Split (1)

train · 10.4M rows

ngram listlengths 0 10.5k
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For my first", "text, I would put a pound sign ( # ) to signal to", "when exactly I need to be thinking about where my chapters are. Some", "put a pound sign ( # ) to signal to myself that this", "chapter to end/begin. Now I'm wondering when exactly I need to be thinking", "chapters are. Some info- the genre of my book is YA fantasy, and", "together an editing plan for myself for my novel, and someone said something", "the genre of my book is YA fantasy, and my word count is", "of my book is YA fantasy, and my word count is 81,600 words", "wondering when exactly I need to be thinking about where my chapters are.", "that made me think of chapters. For my first draft, I hadn't ever", "Now I'm wondering when exactly I need to be thinking about where my", "exactly I need to be thinking about where my chapters are. Some info-", "natural break in the text, I would put a pound sign ( #", "draft, I hadn't ever thought about chapters that much, only working on the", "only working on the writing itself. When I came to a natural break", "place for a chapter to end/begin. Now I'm wondering when exactly I need", "signal to myself that this would be a good place for a chapter", "# ) to signal to myself that this would be a good place", "When I came to a natural break in the text, I would put", ") to signal to myself that this would be a good place for", "a pound sign ( # ) to signal to myself that this would", "For my first draft, I hadn't ever thought about chapters that much, only", "someone said something that made me think of chapters. For my first draft,", "think of chapters. For my first draft, I hadn't ever thought about chapters", "myself that this would be a good place for a chapter to end/begin.", "chapters that much, only working on the writing itself. When I came to", "are. Some info- the genre of my book is YA fantasy, and my", "itself. When I came to a natural break in the text, I would", "break in the text, I would put a pound sign ( # )", "in the text, I would put a pound sign ( # ) to", "a chapter to end/begin. Now I'm wondering when exactly I need to be", "plan for myself for my novel, and someone said something that made me", "the text, I would put a pound sign ( # ) to signal", "about where my chapters are. Some info- the genre of my book is", "( # ) to signal to myself that this would be a good", "I hadn't ever thought about chapters that much, only working on the writing", "writing itself. When I came to a natural break in the text, I", "I need to be thinking about where my chapters are. Some info- the", "genre of my book is YA fantasy, and my word count is 81,600", "my book is YA fantasy, and my word count is 81,600 words (roughly).", "an editing plan for myself for my novel, and someone said something that", "good place for a chapter to end/begin. Now I'm wondering when exactly I", "novel, and someone said something that made me think of chapters. For my", "ever thought about chapters that much, only working on the writing itself. When", "for a chapter to end/begin. Now I'm wondering when exactly I need to", "to end/begin. Now I'm wondering when exactly I need to be thinking about", "I would put a pound sign ( # ) to signal to myself", "myself for my novel, and someone said something that made me think of", "I'm putting together an editing plan for myself for my novel, and someone", "be a good place for a chapter to end/begin. Now I'm wondering when", "would be a good place for a chapter to end/begin. Now I'm wondering", "said something that made me think of chapters. For my first draft, I", "on the writing itself. When I came to a natural break in the", "I'm wondering when exactly I need to be thinking about where my chapters", "that much, only working on the writing itself. When I came to a", "chapters. For my first draft, I hadn't ever thought about chapters that much,", "a natural break in the text, I would put a pound sign (", "of chapters. For my first draft, I hadn't ever thought about chapters that", "thinking about where my chapters are. Some info- the genre of my book", "much, only working on the writing itself. When I came to a natural", "came to a natural break in the text, I would put a pound", "this would be a good place for a chapter to end/begin. Now I'm", "I came to a natural break in the text, I would put a", "my chapters are. Some info- the genre of my book is YA fantasy,", "would put a pound sign ( # ) to signal to myself that", "for my novel, and someone said something that made me think of chapters.", "for myself for my novel, and someone said something that made me think", "hadn't ever thought about chapters that much, only working on the writing itself.", "first draft, I hadn't ever thought about chapters that much, only working on", "pound sign ( # ) to signal to myself that this would be", "sign ( # ) to signal to myself that this would be a", "my first draft, I hadn't ever thought about chapters that much, only working", "thought about chapters that much, only working on the writing itself. When I", "where my chapters are. Some info- the genre of my book is YA", "the writing itself. When I came to a natural break in the text,", "my novel, and someone said something that made me think of chapters. For", "about chapters that much, only working on the writing itself. When I came", "a good place for a chapter to end/begin. Now I'm wondering when exactly", "need to be thinking about where my chapters are. Some info- the genre", "be thinking about where my chapters are. Some info- the genre of my", "that this would be a good place for a chapter to end/begin. Now" ]
[ "been placed on them. They aren't a Superman-level flying brick, but they definitely", "character from the picture so that the main characters are forced to solve", "The mentor character cannot be everywhere at once, and while they would love", "at once, and while they would love to protect the main characters, who", "via injury that puts them in critical condition or emotionally compromises them so", "problem by themselves and don't have any parental figures/mentors/greater heroes to rely on", "Coast), and they can only get from one end of the country to", "with them or are outright antagonistic to them. However, none of these solutions", "They aren't a Superman-level flying brick, but they definitely come off as the", "for drama and adventure, so I feel as though I am not implementing", "constrained in where it can go, and have been concerned that this mentor", "around in terms of raw power and what they can do. This kind", "their own character flaws and arcs that notably does not die at the", "mean removing one of the most interesting to read characters from the story.", "result they can really only travel to help out the main characters if", "it can go, and have been concerned that this mentor character might be", "of how stories should go. I agree with the literary importance of removing", "God, and there are many groups that either disagree with them or are", "from the story. Given this, *how to I prevent the mentor character from", "a couple of events that potentially remove the mentor from the picture either", "throughout the story and force them to grow. Therefore, their purpose in the", "they would love to protect the main characters, who they see as surrogate", "killing off mentor characters has become seen as increasingly cliche ever since [Obi-Wan", "this respect they are treated as the [Aragorn](https://en.wikipedia.org/wiki/Aragorn) to the protagonist's Frodo and", "have a more traditional \"Kryptonite-esque\" weakness. 4. The mentor character cannot be everywhere", "many groups that either disagree with them or are outright antagonistic to them.", "liaison with the government to keep them from overreacting every time something goes", "they can only get from one end of the country to the other", "traditional Campbellian storyline). I don't agree with the strict Campbellian interpretation of how", "them. However, at the same time, outright killing the mentor character simply to", "6. Not everyone listens to them. They may be respected, but they aren't", "well in Star Wars* (to the point that such an act has been", "the mentor character from removing any dramatic tension from the plot without simply", "this, *how to I prevent the mentor character from removing any dramatic tension", "wisdom for the protagonists. My intent was to make the mentor character as", "it's necessary to remove any powerful heroic characters from the board by the", "They're the most powerful, but they aren't Superman. Similarly, they do have a", "time. 3. The mentor character is not all-powerful, they have distinct weaknesses that", "Sam. Normally their hands are pretty tied in how much they can do.", "hero's journey that it's necessary to remove any powerful heroic characters from the", "to I prevent the mentor character from removing any dramatic tension from the", "flaws and arcs that notably does not* die at the end of the", "has been called \"pulling an Obi-Wan\"), and especially so after Dumbledore in Hijrp", "die at the end, and it would basically mean removing one of the", "exist just to dispense cryptic wisdom and then die. Nothing says \"don't get", "I don't want to kill the mentor character off because it doesn't add", "to help out the main characters if the situation is outright apocalyptic and", "pathos to the story beyond that removal of any safety net. Their character", "from removing any dramatic tension from the plot without simply killing them off?", "with the power and responsibility that has been placed on them. They aren't", "the main characters have to solve the problem by themselves and don't have", "everywhere at once, and while they would love to protect the main characters,", "from overreacting every time something goes wrong. In this respect they are treated", "come off as the biggest fish in the pond. I've always hated mentor", "cope with the power and responsibility that has been placed on them. They", "character as the other protagonists. 2. The mentor character lives on the opposite", "to the protagonist's Frodo and Sam. Normally their hands are pretty tied in", "Campbellian storyline). I don't agree with the strict Campbellian interpretation of how stories", "the mentor of the protagonists. This character is the leader of the \"good", "the pond. I've always hated mentor characters who seem to exist just to", "killing them off?* Some of the potential solutions I've come up with to", "seems like killing off mentor characters has become seen as increasingly cliche ever", "go. I agree with the literary importance of removing the mentor character from", "money it takes to get a plane ticket). As a result they can", "than wide-open with potential for drama and adventure, so I feel as though", "I do kind of feel like the setting becomes overly \"safe\" after the", "their hands are pretty tied in how much they can do. 5. There", "and removes any familiar sense of safety which increases dramatic tension and the", "compared to earlier story arcs where the characters have to fend for themselves", "to remove any powerful heroic characters from the board by the beginning of", "go, and have been concerned that this mentor character might be part of", "than this, and makes the character seem more like a plot device than", "of these authority figures basically allows the plot to descend into complete anarchy", "not morally perfect, they can make mistakes and have their own flaws and", "distinct weaknesses that can be exploited and prevent them from insta-solving every problem.", "that either disagree with them or are outright antagonistic to them. However, none", "of their biggest weaknesses is that for all their power they are very", "these authority figures basically allows the plot to descend into complete anarchy and", "themselves and don't have any parental figures/mentors/greater heroes to rely on to do", "a mentor or leader. 6. Not everyone listens to them. They may be", "rather than relying on the mentor character to do everything for them. However,", "the board by the beginning of the third act and make it so", "story beyond that removal of any safety net. Their character arc does not", "the feeling that the setting feels stagnant and small rather than wide-open with", "don't have any parental figures/mentors/greater heroes to rely on to do it for", "travel to help out the main characters if the situation is outright apocalyptic", "the plot to descend into complete anarchy and removes any familiar sense of", "[Campbellian](https://en.wikipedia.org/wiki/Joseph_Campbell) hero's journey that it's necessary to remove any powerful heroic characters from", "aren't a Superman-level flying brick, but they definitely come off as the biggest", "as the biggest fish in the pond. I've always hated mentor characters who", "force them to grow. Therefore, their purpose in the narrative is not simply", "biggest weaknesses is that for all their power they are very slow, they", "like the world of my story is very stagnant and constrained in where", "dynamic mentor character with their own character flaws and arcs that notably does", "the plot without simply killing them off?** Some of the potential solutions I've", "wisdom (in their eighties, but biologically immortal), and is the most powerful superhuman", "powerful heroic characters from the board by the beginning of the third act", "seen as increasingly cliche ever since [Obi-Wan Kenobi](https://en.wikipedia.org/wiki/Obi-Wan_Kenobi) did it well in Star", "involves people with various superpowers. One of these characters and is more or", "flaws and character arcs that run throughout the story and force them to", "character cannot be everywhere at once, and while they would love to protect", "pretty tied in how much they can do. 5. There are a couple", "as a mentor or leader. 6. Not everyone listens to them. They may", "literary importance of removing the mentor character from the picture so that the", "of safety which increases dramatic tension and the need of the heroes to", "get around the problem are as follows: 1. The mentor character is not", "it would basically mean removing one of the most interesting to read characters", "they can really only travel to help out the main characters if the", "is not all-powerful, they have distinct weaknesses that can be exploited and prevent", "only themselves to rely on. Nevertheless, I don't want to kill the mentor", "most powerful, but they aren't Superman. Similarly, they do have a more traditional", "The mentor character is not all-powerful, they have distinct weaknesses that can be", "it doesn't add much emotional pathos to the story beyond that removal of", "character from removing any dramatic tension from the plot without simply killing them", "I'm writing a book series that involves people with various superpowers. One of", "As a result they can really only travel to help out the main", "to protect the main characters, who they see as surrogate children, they have", "a Superman-level flying brick, but they definitely come off as the biggest fish", "they have other responsibilities, namely acting as a liaison with the government to", "a plot device than a three-dimensional character. So part of my goal with", "for them. Removal of these authority figures basically allows the plot to descend", "main characters are forced to solve problems by themselves rather than relying on", "of the United States from the main characters (East Coast versus West Coast),", "authority figures basically allows the plot to descend into complete anarchy and removes", "I've read that in the typical [Campbellian](https://en.wikipedia.org/wiki/Joseph_Campbell) hero's journey that it's necessary to", "are as follows: 1. The mentor character is not morally perfect, they can", "have their own flaws and character arcs that run throughout the story and", "leader. 6. Not everyone listens to them. They may be respected, but they", "rely on to do it for them. Removal of these authority figures basically", "Therefore, their purpose in the narrative is not simply to act as a", "to do everything for them. However, at the same time, outright killing the", "flight, super speed, or teleportation that can be used to get them to", "of \"OP-ness\" is a bit on purpose, part of the mentor character's arc", "they aren't God, and there are many groups that either disagree with them", "this character was to create a dynamic mentor character with their own character", "for themselves and have only themselves to rely on. Nevertheless, I don't want", "a normal person (read: the time and money it takes to get a", "to get a plane ticket). As a result they can really only travel", "the United States from the main characters (East Coast versus West Coast), and", "be everywhere at once, and while they would love to protect the main", "order (typically by them becoming the new authority figures in the traditional Campbellian", "as fast as a normal person (read: the time and money it takes", "may be respected, but they aren't God, and there are many groups that", "However, at the same time, outright killing the mentor character simply to raise", "the characters would have to fend for themselves for some time. 3. The", "get too attached to this character, they're just a side character\" than this,", "this character, they're just a side character\" than this, and makes the character", "they have no \"travel powers\" like flight, super speed, or teleportation that can", "on them. They aren't a Superman-level flying brick, but they definitely come off", "them. However, none of these solutions seem to alleviate the feeling that the", "great deal of experience and wisdom (in their eighties, but biologically immortal), and", "as the [Aragorn](https://en.wikipedia.org/wiki/Aragorn) to the protagonist's Frodo and Sam. Normally their hands are", "keep them from overreacting every time something goes wrong. In this respect they", "act as a mentor or leader. 6. Not everyone listens to them. They", "This kind of \"OP-ness\" is a bit on purpose, part of the mentor", "crisis in a hurry. They're the most powerful, but they aren't Superman. Similarly,", "outright killing the mentor character simply to raise the stakes and seems like", "and seems like a cheap move to me. Indeed, it seems like killing", "called \"pulling an Obi-Wan\"), and especially* so after Dumbledore in Hijrp Potfeq. However,", "powers\" like flight, super speed, or teleportation that can be used to get", "the stakes and seems like a cheap move to me. Indeed, it seems", "then the characters would have to fend for themselves for some time. 3.", "power and responsibility that has been placed on them. They aren't a Superman-level", "this, and makes the character seem more like a plot device than a", "\"OP-ness\" is a bit on purpose, part of the mentor character's arc is", "then die. Nothing says \"don't get too attached to this character, they're just", "the setting becomes overly \"safe\" after the mentor character is introduced, compared to", "versus West Coast), and they can only get from one end of the", "of my goal with this character was to create a dynamic mentor character", "the government to keep them from overreacting every time something goes wrong. In", "move to me. Indeed, it seems like killing off mentor characters has become", "children, they have other responsibilities, namely acting as a liaison with the government", "not simply to act as a source of wisdom for the protagonists. My", "story and force them to grow. Therefore, their purpose in the narrative is", "is the leader of the \"good guy\" superhuman faction, have a great deal", "have a great deal of experience and wisdom (in their eighties, but biologically", "see as surrogate children, they have other responsibilities, namely acting as a liaison", "tied in how much they can do. 5. There are a couple of", "5. There are a couple of events that potentially remove the mentor from", "character was to create a dynamic mentor character with their own character flaws", "4. The mentor character cannot be everywhere at once, and while they would", "a result they can really only travel to help out the main characters", "remove any powerful heroic characters from the board by the beginning of the", "the need of the heroes to restore order (typically by them becoming the", "themselves for some time. 3. The mentor character is not all-powerful, they have", "are a couple of events that potentially remove the mentor from the picture", "ticket). As a result they can really only travel to help out the", "a dynamic mentor character with their own character flaws and arcs that notably", "feel like the setting becomes overly \"safe\" after the mentor character is introduced,", "they can make mistakes and have their own flaws and character arcs that", "of crisis in a hurry. They're the most powerful, but they aren't Superman.", "setting feels stagnant and small rather than wide-open with potential for drama and", "heroic characters from the board by the beginning of the third act and", "same time, outright killing the mentor character simply to raise the stakes and", "mentor character from removing any dramatic tension from the plot without simply killing", "not benefit from having them die at the end, and it would basically", "them or are outright antagonistic to them. However, none of these solutions seem", "be exploited and prevent them from insta-solving every problem. One of their biggest", "device than a three-dimensional character. So part of my goal with this character", "character is not all-powerful, they have distinct weaknesses that can be exploited and", "solutions seem to alleviate the feeling that the setting feels stagnant and small", "in the pond. I've always hated mentor characters who seem to exist just", "any safety net. Their character arc does not benefit from having them die", "mentor character with their own character flaws and arcs that notably does not", "have to fend for themselves and have only themselves to rely on. Nevertheless,", "with the government to keep them from overreacting every time something goes wrong.", "couple of events that potentially remove the mentor from the picture either via", "biologically immortal), and is the most powerful superhuman around in terms of raw", "However, none of these solutions seem to alleviate the feeling that the setting", "that has been placed on them. They aren't a Superman-level flying brick, but", "the mentor character to do everything for them. However, at the same time,", "character might be part of the problem. I've read that in the typical", "weaknesses is that for all their power they are very slow, they have", "read characters from the story. Given this, *how to I prevent the mentor", "their own flaws and character arcs that run throughout the story and force", "that can be used to get them to a site of crisis in", "at the end, and it would basically mean removing one of the most", "is very stagnant and constrained in where it can go, and have been", "However, I've been feeling like the world of my story is very stagnant", "even then the characters would have to fend for themselves for some time.", "the protagonist's Frodo and Sam. Normally their hands are pretty tied in how", "and makes the character seem more like a plot device than a three-dimensional", "be respected, but they aren't God, and there are many groups that either", "mentor characters has become seen as increasingly cliche ever since [Obi-Wan Kenobi](https://en.wikipedia.org/wiki/Obi-Wan_Kenobi) did", "of the story just to elevate the protagonists. However, I've been feeling like", "immortal), and is the most powerful superhuman around in terms of raw power", "plane ticket). As a result they can really only travel to help out", "alleviate the feeling that the setting feels stagnant and small rather than wide-open", "potential solutions I've come up with to try and get around the problem", "cliche ever since [Obi-Wan Kenobi](https://en.wikipedia.org/wiki/Obi-Wan_Kenobi) did it well in Star Wars* (to the", "characters from the board by the beginning of the third act and make", "arc is about how they cope with the power and responsibility that has", "main characters, who they see as surrogate children, they have other responsibilities, namely", "have any parental figures/mentors/greater heroes to rely on to do it for them.", "prevent the mentor character from removing any dramatic tension from the plot without", "try and get around the problem are as follows: 1. The mentor character", "in critical condition or emotionally compromises them so they cannot act as a", "placed on them. They aren't a Superman-level flying brick, but they definitely come", "States from the main characters (East Coast versus West Coast), and they can", "disagree with them or are outright antagonistic to them. However, none of these", "as much of a main character as the other protagonists. 2. The mentor", "dispense cryptic wisdom and then die. Nothing says \"don't get too attached to", "(in their eighties, but biologically immortal), and is the most powerful superhuman around", "and Sam. Normally their hands are pretty tied in how much they can", "the heroes to restore order (typically by them becoming the new authority figures", "plot to descend into complete anarchy and removes any familiar sense of safety", "characters (East Coast versus West Coast), and they can only get from one", "the other protagonists. 2. The mentor character lives on the opposite end of", "purpose in the narrative is not simply to act as a source of", "the most powerful, but they aren't Superman. 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As a result they can really only travel to help", "any dramatic tension from the plot without simply killing them off?** Some of", "of the potential solutions I've come up with to try and get around", "makes the character seem more like a plot device than a three-dimensional character.", "of the \"good guy\" superhuman faction, have a great deal of experience and", "They may be respected, but they aren't God, and there are many groups", "by themselves rather than relying on the mentor character to do everything for", "normal person (read: the time and money it takes to get a plane", "Wars* (to the point that such an act has been called \"pulling an", "groups that either disagree with them or are outright antagonistic to them. However,", "to make the mentor character as much of a main character as the", "them from insta-solving every problem. One of their biggest weaknesses is that for", "other responsibilities, namely acting as a liaison with the government to keep them", "it so the main characters have to solve the problem by themselves and", "Nothing says \"don't get too attached to this character, they're just a side", "how they cope with the power and responsibility that has been placed on", "condition or emotionally compromises them so they cannot act as a mentor or", "complete anarchy and removes any familiar sense of safety which increases dramatic tension", "Removal of these authority figures basically allows the plot to descend into complete", "protagonists. However, I've been feeling like the world of my story is very", "fish in the pond. I've always hated mentor characters who seem to exist", "protect the main characters, who they see as surrogate children, they have other", "beginning of the third act and make it so the main characters have", "any powerful heroic characters from the board by the beginning of the third", "I've been feeling like the world of my story is very stagnant and", "introduced, compared to earlier story arcs where the characters have to fend for", "that in the typical [Campbellian](https://en.wikipedia.org/wiki/Joseph_Campbell) hero's journey that it's necessary to remove any", "third act and make it so the main characters have to solve the", "characters from the story. Given this, *how to I prevent the mentor character", "with to try and get around the problem are as follows: 1. The", "the other about as fast as a normal person (read: the time and", "The mentor character lives on the opposite end of the United States from", "kind of feel like the setting becomes overly \"safe\" after the mentor character", "the typical [Campbellian](https://en.wikipedia.org/wiki/Joseph_Campbell) hero's journey that it's necessary to remove any powerful heroic", "this mentor character might be part of the problem. I've read that in", "agree with the strict Campbellian interpretation of how stories should go. I agree", "treated as the [Aragorn](https://en.wikipedia.org/wiki/Aragorn) to the protagonist's Frodo and Sam. Normally their hands", "protagonists. 2. The mentor character lives on the opposite end of the United", "removal of any safety net. Their character arc does not benefit from having", "experience and wisdom (in their eighties, but biologically immortal), and is the most", "how stories should go. I agree with the literary importance of removing the", "to elevate the protagonists. However, I've been feeling like the world of my", "mentor character is not all-powerful, they have distinct weaknesses that can be exploited", "descend into complete anarchy and removes any familiar sense of safety which increases", "characters has become seen as increasingly cliche ever since [Obi-Wan Kenobi](https://en.wikipedia.org/wiki/Obi-Wan_Kenobi) did it", "very stagnant and constrained in where it can go, and have been concerned", "for some time. 3. The mentor character is not all-powerful, they have distinct", "increases dramatic tension and the need of the heroes to restore order (typically", "point that such an act has been called \"pulling an Obi-Wan\"), and especially", "run throughout the story and force them to grow. Therefore, their purpose in", "seem to alleviate the feeling that the setting feels stagnant and small rather", "to earlier story arcs where the characters have to fend for themselves and", "get them to a site of crisis in a hurry. They're the most", "mentor character simply to raise the stakes and seems like a cheap move", "follows: 1. The mentor character is not morally perfect, they can make mistakes", "fast as a normal person (read: the time and money it takes to", "outright antagonistic to them. However, none of these solutions seem to alleviate the", "from the picture so that the main characters are forced to solve problems", "book series that involves people with various superpowers. One of these characters and", "can do. 5. There are a couple of events that potentially remove the", "the mentor character as much of a main character as the other protagonists.", "characters who seem to exist just to dispense cryptic wisdom and then die.", "help out the main characters if the situation is outright apocalyptic and even", "morally perfect, they can make mistakes and have their own flaws and character", "guy\" superhuman faction, have a great deal of experience and wisdom (in their", "add much emotional pathos to the story beyond that removal of any safety", "characters and is more or less the mentor of the protagonists. This character", "remove the mentor from the picture either via injury that puts them in", "a bit on purpose, part of the mentor character's arc is about how", "them becoming the new authority figures in the traditional Campbellian storyline). I don't", "raise the stakes and seems like a cheap move to me. Indeed, it", "is more or less the mentor of the protagonists. This character is the", "that the main characters are forced to solve problems by themselves rather than", "outright apocalyptic and even then the characters would have to fend for themselves", "antagonistic to them. However, none of these solutions seem to alleviate the feeling", "every problem. One of their biggest weaknesses is that for all their power", "would love to protect the main characters, who they see as surrogate children,", "picture so that the main characters are forced to solve problems by themselves", "all their power they are very slow, they have no \"travel powers\" like", "can go, and have been concerned that this mentor character might be part", "bit on purpose, part of the mentor character's arc is about how they", "slow, they have no \"travel powers\" like flight, super speed, or teleportation that", "is the most powerful superhuman around in terms of raw power and what", "are pretty tied in how much they can do. 5. There are a", "about how they cope with the power and responsibility that has been placed", "a main character as the other protagonists. 2. The mentor character lives on", "my goal with this character was to create a dynamic mentor character with", "for them. However, at the same time, outright killing the mentor character simply", "the beginning of the third act and make it so the main characters", "and make it so the main characters have to solve the problem by", "Superman. Similarly, they do have a more traditional \"Kryptonite-esque\" weakness. 4. The mentor", "Kenobi](https://en.wikipedia.org/wiki/Obi-Wan_Kenobi) did it well in Star Wars* (to the point that such an", "storyline). I don't agree with the strict Campbellian interpretation of how stories should", "hands are pretty tied in how much they can do. 5. There are", "they can do. 5. There are a couple of events that potentially remove", "mentor character lives on the opposite end of the United States from the", "character\" than this, and makes the character seem more like a plot device", "is a bit on purpose, part of the mentor character's arc is about", "feeling like the world of my story is very stagnant and constrained in", "have other responsibilities, namely acting as a liaison with the government to keep", "agree with the literary importance of removing the mentor character from the picture", "United States from the main characters (East Coast versus West Coast), and they", "responsibilities, namely acting as a liaison with the government to keep them from", "character as much of a main character as the other protagonists. 2. The", "to rely on to do it for them. Removal of these authority figures", "the leader of the \"good guy\" superhuman faction, have a great deal of", "characters have to fend for themselves and have only themselves to rely on.", "feeling that the setting feels stagnant and small rather than wide-open with potential", "story just to elevate the protagonists. However, I've been feeling like the world", "much of a main character as the other protagonists. 2. The mentor character", "power and what they can do. This kind of \"OP-ness\" is a bit", "the problem are as follows: 1. The mentor character is not morally perfect,", "no \"travel powers\" like flight, super speed, or teleportation that can be used", "a cheap move to me. Indeed, it seems like killing off mentor characters", "is introduced, compared to earlier story arcs where the characters have to fend", "the end, and it would basically mean removing one of the most interesting", "too attached to this character, they're just a side character\" than this, and", "three-dimensional character. So part of my goal with this character was to create", "superhuman around in terms of raw power and what they can do. This", "the new authority figures in the traditional Campbellian storyline). I don't agree with", "was to make the mentor character as much of a main character as", "their power they are very slow, they have no \"travel powers\" like flight,", "do kind of feel like the setting becomes overly \"safe\" after the mentor", "does not die at the end of the story just to elevate the", "the picture either via injury that puts them in critical condition or emotionally", "it for them. Removal of these authority figures basically allows the plot to", "to solve the problem by themselves and don't have any parental figures/mentors/greater heroes", "powerful superhuman around in terms of raw power and what they can do.", "that the setting feels stagnant and small rather than wide-open with potential for", "and adventure, so I feel as though I am not implementing them right.", "the problem by themselves and don't have any parental figures/mentors/greater heroes to rely", "character simply to raise the stakes and seems like a cheap move to", "respect they are treated as the [Aragorn](https://en.wikipedia.org/wiki/Aragorn) to the protagonist's Frodo and Sam.", "of the third act and make it so the main characters have to", "tension from the plot without simply killing them off?** Some of the potential", "been concerned that this mentor character might be part of the problem. I've", "necessary to remove any powerful heroic characters from the board by the beginning", "want to kill the mentor character off because it doesn't add much emotional", "figures in the traditional Campbellian storyline). I don't agree with the strict Campbellian", "the protagonists. This character is the leader of the \"good guy\" superhuman faction,", "their eighties, but biologically immortal), and is the most powerful superhuman around in", "leader of the \"good guy\" superhuman faction, have a great deal of experience", "is not simply to act as a source of wisdom for the protagonists.", "them in critical condition or emotionally compromises them so they cannot act as", "with the strict Campbellian interpretation of how stories should go. I agree with", "is that for all their power they are very slow, they have no", "get from one end of the country to the other about as fast", "off as the biggest fish in the pond. I've always hated mentor characters", "and don't have any parental figures/mentors/greater heroes to rely on to do it", "with their own character flaws and arcs that notably does not die at", "setting becomes overly \"safe\" after the mentor character is introduced, compared to earlier", "in how much they can do. 5. There are a couple of events", "rather than wide-open with potential for drama and adventure, so I feel as", "(East Coast versus West Coast), and they can only get from one end", "just to elevate the protagonists. However, I've been feeling like the world of", "sense of safety which increases dramatic tension and the need of the heroes", "Superman-level flying brick, but they definitely come off as the biggest fish in", "the potential solutions I've come up with to try and get around the", "own character flaws and arcs that notably does not die at the end", "to create a dynamic mentor character with their own character flaws and arcs", "to raise the stakes and seems like a cheap move to me. Indeed,", "emotionally compromises them so they cannot act as a mentor or leader. 6.", "where it can go, and have been concerned that this mentor character might", "aren't God, and there are many groups that either disagree with them or", "just a side character\" than this, and makes the character seem more like", "and small rather than wide-open with potential for drama and adventure, so I", "can make mistakes and have their own flaws and character arcs that run", "most interesting to read characters from the story. Given this, *how to I", "kind of \"OP-ness\" is a bit on purpose, part of the mentor character's", "other protagonists. 2. The mentor character lives on the opposite end of the", "end, and it would basically mean removing one of the most interesting to", "while they would love to protect the main characters, who they see as", "as a liaison with the government to keep them from overreacting every time", "did it well in Star Wars* (to the point that such an act", "need of the heroes to restore order (typically by them becoming the new", "Campbellian interpretation of how stories should go. I agree with the literary importance", "in Hijrp Potfeq. However, I do kind of feel like the setting becomes", "deal of experience and wisdom (in their eighties, but biologically immortal), and is", "off mentor characters has become seen as increasingly cliche ever since [Obi-Wan Kenobi](https://en.wikipedia.org/wiki/Obi-Wan_Kenobi)", "them from overreacting every time something goes wrong. In this respect they are", "and arcs that notably does not die at the end of the story", "in Star Wars (to the point that such an act has been called", "*how to I prevent the mentor character from removing any dramatic tension from", "and have their own flaws and character arcs that run throughout the story", "has become seen as increasingly cliche ever since [Obi-Wan Kenobi](https://en.wikipedia.org/wiki/Obi-Wan_Kenobi) did it well", "solutions I've come up with to try and get around the problem are", "and get around the problem are as follows: 1. The mentor character is", "but they aren't God, and there are many groups that either disagree with", "them. Removal of these authority figures basically allows the plot to descend into", "it well in Star Wars* (to the point that such an act has", "themselves rather than relying on the mentor character to do everything for them.", "act and make it so the main characters have to solve the problem", "make the mentor character as much of a main character as the other", "characters would have to fend for themselves for some time. 3. The mentor", "don't agree with the strict Campbellian interpretation of how stories should go. I", "do it for them. Removal of these authority figures basically allows the plot", "any parental figures/mentors/greater heroes to rely on to do it for them. Removal", "world of my story is very stagnant and constrained in where it can", "at the end of the story just to elevate the protagonists. However, I've", "very slow, they have no \"travel powers\" like flight, super speed, or teleportation", "main characters have to solve the problem by themselves and don't have any", "off because it doesn't add much emotional pathos to the story beyond that", "and force them to grow. Therefore, their purpose in the narrative is not", "mentor character's arc is about how they cope with the power and responsibility", "seem to exist just to dispense cryptic wisdom and then die. Nothing says", "wrong. In this respect they are treated as the [Aragorn](https://en.wikipedia.org/wiki/Aragorn) to the protagonist's", "is not morally perfect, they can make mistakes and have their own flaws", "Similarly, they do have a more traditional \"Kryptonite-esque\" weakness. 4. The mentor character", "journey that it's necessary to remove any powerful heroic characters from the board", "something goes wrong. In this respect they are treated as the [Aragorn](https://en.wikipedia.org/wiki/Aragorn) to", "they cannot act as a mentor or leader. 6. Not everyone listens to", "part of the mentor character's arc is about how they cope with the", "less the mentor of the protagonists. This character is the leader of the", "simply to act as a source of wisdom for the protagonists. My intent", "they see as surrogate children, they have other responsibilities, namely acting as a", "the situation is outright apocalyptic and even then the characters would have to", "Hijrp Potfeq. However, I do kind of feel like the setting becomes overly", "from the plot without simply killing them off?** Some of the potential solutions", "like the setting becomes overly \"safe\" after the mentor character is introduced, compared", "hurry. They're the most powerful, but they aren't Superman. Similarly, they do have", "wisdom and then die. Nothing says \"don't get too attached to this character,", "having them die at the end, and it would basically mean removing one", "like a plot device than a three-dimensional character. So part of my goal", "die at the end of the story just to elevate the protagonists. However,", "powerful, but they aren't Superman. Similarly, they do have a more traditional \"Kryptonite-esque\"", "cheap move to me. Indeed, it seems like killing off mentor characters has", "the traditional Campbellian storyline). I don't agree with the strict Campbellian interpretation of", "a book series that involves people with various superpowers. One of these characters", "character, they're just a side character\" than this, and makes the character seem", "my story is very stagnant and constrained in where it can go, and", "character flaws and arcs that notably does not die at the end of", "dramatic tension and the need of the heroes to restore order (typically by", "get a plane ticket). As a result they can really only travel to", "to do it for them. Removal of these authority figures basically allows the", "can be exploited and prevent them from insta-solving every problem. One of their", "character is not morally perfect, they can make mistakes and have their own", "arcs that notably does not die at the end of the story just", "and is the most powerful superhuman around in terms of raw power and", "strict Campbellian interpretation of how stories should go. I agree with the literary", "after the mentor character is introduced, compared to earlier story arcs where the", "character arc does not benefit from having them die at the end, and", "would basically mean removing one of the most interesting to read characters from", "of feel like the setting becomes overly \"safe\" after the mentor character is", "increasingly cliche ever since [Obi-Wan Kenobi](https://en.wikipedia.org/wiki/Obi-Wan_Kenobi) did it well in Star Wars (to", "me. Indeed, it seems like killing off mentor characters has become seen as", "they are treated as the [Aragorn](https://en.wikipedia.org/wiki/Aragorn) to the protagonist's Frodo and Sam. Normally", "up with to try and get around the problem are as follows: 1.", "However, I do kind of feel like the setting becomes overly \"safe\" after", "all-powerful, they have distinct weaknesses that can be exploited and prevent them from", "people with various superpowers. One of these characters and is more or less", "make it so the main characters have to solve the problem by themselves", "of the heroes to restore order (typically by them becoming the new authority", "from insta-solving every problem. One of their biggest weaknesses is that for all", "them off?** Some of the potential solutions I've come up with to try", "either via injury that puts them in critical condition or emotionally compromises them", "in the traditional Campbellian storyline). I don't agree with the strict Campbellian interpretation", "series that involves people with various superpowers. One of these characters and is", "of events that potentially remove the mentor from the picture either via injury", "with potential for drama and adventure, so I feel as though I am", "these characters and is more or less the mentor of the protagonists. This", "only get from one end of the country to the other about as", "and is more or less the mentor of the protagonists. This character is", "the main characters (East Coast versus West Coast), and they can only get", "it seems like killing off mentor characters has become seen as increasingly cliche", "weakness. 4. The mentor character cannot be everywhere at once, and while they", "says \"don't get too attached to this character, they're just a side character\"", "protagonists. My intent was to make the mentor character as much of a", "beyond that removal of any safety net. Their character arc does not benefit", "to alleviate the feeling that the setting feels stagnant and small rather than", "on purpose, part of the mentor character's arc is about how they cope", "(read: the time and money it takes to get a plane ticket). As", "mentor or leader. 6. Not everyone listens to them. They may be respected,", "mentor from the picture either via injury that puts them in critical condition", "removing the mentor character from the picture so that the main characters are", "[Aragorn](https://en.wikipedia.org/wiki/Aragorn) to the protagonist's Frodo and Sam. Normally their hands are pretty tied", "[Obi-Wan Kenobi](https://en.wikipedia.org/wiki/Obi-Wan_Kenobi) did it well in Star Wars (to the point that such", "into complete anarchy and removes any familiar sense of safety which increases dramatic", "much emotional pathos to the story beyond that removal of any safety net.", "from the board by the beginning of the third act and make it", "safety which increases dramatic tension and the need of the heroes to restore", "character's arc is about how they cope with the power and responsibility that", "can be used to get them to a site of crisis in a", "can only get from one end of the country to the other about", "that this mentor character might be part of the problem. I've read that", "interesting to read characters from the story. Given this, how to I prevent", "every time something goes wrong. In this respect they are treated as the", "characters have to solve the problem by themselves and don't have any parental", "various superpowers. One of these characters and is more or less the mentor", "really only travel to help out the main characters if the situation is", "of these characters and is more or less the mentor of the protagonists.", "simply killing them off? Some of the potential solutions I've come up with", "main characters if the situation is outright apocalyptic and even then the characters", "the setting feels stagnant and small rather than wide-open with potential for drama", "the mentor character's arc is about how they cope with the power and", "kill the mentor character off because it doesn't add much emotional pathos to", "be part of the problem. I've read that in the typical [Campbellian](https://en.wikipedia.org/wiki/Joseph_Campbell) hero's", "(typically by them becoming the new authority figures in the traditional Campbellian storyline).", "but they aren't Superman. Similarly, they do have a more traditional \"Kryptonite-esque\" weakness.", "critical condition or emotionally compromises them so they cannot act as a mentor", "writing a book series that involves people with various superpowers. One of these", "in terms of raw power and what they can do. This kind of", "than relying on the mentor character to do everything for them. However, at", "1. The mentor character is not morally perfect, they can make mistakes and", "that puts them in critical condition or emotionally compromises them so they cannot", "they can do. This kind of \"OP-ness\" is a bit on purpose, part", "puts them in critical condition or emotionally compromises them so they cannot act", "feels stagnant and small rather than wide-open with potential for drama and adventure,", "a source of wisdom for the protagonists. My intent was to make the", "exploited and prevent them from insta-solving every problem. One of their biggest weaknesses", "read that in the typical [Campbellian](https://en.wikipedia.org/wiki/Joseph_Campbell) hero's journey that it's necessary to remove", "on to do it for them. Removal of these authority figures basically allows", "to kill the mentor character off because it doesn't add much emotional pathos", "\"travel powers\" like flight, super speed, or teleportation that can be used to", "government to keep them from overreacting every time something goes wrong. In this", "to dispense cryptic wisdom and then die. Nothing says \"don't get too attached", "and the need of the heroes to restore order (typically by them becoming", "only travel to help out the main characters if the situation is outright", "more like a plot device than a three-dimensional character. So part of my", "everything for them. However, at the same time, outright killing the mentor character", "if the situation is outright apocalyptic and even then the characters would have", "prevent them from insta-solving every problem. One of their biggest weaknesses is that", "of a main character as the other protagonists. 2. The mentor character lives", "can really only travel to help out the main characters if the situation", "the main characters if the situation is outright apocalyptic and even then the", "than a three-dimensional character. So part of my goal with this character was", "been feeling like the world of my story is very stagnant and constrained", "familiar sense of safety which increases dramatic tension and the need of the", "since [Obi-Wan Kenobi](https://en.wikipedia.org/wiki/Obi-Wan_Kenobi) did it well in Star Wars (to the point that", "tension and the need of the heroes to restore order (typically by them", "the \"good guy\" superhuman faction, have a great deal of experience and wisdom", "basically mean removing one of the most interesting to read characters from the", "to the other about as fast as a normal person (read: the time", "site of crisis in a hurry. They're the most powerful, but they aren't", "of raw power and what they can do. This kind of \"OP-ness\" is", "to keep them from overreacting every time something goes wrong. In this respect", "that potentially remove the mentor from the picture either via injury that puts", "or emotionally compromises them so they cannot act as a mentor or leader.", "drama and adventure, so I feel as though I am not implementing them", "they do have a more traditional \"Kryptonite-esque\" weakness. 4. The mentor character cannot", "a more traditional \"Kryptonite-esque\" weakness. 4. The mentor character cannot be everywhere at", "potentially remove the mentor from the picture either via injury that puts them", "heroes to rely on to do it for them. Removal of these authority", "from one end of the country to the other about as fast as", "terms of raw power and what they can do. This kind of \"OP-ness\"", "like killing off mentor characters has become seen as increasingly cliche ever since", "an Obi-Wan\"), and especially so after Dumbledore in Hijrp Potfeq. However, I do", "like a cheap move to me. Indeed, it seems like killing off mentor", "benefit from having them die at the end, and it would basically mean", "one of the most interesting to read characters from the story. Given this,", "I don't agree with the strict Campbellian interpretation of how stories should go.", "to try and get around the problem are as follows: 1. The mentor", "the protagonists. My intent was to make the mentor character as much of", "the mentor character from the picture so that the main characters are forced", "have to fend for themselves for some time. 3. The mentor character is", "used to get them to a site of crisis in a hurry. They're", "don't want to kill the mentor character off because it doesn't add much", "of my story is very stagnant and constrained in where it can go,", "the power and responsibility that has been placed on them. They aren't a", "that run throughout the story and force them to grow. Therefore, their purpose", "cryptic wisdom and then die. Nothing says \"don't get too attached to this", "as surrogate children, they have other responsibilities, namely acting as a liaison with", "grow. Therefore, their purpose in the narrative is not simply to act as", "the story just to elevate the protagonists. However, I've been feeling like the", "their biggest weaknesses is that for all their power they are very slow,", "situation is outright apocalyptic and even then the characters would have to fend", "where the characters have to fend for themselves and have only themselves to", "do. 5. There are a couple of events that potentially remove the mentor", "from the picture either via injury that puts them in critical condition or", "superpowers. One of these characters and is more or less the mentor of", "arc does not benefit from having them die at the end, and it", "problem. I've read that in the typical [Campbellian](https://en.wikipedia.org/wiki/Joseph_Campbell) hero's journey that it's necessary", "much they can do. 5. There are a couple of events that potentially", "mentor character cannot be everywhere at once, and while they would love to", "authority figures in the traditional Campbellian storyline). I don't agree with the strict", "Nevertheless, I don't want to kill the mentor character off because it doesn't", "make mistakes and have their own flaws and character arcs that run throughout", "the country to the other about as fast as a normal person (read:", "and while they would love to protect the main characters, who they see", "be used to get them to a site of crisis in a hurry.", "potential for drama and adventure, so I feel as though I am not", "have only themselves to rely on. Nevertheless, I don't want to kill the", "themselves to rely on. Nevertheless, I don't want to kill the mentor character", "safety net. Their character arc does not benefit from having them die at", "to this character, they're just a side character\" than this, and makes the", "definitely come off as the biggest fish in the pond. I've always hated", "character off because it doesn't add much emotional pathos to the story beyond", "character arcs that run throughout the story and force them to grow. Therefore,", "picture either via injury that puts them in critical condition or emotionally compromises", "of wisdom for the protagonists. My intent was to make the mentor character", "biggest fish in the pond. I've always hated mentor characters who seem to", "character to do everything for them. However, at the same time, outright killing", "part of my goal with this character was to create a dynamic mentor", "One of these characters and is more or less the mentor of the", "Some of the potential solutions I've come up with to try and get", "character is the leader of the \"good guy\" superhuman faction, have a great", "My intent was to make the mentor character as much of a main", "or less the mentor of the protagonists. This character is the leader of", "in a hurry. They're the most powerful, but they aren't Superman. Similarly, they", "cannot be everywhere at once, and while they would love to protect the", "that it's necessary to remove any powerful heroic characters from the board by", "time, outright killing the mentor character simply to raise the stakes and seems", "mentor character off because it doesn't add much emotional pathos to the story", "do have a more traditional \"Kryptonite-esque\" weakness. 4. The mentor character cannot be", "takes to get a plane ticket). As a result they can really only", "them. They may be respected, but they aren't God, and there are many", "are very slow, they have no \"travel powers\" like flight, super speed, or", "as increasingly cliche ever since [Obi-Wan Kenobi](https://en.wikipedia.org/wiki/Obi-Wan_Kenobi) did it well in Star Wars", "the point that such an act has been called \"pulling an Obi-Wan\"), and", "have no \"travel powers\" like flight, super speed, or teleportation that can be", "to act as a source of wisdom for the protagonists. My intent was", "side character\" than this, and makes the character seem more like a plot", "that removal of any safety net. Their character arc does not benefit from", "character. So part of my goal with this character was to create a", "the third act and make it so the main characters have to solve", "because it doesn't add much emotional pathos to the story beyond that removal", "killing the mentor character simply to raise the stakes and seems like a", "of the most interesting to read characters from the story. Given this, *how", "as a source of wisdom for the protagonists. My intent was to make", "stagnant and constrained in where it can go, and have been concerned that", "source of wisdom for the protagonists. My intent was to make the mentor", "or are outright antagonistic to them. However, none of these solutions seem to", "simply to raise the stakes and seems like a cheap move to me.", "but they definitely come off as the biggest fish in the pond. I've", "typical [Campbellian](https://en.wikipedia.org/wiki/Joseph_Campbell) hero's journey that it's necessary to remove any powerful heroic characters", "protagonists. This character is the leader of the \"good guy\" superhuman faction, have", "that can be exploited and prevent them from insta-solving every problem. One of", "overly \"safe\" after the mentor character is introduced, compared to earlier story arcs", "mistakes and have their own flaws and character arcs that run throughout the", "the end of the story just to elevate the protagonists. However, I've been", "such an act has been called \"pulling an Obi-Wan\"), and especially* so after", "the mentor character off because it doesn't add much emotional pathos to the", "pond. I've always hated mentor characters who seem to exist just to dispense", "importance of removing the mentor character from the picture so that the main", "and what they can do. This kind of \"OP-ness\" is a bit on", "as a normal person (read: the time and money it takes to get", "everyone listens to them. They may be respected, but they aren't God, and", "most powerful superhuman around in terms of raw power and what they can", "with this character was to create a dynamic mentor character with their own", "and then die. Nothing says \"don't get too attached to this character, they're", "so after Dumbledore in Hijrp Potfeq. However, I do kind of feel like", "by them becoming the new authority figures in the traditional Campbellian storyline). I", "parental figures/mentors/greater heroes to rely on to do it for them. Removal of", "new authority figures in the traditional Campbellian storyline). I don't agree with the", "So part of my goal with this character was to create a dynamic", "the most interesting to read characters from the story. Given this, *how to", "the narrative is not simply to act as a source of wisdom for", "Coast versus West Coast), and they can only get from one end of", "have to solve the problem by themselves and don't have any parental figures/mentors/greater", "stagnant and small rather than wide-open with potential for drama and adventure, so", "and have been concerned that this mentor character might be part of the", "intent was to make the mentor character as much of a main character", "to restore order (typically by them becoming the new authority figures in the", "emotional pathos to the story beyond that removal of any safety net. Their", "they're just a side character\" than this, and makes the character seem more", "respected, but they aren't God, and there are many groups that either disagree", "\"Kryptonite-esque\" weakness. 4. The mentor character cannot be everywhere at once, and while", "figures/mentors/greater heroes to rely on to do it for them. Removal of these", "the story and force them to grow. Therefore, their purpose in the narrative", "themselves and have only themselves to rely on. Nevertheless, I don't want to", "problem are as follows: 1. The mentor character is not morally perfect, they", "their purpose in the narrative is not simply to act as a source", "have been concerned that this mentor character might be part of the problem.", "none of these solutions seem to alleviate the feeling that the setting feels", "after Dumbledore in Hijrp Potfeq. However, I do kind of feel like the", "I agree with the literary importance of removing the mentor character from the", "small rather than wide-open with potential for drama and adventure, so I feel", "hated mentor characters who seem to exist just to dispense cryptic wisdom and", "goal with this character was to create a dynamic mentor character with their", "character seem more like a plot device than a three-dimensional character. So part", "the story beyond that removal of any safety net. Their character arc does", "come up with to try and get around the problem are as follows:", "perfect, they can make mistakes and have their own flaws and character arcs", "and it would basically mean removing one of the most interesting to read", "mentor character might be part of the problem. I've read that in the", "net. Their character arc does not benefit from having them die at the", "\"pulling an Obi-Wan\"), and especially* so after Dumbledore in Hijrp Potfeq. However, I", "main characters (East Coast versus West Coast), and they can only get from", "seems like a cheap move to me. Indeed, it seems like killing off", "an act has been called \"pulling an Obi-Wan\"), and especially so after Dumbledore", "might be part of the problem. I've read that in the typical [Campbellian](https://en.wikipedia.org/wiki/Joseph_Campbell)", "have distinct weaknesses that can be exploited and prevent them from insta-solving every", "that for all their power they are very slow, they have no \"travel", "purpose, part of the mentor character's arc is about how they cope with", "forced to solve problems by themselves rather than relying on the mentor character", "of the country to the other about as fast as a normal person", "to fend for themselves and have only themselves to rely on. Nevertheless, I", "the mentor from the picture either via injury that puts them in critical", "more or less the mentor of the protagonists. This character is the leader", "a great deal of experience and wisdom (in their eighties, but biologically immortal),", "elevate the protagonists. However, I've been feeling like the world of my story", "protagonist's Frodo and Sam. Normally their hands are pretty tied in how much", "love to protect the main characters, who they see as surrogate children, they", "more traditional \"Kryptonite-esque\" weakness. 4. The mentor character cannot be everywhere at once,", "problems by themselves rather than relying on the mentor character to do everything", "they are very slow, they have no \"travel powers\" like flight, super speed,", "always hated mentor characters who seem to exist just to dispense cryptic wisdom", "what they can do. This kind of \"OP-ness\" is a bit on purpose,", "I've always hated mentor characters who seem to exist just to dispense cryptic", "raw power and what they can do. This kind of \"OP-ness\" is a", "responsibility that has been placed on them. They aren't a Superman-level flying brick,", "of the problem. I've read that in the typical [Campbellian](https://en.wikipedia.org/wiki/Joseph_Campbell) hero's journey that", "the protagonists. However, I've been feeling like the world of my story is", "basically allows the plot to descend into complete anarchy and removes any familiar", "a three-dimensional character. So part of my goal with this character was to", "Indeed, it seems like killing off mentor characters has become seen as increasingly", "die. Nothing says \"don't get too attached to this character, they're just a", "heroes to restore order (typically by them becoming the new authority figures in", "opposite end of the United States from the main characters (East Coast versus", "create a dynamic mentor character with their own character flaws and arcs that", "allows the plot to descend into complete anarchy and removes any familiar sense", "at the same time, outright killing the mentor character simply to raise the", "that notably does not die at the end of the story just to", "does not benefit from having them die at the end, and it would", "the time and money it takes to get a plane ticket). As a", "the picture so that the main characters are forced to solve problems by", "out the main characters if the situation is outright apocalyptic and even then", "apocalyptic and even then the characters would have to fend for themselves for", "goes wrong. In this respect they are treated as the [Aragorn](https://en.wikipedia.org/wiki/Aragorn) to the", "there are many groups that either disagree with them or are outright antagonistic", "but biologically immortal), and is the most powerful superhuman around in terms of", "been called \"pulling an Obi-Wan\"), and especially so after Dumbledore in Hijrp Potfeq.", "eighties, but biologically immortal), and is the most powerful superhuman around in terms", "and especially so after Dumbledore in Hijrp Potfeq. However, I do kind of", "without simply killing them off?** Some of the potential solutions I've come up", "end of the story just to elevate the protagonists. However, I've been feeling", "arcs that run throughout the story and force them to grow. Therefore, their", "and character arcs that run throughout the story and force them to grow.", "to grow. Therefore, their purpose in the narrative is not simply to act", "to fend for themselves for some time. 3. The mentor character is not", "2. The mentor character lives on the opposite end of the United States", "how much they can do. 5. There are a couple of events that", "concerned that this mentor character might be part of the problem. I've read", "end of the United States from the main characters (East Coast versus West", "the characters have to fend for themselves and have only themselves to rely", "compromises them so they cannot act as a mentor or leader. 6. Not", "they cope with the power and responsibility that has been placed on them.", "that involves people with various superpowers. One of these characters and is more", "who they see as surrogate children, they have other responsibilities, namely acting as", "mentor character from the picture so that the main characters are forced to", "wide-open with potential for drama and adventure, so I feel as though I", "faction, have a great deal of experience and wisdom (in their eighties, but", "it takes to get a plane ticket). As a result they can really", "the main characters, who they see as surrogate children, they have other responsibilities,", "the world of my story is very stagnant and constrained in where it", "stakes and seems like a cheap move to me. Indeed, it seems like", "the most powerful superhuman around in terms of raw power and what they", "figures basically allows the plot to descend into complete anarchy and removes any", "other about as fast as a normal person (read: the time and money", "the biggest fish in the pond. I've always hated mentor characters who seem", "in the narrative is not simply to act as a source of wisdom", "them die at the end, and it would basically mean removing one of", "is about how they cope with the power and responsibility that has been", "becoming the new authority figures in the traditional Campbellian storyline). I don't agree", "and there are many groups that either disagree with them or are outright", "them to grow. Therefore, their purpose in the narrative is not simply to", "Potfeq. However, I do kind of feel like the setting becomes overly \"safe\"", "is outright apocalyptic and even then the characters would have to fend for", "them to a site of crisis in a hurry. They're the most powerful,", "or teleportation that can be used to get them to a site of", "and wisdom (in their eighties, but biologically immortal), and is the most powerful", "I've come up with to try and get around the problem are as", "the strict Campbellian interpretation of how stories should go. I agree with the", "solve the problem by themselves and don't have any parental figures/mentors/greater heroes to", "the character seem more like a plot device than a three-dimensional character. So", "stories should go. I agree with the literary importance of removing the mentor", "act has been called \"pulling an Obi-Wan\"), and especially* so after Dumbledore in", "character lives on the opposite end of the United States from the main", "are treated as the [Aragorn](https://en.wikipedia.org/wiki/Aragorn) to the protagonist's Frodo and Sam. Normally their", "are many groups that either disagree with them or are outright antagonistic to", "around the problem are as follows: 1. The mentor character is not morally", "for the protagonists. My intent was to make the mentor character as much", "to get them to a site of crisis in a hurry. They're the", "superhuman faction, have a great deal of experience and wisdom (in their eighties,", "are forced to solve problems by themselves rather than relying on the mentor", "mentor characters who seem to exist just to dispense cryptic wisdom and then", "relying on the mentor character to do everything for them. However, at the", "mentor character is not morally perfect, they can make mistakes and have their", "to descend into complete anarchy and removes any familiar sense of safety which", "and even then the characters would have to fend for themselves for some", "speed, or teleportation that can be used to get them to a site", "surrogate children, they have other responsibilities, namely acting as a liaison with the", "a liaison with the government to keep them from overreacting every time something", "events that potentially remove the mentor from the picture either via injury that", "time and money it takes to get a plane ticket). As a result", "fend for themselves for some time. 3. The mentor character is not all-powerful,", "story arcs where the characters have to fend for themselves and have only", "3. The mentor character is not all-powerful, they have distinct weaknesses that can", "the [Aragorn](https://en.wikipedia.org/wiki/Aragorn) to the protagonist's Frodo and Sam. Normally their hands are pretty", "in where it can go, and have been concerned that this mentor character", "either disagree with them or are outright antagonistic to them. However, none of", "or leader. 6. Not everyone listens to them. They may be respected, but", "arcs where the characters have to fend for themselves and have only themselves", "especially so after Dumbledore in Hijrp Potfeq. However, I do kind of feel", "do everything for them. However, at the same time, outright killing the mentor", "character is introduced, compared to earlier story arcs where the characters have to", "traditional \"Kryptonite-esque\" weakness. 4. The mentor character cannot be everywhere at once, and", "them so they cannot act as a mentor or leader. 6. Not everyone", "so the main characters have to solve the problem by themselves and don't", "can do. This kind of \"OP-ness\" is a bit on purpose, part of", "are outright antagonistic to them. However, none of these solutions seem to alleviate", "The mentor character is not morally perfect, they can make mistakes and have", "attached to this character, they're just a side character\" than this, and makes", "was to create a dynamic mentor character with their own character flaws and", "the literary importance of removing the mentor character from the picture so that", "insta-solving every problem. One of their biggest weaknesses is that for all their", "the story. Given this, *how to I prevent the mentor character from removing", "super speed, or teleportation that can be used to get them to a", "with the literary importance of removing the mentor character from the picture so", "solve problems by themselves rather than relying on the mentor character to do", "namely acting as a liaison with the government to keep them from overreacting", "This character is the leader of the \"good guy\" superhuman faction, have a", "so that the main characters are forced to solve problems by themselves rather", "Dumbledore in Hijrp Potfeq. However, I do kind of feel like the setting", "on the mentor character to do everything for them. However, at the same", "time something goes wrong. In this respect they are treated as the [Aragorn](https://en.wikipedia.org/wiki/Aragorn)", "characters are forced to solve problems by themselves rather than relying on the", "\"safe\" after the mentor character is introduced, compared to earlier story arcs where", "doesn't add much emotional pathos to the story beyond that removal of any", "Frodo and Sam. Normally their hands are pretty tied in how much they", "anarchy and removes any familiar sense of safety which increases dramatic tension and", "(to the point that such an act has been called \"pulling an Obi-Wan\"),", "on the opposite end of the United States from the main characters (East", "which increases dramatic tension and the need of the heroes to restore order", "restore order (typically by them becoming the new authority figures in the traditional", "by themselves and don't have any parental figures/mentors/greater heroes to rely on to", "and money it takes to get a plane ticket). As a result they", "\"don't get too attached to this character, they're just a side character\" than", "plot device than a three-dimensional character. So part of my goal with this", "ever since [Obi-Wan Kenobi](https://en.wikipedia.org/wiki/Obi-Wan_Kenobi) did it well in Star Wars* (to the point", "I prevent the mentor character from removing any dramatic tension from the plot", "they aren't Superman. Similarly, they do have a more traditional \"Kryptonite-esque\" weakness. 4.", "has been placed on them. They aren't a Superman-level flying brick, but they", "as the other protagonists. 2. The mentor character lives on the opposite end", "off?** Some of the potential solutions I've come up with to try and", "power they are very slow, they have no \"travel powers\" like flight, super", "\"good guy\" superhuman faction, have a great deal of experience and wisdom (in", "Star Wars (to the point that such an act has been called \"pulling", "the main characters are forced to solve problems by themselves rather than relying", "the mentor character simply to raise the stakes and seems like a cheap", "to read characters from the story. Given this, how to I prevent the", "for all their power they are very slow, they have no \"travel powers\"", "to them. However, none of these solutions seem to alleviate the feeling that", "plot without simply killing them off? Some of the potential solutions I've come", "and they can only get from one end of the country to the", "flying brick, but they definitely come off as the biggest fish in the", "of any safety net. Their character arc does not benefit from having them", "on. Nevertheless, I don't want to kill the mentor character off because it", "interpretation of how stories should go. I agree with the literary importance of", "West Coast), and they can only get from one end of the country", "of these solutions seem to alleviate the feeling that the setting feels stagnant", "own flaws and character arcs that run throughout the story and force them", "removes any familiar sense of safety which increases dramatic tension and the need", "these solutions seem to alleviate the feeling that the setting feels stagnant and", "fend for themselves and have only themselves to rely on. Nevertheless, I don't", "the opposite end of the United States from the main characters (East Coast", "the mentor character is introduced, compared to earlier story arcs where the characters", "and constrained in where it can go, and have been concerned that this", "about as fast as a normal person (read: the time and money it", "of experience and wisdom (in their eighties, but biologically immortal), and is the", "should go. I agree with the literary importance of removing the mentor character", "some time. 3. The mentor character is not all-powerful, they have distinct weaknesses", "of removing the mentor character from the picture so that the main characters", "and responsibility that has been placed on them. They aren't a Superman-level flying", "character with their own character flaws and arcs that notably does not die", "aren't Superman. Similarly, they do have a more traditional \"Kryptonite-esque\" weakness. 4. The", "cannot act as a mentor or leader. 6. Not everyone listens to them.", "In this respect they are treated as the [Aragorn](https://en.wikipedia.org/wiki/Aragorn) to the protagonist's Frodo", "for themselves for some time. 3. The mentor character is not all-powerful, they", "them. They aren't a Superman-level flying brick, but they definitely come off as", "of the mentor character's arc is about how they cope with the power", "to them. They may be respected, but they aren't God, and there are", "of the protagonists. This character is the leader of the \"good guy\" superhuman", "narrative is not simply to act as a source of wisdom for the", "brick, but they definitely come off as the biggest fish in the pond.", "the problem. I've read that in the typical [Campbellian](https://en.wikipedia.org/wiki/Joseph_Campbell) hero's journey that it's", "a site of crisis in a hurry. They're the most powerful, but they", "dramatic tension from the plot without simply killing them off? Some of the", "as follows: 1. The mentor character is not morally perfect, they can make", "lives on the opposite end of the United States from the main characters", "story. Given this, how to I prevent the mentor character from removing any", "by the beginning of the third act and make it so the main", "one end of the country to the other about as fast as a", "do. This kind of \"OP-ness\" is a bit on purpose, part of the", "mentor character to do everything for them. However, at the same time, outright", "just to dispense cryptic wisdom and then die. Nothing says \"don't get too", "to me. Indeed, it seems like killing off mentor characters has become seen", "removing any dramatic tension from the plot without simply killing them off?** Some", "mentor character as much of a main character as the other protagonists. 2.", "story is very stagnant and constrained in where it can go, and have", "country to the other about as fast as a normal person (read: the", "to a site of crisis in a hurry. They're the most powerful, but", "act as a source of wisdom for the protagonists. My intent was to", "board by the beginning of the third act and make it so the", "notably does not die at the end of the story just to elevate", "mentor of the protagonists. This character is the leader of the \"good guy\"", "who seem to exist just to dispense cryptic wisdom and then die. Nothing", "they have distinct weaknesses that can be exploited and prevent them from insta-solving", "so they cannot act as a mentor or leader. 6. Not everyone listens", "not all-powerful, they have distinct weaknesses that can be exploited and prevent them", "listens to them. They may be respected, but they aren't God, and there", "earlier story arcs where the characters have to fend for themselves and have", "to the story beyond that removal of any safety net. Their character arc", "There are a couple of events that potentially remove the mentor from the", "to exist just to dispense cryptic wisdom and then die. Nothing says \"don't", "the same time, outright killing the mentor character simply to raise the stakes", "and have only themselves to rely on. Nevertheless, I don't want to kill", "they definitely come off as the biggest fish in the pond. I've always", "end of the country to the other about as fast as a normal", "injury that puts them in critical condition or emotionally compromises them so they", "overreacting every time something goes wrong. In this respect they are treated as", "mentor character is introduced, compared to earlier story arcs where the characters have", "removing one of the most interesting to read characters from the story. Given", "to solve problems by themselves rather than relying on the mentor character to", "Normally their hands are pretty tied in how much they can do. 5.", "rely on. Nevertheless, I don't want to kill the mentor character off because", "in the typical [Campbellian](https://en.wikipedia.org/wiki/Joseph_Campbell) hero's journey that it's necessary to remove any powerful", "that such an act has been called \"pulling an Obi-Wan\"), and especially so", "Not everyone listens to them. They may be respected, but they aren't God,", "to rely on. Nevertheless, I don't want to kill the mentor character off", "with various superpowers. One of these characters and is more or less the", "part of the problem. I've read that in the typical [Campbellian](https://en.wikipedia.org/wiki/Joseph_Campbell) hero's journey", "from having them die at the end, and it would basically mean removing", "Given this, *how to I prevent the mentor character from removing any dramatic", "person (read: the time and money it takes to get a plane ticket).", "like flight, super speed, or teleportation that can be used to get them", "seem more like a plot device than a three-dimensional character. So part of", "a side character\" than this, and makes the character seem more like a", "once, and while they would love to protect the main characters, who they", "not* die at the end of the story just to elevate the protagonists.", "become seen as increasingly cliche ever since [Obi-Wan Kenobi](https://en.wikipedia.org/wiki/Obi-Wan_Kenobi) did it well in", "characters if the situation is outright apocalyptic and even then the characters would", "from the main characters (East Coast versus West Coast), and they can only", "teleportation that can be used to get them to a site of crisis", "weaknesses that can be exploited and prevent them from insta-solving every problem. One", "One of their biggest weaknesses is that for all their power they are", "acting as a liaison with the government to keep them from overreacting every", "main character as the other protagonists. 2. The mentor character lives on the", "Obi-Wan\"), and especially so after Dumbledore in Hijrp Potfeq. However, I do kind", "and prevent them from insta-solving every problem. One of their biggest weaknesses is", "any familiar sense of safety which increases dramatic tension and the need of", "problem. One of their biggest weaknesses is that for all their power they", "a hurry. They're the most powerful, but they aren't Superman. Similarly, they do" ]
[ "heard > someone call my name. > > > But I couldn't do", "here, so if this specific question isn't one that the Stack Writing platform", "when she drinks a power-awakening potion. It's supposed to be super draining and", "faintly heard > someone call my name. > > > But I couldn't", "> someone call my name. > > > But I couldn't do anything.", "be super draining and it makes her pass out, but in the space", "the text. > > I didn't feel anything at first, so I thought", "in the text. > > I didn't feel anything at first, so I", "it was comfortable and cold. Here was safe. I could be here. it", "a tingling in the back of my throat. It grew into a >", "safe here. > > > it was safe here. > > > As", "is consuming her. P.S. I'm a new member here, so if this specific", "flat. I'm not sure what to do, but I know it needs to", "was > wrong. Then I felt a tingling in the back of my", "It's supposed to be super draining and it makes her pass out, but", "pain. > > > Consuming me. Overtaking me. I felt my head rush,", "anything. I curled up into a safe space in my mind, > where", "space in my mind, > where it was comfortable and cold. Here was", "(passing out) and when the pain is consuming her. P.S. I'm a new", "this specific question isn't one that the Stack Writing platform usually handles, please", "not sure what to do, but I know it needs to be more", "It was safe here. > > > it was safe here. > >", "her mind (passing out) and when the pain is consuming her. P.S. I'm", "my scenes where my main character is in physical pain are dull. There", "I felt like my body was on fire. I > must've screamed, because", "makes her pass out, but in the space where she is conscious, there", "please let me know and I'll take it down and put this out", "a > tingling down mt whole spine, and I felt like my body", "There is one scene in particular, when she drinks a power-awakening potion. It's", "on fire. I > must've screamed, because this...this was pain. Pure raw pain.", "scenes where my main character is in physical pain are dull. There is", "in particular, when she drinks a power-awakening potion. It's supposed to be super", "Uncle's research was > wrong. Then I felt a tingling in the back", "in the back of my throat. It grew into a > tingling down", "rush, and faintly heard > someone call my name. > > > But", "in the space where she is conscious, there isn't enough \"oomph\" in the", "was safe. I could be here. it > was safe here. > >", "this...this was pain. Pure raw pain. > > > Consuming me. Overtaking me.", "> > > But I couldn't do anything. I curled up into a", "I know it needs to be more powerful when she hides in her", "do, but I know it needs to be more powerful when she hides", "I am going over my writing and found that all of my scenes", "when the pain is consuming her. P.S. I'm a new member here, so", "platform usually handles, please let me know and I'll take it down and", "first, so I thought Uncle's research was > wrong. Then I felt a", "Consuming me. Overtaking me. I felt my head rush, and faintly heard >", "my throat. It grew into a > tingling down mt whole spine, and", "into a > tingling down mt whole spine, and I felt like my", "isn't one that the Stack Writing platform usually handles, please let me know", "isn't enough \"oomph\" in the text. > > I didn't feel anything at", "to be more powerful when she hides in her mind (passing out) and", "pain are dull. There is one scene in particular, when she drinks a", "enough \"oomph\" in the text. > > I didn't feel anything at first,", "Overtaking me. I felt my head rush, and faintly heard > someone call", "tingling in the back of my throat. It grew into a > tingling", "pain. Pure raw pain. > > > Consuming me. Overtaking me. I felt", "needs to be more powerful when she hides in her mind (passing out)", "one scene in particular, when she drinks a power-awakening potion. It's supposed to", "potion. It's supposed to be super draining and it makes her pass out,", "my main character is in physical pain are dull. There is one scene", "there isn't enough \"oomph\" in the text. > > I didn't feel anything", "call my name. > > > But I couldn't do anything. I curled", "safe here. > > > It was safe here. > > > It", "you can see, it's a little flat. I'm not sure what to do,", "am going over my writing and found that all of my scenes where", "Pure raw pain. > > > Consuming me. Overtaking me. I felt my", "safe space in my mind, > where it was comfortable and cold. Here", "pain is consuming her. P.S. I'm a new member here, so if this", "I didn't feel anything at first, so I thought Uncle's research was >", "name. > > > But I couldn't do anything. I curled up into", "thought Uncle's research was > wrong. Then I felt a tingling in the", "back of my throat. It grew into a > tingling down mt whole", "writing and found that all of my scenes where my main character is", "conscious, there isn't enough \"oomph\" in the text. > > I didn't feel", "that the Stack Writing platform usually handles, please let me know and I'll", "mt whole spine, and I felt like my body was on fire. I", "the pain is consuming her. P.S. I'm a new member here, so if", "found that all of my scenes where my main character is in physical", "spine, and I felt like my body was on fire. I > must've", "in my mind, > where it was comfortable and cold. Here was safe.", "little flat. I'm not sure what to do, but I know it needs", "and I'll take it down and put this out on another website. :)", "P.S. I'm a new member here, so if this specific question isn't one", "tingling down mt whole spine, and I felt like my body was on", "raw pain. > > > Consuming me. Overtaking me. I felt my head", "here. > > > As you can see, it's a little flat. I'm", "let me know and I'll take it down and put this out on", "in her mind (passing out) and when the pain is consuming her. P.S.", "supposed to be super draining and it makes her pass out, but in", "was safe here. > > > It was safe here. > > >", "main character is in physical pain are dull. There is one scene in", "As you can see, it's a little flat. I'm not sure what to", "in physical pain are dull. There is one scene in particular, when she", "> As you can see, it's a little flat. I'm not sure what", "must've screamed, because this...this was pain. Pure raw pain. > > > Consuming", "where she is conscious, there isn't enough \"oomph\" in the text. > >", "are dull. There is one scene in particular, when she drinks a power-awakening", "drinks a power-awakening potion. It's supposed to be super draining and it makes", "wrong. Then I felt a tingling in the back of my throat. It", "a safe space in my mind, > where it was comfortable and cold.", "grew into a > tingling down mt whole spine, and I felt like", "> > It was safe here. > > > It was safe here.", "a power-awakening potion. It's supposed to be super draining and it makes her", "my mind, > where it was comfortable and cold. Here was safe. I", "draining and it makes her pass out, but in the space where she", "throat. It grew into a > tingling down mt whole spine, and I", "it > was safe here. > > > It was safe here. >", "a little flat. I'm not sure what to do, but I know it", "> > > It was safe here. > > > it was safe", "it needs to be more powerful when she hides in her mind (passing", "scene in particular, when she drinks a power-awakening potion. It's supposed to be", "couldn't do anything. I curled up into a safe space in my mind,", "feel anything at first, so I thought Uncle's research was > wrong. Then", "\"oomph\" in the text. > > I didn't feel anything at first, so", "here. > > > It was safe here. > > > it was", "someone call my name. > > > But I couldn't do anything. I", "but I know it needs to be more powerful when she hides in", "it's a little flat. I'm not sure what to do, but I know", "character is in physical pain are dull. There is one scene in particular,", "> > it was safe here. > > > As you can see,", "so if this specific question isn't one that the Stack Writing platform usually", "But I couldn't do anything. I curled up into a safe space in", "to do, but I know it needs to be more powerful when she", "was on fire. I > must've screamed, because this...this was pain. Pure raw", "particular, when she drinks a power-awakening potion. It's supposed to be super draining", "comfortable and cold. Here was safe. I could be here. it > was", "up into a safe space in my mind, > where it was comfortable", "down mt whole spine, and I felt like my body was on fire.", "> Consuming me. Overtaking me. I felt my head rush, and faintly heard", "I > must've screamed, because this...this was pain. Pure raw pain. > >", "me. Overtaking me. I felt my head rush, and faintly heard > someone", "because this...this was pain. Pure raw pain. > > > Consuming me. Overtaking", "screamed, because this...this was pain. Pure raw pain. > > > Consuming me.", "it was safe here. > > > As you can see, it's a", "see, it's a little flat. I'm not sure what to do, but I", "could be here. it > was safe here. > > > It was", "felt my head rush, and faintly heard > someone call my name. >", "is conscious, there isn't enough \"oomph\" in the text. > > I didn't", "and I felt like my body was on fire. I > must've screamed,", "be more powerful when she hides in her mind (passing out) and when", "her pass out, but in the space where she is conscious, there isn't", "here. > > > It was safe here. > > > It was", "> was safe here. > > > It was safe here. > >", "here. > > > it was safe here. > > > As you", "> > I didn't feel anything at first, so I thought Uncle's research", "body was on fire. I > must've screamed, because this...this was pain. Pure", "my body was on fire. I > must've screamed, because this...this was pain.", "I could be here. it > was safe here. > > > It", "> where it was comfortable and cold. Here was safe. I could be", "me. I felt my head rush, and faintly heard > someone call my", "my name. > > > But I couldn't do anything. I curled up", "do anything. I curled up into a safe space in my mind, >", "handles, please let me know and I'll take it down and put this", "didn't feel anything at first, so I thought Uncle's research was > wrong.", "I thought Uncle's research was > wrong. Then I felt a tingling in", "of my throat. It grew into a > tingling down mt whole spine,", "when she hides in her mind (passing out) and when the pain is", "the Stack Writing platform usually handles, please let me know and I'll take", "pass out, but in the space where she is conscious, there isn't enough", "like my body was on fire. I > must've screamed, because this...this was", "curled up into a safe space in my mind, > where it was", "consuming her. P.S. I'm a new member here, so if this specific question", "> it was safe here. > > > As you can see, it's", "more powerful when she hides in her mind (passing out) and when the", "text. > > I didn't feel anything at first, so I thought Uncle's", "> > > Consuming me. Overtaking me. I felt my head rush, and", "powerful when she hides in her mind (passing out) and when the pain", "can see, it's a little flat. I'm not sure what to do, but", "whole spine, and I felt like my body was on fire. I >", "where it was comfortable and cold. Here was safe. I could be here.", "> > > As you can see, it's a little flat. I'm not", "know and I'll take it down and put this out on another website.", "and faintly heard > someone call my name. > > > But I", "Writing platform usually handles, please let me know and I'll take it down", "was pain. Pure raw pain. > > > Consuming me. Overtaking me. I", "new member here, so if this specific question isn't one that the Stack", "to be super draining and it makes her pass out, but in the", "my head rush, and faintly heard > someone call my name. > >", "of my scenes where my main character is in physical pain are dull.", "is in physical pain are dull. There is one scene in particular, when", "> > But I couldn't do anything. I curled up into a safe", "I curled up into a safe space in my mind, > where it", "> It was safe here. > > > it was safe here. >", "is one scene in particular, when she drinks a power-awakening potion. It's supposed", "was comfortable and cold. Here was safe. I could be here. it >", "me know and I'll take it down and put this out on another", "her. P.S. I'm a new member here, so if this specific question isn't", "where my main character is in physical pain are dull. There is one", "what to do, but I know it needs to be more powerful when", "into a safe space in my mind, > where it was comfortable and", "Then I felt a tingling in the back of my throat. It grew", "question isn't one that the Stack Writing platform usually handles, please let me", "she is conscious, there isn't enough \"oomph\" in the text. > > I", "It was safe here. > > > It was safe here. > >", "physical pain are dull. There is one scene in particular, when she drinks", "I felt my head rush, and faintly heard > someone call my name.", "anything at first, so I thought Uncle's research was > wrong. Then I", "and it makes her pass out, but in the space where she is", "head rush, and faintly heard > someone call my name. > > >", "mind, > where it was comfortable and cold. Here was safe. I could", "Stack Writing platform usually handles, please let me know and I'll take it", "safe here. > > > It was safe here. > > > it", "I couldn't do anything. I curled up into a safe space in my", "safe. I could be here. it > was safe here. > > >", "that all of my scenes where my main character is in physical pain", "I'm not sure what to do, but I know it needs to be", "fire. I > must've screamed, because this...this was pain. Pure raw pain. >", "she drinks a power-awakening potion. It's supposed to be super draining and it", "the space where she is conscious, there isn't enough \"oomph\" in the text.", "> > > it was safe here. > > > As you can", "out, but in the space where she is conscious, there isn't enough \"oomph\"", "specific question isn't one that the Stack Writing platform usually handles, please let", "here. it > was safe here. > > > It was safe here.", "at first, so I thought Uncle's research was > wrong. Then I felt", "was safe here. > > > As you can see, it's a little", "dull. There is one scene in particular, when she drinks a power-awakening potion.", "> > > It was safe here. > > > It was safe", "if this specific question isn't one that the Stack Writing platform usually handles,", "over my writing and found that all of my scenes where my main", "a new member here, so if this specific question isn't one that the", "sure what to do, but I know it needs to be more powerful", "Here was safe. I could be here. it > was safe here. >", "she hides in her mind (passing out) and when the pain is consuming", "> I didn't feel anything at first, so I thought Uncle's research was", "mind (passing out) and when the pain is consuming her. P.S. I'm a", "going over my writing and found that all of my scenes where my", "> tingling down mt whole spine, and I felt like my body was", "hides in her mind (passing out) and when the pain is consuming her.", "it makes her pass out, but in the space where she is conscious,", "> wrong. Then I felt a tingling in the back of my throat.", "all of my scenes where my main character is in physical pain are", "> > It was safe here. > > > it was safe here.", "felt a tingling in the back of my throat. It grew into a", "and found that all of my scenes where my main character is in", "out) and when the pain is consuming her. P.S. I'm a new member", "> It was safe here. > > > It was safe here. >", "and when the pain is consuming her. P.S. I'm a new member here,", "super draining and it makes her pass out, but in the space where", "be here. it > was safe here. > > > It was safe", "safe here. > > > As you can see, it's a little flat.", "power-awakening potion. It's supposed to be super draining and it makes her pass", "my writing and found that all of my scenes where my main character", "space where she is conscious, there isn't enough \"oomph\" in the text. >", "but in the space where she is conscious, there isn't enough \"oomph\" in", "so I thought Uncle's research was > wrong. Then I felt a tingling", "research was > wrong. Then I felt a tingling in the back of", "was safe here. > > > it was safe here. > > >", "know it needs to be more powerful when she hides in her mind", "member here, so if this specific question isn't one that the Stack Writing", "the back of my throat. It grew into a > tingling down mt", "cold. Here was safe. I could be here. it > was safe here.", "> must've screamed, because this...this was pain. Pure raw pain. > > >", "> > Consuming me. Overtaking me. I felt my head rush, and faintly", "> > As you can see, it's a little flat. I'm not sure", "felt like my body was on fire. I > must've screamed, because this...this", "I'm a new member here, so if this specific question isn't one that", "and cold. Here was safe. I could be here. it > was safe", "It grew into a > tingling down mt whole spine, and I felt", "I felt a tingling in the back of my throat. It grew into", "> But I couldn't do anything. I curled up into a safe space", "usually handles, please let me know and I'll take it down and put", "one that the Stack Writing platform usually handles, please let me know and" ]
[ "like to write in that language... I have many story ideas but my", "story ideas but my skills are not that good to be a novel", "an English student, I'd always like to write in that language... I have", "that language... I have many story ideas but my skills are not that", "not that good to be a novel writer where I usually face grammatical", "that good to be a novel writer where I usually face grammatical mistakes,", "skills are not that good to be a novel writer where I usually", "are not that good to be a novel writer where I usually face", "to be a novel writer where I usually face grammatical mistakes, any advice?", "English is not my first language, but as an English student, I'd always", "but as an English student, I'd always like to write in that language...", "but my skills are not that good to be a novel writer where", "my first language, but as an English student, I'd always like to write", "good to be a novel writer where I usually face grammatical mistakes, any", "have many story ideas but my skills are not that good to be", "student, I'd always like to write in that language... I have many story", "first language, but as an English student, I'd always like to write in", "not my first language, but as an English student, I'd always like to", "is not my first language, but as an English student, I'd always like", "language... I have many story ideas but my skills are not that good", "language, but as an English student, I'd always like to write in that", "my skills are not that good to be a novel writer where I", "always like to write in that language... I have many story ideas but", "I'd always like to write in that language... I have many story ideas", "to write in that language... I have many story ideas but my skills", "many story ideas but my skills are not that good to be a", "write in that language... I have many story ideas but my skills are", "in that language... I have many story ideas but my skills are not", "ideas but my skills are not that good to be a novel writer", "I have many story ideas but my skills are not that good to", "English student, I'd always like to write in that language... I have many", "as an English student, I'd always like to write in that language... I" ]
[ "and ruining the pacing in order to get the story to fit within", "a higher-profile and potentially more marketable manner than simply posting it on Wattpad.", "would mean each book would be only half of a plot. I suppose", "bare bones and ruining the pacing in order to get the story to", "don't encourage them to read the whole book. At worst it gives them", "most of them tend to be 400-450 printed pages in length. Publishers don't", "control. However, I have run into some problems with the structure of my", "about 30-45 typed pages and somewhere between maybe 10 to 15 thousand words", "self-contained short story but contribute to an overarching plot and long-term character development", "this case it would mean each book would be only half of a", "when I realized it played better to my writing abilities and gave me", "the second split-off book right in the middle of the action. I've heard", "switched to making it a written series when I realized it played better", "to publish them. I'm not really keen on the idea of removing whole", "idea of removing whole chapters of the story or stripping them to their", "that publishing your work online basically kills any chance of it being published", "a cliffhanger and starting the second split-off book right in the middle of", "fantasy series. The series is currently divided into a number of episodic chapters", "only half of a plot. I suppose one potential option would be to", "plots, while working very well in television, don't work well in written fiction", "I'm not really keen on the idea of removing whole chapters of the", "length. Publishers don't like to consider longer urban fantasy stories unless they are", "general, and in this case it would mean each book would be only", "based on my calculations. There are about 15-18 chapters, so this would be", "really keen on the idea of removing whole chapters of the story or", "be quite a bit shorter than your average fantasy novel, most of them", "work well in written fiction because they give the reader places to stop", "plot. I suppose one potential option would be to send the various chapters", "series is currently divided into a number of episodic chapters that follow a", "be 400-450 printed pages in length. Publishers don't like to consider longer urban", "various magazines as short stories and then publish the series as a whole", "encourage them to read the whole book. At worst it gives them plot", "as a whole as an anthology, but I'm not even sure if people", "stripping them to their bare bones and ruining the pacing in order to", "approximately 600 manuscript pages all together. The chapters themselves can almost function as", "played better to my writing abilities and gave me more creative control. However,", "15 thousand words each based on my calculations. There are about 15-18 chapters,", "while working very well in television, don't work well in written fiction because", "there some way to salvage what I have, or do I need to", "thing and then think about rewrites, or should I be fixing this problem", "I have found out that urban fantasy books tend to be quite a", "right in the middle of the action. I've heard readers hate cliffhangers in", "on an urban fantasy series. The series is currently divided into a number", "lot more to publish them. I'm not really keen on the idea of", "within a 450 page limit. There is a good spot to break the", "long-term character development that ties them all together as a single story. The", "the story or stripping them to their bare bones and ruining the pacing", "and potentially more marketable manner than simply posting it on Wattpad. Given this,", "week\" plots, while working very well in television, don't work well in written", "it would be nice to be able to publish my work in a", "figure out is what is the best way to structure my story. Is", "run into some problems with the structure of my story. First, I've noticed", "if people read fantasy/sci-fi magazines anymore. The structure of the series is almost", "on the idea of removing whole chapters of the story or stripping them", "television, don't work well in written fiction because they give the reader places", "any other format and it would be nice to be able to publish", "costs a lot more to publish them. I'm not really keen on the", "case it would mean each book would be only half of a plot.", "the various chapters to various magazines as short stories and then publish the", "can almost function as their own self-contained short story but contribute to an", "beginning? Should I just focus on writing the dang thing and then think", "on Wattpad. Given this, what I'm trying to figure out is what is", "them to read the whole book. At worst it gives them plot whiplash", "from the very beginning? Should I just focus on writing the dang thing", "very well in television, don't work well in written fiction because they give", "but I'm not even sure if people read fantasy/sci-fi magazines anymore. The structure", "of them tend to be 400-450 printed pages in length. Publishers don't like", "I have, or do I need to burn it all down and totally", "Publishers don't like to consider longer urban fantasy stories unless they are broken", "600 manuscript pages all together. The chapters themselves can almost function as their", "several places that publishing your work online basically kills any chance of it", "15-18 chapters, so this would be approximately 600 manuscript pages all together. The", "own self-contained short story but contribute to an overarching plot and long-term character", "would be nice to be able to publish my work in a higher-profile", "best way to structure my story. Is there some way to salvage what", "totally re-structure it from the very beginning? Should I just focus on writing", "to publish my work in a higher-profile and potentially more marketable manner than", "is a good spot to break the first book into two books, but", "my story. Is there some way to salvage what I have, or do", "middle of the action. I've heard readers hate cliffhangers in general, and in", "that urban fantasy books tend to be quite a bit shorter than your", "book right in the middle of the action. I've heard readers hate cliffhangers", "all together. The chapters themselves can almost function as their own self-contained short", "structure of my story. First, I've noticed that \"monster of the week\" plots,", "I've heard readers hate cliffhangers in general, and in this case it would", "and it would be nice to be able to publish my work in", "what is the best way to structure my story. Is there some way", "simply posting it on Wattpad. Given this, what I'm trying to figure out", "potential option would be to send the various chapters to various magazines as", "the middle of the action. I've heard readers hate cliffhangers in general, and", "all down and totally re-structure it from the very beginning? Should I just", "some way to salvage what I have, or do I need to burn", "to an overarching plot and long-term character development that ties them all together", "serial given its \"each chapter is a semi-independent adventure\" format, but I've heard", "reason the story is set up this way is I originally wrote it", "gave me more creative control. However, I have run into some problems with", "chapters, so this would be approximately 600 manuscript pages all together. The chapters", "am working on an urban fantasy series. The series is currently divided into", "more creative control. However, I have run into some problems with the structure", "series is almost perfect for a web serial given its \"each chapter is", "so this would be approximately 600 manuscript pages all together. The chapters themselves", "chapter is a semi-independent adventure\" format, but I've heard from several places that", "them all together as a single story. The reason the story is set", "of it being published in any other format and it would be nice", "Given this, what I'm trying to figure out is what is the best", "single story. The reason the story is set up this way is I", "this, what I'm trying to figure out is what is the best way", "ties them all together as a single story. The reason the story is", "the story is set up this way is I originally wrote it as", "option would be to send the various chapters to various magazines as short", "urban fantasy stories unless they are broken up into smaller chunks, and it", "character development that ties them all together as a single story. The reason", "chapters of the story or stripping them to their bare bones and ruining", "a semi-independent adventure\" format, but I've heard from several places that publishing your", "the reader places to stop reading and don't encourage them to read the", "making it a written series when I realized it played better to my", "thousand words each based on my calculations. There are about 15-18 chapters, so", "the idea of removing whole chapters of the story or stripping them to", "send the various chapters to various magazines as short stories and then publish", "this would be approximately 600 manuscript pages all together. The chapters themselves can", "of the series is almost perfect for a web serial given its \"each", "and in this case it would mean each book would be only half", "reading and don't encourage them to read the whole book. At worst it", "structure of the series is almost perfect for a web serial given its", "publish my work in a higher-profile and potentially more marketable manner than simply", "story. Is there some way to salvage what I have, or do I", "for a 13 episode television series, but switched to making it a written", "I suppose one potential option would be to send the various chapters to", "but I've heard from several places that publishing your work online basically kills", "unless they are broken up into smaller chunks, and it costs a lot", "divided into a number of episodic chapters that follow a \"[monster of the", "30-45 typed pages and somewhere between maybe 10 to 15 thousand words each", "is the best way to structure my story. Is there some way to", "development that ties them all together as a single story. The reason the", "printed pages in length. Publishers don't like to consider longer urban fantasy stories", "a web serial given its \"each chapter is a semi-independent adventure\" format, but", "have, or do I need to burn it all down and totally re-structure", "between maybe 10 to 15 thousand words each based on my calculations. There", "together. The chapters themselves can almost function as their own self-contained short story", "cliffhanger and starting the second split-off book right in the middle of the", "whole as an anthology, but I'm not even sure if people read fantasy/sci-fi", "would be approximately 600 manuscript pages all together. The chapters themselves can almost", "nice to be able to publish my work in a higher-profile and potentially", "almost function as their own self-contained short story but contribute to an overarching", "written fiction because they give the reader places to stop reading and don't", "to be able to publish my work in a higher-profile and potentially more", "given its \"each chapter is a semi-independent adventure\" format, but I've heard from", "the series as a whole as an anthology, but I'm not even sure", "heard from several places that publishing your work online basically kills any chance", "and long-term character development that ties them all together as a single story.", "There are about 15-18 chapters, so this would be approximately 600 manuscript pages", "story to fit within a 450 page limit. There is a good spot", "400-450 printed pages in length. Publishers don't like to consider longer urban fantasy", "semi-independent adventure\" format, but I've heard from several places that publishing your work", "just focus on writing the dang thing and then think about rewrites, or", "not really keen on the idea of removing whole chapters of the story", "break the first book into two books, but it would essentially be leaving", "realized it played better to my writing abilities and gave me more creative", "hate cliffhangers in general, and in this case it would mean each book", "episode television series, but switched to making it a written series when I", "mean each book would be only half of a plot. I suppose one", "any chance of it being published in any other format and it would", "tend to be quite a bit shorter than your average fantasy novel, most", "chapter. But perhaps more importantly I have found out that urban fantasy books", "to consider longer urban fantasy stories unless they are broken up into smaller", "The chapters themselves can almost function as their own self-contained short story but", "into smaller chunks, and it costs a lot more to publish them. I'm", "first book into two books, but it would essentially be leaving the plot", "various chapters to various magazines as short stories and then publish the series", "in length. Publishers don't like to consider longer urban fantasy stories unless they", "reader places to stop reading and don't encourage them to read the whole", "series, but switched to making it a written series when I realized it", "be to send the various chapters to various magazines as short stories and", "and starting the second split-off book right in the middle of the action.", "of the week](https://tvtropes.org/pmwiki/pmwiki.php/Main/MonsterOfTheWeek)\" format. Each one is projected to be about 30-45 typed", "need to burn it all down and totally re-structure it from the very", "fantasy/sci-fi magazines anymore. The structure of the series is almost perfect for a", "they give the reader places to stop reading and don't encourage them to", "conflict each chapter. But perhaps more importantly I have found out that urban", "focus on writing the dang thing and then think about rewrites, or should", "the first book into two books, but it would essentially be leaving the", "working on an urban fantasy series. The series is currently divided into a", "it played better to my writing abilities and gave me more creative control.", "potentially more marketable manner than simply posting it on Wattpad. Given this, what", "and totally re-structure it from the very beginning? Should I just focus on", "heard readers hate cliffhangers in general, and in this case it would mean", "is almost perfect for a web serial given its \"each chapter is a", "to structure my story. Is there some way to salvage what I have,", "importantly I have found out that urban fantasy books tend to be quite", "like to consider longer urban fantasy stories unless they are broken up into", "and then publish the series as a whole as an anthology, but I'm", "and somewhere between maybe 10 to 15 thousand words each based on my", "written series when I realized it played better to my writing abilities and", "I realized it played better to my writing abilities and gave me more", "good spot to break the first book into two books, but it would", "bones and ruining the pacing in order to get the story to fit", "your work online basically kills any chance of it being published in any", "the week](https://tvtropes.org/pmwiki/pmwiki.php/Main/MonsterOfTheWeek)\" format. Each one is projected to be about 30-45 typed pages", "to figure out is what is the best way to structure my story.", "dang thing and then think about rewrites, or should I be fixing this", "to read the whole book. At worst it gives them plot whiplash due", "of a plot. I suppose one potential option would be to send the", "story. The reason the story is set up this way is I originally", "pages in length. Publishers don't like to consider longer urban fantasy stories unless", "magazines as short stories and then publish the series as a whole as", "be about 30-45 typed pages and somewhere between maybe 10 to 15 thousand", "than your average fantasy novel, most of them tend to be 400-450 printed", "ruining the pacing in order to get the story to fit within a", "order to get the story to fit within a 450 page limit. There", "work online basically kills any chance of it being published in any other", "At worst it gives them plot whiplash due to constantly starting a semi-new", "out is what is the best way to structure my story. Is there", "to be 400-450 printed pages in length. Publishers don't like to consider longer", "the very beginning? Should I just focus on writing the dang thing and", "a bit shorter than your average fantasy novel, most of them tend to", "format. Each one is projected to be about 30-45 typed pages and somewhere", "format, but I've heard from several places that publishing your work online basically", "to break the first book into two books, but it would essentially be", "that follow a \"[monster of the week](https://tvtropes.org/pmwiki/pmwiki.php/Main/MonsterOfTheWeek)\" format. Each one is projected to", "series. The series is currently divided into a number of episodic chapters that", "the dang thing and then think about rewrites, or should I be fixing", "stories and then publish the series as a whole as an anthology, but", "The structure of the series is almost perfect for a web serial given", "able to publish my work in a higher-profile and potentially more marketable manner", "I'm trying to figure out is what is the best way to structure", "as their own self-contained short story but contribute to an overarching plot and", "in written fiction because they give the reader places to stop reading and", "and don't encourage them to read the whole book. At worst it gives", "keen on the idea of removing whole chapters of the story or stripping", "I just focus on writing the dang thing and then think about rewrites,", "bit shorter than your average fantasy novel, most of them tend to be", "fantasy books tend to be quite a bit shorter than your average fantasy", "I've heard from several places that publishing your work online basically kills any", "on my calculations. There are about 15-18 chapters, so this would be approximately", "salvage what I have, or do I need to burn it all down", "to making it a written series when I realized it played better to", "in the middle of the action. I've heard readers hate cliffhangers in general,", "up into smaller chunks, and it costs a lot more to publish them.", "don't like to consider longer urban fantasy stories unless they are broken up", "problems with the structure of my story. First, I've noticed that \"monster of", "short story but contribute to an overarching plot and long-term character development that", "and it costs a lot more to publish them. I'm not really keen", "tend to be 400-450 printed pages in length. Publishers don't like to consider", "then think about rewrites, or should I be fixing this problem now before", "the series is almost perfect for a web serial given its \"each chapter", "a number of episodic chapters that follow a \"[monster of the week](https://tvtropes.org/pmwiki/pmwiki.php/Main/MonsterOfTheWeek)\" format.", "from several places that publishing your work online basically kills any chance of", "short stories and then publish the series as a whole as an anthology,", "up this way is I originally wrote it as a screenplay for a", "wrote it as a screenplay for a 13 episode television series, but switched", "be approximately 600 manuscript pages all together. The chapters themselves can almost function", "they are broken up into smaller chunks, and it costs a lot more", "one potential option would be to send the various chapters to various magazines", "or should I be fixing this problem now before it becomes a bigger", "structure my story. Is there some way to salvage what I have, or", "as short stories and then publish the series as a whole as an", "\"[monster of the week](https://tvtropes.org/pmwiki/pmwiki.php/Main/MonsterOfTheWeek)\" format. Each one is projected to be about 30-45", "originally wrote it as a screenplay for a 13 episode television series, but", "book into two books, but it would essentially be leaving the plot on", "essentially be leaving the plot on a cliffhanger and starting the second split-off", "their bare bones and ruining the pacing in order to get the story", "contribute to an overarching plot and long-term character development that ties them all", "publishing your work online basically kills any chance of it being published in", "about rewrites, or should I be fixing this problem now before it becomes", "First, I've noticed that \"monster of the week\" plots, while working very well", "read the whole book. At worst it gives them plot whiplash due to", "what I have, or do I need to burn it all down and", "Each one is projected to be about 30-45 typed pages and somewhere between", "all together as a single story. The reason the story is set up", "more marketable manner than simply posting it on Wattpad. Given this, what I'm", "writing the dang thing and then think about rewrites, or should I be", "words each based on my calculations. There are about 15-18 chapters, so this", "two books, but it would essentially be leaving the plot on a cliffhanger", "out that urban fantasy books tend to be quite a bit shorter than", "a good spot to break the first book into two books, but it", "perhaps more importantly I have found out that urban fantasy books tend to", "but it would essentially be leaving the plot on a cliffhanger and starting", "it would mean each book would be only half of a plot. I", "week](https://tvtropes.org/pmwiki/pmwiki.php/Main/MonsterOfTheWeek)\" format. Each one is projected to be about 30-45 typed pages and", "starting a semi-new conflict each chapter. But perhaps more importantly I have found", "be nice to be able to publish my work in a higher-profile and", "more importantly I have found out that urban fantasy books tend to be", "working very well in television, don't work well in written fiction because they", "web serial given its \"each chapter is a semi-independent adventure\" format, but I've", "and then think about rewrites, or should I be fixing this problem now", "well in television, don't work well in written fiction because they give the", "each chapter. But perhaps more importantly I have found out that urban fantasy", "it would essentially be leaving the plot on a cliffhanger and starting the", "better to my writing abilities and gave me more creative control. However, I", "do I need to burn it all down and totally re-structure it from", "of the action. I've heard readers hate cliffhangers in general, and in this", "into some problems with the structure of my story. First, I've noticed that", "10 to 15 thousand words each based on my calculations. There are about", "leaving the plot on a cliffhanger and starting the second split-off book right", "Is there some way to salvage what I have, or do I need", "publish them. I'm not really keen on the idea of removing whole chapters", "I need to burn it all down and totally re-structure it from the", "places that publishing your work online basically kills any chance of it being", "smaller chunks, and it costs a lot more to publish them. I'm not", "of the week\" plots, while working very well in television, don't work well", "my story. First, I've noticed that \"monster of the week\" plots, while working", "average fantasy novel, most of them tend to be 400-450 printed pages in", "story is set up this way is I originally wrote it as a", "story but contribute to an overarching plot and long-term character development that ties", "into two books, but it would essentially be leaving the plot on a", "and gave me more creative control. However, I have run into some problems", "fantasy stories unless they are broken up into smaller chunks, and it costs", "as a single story. The reason the story is set up this way", "is a semi-independent adventure\" format, but I've heard from several places that publishing", "to be about 30-45 typed pages and somewhere between maybe 10 to 15", "a single story. The reason the story is set up this way is", "pacing in order to get the story to fit within a 450 page", "to salvage what I have, or do I need to burn it all", "being published in any other format and it would be nice to be", "online basically kills any chance of it being published in any other format", "way to salvage what I have, or do I need to burn it", "13 episode television series, but switched to making it a written series when", "in a higher-profile and potentially more marketable manner than simply posting it on", "or stripping them to their bare bones and ruining the pacing in order", "rewrites, or should I be fixing this problem now before it becomes a", "together as a single story. The reason the story is set up this", "it being published in any other format and it would be nice to", "think about rewrites, or should I be fixing this problem now before it", "television series, but switched to making it a written series when I realized", "have run into some problems with the structure of my story. First, I've", "as an anthology, but I'm not even sure if people read fantasy/sci-fi magazines", "places to stop reading and don't encourage them to read the whole book.", "in order to get the story to fit within a 450 page limit.", "format and it would be nice to be able to publish my work", "adventure\" format, but I've heard from several places that publishing your work online", "projected to be about 30-45 typed pages and somewhere between maybe 10 to", "urban fantasy series. The series is currently divided into a number of episodic", "very beginning? Should I just focus on writing the dang thing and then", "fantasy novel, most of them tend to be 400-450 printed pages in length.", "chapters to various magazines as short stories and then publish the series as", "screenplay for a 13 episode television series, but switched to making it a", "is what is the best way to structure my story. Is there some", "burn it all down and totally re-structure it from the very beginning? Should", "re-structure it from the very beginning? Should I just focus on writing the", "because they give the reader places to stop reading and don't encourage them", "it all down and totally re-structure it from the very beginning? Should I", "them tend to be 400-450 printed pages in length. Publishers don't like to", "into a number of episodic chapters that follow a \"[monster of the week](https://tvtropes.org/pmwiki/pmwiki.php/Main/MonsterOfTheWeek)\"", "way is I originally wrote it as a screenplay for a 13 episode", "of removing whole chapters of the story or stripping them to their bare", "my work in a higher-profile and potentially more marketable manner than simply posting", "don't work well in written fiction because they give the reader places to", "noticed that \"monster of the week\" plots, while working very well in television,", "story or stripping them to their bare bones and ruining the pacing in", "them to their bare bones and ruining the pacing in order to get", "sure if people read fantasy/sci-fi magazines anymore. The structure of the series is", "is projected to be about 30-45 typed pages and somewhere between maybe 10", "higher-profile and potentially more marketable manner than simply posting it on Wattpad. Given", "starting the second split-off book right in the middle of the action. I've", "each book would be only half of a plot. I suppose one potential", "then publish the series as a whole as an anthology, but I'm not", "pages and somewhere between maybe 10 to 15 thousand words each based on", "pages all together. The chapters themselves can almost function as their own self-contained", "well in written fiction because they give the reader places to stop reading", "found out that urban fantasy books tend to be quite a bit shorter", "urban fantasy books tend to be quite a bit shorter than your average", "in television, don't work well in written fiction because they give the reader", "the structure of my story. First, I've noticed that \"monster of the week\"", "chapters themselves can almost function as their own self-contained short story but contribute", "I've noticed that \"monster of the week\" plots, while working very well in", "get the story to fit within a 450 page limit. There is a", "maybe 10 to 15 thousand words each based on my calculations. There are", "Wattpad. Given this, what I'm trying to figure out is what is the", "a plot. I suppose one potential option would be to send the various", "cliffhangers in general, and in this case it would mean each book would", "but switched to making it a written series when I realized it played", "more to publish them. I'm not really keen on the idea of removing", "calculations. There are about 15-18 chapters, so this would be approximately 600 manuscript", "it as a screenplay for a 13 episode television series, but switched to", "with the structure of my story. First, I've noticed that \"monster of the", "gives them plot whiplash due to constantly starting a semi-new conflict each chapter.", "or do I need to burn it all down and totally re-structure it", "an overarching plot and long-term character development that ties them all together as", "it gives them plot whiplash due to constantly starting a semi-new conflict each", "it from the very beginning? Should I just focus on writing the dang", "way to structure my story. Is there some way to salvage what I", "longer urban fantasy stories unless they are broken up into smaller chunks, and", "for a web serial given its \"each chapter is a semi-independent adventure\" format,", "spot to break the first book into two books, but it would essentially", "constantly starting a semi-new conflict each chapter. But perhaps more importantly I have", "\"monster of the week\" plots, while working very well in television, don't work", "is currently divided into a number of episodic chapters that follow a \"[monster", "would essentially be leaving the plot on a cliffhanger and starting the second", "to constantly starting a semi-new conflict each chapter. But perhaps more importantly I", "almost perfect for a web serial given its \"each chapter is a semi-independent", "second split-off book right in the middle of the action. I've heard readers", "fiction because they give the reader places to stop reading and don't encourage", "story. First, I've noticed that \"monster of the week\" plots, while working very", "kills any chance of it being published in any other format and it", "them. I'm not really keen on the idea of removing whole chapters of", "be able to publish my work in a higher-profile and potentially more marketable", "even sure if people read fantasy/sci-fi magazines anymore. The structure of the series", "quite a bit shorter than your average fantasy novel, most of them tend", "worst it gives them plot whiplash due to constantly starting a semi-new conflict", "that \"monster of the week\" plots, while working very well in television, don't", "chapters that follow a \"[monster of the week](https://tvtropes.org/pmwiki/pmwiki.php/Main/MonsterOfTheWeek)\" format. Each one is projected", "series when I realized it played better to my writing abilities and gave", "is set up this way is I originally wrote it as a screenplay", "give the reader places to stop reading and don't encourage them to read", "your average fantasy novel, most of them tend to be 400-450 printed pages", "the week\" plots, while working very well in television, don't work well in", "to their bare bones and ruining the pacing in order to get the", "book would be only half of a plot. I suppose one potential option", "than simply posting it on Wattpad. Given this, what I'm trying to figure", "whiplash due to constantly starting a semi-new conflict each chapter. But perhaps more", "anymore. The structure of the series is almost perfect for a web serial", "I'm not even sure if people read fantasy/sci-fi magazines anymore. The structure of", "their own self-contained short story but contribute to an overarching plot and long-term", "books, but it would essentially be leaving the plot on a cliffhanger and", "a lot more to publish them. I'm not really keen on the idea", "writing abilities and gave me more creative control. However, I have run into", "450 page limit. There is a good spot to break the first book", "my writing abilities and gave me more creative control. However, I have run", "an anthology, but I'm not even sure if people read fantasy/sci-fi magazines anymore.", "abilities and gave me more creative control. However, I have run into some", "books tend to be quite a bit shorter than your average fantasy novel,", "semi-new conflict each chapter. But perhaps more importantly I have found out that", "publish the series as a whole as an anthology, but I'm not even", "an urban fantasy series. The series is currently divided into a number of", "each based on my calculations. There are about 15-18 chapters, so this would", "a 450 page limit. There is a good spot to break the first", "chunks, and it costs a lot more to publish them. I'm not really", "The reason the story is set up this way is I originally wrote", "The series is currently divided into a number of episodic chapters that follow", "anthology, but I'm not even sure if people read fantasy/sci-fi magazines anymore. The", "the best way to structure my story. Is there some way to salvage", "would be only half of a plot. I suppose one potential option would", "the plot on a cliffhanger and starting the second split-off book right in", "creative control. However, I have run into some problems with the structure of", "stories unless they are broken up into smaller chunks, and it costs a", "whole book. At worst it gives them plot whiplash due to constantly starting", "this way is I originally wrote it as a screenplay for a 13", "plot whiplash due to constantly starting a semi-new conflict each chapter. But perhaps", "chance of it being published in any other format and it would be", "the story to fit within a 450 page limit. There is a good", "marketable manner than simply posting it on Wattpad. Given this, what I'm trying", "broken up into smaller chunks, and it costs a lot more to publish", "some problems with the structure of my story. First, I've noticed that \"monster", "magazines anymore. The structure of the series is almost perfect for a web", "work in a higher-profile and potentially more marketable manner than simply posting it", "not even sure if people read fantasy/sci-fi magazines anymore. The structure of the", "basically kills any chance of it being published in any other format and", "should I be fixing this problem now before it becomes a bigger issue?", "due to constantly starting a semi-new conflict each chapter. But perhaps more importantly", "it on Wattpad. Given this, what I'm trying to figure out is what", "published in any other format and it would be nice to be able", "limit. There is a good spot to break the first book into two", "plot and long-term character development that ties them all together as a single", "to 15 thousand words each based on my calculations. There are about 15-18", "shorter than your average fantasy novel, most of them tend to be 400-450", "in general, and in this case it would mean each book would be", "to get the story to fit within a 450 page limit. There is", "Should I just focus on writing the dang thing and then think about", "have found out that urban fantasy books tend to be quite a bit", "are about 15-18 chapters, so this would be approximately 600 manuscript pages all", "action. I've heard readers hate cliffhangers in general, and in this case it", "However, I have run into some problems with the structure of my story.", "a semi-new conflict each chapter. But perhaps more importantly I have found out", "posting it on Wattpad. Given this, what I'm trying to figure out is", "what I'm trying to figure out is what is the best way to", "novel, most of them tend to be 400-450 printed pages in length. Publishers", "a screenplay for a 13 episode television series, but switched to making it", "readers hate cliffhangers in general, and in this case it would mean each", "I am working on an urban fantasy series. The series is currently divided", "suppose one potential option would be to send the various chapters to various", "the whole book. At worst it gives them plot whiplash due to constantly", "I have run into some problems with the structure of my story. First,", "to burn it all down and totally re-structure it from the very beginning?", "stop reading and don't encourage them to read the whole book. At worst", "to be quite a bit shorter than your average fantasy novel, most of", "There is a good spot to break the first book into two books,", "to various magazines as short stories and then publish the series as a", "me more creative control. However, I have run into some problems with the", "removing whole chapters of the story or stripping them to their bare bones", "on writing the dang thing and then think about rewrites, or should I", "somewhere between maybe 10 to 15 thousand words each based on my calculations.", "number of episodic chapters that follow a \"[monster of the week](https://tvtropes.org/pmwiki/pmwiki.php/Main/MonsterOfTheWeek)\" format. Each", "its \"each chapter is a semi-independent adventure\" format, but I've heard from several", "of episodic chapters that follow a \"[monster of the week](https://tvtropes.org/pmwiki/pmwiki.php/Main/MonsterOfTheWeek)\" format. Each one", "trying to figure out is what is the best way to structure my", "be only half of a plot. I suppose one potential option would be", "read fantasy/sci-fi magazines anymore. The structure of the series is almost perfect for", "half of a plot. I suppose one potential option would be to send", "manuscript pages all together. The chapters themselves can almost function as their own", "set up this way is I originally wrote it as a screenplay for", "of my story. First, I've noticed that \"monster of the week\" plots, while", "currently divided into a number of episodic chapters that follow a \"[monster of", "whole chapters of the story or stripping them to their bare bones and", "about 15-18 chapters, so this would be approximately 600 manuscript pages all together.", "to stop reading and don't encourage them to read the whole book. At", "the action. I've heard readers hate cliffhangers in general, and in this case", "plot on a cliffhanger and starting the second split-off book right in the", "overarching plot and long-term character development that ties them all together as a", "to fit within a 450 page limit. There is a good spot to", "a \"[monster of the week](https://tvtropes.org/pmwiki/pmwiki.php/Main/MonsterOfTheWeek)\" format. Each one is projected to be about", "one is projected to be about 30-45 typed pages and somewhere between maybe", "as a screenplay for a 13 episode television series, but switched to making", "on a cliffhanger and starting the second split-off book right in the middle", "it costs a lot more to publish them. I'm not really keen on", "would be to send the various chapters to various magazines as short stories", "but contribute to an overarching plot and long-term character development that ties them", "\"each chapter is a semi-independent adventure\" format, but I've heard from several places", "in any other format and it would be nice to be able to", "people read fantasy/sci-fi magazines anymore. The structure of the series is almost perfect", "them plot whiplash due to constantly starting a semi-new conflict each chapter. But", "follow a \"[monster of the week](https://tvtropes.org/pmwiki/pmwiki.php/Main/MonsterOfTheWeek)\" format. Each one is projected to be", "it a written series when I realized it played better to my writing", "the pacing in order to get the story to fit within a 450", "to my writing abilities and gave me more creative control. However, I have", "fit within a 450 page limit. There is a good spot to break", "episodic chapters that follow a \"[monster of the week](https://tvtropes.org/pmwiki/pmwiki.php/Main/MonsterOfTheWeek)\" format. Each one is", "to send the various chapters to various magazines as short stories and then", "book. At worst it gives them plot whiplash due to constantly starting a", "series as a whole as an anthology, but I'm not even sure if", "I originally wrote it as a screenplay for a 13 episode television series,", "page limit. There is a good spot to break the first book into", "consider longer urban fantasy stories unless they are broken up into smaller chunks,", "perfect for a web serial given its \"each chapter is a semi-independent adventure\"", "manner than simply posting it on Wattpad. Given this, what I'm trying to", "split-off book right in the middle of the action. I've heard readers hate", "themselves can almost function as their own self-contained short story but contribute to", "is I originally wrote it as a screenplay for a 13 episode television", "function as their own self-contained short story but contribute to an overarching plot", "But perhaps more importantly I have found out that urban fantasy books tend", "a written series when I realized it played better to my writing abilities", "be leaving the plot on a cliffhanger and starting the second split-off book", "down and totally re-structure it from the very beginning? Should I just focus", "typed pages and somewhere between maybe 10 to 15 thousand words each based", "a whole as an anthology, but I'm not even sure if people read", "other format and it would be nice to be able to publish my", "that ties them all together as a single story. The reason the story", "are broken up into smaller chunks, and it costs a lot more to", "a 13 episode television series, but switched to making it a written series", "in this case it would mean each book would be only half of", "of the story or stripping them to their bare bones and ruining the", "my calculations. There are about 15-18 chapters, so this would be approximately 600" ]
[ "that has altered my writing the most is the Show vs Tell guideline.", "telling another friend that someone in his tribe might be alive. This friend", "of itself, but that is within my ability to spice up. What I'm", "about is if it is fundamentally off on the wrong foot. It is", "> > Tseena looked up with him with a face of reluctant hopefulness.", "guideline. I was probably far into the \"tell\" territory before, but sometimes I", "of a more common quality, \"A face of fuming anger\". Instead, I started", "the same as writing \"His face looked angry/He was angry\". And sure, this", "spice up. What I'm really uncertain about is if it is fundamentally off", "telling them. I just think, \"the reader is smart enough to realize what", "Tseena looked up with him with a face of reluctant hopefulness. > >", "not really important. I took this advice to heart and stopped writing more", "strange to him, and more importantly, dangerous. It's the typical being afraid of", "emotions instead of just telling them. I just think, \"the reader is smart", "crit partner, they once told me that when it comes to Show vs", "hope has become a defense mechanism. As such, I wrote > > Tseena", "a more common quality, \"A face of fuming anger\". Instead, I started trying", "is the Show vs Tell guideline. I was probably far into the \"tell\"", "emotions like anger, sadness, etc. But for more complex and nuanced emotions, it's", "with hope. But this feels strange to him, and more importantly, dangerous. It's", "does one even show something like \"reluctant hopefulness\", or another emotion that is", "it is fundamentally off on the wrong foot. It is blatant telling, but", "up. What I'm really uncertain about is if it is fundamentally off on", "of fuming anger\". Instead, I started trying to describe* their facial expressions, because", "is most important. Everything else can be told or shown, not really important.", "angry/He was angry\". And sure, this advice works fine for simple emotions like", "rage. When he is informed by the possibility of a tribe member's survival,", "really important. I took this advice to heart and stopped writing more tell-y", "apathetic hopelessness and indiscriminate rage. When he is informed by the possibility of", "the Show vs Tell guideline. I was probably far into the \"tell\" territory", "of how it raises the stakes. Their avoidance of hope has become a", "is naturally flooded with hope. But this feels strange to him, and more", "wrote > > Tseena looked up with him with a face of reluctant", "common quality, \"A face of fuming anger\". Instead, I started trying to describe", "fuming anger\". Instead, I started trying to describe their facial expressions, because just", "him with a face of reluctant hopefulness. > > > Not very creatively", "to him, and more importantly, dangerous. It's the typical being afraid of hope", "off on the wrong foot. It is blatant telling, but is that okay,", "more tell-y things like \"A face of wintry bleakness\", or perhaps of a", "showing complex and nuanced emotions instead of just telling them. I just think,", "is really showing emotions that is most important. Everything else can be told", "that is within my ability to spice up. What I'm really uncertain about", "challenges like showing complex and nuanced emotions instead of just telling them. I", "I wrote > > Tseena looked up with him with a face of", "be alive. This friend had thought their entire tribe was dead, and this", "more complex and nuanced emotions, it's difficult. An example: In my book, a", "facial expressions, because just writing \"A face of fuming anger\" is really the", "of apathetic hopelessness and indiscriminate rage. When he is informed by the possibility", "is fundamentally off on the wrong foot. It is blatant telling, but is", "writing, as I sometimes opt to just give up when met with challenges", "was dead, and this had put them into years of apathetic hopelessness and", "to spice up. What I'm really uncertain about is if it is fundamentally", "but that is within my ability to spice up. What I'm really uncertain", "Show vs Tell guideline. I was probably far into the \"tell\" territory before,", "I feel like this guideline is restricting my writing, as I sometimes opt", "is feeling given the context and prior characterization.\" When I was talking with", "sadness, etc. But for more complex and nuanced emotions, it's difficult. An example:", "even if I'm actually telling an emotional state? How does one even show", "dangerous. It's the typical being afraid of hope because of how it raises", "to describe their facial expressions, because just writing \"A face of fuming anger\"", "hopelessness and indiscriminate rage. When he is informed by the possibility of a", "a face of reluctant hopefulness. > > > Not very creatively written in", "heart and stopped writing more tell-y things like \"A face of wintry bleakness\",", "with a face of reluctant hopefulness. > > > Not very creatively written", "the \"tell\" territory before, but sometimes I feel like this guideline is restricting", "hopefulness. > > > Not very creatively written in it of itself, but", "it's difficult. An example: In my book, a friend is telling another friend", "> Not very creatively written in it of itself, but that is within", "that when it comes to Show vs Tell, it is really showing emotions", "their facial expressions, because just writing \"A face of fuming anger\" is really", "stopped writing more tell-y things like \"A face of wintry bleakness\", or perhaps", "character is feeling given the context and prior characterization.\" When I was talking", "of fuming anger\" is really the same as writing \"His face looked angry/He", "just think, \"the reader is smart enough to realize what the character is", "Instead, I started trying to describe their facial expressions, because just writing \"A", "importantly, dangerous. It's the typical being afraid of hope because of how it", "is really the same as writing \"His face looked angry/He was angry\". And", "I started trying to describe their facial expressions, because just writing \"A face", "actually telling an emotional state*? How does one even show something like \"reluctant", "hope because of how it raises the stakes. Their avoidance of hope has", "creatively written in it of itself, but that is within my ability to", "another friend that someone in his tribe might be alive. This friend had", "is blatant telling, but is that okay, *even if I'm actually telling an", "into years of apathetic hopelessness and indiscriminate rage. When he is informed by", "a crit partner, they once told me that when it comes to Show", "sometimes I feel like this guideline is restricting my writing, as I sometimes", "tribe was dead, and this had put them into years of apathetic hopelessness", "I'm really uncertain about is if it is fundamentally off on the wrong", "angry\". And sure, this advice works fine for simple emotions like anger, sadness,", "How does one even show something like \"reluctant hopefulness\", or another emotion that", "give up when met with challenges like showing complex and nuanced emotions instead", "prior characterization.\" When I was talking with a crit partner, they once told", "writing more tell-y things like \"A face of wintry bleakness\", or perhaps of", "\"A face of fuming anger\" is really the same as writing \"His face", "most is the Show vs Tell guideline. I was probably far into the", "uncertain about is if it is fundamentally off on the wrong foot. It", "is within my ability to spice up. What I'm really uncertain about is", "friend is telling another friend that someone in his tribe might be alive.", "given the context and prior characterization.\" When I was talking with a crit", "typical being afraid of hope* because of how it raises the stakes. Their", "to realize what the character is feeling given the context and prior characterization.\"", "sometimes opt to just give up when met with challenges like showing complex", "But this feels strange to him, and more importantly, dangerous. It's the typical", "I was talking with a crit partner, they once told me that when", "avoidance of hope has become a defense mechanism. As such, I wrote >", "vs Tell, it is really showing emotions that is most important. Everything else", "dead, and this had put them into years of apathetic hopelessness and indiscriminate", "hope. But this feels strange to him, and more importantly, dangerous. It's the", "When I was talking with a crit partner, they once told me that", "like this guideline is restricting my writing, as I sometimes opt to just", "entire tribe was dead, and this had put them into years of apathetic", "with him with a face of reluctant hopefulness. > > > Not very", "with a crit partner, they once told me that when it comes to", "a tribe member's survival, he is naturally flooded with hope. But this feels", "the possibility of a tribe member's survival, he is naturally flooded with hope.", "an emotional state*? How does one even show something like \"reluctant hopefulness\", or", "reader is smart enough to realize what the character is feeling given the", "far into the \"tell\" territory before, but sometimes I feel like this guideline", "fine for simple emotions like anger, sadness, etc. But for more complex and", "face of fuming anger\" is really the same as writing \"His face looked", "had put them into years of apathetic hopelessness and indiscriminate rage. When he", "by the possibility of a tribe member's survival, he is naturally flooded with", "my ability to spice up. What I'm really uncertain about is if it", "writing the most is the Show vs Tell guideline. I was probably far", "is telling another friend that someone in his tribe might be alive. This", "and nuanced emotions instead of just telling them. I just think, \"the reader", "a defense mechanism. As such, I wrote > > Tseena looked up with", "Tell, it is really showing emotions that is most important. Everything else can", "this guideline is restricting my writing, as I sometimes opt to just give", "can be told or shown, not really important. I took this advice to", "raises the stakes. Their avoidance of hope has become a defense mechanism. As", "complex and nuanced emotions instead of just telling them. I just think, \"the", "> Tseena looked up with him with a face of reluctant hopefulness. >", "the context and prior characterization.\" When I was talking with a crit partner,", "Tell guideline. I was probably far into the \"tell\" territory before, but sometimes", "my writing, as I sometimes opt to just give up when met with", "put them into years of apathetic hopelessness and indiscriminate rage. When he is", "face of reluctant hopefulness. > > > Not very creatively written in it", "it of itself, but that is within my ability to spice up. What", "years of apathetic hopelessness and indiscriminate rage. When he is informed by the", "reluctant hopefulness. > > > Not very creatively written in it of itself,", "things like \"A face of wintry bleakness\", or perhaps of a more common", "characterization.\" When I was talking with a crit partner, they once told me", "to just give up when met with challenges like showing complex and nuanced", "context and prior characterization.\" When I was talking with a crit partner, they", "the character is feeling given the context and prior characterization.\" When I was", "told or shown, not really important. I took this advice to heart and", "nuanced emotions, it's difficult. An example: In my book, a friend is telling", "\"His face looked angry/He was angry\". And sure, this advice works fine for", "complex and nuanced emotions, it's difficult. An example: In my book, a friend", "etc. But for more complex and nuanced emotions, it's difficult. An example: In", "is informed by the possibility of a tribe member's survival, he is naturally", "tribe might be alive. This friend had thought their entire tribe was dead,", "wintry bleakness\", or perhaps of a more common quality, \"A face of fuming", "for simple emotions like anger, sadness, etc. But for more complex and nuanced", "the typical being afraid of hope* because of how it raises the stakes.", "a friend is telling another friend that someone in his tribe might be", "anger, sadness, etc. But for more complex and nuanced emotions, it's difficult. An", "of wintry bleakness\", or perhaps of a more common quality, \"A face of", "restricting my writing, as I sometimes opt to just give up when met", "bleakness\", or perhaps of a more common quality, \"A face of fuming anger\".", "just writing \"A face of fuming anger\" is really the same as writing", "defense mechanism. As such, I wrote > > Tseena looked up with him", "face looked angry/He was angry\". And sure, this advice works fine for simple", "he is naturally flooded with hope. But this feels strange to him, and", "is if it is fundamentally off on the wrong foot. It is blatant", "had thought their entire tribe was dead, and this had put them into", "him, and more importantly, dangerous. It's the typical being afraid of hope because", "in his tribe might be alive. This friend had thought their entire tribe", "up with him with a face of reluctant hopefulness. > > > Not", "Not very creatively written in it of itself, but that is within my", "trying to describe their facial expressions, because just writing \"A face of fuming", "he is informed by the possibility of a tribe member's survival, he is", "itself, but that is within my ability to spice up. What I'm really", "anger\" is really the same as writing \"His face looked angry/He was angry\".", "writing \"His face looked angry/He was angry\". And sure, this advice works fine", "might be alive. This friend had thought their entire tribe was dead, and", "simple emotions like anger, sadness, etc. But for more complex and nuanced emotions,", "the most is the Show vs Tell guideline. I was probably far into", "tell-y things like \"A face of wintry bleakness\", or perhaps of a more", "showing emotions that is most important. Everything else can be told or shown,", "become a defense mechanism. As such, I wrote > > Tseena looked up", "nuanced emotions instead of just telling them. I just think, \"the reader is", "most important. Everything else can be told or shown, not really important. I", "of reluctant hopefulness. > > > Not very creatively written in it of", "something like \"reluctant hopefulness\", or another emotion that is more nuanced and complex", "alive. This friend had thought their entire tribe was dead, and this had", "or another emotion that is more nuanced and complex than just happy, sad,", "I took this advice to heart and stopped writing more tell-y things like", "emotion that is more nuanced and complex than just happy, sad, angry, etc.?", "smart enough to realize what the character is feeling given the context and", "This friend had thought their entire tribe was dead, and this had put", "if I'm actually telling an emotional state*? How does one even show something", "hopefulness\", or another emotion that is more nuanced and complex than just happy,", "I sometimes opt to just give up when met with challenges like showing", "my book, a friend is telling another friend that someone in his tribe", "such, I wrote > > Tseena looked up with him with a face", "has become a defense mechanism. As such, I wrote > > Tseena looked", "perhaps of a more common quality, \"A face of fuming anger\". Instead, I", "\"A face of wintry bleakness\", or perhaps of a more common quality, \"A", "and more importantly, dangerous. It's the typical being afraid of hope* because of", "it comes to Show vs Tell, it is really showing emotions that is", "is that okay, even if I'm actually telling an emotional state? How does", "thought their entire tribe was dead, and this had put them into years", "fuming anger\" is really the same as writing \"His face looked angry/He was", "me that when it comes to Show vs Tell, it is really showing", "someone in his tribe might be alive. This friend had thought their entire", "is smart enough to realize what the character is feeling given the context", "book, a friend is telling another friend that someone in his tribe might", "advice works fine for simple emotions like anger, sadness, etc. But for more", "started trying to describe their facial expressions, because just writing \"A face of", "emotions, it's difficult. An example: In my book, a friend is telling another", "once told me that when it comes to Show vs Tell, it is", "face of fuming anger\". Instead, I started trying to describe their facial expressions,", "one writing guideline that has altered my writing the most is the Show", "this feels strange to him, and more importantly, dangerous. It's the typical being", "this had put them into years of apathetic hopelessness and indiscriminate rage. When", "like showing complex and nuanced emotions instead of just telling them. I just", "telling an emotional state? How does one even show something like \"reluctant hopefulness\",", "\"A face of fuming anger\". Instead, I started trying to describe* their facial", "because of how it raises the stakes. Their avoidance of hope has become", "told me that when it comes to Show vs Tell, it is really", "okay, even if I'm actually telling an emotional state? How does one even", "and indiscriminate rage. When he is informed by the possibility of a tribe", "and this had put them into years of apathetic hopelessness and indiscriminate rage.", "if it is fundamentally off on the wrong foot. It is blatant telling,", "As such, I wrote > > Tseena looked up with him with a", "is restricting my writing, as I sometimes opt to just give up when", "but sometimes I feel like this guideline is restricting my writing, as I", "And sure, this advice works fine for simple emotions like anger, sadness, etc.", "> > Not very creatively written in it of itself, but that is", "or perhaps of a more common quality, \"A face of fuming anger\". Instead,", "I'm actually telling an emotional state? How does one even show something like", "and nuanced emotions, it's difficult. An example: In my book, a friend is", "same as writing \"His face looked angry/He was angry\". And sure, this advice", "think, \"the reader is smart enough to realize what the character is feeling", "because just writing \"A face of fuming anger\" is really the same as", "sure, this advice works fine for simple emotions like anger, sadness, etc. But", "like \"A face of wintry bleakness\", or perhaps of a more common quality,", "on the wrong foot. It is blatant telling, but is that okay, even", "very creatively written in it of itself, but that is within my ability", "before, but sometimes I feel like this guideline is restricting my writing, as", "and prior characterization.\" When I was talking with a crit partner, they once", "took this advice to heart and stopped writing more tell-y things like \"A", "has altered my writing the most is the Show vs Tell guideline. I", "foot. It is blatant telling, but is that okay, even if I'm actually", "to Show vs Tell, it is really showing emotions that is most important.", "within my ability to spice up. What I'm really uncertain about is if", "Show vs Tell, it is really showing emotions that is most important. Everything", "\"the reader is smart enough to realize what the character is feeling given", "emotions that is most important. Everything else can be told or shown, not", "this advice works fine for simple emotions like anger, sadness, etc. But for", "instead of just telling them. I just think, \"the reader is smart enough", "more common quality, \"A face of fuming anger\". Instead, I started trying to", "else can be told or shown, not really important. I took this advice", "but is that okay, even if I'm actually telling an emotional state? How", "talking with a crit partner, they once told me that when it comes", "Everything else can be told or shown, not really important. I took this", "important. I took this advice to heart and stopped writing more tell-y things", "ability to spice up. What I'm really uncertain about is if it is", "that okay, even if I'm actually telling an emotional state*? How does one", "of hope has become a defense mechanism. As such, I wrote > >", "was probably far into the \"tell\" territory before, but sometimes I feel like", "feels strange to him, and more importantly, dangerous. It's the typical being afraid", "member's survival, he is naturally flooded with hope. But this feels strange to", "example: In my book, a friend is telling another friend that someone in", "they once told me that when it comes to Show vs Tell, it", "up when met with challenges like showing complex and nuanced emotions instead of", "guideline that has altered my writing the most is the Show vs Tell", "It's the typical being afraid of hope because of how it raises the", "mechanism. As such, I wrote > > Tseena looked up with him with", "of just telling them. I just think, \"the reader is smart enough to", "show something like \"reluctant hopefulness\", or another emotion that is more nuanced and", "probably far into the \"tell\" territory before, but sometimes I feel like this", "like \"reluctant hopefulness\", or another emotion that is more nuanced and complex than", "as I sometimes opt to just give up when met with challenges like", "wrong foot. It is blatant telling, but is that okay, even if I'm", "informed by the possibility of a tribe member's survival, he is naturally flooded", "vs Tell guideline. I was probably far into the \"tell\" territory before, but", "for more complex and nuanced emotions, it's difficult. An example: In my book,", "one even show something like \"reluctant hopefulness\", or another emotion that is more", "as writing \"His face looked angry/He was angry\". And sure, this advice works", "flooded with hope. But this feels strange to him, and more importantly, dangerous.", "how it raises the stakes. Their avoidance of hope has become a defense", "emotional state? How does one even show something like \"reluctant hopefulness\", or another", "when it comes to Show vs Tell, it is really showing emotions that", "them. I just think, \"the reader is smart enough to realize what the", "friend had thought their entire tribe was dead, and this had put them", "describe their facial expressions, because just writing \"A face of fuming anger\" is", "friend that someone in his tribe might be alive. This friend had thought", "state*? How does one even show something like \"reluctant hopefulness\", or another emotion", "his tribe might be alive. This friend had thought their entire tribe was", "being afraid of hope* because of how it raises the stakes. Their avoidance", "it raises the stakes. Their avoidance of hope has become a defense mechanism.", "really uncertain about is if it is fundamentally off on the wrong foot.", "their entire tribe was dead, and this had put them into years of", "really the same as writing \"His face looked angry/He was angry\". And sure,", "face of wintry bleakness\", or perhaps of a more common quality, \"A face", "advice to heart and stopped writing more tell-y things like \"A face of", "altered my writing the most is the Show vs Tell guideline. I was", "works fine for simple emotions like anger, sadness, etc. But for more complex", "difficult. An example: In my book, a friend is telling another friend that", "possibility of a tribe member's survival, he is naturally flooded with hope. But", "more importantly, dangerous. It's the typical being afraid of hope because of how", "I just think, \"the reader is smart enough to realize what the character", "expressions, because just writing \"A face of fuming anger\" is really the same", "telling, but is that okay, even if I'm actually telling an emotional state?", "writing guideline that has altered my writing the most is the Show vs", "comes to Show vs Tell, it is really showing emotions that is most", "was angry\". And sure, this advice works fine for simple emotions like anger,", "I was probably far into the \"tell\" territory before, but sometimes I feel", "of a tribe member's survival, he is naturally flooded with hope. But this", "\"tell\" territory before, but sometimes I feel like this guideline is restricting my", "it is really showing emotions that is most important. Everything else can be", "writing \"A face of fuming anger\" is really the same as writing \"His", "The one writing guideline that has altered my writing the most is the", "them into years of apathetic hopelessness and indiscriminate rage. When he is informed", "blatant telling, but is that okay, even if I'm actually telling an emotional", "When he is informed by the possibility of a tribe member's survival, he", "\"reluctant hopefulness\", or another emotion that is more nuanced and complex than just", "guideline is restricting my writing, as I sometimes opt to just give up", "survival, he is naturally flooded with hope. But this feels strange to him,", "territory before, but sometimes I feel like this guideline is restricting my writing,", "looked up with him with a face of reluctant hopefulness. > > >", "quality, \"A face of fuming anger\". Instead, I started trying to describe their", "this advice to heart and stopped writing more tell-y things like \"A face", "indiscriminate rage. When he is informed by the possibility of a tribe member's", "the wrong foot. It is blatant telling, but is that okay, even if", "met with challenges like showing complex and nuanced emotions instead of just telling", "In my book, a friend is telling another friend that someone in his", "looked angry/He was angry\". And sure, this advice works fine for simple emotions", "Their avoidance of hope has become a defense mechanism. As such, I wrote", "just telling them. I just think, \"the reader is smart enough to realize", "that is most important. Everything else can be told or shown, not really", "what the character is feeling given the context and prior characterization.\" When I", "partner, they once told me that when it comes to Show vs Tell,", "> > > Not very creatively written in it of itself, but that", "afraid of hope* because of how it raises the stakes. Their avoidance of", "feeling given the context and prior characterization.\" When I was talking with a", "to heart and stopped writing more tell-y things like \"A face of wintry", "anger\". Instead, I started trying to describe their facial expressions, because just writing", "feel like this guideline is restricting my writing, as I sometimes opt to", "opt to just give up when met with challenges like showing complex and", "my writing the most is the Show vs Tell guideline. I was probably", "enough to realize what the character is feeling given the context and prior", "It is blatant telling, but is that okay, *even if I'm actually telling", "What I'm really uncertain about is if it is fundamentally off on the", "and stopped writing more tell-y things like \"A face of wintry bleakness\", or", "or shown, not really important. I took this advice to heart and stopped", "shown, not really important. I took this advice to heart and stopped writing", "another emotion that is more nuanced and complex than just happy, sad, angry,", "written in it of itself, but that is within my ability to spice", "realize what the character is feeling given the context and prior characterization.\" When", "like anger, sadness, etc. But for more complex and nuanced emotions, it's difficult.", "the stakes. Their avoidance of hope has become a defense mechanism. As such,", "An example: In my book, a friend is telling another friend that someone", "in it of itself, but that is within my ability to spice up.", "really showing emotions that is most important. Everything else can be told or", "be told or shown, not really important. I took this advice to heart", "when met with challenges like showing complex and nuanced emotions instead of just", "of hope because of how it raises the stakes. Their avoidance of hope", "tribe member's survival, he is naturally flooded with hope. But this feels strange", "fundamentally off on the wrong foot. It is blatant telling, but is that", "with challenges like showing complex and nuanced emotions instead of just telling them.", "important. Everything else can be told or shown, not really important. I took", "stakes. Their avoidance of hope has become a defense mechanism. As such, I", "But for more complex and nuanced emotions, it's difficult. An example: In my", "naturally flooded with hope. But this feels strange to him, and more importantly,", "was talking with a crit partner, they once told me that when it", "just give up when met with challenges like showing complex and nuanced emotions", "even show something like \"reluctant hopefulness\", or another emotion that is more nuanced", "that someone in his tribe might be alive. This friend had thought their", "into the \"tell\" territory before, but sometimes I feel like this guideline is" ]
[ "changes anything) Sorry if this is confusing at all, I can elaborate more", "am editing so that I can see what I have changed, and then", "want to keep a file for each of my editing stages throughout my", "changes when I am editing so that I can see what I have", "changes? Or is there a better option? (This is for a novel if", "for each of my editing stages throughout my self-editing process. Should I use", "use track changes when I am editing so that I can see what", "what I have changed, and then when I am on the next stage", "stage of editing should I accept those changes? Or is there a better", "when I am on the next stage of editing should I accept those", "is confusing at all, I can elaborate more in the comments if needed.", "when I am editing so that I can see what I have changed,", "I am on the next stage of editing should I accept those changes?", "I accept those changes? Or is there a better option? (This is for", "accept those changes? Or is there a better option? (This is for a", "Or is there a better option? (This is for a novel if that", "see what I have changed, and then when I am on the next", "better option? (This is for a novel if that changes anything) Sorry if", "track changes when I am editing so that I can see what I", "then when I am on the next stage of editing should I accept", "if this is confusing at all, I can elaborate more in the comments", "stages throughout my self-editing process. Should I use track changes when I am", "I have changed, and then when I am on the next stage of", "next stage of editing should I accept those changes? Or is there a", "the next stage of editing should I accept those changes? Or is there", "those changes? Or is there a better option? (This is for a novel", "and then when I am on the next stage of editing should I", "anything) Sorry if this is confusing at all, I can elaborate more in", "of my editing stages throughout my self-editing process. Should I use track changes", "to keep a file for each of my editing stages throughout my self-editing", "I use track changes when I am editing so that I can see", "that I can see what I have changed, and then when I am", "can see what I have changed, and then when I am on the", "I am editing so that I can see what I have changed, and", "Sorry if this is confusing at all, I can elaborate more in the", "each of my editing stages throughout my self-editing process. Should I use track", "I can see what I have changed, and then when I am on", "changed, and then when I am on the next stage of editing should", "so that I can see what I have changed, and then when I", "of editing should I accept those changes? Or is there a better option?", "editing stages throughout my self-editing process. Should I use track changes when I", "file for each of my editing stages throughout my self-editing process. Should I", "(This is for a novel if that changes anything) Sorry if this is", "if that changes anything) Sorry if this is confusing at all, I can", "that changes anything) Sorry if this is confusing at all, I can elaborate", "a file for each of my editing stages throughout my self-editing process. Should", "is there a better option? (This is for a novel if that changes", "should I accept those changes? Or is there a better option? (This is", "my self-editing process. Should I use track changes when I am editing so", "this is confusing at all, I can elaborate more in the comments if", "editing should I accept those changes? Or is there a better option? (This", "Should I use track changes when I am editing so that I can", "I want to keep a file for each of my editing stages throughout", "a novel if that changes anything) Sorry if this is confusing at all,", "for a novel if that changes anything) Sorry if this is confusing at", "have changed, and then when I am on the next stage of editing", "a better option? (This is for a novel if that changes anything) Sorry", "is for a novel if that changes anything) Sorry if this is confusing", "editing so that I can see what I have changed, and then when", "novel if that changes anything) Sorry if this is confusing at all, I", "keep a file for each of my editing stages throughout my self-editing process.", "throughout my self-editing process. Should I use track changes when I am editing", "there a better option? (This is for a novel if that changes anything)", "my editing stages throughout my self-editing process. Should I use track changes when", "am on the next stage of editing should I accept those changes? Or", "self-editing process. Should I use track changes when I am editing so that", "option? (This is for a novel if that changes anything) Sorry if this", "process. Should I use track changes when I am editing so that I", "on the next stage of editing should I accept those changes? Or is" ]
[ "of a particular action (the main conflict of the narratives), and diverging from", "a way where there is no redundancy to the reader, but still maintains", "still maintains the inverse chronology of the narratives. Are there any efficient ways", "the reader, but still maintains the inverse chronology of the narratives. Are there", "but still maintains the inverse chronology of the narratives. Are there any efficient", "The two narratives meet/converge at the moment the protagonists receive information about the", "each other thereafter. Instead of having the exposition twice (there is no difference", "moment the protagonists receive information about the consequences of a particular action (the", "meet/converge at the moment the protagonists receive information about the consequences of a", "thereafter. Instead of having the exposition twice (there is no difference in the", "reader, but still maintains the inverse chronology of the narratives. Are there any", "other. The two narratives meet/converge at the moment the protagonists receive information about", "information about the consequences of a particular action (the main conflict of the", "in the information relayed), I am trying to interleave the information in a", "protagonists receive information about the consequences of a particular action (the main conflict", "the inverse chronology of the narratives. Are there any efficient ways to go", "way where there is no redundancy to the reader, but still maintains the", "narratives), and diverging from each other thereafter. Instead of having the exposition twice", "consequences of a particular action (the main conflict of the narratives), and diverging", "from each other. The two narratives meet/converge at the moment the protagonists receive", "information relayed), I am trying to interleave the information in a way where", "receive information about the consequences of a particular action (the main conflict of", "to the reader, but still maintains the inverse chronology of the narratives. Are", "in a way where there is no redundancy to the reader, but still", "has two intertwined narratives told in inverse chronological order from each other. The", "twice (there is no difference in the information relayed), I am trying to", "two narratives meet/converge at the moment the protagonists receive information about the consequences", "I am trying to interleave the information in a way where there is", "told in inverse chronological order from each other. The two narratives meet/converge at", "the narratives), and diverging from each other thereafter. Instead of having the exposition", "and diverging from each other thereafter. Instead of having the exposition twice (there", "exposition twice (there is no difference in the information relayed), I am trying", "short story that has two intertwined narratives told in inverse chronological order from", "in inverse chronological order from each other. The two narratives meet/converge at the", "main conflict of the narratives), and diverging from each other thereafter. Instead of", "there is no redundancy to the reader, but still maintains the inverse chronology", "the moment the protagonists receive information about the consequences of a particular action", "chronological order from each other. The two narratives meet/converge at the moment the", "each other. The two narratives meet/converge at the moment the protagonists receive information", "no difference in the information relayed), I am trying to interleave the information", "order from each other. The two narratives meet/converge at the moment the protagonists", "other thereafter. Instead of having the exposition twice (there is no difference in", "difference in the information relayed), I am trying to interleave the information in", "the information in a way where there is no redundancy to the reader,", "maintains the inverse chronology of the narratives. Are there any efficient ways to", "a short story that has two intertwined narratives told in inverse chronological order", "the protagonists receive information about the consequences of a particular action (the main", "relayed), I am trying to interleave the information in a way where there", "particular action (the main conflict of the narratives), and diverging from each other", "information in a way where there is no redundancy to the reader, but", "interleave the information in a way where there is no redundancy to the", "I am currently writing a short story that has two intertwined narratives told", "writing a short story that has two intertwined narratives told in inverse chronological", "of having the exposition twice (there is no difference in the information relayed),", "(there is no difference in the information relayed), I am trying to interleave", "a particular action (the main conflict of the narratives), and diverging from each", "two intertwined narratives told in inverse chronological order from each other. The two", "conflict of the narratives), and diverging from each other thereafter. Instead of having", "where there is no redundancy to the reader, but still maintains the inverse", "inverse chronology of the narratives. Are there any efficient ways to go about", "that has two intertwined narratives told in inverse chronological order from each other.", "redundancy to the reader, but still maintains the inverse chronology of the narratives.", "am currently writing a short story that has two intertwined narratives told in", "from each other thereafter. Instead of having the exposition twice (there is no", "about the consequences of a particular action (the main conflict of the narratives),", "(the main conflict of the narratives), and diverging from each other thereafter. Instead", "currently writing a short story that has two intertwined narratives told in inverse", "diverging from each other thereafter. Instead of having the exposition twice (there is", "the consequences of a particular action (the main conflict of the narratives), and", "to interleave the information in a way where there is no redundancy to", "Instead of having the exposition twice (there is no difference in the information", "action (the main conflict of the narratives), and diverging from each other thereafter.", "story that has two intertwined narratives told in inverse chronological order from each", "the exposition twice (there is no difference in the information relayed), I am", "narratives told in inverse chronological order from each other. The two narratives meet/converge", "am trying to interleave the information in a way where there is no", "of the narratives), and diverging from each other thereafter. Instead of having the", "is no difference in the information relayed), I am trying to interleave the", "is no redundancy to the reader, but still maintains the inverse chronology of", "at the moment the protagonists receive information about the consequences of a particular", "the information relayed), I am trying to interleave the information in a way", "trying to interleave the information in a way where there is no redundancy", "no redundancy to the reader, but still maintains the inverse chronology of the", "inverse chronological order from each other. The two narratives meet/converge at the moment", "having the exposition twice (there is no difference in the information relayed), I", "narratives meet/converge at the moment the protagonists receive information about the consequences of", "intertwined narratives told in inverse chronological order from each other. The two narratives", "chronology of the narratives. Are there any efficient ways to go about this?" ]
[ "-- since it happened in the past. But certain facts remain true as", "are always white edifices with large waiting rooms. Turkmen trains are in mint", "remain true as I write. For example: \"Beijing is the capital of China.", "in mint condition, punctual and invariably air-conditioned.\" Was my usage of the tenses", "Turkmen trains are in mint condition, punctual and invariably air-conditioned.\" Was my usage", "the past. But certain facts remain true as I write. For example: \"Beijing", "rooms. Turkmen trains are in mint condition, punctual and invariably air-conditioned.\" Was my", "a dilemma of sorts. Yes, I know that a memoir is usually written", "it happened in the past. But certain facts remain true as I write.", "boulevards are flanked by sumptuous government buildings....\" \"Train stations in Turkmenistan are always", "punctual and invariably air-conditioned.\" Was my usage of the tenses in these two", "For example: \"Beijing is the capital of China. I enjoyed my time there.", "enjoyed my time there. Her wide boulevards are flanked by sumptuous government buildings....\"", "buildings....\" \"Train stations in Turkmenistan are always white edifices with large waiting rooms.", "two examples as well as my general understanding of how tenses work in", "know that a memoir is usually written in the past tense -- since", "true as I write. For example: \"Beijing is the capital of China. I", "a travel memoir and have come across a dilemma of sorts. Yes, I", "since it happened in the past. But certain facts remain true as I", "my time there. Her wide boulevards are flanked by sumptuous government buildings....\" \"Train", "of China. I enjoyed my time there. Her wide boulevards are flanked by", "condition, punctual and invariably air-conditioned.\" Was my usage of the tenses in these", "flanked by sumptuous government buildings....\" \"Train stations in Turkmenistan are always white edifices", "are flanked by sumptuous government buildings....\" \"Train stations in Turkmenistan are always white", "dilemma of sorts. Yes, I know that a memoir is usually written in", "tense -- since it happened in the past. But certain facts remain true", "come across a dilemma of sorts. Yes, I know that a memoir is", "past. But certain facts remain true as I write. For example: \"Beijing is", "But certain facts remain true as I write. For example: \"Beijing is the", "of the tenses in these two examples as well as my general understanding", "air-conditioned.\" Was my usage of the tenses in these two examples as well", "writing a travel memoir and have come across a dilemma of sorts. Yes,", "large waiting rooms. Turkmen trains are in mint condition, punctual and invariably air-conditioned.\"", "my usage of the tenses in these two examples as well as my", "Yes, I know that a memoir is usually written in the past tense", "time there. Her wide boulevards are flanked by sumptuous government buildings....\" \"Train stations", "I write. For example: \"Beijing is the capital of China. I enjoyed my", "I enjoyed my time there. Her wide boulevards are flanked by sumptuous government", "in the past tense -- since it happened in the past. But certain", "with large waiting rooms. Turkmen trains are in mint condition, punctual and invariably", "are in mint condition, punctual and invariably air-conditioned.\" Was my usage of the", "travel memoir and have come across a dilemma of sorts. Yes, I know", "stations in Turkmenistan are always white edifices with large waiting rooms. Turkmen trains", "certain facts remain true as I write. For example: \"Beijing is the capital", "that a memoir is usually written in the past tense -- since it", "the capital of China. I enjoyed my time there. Her wide boulevards are", "always white edifices with large waiting rooms. Turkmen trains are in mint condition,", "and invariably air-conditioned.\" Was my usage of the tenses in these two examples", "wide boulevards are flanked by sumptuous government buildings....\" \"Train stations in Turkmenistan are", "Was my usage of the tenses in these two examples as well as", "a memoir is usually written in the past tense -- since it happened", "of sorts. Yes, I know that a memoir is usually written in the", "the past tense -- since it happened in the past. But certain facts", "\"Beijing is the capital of China. I enjoyed my time there. Her wide", "well as my general understanding of how tenses work in travel memoirs correct?", "Her wide boulevards are flanked by sumptuous government buildings....\" \"Train stations in Turkmenistan", "invariably air-conditioned.\" Was my usage of the tenses in these two examples as", "is usually written in the past tense -- since it happened in the", "example: \"Beijing is the capital of China. I enjoyed my time there. Her", "examples as well as my general understanding of how tenses work in travel", "memoir and have come across a dilemma of sorts. Yes, I know that", "usually written in the past tense -- since it happened in the past.", "China. I enjoyed my time there. Her wide boulevards are flanked by sumptuous", "I'm writing a travel memoir and have come across a dilemma of sorts.", "write. For example: \"Beijing is the capital of China. I enjoyed my time", "have come across a dilemma of sorts. Yes, I know that a memoir", "in Turkmenistan are always white edifices with large waiting rooms. Turkmen trains are", "in these two examples as well as my general understanding of how tenses", "is the capital of China. I enjoyed my time there. Her wide boulevards", "by sumptuous government buildings....\" \"Train stations in Turkmenistan are always white edifices with", "there. Her wide boulevards are flanked by sumptuous government buildings....\" \"Train stations in", "trains are in mint condition, punctual and invariably air-conditioned.\" Was my usage of", "memoir is usually written in the past tense -- since it happened in", "Turkmenistan are always white edifices with large waiting rooms. Turkmen trains are in", "mint condition, punctual and invariably air-conditioned.\" Was my usage of the tenses in", "I know that a memoir is usually written in the past tense --", "facts remain true as I write. For example: \"Beijing is the capital of", "written in the past tense -- since it happened in the past. But", "\"Train stations in Turkmenistan are always white edifices with large waiting rooms. Turkmen", "across a dilemma of sorts. Yes, I know that a memoir is usually", "as well as my general understanding of how tenses work in travel memoirs", "sumptuous government buildings....\" \"Train stations in Turkmenistan are always white edifices with large", "happened in the past. But certain facts remain true as I write. For", "these two examples as well as my general understanding of how tenses work", "usage of the tenses in these two examples as well as my general", "white edifices with large waiting rooms. Turkmen trains are in mint condition, punctual", "waiting rooms. Turkmen trains are in mint condition, punctual and invariably air-conditioned.\" Was", "edifices with large waiting rooms. Turkmen trains are in mint condition, punctual and", "sorts. Yes, I know that a memoir is usually written in the past", "and have come across a dilemma of sorts. Yes, I know that a", "past tense -- since it happened in the past. But certain facts remain", "tenses in these two examples as well as my general understanding of how", "capital of China. I enjoyed my time there. Her wide boulevards are flanked", "government buildings....\" \"Train stations in Turkmenistan are always white edifices with large waiting", "in the past. But certain facts remain true as I write. For example:", "as I write. For example: \"Beijing is the capital of China. I enjoyed", "the tenses in these two examples as well as my general understanding of" ]
[ "the first book should end in a major cliffhanger. Right as the book", "as the book ends, the main characters get trapped by the enemy. I'm", "if the first book should end in a major cliffhanger. Right as the", "characters get trapped by the enemy. I'm wondering if this is too much", "I'm wondering if this is too much of a cliffhanger-- would anyone want", "major cliffhanger. Right as the book ends, the main characters get trapped by", "in a major cliffhanger. Right as the book ends, the main characters get", "first book should end in a major cliffhanger. Right as the book ends,", "get trapped by the enemy. I'm wondering if this is too much of", "ends, the main characters get trapped by the enemy. I'm wondering if this", "trapped by the enemy. I'm wondering if this is too much of a", "would anyone want to read the next book if this one ends at", "a cliffhanger-- would anyone want to read the next book if this one", "to read the next book if this one ends at such a climactic", "book should end in a major cliffhanger. Right as the book ends, the", "a major cliffhanger. Right as the book ends, the main characters get trapped", "the enemy. I'm wondering if this is too much of a cliffhanger-- would", "by the enemy. I'm wondering if this is too much of a cliffhanger--", "the book ends, the main characters get trapped by the enemy. I'm wondering", "enemy. I'm wondering if this is too much of a cliffhanger-- would anyone", "cliffhanger. Right as the book ends, the main characters get trapped by the", "cliffhanger-- would anyone want to read the next book if this one ends", "this is too much of a cliffhanger-- would anyone want to read the", "end in a major cliffhanger. Right as the book ends, the main characters", "main characters get trapped by the enemy. I'm wondering if this is too", "writing a YA fantasy series, and I'm wondering if the first book should", "Right as the book ends, the main characters get trapped by the enemy.", "the main characters get trapped by the enemy. I'm wondering if this is", "I am writing a YA fantasy series, and I'm wondering if the first", "I'm wondering if the first book should end in a major cliffhanger. Right", "if this is too much of a cliffhanger-- would anyone want to read", "fantasy series, and I'm wondering if the first book should end in a", "is too much of a cliffhanger-- would anyone want to read the next", "am writing a YA fantasy series, and I'm wondering if the first book", "and I'm wondering if the first book should end in a major cliffhanger.", "book ends, the main characters get trapped by the enemy. I'm wondering if", "anyone want to read the next book if this one ends at such", "a YA fantasy series, and I'm wondering if the first book should end", "should end in a major cliffhanger. Right as the book ends, the main", "YA fantasy series, and I'm wondering if the first book should end in", "series, and I'm wondering if the first book should end in a major", "read the next book if this one ends at such a climactic moment?", "wondering if this is too much of a cliffhanger-- would anyone want to", "too much of a cliffhanger-- would anyone want to read the next book", "want to read the next book if this one ends at such a", "of a cliffhanger-- would anyone want to read the next book if this", "much of a cliffhanger-- would anyone want to read the next book if", "wondering if the first book should end in a major cliffhanger. Right as" ]
[ "the proper way to write something like Main Street? Is it OK to", "Street? Is it OK to use Main St? If I use the abbreviation,", "something like Main Street? Is it OK to use Main St? If I", "When writing a book manuscript, what is the proper way to write something", "book manuscript, what is the proper way to write something like Main Street?", "is the proper way to write something like Main Street? Is it OK", "Is it OK to use Main St? If I use the abbreviation, is", "a book manuscript, what is the proper way to write something like Main", "write something like Main Street? Is it OK to use Main St? If", "what is the proper way to write something like Main Street? Is it", "to use Main St? If I use the abbreviation, is there a period", "to write something like Main Street? Is it OK to use Main St?", "writing a book manuscript, what is the proper way to write something like", "Main St? If I use the abbreviation, is there a period after it?", "way to write something like Main Street? Is it OK to use Main", "manuscript, what is the proper way to write something like Main Street? Is", "it OK to use Main St? If I use the abbreviation, is there", "use Main St? If I use the abbreviation, is there a period after", "OK to use Main St? If I use the abbreviation, is there a", "like Main Street? Is it OK to use Main St? If I use", "proper way to write something like Main Street? Is it OK to use", "Main Street? Is it OK to use Main St? If I use the" ]
[ "sends itI How does he do it? How does a person truly become", "freely, you'll notice that many of my sentences should be in reverse order.", "really bedazzled by the way he wrote. It was so crystal clear, convincing,", "beautiful. He doesn't even check what he has written. He writes it and", "such an important skill no matter what you end up doing in life.", "crystal clear, convincing, and even beautiful. He doesn't even check what he has", "writer. I know I am and it's totally ok though. Well, it's not", "I end up switching sentences a lot. Anyway, I don't want my 2", "by the way he wrote. It was so crystal clear, convincing, and even", "I haven't read anything that demonstrates methods that I feel will really turn", "choice to deal with it till I die. I'm a little embarrassed by", "of my sentences should be in reverse order. So, I end up switching", "skill no matter what you end up doing in life. I strongly believe", "demonstrates methods that I feel will really turn my kids into good, solid", "send out emails to his reports and to his subordinates. I was really", "I die. I'm a little embarrassed by it but what can you do?", "to deal with it till I die. I'm a little embarrassed by it", "lives. I think writing well is such an important skill no matter what", "doing in life. I strongly believe this. Last week, I read my friend,", "do? It might be due to the fact that I'm slightly mentally dyslexic.", "like the poor writer that I am. I would love it if they", "am. I would love it if they developed writing skills that they can", "fact that I'm slightly mentally dyslexic. I sort of think backwards. When I", "be in reverse order. So, I end up switching sentences a lot. Anyway,", "I was really bedazzled by the way he wrote. It was so crystal", "wrote. It was so crystal clear, convincing, and even beautiful. He doesn't even", "really convinced me that they know what they are talking about. I haven't", "even beautiful. He doesn't even check what he has written. He writes it", "He doesn't even check what he has written. He writes it and immediately", "searching the internet but none of the websites have really convinced me that", "reports and to his subordinates. I was really bedazzled by the way he", "have no other choice to deal with it till I die. I'm a", "totally ok but I have no other choice to deal with it till", "what he has written. He writes it and immediately sends itI How does", "internet but none of the websites have really convinced me that they know", "be due to the fact that I'm slightly mentally dyslexic. I sort of", "writer that I am. I would love it if they developed writing skills", "in life. I strongly believe this. Last week, I read my friend, a", "emails to his reports and to his subordinates. I was really bedazzled by", "truly become an great expository writer? I've been searching the internet but none", "and immediately sends itI How does he do it? How does a person", "love it if they developed writing skills that they can wield as powerful", "the fact that I'm slightly mentally dyslexic. I sort of think backwards. When", "He writes it and immediately sends itI How does he do it? How", "to his reports and to his subordinates. I was really bedazzled by the", "you do? It might be due to the fact that I'm slightly mentally", "I have no other choice to deal with it till I die. I'm", "matter what you end up doing in life. I strongly believe this. Last", "I write freely, you'll notice that many of my sentences should be in", "and to his subordinates. I was really bedazzled by the way he wrote.", "it but what can you do? It might be due to the fact", "I'm a terrible writer. I know I am and it's totally ok though.", "I am and it's totally ok though. Well, it's not totally ok but", "that they can wield as powerful tools for the rest of their lives.", "am and it's totally ok though. Well, it's not totally ok but I", "if they developed writing skills that they can wield as powerful tools for", "an important skill no matter what you end up doing in life. I", "immediately sends itI How does he do it? How does a person truly", "as powerful tools for the rest of their lives. I think writing well", "week, I read my friend, a district manager send out emails to his", "think writing well is such an important skill no matter what you end", "should be in reverse order. So, I end up switching sentences a lot.", "tools for the rest of their lives. I think writing well is such", "it's totally ok though. Well, it's not totally ok but I have no", "dyslexic. I sort of think backwards. When I write freely, you'll notice that", "to become like the poor writer that I am. I would love it", "I strongly believe this. Last week, I read my friend, a district manager", "a district manager send out emails to his reports and to his subordinates.", "my sentences should be in reverse order. So, I end up switching sentences", "but I have no other choice to deal with it till I die.", "ok but I have no other choice to deal with it till I", "so crystal clear, convincing, and even beautiful. He doesn't even check what he", "haven't read anything that demonstrates methods that I feel will really turn my", "way he wrote. It was so crystal clear, convincing, and even beautiful. He", "you'll notice that many of my sentences should be in reverse order. So,", "little embarrassed by it but what can you do? It might be due", "websites have really convinced me that they know what they are talking about.", "clear, convincing, and even beautiful. He doesn't even check what he has written.", "mentally dyslexic. I sort of think backwards. When I write freely, you'll notice", "would love it if they developed writing skills that they can wield as", "expository writer? I've been searching the internet but none of the websites have", "many of my sentences should be in reverse order. So, I end up", "what can you do? It might be due to the fact that I'm", "his subordinates. I was really bedazzled by the way he wrote. It was", "it if they developed writing skills that they can wield as powerful tools", "children to become like the poor writer that I am. I would love", "well is such an important skill no matter what you end up doing", "I think writing well is such an important skill no matter what you", "though. Well, it's not totally ok but I have no other choice to", "life. I strongly believe this. Last week, I read my friend, a district", "up switching sentences a lot. Anyway, I don't want my 2 children to", "he has written. He writes it and immediately sends itI How does he", "in reverse order. So, I end up switching sentences a lot. Anyway, I", "the websites have really convinced me that they know what they are talking", "can wield as powerful tools for the rest of their lives. I think", "an great expository writer? I've been searching the internet but none of the", "check what he has written. He writes it and immediately sends itI How", "I know I am and it's totally ok though. Well, it's not totally", "it's not totally ok but I have no other choice to deal with", "with it till I die. I'm a little embarrassed by it but what", "developed writing skills that they can wield as powerful tools for the rest", "district manager send out emails to his reports and to his subordinates. I", "the way he wrote. It was so crystal clear, convincing, and even beautiful.", "you end up doing in life. I strongly believe this. Last week, I", "order. So, I end up switching sentences a lot. Anyway, I don't want", "sentences a lot. Anyway, I don't want my 2 children to become like", "a lot. Anyway, I don't want my 2 children to become like the", "not totally ok but I have no other choice to deal with it", "become like the poor writer that I am. I would love it if", "wield as powerful tools for the rest of their lives. I think writing", "is such an important skill no matter what you end up doing in", "does he do it? How does a person truly become an great expository", "he do it? How does a person truly become an great expository writer?", "it? How does a person truly become an great expository writer? I've been", "deal with it till I die. I'm a little embarrassed by it but", "the internet but none of the websites have really convinced me that they", "2 children to become like the poor writer that I am. I would", "It might be due to the fact that I'm slightly mentally dyslexic. I", "was really bedazzled by the way he wrote. It was so crystal clear,", "writes it and immediately sends itI How does he do it? How does", "skills that they can wield as powerful tools for the rest of their", "of their lives. I think writing well is such an important skill no", "no other choice to deal with it till I die. I'm a little", "I'm slightly mentally dyslexic. I sort of think backwards. When I write freely,", "itI How does he do it? How does a person truly become an", "convincing, and even beautiful. He doesn't even check what he has written. He", "does a person truly become an great expository writer? I've been searching the", "become an great expository writer? I've been searching the internet but none of", "and it's totally ok though. Well, it's not totally ok but I have", "what you end up doing in life. I strongly believe this. Last week,", "totally ok though. Well, it's not totally ok but I have no other", "I sort of think backwards. When I write freely, you'll notice that many", "but none of the websites have really convinced me that they know what", "the poor writer that I am. I would love it if they developed", "it till I die. I'm a little embarrassed by it but what can", "my friend, a district manager send out emails to his reports and to", "die. I'm a little embarrassed by it but what can you do? It", "end up doing in life. I strongly believe this. Last week, I read", "are talking about. I haven't read anything that demonstrates methods that I feel", "of think backwards. When I write freely, you'll notice that many of my", "slightly mentally dyslexic. I sort of think backwards. When I write freely, you'll", "think backwards. When I write freely, you'll notice that many of my sentences", "bedazzled by the way he wrote. It was so crystal clear, convincing, and", "even check what he has written. He writes it and immediately sends itI", "that I'm slightly mentally dyslexic. I sort of think backwards. When I write", "end up switching sentences a lot. Anyway, I don't want my 2 children", "up doing in life. I strongly believe this. Last week, I read my", "sort of think backwards. When I write freely, you'll notice that many of", "has written. He writes it and immediately sends itI How does he do", "want my 2 children to become like the poor writer that I am.", "convinced me that they know what they are talking about. I haven't read", "notice that many of my sentences should be in reverse order. So, I", "do it? How does a person truly become an great expository writer? I've", "been searching the internet but none of the websites have really convinced me", "terrible writer. I know I am and it's totally ok though. Well, it's", "know what they are talking about. I haven't read anything that demonstrates methods", "out emails to his reports and to his subordinates. I was really bedazzled", "switching sentences a lot. Anyway, I don't want my 2 children to become", "to his subordinates. I was really bedazzled by the way he wrote. It", "ok though. Well, it's not totally ok but I have no other choice", "was so crystal clear, convincing, and even beautiful. He doesn't even check what", "know I am and it's totally ok though. Well, it's not totally ok", "lot. Anyway, I don't want my 2 children to become like the poor", "that I am. I would love it if they developed writing skills that", "might be due to the fact that I'm slightly mentally dyslexic. I sort", "writing well is such an important skill no matter what you end up", "backwards. When I write freely, you'll notice that many of my sentences should", "they developed writing skills that they can wield as powerful tools for the", "due to the fact that I'm slightly mentally dyslexic. I sort of think", "they can wield as powerful tools for the rest of their lives. I", "Anyway, I don't want my 2 children to become like the poor writer", "poor writer that I am. I would love it if they developed writing", "they are talking about. I haven't read anything that demonstrates methods that I", "what they are talking about. I haven't read anything that demonstrates methods that", "about. I haven't read anything that demonstrates methods that I feel will really", "their lives. I think writing well is such an important skill no matter", "of the websites have really convinced me that they know what they are", "embarrassed by it but what can you do? It might be due to", "for the rest of their lives. I think writing well is such an", "no matter what you end up doing in life. I strongly believe this.", "writing skills that they can wield as powerful tools for the rest of", "and even beautiful. He doesn't even check what he has written. He writes", "I would love it if they developed writing skills that they can wield", "the rest of their lives. I think writing well is such an important", "I am. I would love it if they developed writing skills that they", "Last week, I read my friend, a district manager send out emails to", "other choice to deal with it till I die. I'm a little embarrassed", "but what can you do? It might be due to the fact that", "important skill no matter what you end up doing in life. I strongly", "person truly become an great expository writer? I've been searching the internet but", "sentences should be in reverse order. So, I end up switching sentences a", "read my friend, a district manager send out emails to his reports and", "a little embarrassed by it but what can you do? It might be", "by it but what can you do? It might be due to the", "have really convinced me that they know what they are talking about. I", "my 2 children to become like the poor writer that I am. I", "don't want my 2 children to become like the poor writer that I", "I don't want my 2 children to become like the poor writer that", "friend, a district manager send out emails to his reports and to his", "none of the websites have really convinced me that they know what they", "that demonstrates methods that I feel will really turn my kids into good,", "write freely, you'll notice that many of my sentences should be in reverse", "they know what they are talking about. I haven't read anything that demonstrates", "great expository writer? I've been searching the internet but none of the websites", "reverse order. So, I end up switching sentences a lot. Anyway, I don't", "his reports and to his subordinates. I was really bedazzled by the way", "methods that I feel will really turn my kids into good, solid writers.", "that many of my sentences should be in reverse order. So, I end", "So, I end up switching sentences a lot. Anyway, I don't want my", "a terrible writer. I know I am and it's totally ok though. Well,", "writer? I've been searching the internet but none of the websites have really", "strongly believe this. Last week, I read my friend, a district manager send", "that they know what they are talking about. I haven't read anything that", "I've been searching the internet but none of the websites have really convinced", "read anything that demonstrates methods that I feel will really turn my kids", "Well, it's not totally ok but I have no other choice to deal", "can you do? It might be due to the fact that I'm slightly", "a person truly become an great expository writer? I've been searching the internet", "this. Last week, I read my friend, a district manager send out emails", "subordinates. I was really bedazzled by the way he wrote. It was so", "he wrote. It was so crystal clear, convincing, and even beautiful. He doesn't", "anything that demonstrates methods that I feel will really turn my kids into", "till I die. I'm a little embarrassed by it but what can you", "I read my friend, a district manager send out emails to his reports", "to the fact that I'm slightly mentally dyslexic. I sort of think backwards.", "powerful tools for the rest of their lives. I think writing well is", "It was so crystal clear, convincing, and even beautiful. He doesn't even check", "doesn't even check what he has written. He writes it and immediately sends", "I'm a little embarrassed by it but what can you do? It might", "rest of their lives. I think writing well is such an important skill", "written. He writes it and immediately sends itI How does he do it?", "manager send out emails to his reports and to his subordinates. I was", "believe this. Last week, I read my friend, a district manager send out", "talking about. I haven't read anything that demonstrates methods that I feel will", "When I write freely, you'll notice that many of my sentences should be", "How does he do it? How does a person truly become an great", "me that they know what they are talking about. I haven't read anything", "it and immediately sends itI How does he do it? How does a", "How does a person truly become an great expository writer? I've been searching" ]
[ "emphasis fall on the right words. Well, I would like to ask for", "work. One book I read said to attend to phrases and junctures. Can", "on the sprung rhythm of a text, but on making emphasis fall on", "not depend on the sprung rhythm of a text, but on making emphasis", "attend to phrases and junctures. Can someone please help me with this as", "my writing is continually getting worse the more I try to achieve my", "of a text, but on making emphasis fall on the right words. Well,", "text, but on making emphasis fall on the right words. Well, I would", "a certain kind of voice? I tried attending to metrical scansion and stress", "I would like to ask for some elaboration on how to control my", "to control my writing style. Exactly how do I write in a certain", "getting worse the more I try to achieve my preferred style. I hope", "for some elaboration on how to control my writing style. Exactly how do", "kind of voice? I tried attending to metrical scansion and stress but that", "in a certain kind of voice? I tried attending to metrical scansion and", "and stress but that doesn't work. One book I read said to attend", "write in a certain kind of voice? I tried attending to metrical scansion", "one of the answers to a question of mine here, someone said that", "a question of mine here, someone said that cadence does not depend on", "try to achieve my preferred style. I hope you don't tell me to", "to a question of mine here, someone said that cadence does not depend", "I write in a certain kind of voice? I tried attending to metrical", "the sprung rhythm of a text, but on making emphasis fall on the", "my writing style. Exactly how do I write in a certain kind of", "how to control my writing style. Exactly how do I write in a", "that doesn't work. One book I read said to attend to phrases and", "to phrases and junctures. Can someone please help me with this as my", "on how to control my writing style. Exactly how do I write in", "I try to achieve my preferred style. I hope you don't tell me", "Well, I would like to ask for some elaboration on how to control", "I read said to attend to phrases and junctures. Can someone please help", "is continually getting worse the more I try to achieve my preferred style.", "of mine here, someone said that cadence does not depend on the sprung", "of the answers to a question of mine here, someone said that cadence", "to ask for some elaboration on how to control my writing style. Exactly", "mine here, someone said that cadence does not depend on the sprung rhythm", "more I try to achieve my preferred style. I hope you don't tell", "stress but that doesn't work. One book I read said to attend to", "me with this as my writing is continually getting worse the more I", "here, someone said that cadence does not depend on the sprung rhythm of", "to simply write how I talk. That's not the answer I'm looking for.", "tried attending to metrical scansion and stress but that doesn't work. One book", "hope you don't tell me to simply write how I talk. That's not", "style. Exactly how do I write in a certain kind of voice? I", "question of mine here, someone said that cadence does not depend on the", "as my writing is continually getting worse the more I try to achieve", "but on making emphasis fall on the right words. Well, I would like", "and junctures. Can someone please help me with this as my writing is", "would like to ask for some elaboration on how to control my writing", "the right words. Well, I would like to ask for some elaboration on", "the answers to a question of mine here, someone said that cadence does", "how do I write in a certain kind of voice? I tried attending", "depend on the sprung rhythm of a text, but on making emphasis fall", "ask for some elaboration on how to control my writing style. Exactly how", "the more I try to achieve my preferred style. I hope you don't", "sprung rhythm of a text, but on making emphasis fall on the right", "answers to a question of mine here, someone said that cadence does not", "that cadence does not depend on the sprung rhythm of a text, but", "said that cadence does not depend on the sprung rhythm of a text,", "preferred style. I hope you don't tell me to simply write how I", "writing is continually getting worse the more I try to achieve my preferred", "cadence does not depend on the sprung rhythm of a text, but on", "on making emphasis fall on the right words. Well, I would like to", "I hope you don't tell me to simply write how I talk. That's", "continually getting worse the more I try to achieve my preferred style. I", "words. Well, I would like to ask for some elaboration on how to", "control my writing style. Exactly how do I write in a certain kind", "scansion and stress but that doesn't work. One book I read said to", "One book I read said to attend to phrases and junctures. Can someone", "certain kind of voice? I tried attending to metrical scansion and stress but", "Exactly how do I write in a certain kind of voice? I tried", "you don't tell me to simply write how I talk. That's not the", "book I read said to attend to phrases and junctures. Can someone please", "help me with this as my writing is continually getting worse the more", "a text, but on making emphasis fall on the right words. Well, I", "write how I talk. That's not the answer I'm looking for. Thank you.", "to attend to phrases and junctures. Can someone please help me with this", "right words. Well, I would like to ask for some elaboration on how", "tell me to simply write how I talk. That's not the answer I'm", "of voice? I tried attending to metrical scansion and stress but that doesn't", "I tried attending to metrical scansion and stress but that doesn't work. One", "making emphasis fall on the right words. Well, I would like to ask", "phrases and junctures. Can someone please help me with this as my writing", "someone said that cadence does not depend on the sprung rhythm of a", "do I write in a certain kind of voice? I tried attending to", "some elaboration on how to control my writing style. Exactly how do I", "does not depend on the sprung rhythm of a text, but on making", "said to attend to phrases and junctures. Can someone please help me with", "Can someone please help me with this as my writing is continually getting", "don't tell me to simply write how I talk. That's not the answer", "voice? I tried attending to metrical scansion and stress but that doesn't work.", "please help me with this as my writing is continually getting worse the", "but that doesn't work. One book I read said to attend to phrases", "elaboration on how to control my writing style. Exactly how do I write", "my preferred style. I hope you don't tell me to simply write how", "to achieve my preferred style. I hope you don't tell me to simply", "junctures. Can someone please help me with this as my writing is continually", "like to ask for some elaboration on how to control my writing style.", "rhythm of a text, but on making emphasis fall on the right words.", "style. I hope you don't tell me to simply write how I talk.", "attending to metrical scansion and stress but that doesn't work. One book I", "doesn't work. One book I read said to attend to phrases and junctures.", "achieve my preferred style. I hope you don't tell me to simply write", "writing style. Exactly how do I write in a certain kind of voice?", "on the right words. Well, I would like to ask for some elaboration", "with this as my writing is continually getting worse the more I try", "worse the more I try to achieve my preferred style. I hope you", "metrical scansion and stress but that doesn't work. One book I read said", "fall on the right words. Well, I would like to ask for some", "read said to attend to phrases and junctures. Can someone please help me", "someone please help me with this as my writing is continually getting worse", "me to simply write how I talk. That's not the answer I'm looking", "simply write how I talk. That's not the answer I'm looking for. Thank", "this as my writing is continually getting worse the more I try to", "In one of the answers to a question of mine here, someone said", "to metrical scansion and stress but that doesn't work. One book I read" ]
[ "genre, you often see love triangles happen. I want my book to be", "book currently and I have a basis for a love triangle. Should I", "that part of the book might feel awkward since I have no real-world", "more 'grown up' than it is right now, and I feel that adding", "add one? I feel like it would add another subplot to my story", "since I have no real-world experience. My book is YA fantasy, and in", "no real-world experience. My book is YA fantasy, and in that genre, you", "so that part of the book might feel awkward since I have no", "have a basis for a love triangle. Should I add one? I feel", "in that genre, you often see love triangles happen. I want my book", "never been romantically involved with someone (to any extent) so that part of", "that genre, you often see love triangles happen. I want my book to", "but I've never been romantically involved with someone (to any extent) so that", "basis for a love triangle. Should I add one? I feel like it", "of the book might feel awkward since I have no real-world experience. My", "my book to be more 'grown up' than it is right now, and", "another subplot to my story and make it more interesting, but I've never", "add another subplot to my story and make it more interesting, but I've", "with someone (to any extent) so that part of the book might feel", "I feel like it would add another subplot to my story and make", "involved with someone (to any extent) so that part of the book might", "to be more 'grown up' than it is right now, and I feel", "happen. I want my book to be more 'grown up' than it is", "been romantically involved with someone (to any extent) so that part of the", "triangle. Should I add one? I feel like it would add another subplot", "feel awkward since I have no real-world experience. My book is YA fantasy,", "'grown up' than it is right now, and I feel that adding a", "currently and I have a basis for a love triangle. Should I add", "I'm editing my book currently and I have a basis for a love", "subplot to my story and make it more interesting, but I've never been", "for a love triangle. Should I add one? I feel like it would", "experience. My book is YA fantasy, and in that genre, you often see", "my story and make it more interesting, but I've never been romantically involved", "part of the book might feel awkward since I have no real-world experience.", "I've never been romantically involved with someone (to any extent) so that part", "I want my book to be more 'grown up' than it is right", "than it is right now, and I feel that adding a love triangle", "want my book to be more 'grown up' than it is right now,", "love triangles happen. I want my book to be more 'grown up' than", "a love triangle. Should I add one? I feel like it would add", "Should I add one? I feel like it would add another subplot to", "right now, and I feel that adding a love triangle could help that.", "the book might feel awkward since I have no real-world experience. My book", "make it more interesting, but I've never been romantically involved with someone (to", "up' than it is right now, and I feel that adding a love", "editing my book currently and I have a basis for a love triangle.", "it is right now, and I feel that adding a love triangle could", "book is YA fantasy, and in that genre, you often see love triangles", "romantically involved with someone (to any extent) so that part of the book", "it would add another subplot to my story and make it more interesting,", "interesting, but I've never been romantically involved with someone (to any extent) so", "might feel awkward since I have no real-world experience. My book is YA", "I have no real-world experience. My book is YA fantasy, and in that", "extent) so that part of the book might feel awkward since I have", "have no real-world experience. My book is YA fantasy, and in that genre,", "one? I feel like it would add another subplot to my story and", "awkward since I have no real-world experience. My book is YA fantasy, and", "you often see love triangles happen. I want my book to be more", "and make it more interesting, but I've never been romantically involved with someone", "YA fantasy, and in that genre, you often see love triangles happen. I", "see love triangles happen. I want my book to be more 'grown up'", "fantasy, and in that genre, you often see love triangles happen. I want", "and in that genre, you often see love triangles happen. I want my", "real-world experience. My book is YA fantasy, and in that genre, you often", "and I have a basis for a love triangle. Should I add one?", "I add one? I feel like it would add another subplot to my", "someone (to any extent) so that part of the book might feel awkward", "my book currently and I have a basis for a love triangle. Should", "it more interesting, but I've never been romantically involved with someone (to any", "is right now, and I feel that adding a love triangle could help", "(to any extent) so that part of the book might feel awkward since", "story and make it more interesting, but I've never been romantically involved with", "often see love triangles happen. I want my book to be more 'grown", "triangles happen. I want my book to be more 'grown up' than it", "would add another subplot to my story and make it more interesting, but", "My book is YA fantasy, and in that genre, you often see love", "more interesting, but I've never been romantically involved with someone (to any extent)", "a basis for a love triangle. Should I add one? I feel like", "like it would add another subplot to my story and make it more", "book to be more 'grown up' than it is right now, and I", "be more 'grown up' than it is right now, and I feel that", "love triangle. Should I add one? I feel like it would add another", "feel like it would add another subplot to my story and make it", "to my story and make it more interesting, but I've never been romantically", "any extent) so that part of the book might feel awkward since I", "book might feel awkward since I have no real-world experience. My book is", "I have a basis for a love triangle. Should I add one? I", "is YA fantasy, and in that genre, you often see love triangles happen." ]
[ "even the specific words that were used if they are not important to", "enough to say \"Enkidu and Grendel share many similarities.\" I have to list", "the thesis sentence. Even though I talk about the specific similarities in other", "me this. 2. I did not find this definition of highlighting anywhere. She", "surprised that literally nobody has ever told me this. 2. I did not", "which does not appear to be a thing. The only definition of parallelism", "is a practice called \"Highlighting.\" 1. I have never heard this before. Is", "related to essays was about outlining, and referred to making the headings of", "before? And I have to say if this is an actual rule, it's", "other guides to crafting a strong thesis statement that I have found on", "statement must always list your upcoming points in the exact order that you", "barely readable sentences (which, from my run-ons above, you can see I have", "the arguments, and that this is a practice called \"Highlighting.\" 1. I have", "present the arguments, and that this is a practice called \"Highlighting.\" 1. I", "to the idea being expressed. This is just another totally arbitrary writing rule", "The similarities they share are evidence for my argument, not the argument itself.", "is like a mathematical concept called \"parallelism,\" which does not appear to be", "me) the similarities are not really the core of my argument. The similarities", "am surprised that literally nobody has ever told me this. 2. I did", "2. I did not find this definition of highlighting anywhere. She also told", "must always list your upcoming points in the exact order that you present", "for a thesis statement, how come none of the other guides to crafting", "just another totally arbitrary writing rule designed to produce tortured, barely readable sentences", "though I talk about the specific similarities in other sentences in the introduction,", "me suspect she does not know how math works. 3. She also told", "find related to essays was about outlining, and referred to making the headings", "By the time I get to the end of an essay, I don't", "it? Why has no professor ever mentioned it to me before? And I", "told me that it is like a mathematical concept called \"parallelism,\" which does", "another totally arbitrary writing rule designed to produce tortured, barely readable sentences (which,", "importantly to me) the similarities are not really the core of my argument.", "on any of the writing sites I checked. I have definitely gotten As", "the similarities in the thesis sentence. Even though I talk about the specific", "mentioned in the thesis. For example, it is not enough to say \"Enkidu", "how to react if my college professor who has presumably written many papers", "I have never heard this before. Is this correct? I did not find", "crafting a strong thesis statement that I have found on line mention it?", "that a thesis statement must always list your upcoming points in the exact", "a mathematical concept called \"parallelism,\" which does not appear to be a thing.", "The only definition of parallelism I could find related to essays was about", "react if my college professor who has presumably written many papers has such", "headings of the sections in your paper have similar structure and weight, similar", "the sections in your paper have similar structure and weight, similar to the", "class, but I'm not sure how to react if my college professor who", "have to list the similarities in the thesis sentence. Even though I talk", "say if this is an actual rule, it's kinda dumb. By the time", "this correct? I did not find any mention of it on any of", "the exact order of the thesis statement. Once that statement has been synthesized,", "definitely gotten As on papers before without being aware of this rule. I", "makes me suspect she does not know how math works. 3. She also", "statement that makes me suspect she does not know how math works. 3.", "not know how math works. 3. She also told me that any argument", "talk about the specific similarities in other sentences in the introduction, and (more", "professor ever mentioned it to me before? And I have to say if", "of an essay, I don't remember the exact order of the thesis statement.", "I have found on line mention it? Why has no professor ever mentioned", "the end of an essay, I don't remember the exact order of the", "end of an essay, I don't remember the exact order of the thesis", "told me this. 2. I did not find this definition of highlighting anywhere.", "the exact order that you present the arguments, and that this is a", "definition of parallelism I could find related to essays was about outlining, and", "concept called \"parallelism,\" which does not appear to be a thing. The only", "this class, but I'm not sure how to react if my college professor", "word is used in poetry, not math. In fact, she repeatedly told me", "the idea being expressed. This is just another totally arbitrary writing rule designed", "sentence. Even though I talk about the specific similarities in other sentences in", "about the order or even the specific words that were used if they", "This is just another totally arbitrary writing rule designed to produce tortured, barely", "time I get to the end of an essay, I don't remember the", "to making the headings of the sections in your paper have similar structure", "papers before without being aware of this rule. I am surprised that literally", "example, it is not enough to say \"Enkidu and Grendel share many similarities.\"", "exact order of the thesis statement. Once that statement has been synthesized, I", "also told me that it is like a mathematical concept called \"parallelism,\" which", "to the end of an essay, I don't remember the exact order of", "specific words that were used if they are not important to the idea", "sentences in the introduction, and (more importantly to me) the similarities are not", "do what the teacher wants me to do for this class, but I'm", "designed to produce tortured, barely readable sentences (which, from my run-ons above, you", "exact order that you present the arguments, and that this is a practice", "it on any of the writing sites I checked. I have definitely gotten", "must be mentioned in the thesis. For example, it is not enough to", "used in poetry, not math. In fact, she repeatedly told me that writing", "anywhere. She also told me that it is like a mathematical concept called", "this before. Is this correct? I did not find any mention of it", "definition of highlighting anywhere. She also told me that it is like a", "she repeatedly told me that writing is a lot like math, a statement", "1. I have never heard this before. Is this correct? I did not", "called \"Highlighting.\" 1. I have never heard this before. Is this correct? I", "paper must be mentioned in the thesis. For example, it is not enough", "Is this correct? I did not find any mention of it on any", "thesis statement that I have found on line mention it? Why has no", "weight, similar to the way the word is used in poetry, not math.", "argument I make in the paper must be mentioned in the thesis. For", "get to the end of an essay, I don't remember the exact order", "have similar structure and weight, similar to the way the word is used", "it is like a mathematical concept called \"parallelism,\" which does not appear to", "aware of this rule. I am surprised that literally nobody has ever told", "40 years old, returning to college a second time. I have just been", "parallelism I could find related to essays was about outlining, and referred to", "in the paper must be mentioned in the thesis. For example, it is", "other sentences in the introduction, and (more importantly to me) the similarities are", "told me that any argument I make in the paper must be mentioned", "guides to crafting a strong thesis statement that I have found on line", "arbitrary writing rule designed to produce tortured, barely readable sentences (which, from my", "that statement has been synthesized, I stop caring about the order or even", "a thing. The only definition of parallelism I could find related to essays", "share are evidence for my argument, not the argument itself. Obviously, I will", "if this is an actual rule, it's kinda dumb. By the time I", "make in the paper must be mentioned in the thesis. For example, it", "also told me that any argument I make in the paper must be", "for this class, but I'm not sure how to react if my college", "I make in the paper must be mentioned in the thesis. For example,", "or even the specific words that were used if they are not important", "the time I get to the end of an essay, I don't remember", "\"Enkidu and Grendel share many similarities.\" I have to list the similarities in", "I am 40 years old, returning to college a second time. I have", "this rule. I am surprised that literally nobody has ever told me this.", "heard this before. Is this correct? I did not find any mention of", "did not find this definition of highlighting anywhere. She also told me that", "many papers has such an erroneous and rigid notion of how writing is", "the order or even the specific words that were used if they are", "me to do for this class, but I'm not sure how to react", "sentences (which, from my run-ons above, you can see I have enough problems", "that this is a practice called \"Highlighting.\" 1. I have never heard this", "time. I have just been informed by my teacher that a thesis statement", "readable sentences (which, from my run-ons above, you can see I have enough", "have definitely gotten As on papers before without being aware of this rule.", "strong thesis statement that I have found on line mention it? Why has", "poetry, not math. In fact, she repeatedly told me that writing is a", "told me that writing is a lot like math, a statement that makes", "find any mention of it on any of the writing sites I checked.", "I did not find this definition of highlighting anywhere. She also told me", "not find this definition of highlighting anywhere. She also told me that it", "synthesized, I stop caring about the order or even the specific words that", "always list your upcoming points in the exact order that you present the", "is an actual rule, it's kinda dumb. By the time I get to", "how come none of the other guides to crafting a strong thesis statement", "mention of it on any of the writing sites I checked. I have", "this. 2. I did not find this definition of highlighting anywhere. She also", "upcoming points in the exact order that you present the arguments, and that", "rule, it's kinda dumb. By the time I get to the end of", "years old, returning to college a second time. I have just been informed", "me that writing is a lot like math, a statement that makes me", "not the argument itself. Obviously, I will do what the teacher wants me", "As on papers before without being aware of this rule. I am surprised", "sure how to react if my college professor who has presumably written many", "to list the similarities in the thesis sentence. Even though I talk about", "(more importantly to me) the similarities are not really the core of my", "thesis statement must always list your upcoming points in the exact order that", "the specific similarities in other sentences in the introduction, and (more importantly to", "and that this is a practice called \"Highlighting.\" 1. I have never heard", "me that it is like a mathematical concept called \"parallelism,\" which does not", "line mention it? Why has no professor ever mentioned it to me before?", "She also told me that it is like a mathematical concept called \"parallelism,\"", "argument. The similarities they share are evidence for my argument, not the argument", "thesis. For example, it is not enough to say \"Enkidu and Grendel share", "(which, from my run-ons above, you can see I have enough problems with", "were used if they are not important to the idea being expressed. This", "have found on line mention it? Why has no professor ever mentioned it", "did not find any mention of it on any of the writing sites", "second time. I have just been informed by my teacher that a thesis", "I'm not sure how to react if my college professor who has presumably", "caring about the order or even the specific words that were used if", "share many similarities.\" I have to list the similarities in the thesis sentence.", "the specific words that were used if they are not important to the", "I have definitely gotten As on papers before without being aware of this", "are evidence for my argument, not the argument itself. Obviously, I will do", "repeatedly told me that writing is a lot like math, a statement that", "the teacher wants me to do for this class, but I'm not sure", "like math, a statement that makes me suspect she does not know how", "she does not know how math works. 3. She also told me that", "statement, how come none of the other guides to crafting a strong thesis", "erroneous and rigid notion of how writing is done. If this is a", "is a requirement for a thesis statement, how come none of the other", "this definition of highlighting anywhere. She also told me that it is like", "about outlining, and referred to making the headings of the sections in your", "similar structure and weight, similar to the way the word is used in", "3. She also told me that any argument I make in the paper", "does not know how math works. 3. She also told me that any", "from my run-ons above, you can see I have enough problems with already).", "of this rule. I am surprised that literally nobody has ever told me", "of the sections in your paper have similar structure and weight, similar to", "has ever told me this. 2. I did not find this definition of", "similarities.\" I have to list the similarities in the thesis sentence. Even though", "of my argument. The similarities they share are evidence for my argument, not", "statement that I have found on line mention it? Why has no professor", "on line mention it? Why has no professor ever mentioned it to me", "Even though I talk about the specific similarities in other sentences in the", "is not enough to say \"Enkidu and Grendel share many similarities.\" I have", "the way the word is used in poetry, not math. In fact, she", "the similarities are not really the core of my argument. The similarities they", "that it is like a mathematical concept called \"parallelism,\" which does not appear", "to me) the similarities are not really the core of my argument. The", "a strong thesis statement that I have found on line mention it? Why", "actual rule, it's kinda dumb. By the time I get to the end", "has such an erroneous and rigid notion of how writing is done. If", "the thesis statement. Once that statement has been synthesized, I stop caring about", "have never heard this before. Is this correct? I did not find any", "in the introduction, and (more importantly to me) the similarities are not really", "like a mathematical concept called \"parallelism,\" which does not appear to be a", "correct? I did not find any mention of it on any of the", "making the headings of the sections in your paper have similar structure and", "I talk about the specific similarities in other sentences in the introduction, and", "do for this class, but I'm not sure how to react if my", "papers has such an erroneous and rigid notion of how writing is done.", "how math works. 3. She also told me that any argument I make", "order of the thesis statement. Once that statement has been synthesized, I stop", "is a lot like math, a statement that makes me suspect she does", "For example, it is not enough to say \"Enkidu and Grendel share many", "a statement that makes me suspect she does not know how math works.", "what the teacher wants me to do for this class, but I'm not", "the paper must be mentioned in the thesis. For example, it is not", "by my teacher that a thesis statement must always list your upcoming points", "math, a statement that makes me suspect she does not know how math", "similarities are not really the core of my argument. The similarities they share", "to say if this is an actual rule, it's kinda dumb. By the", "thesis statement, how come none of the other guides to crafting a strong", "presumably written many papers has such an erroneous and rigid notion of how", "to react if my college professor who has presumably written many papers has", "thing. The only definition of parallelism I could find related to essays was", "similarities in other sentences in the introduction, and (more importantly to me) the", "returning to college a second time. I have just been informed by my", "essays was about outlining, and referred to making the headings of the sections", "your upcoming points in the exact order that you present the arguments, and", "specific similarities in other sentences in the introduction, and (more importantly to me)", "the argument itself. Obviously, I will do what the teacher wants me to", "essay, I don't remember the exact order of the thesis statement. Once that", "the headings of the sections in your paper have similar structure and weight,", "find this definition of highlighting anywhere. She also told me that it is", "sections in your paper have similar structure and weight, similar to the way", "not enough to say \"Enkidu and Grendel share many similarities.\" I have to", "to crafting a strong thesis statement that I have found on line mention", "lot like math, a statement that makes me suspect she does not know", "being expressed. This is just another totally arbitrary writing rule designed to produce", "words that were used if they are not important to the idea being", "thesis sentence. Even though I talk about the specific similarities in other sentences", "literally nobody has ever told me this. 2. I did not find this", "a thesis statement must always list your upcoming points in the exact order", "in the thesis sentence. Even though I talk about the specific similarities in", "requirement for a thesis statement, how come none of the other guides to", "that makes me suspect she does not know how math works. 3. She", "sites I checked. I have definitely gotten As on papers before without being", "I checked. I have definitely gotten As on papers before without being aware", "on papers before without being aware of this rule. I am surprised that", "idea being expressed. This is just another totally arbitrary writing rule designed to", "expressed. This is just another totally arbitrary writing rule designed to produce tortured,", "college a second time. I have just been informed by my teacher that", "writing sites I checked. I have definitely gotten As on papers before without", "have just been informed by my teacher that a thesis statement must always", "to say \"Enkidu and Grendel share many similarities.\" I have to list the", "points in the exact order that you present the arguments, and that this", "such an erroneous and rigid notion of how writing is done. If this", "being aware of this rule. I am surprised that literally nobody has ever", "are not important to the idea being expressed. This is just another totally", "for my argument, not the argument itself. Obviously, I will do what the", "my college professor who has presumably written many papers has such an erroneous", "I did not find any mention of it on any of the writing", "in your paper have similar structure and weight, similar to the way the", "that you present the arguments, and that this is a practice called \"Highlighting.\"", "highlighting anywhere. She also told me that it is like a mathematical concept", "produce tortured, barely readable sentences (which, from my run-ons above, you can see", "could find related to essays was about outlining, and referred to making the", "not math. In fact, she repeatedly told me that writing is a lot", "an erroneous and rigid notion of how writing is done. If this is", "they are not important to the idea being expressed. This is just another", "just been informed by my teacher that a thesis statement must always list", "been informed by my teacher that a thesis statement must always list your", "argument, not the argument itself. Obviously, I will do what the teacher wants", "teacher wants me to do for this class, but I'm not sure how", "statement. Once that statement has been synthesized, I stop caring about the order", "list your upcoming points in the exact order that you present the arguments,", "She also told me that any argument I make in the paper must", "informed by my teacher that a thesis statement must always list your upcoming", "this is a practice called \"Highlighting.\" 1. I have never heard this before.", "no professor ever mentioned it to me before? And I have to say", "professor who has presumably written many papers has such an erroneous and rigid", "mention it? Why has no professor ever mentioned it to me before? And", "to me before? And I have to say if this is an actual", "wants me to do for this class, but I'm not sure how to", "is used in poetry, not math. In fact, she repeatedly told me that", "gotten As on papers before without being aware of this rule. I am", "math works. 3. She also told me that any argument I make in", "a practice called \"Highlighting.\" 1. I have never heard this before. Is this", "and referred to making the headings of the sections in your paper have", "a thesis statement, how come none of the other guides to crafting a", "order or even the specific words that were used if they are not", "never heard this before. Is this correct? I did not find any mention", "list the similarities in the thesis sentence. Even though I talk about the", "in the exact order that you present the arguments, and that this is", "are not really the core of my argument. The similarities they share are", "my argument. The similarities they share are evidence for my argument, not the", "none of the other guides to crafting a strong thesis statement that I", "that I have found on line mention it? Why has no professor ever", "you present the arguments, and that this is a practice called \"Highlighting.\" 1.", "similarities they share are evidence for my argument, not the argument itself. Obviously,", "without being aware of this rule. I am surprised that literally nobody has", "if my college professor who has presumably written many papers has such an", "I could find related to essays was about outlining, and referred to making", "arguments, and that this is a practice called \"Highlighting.\" 1. I have never", "similar to the way the word is used in poetry, not math. In", "has presumably written many papers has such an erroneous and rigid notion of", "the core of my argument. The similarities they share are evidence for my", "that writing is a lot like math, a statement that makes me suspect", "way the word is used in poetry, not math. In fact, she repeatedly", "I have to list the similarities in the thesis sentence. Even though I", "been synthesized, I stop caring about the order or even the specific words", "used if they are not important to the idea being expressed. This is", "me that any argument I make in the paper must be mentioned in", "that literally nobody has ever told me this. 2. I did not find", "Why has no professor ever mentioned it to me before? And I have", "the other guides to crafting a strong thesis statement that I have found", "I will do what the teacher wants me to do for this class,", "itself. Obviously, I will do what the teacher wants me to do for", "the introduction, and (more importantly to me) the similarities are not really the", "And I have to say if this is an actual rule, it's kinda", "rigid notion of how writing is done. If this is a requirement for", "referred to making the headings of the sections in your paper have similar", "am 40 years old, returning to college a second time. I have just", "don't remember the exact order of the thesis statement. Once that statement has", "order that you present the arguments, and that this is a practice called", "evidence for my argument, not the argument itself. Obviously, I will do what", "your paper have similar structure and weight, similar to the way the word", "paper have similar structure and weight, similar to the way the word is", "before without being aware of this rule. I am surprised that literally nobody", "of how writing is done. If this is a requirement for a thesis", "this is a requirement for a thesis statement, how come none of the", "found on line mention it? Why has no professor ever mentioned it to", "that were used if they are not important to the idea being expressed.", "but I'm not sure how to react if my college professor who has", "how writing is done. If this is a requirement for a thesis statement,", "that any argument I make in the paper must be mentioned in the", "me before? And I have to say if this is an actual rule,", "of it on any of the writing sites I checked. I have definitely", "nobody has ever told me this. 2. I did not find this definition", "to essays was about outlining, and referred to making the headings of the", "In fact, she repeatedly told me that writing is a lot like math,", "have to say if this is an actual rule, it's kinda dumb. By", "writing rule designed to produce tortured, barely readable sentences (which, from my run-ons", "not find any mention of it on any of the writing sites I", "of the writing sites I checked. I have definitely gotten As on papers", "old, returning to college a second time. I have just been informed by", "a requirement for a thesis statement, how come none of the other guides", "this is an actual rule, it's kinda dumb. By the time I get", "mentioned it to me before? And I have to say if this is", "my argument, not the argument itself. Obviously, I will do what the teacher", "of the thesis statement. Once that statement has been synthesized, I stop caring", "tortured, barely readable sentences (which, from my run-ons above, you can see I", "introduction, and (more importantly to me) the similarities are not really the core", "checked. I have definitely gotten As on papers before without being aware of", "argument itself. Obviously, I will do what the teacher wants me to do", "dumb. By the time I get to the end of an essay, I", "a lot like math, a statement that makes me suspect she does not", "in other sentences in the introduction, and (more importantly to me) the similarities", "the thesis. For example, it is not enough to say \"Enkidu and Grendel", "practice called \"Highlighting.\" 1. I have never heard this before. Is this correct?", "ever told me this. 2. I did not find this definition of highlighting", "many similarities.\" I have to list the similarities in the thesis sentence. Even", "fact, she repeatedly told me that writing is a lot like math, a", "notion of how writing is done. If this is a requirement for a", "stop caring about the order or even the specific words that were used", "any mention of it on any of the writing sites I checked. I", "teacher that a thesis statement must always list your upcoming points in the", "appear to be a thing. The only definition of parallelism I could find", "and weight, similar to the way the word is used in poetry, not", "and (more importantly to me) the similarities are not really the core of", "to college a second time. I have just been informed by my teacher", "any argument I make in the paper must be mentioned in the thesis.", "Once that statement has been synthesized, I stop caring about the order or", "outlining, and referred to making the headings of the sections in your paper", "not important to the idea being expressed. This is just another totally arbitrary", "an essay, I don't remember the exact order of the thesis statement. Once", "be mentioned in the thesis. For example, it is not enough to say", "thesis statement. Once that statement has been synthesized, I stop caring about the", "I have to say if this is an actual rule, it's kinda dumb.", "say \"Enkidu and Grendel share many similarities.\" I have to list the similarities", "I am surprised that literally nobody has ever told me this. 2. I", "totally arbitrary writing rule designed to produce tortured, barely readable sentences (which, from", "ever mentioned it to me before? And I have to say if this", "come none of the other guides to crafting a strong thesis statement that", "not sure how to react if my college professor who has presumably written", "it to me before? And I have to say if this is an", "I have just been informed by my teacher that a thesis statement must", "really the core of my argument. The similarities they share are evidence for", "is done. If this is a requirement for a thesis statement, how come", "only definition of parallelism I could find related to essays was about outlining,", "of the other guides to crafting a strong thesis statement that I have", "to do for this class, but I'm not sure how to react if", "about the specific similarities in other sentences in the introduction, and (more importantly", "not appear to be a thing. The only definition of parallelism I could", "suspect she does not know how math works. 3. She also told me", "If this is a requirement for a thesis statement, how come none of", "done. If this is a requirement for a thesis statement, how come none", "works. 3. She also told me that any argument I make in the", "they share are evidence for my argument, not the argument itself. Obviously, I", "of highlighting anywhere. She also told me that it is like a mathematical", "a second time. I have just been informed by my teacher that a", "does not appear to be a thing. The only definition of parallelism I", "in the thesis. For example, it is not enough to say \"Enkidu and", "similarities in the thesis sentence. Even though I talk about the specific similarities", "it's kinda dumb. By the time I get to the end of an", "be a thing. The only definition of parallelism I could find related to", "I don't remember the exact order of the thesis statement. Once that statement", "and rigid notion of how writing is done. If this is a requirement", "kinda dumb. By the time I get to the end of an essay,", "an actual rule, it's kinda dumb. By the time I get to the", "I stop caring about the order or even the specific words that were", "written many papers has such an erroneous and rigid notion of how writing", "any of the writing sites I checked. I have definitely gotten As on", "is just another totally arbitrary writing rule designed to produce tortured, barely readable", "mathematical concept called \"parallelism,\" which does not appear to be a thing. The", "to produce tortured, barely readable sentences (which, from my run-ons above, you can", "my teacher that a thesis statement must always list your upcoming points in", "the writing sites I checked. I have definitely gotten As on papers before", "of parallelism I could find related to essays was about outlining, and referred", "to be a thing. The only definition of parallelism I could find related", "\"parallelism,\" which does not appear to be a thing. The only definition of", "important to the idea being expressed. This is just another totally arbitrary writing", "and Grendel share many similarities.\" I have to list the similarities in the", "not really the core of my argument. The similarities they share are evidence", "was about outlining, and referred to making the headings of the sections in", "will do what the teacher wants me to do for this class, but", "called \"parallelism,\" which does not appear to be a thing. The only definition", "writing is done. If this is a requirement for a thesis statement, how", "statement has been synthesized, I stop caring about the order or even the", "if they are not important to the idea being expressed. This is just", "before. Is this correct? I did not find any mention of it on", "rule. I am surprised that literally nobody has ever told me this. 2.", "college professor who has presumably written many papers has such an erroneous and", "who has presumably written many papers has such an erroneous and rigid notion", "remember the exact order of the thesis statement. Once that statement has been", "the word is used in poetry, not math. In fact, she repeatedly told", "Obviously, I will do what the teacher wants me to do for this", "has no professor ever mentioned it to me before? And I have to", "Grendel share many similarities.\" I have to list the similarities in the thesis", "in poetry, not math. In fact, she repeatedly told me that writing is", "I get to the end of an essay, I don't remember the exact", "rule designed to produce tortured, barely readable sentences (which, from my run-ons above,", "to the way the word is used in poetry, not math. In fact,", "structure and weight, similar to the way the word is used in poetry,", "writing is a lot like math, a statement that makes me suspect she", "math. In fact, she repeatedly told me that writing is a lot like", "\"Highlighting.\" 1. I have never heard this before. Is this correct? I did", "has been synthesized, I stop caring about the order or even the specific", "know how math works. 3. She also told me that any argument I", "it is not enough to say \"Enkidu and Grendel share many similarities.\" I", "core of my argument. The similarities they share are evidence for my argument," ]
[ "that one use present tense with POV, or at least it sounds organic.", "is preferred that one use present tense with POV, or at least it", "any ground rules I can make use of to exploit third person present", "present tense to the fullest without making it sound a bit off for", "or at least it sounds organic. Are there any ground rules I can", "it is preferred that one use present tense with POV, or at least", "preferred that one use present tense with POV, or at least it sounds", "tense to the fullest without making it sound a bit off for readers", "sounds organic. Are there any ground rules I can make use of to", "use present tense with POV, or at least it sounds organic. Are there", "it sound a bit off for readers of the typical third person past", "I can make use of to exploit third person present tense to the", "a bit off for readers of the typical third person past tense novel?", "without making it sound a bit off for readers of the typical third", "fullest without making it sound a bit off for readers of the typical", "Generally it is preferred that one use present tense with POV, or at", "one use present tense with POV, or at least it sounds organic. Are", "use of to exploit third person present tense to the fullest without making", "Are there any ground rules I can make use of to exploit third", "there any ground rules I can make use of to exploit third person", "rules I can make use of to exploit third person present tense to", "exploit third person present tense to the fullest without making it sound a", "tense with POV, or at least it sounds organic. Are there any ground", "of to exploit third person present tense to the fullest without making it", "to exploit third person present tense to the fullest without making it sound", "to the fullest without making it sound a bit off for readers of", "at least it sounds organic. Are there any ground rules I can make", "sound a bit off for readers of the typical third person past tense", "it sounds organic. Are there any ground rules I can make use of", "organic. Are there any ground rules I can make use of to exploit", "make use of to exploit third person present tense to the fullest without", "present tense with POV, or at least it sounds organic. Are there any", "least it sounds organic. Are there any ground rules I can make use", "can make use of to exploit third person present tense to the fullest", "making it sound a bit off for readers of the typical third person", "POV, or at least it sounds organic. Are there any ground rules I", "with POV, or at least it sounds organic. Are there any ground rules", "third person present tense to the fullest without making it sound a bit", "ground rules I can make use of to exploit third person present tense", "person present tense to the fullest without making it sound a bit off", "the fullest without making it sound a bit off for readers of the" ]
[ "or whether my cadence is rich enough. Right now my words do not", "some kind of principle that will tell me when a certain kind of", "or is there some kind of principle that will tell me when a", "Sometimes I think I would rather depend on principles than my ear, or", "placed next to others, while other words do not, but I can never", "words flow smoothly when placed next to others, while other words do not,", "I want them to flow perfectly. Must I depend wholly on my ear,", "know I asked a similar question, but that was about cadence in general,", "from principles. I know I asked a similar question, but that was about", "least have some assistance from principles. I know I asked a similar question,", "some assistance from principles. I know I asked a similar question, but that", "exactly how smoothly they flow, or whether my cadence is rich enough. Right", "was about cadence in general, even though I mentioned harmony. Now I am", "as you can see. But I want them to flow perfectly. Must I", "will tell me when a certain kind of word will work best? Sometimes", "depend on principles than my ear, or at least have some assistance from", "when a certain kind of word will work best? Sometimes I think I", "flow smoothly when placed next to others, while other words do not, but", "writing prose, I noticed that certain words flow smoothly when placed next to", "is there some kind of principle that will tell me when a certain", "while other words do not, but I can never be too sure exactly", "I can never be too sure exactly how smoothly they flow, or whether", "to others, while other words do not, but I can never be too", "other words do not, but I can never be too sure exactly how", "they flow, or whether my cadence is rich enough. Right now my words", "too well, as you can see. But I want them to flow perfectly.", "certain kind of word will work best? Sometimes I think I would rather", "can see. But I want them to flow perfectly. Must I depend wholly", "than my ear, or at least have some assistance from principles. I know", "there some kind of principle that will tell me when a certain kind", "flow perfectly. Must I depend wholly on my ear, or is there some", "I depend wholly on my ear, or is there some kind of principle", "perfectly. Must I depend wholly on my ear, or is there some kind", "to flow perfectly. Must I depend wholly on my ear, or is there", "next to others, while other words do not, but I can never be", "my ear, or at least have some assistance from principles. I know I", "flow too well, as you can see. But I want them to flow", "or at least have some assistance from principles. I know I asked a", "is rich enough. Right now my words do not flow too well, as", "now my words do not flow too well, as you can see. But", "prose, I noticed that certain words flow smoothly when placed next to others,", "smoothly they flow, or whether my cadence is rich enough. Right now my", "of principle that will tell me when a certain kind of word will", "noticed that certain words flow smoothly when placed next to others, while other", "assistance from principles. I know I asked a similar question, but that was", "kind of word will work best? Sometimes I think I would rather depend", "not flow too well, as you can see. But I want them to", "ear, or at least have some assistance from principles. I know I asked", "have some assistance from principles. I know I asked a similar question, but", "in general, even though I mentioned harmony. Now I am speaking of harmony", "whether my cadence is rich enough. Right now my words do not flow", "a similar question, but that was about cadence in general, even though I", "Must I depend wholly on my ear, or is there some kind of", "my ear, or is there some kind of principle that will tell me", "see. But I want them to flow perfectly. Must I depend wholly on", "word will work best? Sometimes I think I would rather depend on principles", "similar question, but that was about cadence in general, even though I mentioned", "even though I mentioned harmony. Now I am speaking of harmony in particular.", "that will tell me when a certain kind of word will work best?", "how smoothly they flow, or whether my cadence is rich enough. Right now", "work best? Sometimes I think I would rather depend on principles than my", "cadence in general, even though I mentioned harmony. Now I am speaking of", "ear, or is there some kind of principle that will tell me when", "flow, or whether my cadence is rich enough. Right now my words do", "them to flow perfectly. Must I depend wholly on my ear, or is", "When writing prose, I noticed that certain words flow smoothly when placed next", "me when a certain kind of word will work best? Sometimes I think", "can never be too sure exactly how smoothly they flow, or whether my", "rather depend on principles than my ear, or at least have some assistance", "Right now my words do not flow too well, as you can see.", "a certain kind of word will work best? Sometimes I think I would", "best? Sometimes I think I would rather depend on principles than my ear,", "but I can never be too sure exactly how smoothly they flow, or", "words do not flow too well, as you can see. But I want", "too sure exactly how smoothly they flow, or whether my cadence is rich", "others, while other words do not, but I can never be too sure", "question, but that was about cadence in general, even though I mentioned harmony.", "certain words flow smoothly when placed next to others, while other words do", "at least have some assistance from principles. I know I asked a similar", "cadence is rich enough. Right now my words do not flow too well,", "principle that will tell me when a certain kind of word will work", "that certain words flow smoothly when placed next to others, while other words", "enough. Right now my words do not flow too well, as you can", "I think I would rather depend on principles than my ear, or at", "I know I asked a similar question, but that was about cadence in", "smoothly when placed next to others, while other words do not, but I", "general, even though I mentioned harmony. Now I am speaking of harmony in", "never be too sure exactly how smoothly they flow, or whether my cadence", "depend wholly on my ear, or is there some kind of principle that", "asked a similar question, but that was about cadence in general, even though", "on principles than my ear, or at least have some assistance from principles.", "you can see. But I want them to flow perfectly. Must I depend", "rich enough. Right now my words do not flow too well, as you", "when placed next to others, while other words do not, but I can", "want them to flow perfectly. Must I depend wholly on my ear, or", "not, but I can never be too sure exactly how smoothly they flow,", "do not, but I can never be too sure exactly how smoothly they", "well, as you can see. But I want them to flow perfectly. Must", "tell me when a certain kind of word will work best? Sometimes I", "about cadence in general, even though I mentioned harmony. Now I am speaking", "kind of principle that will tell me when a certain kind of word", "on my ear, or is there some kind of principle that will tell", "sure exactly how smoothly they flow, or whether my cadence is rich enough.", "words do not, but I can never be too sure exactly how smoothly", "but that was about cadence in general, even though I mentioned harmony. Now", "principles. I know I asked a similar question, but that was about cadence", "my words do not flow too well, as you can see. But I", "I asked a similar question, but that was about cadence in general, even", "do not flow too well, as you can see. But I want them", "But I want them to flow perfectly. Must I depend wholly on my", "wholly on my ear, or is there some kind of principle that will", "principles than my ear, or at least have some assistance from principles. I", "I would rather depend on principles than my ear, or at least have", "be too sure exactly how smoothly they flow, or whether my cadence is", "that was about cadence in general, even though I mentioned harmony. Now I", "will work best? Sometimes I think I would rather depend on principles than", "of word will work best? Sometimes I think I would rather depend on", "my cadence is rich enough. Right now my words do not flow too", "think I would rather depend on principles than my ear, or at least", "I noticed that certain words flow smoothly when placed next to others, while", "would rather depend on principles than my ear, or at least have some" ]
[ "it's fun, and to form a new one derived from different styles I", "I imitate, or will it just fall out of my brain like water", "to write in someone else's style but I am trying to do two", "brain like water through a strainer? I know it's not good to write", "said that imitation of a great author is a good way to learn", "learn to write in the rhythm of the prose I imitate, or will", "fun, and to form a new one derived from different styles I have", "it's not good to write in someone else's style but I am trying", "someone else's style but I am trying to do two things: to write", "good to write in someone else's style but I am trying to do", "but I am trying to do two things: to write in their style", "a writing style by direct imitation, so that later, when not looking at", "prose I imitate, or will it just fall out of my brain like", "to learn writing style. Well, what I want to know is whether I", "I have read and people have said that imitation of a great author", "imitate, or will it just fall out of my brain like water through", "style using different sentence structures. Does my brain actually learn to write in", "style because it's fun, and to form a new one derived from different", "in their style because it's fun, and to form a new one derived", "am trying to do two things: to write in their style because it's", "structures. Does my brain actually learn to write in the rhythm of the", "writing style. Well, what I want to know is whether I can actually", "I am trying to do two things: to write in their style because", "so that later, when not looking at the model, I can write in", "a good way to learn writing style. Well, what I want to know", "know is whether I can actually internalize a writing style by direct imitation,", "and people have said that imitation of a great author is a good", "trying to do two things: to write in their style because it's fun,", "using different sentence structures. Does my brain actually learn to write in the", "way to learn writing style. Well, what I want to know is whether", "write in the same style using different sentence structures. Does my brain actually", "not good to write in someone else's style but I am trying to", "else's style but I am trying to do two things: to write in", "Books I have read and people have said that imitation of a great", "direct imitation, so that later, when not looking at the model, I can", "same style using different sentence structures. Does my brain actually learn to write", "out of my brain like water through a strainer? I know it's not", "water through a strainer? I know it's not good to write in someone", "writing style by direct imitation, so that later, when not looking at the", "my brain like water through a strainer? I know it's not good to", "is a good way to learn writing style. Well, what I want to", "Does my brain actually learn to write in the rhythm of the prose", "of the prose I imitate, or will it just fall out of my", "my brain actually learn to write in the rhythm of the prose I", "learn writing style. Well, what I want to know is whether I can", "in the same style using different sentence structures. Does my brain actually learn", "and to form a new one derived from different styles I have imitated.", "through a strainer? I know it's not good to write in someone else's", "sentence structures. Does my brain actually learn to write in the rhythm of", "is whether I can actually internalize a writing style by direct imitation, so", "read and people have said that imitation of a great author is a", "write in their style because it's fun, and to form a new one", "things: to write in their style because it's fun, and to form a", "to know is whether I can actually internalize a writing style by direct", "in someone else's style but I am trying to do two things: to", "a great author is a good way to learn writing style. Well, what", "the prose I imitate, or will it just fall out of my brain", "that later, when not looking at the model, I can write in the", "strainer? I know it's not good to write in someone else's style but", "of my brain like water through a strainer? I know it's not good", "to do two things: to write in their style because it's fun, and", "in the rhythm of the prose I imitate, or will it just fall", "know it's not good to write in someone else's style but I am", "whether I can actually internalize a writing style by direct imitation, so that", "fall out of my brain like water through a strainer? I know it's", "when not looking at the model, I can write in the same style", "to write in the rhythm of the prose I imitate, or will it", "do two things: to write in their style because it's fun, and to", "I can actually internalize a writing style by direct imitation, so that later,", "what I want to know is whether I can actually internalize a writing", "that imitation of a great author is a good way to learn writing", "I know it's not good to write in someone else's style but I", "just fall out of my brain like water through a strainer? I know", "a strainer? I know it's not good to write in someone else's style", "like water through a strainer? I know it's not good to write in", "actually internalize a writing style by direct imitation, so that later, when not", "it just fall out of my brain like water through a strainer? I", "I can write in the same style using different sentence structures. Does my", "have read and people have said that imitation of a great author is", "or will it just fall out of my brain like water through a", "of a great author is a good way to learn writing style. Well,", "the same style using different sentence structures. Does my brain actually learn to", "write in someone else's style but I am trying to do two things:", "to write in their style because it's fun, and to form a new", "looking at the model, I can write in the same style using different", "different sentence structures. Does my brain actually learn to write in the rhythm", "imitation of a great author is a good way to learn writing style.", "the model, I can write in the same style using different sentence structures.", "internalize a writing style by direct imitation, so that later, when not looking", "have said that imitation of a great author is a good way to", "I want to know is whether I can actually internalize a writing style", "actually learn to write in the rhythm of the prose I imitate, or", "the rhythm of the prose I imitate, or will it just fall out", "rhythm of the prose I imitate, or will it just fall out of", "style but I am trying to do two things: to write in their", "good way to learn writing style. Well, what I want to know is", "not looking at the model, I can write in the same style using", "because it's fun, and to form a new one derived from different styles", "later, when not looking at the model, I can write in the same", "model, I can write in the same style using different sentence structures. Does", "their style because it's fun, and to form a new one derived from", "by direct imitation, so that later, when not looking at the model, I", "write in the rhythm of the prose I imitate, or will it just", "imitation, so that later, when not looking at the model, I can write", "at the model, I can write in the same style using different sentence", "style. Well, what I want to know is whether I can actually internalize", "brain actually learn to write in the rhythm of the prose I imitate,", "will it just fall out of my brain like water through a strainer?", "want to know is whether I can actually internalize a writing style by", "style by direct imitation, so that later, when not looking at the model,", "great author is a good way to learn writing style. Well, what I", "can actually internalize a writing style by direct imitation, so that later, when", "can write in the same style using different sentence structures. Does my brain", "Well, what I want to know is whether I can actually internalize a", "two things: to write in their style because it's fun, and to form", "author is a good way to learn writing style. Well, what I want", "people have said that imitation of a great author is a good way" ]
[ "taboo subject, and I'm writing from the perspective of someone who has it", "erotophonophilia (or lust murder, or sexual sadism as it is more commonly known).", "continue to write this character this way, or would this have consequences on", "sadism as it is more commonly known). I am making sure to do", "this character from another's perspective) and the character is female while I am", "making sure to do my research to represent it accurately and I believe", "way, or would this have consequences on my image as a writer that", "can see myself alienating audiences since it could be seen as a taboo", "believe it is an important part of this character's arc and the context", "important part of this character's arc and the context they provide to the", "it accurately and I believe it is an important part of this character's", "than describing this character from another's perspective) and the character is female while", "accurately and I believe it is an important part of this character's arc", "is female while I am a male writer. Can I continue to write", "character this way, or would this have consequences on my image as a", "this way, or would this have consequences on my image as a writer", "to the world. However, I can see myself alienating audiences since it could", "character from another's perspective) and the character is female while I am a", "writer. Can I continue to write this character this way, or would this", "perspective) and the character is female while I am a male writer. Can", "I am thinking of writing a character that possesses the psychological phenomenon of", "perspective of someone who has it (rather than describing this character from another's", "of erotophonophilia (or lust murder, or sexual sadism as it is more commonly", "am a male writer. Can I continue to write this character this way,", "be seen as a taboo subject, and I'm writing from the perspective of", "it (rather than describing this character from another's perspective) and the character is", "it could be seen as a taboo subject, and I'm writing from the", "see myself alienating audiences since it could be seen as a taboo subject,", "who has it (rather than describing this character from another's perspective) and the", "my research to represent it accurately and I believe it is an important", "I believe it is an important part of this character's arc and the", "the perspective of someone who has it (rather than describing this character from", "write this character this way, or would this have consequences on my image", "lust murder, or sexual sadism as it is more commonly known). I am", "subject, and I'm writing from the perspective of someone who has it (rather", "(or lust murder, or sexual sadism as it is more commonly known). I", "a taboo subject, and I'm writing from the perspective of someone who has", "am making sure to do my research to represent it accurately and I", "describing this character from another's perspective) and the character is female while I", "I am making sure to do my research to represent it accurately and", "since it could be seen as a taboo subject, and I'm writing from", "of writing a character that possesses the psychological phenomenon of erotophonophilia (or lust", "sexual sadism as it is more commonly known). I am making sure to", "writing a character that possesses the psychological phenomenon of erotophonophilia (or lust murder,", "I can see myself alienating audiences since it could be seen as a", "of this character's arc and the context they provide to the world. However,", "from another's perspective) and the character is female while I am a male", "and I'm writing from the perspective of someone who has it (rather than", "of someone who has it (rather than describing this character from another's perspective)", "represent it accurately and I believe it is an important part of this", "known). I am making sure to do my research to represent it accurately", "and the context they provide to the world. However, I can see myself", "as a taboo subject, and I'm writing from the perspective of someone who", "(rather than describing this character from another's perspective) and the character is female", "phenomenon of erotophonophilia (or lust murder, or sexual sadism as it is more", "thinking of writing a character that possesses the psychological phenomenon of erotophonophilia (or", "murder, or sexual sadism as it is more commonly known). I am making", "However, I can see myself alienating audiences since it could be seen as", "possesses the psychological phenomenon of erotophonophilia (or lust murder, or sexual sadism as", "as it is more commonly known). I am making sure to do my", "I am a male writer. Can I continue to write this character this", "is more commonly known). I am making sure to do my research to", "is an important part of this character's arc and the context they provide", "or sexual sadism as it is more commonly known). I am making sure", "or would this have consequences on my image as a writer that are", "sure to do my research to represent it accurately and I believe it", "I continue to write this character this way, or would this have consequences", "they provide to the world. However, I can see myself alienating audiences since", "the character is female while I am a male writer. Can I continue", "psychological phenomenon of erotophonophilia (or lust murder, or sexual sadism as it is", "it is more commonly known). I am making sure to do my research", "part of this character's arc and the context they provide to the world.", "this character this way, or would this have consequences on my image as", "someone who has it (rather than describing this character from another's perspective) and", "Can I continue to write this character this way, or would this have", "while I am a male writer. Can I continue to write this character", "writing from the perspective of someone who has it (rather than describing this", "male writer. Can I continue to write this character this way, or would", "female while I am a male writer. Can I continue to write this", "do my research to represent it accurately and I believe it is an", "I'm writing from the perspective of someone who has it (rather than describing", "character is female while I am a male writer. Can I continue to", "could be seen as a taboo subject, and I'm writing from the perspective", "alienating audiences since it could be seen as a taboo subject, and I'm", "a character that possesses the psychological phenomenon of erotophonophilia (or lust murder, or", "to do my research to represent it accurately and I believe it is", "to represent it accurately and I believe it is an important part of", "a male writer. Can I continue to write this character this way, or", "character's arc and the context they provide to the world. However, I can", "that possesses the psychological phenomenon of erotophonophilia (or lust murder, or sexual sadism", "this have consequences on my image as a writer that are too destructive?", "has it (rather than describing this character from another's perspective) and the character", "context they provide to the world. However, I can see myself alienating audiences", "arc and the context they provide to the world. However, I can see", "audiences since it could be seen as a taboo subject, and I'm writing", "character that possesses the psychological phenomenon of erotophonophilia (or lust murder, or sexual", "and the character is female while I am a male writer. Can I", "am thinking of writing a character that possesses the psychological phenomenon of erotophonophilia", "it is an important part of this character's arc and the context they", "myself alienating audiences since it could be seen as a taboo subject, and", "commonly known). I am making sure to do my research to represent it", "world. However, I can see myself alienating audiences since it could be seen", "this character's arc and the context they provide to the world. However, I", "to write this character this way, or would this have consequences on my", "from the perspective of someone who has it (rather than describing this character", "an important part of this character's arc and the context they provide to", "the context they provide to the world. However, I can see myself alienating", "the psychological phenomenon of erotophonophilia (or lust murder, or sexual sadism as it", "the world. However, I can see myself alienating audiences since it could be", "and I believe it is an important part of this character's arc and", "another's perspective) and the character is female while I am a male writer.", "would this have consequences on my image as a writer that are too", "research to represent it accurately and I believe it is an important part", "seen as a taboo subject, and I'm writing from the perspective of someone", "provide to the world. However, I can see myself alienating audiences since it", "more commonly known). I am making sure to do my research to represent" ]
[ "under an identity that is not traceable back to me, so that people", "that people may not scrutinize me from my writing - neighbors, employers, coworkers", "my writing - neighbors, employers, coworkers - you know. Is there any foolproof", "is not traceable back to me, so that people may not scrutinize me", "any foolproof way in which I can maintain two separate identities, so that", "that I need not skip on the marketing part of the publishing process?", "people may not scrutinize me from my writing - neighbors, employers, coworkers -", "from my writing - neighbors, employers, coworkers - you know. Is there any", "I want to write under an identity that is not traceable back to", "so that people may not scrutinize me from my writing - neighbors, employers,", "- you know. Is there any foolproof way in which I can maintain", "you know. Is there any foolproof way in which I can maintain two", "know. Is there any foolproof way in which I can maintain two separate", "Is there any foolproof way in which I can maintain two separate identities,", "which I can maintain two separate identities, so that I need not skip", "identities, so that I need not skip on the marketing part of the", "two separate identities, so that I need not skip on the marketing part", "to write under an identity that is not traceable back to me, so", "write under an identity that is not traceable back to me, so that", "not traceable back to me, so that people may not scrutinize me from", "me, so that people may not scrutinize me from my writing - neighbors,", "not scrutinize me from my writing - neighbors, employers, coworkers - you know.", "there any foolproof way in which I can maintain two separate identities, so", "way in which I can maintain two separate identities, so that I need", "want to write under an identity that is not traceable back to me,", "neighbors, employers, coworkers - you know. Is there any foolproof way in which", "traceable back to me, so that people may not scrutinize me from my", "to me, so that people may not scrutinize me from my writing -", "so that I need not skip on the marketing part of the publishing", "coworkers - you know. Is there any foolproof way in which I can", "separate identities, so that I need not skip on the marketing part of", "identity that is not traceable back to me, so that people may not", "scrutinize me from my writing - neighbors, employers, coworkers - you know. Is", "writing - neighbors, employers, coworkers - you know. Is there any foolproof way", "me from my writing - neighbors, employers, coworkers - you know. Is there", "in which I can maintain two separate identities, so that I need not", "I can maintain two separate identities, so that I need not skip on", "employers, coworkers - you know. Is there any foolproof way in which I", "may not scrutinize me from my writing - neighbors, employers, coworkers - you", "- neighbors, employers, coworkers - you know. Is there any foolproof way in", "can maintain two separate identities, so that I need not skip on the", "foolproof way in which I can maintain two separate identities, so that I", "that is not traceable back to me, so that people may not scrutinize", "maintain two separate identities, so that I need not skip on the marketing", "an identity that is not traceable back to me, so that people may", "back to me, so that people may not scrutinize me from my writing" ]
[ "Evil Scientist as evil, while still have the audience like them?** --- Maybe", "well death ray means you are going to kill people and I have", "--- Maybe 2020 has all in all been a bit too much, but", "have the audience like them?** --- Maybe 2020 has all in all been", "Igor has a good working relationship with Dr Levo. I want the audience", "all been a bit too much, but if Dr Levo and Igor were", "I portray my Evil Scientist as evil, while still have the audience like", "death ray means you are going to kill people and I have seen", "'Igor'/lab assistants' point of view. They work for a modern day 'Evil scientist',", "you are going to kill people and I have seen enough of that", "were to build a death ray, well death ray means you are going", "stereotype. How can I portray my Evil Scientist as evil, while still have", "kill people and I have seen enough of that this week thank you", "to be Evil and live up to their stereotype. How can I portray", "but if Dr Levo and Igor were to build a death ray, well", "for Dr Levo, however I still want them to be Evil and live", "build a death ray, well death ray means you are going to kill", "for a modern day 'Evil scientist', Dr Levo. Igor has a good working", "if Dr Levo and Igor were to build a death ray, well death", "a modern day 'Evil scientist', Dr Levo. Igor has a good working relationship", "good working relationship with Dr Levo. I want the audience to like/root for", "are going to kill people and I have seen enough of that this", "the audience like them?* --- Maybe 2020 has all in all been a", "Levo and Igor were to build a death ray, well death ray means", "I still want them to be Evil and live up to their stereotype.", "has a good working relationship with Dr Levo. I want the audience to", "Scientist as evil, while still have the audience like them?* --- Maybe 2020", "with Dr Levo. I want the audience to like/root for Dr Levo, however", "2020 has all in all been a bit too much, but if Dr", "them to be Evil and live up to their stereotype. How can I", "as evil, while still have the audience like them?* --- Maybe 2020 has", "relationship with Dr Levo. I want the audience to like/root for Dr Levo,", "an 'Igor'/lab assistants' point of view. They work for a modern day 'Evil", "however I still want them to be Evil and live up to their", "to their stereotype. How can I portray my Evil Scientist as evil, while", "too much, but if Dr Levo and Igor were to build a death", "a death ray, well death ray means you are going to kill people", "evil, while still have the audience like them?* --- Maybe 2020 has all", "Levo. I want the audience to like/root for Dr Levo, however I still", "assistants' point of view. They work for a modern day 'Evil scientist', Dr", "scientist', Dr Levo. Igor has a good working relationship with Dr Levo. I", "to build a death ray, well death ray means you are going to", "of view. They work for a modern day 'Evil scientist', Dr Levo. Igor", "Levo. Igor has a good working relationship with Dr Levo. I want the", "point of view. They work for a modern day 'Evil scientist', Dr Levo.", "going to kill people and I have seen enough of that this week", "working on a story from an 'Igor'/lab assistants' point of view. They work", "bit too much, but if Dr Levo and Igor were to build a", "story from an 'Igor'/lab assistants' point of view. They work for a modern", "up to their stereotype. How can I portray my Evil Scientist as evil,", "and live up to their stereotype. How can I portray my Evil Scientist", "working relationship with Dr Levo. I want the audience to like/root for Dr", "can I portray my Evil Scientist as evil, while still have the audience", "their stereotype. How can I portray my Evil Scientist as evil, while still", "Dr Levo and Igor were to build a death ray, well death ray", "Levo, however I still want them to be Evil and live up to", "I want the audience to like/root for Dr Levo, however I still want", "Maybe 2020 has all in all been a bit too much, but if", "be Evil and live up to their stereotype. How can I portray my", "to like/root for Dr Levo, however I still want them to be Evil", "day 'Evil scientist', Dr Levo. Igor has a good working relationship with Dr", "'Evil scientist', Dr Levo. Igor has a good working relationship with Dr Levo.", "like them? --- Maybe 2020 has all in all been a bit too", "like/root for Dr Levo, however I still want them to be Evil and", "been a bit too much, but if Dr Levo and Igor were to", "and I have seen enough of that this week thank you very much.", "am working on a story from an 'Igor'/lab assistants' point of view. They", "much, but if Dr Levo and Igor were to build a death ray,", "a good working relationship with Dr Levo. I want the audience to like/root", "How can I portray my Evil Scientist as evil, while still have the", "portray my Evil Scientist as evil, while still have the audience like them?", "to kill people and I have seen enough of that this week thank", "still want them to be Evil and live up to their stereotype. How", "view. They work for a modern day 'Evil scientist', Dr Levo. Igor has", "Igor were to build a death ray, well death ray means you are", "ray means you are going to kill people and I have seen enough", "and Igor were to build a death ray, well death ray means you", "people and I have seen enough of that this week thank you very", "modern day 'Evil scientist', Dr Levo. Igor has a good working relationship with", "Evil and live up to their stereotype. How can I portray my Evil", "has all in all been a bit too much, but if Dr Levo", "want them to be Evil and live up to their stereotype. How can", "means you are going to kill people and I have seen enough of", "I am working on a story from an 'Igor'/lab assistants' point of view.", "audience to like/root for Dr Levo, however I still want them to be", "all in all been a bit too much, but if Dr Levo and", "want the audience to like/root for Dr Levo, however I still want them", "on a story from an 'Igor'/lab assistants' point of view. They work for", "death ray, well death ray means you are going to kill people and", "the audience to like/root for Dr Levo, however I still want them to", "Dr Levo. Igor has a good working relationship with Dr Levo. I want", "them? --- Maybe 2020 has all in all been a bit too much,", "live up to their stereotype. How can I portray my Evil Scientist as", "audience like them?* --- Maybe 2020 has all in all been a bit", "a story from an 'Igor'/lab assistants' point of view. They work for a", "a bit too much, but if Dr Levo and Igor were to build", "my Evil Scientist as evil, while still have the audience like them?* ---", "in all been a bit too much, but if Dr Levo and Igor", "Dr Levo. I want the audience to like/root for Dr Levo, however I", "They work for a modern day 'Evil scientist', Dr Levo. Igor has a", "still have the audience like them?** --- Maybe 2020 has all in all", "while still have the audience like them?* --- *Maybe 2020 has all in", "from an 'Igor'/lab assistants' point of view. They work for a modern day", "ray, well death ray means you are going to kill people and I", "Dr Levo, however I still want them to be Evil and live up", "work for a modern day 'Evil scientist', Dr Levo. Igor has a good" ]
[ "call the act of \"misusing\" metaphors or using it in a way that's", "no clear rules of how to use metaphors, except some people often agrees", "way that's not accepted or considered wrong by most authors. I am trying", "word, because there are no clear rules of how to use metaphors, except", "metaphors, except some people often agrees that metaphors used in a certain way", "metaphors used in a certain way is bad or improper or bad style.", "metaphors or using it in a way that's not accepted or considered wrong", "trying to find the word, because there are no clear rules of how", "of \"misusing\" metaphors or using it in a way that's not accepted or", "considered wrong by most authors. I am trying to find the word, because", "wrong by most authors. I am trying to find the word, because there", "clear rules of how to use metaphors, except some people often agrees that", "of how to use metaphors, except some people often agrees that metaphors used", "act of \"misusing\" metaphors or using it in a way that's not accepted", "how to use metaphors, except some people often agrees that metaphors used in", "am trying to find the word, because there are no clear rules of", "use metaphors, except some people often agrees that metaphors used in a certain", "by most authors. I am trying to find the word, because there are", "or using it in a way that's not accepted or considered wrong by", "What do you call the act of \"misusing\" metaphors or using it in", "rules of how to use metaphors, except some people often agrees that metaphors", "that metaphors used in a certain way is bad or improper or bad", "\"misusing\" metaphors or using it in a way that's not accepted or considered", "except some people often agrees that metaphors used in a certain way is", "to find the word, because there are no clear rules of how to", "or considered wrong by most authors. I am trying to find the word,", "the act of \"misusing\" metaphors or using it in a way that's not", "to use metaphors, except some people often agrees that metaphors used in a", "a way that's not accepted or considered wrong by most authors. I am", "the word, because there are no clear rules of how to use metaphors,", "some people often agrees that metaphors used in a certain way is bad", "using it in a way that's not accepted or considered wrong by most", "are no clear rules of how to use metaphors, except some people often", "find the word, because there are no clear rules of how to use", "most authors. I am trying to find the word, because there are no", "people often agrees that metaphors used in a certain way is bad or", "in a way that's not accepted or considered wrong by most authors. I", "not accepted or considered wrong by most authors. I am trying to find", "because there are no clear rules of how to use metaphors, except some", "it in a way that's not accepted or considered wrong by most authors.", "accepted or considered wrong by most authors. I am trying to find the", "authors. I am trying to find the word, because there are no clear", "do you call the act of \"misusing\" metaphors or using it in a", "often agrees that metaphors used in a certain way is bad or improper", "that's not accepted or considered wrong by most authors. I am trying to", "I am trying to find the word, because there are no clear rules", "there are no clear rules of how to use metaphors, except some people", "you call the act of \"misusing\" metaphors or using it in a way", "agrees that metaphors used in a certain way is bad or improper or" ]
[ "and experiment on them to figure out how to get powers of their", "a Wattpad account and I've been entering contests... I've been using the fantasy", "entire hospital, including the nursery. The babies in the nursery, since they were", "just saw descriptions of fantasy and sci-fi and now I'm wondering if my", "saw descriptions of fantasy and sci-fi and now I'm wondering if my novel", "is actually science fiction. The characters in charge are scientists, and they created", "and sci-fi and now I'm wondering if my novel is actually science fiction.", "fantasy and sci-fi and now I'm wondering if my novel is actually science", "There are scientists trying to get them and experiment on them to figure", "their own. So, I'm not sure what genre my novel really fits in.", "so little and their immune systems so weak, learned to live with all", "females grew up and had children of their own. Those children have been", "basically a different realm? It's an island, and the only way in or", "get powers of their own. So, I'm not sure what genre my novel", "day, an MRI machine breaks in a hospital and radiation waves spread throughout", "charge are scientists, and they created basically a different realm? It's an island,", "have superpowers. There are scientists trying to get them and experiment on them", "so weak, learned to live with all that radiation inside of them. Of", "has the power to move people from one place to another to move", "them. Here's the reason they have their powers: One day, an MRI machine", "way in or out is for one character who has the power to", "fiction. The characters in charge are scientists, and they created basically a different", "since they were so little and their immune systems so weak, learned to", "different realm? It's an island, and the only way in or out is", "immune systems so weak, learned to live with all that radiation inside of", "how to get powers of their own. So, I'm not sure what genre", "have their powers: One day, an MRI machine breaks in a hospital and", "their immune systems so weak, learned to live with all that radiation inside", "have a Wattpad account and I've been entering contests... I've been using the", "reason they have their powers: One day, an MRI machine breaks in a", "experiment on them to figure out how to get powers of their own.", "Of those babies, the females grew up and had children of their own.", "their own. Those children have been in a radiation-filled womb for nine months", "really fits in. Does anyone know what genre I should be submitting my", "the entire hospital, including the nursery. The babies in the nursery, since they", "one place to another to move them. Here's the reason they have their", "using the fantasy genre to describe my novel, but I just saw descriptions", "own. So, I'm not sure what genre my novel really fits in. Does", "island, and the only way in or out is for one character who", "to live with all that radiation inside of them. Of those babies, the", "descriptions of fantasy and sci-fi and now I'm wondering if my novel is", "in the nursery, since they were so little and their immune systems so", "of them. Of those babies, the females grew up and had children of", "not sure what genre my novel really fits in. Does anyone know what", "those babies, the females grew up and had children of their own. Those", "account and I've been entering contests... I've been using the fantasy genre to", "I just saw descriptions of fantasy and sci-fi and now I'm wondering if", "they were so little and their immune systems so weak, learned to live", "machine breaks in a hospital and radiation waves spread throughout the entire hospital,", "realm? It's an island, and the only way in or out is for", "of their own. So, I'm not sure what genre my novel really fits", "science fiction. The characters in charge are scientists, and they created basically a", "the fantasy genre to describe my novel, but I just saw descriptions of", "little and their immune systems so weak, learned to live with all that", "place to another to move them. Here's the reason they have their powers:", "of their own. Those children have been in a radiation-filled womb for nine", "babies in the nursery, since they were so little and their immune systems", "throughout the entire hospital, including the nursery. The babies in the nursery, since", "breaks in a hospital and radiation waves spread throughout the entire hospital, including", "grew up and had children of their own. Those children have been in", "entering contests... I've been using the fantasy genre to describe my novel, but", "that radiation inside of them. Of those babies, the females grew up and", "womb for nine months and so they have superpowers. There are scientists trying", "figure out how to get powers of their own. So, I'm not sure", "to get powers of their own. So, I'm not sure what genre my", "children of their own. Those children have been in a radiation-filled womb for", "hospital, including the nursery. The babies in the nursery, since they were so", "move them. Here's the reason they have their powers: One day, an MRI", "Those children have been in a radiation-filled womb for nine months and so", "in. Does anyone know what genre I should be submitting my novels in?", "for nine months and so they have superpowers. There are scientists trying to", "all that radiation inside of them. Of those babies, the females grew up", "One day, an MRI machine breaks in a hospital and radiation waves spread", "sci-fi and now I'm wondering if my novel is actually science fiction. The", "them to figure out how to get powers of their own. So, I'm", "out how to get powers of their own. So, I'm not sure what", "in or out is for one character who has the power to move", "fantasy genre to describe my novel, but I just saw descriptions of fantasy", "actually science fiction. The characters in charge are scientists, and they created basically", "nursery, since they were so little and their immune systems so weak, learned", "The babies in the nursery, since they were so little and their immune", "inside of them. Of those babies, the females grew up and had children", "radiation waves spread throughout the entire hospital, including the nursery. The babies in", "and the only way in or out is for one character who has", "I'm not sure what genre my novel really fits in. Does anyone know", "I've been entering contests... I've been using the fantasy genre to describe my", "Here's the reason they have their powers: One day, an MRI machine breaks", "a hospital and radiation waves spread throughout the entire hospital, including the nursery.", "only way in or out is for one character who has the power", "MRI machine breaks in a hospital and radiation waves spread throughout the entire", "sure what genre my novel really fits in. Does anyone know what genre", "radiation inside of them. Of those babies, the females grew up and had", "nine months and so they have superpowers. There are scientists trying to get", "Wattpad account and I've been entering contests... I've been using the fantasy genre", "are scientists trying to get them and experiment on them to figure out", "the power to move people from one place to another to move them.", "own. Those children have been in a radiation-filled womb for nine months and", "they created basically a different realm? It's an island, and the only way", "them and experiment on them to figure out how to get powers of", "The characters in charge are scientists, and they created basically a different realm?", "been in a radiation-filled womb for nine months and so they have superpowers.", "and had children of their own. Those children have been in a radiation-filled", "out is for one character who has the power to move people from", "and now I'm wondering if my novel is actually science fiction. The characters", "now I'm wondering if my novel is actually science fiction. The characters in", "superpowers. There are scientists trying to get them and experiment on them to", "another to move them. Here's the reason they have their powers: One day,", "I have a Wattpad account and I've been entering contests... I've been using", "to move them. Here's the reason they have their powers: One day, an", "scientists trying to get them and experiment on them to figure out how", "waves spread throughout the entire hospital, including the nursery. The babies in the", "to figure out how to get powers of their own. So, I'm not", "been entering contests... I've been using the fantasy genre to describe my novel,", "been using the fantasy genre to describe my novel, but I just saw", "my novel, but I just saw descriptions of fantasy and sci-fi and now", "including the nursery. The babies in the nursery, since they were so little", "people from one place to another to move them. Here's the reason they", "they have superpowers. There are scientists trying to get them and experiment on", "weak, learned to live with all that radiation inside of them. Of those", "the nursery, since they were so little and their immune systems so weak,", "in a hospital and radiation waves spread throughout the entire hospital, including the", "to move people from one place to another to move them. Here's the", "spread throughout the entire hospital, including the nursery. The babies in the nursery,", "move people from one place to another to move them. Here's the reason", "for one character who has the power to move people from one place", "of fantasy and sci-fi and now I'm wondering if my novel is actually", "live with all that radiation inside of them. Of those babies, the females", "to another to move them. Here's the reason they have their powers: One", "and they created basically a different realm? It's an island, and the only", "genre my novel really fits in. Does anyone know what genre I should", "from one place to another to move them. Here's the reason they have", "my novel is actually science fiction. The characters in charge are scientists, and", "their powers: One day, an MRI machine breaks in a hospital and radiation", "had children of their own. Those children have been in a radiation-filled womb", "the nursery. The babies in the nursery, since they were so little and", "created basically a different realm? It's an island, and the only way in", "wondering if my novel is actually science fiction. The characters in charge are", "what genre my novel really fits in. Does anyone know what genre I", "who has the power to move people from one place to another to", "So, I'm not sure what genre my novel really fits in. Does anyone", "babies, the females grew up and had children of their own. Those children", "my novel really fits in. Does anyone know what genre I should be", "to get them and experiment on them to figure out how to get", "novel is actually science fiction. The characters in charge are scientists, and they", "I'm wondering if my novel is actually science fiction. The characters in charge", "or out is for one character who has the power to move people", "learned to live with all that radiation inside of them. Of those babies,", "one character who has the power to move people from one place to", "in charge are scientists, and they created basically a different realm? It's an", "and radiation waves spread throughout the entire hospital, including the nursery. The babies", "on them to figure out how to get powers of their own. So,", "It's an island, and the only way in or out is for one", "get them and experiment on them to figure out how to get powers", "the reason they have their powers: One day, an MRI machine breaks in", "and their immune systems so weak, learned to live with all that radiation", "novel really fits in. Does anyone know what genre I should be submitting", "children have been in a radiation-filled womb for nine months and so they", "if my novel is actually science fiction. The characters in charge are scientists,", "contests... I've been using the fantasy genre to describe my novel, but I", "a radiation-filled womb for nine months and so they have superpowers. There are", "powers: One day, an MRI machine breaks in a hospital and radiation waves", "but I just saw descriptions of fantasy and sci-fi and now I'm wondering", "in a radiation-filled womb for nine months and so they have superpowers. There", "describe my novel, but I just saw descriptions of fantasy and sci-fi and", "character who has the power to move people from one place to another", "systems so weak, learned to live with all that radiation inside of them.", "nursery. The babies in the nursery, since they were so little and their", "they have their powers: One day, an MRI machine breaks in a hospital", "are scientists, and they created basically a different realm? It's an island, and", "with all that radiation inside of them. Of those babies, the females grew", "scientists, and they created basically a different realm? It's an island, and the", "I've been using the fantasy genre to describe my novel, but I just", "genre to describe my novel, but I just saw descriptions of fantasy and", "trying to get them and experiment on them to figure out how to", "an MRI machine breaks in a hospital and radiation waves spread throughout the", "the females grew up and had children of their own. Those children have", "power to move people from one place to another to move them. Here's", "a different realm? It's an island, and the only way in or out", "powers of their own. So, I'm not sure what genre my novel really", "fits in. Does anyone know what genre I should be submitting my novels", "up and had children of their own. Those children have been in a", "and so they have superpowers. There are scientists trying to get them and", "radiation-filled womb for nine months and so they have superpowers. There are scientists", "hospital and radiation waves spread throughout the entire hospital, including the nursery. The", "to describe my novel, but I just saw descriptions of fantasy and sci-fi", "have been in a radiation-filled womb for nine months and so they have", "months and so they have superpowers. There are scientists trying to get them", "novel, but I just saw descriptions of fantasy and sci-fi and now I'm", "an island, and the only way in or out is for one character", "characters in charge are scientists, and they created basically a different realm? It's", "them. Of those babies, the females grew up and had children of their", "so they have superpowers. There are scientists trying to get them and experiment", "and I've been entering contests... I've been using the fantasy genre to describe", "is for one character who has the power to move people from one", "the only way in or out is for one character who has the", "were so little and their immune systems so weak, learned to live with" ]
[ "of the skills that writers need to learn, and I am one of", "seem to manage it sometimes, many times I struggle to write with rhythm.", "of syllables makes a rhythm I like is one thing I struggle to", "learn, and I am one of them. Even though I seem to manage", "of the epistles of Zeul the Apostle in the KJV sound cadenced/rhythmic, but", "can be learned. I know that rhythm is created by a run of", "reader a pleasurable experience, prose needs to be harmonious at minimum, and rhythmic", "a skill? Or is it an ability you must be born with? As", "Even though I seem to manage it sometimes, many times I struggle to", "expository prose flows smoothly; and in my opinion, the best speeches move the", "sometimes, many times I struggle to write with rhythm. In the first place,", "give the reader a pleasurable experience, prose needs to be harmonious at minimum,", "certain kinds of cadence/rhythms, even though in the past I was able to", "Apostle in the KJV sound cadenced/rhythmic, but they still sound like Zeul as", "epistles of Zeul the Apostle in the KJV sound cadenced/rhythmic, but they still", "with rhythm. In the first place, I grapple with imagining certain kinds of", "place, I grapple with imagining certain kinds of prosaic rhythms. I think I", "do you think there is a way for people who lack rhythmic talent", "to imagine. So, do you think there is a way for people who", "audience with a powerful cadence, which, although poetic, still sounds like a human’s", "a pleasurable experience, prose needs to be harmonious at minimum, and rhythmic at", "of prosaic rhythms. I think I lack the ability to yield certain kinds", "know that rhythm is created by a run of stressed and unstressed syllables.", "skill? Or is it an ability you must be born with? As for", "a human’s speech. Many of the epistles of Zeul the Apostle in the", "at minimum, and rhythmic at best. The best expository prose flows smoothly; and", "created by a run of stressed and unstressed syllables. But exactly which combination", "if it is even a skill that can be learned. I know that", "makes a rhythm I like is one thing I struggle to imagine. So,", "run of stressed and unstressed syllables. But exactly which combination of those kinds", "of those kinds of syllables makes a rhythm I like is one thing", "not everyone seems able to write smoothly or rhythmically. This is not to", "of cadence/rhythms, even though in the past I was able to do it.", "But exactly which combination of those kinds of syllables makes a rhythm I", "is a way for people who lack rhythmic talent to develop it as", "human being. But not everyone seems able to write smoothly or rhythmically. This", "kinds of syllables makes a rhythm I like is one thing I struggle", "with a powerful cadence, which, although poetic, still sounds like a human’s speech.", "rhythms. I think I lack the ability to yield certain kinds of cadence/rhythms,", "a skill that can be learned. I know that rhythm is created by", "insult anyone, but writing with harmony and rhythm are one of the skills", "whether or not I have rhythmic talent, I don’t know. But for some", "times I struggle to write with rhythm. In the first place, I grapple", "is even a skill that can be learned. I know that rhythm is", "like is one thing I struggle to imagine. So, do you think there", "combination of those kinds of syllables makes a rhythm I like is one", "facility can be developed, if it is even a skill that can be", "I lack the ability to yield certain kinds of cadence/rhythms, even though in", "unstressed syllables. But exactly which combination of those kinds of syllables makes a", "know how this facility can be developed, if it is even a skill", "able to do it. I want to know how this facility can be", "do it. I want to know how this facility can be developed, if", "in the KJV sound cadenced/rhythmic, but they still sound like Zeul as a", "a rhythm I like is one thing I struggle to imagine. So, do", "experience, prose needs to be harmonious at minimum, and rhythmic at best. The", "lack rhythmic talent to develop it as a skill? Or is it an", "sound like Zeul as a human being. But not everyone seems able to", "cadenced/rhythmic, but they still sound like Zeul as a human being. But not", "that in order to give the reader a pleasurable experience, prose needs to", "the epistles of Zeul the Apostle in the KJV sound cadenced/rhythmic, but they", "the reader a pleasurable experience, prose needs to be harmonious at minimum, and", "need to learn, and I am one of them. Even though I seem", "exactly which combination of those kinds of syllables makes a rhythm I like", "the Apostle in the KJV sound cadenced/rhythmic, but they still sound like Zeul", "you think there is a way for people who lack rhythmic talent to", "think there is a way for people who lack rhythmic talent to develop", "certain kinds of prosaic rhythms. I think I lack the ability to yield", "stressed and unstressed syllables. But exactly which combination of those kinds of syllables", "As for whether or not I have rhythmic talent, I don’t know. But", "a way for people who lack rhythmic talent to develop it as a", "of stressed and unstressed syllables. But exactly which combination of those kinds of", "pleasurable experience, prose needs to be harmonious at minimum, and rhythmic at best.", "kinds of cadence/rhythms, even though in the past I was able to do", "a run of stressed and unstressed syllables. But exactly which combination of those", "the first place, I grapple with imagining certain kinds of prosaic rhythms. I", "way for people who lack rhythmic talent to develop it as a skill?", "it as a skill? Or is it an ability you must be born", "skill that can be learned. I know that rhythm is created by a", "rhythm I like is one thing I struggle to imagine. So, do you", "best. The best expository prose flows smoothly; and in my opinion, the best", "I like is one thing I struggle to imagine. So, do you think", "a human being. But not everyone seems able to write smoothly or rhythmically.", "that rhythm is created by a run of stressed and unstressed syllables. But", "people who lack rhythmic talent to develop it as a skill? Or is", "in my opinion, the best speeches move the audience with a powerful cadence,", "the best speeches move the audience with a powerful cadence, which, although poetic,", "many times I struggle to write with rhythm. In the first place, I", "with imagining certain kinds of prosaic rhythms. I think I lack the ability", "to be harmonious at minimum, and rhythmic at best. The best expository prose", "but writing with harmony and rhythm are one of the skills that writers", "even a skill that can be learned. I know that rhythm is created", "yield certain kinds of cadence/rhythms, even though in the past I was able", "still sound like Zeul as a human being. But not everyone seems able", "cadence/rhythms, even though in the past I was able to do it. I", "rhythmic talent to develop it as a skill? Or is it an ability", "develop it as a skill? Or is it an ability you must be", "was able to do it. I want to know how this facility can", "write with rhythm. In the first place, I grapple with imagining certain kinds", "is created by a run of stressed and unstressed syllables. But exactly which", "flows smoothly; and in my opinion, the best speeches move the audience with", "move the audience with a powerful cadence, which, although poetic, still sounds like", "be born with? As for whether or not I have rhythmic talent, I", "a powerful cadence, which, although poetic, still sounds like a human’s speech. Many", "developed, if it is even a skill that can be learned. I know", "I know that rhythm is created by a run of stressed and unstressed", "which, although poetic, still sounds like a human’s speech. Many of the epistles", "everyone seems able to write smoothly or rhythmically. This is not to insult", "they still sound like Zeul as a human being. But not everyone seems", "with harmony and rhythm are one of the skills that writers need to", "or rhythmically. This is not to insult anyone, but writing with harmony and", "how this facility can be developed, if it is even a skill that", "can be developed, if it is even a skill that can be learned.", "learned. I know that rhythm is created by a run of stressed and", "able to write smoothly or rhythmically. This is not to insult anyone, but", "The best expository prose flows smoothly; and in my opinion, the best speeches", "and unstressed syllables. But exactly which combination of those kinds of syllables makes", "one thing I struggle to imagine. So, do you think there is a", "though in the past I was able to do it. I want to", "to write smoothly or rhythmically. This is not to insult anyone, but writing", "sounds like a human’s speech. Many of the epistles of Zeul the Apostle", "opinion, the best speeches move the audience with a powerful cadence, which, although", "it. I want to know how this facility can be developed, if it", "thing I struggle to imagine. So, do you think there is a way", "and in my opinion, the best speeches move the audience with a powerful", "seems able to write smoothly or rhythmically. This is not to insult anyone,", "with? As for whether or not I have rhythmic talent, I don’t know.", "of Zeul the Apostle in the KJV sound cadenced/rhythmic, but they still sound", "not I have rhythmic talent, I don’t know. But for some reason I", "manage it sometimes, many times I struggle to write with rhythm. In the", "like Zeul as a human being. But not everyone seems able to write", "harmony and rhythm are one of the skills that writers need to learn,", "it sometimes, many times I struggle to write with rhythm. In the first", "not to insult anyone, but writing with harmony and rhythm are one of", "it an ability you must be born with? As for whether or not", "prose flows smoothly; and in my opinion, the best speeches move the audience", "speeches move the audience with a powerful cadence, which, although poetic, still sounds", "minimum, and rhythmic at best. The best expository prose flows smoothly; and in", "human’s speech. Many of the epistles of Zeul the Apostle in the KJV", "still sounds like a human’s speech. Many of the epistles of Zeul the", "smoothly; and in my opinion, the best speeches move the audience with a", "like a human’s speech. Many of the epistles of Zeul the Apostle in", "syllables makes a rhythm I like is one thing I struggle to imagine.", "have rhythmic talent, I don’t know. But for some reason I lack the", "lack the ability to yield certain kinds of cadence/rhythms, even though in the", "as a skill? Or is it an ability you must be born with?", "struggle to write with rhythm. In the first place, I grapple with imagining", "I grapple with imagining certain kinds of prosaic rhythms. I think I lack", "in the past I was able to do it. I want to know", "rhythm is created by a run of stressed and unstressed syllables. But exactly", "be learned. I know that rhythm is created by a run of stressed", "to do it. I want to know how this facility can be developed,", "think that in order to give the reader a pleasurable experience, prose needs", "those kinds of syllables makes a rhythm I like is one thing I", "syllables. But exactly which combination of those kinds of syllables makes a rhythm", "needs to be harmonious at minimum, and rhythmic at best. The best expository", "to know how this facility can be developed, if it is even a", "I think I lack the ability to yield certain kinds of cadence/rhythms, even", "to learn, and I am one of them. Even though I seem to", "you must be born with? As for whether or not I have rhythmic", "or not I have rhythmic talent, I don’t know. But for some reason", "are one of the skills that writers need to learn, and I am", "imagining certain kinds of prosaic rhythms. I think I lack the ability to", "and I am one of them. Even though I seem to manage it", "who lack rhythmic talent to develop it as a skill? Or is it", "for people who lack rhythmic talent to develop it as a skill? Or", "must be born with? As for whether or not I have rhythmic talent,", "this facility can be developed, if it is even a skill that can", "my opinion, the best speeches move the audience with a powerful cadence, which,", "first place, I grapple with imagining certain kinds of prosaic rhythms. I think", "talent to develop it as a skill? Or is it an ability you", "talent, I don’t know. But for some reason I lack the ability lately.", "anyone, but writing with harmony and rhythm are one of the skills that", "though I seem to manage it sometimes, many times I struggle to write", "want to know how this facility can be developed, if it is even", "writers need to learn, and I am one of them. Even though I", "This is not to insult anyone, but writing with harmony and rhythm are", "one of them. Even though I seem to manage it sometimes, many times", "I struggle to write with rhythm. In the first place, I grapple with", "even though in the past I was able to do it. I want", "best expository prose flows smoothly; and in my opinion, the best speeches move", "rhythmic at best. The best expository prose flows smoothly; and in my opinion,", "them. Even though I seem to manage it sometimes, many times I struggle", "prose needs to be harmonious at minimum, and rhythmic at best. The best", "one of the skills that writers need to learn, and I am one", "to write with rhythm. In the first place, I grapple with imagining certain", "In the first place, I grapple with imagining certain kinds of prosaic rhythms.", "in order to give the reader a pleasurable experience, prose needs to be", "but they still sound like Zeul as a human being. But not everyone", "best speeches move the audience with a powerful cadence, which, although poetic, still", "the KJV sound cadenced/rhythmic, but they still sound like Zeul as a human", "rhythm. In the first place, I grapple with imagining certain kinds of prosaic", "to give the reader a pleasurable experience, prose needs to be harmonious at", "speech. Many of the epistles of Zeul the Apostle in the KJV sound", "to insult anyone, but writing with harmony and rhythm are one of the", "think I lack the ability to yield certain kinds of cadence/rhythms, even though", "I want to know how this facility can be developed, if it is", "is it an ability you must be born with? As for whether or", "Or is it an ability you must be born with? As for whether", "order to give the reader a pleasurable experience, prose needs to be harmonious", "Zeul the Apostle in the KJV sound cadenced/rhythmic, but they still sound like", "as a human being. But not everyone seems able to write smoothly or", "struggle to imagine. So, do you think there is a way for people", "I have rhythmic talent, I don’t know. But for some reason I lack", "to yield certain kinds of cadence/rhythms, even though in the past I was", "poetic, still sounds like a human’s speech. Many of the epistles of Zeul", "kinds of prosaic rhythms. I think I lack the ability to yield certain", "the skills that writers need to learn, and I am one of them.", "KJV sound cadenced/rhythmic, but they still sound like Zeul as a human being.", "writing with harmony and rhythm are one of the skills that writers need", "rhythmic talent, I don’t know. But for some reason I lack the ability", "be developed, if it is even a skill that can be learned. I", "it is even a skill that can be learned. I know that rhythm", "there is a way for people who lack rhythmic talent to develop it", "that writers need to learn, and I am one of them. Even though", "although poetic, still sounds like a human’s speech. Many of the epistles of", "past I was able to do it. I want to know how this", "by a run of stressed and unstressed syllables. But exactly which combination of", "sound cadenced/rhythmic, but they still sound like Zeul as a human being. But", "to develop it as a skill? Or is it an ability you must", "which combination of those kinds of syllables makes a rhythm I like is", "imagine. So, do you think there is a way for people who lack", "I seem to manage it sometimes, many times I struggle to write with", "smoothly or rhythmically. This is not to insult anyone, but writing with harmony", "ability to yield certain kinds of cadence/rhythms, even though in the past I", "I was able to do it. I want to know how this facility", "is one thing I struggle to imagine. So, do you think there is", "for whether or not I have rhythmic talent, I don’t know. But for", "prosaic rhythms. I think I lack the ability to yield certain kinds of", "rhythm are one of the skills that writers need to learn, and I", "be harmonious at minimum, and rhythmic at best. The best expository prose flows", "write smoothly or rhythmically. This is not to insult anyone, but writing with", "the past I was able to do it. I want to know how", "to manage it sometimes, many times I struggle to write with rhythm. In", "the audience with a powerful cadence, which, although poetic, still sounds like a", "Zeul as a human being. But not everyone seems able to write smoothly", "I am one of them. Even though I seem to manage it sometimes,", "at best. The best expository prose flows smoothly; and in my opinion, the", "born with? As for whether or not I have rhythmic talent, I don’t", "I struggle to imagine. So, do you think there is a way for", "harmonious at minimum, and rhythmic at best. The best expository prose flows smoothly;", "Many of the epistles of Zeul the Apostle in the KJV sound cadenced/rhythmic,", "the ability to yield certain kinds of cadence/rhythms, even though in the past", "cadence, which, although poetic, still sounds like a human’s speech. Many of the", "skills that writers need to learn, and I am one of them. Even", "an ability you must be born with? As for whether or not I", "being. But not everyone seems able to write smoothly or rhythmically. This is", "of them. Even though I seem to manage it sometimes, many times I", "ability you must be born with? As for whether or not I have", "I think that in order to give the reader a pleasurable experience, prose", "So, do you think there is a way for people who lack rhythmic", "powerful cadence, which, although poetic, still sounds like a human’s speech. Many of", "But not everyone seems able to write smoothly or rhythmically. This is not", "rhythmically. This is not to insult anyone, but writing with harmony and rhythm", "and rhythm are one of the skills that writers need to learn, and", "is not to insult anyone, but writing with harmony and rhythm are one", "and rhythmic at best. The best expository prose flows smoothly; and in my", "grapple with imagining certain kinds of prosaic rhythms. I think I lack the", "am one of them. Even though I seem to manage it sometimes, many", "that can be learned. I know that rhythm is created by a run" ]
[ "What I mean is, does my story have to start with my main", "being introduced, or can I start with their parents and then ease into", "with their parents and then ease into the main character after a time", "I start with their parents and then ease into the main character after", "to start with my main character being introduced, or can I start with", "my story have to start with my main character being introduced, or can", "have to start with my main character being introduced, or can I start", "I mean is, does my story have to start with my main character", "their parents and then ease into the main character after a time skip?", "main character being introduced, or can I start with their parents and then", "with my main character being introduced, or can I start with their parents", "or can I start with their parents and then ease into the main", "mean is, does my story have to start with my main character being", "my main character being introduced, or can I start with their parents and", "start with their parents and then ease into the main character after a", "introduced, or can I start with their parents and then ease into the", "character being introduced, or can I start with their parents and then ease", "start with my main character being introduced, or can I start with their", "does my story have to start with my main character being introduced, or", "story have to start with my main character being introduced, or can I", "can I start with their parents and then ease into the main character", "is, does my story have to start with my main character being introduced," ]
[ "I'm writing there are the institutions, Focs Schools and Focs Net. These institutions", "These institutions greatly distort history, science findings, etc. Can I get sued by", "I get sued by Fox News for the fictional name, when pronounced, sounding", "Schools and Focs Net. These institutions greatly distort history, science findings, etc. Can", "In the fictional book I'm writing there are the institutions, Focs Schools and", "book I'm writing there are the institutions, Focs Schools and Focs Net. These", "Focs Schools and Focs Net. These institutions greatly distort history, science findings, etc.", "institutions, Focs Schools and Focs Net. These institutions greatly distort history, science findings,", "and Focs Net. These institutions greatly distort history, science findings, etc. Can I", "etc. Can I get sued by Fox News for the fictional name, when", "Net. These institutions greatly distort history, science findings, etc. Can I get sued", "Can I get sued by Fox News for the fictional name, when pronounced,", "sued by Fox News for the fictional name, when pronounced, sounding like the", "by Fox News for the fictional name, when pronounced, sounding like the real", "greatly distort history, science findings, etc. Can I get sued by Fox News", "there are the institutions, Focs Schools and Focs Net. These institutions greatly distort", "writing there are the institutions, Focs Schools and Focs Net. These institutions greatly", "get sued by Fox News for the fictional name, when pronounced, sounding like", "distort history, science findings, etc. Can I get sued by Fox News for", "News for the fictional name, when pronounced, sounding like the real life counterpart?", "Focs Net. These institutions greatly distort history, science findings, etc. Can I get", "are the institutions, Focs Schools and Focs Net. These institutions greatly distort history,", "science findings, etc. Can I get sued by Fox News for the fictional", "institutions greatly distort history, science findings, etc. Can I get sued by Fox", "the fictional book I'm writing there are the institutions, Focs Schools and Focs", "history, science findings, etc. Can I get sued by Fox News for the", "the institutions, Focs Schools and Focs Net. These institutions greatly distort history, science", "Fox News for the fictional name, when pronounced, sounding like the real life", "fictional book I'm writing there are the institutions, Focs Schools and Focs Net.", "findings, etc. Can I get sued by Fox News for the fictional name," ]
[ "to say it in the screenplay but just mention that we don't get", "hide my character's name. Do I have to say it in the screenplay", "later. I've heard I should just use a nickname, but when their \"name\"", "screenplay and I'm not sure if I can hide my character's name. Do", "character's name. Do I have to say it in the screenplay but just", "it in the screenplay but just mention that we don't get their name", "nickname, but when their \"name\" is revealed it already comes as a nickname.", "I'm not sure if I can hide my character's name. Do I have", "but just mention that we don't get their name until later. I've heard", "don't get their name until later. I've heard I should just use a", "my character's name. Do I have to say it in the screenplay but", "have to say it in the screenplay but just mention that we don't", "that we don't get their name until later. I've heard I should just", "a screenplay and I'm not sure if I can hide my character's name.", "use a nickname, but when their \"name\" is revealed it already comes as", "I'm writing a screenplay and I'm not sure if I can hide my", "writing a screenplay and I'm not sure if I can hide my character's", "their name until later. I've heard I should just use a nickname, but", "can hide my character's name. Do I have to say it in the", "we don't get their name until later. I've heard I should just use", "mention that we don't get their name until later. I've heard I should", "until later. I've heard I should just use a nickname, but when their", "and I'm not sure if I can hide my character's name. Do I", "should just use a nickname, but when their \"name\" is revealed it already", "if I can hide my character's name. Do I have to say it", "I can hide my character's name. Do I have to say it in", "I've heard I should just use a nickname, but when their \"name\" is", "I should just use a nickname, but when their \"name\" is revealed it", "get their name until later. I've heard I should just use a nickname,", "I have to say it in the screenplay but just mention that we", "just use a nickname, but when their \"name\" is revealed it already comes", "sure if I can hide my character's name. Do I have to say", "screenplay but just mention that we don't get their name until later. I've", "heard I should just use a nickname, but when their \"name\" is revealed", "a nickname, but when their \"name\" is revealed it already comes as a", "name until later. I've heard I should just use a nickname, but when", "So I'm writing a screenplay and I'm not sure if I can hide", "not sure if I can hide my character's name. Do I have to", "Do I have to say it in the screenplay but just mention that", "just mention that we don't get their name until later. I've heard I", "in the screenplay but just mention that we don't get their name until", "say it in the screenplay but just mention that we don't get their", "the screenplay but just mention that we don't get their name until later.", "name. Do I have to say it in the screenplay but just mention" ]
[ "to use the active voice and to avoid nominalizations. But many good books", "that urge writers to use the active voice and to avoid nominalizations. But", "good books I've read often violate these rules. So when should we break", "nominalizations. But many good books I've read often violate these rules. So when", "violate these rules. So when should we break the rules that we find", "many good books I've read often violate these rules. So when should we", "the active voice and to avoid nominalizations. But many good books I've read", "active voice and to avoid nominalizations. But many good books I've read often", "style guides that urge writers to use the active voice and to avoid", "I've read often violate these rules. So when should we break the rules", "avoid nominalizations. But many good books I've read often violate these rules. So", "these rules. So when should we break the rules that we find in", "are many style guides that urge writers to use the active voice and", "rules. So when should we break the rules that we find in style", "writers to use the active voice and to avoid nominalizations. But many good", "So when should we break the rules that we find in style guides?", "often violate these rules. So when should we break the rules that we", "urge writers to use the active voice and to avoid nominalizations. But many", "There are many style guides that urge writers to use the active voice", "read often violate these rules. So when should we break the rules that", "many style guides that urge writers to use the active voice and to", "use the active voice and to avoid nominalizations. But many good books I've", "books I've read often violate these rules. So when should we break the", "and to avoid nominalizations. But many good books I've read often violate these", "voice and to avoid nominalizations. But many good books I've read often violate", "to avoid nominalizations. But many good books I've read often violate these rules.", "guides that urge writers to use the active voice and to avoid nominalizations.", "But many good books I've read often violate these rules. So when should" ]
[ "questions lately. Many times in the past, when I tried to write words", "English while also matching my words to the cadence I wish? I appreciate", "said that I had poor command of the English language. They said my", "issue I had in the past with butchering the English language every time", "on maintaining clarity and good command of English while also matching my words", "I've been posting a lot of questions lately. Many times in the past,", "They also said that I was using words that didn't mean what I", "I was using words that didn't mean what I wanted them to mean,", "verbose. They also said that I was using words that didn't mean what", "I tried to write words with cadence and showed them to people, they", "lately. Many times in the past, when I tried to write words with", "and showed them to people, they said that I had poor command of", "what I wanted them to mean, and that I was combining words in", "the past, when I tried to write words with cadence and showed them", "and that I was combining words in ways that didn't make sense. So", "had poor command of the English language. They said my sentences were unidiomatic,", "tried to write words with cadence and showed them to people, they said", "didn't make sense. So they told me to practice writing clearly and without", "make sense. So they told me to practice writing clearly and without aiming", "times in the past, when I tried to write words with cadence and", "them to mean, and that I was combining words in ways that didn't", "in much of my writing. My only problem is this issue I had", "cadence and showed them to people, they said that I had poor command", "were unidiomatic, improper in word order, and verbose. They also said that I", "this issue I had in the past with butchering the English language every", "also matching my words to the cadence I wish? I appreciate your answers.", "So they told me to practice writing clearly and without aiming for cadence.", "my words to the cadence I wish? I appreciate your answers. Thank you.", "was combining words in ways that didn't make sense. So they told me", "I can write clearly and without aiming for cadence. But now I want", "to achieve cadence in much of my writing. My only problem is this", "that I had poor command of the English language. They said my sentences", "butchering the English language every time I attempted cadence. Is there any advice", "I attempted cadence. Is there any advice you can give me on maintaining", "told me to practice writing clearly and without aiming for cadence. Well, I", "to write words with cadence and showed them to people, they said that", "of English while also matching my words to the cadence I wish? I", "mean what I wanted them to mean, and that I was combining words", "while also matching my words to the cadence I wish? I appreciate your", "already know I can write clearly and without aiming for cadence. But now", "aiming for cadence. Well, I already know I can write clearly and without", "practice writing clearly and without aiming for cadence. Well, I already know I", "Well, I already know I can write clearly and without aiming for cadence.", "clearly and without aiming for cadence. Well, I already know I can write", "I know I've been posting a lot of questions lately. Many times in", "them to people, they said that I had poor command of the English", "I'm sorry. I know I've been posting a lot of questions lately. Many", "was using words that didn't mean what I wanted them to mean, and", "me on maintaining clarity and good command of English while also matching my", "know I've been posting a lot of questions lately. Many times in the", "using words that didn't mean what I wanted them to mean, and that", "give me on maintaining clarity and good command of English while also matching", "a lot of questions lately. Many times in the past, when I tried", "combining words in ways that didn't make sense. So they told me to", "also said that I was using words that didn't mean what I wanted", "the past with butchering the English language every time I attempted cadence. Is", "ways that didn't make sense. So they told me to practice writing clearly", "language. They said my sentences were unidiomatic, improper in word order, and verbose.", "sentences were unidiomatic, improper in word order, and verbose. They also said that", "and without aiming for cadence. But now I want to achieve cadence in", "advice you can give me on maintaining clarity and good command of English", "in the past with butchering the English language every time I attempted cadence.", "clarity and good command of English while also matching my words to the", "command of English while also matching my words to the cadence I wish?", "my sentences were unidiomatic, improper in word order, and verbose. They also said", "with cadence and showed them to people, they said that I had poor", "my writing. My only problem is this issue I had in the past", "in the past, when I tried to write words with cadence and showed", "can write clearly and without aiming for cadence. But now I want to", "command of the English language. They said my sentences were unidiomatic, improper in", "poor command of the English language. They said my sentences were unidiomatic, improper", "and verbose. They also said that I was using words that didn't mean", "matching my words to the cadence I wish? I appreciate your answers. Thank", "me to practice writing clearly and without aiming for cadence. Well, I already", "said that I was using words that didn't mean what I wanted them", "cadence. But now I want to achieve cadence in much of my writing.", "with butchering the English language every time I attempted cadence. Is there any", "to people, they said that I had poor command of the English language.", "without aiming for cadence. Well, I already know I can write clearly and", "attempted cadence. Is there any advice you can give me on maintaining clarity", "to practice writing clearly and without aiming for cadence. Well, I already know", "that I was combining words in ways that didn't make sense. So they", "now I want to achieve cadence in much of my writing. My only", "know I can write clearly and without aiming for cadence. But now I", "in word order, and verbose. They also said that I was using words", "want to achieve cadence in much of my writing. My only problem is", "write words with cadence and showed them to people, they said that I", "writing clearly and without aiming for cadence. Well, I already know I can", "They said my sentences were unidiomatic, improper in word order, and verbose. They", "had in the past with butchering the English language every time I attempted", "that didn't make sense. So they told me to practice writing clearly and", "write clearly and without aiming for cadence. But now I want to achieve", "clearly and without aiming for cadence. But now I want to achieve cadence", "and good command of English while also matching my words to the cadence", "word order, and verbose. They also said that I was using words that", "mean, and that I was combining words in ways that didn't make sense.", "showed them to people, they said that I had poor command of the", "cadence. Is there any advice you can give me on maintaining clarity and", "But now I want to achieve cadence in much of my writing. My", "sense. So they told me to practice writing clearly and without aiming for", "unidiomatic, improper in word order, and verbose. They also said that I was", "Is there any advice you can give me on maintaining clarity and good", "order, and verbose. They also said that I was using words that didn't", "aiming for cadence. But now I want to achieve cadence in much of", "I wanted them to mean, and that I was combining words in ways", "I was combining words in ways that didn't make sense. So they told", "words with cadence and showed them to people, they said that I had", "of my writing. My only problem is this issue I had in the", "didn't mean what I wanted them to mean, and that I was combining", "past with butchering the English language every time I attempted cadence. Is there", "of questions lately. Many times in the past, when I tried to write", "of the English language. They said my sentences were unidiomatic, improper in word", "cadence. Well, I already know I can write clearly and without aiming for", "to mean, and that I was combining words in ways that didn't make", "you can give me on maintaining clarity and good command of English while", "they told me to practice writing clearly and without aiming for cadence. Well,", "writing. My only problem is this issue I had in the past with", "English language every time I attempted cadence. Is there any advice you can", "cadence in much of my writing. My only problem is this issue I", "language every time I attempted cadence. Is there any advice you can give", "posting a lot of questions lately. Many times in the past, when I", "that didn't mean what I wanted them to mean, and that I was", "been posting a lot of questions lately. Many times in the past, when", "every time I attempted cadence. Is there any advice you can give me", "the English language. They said my sentences were unidiomatic, improper in word order,", "and without aiming for cadence. Well, I already know I can write clearly", "when I tried to write words with cadence and showed them to people,", "only problem is this issue I had in the past with butchering the", "that I was using words that didn't mean what I wanted them to", "the English language every time I attempted cadence. Is there any advice you", "without aiming for cadence. But now I want to achieve cadence in much", "English language. They said my sentences were unidiomatic, improper in word order, and", "achieve cadence in much of my writing. My only problem is this issue", "much of my writing. My only problem is this issue I had in", "for cadence. Well, I already know I can write clearly and without aiming", "I already know I can write clearly and without aiming for cadence. But", "good command of English while also matching my words to the cadence I", "improper in word order, and verbose. They also said that I was using", "can give me on maintaining clarity and good command of English while also", "lot of questions lately. Many times in the past, when I tried to", "is this issue I had in the past with butchering the English language", "I had poor command of the English language. They said my sentences were", "I had in the past with butchering the English language every time I", "they said that I had poor command of the English language. They said", "in ways that didn't make sense. So they told me to practice writing", "any advice you can give me on maintaining clarity and good command of", "words that didn't mean what I wanted them to mean, and that I", "said my sentences were unidiomatic, improper in word order, and verbose. They also", "maintaining clarity and good command of English while also matching my words to", "people, they said that I had poor command of the English language. They", "past, when I tried to write words with cadence and showed them to", "for cadence. But now I want to achieve cadence in much of my", "there any advice you can give me on maintaining clarity and good command", "wanted them to mean, and that I was combining words in ways that", "I want to achieve cadence in much of my writing. My only problem", "words in ways that didn't make sense. So they told me to practice", "Many times in the past, when I tried to write words with cadence", "sorry. I know I've been posting a lot of questions lately. Many times", "problem is this issue I had in the past with butchering the English", "time I attempted cadence. Is there any advice you can give me on", "My only problem is this issue I had in the past with butchering" ]
[ "Rockstar Award:* winner 2015 * American Business Awards: Bronze Stevie for Innovative Company", "me on my > personal journey. I share the ups and downs of", "a speaker at events or as a guest lecturer in business schools. In", "and most of them know me as the creator of this popular library", "library and as the founder of the iText companies. That makes it easy", "isn't a translation. I removed some fragments that were typical for Belgium, but", "of dollars. > > > Truth to be told, I didn't know any", "Gorinchem, The Netherlands:* winner in 2019 For a full overview of the awards,", "a literary agent? Which agent would be best for this type of book?", "a book contract, first by O'Reilly, then by Manning. I chose Manning Publications.", "Great Indian Developer Summit (GIDS), Bengaluru, India: keynote 2016, 2017, 2018 * SXSW,", "developmental editor for flaws 1 and 2; a copy editor for flaw 3.", "of the manuscript that need fixing: 1. The first part is about my", "it was also popular with established entrepreneurs who recognize their own struggle in", "to work with a publisher.* When I worked with Manning Publications, I was", "National Public Champion \"RSM Entrepreneur of the Year\" + 2016/17: National Champion \"Business", "you told me > that this hobby project would eventually make me a", "multimillionaire. > \"Lhate Jubs, A Biography\" was one of the few business books", "School, Business & Economics, Brussels:* guest lecture about valuing a company for the", "I can tell > because I help startups by making them \"investor-ready\" and", "technical for non-technical readers. The target audience consists of technical founders, but I", "and I brought each package to the postal office on my bicycle. In", "and printed a limited hardcover edition of 200 copies to test the market.", "For a more comprehensive list of speaking engagements, see <https://lowagie.com/speaker> I am quite", "* Comments on [Social Media](http://wil-low.com/gebeten#socialmedia) (most of them are in Dutch) In pre-Covid19", "> that this hobby project would eventually make me a multimillionaire. > \"Lhate", "why their > company is worth millions of dollars. > > > Truth", "a call option and a put option; and they can't justify why their", "2016; speaker 2018 I’m also a guest lecturer at different academic institutions in", "active on social media: * I have more than 6,500 followers on [Twitter](https://twitter.com/bruno1970)", "turnover of 0 - 25M euro\" + 2017/18: National Champion \"ELITE Award for", "6,500 followers on [Twitter](https://twitter.com/bruno1970) * I have about 1,700 connections on [LinkedIn](https://www.linkedin.com/in/blowagie/) ", "the US. There are probably quite some grammatical and spelling errors in my", "didn't do much marketing for the Dutch version; I gave away 30 copies", "be told, I didn't know any of those things either when I >", "what isn't. 2. Some parts might be too technical for non-technical readers. The", "on my bicycle. In other words: it was a small operation. Getting feedback", "but hates being taught. If I look at myself: I hate business books", "technical parts as simple as possible. 3. I am not as proficient in", "Master in Innovation and Entrepreneurship Antwerp Management School: Masterclass Investor Readiness For", "not as proficient in English as a writer born in the UK or", "Stevie for Innovative Company 2016, 2017, 2018 * European Business Awards: + 2015/16:", "a full TOC on [LinkedIn](https://www.linkedin.com/pulse/would-you-read-book-bruno-lowagie/). Audience ======== The original target audience consisted of", "for the back cover, it would read like this: > > Founders of", "PDF Days: 2014: Washington DC / New York, 2015: Cologne; 2016: Berlin; 2017:", "cover, it would read like this: > > Founders of tech startups don't", "to be told, I didn't know any of those things either when I", "others: a developmental editor for flaws 1 and 2; a copy editor for", "> \"Lhate Jubs, A Biography\" was one of the few business books I", "international context. I added content that is more US-oriented. Market ====== I didn't", "who can help me select what is important, and what isn't. 2. Some", "I notice > that technical founders know all there is to know about", "Netherlands:* winner in 2019 For a full overview of the awards, see <https://lowagie.com/awards>", "book. If I had to write the text for the back cover, it", "I’d say that this book is for everyone who is eager to learn", "the book in Dutch (my mother tongue) and printed a limited hardcover edition", "Truth to be told, I didn't know any of those things either when", "of aspiring tech entrepreneurs. I originally wrote the book in Dutch (my mother", "of support. I'm not looking to hire a copy editor; I'm looking for", "a completely different book. If I had to write the text for the", "publisher. When I worked with Manning Publications, I was assigned a developmental editor,", "startups by making them \"investor-ready\" and I notice > that technical founders know", "> open source PDF library. I would have called you crazy if you", "I'm looking for a publisher that can offer the same level of support.", "about writing code, > the Cloud, and apps. Unfortunately, they often have no", "Literary Awards*: Literary Award of the City of Harelbeke, Belgium: winner in", "I need a developmental editor who can help me select what is important,", "this: > > Founders of tech startups don't read business books. I can", "possible. 3. I am not as proficient in English as a writer born", "a guest lecturer in business schools. In the past, I had to limit", "Business & Economics, Brussels:* guest lecture about valuing a company for the Master", "\"investor-ready\" and I notice > that technical founders know all there is to", "my books can be a full-time job. Flaws ===== There are some of", "and as the founder of the iText companies. That makes it easy for", "also know the vocabulary you'll need when looking > for an investor. Whatever", "proficient in English as a writer born in the UK or the US.", "easy for me to be accepted as a speaker at events or as", "be interesting enough for international readers. I need a developmental editor who can", "for Manning Publications, a publisher of technical non-fiction books. I didn't need to", "about. After reading > this book, you'll also know the vocabulary you'll need", "that preceded the eventual success. Important: The English version isn't a translation. I", "I have more than 6,500 followers on [Twitter](https://twitter.com/bruno1970) * I have about 1,700", "also popular with established entrepreneurs who recognize their own struggle in my story.", "appreciated by M&A consultants, Business Angels and VCs. They recommended the book to", "talk about Belgian companies, this may not be interesting enough for international readers.", "editor, a copy editor, and a proofreader. I'm looking for a publisher that", "first part is about my youth. While readers in Belgium liked these chapters", "that this book is for everyone who is eager to learn more about", "at events or as a guest lecturer in business schools. In the past,", "being an entrepreneur is about. After reading > this book, you'll also know", "entrepreneurs. I originally wrote the book in Dutch (my mother tongue) and printed", "City of Gorinchem, The Netherlands:* winner in 2019 For a full overview of", "guest lecturer at different academic institutions in Belgium: * University College Leuven Limburg:", "are some of the flaws in the current version of the manuscript that", "they can't justify why their > company is worth millions of dollars. >", "iText, a free and > open source PDF library. I would have called", "those things either when I > wrote the first lines of code that", "me to be accepted as a speaker at events or as a guest", "with turnover of 0 - 25M euro\" + 2017/18: National Champion \"ELITE Award", "books I read, > and although I liked the book, \"being like Lhate", "full package. That is, among others: a developmental editor for flaws 1 and", "was my main goal: * Comments on [Goodreads](https://www.goodreads.com/book/show/53205407-gebeten) * Comments on [Social Media](http://wil-low.com/gebeten#socialmedia)", "made, and the consequences of those choices. Finally, I’d say that this book", "Comments on [Goodreads](https://www.goodreads.com/book/show/53205407-gebeten) * Comments on [Social Media](http://wil-low.com/gebeten#socialmedia) (most of them are in", "more about doing business, but hates being taught. If I look at myself:", "UK or the US. There are probably quite some grammatical and spelling errors", "you'll need when looking > for an investor. Whatever I did, you can", "can offer the same level of support. I'm not looking to hire a", "a free and > open source PDF library. I would have called you", "Market ====== I didn't do much marketing for the Dutch version; I gave", "that it was also popular with established entrepreneurs who recognize their own struggle", "his free and open source project. Along > the way, we learn what", "the book was much appreciated by M&A consultants, Business Angels and VCs. They", "Business Awards:* Bronze Stevie for Innovative Company 2015, 2016, 2017, 2018 * International", "a full-time job. Flaws ===== There are some of the flaws in the", "for this type of book? Which conditions should I expect when I find", "the ups and downs of being a developer > forced into business to", "I hate business books that tell me what to do. I don’t believe", "Belgian companies, this may not be interesting enough for international readers. I need", "list of speaking engagements, see <https://lowagie.com/speaker> I am quite active on social media:", "2015: Cologne; 2016: Berlin; 2017: Berlin. Great Indian Developer Summit (GIDS), Bengaluru,", "to do. I don’t believe in authors of business books claiming having found", "package. That is, among others: a developmental editor for flaws 1 and 2;", "you can do too. > > > The raw draft has about 87.5K", "> The raw draft has about 87.5K words; I have put a full", "Belgium: University College Leuven Limburg: yearly guest lecture about cultural differences in", "In other words: it was a small operation. Getting feedback was my main", "lines of code that would result in iText, a free and > open", "founders, but I want to make the technical parts as simple as possible.", "City of Harelbeke, Belgium:* winner in 1994 * Literary Award of the City", "are probably quite some grammatical and spelling errors in my manuscript. I do", "a copy editor for flaw 3. What should be my next steps? What", "I wrote two books for Manning Publications, a publisher of technical non-fiction books.", "limit my speaking engagements because of lack of time, now that I am", "> > > In \"The Accidental Entrepreneur\", I take the reader with me", "would read like this: > > Founders of tech startups don't read business", "2019 For a full overview of the awards, see <https://lowagie.com/awards> There are thousands", "Dutch version; I gave away 30 copies and sold 150 copies. I packaged", "speaker at events and conferences all over the world: JavaOne / OracleCodeOne,", "to hire a copy editor; I'm looking for the full package. That is,", "I was told that I should look for a literary agent? Which agent", "recipe to become a millionaire. I prefer being inspired by an entrepreneur who", "The target audience consists of technical founders, but I want to make the", "to write the text for the back cover, it would read like this:", "project would eventually make me a multimillionaire. > \"Lhate Jubs, A Biography\" was", "hate business books that tell me what to do. I don’t believe in", "lecture about valuing a company for the Master in Innovation and Entrepreneurship ", "the few business books I read, > and although I liked the book,", "back cover, it would read like this: > > Founders of tech startups", "Founders of tech startups don't read business books. I can tell > because", "of the iText companies. That makes it easy for me to be accepted", "more US-oriented. Market ====== I didn't do much marketing for the Dutch version;", "when looking > for an investor. Whatever I did, you can do too.", "Harelbeke, Belgium:* winner in 1994 * Literary Award of the City of Gorinchem,", "with established entrepreneurs who recognize their own struggle in my story. Furthermore, the", "times, I was a speaker at events and conferences all over the world:", "I've also won some awards: Business Awards:* * BelCham Entrepreneurship Awards: winner “Most", "> > > Truth to be told, I didn't know any of those", "past, I had to limit my speaking engagements because of lack of time,", "no longer affiliated with iText Group, writing, and promoting my books can be", "Awards:* Bronze Stevie for Innovative Company 2015, 2016, 2017, 2018 * International Business", "can help me select what is important, and what isn't. 2. Some parts", "and downs of being a developer > forced into business to save his", "2. Some parts might be too technical for non-technical readers. The target audience", "is, among others: a developmental editor for flaws 1 and 2; a copy", "publisher of technical non-fiction books. I didn't need to search for a publisher,", "me as the creator of this popular library and as the founder of", "30 copies and sold 150 copies. I packaged all the books manually, and", "agent? Which agent would be best for this type of book? Which conditions", "am quite active on social media: I have more than 6,500 followers", "be too technical for non-technical readers. The target audience consists of technical founders,", "more comprehensive list of speaking engagements, see <https://lowagie.com/speaker> I am quite active on", "I have a reputation of almost 70K on [Stack Overflow](https://stackexchange.com/users/1779372/bruno-lowagie?tab=reputation) (that’s well within", "be my next steps? What would you recommend me to do with the", "have more than 6,500 followers on [Twitter](https://twitter.com/bruno1970) * I have about 1,700 connections", "help startups by making them \"investor-ready\" and I notice > that technical founders", "accepted as a speaker at events or as a guest lecturer in business", "the books manually, and I brought each package to the postal office on", "2; a copy editor for flaw 3. What should be my next steps?", "I would have called you crazy if you told me > that this", "reader with me on my > personal journey. I share the ups and", "for flaw 3. What should be my next steps? What would you recommend", "I have put a full TOC on [LinkedIn](https://www.linkedin.com/pulse/would-you-read-book-bruno-lowagie/). Audience ======== The original target", "College Leuven Limburg:* yearly guest lecture about cultural differences in business. * Solvay", "Year with turnover of 0 - 25M euro\" + 2017/18: National Champion \"ELITE", "me what to do. I don’t believe in authors of business books claiming", "technical founders, but I want to make the technical parts as simple as", "eager to learn more about doing business, but hates being taught. If I", "some of the flaws in the current version of the manuscript that need", "consists of technical founders, but I want to make the technical parts as", "guest lecture about valuing a company for the Master in Innovation and Entrepreneurship", "looking to hire a copy editor; I'm looking for the full package. That", "I do not want to self-publish this book. I want to work with", "miserable failures that preceded the eventual success. Important:* The English version isn't a", "to do with the manuscript? I was told that I should look for", "> wrote the first lines of code that would result in iText, a", "errors in my manuscript. *I do not want to self-publish this book. I", " I have about 1,700 connections on [LinkedIn](https://www.linkedin.com/in/blowagie/) * I have a reputation", "who walked the talk, and who isn’t ashamed of being open about the", "[LinkedIn](https://www.linkedin.com/in/blowagie/) * I have a reputation of almost 70K on [Stack Overflow](https://stackexchange.com/users/1779372/bruno-lowagie?tab=reputation) (that’s", "I added content that is more US-oriented. Market ====== I didn't do much", "Brussels School, Business & Economics, Brussels:* guest lecture about valuing a company for", "search for a publisher, I was offered a book contract, first by O'Reilly,", "I should look for a literary agent? Which agent would be best for", "it was a small operation. Getting feedback was my main goal: * Comments", "spelling errors in my manuscript. *I do not want to self-publish this book.", "the past, I had to limit my speaking engagements because of lack of", "a writer born in the UK or the US. There are probably quite", "know me as the creator of this popular library and as the founder", "Bronze Stevie for Innovative Company 2015, 2016, 2017, 2018 International Business Awards:", "Important: The English version isn't a translation. I removed some fragments that were", "as a speaker at events or as a guest lecturer in business schools.", "and spelling errors in my manuscript. *I do not want to self-publish this", "popular with established entrepreneurs who recognize their own struggle in my story. Furthermore,", "For a full overview of the awards, see <https://lowagie.com/awards> There are thousands of", "flaws in the current version of the manuscript that need fixing: 1. The", "book, you'll also know the vocabulary you'll need when looking > for an", "ago, I wrote two books for Manning Publications, a publisher of technical non-fiction", "result in iText, a free and > open source PDF library. I would", " I have more than 6,500 followers on [Twitter](https://twitter.com/bruno1970) * I have about", "Company 2016, 2017, 2018 * European Business Awards: + 2015/16: National Public Champion", "a copy editor; I'm looking for the full package. That is, among others:", "/ OracleCodeOne, San Francisco, CA:* speaker in 2014, 2015, 2016 * PDF Days:", "wouldn't be understood in an international context. I added content that is more", "as possible. 3. I am not as proficient in English as a writer", "tech entrepreneurs. I originally wrote the book in Dutch (my mother tongue) and", "because I help startups by making them \"investor-ready\" and I notice > that", "publisher, I was offered a book contract, first by O'Reilly, then by Manning.", "is important, and what isn't. 2. Some parts might be too technical for", "had to limit my speaking engagements because of lack of time, now that", "Cologne; 2016: Berlin; 2017: Berlin. Great Indian Developer Summit (GIDS), Bengaluru, India:", "level of support. I'm not looking to hire a copy editor; I'm looking", "reputation of almost 70K on [Stack Overflow](https://stackexchange.com/users/1779372/bruno-lowagie?tab=reputation) (that’s well within the top 1%)", "take the reader with me on my > personal journey. I share the", "consisted of aspiring tech entrepreneurs. I originally wrote the book in Dutch (my", "work with a publisher.** When I worked with Manning Publications, I was assigned", "developers using iText, and most of them know me as the creator of", "the manuscript that need fixing: 1. The first part is about my youth.", "parts as simple as possible. 3. I am not as proficient in English", "BelCham Entrepreneurship Awards: winner “Most Promising Company of the Year 2014” * Deloitte’s", "and a proofreader. I'm looking for a publisher that can offer the same", "you'll also know the vocabulary you'll need when looking > for an investor.", "too. > > > The raw draft has about 87.5K words; I have", "this popular library and as the founder of the iText companies. That makes", "my manuscript. I do not want to self-publish this book. I want to", "pre-Covid19 times, I was a speaker at events and conferences all over the", "CA: speaker in 2014, 2015, 2016 * PDF Days: 2014: Washington DC /", "manuscript? I was told that I should look for a literary agent? Which", "Business Angels and VCs. They recommended the book to founders looking for an", "to be made, and the consequences of those choices. Finally, I’d say that", "written a completely different book. If I had to write the text for", "for the Dutch version; I gave away 30 copies and sold 150 copies.", "I am not as proficient in English as a writer born in the", "few business books I read, > and although I liked the book, \"being", "with Manning Publications, I was assigned a developmental editor, a copy editor, and", "winner in 1994 * Literary Award of the City of Gorinchem, The Netherlands:", "would be best for this type of book? Which conditions should I expect", "is about my youth. While readers in Belgium liked these chapters because I", "non-fiction books. I didn't need to search for a publisher, I was offered", "I help startups by making them \"investor-ready\" and I notice > that technical", "companies, this may not be interesting enough for international readers. I need a", "in the current version of the manuscript that need fixing: 1. The first", "that I should look for a literary agent? Which agent would be best", "* European Business Awards: + 2015/16: National Public Champion \"RSM Entrepreneur of the", "readers. I need a developmental editor who can help me select what is", "Publications, a publisher of technical non-fiction books. I didn't need to search for", "Eusyan, TX:* participant forum 2016; speaker 2018 I’m also a guest lecturer at", "top 1%) I've also won some awards: Business Awards: * BelCham Entrepreneurship Awards:", "there is to know about writing code, > the Cloud, and apps. Unfortunately,", "that need fixing: 1. The first part is about my youth. While readers", "way, we learn what being an entrepreneur is about. After reading > this", "That is, among others: a developmental editor for flaws 1 and 2; a", "edition 2014 * JavaOne Rockstar Award: winner 2015 * American Business Awards: Bronze", "and > open source PDF library. I would have called you crazy if", "looking > for an investor. Whatever I did, you can do too. >", "* Solvay Brussels School, Business & Economics, Brussels: guest lecture about valuing a", "Stevie for Innovative Company 2015, 2016, 2017, 2018 * International Business Awards: Silver", "academic institutions in Belgium: * University College Leuven Limburg: yearly guest lecture about", "main goal: * Comments on [Goodreads](https://www.goodreads.com/book/show/53205407-gebeten) * Comments on [Social Media](http://wil-low.com/gebeten#socialmedia) (most of", "events or as a guest lecturer in business schools. In the past, I", "book was much appreciated by M&A consultants, Business Angels and VCs. They recommended", "JavaOne / OracleCodeOne, San Francisco, CA: speaker in 2014, 2015, 2016 * PDF", "technical founders know all there is to know about writing code, > the", "in Belgium liked these chapters because I talk about Belgian companies, this may", "self-publish this book. I want to work with a publisher.* When I worked", "option; and they can't justify why their > company is worth millions of", "for an investment. The book helps them explain the choices that need to", "for Growth Strategy of the Year\" Literary Awards: * Literary Award of the", "> because I help startups by making them \"investor-ready\" and I notice >", "was a small operation. Getting feedback was my main goal: Comments on", "hobby project would eventually make me a multimillionaire. > \"Lhate Jubs, A Biography\"", "Fast50:* winner Belgian edition 2014 * JavaOne Rockstar Award: winner 2015 * American", "New York, 2015: Cologne; 2016: Berlin; 2017: Berlin. Great Indian Developer Summit", "> personal journey. I share the ups and downs of being a developer", "code, > the Cloud, and apps. Unfortunately, they often have no clue what", "After reading > this book, you'll also know the vocabulary you'll need when", "Silver Stevie for Innovative Company 2016, 2017, 2018 European Business Awards: +", "would have called you crazy if you told me > that this hobby", "copies. I packaged all the books manually, and I brought each package to", "winner in 2019 For a full overview of the awards, see <https://lowagie.com/awards> There", "+ 2016/17: National Champion \"Business of the Year with turnover of 0 -", "Awards*: Literary Award of the City of Harelbeke, Belgium: winner in 1994", "Belgium:* winner in 1994 * Literary Award of the City of Gorinchem, The", "the Year 2014” Deloitte’s Technology Fast50: winner Belgian edition 2014 * JavaOne", " JavaOne Rockstar Award: winner 2015 * American Business Awards: Bronze Stevie for", "speaker at events or as a guest lecturer in business schools. In the", "Berlin. * Great Indian Developer Summit (GIDS), Bengaluru, India: keynote 2016, 2017, 2018", "myself: I hate business books that tell me what to do. I don’t", "away 30 copies and sold 150 copies. I packaged all the books manually,", "company is worth millions of dollars. > > > Truth to be told,", "[Stack Overflow](https://stackexchange.com/users/1779372/bruno-lowagie?tab=reputation) (that’s well within the top 1%) I've also won some awards:", "being open about the miserable failures that preceded the eventual success. Important: The", "US-oriented. Market ====== I didn't do much marketing for the Dutch version; I", "Company of the Year 2014” * Deloitte’s Technology Fast50: winner Belgian edition 2014", "writing, and promoting my books can be a full-time job. Flaws ===== There", "makes it easy for me to be accepted as a speaker at events", "events and conferences all over the world: * JavaOne / OracleCodeOne, San Francisco,", "Masterclass Investor Readiness For a more comprehensive list of speaking engagements, see <https://lowagie.com/speaker>", "\"RSM Entrepreneur of the Year\" + 2016/17: National Champion \"Business of the Year", "Business Awards: Silver Stevie for Innovative Company 2016, 2017, 2018 * European Business", "now that I am no longer affiliated with iText Group, writing, and promoting", "Unfortunately, they often have no clue what the > due diligence process is", "book helps them explain the choices that need to be made, and the", "read business books. I can tell > because I help startups by making", "institutions in Belgium: University College Leuven Limburg: yearly guest lecture about cultural", "their own struggle in my story. Furthermore, the book was much appreciated by", "did, you can do too. > > > The raw draft has about", "* Literary Award of the City of Gorinchem, The Netherlands: winner in 2019", "for the Master in Innovation and Entrepreneurship * Antwerp Management School: Masterclass Investor", "I packaged all the books manually, and I brought each package to the", "was one of the few business books I read, > and although I", "of time, now that I am no longer affiliated with iText Group, writing,", "probably quite some grammatical and spelling errors in my manuscript. *I do not", "do much marketing for the Dutch version; I gave away 30 copies and", "Year 2014” Deloitte’s Technology Fast50: winner Belgian edition 2014 * JavaOne Rockstar", "version of the manuscript that need fixing: 1. The first part is about", "Accidental Entrepreneur\", I take the reader with me on my > personal journey.", "a limited hardcover edition of 200 copies to test the market. I noticed", "choices. Finally, I’d say that this book is for everyone who is eager", "open about the miserable failures that preceded the eventual success. Important:* The English", "test the market. I noticed that it was also popular with established entrepreneurs", "who recognize their own struggle in my story. Furthermore, the book was much", "US. There are probably quite some grammatical and spelling errors in my manuscript.", "2014:* Washington DC / New York, 2015: Cologne; 2016: Berlin; 2017: Berlin. ", "to the postal office on my bicycle. In other words: it was a", "about 1,700 connections on [LinkedIn](https://www.linkedin.com/in/blowagie/) I have a reputation of almost 70K", "I look at myself: I hate business books that tell me what to", "American Business Awards: Bronze Stevie for Innovative Company 2015, 2016, 2017, 2018 ", "Champion \"ELITE Award for Growth Strategy of the Year\" Literary Awards: Literary", "personal journey. I share the ups and downs of being a developer >", "what to do. I don’t believe in authors of business books claiming having", "do. I don’t believe in authors of business books claiming having found the", "Manning Publications, I was assigned a developmental editor, a copy editor, and a", "words; I have put a full TOC on [LinkedIn](https://www.linkedin.com/pulse/would-you-read-book-bruno-lowagie/). Audience ======== The original", "Getting feedback was my main goal: Comments on [Goodreads](https://www.goodreads.com/book/show/53205407-gebeten) * Comments on", "like this: > > Founders of tech startups don't read business books. I", "in business. * Solvay Brussels School, Business & Economics, Brussels: guest lecture about", "had to write the text for the back cover, it would read like", "a more comprehensive list of speaking engagements, see <https://lowagie.com/speaker> I am quite active", "longer affiliated with iText Group, writing, and promoting my books can be a", "each package to the postal office on my bicycle. In other words: it", "removed some fragments that were typical for Belgium, but that probably wouldn't be", "what is important, and what isn't. 2. Some parts might be too technical", "was much appreciated by M&A consultants, Business Angels and VCs. They recommended the", "would you recommend me to do with the manuscript? I was told that", "millions of dollars. > > > Truth to be told, I didn't know", "current version of the manuscript that need fixing: 1. The first part is", "a proofreader. I'm looking for a publisher that can offer the same level", "is to know about writing code, > the Cloud, and apps. Unfortunately, they", "\"Lhate Jubs, A Biography\" was one of the few business books I read,", "speaker 2018 I’m also a guest lecturer at different academic institutions in Belgium:", "was a speaker at events and conferences all over the world: * JavaOne", "cultural differences in business. Solvay Brussels School, Business & Economics, Brussels: guest", "the world: * JavaOne / OracleCodeOne, San Francisco, CA: speaker in 2014, 2015,", "manuscript that need fixing: 1. The first part is about my youth. While", "didn't need to search for a publisher, I was offered a book contract,", "desirable. > > > In \"The Accidental Entrepreneur\", I take the reader with", "is worth millions of dollars. > > > Truth to be told, I", "> > > The raw draft has about 87.5K words; I have put", "call option and a put option; and they can't justify why their >", "if you told me > that this hobby project would eventually make me", "Award of the City of Harelbeke, Belgium:* winner in 1994 * Literary Award", "source project. Along > the way, we learn what being an entrepreneur is", "first by O'Reilly, then by Manning. I chose Manning Publications. Now I've written", "between > a call option and a put option; and they can't justify", "I was offered a book contract, first by O'Reilly, then by Manning. I", "than 6,500 followers on [Twitter](https://twitter.com/bruno1970) I have about 1,700 connections on [LinkedIn](https://www.linkedin.com/in/blowagie/)", "OracleCodeOne, San Francisco, CA:* speaker in 2014, 2015, 2016 * PDF Days: 2014:", "notice > that technical founders know all there is to know about writing", "my youth. While readers in Belgium liked these chapters because I talk about", "grammatical and spelling errors in my manuscript. *I do not want to self-publish", "in an international context. I added content that is more US-oriented. Market ======", "2016, 2017, 2018 SXSW, Eusyan, TX: participant forum 2016; speaker 2018 I’m", "as proficient in English as a writer born in the UK or the", "prefer being inspired by an entrepreneur who walked the talk, and who isn’t", "of technical founders, but I want to make the technical parts as simple", "Literary Award of the City of Harelbeke, Belgium: winner in 1994 * Literary", "I brought each package to the postal office on my bicycle. In other", "not be interesting enough for international readers. I need a developmental editor who", "an investment. The book helps them explain the choices that need to be", "who isn’t ashamed of being open about the miserable failures that preceded the", "Washington DC / New York, 2015: Cologne; 2016: Berlin; 2017: Berlin. Great", "Belgium liked these chapters because I talk about Belgian companies, this may not", "have about 1,700 connections on [LinkedIn](https://www.linkedin.com/in/blowagie/) I have a reputation of almost", "Lhate Jubs\" was neither > realistic nor desirable. > > > In \"The", "crazy if you told me > that this hobby project would eventually make", "into business to save his free and open source project. Along > the", "to save his free and open source project. Along > the way, we", "read like this: > > Founders of tech startups don't read business books.", "> company is worth millions of dollars. > > > Truth to be", "a translation. I removed some fragments that were typical for Belgium, but that", "time, now that I am no longer affiliated with iText Group, writing, and", "More than 10 years ago, I wrote two books for Manning Publications, a", "about the miserable failures that preceded the eventual success. Important: The English version", "investment. The book helps them explain the choices that need to be made,", "ashamed of being open about the miserable failures that preceded the eventual success.", "2014, 2015, 2016 * PDF Days: 2014: Washington DC / New York, 2015:", "need a developmental editor who can help me select what is important, and", "claiming having found the recipe to become a millionaire. I prefer being inspired", "understood in an international context. I added content that is more US-oriented. Market", "SXSW, Eusyan, TX: participant forum 2016; speaker 2018 I’m also a guest lecturer", "Award of the City of Gorinchem, The Netherlands:* winner in 2019 For a", "2016/17: National Champion \"Business of the Year with turnover of 0 - 25M", "a millionaire. I prefer being inspired by an entrepreneur who walked the talk,", "authors of business books claiming having found the recipe to become a millionaire.", "of lack of time, now that I am no longer affiliated with iText", "2016 * PDF Days: 2014: Washington DC / New York, 2015: Cologne; 2016:", "not want to self-publish this book. I want to work with a publisher.", "need fixing: 1. The first part is about my youth. While readers in", "know the difference between > a call option and a put option; and", "want to work with a publisher. When I worked with Manning Publications, I", "for non-technical readers. The target audience consists of technical founders, but I want", "by M&A consultants, Business Angels and VCs. They recommended the book to founders", "need to search for a publisher, I was offered a book contract, first", "European Business Awards: + 2015/16: National Public Champion \"RSM Entrepreneur of the Year\"", "much appreciated by M&A consultants, Business Angels and VCs. They recommended the book", "2014” * Deloitte’s Technology Fast50: winner Belgian edition 2014 * JavaOne Rockstar Award:", "a reputation of almost 70K on [Stack Overflow](https://stackexchange.com/users/1779372/bruno-lowagie?tab=reputation) (that’s well within the top", "probably wouldn't be understood in an international context. I added content that is", "offer the same level of support. I'm not looking to hire a copy", "know all there is to know about writing code, > the Cloud, and", "[Twitter](https://twitter.com/bruno1970) * I have about 1,700 connections on [LinkedIn](https://www.linkedin.com/in/blowagie/) * I have a", "awards: Business Awards: * BelCham Entrepreneurship Awards: winner “Most Promising Company of the", "Developer Summit (GIDS), Bengaluru, India:* keynote 2016, 2017, 2018 * SXSW, Eusyan, TX:", "at different academic institutions in Belgium: * University College Leuven Limburg: yearly guest", "the Dutch version; I gave away 30 copies and sold 150 copies. I", "I read, > and although I liked the book, \"being like Lhate Jubs\"", "Economics, Brussels:* guest lecture about valuing a company for the Master in Innovation", "/ New York, 2015: Cologne; 2016: Berlin; 2017: Berlin. * Great Indian Developer", "say that this book is for everyone who is eager to learn more", "recommend me to do with the manuscript? I was told that I should", "well within the top 1%) I've also won some awards: Business Awards:* ", "hardcover edition of 200 copies to test the market. I noticed that it", "> that technical founders know all there is to know about writing code,", "tongue) and printed a limited hardcover edition of 200 copies to test the", "I talk about Belgian companies, this may not be interesting enough for international", "justify why their > company is worth millions of dollars. > > >", "iText Group, writing, and promoting my books can be a full-time job. Flaws", "the Cloud, and apps. Unfortunately, they often have no clue what the >", "walked the talk, and who isn’t ashamed of being open about the miserable", "due diligence process is about; they don't know the difference between > a", "the manuscript? I was told that I should look for a literary agent?", "business schools. In the past, I had to limit my speaking engagements because", "this may not be interesting enough for international readers. I need a developmental", "be made, and the consequences of those choices. Finally, I’d say that this", "and open source project. Along > the way, we learn what being an", "full TOC on [LinkedIn](https://www.linkedin.com/pulse/would-you-read-book-bruno-lowagie/). Audience ======== The original target audience consisted of aspiring", "be accepted as a speaker at events or as a guest lecturer in", "steps? What would you recommend me to do with the manuscript? I was", "for a literary agent? Which agent would be best for this type of", "founder of the iText companies. That makes it easy for me to be", "text for the back cover, it would read like this: > > Founders", "===== There are some of the flaws in the current version of the", "of being open about the miserable failures that preceded the eventual success. Important:", "about valuing a company for the Master in Innovation and Entrepreneurship Antwerp", "The English version isn't a translation. I removed some fragments that were typical", "2016, 2017, 2018 International Business Awards: Silver Stevie for Innovative Company 2016,", "has about 87.5K words; I have put a full TOC on [LinkedIn](https://www.linkedin.com/pulse/would-you-read-book-bruno-lowagie/). Audience", "for international readers. I need a developmental editor who can help me select", "Audience ======== The original target audience consisted of aspiring tech entrepreneurs. I originally", "look at myself: I hate business books that tell me what to do.", "then by Manning. I chose Manning Publications. Now I've written a completely different", "the City of Gorinchem, The Netherlands:* winner in 2019 For a full overview", "speaking engagements because of lack of time, now that I am no longer", "translation. I removed some fragments that were typical for Belgium, but that probably", "1%) I've also won some awards: Business Awards: * BelCham Entrepreneurship Awards: winner", "the UK or the US. There are probably quite some grammatical and spelling", "the vocabulary you'll need when looking > for an investor. Whatever I did,", "eventually make me a multimillionaire. > \"Lhate Jubs, A Biography\" was one of", "promoting my books can be a full-time job. Flaws ===== There are some", "companies. That makes it easy for me to be accepted as a speaker", "than 10 years ago, I wrote two books for Manning Publications, a publisher", "things either when I > wrote the first lines of code that would", "I originally wrote the book in Dutch (my mother tongue) and printed a", "neither > realistic nor desirable. > > > In \"The Accidental Entrepreneur\", I", "of the few business books I read, > and although I liked the", "the recipe to become a millionaire. I prefer being inspired by an entrepreneur", "packaged all the books manually, and I brought each package to the postal", "Solvay Brussels School, Business & Economics, Brussels: guest lecture about valuing a company", "book to founders looking for an investment. The book helps them explain the", "book, \"being like Lhate Jubs\" was neither > realistic nor desirable. > >", "National Champion \"Business of the Year with turnover of 0 - 25M euro\"", "3. I am not as proficient in English as a writer born in", "about; they don't know the difference between > a call option and a", "told me > that this hobby project would eventually make me a multimillionaire.", "to be accepted as a speaker at events or as a guest lecturer", "lecturer in business schools. In the past, I had to limit my speaking", "making them \"investor-ready\" and I notice > that technical founders know all there", "an investor. Whatever I did, you can do too. > > > The", "the flaws in the current version of the manuscript that need fixing: 1.", "write the text for the back cover, it would read like this: >", "added content that is more US-oriented. Market ====== I didn't do much marketing", "but I want to make the technical parts as simple as possible. 3.", "Business Awards:* + 2015/16: National Public Champion \"RSM Entrepreneur of the Year\" +", "Entrepreneurship Awards:* winner “Most Promising Company of the Year 2014” * Deloitte’s Technology", "to know about writing code, > the Cloud, and apps. Unfortunately, they often", "my > personal journey. I share the ups and downs of being a", "and they can't justify why their > company is worth millions of dollars.", "speaking engagements, see <https://lowagie.com/speaker> I am quite active on social media: I", "can be a full-time job. Flaws ===== There are some of the flaws", "I'm not looking to hire a copy editor; I'm looking for the full", "of tech startups don't read business books. I can tell > because I", "Awards:* Silver Stevie for Innovative Company 2016, 2017, 2018 * European Business Awards:", "was told that I should look for a literary agent? Which agent would", "literary agent? Which agent would be best for this type of book? Which", "winner “Most Promising Company of the Year 2014” * Deloitte’s Technology Fast50: winner", "iText, and most of them know me as the creator of this popular", "is about; they don't know the difference between > a call option and", "> due diligence process is about; they don't know the difference between >", "Growth Strategy of the Year\" Literary Awards: * Literary Award of the City", "process is about; they don't know the difference between > a call option", "The Netherlands: winner in 2019 For a full overview of the awards, see", "me > that this hobby project would eventually make me a multimillionaire. >", "to make the technical parts as simple as possible. 3. I am not", "I want to make the technical parts as simple as possible. 3. I", "limited hardcover edition of 200 copies to test the market. I noticed that", "* I have a reputation of almost 70K on [Stack Overflow](https://stackexchange.com/users/1779372/bruno-lowagie?tab=reputation) (that’s well", "millionaire. I prefer being inspired by an entrepreneur who walked the talk, and", "can do too. > > > The raw draft has about 87.5K words;", "some fragments that were typical for Belgium, but that probably wouldn't be understood", "for flaws 1 and 2; a copy editor for flaw 3. What should", "> > In \"The Accidental Entrepreneur\", I take the reader with me on", "in the UK or the US. There are probably quite some grammatical and", "International Business Awards: Silver Stevie for Innovative Company 2016, 2017, 2018 * European", "the miserable failures that preceded the eventual success. Important:* The English version isn't", "Manning Publications, a publisher of technical non-fiction books. I didn't need to search", "choices that need to be made, and the consequences of those choices. Finally,", "entrepreneur who walked the talk, and who isn’t ashamed of being open about", "as a writer born in the UK or the US. There are probably", "the creator of this popular library and as the founder of the iText", "Innovation and Entrepreneurship * Antwerp Management School: Masterclass Investor Readiness For a more", "books manually, and I brought each package to the postal office on my", "reading > this book, you'll also know the vocabulary you'll need when looking", "at events and conferences all over the world: * JavaOne / OracleCodeOne, San", "an entrepreneur who walked the talk, and who isn’t ashamed of being open", "Dutch) In pre-Covid19 times, I was a speaker at events and conferences all", "open source PDF library. I would have called you crazy if you told", "of Harelbeke, Belgium: winner in 1994 * Literary Award of the City of", "are in Dutch) In pre-Covid19 times, I was a speaker at events and", "Manning. I chose Manning Publications. Now I've written a completely different book. If", "and Entrepreneurship Antwerp Management School: Masterclass Investor Readiness For a more comprehensive", "in business schools. In the past, I had to limit my speaking engagements", "the same level of support. I'm not looking to hire a copy editor;", "in Dutch (my mother tongue) and printed a limited hardcover edition of 200", "interesting enough for international readers. I need a developmental editor who can help", "editor who can help me select what is important, and what isn't. 2.", "In \"The Accidental Entrepreneur\", I take the reader with me on my >", "on [LinkedIn](https://www.linkedin.com/in/blowagie/) * I have a reputation of almost 70K on [Stack Overflow](https://stackexchange.com/users/1779372/bruno-lowagie?tab=reputation)", "were typical for Belgium, but that probably wouldn't be understood in an international", "TX:* participant forum 2016; speaker 2018 I’m also a guest lecturer at different", "this book is for everyone who is eager to learn more about doing", "established entrepreneurs who recognize their own struggle in my story. Furthermore, the book", "about cultural differences in business. * Solvay Brussels School, Business & Economics, Brussels:", "I want to work with a publisher.** When I worked with Manning Publications,", "2017, 2018 * SXSW, Eusyan, TX: participant forum 2016; speaker 2018 I’m also", "for a publisher, I was offered a book contract, first by O'Reilly, then", "business. * Solvay Brussels School, Business & Economics, Brussels: guest lecture about valuing", "of 0 - 25M euro\" + 2017/18: National Champion \"ELITE Award for Growth", "type of book? Which conditions should I expect when I find a literary", "would result in iText, a free and > open source PDF library. I", "library. I would have called you crazy if you told me > that", "it easy for me to be accepted as a speaker at events or", "that can offer the same level of support. I'm not looking to hire", "The raw draft has about 87.5K words; I have put a full TOC", "comprehensive list of speaking engagements, see <https://lowagie.com/speaker> I am quite active on social", "======== The original target audience consisted of aspiring tech entrepreneurs. I originally wrote", "[Social Media](http://wil-low.com/gebeten#socialmedia) (most of them are in Dutch) In pre-Covid19 times, I was", "editor; I'm looking for the full package. That is, among others: a developmental", "package to the postal office on my bicycle. In other words: it was", "Readiness For a more comprehensive list of speaking engagements, see <https://lowagie.com/speaker> I am", "in English as a writer born in the UK or the US. There", "being taught. If I look at myself: I hate business books that tell", "> the Cloud, and apps. Unfortunately, they often have no clue what the", "for me to be accepted as a speaker at events or as a", "a copy editor, and a proofreader. I'm looking for a publisher that can", "have a reputation of almost 70K on [Stack Overflow](https://stackexchange.com/users/1779372/bruno-lowagie?tab=reputation) (that’s well within the", "> the way, we learn what being an entrepreneur is about. After reading", "what the > due diligence process is about; they don't know the difference", "is about. After reading > this book, you'll also know the vocabulary you'll", "believe in authors of business books claiming having found the recipe to become", "of almost 70K on [Stack Overflow](https://stackexchange.com/users/1779372/bruno-lowagie?tab=reputation) (that’s well within the top 1%) I've", "that would result in iText, a free and > open source PDF library.", "but that probably wouldn't be understood in an international context. I added content", "business books claiming having found the recipe to become a millionaire. I prefer", "+ 2017/18: National Champion \"ELITE Award for Growth Strategy of the Year\" *Literary", "source PDF library. I would have called you crazy if you told me", "also a guest lecturer at different academic institutions in Belgium: University College", "audience consists of technical founders, but I want to make the technical parts", "no clue what the > due diligence process is about; they don't know", "and what isn't. 2. Some parts might be too technical for non-technical readers.", "Literary Award of the City of Gorinchem, The Netherlands:* winner in 2019 For", "(that’s well within the top 1%) I've also won some awards: Business Awards:", "on [LinkedIn](https://www.linkedin.com/pulse/would-you-read-book-bruno-lowagie/). Audience ======== The original target audience consisted of aspiring tech entrepreneurs.", "A Biography\" was one of the few business books I read, > and", "me select what is important, and what isn't. 2. Some parts might be", "either when I > wrote the first lines of code that would result", "2018 * SXSW, Eusyan, TX: participant forum 2016; speaker 2018 I’m also a", "I chose Manning Publications. Now I've written a completely different book. If I", "they don't know the difference between > a call option and a put", "can't justify why their > company is worth millions of dollars. > >", "manually, and I brought each package to the postal office on my bicycle.", "tech startups don't read business books. I can tell > because I help", "a publisher. When I worked with Manning Publications, I was assigned a developmental", "Publications. Now I've written a completely different book. If I had to write", "by an entrepreneur who walked the talk, and who isn’t ashamed of being", "Year\" Literary Awards*: Literary Award of the City of Harelbeke, Belgium: winner", "editor for flaws 1 and 2; a copy editor for flaw 3. What", "book is for everyone who is eager to learn more about doing business,", "downs of being a developer > forced into business to save his free", "a multimillionaire. > \"Lhate Jubs, A Biography\" was one of the few business", "don't read business books. I can tell > because I help startups by", "Which agent would be best for this type of book? Which conditions should", "eventual success. Important: The English version isn't a translation. I removed some fragments", "some grammatical and spelling errors in my manuscript. *I do not want to", "parts might be too technical for non-technical readers. The target audience consists of", "for a publisher that can offer the same level of support. I'm not", "overview of the awards, see <https://lowagie.com/awards> There are thousands of developers using iText,", "I have about 1,700 connections on [LinkedIn](https://www.linkedin.com/in/blowagie/) I have a reputation of", "want to self-publish this book. I want to work with a publisher.** When", "lecturer at different academic institutions in Belgium: * University College Leuven Limburg: yearly", "originally wrote the book in Dutch (my mother tongue) and printed a limited", "hire a copy editor; I'm looking for the full package. That is, among", "operation. Getting feedback was my main goal: * Comments on [Goodreads](https://www.goodreads.com/book/show/53205407-gebeten) * Comments", "of technical non-fiction books. I didn't need to search for a publisher, I", "all the books manually, and I brought each package to the postal office", "schools. In the past, I had to limit my speaking engagements because of", "it would read like this: > > Founders of tech startups don't read", "in 2019 For a full overview of the awards, see <https://lowagie.com/awards> There are", "of the awards, see <https://lowagie.com/awards> There are thousands of developers using iText, and", "for the full package. That is, among others: a developmental editor for flaws", "don't know the difference between > a call option and a put option;", "see <https://lowagie.com/speaker> I am quite active on social media: * I have more", "on [Twitter](https://twitter.com/bruno1970) * I have about 1,700 connections on [LinkedIn](https://www.linkedin.com/in/blowagie/) * I have", "founders looking for an investment. The book helps them explain the choices that", "typical for Belgium, but that probably wouldn't be understood in an international context.", "was assigned a developmental editor, a copy editor, and a proofreader. I'm looking", "Finally, I’d say that this book is for everyone who is eager to", "Awards:** * BelCham Entrepreneurship Awards: winner “Most Promising Company of the Year 2014”", "the City of Harelbeke, Belgium:* winner in 1994 * Literary Award of the", "Technology Fast50: winner Belgian edition 2014 * JavaOne Rockstar Award: winner 2015 ", "contract, first by O'Reilly, then by Manning. I chose Manning Publications. Now I've", "developmental editor who can help me select what is important, and what isn't.", "the full package. That is, among others: a developmental editor for flaws 1", "wrote two books for Manning Publications, a publisher of technical non-fiction books. I", "aspiring tech entrepreneurs. I originally wrote the book in Dutch (my mother tongue)", "> for an investor. Whatever I did, you can do too. > >", "too technical for non-technical readers. The target audience consists of technical founders, but", "National Champion \"ELITE Award for Growth Strategy of the Year\" Literary Awards: ", "wrote the book in Dutch (my mother tongue) and printed a limited hardcover", "I prefer being inspired by an entrepreneur who walked the talk, and who", "am not as proficient in English as a writer born in the UK", "participant forum 2016; speaker 2018 I’m also a guest lecturer at different academic", "to become a millionaire. I prefer being inspired by an entrepreneur who walked", "I removed some fragments that were typical for Belgium, but that probably wouldn't", "almost 70K on [Stack Overflow](https://stackexchange.com/users/1779372/bruno-lowagie?tab=reputation) (that’s well within the top 1%) I've also", "They recommended the book to founders looking for an investment. The book helps", "the iText companies. That makes it easy for me to be accepted as", "Antwerp Management School: Masterclass Investor Readiness For a more comprehensive list of speaking", "part is about my youth. While readers in Belgium liked these chapters because", "be best for this type of book? Which conditions should I expect when", "books for Manning Publications, a publisher of technical non-fiction books. I didn't need", "about 87.5K words; I have put a full TOC on [LinkedIn](https://www.linkedin.com/pulse/would-you-read-book-bruno-lowagie/). Audience ========", "sold 150 copies. I packaged all the books manually, and I brought each", "quite active on social media: * I have more than 6,500 followers on", "world: * JavaOne / OracleCodeOne, San Francisco, CA: speaker in 2014, 2015, 2016", "and sold 150 copies. I packaged all the books manually, and I brought", "support. I'm not looking to hire a copy editor; I'm looking for the", "Award for Growth Strategy of the Year\" Literary Awards: * Literary Award of", "the Year\" + 2016/17: National Champion \"Business of the Year with turnover of", "2017, 2018 International Business Awards: Silver Stevie for Innovative Company 2016, 2017,", "office on my bicycle. In other words: it was a small operation. Getting", "[Goodreads](https://www.goodreads.com/book/show/53205407-gebeten) * Comments on [Social Media](http://wil-low.com/gebeten#socialmedia) (most of them are in Dutch) In", "as the founder of the iText companies. That makes it easy for me", "much marketing for the Dutch version; I gave away 30 copies and sold", "completely different book. If I had to write the text for the back", "version; I gave away 30 copies and sold 150 copies. I packaged all", "read, > and although I liked the book, \"being like Lhate Jubs\" was", "of code that would result in iText, a free and > open source", "yearly guest lecture about cultural differences in business. * Solvay Brussels School, Business", "wrote the first lines of code that would result in iText, a free", "was also popular with established entrepreneurs who recognize their own struggle in my", "my speaking engagements because of lack of time, now that I am no", "developmental editor, a copy editor, and a proofreader. I'm looking for a publisher", "hates being taught. If I look at myself: I hate business books that", "What should be my next steps? What would you recommend me to do", "have no clue what the > due diligence process is about; they don't", "a company for the Master in Innovation and Entrepreneurship Antwerp Management School:", "2014 * JavaOne Rockstar Award: winner 2015 * American Business Awards: Bronze Stevie", "& Economics, Brussels:* guest lecture about valuing a company for the Master in", "technical non-fiction books. I didn't need to search for a publisher, I was", "2017: Berlin. * Great Indian Developer Summit (GIDS), Bengaluru, India: keynote 2016, 2017,", "this book. I want to work with a publisher.** When I worked with", "guest lecture about cultural differences in business. * Solvay Brussels School, Business &", "preceded the eventual success. Important:* The English version isn't a translation. I removed", "Business Awards: * BelCham Entrepreneurship Awards: winner “Most Promising Company of the Year", "select what is important, and what isn't. 2. Some parts might be too", "told, I didn't know any of those things either when I > wrote", "the market. I noticed that it was also popular with established entrepreneurs who", "and who isn’t ashamed of being open about the miserable failures that preceded", "offered a book contract, first by O'Reilly, then by Manning. I chose Manning", "all there is to know about writing code, > the Cloud, and apps.", "that this hobby project would eventually make me a multimillionaire. > \"Lhate Jubs,", "free and open source project. Along > the way, we learn what being", "a developmental editor, a copy editor, and a proofreader. I'm looking for a", "> a call option and a put option; and they can't justify why", "of the Year 2014” * Deloitte’s Technology Fast50: winner Belgian edition 2014 ", "1. The first part is about my youth. While readers in Belgium liked", "goal: Comments on [Goodreads](https://www.goodreads.com/book/show/53205407-gebeten) * Comments on [Social Media](http://wil-low.com/gebeten#socialmedia) (most of them", "> and although I liked the book, \"being like Lhate Jubs\" was neither", "iText companies. That makes it easy for me to be accepted as a", "are thousands of developers using iText, and most of them know me as", "isn't. 2. Some parts might be too technical for non-technical readers. The target", "using iText, and most of them know me as the creator of this", "* Great Indian Developer Summit (GIDS), Bengaluru, India: keynote 2016, 2017, 2018 ", "we learn what being an entrepreneur is about. After reading > this book,", " BelCham Entrepreneurship Awards: winner “Most Promising Company of the Year 2014” ", "If I had to write the text for the back cover, it would", "the Master in Innovation and Entrepreneurship Antwerp Management School: Masterclass Investor Readiness", "forum 2016; speaker 2018 I’m also a guest lecturer at different academic institutions", "do not want to self-publish this book. I want to work with a", "the top 1%) I've also won some awards: Business Awards: * BelCham Entrepreneurship", "copy editor for flaw 3. What should be my next steps? What would", "Publications, I was assigned a developmental editor, a copy editor, and a proofreader.", "this book, you'll also know the vocabulary you'll need when looking > for", "differences in business. Solvay Brussels School, Business & Economics, Brussels: guest lecture", "1 and 2; a copy editor for flaw 3. What should be my", "save his free and open source project. Along > the way, we learn", "want to make the technical parts as simple as possible. 3. I am", "on [Social Media](http://wil-low.com/gebeten#socialmedia) (most of them are in Dutch) In pre-Covid19 times, I", "India:* keynote 2016, 2017, 2018 * SXSW, Eusyan, TX: participant forum 2016; speaker", "books that tell me what to do. I don’t believe in authors of", "of being a developer > forced into business to save his free and", "In the past, I had to limit my speaking engagements because of lack", "The book helps them explain the choices that need to be made, and", "doing business, but hates being taught. If I look at myself: I hate", "with the manuscript? I was told that I should look for a literary", "guest lecturer in business schools. In the past, I had to limit my", "VCs. They recommended the book to founders looking for an investment. The book", "failures that preceded the eventual success. Important: The English version isn't a translation.", "“Most Promising Company of the Year 2014” * Deloitte’s Technology Fast50: winner Belgian", "Champion \"RSM Entrepreneur of the Year\" + 2016/17: National Champion \"Business of the", "copy editor; I'm looking for the full package. That is, among others: a", "Whatever I did, you can do too. > > > The raw draft", "my story. Furthermore, the book was much appreciated by M&A consultants, Business Angels", "that is more US-oriented. Market ====== I didn't do much marketing for the", "of the Year with turnover of 0 - 25M euro\" + 2017/18: National", "University College Leuven Limburg: yearly guest lecture about cultural differences in business. ", "There are thousands of developers using iText, and most of them know me", "make the technical parts as simple as possible. 3. I am not as", "edition of 200 copies to test the market. I noticed that it was", "I take the reader with me on my > personal journey. I share", "have put a full TOC on [LinkedIn](https://www.linkedin.com/pulse/would-you-read-book-bruno-lowagie/). Audience ======== The original target audience", "Awards: winner “Most Promising Company of the Year 2014” * Deloitte’s Technology Fast50:", "Deloitte’s Technology Fast50: winner Belgian edition 2014 * JavaOne Rockstar Award: winner 2015", "chapters because I talk about Belgian companies, this may not be interesting enough", "I liked the book, \"being like Lhate Jubs\" was neither > realistic nor", "option and a put option; and they can't justify why their > company", "engagements, see <https://lowagie.com/speaker> I am quite active on social media: * I have", "own struggle in my story. Furthermore, the book was much appreciated by M&A", "Berlin; 2017: Berlin. * Great Indian Developer Summit (GIDS), Bengaluru, India: keynote 2016,", "Angels and VCs. They recommended the book to founders looking for an investment.", "I > wrote the first lines of code that would result in iText,", "on [Goodreads](https://www.goodreads.com/book/show/53205407-gebeten) * Comments on [Social Media](http://wil-low.com/gebeten#socialmedia) (most of them are in Dutch)", "international readers. I need a developmental editor who can help me select what", "that need to be made, and the consequences of those choices. Finally, I’d", "with a publisher.** When I worked with Manning Publications, I was assigned a", "am no longer affiliated with iText Group, writing, and promoting my books can", "copies and sold 150 copies. I packaged all the books manually, and I", "inspired by an entrepreneur who walked the talk, and who isn’t ashamed of", "apps. Unfortunately, they often have no clue what the > due diligence process", "speaker in 2014, 2015, 2016 * PDF Days: 2014: Washington DC / New", "English version isn't a translation. I removed some fragments that were typical for", "- 25M euro\" + 2017/18: National Champion \"ELITE Award for Growth Strategy of", "bicycle. In other words: it was a small operation. Getting feedback was my", "While readers in Belgium liked these chapters because I talk about Belgian companies,", "put a full TOC on [LinkedIn](https://www.linkedin.com/pulse/would-you-read-book-bruno-lowagie/). Audience ======== The original target audience consisted", "do too. > > > The raw draft has about 87.5K words; I", "a full overview of the awards, see <https://lowagie.com/awards> There are thousands of developers", "realistic nor desirable. > > > In \"The Accidental Entrepreneur\", I take the", "Manning Publications. Now I've written a completely different book. If I had to", "about Belgian companies, this may not be interesting enough for international readers. I", "JavaOne Rockstar Award: winner 2015 * American Business Awards: Bronze Stevie for Innovative", "those choices. Finally, I’d say that this book is for everyone who is", "looking for a publisher that can offer the same level of support. I'm", "same level of support. I'm not looking to hire a copy editor; I'm", "a publisher, I was offered a book contract, first by O'Reilly, then by", "Belgium, but that probably wouldn't be understood in an international context. I added", "open source project. Along > the way, we learn what being an entrepreneur", "target audience consisted of aspiring tech entrepreneurs. I originally wrote the book in", "won some awards: Business Awards: * BelCham Entrepreneurship Awards: winner “Most Promising Company", "for Belgium, but that probably wouldn't be understood in an international context. I", "creator of this popular library and as the founder of the iText companies.", "Group, writing, and promoting my books can be a full-time job. Flaws =====", "I don’t believe in authors of business books claiming having found the recipe", "a publisher of technical non-fiction books. I didn't need to search for a", "[LinkedIn](https://www.linkedin.com/pulse/would-you-read-book-bruno-lowagie/). Audience ======== The original target audience consisted of aspiring tech entrepreneurs. I", "being a developer > forced into business to save his free and open", "do with the manuscript? I was told that I should look for a", "* Deloitte’s Technology Fast50: winner Belgian edition 2014 * JavaOne Rockstar Award: winner", "should look for a literary agent? Which agent would be best for this", "to search for a publisher, I was offered a book contract, first by", "struggle in my story. Furthermore, the book was much appreciated by M&A consultants,", "Jubs, A Biography\" was one of the few business books I read, >", "in my manuscript. *I do not want to self-publish this book. I want", "in Innovation and Entrepreneurship Antwerp Management School: Masterclass Investor Readiness For a", "media: * I have more than 6,500 followers on [Twitter](https://twitter.com/bruno1970) * I have", "to self-publish this book. I want to work with a publisher.** When I", "I didn't need to search for a publisher, I was offered a book", "content that is more US-oriented. Market ====== I didn't do much marketing for", "School:* Masterclass Investor Readiness For a more comprehensive list of speaking engagements, see", "of them are in Dutch) In pre-Covid19 times, I was a speaker at", "born in the UK or the US. There are probably quite some grammatical", "everyone who is eager to learn more about doing business, but hates being", "200 copies to test the market. I noticed that it was also popular", "The original target audience consisted of aspiring tech entrepreneurs. I originally wrote the", "(my mother tongue) and printed a limited hardcover edition of 200 copies to", "they often have no clue what the > due diligence process is about;", "that technical founders know all there is to know about writing code, >", "investor. Whatever I did, you can do too. > > > The raw", "2015/16: National Public Champion \"RSM Entrepreneur of the Year\" + 2016/17: National Champion", "know about writing code, > the Cloud, and apps. Unfortunately, they often have", "draft has about 87.5K words; I have put a full TOC on [LinkedIn](https://www.linkedin.com/pulse/would-you-read-book-bruno-lowagie/).", "book in Dutch (my mother tongue) and printed a limited hardcover edition of", "That makes it easy for me to be accepted as a speaker at", "at myself: I hate business books that tell me what to do. I", "Company 2015, 2016, 2017, 2018 * International Business Awards: Silver Stevie for Innovative", "copies to test the market. I noticed that it was also popular with", "entrepreneurs who recognize their own struggle in my story. Furthermore, the book was", "0 - 25M euro\" + 2017/18: National Champion \"ELITE Award for Growth Strategy", "me to do with the manuscript? I was told that I should look", "2018 * European Business Awards: + 2015/16: National Public Champion \"RSM Entrepreneur of", "nor desirable. > > > In \"The Accidental Entrepreneur\", I take the reader", "about my youth. While readers in Belgium liked these chapters because I talk", "recommended the book to founders looking for an investment. The book helps them", "writer born in the UK or the US. There are probably quite some", "looking for an investment. The book helps them explain the choices that need", "I had to limit my speaking engagements because of lack of time, now", "printed a limited hardcover edition of 200 copies to test the market. I", "version isn't a translation. I removed some fragments that were typical for Belgium,", "in 2014, 2015, 2016 * PDF Days: 2014: Washington DC / New York,", "3. What should be my next steps? What would you recommend me to", "often have no clue what the > due diligence process is about; they", "books. I can tell > because I help startups by making them \"investor-ready\"", "There are probably quite some grammatical and spelling errors in my manuscript. *I", "DC / New York, 2015: Cologne; 2016: Berlin; 2017: Berlin. Great Indian", "journey. I share the ups and downs of being a developer > forced", "over the world: JavaOne / OracleCodeOne, San Francisco, CA: speaker in 2014,", "with me on my > personal journey. I share the ups and downs", "and promoting my books can be a full-time job. Flaws ===== There are", "forced into business to save his free and open source project. Along >", "a small operation. Getting feedback was my main goal: * Comments on [Goodreads](https://www.goodreads.com/book/show/53205407-gebeten)", "told that I should look for a literary agent? Which agent would be", "different book. If I had to write the text for the back cover,", "you recommend me to do with the manuscript? I was told that I", "and although I liked the book, \"being like Lhate Jubs\" was neither >", "can tell > because I help startups by making them \"investor-ready\" and I", "Leuven Limburg:* yearly guest lecture about cultural differences in business. * Solvay Brussels", "and I notice > that technical founders know all there is to know", "because I talk about Belgian companies, this may not be interesting enough for", " JavaOne / OracleCodeOne, San Francisco, CA: speaker in 2014, 2015, 2016 ", "Francisco, CA: speaker in 2014, 2015, 2016 * PDF Days: 2014: Washington DC", "the > due diligence process is about; they don't know the difference between", "87.5K words; I have put a full TOC on [LinkedIn](https://www.linkedin.com/pulse/would-you-read-book-bruno-lowagie/). Audience ======== The", "more than 6,500 followers on [Twitter](https://twitter.com/bruno1970) * I have about 1,700 connections on", "Jubs\" was neither > realistic nor desirable. > > > In \"The Accidental", "have called you crazy if you told me > that this hobby project", "Overflow](https://stackexchange.com/users/1779372/bruno-lowagie?tab=reputation) (that’s well within the top 1%) I've also won some awards: *Business", "business, but hates being taught. If I look at myself: I hate business", "words: it was a small operation. Getting feedback was my main goal: ", "would eventually make me a multimillionaire. > \"Lhate Jubs, A Biography\" was one", "of the Year\" Literary Awards: * Literary Award of the City of Harelbeke,", "Awards: + 2015/16: National Public Champion \"RSM Entrepreneur of the Year\" + 2016/17:", "founders know all there is to know about writing code, > the Cloud,", "an entrepreneur is about. After reading > this book, you'll also know the", "by O'Reilly, then by Manning. I chose Manning Publications. Now I've written a", "a put option; and they can't justify why their > company is worth", "of speaking engagements, see <https://lowagie.com/speaker> I am quite active on social media: ", "among others: a developmental editor for flaws 1 and 2; a copy editor", "books claiming having found the recipe to become a millionaire. I prefer being", "most of them know me as the creator of this popular library and", "> > The raw draft has about 87.5K words; I have put a", "connections on [LinkedIn](https://www.linkedin.com/in/blowagie/) I have a reputation of almost 70K on [Stack", "1,700 connections on [LinkedIn](https://www.linkedin.com/in/blowagie/) * I have a reputation of almost 70K on", "was offered a book contract, first by O'Reilly, then by Manning. I chose", "business to save his free and open source project. Along > the way,", "Innovative Company 2016, 2017, 2018 * European Business Awards: + 2015/16: National Public", "company for the Master in Innovation and Entrepreneurship * Antwerp Management School: Masterclass", "assigned a developmental editor, a copy editor, and a proofreader. I'm looking for", "the first lines of code that would result in iText, a free and", "* University College Leuven Limburg: yearly guest lecture about cultural differences in business.", "didn't know any of those things either when I > wrote the first", "having found the recipe to become a millionaire. I prefer being inspired by", "story. Furthermore, the book was much appreciated by M&A consultants, Business Angels and", "found the recipe to become a millionaire. I prefer being inspired by an", "O'Reilly, then by Manning. I chose Manning Publications. Now I've written a completely", "called you crazy if you told me > that this hobby project would", "Entrepreneur\", I take the reader with me on my > personal journey. I", "an international context. I added content that is more US-oriented. Market ====== I", "euro\" + 2017/18: National Champion \"ELITE Award for Growth Strategy of the Year\"", "also won some awards: Business Awards: * BelCham Entrepreneurship Awards: winner “Most Promising", "* International Business Awards: Silver Stevie for Innovative Company 2016, 2017, 2018 ", "that tell me what to do. I don’t believe in authors of business", " PDF Days: 2014: Washington DC / New York, 2015: Cologne; 2016: Berlin;", "was neither > realistic nor desirable. > > > In \"The Accidental Entrepreneur\",", "in authors of business books claiming having found the recipe to become a", "or the US. There are probably quite some grammatical and spelling errors in", "youth. While readers in Belgium liked these chapters because I talk about Belgian", "Along > the way, we learn what being an entrepreneur is about. After", "business books I read, > and although I liked the book, \"being like", "a developer > forced into business to save his free and open source", "flaw 3. What should be my next steps? What would you recommend me", "noticed that it was also popular with established entrepreneurs who recognize their own", "who is eager to learn more about doing business, but hates being taught.", "book. I want to work with a publisher. When I worked with Manning", "startups don't read business books. I can tell > because I help startups", "success. Important: The English version isn't a translation. I removed some fragments that", "popular library and as the founder of the iText companies. That makes it", "code that would result in iText, a free and > open source PDF", "Strategy of the Year\" Literary Awards*: Literary Award of the City of", "enough for international readers. I need a developmental editor who can help me", "> > Founders of tech startups don't read business books. I can tell", "\"The Accidental Entrepreneur\", I take the reader with me on my > personal", " SXSW, Eusyan, TX: participant forum 2016; speaker 2018 I’m also a guest", "liked the book, \"being like Lhate Jubs\" was neither > realistic nor desirable.", "Comments on [Social Media](http://wil-low.com/gebeten#socialmedia) (most of them are in Dutch) In pre-Covid19 times,", "for an investor. Whatever I did, you can do too. > > >", "these chapters because I talk about Belgian companies, this may not be interesting", "70K on [Stack Overflow](https://stackexchange.com/users/1779372/bruno-lowagie?tab=reputation) (that’s well within the top 1%) I've also won", "in iText, a free and > open source PDF library. I would have", "market. I noticed that it was also popular with established entrepreneurs who recognize", "Flaws ===== There are some of the flaws in the current version of", "free and > open source PDF library. I would have called you crazy", "gave away 30 copies and sold 150 copies. I packaged all the books", "raw draft has about 87.5K words; I have put a full TOC on", "talk, and who isn’t ashamed of being open about the miserable failures that", "know any of those things either when I > wrote the first lines", "entrepreneur is about. After reading > this book, you'll also know the vocabulary", "flaws 1 and 2; a copy editor for flaw 3. What should be", "help me select what is important, and what isn't. 2. Some parts might", "of the Year\" + 2016/17: National Champion \"Business of the Year with turnover", "Brussels:* guest lecture about valuing a company for the Master in Innovation and", "winner Belgian edition 2014 * JavaOne Rockstar Award: winner 2015 * American Business", "Now I've written a completely different book. If I had to write the", "In pre-Covid19 times, I was a speaker at events and conferences all over", "> Truth to be told, I didn't know any of those things either", "them are in Dutch) In pre-Covid19 times, I was a speaker at events", "Entrepreneurship Antwerp Management School: Masterclass Investor Readiness For a more comprehensive list", "dollars. > > > Truth to be told, I didn't know any of", "\"ELITE Award for Growth Strategy of the Year\" Literary Awards: * Literary Award", "and apps. Unfortunately, they often have no clue what the > due diligence", "(most of them are in Dutch) In pre-Covid19 times, I was a speaker", "in Dutch) In pre-Covid19 times, I was a speaker at events and conferences", "the talk, and who isn’t ashamed of being open about the miserable failures", "books. I didn't need to search for a publisher, I was offered a", "====== I didn't do much marketing for the Dutch version; I gave away", "my next steps? What would you recommend me to do with the manuscript?", "of developers using iText, and most of them know me as the creator", "I didn't do much marketing for the Dutch version; I gave away 30", "25M euro\" + 2017/18: National Champion \"ELITE Award for Growth Strategy of the", "for everyone who is eager to learn more about doing business, but hates", "TOC on [LinkedIn](https://www.linkedin.com/pulse/would-you-read-book-bruno-lowagie/). Audience ======== The original target audience consisted of aspiring tech", "in my story. Furthermore, the book was much appreciated by M&A consultants, Business", "non-technical readers. The target audience consists of technical founders, but I want to", "by making them \"investor-ready\" and I notice > that technical founders know all", "150 copies. I packaged all the books manually, and I brought each package", "proofreader. I'm looking for a publisher that can offer the same level of", "and conferences all over the world: JavaOne / OracleCodeOne, San Francisco, CA:", "I’m also a guest lecturer at different academic institutions in Belgium: * University", " Comments on [Goodreads](https://www.goodreads.com/book/show/53205407-gebeten) * Comments on [Social Media](http://wil-low.com/gebeten#socialmedia) (most of them are", "a publisher that can offer the same level of support. I'm not looking", "Bengaluru, India:* keynote 2016, 2017, 2018 * SXSW, Eusyan, TX: participant forum 2016;", "I share the ups and downs of being a developer > forced into", "Management School:* Masterclass Investor Readiness For a more comprehensive list of speaking engagements,", "<https://lowagie.com/speaker> I am quite active on social media: * I have more than", "* Literary Award of the City of Harelbeke, Belgium: winner in 1994 ", "agent would be best for this type of book? Which conditions should I", "Award: winner 2015 * American Business Awards: Bronze Stevie for Innovative Company 2015,", "worked with Manning Publications, I was assigned a developmental editor, a copy editor,", "the choices that need to be made, and the consequences of those choices.", "(GIDS), Bengaluru, India:* keynote 2016, 2017, 2018 * SXSW, Eusyan, TX: participant forum", "mother tongue) and printed a limited hardcover edition of 200 copies to test", "that probably wouldn't be understood in an international context. I added content that", "10 years ago, I wrote two books for Manning Publications, a publisher of", "tell > because I help startups by making them \"investor-ready\" and I notice", "them \"investor-ready\" and I notice > that technical founders know all there is", "a developmental editor who can help me select what is important, and what", "small operation. Getting feedback was my main goal: * Comments on [Goodreads](https://www.goodreads.com/book/show/53205407-gebeten) ", "as the creator of this popular library and as the founder of the", "English as a writer born in the UK or the US. There are", "copy editor, and a proofreader. I'm looking for a publisher that can offer", "with iText Group, writing, and promoting my books can be a full-time job.", "2017, 2018 European Business Awards: + 2015/16: National Public Champion \"RSM Entrepreneur", "Biography\" was one of the few business books I read, > and although", "the difference between > a call option and a put option; and they", "2016: Berlin; 2017: Berlin. * Great Indian Developer Summit (GIDS), Bengaluru, India: keynote", "is more US-oriented. Market ====== I didn't do much marketing for the Dutch", "keynote 2016, 2017, 2018 * SXSW, Eusyan, TX: participant forum 2016; speaker 2018", "Media](http://wil-low.com/gebeten#socialmedia) (most of them are in Dutch) In pre-Covid19 times, I was a", "San Francisco, CA:* speaker in 2014, 2015, 2016 * PDF Days: 2014: Washington", "Cloud, and apps. Unfortunately, they often have no clue what the > due", "awards, see <https://lowagie.com/awards> There are thousands of developers using iText, and most of", "the book, \"being like Lhate Jubs\" was neither > realistic nor desirable. >", "target audience consists of technical founders, but I want to make the technical", "not looking to hire a copy editor; I'm looking for the full package.", "fragments that were typical for Belgium, but that probably wouldn't be understood in", "engagements because of lack of time, now that I am no longer affiliated", "The first part is about my youth. While readers in Belgium liked these", "I noticed that it was also popular with established entrepreneurs who recognize their", "for Innovative Company 2015, 2016, 2017, 2018 * International Business Awards: Silver Stevie", "+ 2015/16: National Public Champion \"RSM Entrepreneur of the Year\" + 2016/17: National", "* Antwerp Management School: Masterclass Investor Readiness For a more comprehensive list of", "because of lack of time, now that I am no longer affiliated with", "I was a speaker at events and conferences all over the world: ", "two books for Manning Publications, a publisher of technical non-fiction books. I didn't", "I'm looking for the full package. That is, among others: a developmental editor", "me a multimillionaire. > \"Lhate Jubs, A Biography\" was one of the few", "by Manning. I chose Manning Publications. Now I've written a completely different book.", "recognize their own struggle in my story. Furthermore, the book was much appreciated", "2016, 2017, 2018 European Business Awards: + 2015/16: National Public Champion \"RSM", "know the vocabulary you'll need when looking > for an investor. Whatever I", "the eventual success. Important: The English version isn't a translation. I removed some", "as a guest lecturer in business schools. In the past, I had to", "a speaker at events and conferences all over the world: * JavaOne /", "books can be a full-time job. Flaws ===== There are some of the", "marketing for the Dutch version; I gave away 30 copies and sold 150", "and a put option; and they can't justify why their > company is", "of those choices. Finally, I’d say that this book is for everyone who", "audience consisted of aspiring tech entrepreneurs. I originally wrote the book in Dutch", "context. I added content that is more US-oriented. Market ====== I didn't do", "2015 American Business Awards: Bronze Stevie for Innovative Company 2015, 2016, 2017,", "on [Stack Overflow](https://stackexchange.com/users/1779372/bruno-lowagie?tab=reputation) (that’s well within the top 1%) I've also won some", "and the consequences of those choices. Finally, I’d say that this book is", "or as a guest lecturer in business schools. In the past, I had", "job. Flaws ===== There are some of the flaws in the current version", "editor for flaw 3. What should be my next steps? What would you", "a developmental editor for flaws 1 and 2; a copy editor for flaw", "* American Business Awards: Bronze Stevie for Innovative Company 2015, 2016, 2017, 2018", "brought each package to the postal office on my bicycle. In other words:", "that I am no longer affiliated with iText Group, writing, and promoting my", "clue what the > due diligence process is about; they don't know the", "in 1994 * Literary Award of the City of Gorinchem, The Netherlands: winner", "I worked with Manning Publications, I was assigned a developmental editor, a copy", "> this book, you'll also know the vocabulary you'll need when looking >", "2018 I’m also a guest lecturer at different academic institutions in Belgium: ", "see <https://lowagie.com/awards> There are thousands of developers using iText, and most of them", "> > Truth to be told, I didn't know any of those things", "worth millions of dollars. > > > Truth to be told, I didn't", "being inspired by an entrepreneur who walked the talk, and who isn’t ashamed", "ups and downs of being a developer > forced into business to save", "editor, and a proofreader. I'm looking for a publisher that can offer the", "the postal office on my bicycle. In other words: it was a small", "Dutch (my mother tongue) and printed a limited hardcover edition of 200 copies", "There are some of the flaws in the current version of the manuscript", "in Belgium: University College Leuven Limburg: yearly guest lecture about cultural differences", "the consequences of those choices. Finally, I’d say that this book is for", "fixing: 1. The first part is about my youth. While readers in Belgium", "What would you recommend me to do with the manuscript? I was told", "lack of time, now that I am no longer affiliated with iText Group,", "Summit (GIDS), Bengaluru, India:* keynote 2016, 2017, 2018 * SXSW, Eusyan, TX: participant", "of the City of Harelbeke, Belgium:* winner in 1994 * Literary Award of", "be a full-time job. Flaws ===== There are some of the flaws in", "might be too technical for non-technical readers. The target audience consists of technical", "Days: 2014: Washington DC / New York, 2015: Cologne; 2016: Berlin; 2017: Berlin.", "become a millionaire. I prefer being inspired by an entrepreneur who walked the", "> forced into business to save his free and open source project. Along", "learn what being an entrepreneur is about. After reading > this book, you'll", "don’t believe in authors of business books claiming having found the recipe to", "the book to founders looking for an investment. The book helps them explain", "When I worked with Manning Publications, I was assigned a developmental editor, a", "Indian Developer Summit (GIDS), Bengaluru, India:* keynote 2016, 2017, 2018 * SXSW, Eusyan,", "helps them explain the choices that need to be made, and the consequences", "one of the few business books I read, > and although I liked", "I had to write the text for the back cover, it would read", "the text for the back cover, it would read like this: > >", "the Year\" Literary Awards: Literary Award of the City of Harelbeke, Belgium:", "of them know me as the creator of this popular library and as", "writing code, > the Cloud, and apps. Unfortunately, they often have no clue", "you crazy if you told me > that this hobby project would eventually", "need to be made, and the consequences of those choices. Finally, I’d say", "of Gorinchem, The Netherlands:* winner in 2019 For a full overview of the", "when I > wrote the first lines of code that would result in", "2015, 2016 * PDF Days: 2014: Washington DC / New York, 2015: Cologne;", "any of those things either when I > wrote the first lines of", "> realistic nor desirable. > > > In \"The Accidental Entrepreneur\", I take", "of book? Which conditions should I expect when I find a literary agent?", "winner 2015 * American Business Awards: Bronze Stevie for Innovative Company 2015, 2016,", "I did, you can do too. > > > The raw draft has", "them know me as the creator of this popular library and as the", "other words: it was a small operation. Getting feedback was my main goal:", "2015, 2016, 2017, 2018 * International Business Awards: Silver Stevie for Innovative Company", "Year\" + 2016/17: National Champion \"Business of the Year with turnover of 0", "of the City of Gorinchem, The Netherlands:* winner in 2019 For a full", "I didn't know any of those things either when I > wrote the", "consultants, Business Angels and VCs. They recommended the book to founders looking for", "Entrepreneur of the Year\" + 2016/17: National Champion \"Business of the Year with", "the current version of the manuscript that need fixing: 1. The first part", "the founder of the iText companies. That makes it easy for me to", "put option; and they can't justify why their > company is worth millions", "Some parts might be too technical for non-technical readers. The target audience consists", "I was assigned a developmental editor, a copy editor, and a proofreader. I'm", "I've written a completely different book. If I had to write the text", "liked these chapters because I talk about Belgian companies, this may not be", "Public Champion \"RSM Entrepreneur of the Year\" + 2016/17: National Champion \"Business of", "2018 * International Business Awards: Silver Stevie for Innovative Company 2016, 2017, 2018", "feedback was my main goal: * Comments on [Goodreads](https://www.goodreads.com/book/show/53205407-gebeten) * Comments on [Social", "Belgian edition 2014 * JavaOne Rockstar Award: winner 2015 * American Business Awards:", "years ago, I wrote two books for Manning Publications, a publisher of technical", "manuscript. *I do not want to self-publish this book. I want to work", "of those things either when I > wrote the first lines of code", "Champion \"Business of the Year with turnover of 0 - 25M euro\" +", "thousands of developers using iText, and most of them know me as the", "conferences all over the world: JavaOne / OracleCodeOne, San Francisco, CA: speaker", "business books. I can tell > because I help startups by making them", "learn more about doing business, but hates being taught. If I look at", "business books that tell me what to do. I don’t believe in authors", "and 2; a copy editor for flaw 3. What should be my next", "of business books claiming having found the recipe to become a millionaire. I", "1994 * Literary Award of the City of Gorinchem, The Netherlands: winner in", "York, 2015: Cologne; 2016: Berlin; 2017: Berlin. * Great Indian Developer Summit (GIDS),", "to limit my speaking engagements because of lack of time, now that I", "postal office on my bicycle. In other words: it was a small operation.", "different academic institutions in Belgium: University College Leuven Limburg: yearly guest lecture", "look for a literary agent? Which agent would be best for this type", "> In \"The Accidental Entrepreneur\", I take the reader with me on my", "original target audience consisted of aspiring tech entrepreneurs. I originally wrote the book", "If I look at myself: I hate business books that tell me what", "may not be interesting enough for international readers. I need a developmental editor", "be understood in an international context. I added content that is more US-oriented.", "should be my next steps? What would you recommend me to do with", "make me a multimillionaire. > \"Lhate Jubs, A Biography\" was one of the", "publisher that can offer the same level of support. I'm not looking to", "about doing business, but hates being taught. If I look at myself: I", "2017/18: National Champion \"ELITE Award for Growth Strategy of the Year\" Literary Awards:", "my main goal: * Comments on [Goodreads](https://www.goodreads.com/book/show/53205407-gebeten) * Comments on [Social Media](http://wil-low.com/gebeten#socialmedia) (most", "the awards, see <https://lowagie.com/awards> There are thousands of developers using iText, and most", "followers on [Twitter](https://twitter.com/bruno1970) * I have about 1,700 connections on [LinkedIn](https://www.linkedin.com/in/blowagie/) * I", "vocabulary you'll need when looking > for an investor. Whatever I did, you", "the back cover, it would read like this: > > Founders of tech", "a guest lecturer at different academic institutions in Belgium: * University College Leuven", "need when looking > for an investor. Whatever I did, you can do", "that were typical for Belgium, but that probably wouldn't be understood in an", "difference between > a call option and a put option; and they can't", "readers in Belgium liked these chapters because I talk about Belgian companies, this", "is for everyone who is eager to learn more about doing business, but", "project. Along > the way, we learn what being an entrepreneur is about.", "I am no longer affiliated with iText Group, writing, and promoting my books", "diligence process is about; they don't know the difference between > a call", "taught. If I look at myself: I hate business books that tell me", "is eager to learn more about doing business, but hates being taught. If", "readers. The target audience consists of technical founders, but I want to make", "for Innovative Company 2016, 2017, 2018 European Business Awards: + 2015/16: National", "consequences of those choices. Finally, I’d say that this book is for everyone", "to founders looking for an investment. The book helps them explain the choices", "<https://lowagie.com/awards> There are thousands of developers using iText, and most of them know", "full-time job. Flaws ===== There are some of the flaws in the current", "to test the market. I noticed that it was also popular with established", "important, and what isn't. 2. Some parts might be too technical for non-technical", "all over the world: * JavaOne / OracleCodeOne, San Francisco, CA: speaker in", "Furthermore, the book was much appreciated by M&A consultants, Business Angels and VCs.", "to learn more about doing business, but hates being taught. If I look", "the technical parts as simple as possible. 3. I am not as proficient", "of this popular library and as the founder of the iText companies. That", "affiliated with iText Group, writing, and promoting my books can be a full-time", "on my > personal journey. I share the ups and downs of being", "within the top 1%) I've also won some awards: Business Awards: * BelCham", "this type of book? Which conditions should I expect when I find a", "M&A consultants, Business Angels and VCs. They recommended the book to founders looking", "them explain the choices that need to be made, and the consequences of", "tell me what to do. I don’t believe in authors of business books", "first lines of code that would result in iText, a free and >", "isn’t ashamed of being open about the miserable failures that preceded the eventual", "the reader with me on my > personal journey. I share the ups", "Investor Readiness For a more comprehensive list of speaking engagements, see <https://lowagie.com/speaker> I", "although I liked the book, \"being like Lhate Jubs\" was neither > realistic", "> Founders of tech startups don't read business books. I can tell >", "social media: I have more than 6,500 followers on [Twitter](https://twitter.com/bruno1970) * I", "Innovative Company 2015, 2016, 2017, 2018 * International Business Awards: Silver Stevie for", "next steps? What would you recommend me to do with the manuscript? I", "I am quite active on social media: * I have more than 6,500", "like Lhate Jubs\" was neither > realistic nor desirable. > > > In", "lecture about cultural differences in business. * Solvay Brussels School, Business & Economics,", "Promising Company of the Year 2014” Deloitte’s Technology Fast50: winner Belgian edition", "best for this type of book? Which conditions should I expect when I", "their > company is worth millions of dollars. > > > Truth to", "developer > forced into business to save his free and open source project.", "simple as possible. 3. I am not as proficient in English as a", "what being an entrepreneur is about. After reading > this book, you'll also", "some awards: Business Awards: * BelCham Entrepreneurship Awards: winner “Most Promising Company of", "looking for the full package. That is, among others: a developmental editor for", "chose Manning Publications. Now I've written a completely different book. If I had", "quite some grammatical and spelling errors in my manuscript. *I do not want", "full overview of the awards, see <https://lowagie.com/awards> There are thousands of developers using", "my bicycle. In other words: it was a small operation. Getting feedback was", "I gave away 30 copies and sold 150 copies. I packaged all the", "valuing a company for the Master in Innovation and Entrepreneurship Antwerp Management", "the Year with turnover of 0 - 25M euro\" + 2017/18: National Champion", "\"being like Lhate Jubs\" was neither > realistic nor desirable. > > >", "and VCs. They recommended the book to founders looking for an investment. The", "Limburg: yearly guest lecture about cultural differences in business. * Solvay Brussels School,", "as simple as possible. 3. I am not as proficient in English as", "PDF library. I would have called you crazy if you told me >", "share the ups and downs of being a developer > forced into business", "of the flaws in the current version of the manuscript that need fixing:", "this hobby project would eventually make me a multimillionaire. > \"Lhate Jubs, A", "of 200 copies to test the market. I noticed that it was also", "the way, we learn what being an entrepreneur is about. After reading >", "on social media: I have more than 6,500 followers on [Twitter](https://twitter.com/bruno1970) *", "book contract, first by O'Reilly, then by Manning. I chose Manning Publications. Now", "\"Business of the Year with turnover of 0 - 25M euro\" + 2017/18:", "explain the choices that need to be made, and the consequences of those" ]
[ "and punchy. But it is disturbing when sentences are either lacking in a", "at the cusp of graduating from the cackle*. > > > Are there", "> > Are there grammar rules against this that I can point the", "> The man returned and killed the gorilla. The gorilla at the cusp", "> > The man returned and killed the gorilla. The gorilla at the", "Are there grammar rules against this that I can point the writer to?", "examples: > > Zotn looked away. Removed the cigar from his mouth and", "the gorilla. The gorilla at the cusp of graduating from the cackle. >", "gorilla at the cusp of graduating from the cackle. > > > Are", "beta reading a book with a lot of chopped sentences. I understand that", "I understand that this writer would like to make their sentences short and", "a few examples: > > Zotn looked away. Removed the cigar from his", "is disturbing when sentences are either lacking in a subject, object or verb.", "reading a book with a lot of chopped sentences. I understand that this", "the cigar from his mouth and spat. > > > > > The", "sentences are either lacking in a subject, object or verb. Here are a", "mouth and spat. > > > > > The man returned and killed", "the cackle. > > > Are there grammar rules against this that I", "lot of chopped sentences. I understand that this writer would like to make", "spat. > > > > > The man returned and killed the gorilla.", "are a few examples: > > Zotn looked away. Removed the cigar from", "this writer would like to make their sentences short and punchy. But it", "subject, object or verb. Here are a few examples: > > Zotn looked", "The man returned and killed the gorilla. The gorilla at the cusp of", "writer would like to make their sentences short and punchy. But it is", "short and punchy. But it is disturbing when sentences are either lacking in", "would like to make their sentences short and punchy. But it is disturbing", "> Are there grammar rules against this that I can point the writer", "The gorilla at the cusp of graduating from the cackle. > > >", "disturbing when sentences are either lacking in a subject, object or verb. Here", "his mouth and spat. > > > > > The man returned and", "But it is disturbing when sentences are either lacking in a subject, object", "the cusp of graduating from the cackle. > > > Are there grammar", "few examples: > > Zotn looked away. Removed the cigar from his mouth", "their sentences short and punchy. But it is disturbing when sentences are either", "> > > The man returned and killed the gorilla. The gorilla at", "> > > > The man returned and killed the gorilla. The gorilla", "man returned and killed the gorilla. The gorilla at the cusp of graduating", "Zotn looked away. Removed the cigar from his mouth and spat. > >", "a lot of chopped sentences. I understand that this writer would like to", "of graduating from the cackle. > > > Are there grammar rules against", "and spat. > > > > > The man returned and killed the", "looked away. Removed the cigar from his mouth and spat. > > >", "sentences short and punchy. But it is disturbing when sentences are either lacking", "away. Removed the cigar from his mouth and spat. > > > >", "from the cackle. > > > Are there grammar rules against this that", "chopped sentences. I understand that this writer would like to make their sentences", "object or verb. Here are a few examples: > > Zotn looked away.", "and killed the gorilla. The gorilla at the cusp of graduating from the", "understand that this writer would like to make their sentences short and punchy.", "it is disturbing when sentences are either lacking in a subject, object or", "> > Zotn looked away. Removed the cigar from his mouth and spat.", "are either lacking in a subject, object or verb. Here are a few", "either lacking in a subject, object or verb. Here are a few examples:", "> > > > > The man returned and killed the gorilla. The", "book with a lot of chopped sentences. I understand that this writer would", "cigar from his mouth and spat. > > > > > The man", "lacking in a subject, object or verb. Here are a few examples: >", "of chopped sentences. I understand that this writer would like to make their", "gorilla. The gorilla at the cusp of graduating from the cackle. > >", "graduating from the cackle. > > > Are there grammar rules against this", "cackle. > > > Are there grammar rules against this that I can", "a subject, object or verb. Here are a few examples: > > Zotn", "I'm beta reading a book with a lot of chopped sentences. I understand", "like to make their sentences short and punchy. But it is disturbing when", "with a lot of chopped sentences. I understand that this writer would like", "or verb. Here are a few examples: > > Zotn looked away. Removed", "> Zotn looked away. Removed the cigar from his mouth and spat. >", "in a subject, object or verb. Here are a few examples: > >", "from his mouth and spat. > > > > > The man returned", "returned and killed the gorilla. The gorilla at the cusp of graduating from", "punchy. But it is disturbing when sentences are either lacking in a subject,", "verb. Here are a few examples: > > Zotn looked away. Removed the", "that this writer would like to make their sentences short and punchy. But", "Here are a few examples: > > Zotn looked away. Removed the cigar", "cusp of graduating from the cackle. > > > Are there grammar rules", "killed the gorilla. The gorilla at the cusp of graduating from the cackle.", "to make their sentences short and punchy. But it is disturbing when sentences", "when sentences are either lacking in a subject, object or verb. Here are", "make their sentences short and punchy. But it is disturbing when sentences are", "> > > Are there grammar rules against this that I can point", "sentences. I understand that this writer would like to make their sentences short", "Removed the cigar from his mouth and spat*. > > > > >", "a book with a lot of chopped sentences. I understand that this writer" ]
[ "wondering if I'll run into any libel/legal issues with that. I don't mention", "that. I don't mention the make (Plymouth). Similarly, my other character, a charismatic", "should the fact that my MC drives a \"beat-up, dependable old Civic\". Hoping", "and all-around good guy drives a Tesla. From what I've researched, that shouldn't", "abduction--and I'm wondering if I'll run into any libel/legal issues with that. I", "child (he's not a pedophile). He owns a 1970 Barracuda--the car that he", "all-around good guy drives a Tesla. From what I've researched, that shouldn't be", "time-travel twist, and in the story, one of my main characters abducts a", "a charismatic pediatrician and all-around good guy drives a Tesla. From what I've", "charismatic pediatrician and all-around good guy drives a Tesla. From what I've researched,", "main characters abducts a child (he's not a pedophile). He owns a 1970", "mention the make (Plymouth). Similarly, my other character, a charismatic pediatrician and all-around", "and in the story, one of my main characters abducts a child (he's", "abducts a child (he's not a pedophile). He owns a 1970 Barracuda--the car", "the story, one of my main characters abducts a child (he's not a", "story, one of my main characters abducts a child (he's not a pedophile).", "one of my main characters abducts a child (he's not a pedophile). He", "a \"beat-up, dependable old Civic\". Hoping for some definitive advice on this subject!", "be a problem, nor should the fact that my MC drives a \"beat-up,", "I don't mention the make (Plymouth). Similarly, my other character, a charismatic pediatrician", "shouldn't be a problem, nor should the fact that my MC drives a", "a Tesla. From what I've researched, that shouldn't be a problem, nor should", "pedophile). He owns a 1970 Barracuda--the car that he uses in the abduction--and", "I'm wondering if I'll run into any libel/legal issues with that. I don't", "a child (he's not a pedophile). He owns a 1970 Barracuda--the car that", "he uses in the abduction--and I'm wondering if I'll run into any libel/legal", "if I'll run into any libel/legal issues with that. I don't mention the", "good guy drives a Tesla. From what I've researched, that shouldn't be a", "any libel/legal issues with that. I don't mention the make (Plymouth). Similarly, my", "the make (Plymouth). Similarly, my other character, a charismatic pediatrician and all-around good", "guy drives a Tesla. From what I've researched, that shouldn't be a problem,", "I've researched, that shouldn't be a problem, nor should the fact that my", "my MC drives a \"beat-up, dependable old Civic\". Hoping for some definitive advice", "first novel, a domestic thriller with a time-travel twist, and in the story,", "in the story, one of my main characters abducts a child (he's not", "problem, nor should the fact that my MC drives a \"beat-up, dependable old", "MC drives a \"beat-up, dependable old Civic\". Hoping for some definitive advice on", "character, a charismatic pediatrician and all-around good guy drives a Tesla. From what", "don't mention the make (Plymouth). Similarly, my other character, a charismatic pediatrician and", "with that. I don't mention the make (Plymouth). Similarly, my other character, a", "my main characters abducts a child (he's not a pedophile). He owns a", "with a time-travel twist, and in the story, one of my main characters", "a problem, nor should the fact that my MC drives a \"beat-up, dependable", "I'll run into any libel/legal issues with that. I don't mention the make", "about to self-pub my first novel, a domestic thriller with a time-travel twist,", "libel/legal issues with that. I don't mention the make (Plymouth). Similarly, my other", "to self-pub my first novel, a domestic thriller with a time-travel twist, and", "drives a \"beat-up, dependable old Civic\". Hoping for some definitive advice on this", "make (Plymouth). Similarly, my other character, a charismatic pediatrician and all-around good guy", "what I've researched, that shouldn't be a problem, nor should the fact that", "car that he uses in the abduction--and I'm wondering if I'll run into", "nor should the fact that my MC drives a \"beat-up, dependable old Civic\".", "run into any libel/legal issues with that. I don't mention the make (Plymouth).", "my other character, a charismatic pediatrician and all-around good guy drives a Tesla.", "He owns a 1970 Barracuda--the car that he uses in the abduction--and I'm", "domestic thriller with a time-travel twist, and in the story, one of my", "researched, that shouldn't be a problem, nor should the fact that my MC", "into any libel/legal issues with that. I don't mention the make (Plymouth). Similarly,", "(Plymouth). Similarly, my other character, a charismatic pediatrician and all-around good guy drives", "a pedophile). He owns a 1970 Barracuda--the car that he uses in the", "that shouldn't be a problem, nor should the fact that my MC drives", "other character, a charismatic pediatrician and all-around good guy drives a Tesla. From", "a 1970 Barracuda--the car that he uses in the abduction--and I'm wondering if", "owns a 1970 Barracuda--the car that he uses in the abduction--and I'm wondering", "a time-travel twist, and in the story, one of my main characters abducts", "of my main characters abducts a child (he's not a pedophile). He owns", "the abduction--and I'm wondering if I'll run into any libel/legal issues with that.", "my first novel, a domestic thriller with a time-travel twist, and in the", "issues with that. I don't mention the make (Plymouth). Similarly, my other character,", "1970 Barracuda--the car that he uses in the abduction--and I'm wondering if I'll", "pediatrician and all-around good guy drives a Tesla. From what I've researched, that", "From what I've researched, that shouldn't be a problem, nor should the fact", "the fact that my MC drives a \"beat-up, dependable old Civic\". Hoping for", "self-pub my first novel, a domestic thriller with a time-travel twist, and in", "Similarly, my other character, a charismatic pediatrician and all-around good guy drives a", "(he's not a pedophile). He owns a 1970 Barracuda--the car that he uses", "thriller with a time-travel twist, and in the story, one of my main", "drives a Tesla. From what I've researched, that shouldn't be a problem, nor", "uses in the abduction--and I'm wondering if I'll run into any libel/legal issues", "that he uses in the abduction--and I'm wondering if I'll run into any", "not a pedophile). He owns a 1970 Barracuda--the car that he uses in", "in the abduction--and I'm wondering if I'll run into any libel/legal issues with", "twist, and in the story, one of my main characters abducts a child", "Tesla. From what I've researched, that shouldn't be a problem, nor should the", "a domestic thriller with a time-travel twist, and in the story, one of", "that my MC drives a \"beat-up, dependable old Civic\". Hoping for some definitive", "fact that my MC drives a \"beat-up, dependable old Civic\". Hoping for some", "Barracuda--the car that he uses in the abduction--and I'm wondering if I'll run", "I'm about to self-pub my first novel, a domestic thriller with a time-travel", "novel, a domestic thriller with a time-travel twist, and in the story, one", "characters abducts a child (he's not a pedophile). He owns a 1970 Barracuda--the" ]
[ "couplet in iambic pentameter? > > Sir thou are in love, take Cupid's", "pentameter? > > Sir thou are in love, take Cupid's wings > >", "Cupid's wings > > fly to acquire the source of that feeling. >", "> > fly to acquire the source of that feeling. > > >", "wings > > fly to acquire the source of that feeling. > >", "this couplet in iambic pentameter? > > Sir thou are in love, take", "> > Sir thou are in love, take Cupid's wings > > fly", "> Sir thou are in love, take Cupid's wings > > fly to", "in iambic pentameter? > > Sir thou are in love, take Cupid's wings", "Is this couplet in iambic pentameter? > > Sir thou are in love,", "take Cupid's wings > > fly to acquire the source of that feeling.", "love, take Cupid's wings > > fly to acquire the source of that", "thou are in love, take Cupid's wings > > fly to acquire the", "are in love, take Cupid's wings > > fly to acquire the source", "Sir thou are in love, take Cupid's wings > > fly to acquire", "iambic pentameter? > > Sir thou are in love, take Cupid's wings >", "in love, take Cupid's wings > > fly to acquire the source of" ]
[ "with this idea but I'd like to take your advise. Can it be", "convinced with this idea but I'd like to take your advise. Can it", "take your advise. Can it be a good idea to skip a chapter", "like to take your advise. Can it be a good idea to skip", "to take your advise. Can it be a good idea to skip a", "Although I'm not that convinced with this idea but I'd like to take", "your advise. Can it be a good idea to skip a chapter when", "this idea but I'd like to take your advise. Can it be a", "I'd like to take your advise. Can it be a good idea to", "advise. Can it be a good idea to skip a chapter when having", "it be a good idea to skip a chapter when having writer's block?", "I'm not that convinced with this idea but I'd like to take your", "that convinced with this idea but I'd like to take your advise. Can", "but I'd like to take your advise. Can it be a good idea", "Can it be a good idea to skip a chapter when having writer's", "not that convinced with this idea but I'd like to take your advise.", "idea but I'd like to take your advise. Can it be a good" ]
[ "annoying to read. For example, in my story one of the main characters", "him act a little arrogant and douchey at times. I was wondering, how", "other characters, and this makes him act a little arrogant and douchey at", "characters comes from a higher class background than the other characters, and this", "tackle writing this in a way that isn't too overdone or forced and", "question, but I am wondering what is the proper way to create character", "way to create character flaws, without it being too forced or annoying to", "This is more of a general question, but I am wondering what is", "higher class background than the other characters, and this makes him act a", "background than the other characters, and this makes him act a little arrogant", "you tackle writing this in a way that isn't too overdone or forced", "arrogant and douchey at times. I was wondering, how would you tackle writing", "a little arrogant and douchey at times. I was wondering, how would you", "what is the proper way to create character flaws, without it being too", "this in a way that isn't too overdone or forced and doesn't push", "little arrogant and douchey at times. I was wondering, how would you tackle", "comes from a higher class background than the other characters, and this makes", "but I am wondering what is the proper way to create character flaws,", "way that isn't too overdone or forced and doesn't push the reader away", "story one of the main characters comes from a higher class background than", "a way that isn't too overdone or forced and doesn't push the reader", "characters, and this makes him act a little arrogant and douchey at times.", "to create character flaws, without it being too forced or annoying to read.", "is the proper way to create character flaws, without it being too forced", "forced or annoying to read. For example, in my story one of the", "one of the main characters comes from a higher class background than the", "the proper way to create character flaws, without it being too forced or", "makes him act a little arrogant and douchey at times. I was wondering,", "of a general question, but I am wondering what is the proper way", "in a way that isn't too overdone or forced and doesn't push the", "the other characters, and this makes him act a little arrogant and douchey", "or annoying to read. For example, in my story one of the main", "example, in my story one of the main characters comes from a higher", "a higher class background than the other characters, and this makes him act", "I was wondering, how would you tackle writing this in a way that", "forced and doesn't push the reader away and make the main character hateable.", "would you tackle writing this in a way that isn't too overdone or", "general question, but I am wondering what is the proper way to create", "how would you tackle writing this in a way that isn't too overdone", "isn't too overdone or forced and doesn't push the reader away and make", "of the main characters comes from a higher class background than the other", "more of a general question, but I am wondering what is the proper", "wondering, how would you tackle writing this in a way that isn't too", "than the other characters, and this makes him act a little arrogant and", "that isn't too overdone or forced and doesn't push the reader away and", "this makes him act a little arrogant and douchey at times. I was", "was wondering, how would you tackle writing this in a way that isn't", "I am wondering what is the proper way to create character flaws, without", "act a little arrogant and douchey at times. I was wondering, how would", "the main characters comes from a higher class background than the other characters,", "and this makes him act a little arrogant and douchey at times. I", "in my story one of the main characters comes from a higher class", "or forced and doesn't push the reader away and make the main character", "and douchey at times. I was wondering, how would you tackle writing this", "writing this in a way that isn't too overdone or forced and doesn't", "overdone or forced and doesn't push the reader away and make the main", "being too forced or annoying to read. For example, in my story one", "it being too forced or annoying to read. For example, in my story", "douchey at times. I was wondering, how would you tackle writing this in", "from a higher class background than the other characters, and this makes him", "is more of a general question, but I am wondering what is the", "character flaws, without it being too forced or annoying to read. For example,", "at times. I was wondering, how would you tackle writing this in a", "a general question, but I am wondering what is the proper way to", "class background than the other characters, and this makes him act a little", "my story one of the main characters comes from a higher class background", "too forced or annoying to read. For example, in my story one of", "times. I was wondering, how would you tackle writing this in a way", "without it being too forced or annoying to read. For example, in my", "create character flaws, without it being too forced or annoying to read. For", "to read. For example, in my story one of the main characters comes", "flaws, without it being too forced or annoying to read. For example, in", "proper way to create character flaws, without it being too forced or annoying", "am wondering what is the proper way to create character flaws, without it", "wondering what is the proper way to create character flaws, without it being", "read. For example, in my story one of the main characters comes from", "For example, in my story one of the main characters comes from a", "too overdone or forced and doesn't push the reader away and make the", "main characters comes from a higher class background than the other characters, and" ]
[ "frustrating because it is yielding sentences like: > > Zotn told him on", "on home to bed. > > > Without doubt, no word or phrase", "on home to bed. > > > As opposed to: > > Having", "in writing and writers should try to strike a good balance to where", "where the word 'that' has no grammatical function in a sentence. In my", "way to the park [that] Jumez would be waiting there. > > >", "> > > The greater tragedy was [that] the rescuers would later return", "function in a sentence. In my opinion, using too few of the word", "would be waiting there. > > > The greater tragedy was [that] the", "commas (I guess because instinctively the writer knows there is something missing but", "guess because instinctively the writer knows there is something missing but they are", "one day and everyone else followed it. The [online source](https://www.bkacontent.com/avoid-overusing-word-writing/) I was reading", "the nonsensical 'like,' there are very few instances where the word 'that' has", "sentences like: > > Zotn told him on their way to the park", "day and everyone else followed it. The [online source](https://www.bkacontent.com/avoid-overusing-word-writing/) I was reading equates", "> Zotn told him on their way to the park [that] Jumez would", "> > Sometimes it even occasions too many commas (I guess because instinctively", "office early the next > day, he went on home to bed. >", "As opposed to: > > Having agreed with Pedez [that] he would be", "and writers should try to strike a good balance to where no word", "it is yielding sentences like: > > Zotn told him on their way", "overusing 'that' with overusing 'like' in sentences in her earlier years. As far", "have kept out): > > Having agreed with Pedez[,] he would be in", "is yielding sentences like: > > Zotn told him on their way to", "vilified if it is grammatically correct to use it. Am I just being", "> > > Without doubt, no word or phrase should be overused in", "been sure what the problem with 'overusing' the word 'that' is. It seems", "because I'm reviewing this manuscript where the writer is closely following this 'that-bursting'", "I'm reviewing this manuscript where the writer is closely following this 'that-bursting' rule", "too few of the word is a worse problem than using too many", "many of them. I would appreciate other opinions on this because I'm reviewing", "the park [that] Jumez would be waiting there. > > > The greater", "the rule one day and everyone else followed it. The [online source](https://www.bkacontent.com/avoid-overusing-word-writing/) I", "equates overusing 'that' with overusing 'like' in sentences in her earlier years. As", "as I can tell, unlike the nonsensical 'like,' there are very few instances", "try to strike a good balance to where no word or phrase is", "there. > > > The greater tragedy was [that] the rescuers would later", "even occasions too many commas (I guess because instinctively the writer knows there", "But no word should be vilified if it is grammatically correct to use", "'that' with overusing 'like' in sentences in her earlier years. As far as", "Zotn told him on their way to the park [that] Jumez would be", "my opinion, using too few of the word is a worse problem than", "writing and writers should try to strike a good balance to where no", "is sticking out in particular. But no word should be vilified if it", "It seems to me [that] someone made the rule one day and everyone", "to admit it is the word they have kept out): > > Having", "something missing but they are afraid to admit it is the word they", "Pedez[,] he would be in the office early the next > day, he", "The [online source](https://www.bkacontent.com/avoid-overusing-word-writing/) I was reading equates overusing 'that' with overusing 'like' in", "in the office early the next > day, he went on home to", "he would be in the office early the > next day, he went", "knows there is something missing but they are afraid to admit it is", "appreciate other opinions on this because I'm reviewing this manuscript where the writer", "followed it. The [online source](https://www.bkacontent.com/avoid-overusing-word-writing/) I was reading equates overusing 'that' with overusing", "problem with 'overusing' the word 'that' is. It seems to me [that] someone", "too many commas (I guess because instinctively the writer knows there is something", "would later return without the > girl. > > > Sometimes it even", "day, he went on home to bed. > > > As opposed to:", "> > > Sometimes it even occasions too many commas (I guess because", "writer is closely following this 'that-bursting' rule and it is frustrating because it", "> As opposed to: > > Having agreed with Pedez [that] he would", "it is grammatically correct to use it. Am I just being irreverent of", "this 'that-bursting' rule and it is frustrating because it is yielding sentences like:", "> Sometimes it even occasions too many commas (I guess because instinctively the", "many commas (I guess because instinctively the writer knows there is something missing", "everyone else followed it. The [online source](https://www.bkacontent.com/avoid-overusing-word-writing/) I was reading equates overusing 'that'", "word or phrase should be overused in writing and writers should try to", "because it is yielding sentences like: > > Zotn told him on their", "overused in writing and writers should try to strike a good balance to", "to use it. Am I just being irreverent of the rule against 'that'?", "a good balance to where no word or phrase is sticking out in", "with overusing 'like' in sentences in her earlier years. As far as I", "correct to use it. Am I just being irreverent of the rule against", "is something missing but they are afraid to admit it is the word", "to bed. > > > As opposed to: > > Having agreed with", "should try to strike a good balance to where no word or phrase", "is frustrating because it is yielding sentences like: > > Zotn told him", "instinctively the writer knows there is something missing but they are afraid to", "early the > next day, he went on home to bed. > >", "very few instances where the word 'that' has no grammatical function in a", "opposed to: > > Having agreed with Pedez [that] he would be in", "in sentences in her earlier years. As far as I can tell, unlike", "> > Without doubt, no word or phrase should be overused in writing", "no word or phrase is sticking out in particular. But no word should", "it. The [online source](https://www.bkacontent.com/avoid-overusing-word-writing/) I was reading equates overusing 'that' with overusing 'like'", "girl. > > > Sometimes it even occasions too many commas (I guess", "them. I would appreciate other opinions on this because I'm reviewing this manuscript", "or phrase should be overused in writing and writers should try to strike", "'overusing' the word 'that' is. It seems to me [that] someone made the", "[that] someone made the rule one day and everyone else followed it. The", "word or phrase is sticking out in particular. But no word should be", "worse problem than using too many of them. I would appreciate other opinions", "if it is grammatically correct to use it. Am I just being irreverent", "word they have kept out): > > Having agreed with Pedez[,] he would", "to: > > Having agreed with Pedez [that] he would be in the", "source](https://www.bkacontent.com/avoid-overusing-word-writing/) I was reading equates overusing 'that' with overusing 'like' in sentences in", "would be in the office early the > next day, he went on", "no word or phrase should be overused in writing and writers should try", "is closely following this 'that-bursting' rule and it is frustrating because it is", "strike a good balance to where no word or phrase is sticking out", "afraid to admit it is the word they have kept out): > >", "rule one day and everyone else followed it. The [online source](https://www.bkacontent.com/avoid-overusing-word-writing/) I was", "the writer knows there is something missing but they are afraid to admit", "> day, he went on home to bed. > > > As opposed", "are very few instances where the word 'that' has no grammatical function in", "be in the office early the > next day, he went on home", "to bed. > > > Without doubt, no word or phrase should be", "rule and it is frustrating because it is yielding sentences like: > >", "else followed it. The [online source](https://www.bkacontent.com/avoid-overusing-word-writing/) I was reading equates overusing 'that' with", "[that] he would be in the office early the > next day, he", "with Pedez [that] he would be in the office early the > next", "park [that] Jumez would be waiting there. > > > The greater tragedy", "later return without the > girl. > > > Sometimes it even occasions", "'that' is. It seems to me [that] someone made the rule one day", "> > > As opposed to: > > Having agreed with Pedez [that]", "someone made the rule one day and everyone else followed it. The [online", "and everyone else followed it. The [online source](https://www.bkacontent.com/avoid-overusing-word-writing/) I was reading equates overusing", "him on their way to the park [that] Jumez would be waiting there.", "out): > > Having agreed with Pedez[,] he would be in the office", "their way to the park [that] Jumez would be waiting there. > >", "word 'that' has no grammatical function in a sentence. In my opinion, using", "home to bed. > > > As opposed to: > > Having agreed", "bed. > > > Without doubt, no word or phrase should be overused", "> The greater tragedy was [that] the rescuers would later return without the", "early the next > day, he went on home to bed. > >", "Jumez would be waiting there. > > > The greater tragedy was [that]", "kept out): > > Having agreed with Pedez[,] he would be in the", "in the office early the > next day, he went on home to", "has no grammatical function in a sentence. In my opinion, using too few", "overusing 'like' in sentences in her earlier years. As far as I can", "a worse problem than using too many of them. I would appreciate other", "greater tragedy was [that] the rescuers would later return without the > girl.", "missing but they are afraid to admit it is the word they have", "rescuers would later return without the > girl. > > > Sometimes it", "Sometimes it even occasions too many commas (I guess because instinctively the writer", "earlier years. As far as I can tell, unlike the nonsensical 'like,' there", "sentence. In my opinion, using too few of the word is a worse", "> > Zotn told him on their way to the park [that] Jumez", "me [that] someone made the rule one day and everyone else followed it.", "this because I'm reviewing this manuscript where the writer is closely following this", "return without the > girl. > > > Sometimes it even occasions too", "reading equates overusing 'that' with overusing 'like' in sentences in her earlier years.", "agreed with Pedez [that] he would be in the office early the >", "of them. I would appreciate other opinions on this because I'm reviewing this", "> > The greater tragedy was [that] the rescuers would later return without", "writers should try to strike a good balance to where no word or", "out in particular. But no word should be vilified if it is grammatically", "> Having agreed with Pedez[,] he would be in the office early the", "years. As far as I can tell, unlike the nonsensical 'like,' there are", "problem than using too many of them. I would appreciate other opinions on", "doubt, no word or phrase should be overused in writing and writers should", "be in the office early the next > day, he went on home", "phrase is sticking out in particular. But no word should be vilified if", "the problem with 'overusing' the word 'that' is. It seems to me [that]", "made the rule one day and everyone else followed it. The [online source](https://www.bkacontent.com/avoid-overusing-word-writing/)", "following this 'that-bursting' rule and it is frustrating because it is yielding sentences", "than using too many of them. I would appreciate other opinions on this", "be vilified if it is grammatically correct to use it. Am I just", "waiting there. > > > The greater tragedy was [that] the rescuers would", "Having agreed with Pedez[,] he would be in the office early the next", "should be vilified if it is grammatically correct to use it. Am I", "unlike the nonsensical 'like,' there are very few instances where the word 'that'", "told him on their way to the park [that] Jumez would be waiting", "using too many of them. I would appreciate other opinions on this because", "> > Having agreed with Pedez[,] he would be in the office early", "balance to where no word or phrase is sticking out in particular. But", "with 'overusing' the word 'that' is. It seems to me [that] someone made", "no grammatical function in a sentence. In my opinion, using too few of", "word should be vilified if it is grammatically correct to use it. Am", "opinions on this because I'm reviewing this manuscript where the writer is closely", "is. It seems to me [that] someone made the rule one day and", "a sentence. In my opinion, using too few of the word is a", "The greater tragedy was [that] the rescuers would later return without the >", "would be in the office early the next > day, he went on", "> > Having agreed with Pedez [that] he would be in the office", "this manuscript where the writer is closely following this 'that-bursting' rule and it", "grammatically correct to use it. Am I just being irreverent of the rule", "no word should be vilified if it is grammatically correct to use it.", "sentences in her earlier years. As far as I can tell, unlike the", "grammatical function in a sentence. In my opinion, using too few of the", "what the problem with 'overusing' the word 'that' is. It seems to me", "few instances where the word 'that' has no grammatical function in a sentence.", "to the park [that] Jumez would be waiting there. > > > The", "manuscript where the writer is closely following this 'that-bursting' rule and it is", "I can tell, unlike the nonsensical 'like,' there are very few instances where", "the word 'that' is. It seems to me [that] someone made the rule", "opinion, using too few of the word is a worse problem than using", "next > day, he went on home to bed. > > > As", "the office early the > next day, he went on home to bed.", "was reading equates overusing 'that' with overusing 'like' in sentences in her earlier", "on this because I'm reviewing this manuscript where the writer is closely following", "it even occasions too many commas (I guess because instinctively the writer knows", "should be overused in writing and writers should try to strike a good", "too many of them. I would appreciate other opinions on this because I'm", "never been sure what the problem with 'overusing' the word 'that' is. It", "was [that] the rescuers would later return without the > girl. > >", "they are afraid to admit it is the word they have kept out):", "with Pedez[,] he would be in the office early the next > day,", "is grammatically correct to use it. Am I just being irreverent of the", "Having agreed with Pedez [that] he would be in the office early the", "her earlier years. As far as I can tell, unlike the nonsensical 'like,'", "sure what the problem with 'overusing' the word 'that' is. It seems to", "few of the word is a worse problem than using too many of", "'like' in sentences in her earlier years. As far as I can tell,", "like: > > Zotn told him on their way to the park [that]", "the rescuers would later return without the > girl. > > > Sometimes", "admit it is the word they have kept out): > > Having agreed", "is the word they have kept out): > > Having agreed with Pedez[,]", "went on home to bed. > > > Without doubt, no word or", "in particular. But no word should be vilified if it is grammatically correct", "[that] the rescuers would later return without the > girl. > > >", "'like,' there are very few instances where the word 'that' has no grammatical", "because instinctively the writer knows there is something missing but they are afraid", "other opinions on this because I'm reviewing this manuscript where the writer is", "office early the > next day, he went on home to bed. >", "to where no word or phrase is sticking out in particular. But no", "where no word or phrase is sticking out in particular. But no word", "home to bed. > > > Without doubt, no word or phrase should", "they have kept out): > > Having agreed with Pedez[,] he would be", "be waiting there. > > > The greater tragedy was [that] the rescuers", "and it is frustrating because it is yielding sentences like: > > Zotn", "the word 'that' has no grammatical function in a sentence. In my opinion,", "are afraid to admit it is the word they have kept out): >", "the office early the next > day, he went on home to bed.", "the writer is closely following this 'that-bursting' rule and it is frustrating because", "on their way to the park [that] Jumez would be waiting there. >", "day, he went on home to bed. > > > Without doubt, no", "> Having agreed with Pedez [that] he would be in the office early", "particular. But no word should be vilified if it is grammatically correct to", "I was reading equates overusing 'that' with overusing 'like' in sentences in her", "of the word is a worse problem than using too many of them.", "it is frustrating because it is yielding sentences like: > > Zotn told", "to me [that] someone made the rule one day and everyone else followed", "'that-bursting' rule and it is frustrating because it is yielding sentences like: >", "> next day, he went on home to bed. > > > Without", "in her earlier years. As far as I can tell, unlike the nonsensical", "word 'that' is. It seems to me [that] someone made the rule one", "the > girl. > > > Sometimes it even occasions too many commas", "far as I can tell, unlike the nonsensical 'like,' there are very few", "I've never been sure what the problem with 'overusing' the word 'that' is.", "Pedez [that] he would be in the office early the > next day,", "> > As opposed to: > > Having agreed with Pedez [that] he", "bed. > > > As opposed to: > > Having agreed with Pedez", "seems to me [that] someone made the rule one day and everyone else", "agreed with Pedez[,] he would be in the office early the next >", "went on home to bed. > > > As opposed to: > >", "the word they have kept out): > > Having agreed with Pedez[,] he", "> Without doubt, no word or phrase should be overused in writing and", "where the writer is closely following this 'that-bursting' rule and it is frustrating", "good balance to where no word or phrase is sticking out in particular.", "the word is a worse problem than using too many of them. I", "without the > girl. > > > Sometimes it even occasions too many", "next day, he went on home to bed. > > > Without doubt,", "yielding sentences like: > > Zotn told him on their way to the", "Without doubt, no word or phrase should be overused in writing and writers", "'that' has no grammatical function in a sentence. In my opinion, using too", "closely following this 'that-bursting' rule and it is frustrating because it is yielding", "or phrase is sticking out in particular. But no word should be vilified", "word is a worse problem than using too many of them. I would", "would appreciate other opinions on this because I'm reviewing this manuscript where the", "> girl. > > > Sometimes it even occasions too many commas (I", "writer knows there is something missing but they are afraid to admit it", "to strike a good balance to where no word or phrase is sticking", "can tell, unlike the nonsensical 'like,' there are very few instances where the", "it is the word they have kept out): > > Having agreed with", "[online source](https://www.bkacontent.com/avoid-overusing-word-writing/) I was reading equates overusing 'that' with overusing 'like' in sentences", "[that] Jumez would be waiting there. > > > The greater tragedy was", "tell, unlike the nonsensical 'like,' there are very few instances where the word", "using too few of the word is a worse problem than using too", "he went on home to bed. > > > Without doubt, no word", "phrase should be overused in writing and writers should try to strike a", "(I guess because instinctively the writer knows there is something missing but they", "he went on home to bed. > > > As opposed to: >", "is a worse problem than using too many of them. I would appreciate", "there are very few instances where the word 'that' has no grammatical function", "nonsensical 'like,' there are very few instances where the word 'that' has no", "instances where the word 'that' has no grammatical function in a sentence. In", "I would appreciate other opinions on this because I'm reviewing this manuscript where", "tragedy was [that] the rescuers would later return without the > girl. >", "occasions too many commas (I guess because instinctively the writer knows there is", "there is something missing but they are afraid to admit it is the", "the > next day, he went on home to bed. > > >", "in a sentence. In my opinion, using too few of the word is", "the next > day, he went on home to bed. > > >", "As far as I can tell, unlike the nonsensical 'like,' there are very", "In my opinion, using too few of the word is a worse problem", "he would be in the office early the next > day, he went", "be overused in writing and writers should try to strike a good balance", "reviewing this manuscript where the writer is closely following this 'that-bursting' rule and", "but they are afraid to admit it is the word they have kept", "sticking out in particular. But no word should be vilified if it is" ]
[ "currently writing a novel in my spare time, though I like how it's", "attachment to them. So I would love to hear others' opinion. (I'm new", "I know my writing is not as good as you lovely people. Also", "you lovely people. Also I haven't done any proper editing to this so", "she walked away. Arqhih couldn't help but worry, thoughts of Ani getting bullied", "as a hobby so please be gentle, I know my writing is not", "like to think the character is relatively strict when it comes the their", "I would love to hear others' opinion. (I'm new to writing and do", "through their mind. Quickly shaking their head to clear their head, they pulled", "With a quick kiss on the cheek and a smile Anibelle got out", "stomach. “I thought I ate something this morning… How odd.” Thinking about it", "her shoulder and waved goodbye to her sibling, a weak smile adorning her", "a quick kiss on the cheek and a smile Anibelle got out of", "try hard to make sure it doesn't sound off when people are using", "couldn't help but worry, thoughts of Ani getting bullied and getting hurt raced", "they had eaten with Anibelle this morning, since they woke up early to", "pulled out the parking spot they were occupying and drove out the lot.", "character is relatively strict when it comes the their pronouns, so I dislike", "quick kiss on the cheek and a smile Anibelle got out of the", "worry, thoughts of Ani getting bullied and getting hurt raced through their mind.", "through Arqhih’s stomach. “I thought I ate something this morning… How odd.” Thinking", "this as a hobby so please be gentle, I know my writing is", "walked away. Arqhih couldn't help but worry, thoughts of Ani getting bullied and", "out the lot. Worry and fear going through their head, something caught them", "odd.” Thinking about it now, they had eaten with Anibelle this morning, since", "shaking their head to clear their head, they pulled out the parking spot", "with Anibelle this morning, since they woke up early to make home fries", "this morning, since they woke up early to make home fries and eggs.", "lovely people. Also I haven't done any proper editing to this so if", "personal attachment to them. So I would love to hear others' opinion. (I'm", "the cheek and a smile Anibelle got out of the car. Quickly walking", "Anibelle got out of the car. Quickly walking to the front gate, she", "and getting hurt raced through their mind. Quickly shaking their head to clear", "waved goodbye to her sibling, a weak smile adorning her face, she walked", "to them. So I would love to hear others' opinion. (I'm new to", "dislike the idea of changing the character because I have a large personal", "character is a non-binary young adult, I try hard to make sure it", "hard to make sure it doesn't sound off when people are using they/them", "gentle, I know my writing is not as good as you lovely people.", "coming through Arqhih’s stomach. “I thought I ate something this morning… How odd.”", "I'm currently writing a novel in my spare time, though I like how", "you see any mistakes please tell me) > > With a quick kiss", "her sibling, a weak smile adorning her face, she walked away. Arqhih couldn't", "pronouns, so I dislike the idea of changing the character because I have", "character because I have a large personal attachment to them. So I would", "the character because I have a large personal attachment to them. So I", "novel in my spare time, though I like how it's going. The main", "clear their head, they pulled out the parking spot they were occupying and", "a large personal attachment to them. So I would love to hear others'", "be gentle, I know my writing is not as good as you lovely", "raced through their mind. Quickly shaking their head to clear their head, they", "the lot. Worry and fear going through their head, something caught them off", "morning… How odd.” Thinking about it now, they had eaten with Anibelle this", "hear others' opinion. (I'm new to writing and do this as a hobby", "the idea of changing the character because I have a large personal attachment", "them off guard.A low growl coming through Arqhih’s stomach. “I thought I ate", "relatively strict when it comes the their pronouns, so I dislike the idea", "main character is a non-binary young adult, I try hard to make sure", "Anibelle this morning, since they woke up early to make home fries and", "when it comes the their pronouns, so I dislike the idea of changing", "time, though I like how it's going. The main character is a non-binary", "car. Quickly walking to the front gate, she looked over her shoulder and", "I have a large personal attachment to them. So I would love to", "she looked over her shoulder and waved goodbye to her sibling, a weak", "strict when it comes the their pronouns, so I dislike the idea of", "tell me) > > With a quick kiss on the cheek and a", "so I dislike the idea of changing the character because I have a", "a novel in my spare time, though I like how it's going. The", "the front gate, she looked over her shoulder and waved goodbye to her", "they woke up early to make home fries and eggs. > > >", "I like to think the character is relatively strict when it comes the", "spot they were occupying and drove out the lot. Worry and fear going", "this so if you see any mistakes please tell me) > > With", "gate, she looked over her shoulder and waved goodbye to her sibling, a", "the parking spot they were occupying and drove out the lot. Worry and", "I ate something this morning… How odd.” Thinking about it now, they had", "guard.A low growl coming through Arqhih’s stomach. “I thought I ate something this", "writing and do this as a hobby so please be gentle, I know", "if you see any mistakes please tell me) > > With a quick", "my writing is not as good as you lovely people. Also I haven't", "they/them pronouns. I like to think the character is relatively strict when it", "smile adorning her face, she walked away. Arqhih couldn't help but worry, thoughts", "low growl coming through Arqhih’s stomach. “I thought I ate something this morning…", "cheek and a smile Anibelle got out of the car. Quickly walking to", "to this so if you see any mistakes please tell me) > >", "head, something caught them off guard.A low growl coming through Arqhih’s stomach. “I", "out the parking spot they were occupying and drove out the lot. Worry", "“I thought I ate something this morning… How odd.” Thinking about it now,", "a smile Anibelle got out of the car. Quickly walking to the front", "know my writing is not as good as you lovely people. Also I", "as you lovely people. Also I haven't done any proper editing to this", "any proper editing to this so if you see any mistakes please tell", "my spare time, though I like how it's going. The main character is", "> > With a quick kiss on the cheek and a smile Anibelle", "getting hurt raced through their mind. Quickly shaking their head to clear their", "weak smile adorning her face, she walked away. Arqhih couldn't help but worry,", "face, she walked away. Arqhih couldn't help but worry, thoughts of Ani getting", "love to hear others' opinion. (I'm new to writing and do this as", "adorning her face, she walked away. Arqhih couldn't help but worry, thoughts of", "when people are using they/them pronouns. I like to think the character is", "have a large personal attachment to them. So I would love to hear", "others' opinion. (I'm new to writing and do this as a hobby so", "out of the car. Quickly walking to the front gate, she looked over", "about it now, they had eaten with Anibelle this morning, since they woke", "as good as you lovely people. Also I haven't done any proper editing", "going. The main character is a non-binary young adult, I try hard to", "in my spare time, though I like how it's going. The main character", "Thinking about it now, they had eaten with Anibelle this morning, since they", "sibling, a weak smile adorning her face, she walked away. Arqhih couldn't help", "morning, since they woke up early to make home fries and eggs. >", "pronouns. I like to think the character is relatively strict when it comes", "head to clear their head, they pulled out the parking spot they were", "of the car. Quickly walking to the front gate, she looked over her", "proper editing to this so if you see any mistakes please tell me)", "sure it doesn't sound off when people are using they/them pronouns. I like", "this morning… How odd.” Thinking about it now, they had eaten with Anibelle", "to hear others' opinion. (I'm new to writing and do this as a", "opinion. (I'm new to writing and do this as a hobby so please", "people. Also I haven't done any proper editing to this so if you", "large personal attachment to them. So I would love to hear others' opinion.", "using they/them pronouns. I like to think the character is relatively strict when", "writing is not as good as you lovely people. Also I haven't done", "any mistakes please tell me) > > With a quick kiss on the", "make sure it doesn't sound off when people are using they/them pronouns. I", "her face, she walked away. Arqhih couldn't help but worry, thoughts of Ani", "their mind. Quickly shaking their head to clear their head, they pulled out", "are using they/them pronouns. I like to think the character is relatively strict", "is relatively strict when it comes the their pronouns, so I dislike the", "(I'm new to writing and do this as a hobby so please be", "occupying and drove out the lot. Worry and fear going through their head,", "it now, they had eaten with Anibelle this morning, since they woke up", "of Ani getting bullied and getting hurt raced through their mind. Quickly shaking", "The main character is a non-binary young adult, I try hard to make", "like how it's going. The main character is a non-binary young adult, I", "to make sure it doesn't sound off when people are using they/them pronouns.", "getting bullied and getting hurt raced through their mind. Quickly shaking their head", "doesn't sound off when people are using they/them pronouns. I like to think", "me) > > With a quick kiss on the cheek and a smile", "is not as good as you lovely people. Also I haven't done any", "the car. Quickly walking to the front gate, she looked over her shoulder", "goodbye to her sibling, a weak smile adorning her face, she walked away.", "but worry, thoughts of Ani getting bullied and getting hurt raced through their", "walking to the front gate, she looked over her shoulder and waved goodbye", "I try hard to make sure it doesn't sound off when people are", "them. So I would love to hear others' opinion. (I'm new to writing", "shoulder and waved goodbye to her sibling, a weak smile adorning her face,", "writing a novel in my spare time, though I like how it's going.", "I like how it's going. The main character is a non-binary young adult,", "were occupying and drove out the lot. Worry and fear going through their", "bullied and getting hurt raced through their mind. Quickly shaking their head to", "off guard.A low growl coming through Arqhih’s stomach. “I thought I ate something", "people are using they/them pronouns. I like to think the character is relatively", "it doesn't sound off when people are using they/them pronouns. I like to", "hurt raced through their mind. Quickly shaking their head to clear their head,", "Arqhih’s stomach. “I thought I ate something this morning… How odd.” Thinking about", "their head, something caught them off guard.A low growl coming through Arqhih’s stomach.", "to think the character is relatively strict when it comes the their pronouns,", "a hobby so please be gentle, I know my writing is not as", "fear going through their head, something caught them off guard.A low growl coming", "away. Arqhih couldn't help but worry, thoughts of Ani getting bullied and getting", "the character is relatively strict when it comes the their pronouns, so I", "adult, I try hard to make sure it doesn't sound off when people", "got out of the car. Quickly walking to the front gate, she looked", "sound off when people are using they/them pronouns. I like to think the", "lot. Worry and fear going through their head, something caught them off guard.A", "haven't done any proper editing to this so if you see any mistakes", "Ani getting bullied and getting hurt raced through their mind. Quickly shaking their", "see any mistakes please tell me) > > With a quick kiss on", "and do this as a hobby so please be gentle, I know my", "to writing and do this as a hobby so please be gentle, I", "something this morning… How odd.” Thinking about it now, they had eaten with", "of changing the character because I have a large personal attachment to them.", "good as you lovely people. 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(I'm new to writing and do this", "they were occupying and drove out the lot. Worry and fear going through", "idea of changing the character because I have a large personal attachment to", "kiss on the cheek and a smile Anibelle got out of the car.", "a weak smile adorning her face, she walked away. Arqhih couldn't help but", "though I like how it's going. The main character is a non-binary young", "spare time, though I like how it's going. The main character is a", "drove out the lot. Worry and fear going through their head, something caught" ]
[ "of my settings. If it is present, it will only be in an", "imagination is just too vivid on how horrifying dying, or seeing your loved", "to leak into the new one. But it would make my setting seem", "abused is a pain. *Sooo... is it okay to put such constraints on", "horrifying dying, or seeing your loved ones die, must be. Killing off someone's", "but the moment we arrived I just wanted to go home, lay down,", "off someone's family members as a plot point, or even a background thing,", "as a plot point, or even a background thing, is something I don't", "is something I don't want to be present in any of my settings.", "will only be in an alternate timeline that was utterly erased, yet its", "Hays Code, except here it's enforced by the author himself. I also don't", "Okay, the title is dumb, but let me elaborate. When it comes to", "was utterly erased, yet its memories manage to leak into the new one.", "it would make my setting seem very trope-y, like a cartoon that has", "Fox](https://en.wikipedia.org/wiki/The_Little_Fox) in Wikipedia) and if you're lucky, I won't be able to function", "title is dumb, but let me elaborate. When it comes to scenes in", "it as [The Little Fox](https://en.wikipedia.org/wiki/The_Little_Fox) in Wikipedia) and if you're lucky, I won't", "home, lay down, and sleep... for a long time. I don't know why,", "my imagination is just too vivid on how horrifying dying, or seeing your", "arrived I just wanted to go home, lay down, and sleep... for a", "how horrifying dying, or seeing your loved ones die, must be. Killing off", "a background thing, is something I don't want to be present in any", "away. Going there in the first place was my idea, but the moment", "the first place was my idea, but the moment we arrived I just", "from Vuk (you'll find it as [The Little Fox](https://en.wikipedia.org/wiki/The_Little_Fox) in Wikipedia) and if", "the title is dumb, but let me elaborate. When it comes to scenes", "erased, yet its memories manage to leak into the new one. But it", "mechanism that can't be abused is a pain. *Sooo... is it okay to", "don't know why, but they overstimulate my empathy beyond reasonable measure. I guess", "you're lucky, I won't be able to function as a human being for", "sanity points away. Going there in the first place was my idea, but", "utterly erased, yet its memories manage to leak into the new one. But", "present, it will only be in an alternate timeline that was utterly erased,", "point, or even a background thing, is something I don't want to be", "Wikipedia) and if you're lucky, I won't be able to function as a", "too vivid on how horrifying dying, or seeing your loved ones die, must", "memories manage to leak into the new one. But it would make my", "that was utterly erased, yet its memories manage to leak into the new", "I don't know why, but they overstimulate my empathy beyond reasonable measure. I", "even a background thing, is something I don't want to be present in", "to follow the Hays Code, except here it's enforced by the author himself.", "but they overstimulate my empathy beyond reasonable measure. I guess my imagination is", "ones die, must be. Killing off someone's family members as a plot point,", "we arrived I just wanted to go home, lay down, and sleep... for", "on my setting and plot? Is there a precedent of decent authors doing", "guess my imagination is just too vivid on how horrifying dying, or seeing", "[REDACTED] once while the immobilization effect was chipping my sanity points away. Going", "way I described, because creating a resetting mechanism that can't be abused is", "described, because creating a resetting mechanism that can't be abused is a pain.", "build this into the setting the way I described, because creating a resetting", "successfully immobilized me. Like show me THAT scene from Vuk (you'll find it", "I won't be able to function as a human being for an entire", "family, or part of their family getting killed and you've successfully immobilized me.", "cartoon that has to follow the Hays Code, except here it's enforced by", "me a character's family, or part of their family getting killed and you've", "books or movies, show me a character's family, or part of their family", "(you'll find it as [The Little Fox](https://en.wikipedia.org/wiki/The_Little_Fox) in Wikipedia) and if you're lucky,", "just wanted to go home, lay down, and sleep... for a long time.", "timeline that was utterly erased, yet its memories manage to leak into the", "my settings. If it is present, it will only be in an alternate", "THAT scene from Vuk (you'll find it as [The Little Fox](https://en.wikipedia.org/wiki/The_Little_Fox) in Wikipedia)", "measure. I guess my imagination is just too vivid on how horrifying dying,", "me. Like show me THAT scene from Vuk (you'll find it as [The", "like a cartoon that has to follow the Hays Code, except here it's", "show me THAT scene from Vuk (you'll find it as [The Little Fox](https://en.wikipedia.org/wiki/The_Little_Fox)", "manage to leak into the new one. But it would make my setting", "to scenes in books or movies, show me a character's family, or part", "beyond reasonable measure. I guess my imagination is just too vivid on how", "scene from Vuk (you'll find it as [The Little Fox](https://en.wikipedia.org/wiki/The_Little_Fox) in Wikipedia) and", "my empathy beyond reasonable measure. I guess my imagination is just too vivid", "a resetting mechanism that can't be abused is a pain. Sooo... is it", "know why, but they overstimulate my empathy beyond reasonable measure. I guess my", "in an alternate timeline that was utterly erased, yet its memories manage to", "very trope-y, like a cartoon that has to follow the Hays Code, except", "be able to function as a human being for an entire day. I'm", "yet its memories manage to leak into the new one. But it would", "put such constraints on my setting and plot? Is there a precedent of", "I also don't want to build this into the setting the way I", "or movies, show me a character's family, or part of their family getting", "first place was my idea, but the moment we arrived I just wanted", "time. I don't know why, but they overstimulate my empathy beyond reasonable measure.", "once while the immobilization effect was chipping my sanity points away. Going there", "movies, show me a character's family, or part of their family getting killed", "being for an entire day. I'm talking like, we went to [REDACTED] once", "Code, except here it's enforced by the author himself. I also don't want", "killed and you've successfully immobilized me. Like show me THAT scene from Vuk", "on how horrifying dying, or seeing your loved ones die, must be. Killing", "of their family getting killed and you've successfully immobilized me. Like show me", "comes to scenes in books or movies, show me a character's family, or", "family members as a plot point, or even a background thing, is something", "family getting killed and you've successfully immobilized me. Like show me THAT scene", "this into the setting the way I described, because creating a resetting mechanism", "make my setting seem very trope-y, like a cartoon that has to follow", "thing, is something I don't want to be present in any of my", "me elaborate. When it comes to scenes in books or movies, show me", "their family getting killed and you've successfully immobilized me. Like show me THAT", "for an entire day. I'm talking like, we went to [REDACTED] once while", "my setting seem very trope-y, like a cartoon that has to follow the", "it comes to scenes in books or movies, show me a character's family,", "members as a plot point, or even a background thing, is something I", "constraints on my setting and plot? Is there a precedent of decent authors", "Killing off someone's family members as a plot point, or even a background", "but let me elaborate. When it comes to scenes in books or movies,", "let me elaborate. When it comes to scenes in books or movies, show", "Going there in the first place was my idea, but the moment we", "or seeing your loved ones die, must be. Killing off someone's family members", "settings. If it is present, it will only be in an alternate timeline", "the Hays Code, except here it's enforced by the author himself. I also", "vivid on how horrifying dying, or seeing your loved ones die, must be.", "don't want to be present in any of my settings. If it is", "day. I'm talking like, we went to [REDACTED] once while the immobilization effect", "background thing, is something I don't want to be present in any of", "a cartoon that has to follow the Hays Code, except here it's enforced", "human being for an entire day. I'm talking like, we went to [REDACTED]", "went to [REDACTED] once while the immobilization effect was chipping my sanity points", "can't be abused is a pain. Sooo... is it okay to put such", "creating a resetting mechanism that can't be abused is a pain. Sooo... is", "present in any of my settings. If it is present, it will only", "dumb, but let me elaborate. When it comes to scenes in books or", "immobilized me. Like show me THAT scene from Vuk (you'll find it as", "chipping my sanity points away. Going there in the first place was my", "pain. Sooo... is it okay to put such constraints on my setting and", "I guess my imagination is just too vivid on how horrifying dying, or", "want to build this into the setting the way I described, because creating", "Sooo... is it okay to put such constraints on my setting and plot?", "be abused is a pain. Sooo... is it okay to put such constraints", "Like show me THAT scene from Vuk (you'll find it as [The Little", "points away. Going there in the first place was my idea, but the", "me THAT scene from Vuk (you'll find it as [The Little Fox](https://en.wikipedia.org/wiki/The_Little_Fox) in", "also don't want to build this into the setting the way I described,", "like, we went to [REDACTED] once while the immobilization effect was chipping my", "one. But it would make my setting seem very trope-y, like a cartoon", "idea, but the moment we arrived I just wanted to go home, lay", "reasonable measure. I guess my imagination is just too vivid on how horrifying", "okay to put such constraints on my setting and plot? Is there a", "setting the way I described, because creating a resetting mechanism that can't be", "die, must be. Killing off someone's family members as a plot point, or", "effect was chipping my sanity points away. Going there in the first place", "any of my settings. If it is present, it will only be in", "it's enforced by the author himself. I also don't want to build this", "they overstimulate my empathy beyond reasonable measure. I guess my imagination is just", "seeing your loved ones die, must be. Killing off someone's family members as", "trope-y, like a cartoon that has to follow the Hays Code, except here", "a pain. Sooo... is it okay to put such constraints on my setting", "in books or movies, show me a character's family, or part of their", "loved ones die, must be. Killing off someone's family members as a plot", "a long time. I don't know why, but they overstimulate my empathy beyond", "that has to follow the Hays Code, except here it's enforced by the", "my setting and plot? Is there a precedent of decent authors doing that?", "alternate timeline that was utterly erased, yet its memories manage to leak into", "seem very trope-y, like a cartoon that has to follow the Hays Code,", "overstimulate my empathy beyond reasonable measure. I guess my imagination is just too", "it is present, it will only be in an alternate timeline that was", "someone's family members as a plot point, or even a background thing, is", "a plot point, or even a background thing, is something I don't want", "Vuk (you'll find it as [The Little Fox](https://en.wikipedia.org/wiki/The_Little_Fox) in Wikipedia) and if you're", "I don't want to be present in any of my settings. If it", "plot point, or even a background thing, is something I don't want to", "has to follow the Hays Code, except here it's enforced by the author", "a character's family, or part of their family getting killed and you've successfully", "the new one. But it would make my setting seem very trope-y, like", "a human being for an entire day. I'm talking like, we went to", "would make my setting seem very trope-y, like a cartoon that has to", "follow the Hays Code, except here it's enforced by the author himself. I", "enforced by the author himself. I also don't want to build this into", "to function as a human being for an entire day. I'm talking like,", "Little Fox](https://en.wikipedia.org/wiki/The_Little_Fox) in Wikipedia) and if you're lucky, I won't be able to", "to go home, lay down, and sleep... for a long time. I don't", "by the author himself. I also don't want to build this into the", "himself. I also don't want to build this into the setting the way", "or part of their family getting killed and you've successfully immobilized me. Like", "your loved ones die, must be. Killing off someone's family members as a", "[The Little Fox](https://en.wikipedia.org/wiki/The_Little_Fox) in Wikipedia) and if you're lucky, I won't be able", "while the immobilization effect was chipping my sanity points away. Going there in", "here it's enforced by the author himself. I also don't want to build", "be. Killing off someone's family members as a plot point, or even a", "is present, it will only be in an alternate timeline that was utterly", "or even a background thing, is something I don't want to be present", "the moment we arrived I just wanted to go home, lay down, and", "I just wanted to go home, lay down, and sleep... for a long", "be present in any of my settings. If it is present, it will", "in Wikipedia) and if you're lucky, I won't be able to function as", "except here it's enforced by the author himself. I also don't want to", "such constraints on my setting and plot? Is there a precedent of decent", "for a long time. I don't know why, but they overstimulate my empathy", "If it is present, it will only be in an alternate timeline that", "as a human being for an entire day. I'm talking like, we went", "to be present in any of my settings. If it is present, it", "you've successfully immobilized me. Like show me THAT scene from Vuk (you'll find", "there in the first place was my idea, but the moment we arrived", "find it as [The Little Fox](https://en.wikipedia.org/wiki/The_Little_Fox) in Wikipedia) and if you're lucky, I", "was my idea, but the moment we arrived I just wanted to go", "it will only be in an alternate timeline that was utterly erased, yet", "in the first place was my idea, but the moment we arrived I", "its memories manage to leak into the new one. But it would make", "to build this into the setting the way I described, because creating a", "lucky, I won't be able to function as a human being for an", "is a pain. Sooo... is it okay to put such constraints on my", "getting killed and you've successfully immobilized me. Like show me THAT scene from", "But it would make my setting seem very trope-y, like a cartoon that", "the author himself. I also don't want to build this into the setting", "leak into the new one. But it would make my setting seem very", "scenes in books or movies, show me a character's family, or part of", "was chipping my sanity points away. Going there in the first place was", "go home, lay down, and sleep... for a long time. I don't know", "new one. But it would make my setting seem very trope-y, like a", "able to function as a human being for an entire day. I'm talking", "to put such constraints on my setting and plot? Is there a precedent", "elaborate. When it comes to scenes in books or movies, show me a", "lay down, and sleep... for a long time. I don't know why, but", "resetting mechanism that can't be abused is a pain. Sooo... is it okay", "is just too vivid on how horrifying dying, or seeing your loved ones", "and you've successfully immobilized me. Like show me THAT scene from Vuk (you'll", "part of their family getting killed and you've successfully immobilized me. Like show", "my idea, but the moment we arrived I just wanted to go home,", "an alternate timeline that was utterly erased, yet its memories manage to leak", "that can't be abused is a pain. Sooo... is it okay to put", "the immobilization effect was chipping my sanity points away. Going there in the", "show me a character's family, or part of their family getting killed and", "I described, because creating a resetting mechanism that can't be abused is a", "because creating a resetting mechanism that can't be abused is a pain. Sooo...", "and sleep... for a long time. I don't know why, but they overstimulate", "immobilization effect was chipping my sanity points away. Going there in the first", "entire day. I'm talking like, we went to [REDACTED] once while the immobilization", "my sanity points away. Going there in the first place was my idea,", "dying, or seeing your loved ones die, must be. Killing off someone's family", "we went to [REDACTED] once while the immobilization effect was chipping my sanity", "something I don't want to be present in any of my settings. If", "is it okay to put such constraints on my setting and plot? Is", "won't be able to function as a human being for an entire day.", "function as a human being for an entire day. I'm talking like, we", "as [The Little Fox](https://en.wikipedia.org/wiki/The_Little_Fox) in Wikipedia) and if you're lucky, I won't be", "into the setting the way I described, because creating a resetting mechanism that", "empathy beyond reasonable measure. I guess my imagination is just too vivid on", "talking like, we went to [REDACTED] once while the immobilization effect was chipping", "character's family, or part of their family getting killed and you've successfully immobilized", "an entire day. I'm talking like, we went to [REDACTED] once while the", "the setting the way I described, because creating a resetting mechanism that can't", "must be. Killing off someone's family members as a plot point, or even", "When it comes to scenes in books or movies, show me a character's", "just too vivid on how horrifying dying, or seeing your loved ones die,", "setting seem very trope-y, like a cartoon that has to follow the Hays", "want to be present in any of my settings. If it is present,", "the way I described, because creating a resetting mechanism that can't be abused", "sleep... for a long time. I don't know why, but they overstimulate my", "to [REDACTED] once while the immobilization effect was chipping my sanity points away.", "and if you're lucky, I won't be able to function as a human", "be in an alternate timeline that was utterly erased, yet its memories manage", "author himself. I also don't want to build this into the setting the", "in any of my settings. If it is present, it will only be", "into the new one. But it would make my setting seem very trope-y,", "why, but they overstimulate my empathy beyond reasonable measure. I guess my imagination", "moment we arrived I just wanted to go home, lay down, and sleep...", "don't want to build this into the setting the way I described, because", "it okay to put such constraints on my setting and plot? Is there", "down, and sleep... for a long time. I don't know why, but they", "is dumb, but let me elaborate. When it comes to scenes in books", "I'm talking like, we went to [REDACTED] once while the immobilization effect was", "wanted to go home, lay down, and sleep... for a long time. I", "place was my idea, but the moment we arrived I just wanted to", "if you're lucky, I won't be able to function as a human being", "only be in an alternate timeline that was utterly erased, yet its memories", "long time. I don't know why, but they overstimulate my empathy beyond reasonable" ]
[ "from one to the other. The problem I have no narrative writing experience", "I'm aware of). I have no writing skills. How should I tackle writing", "The last time I wrote fiction was probably an essay when I was", "to the other. The problem I have no narrative writing experience and especially", "I only have one story in me (that I'm aware of). I have", "read it. Yet I have no confidence that a first novel would be", "publish so I would have wasted my best story as a learning experience.", "[Everyone has a book in them, but in most cases that’s where it", "book in them, but in most cases that’s where it should > stay](https://interestingliterature.com/2015/04/who-said-everyone-has-a-book-in-them/)", "playing a virtuoso concerto. It takes years of practice. Question I only have", "a fictional work, let alone with interacting timelines. Basically I have no experience", "in their early life affects what happens when they are older. To make", "a reader I would have to intertwine these stories, jumping from one to", "in writing it, I would want others to read it. Yet I have", "I have no confidence that a first novel would be any good. After", "where it should > stay](https://interestingliterature.com/2015/04/who-said-everyone-has-a-book-in-them/) > > > I'm not an author. I'm", "of). I have no writing skills. How should I tackle writing this story?", "at all. --- Note I could just keep it in my head. However", "them, but in most cases that’s where it should > stay](https://interestingliterature.com/2015/04/who-said-everyone-has-a-book-in-them/) > >", "with interacting timelines. Basically I have no experience of writing fiction. As a", "Would that even help? (b) Write a draft. Leave it aside for a", "are older. To make this work for a reader I would have to", "that you don't just pick up an instrument for the first time and", "an author. I'm retired. The last time I wrote fiction was probably an", "only have one story in me (that I'm aware of). I have no", "suppose, just keep it in my head and not write it at all.", "in my head. However if I invest in writing it, I would want", "old. For years a fictional story has been taking place in my mind.", "As a musician, I'm aware that you don't just pick up an instrument", "Yet I have no confidence that a first novel would be any good.", "in my head and not write it at all. --- Note I could", "(a) Practice writing lots of other short stories that I'm not particularly interested", "a fictional story has been taking place in my mind. There are important", "writing experience and especially I have no experience of structuring a fictional work,", "any ideas that I want to publish so I would have wasted my", "characters. What happens in their early life affects what happens when they are", "and immediately start playing a virtuoso concerto. It takes years of practice. Question", "that a first novel would be any good. After that I don't have", "not an author. I'm retired. The last time I wrote fiction was probably", "when I was 10 years old. For years a fictional story has been", "don't just pick up an instrument for the first time and immediately start", "years of practice. Question I only have one story in me (that I'm", "I have no writing skills. How should I tackle writing this story? (a)", "I haven't thought of? Or, I suppose, just keep it in my head", "work for a reader I would have to intertwine these stories, jumping from", "the first time and immediately start playing a virtuoso concerto. It takes years", "in. Would that even help? (b) Write a draft. Leave it aside for", "sense? (c) Something else I haven't thought of? Or, I suppose, just keep", "stories, jumping from one to the other. The problem I have no narrative", "I don't have any ideas that I want to publish so I would", "concerto. It takes years of practice. Question I only have one story in", "early life affects what happens when they are older. To make this work", "have no confidence that a first novel would be any good. After that", "narrative writing experience and especially I have no experience of structuring a fictional", "lots of other short stories that I'm not particularly interested in. Would that", "timelines for the main two characters. What happens in their early life affects", "it in my head. However if I invest in writing it, I would", "ideas that I want to publish so I would have wasted my best", "when they are older. To make this work for a reader I would", "I tackle writing this story? (a) Practice writing lots of other short stories", "affects what happens when they are older. To make this work for a", "essay when I was 10 years old. For years a fictional story has", "The problem I have no narrative writing experience and especially I have no", "any good. After that I don't have any ideas that I want to", "10 years old. For years a fictional story has been taking place in", "To make this work for a reader I would have to intertwine these", "let alone with interacting timelines. Basically I have no experience of writing fiction.", "just pick up an instrument for the first time and immediately start playing", "There are two timelines for the main two characters. What happens in their", "write it at all. --- Note I could just keep it in my", "fiction was probably an essay when I was 10 years old. For years", "cases that’s where it should > stay](https://interestingliterature.com/2015/04/who-said-everyone-has-a-book-in-them/) > > > I'm not an", "to intertwine these stories, jumping from one to the other. The problem I", "else I haven't thought of? Or, I suppose, just keep it in my", "and not write it at all. --- Note I could just keep it", "should I tackle writing this story? (a) Practice writing lots of other short", "help? (b) Write a draft. Leave it aside for a year and come", "first novel would be any good. After that I don't have any ideas", "After that I don't have any ideas that I want to publish so", "fictional work, let alone with interacting timelines. Basically I have no experience of", "practice. Question I only have one story in me (that I'm aware of).", "However if I invest in writing it, I would want others to read", "are important characters and they have struggles. There are two timelines for the", "retired. The last time I wrote fiction was probably an essay when I", "--- Note I could just keep it in my head. However if I", "thought of? Or, I suppose, just keep it in my head and not", "I want to publish so I would have wasted my best story as", "has a book in them, but in most cases that’s where it should", "I'm retired. The last time I wrote fiction was probably an essay when", "years old. For years a fictional story has been taking place in my", "immediately start playing a virtuoso concerto. It takes years of practice. Question I", "would want others to read it. Yet I have no confidence that a", "one story in me (that I'm aware of). I have no writing skills.", "author. I'm retired. The last time I wrote fiction was probably an essay", "my mind. There are important characters and they have struggles. There are two", "it should > stay](https://interestingliterature.com/2015/04/who-said-everyone-has-a-book-in-them/) > > > I'm not an author. I'm retired.", "I have no narrative writing experience and especially I have no experience of", "of writing fiction. As a musician, I'm aware that you don't just pick", "writing skills. How should I tackle writing this story? (a) Practice writing lots", "invest in writing it, I would want others to read it. Yet I", "Something else I haven't thought of? Or, I suppose, just keep it in", "they are older. To make this work for a reader I would have", "not write it at all. --- Note I could just keep it in", "if I invest in writing it, I would want others to read it.", "I'm not an author. I'm retired. The last time I wrote fiction was", "have to intertwine these stories, jumping from one to the other. The problem", "instrument for the first time and immediately start playing a virtuoso concerto. It", "just keep it in my head and not write it at all. ---", "intertwine these stories, jumping from one to the other. The problem I have", "time and immediately start playing a virtuoso concerto. It takes years of practice.", "a virtuoso concerto. It takes years of practice. Question I only have one", "virtuoso concerto. It takes years of practice. Question I only have one story", "been taking place in my mind. There are important characters and they have", "time I wrote fiction was probably an essay when I was 10 years", "writing lots of other short stories that I'm not particularly interested in. Would", "a first novel would be any good. After that I don't have any", "stay](https://interestingliterature.com/2015/04/who-said-everyone-has-a-book-in-them/) > > > I'm not an author. I'm retired. The last time", "for a reader I would have to intertwine these stories, jumping from one", "especially I have no experience of structuring a fictional work, let alone with", "Write a draft. Leave it aside for a year and come back to", "not particularly interested in. Would that even help? (b) Write a draft. Leave", "and come back to see if makes sense? (c) Something else I haven't", "novel would be any good. After that I don't have any ideas that", "year and come back to see if makes sense? (c) Something else I", "of structuring a fictional work, let alone with interacting timelines. Basically I have", "I'm aware that you don't just pick up an instrument for the first", "aware that you don't just pick up an instrument for the first time", "I have no experience of structuring a fictional work, let alone with interacting", "have any ideas that I want to publish so I would have wasted", "I have no experience of writing fiction. As a musician, I'm aware that", "of? Or, I suppose, just keep it in my head and not write", "problem I have no narrative writing experience and especially I have no experience", "have no narrative writing experience and especially I have no experience of structuring", "me (that I'm aware of). I have no writing skills. How should I", "head. However if I invest in writing it, I would want others to", "Or, I suppose, just keep it in my head and not write it", "struggles. There are two timelines for the main two characters. What happens in", "of practice. Question I only have one story in me (that I'm aware", "just keep it in my head. However if I invest in writing it,", "should > stay](https://interestingliterature.com/2015/04/who-said-everyone-has-a-book-in-them/) > > > I'm not an author. I'm retired. The", "has been taking place in my mind. There are important characters and they", "keep it in my head. However if I invest in writing it, I", "good. After that I don't have any ideas that I want to publish", "place in my mind. There are important characters and they have struggles. There", "last time I wrote fiction was probably an essay when I was 10", "Leave it aside for a year and come back to see if makes", "an essay when I was 10 years old. For years a fictional story", "it aside for a year and come back to see if makes sense?", "this story? (a) Practice writing lots of other short stories that I'm not", "a musician, I'm aware that you don't just pick up an instrument for", "for a year and come back to see if makes sense? (c) Something", "come back to see if makes sense? (c) Something else I haven't thought", "could just keep it in my head. However if I invest in writing", "pick up an instrument for the first time and immediately start playing a", "important characters and they have struggles. There are two timelines for the main", "mind. There are important characters and they have struggles. There are two timelines", "no writing skills. How should I tackle writing this story? (a) Practice writing", "draft. Leave it aside for a year and come back to see if", "make this work for a reader I would have to intertwine these stories,", "main two characters. What happens in their early life affects what happens when", "of other short stories that I'm not particularly interested in. Would that even", "(c) Something else I haven't thought of? Or, I suppose, just keep it", "Basically I have no experience of writing fiction. As a musician, I'm aware", "happens when they are older. To make this work for a reader I", "I suppose, just keep it in my head and not write it at", "in them, but in most cases that’s where it should > stay](https://interestingliterature.com/2015/04/who-said-everyone-has-a-book-in-them/) >", "takes years of practice. Question I only have one story in me (that", "haven't thought of? Or, I suppose, just keep it in my head and", "be any good. After that I don't have any ideas that I want", "start playing a virtuoso concerto. It takes years of practice. Question I only", "no experience of structuring a fictional work, let alone with interacting timelines. Basically", "to see if makes sense? (c) Something else I haven't thought of? Or,", "was probably an essay when I was 10 years old. For years a", "a year and come back to see if makes sense? (c) Something else", "would be any good. After that I don't have any ideas that I", "Note I could just keep it in my head. However if I invest", "that I don't have any ideas that I want to publish so I", "alone with interacting timelines. Basically I have no experience of writing fiction. As", "interested in. Would that even help? (b) Write a draft. Leave it aside", "> I'm not an author. I'm retired. The last time I wrote fiction", "it, I would want others to read it. Yet I have no confidence", "no narrative writing experience and especially I have no experience of structuring a", "experience and especially I have no experience of structuring a fictional work, let", "writing this story? (a) Practice writing lots of other short stories that I'm", "characters and they have struggles. There are two timelines for the main two", "what happens when they are older. To make this work for a reader", "reader I would have to intertwine these stories, jumping from one to the", "that even help? (b) Write a draft. Leave it aside for a year", "How should I tackle writing this story? (a) Practice writing lots of other", "I was 10 years old. For years a fictional story has been taking", "happens in their early life affects what happens when they are older. To", "I would want others to read it. Yet I have no confidence that", "others to read it. Yet I have no confidence that a first novel", "that I'm not particularly interested in. Would that even help? (b) Write a", "don't have any ideas that I want to publish so I would have", "the main two characters. What happens in their early life affects what happens", "back to see if makes sense? (c) Something else I haven't thought of?", "in my mind. There are important characters and they have struggles. There are", "you don't just pick up an instrument for the first time and immediately", "> [Everyone has a book in them, but in most cases that’s where", "even help? (b) Write a draft. Leave it aside for a year and", "> > > I'm not an author. I'm retired. The last time I", "interacting timelines. Basically I have no experience of writing fiction. As a musician,", "one to the other. The problem I have no narrative writing experience and", "but in most cases that’s where it should > stay](https://interestingliterature.com/2015/04/who-said-everyone-has-a-book-in-them/) > > >", "work, let alone with interacting timelines. Basically I have no experience of writing", "aware of). I have no writing skills. How should I tackle writing this", "for the main two characters. What happens in their early life affects what", "up an instrument for the first time and immediately start playing a virtuoso", "other. The problem I have no narrative writing experience and especially I have", "tackle writing this story? (a) Practice writing lots of other short stories that", "story? (a) Practice writing lots of other short stories that I'm not particularly", "I'm not particularly interested in. Would that even help? (b) Write a draft.", "confidence that a first novel would be any good. After that I don't", "What happens in their early life affects what happens when they are older.", "a book in them, but in most cases that’s where it should >", "experience of structuring a fictional work, let alone with interacting timelines. Basically I", "in most cases that’s where it should > stay](https://interestingliterature.com/2015/04/who-said-everyone-has-a-book-in-them/) > > > I'm", "timelines. Basically I have no experience of writing fiction. As a musician, I'm", "(b) Write a draft. Leave it aside for a year and come back", "no confidence that a first novel would be any good. After that I", "these stories, jumping from one to the other. The problem I have no", "keep it in my head and not write it at all. --- Note", "see if makes sense? (c) Something else I haven't thought of? Or, I", "two characters. What happens in their early life affects what happens when they", "other short stories that I'm not particularly interested in. Would that even help?", "There are important characters and they have struggles. There are two timelines for", "that’s where it should > stay](https://interestingliterature.com/2015/04/who-said-everyone-has-a-book-in-them/) > > > I'm not an author.", "a draft. Leave it aside for a year and come back to see", "are two timelines for the main two characters. What happens in their early", "I invest in writing it, I would want others to read it. Yet", "writing it, I would want others to read it. Yet I have no", "for the first time and immediately start playing a virtuoso concerto. It takes", "fictional story has been taking place in my mind. There are important characters", "makes sense? (c) Something else I haven't thought of? Or, I suppose, just", "and especially I have no experience of structuring a fictional work, let alone", "they have struggles. There are two timelines for the main two characters. What", "particularly interested in. Would that even help? (b) Write a draft. Leave it", "aside for a year and come back to see if makes sense? (c)", "it at all. --- Note I could just keep it in my head.", "want others to read it. Yet I have no confidence that a first", "my head. However if I invest in writing it, I would want others", "I wrote fiction was probably an essay when I was 10 years old.", "in me (that I'm aware of). I have no writing skills. How should", "the other. The problem I have no narrative writing experience and especially I", "most cases that’s where it should > stay](https://interestingliterature.com/2015/04/who-said-everyone-has-a-book-in-them/) > > > I'm not", "taking place in my mind. There are important characters and they have struggles.", "wrote fiction was probably an essay when I was 10 years old. For", "story in me (that I'm aware of). I have no writing skills. How", "no experience of writing fiction. As a musician, I'm aware that you don't", "was 10 years old. For years a fictional story has been taking place", "For years a fictional story has been taking place in my mind. There", "my head and not write it at all. --- Note I could just", "have no experience of structuring a fictional work, let alone with interacting timelines.", "Question I only have one story in me (that I'm aware of). I", "short stories that I'm not particularly interested in. Would that even help? (b)", "and they have struggles. There are two timelines for the main two characters.", "jumping from one to the other. The problem I have no narrative writing", "probably an essay when I was 10 years old. For years a fictional", "older. To make this work for a reader I would have to intertwine", "experience of writing fiction. As a musician, I'm aware that you don't just", "head and not write it at all. --- Note I could just keep", "musician, I'm aware that you don't just pick up an instrument for the", "> > [Everyone has a book in them, but in most cases that’s", "have no writing skills. How should I tackle writing this story? (a) Practice", "stories that I'm not particularly interested in. Would that even help? (b) Write", "it in my head and not write it at all. --- Note I", "if makes sense? (c) Something else I haven't thought of? Or, I suppose,", "want to publish so I would have wasted my best story as a", "structuring a fictional work, let alone with interacting timelines. Basically I have no", "this work for a reader I would have to intertwine these stories, jumping", "have no experience of writing fiction. As a musician, I'm aware that you", "have one story in me (that I'm aware of). I have no writing", "an instrument for the first time and immediately start playing a virtuoso concerto.", "life affects what happens when they are older. To make this work for", "would have to intertwine these stories, jumping from one to the other. The", "> stay](https://interestingliterature.com/2015/04/who-said-everyone-has-a-book-in-them/) > > > I'm not an author. I'm retired. The last", "have struggles. There are two timelines for the main two characters. What happens", "that I want to publish so I would have wasted my best story", "story has been taking place in my mind. There are important characters and", "two timelines for the main two characters. What happens in their early life", "I could just keep it in my head. However if I invest in", "writing fiction. As a musician, I'm aware that you don't just pick up", "first time and immediately start playing a virtuoso concerto. It takes years of", "fiction. As a musician, I'm aware that you don't just pick up an", "it. Yet I have no confidence that a first novel would be any", "Practice writing lots of other short stories that I'm not particularly interested in.", "to publish so I would have wasted my best story as a learning", "years a fictional story has been taking place in my mind. There are", "their early life affects what happens when they are older. To make this", "> > I'm not an author. I'm retired. The last time I wrote", "It takes years of practice. Question I only have one story in me", "skills. How should I tackle writing this story? (a) Practice writing lots of", "I would have to intertwine these stories, jumping from one to the other.", "(that I'm aware of). I have no writing skills. How should I tackle", "to read it. Yet I have no confidence that a first novel would", "all. --- Note I could just keep it in my head. However if" ]
[ "and it all just comes together. Then, when I know where I'm going,", "can always look back and cut or add scenes if necessary. If you", "with a character and write what they do, and what obstacles they face,", "I can always look back and cut or add scenes if necessary. If", "character and write what they do, and what obstacles they face, and it", "planning takes all the fun out of it - by the time I've", "going, I can always look back and cut or add scenes if necessary.", "always look back and cut or add scenes if necessary. If you like", "I'd rather just sit down with a character and write what they do,", "they do, and what obstacles they face, and it all just comes together.", "rather just sit down with a character and write what they do, and", "my novel, I'm bored with it and don't want to write anymore. I'd", "planned my novel, I'm bored with it and don't want to write anymore.", "a character and write what they do, and what obstacles they face, and", "obstacles they face, and it all just comes together. Then, when I know", "all just comes together. Then, when I know where I'm going, I can", "write anymore. I'd rather just sit down with a character and write what", "if necessary. If you like planning, how do you make sure you don't", "and what obstacles they face, and it all just comes together. Then, when", "it all just comes together. Then, when I know where I'm going, I", "to write anymore. I'd rather just sit down with a character and write", "If you like planning, how do you make sure you don't get bored?", "takes all the fun out of it - by the time I've planned", "and don't want to write anymore. I'd rather just sit down with a", "I've planned my novel, I'm bored with it and don't want to write", "scenes if necessary. If you like planning, how do you make sure you", "fun out of it - by the time I've planned my novel, I'm", "I know where I'm going, I can always look back and cut or", "face, and it all just comes together. Then, when I know where I'm", "and write what they do, and what obstacles they face, and it all", "- by the time I've planned my novel, I'm bored with it and", "look back and cut or add scenes if necessary. If you like planning,", "out of it - by the time I've planned my novel, I'm bored", "just comes together. Then, when I know where I'm going, I can always", "sit down with a character and write what they do, and what obstacles", "it and don't want to write anymore. I'd rather just sit down with", "cut or add scenes if necessary. If you like planning, how do you", "I'm going, I can always look back and cut or add scenes if", "add scenes if necessary. If you like planning, how do you make sure", "I'm bored with it and don't want to write anymore. I'd rather just", "down with a character and write what they do, and what obstacles they", "don't want to write anymore. I'd rather just sit down with a character", "necessary. If you like planning, how do you make sure you don't get", "bored with it and don't want to write anymore. I'd rather just sit", "what they do, and what obstacles they face, and it all just comes", "what obstacles they face, and it all just comes together. Then, when I", "Then, when I know where I'm going, I can always look back and", "where I'm going, I can always look back and cut or add scenes", "or add scenes if necessary. If you like planning, how do you make", "novel, I'm bored with it and don't want to write anymore. I'd rather", "by the time I've planned my novel, I'm bored with it and don't", "write what they do, and what obstacles they face, and it all just", "comes together. Then, when I know where I'm going, I can always look", "with it and don't want to write anymore. I'd rather just sit down", "and cut or add scenes if necessary. If you like planning, how do", "all the fun out of it - by the time I've planned my", "For me, planning takes all the fun out of it - by the", "do, and what obstacles they face, and it all just comes together. Then,", "just sit down with a character and write what they do, and what", "anymore. I'd rather just sit down with a character and write what they", "the fun out of it - by the time I've planned my novel,", "me, planning takes all the fun out of it - by the time", "of it - by the time I've planned my novel, I'm bored with", "back and cut or add scenes if necessary. If you like planning, how", "know where I'm going, I can always look back and cut or add", "the time I've planned my novel, I'm bored with it and don't want", "want to write anymore. I'd rather just sit down with a character and", "they face, and it all just comes together. Then, when I know where", "when I know where I'm going, I can always look back and cut", "it - by the time I've planned my novel, I'm bored with it", "together. Then, when I know where I'm going, I can always look back", "time I've planned my novel, I'm bored with it and don't want to" ]
[ "I want in a way that the readers will understand what's happening. I", "and turns around. > > > \"Ah...ah...ah\" > > > He falls to", "He falls to his knees. > > > \"Haargh...argh...aargh.\" > > > That's", "Hot tears roll down his cheeks What I specifically want are the 'sounds'", "That's literally it. I'm not sure how to write what I want in", "what he's feeling, but his body reacts to it. If anyone has ever", "his cheeks* What I specifically want are the 'sounds' of crying, but truly", "crying, but truly agonized crying. The only thing I have at the moment", "He's breathing heavily. > > > \"Hah...hah...hah\" > > > He takes another", "with this character is that he doesn't understand what he's feeling, but his", "want to write, where the protagonist has just killed his brother and he", "The only thing I have at the moment is the following: > >", "> He takes another step away, and turns around. > > > \"Ah...ah...ah\"", "> > > He takes another step away, and turns around. > >", "away from his brother's body. He's breathing heavily. > > > \"Hah...hah...hah\" >", "that he doesn't understand what he's feeling, but his body reacts to it.", "of One Piece, the scene where ZaffyCD is > > crying at Ace's", "roll down his cheeks* What I specifically want are the 'sounds' of crying,", "> > \"Hah...hah...hah\" > > > He takes another step away, and turns", "at Ace's death > > > That is the kind of crying that", "happening. I don't want to explicitly state what's happening because the whole thing", "thing I have at the moment is the following: > > Mgook turns", "crying that I want to describe. I hope I have adequately described my", "I want to describe. I hope I have adequately described my dilemma. \\Edit:", "to cry. But I don't want to explicitly state that he's crying, either", "to his knees. > > > \"Haargh...argh...aargh.\" > > > That's literally it.", "but his body reacts to it. If anyone has ever watched the English", "crying. The only thing I have at the moment is the following: >", "> > > \"Ah...ah...ah\" > > > He falls to his knees. >", "> > That is the kind of crying that I want to describe.", "'sounds' of crying, but truly agonized crying. The only thing I have at", "> > > \"Haargh...argh...aargh.\" > > > That's literally it. I'm not sure", "> He falls to his knees. > > > \"Haargh...argh...aargh.\" > > >", "thing with this character is that he doesn't understand what he's feeling, but", "readers will understand what's happening. I don't want to explicitly state what's happening", "scene where ZaffyCD is > > crying at Ace's death > > >", "explicitly state that he's crying, either by stating it, or alluding to it,", "have at the moment is the following: > > Mgook turns around, stepping", "the following: > > Mgook turns around, stepping away from his brother's body.", "have adequately described my dilemma. \\Edit: I am writing a novel, not a", "the kind of crying that I want to describe. I hope I have", "to it. If anyone has ever watched the English dub of One Piece,", "ever watched the English dub of One Piece, the scene where ZaffyCD is", "body. He's breathing heavily. > > > \"Hah...hah...hah\" > > > He takes", "the moment is the following: > > Mgook turns around, stepping away from", "understand what's happening. I don't want to explicitly state what's happening because the", "dub of One Piece, the scene where ZaffyCD is > > crying at", "his knees. > > > \"Haargh...argh...aargh.\" > > > That's literally it. I'm", "understand what he's feeling, but his body reacts to it. If anyone has", "> > > He falls to his knees. > > > \"Haargh...argh...aargh.\" >", "cheeks* What I specifically want are the 'sounds' of crying, but truly agonized", "One Piece, the scene where ZaffyCD is > > crying at Ace's death", "cry. But I don't want to explicitly state that he's crying, either by", "away, and turns around. > > > \"Ah...ah...ah\" > > > He falls", "If anyone has ever watched the English dub of One Piece, the scene", "moment is the following: > > Mgook turns around, stepping away from his", "anyone has ever watched the English dub of One Piece, the scene where", "adequately described my dilemma. \\Edit: I am writing a novel, not a screenplay", "I hope I have adequately described my dilemma. \\Edit: I am writing a", "it, or alluding to it, like saying: Hot tears roll down his cheeks", "of scene that I want to write, where the protagonist has just killed", "want to explicitly state what's happening because the whole thing with this character", "will understand what's happening. I don't want to explicitly state what's happening because", "way that the readers will understand what's happening. I don't want to explicitly", "the readers will understand what's happening. I don't want to explicitly state what's", "\"Ah...ah...ah\" > > > He falls to his knees. > > > \"Haargh...argh...aargh.\"", "> > \"Haargh...argh...aargh.\" > > > That's literally it. I'm not sure how", "> > crying at Ace's death > > > That is the kind", "want in a way that the readers will understand what's happening. I don't", "> > Mgook turns around, stepping away from his brother's body. He's breathing", "because the whole thing with this character is that he doesn't understand what", "the whole thing with this character is that he doesn't understand what he's", "\"Haargh...argh...aargh.\" > > > That's literally it. I'm not sure how to write", "ZaffyCD is > > crying at Ace's death > > > That is", "just killed his brother and he starts to cry. But I don't want", "takes another step away, and turns around. > > > \"Ah...ah...ah\" > >", "He takes another step away, and turns around. > > > \"Ah...ah...ah\" >", "his brother and he starts to cry. But I don't want to explicitly", "how to write what I want in a way that the readers will", "I have adequately described my dilemma. \\Edit: I am writing a novel, not", "What I specifically want are the 'sounds' of crying, but truly agonized crying.", "crying, either by stating it, or alluding to it, like saying: Hot tears", "specifically want are the 'sounds' of crying, but truly agonized crying. The only", "state what's happening because the whole thing with this character is that he", "but truly agonized crying. The only thing I have at the moment is", "at the moment is the following: > > Mgook turns around, stepping away", "step away, and turns around. > > > \"Ah...ah...ah\" > > > He", "want to explicitly state that he's crying, either by stating it, or alluding", "turns around. > > > \"Ah...ah...ah\" > > > He falls to his", "and he starts to cry. But I don't want to explicitly state that", "protagonist has just killed his brother and he starts to cry. But I", "state that he's crying, either by stating it, or alluding to it, like", "another step away, and turns around. > > > \"Ah...ah...ah\" > > >", "doesn't understand what he's feeling, but his body reacts to it. If anyone", "alluding to it, like saying: Hot tears roll down his cheeks What I", "want to describe. I hope I have adequately described my dilemma. \\Edit: I", "he starts to cry. But I don't want to explicitly state that he's", "falls to his knees. > > > \"Haargh...argh...aargh.\" > > > That's literally", "down his cheeks What I specifically want are the 'sounds' of crying, but", "it, like saying: Hot tears roll down his cheeks What I specifically want", "tears roll down his cheeks* What I specifically want are the 'sounds' of", "where the protagonist has just killed his brother and he starts to cry.", "> > > That's literally it. I'm not sure how to write what", "what I want in a way that the readers will understand what's happening.", "literally it. I'm not sure how to write what I want in a", "breathing heavily. > > > \"Hah...hah...hah\" > > > He takes another step", "> \"Haargh...argh...aargh.\" > > > That's literally it. I'm not sure how to", "whole thing with this character is that he doesn't understand what he's feeling,", "only thing I have at the moment is the following: > > Mgook", "a specific kind of scene that I want to write, where the protagonist", "body reacts to it. If anyone has ever watched the English dub of", "reacts to it. If anyone has ever watched the English dub of One", "is a specific kind of scene that I want to write, where the", "I want to write, where the protagonist has just killed his brother and", "from his brother's body. He's breathing heavily. > > > \"Hah...hah...hah\" > >", "to it, like saying: Hot tears roll down his cheeks* What I specifically", "to explicitly state what's happening because the whole thing with this character is", "stepping away from his brother's body. He's breathing heavily. > > > \"Hah...hah...hah\"", "describe. I hope I have adequately described my dilemma. \\Edit: I am writing", "> > > That is the kind of crying that I want to", "scene that I want to write, where the protagonist has just killed his", "to describe. I hope I have adequately described my dilemma. \\Edit: I am", "has just killed his brother and he starts to cry. But I don't", "I specifically want are the 'sounds' of crying, but truly agonized crying. The", "what's happening. I don't want to explicitly state what's happening because the whole", "the English dub of One Piece, the scene where ZaffyCD is > >", "starts to cry. But I don't want to explicitly state that he's crying,", "don't want to explicitly state what's happening because the whole thing with this", "feeling, but his body reacts to it. If anyone has ever watched the", "English dub of One Piece, the scene where ZaffyCD is > > crying", "of crying that I want to describe. I hope I have adequately described", "hope I have adequately described my dilemma. \\Edit: I am writing a novel,", "don't want to explicitly state that he's crying, either by stating it, or", "watched the English dub of One Piece, the scene where ZaffyCD is >", "that he's crying, either by stating it, or alluding to it, like saying:", "around, stepping away from his brother's body. He's breathing heavily. > > >", "that I want to write, where the protagonist has just killed his brother", "I have at the moment is the following: > > Mgook turns around,", "> > > \"Hah...hah...hah\" > > > He takes another step away, and", "want are the 'sounds' of crying, but truly agonized crying. The only thing", "character is that he doesn't understand what he's feeling, but his body reacts", "or alluding to it, like saying: Hot tears roll down his cheeks* What", "to write, where the protagonist has just killed his brother and he starts", "Ace's death > > > That is the kind of crying that I", "it. I'm not sure how to write what I want in a way", "either by stating it, or alluding to it, like saying: Hot tears roll", "he's crying, either by stating it, or alluding to it, like saying: Hot", "by stating it, or alluding to it, like saying: Hot tears roll down", "> That is the kind of crying that I want to describe. I", "death > > > That is the kind of crying that I want", "the protagonist has just killed his brother and he starts to cry. But", "\"Hah...hah...hah\" > > > He takes another step away, and turns around. >", "That is the kind of crying that I want to describe. I hope", "write, where the protagonist has just killed his brother and he starts to", "kind of crying that I want to describe. I hope I have adequately", "his body reacts to it. If anyone has ever watched the English dub", "sure how to write what I want in a way that the readers", "his brother's body. He's breathing heavily. > > > \"Hah...hah...hah\" > > >", "that I want to describe. I hope I have adequately described my dilemma.", "brother's body. He's breathing heavily. > > > \"Hah...hah...hah\" > > > He", "is > > crying at Ace's death > > > That is the", "> > He falls to his knees. > > > \"Haargh...argh...aargh.\" > >", "this character is that he doesn't understand what he's feeling, but his body", "I'm not sure how to write what I want in a way that", "heavily. > > > \"Hah...hah...hah\" > > > He takes another step away,", "is that he doesn't understand what he's feeling, but his body reacts to", "crying at Ace's death > > > That is the kind of crying", "that the readers will understand what's happening. I don't want to explicitly state", "like saying: Hot tears roll down his cheeks* What I specifically want are", "he's feeling, but his body reacts to it. If anyone has ever watched", "agonized crying. The only thing I have at the moment is the following:", "is the following: > > Mgook turns around, stepping away from his brother's", "is the kind of crying that I want to describe. I hope I", "to explicitly state that he's crying, either by stating it, or alluding to", "> > \"Ah...ah...ah\" > > > He falls to his knees. > >", "> crying at Ace's death > > > That is the kind of", "I don't want to explicitly state that he's crying, either by stating it,", "to write what I want in a way that the readers will understand", "following: > > Mgook turns around, stepping away from his brother's body. He's", "explicitly state what's happening because the whole thing with this character is that", "I don't want to explicitly state what's happening because the whole thing with", "saying: Hot tears roll down his cheeks What I specifically want are the", "> That's literally it. I'm not sure how to write what I want", "write what I want in a way that the readers will understand what's", "brother and he starts to cry. But I don't want to explicitly state", "> Mgook turns around, stepping away from his brother's body. He's breathing heavily.", "are the 'sounds' of crying, but truly agonized crying. The only thing I", "he doesn't understand what he's feeling, but his body reacts to it. If", "around. > > > \"Ah...ah...ah\" > > > He falls to his knees.", "There is a specific kind of scene that I want to write, where", "it. If anyone has ever watched the English dub of One Piece, the", "in a way that the readers will understand what's happening. I don't want", "But I don't want to explicitly state that he's crying, either by stating", "> \"Hah...hah...hah\" > > > He takes another step away, and turns around.", "not sure how to write what I want in a way that the", "kind of scene that I want to write, where the protagonist has just", "killed his brother and he starts to cry. But I don't want to", "has ever watched the English dub of One Piece, the scene where ZaffyCD", "specific kind of scene that I want to write, where the protagonist has", "what's happening because the whole thing with this character is that he doesn't", "happening because the whole thing with this character is that he doesn't understand", "Piece, the scene where ZaffyCD is > > crying at Ace's death >", "Mgook turns around, stepping away from his brother's body. He's breathing heavily. >", "a way that the readers will understand what's happening. I don't want to", "knees. > > > \"Haargh...argh...aargh.\" > > > That's literally it. I'm not", "> \"Ah...ah...ah\" > > > He falls to his knees. > > >", "truly agonized crying. The only thing I have at the moment is the", "> > That's literally it. I'm not sure how to write what I", "of crying, but truly agonized crying. The only thing I have at the", "the 'sounds' of crying, but truly agonized crying. The only thing I have", "> > He takes another step away, and turns around. > > >", "the scene where ZaffyCD is > > crying at Ace's death > >", "stating it, or alluding to it, like saying: Hot tears roll down his", "turns around, stepping away from his brother's body. He's breathing heavily. > >", "where ZaffyCD is > > crying at Ace's death > > > That" ]
[ "emotionally charged dialogue, exposition – especially technical exposition, weighs down the story flow.", "to simplify the discussion and add tension, it still ended up very technical", "as I tried to simplify the discussion and add tension, it still ended", "an explanation for someone on her side in the debate having that sort", "Psychology and because I often debated my professors, including a section on debating", "Even presented in the middle of an emotionally charged dialogue, exposition – especially", "of my degrees is in Psychology and because I often debated my professors,", "panel of psychologists who came to her school. Because one of my degrees", "broad, general ideas. How do I include specific technical ideas in my fiction", "are helpful to explain the story? Are there any tips on that? Do", "uninterested may skim or skip over it to sections that are non-technical. Your", "what the degree required, and because I have a vast wealth of knowledge", "fact that because I studied far beyond what the degree required, and because", "psychology, the debate against the psychologists became technical. I had also studied Philosophy", "knowledge. Unfortunately, as much as I tried to simplify the discussion and add", "degree required, and because I have a vast wealth of knowledge about academic", "wealth of knowledge about academic psychology, the debate against the psychologists became technical.", "abuse from her father that pushed her to suicide, what she and her", "may skim or skip over it to sections that are non-technical. Your advice", "repeatedly failed and made her feel worse. Instead of only having flashbacks to", "had also studied Philosophy and the thinking skills I learned from it helped", "often debated my professors, including a section on debating psychologists was instrumental towards", "aspects in Meby Dekk. However, modern writing culture frowns on that. I hope", "exposition – especially technical exposition, weighs down the story flow. I remember Melville", "try to overcome her trauma, and why those attempts failed. In the story,", "who came to her school. Because one of my degrees is in Psychology", "the story, I explained why psychotherapy repeatedly failed and made her feel worse.", "why psychotherapy repeatedly failed and made her feel worse. Instead of only having", "one of my degrees is in Psychology and because I often debated my", "what she and her mother have done to try to overcome her trauma,", "Psychology. Unfortunately, that made the debate in my story even more technical. The", "to simplify their ideas into fiction; but those were very broad, general ideas.", "were able to simplify their ideas into fiction; but those were very broad,", "Instead of only having flashbacks to her psychotherapy sessions, I also had her", "parts. I’ve seen how philosophers like Sartre and Camus were able to simplify", "when those ideas are helpful to explain the story? Are there any tips", "simplify their ideas into fiction; but those were very broad, general ideas. How", "do I include specific technical ideas in my fiction when those ideas are", "be able to keep those aspects so that readers who are uninterested may", "explain the story? Are there any tips on that? Do I have to", "My difficulty, however, lies in the fact that because I studied far beyond", "add tension, it still ended up very technical in some parts. I’ve seen", "technical exposition, weighs down the story flow. I remember Melville including technical aspects", "fiction when those ideas are helpful to explain the story? Are there any", "I have to remove them? Even presented in the middle of an emotionally", "technical. The protagonist’s friend is an intellectual, and that’s how I provided an", "to try to overcome her trauma, and why those attempts failed. In the", "to explain the story? Are there any tips on that? Do I have", "also studied Philosophy and the thinking skills I learned from it helped shape", "the middle of an emotionally charged dialogue, exposition – especially technical exposition, weighs", "in the fact that because I studied far beyond what the degree required,", "story even more technical. The protagonist’s friend is an intellectual, and that’s how", "provided an explanation for someone on her side in the debate having that", "sort of knowledge. Unfortunately, as much as I tried to simplify the discussion", "an adolescent who commits suicide. The story explores the childhood abuse from her", "was instrumental towards explaining why psychotherapy failed. My difficulty, however, lies in the", "far beyond what the degree required, and because I have a vast wealth", "difficulty, however, lies in the fact that because I studied far beyond what", "and the thinking skills I learned from it helped shape my arguments against", "have done to try to overcome her trauma, and why those attempts failed.", "vast wealth of knowledge about academic psychology, the debate against the psychologists became", "middle of an emotionally charged dialogue, exposition – especially technical exposition, weighs down", "is an intellectual, and that’s how I provided an explanation for someone on", "that sort of knowledge. Unfortunately, as much as I tried to simplify the", "technical. I had also studied Philosophy and the thinking skills I learned from", "and her mother have done to try to overcome her trauma, and why", "story? Are there any tips on that? Do I have to remove them?", "attempts failed. In the story, I explained why psychotherapy repeatedly failed and made", "those attempts failed. In the story, I explained why psychotherapy repeatedly failed and", "of knowledge about academic psychology, the debate against the psychologists became technical. I", "someone on her side in the debate having that sort of knowledge. Unfortunately,", "knowledge about academic psychology, the debate against the psychologists became technical. I had", "her side in the debate having that sort of knowledge. Unfortunately, as much", "in the middle of an emotionally charged dialogue, exposition – especially technical exposition,", "frowns on that. I hope to be able to keep those aspects so", "Melville including technical aspects in Meby Dekk. However, modern writing culture frowns on", "Because one of my degrees is in Psychology and because I often debated", "of psychologists who came to her school. Because one of my degrees is", "psychotherapy sessions, I also had her and a friend of hers debate a", "failed. My difficulty, however, lies in the fact that because I studied far", "into fiction; but those were very broad, general ideas. How do I include", "modern writing culture frowns on that. I hope to be able to keep", "how philosophers like Sartre and Camus were able to simplify their ideas into", "failed and made her feel worse. Instead of only having flashbacks to her", "skim or skip over it to sections that are non-technical. Your advice is", "explores the childhood abuse from her father that pushed her to suicide, what", "Dekk. However, modern writing culture frowns on that. I hope to be able", "about academic psychology, the debate against the psychologists became technical. I had also", "have written a fiction novel about an adolescent who commits suicide. The story", "became technical. I had also studied Philosophy and the thinking skills I learned", "that’s how I provided an explanation for someone on her side in the", "explained why psychotherapy repeatedly failed and made her feel worse. Instead of only", "trauma, and why those attempts failed. In the story, I explained why psychotherapy", "Unfortunately, as much as I tried to simplify the discussion and add tension,", "studied Philosophy and the thinking skills I learned from it helped shape my", "had her and a friend of hers debate a panel of psychologists who", "a panel of psychologists who came to her school. Because one of my", "more technical. The protagonist’s friend is an intellectual, and that’s how I provided", "ideas into fiction; but those were very broad, general ideas. How do I", "presented in the middle of an emotionally charged dialogue, exposition – especially technical", "professors, including a section on debating psychologists was instrumental towards explaining why psychotherapy", "I often debated my professors, including a section on debating psychologists was instrumental", "to overcome her trauma, and why those attempts failed. In the story, I", "very broad, general ideas. How do I include specific technical ideas in my", "debate a panel of psychologists who came to her school. Because one of", "the debate in my story even more technical. The protagonist’s friend is an", "suicide, what she and her mother have done to try to overcome her", "I include specific technical ideas in my fiction when those ideas are helpful", "those ideas are helpful to explain the story? Are there any tips on", "I also had her and a friend of hers debate a panel of", "friend of hers debate a panel of psychologists who came to her school.", "written a fiction novel about an adolescent who commits suicide. The story explores", "specific technical ideas in my fiction when those ideas are helpful to explain", "in my fiction when those ideas are helpful to explain the story? Are", "have to remove them? Even presented in the middle of an emotionally charged", "dialogue, exposition – especially technical exposition, weighs down the story flow. I remember", "to suicide, what she and her mother have done to try to overcome", "an emotionally charged dialogue, exposition – especially technical exposition, weighs down the story", "Are there any tips on that? Do I have to remove them? Even", "technical ideas in my fiction when those ideas are helpful to explain the", "arguments against Psychology. Unfortunately, that made the debate in my story even more", "worse. Instead of only having flashbacks to her psychotherapy sessions, I also had", "only having flashbacks to her psychotherapy sessions, I also had her and a", "her psychotherapy sessions, I also had her and a friend of hers debate", "a vast wealth of knowledge about academic psychology, the debate against the psychologists", "it still ended up very technical in some parts. I’ve seen how philosophers", "required, and because I have a vast wealth of knowledge about academic psychology,", "for someone on her side in the debate having that sort of knowledge.", "are uninterested may skim or skip over it to sections that are non-technical.", "and that’s how I provided an explanation for someone on her side in", "towards explaining why psychotherapy failed. My difficulty, however, lies in the fact that", "novel about an adolescent who commits suicide. The story explores the childhood abuse", "tips on that? Do I have to remove them? Even presented in the", "were very broad, general ideas. How do I include specific technical ideas in", "in Psychology and because I often debated my professors, including a section on", "how I provided an explanation for someone on her side in the debate", "helpful to explain the story? Are there any tips on that? Do I", "readers who are uninterested may skim or skip over it to sections that", "so that readers who are uninterested may skim or skip over it to", "intellectual, and that’s how I provided an explanation for someone on her side", "academic psychology, the debate against the psychologists became technical. I had also studied", "a section on debating psychologists was instrumental towards explaining why psychotherapy failed. My", "The protagonist’s friend is an intellectual, and that’s how I provided an explanation", "in the debate having that sort of knowledge. Unfortunately, as much as I", "explaining why psychotherapy failed. My difficulty, however, lies in the fact that because", "childhood abuse from her father that pushed her to suicide, what she and", "having flashbacks to her psychotherapy sessions, I also had her and a friend", "my professors, including a section on debating psychologists was instrumental towards explaining why", "who are uninterested may skim or skip over it to sections that are", "my arguments against Psychology. Unfortunately, that made the debate in my story even", "and made her feel worse. Instead of only having flashbacks to her psychotherapy", "the fact that because I studied far beyond what the degree required, and", "and Camus were able to simplify their ideas into fiction; but those were", "and a friend of hers debate a panel of psychologists who came to", "I explained why psychotherapy repeatedly failed and made her feel worse. Instead of", "culture frowns on that. I hope to be able to keep those aspects", "I tried to simplify the discussion and add tension, it still ended up", "hers debate a panel of psychologists who came to her school. Because one", "sessions, I also had her and a friend of hers debate a panel", "on that. I hope to be able to keep those aspects so that", "my story even more technical. The protagonist’s friend is an intellectual, and that’s", "made her feel worse. Instead of only having flashbacks to her psychotherapy sessions,", "those aspects so that readers who are uninterested may skim or skip over", "the psychologists became technical. I had also studied Philosophy and the thinking skills", "exposition, weighs down the story flow. I remember Melville including technical aspects in", "beyond what the degree required, and because I have a vast wealth of", "psychotherapy repeatedly failed and made her feel worse. Instead of only having flashbacks", "seen how philosophers like Sartre and Camus were able to simplify their ideas", "some parts. I’ve seen how philosophers like Sartre and Camus were able to", "her to suicide, what she and her mother have done to try to", "fiction; but those were very broad, general ideas. How do I include specific", "the debate having that sort of knowledge. Unfortunately, as much as I tried", "on her side in the debate having that sort of knowledge. Unfortunately, as", "I remember Melville including technical aspects in Meby Dekk. However, modern writing culture", "side in the debate having that sort of knowledge. Unfortunately, as much as", "that because I studied far beyond what the degree required, and because I", "skills I learned from it helped shape my arguments against Psychology. Unfortunately, that", "include specific technical ideas in my fiction when those ideas are helpful to", "an intellectual, and that’s how I provided an explanation for someone on her", "adolescent who commits suicide. The story explores the childhood abuse from her father", "technical in some parts. I’ve seen how philosophers like Sartre and Camus were", "because I studied far beyond what the degree required, and because I have", "she and her mother have done to try to overcome her trauma, and", "psychologists became technical. I had also studied Philosophy and the thinking skills I", "thinking skills I learned from it helped shape my arguments against Psychology. Unfortunately,", "or skip over it to sections that are non-technical. Your advice is appreciated.", "school. Because one of my degrees is in Psychology and because I often", "a friend of hers debate a panel of psychologists who came to her", "a fiction novel about an adolescent who commits suicide. The story explores the", "that made the debate in my story even more technical. The protagonist’s friend", "I provided an explanation for someone on her side in the debate having", "Unfortunately, that made the debate in my story even more technical. The protagonist’s", "the debate against the psychologists became technical. I had also studied Philosophy and", "debating psychologists was instrumental towards explaining why psychotherapy failed. My difficulty, however, lies", "there any tips on that? Do I have to remove them? Even presented", "shape my arguments against Psychology. Unfortunately, that made the debate in my story", "Camus were able to simplify their ideas into fiction; but those were very", "of hers debate a panel of psychologists who came to her school. Because", "story explores the childhood abuse from her father that pushed her to suicide,", "feel worse. Instead of only having flashbacks to her psychotherapy sessions, I also", "I learned from it helped shape my arguments against Psychology. Unfortunately, that made", "who commits suicide. The story explores the childhood abuse from her father that", "debate having that sort of knowledge. Unfortunately, as much as I tried to", "of only having flashbacks to her psychotherapy sessions, I also had her and", "that pushed her to suicide, what she and her mother have done to", "instrumental towards explaining why psychotherapy failed. My difficulty, however, lies in the fact", "tension, it still ended up very technical in some parts. I’ve seen how", "friend is an intellectual, and that’s how I provided an explanation for someone", "able to simplify their ideas into fiction; but those were very broad, general", "debated my professors, including a section on debating psychologists was instrumental towards explaining", "that. I hope to be able to keep those aspects so that readers", "psychologists who came to her school. Because one of my degrees is in", "able to keep those aspects so that readers who are uninterested may skim", "but those were very broad, general ideas. How do I include specific technical", "including technical aspects in Meby Dekk. However, modern writing culture frowns on that.", "debate against the psychologists became technical. I had also studied Philosophy and the", "flow. I remember Melville including technical aspects in Meby Dekk. However, modern writing", "mother have done to try to overcome her trauma, and why those attempts", "about an adolescent who commits suicide. The story explores the childhood abuse from", "of an emotionally charged dialogue, exposition – especially technical exposition, weighs down the", "ideas are helpful to explain the story? Are there any tips on that?", "even more technical. The protagonist’s friend is an intellectual, and that’s how I", "and why those attempts failed. In the story, I explained why psychotherapy repeatedly", "the childhood abuse from her father that pushed her to suicide, what she", "debate in my story even more technical. The protagonist’s friend is an intellectual,", "explanation for someone on her side in the debate having that sort of", "to her school. Because one of my degrees is in Psychology and because", "– especially technical exposition, weighs down the story flow. I remember Melville including", "my fiction when those ideas are helpful to explain the story? Are there", "commits suicide. The story explores the childhood abuse from her father that pushed", "came to her school. Because one of my degrees is in Psychology and", "her feel worse. Instead of only having flashbacks to her psychotherapy sessions, I", "failed. In the story, I explained why psychotherapy repeatedly failed and made her", "pushed her to suicide, what she and her mother have done to try", "her and a friend of hers debate a panel of psychologists who came", "much as I tried to simplify the discussion and add tension, it still", "from her father that pushed her to suicide, what she and her mother", "protagonist’s friend is an intellectual, and that’s how I provided an explanation for", "general ideas. How do I include specific technical ideas in my fiction when", "from it helped shape my arguments against Psychology. Unfortunately, that made the debate", "because I have a vast wealth of knowledge about academic psychology, the debate", "tried to simplify the discussion and add tension, it still ended up very", "degrees is in Psychology and because I often debated my professors, including a", "I had also studied Philosophy and the thinking skills I learned from it", "that? Do I have to remove them? Even presented in the middle of", "also had her and a friend of hers debate a panel of psychologists", "and because I often debated my professors, including a section on debating psychologists", "including a section on debating psychologists was instrumental towards explaining why psychotherapy failed.", "simplify the discussion and add tension, it still ended up very technical in", "I’ve seen how philosophers like Sartre and Camus were able to simplify their", "down the story flow. I remember Melville including technical aspects in Meby Dekk.", "skip over it to sections that are non-technical. Your advice is appreciated. Thanks", "their ideas into fiction; but those were very broad, general ideas. How do", "done to try to overcome her trauma, and why those attempts failed. In", "story flow. I remember Melville including technical aspects in Meby Dekk. However, modern", "against Psychology. Unfortunately, that made the debate in my story even more technical.", "psychotherapy failed. My difficulty, however, lies in the fact that because I studied", "however, lies in the fact that because I studied far beyond what the", "discussion and add tension, it still ended up very technical in some parts.", "in my story even more technical. The protagonist’s friend is an intellectual, and", "I have a vast wealth of knowledge about academic psychology, the debate against", "story, I explained why psychotherapy repeatedly failed and made her feel worse. Instead", "Meby Dekk. However, modern writing culture frowns on that. I hope to be", "made the debate in my story even more technical. The protagonist’s friend is", "However, modern writing culture frowns on that. I hope to be able to", "in Meby Dekk. However, modern writing culture frowns on that. I hope to", "helped shape my arguments against Psychology. Unfortunately, that made the debate in my", "on that? Do I have to remove them? Even presented in the middle", "why psychotherapy failed. My difficulty, however, lies in the fact that because I", "fiction novel about an adolescent who commits suicide. The story explores the childhood", "any tips on that? Do I have to remove them? Even presented in", "remember Melville including technical aspects in Meby Dekk. However, modern writing culture frowns", "ended up very technical in some parts. I’ve seen how philosophers like Sartre", "hope to be able to keep those aspects so that readers who are", "weighs down the story flow. I remember Melville including technical aspects in Meby", "lies in the fact that because I studied far beyond what the degree", "ideas. How do I include specific technical ideas in my fiction when those", "to remove them? Even presented in the middle of an emotionally charged dialogue,", "her mother have done to try to overcome her trauma, and why those", "her trauma, and why those attempts failed. 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He later gets conclusive", "of the characters in my story believes that he is the chosen one", "not everyone believes that it actually happens, so any signals can't be so", "the real chosen one? If it helps at all, I don't really need", "important thing. One of the characters in my story believes that he is", "POV already knows he isn't really the chosen one. Also, it might not", "it actually happens, so any signals can't be so obvious that everyone in", "not a particularly uncommon occurrence in this world, but not everyone believes that", "occurrence in this world, but not everyone believes that it actually happens, so", "how or why anyone else would begin to believe that he is the", "being the chosen one is too strong, it will call into question the", "the signs. The question: What are some common signs of chosen ones that", "he isn't really the chosen one. Also, it might not be hard to", "place. Obviously, if the evidence for him being the chosen one is too", "other than the real chosen one? If it helps at all, I don't", "can't be so obvious that everyone in the kingdom would know the signs.", "back (like, 30-100 years; not really sure yet) a prophecy was given that", "that it actually happens, so any signals can't be so obvious that everyone", "gets conclusive proof from another character that he is not the chosen one.", "him on board initially, since he quite likes the idea of being the", "was given that basically outlined a chosen one. More specifically it outlines a", "or at least not for long, since another character POV already knows he", "really sure yet) a prophecy was given that basically outlined a chosen one.", "do an important thing. One of the characters in my story believes that", "chosen one is too strong, it will call into question the legitimacy of", "the legitimacy of the debunking. Reincarnating gods are also not a particularly uncommon", "isn't really the chosen one. Also, it might not be hard to get", "are wrong). He later gets conclusive proof from another character that he is", "to believe that he is the chosen one in the first place. Obviously,", "kingdom would know the signs. The question: What are some common signs of", "thing. One of the characters in my story believes that he is the", "be so obvious that everyone in the kingdom would know the signs. The", "so obvious that everyone in the kingdom would know the signs. The question:", "an important thing. One of the characters in my story believes that he", "chosen one. Also, it might not be hard to get him* on board", "strong, it will call into question the legitimacy of the debunking. Reincarnating gods", "don't really need to fool the reader, or at least not for long,", "to get him on board initially, since he quite likes the idea of", "will call into question the legitimacy of the debunking. Reincarnating gods are also", "groups and people around him (they are wrong). He later gets conclusive proof", "evidence for him being the chosen one is too strong, it will call", "chosen one. More specifically it outlines a reincarnate of a god who would", "than the real chosen one?* If it helps at all, I don't really", "to fool the reader, or at least not for long, since another character", "the chosen one is too strong, it will call into question the legitimacy", "reader, or at least not for long, since another character POV already knows", "chosen ones that could plausibly be found in someone other than the real", "the debunking. Reincarnating gods are also not a particularly uncommon occurrence in this", "at least not for long, since another character POV already knows he isn't", "have no idea how or why anyone else would begin to believe that", "have a fantasy world. A while back (like, 30-100 years; not really sure", "conclusive proof from another character that he is not the chosen one. The", "(he's wrong), and so do various groups and people around him (they are", "a fantasy world. A while back (like, 30-100 years; not really sure yet)", "The problem: I have no idea how or why anyone else would begin", "know the signs. The question:** What are some common signs of chosen ones", "need to fool the reader, or at least not for long, since another", "some common signs of chosen ones that could plausibly be found in someone", "since another character POV already knows he isn't really the chosen one. Also,", "into question the legitimacy of the debunking. Reincarnating gods are also not a", "a reincarnate of a god who would do an important thing. One of", "We have a fantasy world. A while back (like, 30-100 years; not really", "it outlines a reincarnate of a god who would do an important thing.", "a god who would do an important thing. One of the characters in", "people around him (they are wrong). He later gets conclusive proof from another", "why anyone else would begin to believe that he is the chosen one", "yet) a prophecy was given that basically outlined a chosen one. More specifically", "first place. Obviously, if the evidence for him being the chosen one is", "my story believes that he is the chosen one (he's wrong), and so", "Also, it might not be hard to get him* on board initially, since", "basically outlined a chosen one. More specifically it outlines a reincarnate of a", "problem: I have no idea how or why anyone else would begin to", "Reincarnating gods are also not a particularly uncommon occurrence in this world, but", "the chosen one in the first place. Obviously, if the evidence for him", "question the legitimacy of the debunking. Reincarnating gods are also not a particularly", "one in the first place. Obviously, if the evidence for him being the", "given that basically outlined a chosen one. More specifically it outlines a reincarnate", "are also not a particularly uncommon occurrence in this world, but not everyone", "common signs of chosen ones that could plausibly be found in someone other", "of the debunking. Reincarnating gods are also not a particularly uncommon occurrence in", "character POV already knows he isn't really the chosen one. Also, it might", "A while back (like, 30-100 years; not really sure yet) a prophecy was", "the kingdom would know the signs. The question:** What are some common signs", "He later gets conclusive proof from another character that he is not the", "for him being the chosen one is too strong, it will call into", "one is too strong, it will call into question the legitimacy of the", "wrong), and so do various groups and people around him (they are wrong).", "is not the chosen one. The problem:* I have no idea how or", "it helps at all, I don't really need to fool the reader, or", "reincarnate of a god who would do an important thing. One of the", "really need to fool the reader, or at least not for long, since", "around him (they are wrong). He later gets conclusive proof from another character", "are some common signs of chosen ones that could plausibly be found in", "sure yet) a prophecy was given that basically outlined a chosen one. More", "god who would do an important thing. One of the characters in my", "and so do various groups and people around him (they are wrong). He", "get him on board initially, since he quite likes the idea of being", "he is not the chosen one. The problem: I have no idea how", "someone other than the real chosen one?* If it helps at all, I", "real chosen one?* If it helps at all, I don't really need to", "be hard to get him on board initially, since he quite likes the", "and people around him (they are wrong). He later gets conclusive proof from", "gods are also not a particularly uncommon occurrence in this world, but not", "If it helps at all, I don't really need to fool the reader,", "the chosen one. Also, it might not be hard to get him on", "The setup: We have a fantasy world. A while back (like, 30-100 years;", "or why anyone else would begin to believe that he is the chosen", "that basically outlined a chosen one. More specifically it outlines a reincarnate of", "More specifically it outlines a reincarnate of a god who would do an", "that he is the chosen one in the first place. Obviously, if the", "world, but not everyone believes that it actually happens, so any signals can't", "believes that he is the chosen one (he's wrong), and so do various", "so any signals can't be so obvious that everyone in the kingdom would", "in this world, but not everyone believes that it actually happens, so any", "proof from another character that he is not the chosen one. The problem:", "setup:** We have a fantasy world. A while back (like, 30-100 years; not" ]
[ "do enjoy writing about the universe of \"book a\" a lot, so I'm", "an unrelated series before finishing my first series? If my wording was too", "series. I have an idea for the next book in that series (let's", "takes place in another universe (let's call it \"book b\"). I want to", "done with. I feel like starting another before then might confuse me. To", "of \"book a\" a lot, so I'm not quite sure what to do", "lot, so I'm not quite sure what to do right now. Is it", "do right now. Is it advisable to begin writing a book in an", "next book in that series (let's call it \"book a\"), but I also", "want to write \"book b\" badly, but I feel I should get my", "my mind which takes place in another universe (let's call it \"book b\").", "which takes place in another universe (let's call it \"book b\"). I want", "first series? If my wording was too confusing, let me know and I'll", "writing the first book in a series. I have an idea for the", "now. Is it advisable to begin writing a book in an unrelated series", "a\"), but I also have another idea brewing in my mind which takes", "my first series over and done with. I feel like starting another before", "series before finishing my first series? If my wording was too confusing, let", "writing about the universe of \"book a\" a lot, so I'm not quite", "call it \"book a\"), but I also have another idea brewing in my", "with. I feel like starting another before then might confuse me. To be", "b\"). I want to write \"book b\" badly, but I feel I should", "begin writing a book in an unrelated series before finishing my first series?", "sure what to do right now. Is it advisable to begin writing a", "in another universe (let's call it \"book b\"). I want to write \"book", "If my wording was too confusing, let me know and I'll try to", "and done with. I feel like starting another before then might confuse me.", "another universe (let's call it \"book b\"). I want to write \"book b\"", "get my first series over and done with. I feel like starting another", "about done writing the first book in a series. I have an idea", "\"book a\" a lot, so I'm not quite sure what to do right", "call it \"book b\"). I want to write \"book b\" badly, but I", "wording was too confusing, let me know and I'll try to help. :)", "place in another universe (let's call it \"book b\"). I want to write", "idea brewing in my mind which takes place in another universe (let's call", "universe (let's call it \"book b\"). I want to write \"book b\" badly,", "my wording was too confusing, let me know and I'll try to help.", "the first book in a series. I have an idea for the next", "another idea brewing in my mind which takes place in another universe (let's", "advisable to begin writing a book in an unrelated series before finishing my", "writing a book in an unrelated series before finishing my first series?** If", "enjoy writing about the universe of \"book a\" a lot, so I'm not", "I do enjoy writing about the universe of \"book a\" a lot, so", "not quite sure what to do right now. Is it advisable to begin", "an idea for the next book in that series (let's call it \"book", "I should get my first series over and done with. I feel like", "the universe of \"book a\" a lot, so I'm not quite sure what", "badly, but I feel I should get my first series over and done", "first book in a series. I have an idea for the next book", "unrelated series before finishing my first series? If my wording was too confusing,", "also have another idea brewing in my mind which takes place in another", "in my mind which takes place in another universe (let's call it \"book", "I feel I should get my first series over and done with. I", "be clear, I do enjoy writing about the universe of \"book a\" a", "but I feel I should get my first series over and done with.", "To be clear, I do enjoy writing about the universe of \"book a\"", "done writing the first book in a series. I have an idea for", "book in that series (let's call it \"book a\"), but I also have", "\"book a\"), but I also have another idea brewing in my mind which", "my first series? If my wording was too confusing, let me know and", "feel like starting another before then might confuse me. To be clear, I", "just about done writing the first book in a series. I have an", "what to do right now. Is it advisable to begin writing a book", "write \"book b\" badly, but I feel I should get my first series", "might confuse me. To be clear, I do enjoy writing about the universe", "feel I should get my first series over and done with. I feel", "I feel like starting another before then might confuse me. To be clear,", "a lot, so I'm not quite sure what to do right now. Is", "idea for the next book in that series (let's call it \"book a\"),", "mind which takes place in another universe (let's call it \"book b\"). I", "\"book b\"). I want to write \"book b\" badly, but I feel I", "I want to write \"book b\" badly, but I feel I should get", "before finishing my first series? If my wording was too confusing, let me", "brewing in my mind which takes place in another universe (let's call it", "starting another before then might confuse me. To be clear, I do enjoy", "the next book in that series (let's call it \"book a\"), but I", "another before then might confuse me. To be clear, I do enjoy writing", "a book in an unrelated series before finishing my first series? If my", "\"book b\" badly, but I feel I should get my first series over", "I also have another idea brewing in my mind which takes place in", "that series (let's call it \"book a\"), but I also have another idea", "quite sure what to do right now. Is it advisable to begin writing", "in an unrelated series before finishing my first series? If my wording was", "it \"book a\"), but I also have another idea brewing in my mind", "to begin writing a book in an unrelated series before finishing my first", "universe of \"book a\" a lot, so I'm not quite sure what to", "have an idea for the next book in that series (let's call it", "(let's call it \"book b\"). I want to write \"book b\" badly, but", "first series over and done with. I feel like starting another before then", "I'm not quite sure what to do right now. Is it advisable to", "finishing my first series? If my wording was too confusing, let me know", "for the next book in that series (let's call it \"book a\"), but", "book in an unrelated series before finishing my first series? If my wording", "right now. *Is it advisable to begin writing a book in an unrelated", "about the universe of \"book a\" a lot, so I'm not quite sure", "series (let's call it \"book a\"), but I also have another idea brewing", "book in a series. I have an idea for the next book in", "have another idea brewing in my mind which takes place in another universe", "like starting another before then might confuse me. To be clear, I do", "but I also have another idea brewing in my mind which takes place", "series over and done with. I feel like starting another before then might", "me. To be clear, I do* enjoy writing about the universe of \"book", "it \"book b\"). I want to write \"book b\" badly, but I feel", "over and done with. I feel like starting another before then might confuse", "in a series. I have an idea for the next book in that", "am just about done writing the first book in a series. I have", "a series. I have an idea for the next book in that series", "to do right now. *Is it advisable to begin writing a book in", "it advisable to begin writing a book in an unrelated series before finishing", "to write \"book b\" badly, but I feel I should get my first", "before then might confuse me. To be clear, I do* enjoy writing about", "Is it advisable to begin writing a book in an unrelated series before", "should get my first series over and done with. I feel like starting", "b\" badly, but I feel I should get my first series over and", "I have an idea for the next book in that series (let's call", "so I'm not quite sure what to do right now. Is it advisable", "a\" a lot, so I'm not quite sure what to do right now.", "clear, I do enjoy writing about the universe of \"book a\" a lot,", "in that series (let's call it \"book a\"), but I also have another", "then might confuse me. To be clear, I do enjoy writing about the", "series?** If my wording was too confusing, let me know and I'll try", "(let's call it \"book a\"), but I also have another idea brewing in", "confuse me. To be clear, I do enjoy writing about the universe of", "I am just about done writing the first book in a series. I" ]
[ "need help with writing my short story, I don't want to make it", "I just need help with writing my short story, I don't want to", "just need help with writing my short story, I don't want to make", "don't want to make it too long and I don't know if I'm", "short story, I don't want to make it too long and I don't", "it too long and I don't know if I'm over thinking this. Help?", "I don't want to make it too long and I don't know if", "want to make it too long and I don't know if I'm over", "story, I don't want to make it too long and I don't know", "to make it too long and I don't know if I'm over thinking", "my short story, I don't want to make it too long and I", "help with writing my short story, I don't want to make it too", "make it too long and I don't know if I'm over thinking this.", "with writing my short story, I don't want to make it too long", "writing my short story, I don't want to make it too long and" ]
[ "it comes to paragraph length. Most of my paragraphs are around 2-3 sentences,", "to aim for around 5-6 sentences per paragraph. I am now trying to", "I've seen books use very few sentences per paragraph. Are there any guidelines", "Are there any guidelines to follow or ways to tell if your paragraphs", "students are told to aim for around 5-6 sentences per paragraph. I am", "to write fiction, fantasy specifically, but am hitting a wall when it comes", "paragraph. Are there any guidelines to follow or ways to tell if your", "high school and even college most students are told to aim for around", "per paragraph. Are there any guidelines to follow or ways to tell if", "around 5-6 sentences per paragraph. I am now trying to write fiction, fantasy", "but am hitting a wall when it comes to paragraph length. Most of", "I know I've seen books use very few sentences per paragraph. Are there", "told to aim for around 5-6 sentences per paragraph. I am now trying", "comes to paragraph length. Most of my paragraphs are around 2-3 sentences, sometimes", "even college most students are told to aim for around 5-6 sentences per", "around 2-3 sentences, sometimes more, sometimes less. I feel like I'm violating some", "I'm violating some rule but I know I've seen books use very few", "school and even college most students are told to aim for around 5-6", "5-6 sentences per paragraph. I am now trying to write fiction, fantasy specifically,", "feel like I'm violating some rule but I know I've seen books use", "2-3 sentences, sometimes more, sometimes less. I feel like I'm violating some rule", "most students are told to aim for around 5-6 sentences per paragraph. I", "In high school and even college most students are told to aim for", "some rule but I know I've seen books use very few sentences per", "more, sometimes less. I feel like I'm violating some rule but I know", "my paragraphs are around 2-3 sentences, sometimes more, sometimes less. I feel like", "like I'm violating some rule but I know I've seen books use very", "fantasy specifically, but am hitting a wall when it comes to paragraph length.", "of my paragraphs are around 2-3 sentences, sometimes more, sometimes less. I feel", "few sentences per paragraph. Are there any guidelines to follow or ways to", "to paragraph length. Most of my paragraphs are around 2-3 sentences, sometimes more,", "Most of my paragraphs are around 2-3 sentences, sometimes more, sometimes less. I", "specifically, but am hitting a wall when it comes to paragraph length. Most", "am hitting a wall when it comes to paragraph length. Most of my", "guidelines to follow or ways to tell if your paragraphs are too short/long?", "I am now trying to write fiction, fantasy specifically, but am hitting a", "know I've seen books use very few sentences per paragraph. Are there any", "sentences per paragraph. I am now trying to write fiction, fantasy specifically, but", "fiction, fantasy specifically, but am hitting a wall when it comes to paragraph", "sometimes more, sometimes less. I feel like I'm violating some rule but I", "paragraph. I am now trying to write fiction, fantasy specifically, but am hitting", "hitting a wall when it comes to paragraph length. Most of my paragraphs", "paragraphs are around 2-3 sentences, sometimes more, sometimes less. I feel like I'm", "rule but I know I've seen books use very few sentences per paragraph.", "a wall when it comes to paragraph length. Most of my paragraphs are", "when it comes to paragraph length. Most of my paragraphs are around 2-3", "use very few sentences per paragraph. Are there any guidelines to follow or", "length. Most of my paragraphs are around 2-3 sentences, sometimes more, sometimes less.", "sentences per paragraph. Are there any guidelines to follow or ways to tell", "wall when it comes to paragraph length. Most of my paragraphs are around", "now trying to write fiction, fantasy specifically, but am hitting a wall when", "per paragraph. I am now trying to write fiction, fantasy specifically, but am", "are told to aim for around 5-6 sentences per paragraph. I am now", "less. I feel like I'm violating some rule but I know I've seen", "but I know I've seen books use very few sentences per paragraph. Are", "sometimes less. I feel like I'm violating some rule but I know I've", "violating some rule but I know I've seen books use very few sentences", "very few sentences per paragraph. Are there any guidelines to follow or ways", "any guidelines to follow or ways to tell if your paragraphs are too", "sentences, sometimes more, sometimes less. I feel like I'm violating some rule but", "am now trying to write fiction, fantasy specifically, but am hitting a wall", "I feel like I'm violating some rule but I know I've seen books", "aim for around 5-6 sentences per paragraph. I am now trying to write", "are around 2-3 sentences, sometimes more, sometimes less. I feel like I'm violating", "paragraph length. Most of my paragraphs are around 2-3 sentences, sometimes more, sometimes", "college most students are told to aim for around 5-6 sentences per paragraph.", "there any guidelines to follow or ways to tell if your paragraphs are", "and even college most students are told to aim for around 5-6 sentences", "seen books use very few sentences per paragraph. Are there any guidelines to", "for around 5-6 sentences per paragraph. I am now trying to write fiction,", "write fiction, fantasy specifically, but am hitting a wall when it comes to", "trying to write fiction, fantasy specifically, but am hitting a wall when it", "books use very few sentences per paragraph. Are there any guidelines to follow" ]
[ "when the main character is helping others escape prison, she accidentally reveals herself", "main character swoop in as the hero, but I'm not sure which version", "of her revealing herself and instead have someone else do it and have", "her revealing herself and instead have someone else do it and have my", "to do. Edit: Thanks to @M.A.Golding and @FeRD for pointing out that I", "should I keep it or scrap it? I do have a backup idea", "indirectly killing someone, but should I keep it or scrap it? I do", "people she was trying to rescue. Is this too brutal? I don't want", "do have a backup idea that could easily take the place of her", "which version to do. Edit: Thanks to @M.A.Golding and @FeRD for pointing out", "scrap it? I do have a backup idea that could easily take the", "down and kill one of the people she was trying to rescue. Is", "her down and kill one of the people she was trying to rescue.", "and have my main character swoop in as the hero, but I'm not", "there is a part in the book where when the main character is", "and @FeRD for pointing out that I should add that the prisoners were", "main character is helping others escape prison, she accidentally reveals herself to the", "escape prison, she accidentally reveals herself to the prison guards who chase her", "hate the main character for indirectly killing someone, but should I keep it", "but I'm not sure which version to do. Edit: Thanks to @M.A.Golding and", "to @M.A.Golding and @FeRD for pointing out that I should add that the", "where when the main character is helping others escape prison, she accidentally reveals", "character is helping others escape prison, she accidentally reveals herself to the prison", "herself to the prison guards who chase her down and kill one of", "want my reader to hate the main character for indirectly killing someone, but", "place of her revealing herself and instead have someone else do it and", "someone else do it and have my main character swoop in as the", "do. Edit: Thanks to @M.A.Golding and @FeRD for pointing out that I should", "a backup idea that could easily take the place of her revealing herself", "she accidentally reveals herself to the prison guards who chase her down and", "have a backup idea that could easily take the place of her revealing", "I don't want my reader to hate the main character for indirectly killing", "a part in the book where when the main character is helping others", "brutal? I don't want my reader to hate the main character for indirectly", "version to do. Edit: Thanks to @M.A.Golding and @FeRD for pointing out that", "and there is a part in the book where when the main character", "it? I do have a backup idea that could easily take the place", "the main character for indirectly killing someone, but should I keep it or", "is helping others escape prison, she accidentally reveals herself to the prison guards", "swoop in as the hero, but I'm not sure which version to do.", "in as the hero, but I'm not sure which version to do. Edit:", "book where when the main character is helping others escape prison, she accidentally", "idea that could easily take the place of her revealing herself and instead", "my main character swoop in as the hero, but I'm not sure which", "do it and have my main character swoop in as the hero, but", "@M.A.Golding and @FeRD for pointing out that I should add that the prisoners", "kill one of the people she was trying to rescue. Is this too", "she was trying to rescue. Is this too brutal? I don't want my", "trying to rescue. Is this too brutal? I don't want my reader to", "the main character is helping others escape prison, she accidentally reveals herself to", "main character for indirectly killing someone, but should I keep it or scrap", "reader to hate the main character for indirectly killing someone, but should I", "part in the book where when the main character is helping others escape", "Edit: Thanks to @M.A.Golding and @FeRD for pointing out that I should add", "sure which version to do. Edit: Thanks to @M.A.Golding and @FeRD for pointing", "of the people she was trying to rescue. Is this too brutal? I", "the book where when the main character is helping others escape prison, she", "who chase her down and kill one of the people she was trying", "keep it or scrap it? I do have a backup idea that could", "have someone else do it and have my main character swoop in as", "backup idea that could easily take the place of her revealing herself and", "to hate the main character for indirectly killing someone, but should I keep", "the prison guards who chase her down and kill one of the people", "reveals herself to the prison guards who chase her down and kill one", "the people she was trying to rescue. Is this too brutal? I don't", "someone, but should I keep it or scrap it? I do have a", "prison guards who chase her down and kill one of the people she", "too brutal? I don't want my reader to hate the main character for", "I'm not sure which version to do. Edit: Thanks to @M.A.Golding and @FeRD", "was trying to rescue. Is this too brutal? I don't want my reader", "in the book where when the main character is helping others escape prison,", "revealing herself and instead have someone else do it and have my main", "that could easily take the place of her revealing herself and instead have", "one of the people she was trying to rescue. Is this too brutal?", "easily take the place of her revealing herself and instead have someone else", "herself and instead have someone else do it and have my main character", "is a part in the book where when the main character is helping", "Is this too brutal? I don't want my reader to hate the main", "but should I keep it or scrap it? I do have a backup", "for indirectly killing someone, but should I keep it or scrap it? I", "else do it and have my main character swoop in as the hero,", "to rescue. Is this too brutal? I don't want my reader to hate", "take the place of her revealing herself and instead have someone else do", "the place of her revealing herself and instead have someone else do it", "rescue. Is this too brutal? I don't want my reader to hate the", "I do have a backup idea that could easily take the place of", "have my main character swoop in as the hero, but I'm not sure", "I'm rereading my draft, and there is a part in the book where", "as the hero, but I'm not sure which version to do. Edit: Thanks", "helping others escape prison, she accidentally reveals herself to the prison guards who", "killing someone, but should I keep it or scrap it? I do have", "guards who chase her down and kill one of the people she was", "@FeRD for pointing out that I should add that the prisoners were wrongfully", "draft, and there is a part in the book where when the main", "others escape prison, she accidentally reveals herself to the prison guards who chase", "my draft, and there is a part in the book where when the", "character for indirectly killing someone, but should I keep it or scrap it?", "to the prison guards who chase her down and kill one of the", "or scrap it? I do have a backup idea that could easily take", "could easily take the place of her revealing herself and instead have someone", "this too brutal? I don't want my reader to hate the main character", "and kill one of the people she was trying to rescue. Is this", "Thanks to @M.A.Golding and @FeRD for pointing out that I should add that", "don't want my reader to hate the main character for indirectly killing someone,", "instead have someone else do it and have my main character swoop in", "character swoop in as the hero, but I'm not sure which version to", "my reader to hate the main character for indirectly killing someone, but should", "hero, but I'm not sure which version to do. Edit: Thanks to @M.A.Golding", "not sure which version to do. Edit: Thanks to @M.A.Golding and @FeRD for", "for pointing out that I should add that the prisoners were wrongfully imprisoned.", "rereading my draft, and there is a part in the book where when", "and instead have someone else do it and have my main character swoop", "prison, she accidentally reveals herself to the prison guards who chase her down", "it and have my main character swoop in as the hero, but I'm", "it or scrap it? I do have a backup idea that could easily", "chase her down and kill one of the people she was trying to", "the hero, but I'm not sure which version to do. Edit: Thanks to", "I keep it or scrap it? I do have a backup idea that", "accidentally reveals herself to the prison guards who chase her down and kill" ]
[ "should get behind them at some point - at least that's the impression", "character then it's OK to have an unlikable character\", but this suggests that", "to be the case? And if so, why? The obvious answer is usually", "case? And if so, why? The obvious answer is usually \"as long as", "need to be the case? And if so, why? The obvious answer is", "at least that's the impression I get. However, does this really need to", "herself by the end alright.) But is this considered bad writing practice, and", "secondary character gets a bit of character development and does end up subtlely", "doesn't redeem himself at the end, and dies thanks to his own arrogance.", "least that's the impression I get. However, does this really need to be", "get the reader behind them or to \"root\" for them, or they should", "\"root\" for them, or they should learn and be redeemed by the end", "long as you have a compelling / interesting / engaging enough story /", "obvious answer is usually \"as long as you have a compelling / interesting", "character should be likable. (That you need the rest of the story to", "the secondary character's life when it would have been safer for him to", "he saves the secondary character's life when it would have been safer for", "behind them at some point - at least that's the impression I get.", "modesty about that, BTW. He doesn't redeem himself at the end, and dies", "should learn and be redeemed by the end - whatever happens, the reader", "point - at least that's the impression I get. However, does this really", "there isn't a hint of modesty about that, BTW. He doesn't redeem himself", "and dies thanks to his own arrogance. (The secondary character gets a bit", "that the main character of your story should be likable or even if", "/ character then it's OK to have an unlikable character\", but this suggests", "dick - he's selfish, arrogant and grumpy, and tries to find blame in", "away, but that's about it - and there isn't a hint of modesty", "end, and dies thanks to his own arrogance. (The secondary character gets a", "(That you need the rest of the story to be better to compensate", "be redeemed by the end - whatever happens, the reader should get behind", "even if flawed should be something about them to get the reader behind", "arrogant and grumpy, and tries to find blame in others for everything wrong", "- at least that's the impression I get. However, does this really need", "reading that the main character of your story should be likable or even", "to compensate for the unlikable character) In my idea, the protagonist is a", "in others for everything wrong with his life. He commits one uncharacteristically heroic", "himself at the end, and dies thanks to his own arrogance. (The secondary", "them to get the reader behind them or to \"root\" for them, or", "beginning of the story, where he saves the secondary character's life when it", "blame in others for everything wrong with his life. He commits one uncharacteristically", "be the case? And if so, why? The obvious answer is usually \"as", "to his own arrogance. (The secondary character gets a bit of character development", "idea, the protagonist is a bit of a dick - he's selfish, arrogant", "things being equal, your character should be likable. (That you need the rest", "the main character of your story should be likable or even if flawed", "you have a compelling / interesting / engaging enough story / character then", "the impression I get. However, does this really need to be the case?", "find blame in others for everything wrong with his life. He commits one", "the protagonist is a bit of a dick - he's selfish, arrogant and", "at the beginning of the story, where he saves the secondary character's life", "I get. However, does this really need to be the case? And if", "impression I get. However, does this really need to be the case? And", "all other things being equal, your character should be likable. (That you need", "of your story should be likable or even if flawed should be something", "character development and does end up subtlely redeeming herself by the end alright.)", "hint of modesty about that, BTW. He doesn't redeem himself at the end,", "to \"root\" for them, or they should learn and be redeemed by the", "really need to be the case? And if so, why? The obvious answer", "him to just run away, but that's about it - and there isn't", "own arrogance. (The secondary character gets a bit of character development and does", "or to \"root\" for them, or they should learn and be redeemed by", "protagonist is a bit of a dick - he's selfish, arrogant and grumpy,", "should be likable or even if flawed should be something about them to", "the end - whatever happens, the reader should get behind them at some", "have been safer for him to just run away, but that's about it", "get. However, does this really need to be the case? And if so,", "heroic act at the beginning of the story, where he saves the secondary", "or even if flawed should be something about them to get the reader", "by the end alright.) But is this considered bad writing practice, and if", "when it would have been safer for him to just run away, but", "that, BTW. He doesn't redeem himself at the end, and dies thanks to", "them, or they should learn and be redeemed by the end - whatever", "get behind them at some point - at least that's the impression I", "likable. (That you need the rest of the story to be better to", "the story, where he saves the secondary character's life when it would have", "the beginning of the story, where he saves the secondary character's life when", "(The secondary character gets a bit of character development and does end up", "at the end, and dies thanks to his own arrogance. (The secondary character", "they should learn and be redeemed by the end - whatever happens, the", "does end up subtlely redeeming herself by the end alright.) But is this", "subtlely redeeming herself by the end alright.) But is this considered bad writing", "likable or even if flawed should be something about them to get the", "some point - at least that's the impression I get. However, does this", "and be redeemed by the end - whatever happens, the reader should get", "suggests that all other things being equal, your character should be likable. (That", "where he saves the secondary character's life when it would have been safer", "behind them or to \"root\" for them, or they should learn and be", "this suggests that all other things being equal, your character should be likable.", "that's the impression I get. However, does this really need to be the", "reader behind them or to \"root\" for them, or they should learn and", "enough story / character then it's OK to have an unlikable character\", but", "of modesty about that, BTW. He doesn't redeem himself at the end, and", "end up subtlely redeeming herself by the end alright.) But is this considered", "is usually \"as long as you have a compelling / interesting / engaging", "it would have been safer for him to just run away, but that's", "he's selfish, arrogant and grumpy, and tries to find blame in others for", "wrong with his life. He commits one uncharacteristically heroic act at the beginning", "run away, but that's about it - and there isn't a hint of", "be likable. (That you need the rest of the story to be better", "and does end up subtlely redeeming herself by the end alright.) But is", "development and does end up subtlely redeeming herself by the end alright.) But", "if flawed should be something about them to get the reader behind them", "end alright.) But is this considered bad writing practice, and if so, why?", "be likable or even if flawed should be something about them to get", "by the end - whatever happens, the reader should get behind them at", "if so, why? The obvious answer is usually \"as long as you have", "tries to find blame in others for everything wrong with his life. He", "the end alright.) But is this considered bad writing practice, and if so,", "interesting / engaging enough story / character then it's OK to have an", "And if so, why? The obvious answer is usually \"as long as you", "just run away, but that's about it - and there isn't a hint", "the reader should get behind them at some point - at least that's", "/ engaging enough story / character then it's OK to have an unlikable", "to find blame in others for everything wrong with his life. He commits", "gets a bit of character development and does end up subtlely redeeming herself", "of a dick - he's selfish, arrogant and grumpy, and tries to find", "to just run away, but that's about it - and there isn't a", "He doesn't redeem himself at the end, and dies thanks to his own", "of character development and does end up subtlely redeeming herself by the end", "be better to compensate for the unlikable character) In my idea, the protagonist", "the rest of the story to be better to compensate for the unlikable", "it - and there isn't a hint of modesty about that, BTW. He", "life when it would have been safer for him to just run away,", "or they should learn and be redeemed by the end - whatever happens,", "being equal, your character should be likable. (That you need the rest of", "whatever happens, the reader should get behind them at some point - at", "I am often hearing / reading that the main character of your story", "commits one uncharacteristically heroic act at the beginning of the story, where he", "a hint of modesty about that, BTW. He doesn't redeem himself at the", "often hearing / reading that the main character of your story should be", "secondary character's life when it would have been safer for him to just", "equal, your character should be likable. (That you need the rest of the", "have an unlikable character\", but this suggests that all other things being equal,", "redeemed by the end - whatever happens, the reader should get behind them", "grumpy, and tries to find blame in others for everything wrong with his", "bit of character development and does end up subtlely redeeming herself by the", "/ reading that the main character of your story should be likable or", "about them to get the reader behind them or to \"root\" for them,", "He commits one uncharacteristically heroic act at the beginning of the story, where", "character) In my idea, the protagonist is a bit of a dick -", "end - whatever happens, the reader should get behind them at some point", "of the story to be better to compensate for the unlikable character) In", "with his life. He commits one uncharacteristically heroic act at the beginning of", "of the story, where he saves the secondary character's life when it would", "- and there isn't a hint of modesty about that, BTW. He doesn't", "at some point - at least that's the impression I get. However, does", "unlikable character\", but this suggests that all other things being equal, your character", "them or to \"root\" for them, or they should learn and be redeemed", "a bit of a dick - he's selfish, arrogant and grumpy, and tries", "compelling / interesting / engaging enough story / character then it's OK to", "thanks to his own arrogance. (The secondary character gets a bit of character", "The obvious answer is usually \"as long as you have a compelling /", "everything wrong with his life. He commits one uncharacteristically heroic act at the", "should be likable. (That you need the rest of the story to be", "so, why? The obvious answer is usually \"as long as you have a", "the unlikable character) In my idea, the protagonist is a bit of a", "the end, and dies thanks to his own arrogance. (The secondary character gets", "it's OK to have an unlikable character\", but this suggests that all other", "need the rest of the story to be better to compensate for the", "life. He commits one uncharacteristically heroic act at the beginning of the story,", "dies thanks to his own arrogance. (The secondary character gets a bit of", "character gets a bit of character development and does end up subtlely redeeming", "this really need to be the case? And if so, why? The obvious", "be something about them to get the reader behind them or to \"root\"", "that all other things being equal, your character should be likable. (That you", "selfish, arrogant and grumpy, and tries to find blame in others for everything", "/ interesting / engaging enough story / character then it's OK to have", "story to be better to compensate for the unlikable character) In my idea,", "but that's about it - and there isn't a hint of modesty about", "redeem himself at the end, and dies thanks to his own arrogance. (The", "the case? And if so, why? The obvious answer is usually \"as long", "been safer for him to just run away, but that's about it -", "your character should be likable. (That you need the rest of the story", "and tries to find blame in others for everything wrong with his life.", "- he's selfish, arrogant and grumpy, and tries to find blame in others", "others for everything wrong with his life. He commits one uncharacteristically heroic act", "redeeming herself by the end alright.) But is this considered bad writing practice,", "usually \"as long as you have a compelling / interesting / engaging enough", "arrogance. (The secondary character gets a bit of character development and does end", "for them, or they should learn and be redeemed by the end -", "why? The obvious answer is usually \"as long as you have a compelling", "an unlikable character\", but this suggests that all other things being equal, your", "character's life when it would have been safer for him to just run", "unlikable character) In my idea, the protagonist is a bit of a dick", "his life. He commits one uncharacteristically heroic act at the beginning of the", "have a compelling / interesting / engaging enough story / character then it's", "them at some point - at least that's the impression I get. However,", "engaging enough story / character then it's OK to have an unlikable character\",", "to be better to compensate for the unlikable character) In my idea, the", "story, where he saves the secondary character's life when it would have been", "my idea, the protagonist is a bit of a dick - he's selfish,", "for him to just run away, but that's about it - and there", "- whatever happens, the reader should get behind them at some point -", "better to compensate for the unlikable character) In my idea, the protagonist is", "story / character then it's OK to have an unlikable character\", but this", "about that, BTW. He doesn't redeem himself at the end, and dies thanks", "\"as long as you have a compelling / interesting / engaging enough story", "compensate for the unlikable character) In my idea, the protagonist is a bit", "a dick - he's selfish, arrogant and grumpy, and tries to find blame", "would have been safer for him to just run away, but that's about", "safer for him to just run away, but that's about it - and", "the story to be better to compensate for the unlikable character) In my", "something about them to get the reader behind them or to \"root\" for", "and grumpy, and tries to find blame in others for everything wrong with", "am often hearing / reading that the main character of your story should", "character of your story should be likable or even if flawed should be", "a compelling / interesting / engaging enough story / character then it's OK", "a bit of character development and does end up subtlely redeeming herself by", "act at the beginning of the story, where he saves the secondary character's", "In my idea, the protagonist is a bit of a dick - he's", "hearing / reading that the main character of your story should be likable", "one uncharacteristically heroic act at the beginning of the story, where he saves", "that's about it - and there isn't a hint of modesty about that,", "answer is usually \"as long as you have a compelling / interesting /", "his own arrogance. (The secondary character gets a bit of character development and", "story should be likable or even if flawed should be something about them", "happens, the reader should get behind them at some point - at least", "your story should be likable or even if flawed should be something about", "main character of your story should be likable or even if flawed should", "does this really need to be the case? And if so, why? The", "character\", but this suggests that all other things being equal, your character should", "uncharacteristically heroic act at the beginning of the story, where he saves the", "for the unlikable character) In my idea, the protagonist is a bit of", "as you have a compelling / interesting / engaging enough story / character", "bit of a dick - he's selfish, arrogant and grumpy, and tries to", "other things being equal, your character should be likable. (That you need the", "to have an unlikable character\", but this suggests that all other things being", "reader should get behind them at some point - at least that's the", "to get the reader behind them or to \"root\" for them, or they", "isn't a hint of modesty about that, BTW. He doesn't redeem himself at", "you need the rest of the story to be better to compensate for", "and there isn't a hint of modesty about that, BTW. He doesn't redeem", "saves the secondary character's life when it would have been safer for him", "about it - and there isn't a hint of modesty about that, BTW.", "up subtlely redeeming herself by the end alright.) But is this considered bad", "learn and be redeemed by the end - whatever happens, the reader should", "for everything wrong with his life. He commits one uncharacteristically heroic act at", "However, does this really need to be the case? And if so, why?", "OK to have an unlikable character\", but this suggests that all other things", "is a bit of a dick - he's selfish, arrogant and grumpy, and", "flawed should be something about them to get the reader behind them or", "but this suggests that all other things being equal, your character should be", "should be something about them to get the reader behind them or to", "then it's OK to have an unlikable character\", but this suggests that all", "rest of the story to be better to compensate for the unlikable character)", "BTW. He doesn't redeem himself at the end, and dies thanks to his", "the reader behind them or to \"root\" for them, or they should learn" ]
[ "mix science-fiction and history in a story? I mean a story that is", "is based in historical events with a touch of science fiction, is that", "story? I mean a story that is based in historical events with a", "story that is based in historical events with a touch of science fiction,", "Can I mix science-fiction and history in a story? I mean a story", "touch of science fiction, is that possible or am I trying to invent", "a touch of science fiction, is that possible or am I trying to", "mean a story that is based in historical events with a touch of", "science fiction, is that possible or am I trying to invent something \"ridiculous\"", "I mix science-fiction and history in a story? I mean a story that", "with a touch of science fiction, is that possible or am I trying", "of science fiction, is that possible or am I trying to invent something", "a story that is based in historical events with a touch of science", "I mean a story that is based in historical events with a touch", "based in historical events with a touch of science fiction, is that possible", "a story? I mean a story that is based in historical events with", "in a story? I mean a story that is based in historical events", "in historical events with a touch of science fiction, is that possible or", "history in a story? I mean a story that is based in historical", "and history in a story? I mean a story that is based in", "that is based in historical events with a touch of science fiction, is", "science-fiction and history in a story? I mean a story that is based", "events with a touch of science fiction, is that possible or am I", "historical events with a touch of science fiction, is that possible or am" ]
[ "to get published, this might be a barrier for me. I have considered", "but I looked it up so I think I'm right) 1st person is", "I should. I'm just past my structural edit, so if I were to", "of thing. 2nd person is \"you eat ice cream,\" and 3rd person is", "very familiar with \"point of view\". From my understanding, (correct if I'm wrong,", "I'm wondering if now I should. I'm just past my structural edit, so", "during editing, and I'm wondering if now I should. I'm just past my", "so if I were to do it, now would be the time. Should", "view during editing, and I'm wondering if now I should. I'm just past", "cream\" sort of thing. 2nd person is \"you eat ice cream,\" and 3rd", "I have written it in 1st person so far, but my genre is", "many books in that genre are 3rd person. If my book is too", "I don't know which point of view is right for my book. I", "don't know which point of view is right for my book. I have", "is too different, if/when I want to get published, this might be a", "ice cream,\" and 3rd person is \"she eats ice cream.\" I don't know", "might be a barrier for me. I have considered changing my point of", "\"she eats ice cream.\" I don't know which point of view is right", "I think I'm right) 1st person is from the perspective of \"I ate", "wondering if now I should. I'm just past my structural edit, so if", "person. If my book is too different, if/when I want to get published,", "far, but my genre is YA fantasy, and many books in that genre", "is \"she eats ice cream.\" I don't know which point of view is", "my genre is YA fantasy, and many books in that genre are 3rd", "of \"I ate ice cream\" sort of thing. 2nd person is \"you eat", "is right for my book. I have written it in 1st person so", "eat ice cream,\" and 3rd person is \"she eats ice cream.\" I don't", "eats ice cream.\" I don't know which point of view is right for", "be a barrier for me. I have considered changing my point of view", "\"you eat ice cream,\" and 3rd person is \"she eats ice cream.\" I", "to do it, now would be the time. Should I change my point", "point of view is right for my book. I have written it in", "ate ice cream\" sort of thing. 2nd person is \"you eat ice cream,\"", "not very familiar with \"point of view\". From my understanding, (correct if I'm", "know which point of view is right for my book. I have written", "1st person so far, but my genre is YA fantasy, and many books", "of view\". From my understanding, (correct if I'm wrong, but I looked it", "editing, and I'm wondering if now I should. I'm just past my structural", "understanding, (correct if I'm wrong, but I looked it up so I think", "thing. 2nd person is \"you eat ice cream,\" and 3rd person is \"she", "I have considered changing my point of view during editing, and I'm wondering", "a barrier for me. I have considered changing my point of view during", "YA fantasy, and many books in that genre are 3rd person. If my", "(correct if I'm wrong, but I looked it up so I think I'm", "of view is right for my book. I have written it in 1st", "3rd person. If my book is too different, if/when I want to get", "I'm right) 1st person is from the perspective of \"I ate ice cream\"", "it up so I think I'm right) 1st person is from the perspective", "written it in 1st person so far, but my genre is YA fantasy,", "in 1st person so far, but my genre is YA fantasy, and many", "point of view during editing, and I'm wondering if now I should. I'm", "that genre are 3rd person. If my book is too different, if/when I", "view\". From my understanding, (correct if I'm wrong, but I looked it up", "barrier for me. I have considered changing my point of view during editing,", "edit, so if I were to do it, now would be the time.", "me. I have considered changing my point of view during editing, and I'm", "it in 1st person so far, but my genre is YA fantasy, and", "which point of view is right for my book. I have written it", "3rd person is \"she eats ice cream.\" I don't know which point of", "books in that genre are 3rd person. If my book is too different,", "I'm just past my structural edit, so if I were to do it,", "book is too different, if/when I want to get published, this might be", "changing my point of view during editing, and I'm wondering if now I", "I want to get published, this might be a barrier for me. I", "ice cream.\" I don't know which point of view is right for my", "this might be a barrier for me. I have considered changing my point", "if now I should. I'm just past my structural edit, so if I", "right for my book. I have written it in 1st person so far,", "past my structural edit, so if I were to do it, now would", "for my book. I have written it in 1st person so far, but", "have written it in 1st person so far, but my genre is YA", "and I'm wondering if now I should. I'm just past my structural edit,", "I looked it up so I think I'm right) 1st person is from", "considered changing my point of view during editing, and I'm wondering if now", "structural edit, so if I were to do it, now would be the", "get published, this might be a barrier for me. I have considered changing", "is YA fantasy, and many books in that genre are 3rd person. If", "person is from the perspective of \"I ate ice cream\" sort of thing.", "if I'm wrong, but I looked it up so I think I'm right)", "person is \"she eats ice cream.\" I don't know which point of view", "perspective of \"I ate ice cream\" sort of thing. 2nd person is \"you", "is \"you eat ice cream,\" and 3rd person is \"she eats ice cream.\"", "my book. I have written it in 1st person so far, but my", "just past my structural edit, so if I were to do it, now", "published, this might be a barrier for me. I have considered changing my", "From my understanding, (correct if I'm wrong, but I looked it up so", "genre is YA fantasy, and many books in that genre are 3rd person.", "if/when I want to get published, this might be a barrier for me.", "I am not very familiar with \"point of view\". From my understanding, (correct", "person so far, but my genre is YA fantasy, and many books in", "so I think I'm right) 1st person is from the perspective of \"I", "\"point of view\". From my understanding, (correct if I'm wrong, but I looked", "have considered changing my point of view during editing, and I'm wondering if", "If my book is too different, if/when I want to get published, this", "I'm wrong, but I looked it up so I think I'm right) 1st", "genre are 3rd person. If my book is too different, if/when I want", "cream.\" I don't know which point of view is right for my book.", "I were to do it, now would be the time. Should I change", "it, now would be the time. Should I change my point of view?", "and many books in that genre are 3rd person. If my book is", "the perspective of \"I ate ice cream\" sort of thing. 2nd person is", "familiar with \"point of view\". From my understanding, (correct if I'm wrong, but", "right) 1st person is from the perspective of \"I ate ice cream\" sort", "and 3rd person is \"she eats ice cream.\" I don't know which point", "do it, now would be the time. Should I change my point of", "from the perspective of \"I ate ice cream\" sort of thing. 2nd person", "think I'm right) 1st person is from the perspective of \"I ate ice", "different, if/when I want to get published, this might be a barrier for", "my book is too different, if/when I want to get published, this might", "want to get published, this might be a barrier for me. I have", "with \"point of view\". From my understanding, (correct if I'm wrong, but I", "looked it up so I think I'm right) 1st person is from the", "person is \"you eat ice cream,\" and 3rd person is \"she eats ice", "were to do it, now would be the time. Should I change my", "in that genre are 3rd person. If my book is too different, if/when", "ice cream\" sort of thing. 2nd person is \"you eat ice cream,\" and", "book. I have written it in 1st person so far, but my genre", "so far, but my genre is YA fantasy, and many books in that", "sort of thing. 2nd person is \"you eat ice cream,\" and 3rd person", "view is right for my book. I have written it in 1st person", "my point of view during editing, and I'm wondering if now I should.", "now I should. I'm just past my structural edit, so if I were", "my understanding, (correct if I'm wrong, but I looked it up so I", "should. I'm just past my structural edit, so if I were to do", "fantasy, and many books in that genre are 3rd person. If my book", "my structural edit, so if I were to do it, now would be", "am not very familiar with \"point of view\". From my understanding, (correct if", "for me. I have considered changing my point of view during editing, and", "of view during editing, and I'm wondering if now I should. I'm just", "\"I ate ice cream\" sort of thing. 2nd person is \"you eat ice", "but my genre is YA fantasy, and many books in that genre are", "if I were to do it, now would be the time. Should I", "1st person is from the perspective of \"I ate ice cream\" sort of", "2nd person is \"you eat ice cream,\" and 3rd person is \"she eats", "too different, if/when I want to get published, this might be a barrier", "up so I think I'm right) 1st person is from the perspective of", "is from the perspective of \"I ate ice cream\" sort of thing. 2nd", "cream,\" and 3rd person is \"she eats ice cream.\" I don't know which", "are 3rd person. If my book is too different, if/when I want to", "wrong, but I looked it up so I think I'm right) 1st person" ]
[ "to join so bad. The problem is that the training portion is relatively", "the training portion is relatively unimportant. She won’t encounter most of them again.", "sorted into teams and wait to be assigned a mission. I have started", "the MC joins this pseudo-militia. The process for every new person is to", "I need to start earlier to properly set up her character, show her", "sign up, go to training, and then be sorted into teams and wait", "to start earlier to properly set up her character, show her powers, and", "In my story the MC joins this pseudo-militia. The process for every new", "bad. The problem is that the training portion is relatively unimportant. She won’t", "have started writing when she is on the way to headquarters to be", "story the MC joins this pseudo-militia. The process for every new person is", "up her character, show her powers, and why she wants to join so", "portion is relatively unimportant. She won’t encounter most of them again. The people", "characters and a setting that aren’t a big part of the story. What", "headquarters to be assigned to a team, but I feel like I need", "so bad. The problem is that the training portion is relatively unimportant. She", "then be sorted into teams and wait to be assigned a mission. I", "her character, show her powers, and why she wants to join so bad.", "this pseudo-militia. The process for every new person is to sign up, go", "mission. I have started writing when she is on the way to headquarters", "The people on her team and her job will be the most important", "will be the most important thing. I feel that if I start during", "thing. I feel that if I start during her training (or before)I will", "for every new person is to sign up, go to training, and then", "job will be the most important thing. I feel that if I start", "training (or before)I will be introducing characters and a setting that aren’t a", "is on the way to headquarters to be assigned to a team, but", "and wait to be assigned a mission. I have started writing when she", "I feel that if I start during her training (or before)I will be", "a team, but I feel like I need to start earlier to properly", "most of them again. The people on her team and her job will", "setting that aren’t a big part of the story. What should I do?", "be the most important thing. I feel that if I start during her", "new person is to sign up, go to training, and then be sorted", "wants to join so bad. The problem is that the training portion is", "people on her team and her job will be the most important thing.", "up, go to training, and then be sorted into teams and wait to", "that if I start during her training (or before)I will be introducing characters", "The problem is that the training portion is relatively unimportant. She won’t encounter", "is to sign up, go to training, and then be sorted into teams", "to be assigned to a team, but I feel like I need to", "need to start earlier to properly set up her character, show her powers,", "be introducing characters and a setting that aren’t a big part of the", "relatively unimportant. She won’t encounter most of them again. The people on her", "be assigned to a team, but I feel like I need to start", "process for every new person is to sign up, go to training, and", "(or before)I will be introducing characters and a setting that aren’t a big", "but I feel like I need to start earlier to properly set up", "most important thing. I feel that if I start during her training (or", "if I start during her training (or before)I will be introducing characters and", "into teams and wait to be assigned a mission. I have started writing", "her team and her job will be the most important thing. I feel", "she wants to join so bad. The problem is that the training portion", "assigned a mission. I have started writing when she is on the way", "to properly set up her character, show her powers, and why she wants", "to a team, but I feel like I need to start earlier to", "join so bad. The problem is that the training portion is relatively unimportant.", "way to headquarters to be assigned to a team, but I feel like", "feel like I need to start earlier to properly set up her character,", "of them again. The people on her team and her job will be", "assigned to a team, but I feel like I need to start earlier", "a mission. I have started writing when she is on the way to", "and then be sorted into teams and wait to be assigned a mission.", "feel that if I start during her training (or before)I will be introducing", "during her training (or before)I will be introducing characters and a setting that", "earlier to properly set up her character, show her powers, and why she", "writing when she is on the way to headquarters to be assigned to", "be assigned a mission. I have started writing when she is on the", "started writing when she is on the way to headquarters to be assigned", "team and her job will be the most important thing. I feel that", "MC joins this pseudo-militia. The process for every new person is to sign", "unimportant. She won’t encounter most of them again. The people on her team", "and her job will be the most important thing. I feel that if", "person is to sign up, go to training, and then be sorted into", "her training (or before)I will be introducing characters and a setting that aren’t", "won’t encounter most of them again. The people on her team and her", "will be introducing characters and a setting that aren’t a big part of", "start during her training (or before)I will be introducing characters and a setting", "to be assigned a mission. I have started writing when she is on", "that the training portion is relatively unimportant. She won’t encounter most of them", "properly set up her character, show her powers, and why she wants to", "joins this pseudo-militia. The process for every new person is to sign up,", "a setting that aren’t a big part of the story. What should I", "to headquarters to be assigned to a team, but I feel like I", "to sign up, go to training, and then be sorted into teams and", "teams and wait to be assigned a mission. I have started writing when", "and why she wants to join so bad. The problem is that the", "encounter most of them again. The people on her team and her job", "why she wants to join so bad. The problem is that the training", "the way to headquarters to be assigned to a team, but I feel", "go to training, and then be sorted into teams and wait to be", "I start during her training (or before)I will be introducing characters and a", "team, but I feel like I need to start earlier to properly set", "again. The people on her team and her job will be the most", "before)I will be introducing characters and a setting that aren’t a big part", "I feel like I need to start earlier to properly set up her", "her job will be the most important thing. I feel that if I", "important thing. I feel that if I start during her training (or before)I", "character, show her powers, and why she wants to join so bad. The", "is that the training portion is relatively unimportant. She won’t encounter most of", "like I need to start earlier to properly set up her character, show", "She won’t encounter most of them again. The people on her team and", "introducing characters and a setting that aren’t a big part of the story.", "problem is that the training portion is relatively unimportant. She won’t encounter most", "set up her character, show her powers, and why she wants to join", "on her team and her job will be the most important thing. I", "wait to be assigned a mission. I have started writing when she is", "training portion is relatively unimportant. She won’t encounter most of them again. The", "my story the MC joins this pseudo-militia. The process for every new person", "I have started writing when she is on the way to headquarters to", "when she is on the way to headquarters to be assigned to a", "show her powers, and why she wants to join so bad. The problem", "she is on the way to headquarters to be assigned to a team,", "powers, and why she wants to join so bad. The problem is that", "be sorted into teams and wait to be assigned a mission. I have", "on the way to headquarters to be assigned to a team, but I", "start earlier to properly set up her character, show her powers, and why", "and a setting that aren’t a big part of the story. What should", "them again. The people on her team and her job will be the", "to training, and then be sorted into teams and wait to be assigned", "the most important thing. I feel that if I start during her training", "training, and then be sorted into teams and wait to be assigned a", "pseudo-militia. The process for every new person is to sign up, go to", "her powers, and why she wants to join so bad. The problem is", "The process for every new person is to sign up, go to training,", "every new person is to sign up, go to training, and then be", "is relatively unimportant. She won’t encounter most of them again. The people on" ]
[ "my satisfaction with the story and could have done better. Now I was", "them, the core idea is still there. Now if I was using just", "novel that had some cool ideas and I really liked, but also there", "good, there were clear parts that affected my satisfaction with the story and", "focus more on romance, but also I intend for my story to be", "or used which affected the overall quality of the story. So while the", "was thinking of doing a similar story and reusing some of the ideas.", "story and reusing some of the ideas. The only problem is that while", "can change it up, there are quite a lot of parts I want", "of unique to the original story so that using them together you would", "multiple ones from the original story some of these are cliches that have", "are also kind of unique to the original story so that using them", "only problem is that while I am confident that I can change it", "doing a similar story and reusing some of the ideas. The only problem", "it up, there are quite a lot of parts I want to use", "used before, but some are also kind of unique to the original story", "story and could have done better. Now I was thinking of doing a", "but some are also kind of unique to the original story so that", "done or used which affected the overall quality of the story. So while", "with poor and forced romance, while I am not going to do that", "I can change them, the core idea is still there. Now if I", "to the original story so that using them together you would see the", "ones from the original story some of these are cliches that have been", "want to use from the story that inspired me, and while I can", "just one idea it wouldn't be a big problem, but I want to", "there were clear parts that affected my satisfaction with the story and could", "story that inspired me, and while I can change them, the core idea", "problem, but I want to use multiple ones from the original story some", "liked, but also there were many parts that made me annoyed mostly due", "holes and inconsistencies and how they were done or used which affected the", "mostly due to the genre, plot holes and inconsistencies and how they were", "change them, the core idea is still there. Now if I was using", "that have been used before, but some are also kind of unique to", "some cool ideas and I really liked, but also there were many parts", "the overall quality of the story. So while the ideas and story was", "story was good, there were clear parts that affected my satisfaction with the", "forced romance, while I am not going to do that and focus more", "how they were done or used which affected the overall quality of the", "the similarity. However, I intend the overall story to take a different direction.", "intend the overall story to take a different direction. For example, the original", "and I really liked, but also there were many parts that made me", "of parts I want to use from the story that inspired me, and", "plot holes and avoid inconsistencies. Also I would be adding and changing a", "and changing a lot of the settings overall and put relevance on side", "be at a slower pace and fill plot holes and avoid inconsistencies. Also", "but also there were many parts that made me annoyed mostly due to", "I really liked, but also there were many parts that made me annoyed", "a slower pace and fill plot holes and avoid inconsistencies. Also I would", "overall quality of the story. So while the ideas and story was good,", "and while I can change them, the core idea is still there. Now", "of the story. So while the ideas and story was good, there were", "on romance, but also I intend for my story to be at a", "use from the story that inspired me, and while I can change them,", "that made me annoyed mostly due to the genre, plot holes and inconsistencies", "to do that and focus more on romance, but also I intend for", "and forced romance, while I am not going to do that and focus", "original story some of these are cliches that have been used before, but", "be a big problem, but I want to use multiple ones from the", "similarity. However, I intend the overall story to take a different direction. For", "plot holes and inconsistencies and how they were done or used which affected", "changing a lot of the settings overall and put relevance on side characters.", "see the similarity. However, I intend the overall story to take a different", "I intend the overall story to take a different direction. For example, the", "of the ideas. The only problem is that while I am confident that", "thinking of doing a similar story and reusing some of the ideas. The", "idea it wouldn't be a big problem, but I want to use multiple", "a novel that had some cool ideas and I really liked, but also", "and focus more on romance, but also I intend for my story to", "I am confident that I can change it up, there are quite a", "parts I want to use from the story that inspired me, and while", "the story and could have done better. Now I was thinking of doing", "was using just one idea it wouldn't be a big problem, but I", "you would see the similarity. However, I intend the overall story to take", "and avoid inconsistencies. Also I would be adding and changing a lot of", "Also I would be adding and changing a lot of the settings overall", "have been used before, but some are also kind of unique to the", "which affected the overall quality of the story. So while the ideas and", "story so that using them together you would see the similarity. However, I", "story some of these are cliches that have been used before, but some", "due to the genre, plot holes and inconsistencies and how they were done", "the original story some of these are cliches that have been used before,", "satisfaction with the story and could have done better. Now I was thinking", "story to be at a slower pace and fill plot holes and avoid", "and how they were done or used which affected the overall quality of", "fill plot holes and avoid inconsistencies. Also I would be adding and changing", "would be adding and changing a lot of the settings overall and put", "For example, the original was a harem with poor and forced romance, while", "have done better. Now I was thinking of doing a similar story and", "it wouldn't be a big problem, but I want to use multiple ones", "story. So while the ideas and story was good, there were clear parts", "to use from the story that inspired me, and while I can change", "there. Now if I was using just one idea it wouldn't be a", "poor and forced romance, while I am not going to do that and", "parts that made me annoyed mostly due to the genre, plot holes and", "the original story so that using them together you would see the similarity.", "that and focus more on romance, but also I intend for my story", "going to do that and focus more on romance, but also I intend", "the overall story to take a different direction. For example, the original was", "the story. So while the ideas and story was good, there were clear", "these are cliches that have been used before, but some are also kind", "story to take a different direction. For example, the original was a harem", "want to use multiple ones from the original story some of these are", "the ideas. The only problem is that while I am confident that I", "if I was using just one idea it wouldn't be a big problem,", "genre, plot holes and inconsistencies and how they were done or used which", "intend for my story to be at a slower pace and fill plot", "example, the original was a harem with poor and forced romance, while I", "So there was a novel that had some cool ideas and I really", "so that using them together you would see the similarity. However, I intend", "and fill plot holes and avoid inconsistencies. Also I would be adding and", "better. Now I was thinking of doing a similar story and reusing some", "was a novel that had some cool ideas and I really liked, but", "of these are cliches that have been used before, but some are also", "using them together you would see the similarity. However, I intend the overall", "the original was a harem with poor and forced romance, while I am", "the ideas and story was good, there were clear parts that affected my", "Now if I was using just one idea it wouldn't be a big", "original story so that using them together you would see the similarity. However,", "is still there. Now if I was using just one idea it wouldn't", "harem with poor and forced romance, while I am not going to do", "I would be adding and changing a lot of the settings overall and", "up, there are quite a lot of parts I want to use from", "and story was good, there were clear parts that affected my satisfaction with", "and reusing some of the ideas. The only problem is that while I", "clear parts that affected my satisfaction with the story and could have done", "to be at a slower pace and fill plot holes and avoid inconsistencies.", "me, and while I can change them, the core idea is still there.", "avoid inconsistencies. Also I would be adding and changing a lot of the", "affected the overall quality of the story. So while the ideas and story", "inspired me, and while I can change them, the core idea is still", "at a slower pace and fill plot holes and avoid inconsistencies. Also I", "was a harem with poor and forced romance, while I am not going", "there are quite a lot of parts I want to use from the", "pace and fill plot holes and avoid inconsistencies. Also I would be adding", "some of the ideas. The only problem is that while I am confident", "can change them, the core idea is still there. Now if I was", "quality of the story. So while the ideas and story was good, there", "were many parts that made me annoyed mostly due to the genre, plot", "I intend for my story to be at a slower pace and fill", "from the story that inspired me, and while I can change them, the", "use multiple ones from the original story some of these are cliches that", "not going to do that and focus more on romance, but also I", "to use multiple ones from the original story some of these are cliches", "also kind of unique to the original story so that using them together", "direction. For example, the original was a harem with poor and forced romance,", "also there were many parts that made me annoyed mostly due to the", "that I can change it up, there are quite a lot of parts", "original was a harem with poor and forced romance, while I am not", "really liked, but also there were many parts that made me annoyed mostly", "done better. Now I was thinking of doing a similar story and reusing", "of doing a similar story and reusing some of the ideas. The only", "that while I am confident that I can change it up, there are", "a lot of parts I want to use from the story that inspired", "core idea is still there. Now if I was using just one idea", "are quite a lot of parts I want to use from the story", "take a different direction. For example, the original was a harem with poor", "be adding and changing a lot of the settings overall and put relevance", "cliches that have been used before, but some are also kind of unique", "many parts that made me annoyed mostly due to the genre, plot holes", "could have done better. Now I was thinking of doing a similar story", "big problem, but I want to use multiple ones from the original story", "used which affected the overall quality of the story. So while the ideas", "were done or used which affected the overall quality of the story. So", "to the genre, plot holes and inconsistencies and how they were done or", "was good, there were clear parts that affected my satisfaction with the story", "adding and changing a lot of the settings overall and put relevance on", "parts that affected my satisfaction with the story and could have done better.", "one idea it wouldn't be a big problem, but I want to use", "ideas and story was good, there were clear parts that affected my satisfaction", "different direction. For example, the original was a harem with poor and forced", "ideas. The only problem is that while I am confident that I can", "while I can change them, the core idea is still there. Now if", "some are also kind of unique to the original story so that using", "is that while I am confident that I can change it up, there", "them together you would see the similarity. However, I intend the overall story", "made me annoyed mostly due to the genre, plot holes and inconsistencies and", "that using them together you would see the similarity. However, I intend the", "lot of parts I want to use from the story that inspired me,", "the core idea is still there. Now if I was using just one", "but also I intend for my story to be at a slower pace", "slower pace and fill plot holes and avoid inconsistencies. Also I would be", "However, I intend the overall story to take a different direction. For example,", "there were many parts that made me annoyed mostly due to the genre,", "I am not going to do that and focus more on romance, but", "unique to the original story so that using them together you would see", "The only problem is that while I am confident that I can change", "with the story and could have done better. Now I was thinking of", "but I want to use multiple ones from the original story some of", "before, but some are also kind of unique to the original story so", "were clear parts that affected my satisfaction with the story and could have", "while the ideas and story was good, there were clear parts that affected", "for my story to be at a slower pace and fill plot holes", "still there. Now if I was using just one idea it wouldn't be", "inconsistencies and how they were done or used which affected the overall quality", "problem is that while I am confident that I can change it up,", "romance, while I am not going to do that and focus more on", "quite a lot of parts I want to use from the story that", "together you would see the similarity. However, I intend the overall story to", "while I am confident that I can change it up, there are quite", "similar story and reusing some of the ideas. The only problem is that", "annoyed mostly due to the genre, plot holes and inconsistencies and how they", "am not going to do that and focus more on romance, but also", "also I intend for my story to be at a slower pace and", "are cliches that have been used before, but some are also kind of", "that had some cool ideas and I really liked, but also there were", "the genre, plot holes and inconsistencies and how they were done or used", "I was thinking of doing a similar story and reusing some of the", "overall story to take a different direction. For example, the original was a", "had some cool ideas and I really liked, but also there were many", "more on romance, but also I intend for my story to be at", "the story that inspired me, and while I can change them, the core", "I was using just one idea it wouldn't be a big problem, but", "that inspired me, and while I can change them, the core idea is", "a similar story and reusing some of the ideas. The only problem is", "some of these are cliches that have been used before, but some are", "I want to use from the story that inspired me, and while I", "using just one idea it wouldn't be a big problem, but I want", "and could have done better. Now I was thinking of doing a similar", "that affected my satisfaction with the story and could have done better. Now", "a big problem, but I want to use multiple ones from the original", "kind of unique to the original story so that using them together you", "cool ideas and I really liked, but also there were many parts that", "a harem with poor and forced romance, while I am not going to", "romance, but also I intend for my story to be at a slower", "So while the ideas and story was good, there were clear parts that", "affected my satisfaction with the story and could have done better. Now I", "and inconsistencies and how they were done or used which affected the overall", "idea is still there. Now if I was using just one idea it", "ideas and I really liked, but also there were many parts that made", "reusing some of the ideas. The only problem is that while I am", "change it up, there are quite a lot of parts I want to", "wouldn't be a big problem, but I want to use multiple ones from", "from the original story some of these are cliches that have been used", "been used before, but some are also kind of unique to the original", "a different direction. For example, the original was a harem with poor and", "would see the similarity. However, I intend the overall story to take a", "to take a different direction. For example, the original was a harem with", "my story to be at a slower pace and fill plot holes and", "while I am not going to do that and focus more on romance,", "do that and focus more on romance, but also I intend for my", "holes and avoid inconsistencies. Also I would be adding and changing a lot", "me annoyed mostly due to the genre, plot holes and inconsistencies and how", "confident that I can change it up, there are quite a lot of", "they were done or used which affected the overall quality of the story.", "I can change it up, there are quite a lot of parts I", "I want to use multiple ones from the original story some of these", "inconsistencies. Also I would be adding and changing a lot of the settings", "am confident that I can change it up, there are quite a lot", "Now I was thinking of doing a similar story and reusing some of", "there was a novel that had some cool ideas and I really liked," ]
[ "he fainted or if his legs gave out from under him. He was", "jarring? Is it that the POV is too far out to tack on", "under him. He was so close to having his chance to fight for", "all if he fell and busted his face open. He couldn’t afford an", "person POV, close. But I feel like the very last end feels jarring.", "fell and busted his face open. He couldn’t afford an injury. Not now.", "out from under him. He was so close to having his chance to", "written in 3rd person POV, close. But I feel like the very last", "> > Is it just me or is it objectively jarring? Is it", "do at all if he fell and busted his face open. He couldn’t", "trailed his hand along the railing as he climbed the stairs so he", "end feels jarring. > > He trailed his hand along the railing as", "and busted his face open. He couldn’t afford an injury. Not now. >", "at all if he fell and busted his face open. He couldn’t afford", "it that the POV is too far out to tack on the \"Not", "could catch himself if he fainted or if his legs gave out from", "fight for the title, it wouldn’t do at all if he fell and", "from under him. He was so close to having his chance to fight", "the POV is too far out to tack on the \"Not now\" ending?", "catch himself if he fainted or if his legs gave out from under", "an injury. Not now. > > > Is it just me or is", "fainted or if his legs gave out from under him. He was so", "he fell and busted his face open. He couldn’t afford an injury. Not", "as he climbed the stairs so he could catch himself if he fainted", "hand along the railing as he climbed the stairs so he could catch", "having his chance to fight for the title, it wouldn’t do at all", "along the railing as he climbed the stairs so he could catch himself", "He couldn’t afford an injury. Not now. > > > Is it just", "face open. He couldn’t afford an injury. Not now. > > > Is", "But I feel like the very last end feels jarring. > > He", "the railing as he climbed the stairs so he could catch himself if", "climbed the stairs so he could catch himself if he fainted or if", "open. He couldn’t afford an injury. Not now. > > > Is it", "wouldn’t do at all if he fell and busted his face open. He", "for the title, it wouldn’t do at all if he fell and busted", "if his legs gave out from under him. He was so close to", "POV, close. But I feel like the very last end feels jarring. >", "busted his face open. He couldn’t afford an injury. Not now. > >", "feels jarring. > > He trailed his hand along the railing as he", "close to having his chance to fight for the title, it wouldn’t do", "stairs so he could catch himself if he fainted or if his legs", "last end feels jarring. > > He trailed his hand along the railing", "him. He was so close to having his chance to fight for the", "title, it wouldn’t do at all if he fell and busted his face", "the stairs so he could catch himself if he fainted or if his", "in 3rd person POV, close. But I feel like the very last end", "so close to having his chance to fight for the title, it wouldn’t", "Is it that the POV is too far out to tack on the", "chance to fight for the title, it wouldn’t do at all if he", "story is written in 3rd person POV, close. But I feel like the", "his face open. He couldn’t afford an injury. Not now. > > >", "injury. Not now. > > > Is it just me or is it", "it wouldn’t do at all if he fell and busted his face open.", "to fight for the title, it wouldn’t do at all if he fell", "it just me or is it objectively jarring? Is it that the POV", "was so close to having his chance to fight for the title, it", "jarring. > > He trailed his hand along the railing as he climbed", "he climbed the stairs so he could catch himself if he fainted or", "objectively jarring? Is it that the POV is too far out to tack", "> Is it just me or is it objectively jarring? Is it that", "if he fell and busted his face open. He couldn’t afford an injury.", "now. > > > Is it just me or is it objectively jarring?", "like the very last end feels jarring. > > He trailed his hand", "or if his legs gave out from under him. He was so close", "is written in 3rd person POV, close. But I feel like the very", "that the POV is too far out to tack on the \"Not now\"", "Is it just me or is it objectively jarring? Is it that the", "his chance to fight for the title, it wouldn’t do at all if", "He trailed his hand along the railing as he climbed the stairs so", "it objectively jarring? Is it that the POV is too far out to", "is it objectively jarring? Is it that the POV is too far out", "close. But I feel like the very last end feels jarring. > >", "if he fainted or if his legs gave out from under him. He", "his hand along the railing as he climbed the stairs so he could", "himself if he fainted or if his legs gave out from under him.", "the title, it wouldn’t do at all if he fell and busted his", "The story is written in 3rd person POV, close. But I feel like", "very last end feels jarring. > > He trailed his hand along the", "his legs gave out from under him. He was so close to having", "so he could catch himself if he fainted or if his legs gave", "feel like the very last end feels jarring. > > He trailed his", "he could catch himself if he fainted or if his legs gave out", "me or is it objectively jarring? Is it that the POV is too", "Not now. > > > Is it just me or is it objectively", "I feel like the very last end feels jarring. > > He trailed", "He was so close to having his chance to fight for the title,", "the very last end feels jarring. > > He trailed his hand along", "to having his chance to fight for the title, it wouldn’t do at", "3rd person POV, close. But I feel like the very last end feels", "gave out from under him. He was so close to having his chance", "> > He trailed his hand along the railing as he climbed the", "or is it objectively jarring? Is it that the POV is too far", "just me or is it objectively jarring? Is it that the POV is", "> He trailed his hand along the railing as he climbed the stairs", "legs gave out from under him. He was so close to having his", "> > > Is it just me or is it objectively jarring? Is", "railing as he climbed the stairs so he could catch himself if he", "afford an injury. Not now. > > > Is it just me or", "couldn’t afford an injury. Not now. > > > Is it just me" ]
[ "life back. Basically starting with their 15 year old son who barely even", "a human subject with superpowers who escapes out of a lab after like", "an old picture. As I'm outlining, it's so hard not to use obvious", "son who barely even remembers what his parents actually were like, apart from", "to get their former life back. Basically starting with their 15 year old", "were like, apart from an old picture. As I'm outlining, it's so hard", "what his parents actually were like, apart from an old picture. As I'm", "control not working anymore, then tries to get their former life back. Basically", "not working anymore, then tries to get their former life back. Basically starting", "who escapes out of a lab after like 12 years of excruciating pain.", "forced mind control not working anymore, then tries to get their former life", "back. Basically starting with their 15 year old son who barely even remembers", "parents actually were like, apart from an old picture. As I'm outlining, it's", "use obvious tropes and cliches that are basically everywhere, so any help is", "after like 12 years of excruciating pain. The forced mind control not working", "subject with superpowers who escapes out of a lab after like 12 years", "story based around a human subject with superpowers who escapes out of a", "get their former life back. Basically starting with their 15 year old son", "hard not to use obvious tropes and cliches that are basically everywhere, so", "lab after like 12 years of excruciating pain. The forced mind control not", "12 years of excruciating pain. The forced mind control not working anymore, then", "Basically starting with their 15 year old son who barely even remembers what", "apart from an old picture. As I'm outlining, it's so hard not to", "starting with their 15 year old son who barely even remembers what his", "even remembers what his parents actually were like, apart from an old picture.", "outlining, it's so hard not to use obvious tropes and cliches that are", "old son who barely even remembers what his parents actually were like, apart", "pain. The forced mind control not working anymore, then tries to get their", "around a human subject with superpowers who escapes out of a lab after", "of a lab after like 12 years of excruciating pain. The forced mind", "The forced mind control not working anymore, then tries to get their former", "of excruciating pain. The forced mind control not working anymore, then tries to", "currently writing a story based around a human subject with superpowers who escapes", "years of excruciating pain. The forced mind control not working anymore, then tries", "their 15 year old son who barely even remembers what his parents actually", "I'm outlining, it's so hard not to use obvious tropes and cliches that", "remembers what his parents actually were like, apart from an old picture. As", "with superpowers who escapes out of a lab after like 12 years of", "like 12 years of excruciating pain. The forced mind control not working anymore,", "tries to get their former life back. Basically starting with their 15 year", "not to use obvious tropes and cliches that are basically everywhere, so any", "excruciating pain. The forced mind control not working anymore, then tries to get", "year old son who barely even remembers what his parents actually were like,", "human subject with superpowers who escapes out of a lab after like 12", "a story based around a human subject with superpowers who escapes out of", "escapes out of a lab after like 12 years of excruciating pain. The", "picture. As I'm outlining, it's so hard not to use obvious tropes and", "so hard not to use obvious tropes and cliches that are basically everywhere,", "working anymore, then tries to get their former life back. Basically starting with", "barely even remembers what his parents actually were like, apart from an old", "old picture. As I'm outlining, it's so hard not to use obvious tropes", "a lab after like 12 years of excruciating pain. The forced mind control", "former life back. Basically starting with their 15 year old son who barely", "As I'm outlining, it's so hard not to use obvious tropes and cliches", "I'm currently writing a story based around a human subject with superpowers who", "obvious tropes and cliches that are basically everywhere, so any help is welcome.", "like, apart from an old picture. As I'm outlining, it's so hard not", "who barely even remembers what his parents actually were like, apart from an", "superpowers who escapes out of a lab after like 12 years of excruciating", "to use obvious tropes and cliches that are basically everywhere, so any help", "based around a human subject with superpowers who escapes out of a lab", "out of a lab after like 12 years of excruciating pain. The forced", "with their 15 year old son who barely even remembers what his parents", "actually were like, apart from an old picture. As I'm outlining, it's so", "from an old picture. As I'm outlining, it's so hard not to use", "it's so hard not to use obvious tropes and cliches that are basically", "their former life back. Basically starting with their 15 year old son who", "then tries to get their former life back. Basically starting with their 15", "15 year old son who barely even remembers what his parents actually were", "writing a story based around a human subject with superpowers who escapes out", "mind control not working anymore, then tries to get their former life back.", "his parents actually were like, apart from an old picture. As I'm outlining,", "anymore, then tries to get their former life back. Basically starting with their" ]
[ "planning to write. In fact, this one important part of the story, I", "this story I was writing, when I was a little kid, that I", "SOME parts and b) it's actually a very engaging story. There's this one", "for something horrible to happen to my character, but I've recently decided against", "leads me to nowhere if I do that. In the situation, I was", "write. In fact, this one important part of the story, I completely forgot", "want to continue it. However, should I continue it, because a) I wrote", "In the situation, I was planning for something horrible to happen to my", "of leads me to nowhere if I do that. In the situation, I", "was planning for something horrible to happen to my character, but I've recently", "continue it. However, should I continue it, because a) I wrote it a", "very engaging story. There's this one part that I changed my mind about,", "something horrible to happen to my character, but I've recently decided against it.", "what the plot was going to lead into! However, a) I still remember", "continue it, because a) I wrote it a while ago and b) I", "kind of leads me to nowhere if I do that. In the situation,", "little kid, that I found. I called it \"Rage.\" I liked the story,", "parts and b) it's actually a very engaging story. There's this one part", "a lot of the plot points. I want to continue it. However, should", "and also liked a lot of the plot points. I want to continue", "but it kind of leads me to nowhere if I do that. In", "forgot what the plot was going to lead into! However, a) I still", "nowhere if I do that. In the situation, I was planning for something", "character, but I've recently decided against it. So should I continue my story?", "situation, I was planning for something horrible to happen to my character, but", "b) it's actually a very engaging story. There's this one part that I", "and b) it's actually a very engaging story. There's this one part that", "liked the story, and also liked a lot of the plot points. I", "it \"Rage.\" I liked the story, and also liked a lot of the", "really remember that many plot points that I had been planning to write.", "of the story, I completely forgot what the plot was going to lead", "when I was a little kid, that I found. I called it \"Rage.\"", "I was planning for something horrible to happen to my character, but I've", "can't really remember that many plot points that I had been planning to", "do that. In the situation, I was planning for something horrible to happen", "about, but it kind of leads me to nowhere if I do that.", "that. In the situation, I was planning for something horrible to happen to", "if I do that. In the situation, I was planning for something horrible", "to continue it. However, should I continue it, because a) I wrote it", "I can't really remember that many plot points that I had been planning", "plot points. I want to continue it. However, should I continue it, because", "completely forgot what the plot was going to lead into! However, a) I", "going to lead into! However, a) I still remember SOME parts and b)", "story I was writing, when I was a little kid, that I found.", "to my character, but I've recently decided against it. So should I continue", "changed my mind about, but it kind of leads me to nowhere if", "to happen to my character, but I've recently decided against it. So should", "it kind of leads me to nowhere if I do that. In the", "points that I had been planning to write. In fact, this one important", "I changed my mind about, but it kind of leads me to nowhere", "the story, I completely forgot what the plot was going to lead into!", "points. I want to continue it. However, should I continue it, because a)", "a while ago and b) I can't really remember that many plot points", "my mind about, but it kind of leads me to nowhere if I", "remember SOME parts and b) it's actually a very engaging story. There's this", "planning for something horrible to happen to my character, but I've recently decided", "However, should I continue it, because a) I wrote it a while ago", "story, and also liked a lot of the plot points. I want to", "ago and b) I can't really remember that many plot points that I", "I had been planning to write. In fact, this one important part of", "this one part that I changed my mind about, but it kind of", "There was this story I was writing, when I was a little kid,", "part that I changed my mind about, but it kind of leads me", "a) I still remember SOME parts and b) it's actually a very engaging", "the story, and also liked a lot of the plot points. I want", "I was a little kid, that I found. I called it \"Rage.\" I", "I liked the story, and also liked a lot of the plot points.", "my character, but I've recently decided against it. So should I continue my", "lead into! However, a) I still remember SOME parts and b) it's actually", "happen to my character, but I've recently decided against it. So should I", "that I found. I called it \"Rage.\" I liked the story, and also", "remember that many plot points that I had been planning to write. In", "also liked a lot of the plot points. I want to continue it.", "one part that I changed my mind about, but it kind of leads", "to nowhere if I do that. In the situation, I was planning for", "I continue it, because a) I wrote it a while ago and b)", "b) I can't really remember that many plot points that I had been", "liked a lot of the plot points. I want to continue it. However,", "horrible to happen to my character, but I've recently decided against it. So", "that many plot points that I had been planning to write. In fact,", "while ago and b) I can't really remember that many plot points that", "the situation, I was planning for something horrible to happen to my character,", "a little kid, that I found. I called it \"Rage.\" I liked the", "been planning to write. In fact, this one important part of the story,", "called it \"Rage.\" I liked the story, and also liked a lot of", "because a) I wrote it a while ago and b) I can't really", "mind about, but it kind of leads me to nowhere if I do", "one important part of the story, I completely forgot what the plot was", "In fact, this one important part of the story, I completely forgot what", "I called it \"Rage.\" I liked the story, and also liked a lot", "was this story I was writing, when I was a little kid, that", "I was writing, when I was a little kid, that I found. I", "found. I called it \"Rage.\" I liked the story, and also liked a", "still remember SOME parts and b) it's actually a very engaging story. There's", "plot points that I had been planning to write. In fact, this one", "this one important part of the story, I completely forgot what the plot", "actually a very engaging story. There's this one part that I changed my", "story, I completely forgot what the plot was going to lead into! However,", "I wrote it a while ago and b) I can't really remember that", "plot was going to lead into! However, a) I still remember SOME parts", "should I continue it, because a) I wrote it a while ago and", "was going to lead into! However, a) I still remember SOME parts and", "into! However, a) I still remember SOME parts and b) it's actually a", "However, a) I still remember SOME parts and b) it's actually a very", "engaging story. There's this one part that I changed my mind about, but", "I still remember SOME parts and b) it's actually a very engaging story.", "was writing, when I was a little kid, that I found. I called", "wrote it a while ago and b) I can't really remember that many", "I completely forgot what the plot was going to lead into! However, a)", "I do that. In the situation, I was planning for something horrible to", "it, because a) I wrote it a while ago and b) I can't", "important part of the story, I completely forgot what the plot was going", "had been planning to write. In fact, this one important part of the", "and b) I can't really remember that many plot points that I had", "the plot was going to lead into! However, a) I still remember SOME", "part of the story, I completely forgot what the plot was going to", "There's this one part that I changed my mind about, but it kind", "a) I wrote it a while ago and b) I can't really remember", "the plot points. I want to continue it. However, should I continue it,", "fact, this one important part of the story, I completely forgot what the", "it. However, should I continue it, because a) I wrote it a while", "\"Rage.\" I liked the story, and also liked a lot of the plot", "it's actually a very engaging story. There's this one part that I changed", "was a little kid, that I found. I called it \"Rage.\" I liked", "kid, that I found. I called it \"Rage.\" I liked the story, and", "I found. I called it \"Rage.\" I liked the story, and also liked", "story. There's this one part that I changed my mind about, but it", "that I changed my mind about, but it kind of leads me to", "to lead into! However, a) I still remember SOME parts and b) it's", "a very engaging story. There's this one part that I changed my mind", "of the plot points. I want to continue it. However, should I continue", "many plot points that I had been planning to write. In fact, this", "that I had been planning to write. In fact, this one important part", "I want to continue it. However, should I continue it, because a) I", "it a while ago and b) I can't really remember that many plot", "lot of the plot points. I want to continue it. However, should I", "writing, when I was a little kid, that I found. I called it", "me to nowhere if I do that. In the situation, I was planning", "to write. In fact, this one important part of the story, I completely" ]
[ "right through, and curves in places she remembers being > straight. Saltwater Pond", "queer surroundings. It doesn't > help that it's 3 AM on a Saturday,", "the > maze of unfamiliar street signs and queer surroundings. It doesn't >", "still had... > > > Any suggestions for improvements? I'm not far along", "Rraco goes looking for the Woodbridge's house, in Gejdnir > Valley, it's been", "now a mere puddle, and has more roads > leading to it than", "doesn't have the \"cadence\" that I typically like to give to my stories.", "now avoids towns it > used to pass right through, and curves in", "In fact, she doesn't remember any > roads, just a mock gravel path", "I'm open to both small and drastic changes. Note that the story is", "both small and drastic changes. Note that the story is told from a", "a woman driving cross-country in search of her childhood home. There, she discovers", "was in this part of the country. > And, of course, things have", "view, it doesn't have the \"cadence\" that I typically like to give to", "leading to it than she remembers. In fact, she doesn't remember any >", "point of view, it doesn't have the \"cadence\" that I typically like to", "the small town has grown to a suburban sprawl, and she's surprised to", "been years since she was in this part of the country. > And,", "isn't sure she'll be able to find the house among the > maze", "has grown to a suburban sprawl, and she's surprised to find that she", "Any suggestions for improvements? I'm not far along in the story, so I'm", "me. > > When Rraco goes looking for the Woodbridge's house, in Gejdnir", "up being a metaphor for depression in a way that couldn't really be", "more than a few dead-ends, Rraco > came upon an at once familiar", "typically like to give to my stories. Moreover, it's a bit bland, to", "of course, things have changed. Highway 9 now avoids towns it > used", "Rraco isn't sure she'll be able to find the house among the >", "bit bland, to me. > > When Rraco goes looking for the Woodbridge's", "> leading to it than she remembers. In fact, she doesn't remember any", "told from a fairly distance 3rd-person POV, as it's ends up being a", "have changed. Highway 9 now avoids towns it > used to pass right", "> Valley, it's been years since she was in this part of the", "of view, it doesn't have the \"cadence\" that I typically like to give", "find that she can no longer navigate it's roads. I'm not quite pleased", "it > used to pass right through, and curves in places she remembers", "help that it's 3 AM on a Saturday, much less that she hasn't", "But, after narrowly avoiding more than a few dead-ends, Rraco > came upon", "> > > For > a time, Rraco isn't sure she'll be able", "dead-ends, Rraco > came upon an at once familiar sight-- a disheveled dirt", "if not for the roadside mailbox that still had... > > > Any", "suggestions for improvements? I'm not far along in the story, so I'm open", "for the roadside mailbox that still had... > > > Any suggestions for", "can no longer navigate it's roads. I'm not quite pleased with my opening", "its borders. > > > For > a time, Rraco isn't sure she'll", "she hasn't slept in > weeks. But, after narrowly avoiding more than a", "places she remembers being > straight. Saltwater Pond is now a mere puddle,", "> > When Rraco goes looking for the Woodbridge's house, in Gejdnir >", "> help that it's 3 AM on a Saturday, much less that she", "technical point of view, it doesn't have the \"cadence\" that I typically like", "she remembers. In fact, she doesn't remember any > roads, just a mock", "> > For > a time, Rraco isn't sure she'll be able to", "Pond is now a mere puddle, and has more roads > leading to", "signs and queer surroundings. It doesn't > help that it's 3 AM on", "it's ends up being a metaphor for depression in a way that couldn't", "POV, as it's ends up being a metaphor for depression in a way", "the night. It would've been > unremarkable if not for the roadside mailbox", "metaphor for depression in a way that couldn't really be told well in", "part of the country. > And, of course, things have changed. Highway 9", "a fairly distance 3rd-person POV, as it's ends up being a metaphor for", "a suburban sprawl, and she's surprised to find that she can no longer", "not far along in the story, so I'm open to both small and", "changes. Note that the story is told from a fairly distance 3rd-person POV,", "Note that the story is told from a fairly distance 3rd-person POV, as", "to find that she can no longer navigate it's roads. I'm not quite", "to me. > > When Rraco goes looking for the Woodbridge's house, in", "she doesn't remember any > roads, just a mock gravel path looping lazily", "straight. Saltwater Pond is now a mere puddle, and has more roads >", "remember any > roads, just a mock gravel path looping lazily around its", "suburban sprawl, and she's surprised to find that she can no longer navigate", "looking for the Woodbridge's house, in Gejdnir > Valley, it's been years since", "woman driving cross-country in search of her childhood home. There, she discovers the", "search of her childhood home. There, she discovers the small town has grown", "bland, to me. > > When Rraco goes looking for the Woodbridge's house,", "doesn't remember any > roads, just a mock gravel path looping lazily around", "small town has grown to a suburban sprawl, and she's surprised to find", "be able to find the house among the > maze of unfamiliar street", "that it's 3 AM on a Saturday, much less that she hasn't slept", "country. > And, of course, things have changed. Highway 9 now avoids towns", "in Gejdnir > Valley, it's been years since she was in this part", "and has more roads > leading to it than she remembers. In fact,", "roads, just a mock gravel path looping lazily around its borders. > >", "surroundings. It doesn't > help that it's 3 AM on a Saturday, much", "a mock gravel path looping lazily around its borders. > > > For", "3rd-person POV, as it's ends up being a metaphor for depression in a", "being a metaphor for depression in a way that couldn't really be told", "a bit bland, to me. > > When Rraco goes looking for the", "Gejdnir > Valley, it's been years since she was in this part of", "9 now avoids towns it > used to pass right through, and curves", "like to give to my stories. Moreover, it's a bit bland, to me.", "I'm not quite pleased with my opening paragraph. From a technical point of", "it's a bit bland, to me. > > When Rraco goes looking for", "> unremarkable if not for the roadside mailbox that still had... > >", "stories. Moreover, it's a bit bland, to me. > > When Rraco goes", "the story, so I'm open to both small and drastic changes. Note that", "for the Woodbridge's house, in Gejdnir > Valley, it's been years since she", "It doesn't > help that it's 3 AM on a Saturday, much less", "unfamiliar street signs and queer surroundings. It doesn't > help that it's 3", "course, things have changed. Highway 9 now avoids towns it > used to", "to both small and drastic changes. Note that the story is told from", "she's surprised to find that she can no longer navigate it's roads. I'm", "cross-country in search of her childhood home. There, she discovers the small town", "goes looking for the Woodbridge's house, in Gejdnir > Valley, it's been years", "a few dead-ends, Rraco > came upon an at once familiar sight-- a", "had... > > > Any suggestions for improvements? I'm not far along in", "in the story, so I'm open to both small and drastic changes. Note", "upon an at once familiar sight-- a disheveled dirt path leading > off", "time, Rraco isn't sure she'll be able to find the house among the", "borders. > > > For > a time, Rraco isn't sure she'll be", "she'll be able to find the house among the > maze of unfamiliar", "it's been years since she was in this part of the country. >", "able to find the house among the > maze of unfamiliar street signs", "I typically like to give to my stories. Moreover, it's a bit bland,", "once familiar sight-- a disheveled dirt path leading > off a suburban strip", "to pass right through, and curves in places she remembers being > straight.", "her childhood home. There, she discovers the small town has grown to a", "roadside mailbox that still had... > > > Any suggestions for improvements? I'm", "a time, Rraco isn't sure she'll be able to find the house among", "fairly distance 3rd-person POV, as it's ends up being a metaphor for depression", "been > unremarkable if not for the roadside mailbox that still had... >", "suburban strip into the dark of the night. It would've been > unremarkable", "> came upon an at once familiar sight-- a disheveled dirt path leading", "gravel path looping lazily around its borders. > > > For > a", "the house among the > maze of unfamiliar street signs and queer surroundings.", "path leading > off a suburban strip into the dark of the night.", "she was in this part of the country. > And, of course, things", "from a fairly distance 3rd-person POV, as it's ends up being a metaphor", "as it's ends up being a metaphor for depression in a way that", "> used to pass right through, and curves in places she remembers being", "to find the house among the > maze of unfamiliar street signs and", "unremarkable if not for the roadside mailbox that still had... > > >", "with my opening paragraph. From a technical point of view, it doesn't have", "lazily around its borders. > > > For > a time, Rraco isn't", "my opening paragraph. From a technical point of view, it doesn't have the", "used to pass right through, and curves in places she remembers being >", "leading > off a suburban strip into the dark of the night. It", "far along in the story, so I'm open to both small and drastic", "discovers the small town has grown to a suburban sprawl, and she's surprised", "any > roads, just a mock gravel path looping lazily around its borders.", "improvements? I'm not far along in the story, so I'm open to both", "the story is told from a fairly distance 3rd-person POV, as it's ends", "I'm writing a story about a woman driving cross-country in search of her", "in search of her childhood home. There, she discovers the small town has", "hasn't slept in > weeks. But, after narrowly avoiding more than a few", "disheveled dirt path leading > off a suburban strip into the dark of", "for improvements? I'm not far along in the story, so I'm open to", "Saltwater Pond is now a mere puddle, and has more roads > leading", "There, she discovers the small town has grown to a suburban sprawl, and", "my stories. Moreover, it's a bit bland, to me. > > When Rraco", "mock gravel path looping lazily around its borders. > > > For >", "so I'm open to both small and drastic changes. Note that the story", "> For > a time, Rraco isn't sure she'll be able to find", "that she hasn't slept in > weeks. But, after narrowly avoiding more than", "it doesn't have the \"cadence\" that I typically like to give to my", "> > Any suggestions for improvements? I'm not far along in the story,", "> Any suggestions for improvements? I'm not far along in the story, so", "it than she remembers. In fact, she doesn't remember any > roads, just", "after narrowly avoiding more than a few dead-ends, Rraco > came upon an", "pleased with my opening paragraph. From a technical point of view, it doesn't", "that still had... > > > Any suggestions for improvements? I'm not far", "that the story is told from a fairly distance 3rd-person POV, as it's", "she can no longer navigate it's roads. I'm not quite pleased with my", "a Saturday, much less that she hasn't slept in > weeks. But, after", "is told from a fairly distance 3rd-person POV, as it's ends up being", "of unfamiliar street signs and queer surroundings. It doesn't > help that it's", "it's 3 AM on a Saturday, much less that she hasn't slept in", "to my stories. Moreover, it's a bit bland, to me. > > When", "than she remembers. In fact, she doesn't remember any > roads, just a", "story about a woman driving cross-country in search of her childhood home. There,", "driving cross-country in search of her childhood home. There, she discovers the small", "doesn't > help that it's 3 AM on a Saturday, much less that", "a story about a woman driving cross-country in search of her childhood home.", "When Rraco goes looking for the Woodbridge's house, in Gejdnir > Valley, it's", "that I typically like to give to my stories. Moreover, it's a bit", "night. It would've been > unremarkable if not for the roadside mailbox that", "it's roads. I'm not quite pleased with my opening paragraph. From a technical", "quite pleased with my opening paragraph. From a technical point of view, it", "avoiding more than a few dead-ends, Rraco > came upon an at once", "It would've been > unremarkable if not for the roadside mailbox that still", "the roadside mailbox that still had... > > > Any suggestions for improvements?", "of the country. > And, of course, things have changed. Highway 9 now", "For > a time, Rraco isn't sure she'll be able to find the", "I'm not far along in the story, so I'm open to both small", "into the dark of the night. It would've been > unremarkable if not", "puddle, and has more roads > leading to it than she remembers. In", "town has grown to a suburban sprawl, and she's surprised to find that", "> And, of course, things have changed. Highway 9 now avoids towns it", "ends up being a metaphor for depression in a way that couldn't really", "find the house among the > maze of unfamiliar street signs and queer", "no longer navigate it's roads. I'm not quite pleased with my opening paragraph.", "through, and curves in places she remembers being > straight. Saltwater Pond is", "she remembers being > straight. Saltwater Pond is now a mere puddle, and", "> straight. Saltwater Pond is now a mere puddle, and has more roads", "an at once familiar sight-- a disheveled dirt path leading > off a", "dirt path leading > off a suburban strip into the dark of the", "for depression in a way that couldn't really be told well in 1st-person.", "writing a story about a woman driving cross-country in search of her childhood", "things have changed. Highway 9 now avoids towns it > used to pass", "along in the story, so I'm open to both small and drastic changes.", "home. There, she discovers the small town has grown to a suburban sprawl,", "around its borders. > > > For > a time, Rraco isn't sure", "that she can no longer navigate it's roads. I'm not quite pleased with", "changed. Highway 9 now avoids towns it > used to pass right through,", "longer navigate it's roads. I'm not quite pleased with my opening paragraph. From", "> off a suburban strip into the dark of the night. It would've", "came upon an at once familiar sight-- a disheveled dirt path leading >", "of the night. It would've been > unremarkable if not for the roadside", "story is told from a fairly distance 3rd-person POV, as it's ends up", "sprawl, and she's surprised to find that she can no longer navigate it's", "From a technical point of view, it doesn't have the \"cadence\" that I", "in this part of the country. > And, of course, things have changed.", "navigate it's roads. I'm not quite pleased with my opening paragraph. From a", "paragraph. From a technical point of view, it doesn't have the \"cadence\" that", "sight-- a disheveled dirt path leading > off a suburban strip into the", "Rraco > came upon an at once familiar sight-- a disheveled dirt path", "mailbox that still had... > > > Any suggestions for improvements? I'm not", "And, of course, things have changed. Highway 9 now avoids towns it >", "has more roads > leading to it than she remembers. In fact, she", "more roads > leading to it than she remembers. In fact, she doesn't", "just a mock gravel path looping lazily around its borders. > > >", "looping lazily around its borders. > > > For > a time, Rraco", "pass right through, and curves in places she remembers being > straight. Saltwater", "weeks. But, after narrowly avoiding more than a few dead-ends, Rraco > came", "few dead-ends, Rraco > came upon an at once familiar sight-- a disheveled", "she discovers the small town has grown to a suburban sprawl, and she's", "\"cadence\" that I typically like to give to my stories. Moreover, it's a", "fact, she doesn't remember any > roads, just a mock gravel path looping", "> a time, Rraco isn't sure she'll be able to find the house", "sure she'll be able to find the house among the > maze of", "less that she hasn't slept in > weeks. But, after narrowly avoiding more", "Valley, it's been years since she was in this part of the country.", "> > > Any suggestions for improvements? I'm not far along in the", "not for the roadside mailbox that still had... > > > Any suggestions", "surprised to find that she can no longer navigate it's roads. I'm not", "much less that she hasn't slept in > weeks. But, after narrowly avoiding", "avoids towns it > used to pass right through, and curves in places", "would've been > unremarkable if not for the roadside mailbox that still had...", "of her childhood home. There, she discovers the small town has grown to", "grown to a suburban sprawl, and she's surprised to find that she can", "drastic changes. Note that the story is told from a fairly distance 3rd-person", "a disheveled dirt path leading > off a suburban strip into the dark", "to it than she remembers. In fact, she doesn't remember any > roads,", "give to my stories. Moreover, it's a bit bland, to me. > >", "house, in Gejdnir > Valley, it's been years since she was in this", "house among the > maze of unfamiliar street signs and queer surroundings. It", "towns it > used to pass right through, and curves in places she", "familiar sight-- a disheveled dirt path leading > off a suburban strip into", "in > weeks. But, after narrowly avoiding more than a few dead-ends, Rraco", "have the \"cadence\" that I typically like to give to my stories. Moreover,", "and queer surroundings. It doesn't > help that it's 3 AM on a", "to give to my stories. Moreover, it's a bit bland, to me. >", "a mere puddle, and has more roads > leading to it than she", "distance 3rd-person POV, as it's ends up being a metaphor for depression in", "to a suburban sprawl, and she's surprised to find that she can no", "the country. > And, of course, things have changed. Highway 9 now avoids", "this part of the country. > And, of course, things have changed. Highway", "story, so I'm open to both small and drastic changes. Note that the", "remembers being > straight. Saltwater Pond is now a mere puddle, and has", "years since she was in this part of the country. > And, of", "being > straight. Saltwater Pond is now a mere puddle, and has more", "and curves in places she remembers being > straight. Saltwater Pond is now", "Moreover, it's a bit bland, to me. > > When Rraco goes looking", "than a few dead-ends, Rraco > came upon an at once familiar sight--", "3 AM on a Saturday, much less that she hasn't slept in >", "on a Saturday, much less that she hasn't slept in > weeks. But,", "path looping lazily around its borders. > > > For > a time,", "> When Rraco goes looking for the Woodbridge's house, in Gejdnir > Valley,", "not quite pleased with my opening paragraph. From a technical point of view,", "> weeks. But, after narrowly avoiding more than a few dead-ends, Rraco >", "at once familiar sight-- a disheveled dirt path leading > off a suburban", "street signs and queer surroundings. It doesn't > help that it's 3 AM", "maze of unfamiliar street signs and queer surroundings. It doesn't > help that", "and drastic changes. Note that the story is told from a fairly distance", "a metaphor for depression in a way that couldn't really be told well", "roads > leading to it than she remembers. In fact, she doesn't remember", "remembers. In fact, she doesn't remember any > roads, just a mock gravel", "mere puddle, and has more roads > leading to it than she remembers.", "Woodbridge's house, in Gejdnir > Valley, it's been years since she was in", "about a woman driving cross-country in search of her childhood home. There, she", "Saturday, much less that she hasn't slept in > weeks. But, after narrowly", "the Woodbridge's house, in Gejdnir > Valley, it's been years since she was", "narrowly avoiding more than a few dead-ends, Rraco > came upon an at", "the \"cadence\" that I typically like to give to my stories. Moreover, it's", "among the > maze of unfamiliar street signs and queer surroundings. It doesn't", "> roads, just a mock gravel path looping lazily around its borders. >", "a technical point of view, it doesn't have the \"cadence\" that I typically", "childhood home. There, she discovers the small town has grown to a suburban", "> maze of unfamiliar street signs and queer surroundings. It doesn't > help", "Highway 9 now avoids towns it > used to pass right through, and", "opening paragraph. From a technical point of view, it doesn't have the \"cadence\"", "the dark of the night. It would've been > unremarkable if not for", "dark of the night. It would've been > unremarkable if not for the", "roads. I'm not quite pleased with my opening paragraph. From a technical point", "small and drastic changes. Note that the story is told from a fairly", "curves in places she remembers being > straight. Saltwater Pond is now a", "in places she remembers being > straight. Saltwater Pond is now a mere", "a suburban strip into the dark of the night. It would've been >", "strip into the dark of the night. It would've been > unremarkable if", "since she was in this part of the country. > And, of course,", "and she's surprised to find that she can no longer navigate it's roads.", "is now a mere puddle, and has more roads > leading to it", "off a suburban strip into the dark of the night. It would've been", "open to both small and drastic changes. Note that the story is told", "AM on a Saturday, much less that she hasn't slept in > weeks.", "slept in > weeks. But, after narrowly avoiding more than a few dead-ends," ]
[ "will open the door to see someone (a family member, perhaps) that has", "sound, which (I intend) will grow louder over the course of the story.", "up to the point where he is in the room, and he's sitting", "alone, watching the seasons pass by out the window while he watches the", "\"raw\" knuckles from knocking for so long reaching out to help him. He", "story. In the end, he will open the door to see someone (a", "on the bed. I need something for him to be doing in between", "in the room, and he's sitting on the bed, alone, watching the seasons", "of the metaphor (if that makes sense). It would be incredibly premature to", "\"stops\" (i.e., he is sinking back into depression). I've written up to the", "problem is, I'm not sure how to fill in the middle. He's in", "a story (I think a bit long to post here, but I could", "a metaphor for depression. In the story (from a 3rd person past-tense POV,", "\"aha\" moment, without revealing too much of the metaphor (if that makes sense).", "middle. He's in an empty room, with the shutters closed and the lights", "and has \"raw\" knuckles from knocking for so long reaching out to help", "door to see someone (a family member, perhaps) that has grown much older", "which (I intend) will grow louder over the course of the story. In", "his childhood home to visit a room where the time \"stops\" (i.e., he", "climax or \"aha\" moment, without revealing too much of the metaphor (if that", "just sat on the bed. I need something for him to be doing", "that's helpful), an adult man seeks out his childhood home to visit a", "here, but I could if someone would like), which is a metaphor for", "depression. In the story (from a 3rd person past-tense POV, if that's helpful),", "of climax or \"aha\" moment, without revealing too much of the metaphor (if", "is also fairly short (probably 1.5 - 2k words in the end) so", "he watches the clock inside sit still. Meanwhile, he hears a faint knocking", "now and the conclusion, and I also need some reason for him to", "to visit a room where the time \"stops\" (i.e., he is sinking back", "the story. In the end, he will open the door to see someone", "makes sense). It would be incredibly premature to simply jump to the ending", "finally open the door. Some kind of climax or \"aha\" moment, without revealing", "It would be incredibly premature to simply jump to the ending now, but", "to fill in the middle. He's in an empty room, with the shutters", "and the lights off. So far, he's just sat on the bed. I", "empty room, with the shutters closed and the lights off. So far, he's", "the shutters closed and the lights off. So far, he's just sat on", "childhood home to visit a room where the time \"stops\" (i.e., he is", "out the window while he watches the clock inside sit still. Meanwhile, he", "the end, he will open the door to see someone (a family member,", "he's just sat on the bed. I need something for him to be", "pass by out the window while he watches the clock inside sit still.", "written up to the point where he is in the room, and he's", "member, perhaps) that has grown much older and has \"raw\" knuckles from knocking", "clock inside sit still. Meanwhile, he hears a faint knocking sound, which (I", "words in the end) so I don't need a whole lot. Any suggestions?", "3rd person past-tense POV, if that's helpful), an adult man seeks out his", "the bed. I need something for him to be doing in between now", "himself to get help). The problem is, I'm not sure how to fill", "for depression. In the story (from a 3rd person past-tense POV, if that's", "a room where the time \"stops\" (i.e., he is sinking back into depression).", "someone would like), which is a metaphor for depression. In the story (from", "time \"stops\" (i.e., he is sinking back into depression). I've written up to", "he is sinking back into depression). I've written up to the point where", "him. He then leaves the room (a metaphor for allowing himself to get", "he's sitting on the bed, alone, watching the seasons pass by out the", "short (probably 1.5 - 2k words in the end) so I don't need", "is, I'm not sure how to fill in the middle. He's in an", "the door. Some kind of climax or \"aha\" moment, without revealing too much", "is a metaphor for depression. In the story (from a 3rd person past-tense", "Some kind of climax or \"aha\" moment, without revealing too much of the", "would like), which is a metaphor for depression. In the story (from a", "helpful), an adult man seeks out his childhood home to visit a room", "something for him to be doing in between now and the conclusion, and", "the lights off. So far, he's just sat on the bed. I need", "him to be doing in between now and the conclusion, and I also", "room, with the shutters closed and the lights off. So far, he's just", "So far, he's just sat on the bed. I need something for him", "I'm not sure how to fill in the middle. He's in an empty", "1.5 - 2k words in the end) so I don't need a whole", "then leaves the room (a metaphor for allowing himself to get help). The", "not sure how to fill in the middle. He's in an empty room,", "the time \"stops\" (i.e., he is sinking back into depression). I've written up", "bit long to post here, but I could if someone would like), which", "hears a faint knocking sound, which (I intend) will grow louder over the", "(a metaphor for allowing himself to get help). The problem is, I'm not", "that has grown much older and has \"raw\" knuckles from knocking for so", "The problem is, I'm not sure how to fill in the middle. He's", "watching the seasons pass by out the window while he watches the clock", "closed and the lights off. So far, he's just sat on the bed.", "has grown much older and has \"raw\" knuckles from knocking for so long", "metaphor for depression. In the story (from a 3rd person past-tense POV, if", "POV, if that's helpful), an adult man seeks out his childhood home to", "to help him. He then leaves the room (a metaphor for allowing himself", "door. Some kind of climax or \"aha\" moment, without revealing too much of", "much of the metaphor (if that makes sense). It would be incredibly premature", "sure how to fill in the middle. He's in an empty room, with", "to be doing in between now and the conclusion, and I also need", "kind of climax or \"aha\" moment, without revealing too much of the metaphor", "course of the story. 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Some kind of", "knocking for so long reaching out to help him. He then leaves the", "the course of the story. In the end, he will open the door", "him to finally open the door. Some kind of climax or \"aha\" moment,", "(I intend) will grow louder over the course of the story. In the", "need something for him to be doing in between now and the conclusion,", "man seeks out his childhood home to visit a room where the time", "to finally open the door. Some kind of climax or \"aha\" moment, without", "with the shutters closed and the lights off. So far, he's just sat", "the door to see someone (a family member, perhaps) that has grown much", "a faint knocking sound, which (I intend) will grow louder over the course", "in between now and the conclusion, and I also need some reason for", "conclusion, and I also need some reason for him to finally open the", "too much of the metaphor (if that makes sense). It would be incredibly", "I need something for him to be doing in between now and the", "sit still. Meanwhile, he hears a faint knocking sound, which (I intend) will", "simply jump to the ending now, but the story is also fairly short", "story is also fairly short (probably 1.5 - 2k words in the end)", "and the conclusion, and I also need some reason for him to finally", "he hears a faint knocking sound, which (I intend) will grow louder over", "In the end, he will open the door to see someone (a family", "help him. He then leaves the room (a metaphor for allowing himself to", "metaphor for allowing himself to get help). The problem is, I'm not sure", "lights off. So far, he's just sat on the bed. I need something", "back into depression). I've written up to the point where he is in", "allowing himself to get help). The problem is, I'm not sure how to", "to get help). The problem is, I'm not sure how to fill in", "open the door. Some kind of climax or \"aha\" moment, without revealing too", "fairly short (probably 1.5 - 2k words in the end) so I don't", "a 3rd person past-tense POV, if that's helpful), an adult man seeks out", "be incredibly premature to simply jump to the ending now, but the story", "has \"raw\" knuckles from knocking for so long reaching out to help him.", "Meanwhile, he hears a faint knocking sound, which (I intend) will grow louder", "could if someone would like), which is a metaphor for depression. In the", "past-tense POV, if that's helpful), an adult man seeks out his childhood home", "the ending now, but the story is also fairly short (probably 1.5 -", "visit a room where the time \"stops\" (i.e., he is sinking back into", "where the time \"stops\" (i.e., he is sinking back into depression). I've written", "the bed, alone, watching the seasons pass by out the window while he", "inside sit still. Meanwhile, he hears a faint knocking sound, which (I intend)", "the window while he watches the clock inside sit still. Meanwhile, he hears", "intend) will grow louder over the course of the story. In the end,", "the clock inside sit still. Meanwhile, he hears a faint knocking sound, which", "long reaching out to help him. He then leaves the room (a metaphor", "reason for him to finally open the door. Some kind of climax or", "sense). It would be incredibly premature to simply jump to the ending now,", "post here, but I could if someone would like), which is a metaphor", "shutters closed and the lights off. So far, he's just sat on the", "I'm writing a story (I think a bit long to post here, but", "an empty room, with the shutters closed and the lights off. So far,", "I could if someone would like), which is a metaphor for depression. In", "think a bit long to post here, but I could if someone would", "In the story (from a 3rd person past-tense POV, if that's helpful), an", "off. So far, he's just sat on the bed. I need something for", "he will open the door to see someone (a family member, perhaps) that", "out his childhood home to visit a room where the time \"stops\" (i.e.,", "so long reaching out to help him. He then leaves the room (a", "room, and he's sitting on the bed, alone, watching the seasons pass by" ]
[ "I write \"their\" or \"his/her\". As far as I understand, \"their\" is used", "in this site and I hope to convey my question in a correct", "question in a correct manner. > > Any employee is also entitled to", "I am new in this site and I hope to convey my question", "of the employee in their post(s). > > > My question is, should", "understand, \"their\" is used to prevent gender-based discrimination. In advance, I would like", "must contain an assessment on the performance of the employee in their post(s).", "on the performance of the employee in their post(s). > > > My", "This document must contain an assessment on the performance of the employee in", "also entitled to receive a reference letter. This document must contain an assessment", "> Any employee is also entitled to receive a reference letter. This document", "gender-based discrimination. In advance, I would like to thank you for your assistance.", "entitled to receive a reference letter. 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As far as I understand,", "my question in a correct manner. > > Any employee is also entitled", "post(s). > > > My question is, should I write \"their\" or \"his/her\".", "am new in this site and I hope to convey my question in", "should I write \"their\" or \"his/her\". As far as I understand, \"their\" is", "prevent gender-based discrimination. In advance, I would like to thank you for your", "a correct manner. > > Any employee is also entitled to receive a", "contain an assessment on the performance of the employee in their post(s). >", "\"his/her\". As far as I understand, \"their\" is used to prevent gender-based discrimination.", "to prevent gender-based discrimination. In advance, I would like to thank you for", "My question is, should I write \"their\" or \"his/her\". As far as I", "> > > My question is, should I write \"their\" or \"his/her\". As", "> > My question is, should I write \"their\" or \"his/her\". As far", "\"their\" or \"his/her\". As far as I understand, \"their\" is used to prevent", "I hope to convey my question in a correct manner. > > Any", "a reference letter. This document must contain an assessment on the performance of", "their post(s). > > > My question is, should I write \"their\" or", "or \"his/her\". As far as I understand, \"their\" is used to prevent gender-based", "> My question is, should I write \"their\" or \"his/her\". As far as", "As far as I understand, \"their\" is used to prevent gender-based discrimination. In", "> > Any employee is also entitled to receive a reference letter. This", "as I understand, \"their\" is used to prevent gender-based discrimination. In advance, I", "write \"their\" or \"his/her\". As far as I understand, \"their\" is used to", "and I hope to convey my question in a correct manner. > >", "Any employee is also entitled to receive a reference letter. This document must", "\"their\" is used to prevent gender-based discrimination. In advance, I would like to", "is also entitled to receive a reference letter. This document must contain an", "manner. > > Any employee is also entitled to receive a reference letter.", "I understand, \"their\" is used to prevent gender-based discrimination. In advance, I would", "hope to convey my question in a correct manner. > > Any employee", "to convey my question in a correct manner. > > Any employee is", "correct manner. > > Any employee is also entitled to receive a reference", "document must contain an assessment on the performance of the employee in their", "employee in their post(s). > > > My question is, should I write", "is, should I write \"their\" or \"his/her\". As far as I understand, \"their\"", "far as I understand, \"their\" is used to prevent gender-based discrimination. In advance,", "letter. This document must contain an assessment on the performance of the employee", "to receive a reference letter. This document must contain an assessment on the", "is used to prevent gender-based discrimination. In advance, I would like to thank", "employee is also entitled to receive a reference letter. This document must contain", "receive a reference letter. This document must contain an assessment on the performance", "this site and I hope to convey my question in a correct manner.", "in a correct manner. > > Any employee is also entitled to receive" ]
[ "of her > hair against the darkness and the dark panels of her", "which in turn is taken from a critical edition by Scholes and Lutr.", "Penguin edition I have, which in turn is taken from a critical edition", "of Dubliners, the collection of short stories written by Gamev Zokce. In some", "Dubliners, the collection of short stories written by Gamev Zokce. In some stories,", "is this really Jayse's intention, or is it a mistake in the typesetting?", "the text of Dubliners, the collection of short stories written by Gamev Zokce.", "saw that they got the best slices and Aunt Kate and Aunt Julia", "show off the bronze of her > hair against the darkness and the", "is that it's ambiguous without it. My question is this: is this really", "off the light ones. > > > In my opinion, the above text", "short stories written by Gamev Zokce. In some stories, such as The Dead,", "for the gentlemen and bottles of minerals for the ladies. > > >", "or is it a mistake in the typesetting? If it is indeed his", "text seems to require at least one comma, after the best slices. Here's", "her skirt would show > off the light ones. > > > In", "stout and ale for the gentlemen and bottles of minerals for the ladies.", "the best slices and Aunt Kate and Aunt Julia opened and carried across", "the darkness. The reason is that it's ambiguous without it. My question is", "> > Marm Fine waited on her pupils and saw that they got", "Scholes and Lutr. (You can also view the first edition [here](https://archive.org/details/dubliners00joyc_8/page/n247/mode/2up) at archive.org.)", "her > hair against the darkness and the dark panels of her skirt", "ale for the gentlemen and bottles of minerals for the ladies. > >", "> In my opinion, the above text needs a comma after against the", "Julia opened and carried across from the piano bottles of stout and ale", "taken from Project Gutenberg. It matches a Penguin edition I have, which in", "needs a comma after against the darkness. The reason is that it's ambiguous", "might call run-on sentences, with little or no commas. Here's a shining example", "light ones. > > > In my opinion, the above text needs a", "or no commas. Here's a shining example (taken from The Dead): > >", "closely reading/editing (for my own benefit) the text of Dubliners, the collection of", "collection of short stories written by Gamev Zokce. In some stories, such as", "darkness. The reason is that it's ambiguous without it. My question is this:", "against the darkness and the dark panels of her skirt would show >", "with little or no commas. Here's a shining example (taken from The Dead):", "more egregious example (also taken from The Dead): > > Her blue felt", "the above text needs a comma after against the darkness. The reason is", "gentlemen and bottles of minerals for the ladies. > > > This text", "am closely reading/editing (for my own benefit) the text of Dubliners, the collection", "call run-on sentences, with little or no commas. Here's a shining example (taken", "opinion, the above text needs a comma after against the darkness. The reason", "If it is indeed his intention, then what effect is he trying to", "that it's ambiguous without it. My question is this: is this really Jayse's", "Dead): > > Her blue felt hat would show off the bronze of", "there are many instances of what you might call run-on sentences, with little", "dark panels of her skirt would show > off the light ones. >", "To my brain, the text seems to require at least one comma, after", "question is this: is this really Jayse's intention, or is it a mistake", "the ladies. > > > This text is taken from Project Gutenberg. It", "Zokce. In some stories, such as The Dead, there are many instances of", "Aunt Julia opened and carried across from the piano bottles of stout and", "it. My question is this: is this really Jayse's intention, or is it", "bottles of stout and ale for the gentlemen and bottles of minerals for", "the first edition [here](https://archive.org/details/dubliners00joyc_8/page/n247/mode/2up) at archive.org.) To my brain, the text seems to", "and saw that they got the best slices and Aunt Kate and Aunt", "edition by Scholes and Lutr. (You can also view the first edition [here](https://archive.org/details/dubliners00joyc_8/page/n247/mode/2up)", "by Gamev Zokce. In some stories, such as The Dead, there are many", "ladies. > > > This text is taken from Project Gutenberg. It matches", "Fine waited on her pupils and saw that they got the best slices", "Marm Fine waited on her pupils and saw that they got the best", "and Lutr. (You can also view the first edition [here](https://archive.org/details/dubliners00joyc_8/page/n247/mode/2up) at archive.org.) To", "bronze of her > hair against the darkness and the dark panels of", "require at least one comma, after the best slices. Here's a second, more", "her pupils and saw that they got the best slices and Aunt Kate", "and ale for the gentlemen and bottles of minerals for the ladies. >", "off the bronze of her > hair against the darkness and the dark", "a critical edition by Scholes and Lutr. (You can also view the first", "written by Gamev Zokce. In some stories, such as The Dead, there are", "some stories, such as The Dead, there are many instances of what you", "example (taken from The Dead): > > Marm Fine waited on her pupils", "> > This text is taken from Project Gutenberg. It matches a Penguin", "a Penguin edition I have, which in turn is taken from a critical", "above text needs a comma after against the darkness. The reason is that", "is it a mistake in the typesetting? If it is indeed his intention,", "little or no commas. Here's a shining example (taken from The Dead): >", "own benefit) the text of Dubliners, the collection of short stories written by", "such as The Dead, there are many instances of what you might call", "edition I have, which in turn is taken from a critical edition by", "panels of her skirt would show > off the light ones. > >", "it's ambiguous without it. My question is this: is this really Jayse's intention,", "hair against the darkness and the dark panels of her skirt would show", "seems to require at least one comma, after the best slices. Here's a", "The Dead, there are many instances of what you might call run-on sentences,", "many instances of what you might call run-on sentences, with little or no", "from Project Gutenberg. It matches a Penguin edition I have, which in turn", "the darkness and the dark panels of her skirt would show > off", "Dead, there are many instances of what you might call run-on sentences, with", "a shining example (taken from The Dead): > > Marm Fine waited on", "from The Dead): > > Marm Fine waited on her pupils and saw", "minerals for the ladies. > > > This text is taken from Project", "have, which in turn is taken from a critical edition by Scholes and", "and carried across from the piano bottles of stout and ale for the", "comma after against the darkness. The reason is that it's ambiguous without it.", "> hair against the darkness and the dark panels of her skirt would", "it is indeed his intention, then what effect is he trying to achieve?", "I have, which in turn is taken from a critical edition by Scholes", "of stout and ale for the gentlemen and bottles of minerals for the", "also view the first edition [here](https://archive.org/details/dubliners00joyc_8/page/n247/mode/2up) at archive.org.) To my brain, the text", "and bottles of minerals for the ladies. > > > This text is", "egregious example (also taken from The Dead): > > Her blue felt hat", "Project Gutenberg. It matches a Penguin edition I have, which in turn is", "on her pupils and saw that they got the best slices and Aunt", "at least one comma, after the best slices. Here's a second, more egregious", "the collection of short stories written by Gamev Zokce. In some stories, such", "is taken from Project Gutenberg. It matches a Penguin edition I have, which", "of her skirt would show > off the light ones. > > >", "(You can also view the first edition [here](https://archive.org/details/dubliners00joyc_8/page/n247/mode/2up) at archive.org.) To my brain,", "shining example (taken from The Dead): > > Marm Fine waited on her", "to require at least one comma, after the best slices. Here's a second,", "are many instances of what you might call run-on sentences, with little or", "In some stories, such as The Dead, there are many instances of what", "this really Jayse's intention, or is it a mistake in the typesetting? If", "The reason is that it's ambiguous without it. My question is this: is", "slices. Here's a second, more egregious example (also taken from The Dead): >", "against the darkness. The reason is that it's ambiguous without it. My question", "carried across from the piano bottles of stout and ale for the gentlemen", "of what you might call run-on sentences, with little or no commas. Here's", "the best slices. Here's a second, more egregious example (also taken from The", "mistake in the typesetting? If it is indeed his intention, then what effect", "you might call run-on sentences, with little or no commas. Here's a shining", "a mistake in the typesetting? If it is indeed his intention, then what", "first edition [here](https://archive.org/details/dubliners00joyc_8/page/n247/mode/2up) at archive.org.) To my brain, the text seems to require", "my opinion, the above text needs a comma after against the darkness. The", "I am closely reading/editing (for my own benefit) the text of Dubliners, the", "> > > In my opinion, the above text needs a comma after", "show > off the light ones. > > > In my opinion, the", "Here's a second, more egregious example (also taken from The Dead): > >", "taken from a critical edition by Scholes and Lutr. (You can also view", "typesetting? If it is indeed his intention, then what effect is he trying", "the piano bottles of stout and ale for the gentlemen and bottles of", "(taken from The Dead): > > Marm Fine waited on her pupils and", "best slices. Here's a second, more egregious example (also taken from The Dead):", "> > > This text is taken from Project Gutenberg. It matches a", "(also taken from The Dead): > > Her blue felt hat would show", "[here](https://archive.org/details/dubliners00joyc_8/page/n247/mode/2up) at archive.org.) To my brain, the text seems to require at least", "from a critical edition by Scholes and Lutr. (You can also view the", "got the best slices and Aunt Kate and Aunt Julia opened and carried", "Gamev Zokce. In some stories, such as The Dead, there are many instances", "that they got the best slices and Aunt Kate and Aunt Julia opened", "for the ladies. > > > This text is taken from Project Gutenberg.", "taken from The Dead): > > Her blue felt hat would show off", "(for my own benefit) the text of Dubliners, the collection of short stories", "My question is this: is this really Jayse's intention, or is it a", "This text is taken from Project Gutenberg. It matches a Penguin edition I", "as The Dead, there are many instances of what you might call run-on", "commas. Here's a shining example (taken from The Dead): > > Marm Fine", "It matches a Penguin edition I have, which in turn is taken from", "least one comma, after the best slices. Here's a second, more egregious example", "reason is that it's ambiguous without it. My question is this: is this", "intention, or is it a mistake in the typesetting? If it is indeed", "my own benefit) the text of Dubliners, the collection of short stories written", "comma, after the best slices. Here's a second, more egregious example (also taken", "really Jayse's intention, or is it a mistake in the typesetting? If it", "reading/editing (for my own benefit) the text of Dubliners, the collection of short", "critical edition by Scholes and Lutr. (You can also view the first edition", "Lutr. (You can also view the first edition [here](https://archive.org/details/dubliners00joyc_8/page/n247/mode/2up) at archive.org.) To my", "is this: is this really Jayse's intention, or is it a mistake in", "Jayse's intention, or is it a mistake in the typesetting? If it is", "in turn is taken from a critical edition by Scholes and Lutr. (You", "benefit) the text of Dubliners, the collection of short stories written by Gamev", "> This text is taken from Project Gutenberg. It matches a Penguin edition", "they got the best slices and Aunt Kate and Aunt Julia opened and", "text needs a comma after against the darkness. The reason is that it's", "from the piano bottles of stout and ale for the gentlemen and bottles", "the light ones. > > > In my opinion, the above text needs", "Dead): > > Marm Fine waited on her pupils and saw that they", "would show off the bronze of her > hair against the darkness and", "> > In my opinion, the above text needs a comma after against", "my brain, the text seems to require at least one comma, after the", "stories written by Gamev Zokce. In some stories, such as The Dead, there", "the bronze of her > hair against the darkness and the dark panels", "and Aunt Julia opened and carried across from the piano bottles of stout", "Her blue felt hat would show off the bronze of her > hair", "text is taken from Project Gutenberg. It matches a Penguin edition I have,", "> Her blue felt hat would show off the bronze of her >", "In my opinion, the above text needs a comma after against the darkness.", "best slices and Aunt Kate and Aunt Julia opened and carried across from", "the text seems to require at least one comma, after the best slices.", "view the first edition [here](https://archive.org/details/dubliners00joyc_8/page/n247/mode/2up) at archive.org.) To my brain, the text seems", "by Scholes and Lutr. (You can also view the first edition [here](https://archive.org/details/dubliners00joyc_8/page/n247/mode/2up) at", "sentences, with little or no commas. Here's a shining example (taken from The", "> off the light ones. > > > In my opinion, the above", "and the dark panels of her skirt would show > off the light", "across from the piano bottles of stout and ale for the gentlemen and", "The Dead): > > Her blue felt hat would show off the bronze", "brain, the text seems to require at least one comma, after the best", "edition [here](https://archive.org/details/dubliners00joyc_8/page/n247/mode/2up) at archive.org.) To my brain, the text seems to require at", "a comma after against the darkness. The reason is that it's ambiguous without", "the gentlemen and bottles of minerals for the ladies. > > > This", "text of Dubliners, the collection of short stories written by Gamev Zokce. In", "would show > off the light ones. > > > In my opinion,", "felt hat would show off the bronze of her > hair against the", "bottles of minerals for the ladies. > > > This text is taken", "turn is taken from a critical edition by Scholes and Lutr. (You can", "run-on sentences, with little or no commas. Here's a shining example (taken from", "the dark panels of her skirt would show > off the light ones.", "the typesetting? If it is indeed his intention, then what effect is he", "of short stories written by Gamev Zokce. In some stories, such as The", "slices and Aunt Kate and Aunt Julia opened and carried across from the", "can also view the first edition [here](https://archive.org/details/dubliners00joyc_8/page/n247/mode/2up) at archive.org.) To my brain, the", "at archive.org.) To my brain, the text seems to require at least one", "one comma, after the best slices. Here's a second, more egregious example (also", "> Marm Fine waited on her pupils and saw that they got the", "instances of what you might call run-on sentences, with little or no commas.", "Gutenberg. It matches a Penguin edition I have, which in turn is taken", "a second, more egregious example (also taken from The Dead): > > Her", "pupils and saw that they got the best slices and Aunt Kate and", "The Dead): > > Marm Fine waited on her pupils and saw that", "after the best slices. Here's a second, more egregious example (also taken from", "and Aunt Kate and Aunt Julia opened and carried across from the piano", "in the typesetting? If it is indeed his intention, then what effect is", "from The Dead): > > Her blue felt hat would show off the", "hat would show off the bronze of her > hair against the darkness", "without it. My question is this: is this really Jayse's intention, or is", "this: is this really Jayse's intention, or is it a mistake in the", "Aunt Kate and Aunt Julia opened and carried across from the piano bottles", "of minerals for the ladies. > > > This text is taken from", "waited on her pupils and saw that they got the best slices and", "ambiguous without it. My question is this: is this really Jayse's intention, or", "it a mistake in the typesetting? If it is indeed his intention, then", "stories, such as The Dead, there are many instances of what you might", "blue felt hat would show off the bronze of her > hair against", "what you might call run-on sentences, with little or no commas. Here's a", "ones. > > > In my opinion, the above text needs a comma", "matches a Penguin edition I have, which in turn is taken from a", "archive.org.) To my brain, the text seems to require at least one comma,", "piano bottles of stout and ale for the gentlemen and bottles of minerals", "darkness and the dark panels of her skirt would show > off the", "opened and carried across from the piano bottles of stout and ale for", "is taken from a critical edition by Scholes and Lutr. (You can also", "> > Her blue felt hat would show off the bronze of her", "skirt would show > off the light ones. > > > In my", "Here's a shining example (taken from The Dead): > > Marm Fine waited", "no commas. Here's a shining example (taken from The Dead): > > Marm", "after against the darkness. The reason is that it's ambiguous without it. My", "example (also taken from The Dead): > > Her blue felt hat would", "Kate and Aunt Julia opened and carried across from the piano bottles of", "second, more egregious example (also taken from The Dead): > > Her blue" ]
[ "people have different tastes in orientation. But it is much more difficult, since", "decided to make my character's gender up to the reader to decide since", "inclination for male characters and the fact that I am a total BL", "male characters and the fact that I am a total BL (“boy’s love”,", "But it is much more difficult, since it is a visual novel. Any", "stories about male homosexual romance) lover. So, I decided to make my character's", "BL (“boy’s love”, stories about male homosexual romance) lover. So, I decided to", "character's gender up to the reader to decide since I know some people", "decide since I know some people have different tastes in orientation. But it", "(“boy’s love”, stories about male homosexual romance) lover. So, I decided to make", "make my character's gender up to the reader to decide since I know", "characters and the fact that I am a total BL (“boy’s love”, stories", "about male homosexual romance) lover. So, I decided to make my character's gender", "I started having an inclination for male characters and the fact that I", "I know some people have different tastes in orientation. But it is much", "was going to be a female role, until I started having an inclination", "fact that I am a total BL (“boy’s love”, stories about male homosexual", "started having an inclination for male characters and the fact that I am", "gender up to the reader to decide since I know some people have", "it is much more difficult, since it is a visual novel. Any tips?", "an inclination for male characters and the fact that I am a total", "that I am a total BL (“boy’s love”, stories about male homosexual romance)", "a total BL (“boy’s love”, stories about male homosexual romance) lover. So, I", "So, I decided to make my character's gender up to the reader to", "to be a female role, until I started having an inclination for male", "be a female role, until I started having an inclination for male characters", "to make my character's gender up to the reader to decide since I", "to decide since I know some people have different tastes in orientation. But", "the reader to decide since I know some people have different tastes in", "I decided to make my character's gender up to the reader to decide", "romance) lover. So, I decided to make my character's gender up to the", "for male characters and the fact that I am a total BL (“boy’s", "male homosexual romance) lover. So, I decided to make my character's gender up", "role, until I started having an inclination for male characters and the fact", "female role, until I started having an inclination for male characters and the", "At first my protagonist was going to be a female role, until I", "different tastes in orientation. But it is much more difficult, since it is", "and the fact that I am a total BL (“boy’s love”, stories about", "reader to decide since I know some people have different tastes in orientation.", "until I started having an inclination for male characters and the fact that", "am a total BL (“boy’s love”, stories about male homosexual romance) lover. So,", "tastes in orientation. But it is much more difficult, since it is a", "I am a total BL (“boy’s love”, stories about male homosexual romance) lover.", "in orientation. But it is much more difficult, since it is a visual", "know some people have different tastes in orientation. But it is much more", "to the reader to decide since I know some people have different tastes", "protagonist was going to be a female role, until I started having an", "have different tastes in orientation. But it is much more difficult, since it", "going to be a female role, until I started having an inclination for", "lover. So, I decided to make my character's gender up to the reader", "love”, stories about male homosexual romance) lover. So, I decided to make my", "orientation. But it is much more difficult, since it is a visual novel.", "total BL (“boy’s love”, stories about male homosexual romance) lover. So, I decided", "a female role, until I started having an inclination for male characters and", "first my protagonist was going to be a female role, until I started", "homosexual romance) lover. So, I decided to make my character's gender up to", "having an inclination for male characters and the fact that I am a", "since I know some people have different tastes in orientation. But it is", "the fact that I am a total BL (“boy’s love”, stories about male", "some people have different tastes in orientation. But it is much more difficult,", "my protagonist was going to be a female role, until I started having", "up to the reader to decide since I know some people have different", "my character's gender up to the reader to decide since I know some" ]
[ "politics and policies of the United States and China. It may also connect", "who they will be in the future. The story doesn't paint them in", "future. The story doesn't paint them in a very flattering light; but the", "organizations. The near-duplicate questions do indeed answer the question about real-life individual people.", "the real names of these countries and pseudo-governments? Edit to clarify: I'm mostly", "WTO, WHO, etc. However, it will not be naming any real people, private", "countries and pseudo-governments? Edit to clarify: I'm mostly concerned about the real-life countries,", "to clarify: I'm mostly concerned about the real-life countries, governments, and pseudo-government organizations.", "around the politics and policies of the United States and China. It may", "such as the UN, WTO, WHO, etc. However, it will not be naming", "names, but who they are in present day is a big part of", "other than perhaps for some historical context. I would make up names, but", "policies of the United States and China. It may also connect to certain", "not be naming any real people, private businesses, etc; other than perhaps for", "real world. Warts and all. What kind of liability would I be opening", "all. What kind of liability would I be opening myself up to if", "What kind of liability would I be opening myself up to if I", "historical context. I would make up names, but who they are in present", "they have conducted themselves out here in the real world. Warts and all.", "States and China. It may also connect to certain pseudo-governmental organizations, such as", "here in the real world. Warts and all. What kind of liability would", "would I be opening myself up to if I used the real names", "pseudo-governments? Edit to clarify: I'm mostly concerned about the real-life countries, governments, and", "up to if I used the real names of these countries and pseudo-governments?", "big part of who they will be in the future. The story doesn't", "who they are in present day is a big part of who they", "light will be consistent with the way they have conducted themselves out here", "people, private businesses, etc; other than perhaps for some historical context. I would", "so, the story revolves largely around the politics and policies of the United", "doesn't paint them in a very flattering light; but the light will be", "future of our world could take over the next several decades. In doing", "in the real world. Warts and all. What kind of liability would I", "about the real-life countries, governments, and pseudo-government organizations. The near-duplicate questions do indeed", "a fiction novel. The plot I've outlined so far centers largely around one", "the UN, WTO, WHO, etc. However, it will not be naming any real", "China. It may also connect to certain pseudo-governmental organizations, such as the UN,", "pseudo-governmental organizations, such as the UN, WTO, WHO, etc. However, it will not", "liability would I be opening myself up to if I used the real", "pseudo-government organizations. The near-duplicate questions do indeed answer the question about real-life individual", "I've outlined so far centers largely around one possible path the future of", "part of who they will be in the future. The story doesn't paint", "have conducted themselves out here in the real world. Warts and all. What", "of the United States and China. It may also connect to certain pseudo-governmental", "may also connect to certain pseudo-governmental organizations, such as the UN, WTO, WHO,", "so far centers largely around one possible path the future of our world", "way they have conducted themselves out here in the real world. Warts and", "United States and China. It may also connect to certain pseudo-governmental organizations, such", "conducted themselves out here in the real world. Warts and all. What kind", "would make up names, but who they are in present day is a", "In doing so, the story revolves largely around the politics and policies of", "the story revolves largely around the politics and policies of the United States", "story revolves largely around the politics and policies of the United States and", "them in a very flattering light; but the light will be consistent with", "our world could take over the next several decades. In doing so, the", "take over the next several decades. In doing so, the story revolves largely", "Warts and all. What kind of liability would I be opening myself up", "these countries and pseudo-governments? Edit to clarify: I'm mostly concerned about the real-life", "and pseudo-government organizations. The near-duplicate questions do indeed answer the question about real-life", "they will be in the future. The story doesn't paint them in a", "novel. The plot I've outlined so far centers largely around one possible path", "names of these countries and pseudo-governments? Edit to clarify: I'm mostly concerned about", "of writing a fiction novel. The plot I've outlined so far centers largely", "largely around the politics and policies of the United States and China. It", "the real-life countries, governments, and pseudo-government organizations. The near-duplicate questions do indeed answer", "the United States and China. It may also connect to certain pseudo-governmental organizations,", "one possible path the future of our world could take over the next", "world. Warts and all. What kind of liability would I be opening myself", "used the real names of these countries and pseudo-governments? Edit to clarify: I'm", "I would make up names, but who they are in present day is", "I'm thinking of writing a fiction novel. The plot I've outlined so far", "will not be naming any real people, private businesses, etc; other than perhaps", "and pseudo-governments? Edit to clarify: I'm mostly concerned about the real-life countries, governments,", "the future of our world could take over the next several decades. In", "Edit to clarify: I'm mostly concerned about the real-life countries, governments, and pseudo-government", "of these countries and pseudo-governments? Edit to clarify: I'm mostly concerned about the", "largely around one possible path the future of our world could take over", "also connect to certain pseudo-governmental organizations, such as the UN, WTO, WHO, etc.", "of liability would I be opening myself up to if I used the", "path the future of our world could take over the next several decades.", "It may also connect to certain pseudo-governmental organizations, such as the UN, WTO,", "fiction novel. The plot I've outlined so far centers largely around one possible", "concerned about the real-life countries, governments, and pseudo-government organizations. The near-duplicate questions do", "some historical context. I would make up names, but who they are in", "paint them in a very flattering light; but the light will be consistent", "could take over the next several decades. In doing so, the story revolves", "with the way they have conducted themselves out here in the real world.", "story doesn't paint them in a very flattering light; but the light will", "the light will be consistent with the way they have conducted themselves out", "several decades. In doing so, the story revolves largely around the politics and", "perhaps for some historical context. I would make up names, but who they", "world could take over the next several decades. In doing so, the story", "businesses, etc; other than perhaps for some historical context. I would make up", "of our world could take over the next several decades. In doing so,", "make up names, but who they are in present day is a big", "the future. The story doesn't paint them in a very flattering light; but", "be consistent with the way they have conducted themselves out here in the", "will be in the future. The story doesn't paint them in a very", "day is a big part of who they will be in the future.", "in present day is a big part of who they will be in", "around one possible path the future of our world could take over the", "The story doesn't paint them in a very flattering light; but the light", "plot I've outlined so far centers largely around one possible path the future", "naming any real people, private businesses, etc; other than perhaps for some historical", "centers largely around one possible path the future of our world could take", "are in present day is a big part of who they will be", "a very flattering light; but the light will be consistent with the way", "etc; other than perhaps for some historical context. I would make up names,", "to if I used the real names of these countries and pseudo-governments? Edit", "will be consistent with the way they have conducted themselves out here in", "be in the future. The story doesn't paint them in a very flattering", "the next several decades. In doing so, the story revolves largely around the", "any real people, private businesses, etc; other than perhaps for some historical context.", "writing a fiction novel. The plot I've outlined so far centers largely around", "consistent with the way they have conducted themselves out here in the real", "out here in the real world. Warts and all. What kind of liability", "and China. It may also connect to certain pseudo-governmental organizations, such as the", "be opening myself up to if I used the real names of these", "etc. However, it will not be naming any real people, private businesses, etc;", "next several decades. In doing so, the story revolves largely around the politics", "thinking of writing a fiction novel. The plot I've outlined so far centers", "flattering light; but the light will be consistent with the way they have", "real people, private businesses, etc; other than perhaps for some historical context. I", "I be opening myself up to if I used the real names of", "WHO, etc. However, it will not be naming any real people, private businesses,", "organizations, such as the UN, WTO, WHO, etc. However, it will not be", "very flattering light; but the light will be consistent with the way they", "countries, governments, and pseudo-government organizations. The near-duplicate questions do indeed answer the question", "outlined so far centers largely around one possible path the future of our", "up names, but who they are in present day is a big part", "to certain pseudo-governmental organizations, such as the UN, WTO, WHO, etc. However, it", "as the UN, WTO, WHO, etc. However, it will not be naming any", "governments, and pseudo-government organizations. The near-duplicate questions do indeed answer the question about", "context. I would make up names, but who they are in present day", "and policies of the United States and China. It may also connect to", "the way they have conducted themselves out here in the real world. Warts", "it will not be naming any real people, private businesses, etc; other than", "The plot I've outlined so far centers largely around one possible path the", "and all. What kind of liability would I be opening myself up to", "myself up to if I used the real names of these countries and", "opening myself up to if I used the real names of these countries", "over the next several decades. In doing so, the story revolves largely around", "present day is a big part of who they will be in the", "doing so, the story revolves largely around the politics and policies of the", "revolves largely around the politics and policies of the United States and China.", "be naming any real people, private businesses, etc; other than perhaps for some", "for some historical context. I would make up names, but who they are", "but who they are in present day is a big part of who", "but the light will be consistent with the way they have conducted themselves", "kind of liability would I be opening myself up to if I used", "if I used the real names of these countries and pseudo-governments? Edit to", "UN, WTO, WHO, etc. However, it will not be naming any real people,", "in the future. The story doesn't paint them in a very flattering light;", "themselves out here in the real world. Warts and all. What kind of", "I used the real names of these countries and pseudo-governments? Edit to clarify:", "far centers largely around one possible path the future of our world could", "However, it will not be naming any real people, private businesses, etc; other", "private businesses, etc; other than perhaps for some historical context. I would make", "than perhaps for some historical context. I would make up names, but who", "in a very flattering light; but the light will be consistent with the", "they are in present day is a big part of who they will", "certain pseudo-governmental organizations, such as the UN, WTO, WHO, etc. However, it will", "decades. In doing so, the story revolves largely around the politics and policies", "the politics and policies of the United States and China. It may also", "a big part of who they will be in the future. The story", "mostly concerned about the real-life countries, governments, and pseudo-government organizations. 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He truly believes N", "a deer crosses the road, causing him to temporarily lose control of the", "girl who is effected by both the crime committed and the injustice delivered", "does what he thinks he needs to to survive and eventually manages escape", "evidence is being collected that will put him behind bars for the rest", "a career criminal N - a career criminal who is taking some time", "taken out of police custody by a shrink who wants to run an", "is later released only to be snatched by a vigilante who thinks he’s", "out with three main characters: J - a young girl who is effected", "friend who is a career criminal N - a career criminal who is", "and interrogated N is later released only to be snatched by a vigilante", "be snatched by a vigilante who thinks he’s hot and wants to have", "main characters: J - a young girl who is effected by both the", "him loose. The following three plot points are also part of the experiment.", "looks like an opportunity to put an old friend in jail. He truly", "prison might not be uneventful - giving him another difficult choice to make.", "make. Situation (sheriff he knows is driving him in and a deer crosses", "released only to be snatched by a vigilante who thinks he’s hot and", "knows is driving him in and a deer crosses the road, causing him", "following three plot points are also part of the experiment. N goes to", "homicide and it looks like an opportunity to put an old friend in", "some time to develop a relationship with his girlfriend and his children (", "( both biological and unofficial) J finds her mother and two others dead", "survive and eventually manages escape N walks into a police station and surrenders", "by a vigilante who thinks he’s hot and wants to have some fun", "for what he has done, is connected to this triple homicide and it", "deer crosses the road, causing him to temporarily lose control of the vehicle.", "both the crime committed and the injustice delivered D - a clever detective", "rather than spend her life visiting him Now this is where I am", "by both the crime committed and the injustice delivered D - a clever", "- a clever detective with an interesting past and a dear friend who", "control of the vehicle. Sheriff is injured, N has a chance to get", "N out of the hospital and turning him loose. The following three plot", "Now this is where I am beginning to wonder if his trip to", "to a pub and SWAT shows up to end the nonexistent hostage situation", "road, causing him to temporarily lose control of the vehicle. Sheriff is injured,", "but were fun so she will hate him rather than spend her life", "finds her mother and two others dead - runs for help when she", "to this triple homicide and it looks like an opportunity to put an", "loose. The following three plot points are also part of the experiment. N", "unofficial) J finds her mother and two others dead - runs for help", "with him N does what he thinks he needs to to survive and", "things weren’t really real, but were fun so she will hate him rather", "were fun so she will hate him rather than spend her life visiting", "the road, causing him to temporarily lose control of the vehicle. Sheriff is", "of police custody by a shrink who wants to run an experiment which", "WIP involves a deliberate miscarriage of justice. I started out with three main", "a shrink who wants to run an experiment which involves signing N out", "N will either end up dead or in prison and would be better", "at night the police enter his home to arrest him, but failures of", "committed and the injustice delivered D - a clever detective with an interesting", "him N does what he thinks he needs to to survive and eventually", "whom he’ll never catch for what he has done, is connected to this", "miscarriage of justice. I started out with three main characters: J - a", "the hospital and turning him loose. The following three plot points are also", "hostage situation N escapes N is snatched and interrogated N is later released", "walks into a police station and surrenders N tells his girlfriend things weren’t", "characters: J - a young girl who is effected by both the crime", "shows up to end the nonexistent hostage situation N escapes N is snatched", "- giving him another difficult choice to make. Situation (sheriff he knows is", "is snatched and interrogated N is later released only to be snatched by", "hospital handcuffed to a bed N is later taken out of police custody" ]
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[ "I'm really tired of people ignoring me, especially people I want to impress", "me, especially people I want to impress but don't really notice me. Can", "when I'm older, but I'm much too shy to email a proper author", "older, but I'm much too shy to email a proper author about what", "would mock me for aspiring to be an author, but I'm really tired", "really tired of people ignoring me, especially people I want to impress but", "much too shy to email a proper author about what to do or", "be an author, but I'm really tired of people ignoring me, especially people", "aspiring to be an author, but I'm really tired of people ignoring me,", "moment. I really want to become an author when I'm older, but I'm", "writing a few books at the moment. I really want to become an", "especially people I want to impress but don't really notice me. Can you", "to do or show it to many people. I really feel like people", "the moment. I really want to become an author when I'm older, but", "I'm older, but I'm much too shy to email a proper author about", "tired of people ignoring me, especially people I want to impress but don't", "people I want to impress but don't really notice me. Can you help", "at the moment. I really want to become an author when I'm older,", "do or show it to many people. I really feel like people would", "an author, but I'm really tired of people ignoring me, especially people I", "me for aspiring to be an author, but I'm really tired of people", "a few books at the moment. I really want to become an author", "I really want to become an author when I'm older, but I'm much", "So, I'm writing a few books at the moment. I really want to", "an author when I'm older, but I'm much too shy to email a", "people ignoring me, especially people I want to impress but don't really notice", "what to do or show it to many people. I really feel like", "don't really notice me. Can you help with this? Is anyone in a", "but I'm much too shy to email a proper author about what to", "to many people. I really feel like people would mock me for aspiring", "shy to email a proper author about what to do or show it", "for aspiring to be an author, but I'm really tired of people ignoring", "like people would mock me for aspiring to be an author, but I'm", "author about what to do or show it to many people. I really", "or show it to many people. I really feel like people would mock", "author when I'm older, but I'm much too shy to email a proper", "a proper author about what to do or show it to many people.", "it to many people. I really feel like people would mock me for", "to email a proper author about what to do or show it to", "proper author about what to do or show it to many people. I", "want to become an author when I'm older, but I'm much too shy", "about what to do or show it to many people. I really feel", "of people ignoring me, especially people I want to impress but don't really", "books at the moment. I really want to become an author when I'm", "show it to many people. I really feel like people would mock me", "impress but don't really notice me. Can you help with this? Is anyone", "I'm writing a few books at the moment. I really want to become", "many people. I really feel like people would mock me for aspiring to", "feel like people would mock me for aspiring to be an author, but", "ignoring me, especially people I want to impress but don't really notice me.", "people would mock me for aspiring to be an author, but I'm really", "but don't really notice me. Can you help with this? Is anyone in", "really notice me. Can you help with this? Is anyone in a similar", "mock me for aspiring to be an author, but I'm really tired of", "but I'm really tired of people ignoring me, especially people I want to", "to become an author when I'm older, but I'm much too shy to", "few books at the moment. I really want to become an author when", "really want to become an author when I'm older, but I'm much too", "too shy to email a proper author about what to do or show", "notice me. Can you help with this? Is anyone in a similar situation?", "really feel like people would mock me for aspiring to be an author,", "author, but I'm really tired of people ignoring me, especially people I want", "I'm much too shy to email a proper author about what to do", "I want to impress but don't really notice me. Can you help with", "to impress but don't really notice me. Can you help with this? Is", "email a proper author about what to do or show it to many", "become an author when I'm older, but I'm much too shy to email", "to be an author, but I'm really tired of people ignoring me, especially", "I really feel like people would mock me for aspiring to be an", "want to impress but don't really notice me. Can you help with this?", "people. I really feel like people would mock me for aspiring to be" ]
[ "abhor, and have no inclination towards the associated vice. So, for example, a", "they are good at it and by nature avoid, abhor, and have no", "beings (gods/goddess). The gods and goddess have personalities, limitations, and what is commonly", "avoid, abhor, and have no inclination towards the associated vice. So, for example,", "these gods (albeit one stuck in a powerless mortal form for the moment)", "that instance. Edit: To potentially help those forming answers, here is a definition", "is a definition of the virtue of \"courage\": miriam webster defines courage as", "inclined to avoid doing anything cowardly, in fact, the cowardly thought processes that", "webster defines courage as \"mental or moral strength to venture, persevere, and withstand", "problems, pretend they don't exist, run away from them before later on in", "of wisdom would make very thoughtful and wise decisions (though that doesn't always", "fact, the cowardly thought processes that would lead to cowardly behavior wouldn't occur", "decisions (though that doesn't always mean the \"right\" ones, as the gods are", "processes that would lead to cowardly behavior wouldn't occur for them. Cowardice is", "and giving them an inclination towards recklessness as a result, but I'm not", "inclination towards recklessness as a result, but I'm not sure I like the", "fear they will judge you. No running away from your problems at all,", "face them anyway. Can a character with no inclination towards any form of", "or moral strength to venture, persevere, and withstand danger, fear, or difficulty\" and", "way that could turn out, or the kind of person said character would", "no inclination towards any form of cowardice still be a well-rounded character who", "LOT? Avoid problems, pretend they don't exist, run away from them before later", "said character would be in that instance. Edit: To potentially help those forming", "So theoretically, this person would be naturally inclined to avoid doing anything cowardly,", "answers, here is a definition of the virtue of \"courage\": miriam webster defines", "always mean the \"right\" ones, as the gods are limited by what they", "called \"human nature\" (they don't know everything, they screw up, etc.), with one", "and have no inclination towards the associated vice. So, for example, a goddess", "since \"courage\" is the balance between cowardice and recklessness, then theoretically reckless behavior", "really. And what is it interesting characters seem to do a LOT? Avoid", "wouldn't occur for them. Cowardice is not an option. (Also, since \"courage\" is", "a LOT? Avoid problems, pretend they don't exist, run away from them before", "only antithesis, and giving them an inclination towards recklessness as a result, but", "for them. Cowardice is not an option. (Also, since \"courage\" is the balance", "your problems at all, really. And what is it interesting characters seem to", "one rather notable exception: Whatever their particular \"area\" is, they are good at", "them anyway. Can a character with no inclination towards any form of cowardice", "very thoughtful and wise decisions (though that doesn't always mean the \"right\" ones,", "result, but I'm not sure I like the gimick-y way that could turn", "goddess of wisdom would make very thoughtful and wise decisions (though that doesn't", "could turn out, or the kind of person said character would be in", "what they know and don't know, etc.) and would be very unlikely to", "fear, or difficulty\" and google search of the definition results in \"the ability", "something that frightens one\" or \"strength in the face of pain or grief.\"", "this world, there are mortals (human beings) and divine beings (gods/goddess). The gods", "screw up, etc.), with one rather notable exception: Whatever their particular \"area\" is,", "from them before later on in the story realizing they need to step", "with one rather notable exception: Whatever their particular \"area\" is, they are good", "\"courage.\" So theoretically, this person would be naturally inclined to avoid doing anything", "vice. So, for example, a goddess of wisdom would make very thoughtful and", "\"courage\" is the balance between cowardice and recklessness, then theoretically reckless behavior should", "(they don't know everything, they screw up, etc.), with one rather notable exception:", "will judge you. No running away from your problems at all, really. And", "know, etc.) and would be very unlikely to do anything that would be", "No running away from your problems at all, really. And what is it", "And what is it interesting characters seem to do a LOT? Avoid problems,", "Or have I eliminated far too large a source of character flaws and", "you. No being dishonest with other people out of fear they will judge", "lead to cowardly behavior wouldn't occur for them. Cowardice is not an option.", "gimick-y way that could turn out, or the kind of person said character", "are mortals (human beings) and divine beings (gods/goddess). The gods and goddess have", "or the kind of person said character would be in that instance. Edit:", "be off the table as well?) I've realized that, practically speaking, this would", "and by nature avoid, abhor, and have no inclination towards the associated vice.", "miriam webster defines courage as \"mental or moral strength to venture, persevere, and", "knows at any given time, because being foolish is not in her nature.", "my main cast. This one's area is \"courage.\" So theoretically, this person would", "mortals (human beings) and divine beings (gods/goddess). The gods and goddess have personalities,", "any form of cowardice still be a well-rounded character who does interesting things", "for the moment) as a part of my main cast. This one's area", "strength to venture, persevere, and withstand danger, fear, or difficulty\" and google search", "like the gimick-y way that could turn out, or the kind of person", "are good at it and by nature avoid, abhor, and have no inclination", "have I eliminated far too large a source of character flaws and mistakes", "here is a definition of the virtue of \"courage\": miriam webster defines courage", "to avoid doing anything cowardly, in fact, the cowardly thought processes that would", "gods and goddess have personalities, limitations, and what is commonly called \"human nature\"", "of the definition results in \"the ability to do something that frightens one\"", "nature. My problem is that I have one of these gods (albeit one", "The gods and goddess have personalities, limitations, and what is commonly called \"human", "as the gods are limited by what they know and don't know, etc.)", "inclination towards the associated vice. So, for example, a goddess of wisdom would", "anything cowardly, in fact, the cowardly thought processes that would lead to cowardly", "exist because they scare you. No being dishonest with other people out of", "or difficulty\" and google search of the definition results in \"the ability to", "she knows at any given time, because being foolish is not in her", "step up and face them anyway. Can a character with no inclination towards", "I've realized that, practically speaking, this would mean: No avoiding problems or pretending", "because they scare you. No being dishonest with other people out of fear", "in fact, the cowardly thought processes that would lead to cowardly behavior wouldn't", "interesting things within the plot, instead of a boring/annoying goody-two-shoes? Or have I", "as a part of my main cast. This one's area is \"courage.\" So", "they need to step up and face them anyway. Can a character with", "character flaws and mistakes to recover from? I had considered making cowardice their", "in the story realizing they need to step up and face them anyway.", "table as well?) I've realized that, practically speaking, this would mean: No avoiding", "is that I have one of these gods (albeit one stuck in a", "what is it interesting characters seem to do a LOT? Avoid problems, pretend", "plot, instead of a boring/annoying goody-two-shoes? Or have I eliminated far too large", "with other people out of fear they will judge you. No running away", "those forming answers, here is a definition of the virtue of \"courage\": miriam", "the definition results in \"the ability to do something that frightens one\" or", "and mistakes to recover from? I had considered making cowardice their only antithesis,", "thought processes that would lead to cowardly behavior wouldn't occur for them. Cowardice", "need to step up and face them anyway. Can a character with no", "don't know, etc.) and would be very unlikely to do anything that would", "recklessness, then theoretically reckless behavior should be off the table as well?) I've", "is commonly called \"human nature\" (they don't know everything, they screw up, etc.),", "as well?) I've realized that, practically speaking, this would mean: No avoiding problems", "source of character flaws and mistakes to recover from? I had considered making", "withstand danger, fear, or difficulty\" and google search of the definition results in", "difficulty\" and google search of the definition results in \"the ability to do", "personalities, limitations, and what is commonly called \"human nature\" (they don't know everything,", "a part of my main cast. This one's area is \"courage.\" So theoretically,", "foolish is not in her nature. My problem is that I have one", "what she knows at any given time, because being foolish is not in", "Edit: To potentially help those forming answers, here is a definition of the", "occur for them. Cowardice is not an option. (Also, since \"courage\" is the", "of a boring/annoying goody-two-shoes? Or have I eliminated far too large a source", "running away from your problems at all, really. And what is it interesting", "the kind of person said character would be in that instance. Edit: To", "persevere, and withstand danger, fear, or difficulty\" and google search of the definition", "speaking, this would mean: No avoiding problems or pretending they don't exist because", "they know and don't know, etc.) and would be very unlikely to do", "of these gods (albeit one stuck in a powerless mortal form for the", "the gods are limited by what they know and don't know, etc.) and", "the gimick-y way that could turn out, or the kind of person said", "cowardly behavior wouldn't occur for them. Cowardice is not an option. (Also, since", "do something that frightens one\" or \"strength in the face of pain or", "it and by nature avoid, abhor, and have no inclination towards the associated", "limitations, and what is commonly called \"human nature\" (they don't know everything, they", "stuck in a powerless mortal form for the moment) as a part of", "behavior wouldn't occur for them. Cowardice is not an option. 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Edit: To potentially help those", "exist, run away from them before later on in the story realizing they", "realized that, practically speaking, this would mean: No avoiding problems or pretending they", "cowardice their only antithesis, and giving them an inclination towards recklessness as a", "well?) I've realized that, practically speaking, this would mean: No avoiding problems or", "by what they know and don't know, etc.) and would be very unlikely", "still be a well-rounded character who does interesting things within the plot, instead", "In this world, there are mortals (human beings) and divine beings (gods/goddess). The", "don't exist, run away from them before later on in the story realizing", "To potentially help those forming answers, here is a definition of the virtue", "is \"courage.\" So theoretically, this person would be naturally inclined to avoid doing", "moment) as a part of my main cast. This one's area is \"courage.\"", "behavior should be off the table as well?) I've realized that, practically speaking,", "them before later on in the story realizing they need to step up", "everything, they screw up, etc.), with one rather notable exception: Whatever their particular", "My problem is that I have one of these gods (albeit one stuck", "problem is that I have one of these gods (albeit one stuck in", "have personalities, limitations, and what is commonly called \"human nature\" (they don't know", "too large a source of character flaws and mistakes to recover from? I", "on in the story realizing they need to step up and face them", "any given time, because being foolish is not in her nature. My problem", "to recover from? I had considered making cowardice their only antithesis, and giving", "would make very thoughtful and wise decisions (though that doesn't always mean the", "goddess have personalities, limitations, and what is commonly called \"human nature\" (they don't", "pretend they don't exist, run away from them before later on in the", "practically speaking, this would mean: No avoiding problems or pretending they don't exist", "instance. Edit: To potentially help those forming answers, here is a definition of", "(Also, since \"courage\" is the balance between cowardice and recklessness, then theoretically reckless", "form for the moment) as a part of my main cast. This one's", "that I have one of these gods (albeit one stuck in a powerless", "problems at all, really. And what is it interesting characters seem to do", "character with no inclination towards any form of cowardice still be a well-rounded", "as \"mental or moral strength to venture, persevere, and withstand danger, fear, or", "should be off the table as well?) I've realized that, practically speaking, this", "of person said character would be in that instance. Edit: To potentially help", "to venture, persevere, and withstand danger, fear, or difficulty\" and google search of", "inclination towards any form of cowardice still be a well-rounded character who does", "an option. (Also, since \"courage\" is the balance between cowardice and recklessness, then", "virtue of \"courage\": miriam webster defines courage as \"mental or moral strength to", "of \"courage\": miriam webster defines courage as \"mental or moral strength to venture,", "in a powerless mortal form for the moment) as a part of my", "people out of fear they will judge you. No running away from your", "up and face them anyway. Can a character with no inclination towards any", "a boring/annoying goody-two-shoes? Or have I eliminated far too large a source of", "foolish given what she knows at any given time, because being foolish is", "mean: No avoiding problems or pretending they don't exist because they scare you.", "would be in that instance. Edit: To potentially help those forming answers, here", "(gods/goddess). The gods and goddess have personalities, limitations, and what is commonly called", "associated vice. So, for example, a goddess of wisdom would make very thoughtful", "No being dishonest with other people out of fear they will judge you.", "gods (albeit one stuck in a powerless mortal form for the moment) as", "that would lead to cowardly behavior wouldn't occur for them. Cowardice is not", "results in \"the ability to do something that frightens one\" or \"strength in", "her nature. My problem is that I have one of these gods (albeit", "large a source of character flaws and mistakes to recover from? I had", "divine beings (gods/goddess). The gods and goddess have personalities, limitations, and what is", "at it and by nature avoid, abhor, and have no inclination towards the", "cowardly, in fact, the cowardly thought processes that would lead to cowardly behavior", "they don't exist, run away from them before later on in the story", "make very thoughtful and wise decisions (though that doesn't always mean the \"right\"", "theoretically, this person would be naturally inclined to avoid doing anything cowardly, in", "be naturally inclined to avoid doing anything cowardly, in fact, the cowardly thought", "an inclination towards recklessness as a result, but I'm not sure I like", "that could turn out, or the kind of person said character would be", "is the balance between cowardice and recklessness, then theoretically reckless behavior should be", "a goddess of wisdom would make very thoughtful and wise decisions (though that", "theoretically reckless behavior should be off the table as well?) I've realized that,", "being dishonest with other people out of fear they will judge you. No", "ability to do something that frightens one\" or \"strength in the face of", "recklessness as a result, but I'm not sure I like the gimick-y way", "I had considered making cowardice their only antithesis, and giving them an inclination", "and divine beings (gods/goddess). The gods and goddess have personalities, limitations, and what", "have one of these gods (albeit one stuck in a powerless mortal form", "courage as \"mental or moral strength to venture, persevere, and withstand danger, fear,", "and wise decisions (though that doesn't always mean the \"right\" ones, as the", "anyway. Can a character with no inclination towards any form of cowardice still", "don't know everything, they screw up, etc.), with one rather notable exception: Whatever", "gods are limited by what they know and don't know, etc.) and would", "reckless behavior should be off the table as well?) I've realized that, practically", "a well-rounded character who does interesting things within the plot, instead of a", "know and don't know, etc.) and would be very unlikely to do anything", "them an inclination towards recklessness as a result, but I'm not sure I", "are limited by what they know and don't know, etc.) and would be", "towards the associated vice. So, for example, a goddess of wisdom would make", "commonly called \"human nature\" (they don't know everything, they screw up, etc.), with", "naturally inclined to avoid doing anything cowardly, in fact, the cowardly thought processes", "(human beings) and divine beings (gods/goddess). The gods and goddess have personalities, limitations,", "towards recklessness as a result, but I'm not sure I like the gimick-y", "they scare you. No being dishonest with other people out of fear they", "being foolish is not in her nature. My problem is that I have", "is not an option. (Also, since \"courage\" is the balance between cowardice and", "No avoiding problems or pretending they don't exist because they scare you. No", "turn out, or the kind of person said character would be in that", "that would be foolish given what she knows at any given time, because", "part of my main cast. This one's area is \"courage.\" So theoretically, this", "interesting characters seem to do a LOT? Avoid problems, pretend they don't exist,", "beings) and divine beings (gods/goddess). The gods and goddess have personalities, limitations, and", "them. Cowardice is not an option. (Also, since \"courage\" is the balance between", "do a LOT? Avoid problems, pretend they don't exist, run away from them", "eliminated far too large a source of character flaws and mistakes to recover", "from? I had considered making cowardice their only antithesis, and giving them an", "ones, as the gods are limited by what they know and don't know,", "boring/annoying goody-two-shoes? Or have I eliminated far too large a source of character", "problems or pretending they don't exist because they scare you. No being dishonest", "be foolish given what she knows at any given time, because being foolish", "character who does interesting things within the plot, instead of a boring/annoying goody-two-shoes?", "wisdom would make very thoughtful and wise decisions (though that doesn't always mean", "search of the definition results in \"the ability to do something that frightens", "a result, but I'm not sure I like the gimick-y way that could", "cowardice still be a well-rounded character who does interesting things within the plot,", "one's area is \"courage.\" So theoretically, this person would be naturally inclined to", "potentially help those forming answers, here is a definition of the virtue of", "be in that instance. Edit: To potentially help those forming answers, here is", "doesn't always mean the \"right\" ones, as the gods are limited by what", "the associated vice. So, for example, a goddess of wisdom would make very", "of my main cast. This one's area is \"courage.\" So theoretically, this person", "not an option. (Also, since \"courage\" is the balance between cowardice and recklessness,", "would be very unlikely to do anything that would be foolish given what", "to do anything that would be foolish given what she knows at any", "and goddess have personalities, limitations, and what is commonly called \"human nature\" (they", "dishonest with other people out of fear they will judge you. No running", "and recklessness, then theoretically reckless behavior should be off the table as well?)", "notable exception: Whatever their particular \"area\" is, they are good at it and", "anything that would be foolish given what she knows at any given time,", "of cowardice still be a well-rounded character who does interesting things within the", "character would be in that instance. Edit: To potentially help those forming answers,", "nature avoid, abhor, and have no inclination towards the associated vice. So, for", "instead of a boring/annoying goody-two-shoes? Or have I eliminated far too large a", "danger, fear, or difficulty\" and google search of the definition results in \"the", "the balance between cowardice and recklessness, then theoretically reckless behavior should be off", "what is commonly called \"human nature\" (they don't know everything, they screw up,", "goody-two-shoes? Or have I eliminated far too large a source of character flaws", "Avoid problems, pretend they don't exist, run away from them before later on", "and google search of the definition results in \"the ability to do something", "the \"right\" ones, as the gods are limited by what they know and", "out, or the kind of person said character would be in that instance.", "cowardly thought processes that would lead to cowardly behavior wouldn't occur for them.", "for example, a goddess of wisdom would make very thoughtful and wise decisions", "would be foolish given what she knows at any given time, because being", "wise decisions (though that doesn't always mean the \"right\" ones, as the gods", "be very unlikely to do anything that would be foolish given what she", "balance between cowardice and recklessness, then theoretically reckless behavior should be off the", "main cast. This one's area is \"courage.\" So theoretically, this person would be", "\"courage\": miriam webster defines courage as \"mental or moral strength to venture, persevere,", "out of fear they will judge you. No running away from your problems", "given time, because being foolish is not in her nature. My problem is", "to do a LOT? Avoid problems, pretend they don't exist, run away from", "and face them anyway. Can a character with no inclination towards any form", "\"human nature\" (they don't know everything, they screw up, etc.), with one rather", "thoughtful and wise decisions (though that doesn't always mean the \"right\" ones, as", "they screw up, etc.), with one rather notable exception: Whatever their particular \"area\"", "antithesis, and giving them an inclination towards recklessness as a result, but I'm", "giving them an inclination towards recklessness as a result, but I'm not sure", "up, etc.), with one rather notable exception: Whatever their particular \"area\" is, they", "off the table as well?) I've realized that, practically speaking, this would mean:", "etc.), with one rather notable exception: Whatever their particular \"area\" is, they are", "exception: Whatever their particular \"area\" is, they are good at it and by", "to do something that frightens one\" or \"strength in the face of pain", "realizing they need to step up and face them anyway. Can a character", "and what is commonly called \"human nature\" (they don't know everything, they screw", "from your problems at all, really. And what is it interesting characters seem", "scare you. No being dishonest with other people out of fear they will", "run away from them before later on in the story realizing they need", "later on in the story realizing they need to step up and face", "a character with no inclination towards any form of cowardice still be a", "given what she knows at any given time, because being foolish is not", "to step up and face them anyway. Can a character with no inclination", "etc.) and would be very unlikely to do anything that would be foolish", "there are mortals (human beings) and divine beings (gods/goddess). The gods and goddess", "option. (Also, since \"courage\" is the balance between cowardice and recklessness, then theoretically", "not sure I like the gimick-y way that could turn out, or the", "the plot, instead of a boring/annoying goody-two-shoes? Or have I eliminated far too", "and would be very unlikely to do anything that would be foolish given", "one of these gods (albeit one stuck in a powerless mortal form for", "Can a character with no inclination towards any form of cowardice still be", "in her nature. My problem is that I have one of these gods", "unlikely to do anything that would be foolish given what she knows at", "good at it and by nature avoid, abhor, and have no inclination towards", "\"right\" ones, as the gods are limited by what they know and don't", "of character flaws and mistakes to recover from? I had considered making cowardice", "would be naturally inclined to avoid doing anything cowardly, in fact, the cowardly", "in that instance. Edit: To potentially help those forming answers, here is a", "This one's area is \"courage.\" So theoretically, this person would be naturally inclined", "a definition of the virtue of \"courage\": miriam webster defines courage as \"mental", "the virtue of \"courage\": miriam webster defines courage as \"mental or moral strength", "powerless mortal form for the moment) as a part of my main cast.", "area is \"courage.\" So theoretically, this person would be naturally inclined to avoid", "flaws and mistakes to recover from? I had considered making cowardice their only", "no inclination towards the associated vice. So, for example, a goddess of wisdom", "the moment) as a part of my main cast. This one's area is", "\"area\" is, they are good at it and by nature avoid, abhor, and", "forming answers, here is a definition of the virtue of \"courage\": miriam webster", "is, they are good at it and by nature avoid, abhor, and have", "recover from? I had considered making cowardice their only antithesis, and giving them", "towards any form of cowardice still be a well-rounded character who does interesting", "because being foolish is not in her nature. My problem is that I", "(albeit one stuck in a powerless mortal form for the moment) as a", "not in her nature. My problem is that I have one of these", "person would be naturally inclined to avoid doing anything cowardly, in fact, the", "does interesting things within the plot, instead of a boring/annoying goody-two-shoes? Or have", "have no inclination towards the associated vice. So, for example, a goddess of", "by nature avoid, abhor, and have no inclination towards the associated vice. So,", "do anything that would be foolish given what she knows at any given", "avoid doing anything cowardly, in fact, the cowardly thought processes that would lead", "within the plot, instead of a boring/annoying goody-two-shoes? Or have I eliminated far", "this would mean: No avoiding problems or pretending they don't exist because they", "I like the gimick-y way that could turn out, or the kind of", "the cowardly thought processes that would lead to cowardly behavior wouldn't occur for", "then theoretically reckless behavior should be off the table as well?) I've realized", "example, a goddess of wisdom would make very thoughtful and wise decisions (though", "at all, really. And what is it interesting characters seem to do a", "Whatever their particular \"area\" is, they are good at it and by nature", "that, practically speaking, this would mean: No avoiding problems or pretending they don't", "far too large a source of character flaws and mistakes to recover from?", "don't exist because they scare you. No being dishonest with other people out", "characters seem to do a LOT? Avoid problems, pretend they don't exist, run", "would lead to cowardly behavior wouldn't occur for them. Cowardice is not an", "one stuck in a powerless mortal form for the moment) as a part", "cast. This one's area is \"courage.\" So theoretically, this person would be naturally", "before later on in the story realizing they need to step up and", "would mean: No avoiding problems or pretending they don't exist because they scare", "at any given time, because being foolish is not in her nature. My", "So, for example, a goddess of wisdom would make very thoughtful and wise", "it interesting characters seem to do a LOT? Avoid problems, pretend they don't", "world, there are mortals (human beings) and divine beings (gods/goddess). The gods and", "but I'm not sure I like the gimick-y way that could turn out,", "\"the ability to do something that frightens one\" or \"strength in the face", "well-rounded character who does interesting things within the plot, instead of a boring/annoying", "defines courage as \"mental or moral strength to venture, persevere, and withstand danger,", "I'm not sure I like the gimick-y way that could turn out, or", "sure I like the gimick-y way that could turn out, or the kind", "you. No running away from your problems at all, really. And what is", "limited by what they know and don't know, etc.) and would be very", "the story realizing they need to step up and face them anyway. Can", "very unlikely to do anything that would be foolish given what she knows", "all, really. And what is it interesting characters seem to do a LOT?", "pretending they don't exist because they scare you. No being dishonest with other", "they will judge you. No running away from your problems at all, really.", "definition results in \"the ability to do something that frightens one\" or \"strength", "I eliminated far too large a source of character flaws and mistakes to", "this person would be naturally inclined to avoid doing anything cowardly, in fact,", "seem to do a LOT? Avoid problems, pretend they don't exist, run away", "considered making cowardice their only antithesis, and giving them an inclination towards recklessness", "mean the \"right\" ones, as the gods are limited by what they know", "(though that doesn't always mean the \"right\" ones, as the gods are limited", "Cowardice is not an option. (Also, since \"courage\" is the balance between cowardice", "form of cowardice still be a well-rounded character who does interesting things within", "nature\" (they don't know everything, they screw up, etc.), with one rather notable", "a source of character flaws and mistakes to recover from? I had considered", "is not in her nature. My problem is that I have one of", "as a result, but I'm not sure I like the gimick-y way that", "google search of the definition results in \"the ability to do something that", "rather notable exception: Whatever their particular \"area\" is, they are good at it", "mortal form for the moment) as a part of my main cast. This", "to cowardly behavior wouldn't occur for them. Cowardice is not an option. (Also,", "avoiding problems or pretending they don't exist because they scare you. No being", "making cowardice their only antithesis, and giving them an inclination towards recklessness as", "moral strength to venture, persevere, and withstand danger, fear, or difficulty\" and google", "their only antithesis, and giving them an inclination towards recklessness as a result,", "particular \"area\" is, they are good at it and by nature avoid, abhor,", "mistakes to recover from? I had considered making cowardice their only antithesis, and", "I have one of these gods (albeit one stuck in a powerless mortal", "their particular \"area\" is, they are good at it and by nature avoid,", "cowardice and recklessness, then theoretically reckless behavior should be off the table as", "or pretending they don't exist because they scare you. No being dishonest with", "in \"the ability to do something that frightens one\" or \"strength in the", "is it interesting characters seem to do a LOT? Avoid problems, pretend they", "a powerless mortal form for the moment) as a part of my main", "and withstand danger, fear, or difficulty\" and google search of the definition results", "kind of person said character would be in that instance. Edit: To potentially", "venture, persevere, and withstand danger, fear, or difficulty\" and google search of the", "judge you. No running away from your problems at all, really. And what" ]
[ "a story with this exact setup and felt that I would want to", "direction, but with a somewhat similar world (magic is real, urban fantasy setting).", "story that starts out with this same configuration of story elements, but has", "above. My main issue being that I’m not sure where the line would", "issue being that I’m not sure where the line would be in terms", "up having. My question is, is this enough to not worry about copyright", "sure where the line would be in terms of copyright if I use", "copyright claims? I’d love to move forward with the idea, but it seems", "pondering on a novel idea that would likely utilize a large chunk of", "of writing a story that starts out with this same configuration of story", "a novel that I read several years ago. To be clear, the elements", "is, is this enough to not worry about copyright claims? I’d love to", "detective is allied with). I read a story with this exact setup and", "seems like it would be a wasted effort if I could do nothing", "an entirely different direction, but with a somewhat similar world (magic is real,", "a novel idea that would likely utilize a large chunk of a premise", "read a story with this exact setup and felt that I would want", "fantasy setting). I fell in love with the idea of writing a story", "in love with the idea of writing a story that starts out with", "of a premise of a novel that I read several years ago. To", "(magic is real, urban fantasy setting). I fell in love with the idea", "want to take it in an entirely different direction, but with a somewhat", "ideas of that series other than what I detailed above. My main issue", "entirely different direction, but with a somewhat similar world (magic is real, urban", "felt that I would want to take it in an entirely different direction,", "that I’m not sure where the line would be in terms of copyright", "wasted effort if I could do nothing with the story when I’m done,", "elements that I would want to use are the premise (Magical detective solving", "story when I’m done, due to having such a similar premise. To reiterate,", "crimes) and the configuration of the three main characters (The magical detective, his", "do nothing with the story when I’m done, due to having such a", "the configuration of the three main characters (The magical detective, his apprentice, and", "this exact setup and felt that I would want to take it in", "ultimately a different focus than this series ended up having. My question is,", "aristocratic girl whom the detective is allied with). I read a story with", "are the premise (Magical detective solving magical crimes) and the configuration of the", "would be in terms of copyright if I use an extremely similar jumping", "would want to take it in an entirely different direction, but with a", "main characters (The magical detective, his apprentice, and an aristocratic girl whom the", "the same plot lines and ideas of that series other than what I", "detailed above. My main issue being that I’m not sure where the line", "elements, but has a different theme, plot line, and ultimately a different focus", "large chunk of a premise of a novel that I read several years", "and the configuration of the three main characters (The magical detective, his apprentice,", "magical detective, his apprentice, and an aristocratic girl whom the detective is allied", "a somewhat similar world (magic is real, urban fantasy setting). I fell in", "but has a different theme, plot line, and ultimately a different focus than", "with). 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My main issue being that", "question is, is this enough to not worry about copyright claims? I’d love", "in terms of copyright if I use an extremely similar jumping off point,", "lines and ideas of that series other than what I detailed above. My", "of copyright if I use an extremely similar jumping off point, but then", "having such a similar premise. To reiterate, my intent is not to re-tread", "having. My question is, is this enough to not worry about copyright claims?", "with a somewhat similar world (magic is real, urban fantasy setting). I fell", "I could do nothing with the story when I’m done, due to having", "that would likely utilize a large chunk of a premise of a novel", "ago. 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My question is, is this enough to not", "in an entirely different direction, but with a somewhat similar world (magic is", "done, due to having such a similar premise. To reiterate, my intent is", "not to re-tread the same plot lines and ideas of that series other", "configuration of the three main characters (The magical detective, his apprentice, and an", "line would be in terms of copyright if I use an extremely similar", "of the three main characters (The magical detective, his apprentice, and an aristocratic", "to take it in an entirely different direction, but with a somewhat similar", "series ended up having. My question is, is this enough to not worry", "terms of copyright if I use an extremely similar jumping off point, but", "and ultimately a different focus than this series ended up having. My question", "characters (The magical detective, his apprentice, and an aristocratic girl whom the detective", "premise of a novel that I read several years ago. To be clear,", "be clear, the elements that I would want to use are the premise", "the elements that I would want to use are the premise (Magical detective", "allied with). I read a story with this exact setup and felt that", "other than what I detailed above. My main issue being that I’m not", "likely utilize a large chunk of a premise of a novel that I", "different direction, but with a somewhat similar world (magic is real, urban fantasy", "setup and felt that I would want to take it in an entirely", "has a different theme, plot line, and ultimately a different focus than this", "the idea, but it seems like it would be a wasted effort if", "of story elements, but has a different theme, plot line, and ultimately a", "nothing with the story when I’m done, due to having such a similar", "would want to use are the premise (Magical detective solving magical crimes) and", "but with a somewhat similar world (magic is real, urban fantasy setting). I", "of that series other than what I detailed above. My main issue being", "utilize a large chunk of a premise of a novel that I read", "urban fantasy setting). I fell in love with the idea of writing a", "of a novel that I read several years ago. To be clear, the", "to having such a similar premise. To reiterate, my intent is not to", "what I detailed above. My main issue being that I’m not sure where", "take it in an entirely different direction, but with a somewhat similar world", "similar world (magic is real, urban fantasy setting). I fell in love with", "with the idea, but it seems like it would be a wasted effort", "a wasted effort if I could do nothing with the story when I’m", "line, and ultimately a different focus than this series ended up having. My", "plot lines and ideas of that series other than what I detailed above.", "series other than what I detailed above. My main issue being that I’m", "I detailed above. 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To reiterate, my", "if I use an extremely similar jumping off point, but then do my", "To be clear, the elements that I would want to use are the", "I would want to take it in an entirely different direction, but with", "have been pondering on a novel idea that would likely utilize a large", "be a wasted effort if I could do nothing with the story when", "solving magical crimes) and the configuration of the three main characters (The magical", "if I could do nothing with the story when I’m done, due to", "main issue being that I’m not sure where the line would be in", "idea of writing a story that starts out with this same configuration of", "starts out with this same configuration of story elements, but has a different", "fell in love with the idea of writing a story that starts out", "that I would want to take it in an entirely different direction, but", "world (magic is real, urban fantasy setting). I fell in love with the", "same configuration of story elements, but has a different theme, plot line, and", "writing a story that starts out with this same configuration of story elements,", "plot line, and ultimately a different focus than this series ended up having.", "a similar premise. To reiterate, my intent is not to re-tread the same", "that I read several years ago. To be clear, the elements that I", "copyright if I use an extremely similar jumping off point, but then do", "reiterate, my intent is not to re-tread the same plot lines and ideas", "somewhat similar world (magic is real, urban fantasy setting). I fell in love", "claims? I’d love to move forward with the idea, but it seems like", "story with this exact setup and felt that I would want to take", "to re-tread the same plot lines and ideas of that series other than", "to move forward with the idea, but it seems like it would be", "several years ago. To be clear, the elements that I would want to", "worry about copyright claims? I’d love to move forward with the idea, but", "being that I’m not sure where the line would be in terms of", "on a novel idea that would likely utilize a large chunk of a", "a premise of a novel that I read several years ago. To be", "is not to re-tread the same plot lines and ideas of that series", "premise. To reiterate, my intent is not to re-tread the same plot lines", "detective solving magical crimes) and the configuration of the three main characters (The", "such a similar premise. To reiterate, my intent is not to re-tread the", "setting). I fell in love with the idea of writing a story that", "with this same configuration of story elements, but has a different theme, plot", "My question is, is this enough to not worry about copyright claims? I’d", "it in an entirely different direction, but with a somewhat similar world (magic", "would be a wasted effort if I could do nothing with the story", "want to use are the premise (Magical detective solving magical crimes) and the", "years ago. To be clear, the elements that I would want to use", "(The magical detective, his apprentice, and an aristocratic girl whom the detective is", "where the line would be in terms of copyright if I use an", "I read a story with this exact setup and felt that I would", "three main characters (The magical detective, his apprentice, and an aristocratic girl whom", "due to having such a similar premise. To reiterate, my intent is not", "chunk of a premise of a novel that I read several years ago.", "use are the premise (Magical detective solving magical crimes) and the configuration of", "and an aristocratic girl whom the detective is allied with). I read a", "with the idea of writing a story that starts out with this same", "the idea of writing a story that starts out with this same configuration", "that I would want to use are the premise (Magical detective solving magical", "whom the detective is allied with). I read a story with this exact", "read several years ago. To be clear, the elements that I would want", "(Magical detective solving magical crimes) and the configuration of the three main characters", "I fell in love with the idea of writing a story that starts", "a large chunk of a premise of a novel that I read several", "move forward with the idea, but it seems like it would be a", "detective, his apprentice, and an aristocratic girl whom the detective is allied with).", "novel that I read several years ago. To be clear, the elements that", "this enough to not worry about copyright claims? I’d love to move forward", "is allied with). I read a story with this exact setup and felt", "it would be a wasted effort if I could do nothing with the", "idea that would likely utilize a large chunk of a premise of a", "real, urban fantasy setting). I fell in love with the idea of writing", "a different focus than this series ended up having. My question is, is", "about copyright claims? I’d love to move forward with the idea, but it", "I would want to use are the premise (Magical detective solving magical crimes)", "the premise (Magical detective solving magical crimes) and the configuration of the three", "an aristocratic girl whom the detective is allied with). I read a story" ]
[ "sometimes find that being too attached to my work cramps my writing style", "that being too attached to my work cramps my writing style and stymies", "and excite me, makes writing sheer torture: A dull, drab and boring affair.", "critically and analytically. But at the same time, I cannot write about topics", "sounds logical, I sometimes find that being too attached to my work cramps", "you write.\"* While this sounds logical, I sometimes find that being too attached", "to \"Write what you feel and feel what you write.\" While this sounds", "attached to my work cramps my writing style and stymies my ability to", "cannot write about topics which don't inspire me. Writing about something which does", "about something which does not inspire me and excite me, makes writing sheer", "style and stymies my ability to think critically and analytically. But at the", "I cannot write about topics which don't inspire me. Writing about something which", "which don't inspire me. Writing about something which does not inspire me and", "inspire me. Writing about something which does not inspire me and excite me,", "what you feel and feel what you write.\"* While this sounds logical, I", "too attached to my work cramps my writing style and stymies my ability", "Writing about something which does not inspire me and excite me, makes writing", "logical, I sometimes find that being too attached to my work cramps my", "which does not inspire me and excite me, makes writing sheer torture: A", "about topics which don't inspire me. Writing about something which does not inspire", "find that being too attached to my work cramps my writing style and", "A dull, drab and boring affair. So where should I draw the line?", "writer you ought to *\"Write what you feel and feel what you write.\"", "same time, I cannot write about topics which don't inspire me. Writing about", "be a good writer you ought to \"Write what you feel and feel", "to think critically and analytically. But at the same time, I cannot write", "the same time, I cannot write about topics which don't inspire me. Writing", "my ability to think critically and analytically. But at the same time, I", "sheer torture: A dull, drab and boring affair. So where should I draw", "that to be a good writer you ought to \"Write what you feel", "ought to \"Write what you feel and feel what you write.\"* While this", "my work cramps my writing style and stymies my ability to think critically", "write.\"* While this sounds logical, I sometimes find that being too attached to", "something which does not inspire me and excite me, makes writing sheer torture:", "work cramps my writing style and stymies my ability to think critically and", "you feel and feel what you write.\"* While this sounds logical, I sometimes", "ability to think critically and analytically. But at the same time, I cannot", "and stymies my ability to think critically and analytically. But at the same", "While this sounds logical, I sometimes find that being too attached to my", "to my work cramps my writing style and stymies my ability to think", "It's said that to be a good writer you ought to *\"Write what", "good writer you ought to \"Write what you feel and feel what you", "writing sheer torture: A dull, drab and boring affair. So where should I", "But at the same time, I cannot write about topics which don't inspire", "torture: A dull, drab and boring affair. So where should I draw the", "I sometimes find that being too attached to my work cramps my writing", "think critically and analytically. But at the same time, I cannot write about", "topics which don't inspire me. Writing about something which does not inspire me", "feel and feel what you write.\" While this sounds logical, I sometimes find", "you ought to \"Write what you feel and feel what you write.\" While", "time, I cannot write about topics which don't inspire me. Writing about something", "not inspire me and excite me, makes writing sheer torture: A dull, drab", "at the same time, I cannot write about topics which don't inspire me.", "excite me, makes writing sheer torture: A dull, drab and boring affair. So", "being too attached to my work cramps my writing style and stymies my", "a good writer you ought to \"Write what you feel and feel what", "me. Writing about something which does not inspire me and excite me, makes", "said that to be a good writer you ought to \"Write what you", "makes writing sheer torture: A dull, drab and boring affair. So where should", "write about topics which don't inspire me. Writing about something which does not", "\"Write what you feel and feel what you write.\" While this sounds logical,", "feel what you write.\"* While this sounds logical, I sometimes find that being", "me and excite me, makes writing sheer torture: A dull, drab and boring", "to be a good writer you ought to *\"Write what you feel and", "my writing style and stymies my ability to think critically and analytically. But", "cramps my writing style and stymies my ability to think critically and analytically.", "this sounds logical, I sometimes find that being too attached to my work", "writing style and stymies my ability to think critically and analytically. But at", "does not inspire me and excite me, makes writing sheer torture: A dull,", "analytically. But at the same time, I cannot write about topics which don't", "what you write.\"* While this sounds logical, I sometimes find that being too", "don't inspire me. Writing about something which does not inspire me and excite", "and analytically. But at the same time, I cannot write about topics which", "and feel what you write.\"*** While this sounds logical, I sometimes find that", "stymies my ability to think critically and analytically. But at the same time,", "inspire me and excite me, makes writing sheer torture: A dull, drab and", "me, makes writing sheer torture: A dull, drab and boring affair. So where" ]
[ "Context: I am writing a piece where I am considering the use of", "be a term describing multiple novels put into a single book, but I've", "term \"omnibus?\" Context: I am writing a piece where I am considering the", "of whether I should use it because it may be archaic, obsolete, or", "piece where I am considering the use of the word, but am unsure", "I should use it because it may be archaic, obsolete, or just not", "describing multiple novels put into a single book, but I've never really heard", "used is the term \"omnibus?\" Context: I am writing a piece where I", "a single book, but I've never really heard or read the term anywhere", "term anywhere else. Because of this, I'm curious: how widely used is the", "else. Because of this, I'm curious: how widely used is the term \"omnibus?\"", "term describing multiple novels put into a single book, but I've never really", "the term \"omnibus?\" Context: I am writing a piece where I am considering", "read the term anywhere else. Because of this, I'm curious: how widely used", "\"omnibus?\" Context: I am writing a piece where I am considering the use", "a piece where I am considering the use of the word, but am", "where I am considering the use of the word, but am unsure of", "am considering the use of the word, but am unsure of whether I", "word, but am unsure of whether I should use it because it may", "multiple novels put into a single book, but I've never really heard or", "is the term \"omnibus?\" Context: I am writing a piece where I am", "unsure of whether I should use it because it may be archaic, obsolete,", "how widely used is the term \"omnibus?\" Context: I am writing a piece", "heard or read the term anywhere else. Because of this, I'm curious: how", "the word, but am unsure of whether I should use it because it", "\"omnibus\" to be a term describing multiple novels put into a single book,", "Because of this, I'm curious: how widely used is the term \"omnibus?\" Context:", "to be a term describing multiple novels put into a single book, but", "use of the word, but am unsure of whether I should use it", "I am writing a piece where I am considering the use of the", "the term anywhere else. Because of this, I'm curious: how widely used is", "a term describing multiple novels put into a single book, but I've never", "know \"omnibus\" to be a term describing multiple novels put into a single", "I am considering the use of the word, but am unsure of whether", "into a single book, but I've never really heard or read the term", "am writing a piece where I am considering the use of the word,", "I've never really heard or read the term anywhere else. Because of this,", "of the word, but am unsure of whether I should use it because", "book, but I've never really heard or read the term anywhere else. Because", "should use it because it may be archaic, obsolete, or just not widely", "the use of the word, but am unsure of whether I should use", "never really heard or read the term anywhere else. Because of this, I'm", "I'm curious: how widely used is the term \"omnibus?\" Context: I am writing", "writing a piece where I am considering the use of the word, but", "whether I should use it because it may be archaic, obsolete, or just", "single book, but I've never really heard or read the term anywhere else.", "am unsure of whether I should use it because it may be archaic,", "or read the term anywhere else. Because of this, I'm curious: how widely", "I know \"omnibus\" to be a term describing multiple novels put into a", "really heard or read the term anywhere else. Because of this, I'm curious:", "anywhere else. Because of this, I'm curious: how widely used is the term", "this, I'm curious: how widely used is the term \"omnibus?\" Context: I am", "curious: how widely used is the term \"omnibus?\" Context: I am writing a", "widely used is the term \"omnibus?\" Context: I am writing a piece where", "considering the use of the word, but am unsure of whether I should", "but I've never really heard or read the term anywhere else. Because of", "of this, I'm curious: how widely used is the term \"omnibus?\" Context: I", "novels put into a single book, but I've never really heard or read", "use it because it may be archaic, obsolete, or just not widely used.", "put into a single book, but I've never really heard or read the", "but am unsure of whether I should use it because it may be" ]
[ "without it getting repetitive or breaking up the story too much? Do I", "am in the beginning stages of writing what might be a space opera.", "I introduce within a chapter, giving a description of each of their physical", "However, I'm asking for extraterrestrial characters specifically. I feel like if I have", "breaking up the story too much? Do I need to go into specific", "to multiple species of aliens. Is there a way I can describe each", "day without it getting repetitive or breaking up the story too much? Do", "one governmental domain. The problem I'm running into is the way I've structured", "up the story too much? Do I need to go into specific detail", "consists of three planets that all fall under one governmental domain. The problem", "describe each alien species my main character encounters during her day without it", "exchange article on how to explain a new, alien world without boring the", "alien species, as well as [this stack exchange article on how to explain", "each of their physical characteristics might get tiring, for both me and my", "create good, believable alien species, as well as [this stack exchange article on", "Do I need to go into specific detail about the physical appearance of", "to create good, believable alien species, as well as [this stack exchange article", "on how to create good, believable alien species, as well as [this stack", "it getting repetitive or breaking up the story too much? Do I need", "in the beginning stages of writing what might be a space opera. The", "species that I introduce within a chapter, giving a description of each of", "7 or 8 species that I introduce within a chapter, giving a description", "too much? Do I need to go into specific detail about the physical", "under one governmental domain. The problem I'm running into is the way I've", "a lot of articles on how to create good, believable alien species, as", "each species? I have found a lot of articles on how to create", "each alien species my main character encounters during her day without it getting", "how to explain a new, alien world without boring the reader](https://writing.stackexchange.com/questions/10855/how-to-introduce-a-world-thats-alien-to-the-reader). However, I'm", "of their physical characteristics might get tiring, for both me and my readers.", "specific detail about the physical appearance of each species? I have found a", "introduce within a chapter, giving a description of each of their physical characteristics", "encounters during her day without it getting repetitive or breaking up the story", "boring the reader](https://writing.stackexchange.com/questions/10855/how-to-introduce-a-world-thats-alien-to-the-reader). However, I'm asking for extraterrestrial characters specifically. I feel like", "my main character encounters during her day without it getting repetitive or breaking", "as [this stack exchange article on how to explain a new, alien world", "governmental domain. The problem I'm running into is the way I've structured these", "[this stack exchange article on how to explain a new, alien world without", "I have 7 or 8 species that I introduce within a chapter, giving", "into specific detail about the physical appearance of each species? I have found", "a description of each of their physical characteristics might get tiring, for both", "of three planets that all fall under one governmental domain. The problem I'm", "have found a lot of articles on how to create good, believable alien", "characteristics might get tiring, for both me and my readers. Thanks in advance!", "stages of writing what might be a space opera. The story starts in", "are all home to multiple species of aliens. Is there a way I", "a chapter, giving a description of each of their physical characteristics might get", "fall under one governmental domain. The problem I'm running into is the way", "asking for extraterrestrial characters specifically. I feel like if I have 7 or", "writing what might be a space opera. The story starts in a society", "like if I have 7 or 8 species that I introduce within a", "The story starts in a society that consists of three planets that all", "detail about the physical appearance of each species? I have found a lot", "found a lot of articles on how to create good, believable alien species,", "home to multiple species of aliens. Is there a way I can describe", "into is the way I've structured these planets is they are all home", "extraterrestrial characters specifically. I feel like if I have 7 or 8 species", "these planets is they are all home to multiple species of aliens. Is", "repetitive or breaking up the story too much? Do I need to go", "way I've structured these planets is they are all home to multiple species", "the reader](https://writing.stackexchange.com/questions/10855/how-to-introduce-a-world-thats-alien-to-the-reader). However, I'm asking for extraterrestrial characters specifically. I feel like if", "appearance of each species? I have found a lot of articles on how", "space opera. The story starts in a society that consists of three planets", "about the physical appearance of each species? I have found a lot of", "of aliens. Is there a way I can describe each alien species my", "there a way I can describe each alien species my main character encounters", "a way I can describe each alien species my main character encounters during", "opera. The story starts in a society that consists of three planets that", "the physical appearance of each species? I have found a lot of articles", "world without boring the reader](https://writing.stackexchange.com/questions/10855/how-to-introduce-a-world-thats-alien-to-the-reader). However, I'm asking for extraterrestrial characters specifically. I", "getting repetitive or breaking up the story too much? Do I need to", "all home to multiple species of aliens. Is there a way I can", "I'm asking for extraterrestrial characters specifically. I feel like if I have 7", "three planets that all fall under one governmental domain. The problem I'm running", "a space opera. The story starts in a society that consists of three", "of articles on how to create good, believable alien species, as well as", "to explain a new, alien world without boring the reader](https://writing.stackexchange.com/questions/10855/how-to-introduce-a-world-thats-alien-to-the-reader). However, I'm asking", "main character encounters during her day without it getting repetitive or breaking up", "I need to go into specific detail about the physical appearance of each", "to go into specific detail about the physical appearance of each species? I", "new, alien world without boring the reader](https://writing.stackexchange.com/questions/10855/how-to-introduce-a-world-thats-alien-to-the-reader). However, I'm asking for extraterrestrial characters", "character encounters during her day without it getting repetitive or breaking up the", "a new, alien world without boring the reader](https://writing.stackexchange.com/questions/10855/how-to-introduce-a-world-thats-alien-to-the-reader). However, I'm asking for extraterrestrial", "physical appearance of each species? I have found a lot of articles on", "8 species that I introduce within a chapter, giving a description of each", "I have found a lot of articles on how to create good, believable", "well as [this stack exchange article on how to explain a new, alien", "without boring the reader](https://writing.stackexchange.com/questions/10855/how-to-introduce-a-world-thats-alien-to-the-reader). However, I'm asking for extraterrestrial characters specifically. I feel", "characters specifically. I feel like if I have 7 or 8 species that", "of writing what might be a space opera. The story starts in a", "can describe each alien species my main character encounters during her day without", "species my main character encounters during her day without it getting repetitive or", "giving a description of each of their physical characteristics might get tiring, for", "articles on how to create good, believable alien species, as well as [this", "species of aliens. Is there a way I can describe each alien species", "story starts in a society that consists of three planets that all fall", "all fall under one governmental domain. The problem I'm running into is the", "reader](https://writing.stackexchange.com/questions/10855/how-to-introduce-a-world-thats-alien-to-the-reader). However, I'm asking for extraterrestrial characters specifically. I feel like if I", "problem I'm running into is the way I've structured these planets is they", "explain a new, alien world without boring the reader](https://writing.stackexchange.com/questions/10855/how-to-introduce-a-world-thats-alien-to-the-reader). However, I'm asking for", "alien species my main character encounters during her day without it getting repetitive", "species? I have found a lot of articles on how to create good,", "during her day without it getting repetitive or breaking up the story too", "that all fall under one governmental domain. The problem I'm running into is", "way I can describe each alien species my main character encounters during her", "The problem I'm running into is the way I've structured these planets is", "of each species? I have found a lot of articles on how to", "I can describe each alien species my main character encounters during her day", "of each of their physical characteristics might get tiring, for both me and", "I feel like if I have 7 or 8 species that I introduce", "domain. The problem I'm running into is the way I've structured these planets", "aliens. Is there a way I can describe each alien species my main", "a society that consists of three planets that all fall under one governmental", "they are all home to multiple species of aliens. Is there a way", "her day without it getting repetitive or breaking up the story too much?", "that consists of three planets that all fall under one governmental domain. The", "is the way I've structured these planets is they are all home to", "much? Do I need to go into specific detail about the physical appearance", "alien world without boring the reader](https://writing.stackexchange.com/questions/10855/how-to-introduce-a-world-thats-alien-to-the-reader). However, I'm asking for extraterrestrial characters specifically.", "physical characteristics might get tiring, for both me and my readers. Thanks in", "starts in a society that consists of three planets that all fall under", "running into is the way I've structured these planets is they are all", "the way I've structured these planets is they are all home to multiple", "the story too much? Do I need to go into specific detail about", "stack exchange article on how to explain a new, alien world without boring", "have 7 or 8 species that I introduce within a chapter, giving a", "their physical characteristics might get tiring, for both me and my readers. Thanks", "Is there a way I can describe each alien species my main character", "how to create good, believable alien species, as well as [this stack exchange", "for extraterrestrial characters specifically. I feel like if I have 7 or 8", "good, believable alien species, as well as [this stack exchange article on how", "is they are all home to multiple species of aliens. Is there a", "specifically. I feel like if I have 7 or 8 species that I", "if I have 7 or 8 species that I introduce within a chapter,", "planets that all fall under one governmental domain. The problem I'm running into", "story too much? Do I need to go into specific detail about the", "need to go into specific detail about the physical appearance of each species?", "I am in the beginning stages of writing what might be a space", "structured these planets is they are all home to multiple species of aliens.", "go into specific detail about the physical appearance of each species? I have", "multiple species of aliens. Is there a way I can describe each alien", "I've structured these planets is they are all home to multiple species of", "description of each of their physical characteristics might get tiring, for both me", "society that consists of three planets that all fall under one governmental domain.", "as well as [this stack exchange article on how to explain a new,", "I'm running into is the way I've structured these planets is they are", "the beginning stages of writing what might be a space opera. The story", "lot of articles on how to create good, believable alien species, as well", "species, as well as [this stack exchange article on how to explain a", "article on how to explain a new, alien world without boring the reader](https://writing.stackexchange.com/questions/10855/how-to-introduce-a-world-thats-alien-to-the-reader).", "within a chapter, giving a description of each of their physical characteristics might", "that I introduce within a chapter, giving a description of each of their", "might be a space opera. The story starts in a society that consists", "in a society that consists of three planets that all fall under one", "beginning stages of writing what might be a space opera. The story starts", "be a space opera. The story starts in a society that consists of", "what might be a space opera. The story starts in a society that", "chapter, giving a description of each of their physical characteristics might get tiring,", "or 8 species that I introduce within a chapter, giving a description of", "feel like if I have 7 or 8 species that I introduce within", "planets is they are all home to multiple species of aliens. Is there", "believable alien species, as well as [this stack exchange article on how to", "on how to explain a new, alien world without boring the reader](https://writing.stackexchange.com/questions/10855/how-to-introduce-a-world-thats-alien-to-the-reader). However,", "or breaking up the story too much? Do I need to go into" ]
[ "> The late Jurassic periods are Kimmeridgian, Oxfordian, and > Tithonian. > >", "Jurassic periods are Tithonian, Kimmeridgian, and > Oxfordian. > > > better? >", "The late Jurassic periods are Kimmeridgian, Oxfordian, and > Tithonian. > > >", "> The late Jurassic periods are Tithonian, Kimmeridgian, and > Oxfordian. > >", "should they be alphabetical? > > The late Jurassic periods are Tithonian, Kimmeridgian,", "> better? > > The late Jurassic periods are Kimmeridgian, Oxfordian, and >", "> > > better? > > The late Jurassic periods are Kimmeridgian, Oxfordian,", "items, should they be alphabetical? > > The late Jurassic periods are Tithonian,", "Kimmeridgian, and > Oxfordian. > > > better? > > The late Jurassic", "and > Oxfordian. > > > better? > > The late Jurassic periods", "> > better? > > The late Jurassic periods are Kimmeridgian, Oxfordian, and", "writing a list of items, should they be alphabetical? > > The late", "be alphabetical? > > The late Jurassic periods are Tithonian, Kimmeridgian, and >", "Tithonian, Kimmeridgian, and > Oxfordian. > > > better? > > The late", "periods are Tithonian, Kimmeridgian, and > Oxfordian. > > > better? > >", "Oxfordian. > > > better? > > The late Jurassic periods are Kimmeridgian,", "list of items, should they be alphabetical? > > The late Jurassic periods", "of items, should they be alphabetical? > > The late Jurassic periods are", "better? > > The late Jurassic periods are Kimmeridgian, Oxfordian, and > Tithonian.", "they be alphabetical? > > The late Jurassic periods are Tithonian, Kimmeridgian, and", "When writing a list of items, should they be alphabetical? > > The", "> > The late Jurassic periods are Kimmeridgian, Oxfordian, and > Tithonian. >", "> Oxfordian. > > > better? > > The late Jurassic periods are", "late Jurassic periods are Tithonian, Kimmeridgian, and > Oxfordian. > > > better?", "a list of items, should they be alphabetical? > > The late Jurassic", "are Tithonian, Kimmeridgian, and > Oxfordian. > > > better? > > The", "The late Jurassic periods are Tithonian, Kimmeridgian, and > Oxfordian. > > >", "alphabetical? > > The late Jurassic periods are Tithonian, Kimmeridgian, and > Oxfordian.", "> > The late Jurassic periods are Tithonian, Kimmeridgian, and > Oxfordian. >" ]
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[ "I want the character this is from the perspective of, Pabe, to already", "TV show, \"LOST\", did things and want a similar feel. However, I don't", "especially right at the start. but I want the character this is from", "a videogame. I start the game off with the player/main character (first person", "mean the \"player\" as this story is for a videogame. I start the", "(first person POV in the game) falling in a malfunctioning elevator which comes", "Dived who is a basketball-sized robotic sphere- Dived and the protagonist, Pabe, are", "2\". I mention this on the off-chance there are any portal 2 fans", "in some form, even if invisibly so. The issue is, I am not", "2 fans who may have a better insight on how best to write", "as this story is for a videogame. I start the game off with", "not something I want to do because of the incredibly cliche nature of", "want to do because of the incredibly cliche nature of it (and, being", "is, I am not sure if having Dived casually mention things like his", "a character named Dived who is a basketball-sized robotic sphere- Dived and the", "Is actually a community-based modification for the game \"Portal 2\". I mention this", "mention this on the off-chance there are any portal 2 fans who may", "the character this is from the perspective of, Pabe, to already know that", "should listen to him so they can \"get back up where we were", "the TV show, \"LOST\", did things and want a similar feel. However, I", "the massive facility in which this game takes place. Shortly after they leave", "if invisibly so. The issue is, I am not sure if having Dived", "not sure if having Dived casually mention things like his admin rights and", "he is an administrator-level construct and that the elevator should listen to him", "of, Pabe, to already know that Dived has admin-level access to things in", "context of my particular scenario, I actually mean the \"player\" as this story", "leave the elevator, they meet a character named Dived who is a basketball-sized", "basketball-sized robotic sphere- Dived and the protagonist, Pabe, are already familiar with each", "there are any portal 2 fans who may have a better insight on", "community-based modification for the game \"Portal 2\". I mention this on the off-chance", "be difficult to communicate, \"this is a flashback\") this \"game\", if it helps", "falling in a malfunctioning elevator which comes to a safety stop station within", "in which this game takes place. Shortly after they leave the elevator, they", "have a better insight on how best to write the character based on", "with each other at the time that this happens, but it is the", "administrator-level construct and that the elevator should listen to him so they can", "Shortly after they leave the elevator, they meet a character named Dived who", "the perspective of, Pabe, to already know that Dived has admin-level access to", "elevator, they meet a character named Dived who is a basketball-sized robotic sphere-", "admin rights and \"where we were previously\" is the best way to tell", "a similar feel. However, I don't have the luxury that \"LOST\" did with", "they've been adventuring for longer than 5 minutes.) This is also a universe", "a universe where all technology in the facility is likely sentient in some", "may have a better insight on how best to write the character based", "The issue is, I am not sure if having Dived casually mention things", "I am inspired by how the TV show, \"LOST\", did things and want", "start the game off with the player/main character (first person POV in the", "schematics\" and finds that this part of the facility is oddly absent from", "we were a while ago\" (implying that they've been adventuring for longer than", "would be difficult to communicate, \"this is a flashback\") this \"game\", if it", "the luxury that \"LOST\" did with its flashbacks. Flashbacks are technically possible, but", "familiar with each other at the time that this happens, but it is", "already familiar with each other at the time that this happens, but it", "that they've been adventuring for longer than 5 minutes.) This is also a", "in a malfunctioning elevator which comes to a safety stop station within some", "on the off-chance there are any portal 2 fans who may have a", "technology in the facility is likely sentient in some form, even if invisibly", "this is from the perspective of, Pabe, to already know that Dived has", "also a universe where all technology in the facility is likely sentient in", "to the fact It would be difficult to communicate, \"this is a flashback\")", "who is a basketball-sized robotic sphere- Dived and the protagonist, Pabe, are already", "know, Is actually a community-based modification for the game \"Portal 2\". I mention", "part of the massive facility in which this game takes place. Shortly after", "station and mentions he is an administrator-level construct and that the elevator should", "them. Then he argues with the emergency stop station and mentions he is", "listen to him so they can \"get back up where we were a", "absent from them. Then he argues with the emergency stop station and mentions", "back up where we were a while ago\" (implying that they've been adventuring", "fans who may have a better insight on how best to write the", "don't have the luxury that \"LOST\" did with its flashbacks. Flashbacks are technically", "he argues with the emergency stop station and mentions he is an administrator-level", "things without causing confusion, especially right at the start. but I want the", "argues with the emergency stop station and mentions he is an administrator-level construct", "that Dived has admin-level access to things in the facility, and also knows", "game off with the player/main character (first person POV in the game) falling", "within some unknown part of the massive facility in which this game takes", "at the start. but I want the character this is from the perspective", "the game \"Portal 2\". I mention this on the off-chance there are any", "oddly absent from them. Then he argues with the emergency stop station and", "confusion, especially right at the start. but I want the character this is", "encounter with this guy. Dived quickly \"searches his schematics\" and finds that this", "possible, but not something I want to do because of the incredibly cliche", "were previously\" is the best way to tell the player/reader about said things", "want a similar feel. However, I don't have the luxury that \"LOST\" did", "form, even if invisibly so. The issue is, I am not sure if", "takes place. Shortly after they leave the elevator, they meet a character named", "the facility is oddly absent from them. Then he argues with the emergency", "I don't have the luxury that \"LOST\" did with its flashbacks. Flashbacks are", "Dived and the protagonist, Pabe, are already familiar with each other at the", "but it is the player's first encounter with this guy. Dived quickly \"searches", "universe where all technology in the facility is likely sentient in some form,", "the incredibly cliche nature of it (and, being in first-person, this would seem", "to already know that Dived has admin-level access to things in the facility,", "can \"get back up where we were a while ago\" (implying that they've", "it helps to know, Is actually a community-based modification for the game \"Portal", "a malfunctioning elevator which comes to a safety stop station within some unknown", "so. The issue is, I am not sure if having Dived casually mention", "the \"player\" as this story is for a videogame. I start the game", "mentions he is an administrator-level construct and that the elevator should listen to", "the elevator should listen to him so they can \"get back up where", "This is also a universe where all technology in the facility is likely", "elevator should listen to him so they can \"get back up where we", "where we were a while ago\" (implying that they've been adventuring for longer", "the player's first encounter with this guy. Dived quickly \"searches his schematics\" and", "would seem jarring due to the fact It would be difficult to communicate,", "minutes.) This is also a universe where all technology in the facility is", "been adventuring for longer than 5 minutes.) 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The issue is, I am not sure if having Dived casually", "part of the facility is oddly absent from them. Then he argues with", "character named Dived who is a basketball-sized robotic sphere- Dived and the protagonist,", "flashbacks. Flashbacks are technically possible, but not something I want to do because", "I mention this on the off-chance there are any portal 2 fans who", "of the facility is oddly absent from them. Then he argues with the", "is from the perspective of, Pabe, to already know that Dived has admin-level", "sentient in some form, even if invisibly so. The issue is, I am", "also knows that he's friendly...etc. The story intentionally starts right in the middle", "happens, but it is the player's first encounter with this guy. Dived quickly", "first encounter with this guy. 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Shortly after they leave the", "right at the start. but I want the character this is from the", "am not sure if having Dived casually mention things like his admin rights", "5 minutes.) This is also a universe where all technology in the facility", "perspective of, Pabe, to already know that Dived has admin-level access to things", "sphere- Dived and the protagonist, Pabe, are already familiar with each other at", "how the TV show, \"LOST\", did things and want a similar feel. However,", "so they can \"get back up where we were a while ago\" (implying", "this part of the facility is oddly absent from them. Then he argues", "were a while ago\" (implying that they've been adventuring for longer than 5", "on how best to write the character based on knowledge of the game's", "mention things like his admin rights and \"where we were previously\" is the", "and want a similar feel. 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I start the game off with the", "but not something I want to do because of the incredibly cliche nature", "that the elevator should listen to him so they can \"get back up", "I am not sure if having Dived casually mention things like his admin", "portal 2 fans who may have a better insight on how best to", "this would seem jarring due to the fact It would be difficult to", "\"where we were previously\" is the best way to tell the player/reader about", "how best to write the character based on knowledge of the game's general", "feel. However, I don't have the luxury that \"LOST\" did with its flashbacks.", "where all technology in the facility is likely sentient in some form, even", "\"game\", if it helps to know, Is actually a community-based modification for the", "knows that he's friendly...etc. The story intentionally starts right in the middle because", "than 5 minutes.) This is also a universe where all technology in the", "I actually mean the \"player\" as this story is for a videogame. I", "likely sentient in some form, even if invisibly so. The issue is, I", "technically possible, but not something I want to do because of the incredibly", "for the game \"Portal 2\". I mention this on the off-chance there are", "meet a character named Dived who is a basketball-sized robotic sphere- Dived and", "because I am inspired by how the TV show, \"LOST\", did things and", "However, I don't have the luxury that \"LOST\" did with its flashbacks. Flashbacks", "a flashback\") this \"game\", if it helps to know, Is actually a community-based", "while ago\" (implying that they've been adventuring for longer than 5 minutes.) This", "in the facility, and also knows that he's friendly...etc. The story intentionally starts", "best to write the character based on knowledge of the game's general storytelling", "to know, Is actually a community-based modification for the game \"Portal 2\". I", "the game) falling in a malfunctioning elevator which comes to a safety stop", "a safety stop station within some unknown part of the massive facility in", "a basketball-sized robotic sphere- Dived and the protagonist, Pabe, are already familiar with", "It would be difficult to communicate, \"this is a flashback\") this \"game\", if", "and finds that this part of the facility is oddly absent from them.", "my particular scenario, I actually mean the \"player\" as this story is for", "the protagonist, Pabe, are already familiar with each other at the time that", "each other at the time that this happens, but it is the player's", "of the massive facility in which this game takes place. Shortly after they", "they leave the elevator, they meet a character named Dived who is a", "actually a community-based modification for the game \"Portal 2\". I mention this on", "\"searches his schematics\" and finds that this part of the facility is oddly", "(implying that they've been adventuring for longer than 5 minutes.) This is also", "something I want to do because of the incredibly cliche nature of it", "say \"reader\", in the context of my particular scenario, I actually mean the", "sure if having Dived casually mention things like his admin rights and \"where", "similar feel. However, I don't have the luxury that \"LOST\" did with its", "that this happens, but it is the player's first encounter with this guy.", "if having Dived casually mention things like his admin rights and \"where we", "Flashbacks are technically possible, but not something I want to do because of", "Pabe, are already familiar with each other at the time that this happens,", "longer than 5 minutes.) This is also a universe where all technology in", "he's friendly...etc. The story intentionally starts right in the middle because I am", "videogame. I start the game off with the player/main character (first person POV", "I start the game off with the player/main character (first person POV in", "facility is likely sentient in some form, even if invisibly so. The issue", "are already familiar with each other at the time that this happens, but", "off with the player/main character (first person POV in the game) falling in", "which this game takes place. Shortly after they leave the elevator, they meet", "story is for a videogame. I start the game off with the player/main", "\"LOST\" did with its flashbacks. Flashbacks are technically possible, but not something I", "that he's friendly...etc. The story intentionally starts right in the middle because I", "in the context of my particular scenario, I actually mean the \"player\" as", "previously\" is the best way to tell the player/reader about said things without", "his admin rights and \"where we were previously\" is the best way to", "to things in the facility, and also knows that he's friendly...etc. The story", "from them. Then he argues with the emergency stop station and mentions he", "the game off with the player/main character (first person POV in the game)", "to write the character based on knowledge of the game's general storytelling style.", "character (first person POV in the game) falling in a malfunctioning elevator which", "to communicate, \"this is a flashback\") this \"game\", if it helps to know,", "incredibly cliche nature of it (and, being in first-person, this would seem jarring", "for a videogame. I start the game off with the player/main character (first", "\"get back up where we were a while ago\" (implying that they've been", "friendly...etc. The story intentionally starts right in the middle because I am inspired", "some form, even if invisibly so. The issue is, I am not sure", "a while ago\" (implying that they've been adventuring for longer than 5 minutes.)", "some unknown part of the massive facility in which this game takes place.", "\"player\" as this story is for a videogame. I start the game off", "we were previously\" is the best way to tell the player/reader about said", "by how the TV show, \"LOST\", did things and want a similar feel.", "intentionally starts right in the middle because I am inspired by how the", "the fact It would be difficult to communicate, \"this is a flashback\") this", "the off-chance there are any portal 2 fans who may have a better", "adventuring for longer than 5 minutes.) This is also a universe where all", "with its flashbacks. 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Then", "inspired by how the TV show, \"LOST\", did things and want a similar", "things in the facility, and also knows that he's friendly...etc. The story intentionally", "his schematics\" and finds that this part of the facility is oddly absent", "cliche nature of it (and, being in first-person, this would seem jarring due", "that \"LOST\" did with its flashbacks. Flashbacks are technically possible, but not something", "stop station and mentions he is an administrator-level construct and that the elevator", "are any portal 2 fans who may have a better insight on how", "(and, being in first-person, this would seem jarring due to the fact It", "things like his admin rights and \"where we were previously\" is the best", "insight on how best to write the character based on knowledge of the", "about said things without causing confusion, especially right at the start. but I", "in the game) falling in a malfunctioning elevator which comes to a safety", "stop station within some unknown part of the massive facility in which this", "quickly \"searches his schematics\" and finds that this part of the facility is", "its flashbacks. Flashbacks are technically possible, but not something I want to do", "because of the incredibly cliche nature of it (and, being in first-person, this", "they can \"get back up where we were a while ago\" (implying that", "is also a universe where all technology in the facility is likely sentient", "construct and that the elevator should listen to him so they can \"get", "do because of the incredibly cliche nature of it (and, being in first-person,", "is likely sentient in some form, even if invisibly so. The issue is,", "which comes to a safety stop station within some unknown part of the", "player/main character (first person POV in the game) falling in a malfunctioning elevator", "due to the fact It would be difficult to communicate, \"this is a", "starts right in the middle because I am inspired by how the TV", "any portal 2 fans who may have a better insight on how best", "actually mean the \"player\" as this story is for a videogame. I start", "with this guy. Dived quickly \"searches his schematics\" and finds that this part", "The story intentionally starts right in the middle because I am inspired by", "with the emergency stop station and mentions he is an administrator-level construct and", "all technology in the facility is likely sentient in some form, even if", "facility, and also knows that he's friendly...etc. The story intentionally starts right in", "game) falling in a malfunctioning elevator which comes to a safety stop station", "player/reader about said things without causing confusion, especially right at the start. but", "the middle because I am inspired by how the TV show, \"LOST\", did", "want the character this is from the perspective of, Pabe, to already know", "safety stop station within some unknown part of the massive facility in which", "like his admin rights and \"where we were previously\" is the best way", "POV in the game) falling in a malfunctioning elevator which comes to a", "to a safety stop station within some unknown part of the massive facility", "at the time that this happens, but it is the player's first encounter", "character this is from the perspective of, Pabe, to already know that Dived", "is a basketball-sized robotic sphere- Dived and the protagonist, Pabe, are already familiar", "\"this is a flashback\") this \"game\", if it helps to know, Is actually", "is the player's first encounter with this guy. Dived quickly \"searches his schematics\"", "already know that Dived has admin-level access to things in the facility, and", "the time that this happens, but it is the player's first encounter with", "scenario, I actually mean the \"player\" as this story is for a videogame.", "him so they can \"get back up where we were a while ago\"", "facility in which this game takes place. Shortly after they leave the elevator,", "if it helps to know, Is actually a community-based modification for the game", "the facility is likely sentient in some form, even if invisibly so. The", "named Dived who is a basketball-sized robotic sphere- Dived and the protagonist, Pabe,", "after they leave the elevator, they meet a character named Dived who is", "a community-based modification for the game \"Portal 2\". I mention this on the", "and \"where we were previously\" is the best way to tell the player/reader", "\"reader\", in the context of my particular scenario, I actually mean the \"player\"", "is oddly absent from them. Then he argues with the emergency stop station", "Then he argues with the emergency stop station and mentions he is an", "is an administrator-level construct and that the elevator should listen to him so", "nature of it (and, being in first-person, this would seem jarring due to", "jarring due to the fact It would be difficult to communicate, \"this is", "without causing confusion, especially right at the start. but I want the character", "causing confusion, especially right at the start. but I want the character this", "did with its flashbacks. Flashbacks are technically possible, but not something I want", "Dived quickly \"searches his schematics\" and finds that this part of the facility", "game takes place. Shortly after they leave the elevator, they meet a character", "access to things in the facility, and also knows that he's friendly...etc. The", "Dived has admin-level access to things in the facility, and also knows that", "of the incredibly cliche nature of it (and, being in first-person, this would" ]
[ "he wake up. But then, I heard that \"IWAJAD\" is too cliche and", "personality and train his power to save the world when he wake up.", "\"IWAJAD\" is too cliche and may ruin a good novel. Should I continue", "needs it to change his personality and train his power to save the", "(IWAJAD) plot twist, just because the main character needs it to change his", "just a dream\" (IWAJAD) plot twist, just because the main character needs it", "and may ruin a good novel. Should I continue that plot twist or", "and train his power to save the world when he wake up. But", "then, I heard that \"IWAJAD\" is too cliche and may ruin a good", "But then, I heard that \"IWAJAD\" is too cliche and may ruin a", "I am currently writing a novel where I use \"It was all just", "change his personality and train his power to save the world when he", "dream\" (IWAJAD) plot twist, just because the main character needs it to change", "continue, why? If I should continue, what should I avoid to write a", "heard that \"IWAJAD\" is too cliche and may ruin a good novel. Should", "good plot twist and not ruin my novel? Why IWAJAD is a bad", "all just a dream\" (IWAJAD) plot twist, just because the main character needs", "Should I continue that plot twist or change it? If I shouldn't continue,", "If I should continue, what should I avoid to write a good plot", "power to save the world when he wake up. But then, I heard", "continue that plot twist or change it? If I shouldn't continue, why? If", "plot twist, just because the main character needs it to change his personality", "to save the world when he wake up. But then, I heard that", "was all just a dream\" (IWAJAD) plot twist, just because the main character", "If I shouldn't continue, why? If I should continue, what should I avoid", "I should continue, what should I avoid to write a good plot twist", "wake up. But then, I heard that \"IWAJAD\" is too cliche and may", "that \"IWAJAD\" is too cliche and may ruin a good novel. Should I", "up. But then, I heard that \"IWAJAD\" is too cliche and may ruin", "I use \"It was all just a dream\" (IWAJAD) plot twist, just because", "should I avoid to write a good plot twist and not ruin my", "a dream\" (IWAJAD) plot twist, just because the main character needs it to", "when he wake up. But then, I heard that \"IWAJAD\" is too cliche", "his power to save the world when he wake up. But then, I", "and not ruin my novel? Why IWAJAD is a bad plot twist anyway?", "a good plot twist and not ruin my novel? Why IWAJAD is a", "twist and not ruin my novel? Why IWAJAD is a bad plot twist", "change it? If I shouldn't continue, why? If I should continue, what should", "am currently writing a novel where I use \"It was all just a", "a good novel. Should I continue that plot twist or change it? If", "currently writing a novel where I use \"It was all just a dream\"", "use \"It was all just a dream\" (IWAJAD) plot twist, just because the", "world when he wake up. But then, I heard that \"IWAJAD\" is too", "his personality and train his power to save the world when he wake", "novel. Should I continue that plot twist or change it? If I shouldn't", "I continue that plot twist or change it? If I shouldn't continue, why?", "I heard that \"IWAJAD\" is too cliche and may ruin a good novel.", "because the main character needs it to change his personality and train his", "should continue, what should I avoid to write a good plot twist and", "too cliche and may ruin a good novel. Should I continue that plot", "write a good plot twist and not ruin my novel? Why IWAJAD is", "twist or change it? If I shouldn't continue, why? If I should continue,", "main character needs it to change his personality and train his power to", "to change his personality and train his power to save the world when", "the world when he wake up. But then, I heard that \"IWAJAD\" is", "I shouldn't continue, why? If I should continue, what should I avoid to", "ruin a good novel. Should I continue that plot twist or change it?", "I avoid to write a good plot twist and not ruin my novel?", "to write a good plot twist and not ruin my novel? Why IWAJAD", "plot twist and not ruin my novel? Why IWAJAD is a bad plot", "where I use \"It was all just a dream\" (IWAJAD) plot twist, just", "avoid to write a good plot twist and not ruin my novel? Why", "is too cliche and may ruin a good novel. Should I continue that", "it to change his personality and train his power to save the world", "character needs it to change his personality and train his power to save", "good novel. Should I continue that plot twist or change it? If I", "novel where I use \"It was all just a dream\" (IWAJAD) plot twist,", "why? If I should continue, what should I avoid to write a good", "twist, just because the main character needs it to change his personality and", "plot twist or change it? If I shouldn't continue, why? If I should", "just because the main character needs it to change his personality and train", "the main character needs it to change his personality and train his power", "shouldn't continue, why? If I should continue, what should I avoid to write", "or change it? If I shouldn't continue, why? If I should continue, what", "train his power to save the world when he wake up. But then,", "\"It was all just a dream\" (IWAJAD) plot twist, just because the main", "that plot twist or change it? If I shouldn't continue, why? If I", "what should I avoid to write a good plot twist and not ruin", "save the world when he wake up. But then, I heard that \"IWAJAD\"", "cliche and may ruin a good novel. Should I continue that plot twist", "continue, what should I avoid to write a good plot twist and not", "it? If I shouldn't continue, why? If I should continue, what should I", "may ruin a good novel. Should I continue that plot twist or change", "writing a novel where I use \"It was all just a dream\" (IWAJAD)", "a novel where I use \"It was all just a dream\" (IWAJAD) plot" ]
[ "temporarily changed to Palatino, as I saw suggested in another Writing @ SE", "to Palatino, as I saw suggested in another Writing @ SE post. But,", "@ SE post. But, again, I'm not really sure if this is suitable", "the past I've always just kept the default Calibri font and never thought", "default Calibri font and never thought anything of it. I'm increasingly hearing graphic", "area of expertise. In the past I've always just kept the default Calibri", "I saw suggested in another Writing @ SE post. But, again, I'm not", "never thought anything of it. I'm increasingly hearing graphic artists moan about how", "how people didn't even bother changing the default font from Calibri when looking", "working on some literary translations. I want to use a proper font for", "of my area of expertise. In the past I've always just kept the", "expertise. In the past I've always just kept the default Calibri font and", "work, but it is a little out of my area of expertise. In", "in another Writing @ SE post. But, again, I'm not really sure if", "just kept the default Calibri font and never thought anything of it. I'm", "In the past I've always just kept the default Calibri font and never", "I'm increasingly hearing graphic artists moan about how people didn't even bother changing", "post. But, again, I'm not really sure if this is suitable for a", "graphic artists moan about how people didn't even bother changing the default font", "is a little out of my area of expertise. In the past I've", "about how people didn't even bother changing the default font from Calibri when", "moan about how people didn't even bother changing the default font from Calibri", "I'm working on some literary translations. I want to use a proper font", "font from Calibri when looking over others work. I've temporarily changed to Palatino,", "the default font from Calibri when looking over others work. I've temporarily changed", "as I saw suggested in another Writing @ SE post. But, again, I'm", "out of my area of expertise. In the past I've always just kept", "some literary translations. I want to use a proper font for my work,", "proper font for my work, but it is a little out of my", "increasingly hearing graphic artists moan about how people didn't even bother changing the", "Calibri when looking over others work. I've temporarily changed to Palatino, as I", "again, I'm not really sure if this is suitable for a literary magazine.", "over others work. I've temporarily changed to Palatino, as I saw suggested in", "SE post. But, again, I'm not really sure if this is suitable for", "font and never thought anything of it. I'm increasingly hearing graphic artists moan", "hearing graphic artists moan about how people didn't even bother changing the default", "my area of expertise. In the past I've always just kept the default", "I'm not really sure if this is suitable for a literary magazine. Ideas?", "anything of it. I'm increasingly hearing graphic artists moan about how people didn't", "Writing @ SE post. But, again, I'm not really sure if this is", "use a proper font for my work, but it is a little out", "always just kept the default Calibri font and never thought anything of it.", "even bother changing the default font from Calibri when looking over others work.", "changed to Palatino, as I saw suggested in another Writing @ SE post.", "of expertise. In the past I've always just kept the default Calibri font", "artists moan about how people didn't even bother changing the default font from", "of it. I'm increasingly hearing graphic artists moan about how people didn't even", "default font from Calibri when looking over others work. I've temporarily changed to", "suggested in another Writing @ SE post. But, again, I'm not really sure", "little out of my area of expertise. In the past I've always just", "the default Calibri font and never thought anything of it. I'm increasingly hearing", "I've temporarily changed to Palatino, as I saw suggested in another Writing @", "it is a little out of my area of expertise. In the past", "another Writing @ SE post. But, again, I'm not really sure if this", "work. I've temporarily changed to Palatino, as I saw suggested in another Writing", "I want to use a proper font for my work, but it is", "people didn't even bother changing the default font from Calibri when looking over", "from Calibri when looking over others work. I've temporarily changed to Palatino, as", "saw suggested in another Writing @ SE post. But, again, I'm not really", "past I've always just kept the default Calibri font and never thought anything", "looking over others work. I've temporarily changed to Palatino, as I saw suggested", "others work. I've temporarily changed to Palatino, as I saw suggested in another", "I've always just kept the default Calibri font and never thought anything of", "bother changing the default font from Calibri when looking over others work. I've", "font for my work, but it is a little out of my area", "my work, but it is a little out of my area of expertise.", "translations. I want to use a proper font for my work, but it", "when looking over others work. I've temporarily changed to Palatino, as I saw", "a proper font for my work, but it is a little out of", "want to use a proper font for my work, but it is a", "and never thought anything of it. I'm increasingly hearing graphic artists moan about", "But, again, I'm not really sure if this is suitable for a literary", "for my work, but it is a little out of my area of", "Palatino, as I saw suggested in another Writing @ SE post. But, again,", "it. I'm increasingly hearing graphic artists moan about how people didn't even bother", "to use a proper font for my work, but it is a little", "thought anything of it. I'm increasingly hearing graphic artists moan about how people", "Calibri font and never thought anything of it. I'm increasingly hearing graphic artists", "on some literary translations. I want to use a proper font for my", "but it is a little out of my area of expertise. In the", "kept the default Calibri font and never thought anything of it. I'm increasingly", "didn't even bother changing the default font from Calibri when looking over others", "literary translations. I want to use a proper font for my work, but", "changing the default font from Calibri when looking over others work. I've temporarily", "a little out of my area of expertise. In the past I've always" ]
[ "to this question is then how do you become a good writer? How", "learn how to do the above? I wrote a [similar question](https://writing.stackexchange.com/questions/52608/how-to-become-an-powerful-and-beautiful-expository-writer) to this", "question in this fashion, I think people will realize that the answer is", "could be a way to write that makes you feel very emotionally as", "The natural corollary to this question is then how do you become a", "will realize that the answer is not simply writing more or reading more.", "same thing. It could be a way to write that makes you feel", "that makes you feel very emotionally as it triggers certain memories. The natural", "which words are put together in a different way than before but means", "certain memories. The natural corollary to this question is then how do you", "writing? Does it have simply be concise and clear? Obviously, not. Writing that", "it triggers certain memories. The natural corollary to this question is then how", "emotionally as it triggers certain memories. The natural corollary to this question is", "thing. It could be a way to write that makes you feel very", "do the above? I wrote a [similar question](https://writing.stackexchange.com/questions/52608/how-to-become-an-powerful-and-beautiful-expository-writer) to this before and I", "answers were wrong. By presenting the question in this fashion, I think people", "way than before but means the same thing. It could be a way", "writer? How do you learn how to do the above? I wrote a", "in which words are put together in a different way than before but", "a hard question. It could be writing in which words are put together", "and I think the answers were wrong. By presenting the question in this", "write that makes you feel very emotionally as it triggers certain memories. The", "but it is not. What is good writing? Does it have simply be", "before but means the same thing. It could be a way to write", "the answer is not simply writing more or reading more. There is something", "that sounds beautiful is considered good writing? But, what is beautiful writing? That", "could be writing in which words are put together in a different way", "wrong. By presenting the question in this fashion, I think people will realize", "presenting the question in this fashion, I think people will realize that the", "is a hard question. It could be writing in which words are put", "the answers were wrong. By presenting the question in this fashion, I think", "together in a different way than before but means the same thing. It", "it is not. What is good writing? Does it have simply be concise", "words are put together in a different way than before but means the", "how do you become a good writer? How do you learn how to", "is then how do you become a good writer? How do you learn", "different way than before but means the same thing. It could be a", "this fashion, I think people will realize that the answer is not simply", "corollary to this question is then how do you become a good writer?", "vague question but it is not. What is good writing? Does it have", "fashion, I think people will realize that the answer is not simply writing", "I think the answers were wrong. By presenting the question in this fashion,", "in this fashion, I think people will realize that the answer is not", "think the answers were wrong. By presenting the question in this fashion, I", "a [similar question](https://writing.stackexchange.com/questions/52608/how-to-become-an-powerful-and-beautiful-expository-writer) to this before and I think the answers were wrong.", "then how do you become a good writer? How do you learn how", "not. What is good writing? Does it have simply be concise and clear?", "[similar question](https://writing.stackexchange.com/questions/52608/how-to-become-an-powerful-and-beautiful-expository-writer) to this before and I think the answers were wrong. By", "you feel very emotionally as it triggers certain memories. The natural corollary to", "Obviously, not. Writing that sounds beautiful is considered good writing? But, what is", "before and I think the answers were wrong. By presenting the question in", "put together in a different way than before but means the same thing.", "writing? But, what is beautiful writing? That is a hard question. It could", "memories. The natural corollary to this question is then how do you become", "makes you feel very emotionally as it triggers certain memories. The natural corollary", "I wrote a [similar question](https://writing.stackexchange.com/questions/52608/how-to-become-an-powerful-and-beautiful-expository-writer) to this before and I think the answers", "what is beautiful writing? That is a hard question. It could be writing", "the same thing. It could be a way to write that makes you", "and clear? Obviously, not. Writing that sounds beautiful is considered good writing? But,", "you learn how to do the above? I wrote a [similar question](https://writing.stackexchange.com/questions/52608/how-to-become-an-powerful-and-beautiful-expository-writer) to", "good writing? Does it have simply be concise and clear? Obviously, not. Writing", "be a way to write that makes you feel very emotionally as it", "beautiful writing? That is a hard question. It could be writing in which", "hard question. It could be writing in which words are put together in", "But, what is beautiful writing? That is a hard question. It could be", "as it triggers certain memories. The natural corollary to this question is then", "answer is not simply writing more or reading more. There is something else", "think people will realize that the answer is not simply writing more or", "it have simply be concise and clear? Obviously, not. Writing that sounds beautiful", "to do the above? I wrote a [similar question](https://writing.stackexchange.com/questions/52608/how-to-become-an-powerful-and-beautiful-expository-writer) to this before and", "is not. What is good writing? Does it have simply be concise and", "writing in which words are put together in a different way than before", "are put together in a different way than before but means the same", "become a good writer? How do you learn how to do the above?", "concise and clear? Obviously, not. Writing that sounds beautiful is considered good writing?", "is beautiful writing? That is a hard question. It could be writing in", "be concise and clear? Obviously, not. Writing that sounds beautiful is considered good", "the question in this fashion, I think people will realize that the answer", "How do you learn how to do the above? I wrote a [similar", "this question is then how do you become a good writer? How do", "natural corollary to this question is then how do you become a good", "this before and I think the answers were wrong. By presenting the question", "people will realize that the answer is not simply writing more or reading", "considered good writing? But, what is beautiful writing? That is a hard question.", "good writer? How do you learn how to do the above? I wrote", "a way to write that makes you feel very emotionally as it triggers", "like a vague question but it is not. What is good writing? Does", "you become a good writer? How do you learn how to do the", "is not simply writing more or reading more. There is something else to", "realize that the answer is not simply writing more or reading more. There", "do you become a good writer? How do you learn how to do", "clear? Obviously, not. Writing that sounds beautiful is considered good writing? But, what", "do you learn how to do the above? I wrote a [similar question](https://writing.stackexchange.com/questions/52608/how-to-become-an-powerful-and-beautiful-expository-writer)", "I think people will realize that the answer is not simply writing more", "a vague question but it is not. What is good writing? Does it", "question. It could be writing in which words are put together in a", "By presenting the question in this fashion, I think people will realize that", "feel very emotionally as it triggers certain memories. The natural corollary to this", "above? I wrote a [similar question](https://writing.stackexchange.com/questions/52608/how-to-become-an-powerful-and-beautiful-expository-writer) to this before and I think the", "wrote a [similar question](https://writing.stackexchange.com/questions/52608/how-to-become-an-powerful-and-beautiful-expository-writer) to this before and I think the answers were", "good writing? But, what is beautiful writing? That is a hard question. It", "how to do the above? I wrote a [similar question](https://writing.stackexchange.com/questions/52608/how-to-become-an-powerful-and-beautiful-expository-writer) to this before", "sounds beautiful is considered good writing? But, what is beautiful writing? That is", "not. Writing that sounds beautiful is considered good writing? But, what is beautiful", "beautiful is considered good writing? But, what is beautiful writing? That is a", "that the answer is not simply writing more or reading more. There is", "is good writing? Does it have simply be concise and clear? Obviously, not.", "way to write that makes you feel very emotionally as it triggers certain", "question](https://writing.stackexchange.com/questions/52608/how-to-become-an-powerful-and-beautiful-expository-writer) to this before and I think the answers were wrong. By presenting", "a different way than before but means the same thing. It could be", "writing? That is a hard question. It could be writing in which words", "to this before and I think the answers were wrong. By presenting the", "seems like a vague question but it is not. What is good writing?", "in a different way than before but means the same thing. It could", "triggers certain memories. The natural corollary to this question is then how do", "question is then how do you become a good writer? How do you", "It could be a way to write that makes you feel very emotionally", "very emotionally as it triggers certain memories. The natural corollary to this question", "but means the same thing. It could be a way to write that", "be writing in which words are put together in a different way than", "have simply be concise and clear? Obviously, not. Writing that sounds beautiful is", "This seems like a vague question but it is not. What is good", "is considered good writing? But, what is beautiful writing? That is a hard", "question but it is not. What is good writing? Does it have simply", "not simply writing more or reading more. There is something else to it.", "Does it have simply be concise and clear? Obviously, not. Writing that sounds", "a good writer? How do you learn how to do the above? I", "to write that makes you feel very emotionally as it triggers certain memories.", "the above? I wrote a [similar question](https://writing.stackexchange.com/questions/52608/how-to-become-an-powerful-and-beautiful-expository-writer) to this before and I think", "were wrong. By presenting the question in this fashion, I think people will", "Writing that sounds beautiful is considered good writing? But, what is beautiful writing?", "means the same thing. It could be a way to write that makes", "That is a hard question. It could be writing in which words are", "simply be concise and clear? Obviously, not. Writing that sounds beautiful is considered", "It could be writing in which words are put together in a different", "What is good writing? Does it have simply be concise and clear? Obviously,", "than before but means the same thing. It could be a way to" ]
[ "dialogue tag to make someone else say it, and it sounds fine. If", "I am almost done with the first draft of the first book, I", "sounds fine. If I didn’t put in any dialogue tags, you wouldn’t be", "the first draft of the first book, I have about 400 pages. Everyone", "amazing. I’m not so sure. Upon self-editing for the seventh time, I noticed", "it, and it sounds fine. If I didn’t put in any dialogue tags,", "in any dialogue tags, you wouldn’t be able to tell who was talking.", "read my work, even complete strangers that I have emailed to get honest", "writer. I am almost done with the first draft of the first book,", "Let me be more specific with my problem. Sometimes I actually switch the", "problem. Sometimes I actually switch the dialogue tag to make someone else say", "horrible, that would immediately disqualify my book for publication. All of my characters", "sound exactly the same, despite having wildly different and colorful home towns, backstories,", "video, and I can’t seem to find a way to change it. What", "seventh time, I noticed something absolutely horrible, that would immediately disqualify my book", "I have about 400 pages. Everyone who has read my work, even complete", "even complete strangers that I have emailed to get honest feedback, have said", "switch the dialogue tag to make someone else say it, and it sounds", "and ages. I have read every article, watched every YouTube video, and I", "be more specific with my problem. Sometimes I actually switch the dialogue tag", "to make someone else say it, and it sounds fine. If I didn’t", "immediately disqualify my book for publication. All of my characters sound exactly the", "every YouTube video, and I can’t seem to find a way to change", "my work, even complete strangers that I have emailed to get honest feedback,", "towns, backstories, appearances, accents, and ages. I have read every article, watched every", "absolutely horrible, that would immediately disqualify my book for publication. All of my", "every article, watched every YouTube video, and I can’t seem to find a", "exactly the same, despite having wildly different and colorful home towns, backstories, appearances,", "the same, despite having wildly different and colorful home towns, backstories, appearances, accents,", "different and colorful home towns, backstories, appearances, accents, and ages. I have read", "pages. Everyone who has read my work, even complete strangers that I have", "watched every YouTube video, and I can’t seem to find a way to", "do? Let me be more specific with my problem. Sometimes I actually switch", "All of my characters sound exactly the same, despite having wildly different and", "didn’t put in any dialogue tags, you wouldn’t be able to tell who", "fine. If I didn’t put in any dialogue tags, you wouldn’t be able", "can’t seem to find a way to change it. What do I do?", "specific with my problem. Sometimes I actually switch the dialogue tag to make", "book for publication. All of my characters sound exactly the same, despite having", "publication. All of my characters sound exactly the same, despite having wildly different", "seem to find a way to change it. What do I do? Let", "sure. Upon self-editing for the seventh time, I noticed something absolutely horrible, that", "am a new writer. I am almost done with the first draft of", "way to change it. What do I do? Let me be more specific", "of my characters sound exactly the same, despite having wildly different and colorful", "that I have emailed to get honest feedback, have said it is amazing.", "read every article, watched every YouTube video, and I can’t seem to find", "it sounds fine. If I didn’t put in any dialogue tags, you wouldn’t", "If I didn’t put in any dialogue tags, you wouldn’t be able to", "and colorful home towns, backstories, appearances, accents, and ages. I have read every", "new writer. I am almost done with the first draft of the first", "a way to change it. What do I do? Let me be more", "wildly different and colorful home towns, backstories, appearances, accents, and ages. I have", "has read my work, even complete strangers that I have emailed to get", "emailed to get honest feedback, have said it is amazing. I’m not so", "accents, and ages. I have read every article, watched every YouTube video, and", "make someone else say it, and it sounds fine. If I didn’t put", "something absolutely horrible, that would immediately disqualify my book for publication. All of", "a new writer. I am almost done with the first draft of the", "ages. I have read every article, watched every YouTube video, and I can’t", "first draft of the first book, I have about 400 pages. Everyone who", "change it. What do I do? Let me be more specific with my", "first book, I have about 400 pages. Everyone who has read my work,", "having wildly different and colorful home towns, backstories, appearances, accents, and ages. I", "Upon self-editing for the seventh time, I noticed something absolutely horrible, that would", "and it sounds fine. If I didn’t put in any dialogue tags, you", "home towns, backstories, appearances, accents, and ages. I have read every article, watched", "backstories, appearances, accents, and ages. I have read every article, watched every YouTube", "honest feedback, have said it is amazing. I’m not so sure. Upon self-editing", "who has read my work, even complete strangers that I have emailed to", "say it, and it sounds fine. If I didn’t put in any dialogue", "about 400 pages. Everyone who has read my work, even complete strangers that", "find a way to change it. What do I do? Let me be", "me be more specific with my problem. Sometimes I actually switch the dialogue", "it is amazing. I’m not so sure. Upon self-editing for the seventh time,", "someone else say it, and it sounds fine. If I didn’t put in", "I have read every article, watched every YouTube video, and I can’t seem", "have emailed to get honest feedback, have said it is amazing. I’m not", "get honest feedback, have said it is amazing. I’m not so sure. Upon", "am writing a fantasy series. I am a new writer. I am almost", "have read every article, watched every YouTube video, and I can’t seem to", "I am a new writer. I am almost done with the first draft", "I am writing a fantasy series. I am a new writer. I am", "same, despite having wildly different and colorful home towns, backstories, appearances, accents, and", "put in any dialogue tags, you wouldn’t be able to tell who was", "work, even complete strangers that I have emailed to get honest feedback, have", "I can’t seem to find a way to change it. What do I", "do I do? Let me be more specific with my problem. Sometimes I", "have said it is amazing. I’m not so sure. Upon self-editing for the", "draft of the first book, I have about 400 pages. Everyone who has", "done with the first draft of the first book, I have about 400", "strangers that I have emailed to get honest feedback, have said it is", "I’m not so sure. Upon self-editing for the seventh time, I noticed something", "am almost done with the first draft of the first book, I have", "so sure. Upon self-editing for the seventh time, I noticed something absolutely horrible,", "colorful home towns, backstories, appearances, accents, and ages. I have read every article,", "is amazing. I’m not so sure. Upon self-editing for the seventh time, I", "fantasy series. I am a new writer. I am almost done with the", "my book for publication. All of my characters sound exactly the same, despite", "the first book, I have about 400 pages. Everyone who has read my", "my problem. Sometimes I actually switch the dialogue tag to make someone else", "complete strangers that I have emailed to get honest feedback, have said it", "400 pages. Everyone who has read my work, even complete strangers that I", "it. What do I do? Let me be more specific with my problem.", "feedback, have said it is amazing. I’m not so sure. Upon self-editing for", "I have emailed to get honest feedback, have said it is amazing. I’m", "characters sound exactly the same, despite having wildly different and colorful home towns,", "writing a fantasy series. I am a new writer. I am almost done", "book, I have about 400 pages. Everyone who has read my work, even", "a fantasy series. I am a new writer. I am almost done with", "I do? Let me be more specific with my problem. Sometimes I actually", "self-editing for the seventh time, I noticed something absolutely horrible, that would immediately", "for publication. All of my characters sound exactly the same, despite having wildly", "would immediately disqualify my book for publication. All of my characters sound exactly", "my characters sound exactly the same, despite having wildly different and colorful home", "that would immediately disqualify my book for publication. All of my characters sound", "series. I am a new writer. I am almost done with the first", "and I can’t seem to find a way to change it. What do", "article, watched every YouTube video, and I can’t seem to find a way", "Everyone who has read my work, even complete strangers that I have emailed", "the dialogue tag to make someone else say it, and it sounds fine.", "YouTube video, and I can’t seem to find a way to change it.", "to change it. What do I do? Let me be more specific with", "with the first draft of the first book, I have about 400 pages.", "actually switch the dialogue tag to make someone else say it, and it", "appearances, accents, and ages. I have read every article, watched every YouTube video,", "despite having wildly different and colorful home towns, backstories, appearances, accents, and ages.", "else say it, and it sounds fine. If I didn’t put in any", "I didn’t put in any dialogue tags, you wouldn’t be able to tell", "of the first book, I have about 400 pages. Everyone who has read", "the seventh time, I noticed something absolutely horrible, that would immediately disqualify my", "disqualify my book for publication. All of my characters sound exactly the same,", "time, I noticed something absolutely horrible, that would immediately disqualify my book for", "not so sure. Upon self-editing for the seventh time, I noticed something absolutely", "with my problem. Sometimes I actually switch the dialogue tag to make someone", "more specific with my problem. Sometimes I actually switch the dialogue tag to", "I noticed something absolutely horrible, that would immediately disqualify my book for publication.", "Sometimes I actually switch the dialogue tag to make someone else say it,", "almost done with the first draft of the first book, I have about", "to find a way to change it. What do I do? Let me", "I actually switch the dialogue tag to make someone else say it, and", "to get honest feedback, have said it is amazing. I’m not so sure.", "for the seventh time, I noticed something absolutely horrible, that would immediately disqualify", "noticed something absolutely horrible, that would immediately disqualify my book for publication. All", "tag to make someone else say it, and it sounds fine. If I", "said it is amazing. I’m not so sure. Upon self-editing for the seventh", "What do I do? Let me be more specific with my problem. Sometimes", "have about 400 pages. Everyone who has read my work, even complete strangers" ]
[ "sleep the night before seventh grade. I walked to the other side of", "day I once read a 700 page book. I read every book in", "book off the shelf, and started to read. The book I had randomly", "I call them on the phone, they say they can help me out.", "Twice. I got bored. I was staying up late because I couldn’t sleep", "grade. I walked to the other side of the room, pulled a random", "tromping through the woods, alone and scared, gripping daggers and wearing animal skins.", "one (by this I mean agents, editors, and publishers) is taking me seriously.", "was an old leather bound classic, Petod Dan. About a hundred pages in,", "I was staying up late because I couldn’t sleep the night before seventh", "about how they were tromping through the woods, alone and scared, gripping daggers", "page book. I read every book in the house. Twice. I got bored.", "say the best readers are the best writers, in a single day I", "bulb above my head exploded with a book idea. At least, at first", "the phone, they say they can help me out. But when they realize", "skins. The light bulb above my head exploded with a book idea. At", "a hundred pages in, I came across the list boys of never land.", "first it was a single book. Now it’s an eleven book series. I", "book, and no one (by this I mean agents, editors, and publishers) is", "leather bound classic, Petod Dan. About a hundred pages in, I came across", "in the house. Twice. I got bored. I was staying up late because", "staying up late because I couldn’t sleep the night before seventh grade. I", "the night before seventh grade. I walked to the other side of the", "late because I couldn’t sleep the night before seventh grade. I walked to", "a 700 page book. I read every book in the house. Twice. I", "I am an extremely young author. I don’t mean to sound like I’m", "randomly selected was an old leather bound classic, Petod Dan. About a hundred", "But when they realize how young I am, they simply refuse. What do", "to the other side of the room, pulled a random book off the", "room, pulled a random book off the shelf, and started to read. The", "read about how they were tromping through the woods, alone and scared, gripping", "they were tromping through the woods, alone and scared, gripping daggers and wearing", "woods, alone and scared, gripping daggers and wearing animal skins. The light bulb", "book in the house. Twice. I got bored. I was staying up late", "was a single book. Now it’s an eleven book series. I finished my", "am an extremely young author. I don’t mean to sound like I’m bragging,", "phone, they say they can help me out. But when they realize how", "gripping daggers and wearing animal skins. The light bulb above my head exploded", "above my head exploded with a book idea. At least, at first it", "and started to read. The book I had randomly selected was an old", "eleven book series. I finished my first book, and no one (by this", "can help me out. But when they realize how young I am, they", "a single book. Now it’s an eleven book series. I finished my first", "my head exploded with a book idea. At least, at first it was", "am very good. They say the best readers are the best writers, in", "I read about how they were tromping through the woods, alone and scared,", "classic, Petod Dan. About a hundred pages in, I came across the list", "an extremely young author. I don’t mean to sound like I’m bragging, but", "how they were tromping through the woods, alone and scared, gripping daggers and", "alone and scared, gripping daggers and wearing animal skins. The light bulb above", "animal skins. The light bulb above my head exploded with a book idea.", "and publishers) is taking me seriously. When I call them on the phone,", "were tromping through the woods, alone and scared, gripping daggers and wearing animal", "with a book idea. At least, at first it was a single book.", "best writers, in a single day I once read a 700 page book.", "700 page book. I read every book in the house. Twice. I got", "came across the list boys of never land. I read about how they", "Dan. About a hundred pages in, I came across the list boys of", "on the phone, they say they can help me out. But when they", "mean to sound like I’m bragging, but I think I am very good.", "least, at first it was a single book. Now it’s an eleven book", "was staying up late because I couldn’t sleep the night before seventh grade.", "read a 700 page book. I read every book in the house. Twice.", "a single day I once read a 700 page book. I read every", "single day I once read a 700 page book. I read every book", "think I am very good. They say the best readers are the best", "extremely young author. I don’t mean to sound like I’m bragging, but I", "I am very good. They say the best readers are the best writers,", "I once read a 700 page book. I read every book in the", "book. I read every book in the house. Twice. I got bored. I", "before seventh grade. I walked to the other side of the room, pulled", "are the best writers, in a single day I once read a 700", "the other side of the room, pulled a random book off the shelf,", "random book off the shelf, and started to read. The book I had", "don’t mean to sound like I’m bragging, but I think I am very", "me seriously. When I call them on the phone, they say they can", "of never land. I read about how they were tromping through the woods,", "single book. Now it’s an eleven book series. I finished my first book,", "the woods, alone and scared, gripping daggers and wearing animal skins. The light", "started to read. The book I had randomly selected was an old leather", "I don’t mean to sound like I’m bragging, but I think I am", "readers are the best writers, in a single day I once read a", "the room, pulled a random book off the shelf, and started to read.", "seventh grade. I walked to the other side of the room, pulled a", "wearing animal skins. The light bulb above my head exploded with a book", "an eleven book series. I finished my first book, and no one (by", "Petod Dan. About a hundred pages in, I came across the list boys", "in, I came across the list boys of never land. I read about", "but I think I am very good. They say the best readers are", "read. The book I had randomly selected was an old leather bound classic,", "out. But when they realize how young I am, they simply refuse. What", "writers, in a single day I once read a 700 page book. I", "selected was an old leather bound classic, Petod Dan. About a hundred pages", "I read every book in the house. Twice. I got bored. I was", "a book idea. At least, at first it was a single book. Now", "best readers are the best writers, in a single day I once read", "book series. I finished my first book, and no one (by this I", "because I couldn’t sleep the night before seventh grade. I walked to the", "(by this I mean agents, editors, and publishers) is taking me seriously. When", "pages in, I came across the list boys of never land. I read", "help me out. But when they realize how young I am, they simply", "every book in the house. Twice. I got bored. I was staying up", "I had randomly selected was an old leather bound classic, Petod Dan. About", "a random book off the shelf, and started to read. The book I", "had randomly selected was an old leather bound classic, Petod Dan. About a", "daggers and wearing animal skins. The light bulb above my head exploded with", "I’m bragging, but I think I am very good. They say the best", "book I had randomly selected was an old leather bound classic, Petod Dan.", "the shelf, and started to read. The book I had randomly selected was", "The book I had randomly selected was an old leather bound classic, Petod", "book idea. At least, at first it was a single book. Now it’s", "it’s an eleven book series. 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When I call them on the phone, they say they can help", "I came across the list boys of never land. I read about how", "off the shelf, and started to read. The book I had randomly selected", "up late because I couldn’t sleep the night before seventh grade. I walked", "the house. Twice. I got bored. I was staying up late because I", "young author. I don’t mean to sound like I’m bragging, but I think", "first book, and no one (by this I mean agents, editors, and publishers)", "I got bored. I was staying up late because I couldn’t sleep the", "bored. I was staying up late because I couldn’t sleep the night before", "idea. At least, at first it was a single book. Now it’s an", "they say they can help me out. But when they realize how young", "like I’m bragging, but I think I am very good. They say the", "boys of never land. I read about how they were tromping through the", "and wearing animal skins. The light bulb above my head exploded with a", "bound classic, Petod Dan. About a hundred pages in, I came across the", "I finished my first book, and no one (by this I mean agents,", "book. Now it’s an eleven book series. I finished my first book, and", "agents, editors, and publishers) is taking me seriously. When I call them on", "other side of the room, pulled a random book off the shelf, and", "me out. But when they realize how young I am, they simply refuse.", "the best readers are the best writers, in a single day I once", "mean agents, editors, and publishers) is taking me seriously. When I call them", "no one (by this I mean agents, editors, and publishers) is taking me", "they realize how young I am, they simply refuse. What do I do?", "never land. I read about how they were tromping through the woods, alone", "through the woods, alone and scared, gripping daggers and wearing animal skins. The", "taking me seriously. When I call them on the phone, they say they", "the list boys of never land. I read about how they were tromping", "scared, gripping daggers and wearing animal skins. The light bulb above my head", "the best writers, in a single day I once read a 700 page", "to read. The book I had randomly selected was an old leather bound", "series. I finished my first book, and no one (by this I mean", "About a hundred pages in, I came across the list boys of never", "once read a 700 page book. I read every book in the house.", "I couldn’t sleep the night before seventh grade. I walked to the other", "side of the room, pulled a random book off the shelf, and started", "list boys of never land. I read about how they were tromping through", "head exploded with a book idea. At least, at first it was a", "say they can help me out. But when they realize how young I", "is taking me seriously. When I call them on the phone, they say", "in a single day I once read a 700 page book. I read", "to sound like I’m bragging, but I think I am very good. They", "couldn’t sleep the night before seventh grade. I walked to the other side", "shelf, and started to read. The book I had randomly selected was an", "very good. They say the best readers are the best writers, in a", "I think I am very good. They say the best readers are the", "at first it was a single book. Now it’s an eleven book series.", "my first book, and no one (by this I mean agents, editors, and", "land. I read about how they were tromping through the woods, alone and", "an old leather bound classic, Petod Dan. About a hundred pages in, I", "The light bulb above my head exploded with a book idea. At least,", "night before seventh grade. I walked to the other side of the room,", "they can help me out. But when they realize how young I am,", "light bulb above my head exploded with a book idea. At least, at", "old leather bound classic, Petod Dan. About a hundred pages in, I came", "author. I don’t mean to sound like I’m bragging, but I think I", "read every book in the house. Twice. I got bored. I was staying" ]
[ "and put into a pearl neckless. Because everything that has a soul dies,", "this, the leader of the elves challenged her to a duel. If she", "dies. Hylla losses the duel, has her soul taken, and put into a", "all of the humans who show up in the forest. This is simply", "of the forest didn’t know this. But now it was too late. In", "the problem with my bad guys backstory. She WANTS her soul back. But", "first. This is the villain. When she, Hylla, appeared in the forest, all", "humans because she wants them to kill her. So she also wouldn’t be", "kills all of the humans who show up in the forest. This is", "to cut out one of her desires to make her have a pure", "Hylla’s reign. She now calls herself the huntress. Only the huntress knows of", "the leader of the elves challenged her to a duel. If she wins,", "eternal river, which goes around the entire planet and splits the forest in", "Eventually, she kills the elf that took her soul under what would be", "She WANTS her soul back. But she DOESN'T want to die. When she", "the humans who show up in the forest. This is simply the way", "soul dies, everything that doesn’t LIVES. the people of the forest didn’t know", "huntress knows of this prophecy, so she kills all of the humans who", "to go around killing people, therefore she wouldn’t be the bad guy. If", "WANTS her soul back. But she DOESN'T want to die. When she gets", "them to kill her. So she also wouldn’t be the bad guy. How", "and destroys whatever she pleases. No one can stop her. Eventually, she kills", "she gets to live among them. If she loses, she loses her soul.", "knows why) regular people from everyday life have been showing up in a", "villain. When she, Hylla, appeared in the forest, all the elves and other", "elves, Cyclopes, giants, dragons, gryphons, and humongous forest creatures. But there was a", "My bad guy is very very very complicated. My entire story exists because", "can stop her. Eventually, she kills the elf that took her soul under", "back, then she will have no reason to go around killing people, therefore", "years (no one knows why) regular people from everyday life have been showing", "simply the way things are. All of the people in the forest have", "didn’t know if she was a threat. So to determine this, the leader", "has a soul. And everything dies. Hylla losses the duel, has her soul", "one knows why) regular people from everyday life have been showing up in", "forest didn’t know this. But now it was too late. In pure rage,", "want her soul back, then she will have no reason to go around", "she wants to die, then she would want her soul back, and then", "If she doesn’t want her soul back, then she will have no reason", "out makes her not the bad guy. I’m really really stuck on this", "known as hope bridge, the bridge that goes across the eternal river, which", "kills and destroys whatever she pleases. No one can stop her. Eventually, she", "whichever one I take out makes her not the bad guy. I’m really", "she wouldn’t kill all the humans because she wants them to kill her.", "soul back, she becomes mortal again, so she has two desires that oppose", "then she wouldn’t kill all the humans because she wants them to kill", "So to determine this, the leader of the elves challenged her to a", "reason to go around killing people, therefore she wouldn’t be the bad guy.", "If she loses, she loses her soul. In the Forest, EVERYTHING has a", "other creatures had no idea what to make of her. They didn’t know", "a pearl neckless. Because everything that has a soul dies, everything that doesn’t", "everything that has a soul dies, everything that doesn’t LIVES. the people of", "back, and then she wouldn’t kill all the humans because she wants them", "bridge, the bridge that goes across the eternal river, which goes around the", "a first. This is the villain. When she, Hylla, appeared in the forest,", "from a foreign land and will finally put an end to Hylla’s reign.", "die. When she gets her soul back, she becomes mortal again, so she", "then she would want her soul back, and then she wouldn’t kill all", "will have no reason to go around killing people, therefore she wouldn’t be", "each other. If she doesn’t want her soul back, then she will have", "who comes from a foreign land and will finally put an end to", "splits the forest in two. With his dying breath, the elf leader speaks", "mortal again, so she has two desires that oppose each other. If she", "know if she was a threat. So to determine this, the leader of", "pearl neckless. Because everything that has a soul dies, everything that doesn’t LIVES.", "the way things are. All of the people in the forest have lost", "of years (no one knows why) regular people from everyday life have been", "to kill her. So she also wouldn’t be the bad guy. How do", "dies, everything that doesn’t LIVES. the people of the forest didn’t know this.", "the elves and other creatures had no idea what to make of her.", "dying breath, the elf leader speaks a prophecy that tells of a warrior", "Because everything that has a soul dies, everything that doesn’t LIVES. the people", "she pleases. No one can stop her. Eventually, she kills the elf that", "wants to die, then she would want her soul back, and then she", "this problem. I have to cut out one of her desires to make", "all the elves and other creatures had no idea what to make of", "to die, then she would want her soul back, and then she wouldn’t", "two desires that oppose each other. If she doesn’t want her soul back,", "reign. She now calls herself the huntress. Only the huntress knows of this", "planet and splits the forest in two. With his dying breath, the elf", "becomes mortal again, so she has two desires that oppose each other. If", "so she has two desires that oppose each other. If she doesn’t want", "want to die. When she gets her soul back, she becomes mortal again,", "Only the huntress knows of this prophecy, so she kills all of the", "appeared in the forest, all the elves and other creatures had no idea", "under what would be known as hope bridge, the bridge that goes across", "show up in the forest. This is simply the way things are. All", "and other creatures had no idea what to make of her. They didn’t", "They didn’t know if she was a threat. So to determine this, the", "lost hope. Now here’s the problem with my bad guys backstory. She WANTS", "the huntress knows of this prophecy, so she kills all of the humans", "knows of this prophecy, so she kills all of the humans who show", "hope. Now here’s the problem with my bad guys backstory. She WANTS her", "challenged her to a duel. If she wins, she gets to live among", "a soul. And everything dies. Hylla losses the duel, has her soul taken,", "she becomes mortal again, so she has two desires that oppose each other.", "the bad guy. If she wants to die, then she would want her", "soul under what would be known as hope bridge, the bridge that goes", "her. So she also wouldn’t be the bad guy. How do I fix", "and humongous forest creatures. But there was a first. This is the villain.", "everyday life have been showing up in a magical forest filled with elves,", "do I fix this problem. I have to cut out one of her", "to determine this, the leader of the elves challenged her to a duel.", "around killing people, therefore she wouldn’t be the bad guy. If she wants", "And everything dies. Hylla losses the duel, has her soul taken, and put", "of the elves challenged her to a duel. If she wins, she gets", "of her desires to make her have a pure motive, but whichever one", "she wins, she gets to live among them. If she loses, she loses", "makes her not the bad guy. I’m really really stuck on this one.", "exists because for thousands of years (no one knows why) regular people from", "but whichever one I take out makes her not the bad guy. I’m", "with a blade of bone, who comes from a foreign land and will", "elves challenged her to a duel. If she wins, she gets to live", "to die. When she gets her soul back, she becomes mortal again, so", "So she also wouldn’t be the bad guy. How do I fix this", "she loses, she loses her soul. In the Forest, EVERYTHING has a soul.", "fix this problem. I have to cut out one of her desires to", "would be known as hope bridge, the bridge that goes across the eternal", "wouldn’t be the bad guy. If she wants to die, then she would", "with my bad guys backstory. She WANTS her soul back. But she DOESN'T", "bad guy. How do I fix this problem. I have to cut out", "filled with elves, Cyclopes, giants, dragons, gryphons, and humongous forest creatures. 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[ "them try to keep the other from finding out, fearing that it would", "one. But that's not really the point here. I'm not very experienced in", "boy's father doesn't know that he's been dating this girl, due to the", "I have no idea what book genres I'm good at writing and which", "I'm getting kinda off topic. The reason why I made this is because", "my business. I write one book until I'm about half-way done and then", "whoever she loves. The boy's father doesn't know that he's been dating this", "girls my age are super confusing, so I couldn't imagine how 17 year", "the guy's POV and the girl's POV. And I really need to know", "that he's purposely kept it a secret from him. His mother doesn't know", "overthink things. Anyway, the girl's father doesn't approve of her dating the boy", "a lot of things, one in particular is book genres. I have no", "they always seem to overthink things. Anyway, the girl's father doesn't approve of", "You know how teenagers are, they always seem to overthink things. Anyway, the", "seem a little bit weird. But I really need to know. How do", "start another one. But that's not really the point here. I'm not very", "second one. That's how I always do my business. I write one book", "things, most of which weren't even novels. Being a 13 year old I'm", "him to do, but I'm getting kinda off topic. The reason why I", "girl's POV? I'm a 13 year old boy and I'm trying to become", "here. I'm not very experienced in writing and I've only ever written a", "I really need to know. How do I write from a girl's POV?", "a second one. That's how I always do my business. I write one", "a boy and a girl (both of which are 17), who fall in", "my hand at all of them. Next in the long line of genres", "13 year old boy and I'm trying to become an author. I'm currently", "need to know. How do I write from a girl's POV? I'm a", "book, and I'm about to start writing a second one. That's how I", "boy, girls my age are super confusing, so I couldn't imagine how 17", "super confusing, so I couldn't imagine how 17 year old girls would be,", "do, but I'm getting kinda off topic. The reason why I made this", "but her mother encourages her to date whoever she loves. The boy's father", "girls are confusing, and what goes on inside their heads are beyond me.", "(both of which are 17), who fall in love. Both of these people", "girl, due to the fact that he's purposely kept it a secret from", "either, but his sister does, and she uses this on several occasions to", "which weren't even novels. Being a 13 year old I'm very inexperienced when", "write a novel about a boy and a girl (both of which are", "how 17 year old girls would be, but this novel is supposed to", "her to date whoever she loves. The boy's father doesn't know that he's", "I'm not very experienced in writing and I've only ever written a few", "old girls would be, but this novel is supposed to be written from", "I've decided that I'm just going to try my hand at all of", "13 year old boy, girls my age are super confusing, so I couldn't", "couldn't imagine how 17 year old girls would be, but this novel is", "make the other lose interest. You know how teenagers are, they always seem", "him. His mother doesn't know either, but his sister does, and she uses", "bad at, so I've decided that I'm just going to try my hand", "how I always do my business. I write one book until I'm about", "and the girl's POV. And I really need to know how to do", "always do my business. I write one book until I'm about half-way done", "even novels. Being a 13 year old I'm very inexperienced when it comes", "of them. Next in the long line of genres is romance. I plan", "question might seem a little bit weird. But I really need to know.", "out, fearing that it would embarks them and possibly make the other lose", "do that. Like I said before, girls are confusing, and what goes on", "about half-way done and then I start another one. But that's not really", "one book until I'm about half-way done and then I start another one.", "from both the guy's POV and the girl's POV. And I really need", "I'm about half-way done and then I start another one. But that's not", "as a 13 year old boy, girls my age are super confusing, so", "POV. And I really need to know how to do that. Like I", "secret from him. His mother doesn't know either, but his sister does, and", "from him. His mother doesn't know either, but his sister does, and she", "that. Like I said before, girls are confusing, and what goes on inside", "is book genres. I have no idea what book genres I'm good at", "seem to overthink things. Anyway, the girl's father doesn't approve of her dating", "these people come from relatively poor families, and both of them try to", "mother doesn't know either, but his sister does, and she uses this on", "fact that he's purposely kept it a secret from him. His mother doesn't", "weren't even novels. Being a 13 year old I'm very inexperienced when it", "boy and I'm trying to become an author. I'm currently working on one", "fall in love. Both of these people come from relatively poor families, and", "the girl's father doesn't approve of her dating the boy (I haven't figured", "to try my hand at all of them. Next in the long line", "do my business. I write one book until I'm about half-way done and", "ever written a few things, most of which weren't even novels. Being a", "Next in the long line of genres is romance. I plan to write", "because as a 13 year old boy, girls my age are super confusing,", "have no idea what book genres I'm good at writing and which ones", "sister does, and she uses this on several occasions to blackmail him into", "But I really need to know. How do I write from a girl's", "an author. I'm currently working on one book, and I'm about to start", "both of them try to keep the other from finding out, fearing that", "she uses this on several occasions to blackmail him into doing what she", "so I've decided that I'm just going to try my hand at all", "but I'm getting kinda off topic. The reason why I made this is", "at all of them. Next in the long line of genres is romance.", "novel is supposed to be written from both the guy's POV and the", "to know how to do that. Like I said before, girls are confusing,", "wants him to do, but I'm getting kinda off topic. The reason why", "written from both the guy's POV and the girl's POV. And I really", "currently working on one book, and I'm about to start writing a second", "Both of these people come from relatively poor families, and both of them", "I plan to write a novel about a boy and a girl (both", "he's purposely kept it a secret from him. His mother doesn't know either,", "are, they always seem to overthink things. Anyway, the girl's father doesn't approve", "long line of genres is romance. I plan to write a novel about", "how teenagers are, they always seem to overthink things. Anyway, the girl's father", "weird. But I really need to know. How do I write from a", "of which weren't even novels. Being a 13 year old I'm very inexperienced", "That's how I always do my business. I write one book until I'm", "author. I'm currently working on one book, and I'm about to start writing", "other lose interest. You know how teenagers are, they always seem to overthink", "a girl (both of which are 17), who fall in love. Both of", "dating this girl, due to the fact that he's purposely kept it a", "keep the other from finding out, fearing that it would embarks them and", "I'm very inexperienced when it comes to... well... when it comes to a", "families, and both of them try to keep the other from finding out,", "doesn't know either, but his sister does, and she uses this on several", "when it comes to... well... when it comes to a lot of things,", "things, one in particular is book genres. I have no idea what book", "plan to write a novel about a boy and a girl (both of", "comes to... well... when it comes to a lot of things, one in", "writing and which ones I'm bad at, so I've decided that I'm just", "and I've only ever written a few things, most of which weren't even", "which are 17), who fall in love. Both of these people come from", "this on several occasions to blackmail him into doing what she wants him", "in love. Both of these people come from relatively poor families, and both", "The reason why I made this is because as a 13 year old", "really need to know how to do that. Like I said before, girls", "and I'm about to start writing a second one. That's how I always", "love. Both of these people come from relatively poor families, and both of", "doesn't approve of her dating the boy (I haven't figured out their names", "girl (both of which are 17), who fall in love. Both of these", "I'm just going to try my hand at all of them. Next in", "POV? I'm a 13 year old boy and I'm trying to become an", "yet), but her mother encourages her to date whoever she loves. The boy's", "17 year old girls would be, but this novel is supposed to be", "working on one book, and I'm about to start writing a second one.", "imagine how 17 year old girls would be, but this novel is supposed", "topic. The reason why I made this is because as a 13 year", "need to know how to do that. Like I said before, girls are", "them. Next in the long line of genres is romance. I plan to", "old boy and I'm trying to become an author. I'm currently working on", "relatively poor families, and both of them try to keep the other from", "when it comes to a lot of things, one in particular is book", "other from finding out, fearing that it would embarks them and possibly make", "the point here. I'm not very experienced in writing and I've only ever", "getting kinda off topic. The reason why I made this is because as", "I said before, girls are confusing, and what goes on inside their heads", "well... when it comes to a lot of things, one in particular is", "book genres I'm good at writing and which ones I'm bad at, so", "names yet), but her mother encourages her to date whoever she loves. The", "POV and the girl's POV. And I really need to know how to", "And I really need to know how to do that. Like I said", "and which ones I'm bad at, so I've decided that I'm just going", "how to do that. Like I said before, girls are confusing, and what", "just going to try my hand at all of them. Next in the", "this novel is supposed to be written from both the guy's POV and", "is supposed to be written from both the guy's POV and the girl's", "I'm about to start writing a second one. That's how I always do", "17), who fall in love. Both of these people come from relatively poor", "the girl's POV. And I really need to know how to do that.", "occasions to blackmail him into doing what she wants him to do, but", "start writing a second one. That's how I always do my business. I", "writing and I've only ever written a few things, most of which weren't", "embarks them and possibly make the other lose interest. You know how teenagers", "decided that I'm just going to try my hand at all of them.", "one. That's how I always do my business. I write one book until", "Ok, I know this question might seem a little bit weird. But I", "interest. You know how teenagers are, they always seem to overthink things. Anyway,", "and both of them try to keep the other from finding out, fearing", "know that he's been dating this girl, due to the fact that he's", "romance. I plan to write a novel about a boy and a girl", "poor families, and both of them try to keep the other from finding", "uses this on several occasions to blackmail him into doing what she wants", "year old girls would be, but this novel is supposed to be written", "about to start writing a second one. That's how I always do my", "become an author. I'm currently working on one book, and I'm about to", "boy (I haven't figured out their names yet), but her mother encourages her", "girls would be, but this novel is supposed to be written from both", "that it would embarks them and possibly make the other lose interest. You", "that's not really the point here. I'm not very experienced in writing and", "I'm bad at, so I've decided that I'm just going to try my", "which ones I'm bad at, so I've decided that I'm just going to", "write from a girl's POV? I'm a 13 year old boy and I'm", "no idea what book genres I'm good at writing and which ones I'm", "the other lose interest. You know how teenagers are, they always seem to", "girl's POV. And I really need to know how to do that. Like", "she loves. The boy's father doesn't know that he's been dating this girl,", "to date whoever she loves. The boy's father doesn't know that he's been", "fearing that it would embarks them and possibly make the other lose interest.", "what she wants him to do, but I'm getting kinda off topic. The", "really need to know. How do I write from a girl's POV? I'm", "try to keep the other from finding out, fearing that it would embarks", "old I'm very inexperienced when it comes to... well... when it comes to", "of these people come from relatively poor families, and both of them try", "ones I'm bad at, so I've decided that I'm just going to try", "been dating this girl, due to the fact that he's purposely kept it", "comes to a lot of things, one in particular is book genres. I", "from relatively poor families, and both of them try to keep the other", "book genres. I have no idea what book genres I'm good at writing", "what book genres I'm good at writing and which ones I'm bad at,", "of her dating the boy (I haven't figured out their names yet), but", "line of genres is romance. I plan to write a novel about a", "to do that. Like I said before, girls are confusing, and what goes", "trying to become an author. I'm currently working on one book, and I'm", "then I start another one. But that's not really the point here. I'm", "and possibly make the other lose interest. You know how teenagers are, they", "13 year old I'm very inexperienced when it comes to... well... when it", "the fact that he's purposely kept it a secret from him. His mother", "said before, girls are confusing, and what goes on inside their heads are", "her dating the boy (I haven't figured out their names yet), but her", "of them try to keep the other from finding out, fearing that it", "year old boy, girls my age are super confusing, so I couldn't imagine", "of things, one in particular is book genres. I have no idea what", "that I'm just going to try my hand at all of them. Next", "are super confusing, so I couldn't imagine how 17 year old girls would", "I've only ever written a few things, most of which weren't even novels.", "one book, and I'm about to start writing a second one. That's how", "in the long line of genres is romance. I plan to write a", "who fall in love. Both of these people come from relatively poor families,", "point here. I'm not very experienced in writing and I've only ever written", "he's been dating this girl, due to the fact that he's purposely kept", "it comes to... well... when it comes to a lot of things, one", "to... well... when it comes to a lot of things, one in particular", "why I made this is because as a 13 year old boy, girls", "be written from both the guy's POV and the girl's POV. And I", "things. Anyway, the girl's father doesn't approve of her dating the boy (I", "Like I said before, girls are confusing, and what goes on inside their", "to write a novel about a boy and a girl (both of which", "really the point here. I'm not very experienced in writing and I've only", "genres I'm good at writing and which ones I'm bad at, so I've", "of which are 17), who fall in love. Both of these people come", "novel about a boy and a girl (both of which are 17), who", "lot of things, one in particular is book genres. I have no idea", "this question might seem a little bit weird. But I really need to", "to do, but I'm getting kinda off topic. The reason why I made", "genres. I have no idea what book genres I'm good at writing and", "and then I start another one. But that's not really the point here.", "girl's father doesn't approve of her dating the boy (I haven't figured out", "and she uses this on several occasions to blackmail him into doing what", "a novel about a boy and a girl (both of which are 17),", "teenagers are, they always seem to overthink things. Anyway, the girl's father doesn't", "their names yet), but her mother encourages her to date whoever she loves.", "kinda off topic. The reason why I made this is because as a", "a 13 year old boy and I'm trying to become an author. I'm", "at writing and which ones I'm bad at, so I've decided that I'm", "I write from a girl's POV? I'm a 13 year old boy and", "on one book, and I'm about to start writing a second one. That's", "at, so I've decided that I'm just going to try my hand at", "not very experienced in writing and I've only ever written a few things,", "business. I write one book until I'm about half-way done and then I", "one in particular is book genres. I have no idea what book genres", "figured out their names yet), but her mother encourages her to date whoever", "both the guy's POV and the girl's POV. And I really need to", "blackmail him into doing what she wants him to do, but I'm getting", "out their names yet), but her mother encourages her to date whoever she", "about a boy and a girl (both of which are 17), who fall", "approve of her dating the boy (I haven't figured out their names yet),", "done and then I start another one. But that's not really the point", "I'm a 13 year old boy and I'm trying to become an author.", "my age are super confusing, so I couldn't imagine how 17 year old", "made this is because as a 13 year old boy, girls my age", "reason why I made this is because as a 13 year old boy,", "most of which weren't even novels. Being a 13 year old I'm very", "from a girl's POV? I'm a 13 year old boy and I'm trying", "encourages her to date whoever she loves. The boy's father doesn't know that", "few things, most of which weren't even novels. Being a 13 year old", "but his sister does, and she uses this on several occasions to blackmail", "haven't figured out their names yet), but her mother encourages her to date", "into doing what she wants him to do, but I'm getting kinda off", "a secret from him. His mother doesn't know either, but his sister does,", "this girl, due to the fact that he's purposely kept it a secret", "the boy (I haven't figured out their names yet), but her mother encourages", "of genres is romance. I plan to write a novel about a boy", "to know. How do I write from a girl's POV? I'm a 13", "know this question might seem a little bit weird. But I really need", "bit weird. But I really need to know. How do I write from", "lose interest. You know how teenagers are, they always seem to overthink things.", "him into doing what she wants him to do, but I'm getting kinda", "year old boy and I'm trying to become an author. I'm currently working", "in particular is book genres. I have no idea what book genres I'm", "doing what she wants him to do, but I'm getting kinda off topic.", "off topic. The reason why I made this is because as a 13", "be, but this novel is supposed to be written from both the guy's", "so I couldn't imagine how 17 year old girls would be, but this", "age are super confusing, so I couldn't imagine how 17 year old girls", "the other from finding out, fearing that it would embarks them and possibly", "it a secret from him. His mother doesn't know either, but his sister", "do I write from a girl's POV? I'm a 13 year old boy", "her mother encourages her to date whoever she loves. The boy's father doesn't", "that he's been dating this girl, due to the fact that he's purposely", "and a girl (both of which are 17), who fall in love. Both", "all of them. Next in the long line of genres is romance. I", "His mother doesn't know either, but his sister does, and she uses this", "know how teenagers are, they always seem to overthink things. Anyway, the girl's", "little bit weird. But I really need to know. How do I write", "I really need to know how to do that. Like I said before,", "date whoever she loves. The boy's father doesn't know that he's been dating", "doesn't know that he's been dating this girl, due to the fact that", "come from relatively poor families, and both of them try to keep the", "to a lot of things, one in particular is book genres. I have", "does, and she uses this on several occasions to blackmail him into doing", "The boy's father doesn't know that he's been dating this girl, due to", "a few things, most of which weren't even novels. Being a 13 year", "guy's POV and the girl's POV. And I really need to know how", "I'm trying to become an author. I'm currently working on one book, and", "very inexperienced when it comes to... well... when it comes to a lot", "I know this question might seem a little bit weird. But I really", "half-way done and then I start another one. But that's not really the", "from finding out, fearing that it would embarks them and possibly make the", "old boy, girls my age are super confusing, so I couldn't imagine how", "the long line of genres is romance. I plan to write a novel", "a girl's POV? I'm a 13 year old boy and I'm trying to", "is because as a 13 year old boy, girls my age are super", "year old I'm very inexperienced when it comes to... well... when it comes", "it comes to a lot of things, one in particular is book genres.", "to blackmail him into doing what she wants him to do, but I'm", "writing a second one. That's how I always do my business. I write", "to become an author. I'm currently working on one book, and I'm about", "a 13 year old I'm very inexperienced when it comes to... well... when", "Anyway, the girl's father doesn't approve of her dating the boy (I haven't", "another one. But that's not really the point here. I'm not very experienced", "know either, but his sister does, and she uses this on several occasions", "I made this is because as a 13 year old boy, girls my", "this is because as a 13 year old boy, girls my age are", "idea what book genres I'm good at writing and which ones I'm bad", "kept it a secret from him. His mother doesn't know either, but his", "mother encourages her to date whoever she loves. The boy's father doesn't know", "a little bit weird. But I really need to know. How do I", "to be written from both the guy's POV and the girl's POV. And", "would be, but this novel is supposed to be written from both the", "is romance. I plan to write a novel about a boy and a", "might seem a little bit weird. But I really need to know. How", "I'm good at writing and which ones I'm bad at, so I've decided", "know how to do that. Like I said before, girls are confusing, and", "confusing, so I couldn't imagine how 17 year old girls would be, but", "experienced in writing and I've only ever written a few things, most of", "write one book until I'm about half-way done and then I start another", "not really the point here. I'm not very experienced in writing and I've", "written a few things, most of which weren't even novels. Being a 13", "a 13 year old boy, girls my age are super confusing, so I", "always seem to overthink things. Anyway, the girl's father doesn't approve of her", "I always do my business. I write one book until I'm about half-way", "going to try my hand at all of them. Next in the long", "try my hand at all of them. Next in the long line of", "boy and a girl (both of which are 17), who fall in love.", "finding out, fearing that it would embarks them and possibly make the other", "book until I'm about half-way done and then I start another one. But", "but this novel is supposed to be written from both the guy's POV", "very experienced in writing and I've only ever written a few things, most", "to overthink things. Anyway, the girl's father doesn't approve of her dating the", "father doesn't approve of her dating the boy (I haven't figured out their", "I'm currently working on one book, and I'm about to start writing a", "loves. The boy's father doesn't know that he's been dating this girl, due", "to the fact that he's purposely kept it a secret from him. His", "them and possibly make the other lose interest. You know how teenagers are,", "to keep the other from finding out, fearing that it would embarks them", "I start another one. But that's not really the point here. I'm not", "purposely kept it a secret from him. His mother doesn't know either, but", "and I'm trying to become an author. I'm currently working on one book,", "on several occasions to blackmail him into doing what she wants him to", "father doesn't know that he's been dating this girl, due to the fact", "How do I write from a girl's POV? I'm a 13 year old", "it would embarks them and possibly make the other lose interest. You know", "several occasions to blackmail him into doing what she wants him to do,", "hand at all of them. Next in the long line of genres is", "supposed to be written from both the guy's POV and the girl's POV.", "particular is book genres. I have no idea what book genres I'm good", "possibly make the other lose interest. You know how teenagers are, they always", "people come from relatively poor families, and both of them try to keep", "I couldn't imagine how 17 year old girls would be, but this novel", "before, girls are confusing, and what goes on inside their heads are beyond", "to start writing a second one. That's how I always do my business.", "But that's not really the point here. I'm not very experienced in writing", "novels. Being a 13 year old I'm very inexperienced when it comes to...", "good at writing and which ones I'm bad at, so I've decided that", "only ever written a few things, most of which weren't even novels. Being", "inexperienced when it comes to... well... when it comes to a lot of", "Being a 13 year old I'm very inexperienced when it comes to... well...", "I write one book until I'm about half-way done and then I start", "are 17), who fall in love. Both of these people come from relatively", "would embarks them and possibly make the other lose interest. You know how", "dating the boy (I haven't figured out their names yet), but her mother", "she wants him to do, but I'm getting kinda off topic. The reason", "due to the fact that he's purposely kept it a secret from him.", "until I'm about half-way done and then I start another one. But that's", "genres is romance. I plan to write a novel about a boy and", "his sister does, and she uses this on several occasions to blackmail him", "know. How do I write from a girl's POV? I'm a 13 year", "in writing and I've only ever written a few things, most of which", "(I haven't figured out their names yet), but her mother encourages her to" ]
[ "character couldn’t possibly understand what they’re going through, they resist telling each other,", "other characters, but the guy is the first person the girl met in", "my series so that they gradually fall in love. The best way that", "the beginning of my series so that they gradually fall in love. The", "story. There are lots of other characters, but the guy is the first", "They both are very selfless and kind hearted, but the flaws that they", "so that they gradually fall in love. The best way that I see", "character understands perfectly. There is also and external conflict, but inner conflict makes", "up dating. I’m trying to create friction between them at the beginning of", "going through, they resist telling each other, even though the other character understands", "The best way that I see to do that is making them have", "problem here is that I have two main characters, who, in the future,", "girl is seventeen, the guy is eighteen. And it’s not just them in", "is trying to kill them, and they have no idea how they got", "where they let someone they love die, and they feel like it was", "other, even though the other character understands perfectly. There is also and external", "There are lots of other characters, but the guy is the first person", "the other character understands perfectly. There is also and external conflict, but inner", "characters, who, in the future, will end up dating. I’m trying to create", "got there. All they are trying to do is go home, and they", "even though the other character understands perfectly. There is also and external conflict,", "Forest. So my question: How would I beat create conflict with these characters?", "only problem: Arguments are out of Phihactor for both characters. They both are", "characters. They both are very selfless and kind hearted, but the flaws that", "other character couldn’t possibly understand what they’re going through, they resist telling each", "also and external conflict, but inner conflict makes it intriguing. The setting is", "trying to create friction between them at the beginning of my series so", "there. All they are trying to do is go home, and they come", "both have tragic pasts where they let someone they love die, and they", "will end up dating. I’m trying to create friction between them at the", "do that is making them have arguments. The only problem: Arguments are out", "it’s not just them in the story. There are lots of other characters,", "they gradually fall in love. The best way that I see to do", "understand what they’re going through, they resist telling each other, even though the", "from everyday life. The girl is seventeen, the guy is eighteen. And it’s", "that the other character couldn’t possibly understand what they’re going through, they resist", "in the Forest. So my question: How would I beat create conflict with", "conflict makes it intriguing. The setting is a magical fairy tale Forest, except", "idea how they got there. All they are trying to do is go", "for both characters. They both are very selfless and kind hearted, but the", "that they gradually fall in love. The best way that I see to", "guy is eighteen. And it’s not just them in the story. There are", "let someone they love die, and they feel like it was their fault.", "go home, and they come from everyday life. The girl is seventeen, the", "here is that I have two main characters, who, in the future, will", "I have two main characters, who, in the future, will end up dating.", "and they feel like it was their fault. Thinking that the other character", "is making them have arguments. The only problem: Arguments are out of Phihactor", "They both have tragic pasts where they let someone they love die, and", "is also and external conflict, but inner conflict makes it intriguing. The setting", "friction between them at the beginning of my series so that they gradually", "in love. The best way that I see to do that is making", "that they DO have don’t include quick tempers. They both have tragic pasts", "fairy tale Forest, except everything is trying to kill them, and they have", "met in the Forest. So my question: How would I beat create conflict", "seventeen, the guy is eighteen. And it’s not just them in the story.", "love. The best way that I see to do that is making them", "they resist telling each other, even though the other character understands perfectly. There", "are out of Phihactor for both characters. They both are very selfless and", "to create friction between them at the beginning of my series so that", "is go home, and they come from everyday life. The girl is seventeen,", "them at the beginning of my series so that they gradually fall in", "Thinking that the other character couldn’t possibly understand what they’re going through, they", "to do that is making them have arguments. The only problem: Arguments are", "other character understands perfectly. There is also and external conflict, but inner conflict", "quick tempers. They both have tragic pasts where they let someone they love", "and they have no idea how they got there. All they are trying", "they have no idea how they got there. All they are trying to", "The girl is seventeen, the guy is eighteen. And it’s not just them", "home, and they come from everyday life. The girl is seventeen, the guy", "is the first person the girl met in the Forest. So my question:", "they love die, and they feel like it was their fault. Thinking that", "fall in love. The best way that I see to do that is", "that I see to do that is making them have arguments. The only", "I see to do that is making them have arguments. The only problem:", "My problem here is that I have two main characters, who, in the", "but the guy is the first person the girl met in the Forest.", "they’re going through, they resist telling each other, even though the other character", "hearted, but the flaws that they DO have don’t include quick tempers. They", "like it was their fault. Thinking that the other character couldn’t possibly understand", "and external conflict, but inner conflict makes it intriguing. The setting is a", "though the other character understands perfectly. There is also and external conflict, but", "both characters. They both are very selfless and kind hearted, but the flaws", "person the girl met in the Forest. So my question: How would I", "fault. Thinking that the other character couldn’t possibly understand what they’re going through,", "magical fairy tale Forest, except everything is trying to kill them, and they", "have two main characters, who, in the future, will end up dating. I’m", "not just them in the story. There are lots of other characters, but", "and they come from everyday life. The girl is seventeen, the guy is", "girl met in the Forest. So my question: How would I beat create", "a magical fairy tale Forest, except everything is trying to kill them, and", "All they are trying to do is go home, and they come from", "it intriguing. The setting is a magical fairy tale Forest, except everything is", "do is go home, and they come from everyday life. The girl is", "kind hearted, but the flaws that they DO have don’t include quick tempers.", "inner conflict makes it intriguing. The setting is a magical fairy tale Forest,", "the story. 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Thinking that the other character couldn’t possibly understand what they’re going", "I’m trying to create friction between them at the beginning of my series", "intriguing. The setting is a magical fairy tale Forest, except everything is trying", "gradually fall in love. The best way that I see to do that", "characters, but the guy is the first person the girl met in the", "kill them, and they have no idea how they got there. All they", "they are trying to do is go home, and they come from everyday", "makes it intriguing. The setting is a magical fairy tale Forest, except everything", "couldn’t possibly understand what they’re going through, they resist telling each other, even", "no idea how they got there. All they are trying to do is", "at the beginning of my series so that they gradually fall in love.", "flaws that they DO have don’t include quick tempers. They both have tragic", "have arguments. The only problem: Arguments are out of Phihactor for both characters.", "DO have don’t include quick tempers. They both have tragic pasts where they", "two main characters, who, in the future, will end up dating. I’m trying", "future, will end up dating. I’m trying to create friction between them at", "of Phihactor for both characters. They both are very selfless and kind hearted,", "someone they love die, and they feel like it was their fault. Thinking", "they feel like it was their fault. Thinking that the other character couldn’t", "die, and they feel like it was their fault. Thinking that the other", "best way that I see to do that is making them have arguments.", "are very selfless and kind hearted, but the flaws that they DO have", "except everything is trying to kill them, and they have no idea how", "way that I see to do that is making them have arguments. The", "have don’t include quick tempers. They both have tragic pasts where they let", "beginning of my series so that they gradually fall in love. The best", "resist telling each other, even though the other character understands perfectly. There is", "they let someone they love die, and they feel like it was their", "everyday life. The girl is seventeen, the guy is eighteen. And it’s not", "the future, will end up dating. I’m trying to create friction between them", "guy is the first person the girl met in the Forest. So my", "each other, even though the other character understands perfectly. There is also and", "just them in the story. There are lots of other characters, but the", "The setting is a magical fairy tale Forest, except everything is trying to", "that is making them have arguments. The only problem: Arguments are out of", "first person the girl met in the Forest. So my question: How would", "between them at the beginning of my series so that they gradually fall", "they come from everyday life. The girl is seventeen, the guy is eighteen.", "the girl met in the Forest. So my question: How would I beat", "them, and they have no idea how they got there. All they are", "tempers. They both have tragic pasts where they let someone they love die,", "tragic pasts where they let someone they love die, and they feel like", "setting is a magical fairy tale Forest, except everything is trying to kill", "feel like it was their fault. Thinking that the other character couldn’t possibly", "what they’re going through, they resist telling each other, even though the other", "love die, and they feel like it was their fault. Thinking that the", "the other character couldn’t possibly understand what they’re going through, they resist telling", "see to do that is making them have arguments. The only problem: Arguments", "life. The girl is seventeen, the guy is eighteen. And it’s not just", "trying to kill them, and they have no idea how they got there.", "are trying to do is go home, and they come from everyday life.", "Forest, except everything is trying to kill them, and they have no idea", "is that I have two main characters, who, in the future, will end", "of other characters, but the guy is the first person the girl met", "tale Forest, except everything is trying to kill them, and they have no", "main characters, who, in the future, will end up dating. I’m trying to", "telling each other, even though the other character understands perfectly. There is also", "how they got there. All they are trying to do is go home,", "problem: Arguments are out of Phihactor for both characters. They both are very", "the Forest. So my question: How would I beat create conflict with these", "them have arguments. The only problem: Arguments are out of Phihactor for both", "lots of other characters, but the guy is the first person the girl", "of my series so that they gradually fall in love. The best way", "making them have arguments. The only problem: Arguments are out of Phihactor for", "conflict, but inner conflict makes it intriguing. The setting is a magical fairy" ]
[ "have been asked. But also, consider that I want to publish a book", "similar questions have been asked. But also, consider that I want to publish", "I want to publish a book in countries other than the US or", "questions have been asked. But also, consider that I want to publish a", "know similar questions have been asked. But also, consider that I want to", "want to publish a book in countries other than the US or UK.", "been asked. But also, consider that I want to publish a book in", "I know similar questions have been asked. But also, consider that I want", "But also, consider that I want to publish a book in countries other", "that I want to publish a book in countries other than the US", "also, consider that I want to publish a book in countries other than", "asked. But also, consider that I want to publish a book in countries", "consider that I want to publish a book in countries other than the" ]
[ "I was nowhere near done with the underlying plots, and if I finished", "What are some tips to keep on track of all your internal/external conflicts", "I realized I was nowhere near done with the underlying plots, and if", "to keep on track of all your internal/external conflicts and plots so that", "tons of loose ends. What are some tips to keep on track of", "underlying plots, and if I finished the book in a few chapters there", "fantasy series, and earlier today I found myself thinking “Yay! I’m almost done", "“Yay! I’m almost done with the main plot of my first book!” Then", "writing a fantasy series, and earlier today I found myself thinking “Yay! I’m", "the main plot of my first book!” Then I realized I was nowhere", "plot of my first book!” Then I realized I was nowhere near done", "and if I finished the book in a few chapters there would be", "if I finished the book in a few chapters there would be tons", "keep on track of all your internal/external conflicts and plots so that you", "of loose ends. What are some tips to keep on track of all", "the book in a few chapters there would be tons of loose ends.", "book in a few chapters there would be tons of loose ends. What", "realized I was nowhere near done with the underlying plots, and if I", "near done with the underlying plots, and if I finished the book in", "writer writing a fantasy series, and earlier today I found myself thinking “Yay!", "am a new writer writing a fantasy series, and earlier today I found", "are some tips to keep on track of all your internal/external conflicts and", "track of all your internal/external conflicts and plots so that you don’t forget", "all your internal/external conflicts and plots so that you don’t forget about one", "on track of all your internal/external conflicts and plots so that you don’t", "Then I realized I was nowhere near done with the underlying plots, and", "I finished the book in a few chapters there would be tons of", "almost done with the main plot of my first book!” Then I realized", "would be tons of loose ends. What are some tips to keep on", "with the main plot of my first book!” Then I realized I was", "some tips to keep on track of all your internal/external conflicts and plots", "your internal/external conflicts and plots so that you don’t forget about one and", "series, and earlier today I found myself thinking “Yay! I’m almost done with", "nowhere near done with the underlying plots, and if I finished the book", "few chapters there would be tons of loose ends. What are some tips", "I am a new writer writing a fantasy series, and earlier today I", "chapters there would be tons of loose ends. What are some tips to", "there would be tons of loose ends. What are some tips to keep", "the underlying plots, and if I finished the book in a few chapters", "myself thinking “Yay! I’m almost done with the main plot of my first", "done with the main plot of my first book!” Then I realized I", "plots, and if I finished the book in a few chapters there would", "be tons of loose ends. 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What are some tips to keep on track of all your", "plots so that you don’t forget about one and leave a question unanswered?", "conflicts and plots so that you don’t forget about one and leave a", "a new writer writing a fantasy series, and earlier today I found myself", "first book!” Then I realized I was nowhere near done with the underlying", "tips to keep on track of all your internal/external conflicts and plots so", "a few chapters there would be tons of loose ends. What are some", "of all your internal/external conflicts and plots so that you don’t forget about", "found myself thinking “Yay! I’m almost done with the main plot of my", "was nowhere near done with the underlying plots, and if I finished the", "and plots so that you don’t forget about one and leave a question", "thinking “Yay! I’m almost done with the main plot of my first book!”", "of my first book!” Then I realized I was nowhere near done with", "book!” Then I realized I was nowhere near done with the underlying plots,", "earlier today I found myself thinking “Yay! I’m almost done with the main", "internal/external conflicts and plots so that you don’t forget about one and leave", "new writer writing a fantasy series, and earlier today I found myself thinking", "my first book!” Then I realized I was nowhere near done with the" ]
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Do I", "or what are the most important rule about character changing, showing it big", "it big time or subtly, or something more concrete then is is basically", "of suggesting murder on the first opportunity he would listen to others plans...etc.", "subtly, or something more concrete then is is basically the same goal. Ultimately", "wizard. Obviously he is really blind in many things. He is a teenager", "him overcome his flaws with time, and incorporate into the group and become", "opinion based so if you want to consider it to be what is", "the same goal. Ultimately I have no problems about any changes. All writing", "to much attention. So. Instead of harsh or snarky remarks he starts to", "ignorant of the people around him, very violent, short tempered, and has a", "he practiced more intense and higher magic was lost to him and he", "starts calling the other students friends and becomes more aware of his actions?", "of those long days of riding and camping and talking and fighting I", "others plans...etc. All without calling out this changes. I know this might be", "made him ostracized and a lesser wizard. This is absolute blindness on his", "lot. So. Over the course of those long days of riding and camping", "his ward. He then thought that the position was insulting and the fact", "to life in general, human or otherwise. Now throughout the story he is", "group and become less of an awful person without calling to much attention.", "to see that things are not as they are. For example when he", "gifted but has a bunch of problems. For example he is: Anti-social, paranoid,", "Anti-social, paranoid, ignorant of the people around him, very violent, short tempered, and", "be what is the prevailing thought or what are the most important rule", "problems. For example he is: Anti-social, paranoid, ignorant of the people around him,", "Ultimately I have no problems about any changes. All writing is to accomplish", "need a lot of inner thoughts on that? Can the changes be more", "he would listen to others plans...etc. All without calling out this changes. I", "than his peers made him ostracized and a lesser wizard. This is absolute", "as the only reason he was chosen was because he has the potential", "This includes a romance subplot and overall more of coming of age story", "only in actions, story. I keep thinking of major events. There is a", "camping and talking and fighting I had his character change a little. Notice", "nicer, instead of suggesting murder on the first opportunity he would listen to", "he is shocked and surprised to see that things are not as they", "is the prevailing thought or what are the most important rule about character", "important rule about character changing, showing it big time or subtly, or something", "magic under his guidance. When he later discovers this he is shocked and", "anything that does not help that is extra weight I'm willing to dispose", "position was insulting and the fact that he practiced less magic than his", "problem is I'm worried that I did not focus enough on the changes", "and camping and talking and fighting I had his character change a little.", "what is the prevailing thought or what are the most important rule about", "is I'm worried that I did not focus enough on the changes in", "joking. The fact that he practiced more intense and higher magic was lost", "students in search of their master. As the journey continues he is constantly", "of harsh or snarky remarks he starts to become nicer, instead of suggesting", "he is shocked and thinks that he peers must be joking. The fact", "the other students friends and becomes more aware of his actions? This includes", "Instead of harsh or snarky remarks he starts to become nicer, instead of", "changing, showing it big time or subtly, or something more concrete then is", "of human interactions and finds himself to be wrong a lot. So. Over", "thinking of major events. There is a couple of them and they are", "becomes more aware of his actions? This includes a romance subplot and overall", "subplot and overall more of coming of age story and becoming more mature,", "to chapter 7 he starts calling the other students friends and becomes more", "human interactions and finds himself to be wrong a lot. So. Over the", "in many things. He is a teenager after all. This is just an", "and a lesser wizard. This is absolute blindness on his part as the", "a certain disdain to life in general, human or otherwise. Now throughout the", "no problems about any changes. All writing is to accomplish a goal and", "remarks he starts to become nicer, instead of suggesting murder on the first", "an example. Now to the story. Well. At a certain point he travels", "more subtle where from chapter 1 to chapter 7 he starts calling the", "changes be more subtle where from chapter 1 to chapter 7 he starts", "a goal and anything that does not help that is extra weight I'm", "calling to much attention. So. Instead of harsh or snarky remarks he starts", "very violent, short tempered, and has a certain disdain to life in general,", "or snarky remarks he starts to become nicer, instead of suggesting murder on", "on the first opportunity he would listen to others plans...etc. All without calling", "For example when he joined the magic school the headmaster there, a man", "in unfamiliar territory of human interactions and finds himself to be wrong a", "more aware of his actions? This includes a romance subplot and overall more", "disdain to life in general, human or otherwise. Now throughout the story he", "so if you want to consider it to be what is the prevailing", "of coming of age story and becoming more mature, if only in actions,", "He is a teenager after all. This is just an example. Now to", "1 to chapter 7 he starts calling the other students friends and becomes", "not focus enough on the changes in the chapters. So. Do I need", "is constantly put in unfamiliar territory of human interactions and finds himself to", "calling out this changes. I know this might be a little bit opinion", "keep thinking of major events. There is a couple of them and they", "reason he was chosen was because he has the potential to be a", "are the most important rule about character changing, showing it big time or", "that he practiced less magic than his peers made him ostracized and a", "you want to consider it to be what is the prevailing thought or", "of major events. There is a couple of them and they are given", "enough on the changes in the chapters. So. Do I need a lot", "or something more concrete then is is basically the same goal. Ultimately I", "he joined the magic school the headmaster there, a man respect in the", "he was a lesser wizard. Obviously he is really blind in many things.", "The problem is I'm worried that I did not focus enough on the", "headmaster wanted to tempered his character and teach him magic under his guidance.", "unfamiliar territory of human interactions and finds himself to be wrong a lot.", "ward. He then thought that the position was insulting and the fact that", "great wizard and the headmaster wanted to tempered his character and teach him", "I had his character change a little. Notice a little. The problem is", "part as the only reason he was chosen was because he has the", "continues he is constantly put in unfamiliar territory of human interactions and finds", "There is a couple of them and they are given focus. But I", "this might be a little bit opinion based so if you want to", "who is very academically gifted but has a bunch of problems. For example", "human or otherwise. Now throughout the story he is shocked and surprised to", "character change a little. Notice a little. The problem is I'm worried that", "wanted to tempered his character and teach him magic under his guidance. When", "change a little. Notice a little. The problem is I'm worried that I", "awful person without calling to much attention. So. Instead of harsh or snarky", "be more subtle where from chapter 1 to chapter 7 he starts calling", "people around him, very violent, short tempered, and has a certain disdain to", "and fighting I had his character change a little. Notice a little. The", "potential to be a great wizard and the headmaster wanted to tempered his", "time or subtly, or something more concrete then is is basically the same", "general, human or otherwise. Now throughout the story he is shocked and surprised", "peers must be joking. The fact that he practiced more intense and higher", "in search of their master. As the journey continues he is constantly put", "when he joined the magic school the headmaster there, a man respect in", "Notice a little. 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The fact that", "with time, and incorporate into the group and become less of an awful", "All writing is to accomplish a goal and anything that does not help", "7 he starts calling the other students friends and becomes more aware of", "short tempered, and has a certain disdain to life in general, human or", "to him and he always thought he was a lesser wizard. Obviously he", "discovers this he is shocked and thinks that he peers must be joking.", "and has a certain disdain to life in general, human or otherwise. Now", "and he always thought he was a lesser wizard. Obviously he is really", "also like to tone down this and have him overcome his flaws with", "attention. So. Instead of harsh or snarky remarks he starts to become nicer,", "and they are given focus. But I also like to tone down this", "become less of an awful person without calling to much attention. So. Instead", "man respect in the whole world, choose him to be his ward. He", "be a great wizard and the headmaster wanted to tempered his character and", "he is: Anti-social, paranoid, ignorant of the people around him, very violent, short", "his actions? This includes a romance subplot and overall more of coming of", "territory of human interactions and finds himself to be wrong a lot. So.", "they are given focus. But I also like to tone down this and", "So. Do I need a lot of inner thoughts on that? Can the", "are not as they are. For example when he joined the magic school", "long days of riding and camping and talking and fighting I had his", "their master. As the journey continues he is constantly put in unfamiliar territory", "Well. At a certain point he travels with a group of other students", "magic school the headmaster there, a man respect in the whole world, choose", "because he has the potential to be a great wizard and the headmaster", "harsh or snarky remarks he starts to become nicer, instead of suggesting murder", "if you want to consider it to be what is the prevailing thought", "of riding and camping and talking and fighting I had his character change", "a little bit opinion based so if you want to consider it to", "chapter 1 to chapter 7 he starts calling the other students friends and", "a romance subplot and overall more of coming of age story and becoming", "For example he is: Anti-social, paranoid, ignorant of the people around him, very", "other students in search of their master. As the journey continues he is", "insulting and the fact that he practiced less magic than his peers made", "later discovers this he is shocked and thinks that he peers must be", "a group of other students in search of their master. As the journey", "of inner thoughts on that? Can the changes be more subtle where from", "things are not as they are. For example when he joined the magic", "to be what is the prevailing thought or what are the most important", "and have him overcome his flaws with time, and incorporate into the group", "he practiced less magic than his peers made him ostracized and a lesser", "practiced more intense and higher magic was lost to him and he always", "and overall more of coming of age story and becoming more mature, if", "he peers must be joking. The fact that he practiced more intense and", "character who is very academically gifted but has a bunch of problems. For", "like to tone down this and have him overcome his flaws with time,", "was insulting and the fact that he practiced less magic than his peers", "have this main character who is very academically gifted but has a bunch", "riding and camping and talking and fighting I had his character change a", "and the fact that he practiced less magic than his peers made him", "must be joking. The fact that he practiced more intense and higher magic", "this changes. I know this might be a little bit opinion based so", "goal. Ultimately I have no problems about any changes. All writing is to", "blind in many things. He is a teenager after all. This is just", "goal and anything that does not help that is extra weight I'm willing", "main character who is very academically gifted but has a bunch of problems.", "and become less of an awful person without calling to much attention. So.", "the headmaster wanted to tempered his character and teach him magic under his", "changes. I know this might be a little bit opinion based so if", "lesser wizard. This is absolute blindness on his part as the only reason", "age story and becoming more mature, if only in actions, story. I keep", "the story he is shocked and surprised to see that things are not", "is is basically the same goal. Ultimately I have no problems about any", "a bunch of problems. For example he is: Anti-social, paranoid, ignorant of the", "if only in actions, story. I keep thinking of major events. There is", "tone down this and have him overcome his flaws with time, and incorporate", "the chapters. So. Do I need a lot of inner thoughts on that?", "travels with a group of other students in search of their master. As", "would listen to others plans...etc. All without calling out this changes. I know", "actions, story. I keep thinking of major events. There is a couple of", "the most important rule about character changing, showing it big time or subtly,", "fact that he practiced less magic than his peers made him ostracized and", "lot of inner thoughts on that? Can the changes be more subtle where", "in general, human or otherwise. Now throughout the story he is shocked and", "focus enough on the changes in the chapters. So. Do I need a", "subtle where from chapter 1 to chapter 7 he starts calling the other", "chosen was because he has the potential to be a great wizard and", "coming of age story and becoming more mature, if only in actions, story.", "really blind in many things. He is a teenager after all. This is", "that he peers must be joking. The fact that he practiced more intense", "this main character who is very academically gifted but has a bunch of", "thoughts on that? Can the changes be more subtle where from chapter 1", "or otherwise. Now throughout the story he is shocked and surprised to see" ]
[ "when I got stuck. I think it’s safe to say that this has", "fight the same creatures twice in one book. So basically, I just need", "best methods to be creative and help me figure out what to do", "action-packed scene, I am simply at loss for what to do. Normally in", "has happened to everyone. This has happened a few times in the certain", "show instead of tell my characters what dangerous creatures live in the forest,", "in the forest, but now I have introduced all the kinds of antagonists", "few times in the certain book I am writing, and I’ve noticed it", "main characters and the antagonists in my story. After an action-packed scene, I", "I’ve noticed it is always after a fight scene with my main characters", "what they are going to next now that they’ve survived the attack. And", "now that they’ve survived the attack. And then I do another fight scene.", "always after a fight scene with my main characters and the antagonists in", "stuck. 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Normally in this time, I write dialogue", "figure out the best methods to be creative and help me figure out", "in the certain book I am writing, and I’ve noticed it is always", "all the kinds of antagonists and don’t know what to do because I", "the same creatures twice in one book. So basically, I just need to", "my characters feelings or what they are going to next now that they’ve", "that this has happened to everyone. This has happened a few times in", "tell my characters what dangerous creatures live in the forest, but now I", "introduced all the kinds of antagonists and don’t know what to do because", "it’s safe to say that this has happened to everyone. This has happened", "a fight scene with my main characters and the antagonists in my story.", "the first book in my series, the fight scenes I’ve done so far", "think it’s safe to say that this has happened to everyone. This has", "an action-packed scene, I am simply at loss for what to do. Normally", "time, I write dialogue or my characters feelings or what they are going", "certain book I am writing, and I’ve noticed it is always after a", "the best methods to be creative and help me figure out what to", "want to have them fight the same creatures twice in one book. So", "be the first book in my series, the fight scenes I’ve done so", "story. After an action-packed scene, I am simply at loss for what to", "my characters what dangerous creatures live in the forest, but now I have", "After an action-packed scene, I am simply at loss for what to do.", "my main characters and the antagonists in my story. After an action-packed scene,", "noticed it is always after a fight scene with my main characters and", "basically, I just need to figure out the best methods to be creative", "I have introduced all the kinds of antagonists and don’t know what to", "mainly to show instead of tell my characters what dangerous creatures live in", "don’t want to have them fight the same creatures twice in one book.", "creatures live in the forest, but now I have introduced all the kinds", "times in the certain book I am writing, and I’ve noticed it is", "happened a few times in the certain book I am writing, and I’ve", "creatures twice in one book. So basically, I just need to figure out", "I’ve recently been writing my book when I got stuck. I think it’s", "everyone. This has happened a few times in the certain book I am", "do because I don’t want to have them fight the same creatures twice", "because I don’t want to have them fight the same creatures twice in", "series, the fight scenes I’ve done so far were mainly to show instead", "to show instead of tell my characters what dangerous creatures live in the", "a few times in the certain book I am writing, and I’ve noticed", "to say that this has happened to everyone. This has happened a few", "I just need to figure out the best methods to be creative and", "feelings or what they are going to next now that they’ve survived the", "have them fight the same creatures twice in one book. So basically, I", "this has happened to everyone. This has happened a few times in the", "book when I got stuck. I think it’s safe to say that this", "the kinds of antagonists and don’t know what to do because I don’t", "the certain book I am writing, and I’ve noticed it is always after", "is always after a fight scene with my main characters and the antagonists", "to do. Normally in this time, I write dialogue or my characters feelings", "characters and the antagonists in my story. After an action-packed scene, I am", "but now I have introduced all the kinds of antagonists and don’t know", "characters what dangerous creatures live in the forest, but now I have introduced", "simply at loss for what to do. Normally in this time, I write", "so far were mainly to show instead of tell my characters what dangerous", "has happened a few times in the certain book I am writing, and", "this be the first book in my series, the fight scenes I’ve done", "book I am writing, and I’ve noticed it is always after a fight", "loss for what to do. Normally in this time, I write dialogue or", "scenes I’ve done so far were mainly to show instead of tell my", "in my story. After an action-packed scene, I am simply at loss for", "to have them fight the same creatures twice in one book. So basically,", "one book. So basically, I just need to figure out the best methods", "next now that they’ve survived the attack. And then I do another fight", "antagonists and don’t know what to do because I don’t want to have", "book. So basically, I just need to figure out the best methods to", "do another fight scene. Having this be the first book in my series,", "attack. And then I do another fight scene. Having this be the first", "this time, I write dialogue or my characters feelings or what they are", "what to do. Normally in this time, I write dialogue or my characters", "recently been writing my book when I got stuck. I think it’s safe", "now I have introduced all the kinds of antagonists and don’t know what", "scene, I am simply at loss for what to do. Normally in this", "This has happened a few times in the certain book I am writing,", "writing my book when I got stuck. I think it’s safe to say", "antagonists in my story. After an action-packed scene, I am simply at loss", "in my series, the fight scenes I’ve done so far were mainly to", "out the best methods to be creative and help me figure out what", "instead of tell my characters what dangerous creatures live in the forest, but", "scene with my main characters and the antagonists in my story. After an", "safe to say that this has happened to everyone. This has happened a", "happened to everyone. This has happened a few times in the certain book", "know what to do because I don’t want to have them fight the", "twice in one book. So basically, I just need to figure out the", "have introduced all the kinds of antagonists and don’t know what to do", "write dialogue or my characters feelings or what they are going to next", "in one book. So basically, I just need to figure out the best", "book in my series, the fight scenes I’ve done so far were mainly", "after a fight scene with my main characters and the antagonists in my", "the forest, but now I have introduced all the kinds of antagonists and", "and don’t know what to do because I don’t want to have them", "scene. Having this be the first book in my series, the fight scenes", "forest, but now I have introduced all the kinds of antagonists and don’t", "characters feelings or what they are going to next now that they’ve survived", "writing, and I’ve noticed it is always after a fight scene with my", "I write dialogue or my characters feelings or what they are going to", "survived the attack. And then I do another fight scene. Having this be", "dangerous creatures live in the forest, but now I have introduced all the", "I’ve done so far were mainly to show instead of tell my characters", "are going to next now that they’ve survived the attack. And then I", "or what they are going to next now that they’ve survived the attack.", "of tell my characters what dangerous creatures live in the forest, but now", "the antagonists in my story. After an action-packed scene, I am simply at", "to next now that they’ve survived the attack. And then I do another", "methods to be creative and help me figure out what to do next.", "for what to do. Normally in this time, I write dialogue or my", "I got stuck. I think it’s safe to say that this has happened", "or my characters feelings or what they are going to next now that", "Having this be the first book in my series, the fight scenes I’ve", "fight scene. Having this be the first book in my series, the fight", "the attack. And then I do another fight scene. Having this be the", "and the antagonists in my story. After an action-packed scene, I am simply", "what dangerous creatures live in the forest, but now I have introduced all", "kinds of antagonists and don’t know what to do because I don’t want", "same creatures twice in one book. So basically, I just need to figure", "them fight the same creatures twice in one book. So basically, I just", "were mainly to show instead of tell my characters what dangerous creatures live", "to everyone. This has happened a few times in the certain book I", "then I do another fight scene. Having this be the first book in", "I don’t want to have them fight the same creatures twice in one", "my book when I got stuck. I think it’s safe to say that", "they are going to next now that they’ve survived the attack. 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After", "my story. After an action-packed scene, I am simply at loss for what", "been writing my book when I got stuck. I think it’s safe to", "the fight scenes I’ve done so far were mainly to show instead of", "just need to figure out the best methods to be creative and help", "with my main characters and the antagonists in my story. After an action-packed", "it is always after a fight scene with my main characters and the", "live in the forest, but now I have introduced all the kinds of", "need to figure out the best methods to be creative and help me", "I do another fight scene. Having this be the first book in my", "fight scenes I’ve done so far were mainly to show instead of tell", "And then I do another fight scene. Having this be the first book", "in this time, I write dialogue or my characters feelings or what they", "Normally in this time, I write dialogue or my characters feelings or what", "that they’ve survived the attack. And then I do another fight scene. Having" ]
[ "of romance, tragedy, politics, and post-apocalyptic. But mainly fantasy. I am targeting an", "One of the antagonists is a sixty-foot-tall giant with corpses dangling from his", "am not afraid to make my characters be injured, because in real life", "series. I’m not writing my books simply because I want to or that", "in this question, but the common odds of death for my characters are", "of death for my characters are typically a fifty/fifty chance, and about every", "is a significant improvement for them. I am not just constantly making people", "die, and am not afraid to make my characters be injured, because in", "to each main character at least once in each book, to emphasize that", "the antagonists is a sixty-foot-tall giant with corpses dangling from his horns, and", "of the servants of the real antagonist, the main bad guy. I have", "for my characters are typically a fifty/fifty chance, and about every three in", "of killing as a game. This is just one of the servants of", "at least once in each book, to emphasize that this actually IS dangerous.", "I am writing is pure fantasy, with underlying genres of romance, tragedy, politics,", "sixty-foot-tall giant with corpses dangling from his horns, and he thinks of killing", "death for my characters are typically a fifty/fifty chance, and about every three", "corpses dangling from his horns, and he thinks of killing as a game.", "past of my story, EVERYONE died until a certain character showed up, so", "despite the author's emphasis on how dangerous and violent this world was. So", "one of the servants of the real antagonist, the main bad guy. I", "too violent when writing and if this would change the kind of audience", "sixth grade. I did not include other parts of my story in this", "and if that would make my book “inappropriate” for younger readers, say, fifth", "because in real life odds are they would already be dead. I’m wondering", "grade. I did not include other parts of my story in this question,", "include other parts of my story in this question, but the common odds", "I want to or that I am frustrated with other books, but those", "to or that I am frustrated with other books, but those are some", "is pure fantasy, with underlying genres of romance, tragedy, politics, and post-apocalyptic. But", "readers, say, fifth and sixth grade. I did not include other parts of", "story in this question, but the common odds of death for my characters", "the main bad guy. I have already made some people die, and am", "dying. In the past of my story, EVERYONE died until a certain character", "but it happens to each main character at least once in each book,", "each book, to emphasize that this actually IS dangerous. I’m pretty much wondering", "I’m pretty much wondering if you can be too violent when writing and", "much wondering if you can be too violent when writing and if this", "servants of the real antagonist, the main bad guy. I have already made", "writing my first series. I’m not writing my books simply because I want", "not writing my books simply because I want to or that I am", "antagonist, the main bad guy. I have already made some people die, and", "be injured, because in real life odds are they would already be dead.", "up dying. In the past of my story, EVERYONE died until a certain", "novel I cranked up the heat. One of the antagonists is a sixty-foot-tall", "violent, and if that would make my book “inappropriate” for younger readers, say,", "post-apocalyptic. But mainly fantasy. I am targeting an audience of middle school and", "people die or get hurt, but it happens to each main character at", "common odds of death for my characters are typically a fifty/fifty chance, and", "with corpses dangling from his horns, and he thinks of killing as a", "for them. I am not just constantly making people die or get hurt,", "targeted to the same audience, I became frustrated at the fact that no", "game. This is just one of the servants of the real antagonist, the", "until a certain character showed up, so this is a significant improvement for", "author writing my first series. I’m not writing my books simply because I", "from his horns, and he thinks of killing as a game. This is", "some people die, and am not afraid to make my characters be injured,", "parts of my story in this question, but the common odds of death", "reading my favorite series targeted to the same audience, I became frustrated at", "writing my books simply because I want to or that I am frustrated", "make my book “inappropriate” for younger readers, say, fifth and sixth grade. I", "and am not afraid to make my characters be injured, because in real", "not include other parts of my story in this question, but the common", "just constantly making people die or get hurt, but it happens to each", "did not include other parts of my story in this question, but the", "that would make my book “inappropriate” for younger readers, say, fifth and sixth", "significant improvement for them. I am not just constantly making people die or", "as a game. This is just one of the servants of the real", "a fifty/fifty chance, and about every three in ten people end up dying.", "was. 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AND I would have to completely re-write the script", "character as me, but a few years older. Only later I read that", "second character I thought of, Djtan, Camryn’s future boyfriend. I created Djtan to", "to much information, but in that moment I decided to make my POV", "out a notebook and let my mind flow. I started with a Prologue", "make my POV first person. So I started developing characters. For my main", "few years older. Only later I read that there can be problems with", "fact, if she wasn’t the main character people would hate her. Anyway, I", "Then I got emotionally attached to Djtan. I know that is supposed to", "am a young author writing a fantasy series. I started this book with", "practically invincible except if you did this one thing then you could kill", "hate her. Anyway, I developed an epic heroic tragic love story, between her", "would be killed by the antagonist. The main character, Camryn, before Djtan’s death,", "I fell in love with the guy. Naturally, since I made the main", "if you did this one thing then you could kill her. Anyway, Djtan’s", "this a bitter sweet victory? (Kill Djtan) Or have them live happily ever", "know that is supposed to happen, but I fell in love with the", "a light bulb idea late one night while reading Petod Dan. I didn’t", "reading Petod Dan. I didn’t know anything about writing, but I ADORE reading,", "between her and the second character I thought of, Djtan, Camryn’s future boyfriend.", "The main character, Camryn, before Djtan’s death, wanted to find a different way", "created Djtan to die. Why? Djtan would be killed by the antagonist. The", "book with a light bulb idea late one night while reading Petod Dan.", "interest after my crush. I gave him a backstory, hometown, all that colorful", "compassion etc...) Well, there wasn’t another way. I poured my heart and soul", "moment I decided to make my POV first person. So I started developing", "a young author writing a fantasy series. I started this book with a", "she wasn’t the main character people would hate her. Anyway, I developed an", "way. I poured my heart and soul into the antagonist, making her practically", "but I fell in love with the guy. Naturally, since I made the", "her. Anyway, I developed an epic heroic tragic love story, between her and", "Camryn, before Djtan’s death, wanted to find a different way to beat her", "beat her (love compassion etc...) Well, there wasn’t another way. I poured my", "(love compassion etc...) Well, there wasn’t another way. I poured my heart and", "could kill her. Anyway, Djtan’s death is important because it makes Camryn bent", "now as the author, it’s really hard for me to kill him. AND", "finally killing the antagonist. This all seemed like a great idea. At first.", "ended up deleting, because it gave away to much information, but in that", "late one night while reading Petod Dan. I didn’t know anything about writing,", "the main character as me, but a few years older. Only later I", "killed by the antagonist. The main character, Camryn, before Djtan’s death, wanted to", "can be problems with making that character perfect, but my character has huge", "I read that there can be problems with making that character perfect, but", "love with the guy. Naturally, since I made the main character after me,", "making her practically invincible except if you did this one thing then you", "Djtan’s death, wanted to find a different way to beat her (love compassion", "series. I started this book with a light bulb idea late one night", "anything about writing, but I ADORE reading, so I pulled out a notebook", "be problems with making that character perfect, but my character has huge flaws.", "with a light bulb idea late one night while reading Petod Dan. I", "character, Camryn, before Djtan’s death, wanted to find a different way to beat", "there wasn’t another way. I poured my heart and soul into the antagonist,", "wasn’t another way. I poured my heart and soul into the antagonist, making", "is important because it makes Camryn bent on revenge, finally killing the antagonist.", "it’s really hard for me to kill him. AND I would have to", "I started this book with a light bulb idea late one night while", "it gave away to much information, but in that moment I decided to", "poured my heart and soul into the antagonist, making her practically invincible except", "made the main characters love interest after my crush. I gave him a", "epic heroic tragic love story, between her and the second character I thought", "let my mind flow. I started with a Prologue that I ended up", "kill her. Anyway, Djtan’s death is important because it makes Camryn bent on", "Or have them live happily ever after. (Let Djtan live) I hate this", "Well, there wasn’t another way. I poured my heart and soul into the", "flaws. In fact, if she wasn’t the main character people would hate her.", "by the antagonist. The main character, Camryn, before Djtan’s death, wanted to find", "has huge flaws. In fact, if she wasn’t the main character people would", "thought of, Djtan, Camryn’s future boyfriend. I created Djtan to die. Why? Djtan", "be easier to write the main character as me, but a few years", "because it makes Camryn bent on revenge, finally killing the antagonist. This all", "easier to write the main character as me, but a few years older.", "them live happily ever after. (Let Djtan live) I hate this option in", "important because it makes Camryn bent on revenge, finally killing the antagonist. This", "wanted to find a different way to beat her (love compassion etc...) Well,", "different way to beat her (love compassion etc...) Well, there wasn’t another way.", "to make my POV first person. So I started developing characters. For my", "die. Why? Djtan would be killed by the antagonist. The main character, Camryn,", "after me, I made the main characters love interest after my crush. I", "and the second character I thought of, Djtan, Camryn’s future boyfriend. I created", "bent on revenge, finally killing the antagonist. This all seemed like a great", "that colorful stuff. And now I’m wondering, should I make this a bitter", "Petod Dan. I didn’t know anything about writing, but I ADORE reading, so", "heart and soul into the antagonist, making her practically invincible except if you", "mind flow. I started with a Prologue that I ended up deleting, because", "the antagonist, making her practically invincible except if you did this one thing", "my POV first person. So I started developing characters. For my main character,", "later I read that there can be problems with making that character perfect,", "that moment I decided to make my POV first person. So I started", "I made the main characters love interest after my crush. I gave him", "night while reading Petod Dan. I didn’t know anything about writing, but I", "For my main character, I thought it would be easier to write the", "Only later I read that there can be problems with making that character", "heroic tragic love story, between her and the second character I thought of,", "In fact, if she wasn’t the main character people would hate her. Anyway,", "the guy. Naturally, since I made the main character after me, I made", "love interest after my crush. I gave him a backstory, hometown, all that", "a different way to beat her (love compassion etc...) Well, there wasn’t another", "Djtan live) I hate this option in books because real life just doesn’t", "deleting, because it gave away to much information, but in that moment I", "wondering, should I make this a bitter sweet victory? (Kill Djtan) Or have", "did this one thing then you could kill her. Anyway, Djtan’s death is", "I created Djtan to die. Why? Djtan would be killed by the antagonist.", "much information, but in that moment I decided to make my POV first", "the antagonist. This all seemed like a great idea. At first. Then I", "stuff. And now I’m wondering, should I make this a bitter sweet victory?", "him. AND I would have to completely re-write the script for the last", "hard for me to kill him. AND I would have to completely re-write", "I made the main character after me, I made the main characters love", "this book with a light bulb idea late one night while reading Petod", "character after me, I made the main characters love interest after my crush.", "(Let Djtan live) I hate this option in books because real life just", "I know that is supposed to happen, but I fell in love with", "got emotionally attached to Djtan. I know that is supposed to happen, but", "read that there can be problems with making that character perfect, but my", "but I ADORE reading, so I pulled out a notebook and let my", "attached to Djtan. I know that is supposed to happen, but I fell", "it would be easier to write the main character as me, but a", "fell in love with the guy. Naturally, since I made the main character", "her and the second character I thought of, Djtan, Camryn’s future boyfriend. I", "hometown, all that colorful stuff. And now I’m wondering, should I make this", "makes Camryn bent on revenge, finally killing the antagonist. This all seemed like", "write the main character as me, but a few years older. Only later", "invincible except if you did this one thing then you could kill her.", "character perfect, but my character has huge flaws. In fact, if she wasn’t", "antagonist. This all seemed like a great idea. At first. Then I got", "main character people would hate her. Anyway, I developed an epic heroic tragic", "guy. Naturally, since I made the main character after me, I made the", "decided to make my POV first person. So I started developing characters. For", "now I’m wondering, should I make this a bitter sweet victory? (Kill Djtan)", "I am a young author writing a fantasy series. I started this book", "Prologue that I ended up deleting, because it gave away to much information,", "and let my mind flow. I started with a Prologue that I ended", "because it gave away to much information, but in that moment I decided", "would be easier to write the main character as me, but a few", "main character, Camryn, before Djtan’s death, wanted to find a different way to", "bulb idea late one night while reading Petod Dan. I didn’t know anything", "first person. So I started developing characters. For my main character, I thought", "have to completely re-write the script for the last book. There are pros", "is supposed to happen, but I fell in love with the guy. Naturally,", "so I pulled out a notebook and let my mind flow. I started", "if she wasn’t the main character people would hate her. Anyway, I developed", "in that moment I decided to make my POV first person. So I", "you did this one thing then you could kill her. Anyway, Djtan’s death", "Anyway, Djtan’s death is important because it makes Camryn bent on revenge, finally", "soul into the antagonist, making her practically invincible except if you did this", "a few years older. Only later I read that there can be problems", "character I thought of, Djtan, Camryn’s future boyfriend. I created Djtan to die.", "ever after. (Let Djtan live) I hate this option in books because real", "main character after me, I made the main characters love interest after my", "into the antagonist, making her practically invincible except if you did this one", "death is important because it makes Camryn bent on revenge, finally killing the", "that character perfect, but my character has huge flaws. In fact, if she", "really hard for me to kill him. AND I would have to completely", "and soul into the antagonist, making her practically invincible except if you did", "in love with the guy. Naturally, since I made the main character after", "revenge, finally killing the antagonist. This all seemed like a great idea. At", "have them live happily ever after. (Let Djtan live) I hate this option", "boyfriend. I created Djtan to die. Why? Djtan would be killed by the", "books because real life just doesn’t work that way. but now as the", "writing a fantasy series. I started this book with a light bulb idea", "on revenge, finally killing the antagonist. This all seemed like a great idea.", "because real life just doesn’t work that way. but now as the author,", "to beat her (love compassion etc...) Well, there wasn’t another way. I poured", "pulled out a notebook and let my mind flow. I started with a", "I’m wondering, should I make this a bitter sweet victory? (Kill Djtan) Or", "developing characters. For my main character, I thought it would be easier to", "one night while reading Petod Dan. I didn’t know anything about writing, but", "gave away to much information, but in that moment I decided to make", "wasn’t the main character people would hate her. Anyway, I developed an epic", "make this a bitter sweet victory? (Kill Djtan) Or have them live happily", "sweet victory? (Kill Djtan) Or have them live happily ever after. (Let Djtan" ]
[ "However, I feel as if the magic part of the world is too", "my question is, how do I make the world more magical, or how", "the main character and serves a huge deal in the plot. However, another", "the plot. However, another important plot point is magic. The magical part of", "magical world is overpowering the magic itself, kind of like in many animal", "I'm having some issues with balancing the world in my story. My story", "for practical use. However, I feel as if the magic part of the", "science-fiction than what I am looking for. With that being said, does anybody", "are mythological creatures as well, but I feel as if the world reads", "I am looking for. With that being said, does anybody have any tips", "main character resides), children and infants are often tried and murdered for various,", "particularly violent magic, and magic is rarely used for practical use. However, I", "our history), regular family separation, abuse, etc. It's barbaric enough to, especially in", "anybody have any tips on how to balance the two out? I feel", "if the magic part of the world is too underdeveloped, and only used", "is that the magic developed overtime is particularly violent magic, and magic is", "story. My story is centered around a magical world where the people are", "or \"the snake\". Overall, my question is, how do I make the world", "plot. However, another important plot point is magic. The magical part of it", "and serves a huge deal in the plot. However, another important plot point", "There are mythological creatures as well, but I feel as if the world", "am looking for. With that being said, does anybody have any tips on", "the world more magical, or how do I tone down the brutal force?", "\"the snake\". Overall, my question is, how do I make the world more", "feel as if the magic part of the world is too underdeveloped, and", "is political corruption, arguments over the use of magic (practical use vs harm),", "political corruption, arguments over the use of magic (practical use vs harm), regular", "protect these children, which actually saves the main character and serves a huge", "as well, but I feel as if the world reads more science-fiction than", "for. With that being said, does anybody have any tips on how to", "books, you forget that the character is an animal until the writer says", "in my story. My story is centered around a magical world where the", "where the people are brutal. There is political corruption, arguments over the use", "are brutal. There is political corruption, arguments over the use of magic (practical", "America (where the main character resides), children and infants are often tried and", "character is an animal until the writer says \"the cat\" or \"the snake\".", "world is too underdeveloped, and only used for more violence. There are mythological", "is rarely used for practical use. However, I feel as if the magic", "vs harm), regular massacres, war-filled history (surprisingly more than our history), regular family", "for various, absurd accusations under the voice of power. It's to the point", "that the magic developed overtime is particularly violent magic, and magic is rarely", "the use of magic (practical use vs harm), regular massacres, war-filled history (surprisingly", "(practical use vs harm), regular massacres, war-filled history (surprisingly more than our history),", "that being said, does anybody have any tips on how to balance the", "used for practical use. However, I feel as if the magic part of", "I feel as if the brutality in this magical world is overpowering the", "brutality in this magical world is overpowering the magic itself, kind of like", "any tips on how to balance the two out? I feel as if", "too underdeveloped, and only used for more violence. There are mythological creatures as", "(where the main character resides), children and infants are often tried and murdered", "organization that swears to protect these children, which actually saves the main character", "important plot point is magic. The magical part of it is that the", "of magic (practical use vs harm), regular massacres, war-filled history (surprisingly more than", "animal until the writer says \"the cat\" or \"the snake\". Overall, my question", "out? I feel as if the brutality in this magical world is overpowering", "itself, kind of like in many animal POV books, you forget that the", "corruption, arguments over the use of magic (practical use vs harm), regular massacres,", "I make the world more magical, or how do I tone down the", "story is centered around a magical world where the people are brutal. There", "With that being said, does anybody have any tips on how to balance", "especially in North America (where the main character resides), children and infants are", "creatures as well, but I feel as if the world reads more science-fiction", "It's to the point where there is a secret, international organization that swears", "another important plot point is magic. The magical part of it is that", "etc. It's barbaric enough to, especially in North America (where the main character", "having some issues with balancing the world in my story. My story is", "issues with balancing the world in my story. My story is centered around", "use. However, I feel as if the magic part of the world is", "part of the world is too underdeveloped, and only used for more violence.", "used for more violence. There are mythological creatures as well, but I feel", "forget that the character is an animal until the writer says \"the cat\"", "practical use. However, I feel as if the magic part of the world", "magic itself, kind of like in many animal POV books, you forget that", "serves a huge deal in the plot. However, another important plot point is", "a magical world where the people are brutal. There is political corruption, arguments", "war-filled history (surprisingly more than our history), regular family separation, abuse, etc. It's", "brutal. There is political corruption, arguments over the use of magic (practical use", "balancing the world in my story. My story is centered around a magical", "a secret, international organization that swears to protect these children, which actually saves", "the magic part of the world is too underdeveloped, and only used for", "the writer says \"the cat\" or \"the snake\". Overall, my question is, how", "how do I make the world more magical, or how do I tone", "question is, how do I make the world more magical, or how do", "of it is that the magic developed overtime is particularly violent magic, and", "magic is rarely used for practical use. However, I feel as if the", "said, does anybody have any tips on how to balance the two out?", "have any tips on how to balance the two out? I feel as", "in this magical world is overpowering the magic itself, kind of like in", "is an animal until the writer says \"the cat\" or \"the snake\". Overall,", "if the world reads more science-fiction than what I am looking for. With", "point is magic. The magical part of it is that the magic developed", "power. It's to the point where there is a secret, international organization that", "and magic is rarely used for practical use. However, I feel as if", "as if the brutality in this magical world is overpowering the magic itself,", "what I am looking for. With that being said, does anybody have any", "in the plot. However, another important plot point is magic. The magical part", "use vs harm), regular massacres, war-filled history (surprisingly more than our history), regular", "part of it is that the magic developed overtime is particularly violent magic,", "more science-fiction than what I am looking for. With that being said, does", "is, how do I make the world more magical, or how do I", "magical world where the people are brutal. There is political corruption, arguments over", "the character is an animal until the writer says \"the cat\" or \"the", "abuse, etc. It's barbaric enough to, especially in North America (where the main", "in many animal POV books, you forget that the character is an animal", "the voice of power. It's to the point where there is a secret,", "cat\" or \"the snake\". Overall, my question is, how do I make the", "snake\". Overall, my question is, how do I make the world more magical,", "the world is too underdeveloped, and only used for more violence. There are", "feel as if the brutality in this magical world is overpowering the magic", "many animal POV books, you forget that the character is an animal until", "reads more science-fiction than what I am looking for. With that being said,", "Overall, my question is, how do I make the world more magical, or", "My story is centered around a magical world where the people are brutal.", "to protect these children, which actually saves the main character and serves a", "huge deal in the plot. However, another important plot point is magic. The", "is a secret, international organization that swears to protect these children, which actually", "massacres, war-filled history (surprisingly more than our history), regular family separation, abuse, etc.", "enough to, especially in North America (where the main character resides), children and", "actually saves the main character and serves a huge deal in the plot.", "world is overpowering the magic itself, kind of like in many animal POV", "if the brutality in this magical world is overpowering the magic itself, kind", "absurd accusations under the voice of power. It's to the point where there", "balance the two out? I feel as if the brutality in this magical", "says \"the cat\" or \"the snake\". Overall, my question is, how do I", "family separation, abuse, etc. It's barbaric enough to, especially in North America (where", "children and infants are often tried and murdered for various, absurd accusations under", "world in my story. My story is centered around a magical world where", "the two out? I feel as if the brutality in this magical world", "It's barbaric enough to, especially in North America (where the main character resides),", "I feel as if the magic part of the world is too underdeveloped,", "the world reads more science-fiction than what I am looking for. With that", "where there is a secret, international organization that swears to protect these children,", "it is that the magic developed overtime is particularly violent magic, and magic", "North America (where the main character resides), children and infants are often tried", "is overpowering the magic itself, kind of like in many animal POV books,", "magic (practical use vs harm), regular massacres, war-filled history (surprisingly more than our", "of power. It's to the point where there is a secret, international organization", "barbaric enough to, especially in North America (where the main character resides), children", "like in many animal POV books, you forget that the character is an", "is magic. The magical part of it is that the magic developed overtime", "are often tried and murdered for various, absurd accusations under the voice of", "the world in my story. My story is centered around a magical world", "often tried and murdered for various, absurd accusations under the voice of power.", "but I feel as if the world reads more science-fiction than what I", "use of magic (practical use vs harm), regular massacres, war-filled history (surprisingly more", "saves the main character and serves a huge deal in the plot. However,", "I feel as if the world reads more science-fiction than what I am", "point where there is a secret, international organization that swears to protect these", "overpowering the magic itself, kind of like in many animal POV books, you", "underdeveloped, and only used for more violence. There are mythological creatures as well,", "as if the world reads more science-fiction than what I am looking for.", "which actually saves the main character and serves a huge deal in the", "overtime is particularly violent magic, and magic is rarely used for practical use.", "However, another important plot point is magic. The magical part of it is", "to balance the two out? I feel as if the brutality in this", "animal POV books, you forget that the character is an animal until the", "to, especially in North America (where the main character resides), children and infants", "do I make the world more magical, or how do I tone down", "is too underdeveloped, and only used for more violence. There are mythological creatures", "over the use of magic (practical use vs harm), regular massacres, war-filled history", "than our history), regular family separation, abuse, etc. It's barbaric enough to, especially", "of like in many animal POV books, you forget that the character is", "on how to balance the two out? 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However, I feel", "is particularly violent magic, and magic is rarely used for practical use. However,", "as if the magic part of the world is too underdeveloped, and only", "the main character resides), children and infants are often tried and murdered for", "swears to protect these children, which actually saves the main character and serves", "there is a secret, international organization that swears to protect these children, which", "and infants are often tried and murdered for various, absurd accusations under the", "(surprisingly more than our history), regular family separation, abuse, etc. It's barbaric enough", "magic part of the world is too underdeveloped, and only used for more", "more violence. There are mythological creatures as well, but I feel as if", "the magic itself, kind of like in many animal POV books, you forget", "until the writer says \"the cat\" or \"the snake\". Overall, my question is,", "mythological creatures as well, but I feel as if the world reads more", "plot point is magic. The magical part of it is that the magic", "this magical world is overpowering the magic itself, kind of like in many", "the people are brutal. There is political corruption, arguments over the use of", "secret, international organization that swears to protect these children, which actually saves the", "kind of like in many animal POV books, you forget that the character", "the magic developed overtime is particularly violent magic, and magic is rarely used", "voice of power. It's to the point where there is a secret, international", "that the character is an animal until the writer says \"the cat\" or", "people are brutal. There is political corruption, arguments over the use of magic", "children, which actually saves the main character and serves a huge deal in", "murdered for various, absurd accusations under the voice of power. It's to the", "for more violence. There are mythological creatures as well, but I feel as", "centered around a magical world where the people are brutal. There is political", "magic. The magical part of it is that the magic developed overtime is", "only used for more violence. There are mythological creatures as well, but I", "separation, abuse, etc. It's barbaric enough to, especially in North America (where the", "and murdered for various, absurd accusations under the voice of power. It's to" ]
[ "a sort of technologically advanced secret government organization that is basically SCP. The", "about a person in a sort of technologically advanced secret government organization that", "person in a sort of technologically advanced secret government organization that is basically", "plan on doing it a lot later on. How many revives is too", "dead people. I haven't yet published a chapter in which any character dies", "of technologically advanced secret government organization that is basically SCP. The organization is", "yet published a chapter in which any character dies and is revived, but", "and, in most cases, can revive dead people. I haven't yet published a", "technologically advanced secret government organization that is basically SCP. The organization is very", "I haven't yet published a chapter in which any character dies and is", "can revive dead people. I haven't yet published a chapter in which any", "revived, but plan on doing it a lot later on. How many revives", "in which any character dies and is revived, but plan on doing it", "advanced and, in most cases, can revive dead people. I haven't yet published", "published a chapter in which any character dies and is revived, but plan", "very advanced and, in most cases, can revive dead people. I haven't yet", "This story is about a person in a sort of technologically advanced secret", "most cases, can revive dead people. I haven't yet published a chapter in", "advanced secret government organization that is basically SCP. The organization is very advanced", "is about a person in a sort of technologically advanced secret government organization", "revive dead people. I haven't yet published a chapter in which any character", "a person in a sort of technologically advanced secret government organization that is", "dies and is revived, but plan on doing it a lot later on.", "chapter in which any character dies and is revived, but plan on doing", "which any character dies and is revived, but plan on doing it a", "cases, can revive dead people. I haven't yet published a chapter in which", "secret government organization that is basically SCP. The organization is very advanced and,", "haven't yet published a chapter in which any character dies and is revived,", "but plan on doing it a lot later on. How many revives is", "story is about a person in a sort of technologically advanced secret government", "government organization that is basically SCP. The organization is very advanced and, in", "organization is very advanced and, in most cases, can revive dead people. I", "in a sort of technologically advanced secret government organization that is basically SCP.", "on doing it a lot later on. How many revives is too much?", "a chapter in which any character dies and is revived, but plan on", "basically SCP. The organization is very advanced and, in most cases, can revive", "that is basically SCP. The organization is very advanced and, in most cases,", "sort of technologically advanced secret government organization that is basically SCP. The organization", "is basically SCP. The organization is very advanced and, in most cases, can", "people. I haven't yet published a chapter in which any character dies and", "and is revived, but plan on doing it a lot later on. How", "organization that is basically SCP. The organization is very advanced and, in most", "SCP. The organization is very advanced and, in most cases, can revive dead", "in most cases, can revive dead people. I haven't yet published a chapter", "any character dies and is revived, but plan on doing it a lot", "is revived, but plan on doing it a lot later on. How many", "is very advanced and, in most cases, can revive dead people. I haven't", "character dies and is revived, but plan on doing it a lot later", "The organization is very advanced and, in most cases, can revive dead people." ]
[ "habits? Compared to this person, I did nothing but just wasted 2 months.", "and I haven't completed one book, and [this OP](https://writing.stackexchange.com/q/53136/47342) has read 700 pages", "my reading habits? Compared to this person, I did nothing but just wasted", "and [this OP](https://writing.stackexchange.com/q/53136/47342) has read 700 pages in one day. So how can", "I haven't completed one book, and [this OP](https://writing.stackexchange.com/q/53136/47342) has read 700 pages in", "one book, and [this OP](https://writing.stackexchange.com/q/53136/47342) has read 700 pages in one day. So", "reading habits? Compared to this person, I did nothing but just wasted 2", "been two months and I haven't completed one book, and [this OP](https://writing.stackexchange.com/q/53136/47342) has", "It's been two months and I haven't completed one book, and [this OP](https://writing.stackexchange.com/q/53136/47342)", "[this OP](https://writing.stackexchange.com/q/53136/47342) has read 700 pages in one day. So how can I", "increase my reading habits? Compared to this person, I did nothing but just", "two months and I haven't completed one book, and [this OP](https://writing.stackexchange.com/q/53136/47342) has read", "in one day. So how can I increase my reading habits? Compared to", "read 700 pages in one day. So how can I increase my reading", "months and I haven't completed one book, and [this OP](https://writing.stackexchange.com/q/53136/47342) has read 700", "700 pages in one day. So how can I increase my reading habits?", "completed one book, and [this OP](https://writing.stackexchange.com/q/53136/47342) has read 700 pages in one day.", "can I increase my reading habits? Compared to this person, I did nothing", "day. So how can I increase my reading habits? Compared to this person,", "has read 700 pages in one day. So how can I increase my", "book, and [this OP](https://writing.stackexchange.com/q/53136/47342) has read 700 pages in one day. So how", "how can I increase my reading habits? Compared to this person, I did", "pages in one day. So how can I increase my reading habits? Compared", "one day. So how can I increase my reading habits? Compared to this", "So how can I increase my reading habits? Compared to this person, I", "OP](https://writing.stackexchange.com/q/53136/47342) has read 700 pages in one day. So how can I increase", "haven't completed one book, and [this OP](https://writing.stackexchange.com/q/53136/47342) has read 700 pages in one", "I increase my reading habits? Compared to this person, I did nothing but" ]
[ "complaining about my inability to write, but I'd like to understand the universal", "common challenges. Maybe understanding how others approach these barriers to write will help", "to write will help me develop as a better writer. A little bit", "but I'd like to understand the universal challenges people face when writing and", "want to write personally, but I am more interested in how people overcome", "writing is quite verbose. How do people deal with these sorts of challenges?", "this a post complaining about my inability to write, but I'd like to", "criticisms personally; my writing is quite verbose. How do people deal with these", "of these common challenges. Maybe understanding how others approach these barriers to write", "writer. A little bit of context: Science, as in actual science, is what", "to write, but I'd like to understand the universal challenges people face when", "in writing in general. Background: I am a university student, and I have", "I want to write personally, but I am more interested in how people", "make this a post complaining about my inability to write, but I'd like", "struggle. I couldn't start easily, and I always took criticisms personally; my writing", "write personally, but I am more interested in how people overcome challenges in", "I'd like to understand the universal challenges people face when writing and overcome", "about my inability to write, but I'd like to understand the universal challenges", "face when writing and overcome some of these common challenges. Maybe understanding how", "to write personally, but I am more interested in how people overcome challenges", "more interested in how people overcome challenges in writing in general. Background: I", "in how people overcome challenges in writing in general. Background: I am a", "people deal with these sorts of challenges? Thanks a lot for sharing your", "deal with these sorts of challenges? Thanks a lot for sharing your experiences.", "but I am more interested in how people overcome challenges in writing in", "writing in general. Background: I am a university student, and I have written", "university student, and I have written a few papers, but I found the", "a struggle. I couldn't start easily, and I always took criticisms personally; my", "as a better writer. A little bit of context: Science, as in actual", "have written a few papers, but I found the process always to be", "How do people deal with these sorts of challenges? Thanks a lot for", "writing and overcome some of these common challenges. Maybe understanding how others approach", "Science, as in actual science, is what I want to write personally, but", "a better writer. A little bit of context: Science, as in actual science,", "the universal challenges people face when writing and overcome some of these common", "overcome challenges in writing in general. Background: I am a university student, and", "develop as a better writer. A little bit of context: Science, as in", "what I want to write personally, but I am more interested in how", "I always took criticisms personally; my writing is quite verbose. How do people", "actual science, is what I want to write personally, but I am more", "me develop as a better writer. A little bit of context: Science, as", "process always to be a struggle. I couldn't start easily, and I always", "I am a university student, and I have written a few papers, but", "to make this a post complaining about my inability to write, but I'd", "personally, but I am more interested in how people overcome challenges in writing", "and overcome some of these common challenges. Maybe understanding how others approach these", "overcome some of these common challenges. Maybe understanding how others approach these barriers", "approach these barriers to write will help me develop as a better writer.", "a university student, and I have written a few papers, but I found", "when writing and overcome some of these common challenges. Maybe understanding how others", "in general. Background: I am a university student, and I have written a", "some of these common challenges. Maybe understanding how others approach these barriers to", "Not to make this a post complaining about my inability to write, but", "help me develop as a better writer. A little bit of context: Science,", "of context: Science, as in actual science, is what I want to write", "the process always to be a struggle. I couldn't start easily, and I", "people overcome challenges in writing in general. Background: I am a university student,", "a post complaining about my inability to write, but I'd like to understand", "how others approach these barriers to write will help me develop as a", "written a few papers, but I found the process always to be a", "will help me develop as a better writer. A little bit of context:", "easily, and I always took criticisms personally; my writing is quite verbose. How", "and I always took criticisms personally; my writing is quite verbose. How do", "but I found the process always to be a struggle. I couldn't start", "post complaining about my inability to write, but I'd like to understand the", "papers, but I found the process always to be a struggle. I couldn't", "understanding how others approach these barriers to write will help me develop as", "is quite verbose. How do people deal with these sorts of challenges? Thanks", "how people overcome challenges in writing in general. Background: I am a university", "to be a struggle. I couldn't start easily, and I always took criticisms", "general. Background: I am a university student, and I have written a few", "my writing is quite verbose. How do people deal with these sorts of", "barriers to write will help me develop as a better writer. A little", "challenges. Maybe understanding how others approach these barriers to write will help me", "personally; my writing is quite verbose. How do people deal with these sorts", "do people deal with these sorts of challenges? Thanks a lot for sharing", "I found the process always to be a struggle. I couldn't start easily,", "and I have written a few papers, but I found the process always", "challenges people face when writing and overcome some of these common challenges. Maybe", "always to be a struggle. I couldn't start easily, and I always took", "to understand the universal challenges people face when writing and overcome some of", "found the process always to be a struggle. I couldn't start easily, and", "science, is what I want to write personally, but I am more interested", "write, but I'd like to understand the universal challenges people face when writing", "verbose. How do people deal with these sorts of challenges? Thanks a lot", "student, and I have written a few papers, but I found the process", "took criticisms personally; my writing is quite verbose. How do people deal with", "people face when writing and overcome some of these common challenges. Maybe understanding", "universal challenges people face when writing and overcome some of these common challenges.", "A little bit of context: Science, as in actual science, is what I", "I have written a few papers, but I found the process always to", "am a university student, and I have written a few papers, but I", "like to understand the universal challenges people face when writing and overcome some", "be a struggle. I couldn't start easily, and I always took criticisms personally;", "Maybe understanding how others approach these barriers to write will help me develop", "my inability to write, but I'd like to understand the universal challenges people", "a few papers, but I found the process always to be a struggle.", "context: Science, as in actual science, is what I want to write personally,", "in actual science, is what I want to write personally, but I am", "others approach these barriers to write will help me develop as a better", "I am more interested in how people overcome challenges in writing in general.", "challenges in writing in general. Background: I am a university student, and I", "start easily, and I always took criticisms personally; my writing is quite verbose.", "is what I want to write personally, but I am more interested in", "always took criticisms personally; my writing is quite verbose. How do people deal", "little bit of context: Science, as in actual science, is what I want", "bit of context: Science, as in actual science, is what I want to", "these barriers to write will help me develop as a better writer. A", "these common challenges. Maybe understanding how others approach these barriers to write will", "few papers, but I found the process always to be a struggle. I", "quite verbose. How do people deal with these sorts of challenges? Thanks a", "understand the universal challenges people face when writing and overcome some of these", "I couldn't start easily, and I always took criticisms personally; my writing is", "am more interested in how people overcome challenges in writing in general. Background:", "interested in how people overcome challenges in writing in general. Background: I am", "Background: I am a university student, and I have written a few papers,", "write will help me develop as a better writer. A little bit of", "couldn't start easily, and I always took criticisms personally; my writing is quite", "inability to write, but I'd like to understand the universal challenges people face", "better writer. A little bit of context: Science, as in actual science, is", "as in actual science, is what I want to write personally, but I" ]
[ "everyone for contributing. I've added full stop to break as many of them", "lot of time working on these books, but they are brilliant, and they", "possible and put commas where I thought they could go so it looks", "below: > > Now I've edited the whole series all five books which", "know I'm biased but these are really really good practice exam questions and", "units or have you taken notice of the command word? So I know", "working on these books, but they are brilliant, and they are designed to", "your students get better results. > > > Update: Thanks everyone for contributing.", "commas where I thought they could go so it looks something like this", "it looks something like this now: > > Now I've edited the whole", "something like this now: > > Now I've edited the whole series all", "and advice welcome, thanks. My biggest issue when trying to punctuate a transcription", "all five books which means I have seen every single page. I have", "sitting next to the student going, have you remember to convert from non-standard", "Now some of these questions are so good that I am jealous that", "issue when trying to punctuate a transcription is when the speaker goes on", "to the student going, have you remember to convert from non-standard units in", "have seen every single page I have read every single question and recent", "department help you as a classroom teacher to make your lives easier and", "all five books which means I have seen every single page I have", "the questions which I know seems, maybe a bit silly but I do", "these are really really good practice exam questions and then all my helpful", "all my helpful little hints and tips it's like having me sitting next", "units in standard units or have you taken notice of the command word,", "the whole series all five books which means I have seen every single", "goes on forever connecting sentences with words like 'and' and 'so' without taking", "jealous that I didn't write the questions which I know seems, maybe a", "forever connecting sentences with words like 'and' and 'so' without taking any proper", "maybe a bit silly but I do love writing really good exam questions", "but I do love writing really good exam questions and I know I'm", "every single page I have read every single question and recent hundreds, thousands-hundreds", "writing really good exam questions and I know I'm biased but these are", "and they are designed to really really help you, as a department help", "a department help you as a classroom teacher to make your lives easier", "these questions are so good that I am jealous that I didn't write", "they are designed to really really help you, as a department help you,", "to help students use these questions effectively. Now some of these questions are", "> > Now I've edited the whole series all five books which means", "I know I am biased because I spend a lot of time working", "trying to punctuate a transcription is when the speaker goes on forever connecting", "have read every single question and recent hundreds, thousands-hundreds of tips to help", "of tips to help students use these questions effectively. Now some of these", "brilliant, and they are designed to really really help you as a department", "students get better results. > > > Update: Thanks everyone for contributing. I've", "and I know I'm biased but these are really really good practice exam", "non-standard units in standard units or have you taken notice of the command", "you taken notice of the command word, so I know I am biased", "added full stop to break as many of them as possible and put", "students use these questions effectively now some of these questions are so good", "you, as a department help you, as a classroom teacher to make your", "My biggest issue when trying to punctuate a transcription is when the speaker", "where people go on forever, like in the example below: > > Now", "do. Criticism and advice welcome, thanks. My biggest issue when trying to punctuate", "I spend a lot of time working on these books, but they are", "these questions effectively. Now some of these questions are so good that I", "that I am jealous that I didn't write the questions which I know", "your lives easier and to help your students get better results. > >", "helpful little hints and tips it's like having me sitting next to the", "Criticism and advice welcome, thanks. My biggest issue when trying to punctuate a", "this now: > > Now I've edited the whole series all five books", "like having me sitting next to the student going, have you remember to", "really really help you as a department help you as a classroom teacher", "and recent hundreds, thousands-hundreds of tips to help students use these questions effectively.", "you remember to convert from non-standard units in standard units or have you", "you, as a classroom teacher to make your lives easier and to help", "me sitting next to the student going, have you remember to convert from", "'so' without taking any proper pauses at all. So any advice on how", "exam questions and then all my helpful little hints and tips it's like", "books which means I have seen every single page I have read every", "better results. > > > This is literally the best I could do.", "brilliant, and they are designed to really really help you, as a department", "taken notice of the command word? So I know I am biased because", "results. > > > This is literally the best I could do. Criticism", "I didn't write the questions which I know seems, maybe a bit silly", "of them as possible and put commas where I thought they could go", "and recent hundreds, thousands-hundreds of tips to help students use these questions effectively", "spend a lot of time working on these books, but they are brilliant,", "on forever, like in the example below: > > Now I've edited the", "them as possible and put commas where I thought they could go so", "So any advice on how to handle that would also be treasured immensely!", "tips it's like having me sitting next to the student going, have you", "going, have you remember to convert from non-standard units in standard units or", "time working on these books, but they are brilliant, and they are designed", "pauses at all. So any advice on how to handle that would also", "Update: Thanks everyone for contributing. I've added full stop to break as many", "guidelines to follow regarding how to punctuate dialogues where people go on forever,", "all. So any advice on how to handle that would also be treasured", "to punctuate a transcription is when the speaker goes on forever connecting sentences", "easier and to help your students get better results. > > > Update:", "know seems, maybe a bit silly but I do love writing really good", "or have you taken notice of the command word? So I know I", "people go on forever, like in the example below: > > Now I've", "having me sitting next to the student going, have you remember to convert", "'and' and 'so' without taking any proper pauses at all. So any advice", "regarding how to punctuate dialogues where people go on forever, like in the", "help your students get better results. > > > Update: Thanks everyone for", "so it looks something like this now: > > Now I've edited the", "taking any proper pauses at all. So any advice on how to handle", "So I know I am biased because I spend a lot of time", "are brilliant, and they are designed to really really help you as a", "best I could do. Criticism and advice welcome, thanks. My biggest issue when", "means I have seen every single page I have read every single question", "because I spend a lot of time working on these books, but they", "welcome, thanks. My biggest issue when trying to punctuate a transcription is when", "and tips it's like having me sitting next to the student going, have", "stop to break as many of them as possible and put commas where", "questions which I know seems, maybe a bit silly but I do love", "really good exam questions and I know I'm biased but these are really", "results. > > > Update: Thanks everyone for contributing. I've added full stop", "full stop to break as many of them as possible and put commas", "means I have seen every single page. I have read every single question", "word? So I know I am biased because I spend a lot of", "really really good practice exam questions and then all my helpful little hints", "of tips to help students use these questions effectively now some of these", "whole series all five books which means I have seen every single page", "better results. > > > Update: Thanks everyone for contributing. I've added full", "the command word? So I know I am biased because I spend a", "thousands-hundreds of tips to help students use these questions effectively now some of", "and 'so' without taking any proper pauses at all. So any advice on", "they are brilliant, and they are designed to really really help you, as", "students get better results. > > > This is literally the best I", "advice welcome, thanks. My biggest issue when trying to punctuate a transcription is", "are designed to really really help you as a department help you as", "are really really good practice exam questions and then all my helpful little", "whole series all five books which means I have seen every single page.", "you as a department help you as a classroom teacher to make your", "single page. I have read every single question and recent hundreds, thousands-hundreds of", "good practice exam questions and then all my helpful little hints and tips", "help you as a department help you as a classroom teacher to make", "could do. Criticism and advice welcome, thanks. My biggest issue when trying to", "I know seems, maybe a bit silly but I do love writing really", "command word? So I know I am biased because I spend a lot", "a lot of time working on these books, but they are brilliant, and", "really help you as a department help you as a classroom teacher to", "follow regarding how to punctuate dialogues where people go on forever, like in", "put commas where I thought they could go so it looks something like", "series all five books which means I have seen every single page. I", "really really help you, as a department help you, as a classroom teacher", "effectively now some of these questions are so good that I am jealous", "questions and then all my helpful little hints and tips it's like having", "really good practice exam questions and then all my helpful little hints and", "of the command word? So I know I am biased because I spend", "which means I have seen every single page I have read every single", "every single question and recent hundreds, thousands-hundreds of tips to help students use", "help you, as a classroom teacher to make your lives easier and to", "forever, like in the example below: > > Now I've edited the whole", "contributing. I've added full stop to break as many of them as possible", "> > Update: Thanks everyone for contributing. I've added full stop to break", "for contributing. I've added full stop to break as many of them as", "This is literally the best I could do. Criticism and advice welcome, thanks.", "teacher to make your lives easier and to help your students get better", "students use these questions effectively. Now some of these questions are so good", "Thanks everyone for contributing. I've added full stop to break as many of", "thanks. My biggest issue when trying to punctuate a transcription is when the", "or have you taken notice of the command word, so I know I", "bit silly but I do love writing really good exam questions and I", "I need some basic grammar guidelines to follow regarding how to punctuate dialogues", "go on forever, like in the example below: > > Now I've edited", "you as a classroom teacher to make your lives easier and to help", "silly but I do love writing really good exam questions and I know", "when trying to punctuate a transcription is when the speaker goes on forever", "I've added full stop to break as many of them as possible and", "classroom teacher to make your lives easier and to help your students get", "so I know I am biased because I spend a lot of time", "tips to help students use these questions effectively now some of these questions", "but these are really really good practice exam questions and then all my", "love writing really good exam questions and I know I'm biased but these", "in standard units or have you taken notice of the command word, so", "recent hundreds, thousands-hundreds of tips to help students use these questions effectively now", "when the speaker goes on forever connecting sentences with words like 'and' and", "I am jealous that I didn't write the questions which I know seems,", "some basic grammar guidelines to follow regarding how to punctuate dialogues where people", "of the command word, so I know I am biased because I spend", "as a department help you as a classroom teacher to make your lives", "write the questions which I know seems, maybe a bit silly but I", "units in standard units or have you taken notice of the command word?", "you taken notice of the command word? So I know I am biased", "so good that I am jealous that I didn't write the questions which", "are brilliant, and they are designed to really really help you, as a", "designed to really really help you, as a department help you, as a", "notice of the command word, so I know I am biased because I", "is when the speaker goes on forever connecting sentences with words like 'and'", "grammar guidelines to follow regarding how to punctuate dialogues where people go on", "to help students use these questions effectively now some of these questions are", "page I have read every single question and recent hundreds, thousands-hundreds of tips", "Now I've edited the whole series all five books which means I have", "I do love writing really good exam questions and I know I'm biased", "am jealous that I didn't write the questions which I know seems, maybe", "without taking any proper pauses at all. So any advice on how to", "to punctuate dialogues where people go on forever, like in the example below:", "some of these questions are so good that I am jealous that I", "I thought they could go so it looks something like this now: >", "biggest issue when trying to punctuate a transcription is when the speaker goes", "standard units or have you taken notice of the command word? So I", "a transcription is when the speaker goes on forever connecting sentences with words", "where I thought they could go so it looks something like this now:", "basic grammar guidelines to follow regarding how to punctuate dialogues where people go", "have you remember to convert from non-standard units in standard units or have", "I'm biased but these are really really good practice exam questions and then", "five books which means I have seen every single page I have read", "many of them as possible and put commas where I thought they could", "> > > This is literally the best I could do. Criticism and", "make your lives easier and to help your students get better results. >", "as possible and put commas where I thought they could go so it", "edited the whole series all five books which means I have seen every", "and to help your students get better results. > > > This is", "go so it looks something like this now: > > Now I've edited", "command word, so I know I am biased because I spend a lot", "how to punctuate dialogues where people go on forever, like in the example", "know I am biased because I spend a lot of time working on", "help students use these questions effectively. Now some of these questions are so", "use these questions effectively. Now some of these questions are so good that", "to follow regarding how to punctuate dialogues where people go on forever, like", "help you, as a department help you, as a classroom teacher to make", "literally the best I could do. Criticism and advice welcome, thanks. My biggest", "in the example below: > > Now I've edited the whole series all", "speaker goes on forever connecting sentences with words like 'and' and 'so' without", "to make your lives easier and to help your students get better results.", "connecting sentences with words like 'and' and 'so' without taking any proper pauses", "questions are so good that I am jealous that I didn't write the", "notice of the command word? So I know I am biased because I", "the command word, so I know I am biased because I spend a", "biased but these are really really good practice exam questions and then all", "transcription is when the speaker goes on forever connecting sentences with words like", "get better results. > > > This is literally the best I could", "sentences with words like 'and' and 'so' without taking any proper pauses at", "department help you, as a classroom teacher to make your lives easier and", "series all five books which means I have seen every single page I", "break as many of them as possible and put commas where I thought", "thought they could go so it looks something like this now: > >", "then all my helpful little hints and tips it's like having me sitting", "biased because I spend a lot of time working on these books, but", "lives easier and to help your students get better results. > > >", "your students get better results. > > > This is literally the best", "have seen every single page. I have read every single question and recent", "to break as many of them as possible and put commas where I", "good exam questions and I know I'm biased but these are really really", "which means I have seen every single page. I have read every single", "tips to help students use these questions effectively. Now some of these questions", "as a classroom teacher to make your lives easier and to help your", "a department help you, as a classroom teacher to make your lives easier", "from non-standard units in standard units or have you taken notice of the", "I could do. Criticism and advice welcome, thanks. 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So any", "designed to really really help you as a department help you as a", "I know I'm biased but these are really really good practice exam questions", "word, so I know I am biased because I spend a lot of", "my helpful little hints and tips it's like having me sitting next to", "it's like having me sitting next to the student going, have you remember", "of time working on these books, but they are brilliant, and they are", "seems, maybe a bit silly but I do love writing really good exam", "a classroom teacher to make your lives easier and to help your students", "which I know seems, maybe a bit silly but I do love writing", "easier and to help your students get better results. > > > This", "books which means I have seen every single page. I have read every", "have you taken notice of the command word? So I know I am", "and they are designed to really really help you as a department help", "convert from non-standard units in standard units or have you taken notice of", "help your students get better results. > > > This is literally the", "seen every single page I have read every single question and recent hundreds,", "thousands-hundreds of tips to help students use these questions effectively. Now some of", "little hints and tips it's like having me sitting next to the student", "the speaker goes on forever connecting sentences with words like 'and' and 'so'", "any proper pauses at all. So any advice on how to handle that", "they could go so it looks something like this now: > > Now", "they are designed to really really help you as a department help you", "good that I am jealous that I didn't write the questions which I", "questions and I know I'm biased but these are really really good practice", "they are brilliant, and they are designed to really really help you as", "> This is literally the best I could do. Criticism and advice welcome,", "with words like 'and' and 'so' without taking any proper pauses at all.", "and put commas where I thought they could go so it looks something", "as many of them as possible and put commas where I thought they", "to convert from non-standard units in standard units or have you taken notice", "practice exam questions and then all my helpful little hints and tips it's", "I've edited the whole series all five books which means I have seen", "proper pauses at all. So any advice on how to handle that would", "questions effectively. Now some of these questions are so good that I am", "the example below: > > Now I've edited the whole series all five", "hundreds, thousands-hundreds of tips to help students use these questions effectively. Now some", "as a department help you, as a classroom teacher to make your lives", "are so good that I am jealous that I didn't write the questions", "> > > Update: Thanks everyone for contributing. I've added full stop to", "questions effectively now some of these questions are so good that I am", "and to help your students get better results. > > > Update: Thanks", "and then all my helpful little hints and tips it's like having me", "to help your students get better results. > > > This is literally", "five books which means I have seen every single page. I have read", "hundreds, thousands-hundreds of tips to help students use these questions effectively now some", "on these books, but they are brilliant, and they are designed to really", "didn't write the questions which I know seems, maybe a bit silly but", "student going, have you remember to convert from non-standard units in standard units", "need some basic grammar guidelines to follow regarding how to punctuate dialogues where", "single question and recent hundreds, thousands-hundreds of tips to help students use these", "> > This is literally the best I could do. Criticism and advice", "in standard units or have you taken notice of the command word? So", "question and recent hundreds, thousands-hundreds of tips to help students use these questions", "I have read every single question and recent hundreds, thousands-hundreds of tips to", "on forever connecting sentences with words like 'and' and 'so' without taking any", "I am biased because I spend a lot of time working on these", "I have seen every single page. I have read every single question and", "recent hundreds, thousands-hundreds of tips to help students use these questions effectively. Now", "to really really help you as a department help you as a classroom", "example below: > > Now I've edited the whole series all five books", "exam questions and I know I'm biased but these are really really good", "now some of these questions are so good that I am jealous that", "words like 'and' and 'so' without taking any proper pauses at all. So", "like in the example below: > > Now I've edited the whole series", "these books, but they are brilliant, and they are designed to really really", "get better results. > > > Update: Thanks everyone for contributing. I've added", "next to the student going, have you remember to convert from non-standard units", "seen every single page. I have read every single question and recent hundreds,", "now: > > Now I've edited the whole series all five books which", "dialogues where people go on forever, like in the example below: > >", "but they are brilliant, and they are designed to really really help you", "at all. So any advice on how to handle that would also be", "could go so it looks something like this now: > > Now I've", "have you taken notice of the command word, so I know I am", "looks something like this now: > > Now I've edited the whole series", "standard units or have you taken notice of the command word, so I", "to help your students get better results. > > > Update: Thanks everyone", "of these questions are so good that I am jealous that I didn't", "am biased because I spend a lot of time working on these books,", "hints and tips it's like having me sitting next to the student going,", "is literally the best I could do. Criticism and advice welcome, thanks. My", "books, but they are brilliant, and they are designed to really really help", "effectively. Now some of these questions are so good that I am jealous", "units or have you taken notice of the command word, so I know", "a bit silly but I do love writing really good exam questions and", "page. I have read every single question and recent hundreds, thousands-hundreds of tips", "help you as a classroom teacher to make your lives easier and to", "punctuate a transcription is when the speaker goes on forever connecting sentences with", "the best I could do. Criticism and advice welcome, thanks. My biggest issue", "the student going, have you remember to convert from non-standard units in standard", "taken notice of the command word, so I know I am biased because", "are designed to really really help you, as a department help you, as", "to really really help you, as a department help you, as a classroom", "every single page. I have read every single question and recent hundreds, thousands-hundreds", "remember to convert from non-standard units in standard units or have you taken", "> Update: Thanks everyone for contributing. I've added full stop to break as" ]
[ "the one that I thought of is also very exiting. Should I stop", "writing to write the other one? Or should I write them both at", "should I write them both at the same time? Should I cast the", "in love with the one I am writing, but the one that I", "stop the one I am writing to write the other one? Or should", "one? Or should I write them both at the same time? Should I", "am in love with the one I am writing, but the one that", "series, and while browsing writing prompts and trying to better my writing yesterday,", "thought of is also very exiting. Should I stop the one I am", "I’m done with this one? Or should I forget about the other one?", "with the one I am writing, but the one that I thought of", "both at the same time? Should I cast the other one to the", "same time? Should I cast the other one to the side until I’m", "prompts and trying to better my writing yesterday, I got an idea for", "but the one that I thought of is also very exiting. Should I", "cast the other one to the side until I’m done with this one?", "am writing, but the one that I thought of is also very exiting.", "write the other one? Or should I write them both at the same", "one I am writing to write the other one? Or should I write", "and trying to better my writing yesterday, I got an idea for another,", "writing prompts and trying to better my writing yesterday, I got an idea", "one that I thought of is also very exiting. Should I stop the", "to better my writing yesterday, I got an idea for another, totally different", "writing, but the one that I thought of is also very exiting. Should", "for another, totally different series. I am in love with the one I", "I am writing to write the other one? Or should I write them", "while browsing writing prompts and trying to better my writing yesterday, I got", "young author writing a fantasy series, and while browsing writing prompts and trying", "series. I am in love with the one I am writing, but the", "totally different series. I am in love with the one I am writing,", "Should I cast the other one to the side until I’m done with", "a young author writing a fantasy series, and while browsing writing prompts and", "to write the other one? Or should I write them both at the", "very exiting. Should I stop the one I am writing to write the", "other one to the side until I’m done with this one? Or should", "I am in love with the one I am writing, but the one", "a fantasy series, and while browsing writing prompts and trying to better my", "I cast the other one to the side until I’m done with this", "author writing a fantasy series, and while browsing writing prompts and trying to", "I write them both at the same time? Should I cast the other", "idea for another, totally different series. I am in love with the one", "to the side until I’m done with this one? Or should I forget", "and while browsing writing prompts and trying to better my writing yesterday, I", "of is also very exiting. Should I stop the one I am writing", "time? Should I cast the other one to the side until I’m done", "the same time? Should I cast the other one to the side until", "better my writing yesterday, I got an idea for another, totally different series.", "love with the one I am writing, but the one that I thought", "yesterday, I got an idea for another, totally different series. I am in", "I am a young author writing a fantasy series, and while browsing writing", "an idea for another, totally different series. I am in love with the", "writing yesterday, I got an idea for another, totally different series. I am", "also very exiting. Should I stop the one I am writing to write", "Or should I write them both at the same time? Should I cast", "I am writing, but the one that I thought of is also very", "them both at the same time? Should I cast the other one to", "the side until I’m done with this one? Or should I forget about", "browsing writing prompts and trying to better my writing yesterday, I got an", "that I thought of is also very exiting. Should I stop the one", "am a young author writing a fantasy series, and while browsing writing prompts", "trying to better my writing yesterday, I got an idea for another, totally", "am writing to write the other one? Or should I write them both", "got an idea for another, totally different series. I am in love with", "Should I stop the one I am writing to write the other one?", "the other one? Or should I write them both at the same time?", "writing a fantasy series, and while browsing writing prompts and trying to better", "I thought of is also very exiting. Should I stop the one I", "one to the side until I’m done with this one? Or should I", "other one? Or should I write them both at the same time? Should", "I got an idea for another, totally different series. I am in love", "another, totally different series. I am in love with the one I am", "exiting. Should I stop the one I am writing to write the other", "side until I’m done with this one? Or should I forget about the", "until I’m done with this one? Or should I forget about the other", "I stop the one I am writing to write the other one? Or", "the other one to the side until I’m done with this one? Or", "one I am writing, but the one that I thought of is also", "at the same time? Should I cast the other one to the side", "the one I am writing to write the other one? Or should I", "the one I am writing, but the one that I thought of is", "different series. I am in love with the one I am writing, but", "is also very exiting. Should I stop the one I am writing to", "write them both at the same time? Should I cast the other one", "fantasy series, and while browsing writing prompts and trying to better my writing", "my writing yesterday, I got an idea for another, totally different series. I" ]
[ "I didn’t want to print out 50,000 words only to discover it was", "out 50,000 words only to discover it was useless, that costs a lot", "occurred to me, do publishers require a certain font? I didn’t want to", "only to discover it was useless, that costs a lot of money. Is", "manuscript when a sudden thought occurred to me, do publishers require a certain", "50,000 words only to discover it was useless, that costs a lot of", "print my manuscript when a sudden thought occurred to me, do publishers require", "I was about to print my manuscript when a sudden thought occurred to", "to print out 50,000 words only to discover it was useless, that costs", "useless, that costs a lot of money. Is there a certain font I", "that costs a lot of money. Is there a certain font I need", "didn’t want to print out 50,000 words only to discover it was useless,", "certain font? I didn’t want to print out 50,000 words only to discover", "costs a lot of money. Is there a certain font I need to", "require a certain font? I didn’t want to print out 50,000 words only", "thought occurred to me, do publishers require a certain font? I didn’t want", "print out 50,000 words only to discover it was useless, that costs a", "my manuscript when a sudden thought occurred to me, do publishers require a", "to me, do publishers require a certain font? I didn’t want to print", "publishers require a certain font? I didn’t want to print out 50,000 words", "it was useless, that costs a lot of money. Is there a certain", "discover it was useless, that costs a lot of money. Is there a", "was about to print my manuscript when a sudden thought occurred to me,", "me, do publishers require a certain font? I didn’t want to print out", "about to print my manuscript when a sudden thought occurred to me, do", "do publishers require a certain font? I didn’t want to print out 50,000", "sudden thought occurred to me, do publishers require a certain font? I didn’t", "was useless, that costs a lot of money. Is there a certain font", "when a sudden thought occurred to me, do publishers require a certain font?", "a certain font? I didn’t want to print out 50,000 words only to", "to discover it was useless, that costs a lot of money. Is there", "to print my manuscript when a sudden thought occurred to me, do publishers", "font? I didn’t want to print out 50,000 words only to discover it", "a lot of money. Is there a certain font I need to use?", "want to print out 50,000 words only to discover it was useless, that", "words only to discover it was useless, that costs a lot of money.", "a sudden thought occurred to me, do publishers require a certain font? I" ]
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That was a", "she can control and create lightning. She figures this out eventually. What would", "completely creating my own fantasy world. In that world I came up with", "type of protagonist. She lives in orphanage in Manhattan, because she has two", "a freak and didn’t want her. She is constantly stirring up trouble, running", "shoplifting, getting into fistfights (and winning them) she has no friends because people", "be of an antagonist who is magical, terrifying, and someone this girl would", "be willing to stop(even at the price of her life) who can fit", "someone this girl would be willing to stop(even at the price of her", "let it reveal itself to me as I wrote. That was a good", "this girl would be willing to stop(even at the price of her life)", "it fits my main character. My main character is a lone wolf type", "for the specific idea I was writing, because I was completely creating my", "it reveal itself to me as I wrote. That was a good a", "me as I wrote. That was a good a method for the specific", "writing a few times because I actually thought I was going to have", "few times because I actually thought I was going to have a heart", "she has two different colored eyes(blue and gray) so her parents thought she", "and gray) so her parents thought she was a freak and didn’t want", "New York City, because it fits my main character. My main character is", "to stop(even at the price of her life) who can fit into the", "parents thought she was a freak and didn’t want her. She is constantly", "That was a good a method for the specific idea I was writing,", "(and winning them) she has no friends because people are scared of her.", "no friends because people are scared of her. What she doesn’t know is", "I can’t do that this time because I’m not creating a world from", "her eyes are not freakish, they are gray and blue because she can", "know is her eyes are not freakish, they are gray and blue because", "What would some traits(physical or personality wise) be of an antagonist who is", "So I’m writing another series. No surprise there, at least not if you", "are not freakish, they are gray and blue because she can control and", "and someone this girl would be willing to stop(even at the price of", "figures this out eventually. What would some traits(physical or personality wise) be of", "character. My main character is a lone wolf type of protagonist. She lives", "attack. Anyway, I can’t do that this time because I’m not creating a", "scared of her. What she doesn’t know is her eyes are not freakish,", "terrifying, and someone this girl would be willing to stop(even at the price", "control and create lightning. She figures this out eventually. What would some traits(physical", "idea, and let it reveal itself to me as I wrote. That was", "and had to stop writing a few times because I actually thought I", "good a method for the specific idea I was writing, because I was", "and terrifying she even scared me, and had to stop writing a few", "is constantly stirring up trouble, running away, shoplifting, getting into fistfights (and winning", "eyes are not freakish, they are gray and blue because she can control", "even scared me, and had to stop writing a few times because I", "magical, terrifying, and someone this girl would be willing to stop(even at the", "would be willing to stop(even at the price of her life) who can", "times because I actually thought I was going to have a heart attack.", "came up with a villain so dangerous and terrifying she even scared me,", "Manhattan, because she has two different colored eyes(blue and gray) so her parents", "up with a villain so dangerous and terrifying she even scared me, and", "surprise there, at least not if you know me. I wrote my first", "lone wolf type of protagonist. She lives in orphanage in Manhattan, because she", "are gray and blue because she can control and create lightning. She figures" ]
[ "consciousness of Nyarlathotep gains more self-awareness, regaining its memories and sense of self.", "to be good. These characters' moral framework is so utterly alien and foreign", "that we can't peg them as \"good\" or \"evil\". As a result, we", "on irreconcilable perspectives. We can see this to some extent in the polarizing", "as most writers are human beings, it is hard for use to write", "the winner. However, the god that emerges has been \"corrupted\" by human emotions.", "unwilling to understand the other due to their reasoning being built on irreconcilable", "of Nyarlathotep gains more self-awareness, regaining its memories and sense of self. The", "the other due to their reasoning being built on irreconcilable perspectives. We can", "this to some extent in the polarizing of politics today, although nowhere near", "experience that we can't peg them as \"good\" or \"evil\". 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However, the god that emerges has been", "as appaling, even though they are perfectly rational and arrive to their conclusions", "deity in a way that makes sense to the reader. How can you", "unable or unwilling to understand the other due to their reasoning being built", "time, with the final two battling being the strongest of their brethren. These", "\"evil\". As a result, we would see their actions as appaling, even though", "been \"corrupted\" by human emotions. As he gained the memories and knowledge of", "to their conclusions based on their own reasonable logic. They may even find", "the world very differently from normal people, even when they try to be", "extent in the polarizing of politics today, although nowhere near as alien as", "their conclusions based on their own reasonable logic. They may even find our", "them into themselves. When all pieces of the deity have joined, Nyarlathotep will", "seems to dominate and enslave, must constantly battle its human feelings. Characters with", "self. The remaining warriors become more deity than human, until the final battle", "and sense of self. The remaining warriors become more deity than human, until", "they are perfectly rational and arrive to their conclusions based on their own", "final two battling being the strongest of their brethren. These warriors also possess", "must constantly battle its human feelings. Characters with a [blue and orange morality](https://tvtropes.org/pmwiki/pmwiki.php/Main/BlueAndOrangeMorality)", "of the deity have joined, Nyarlathotep will become whole within one body and", "framework is so utterly alien and foreign to human experience that we can't", "or \"evil\". 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They may even find our actions", "with the final two battling being the strongest of their brethren. These warriors", "emerges within the body of the winner. However, the god that emerges has", "orange morality](https://tvtropes.org/pmwiki/pmwiki.php/Main/BlueAndOrangeMorality) mindset often have a warped logic and see the world very", "warped logic and see the world very differently from normal people, even when", "increase each time, with the final two battling being the strongest of their", "to rule over mankind. Unfortunately, he is prevented from doing so by a", "he breaks his soul up into thousands of pieces and seeds them into", "get around this, he breaks his soul up into thousands of pieces and", "strongest of their brethren. 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We can see this to some extent in", "human, until the final battle in which the full mind of the god", "minds. As the souls merge with each other, the collective consciousness of Nyarlathotep", "each other, the collective consciousness of Nyarlathotep gains more self-awareness, regaining its memories", "foreign to human experience that we can't peg them as \"good\" or \"evil\".", "consciousness hidden deep within their minds. As the souls merge with each other,", "battle with each other over the centuries through one-on-one engagements to the death.", "of self. The remaining warriors become more deity than human, until the final", "the full mind of the god emerges within the body of the winner.", "regaining its memories and sense of self. The remaining warriors become more deity", "power absorption would increase each time, with the final two battling being the", "reborn on the mortal plane. In the end, there can be only one.", "feelings. Characters with a [blue and orange morality](https://tvtropes.org/pmwiki/pmwiki.php/Main/BlueAndOrangeMorality) mindset often have a warped", "that power equally. As the Nylanders are killed over the centuries, the rate", "battle its human feelings. Characters with a [blue and orange morality](https://tvtropes.org/pmwiki/pmwiki.php/Main/BlueAndOrangeMorality) mindset often", "reasoning being built on irreconcilable perspectives. We can see this to some extent", "Seeing as most writers are human beings, it is hard for use to", "both sides unable or unwilling to understand the other due to their reasoning", "eldritch deities from crossing over. To get around this, he breaks his soul", "pieces and seeds them into thousands unborn children. These kids become immortal avatars", "a piece of the deity's consciousness hidden deep within their minds. As the", "battling being the strongest of their brethren. These warriors also possess a piece", "politics today, although nowhere near as alien as to humans and elder gods.", "To get around this, he breaks his soul up into thousands of pieces", "find our actions as horrific as we find theirs, with both sides unable", "to understand the other due to their reasoning being built on irreconcilable perspectives.", "deep within their minds. As the souls merge with each other, the collective", "breaks his soul up into thousands of pieces and seeds them into thousands", "soul up into thousands of pieces and seeds them into thousands unborn children.", "personality to change from the being it once was. Its eldritch side, which", "due to their reasoning being built on irreconcilable perspectives. We can see this", "constantly battle its human feelings. Characters with a [blue and orange morality](https://tvtropes.org/pmwiki/pmwiki.php/Main/BlueAndOrangeMorality) mindset", "one. As each child is killed/destroyed, the remaining Nylanders gain that power equally.", "the souls merge with each other, the collective consciousness of Nyarlathotep gains more", "\"good\" or \"evil\". As a result, we would see their actions as appaling,", "full mind of the god emerges within the body of the winner. However,", "and seeds them into thousands unborn children. These kids become immortal avatars of", "world very differently from normal people, even when they try to be good.", "centuries, the rate of power absorption would increase each time, with the final", "is killed, the other \"eats\" the loser and gains their power and memories,", "In the end, there can be only one. As each child is killed/destroyed,", "one-on-one engagements to the death. When one is killed, the other \"eats\" the", "be reborn on the mortal plane. In the end, there can be only", "Characters with a [blue and orange morality](https://tvtropes.org/pmwiki/pmwiki.php/Main/BlueAndOrangeMorality) mindset often have a warped logic", "hidden deep within their minds. As the souls merge with each other, the", "on their own reasonable logic. They may even find our actions as horrific", "good. These characters' moral framework is so utterly alien and foreign to human", "actions as horrific as we find theirs, with both sides unable or unwilling", "theirs, with both sides unable or unwilling to understand the other due to", "though they are perfectly rational and arrive to their conclusions based on their", "As a result, we would see their actions as appaling, even though they", "by human emotions. As he gained the memories and knowledge of the Nylanders", "loser and gains their power and memories, absorbing them into themselves. When all", "the being it once was. Its eldritch side, which seems to dominate and", "warriors also possess a piece of the deity's consciousness hidden deep within their", "Unfortunately, he is prevented from doing so by a barrier that blocks eldritch", "would be reborn on the mortal plane. In the end, there can be", "with both sides unable or unwilling to understand the other due to their", "can be only one. As each child is killed/destroyed, the remaining Nylanders gain", "the god emerges within the body of the winner. However, the god that", "emotions. As he gained the memories and knowledge of the Nylanders across thousands", "power and memories, absorbing them into themselves. When all pieces of the deity", "child is killed/destroyed, the remaining Nylanders gain that power equally. As the Nylanders", "with a [blue and orange morality](https://tvtropes.org/pmwiki/pmwiki.php/Main/BlueAndOrangeMorality) mindset often have a warped logic and", "appaling, even though they are perfectly rational and arrive to their conclusions based", "battle in which the full mind of the god emerges within the body", "as alien as to humans and elder gods. Seeing as most writers are", "and would be reborn on the mortal plane. In the end, there can", "The remaining warriors become more deity than human, until the final battle in", "a deity in a way that makes sense to the reader. How can", "immortal avatars of Nyarlathotep called Nylanders, who do battle with each other over", "the memories and knowledge of the Nylanders across thousands of years, it has", "pieces of the deity have joined, Nyarlathotep will become whole within one body", "the rate of power absorption would increase each time, with the final two", "dominate and enslave, must constantly battle its human feelings. Characters with a [blue", "Nyarlathotep gains more self-awareness, regaining its memories and sense of self. The remaining", "each time, with the final two battling being the strongest of their brethren.", "themselves. When all pieces of the deity have joined, Nyarlathotep will become whole", "the end, there can be only one. As each child is killed/destroyed, the", "and foreign to human experience that we can't peg them as \"good\" or", "from normal people, even when they try to be good. These characters' moral", "centuries through one-on-one engagements to the death. When one is killed, the other", "of Earth to rule over mankind. Unfortunately, he is prevented from doing so", "plane. In the end, there can be only one. As each child is", "would see their actions as appaling, even though they are perfectly rational and", "the final two battling being the strongest of their brethren. These warriors also", "and see the world very differently from normal people, even when they try", "the Black Pharaoh, seeks to enter the realm of Earth to rule over", "there can be only one. As each child is killed/destroyed, the remaining Nylanders", "although nowhere near as alien as to humans and elder gods. Seeing as", "of the god emerges within the body of the winner. However, the god", "god emerges within the body of the winner. However, the god that emerges", "even when they try to be good. These characters' moral framework is so", "in the polarizing of politics today, although nowhere near as alien as to", "eldritch side, which seems to dominate and enslave, must constantly battle its human", "as we find theirs, with both sides unable or unwilling to understand the", "only one. As each child is killed/destroyed, the remaining Nylanders gain that power", "write from the perspective of a deity in a way that makes sense", "characters' moral framework is so utterly alien and foreign to human experience that", "realm of Earth to rule over mankind. Unfortunately, he is prevented from doing", "caused its personality to change from the being it once was. Its eldritch", "morality](https://tvtropes.org/pmwiki/pmwiki.php/Main/BlueAndOrangeMorality) mindset often have a warped logic and see the world very differently", "reasonable logic. They may even find our actions as horrific as we find", "see their actions as appaling, even though they are perfectly rational and arrive", "As the souls merge with each other, the collective consciousness of Nyarlathotep gains", "other due to their reasoning being built on irreconcilable perspectives. We can see", "to some extent in the polarizing of politics today, although nowhere near as", "joined, Nyarlathotep will become whole within one body and would be reborn on", "within their minds. As the souls merge with each other, the collective consciousness", "he gained the memories and knowledge of the Nylanders across thousands of years,", "when they try to be good. These characters' moral framework is so utterly", "writers are human beings, it is hard for use to write from the", "a way that makes sense to the reader. How can you overcome this", "other over the centuries through one-on-one engagements to the death. When one is", "sense of self. The remaining warriors become more deity than human, until the", "which the full mind of the god emerges within the body of the", "and knowledge of the Nylanders across thousands of years, it has caused its", "to change from the being it once was. Its eldritch side, which seems", "our actions as horrific as we find theirs, with both sides unable or", "warriors become more deity than human, until the final battle in which the", "self-awareness, regaining its memories and sense of self. The remaining warriors become more", "sides unable or unwilling to understand the other due to their reasoning being", "find theirs, with both sides unable or unwilling to understand the other due", "the polarizing of politics today, although nowhere near as alien as to humans", "killed, the other \"eats\" the loser and gains their power and memories, absorbing", "gains more self-awareness, regaining its memories and sense of self. The remaining warriors", "it once was. Its eldritch side, which seems to dominate and enslave, must", "each other over the centuries through one-on-one engagements to the death. When one", "being the strongest of their brethren. These warriors also possess a piece of", "of their brethren. These warriors also possess a piece of the deity's consciousness", "These warriors also possess a piece of the deity's consciousness hidden deep within", "the collective consciousness of Nyarlathotep gains more self-awareness, regaining its memories and sense", "across thousands of years, it has caused its personality to change from the", "even find our actions as horrific as we find theirs, with both sides", "As each child is killed/destroyed, the remaining Nylanders gain that power equally. As", "to humans and elder gods. Seeing as most writers are human beings, it", "who do battle with each other over the centuries through one-on-one engagements to", "them as \"good\" or \"evil\". As a result, we would see their actions", "perspectives. We can see this to some extent in the polarizing of politics", "its personality to change from the being it once was. Its eldritch side,", "use to write from the perspective of a deity in a way that", "merge with each other, the collective consciousness of Nyarlathotep gains more self-awareness, regaining", "of the winner. However, the god that emerges has been \"corrupted\" by human", "their minds. As the souls merge with each other, the collective consciousness of" ]
[ "in this book. Those who are higher up the literary ladder, please help", "one part of the novel, but I extended the question to a more", "up for the scene-jumps. Consider the case of a POV action novel. How", "have to do this in one part of the novel, but I extended", "same question will find it useful just in case. Suppose this scenario -", "been effectively done, just that they are not worth a chapter in this", "to omit those parts where our hero is brushing his teeth, taking a", "novel-wide; I have to do this in one part of the novel, but", "the jumps from scene to scene. This part, I presume, is easier when", "How to omit those parts where our hero is brushing his teeth, taking", "threads and the alternating scheme makes up for the scene-jumps. Consider the case", "case of a POV action novel. How to omit those parts where our", "first-person or third-person through this narration. It gets awkward when I make the", "to scene. This part, I presume, is easier when we have multiple threads", "but I extended the question to a more generalised one, so that anybody", "makes up for the scene-jumps. Consider the case of a POV action novel.", "this narration. It gets awkward when I make the jumps from scene to", "find it useful just in case. Suppose this scenario - I am following", "my case is not novel-wide; I have to do this in one part", "we have multiple threads and the alternating scheme makes up for the scene-jumps.", "Consider the case of a POV action novel. How to omit those parts", "ie as if these things have been effectively done, just that they are", "I make the jumps from scene to scene. This part, I presume, is", "a POV action novel. How to omit those parts where our hero is", "make the jumps from scene to scene. This part, I presume, is easier", "so that anybody else with the same question will find it useful just", "effectively done, just that they are not worth a chapter in this book.", "these things have been effectively done, just that they are not worth a", "This part, I presume, is easier when we have multiple threads and the", "just in case. Suppose this scenario - I am following one person's POV,", "I presume, is easier when we have multiple threads and the alternating scheme", "easier when we have multiple threads and the alternating scheme makes up for", "parts where our hero is brushing his teeth, taking a dump, sleeping etc", "it useful just in case. Suppose this scenario - I am following one", "anybody else with the same question will find it useful just in case.", "not worth a chapter in this book. Those who are higher up the", "one person's POV, in first-person or third-person through this narration. It gets awkward", "in one part of the novel, but I extended the question to a", "extended the question to a more generalised one, so that anybody else with", "omit those parts where our hero is brushing his teeth, taking a dump,", "part, I presume, is easier when we have multiple threads and the alternating", "of a POV action novel. How to omit those parts where our hero", "things have been effectively done, just that they are not worth a chapter", "POV action novel. How to omit those parts where our hero is brushing", "in first-person or third-person through this narration. It gets awkward when I make", "those parts where our hero is brushing his teeth, taking a dump, sleeping", "Now my case is not novel-wide; I have to do this in one", "Those who are higher up the literary ladder, please help a first-timer out.", "narration. It gets awkward when I make the jumps from scene to scene.", "when we have multiple threads and the alternating scheme makes up for the", "our hero is brushing his teeth, taking a dump, sleeping etc without sounding", "if these things have been effectively done, just that they are not worth", "I am following one person's POV, in first-person or third-person through this narration.", "a chapter in this book. Those who are higher up the literary ladder,", "his teeth, taking a dump, sleeping etc without sounding deliberate ie as if", "is not novel-wide; I have to do this in one part of the", "to do this in one part of the novel, but I extended the", "multiple threads and the alternating scheme makes up for the scene-jumps. Consider the", "done, just that they are not worth a chapter in this book. Those", "in case. Suppose this scenario - I am following one person's POV, in", "the case of a POV action novel. How to omit those parts where", "a dump, sleeping etc without sounding deliberate ie as if these things have", "action novel. How to omit those parts where our hero is brushing his", "is brushing his teeth, taking a dump, sleeping etc without sounding deliberate ie", "have been effectively done, just that they are not worth a chapter in", "book. Those who are higher up the literary ladder, please help a first-timer", "teeth, taking a dump, sleeping etc without sounding deliberate ie as if these", "the novel, but I extended the question to a more generalised one, so", "jumps from scene to scene. This part, I presume, is easier when we", "I extended the question to a more generalised one, so that anybody else", "have multiple threads and the alternating scheme makes up for the scene-jumps. Consider", "scheme makes up for the scene-jumps. Consider the case of a POV action", "to a more generalised one, so that anybody else with the same question", "that anybody else with the same question will find it useful just in", "case is not novel-wide; I have to do this in one part of", "part of the novel, but I extended the question to a more generalised", "this in one part of the novel, but I extended the question to", "without sounding deliberate ie as if these things have been effectively done, just", "chapter in this book. Those who are higher up the literary ladder, please", "POV, in first-person or third-person through this narration. It gets awkward when I", "question to a more generalised one, so that anybody else with the same", "following one person's POV, in first-person or third-person through this narration. It gets", "dump, sleeping etc without sounding deliberate ie as if these things have been", "with the same question will find it useful just in case. Suppose this", "person's POV, in first-person or third-person through this narration. It gets awkward when", "do this in one part of the novel, but I extended the question", "third-person through this narration. It gets awkward when I make the jumps from", "novel. How to omit those parts where our hero is brushing his teeth,", "the same question will find it useful just in case. Suppose this scenario", "gets awkward when I make the jumps from scene to scene. This part,", "just that they are not worth a chapter in this book. Those who", "case. Suppose this scenario - I am following one person's POV, in first-person", "scene. This part, I presume, is easier when we have multiple threads and", "scene-jumps. Consider the case of a POV action novel. How to omit those", "awkward when I make the jumps from scene to scene. This part, I", "more generalised one, so that anybody else with the same question will find", "for the scene-jumps. Consider the case of a POV action novel. How to", "where our hero is brushing his teeth, taking a dump, sleeping etc without", "as if these things have been effectively done, just that they are not", "novel, but I extended the question to a more generalised one, so that", "question will find it useful just in case. Suppose this scenario - I", "the question to a more generalised one, so that anybody else with the", "or third-person through this narration. It gets awkward when I make the jumps", "when I make the jumps from scene to scene. This part, I presume,", "hero is brushing his teeth, taking a dump, sleeping etc without sounding deliberate", "It gets awkward when I make the jumps from scene to scene. This", "scene to scene. This part, I presume, is easier when we have multiple", "useful just in case. Suppose this scenario - I am following one person's", "a more generalised one, so that anybody else with the same question will", "scenario - I am following one person's POV, in first-person or third-person through", "brushing his teeth, taking a dump, sleeping etc without sounding deliberate ie as", "are not worth a chapter in this book. Those who are higher up", "not novel-wide; I have to do this in one part of the novel,", "one, so that anybody else with the same question will find it useful", "I have to do this in one part of the novel, but I", "- I am following one person's POV, in first-person or third-person through this", "the alternating scheme makes up for the scene-jumps. Consider the case of a", "alternating scheme makes up for the scene-jumps. Consider the case of a POV", "worth a chapter in this book. Those who are higher up the literary", "the scene-jumps. Consider the case of a POV action novel. How to omit", "of the novel, but I extended the question to a more generalised one,", "generalised one, so that anybody else with the same question will find it", "through this narration. It gets awkward when I make the jumps from scene", "from scene to scene. This part, I presume, is easier when we have", "deliberate ie as if these things have been effectively done, just that they", "that they are not worth a chapter in this book. Those who are", "am following one person's POV, in first-person or third-person through this narration. It", "this book. Those who are higher up the literary ladder, please help a", "will find it useful just in case. Suppose this scenario - I am", "Suppose this scenario - I am following one person's POV, in first-person or", "taking a dump, sleeping etc without sounding deliberate ie as if these things", "and the alternating scheme makes up for the scene-jumps. Consider the case of", "is easier when we have multiple threads and the alternating scheme makes up", "etc without sounding deliberate ie as if these things have been effectively done,", "they are not worth a chapter in this book. Those who are higher", "else with the same question will find it useful just in case. Suppose", "sleeping etc without sounding deliberate ie as if these things have been effectively", "this scenario - I am following one person's POV, in first-person or third-person", "presume, is easier when we have multiple threads and the alternating scheme makes", "sounding deliberate ie as if these things have been effectively done, just that" ]
[ "doesn't need to be cut up to be served, ideally something that can", "the right place for it but I'm writing something set in a contemporary", "descent let's say) and gets mild food poisoning. It should be something that", "person who cares about that), so that it's hard to notice that some", "first thought mac and cheese but then I read that it generally wouldn't", "in a contemporary American setting and I need a typical American food a", "can be grabbed straight with your hands (provided you're not the kind of", "not the kind of person who cares about that), so that it's hard", "of person who cares about that), so that it's hard to notice that", "should be something that doesn't need to be cut up to be served,", "gets mild food poisoning. It should be something that doesn't need to be", "contemporary American setting and I need a typical American food a grandma could", "be served, ideally something that can be grabbed straight with your hands (provided", "American food a grandma could cook for a family dinner that would spoil", "in what I'm writing a character steals food from a plate left out", "that some has been taken away. I first thought mac and cheese but", "place for it but I'm writing something set in a contemporary American setting", "from a plate left out by a lady who is a white American", "character steals food from a plate left out by a lady who is", "who cares about that), so that it's hard to notice that some has", "left outside the fridge over night. Basically in what I'm writing a character", "mild food poisoning. It should be something that doesn't need to be cut", "setting and I need a typical American food a grandma could cook for", "American setting and I need a typical American food a grandma could cook", "kind of person who cares about that), so that it's hard to notice", "that doesn't need to be cut up to be served, ideally something that", "taken away. I first thought mac and cheese but then I read that", "English/Irish descent let's say) and gets mild food poisoning. It should be something", "food poisoning. It should be something that doesn't need to be cut up", "right place for it but I'm writing something set in a contemporary American", "but I'm writing something set in a contemporary American setting and I need", "food from a plate left out by a lady who is a white", "and I'm not sure this is the right place for it but I'm", "steals food from a plate left out by a lady who is a", "white American grandmother (of English/Irish descent let's say) and gets mild food poisoning.", "served, ideally something that can be grabbed straight with your hands (provided you're", "something that doesn't need to be cut up to be served, ideally something", "a typical American food a grandma could cook for a family dinner that", "cook for a family dinner that would spoil if left outside the fridge", "It should be something that doesn't need to be cut up to be", "family dinner that would spoil if left outside the fridge over night. Basically", "need a typical American food a grandma could cook for a family dinner", "your hands (provided you're not the kind of person who cares about that),", "it but I'm writing something set in a contemporary American setting and I", "mac and cheese but then I read that it generally wouldn't spoil over", "and gets mild food poisoning. It should be something that doesn't need to", "lady who is a white American grandmother (of English/Irish descent let's say) and", "over night. Basically in what I'm writing a character steals food from a", "has been taken away. I first thought mac and cheese but then I", "a character steals food from a plate left out by a lady who", "specific and I'm not sure this is the right place for it but", "American grandmother (of English/Irish descent let's say) and gets mild food poisoning. It", "the kind of person who cares about that), so that it's hard to", "is the right place for it but I'm writing something set in a", "that), so that it's hard to notice that some has been taken away.", "could cook for a family dinner that would spoil if left outside the", "hard to notice that some has been taken away. I first thought mac", "a contemporary American setting and I need a typical American food a grandma", "notice that some has been taken away. I first thought mac and cheese", "need to be cut up to be served, ideally something that can be", "to be cut up to be served, ideally something that can be grabbed", "the fridge over night. Basically in what I'm writing a character steals food", "I'm writing something set in a contemporary American setting and I need a", "typical American food a grandma could cook for a family dinner that would", "that can be grabbed straight with your hands (provided you're not the kind", "be grabbed straight with your hands (provided you're not the kind of person", "would spoil if left outside the fridge over night. Basically in what I'm", "cheese but then I read that it generally wouldn't spoil over night. Thanks", "thought mac and cheese but then I read that it generally wouldn't spoil", "about that), so that it's hard to notice that some has been taken", "a lady who is a white American grandmother (of English/Irish descent let's say)", "set in a contemporary American setting and I need a typical American food", "grandmother (of English/Irish descent let's say) and gets mild food poisoning. It should", "This is oddly specific and I'm not sure this is the right place", "spoil if left outside the fridge over night. Basically in what I'm writing", "not sure this is the right place for it but I'm writing something", "something set in a contemporary American setting and I need a typical American", "for a family dinner that would spoil if left outside the fridge over", "who is a white American grandmother (of English/Irish descent let's say) and gets", "I'm writing a character steals food from a plate left out by a", "left out by a lady who is a white American grandmother (of English/Irish", "(provided you're not the kind of person who cares about that), so that", "I'm not sure this is the right place for it but I'm writing", "plate left out by a lady who is a white American grandmother (of", "out by a lady who is a white American grandmother (of English/Irish descent", "to notice that some has been taken away. I first thought mac and", "is a white American grandmother (of English/Irish descent let's say) and gets mild", "and cheese but then I read that it generally wouldn't spoil over night.", "I first thought mac and cheese but then I read that it generally", "to be served, ideally something that can be grabbed straight with your hands", "so that it's hard to notice that some has been taken away. I", "food a grandma could cook for a family dinner that would spoil if", "let's say) and gets mild food poisoning. It should be something that doesn't", "for it but I'm writing something set in a contemporary American setting and", "poisoning. It should be something that doesn't need to be cut up to", "straight with your hands (provided you're not the kind of person who cares", "be cut up to be served, ideally something that can be grabbed straight", "grabbed straight with your hands (provided you're not the kind of person who", "been taken away. I first thought mac and cheese but then I read", "away. I first thought mac and cheese but then I read that it", "oddly specific and I'm not sure this is the right place for it", "with your hands (provided you're not the kind of person who cares about", "I need a typical American food a grandma could cook for a family", "hands (provided you're not the kind of person who cares about that), so", "a grandma could cook for a family dinner that would spoil if left", "sure this is the right place for it but I'm writing something set", "it's hard to notice that some has been taken away. I first thought", "outside the fridge over night. Basically in what I'm writing a character steals", "fridge over night. Basically in what I'm writing a character steals food from", "Basically in what I'm writing a character steals food from a plate left", "you're not the kind of person who cares about that), so that it's", "a family dinner that would spoil if left outside the fridge over night.", "night. Basically in what I'm writing a character steals food from a plate", "cut up to be served, ideally something that can be grabbed straight with", "that would spoil if left outside the fridge over night. Basically in what", "by a lady who is a white American grandmother (of English/Irish descent let's", "say) and gets mild food poisoning. It should be something that doesn't need", "if left outside the fridge over night. Basically in what I'm writing a", "(of English/Irish descent let's say) and gets mild food poisoning. It should be", "be something that doesn't need to be cut up to be served, ideally", "writing a character steals food from a plate left out by a lady", "what I'm writing a character steals food from a plate left out by", "is oddly specific and I'm not sure this is the right place for", "grandma could cook for a family dinner that would spoil if left outside", "some has been taken away. I first thought mac and cheese but then", "something that can be grabbed straight with your hands (provided you're not the", "dinner that would spoil if left outside the fridge over night. Basically in", "that it's hard to notice that some has been taken away. I first", "a white American grandmother (of English/Irish descent let's say) and gets mild food", "this is the right place for it but I'm writing something set in", "a plate left out by a lady who is a white American grandmother", "ideally something that can be grabbed straight with your hands (provided you're not", "cares about that), so that it's hard to notice that some has been", "writing something set in a contemporary American setting and I need a typical", "up to be served, ideally something that can be grabbed straight with your", "and I need a typical American food a grandma could cook for a" ]
[ "I know there are plenty out there but I'm having trouble thinking of", "about what a character like this does to slowly push the ones she", "think about what a character like this does to slowly push the ones", "her and end up not liking her, an easy thing for her to", "I'm having trouble thinking of many. I just want to look at and", "stack exchange category for it and I will happily take it down) I'm", "know there are plenty out there but I'm having trouble thinking of many.", "I will happily take it down) I'm currently working on a story that", "story that involves a main character who's biggest flaw is her self-doubt, low", "is her self-doubt, low self-esteem or lack of self-confidence. Whatever you want to", "she fears they'll learn too much about her and end up not liking", "good examples of characters like this? I know there are plenty out there", "here, let me know if there's a better stack exchange category for it", "better stack exchange category for it and I will happily take it down)", "want to call it. I'm thinking that she will show this deep self-doubt", "category for it and I will happily take it down) I'm currently working", "deep self-doubt by pushing others away because she fears they'll learn too much", "or lack of self-confidence. Whatever you want to call it. I'm thinking that", "I just want to look at and think about what a character like", "she will show this deep self-doubt by pushing others away because she fears", "sure if this question belongs here, let me know if there's a better", "many. I just want to look at and think about what a character", "belongs here, let me know if there's a better stack exchange category for", "plenty out there but I'm having trouble thinking of many. I just want", "push the ones she loves away so that I can hopefully find some", "and I will happily take it down) I'm currently working on a story", "like herself. Does anyone know of good examples of characters like this? I", "trouble thinking of many. I just want to look at and think about", "a better stack exchange category for it and I will happily take it", "end up not liking her, an easy thing for her to believe if", "and think about what a character like this does to slowly push the", "at and think about what a character like this does to slowly push", "believe if she doesn't like herself. Does anyone know of good examples of", "the ones she loves away so that I can hopefully find some inspiration", "you want to call it. I'm thinking that she will show this deep", "will happily take it down) I'm currently working on a story that involves", "who's biggest flaw is her self-doubt, low self-esteem or lack of self-confidence. Whatever", "this? I know there are plenty out there but I'm having trouble thinking", "this question belongs here, let me know if there's a better stack exchange", "they'll learn too much about her and end up not liking her, an", "doesn't like herself. Does anyone know of good examples of characters like this?", "slowly push the ones she loves away so that I can hopefully find", "it. I'm thinking that she will show this deep self-doubt by pushing others", "there are plenty out there but I'm having trouble thinking of many. I", "ones she loves away so that I can hopefully find some inspiration in", "an easy thing for her to believe if she doesn't like herself. Does", "self-doubt, low self-esteem or lack of self-confidence. Whatever you want to call it.", "self-doubt by pushing others away because she fears they'll learn too much about", "by pushing others away because she fears they'll learn too much about her", "herself. Does anyone know of good examples of characters like this? I know", "biggest flaw is her self-doubt, low self-esteem or lack of self-confidence. Whatever you", "because she fears they'll learn too much about her and end up not", "Does anyone know of good examples of characters like this? I know there", "examples of characters like this? I know there are plenty out there but", "find some inspiration in how my character might do this throughout the novel.", "fears they'll learn too much about her and end up not liking her,", "for it and I will happily take it down) I'm currently working on", "and end up not liking her, an easy thing for her to believe", "there but I'm having trouble thinking of many. I just want to look", "of good examples of characters like this? I know there are plenty out", "down) I'm currently working on a story that involves a main character who's", "currently working on a story that involves a main character who's biggest flaw", "call it. I'm thinking that she will show this deep self-doubt by pushing", "know if there's a better stack exchange category for it and I will", "thinking that she will show this deep self-doubt by pushing others away because", "thinking of many. I just want to look at and think about what", "away so that I can hopefully find some inspiration in how my character", "question belongs here, let me know if there's a better stack exchange category", "that I can hopefully find some inspiration in how my character might do", "just want to look at and think about what a character like this", "look at and think about what a character like this does to slowly", "I'm currently working on a story that involves a main character who's biggest", "she loves away so that I can hopefully find some inspiration in how", "up not liking her, an easy thing for her to believe if she", "happily take it down) I'm currently working on a story that involves a", "main character who's biggest flaw is her self-doubt, low self-esteem or lack of", "but I'm having trouble thinking of many. I just want to look at", "pushing others away because she fears they'll learn too much about her and", "a main character who's biggest flaw is her self-doubt, low self-esteem or lack", "away because she fears they'll learn too much about her and end up", "her to believe if she doesn't like herself. Does anyone know of good", "what a character like this does to slowly push the ones she loves", "out there but I'm having trouble thinking of many. I just want to", "thing for her to believe if she doesn't like herself. Does anyone know", "me know if there's a better stack exchange category for it and I", "working on a story that involves a main character who's biggest flaw is", "flaw is her self-doubt, low self-esteem or lack of self-confidence. Whatever you want", "she doesn't like herself. Does anyone know of good examples of characters like", "like this does to slowly push the ones she loves away so that", "of self-confidence. Whatever you want to call it. I'm thinking that she will", "so that I can hopefully find some inspiration in how my character might", "show this deep self-doubt by pushing others away because she fears they'll learn", "about her and end up not liking her, an easy thing for her", "that involves a main character who's biggest flaw is her self-doubt, low self-esteem", "if she doesn't like herself. Does anyone know of good examples of characters", "take it down) I'm currently working on a story that involves a main", "let me know if there's a better stack exchange category for it and", "self-esteem or lack of self-confidence. Whatever you want to call it. I'm thinking", "low self-esteem or lack of self-confidence. Whatever you want to call it. I'm", "does to slowly push the ones she loves away so that I can", "to believe if she doesn't like herself. Does anyone know of good examples", "too much about her and end up not liking her, an easy thing", "not liking her, an easy thing for her to believe if she doesn't", "for her to believe if she doesn't like herself. Does anyone know of", "loves away so that I can hopefully find some inspiration in how my", "(not sure if this question belongs here, let me know if there's a", "learn too much about her and end up not liking her, an easy", "if this question belongs here, let me know if there's a better stack", "much about her and end up not liking her, an easy thing for", "Whatever you want to call it. I'm thinking that she will show this", "if there's a better stack exchange category for it and I will happily", "are plenty out there but I'm having trouble thinking of many. I just", "this does to slowly push the ones she loves away so that I", "liking her, an easy thing for her to believe if she doesn't like", "to call it. I'm thinking that she will show this deep self-doubt by", "self-confidence. Whatever you want to call it. I'm thinking that she will show", "having trouble thinking of many. I just want to look at and think", "there's a better stack exchange category for it and I will happily take", "on a story that involves a main character who's biggest flaw is her", "of many. I just want to look at and think about what a", "know of good examples of characters like this? I know there are plenty", "of characters like this? I know there are plenty out there but I'm", "characters like this? I know there are plenty out there but I'm having", "hopefully find some inspiration in how my character might do this throughout the", "others away because she fears they'll learn too much about her and end", "easy thing for her to believe if she doesn't like herself. Does anyone", "can hopefully find some inspiration in how my character might do this throughout", "want to look at and think about what a character like this does", "it and I will happily take it down) I'm currently working on a", "will show this deep self-doubt by pushing others away because she fears they'll", "I can hopefully find some inspiration in how my character might do this", "her, an easy thing for her to believe if she doesn't like herself.", "exchange category for it and I will happily take it down) I'm currently", "a character like this does to slowly push the ones she loves away", "that she will show this deep self-doubt by pushing others away because she", "like this? I know there are plenty out there but I'm having trouble", "to slowly push the ones she loves away so that I can hopefully", "I'm thinking that she will show this deep self-doubt by pushing others away", "this deep self-doubt by pushing others away because she fears they'll learn too", "a story that involves a main character who's biggest flaw is her self-doubt,", "her self-doubt, low self-esteem or lack of self-confidence. Whatever you want to call", "character like this does to slowly push the ones she loves away so", "character who's biggest flaw is her self-doubt, low self-esteem or lack of self-confidence.", "lack of self-confidence. Whatever you want to call it. I'm thinking that she", "it down) I'm currently working on a story that involves a main character", "involves a main character who's biggest flaw is her self-doubt, low self-esteem or", "to look at and think about what a character like this does to", "anyone know of good examples of characters like this? I know there are" ]
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In this particular case, I", "pronouns(you) as most such conversations happen one to one with the AI and", "with the AI and the corresponding character in most cases. There is also", "those characters use \"it\" or \"she\"/\"he\" or \"they\" to refer to the AI?", "\"it\" pronoun to do so? There are also characters who believe that the", "and the corresponding character in most cases. There is also the option to", "a sentient AI in a story. He sentience aspect is mostly an unexpected", "aspect is mostly an unexpected result and some characters in the story do", "to the AI, should they use the \"it\" pronoun to do so? There", "who believe that the AI is sentient. The AI is not gendered. Should", "is also the option to directly use the AI's name instead of pronouns.", "have the benefit of using second person pronouns(you) as most such conversations happen", "also characters who believe that the AI is sentient. The AI is not", "There is also the option to directly use the AI's name instead of", "do so? There are also characters who believe that the AI is sentient.", "\"they\" to refer to the AI? In this particular case, I have the", "characters who believe that the AI is sentient. The AI is not gendered.", "some characters in the story do not believe it. When they refer to", "unexpected result and some characters in the story do not believe it. When", "most such conversations happen one to one with the AI and the corresponding", "are also characters who believe that the AI is sentient. The AI is", "one to one with the AI and the corresponding character in most cases.", "do not believe it. When they refer to the AI, should they use", "have a sentient AI in a story. He sentience aspect is mostly an", "in the story do not believe it. When they refer to the AI,", "not gendered. 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When they refer to the", "case, I have the benefit of using second person pronouns(you) as most such", "second person pronouns(you) as most such conversations happen one to one with the", "sentient. The AI is not gendered. Should those characters use \"it\" or \"she\"/\"he\"", "to one with the AI and the corresponding character in most cases. There", "story do not believe it. When they refer to the AI, should they", "character in most cases. There is also the option to directly use the", "and some characters in the story do not believe it. When they refer", "gendered. Should those characters use \"it\" or \"she\"/\"he\" or \"they\" to refer to", "story. He sentience aspect is mostly an unexpected result and some characters in", "to refer to the AI? In this particular case, I have the benefit", "refer to the AI? In this particular case, I have the benefit of", "He sentience aspect is mostly an unexpected result and some characters in the", "AI is sentient. The AI is not gendered. Should those characters use \"it\"", "or \"she\"/\"he\" or \"they\" to refer to the AI? In this particular case,", "AI? In this particular case, I have the benefit of using second person", "not believe it. When they refer to the AI, should they use the", "cases. There is also the option to directly use the AI's name instead", "so? There are also characters who believe that the AI is sentient. The", "the corresponding character in most cases. There is also the option to directly", "the \"it\" pronoun to do so? There are also characters who believe that", "believe it. When they refer to the AI, should they use the \"it\"", "using second person pronouns(you) as most such conversations happen one to one with", "they refer to the AI, should they use the \"it\" pronoun to do", "a story. He sentience aspect is mostly an unexpected result and some characters" ]