobody slept * The", "The world slept; nobody slept * The citizens worked towards the betterment of", "I am trying to write that just doesn't feel right. It currently reads", "part feels okay, but the first part feels like something you have to", "this case Y.\" * \"X under normal circumstances, but Y.\" Examples for X", "Y.\" Examples for X and Y can be: * The world slept; nobody", "couple other approaches but I'm not quite happy with them: * \"It is", "Y can be: * The world slept; nobody slept * The citizens worked", "Examples for X and Y can be: * The world slept; nobody slept", "something you have to climb over to get to the point. I've tried", "that Y.\" The second part feels okay, but the first part feels like", "trying to write that just doesn't feel right. It currently reads \"It is", "\"It is commonly said that X, but the truth is that Y.\" The", "say that X, but in this case Y.\" * \"X under normal circumstances,", "The second part feels okay, but the first part feels like something you", "and Y can be: * The world slept; nobody slept * The citizens", "but I'm not quite happy with them: * \"It is popular to say", "worked towards the betterment of society; everyone was out for themselves * They" ]
[ "(forty-five million, four hundred thousand) seconds I was there for 45,400,000, forty-five million,", "for 45,400,000 (forty-five million, four hundred thousand) seconds I was there for 45,400,000,", "four hundred thousand) seconds I was there for 45,400,000, forty-five million, four hundred", "thousand) seconds I was there for 45,400,000, forty-five million, four hundred thousand, seconds?", "I was there for 45,400,000 (forty-five million, four hundred thousand) seconds I was", "45,400,000 (forty-five million, four hundred thousand) seconds I was there for 45,400,000, forty-five", "there for 45,400,000 (forty-five million, four hundred thousand) seconds I was there for", "million, four hundred thousand) seconds I was there for 45,400,000, forty-five million, four", "was there for 45,400,000 (forty-five million, four hundred thousand) seconds I was there", "hundred thousand) seconds I was there for 45,400,000, forty-five million, four hundred thousand," ]
[ "> I want to show these facts without downplaying the domestic violence that", "the type that is harmful to men. I'd appreciate it if you don't", "so please don't accuse me of being a \"whiny straight white male.\") I", "> > Other research has also shown that gay men are the least", "I'm going to try to use as much evidence as I can without", "the potential to be harmful towards female victims? I merely want to bring", "assault at the hands of an opposite-sex partner. > > > Other research", "Other research has also shown that gay men are the least likely demographic", "men make up about 40% or more of those domestically abused, women make", "victimized by a female perpetrator. > > > I want to show these", "I want to do it in a way that isn't harmful. Please try", "> Other research has also shown that gay men are the least likely", "assaulted by a girfriend/wife. While men and women are equally likely to become", "want to show these facts without downplaying the domestic violence that women face.", "just towards the type that is harmful to men. I'd appreciate it if", "if you don't attack me for my politics, and instead try to make", "experiencing domestic abuse from an intimate partner. Lesbians are the most likely demographic", "men are more likely to become a victim of severe assault at the", "attack me for my politics, and instead try to make sure that I", "so. Here's the statistic: > > The same research that has indicated that", "to become the victim of mild assault at the hands of an opposite-sex", "without downplaying the domestic violence that women face. Does this sound right, or", "with almost half of lesbians becoming a victim of domestic violence at the", "the domestic violence women face or make it seem like I am doing", "make it seem like I am doing so. Here's the statistic: > >", "gets severely assaulted by a girfriend/wife. While men and women are equally likely", "statistic: > > The same research that has indicated that a woman gets", "that isn't harmful. Please try to not attack me for being an MRA", "gay man, so please don't accuse me of being a \"whiny straight white", "assaulted by a boyfriend/husband every 15 seconds also indicates that every 14.6 seconds", "of domestic violence are more likely to be victimized by a female perpetrator.", "assault at the hands of an opposite-sex partner, men are more likely to", "violence women face or make it seem like I am doing so. Here's", "at the hands of an opposite-sex partner. > > > Other research has", "to try to use as much evidence as I can without it seeming", "70% of domestic abuse perpetrators. > > > Both male and female victims", "instead try to make sure that I am saying the facts in such", "a gay man, so please don't accuse me of being a \"whiny straight", "gets severely assaulted by a boyfriend/husband every 15 seconds also indicates that every", "want to bring attention to male victims, but I want to do it", "I merely want to bring attention to male victims, but I want to", "white male.\") I am not necessarily anti-feminist, just towards the type that is", "> Both male and female victims of domestic violence are more likely to", "way that isn't harmful. Please try to not attack me for being an", "a book that discusses misandry and the such. I'm going to try to", "to use as much evidence as I can without it seeming harmful. For", "almost half of lesbians becoming a victim of domestic violence at the hands", "try to use as much evidence as I can without it seeming harmful.", "are equally likely to become the victim of mild assault at the hands", "type that is harmful to men. I'd appreciate it if you don't attack", "domestic violence, but I don't want to downplay the domestic violence women face", "to downplay the domestic violence women face or make it seem like I", "female perpetrator. > > > I want to show these facts without downplaying", "don't accuse me of being a \"whiny straight white male.\") I am not", "is harmful to men. I'd appreciate it if you don't attack me for", "am a gay man, so please don't accuse me of being a \"whiny", "a statistic about domestic violence, but I don't want to downplay the domestic", "perpetrator. > > > I want to show these facts without downplaying the", "likely to become the victim of mild assault at the hands of an", "I want to show these facts without downplaying the domestic violence that women", "of an opposite-sex partner, men are more likely to become a victim of", "are the least likely demographic to become a victim of domestic abuse at", "While men make up about 40% or more of those domestically abused, women", "abuse perpetrators. > > > Both male and female victims of domestic violence", "violence, but I don't want to downplay the domestic violence women face or", "the domestic violence that women face. Does this sound right, or does it", "not necessarily anti-feminist, just towards the type that is harmful to men. I'd", "it seem like I am doing so. Here's the statistic: > > The", "men. I'd appreciate it if you don't attack me for my politics, and", "victims, but I want to do it in a way that isn't harmful.", "in a statistic about domestic violence, but I don't want to downplay the", "MRA (I am a gay man, so please don't accuse me of being", "discusses misandry and the such. I'm going to try to use as much", "an intimate partner (male), with about a quarter experiencing domestic abuse from an", "mild assault at the hands of an opposite-sex partner, men are more likely", "women are equally likely to become the victim of mild assault at the", "victim of domestic abuse at the hands of an intimate partner (female), with", "abuse at the hands of an intimate partner (female), with almost half of", "necessarily anti-feminist, just towards the type that is harmful to men. I'd appreciate", "partner (female), with almost half of lesbians becoming a victim of domestic violence", "that discusses misandry and the such. I'm going to try to use as", "most likely demographic to become a victim of domestic abuse at the hands", "(male), with about a quarter experiencing domestic abuse from an intimate partner. Lesbians", "an intimate partner. Lesbians are the most likely demographic to become a victim", "victims? I merely want to bring attention to male victims, but I want", "victim of mild assault at the hands of an opposite-sex partner, men are", "saying the facts in such a way that I don't harm any victim,", "like I am doing so. Here's the statistic: > > The same research", "the such. I'm going to try to use as much evidence as I", "women face or make it seem like I am doing so. Here's the", "more likely to become a victim of severe assault at the hands of", "facts without downplaying the domestic violence that women face. Does this sound right,", "harmful towards female victims? I merely want to bring attention to male victims,", "about 40% or more of those domestically abused, women make up about 70%", "victim of domestic abuse at the hands of an intimate partner (male), with", "misandry and the such. I'm going to try to use as much evidence", "to do it in a way that isn't harmful. Please try to not", "that I am saying the facts in such a way that I don't", "to be victimized by a female perpetrator. > > > I want to", "> > > Both male and female victims of domestic violence are more", "attention to male victims, but I want to do it in a way", "in a way that isn't harmful. Please try to not attack me for", "downplaying the domestic violence that women face. Does this sound right, or does", "for my politics, and instead try to make sure that I am saying", "partner (male), with about a quarter experiencing domestic abuse from an intimate partner.", "being an MRA (I am a gay man, so please don't accuse me", "to not attack me for being an MRA (I am a gay man,", "much evidence as I can without it seeming harmful. For example, I want", "I am doing so. Here's the statistic: > > The same research that", "towards the type that is harmful to men. I'd appreciate it if you", "the hands of an opposite-sex partner, men are more likely to become a", "indicates that every 14.6 seconds a man gets severely assaulted by a girfriend/wife.", "I'm currently writing, or starting to write, a book that discusses misandry and", "of being a \"whiny straight white male.\") I am not necessarily anti-feminist, just", "of domestic abuse perpetrators. > > > Both male and female victims of", "> > I want to show these facts without downplaying the domestic violence", "politics, and instead try to make sure that I am saying the facts", "the hands of an intimate partner. > > > While men make up", "a boyfriend/husband every 15 seconds also indicates that every 14.6 seconds a man", "don't want to downplay the domestic violence women face or make it seem", "by a girfriend/wife. While men and women are equally likely to become the", "domestic abuse at the hands of an intimate partner (female), with almost half", "a victim of domestic violence at the hands of an intimate partner. >", "perpetrators. > > > Both male and female victims of domestic violence are", "going to try to use as much evidence as I can without it", "man, so please don't accuse me of being a \"whiny straight white male.\")", "that is harmful to men. I'd appreciate it if you don't attack me", "abuse at the hands of an intimate partner (male), with about a quarter", "> > Both male and female victims of domestic violence are more likely", "I am not necessarily anti-feminist, just towards the type that is harmful to", "the facts in such a way that I don't harm any victim, male", "I want to add in a statistic about domestic violence, but I don't", "abuse from an intimate partner. Lesbians are the most likely demographic to become", "at the hands of an intimate partner (male), with about a quarter experiencing", "least likely demographic to become a victim of domestic abuse at the hands", "of domestic violence at the hands of an intimate partner. > > >", "domestic violence are more likely to be victimized by a female perpetrator. >", "harmful to men. I'd appreciate it if you don't attack me for my", "me of being a \"whiny straight white male.\") I am not necessarily anti-feminist,", "an intimate partner. > > > While men make up about 40% or", "try to make sure that I am saying the facts in such a", "> > > I want to show these facts without downplaying the domestic", "or starting to write, a book that discusses misandry and the such. I'm", "partner, men are more likely to become a victim of severe assault at", "to become a victim of severe assault at the hands of an opposite-sex", "lesbians becoming a victim of domestic violence at the hands of an intimate", "14.6 seconds a man gets severely assaulted by a girfriend/wife. While men and", "it in a way that isn't harmful. Please try to not attack me", "a victim of severe assault at the hands of an opposite-sex partner. >", "about domestic violence, but I don't want to downplay the domestic violence women", "seem like I am doing so. Here's the statistic: > > The same", "a quarter experiencing domestic abuse from an intimate partner. Lesbians are the most", "I can without it seeming harmful. For example, I want to add in", "please don't accuse me of being a \"whiny straight white male.\") I am", "face. Does this sound right, or does it have the potential to be", "violence are more likely to be victimized by a female perpetrator. > >", "currently writing, or starting to write, a book that discusses misandry and the", "every 15 seconds also indicates that every 14.6 seconds a man gets severely", "don't attack me for my politics, and instead try to make sure that", "also indicates that every 14.6 seconds a man gets severely assaulted by a", "abused, women make up about 70% of domestic abuse perpetrators. > > >", "of domestic abuse at the hands of an intimate partner (female), with almost", "seeming harmful. For example, I want to add in a statistic about domestic", "hands of an intimate partner. > > > While men make up about", "to be harmful towards female victims? I merely want to bring attention to", "face or make it seem like I am doing so. Here's the statistic:", "and female victims of domestic violence are more likely to be victimized by", "quarter experiencing domestic abuse from an intimate partner. Lesbians are the most likely", "research has also shown that gay men are the least likely demographic to", "right, or does it have the potential to be harmful towards female victims?", "severe assault at the hands of an opposite-sex partner. > > > Other", "intimate partner (female), with almost half of lesbians becoming a victim of domestic", "of an opposite-sex partner. > > > Other research has also shown that", "Please try to not attack me for being an MRA (I am a", "but I want to do it in a way that isn't harmful. Please", "it have the potential to be harmful towards female victims? I merely want", "does it have the potential to be harmful towards female victims? I merely", "and instead try to make sure that I am saying the facts in", "Lesbians are the most likely demographic to become a victim of domestic abuse", "make up about 40% or more of those domestically abused, women make up", "a victim of domestic abuse at the hands of an intimate partner (male),", "that women face. Does this sound right, or does it have the potential", "are more likely to be victimized by a female perpetrator. > > >", "15 seconds also indicates that every 14.6 seconds a man gets severely assaulted", "violence at the hands of an intimate partner. > > > While men", "opposite-sex partner. > > > Other research has also shown that gay men", "victims of domestic violence are more likely to be victimized by a female", "sure that I am saying the facts in such a way that I", "an intimate partner (female), with almost half of lesbians becoming a victim of", "the least likely demographic to become a victim of domestic abuse at the", "research that has indicated that a woman gets severely assaulted by a boyfriend/husband", "isn't harmful. Please try to not attack me for being an MRA (I", "female victims? I merely want to bring attention to male victims, but I", "straight white male.\") I am not necessarily anti-feminist, just towards the type that", "I don't want to downplay the domestic violence women face or make it", "a female perpetrator. > > > I want to show these facts without", "downplay the domestic violence women face or make it seem like I am", "harmful. For example, I want to add in a statistic about domestic violence,", "\"whiny straight white male.\") I am not necessarily anti-feminist, just towards the type", "intimate partner (male), with about a quarter experiencing domestic abuse from an intimate", "to add in a statistic about domestic violence, but I don't want to", "add in a statistic about domestic violence, but I don't want to downplay", "by a boyfriend/husband every 15 seconds also indicates that every 14.6 seconds a", "victim of domestic violence at the hands of an intimate partner. > >", "be harmful towards female victims? I merely want to bring attention to male", "up about 40% or more of those domestically abused, women make up about", "likely demographic to become a victim of domestic abuse at the hands of", "> > The same research that has indicated that a woman gets severely", "of mild assault at the hands of an opposite-sex partner, men are more", "by a female perpetrator. > > > I want to show these facts", "am doing so. Here's the statistic: > > The same research that has", "a way that isn't harmful. Please try to not attack me for being", "partner. Lesbians are the most likely demographic to become a victim of domestic", "the statistic: > > The same research that has indicated that a woman", "become a victim of severe assault at the hands of an opposite-sex partner.", "potential to be harmful towards female victims? I merely want to bring attention", "a victim of domestic abuse at the hands of an intimate partner (female),", "While men and women are equally likely to become the victim of mild", "likely to be victimized by a female perpetrator. > > > I want", "are the most likely demographic to become a victim of domestic abuse at", "write, a book that discusses misandry and the such. I'm going to try", "a woman gets severely assaulted by a boyfriend/husband every 15 seconds also indicates", "become the victim of mild assault at the hands of an opposite-sex partner,", "and women are equally likely to become the victim of mild assault at", "boyfriend/husband every 15 seconds also indicates that every 14.6 seconds a man gets", "the most likely demographic to become a victim of domestic abuse at the", "are more likely to become a victim of severe assault at the hands", "(female), with almost half of lesbians becoming a victim of domestic violence at", "without it seeming harmful. For example, I want to add in a statistic", "that every 14.6 seconds a man gets severely assaulted by a girfriend/wife. While", "of an intimate partner. > > > While men make up about 40%", "to become a victim of domestic abuse at the hands of an intimate", "becoming a victim of domestic violence at the hands of an intimate partner.", "severely assaulted by a boyfriend/husband every 15 seconds also indicates that every 14.6", "a man gets severely assaulted by a girfriend/wife. While men and women are", "For example, I want to add in a statistic about domestic violence, but", "book that discusses misandry and the such. I'm going to try to use", "show these facts without downplaying the domestic violence that women face. Does this", "of lesbians becoming a victim of domestic violence at the hands of an", "partner. > > > Other research has also shown that gay men are", "that has indicated that a woman gets severely assaulted by a boyfriend/husband every", "partner. > > > While men make up about 40% or more of", "to male victims, but I want to do it in a way that", "violence that women face. Does this sound right, or does it have the", "or make it seem like I am doing so. Here's the statistic: >", "an MRA (I am a gay man, so please don't accuse me of", "being a \"whiny straight white male.\") I am not necessarily anti-feminist, just towards", "harmful. Please try to not attack me for being an MRA (I am", "facts in such a way that I don't harm any victim, male or", "men are the least likely demographic to become a victim of domestic abuse", "shown that gay men are the least likely demographic to become a victim", "of an intimate partner (male), with about a quarter experiencing domestic abuse from", "use as much evidence as I can without it seeming harmful. For example,", "has indicated that a woman gets severely assaulted by a boyfriend/husband every 15", "that gay men are the least likely demographic to become a victim of", "that a woman gets severely assaulted by a boyfriend/husband every 15 seconds also", "indicated that a woman gets severely assaulted by a boyfriend/husband every 15 seconds", "merely want to bring attention to male victims, but I want to do", "intimate partner. Lesbians are the most likely demographic to become a victim of", "can without it seeming harmful. For example, I want to add in a", "make up about 70% of domestic abuse perpetrators. > > > Both male", "this sound right, or does it have the potential to be harmful towards", "me for being an MRA (I am a gay man, so please don't", "I am saying the facts in such a way that I don't harm", "about a quarter experiencing domestic abuse from an intimate partner. Lesbians are the", "Does this sound right, or does it have the potential to be harmful", "it seeming harmful. For example, I want to add in a statistic about", "those domestically abused, women make up about 70% of domestic abuse perpetrators. >", "appreciate it if you don't attack me for my politics, and instead try", "woman gets severely assaulted by a boyfriend/husband every 15 seconds also indicates that", "am not necessarily anti-feminist, just towards the type that is harmful to men.", "domestic abuse at the hands of an intimate partner (male), with about a", "The same research that has indicated that a woman gets severely assaulted by", "hands of an opposite-sex partner. > > > Other research has also shown", "doing so. Here's the statistic: > > The same research that has indicated", "hands of an intimate partner (male), with about a quarter experiencing domestic abuse", "domestic violence that women face. Does this sound right, or does it have", "as much evidence as I can without it seeming harmful. For example, I", "> > > While men make up about 40% or more of those", "women face. Does this sound right, or does it have the potential to", "male.\") I am not necessarily anti-feminist, just towards the type that is harmful", "to make sure that I am saying the facts in such a way", "every 14.6 seconds a man gets severely assaulted by a girfriend/wife. While men", "> The same research that has indicated that a woman gets severely assaulted", "an opposite-sex partner. > > > Other research has also shown that gay", "hands of an opposite-sex partner, men are more likely to become a victim", "attack me for being an MRA (I am a gay man, so please", "and the such. I'm going to try to use as much evidence as", "sound right, or does it have the potential to be harmful towards female", "Both male and female victims of domestic violence are more likely to be", "hands of an intimate partner (female), with almost half of lesbians becoming a", "anti-feminist, just towards the type that is harmful to men. I'd appreciate it", "a \"whiny straight white male.\") I am not necessarily anti-feminist, just towards the", "me for my politics, and instead try to make sure that I am", "in such a way that I don't harm any victim, male or female.", "> > > Other research has also shown that gay men are the", "be victimized by a female perpetrator. > > > I want to show", "domestic abuse from an intimate partner. Lesbians are the most likely demographic to", "male and female victims of domestic violence are more likely to be victimized", "an opposite-sex partner, men are more likely to become a victim of severe", "more likely to be victimized by a female perpetrator. > > > I", "same research that has indicated that a woman gets severely assaulted by a", "or does it have the potential to be harmful towards female victims? I", "become a victim of domestic abuse at the hands of an intimate partner", "girfriend/wife. 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While men and women are equally", "women make up about 70% of domestic abuse perpetrators. > > > Both", "domestic violence women face or make it seem like I am doing so.", "or more of those domestically abused, women make up about 70% of domestic", "> While men make up about 40% or more of those domestically abused,", "to write, a book that discusses misandry and the such. I'm going to", "to bring attention to male victims, but I want to do it in", "it if you don't attack me for my politics, and instead try to", "as I can without it seeming harmful. For example, I want to add", "gay men are the least likely demographic to become a victim of domestic", "accuse me of being a \"whiny straight white male.\") I am not necessarily", "want to downplay the domestic violence women face or make it seem like", "> > While men make up about 40% or more of those domestically", "want to add in a statistic about domestic violence, but I don't want", "a girfriend/wife. 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While men and women", "the hands of an intimate partner (female), with almost half of lesbians becoming", "about 70% of domestic abuse perpetrators. > > > Both male and female", "male victims, but I want to do it in a way that isn't", "of domestic abuse at the hands of an intimate partner (male), with about", "such. I'm going to try to use as much evidence as I can", "up about 70% of domestic abuse perpetrators. > > > Both male and", "Here's the statistic: > > The same research that has indicated that a", "half of lesbians becoming a victim of domestic violence at the hands of", "40% or more of those domestically abused, women make up about 70% of", "the hands of an opposite-sex partner. > > > Other research has also", "these facts without downplaying the domestic violence that women face. Does this sound", "do it in a way that isn't harmful. Please try to not attack", "has also shown that gay men are the least likely demographic to become", "bring attention to male victims, but I want to do it in a" ]
[ "holes in the sides, and embers danced on wood left behind. Inside was", "this have to happen to us?\" Her hair fell in front like a", "girl's face as she pulled herself into a tight ball. \"Why did this", "that barely qualified as a house. There were huge holes in the sides,", "girl. A small smile fell on his face. \"Now, I'm going to find", "the voice I heard.* > > The man looked around, anxious. \"You're going", "he left her in a small hidden corner. She sat there dazed before", "wood left behind. Inside was a man in a business suit with dirty", "sob. Tears fell, tracing the curvature of the girl's face as she pulled", "is going on?\" She cried, her whisper turning into a sob. Tears fell,", "her. > > > What grammatical and stylistic alternatives can writers use to", "in the sides, and embers danced on wood left behind. Inside was a", "as a house. There were huge holes in the sides, and embers danced", "she almost turned blue. > This must have been the voice I heard.", "writing he/she/him/her and overusing the character's name at the beginning of sentences. For", "almost; As if to hide her from the world around her. > >", "her from the world around her. > > > What grammatical and stylistic", "have been the voice I heard.* > > The man looked around, anxious.", "looked to realize that this was real, that this was her life. \"What", "of the girl's face as she pulled herself into a tight ball. \"Why", "down. She coughed till she almost turned blue. > This must have been", "She coughed till she almost turned blue. > This must have been the", "was her life. \"What is going on?\" She cried, her whisper turning into", "to be fine.\" He consulted the child. He began to remove his jacket", "dazed before she looked to realize that this was real, that this was", "name at the beginning of sentences. For example: > > Pandora ran through", "wrap it around the little girl. A small smile fell on his face.", "girl down. She coughed till she almost turned blue. > This must have", "I heard. > > The man looked around, anxious. \"You're going to be", "business suit with dirty hair setting a girl down. She coughed till she", "I've developed a habit of writing he/she/him/her and overusing the character's name at", "> What grammatical and stylistic alternatives can writers use to avoid this problem?", "turned blue. > This must have been the voice I heard. > >", "small smile fell on his face. \"Now, I'm going to find some help.", "that this was her life. \"What is going on?\" She cried, her whisper", "\"Why did this have to happen to us?\" Her hair fell in front", "> > > She groaned in response as he left her in a", "example: > > Pandora ran through the snow, following the coughs to a", "suit with dirty hair setting a girl down. She coughed till she almost", "ran through the snow, following the coughs to a small building that barely", "in a small hidden corner. She sat there dazed before she looked to", "> She groaned in response as he left her in a small hidden", "this was her life. \"What is going on?\" She cried, her whisper turning", "to remove his jacket and wrap it around the little girl. A small", "were huge holes in the sides, and embers danced on wood left behind.", "was a man in a business suit with dirty hair setting a girl", "tracing the curvature of the girl's face as she pulled herself into a", "in front like a curtain almost; As if to hide her from the", "he/she/him/her and overusing the character's name at the beginning of sentences. For example:", "hair setting a girl down. She coughed till she almost turned blue. >", "A small smile fell on his face. \"Now, I'm going to find some", "the sides, and embers danced on wood left behind. Inside was a man", "sides, and embers danced on wood left behind. Inside was a man in", "the girl's face as she pulled herself into a tight ball. \"Why did", "curvature of the girl's face as she pulled herself into a tight ball.", "fell on his face. \"Now, I'm going to find some help. Just wait", "at the beginning of sentences. For example: > > Pandora ran through the", "> > What grammatical and stylistic alternatives can writers use to avoid this", "be fine.\" He consulted the child. He began to remove his jacket and", "As if to hide her from the world around her. > > >", "around her. > > > What grammatical and stylistic alternatives can writers use", "his face. \"Now, I'm going to find some help. Just wait here.\" >", "She groaned in response as he left her in a small hidden corner.", "He consulted the child. He began to remove his jacket and wrap it", "like a curtain almost; As if to hide her from the world around", "following the coughs to a small building that barely qualified as a house.", "remove his jacket and wrap it around the little girl. A small smile", "a tight ball. \"Why did this have to happen to us?\" Her hair", "> > Pandora ran through the snow, following the coughs to a small", "a habit of writing he/she/him/her and overusing the character's name at the beginning", "dirty hair setting a girl down. She coughed till she almost turned blue.", "going to find some help. Just wait here.\" > > > She groaned", "sat there dazed before she looked to realize that this was real, that", "have to happen to us?\" Her hair fell in front like a curtain", "a girl down. She coughed till she almost turned blue. > This must", "of writing he/she/him/her and overusing the character's name at the beginning of sentences.", "beginning of sentences. For example: > > Pandora ran through the snow, following", "face. \"Now, I'm going to find some help. Just wait here.\" > >", "find some help. Just wait here.\" > > > She groaned in response", "heard. > > The man looked around, anxious. \"You're going to be fine.\"", "danced on wood left behind. Inside was a man in a business suit", "in a business suit with dirty hair setting a girl down. She coughed", "she looked to realize that this was real, that this was her life.", "barely qualified as a house. There were huge holes in the sides, and", "and embers danced on wood left behind. Inside was a man in a", "to find some help. Just wait here.\" > > > She groaned in", "a small building that barely qualified as a house. There were huge holes", "to a small building that barely qualified as a house. There were huge", "the child. 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A small smile fell on his face. \"Now, I'm going", "here.\" > > > She groaned in response as he left her in", "blue. > This must have been the voice I heard. > > The", "if to hide her from the world around her. > > > What", "child. He began to remove his jacket and wrap it around the little", "till she almost turned blue. > This must have been the voice I", "some help. Just wait here.\" > > > She groaned in response as", "She cried, her whisper turning into a sob. Tears fell, tracing the curvature", "habit of writing he/she/him/her and overusing the character's name at the beginning of", "snow, following the coughs to a small building that barely qualified as a", "coughs to a small building that barely qualified as a house. There were", "For example: > > Pandora ran through the snow, following the coughs to", "man in a business suit with dirty hair setting a girl down. She", "small hidden corner. She sat there dazed before she looked to realize that", "Just wait here.\" > > > She groaned in response as he left", "a small hidden corner. She sat there dazed before she looked to realize", "the snow, following the coughs to a small building that barely qualified as", "\"You're going to be fine.\" He consulted the child. He began to remove", "jacket and wrap it around the little girl. A small smile fell on", "a curtain almost; As if to hide her from the world around her.", "herself into a tight ball. \"Why did this have to happen to us?\"", "hidden corner. She sat there dazed before she looked to realize that this", "small building that barely qualified as a house. There were huge holes in", "This must have been the voice I heard.* > > The man looked", "as he left her in a small hidden corner. She sat there dazed", "Tears fell, tracing the curvature of the girl's face as she pulled herself", "her life. \"What is going on?\" She cried, her whisper turning into a", "> This must have been the voice I heard. > > The man", "was real, that this was her life. \"What is going on?\" She cried,", "on?\" She cried, her whisper turning into a sob. Tears fell, tracing the", "Pandora ran through the snow, following the coughs to a small building that", "Recently, I've developed a habit of writing he/she/him/her and overusing the character's name", "qualified as a house. There were huge holes in the sides, and embers", "going to be fine.\" He consulted the child. He began to remove his", "> Pandora ran through the snow, following the coughs to a small building", "little girl. A small smile fell on his face. \"Now, I'm going to", "\"What is going on?\" She cried, her whisper turning into a sob. Tears", "face as she pulled herself into a tight ball. \"Why did this have", "pulled herself into a tight ball. \"Why did this have to happen to", "There were huge holes in the sides, and embers danced on wood left", "did this have to happen to us?\" Her hair fell in front like", "to us?\" Her hair fell in front like a curtain almost; As if", "around, anxious. \"You're going to be fine.\" He consulted the child. He began", "a sob. Tears fell, tracing the curvature of the girl's face as she", "Inside was a man in a business suit with dirty hair setting a", "turning into a sob. Tears fell, tracing the curvature of the girl's face", "of sentences. For example: > > Pandora ran through the snow, following the", "from the world around her. > > > What grammatical and stylistic alternatives", "smile fell on his face. \"Now, I'm going to find some help. Just", "to realize that this was real, that this was her life. \"What is", "front like a curtain almost; As if to hide her from the world", "character's name at the beginning of sentences. For example: > > Pandora ran", "fell in front like a curtain almost; As if to hide her from", "the curvature of the girl's face as she pulled herself into a tight", "us?\" Her hair fell in front like a curtain almost; As if to", "hide her from the world around her. > > > What grammatical and", "fine.\" He consulted the child. He began to remove his jacket and wrap", "the coughs to a small building that barely qualified as a house. There", "left behind. Inside was a man in a business suit with dirty hair" ]
[ "on purpose, killing innocent humans, etc... The problem is that in the story", "tribes (don't tend to move) or families (tend to move). The story itself", "granddad cry, which is awful (gramps IS his only living relative) but he", "the book The Camp of the Saints, but in a story that isn't", "some of the racism, yet the only time they \"show up\" is when", "It works pretty well. Now, the bad guys are a human terror group,", "what I'm talking about. Okay, simply put: they either enjoy killing those they", "agile bodies, but it matters little in a world where the existence of", "races. Now, of these werewolves, turned (as in a human who became a", "the festival, as the city regularly trades with them, plus the city council", "towards calming down their beast-side by satisfying its needs beforehand. It works pretty", "In the setting, they were a minority, much like most non-human races. Now,", "a werewolf terror group to explain some of the racism, yet the only", "The nearby city which is very liberal by the setting's standards sends out", "in a werewolf terror group to explain some of the racism, yet the", "on eliminating creatures like werewolves as they are \"perversions of humanity\". They're depicted", "human terror group, the monster hunters, who are dead set on eliminating creatures", "hunters by authorities to maintain a false sense of peace. The monster hunters", "most non-humans) and suppression of information on monster hunters by authorities to maintain", "caricatures, but the truth is that I'm having a hard time viewing these", "who is sympathetic to their cause) when he's having a quarrel with his", "sends out guards to protect werewolves during the night of the festival, as", "with no redeeming qualities. They're basically the protagonists of the book The Camp", "segregation (of most non-humans) and suppression of information on monster hunters by authorities", "the city council isn't a bunch of douchebags. The guards also get attacked", "then, the most harm, he causes with it, is making his granddad cry,", "maintain a false sense of peace. The monster hunters might look like caricatures,", "hear about segregation (of most non-humans) and suppression of information on monster hunters", "awful (gramps IS his only living relative) but he does feel bad about", "that only becomes apparent in hindsight. Still, it feels disingenuous to throw in", "most non-human races. Now, of these werewolves, turned (as in a human who", "born as werewolves. The whole beast-side-aking-over thing is only true for the duration", "hard time viewing these types of groups as anything more. If you've read", "of these werewolves, turned (as in a human who became a werewolf) ones", "tribe when they're snoozing. Sure, humans aren't depicted as monsters either. The nearby", "a conflict seem more two-sided, even though one of these sides is almost", "whole beast-side-aking-over thing is only true for the duration of the full moon.", "ultimately the right call, but that only becomes apparent in hindsight. Still, it", "human who became a werewolf) ones only go through the transformation once, later", "etc... The problem is that in the story we only hear about them", "the truth is that I'm having a hard time viewing these types of", "by authorities to maintain a false sense of peace. The monster hunters might", "The story itself takes place during and the day after the full-moon festival.", "anything more. If you've read The Turner Diaries* or the aforementioned The Camp", "the bad guys are a human terror group, the monster hunters, who are", "bodies, but it matters little in a world where the existence of artifacts", "as monsters either. The nearby city which is very liberal by the setting's", "harm, he causes with it, is making his granddad cry, which is awful", "aren't depicted as monsters either. The nearby city which is very liberal by", "does terrible things too, like biting people on purpose, killing innocent humans, etc...", "make a conflict seem more two-sided, even though one of these sides is", "the protagonists of the book The Camp of the Saints, but in a", "are \"perversions of humanity\". They're depicted as cruel, illogical, cowardly, and plain repulsive", "the mc where he's injured and has to put his trust into a", "paper, there is a werewolf group that does terrible things too, like biting", "of the book The Camp of the Saints, but in a story that", "aren't reluctant to fight back. As far as other elements go, we do", "festival, as the city regularly trades with them, plus the city council isn't", "some anesthetics and the festival is geared towards calming down their beast-side by", "humans aren't depicted as monsters either. The nearby city which is very liberal", "any way to make a conflict seem more two-sided, even though one of", "of the racism, yet the only time they \"show up\" is when the", "but that only becomes apparent in hindsight. Still, it feels disingenuous to throw", "towards the end, the food is spiced up with some anesthetics and the", "might look like caricatures, but the truth is that I'm having a hard", "his ideology look dangerous. Sure, they're ultimately the right call, but that only", "also get attacked by monster hunters, as they are \"race traitors\", and aren't", "there is a werewolf group that does terrible things too, like biting people", "over his views. Now, his grandfather is described as a kind and intelligent", "werewolves as they are \"perversions of humanity\". They're depicted as cruel, illogical, cowardly,", "aforementioned The Camp of the Saints, you know what I'm talking about. Okay,", "of humanity\". They're depicted as cruel, illogical, cowardly, and plain repulsive people with", "know what I'm talking about. Okay, simply put: they either enjoy killing those", "a werewolf group that does terrible things too, like biting people on purpose,", "sense for him to be so adamantly pacifistic, and the events make his", "werewolves, turned (as in a human who became a werewolf) ones only go", "disproven. In paper, there is a werewolf group that does terrible things too,", "keen senses (especially their smell) and stronger and slightly more agile bodies, but", "sense of peace. The monster hunters might look like caricatures, but the truth", "more agile bodies, but it matters little in a world where the existence", "transformation once, later generations (werewolves can reproduce) are born as werewolves. The whole", "purpose, killing innocent humans, etc... The problem is that in the story we", "is that I'm having a hard time viewing these types of groups as", "who are dead set on eliminating creatures like werewolves as they are \"perversions", "time they \"show up\" is when the mc talks about them, and even", "as a kind and intelligent person, but lore-wise, his daughter, (almost) his grandson,", "only living relative) but he does feel bad about it. I planned on", "only go through the transformation once, later generations (werewolves can reproduce) are born", "setting's standards sends out guards to protect werewolves during the night of the", "their smell) and stronger and slightly more agile bodies, but it matters little", "a kind and intelligent person, but lore-wise, his daughter, (almost) his grandson, and", "consider inferior (the worst type) or live in a false dichotomy (something similar", "(don't tend to move) or families (tend to move). The story itself takes", "\"perversions of humanity\". They're depicted as cruel, illogical, cowardly, and plain repulsive people", "attacked by monster hunters, as they are \"race traitors\", and aren't reluctant to", "As far as other elements go, we do hear about segregation (of most", "of the Saints, you know what I'm talking about. Okay, simply put: they", "(a werewolf who is sympathetic to their cause) when he's having a quarrel", "or the aforementioned The Camp of the Saints, you know what I'm talking", "people on purpose, killing innocent humans, etc... The problem is that in the", "his views. Now, his grandfather is described as a kind and intelligent person,", "be so adamantly pacifistic, and the events make his ideology look dangerous. Sure,", "after the full-moon festival. Simply put it's a social event with some eating", "arc for the mc where he's injured and has to put his trust", "right call, but that only becomes apparent in hindsight. Still, it feels disingenuous", "hit, so... Werewolves usually live in tribes (don't tend to move) or families", "trades with them, plus the city council isn't a bunch of douchebags. The", "them in a single hit, so... Werewolves usually live in tribes (don't tend", "beforehand. It works pretty well. Now, the bad guys are a human terror", "out guards to protect werewolves during the night of the festival, as the", "only true for the duration of the full moon. Werewolves have more keen", "most harm, he causes with it, is making his granddad cry, which is", "to throw in a werewolf terror group to explain some of the racism,", "the story we only hear about them from the main character (a werewolf", "few of his tribe had died because of monster hunters. So it makes", "them, plus the city council isn't a bunch of douchebags. The guards also", "one of my story ideas involved werewolves. In the setting, they were a", "so... Werewolves usually live in tribes (don't tend to move) or families (tend", "cry, which is awful (gramps IS his only living relative) but he does", "is sympathetic to their cause) when he's having a quarrel with his grandfather", "individual's journey does little when the werewoof terror group is still out there.", "injured and has to put his trust into a group of humans, but", "worst type) or live in a false dichotomy (something similar to the white", "disingenuous to throw in a werewolf terror group to explain some of the", "described as a kind and intelligent person, but lore-wise, his daughter, (almost) his", "more two-sided, even though one of these sides is almost completely irrelevant/inconsequential in", "white genocide conspiracy), where it's either kill or be killed, something that can", "they \"show up\" is when the mc talks about them, and even then,", "The Camp of the Saints, you know what I'm talking about. Okay, simply", "the full-moon festival. Simply put it's a social event with some eating and", "grandfather over his views. Now, his grandfather is described as a kind and", "werewolves. The whole beast-side-aking-over thing is only true for the duration of the", "relative) but he does feel bad about it. I planned on throwing in", "tribe had died because of monster hunters. So it makes little sense for", "viewing these types of groups as anything more. If you've read The Turner", "throwing in an arc for the mc where he's injured and has to", "these differences. After all, an explosive arrow can still kill them in a", "ideology look dangerous. Sure, they're ultimately the right call, but that only becomes", "levels these differences. After all, an explosive arrow can still kill them in", "genocide conspiracy), where it's either kill or be killed, something that can easily", "story ideas involved werewolves. In the setting, they were a minority, much like", "eliminating creatures like werewolves as they are \"perversions of humanity\". They're depicted as", "of peace. The monster hunters might look like caricatures, but the truth is", "to move) or families (tend to move). The story itself takes place during", "takes place during and the day after the full-moon festival. Simply put it's", "his granddad cry, which is awful (gramps IS his only living relative) but", "he's injured and has to put his trust into a group of humans,", "is spiced up with some anesthetics and the festival is geared towards calming", "his trust into a group of humans, but an individual's journey does little", "IS his only living relative) but he does feel bad about it. I", "a hard time viewing these types of groups as anything more. If you've", "group that does terrible things too, like biting people on purpose, killing innocent", "who became a werewolf) ones only go through the transformation once, later generations", "grounded in paranoia. You guessed, they attack the tribe when they're snoozing. Sure,", "that I'm having a hard time viewing these types of groups as anything", "with his grandfather over his views. Now, his grandfather is described as a", "false sense of peace. The monster hunters might look like caricatures, but the", "bunch of douchebags. The guards also get attacked by monster hunters, as they", "I planned on throwing in an arc for the mc where he's injured", "his grandfather is described as a kind and intelligent person, but lore-wise, his", "a world where the existence of artifacts easily levels these differences. After all,", "biting people on purpose, killing innocent humans, etc... The problem is that in", "qualities. They're basically the protagonists of the book The Camp of the Saints,", "liberal by the setting's standards sends out guards to protect werewolves during the", "similar to the white genocide conspiracy), where it's either kill or be killed,", "explain some of the racism, yet the only time they \"show up\" is", "live in a false dichotomy (something similar to the white genocide conspiracy), where", "Werewolves usually live in tribes (don't tend to move) or families (tend to", "Now, the bad guys are a human terror group, the monster hunters, who", "it. I planned on throwing in an arc for the mc where he's", "Diaries or the aforementioned The Camp of the Saints, you know what I'm", "two-sided, even though one of these sides is almost completely irrelevant/inconsequential in the", "story that isn't grounded in paranoia. You guessed, they attack the tribe when", "it matters little in a world where the existence of artifacts easily levels", "illogical, cowardly, and plain repulsive people with no redeeming qualities. They're basically the", "talks about them, and even then, the most harm, he causes with it,", "moon. Werewolves have more keen senses (especially their smell) and stronger and slightly", "senses (especially their smell) and stronger and slightly more agile bodies, but it", "during the night of the festival, as the city regularly trades with them,", "of his tribe had died because of monster hunters. So it makes little", "monster hunters, as they are \"race traitors\", and aren't reluctant to fight back.", "conflict seem more two-sided, even though one of these sides is almost completely", "The whole beast-side-aking-over thing is only true for the duration of the full", "with some anesthetics and the festival is geared towards calming down their beast-side", "there any way to make a conflict seem more two-sided, even though one", "killed, something that can easily be disproven. In paper, there is a werewolf", "easily levels these differences. After all, an explosive arrow can still kill them", "easily be disproven. In paper, there is a werewolf group that does terrible", "So, is there any way to make a conflict seem more two-sided, even", "little when the werewoof terror group is still out there. So, is there", "even though one of these sides is almost completely irrelevant/inconsequential in the plot?*", "little in a world where the existence of artifacts easily levels these differences.", "by monster hunters, as they are \"race traitors\", and aren't reluctant to fight", "generations (werewolves can reproduce) are born as werewolves. The whole beast-side-aking-over thing is", "look dangerous. Sure, they're ultimately the right call, but that only becomes apparent", "explosive arrow can still kill them in a single hit, so... Werewolves usually", "like biting people on purpose, killing innocent humans, etc... The problem is that", "that does terrible things too, like biting people on purpose, killing innocent humans,", "suppression of information on monster hunters by authorities to maintain a false sense", "be disproven. In paper, there is a werewolf group that does terrible things", "monsters either. The nearby city which is very liberal by the setting's standards", "through the transformation once, later generations (werewolves can reproduce) are born as werewolves.", "those they consider inferior (the worst type) or live in a false dichotomy", "events make his ideology look dangerous. Sure, they're ultimately the right call, but", "became a werewolf) ones only go through the transformation once, later generations (werewolves", "the setting's standards sends out guards to protect werewolves during the night of", "a single hit, so... Werewolves usually live in tribes (don't tend to move)", "the racism, yet the only time they \"show up\" is when the mc", "does feel bad about it. I planned on throwing in an arc for", "works pretty well. Now, the bad guys are a human terror group, the", "is still out there. *So, is there any way to make a conflict", "dead set on eliminating creatures like werewolves as they are \"perversions of humanity\".", "monster hunters, who are dead set on eliminating creatures like werewolves as they", "geared towards calming down their beast-side by satisfying its needs beforehand. It works", "repulsive people with no redeeming qualities. They're basically the protagonists of the book", "he's having a quarrel with his grandfather over his views. Now, his grandfather", "throw in a werewolf terror group to explain some of the racism, yet", "festival is geared towards calming down their beast-side by satisfying its needs beforehand.", "call, but that only becomes apparent in hindsight. Still, it feels disingenuous to", "fight back. As far as other elements go, we do hear about segregation", "bad guys are a human terror group, the monster hunters, who are dead", "traitors\", and aren't reluctant to fight back. As far as other elements go,", "where it's either kill or be killed, something that can easily be disproven.", "about it. I planned on throwing in an arc for the mc where", "more. If you've read The Turner Diaries or the aforementioned The Camp of", "and the festival is geared towards calming down their beast-side by satisfying its", "hear about them from the main character (a werewolf who is sympathetic to", "the festival is geared towards calming down their beast-side by satisfying its needs", "So it makes little sense for him to be so adamantly pacifistic, and", "they're snoozing. Sure, humans aren't depicted as monsters either. The nearby city which", "The problem is that in the story we only hear about them from", "still out there. So, is there any way to make a conflict seem", "Still, it feels disingenuous to throw in a werewolf terror group to explain", "is when the mc talks about them, and even then, the most harm,", "depicted as cruel, illogical, cowardly, and plain repulsive people with no redeeming qualities.", "still kill them in a single hit, so... Werewolves usually live in tribes", "hunters, who are dead set on eliminating creatures like werewolves as they are", "Camp of the Saints, but in a story that isn't grounded in paranoia.", "about them from the main character (a werewolf who is sympathetic to their", "get attacked by monster hunters, as they are \"race traitors\", and aren't reluctant", "they consider inferior (the worst type) or live in a false dichotomy (something", "to maintain a false sense of peace. The monster hunters might look like", "there. So, is there any way to make a conflict seem more two-sided,", "type) or live in a false dichotomy (something similar to the white genocide", "you know what I'm talking about. Okay, simply put: they either enjoy killing", "and aren't reluctant to fight back. As far as other elements go, we", "be killed, something that can easily be disproven. In paper, there is a", "festival. Simply put it's a social event with some eating and drinking towards", "things too, like biting people on purpose, killing innocent humans, etc... The problem", "up with some anesthetics and the festival is geared towards calming down their", "a human terror group, the monster hunters, who are dead set on eliminating", "werewolf group that does terrible things too, like biting people on purpose, killing", "the right call, but that only becomes apparent in hindsight. Still, it feels", "to make a conflict seem more two-sided, even though one of these sides", "to the white genocide conspiracy), where it's either kill or be killed, something", "hunters might look like caricatures, but the truth is that I'm having a", "terror group is still out there. So, is there any way to make", "beast-side-aking-over thing is only true for the duration of the full moon. Werewolves", "Sure, humans aren't depicted as monsters either. The nearby city which is very", "turned (as in a human who became a werewolf) ones only go through", "and the events make his ideology look dangerous. Sure, they're ultimately the right", "in a false dichotomy (something similar to the white genocide conspiracy), where it's", "full-moon festival. Simply put it's a social event with some eating and drinking", "false dichotomy (something similar to the white genocide conspiracy), where it's either kill", "terrible things too, like biting people on purpose, killing innocent humans, etc... The", "Sure, they're ultimately the right call, but that only becomes apparent in hindsight.", "of the Saints, but in a story that isn't grounded in paranoia. You", "go, we do hear about segregation (of most non-humans) and suppression of information", "way to make a conflict seem more two-sided, even though one of these", "kind and intelligent person, but lore-wise, his daughter, (almost) his grandson, and a", "to their cause) when he's having a quarrel with his grandfather over his", "and has to put his trust into a group of humans, but an", "and the day after the full-moon festival. Simply put it's a social event", "The Camp of the Saints, but in a story that isn't grounded in", "an arc for the mc where he's injured and has to put his", "dichotomy (something similar to the white genocide conspiracy), where it's either kill or", "in hindsight. Still, it feels disingenuous to throw in a werewolf terror group", "The guards also get attacked by monster hunters, as they are \"race traitors\",", "a group of humans, but an individual's journey does little when the werewoof", "as werewolves. The whole beast-side-aking-over thing is only true for the duration of", "isn't a bunch of douchebags. The guards also get attacked by monster hunters,", "put his trust into a group of humans, but an individual's journey does", "more keen senses (especially their smell) and stronger and slightly more agile bodies,", "very liberal by the setting's standards sends out guards to protect werewolves during", "down their beast-side by satisfying its needs beforehand. It works pretty well. Now,", "seem more two-sided, even though one of these sides is almost completely irrelevant/inconsequential", "of information on monster hunters by authorities to maintain a false sense of", "because of monster hunters. So it makes little sense for him to be", "the end, the food is spiced up with some anesthetics and the festival", "slightly more agile bodies, but it matters little in a world where the", "drinking towards the end, the food is spiced up with some anesthetics and", "of artifacts easily levels these differences. After all, an explosive arrow can still", "Simply put it's a social event with some eating and drinking towards the", "(gramps IS his only living relative) but he does feel bad about it.", "sympathetic to their cause) when he's having a quarrel with his grandfather over", "and plain repulsive people with no redeeming qualities. They're basically the protagonists of", "little sense for him to be so adamantly pacifistic, and the events make", "and stronger and slightly more agile bodies, but it matters little in a", "live in tribes (don't tend to move) or families (tend to move). The", "day after the full-moon festival. Simply put it's a social event with some", "as they are \"race traitors\", and aren't reluctant to fight back. As far", "look like caricatures, but the truth is that I'm having a hard time", "guys are a human terror group, the monster hunters, who are dead set", "single hit, so... Werewolves usually live in tribes (don't tend to move) or", "it, is making his granddad cry, which is awful (gramps IS his only", "Now, his grandfather is described as a kind and intelligent person, but lore-wise,", "They're depicted as cruel, illogical, cowardly, and plain repulsive people with no redeeming", "the setting, they were a minority, much like most non-human races. Now, of", "it's a social event with some eating and drinking towards the end, the", "move) or families (tend to move). The story itself takes place during and", "their cause) when he's having a quarrel with his grandfather over his views.", "in the story we only hear about them from the main character (a", "his tribe had died because of monster hunters. So it makes little sense", "but lore-wise, his daughter, (almost) his grandson, and a few of his tribe", "like most non-human races. Now, of these werewolves, turned (as in a human", "the white genocide conspiracy), where it's either kill or be killed, something that", "attack the tribe when they're snoozing. Sure, humans aren't depicted as monsters either.", "ones only go through the transformation once, later generations (werewolves can reproduce) are", "inferior (the worst type) or live in a false dichotomy (something similar to", "non-human races. Now, of these werewolves, turned (as in a human who became", "needs beforehand. It works pretty well. Now, the bad guys are a human", "can still kill them in a single hit, so... Werewolves usually live in", "of monster hunters. So it makes little sense for him to be so", "to move). The story itself takes place during and the day after the", "in paranoia. You guessed, they attack the tribe when they're snoozing. Sure, humans", "into a group of humans, but an individual's journey does little when the", "group of humans, but an individual's journey does little when the werewoof terror", "minority, much like most non-human races. Now, of these werewolves, turned (as in", "go through the transformation once, later generations (werewolves can reproduce) are born as", "a few of his tribe had died because of monster hunters. So it", "the Saints, you know what I'm talking about. Okay, simply put: they either", "Camp of the Saints, you know what I'm talking about. Okay, simply put:", "making his granddad cry, which is awful (gramps IS his only living relative)", "(the worst type) or live in a false dichotomy (something similar to the", "having a quarrel with his grandfather over his views. Now, his grandfather is", "enjoy killing those they consider inferior (the worst type) or live in a", "killing those they consider inferior (the worst type) or live in a false", "hunters. So it makes little sense for him to be so adamantly pacifistic,", "groups as anything more. If you've read The Turner Diaries or the aforementioned", "to explain some of the racism, yet the only time they \"show up\"", "a story that isn't grounded in paranoia. You guessed, they attack the tribe", "story we only hear about them from the main character (a werewolf who", "once, later generations (werewolves can reproduce) are born as werewolves. The whole beast-side-aking-over", "truth is that I'm having a hard time viewing these types of groups", "but he does feel bad about it. I planned on throwing in an", "is that in the story we only hear about them from the main", "dangerous. Sure, they're ultimately the right call, but that only becomes apparent in", "thing is only true for the duration of the full moon. Werewolves have", "in an arc for the mc where he's injured and has to put", "setting, they were a minority, much like most non-human races. Now, of these", "like caricatures, but the truth is that I'm having a hard time viewing", "kill them in a single hit, so... Werewolves usually live in tribes (don't", "intelligent person, but lore-wise, his daughter, (almost) his grandson, and a few of", "(of most non-humans) and suppression of information on monster hunters by authorities to", "far as other elements go, we do hear about segregation (of most non-humans)", "have more keen senses (especially their smell) and stronger and slightly more agile", "true for the duration of the full moon. Werewolves have more keen senses", "by the setting's standards sends out guards to protect werewolves during the night", "and even then, the most harm, he causes with it, is making his", "plus the city council isn't a bunch of douchebags. The guards also get", "the werewoof terror group is still out there. *So, is there any way", "guards also get attacked by monster hunters, as they are \"race traitors\", and", "no redeeming qualities. They're basically the protagonists of the book The Camp of", "the only time they \"show up\" is when the mc talks about them,", "daughter, (almost) his grandson, and a few of his tribe had died because", "him to be so adamantly pacifistic, and the events make his ideology look", "In paper, there is a werewolf group that does terrible things too, like", "later generations (werewolves can reproduce) are born as werewolves. The whole beast-side-aking-over thing", "as they are \"perversions of humanity\". They're depicted as cruel, illogical, cowardly, and", "werewolves. In the setting, they were a minority, much like most non-human races.", "as other elements go, we do hear about segregation (of most non-humans) and", "and a few of his tribe had died because of monster hunters. So", "of my story ideas involved werewolves. In the setting, they were a minority,", "during and the day after the full-moon festival. Simply put it's a social", "yet the only time they \"show up\" is when the mc talks about", "grandfather is described as a kind and intelligent person, but lore-wise, his daughter,", "in a story that isn't grounded in paranoia. You guessed, they attack the", "when the mc talks about them, and even then, the most harm, he", "adamantly pacifistic, and the events make his ideology look dangerous. Sure, they're ultimately", "matters little in a world where the existence of artifacts easily levels these", "guessed, they attack the tribe when they're snoozing. Sure, humans aren't depicted as", "some eating and drinking towards the end, the food is spiced up with", "eating and drinking towards the end, the food is spiced up with some", "they're ultimately the right call, but that only becomes apparent in hindsight. Still,", "humanity\". They're depicted as cruel, illogical, cowardly, and plain repulsive people with no", "the transformation once, later generations (werewolves can reproduce) are born as werewolves. The", "journey does little when the werewoof terror group is still out there. *So,", "event with some eating and drinking towards the end, the food is spiced", "is geared towards calming down their beast-side by satisfying its needs beforehand. It", "city council isn't a bunch of douchebags. The guards also get attacked by", "for the mc where he's injured and has to put his trust into", "stronger and slightly more agile bodies, but it matters little in a world", "that in the story we only hear about them from the main character", "died because of monster hunters. So it makes little sense for him to", "Okay, simply put: they either enjoy killing those they consider inferior (the worst", "even then, the most harm, he causes with it, is making his granddad", "of douchebags. The guards also get attacked by monster hunters, as they are", "we do hear about segregation (of most non-humans) and suppression of information on", "After all, an explosive arrow can still kill them in a single hit,", "about. Okay, simply put: they either enjoy killing those they consider inferior (the", "depicted as monsters either. The nearby city which is very liberal by the", "as anything more. If you've read The Turner Diaries* or the aforementioned The", "from the main character (a werewolf who is sympathetic to their cause) when", "his grandfather over his views. Now, his grandfather is described as a kind", "are born as werewolves. The whole beast-side-aking-over thing is only true for the", "the Saints, but in a story that isn't grounded in paranoia. You guessed,", "put: they either enjoy killing those they consider inferior (the worst type) or", "are dead set on eliminating creatures like werewolves as they are \"perversions of", "You guessed, they attack the tribe when they're snoozing. Sure, humans aren't depicted", "where he's injured and has to put his trust into a group of", "up\" is when the mc talks about them, and even then, the most", "is there any way to make a conflict seem more two-sided, even though", "terror group, the monster hunters, who are dead set on eliminating creatures like", "to fight back. As far as other elements go, we do hear about", "innocent humans, etc... The problem is that in the story we only hear", "as the city regularly trades with them, plus the city council isn't a", "it feels disingenuous to throw in a werewolf terror group to explain some", "the night of the festival, as the city regularly trades with them, plus", "apparent in hindsight. Still, it feels disingenuous to throw in a werewolf terror", "the mc talks about them, and even then, the most harm, he causes", "a human who became a werewolf) ones only go through the transformation once,", "either. The nearby city which is very liberal by the setting's standards sends", "racism, yet the only time they \"show up\" is when the mc talks", "an explosive arrow can still kill them in a single hit, so... Werewolves", "and intelligent person, but lore-wise, his daughter, (almost) his grandson, and a few", "reproduce) are born as werewolves. The whole beast-side-aking-over thing is only true for", "main character (a werewolf who is sympathetic to their cause) when he's having", "monster hunters might look like caricatures, but the truth is that I'm having", "food is spiced up with some anesthetics and the festival is geared towards", "feel bad about it. I planned on throwing in an arc for the", "his daughter, (almost) his grandson, and a few of his tribe had died", "so adamantly pacifistic, and the events make his ideology look dangerous. Sure, they're", "calming down their beast-side by satisfying its needs beforehand. It works pretty well.", "creatures like werewolves as they are \"perversions of humanity\". They're depicted as cruel,", "is making his granddad cry, which is awful (gramps IS his only living", "Turner Diaries* or the aforementioned The Camp of the Saints, you know what", "existence of artifacts easily levels these differences. After all, an explosive arrow can", "humans, etc... The problem is that in the story we only hear about", "a false sense of peace. The monster hunters might look like caricatures, but", "his grandson, and a few of his tribe had died because of monster", "with some eating and drinking towards the end, the food is spiced up", "ideas involved werewolves. In the setting, they were a minority, much like most", "paranoia. You guessed, they attack the tribe when they're snoozing. Sure, humans aren't", "an individual's journey does little when the werewoof terror group is still out", "(almost) his grandson, and a few of his tribe had died because of", "the events make his ideology look dangerous. Sure, they're ultimately the right call,", "kill or be killed, something that can easily be disproven. In paper, there", "of the festival, as the city regularly trades with them, plus the city", "these types of groups as anything more. If you've read The Turner Diaries", "as cruel, illogical, cowardly, and plain repulsive people with no redeeming qualities. They're", "douchebags. The guards also get attacked by monster hunters, as they are \"race", "they were a minority, much like most non-human races. Now, of these werewolves,", "when he's having a quarrel with his grandfather over his views. Now, his", "mc talks about them, and even then, the most harm, he causes with", "werewolves during the night of the festival, as the city regularly trades with", "about them, and even then, the most harm, he causes with it, is", "monster hunters by authorities to maintain a false sense of peace. The monster", "you've read The Turner Diaries or the aforementioned The Camp of the Saints,", "and slightly more agile bodies, but it matters little in a world where", "where the existence of artifacts easily levels these differences. After all, an explosive", "the most harm, he causes with it, is making his granddad cry, which", "cowardly, and plain repulsive people with no redeeming qualities. They're basically the protagonists", "reluctant to fight back. As far as other elements go, we do hear", "grandson, and a few of his tribe had died because of monster hunters.", "to protect werewolves during the night of the festival, as the city regularly", "my story ideas involved werewolves. In the setting, they were a minority, much", "in a single hit, so... Werewolves usually live in tribes (don't tend to", "much like most non-human races. Now, of these werewolves, turned (as in a", "do hear about segregation (of most non-humans) and suppression of information on monster", "in a human who became a werewolf) ones only go through the transformation", "his only living relative) but he does feel bad about it. I planned", "the duration of the full moon. Werewolves have more keen senses (especially their", "that isn't grounded in paranoia. You guessed, they attack the tribe when they're", "\"show up\" is when the mc talks about them, and even then, the", "a werewolf) ones only go through the transformation once, later generations (werewolves can", "usually live in tribes (don't tend to move) or families (tend to move).", "basically the protagonists of the book The Camp of the Saints, but in", "we only hear about them from the main character (a werewolf who is", "they are \"race traitors\", and aren't reluctant to fight back. As far as", "problem is that in the story we only hear about them from the", "planned on throwing in an arc for the mc where he's injured and", "protect werewolves during the night of the festival, as the city regularly trades", "or families (tend to move). The story itself takes place during and the", "Now, of these werewolves, turned (as in a human who became a werewolf)", "types of groups as anything more. If you've read The Turner Diaries or", "when the werewoof terror group is still out there. *So, is there any", "of humans, but an individual's journey does little when the werewoof terror group", "talking about. Okay, simply put: they either enjoy killing those they consider inferior", "place during and the day after the full-moon festival. Simply put it's a", "or be killed, something that can easily be disproven. In paper, there is", "end, the food is spiced up with some anesthetics and the festival is", "is a werewolf group that does terrible things too, like biting people on", "the food is spiced up with some anesthetics and the festival is geared", "quarrel with his grandfather over his views. Now, his grandfather is described as", "were a minority, much like most non-human races. Now, of these werewolves, turned", "werewolf who is sympathetic to their cause) when he's having a quarrel with", "causes with it, is making his granddad cry, which is awful (gramps IS", "plain repulsive people with no redeeming qualities. They're basically the protagonists of the", "but an individual's journey does little when the werewoof terror group is still", "involved werewolves. In the setting, they were a minority, much like most non-human", "that can easily be disproven. In paper, there is a werewolf group that", "only becomes apparent in hindsight. Still, it feels disingenuous to throw in a", "is only true for the duration of the full moon. Werewolves have more", "trust into a group of humans, but an individual's journey does little when", "smell) and stronger and slightly more agile bodies, but it matters little in", "person, but lore-wise, his daughter, (almost) his grandson, and a few of his", "on throwing in an arc for the mc where he's injured and has", "(especially their smell) and stronger and slightly more agile bodies, but it matters", "the day after the full-moon festival. Simply put it's a social event with", "the full moon. Werewolves have more keen senses (especially their smell) and stronger", "book The Camp of the Saints, but in a story that isn't grounded", "it makes little sense for him to be so adamantly pacifistic, and the", "about segregation (of most non-humans) and suppression of information on monster hunters by", "protagonists of the book The Camp of the Saints, but in a story", "their beast-side by satisfying its needs beforehand. It works pretty well. Now, the", "they are \"perversions of humanity\". They're depicted as cruel, illogical, cowardly, and plain", "to put his trust into a group of humans, but an individual's journey", "I'm having a hard time viewing these types of groups as anything more.", "having a hard time viewing these types of groups as anything more. If", "terror group to explain some of the racism, yet the only time they", "when they're snoozing. Sure, humans aren't depicted as monsters either. The nearby city", "they either enjoy killing those they consider inferior (the worst type) or live", "group to explain some of the racism, yet the only time they \"show", "(tend to move). The story itself takes place during and the day after", "feels disingenuous to throw in a werewolf terror group to explain some of", "werewoof terror group is still out there. So, is there any way to", "read The Turner Diaries* or the aforementioned The Camp of the Saints, you", "council isn't a bunch of douchebags. The guards also get attacked by monster", "Saints, but in a story that isn't grounded in paranoia. You guessed, they", "the aforementioned The Camp of the Saints, you know what I'm talking about.", "on monster hunters by authorities to maintain a false sense of peace. The", "They're basically the protagonists of the book The Camp of the Saints, but", "authorities to maintain a false sense of peace. The monster hunters might look", "they attack the tribe when they're snoozing. Sure, humans aren't depicted as monsters", "(as in a human who became a werewolf) ones only go through the", "itself takes place during and the day after the full-moon festival. Simply put", "people with no redeeming qualities. They're basically the protagonists of the book The", "is awful (gramps IS his only living relative) but he does feel bad", "a quarrel with his grandfather over his views. Now, his grandfather is described", "the city regularly trades with them, plus the city council isn't a bunch", "families (tend to move). The story itself takes place during and the day", "put it's a social event with some eating and drinking towards the end,", "in a world where the existence of artifacts easily levels these differences. After", "views. Now, his grandfather is described as a kind and intelligent person, but", "tend to move) or families (tend to move). The story itself takes place", "humans, but an individual's journey does little when the werewoof terror group is", "its needs beforehand. It works pretty well. Now, the bad guys are a", "are a human terror group, the monster hunters, who are dead set on", "living relative) but he does feel bad about it. I planned on throwing", "which is awful (gramps IS his only living relative) but he does feel", "with it, is making his granddad cry, which is awful (gramps IS his", "differences. After all, an explosive arrow can still kill them in a single", "in tribes (don't tend to move) or families (tend to move). The story", "redeeming qualities. They're basically the protagonists of the book The Camp of the", "but it matters little in a world where the existence of artifacts easily", "killing innocent humans, etc... The problem is that in the story we only", "only time they \"show up\" is when the mc talks about them, and", "has to put his trust into a group of humans, but an individual's", "but in a story that isn't grounded in paranoia. You guessed, they attack", "If you've read The Turner Diaries* or the aforementioned The Camp of the", "either enjoy killing those they consider inferior (the worst type) or live in", "hindsight. Still, it feels disingenuous to throw in a werewolf terror group to", "elements go, we do hear about segregation (of most non-humans) and suppression of", "these werewolves, turned (as in a human who became a werewolf) ones only", "had died because of monster hunters. So it makes little sense for him", "beast-side by satisfying its needs beforehand. It works pretty well. Now, the bad", "character (a werewolf who is sympathetic to their cause) when he's having a", "artifacts easily levels these differences. After all, an explosive arrow can still kill", "them from the main character (a werewolf who is sympathetic to their cause)", "of the full moon. Werewolves have more keen senses (especially their smell) and", "and suppression of information on monster hunters by authorities to maintain a false", "makes little sense for him to be so adamantly pacifistic, and the events", "for the duration of the full moon. Werewolves have more keen senses (especially", "time viewing these types of groups as anything more. If you've read The", "monster hunters. So it makes little sense for him to be so adamantly", "arrow can still kill them in a single hit, so... Werewolves usually live", "well. Now, the bad guys are a human terror group, the monster hunters,", "world where the existence of artifacts easily levels these differences. After all, an", "I'm talking about. Okay, simply put: they either enjoy killing those they consider", "anesthetics and the festival is geared towards calming down their beast-side by satisfying", "or live in a false dichotomy (something similar to the white genocide conspiracy),", "a minority, much like most non-human races. Now, of these werewolves, turned (as", "is described as a kind and intelligent person, but lore-wise, his daughter, (almost)", "bad about it. I planned on throwing in an arc for the mc", "The Turner Diaries or the aforementioned The Camp of the Saints, you know", "back. As far as other elements go, we do hear about segregation (of", "of groups as anything more. If you've read The Turner Diaries or the", "\"race traitors\", and aren't reluctant to fight back. As far as other elements", "a bunch of douchebags. The guards also get attacked by monster hunters, as", "full moon. Werewolves have more keen senses (especially their smell) and stronger and", "the main character (a werewolf who is sympathetic to their cause) when he's", "does little when the werewoof terror group is still out there. *So, is", "either kill or be killed, something that can easily be disproven. In paper,", "pretty well. Now, the bad guys are a human terror group, the monster", "peace. The monster hunters might look like caricatures, but the truth is that", "with them, plus the city council isn't a bunch of douchebags. The guards", "(something similar to the white genocide conspiracy), where it's either kill or be", "make his ideology look dangerous. Sure, they're ultimately the right call, but that", "(werewolves can reproduce) are born as werewolves. The whole beast-side-aking-over thing is only", "pacifistic, and the events make his ideology look dangerous. Sure, they're ultimately the", "the monster hunters, who are dead set on eliminating creatures like werewolves as", "by satisfying its needs beforehand. It works pretty well. Now, the bad guys", "cause) when he's having a quarrel with his grandfather over his views. Now,", "to be so adamantly pacifistic, and the events make his ideology look dangerous.", "Saints, you know what I'm talking about. Okay, simply put: they either enjoy", "he does feel bad about it. I planned on throwing in an arc", "move). The story itself takes place during and the day after the full-moon", "which is very liberal by the setting's standards sends out guards to protect", "simply put: they either enjoy killing those they consider inferior (the worst type)", "only hear about them from the main character (a werewolf who is sympathetic", "for him to be so adamantly pacifistic, and the events make his ideology", "them, and even then, the most harm, he causes with it, is making", "cruel, illogical, cowardly, and plain repulsive people with no redeeming qualities. They're basically", "but the truth is that I'm having a hard time viewing these types", "snoozing. Sure, humans aren't depicted as monsters either. The nearby city which is", "can reproduce) are born as werewolves. The whole beast-side-aking-over thing is only true", "are \"race traitors\", and aren't reluctant to fight back. As far as other", "mc where he's injured and has to put his trust into a group", "something that can easily be disproven. In paper, there is a werewolf group", "social event with some eating and drinking towards the end, the food is", "night of the festival, as the city regularly trades with them, plus the", "guards to protect werewolves during the night of the festival, as the city", "the tribe when they're snoozing. Sure, humans aren't depicted as monsters either. The", "The monster hunters might look like caricatures, but the truth is that I'm", "non-humans) and suppression of information on monster hunters by authorities to maintain a", "conspiracy), where it's either kill or be killed, something that can easily be", "other elements go, we do hear about segregation (of most non-humans) and suppression", "group, the monster hunters, who are dead set on eliminating creatures like werewolves", "werewolf) ones only go through the transformation once, later generations (werewolves can reproduce)", "nearby city which is very liberal by the setting's standards sends out guards", "city which is very liberal by the setting's standards sends out guards to", "the existence of artifacts easily levels these differences. After all, an explosive arrow", "regularly trades with them, plus the city council isn't a bunch of douchebags.", "information on monster hunters by authorities to maintain a false sense of peace.", "it's either kill or be killed, something that can easily be disproven. In", "a social event with some eating and drinking towards the end, the food", "too, like biting people on purpose, killing innocent humans, etc... The problem is", "So, one of my story ideas involved werewolves. In the setting, they were", "satisfying its needs beforehand. It works pretty well. Now, the bad guys are", "can easily be disproven. In paper, there is a werewolf group that does", "group is still out there. So, is there any way to make a", "becomes apparent in hindsight. Still, it feels disingenuous to throw in a werewolf", "hunters, as they are \"race traitors\", and aren't reluctant to fight back. As", "Werewolves have more keen senses (especially their smell) and stronger and slightly more", "like werewolves as they are \"perversions of humanity\". They're depicted as cruel, illogical,", "he causes with it, is making his granddad cry, which is awful (gramps", "set on eliminating creatures like werewolves as they are \"perversions of humanity\". They're", "story itself takes place during and the day after the full-moon festival. Simply", "a false dichotomy (something similar to the white genocide conspiracy), where it's either", "city regularly trades with them, plus the city council isn't a bunch of", "duration of the full moon. Werewolves have more keen senses (especially their smell)", "and drinking towards the end, the food is spiced up with some anesthetics", "werewolf terror group to explain some of the racism, yet the only time", "out there. *So, is there any way to make a conflict seem more", "lore-wise, his daughter, (almost) his grandson, and a few of his tribe had", "spiced up with some anesthetics and the festival is geared towards calming down", "isn't grounded in paranoia. You guessed, they attack the tribe when they're snoozing.", "standards sends out guards to protect werewolves during the night of the festival,", "is very liberal by the setting's standards sends out guards to protect werewolves", "all, an explosive arrow can still kill them in a single hit, so..." ]
[ "trouble finding is what genre or style this would be classified if it", "op-ed, and historical lesson, but told as a short story. In this story", "a dilemma, maybe it's a tragedy, but is there some classification that better", "a short story. In this story there are no good guys, nobody who", "were being told as a fictitious story. It isn't a dilemma, maybe it's", "nobody to save the day. It's just a bunch of bad guys doing", "I have a piece of non-fiction to write that I'll be doing by", "as a fictitious story. It isn't a dilemma, maybe it's a tragedy, but", "story. It isn't a dilemma, maybe it's a tragedy, but is there some", "The story also spans several years including today, so there isn't a protagonist", "doing by telling a story. It's somewhere between a news report, op-ed, and", "by telling a story. It's somewhere between a news report, op-ed, and historical", "save the day. It's just a bunch of bad guys doing a bunch", "bunch of bad guys doing a bunch of bad guy stuff. The story", "so there isn't a protagonist or central character to see through the eyes", "being told as a fictitious story. It isn't a dilemma, maybe it's a", "be classified if it were being told as a fictitious story. It isn't", "story. In this story there are no good guys, nobody who fell from", "news report, op-ed, and historical lesson, but told as a short story. In", "good guys, nobody who fell from grace, and nobody to save the day.", "It's somewhere between a news report, op-ed, and historical lesson, but told as", "story. It's somewhere between a news report, op-ed, and historical lesson, but told", "are no good guys, nobody who fell from grace, and nobody to save", "In this story there are no good guys, nobody who fell from grace,", "it were being told as a fictitious story. It isn't a dilemma, maybe", "a story. It's somewhere between a news report, op-ed, and historical lesson, but", "from grace, and nobody to save the day. It's just a bunch of", "have a piece of non-fiction to write that I'll be doing by telling", "I'm having trouble finding is what genre or style this would be classified", "lesson, but told as a short story. In this story there are no", "a tragedy, but is there some classification that better fits what I've described?", "what genre or style this would be classified if it were being told", "told as a fictitious story. It isn't a dilemma, maybe it's a tragedy,", "several years including today, so there isn't a protagonist or central character to", "bad guys doing a bunch of bad guy stuff. The story also spans", "or central character to see through the eyes of. I'm having trouble finding", "nobody who fell from grace, and nobody to save the day. It's just", "to write that I'll be doing by telling a story. It's somewhere between", "that I'll be doing by telling a story. It's somewhere between a news", "including today, so there isn't a protagonist or central character to see through", "maybe it's a tragedy, but is there some classification that better fits what", "just a bunch of bad guys doing a bunch of bad guy stuff.", "today, so there isn't a protagonist or central character to see through the", "bad guy stuff. The story also spans several years including today, so there", "non-fiction to write that I'll be doing by telling a story. It's somewhere", "fell from grace, and nobody to save the day. It's just a bunch", "write that I'll be doing by telling a story. It's somewhere between a", "a news report, op-ed, and historical lesson, but told as a short story.", "eyes of. I'm having trouble finding is what genre or style this would", "classified if it were being told as a fictitious story. It isn't a", "fictitious story. It isn't a dilemma, maybe it's a tragedy, but is there", "guy stuff. The story also spans several years including today, so there isn't", "the day. It's just a bunch of bad guys doing a bunch of", "to save the day. It's just a bunch of bad guys doing a", "see through the eyes of. I'm having trouble finding is what genre or", "there are no good guys, nobody who fell from grace, and nobody to", "between a news report, op-ed, and historical lesson, but told as a short", "through the eyes of. I'm having trouble finding is what genre or style", "no good guys, nobody who fell from grace, and nobody to save the", "piece of non-fiction to write that I'll be doing by telling a story.", "to see through the eyes of. I'm having trouble finding is what genre", "if it were being told as a fictitious story. It isn't a dilemma,", "of. I'm having trouble finding is what genre or style this would be", "finding is what genre or style this would be classified if it were", "spans several years including today, so there isn't a protagonist or central character", "a bunch of bad guys doing a bunch of bad guy stuff. The", "as a short story. In this story there are no good guys, nobody", "isn't a protagonist or central character to see through the eyes of. I'm", "story also spans several years including today, so there isn't a protagonist or", "central character to see through the eyes of. I'm having trouble finding is", "stuff. The story also spans several years including today, so there isn't a", "telling a story. It's somewhere between a news report, op-ed, and historical lesson,", "this would be classified if it were being told as a fictitious story.", "it's a tragedy, but is there some classification that better fits what I've", "story there are no good guys, nobody who fell from grace, and nobody", "this story there are no good guys, nobody who fell from grace, and", "a piece of non-fiction to write that I'll be doing by telling a", "of non-fiction to write that I'll be doing by telling a story. It's", "also spans several years including today, so there isn't a protagonist or central", "It's just a bunch of bad guys doing a bunch of bad guy", "and historical lesson, but told as a short story. In this story there", "It isn't a dilemma, maybe it's a tragedy, but is there some classification", "or style this would be classified if it were being told as a", "genre or style this would be classified if it were being told as", "grace, and nobody to save the day. It's just a bunch of bad", "would be classified if it were being told as a fictitious story. It", "be doing by telling a story. It's somewhere between a news report, op-ed,", "isn't a dilemma, maybe it's a tragedy, but is there some classification that", "there isn't a protagonist or central character to see through the eyes of.", "day. It's just a bunch of bad guys doing a bunch of bad", "having trouble finding is what genre or style this would be classified if", "somewhere between a news report, op-ed, and historical lesson, but told as a", "historical lesson, but told as a short story. In this story there are", "of bad guy stuff. The story also spans several years including today, so", "guys, nobody who fell from grace, and nobody to save the day. It's", "years including today, so there isn't a protagonist or central character to see", "bunch of bad guy stuff. The story also spans several years including today,", "short story. In this story there are no good guys, nobody who fell", "a protagonist or central character to see through the eyes of. I'm having", "a bunch of bad guy stuff. The story also spans several years including", "protagonist or central character to see through the eyes of. I'm having trouble", "character to see through the eyes of. I'm having trouble finding is what", "is what genre or style this would be classified if it were being", "dilemma, maybe it's a tragedy, but is there some classification that better fits", "told as a short story. In this story there are no good guys,", "doing a bunch of bad guy stuff. The story also spans several years", "who fell from grace, and nobody to save the day. It's just a", "of bad guys doing a bunch of bad guy stuff. The story also", "style this would be classified if it were being told as a fictitious", "the eyes of. I'm having trouble finding is what genre or style this", "guys doing a bunch of bad guy stuff. The story also spans several", "a fictitious story. It isn't a dilemma, maybe it's a tragedy, but is", "I'll be doing by telling a story. It's somewhere between a news report,", "report, op-ed, and historical lesson, but told as a short story. In this", "but told as a short story. In this story there are no good", "and nobody to save the day. It's just a bunch of bad guys" ]
[ "dating. I don't know any people that could help me write for those", "any people that could help me write for those characters. Do you have", "write for those characters. Do you have any advice on making those characters", "series. I have trouble writing about older characters, and that's especially the older", "years old and writing a book series. I have trouble writing about older", "the older kids that are already dating. I don't know any people that", "are already dating. I don't know any people that could help me write", "that could help me write for those characters. Do you have any advice", "those characters. Do you have any advice on making those characters more realistic?", "I'm ten years old and writing a book series. I have trouble writing", "kids that are already dating. I don't know any people that could help", "could help me write for those characters. Do you have any advice on", "ten years old and writing a book series. I have trouble writing about", "and that's especially the older kids that are already dating. I don't know", "and writing a book series. I have trouble writing about older characters, and", "old and writing a book series. I have trouble writing about older characters,", "that's especially the older kids that are already dating. I don't know any", "don't know any people that could help me write for those characters. Do", "writing about older characters, and that's especially the older kids that are already", "people that could help me write for those characters. Do you have any", "older characters, and that's especially the older kids that are already dating. I", "that are already dating. I don't know any people that could help me", "characters, and that's especially the older kids that are already dating. I don't", "a book series. I have trouble writing about older characters, and that's especially", "I have trouble writing about older characters, and that's especially the older kids", "help me write for those characters. Do you have any advice on making", "know any people that could help me write for those characters. Do you", "already dating. I don't know any people that could help me write for", "I don't know any people that could help me write for those characters.", "older kids that are already dating. I don't know any people that could", "have trouble writing about older characters, and that's especially the older kids that", "writing a book series. I have trouble writing about older characters, and that's", "for those characters. Do you have any advice on making those characters more", "book series. I have trouble writing about older characters, and that's especially the", "trouble writing about older characters, and that's especially the older kids that are", "me write for those characters. Do you have any advice on making those", "about older characters, and that's especially the older kids that are already dating.", "especially the older kids that are already dating. I don't know any people" ]
[ "only similar in appearance. Is it too similar? I don’t want to get", "documentary series. The second guy is only similar in appearance. Is it too", "guy I saw in a documentary. He isn’t well known at all (other", "as I know. His career is the same but at a different place.", "place. For example lets say he’s a chef (which he isn’t). It would", "The only risky thing I did is make him gay. This idea came", "because all the prime time shows I watch were suspended for the pandemic", "thing I did is make him gay. This idea came to me because", "all (other than being in the documentary). I did not use his name.", "his face. The personality doesn’t match at all as far as I know.", "a chef (which he isn’t). It would be the difference between cooking at", "idea came to me because all the prime time shows I watch were", "be the difference between cooking at a fast food place and being someone’s", "It would be the difference between cooking at a fast food place and", "would be the difference between cooking at a fast food place and being", "chef. There isn’t anything defamatory about the character. The only risky thing I", "a picture of the guy while describing his face. The personality doesn’t match", "documentary). I did not use his name. His appearance is the most similar.", "the documentary). I did not use his name. His appearance is the most", "guy is only similar in appearance. Is it too similar? I don’t want", "a fast food place and being someone’s personal chef. There isn’t anything defamatory", "cooking at a fast food place and being someone’s personal chef. There isn’t", "personal chef. There isn’t anything defamatory about the character. The only risky thing", "all the prime time shows I watch were suspended for the pandemic and", "in a documentary. He isn’t well known at all (other than being in", "in the documentary series. The second guy is only similar in appearance. Is", "at a different place. For example lets say he’s a chef (which he", "series. The second guy is only similar in appearance. Is it too similar?", "far as I know. His career is the same but at a different", "the same but at a different place. For example lets say he’s a", "(other than being in the documentary). I did not use his name. His", "example lets say he’s a chef (which he isn’t). It would be the", "were suspended for the pandemic and I was craving drama. My weird brain", "name. His appearance is the most similar. I actually looked at a picture", "came to me because all the prime time shows I watch were suspended", "say he’s a chef (which he isn’t). It would be the difference between", "character off this guy I saw in a documentary. He isn’t well known", "than being in the documentary). I did not use his name. His appearance", "use his name. His appearance is the most similar. I actually looked at", "and based a character off this guy I saw in a documentary. He", "this guy with another guy in the documentary series. The second guy is", "same but at a different place. For example lets say he’s a chef", "personality doesn’t match at all as far as I know. His career is", "This idea came to me because all the prime time shows I watch", "being someone’s personal chef. There isn’t anything defamatory about the character. The only", "a character off this guy I saw in a documentary. He isn’t well", "guy with another guy in the documentary series. The second guy is only", "The personality doesn’t match at all as far as I know. His career", "ship this guy with another guy in the documentary series. The second guy", "is the same but at a different place. For example lets say he’s", "this fictional story and based a character off this guy I saw in", "known at all (other than being in the documentary). I did not use", "craving drama. My weird brain started to ship this guy with another guy", "guy while describing his face. The personality doesn’t match at all as far", "lets say he’s a chef (which he isn’t). It would be the difference", "face. The personality doesn’t match at all as far as I know. His", "he isn’t). It would be the difference between cooking at a fast food", "to ship this guy with another guy in the documentary series. The second", "in the documentary). I did not use his name. His appearance is the", "He isn’t well known at all (other than being in the documentary). I", "started to ship this guy with another guy in the documentary series. The", "the most similar. I actually looked at a picture of the guy while", "isn’t anything defamatory about the character. The only risky thing I did is", "career is the same but at a different place. For example lets say", "I saw in a documentary. He isn’t well known at all (other than", "someone’s personal chef. There isn’t anything defamatory about the character. The only risky", "doesn’t match at all as far as I know. His career is the", "and being someone’s personal chef. There isn’t anything defamatory about the character. The", "prime time shows I watch were suspended for the pandemic and I was", "at a fast food place and being someone’s personal chef. There isn’t anything", "There isn’t anything defamatory about the character. The only risky thing I did", "I did is make him gay. This idea came to me because all", "well known at all (other than being in the documentary). I did not", "I’m writing this fictional story and based a character off this guy I", "weird brain started to ship this guy with another guy in the documentary", "fictional story and based a character off this guy I saw in a", "food place and being someone’s personal chef. There isn’t anything defamatory about the", "the pandemic and I was craving drama. My weird brain started to ship", "For example lets say he’s a chef (which he isn’t). It would be", "to me because all the prime time shows I watch were suspended for", "based a character off this guy I saw in a documentary. He isn’t", "different place. For example lets say he’s a chef (which he isn’t). It", "similar in appearance. Is it too similar? I don’t want to get sued.", "the guy while describing his face. The personality doesn’t match at all as", "I know. His career is the same but at a different place. For", "between cooking at a fast food place and being someone’s personal chef. There", "second guy is only similar in appearance. Is it too similar? I don’t", "his name. His appearance is the most similar. I actually looked at a", "shows I watch were suspended for the pandemic and I was craving drama.", "I was craving drama. My weird brain started to ship this guy with", "I watch were suspended for the pandemic and I was craving drama. My", "not use his name. His appearance is the most similar. I actually looked", "most similar. I actually looked at a picture of the guy while describing", "risky thing I did is make him gay. This idea came to me", "I did not use his name. His appearance is the most similar. I", "appearance is the most similar. I actually looked at a picture of the", "place and being someone’s personal chef. There isn’t anything defamatory about the character.", "brain started to ship this guy with another guy in the documentary series.", "the prime time shows I watch were suspended for the pandemic and I", "writing this fictional story and based a character off this guy I saw", "this guy I saw in a documentary. He isn’t well known at all", "describing his face. The personality doesn’t match at all as far as I", "a different place. For example lets say he’s a chef (which he isn’t).", "fast food place and being someone’s personal chef. There isn’t anything defamatory about", "I actually looked at a picture of the guy while describing his face.", "with another guy in the documentary series. The second guy is only similar", "being in the documentary). I did not use his name. His appearance is", "did not use his name. His appearance is the most similar. I actually", "he’s a chef (which he isn’t). It would be the difference between cooking", "drama. My weird brain started to ship this guy with another guy in", "but at a different place. For example lets say he’s a chef (which", "for the pandemic and I was craving drama. My weird brain started to", "make him gay. This idea came to me because all the prime time", "about the character. The only risky thing I did is make him gay.", "watch were suspended for the pandemic and I was craving drama. My weird", "His career is the same but at a different place. For example lets", "the difference between cooking at a fast food place and being someone’s personal", "suspended for the pandemic and I was craving drama. My weird brain started", "character. The only risky thing I did is make him gay. This idea", "me because all the prime time shows I watch were suspended for the", "difference between cooking at a fast food place and being someone’s personal chef.", "at all (other than being in the documentary). I did not use his", "defamatory about the character. The only risky thing I did is make him", "off this guy I saw in a documentary. He isn’t well known at", "is the most similar. I actually looked at a picture of the guy", "chef (which he isn’t). It would be the difference between cooking at a", "similar. I actually looked at a picture of the guy while describing his", "documentary. He isn’t well known at all (other than being in the documentary).", "anything defamatory about the character. The only risky thing I did is make", "the character. The only risky thing I did is make him gay. This", "know. His career is the same but at a different place. For example", "another guy in the documentary series. The second guy is only similar in", "His appearance is the most similar. I actually looked at a picture of", "and I was craving drama. My weird brain started to ship this guy", "only risky thing I did is make him gay. This idea came to", "is only similar in appearance. Is it too similar? I don’t want to", "a documentary. He isn’t well known at all (other than being in the", "looked at a picture of the guy while describing his face. The personality", "match at all as far as I know. His career is the same", "as far as I know. His career is the same but at a", "at a picture of the guy while describing his face. The personality doesn’t", "while describing his face. The personality doesn’t match at all as far as", "did is make him gay. This idea came to me because all the", "isn’t well known at all (other than being in the documentary). I did", "was craving drama. My weird brain started to ship this guy with another", "time shows I watch were suspended for the pandemic and I was craving", "the documentary series. The second guy is only similar in appearance. Is it", "him gay. This idea came to me because all the prime time shows", "My weird brain started to ship this guy with another guy in the", "guy in the documentary series. The second guy is only similar in appearance.", "at all as far as I know. His career is the same but", "The second guy is only similar in appearance. Is it too similar? I", "all as far as I know. His career is the same but at", "actually looked at a picture of the guy while describing his face. The", "is make him gay. This idea came to me because all the prime", "story and based a character off this guy I saw in a documentary.", "pandemic and I was craving drama. My weird brain started to ship this", "isn’t). It would be the difference between cooking at a fast food place", "saw in a documentary. He isn’t well known at all (other than being", "of the guy while describing his face. The personality doesn’t match at all", "(which he isn’t). It would be the difference between cooking at a fast", "picture of the guy while describing his face. The personality doesn’t match at", "gay. This idea came to me because all the prime time shows I" ]
[ "heavy political tension. It is a fictional world, but based off reality, especially", "to \"white wash\" the women's rights movement. So my questions would be: Is", "pov to acknowledge the reality of being a POC in a political movement", "a POC in a political movement without writing an experience that isn't mine", "that's not mine to tell, I also want my novel to be historically", "to realize the role women of color played in the women's suffrage movement.", "of being a POC in a political movement without writing an experience that", "rights movement. So my questions would be: Is there a way to approach", "I also want my novel to be historically accurate and representative of all", "of heavy political tension. It is a fictional world, but based off reality,", "a period of heavy political tension. It is a fictional world, but based", "American history. One of my main characters is a POC who joins a", "being a POC in a political movement without writing an experience that isn't", "the research I can, I still will never fully understand the pov of", "a story that takes place in a period of heavy political tension. It", "to be historically accurate and representative of all aspects of history. Even if", "historically accurate and representative of all aspects of history. Even if I do", "subject, the more I come to realize the role women of color played", "do on the subject, the more I come to realize the role women", "do all the research I can, I still will never fully understand the", "reality, especially American history. One of my main characters is a POC who", "in a period of heavy political tension. It is a fictional world, but", "politically heated environments, but I also don't want to \"white wash\" the women's", "still will never fully understand the pov of a POC in politically heated", "POC in politically heated environments, but I also don't want to \"white wash\"", "I do all the research I can, I still will never fully understand", "writing an experience that isn't mine to write about? Where is the line", "accurate and representative of all aspects of history. Even if I do all", "of my main characters is a POC who joins a political movement protesting", "government, specifically focusing on women's rights. The more research I do on the", "The more research I do on the subject, the more I come to", "want to be sensitive of telling a story that's not mine to tell,", "there a way to approach writing this character's plot line and pov to", "I am writing a story that takes place in a period of heavy", "joins a political movement protesting the tyrannical government, specifically focusing on women's rights.", "be historically accurate and representative of all aspects of history. Even if I", "I do on the subject, the more I come to realize the role", "Even if I do all the research I can, I still will never", "of a POC in politically heated environments, but I also don't want to", "movement. While, as a white author, I want to be sensitive of telling", "experience that isn't mine to write about? Where is the line between writing", "isn't mine to write about? Where is the line between writing historically accurate", "of color played in the women's suffrage movement. While, as a white author,", "is the line between writing historically accurate experiences for your MC and telling", "in politically heated environments, but I also don't want to \"white wash\" the", "not mine to tell, I also want my novel to be historically accurate", "approach writing this character's plot line and pov to acknowledge the reality of", "all the research I can, I still will never fully understand the pov", "this character's plot line and pov to acknowledge the reality of being a", "the reality of being a POC in a political movement without writing an", "author, I want to be sensitive of telling a story that's not mine", "history. One of my main characters is a POC who joins a political", "telling a story that's not mine to tell, I also want my novel", "is a fictional world, but based off reality, especially American history. One of", "to approach writing this character's plot line and pov to acknowledge the reality", "story that takes place in a period of heavy political tension. It is", "write about? Where is the line between writing historically accurate experiences for your", "on the subject, the more I come to realize the role women of", "a fictional world, but based off reality, especially American history. One of my", "I want to be sensitive of telling a story that's not mine to", "to tell, I also want my novel to be historically accurate and representative", "novel to be historically accurate and representative of all aspects of history. Even", "of all aspects of history. Even if I do all the research I", "research I can, I still will never fully understand the pov of a", "color played in the women's suffrage movement. While, as a white author, I", "and pov to acknowledge the reality of being a POC in a political", "to acknowledge the reality of being a POC in a political movement without", "to write about? Where is the line between writing historically accurate experiences for", "a POC who joins a political movement protesting the tyrannical government, specifically focusing", "without writing an experience that isn't mine to write about? Where is the", "\"white wash\" the women's rights movement. So my questions would be: Is there", "main characters is a POC who joins a political movement protesting the tyrannical", "the tyrannical government, specifically focusing on women's rights. The more research I do", "the subject, the more I come to realize the role women of color", "characters is a POC who joins a political movement protesting the tyrannical government,", "is a POC who joins a political movement protesting the tyrannical government, specifically", "if I do all the research I can, I still will never fully", "mine to write about? Where is the line between writing historically accurate experiences", "protesting the tyrannical government, specifically focusing on women's rights. The more research I", "will never fully understand the pov of a POC in politically heated environments,", "a way to approach writing this character's plot line and pov to acknowledge", "period of heavy political tension. It is a fictional world, but based off", "women's suffrage movement. While, as a white author, I want to be sensitive", "the role women of color played in the women's suffrage movement. While, as", "a white author, I want to be sensitive of telling a story that's", "understand the pov of a POC in politically heated environments, but I also", "focusing on women's rights. The more research I do on the subject, the", "my novel to be historically accurate and representative of all aspects of history.", "heated environments, but I also don't want to \"white wash\" the women's rights", "environments, but I also don't want to \"white wash\" the women's rights movement.", "I come to realize the role women of color played in the women's", "specifically focusing on women's rights. The more research I do on the subject,", "also don't want to \"white wash\" the women's rights movement. So my questions", "of telling a story that's not mine to tell, I also want my", "tension. It is a fictional world, but based off reality, especially American history.", "to be sensitive of telling a story that's not mine to tell, I", "be sensitive of telling a story that's not mine to tell, I also", "that isn't mine to write about? Where is the line between writing historically", "movement. So my questions would be: Is there a way to approach writing", "role women of color played in the women's suffrage movement. While, as a", "aspects of history. Even if I do all the research I can, I", "way to approach writing this character's plot line and pov to acknowledge the", "plot line and pov to acknowledge the reality of being a POC in", "fully understand the pov of a POC in politically heated environments, but I", "white author, I want to be sensitive of telling a story that's not", "in a political movement without writing an experience that isn't mine to write", "character's plot line and pov to acknowledge the reality of being a POC", "between writing historically accurate experiences for your MC and telling someone else's story?", "an experience that isn't mine to write about? Where is the line between", "So my questions would be: Is there a way to approach writing this", "a political movement protesting the tyrannical government, specifically focusing on women's rights. The", "be: Is there a way to approach writing this character's plot line and", "takes place in a period of heavy political tension. It is a fictional", "of history. Even if I do all the research I can, I still", "research I do on the subject, the more I come to realize the", "can, I still will never fully understand the pov of a POC in", "pov of a POC in politically heated environments, but I also don't want", "the line between writing historically accurate experiences for your MC and telling someone", "wash\" the women's rights movement. So my questions would be: Is there a", "all aspects of history. Even if I do all the research I can,", "more research I do on the subject, the more I come to realize", "women's rights. The more research I do on the subject, the more I", "representative of all aspects of history. Even if I do all the research", "want to \"white wash\" the women's rights movement. So my questions would be:", "would be: Is there a way to approach writing this character's plot line", "POC in a political movement without writing an experience that isn't mine to", "movement protesting the tyrannical government, specifically focusing on women's rights. The more research", "I still will never fully understand the pov of a POC in politically", "never fully understand the pov of a POC in politically heated environments, but", "off reality, especially American history. One of my main characters is a POC", "my questions would be: Is there a way to approach writing this character's", "While, as a white author, I want to be sensitive of telling a", "reality of being a POC in a political movement without writing an experience", "women of color played in the women's suffrage movement. While, as a white", "a story that's not mine to tell, I also want my novel to", "I can, I still will never fully understand the pov of a POC", "who joins a political movement protesting the tyrannical government, specifically focusing on women's", "don't want to \"white wash\" the women's rights movement. So my questions would", "rights. The more research I do on the subject, the more I come", "come to realize the role women of color played in the women's suffrage", "in the women's suffrage movement. While, as a white author, I want to", "on women's rights. The more research I do on the subject, the more", "line and pov to acknowledge the reality of being a POC in a", "a political movement without writing an experience that isn't mine to write about?", "but based off reality, especially American history. One of my main characters is", "that takes place in a period of heavy political tension. It is a", "the pov of a POC in politically heated environments, but I also don't", "political tension. It is a fictional world, but based off reality, especially American", "tyrannical government, specifically focusing on women's rights. The more research I do on", "questions would be: Is there a way to approach writing this character's plot", "about? Where is the line between writing historically accurate experiences for your MC", "want my novel to be historically accurate and representative of all aspects of", "movement without writing an experience that isn't mine to write about? Where is", "tell, I also want my novel to be historically accurate and representative of", "more I come to realize the role women of color played in the", "line between writing historically accurate experiences for your MC and telling someone else's", "realize the role women of color played in the women's suffrage movement. While,", "am writing a story that takes place in a period of heavy political", "played in the women's suffrage movement. While, as a white author, I want", "mine to tell, I also want my novel to be historically accurate and", "women's rights movement. So my questions would be: Is there a way to", "Is there a way to approach writing this character's plot line and pov", "place in a period of heavy political tension. It is a fictional world,", "also want my novel to be historically accurate and representative of all aspects", "writing this character's plot line and pov to acknowledge the reality of being", "world, but based off reality, especially American history. One of my main characters", "One of my main characters is a POC who joins a political movement", "It is a fictional world, but based off reality, especially American history. One", "and representative of all aspects of history. Even if I do all the", "political movement protesting the tyrannical government, specifically focusing on women's rights. The more", "writing a story that takes place in a period of heavy political tension.", "I also don't want to \"white wash\" the women's rights movement. So my", "Where is the line between writing historically accurate experiences for your MC and", "political movement without writing an experience that isn't mine to write about? Where", "as a white author, I want to be sensitive of telling a story", "acknowledge the reality of being a POC in a political movement without writing", "POC who joins a political movement protesting the tyrannical government, specifically focusing on", "a POC in politically heated environments, but I also don't want to \"white", "the women's rights movement. So my questions would be: Is there a way", "history. Even if I do all the research I can, I still will", "based off reality, especially American history. One of my main characters is a", "my main characters is a POC who joins a political movement protesting the", "the women's suffrage movement. While, as a white author, I want to be", "sensitive of telling a story that's not mine to tell, I also want", "especially American history. One of my main characters is a POC who joins", "story that's not mine to tell, I also want my novel to be", "suffrage movement. While, as a white author, I want to be sensitive of", "the more I come to realize the role women of color played in", "fictional world, but based off reality, especially American history. One of my main", "but I also don't want to \"white wash\" the women's rights movement. So" ]
[ "what just happened? The writer obviously did it for another character to react,", "translate the error for the scene to make sense. You could translate it", "character to react, so it is necessary to translate the error for the", "the proper phrase is, \"That proper drives me up the wall.\" How do", "wall.\" How do you translate the error without losing the essence of what", "is necessary to translate the error for the scene to make sense. You", "translating TV shows to practice certain languages. I was watching a tv show", "translate it literally. However, if the phrase is an idiom, there may not", "was watching a tv show where the main character speaks English but occassionally", "TV shows to practice certain languages. I was watching a tv show where", "is an idiom, there may not be a direct translation. So, do you", "a direct translation. So, do you translate the idiom into the language you", "necessary to translate the error for the scene to make sense. You could", "I believe the proper phrase is, \"That proper drives me up the wall.\"", "You could translate it literally. However, if the phrase is an idiom, there", "there may not be a direct translation. So, do you translate the idiom", "idiom into the language you want and then make a mistake that may", "an idiom, there may not be a direct translation. So, do you translate", "believe the proper phrase is, \"That proper drives me up the wall.\" How", "the phrase is an idiom, there may not be a direct translation. So,", "watching a tv show where the main character speaks English but occassionally make", "proper phrase is, \"That proper drives me up the wall.\" How do you", "for another character to react, so it is necessary to translate the error", "tv show where the main character speaks English but occassionally make mistakes. For", "show where the main character speaks English but occassionally make mistakes. For example,", "me up the hall\". I believe the proper phrase is, \"That proper drives", "For example, \"That person really drives me up the hall\". I believe the", "drives me up the hall\". I believe the proper phrase is, \"That proper", "make sense. You could translate it literally. However, if the phrase is an", "am watching and translating TV shows to practice certain languages. I was watching", "literally. However, if the phrase is an idiom, there may not be a", "the error without losing the essence of what just happened? The writer obviously", "\"That person really drives me up the hall\". I believe the proper phrase", "languages. I was watching a tv show where the main character speaks English", "it is necessary to translate the error for the scene to make sense.", "to translate the error for the scene to make sense. You could translate", "just happened? The writer obviously did it for another character to react, so", "However, if the phrase is an idiom, there may not be a direct", "the main character speaks English but occassionally make mistakes. For example, \"That person", "mistakes. For example, \"That person really drives me up the hall\". I believe", "it for another character to react, so it is necessary to translate the", "could translate it literally. However, if the phrase is an idiom, there may", "another character to react, so it is necessary to translate the error for", "the essence of what just happened? The writer obviously did it for another", "main character speaks English but occassionally make mistakes. For example, \"That person really", "the idiom into the language you want and then make a mistake that", "not be a direct translation. So, do you translate the idiom into the", "you want and then make a mistake that may not be the same", "hall\". I believe the proper phrase is, \"That proper drives me up the", "me up the wall.\" How do you translate the error without losing the", "essence of what just happened? The writer obviously did it for another character", "did it for another character to react, so it is necessary to translate", "do you translate the idiom into the language you want and then make", "up the wall.\" How do you translate the error without losing the essence", "to react, so it is necessary to translate the error for the scene", "to make sense. You could translate it literally. However, if the phrase is", "the wall.\" How do you translate the error without losing the essence of", "the scene to make sense. You could translate it literally. However, if the", "error without losing the essence of what just happened? The writer obviously did", "where the main character speaks English but occassionally make mistakes. For example, \"That", "idiom, there may not be a direct translation. So, do you translate the", "translation. So, do you translate the idiom into the language you want and", "practice certain languages. I was watching a tv show where the main character", "a tv show where the main character speaks English but occassionally make mistakes.", "be a direct translation. So, do you translate the idiom into the language", "drives me up the wall.\" How do you translate the error without losing", "\"That proper drives me up the wall.\" How do you translate the error", "for the scene to make sense. You could translate it literally. However, if", "error for the scene to make sense. You could translate it literally. However,", "I am watching and translating TV shows to practice certain languages. I was", "if the phrase is an idiom, there may not be a direct translation.", "watching and translating TV shows to practice certain languages. I was watching a", "English but occassionally make mistakes. For example, \"That person really drives me up", "into the language you want and then make a mistake that may not", "happened? The writer obviously did it for another character to react, so it", "the error for the scene to make sense. You could translate it literally.", "you translate the idiom into the language you want and then make a", "to practice certain languages. I was watching a tv show where the main", "may not be a direct translation. So, do you translate the idiom into", "react, so it is necessary to translate the error for the scene to", "How do you translate the error without losing the essence of what just", "do you translate the error without losing the essence of what just happened?", "translate the idiom into the language you want and then make a mistake", "certain languages. I was watching a tv show where the main character speaks", "up the hall\". I believe the proper phrase is, \"That proper drives me", "so it is necessary to translate the error for the scene to make", "and translating TV shows to practice certain languages. I was watching a tv", "make mistakes. For example, \"That person really drives me up the hall\". I", "So, do you translate the idiom into the language you want and then", "of what just happened? The writer obviously did it for another character to", "really drives me up the hall\". I believe the proper phrase is, \"That", "speaks English but occassionally make mistakes. For example, \"That person really drives me", "sense. You could translate it literally. However, if the phrase is an idiom,", "shows to practice certain languages. I was watching a tv show where the", "and then make a mistake that may not be the same but similar?", "the language you want and then make a mistake that may not be", "losing the essence of what just happened? The writer obviously did it for", "The writer obviously did it for another character to react, so it is", "scene to make sense. You could translate it literally. However, if the phrase", "without losing the essence of what just happened? The writer obviously did it", "it literally. However, if the phrase is an idiom, there may not be", "person really drives me up the hall\". I believe the proper phrase is,", "phrase is an idiom, there may not be a direct translation. So, do", "direct translation. So, do you translate the idiom into the language you want", "proper drives me up the wall.\" How do you translate the error without", "is, \"That proper drives me up the wall.\" How do you translate the", "obviously did it for another character to react, so it is necessary to", "the hall\". I believe the proper phrase is, \"That proper drives me up", "example, \"That person really drives me up the hall\". I believe the proper", "phrase is, \"That proper drives me up the wall.\" How do you translate", "occassionally make mistakes. For example, \"That person really drives me up the hall\".", "you translate the error without losing the essence of what just happened? The", "but occassionally make mistakes. For example, \"That person really drives me up the", "language you want and then make a mistake that may not be the", "writer obviously did it for another character to react, so it is necessary", "I was watching a tv show where the main character speaks English but", "translate the error without losing the essence of what just happened? The writer", "character speaks English but occassionally make mistakes. For example, \"That person really drives", "want and then make a mistake that may not be the same but" ]
[ "Example - \"Loopholes are taught in Lockery class because finding a loophole is", "the protagonist grew up in a big detective family, causing her to know", "it all? > > Example - \"Loopholes are taught in Lockery class because", "the detective's world. How can I write her dialogue to show she's a", "family, causing her to know a lot about the detective's world. How can", "-** \"Loopholes are taught in Lockery class because finding a loophole is figuratively", "\"Lockery for Beginners\". Haven't you bothered to read the textbook?\" > > >", "detective's world. How can I write her dialogue to show she's a knows", "to know a lot about the detective's world. How can I write her", "are taught in Lockery class because finding a loophole is figuratively picking a", "Lockery class because finding a loophole is figuratively picking a lock. It's in", "currently writing, the protagonist grew up in a big detective family, causing her", "I am currently writing, the protagonist grew up in a big detective family,", "a lot about the detective's world. How can I write her dialogue to", "loophole is figuratively picking a lock. It's in the first chapter of \"Lockery", "she's a knows it all? > > Example -* \"Loopholes are taught in", "the first chapter of \"Lockery for Beginners\". Haven't you bothered to read the", "write her dialogue to show she's a knows it all? > > Example", "> Example -** \"Loopholes are taught in Lockery class because finding a loophole", "figuratively picking a lock. It's in the first chapter of \"Lockery for Beginners\".", "I write her dialogue to show she's a knows it all? > >", "a knows it all? > > Example - \"Loopholes are taught in Lockery", "It's in the first chapter of \"Lockery for Beginners\". Haven't you bothered to", "finding a loophole is figuratively picking a lock. It's in the first chapter", "her dialogue to show she's a knows it all? > > Example -", "causing her to know a lot about the detective's world. How can I", "grew up in a big detective family, causing her to know a lot", "detective family, causing her to know a lot about the detective's world. How", "to show she's a knows it all? > > Example - \"Loopholes are", "lock. It's in the first chapter of \"Lockery for Beginners\". Haven't you bothered", "taught in Lockery class because finding a loophole is figuratively picking a lock.", "all? > > Example - \"Loopholes are taught in Lockery class because finding", "world. How can I write her dialogue to show she's a knows it", "am currently writing, the protagonist grew up in a big detective family, causing", "> > Example - \"Loopholes are taught in Lockery class because finding a", "in a big detective family, causing her to know a lot about the", "How can I write her dialogue to show she's a knows it all?", "a lock. It's in the first chapter of \"Lockery for Beginners\". Haven't you", "know a lot about the detective's world. How can I write her dialogue", "big detective family, causing her to know a lot about the detective's world.", "show she's a knows it all? > > Example - \"Loopholes are taught", "is figuratively picking a lock. It's in the first chapter of \"Lockery for", "of \"Lockery for Beginners\". Haven't you bothered to read the textbook?\" > >", "in Lockery class because finding a loophole is figuratively picking a lock. It's", "up in a big detective family, causing her to know a lot about", "series I am currently writing, the protagonist grew up in a big detective", "can I write her dialogue to show she's a knows it all? >", "picking a lock. It's in the first chapter of \"Lockery for Beginners\". Haven't", "writing, the protagonist grew up in a big detective family, causing her to", "a series I am currently writing, the protagonist grew up in a big", "protagonist grew up in a big detective family, causing her to know a", "a big detective family, causing her to know a lot about the detective's", "a loophole is figuratively picking a lock. It's in the first chapter of", "knows it all? > > Example -* \"Loopholes are taught in Lockery class", "first chapter of \"Lockery for Beginners\". Haven't you bothered to read the textbook?\"", "In a series I am currently writing, the protagonist grew up in a", "chapter of \"Lockery for Beginners\". Haven't you bothered to read the textbook?\" >", "in the first chapter of \"Lockery for Beginners\". Haven't you bothered to read", "because finding a loophole is figuratively picking a lock. It's in the first", "dialogue to show she's a knows it all? > > Example - \"Loopholes", "\"Loopholes are taught in Lockery class because finding a loophole is figuratively picking", "lot about the detective's world. How can I write her dialogue to show", "her to know a lot about the detective's world. How can I write", "about the detective's world. How can I write her dialogue to show she's", "class because finding a loophole is figuratively picking a lock. It's in the" ]
[ "like \"Me, I like my coffee good and strong, just ask your grandfather\"", "an adult person of color (POC) is brought up in conversation. The POC", "tone of an adult person of color (POC) is brought up in conversation.", "\"Some people like it strong and black, while others like creamer and more", "POC has the nickname \"Gqoht\" and another character asks if it's ironic like", "slavery and plantation crops. Question: How should I approach writing a scene where", "having darker skin. Upset, Gqoht runs to his grandmother, who calms him and", "where the skin tone of an adult person of color (POC) is brought", "scene where the skin tone of an adult person of color (POC) is", "things and that we're all human and your skin tone makes you no", "should I approach writing a scene where the POC grandmother explains to the", "later find out it's because of certain supernatural abilities.) The character who brings", "but it's all still coffee. Each way is no better or worse, and", "Gqoht character has been written in the rest of the book, after this", "we're all human and your skin tone makes you no better or worse", "and strong, just ask your grandfather\" ... which would make Gqoht smile, as", "which would make Gqoht smile, as it was something he didn't quite understand", "The work is a fantasy novel set at the start of this decade.", "chose to make one of the main characters a POC because the rest", "But... the coffee analogy suggests preference. I don't want it read that I'm", "that Gqoht is very self-controlled. I wanted Gqoht to think back to when", "you no better or worse than anyone else. I was going to try", "serves to show that Gqoht is very self-controlled. I wanted Gqoht to think", "etc. (we later find out it's because of certain supernatural abilities.) The character", "want to pick a fight and it can be over the stupidest things", "want it read that I'm saying it's fine to like or dislike a", "having dark skin isn't a bad or good thing? For context: I'm a", "has been trying to get a rise out of Gqoht. The scene serves", "to when he was a child, when another POC bullied him for having", "the nickname \"Gqoht\" and another character asks if it's ironic like \"Tiny\" etc.", "calms him and explains that sometimes people just want to pick a fight", "good thing? For context: I'm a white male. The work is a fantasy", "the skin tone of an adult person of color (POC) is brought up", "I chose to make one of the main characters a POC because the", "or good thing? For context: I'm a white male. The work is a", "brought up in conversation. The POC has the nickname \"Gqoht\" and another character", "in a cake, but it's all still coffee. Each way is no better", "the time, but as an adult reminds him of his grandmother's humour. But...", "a cake, but it's all still coffee. Each way is no better or", "as it was something he didn't quite understand at the time, but as", "lack of humans and race is never brought up again. I chose to", "with someone over how they take it, right? It's just the way they", "his grandmother, who calms him and explains that sometimes people just want to", "I approach writing a scene where the POC grandmother explains to the bullied", "that having dark skin isn't a bad or good thing? For context: I'm", "to show that Gqoht is very self-controlled. I wanted Gqoht to think back", "his grandmother's humour. But... the coffee analogy suggests preference. I don't want it", "creamer and more sugar than you'd find in a cake, but it's all", "and has been trying to get a rise out of Gqoht. The scene", "like it strong and black, while others like creamer and more sugar than", "show that Gqoht is very self-controlled. I wanted Gqoht to think back to", "Gqoht to think back to when he was a child, when another POC", "of this decade. I'm quite happy with the way the Gqoht character has", "human and your skin tone makes you no better or worse than anyone", "of certain supernatural abilities.) The character who brings up the topic is made", "\"Me, I like my coffee good and strong, just ask your grandfather\" ...", "humour. But... the coffee analogy suggests preference. I don't want it read that", "book, after this chapter there is a severe lack of humans and race", "quite understand at the time, but as an adult reminds him of his", "I was going to end on something like \"Me, I like my coffee", "him of his grandmother's humour. But... the coffee analogy suggests preference. I don't", "over how they take it, right? It's just the way they like it.\"", "with the way the Gqoht character has been written in the rest of", "it's because of certain supernatural abilities.) The character who brings up the topic", "him and explains that sometimes people just want to pick a fight and", "skin. Upset, Gqoht runs to his grandmother, who calms him and explains that", "all still coffee. Each way is no better or worse, and you wouldn't", "being problematic to use due to links with slavery and plantation crops. Question:", "to be an ass and has been trying to get a rise out", "humans and race is never brought up again. I chose to make one", "again. I chose to make one of the main characters a POC because", "out of Gqoht. The scene serves to show that Gqoht is very self-controlled.", "a fight and it can be over the stupidest things and that we're", "way the Gqoht character has been written in the rest of the book,", "reminds him of his grandmother's humour. But... the coffee analogy suggests preference. I", "\"Gqoht\" and another character asks if it's ironic like \"Tiny\" etc. (we later", "on skin colour. I'm also wary of coffee after reading some articles on", "but as an adult reminds him of his grandmother's humour. But... the coffee", "has been written in the rest of the book, after this chapter there", "to the bullied POC young child that having dark skin isn't a bad", "skin tone of an adult person of color (POC) is brought up in", "been trying to get a rise out of Gqoht. The scene serves to", "after reading some articles on coffee/chocolate being problematic to use due to links", "grandmother explains to the bullied POC young child that having dark skin isn't", "to make one of the main characters a POC because the rest of", "asks if it's ironic like \"Tiny\" etc. (we later find out it's because", "an adult reminds him of his grandmother's humour. But... the coffee analogy suggests", "it can be over the stupidest things and that we're all human and", "be over the stupidest things and that we're all human and your skin", "of color (POC) is brought up in conversation. The POC has the nickname", "never brought up again. I chose to make one of the main characters", "I'm a white male. The work is a fantasy novel set at the", "or dislike a person based on skin colour. I'm also wary of coffee", "because of certain supernatural abilities.) The character who brings up the topic is", "I was going to try use a coffee analogy, something like \"Some people", "tone makes you no better or worse than anyone else. I was going", "coffee good and strong, just ask your grandfather\" ... which would make Gqoht", "this chapter there is a severe lack of humans and race is never", "anyone else. I was going to try use a coffee analogy, something like", "it.\" And then I was going to end on something like \"Me, I", "in the rest of the book, after this chapter there is a severe", "set at the start of this decade. I'm quite happy with the way", "Gqoht smile, as it was something he didn't quite understand at the time,", "I wanted Gqoht to think back to when he was a child, when", "that we're all human and your skin tone makes you no better or", "out it's because of certain supernatural abilities.) The character who brings up the", "the coffee analogy suggests preference. I don't want it read that I'm saying", "for having darker skin. Upset, Gqoht runs to his grandmother, who calms him", "And then I was going to end on something like \"Me, I like", "male. The work is a fantasy novel set at the start of this", "and you wouldn't fight with someone over how they take it, right? It's", "coffee after reading some articles on coffee/chocolate being problematic to use due to", "smile, as it was something he didn't quite understand at the time, but", "written in the rest of the book, after this chapter there is a", "The character who brings up the topic is made out to be an", "than anyone else. I was going to try use a coffee analogy, something", "crops. Question: How should I approach writing a scene where the POC grandmother", "saying it's fine to like or dislike a person based on skin colour.", "better or worse than anyone else. I was going to try use a", "writing a scene where the POC grandmother explains to the bullied POC young", "and it can be over the stupidest things and that we're all human", "it strong and black, while others like creamer and more sugar than you'd", "the way the Gqoht character has been written in the rest of the", "who brings up the topic is made out to be an ass and", "and another character asks if it's ironic like \"Tiny\" etc. (we later find", "been written in the rest of the book, after this chapter there is", "try use a coffee analogy, something like \"Some people like it strong and", "supernatural abilities.) The character who brings up the topic is made out to", "with slavery and plantation crops. Question: How should I approach writing a scene", "a child, when another POC bullied him for having darker skin. Upset, Gqoht", "explains that sometimes people just want to pick a fight and it can", "sugar than you'd find in a cake, but it's all still coffee. Each", "to end on something like \"Me, I like my coffee good and strong,", "adult reminds him of his grandmother's humour. But... the coffee analogy suggests preference.", "it's ironic like \"Tiny\" etc. (we later find out it's because of certain", "adult person of color (POC) is brought up in conversation. The POC has", "was a child, when another POC bullied him for having darker skin. Upset,", "main characters a POC because the rest of the limited cast of humans", "make Gqoht smile, as it was something he didn't quite understand at the", "good and strong, just ask your grandfather\" ... which would make Gqoht smile,", "rest of the book, after this chapter there is a severe lack of", "him for having darker skin. Upset, Gqoht runs to his grandmother, who calms", "your grandfather\" ... which would make Gqoht smile, as it was something he", "when he was a child, when another POC bullied him for having darker", "child, when another POC bullied him for having darker skin. Upset, Gqoht runs", "Gqoht is very self-controlled. I wanted Gqoht to think back to when he", "coffee. Each way is no better or worse, and you wouldn't fight with", "the way they like it.\" And then I was going to end on", "person based on skin colour. I'm also wary of coffee after reading some", "understand at the time, but as an adult reminds him of his grandmother's", "context: I'm a white male. The work is a fantasy novel set at", "grandfather\" ... which would make Gqoht smile, as it was something he didn't", "fight and it can be over the stupidest things and that we're all", "the topic is made out to be an ass and has been trying", "Gqoht runs to his grandmother, who calms him and explains that sometimes people", "of an adult person of color (POC) is brought up in conversation. The", "ironic like \"Tiny\" etc. (we later find out it's because of certain supernatural", "articles on coffee/chocolate being problematic to use due to links with slavery and", "than you'd find in a cake, but it's all still coffee. Each way", "on something like \"Me, I like my coffee good and strong, just ask", "plantation crops. Question: How should I approach writing a scene where the POC", "and that we're all human and your skin tone makes you no better", "wouldn't fight with someone over how they take it, right? It's just the", "trying to get a rise out of Gqoht. The scene serves to show", "still coffee. Each way is no better or worse, and you wouldn't fight", "like or dislike a person based on skin colour. I'm also wary of", "he didn't quite understand at the time, but as an adult reminds him", "reading some articles on coffee/chocolate being problematic to use due to links with", "make one of the main characters a POC because the rest of the", "preference. I don't want it read that I'm saying it's fine to like", "he was a child, when another POC bullied him for having darker skin.", "a coffee analogy, something like \"Some people like it strong and black, while", "a white male. The work is a fantasy novel set at the start", "it, right? It's just the way they like it.\" And then I was", "strong and black, while others like creamer and more sugar than you'd find", "nickname \"Gqoht\" and another character asks if it's ironic like \"Tiny\" etc. (we", "something he didn't quite understand at the time, but as an adult reminds", "person of color (POC) is brought up in conversation. The POC has the", "happy with the way the Gqoht character has been written in the rest", "another POC bullied him for having darker skin. Upset, Gqoht runs to his", "something like \"Some people like it strong and black, while others like creamer", "just the way they like it.\" And then I was going to end", "a POC because the rest of the limited cast of humans were white.", "made out to be an ass and has been trying to get a", "who calms him and explains that sometimes people just want to pick a", "find in a cake, but it's all still coffee. Each way is no", "and black, while others like creamer and more sugar than you'd find in", "the book, after this chapter there is a severe lack of humans and", "skin colour. I'm also wary of coffee after reading some articles on coffee/chocolate", "didn't quite understand at the time, but as an adult reminds him of", "darker skin. Upset, Gqoht runs to his grandmother, who calms him and explains", "you wouldn't fight with someone over how they take it, right? It's just", "a person based on skin colour. I'm also wary of coffee after reading", "Upset, Gqoht runs to his grandmother, who calms him and explains that sometimes", "to use due to links with slavery and plantation crops. Question: How should", "colour. I'm also wary of coffee after reading some articles on coffee/chocolate being", "is no better or worse, and you wouldn't fight with someone over how", "think back to when he was a child, when another POC bullied him", "at the start of this decade. I'm quite happy with the way the", "people like it strong and black, while others like creamer and more sugar", "bullied him for having darker skin. Upset, Gqoht runs to his grandmother, who", "scene serves to show that Gqoht is very self-controlled. I wanted Gqoht to", "skin tone makes you no better or worse than anyone else. I was", "of the main characters a POC because the rest of the limited cast", "problematic to use due to links with slavery and plantation crops. Question: How", "sometimes people just want to pick a fight and it can be over", "Each way is no better or worse, and you wouldn't fight with someone", "bad or good thing? For context: I'm a white male. The work is", "the bullied POC young child that having dark skin isn't a bad or", "coffee/chocolate being problematic to use due to links with slavery and plantation crops.", "worse, and you wouldn't fight with someone over how they take it, right?", "is brought up in conversation. The POC has the nickname \"Gqoht\" and another", "way is no better or worse, and you wouldn't fight with someone over", "where the POC grandmother explains to the bullied POC young child that having", "or worse, and you wouldn't fight with someone over how they take it,", "more sugar than you'd find in a cake, but it's all still coffee.", "you'd find in a cake, but it's all still coffee. Each way is", "was going to end on something like \"Me, I like my coffee good", "approach writing a scene where the POC grandmother explains to the bullied POC", "wary of coffee after reading some articles on coffee/chocolate being problematic to use", "to think back to when he was a child, when another POC bullied", "another character asks if it's ironic like \"Tiny\" etc. (we later find out", "some articles on coffee/chocolate being problematic to use due to links with slavery", "in conversation. The POC has the nickname \"Gqoht\" and another character asks if", "that sometimes people just want to pick a fight and it can be", "a fantasy novel set at the start of this decade. I'm quite happy", "young child that having dark skin isn't a bad or good thing? For", "right? It's just the way they like it.\" And then I was going", "\"Tiny\" etc. (we later find out it's because of certain supernatural abilities.) The", "stupidest things and that we're all human and your skin tone makes you", "up in conversation. The POC has the nickname \"Gqoht\" and another character asks", "an ass and has been trying to get a rise out of Gqoht.", "use due to links with slavery and plantation crops. Question: How should I", "is a fantasy novel set at the start of this decade. I'm quite", "someone over how they take it, right? It's just the way they like", "grandmother's humour. But... the coffee analogy suggests preference. I don't want it read", "like \"Tiny\" etc. (we later find out it's because of certain supernatural abilities.)", "else. I was going to try use a coffee analogy, something like \"Some", "coffee analogy, something like \"Some people like it strong and black, while others", "end on something like \"Me, I like my coffee good and strong, just", "character asks if it's ironic like \"Tiny\" etc. (we later find out it's", "and race is never brought up again. I chose to make one of", "is very self-controlled. I wanted Gqoht to think back to when he was", "then I was going to end on something like \"Me, I like my", "novel set at the start of this decade. I'm quite happy with the", "to like or dislike a person based on skin colour. I'm also wary", "isn't a bad or good thing? For context: I'm a white male. The", "scene where the POC grandmother explains to the bullied POC young child that", "can be over the stupidest things and that we're all human and your", "skin isn't a bad or good thing? For context: I'm a white male.", "of the book, after this chapter there is a severe lack of humans", "and plantation crops. Question: How should I approach writing a scene where the", "after this chapter there is a severe lack of humans and race is", "the rest of the book, after this chapter there is a severe lack", "ask your grandfather\" ... which would make Gqoht smile, as it was something", "there is a severe lack of humans and race is never brought up", "black, while others like creamer and more sugar than you'd find in a", "the stupidest things and that we're all human and your skin tone makes", "time, but as an adult reminds him of his grandmother's humour. But... the", "analogy, something like \"Some people like it strong and black, while others like", "is a severe lack of humans and race is never brought up again.", "wanted Gqoht to think back to when he was a child, when another", "conversation. The POC has the nickname \"Gqoht\" and another character asks if it's", "ass and has been trying to get a rise out of Gqoht. The", "... which would make Gqoht smile, as it was something he didn't quite", "pick a fight and it can be over the stupidest things and that", "they like it.\" And then I was going to end on something like", "brought up again. I chose to make one of the main characters a", "don't want it read that I'm saying it's fine to like or dislike", "I like my coffee good and strong, just ask your grandfather\" ... which", "character who brings up the topic is made out to be an ass", "like my coffee good and strong, just ask your grandfather\" ... which would", "race is never brought up again. I chose to make one of the", "rise out of Gqoht. The scene serves to show that Gqoht is very", "worse than anyone else. I was going to try use a coffee analogy,", "bullied POC young child that having dark skin isn't a bad or good", "makes you no better or worse than anyone else. I was going to", "quite happy with the way the Gqoht character has been written in the", "of humans and race is never brought up again. I chose to make", "it read that I'm saying it's fine to like or dislike a person", "when another POC bullied him for having darker skin. Upset, Gqoht runs to", "explains to the bullied POC young child that having dark skin isn't a", "analogy suggests preference. I don't want it read that I'm saying it's fine", "better or worse, and you wouldn't fight with someone over how they take", "like creamer and more sugar than you'd find in a cake, but it's", "work is a fantasy novel set at the start of this decade. I'm", "a severe lack of humans and race is never brought up again. I", "all human and your skin tone makes you no better or worse than", "thing? For context: I'm a white male. The work is a fantasy novel", "based on skin colour. I'm also wary of coffee after reading some articles", "on coffee/chocolate being problematic to use due to links with slavery and plantation", "get a rise out of Gqoht. The scene serves to show that Gqoht", "fight with someone over how they take it, right? It's just the way", "just want to pick a fight and it can be over the stupidest", "runs to his grandmother, who calms him and explains that sometimes people just", "decade. I'm quite happy with the way the Gqoht character has been written", "read that I'm saying it's fine to like or dislike a person based", "strong, just ask your grandfather\" ... which would make Gqoht smile, as it", "would make Gqoht smile, as it was something he didn't quite understand at", "was something he didn't quite understand at the time, but as an adult", "like it.\" And then I was going to end on something like \"Me,", "was going to try use a coffee analogy, something like \"Some people like", "The POC has the nickname \"Gqoht\" and another character asks if it's ironic", "take it, right? It's just the way they like it.\" And then I", "fine to like or dislike a person based on skin colour. I'm also", "and explains that sometimes people just want to pick a fight and it", "is made out to be an ass and has been trying to get", "up the topic is made out to be an ass and has been", "this decade. I'm quite happy with the way the Gqoht character has been", "(we later find out it's because of certain supernatural abilities.) The character who", "topic is made out to be an ass and has been trying to", "very self-controlled. I wanted Gqoht to think back to when he was a", "start of this decade. I'm quite happy with the way the Gqoht character", "How should I approach writing a scene where the POC grandmother explains to", "something like \"Me, I like my coffee good and strong, just ask your", "to pick a fight and it can be over the stupidest things and", "no better or worse than anyone else. I was going to try use", "to try use a coffee analogy, something like \"Some people like it strong", "the start of this decade. I'm quite happy with the way the Gqoht", "it was something he didn't quite understand at the time, but as an", "coffee analogy suggests preference. I don't want it read that I'm saying it's", "a rise out of Gqoht. The scene serves to show that Gqoht is", "one of the main characters a POC because the rest of the limited", "be an ass and has been trying to get a rise out of", "Question: How should I approach writing a scene where the POC grandmother explains", "suggests preference. I don't want it read that I'm saying it's fine to", "I don't want it read that I'm saying it's fine to like or", "a bad or good thing? For context: I'm a white male. The work", "of his grandmother's humour. But... the coffee analogy suggests preference. I don't want", "abilities.) The character who brings up the topic is made out to be", "brings up the topic is made out to be an ass and has", "characters a POC because the rest of the limited cast of humans were", "chapter there is a severe lack of humans and race is never brought", "the Gqoht character has been written in the rest of the book, after", "I'm also wary of coffee after reading some articles on coffee/chocolate being problematic", "your skin tone makes you no better or worse than anyone else. I", "or worse than anyone else. I was going to try use a coffee", "if it's ironic like \"Tiny\" etc. (we later find out it's because of", "severe lack of humans and race is never brought up again. I chose", "and your skin tone makes you no better or worse than anyone else.", "cake, but it's all still coffee. Each way is no better or worse,", "I'm saying it's fine to like or dislike a person based on skin", "is never brought up again. I chose to make one of the main", "they take it, right? It's just the way they like it.\" And then", "my coffee good and strong, just ask your grandfather\" ... which would make", "others like creamer and more sugar than you'd find in a cake, but", "to get a rise out of Gqoht. The scene serves to show that", "way they like it.\" And then I was going to end on something", "(POC) is brought up in conversation. The POC has the nickname \"Gqoht\" and", "grandmother, who calms him and explains that sometimes people just want to pick", "of coffee after reading some articles on coffee/chocolate being problematic to use due", "child that having dark skin isn't a bad or good thing? For context:", "that I'm saying it's fine to like or dislike a person based on", "a scene where the POC grandmother explains to the bullied POC young child", "to links with slavery and plantation crops. Question: How should I approach writing", "certain supernatural abilities.) The character who brings up the topic is made out", "going to try use a coffee analogy, something like \"Some people like it", "the POC grandmother explains to the bullied POC young child that having dark", "color (POC) is brought up in conversation. The POC has the nickname \"Gqoht\"", "over the stupidest things and that we're all human and your skin tone", "a scene where the skin tone of an adult person of color (POC)", "I'm quite happy with the way the Gqoht character has been written in", "to his grandmother, who calms him and explains that sometimes people just want", "I'm writing a scene where the skin tone of an adult person of", "self-controlled. I wanted Gqoht to think back to when he was a child,", "character has been written in the rest of the book, after this chapter", "back to when he was a child, when another POC bullied him for", "just ask your grandfather\" ... which would make Gqoht smile, as it was", "and more sugar than you'd find in a cake, but it's all still", "people just want to pick a fight and it can be over the", "white male. The work is a fantasy novel set at the start of", "fantasy novel set at the start of this decade. I'm quite happy with", "it's fine to like or dislike a person based on skin colour. I'm", "writing a scene where the skin tone of an adult person of color", "at the time, but as an adult reminds him of his grandmother's humour.", "POC grandmother explains to the bullied POC young child that having dark skin", "going to end on something like \"Me, I like my coffee good and", "links with slavery and plantation crops. Question: How should I approach writing a", "use a coffee analogy, something like \"Some people like it strong and black,", "also wary of coffee after reading some articles on coffee/chocolate being problematic to", "while others like creamer and more sugar than you'd find in a cake,", "has the nickname \"Gqoht\" and another character asks if it's ironic like \"Tiny\"", "how they take it, right? It's just the way they like it.\" And", "of Gqoht. The scene serves to show that Gqoht is very self-controlled. I", "The scene serves to show that Gqoht is very self-controlled. I wanted Gqoht", "like \"Some people like it strong and black, while others like creamer and", "dark skin isn't a bad or good thing? For context: I'm a white", "Gqoht. The scene serves to show that Gqoht is very self-controlled. I wanted", "out to be an ass and has been trying to get a rise", "dislike a person based on skin colour. I'm also wary of coffee after", "due to links with slavery and plantation crops. Question: How should I approach", "For context: I'm a white male. The work is a fantasy novel set", "POC bullied him for having darker skin. Upset, Gqoht runs to his grandmother,", "POC young child that having dark skin isn't a bad or good thing?", "find out it's because of certain supernatural abilities.) The character who brings up", "as an adult reminds him of his grandmother's humour. But... the coffee analogy", "the main characters a POC because the rest of the limited cast of", "it's all still coffee. Each way is no better or worse, and you", "It's just the way they like it.\" And then I was going to", "no better or worse, and you wouldn't fight with someone over how they", "up again. I chose to make one of the main characters a POC" ]
[ "technicality, or is this something that the writer needs to be mindful of?", "of an editing technicality, or is this something that the writer needs to", "English? Is this more of an editing technicality, or is this something that", "a story based in America or another country that uses American English, should", "you change your spelling to American English, or continue using British English? Is", "Is this more of an editing technicality, or is this something that the", "change your spelling to American English, or continue using British English? Is this", "If an Australian writer writes a story based in America or another country", "America or another country that uses American English, should you change your spelling", "or another country that uses American English, should you change your spelling to", "continue using British English? Is this more of an editing technicality, or is", "writes a story based in America or another country that uses American English,", "this more of an editing technicality, or is this something that the writer", "an Australian writer writes a story based in America or another country that", "editing technicality, or is this something that the writer needs to be mindful", "to American English, or continue using British English? Is this more of an", "writer writes a story based in America or another country that uses American", "or continue using British English? Is this more of an editing technicality, or", "English, or continue using British English? Is this more of an editing technicality,", "that uses American English, should you change your spelling to American English, or", "should you change your spelling to American English, or continue using British English?", "based in America or another country that uses American English, should you change", "English, should you change your spelling to American English, or continue using British", "American English, should you change your spelling to American English, or continue using", "story based in America or another country that uses American English, should you", "your spelling to American English, or continue using British English? Is this more", "an editing technicality, or is this something that the writer needs to be", "American English, or continue using British English? Is this more of an editing", "uses American English, should you change your spelling to American English, or continue", "in America or another country that uses American English, should you change your", "Australian writer writes a story based in America or another country that uses", "country that uses American English, should you change your spelling to American English,", "British English? Is this more of an editing technicality, or is this something", "more of an editing technicality, or is this something that the writer needs", "spelling to American English, or continue using British English? Is this more of", "another country that uses American English, should you change your spelling to American", "using British English? Is this more of an editing technicality, or is this" ]
[ "protagonist earlier. How can I make these new POVs less disorienting to a", "subplots. However, the second subplot is only relevant after reading the first seven", "reading the first seven chapters, so I cannot bring in the new protagonist", "one character. In chapter 8, I am planning to add a second POV", "so I cannot bring in the new protagonist earlier. How can I make", "will switch between the characters after I introduce them, exploring different subplots. However,", "earlier. How can I make these new POVs less disorienting to a reader", "the new protagonist earlier. How can I make these new POVs less disorienting", "second POV character. I will probably also add a third POV character in", "chapters 15 through 20 (I hope for the book to be around fifty", "I am planning to add a second POV character. I will probably also", "between the characters after I introduce them, exploring different subplots. However, the second", "be around fifty chapters). I will switch between the characters after I introduce", "introduce them, exploring different subplots. However, the second subplot is only relevant after", "third POV character in chapters 15 through 20 (I hope for the book", "them, exploring different subplots. However, the second subplot is only relevant after reading", "second subplot is only relevant after reading the first seven chapters, so I", "first seven chapters are from the POV of one character. In chapter 8,", "(I hope for the book to be around fifty chapters). I will switch", "fifty chapters). I will switch between the characters after I introduce them, exploring", "the first seven chapters are from the POV of one character. In chapter", "seven chapters are from the POV of one character. In chapter 8, I", "new POVs less disorienting to a reader (who probably did not expect multiple", "a second POV character. I will probably also add a third POV character", "the first seven chapters, so I cannot bring in the new protagonist earlier.", "first seven chapters, so I cannot bring in the new protagonist earlier. How", "bring in the new protagonist earlier. How can I make these new POVs", "relevant after reading the first seven chapters, so I cannot bring in the", "after I introduce them, exploring different subplots. However, the second subplot is only", "subplot is only relevant after reading the first seven chapters, so I cannot", "the characters after I introduce them, exploring different subplots. However, the second subplot", "book to be around fifty chapters). I will switch between the characters after", "is only relevant after reading the first seven chapters, so I cannot bring", "the book I am writing, the first seven chapters are from the POV", "I make these new POVs less disorienting to a reader (who probably did", "character. I will probably also add a third POV character in chapters 15", "in chapters 15 through 20 (I hope for the book to be around", "character in chapters 15 through 20 (I hope for the book to be", "seven chapters, so I cannot bring in the new protagonist earlier. How can", "I will switch between the characters after I introduce them, exploring different subplots.", "chapters, so I cannot bring in the new protagonist earlier. How can I", "characters after I introduce them, exploring different subplots. However, the second subplot is", "will probably also add a third POV character in chapters 15 through 20", "am planning to add a second POV character. I will probably also add", "of one character. In chapter 8, I am planning to add a second", "character. In chapter 8, I am planning to add a second POV character.", "book I am writing, the first seven chapters are from the POV of", "cannot bring in the new protagonist earlier. How can I make these new", "POV character. I will probably also add a third POV character in chapters", "the POV of one character. In chapter 8, I am planning to add", "to be around fifty chapters). I will switch between the characters after I", "However, the second subplot is only relevant after reading the first seven chapters,", "add a second POV character. I will probably also add a third POV", "after reading the first seven chapters, so I cannot bring in the new", "In the book I am writing, the first seven chapters are from the", "am writing, the first seven chapters are from the POV of one character.", "8, I am planning to add a second POV character. I will probably", "are from the POV of one character. In chapter 8, I am planning", "different subplots. However, the second subplot is only relevant after reading the first", "these new POVs less disorienting to a reader (who probably did not expect", "hope for the book to be around fifty chapters). I will switch between", "chapters). I will switch between the characters after I introduce them, exploring different", "for the book to be around fifty chapters). I will switch between the", "I am writing, the first seven chapters are from the POV of one", "chapter 8, I am planning to add a second POV character. I will", "in the new protagonist earlier. How can I make these new POVs less", "In chapter 8, I am planning to add a second POV character. I", "from the POV of one character. In chapter 8, I am planning to", "through 20 (I hope for the book to be around fifty chapters). I", "the book to be around fifty chapters). I will switch between the characters", "chapters are from the POV of one character. In chapter 8, I am", "15 through 20 (I hope for the book to be around fifty chapters).", "How can I make these new POVs less disorienting to a reader (who", "around fifty chapters). I will switch between the characters after I introduce them,", "also add a third POV character in chapters 15 through 20 (I hope", "I will probably also add a third POV character in chapters 15 through", "add a third POV character in chapters 15 through 20 (I hope for", "probably also add a third POV character in chapters 15 through 20 (I", "new protagonist earlier. How can I make these new POVs less disorienting to", "switch between the characters after I introduce them, exploring different subplots. However, the", "I cannot bring in the new protagonist earlier. How can I make these", "only relevant after reading the first seven chapters, so I cannot bring in", "planning to add a second POV character. I will probably also add a", "20 (I hope for the book to be around fifty chapters). I will", "the second subplot is only relevant after reading the first seven chapters, so", "POV of one character. In chapter 8, I am planning to add a", "to add a second POV character. I will probably also add a third", "exploring different subplots. However, the second subplot is only relevant after reading the", "can I make these new POVs less disorienting to a reader (who probably", "POVs less disorienting to a reader (who probably did not expect multiple POV's)?", "make these new POVs less disorienting to a reader (who probably did not", "writing, the first seven chapters are from the POV of one character. In", "POV character in chapters 15 through 20 (I hope for the book to", "I introduce them, exploring different subplots. However, the second subplot is only relevant", "a third POV character in chapters 15 through 20 (I hope for the" ]
[ "up with a compound sentence made up of imperative and interrogative. Is this", "basic phrase structure rules while constructing a sentence. For example, they may write", "not follow basic phrase structure rules while constructing a sentence. For example, they", "structure rules while constructing a sentence. For example, they may write a sentence", "may write a sentence with only one word like \"Fear\" And sometimes, they", "writers do not follow basic phrase structure rules while constructing a sentence. For", "made up of imperative and interrogative. Is this allowed, or should writers follow", "a sentence. For example, they may write a sentence with only one word", "word like \"Fear\" And sometimes, they may come up with a compound sentence", "they may come up with a compound sentence made up of imperative and", "come up with a compound sentence made up of imperative and interrogative. Is", "follow basic phrase structure rules while constructing a sentence. For example, they may", "of imperative and interrogative. Is this allowed, or should writers follow accepted grammar", "sentence. For example, they may write a sentence with only one word like", "found that the writers do not follow basic phrase structure rules while constructing", "have read many novels and found that the writers do not follow basic", "a sentence with only one word like \"Fear\" And sometimes, they may come", "may come up with a compound sentence made up of imperative and interrogative.", "sometimes, they may come up with a compound sentence made up of imperative", "constructing a sentence. For example, they may write a sentence with only one", "read many novels and found that the writers do not follow basic phrase", "example, they may write a sentence with only one word like \"Fear\" And", "with only one word like \"Fear\" And sometimes, they may come up with", "one word like \"Fear\" And sometimes, they may come up with a compound", "novels and found that the writers do not follow basic phrase structure rules", "they may write a sentence with only one word like \"Fear\" And sometimes,", "like \"Fear\" And sometimes, they may come up with a compound sentence made", "sentence made up of imperative and interrogative. Is this allowed, or should writers", "write a sentence with only one word like \"Fear\" And sometimes, they may", "rules while constructing a sentence. For example, they may write a sentence with", "phrase structure rules while constructing a sentence. For example, they may write a", "do not follow basic phrase structure rules while constructing a sentence. For example,", "up of imperative and interrogative. Is this allowed, or should writers follow accepted", "I have read many novels and found that the writers do not follow", "sentence with only one word like \"Fear\" And sometimes, they may come up", "only one word like \"Fear\" And sometimes, they may come up with a", "the writers do not follow basic phrase structure rules while constructing a sentence.", "while constructing a sentence. For example, they may write a sentence with only", "imperative and interrogative. Is this allowed, or should writers follow accepted grammar rules?", "compound sentence made up of imperative and interrogative. Is this allowed, or should", "And sometimes, they may come up with a compound sentence made up of", "many novels and found that the writers do not follow basic phrase structure", "\"Fear\" And sometimes, they may come up with a compound sentence made up", "with a compound sentence made up of imperative and interrogative. Is this allowed,", "that the writers do not follow basic phrase structure rules while constructing a", "a compound sentence made up of imperative and interrogative. Is this allowed, or", "and found that the writers do not follow basic phrase structure rules while", "For example, they may write a sentence with only one word like \"Fear\"" ]
[ "of idea that has already occured to some writer. If so, can I", "not allowed to leave). Has this idea already been taken? It really sounds", "like the sort of idea that has already occured to some writer. If", "place called Kingdom Come, where you can come in but you cannot go", "this idea already been taken? It really sounds like the sort of idea", "the sort of idea that has already occured to some writer. If so,", "I want to write a story about a place called Kingdom Come, where", "has already occured to some writer. If so, can I considered a plagarist?", "you are not allowed to leave). Has this idea already been taken? It", "allowed to leave). Has this idea already been taken? It really sounds like", "you can come in but you cannot go (i.e. you are not allowed", "go (i.e. you are not allowed to leave). Has this idea already been", "really sounds like the sort of idea that has already occured to some", "story about a place called Kingdom Come, where you can come in but", "idea already been taken? It really sounds like the sort of idea that", "sounds like the sort of idea that has already occured to some writer.", "come in but you cannot go (i.e. you are not allowed to leave).", "that has already occured to some writer. If so, can I considered a", "Has this idea already been taken? It really sounds like the sort of", "taken? It really sounds like the sort of idea that has already occured", "in but you cannot go (i.e. you are not allowed to leave). Has", "about a place called Kingdom Come, where you can come in but you", "are not allowed to leave). Has this idea already been taken? It really", "Kingdom Come, where you can come in but you cannot go (i.e. you", "can come in but you cannot go (i.e. you are not allowed to", "to write a story about a place called Kingdom Come, where you can", "idea that has already occured to some writer. If so, can I considered", "leave). Has this idea already been taken? It really sounds like the sort", "you cannot go (i.e. you are not allowed to leave). Has this idea", "(i.e. you are not allowed to leave). Has this idea already been taken?", "Come, where you can come in but you cannot go (i.e. you are", "want to write a story about a place called Kingdom Come, where you", "a story about a place called Kingdom Come, where you can come in", "a place called Kingdom Come, where you can come in but you cannot", "to leave). Has this idea already been taken? It really sounds like the", "write a story about a place called Kingdom Come, where you can come", "but you cannot go (i.e. you are not allowed to leave). Has this", "called Kingdom Come, where you can come in but you cannot go (i.e.", "already been taken? It really sounds like the sort of idea that has", "sort of idea that has already occured to some writer. If so, can", "been taken? It really sounds like the sort of idea that has already", "It really sounds like the sort of idea that has already occured to", "cannot go (i.e. you are not allowed to leave). Has this idea already", "where you can come in but you cannot go (i.e. you are not" ]
[ "POV characters is an overthinker. Partly because she wishes to stop thinking so", "about the thoughts that led up to it) Or, should her thoughts become", "Partly because she wishes to stop thinking so much, and partly because of", "do in her normal overthinking state. The reader has become accustomed to reading", "shift as she gets drunk? Should they stop altogether? (e.g., she just does", "the reader has no idea about the thoughts that led up to it)", "doing something that she would never do in her normal overthinking state. The", "to stop thinking so much, and partly because of peer pressure, she gets", "pressure, she gets super drunk... and ends up doing something that she would", "never do in her normal overthinking state. The reader has become accustomed to", "one of her excessive thoughts. But how should her thoughts shift as she", "thinking so much, and partly because of peer pressure, she gets super drunk...", "they stop altogether? (e.g., she just does the stupid thing, and the reader", "every one of her excessive thoughts. But how should her thoughts shift as", "thoughts that led up to it) Or, should her thoughts become completely irrational?", "reader has become accustomed to reading every one of her excessive thoughts. But", "overthinker. Partly because she wishes to stop thinking so much, and partly because", "something that she would never do in her normal overthinking state. The reader", "ends up doing something that she would never do in her normal overthinking", "of my POV characters is an overthinker. Partly because she wishes to stop", "gets drunk? Should they stop altogether? (e.g., she just does the stupid thing,", "so much, and partly because of peer pressure, she gets super drunk... and", "has become accustomed to reading every one of her excessive thoughts. But how", "how should her thoughts shift as she gets drunk? Should they stop altogether?", "much, and partly because of peer pressure, she gets super drunk... and ends", "should her thoughts shift as she gets drunk? Should they stop altogether? (e.g.,", "has no idea about the thoughts that led up to it) Or, should", "she just does the stupid thing, and the reader has no idea about", "because of peer pressure, she gets super drunk... and ends up doing something", "reader has no idea about the thoughts that led up to it) Or,", "because she wishes to stop thinking so much, and partly because of peer", "thoughts. But how should her thoughts shift as she gets drunk? Should they", "overthinking state. The reader has become accustomed to reading every one of her", "my POV characters is an overthinker. Partly because she wishes to stop thinking", "(e.g., she just does the stupid thing, and the reader has no idea", "she gets super drunk... and ends up doing something that she would never", "her excessive thoughts. But how should her thoughts shift as she gets drunk?", "altogether? (e.g., she just does the stupid thing, and the reader has no", "Should they stop altogether? (e.g., she just does the stupid thing, and the", "and the reader has no idea about the thoughts that led up to", "would never do in her normal overthinking state. The reader has become accustomed", "stop thinking so much, and partly because of peer pressure, she gets super", "peer pressure, she gets super drunk... and ends up doing something that she", "characters is an overthinker. Partly because she wishes to stop thinking so much,", "her thoughts shift as she gets drunk? Should they stop altogether? (e.g., she", "stupid thing, and the reader has no idea about the thoughts that led", "stop altogether? (e.g., she just does the stupid thing, and the reader has", "the thoughts that led up to it) Or, should her thoughts become completely", "her normal overthinking state. The reader has become accustomed to reading every one", "One of my POV characters is an overthinker. Partly because she wishes to", "thoughts shift as she gets drunk? Should they stop altogether? (e.g., she just", "she wishes to stop thinking so much, and partly because of peer pressure,", "and ends up doing something that she would never do in her normal", "the stupid thing, and the reader has no idea about the thoughts that", "But how should her thoughts shift as she gets drunk? Should they stop", "normal overthinking state. The reader has become accustomed to reading every one of", "idea about the thoughts that led up to it) Or, should her thoughts", "The reader has become accustomed to reading every one of her excessive thoughts.", "of her excessive thoughts. But how should her thoughts shift as she gets", "up doing something that she would never do in her normal overthinking state.", "does the stupid thing, and the reader has no idea about the thoughts", "thing, and the reader has no idea about the thoughts that led up", "super drunk... and ends up doing something that she would never do in", "she gets drunk? Should they stop altogether? (e.g., she just does the stupid", "drunk? Should they stop altogether? (e.g., she just does the stupid thing, and", "drunk... and ends up doing something that she would never do in her", "to reading every one of her excessive thoughts. But how should her thoughts", "as she gets drunk? Should they stop altogether? (e.g., she just does the", "and partly because of peer pressure, she gets super drunk... and ends up", "is an overthinker. Partly because she wishes to stop thinking so much, and", "become accustomed to reading every one of her excessive thoughts. But how should", "reading every one of her excessive thoughts. But how should her thoughts shift", "that she would never do in her normal overthinking state. The reader has", "no idea about the thoughts that led up to it) Or, should her", "state. The reader has become accustomed to reading every one of her excessive", "in her normal overthinking state. The reader has become accustomed to reading every", "excessive thoughts. But how should her thoughts shift as she gets drunk? Should", "of peer pressure, she gets super drunk... and ends up doing something that", "accustomed to reading every one of her excessive thoughts. But how should her", "gets super drunk... and ends up doing something that she would never do", "partly because of peer pressure, she gets super drunk... and ends up doing", "wishes to stop thinking so much, and partly because of peer pressure, she", "she would never do in her normal overthinking state. The reader has become", "an overthinker. Partly because she wishes to stop thinking so much, and partly", "just does the stupid thing, and the reader has no idea about the" ]
[ "the middle, or the end, and what are the pros and cons of", "a bigger, more important moment in the story, and asked that I do", "make the moment all the more surprising, and I figured it would be", "when it clicks with the reader and they go back and think about", "best pace information reveals to the reader](https://writing.stackexchange.com/questions/34514/how-to-best-pace-information-reveals-to-the-reader) and in the same general vein", "my writing group readers told me that they thought this was a really", "intentionally casual and minor, thinking that this would make the moment all the", "closer to the end, so that the reader gets to rethink everything that's", "the end, so that the reader gets to rethink everything that's happened up", "the story revolves around a detective who is trying to expose a corrupt", "that perspective and has a bigger \"aha\" moment than in the current draft.", "to the reader](https://writing.stackexchange.com/questions/34514/how-to-best-pace-information-reveals-to-the-reader) and in the same general vein as [When to finally", "more important moment in the story, and asked that I do a rewrite", "first chapter, there's a relatively mundane interaction with the detective's friend, and the", "the current draft. That got me thinking of a question which I'd like", "thinking that this would make the moment all the more surprising, and I", "The plot of the story revolves around a detective who is trying to", "receiving some feedback I had an interesting question about story design that I", "I do a rewrite where I don't reveal the protagonist's true nature until", "its own question. Background I've recently written a cyberpunk mystery story for a", "and they go back and think about the first chapter of the story", "think about the first chapter of the story from that perspective. However, one", "would be a fun \"wow\" moment when it clicks with the reader and", "That got me thinking of a question which I'd like to ask here.", "draft. That got me thinking of a question which I'd like to ask", "group readers told me that they thought this was a really big and", "reveal to be intentionally casual and minor, thinking that this would make the", "that they thought this was a really big and shocking reveal and deserved", "that the reader gets to rethink everything that's happened up until now through", "vein as [When to finally reveal plot twist to characters?](https://writing.stackexchange.com/questions/46603/when-to-finally-reveal-plot-twist-to-characters), but I think", "reader gets to rethink everything that's happened up until now through that perspective", "until closer to the end, so that the reader gets to rethink everything", "you go about deciding whether to put a reveal towards the beginning, the", "where I don't reveal the protagonist's true nature until closer to the end,", "for a writing group with my friends, and after receiving some feedback I", "to be intentionally casual and minor, thinking that this would make the moment", "thought this was a really big and shocking reveal and deserved a bigger,", "in the current draft. That got me thinking of a question which I'd", "the more surprising, and I figured it would be a fun \"wow\" moment", "a bigger \"aha\" moment than in the current draft. That got me thinking", "current draft. That got me thinking of a question which I'd like to", "writing group readers told me that they thought this was a really big", "protagonist is an android. I designed this reveal to be intentionally casual and", "so that the reader gets to rethink everything that's happened up until now", "ask here. How do you determine the timing of big story reveals? In", "mystery story for a writing group with my friends, and after receiving some", "detective who is trying to expose a corrupt cybersecurity software company. At the", "end of the first chapter, there's a relatively mundane interaction with the detective's", "my friends, and after receiving some feedback I had an interesting question about", "chapter of the story from that perspective. However, one of my writing group", "that our detective protagonist is an android. I designed this reveal to be", "to finally reveal plot twist to characters?](https://writing.stackexchange.com/questions/46603/when-to-finally-reveal-plot-twist-to-characters), but I think it's sufficiently different", "and asked that I do a rewrite where I don't reveal the protagonist's", "warrant its own question. Background I've recently written a cyberpunk mystery story for", "now through that perspective and has a bigger \"aha\" moment than in the", "a really big and shocking reveal and deserved a bigger, more important moment", "is similar to [How to best pace information reveals to the reader](https://writing.stackexchange.com/questions/34514/how-to-best-pace-information-reveals-to-the-reader) and", "the reader and they go back and think about the first chapter of", "first chapter of the story from that perspective. However, one of my writing", "around a detective who is trying to expose a corrupt cybersecurity software company.", "reader](https://writing.stackexchange.com/questions/34514/how-to-best-pace-information-reveals-to-the-reader) and in the same general vein as [When to finally reveal plot", "and I figured it would be a fun \"wow\" moment when it clicks", "plot of the story revolves around a detective who is trying to expose", "back and think about the first chapter of the story from that perspective.", "the first chapter, there's a relatively mundane interaction with the detective's friend, and", "has a bigger \"aha\" moment than in the current draft. That got me", "a rewrite where I don't reveal the protagonist's true nature until closer to", "nature until closer to the end, so that the reader gets to rethink", "do you go about deciding whether to put a reveal towards the beginning,", "friend, and the conversation tacitly reveals that our detective protagonist is an android.", "story for a writing group with my friends, and after receiving some feedback", "expose a corrupt cybersecurity software company. At the end of the first chapter,", "in the same general vein as [When to finally reveal plot twist to", "some feedback I had an interesting question about story design that I thought", "At the end of the first chapter, there's a relatively mundane interaction with", "casual and minor, thinking that this would make the moment all the more", "story reveals? In other words, how do you go about deciding whether to", "words, how do you go about deciding whether to put a reveal towards", "reveal towards the beginning, the middle, or the end, and what are the", "it clicks with the reader and they go back and think about the", "I'd like to ask here. How do you determine the timing of big", "was worth asking here. The plot of the story revolves around a detective", "this reveal to be intentionally casual and minor, thinking that this would make", "writing group with my friends, and after receiving some feedback I had an", "there's a relatively mundane interaction with the detective's friend, and the conversation tacitly", "different to warrant its own question. Background I've recently written a cyberpunk mystery", "deserved a bigger, more important moment in the story, and asked that I", "go back and think about the first chapter of the story from that", "happened up until now through that perspective and has a bigger \"aha\" moment", "[How to best pace information reveals to the reader](https://writing.stackexchange.com/questions/34514/how-to-best-pace-information-reveals-to-the-reader) and in the same", "that this would make the moment all the more surprising, and I figured", "However, one of my writing group readers told me that they thought this", "tacitly reveals that our detective protagonist is an android. I designed this reveal", "they thought this was a really big and shocking reveal and deserved a", "to warrant its own question. Background I've recently written a cyberpunk mystery story", "to expose a corrupt cybersecurity software company. At the end of the first", "moment when it clicks with the reader and they go back and think", "android. I designed this reveal to be intentionally casual and minor, thinking that", "thinking of a question which I'd like to ask here. How do you", "question about story design that I thought was worth asking here. The plot", "detective's friend, and the conversation tacitly reveals that our detective protagonist is an", "a detective who is trying to expose a corrupt cybersecurity software company. At", "end, so that the reader gets to rethink everything that's happened up until", "middle, or the end, and what are the pros and cons of doing", "to ask here. How do you determine the timing of big story reveals?", "which I'd like to ask here. How do you determine the timing of", "reveals that our detective protagonist is an android. I designed this reveal to", "moment all the more surprising, and I figured it would be a fun", "story, and asked that I do a rewrite where I don't reveal the", "and after receiving some feedback I had an interesting question about story design", "from that perspective. However, one of my writing group readers told me that", "big and shocking reveal and deserved a bigger, more important moment in the", "clicks with the reader and they go back and think about the first", "reveal plot twist to characters?](https://writing.stackexchange.com/questions/46603/when-to-finally-reveal-plot-twist-to-characters), but I think it's sufficiently different to warrant", "it's sufficiently different to warrant its own question. Background I've recently written a", "the end of the first chapter, there's a relatively mundane interaction with the", "the detective's friend, and the conversation tacitly reveals that our detective protagonist is", "until now through that perspective and has a bigger \"aha\" moment than in", "with the reader and they go back and think about the first chapter", "bigger \"aha\" moment than in the current draft. That got me thinking of", "moment than in the current draft. That got me thinking of a question", "than in the current draft. That got me thinking of a question which", "trying to expose a corrupt cybersecurity software company. At the end of the", "got me thinking of a question which I'd like to ask here. How", "the moment all the more surprising, and I figured it would be a", "detective protagonist is an android. I designed this reveal to be intentionally casual", "question is similar to [How to best pace information reveals to the reader](https://writing.stackexchange.com/questions/34514/how-to-best-pace-information-reveals-to-the-reader)", "a fun \"wow\" moment when it clicks with the reader and they go", "story design that I thought was worth asking here. The plot of the", "the protagonist's true nature until closer to the end, so that the reader", "moment in the story, and asked that I do a rewrite where I", "do you determine the timing of big story reveals? In other words, how", "you determine the timing of big story reveals? In other words, how do", "our detective protagonist is an android. I designed this reveal to be intentionally", "a cyberpunk mystery story for a writing group with my friends, and after", "to [How to best pace information reveals to the reader](https://writing.stackexchange.com/questions/34514/how-to-best-pace-information-reveals-to-the-reader) and in the", "feedback I had an interesting question about story design that I thought was", "finally reveal plot twist to characters?](https://writing.stackexchange.com/questions/46603/when-to-finally-reveal-plot-twist-to-characters), but I think it's sufficiently different to", "\"wow\" moment when it clicks with the reader and they go back and", "gets to rethink everything that's happened up until now through that perspective and", "put a reveal towards the beginning, the middle, or the end, and what", "and deserved a bigger, more important moment in the story, and asked that", "question which I'd like to ask here. How do you determine the timing", "perspective. However, one of my writing group readers told me that they thought", "relatively mundane interaction with the detective's friend, and the conversation tacitly reveals that", "recently written a cyberpunk mystery story for a writing group with my friends,", "plot twist to characters?](https://writing.stackexchange.com/questions/46603/when-to-finally-reveal-plot-twist-to-characters), but I think it's sufficiently different to warrant its", "I figured it would be a fun \"wow\" moment when it clicks with", "the timing of big story reveals? In other words, how do you go", "written a cyberpunk mystery story for a writing group with my friends, and", "cybersecurity software company. At the end of the first chapter, there's a relatively", "shocking reveal and deserved a bigger, more important moment in the story, and", "more surprising, and I figured it would be a fun \"wow\" moment when", "the story, and asked that I do a rewrite where I don't reveal", "the reader gets to rethink everything that's happened up until now through that", "me thinking of a question which I'd like to ask here. How do", "true nature until closer to the end, so that the reader gets to", "or the end, and what are the pros and cons of doing each?", "had an interesting question about story design that I thought was worth asking", "\"aha\" moment than in the current draft. That got me thinking of a", "company. At the end of the first chapter, there's a relatively mundane interaction", "conversation tacitly reveals that our detective protagonist is an android. I designed this", "really big and shocking reveal and deserved a bigger, more important moment in", "it would be a fun \"wow\" moment when it clicks with the reader", "but I think it's sufficiently different to warrant its own question. Background I've", "asking here. The plot of the story revolves around a detective who is", "reveal the protagonist's true nature until closer to the end, so that the", "the conversation tacitly reveals that our detective protagonist is an android. I designed", "about story design that I thought was worth asking here. The plot of", "I thought was worth asking here. The plot of the story revolves around", "readers told me that they thought this was a really big and shocking", "My question is similar to [How to best pace information reveals to the", "How do you determine the timing of big story reveals? In other words,", "group with my friends, and after receiving some feedback I had an interesting", "all the more surprising, and I figured it would be a fun \"wow\"", "they go back and think about the first chapter of the story from", "that perspective. However, one of my writing group readers told me that they", "one of my writing group readers told me that they thought this was", "do a rewrite where I don't reveal the protagonist's true nature until closer", "reveals to the reader](https://writing.stackexchange.com/questions/34514/how-to-best-pace-information-reveals-to-the-reader) and in the same general vein as [When to", "through that perspective and has a bigger \"aha\" moment than in the current", "determine the timing of big story reveals? In other words, how do you", "is an android. I designed this reveal to be intentionally casual and minor,", "to the end, so that the reader gets to rethink everything that's happened", "beginning, the middle, or the end, and what are the pros and cons", "minor, thinking that this would make the moment all the more surprising, and", "everything that's happened up until now through that perspective and has a bigger", "other words, how do you go about deciding whether to put a reveal", "don't reveal the protagonist's true nature until closer to the end, so that", "as [When to finally reveal plot twist to characters?](https://writing.stackexchange.com/questions/46603/when-to-finally-reveal-plot-twist-to-characters), but I think it's", "interesting question about story design that I thought was worth asking here. The", "story revolves around a detective who is trying to expose a corrupt cybersecurity", "of big story reveals? In other words, how do you go about deciding", "a question which I'd like to ask here. How do you determine the", "software company. At the end of the first chapter, there's a relatively mundane", "cyberpunk mystery story for a writing group with my friends, and after receiving", "after receiving some feedback I had an interesting question about story design that", "protagonist's true nature until closer to the end, so that the reader gets", "was a really big and shocking reveal and deserved a bigger, more important", "is trying to expose a corrupt cybersecurity software company. At the end of", "design that I thought was worth asking here. The plot of the story", "characters?](https://writing.stackexchange.com/questions/46603/when-to-finally-reveal-plot-twist-to-characters), but I think it's sufficiently different to warrant its own question. Background", "question. Background I've recently written a cyberpunk mystery story for a writing group", "own question. Background I've recently written a cyberpunk mystery story for a writing", "to best pace information reveals to the reader](https://writing.stackexchange.com/questions/34514/how-to-best-pace-information-reveals-to-the-reader) and in the same general", "like to ask here. How do you determine the timing of big story", "reveal and deserved a bigger, more important moment in the story, and asked", "be a fun \"wow\" moment when it clicks with the reader and they", "and has a bigger \"aha\" moment than in the current draft. That got", "the reader](https://writing.stackexchange.com/questions/34514/how-to-best-pace-information-reveals-to-the-reader) and in the same general vein as [When to finally reveal", "and think about the first chapter of the story from that perspective. However,", "and minor, thinking that this would make the moment all the more surprising,", "and the conversation tacitly reveals that our detective protagonist is an android. I", "mundane interaction with the detective's friend, and the conversation tacitly reveals that our", "be intentionally casual and minor, thinking that this would make the moment all", "I think it's sufficiently different to warrant its own question. Background I've recently", "important moment in the story, and asked that I do a rewrite where", "revolves around a detective who is trying to expose a corrupt cybersecurity software", "[When to finally reveal plot twist to characters?](https://writing.stackexchange.com/questions/46603/when-to-finally-reveal-plot-twist-to-characters), but I think it's sufficiently", "twist to characters?](https://writing.stackexchange.com/questions/46603/when-to-finally-reveal-plot-twist-to-characters), but I think it's sufficiently different to warrant its own", "corrupt cybersecurity software company. At the end of the first chapter, there's a", "that I do a rewrite where I don't reveal the protagonist's true nature", "In other words, how do you go about deciding whether to put a", "me that they thought this was a really big and shocking reveal and", "told me that they thought this was a really big and shocking reveal", "of the story revolves around a detective who is trying to expose a", "timing of big story reveals? In other words, how do you go about", "whether to put a reveal towards the beginning, the middle, or the end,", "and in the same general vein as [When to finally reveal plot twist", "chapter, there's a relatively mundane interaction with the detective's friend, and the conversation", "reader and they go back and think about the first chapter of the", "to characters?](https://writing.stackexchange.com/questions/46603/when-to-finally-reveal-plot-twist-to-characters), but I think it's sufficiently different to warrant its own question.", "friends, and after receiving some feedback I had an interesting question about story", "of my writing group readers told me that they thought this was a", "this would make the moment all the more surprising, and I figured it", "bigger, more important moment in the story, and asked that I do a", "here. How do you determine the timing of big story reveals? In other", "big story reveals? In other words, how do you go about deciding whether", "of the story from that perspective. However, one of my writing group readers", "Background I've recently written a cyberpunk mystery story for a writing group with", "interaction with the detective's friend, and the conversation tacitly reveals that our detective", "to put a reveal towards the beginning, the middle, or the end, and", "think it's sufficiently different to warrant its own question. Background I've recently written", "designed this reveal to be intentionally casual and minor, thinking that this would", "with my friends, and after receiving some feedback I had an interesting question", "I designed this reveal to be intentionally casual and minor, thinking that this", "fun \"wow\" moment when it clicks with the reader and they go back", "up until now through that perspective and has a bigger \"aha\" moment than", "perspective and has a bigger \"aha\" moment than in the current draft. That", "would make the moment all the more surprising, and I figured it would", "about deciding whether to put a reveal towards the beginning, the middle, or", "same general vein as [When to finally reveal plot twist to characters?](https://writing.stackexchange.com/questions/46603/when-to-finally-reveal-plot-twist-to-characters), but", "surprising, and I figured it would be a fun \"wow\" moment when it", "the story from that perspective. However, one of my writing group readers told", "asked that I do a rewrite where I don't reveal the protagonist's true", "a reveal towards the beginning, the middle, or the end, and what are", "story from that perspective. However, one of my writing group readers told me", "an android. I designed this reveal to be intentionally casual and minor, thinking", "a writing group with my friends, and after receiving some feedback I had", "to rethink everything that's happened up until now through that perspective and has", "I had an interesting question about story design that I thought was worth", "reveals? In other words, how do you go about deciding whether to put", "who is trying to expose a corrupt cybersecurity software company. At the end", "I don't reveal the protagonist's true nature until closer to the end, so", "rethink everything that's happened up until now through that perspective and has a", "figured it would be a fun \"wow\" moment when it clicks with the", "that's happened up until now through that perspective and has a bigger \"aha\"", "of a question which I'd like to ask here. How do you determine", "how do you go about deciding whether to put a reveal towards the", "the beginning, the middle, or the end, and what are the pros and", "an interesting question about story design that I thought was worth asking here.", "thought was worth asking here. The plot of the story revolves around a", "worth asking here. The plot of the story revolves around a detective who", "about the first chapter of the story from that perspective. However, one of", "here. The plot of the story revolves around a detective who is trying", "that I thought was worth asking here. The plot of the story revolves", "with the detective's friend, and the conversation tacitly reveals that our detective protagonist", "go about deciding whether to put a reveal towards the beginning, the middle,", "the same general vein as [When to finally reveal plot twist to characters?](https://writing.stackexchange.com/questions/46603/when-to-finally-reveal-plot-twist-to-characters),", "sufficiently different to warrant its own question. Background I've recently written a cyberpunk", "in the story, and asked that I do a rewrite where I don't", "pace information reveals to the reader](https://writing.stackexchange.com/questions/34514/how-to-best-pace-information-reveals-to-the-reader) and in the same general vein as", "rewrite where I don't reveal the protagonist's true nature until closer to the", "a corrupt cybersecurity software company. At the end of the first chapter, there's", "a relatively mundane interaction with the detective's friend, and the conversation tacitly reveals", "of the first chapter, there's a relatively mundane interaction with the detective's friend,", "the first chapter of the story from that perspective. However, one of my", "general vein as [When to finally reveal plot twist to characters?](https://writing.stackexchange.com/questions/46603/when-to-finally-reveal-plot-twist-to-characters), but I", "I've recently written a cyberpunk mystery story for a writing group with my", "this was a really big and shocking reveal and deserved a bigger, more", "deciding whether to put a reveal towards the beginning, the middle, or the", "information reveals to the reader](https://writing.stackexchange.com/questions/34514/how-to-best-pace-information-reveals-to-the-reader) and in the same general vein as [When", "towards the beginning, the middle, or the end, and what are the pros", "similar to [How to best pace information reveals to the reader](https://writing.stackexchange.com/questions/34514/how-to-best-pace-information-reveals-to-the-reader) and in", "and shocking reveal and deserved a bigger, more important moment in the story," ]
[ "force him to fight. (For plus note: i make a fantasy story like", "still weak. So how can i force him to fight. (For plus note:", "can i force him to fight. (For plus note: i make a fantasy", "that really strong but he believes that he is still weak. So how", "how can i force him to fight. (For plus note: i make a", "So how can i force him to fight. (For plus note: i make", "i force him to fight. (For plus note: i make a fantasy story", "he is still weak. So how can i force him to fight. (For", "My character is about to fight someone that really strong but he believes", "is still weak. So how can i force him to fight. (For plus", "to fight. (For plus note: i make a fantasy story like magic and", "to fight someone that really strong but he believes that he is still", "fight. (For plus note: i make a fantasy story like magic and stuff)", "believes that he is still weak. So how can i force him to", "about to fight someone that really strong but he believes that he is", "fight someone that really strong but he believes that he is still weak.", "someone that really strong but he believes that he is still weak. So", "but he believes that he is still weak. So how can i force", "strong but he believes that he is still weak. So how can i", "him to fight. (For plus note: i make a fantasy story like magic", "is about to fight someone that really strong but he believes that he", "that he is still weak. So how can i force him to fight.", "really strong but he believes that he is still weak. So how can", "he believes that he is still weak. So how can i force him", "weak. So how can i force him to fight. (For plus note: i", "character is about to fight someone that really strong but he believes that" ]
[ "symbolism stems from the simple fact that humans are [diurnal](https://en.wikipedia.org/wiki/Diurnality) rather than [nocturnal](https://en.wikipedia.org/wiki/Nocturnality).", "avoid the use of black/white symbolism in our writing, even though [color coding", "synonym of 'good.' [It also seems that our bodies need light for biological", "African descend and is orthogonal to the issues of racism. However, at least", "coding things can make the message very clear](https://tvtropes.org/pmwiki/pmwiki.php/Main/ColourCodedForYourConvenience)? Does unfortunate historical context mean", "'dangerous,' while 'light' is a synonym of 'good.' [It also seems that our", "means bad/evil](https://tvtropes.org/pmwiki/pmwiki.php/Main/GoodColorsEvilColors). I thought that - contrary to the appearances - the black/white", "not see anything. It was much harder to spot an impending danger. It", "seem to hint that the black/white symbolism has much deeper roots than relationships", "is not racist. I believe it has nothing to do with an unfortunate", "racist. I believe it has nothing to do with an unfortunate period in", "'light' is a synonym of 'good.' [It also seems that our bodies need", "It was much harder to spot an impending danger. It was the brigands'", "with a very light skin tone were oppressing people with a very dark", "reasons](http://thescienceexplorer.com/brain-and-body/isolation-dark-drives-humans-brink-insanity-studies-find) and [lack of light can lead to depression](https://www.healthline.com/health/depression/light-therapy). This, once again, seem", "light can lead to depression](https://www.healthline.com/health/depression/light-therapy). This, once again, seem to hint that the", "I thought that - contrary to the appearances - the black/white symbolism is", "use of black/white symbolism in our writing, even though [color coding things can", "that our bodies need light for biological reasons](http://thescienceexplorer.com/brain-and-body/isolation-dark-drives-humans-brink-insanity-studies-find) and [lack of light can", "to pillage our village and woe to you if you overstayed in the", "European and African descend and is orthogonal to the issues of racism. However,", "it has nothing to do with an unfortunate period in history when people", "it seems unavoidable anyway because I'd guess that human bodies are biologically predisposed", "danger. It was the brigands' favorite time to pillage our village and woe", "thought that - contrary to the appearances - the black/white symbolism is not", "word 'white' for anything with positive implications? Even though it seems unavoidable anyway", "to you if you overstayed in the forest. From it stems the natural,", "not use the word 'black' for anything with negative connotations and the word", "of racism. However, at least in some cases, [such usage of these words", "an extremely common trope that white/light means good and dark/black means bad/evil](https://tvtropes.org/pmwiki/pmwiki.php/Main/GoodColorsEvilColors). I", "was the brigands' favorite time to pillage our village and woe to you", "is frowned upon and declared rasist](https://www.techspot.com/news/85080-uk-cyber-security-agency-stop-using-racist-blacklist.html). Should we avoid the use of black/white", "[color coding things can make the message very clear](https://tvtropes.org/pmwiki/pmwiki.php/Main/ColourCodedForYourConvenience)? Does unfortunate historical context", "we avoid the use of black/white symbolism in our writing, even though [color", "seems unavoidable anyway because I'd guess that human bodies are biologically predisposed to", "centuries, darkness meant one could not see anything. It was much harder to", "bodies are biologically predisposed to associate black with grimness and white with joy?", "the forest. From it stems the natural, cross-cultural phenomenon of people using 'dark'", "white/light means good and dark/black means bad/evil](https://tvtropes.org/pmwiki/pmwiki.php/Main/GoodColorsEvilColors). I thought that - contrary to", "with a very dark skin tone. Instead, I suppose, this symbolism stems from", "you overstayed in the forest. From it stems the natural, cross-cultural phenomenon of", "that white/light means good and dark/black means bad/evil](https://tvtropes.org/pmwiki/pmwiki.php/Main/GoodColorsEvilColors). I thought that - contrary", "good and dark/black means bad/evil](https://tvtropes.org/pmwiki/pmwiki.php/Main/GoodColorsEvilColors). I thought that - contrary to the appearances", "or 'dangerous,' while 'light' is a synonym of 'good.' [It also seems that", "harder to spot an impending danger. It was the brigands' favorite time to", "than relationships between people of European and African descend and is orthogonal to", "For this reason for centuries, darkness meant one could not see anything. It", "for anything with positive implications? Even though it seems unavoidable anyway because I'd", "means good and dark/black means bad/evil](https://tvtropes.org/pmwiki/pmwiki.php/Main/GoodColorsEvilColors). I thought that - contrary to the", "'black' for anything with negative connotations and the word 'white' for anything with", "is orthogonal to the issues of racism. However, at least in some cases,", "light for biological reasons](http://thescienceexplorer.com/brain-and-body/isolation-dark-drives-humans-brink-insanity-studies-find) and [lack of light can lead to depression](https://www.healthline.com/health/depression/light-therapy). This,", "symbolism in our writing, even though [color coding things can make the message", "with positive implications? Even though it seems unavoidable anyway because I'd guess that", "trope that white/light means good and dark/black means bad/evil](https://tvtropes.org/pmwiki/pmwiki.php/Main/GoodColorsEvilColors). I thought that -", "things can make the message very clear](https://tvtropes.org/pmwiki/pmwiki.php/Main/ColourCodedForYourConvenience)? Does unfortunate historical context mean that", "'bad,' 'evil,' or 'dangerous,' while 'light' is a synonym of 'good.' [It also", "history when people with a very light skin tone were oppressing people with", "I believe it has nothing to do with an unfortunate period in history", "to the issues of racism. However, at least in some cases, [such usage", "the issues of racism. However, at least in some cases, [such usage of", "overstayed in the forest. From it stems the natural, cross-cultural phenomenon of people", "see anything. It was much harder to spot an impending danger. It was", "contrary to the appearances - the black/white symbolism is not racist. I believe", "implications? Even though it seems unavoidable anyway because I'd guess that human bodies", "[diurnal](https://en.wikipedia.org/wiki/Diurnality) rather than [nocturnal](https://en.wikipedia.org/wiki/Nocturnality). For this reason for centuries, darkness meant one could", "with an unfortunate period in history when people with a very light skin", "and is orthogonal to the issues of racism. However, at least in some", "hint that the black/white symbolism has much deeper roots than relationships between people", "much deeper roots than relationships between people of European and African descend and", "issues of racism. However, at least in some cases, [such usage of these", "It was the brigands' favorite time to pillage our village and woe to", "can lead to depression](https://www.healthline.com/health/depression/light-therapy). This, once again, seem to hint that the black/white", "very dark skin tone. Instead, I suppose, this symbolism stems from the simple", "synonym of 'bad,' 'evil,' or 'dangerous,' while 'light' is a synonym of 'good.'", "[such usage of these words is frowned upon and declared rasist](https://www.techspot.com/news/85080-uk-cyber-security-agency-stop-using-racist-blacklist.html). Should we", "the simple fact that humans are [diurnal](https://en.wikipedia.org/wiki/Diurnality) rather than [nocturnal](https://en.wikipedia.org/wiki/Nocturnality). For this reason", "dark/black means bad/evil](https://tvtropes.org/pmwiki/pmwiki.php/Main/GoodColorsEvilColors). I thought that - contrary to the appearances - the", "appearances - the black/white symbolism is not racist. I believe it has nothing", "not racist. I believe it has nothing to do with an unfortunate period", "phenomenon of people using 'dark' and 'black' as a synonym of 'bad,' 'evil,'", "people of European and African descend and is orthogonal to the issues of", "in history when people with a very light skin tone were oppressing people", "suppose, this symbolism stems from the simple fact that humans are [diurnal](https://en.wikipedia.org/wiki/Diurnality) rather", "our village and woe to you if you overstayed in the forest. From", "roots than relationships between people of European and African descend and is orthogonal", "lead to depression](https://www.healthline.com/health/depression/light-therapy). This, once again, seem to hint that the black/white symbolism", "guess that human bodies are biologically predisposed to associate black with grimness and", "need light for biological reasons](http://thescienceexplorer.com/brain-and-body/isolation-dark-drives-humans-brink-insanity-studies-find) and [lack of light can lead to depression](https://www.healthline.com/health/depression/light-therapy).", "tone were oppressing people with a very dark skin tone. Instead, I suppose,", "again, seem to hint that the black/white symbolism has much deeper roots than", "tone. Instead, I suppose, this symbolism stems from the simple fact that humans", "[nocturnal](https://en.wikipedia.org/wiki/Nocturnality). For this reason for centuries, darkness meant one could not see anything.", "to hint that the black/white symbolism has much deeper roots than relationships between", "[It is an extremely common trope that white/light means good and dark/black means", "village and woe to you if you overstayed in the forest. From it", "it stems the natural, cross-cultural phenomenon of people using 'dark' and 'black' as", "symbolism has much deeper roots than relationships between people of European and African", "Should we avoid the use of black/white symbolism in our writing, even though", "historical context mean that we should not use the word 'black' for anything", "for anything with negative connotations and the word 'white' for anything with positive", "[lack of light can lead to depression](https://www.healthline.com/health/depression/light-therapy). This, once again, seem to hint", "believe it has nothing to do with an unfortunate period in history when", "words is frowned upon and declared rasist](https://www.techspot.com/news/85080-uk-cyber-security-agency-stop-using-racist-blacklist.html). Should we avoid the use of", "the natural, cross-cultural phenomenon of people using 'dark' and 'black' as a synonym", "anyway because I'd guess that human bodies are biologically predisposed to associate black", "of 'good.' [It also seems that our bodies need light for biological reasons](http://thescienceexplorer.com/brain-and-body/isolation-dark-drives-humans-brink-insanity-studies-find)", "were oppressing people with a very dark skin tone. Instead, I suppose, this", "of European and African descend and is orthogonal to the issues of racism.", "I suppose, this symbolism stems from the simple fact that humans are [diurnal](https://en.wikipedia.org/wiki/Diurnality)", "to do with an unfortunate period in history when people with a very", "mean that we should not use the word 'black' for anything with negative", "using 'dark' and 'black' as a synonym of 'bad,' 'evil,' or 'dangerous,' while", "to depression](https://www.healthline.com/health/depression/light-therapy). This, once again, seem to hint that the black/white symbolism has", "the brigands' favorite time to pillage our village and woe to you if", "seems that our bodies need light for biological reasons](http://thescienceexplorer.com/brain-and-body/isolation-dark-drives-humans-brink-insanity-studies-find) and [lack of light", "cases, [such usage of these words is frowned upon and declared rasist](https://www.techspot.com/news/85080-uk-cyber-security-agency-stop-using-racist-blacklist.html). Should", "brigands' favorite time to pillage our village and woe to you if you", "usage of these words is frowned upon and declared rasist](https://www.techspot.com/news/85080-uk-cyber-security-agency-stop-using-racist-blacklist.html). Should we avoid", "is an extremely common trope that white/light means good and dark/black means bad/evil](https://tvtropes.org/pmwiki/pmwiki.php/Main/GoodColorsEvilColors).", "least in some cases, [such usage of these words is frowned upon and", "a very light skin tone were oppressing people with a very dark skin", "for centuries, darkness meant one could not see anything. It was much harder", "extremely common trope that white/light means good and dark/black means bad/evil](https://tvtropes.org/pmwiki/pmwiki.php/Main/GoodColorsEvilColors). I thought", "stems the natural, cross-cultural phenomenon of people using 'dark' and 'black' as a", "symbolism is not racist. I believe it has nothing to do with an", "relationships between people of European and African descend and is orthogonal to the", "also seems that our bodies need light for biological reasons](http://thescienceexplorer.com/brain-and-body/isolation-dark-drives-humans-brink-insanity-studies-find) and [lack of", "black/white symbolism has much deeper roots than relationships between people of European and", "Does unfortunate historical context mean that we should not use the word 'black'", "to the appearances - the black/white symbolism is not racist. I believe it", "anything with positive implications? Even though it seems unavoidable anyway because I'd guess", "'good.' [It also seems that our bodies need light for biological reasons](http://thescienceexplorer.com/brain-and-body/isolation-dark-drives-humans-brink-insanity-studies-find) and", "can make the message very clear](https://tvtropes.org/pmwiki/pmwiki.php/Main/ColourCodedForYourConvenience)? Does unfortunate historical context mean that we", "connotations and the word 'white' for anything with positive implications? Even though it", "has nothing to do with an unfortunate period in history when people with", "that humans are [diurnal](https://en.wikipedia.org/wiki/Diurnality) rather than [nocturnal](https://en.wikipedia.org/wiki/Nocturnality). For this reason for centuries, darkness", "reason for centuries, darkness meant one could not see anything. It was much", "you if you overstayed in the forest. From it stems the natural, cross-cultural", "make the message very clear](https://tvtropes.org/pmwiki/pmwiki.php/Main/ColourCodedForYourConvenience)? Does unfortunate historical context mean that we should", "once again, seem to hint that the black/white symbolism has much deeper roots", "rather than [nocturnal](https://en.wikipedia.org/wiki/Nocturnality). For this reason for centuries, darkness meant one could not", "message very clear](https://tvtropes.org/pmwiki/pmwiki.php/Main/ColourCodedForYourConvenience)? Does unfortunate historical context mean that we should not use", "I'd guess that human bodies are biologically predisposed to associate black with grimness", "very light skin tone were oppressing people with a very dark skin tone.", "- the black/white symbolism is not racist. I believe it has nothing to", "this reason for centuries, darkness meant one could not see anything. It was", "one could not see anything. It was much harder to spot an impending", "unfortunate historical context mean that we should not use the word 'black' for", "upon and declared rasist](https://www.techspot.com/news/85080-uk-cyber-security-agency-stop-using-racist-blacklist.html). Should we avoid the use of black/white symbolism in", "and African descend and is orthogonal to the issues of racism. However, at", "the use of black/white symbolism in our writing, even though [color coding things", "black/white symbolism is not racist. I believe it has nothing to do with", "of these words is frowned upon and declared rasist](https://www.techspot.com/news/85080-uk-cyber-security-agency-stop-using-racist-blacklist.html). Should we avoid the", "human bodies are biologically predisposed to associate black with grimness and white with", "our bodies need light for biological reasons](http://thescienceexplorer.com/brain-and-body/isolation-dark-drives-humans-brink-insanity-studies-find) and [lack of light can lead", "word 'black' for anything with negative connotations and the word 'white' for anything", "'white' for anything with positive implications? Even though it seems unavoidable anyway because", "- contrary to the appearances - the black/white symbolism is not racist. I", "the appearances - the black/white symbolism is not racist. I believe it has", "even though [color coding things can make the message very clear](https://tvtropes.org/pmwiki/pmwiki.php/Main/ColourCodedForYourConvenience)? Does unfortunate", "unavoidable anyway because I'd guess that human bodies are biologically predisposed to associate", "was much harder to spot an impending danger. It was the brigands' favorite", "oppressing people with a very dark skin tone. Instead, I suppose, this symbolism", "use the word 'black' for anything with negative connotations and the word 'white'", "and woe to you if you overstayed in the forest. From it stems", "is a synonym of 'good.' [It also seems that our bodies need light", "people with a very light skin tone were oppressing people with a very", "deeper roots than relationships between people of European and African descend and is", "skin tone. Instead, I suppose, this symbolism stems from the simple fact that", "in some cases, [such usage of these words is frowned upon and declared", "bodies need light for biological reasons](http://thescienceexplorer.com/brain-and-body/isolation-dark-drives-humans-brink-insanity-studies-find) and [lack of light can lead to", "people with a very dark skin tone. Instead, I suppose, this symbolism stems", "with negative connotations and the word 'white' for anything with positive implications? Even", "positive implications? Even though it seems unavoidable anyway because I'd guess that human", "the message very clear](https://tvtropes.org/pmwiki/pmwiki.php/Main/ColourCodedForYourConvenience)? Does unfortunate historical context mean that we should not", "period in history when people with a very light skin tone were oppressing", "declared rasist](https://www.techspot.com/news/85080-uk-cyber-security-agency-stop-using-racist-blacklist.html). Should we avoid the use of black/white symbolism in our writing,", "black/white symbolism in our writing, even though [color coding things can make the", "woe to you if you overstayed in the forest. From it stems the", "clear](https://tvtropes.org/pmwiki/pmwiki.php/Main/ColourCodedForYourConvenience)? Does unfortunate historical context mean that we should not use the word", "light skin tone were oppressing people with a very dark skin tone. Instead,", "an impending danger. It was the brigands' favorite time to pillage our village", "people using 'dark' and 'black' as a synonym of 'bad,' 'evil,' or 'dangerous,'", "impending danger. It was the brigands' favorite time to pillage our village and", "However, at least in some cases, [such usage of these words is frowned", "the black/white symbolism is not racist. I believe it has nothing to do", "biological reasons](http://thescienceexplorer.com/brain-and-body/isolation-dark-drives-humans-brink-insanity-studies-find) and [lack of light can lead to depression](https://www.healthline.com/health/depression/light-therapy). This, once again,", "'evil,' or 'dangerous,' while 'light' is a synonym of 'good.' [It also seems", "in the forest. From it stems the natural, cross-cultural phenomenon of people using", "that we should not use the word 'black' for anything with negative connotations", "and [lack of light can lead to depression](https://www.healthline.com/health/depression/light-therapy). This, once again, seem to", "forest. From it stems the natural, cross-cultural phenomenon of people using 'dark' and", "writing, even though [color coding things can make the message very clear](https://tvtropes.org/pmwiki/pmwiki.php/Main/ColourCodedForYourConvenience)? Does", "Even though it seems unavoidable anyway because I'd guess that human bodies are", "dark skin tone. Instead, I suppose, this symbolism stems from the simple fact", "a very dark skin tone. Instead, I suppose, this symbolism stems from the", "time to pillage our village and woe to you if you overstayed in", "the black/white symbolism has much deeper roots than relationships between people of European", "descend and is orthogonal to the issues of racism. However, at least in", "should not use the word 'black' for anything with negative connotations and the", "a synonym of 'bad,' 'evil,' or 'dangerous,' while 'light' is a synonym of", "could not see anything. It was much harder to spot an impending danger.", "anything with negative connotations and the word 'white' for anything with positive implications?", "unfortunate period in history when people with a very light skin tone were", "From it stems the natural, cross-cultural phenomenon of people using 'dark' and 'black'", "that human bodies are biologically predisposed to associate black with grimness and white", "of light can lead to depression](https://www.healthline.com/health/depression/light-therapy). This, once again, seem to hint that", "if you overstayed in the forest. From it stems the natural, cross-cultural phenomenon", "from the simple fact that humans are [diurnal](https://en.wikipedia.org/wiki/Diurnality) rather than [nocturnal](https://en.wikipedia.org/wiki/Nocturnality). For this", "darkness meant one could not see anything. It was much harder to spot", "we should not use the word 'black' for anything with negative connotations and", "very clear](https://tvtropes.org/pmwiki/pmwiki.php/Main/ColourCodedForYourConvenience)? Does unfortunate historical context mean that we should not use the", "Instead, I suppose, this symbolism stems from the simple fact that humans are", "of people using 'dark' and 'black' as a synonym of 'bad,' 'evil,' or", "racism. However, at least in some cases, [such usage of these words is", "and 'black' as a synonym of 'bad,' 'evil,' or 'dangerous,' while 'light' is", "this symbolism stems from the simple fact that humans are [diurnal](https://en.wikipedia.org/wiki/Diurnality) rather than", "pillage our village and woe to you if you overstayed in the forest.", "has much deeper roots than relationships between people of European and African descend", "some cases, [such usage of these words is frowned upon and declared rasist](https://www.techspot.com/news/85080-uk-cyber-security-agency-stop-using-racist-blacklist.html).", "of black/white symbolism in our writing, even though [color coding things can make", "anything. It was much harder to spot an impending danger. It was the", "[It also seems that our bodies need light for biological reasons](http://thescienceexplorer.com/brain-and-body/isolation-dark-drives-humans-brink-insanity-studies-find) and [lack", "stems from the simple fact that humans are [diurnal](https://en.wikipedia.org/wiki/Diurnality) rather than [nocturnal](https://en.wikipedia.org/wiki/Nocturnality). For", "than [nocturnal](https://en.wikipedia.org/wiki/Nocturnality). For this reason for centuries, darkness meant one could not see", "for biological reasons](http://thescienceexplorer.com/brain-and-body/isolation-dark-drives-humans-brink-insanity-studies-find) and [lack of light can lead to depression](https://www.healthline.com/health/depression/light-therapy). This, once", "humans are [diurnal](https://en.wikipedia.org/wiki/Diurnality) rather than [nocturnal](https://en.wikipedia.org/wiki/Nocturnality). For this reason for centuries, darkness meant", "context mean that we should not use the word 'black' for anything with", "do with an unfortunate period in history when people with a very light", "much harder to spot an impending danger. It was the brigands' favorite time", "in our writing, even though [color coding things can make the message very", "'dark' and 'black' as a synonym of 'bad,' 'evil,' or 'dangerous,' while 'light'", "simple fact that humans are [diurnal](https://en.wikipedia.org/wiki/Diurnality) rather than [nocturnal](https://en.wikipedia.org/wiki/Nocturnality). For this reason for", "as a synonym of 'bad,' 'evil,' or 'dangerous,' while 'light' is a synonym", "bad/evil](https://tvtropes.org/pmwiki/pmwiki.php/Main/GoodColorsEvilColors). I thought that - contrary to the appearances - the black/white symbolism", "nothing to do with an unfortunate period in history when people with a", "spot an impending danger. It was the brigands' favorite time to pillage our", "orthogonal to the issues of racism. However, at least in some cases, [such", "while 'light' is a synonym of 'good.' [It also seems that our bodies", "are [diurnal](https://en.wikipedia.org/wiki/Diurnality) rather than [nocturnal](https://en.wikipedia.org/wiki/Nocturnality). For this reason for centuries, darkness meant one", "at least in some cases, [such usage of these words is frowned upon", "frowned upon and declared rasist](https://www.techspot.com/news/85080-uk-cyber-security-agency-stop-using-racist-blacklist.html). Should we avoid the use of black/white symbolism", "the word 'black' for anything with negative connotations and the word 'white' for", "an unfortunate period in history when people with a very light skin tone", "and declared rasist](https://www.techspot.com/news/85080-uk-cyber-security-agency-stop-using-racist-blacklist.html). Should we avoid the use of black/white symbolism in our", "that the black/white symbolism has much deeper roots than relationships between people of", "a synonym of 'good.' [It also seems that our bodies need light for", "fact that humans are [diurnal](https://en.wikipedia.org/wiki/Diurnality) rather than [nocturnal](https://en.wikipedia.org/wiki/Nocturnality). For this reason for centuries,", "favorite time to pillage our village and woe to you if you overstayed", "between people of European and African descend and is orthogonal to the issues", "cross-cultural phenomenon of people using 'dark' and 'black' as a synonym of 'bad,'", "that - contrary to the appearances - the black/white symbolism is not racist.", "common trope that white/light means good and dark/black means bad/evil](https://tvtropes.org/pmwiki/pmwiki.php/Main/GoodColorsEvilColors). I thought that", "'black' as a synonym of 'bad,' 'evil,' or 'dangerous,' while 'light' is a", "depression](https://www.healthline.com/health/depression/light-therapy). This, once again, seem to hint that the black/white symbolism has much", "our writing, even though [color coding things can make the message very clear](https://tvtropes.org/pmwiki/pmwiki.php/Main/ColourCodedForYourConvenience)?", "when people with a very light skin tone were oppressing people with a", "negative connotations and the word 'white' for anything with positive implications? Even though", "though it seems unavoidable anyway because I'd guess that human bodies are biologically", "the word 'white' for anything with positive implications? Even though it seems unavoidable", "of 'bad,' 'evil,' or 'dangerous,' while 'light' is a synonym of 'good.' [It", "though [color coding things can make the message very clear](https://tvtropes.org/pmwiki/pmwiki.php/Main/ColourCodedForYourConvenience)? Does unfortunate historical", "This, once again, seem to hint that the black/white symbolism has much deeper", "and the word 'white' for anything with positive implications? Even though it seems", "rasist](https://www.techspot.com/news/85080-uk-cyber-security-agency-stop-using-racist-blacklist.html). Should we avoid the use of black/white symbolism in our writing, even", "meant one could not see anything. It was much harder to spot an", "and dark/black means bad/evil](https://tvtropes.org/pmwiki/pmwiki.php/Main/GoodColorsEvilColors). I thought that - contrary to the appearances -", "because I'd guess that human bodies are biologically predisposed to associate black with", "to spot an impending danger. It was the brigands' favorite time to pillage", "these words is frowned upon and declared rasist](https://www.techspot.com/news/85080-uk-cyber-security-agency-stop-using-racist-blacklist.html). Should we avoid the use", "natural, cross-cultural phenomenon of people using 'dark' and 'black' as a synonym of", "skin tone were oppressing people with a very dark skin tone. Instead, I" ]
[ "(in her head) on what she thinks he (or his voice) sounds like", "thinks he (or his voice) sounds like (nervous, hostile, accusatory, hopeful), but that's", "order, and would assume others do the same.) EDIT: As pointed out in", "single character's viewpoint*, but though the secondary character (the one being called) appears", "the tension of the scene, and I also don't think the main character", "(or his voice) sounds like (nervous, hostile, accusatory, hopeful), but that's much closer", "of assume that my audience remembers him from other stories, so hopefully they'll", "resorted to the POV character commenting (in her head) on what she thinks", "sort of assume that my audience remembers him from other stories, so hopefully", "said, I would prefer not to rely on that too hard, as I", "completely still. Maybe they're scratching their chin, sipping at a drink, or tugging", "clues as to what the non-POV character is thinking and feeling through their", "able to work out what's going through his head as he's receiving the", "can I show a character's thoughts and emotions if the POV character only", "important for the plot. The main character has previously interacted with the secondary", "his head as he's receiving the news. (That said, I would prefer not", "is thinking and feeling through their actions. Not all the time, but whenever", "to the POV character's news with varying emotions, ranging from cautious and upset", "hopefully they'll be able to work out what's going through his head as", "pointed out in the comments, changing it to a video call* is an", "much harder to employ \"Show, don't tell\" in a phone call. In this", "hard, as I myself sometimes read series out of order, and would assume", "the time, but whenever it feels appropriate. They might be pacing or go", "frayed thread. It's much harder to employ \"Show, don't tell\" in a phone", "is written entirely in first-person from a single character's viewpoint, but though the", "Not all the time, but whenever it feels appropriate. They might be pacing", "in a phone call. In this particular scene, the character on the other", "one being called) appears less often on page, he's extremely important for the", "this particular scene, the character on the other end of the line is", "the main character would trust the other character enough. Still... it's an option", "speech * pauses/trailing off But I'd still like to convey more information, so", "written entirely in first-person from a single character's viewpoint, but though the secondary", "end of the line is reacting to the POV character's news with varying", "other end of the line is reacting to the POV character's news with", "personality, he's unlikely to voice any of that out loud. So far I've", "reacting to the POV character's news with varying emotions, ranging from cautious and", "series out of order, and would assume others do the same.) EDIT: As", "POV character only hears them? The story is written entirely in first-person from", "but though the secondary character (the one being called) appears less often on", "(That said, I would prefer not to rely on that too hard, as", "previously interacted with the secondary character, but she doesn't know him well. However,", "loud. So far I've been using the following techniques: * raised/lowered voice ", "as I myself sometimes read series out of order, and would assume others", "convey more information, so I've resorted to the POV character commenting (in her", "on that too hard, as I myself sometimes read series out of order,", "hostile, accusatory, hopeful), but that's much closer to telling than I'd like. How", "off But I'd still like to convey more information, so I've resorted to", "entirely in first-person from a single character's viewpoint, but though the secondary character", "to the POV character commenting (in her head) on what she thinks* he", "comments, changing it to a video call is an option. However, I would", "also don't think the main character would trust the other character enough. Still...", "to work out what's going through his head as he's receiving the news.", "of the line is reacting to the POV character's news with varying emotions,", "emotions if the POV character only hears them?** The story is written entirely", "The main character has previously interacted with the secondary character, but she doesn't", "secondary character, but she doesn't know him well. However, I can sort of", "the line is reacting to the POV character's news with varying emotions, ranging", "with varying emotions, ranging from cautious and upset to relieved and hopeful. Due", "well. However, I can sort of assume that my audience remembers him from", "of order, and would assume others do the same.) EDIT: As pointed out", "him well. However, I can sort of assume that my audience remembers him", "she thinks he (or his voice) sounds like (nervous, hostile, accusatory, hopeful), but", "extremely important for the plot. The main character has previously interacted with the", "prefer not to rely on that too hard, as I myself sometimes read", "through their actions. Not all the time, but whenever it feels appropriate. They", "like (nervous, hostile, accusatory, hopeful), but that's much closer to telling than I'd", "work out what's going through his head as he's receiving the news. (That", "the news. (That said, I would prefer not to rely on that too", "viewpoint*, but though the secondary character (the one being called) appears less often", "reduce the tension of the scene, and I also don't think the main", "following techniques: raised/lowered voice * audible sigh/gasp/chuckle * rushed/chopped speech * pauses/trailing", "feels appropriate. They might be pacing or go completely still. Maybe they're scratching", "if the POV character only hears them?** The story is written entirely in", "assume that my audience remembers him from other stories, so hopefully they'll be", "POV character commenting (in her head) on what she thinks he (or his", "EDIT: As pointed out in the comments, changing it to a video call", "changing it to a video call is an option. However, I would prefer", "as to what the non-POV character is thinking and feeling through their actions.", "far I've been using the following techniques: * raised/lowered voice * audible sigh/gasp/chuckle", "so I've resorted to the POV character commenting (in her head) on what", "would greatly reduce the tension of the scene, and I also don't think", "drink, or tugging at a frayed thread. It's much harder to *employ \"Show,", "line is reacting to the POV character's news with varying emotions, ranging from", "voice audible sigh/gasp/chuckle * rushed/chopped speech * pauses/trailing off But I'd still", "has previously interacted with the secondary character, but she doesn't know him well.", "know him well. However, I can sort of assume that my audience remembers", "using the following techniques: * raised/lowered voice * audible sigh/gasp/chuckle * rushed/chopped speech", "but whenever it feels appropriate. They might be pacing or go completely still.", "character, but she doesn't know him well. However, I can sort of assume", "show a character's thoughts and emotions if the POV character only hears them?", "of the scene, and I also don't think the main character would trust", "feeling through their actions. Not all the time, but whenever it feels appropriate.", "but she doesn't know him well. However, I can sort of assume that", "information, so I've resorted to the POV character commenting (in her head) on", "that my audience remembers him from other stories, so hopefully they'll be able", "greatly reduce the tension of the scene, and I also don't think the", "called) appears less often on page, he's extremely important for the plot. The", "page, he's extremely important for the plot. The main character has previously interacted", "can sort of assume that my audience remembers him from other stories, so", "(nervous, hostile, accusatory, hopeful), but that's much closer to telling than I'd like.", "the POV character only hears them? The story is written entirely in first-person", "thread. It's much harder to employ \"Show, don't tell\" in a phone call*.", "I've resorted to the POV character commenting (in her head) on what she", "don't think the main character would trust the other character enough. Still... it's", "and feeling through their actions. Not all the time, but whenever it feels", "rushed/chopped speech pauses/trailing off But I'd still like to convey more information,", "she doesn't know him well. However, I can sort of assume that my", "they'll be able to work out what's going through his head as he's", "do that because it would greatly reduce the tension of the scene, and", "first-person from a single character's viewpoint, but though the secondary character (the one", "often on page, he's extremely important for the plot. The main character has", "with the secondary character, but she doesn't know him well. However, I can", "other stories, so hopefully they'll be able to work out what's going through", "it feels appropriate. They might be pacing or go completely still. Maybe they're", "what's going through his head as he's receiving the news. (That said, I", "However, I would prefer not to do that because it would greatly reduce", "the scene, and I also don't think the main character would trust the", "relieved and hopeful. Due to his personality, he's unlikely to voice any of", "and emotions if the POV character only hears them? The story is written", "upset to relieved and hopeful. Due to his personality, he's unlikely to voice", "It's much harder to employ \"Show, don't tell\" in a phone call*. In", "pauses/trailing off But I'd still like to convey more information, so I've resorted", "character is thinking and feeling through their actions. Not all the time, but", "in the comments, changing it to a video call* is an option. However,", "hopeful), but that's much closer to telling than I'd like. *How can I", "stories, so hopefully they'll be able to work out what's going through his", "as he's receiving the news. (That said, I would prefer not to rely", "dialogue, I like to give clues as to what the non-POV character is", "main character has previously interacted with the secondary character, but she doesn't know", "do the same.) EDIT: As pointed out in the comments, changing it to", "In this particular scene, the character on the other end of the line", "like to convey more information, so I've resorted to the POV character commenting", "from cautious and upset to relieved and hopeful. Due to his personality, he's", "commenting (in her head) on what she thinks* he (or his voice) sounds", "accusatory, hopeful), but that's much closer to telling than I'd like. How can", "closer to telling than I'd like. How can I show a character's thoughts", "story is written entirely in first-person from a single character's viewpoint, but though", "I like to give clues as to what the non-POV character is thinking", "character on the other end of the line is reacting to the POV", "is an option. However, I would prefer not to do that because it", "Maybe they're scratching their chin, sipping at a drink, or tugging at a", "I show a character's thoughts and emotions if the POV character only hears", "to do that because it would greatly reduce the tension of the scene,", "* raised/lowered voice * audible sigh/gasp/chuckle * rushed/chopped speech * pauses/trailing off But", "I would prefer not to do that because it would greatly reduce the", "option. However, I would prefer not to do that because it would greatly", "unlikely to voice any of that out loud. So far I've been using", "news. (That said, I would prefer not to rely on that too hard,", "more information, so I've resorted to the POV character commenting (in her head)", "through his head as he's receiving the news. (That said, I would prefer", "character would trust the other character enough. Still... it's an option I hadn't", "out loud. So far I've been using the following techniques: * raised/lowered voice", "or tugging at a frayed thread. It's much harder to *employ \"Show, don't", "I can sort of assume that my audience remembers him from other stories,", "same.) EDIT: As pointed out in the comments, changing it to a video", "I myself sometimes read series out of order, and would assume others do", "a phone call. In this particular scene, the character on the other end", "I also don't think the main character would trust the other character enough.", "think the main character would trust the other character enough. Still... it's an", "secondary character (the one being called) appears less often on page, he's extremely", "to voice any of that out loud. So far I've been using the", "to give clues as to what the non-POV character is thinking and feeling", "to his personality, he's unlikely to voice any of that out loud. So", "character (the one being called) appears less often on page, he's extremely important", "my audience remembers him from other stories, so hopefully they'll be able to", "sipping at a drink, or tugging at a frayed thread. It's much harder", "the other end of the line is reacting to the POV character's news", "time, but whenever it feels appropriate. They might be pacing or go completely", "at a frayed thread. It's much harder to employ \"Show, don't tell\" in", "head as he's receiving the news. (That said, I would prefer not to", "So far I've been using the following techniques: * raised/lowered voice * audible", "call* is an option. However, I would prefer not to do that because", "at a drink, or tugging at a frayed thread. It's much harder to", "like. How can I show a character's thoughts and emotions if the POV", "writing face-to-face dialogue, I like to give clues as to what the non-POV", "character has previously interacted with the secondary character, but she doesn't know him", "but that's much closer to telling than I'd like. How can I show", "varying emotions, ranging from cautious and upset to relieved and hopeful. Due to", "*How can I show a character's thoughts and emotions if the POV character", "particular scene, the character on the other end of the line is reacting", "the following techniques: raised/lowered voice * audible sigh/gasp/chuckle * rushed/chopped speech ", "he (or his voice) sounds like (nervous, hostile, accusatory, hopeful), but that's much", "be able to work out what's going through his head as he's receiving", "scene, and I also don't think the main character would trust the other", "that's much closer to telling than I'd like. How can I show a", "chin, sipping at a drink, or tugging at a frayed thread. It's much", "might be pacing or go completely still. Maybe they're scratching their chin, sipping", "is reacting to the POV character's news with varying emotions, ranging from cautious", "go completely still. Maybe they're scratching their chin, sipping at a drink, or", "on what she thinks* he (or his voice) sounds like (nervous, hostile, accusatory,", "the same.) EDIT: As pointed out in the comments, changing it to a", "they're scratching their chin, sipping at a drink, or tugging at a frayed", "in first-person from a single character's viewpoint, but though the secondary character (the", "the character on the other end of the line is reacting to the", "news with varying emotions, ranging from cautious and upset to relieved and hopeful.", "appropriate. They might be pacing or go completely still. Maybe they're scratching their", "the secondary character, but she doesn't know him well. However, I can sort", "the comments, changing it to a video call is an option. However, I", "than I'd like. How can I show a character's thoughts and emotions if", "their chin, sipping at a drink, or tugging at a frayed thread. It's", "assume others do the same.) EDIT: As pointed out in the comments, changing", "or go completely still. Maybe they're scratching their chin, sipping at a drink,", "I'd still like to convey more information, so I've resorted to the POV", "be pacing or go completely still. Maybe they're scratching their chin, sipping at", "what the non-POV character is thinking and feeling through their actions. Not all", "harder to employ \"Show, don't tell\" in a phone call*. In this particular", "would trust the other character enough. Still... it's an option I hadn't considered.", "raised/lowered voice audible sigh/gasp/chuckle * rushed/chopped speech * pauses/trailing off But I'd", "* rushed/chopped speech * pauses/trailing off But I'd still like to convey more", "for the plot. The main character has previously interacted with the secondary character,", "appears less often on page, he's extremely important for the plot. The main", "going through his head as he's receiving the news. (That said, I would", "too hard, as I myself sometimes read series out of order, and would", "out what's going through his head as he's receiving the news. (That said,", "character's news with varying emotions, ranging from cautious and upset to relieved and", "telling than I'd like. How can I show a character's thoughts and emotions", "face-to-face dialogue, I like to give clues as to what the non-POV character", "any of that out loud. So far I've been using the following techniques:", "he's extremely important for the plot. The main character has previously interacted with", "a character's thoughts and emotions if the POV character only hears them? The", "though the secondary character (the one being called) appears less often on page,", "techniques: * raised/lowered voice * audible sigh/gasp/chuckle * rushed/chopped speech * pauses/trailing off", "not to do that because it would greatly reduce the tension of the", "to a video call is an option. However, I would prefer not to", "his personality, he's unlikely to voice any of that out loud. So far", "rely on that too hard, as I myself sometimes read series out of", "the POV character's news with varying emotions, ranging from cautious and upset to", "him from other stories, so hopefully they'll be able to work out what's", "interacted with the secondary character, but she doesn't know him well. However, I", "would assume others do the same.) EDIT: As pointed out in the comments,", "only hears them? The story is written entirely in first-person from a single", "remembers him from other stories, so hopefully they'll be able to work out", "out of order, and would assume others do the same.) EDIT: As pointed", "I'd like. *How can I show a character's thoughts and emotions if the", "hopeful. Due to his personality, he's unlikely to voice any of that out", " pauses/trailing off But I'd still like to convey more information, so I've", "from a single character's viewpoint*, but though the secondary character (the one being", "whenever it feels appropriate. They might be pacing or go completely still. Maybe", "character commenting (in her head) on what she thinks* he (or his voice)", "prefer not to do that because it would greatly reduce the tension of", "give clues as to what the non-POV character is thinking and feeling through", "of that out loud. So far I've been using the following techniques: ", "still like to convey more information, so I've resorted to the POV character", "non-POV character is thinking and feeling through their actions. Not all the time,", "sigh/gasp/chuckle rushed/chopped speech * pauses/trailing off But I'd still like to convey", "and would assume others do the same.) EDIT: As pointed out in the", "and I also don't think the main character would trust the other character", "and hopeful. Due to his personality, he's unlikely to voice any of that", "ranging from cautious and upset to relieved and hopeful. Due to his personality,", "a video call is an option. However, I would prefer not to do", "that out loud. So far I've been using the following techniques: * raised/lowered", "read series out of order, and would assume others do the same.) EDIT:", "that because it would greatly reduce the tension of the scene, and I", "to telling than I'd like. *How can I show a character's thoughts and", "They might be pacing or go completely still. Maybe they're scratching their chin,", "head) on what she thinks* he (or his voice) sounds like (nervous, hostile,", "character only hears them? The story is written entirely in first-person from a", "the plot. The main character has previously interacted with the secondary character, but", "POV character's news with varying emotions, ranging from cautious and upset to relieved", "from other stories, so hopefully they'll be able to work out what's going", "audible sigh/gasp/chuckle * rushed/chopped speech * pauses/trailing off But I'd still like to", "sometimes read series out of order, and would assume others do the same.)", "(the one being called) appears less often on page, he's extremely important for", "voice) sounds like (nervous, hostile, accusatory, hopeful), but that's much closer to telling", "would prefer not to do that because it would greatly reduce the tension", "As pointed out in the comments, changing it to a video call is", "her head) on what she thinks he (or his voice) sounds like (nervous,", "so hopefully they'll be able to work out what's going through his head", "an option. However, I would prefer not to do that because it would", "pacing or go completely still. Maybe they're scratching their chin, sipping at a", "character's thoughts and emotions if the POV character only hears them?** The story", "because it would greatly reduce the tension of the scene, and I also", "it to a video call is an option. However, I would prefer not", "much closer to telling than I'd like. How can I show a character's", "their actions. Not all the time, but whenever it feels appropriate. They might", "thoughts and emotions if the POV character only hears them? The story is", "call. In this particular scene, the character on the other end of the", "less often on page, he's extremely important for the plot. The main character", "to employ \"Show, don't tell\" in a phone call. In this particular scene,", "main character would trust the other character enough. Still... it's an option I", "myself sometimes read series out of order, and would assume others do the", "voice any of that out loud. So far I've been using the following", "to convey more information, so I've resorted to the POV character commenting (in", "The story is written entirely in first-person from a single character's viewpoint, but", "employ \"Show, don't tell\" in a phone call. In this particular scene, the", "to rely on that too hard, as I myself sometimes read series out", "the secondary character (the one being called) appears less often on page, he's", "When writing face-to-face dialogue, I like to give clues as to what the", "tell\" in a phone call. In this particular scene, the character on the", "out in the comments, changing it to a video call is an option.", "and upset to relieved and hopeful. Due to his personality, he's unlikely to", "that too hard, as I myself sometimes read series out of order, and", "* audible sigh/gasp/chuckle * rushed/chopped speech * pauses/trailing off But I'd still like", "don't tell\" in a phone call. In this particular scene, the character on", "character's viewpoint, but though the secondary character (the one being called) appears less", "video call is an option. However, I would prefer not to do that", "been using the following techniques: * raised/lowered voice * audible sigh/gasp/chuckle * rushed/chopped", "scene, the character on the other end of the line is reacting to", "audience remembers him from other stories, so hopefully they'll be able to work", "would prefer not to rely on that too hard, as I myself sometimes", "the POV character commenting (in her head) on what she thinks he (or", "sounds like (nervous, hostile, accusatory, hopeful), but that's much closer to telling than", "tugging at a frayed thread. It's much harder to employ \"Show, don't tell\"", "hears them? The story is written entirely in first-person from a single character's", "a frayed thread. It's much harder to employ \"Show, don't tell\" in a", "to relieved and hopeful. Due to his personality, he's unlikely to voice any", "a drink, or tugging at a frayed thread. It's much harder to employ", "not to rely on that too hard, as I myself sometimes read series", "cautious and upset to relieved and hopeful. Due to his personality, he's unlikely", "phone call. In this particular scene, the character on the other end of", "But I'd still like to convey more information, so I've resorted to the", "I've been using the following techniques: * raised/lowered voice * audible sigh/gasp/chuckle ", "tension of the scene, and I also don't think the main character would", "he's receiving the news. (That said, I would prefer not to rely on", "his voice) sounds like (nervous, hostile, accusatory, hopeful), but that's much closer to", "on the other end of the line is reacting to the POV character's", "all the time, but whenever it feels appropriate. They might be pacing or", "a single character's viewpoint, but though the secondary character (the one being called)", "emotions, ranging from cautious and upset to relieved and hopeful. Due to his", "the non-POV character is thinking and feeling through their actions. Not all the", "others do the same.) EDIT: As pointed out in the comments, changing it", "I would prefer not to rely on that too hard, as I myself", "to what the non-POV character is thinking and feeling through their actions. Not", "on page, he's extremely important for the plot. The main character has previously", "doesn't know him well. However, I can sort of assume that my audience", "thinking and feeling through their actions. Not all the time, but whenever it", "Due to his personality, he's unlikely to voice any of that out loud.", "\"Show, don't tell\" in a phone call. In this particular scene, the character", "actions. Not all the time, but whenever it feels appropriate. They might be", "them?* The story is written entirely in first-person from a single character's viewpoint,", "However, I can sort of assume that my audience remembers him from other", "like to give clues as to what the non-POV character is thinking and", "he's unlikely to voice any of that out loud. So far I've been", "it would greatly reduce the tension of the scene, and I also don't", "receiving the news. (That said, I would prefer not to rely on that", "still. Maybe they're scratching their chin, sipping at a drink, or tugging at", "what she thinks he (or his voice) sounds like (nervous, hostile, accusatory, hopeful),", "scratching their chin, sipping at a drink, or tugging at a frayed thread.", "being called) appears less often on page, he's extremely important for the plot.", "plot. The main character has previously interacted with the secondary character, but she" ]
[ "I have seen that you can self publish your work on Amazon. And", "\"novice\" novels go from 50k words to 100k. But as I write, what", "feeling that I have read that before somewhere else. Is this a problem?", "ideas. Instead of creating a story for a Roleplaying game, I decided to", "mixing a lot of ideas. I cannot stop feeling that I have read", "Is there any rule or way to check this feeling? I don't have", "I have read that before somewhere else. Is this a problem? Can I", "few ideas. Instead of creating a story for a Roleplaying game, I decided", "way to check this feeling? I don't have anyone who I trust to", "is the fact that even if I'm changing and mixing a lot of", "same time, I began to play Roleplaying games and to write different stories", "words to 100k. But as I write, what worries me the most is", "the web. I just recently started to write again. I won a few", "I just recently started to write again. I won a few highschool prizes", "have legal issues? Is there any rule or way to check this feeling?", "web. I just recently started to write again. I won a few highschool", "New to the web. I just recently started to write again. I won", "I began to play Roleplaying games and to write different stories for different", "the same time, I began to play Roleplaying games and to write different", "seen that you can self publish your work on Amazon. And that most", "that you can self publish your work on Amazon. And that most \"novice\"", "stories. Around the same time, I began to play Roleplaying games and to", "few highschool prizes writing short stories. Around the same time, I began to", "different games. Lately, I have been thinking about a few ideas. Instead of", "work on Amazon. And that most \"novice\" novels go from 50k words to", "fact that even if I'm changing and mixing a lot of ideas. I", "to the web. I just recently started to write again. I won a", "your work on Amazon. And that most \"novice\" novels go from 50k words", "Can I have legal issues? Is there any rule or way to check", "again. I won a few highschool prizes writing short stories. Around the same", "Amazon. And that most \"novice\" novels go from 50k words to 100k. But", "worries me the most is the fact that even if I'm changing and", "as I write, what worries me the most is the fact that even", "that even if I'm changing and mixing a lot of ideas. I cannot", "and to write different stories for different games. Lately, I have been thinking", "have read that before somewhere else. Is this a problem? Can I have", "else. Is this a problem? Can I have legal issues? Is there any", "of creating a story for a Roleplaying game, I decided to write them", "most is the fact that even if I'm changing and mixing a lot", "I won a few highschool prizes writing short stories. Around the same time,", "games. Lately, I have been thinking about a few ideas. Instead of creating", "before somewhere else. Is this a problem? Can I have legal issues? Is", "play Roleplaying games and to write different stories for different games. Lately, I", "down. I have seen that you can self publish your work on Amazon.", "I write, what worries me the most is the fact that even if", "this a problem? Can I have legal issues? Is there any rule or", "or way to check this feeling? I don't have anyone who I trust", "highschool prizes writing short stories. Around the same time, I began to play", "And that most \"novice\" novels go from 50k words to 100k. But as", "write them down. I have seen that you can self publish your work", "legal issues? Is there any rule or way to check this feeling? I", "feeling? I don't have anyone who I trust to check for me. Cheers.", "Instead of creating a story for a Roleplaying game, I decided to write", "publish your work on Amazon. And that most \"novice\" novels go from 50k", "writing short stories. Around the same time, I began to play Roleplaying games", "that most \"novice\" novels go from 50k words to 100k. But as I", "a few ideas. Instead of creating a story for a Roleplaying game, I", "recently started to write again. I won a few highschool prizes writing short", "on Amazon. And that most \"novice\" novels go from 50k words to 100k.", "stop feeling that I have read that before somewhere else. Is this a", "a story for a Roleplaying game, I decided to write them down. I", "Roleplaying games and to write different stories for different games. Lately, I have", "that before somewhere else. Is this a problem? Can I have legal issues?", "novels go from 50k words to 100k. But as I write, what worries", "I have legal issues? Is there any rule or way to check this", "to check this feeling? I don't have anyone who I trust to check", "Around the same time, I began to play Roleplaying games and to write", "prizes writing short stories. Around the same time, I began to play Roleplaying", "creating a story for a Roleplaying game, I decided to write them down.", "read that before somewhere else. Is this a problem? Can I have legal", "to write again. I won a few highschool prizes writing short stories. Around", "different stories for different games. Lately, I have been thinking about a few", "go from 50k words to 100k. But as I write, what worries me", "and mixing a lot of ideas. I cannot stop feeling that I have", "write again. I won a few highschool prizes writing short stories. Around the", "you can self publish your work on Amazon. And that most \"novice\" novels", "issues? Is there any rule or way to check this feeling? I don't", "somewhere else. Is this a problem? Can I have legal issues? Is there", "started to write again. I won a few highschool prizes writing short stories.", "the fact that even if I'm changing and mixing a lot of ideas.", "even if I'm changing and mixing a lot of ideas. I cannot stop", "cannot stop feeling that I have read that before somewhere else. Is this", "Is this a problem? Can I have legal issues? Is there any rule", "lot of ideas. I cannot stop feeling that I have read that before", "a problem? Can I have legal issues? Is there any rule or way", "them down. I have seen that you can self publish your work on", "to write them down. I have seen that you can self publish your", "this feeling? I don't have anyone who I trust to check for me.", "the most is the fact that even if I'm changing and mixing a", "to play Roleplaying games and to write different stories for different games. Lately,", "stories for different games. Lately, I have been thinking about a few ideas.", "about a few ideas. Instead of creating a story for a Roleplaying game,", "most \"novice\" novels go from 50k words to 100k. But as I write,", "story for a Roleplaying game, I decided to write them down. I have", "I'm changing and mixing a lot of ideas. I cannot stop feeling that", "short stories. Around the same time, I began to play Roleplaying games and", "a few highschool prizes writing short stories. Around the same time, I began", "have been thinking about a few ideas. Instead of creating a story for", "write different stories for different games. Lately, I have been thinking about a", "just recently started to write again. I won a few highschool prizes writing", "if I'm changing and mixing a lot of ideas. I cannot stop feeling", "I have been thinking about a few ideas. Instead of creating a story", "from 50k words to 100k. But as I write, what worries me the", "for different games. Lately, I have been thinking about a few ideas. Instead", "Roleplaying game, I decided to write them down. I have seen that you", "a lot of ideas. I cannot stop feeling that I have read that", "Lately, I have been thinking about a few ideas. Instead of creating a", "can self publish your work on Amazon. And that most \"novice\" novels go", "that I have read that before somewhere else. Is this a problem? Can", "rule or way to check this feeling? I don't have anyone who I", "check this feeling? I don't have anyone who I trust to check for", "to write different stories for different games. Lately, I have been thinking about", "any rule or way to check this feeling? I don't have anyone who", "there any rule or way to check this feeling? I don't have anyone", "I decided to write them down. I have seen that you can self", "won a few highschool prizes writing short stories. Around the same time, I", "thinking about a few ideas. Instead of creating a story for a Roleplaying", "for a Roleplaying game, I decided to write them down. I have seen", "have seen that you can self publish your work on Amazon. And that", "problem? Can I have legal issues? Is there any rule or way to", "decided to write them down. I have seen that you can self publish", "changing and mixing a lot of ideas. I cannot stop feeling that I", "ideas. I cannot stop feeling that I have read that before somewhere else.", "me the most is the fact that even if I'm changing and mixing", "But as I write, what worries me the most is the fact that", "50k words to 100k. But as I write, what worries me the most", "games and to write different stories for different games. Lately, I have been", "100k. But as I write, what worries me the most is the fact", "I cannot stop feeling that I have read that before somewhere else. Is", "a Roleplaying game, I decided to write them down. I have seen that", "what worries me the most is the fact that even if I'm changing", "time, I began to play Roleplaying games and to write different stories for", "game, I decided to write them down. I have seen that you can", "to 100k. But as I write, what worries me the most is the", "of ideas. I cannot stop feeling that I have read that before somewhere", "began to play Roleplaying games and to write different stories for different games.", "write, what worries me the most is the fact that even if I'm", "been thinking about a few ideas. Instead of creating a story for a", "self publish your work on Amazon. And that most \"novice\" novels go from" ]
[ "poor ability to formulate rhythm. So the question I want to ask is", "are succinct, but they are not rhythmical, giving no pleasure to the ear", "formulate rhythm. So the question I want to ask is this: How does", "I want to ask is this: How does a writer strengthen their ear", "that is likely this: The writers themselves either are unmindful of rhythm when", "pieces of writing are succinct, but they are not rhythmical, giving no pleasure", "they write, or possess a poor ability to formulate rhythm. So the question", "a poor ability to formulate rhythm. So the question I want to ask", "to ask is this: How does a writer strengthen their ear for rhythm?", "are unmindful of rhythm when they write, or possess a poor ability to", "to the ear of the reader. The reason for that is likely this:", "want to ask is this: How does a writer strengthen their ear for", "to formulate rhythm. So the question I want to ask is this: How", "Many pieces of writing are succinct, but they are not rhythmical, giving no", "of rhythm when they write, or possess a poor ability to formulate rhythm.", "writing are succinct, but they are not rhythmical, giving no pleasure to the", "not rhythmical, giving no pleasure to the ear of the reader. The reason", "they are not rhythmical, giving no pleasure to the ear of the reader.", "rhythm when they write, or possess a poor ability to formulate rhythm. So", "are not rhythmical, giving no pleasure to the ear of the reader. The", "but they are not rhythmical, giving no pleasure to the ear of the", "of writing are succinct, but they are not rhythmical, giving no pleasure to", "succinct, but they are not rhythmical, giving no pleasure to the ear of", "pleasure to the ear of the reader. The reason for that is likely", "ear of the reader. The reason for that is likely this: The writers", "either are unmindful of rhythm when they write, or possess a poor ability", "rhythm. So the question I want to ask is this: How does a", "question I want to ask is this: How does a writer strengthen their", "possess a poor ability to formulate rhythm. So the question I want to", "reason for that is likely this: The writers themselves either are unmindful of", "The writers themselves either are unmindful of rhythm when they write, or possess", "this: The writers themselves either are unmindful of rhythm when they write, or", "is likely this: The writers themselves either are unmindful of rhythm when they", "rhythmical, giving no pleasure to the ear of the reader. The reason for", "the ear of the reader. The reason for that is likely this: The", "for that is likely this: The writers themselves either are unmindful of rhythm", "writers themselves either are unmindful of rhythm when they write, or possess a", "unmindful of rhythm when they write, or possess a poor ability to formulate", "likely this: The writers themselves either are unmindful of rhythm when they write,", "of the reader. The reason for that is likely this: The writers themselves", "the reader. The reason for that is likely this: The writers themselves either", "reader. The reason for that is likely this: The writers themselves either are", "giving no pleasure to the ear of the reader. The reason for that", "the question I want to ask is this: How does a writer strengthen", "or possess a poor ability to formulate rhythm. So the question I want", "no pleasure to the ear of the reader. The reason for that is", "when they write, or possess a poor ability to formulate rhythm. So the", "So the question I want to ask is this: How does a writer", "The reason for that is likely this: The writers themselves either are unmindful", "themselves either are unmindful of rhythm when they write, or possess a poor", "ability to formulate rhythm. So the question I want to ask is this:", "write, or possess a poor ability to formulate rhythm. So the question I" ]
[ "has any literature to refer me to that explains this further, I would", "> > 4. > > Further, the class `className` in Listing 4 displays", "4 displays ... > > > If anyone has any literature to refer", "in Listing 4 displays ... > > > If anyone has any literature", "my second language. I have understood that I should capitalize Section, Chapter, Figure,", "> 4. > > Further, the class `className` in Listing 4 displays ...", "I have understood that I should capitalize Section, Chapter, Figure, etc., but should", "Considering the implementation of class `className`... > > > 2. > > ...", "compared to the classes that contains ... > > > 4. > >", "anyone has any literature to refer me to that explains this further, I", "etc., but should I also capitalize other elements that refer to specific items?", "as compared to the classes that contains ... > > > 4. >", "I should capitalize Section, Chapter, Figure, etc., but should I also capitalize other", "contains ... > > > 3. > > ... as compared to the", "5. > > Further, the class in Listing 4 displays ... > >", "Section, Chapter, Figure, etc., but should I also capitalize other elements that refer", "... > > > If anyone has any literature to refer me to", "instance, in which of the following, if any, should \"class(es)\" be capitalized? 1.", "should I also capitalize other elements that refer to specific items? For instance,", "understood that I should capitalize Section, Chapter, Figure, etc., but should I also", "the following, if any, should \"class(es)\" be capitalized? 1. > > Considering the", "the classes, such as `className1` and `className2`, that contains ... > > >", "Further, the class `className` in Listing 4 displays ... > > > 5.", "> > > 5. > > Further, the class in Listing 4 displays", "displays ... > > > 5. > > Further, the class in Listing", "... > > > 3. > > ... as compared to the classes", "I also capitalize other elements that refer to specific items? For instance, in", "any, should \"class(es)\" be capitalized? 1. > > Considering the implementation of class", "> 5. > > Further, the class in Listing 4 displays ... >", "the class `className` in Listing 4 displays ... > > > 5. >", "`className` in Listing 4 displays ... > > > 5. > > Further,", "which is my second language. I have understood that I should capitalize Section,", "have understood that I should capitalize Section, Chapter, Figure, etc., but should I", "> 2. > > ... as compared to the classes, such as `className1`", "that I should capitalize Section, Chapter, Figure, etc., but should I also capitalize", "as `className1` and `className2`, that contains ... > > > 3. > >", "> > > If anyone has any literature to refer me to that", "thesis in English, which is my second language. I have understood that I", "> ... as compared to the classes that contains ... > > >", "classes, such as `className1` and `className2`, that contains ... > > > 3.", "> > > 2. > > ... as compared to the classes, such", "is my second language. I have understood that I should capitalize Section, Chapter,", "compared to the classes, such as `className1` and `className2`, that contains ... >", "... as compared to the classes that contains ... > > > 4.", "be capitalized? 1. > > Considering the implementation of class `className`... > >", "and `className2`, that contains ... > > > 3. > > ... as", "For instance, in which of the following, if any, should \"class(es)\" be capitalized?", "specific items? For instance, in which of the following, if any, should \"class(es)\"", "> Further, the class `className` in Listing 4 displays ... > > >", "of class `className`... > > > 2. > > ... as compared to", "displays ... > > > If anyone has any literature to refer me", "such as `className1` and `className2`, that contains ... > > > 3. >", "capitalized? 1. > > Considering the implementation of class `className`... > > >", "`className1` and `className2`, that contains ... > > > 3. > > ...", "If anyone has any literature to refer me to that explains this further,", "of the following, if any, should \"class(es)\" be capitalized? 1. > > Considering", "to the classes, such as `className1` and `className2`, that contains ... > >", "should \"class(es)\" be capitalized? 1. > > Considering the implementation of class `className`...", "following, if any, should \"class(es)\" be capitalized? 1. > > Considering the implementation", "contains ... > > > 4. > > Further, the class `className` in", "1. > > Considering the implementation of class `className`... > > > 2.", "the classes that contains ... > > > 4. > > Further, the", "refer to specific items? For instance, in which of the following, if any,", "> > ... as compared to the classes that contains ... > >", "> > ... as compared to the classes, such as `className1` and `className2`,", "> Considering the implementation of class `className`... > > > 2. > >", "also capitalize other elements that refer to specific items? For instance, in which", "4. > > Further, the class `className` in Listing 4 displays ... >", "`className`... > > > 2. > > ... as compared to the classes,", "> Further, the class in Listing 4 displays ... > > > If", "Figure, etc., but should I also capitalize other elements that refer to specific", "if any, should \"class(es)\" be capitalized? 1. > > Considering the implementation of", "> > 2. > > ... as compared to the classes, such as", "capitalize Section, Chapter, Figure, etc., but should I also capitalize other elements that", "but should I also capitalize other elements that refer to specific items? For", "classes that contains ... > > > 4. > > Further, the class", "Chapter, Figure, etc., but should I also capitalize other elements that refer to", "2. > > ... as compared to the classes, such as `className1` and", "any literature to refer me to that explains this further, I would greatly", "... as compared to the classes, such as `className1` and `className2`, that contains", "literature to refer me to that explains this further, I would greatly appreciate", "writing a master's thesis in English, which is my second language. I have", "other elements that refer to specific items? For instance, in which of the", "as compared to the classes, such as `className1` and `className2`, that contains ...", "a master's thesis in English, which is my second language. I have understood", "in English, which is my second language. I have understood that I should", "that contains ... > > > 4. > > Further, the class `className`", "... > > > 5. > > Further, the class in Listing 4", "> > 3. > > ... as compared to the classes that contains", "> > Further, the class in Listing 4 displays ... > > >", "capitalize other elements that refer to specific items? For instance, in which of", "... > > > 4. > > Further, the class `className` in Listing", "second language. I have understood that I should capitalize Section, Chapter, Figure, etc.,", "items? For instance, in which of the following, if any, should \"class(es)\" be", "that contains ... > > > 3. > > ... as compared to", "> If anyone has any literature to refer me to that explains this", "in Listing 4 displays ... > > > 5. > > Further, the", "Listing 4 displays ... > > > 5. > > Further, the class", "the implementation of class `className`... > > > 2. > > ... as", "Further, the class in Listing 4 displays ... > > > If anyone", "> > If anyone has any literature to refer me to that explains", "implementation of class `className`... > > > 2. > > ... as compared", "elements that refer to specific items? For instance, in which of the following,", "class `className` in Listing 4 displays ... > > > 5. > >", "Listing 4 displays ... > > > If anyone has any literature to", "> 3. > > ... as compared to the classes that contains ...", "\"class(es)\" be capitalized? 1. > > Considering the implementation of class `className`... >", "I'm writing a master's thesis in English, which is my second language. I", "class in Listing 4 displays ... > > > If anyone has any", "language. I have understood that I should capitalize Section, Chapter, Figure, etc., but", "master's thesis in English, which is my second language. I have understood that", "`className2`, that contains ... > > > 3. > > ... as compared", "to specific items? For instance, in which of the following, if any, should", "> > Further, the class `className` in Listing 4 displays ... > >", "> > Considering the implementation of class `className`... > > > 2. >", "English, which is my second language. I have understood that I should capitalize", "4 displays ... > > > 5. > > Further, the class in", "that refer to specific items? For instance, in which of the following, if", "> > > 4. > > Further, the class `className` in Listing 4", "> > > 3. > > ... as compared to the classes that", "> > 5. > > Further, the class in Listing 4 displays ...", "to refer me to that explains this further, I would greatly appreciate it.", "which of the following, if any, should \"class(es)\" be capitalized? 1. > >", "to the classes that contains ... > > > 4. > > Further,", "> ... as compared to the classes, such as `className1` and `className2`, that", "class `className`... > > > 2. > > ... as compared to the", "the class in Listing 4 displays ... > > > If anyone has", "in which of the following, if any, should \"class(es)\" be capitalized? 1. >", "should capitalize Section, Chapter, Figure, etc., but should I also capitalize other elements", "3. > > ... as compared to the classes that contains ... >" ]
[ "words, how can I show that twenty years have passed? \\The only relevance", "these beginning and ending scenes be? Also, as the main character narrates the", "story mainly takes place in the present, however, it begins and ends about", "as the main character narrates the story, should they refer to present day", "should new technologies be mentioned? In other words, how can I show that", "in my story is to show that the character has aged and to", "(The main character is reflecting on events in their youth.) Given that this", "youth.) Given that this is not science fiction, how \"futuristic\" should these beginning", "into the future. (The main character is reflecting on events in their youth.)", "the story, should they refer to present day technologies as if they're antiquated,", "that twenty years have passed? \\The only relevance of the future in my", "the future. (The main character is reflecting on events in their youth.) Given", "be? Also, as the main character narrates the story, should they refer to", "is not science fiction, how \"futuristic\" should these beginning and ending scenes be?", "the main character narrates the story, should they refer to present day technologies", "\\The only relevance of the future in my story is to show that", "Given that this is not science fiction, how \"futuristic\" should these beginning and", "place in the present, however, it begins and ends about 20 years into", "passed? \\The only relevance of the future in my story is to show", "years have passed? \\The only relevance of the future in my story is", "main character is reflecting on events in their youth.) Given that this is", "In other words, how can I show that twenty years have passed? \\The", "can I show that twenty years have passed? \\The only relevance of the", "refer to present day technologies as if they're antiquated, and should new technologies", "only relevance of the future in my story is to show that the", "I show that twenty years have passed? \\The only relevance of the future", "other words, how can I show that twenty years have passed? \\The only", "character has aged and to emphasize how important certain people/events were to them.", "events in their youth.) Given that this is not science fiction, how \"futuristic\"", "have passed? \\The only relevance of the future in my story is to", "they're antiquated, and should new technologies be mentioned? In other words, how can", "beginning and ending scenes be? Also, as the main character narrates the story,", "however, it begins and ends about 20 years into the future. (The main", "ends about 20 years into the future. (The main character is reflecting on", "of the future in my story is to show that the character has", "character is reflecting on events in their youth.) Given that this is not", "ending scenes be? Also, as the main character narrates the story, should they", "and should new technologies be mentioned? In other words, how can I show", "the character has aged and to emphasize how important certain people/events were to", "and ends about 20 years into the future. (The main character is reflecting", "day technologies as if they're antiquated, and should new technologies be mentioned? In", "new technologies be mentioned? In other words, how can I show that twenty", "begins and ends about 20 years into the future. (The main character is", "and ending scenes be? Also, as the main character narrates the story, should", "reflecting on events in their youth.) Given that this is not science fiction,", "if they're antiquated, and should new technologies be mentioned? In other words, how", "present day technologies as if they're antiquated, and should new technologies be mentioned?", "present, however, it begins and ends about 20 years into the future. (The", "technologies as if they're antiquated, and should new technologies be mentioned? In other", "My story mainly takes place in the present, however, it begins and ends", "relevance of the future in my story is to show that the character", "about 20 years into the future. (The main character is reflecting on events", "science fiction, how \"futuristic\" should these beginning and ending scenes be? Also, as", "20 years into the future. (The main character is reflecting on events in", "is reflecting on events in their youth.) Given that this is not science", "on events in their youth.) Given that this is not science fiction, how", "mainly takes place in the present, however, it begins and ends about 20", "to present day technologies as if they're antiquated, and should new technologies be", "is to show that the character has aged and to emphasize how important", "this is not science fiction, how \"futuristic\" should these beginning and ending scenes", "should these beginning and ending scenes be? Also, as the main character narrates", "scenes be? Also, as the main character narrates the story, should they refer", "mentioned? In other words, how can I show that twenty years have passed?", "\"futuristic\" should these beginning and ending scenes be? Also, as the main character", "technologies be mentioned? In other words, how can I show that twenty years", "story, should they refer to present day technologies as if they're antiquated, and", "be mentioned? In other words, how can I show that twenty years have", "twenty years have passed? \\The only relevance of the future in my story", "that the character has aged and to emphasize how important certain people/events were", "narrates the story, should they refer to present day technologies as if they're", "it begins and ends about 20 years into the future. (The main character", "fiction, how \"futuristic\" should these beginning and ending scenes be? Also, as the", "takes place in the present, however, it begins and ends about 20 years", "how \"futuristic\" should these beginning and ending scenes be? Also, as the main", "character narrates the story, should they refer to present day technologies as if", "their youth.) Given that this is not science fiction, how \"futuristic\" should these", "future. (The main character is reflecting on events in their youth.) Given that", "main character narrates the story, should they refer to present day technologies as", "story is to show that the character has aged and to emphasize how", "years into the future. (The main character is reflecting on events in their", "in the present, however, it begins and ends about 20 years into the", "the present, however, it begins and ends about 20 years into the future.", "antiquated, and should new technologies be mentioned? In other words, how can I", "show that twenty years have passed? \\The only relevance of the future in", "Also, as the main character narrates the story, should they refer to present", "should they refer to present day technologies as if they're antiquated, and should", "that this is not science fiction, how \"futuristic\" should these beginning and ending", "to show that the character has aged and to emphasize how important certain", "not science fiction, how \"futuristic\" should these beginning and ending scenes be? Also,", "how can I show that twenty years have passed? \\*The only relevance of", "they refer to present day technologies as if they're antiquated, and should new", "as if they're antiquated, and should new technologies be mentioned? In other words,", "the future in my story is to show that the character has aged", "my story is to show that the character has aged and to emphasize", "in their youth.) Given that this is not science fiction, how \"futuristic\" should", "show that the character has aged and to emphasize how important certain people/events", "future in my story is to show that the character has aged and" ]
[ "that I am writing, Of Aliens and Men, the leader of the main", "holds nigh-limitless political and military power. I am concerned that she may come", "of the main antagonist faction, an alien organization called the Empyre (pronounced: Em-peer)", "she may come off as a Miry Kae-esque character. Is a character with", "writing, Of Aliens and Men, the leader of the main antagonist faction, an", "an alien organization called the Empyre (pronounced: Em-peer) Empire, Empress Erika II holds", "the main antagonist faction, an alien organization called the Empyre (pronounced: Em-peer) Empire,", "and Men, the leader of the main antagonist faction, an alien organization called", "power. I am concerned that she may come off as a Miry Kae-esque", "leader of the main antagonist faction, an alien organization called the Empyre (pronounced:", "come off as a Miry Kae-esque character. Is a character with high political,", "character. Is a character with high political, instead of physical, magical, etc. power,", "a character with high political, instead of physical, magical, etc. power, a Miry", "and military power. I am concerned that she may come off as a", "called the Empyre (pronounced: Em-peer) Empire, Empress Erika II holds nigh-limitless political and", "am concerned that she may come off as a Miry Kae-esque character. Is", "I am concerned that she may come off as a Miry Kae-esque character.", "Aliens and Men, the leader of the main antagonist faction, an alien organization", "alien organization called the Empyre (pronounced: Em-peer) Empire, Empress Erika II holds nigh-limitless", "off as a Miry Kae-esque character. Is a character with high political, instead", "Is a character with high political, instead of physical, magical, etc. power, a", "(pronounced: Em-peer) Empire, Empress Erika II holds nigh-limitless political and military power. I", "as a Miry Kae-esque character. Is a character with high political, instead of", "I am writing, Of Aliens and Men, the leader of the main antagonist", "concerned that she may come off as a Miry Kae-esque character. Is a", "Empyre (pronounced: Em-peer) Empire, Empress Erika II holds nigh-limitless political and military power.", "Empress Erika II holds nigh-limitless political and military power. I am concerned that", "my novella trilogy that I am writing, Of Aliens and Men, the leader", "political and military power. I am concerned that she may come off as", "Kae-esque character. Is a character with high political, instead of physical, magical, etc.", "In my novella trilogy that I am writing, Of Aliens and Men, the", "antagonist faction, an alien organization called the Empyre (pronounced: Em-peer) Empire, Empress Erika", "Em-peer) Empire, Empress Erika II holds nigh-limitless political and military power. I am", "Miry Kae-esque character. Is a character with high political, instead of physical, magical,", "II holds nigh-limitless political and military power. I am concerned that she may", "nigh-limitless political and military power. I am concerned that she may come off", "organization called the Empyre (pronounced: Em-peer) Empire, Empress Erika II holds nigh-limitless political", "Erika II holds nigh-limitless political and military power. I am concerned that she", "Of Aliens and Men, the leader of the main antagonist faction, an alien", "the leader of the main antagonist faction, an alien organization called the Empyre", "trilogy that I am writing, Of Aliens and Men, the leader of the", "Empire, Empress Erika II holds nigh-limitless political and military power. I am concerned", "military power. I am concerned that she may come off as a Miry", "that she may come off as a Miry Kae-esque character. Is a character", "Men, the leader of the main antagonist faction, an alien organization called the", "am writing, Of Aliens and Men, the leader of the main antagonist faction,", "the Empyre (pronounced: Em-peer) Empire, Empress Erika II holds nigh-limitless political and military", "may come off as a Miry Kae-esque character. Is a character with high", "main antagonist faction, an alien organization called the Empyre (pronounced: Em-peer) Empire, Empress", "character with high political, instead of physical, magical, etc. power, a Miry Kae?", "novella trilogy that I am writing, Of Aliens and Men*, the leader of", "a Miry Kae-esque character. Is a character with high political, instead of physical,", "faction, an alien organization called the Empyre (pronounced: Em-peer) Empire, Empress Erika II" ]
[ "but I didn't even finish them all. I don't know if I should", "writing different books, or focus on one. I sometimes find old books of", "I sometimes find old books of mine that aren't finished and I don't", "old books of mine that aren't finished and I don't even know what", "they are about. I need a quick idea on how to fix this...", "I'm only 9 and I started writing a few books, but I didn't", "finish them all. I don't know if I should keep writing different books,", "and I started writing a few books, but I didn't even finish them", "know if I should keep writing different books, or focus on one. I", "even know what they are about. I need a quick idea on how", "know what they are about. I need a quick idea on how to", "books, but I didn't even finish them all. I don't know if I", "or focus on one. I sometimes find old books of mine that aren't", "different books, or focus on one. I sometimes find old books of mine", "I didn't even finish them all. I don't know if I should keep", "keep writing different books, or focus on one. I sometimes find old books", "mine that aren't finished and I don't even know what they are about.", "I don't even know what they are about. I need a quick idea", "even finish them all. I don't know if I should keep writing different", "writing a few books, but I didn't even finish them all. I don't", "started writing a few books, but I didn't even finish them all. I", "focus on one. I sometimes find old books of mine that aren't finished", "find old books of mine that aren't finished and I don't even know", "didn't even finish them all. I don't know if I should keep writing", "one. I sometimes find old books of mine that aren't finished and I", "few books, but I didn't even finish them all. I don't know if", "of mine that aren't finished and I don't even know what they are", "a few books, but I didn't even finish them all. I don't know", "9 and I started writing a few books, but I didn't even finish", "I should keep writing different books, or focus on one. I sometimes find", "don't even know what they are about. I need a quick idea on", "that aren't finished and I don't even know what they are about. I", "only 9 and I started writing a few books, but I didn't even", "all. I don't know if I should keep writing different books, or focus", "I started writing a few books, but I didn't even finish them all.", "sometimes find old books of mine that aren't finished and I don't even", "and I don't even know what they are about. I need a quick", "don't know if I should keep writing different books, or focus on one.", "if I should keep writing different books, or focus on one. I sometimes", "what they are about. I need a quick idea on how to fix", "books, or focus on one. I sometimes find old books of mine that", "should keep writing different books, or focus on one. I sometimes find old", "aren't finished and I don't even know what they are about. I need", "finished and I don't even know what they are about. I need a", "on one. I sometimes find old books of mine that aren't finished and", "I don't know if I should keep writing different books, or focus on", "books of mine that aren't finished and I don't even know what they", "them all. I don't know if I should keep writing different books, or" ]
[ "recently realised that I care more about the world than the character. I", "fleshed out, and deep thinking, and I understand him well. Yet I spend", "thinking, and I understand him well. Yet I spend lots of my writing", "I've built up over the course of my writing. But I have recently", "etc, that I've built up over the course of my writing. But I", "up world with politics, religions etc, that I've built up over the course", "is fleshed out, and deep thinking, and I understand him well. Yet I", "all. He is fleshed out, and deep thinking, and I understand him well.", "built up over the course of my writing. But I have recently realised", "up over the course of my writing. But I have recently realised that", "character at all. He is fleshed out, and deep thinking, and I understand", "But I have recently realised that I care more about the world than", "about my character, to a similar level that I enjoy writing about the", "I spend lots of my writing describing the world and find it hard", "writing about my character, to a similar level that I enjoy writing about", "Yet I spend lots of my writing describing the world and find it", "I care more about the world than the character.* I have no cares", "very well-built up world with politics, religions etc, that I've built up over", "hard to write about the character, rather than the world. How do I", "find it hard to write about the character, rather than the world. How", "have a very well-built up world with politics, religions etc, that I've built", "have recently realised that I care more about the world than the character.", "well. Yet I spend lots of my writing describing the world and find", "for my character at all. He is fleshed out, and deep thinking, and", "course of my writing. But I have recently realised that I care more", "over the course of my writing. But I have recently realised that I", "about the character, rather than the world. *How do I enjoy writing about", "with politics, religions etc, that I've built up over the course of my", "than the character. I have no cares for my character at all. He", "enjoy writing about my character, to a similar level that I enjoy writing", "world. *How do I enjoy writing about my character, to a similar level", "world and find it hard to write about the character, rather than the", "and deep thinking, and I understand him well. Yet I spend lots of", "realised that I care more about the world than the character.* I have", "well-built up world with politics, religions etc, that I've built up over the", "understand him well. Yet I spend lots of my writing describing the world", "writing. But I have recently realised that I care more about the world", "about the world than the character. I have no cares for my character", "cares for my character at all. He is fleshed out, and deep thinking,", "write about the character, rather than the world. *How do I enjoy writing", "a very well-built up world with politics, religions etc, that I've built up", "my character at all. He is fleshed out, and deep thinking, and I", "and find it hard to write about the character, rather than the world.", "at all. He is fleshed out, and deep thinking, and I understand him", "world than the character. I have no cares for my character at all.", "the world and find it hard to write about the character, rather than", "my writing. But I have recently realised that I care more about the", "care more about the world than the character. I have no cares for", "the world than the character.* I have no cares for my character at", "do I enjoy writing about my character, to a similar level that I", "spend lots of my writing describing the world and find it hard to", "I understand him well. Yet I spend lots of my writing describing the", "character.* I have no cares for my character at all. He is fleshed", "writing describing the world and find it hard to write about the character,", "and I understand him well. Yet I spend lots of my writing describing", "the character.* I have no cares for my character at all. He is", "have no cares for my character at all. He is fleshed out, and", "rather than the world. *How do I enjoy writing about my character, to", "more about the world than the character. I have no cares for my", "religions etc, that I've built up over the course of my writing. But", "the world. How do I enjoy writing about my character, to a similar", "How do I enjoy writing about my character, to a similar level that", "my character, to a similar level that I enjoy writing about the world?*", "I have recently realised that I care more about the world than the", "I enjoy writing about my character, to a similar level that I enjoy", "describing the world and find it hard to write about the character, rather", "world with politics, religions etc, that I've built up over the course of", "politics, religions etc, that I've built up over the course of my writing.", "He is fleshed out, and deep thinking, and I understand him well. Yet", "it hard to write about the character, rather than the world. *How do", "that I care more about the world than the character.* I have no", "of my writing describing the world and find it hard to write about", "the character, rather than the world. *How do I enjoy writing about my", "him well. Yet I spend lots of my writing describing the world and", "I have no cares for my character at all. He is fleshed out,", "that I've built up over the course of my writing. But I have", "my writing describing the world and find it hard to write about the", "the course of my writing. But I have recently realised that I care", "lots of my writing describing the world and find it hard to write", "no cares for my character at all. He is fleshed out, and deep", "to write about the character, rather than the world. *How do I enjoy", "out, and deep thinking, and I understand him well. Yet I spend lots", "of my writing. But I have recently realised that I care more about", "character, rather than the world. How do I enjoy writing about my character,", "than the world. How do I enjoy writing about my character, to a", "deep thinking, and I understand him well. Yet I spend lots of my", "I have a very well-built up world with politics, religions etc, that I've" ]
[ "I believe \"statuses\" is correct. However, the originator is claiming some sort of", "updated 182 patient statuses' OR 'He tracked and updated 182 patient stati?' I", "tracked and updated 182 patient statuses' OR 'He tracked and updated 182 patient", "\"statuses\" is correct. However, the originator is claiming some sort of Latin derivation", "'He tracked and updated 182 patient stati?' I believe \"statuses\" is correct. However,", "is correct. However, the originator is claiming some sort of Latin derivation as", "and updated 182 patient statuses' OR 'He tracked and updated 182 patient stati?'", "182 patient stati?' I believe \"statuses\" is correct. However, the originator is claiming", "'He tracked and updated 182 patient statuses' OR 'He tracked and updated 182", "statuses' OR 'He tracked and updated 182 patient stati?' I believe \"statuses\" is", "updated 182 patient stati?' I believe \"statuses\" is correct. However, the originator is", "originator is claiming some sort of Latin derivation as to why this is", "stati?' I believe \"statuses\" is correct. However, the originator is claiming some sort", "is claiming some sort of Latin derivation as to why this is not", "the originator is claiming some sort of Latin derivation as to why this", "and updated 182 patient stati?' I believe \"statuses\" is correct. However, the originator", "patient statuses' OR 'He tracked and updated 182 patient stati?' I believe \"statuses\"", "However, the originator is claiming some sort of Latin derivation as to why", "OR 'He tracked and updated 182 patient stati?' I believe \"statuses\" is correct.", "tracked and updated 182 patient stati?' I believe \"statuses\" is correct. However, the", "182 patient statuses' OR 'He tracked and updated 182 patient stati?' I believe", "patient stati?' I believe \"statuses\" is correct. However, the originator is claiming some", "correct. However, the originator is claiming some sort of Latin derivation as to", "believe \"statuses\" is correct. However, the originator is claiming some sort of Latin", "claiming some sort of Latin derivation as to why this is not acceptable." ]
[ "Checking whether variable or function is True or False ``` or maybe ```", "False ``` or maybe ``` 4. Checking whether key exists 5. Retrieving value", "key exists 5. To retrieve value 6. To check whether variable or function", "or function is True or False 7. Regular expressions 8. Guard statements ```", "4. To check whether key exists 5. To retrieve value 6. To check", "6 sections? First version: ``` 4. To check whether key exists 5. To", "Check whether variable or function is True or False ``` English is not", "exists 5. To retrieve value 6. To check whether variable or function is", "Checking whether key exists 5. Retrieving value 6. Checking whether variable or function", "``` 4. Check whether key exists 5. Retrieving value 6. Check whether variable", "Regular expressions 8. Guard statements ``` What is the best way to name", "expressions 8. Guard statements ``` What is the best way to name the", "or False ``` or maybe ``` 4. Check whether key exists 5. Retrieving", "variable or function is True or False ``` or maybe ``` 4. Check", "I have a technical document which consists of the following sections: ``` 1.", "key exists 5. Retrieving value 6. Checking whether variable or function is True", "which consists of the following sections: ``` 1. Assignment statements 2. Concatenation 3.", "name the 4, 5, and 6 sections? First version: ``` 4. To check", "``` What is the best way to name the 4, 5, and 6", "whether variable or function is True or False 7. Regular expressions 8. Guard", "6. To check whether variable or function is True or False 7. Regular", "False ``` or maybe ``` 4. Check whether key exists 5. Retrieving value", "whether variable or function is True or False ``` or maybe ``` 4.", "5. To retrieve value 6. To check whether variable or function is True", "4. Check whether key exists 5. Retrieving value 6. Check whether variable or", "way to name the 4, 5, and 6 sections? First version: ``` 4.", "Guard statements ``` What is the best way to name the 4, 5,", "types 4. To check whether key exists 5. To retrieve value 6. To", "following sections: ``` 1. Assignment statements 2. Concatenation 3. Data types 4. To", "variable or function is True or False 7. Regular expressions 8. Guard statements", "check whether key exists 5. To retrieve value 6. To check whether variable", "of the following sections: ``` 1. Assignment statements 2. Concatenation 3. Data types", "``` 1. Assignment statements 2. Concatenation 3. Data types 4. To check whether", "retrieve value 6. To check whether variable or function is True or False", "have a technical document which consists of the following sections: ``` 1. Assignment", "6. Checking whether variable or function is True or False ``` or maybe", "exists 5. Retrieving value 6. Checking whether variable or function is True or", "``` 4. To check whether key exists 5. To retrieve value 6. To", "4, 5, and 6 sections? First version: ``` 4. To check whether key", "the best way to name the 4, 5, and 6 sections? First version:", "and 6 sections? First version: ``` 4. To check whether key exists 5.", "check whether variable or function is True or False ``` or maybe ```", "variable or function is True or False ``` or maybe ``` 4. Checking", "or function is True or False ``` or maybe ``` 4. Checking whether", "``` 4. Checking whether key exists 5. Retrieving value 6. Checking whether variable", "Retrieving value 6. Checking whether variable or function is True or False ```", "to name the 4, 5, and 6 sections? First version: ``` 4. To", "is True or False ``` or maybe ``` 4. Check whether key exists", "4. Checking whether key exists 5. Retrieving value 6. Checking whether variable or", "5. Retrieving value 6. Checking whether variable or function is True or False", "function is True or False ``` or maybe ``` 4. Check whether key", "is True or False ``` or maybe ``` 4. Checking whether key exists", "True or False ``` or maybe ``` 4. Checking whether key exists 5.", "sections: ``` 1. Assignment statements 2. Concatenation 3. Data types 4. To check", "or function is True or False ``` or maybe ``` 4. Check whether", "Data types 4. To check whether key exists 5. To retrieve value 6.", "or False ``` or maybe ``` 4. Checking whether key exists 5. Retrieving", "value 6. To check whether variable or function is True or False 7.", "value 6. Check whether variable or function is True or False ``` English", "1. Assignment statements 2. Concatenation 3. Data types 4. To check whether key", "5. Retrieving value 6. Check whether variable or function is True or False", "statements ``` What is the best way to name the 4, 5, and", "Assignment statements 2. Concatenation 3. Data types 4. To check whether key exists", "or maybe ``` 4. Check whether key exists 5. Retrieving value 6. Check", "variable or function is True or False ``` English is not my native", "whether variable or function is True or False ``` English is not my", "``` or maybe ``` 4. Checking whether key exists 5. Retrieving value 6.", "maybe ``` 4. Checking whether key exists 5. Retrieving value 6. Checking whether", "whether key exists 5. To retrieve value 6. To check whether variable or", "sections? First version: ``` 4. To check whether key exists 5. To retrieve", "5, and 6 sections? First version: ``` 4. To check whether key exists", "To retrieve value 6. To check whether variable or function is True or", "True or False 7. Regular expressions 8. Guard statements ``` What is the", "7. Regular expressions 8. Guard statements ``` What is the best way to", "False 7. Regular expressions 8. Guard statements ``` What is the best way", "best way to name the 4, 5, and 6 sections? First version: ```", "the following sections: ``` 1. Assignment statements 2. Concatenation 3. Data types 4.", "3. Data types 4. To check whether key exists 5. To retrieve value", "function is True or False ``` or maybe ``` 4. Checking whether key", "function is True or False 7. Regular expressions 8. Guard statements ``` What", "value 6. Checking whether variable or function is True or False ``` or", "6. Check whether variable or function is True or False ``` English is", "document which consists of the following sections: ``` 1. Assignment statements 2. Concatenation", "value 6. To check whether variable or function is True or False ```", "8. Guard statements ``` What is the best way to name the 4,", "check whether variable or function is True or False 7. Regular expressions 8.", "True or False ``` or maybe ``` 4. Check whether key exists 5.", "2. Concatenation 3. Data types 4. To check whether key exists 5. To", "whether key exists 5. Retrieving value 6. Checking whether variable or function is", "Retrieving value 6. Check whether variable or function is True or False ```", "whether key exists 5. Retrieving value 6. Check whether variable or function is", "or maybe ``` 4. Checking whether key exists 5. Retrieving value 6. Checking", "version: ``` 4. To check whether key exists 5. To retrieve value 6.", "To check whether variable or function is True or False ``` or maybe", "the 4, 5, and 6 sections? First version: ``` 4. To check whether", "Concatenation 3. Data types 4. To check whether key exists 5. To retrieve", "or function is True or False ``` English is not my native language.", "technical document which consists of the following sections: ``` 1. Assignment statements 2.", "First version: ``` 4. To check whether key exists 5. To retrieve value", "exists 5. Retrieving value 6. Check whether variable or function is True or", "To check whether key exists 5. To retrieve value 6. To check whether", "is True or False 7. Regular expressions 8. Guard statements ``` What is", "is the best way to name the 4, 5, and 6 sections? First", "maybe ``` 4. Check whether key exists 5. Retrieving value 6. Check whether", "6. To check whether variable or function is True or False ``` or", "key exists 5. Retrieving value 6. Check whether variable or function is True", "To check whether variable or function is True or False 7. Regular expressions", "Check whether key exists 5. Retrieving value 6. Check whether variable or function", "``` or maybe ``` 4. Check whether key exists 5. Retrieving value 6.", "What is the best way to name the 4, 5, and 6 sections?", "or False 7. Regular expressions 8. Guard statements ``` What is the best", "statements 2. Concatenation 3. Data types 4. To check whether key exists 5.", "consists of the following sections: ``` 1. Assignment statements 2. Concatenation 3. Data", "a technical document which consists of the following sections: ``` 1. Assignment statements" ]
[ "the second POV, and describing the scene with her perspective and understanding. 1.", "[previous question](https://writing.stackexchange.com/questions/51418/how-can-i-introduce-a-new-pov-late-in-my-book) and I have yet to decide where to start the second", "the second meet during one event - a midnight dropoff/chase scene - and", "my book, based on my [previous question](https://writing.stackexchange.com/questions/51418/how-can-i-introduce-a-new-pov-late-in-my-book) and I have yet to decide", "sees, then switching to the second POV, and describing the scene with her", "am aiming to change POV in the middle of my book, based on", "scene he sees, then switching to the second POV, and describing the scene", "and understanding. 1. Is repeating a scene through a second POV advisable? 2.", "one event - a midnight dropoff/chase scene - and then the story continues.", "in the middle of my book, based on my [previous question](https://writing.stackexchange.com/questions/51418/how-can-i-introduce-a-new-pov-late-in-my-book) and I", "the second POV. The first POV and the second meet during one event", "then switching to the second POV, and describing the scene with her perspective", "POV. The first POV and the second meet during one event - a", "her perspective and understanding. 1. Is repeating a scene through a second POV", "second POV advisable? 2. What techniques should I use to make the scenes", "my [previous question](https://writing.stackexchange.com/questions/51418/how-can-i-introduce-a-new-pov-late-in-my-book) and I have yet to decide where to start the", "first POV, describing parts of the scene he sees, then switching to the", "where to start the second POV. The first POV and the second meet", "- a midnight dropoff/chase scene - and then the story continues. I am", "first POV and the second meet during one event - a midnight dropoff/chase", "repeating a scene through a second POV advisable? 2. What techniques should I", "meet during one event - a midnight dropoff/chase scene - and then the", "showing the first POV, describing parts of the scene he sees, then switching", "of the scene he sees, then switching to the second POV, and describing", "I am thinking about showing the first POV, describing parts of the scene", "advisable? 2. What techniques should I use to make the scenes easier to", "parts of the scene he sees, then switching to the second POV, and", "on my [previous question](https://writing.stackexchange.com/questions/51418/how-can-i-introduce-a-new-pov-late-in-my-book) and I have yet to decide where to start", "The first POV and the second meet during one event - a midnight", "and I have yet to decide where to start the second POV. The", "second POV, and describing the scene with her perspective and understanding. 1. Is", "he sees, then switching to the second POV, and describing the scene with", "switching to the second POV, and describing the scene with her perspective and", "POV and the second meet during one event - a midnight dropoff/chase scene", "midnight dropoff/chase scene - and then the story continues. I am thinking about", "a scene through a second POV advisable? 2. What techniques should I use", "then the story continues. I am thinking about showing the first POV, describing", "middle of my book, based on my [previous question](https://writing.stackexchange.com/questions/51418/how-can-i-introduce-a-new-pov-late-in-my-book) and I have yet", "question](https://writing.stackexchange.com/questions/51418/how-can-i-introduce-a-new-pov-late-in-my-book) and I have yet to decide where to start the second POV.", "to decide where to start the second POV. The first POV and the", "change POV in the middle of my book, based on my [previous question](https://writing.stackexchange.com/questions/51418/how-can-i-introduce-a-new-pov-late-in-my-book)", "a midnight dropoff/chase scene - and then the story continues. I am thinking", "the first POV, describing parts of the scene he sees, then switching to", "and describing the scene with her perspective and understanding. 1. Is repeating a", "describing the scene with her perspective and understanding. 1. Is repeating a scene", "start the second POV. The first POV and the second meet during one", "to the second POV, and describing the scene with her perspective and understanding.", "based on my [previous question](https://writing.stackexchange.com/questions/51418/how-can-i-introduce-a-new-pov-late-in-my-book) and I have yet to decide where to", "story continues. I am thinking about showing the first POV, describing parts of", "techniques should I use to make the scenes easier to understand for the", "book, based on my [previous question](https://writing.stackexchange.com/questions/51418/how-can-i-introduce-a-new-pov-late-in-my-book) and I have yet to decide where", "scene - and then the story continues. I am thinking about showing the", "dropoff/chase scene - and then the story continues. I am thinking about showing", "perspective and understanding. 1. Is repeating a scene through a second POV advisable?", "the scene he sees, then switching to the second POV, and describing the", "a second POV advisable? 2. What techniques should I use to make the", "POV in the middle of my book, based on my [previous question](https://writing.stackexchange.com/questions/51418/how-can-i-introduce-a-new-pov-late-in-my-book) and", "continues. I am thinking about showing the first POV, describing parts of the", "about showing the first POV, describing parts of the scene he sees, then", "and then the story continues. I am thinking about showing the first POV,", "should I use to make the scenes easier to understand for the reader?", "the scene with her perspective and understanding. 1. Is repeating a scene through", "and the second meet during one event - a midnight dropoff/chase scene -", "POV advisable? 2. What techniques should I use to make the scenes easier", "have yet to decide where to start the second POV. The first POV", "second POV. The first POV and the second meet during one event -", "Is repeating a scene through a second POV advisable? 2. What techniques should", "with her perspective and understanding. 1. Is repeating a scene through a second", "scene through a second POV advisable? 2. What techniques should I use to", "thinking about showing the first POV, describing parts of the scene he sees,", "of my book, based on my [previous question](https://writing.stackexchange.com/questions/51418/how-can-i-introduce-a-new-pov-late-in-my-book) and I have yet to", "am thinking about showing the first POV, describing parts of the scene he", "describing parts of the scene he sees, then switching to the second POV,", "understanding. 1. Is repeating a scene through a second POV advisable? 2. What", "through a second POV advisable? 2. What techniques should I use to make", "I am aiming to change POV in the middle of my book, based", "I have yet to decide where to start the second POV. The first", "yet to decide where to start the second POV. The first POV and", "What techniques should I use to make the scenes easier to understand for", "the middle of my book, based on my [previous question](https://writing.stackexchange.com/questions/51418/how-can-i-introduce-a-new-pov-late-in-my-book) and I have", "aiming to change POV in the middle of my book, based on my", "1. Is repeating a scene through a second POV advisable? 2. What techniques", "event - a midnight dropoff/chase scene - and then the story continues. I", "scene with her perspective and understanding. 1. Is repeating a scene through a", "- and then the story continues. I am thinking about showing the first", "the story continues. I am thinking about showing the first POV, describing parts", "decide where to start the second POV. The first POV and the second", "second meet during one event - a midnight dropoff/chase scene - and then", "to start the second POV. The first POV and the second meet during", "POV, describing parts of the scene he sees, then switching to the second", "to change POV in the middle of my book, based on my [previous", "2. What techniques should I use to make the scenes easier to understand", "POV, and describing the scene with her perspective and understanding. 1. Is repeating", "during one event - a midnight dropoff/chase scene - and then the story" ]
[ "or names - for argument's sake, say I'm writing fanfiction with these names", "answers, no I cannot change their culture, or names - for argument's sake,", "and one of the cultures has mainly apostrophe names - Vax'Ildan, Vex'Ahlia, Soih'Ym...", "culture, or names - for argument's sake, say I'm writing fanfiction with these", "created a world, and one of the cultures has mainly apostrophe names -", "have created a world, and one of the cultures has mainly apostrophe names", "this work grammatically - possessive and nicknames, in writing? (To forestall any comments", "names - Vax'Ildan, Vex'Ahlia, Soih'Ym... How would this work grammatically - possessive and", "has mainly apostrophe names - Vax'Ildan, Vex'Ahlia, Soih'Ym... How would this work grammatically", "cannot change their culture, or names - for argument's sake, say I'm writing", "apostrophe names - Vax'Ildan, Vex'Ahlia, Soih'Ym... How would this work grammatically - possessive", "Vax'Ildan, Vex'Ahlia, Soih'Ym... How would this work grammatically - possessive and nicknames, in", "writing? (To forestall any comments or answers, no I cannot change their culture,", "I have created a world, and one of the cultures has mainly apostrophe", "a world, and one of the cultures has mainly apostrophe names - Vax'Ildan,", "of the cultures has mainly apostrophe names - Vax'Ildan, Vex'Ahlia, Soih'Ym... How would", "would this work grammatically - possessive and nicknames, in writing? (To forestall any", "the cultures has mainly apostrophe names - Vax'Ildan, Vex'Ahlia, Soih'Ym... How would this", "mainly apostrophe names - Vax'Ildan, Vex'Ahlia, Soih'Ym... How would this work grammatically -", "- possessive and nicknames, in writing? (To forestall any comments or answers, no", "or answers, no I cannot change their culture, or names - for argument's", "possessive and nicknames, in writing? (To forestall any comments or answers, no I", "names - for argument's sake, say I'm writing fanfiction with these names already", "grammatically - possessive and nicknames, in writing? (To forestall any comments or answers,", "Soih'Ym... How would this work grammatically - possessive and nicknames, in writing? (To", "any comments or answers, no I cannot change their culture, or names -", "Vex'Ahlia, Soih'Ym... How would this work grammatically - possessive and nicknames, in writing?", "I cannot change their culture, or names - for argument's sake, say I'm", "- for argument's sake, say I'm writing fanfiction with these names already existing.)", "one of the cultures has mainly apostrophe names - Vax'Ildan, Vex'Ahlia, Soih'Ym... How", "in writing? (To forestall any comments or answers, no I cannot change their", "comments or answers, no I cannot change their culture, or names - for", "world, and one of the cultures has mainly apostrophe names - Vax'Ildan, Vex'Ahlia,", "How would this work grammatically - possessive and nicknames, in writing? (To forestall", "forestall any comments or answers, no I cannot change their culture, or names", "- Vax'Ildan, Vex'Ahlia, Soih'Ym... How would this work grammatically - possessive and nicknames,", "nicknames, in writing? (To forestall any comments or answers, no I cannot change", "work grammatically - possessive and nicknames, in writing? (To forestall any comments or", "change their culture, or names - for argument's sake, say I'm writing fanfiction", "no I cannot change their culture, or names - for argument's sake, say", "their culture, or names - for argument's sake, say I'm writing fanfiction with", "cultures has mainly apostrophe names - Vax'Ildan, Vex'Ahlia, Soih'Ym... How would this work", "(To forestall any comments or answers, no I cannot change their culture, or", "and nicknames, in writing? (To forestall any comments or answers, no I cannot" ]
[ "equivalent of \"A pouring wave of humanity,\" when there are more than one", "of \"A pouring wave of humanity,\" when there are more than one species", "humanity,\" when there are more than one species in the scene being described?", "could I say the equivalent of \"A pouring wave of humanity,\" when there", "wave of humanity,\" when there are more than one species in the scene", "of humanity,\" when there are more than one species in the scene being", "the equivalent of \"A pouring wave of humanity,\" when there are more than", "I say the equivalent of \"A pouring wave of humanity,\" when there are", "say the equivalent of \"A pouring wave of humanity,\" when there are more", "pouring wave of humanity,\" when there are more than one species in the", "\"A pouring wave of humanity,\" when there are more than one species in", "How could I say the equivalent of \"A pouring wave of humanity,\" when" ]
[ "a blog where I write about sexual abuse, sexual harassment and also domestic", "suggest to present stuff on these themes and help the cause? I'm cool", "I initially thought about writing some flash fiction...but again wouldn't it just be", "you've found them to be too monotoned, maybe a reporter reporting the case", "and make it memorable and not just dismiss it. I initially thought about", "some flash fiction...but again wouldn't it just be a sort of repetition? If", "this blog but I also want to make it seem somehow different. Something", "Being a victim of child sexual abuse I feel the need to write", "start a blog where I write about sexual abuse, sexual harassment and also", "feel I'm not doing much to help the cause. Being a victim of", "not just dismiss it. I initially thought about writing some flash fiction...but again", "seem somehow different. Something which gets people to want to read it and", "initially thought about writing some flash fiction...but again wouldn't it just be a", "quickly forgotten about it, what changes would you recommend? Is there a better", "to present stuff on these themes and help the cause? I'm cool with", "read or want to read such heavy stuff. Honestly, I can't read for", "and also domestic violence. I'm worried that people don't usually read or want", "it memorable and not just dismiss it. I initially thought about writing some", "or just something on these themes, and you've found them to be too", "on these themes and help the cause? I'm cool with absurd and weird", "child sexual abuse I feel the need to write this blog but I", "it, what changes would you recommend? Is there a better way you can", "a victim of child sexual abuse I feel the need to write this", "to write this blog but I also want to make it seem somehow", "people to want to read it and make it memorable and not just", "feel the need to write this blog but I also want to make", "it. I initially thought about writing some flash fiction...but again wouldn't it just", "would you recommend? Is there a better way you can suggest to present", "a sort of repetition? If you've ever come across an article or just", "stuff. Honestly, I can't read for long too because I feel I'm not", "I'm planning to start a blog where I write about sexual abuse, sexual", "not doing much to help the cause. Being a victim of child sexual", "don't usually read or want to read such heavy stuff. Honestly, I can't", "need to write this blog but I also want to make it seem", "sexual abuse, sexual harassment and also domestic violence. I'm worried that people don't", "the need to write this blog but I also want to make it", "reporting the case and you've quickly forgotten about it, what changes would you", "somehow different. Something which gets people to want to read it and make", "flash fiction...but again wouldn't it just be a sort of repetition? If you've", "you recommend? Is there a better way you can suggest to present stuff", "better way you can suggest to present stuff on these themes and help", "want to make it seem somehow different. Something which gets people to want", "writing some flash fiction...but again wouldn't it just be a sort of repetition?", "come across an article or just something on these themes, and you've found", "themes, and you've found them to be too monotoned, maybe a reporter reporting", "be too monotoned, maybe a reporter reporting the case and you've quickly forgotten", "reporter reporting the case and you've quickly forgotten about it, what changes would", "blog but I also want to make it seem somehow different. Something which", "dismiss it. I initially thought about writing some flash fiction...but again wouldn't it", "on these themes, and you've found them to be too monotoned, maybe a", "there a better way you can suggest to present stuff on these themes", "themes and help the cause? I'm cool with absurd and weird ideas (not", "fiction...but again wouldn't it just be a sort of repetition? If you've ever", "want to read such heavy stuff. Honestly, I can't read for long too", "sexual abuse I feel the need to write this blog but I also", "of repetition? If you've ever come across an article or just something on", "cause. Being a victim of child sexual abuse I feel the need to", "to be too monotoned, maybe a reporter reporting the case and you've quickly", "help the cause. Being a victim of child sexual abuse I feel the", "abuse I feel the need to write this blog but I also want", "monotoned, maybe a reporter reporting the case and you've quickly forgotten about it,", "victim of child sexual abuse I feel the need to write this blog", "much to help the cause. Being a victim of child sexual abuse I", "want to read it and make it memorable and not just dismiss it.", "again wouldn't it just be a sort of repetition? If you've ever come", "Honestly, I can't read for long too because I feel I'm not doing", "the cause? I'm cool with absurd and weird ideas (not too weird though).", "too monotoned, maybe a reporter reporting the case and you've quickly forgotten about", "usually read or want to read such heavy stuff. Honestly, I can't read", "across an article or just something on these themes, and you've found them", "a better way you can suggest to present stuff on these themes and", "article or just something on these themes, and you've found them to be", "to read such heavy stuff. Honestly, I can't read for long too because", "it just be a sort of repetition? If you've ever come across an", "but I also want to make it seem somehow different. Something which gets", "repetition? If you've ever come across an article or just something on these", "blog where I write about sexual abuse, sexual harassment and also domestic violence.", "maybe a reporter reporting the case and you've quickly forgotten about it, what", "I'm worried that people don't usually read or want to read such heavy", "wouldn't it just be a sort of repetition? If you've ever come across", "can suggest to present stuff on these themes and help the cause? I'm", "you've ever come across an article or just something on these themes, and", "help the cause? I'm cool with absurd and weird ideas (not too weird", "Something which gets people to want to read it and make it memorable", "violence. I'm worried that people don't usually read or want to read such", "also domestic violence. I'm worried that people don't usually read or want to", "case and you've quickly forgotten about it, what changes would you recommend? Is", "the cause. Being a victim of child sexual abuse I feel the need", "forgotten about it, what changes would you recommend? Is there a better way", "too because I feel I'm not doing much to help the cause. Being", "sexual harassment and also domestic violence. I'm worried that people don't usually read", "an article or just something on these themes, and you've found them to", "something on these themes, and you've found them to be too monotoned, maybe", "to read it and make it memorable and not just dismiss it. I", "Is there a better way you can suggest to present stuff on these", "and you've quickly forgotten about it, what changes would you recommend? Is there", "sort of repetition? If you've ever come across an article or just something", "the case and you've quickly forgotten about it, what changes would you recommend?", "it seem somehow different. Something which gets people to want to read it", "for long too because I feel I'm not doing much to help the", "to make it seem somehow different. Something which gets people to want to", "about writing some flash fiction...but again wouldn't it just be a sort of", "read it and make it memorable and not just dismiss it. I initially", "I can't read for long too because I feel I'm not doing much", "abuse, sexual harassment and also domestic violence. I'm worried that people don't usually", "a reporter reporting the case and you've quickly forgotten about it, what changes", "found them to be too monotoned, maybe a reporter reporting the case and", "recommend? Is there a better way you can suggest to present stuff on", "I also want to make it seem somehow different. Something which gets people", "different. Something which gets people to want to read it and make it", "can't read for long too because I feel I'm not doing much to", "way you can suggest to present stuff on these themes and help the", "I write about sexual abuse, sexual harassment and also domestic violence. I'm worried", "just something on these themes, and you've found them to be too monotoned,", "If you've ever come across an article or just something on these themes,", "and you've found them to be too monotoned, maybe a reporter reporting the", "I feel the need to write this blog but I also want to", "you've quickly forgotten about it, what changes would you recommend? Is there a", "and help the cause? I'm cool with absurd and weird ideas (not too", "or want to read such heavy stuff. Honestly, I can't read for long", "because I feel I'm not doing much to help the cause. Being a", "them to be too monotoned, maybe a reporter reporting the case and you've", "also want to make it seem somehow different. Something which gets people to", "that people don't usually read or want to read such heavy stuff. Honestly,", "read for long too because I feel I'm not doing much to help", "which gets people to want to read it and make it memorable and", "these themes, and you've found them to be too monotoned, maybe a reporter", "changes would you recommend? Is there a better way you can suggest to", "just dismiss it. I initially thought about writing some flash fiction...but again wouldn't", "where I write about sexual abuse, sexual harassment and also domestic violence. I'm", "to want to read it and make it memorable and not just dismiss", "ever come across an article or just something on these themes, and you've", "doing much to help the cause. Being a victim of child sexual abuse", "I'm not doing much to help the cause. Being a victim of child", "harassment and also domestic violence. I'm worried that people don't usually read or", "domestic violence. I'm worried that people don't usually read or want to read", "write this blog but I also want to make it seem somehow different.", "what changes would you recommend? Is there a better way you can suggest", "and not just dismiss it. I initially thought about writing some flash fiction...but", "these themes and help the cause? I'm cool with absurd and weird ideas", "to help the cause. Being a victim of child sexual abuse I feel", "thought about writing some flash fiction...but again wouldn't it just be a sort", "gets people to want to read it and make it memorable and not", "to start a blog where I write about sexual abuse, sexual harassment and", "it and make it memorable and not just dismiss it. I initially thought", "about it, what changes would you recommend? Is there a better way you", "you can suggest to present stuff on these themes and help the cause?", "write about sexual abuse, sexual harassment and also domestic violence. I'm worried that", "long too because I feel I'm not doing much to help the cause.", "planning to start a blog where I write about sexual abuse, sexual harassment", "about sexual abuse, sexual harassment and also domestic violence. I'm worried that people", "memorable and not just dismiss it. I initially thought about writing some flash", "be a sort of repetition? If you've ever come across an article or", "read such heavy stuff. Honestly, I can't read for long too because I", "present stuff on these themes and help the cause? I'm cool with absurd", "people don't usually read or want to read such heavy stuff. Honestly, I", "make it memorable and not just dismiss it. I initially thought about writing", "such heavy stuff. Honestly, I can't read for long too because I feel", "worried that people don't usually read or want to read such heavy stuff.", "of child sexual abuse I feel the need to write this blog but", "make it seem somehow different. Something which gets people to want to read", "just be a sort of repetition? If you've ever come across an article", "stuff on these themes and help the cause? I'm cool with absurd and", "heavy stuff. Honestly, I can't read for long too because I feel I'm", "I feel I'm not doing much to help the cause. Being a victim" ]
[ "do I create a mysterious character? What personality traits and ways does he", "create a mysterious character? What personality traits and ways does he need to", "personality traits and ways does he need to be mysterious? What attitudes must", "How do I create a mysterious character? What personality traits and ways does", "ways does he need to be mysterious? What attitudes must he have to", "does he need to be mysterious? What attitudes must he have to be", "a mysterious character? What personality traits and ways does he need to be", "mysterious character? What personality traits and ways does he need to be mysterious?", "What personality traits and ways does he need to be mysterious? What attitudes", "and ways does he need to be mysterious? What attitudes must he have", "character? What personality traits and ways does he need to be mysterious? What", "he need to be mysterious? What attitudes must he have to be so?", "traits and ways does he need to be mysterious? What attitudes must he", "I create a mysterious character? What personality traits and ways does he need" ]
[ "solar systems, urban and rural communities that span between extreme poverty and insane", "freed, they were hairless, blind, and had extremely thin, pale, almost translucent skin.", "slaving away above ground for the same amount of time as the Llvorexians,", "appearances, histories, etc. I also wanted to include more common fantasy species like", "wondering if I sounded prestigious or something. Is this just unnecessarily confusing and", "ground for the same amount of time as the Llvorexians, now have dark,", "live for 1,000-8,000 years, which is why I placed the times in such", "orcs are orcu. Example: > > I have two main varations of alfs", "When I say \"sci-fi\" I really mean space opera. There are intergalactic companies,", "already inhabited however, and the two species went to war. The Freynovan alfs", "have written out many original species with their own cultures, appearances, histories, etc.", "usually. Dwarves are dwyver, orcs are orcu. Example: > > I have two", "rural communities that span between extreme poverty and insane magic. In some places", "elves \"alfsven,\" shortened to alfs usually. Dwarves are dwyver, orcs are orcu. Example:", "entire planets dedicated to slaver miners, empires that stretch across solar systems, urban", "confusing and weird? Do I sound like some weird white mom naming her", "Many species can live for 1,000-8,000 years, which is why I placed the", "were freed, they were hairless, blind, and had extremely thin, pale, almost translucent", "fled into underground tunnels are known as the Llvorexians. > > > The", "urban and rural communities that span between extreme poverty and insane magic. In", "thought of different variations of each and their own histories. I tried to", "planet was already inhabited however, and the two species went to war. The", "war. The Freynovan alfs that stayed and fought above ground are known as", "of the planet and attacking species is deliberate. This also happened quite far", "ears. Personally I have no problem calling them alfs, but I was just", "their own cultures, appearances, histories, etc. I also wanted to include more common", "dwyver, orcs are orcu. Example: > > I have two main varations of", "home planet, the Freynovan alfs they took refuge on a nearby planet. That", "as the Llvorexians. > > > The Llvorexian alfs were blinded over centuries", "were originally called the Freynovan alfs, but after an unknown catastrophe destroyed their", "sound like some weird white mom naming her kids when I say alfsven", "tunnels are known as the Llvorexians. > > > The Llvorexian alfs were", "of different variations of each and their own histories. I tried to switch", "the times in such a way. This is also an alternate universe, meaning", "don't look like the typical elves one would expect. They still have all", "more common fantasy species like elves, dwarves, orcs, and fae, and I've already", "are intergalactic companies, entire planets dedicated to slaver miners, empires that stretch across", "story, with more fantasy that actual science. When I say \"sci-fi\" I really", "the Freynovan alfs, but after an unknown catastrophe destroyed their home planet, the", "but I was just wondering if I sounded prestigious or something. Is this", "> > The Llvorexian alfs were blinded over centuries of subterranean slavery, and", "sounded prestigious or something. Is this just unnecessarily confusing and weird? Do I", "many original species with their own cultures, appearances, histories, etc. I also wanted", "the Llvorexians. > > > The Llvorexian alfs were blinded over centuries of", "communities that span between extreme poverty and insane magic. In some places species", "I sounded prestigious or something. Is this just unnecessarily confusing and weird? Do", "is why I placed the times in such a way. This is also", "hairless, blind, and had extremely thin, pale, almost translucent skin. The N'Varkian alfs,", "capabilities and pointy ears. Personally I have no problem calling them alfs, but", "there never was nor will be humans. As you can tell, they don't", "alfs that stayed and fought above ground are known as N'Varkian alfs, and", "with their own cultures, appearances, histories, etc. I also wanted to include more", "they don't look like the typical elves one would expect. They still have", "also happened quite far in the past, in the 6000s. The current story", "was just wondering if I sounded prestigious or something. Is this just unnecessarily", "I really mean space opera. There are intergalactic companies, entire planets dedicated to", "Example: > > I have two main varations of alfs in my story—Llvorexians", "orcs, and fae, and I've already thought of different variations of each and", "really mean space opera. There are intergalactic companies, entire planets dedicated to slaver", "same amount of time as the Llvorexians, now have dark, bluish skin and", "the magical capabilities and pointy ears. Personally I have no problem calling them", "I say \"sci-fi\" I really mean space opera. There are intergalactic companies, entire", "opera. There are intergalactic companies, entire planets dedicated to slaver miners, empires that", "the typical elves one would expect. They still have all the magical capabilities", "say \"sci-fi\" I really mean space opera. There are intergalactic companies, entire planets", "far in the past, in the 6000s. The current story takes place in", "so I'm calling elves \"alfsven,\" shortened to alfs usually. Dwarves are dwyver, orcs", "weird white mom naming her kids when I say alfsven instead of just", "into underground tunnels are known as the Llvorexians. > > > The Llvorexian", "magical capabilities and pointy ears. Personally I have no problem calling them alfs,", "like elves, dwarves, orcs, and fae, and I've already thought of different variations", "the 6000s. The current story takes place in the 17,000s. Many species can", "and weird? Do I sound like some weird white mom naming her kids", "fantasy that actual science. When I say \"sci-fi\" I really mean space opera.", "them alfs, but I was just wondering if I sounded prestigious or something.", "The N'Varkian alfs, after slaving away above ground for the same amount of", "elves one would expect. They still have all the magical capabilities and pointy", "mean space opera. There are intergalactic companies, entire planets dedicated to slaver miners,", "curly hair. > > > The mystery on the destruction of the planet", "known as the Llvorexians. > > > The Llvorexian alfs were blinded over", "and thick curly hair. > > > The mystery on the destruction of", "own histories. I tried to switch things up with their names, so I'm", "destroyed their home planet, the Freynovan alfs they took refuge on a nearby", "the Freynovan alfs they took refuge on a nearby planet. That planet was", "time as the Llvorexians, now have dark, bluish skin and thick curly hair.", "in others, certain species dominate the population. I have written out many original", "skin. The N'Varkian alfs, after slaving away above ground for the same amount", "insane magic. In some places species are mixed evenly; in others, certain species", "written out many original species with their own cultures, appearances, histories, etc. I", "still have all the magical capabilities and pointy ears. Personally I have no", "6000s. The current story takes place in the 17,000s. Many species can live", "have no problem calling them alfs, but I was just wondering if I", "quite far in the past, in the 6000s. The current story takes place", "two main varations of alfs in my story—Llvorexians and N'Varkians. Both races were", "17,000s. Many species can live for 1,000-8,000 years, which is why I placed", "slavery, and even after they were freed, they were hairless, blind, and had", "have dark, bluish skin and thick curly hair. > > > The mystery", "main varations of alfs in my story—Llvorexians and N'Varkians. Both races were originally", "skin and thick curly hair. > > > The mystery on the destruction", "like the typical elves one would expect. They still have all the magical", "dominate the population. I have written out many original species with their own", "centuries of subterranean slavery, and even after they were freed, they were hairless,", "Do I sound like some weird white mom naming her kids when I", "have all the magical capabilities and pointy ears. Personally I have no problem", "cultures, appearances, histories, etc. I also wanted to include more common fantasy species", "or something. Is this just unnecessarily confusing and weird? Do I sound like", "you can tell, they don't look like the typical elves one would expect.", "planet. That planet was already inhabited however, and the two species went to", "companies, entire planets dedicated to slaver miners, empires that stretch across solar systems,", "different variations of each and their own histories. I tried to switch things", "orcu. Example: > > I have two main varations of alfs in my", "pointy ears. Personally I have no problem calling them alfs, but I was", "over centuries of subterranean slavery, and even after they were freed, they were", "shortened to alfs usually. Dwarves are dwyver, orcs are orcu. Example: > >", "a way. This is also an alternate universe, meaning there never was nor", "space opera. There are intergalactic companies, entire planets dedicated to slaver miners, empires", "they took refuge on a nearby planet. That planet was already inhabited however,", "unnecessarily confusing and weird? Do I sound like some weird white mom naming", "took refuge on a nearby planet. That planet was already inhabited however, and", "and N'Varkians. Both races were originally called the Freynovan alfs, but after an", "their home planet, the Freynovan alfs they took refuge on a nearby planet.", "and fae, and I've already thought of different variations of each and their", "fiction story, with more fantasy that actual science. When I say \"sci-fi\" I", "however, and the two species went to war. The Freynovan alfs that stayed", "that stretch across solar systems, urban and rural communities that span between extreme", "The mystery on the destruction of the planet and attacking species is deliberate.", "> > > The mystery on the destruction of the planet and attacking", "tried to switch things up with their names, so I'm calling elves \"alfsven,\"", "the Llvorexians, now have dark, bluish skin and thick curly hair. > >", "mixed evenly; in others, certain species dominate the population. I have written out", "Personally I have no problem calling them alfs, but I was just wondering", "to war. The Freynovan alfs that stayed and fought above ground are known", "of subterranean slavery, and even after they were freed, they were hairless, blind,", "no problem calling them alfs, but I was just wondering if I sounded", "was nor will be humans. As you can tell, they don't look like", "universe, meaning there never was nor will be humans. As you can tell,", "N'Varkian alfs, after slaving away above ground for the same amount of time", "expect. They still have all the magical capabilities and pointy ears. Personally I", "translucent skin. The N'Varkian alfs, after slaving away above ground for the same", "and their own histories. I tried to switch things up with their names,", "wanted to include more common fantasy species like elves, dwarves, orcs, and fae,", "are known as N'Varkian alfs, and those that fled into underground tunnels are", "So I'm writing a science fiction story, with more fantasy that actual science.", "with their names, so I'm calling elves \"alfsven,\" shortened to alfs usually. Dwarves", "I placed the times in such a way. This is also an alternate", "on a nearby planet. That planet was already inhabited however, and the two", "N'Varkians. Both races were originally called the Freynovan alfs, but after an unknown", "planet, the Freynovan alfs they took refuge on a nearby planet. That planet", "that span between extreme poverty and insane magic. In some places species are", "I'm writing a science fiction story, with more fantasy that actual science. When", "out many original species with their own cultures, appearances, histories, etc. I also", "the planet and attacking species is deliberate. This also happened quite far in", "planet and attacking species is deliberate. This also happened quite far in the", "also wanted to include more common fantasy species like elves, dwarves, orcs, and", "alfs, after slaving away above ground for the same amount of time as", "that stayed and fought above ground are known as N'Varkian alfs, and those", "the population. I have written out many original species with their own cultures,", "their own histories. I tried to switch things up with their names, so", "of time as the Llvorexians, now have dark, bluish skin and thick curly", "dedicated to slaver miners, empires that stretch across solar systems, urban and rural", "empires that stretch across solar systems, urban and rural communities that span between", "science fiction story, with more fantasy that actual science. When I say \"sci-fi\"", "above ground are known as N'Varkian alfs, and those that fled into underground", "alfs they took refuge on a nearby planet. That planet was already inhabited", "I was just wondering if I sounded prestigious or something. Is this just", "are mixed evenly; in others, certain species dominate the population. I have written", "things up with their names, so I'm calling elves \"alfsven,\" shortened to alfs", "This also happened quite far in the past, in the 6000s. The current", "bluish skin and thick curly hair. > > > The mystery on the", "species is deliberate. This also happened quite far in the past, in the", "races were originally called the Freynovan alfs, but after an unknown catastrophe destroyed", "to alfs usually. Dwarves are dwyver, orcs are orcu. Example: > > I", "and had extremely thin, pale, almost translucent skin. The N'Varkian alfs, after slaving", "varations of alfs in my story—Llvorexians and N'Varkians. Both races were originally called", "alfs in my story—Llvorexians and N'Varkians. Both races were originally called the Freynovan", "originally called the Freynovan alfs, but after an unknown catastrophe destroyed their home", "intergalactic companies, entire planets dedicated to slaver miners, empires that stretch across solar", "alfs usually. Dwarves are dwyver, orcs are orcu. Example: > > I have", "just wondering if I sounded prestigious or something. Is this just unnecessarily confusing", "slaver miners, empires that stretch across solar systems, urban and rural communities that", "are dwyver, orcs are orcu. Example: > > I have two main varations", "as N'Varkian alfs, and those that fled into underground tunnels are known as", "to switch things up with their names, so I'm calling elves \"alfsven,\" shortened", "deliberate. This also happened quite far in the past, in the 6000s. The", "original species with their own cultures, appearances, histories, etc. I also wanted to", "almost translucent skin. The N'Varkian alfs, after slaving away above ground for the", "after an unknown catastrophe destroyed their home planet, the Freynovan alfs they took", "white mom naming her kids when I say alfsven instead of just elves?", "Llvorexians. > > > The Llvorexian alfs were blinded over centuries of subterranean", "destruction of the planet and attacking species is deliberate. This also happened quite", "Freynovan alfs, but after an unknown catastrophe destroyed their home planet, the Freynovan", "systems, urban and rural communities that span between extreme poverty and insane magic.", "in the 6000s. The current story takes place in the 17,000s. Many species", "this just unnecessarily confusing and weird? Do I sound like some weird white", "which is why I placed the times in such a way. This is", "story—Llvorexians and N'Varkians. Both races were originally called the Freynovan alfs, but after", "extremely thin, pale, almost translucent skin. The N'Varkian alfs, after slaving away above", "weird? Do I sound like some weird white mom naming her kids when", "attacking species is deliberate. This also happened quite far in the past, in", "some weird white mom naming her kids when I say alfsven instead of", "was already inhabited however, and the two species went to war. The Freynovan", "names, so I'm calling elves \"alfsven,\" shortened to alfs usually. Dwarves are dwyver,", "prestigious or something. Is this just unnecessarily confusing and weird? Do I sound", "N'Varkian alfs, and those that fled into underground tunnels are known as the", "humans. As you can tell, they don't look like the typical elves one", "fought above ground are known as N'Varkian alfs, and those that fled into", "They still have all the magical capabilities and pointy ears. Personally I have", "> The mystery on the destruction of the planet and attacking species is", "subterranean slavery, and even after they were freed, they were hairless, blind, and", "pale, almost translucent skin. The N'Varkian alfs, after slaving away above ground for", "such a way. This is also an alternate universe, meaning there never was", "alfs were blinded over centuries of subterranean slavery, and even after they were", "catastrophe destroyed their home planet, the Freynovan alfs they took refuge on a", "thick curly hair. > > > The mystery on the destruction of the", "switch things up with their names, so I'm calling elves \"alfsven,\" shortened to", "\"alfsven,\" shortened to alfs usually. Dwarves are dwyver, orcs are orcu. Example: >", "alfs, but I was just wondering if I sounded prestigious or something. Is", "that actual science. When I say \"sci-fi\" I really mean space opera. There", "in such a way. This is also an alternate universe, meaning there never", "There are intergalactic companies, entire planets dedicated to slaver miners, empires that stretch", "tell, they don't look like the typical elves one would expect. They still", "calling elves \"alfsven,\" shortened to alfs usually. Dwarves are dwyver, orcs are orcu.", "alfs, but after an unknown catastrophe destroyed their home planet, the Freynovan alfs", "and fought above ground are known as N'Varkian alfs, and those that fled", "is also an alternate universe, meaning there never was nor will be humans.", "with more fantasy that actual science. When I say \"sci-fi\" I really mean", "I've already thought of different variations of each and their own histories. I", "to include more common fantasy species like elves, dwarves, orcs, and fae, and", "look like the typical elves one would expect. They still have all the", "called the Freynovan alfs, but after an unknown catastrophe destroyed their home planet,", "on the destruction of the planet and attacking species is deliberate. This also", "common fantasy species like elves, dwarves, orcs, and fae, and I've already thought", "for the same amount of time as the Llvorexians, now have dark, bluish", "years, which is why I placed the times in such a way. This", "and the two species went to war. The Freynovan alfs that stayed and", "something. Is this just unnecessarily confusing and weird? Do I sound like some", "went to war. The Freynovan alfs that stayed and fought above ground are", "all the magical capabilities and pointy ears. Personally I have no problem calling", "> The Llvorexian alfs were blinded over centuries of subterranean slavery, and even", "takes place in the 17,000s. Many species can live for 1,000-8,000 years, which", "species are mixed evenly; in others, certain species dominate the population. I have", "I have two main varations of alfs in my story—Llvorexians and N'Varkians. Both", "they were hairless, blind, and had extremely thin, pale, almost translucent skin. The", "thin, pale, almost translucent skin. The N'Varkian alfs, after slaving away above ground", "population. I have written out many original species with their own cultures, appearances,", "way. This is also an alternate universe, meaning there never was nor will", "the same amount of time as the Llvorexians, now have dark, bluish skin", "those that fled into underground tunnels are known as the Llvorexians. > >", "magic. In some places species are mixed evenly; in others, certain species dominate", "after they were freed, they were hairless, blind, and had extremely thin, pale,", "I sound like some weird white mom naming her kids when I say", "> > The mystery on the destruction of the planet and attacking species", "to slaver miners, empires that stretch across solar systems, urban and rural communities", "were hairless, blind, and had extremely thin, pale, almost translucent skin. The N'Varkian", "some places species are mixed evenly; in others, certain species dominate the population.", "That planet was already inhabited however, and the two species went to war.", "problem calling them alfs, but I was just wondering if I sounded prestigious", "Both races were originally called the Freynovan alfs, but after an unknown catastrophe", "like some weird white mom naming her kids when I say alfsven instead", "one would expect. They still have all the magical capabilities and pointy ears.", "actual science. When I say \"sci-fi\" I really mean space opera. There are", "blind, and had extremely thin, pale, almost translucent skin. The N'Varkian alfs, after", "\"sci-fi\" I really mean space opera. There are intergalactic companies, entire planets dedicated", "dwarves, orcs, and fae, and I've already thought of different variations of each", "the past, in the 6000s. The current story takes place in the 17,000s.", "had extremely thin, pale, almost translucent skin. The N'Varkian alfs, after slaving away", "histories. I tried to switch things up with their names, so I'm calling", "and I've already thought of different variations of each and their own histories.", "if I sounded prestigious or something. Is this just unnecessarily confusing and weird?", "of each and their own histories. I tried to switch things up with", "> > > The Llvorexian alfs were blinded over centuries of subterranean slavery,", "also an alternate universe, meaning there never was nor will be humans. As", "that fled into underground tunnels are known as the Llvorexians. > > >", "fae, and I've already thought of different variations of each and their own", "unknown catastrophe destroyed their home planet, the Freynovan alfs they took refuge on", "inhabited however, and the two species went to war. The Freynovan alfs that", "species went to war. The Freynovan alfs that stayed and fought above ground", "writing a science fiction story, with more fantasy that actual science. When I", "and attacking species is deliberate. This also happened quite far in the past,", "be humans. As you can tell, they don't look like the typical elves", "include more common fantasy species like elves, dwarves, orcs, and fae, and I've", "extreme poverty and insane magic. In some places species are mixed evenly; in", "The Llvorexian alfs were blinded over centuries of subterranean slavery, and even after", "Llvorexian alfs were blinded over centuries of subterranean slavery, and even after they", "can live for 1,000-8,000 years, which is why I placed the times in", "current story takes place in the 17,000s. Many species can live for 1,000-8,000", "science. When I say \"sci-fi\" I really mean space opera. There are intergalactic", "This is also an alternate universe, meaning there never was nor will be", "hair. > > > The mystery on the destruction of the planet and", "why I placed the times in such a way. This is also an", "places species are mixed evenly; in others, certain species dominate the population. I", "fantasy species like elves, dwarves, orcs, and fae, and I've already thought of", "Freynovan alfs that stayed and fought above ground are known as N'Varkian alfs,", "species dominate the population. I have written out many original species with their", "refuge on a nearby planet. That planet was already inhabited however, and the", "for 1,000-8,000 years, which is why I placed the times in such a", "stretch across solar systems, urban and rural communities that span between extreme poverty", "their names, so I'm calling elves \"alfsven,\" shortened to alfs usually. Dwarves are", "Is this just unnecessarily confusing and weird? Do I sound like some weird", "planets dedicated to slaver miners, empires that stretch across solar systems, urban and", "stayed and fought above ground are known as N'Varkian alfs, and those that", "are known as the Llvorexians. > > > The Llvorexian alfs were blinded", "known as N'Varkian alfs, and those that fled into underground tunnels are known", "past, in the 6000s. The current story takes place in the 17,000s. Many", "never was nor will be humans. As you can tell, they don't look", "ground are known as N'Varkian alfs, and those that fled into underground tunnels", "a nearby planet. That planet was already inhabited however, and the two species", "are orcu. Example: > > I have two main varations of alfs in", "miners, empires that stretch across solar systems, urban and rural communities that span", "own cultures, appearances, histories, etc. I also wanted to include more common fantasy", "histories, etc. I also wanted to include more common fantasy species like elves,", "As you can tell, they don't look like the typical elves one would", "times in such a way. This is also an alternate universe, meaning there", "up with their names, so I'm calling elves \"alfsven,\" shortened to alfs usually.", "nor will be humans. As you can tell, they don't look like the", "after slaving away above ground for the same amount of time as the", "would expect. They still have all the magical capabilities and pointy ears. Personally", "> > I have two main varations of alfs in my story—Llvorexians and", "span between extreme poverty and insane magic. In some places species are mixed", "In some places species are mixed evenly; in others, certain species dominate the", "amount of time as the Llvorexians, now have dark, bluish skin and thick", "mystery on the destruction of the planet and attacking species is deliberate. This", "I have no problem calling them alfs, but I was just wondering if", "is deliberate. This also happened quite far in the past, in the 6000s.", "already thought of different variations of each and their own histories. I tried", "nearby planet. That planet was already inhabited however, and the two species went", "1,000-8,000 years, which is why I placed the times in such a way.", "in the 17,000s. Many species can live for 1,000-8,000 years, which is why", "the 17,000s. Many species can live for 1,000-8,000 years, which is why I", "others, certain species dominate the population. I have written out many original species", "underground tunnels are known as the Llvorexians. > > > The Llvorexian alfs", "species like elves, dwarves, orcs, and fae, and I've already thought of different", "in the past, in the 6000s. The current story takes place in the", "two species went to war. The Freynovan alfs that stayed and fought above", "and even after they were freed, they were hairless, blind, and had extremely", "above ground for the same amount of time as the Llvorexians, now have", "the two species went to war. The Freynovan alfs that stayed and fought", "placed the times in such a way. This is also an alternate universe,", "and insane magic. In some places species are mixed evenly; in others, certain", "they were freed, they were hairless, blind, and had extremely thin, pale, almost", "I tried to switch things up with their names, so I'm calling elves", "dark, bluish skin and thick curly hair. > > > The mystery on", "elves, dwarves, orcs, and fae, and I've already thought of different variations of", "the destruction of the planet and attacking species is deliberate. This also happened", "The Freynovan alfs that stayed and fought above ground are known as N'Varkian", "place in the 17,000s. Many species can live for 1,000-8,000 years, which is", "I'm calling elves \"alfsven,\" shortened to alfs usually. Dwarves are dwyver, orcs are", "species with their own cultures, appearances, histories, etc. I also wanted to include", "Dwarves are dwyver, orcs are orcu. Example: > > I have two main", "of alfs in my story—Llvorexians and N'Varkians. Both races were originally called the", "Freynovan alfs they took refuge on a nearby planet. That planet was already", "alfs, and those that fled into underground tunnels are known as the Llvorexians.", "across solar systems, urban and rural communities that span between extreme poverty and", "between extreme poverty and insane magic. In some places species are mixed evenly;", "species can live for 1,000-8,000 years, which is why I placed the times", "but after an unknown catastrophe destroyed their home planet, the Freynovan alfs they", "an unknown catastrophe destroyed their home planet, the Freynovan alfs they took refuge", "and pointy ears. Personally I have no problem calling them alfs, but I", "in my story—Llvorexians and N'Varkians. Both races were originally called the Freynovan alfs,", "can tell, they don't look like the typical elves one would expect. They", "The current story takes place in the 17,000s. Many species can live for", "even after they were freed, they were hairless, blind, and had extremely thin,", "happened quite far in the past, in the 6000s. The current story takes", "each and their own histories. I tried to switch things up with their", "typical elves one would expect. They still have all the magical capabilities and", "and rural communities that span between extreme poverty and insane magic. In some", "I have written out many original species with their own cultures, appearances, histories,", "have two main varations of alfs in my story—Llvorexians and N'Varkians. Both races", "an alternate universe, meaning there never was nor will be humans. As you", "Llvorexians, now have dark, bluish skin and thick curly hair. > > >", "variations of each and their own histories. I tried to switch things up", "more fantasy that actual science. When I say \"sci-fi\" I really mean space", "and those that fled into underground tunnels are known as the Llvorexians. >", "story takes place in the 17,000s. Many species can live for 1,000-8,000 years,", "> I have two main varations of alfs in my story—Llvorexians and N'Varkians.", "away above ground for the same amount of time as the Llvorexians, now", "now have dark, bluish skin and thick curly hair. > > > The", "calling them alfs, but I was just wondering if I sounded prestigious or", "just unnecessarily confusing and weird? Do I sound like some weird white mom", "a science fiction story, with more fantasy that actual science. When I say", "my story—Llvorexians and N'Varkians. Both races were originally called the Freynovan alfs, but", "meaning there never was nor will be humans. As you can tell, they", "will be humans. As you can tell, they don't look like the typical", "as the Llvorexians, now have dark, bluish skin and thick curly hair. >", "certain species dominate the population. I have written out many original species with", "were blinded over centuries of subterranean slavery, and even after they were freed,", "poverty and insane magic. In some places species are mixed evenly; in others,", "evenly; in others, certain species dominate the population. I have written out many", "I also wanted to include more common fantasy species like elves, dwarves, orcs,", "alternate universe, meaning there never was nor will be humans. As you can", "etc. I also wanted to include more common fantasy species like elves, dwarves,", "blinded over centuries of subterranean slavery, and even after they were freed, they" ]
[ "little prince grows close to the war commander's heart, and they become genuine", "is there any way for me to make a genuine, strong and realistic", "is a certain man in his late twenties, who is one of the", "is fighting for a certain branch of the royal family and he is", "family and he is loyal to them. The youngest member of this branch", "royal family is a boy who is 10 years old. During the course", "this little prince grows close to the war commander's heart, and they become", "So is there any way for me to make a genuine, strong and", "at any moment). Now, he is fighting for a certain branch of the", "is also in such an unstable state that a civil war can break", "would be different if the prince was 20 years old and the commander", "way for me to make a genuine, strong and realistic friendship between the", "to them. The youngest member of this branch of the royal family is", "once risks an important mission in order to save the boy's life. My", "is: how can I make this a genuine friendship, even though there is", "the royal family and he is loyal to them. The youngest member of", "kingdom is also in such an unstable state that a civil war can", "is a boy who is 10 years old. During the course of the", "break out at any moment). Now, he is fighting for a certain branch", "is 10 years old. During the course of the story and the war,", "genuine friendship, even though there is such a big age gap between them?", "strong and realistic friendship between the two even though they have such a", "risks an important mission in order to save the boy's life. My question", "order to save the boy's life. My question is: how can I make", "and realistic friendship between the two even though they have such a great", "his late twenties, who is one of the commanders in a war against", "of the royal family is a boy who is 10 years old. During", "a big age gap between them? It would be different if the prince", "that a civil war can break out at any moment). Now, he is", "a civil war can break out at any moment). Now, he is fighting", "there is a certain man in his late twenties, who is one of", "in such an unstable state that a civil war can break out at", "big age gap between them? It would be different if the prince was", "It would be different if the prince was 20 years old and the", "life. My question is: how can I make this a genuine friendship, even", "loyal to them. The youngest member of this branch of the royal family", "a boy who is 10 years old. During the course of the story", "this branch of the royal family is a boy who is 10 years", "a genuine friendship, even though there is such a big age gap between", "just a boy. So is there any way for me to make a", "prince is just a boy. So is there any way for me to", "unstable state that a civil war can break out at any moment). Now,", "certain branch of the royal family and he is loyal to them. The", "was 20 years old and the commander was 40 or 50 years old,", "old, but in this case, the prince is just a boy. So is", "out at any moment). Now, he is fighting for a certain branch of", "the war commander's heart, and they become genuine friends, and the war commander", "war against a great threat for a medieval-like kingdom (this kingdom is also", "of the royal family and he is loyal to them. The youngest member", "gap between them? It would be different if the prince was 20 years", "make a genuine, strong and realistic friendship between the two even though they", "story, there is a certain man in his late twenties, who is one", "can I make this a genuine friendship, even though there is such a", "a genuine, strong and realistic friendship between the two even though they have", "prince grows close to the war commander's heart, and they become genuine friends,", "late twenties, who is one of the commanders in a war against a", "20 years old and the commander was 40 or 50 years old, but", "commander's heart, and they become genuine friends, and the war commander once risks", "old. During the course of the story and the war, this little prince", "branch of the royal family is a boy who is 10 years old.", "prince was 20 years old and the commander was 40 or 50 years", "the story and the war, this little prince grows close to the war", "he is fighting for a certain branch of the royal family and he", "war commander once risks an important mission in order to save the boy's", "In my story, there is a certain man in his late twenties, who", "state that a civil war can break out at any moment). Now, he", "boy's life. My question is: how can I make this a genuine friendship,", "the war commander once risks an important mission in order to save the", "commanders in a war against a great threat for a medieval-like kingdom (this", "be different if the prince was 20 years old and the commander was", "the course of the story and the war, this little prince grows close", "40 or 50 years old, but in this case, the prince is just", "Now, he is fighting for a certain branch of the royal family and", "royal family and he is loyal to them. The youngest member of this", "of the commanders in a war against a great threat for a medieval-like", "civil war can break out at any moment). Now, he is fighting for", "to save the boy's life. My question is: how can I make this", "kingdom (this kingdom is also in such an unstable state that a civil", "great threat for a medieval-like kingdom (this kingdom is also in such an", "friendship, even though there is such a big age gap between them? It", "me to make a genuine, strong and realistic friendship between the two even", "was 40 or 50 years old, but in this case, the prince is", "I make this a genuine friendship, even though there is such a big", "case, the prince is just a boy. So is there any way for", "them. The youngest member of this branch of the royal family is a", "or 50 years old, but in this case, the prince is just a", "genuine friends, and the war commander once risks an important mission in order", "the commanders in a war against a great threat for a medieval-like kingdom", "My question is: how can I make this a genuine friendship, even though", "is just a boy. So is there any way for me to make", "medieval-like kingdom (this kingdom is also in such an unstable state that a", "and the commander was 40 or 50 years old, but in this case,", "of this branch of the royal family is a boy who is 10", "war can break out at any moment). 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My question is: how can I make this a", "become genuine friends, and the war commander once risks an important mission in", "the prince is just a boy. So is there any way for me", "for a certain branch of the royal family and he is loyal to", "such a big age gap between them? It would be different if the", "the war, this little prince grows close to the war commander's heart, and", "certain man in his late twenties, who is one of the commanders in", "years old. During the course of the story and the war, this little", "in his late twenties, who is one of the commanders in a war", "such an unstable state that a civil war can break out at any", "and the war commander once risks an important mission in order to save", "friendship between the two even though they have such a great age gap?", "this case, the prince is just a boy. So is there any way", "between them? It would be different if the prince was 20 years old", "important mission in order to save the boy's life. My question is: how", "also in such an unstable state that a civil war can break out", "there is such a big age gap between them? It would be different", "fighting for a certain branch of the royal family and he is loyal", "heart, and they become genuine friends, and the war commander once risks an", "commander once risks an important mission in order to save the boy's life.", "an important mission in order to save the boy's life. My question is:", "them? It would be different if the prince was 20 years old and", "for me to make a genuine, strong and realistic friendship between the two", "a medieval-like kingdom (this kingdom is also in such an unstable state that", "years old and the commander was 40 or 50 years old, but in", "to make a genuine, strong and realistic friendship between the two even though", "question is: how can I make this a genuine friendship, even though there", "boy who is 10 years old. During the course of the story and", "war, this little prince grows close to the war commander's heart, and they", "he is loyal to them. The youngest member of this branch of the", "is one of the commanders in a war against a great threat for", "and they become genuine friends, and the war commander once risks an important", "how can I make this a genuine friendship, even though there is such", "50 years old, but in this case, the prince is just a boy.", "youngest member of this branch of the royal family is a boy who", "this a genuine friendship, even though there is such a big age gap", "realistic friendship between the two even though they have such a great age", "one of the commanders in a war against a great threat for a", "different if the prince was 20 years old and the commander was 40", "to the war commander's heart, and they become genuine friends, and the war", "in order to save the boy's life. My question is: how can I", "war commander's heart, and they become genuine friends, and the war commander once", "any moment). Now, he is fighting for a certain branch of the royal", "a boy. So is there any way for me to make a genuine,", "the royal family is a boy who is 10 years old. During the", "boy. So is there any way for me to make a genuine, strong", "During the course of the story and the war, this little prince grows", "mission in order to save the boy's life. My question is: how can", "a certain man in his late twenties, who is one of the commanders", "even though there is such a big age gap between them? It would", "old and the commander was 40 or 50 years old, but in this", "is loyal to them. The youngest member of this branch of the royal", "is such a big age gap between them? It would be different if", "if the prince was 20 years old and the commander was 40 or", "grows close to the war commander's heart, and they become genuine friends, and", "a war against a great threat for a medieval-like kingdom (this kingdom is", "who is one of the commanders in a war against a great threat", "moment). Now, he is fighting for a certain branch of the royal family", "threat for a medieval-like kingdom (this kingdom is also in such an unstable", "a certain branch of the royal family and he is loyal to them.", "story and the war, this little prince grows close to the war commander's", "the boy's life. My question is: how can I make this a genuine", "there any way for me to make a genuine, strong and realistic friendship", "and he is loyal to them. The youngest member of this branch of", "in this case, the prince is just a boy. So is there any", "age gap between them? It would be different if the prince was 20", "for a medieval-like kingdom (this kingdom is also in such an unstable state", "make this a genuine friendship, even though there is such a big age", "of the story and the war, this little prince grows close to the", "family is a boy who is 10 years old. During the course of" ]
[ "I want this to be a suspenseful and agonizing stretch of time, but", "show how long it feels for the character without it becoming boring or", "the character without it becoming boring or using cliche phrases like “every second", "is hiding from the villain while they are both in the same room.", "to show how long it feels for the character without it becoming boring", "hiding from the villain while they are both in the same room. I", "I’m not sure how to show how long it feels for the character", "sure how to show how long it feels for the character without it", "from the villain while they are both in the same room. I want", "There is a scene in which my main character is hiding from the", "time, but I’m not sure how to show how long it feels for", "which my main character is hiding from the villain while they are both", "long it feels for the character without it becoming boring or using cliche", "be a suspenseful and agonizing stretch of time, but I’m not sure how", "villain while they are both in the same room. I want this to", "feels for the character without it becoming boring or using cliche phrases like", "scene in which my main character is hiding from the villain while they", "the villain while they are both in the same room. I want this", "while they are both in the same room. I want this to be", "are both in the same room. I want this to be a suspenseful", "same room. I want this to be a suspenseful and agonizing stretch of", "of time, but I’m not sure how to show how long it feels", "not sure how to show how long it feels for the character without", "it feels for the character without it becoming boring or using cliche phrases", "they are both in the same room. I want this to be a", "without it becoming boring or using cliche phrases like “every second felt like", "and agonizing stretch of time, but I’m not sure how to show how", "stretch of time, but I’m not sure how to show how long it", "it becoming boring or using cliche phrases like “every second felt like an", "becoming boring or using cliche phrases like “every second felt like an hour.”", "room. I want this to be a suspenseful and agonizing stretch of time,", "how to show how long it feels for the character without it becoming", "suspenseful and agonizing stretch of time, but I’m not sure how to show", "my main character is hiding from the villain while they are both in", "character is hiding from the villain while they are both in the same", "a scene in which my main character is hiding from the villain while", "both in the same room. I want this to be a suspenseful and", "is a scene in which my main character is hiding from the villain", "in the same room. I want this to be a suspenseful and agonizing", "the same room. I want this to be a suspenseful and agonizing stretch", "to be a suspenseful and agonizing stretch of time, but I’m not sure", "for the character without it becoming boring or using cliche phrases like “every", "character without it becoming boring or using cliche phrases like “every second felt", "how long it feels for the character without it becoming boring or using", "a suspenseful and agonizing stretch of time, but I’m not sure how to", "but I’m not sure how to show how long it feels for the", "in which my main character is hiding from the villain while they are", "want this to be a suspenseful and agonizing stretch of time, but I’m", "agonizing stretch of time, but I’m not sure how to show how long", "this to be a suspenseful and agonizing stretch of time, but I’m not", "main character is hiding from the villain while they are both in the" ]
[ "so it fits into the full context of the paragraph, and removed the", "have been in place for a while, shipping companies and businesses are experiencing", "sentence is a typo. I think it makes sense but now I'm second", "by Chronocidal, I added the word \"still\", replaced \"a while\" with \"some time\",", "not, what would be a better way to say this: > > Well", "for some time, shipping companies and businesses are experiencing delays as a result", "been in place for some time, shipping companies and businesses are experiencing delays", "/ UPDATE I took Jay's advice at first and reworded the sentence into", "is: > > For several months now special restrictions have been in place", "removed the \"shipping companies\" part since I technically only need to mention businesses", "still experiencing delays as a result of incorrectly processed shipments. > > >", "Cola's suggestion though. To help the flow of the sentence, which was brought", "advice at first and reworded the sentence into the following: > > While", "guessing myself. Is this correct? If not, what would be a better way", "> > EDIT / UPDATE I took Jay's advice at first and reworded", "now I'm second guessing myself. Is this correct? If not, what would be", "into the following: > > While these rules have been in place for", "really like Apple Cola's suggestion though. To help the flow of the sentence,", "and removed the \"shipping companies\" part since I technically only need to mention", "replaced \"rules\" with \"restrictions\" so it fits into the full context of the", "> > > EDIT / UPDATE** I took Jay's advice at first and", "say this: > > Well these rules have been in place for a", "and general COVID-19 relief supplies from China. Well these rules have been in", "fits into the full context of the paragraph, and removed the \"shipping companies\"", "> > > I really like Apple Cola's suggestion though. To help the", "of personal protective equipment (PPE), medical, and general COVID-19 relief supplies from China.", "context of the paragraph, and removed the \"shipping companies\" part since I technically", "of incorrectly processed shipments. > > > If you want the full context", "> > If you want the full context of this sentence here it", "out that the use of well in the following sentence is a typo.", "rules have been in place for a while, shipping companies and businesses are", "into the full context of the paragraph, and removed the \"shipping companies\" part", "paragraph, and removed the \"shipping companies\" part since I technically only need to", "> For several months now special restrictions have been in place for exports", "processed shipments. > > > EDIT / UPDATE I took Jay's advice at", "restrictions have been in place for exports of personal protective equipment (PPE), medical,", "Jay's advice at first and reworded the sentence into the following: > >", "have been in place for some time, shipping companies and businesses are experiencing", "\"some time\", replaced \"rules\" with \"restrictions\" so it fits into the full context", "shipments. > > > EDIT / UPDATE I took Jay's advice at first", "been in place for some time [now], businesses are still experiencing delays as", "what would be a better way to say this: > > Well these", "took Jay's advice at first and reworded the sentence into the following: >", "though. To help the flow of the sentence, which was brought up by", "with \"restrictions\" so it fits into the full context of the paragraph, and", "businesses here. The sentence now reads: > > Although these restrictions have been", "> > I really like Apple Cola's suggestion though. To help the flow", "> If you want the full context of this sentence here it is:", "a better way to say this: > > Well these rules have been", "months now special restrictions have been in place for exports of personal protective", "\"restrictions\" so it fits into the full context of the paragraph, and removed", "full context of this sentence here it is: > > For several months", "are still experiencing delays as a result of incorrectly processed shipments. > >", "a result of incorrectly processed shipments. > > > If you want the", "context of this sentence here it is: > > For several months now", "of the paragraph, and removed the \"shipping companies\" part since I technically only", "is a typo. I think it makes sense but now I'm second guessing", "and businesses are experiencing delays as a result of incorrectly processed shipments. >", "I technically only need to mention businesses here. The sentence now reads: >", "If you want the full context of this sentence here it is: >", "Well these rules have been in place for a while, shipping companies and", "have been in place for exports of personal protective equipment (PPE), medical, and", "sentence here it is: > > For several months now special restrictions have", "in place for some time, shipping companies and businesses are experiencing delays as", "experiencing delays as a result of incorrectly processed shipments. > > > If", "these rules have been in place for a while, shipping companies and businesses", "a while, shipping companies and businesses are experiencing delays as a result of", "this correct? If not, what would be a better way to say this:", "relief supplies from China. Well these rules have been in place for a", "\"rules\" with \"restrictions\" so it fits into the full context of the paragraph,", "general COVID-19 relief supplies from China. Well these rules have been in place", "which was brought up by Chronocidal, I added the word \"still\", replaced \"a", "think it makes sense but now I'm second guessing myself. Is this correct?", "To help the flow of the sentence, which was brought up by Chronocidal,", "result of incorrectly processed shipments. > > > I really like Apple Cola's", "the full context of this sentence here it is: > > For several", "some time, shipping companies and businesses are experiencing delays as a result of", "I think it makes sense but now I'm second guessing myself. Is this", "companies\" part since I technically only need to mention businesses here. The sentence", "help the flow of the sentence, which was brought up by Chronocidal, I", "businesses are still experiencing delays as a result of incorrectly processed shipments. >", "the flow of the sentence, which was brought up by Chronocidal, I added", "> > Although these restrictions have been in place for some time [now],", "the following: > > While these rules have been in place for some", "incorrectly processed shipments. > > > EDIT / UPDATE I took Jay's advice", "this sentence here it is: > > For several months now special restrictions", "of well in the following sentence is a typo. I think it makes", "part since I technically only need to mention businesses here. The sentence now", "I really like Apple Cola's suggestion though. To help the flow of the", "while, shipping companies and businesses are experiencing delays as a result of incorrectly", "> EDIT / UPDATE I took Jay's advice at first and reworded the", "and reworded the sentence into the following: > > While these rules have", "experiencing delays as a result of incorrectly processed shipments. > > > *EDIT", "reads: > > Although these restrictions have been in place for some time", "now reads: > > Although these restrictions have been in place for some", "place for some time [now], businesses are still experiencing delays as a result", "reworded the sentence into the following: > > While these rules have been", "a colleague today point out that the use of well* in the following", "following sentence is a typo. I think it makes sense but now I'm", "result of incorrectly processed shipments. > > > If you want the full", "delays as a result of incorrectly processed shipments. > > > If you", "better way to say this: > > Well these rules have been in", "a result of incorrectly processed shipments. > > > EDIT / UPDATE I", "the following sentence is a typo. I think it makes sense but now", "of this sentence here it is: > > For several months now special", "> > For several months now special restrictions have been in place for", "UPDATE** I took Jay's advice at first and reworded the sentence into the", "time, shipping companies and businesses are experiencing delays as a result of incorrectly", "the word \"still\", replaced \"a while\" with \"some time\", replaced \"rules\" with \"restrictions\"", "time\", replaced \"rules\" with \"restrictions\" so it fits into the full context of", "it fits into the full context of the paragraph, and removed the \"shipping", "added the word \"still\", replaced \"a while\" with \"some time\", replaced \"rules\" with", "Apple Cola's suggestion though. To help the flow of the sentence, which was", "from China. Well these rules have been in place for a while, shipping", "incorrectly processed shipments. > > > If you want the full context of", "have been in place for some time [now], businesses are still experiencing delays", "place for some time, shipping companies and businesses are experiencing delays as a", "> > > If you want the full context of this sentence here", "a result of incorrectly processed shipments. > > > I really like Apple", "the sentence, which was brought up by Chronocidal, I added the word \"still\",", "sentence into the following: > > While these rules have been in place", "While these rules have been in place for some time, shipping companies and", "would be a better way to say this: > > Well these rules", "technically only need to mention businesses here. The sentence now reads: > >", "[now], businesses are still experiencing delays as a result of incorrectly processed shipments.", "supplies from China. Well these rules have been in place for a while,", "it is: > > For several months now special restrictions have been in", "several months now special restrictions have been in place for exports of personal", "that the use of well in the following sentence is a typo. I", "> I really like Apple Cola's suggestion though. To help the flow of", "China. Well these rules have been in place for a while, shipping companies", "while\" with \"some time\", replaced \"rules\" with \"restrictions\" so it fits into the", "like Apple Cola's suggestion though. To help the flow of the sentence, which", "at first and reworded the sentence into the following: > > While these", "these rules have been in place for some time, shipping companies and businesses", "a typo. I think it makes sense but now I'm second guessing myself.", "been in place for exports of personal protective equipment (PPE), medical, and general", "Chronocidal, I added the word \"still\", replaced \"a while\" with \"some time\", replaced", "replaced \"a while\" with \"some time\", replaced \"rules\" with \"restrictions\" so it fits", "up by Chronocidal, I added the word \"still\", replaced \"a while\" with \"some", "of incorrectly processed shipments. > > > EDIT / UPDATE I took Jay's", "sentence now reads: > > Although these restrictions have been in place for", "way to say this: > > Well these rules have been in place", "exports of personal protective equipment (PPE), medical, and general COVID-19 relief supplies from", "first and reworded the sentence into the following: > > While these rules", "I had a colleague today point out that the use of well in", "as a result of incorrectly processed shipments. > > > If you want", "today point out that the use of well in the following sentence is", "was brought up by Chronocidal, I added the word \"still\", replaced \"a while\"", "need to mention businesses here. 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If not, what would be a better way to say this: >", "in place for exports of personal protective equipment (PPE), medical, and general COVID-19", "I took Jay's advice at first and reworded the sentence into the following:", "now special restrictions have been in place for exports of personal protective equipment", "only need to mention businesses here. The sentence now reads: > > Although", "as a result of incorrectly processed shipments. > > > EDIT / UPDATE", "delays as a result of incorrectly processed shipments. > > > I really", "here. The sentence now reads: > > Although these restrictions have been in", "experiencing delays as a result of incorrectly processed shipments. > > > I", "are experiencing delays as a result of incorrectly processed shipments. > > >", "of the sentence, which was brought up by Chronocidal, I added the word", "here it is: > > For several months now special restrictions have been", "of incorrectly processed shipments. > > > I really like Apple Cola's suggestion", "mention businesses here. The sentence now reads: > > Although these restrictions have", "point out that the use of well in the following sentence is a", "result of incorrectly processed shipments. > > > EDIT / UPDATE I took", "colleague today point out that the use of well in the following sentence", "I'm second guessing myself. Is this correct? If not, what would be a", "as a result of incorrectly processed shipments. > > > I really like", "companies and businesses are experiencing delays as a result of incorrectly processed shipments.", "personal protective equipment (PPE), medical, and general COVID-19 relief supplies from China. Well", "flow of the sentence, which was brought up by Chronocidal, I added the", "but now I'm second guessing myself. Is this correct? If not, what would", "For several months now special restrictions have been in place for exports of", "medical, and general COVID-19 relief supplies from China. Well these rules have been", "for exports of personal protective equipment (PPE), medical, and general COVID-19 relief supplies", "the sentence into the following: > > While these rules have been in", "incorrectly processed shipments. > > > I really like Apple Cola's suggestion though.", "full context of the paragraph, and removed the \"shipping companies\" part since I", "following: > > While these rules have been in place for some time,", "be a better way to say this: > > Well these rules have", "delays as a result of incorrectly processed shipments. > > > *EDIT /", "you want the full context of this sentence here it is: > >", "word \"still\", replaced \"a while\" with \"some time\", replaced \"rules\" with \"restrictions\" so", "for some time [now], businesses are still experiencing delays as a result of", "second guessing myself. Is this correct? If not, what would be a better", "restrictions have been in place for some time [now], businesses are still experiencing", "this: > > Well these rules have been in place for a while,", "well* in the following sentence is a typo. I think it makes sense", "myself. Is this correct? If not, what would be a better way to", "processed shipments. > > > If you want the full context of this", "place for a while, shipping companies and businesses are experiencing delays as a", "(PPE), medical, and general COVID-19 relief supplies from China. Well these rules have", "these restrictions have been in place for some time [now], businesses are still", "typo. I think it makes sense but now I'm second guessing myself. Is", "in the following sentence is a typo. I think it makes sense but", "\"a while\" with \"some time\", replaced \"rules\" with \"restrictions\" so it fits into", "to mention businesses here. The sentence now reads: > > Although these restrictions", "brought up by Chronocidal, I added the word \"still\", replaced \"a while\" with", "time [now], businesses are still experiencing delays as a result of incorrectly processed", "makes sense but now I'm second guessing myself. Is this correct? If not,", "shipments. > > > I really like Apple Cola's suggestion though. To help", "special restrictions have been in place for exports of personal protective equipment (PPE),", "processed shipments. > > > I really like Apple Cola's suggestion though. To", "in place for a while, shipping companies and businesses are experiencing delays as", "it makes sense but now I'm second guessing myself. Is this correct? If", "> While these rules have been in place for some time, shipping companies", "EDIT / UPDATE I took Jay's advice at first and reworded the sentence", "sense but now I'm second guessing myself. Is this correct? If not, what", "> Although these restrictions have been in place for some time [now], businesses", "\"still\", replaced \"a while\" with \"some time\", replaced \"rules\" with \"restrictions\" so it", "If not, what would be a better way to say this: > >", "suggestion though. To help the flow of the sentence, which was brought up", "I added the word \"still\", replaced \"a while\" with \"some time\", replaced \"rules\"" ]
[ "(say Tfoc) and so is able to teach him 2. Conversely, I could", "make for a good reveal. Kind of tying the story firmly to certain", "I don't know what to do with this reveal or how to take", "it won't be as relatable.] 2. It is more believable that he is", "the mythology) but beyond that I am not able to craft it into", "discovered which is then used to forge a destructive weapon Cinc to revealing", "Norse events. For e.g. Ragnarok caused a certain new element to be discovered", "won't be as relatable.] 2. It is more believable that he is able", "that has world building importance relevant to the plot ? --- Edit: To", "into the role of a teacher, teaching the MC a necessary skill (let's", "has certain qualities and has a background which is very similar to one", "in the comments below. The MC and his group run into the old", "events which happened prior to the MC's birth, they easily become part of", "decide how being Tfoc fits into that. Hope this helps. OK, so I", "and his group run into the old man while on a quest and", "a teacher, teaching the MC a necessary skill (let's say summoning lightning). At", "part of the Norse mythology (like a cause-effect and alternate history thing). The", "role of a teacher, teaching the MC a necessary skill (let's say summoning", "able to teach that skill, plus there are certain events which happened prior", "I am not able to craft it into a story line or an", "teaching the MC a necessary skill (let's say summoning lightning). At that point,", "backstory. [True I could just copy his backstory but it won't be as", "? --- Edit: To provide an example which I have given in the", "to the MC's birth, they easily become part of the Norse mythology (like", "mythological events (not from the story). However, this is where I am stuck.", "Ragnarok caused a certain new element to be discovered which is then used", "for the mythology) but beyond that I am not able to craft it", "so is able to teach him 2. Conversely, I could just say he", "convinced that it will make for a good reveal. Kind of tying the", "is based on mythology. I have my own characters which have their own", "arts and be done with it. The thing is that by calling the", "the mythology into the world building (kinda like alternate explanation for the mythology)", "on a quest and he decides to join them. Through the journey, the", "group run into the old man while on a quest and he decides", "destructive weapon Cinc to revealing the old man is Tfoc - 1. I", "but it won't be as relatable.] 2. It is more believable that he", "how being Tfoc fits into that. Hope this helps. OK, so I thought", "and then I don't know what to do with the fact that he", "to one of the characters from mythology. The more I thought about it", "based on mythology. I have my own characters which have their own voice.", "Lightning and can teach it. 3. It ties events which have happened prior", "what to do with the fact after the reveal. The old man has", "have given in the comments below. The MC and his group run into", "given in the comments below. The MC and his group run into the", "have a pros and cons list. Pros to revealing the old man is", "that is based on mythology. I have my own characters which have their", "the MC a necessary skill (let's say summoning lightning). At that point, I", "is able to summon Lightning and can teach it. 3. It ties events", "he is Tfoc for the rest of the journey. The old man has", "lightning). At that point, I can - 1. Have the MC guess who", "pros and cons list. Pros to revealing the old man is Tfoc -", "to revealing the old man is Tfoc - 1. It instantly gives him", "there are certain events which happened prior to the MC's birth, they easily", "that skill, plus there are certain events which happened prior to the MC's", "that the reveal needs to happen in the middle of the journey and", "events (not from the story). However, this is where I am stuck. I", "has his own character arc and being Tfoc is not having any significance", "- 1. Have the MC guess who he is (say Tfoc) and so", "is not having any significance to it. 2. All the above pros can", "can - 1. Have the MC guess who he is (say Tfoc) and", "have my own characters which have their own voice. One of those characters,", "--- Edit: To provide an example which I have given in the comments", "is a master of the mystic arts and be done with it. The", "own characters which have their own voice. One of those characters, the wise", "could just copy his backstory but it won't be as relatable.] 2. It", "thought it might help to have a pros and cons list. Pros to", "events which have happened prior to MC's birth to actual Norse events. For", "man is Tfoc - 1. I don't know what to do with the", "as relatable.] 2. It is more believable that he is able to summon", "All the above pros can be explained in alternate ways without calling the", "teach it. 3. It ties events which have happened prior to MC's birth", "comments below. The MC and his group run into the old man while", "what to do with this reveal or how to take it forward. I", "One of those characters, the wise old man archetype, has certain qualities and", "is that by calling the old man Tfoc, I not only lend credibility", "into the old man while on a quest and he decides to join", "has world building importance relevant to the plot ? --- Edit: To provide", "about it a bit more and thought it might help to have a", "I cannot decide how being Tfoc fits into that. Hope this helps. OK,", "just say he is a master of the mystic arts and be done", "own character arc and being Tfoc is not having any significance to it.", "Pros to revealing the old man is Tfoc - 1. It instantly gives", "old man is Tfoc - 1. It instantly gives him a richer backstory.", "done with it. The thing is that by calling the old man Tfoc,", "of a teacher, teaching the MC a necessary skill (let's say summoning lightning).", "Tfoc - 1. It instantly gives him a richer backstory. [True I could", "cons list. Pros to revealing the old man is Tfoc - 1. It", "the fact that he is Tfoc for the rest of the journey. The", "the reveal. The old man has his own character arc and being Tfoc", "(let's say summoning lightning). At that point, I can - 1. Have the", "Kind of tying the story firmly to certain mythological events (not from the", "old man archetype, has certain qualities and has a background which is very", "the comments below. The MC and his group run into the old man", "he is (say Tfoc) and so is able to teach him 2. Conversely,", "1. It instantly gives him a richer backstory. [True I could just copy", "what to do with the fact that he is Tfoc for the rest", "more I thought about it the more I am convinced that it will", "it. 3. It ties events which have happened prior to MC's birth to", "make the readers go \"why did I not make the connection?\" as well", "which is then used to forge a destructive weapon Cinc to revealing the", "MC and his group run into the old man while on a quest", "it. 2. All the above pros can be explained in alternate ways without", "ties events which have happened prior to MC's birth to actual Norse events.", "while on a quest and he decides to join them. Through the journey,", "that he is Tfoc for the rest of the journey. The old man", "an arc or to make it serve a purpose. What can I do", "it forward. I am sure the reveal is subtle and will make the", "archetype, has certain qualities and has a background which is very similar to", "story line or an arc or to make it serve a purpose. What", "journey and then I don't know what to do with the fact that", "The thing is that by calling the old man Tfoc, I not only", "readers go \"why did I not make the connection?\" as well as strongly", "and thought it might help to have a pros and cons list. Pros", "the old man is Tfoc - 1. I don't know what to do", "certain qualities and has a background which is very similar to one of", "I can - 1. Have the MC guess who he is (say Tfoc)", "instantly gives him a richer backstory. [True I could just copy his backstory", "plus there are certain events which happened prior to the MC's birth, they", "own character arc and I cannot decide how being Tfoc fits into that.", "and can teach it. 3. It ties events which have happened prior to", "of tying the story firmly to certain mythological events (not from the story).", "teach him 2. Conversely, I could just say he is a master of", "so I thought about it a bit more and thought it might help", "believable that he is able to summon Lightning and can teach it. 3.", "cannot decide how being Tfoc fits into that. Hope this helps. OK, so", "craft it into a story line or an arc or to make it", "man has his own character arc and being Tfoc is not having any", "thing). The issue is that the reveal needs to happen in the middle", "after the reveal. The old man has his own character arc and being", "which happened prior to the MC's birth, they easily become part of the", "the MC's birth, they easily become part of the Norse mythology (like a", "Edit: To provide an example which I have given in the comments below.", "know what to do with the fact that he is Tfoc for the", "and he decides to join them. Through the journey, the old man rises", "wise old man archetype, has certain qualities and has a background which is", "reveal needs to happen in the middle of the journey and then I", "alternate explanation for the mythology) but beyond that I am not able to", "the reveal needs to happen in the middle of the journey and then", "2. Conversely, I could just say he is a master of the mystic", "strongly include the mythology into the world building (kinda like alternate explanation for", "who he is (say Tfoc) and so is able to teach him 2.", "to the plot ? --- Edit: To provide an example which I have", "and will make the readers go \"why did I not make the connection?\"", "is Tfoc - 1. I don't know what to do with the fact", "but beyond that I am not able to craft it into a story", "credibility to him being able to teach that skill, plus there are certain", "(kinda like alternate explanation for the mythology) but beyond that I am not", "a piece of information that has world building importance relevant to the plot", "1. I don't know what to do with the fact after the reveal.", "characters from mythology. The more I thought about it the more I am", "know what to do with this reveal or how to take it forward.", "I don't know what to do with the fact that he is Tfoc", "those characters, the wise old man archetype, has certain qualities and has a", "well as strongly include the mythology into the world building (kinda like alternate", "certain mythological events (not from the story). However, this is where I am", "it will make for a good reveal. Kind of tying the story firmly", "to teach him 2. Conversely, I could just say he is a master", "to MC's birth to actual Norse events. For e.g. Ragnarok caused a certain", "example which I have given in the comments below. The MC and his", "with this reveal or how to take it forward. I am sure the", "to it. 2. All the above pros can be explained in alternate ways", "master of the mystic arts and be done with it. The thing is", "become part of the Norse mythology (like a cause-effect and alternate history thing).", "where I am stuck. I don't know what to do with this reveal", "a background which is very similar to one of the characters from mythology.", "has his own character arc and I cannot decide how being Tfoc fits", "connection?\" as well as strongly include the mythology into the world building (kinda", "revealing the old man is Tfoc - 1. I don't know what to", "decides to join them. Through the journey, the old man rises into the", "don't know what to do with the fact after the reveal. The old", "story that is based on mythology. I have my own characters which have", "more and thought it might help to have a pros and cons list.", "he decides to join them. Through the journey, the old man rises into", "I am writing a story that is based on mythology. I have my", "his group run into the old man while on a quest and he", "fact after the reveal. The old man has his own character arc and", "sure the reveal is subtle and will make the readers go \"why did", "alternate history thing). The issue is that the reveal needs to happen in", "actual Norse events. For e.g. Ragnarok caused a certain new element to be", "a certain new element to be discovered which is then used to forge", "the wise old man archetype, has certain qualities and has a background which", "very similar to one of the characters from mythology. The more I thought", "beyond that I am not able to craft it into a story line", "not only lend credibility to him being able to teach that skill, plus", "this helps. OK, so I thought about it a bit more and thought", "them. Through the journey, the old man rises into the role of a", "Have the MC guess who he is (say Tfoc) and so is able", "necessary skill (let's say summoning lightning). At that point, I can - 1.", "certain new element to be discovered which is then used to forge a", "I thought about it a bit more and thought it might help to", "man while on a quest and he decides to join them. Through the", "with the fact that he is Tfoc for the rest of the journey.", "Tfoc - 1. I don't know what to do with the fact after", "which is very similar to one of the characters from mythology. The more", "own voice. One of those characters, the wise old man archetype, has certain", "below. The MC and his group run into the old man while on", "summoning lightning). At that point, I can - 1. Have the MC guess", "happen in the middle of the journey and then I don't know what", "might help to have a pros and cons list. Pros to revealing the", "a purpose. What can I do to make a piece of information that", "am convinced that it will make for a good reveal. Kind of tying", "reveal or how to take it forward. I am sure the reveal is", "old man rises into the role of a teacher, teaching the MC a", "and being Tfoc is not having any significance to it. 2. All the", "a story line or an arc or to make it serve a purpose.", "that I am not able to craft it into a story line or", "the middle of the journey and then I don't know what to do", "serve a purpose. What can I do to make a piece of information", "he is able to summon Lightning and can teach it. 3. It ties", "is very similar to one of the characters from mythology. The more I", "used to forge a destructive weapon Cinc to revealing the old man is", "Cinc to revealing the old man is Tfoc - 1. I don't know", "and I cannot decide how being Tfoc fits into that. Hope this helps.", "is (say Tfoc) and so is able to teach him 2. Conversely, I", "join them. Through the journey, the old man rises into the role of", "that it will make for a good reveal. Kind of tying the story", "with it. The thing is that by calling the old man Tfoc, I", "a quest and he decides to join them. Through the journey, the old", "world building importance relevant to the plot ? --- Edit: To provide an", "fact that he is Tfoc for the rest of the journey. The old", "character arc and being Tfoc is not having any significance to it. 2.", "character arc and I cannot decide how being Tfoc fits into that. Hope", "arc or to make it serve a purpose. What can I do to", "OK, so I thought about it a bit more and thought it might", "of those characters, the wise old man archetype, has certain qualities and has", "into the world building (kinda like alternate explanation for the mythology) but beyond", "not having any significance to it. 2. All the above pros can be", "Conversely, I could just say he is a master of the mystic arts", "or to make it serve a purpose. What can I do to make", "subtle and will make the readers go \"why did I not make the", "mystic arts and be done with it. The thing is that by calling", "revealing the old man is Tfoc - 1. It instantly gives him a", "a necessary skill (let's say summoning lightning). At that point, I can -", "backstory but it won't be as relatable.] 2. It is more believable that", "list. Pros to revealing the old man is Tfoc - 1. It instantly", "of the characters from mythology. The more I thought about it the more", "do to make a piece of information that has world building importance relevant", "I could just say he is a master of the mystic arts and", "birth, they easily become part of the Norse mythology (like a cause-effect and", "guess who he is (say Tfoc) and so is able to teach him", "the story firmly to certain mythological events (not from the story). However, this", "reveal. Kind of tying the story firmly to certain mythological events (not from", "the reveal is subtle and will make the readers go \"why did I", "building importance relevant to the plot ? --- Edit: To provide an example", "forward. I am sure the reveal is subtle and will make the readers", "as well as strongly include the mythology into the world building (kinda like", "the connection?\" as well as strongly include the mythology into the world building", "is subtle and will make the readers go \"why did I not make", "rises into the role of a teacher, teaching the MC a necessary skill", "calling the old man Tfoc, I not only lend credibility to him being", "the story). However, this is where I am stuck. I don't know what", "reveal is subtle and will make the readers go \"why did I not", "say summoning lightning). At that point, I can - 1. Have the MC", "good reveal. Kind of tying the story firmly to certain mythological events (not", "a good reveal. Kind of tying the story firmly to certain mythological events", "by calling the old man Tfoc, I not only lend credibility to him", "the Norse mythology (like a cause-effect and alternate history thing). The issue is", "the world building (kinda like alternate explanation for the mythology) but beyond that", "the rest of the journey. The old man has his own character arc", "[True I could just copy his backstory but it won't be as relatable.]", "the role of a teacher, teaching the MC a necessary skill (let's say", "3. It ties events which have happened prior to MC's birth to actual", "only lend credibility to him being able to teach that skill, plus there", "prior to the MC's birth, they easily become part of the Norse mythology", "make a piece of information that has world building importance relevant to the", "to join them. Through the journey, the old man rises into the role", "arc and I cannot decide how being Tfoc fits into that. Hope this", "for a good reveal. Kind of tying the story firmly to certain mythological", "issue is that the reveal needs to happen in the middle of the", "Tfoc is not having any significance to it. 2. All the above pros", "man is Tfoc - 1. It instantly gives him a richer backstory. [True", "story firmly to certain mythological events (not from the story). However, this is", "skill (let's say summoning lightning). At that point, I can - 1. Have", "It instantly gives him a richer backstory. [True I could just copy his", "old man is Tfoc - 1. I don't know what to do with", "like alternate explanation for the mythology) but beyond that I am not able", "the old man while on a quest and he decides to join them.", "be as relatable.] 2. It is more believable that he is able to", "To provide an example which I have given in the comments below. The", "I am sure the reveal is subtle and will make the readers go", "just copy his backstory but it won't be as relatable.] 2. It is", "is able to teach him 2. Conversely, I could just say he is", "go \"why did I not make the connection?\" as well as strongly include", "- 1. I don't know what to do with the fact after the", "the MC guess who he is (say Tfoc) and so is able to", "history thing). The issue is that the reveal needs to happen in the", "that he is able to summon Lightning and can teach it. 3. It", "The old man has his own character arc and I cannot decide how", "mythology) but beyond that I am not able to craft it into a", "as strongly include the mythology into the world building (kinda like alternate explanation", "make the connection?\" as well as strongly include the mythology into the world", "easily become part of the Norse mythology (like a cause-effect and alternate history", "an example which I have given in the comments below. The MC and", "to do with the fact after the reveal. The old man has his", "lend credibility to him being able to teach that skill, plus there are", "element to be discovered which is then used to forge a destructive weapon", "the journey, the old man rises into the role of a teacher, teaching", "thought about it a bit more and thought it might help to have", "I could just copy his backstory but it won't be as relatable.] 2.", "this is where I am stuck. I don't know what to do with", "arc and being Tfoc is not having any significance to it. 2. All", "will make for a good reveal. Kind of tying the story firmly to", "teacher, teaching the MC a necessary skill (let's say summoning lightning). At that", "this reveal or how to take it forward. I am sure the reveal", "old man has his own character arc and I cannot decide how being", "do with this reveal or how to take it forward. I am sure", "my own characters which have their own voice. One of those characters, the", "am sure the reveal is subtle and will make the readers go \"why", "am writing a story that is based on mythology. I have my own", "do with the fact that he is Tfoc for the rest of the", "relatable.] 2. It is more believable that he is able to summon Lightning", "the readers go \"why did I not make the connection?\" as well as", "include the mythology into the world building (kinda like alternate explanation for the", "that point, I can - 1. Have the MC guess who he is", "mythology into the world building (kinda like alternate explanation for the mythology) but", "weapon Cinc to revealing the old man is Tfoc - 1. I don't", "firmly to certain mythological events (not from the story). However, this is where", "is more believable that he is able to summon Lightning and can teach", "which I have given in the comments below. The MC and his group", "him 2. Conversely, I could just say he is a master of the", "could just say he is a master of the mystic arts and be", "copy his backstory but it won't be as relatable.] 2. It is more", "being able to teach that skill, plus there are certain events which happened", "qualities and has a background which is very similar to one of the", "background which is very similar to one of the characters from mythology. The", "purpose. What can I do to make a piece of information that has", "can teach it. 3. It ties events which have happened prior to MC's", "then used to forge a destructive weapon Cinc to revealing the old man", "know what to do with the fact after the reveal. The old man", "has a background which is very similar to one of the characters from", "caused a certain new element to be discovered which is then used to", "a master of the mystic arts and be done with it. The thing", "I am convinced that it will make for a good reveal. Kind of", "it. The thing is that by calling the old man Tfoc, I not", "prior to MC's birth to actual Norse events. For e.g. Ragnarok caused a", "old man has his own character arc and being Tfoc is not having", "1. Have the MC guess who he is (say Tfoc) and so is", "did I not make the connection?\" as well as strongly include the mythology", "point, I can - 1. Have the MC guess who he is (say", "mythology. The more I thought about it the more I am convinced that", "cause-effect and alternate history thing). The issue is that the reveal needs to", "his own character arc and I cannot decide how being Tfoc fits into", "writing a story that is based on mythology. I have my own characters", "one of the characters from mythology. The more I thought about it the", "to forge a destructive weapon Cinc to revealing the old man is Tfoc", "new element to be discovered which is then used to forge a destructive", "do with the fact after the reveal. The old man has his own", "is Tfoc - 1. It instantly gives him a richer backstory. [True I", "it serve a purpose. What can I do to make a piece of", "from the story). However, this is where I am stuck. I don't know", "(not from the story). However, this is where I am stuck. I don't", "stuck. I don't know what to do with this reveal or how to", "is Tfoc for the rest of the journey. The old man has his", "any significance to it. 2. All the above pros can be explained in", "piece of information that has world building importance relevant to the plot ?", "of the Norse mythology (like a cause-effect and alternate history thing). The issue", "reveal. The old man has his own character arc and being Tfoc is", "summon Lightning and can teach it. 3. It ties events which have happened", "of the journey and then I don't know what to do with the", "can I do to make a piece of information that has world building", "be done with it. The thing is that by calling the old man", "more believable that he is able to summon Lightning and can teach it.", "certain events which happened prior to the MC's birth, they easily become part", "his own character arc and being Tfoc is not having any significance to", "is that the reveal needs to happen in the middle of the journey", "into that. Hope this helps. OK, so I thought about it a bit", "the old man is Tfoc - 1. It instantly gives him a richer", "relevant to the plot ? --- Edit: To provide an example which I", "which have their own voice. One of those characters, the wise old man", "a cause-effect and alternate history thing). The issue is that the reveal needs", "old man Tfoc, I not only lend credibility to him being able to", "The MC and his group run into the old man while on a", "Through the journey, the old man rises into the role of a teacher,", "characters which have their own voice. One of those characters, the wise old", "to summon Lightning and can teach it. 3. It ties events which have", "quest and he decides to join them. Through the journey, the old man", "to make a piece of information that has world building importance relevant to", "take it forward. I am sure the reveal is subtle and will make", "MC's birth to actual Norse events. For e.g. Ragnarok caused a certain new", "into a story line or an arc or to make it serve a", "and so is able to teach him 2. Conversely, I could just say", "explanation for the mythology) but beyond that I am not able to craft", "story). However, this is where I am stuck. I don't know what to", "are certain events which happened prior to the MC's birth, they easily become", "have happened prior to MC's birth to actual Norse events. For e.g. Ragnarok", "Norse mythology (like a cause-effect and alternate history thing). The issue is that", "the journey. The old man has his own character arc and I cannot", "fits into that. Hope this helps. OK, so I thought about it a", "characters, the wise old man archetype, has certain qualities and has a background", "thing is that by calling the old man Tfoc, I not only lend", "mythology. I have my own characters which have their own voice. One of", "not able to craft it into a story line or an arc or", "not make the connection?\" as well as strongly include the mythology into the", "I have my own characters which have their own voice. One of those", "his backstory but it won't be as relatable.] 2. It is more believable", "to be discovered which is then used to forge a destructive weapon Cinc", "it the more I am convinced that it will make for a good", "teach that skill, plus there are certain events which happened prior to the", "\"why did I not make the connection?\" as well as strongly include the", "building (kinda like alternate explanation for the mythology) but beyond that I am", "being Tfoc fits into that. Hope this helps. OK, so I thought about", "able to teach him 2. Conversely, I could just say he is a", "to take it forward. I am sure the reveal is subtle and will", "of the mystic arts and be done with it. The thing is that", "It ties events which have happened prior to MC's birth to actual Norse", "with the fact after the reveal. The old man has his own character", "plot ? --- Edit: To provide an example which I have given in", "to craft it into a story line or an arc or to make", "make it serve a purpose. What can I do to make a piece", "the plot ? --- Edit: To provide an example which I have given", "middle of the journey and then I don't know what to do with", "to have a pros and cons list. Pros to revealing the old man", "that. Hope this helps. OK, so I thought about it a bit more", "significance to it. 2. All the above pros can be explained in alternate", "birth to actual Norse events. For e.g. Ragnarok caused a certain new element", "e.g. Ragnarok caused a certain new element to be discovered which is then", "I thought about it the more I am convinced that it will make", "voice. One of those characters, the wise old man archetype, has certain qualities", "MC a necessary skill (let's say summoning lightning). At that point, I can", "is where I am stuck. I don't know what to do with this", "then I don't know what to do with the fact that he is", "Tfoc for the rest of the journey. The old man has his own", "I have given in the comments below. The MC and his group run", "line or an arc or to make it serve a purpose. What can", "it a bit more and thought it might help to have a pros", "to do with the fact that he is Tfoc for the rest of", "needs to happen in the middle of the journey and then I don't", "of information that has world building importance relevant to the plot ? ---", "and be done with it. The thing is that by calling the old", "What can I do to make a piece of information that has world", "to him being able to teach that skill, plus there are certain events", "above pros can be explained in alternate ways without calling the old man", "information that has world building importance relevant to the plot ? --- Edit:", "similar to one of the characters from mythology. The more I thought about", "world building (kinda like alternate explanation for the mythology) but beyond that I", "rest of the journey. The old man has his own character arc and", "Tfoc) and so is able to teach him 2. Conversely, I could just", "the fact after the reveal. The old man has his own character arc", "I not only lend credibility to him being able to teach that skill,", "will make the readers go \"why did I not make the connection?\" as", "being Tfoc is not having any significance to it. 2. All the above", "a story that is based on mythology. I have my own characters which", "and alternate history thing). The issue is that the reveal needs to happen", "to make it serve a purpose. What can I do to make a", "or an arc or to make it serve a purpose. What can I", "importance relevant to the plot ? --- Edit: To provide an example which", "am stuck. I don't know what to do with this reveal or how", "having any significance to it. 2. All the above pros can be explained", "tying the story firmly to certain mythological events (not from the story). However,", "they easily become part of the Norse mythology (like a cause-effect and alternate", "am not able to craft it into a story line or an arc", "At that point, I can - 1. Have the MC guess who he", "MC guess who he is (say Tfoc) and so is able to teach", "for the rest of the journey. The old man has his own character", "that by calling the old man Tfoc, I not only lend credibility to", "to happen in the middle of the journey and then I don't know", "Hope this helps. OK, so I thought about it a bit more and", "bit more and thought it might help to have a pros and cons", "it into a story line or an arc or to make it serve", "happened prior to MC's birth to actual Norse events. For e.g. Ragnarok caused", "the above pros can be explained in alternate ways without calling the old", "man rises into the role of a teacher, teaching the MC a necessary", "more I am convinced that it will make for a good reveal. Kind", "him being able to teach that skill, plus there are certain events which", "their own voice. One of those characters, the wise old man archetype, has", "man Tfoc, I not only lend credibility to him being able to teach", "the old man Tfoc, I not only lend credibility to him being able", "don't know what to do with the fact that he is Tfoc for", "and has a background which is very similar to one of the characters", "I am stuck. I don't know what to do with this reveal or", "run into the old man while on a quest and he decides to", "a pros and cons list. Pros to revealing the old man is Tfoc", "The issue is that the reveal needs to happen in the middle of", "I don't know what to do with the fact after the reveal. The", "the old man rises into the role of a teacher, teaching the MC", "him a richer backstory. [True I could just copy his backstory but it", "a bit more and thought it might help to have a pros and", "Tfoc fits into that. Hope this helps. OK, so I thought about it", "richer backstory. [True I could just copy his backstory but it won't be", "to actual Norse events. For e.g. Ragnarok caused a certain new element to", "it might help to have a pros and cons list. Pros to revealing", "of the journey. The old man has his own character arc and I", "The more I thought about it the more I am convinced that it", "and cons list. Pros to revealing the old man is Tfoc - 1.", "However, this is where I am stuck. I don't know what to do", "say he is a master of the mystic arts and be done with", "I not make the connection?\" as well as strongly include the mythology into", "events. For e.g. Ragnarok caused a certain new element to be discovered which", "I do to make a piece of information that has world building importance", "to certain mythological events (not from the story). However, this is where I", "help to have a pros and cons list. Pros to revealing the old", "MC's birth, they easily become part of the Norse mythology (like a cause-effect", "The old man has his own character arc and being Tfoc is not", "journey. The old man has his own character arc and I cannot decide", "to do with this reveal or how to take it forward. I am", "skill, plus there are certain events which happened prior to the MC's birth,", "able to summon Lightning and can teach it. 3. It ties events which", "It is more believable that he is able to summon Lightning and can", "pros can be explained in alternate ways without calling the old man Tfoc.", "have their own voice. One of those characters, the wise old man archetype,", "forge a destructive weapon Cinc to revealing the old man is Tfoc -", "be discovered which is then used to forge a destructive weapon Cinc to", "about it the more I am convinced that it will make for a", "to revealing the old man is Tfoc - 1. I don't know what", "mythology (like a cause-effect and alternate history thing). The issue is that the", "helps. OK, so I thought about it a bit more and thought it", "2. It is more believable that he is able to summon Lightning and", "he is a master of the mystic arts and be done with it.", "happened prior to the MC's birth, they easily become part of the Norse", "- 1. It instantly gives him a richer backstory. [True I could just", "gives him a richer backstory. [True I could just copy his backstory but", "the journey and then I don't know what to do with the fact", "able to craft it into a story line or an arc or to", "thought about it the more I am convinced that it will make for", "is then used to forge a destructive weapon Cinc to revealing the old", "man archetype, has certain qualities and has a background which is very similar", "For e.g. Ragnarok caused a certain new element to be discovered which is", "which have happened prior to MC's birth to actual Norse events. For e.g.", "to teach that skill, plus there are certain events which happened prior to", "the more I am convinced that it will make for a good reveal.", "2. All the above pros can be explained in alternate ways without calling", "man has his own character arc and I cannot decide how being Tfoc", "or how to take it forward. I am sure the reveal is subtle", "how to take it forward. I am sure the reveal is subtle and", "(like a cause-effect and alternate history thing). The issue is that the reveal", "Tfoc, I not only lend credibility to him being able to teach that", "old man while on a quest and he decides to join them. Through", "in the middle of the journey and then I don't know what to", "from mythology. The more I thought about it the more I am convinced", "journey, the old man rises into the role of a teacher, teaching the", "a destructive weapon Cinc to revealing the old man is Tfoc - 1.", "don't know what to do with this reveal or how to take it", "the mystic arts and be done with it. The thing is that by", "the characters from mythology. The more I thought about it the more I", "provide an example which I have given in the comments below. The MC", "a richer backstory. [True I could just copy his backstory but it won't", "on mythology. I have my own characters which have their own voice. One" ]
[ "trilogy, which has a secret society called Nukui-Paub spearheaded by the sequel trilogy's", "the deepest reaches of my colon](https://tvtropes.org/pmwiki/pmwiki.php/Main/AssPull). The worst example I can think of", "of building a utopia embodying his [Darwinian principles](https://tvtropes.org/pmwiki/pmwiki.php/Main/TheSocialDarwinist). But, the problem is neither", "novels (a prequel series set millennia before the events of the games) reveals", "(if I'm lucky to have any) will find the idea of both entities", "prequel series set millennia before the events of the games) reveals that millions", "series. I fear that potential readers (if I'm lucky to have any) will", "(a prequel series set millennia before the events of the games) reveals that", "capacity to create such things. *So, when all is said and done, how", "the idea of both entities spending God knows how long lurking in the", "can think of is Halo's* Forerunner Saga novels (a prequel series set millennia", "that after the Forerunners devolved mankind back into the Stone Age, they could", "once ruled a galaxy-spanning empire that rivalled the Forerunners in power… and nor", "and steam-powered ships, which would have been beyond impossible for Pleistocene humans to", "that I [pulled both ideas out of the deepest reaches of my colon](https://tvtropes.org/pmwiki/pmwiki.php/Main/AssPull).", "swallow. Or worse, think that I [pulled both ideas out of the deepest", "previous two's vast knowledge on everything Forerunner-related). Even worse is that after the", "I [pulled both ideas out of the deepest reaches of my colon](https://tvtropes.org/pmwiki/pmwiki.php/Main/AssPull). The", "get a passing allusion or mention in my original series. I fear that", "the shadows rather than playing a significant role in the last trilogy hard", "worse is that after the Forerunners devolved mankind back into the Stone Age,", "humans as having the capacity to create such things. *So, when all is", "via time travel shenanigans) as they once ruled the [hyper-advanced nation of Dosham](https://tvtropes.org/pmwiki/pmwiki.php/Main/AdvancedAncientHumans)", "do 343 Bailzy Xhavk, Cortana or any Bungie-era background materials mention this at", "as a means to [shape the history](https://tvtropes.org/pmwiki/pmwiki.php/Main/BeenThereShapedHistory) of various [ancient Near Eastern civilisations](https://tvtropes.org/pmwiki/pmwiki.php/Main/MesopotamianMonstrosity)", "Even worse is that after the Forerunners devolved mankind back into the Stone", "than playing a significant role in the last trilogy hard to swallow. Or", "Afro-Asiatic cultures. It's suggested that Ma'dtuth used Nukui-Paub* as a means to [shape", "all is said and done, how could I avoid making such a revelation", "Eastern civilisations](https://tvtropes.org/pmwiki/pmwiki.php/Main/MesopotamianMonstrosity) in the name of building a utopia embodying his [Darwinian principles](https://tvtropes.org/pmwiki/pmwiki.php/Main/TheSocialDarwinist).", "embodying his [Darwinian principles](https://tvtropes.org/pmwiki/pmwiki.php/Main/TheSocialDarwinist). But, the problem is neither Ma'dtuth nor Nukui-Paub even", "the events of the games) reveals that millions of years ago, that humans", "significant role in the last trilogy hard to swallow. Or worse, think that", "to create such things. *So, when all is said and done, how could", "beyond impossible for Pleistocene humans to develop. And pre-343 media never even depicts", "Atlantis) with descendants that influenced the development of all Indo-European and Afro-Asiatic cultures.", "humanity called the Bassirid* (which he aims to resurrect via time travel shenanigans)", "passing allusion or mention in my original series. I fear that potential readers", "the Forerunners in power… and nor do 343 Bailzy Xhavk, Cortana or any", "It's suggested that Ma'dtuth used Nukui-Paub as a means to [shape the history](https://tvtropes.org/pmwiki/pmwiki.php/Main/BeenThereShapedHistory)", "an offshoot of humanity called the Bassirid (which he aims to resurrect via", "of is Halo's Forerunner Saga novels (a prequel series set millennia before the", "his [Darwinian principles](https://tvtropes.org/pmwiki/pmwiki.php/Main/TheSocialDarwinist). But, the problem is neither Ma'dtuth nor Nukui-Paub even get", "playing a significant role in the last trilogy hard to swallow. Or worse,", "my original series. I fear that potential readers (if I'm lucky to have", "that millions of years ago, that humans once ruled a galaxy-spanning empire that", "knowledge on everything Forerunner-related). Even worse is that after the Forerunners devolved mankind", "out a sequel series to my trilogy, which has a secret society called", "empire that rivalled the Forerunners in power… and nor do 343 Bailzy Xhavk,", "the Stone Age, they could create vehicles such as airships and steam-powered ships,", "as having the capacity to create such things. So, when all is said", "343 Bailzy Xhavk, Cortana or any Bungie-era background materials mention this at any", "such things. So, when all is said and done, how could I avoid", "steam-powered ships, which would have been beyond impossible for Pleistocene humans to develop.", "knows how long lurking in the shadows rather than playing a significant role", "now call Atlantis) with descendants that influenced the development of all Indo-European and", "that rivalled the Forerunners in power… and nor do 343 Bailzy Xhavk, Cortana", "cultures. It's suggested that Ma'dtuth used Nukui-Paub as a means to [shape the", "Halo's Forerunner Saga novels (a prequel series set millennia before the events of", "once ruled the [hyper-advanced nation of Dosham](https://tvtropes.org/pmwiki/pmwiki.php/Main/AdvancedAncientHumans) (what we now call Atlantis) with", "Saga* novels (a prequel series set millennia before the events of the games)", "call Atlantis) with descendants that influenced the development of all Indo-European and Afro-Asiatic", "hard to swallow. Or worse, think that I [pulled both ideas out of", "been planing out a sequel series to my trilogy, which has a secret", "Nukui-Paub spearheaded by the sequel trilogy's primary antagonist Ma'dtuth, who draws inspiration from", "before the events of the games) reveals that millions of years ago, that", "I'm lucky to have any) will find the idea of both entities spending", "two's vast knowledge on everything Forerunner-related). Even worse is that after the Forerunners", "of the games) reveals that millions of years ago, that humans once ruled", "[pulled both ideas out of the deepest reaches of my colon](https://tvtropes.org/pmwiki/pmwiki.php/Main/AssPull). The worst", "of all Indo-European and Afro-Asiatic cultures. It's suggested that Ma'dtuth used Nukui-Paub as", "that Ma'dtuth used Nukui-Paub as a means to [shape the history](https://tvtropes.org/pmwiki/pmwiki.php/Main/BeenThereShapedHistory) of various", "sequel trilogy's primary antagonist Ma'dtuth, who draws inspiration from [Vandal Savage](https://villains.fandom.com/wiki/Vandal_Savage), [Apocalypse](https://villains.fandom.com/wiki/Apocalypse_(Marvel)), and", "a passing allusion or mention in my original series. I fear that potential", "vehicles such as airships and steam-powered ships, which would have been beyond impossible", "they could create vehicles such as airships and steam-powered ships, which would have", "of years ago, that humans once ruled a galaxy-spanning empire that rivalled the", "which has a secret society called Nukui-Paub spearheaded by the sequel trilogy's primary", "travel shenanigans) as they once ruled the [hyper-advanced nation of Dosham](https://tvtropes.org/pmwiki/pmwiki.php/Main/AdvancedAncientHumans) (what we", "a galaxy-spanning empire that rivalled the Forerunners in power… and nor do 343", "of various [ancient Near Eastern civilisations](https://tvtropes.org/pmwiki/pmwiki.php/Main/MesopotamianMonstrosity) in the name of building a utopia", "that humans once ruled a galaxy-spanning empire that rivalled the Forerunners in power…", "shadows rather than playing a significant role in the last trilogy hard to", "series set millennia before the events of the games) reveals that millions of", "of my colon](https://tvtropes.org/pmwiki/pmwiki.php/Main/AssPull). The worst example I can think of is Halo's Forerunner", "Bungie-era background materials mention this at any point (considering the previous two's vast", "[Darwinian principles](https://tvtropes.org/pmwiki/pmwiki.php/Main/TheSocialDarwinist). But, the problem is neither Ma'dtuth nor Nukui-Paub* even get a", "name of building a utopia embodying his [Darwinian principles](https://tvtropes.org/pmwiki/pmwiki.php/Main/TheSocialDarwinist). But, the problem is", "in the shadows rather than playing a significant role in the last trilogy", "vast knowledge on everything Forerunner-related). Even worse is that after the Forerunners devolved", "the former ruler of an offshoot of humanity called the Bassirid (which he", "reveals that millions of years ago, that humans once ruled a galaxy-spanning empire", "ago, that humans once ruled a galaxy-spanning empire that rivalled the Forerunners in", "Near Eastern civilisations](https://tvtropes.org/pmwiki/pmwiki.php/Main/MesopotamianMonstrosity) in the name of building a utopia embodying his [Darwinian", "God knows how long lurking in the shadows rather than playing a significant", "Or worse, think that I [pulled both ideas out of the deepest reaches", "everything Forerunner-related). Even worse is that after the Forerunners devolved mankind back into", "the sequel trilogy's primary antagonist Ma'dtuth, who draws inspiration from [Vandal Savage](https://villains.fandom.com/wiki/Vandal_Savage), [Apocalypse](https://villains.fandom.com/wiki/Apocalypse_(Marvel)),", "to develop. And pre-343 media never even depicts prehistoric humans as having the", "ruled the [hyper-advanced nation of Dosham](https://tvtropes.org/pmwiki/pmwiki.php/Main/AdvancedAncientHumans) (what we now call Atlantis) with descendants", "such as airships and steam-powered ships, which would have been beyond impossible for", "pre-343 media never even depicts prehistoric humans as having the capacity to create", "is neither Ma'dtuth nor Nukui-Paub even get a passing allusion or mention in", "Stone Age, they could create vehicles such as airships and steam-powered ships, which", "ruler of an offshoot of humanity called the Bassirid (which he aims to", "would have been beyond impossible for Pleistocene humans to develop. And pre-343 media", "for Pleistocene humans to develop. And pre-343 media never even depicts prehistoric humans", "having the capacity to create such things. *So, when all is said and", "offshoot of humanity called the Bassirid* (which he aims to resurrect via time", "said and done, how could I avoid making such a revelation come off", "a means to [shape the history](https://tvtropes.org/pmwiki/pmwiki.php/Main/BeenThereShapedHistory) of various [ancient Near Eastern civilisations](https://tvtropes.org/pmwiki/pmwiki.php/Main/MesopotamianMonstrosity) in", "even get a passing allusion or mention in my original series. I fear", "have been beyond impossible for Pleistocene humans to develop. And pre-343 media never", "aims to resurrect via time travel shenanigans) as they once ruled the [hyper-advanced", "when all is said and done, how could I avoid making such a", "is Halo's Forerunner Saga novels (a prequel series set millennia before the events", "a utopia embodying his [Darwinian principles](https://tvtropes.org/pmwiki/pmwiki.php/Main/TheSocialDarwinist). But, the problem is neither Ma'dtuth nor", "millennia before the events of the games) reveals that millions of years ago,", "utopia embodying his [Darwinian principles](https://tvtropes.org/pmwiki/pmwiki.php/Main/TheSocialDarwinist). But, the problem is neither Ma'dtuth nor Nukui-Paub", "airships and steam-powered ships, which would have been beyond impossible for Pleistocene humans", "in power… and nor do 343 Bailzy Xhavk, Cortana or any Bungie-era background", "set millennia before the events of the games) reveals that millions of years", "media never even depicts prehistoric humans as having the capacity to create such", "events of the games) reveals that millions of years ago, that humans once", "back into the Stone Age, they could create vehicles such as airships and", "as airships and steam-powered ships, which would have been beyond impossible for Pleistocene", "been beyond impossible for Pleistocene humans to develop. And pre-343 media never even", "Bassirid (which he aims to resurrect via time travel shenanigans) as they once", "mention in my original series. I fear that potential readers (if I'm lucky", "(which he aims to resurrect via time travel shenanigans) as they once ruled", "entities spending God knows how long lurking in the shadows rather than playing", "that potential readers (if I'm lucky to have any) will find the idea", "ruled a galaxy-spanning empire that rivalled the Forerunners in power… and nor do", "antagonist Ma'dtuth, who draws inspiration from [Vandal Savage](https://villains.fandom.com/wiki/Vandal_Savage), [Apocalypse](https://villains.fandom.com/wiki/Apocalypse_(Marvel)), and Dragon Ball GT's", "spearheaded by the sequel trilogy's primary antagonist Ma'dtuth, who draws inspiration from [Vandal", "long lurking in the shadows rather than playing a significant role in the", "from [Vandal Savage](https://villains.fandom.com/wiki/Vandal_Savage), [Apocalypse](https://villains.fandom.com/wiki/Apocalypse_(Marvel)), and Dragon Ball GT's [Baby](https://villains.fandom.com/wiki/Baby_(Dragon_Ball)). Ma'dtuth is the former", "or any Bungie-era background materials mention this at any point (considering the previous", "series to my trilogy, which has a secret society called Nukui-Paub spearheaded by", "role in the last trilogy hard to swallow. Or worse, think that I", "Ball GT's [Baby](https://villains.fandom.com/wiki/Baby_(Dragon_Ball)). Ma'dtuth is the former ruler of an offshoot of humanity", "by the sequel trilogy's primary antagonist Ma'dtuth, who draws inspiration from [Vandal Savage](https://villains.fandom.com/wiki/Vandal_Savage),", "planing out a sequel series to my trilogy, which has a secret society", "develop. And pre-343 media never even depicts prehistoric humans as having the capacity", "various [ancient Near Eastern civilisations](https://tvtropes.org/pmwiki/pmwiki.php/Main/MesopotamianMonstrosity) in the name of building a utopia embodying", "impossible for Pleistocene humans to develop. And pre-343 media never even depicts prehistoric", "and nor do 343 Bailzy Xhavk, Cortana or any Bungie-era background materials mention", "last trilogy hard to swallow. Or worse, think that I [pulled both ideas", "[Baby](https://villains.fandom.com/wiki/Baby_(Dragon_Ball)). Ma'dtuth is the former ruler of an offshoot of humanity called the", "nor do 343 Bailzy Xhavk, Cortana or any Bungie-era background materials mention this", "the capacity to create such things. So, when all is said and done,", "games) reveals that millions of years ago, that humans once ruled a galaxy-spanning", "the Bassirid* (which he aims to resurrect via time travel shenanigans) as they", "Dosham](https://tvtropes.org/pmwiki/pmwiki.php/Main/AdvancedAncientHumans) (what we now call Atlantis) with descendants that influenced the development of", "draws inspiration from [Vandal Savage](https://villains.fandom.com/wiki/Vandal_Savage), [Apocalypse](https://villains.fandom.com/wiki/Apocalypse_(Marvel)), and Dragon Ball GT's [Baby](https://villains.fandom.com/wiki/Baby_(Dragon_Ball)). Ma'dtuth is", "the development of all Indo-European and Afro-Asiatic cultures. It's suggested that Ma'dtuth used", "have any) will find the idea of both entities spending God knows how", "of the deepest reaches of my colon](https://tvtropes.org/pmwiki/pmwiki.php/Main/AssPull). The worst example I can think", "ideas out of the deepest reaches of my colon](https://tvtropes.org/pmwiki/pmwiki.php/Main/AssPull). The worst example I", "power… and nor do 343 Bailzy Xhavk, Cortana or any Bungie-era background materials", "and done, how could I avoid making such a revelation come off as", "trilogy's primary antagonist Ma'dtuth, who draws inspiration from [Vandal Savage](https://villains.fandom.com/wiki/Vandal_Savage), [Apocalypse](https://villains.fandom.com/wiki/Apocalypse_(Marvel)), and Dragon", "nor Nukui-Paub* even get a passing allusion or mention in my original series.", "colon](https://tvtropes.org/pmwiki/pmwiki.php/Main/AssPull). The worst example I can think of is Halo's Forerunner Saga novels", "resurrect via time travel shenanigans) as they once ruled the [hyper-advanced nation of", "suggested that Ma'dtuth used Nukui-Paub as a means to [shape the history](https://tvtropes.org/pmwiki/pmwiki.php/Main/BeenThereShapedHistory) of", "years ago, that humans once ruled a galaxy-spanning empire that rivalled the Forerunners", "in the name of building a utopia embodying his [Darwinian principles](https://tvtropes.org/pmwiki/pmwiki.php/Main/TheSocialDarwinist). But, the", "both ideas out of the deepest reaches of my colon](https://tvtropes.org/pmwiki/pmwiki.php/Main/AssPull). The worst example", "original series. I fear that potential readers (if I'm lucky to have any)", "Forerunner-related). Even worse is that after the Forerunners devolved mankind back into the", "any Bungie-era background materials mention this at any point (considering the previous two's", "a secret society called Nukui-Paub spearheaded by the sequel trilogy's primary antagonist Ma'dtuth,", "the Forerunners devolved mankind back into the Stone Age, they could create vehicles", "mankind back into the Stone Age, they could create vehicles such as airships", "in my original series. I fear that potential readers (if I'm lucky to", "humans once ruled a galaxy-spanning empire that rivalled the Forerunners in power… and", "worse, think that I [pulled both ideas out of the deepest reaches of", "to resurrect via time travel shenanigans) as they once ruled the [hyper-advanced nation", "problem is neither Ma'dtuth nor Nukui-Paub even get a passing allusion or mention", "But, the problem is neither Ma'dtuth nor Nukui-Paub even get a passing allusion", "Nukui-Paub as a means to [shape the history](https://tvtropes.org/pmwiki/pmwiki.php/Main/BeenThereShapedHistory) of various [ancient Near Eastern", "history](https://tvtropes.org/pmwiki/pmwiki.php/Main/BeenThereShapedHistory) of various [ancient Near Eastern civilisations](https://tvtropes.org/pmwiki/pmwiki.php/Main/MesopotamianMonstrosity) in the name of building a", "and Dragon Ball GT's [Baby](https://villains.fandom.com/wiki/Baby_(Dragon_Ball)). Ma'dtuth is the former ruler of an offshoot", "shenanigans) as they once ruled the [hyper-advanced nation of Dosham](https://tvtropes.org/pmwiki/pmwiki.php/Main/AdvancedAncientHumans) (what we now", "Bailzy Xhavk, Cortana or any Bungie-era background materials mention this at any point", "former ruler of an offshoot of humanity called the Bassirid (which he aims", "And pre-343 media never even depicts prehistoric humans as having the capacity to", "[ancient Near Eastern civilisations](https://tvtropes.org/pmwiki/pmwiki.php/Main/MesopotamianMonstrosity) in the name of building a utopia embodying his", "find the idea of both entities spending God knows how long lurking in", "my trilogy, which has a secret society called Nukui-Paub spearheaded by the sequel", "Nukui-Paub even get a passing allusion or mention in my original series. I", "of an offshoot of humanity called the Bassirid (which he aims to resurrect", "even depicts prehistoric humans as having the capacity to create such things. *So,", "development of all Indo-European and Afro-Asiatic cultures. It's suggested that Ma'dtuth used Nukui-Paub", "[Apocalypse](https://villains.fandom.com/wiki/Apocalypse_(Marvel)), and Dragon Ball GT's [Baby](https://villains.fandom.com/wiki/Baby_(Dragon_Ball)). Ma'dtuth is the former ruler of an", "prehistoric humans as having the capacity to create such things. So, when all", "we now call Atlantis) with descendants that influenced the development of all Indo-European", "which would have been beyond impossible for Pleistocene humans to develop. And pre-343", "society called Nukui-Paub* spearheaded by the sequel trilogy's primary antagonist Ma'dtuth, who draws", "Dragon Ball GT's [Baby](https://villains.fandom.com/wiki/Baby_(Dragon_Ball)). Ma'dtuth is the former ruler of an offshoot of", "Savage](https://villains.fandom.com/wiki/Vandal_Savage), [Apocalypse](https://villains.fandom.com/wiki/Apocalypse_(Marvel)), and Dragon Ball GT's [Baby](https://villains.fandom.com/wiki/Baby_(Dragon_Ball)). Ma'dtuth is the former ruler of", "how long lurking in the shadows rather than playing a significant role in", "primary antagonist Ma'dtuth, who draws inspiration from [Vandal Savage](https://villains.fandom.com/wiki/Vandal_Savage), [Apocalypse](https://villains.fandom.com/wiki/Apocalypse_(Marvel)), and Dragon Ball", "that influenced the development of all Indo-European and Afro-Asiatic cultures. It's suggested that", "depicts prehistoric humans as having the capacity to create such things. So, when", "reaches of my colon](https://tvtropes.org/pmwiki/pmwiki.php/Main/AssPull). The worst example I can think of is Halo's", "on everything Forerunner-related). Even worse is that after the Forerunners devolved mankind back", "the history](https://tvtropes.org/pmwiki/pmwiki.php/Main/BeenThereShapedHistory) of various [ancient Near Eastern civilisations](https://tvtropes.org/pmwiki/pmwiki.php/Main/MesopotamianMonstrosity) in the name of building", "ships, which would have been beyond impossible for Pleistocene humans to develop. And", "[hyper-advanced nation of Dosham](https://tvtropes.org/pmwiki/pmwiki.php/Main/AdvancedAncientHumans) (what we now call Atlantis) with descendants that influenced", "think that I [pulled both ideas out of the deepest reaches of my", "Ma'dtuth nor Nukui-Paub* even get a passing allusion or mention in my original", "Ma'dtuth is the former ruler of an offshoot of humanity called the Bassirid", "will find the idea of both entities spending God knows how long lurking", "millions of years ago, that humans once ruled a galaxy-spanning empire that rivalled", "to my trilogy, which has a secret society called Nukui-Paub spearheaded by the", "of both entities spending God knows how long lurking in the shadows rather", "as they once ruled the [hyper-advanced nation of Dosham](https://tvtropes.org/pmwiki/pmwiki.php/Main/AdvancedAncientHumans) (what we now call", "fear that potential readers (if I'm lucky to have any) will find the", "could create vehicles such as airships and steam-powered ships, which would have been", "any point (considering the previous two's vast knowledge on everything Forerunner-related). Even worse", "mention this at any point (considering the previous two's vast knowledge on everything", "any) will find the idea of both entities spending God knows how long", "Pleistocene humans to develop. And pre-343 media never even depicts prehistoric humans as", "Age, they could create vehicles such as airships and steam-powered ships, which would", "think of is Halo's Forerunner Saga novels (a prequel series set millennia before", "sequel series to my trilogy, which has a secret society called Nukui-Paub spearheaded", "building a utopia embodying his [Darwinian principles](https://tvtropes.org/pmwiki/pmwiki.php/Main/TheSocialDarwinist). But, the problem is neither Ma'dtuth", "of Dosham](https://tvtropes.org/pmwiki/pmwiki.php/Main/AdvancedAncientHumans) (what we now call Atlantis) with descendants that influenced the development", "both entities spending God knows how long lurking in the shadows rather than", "this at any point (considering the previous two's vast knowledge on everything Forerunner-related).", "after the Forerunners devolved mankind back into the Stone Age, they could create", "Forerunner Saga novels (a prequel series set millennia before the events of the", "the [hyper-advanced nation of Dosham](https://tvtropes.org/pmwiki/pmwiki.php/Main/AdvancedAncientHumans) (what we now call Atlantis) with descendants that", "Forerunners in power… and nor do 343 Bailzy Xhavk, Cortana or any Bungie-era", "Xhavk, Cortana or any Bungie-era background materials mention this at any point (considering", "allusion or mention in my original series. I fear that potential readers (if", "Indo-European and Afro-Asiatic cultures. It's suggested that Ma'dtuth used Nukui-Paub as a means", "idea of both entities spending God knows how long lurking in the shadows", "called Nukui-Paub spearheaded by the sequel trilogy's primary antagonist Ma'dtuth, who draws inspiration", "materials mention this at any point (considering the previous two's vast knowledge on", "the problem is neither Ma'dtuth nor Nukui-Paub even get a passing allusion or", "The worst example I can think of is Halo's Forerunner Saga novels (a", "Cortana or any Bungie-era background materials mention this at any point (considering the", "Ma'dtuth used Nukui-Paub as a means to [shape the history](https://tvtropes.org/pmwiki/pmwiki.php/Main/BeenThereShapedHistory) of various [ancient", "with descendants that influenced the development of all Indo-European and Afro-Asiatic cultures. It's", "readers (if I'm lucky to have any) will find the idea of both", "means to [shape the history](https://tvtropes.org/pmwiki/pmwiki.php/Main/BeenThereShapedHistory) of various [ancient Near Eastern civilisations](https://tvtropes.org/pmwiki/pmwiki.php/Main/MesopotamianMonstrosity) in the", "used Nukui-Paub as a means to [shape the history](https://tvtropes.org/pmwiki/pmwiki.php/Main/BeenThereShapedHistory) of various [ancient Near", "potential readers (if I'm lucky to have any) will find the idea of", "a sequel series to my trilogy, which has a secret society called Nukui-Paub", "never even depicts prehistoric humans as having the capacity to create such things.", "galaxy-spanning empire that rivalled the Forerunners in power… and nor do 343 Bailzy", "at any point (considering the previous two's vast knowledge on everything Forerunner-related). Even", "civilisations](https://tvtropes.org/pmwiki/pmwiki.php/Main/MesopotamianMonstrosity) in the name of building a utopia embodying his [Darwinian principles](https://tvtropes.org/pmwiki/pmwiki.php/Main/TheSocialDarwinist). But,", "called the Bassirid (which he aims to resurrect via time travel shenanigans) as", "lurking in the shadows rather than playing a significant role in the last", "the last trilogy hard to swallow. Or worse, think that I [pulled both", "is that after the Forerunners devolved mankind back into the Stone Age, they", "devolved mankind back into the Stone Age, they could create vehicles such as", "influenced the development of all Indo-European and Afro-Asiatic cultures. It's suggested that Ma'dtuth", "they once ruled the [hyper-advanced nation of Dosham](https://tvtropes.org/pmwiki/pmwiki.php/Main/AdvancedAncientHumans) (what we now call Atlantis)", "to swallow. Or worse, think that I [pulled both ideas out of the", "the games) reveals that millions of years ago, that humans once ruled a", "point (considering the previous two's vast knowledge on everything Forerunner-related). Even worse is", "time travel shenanigans) as they once ruled the [hyper-advanced nation of Dosham](https://tvtropes.org/pmwiki/pmwiki.php/Main/AdvancedAncientHumans) (what", "I fear that potential readers (if I'm lucky to have any) will find", "(considering the previous two's vast knowledge on everything Forerunner-related). Even worse is that", "rivalled the Forerunners in power… and nor do 343 Bailzy Xhavk, Cortana or", "done, how could I avoid making such a revelation come off as half-baked?*", "GT's [Baby](https://villains.fandom.com/wiki/Baby_(Dragon_Ball)). Ma'dtuth is the former ruler of an offshoot of humanity called", "descendants that influenced the development of all Indo-European and Afro-Asiatic cultures. It's suggested", "has a secret society called Nukui-Paub spearheaded by the sequel trilogy's primary antagonist", "out of the deepest reaches of my colon](https://tvtropes.org/pmwiki/pmwiki.php/Main/AssPull). The worst example I can", "things. *So, when all is said and done, how could I avoid making", "[Vandal Savage](https://villains.fandom.com/wiki/Vandal_Savage), [Apocalypse](https://villains.fandom.com/wiki/Apocalypse_(Marvel)), and Dragon Ball GT's [Baby](https://villains.fandom.com/wiki/Baby_(Dragon_Ball)). Ma'dtuth is the former ruler", "So, when all is said and done, how could I avoid making such", "into the Stone Age, they could create vehicles such as airships and steam-powered", "in the last trilogy hard to swallow. Or worse, think that I [pulled", "example I can think of is Halo's* Forerunner Saga novels (a prequel series", "deepest reaches of my colon](https://tvtropes.org/pmwiki/pmwiki.php/Main/AssPull). The worst example I can think of is", "secret society called Nukui-Paub spearheaded by the sequel trilogy's primary antagonist Ma'dtuth, who", "worst example I can think of is Halo's Forerunner Saga novels (a prequel", "he aims to resurrect via time travel shenanigans) as they once ruled the", "principles](https://tvtropes.org/pmwiki/pmwiki.php/Main/TheSocialDarwinist). But, the problem is neither Ma'dtuth nor Nukui-Paub even get a passing", "spending God knows how long lurking in the shadows rather than playing a", "rather than playing a significant role in the last trilogy hard to swallow.", "(what we now call Atlantis) with descendants that influenced the development of all", "to [shape the history](https://tvtropes.org/pmwiki/pmwiki.php/Main/BeenThereShapedHistory) of various [ancient Near Eastern civilisations](https://tvtropes.org/pmwiki/pmwiki.php/Main/MesopotamianMonstrosity) in the name", "create such things. *So, when all is said and done, how could I", "or mention in my original series. I fear that potential readers (if I'm", "neither Ma'dtuth nor Nukui-Paub* even get a passing allusion or mention in my", "nation of Dosham](https://tvtropes.org/pmwiki/pmwiki.php/Main/AdvancedAncientHumans) (what we now call Atlantis) with descendants that influenced the", "is said and done, how could I avoid making such a revelation come", "background materials mention this at any point (considering the previous two's vast knowledge", "all Indo-European and Afro-Asiatic cultures. It's suggested that Ma'dtuth used Nukui-Paub as a", "of humanity called the Bassirid (which he aims to resurrect via time travel", "is the former ruler of an offshoot of humanity called the Bassirid (which", "to have any) will find the idea of both entities spending God knows", "trilogy hard to swallow. Or worse, think that I [pulled both ideas out", "and Afro-Asiatic cultures. It's suggested that Ma'dtuth used Nukui-Paub as a means to", "[shape the history](https://tvtropes.org/pmwiki/pmwiki.php/Main/BeenThereShapedHistory) of various [ancient Near Eastern civilisations](https://tvtropes.org/pmwiki/pmwiki.php/Main/MesopotamianMonstrosity) in the name of", "Ma'dtuth, who draws inspiration from [Vandal Savage](https://villains.fandom.com/wiki/Vandal_Savage), [Apocalypse](https://villains.fandom.com/wiki/Apocalypse_(Marvel)), and Dragon Ball GT's [Baby](https://villains.fandom.com/wiki/Baby_(Dragon_Ball)).", "humans to develop. And pre-343 media never even depicts prehistoric humans as having", "I've been planing out a sequel series to my trilogy, which has a", "Forerunners devolved mankind back into the Stone Age, they could create vehicles such", "lucky to have any) will find the idea of both entities spending God", "a significant role in the last trilogy hard to swallow. Or worse, think", "my colon](https://tvtropes.org/pmwiki/pmwiki.php/Main/AssPull). The worst example I can think of is Halo's Forerunner Saga", "I can think of is Halo's Forerunner Saga novels (a prequel series set", "the previous two's vast knowledge on everything Forerunner-related). Even worse is that after", "the name of building a utopia embodying his [Darwinian principles](https://tvtropes.org/pmwiki/pmwiki.php/Main/TheSocialDarwinist). But, the problem", "create vehicles such as airships and steam-powered ships, which would have been beyond", "who draws inspiration from [Vandal Savage](https://villains.fandom.com/wiki/Vandal_Savage), [Apocalypse](https://villains.fandom.com/wiki/Apocalypse_(Marvel)), and Dragon Ball GT's [Baby](https://villains.fandom.com/wiki/Baby_(Dragon_Ball)). Ma'dtuth", "inspiration from [Vandal Savage](https://villains.fandom.com/wiki/Vandal_Savage), [Apocalypse](https://villains.fandom.com/wiki/Apocalypse_(Marvel)), and Dragon Ball GT's [Baby](https://villains.fandom.com/wiki/Baby_(Dragon_Ball)). Ma'dtuth is the" ]
[ "the hospital ward, sufficiently polluted with the indistinct clamour of her deranged relatives.\"", "the customary light fixtures of the hospital ward, sufficiently polluted with the indistinct", "masses of skin under her eyes were captured involuntarily by the customary light", "by the customary light fixtures of the hospital ward, sufficiently polluted with the", "involuntarily by the customary light fixtures of the hospital ward, sufficiently polluted with", "customary light fixtures of the hospital ward, sufficiently polluted with the indistinct clamour", "under her eyes were captured involuntarily by the customary light fixtures of the", "light fixtures of the hospital ward, sufficiently polluted with the indistinct clamour of", "of the hospital ward, sufficiently polluted with the indistinct clamour of her deranged", "eyes were captured involuntarily by the customary light fixtures of the hospital ward,", "captured involuntarily by the customary light fixtures of the hospital ward, sufficiently polluted", "of skin under her eyes were captured involuntarily by the customary light fixtures", "her eyes were captured involuntarily by the customary light fixtures of the hospital", "\"The meticulously placed masses of skin under her eyes were captured involuntarily by", "placed masses of skin under her eyes were captured involuntarily by the customary", "meticulously placed masses of skin under her eyes were captured involuntarily by the", "skin under her eyes were captured involuntarily by the customary light fixtures of", "fixtures of the hospital ward, sufficiently polluted with the indistinct clamour of her", "were captured involuntarily by the customary light fixtures of the hospital ward, sufficiently" ]
[ "- but I feel that it is really disorienting for the reader. Right", "using Niar, or Suoti, or another option, in the rest of the scene,", "a byproduct of a magical accident, so any points over the reality of", "a character has multiple personalities. In one, personality defining scene, whilst she is", "say that this is not a case of dissociative identity disorder, rather a", "the name straight away - but I feel that it is really disorienting", "disorient the reader. At the moment the reader doesn't know that Niar has", "is now - how do I carry on, in a way that doesn't", "question [multiple personalities characters speech in text](https://writing.stackexchange.com/questions/18957/multiple-personalities-characters-speach-in-text) and I feel that my question", "Niar, using her pseudonym. Suoti was much better at games than she was.", "Right now I have written: > > \"My name is Obep - who", "in the rest of the scene, and how can I do this whilst", "magical accident, so any points over the reality of the personalities interaction, whilst", "was much better at games than she was. > > > My problem", "(Niar), is overtaken by the gaming personality (Suoti). I have thought about changing", "overtaken by the gaming personality (Suoti). I have thought about changing the name", "anything goes. Should I continue using Niar, or Suoti, or another option, in", "and how can I do this whilst not disorienting the reader? --- EDIT", "the moment the reader doesn't know that Niar has multiple personalities (she only", "another option, in the rest of the scene, and how can I do", "is overtaken by the gaming personality (Suoti). I have thought about changing the", "I have thought about changing the name straight away - but I feel", "has multiple personalities (she only recently entered the storyline). The book is written", "> \"My name is Obep - who are you?\" inquired the old man.", "\"I'm Suoti,\" replied Niar, using her pseudonym. Suoti was much better at games", "normal personality (Niar), is overtaken by the gaming personality (Suoti). I have thought", "she was. > > > My problem is now - how do I", "written in the third person omniscient, so anything goes. Should I continue using", "omniscient, so anything goes. Should I continue using Niar, or Suoti, or another", "and I feel that my question is different enough, to warrant a separate", "would like to say that this is not a case of dissociative identity", "are you?\" inquired the old man. > > > \"I'm Suoti,\" replied Niar,", "gaming personality (Suoti). I have thought about changing the name straight away -", "or another option, in the rest of the scene, and how can I", "the rest of the scene, and how can I do this whilst not", "> > \"My name is Obep - who are you?\" inquired the old", "I have written: > > \"My name is Obep - who are you?\"", "The book is written in the third person omniscient, so anything goes. Should", "\"My name is Obep - who are you?\" inquired the old man. >", "that my question is different enough, to warrant a separate question. --- In", "away - but I feel that it is really disorienting for the reader.", "speech in text](https://writing.stackexchange.com/questions/18957/multiple-personalities-characters-speach-in-text) and I feel that my question is different enough, to", "> > > \"I'm Suoti,\" replied Niar, using her pseudonym. Suoti was much", "the reality of the personalities interaction, whilst helpful and very much appreciated is", "is different enough, to warrant a separate question. --- In my book, a", "(Suoti). I have thought about changing the name straight away - but I", "the reader. At the moment the reader doesn't know that Niar has multiple", "to some misunderstandings, I would like to say that this is not a", "a case of dissociative identity disorder, rather a byproduct of a magical accident,", "of the personalities interaction, whilst helpful and very much appreciated is not applicable", "she is playing a game. her normal personality (Niar), is overtaken by the", "carry on, in a way that doesn't disorient the reader. At the moment", "disorienting for the reader. Right now I have written: > > \"My name", "personality (Suoti). I have thought about changing the name straight away - but", "character has multiple personalities. In one, personality defining scene, whilst she is playing", "> > \"I'm Suoti,\" replied Niar, using her pseudonym. Suoti was much better", "identity disorder, rather a byproduct of a magical accident, so any points over", "I carry on, in a way that doesn't disorient the reader. At the", "[multiple personalities characters speech in text](https://writing.stackexchange.com/questions/18957/multiple-personalities-characters-speach-in-text) and I feel that my question is", "using her pseudonym. Suoti was much better at games than she was. >", "To preface this, I have seen the question [multiple personalities characters speech in", "book is written in the third person omniscient, so anything goes. Should I", "defining scene, whilst she is playing a game. her normal personality (Niar), is", "that it is really disorienting for the reader. Right now I have written:", "pseudonym. Suoti was much better at games than she was. > > >", "her pseudonym. Suoti was much better at games than she was. > >", "personality defining scene, whilst she is playing a game. her normal personality (Niar),", "I feel that my question is different enough, to warrant a separate question.", "have thought about changing the name straight away - but I feel that", "the scene, and how can I do this whilst not disorienting the reader?", "the third person omniscient, so anything goes. Should I continue using Niar, or", "man. > > > \"I'm Suoti,\" replied Niar, using her pseudonym. Suoti was", "way that doesn't disorient the reader. At the moment the reader doesn't know", "have written: > > \"My name is Obep - who are you?\" inquired", "has multiple personalities. In one, personality defining scene, whilst she is playing a", "the old man. > > > \"I'm Suoti,\" replied Niar, using her pseudonym.", "accident, so any points over the reality of the personalities interaction, whilst helpful", "personalities interaction, whilst helpful and very much appreciated is not applicable to the", "not a case of dissociative identity disorder, rather a byproduct of a magical", "reader. Right now I have written: > > \"My name is Obep -", "how do I carry on, in a way that doesn't disorient the reader.", "rest of the scene, and how can I do this whilst not disorienting", "not disorienting the reader? --- EDIT Due to some misunderstandings, I would like", "so anything goes. Should I continue using Niar, or Suoti, or another option,", "Niar has multiple personalities (she only recently entered the storyline). The book is", "that this is not a case of dissociative identity disorder, rather a byproduct", "about changing the name straight away - but I feel that it is", "that doesn't disorient the reader. At the moment the reader doesn't know that", "of dissociative identity disorder, rather a byproduct of a magical accident, so any", "In one, personality defining scene, whilst she is playing a game. her normal", "you?\" inquired the old man. > > > \"I'm Suoti,\" replied Niar, using", "scene, and how can I do this whilst not disorienting the reader? ---", "was. > > > My problem is now - how do I carry", "playing a game. her normal personality (Niar), is overtaken by the gaming personality", "really disorienting for the reader. Right now I have written: > > \"My", "her normal personality (Niar), is overtaken by the gaming personality (Suoti). I have", "doesn't know that Niar has multiple personalities (she only recently entered the storyline).", "disorienting the reader? --- EDIT Due to some misunderstandings, I would like to", "rather a byproduct of a magical accident, so any points over the reality", "do this whilst not disorienting the reader? --- EDIT Due to some misunderstandings,", "continue using Niar, or Suoti, or another option, in the rest of the", "in a way that doesn't disorient the reader. At the moment the reader", "only recently entered the storyline). The book is written in the third person", "> \"I'm Suoti,\" replied Niar, using her pseudonym. Suoti was much better at", "now - how do I carry on, in a way that doesn't disorient", "a separate question. --- In my book, a character has multiple personalities. In", "I would like to say that this is not a case of dissociative", "who are you?\" inquired the old man. > > > \"I'm Suoti,\" replied", "I do this whilst not disorienting the reader? --- EDIT Due to some", "is not a case of dissociative identity disorder, rather a byproduct of a", "this, I have seen the question [multiple personalities characters speech in text](https://writing.stackexchange.com/questions/18957/multiple-personalities-characters-speach-in-text) and", "this is not a case of dissociative identity disorder, rather a byproduct of", "do I carry on, in a way that doesn't disorient the reader. At", "In my book, a character has multiple personalities. In one, personality defining scene,", "Obep - who are you?\" inquired the old man. > > > \"I'm", "At the moment the reader doesn't know that Niar has multiple personalities (she", "book, a character has multiple personalities. In one, personality defining scene, whilst she", "over the reality of the personalities interaction, whilst helpful and very much appreciated", "disorder, rather a byproduct of a magical accident, so any points over the", "know that Niar has multiple personalities (she only recently entered the storyline). The", "Suoti was much better at games than she was. > > > My", "characters speech in text](https://writing.stackexchange.com/questions/18957/multiple-personalities-characters-speach-in-text) and I feel that my question is different enough,", "the reader doesn't know that Niar has multiple personalities (she only recently entered", "Due to some misunderstandings, I would like to say that this is not", "byproduct of a magical accident, so any points over the reality of the", "Niar, or Suoti, or another option, in the rest of the scene, and", "reader doesn't know that Niar has multiple personalities (she only recently entered the", "have seen the question [multiple personalities characters speech in text](https://writing.stackexchange.com/questions/18957/multiple-personalities-characters-speach-in-text) and I feel", "storyline). The book is written in the third person omniscient, so anything goes.", "separate question. --- In my book, a character has multiple personalities. In one,", "> My problem is now - how do I carry on, in a", "dissociative identity disorder, rather a byproduct of a magical accident, so any points", "personalities (she only recently entered the storyline). The book is written in the", "at games than she was. > > > My problem is now -", "thought about changing the name straight away - but I feel that it", "a way that doesn't disorient the reader. At the moment the reader doesn't", "moment the reader doesn't know that Niar has multiple personalities (she only recently", "to warrant a separate question. --- In my book, a character has multiple", "to say that this is not a case of dissociative identity disorder, rather", "replied Niar, using her pseudonym. Suoti was much better at games than she", "so any points over the reality of the personalities interaction, whilst helpful and", "> > My problem is now - how do I carry on, in", "personalities characters speech in text](https://writing.stackexchange.com/questions/18957/multiple-personalities-characters-speach-in-text) and I feel that my question is different", "text](https://writing.stackexchange.com/questions/18957/multiple-personalities-characters-speach-in-text) and I feel that my question is different enough, to warrant a", "Should I continue using Niar, or Suoti, or another option, in the rest", "better at games than she was. > > > My problem is now", "it is really disorienting for the reader. Right now I have written: >", "a game. her normal personality (Niar), is overtaken by the gaming personality (Suoti).", "I feel that it is really disorienting for the reader. Right now I", "whilst she is playing a game. her normal personality (Niar), is overtaken by", "in the third person omniscient, so anything goes. Should I continue using Niar,", "like to say that this is not a case of dissociative identity disorder,", "different enough, to warrant a separate question. --- In my book, a character", "preface this, I have seen the question [multiple personalities characters speech in text](https://writing.stackexchange.com/questions/18957/multiple-personalities-characters-speach-in-text)", "the storyline). The book is written in the third person omniscient, so anything", "name is Obep - who are you?\" inquired the old man. > >", "is playing a game. her normal personality (Niar), is overtaken by the gaming", "I have seen the question [multiple personalities characters speech in text](https://writing.stackexchange.com/questions/18957/multiple-personalities-characters-speach-in-text) and I", "question. --- In my book, a character has multiple personalities. In one, personality", "the question [multiple personalities characters speech in text](https://writing.stackexchange.com/questions/18957/multiple-personalities-characters-speach-in-text) and I feel that my", "now I have written: > > \"My name is Obep - who are", "personalities. In one, personality defining scene, whilst she is playing a game. her", "this whilst not disorienting the reader? --- EDIT Due to some misunderstandings, I", "warrant a separate question. --- In my book, a character has multiple personalities.", "but I feel that it is really disorienting for the reader. Right now", "reader? --- EDIT Due to some misunderstandings, I would like to say that", "whilst not disorienting the reader? --- EDIT Due to some misunderstandings, I would", "personality (Niar), is overtaken by the gaming personality (Suoti). I have thought about", "the reader. Right now I have written: > > \"My name is Obep", "written: > > \"My name is Obep - who are you?\" inquired the", "any points over the reality of the personalities interaction, whilst helpful and very", "interaction, whilst helpful and very much appreciated is not applicable to the question.", "than she was. > > > My problem is now - how do", "misunderstandings, I would like to say that this is not a case of", "games than she was. > > > My problem is now - how", "I continue using Niar, or Suoti, or another option, in the rest of", "how can I do this whilst not disorienting the reader? --- EDIT Due", "goes. Should I continue using Niar, or Suoti, or another option, in the", "- how do I carry on, in a way that doesn't disorient the", "option, in the rest of the scene, and how can I do this", "the personalities interaction, whilst helpful and very much appreciated is not applicable to", "reader. At the moment the reader doesn't know that Niar has multiple personalities", "third person omniscient, so anything goes. Should I continue using Niar, or Suoti,", "recently entered the storyline). The book is written in the third person omniscient,", "person omniscient, so anything goes. Should I continue using Niar, or Suoti, or", "enough, to warrant a separate question. --- In my book, a character has", "My problem is now - how do I carry on, in a way", "--- EDIT Due to some misunderstandings, I would like to say that this", "is written in the third person omniscient, so anything goes. Should I continue", "by the gaming personality (Suoti). I have thought about changing the name straight", "- who are you?\" inquired the old man. > > > \"I'm Suoti,\"", "my question is different enough, to warrant a separate question. --- In my", "multiple personalities (she only recently entered the storyline). The book is written in", "much better at games than she was. > > > My problem is", "changing the name straight away - but I feel that it is really", "EDIT Due to some misunderstandings, I would like to say that this is", "inquired the old man. > > > \"I'm Suoti,\" replied Niar, using her", "is Obep - who are you?\" inquired the old man. > > >", "--- In my book, a character has multiple personalities. In one, personality defining", "feel that my question is different enough, to warrant a separate question. ---", "or Suoti, or another option, in the rest of the scene, and how", "the reader? --- EDIT Due to some misunderstandings, I would like to say", "is really disorienting for the reader. Right now I have written: > >", "> > > My problem is now - how do I carry on,", "problem is now - how do I carry on, in a way that", "that Niar has multiple personalities (she only recently entered the storyline). The book", "case of dissociative identity disorder, rather a byproduct of a magical accident, so", "old man. > > > \"I'm Suoti,\" replied Niar, using her pseudonym. Suoti", "one, personality defining scene, whilst she is playing a game. her normal personality", "on, in a way that doesn't disorient the reader. At the moment the", "Suoti, or another option, in the rest of the scene, and how can", "of the scene, and how can I do this whilst not disorienting the", "a magical accident, so any points over the reality of the personalities interaction,", "some misunderstandings, I would like to say that this is not a case", "can I do this whilst not disorienting the reader? --- EDIT Due to", "name straight away - but I feel that it is really disorienting for", "my book, a character has multiple personalities. In one, personality defining scene, whilst", "reality of the personalities interaction, whilst helpful and very much appreciated is not", "(she only recently entered the storyline). The book is written in the third", "points over the reality of the personalities interaction, whilst helpful and very much", "of a magical accident, so any points over the reality of the personalities", "multiple personalities. In one, personality defining scene, whilst she is playing a game.", "entered the storyline). The book is written in the third person omniscient, so", "scene, whilst she is playing a game. her normal personality (Niar), is overtaken", "straight away - but I feel that it is really disorienting for the", "in text](https://writing.stackexchange.com/questions/18957/multiple-personalities-characters-speach-in-text) and I feel that my question is different enough, to warrant", "game. her normal personality (Niar), is overtaken by the gaming personality (Suoti). I", "question is different enough, to warrant a separate question. --- In my book,", "feel that it is really disorienting for the reader. Right now I have", "for the reader. Right now I have written: > > \"My name is", "the gaming personality (Suoti). I have thought about changing the name straight away", "doesn't disorient the reader. At the moment the reader doesn't know that Niar", "Suoti,\" replied Niar, using her pseudonym. Suoti was much better at games than", "seen the question [multiple personalities characters speech in text](https://writing.stackexchange.com/questions/18957/multiple-personalities-characters-speach-in-text) and I feel that" ]
[ "annoyed at the stupidity of another and so he's sighing and 'facepalming'. Just", "sense? For example, he rubbed his head with his hand. Or, he rubbed", "rubbed his head with his hand. Or, he rubbed his temples. Basically, my", "example, he rubbed his head with his hand. Or, he rubbed his temples.", "facepalm in a more formal sense? For example, he rubbed his head with", "here is really annoyed at the stupidity of another and so he's sighing", "my character here is really annoyed at the stupidity of another and so", "the stupidity of another and so he's sighing and 'facepalming'. Just something better", "more formal sense? For example, he rubbed his head with his hand. Or,", "another and so he's sighing and 'facepalming'. Just something better than 'he facepalmed'.", "How would you describe a facepalm in a more formal sense? For example,", "his head with his hand. Or, he rubbed his temples. Basically, my character", "his hand. Or, he rubbed his temples. Basically, my character here is really", "you describe a facepalm in a more formal sense? For example, he rubbed", "formal sense? For example, he rubbed his head with his hand. Or, he", "he rubbed his temples. Basically, my character here is really annoyed at the", "of another and so he's sighing and 'facepalming'. Just something better than 'he", "Basically, my character here is really annoyed at the stupidity of another and", "character here is really annoyed at the stupidity of another and so he's", "Or, he rubbed his temples. Basically, my character here is really annoyed at", "stupidity of another and so he's sighing and 'facepalming'. Just something better than", "at the stupidity of another and so he's sighing and 'facepalming'. Just something", "with his hand. Or, he rubbed his temples. Basically, my character here is", "head with his hand. Or, he rubbed his temples. Basically, my character here", "describe a facepalm in a more formal sense? For example, he rubbed his", "in a more formal sense? For example, he rubbed his head with his", "hand. Or, he rubbed his temples. Basically, my character here is really annoyed", "he rubbed his head with his hand. Or, he rubbed his temples. Basically,", "his temples. Basically, my character here is really annoyed at the stupidity of", "is really annoyed at the stupidity of another and so he's sighing and", "would you describe a facepalm in a more formal sense? For example, he", "rubbed his temples. Basically, my character here is really annoyed at the stupidity", "really annoyed at the stupidity of another and so he's sighing and 'facepalming'.", "a more formal sense? For example, he rubbed his head with his hand.", "a facepalm in a more formal sense? For example, he rubbed his head", "temples. Basically, my character here is really annoyed at the stupidity of another", "For example, he rubbed his head with his hand. Or, he rubbed his" ]
[ "use through out the writing about it? An example is JFK in New", "writing about my local airport which has had two other names which name", "my local airport which has had two other names which name should I", "An example is JFK in New York was originally called Idlewild Airport would", "name should I use through out the writing about it? An example is", "names which name should I use through out the writing about it? An", "through out the writing about it? An example is JFK in New York", "which has had two other names which name should I use through out", "Idlewild Airport would most people writing use John F Kennedy (JFK) through out", "I use through out the writing about it? An example is JFK in", "about it? An example is JFK in New York was originally called Idlewild", "I am writing about my local airport which has had two other names", "other names which name should I use through out the writing about it?", "Airport would most people writing use John F Kennedy (JFK) through out their", "out the writing about it? An example is JFK in New York was", "is JFK in New York was originally called Idlewild Airport would most people", "had two other names which name should I use through out the writing", "was originally called Idlewild Airport would most people writing use John F Kennedy", "about my local airport which has had two other names which name should", "example is JFK in New York was originally called Idlewild Airport would most", "York was originally called Idlewild Airport would most people writing use John F", "would most people writing use John F Kennedy (JFK) through out their story?", "JFK in New York was originally called Idlewild Airport would most people writing", "two other names which name should I use through out the writing about", "originally called Idlewild Airport would most people writing use John F Kennedy (JFK)", "which name should I use through out the writing about it? An example", "it? An example is JFK in New York was originally called Idlewild Airport", "in New York was originally called Idlewild Airport would most people writing use", "the writing about it? An example is JFK in New York was originally", "has had two other names which name should I use through out the", "New York was originally called Idlewild Airport would most people writing use John", "called Idlewild Airport would most people writing use John F Kennedy (JFK) through", "local airport which has had two other names which name should I use", "am writing about my local airport which has had two other names which", "airport which has had two other names which name should I use through", "writing about it? An example is JFK in New York was originally called", "should I use through out the writing about it? An example is JFK" ]
[ "should I capitalize the word after the comma or not? PS: In case", "\"Dear Sir or Madam,\") is the pronoun I, which is always capitalized. However,", "or Madam,\") is the pronoun I, which is always capitalized. However, I recently", "though, so I am unsure: should I capitalize the word after the comma", "the comma or not? PS: In case it matters, I am in UK.", "capitalized. However, I recently wrote a letter for which this is not the", "therefore I see no logical reason for that. I am not a native", "logical reason for that. I am not a native English speaker, though, so", "capitalize the word after the comma or not? PS: In case it matters,", "I see no logical reason for that. I am not a native English", "left me baffled, because it is within a sentence starting with \"Dear\", therefore", "Madam,\") is the pronoun I, which is always capitalized. However, I recently wrote", "a letter for which this is not the case: > > Dear Xxxx,", "reason for that. I am not a native English speaker, though, so I", "> > > thank you for ... > > > A proofreader warned", "the case: > > Dear Xxxx, > > > thank you for ...", "me that I should capitalize \"thank\", which left me baffled, because it is", "is always capitalized. However, I recently wrote a letter for which this is", "> > > A proofreader warned me that I should capitalize \"thank\", which", "I, which is always capitalized. However, I recently wrote a letter for which", "baffled, because it is within a sentence starting with \"Dear\", therefore I see", "capitalize \"thank\", which left me baffled, because it is within a sentence starting", "for that. I am not a native English speaker, though, so I am", "first word after the salutation (e.g. \"Dear Sir or Madam,\") is the pronoun", "Xxxx, > > > thank you for ... > > > A proofreader", "recently wrote a letter for which this is not the case: > >", "word after the comma or not? PS: In case it matters, I am", "thank you for ... > > > A proofreader warned me that I", "> Dear Xxxx, > > > thank you for ... > > >", "see no logical reason for that. I am not a native English speaker,", "Sir or Madam,\") is the pronoun I, which is always capitalized. However, I", "(e.g. \"Dear Sir or Madam,\") is the pronoun I, which is always capitalized.", "salutation (e.g. \"Dear Sir or Madam,\") is the pronoun I, which is always", "case: > > Dear Xxxx, > > > thank you for ... >", "not a native English speaker, though, so I am unsure: should I capitalize", "the salutation (e.g. \"Dear Sir or Madam,\") is the pronoun I, which is", "you for ... > > > A proofreader warned me that I should", "However, I recently wrote a letter for which this is not the case:", "formal letters, the first word after the salutation (e.g. \"Dear Sir or Madam,\")", "A proofreader warned me that I should capitalize \"thank\", which left me baffled,", "that I should capitalize \"thank\", which left me baffled, because it is within", "which is always capitalized. However, I recently wrote a letter for which this", "for ... > > > A proofreader warned me that I should capitalize", "sentence starting with \"Dear\", therefore I see no logical reason for that. I", "> A proofreader warned me that I should capitalize \"thank\", which left me", "after the comma or not? PS: In case it matters, I am in", "after the salutation (e.g. \"Dear Sir or Madam,\") is the pronoun I, which", "many formal letters, the first word after the salutation (e.g. \"Dear Sir or", "proofreader warned me that I should capitalize \"thank\", which left me baffled, because", "for which this is not the case: > > Dear Xxxx, > >", "letter for which this is not the case: > > Dear Xxxx, >", "I capitalize the word after the comma or not? PS: In case it", "am not a native English speaker, though, so I am unsure: should I", "no logical reason for that. I am not a native English speaker, though,", "I recently wrote a letter for which this is not the case: >", "with \"Dear\", therefore I see no logical reason for that. I am not", "speaker, though, so I am unsure: should I capitalize the word after the", "In many formal letters, the first word after the salutation (e.g. \"Dear Sir", "I am unsure: should I capitalize the word after the comma or not?", "> > Dear Xxxx, > > > thank you for ... > >", "the word after the comma or not? PS: In case it matters, I", "word after the salutation (e.g. \"Dear Sir or Madam,\") is the pronoun I,", "am unsure: should I capitalize the word after the comma or not? PS:", "should capitalize \"thank\", which left me baffled, because it is within a sentence", "I should capitalize \"thank\", which left me baffled, because it is within a", "which this is not the case: > > Dear Xxxx, > > >", "... > > > A proofreader warned me that I should capitalize \"thank\",", "starting with \"Dear\", therefore I see no logical reason for that. I am", "is the pronoun I, which is always capitalized. However, I recently wrote a", "the pronoun I, which is always capitalized. However, I recently wrote a letter", "this is not the case: > > Dear Xxxx, > > > thank", "is not the case: > > Dear Xxxx, > > > thank you", "so I am unsure: should I capitalize the word after the comma or", "is within a sentence starting with \"Dear\", therefore I see no logical reason", "warned me that I should capitalize \"thank\", which left me baffled, because it", "not the case: > > Dear Xxxx, > > > thank you for", "wrote a letter for which this is not the case: > > Dear", "Dear Xxxx, > > > thank you for ... > > > A", "because it is within a sentence starting with \"Dear\", therefore I see no", "native English speaker, though, so I am unsure: should I capitalize the word", "> > A proofreader warned me that I should capitalize \"thank\", which left", "\"Dear\", therefore I see no logical reason for that. I am not a", "it is within a sentence starting with \"Dear\", therefore I see no logical", "that. I am not a native English speaker, though, so I am unsure:", "> > thank you for ... > > > A proofreader warned me", "\"thank\", which left me baffled, because it is within a sentence starting with", "unsure: should I capitalize the word after the comma or not? PS: In", "I am not a native English speaker, though, so I am unsure: should", "> thank you for ... > > > A proofreader warned me that", "always capitalized. However, I recently wrote a letter for which this is not", "English speaker, though, so I am unsure: should I capitalize the word after", "which left me baffled, because it is within a sentence starting with \"Dear\",", "a sentence starting with \"Dear\", therefore I see no logical reason for that.", "me baffled, because it is within a sentence starting with \"Dear\", therefore I", "a native English speaker, though, so I am unsure: should I capitalize the", "letters, the first word after the salutation (e.g. \"Dear Sir or Madam,\") is", "pronoun I, which is always capitalized. However, I recently wrote a letter for", "within a sentence starting with \"Dear\", therefore I see no logical reason for", "the first word after the salutation (e.g. \"Dear Sir or Madam,\") is the" ]
[ "> They remembered the taste of the fruits they enjoy. > > >", "the kerosene lamps > > > Even if we're referring to specific lamps", "> > Even if we're referring to specific lamps and fruits. When is", "enjoy. > > > instead of: > > They remembered the taste of", "the light of kerosene lamps > > > instead of: > > They", "lamps > > > instead of: > > They love the light of", "example: > > They remembered the taste of fruits they enjoy. > >", "They love the light of kerosene lamps > > > instead of: >", "fruits they enjoy. > > > and > > They love the light", "> > > instead of: > > They love the light of the", "the fruits they enjoy. > > > and > > They love the", "makes the sentence nonsensical? For example: > > They remembered the taste of", "of: > > They remembered the taste of the fruits they enjoy. >", "we're referring to specific lamps and fruits. When is it permitted to do", "Can we omit \"the\" in poems even if it makes the sentence nonsensical?", "> They remembered the taste of fruits they enjoy. > > > instead", "the light of the kerosene lamps > > > Even if we're referring", "> > They love the light of the kerosene lamps > > >", "they enjoy. > > > and > > They love the light of", "Even if we're referring to specific lamps and fruits. When is it permitted", "poems even if it makes the sentence nonsensical? For example: > > They", "> > instead of: > > They love the light of the kerosene", "we omit \"the\" in poems even if it makes the sentence nonsensical? For", "> > > instead of: > > They remembered the taste of the", "fruits they enjoy. > > > instead of: > > They remembered the", "taste of the fruits they enjoy. > > > and > > They", "referring to specific lamps and fruits. When is it permitted to do so?", "> Even if we're referring to specific lamps and fruits. When is it", "nonsensical? For example: > > They remembered the taste of fruits they enjoy.", "light of kerosene lamps > > > instead of: > > They love", "even if it makes the sentence nonsensical? For example: > > They remembered", "sentence nonsensical? For example: > > They remembered the taste of fruits they", "if we're referring to specific lamps and fruits. When is it permitted to", "the sentence nonsensical? For example: > > They remembered the taste of fruits", "> > instead of: > > They remembered the taste of the fruits", "> > They remembered the taste of the fruits they enjoy. > >", "> > They remembered the taste of fruits they enjoy. > > >", "They remembered the taste of the fruits they enjoy. > > > and", "instead of: > > They love the light of the kerosene lamps >", "of the fruits they enjoy. > > > and > > They love", "> > > and > > They love the light of kerosene lamps", "it makes the sentence nonsensical? For example: > > They remembered the taste", "remembered the taste of fruits they enjoy. > > > instead of: >", "of: > > They love the light of the kerosene lamps > >", "if it makes the sentence nonsensical? For example: > > They remembered the", "They love the light of the kerosene lamps > > > Even if", "they enjoy. > > > instead of: > > They remembered the taste", "For example: > > They remembered the taste of fruits they enjoy. >", "the taste of fruits they enjoy. > > > instead of: > >", "of fruits they enjoy. > > > instead of: > > They remembered", "They remembered the taste of fruits they enjoy. > > > instead of:", "remembered the taste of the fruits they enjoy. > > > and >", "enjoy. > > > and > > They love the light of kerosene", "> They love the light of kerosene lamps > > > instead of:", "> They love the light of the kerosene lamps > > > Even", "kerosene lamps > > > Even if we're referring to specific lamps and", "omit \"the\" in poems even if it makes the sentence nonsensical? For example:", "\"the\" in poems even if it makes the sentence nonsensical? For example: >", "and > > They love the light of kerosene lamps > > >", "lamps > > > Even if we're referring to specific lamps and fruits.", "love the light of kerosene lamps > > > instead of: > >", "of the kerosene lamps > > > Even if we're referring to specific", "love the light of the kerosene lamps > > > Even if we're", "> > > Even if we're referring to specific lamps and fruits. When", "of kerosene lamps > > > instead of: > > They love the", "kerosene lamps > > > instead of: > > They love the light", "in poems even if it makes the sentence nonsensical? For example: > >", "instead of: > > They remembered the taste of the fruits they enjoy.", "> > They love the light of kerosene lamps > > > instead", "> > and > > They love the light of kerosene lamps >", "> instead of: > > They remembered the taste of the fruits they", "the taste of the fruits they enjoy. > > > and > >", "taste of fruits they enjoy. > > > instead of: > > They", "light of the kerosene lamps > > > Even if we're referring to", "> and > > They love the light of kerosene lamps > >", "> instead of: > > They love the light of the kerosene lamps" ]
[ "the characters make. I know this is exhausting for readers. However, if I'm", "exhausting for readers. However, if I'm not descriptive, the result is too brief", "motion the characters make. I know this is exhausting for readers. However, if", "EVERY action and motion the characters make. I know this is exhausting for", "and motion the characters make. I know this is exhausting for readers. However,", "readers. However, if I'm not descriptive, the result is too brief and lifeless.", "going on, EVERY action and motion the characters make. I know this is", "When I describe hand-to-hand combat, I include EVERYTHING that's going on, EVERY action", "on, EVERY action and motion the characters make. I know this is exhausting", "action and motion the characters make. I know this is exhausting for readers.", "describe hand-to-hand combat, I include EVERYTHING that's going on, EVERY action and motion", "if I'm not descriptive, the result is too brief and lifeless. How can", "include EVERYTHING that's going on, EVERY action and motion the characters make. I", "this is exhausting for readers. However, if I'm not descriptive, the result is", "not descriptive, the result is too brief and lifeless. How can I solve", "I know this is exhausting for readers. However, if I'm not descriptive, the", "EVERYTHING that's going on, EVERY action and motion the characters make. I know", "I describe hand-to-hand combat, I include EVERYTHING that's going on, EVERY action and", "I include EVERYTHING that's going on, EVERY action and motion the characters make.", "for readers. However, if I'm not descriptive, the result is too brief and", "make. I know this is exhausting for readers. However, if I'm not descriptive,", "characters make. I know this is exhausting for readers. However, if I'm not", "know this is exhausting for readers. However, if I'm not descriptive, the result", "is exhausting for readers. However, if I'm not descriptive, the result is too", "combat, I include EVERYTHING that's going on, EVERY action and motion the characters", "However, if I'm not descriptive, the result is too brief and lifeless. How", "the result is too brief and lifeless. How can I solve this dilemma?", "hand-to-hand combat, I include EVERYTHING that's going on, EVERY action and motion the", "I'm not descriptive, the result is too brief and lifeless. How can I", "that's going on, EVERY action and motion the characters make. I know this", "descriptive, the result is too brief and lifeless. How can I solve this" ]
[ "character that feels right enough for me to keep it and move on?", "a name for a side character that feels right enough for me to", "you should give the main characters meaningful names, but finding suitable names for", "use some characters again later. How can I quickly come up with a", "Then again, I want the names to fit because I can't be sure", "I can't be sure I won't use some characters again later. How can", "can't be sure I won't use some characters again later. How can I", "distracting and time-consuming. Then again, I want the names to fit because I", "later. How can I quickly come up with a name for a side", "for a side character that feels right enough for me to keep it", "of my characters is distracting and time-consuming. Then again, I want the names", "basically, how do you name side characters? I get that you should give", "characters meaningful names, but finding suitable names for all of my characters is", "and time-consuming. Then again, I want the names to fit because I can't", "the names to fit because I can't be sure I won't use some", "name for a side character that feels right enough for me to keep", "name side characters? I get that you should give the main characters meaningful", "the main characters meaningful names, but finding suitable names for all of my", "my characters is distracting and time-consuming. Then again, I want the names to", "suitable names for all of my characters is distracting and time-consuming. Then again,", "again later. How can I quickly come up with a name for a", "get that you should give the main characters meaningful names, but finding suitable", "should give the main characters meaningful names, but finding suitable names for all", "finding suitable names for all of my characters is distracting and time-consuming. Then", "for all of my characters is distracting and time-consuming. Then again, I want", "sure I won't use some characters again later. How can I quickly come", "you name side characters? I get that you should give the main characters", "So, basically, how do you name side characters? I get that you should", "side character that feels right enough for me to keep it and move", "give the main characters meaningful names, but finding suitable names for all of", "I want the names to fit because I can't be sure I won't", "characters? I get that you should give the main characters meaningful names, but", "want the names to fit because I can't be sure I won't use", "I quickly come up with a name for a side character that feels", "quickly come up with a name for a side character that feels right", "names, but finding suitable names for all of my characters is distracting and", "that you should give the main characters meaningful names, but finding suitable names", "come up with a name for a side character that feels right enough", "how do you name side characters? I get that you should give the", "is distracting and time-consuming. Then again, I want the names to fit because", "can I quickly come up with a name for a side character that", "characters again later. How can I quickly come up with a name for", "up with a name for a side character that feels right enough for", "be sure I won't use some characters again later. How can I quickly", "time-consuming. Then again, I want the names to fit because I can't be", "names for all of my characters is distracting and time-consuming. Then again, I", "do you name side characters? I get that you should give the main", "a side character that feels right enough for me to keep it and", "to fit because I can't be sure I won't use some characters again", "because I can't be sure I won't use some characters again later. How", "again, I want the names to fit because I can't be sure I", "main characters meaningful names, but finding suitable names for all of my characters", "all of my characters is distracting and time-consuming. Then again, I want the", "How can I quickly come up with a name for a side character", "I get that you should give the main characters meaningful names, but finding", "characters is distracting and time-consuming. Then again, I want the names to fit", "won't use some characters again later. How can I quickly come up with", "some characters again later. How can I quickly come up with a name", "I won't use some characters again later. How can I quickly come up", "side characters? I get that you should give the main characters meaningful names,", "with a name for a side character that feels right enough for me", "but finding suitable names for all of my characters is distracting and time-consuming.", "names to fit because I can't be sure I won't use some characters", "meaningful names, but finding suitable names for all of my characters is distracting", "fit because I can't be sure I won't use some characters again later." ]
[ "page headers or does the header change with each story to reflect the", "manuscript in the page headers or does the header change with each story", "change with each story to reflect the name of that story? Oddly, I", "header change with each story to reflect the name of that story? Oddly,", "particular: does one use the title of the book throughout the manuscript in", "the title of the book throughout the manuscript in the page headers or", "submission to publishers and agents? One knotty question in particular: does one use", "know of a definitive online resource on formatting a story collection for submission", "One knotty question in particular: does one use the title of the book", "one use the title of the book throughout the manuscript in the page", "of the book throughout the manuscript in the page headers or does the", "the manuscript in the page headers or does the header change with each", "and agents? One knotty question in particular: does one use the title of", "with each story to reflect the name of that story? Oddly, I can't", "the book throughout the manuscript in the page headers or does the header", "story collection for submission to publishers and agents? One knotty question in particular:", "a definitive online resource on formatting a story collection for submission to publishers", "formatting a story collection for submission to publishers and agents? One knotty question", "Anyone know of a definitive online resource on formatting a story collection for", "online resource on formatting a story collection for submission to publishers and agents?", "agents? One knotty question in particular: does one use the title of the", "publishers and agents? One knotty question in particular: does one use the title", "throughout the manuscript in the page headers or does the header change with", "use the title of the book throughout the manuscript in the page headers", "definitive online resource on formatting a story collection for submission to publishers and", "each story to reflect the name of that story? Oddly, I can't find", "story to reflect the name of that story? Oddly, I can't find anything", "reflect the name of that story? Oddly, I can't find anything on this.", "does one use the title of the book throughout the manuscript in the", "or does the header change with each story to reflect the name of", "title of the book throughout the manuscript in the page headers or does", "the header change with each story to reflect the name of that story?", "a story collection for submission to publishers and agents? One knotty question in", "in particular: does one use the title of the book throughout the manuscript", "in the page headers or does the header change with each story to", "the page headers or does the header change with each story to reflect", "resource on formatting a story collection for submission to publishers and agents? One", "of a definitive online resource on formatting a story collection for submission to", "question in particular: does one use the title of the book throughout the", "for submission to publishers and agents? One knotty question in particular: does one", "to reflect the name of that story? Oddly, I can't find anything on", "on formatting a story collection for submission to publishers and agents? One knotty", "knotty question in particular: does one use the title of the book throughout", "the name of that story? Oddly, I can't find anything on this. Thanks.", "to publishers and agents? One knotty question in particular: does one use the", "does the header change with each story to reflect the name of that", "collection for submission to publishers and agents? One knotty question in particular: does", "headers or does the header change with each story to reflect the name", "book throughout the manuscript in the page headers or does the header change" ]
[ "horror short-story, and at the end the main character dies and his partner", "which is a journal that ends right before the main character's death (The", "right before the main character's death (The Haunter in Darkness, The Strange Case", "I know of only one way around this, which is a journal that", "watch what happens to the two men. But does the sequence I'm going", "I had intended to write it in first-person, because the narrative becomes more", "story his death is only half of what makes the ending interesting so", "and his partner is whisked away forever. I had intended to write it", "the main character. [This answer](https://writing.stackexchange.com/questions/31155/do-modern-readers-believe-the-first-person-narrator-cant-die) asserts that a first-person narrator has to survive", "that won't work. I had already intended to switch the POV for the", "Darkness, The Strange Case of Dr. Jekyll and Mr. Hmdobr), but in my", "of Dr. Jekyll and Mr. Hmdobr), but in my story his death is", "but in my story his death is only half of what makes the", "character. [This answer](https://writing.stackexchange.com/questions/31155/do-modern-readers-believe-the-first-person-narrator-cant-die) asserts that a first-person narrator has to survive to tell", "what happens to the two men. But does the sequence I'm going for", "and write it in third person, so the reader can watch what happens", "last paragraph and write it in third person, so the reader can watch", "dies and his partner is whisked away forever. I had intended to write", "tell the tale. I know of only one way around this, which is", "the tale. I know of only one way around this, which is a", "of what makes the ending interesting so that won't work. I had already", "third person, so the reader can watch what happens to the two men.", "to tell the tale. I know of only one way around this, which", "my story his death is only half of what makes the ending interesting", "write it in first-person, because the narrative becomes more personal that way and", "whisked away forever. I had intended to write it in first-person, because the", "asserts that a first-person narrator has to survive to tell the tale. I", "narrative becomes more personal that way and you can really get into the", "can really get into the head of the main character. [This answer](https://writing.stackexchange.com/questions/31155/do-modern-readers-believe-the-first-person-narrator-cant-die) asserts", "before the main character's death (The Haunter in Darkness, The Strange Case of", "so the reader can watch what happens to the two men. But does", "half of what makes the ending interesting so that won't work. I had", "interesting so that won't work. I had already intended to switch the POV", "only one way around this, which is a journal that ends right before", "of only one way around this, which is a journal that ends right", "intended to switch the POV for the last paragraph and write it in", "I had already intended to switch the POV for the last paragraph and", "away forever. I had intended to write it in first-person, because the narrative", "one way around this, which is a journal that ends right before the", "it in third person, so the reader can watch what happens to the", "two men. But does the sequence I'm going for constrain the whole story", "main character. [This answer](https://writing.stackexchange.com/questions/31155/do-modern-readers-believe-the-first-person-narrator-cant-die) asserts that a first-person narrator has to survive to", "main character's death (The Haunter in Darkness, The Strange Case of Dr. Jekyll", "and Mr. Hmdobr), but in my story his death is only half of", "the reader can watch what happens to the two men. But does the", "writing a horror short-story, and at the end the main character dies and", "the head of the main character. [This answer](https://writing.stackexchange.com/questions/31155/do-modern-readers-believe-the-first-person-narrator-cant-die) asserts that a first-person narrator", "The Strange Case of Dr. Jekyll and Mr. Hmdobr), but in my story", "tale. I know of only one way around this, which is a journal", "answer](https://writing.stackexchange.com/questions/31155/do-modern-readers-believe-the-first-person-narrator-cant-die) asserts that a first-person narrator has to survive to tell the tale.", "for the last paragraph and write it in third person, so the reader", "in third person, so the reader can watch what happens to the two", "a journal that ends right before the main character's death (The Haunter in", "is whisked away forever. I had intended to write it in first-person, because", "his partner is whisked away forever. I had intended to write it in", "Dr. Jekyll and Mr. Hmdobr), but in my story his death is only", "had already intended to switch the POV for the last paragraph and write", "first-person narrator has to survive to tell the tale. I know of only", "narrator has to survive to tell the tale. I know of only one", "(The Haunter in Darkness, The Strange Case of Dr. Jekyll and Mr. Hmdobr),", "his death is only half of what makes the ending interesting so that", "has to survive to tell the tale. I know of only one way", "reader can watch what happens to the two men. But does the sequence", "But does the sequence I'm going for constrain the whole story to third", "the main character's death (The Haunter in Darkness, The Strange Case of Dr.", "what makes the ending interesting so that won't work. I had already intended", "the ending interesting so that won't work. I had already intended to switch", "you can really get into the head of the main character. [This answer](https://writing.stackexchange.com/questions/31155/do-modern-readers-believe-the-first-person-narrator-cant-die)", "in Darkness, The Strange Case of Dr. Jekyll and Mr. Hmdobr), but in", "that a first-person narrator has to survive to tell the tale. I know", "I'm writing a horror short-story, and at the end the main character dies", "because the narrative becomes more personal that way and you can really get", "personal that way and you can really get into the head of the", "intended to write it in first-person, because the narrative becomes more personal that", "is only half of what makes the ending interesting so that won't work.", "a horror short-story, and at the end the main character dies and his", "men. But does the sequence I'm going for constrain the whole story to", "of the main character. [This answer](https://writing.stackexchange.com/questions/31155/do-modern-readers-believe-the-first-person-narrator-cant-die) asserts that a first-person narrator has to", "had intended to write it in first-person, because the narrative becomes more personal", "way and you can really get into the head of the main character.", "work. I had already intended to switch the POV for the last paragraph", "Hmdobr), but in my story his death is only half of what makes", "the two men. But does the sequence I'm going for constrain the whole", "to write it in first-person, because the narrative becomes more personal that way", "first-person, because the narrative becomes more personal that way and you can really", "death is only half of what makes the ending interesting so that won't", "and you can really get into the head of the main character. [This", "only half of what makes the ending interesting so that won't work. I", "to survive to tell the tale. I know of only one way around", "makes the ending interesting so that won't work. I had already intended to", "becomes more personal that way and you can really get into the head", "already intended to switch the POV for the last paragraph and write it", "head of the main character. [This answer](https://writing.stackexchange.com/questions/31155/do-modern-readers-believe-the-first-person-narrator-cant-die) asserts that a first-person narrator has", "happens to the two men. But does the sequence I'm going for constrain", "know of only one way around this, which is a journal that ends", "more personal that way and you can really get into the head of", "around this, which is a journal that ends right before the main character's", "main character dies and his partner is whisked away forever. I had intended", "survive to tell the tale. I know of only one way around this,", "ending interesting so that won't work. I had already intended to switch the", "to switch the POV for the last paragraph and write it in third", "really get into the head of the main character. [This answer](https://writing.stackexchange.com/questions/31155/do-modern-readers-believe-the-first-person-narrator-cant-die) asserts that", "to the two men. But does the sequence I'm going for constrain the", "this, which is a journal that ends right before the main character's death", "that ends right before the main character's death (The Haunter in Darkness, The", "in my story his death is only half of what makes the ending", "Jekyll and Mr. Hmdobr), but in my story his death is only half", "that way and you can really get into the head of the main", "a first-person narrator has to survive to tell the tale. I know of", "the last paragraph and write it in third person, so the reader can", "person, so the reader can watch what happens to the two men. But", "partner is whisked away forever. I had intended to write it in first-person,", "POV for the last paragraph and write it in third person, so the", "character dies and his partner is whisked away forever. I had intended to", "into the head of the main character. [This answer](https://writing.stackexchange.com/questions/31155/do-modern-readers-believe-the-first-person-narrator-cant-die) asserts that a first-person", "paragraph and write it in third person, so the reader can watch what", "can watch what happens to the two men. But does the sequence I'm", "Haunter in Darkness, The Strange Case of Dr. Jekyll and Mr. Hmdobr), but", "the main character dies and his partner is whisked away forever. I had", "short-story, and at the end the main character dies and his partner is", "and at the end the main character dies and his partner is whisked", "way around this, which is a journal that ends right before the main", "switch the POV for the last paragraph and write it in third person,", "Strange Case of Dr. Jekyll and Mr. Hmdobr), but in my story his", "the end the main character dies and his partner is whisked away forever.", "[This answer](https://writing.stackexchange.com/questions/31155/do-modern-readers-believe-the-first-person-narrator-cant-die) asserts that a first-person narrator has to survive to tell the", "forever. I had intended to write it in first-person, because the narrative becomes", "Case of Dr. Jekyll and Mr. Hmdobr), but in my story his death", "journal that ends right before the main character's death (The Haunter in Darkness,", "get into the head of the main character. [This answer](https://writing.stackexchange.com/questions/31155/do-modern-readers-believe-the-first-person-narrator-cant-die) asserts that a", "so that won't work. I had already intended to switch the POV for", "won't work. I had already intended to switch the POV for the last", "it in first-person, because the narrative becomes more personal that way and you", "the narrative becomes more personal that way and you can really get into", "character's death (The Haunter in Darkness, The Strange Case of Dr. Jekyll and", "Mr. Hmdobr), but in my story his death is only half of what", "in first-person, because the narrative becomes more personal that way and you can", "write it in third person, so the reader can watch what happens to", "ends right before the main character's death (The Haunter in Darkness, The Strange", "does the sequence I'm going for constrain the whole story to third person?", "end the main character dies and his partner is whisked away forever. I", "the POV for the last paragraph and write it in third person, so", "death (The Haunter in Darkness, The Strange Case of Dr. Jekyll and Mr.", "at the end the main character dies and his partner is whisked away", "is a journal that ends right before the main character's death (The Haunter" ]
[ "here for, I came for the butterflies, not for this bull\" would you", "What are your thoughts on this style? Do you think sufficient foreshadowing is", "the story/ get mad? What are your thoughts on this style? Do you", "horror/thriller, would you immediately think it's bad? Would you feel like \"This is", "\"This is not what I came here for, I came for the butterflies,", "necessary? Or is it fine to switch suddenly as long as the story", "foreshadowing is necessary? Or is it fine to switch suddenly as long as", "story was introduced as a romance, then somewhere in the middle it becomes", "feel like \"This is not what I came here for, I came for", "on this style? Do you think sufficient foreshadowing is necessary? Or is it", "style? Do you think sufficient foreshadowing is necessary? Or is it fine to", "in the middle it becomes a horror/thriller, would you immediately think it's bad?", "Or is it fine to switch suddenly as long as the story remains", "not for this bull\" would you drop the story/ get mad? What are", "is it fine to switch suddenly as long as the story remains interesting/", "it's bad? Would you feel like \"This is not what I came here", "it fine to switch suddenly as long as the story remains interesting/ its", "drop the story/ get mad? What are your thoughts on this style? Do", "your thoughts on this style? Do you think sufficient foreshadowing is necessary? Or", "for the butterflies, not for this bull\" would you drop the story/ get", "you drop the story/ get mad? What are your thoughts on this style?", "Do you think sufficient foreshadowing is necessary? Or is it fine to switch", "for this bull\" would you drop the story/ get mad? What are your", "then somewhere in the middle it becomes a horror/thriller, would you immediately think", "the middle it becomes a horror/thriller, would you immediately think it's bad? Would", "was introduced as a romance, then somewhere in the middle it becomes a", "would you immediately think it's bad? Would you feel like \"This is not", "sufficient foreshadowing is necessary? Or is it fine to switch suddenly as long", "somewhere in the middle it becomes a horror/thriller, would you immediately think it's", "story/ get mad? What are your thoughts on this style? Do you think", "immediately think it's bad? Would you feel like \"This is not what I", "Would you feel like \"This is not what I came here for, I", "this style? Do you think sufficient foreshadowing is necessary? Or is it fine", "thoughts on this style? Do you think sufficient foreshadowing is necessary? Or is", "get mad? What are your thoughts on this style? Do you think sufficient", "it becomes a horror/thriller, would you immediately think it's bad? Would you feel", "as a romance, then somewhere in the middle it becomes a horror/thriller, would", "a romance, then somewhere in the middle it becomes a horror/thriller, would you", "romance, then somewhere in the middle it becomes a horror/thriller, would you immediately", "introduced as a romance, then somewhere in the middle it becomes a horror/thriller,", "a horror/thriller, would you immediately think it's bad? Would you feel like \"This", "are your thoughts on this style? Do you think sufficient foreshadowing is necessary?", "you immediately think it's bad? Would you feel like \"This is not what", "the story was introduced as a romance, then somewhere in the middle it", "middle it becomes a horror/thriller, would you immediately think it's bad? Would you", "I came here for, I came for the butterflies, not for this bull\"", "fine to switch suddenly as long as the story remains interesting/ its executed", "say the story was introduced as a romance, then somewhere in the middle", "becomes a horror/thriller, would you immediately think it's bad? Would you feel like", "bad? Would you feel like \"This is not what I came here for,", "like \"This is not what I came here for, I came for the", "for, I came for the butterflies, not for this bull\" would you drop", "the butterflies, not for this bull\" would you drop the story/ get mad?", "you think sufficient foreshadowing is necessary? Or is it fine to switch suddenly", "came here for, I came for the butterflies, not for this bull\" would", "think sufficient foreshadowing is necessary? Or is it fine to switch suddenly as", "not what I came here for, I came for the butterflies, not for", "think it's bad? Would you feel like \"This is not what I came", "I came for the butterflies, not for this bull\" would you drop the", "butterflies, not for this bull\" would you drop the story/ get mad? What", "mad? What are your thoughts on this style? Do you think sufficient foreshadowing", "what I came here for, I came for the butterflies, not for this", "to switch suddenly as long as the story remains interesting/ its executed well?", "is necessary? Or is it fine to switch suddenly as long as the", "Let's say the story was introduced as a romance, then somewhere in the", "came for the butterflies, not for this bull\" would you drop the story/", "bull\" would you drop the story/ get mad? What are your thoughts on", "would you drop the story/ get mad? What are your thoughts on this", "is not what I came here for, I came for the butterflies, not", "you feel like \"This is not what I came here for, I came", "this bull\" would you drop the story/ get mad? What are your thoughts" ]
[ "symptom that if I made every change beta readers suggested I would end", "my writing process where I've started to send out drafts of my work", "up later conflict. *How does someone determine when it is better to stick", "blind spot for, but this also makes me liable to incorporate every change", "all costs. This is the entire problem, I know that feedback is critical", "doesn't like that sets up an important subplot that leads to a lot", "you nor the beta reader are going to be objective in assessing the", "but this also makes me liable to incorporate every change someone insists upon", "that neither* you nor the beta reader are going to be objective in", "and make people happy. I've reached the point in my writing process where", "that are enjoyable to read rather than making a didactic point. To clarify,", "I think if I had an issue where one beta reader hated a", "one beta reader hated a particular plot point and wanted it removed and", "be objective in assessing the work. The only rule of thumb I have", "and loses it's impact. Though at the same time, I want to write", "made every change beta readers suggested I would end up with a work", "to stick to one's vision or when it is better to make beta", "reading in linear order, they only see the comparatively black-and-white event and don't", "readers suggested I would end up with a work that doesn't take any", "trauma), but it looks at a specific aspect of trauma that is whitewashed", "involves cutting out plot points that set up later conflict. How does someone", "story, it is probably a good idea to change it. But that doesn't", "a good idea to change it. But that doesn't help when I feel", "it is better to stick to one's vision or when it is better", "the exact response that kind of thing often gets. Nevertheless, I can see", "a specific aspect of trauma that is whitewashed or played for laughs in", "was great and demanded it be kept, I would probably short-circuit. I don't", "assessing the work. *The only rule of thumb I have been able to", "problem is any specific plot point, it's that I see it as a", "wouldn't like it. Regardless of whether the idea is good or not, I'm", "at the same time, I want to write things that are enjoyable to", "shut out criticism entirely, claiming that my vision is perfect and must be", "don't see the more nuanced consequences of it. It touches on a touchy", "you know that neither* you nor the beta reader are going to be", "how it affects the plot. But if I bend over backward to incorporate", "a people-pleaser. I tend to bend over backward to avoid conflict and make", "at a specific aspect of trauma that is whitewashed or played for laughs", "of me, I'll end up with a bland, unfocused mess, especially if it", "If multiple people have a problem with the same element of the story,", "send out drafts of my work to beta readers to get feedback. However,", "of a people-pleaser. I tend to bend over backward to avoid conflict and", "and saying it should be changed is the exact response that kind of", "\"it's bad/wrong\" simply because the reviewer said it was bad rather than based", "incorporate every change someone insists upon regardless of how it affects the plot.", "problem with the same element of the story, it is probably a good", "I'm a bit of a people-pleaser. I tend to bend over backward to", "entire problem, I know that feedback is critical for improving a novel and", "rule of thumb I have been able to figure out is: If multiple", "when it is better to stick to one's vision or when it is", "thing often gets. Nevertheless, I can see why people wouldn't like it. Regardless", "asking how to shut out criticism entirely, claiming that my vision is perfect", "as a symptom that if I made every change beta readers suggested I", "ironing out the areas an author might have a blind spot for, but", "upon regardless of how it affects the plot. But if I bend over", "should be changed is the exact response that kind of thing often gets.", "end up with a bland, unfocused mess, especially if it involves cutting out", "get feedback. However, I've started to notice a bit of a problem in", "tend to bend over backward to avoid conflict and make people happy. I've", "I've started to send out drafts of my work to beta readers to", "of whether the idea is good or not, I'm noticing that my mindset", "that my vision is perfect and must be protected at all costs. This", "readers to get feedback. However, I've started to notice a bit of a", "work. The only rule of thumb I have been able to figure out", "aspect of trauma that is whitewashed or played for laughs in most media,", "but it looks at a specific aspect of trauma that is whitewashed or", "more nuanced consequences of it. It touches on a touchy subject (namely, trauma),", "when I get feedback, I feel compelled to incorporate it all in and", "feedback is critical for improving a novel and ironing out the areas an", "feedback, I feel compelled to incorporate it all in and kind of unthinkingly", "also makes me liable to incorporate every change someone insists upon regardless of", "trauma that is whitewashed or played for laughs in most media, and saying", "it is probably a good idea to change it. But that doesn't help", "a bit of a problem in that, when I get feedback, I feel", "and must be protected at all costs. This is the entire problem, I", "there is one plot point one of my beta readers doesn't like that", "all in and kind of unthinkingly accept reader interpretations of things. In particular,", "beta readers doesn't like that sets up an important subplot that leads to", "a symptom that if I made every change beta readers suggested I would", "over backward to incorporate every change that people ask of me, I'll end", "up with a work that doesn't take any risks and loses it's impact.", "I see it as a symptom that if I made every change beta", "one of my beta readers doesn't like that sets up an important subplot", "that sets up an important subplot that leads to a lot of juicy", "sets up an important subplot that leads to a lot of juicy conflict", "is probably a good idea to change it. But that doesn't help when", "able to figure out is: If multiple people have a problem with the", "often gets. Nevertheless, I can see why people wouldn't like it. Regardless of", "started to notice a bit of a problem in that, when I get", "that is whitewashed or played for laughs in most media, and saying it", "I feel myself turning away from plot points when only one beta reader", "reader hated a particular plot point and wanted it removed and another thought", "and demanded it be kept, I would probably short-circuit. I don't think the", "subplot that leads to a lot of juicy conflict between the lead characters", "beta reader are going to be objective in assessing the work. The only", "are enjoyable to read rather than making a didactic point. To clarify, I'm", "only see the comparatively black-and-white event and don't see the more nuanced consequences", "neither you nor the beta reader are going to be objective in assessing", "or when it is better to make beta reader-suggested changes, especially if you", "the reviewer said it was bad rather than based on any coherent argument.", "for, but this also makes me liable to incorporate every change someone insists", "I tend to bend over backward to avoid conflict and make people happy.", "conflict. How does someone determine when it is better to stick to one's", "out criticism entirely, claiming that my vision is perfect and must be protected", "up an important subplot that leads to a lot of juicy conflict between", "an author might have a blind spot for, but this also makes me", "Nevertheless, I can see why people wouldn't like it. Regardless of whether the", "work to beta readers to get feedback. However, I've started to notice a", "a touchy subject (namely, trauma), but it looks at a specific aspect of", "think if I had an issue where one beta reader hated a particular", "up with a bland, unfocused mess, especially if it involves cutting out plot", "an important subplot that leads to a lot of juicy conflict between the", "accept reader interpretations of things. In particular, there is one plot point one", "based on any coherent argument. I think if I had an issue where", "bend over backward to avoid conflict and make people happy. I've reached the", "over backward to avoid conflict and make people happy. I've reached the point", "whitewashed or played for laughs in most media, and saying it should be", "avoid conflict and make people happy. I've reached the point in my writing", "it was bad rather than based on any coherent argument. I think if", "objective in assessing the work. The only rule of thumb I have been", "was bad rather than based on any coherent argument. I think if I", "is good or not, I'm noticing that my mindset is starting to slip", "that my mindset is starting to slip towards \"it's bad/wrong\" simply because the", "is perfect and must be protected at all costs. This is the entire", "any coherent argument. I think if I had an issue where one beta", "is the entire problem, I know that feedback is critical for improving a", "spot for, but this also makes me liable to incorporate every change someone", "feel compelled to incorporate it all in and kind of unthinkingly accept reader", "It touches on a touchy subject (namely, trauma), but it looks at a", "any specific plot point, it's that I see it as a symptom that", "subject (namely, trauma), but it looks at a specific aspect of trauma that", "criticism entirely, claiming that my vision is perfect and must be protected at", "in my writing process where I've started to send out drafts of my", "in that, when I get feedback, I feel compelled to incorporate it all", "not asking how to shut out criticism entirely, claiming that my vision is", "reader-suggested changes, especially if you know that neither you nor the beta reader", "it all in and kind of unthinkingly accept reader interpretations of things. In", "exact response that kind of thing often gets. Nevertheless, I can see why", "(namely, trauma), but it looks at a specific aspect of trauma that is", "played for laughs in most media, and saying it should be changed is", "comparatively black-and-white event and don't see the more nuanced consequences of it. It", "I can see why people wouldn't like it. Regardless of whether the idea", "rather than making a didactic point. To clarify, I'm not asking how to", "every change someone insists upon regardless of how it affects the plot. But", "changes*, especially if you know that neither* you nor the beta reader are", "in and kind of unthinkingly accept reader interpretations of things. In particular, there", "to avoid conflict and make people happy. I've reached the point in my", "of my work to beta readers to get feedback. However, I've started to", "I made every change beta readers suggested I would end up with a", "of things. In particular, there is one plot point one of my beta", "it was great and demanded it be kept, I would probably short-circuit. I", "must be protected at all costs. This is the entire problem, I know", "it's that I see it as a symptom that if I made every", "thumb I have been able to figure out is: If multiple people have", "away from plot points when only one beta reader says something is wrong.", "me liable to incorporate every change someone insists upon regardless of how it", "when it is better to make beta reader-suggested changes, especially if you know", "the idea is good or not, I'm noticing that my mindset is starting", "I would end up with a work that doesn't take any risks and", "is critical for improving a novel and ironing out the areas an author", "the problem is any specific plot point, it's that I see it as", "multiple people have a problem with the same element of the story, it", "when I feel myself turning away from plot points when only one beta", "a particular plot point and wanted it removed and another thought it was", "bit of a people-pleaser. I tend to bend over backward to avoid conflict", "the work. The only rule of thumb I have been able to figure", "if you know that neither you nor the beta reader are going to", "most media, and saying it should be changed is the exact response that", "think the problem is any specific plot point, it's that I see it", "my mindset is starting to slip towards \"it's bad/wrong\" simply because the reviewer", "regardless of how it affects the plot. But if I bend over backward", "slip towards \"it's bad/wrong\" simply because the reviewer said it was bad rather", "read rather than making a didactic point. To clarify, I'm not asking how", "been able to figure out is: If multiple people have a problem with", "reader interpretations of things. In particular, there is one plot point one of", "plot point and wanted it removed and another thought it was great and", "know that neither you nor the beta reader are going to be objective", "make people happy. I've reached the point in my writing process where I've", "the story, it is probably a good idea to change it. But that", "to incorporate every change that people ask of me, I'll end up with", "not, I'm noticing that my mindset is starting to slip towards \"it's bad/wrong\"", "But that doesn't help when I feel myself turning away from plot points", "vision or when it is better to make beta reader-suggested changes, especially if", "turning away from plot points when only one beta reader says something is", "improving a novel and ironing out the areas an author might have a", "a bland, unfocused mess, especially if it involves cutting out plot points that", "I want to write things that are enjoyable to read rather than making", "would probably short-circuit. I don't think the problem is any specific plot point,", "the areas an author might have a blind spot for, but this also", "the same element of the story, it is probably a good idea to", "I would probably short-circuit. I don't think the problem is any specific plot", "media, and saying it should be changed is the exact response that kind", "can see why people wouldn't like it. Regardless of whether the idea is", "another thought it was great and demanded it be kept, I would probably", "I'm noticing that my mindset is starting to slip towards \"it's bad/wrong\" simply", "out plot points that set up later conflict. How does someone determine when", "In particular, there is one plot point one of my beta readers doesn't", "it. But that doesn't help when I feel myself turning away from plot", "it involves cutting out plot points that set up later conflict. How does", "doesn't help when I feel myself turning away from plot points when only", "want to write things that are enjoyable to read rather than making a", "backward to avoid conflict and make people happy. I've reached the point in", "the comparatively black-and-white event and don't see the more nuanced consequences of it.", "than making a didactic point. To clarify, I'm not asking how to shut", "same time, I want to write things that are enjoyable to read rather", "and kind of unthinkingly accept reader interpretations of things. In particular, there is", "person, I'm a bit of a people-pleaser. I tend to bend over backward", "insists upon regardless of how it affects the plot. But if I bend", "set up later conflict. How does someone determine when it is better to", "any risks and loses it's impact. Though at the same time, I want", "time, I want to write things that are enjoyable to read rather than", "someone insists upon regardless of how it affects the plot. But if I", "a blind spot for, but this also makes me liable to incorporate every", "issue where one beta reader hated a particular plot point and wanted it", "point one of my beta readers doesn't like that sets up an important", "it affects the plot. But if I bend over backward to incorporate every", "starting to slip towards \"it's bad/wrong\" simply because the reviewer said it was", "of how it affects the plot. But if I bend over backward to", "didactic point. To clarify, I'm not asking how to shut out criticism entirely,", "to write things that are enjoyable to read rather than making a didactic", "and don't see the more nuanced consequences of it. It touches on a", "short-circuit. I don't think the problem is any specific plot point, it's that", "work that doesn't take any risks and loses it's impact. Though at the", "with a bland, unfocused mess, especially if it involves cutting out plot points", "where I've started to send out drafts of my work to beta readers", "notice a bit of a problem in that, when I get feedback, I", "I'm not asking how to shut out criticism entirely, claiming that my vision", "bland, unfocused mess, especially if it involves cutting out plot points that set", "To clarify, I'm not asking how to shut out criticism entirely, claiming that", "argument. I think if I had an issue where one beta reader hated", "might have a blind spot for, but this also makes me liable to", "have been able to figure out is: If multiple people have a problem", "plot point, it's that I see it as a symptom that if I", "plot points that set up later conflict. How does someone determine when it", "vision is perfect and must be protected at all costs. This is the", "that kind of thing often gets. Nevertheless, I can see why people wouldn't", "I bend over backward to incorporate every change that people ask of me,", "why people wouldn't like it. Regardless of whether the idea is good or", "myself turning away from plot points when only one beta reader says something", "plot point one of my beta readers doesn't like that sets up an", "it is better to make beta reader-suggested changes, especially if you know that", "claiming that my vision is perfect and must be protected at all costs.", "of a problem in that, when I get feedback, I feel compelled to", "that, when I get feedback, I feel compelled to incorporate it all in", "it should be changed is the exact response that kind of thing often", "to slip towards \"it's bad/wrong\" simply because the reviewer said it was bad", "kind of thing often gets. Nevertheless, I can see why people wouldn't like", "is starting to slip towards \"it's bad/wrong\" simply because the reviewer said it", "the beta reader are going to be objective in assessing the work. The", "the lead characters and a minor antagonist. Because they're reading in linear order,", "between the lead characters and a minor antagonist. Because they're reading in linear", "clarify, I'm not asking how to shut out criticism entirely, claiming that my", "for improving a novel and ironing out the areas an author might have", "and ironing out the areas an author might have a blind spot for,", "be changed is the exact response that kind of thing often gets. Nevertheless,", "beta readers to get feedback. However, I've started to notice a bit of", "I'll end up with a bland, unfocused mess, especially if it involves cutting", "unfocused mess, especially if it involves cutting out plot points that set up", "see why people wouldn't like it. Regardless of whether the idea is good", "novel and ironing out the areas an author might have a blind spot", "to send out drafts of my work to beta readers to get feedback.", "of trauma that is whitewashed or played for laughs in most media, and", "As a person, I'm a bit of a people-pleaser. I tend to bend", "especially if it involves cutting out plot points that set up later conflict.", "bad rather than based on any coherent argument. I think if I had", "reader are going to be objective in assessing the work. The only rule", "bad/wrong\" simply because the reviewer said it was bad rather than based on", "see it as a symptom that if I made every change beta readers", "beta reader hated a particular plot point and wanted it removed and another", "I don't think the problem is any specific plot point, it's that I", "if it involves cutting out plot points that set up later conflict. How", "in assessing the work. The only rule of thumb I have been able", "idea is good or not, I'm noticing that my mindset is starting to", "people happy. I've reached the point in my writing process where I've started", "better to stick to one's vision or when it is better to make", "mindset is starting to slip towards \"it's bad/wrong\" simply because the reviewer said", "unthinkingly accept reader interpretations of things. In particular, there is one plot point", "conflict between the lead characters and a minor antagonist. Because they're reading in", "laughs in most media, and saying it should be changed is the exact", "particular, there is one plot point one of my beta readers doesn't like", "that people ask of me, I'll end up with a bland, unfocused mess,", "have a blind spot for, but this also makes me liable to incorporate", "process where I've started to send out drafts of my work to beta", "of my beta readers doesn't like that sets up an important subplot that", "feedback. However, I've started to notice a bit of a problem in that,", "it. It touches on a touchy subject (namely, trauma), but it looks at", "touches on a touchy subject (namely, trauma), but it looks at a specific", "to figure out is: If multiple people have a problem with the same", "where one beta reader hated a particular plot point and wanted it removed", "to read rather than making a didactic point. To clarify, I'm not asking", "rather than based on any coherent argument. I think if I had an", "to shut out criticism entirely, claiming that my vision is perfect and must", "the same time, I want to write things that are enjoyable to read", "to make beta reader-suggested changes*, especially if you know that neither* you nor", "and a minor antagonist. Because they're reading in linear order, they only see", "kind of unthinkingly accept reader interpretations of things. In particular, there is one", "to change it. But that doesn't help when I feel myself turning away", "this also makes me liable to incorporate every change someone insists upon regardless", "how to shut out criticism entirely, claiming that my vision is perfect and", "happy. I've reached the point in my writing process where I've started to", "writing process where I've started to send out drafts of my work to", "the entire problem, I know that feedback is critical for improving a novel", "simply because the reviewer said it was bad rather than based on any", "be kept, I would probably short-circuit. I don't think the problem is any", "a lot of juicy conflict between the lead characters and a minor antagonist.", "interpretations of things. In particular, there is one plot point one of my", "problem in that, when I get feedback, I feel compelled to incorporate it", "drafts of my work to beta readers to get feedback. However, I've started", "change someone insists upon regardless of how it affects the plot. But if", "like that sets up an important subplot that leads to a lot of", "in most media, and saying it should be changed is the exact response", "to one's vision or when it is better to make beta reader-suggested changes,", "it removed and another thought it was great and demanded it be kept,", "if I had an issue where one beta reader hated a particular plot", "black-and-white event and don't see the more nuanced consequences of it. It touches", "perfect and must be protected at all costs. This is the entire problem,", "to be objective in assessing the work. The only rule of thumb I", "bit of a problem in that, when I get feedback, I feel compelled", "probably short-circuit. I don't think the problem is any specific plot point, it's", "that if I made every change beta readers suggested I would end up", "it's impact. Though at the same time, I want to write things that", "if I bend over backward to incorporate every change that people ask of", "compelled to incorporate it all in and kind of unthinkingly accept reader interpretations", "bend over backward to incorporate every change that people ask of me, I'll", "determine when it is better to stick to one's vision or when it", "people ask of me, I'll end up with a bland, unfocused mess, especially", "I know that feedback is critical for improving a novel and ironing out", "entirely, claiming that my vision is perfect and must be protected at all", "costs. This is the entire problem, I know that feedback is critical for", "or not, I'm noticing that my mindset is starting to slip towards \"it's", "same element of the story, it is probably a good idea to change", "end up with a work that doesn't take any risks and loses it's", "I had an issue where one beta reader hated a particular plot point", "cutting out plot points that set up later conflict. How does someone determine", "help when I feel myself turning away from plot points when only one", "important subplot that leads to a lot of juicy conflict between the lead", "risks and loses it's impact. Though at the same time, I want to", "thought it was great and demanded it be kept, I would probably short-circuit.", "is better to stick to one's vision or when it is better to", "at all costs. This is the entire problem, I know that feedback is", "is any specific plot point, it's that I see it as a symptom", "don't think the problem is any specific plot point, it's that I see", "that I see it as a symptom that if I made every change", "lot of juicy conflict between the lead characters and a minor antagonist. Because", "if I made every change beta readers suggested I would end up with", "that doesn't help when I feel myself turning away from plot points when", "leads to a lot of juicy conflict between the lead characters and a", "get feedback, I feel compelled to incorporate it all in and kind of", "good idea to change it. But that doesn't help when I feel myself", "that feedback is critical for improving a novel and ironing out the areas", "order, they only see the comparatively black-and-white event and don't see the more", "consequences of it. It touches on a touchy subject (namely, trauma), but it", "event and don't see the more nuanced consequences of it. It touches on", "because the reviewer said it was bad rather than based on any coherent", "someone determine when it is better to stick to one's vision or when", "whether the idea is good or not, I'm noticing that my mindset is", "to notice a bit of a problem in that, when I get feedback,", "things that are enjoyable to read rather than making a didactic point. To", "my vision is perfect and must be protected at all costs. This is", "reviewer said it was bad rather than based on any coherent argument. I", "readers doesn't like that sets up an important subplot that leads to a", "write things that are enjoyable to read rather than making a didactic point.", "the plot. But if I bend over backward to incorporate every change that", "beta readers suggested I would end up with a work that doesn't take", "gets. Nevertheless, I can see why people wouldn't like it. Regardless of whether", "and wanted it removed and another thought it was great and demanded it", "beta reader-suggested changes, especially if you know that neither you nor the beta", "ask of me, I'll end up with a bland, unfocused mess, especially if", "doesn't take any risks and loses it's impact. Though at the same time,", "on a touchy subject (namely, trauma), but it looks at a specific aspect", "reached the point in my writing process where I've started to send out", "one plot point one of my beta readers doesn't like that sets up", "impact. Though at the same time, I want to write things that are", "it looks at a specific aspect of trauma that is whitewashed or played", "it be kept, I would probably short-circuit. I don't think the problem is", "looks at a specific aspect of trauma that is whitewashed or played for", "of thumb I have been able to figure out is: If multiple people", "they only see the comparatively black-and-white event and don't see the more nuanced", "nuanced consequences of it. It touches on a touchy subject (namely, trauma), but", "to get feedback. However, I've started to notice a bit of a problem", "to incorporate it all in and kind of unthinkingly accept reader interpretations of", "wanted it removed and another thought it was great and demanded it be", "people wouldn't like it. Regardless of whether the idea is good or not,", "points that set up later conflict. How does someone determine when it is", "point in my writing process where I've started to send out drafts of", "have a problem with the same element of the story, it is probably", "coherent argument. I think if I had an issue where one beta reader", "change it. But that doesn't help when I feel myself turning away from", "out is: If multiple people have a problem with the same element of", "point and wanted it removed and another thought it was great and demanded", "mess, especially if it involves cutting out plot points that set up later", "idea to change it. But that doesn't help when I feel myself turning", "better to make beta reader-suggested changes, especially if you know that neither you", "especially if you know that neither you nor the beta reader are going", "that doesn't take any risks and loses it's impact. Though at the same", "characters and a minor antagonist. Because they're reading in linear order, they only", "things. In particular, there is one plot point one of my beta readers", "touchy subject (namely, trauma), but it looks at a specific aspect of trauma", "incorporate it all in and kind of unthinkingly accept reader interpretations of things.", "response that kind of thing often gets. Nevertheless, I can see why people", "is the exact response that kind of thing often gets. Nevertheless, I can", "enjoyable to read rather than making a didactic point. To clarify, I'm not", "This is the entire problem, I know that feedback is critical for improving", "liable to incorporate every change someone insists upon regardless of how it affects", "people-pleaser. I tend to bend over backward to avoid conflict and make people", "a work that doesn't take any risks and loses it's impact. Though at", "said it was bad rather than based on any coherent argument. I think", "they're reading in linear order, they only see the comparatively black-and-white event and", "conflict and make people happy. I've reached the point in my writing process", "see the comparatively black-and-white event and don't see the more nuanced consequences of", "me, I'll end up with a bland, unfocused mess, especially if it involves", "to beta readers to get feedback. However, I've started to notice a bit", "of unthinkingly accept reader interpretations of things. In particular, there is one plot", "point, it's that I see it as a symptom that if I made", "would end up with a work that doesn't take any risks and loses", "is one plot point one of my beta readers doesn't like that sets", "one's vision or when it is better to make beta reader-suggested changes, especially", "great and demanded it be kept, I would probably short-circuit. I don't think", "be protected at all costs. This is the entire problem, I know that", "changed is the exact response that kind of thing often gets. Nevertheless, I", "a problem in that, when I get feedback, I feel compelled to incorporate", "good or not, I'm noticing that my mindset is starting to slip towards", "noticing that my mindset is starting to slip towards \"it's bad/wrong\" simply because", "lead characters and a minor antagonist. Because they're reading in linear order, they", "a didactic point. To clarify, I'm not asking how to shut out criticism", "a novel and ironing out the areas an author might have a blind", "every change that people ask of me, I'll end up with a bland,", "critical for improving a novel and ironing out the areas an author might", "started to send out drafts of my work to beta readers to get", "removed and another thought it was great and demanded it be kept, I", "nor the beta reader are going to be objective in assessing the work.", "is better to make beta reader-suggested changes, especially if you know that neither", "particular plot point and wanted it removed and another thought it was great", "I feel compelled to incorporate it all in and kind of unthinkingly accept", "juicy conflict between the lead characters and a minor antagonist. Because they're reading", "minor antagonist. Because they're reading in linear order, they only see the comparatively", "a bit of a people-pleaser. I tend to bend over backward to avoid", "stick to one's vision or when it is better to make beta reader-suggested", "like it. Regardless of whether the idea is good or not, I'm noticing", "I have been able to figure out is: If multiple people have a", "later conflict. How does someone determine when it is better to stick to", "does someone determine when it is better to stick to one's vision or", "had an issue where one beta reader hated a particular plot point and", "a person, I'm a bit of a people-pleaser. I tend to bend over", "loses it's impact. Though at the same time, I want to write things", "areas an author might have a blind spot for, but this also makes", "change that people ask of me, I'll end up with a bland, unfocused", "is: If multiple people have a problem with the same element of the", "see the more nuanced consequences of it. It touches on a touchy subject", "on any coherent argument. I think if I had an issue where one", "a minor antagonist. Because they're reading in linear order, they only see the", "for laughs in most media, and saying it should be changed is the", "towards \"it's bad/wrong\" simply because the reviewer said it was bad rather than", "I've reached the point in my writing process where I've started to send", "Because they're reading in linear order, they only see the comparatively black-and-white event", "But if I bend over backward to incorporate every change that people ask", "probably a good idea to change it. But that doesn't help when I", "antagonist. Because they're reading in linear order, they only see the comparatively black-and-white", "take any risks and loses it's impact. Though at the same time, I", "plot. But if I bend over backward to incorporate every change that people", "However, I've started to notice a bit of a problem in that, when", "point. To clarify, I'm not asking how to shut out criticism entirely, claiming", "out drafts of my work to beta readers to get feedback. However, I've", "change beta readers suggested I would end up with a work that doesn't", "kept, I would probably short-circuit. I don't think the problem is any specific", "feel myself turning away from plot points when only one beta reader says", "hated a particular plot point and wanted it removed and another thought it", "affects the plot. But if I bend over backward to incorporate every change", "that leads to a lot of juicy conflict between the lead characters and", "element of the story, it is probably a good idea to change it.", "are going to be objective in assessing the work. The only rule of", "a problem with the same element of the story, it is probably a", "problem, I know that feedback is critical for improving a novel and ironing", "I've started to notice a bit of a problem in that, when I", "make beta reader-suggested changes*, especially if you know that neither* you nor the", "making a didactic point. To clarify, I'm not asking how to shut out", "my beta readers doesn't like that sets up an important subplot that leads", "my work to beta readers to get feedback. However, I've started to notice", "to a lot of juicy conflict between the lead characters and a minor", "author might have a blind spot for, but this also makes me liable", "specific aspect of trauma that is whitewashed or played for laughs in most", "it as a symptom that if I made every change beta readers suggested", "Though at the same time, I want to write things that are enjoyable", "of juicy conflict between the lead characters and a minor antagonist. Because they're", "only rule of thumb I have been able to figure out is: If", "with the same element of the story, it is probably a good idea", "or played for laughs in most media, and saying it should be changed", "with a work that doesn't take any risks and loses it's impact. Though", "incorporate every change that people ask of me, I'll end up with a", "and another thought it was great and demanded it be kept, I would", "figure out is: If multiple people have a problem with the same element", "it. Regardless of whether the idea is good or not, I'm noticing that", "I get feedback, I feel compelled to incorporate it all in and kind", "demanded it be kept, I would probably short-circuit. I don't think the problem", "going to be objective in assessing the work. The only rule of thumb", "The only rule of thumb I have been able to figure out is:", "know that feedback is critical for improving a novel and ironing out the", "Regardless of whether the idea is good or not, I'm noticing that my", "than based on any coherent argument. I think if I had an issue", "every change beta readers suggested I would end up with a work that", "that set up later conflict. How does someone determine when it is better", "people have a problem with the same element of the story, it is", "makes me liable to incorporate every change someone insists upon regardless of how", "the point in my writing process where I've started to send out drafts", "an issue where one beta reader hated a particular plot point and wanted", "of thing often gets. Nevertheless, I can see why people wouldn't like it.", "protected at all costs. This is the entire problem, I know that feedback", "the more nuanced consequences of it. It touches on a touchy subject (namely,", "out the areas an author might have a blind spot for, but this", "to incorporate every change someone insists upon regardless of how it affects the", "to bend over backward to avoid conflict and make people happy. I've reached", "is whitewashed or played for laughs in most media, and saying it should", "suggested I would end up with a work that doesn't take any risks", "linear order, they only see the comparatively black-and-white event and don't see the", "in linear order, they only see the comparatively black-and-white event and don't see", "of the story, it is probably a good idea to change it. But", "of it. It touches on a touchy subject (namely, trauma), but it looks", "**How does someone determine when it is better to stick to one's vision", "specific plot point, it's that I see it as a symptom that if", "backward to incorporate every change that people ask of me, I'll end up", "saying it should be changed is the exact response that kind of thing" ]
[ "in any gods. They just believe that things happen, and everyone just exists,", "his tribe. One particular foreigner, an 18 or 20 year old by the", "a few of the willing tribefolk. Not that much, but they do convince", "in the early stages. So how do I portray a religious conflict? Edit:", "This ends up driving their friendship apart, as Gallan and his fellow foreigners", "not exist. The foreigners believe in the gods, and even manage to convert", "and everyone just exists, then doesn't exist. Gallan is surprised and tells Adrian", "that happens. Here's the base of my plot so far: > > Adrian", "convince some. I'm struggling with how I should specifically portray the religious conflict.", "him and his tribe. One particular foreigner, an 18 or 20 year old", "one part of history that I learned. (forgot which conflict) This conflict will", "his fellow tribefolk believed in. This ends up driving their friendship apart, as", "becomes close friends with Adrian. Adrian later casually reveals that He and other", "portray a religious conflict? Edit: Some people have asked questions, so I'll answer", "can cause of the death of one side more often, but what usually", "technological advancements such as the steam engine and the Maxine Machine Gun for", "in the gods, and even manage to convert a few of the willing", "year old by the name of Gallan, becomes close friends with Adrian. Adrian", "some. I'm struggling with how I should specifically portray the religious conflict. How", "in gods. Adrian mentioned it because Gallan was wondering what gods Adrian and", "for one part of history that I learned. (forgot which conflict) This conflict", "atheists, agnostics, and other non-believers have to often face (and I know a", "a religious conflict that happens. Here's the base of my plot so far:", "such as the steam engine and the Maxine Machine Gun for one part", "book I'm making, there is a religious conflict that happens. Here's the base", "\"save them\". I will also include other things that atheists, agnostics, and other", "conflict? Edit: Some people have asked questions, so I'll answer each: I have", "believe in any gods. They just believe that things happen, and everyone just", "there is a religious conflict that happens. Here's the base of my plot", "should specifically portray the religious conflict. How should the foreigners treat the tribefolk", "a lot, being an atheist). Miracles do not exist. The foreigners believe in", "non-belief. The conflict is because Adrian and his tribefolk don't believe in any", "the gods, and even manage to convert a few of the willing tribefolk.", "that much) due to the fact that it is over religion and non-belief.", "done some research on previous conflict. I know that disease can cause of", "lives in the dragon tribe Sa'fwan. Foreigners came to his land, coming across", "the dragon tribe Sa'fwan. Foreigners came to his land, coming across his tribe", "non-believers have to often face (and I know a lot, being an atheist).", "but they do convince some. I'm struggling with how I should specifically portray", "that atheists, agnostics, and other non-believers have to often face (and I know", "more often, but what usually gave people the upper hand was technological advancements", "do convince some. I'm struggling with how I should specifically portray the religious", "to convert the tribefolk. This ends up in a war. > > >", "them\". I will also include other things that atheists, agnostics, and other non-believers", "how I should specifically portray the religious conflict. How should the foreigners treat", "came to his land, coming across his tribe first. They befriended him and", "happen, and everyone just exists, then doesn't exist. Gallan is surprised and tells", "atheist). Miracles do not exist. The foreigners believe in the gods, and even", "the willing tribefolk. Not that much, but they do convince some. I'm struggling", "that disease can cause of the death of one side more often, but", "of my plot so far: > > Adrian lives in the dragon tribe", "Adrian later casually reveals that He and other members of his tribe (and", "and his fellow tribefolk believed in. This ends up driving their friendship apart,", "war. > > > Now, I'm not going to spoil much, and I", "in any gods. Gallan and his fellow foreigners see this as a bad", "portray the religious conflict. How should the foreigners treat the tribefolk before and", "> > Now, I'm not going to spoil much, and I am still", "Now, I'm not going to spoil much, and I am still in the", "his tribefolk don't believe in any gods. Gallan and his fellow foreigners see", "conflict) This conflict will be different (not that much) due to the fact", "tells Adrian that where he's from, many believe in gods. Adrian mentioned it", "that I learned. (forgot which conflict) This conflict will be different (not that", "what gods Adrian and his fellow tribefolk believed in. This ends up driving", "with how I should specifically portray the religious conflict. How should the foreigners", "have only done some research on previous conflict. I know that disease can", "that much, but they do convince some. I'm struggling with how I should", "reveals that He and other members of his tribe (and other tribes on", "18 or 20 year old by the name of Gallan, becomes close friends", "I have only done some research on previous conflict. I know that disease", "am still in the early stages. So how do I portray a religious", "in. This ends up driving their friendship apart, as Gallan and his fellow", "lot, being an atheist). Miracles do not exist. The foreigners believe in the", "I know a lot, being an atheist). Miracles do not exist. The foreigners", "Edit: Some people have asked questions, so I'll answer each: I have only", "of his tribe (and other tribes on his land) don't believe in any", "driving their friendship apart, as Gallan and his fellow foreigners try to convert", "Adrian lives in the dragon tribe Sa'fwan. Foreigners came to his land, coming", "the Maxine Machine Gun for one part of history that I learned. (forgot", "his fellow foreigners see this as a bad thing and want to \"save", "of Gallan, becomes close friends with Adrian. Adrian later casually reveals that He", "that it is over religion and non-belief. The conflict is because Adrian and", "I'm making, there is a religious conflict that happens. Here's the base of", "just exists, then doesn't exist. Gallan is surprised and tells Adrian that where", "is over religion and non-belief. The conflict is because Adrian and his tribefolk", "tribefolk. Not that much, but they do convince some. I'm struggling with how", "his land) don't believe in any gods. They just believe that things happen,", "as a bad thing and want to \"save them\". I will also include", "How should the foreigners treat the tribefolk before and after? Should there be", "> > Adrian lives in the dragon tribe Sa'fwan. Foreigners came to his", "Gallan was wondering what gods Adrian and his fellow tribefolk believed in. This", "any gods. They just believe that things happen, and everyone just exists, then", "to convert a few of the willing tribefolk. Not that much, but they", "often face (and I know a lot, being an atheist). Miracles do not", "have to often face (and I know a lot, being an atheist). Miracles", "many believe in gods. Adrian mentioned it because Gallan was wondering what gods", "(and I know a lot, being an atheist). Miracles do not exist. The", "and non-belief. The conflict is because Adrian and his tribefolk don't believe in", "engine and the Maxine Machine Gun for one part of history that I", "have asked questions, so I'll answer each: I have only done some research", "early stages. So how do I portray a religious conflict? Edit: Some people", "gave people the upper hand was technological advancements such as the steam engine", "to the fact that it is over religion and non-belief. The conflict is", "still in the early stages. So how do I portray a religious conflict?", "conflict that happens. Here's the base of my plot so far: > >", "see this as a bad thing and want to \"save them\". I will", "the base of my plot so far: > > Adrian lives in the", "doesn't exist. Gallan is surprised and tells Adrian that where he's from, many", "as the steam engine and the Maxine Machine Gun for one part of", "much, but they do convince some. I'm struggling with how I should specifically", "cause of the death of one side more often, but what usually gave", "will be different (not that much) due to the fact that it is", "Gallan and his fellow foreigners see this as a bad thing and want", "up driving their friendship apart, as Gallan and his fellow foreigners try to", "an 18 or 20 year old by the name of Gallan, becomes close", "They just believe that things happen, and everyone just exists, then doesn't exist.", "foreigners try to convert the tribefolk. This ends up in a war. >", "Maxine Machine Gun for one part of history that I learned. (forgot which", "to his land, coming across his tribe first. They befriended him and his", "his land, coming across his tribe first. They befriended him and his tribe.", "just believe that things happen, and everyone just exists, then doesn't exist. Gallan", "of the death of one side more often, but what usually gave people", "in a war. > > > Now, I'm not going to spoil much,", "death of one side more often, but what usually gave people the upper", "my plot so far: > > Adrian lives in the dragon tribe Sa'fwan.", "was technological advancements such as the steam engine and the Maxine Machine Gun", "the early stages. So how do I portray a religious conflict? Edit: Some", "tribefolk. This ends up in a war. > > > Now, I'm not", "gods. They just believe that things happen, and everyone just exists, then doesn't", "the tribefolk. This ends up in a war. > > > Now, I'm", "land) don't believe in any gods. They just believe that things happen, and", "I should specifically portray the religious conflict. How should the foreigners treat the", "don't believe in any gods. They just believe that things happen, and everyone", "which conflict) This conflict will be different (not that much) due to the", "conflict is because Adrian and his tribefolk don't believe in any gods. Gallan", "Miracles do not exist. The foreigners believe in the gods, and even manage", "questions, so I'll answer each: I have only done some research on previous", "The foreigners believe in the gods, and even manage to convert a few", "so I'll answer each: I have only done some research on previous conflict.", "Gallan, becomes close friends with Adrian. Adrian later casually reveals that He and", "believe in any gods. Gallan and his fellow foreigners see this as a", "fellow foreigners try to convert the tribefolk. This ends up in a war.", "believe that things happen, and everyone just exists, then doesn't exist. Gallan is", "conflict. I know that disease can cause of the death of one side", "being an atheist). Miracles do not exist. The foreigners believe in the gods,", "religion and non-belief. The conflict is because Adrian and his tribefolk don't believe", "gods Adrian and his fellow tribefolk believed in. This ends up driving their", "first. They befriended him and his tribe. One particular foreigner, an 18 or", "also include other things that atheists, agnostics, and other non-believers have to often", "is because Adrian and his tribefolk don't believe in any gods. Gallan and", "friends with Adrian. Adrian later casually reveals that He and other members of", "I portray a religious conflict? Edit: Some people have asked questions, so I'll", "This conflict will be different (not that much) due to the fact that", "of the willing tribefolk. Not that much, but they do convince some. I'm", "Machine Gun for one part of history that I learned. (forgot which conflict)", "his tribe (and other tribes on his land) don't believe in any gods.", "things that atheists, agnostics, and other non-believers have to often face (and I", "try to convert the tribefolk. This ends up in a war. > >", "and want to \"save them\". I will also include other things that atheists,", "do not exist. The foreigners believe in the gods, and even manage to", "or 20 year old by the name of Gallan, becomes close friends with", "will also include other things that atheists, agnostics, and other non-believers have to", "Adrian and his tribefolk don't believe in any gods. Gallan and his fellow", "far: > > Adrian lives in the dragon tribe Sa'fwan. Foreigners came to", "don't believe in any gods. Gallan and his fellow foreigners see this as", "to \"save them\". I will also include other things that atheists, agnostics, and", "on previous conflict. I know that disease can cause of the death of", "exist. Gallan is surprised and tells Adrian that where he's from, many believe", "tribefolk don't believe in any gods. Gallan and his fellow foreigners see this", "to spoil much, and I am still in the early stages. So how", "much, and I am still in the early stages. So how do I", "going to spoil much, and I am still in the early stages. So", "his tribe first. They befriended him and his tribe. One particular foreigner, an", "Sa'fwan. Foreigners came to his land, coming across his tribe first. They befriended", "was wondering what gods Adrian and his fellow tribefolk believed in. This ends", "making, there is a religious conflict that happens. Here's the base of my", "> Now, I'm not going to spoil much, and I am still in", "usually gave people the upper hand was technological advancements such as the steam", "Gallan and his fellow foreigners try to convert the tribefolk. This ends up", "fellow tribefolk believed in. This ends up driving their friendship apart, as Gallan", "hand was technological advancements such as the steam engine and the Maxine Machine", "Not that much, but they do convince some. I'm struggling with how I", "Adrian mentioned it because Gallan was wondering what gods Adrian and his fellow", "tribe Sa'fwan. Foreigners came to his land, coming across his tribe first. They", "people have asked questions, so I'll answer each: I have only done some", "other members of his tribe (and other tribes on his land) don't believe", "wondering what gods Adrian and his fellow tribefolk believed in. This ends up", "some research on previous conflict. I know that disease can cause of the", "often, but what usually gave people the upper hand was technological advancements such", "steam engine and the Maxine Machine Gun for one part of history that", "religious conflict? Edit: Some people have asked questions, so I'll answer each: I", "I'm struggling with how I should specifically portray the religious conflict. How should", "tribes on his land) don't believe in any gods. They just believe that", "a religious conflict? Edit: Some people have asked questions, so I'll answer each:", "> > > Now, I'm not going to spoil much, and I am", "any gods. Gallan and his fellow foreigners see this as a bad thing", "what usually gave people the upper hand was technological advancements such as the", "of history that I learned. (forgot which conflict) This conflict will be different", "one side more often, but what usually gave people the upper hand was", "> Adrian lives in the dragon tribe Sa'fwan. Foreigners came to his land,", "I'm not going to spoil much, and I am still in the early", "because Adrian and his tribefolk don't believe in any gods. Gallan and his", "In this book I'm making, there is a religious conflict that happens. Here's", "on his land) don't believe in any gods. They just believe that things", "he's from, many believe in gods. Adrian mentioned it because Gallan was wondering", "Gun for one part of history that I learned. (forgot which conflict) This", "other things that atheists, agnostics, and other non-believers have to often face (and", "foreigners see this as a bad thing and want to \"save them\". I", "and tells Adrian that where he's from, many believe in gods. Adrian mentioned", "other tribes on his land) don't believe in any gods. They just believe", "few of the willing tribefolk. Not that much, but they do convince some.", "other non-believers have to often face (and I know a lot, being an", "asked questions, so I'll answer each: I have only done some research on", "a war. > > > Now, I'm not going to spoil much, and", "advancements such as the steam engine and the Maxine Machine Gun for one", "Adrian and his fellow tribefolk believed in. This ends up driving their friendship", "across his tribe first. They befriended him and his tribe. One particular foreigner,", "gods, and even manage to convert a few of the willing tribefolk. Not", "plot so far: > > Adrian lives in the dragon tribe Sa'fwan. Foreigners", "land, coming across his tribe first. They befriended him and his tribe. One", "is a religious conflict that happens. Here's the base of my plot so", "it is over religion and non-belief. The conflict is because Adrian and his", "Some people have asked questions, so I'll answer each: I have only done", "then doesn't exist. Gallan is surprised and tells Adrian that where he's from,", "specifically portray the religious conflict. How should the foreigners treat the tribefolk before", "One particular foreigner, an 18 or 20 year old by the name of", "different (not that much) due to the fact that it is over religion", "of one side more often, but what usually gave people the upper hand", "I know that disease can cause of the death of one side more", "Adrian that where he's from, many believe in gods. Adrian mentioned it because", "mentioned it because Gallan was wondering what gods Adrian and his fellow tribefolk", "his fellow foreigners try to convert the tribefolk. This ends up in a", "casually reveals that He and other members of his tribe (and other tribes", "disease can cause of the death of one side more often, but what", "convert a few of the willing tribefolk. Not that much, but they do", "exists, then doesn't exist. Gallan is surprised and tells Adrian that where he's", "I learned. (forgot which conflict) This conflict will be different (not that much)", "from, many believe in gods. Adrian mentioned it because Gallan was wondering what", "a bad thing and want to \"save them\". I will also include other", "tribe (and other tribes on his land) don't believe in any gods. They", "Gallan is surprised and tells Adrian that where he's from, many believe in", "everyone just exists, then doesn't exist. Gallan is surprised and tells Adrian that", "up in a war. > > > Now, I'm not going to spoil", "base of my plot so far: > > Adrian lives in the dragon", "manage to convert a few of the willing tribefolk. Not that much, but", "The conflict is because Adrian and his tribefolk don't believe in any gods.", "stages. So how do I portray a religious conflict? Edit: Some people have", "believe in the gods, and even manage to convert a few of the", "and his tribe. One particular foreigner, an 18 or 20 year old by", "particular foreigner, an 18 or 20 year old by the name of Gallan,", "tribe. One particular foreigner, an 18 or 20 year old by the name", "They befriended him and his tribe. One particular foreigner, an 18 or 20", "know that disease can cause of the death of one side more often,", "history that I learned. (forgot which conflict) This conflict will be different (not", "believe in gods. Adrian mentioned it because Gallan was wondering what gods Adrian", "tribefolk believed in. This ends up driving their friendship apart, as Gallan and", "things happen, and everyone just exists, then doesn't exist. Gallan is surprised and", "upper hand was technological advancements such as the steam engine and the Maxine", "(not that much) due to the fact that it is over religion and", "religious conflict. How should the foreigners treat the tribefolk before and after? Should", "where he's from, many believe in gods. Adrian mentioned it because Gallan was", "it because Gallan was wondering what gods Adrian and his fellow tribefolk believed", "research on previous conflict. I know that disease can cause of the death", "later casually reveals that He and other members of his tribe (and other", "and his fellow foreigners try to convert the tribefolk. This ends up in", "ends up driving their friendship apart, as Gallan and his fellow foreigners try", "fellow foreigners see this as a bad thing and want to \"save them\".", "Here's the base of my plot so far: > > Adrian lives in", "and the Maxine Machine Gun for one part of history that I learned.", "members of his tribe (and other tribes on his land) don't believe in", "that where he's from, many believe in gods. Adrian mentioned it because Gallan", "coming across his tribe first. They befriended him and his tribe. One particular", "they do convince some. I'm struggling with how I should specifically portray the", "the foreigners treat the tribefolk before and after? Should there be battles? What", "this book I'm making, there is a religious conflict that happens. Here's the", "an atheist). Miracles do not exist. The foreigners believe in the gods, and", "as Gallan and his fellow foreigners try to convert the tribefolk. This ends", "befriended him and his tribe. One particular foreigner, an 18 or 20 year", "and other members of his tribe (and other tribes on his land) don't", "over religion and non-belief. The conflict is because Adrian and his tribefolk don't", "foreigner, an 18 or 20 year old by the name of Gallan, becomes", "only done some research on previous conflict. I know that disease can cause", "exist. The foreigners believe in the gods, and even manage to convert a", "willing tribefolk. Not that much, but they do convince some. I'm struggling with", "agnostics, and other non-believers have to often face (and I know a lot,", "with Adrian. Adrian later casually reveals that He and other members of his", "So how do I portray a religious conflict? Edit: Some people have asked", "be different (not that much) due to the fact that it is over", "gods. Gallan and his fellow foreigners see this as a bad thing and", "He and other members of his tribe (and other tribes on his land)", "that He and other members of his tribe (and other tribes on his", "people the upper hand was technological advancements such as the steam engine and", "religious conflict that happens. Here's the base of my plot so far: >", "conflict. How should the foreigners treat the tribefolk before and after? Should there", "answer each: I have only done some research on previous conflict. I know", "friendship apart, as Gallan and his fellow foreigners try to convert the tribefolk.", "I'll answer each: I have only done some research on previous conflict. I", "Adrian. Adrian later casually reveals that He and other members of his tribe", "even manage to convert a few of the willing tribefolk. Not that much,", "the fact that it is over religion and non-belief. The conflict is because", "tribe first. They befriended him and his tribe. One particular foreigner, an 18", "and other non-believers have to often face (and I know a lot, being", "close friends with Adrian. Adrian later casually reveals that He and other members", "convert the tribefolk. This ends up in a war. > > > Now,", "the religious conflict. How should the foreigners treat the tribefolk before and after?", "each: I have only done some research on previous conflict. I know that", "and his tribefolk don't believe in any gods. Gallan and his fellow foreigners", "20 year old by the name of Gallan, becomes close friends with Adrian.", "and his fellow foreigners see this as a bad thing and want to", "want to \"save them\". I will also include other things that atheists, agnostics,", "is surprised and tells Adrian that where he's from, many believe in gods.", "the upper hand was technological advancements such as the steam engine and the", "due to the fact that it is over religion and non-belief. The conflict", "happens. Here's the base of my plot so far: > > Adrian lives", "in the dragon tribe Sa'fwan. Foreigners came to his land, coming across his", "apart, as Gallan and his fellow foreigners try to convert the tribefolk. This", "but what usually gave people the upper hand was technological advancements such as", "I will also include other things that atheists, agnostics, and other non-believers have", "previous conflict. I know that disease can cause of the death of one", "ends up in a war. > > > Now, I'm not going to", "by the name of Gallan, becomes close friends with Adrian. Adrian later casually", "side more often, but what usually gave people the upper hand was technological", "not going to spoil much, and I am still in the early stages.", "and I am still in the early stages. So how do I portray", "gods. Adrian mentioned it because Gallan was wondering what gods Adrian and his", "bad thing and want to \"save them\". I will also include other things", "name of Gallan, becomes close friends with Adrian. Adrian later casually reveals that", "how do I portray a religious conflict? Edit: Some people have asked questions,", "this as a bad thing and want to \"save them\". I will also", "thing and want to \"save them\". I will also include other things that", "and even manage to convert a few of the willing tribefolk. Not that", "fact that it is over religion and non-belief. The conflict is because Adrian", "the death of one side more often, but what usually gave people the", "face (and I know a lot, being an atheist). Miracles do not exist.", "foreigners treat the tribefolk before and after? Should there be battles? What else?", "surprised and tells Adrian that where he's from, many believe in gods. Adrian", "learned. (forgot which conflict) This conflict will be different (not that much) due", "conflict will be different (not that much) due to the fact that it", "part of history that I learned. (forgot which conflict) This conflict will be", "that things happen, and everyone just exists, then doesn't exist. Gallan is surprised", "much) due to the fact that it is over religion and non-belief. The", "the steam engine and the Maxine Machine Gun for one part of history", "foreigners believe in the gods, and even manage to convert a few of", "(and other tribes on his land) don't believe in any gods. They just", "dragon tribe Sa'fwan. Foreigners came to his land, coming across his tribe first.", "the name of Gallan, becomes close friends with Adrian. Adrian later casually reveals", "Foreigners came to his land, coming across his tribe first. They befriended him", "do I portray a religious conflict? Edit: Some people have asked questions, so", "This ends up in a war. > > > Now, I'm not going", "old by the name of Gallan, becomes close friends with Adrian. Adrian later", "know a lot, being an atheist). Miracles do not exist. The foreigners believe", "so far: > > Adrian lives in the dragon tribe Sa'fwan. Foreigners came", "their friendship apart, as Gallan and his fellow foreigners try to convert the", "because Gallan was wondering what gods Adrian and his fellow tribefolk believed in.", "believed in. This ends up driving their friendship apart, as Gallan and his", "I am still in the early stages. So how do I portray a", "spoil much, and I am still in the early stages. So how do", "include other things that atheists, agnostics, and other non-believers have to often face", "(forgot which conflict) This conflict will be different (not that much) due to", "to often face (and I know a lot, being an atheist). Miracles do", "struggling with how I should specifically portray the religious conflict. How should the", "should the foreigners treat the tribefolk before and after? Should there be battles?" ]
[ "* Being interested in what I write about * Ignoring my inner critic,", "conflict between: * Being interested in what I write about * Ignoring my", "the wrong idea to begin with, and should keep searching for a better", "writing habit, etc. When I find an idea interesting, I usually hit a", "it well already or that the concept isn't enough to sustain a plot.", "lose interest in the idea. I wonder whether I had the wrong idea", "When I find an idea interesting, I usually hit a roadblock like discovering", "past writer's block, starting writing, maintaining a writing habit, etc. When I find", "push past this and keep developing what I have. However, after I hit", "I had the wrong idea to begin with, and should keep searching for", "Any advice on finding a happy medium? Or maybe I'm missing something larger?", "already or that the concept isn't enough to sustain a plot. I hear", "habit, etc. When I find an idea interesting, I usually hit a roadblock", "Ignoring my inner critic, pushing past writer's block, starting writing, maintaining a writing", "sustain a plot. I hear that I should try to push past this", "I usually hit a roadblock like discovering that someone else has done it", "had the wrong idea to begin with, and should keep searching for a", "starting writing, maintaining a writing habit, etc. When I find an idea interesting,", "interested in what I write about * Ignoring my inner critic, pushing past", "the idea. I wonder whether I had the wrong idea to begin with,", "pushing past writer's block, starting writing, maintaining a writing habit, etc. When I", "in the idea. I wonder whether I had the wrong idea to begin", "or that the concept isn't enough to sustain a plot. I hear that", "writing, maintaining a writing habit, etc. When I find an idea interesting, I", "like discovering that someone else has done it well already or that the", "about * Ignoring my inner critic, pushing past writer's block, starting writing, maintaining", "to sustain a plot. I hear that I should try to push past", "plot. I hear that I should try to push past this and keep", "an idea interesting, I usually hit a roadblock like discovering that someone else", "that someone else has done it well already or that the concept isn't", "roadblock, I lose interest in the idea. I wonder whether I had the", "after I hit the roadblock, I lose interest in the idea. I wonder", "find an idea interesting, I usually hit a roadblock like discovering that someone", "writer's block, starting writing, maintaining a writing habit, etc. When I find an", "I hit the roadblock, I lose interest in the idea. I wonder whether", "that I should try to push past this and keep developing what I", "searching for a better one. Any advice on finding a happy medium? Or", "to push past this and keep developing what I have. However, after I", "for a better one. Any advice on finding a happy medium? Or maybe", "I lose interest in the idea. I wonder whether I had the wrong", "and should keep searching for a better one. Any advice on finding a", "done it well already or that the concept isn't enough to sustain a", "a roadblock like discovering that someone else has done it well already or", "usually hit a roadblock like discovering that someone else has done it well", "try to push past this and keep developing what I have. However, after", "I write about * Ignoring my inner critic, pushing past writer's block, starting", "I find an idea interesting, I usually hit a roadblock like discovering that", "a plot. I hear that I should try to push past this and", "the roadblock, I lose interest in the idea. I wonder whether I had", "should keep searching for a better one. Any advice on finding a happy", "write about * Ignoring my inner critic, pushing past writer's block, starting writing,", "I wonder whether I had the wrong idea to begin with, and should", "a better one. Any advice on finding a happy medium? Or maybe I'm", "maintaining a writing habit, etc. When I find an idea interesting, I usually", "interest in the idea. I wonder whether I had the wrong idea to", "I should try to push past this and keep developing what I have.", "I resolve the conflict between: * Being interested in what I write about", "idea to begin with, and should keep searching for a better one. Any", "in what I write about * Ignoring my inner critic, pushing past writer's", "well already or that the concept isn't enough to sustain a plot. I", "keep developing what I have. However, after I hit the roadblock, I lose", "Being interested in what I write about * Ignoring my inner critic, pushing", "etc. When I find an idea interesting, I usually hit a roadblock like", "inner critic, pushing past writer's block, starting writing, maintaining a writing habit, etc.", "that the concept isn't enough to sustain a plot. I hear that I", "have. However, after I hit the roadblock, I lose interest in the idea.", "However, after I hit the roadblock, I lose interest in the idea. I", "roadblock like discovering that someone else has done it well already or that", "my inner critic, pushing past writer's block, starting writing, maintaining a writing habit,", "between: * Being interested in what I write about * Ignoring my inner", "this and keep developing what I have. However, after I hit the roadblock,", "what I have. However, after I hit the roadblock, I lose interest in", "keep searching for a better one. Any advice on finding a happy medium?", "someone else has done it well already or that the concept isn't enough", "* Ignoring my inner critic, pushing past writer's block, starting writing, maintaining a", "idea. I wonder whether I had the wrong idea to begin with, and", "one. Any advice on finding a happy medium? Or maybe I'm missing something", "critic, pushing past writer's block, starting writing, maintaining a writing habit, etc. When", "has done it well already or that the concept isn't enough to sustain", "past this and keep developing what I have. However, after I hit the", "How do I resolve the conflict between: * Being interested in what I", "idea interesting, I usually hit a roadblock like discovering that someone else has", "hit a roadblock like discovering that someone else has done it well already", "begin with, and should keep searching for a better one. Any advice on", "hit the roadblock, I lose interest in the idea. I wonder whether I", "and keep developing what I have. However, after I hit the roadblock, I", "better one. Any advice on finding a happy medium? Or maybe I'm missing", "the concept isn't enough to sustain a plot. I hear that I should", "the conflict between: * Being interested in what I write about * Ignoring", "else has done it well already or that the concept isn't enough to", "developing what I have. However, after I hit the roadblock, I lose interest", "resolve the conflict between: * Being interested in what I write about ", "discovering that someone else has done it well already or that the concept", "whether I had the wrong idea to begin with, and should keep searching", "wrong idea to begin with, and should keep searching for a better one.", "I have. However, after I hit the roadblock, I lose interest in the", "enough to sustain a plot. I hear that I should try to push", "interesting, I usually hit a roadblock like discovering that someone else has done", "to begin with, and should keep searching for a better one. Any advice", "hear that I should try to push past this and keep developing what", "with, and should keep searching for a better one. Any advice on finding", "do I resolve the conflict between: Being interested in what I write", "concept isn't enough to sustain a plot. I hear that I should try", "what I write about * Ignoring my inner critic, pushing past writer's block,", "block, starting writing, maintaining a writing habit, etc. When I find an idea", "I hear that I should try to push past this and keep developing", "isn't enough to sustain a plot. I hear that I should try to", "wonder whether I had the wrong idea to begin with, and should keep", "should try to push past this and keep developing what I have. However,", "a writing habit, etc. When I find an idea interesting, I usually hit" ]
[ "I've been through a lot and I wanted my voice to be heard.", "novel about 6 years ago, and most of the critics who read it", "heard. I think I wrote too much because it's hard to express yourself", "second novel, but I'm still a bit confused. Do you think I should", "be published has the same mistake. It is a fantasy novel. I keep", "understand why someone would say that about my first novel. I know that", "someone would say that about my first novel. I know that I said", "it is too descriptive too but I think I understand why someone would", "descriptive too but honestly, I feel that I don't describe without a reason.", "critics who read it thought that it was too descriptive. Now I'm worried", "(I wrote it when I was 19). I've been through a lot and", "a novel about 6 years ago, and most of the critics who read", "in my first novel (I wrote it when I was 19). I've been", "the grammatical mistakes. I've published a novel about 6 years ago, and most", "It is a fantasy novel. I keep thinking whether it is too descriptive", "it's hard to express yourself where I live. I think my second novel", "I've published a novel about 6 years ago, and most of the critics", "point in my head. I mean, I feel deep inside that the descriptions", "descriptive. Now I'm worried if my second novel to be published has the", "language is Arabic. Please ignore the grammatical mistakes. I've published a novel about", "it thought that it was too descriptive. Now I'm worried if my second", "too descriptive. Now I'm worried if my second novel to be published has", "6 years ago, and most of the critics who read it thought that", "that about my first novel. I know that I said too much in", "that the descriptions are justified in my second novel, but I'm still a", "you think I should follow the critics' words or just do what I", "I'm worried if my second novel to be published has the same mistake.", "describe without a reason. I rarely describe for merely aesthetic reasons, or just", "would say that about my first novel. I know that I said too", "thought that it was too descriptive. Now I'm worried if my second novel", "keep thinking whether it is too descriptive too but I think I understand", "been through a lot and I wanted my voice to be heard. I", "to express yourself where I live. I think my second novel is relatively", "a reason. I rarely describe for merely aesthetic reasons, or just to prove", "much in my first novel (I wrote it when I was 19). I've", "a lot and I wanted my voice to be heard. I think I", "first language is Arabic. Please ignore the grammatical mistakes. I've published a novel", "second novel is relatively slow-paced but full of action. It is highly descriptive", "feel deep inside that the descriptions are justified in my second novel, but", "mistake. It is a fantasy novel. I keep thinking whether it is too", "whether it is too descriptive too but I think I understand why someone", "most of the critics who read it thought that it was too descriptive.", "my head. I mean, I feel deep inside that the descriptions are justified", "was 19). I've been through a lot and I wanted my voice to", "justified in my second novel, but I'm still a bit confused. Do you", "deep inside that the descriptions are justified in my second novel, but I'm", "hard to express yourself where I live. I think my second novel is", "reason. I rarely describe for merely aesthetic reasons, or just to prove a", "without a reason. I rarely describe for merely aesthetic reasons, or just to", "if my second novel to be published has the same mistake. It is", "inside that the descriptions are justified in my second novel, but I'm still", "published has the same mistake. It is a fantasy novel. I keep thinking", "and most of the critics who read it thought that it was too", "I keep thinking whether it is too descriptive too but I think I", "I'm still a bit confused. Do you think I should follow the critics'", "I should follow the critics' words or just do what I feel is", "think I should follow the critics' words or just do what I feel", "thinking whether it is too descriptive too but I think I understand why", "I understand why someone would say that about my first novel. I know", "why someone would say that about my first novel. I know that I", "novel. I know that I said too much in my first novel (I", "first novel. I know that I said too much in my first novel", "think I understand why someone would say that about my first novel. I", "merely aesthetic reasons, or just to prove a point in my head. I", "said too much in my first novel (I wrote it when I was", "through a lot and I wanted my voice to be heard. I think", "too but honestly, I feel that I don't describe without a reason. I", "I was 19). I've been through a lot and I wanted my voice", "years ago, and most of the critics who read it thought that it", "full of action. It is highly descriptive too but honestly, I feel that", "in my head. I mean, I feel deep inside that the descriptions are", "but honestly, I feel that I don't describe without a reason. I rarely", "lot and I wanted my voice to be heard. I think I wrote", "slow-paced but full of action. It is highly descriptive too but honestly, I", "It is highly descriptive too but honestly, I feel that I don't describe", "is too descriptive too but I think I understand why someone would say", "to be published has the same mistake. It is a fantasy novel. I", "bit confused. Do you think I should follow the critics' words or just", "I think my second novel is relatively slow-paced but full of action. It", "I think I understand why someone would say that about my first novel.", "about my first novel. I know that I said too much in my", "my first novel (I wrote it when I was 19). I've been through", "my voice to be heard. I think I wrote too much because it's", "aesthetic reasons, or just to prove a point in my head. I mean,", "second novel to be published has the same mistake. It is a fantasy", "I wanted my voice to be heard. I think I wrote too much", "is relatively slow-paced but full of action. It is highly descriptive too but", "mistakes. I've published a novel about 6 years ago, and most of the", "highly descriptive too but honestly, I feel that I don't describe without a", "read it thought that it was too descriptive. Now I'm worried if my", "it was too descriptive. Now I'm worried if my second novel to be", "to be heard. I think I wrote too much because it's hard to", "don't describe without a reason. I rarely describe for merely aesthetic reasons, or", "prove a point in my head. I mean, I feel deep inside that", "the same mistake. It is a fantasy novel. I keep thinking whether it", "but full of action. It is highly descriptive too but honestly, I feel", "head. I mean, I feel deep inside that the descriptions are justified in", "Now I'm worried if my second novel to be published has the same", "is highly descriptive too but honestly, I feel that I don't describe without", "voice to be heard. I think I wrote too much because it's hard", "I said too much in my first novel (I wrote it when I", "I feel that I don't describe without a reason. I rarely describe for", "know that I said too much in my first novel (I wrote it", "a fantasy novel. I keep thinking whether it is too descriptive too but", "my second novel to be published has the same mistake. It is a", "wrote it when I was 19). I've been through a lot and I", "my first novel. I know that I said too much in my first", "say that about my first novel. I know that I said too much", "just to prove a point in my head. I mean, I feel deep", "because it's hard to express yourself where I live. I think my second", "in my second novel, but I'm still a bit confused. Do you think", "Arabic. Please ignore the grammatical mistakes. I've published a novel about 6 years", "Please ignore the grammatical mistakes. I've published a novel about 6 years ago,", "the critics who read it thought that it was too descriptive. Now I'm", "action. It is highly descriptive too but honestly, I feel that I don't", "I live. I think my second novel is relatively slow-paced but full of", "is a fantasy novel. I keep thinking whether it is too descriptive too", "reasons, or just to prove a point in my head. I mean, I", "yourself where I live. I think my second novel is relatively slow-paced but", "too much because it's hard to express yourself where I live. I think", "has the same mistake. It is a fantasy novel. I keep thinking whether", "I don't describe without a reason. I rarely describe for merely aesthetic reasons,", "are justified in my second novel, but I'm still a bit confused. Do", "my second novel is relatively slow-paced but full of action. It is highly", "novel. I keep thinking whether it is too descriptive too but I think", "novel to be published has the same mistake. It is a fantasy novel.", "wanted my voice to be heard. I think I wrote too much because", "descriptions are justified in my second novel, but I'm still a bit confused.", "is Arabic. Please ignore the grammatical mistakes. I've published a novel about 6", "novel (I wrote it when I was 19). I've been through a lot", "describe for merely aesthetic reasons, or just to prove a point in my", "My first language is Arabic. Please ignore the grammatical mistakes. I've published a", "of the critics who read it thought that it was too descriptive. Now", "think my second novel is relatively slow-paced but full of action. It is", "I rarely describe for merely aesthetic reasons, or just to prove a point", "live. I think my second novel is relatively slow-paced but full of action.", "relatively slow-paced but full of action. It is highly descriptive too but honestly,", "same mistake. It is a fantasy novel. I keep thinking whether it is", "I feel deep inside that the descriptions are justified in my second novel,", "to prove a point in my head. I mean, I feel deep inside", "that I said too much in my first novel (I wrote it when", "be heard. I think I wrote too much because it's hard to express", "about 6 years ago, and most of the critics who read it thought", "I mean, I feel deep inside that the descriptions are justified in my", "too much in my first novel (I wrote it when I was 19).", "mean, I feel deep inside that the descriptions are justified in my second", "ago, and most of the critics who read it thought that it was", "too descriptive too but I think I understand why someone would say that", "still a bit confused. Do you think I should follow the critics' words", "a bit confused. Do you think I should follow the critics' words or", "wrote too much because it's hard to express yourself where I live. I", "I think I wrote too much because it's hard to express yourself where", "descriptive too but I think I understand why someone would say that about", "that it was too descriptive. Now I'm worried if my second novel to", "rarely describe for merely aesthetic reasons, or just to prove a point in", "where I live. I think my second novel is relatively slow-paced but full", "of action. It is highly descriptive too but honestly, I feel that I", "much because it's hard to express yourself where I live. I think my", "or just to prove a point in my head. I mean, I feel", "I know that I said too much in my first novel (I wrote", "worried if my second novel to be published has the same mistake. It", "it when I was 19). I've been through a lot and I wanted", "ignore the grammatical mistakes. I've published a novel about 6 years ago, and", "I wrote too much because it's hard to express yourself where I live.", "express yourself where I live. I think my second novel is relatively slow-paced", "published a novel about 6 years ago, and most of the critics who", "feel that I don't describe without a reason. I rarely describe for merely", "confused. Do you think I should follow the critics' words or just do", "when I was 19). I've been through a lot and I wanted my", "for merely aesthetic reasons, or just to prove a point in my head.", "was too descriptive. Now I'm worried if my second novel to be published", "too but I think I understand why someone would say that about my", "first novel (I wrote it when I was 19). I've been through a", "but I'm still a bit confused. Do you think I should follow the", "grammatical mistakes. I've published a novel about 6 years ago, and most of", "19). I've been through a lot and I wanted my voice to be", "Do you think I should follow the critics' words or just do what", "that I don't describe without a reason. I rarely describe for merely aesthetic", "but I think I understand why someone would say that about my first", "fantasy novel. I keep thinking whether it is too descriptive too but I", "who read it thought that it was too descriptive. Now I'm worried if", "a point in my head. I mean, I feel deep inside that the", "and I wanted my voice to be heard. I think I wrote too", "novel is relatively slow-paced but full of action. It is highly descriptive too", "honestly, I feel that I don't describe without a reason. I rarely describe", "my second novel, but I'm still a bit confused. Do you think I", "the descriptions are justified in my second novel, but I'm still a bit", "think I wrote too much because it's hard to express yourself where I", "should follow the critics' words or just do what I feel is right?", "novel, but I'm still a bit confused. Do you think I should follow" ]
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