Split (1)

train · 10.4M rows

ngram listlengths 0 10.5k
[ "would be considered racist. The MC’s hate of this character has nothing to", "of having an police officer for a mom. I’m wondering if because the", "my story. One of the characters is an African American police officer who", "the person the MC hates is African American, if that would be considered", "for a mom. I’m wondering if because the person the MC hates is", "this character has nothing to do with her race though. I just want", "an African American police officer who offers to adopt the main character. The", "to adopt the main character. The MC hates the officer because the MC", "also have two different eye colors were to read my work, would that", "the MC is kind of a bad person and always getting in trouble.", "officer for a mom. I’m wondering if because the person the MC hates", "character in my story. One of the characters is an African American police", "I also have the problem of another character in my story. One of", "character. The MC hates the officer because the MC is kind of a", "mom. I’m wondering if because the person the MC hates is African American,", "has nothing to do with her race though. I just want to be", "on herself because she thinks she is ugly. If people who also have", "characters is an African American police officer who offers to adopt the main", "if that would be considered racist. The MC’s hate of this character has", "is kind of a bad person and always getting in trouble. She resents", "African American, if that would be considered racist. The MC’s hate of this", "has two different eye colors and looks down on herself because she thinks", "the MC hates is African American, if that would be considered racist. The", "One of the characters is an African American police officer who offers to", "MC hates is African American, if that would be considered racist. The MC’s", "my work, would that be considered offensive? I also have the problem of", "If people who also have two different eye colors were to read my", "idea of having an police officer for a mom. I’m wondering if because", "she is ugly. If people who also have two different eye colors were", "in trouble. She resents the idea of having an police officer for a", "I’m wondering if because the person the MC hates is African American, if", "a bad person and always getting in trouble. She resents the idea of", "nothing to do with her race though. I just want to be sure.", "of another character in my story. One of the characters is an African", "who also have two different eye colors were to read my work, would", "be considered offensive? I also have the problem of another character in my", "colors were to read my work, would that be considered offensive? I also", "officer who offers to adopt the main character. The MC hates the officer", "two different eye colors and looks down on herself because she thinks she", "MC’s hate of this character has nothing to do with her race though.", "of the characters is an African American police officer who offers to adopt", "eye colors and looks down on herself because she thinks she is ugly.", "in my story. One of the characters is an African American police officer", "the officer because the MC is kind of a bad person and always", "hate of this character has nothing to do with her race though. I", "The MC hates the officer because the MC is kind of a bad", "writing a fantasy series. In my series, the main character has two different", "and always getting in trouble. She resents the idea of having an police", "the main character has two different eye colors and looks down on herself", "police officer who offers to adopt the main character. The MC hates the", "series, the main character has two different eye colors and looks down on", "is ugly. If people who also have two different eye colors were to", "MC is kind of a bad person and always getting in trouble. She", "In my series, the main character has two different eye colors and looks", "young author writing a fantasy series. In my series, the main character has", "character has two different eye colors and looks down on herself because she", "problem of another character in my story. One of the characters is an", "bad person and always getting in trouble. She resents the idea of having", "considered offensive? I also have the problem of another character in my story.", "character has nothing to do with her race though. I just want to", "hates is African American, if that would be considered racist. The MC’s hate", "because the MC is kind of a bad person and always getting in", "different eye colors were to read my work, would that be considered offensive?", "if because the person the MC hates is African American, if that would", "person the MC hates is African American, if that would be considered racist.", "a mom. I’m wondering if because the person the MC hates is African", "African American police officer who offers to adopt the main character. The MC", "down on herself because she thinks she is ugly. If people who also", "because she thinks she is ugly. If people who also have two different", "the characters is an African American police officer who offers to adopt the", "officer because the MC is kind of a bad person and always getting", "be considered racist. The MC’s hate of this character has nothing to do", "the main character. The MC hates the officer because the MC is kind", "American police officer who offers to adopt the main character. The MC hates", "police officer for a mom. I’m wondering if because the person the MC", "a young author writing a fantasy series. In my series, the main character", "have the problem of another character in my story. One of the characters", "colors and looks down on herself because she thinks she is ugly. If", "to read my work, would that be considered offensive? I also have the", "wondering if because the person the MC hates is African American, if that", "always getting in trouble. She resents the idea of having an police officer", "She resents the idea of having an police officer for a mom. I’m", "adopt the main character. The MC hates the officer because the MC is", "another character in my story. One of the characters is an African American", "who offers to adopt the main character. The MC hates the officer because", "author writing a fantasy series. In my series, the main character has two", "main character has two different eye colors and looks down on herself because", "an police officer for a mom. I’m wondering if because the person the", "two different eye colors were to read my work, would that be considered", "trouble. She resents the idea of having an police officer for a mom.", "have two different eye colors were to read my work, would that be", "MC hates the officer because the MC is kind of a bad person", "thinks she is ugly. If people who also have two different eye colors", "story. One of the characters is an African American police officer who offers", "kind of a bad person and always getting in trouble. She resents the", "offensive? I also have the problem of another character in my story. One", "The MC’s hate of this character has nothing to do with her race", "getting in trouble. She resents the idea of having an police officer for", "the problem of another character in my story. One of the characters is", "series. In my series, the main character has two different eye colors and", "person and always getting in trouble. She resents the idea of having an", "because the person the MC hates is African American, if that would be", "different eye colors and looks down on herself because she thinks she is", "also have the problem of another character in my story. One of the", "of this character has nothing to do with her race though. I just", "she thinks she is ugly. If people who also have two different eye", "work, would that be considered offensive? I also have the problem of another", "ugly. If people who also have two different eye colors were to read", "having an police officer for a mom. I’m wondering if because the person", "people who also have two different eye colors were to read my work,", "read my work, would that be considered offensive? I also have the problem", "looks down on herself because she thinks she is ugly. If people who", "herself because she thinks she is ugly. If people who also have two", "hates the officer because the MC is kind of a bad person and", "and looks down on herself because she thinks she is ugly. If people", "eye colors were to read my work, would that be considered offensive? I", "a fantasy series. In my series, the main character has two different eye", "offers to adopt the main character. The MC hates the officer because the", "that be considered offensive? I also have the problem of another character in", "the idea of having an police officer for a mom. I’m wondering if", "would that be considered offensive? I also have the problem of another character", "is African American, if that would be considered racist. The MC’s hate of", "racist. The MC’s hate of this character has nothing to do with her", "American, if that would be considered racist. The MC’s hate of this character", "am a young author writing a fantasy series. In my series, the main", "my series, the main character has two different eye colors and looks down", "is an African American police officer who offers to adopt the main character.", "were to read my work, would that be considered offensive? I also have", "of a bad person and always getting in trouble. She resents the idea", "considered racist. The MC’s hate of this character has nothing to do with", "that would be considered racist. The MC’s hate of this character has nothing", "main character. The MC hates the officer because the MC is kind of", "I am a young author writing a fantasy series. In my series, the", "fantasy series. In my series, the main character has two different eye colors", "resents the idea of having an police officer for a mom. I’m wondering" ]
[ "was waiting for her. The scene goes something like this: > > But", "out until I tell you to!” > > > The parts that are", "that what you call talking and stuff!?** I’m disgusted with you, Sarlb, I", "scene in the novel where the girl (KumaZd) is sneaking in from her", "both have a !? in them, and I really need to know if", "> > The parts that are bolded, as you can see, both have", "dad, however, was waiting for her. The scene goes something like this: >", "you to!” > > > The parts that are bolded, as you can", "a video of her and him... kissing. But they weren't just kissing, they", "and him... kissing. But they weren't just kissing, they were making out. As", "KumaZd’s hand reached under Xavier’s shirt her dad turned off his phone in", "were talking and stuff, huh!? Is that what you call talking and stuff!?*", "like this: > > But that's not what her dad cared about. This", "to your room and don’t you dare come out until I tell you", "see, both have a !?* in them, and I really need to know", "writing my romance novel. There's a scene in the novel where the girl", "!? in them, and I really need to know if I'm breaking any", "him... kissing. But they weren't just kissing, they were making out. As KumaZd’s", "a scene in the novel where the girl (KumaZd) is sneaking in from", "were making out. As KumaZd’s hand reached under Xavier’s shirt her dad turned", "kissing, they were making out. As KumaZd’s hand reached under Xavier’s shirt her", "her and him... kissing. But they weren't just kissing, they were making out.", "(KumaZd) is sneaking in from her boyfriend's house. Her dad, however, was waiting", "making out. As KumaZd’s hand reached under Xavier’s shirt her dad turned off", "I’m disgusted with you, Sarlb, I really expected you would know better, now", "dad turned off his phone in disgust. “You were talking and stuff, huh!?", "know better, now go to your room and don’t you dare come out", "shirt her dad turned off his phone in disgust. “You were talking and", "in disgust. *“You were talking and stuff, huh!? Is that what you call", "have a !?* in them, and I really need to know if I'm", "cared about. This specifically was a video of her and him... kissing. But", "scene goes something like this: > > But that's not what her dad", "talking and stuff, huh!? Is that what you call talking and stuff!? I’m", "don’t you dare come out until I tell you to!” > > >", "that's not what her dad cared about. This specifically was a video of", "now go to your room and don’t you dare come out until I", "stuff!? I’m disgusted with you, Sarlb, I really expected you would know better,", "and stuff, huh!? Is that what you call talking and stuff!?** I’m disgusted", "they weren't just kissing, they were making out. As KumaZd’s hand reached under", "disgusted with you, Sarlb, I really expected you would know better, now go", "romance novel. There's a scene in the novel where the girl (KumaZd) is", "finally started writing my romance novel. There's a scene in the novel where", "in the novel where the girl (KumaZd) is sneaking in from her boyfriend's", "novel where the girl (KumaZd) is sneaking in from her boyfriend's house. Her", "But that's not what her dad cared about. This specifically was a video", "you dare come out until I tell you to!” > > > The", "a !? in them, and I really need to know if I'm breaking", "the novel where the girl (KumaZd) is sneaking in from her boyfriend's house.", "about. This specifically was a video of her and him... kissing. But they", "room and don’t you dare come out until I tell you to!” >", "Xavier’s shirt her dad turned off his phone in disgust. *“You were talking", "what her dad cared about. This specifically was a video of her and", "until I tell you to!” > > > The parts that are bolded,", "The parts that are bolded, as you can see, both have a !?", "tell you to!” > > > The parts that are bolded, as you", "reached under Xavier’s shirt her dad turned off his phone in disgust. “You", "just kissing, they were making out. As KumaZd’s hand reached under Xavier’s shirt", "Is that what you call talking and stuff!?* I’m disgusted with you, Sarlb,", "better, now go to your room and don’t you dare come out until", "sneaking in from her boyfriend's house. Her dad, however, was waiting for her.", "his phone in disgust. “You were talking and stuff, huh!? Is that what", "they were making out. As KumaZd’s hand reached under Xavier’s shirt her dad", "kissing. But they weren't just kissing, they were making out. As KumaZd’s hand", "her. The scene goes something like this: > > But that's not what", "I tell you to!” > > > The parts that are bolded, as", "them, and I really need to know if I'm breaking any rules doing", "turned off his phone in disgust. “You were talking and stuff, huh!? Is", "are bolded, as you can see, both have a !? in them, and", "> But that's not what her dad cared about. This specifically was a", "I really expected you would know better, now go to your room and", "disgust. “You were talking and stuff, huh!? Is that what you call talking", "dare come out until I tell you to!” > > > The parts", "off his phone in disgust. “You were talking and stuff, huh!? Is that", "for her. The scene goes something like this: > > But that's not", "phone in disgust. “You were talking and stuff, huh!? Is that what you", "house. Her dad, however, was waiting for her. The scene goes something like", "> > But that's not what her dad cared about. This specifically was", "and stuff!? I’m disgusted with you, Sarlb, I really expected you would know", "her dad cared about. This specifically was a video of her and him...", "my romance novel. There's a scene in the novel where the girl (KumaZd)", "where the girl (KumaZd) is sneaking in from her boyfriend's house. Her dad,", "come out until I tell you to!” > > > The parts that", "under Xavier’s shirt her dad turned off his phone in disgust. “You were", "call talking and stuff!? I’m disgusted with you, Sarlb, I really expected you", "bolded, as you can see, both have a !? in them, and I", "as you can see, both have a !? in them, and I really", "novel. There's a scene in the novel where the girl (KumaZd) is sneaking", "in them, and I really need to know if I'm breaking any rules", "Her dad, however, was waiting for her. The scene goes something like this:", "with you, Sarlb, I really expected you would know better, now go to", "hand reached under Xavier’s shirt her dad turned off his phone in disgust.", "> The parts that are bolded, as you can see, both have a", "boyfriend's house. Her dad, however, was waiting for her. The scene goes something", "in from her boyfriend's house. Her dad, however, was waiting for her. The", "waiting for her. The scene goes something like this: > > But that's", "her dad turned off his phone in disgust. “You were talking and stuff,", "out. As KumaZd’s hand reached under Xavier’s shirt her dad turned off his", "you call talking and stuff!? I’m disgusted with you, Sarlb, I really expected", "talking and stuff!?** I’m disgusted with you, Sarlb, I really expected you would", "parts that are bolded, as you can see, both have a !? in", "*“You were talking and stuff, huh!? Is that what you call talking and", "As KumaZd’s hand reached under Xavier’s shirt her dad turned off his phone", "that are bolded, as you can see, both have a !?* in them,", "really expected you would know better, now go to your room and don’t", "her boyfriend's house. Her dad, however, was waiting for her. The scene goes", "started writing my romance novel. There's a scene in the novel where the", "This specifically was a video of her and him... kissing. But they weren't", "from her boyfriend's house. Her dad, however, was waiting for her. The scene", "expected you would know better, now go to your room and don’t you", "of her and him... kissing. But they weren't just kissing, they were making", "goes something like this: > > But that's not what her dad cared", "something like this: > > But that's not what her dad cared about.", "weren't just kissing, they were making out. As KumaZd’s hand reached under Xavier’s", "and don’t you dare come out until I tell you to!” > >", "and I really need to know if I'm breaking any rules doing that.", "There's a scene in the novel where the girl (KumaZd) is sneaking in", "The scene goes something like this: > > But that's not what her", "I've finally started writing my romance novel. There's a scene in the novel", "is sneaking in from her boyfriend's house. Her dad, however, was waiting for", "video of her and him... kissing. But they weren't just kissing, they were", "can see, both have a !? in them, and I really need to", "you, Sarlb, I really expected you would know better, now go to your", "your room and don’t you dare come out until I tell you to!”", "you can see, both have a !? in them, and I really need", "this: > > But that's not what her dad cared about. This specifically", "specifically was a video of her and him... kissing. But they weren't just", "huh!? Is that what you call talking and stuff!? I’m disgusted with you,", "however, was waiting for her. The scene goes something like this: > >", "stuff, huh!? Is that what you call talking and stuff!? I’m disgusted with", "girl (KumaZd) is sneaking in from her boyfriend's house. Her dad, however, was", "what you call talking and stuff!?** I’m disgusted with you, Sarlb, I really", "dad cared about. This specifically was a video of her and him... kissing.", "> > > The parts that are bolded, as you can see, both", "Sarlb, I really expected you would know better, now go to your room", "would know better, now go to your room and don’t you dare come", "was a video of her and him... kissing. But they weren't just kissing,", "But they weren't just kissing, they were making out. As KumaZd’s hand reached", "not what her dad cared about. This specifically was a video of her", "you would know better, now go to your room and don’t you dare", "the girl (KumaZd) is sneaking in from her boyfriend's house. Her dad, however,", "go to your room and don’t you dare come out until I tell", "to!” > > > The parts that are bolded, as you can see," ]
[ "previously forgotten. How would I make some flashbacks without making the plot too", "am having the main protagonist find their imaginary friend that they had previously", "making the plot too confusing or sounding choppy and forced? How would I", "the reader will understand what's going on, without boring them? What point of", "imaginary friend that they had previously forgotten. How would I make some flashbacks", "friend that they had previously forgotten. How would I make some flashbacks without", "would I make some flashbacks without making the plot too confusing or sounding", "reader will understand what's going on, without boring them? What point of view", "their imaginary friend that they had previously forgotten. How would I make some", "too confusing or sounding choppy and forced? How would I go about this", "and forced? How would I go about this in such a way that", "I go about this in such a way that the reader will understand", "such a way that the reader will understand what's going on, without boring", "had previously forgotten. How would I make some flashbacks without making the plot", "forgotten. How would I make some flashbacks without making the plot too confusing", "or sounding choppy and forced? How would I go about this in such", "some flashbacks without making the plot too confusing or sounding choppy and forced?", "they had previously forgotten. How would I make some flashbacks without making the", "find their imaginary friend that they had previously forgotten. How would I make", "this in such a way that the reader will understand what's going on,", "that the reader will understand what's going on, without boring them? What point", "the main protagonist find their imaginary friend that they had previously forgotten. How", "will understand what's going on, without boring them? What point of view should", "would I go about this in such a way that the reader will", "way that the reader will understand what's going on, without boring them? What", "confusing or sounding choppy and forced? How would I go about this in", "plot too confusing or sounding choppy and forced? How would I go about", "what's going on, without boring them? What point of view should the flashbacks", "understand what's going on, without boring them? What point of view should the", "flashbacks without making the plot too confusing or sounding choppy and forced? How", "protagonist find their imaginary friend that they had previously forgotten. How would I", "make some flashbacks without making the plot too confusing or sounding choppy and", "going on, without boring them? What point of view should the flashbacks be", "go about this in such a way that the reader will understand what's", "main protagonist find their imaginary friend that they had previously forgotten. How would", "having the main protagonist find their imaginary friend that they had previously forgotten.", "the plot too confusing or sounding choppy and forced? How would I go", "I am having the main protagonist find their imaginary friend that they had", "sounding choppy and forced? How would I go about this in such a", "choppy and forced? How would I go about this in such a way", "on, without boring them? What point of view should the flashbacks be in?", "How would I make some flashbacks without making the plot too confusing or", "about this in such a way that the reader will understand what's going", "in such a way that the reader will understand what's going on, without", "a way that the reader will understand what's going on, without boring them?", "forced? How would I go about this in such a way that the", "How would I go about this in such a way that the reader", "without making the plot too confusing or sounding choppy and forced? How would", "that they had previously forgotten. How would I make some flashbacks without making", "I make some flashbacks without making the plot too confusing or sounding choppy" ]
[ "I've thought may be a good way to show this, without giving up", "to the antagonist but only for a very short chapter of the book.", "too much information is by switching the viewpoint character to the antagonist but", "So far, the novel is written with two other viewpoint characters, both of", "antagonist has any important information that way). I obviously want the reader to", "the two. So, will it be more of a distraction or even just", "information that they want and decides it's better if the protagonist gets away", "switch the view point character to one of the bad guys just for", "the antagonist gets the information that they want and decides it's better if", "even still, the viewpoint doesn't switch very often between the two. So, will", "be more of a distraction or even just poor technique to jump into", "they want and decides it's better if the protagonist gets away so that", "know that the antagonist let the protagonist get away to increase tension and", "(the protagonist and company don't think that the antagonist has any important information", "antagonist gets the information that they want and decides it's better if the", "if it's distracting or poor technique to switch the view point character to", "a later book in the series. What I've thought may be a good", "raised (the protagonist and company don't think that the antagonist has any important", "later, possibly not even until a later book in the series. What I've", "but I don't want the main characters to realize this until much later,", "novel length piece of fiction and there is a time when the protagonist", "want the main characters to realize this until much later, possibly not even", "the antagonist but only for a very short chapter of the book. So", "poor technique to switch the view point character to one of the bad", "thought may be a good way to show this, without giving up too", "that the antagonist let the protagonist get away to increase tension and raise", "just for a few pages or a very short scene in a novel.", "are raised (the protagonist and company don't think that the antagonist has any", "good way to show this, without giving up too much information is by", "and decides it's better if the protagonist gets away so that no alarms", "a novel length piece of fiction and there is a time when the", "the information that they want and decides it's better if the protagonist gets", "will it be more of a distraction or even just poor technique to", "few pages or a very short scene in a novel. I'm working on", "the antagonist has any important information that way). I obviously want the reader", "giving up too much information is by switching the viewpoint character to the", "no alarms are raised (the protagonist and company don't think that the antagonist", "this until much later, possibly not even until a later book in the", "but only for a very short chapter of the book. So far, the", "way to show this, without giving up too much information is by switching", "the book. So far, the novel is written with two other viewpoint characters,", "character to the antagonist but only for a very short chapter of the", "away so that no alarms are raised (the protagonist and company don't think", "the viewpoint doesn't switch very often between the two. So, will it be", "one of the bad guys just for a few pages or a very", "this, without giving up too much information is by switching the viewpoint character", "working on a novel length piece of fiction and there is a time", "pages or a very short scene in a novel. I'm working on a", "even until a later book in the series. What I've thought may be", "What I've thought may be a good way to show this, without giving", "any important information that way). I obviously want the reader to know that", "information that way). I obviously want the reader to know that the antagonist", "question of why but I don't want the main characters to realize this", "distraction or even just poor technique to jump into the antagonists shoes for", "So, will it be more of a distraction or even just poor technique", "the main protagonists and even still, the viewpoint doesn't switch very often between", "short scene in a novel. I'm working on a novel length piece of", "in a novel. I'm working on a novel length piece of fiction and", "the reader to know that the antagonist let the protagonist get away to", "for a few pages or a very short scene in a novel. I'm", "the view point character to one of the bad guys just for a", "information is by switching the viewpoint character to the antagonist but only for", "gets the information that they want and decides it's better if the protagonist", "antagonist let the protagonist get away to increase tension and raise the question", "is by switching the viewpoint character to the antagonist but only for a", "don't think that the antagonist has any important information that way). I obviously", "the novel is written with two other viewpoint characters, both of whom are", "let the protagonist get away to increase tension and raise the question of", "or even just poor technique to jump into the antagonists shoes for a", "of why but I don't want the main characters to realize this until", "up too much information is by switching the viewpoint character to the antagonist", "want and decides it's better if the protagonist gets away so that no", "company don't think that the antagonist has any important information that way). I", "main characters to realize this until much later, possibly not even until a", "doesn't switch very often between the two. So, will it be more of", "antagonist. What happens then is that the antagonist gets the information that they", "novel. I'm working on a novel length piece of fiction and there is", "then is that the antagonist gets the information that they want and decides", "without giving up too much information is by switching the viewpoint character to", "has any important information that way). I obviously want the reader to know", "protagonist and company don't think that the antagonist has any important information that", "to show this, without giving up too much information is by switching the", "other viewpoint characters, both of whom are the main protagonists and even still,", "fiction and there is a time when the protagonist is captured by the", "the protagonist gets away so that no alarms are raised (the protagonist and", "to realize this until much later, possibly not even until a later book", "and raise the question of why but I don't want the main characters", "alarms are raised (the protagonist and company don't think that the antagonist has", "don't want the main characters to realize this until much later, possibly not", "gets away so that no alarms are raised (the protagonist and company don't", "a very short scene in a novel. I'm working on a novel length", "What happens then is that the antagonist gets the information that they want", "book in the series. What I've thought may be a good way to", "main protagonists and even still, the viewpoint doesn't switch very often between the", "very often between the two. So, will it be more of a distraction", "technique to switch the view point character to one of the bad guys", "I obviously want the reader to know that the antagonist let the protagonist", "show this, without giving up too much information is by switching the viewpoint", "chapter of the book. So far, the novel is written with two other", "until much later, possibly not even until a later book in the series.", "written with two other viewpoint characters, both of whom are the main protagonists", "viewpoint doesn't switch very often between the two. So, will it be more", "between the two. So, will it be more of a distraction or even", "by the antagonist. What happens then is that the antagonist gets the information", "is a time when the protagonist is captured by the antagonist. What happens", "it's better if the protagonist gets away so that no alarms are raised", "what I'm wondering here is if it's distracting or poor technique to switch", "much information is by switching the viewpoint character to the antagonist but only", "bad guys just for a few pages or a very short scene in", "of whom are the main protagonists and even still, the viewpoint doesn't switch", "a few pages or a very short scene in a novel. I'm working", "the antagonist let the protagonist get away to increase tension and raise the", "is written with two other viewpoint characters, both of whom are the main", "even just poor technique to jump into the antagonists shoes for a brief", "raise the question of why but I don't want the main characters to", "if the protagonist gets away so that no alarms are raised (the protagonist", "viewpoint characters, both of whom are the main protagonists and even still, the", "often between the two. So, will it be more of a distraction or", "far, the novel is written with two other viewpoint characters, both of whom", "so that no alarms are raised (the protagonist and company don't think that", "may be a good way to show this, without giving up too much", "to increase tension and raise the question of why but I don't want", "tension and raise the question of why but I don't want the main", "the protagonist get away to increase tension and raise the question of why", "better if the protagonist gets away so that no alarms are raised (the", "in the series. What I've thought may be a good way to show", "that no alarms are raised (the protagonist and company don't think that the", "away to increase tension and raise the question of why but I don't", "is captured by the antagonist. What happens then is that the antagonist gets", "why but I don't want the main characters to realize this until much", "want the reader to know that the antagonist let the protagonist get away", "it be more of a distraction or even just poor technique to jump", "here is if it's distracting or poor technique to switch the view point", "whom are the main protagonists and even still, the viewpoint doesn't switch very", "or a very short scene in a novel. I'm working on a novel", "and even still, the viewpoint doesn't switch very often between the two. So,", "protagonist is captured by the antagonist. What happens then is that the antagonist", "the protagonist is captured by the antagonist. What happens then is that the", "I'm wondering here is if it's distracting or poor technique to switch the", "are the main protagonists and even still, the viewpoint doesn't switch very often", "the main characters to realize this until much later, possibly not even until", "is that the antagonist gets the information that they want and decides it's", "both of whom are the main protagonists and even still, the viewpoint doesn't", "possibly not even until a later book in the series. What I've thought", "that the antagonist gets the information that they want and decides it's better", "get away to increase tension and raise the question of why but I", "the bad guys just for a few pages or a very short scene", "protagonists and even still, the viewpoint doesn't switch very often between the two.", "length piece of fiction and there is a time when the protagonist is", "is if it's distracting or poor technique to switch the view point character", "switch very often between the two. So, will it be more of a", "protagonist gets away so that no alarms are raised (the protagonist and company", "piece of fiction and there is a time when the protagonist is captured", "decides it's better if the protagonist gets away so that no alarms are", "time when the protagonist is captured by the antagonist. What happens then is", "to one of the bad guys just for a few pages or a", "and company don't think that the antagonist has any important information that way).", "series. What I've thought may be a good way to show this, without", "more of a distraction or even just poor technique to jump into the", "I'm working on a novel length piece of fiction and there is a", "viewpoint character to the antagonist but only for a very short chapter of", "book. So far, the novel is written with two other viewpoint characters, both", "very short scene in a novel. I'm working on a novel length piece", "very short chapter of the book. So far, the novel is written with", "two. So, will it be more of a distraction or even just poor", "only for a very short chapter of the book. So far, the novel", "a novel. I'm working on a novel length piece of fiction and there", "a time when the protagonist is captured by the antagonist. What happens then", "be a good way to show this, without giving up too much information", "still, the viewpoint doesn't switch very often between the two. So, will it", "there is a time when the protagonist is captured by the antagonist. What", "point character to one of the bad guys just for a few pages", "Basically what I'm wondering here is if it's distracting or poor technique to", "way). I obviously want the reader to know that the antagonist let the", "captured by the antagonist. What happens then is that the antagonist gets the", "reader to know that the antagonist let the protagonist get away to increase", "a distraction or even just poor technique to jump into the antagonists shoes", "think that the antagonist has any important information that way). I obviously want", "the antagonist. What happens then is that the antagonist gets the information that", "that they want and decides it's better if the protagonist gets away so", "realize this until much later, possibly not even until a later book in", "when the protagonist is captured by the antagonist. What happens then is that", "by switching the viewpoint character to the antagonist but only for a very", "I don't want the main characters to realize this until much later, possibly", "not even until a later book in the series. What I've thought may", "and there is a time when the protagonist is captured by the antagonist.", "for a very short chapter of the book. So far, the novel is", "to switch the view point character to one of the bad guys just", "protagonist get away to increase tension and raise the question of why but", "character to one of the bad guys just for a few pages or", "the viewpoint character to the antagonist but only for a very short chapter", "novel is written with two other viewpoint characters, both of whom are the", "with two other viewpoint characters, both of whom are the main protagonists and", "to know that the antagonist let the protagonist get away to increase tension", "of a distraction or even just poor technique to jump into the antagonists", "the question of why but I don't want the main characters to realize", "view point character to one of the bad guys just for a few", "important information that way). I obviously want the reader to know that the", "until a later book in the series. What I've thought may be a", "guys just for a few pages or a very short scene in a", "that way). I obviously want the reader to know that the antagonist let", "that the antagonist has any important information that way). I obviously want the", "later book in the series. What I've thought may be a good way", "wondering here is if it's distracting or poor technique to switch the view", "of the book. So far, the novel is written with two other viewpoint", "a very short chapter of the book. So far, the novel is written", "the series. What I've thought may be a good way to show this,", "of fiction and there is a time when the protagonist is captured by", "it's distracting or poor technique to switch the view point character to one", "switching the viewpoint character to the antagonist but only for a very short", "antagonist but only for a very short chapter of the book. So far,", "obviously want the reader to know that the antagonist let the protagonist get", "distracting or poor technique to switch the view point character to one of", "happens then is that the antagonist gets the information that they want and", "increase tension and raise the question of why but I don't want the", "of the bad guys just for a few pages or a very short", "two other viewpoint characters, both of whom are the main protagonists and even", "just poor technique to jump into the antagonists shoes for a brief scene?", "characters to realize this until much later, possibly not even until a later", "short chapter of the book. So far, the novel is written with two", "much later, possibly not even until a later book in the series. What", "characters, both of whom are the main protagonists and even still, the viewpoint", "or poor technique to switch the view point character to one of the", "scene in a novel. I'm working on a novel length piece of fiction", "a good way to show this, without giving up too much information is", "on a novel length piece of fiction and there is a time when" ]
[ "\"large fire\", I'll end up picking \"blaze\" over \"conflagration\".) Can you give me", "characters get the gist of what she's saying without even that. But there's", "letter that would force her to simplify her thoughts for an imaginary audience.)", "beta readers have a lower level of English than I do. (They're great", "how can I do that without losing part of the main character's personality?", "than I do. (They're great at pointing out mistakes in the plot or", "people. Because of this, she tends to use rare or even outdated words", "This is only a problem for the narrative. I've yet to encounter a", "part of her character, and I love how her personality shines through in", "In other words, the story should absolutely not require the reader to consult", "absolutely not require the reader to consult a dictionary every 5 minutes (or,", "have to ask her to \"translate\" her own speech. Sometimes, she'll preemptively repeat", "or letter that would force her to simplify her thoughts for an imaginary", "a thesaurus to help me find the right synonym, I only ever pick", "effect I'd like to achieve, but they should still be able to follow", "narrative. I've yet to encounter a piece of dialogue where another character would", "I frequently use a thesaurus to help me find the right synonym, I", "at pointing out mistakes in the plot or character development, but I wouldn't", "frustration). I already know not to use words I don't understand. While I", "looking for, which might not be unusual at all. For example, when looking", "synonym for \"large fire\", I'll end up picking \"blaze\" over \"conflagration\".) *Can you", "I love how her personality shines through in her voice. However, I'm starting", "shines through in her voice. However, I'm starting to wonder if I'm overdoing", "it's making the story too difficult to understand. Of course this is only", "dictionary every 5 minutes (or, worse, give up in frustration). I already know", "in frustration). I already know not to use words I don't understand. While", "only a problem for the narrative. I've yet to encounter a piece of", "them to proofread.) My audience is likely to also include non-native English", "a short story told in first person by a character who, an avid", "synonym, I only ever pick words I know and have seen used in", "I'd like to achieve, but they should still be able to follow the", "language. While I'm more than comfortable writing in English, this makes it much", "even outdated words when telling her story. This is an important part of", "have a lower level of English than I do. (They're great at pointing", "I often have to check the list of synonyms to recognize the one", "personality? This is only a problem for the narrative. I've yet to encounter", "My audience is likely to also include non-native English speakers. If the reader", "of synonyms to recognize the one I was looking for, which might not", "character who, an avid book lover, is much more likely to grow her", "an imaginary audience.) Some limitations: * I'm writing in English, even though it's", "likely to grow her vocabulary by way of ancient books than by talking", "5 minutes (or, worse, give up in frustration). I already know not to", "I'm writing in English, even though it's not my native language. While I'm", "in English, this makes it much harder for me to guess what the", "have to check the list of synonyms to recognize the one I was", "words, but most of the time, other characters get the gist of what", "While I frequently use a thesaurus to help me find the right synonym,", "a statement in different words, but most of the time, other characters get", "her personality shines through in her voice. However, I'm starting to wonder if", "the time, other characters get the gist of what she's saying without even", "would force her to simplify her thoughts for an imaginary audience.) Some limitations:", "literal meaning of every word, that's exactly the effect I'd like to achieve,", "a dictionary every 5 minutes (or, worse, give up in frustration). I already", "might not be unusual at all. For example, when looking for a synonym", "that's exactly the effect I'd like to achieve, but they should still be", "ask them to proofread.) * My audience is likely to also include non-native", "a book or letter that would force her to simplify her thoughts for", "minutes (or, worse, give up in frustration). I already know not to use", "thoughts for an imaginary audience.) Some limitations: * I'm writing in English, even", "mistakes in the plot or character development, but I wouldn't ask them to", "saying without even that. But there's no reason for her to \"dumb down\"", "draft, and I know I'll have to tone it down later. But how", "over \"conflagration\".) Can you give me any advice, possibly other than \"try to", "more likely to grow her vocabulary by way of ancient books than by", "help me find the right synonym, I only ever pick words I know", "up picking \"blaze\" over \"conflagration\".) *Can you give me any advice, possibly other", "\"dumb down\" the narrative inside her own head, where she'll happily make use", "without even that. But there's no reason for her to \"dumb down\" the", "voice. However, I'm starting to wonder if I'm overdoing it and it's making", "narrative inside her own head, where she'll happily make use of her large", "it and it's making the story too difficult to understand. Of course this", "is likely to also include non-native English speakers. If the reader doesn't understand", "to guess what the average reader might understand. My usual beta readers", "not writing a book or letter that would force her to simplify her", "that would force her to simplify her thoughts for an imaginary audience.) Some", "she'll happily make use of her large vocabulary. (She's not writing a book", "writing a short story told in first person by a character who, an", "audience.) Some limitations: * I'm writing in English, even though it's not my", "I don't understand. While I frequently use a thesaurus to help me find", "be unusual at all. For example, when looking for a synonym for \"large", "wouldn't ask them to proofread.) * My audience is likely to also include", "that. But there's no reason for her to \"dumb down\" the narrative inside", "context. In other words, the story should absolutely not require the reader to", "of her character, and I love how her personality shines through in her", "consult a dictionary every 5 minutes (or, worse, give up in frustration). I", "starting to wonder if I'm overdoing it and it's making the story too", "but they should still be able to follow the plot and the main", "story should absolutely not require the reader to consult a dictionary every 5", "I wouldn't ask them to proofread.) * My audience is likely to also", "outdated words when telling her story. This is an important part of her", "down later. But how can I do that without losing part of the", "which might not be unusual at all. For example, when looking for a", "be able to follow the plot and the main character's thoughts based on", "book lover, is much more likely to grow her vocabulary by way of", "the surrounding context. In other words, the story should absolutely not require the", "my first draft, and I know I'll have to tone it down later.", "story too difficult to understand. Of course this is only my first draft,", "great at pointing out mistakes in the plot or character development, but I", "personality shines through in her voice. However, I'm starting to wonder if I'm", "they should still be able to follow the plot and the main character's", "vocabulary by way of ancient books than by talking to other people. Because", "language, but I often have to check the list of synonyms to recognize", "right synonym, I only ever pick words I know and have seen used", "her character, and I love how her personality shines through in her voice.", "picking \"blaze\" over \"conflagration\".) *Can you give me any advice, possibly other than", "the story too difficult to understand. Of course this is only my first", "to simplify her thoughts for an imaginary audience.) Some limitations: I'm writing", "head, where she'll happily make use of her large vocabulary. (She's not writing", "avid book lover, is much more likely to grow her vocabulary by way", "me to guess what the average reader might understand. * My usual beta", "a synonym for \"large fire\", I'll end up picking \"blaze\" over \"conflagration\".) Can", "do that without losing part of the main character's personality? This is only", "This is an important part of her character, and I love how her", "to ask her to \"translate\" her own speech. Sometimes, she'll preemptively repeat a", "even that. But there's no reason for her to \"dumb down\" the narrative", "Sometimes, she'll preemptively repeat a statement in different words, but most of the", "character's personality? This is only a problem for the narrative. I've yet to", "achieve, but they should still be able to follow the plot and the", "comfortable writing in English, this makes it much harder for me to guess", "in her voice. However, I'm starting to wonder if I'm overdoing it and", "for the narrative. I've yet to encounter a piece of dialogue where another", "like to achieve, but they should still be able to follow the plot", "I know and have seen used in a similar context to mine. (Maybe", "an avid book lover, is much more likely to grow her vocabulary by", "English is my second language, but I often have to check the list", "that without losing part of the main character's personality? This is only a", "the reader to consult a dictionary every 5 minutes (or, worse, give up", "and it's making the story too difficult to understand. Of course this is", "I do that without losing part of the main character's personality? This is", "words I don't understand. While I frequently use a thesaurus to help me", "looking for a synonym for \"large fire\", I'll end up picking \"blaze\" over", "I do. (They're great at pointing out mistakes in the plot or character", "time, other characters get the gist of what she's saying without even that.", "to follow the plot and the main character's thoughts based on the surrounding", "to mine. (Maybe it's because English is my second language, but I often", "in different words, but most of the time, other characters get the gist", "get the gist of what she's saying without even that. But there's no", "person by a character who, an avid book lover, is much more likely", "her story. This is an important part of her character, and I love", "\"conflagration\".) Can you give me any advice, possibly other than \"try to find", "story. This is an important part of her character, and I love how", "through in her voice. However, I'm starting to wonder if I'm overdoing it", "an important part of her character, and I love how her personality shines", "Because of this, she tends to use rare or even outdated words when", "have to tone it down later. But how can I do that without", "the main character's personality? This is only a problem for the narrative. I've", "different words, but most of the time, other characters get the gist of", "her vocabulary by way of ancient books than by talking to other people.", "the narrative. I've yet to encounter a piece of dialogue where another character", "not to use words I don't understand. While I frequently use a thesaurus", "synonyms to recognize the one I was looking for, which might not be", "the effect I'd like to achieve, but they should still be able to", "and I know I'll have to tone it down later. But how can", "can I do that without losing part of the main character's personality? This", "in English, even though it's not my native language. While I'm more than", "if I'm overdoing it and it's making the story too difficult to understand.", "without losing part of the main character's personality?** This is only a problem", "However, I'm starting to wonder if I'm overdoing it and it's making the", "the right synonym, I only ever pick words I know and have seen", "than comfortable writing in English, this makes it much harder for me to", "of dialogue where another character would have to ask her to \"translate\" her", "most of the time, other characters get the gist of what she's saying", "development, but I wouldn't ask them to proofread.) * My audience is likely", "understand. * My usual beta readers have a lower level of English than", "If the reader doesn't understand the literal meaning of every word, that's exactly", "this makes it much harder for me to guess what the average reader", "force her to simplify her thoughts for an imaginary audience.) Some limitations: ", "wonder if I'm overdoing it and it's making the story too difficult to", "at all. For example, when looking for a synonym for \"large fire\", I'll", "to help me find the right synonym, I only ever pick words I", "While I'm more than comfortable writing in English, this makes it much harder", "(or, worse, give up in frustration). I already know not to use words", "though it's not my native language. While I'm more than comfortable writing in", "I know I'll have to tone it down later. But how can I", "a problem for the narrative. I've yet to encounter a piece of dialogue", "words I know and have seen used in a similar context to mine.", "it down later. But how can I do that without losing part of", "the gist of what she's saying without even that. But there's no reason", "this, she tends to use rare or even outdated words* when telling her", "doesn't understand the literal meaning of every word, that's exactly the effect I'd", "surrounding context. In other words, the story should absolutely not require the reader", "of the time, other characters get the gist of what she's saying without", "* My audience is likely to also include non-native English speakers. If the", "might understand. * My usual beta readers have a lower level of English", "of every word, that's exactly the effect I'd like to achieve, but they", "likely to also include non-native English speakers. If the reader doesn't understand the", "\"translate\" her own speech. Sometimes, she'll preemptively repeat a statement in different words,", "it much harder for me to guess what the average reader might understand.", "words, the story should absolutely not require the reader to consult a dictionary", "pointing out mistakes in the plot or character development, but I wouldn't ask", "course this is only my first draft, and I know I'll have to", "vocabulary. (She's not writing a book or letter that would force her to", "(Maybe it's because English is my second language, but I often have to", "is my second language, but I often have to check the list of", "other people. Because of this, she tends to use rare or even outdated", "English than I do. (They're great at pointing out mistakes in the plot", "is only a problem for the narrative. I've yet to encounter a piece", "I already know not to use words I don't understand. While I frequently", "\"blaze\" over \"conflagration\".) *Can you give me any advice, possibly other than \"try", "speakers. If the reader doesn't understand the literal meaning of every* word, that's", "I only ever pick words I know and have seen used in a", "my native language. While I'm more than comfortable writing in English, this makes", "the plot and the main character's thoughts based on the surrounding context. In", "up in frustration). I already know not to use words I don't understand.", "one I was looking for, which might not be unusual at all. For", "not my native language. While I'm more than comfortable writing in English, this", "to recognize the one I was looking for, which might not be unusual", "able to follow the plot and the main character's thoughts based on the", "know I'll have to tone it down later. But how can I do", "follow the plot and the main character's thoughts based on the surrounding context.", "reason for her to \"dumb down\" the narrative inside her own head, where", "frequently use a thesaurus to help me find the right synonym, I only", "what she's saying without even that. But there's no reason for her to", "of her large vocabulary. (She's not writing a book or letter that would", "for me to guess what the average reader might understand. * My usual", "Some limitations: * I'm writing in English, even though it's not my native", "context to mine. (Maybe it's because English is my second language, but I", "understand the literal meaning of every word, that's exactly the effect I'd like", "her own speech. Sometimes, she'll preemptively repeat a statement in different words, but", "for, which might not be unusual at all. For example, when looking for", "when telling her story. This is an important part of her character, and", "all. For example, when looking for a synonym for \"large fire\", I'll end", "lower level of English than I do. (They're great at pointing out mistakes", "who, an avid book lover, is much more likely to grow her vocabulary", "talking to other people. Because of this, she tends to use *rare or", "the one I was looking for, which might not be unusual at all.", "word, that's exactly the effect I'd like to achieve, but they should still", " My usual beta readers have a lower level of English than I", "dialogue where another character would have to ask her to \"translate\" her own", "but most of the time, other characters get the gist of what she's", "statement in different words, but most of the time, other characters get the", "and I love how her personality shines through in her voice. However, I'm", "in first person by a character who, an avid book lover, is much", "rare or even outdated words when telling her story. This is an important", "the literal meaning of every word, that's exactly the effect I'd like to", "would have to ask her to \"translate\" her own speech. Sometimes, she'll preemptively", "English, this makes it much harder for me to guess what the average", "based on the surrounding context. In other words, the story should absolutely not", "My usual beta readers have a lower level of English than I do.", "use rare or even outdated words when telling her story. This is an", "is much more likely to grow her vocabulary by way of ancient books", "understand. Of course this is only my first draft, and I know I'll", "even though it's not my native language. While I'm more than comfortable writing", "only my first draft, and I know I'll have to tone it down", "repeat a statement in different words, but most of the time, other characters", "other words, the story should absolutely not require the reader to consult a", "there's no reason for her to \"dumb down\" the narrative inside her own", "a piece of dialogue where another character would have to ask her to", "readers have a lower level of English than I do. (They're great at", "unusual at all. For example, when looking for a synonym for \"large fire\",", "makes it much harder for me to guess what the average reader might", "she's saying without even that. But there's no reason for her to \"dumb", "use a thesaurus to help me find the right synonym, I only ever", "worse, give up in frustration). I already know not to use words I", "is only my first draft, and I know I'll have to tone it", "give me any advice, possibly other than \"try to find better beta readers\"?", "her thoughts for an imaginary audience.) Some limitations: * I'm writing in English,", "I'm writing a short story told in first person by a character who,", "plot or character development, but I wouldn't ask them to proofread.) * My", "problem for the narrative. I've yet to encounter a piece of dialogue where", "her to \"dumb down\" the narrative inside her own head, where she'll happily", "own speech. Sometimes, she'll preemptively repeat a statement in different words, but most", "to tone it down later. But how can I do that without losing", "to proofread.) * My audience is likely to also include non-native English speakers.", "grow her vocabulary by way of ancient books than by talking to other", "than by talking to other people. Because of this, she tends to use", "books than by talking to other people. Because of this, she tends to", "other characters get the gist of what she's saying without even that. But", "lover, is much more likely to grow her vocabulary by way of ancient", "character, and I love how her personality shines through in her voice. However,", "to use words I don't understand. While I frequently use a thesaurus to", "writing in English, even though it's not my native language. While I'm more", "often have to check the list of synonyms to recognize the one I", "do. (They're great at pointing out mistakes in the plot or character development,", "I was looking for, which might not be unusual at all. For example,", "because English is my second language, but I often have to check the", "speech. Sometimes, she'll preemptively repeat a statement in different words, but most of", "to grow her vocabulary by way of ancient books than by talking to", "still be able to follow the plot and the main character's thoughts based", "tone it down later. But how can I do that without losing part", "similar context to mine. (Maybe it's because English is my second language, but", "difficult to understand. Of course this is only my first draft, and I", "for a synonym for \"large fire\", I'll end up picking \"blaze\" over \"conflagration\".)", "I'm more than comfortable writing in English, this makes it much harder for", "of this, she tends to use rare or even outdated words** when telling", "only ever pick words I know and have seen used in a similar", "where another character would have to ask her to \"translate\" her own speech.", "to consult a dictionary every 5 minutes (or, worse, give up in frustration).", "seen used in a similar context to mine. (Maybe it's because English is", "check the list of synonyms to recognize the one I was looking for,", "the reader doesn't understand the literal meaning of every word, that's exactly the", "Of course this is only my first draft, and I know I'll have", "mine. (Maybe it's because English is my second language, but I often have", "her large vocabulary. (She's not writing a book or letter that would force", "the story should absolutely not require the reader to consult a dictionary every", "to also include non-native English speakers. If the reader doesn't understand the literal", "a similar context to mine. (Maybe it's because English is my second language,", "pick words I know and have seen used in a similar context to", "thesaurus to help me find the right synonym, I only ever pick words", "use of her large vocabulary. (She's not writing a book or letter that", "ancient books than by talking to other people. Because of this, she tends", "Can you give me any advice, possibly other than \"try to find better", "my second language, but I often have to check the list of synonyms", "know not to use words I don't understand. While I frequently use a", "to wonder if I'm overdoing it and it's making the story too difficult", "and have seen used in a similar context to mine. (Maybe it's because", "tends to use rare or even outdated words when telling her story. This", "by talking to other people. Because of this, she tends to use *rare", "inside her own head, where she'll happily make use of her large vocabulary.", "much more likely to grow her vocabulary by way of ancient books than", "out mistakes in the plot or character development, but I wouldn't ask them", "already know not to use words I don't understand. While I frequently use", "English speakers. If the reader doesn't understand the literal meaning of every* word,", "love how her personality shines through in her voice. However, I'm starting to", "of what she's saying without even that. But there's no reason for her", "on the surrounding context. In other words, the story should absolutely not require", "to encounter a piece of dialogue where another character would have to ask", "used in a similar context to mine. (Maybe it's because English is my", "too difficult to understand. Of course this is only my first draft, and", "making the story too difficult to understand. Of course this is only my", "losing part of the main character's personality? This is only a problem for", "recognize the one I was looking for, which might not be unusual at", "told in first person by a character who, an avid book lover, is", "telling her story. This is an important part of her character, and I", "include non-native English speakers. If the reader doesn't understand the literal meaning of", "was looking for, which might not be unusual at all. For example, when", "of the main character's personality? This is only a problem for the narrative.", "also include non-native English speakers. If the reader doesn't understand the literal meaning", "I'm starting to wonder if I'm overdoing it and it's making the story", "and the main character's thoughts based on the surrounding context. In other words,", "end up picking \"blaze\" over \"conflagration\".) Can you give me any advice, possibly", "it's because English is my second language, but I often have to check", "first draft, and I know I'll have to tone it down later. But", "no reason for her to \"dumb down\" the narrative inside her own head,", "require the reader to consult a dictionary every 5 minutes (or, worse, give", "find the right synonym, I only ever pick words I know and have", "* I'm writing in English, even though it's not my native language. While", "more than comfortable writing in English, this makes it much harder for me", "her to \"translate\" her own speech. Sometimes, she'll preemptively repeat a statement in", "a character who, an avid book lover, is much more likely to grow", "of English than I do. (They're great at pointing out mistakes in the", "to \"dumb down\" the narrative inside her own head, where she'll happily make", "important part of her character, and I love how her personality shines through", "piece of dialogue where another character would have to ask her to \"translate\"", "character would have to ask her to \"translate\" her own speech. Sometimes, she'll", "much harder for me to guess what the average reader might understand. ", "reader doesn't understand the literal meaning of every* word, that's exactly the effect", "I've yet to encounter a piece of dialogue where another character would have", "(They're great at pointing out mistakes in the plot or character development, but", "where she'll happily make use of her large vocabulary. (She's not writing a", "or even outdated words when telling her story. This is an important part", "fire\", I'll end up picking \"blaze\" over \"conflagration\".) Can you give me any", "main character's thoughts based on the surrounding context. In other words, the story", "For example, when looking for a synonym for \"large fire\", I'll end up", "simplify her thoughts for an imaginary audience.) Some limitations: * I'm writing in", "this is only my first draft, and *I know I'll have to tone", "character development, but I wouldn't ask them to proofread.) My audience is", "but I wouldn't ask them to proofread.) * My audience is likely to", "story told in first person by a character who, an avid book lover,", "part of the main character's personality?** This is only a problem for the", "example, when looking for a synonym for \"large fire\", I'll end up picking", "preemptively repeat a statement in different words, but most of the time, other", "English, even though it's not my native language. While I'm more than comfortable", "average reader might understand. * My usual beta readers have a lower level", "exactly the effect I'd like to achieve, but they should still be able", "I'm overdoing it and it's making the story too difficult to understand. Of", "give up in frustration). I already know not to use words I don't", "overdoing it and it's making the story too difficult to understand. Of course", "another character would have to ask her to \"translate\" her own speech. Sometimes,", "her to simplify her thoughts for an imaginary audience.) Some limitations: * I'm", "should still be able to follow the plot and the main character's thoughts", "the average reader might understand. * My usual beta readers have a lower", "reader to consult a dictionary every 5 minutes (or, worse, give up in", "how her personality shines through in her voice. However, I'm starting to wonder", "to understand. Of course this is only my first draft, and I know", "not require the reader to consult a dictionary every 5 minutes (or, worse,", "not be unusual at all. For example, when looking for a synonym for", "she tends to use rare or even outdated words when telling her story.", "make use of her large vocabulary. (She's not writing a book or letter", "writing in English, this makes it much harder for me to guess what", "native language. While I'm more than comfortable writing in English, this makes it", "use words I don't understand. While I frequently use a thesaurus to help", "short story told in first person** by a character who, an avid book", "know and have seen used in a similar context to mine. (Maybe it's", "by a character who, an avid book lover, is much more likely to", "should absolutely not require the reader to consult a dictionary every 5 minutes", "is an important part of her character, and I love how her personality", "when looking for a synonym for \"large fire\", I'll end up picking \"blaze\"", "have seen used in a similar context to mine. (Maybe it's because English", "or character development, but I wouldn't ask them to proofread.) * My audience", "the narrative inside her own head, where she'll happily make use of her", "plot and the main character's thoughts based on the surrounding context. In other", "non-native English speakers. If the reader doesn't understand the literal meaning of every", "list of synonyms to recognize the one I was looking for, which might", "me find the right synonym, I only ever pick words I know and", "(She's not writing a book or letter that would force her to simplify", "a lower level of English than I do. (They're great at pointing out", "the list of synonyms to recognize the one I was looking for, which", "for her to \"dumb down\" the narrative inside her own head, where she'll", "guess what the average reader might understand. * My usual beta readers have", "way of ancient books than by talking to other people. Because of this,", "to achieve, but they should still be able to follow the plot and", "the main character's thoughts based on the surrounding context. In other words, the", "it's not my native language. While I'm more than comfortable writing in English,", "meaning of every word, that's exactly the effect I'd like to achieve, but", "understand. While I frequently use a thesaurus to help me find the right", "every word, that's exactly the effect I'd like to achieve, but they should", "for \"large fire\", I'll end up picking \"blaze\" over \"conflagration\".) *Can you give", "you give me any advice, possibly other than \"try to find better beta", "happily make use of her large vocabulary. (She's not writing a book or", "gist of what she's saying without even that. But there's no reason for", "But there's no reason for her to \"dumb down\" the narrative inside her", "the plot or character development, but I wouldn't ask them to proofread.) ", "audience is likely to also include non-native English speakers. If the reader doesn't", "later. But how can I do that without losing part of the main", "her own head, where she'll happily make use of her large vocabulary. (She's", "thoughts based on the surrounding context. In other words, the story should absolutely", "writing a book or letter that would force her to simplify her thoughts", "large vocabulary. (She's not writing a book or letter that would force her", "by way of ancient books than by talking to other people. Because of", "reader might understand. * My usual beta readers have a lower level of", "in the plot or character development, but I wouldn't ask them to proofread.)", "ever pick words I know and have seen used in a similar context", "I'll end up picking \"blaze\" over \"conflagration\".) *Can you give me any advice,", "to \"translate\" her own speech. Sometimes, she'll preemptively repeat a statement in different", "imaginary audience.) Some limitations: I'm writing in English, even though it's not", "second language, but I often have to check the list of synonyms to", "character's thoughts based on the surrounding context. In other words, the story should", "of ancient books than by talking to other people. Because of this, she", "limitations: * I'm writing in English, even though it's not my native language.", "proofread.) * My audience is likely to also include non-native English speakers. If", "to other people. Because of this, she tends to use *rare or even", "ask her to \"translate\" her own speech. Sometimes, she'll preemptively repeat a statement", "what the average reader might understand. My usual beta readers have a", "she'll preemptively repeat a statement in different words, but most of the time,", "to use rare or even outdated words when telling her story. This is", "every 5 minutes (or, worse, give up in frustration). I already know not", "But how can I do that without losing part of the main character's", "first person by a character who, an avid book lover, is much more", "her voice. However, I'm starting to wonder if I'm overdoing it and it's", "encounter a piece of dialogue where another character would have to ask her", "usual beta readers have a lower level of English than I do. (They're", "for an imaginary audience.) Some limitations: * I'm writing in English, even though", "own head, where she'll happily make use of her large vocabulary. (She's not", "but I often have to check the list of synonyms to recognize the", "main character's personality? This is only a problem for the narrative. I've yet", "don't understand. While I frequently use a thesaurus to help me find the", "words when telling her story. This is an important part of her character,", "yet to encounter a piece of dialogue where another character would have to", "harder for me to guess what the average reader might understand. * My", "down\" the narrative inside her own head, where she'll happily make use of", "book or letter that would force her to simplify her thoughts for an", "I'll have to tone it down later. But how can I do that", "to check the list of synonyms to recognize the one I was looking", "in a similar context to mine. (Maybe it's because English is my second", "level of English than I do. (They're great at pointing out mistakes in" ]
[ "general self-help. Some of my posts are opinion-based, and some are emotive pieces.", "but writing what people in these sites want to read is tiring, boring", "do not want to have a career in writing, I just want it", "not sure if this question is off-topic here. If so, a comment on", "get appreciated (most of the times, they are simply ignored). I understand that", "(I am not sure if this question is off-topic here. If so, a", "I came here for advice: Should I quit these sites and just write", "to read is tiring, boring and difficult. I do not want to have", "goal, but it has negatively impacted me, hence I came here for advice:", "is off-topic here. If so, a comment on where to ask this would", "is an audience really required? (I am not sure if this question is", "writing, particularly on topics of realism and general self-help. Some of my posts", "me, hence I came here for advice: Should I quit these sites and", "topics of realism and general self-help. Some of my posts are opinion-based, and", "here for advice: Should I quit these sites and just write privately, or", "I understand that getting attention is not supposed to be a goal, but", "me, writing is a fun way of putting my thoughts on a paper,", "realism and general self-help. Some of my posts are opinion-based, and some are", "Some of my posts are opinion-based, and some are emotive pieces. My attempt", "[Quora](https://www.quora.com/) and [Medium](https://medium.com/) has failed miserably. My posts do not get appreciated (most", "posts do not get appreciated (most of the times, they are simply ignored).", "self-help. Some of my posts are opinion-based, and some are emotive pieces. My", "write privately, or should I mould my writing to suit what people want", "miserably. My posts do not get appreciated (most of the times, they are", "be a goal, but it has negatively impacted me, hence I came here", "want to have a career in writing, I just want it to remain", "attempt at sharing my work in [Quora](https://www.quora.com/) and [Medium](https://medium.com/) has failed miserably. My", "in writing, I just want it to remain a hobby- So, to develop", "if this question is off-topic here. If so, a comment on where to", "of my posts are opinion-based, and some are emotive pieces. My attempt at", "that getting attention is not supposed to be a goal, but it has", "not supposed to be a goal, but it has negatively impacted me, hence", "a goal, but it has negatively impacted me, hence I came here for", "career in writing, I just want it to remain a hobby- So, to", "sharing my work in [Quora](https://www.quora.com/) and [Medium](https://medium.com/) has failed miserably. My posts do", "read is tiring, boring and difficult. I do not want to have a", "impacted me, hence I came here for advice: Should I quit these sites", "simply ignored). I understand that getting attention is not supposed to be a", "these sites want to read is tiring, boring and difficult. I do not", "I enjoy it, but writing what people in these sites want to read", "boring and difficult. I do not want to have a career in writing,", "want it to remain a hobby- So, to develop it, is an audience", "writing what people in these sites want to read is tiring, boring and", "a career in writing, I just want it to remain a hobby- So,", "failed miserably. My posts do not get appreciated (most of the times, they", "writing, I just want it to remain a hobby- So, to develop it,", "of putting my thoughts on a paper, and I enjoy it, but writing", "audience really required? (I am not sure if this question is off-topic here.", "sites and just write privately, or should I mould my writing to suit", "remain a hobby- So, to develop it, is an audience really required? (I", "just write privately, or should I mould my writing to suit what people", "it has negatively impacted me, hence I came here for advice: Should I", "sites want to read is tiring, boring and difficult. I do not want", "some are emotive pieces. My attempt at sharing my work in [Quora](https://www.quora.com/) and", "mould my writing to suit what people want to read? For me, writing", "My attempt at sharing my work in [Quora](https://www.quora.com/) and [Medium](https://medium.com/) has failed miserably.", "Should I quit these sites and just write privately, or should I mould", "an audience really required? (I am not sure if this question is off-topic", "they are simply ignored). I understand that getting attention is not supposed to", "advice: Should I quit these sites and just write privately, or should I", "and [Medium](https://medium.com/) has failed miserably. My posts do not get appreciated (most of", "but it has negatively impacted me, hence I came here for advice: Should", "for advice: Should I quit these sites and just write privately, or should", "this question is off-topic here. If so, a comment on where to ask", "fun way of putting my thoughts on a paper, and I enjoy it,", "way of putting my thoughts on a paper, and I enjoy it, but", "my writing to suit what people want to read? For me, writing is", "has negatively impacted me, hence I came here for advice: Should I quit", "off-topic here. If so, a comment on where to ask this would be", "what people want to read? For me, writing is a fun way of", "in [Quora](https://www.quora.com/) and [Medium](https://medium.com/) has failed miserably. My posts do not get appreciated", "I like writing, particularly on topics of realism and general self-help. Some of", "to remain a hobby- So, to develop it, is an audience really required?", "I quit these sites and just write privately, or should I mould my", "came here for advice: Should I quit these sites and just write privately,", "my thoughts on a paper, and I enjoy it, but writing what people", "here. If so, a comment on where to ask this would be appreciated.)", "are simply ignored). I understand that getting attention is not supposed to be", "I just want it to remain a hobby- So, to develop it, is", "it to remain a hobby- So, to develop it, is an audience really", "a hobby- So, to develop it, is an audience really required? (I am", "I mould my writing to suit what people want to read? For me,", "I do not want to have a career in writing, I just want", "what people in these sites want to read is tiring, boring and difficult.", "work in [Quora](https://www.quora.com/) and [Medium](https://medium.com/) has failed miserably. My posts do not get", "has failed miserably. My posts do not get appreciated (most of the times,", "For me, writing is a fun way of putting my thoughts on a", "suit what people want to read? For me, writing is a fun way", "of realism and general self-help. Some of my posts are opinion-based, and some", "writing is a fun way of putting my thoughts on a paper, and", "a fun way of putting my thoughts on a paper, and I enjoy", "my posts are opinion-based, and some are emotive pieces. My attempt at sharing", "in these sites want to read is tiring, boring and difficult. I do", "attention is not supposed to be a goal, but it has negatively impacted", "on topics of realism and general self-help. Some of my posts are opinion-based,", "understand that getting attention is not supposed to be a goal, but it", "paper, and I enjoy it, but writing what people in these sites want", "(most of the times, they are simply ignored). I understand that getting attention", "do not get appreciated (most of the times, they are simply ignored). I", "hence I came here for advice: Should I quit these sites and just", "and general self-help. Some of my posts are opinion-based, and some are emotive", "have a career in writing, I just want it to remain a hobby-", "sure if this question is off-topic here. If so, a comment on where", "not want to have a career in writing, I just want it to", "privately, or should I mould my writing to suit what people want to", "the times, they are simply ignored). I understand that getting attention is not", "and difficult. I do not want to have a career in writing, I", "a paper, and I enjoy it, but writing what people in these sites", "people want to read? For me, writing is a fun way of putting", "pieces. My attempt at sharing my work in [Quora](https://www.quora.com/) and [Medium](https://medium.com/) has failed", "ignored). I understand that getting attention is not supposed to be a goal,", "enjoy it, but writing what people in these sites want to read is", "not get appreciated (most of the times, they are simply ignored). I understand", "am not sure if this question is off-topic here. If so, a comment", "thoughts on a paper, and I enjoy it, but writing what people in", "and just write privately, or should I mould my writing to suit what", "getting attention is not supposed to be a goal, but it has negatively", "to suit what people want to read? For me, writing is a fun", "particularly on topics of realism and general self-help. Some of my posts are", "tiring, boring and difficult. I do not want to have a career in", "or should I mould my writing to suit what people want to read?", "develop it, is an audience really required? (I am not sure if this", "my work in [Quora](https://www.quora.com/) and [Medium](https://medium.com/) has failed miserably. My posts do not", "is not supposed to be a goal, but it has negatively impacted me,", "of the times, they are simply ignored). I understand that getting attention is", "on a paper, and I enjoy it, but writing what people in these", "opinion-based, and some are emotive pieces. My attempt at sharing my work in", "read? For me, writing is a fun way of putting my thoughts on", "it, but writing what people in these sites want to read is tiring,", "is a fun way of putting my thoughts on a paper, and I", "to read? For me, writing is a fun way of putting my thoughts", "required? (I am not sure if this question is off-topic here. If so,", "are emotive pieces. My attempt at sharing my work in [Quora](https://www.quora.com/) and [Medium](https://medium.com/)", "these sites and just write privately, or should I mould my writing to", "negatively impacted me, hence I came here for advice: Should I quit these", "supposed to be a goal, but it has negatively impacted me, hence I", "want to read? For me, writing is a fun way of putting my", "to be a goal, but it has negatively impacted me, hence I came", "My posts do not get appreciated (most of the times, they are simply", "appreciated (most of the times, they are simply ignored). I understand that getting", "[Medium](https://medium.com/) has failed miserably. My posts do not get appreciated (most of the", "to have a career in writing, I just want it to remain a", "like writing, particularly on topics of realism and general self-help. Some of my", "question is off-topic here. If so, a comment on where to ask this", "really required? (I am not sure if this question is off-topic here. If", "it, is an audience really required? (I am not sure if this question", "emotive pieces. My attempt at sharing my work in [Quora](https://www.quora.com/) and [Medium](https://medium.com/) has", "quit these sites and just write privately, or should I mould my writing", "times, they are simply ignored). I understand that getting attention is not supposed", "should I mould my writing to suit what people want to read? For", "at sharing my work in [Quora](https://www.quora.com/) and [Medium](https://medium.com/) has failed miserably. My posts", "are opinion-based, and some are emotive pieces. My attempt at sharing my work", "posts are opinion-based, and some are emotive pieces. My attempt at sharing my", "people in these sites want to read is tiring, boring and difficult. I", "writing to suit what people want to read? For me, writing is a", "to develop it, is an audience really required? (I am not sure if", "difficult. I do not want to have a career in writing, I just", "putting my thoughts on a paper, and I enjoy it, but writing what", "So, to develop it, is an audience really required? (I am not sure", "want to read is tiring, boring and difficult. I do not want to", "and I enjoy it, but writing what people in these sites want to", "and some are emotive pieces. My attempt at sharing my work in [Quora](https://www.quora.com/)", "hobby- So, to develop it, is an audience really required? (I am not", "just want it to remain a hobby- So, to develop it, is an", "is tiring, boring and difficult. I do not want to have a career" ]
[ "stuck now. I am afraid I won't score well. What can you suggest?", "frequently affect the quality of my paper? What could be done to improve", "feel stuck now. I am afraid I won't score well. What can you", "on a paper. While writing, I noticed a problem. I used the word", "'that' 78 times and 'which' 68 times in 32 pages. Will using these", "quality of my paper? What could be done to improve it? I feel", "it? I feel stuck now. I am afraid I won't score well. What", "Will using these words so frequently affect the quality of my paper? What", "the quality of my paper? What could be done to improve it? I", "be done to improve it? I feel stuck now. I am afraid I", "working on a paper. While writing, I noticed a problem. I used the", "I am working on a paper. While writing, I noticed a problem. I", "I used the word 'that' 78 times and 'which' 68 times in 32", "words so frequently affect the quality of my paper? What could be done", "the word 'that' 78 times and 'which' 68 times in 32 pages. Will", "to improve it? I feel stuck now. I am afraid I won't score", "word 'that' 78 times and 'which' 68 times in 32 pages. Will using", "While writing, I noticed a problem. I used the word 'that' 78 times", "these words so frequently affect the quality of my paper? What could be", "affect the quality of my paper? What could be done to improve it?", "and 'which' 68 times in 32 pages. Will using these words so frequently", "I noticed a problem. I used the word 'that' 78 times and 'which'", "Currently, I am working on a paper. While writing, I noticed a problem.", "using these words so frequently affect the quality of my paper? What could", "writing, I noticed a problem. I used the word 'that' 78 times and", "times and 'which' 68 times in 32 pages. Will using these words so", "pages. Will using these words so frequently affect the quality of my paper?", "noticed a problem. I used the word 'that' 78 times and 'which' 68", "could be done to improve it? I feel stuck now. I am afraid", "I feel stuck now. I am afraid I won't score well. What can", "What could be done to improve it? I feel stuck now. I am", "paper. While writing, I noticed a problem. I used the word 'that' 78", "am working on a paper. While writing, I noticed a problem. I used", "done to improve it? I feel stuck now. I am afraid I won't", "32 pages. Will using these words so frequently affect the quality of my", "a problem. I used the word 'that' 78 times and 'which' 68 times", "so frequently affect the quality of my paper? What could be done to", "my paper? What could be done to improve it? I feel stuck now.", "68 times in 32 pages. Will using these words so frequently affect the", "'which' 68 times in 32 pages. Will using these words so frequently affect", "times in 32 pages. Will using these words so frequently affect the quality", "in 32 pages. Will using these words so frequently affect the quality of", "a paper. While writing, I noticed a problem. I used the word 'that'", "78 times and 'which' 68 times in 32 pages. Will using these words", "paper? What could be done to improve it? I feel stuck now. I", "used the word 'that' 78 times and 'which' 68 times in 32 pages.", "of my paper? What could be done to improve it? I feel stuck", "problem. I used the word 'that' 78 times and 'which' 68 times in", "improve it? I feel stuck now. I am afraid I won't score well." ]
[ "am a young author writing a fantasy series and I am at the", "thing? The scene I am about to write is literally the turning point", "the rest of the series, where my characters go from not knowing what", "I’m gonna die anyway, might as well go down fighting.” And her goal", "I am a young author writing a fantasy series and I am at", "say, “enough of this crap. I’m gonna die anyway, might as well go", "to write at the same time. Is that a regular thing? The scene", "So it’s a pretty big event in my story, an whenever I think", "whenever I think about writing it I get completely freaked out. Is this", "the only safe place for humans in my world is completely destroyed, making", "In this scene, thousands of innocent people die, and the only safe place", "mayhem until she realizes, “wait. That wasn’t even the real antagonist.” So it’s", "regular thing? The scene I am about to write is literally the turning", "the turning point for the rest of the series, where my characters go", "is completely destroyed, making my MC say, “enough of this crap. I’m gonna", "in my story, an whenever I think about writing it I get completely", "realizes, “wait. That wasn’t even the real antagonist.” So it’s a pretty big", "a clear goal instead of just running for their lives. In this scene,", "my world is completely destroyed, making my MC say, “enough of this crap.", "a pretty big event in my story, an whenever I think about writing", "my MC say, “enough of this crap. I’m gonna die anyway, might as", "write is literally the turning point for the rest of the series, where", "clear goal instead of just running for their lives. In this scene, thousands", "anyway, might as well go down fighting.” And her goal for the rest", "am about to write is literally the turning point for the rest of", "world is completely destroyed, making my MC say, “enough of this crap. I’m", "not knowing what the heck they’re doing to having a clear goal instead", "the real antagonist.” So it’s a pretty big event in my story, an", "doing to having a clear goal instead of just running for their lives.", "this scene, thousands of innocent people die, and the only safe place for", "real antagonist.” So it’s a pretty big event in my story, an whenever", "“wait. That wasn’t even the real antagonist.” So it’s a pretty big event", "scene, thousands of innocent people die, and the only safe place for humans", "gonna die anyway, might as well go down fighting.” And her goal for", "a regular thing? The scene I am about to write is literally the", "and the only safe place for humans in my world is completely destroyed,", "innocent people die, and the only safe place for humans in my world", "at the halfway point in my first book. I am so excited and", "That wasn’t even the real antagonist.” So it’s a pretty big event in", "the rest of the book is to take down the antagonist who caused", "crap. I’m gonna die anyway, might as well go down fighting.” And her", "heck they’re doing to having a clear goal instead of just running for", "is literally the turning point for the rest of the series, where my", "book. I am so excited and absolutely terrified to write at the same", "antagonist.” So it’s a pretty big event in my story, an whenever I", "for the rest of the series, where my characters go from not knowing", "her goal for the rest of the book is to take down the", "take down the antagonist who caused the mayhem until she realizes, “wait. That", "same time. Is that a regular thing? The scene I am about to", "goal instead of just running for their lives. In this scene, thousands of", "my first book. I am so excited and absolutely terrified to write at", "their lives. In this scene, thousands of innocent people die, and the only", "the same time. Is that a regular thing? The scene I am about", "MC say, “enough of this crap. I’m gonna die anyway, might as well", "the mayhem until she realizes, “wait. That wasn’t even the real antagonist.” So", "time. Is that a regular thing? The scene I am about to write", "literally the turning point for the rest of the series, where my characters", "point in my first book. I am so excited and absolutely terrified to", "it’s a pretty big event in my story, an whenever I think about", "Is that a regular thing? The scene I am about to write is", "to write is literally the turning point for the rest of the series,", "terrified to write at the same time. Is that a regular thing? The", "having a clear goal instead of just running for their lives. In this", "this crap. I’m gonna die anyway, might as well go down fighting.” And", "and I am at the halfway point in my first book. I am", "people die, and the only safe place for humans in my world is", "to take down the antagonist who caused the mayhem until she realizes, “wait.", "book is to take down the antagonist who caused the mayhem until she", "of innocent people die, and the only safe place for humans in my", "the heck they’re doing to having a clear goal instead of just running", "down the antagonist who caused the mayhem until she realizes, “wait. That wasn’t", "die, and the only safe place for humans in my world is completely", "the series, where my characters go from not knowing what the heck they’re", "well go down fighting.” And her goal for the rest of the book", "even the real antagonist.” So it’s a pretty big event in my story,", "where my characters go from not knowing what the heck they’re doing to", "“enough of this crap. I’m gonna die anyway, might as well go down", "of this crap. I’m gonna die anyway, might as well go down fighting.”", "absolutely terrified to write at the same time. Is that a regular thing?", "my characters go from not knowing what the heck they’re doing to having", "of the series, where my characters go from not knowing what the heck", "knowing what the heck they’re doing to having a clear goal instead of", "about to write is literally the turning point for the rest of the", "characters go from not knowing what the heck they’re doing to having a", "destroyed, making my MC say, “enough of this crap. I’m gonna die anyway,", "goal for the rest of the book is to take down the antagonist", "I am at the halfway point in my first book. I am so", "halfway point in my first book. I am so excited and absolutely terrified", "pretty big event in my story, an whenever I think about writing it", "making my MC say, “enough of this crap. I’m gonna die anyway, might", "And her goal for the rest of the book is to take down", "fighting.” And her goal for the rest of the book is to take", "event in my story, an whenever I think about writing it I get", "completely destroyed, making my MC say, “enough of this crap. I’m gonna die", "The scene I am about to write is literally the turning point for", "running for their lives. In this scene, thousands of innocent people die, and", "is to take down the antagonist who caused the mayhem until she realizes,", "until she realizes, “wait. That wasn’t even the real antagonist.” So it’s a", "writing a fantasy series and I am at the halfway point in my", "series and I am at the halfway point in my first book. I", "so excited and absolutely terrified to write at the same time. Is that", "wasn’t even the real antagonist.” So it’s a pretty big event in my", "to having a clear goal instead of just running for their lives. In", "rest of the series, where my characters go from not knowing what the", "a fantasy series and I am at the halfway point in my first", "she realizes, “wait. That wasn’t even the real antagonist.” So it’s a pretty", "what the heck they’re doing to having a clear goal instead of just", "humans in my world is completely destroyed, making my MC say, “enough of", "down fighting.” And her goal for the rest of the book is to", "rest of the book is to take down the antagonist who caused the", "only safe place for humans in my world is completely destroyed, making my", "safe place for humans in my world is completely destroyed, making my MC", "the antagonist who caused the mayhem until she realizes, “wait. That wasn’t even", "write at the same time. Is that a regular thing? The scene I", "I think about writing it I get completely freaked out. Is this normal?", "die anyway, might as well go down fighting.” And her goal for the", "for their lives. In this scene, thousands of innocent people die, and the", "scene I am about to write is literally the turning point for the", "the book is to take down the antagonist who caused the mayhem until", "am at the halfway point in my first book. I am so excited", "just running for their lives. In this scene, thousands of innocent people die,", "for the rest of the book is to take down the antagonist who", "author writing a fantasy series and I am at the halfway point in", "excited and absolutely terrified to write at the same time. Is that a", "instead of just running for their lives. In this scene, thousands of innocent", "turning point for the rest of the series, where my characters go from", "in my first book. I am so excited and absolutely terrified to write", "they’re doing to having a clear goal instead of just running for their", "in my world is completely destroyed, making my MC say, “enough of this", "go down fighting.” And her goal for the rest of the book is", "of the book is to take down the antagonist who caused the mayhem", "fantasy series and I am at the halfway point in my first book.", "young author writing a fantasy series and I am at the halfway point", "I am about to write is literally the turning point for the rest", "thousands of innocent people die, and the only safe place for humans in", "and absolutely terrified to write at the same time. Is that a regular", "might as well go down fighting.” And her goal for the rest of", "a young author writing a fantasy series and I am at the halfway", "I am so excited and absolutely terrified to write at the same time.", "first book. I am so excited and absolutely terrified to write at the", "who caused the mayhem until she realizes, “wait. That wasn’t even the real", "place for humans in my world is completely destroyed, making my MC say,", "the halfway point in my first book. I am so excited and absolutely", "my story, an whenever I think about writing it I get completely freaked", "an whenever I think about writing it I get completely freaked out. Is", "of just running for their lives. In this scene, thousands of innocent people", "big event in my story, an whenever I think about writing it I", "from not knowing what the heck they’re doing to having a clear goal", "for humans in my world is completely destroyed, making my MC say, “enough", "lives. In this scene, thousands of innocent people die, and the only safe", "antagonist who caused the mayhem until she realizes, “wait. That wasn’t even the", "caused the mayhem until she realizes, “wait. That wasn’t even the real antagonist.”", "point for the rest of the series, where my characters go from not", "go from not knowing what the heck they’re doing to having a clear", "as well go down fighting.” And her goal for the rest of the", "series, where my characters go from not knowing what the heck they’re doing", "that a regular thing? The scene I am about to write is literally", "story, an whenever I think about writing it I get completely freaked out.", "at the same time. Is that a regular thing? The scene I am", "am so excited and absolutely terrified to write at the same time. Is" ]
[ "but I can't pinpoint it. What is the important thing to keep in", "feelings in people is an entirely different approach. Also, remember that people do", "the important thing to keep in mind when using the Hero's Quurnep in", "I know there has to be something, but most of Campbell's criticism was", "approach. Also, remember that people do speak their minds on how they feel", "the right details to evoke the intended feelings in people is an entirely", "trap, but I can't pinpoint it. What is the important thing to keep", "I can't pinpoint it. *What is the important thing to keep in mind", "most of Campbell's criticism was that his structure was too vague, but that", "Show, don't Tell, are the most common ones. The second one is not", "feel sometimes. As for the Hero's Quurnep, nailing down its core problem has", "it. What is the important thing to keep in mind when using the", "common ones. The second one is not only very wrong but also misleading.", "is an entirely different approach. Also, remember that people do speak their minds", "only very wrong but also misleading. You can only tell, after all. Telling", "are the most common ones. The second one is not only very wrong", "their minds on how they feel sometimes. As for the Hero's Quurnep, nailing", "also misleading. You can only tell, after all. Telling the right details to", "but also misleading. You can only tell, after all. Telling the right details", "to evoke the intended feelings in people is an entirely different approach. Also,", "What is the important thing to keep in mind when using the Hero's", "Telling the right details to evoke the intended feelings in people is an", "structure was too vague, but that is not a problem for writing advice.", "it comes to common writing advice, the Hero's Quurnep* and Show, don't Tell,", "misleading. You can only tell, after all. Telling the right details to evoke", "You can only tell, after all. Telling the right details to evoke the", "to keep in mind when using the Hero's Quurnep in drafting a story?*", "do speak their minds on how they feel sometimes. As for the Hero's", "not a problem for writing advice. I can feel I'm missing a big", "writing advice, the Hero's Quurnep* and Show, don't Tell, are the most common", "tell, after all. Telling the right details to evoke the intended feelings in", "The second one is not only very wrong but also misleading. You can", "second one is not only very wrong but also misleading. You can only", "wrong but also misleading. You can only tell, after all. Telling the right", "and Show, don't Tell, are the most common ones. The second one is", "but most of Campbell's criticism was that his structure was too vague, but", "missing a big part of why it's secretly a trap, but I can't", "after all. Telling the right details to evoke the intended feelings in people", "advice. I can feel I'm missing a big part of why it's secretly", "details to evoke the intended feelings in people is an entirely different approach.", "common writing advice, the Hero's Quurnep and Show, don't Tell, are the most", "I'm missing a big part of why it's secretly a trap, but I", "something, but most of Campbell's criticism was that his structure was too vague,", "can feel I'm missing a big part of why it's secretly a trap,", "can only tell, after all. Telling the right details to evoke the intended", "very wrong but also misleading. You can only tell, after all. Telling the", "people do speak their minds on how they feel sometimes. As for the", "Hero's Quurnep and Show, don't Tell, are the most common ones. The second", "Tell, are the most common ones. The second one is not only very", "there has to be something, but most of Campbell's criticism was that his", "remember that people do speak their minds on how they feel sometimes. As", "Hero's Quurnep, nailing down its core problem has been difficult. I know there", "most common ones. The second one is not only very wrong but also", "nailing down its core problem has been difficult. I know there has to", "is not a problem for writing advice. I can feel I'm missing a", "to common writing advice, the Hero's Quurnep* and Show, don't Tell, are the", "it's secretly a trap, but I can't pinpoint it. What is the important", "has to be something, but most of Campbell's criticism was that his structure", "problem for writing advice. I can feel I'm missing a big part of", "Quurnep, nailing down its core problem has been difficult. I know there has", "Also, remember that people do speak their minds on how they feel sometimes.", "was too vague, but that is not a problem for writing advice. I", "important thing to keep in mind when using the Hero's Quurnep in drafting", "in people is an entirely different approach. Also, remember that people do speak", "they feel sometimes. As for the Hero's Quurnep, nailing down its core problem", "not only very wrong but also misleading. You can only tell, after all.", "sometimes. As for the Hero's Quurnep, nailing down its core problem has been", "different approach. Also, remember that people do speak their minds on how they", "a trap, but I can't pinpoint it. What is the important thing to", "only tell, after all. Telling the right details to evoke the intended feelings", "intended feelings in people is an entirely different approach. Also, remember that people", "difficult. I know there has to be something, but most of Campbell's criticism", "Quurnep* and Show, don't Tell, are the most common ones. The second one", "right details to evoke the intended feelings in people is an entirely different", "the Hero's Quurnep, nailing down its core problem has been difficult. I know", "the Hero's Quurnep and Show, don't Tell, are the most common ones. The", "too vague, but that is not a problem for writing advice. I can", "that people do speak their minds on how they feel sometimes. As for", "for writing advice. I can feel I'm missing a big part of why", "one is not only very wrong but also misleading. You can only tell,", "thing to keep in mind when using the Hero's Quurnep in drafting a", "on how they feel sometimes. As for the Hero's Quurnep, nailing down its", "writing advice. I can feel I'm missing a big part of why it's", "As for the Hero's Quurnep, nailing down its core problem has been difficult.", "people is an entirely different approach. Also, remember that people do speak their", "speak their minds on how they feel sometimes. As for the Hero's Quurnep,", "comes to common writing advice, the Hero's Quurnep and Show, don't Tell, are", "why it's secretly a trap, but I can't pinpoint it. *What is the", "for the Hero's Quurnep, nailing down its core problem has been difficult. I", "was that his structure was too vague, but that is not a problem", "When it comes to common writing advice, the Hero's Quurnep* and Show, don't", "I can feel I'm missing a big part of why it's secretly a", "of Campbell's criticism was that his structure was too vague, but that is", "a problem for writing advice. I can feel I'm missing a big part", "evoke the intended feelings in people is an entirely different approach. Also, remember", "has been difficult. I know there has to be something, but most of", "is not only very wrong but also misleading. You can only tell, after", "core problem has been difficult. I know there has to be something, but", "the intended feelings in people is an entirely different approach. Also, remember that", "part of why it's secretly a trap, but I can't pinpoint it. What", "an entirely different approach. Also, remember that people do speak their minds on", "its core problem has been difficult. I know there has to be something,", "down its core problem has been difficult. I know there has to be", "ones. The second one is not only very wrong but also misleading. You", "been difficult. I know there has to be something, but most of Campbell's", "that is not a problem for writing advice. I can feel I'm missing", "big part of why it's secretly a trap, but I can't pinpoint it.", "his structure was too vague, but that is not a problem for writing", "criticism was that his structure was too vague, but that is not a", "is the important thing to keep in mind when using the Hero's Quurnep", "pinpoint it. What is the important thing to keep in mind when using", "can't pinpoint it. What is the important thing to keep in mind when", "be something, but most of Campbell's criticism was that his structure was too", "vague, but that is not a problem for writing advice. I can feel", "Campbell's criticism was that his structure was too vague, but that is not", "problem has been difficult. I know there has to be something, but most", "minds on how they feel sometimes. As for the Hero's Quurnep, nailing down", "feel I'm missing a big part of why it's secretly a trap, but", "but that is not a problem for writing advice. I can feel I'm", "advice, the Hero's Quurnep* and Show, don't Tell, are the most common ones.", "a big part of why it's secretly a trap, but I can't pinpoint", "all. Telling the right details to evoke the intended feelings in people is", "that his structure was too vague, but that is not a problem for", "the most common ones. The second one is not only very wrong but", "secretly a trap, but I can't pinpoint it. What is the important thing", "entirely different approach. Also, remember that people do speak their minds on how", "know there has to be something, but most of Campbell's criticism was that", "how they feel sometimes. As for the Hero's Quurnep, nailing down its core", "to be something, but most of Campbell's criticism was that his structure was", "of why it's secretly a trap, but I can't pinpoint it. What is", "don't Tell*, are the most common ones. The second one is not only" ]
[ "other than people confessing their undying love for each other and then breaking", "I think one of the two reasons I didn't put any is because", "noticed that there's a lot of shooty-shooty-bang-bang where people fight each other, but", "the MC to try and slow stuff down, but it's not quite enough.", "not quite enough. Are there any other things I can use to slow", "I'd rather watch people punching each other than people confessing their undying love", "I'm already doing a lot of the internal musings of the MC to", "any other things I can use to slow down the story besides drama?", "lot of drama which I feel like I probably should add so that", "probably should add so that the story slows down a bit. I think", "through my stories, and I've noticed that there's a lot of shooty-shooty-bang-bang where", "other and then breaking up next episode/chapter. I'm already doing a lot of", "watch people punching each other than people confessing their undying love for each", "already doing a lot of the internal musings of the MC to try", "one of the two reasons I didn't put any is because I'm pretty", "I just don't like it. I'd rather watch people punching each other than", "a whole lot of drama which I feel like I probably should add", "my stories, and I've noticed that there's a lot of shooty-shooty-bang-bang where people", "and I've noticed that there's a lot of shooty-shooty-bang-bang where people fight each", "than people confessing their undying love for each other and then breaking up", "the second reason is I just don't like it. I'd rather watch people", "people punching each other than people confessing their undying love for each other", "reason is I just don't like it. I'd rather watch people punching each", "pretty bad at it, and the second reason is I just don't like", "that the story slows down a bit. I think one of the two", "the internal musings of the MC to try and slow stuff down, but", "there any other things I can use to slow down the story besides", "drama which I feel like I probably should add so that the story", "lot of shooty-shooty-bang-bang where people fight each other, but not a whole lot", "musings of the MC to try and slow stuff down, but it's not", "lot of the internal musings of the MC to try and slow stuff", "stories, and I've noticed that there's a lot of shooty-shooty-bang-bang where people fight", "of the two reasons I didn't put any is because I'm pretty bad", "a bit. I think one of the two reasons I didn't put any", "punching each other than people confessing their undying love for each other and", "just don't like it. I'd rather watch people punching each other than people", "confessing their undying love for each other and then breaking up next episode/chapter.", "put any is because I'm pretty bad at it, and the second reason", "add so that the story slows down a bit. I think one of", "think one of the two reasons I didn't put any is because I'm", "don't like it. I'd rather watch people punching each other than people confessing", "rather watch people punching each other than people confessing their undying love for", "which I feel like I probably should add so that the story slows", "reasons I didn't put any is because I'm pretty bad at it, and", "feel like I probably should add so that the story slows down a", "it. I'd rather watch people punching each other than people confessing their undying", "at it, and the second reason is I just don't like it. I'd", "breaking up next episode/chapter. I'm already doing a lot of the internal musings", "their undying love for each other and then breaking up next episode/chapter. I'm", "of shooty-shooty-bang-bang where people fight each other, but not a whole lot of", "enough. Are there any other things I can use to slow down the", "next episode/chapter. I'm already doing a lot of the internal musings of the", "like I probably should add so that the story slows down a bit.", "undying love for each other and then breaking up next episode/chapter. I'm already", "for each other and then breaking up next episode/chapter. I'm already doing a", "down, but it's not quite enough. Are there any other things I can", "fight each other, but not a whole lot of drama which I feel", "a lot of the internal musings of the MC to try and slow", "whole lot of drama which I feel like I probably should add so", "story slows down a bit. I think one of the two reasons I", "down a bit. I think one of the two reasons I didn't put", "episode/chapter. I'm already doing a lot of the internal musings of the MC", "is because I'm pretty bad at it, and the second reason is I", "of the MC to try and slow stuff down, but it's not quite", "Are there any other things I can use to slow down the story", "and then breaking up next episode/chapter. I'm already doing a lot of the", "reading through my stories, and I've noticed that there's a lot of shooty-shooty-bang-bang", "it's not quite enough. Are there any other things I can use to", "I've noticed that there's a lot of shooty-shooty-bang-bang where people fight each other,", "slows down a bit. I think one of the two reasons I didn't", "there's a lot of shooty-shooty-bang-bang where people fight each other, but not a", "MC to try and slow stuff down, but it's not quite enough. Are", "love for each other and then breaking up next episode/chapter. I'm already doing", "to try and slow stuff down, but it's not quite enough. Are there", "stuff down, but it's not quite enough. Are there any other things I", "people fight each other, but not a whole lot of drama which I", "but not a whole lot of drama which I feel like I probably", "should add so that the story slows down a bit. I think one", "and the second reason is I just don't like it. I'd rather watch", "because I'm pretty bad at it, and the second reason is I just", "each other, but not a whole lot of drama which I feel like", "any is because I'm pretty bad at it, and the second reason is", "of the internal musings of the MC to try and slow stuff down,", "a lot of shooty-shooty-bang-bang where people fight each other, but not a whole", "so that the story slows down a bit. I think one of the", "quite enough. Are there any other things I can use to slow down", "people confessing their undying love for each other and then breaking up next", "Been reading through my stories, and I've noticed that there's a lot of", "is I just don't like it. I'd rather watch people punching each other", "it, and the second reason is I just don't like it. I'd rather", "like it. I'd rather watch people punching each other than people confessing their", "of drama which I feel like I probably should add so that the", "I didn't put any is because I'm pretty bad at it, and the", "not a whole lot of drama which I feel like I probably should", "the two reasons I didn't put any is because I'm pretty bad at", "each other and then breaking up next episode/chapter. I'm already doing a lot", "two reasons I didn't put any is because I'm pretty bad at it,", "other, but not a whole lot of drama which I feel like I", "the story slows down a bit. I think one of the two reasons", "try and slow stuff down, but it's not quite enough. Are there any", "then breaking up next episode/chapter. I'm already doing a lot of the internal", "but it's not quite enough. Are there any other things I can use", "bad at it, and the second reason is I just don't like it.", "that there's a lot of shooty-shooty-bang-bang where people fight each other, but not", "bit. I think one of the two reasons I didn't put any is", "second reason is I just don't like it. I'd rather watch people punching", "I feel like I probably should add so that the story slows down", "up next episode/chapter. I'm already doing a lot of the internal musings of", "internal musings of the MC to try and slow stuff down, but it's", "I probably should add so that the story slows down a bit. I", "where people fight each other, but not a whole lot of drama which", "slow stuff down, but it's not quite enough. Are there any other things", "didn't put any is because I'm pretty bad at it, and the second", "I'm pretty bad at it, and the second reason is I just don't", "shooty-shooty-bang-bang where people fight each other, but not a whole lot of drama", "each other than people confessing their undying love for each other and then", "and slow stuff down, but it's not quite enough. Are there any other", "doing a lot of the internal musings of the MC to try and" ]
[ "mainly get some drama between the characters, but I also use it to", "life genre to mainly get some drama between the characters, but I also", "for the reader to keep reading it, and I also don't know how", "keep reading it, and I also don't know how to introduce the fantasy", "the characters really precious. But the problem is, that I don't know what", "the similar idea for inspiration, but I just couldn't find one (if there", "should I write and don't? Is there any rules or something that I", "write to do all of those. I don't know how to write an", "but I also use it to show how the world looks like, and", "the main character to save the sci-fi city using fantasy. And beyond that,", "character to save the sci-fi city using fantasy. And beyond that, I also", "what should I write to do all of those. I don't know how", "now is the idea of 'what is in that world,' and 'what happened", "appreciate it). So what should I do? What should I write and don't?", "and don't? Is there any rules or something that I should know? Or,", "also not forgetting to tell the main plot. I tried looking for a", "how to introduce the fantasy and sci-fi aspect through it. All that I", "slice of life. My plan is to make the main character to save", "Or, is it even a bad idea to mix those three genres in", "of life genre to mainly get some drama between the characters, but I", "I mix the genre fantasy, sci-fi, and slice of life. My plan is", "writing a novel where I mix the genre fantasy, sci-fi, and slice of", "interesting enough for the reader to keep reading it, and I also don't", "(if there are any novel or anime recommendations, I'd really appreciate it). So", "I don't know what should I write to do all of those. I", "All that I have now is the idea of 'what is in that", "and I also don't know how to introduce the fantasy and sci-fi aspect", "the fantasy and sci-fi aspect through it. All that I have now is", "idea of 'what is in that world,' and 'what happened in that world,'", "currently writing a novel where I mix the genre fantasy, sci-fi, and slice", "'what happened in that world,' but I don't know how to progress them", "to keep reading it, and I also don't know how to introduce the", "is, that I don't know what should I write to do all of", "sci-fi aspect through it. All that I have now is the idea of", "main character to save the sci-fi city using fantasy. And beyond that, I", "in that world,' but I don't know how to progress them through the", "save the sci-fi city using fantasy. And beyond that, I also use slice", "anime recommendations, I'd really appreciate it). So what should I do? What should", "know? Or, is it even a bad idea to mix those three genres", "with the similar idea for inspiration, but I just couldn't find one (if", "progress them through the slice of life genre while also not forgetting to", "the characters, but I also use it to show how the world looks", "precious. But the problem is, that I don't know what should I write", "life that is interesting enough for the reader to keep reading it, and", "some drama between the characters, but I also use it to show how", "really appreciate it). So what should I do? What should I write and", "know how to write an interesting slice of life that is interesting enough", "don't know how to progress them through the slice of life genre while", "use it to show how the world looks like, and also to make", "idea for inspiration, but I just couldn't find one (if there are any", "plot. I tried looking for a novel or anime with the similar idea", "just couldn't find one (if there are any novel or anime recommendations, I'd", "one (if there are any novel or anime recommendations, I'd really appreciate it).", "that, I also use slice of life genre to mainly get some drama", "the idea of 'what is in that world,' and 'what happened in that", "don't? Is there any rules or something that I should know? Or, is", "know how to introduce the fantasy and sci-fi aspect through it. All that", "reader to keep reading it, and I also don't know how to introduce", "but I just couldn't find one (if there are any novel or anime", "also don't know how to introduce the fantasy and sci-fi aspect through it.", "novel or anime recommendations, I'd really appreciate it). So what should I do?", "or something that I should know? Or, is it even a bad idea", "I write to do all of those. I don't know how to write", "a bad idea to mix those three genres in the first place? I'll", "know how to progress them through the slice of life genre while also", "genre to mainly get some drama between the characters, but I also use", "all of those. I don't know how to write an interesting slice of", "interesting slice of life that is interesting enough for the reader to keep", "that world,' and 'what happened in that world,' but I don't know how", "recommendations, I'd really appreciate it). So what should I do? What should I", "write and don't? Is there any rules or something that I should know?", "genre fantasy, sci-fi, and slice of life. My plan is to make the", "I have now is the idea of 'what is in that world,' and", "while also not forgetting to tell the main plot. I tried looking for", "for inspiration, but I just couldn't find one (if there are any novel", "find one (if there are any novel or anime recommendations, I'd really appreciate", "sci-fi, and slice of life. My plan is to make the main character", "to make the main character to save the sci-fi city using fantasy. And", "the world looks like, and also to make the characters really precious. But", "where I mix the genre fantasy, sci-fi, and slice of life. My plan", "slice of life that is interesting enough for the reader to keep reading", "the genre fantasy, sci-fi, and slice of life. My plan is to make", "of 'what is in that world,' and 'what happened in that world,' but", "the slice of life genre while also not forgetting to tell the main", "'what is in that world,' and 'what happened in that world,' but I", "characters really precious. But the problem is, that I don't know what should", "life genre while also not forgetting to tell the main plot. I tried", "tell the main plot. I tried looking for a novel or anime with", "should I do? What should I write and don't? Is there any rules", "I do? What should I write and don't? Is there any rules or", "I am currently writing a novel where I mix the genre fantasy, sci-fi,", "and slice of life. My plan is to make the main character to", "between the characters, but I also use it to show how the world", "So what should I do? What should I write and don't? Is there", "to do all of those. I don't know how to write an interesting", "rules or something that I should know? Or, is it even a bad", "to show how the world looks like, and also to make the characters", "also use it to show how the world looks like, and also to", "I don't know how to write an interesting slice of life that is", "it). So what should I do? What should I write and don't? Is", "I write and don't? Is there any rules or something that I should", "I'd really appreciate it). So what should I do? What should I write", "Is there any rules or something that I should know? Or, is it", "should I write to do all of those. I don't know how to", "tried looking for a novel or anime with the similar idea for inspiration,", "it. All that I have now is the idea of 'what is in", "should know? Or, is it even a bad idea to mix those three", "and also to make the characters really precious. But the problem is, that", "reading it, and I also don't know how to introduce the fantasy and", "am currently writing a novel where I mix the genre fantasy, sci-fi, and", "don't know how to introduce the fantasy and sci-fi aspect through it. All", "problem is, that I don't know what should I write to do all", "to write an interesting slice of life that is interesting enough for the", "of life that is interesting enough for the reader to keep reading it,", "is it even a bad idea to mix those three genres in the", "looking for a novel or anime with the similar idea for inspiration, but", "happened in that world,' but I don't know how to progress them through", "fantasy. And beyond that, I also use slice of life genre to mainly", "life. My plan is to make the main character to save the sci-fi", "mix the genre fantasy, sci-fi, and slice of life. My plan is to", "also to make the characters really precious. But the problem is, that I", "idea to mix those three genres in the first place? I'll appreciate every", "get some drama between the characters, but I also use it to show", "to progress them through the slice of life genre while also not forgetting", "to mix those three genres in the first place? I'll appreciate every answer.", "similar idea for inspiration, but I just couldn't find one (if there are", "inspiration, but I just couldn't find one (if there are any novel or", "I also use slice of life genre to mainly get some drama between", "to mainly get some drama between the characters, but I also use it", "couldn't find one (if there are any novel or anime recommendations, I'd really", "a novel or anime with the similar idea for inspiration, but I just", "a novel where I mix the genre fantasy, sci-fi, and slice of life.", "sci-fi city using fantasy. And beyond that, I also use slice of life", "through it. All that I have now is the idea of 'what is", "show how the world looks like, and also to make the characters really", "fantasy and sci-fi aspect through it. All that I have now is the", "an interesting slice of life that is interesting enough for the reader to", "But the problem is, that I don't know what should I write to", "for a novel or anime with the similar idea for inspiration, but I", "to make the characters really precious. But the problem is, that I don't", "there are any novel or anime recommendations, I'd really appreciate it). So what", "there any rules or something that I should know? Or, is it even", "characters, but I also use it to show how the world looks like,", "write an interesting slice of life that is interesting enough for the reader", "the sci-fi city using fantasy. And beyond that, I also use slice of", "I don't know how to progress them through the slice of life genre", "something that I should know? Or, is it even a bad idea to", "I also don't know how to introduce the fantasy and sci-fi aspect through", "enough for the reader to keep reading it, and I also don't know", "know what should I write to do all of those. I don't know", "have now is the idea of 'what is in that world,' and 'what", "don't know what should I write to do all of those. I don't", "any rules or something that I should know? Or, is it even a", "not forgetting to tell the main plot. I tried looking for a novel", "use slice of life genre to mainly get some drama between the characters,", "in that world,' and 'what happened in that world,' but I don't know", "or anime with the similar idea for inspiration, but I just couldn't find", "do all of those. I don't know how to write an interesting slice", "using fantasy. And beyond that, I also use slice of life genre to", "beyond that, I also use slice of life genre to mainly get some", "slice of life genre while also not forgetting to tell the main plot.", "that is interesting enough for the reader to keep reading it, and I", "what should I do? What should I write and don't? Is there any", "that I should know? Or, is it even a bad idea to mix", "is interesting enough for the reader to keep reading it, and I also", "forgetting to tell the main plot. I tried looking for a novel or", "of life. My plan is to make the main character to save the", "the main plot. I tried looking for a novel or anime with the", "bad idea to mix those three genres in the first place? I'll appreciate", "And beyond that, I also use slice of life genre to mainly get", "fantasy, sci-fi, and slice of life. My plan is to make the main", "I should know? Or, is it even a bad idea to mix those", "are any novel or anime recommendations, I'd really appreciate it). So what should", "them through the slice of life genre while also not forgetting to tell", "it even a bad idea to mix those three genres in the first", "and sci-fi aspect through it. All that I have now is the idea", "or anime recommendations, I'd really appreciate it). So what should I do? What", "novel or anime with the similar idea for inspiration, but I just couldn't", "to tell the main plot. I tried looking for a novel or anime", "any novel or anime recommendations, I'd really appreciate it). So what should I", "world,' but I don't know how to progress them through the slice of", "My plan is to make the main character to save the sci-fi city", "the reader to keep reading it, and I also don't know how to", "I tried looking for a novel or anime with the similar idea for", "it to show how the world looks like, and also to make the", "main plot. I tried looking for a novel or anime with the similar", "make the main character to save the sci-fi city using fantasy. And beyond", "do? What should I write and don't? Is there any rules or something", "to save the sci-fi city using fantasy. And beyond that, I also use", "of those. I don't know how to write an interesting slice of life", "those. I don't know how to write an interesting slice of life that", "plan is to make the main character to save the sci-fi city using", "that I have now is the idea of 'what is in that world,'", "through the slice of life genre while also not forgetting to tell the", "novel where I mix the genre fantasy, sci-fi, and slice of life. My", "world looks like, and also to make the characters really precious. But the", "I just couldn't find one (if there are any novel or anime recommendations,", "like, and also to make the characters really precious. But the problem is,", "the problem is, that I don't know what should I write to do", "is in that world,' and 'what happened in that world,' but I don't", "is to make the main character to save the sci-fi city using fantasy.", "it, and I also don't know how to introduce the fantasy and sci-fi", "world,' and 'what happened in that world,' but I don't know how to", "genre while also not forgetting to tell the main plot. I tried looking", "but I don't know how to progress them through the slice of life", "how to write an interesting slice of life that is interesting enough for", "slice of life genre to mainly get some drama between the characters, but", "aspect through it. All that I have now is the idea of 'what", "that I don't know what should I write to do all of those.", "looks like, and also to make the characters really precious. But the problem", "even a bad idea to mix those three genres in the first place?", "make the characters really precious. But the problem is, that I don't know", "I also use it to show how the world looks like, and also", "What should I write and don't? Is there any rules or something that", "of life genre while also not forgetting to tell the main plot. I", "is the idea of 'what is in that world,' and 'what happened in", "introduce the fantasy and sci-fi aspect through it. All that I have now", "city using fantasy. And beyond that, I also use slice of life genre", "really precious. But the problem is, that I don't know what should I", "anime with the similar idea for inspiration, but I just couldn't find one", "and 'what happened in that world,' but I don't know how to progress", "don't know how to write an interesting slice of life that is interesting", "also use slice of life genre to mainly get some drama between the", "to introduce the fantasy and sci-fi aspect through it. All that I have", "that world,' but I don't know how to progress them through the slice", "how to progress them through the slice of life genre while also not", "how the world looks like, and also to make the characters really precious.", "drama between the characters, but I also use it to show how the" ]
[ "and 1st and vice versa but how from one character to another both", "John ---Plot--- Character B: My name is KiteMT ---More Plot--- Because it seems", "how from one character to another both using the 1st person. I know", "'I' to mean 2 possible characters? I don't want this either: Character A:", "I don't want this either: Character A: My name is John ---Plot--- Character", "you can switch between the 3rd and 1st and vice versa but how", "is KiteMT ---More Plot--- Because it seems like they know that the PoV", "help but I only want to make a small story (1.5-2 pages). Wouldn't", "Wouldn't it get confusing using 'I' to mean 2 possible characters? I don't", "it get confusing using 'I' to mean 2 possible characters? I don't want", "character to another both using the 1st person. I know chapter breaks would", "---Plot--- Character B: My name is KiteMT ---More Plot--- Because it seems like", "but how from one character to another both using the 1st person. I", "get confusing using 'I' to mean 2 possible characters? I don't want this", "name is John ---Plot--- Character B: My name is KiteMT ---More Plot--- Because", "chapter breaks would help but I only want to make a small story", "both using the 1st person. I know chapter breaks would help but I", "I know you can switch between the 3rd and 1st and vice versa", "KiteMT ---More Plot--- Because it seems like they know that the PoV has", "1st person. I know chapter breaks would help but I only want to", "1st and vice versa but how from one character to another both using", "don't want this either: Character A: My name is John ---Plot--- Character B:", "want this either: Character A: My name is John ---Plot--- Character B: My", "one character to another both using the 1st person. I know chapter breaks", "but I only want to make a small story (1.5-2 pages). Wouldn't it", "pages). Wouldn't it get confusing using 'I' to mean 2 possible characters? I", "and vice versa but how from one character to another both using the", "only want to make a small story (1.5-2 pages). Wouldn't it get confusing", "---More Plot--- Because it seems like they know that the PoV has changed.", "know chapter breaks would help but I only want to make a small", "characters? I don't want this either: Character A: My name is John ---Plot---", "My name is KiteMT ---More Plot--- Because it seems like they know that", "Character B: My name is KiteMT ---More Plot--- Because it seems like they", "mean 2 possible characters? I don't want this either: Character A: My name", "to make a small story (1.5-2 pages). Wouldn't it get confusing using 'I'", "story (1.5-2 pages). Wouldn't it get confusing using 'I' to mean 2 possible", "from one character to another both using the 1st person. I know chapter", "confusing using 'I' to mean 2 possible characters? I don't want this either:", "the 1st person. I know chapter breaks would help but I only want", "this either: Character A: My name is John ---Plot--- Character B: My name", "name is KiteMT ---More Plot--- Because it seems like they know that the", "is John ---Plot--- Character B: My name is KiteMT ---More Plot--- Because it", "the 3rd and 1st and vice versa but how from one character to", "versa but how from one character to another both using the 1st person.", "switch between the 3rd and 1st and vice versa but how from one", "between the 3rd and 1st and vice versa but how from one character", "another both using the 1st person. I know chapter breaks would help but", "Character A: My name is John ---Plot--- Character B: My name is KiteMT", "2 possible characters? I don't want this either: Character A: My name is", "possible characters? I don't want this either: Character A: My name is John", "I only want to make a small story (1.5-2 pages). Wouldn't it get", "make a small story (1.5-2 pages). Wouldn't it get confusing using 'I' to", "either: Character A: My name is John ---Plot--- Character B: My name is", "want to make a small story (1.5-2 pages). Wouldn't it get confusing using", "My name is John ---Plot--- Character B: My name is KiteMT ---More Plot---", "I know chapter breaks would help but I only want to make a", "using 'I' to mean 2 possible characters? I don't want this either: Character", "a small story (1.5-2 pages). Wouldn't it get confusing using 'I' to mean", "small story (1.5-2 pages). Wouldn't it get confusing using 'I' to mean 2", "to mean 2 possible characters? I don't want this either: Character A: My", "vice versa but how from one character to another both using the 1st", "3rd and 1st and vice versa but how from one character to another", "person. I know chapter breaks would help but I only want to make", "can switch between the 3rd and 1st and vice versa but how from", "(1.5-2 pages). Wouldn't it get confusing using 'I' to mean 2 possible characters?", "B: My name is KiteMT ---More Plot--- Because it seems like they know", "breaks would help but I only want to make a small story (1.5-2", "know you can switch between the 3rd and 1st and vice versa but", "would help but I only want to make a small story (1.5-2 pages).", "A: My name is John ---Plot--- Character B: My name is KiteMT ---More", "to another both using the 1st person. I know chapter breaks would help", "using the 1st person. I know chapter breaks would help but I only" ]
[ "Is there any secret, rules, or anything that could make me not worried", "of hearing it. And whenever I tried to do that, I always get", "thing from almost every writer whenever I ask a question or read an", "even I haven't finish writing the whole plot outline. Is there any secret,", "haven't finish writing the whole plot outline. Is there any secret, rules, or", "outline. Is there any secret, rules, or anything that could make me not", "edit it later.\" I know it's the real strategy of writing, I can", "But honestly, I'm tired of hearing it. And whenever I tried to do", "always get distracted and try to make things better even I haven't finish", "a question or read an answer, and that thing is : \"Just keep", "it. And whenever I tried to do that, I always get distracted and", "do that, I always get distracted and try to make things better even", "I'm tired of hearing it. And whenever I tried to do that, I", "writer whenever I ask a question or read an answer, and that thing", "an answer, and that thing is : \"Just keep writing. It doesn't matter", "feel it. But honestly, I'm tired of hearing it. And whenever I tried", "and that thing is : \"Just keep writing. It doesn't matter what it", "matter what it will be, because you can edit it later.\" I know", "can feel it. But honestly, I'm tired of hearing it. And whenever I", "because you can edit it later.\" I know it's the real strategy of", "will be, because you can edit it later.\" I know it's the real", "tired of hearing it. And whenever I tried to do that, I always", "same thing from almost every writer whenever I ask a question or read", "\"Just keep writing. It doesn't matter what it will be, because you can", "the real strategy of writing, I can feel it. But honestly, I'm tired", "that, I always get distracted and try to make things better even I", "worried about the things that I write and just keep on going to", "any secret, rules, or anything that could make me not worried about the", "read an answer, and that thing is : \"Just keep writing. It doesn't", "it. But honestly, I'm tired of hearing it. And whenever I tried to", "And whenever I tried to do that, I always get distracted and try", "writing the whole plot outline. Is there any secret, rules, or anything that", "it's the real strategy of writing, I can feel it. But honestly, I'm", "be, because you can edit it later.\" I know it's the real strategy", "me not worried about the things that I write and just keep on", "I haven't finish writing the whole plot outline. Is there any secret, rules,", "better even I haven't finish writing the whole plot outline. Is there any", "I've heard the same thing from almost every writer whenever I ask a", "ask a question or read an answer, and that thing is : \"Just", "later.\" I know it's the real strategy of writing, I can feel it.", ": \"Just keep writing. It doesn't matter what it will be, because you", "finish writing the whole plot outline. Is there any secret, rules, or anything", "strategy of writing, I can feel it. But honestly, I'm tired of hearing", "doesn't matter what it will be, because you can edit it later.\" I", "not worried about the things that I write and just keep on going", "things better even I haven't finish writing the whole plot outline. Is there", "thing is : \"Just keep writing. It doesn't matter what it will be,", "I can feel it. But honestly, I'm tired of hearing it. And whenever", "what it will be, because you can edit it later.\" I know it's", "real strategy of writing, I can feel it. But honestly, I'm tired of", "know it's the real strategy of writing, I can feel it. But honestly,", "and try to make things better even I haven't finish writing the whole", "it later.\" I know it's the real strategy of writing, I can feel", "hearing it. And whenever I tried to do that, I always get distracted", "secret, rules, or anything that could make me not worried about the things", "almost every writer whenever I ask a question or read an answer, and", "I know it's the real strategy of writing, I can feel it. But", "plot outline. Is there any secret, rules, or anything that could make me", "of writing, I can feel it. But honestly, I'm tired of hearing it.", "that thing is : \"Just keep writing. It doesn't matter what it will", "or anything that could make me not worried about the things that I", "whenever I tried to do that, I always get distracted and try to", "to make things better even I haven't finish writing the whole plot outline.", "can edit it later.\" I know it's the real strategy of writing, I", "from almost every writer whenever I ask a question or read an answer,", "question or read an answer, and that thing is : \"Just keep writing.", "writing, I can feel it. But honestly, I'm tired of hearing it. And", "could make me not worried about the things that I write and just", "rules, or anything that could make me not worried about the things that", "I always get distracted and try to make things better even I haven't", "make me not worried about the things that I write and just keep", "tried to do that, I always get distracted and try to make things", "whenever I ask a question or read an answer, and that thing is", "anything that could make me not worried about the things that I write", "that could make me not worried about the things that I write and", "honestly, I'm tired of hearing it. And whenever I tried to do that,", "It doesn't matter what it will be, because you can edit it later.\"", "or read an answer, and that thing is : \"Just keep writing. It", "to do that, I always get distracted and try to make things better", "the same thing from almost every writer whenever I ask a question or", "get distracted and try to make things better even I haven't finish writing", "it will be, because you can edit it later.\" I know it's the", "you can edit it later.\" I know it's the real strategy of writing,", "distracted and try to make things better even I haven't finish writing the", "heard the same thing from almost every writer whenever I ask a question", "writing. It doesn't matter what it will be, because you can edit it", "the things that I write and just keep on going to a race?", "the whole plot outline. Is there any secret, rules, or anything that could", "there any secret, rules, or anything that could make me not worried about", "I ask a question or read an answer, and that thing is :", "every writer whenever I ask a question or read an answer, and that", "is : \"Just keep writing. It doesn't matter what it will be, because", "keep writing. It doesn't matter what it will be, because you can edit", "about the things that I write and just keep on going to a", "I tried to do that, I always get distracted and try to make", "whole plot outline. Is there any secret, rules, or anything that could make", "try to make things better even I haven't finish writing the whole plot", "answer, and that thing is : \"Just keep writing. It doesn't matter what", "make things better even I haven't finish writing the whole plot outline. Is" ]
[ "have a problem however, after page four, I am unable to use citations.", "Practical Assessment Task for high school, and we have to use citations. I", "problem however, after page four, I am unable to use citations. The button", "have to use citations. I have a problem however, after page four, I", "after page four, I am unable to use citations. The button is greyed-out.", "for high school, and we have to use citations. I have a problem", "I am doing a Practical Assessment Task for high school, and we have", "page four, I am unable to use citations. The button is greyed-out. Any", "and we have to use citations. I have a problem however, after page", "doing a Practical Assessment Task for high school, and we have to use", "Task for high school, and we have to use citations. I have a", "a Practical Assessment Task for high school, and we have to use citations.", "I have a problem however, after page four, I am unable to use", "school, and we have to use citations. I have a problem however, after", "to use citations. I have a problem however, after page four, I am", "use citations. I have a problem however, after page four, I am unable", "however, after page four, I am unable to use citations. The button is", "Assessment Task for high school, and we have to use citations. I have", "a problem however, after page four, I am unable to use citations. The", "citations. I have a problem however, after page four, I am unable to", "am doing a Practical Assessment Task for high school, and we have to", "high school, and we have to use citations. I have a problem however,", "we have to use citations. I have a problem however, after page four,", "four, I am unable to use citations. The button is greyed-out. Any ideas?" ]
[ "point where she sometimes just collapses. My MC learns that people have had", "she slowly goes insane. Right before she completely loses it she realizes she", "MC dying in the first book, but giving in just isn’t her character.", "the past. At first she has no idea why they are happening but", "her something. Unfortunately, this someone else doesn’t understand humans very well. They planted", "way to do this is to tell others about the dreams. But. The", "by dreams/visions of the past. At first she has no idea why they", "What are some tips to write a character like this in a believable", "that someone else is trying to show her something. Unfortunately, this someone else", "stubborn. What are some tips to write a character like this in a", "has to learn to control the visions or the same will happen to", "always needs to look perfect on the outside. This is her biggest flaw,", "in just isn’t her character. She is unusually stubborn. What are some tips", "her character. She is unusually stubborn. What are some tips to write a", "can’t always do everything by herself and she does need help. This is", "This has nothing to do with the dream part of it, so no", "building. I just need to know how to properly write this kind of", "to tell others about the dreams. But. The MC refuses to do this", "or the same will happen to her. The best way to do this", "and out of control to the point where she sometimes just collapses. My", "going insane and dying. The MC, terrified of this, also learns that she", "only way I can ovoid my MC dying in the first book, but", "in a believable way? This has nothing to do with the dream part", "way I can ovoid my MC dying in the first book, but giving", "the outside. This is her biggest flaw, not telling the other characters about", "goes insane. Right before she completely loses it she realizes she can’t always", "before she completely loses it she realizes she can’t always do everything by", "world building. I just need to know how to properly write this kind", "to do this is to tell others about the dreams. But. The MC", "are happening but soon discovers that someone else is trying to show her", "resilient, and always needs to look perfect on the outside. This is her", "way? This has nothing to do with the dream part of it, so", "else is trying to show her something. Unfortunately, this someone else doesn’t understand", "But. The MC refuses to do this as she insists she doesn’t need", "are some tips to write a character like this in a believable way?", "not world building. I just need to know how to properly write this", "I can ovoid my MC dying in the first book, but giving in", "to look perfect on the outside. This is her biggest flaw, not telling", "the other characters about her feelings, injuries, illnesses, fears, weakness, etc. because she", "MC refuses to do this as she insists she doesn’t need help and", "strong, resilient, and always needs to look perfect on the outside. This is", "character does in fact have something wrong with her. She is plagued by", "loses it she realizes she can’t always do everything by herself and she", "insists she doesn’t need help and can do it by herself and she", "in fact have something wrong with her. She is plagued by dreams/visions of", "planted these visions in her brain to let her know important information that", "perfect on the outside. This is her biggest flaw, not telling the other", "had these dreams before, and they always ended up going insane and dying.", "the same will happen to her. The best way to do this is", "does need help. This is the only way I can ovoid my MC", "My MC learns that people have had these dreams before, and they always", "insane and dying. The MC, terrified of this, also learns that she has", "fears, weakness, etc. because she feels the need to look like a leader.", "MC, terrified of this, also learns that she has to learn to control", "The MC refuses to do this as she insists she doesn’t need help", "it by herself and she slowly goes insane. Right before she completely loses", "need help. This is the only way I can ovoid my MC dying", "soon discovers that someone else is trying to show her something. Unfortunately, this", "outside. This is her biggest flaw, not telling the other characters about her", "write a character like this in a believable way? This has nothing to", "to do this as she insists she doesn’t need help and can do", "can do it by herself and she slowly goes insane. Right before she", "In my story, my MC is strong, resilient, and always needs to look", "biggest flaw, not telling the other characters about her feelings, injuries, illnesses, fears,", "up going insane and dying. The MC, terrified of this, also learns that", "giving in just isn’t her character. She is unusually stubborn. What are some", "the need to look like a leader. She hates feeling helpless and weak.", "more vivid, terrifying, and out of control to the point where she sometimes", "sometimes just collapses. My MC learns that people have had these dreams before,", "well. They planted these visions in her brain to let her know important", "past. At first she has no idea why they are happening but soon", "also learns that she has to learn to control the visions or the", "out of control to the point where she sometimes just collapses. My MC", "refuses to do this as she insists she doesn’t need help and can", "and visions become more vivid, terrifying, and out of control to the point", "visions in her brain to let her know important information that only the", "that only the antagonist knows. The dreams and visions become more vivid, terrifying,", "her know important information that only the antagonist knows. The dreams and visions", "I just need to know how to properly write this kind of character.", "is strong, resilient, and always needs to look perfect on the outside. This", "she insists she doesn’t need help and can do it by herself and", "believable way? This has nothing to do with the dream part of it,", "tell others about the dreams. But. The MC refuses to do this as", "nothing to do with the dream part of it, so no it’s not", "have had these dreams before, and they always ended up going insane and", "to look like a leader. She hates feeling helpless and weak. This character", "just collapses. My MC learns that people have had these dreams before, and", "to control the visions or the same will happen to her. The best", "she realizes she can’t always do everything by herself and she does need", "something wrong with her. She is plagued by dreams/visions of the past. At", "learns that she has to learn to control the visions or the same", "visions become more vivid, terrifying, and out of control to the point where", "slowly goes insane. Right before she completely loses it she realizes she can’t", "happen to her. The best way to do this is to tell others", "antagonist knows. The dreams and visions become more vivid, terrifying, and out of", "hates feeling helpless and weak. This character does in fact have something wrong", "others about the dreams. But. The MC refuses to do this as she", "Right before she completely loses it she realizes she can’t always do everything", "is trying to show her something. Unfortunately, this someone else doesn’t understand humans", "in her brain to let her know important information that only the antagonist", "helpless and weak. This character does in fact have something wrong with her.", "book, but giving in just isn’t her character. She is unusually stubborn. What", "of it, so no it’s not world building. I just need to know", "The MC, terrified of this, also learns that she has to learn to", "as she insists she doesn’t need help and can do it by herself", "so no it’s not world building. I just need to know how to", "young author writing a fantasy series. In my story, my MC is strong,", "they are happening but soon discovers that someone else is trying to show", "plagued by dreams/visions of the past. At first she has no idea why", "will happen to her. The best way to do this is to tell", "and she slowly goes insane. Right before she completely loses it she realizes", "feelings, injuries, illnesses, fears, weakness, etc. because she feels the need to look", "learns that people have had these dreams before, and they always ended up", "idea why they are happening but soon discovers that someone else is trying", "important information that only the antagonist knows. The dreams and visions become more", "she has no idea why they are happening but soon discovers that someone", "that people have had these dreams before, and they always ended up going", "by herself and she slowly goes insane. Right before she completely loses it", "character. She is unusually stubborn. What are some tips to write a character", "before, and they always ended up going insane and dying. The MC, terrified", "MC learns that people have had these dreams before, and they always ended", "same will happen to her. The best way to do this is to", "to let her know important information that only the antagonist knows. The dreams", "about her feelings, injuries, illnesses, fears, weakness, etc. because she feels the need", "my MC dying in the first book, but giving in just isn’t her", "it, so no it’s not world building. I just need to know how", "but giving in just isn’t her character. She is unusually stubborn. What are", "to do with the dream part of it, so no it’s not world", "is her biggest flaw, not telling the other characters about her feelings, injuries,", "her biggest flaw, not telling the other characters about her feelings, injuries, illnesses,", "This character does in fact have something wrong with her. She is plagued", "by herself and she does need help. This is the only way I", "a fantasy series. In my story, my MC is strong, resilient, and always", "first she has no idea why they are happening but soon discovers that", "the antagonist knows. The dreams and visions become more vivid, terrifying, and out", "to her. The best way to do this is to tell others about", "the dream part of it, so no it’s not world building. I just", "herself and she slowly goes insane. Right before she completely loses it she", "just isn’t her character. She is unusually stubborn. What are some tips to", "terrifying, and out of control to the point where she sometimes just collapses.", "look like a leader. She hates feeling helpless and weak. This character does", "trying to show her something. Unfortunately, this someone else doesn’t understand humans very", "with her. She is plagued by dreams/visions of the past. At first she", "she does need help. This is the only way I can ovoid my", "people have had these dreams before, and they always ended up going insane", "help. This is the only way I can ovoid my MC dying in", "story, my MC is strong, resilient, and always needs to look perfect on", "ovoid my MC dying in the first book, but giving in just isn’t", "need help and can do it by herself and she slowly goes insane.", "always do everything by herself and she does need help. This is the", "unusually stubborn. What are some tips to write a character like this in", "best way to do this is to tell others about the dreams. But.", "the only way I can ovoid my MC dying in the first book,", "she sometimes just collapses. My MC learns that people have had these dreams", "first book, but giving in just isn’t her character. She is unusually stubborn.", "injuries, illnesses, fears, weakness, etc. because she feels the need to look like", "collapses. My MC learns that people have had these dreams before, and they", "always ended up going insane and dying. The MC, terrified of this, also", "dreams. But. The MC refuses to do this as she insists she doesn’t", "to write a character like this in a believable way? This has nothing", "my story, my MC is strong, resilient, and always needs to look perfect", "am a young author writing a fantasy series. In my story, my MC", "she feels the need to look like a leader. She hates feeling helpless", "to show her something. Unfortunately, this someone else doesn’t understand humans very well.", "this is to tell others about the dreams. But. The MC refuses to", "everything by herself and she does need help. This is the only way", "MC is strong, resilient, and always needs to look perfect on the outside.", "and can do it by herself and she slowly goes insane. Right before", "She is unusually stubborn. What are some tips to write a character like", "characters about her feelings, injuries, illnesses, fears, weakness, etc. because she feels the", "the point where she sometimes just collapses. My MC learns that people have", "They planted these visions in her brain to let her know important information", "Unfortunately, this someone else doesn’t understand humans very well. They planted these visions", "do this as she insists she doesn’t need help and can do it", "no it’s not world building. I just need to know how to properly", "become more vivid, terrifying, and out of control to the point where she", "writing a fantasy series. In my story, my MC is strong, resilient, and", "happening but soon discovers that someone else is trying to show her something.", "why they are happening but soon discovers that someone else is trying to", "control the visions or the same will happen to her. The best way", "the first book, but giving in just isn’t her character. She is unusually", "have something wrong with her. She is plagued by dreams/visions of the past.", "dreams/visions of the past. At first she has no idea why they are", "needs to look perfect on the outside. This is her biggest flaw, not", "She is plagued by dreams/visions of the past. At first she has no", "the dreams. But. The MC refuses to do this as she insists she", "humans very well. They planted these visions in her brain to let her", "she completely loses it she realizes she can’t always do everything by herself", "I am a young author writing a fantasy series. In my story, my", "fantasy series. In my story, my MC is strong, resilient, and always needs", "wrong with her. She is plagued by dreams/visions of the past. At first", "something. Unfortunately, this someone else doesn’t understand humans very well. They planted these", "character like this in a believable way? This has nothing to do with", "with the dream part of it, so no it’s not world building. I", "fact have something wrong with her. She is plagued by dreams/visions of the", "brain to let her know important information that only the antagonist knows. The", "is unusually stubborn. What are some tips to write a character like this", "dream part of it, so no it’s not world building. I just need", "weak. This character does in fact have something wrong with her. She is", "her. She is plagued by dreams/visions of the past. At first she has", "no idea why they are happening but soon discovers that someone else is", "and always needs to look perfect on the outside. This is her biggest", "in the first book, but giving in just isn’t her character. She is", "vivid, terrifying, and out of control to the point where she sometimes just", "telling the other characters about her feelings, injuries, illnesses, fears, weakness, etc. because", "is to tell others about the dreams. But. The MC refuses to do", "this, also learns that she has to learn to control the visions or", "to learn to control the visions or the same will happen to her.", "ended up going insane and dying. The MC, terrified of this, also learns", "dying in the first book, but giving in just isn’t her character. She", "because she feels the need to look like a leader. She hates feeling", "information that only the antagonist knows. The dreams and visions become more vivid,", "her feelings, injuries, illnesses, fears, weakness, etc. because she feels the need to", "weakness, etc. because she feels the need to look like a leader. She", "her brain to let her know important information that only the antagonist knows.", "feels the need to look like a leader. She hates feeling helpless and", "my MC is strong, resilient, and always needs to look perfect on the", "she has to learn to control the visions or the same will happen", "of the past. At first she has no idea why they are happening", "doesn’t need help and can do it by herself and she slowly goes", "not telling the other characters about her feelings, injuries, illnesses, fears, weakness, etc.", "where she sometimes just collapses. My MC learns that people have had these", "is plagued by dreams/visions of the past. At first she has no idea", "she doesn’t need help and can do it by herself and she slowly", "it she realizes she can’t always do everything by herself and she does", "isn’t her character. She is unusually stubborn. What are some tips to write", "tips to write a character like this in a believable way? This has", "a character like this in a believable way? This has nothing to do", "knows. The dreams and visions become more vivid, terrifying, and out of control", "do it by herself and she slowly goes insane. Right before she completely", "illnesses, fears, weakness, etc. because she feels the need to look like a", "does in fact have something wrong with her. She is plagued by dreams/visions", "a young author writing a fantasy series. In my story, my MC is", "a leader. She hates feeling helpless and weak. This character does in fact", "her. The best way to do this is to tell others about the", "realizes she can’t always do everything by herself and she does need help.", "can ovoid my MC dying in the first book, but giving in just", "it’s not world building. I just need to know how to properly write", "the visions or the same will happen to her. The best way to", "visions or the same will happen to her. The best way to do", "else doesn’t understand humans very well. They planted these visions in her brain", "to the point where she sometimes just collapses. My MC learns that people", "doesn’t understand humans very well. They planted these visions in her brain to", "that she has to learn to control the visions or the same will", "has nothing to do with the dream part of it, so no it’s", "This is her biggest flaw, not telling the other characters about her feelings,", "someone else is trying to show her something. Unfortunately, this someone else doesn’t", "only the antagonist knows. The dreams and visions become more vivid, terrifying, and", "but soon discovers that someone else is trying to show her something. Unfortunately,", "look perfect on the outside. This is her biggest flaw, not telling the", "completely loses it she realizes she can’t always do everything by herself and", "part of it, so no it’s not world building. I just need to", "this someone else doesn’t understand humans very well. They planted these visions in", "dreams and visions become more vivid, terrifying, and out of control to the", "help and can do it by herself and she slowly goes insane. Right", "some tips to write a character like this in a believable way? This", "leader. She hates feeling helpless and weak. This character does in fact have", "At first she has no idea why they are happening but soon discovers", "is the only way I can ovoid my MC dying in the first", "learn to control the visions or the same will happen to her. The", "etc. because she feels the need to look like a leader. She hates", "this as she insists she doesn’t need help and can do it by", "these visions in her brain to let her know important information that only", "and dying. The MC, terrified of this, also learns that she has to", "dying. The MC, terrified of this, also learns that she has to learn", "she can’t always do everything by herself and she does need help. This", "on the outside. This is her biggest flaw, not telling the other characters", "very well. They planted these visions in her brain to let her know", "herself and she does need help. This is the only way I can", "do everything by herself and she does need help. This is the only", "this in a believable way? This has nothing to do with the dream", "let her know important information that only the antagonist knows. The dreams and", "need to look like a leader. She hates feeling helpless and weak. This", "someone else doesn’t understand humans very well. They planted these visions in her", "author writing a fantasy series. In my story, my MC is strong, resilient,", "feeling helpless and weak. This character does in fact have something wrong with", "do this is to tell others about the dreams. But. The MC refuses", "they always ended up going insane and dying. The MC, terrified of this,", "This is the only way I can ovoid my MC dying in the", "insane. Right before she completely loses it she realizes she can’t always do", "a believable way? This has nothing to do with the dream part of", "dreams before, and they always ended up going insane and dying. The MC,", "show her something. Unfortunately, this someone else doesn’t understand humans very well. They", "know important information that only the antagonist knows. The dreams and visions become", "The dreams and visions become more vivid, terrifying, and out of control to", "of control to the point where she sometimes just collapses. My MC learns", "control to the point where she sometimes just collapses. My MC learns that", "understand humans very well. They planted these visions in her brain to let", "and weak. This character does in fact have something wrong with her. She", "and they always ended up going insane and dying. The MC, terrified of", "The best way to do this is to tell others about the dreams.", "do with the dream part of it, so no it’s not world building.", "terrified of this, also learns that she has to learn to control the", "like a leader. She hates feeling helpless and weak. This character does in", "She hates feeling helpless and weak. This character does in fact have something", "and she does need help. This is the only way I can ovoid", "other characters about her feelings, injuries, illnesses, fears, weakness, etc. because she feels", "of this, also learns that she has to learn to control the visions", "these dreams before, and they always ended up going insane and dying. The", "about the dreams. But. The MC refuses to do this as she insists", "like this in a believable way? This has nothing to do with the", "has no idea why they are happening but soon discovers that someone else", "discovers that someone else is trying to show her something. Unfortunately, this someone", "flaw, not telling the other characters about her feelings, injuries, illnesses, fears, weakness,", "series. In my story, my MC is strong, resilient, and always needs to" ]
[ "him back to where his world is with the past timeline, so he", "the world so she tries to go to a space station for a", "rearrange it carefully so that it looks different and new, and then put", "because of that, it is her chance to save the world from the", "she killed him, as it turns out that the brother was just trying", "where she lived earlier. And because of that, it is her chance to", "books that I have read. I noticed that what did I do is", "a secret forest. * I read a book about a betrayal of a", "that what did I do is get an idea from a book, get", "for the second time, even if it just her dream. Is that considered", "book about a boy who saved the world from the darkness using a", "I noticed is based on ideas from many books that I have read.", "a book, get another ideas from (many) other books, tear them apart and", "machine, but turns out the virtual dream machine is actually the same world", "example to make it clear. (Sorry if I have bad English.) * I", "the brother was just trying to protect her from the darkness itself. After", "but turns out the virtual dream machine is actually the same world with", "I read a book about a person who live in a world where", "just got eaten by the darkness. Luckily, she already escaped to the space", "hidden in a secret forest. * I read a book about a betrayal", "different and new, and then put it all together into a whole new", "to save the world so she tries to go to a space station", "world once again, even if it's only at her dream. And from that,", "to save the world once again, even if it's only at her dream.", "in a secret cave. And, boom! I got a girl who wants to", "hidden in a secret forest, with his brother all alongside with her. But", "the dream she had is the same world where she lived earlier. And", "to a space station for a virtual dream machine, but turns out the", "noticed that what did I do is get an idea from a book,", "space station and entered the virtual dream machine, but the dream she had", "clear. (Sorry if I have bad English.) * I read a book about", "to where his world is with the past timeline, so he tries to", "MC) got betrayed by a brother who is actually doing it to save", "got betrayed by a brother who is actually doing it to save herself", "and new, and then put it all together into a whole new story.", "to save the world from the darkness for the second time, even if", "trying to protect her from the darkness itself. After that, she tried to", "from many books that I have read. I noticed that what did I", "to tell the government about the moon to prevent it from exploding. And,", "he tries to tell the government about the moon to prevent it from", "and the earth just got eaten by the darkness. Luckily, she already escaped", "same world with past timeline, so she tries to save the world once", "axe hidden in a secret forest. * I read a book about a", "for a virtual dream machine, but turns out the virtual dream machine is", "out the virtual dream machine is actually the same world with past timeline,", "a book about a boy who saved the world from the darkness using", "from the darkness itself. After that, she tried to beat the evil darkness", "that, she tried to beat the evil darkness lord, but she failed and", "secret forest, with his brother all alongside with her. But throughout the story,", "to prevent it from exploding. And, boom! I got an idea to make", "his brother all alongside with her. But throughout the story, the brother betrayed", "betrayed her, so she killed him, as it turns out that the brother", "turns out the virtual dream machine is actually the same world with past", "to make it clear. (Sorry if I have bad English.) * I read", "mean, my MC) got betrayed by a brother who is actually doing it", "world with past timeline, so she tries to save the world once again,", "(I mean, my MC) got betrayed by a brother who is actually doing", "the world from the darkness for the second time, even if it just", "I (I mean, my MC) got betrayed by a brother who is actually", "dream machine, but the dream she had is the same world where she", "by the darkness. Luckily, she already escaped to the space station and entered", "itself. After that, she tried to beat the evil darkness lord, but she", "noticed is based on ideas from many books that I have read. I", "from exploding. And, boom! I got an idea to make the girl failed", "wants to save the world from the darkness using a secret axe hidden", "protect her from the darkness itself. After that, she tried to beat the", "forest. * I read a book about a betrayal of a father who", "carefully so that it looks different and new, and then put it all", "the MC is about to go to a space station for a virtual", "the darkness itself. After that, she tried to beat the evil darkness lord,", "a boy who saved the world from the darkness using a sword hidden", "was just trying to protect her from the darkness itself. After that, she", "she tries to go to a space station for a virtual dream machine,", "darkness using a secret axe hidden in a secret forest, with his brother", "is about to go to a space station for a virtual dream machine,", "moon is collapsed to destroy the earth, and the MC is about to", "secret forest. * I read a book about a betrayal of a father", "that, it is her chance to save the world from the darkness for", "(Sorry if I have bad English.) * I read a book about a", "who wants to save the world from the darkness using a secret axe", "with the past timeline, so he tries to tell the government about the", "it carefully so that it looks different and new, and then put it", "machine, but the dream she had is the same world where she lived", "dream she had is the same world where she lived earlier. And because", "make it clear. (Sorry if I have bad English.) * I read a", "I read a book about a boy who saved the world from the", "only at her dream. And from that, I got : A girl who", "an idea from a book, get another ideas from (many) other books, tear", "And, boom! I got a girl who wants to save the world from", "darkness using a sword hidden in a secret cave. And, boom! I got", "virtual dream machine, but turns out the virtual dream machine sends him back", "about a betrayal of a father who is actually doing it on purpose", "station for a virtual dream machine, but turns out the virtual dream machine", "machine sends him back to where his world is with the past timeline,", "from the darkness. * I read a book about a person who live", "is her chance to save the world from the darkness for the second", "dream machine, but turns out the virtual dream machine sends him back to", "it's only at her dream. And from that, I got : A girl", "from the darkness for the second time, even if it just her dream.", "secret axe hidden in a secret forest. * I read a book about", "the brother betrayed her, so she killed him, as it turns out that", "to save herself from the darkness. * I read a book about a", "English.) * I read a book about a boy who saved the world", "but she failed and the earth just got eaten by the darkness. Luckily,", "the earth just got eaten by the darkness. Luckily, she already escaped to", "using a sword hidden in a secret cave. And, boom! I got a", "world from the darkness using a secret axe hidden in a secret forest,", "a secret axe hidden in a secret forest, with his brother all alongside", "MC is about to go to a space station for a virtual dream", "to protect her from the darkness itself. After that, she tried to beat", "the second time, even if it just her dream. Is that considered plagiarism?", "then put it all together into a whole new story. Let me make", "book, get another ideas from (many) other books, tear them apart and rearrange", "apart and rearrange it carefully so that it looks different and new, and", "girl failed to save the world so she tries to go to a", "save the world once again, even if it's only at her dream. And", "which I noticed is based on ideas from many books that I have", "the world once again, even if it's only at her dream. And from", "dream machine is actually the same world with past timeline, so she tries", "if I have bad English.) * I read a book about a boy", "using a secret axe hidden in a secret forest. * I read a", "hidden in a secret cave. And, boom! I got a girl who wants", "tries to go to a space station for a virtual dream machine, but", "it turns out that the brother was just trying to protect her from", "secret axe hidden in a secret forest, with his brother all alongside with", "the moon to prevent it from exploding. And, boom! I got an idea", "a space station for a virtual dream machine, but turns out the virtual", "a sword hidden in a secret cave. And, boom! I got a girl", "doing it on purpose to save his son. And, boom! I (I mean,", "a girl who wants to save the world from darkness using a secret", "she tried to beat the evil darkness lord, but she failed and the", "secret cave. And, boom! I got a girl who wants to save the", "entered the virtual dream machine, but the dream she had is the same", "from darkness using a secret axe hidden in a secret forest. * I", "collapsed to destroy the earth, and the MC is about to go to", "again, even if it's only at her dream. And from that, I got", "I read a book about a betrayal of a father who is actually", "actually doing it on purpose to save his son. And, boom! I (I", "boom! I got an idea to make the girl failed to save the", "I got an idea to make the girl failed to save the world", "my MC) got betrayed by a brother who is actually doing it to", "a betrayal of a father who is actually doing it on purpose to", "the virtual dream machine, but the dream she had is the same world", "space station for a virtual dream machine, but turns out the virtual dream", "is actually doing it to save herself from the darkness. * I read", "I have bad English.) * I read a book about a boy who", "me make an example to make it clear. (Sorry if I have bad", "actually the same world with past timeline, so she tries to save the", "she already escaped to the space station and entered the virtual dream machine,", "is collapsed to destroy the earth, and the MC is about to go", "other books, tear them apart and rearrange it carefully so that it looks", "but the dream she had is the same world where she lived earlier.", "the virtual dream machine sends him back to where his world is with", "to save the world from darkness using a secret axe hidden in a", "if it's only at her dream. And from that, I got : A", "And from that, I got : A girl who wants to save the", "who live in a world where the moon is collapsed to destroy the", "with past timeline, so she tries to save the world once again, even", "girl who wants to save the world from darkness using a secret axe", "read a book about a person who live in a world where the", "But throughout the story, the brother betrayed her, so she killed him, as", "darkness lord, but she failed and the earth just got eaten by the", "go to a space station for a virtual dream machine, but turns out", "a virtual dream machine, but turns out the virtual dream machine sends him", "And because of that, it is her chance to save the world from", "all together into a whole new story. Let me make an example to", "alongside with her. But throughout the story, the brother betrayed her, so she", "got a girl who wants to save the world from darkness using a", "book about a person who live in a world where the moon is", "new, and then put it all together into a whole new story. Let", "from a book, get another ideas from (many) other books, tear them apart", "her. But throughout the story, the brother betrayed her, so she killed him,", "save his son. And, boom! I (I mean, my MC) got betrayed by", "(many) other books, tear them apart and rearrange it carefully so that it", "story. Let me make an example to make it clear. (Sorry if I", "is with the past timeline, so he tries to tell the government about", "read a book about a boy who saved the world from the darkness", "novel which I noticed is based on ideas from many books that I", "writing a novel which I noticed is based on ideas from many books", "boom! I (I mean, my MC) got betrayed by a brother who is", "that it looks different and new, and then put it all together into", "is actually the same world with past timeline, so she tries to save", "sends him back to where his world is with the past timeline, so", "about a boy who saved the world from the darkness using a sword", "I noticed that what did I do is get an idea from a", "who is actually doing it on purpose to save his son. And, boom!", "world where the moon is collapsed to destroy the earth, and the MC", "world so she tries to go to a space station for a virtual", "using a secret axe hidden in a secret forest, with his brother all", "Let me make an example to make it clear. (Sorry if I have", "tries to save the world once again, even if it's only at her", "I have read. I noticed that what did I do is get an", "* I read a book about a person who live in a world", "the earth, and the MC is about to go to a space station", "the same world where she lived earlier. And because of that, it is", "purpose to save his son. And, boom! I (I mean, my MC) got", "is get an idea from a book, get another ideas from (many) other", "get an idea from a book, get another ideas from (many) other books,", "evil darkness lord, but she failed and the earth just got eaten by", "killed him, as it turns out that the brother was just trying to", "it is her chance to save the world from the darkness for the", "to go to a space station for a virtual dream machine, but turns", "have bad English.) * I read a book about a boy who saved", "world from darkness using a secret axe hidden in a secret forest. ", "about a person who live in a world where the moon is collapsed", "father who is actually doing it on purpose to save his son. And,", "tear them apart and rearrange it carefully so that it looks different and", "all alongside with her. But throughout the story, the brother betrayed her, so", "in a world where the moon is collapsed to destroy the earth, and", "and rearrange it carefully so that it looks different and new, and then", "After that, she tried to beat the evil darkness lord, but she failed", "that I have read. I noticed that what did I do is get", "beat the evil darkness lord, but she failed and the earth just got", "the same world with past timeline, so she tries to save the world", "her dream. And from that, I got : A girl who wants to", "of a father who is actually doing it on purpose to save his", "had is the same world where she lived earlier. And because of that,", "failed and the earth just got eaten by the darkness. Luckily, she already", "that the brother was just trying to protect her from the darkness itself.", "in a secret forest, with his brother all alongside with her. But throughout", "his son. And, boom! I (I mean, my MC) got betrayed by a", "virtual dream machine, but the dream she had is the same world where", "government about the moon to prevent it from exploding. And, boom! I got", "from the darkness using a secret axe hidden in a secret forest, with", "she had is the same world where she lived earlier. And because of", "virtual dream machine is actually the same world with past timeline, so she", "so that it looks different and new, and then put it all together", "earth, and the MC is about to go to a space station for", "back to where his world is with the past timeline, so he tries", "the world from the darkness using a sword hidden in a secret cave.", "book about a betrayal of a father who is actually doing it on", "betrayal of a father who is actually doing it on purpose to save", "darkness. Luckily, she already escaped to the space station and entered the virtual", "from the darkness using a sword hidden in a secret cave. And, boom!", "idea to make the girl failed to save the world so she tries", "in a secret forest. I read a book about a betrayal of", "out the virtual dream machine sends him back to where his world is", "brother all alongside with her. But throughout the story, the brother betrayed her,", "save the world from the darkness using a secret axe hidden in a", "read. I noticed that what did I do is get an idea from", "exploding. And, boom! I got an idea to make the girl failed to", "him, as it turns out that the brother was just trying to protect", "live in a world where the moon is collapsed to destroy the earth,", "herself from the darkness. * I read a book about a person who", "save the world so she tries to go to a space station for", "station and entered the virtual dream machine, but the dream she had is", "the story, the brother betrayed her, so she killed him, as it turns", "ideas from (many) other books, tear them apart and rearrange it carefully so", "tried to beat the evil darkness lord, but she failed and the earth", "who wants to save the world from darkness using a secret axe hidden", "so she killed him, as it turns out that the brother was just", "doing it to save herself from the darkness. * I read a book", "books, tear them apart and rearrange it carefully so that it looks different", "do is get an idea from a book, get another ideas from (many)", "a secret cave. And, boom! I got a girl who wants to save", "escaped to the space station and entered the virtual dream machine, but the", "* I read a book about a betrayal of a father who is", "on purpose to save his son. And, boom! I (I mean, my MC)", "about the moon to prevent it from exploding. And, boom! I got an", "got : A girl who wants to save the world from the darkness", "machine, but turns out the virtual dream machine sends him back to where", "the virtual dream machine is actually the same world with past timeline, so", "looks different and new, and then put it all together into a whole", "that, I got : A girl who wants to save the world from", "brother betrayed her, so she killed him, as it turns out that the", "boom! I got a girl who wants to save the world from darkness", "same world where she lived earlier. And because of that, it is her", "And, boom! I (I mean, my MC) got betrayed by a brother who", "her chance to save the world from the darkness for the second time,", "based on ideas from many books that I have read. I noticed that", "once again, even if it's only at her dream. And from that, I", "at her dream. And from that, I got : A girl who wants", "she lived earlier. And because of that, it is her chance to save", "save herself from the darkness. * I read a book about a person", "a novel which I noticed is based on ideas from many books that", "the world from darkness using a secret axe hidden in a secret forest.", "with her. But throughout the story, the brother betrayed her, so she killed", "and then put it all together into a whole new story. Let me", "tries to tell the government about the moon to prevent it from exploding.", "is actually doing it on purpose to save his son. And, boom! I", "so he tries to tell the government about the moon to prevent it", "them apart and rearrange it carefully so that it looks different and new,", "timeline, so he tries to tell the government about the moon to prevent", "got an idea to make the girl failed to save the world so", "have read. I noticed that what did I do is get an idea", "lord, but she failed and the earth just got eaten by the darkness.", "virtual dream machine sends him back to where his world is with the", "together into a whole new story. Let me make an example to make", ": A girl who wants to save the world from the darkness using", "story, the brother betrayed her, so she killed him, as it turns out", "from that, I got : A girl who wants to save the world", "the darkness for the second time, even if it just her dream. Is", "a father who is actually doing it on purpose to save his son.", "it from exploding. And, boom! I got an idea to make the girl", "eaten by the darkness. Luckily, she already escaped to the space station and", "a book about a person who live in a world where the moon", "world from the darkness using a sword hidden in a secret cave. And,", "to the space station and entered the virtual dream machine, but the dream", "it all together into a whole new story. Let me make an example", "an idea to make the girl failed to save the world so she", "a secret axe hidden in a secret forest. * I read a book", "the government about the moon to prevent it from exploding. And, boom! I", "And, boom! I got an idea to make the girl failed to save", "for a virtual dream machine, but turns out the virtual dream machine sends", "virtual dream machine, but turns out the virtual dream machine is actually the", "the darkness. * I read a book about a person who live in", "turns out the virtual dream machine sends him back to where his world", "a book about a betrayal of a father who is actually doing it", "timeline, so she tries to save the world once again, even if it's", "the girl failed to save the world so she tries to go to", "axe hidden in a secret forest, with his brother all alongside with her.", "brother was just trying to protect her from the darkness itself. After that,", "am currently writing a novel which I noticed is based on ideas from", "turns out that the brother was just trying to protect her from the", "it looks different and new, and then put it all together into a", "past timeline, so she tries to save the world once again, even if", "darkness for the second time, even if it just her dream. Is that", "betrayed by a brother who is actually doing it to save herself from", "son. And, boom! I (I mean, my MC) got betrayed by a brother", "a person who live in a world where the moon is collapsed to", "it clear. (Sorry if I have bad English.) * I read a book", "with his brother all alongside with her. But throughout the story, the brother", "the evil darkness lord, but she failed and the earth just got eaten", "where his world is with the past timeline, so he tries to tell", "the moon is collapsed to destroy the earth, and the MC is about", "A girl who wants to save the world from the darkness using a", "world from the darkness for the second time, even if it just her", "darkness using a secret axe hidden in a secret forest. * I read", "darkness itself. After that, she tried to beat the evil darkness lord, but", "is based on ideas from many books that I have read. I noticed", "to make the girl failed to save the world so she tries to", "darkness. * I read a book about a person who live in a", "ideas from many books that I have read. I noticed that what did", "on ideas from many books that I have read. I noticed that what", "moon to prevent it from exploding. And, boom! I got an idea to", "who saved the world from the darkness using a sword hidden in a", "world is with the past timeline, so he tries to tell the government", "and entered the virtual dream machine, but the dream she had is the", "to save his son. And, boom! I (I mean, my MC) got betrayed", "the darkness using a sword hidden in a secret cave. And, boom! I", "to save the world from the darkness using a secret axe hidden in", "her, so she killed him, as it turns out that the brother was", "failed to save the world so she tries to go to a space", "she failed and the earth just got eaten by the darkness. Luckily, she", "his world is with the past timeline, so he tries to tell the", "read a book about a betrayal of a father who is actually doing", "so she tries to go to a space station for a virtual dream", "where the moon is collapsed to destroy the earth, and the MC is", "prevent it from exploding. And, boom! I got an idea to make the", "another ideas from (many) other books, tear them apart and rearrange it carefully", "I do is get an idea from a book, get another ideas from", "a brother who is actually doing it to save herself from the darkness.", "so she tries to save the world once again, even if it's only", "I got : A girl who wants to save the world from the", "her from the darkness itself. After that, she tried to beat the evil", "earth just got eaten by the darkness. Luckily, she already escaped to the", "but turns out the virtual dream machine sends him back to where his", "destroy the earth, and the MC is about to go to a space", "it to save herself from the darkness. * I read a book about", "already escaped to the space station and entered the virtual dream machine, but", "sword hidden in a secret cave. And, boom! I got a girl who", "whole new story. Let me make an example to make it clear. (Sorry", "boy who saved the world from the darkness using a sword hidden in", "dream machine sends him back to where his world is with the past", "a secret forest, with his brother all alongside with her. But throughout the", "tell the government about the moon to prevent it from exploding. And, boom!", "actually doing it to save herself from the darkness. * I read a", "bad English.) * I read a book about a boy who saved the", "out that the brother was just trying to protect her from the darkness", "to beat the evil darkness lord, but she failed and the earth just", "the space station and entered the virtual dream machine, but the dream she", "make the girl failed to save the world so she tries to go", "who is actually doing it to save herself from the darkness. * I", "forest, with his brother all alongside with her. But throughout the story, the", "earlier. And because of that, it is her chance to save the world", "chance to save the world from the darkness for the second time, even", "make an example to make it clear. (Sorry if I have bad English.)", "just trying to protect her from the darkness itself. After that, she tried", "throughout the story, the brother betrayed her, so she killed him, as it", "an example to make it clear. (Sorry if I have bad English.) ", "a world where the moon is collapsed to destroy the earth, and the", "world where she lived earlier. And because of that, it is her chance", "about to go to a space station for a virtual dream machine, but", "the past timeline, so he tries to tell the government about the moon", "past timeline, so he tries to tell the government about the moon to", "many books that I have read. I noticed that what did I do", "saved the world from the darkness using a sword hidden in a secret", "currently writing a novel which I noticed is based on ideas from many", "a virtual dream machine, but turns out the virtual dream machine is actually", "what did I do is get an idea from a book, get another", "it on purpose to save his son. And, boom! I (I mean, my", "is the same world where she lived earlier. And because of that, it", "girl who wants to save the world from the darkness using a secret", "machine is actually the same world with past timeline, so she tries to", "she tries to save the world once again, even if it's only at", "cave. And, boom! I got a girl who wants to save the world", "even if it's only at her dream. And from that, I got :", "to destroy the earth, and the MC is about to go to a", " I read a book about a boy who saved the world from", "lived earlier. And because of that, it is her chance to save the", "Luckily, she already escaped to the space station and entered the virtual dream", "of that, it is her chance to save the world from the darkness", "I am currently writing a novel which I noticed is based on ideas", "put it all together into a whole new story. Let me make an", "the darkness using a secret axe hidden in a secret forest, with his", "a whole new story. Let me make an example to make it clear.", "by a brother who is actually doing it to save herself from the", "brother who is actually doing it to save herself from the darkness. *", "save the world from darkness using a secret axe hidden in a secret", "I got a girl who wants to save the world from darkness using", "idea from a book, get another ideas from (many) other books, tear them", "person who live in a world where the moon is collapsed to destroy", "the world from the darkness using a secret axe hidden in a secret", "did I do is get an idea from a book, get another ideas", "into a whole new story. Let me make an example to make it", "dream machine, but turns out the virtual dream machine is actually the same", "from (many) other books, tear them apart and rearrange it carefully so that", "as it turns out that the brother was just trying to protect her", "save the world from the darkness for the second time, even if it", "dream. And from that, I got : A girl who wants to save", "the darkness. Luckily, she already escaped to the space station and entered the", "wants to save the world from darkness using a secret axe hidden in", "got eaten by the darkness. Luckily, she already escaped to the space station", "and the MC is about to go to a space station for a", "new story. Let me make an example to make it clear. (Sorry if", "get another ideas from (many) other books, tear them apart and rearrange it" ]
[ "to sleep, I'd like to think about the stories that I readed, to", "20-30) because there is no book store in my city. My english is", "anything that has a good story in it - especially fantasy. Everytime I", "I like to rearrange my dream and made it as a story. My", "to think how beautiful they are, and it always gives me dreams. And", "they are, and it always gives me dreams. And everyday when I woke", "at literature, the skill that is probably the easiest for me comparing to", "my city. My english is also terrible, so I decided to write my", "a normal living. I never took any literature class. I only read a", "night when I went to sleep, I'd like to think about the stories", "I went to sleep, I'd like to think about the stories that I", "writer as my ambition, because I wanted to be a programmer. I am", "a good story in it - especially fantasy. Everytime I finished one, I", "adventures. But the problem is, that I am no good at animation, film", "about the stories that I readed, to think how beautiful they are, and", "feel like that I want to make people feel 'that way' as well,", "liked it. So I decided to make a novel based on my dream", "writers have. I live in a normal living. I never took any literature", "story. My friends told me that they liked it. So I decided to", "feel 'that way' as well, just like how I feel. Every night when", "in it - especially fantasy. Everytime I finished one, I always feel like", "am no good at animation, film producing, or anything like that. Then I", "feel. Every night when I went to sleep, I'd like to think about", "store in my city. My english is also terrible, so I decided to", "own country language. I also don't want to be a writer as my", "friends told me that they liked it. So I decided to make a", "fantasy. Everytime I finished one, I always feel like that I want to", "way' as well, just like how I feel. Every night when I went", "to read/watch/play anything that has a good story in it - especially fantasy.", "make people feel 'that way' as well, just like how I feel. Every", "like around 20-30) because there is no book store in my city. My", "it always gives me dreams. And everyday when I woke up, I like", "old. I have no major experiences that great writers have. I live in", "I decided to make a novel based on my dream adventures. But the", "me that they liked it. So I decided to make a novel based", "to think about the stories that I readed, to think how beautiful they", "doing it to share my feelings to the world. So, is there any", "told me that they liked it. So I decided to make a novel", "stories that I readed, to think how beautiful they are, and it always", "is there any tips for me to begin my writing career as a", "to anything else. But the problem is, I am still young. 15 years", "feelings to the world. So, is there any tips for me to begin", "think about the stories that I readed, to think how beautiful they are,", "15 years old. I have no major experiences that great writers have. I", "people feel 'that way' as well, just like how I feel. Every night", "in a normal living. I never took any literature class. I only read", "is also terrible, so I decided to write my novel using my own", "am just doing it to share my feelings to the world. So, is", "has a good story in it - especially fantasy. Everytime I finished one,", "it. So I decided to make a novel based on my dream adventures.", "Everytime I finished one, I always feel like that I want to make", "I always feel like that I want to make people feel 'that way'", "great writers have. I live in a normal living. I never took any", "my novel using my own country language. I also don't want to be", "terrible, so I decided to write my novel using my own country language.", "is, I am still young. 15 years old. I have no major experiences", "is probably the easiest for me comparing to anything else. But the problem", "I feel. Every night when I went to sleep, I'd like to think", "a few books (maybe like around 20-30) because there is no book store", "to write my novel using my own country language. I also don't want", "I have no major experiences that great writers have. I live in a", "or anything like that. Then I ended up at literature, the skill that", "finished one, I always feel like that I want to make people feel", "good story in it - especially fantasy. Everytime I finished one, I always", "years old. I have no major experiences that great writers have. I live", "I am just doing it to share my feelings to the world. So,", "literature class. I only read a few books (maybe like around 20-30) because", "in my city. My english is also terrible, so I decided to write", "that is probably the easiest for me comparing to anything else. But the", "probably the easiest for me comparing to anything else. But the problem is,", "novel using my own country language. I also don't want to be a", "ambition, because I wanted to be a programmer. I am just doing it", "decided to write my novel using my own country language. I also don't", "also don't want to be a writer as my ambition, because I wanted", "as my ambition, because I wanted to be a programmer. I am just", "think how beautiful they are, and it always gives me dreams. And everyday", "anything like that. Then I ended up at literature, the skill that is", "my feelings to the world. So, is there any tips for me to", "living. I never took any literature class. I only read a few books", "be a writer as my ambition, because I wanted to be a programmer.", "have no major experiences that great writers have. I live in a normal", "well, just like how I feel. Every night when I went to sleep,", "to share my feelings to the world. So, is there any tips for", "my dream and made it as a story. My friends told me that", "are, and it always gives me dreams. And everyday when I woke up,", "it to share my feelings to the world. So, is there any tips", "producing, or anything like that. Then I ended up at literature, the skill", "as a story. My friends told me that they liked it. So I", "to be a writer as my ambition, because I wanted to be a", "me comparing to anything else. But the problem is, I am still young.", "only read a few books (maybe like around 20-30) because there is no", "like to think about the stories that I readed, to think how beautiful", "gives me dreams. And everyday when I woke up, I like to rearrange", "still young. 15 years old. I have no major experiences that great writers", "I woke up, I like to rearrange my dream and made it as", "to make people feel 'that way' as well, just like how I feel.", "readed, to think how beautiful they are, and it always gives me dreams.", "made it as a story. My friends told me that they liked it.", "took any literature class. I only read a few books (maybe like around", "be a programmer. I am just doing it to share my feelings to", "the easiest for me comparing to anything else. But the problem is, I", "always gives me dreams. And everyday when I woke up, I like to", "and made it as a story. My friends told me that they liked", "else. But the problem is, I am still young. 15 years old. I", "live in a normal living. I never took any literature class. I only", "the problem is, that I am no good at animation, film producing, or", "that I am no good at animation, film producing, or anything like that.", "went to sleep, I'd like to think about the stories that I readed,", "likes to read/watch/play anything that has a good story in it - especially", "any literature class. I only read a few books (maybe like around 20-30)", "always feel like that I want to make people feel 'that way' as", "how beautiful they are, and it always gives me dreams. And everyday when", "Then I ended up at literature, the skill that is probably the easiest", "up, I like to rearrange my dream and made it as a story.", "as well, just like how I feel. Every night when I went to", "ended up at literature, the skill that is probably the easiest for me", "the world. So, is there any tips for me to begin my writing", "I am a 15 years old boy who likes to read/watch/play anything that", "- especially fantasy. Everytime I finished one, I always feel like that I", "dream adventures. But the problem is, that I am no good at animation,", "like to rearrange my dream and made it as a story. My friends", "I decided to write my novel using my own country language. I also", "wanted to be a programmer. I am just doing it to share my", "programmer. I am just doing it to share my feelings to the world.", "want to make people feel 'that way' as well, just like how I", "everyday when I woke up, I like to rearrange my dream and made", "my dream adventures. But the problem is, that I am no good at", "how I feel. Every night when I went to sleep, I'd like to", "I only read a few books (maybe like around 20-30) because there is", "share my feelings to the world. So, is there any tips for me", "don't want to be a writer as my ambition, because I wanted to", "books (maybe like around 20-30) because there is no book store in my", "language. I also don't want to be a writer as my ambition, because", "dream and made it as a story. My friends told me that they", "there is no book store in my city. My english is also terrible,", "Every night when I went to sleep, I'd like to think about the", "So I decided to make a novel based on my dream adventures. But", "rearrange my dream and made it as a story. My friends told me", "sleep, I'd like to think about the stories that I readed, to think", "old boy who likes to read/watch/play anything that has a good story in", "there any tips for me to begin my writing career as a teenager?", "they liked it. So I decided to make a novel based on my", "for me comparing to anything else. But the problem is, I am still", "it - especially fantasy. Everytime I finished one, I always feel like that", "15 years old boy who likes to read/watch/play anything that has a good", "never took any literature class. I only read a few books (maybe like", "film producing, or anything like that. Then I ended up at literature, the", "class. I only read a few books (maybe like around 20-30) because there", "so I decided to write my novel using my own country language. I", "who likes to read/watch/play anything that has a good story in it -", "My english is also terrible, so I decided to write my novel using", "using my own country language. I also don't want to be a writer", "So, is there any tips for me to begin my writing career as", "just like how I feel. Every night when I went to sleep, I'd", "the stories that I readed, to think how beautiful they are, and it", "especially fantasy. Everytime I finished one, I always feel like that I want", "But the problem is, that I am no good at animation, film producing,", "My friends told me that they liked it. So I decided to make", "one, I always feel like that I want to make people feel 'that", "when I went to sleep, I'd like to think about the stories that", "I never took any literature class. I only read a few books (maybe", "because I wanted to be a programmer. I am just doing it to", "based on my dream adventures. But the problem is, that I am no", "am still young. 15 years old. I have no major experiences that great", "that great writers have. I live in a normal living. I never took", "easiest for me comparing to anything else. But the problem is, I am", "few books (maybe like around 20-30) because there is no book store in", "that has a good story in it - especially fantasy. Everytime I finished", "and it always gives me dreams. And everyday when I woke up, I", "problem is, I am still young. 15 years old. I have no major", "have. I live in a normal living. I never took any literature class.", "on my dream adventures. But the problem is, that I am no good", "up at literature, the skill that is probably the easiest for me comparing", "city. My english is also terrible, so I decided to write my novel", "beautiful they are, and it always gives me dreams. And everyday when I", "major experiences that great writers have. I live in a normal living. I", "a writer as my ambition, because I wanted to be a programmer. I", "write my novel using my own country language. I also don't want to", "is, that I am no good at animation, film producing, or anything like", "experiences that great writers have. I live in a normal living. I never", "to make a novel based on my dream adventures. But the problem is,", "I ended up at literature, the skill that is probably the easiest for", "I am no good at animation, film producing, or anything like that. Then", "I also don't want to be a writer as my ambition, because I", "I finished one, I always feel like that I want to make people", "like that. Then I ended up at literature, the skill that is probably", "also terrible, so I decided to write my novel using my own country", "years old boy who likes to read/watch/play anything that has a good story", "no good at animation, film producing, or anything like that. Then I ended", "the skill that is probably the easiest for me comparing to anything else.", "young. 15 years old. I have no major experiences that great writers have.", "make a novel based on my dream adventures. But the problem is, that", "(maybe like around 20-30) because there is no book store in my city.", "to rearrange my dream and made it as a story. My friends told", "like that I want to make people feel 'that way' as well, just", "like how I feel. Every night when I went to sleep, I'd like", "country language. I also don't want to be a writer as my ambition,", "no book store in my city. My english is also terrible, so I", "want to be a writer as my ambition, because I wanted to be", "woke up, I like to rearrange my dream and made it as a", "I'd like to think about the stories that I readed, to think how", "I readed, to think how beautiful they are, and it always gives me", "that I want to make people feel 'that way' as well, just like", "good at animation, film producing, or anything like that. Then I ended up", "literature, the skill that is probably the easiest for me comparing to anything", "a 15 years old boy who likes to read/watch/play anything that has a", "And everyday when I woke up, I like to rearrange my dream and", "the problem is, I am still young. 15 years old. I have no", "a programmer. I am just doing it to share my feelings to the", "my own country language. I also don't want to be a writer as", "to be a programmer. I am just doing it to share my feelings", "it as a story. My friends told me that they liked it. So", "I live in a normal living. I never took any literature class. I", "my ambition, because I wanted to be a programmer. I am just doing", "boy who likes to read/watch/play anything that has a good story in it", "anything else. But the problem is, I am still young. 15 years old.", "english is also terrible, so I decided to write my novel using my", "that. Then I ended up at literature, the skill that is probably the", "that they liked it. So I decided to make a novel based on", "story in it - especially fantasy. Everytime I finished one, I always feel", "because there is no book store in my city. My english is also", "normal living. I never took any literature class. I only read a few", "novel based on my dream adventures. But the problem is, that I am", "read a few books (maybe like around 20-30) because there is no book", "just doing it to share my feelings to the world. So, is there", "dreams. And everyday when I woke up, I like to rearrange my dream", "that I readed, to think how beautiful they are, and it always gives", "skill that is probably the easiest for me comparing to anything else. But", "But the problem is, I am still young. 15 years old. I have", "I want to make people feel 'that way' as well, just like how", "a story. My friends told me that they liked it. So I decided", "problem is, that I am no good at animation, film producing, or anything", "is no book store in my city. My english is also terrible, so", "'that way' as well, just like how I feel. Every night when I", "world. So, is there any tips for me to begin my writing career", "when I woke up, I like to rearrange my dream and made it", "me dreams. And everyday when I woke up, I like to rearrange my", "animation, film producing, or anything like that. Then I ended up at literature,", "read/watch/play anything that has a good story in it - especially fantasy. Everytime", "around 20-30) because there is no book store in my city. My english", "I wanted to be a programmer. I am just doing it to share", "I am still young. 15 years old. I have no major experiences that", "at animation, film producing, or anything like that. Then I ended up at", "am a 15 years old boy who likes to read/watch/play anything that has", "a novel based on my dream adventures. But the problem is, that I", "comparing to anything else. But the problem is, I am still young. 15", "to the world. So, is there any tips for me to begin my", "decided to make a novel based on my dream adventures. But the problem", "book store in my city. My english is also terrible, so I decided", "no major experiences that great writers have. I live in a normal living." ]
[ "'technical' aspects as well, discussing (where possible) the actual ideas in a way", "perspective. That is, to discuss the way math has influenced physics, and physics", "to Einstein). Since it's such a long paper, I'd like to decide on", "the way math has influenced physics, and physics has influenced mathematics, throughout history", "provide a comprehensive history in a mere 20-30 pages, so maybe I should", "comprehensive history in a mere 20-30 pages, so maybe I should cover 3-5", "cover the 'technical' aspects as well, discussing (where possible) the actual ideas in", "one of the science SE's. In any case, feel free to move this", "'big ideas'? Also, since no strict timeline was given (except that it should", "not sure if this is best suited for Writing SE, or perhaps one", "modern (say, going back to Einstein). Since it's such a long paper, I'd", "if this is best suited for Writing SE, or perhaps one of the", "given (except that it should reach up to the modern day), I'm not", "day. It must cover the 'technical' aspects as well, discussing (where possible) the", "My issue is, I'm not quite sure where to start or how to", "the history of physics from a mathematical perspective. That is, to discuss the", "Since it's such a long paper, I'd like to decide on a structure", "must cover the 'technical' aspects as well, discussing (where possible) the actual ideas", "way math has influenced physics, and physics has influenced mathematics, throughout history and", "physics has influenced mathematics, throughout history and up to the present day. It", "(say, going back to Einstein). Since it's such a long paper, I'd like", "of physics from a mathematical perspective. That is, to discuss the way math", "not sure if I should go all the way back to the time", "strict timeline was given (except that it should reach up to the modern", "that can be understood by a general population. There are no other requirements.", "no other requirements. My issue is, I'm not quite sure where to start", "has influenced physics, and physics has influenced mathematics, throughout history and up to", "earlier), or stay more modern (say, going back to Einstein). Since it's such", "page paper on the history of physics from a mathematical perspective. That is,", "That is, to discuss the way math has influenced physics, and physics has", "influenced mathematics, throughout history and up to the present day. It must cover", "been tasked with writing a 20-30 page paper on the history of physics", "to structure this work. Obviously, I cannot provide a comprehensive history in a", "has influenced mathematics, throughout history and up to the present day. It must", "actual ideas in a way that can be understood by a general population.", "ideas in a way that can be understood by a general population. There", "to discuss the way math has influenced physics, and physics has influenced mathematics,", "sure where to start or how to structure this work. Obviously, I cannot", "history in a mere 20-30 pages, so maybe I should cover 3-5 'big", "a mere 20-30 pages, so maybe I should cover 3-5 'big ideas'? Also,", "ideas'? Also, since no strict timeline was given (except that it should reach", "present day. It must cover the 'technical' aspects as well, discussing (where possible)", "to start or how to structure this work. Obviously, I cannot provide a", "or perhaps one of the science SE's. In any case, feel free to", "this is best suited for Writing SE, or perhaps one of the science", "it should reach up to the modern day), I'm not sure if I", "reach up to the modern day), I'm not sure if I should go", "influenced physics, and physics has influenced mathematics, throughout history and up to the", "the time of Newton (or earlier), or stay more modern (say, going back", "(or earlier), or stay more modern (say, going back to Einstein). Since it's", "on a structure now instead of jumping in (as I usually would) and", "is best suited for Writing SE, or perhaps one of the science SE's.", "Newton (or earlier), or stay more modern (say, going back to Einstein). Since", "not quite sure where to start or how to structure this work. Obviously,", "In any case, feel free to move this if fitting. I've been tasked", "tasked with writing a 20-30 page paper on the history of physics from", "structure this work. Obviously, I cannot provide a comprehensive history in a mere", "that it should reach up to the modern day), I'm not sure if", "discussing (where possible) the actual ideas in a way that can be understood", "as well, discussing (where possible) the actual ideas in a way that can", "paper, I'd like to decide on a structure now instead of jumping in", "history of physics from a mathematical perspective. That is, to discuss the way", "by a general population. There are no other requirements. My issue is, I'm", "to the present day. It must cover the 'technical' aspects as well, discussing", "cover 3-5 'big ideas'? Also, since no strict timeline was given (except that", "where to start or how to structure this work. Obviously, I cannot provide", "It must cover the 'technical' aspects as well, discussing (where possible) the actual", "can be understood by a general population. There are no other requirements. My", "structure now instead of jumping in (as I usually would) and finding it", "feel free to move this if fitting. I've been tasked with writing a", "of jumping in (as I usually would) and finding it doesn't work well", "was given (except that it should reach up to the modern day), I'm", "time of Newton (or earlier), or stay more modern (say, going back to", "SE's. In any case, feel free to move this if fitting. I've been", "a mathematical perspective. That is, to discuss the way math has influenced physics,", "free to move this if fitting. I've been tasked with writing a 20-30", "quite sure where to start or how to structure this work. Obviously, I", "back to Einstein). Since it's such a long paper, I'd like to decide", "or how to structure this work. Obviously, I cannot provide a comprehensive history", "perhaps one of the science SE's. In any case, feel free to move", "possible) the actual ideas in a way that can be understood by a", "to the time of Newton (or earlier), or stay more modern (say, going", "3-5 'big ideas'? Also, since no strict timeline was given (except that it", "should reach up to the modern day), I'm not sure if I should", "a general population. There are no other requirements. My issue is, I'm not", "a long paper, I'd like to decide on a structure now instead of", "pages, so maybe I should cover 3-5 'big ideas'? Also, since no strict", "and up to the present day. It must cover the 'technical' aspects as", "the science SE's. In any case, feel free to move this if fitting.", "(where possible) the actual ideas in a way that can be understood by", "(except that it should reach up to the modern day), I'm not sure", "any case, feel free to move this if fitting. I've been tasked with", "if I should go all the way back to the time of Newton", "all the way back to the time of Newton (or earlier), or stay", "the 'technical' aspects as well, discussing (where possible) the actual ideas in a", "since no strict timeline was given (except that it should reach up to", "or stay more modern (say, going back to Einstein). Since it's such a", "like to decide on a structure now instead of jumping in (as I", "mathematics, throughout history and up to the present day. It must cover the", "well, discussing (where possible) the actual ideas in a way that can be", "now instead of jumping in (as I usually would) and finding it doesn't", "should cover 3-5 'big ideas'? Also, since no strict timeline was given (except", "no strict timeline was given (except that it should reach up to the", "other requirements. My issue is, I'm not quite sure where to start or", "a comprehensive history in a mere 20-30 pages, so maybe I should cover", "is, to discuss the way math has influenced physics, and physics has influenced", "There are no other requirements. My issue is, I'm not quite sure where", "to decide on a structure now instead of jumping in (as I usually", "20-30 pages, so maybe I should cover 3-5 'big ideas'? Also, since no", "go all the way back to the time of Newton (or earlier), or", "paper on the history of physics from a mathematical perspective. That is, to", "move this if fitting. I've been tasked with writing a 20-30 page paper", "with writing a 20-30 page paper on the history of physics from a", "I'm not quite sure where to start or how to structure this work.", "more modern (say, going back to Einstein). Since it's such a long paper,", "this work. Obviously, I cannot provide a comprehensive history in a mere 20-30", "maybe I should cover 3-5 'big ideas'? Also, since no strict timeline was", "to the modern day), I'm not sure if I should go all the", "suited for Writing SE, or perhaps one of the science SE's. In any", "I'm not sure if I should go all the way back to the", "I cannot provide a comprehensive history in a mere 20-30 pages, so maybe", "is, I'm not quite sure where to start or how to structure this", "for Writing SE, or perhaps one of the science SE's. In any case,", "requirements. My issue is, I'm not quite sure where to start or how", "I should go all the way back to the time of Newton (or", "the modern day), I'm not sure if I should go all the way", "stay more modern (say, going back to Einstein). Since it's such a long", "physics from a mathematical perspective. That is, to discuss the way math has", "it's such a long paper, I'd like to decide on a structure now", "of Newton (or earlier), or stay more modern (say, going back to Einstein).", "up to the present day. It must cover the 'technical' aspects as well,", "to move this if fitting. I've been tasked with writing a 20-30 page", "how to structure this work. Obviously, I cannot provide a comprehensive history in", "population. There are no other requirements. My issue is, I'm not quite sure", "sure if this is best suited for Writing SE, or perhaps one of", "math has influenced physics, and physics has influenced mathematics, throughout history and up", "cannot provide a comprehensive history in a mere 20-30 pages, so maybe I", "from a mathematical perspective. That is, to discuss the way math has influenced", "SE, or perhaps one of the science SE's. In any case, feel free", "a structure now instead of jumping in (as I usually would) and finding", "timeline was given (except that it should reach up to the modern day),", "the actual ideas in a way that can be understood by a general", "day), I'm not sure if I should go all the way back to", "so maybe I should cover 3-5 'big ideas'? Also, since no strict timeline", "jumping in (as I usually would) and finding it doesn't work well halfway", "such a long paper, I'd like to decide on a structure now instead", "way that can be understood by a general population. There are no other", "decide on a structure now instead of jumping in (as I usually would)", "way back to the time of Newton (or earlier), or stay more modern", "understood by a general population. There are no other requirements. My issue is,", "Einstein). Since it's such a long paper, I'd like to decide on a", "of the science SE's. In any case, feel free to move this if", "writing a 20-30 page paper on the history of physics from a mathematical", "case, feel free to move this if fitting. I've been tasked with writing", "back to the time of Newton (or earlier), or stay more modern (say,", "in a mere 20-30 pages, so maybe I should cover 3-5 'big ideas'?", "Also, since no strict timeline was given (except that it should reach up", "if fitting. I've been tasked with writing a 20-30 page paper on the", "fitting. I've been tasked with writing a 20-30 page paper on the history", "are no other requirements. My issue is, I'm not quite sure where to", "aspects as well, discussing (where possible) the actual ideas in a way that", "history and up to the present day. It must cover the 'technical' aspects", "be understood by a general population. There are no other requirements. My issue", "sure if I should go all the way back to the time of", "the present day. It must cover the 'technical' aspects as well, discussing (where", "on the history of physics from a mathematical perspective. That is, to discuss", "Obviously, I cannot provide a comprehensive history in a mere 20-30 pages, so", "best suited for Writing SE, or perhaps one of the science SE's. In", "up to the modern day), I'm not sure if I should go all", "issue is, I'm not quite sure where to start or how to structure", "I should cover 3-5 'big ideas'? Also, since no strict timeline was given", "in a way that can be understood by a general population. There are", "20-30 page paper on the history of physics from a mathematical perspective. That", "the way back to the time of Newton (or earlier), or stay more", "long paper, I'd like to decide on a structure now instead of jumping", "Writing SE, or perhaps one of the science SE's. In any case, feel", "and physics has influenced mathematics, throughout history and up to the present day.", "modern day), I'm not sure if I should go all the way back", "throughout history and up to the present day. It must cover the 'technical'", "a 20-30 page paper on the history of physics from a mathematical perspective.", "general population. There are no other requirements. My issue is, I'm not quite", "science SE's. In any case, feel free to move this if fitting. I've", "work. Obviously, I cannot provide a comprehensive history in a mere 20-30 pages,", "in (as I usually would) and finding it doesn't work well halfway through.", "start or how to structure this work. Obviously, I cannot provide a comprehensive", "I've been tasked with writing a 20-30 page paper on the history of", "mere 20-30 pages, so maybe I should cover 3-5 'big ideas'? Also, since", "discuss the way math has influenced physics, and physics has influenced mathematics, throughout", "I'm not sure if this is best suited for Writing SE, or perhaps", "a way that can be understood by a general population. There are no", "should go all the way back to the time of Newton (or earlier),", "this if fitting. I've been tasked with writing a 20-30 page paper on", "going back to Einstein). Since it's such a long paper, I'd like to", "instead of jumping in (as I usually would) and finding it doesn't work", "mathematical perspective. That is, to discuss the way math has influenced physics, and", "I'd like to decide on a structure now instead of jumping in (as", "physics, and physics has influenced mathematics, throughout history and up to the present" ]
[ "better to say so literally: > > Luuos cleared his throat. \"I'm not", "compactness perhaps: > > \"Ahem, I'm not sure.\" > > > Is there", "> \"Ahem, I'm not sure.\" > > > Is there a preferred method,", "> > > Is there a preferred method, are onomatapoeic interjections bad practice", "cleared his throat. \"I'm not sure.\" > > > Or, in a quest", "a quest for compactness perhaps: > > \"Ahem, I'm not sure.\" > >", "literally: > > Luuos cleared his throat. \"I'm not sure.\" > > >", "sure.\" > > > Or, in a quest for compactness perhaps: > >", "sure.\" > > > Is there a preferred method, are onomatapoeic interjections bad", "a preferred method, are onomatapoeic interjections bad practice or am I overthinking this?", "his throat before speaking. Is it better to say so literally: > >", "character who is clearing his throat before speaking. Is it better to say", "a bit of fiction and what i have is an uncomfortable character who", "an uncomfortable character who is clearing his throat before speaking. Is it better", "uncomfortable character who is clearing his throat before speaking. Is it better to", "> Or, in a quest for compactness perhaps: > > \"Ahem, I'm not", "writing a bit of fiction and what i have is an uncomfortable character", "and what i have is an uncomfortable character who is clearing his throat", "> > Is there a preferred method, are onomatapoeic interjections bad practice or", "i have is an uncomfortable character who is clearing his throat before speaking.", "who is clearing his throat before speaking. Is it better to say so", "speaking. Is it better to say so literally: > > Luuos cleared his", "> > Or, in a quest for compactness perhaps: > > \"Ahem, I'm", "> Is there a preferred method, are onomatapoeic interjections bad practice or am", "what i have is an uncomfortable character who is clearing his throat before", "> > \"Ahem, I'm not sure.\" > > > Is there a preferred", "clearing his throat before speaking. Is it better to say so literally: >", "so literally: > > Luuos cleared his throat. \"I'm not sure.\" > >", "> > > Or, in a quest for compactness perhaps: > > \"Ahem,", "in a quest for compactness perhaps: > > \"Ahem, I'm not sure.\" >", "for compactness perhaps: > > \"Ahem, I'm not sure.\" > > > Is", "I'm writing a bit of fiction and what i have is an uncomfortable", "Or, in a quest for compactness perhaps: > > \"Ahem, I'm not sure.\"", "I'm not sure.\" > > > Is there a preferred method, are onomatapoeic", "> > Luuos cleared his throat. \"I'm not sure.\" > > > Or,", "is an uncomfortable character who is clearing his throat before speaking. Is it", "say so literally: > > Luuos cleared his throat. \"I'm not sure.\" >", "throat before speaking. Is it better to say so literally: > > Luuos", "it better to say so literally: > > Luuos cleared his throat. \"I'm", "there a preferred method, are onomatapoeic interjections bad practice or am I overthinking", "throat. \"I'm not sure.\" > > > Or, in a quest for compactness", "\"Ahem, I'm not sure.\" > > > Is there a preferred method, are", "before speaking. Is it better to say so literally: > > Luuos cleared", "> Luuos cleared his throat. \"I'm not sure.\" > > > Or, in", "is clearing his throat before speaking. Is it better to say so literally:", "fiction and what i have is an uncomfortable character who is clearing his", "not sure.\" > > > Is there a preferred method, are onomatapoeic interjections", "of fiction and what i have is an uncomfortable character who is clearing", "his throat. \"I'm not sure.\" > > > Or, in a quest for", "Luuos cleared his throat. \"I'm not sure.\" > > > Or, in a", "have is an uncomfortable character who is clearing his throat before speaking. Is", "to say so literally: > > Luuos cleared his throat. \"I'm not sure.\"", "\"I'm not sure.\" > > > Or, in a quest for compactness perhaps:", "bit of fiction and what i have is an uncomfortable character who is", "perhaps: > > \"Ahem, I'm not sure.\" > > > Is there a", "Is it better to say so literally: > > Luuos cleared his throat.", "not sure.\" > > > Or, in a quest for compactness perhaps: >", "quest for compactness perhaps: > > \"Ahem, I'm not sure.\" > > >", "Is there a preferred method, are onomatapoeic interjections bad practice or am I" ]
[ "can I get readers to like them even though they’re never even introduced", "never actually meet them. How can I get readers to like them even", "goes missing, however you never actually meet them. How can I get readers", "character goes missing, however you never actually meet them. How can I get", "you never actually meet them. How can I get readers to like them", "I get readers to like them even though they’re never even introduced to", "missing, however you never actually meet them. How can I get readers to", "actually meet them. How can I get readers to like them even though", "them. How can I get readers to like them even though they’re never", "meet them. How can I get readers to like them even though they’re", "How can I get readers to like them even though they’re never even", "Okay, so in my story, a character goes missing, however you never actually", "however you never actually meet them. How can I get readers to like", "my story, a character goes missing, however you never actually meet them. How", "so in my story, a character goes missing, however you never actually meet", "story, a character goes missing, however you never actually meet them. How can", "get readers to like them even though they’re never even introduced to them?", "a character goes missing, however you never actually meet them. How can I", "in my story, a character goes missing, however you never actually meet them." ]
[ "there?\" For traditional publishing, would both work, or is more appropriate than the", "did look through 'similar questions,' but nothing pertained to this. Thank you in", "or is more appropriate than the other? I did look through 'similar questions,'", "writer and have always used, \"W-Who,\" to a the character being scared. An", "it would be more appropriate to use \"Who-Who's there?\" For traditional publishing, would", "work, or is more appropriate than the other? I did look through 'similar", "is more appropriate than the other? I did look through 'similar questions,' but", "than the other? I did look through 'similar questions,' but nothing pertained to", "children's writer and have always used, \"W-Who,\" to a the character being scared.", "traditional publishing, would both work, or is more appropriate than the other? I", "if it would be more appropriate to use \"Who-Who's there?\" For traditional publishing,", "recently asked if it would be more appropriate to use \"Who-Who's there?\" For", "An example would be \"W-Who's there?\" Someone recently asked if it would be", "be \"W-Who's there?\" Someone recently asked if it would be more appropriate to", "I did look through 'similar questions,' but nothing pertained to this. Thank you", "Someone recently asked if it would be more appropriate to use \"Who-Who's there?\"", "other? I did look through 'similar questions,' but nothing pertained to this. Thank", "use \"Who-Who's there?\" For traditional publishing, would both work, or is more appropriate", "have always used, \"W-Who,\" to a the character being scared. An example would", "the other? I did look through 'similar questions,' but nothing pertained to this.", "be more appropriate to use \"Who-Who's there?\" For traditional publishing, would both work,", "a the character being scared. An example would be \"W-Who's there?\" Someone recently", "I'm a children's writer and have always used, \"W-Who,\" to a the character", "scared. An example would be \"W-Who's there?\" Someone recently asked if it would", "appropriate to use \"Who-Who's there?\" For traditional publishing, would both work, or is", "to use \"Who-Who's there?\" For traditional publishing, would both work, or is more", "would both work, or is more appropriate than the other? I did look", "to a the character being scared. An example would be \"W-Who's there?\" Someone", "both work, or is more appropriate than the other? I did look through", "used, \"W-Who,\" to a the character being scared. An example would be \"W-Who's", "always used, \"W-Who,\" to a the character being scared. An example would be", "a children's writer and have always used, \"W-Who,\" to a the character being", "\"W-Who,\" to a the character being scared. An example would be \"W-Who's there?\"", "more appropriate than the other? I did look through 'similar questions,' but nothing", "look through 'similar questions,' but nothing pertained to this. Thank you in advance!", "the character being scared. An example would be \"W-Who's there?\" Someone recently asked", "would be \"W-Who's there?\" Someone recently asked if it would be more appropriate", "\"W-Who's there?\" Someone recently asked if it would be more appropriate to use", "being scared. An example would be \"W-Who's there?\" Someone recently asked if it", "would be more appropriate to use \"Who-Who's there?\" For traditional publishing, would both", "asked if it would be more appropriate to use \"Who-Who's there?\" For traditional", "For traditional publishing, would both work, or is more appropriate than the other?", "\"Who-Who's there?\" For traditional publishing, would both work, or is more appropriate than", "more appropriate to use \"Who-Who's there?\" For traditional publishing, would both work, or", "publishing, would both work, or is more appropriate than the other? I did", "character being scared. An example would be \"W-Who's there?\" Someone recently asked if", "appropriate than the other? I did look through 'similar questions,' but nothing pertained", "example would be \"W-Who's there?\" Someone recently asked if it would be more", "there?\" Someone recently asked if it would be more appropriate to use \"Who-Who's", "and have always used, \"W-Who,\" to a the character being scared. An example" ]
[ "are three character perspectives that switch off every chapter. What are the ways", "to lead from one character perspective to the next and what are variables", "there are three character perspectives that switch off every chapter. What are the", "every chapter. What are the ways to lead from one character perspective to", "should consider when using them? For example, I was thinking to overlap the", "This is an extremely short question, but I think it explains itself pretty", "scene from the last chapter but from their point of view. Would that", "What are the ways to lead from one character perspective to the next", "and what are variables I should consider when using them? For example, I", "one scene from the last chapter but from their point of view. Would", "that make sense? --- This is an extremely short question, but I think", "character relives one scene from the last chapter but from their point of", "variables I should consider when using them? For example, I was thinking to", "consider when using them? For example, I was thinking to overlap the chapters", "three character perspectives that switch off every chapter. What are the ways to", "I was thinking to overlap the chapters so one character relives one scene", "when using them? For example, I was thinking to overlap the chapters so", "In my novel, there are three character perspectives that switch off every chapter.", "lead from one character perspective to the next and what are variables I", "perspective to the next and what are variables I should consider when using", "so one character relives one scene from the last chapter but from their", "chapters so one character relives one scene from the last chapter but from", "are variables I should consider when using them? For example, I was thinking", "relives one scene from the last chapter but from their point of view.", "last chapter but from their point of view. Would that make sense? ---", "next and what are variables I should consider when using them? For example,", "ways to lead from one character perspective to the next and what are", "to the next and what are variables I should consider when using them?", "the chapters so one character relives one scene from the last chapter but", "point of view. Would that make sense? --- This is an extremely short", "perspectives that switch off every chapter. What are the ways to lead from", "character perspective to the next and what are variables I should consider when", "I should consider when using them? For example, I was thinking to overlap", "chapter. What are the ways to lead from one character perspective to the", "off every chapter. What are the ways to lead from one character perspective", "of view. Would that make sense? --- This is an extremely short question,", "novel, there are three character perspectives that switch off every chapter. What are", "their point of view. Would that make sense? --- This is an extremely", "one character perspective to the next and what are variables I should consider", "character perspectives that switch off every chapter. What are the ways to lead", "the last chapter but from their point of view. Would that make sense?", "the ways to lead from one character perspective to the next and what", "from one character perspective to the next and what are variables I should", "For example, I was thinking to overlap the chapters so one character relives", "--- This is an extremely short question, but I think it explains itself", "chapter but from their point of view. Would that make sense? --- This", "using them? For example, I was thinking to overlap the chapters so one", "make sense? --- This is an extremely short question, but I think it", "to overlap the chapters so one character relives one scene from the last", "overlap the chapters so one character relives one scene from the last chapter", "is an extremely short question, but I think it explains itself pretty well.", "switch off every chapter. What are the ways to lead from one character", "Would that make sense? --- This is an extremely short question, but I", "are the ways to lead from one character perspective to the next and", "from the last chapter but from their point of view. Would that make", "but from their point of view. Would that make sense? --- This is", "them? For example, I was thinking to overlap the chapters so one character", "what are variables I should consider when using them? For example, I was", "that switch off every chapter. What are the ways to lead from one", "one character relives one scene from the last chapter but from their point", "sense? --- This is an extremely short question, but I think it explains", "example, I was thinking to overlap the chapters so one character relives one", "the next and what are variables I should consider when using them? For", "view. Would that make sense? --- This is an extremely short question, but", "my novel, there are three character perspectives that switch off every chapter. What", "was thinking to overlap the chapters so one character relives one scene from", "from their point of view. Would that make sense? --- This is an", "thinking to overlap the chapters so one character relives one scene from the" ]
[ "which I haven't been able to find a concrete answer. When you write", "but then you have lines of dialogues. So if you start a line", "the apostrophe be an opening or closing apostrophe? A lot of typefaces have", "have lines of dialogues. So if you start a line of dialogue with", "have a mirroring design for apostrophes where the opening one curls one one", "in a line of dialogue and in a regular sentence. And there are", "If you just start a sentence in a text, it doesn't seem to", "you write the contraction 'Tis (It is), should the apostrophe be an opening", "in a regular sentence. And there are two apostrophes: the opening and closing", "lot of typefaces have a mirroring design for apostrophes where the opening one", "as you are consistent about it, but then you have lines of dialogues.", "find a concrete answer. When you write the contraction 'Tis (It is), should", "sentence in a text, it doesn't seem to matter as long as you", "haven't been able to find a concrete answer. When you write the contraction", "a text, it doesn't seem to matter as long as you are consistent", "closing one curls the other way. If you just start a sentence in", "are two apostrophes: the opening and closing one. Which should be used where", "way and the closing one curls the other way. If you just start", "lines of dialogues. So if you start a line of dialogue with the", "This is a highly specific scenario for which I haven't been able to", "of typefaces have a mirroring design for apostrophes where the opening one curls", "for which I haven't been able to find a concrete answer. When you", "one curls one one way and the closing one curls the other way.", "be an opening or closing apostrophe? A lot of typefaces have a mirroring", "if you start a line of dialogue with the contraction 'Tis, you have", "regular sentence. And there are two apostrophes: the opening and closing one. Which", "apostrophes: the opening and closing one. Which should be used where in these", "So there are two scenarios: in a line of dialogue and in a", "are consistent about it, but then you have lines of dialogues. So if", "marks: \"'Tis the season...\" So there are two scenarios: in a line of", "write the contraction 'Tis (It is), should the apostrophe be an opening or", "one way and the closing one curls the other way. If you just", "other way. If you just start a sentence in a text, it doesn't", "there are two apostrophes: the opening and closing one. Which should be used", "as long as you are consistent about it, but then you have lines", "apostrophe right after quotation marks: \"'Tis the season...\" So there are two scenarios:", "(It is), should the apostrophe be an opening or closing apostrophe? A lot", "in a text, it doesn't seem to matter as long as you are", "text, it doesn't seem to matter as long as you are consistent about", "contraction 'Tis (It is), should the apostrophe be an opening or closing apostrophe?", "two scenarios: in a line of dialogue and in a regular sentence. And", "a line of dialogue and in a regular sentence. And there are two", "should the apostrophe be an opening or closing apostrophe? A lot of typefaces", "you have lines of dialogues. So if you start a line of dialogue", "the other way. If you just start a sentence in a text, it", "scenario for which I haven't been able to find a concrete answer. When", "seem to matter as long as you are consistent about it, but then", "curls the other way. If you just start a sentence in a text,", "highly specific scenario for which I haven't been able to find a concrete", "after quotation marks: \"'Tis the season...\" So there are two scenarios: in a", "just start a sentence in a text, it doesn't seem to matter as", "opening one curls one one way and the closing one curls the other", "you just start a sentence in a text, it doesn't seem to matter", "about it, but then you have lines of dialogues. So if you start", "concrete answer. When you write the contraction 'Tis (It is), should the apostrophe", "a sentence in a text, it doesn't seem to matter as long as", "dialogue and in a regular sentence. And there are two apostrophes: the opening", "an apostrophe right after quotation marks: \"'Tis the season...\" So there are two", "of dialogues. So if you start a line of dialogue with the contraction", "to find a concrete answer. When you write the contraction 'Tis (It is),", "opening or closing apostrophe? A lot of typefaces have a mirroring design for", "where the opening one curls one one way and the closing one curls", "curls one one way and the closing one curls the other way. If", "dialogue with the contraction 'Tis, you have an apostrophe right after quotation marks:", "apostrophe be an opening or closing apostrophe? A lot of typefaces have a", "mirroring design for apostrophes where the opening one curls one one way and", "you start a line of dialogue with the contraction 'Tis, you have an", "answer. When you write the contraction 'Tis (It is), should the apostrophe be", "doesn't seem to matter as long as you are consistent about it, but", "matter as long as you are consistent about it, but then you have", "the contraction 'Tis, you have an apostrophe right after quotation marks: \"'Tis the", "closing apostrophe? A lot of typefaces have a mirroring design for apostrophes where", "and in a regular sentence. And there are two apostrophes: the opening and", "to matter as long as you are consistent about it, but then you", "When you write the contraction 'Tis (It is), should the apostrophe be an", "sentence. And there are two apostrophes: the opening and closing one. Which should", "apostrophes where the opening one curls one one way and the closing one", "specific scenario for which I haven't been able to find a concrete answer.", "scenarios: in a line of dialogue and in a regular sentence. And there", "a line of dialogue with the contraction 'Tis, you have an apostrophe right", "two apostrophes: the opening and closing one. Which should be used where in", "line of dialogue with the contraction 'Tis, you have an apostrophe right after", "one curls the other way. If you just start a sentence in a", "a regular sentence. And there are two apostrophes: the opening and closing one.", "it, but then you have lines of dialogues. So if you start a", "then you have lines of dialogues. So if you start a line of", "been able to find a concrete answer. When you write the contraction 'Tis", "season...\" So there are two scenarios: in a line of dialogue and in", "'Tis, you have an apostrophe right after quotation marks: \"'Tis the season...\" So", "So if you start a line of dialogue with the contraction 'Tis, you", "I haven't been able to find a concrete answer. When you write the", "have an apostrophe right after quotation marks: \"'Tis the season...\" So there are", "you are consistent about it, but then you have lines of dialogues. So", "design for apostrophes where the opening one curls one one way and the", "is a highly specific scenario for which I haven't been able to find", "consistent about it, but then you have lines of dialogues. So if you", "dialogues. So if you start a line of dialogue with the contraction 'Tis,", "quotation marks: \"'Tis the season...\" So there are two scenarios: in a line", "apostrophe? A lot of typefaces have a mirroring design for apostrophes where the", "the contraction 'Tis (It is), should the apostrophe be an opening or closing", "'Tis (It is), should the apostrophe be an opening or closing apostrophe? A", "of dialogue with the contraction 'Tis, you have an apostrophe right after quotation", "the opening one curls one one way and the closing one curls the", "a highly specific scenario for which I haven't been able to find a", "the closing one curls the other way. If you just start a sentence", "you have an apostrophe right after quotation marks: \"'Tis the season...\" So there", "A lot of typefaces have a mirroring design for apostrophes where the opening", "the season...\" So there are two scenarios: in a line of dialogue and", "are two scenarios: in a line of dialogue and in a regular sentence.", "an opening or closing apostrophe? A lot of typefaces have a mirroring design", "one one way and the closing one curls the other way. If you", "start a line of dialogue with the contraction 'Tis, you have an apostrophe", "for apostrophes where the opening one curls one one way and the closing", "line of dialogue and in a regular sentence. And there are two apostrophes:", "is), should the apostrophe be an opening or closing apostrophe? A lot of", "right after quotation marks: \"'Tis the season...\" So there are two scenarios: in", "or closing apostrophe? A lot of typefaces have a mirroring design for apostrophes", "typefaces have a mirroring design for apostrophes where the opening one curls one", "long as you are consistent about it, but then you have lines of", "able to find a concrete answer. When you write the contraction 'Tis (It", "contraction 'Tis, you have an apostrophe right after quotation marks: \"'Tis the season...\"", "and the closing one curls the other way. If you just start a", "the opening and closing one. Which should be used where in these circumstances?", "start a sentence in a text, it doesn't seem to matter as long", "a concrete answer. When you write the contraction 'Tis (It is), should the", "\"'Tis the season...\" So there are two scenarios: in a line of dialogue", "with the contraction 'Tis, you have an apostrophe right after quotation marks: \"'Tis", "And there are two apostrophes: the opening and closing one. Which should be", "it doesn't seem to matter as long as you are consistent about it,", "way. If you just start a sentence in a text, it doesn't seem", "of dialogue and in a regular sentence. And there are two apostrophes: the", "a mirroring design for apostrophes where the opening one curls one one way", "there are two scenarios: in a line of dialogue and in a regular" ]
[ "good sense of who my characters are and what my settings will look", "just dive in again telling myself that it will all come together because", "step in the planning process? I really don't want to just dive in", "how they connect to one another. It also includes what types of conflict", "has failed me in the past. What other planning steps or exercises can", "how to plan a novel. Since then I've been reading mostly about how", "the characters towards the next one. Over the course of my first few", "about it already than previous versions. This outline of my plot is not", "plot point concludes and pushes the characters towards the next one. Over the", "in again telling myself that it will all come together because that approach", "planning process? I really don't want to just dive in again telling myself", "I add to it without just turning it into another draft? How should", "the plot point concludes and pushes the characters towards the next one. Over", "have always been the kind of person to just \"wing it\" and see", "planning steps or exercises can I do to make sure I have all", "my plot, feeling better about it already than previous versions. This outline of", "they need to happen and how they connect to one another. It also", "first few \"drafts\" I feel that I have developed a pretty good sense", "myself that it will all come together because that approach has failed me", "a novel. Since then I've been reading mostly about how to build the", "my plot outline be more detailed than it is? If so, what else", "what is the next step in the planning process? I really don't want", "have all the framework laid this time to write a good draft? Should", "to do some research on how to plan a novel. Since then I've", "plot, feeling better about it already than previous versions. This outline of my", "like. Now I'm wondering, what is the next step in the planning process?", "I have all the framework laid this time to write a good draft?", "about how to build the plot of the novel and I have sketched", "more detailed than it is? If so, what else do I add to", "time to do some research on how to plan a novel. Since then", "a new writer, have been working on a novel length piece of work", "terribly disappointed by it, I decided it was time to do some research", "this time to write a good draft? Should my plot outline be more", "turning it into another draft? How should I be thinking about my story", "the kind of person to just \"wing it\" and see what happens. After", "and feeling terribly disappointed by it, I decided it was time to do", "also includes what types of conflict the characters face and how the plot", "what my settings will look like. Now I'm wondering, what is the next", "already than previous versions. This outline of my plot is not too terribly", "and I have always been the kind of person to just \"wing it\"", "my first few \"drafts\" I feel that I have developed a pretty good", "it already than previous versions. This outline of my plot is not too", "lines out the main plot points, why they need to happen and how", "characters are and what my settings will look like. Now I'm wondering, what", "in the past. What other planning steps or exercises can I do to", "mostly about how to build the plot of the novel and I have", "what types of conflict the characters face and how the plot point concludes", "process? I really don't want to just dive in again telling myself that", "the novel and I have sketched out my plot, feeling better about it", "how the plot point concludes and pushes the characters towards the next one.", "I have always been the kind of person to just \"wing it\" and", "is not too terribly detailed but lines out the main plot points, why", "of the novel and I have sketched out my plot, feeling better about", "I'm wondering, what is the next step in the planning process? I really", "because that approach has failed me in the past. What other planning steps", "of conflict the characters face and how the plot point concludes and pushes", "to just \"wing it\" and see what happens. After completing yet another draft", "I really don't want to just dive in again telling myself that it", "happens. After completing yet another draft of this book and feeling terribly disappointed", "why they need to happen and how they connect to one another. It", "that approach has failed me in the past. What other planning steps or", "in the planning process? I really don't want to just dive in again", "Should my plot outline be more detailed than it is? If so, what", "sure I have all the framework laid this time to write a good", "detailed than it is? If so, what else do I add to it", "to it without just turning it into another draft? How should I be", "is the next step in the planning process? I really don't want to", "and pushes the characters towards the next one. Over the course of my", "plot outline be more detailed than it is? If so, what else do", "detailed but lines out the main plot points, why they need to happen", "than previous versions. This outline of my plot is not too terribly detailed", "out the main plot points, why they need to happen and how they", "it into another draft? How should I be thinking about my story at", "point concludes and pushes the characters towards the next one. Over the course", "yet another draft of this book and feeling terribly disappointed by it, I", "and I have sketched out my plot, feeling better about it already than", "without just turning it into another draft? How should I be thinking about", "look like. Now I'm wondering, what is the next step in the planning", "length piece of work for the past couple of years, and I have", "plot of the novel and I have sketched out my plot, feeling better", "exercises can I do to make sure I have all the framework laid", "main plot points, why they need to happen and how they connect to", "few \"drafts\" I feel that I have developed a pretty good sense of", "and how they connect to one another. It also includes what types of", "been reading mostly about how to build the plot of the novel and", "the framework laid this time to write a good draft? Should my plot", "plan a novel. Since then I've been reading mostly about how to build", "past couple of years, and I have always been the kind of person", "decided it was time to do some research on how to plan a", "If so, what else do I add to it without just turning it", "types of conflict the characters face and how the plot point concludes and", "\"drafts\" I feel that I have developed a pretty good sense of who", "kind of person to just \"wing it\" and see what happens. After completing", "have been working on a novel length piece of work for the past", "After completing yet another draft of this book and feeling terribly disappointed by", "research on how to plan a novel. Since then I've been reading mostly", "come together because that approach has failed me in the past. What other", "piece of work for the past couple of years, and I have always", "plot is not too terribly detailed but lines out the main plot points,", "next one. Over the course of my first few \"drafts\" I feel that", "a pretty good sense of who my characters are and what my settings", "some research on how to plan a novel. Since then I've been reading", "how to build the plot of the novel and I have sketched out", "novel length piece of work for the past couple of years, and I", "by it, I decided it was time to do some research on how", "I've been reading mostly about how to build the plot of the novel", "out my plot, feeling better about it already than previous versions. This outline", "characters face and how the plot point concludes and pushes the characters towards", "just \"wing it\" and see what happens. After completing yet another draft of", "the past. What other planning steps or exercises can I do to make", "What other planning steps or exercises can I do to make sure I", "novel and I have sketched out my plot, feeling better about it already", "another. It also includes what types of conflict the characters face and how", "it will all come together because that approach has failed me in the", "was time to do some research on how to plan a novel. Since", "and see what happens. After completing yet another draft of this book and", "again telling myself that it will all come together because that approach has", "reading mostly about how to build the plot of the novel and I", "the main plot points, why they need to happen and how they connect", "settings will look like. Now I'm wondering, what is the next step in", "next step in the planning process? I really don't want to just dive", "but lines out the main plot points, why they need to happen and", "on a novel length piece of work for the past couple of years,", "of my first few \"drafts\" I feel that I have developed a pretty", "I'm a new writer, have been working on a novel length piece of", "always been the kind of person to just \"wing it\" and see what", "my plot is not too terribly detailed but lines out the main plot", "have developed a pretty good sense of who my characters are and what", "time to write a good draft? Should my plot outline be more detailed", "have sketched out my plot, feeling better about it already than previous versions.", "to happen and how they connect to one another. It also includes what", "that I have developed a pretty good sense of who my characters are", "it was time to do some research on how to plan a novel.", "want to just dive in again telling myself that it will all come", "the plot of the novel and I have sketched out my plot, feeling", "my characters are and what my settings will look like. Now I'm wondering,", "telling myself that it will all come together because that approach has failed", "sketched out my plot, feeling better about it already than previous versions. This", "else do I add to it without just turning it into another draft?", "I have sketched out my plot, feeling better about it already than previous", "add to it without just turning it into another draft? How should I", "into another draft? How should I be thinking about my story at this", "on how to plan a novel. Since then I've been reading mostly about", "novel. Since then I've been reading mostly about how to build the plot", "of my plot is not too terribly detailed but lines out the main", "or exercises can I do to make sure I have all the framework", "outline of my plot is not too terribly detailed but lines out the", "years, and I have always been the kind of person to just \"wing", "do some research on how to plan a novel. Since then I've been", "Over the course of my first few \"drafts\" I feel that I have", "to build the plot of the novel and I have sketched out my", "dive in again telling myself that it will all come together because that", "to make sure I have all the framework laid this time to write", "to write a good draft? Should my plot outline be more detailed than", "do to make sure I have all the framework laid this time to", "be more detailed than it is? If so, what else do I add", "conflict the characters face and how the plot point concludes and pushes the", "concludes and pushes the characters towards the next one. Over the course of", "I feel that I have developed a pretty good sense of who my", "my settings will look like. Now I'm wondering, what is the next step", "see what happens. After completing yet another draft of this book and feeling", "better about it already than previous versions. This outline of my plot is", "the next one. Over the course of my first few \"drafts\" I feel", "don't want to just dive in again telling myself that it will all", "me in the past. What other planning steps or exercises can I do", "draft? Should my plot outline be more detailed than it is? If so,", "this book and feeling terribly disappointed by it, I decided it was time", "face and how the plot point concludes and pushes the characters towards the", "feeling better about it already than previous versions. This outline of my plot", "who my characters are and what my settings will look like. Now I'm", "I do to make sure I have all the framework laid this time", "to just dive in again telling myself that it will all come together", "then I've been reading mostly about how to build the plot of the", "not too terribly detailed but lines out the main plot points, why they", "all the framework laid this time to write a good draft? Should my", "sense of who my characters are and what my settings will look like.", "is? If so, what else do I add to it without just turning", "and how the plot point concludes and pushes the characters towards the next", "it without just turning it into another draft? How should I be thinking", "a good draft? Should my plot outline be more detailed than it is?", "all come together because that approach has failed me in the past. What", "of years, and I have always been the kind of person to just", "the past couple of years, and I have always been the kind of", "book and feeling terribly disappointed by it, I decided it was time to", "that it will all come together because that approach has failed me in", "can I do to make sure I have all the framework laid this", "person to just \"wing it\" and see what happens. After completing yet another", "feeling terribly disappointed by it, I decided it was time to do some", "characters towards the next one. Over the course of my first few \"drafts\"", "of person to just \"wing it\" and see what happens. After completing yet", "versions. This outline of my plot is not too terribly detailed but lines", "the next step in the planning process? I really don't want to just", "working on a novel length piece of work for the past couple of", "been working on a novel length piece of work for the past couple", "another draft of this book and feeling terribly disappointed by it, I decided", "approach has failed me in the past. What other planning steps or exercises", "couple of years, and I have always been the kind of person to", "\"wing it\" and see what happens. After completing yet another draft of this", "steps or exercises can I do to make sure I have all the", "it\" and see what happens. After completing yet another draft of this book", "they connect to one another. It also includes what types of conflict the", "and what my settings will look like. Now I'm wondering, what is the", "course of my first few \"drafts\" I feel that I have developed a", "connect to one another. It also includes what types of conflict the characters", "the planning process? I really don't want to just dive in again telling", "a novel length piece of work for the past couple of years, and", "one another. It also includes what types of conflict the characters face and", "terribly detailed but lines out the main plot points, why they need to", "I decided it was time to do some research on how to plan", "for the past couple of years, and I have always been the kind", "to plan a novel. Since then I've been reading mostly about how to", "new writer, have been working on a novel length piece of work for", "disappointed by it, I decided it was time to do some research on", "Now I'm wondering, what is the next step in the planning process? I", "really don't want to just dive in again telling myself that it will", "build the plot of the novel and I have sketched out my plot,", "Since then I've been reading mostly about how to build the plot of", "happen and how they connect to one another. It also includes what types", "This outline of my plot is not too terribly detailed but lines out", "laid this time to write a good draft? Should my plot outline be", "pushes the characters towards the next one. Over the course of my first", "previous versions. This outline of my plot is not too terribly detailed but", "what else do I add to it without just turning it into another", "pretty good sense of who my characters are and what my settings will", "plot points, why they need to happen and how they connect to one", "just turning it into another draft? How should I be thinking about my", "do I add to it without just turning it into another draft? How", "than it is? If so, what else do I add to it without", "of who my characters are and what my settings will look like. Now", "together because that approach has failed me in the past. What other planning", "it is? If so, what else do I add to it without just", "to one another. It also includes what types of conflict the characters face", "It also includes what types of conflict the characters face and how the", "the characters face and how the plot point concludes and pushes the characters", "writer, have been working on a novel length piece of work for the", "draft of this book and feeling terribly disappointed by it, I decided it", "points, why they need to happen and how they connect to one another.", "towards the next one. Over the course of my first few \"drafts\" I", "past. What other planning steps or exercises can I do to make sure", "other planning steps or exercises can I do to make sure I have", "make sure I have all the framework laid this time to write a", "so, what else do I add to it without just turning it into", "are and what my settings will look like. Now I'm wondering, what is", "framework laid this time to write a good draft? Should my plot outline", "too terribly detailed but lines out the main plot points, why they need", "failed me in the past. What other planning steps or exercises can I", "includes what types of conflict the characters face and how the plot point", "work for the past couple of years, and I have always been the", "it, I decided it was time to do some research on how to", "will all come together because that approach has failed me in the past.", "good draft? Should my plot outline be more detailed than it is? If", "developed a pretty good sense of who my characters are and what my", "what happens. After completing yet another draft of this book and feeling terribly", "another draft? How should I be thinking about my story at this point?", "write a good draft? Should my plot outline be more detailed than it", "I have developed a pretty good sense of who my characters are and", "will look like. Now I'm wondering, what is the next step in the", "need to happen and how they connect to one another. It also includes", "the course of my first few \"drafts\" I feel that I have developed", "feel that I have developed a pretty good sense of who my characters", "one. Over the course of my first few \"drafts\" I feel that I", "wondering, what is the next step in the planning process? I really don't", "of work for the past couple of years, and I have always been", "been the kind of person to just \"wing it\" and see what happens.", "outline be more detailed than it is? If so, what else do I", "completing yet another draft of this book and feeling terribly disappointed by it,", "of this book and feeling terribly disappointed by it, I decided it was" ]
[ "one. He tried to print my book but after some failed attempts(bad printing", "to print my book but after some failed attempts(bad printing and cut) and", "this book in my new one as a chapter and publish it by", "He insisted that there was no need for a contract even if I", "because he had already sell few of the failed books(2 or 3 copies).", "these. Can I include this book in my new one as a chapter", "I asked for one. He tried to print my book but after some", "attempts(bad printing and cut) and two years of patience I asked him to", "patience I asked him to stop the process. The publisher agreed but informed", "for a contract even if I asked for one. He tried to print", "my new one as a chapter and publish it by a different publisher?", "book in my new one as a chapter and publish it by a", "and publish it by a different publisher? Does the \"no contract\" prevent me", "a contract even if I asked for one. He tried to print my", "2018 I had my short story published by a publishing house. He insisted", "of patience I asked him to stop the process. The publisher agreed but", "books(2 or 3 copies). My questions are these. Can I include this book", "had my short story published by a publishing house. He insisted that there", "after some failed attempts(bad printing and cut) and two years of patience I", "Does the \"no contract\" prevent me from doing something like this? Thanks for", "a publishing house. He insisted that there was no need for a contract", "as a first edition because he had already sell few of the failed", "He tried to print my book but after some failed attempts(bad printing and", "insisted that there was no need for a contract even if I asked", "it typically published as a first edition because he had already sell few", "publishing house. He insisted that there was no need for a contract even", "even if I asked for one. He tried to print my book but", "cut) and two years of patience I asked him to stop the process.", "we had it typically published as a first edition because he had already", "by a publishing house. He insisted that there was no need for a", "you can help me. Back in 2018 I had my short story published", "he had already sell few of the failed books(2 or 3 copies). My", "3 copies). My questions are these. Can I include this book in my", "help me. Back in 2018 I had my short story published by a", "in 2018 I had my short story published by a publishing house. He", "for one. He tried to print my book but after some failed attempts(bad", "a different publisher? Does the \"no contract\" prevent me from doing something like", "stop the process. The publisher agreed but informed me that we had it", "me that we had it typically published as a first edition because he", "failed attempts(bad printing and cut) and two years of patience I asked him", "printing and cut) and two years of patience I asked him to stop", "no need for a contract even if I asked for one. He tried", "by a different publisher? Does the \"no contract\" prevent me from doing something", "and two years of patience I asked him to stop the process. The", "I hope you can help me. Back in 2018 I had my short", "years of patience I asked him to stop the process. The publisher agreed", "had already sell few of the failed books(2 or 3 copies). My questions", "book but after some failed attempts(bad printing and cut) and two years of", "in my new one as a chapter and publish it by a different", "it by a different publisher? Does the \"no contract\" prevent me from doing", "new one as a chapter and publish it by a different publisher? Does", "print my book but after some failed attempts(bad printing and cut) and two", "published as a first edition because he had already sell few of the", "can help me. Back in 2018 I had my short story published by", "Can I include this book in my new one as a chapter and", "to stop the process. The publisher agreed but informed me that we had", "asked for one. He tried to print my book but after some failed", "a first edition because he had already sell few of the failed books(2", "typically published as a first edition because he had already sell few of", "process. The publisher agreed but informed me that we had it typically published", "of the failed books(2 or 3 copies). My questions are these. Can I", "there was no need for a contract even if I asked for one.", "The publisher agreed but informed me that we had it typically published as", "few of the failed books(2 or 3 copies). My questions are these. Can", "me. Back in 2018 I had my short story published by a publishing", "tried to print my book but after some failed attempts(bad printing and cut)", "publish it by a different publisher? Does the \"no contract\" prevent me from", "already sell few of the failed books(2 or 3 copies). My questions are", "My questions are these. Can I include this book in my new one", "that we had it typically published as a first edition because he had", "hope you can help me. Back in 2018 I had my short story", "contract even if I asked for one. He tried to print my book", "if I asked for one. He tried to print my book but after", "I had my short story published by a publishing house. He insisted that", "house. He insisted that there was no need for a contract even if", "failed books(2 or 3 copies). My questions are these. Can I include this", "publisher agreed but informed me that we had it typically published as a", "my book but after some failed attempts(bad printing and cut) and two years", "the failed books(2 or 3 copies). My questions are these. Can I include", "was no need for a contract even if I asked for one. He", "and cut) and two years of patience I asked him to stop the", "had it typically published as a first edition because he had already sell", "first edition because he had already sell few of the failed books(2 or", "one as a chapter and publish it by a different publisher? Does the", "some failed attempts(bad printing and cut) and two years of patience I asked", "the \"no contract\" prevent me from doing something like this? Thanks for your", "that there was no need for a contract even if I asked for", "the process. The publisher agreed but informed me that we had it typically", "story published by a publishing house. He insisted that there was no need", "my short story published by a publishing house. He insisted that there was", "sell few of the failed books(2 or 3 copies). My questions are these.", "are these. Can I include this book in my new one as a", "edition because he had already sell few of the failed books(2 or 3", "copies). My questions are these. Can I include this book in my new", "a chapter and publish it by a different publisher? Does the \"no contract\"", "but after some failed attempts(bad printing and cut) and two years of patience", "but informed me that we had it typically published as a first edition", "him to stop the process. The publisher agreed but informed me that we", "Back in 2018 I had my short story published by a publishing house.", "different publisher? Does the \"no contract\" prevent me from doing something like this?", "need for a contract even if I asked for one. He tried to", "agreed but informed me that we had it typically published as a first", "questions are these. Can I include this book in my new one as", "short story published by a publishing house. He insisted that there was no", "\"no contract\" prevent me from doing something like this? Thanks for your time", "as a chapter and publish it by a different publisher? Does the \"no", "published by a publishing house. He insisted that there was no need for", "include this book in my new one as a chapter and publish it", "asked him to stop the process. The publisher agreed but informed me that", "chapter and publish it by a different publisher? Does the \"no contract\" prevent", "informed me that we had it typically published as a first edition because", "I include this book in my new one as a chapter and publish", "I asked him to stop the process. The publisher agreed but informed me", "two years of patience I asked him to stop the process. The publisher", "publisher? Does the \"no contract\" prevent me from doing something like this? Thanks", "or 3 copies). My questions are these. Can I include this book in" ]
[ "of animal abusers. But everything goes downhill when the animals he protects are", "he sends threats, it's subtle. The reactions are mostly met with police and", "exciting for the reader without adding super action-filled scenes that will ruin the", "strong enough. As I began writing, I figured out that a lot of", "a lot of things were just dragging and the pacing was unearthly slow.", "owner's consequences. The thing is, his story isn't supposed to be action-packed. It's", "reader without adding super action-filled scenes that will ruin the feel I want", "out that a lot of things were just dragging and the pacing was", "However, I have a feeling my plot isn't strong enough. As I began", "a feeling my plot isn't strong enough. As I began writing, I figured", "it's subtle. The reactions are mostly met with police and moving; nothing too", "do whatever it takes to make sure animals gain respect with warnings, threats,", "It's more of a character-driven novel in the light of right and wrong.", "sure animals gain respect with warnings, threats, and even murders of animal abusers.", "it takes to make sure animals gain respect with warnings, threats, and even", "figured out that a lot of things were just dragging and the pacing", "1/3 into a novel. I just don't know how to make it exciting", "lot of things were just dragging and the pacing was unearthly slow. My", "is that a teenager is an immigrant from Ireland who will do whatever", "the animals he protects are blamed for the owner's consequences. The thing is,", "feeling my plot isn't strong enough. As I began writing, I figured out", "ghosts. When he does kill, it's subtle. When he sends threats, it's subtle.", "As I began writing, I figured out that a lot of things were", "even murders of animal abusers. But everything goes downhill when the animals he", "trying to write a good plot that's strong for my first novel. However,", "the pacing was unearthly slow. My plot is that a teenager is an", "protects are blamed for the owner's consequences. The thing is, his story isn't", "make it exciting for the reader without adding super action-filled scenes that will", "super action-filled scenes that will ruin the feel I want for this book.", "scenes that will ruin the feel I want for this book. Thanks in", "to be action-packed. It's more of a character-driven novel in the light of", "or getting rid of ghosts. When he does kill, it's subtle. When he", "probably 1/3 into a novel. I just don't know how to make it", "action-packed. It's more of a character-driven novel in the light of right and", "whatever it takes to make sure animals gain respect with warnings, threats, and", "it seems as if all strong plots have somebody kicking the bad guy", "without adding super action-filled scenes that will ruin the feel I want for", "seems as if all strong plots have somebody kicking the bad guy to", "things were just dragging and the pacing was unearthly slow. My plot is", "plot isn't strong enough. As I began writing, I figured out that a", "murders of animal abusers. But everything goes downhill when the animals he protects", "it exciting for the reader without adding super action-filled scenes that will ruin", "I made it full of action, it wouldn't be the same story. But", "right and wrong. If I made it full of action, it wouldn't be", "that's strong for my first novel. However, I have a feeling my plot", "met with police and moving; nothing too much until probably 1/3 into a", "The thing is, his story isn't supposed to be action-packed. It's more of", "When he sends threats, it's subtle. The reactions are mostly met with police", "be action-packed. It's more of a character-driven novel in the light of right", "slow. My plot is that a teenager is an immigrant from Ireland who", "and the pacing was unearthly slow. My plot is that a teenager is", "have been trying to write a good plot that's strong for my first", "bad guy to oblivion or getting rid of ghosts. When he does kill,", "sends threats, it's subtle. The reactions are mostly met with police and moving;", "the same story. But it seems as if all strong plots have somebody", "to make sure animals gain respect with warnings, threats, and even murders of", "make sure animals gain respect with warnings, threats, and even murders of animal", "wouldn't be the same story. But it seems as if all strong plots", "respect with warnings, threats, and even murders of animal abusers. But everything goes", "strong for my first novel. However, I have a feeling my plot isn't", "enough. As I began writing, I figured out that a lot of things", "just dragging and the pacing was unearthly slow. My plot is that a", "when the animals he protects are blamed for the owner's consequences. The thing", "are blamed for the owner's consequences. The thing is, his story isn't supposed", "the reader without adding super action-filled scenes that will ruin the feel I", "with warnings, threats, and even murders of animal abusers. But everything goes downhill", "police and moving; nothing too much until probably 1/3 into a novel. I", "have somebody kicking the bad guy to oblivion or getting rid of ghosts.", "I figured out that a lot of things were just dragging and the", "that a teenager is an immigrant from Ireland who will do whatever it", "supposed to be action-packed. It's more of a character-driven novel in the light", "reactions are mostly met with police and moving; nothing too much until probably", "action-filled scenes that will ruin the feel I want for this book. Thanks", "threats, it's subtle. The reactions are mostly met with police and moving; nothing", "immigrant from Ireland who will do whatever it takes to make sure animals", "subtle. The reactions are mostly met with police and moving; nothing too much", "a teenager is an immigrant from Ireland who will do whatever it takes", "will do whatever it takes to make sure animals gain respect with warnings,", "mostly met with police and moving; nothing too much until probably 1/3 into", "takes to make sure animals gain respect with warnings, threats, and even murders", "kill, it's subtle. When he sends threats, it's subtle. The reactions are mostly", "My plot is that a teenager is an immigrant from Ireland who will", "I have been trying to write a good plot that's strong for my", "his story isn't supposed to be action-packed. It's more of a character-driven novel", "are mostly met with police and moving; nothing too much until probably 1/3", "as if all strong plots have somebody kicking the bad guy to oblivion", "and moving; nothing too much until probably 1/3 into a novel. I just", "plots have somebody kicking the bad guy to oblivion or getting rid of", "is an immigrant from Ireland who will do whatever it takes to make", "animal abusers. But everything goes downhill when the animals he protects are blamed", "it full of action, it wouldn't be the same story. But it seems", "who will do whatever it takes to make sure animals gain respect with", "novel. I just don't know how to make it exciting for the reader", "isn't strong enough. As I began writing, I figured out that a lot", "too much until probably 1/3 into a novel. I just don't know how", "don't know how to make it exciting for the reader without adding super", "The reactions are mostly met with police and moving; nothing too much until", "everything goes downhill when the animals he protects are blamed for the owner's", "good plot that's strong for my first novel. However, I have a feeling", "blamed for the owner's consequences. The thing is, his story isn't supposed to", "that a lot of things were just dragging and the pacing was unearthly", "But everything goes downhill when the animals he protects are blamed for the", "rid of ghosts. When he does kill, it's subtle. When he sends threats,", "of ghosts. When he does kill, it's subtle. When he sends threats, it's", "If I made it full of action, it wouldn't be the same story.", "made it full of action, it wouldn't be the same story. But it", "story isn't supposed to be action-packed. It's more of a character-driven novel in", "goes downhill when the animals he protects are blamed for the owner's consequences.", "a good plot that's strong for my first novel. However, I have a", "how to make it exciting for the reader without adding super action-filled scenes", "my plot isn't strong enough. As I began writing, I figured out that", "I began writing, I figured out that a lot of things were just", "in the light of right and wrong. If I made it full of", "he does kill, it's subtle. When he sends threats, it's subtle. The reactions", "an immigrant from Ireland who will do whatever it takes to make sure", "getting rid of ghosts. When he does kill, it's subtle. When he sends", "to oblivion or getting rid of ghosts. When he does kill, it's subtle.", "does kill, it's subtle. When he sends threats, it's subtle. The reactions are", "nothing too much until probably 1/3 into a novel. I just don't know", "know how to make it exciting for the reader without adding super action-filled", "But it seems as if all strong plots have somebody kicking the bad", "the bad guy to oblivion or getting rid of ghosts. When he does", "until probably 1/3 into a novel. I just don't know how to make", "into a novel. I just don't know how to make it exciting for", "kicking the bad guy to oblivion or getting rid of ghosts. When he", "write a good plot that's strong for my first novel. However, I have", "of right and wrong. If I made it full of action, it wouldn't", "warnings, threats, and even murders of animal abusers. But everything goes downhill when", "animals he protects are blamed for the owner's consequences. The thing is, his", "all strong plots have somebody kicking the bad guy to oblivion or getting", "thing is, his story isn't supposed to be action-packed. It's more of a", "to make it exciting for the reader without adding super action-filled scenes that", "my first novel. However, I have a feeling my plot isn't strong enough.", "he protects are blamed for the owner's consequences. The thing is, his story", "light of right and wrong. If I made it full of action, it", "it's subtle. When he sends threats, it's subtle. The reactions are mostly met", "downhill when the animals he protects are blamed for the owner's consequences. The", "When he does kill, it's subtle. When he sends threats, it's subtle. The", "with police and moving; nothing too much until probably 1/3 into a novel.", "I just don't know how to make it exciting for the reader without", "teenager is an immigrant from Ireland who will do whatever it takes to", "began writing, I figured out that a lot of things were just dragging", "a character-driven novel in the light of right and wrong. If I made", "full of action, it wouldn't be the same story. But it seems as", "for the reader without adding super action-filled scenes that will ruin the feel", "and wrong. If I made it full of action, it wouldn't be the", "of action, it wouldn't be the same story. But it seems as if", "just don't know how to make it exciting for the reader without adding", "oblivion or getting rid of ghosts. When he does kill, it's subtle. When", "be the same story. But it seems as if all strong plots have", "adding super action-filled scenes that will ruin the feel I want for this", "same story. But it seems as if all strong plots have somebody kicking", "have a feeling my plot isn't strong enough. As I began writing, I", "for my first novel. However, I have a feeling my plot isn't strong", "wrong. If I made it full of action, it wouldn't be the same", "it wouldn't be the same story. But it seems as if all strong", "if all strong plots have somebody kicking the bad guy to oblivion or", "first novel. However, I have a feeling my plot isn't strong enough. As", "much until probably 1/3 into a novel. I just don't know how to", "of a character-driven novel in the light of right and wrong. If I", "guy to oblivion or getting rid of ghosts. When he does kill, it's", "subtle. When he sends threats, it's subtle. The reactions are mostly met with", "were just dragging and the pacing was unearthly slow. My plot is that", "is, his story isn't supposed to be action-packed. It's more of a character-driven", "character-driven novel in the light of right and wrong. If I made it", "plot that's strong for my first novel. However, I have a feeling my", "action, it wouldn't be the same story. But it seems as if all", "writing, I figured out that a lot of things were just dragging and", "gain respect with warnings, threats, and even murders of animal abusers. But everything", "the light of right and wrong. If I made it full of action,", "pacing was unearthly slow. My plot is that a teenager is an immigrant", "somebody kicking the bad guy to oblivion or getting rid of ghosts. When", "consequences. The thing is, his story isn't supposed to be action-packed. It's more", "Ireland who will do whatever it takes to make sure animals gain respect", "been trying to write a good plot that's strong for my first novel.", "that will ruin the feel I want for this book. Thanks in advance.", "animals gain respect with warnings, threats, and even murders of animal abusers. But", "novel in the light of right and wrong. If I made it full", "isn't supposed to be action-packed. It's more of a character-driven novel in the", "dragging and the pacing was unearthly slow. My plot is that a teenager", "the owner's consequences. The thing is, his story isn't supposed to be action-packed.", "strong plots have somebody kicking the bad guy to oblivion or getting rid", "plot is that a teenager is an immigrant from Ireland who will do", "story. But it seems as if all strong plots have somebody kicking the", "I have a feeling my plot isn't strong enough. As I began writing,", "threats, and even murders of animal abusers. But everything goes downhill when the", "for the owner's consequences. The thing is, his story isn't supposed to be", "more of a character-driven novel in the light of right and wrong. If", "and even murders of animal abusers. But everything goes downhill when the animals", "unearthly slow. My plot is that a teenager is an immigrant from Ireland", "from Ireland who will do whatever it takes to make sure animals gain", "to write a good plot that's strong for my first novel. However, I", "novel. However, I have a feeling my plot isn't strong enough. As I", "of things were just dragging and the pacing was unearthly slow. My plot", "was unearthly slow. My plot is that a teenager is an immigrant from", "abusers. But everything goes downhill when the animals he protects are blamed for", "a novel. I just don't know how to make it exciting for the", "moving; nothing too much until probably 1/3 into a novel. I just don't" ]
[ "I don't feel like it is particularly designed for, say, a wide-audience Kindle", "don't feel like it is particularly designed for, say, a wide-audience Kindle eBook.", "an American or British style when editing? So far, I've only found [The", "real cachet, and I don't feel like it is particularly designed for, say,", "guide for \"international\" English? Or must one commit fully to either an American", "either an American or British style when editing? So far, I've only found", "when editing? So far, I've only found [The Elements of International English Style](https://www.thriftbooks.com/w/the-elements-of-international-english-style-a-guide-to-writing-correspondence-reports-technical-documents-and-internet-pages-for-a-global-audience_edmond-h-weiss/411833/item/1984848/?mkwid=3KrTPiKg%7Cdc&pcrid=11558858306&pkw=&pmt=be&slid=&product=1984848&plc=&pgrid=3970769380&ptaid=pla-1101002865068&utm_source=bing&utm_medium=cpc&utm_campaign=Bing%20Shopping%20%7C%20Computers%20&%20Technology&utm_term=&utm_content=3KrTPiKg%7Cdc%7Cpcrid%7C11558858306%7Cpkw%7C%7Cpmt%7Cbe%7Cproduct%7C1984848%7Cslid%7C%7Cpgrid%7C3970769380%7Cptaid%7Cpla-1101002865068%7C&msclkid=a33ac1c8a0ae144d13069e6ab53d6152#idiq=1984848&edition=5978373),", "[The Elements of International English Style](https://www.thriftbooks.com/w/the-elements-of-international-english-style-a-guide-to-writing-correspondence-reports-technical-documents-and-internet-pages-for-a-global-audience_edmond-h-weiss/411833/item/1984848/?mkwid=3KrTPiKg%7Cdc&pcrid=11558858306&pkw=&pmt=be&slid=&product=1984848&plc=&pgrid=3970769380&ptaid=pla-1101002865068&utm_source=bing&utm_medium=cpc&utm_campaign=Bing%20Shopping%20%7C%20Computers%20&%20Technology&utm_term=&utm_content=3KrTPiKg%7Cdc%7Cpcrid%7C11558858306%7Cpkw%7C%7Cpmt%7Cbe%7Cproduct%7C1984848%7Cslid%7C%7Cpgrid%7C3970769380%7Cptaid%7Cpla-1101002865068%7C&msclkid=a33ac1c8a0ae144d13069e6ab53d6152#idiq=1984848&edition=5978373), but I'm curious whether it has any", "any real cachet, and I don't feel like it is particularly designed for,", "UK audience) is there a style guide for \"international\" English? Or must one", "a global or US & UK audience) is there a style guide for", "for \"international\" English? Or must one commit fully to either an American or", "has any real cachet, and I don't feel like it is particularly designed", "audience) is there a style guide for \"international\" English? Or must one commit", "self-publishing to Amazon (especially for a global or US & UK audience) is", "I've only found [The Elements of International English Style](https://www.thriftbooks.com/w/the-elements-of-international-english-style-a-guide-to-writing-correspondence-reports-technical-documents-and-internet-pages-for-a-global-audience_edmond-h-weiss/411833/item/1984848/?mkwid=3KrTPiKg%7Cdc&pcrid=11558858306&pkw=&pmt=be&slid=&product=1984848&plc=&pgrid=3970769380&ptaid=pla-1101002865068&utm_source=bing&utm_medium=cpc&utm_campaign=Bing%20Shopping%20%7C%20Computers%20&%20Technology&utm_term=&utm_content=3KrTPiKg%7Cdc%7Cpcrid%7C11558858306%7Cpkw%7C%7Cpmt%7Cbe%7Cproduct%7C1984848%7Cslid%7C%7Cpgrid%7C3970769380%7Cptaid%7Cpla-1101002865068%7C&msclkid=a33ac1c8a0ae144d13069e6ab53d6152#idiq=1984848&edition=5978373), but I'm curious whether", "one commit fully to either an American or British style when editing? So", "whether it has any real cachet, and I don't feel like it is", "US & UK audience) is there a style guide for \"international\" English? Or", "is there a style guide for \"international\" English? Or must one commit fully", "Or must one commit fully to either an American or British style when", "there a style guide for \"international\" English? Or must one commit fully to", "must one commit fully to either an American or British style when editing?", "for a global or US & UK audience) is there a style guide", "style guide for \"international\" English? Or must one commit fully to either an", "commit fully to either an American or British style when editing? So far,", "fully to either an American or British style when editing? So far, I've", "English Style](https://www.thriftbooks.com/w/the-elements-of-international-english-style-a-guide-to-writing-correspondence-reports-technical-documents-and-internet-pages-for-a-global-audience_edmond-h-weiss/411833/item/1984848/?mkwid=3KrTPiKg%7Cdc&pcrid=11558858306&pkw=&pmt=be&slid=&product=1984848&plc=&pgrid=3970769380&ptaid=pla-1101002865068&utm_source=bing&utm_medium=cpc&utm_campaign=Bing%20Shopping%20%7C%20Computers%20&%20Technology&utm_term=&utm_content=3KrTPiKg%7Cdc%7Cpcrid%7C11558858306%7Cpkw%7C%7Cpmt%7Cbe%7Cproduct%7C1984848%7Cslid%7C%7Cpgrid%7C3970769380%7Cptaid%7Cpla-1101002865068%7C&msclkid=a33ac1c8a0ae144d13069e6ab53d6152#idiq=1984848&edition=5978373), but I'm curious whether it has any real cachet, and I", "and I don't feel like it is particularly designed for, say, a wide-audience", "who are self-publishing to Amazon (especially for a global or US & UK", "Elements of International English Style](https://www.thriftbooks.com/w/the-elements-of-international-english-style-a-guide-to-writing-correspondence-reports-technical-documents-and-internet-pages-for-a-global-audience_edmond-h-weiss/411833/item/1984848/?mkwid=3KrTPiKg%7Cdc&pcrid=11558858306&pkw=&pmt=be&slid=&product=1984848&plc=&pgrid=3970769380&ptaid=pla-1101002865068&utm_source=bing&utm_medium=cpc&utm_campaign=Bing%20Shopping%20%7C%20Computers%20&%20Technology&utm_term=&utm_content=3KrTPiKg%7Cdc%7Cpcrid%7C11558858306%7Cpkw%7C%7Cpmt%7Cbe%7Cproduct%7C1984848%7Cslid%7C%7Cpgrid%7C3970769380%7Cptaid%7Cpla-1101002865068%7C&msclkid=a33ac1c8a0ae144d13069e6ab53d6152#idiq=1984848&edition=5978373), but I'm curious whether it has any real", "So far, I've only found [The Elements of International English Style](https://www.thriftbooks.com/w/the-elements-of-international-english-style-a-guide-to-writing-correspondence-reports-technical-documents-and-internet-pages-for-a-global-audience_edmond-h-weiss/411833/item/1984848/?mkwid=3KrTPiKg%7Cdc&pcrid=11558858306&pkw=&pmt=be&slid=&product=1984848&plc=&pgrid=3970769380&ptaid=pla-1101002865068&utm_source=bing&utm_medium=cpc&utm_campaign=Bing%20Shopping%20%7C%20Computers%20&%20Technology&utm_term=&utm_content=3KrTPiKg%7Cdc%7Cpcrid%7C11558858306%7Cpkw%7C%7Cpmt%7Cbe%7Cproduct%7C1984848%7Cslid%7C%7Cpgrid%7C3970769380%7Cptaid%7Cpla-1101002865068%7C&msclkid=a33ac1c8a0ae144d13069e6ab53d6152#idiq=1984848&edition=5978373), but I'm", "\"international\" English? Or must one commit fully to either an American or British", "only found [The Elements of International English Style](https://www.thriftbooks.com/w/the-elements-of-international-english-style-a-guide-to-writing-correspondence-reports-technical-documents-and-internet-pages-for-a-global-audience_edmond-h-weiss/411833/item/1984848/?mkwid=3KrTPiKg%7Cdc&pcrid=11558858306&pkw=&pmt=be&slid=&product=1984848&plc=&pgrid=3970769380&ptaid=pla-1101002865068&utm_source=bing&utm_medium=cpc&utm_campaign=Bing%20Shopping%20%7C%20Computers%20&%20Technology&utm_term=&utm_content=3KrTPiKg%7Cdc%7Cpcrid%7C11558858306%7Cpkw%7C%7Cpmt%7Cbe%7Cproduct%7C1984848%7Cslid%7C%7Cpgrid%7C3970769380%7Cptaid%7Cpla-1101002865068%7C&msclkid=a33ac1c8a0ae144d13069e6ab53d6152#idiq=1984848&edition=5978373), but I'm curious whether it", "far, I've only found [The Elements of International English Style](https://www.thriftbooks.com/w/the-elements-of-international-english-style-a-guide-to-writing-correspondence-reports-technical-documents-and-internet-pages-for-a-global-audience_edmond-h-weiss/411833/item/1984848/?mkwid=3KrTPiKg%7Cdc&pcrid=11558858306&pkw=&pmt=be&slid=&product=1984848&plc=&pgrid=3970769380&ptaid=pla-1101002865068&utm_source=bing&utm_medium=cpc&utm_campaign=Bing%20Shopping%20%7C%20Computers%20&%20Technology&utm_term=&utm_content=3KrTPiKg%7Cdc%7Cpcrid%7C11558858306%7Cpkw%7C%7Cpmt%7Cbe%7Cproduct%7C1984848%7Cslid%7C%7Cpgrid%7C3970769380%7Cptaid%7Cpla-1101002865068%7C&msclkid=a33ac1c8a0ae144d13069e6ab53d6152#idiq=1984848&edition=5978373), but I'm curious", "of International English Style](https://www.thriftbooks.com/w/the-elements-of-international-english-style-a-guide-to-writing-correspondence-reports-technical-documents-and-internet-pages-for-a-global-audience_edmond-h-weiss/411833/item/1984848/?mkwid=3KrTPiKg%7Cdc&pcrid=11558858306&pkw=&pmt=be&slid=&product=1984848&plc=&pgrid=3970769380&ptaid=pla-1101002865068&utm_source=bing&utm_medium=cpc&utm_campaign=Bing%20Shopping%20%7C%20Computers%20&%20Technology&utm_term=&utm_content=3KrTPiKg%7Cdc%7Cpcrid%7C11558858306%7Cpkw%7C%7Cpmt%7Cbe%7Cproduct%7C1984848%7Cslid%7C%7Cpgrid%7C3970769380%7Cptaid%7Cpla-1101002865068%7C&msclkid=a33ac1c8a0ae144d13069e6ab53d6152#idiq=1984848&edition=5978373), but I'm curious whether it has any real cachet,", "to either an American or British style when editing? So far, I've only", "it has any real cachet, and I don't feel like it is particularly", "cachet, and I don't feel like it is particularly designed for, say, a", "American or British style when editing? So far, I've only found [The Elements", "a style guide for \"international\" English? Or must one commit fully to either", "English? Or must one commit fully to either an American or British style", "style when editing? So far, I've only found [The Elements of International English", "& UK audience) is there a style guide for \"international\" English? Or must", "International English Style](https://www.thriftbooks.com/w/the-elements-of-international-english-style-a-guide-to-writing-correspondence-reports-technical-documents-and-internet-pages-for-a-global-audience_edmond-h-weiss/411833/item/1984848/?mkwid=3KrTPiKg%7Cdc&pcrid=11558858306&pkw=&pmt=be&slid=&product=1984848&plc=&pgrid=3970769380&ptaid=pla-1101002865068&utm_source=bing&utm_medium=cpc&utm_campaign=Bing%20Shopping%20%7C%20Computers%20&%20Technology&utm_term=&utm_content=3KrTPiKg%7Cdc%7Cpcrid%7C11558858306%7Cpkw%7C%7Cpmt%7Cbe%7Cproduct%7C1984848%7Cslid%7C%7Cpgrid%7C3970769380%7Cptaid%7Cpla-1101002865068%7C&msclkid=a33ac1c8a0ae144d13069e6ab53d6152#idiq=1984848&edition=5978373), but I'm curious whether it has any real cachet, and", "Amazon (especially for a global or US & UK audience) is there a", "writers who are self-publishing to Amazon (especially for a global or US &", "Style](https://www.thriftbooks.com/w/the-elements-of-international-english-style-a-guide-to-writing-correspondence-reports-technical-documents-and-internet-pages-for-a-global-audience_edmond-h-weiss/411833/item/1984848/?mkwid=3KrTPiKg%7Cdc&pcrid=11558858306&pkw=&pmt=be&slid=&product=1984848&plc=&pgrid=3970769380&ptaid=pla-1101002865068&utm_source=bing&utm_medium=cpc&utm_campaign=Bing%20Shopping%20%7C%20Computers%20&%20Technology&utm_term=&utm_content=3KrTPiKg%7Cdc%7Cpcrid%7C11558858306%7Cpkw%7C%7Cpmt%7Cbe%7Cproduct%7C1984848%7Cslid%7C%7Cpgrid%7C3970769380%7Cptaid%7Cpla-1101002865068%7C&msclkid=a33ac1c8a0ae144d13069e6ab53d6152#idiq=1984848&edition=5978373), but I'm curious whether it has any real cachet, and I don't", "I'm curious whether it has any real cachet, and I don't feel like", "to Amazon (especially for a global or US & UK audience) is there", "or British style when editing? So far, I've only found [The Elements of", "global or US & UK audience) is there a style guide for \"international\"", "curious whether it has any real cachet, and I don't feel like it", "or US & UK audience) is there a style guide for \"international\" English?", "editing? So far, I've only found [The Elements of International English Style](https://www.thriftbooks.com/w/the-elements-of-international-english-style-a-guide-to-writing-correspondence-reports-technical-documents-and-internet-pages-for-a-global-audience_edmond-h-weiss/411833/item/1984848/?mkwid=3KrTPiKg%7Cdc&pcrid=11558858306&pkw=&pmt=be&slid=&product=1984848&plc=&pgrid=3970769380&ptaid=pla-1101002865068&utm_source=bing&utm_medium=cpc&utm_campaign=Bing%20Shopping%20%7C%20Computers%20&%20Technology&utm_term=&utm_content=3KrTPiKg%7Cdc%7Cpcrid%7C11558858306%7Cpkw%7C%7Cpmt%7Cbe%7Cproduct%7C1984848%7Cslid%7C%7Cpgrid%7C3970769380%7Cptaid%7Cpla-1101002865068%7C&msclkid=a33ac1c8a0ae144d13069e6ab53d6152#idiq=1984848&edition=5978373), but", "British style when editing? So far, I've only found [The Elements of International", "but I'm curious whether it has any real cachet, and I don't feel", "found [The Elements of International English Style](https://www.thriftbooks.com/w/the-elements-of-international-english-style-a-guide-to-writing-correspondence-reports-technical-documents-and-internet-pages-for-a-global-audience_edmond-h-weiss/411833/item/1984848/?mkwid=3KrTPiKg%7Cdc&pcrid=11558858306&pkw=&pmt=be&slid=&product=1984848&plc=&pgrid=3970769380&ptaid=pla-1101002865068&utm_source=bing&utm_medium=cpc&utm_campaign=Bing%20Shopping%20%7C%20Computers%20&%20Technology&utm_term=&utm_content=3KrTPiKg%7Cdc%7Cpcrid%7C11558858306%7Cpkw%7C%7Cpmt%7Cbe%7Cproduct%7C1984848%7Cslid%7C%7Cpgrid%7C3970769380%7Cptaid%7Cpla-1101002865068%7C&msclkid=a33ac1c8a0ae144d13069e6ab53d6152#idiq=1984848&edition=5978373), but I'm curious whether it has", "are self-publishing to Amazon (especially for a global or US & UK audience)", "For writers who are self-publishing to Amazon (especially for a global or US", "(especially for a global or US & UK audience) is there a style" ]
[ "they have their own online sales platform. But Blurb limits the total page", "1,200 pages, but they do not offer a good quality type of thin", "* Online sales platform I have already published a book on [Blurb](https://www.blurb.com). The", "quality type of thin paper. They have [Groundwood Paper](https://www.ingramcontent.com/blog/new-products-jacketed-case-groundwood-and-digital-cloth) available, but I don't", "hardcover binding (for resist daily use) * Online sales platform I have already", "book for daily use My requirements are: * Print on demand (POD) ", "not offer a good quality type of thin paper. They have [Groundwood Paper](https://www.ingramcontent.com/blog/new-products-jacketed-case-groundwood-and-digital-cloth)", "thin paper. They have [Groundwood Paper](https://www.ingramcontent.com/blog/new-products-jacketed-case-groundwood-and-digital-cloth) available, but I don't think it is", "about a book for daily use My requirements are: Print on demand", "paper of \"bible\" type (to avoid a book with a too thick spine)", "type (to avoid a book with a too thick spine) * paper with", "sales platform. But Blurb limits the total page to 480 and does not", "about 1,200 pages. We are talking about a book for daily use My", "* paper with good quality (for resist daily use) * hardcover binding (for", "paper. They have [Groundwood Paper](https://www.ingramcontent.com/blog/new-products-jacketed-case-groundwood-and-digital-cloth) available, but I don't think it is suitable", "Print on demand (POD) * paper of \"bible\" type (to avoid a book", "with a too thick spine) * paper with good quality (for resist daily", "they print books of about 1,200 pages, but they do not offer a", "not offer the possibility of thin paper (bible type). I have also looked", "[Groundwood Paper](https://www.ingramcontent.com/blog/new-products-jacketed-case-groundwood-and-digital-cloth) available, but I don't think it is suitable for my purpose.", "are: * Print on demand (POD) * paper of \"bible\" type (to avoid", "book with a too thick spine) * paper with good quality (for resist", "binding (for resist daily use) * Online sales platform I have already published", "talking about a book for daily use My requirements are: * Print on", "to 480 and does not offer the possibility of thin paper (bible type).", "own online sales platform. But Blurb limits the total page to 480 and", "on [Blurb](https://www.blurb.com). The quality is good, and they have their own online sales", "print books of about 1,200 pages, but they do not offer a good", "platform. But Blurb limits the total page to 480 and does not offer", "offer a good quality type of thin paper. They have [Groundwood Paper](https://www.ingramcontent.com/blog/new-products-jacketed-case-groundwood-and-digital-cloth) available,", "Online sales platform I have already published a book on [Blurb](https://www.blurb.com). The quality", "I want to publish one book with about 1,200 pages. We are talking", "type). I have also looked at [IngramSpark](https://www.ingramspark.com), they print books of about 1,200", "of about 1,200 pages, but they do not offer a good quality type", "\"bible\" type (to avoid a book with a too thick spine) * paper", "thick spine) * paper with good quality (for resist daily use) * hardcover", "demand (POD) * paper of \"bible\" type (to avoid a book with a", "quality (for resist daily use) * hardcover binding (for resist daily use) ", "Paper](https://www.ingramcontent.com/blog/new-products-jacketed-case-groundwood-and-digital-cloth) available, but I don't think it is suitable for my purpose. Do", "[Blurb](https://www.blurb.com). The quality is good, and they have their own online sales platform.", " Print on demand (POD) * paper of \"bible\" type (to avoid a", "(to avoid a book with a too thick spine) * paper with good", "one book with about 1,200 pages. We are talking about a book for", "book with about 1,200 pages. We are talking about a book for daily", "a book on [Blurb](https://www.blurb.com). The quality is good, and they have their own", "but I don't think it is suitable for my purpose. Do you know", "is suitable for my purpose. Do you know any options for my requirements?", "have already published a book on [Blurb](https://www.blurb.com). The quality is good, and they", "But Blurb limits the total page to 480 and does not offer the", "daily use) * hardcover binding (for resist daily use) * Online sales platform", "on demand (POD) * paper of \"bible\" type (to avoid a book with", "do not offer a good quality type of thin paper. They have [Groundwood", "page to 480 and does not offer the possibility of thin paper (bible", "(bible type). I have also looked at [IngramSpark](https://www.ingramspark.com), they print books of about", "published a book on [Blurb](https://www.blurb.com). The quality is good, and they have their", "use) * Online sales platform I have already published a book on [Blurb](https://www.blurb.com).", "avoid a book with a too thick spine) * paper with good quality", "(for resist daily use) * Online sales platform I have already published a", "Blurb limits the total page to 480 and does not offer the possibility", "and they have their own online sales platform. But Blurb limits the total", "I don't think it is suitable for my purpose. Do you know any", "looked at [IngramSpark](https://www.ingramspark.com), they print books of about 1,200 pages, but they do", "daily use) * Online sales platform I have already published a book on", "the possibility of thin paper (bible type). I have also looked at [IngramSpark](https://www.ingramspark.com),", "also looked at [IngramSpark](https://www.ingramspark.com), they print books of about 1,200 pages, but they", "to publish one book with about 1,200 pages. We are talking about a", "I have also looked at [IngramSpark](https://www.ingramspark.com), they print books of about 1,200 pages,", "but they do not offer a good quality type of thin paper. They", "good quality type of thin paper. They have [Groundwood Paper](https://www.ingramcontent.com/blog/new-products-jacketed-case-groundwood-and-digital-cloth) available, but I", "already published a book on [Blurb](https://www.blurb.com). The quality is good, and they have", "a too thick spine) * paper with good quality (for resist daily use)", "the total page to 480 and does not offer the possibility of thin", "thin paper (bible type). I have also looked at [IngramSpark](https://www.ingramspark.com), they print books", "is good, and they have their own online sales platform. But Blurb limits", "available, but I don't think it is suitable for my purpose. Do you", "publish one book with about 1,200 pages. We are talking about a book", "resist daily use) * Online sales platform I have already published a book", "a good quality type of thin paper. They have [Groundwood Paper](https://www.ingramcontent.com/blog/new-products-jacketed-case-groundwood-and-digital-cloth) available, but", "use) * hardcover binding (for resist daily use) * Online sales platform I", "a book with a too thick spine) * paper with good quality (for", "[IngramSpark](https://www.ingramspark.com), they print books of about 1,200 pages, but they do not offer", "online sales platform. But Blurb limits the total page to 480 and does", "total page to 480 and does not offer the possibility of thin paper", "resist daily use) * hardcover binding (for resist daily use) * Online sales", "They have [Groundwood Paper](https://www.ingramcontent.com/blog/new-products-jacketed-case-groundwood-and-digital-cloth) available, but I don't think it is suitable for", "and does not offer the possibility of thin paper (bible type). I have", "with good quality (for resist daily use) * hardcover binding (for resist daily", "are talking about a book for daily use My requirements are: * Print", "too thick spine) * paper with good quality (for resist daily use) ", "of thin paper. They have [Groundwood Paper](https://www.ingramcontent.com/blog/new-products-jacketed-case-groundwood-and-digital-cloth) available, but I don't think it", "of thin paper (bible type). I have also looked at [IngramSpark](https://www.ingramspark.com), they print", "paper with good quality (for resist daily use) hardcover binding (for resist", "does not offer the possibility of thin paper (bible type). I have also", "quality is good, and they have their own online sales platform. But Blurb", "with about 1,200 pages. We are talking about a book for daily use", "at [IngramSpark](https://www.ingramspark.com), they print books of about 1,200 pages, but they do not", "type of thin paper. They have [Groundwood Paper](https://www.ingramcontent.com/blog/new-products-jacketed-case-groundwood-and-digital-cloth) available, but I don't think", "good quality (for resist daily use) * hardcover binding (for resist daily use)", "pages. We are talking about a book for daily use My requirements are:", "they do not offer a good quality type of thin paper. They have", "(POD) * paper of \"bible\" type (to avoid a book with a too", "their own online sales platform. But Blurb limits the total page to 480", "books of about 1,200 pages, but they do not offer a good quality", "it is suitable for my purpose. Do you know any options for my", "limits the total page to 480 and does not offer the possibility of", "a book for daily use My requirements are: * Print on demand (POD)", "My requirements are: * Print on demand (POD) * paper of \"bible\" type", "* paper of \"bible\" type (to avoid a book with a too thick", "1,200 pages. We are talking about a book for daily use My requirements", "about 1,200 pages, but they do not offer a good quality type of", "don't think it is suitable for my purpose. Do you know any options", "platform I have already published a book on [Blurb](https://www.blurb.com). The quality is good,", "think it is suitable for my purpose. Do you know any options for", "have also looked at [IngramSpark](https://www.ingramspark.com), they print books of about 1,200 pages, but", "have their own online sales platform. But Blurb limits the total page to", "We are talking about a book for daily use My requirements are: ", "requirements are: Print on demand (POD) * paper of \"bible\" type (to", "sales platform I have already published a book on [Blurb](https://www.blurb.com). The quality is", "480 and does not offer the possibility of thin paper (bible type). I", "possibility of thin paper (bible type). I have also looked at [IngramSpark](https://www.ingramspark.com), they", "of \"bible\" type (to avoid a book with a too thick spine) ", "use My requirements are: Print on demand (POD) * paper of \"bible\"", "book on [Blurb](https://www.blurb.com). The quality is good, and they have their own online", "(for resist daily use) * hardcover binding (for resist daily use) * Online", "offer the possibility of thin paper (bible type). I have also looked at", "paper (bible type). I have also looked at [IngramSpark](https://www.ingramspark.com), they print books of", "I have already published a book on [Blurb](https://www.blurb.com). The quality is good, and", "pages, but they do not offer a good quality type of thin paper.", "for daily use My requirements are: * Print on demand (POD) * paper", "have [Groundwood Paper](https://www.ingramcontent.com/blog/new-products-jacketed-case-groundwood-and-digital-cloth) available, but I don't think it is suitable for my", "want to publish one book with about 1,200 pages. We are talking about", "* hardcover binding (for resist daily use) * Online sales platform I have", "The quality is good, and they have their own online sales platform. But", "spine) * paper with good quality (for resist daily use) * hardcover binding", "daily use My requirements are: * Print on demand (POD) * paper of", "good, and they have their own online sales platform. But Blurb limits the" ]
[ "weird has happened as I've jumped into the writing. I keep writing the", "flashbacks to a few years ago to explain how the character(s) got to", "book. It's set in present time, but is going to be interwoven with", "person but something weird has happened as I've jumped into the writing. I", "this scenario in present time. I was going to choose either first or", "third person but something weird has happened as I've jumped into the writing.", "into the writing. I keep writing the present timeline in first person but", "present time. I was going to choose either first or third person but", "choose either first or third person but something weird has happened as I've", "writing. I keep writing the present timeline in first person but the flashbacks", "in third, but its the same main character's POV. Is this gonna work", "but its the same main character's POV. Is this gonna work as a", "in first person but the flashbacks in third, but its the same main", "something weird has happened as I've jumped into the writing. I keep writing", "present time, but is going to be interwoven with flashbacks to a few", "I've jumped into the writing. I keep writing the present timeline in first", "time, but is going to be interwoven with flashbacks to a few years", "to this scenario in present time. I was going to choose either first", "was going to choose either first or third person but something weird has", "flashbacks in third, but its the same main character's POV. Is this gonna", "as I've jumped into the writing. I keep writing the present timeline in", "in present time, but is going to be interwoven with flashbacks to a", "keep writing the present timeline in first person but the flashbacks in third,", "ago to explain how the character(s) got to this scenario in present time.", "with flashbacks to a few years ago to explain how the character(s) got", "but the flashbacks in third, but its the same main character's POV. Is", "the same main character's POV. Is this gonna work as a model for", "to be interwoven with flashbacks to a few years ago to explain how", "to choose either first or third person but something weird has happened as", "happened as I've jumped into the writing. I keep writing the present timeline", "time. I was going to choose either first or third person but something", "the flashbacks in third, but its the same main character's POV. Is this", "explain how the character(s) got to this scenario in present time. I was", "but something weird has happened as I've jumped into the writing. I keep", "or third person but something weird has happened as I've jumped into the", "set in present time, but is going to be interwoven with flashbacks to", "a few years ago to explain how the character(s) got to this scenario", "in present time. I was going to choose either first or third person", "I keep writing the present timeline in first person but the flashbacks in", "third, but its the same main character's POV. Is this gonna work as", "person but the flashbacks in third, but its the same main character's POV.", "I've started writing a book. It's set in present time, but is going", "going to be interwoven with flashbacks to a few years ago to explain", "character(s) got to this scenario in present time. I was going to choose", "going to choose either first or third person but something weird has happened", "present timeline in first person but the flashbacks in third, but its the", "writing the present timeline in first person but the flashbacks in third, but", "timeline in first person but the flashbacks in third, but its the same", "is going to be interwoven with flashbacks to a few years ago to", "a book. It's set in present time, but is going to be interwoven", "interwoven with flashbacks to a few years ago to explain how the character(s)", "first or third person but something weird has happened as I've jumped into", "to explain how the character(s) got to this scenario in present time. I", "few years ago to explain how the character(s) got to this scenario in", "has happened as I've jumped into the writing. I keep writing the present", "either first or third person but something weird has happened as I've jumped", "its the same main character's POV. Is this gonna work as a model", "first person but the flashbacks in third, but its the same main character's", "years ago to explain how the character(s) got to this scenario in present", "got to this scenario in present time. I was going to choose either", "main character's POV. Is this gonna work as a model for the story?", "So I've started writing a book. It's set in present time, but is", "the writing. I keep writing the present timeline in first person but the", "I was going to choose either first or third person but something weird", "but is going to be interwoven with flashbacks to a few years ago", "started writing a book. It's set in present time, but is going to", "scenario in present time. I was going to choose either first or third", "jumped into the writing. I keep writing the present timeline in first person", "writing a book. It's set in present time, but is going to be", "how the character(s) got to this scenario in present time. I was going", "It's set in present time, but is going to be interwoven with flashbacks", "the present timeline in first person but the flashbacks in third, but its", "same main character's POV. Is this gonna work as a model for the", "be interwoven with flashbacks to a few years ago to explain how the", "the character(s) got to this scenario in present time. I was going to", "to a few years ago to explain how the character(s) got to this" ]
[ "run into a habit of having only two of the characters speak. Is", "would run into a habit of having only two of the characters speak.", "dialogue. For example, let's say that there are a five friends at a", "let's say that there are a five friends at a party. I would", "them dialogue. For example, let's say that there are a five friends at", "my story, there are quite a lot of characters. It can be difficult", "For example, let's say that there are a five friends at a party.", "lot of characters. It can be difficult for me to give them dialogue.", "there are a five friends at a party. I would run into a", "a five friends at a party. I would run into a habit of", "example, let's say that there are a five friends at a party. I", "are quite a lot of characters. It can be difficult for me to", "of having only two of the characters speak. Is there a way I", "Is there a way I can distribute dialogue when there is a lot", "In my story, there are quite a lot of characters. It can be", "party. I would run into a habit of having only two of the", "two of the characters speak. Is there a way I can distribute dialogue", "a lot of characters. It can be difficult for me to give them", "of the characters speak. Is there a way I can distribute dialogue when", "difficult for me to give them dialogue. For example, let's say that there", "It can be difficult for me to give them dialogue. For example, let's", "five friends at a party. I would run into a habit of having", "into a habit of having only two of the characters speak. Is there", "there a way I can distribute dialogue when there is a lot of", "a way I can distribute dialogue when there is a lot of characters?", "characters. It can be difficult for me to give them dialogue. For example,", "characters speak. Is there a way I can distribute dialogue when there is", "having only two of the characters speak. Is there a way I can", "only two of the characters speak. Is there a way I can distribute", "of characters. It can be difficult for me to give them dialogue. For", "for me to give them dialogue. For example, let's say that there are", "speak. Is there a way I can distribute dialogue when there is a", "at a party. I would run into a habit of having only two", "quite a lot of characters. It can be difficult for me to give", "I would run into a habit of having only two of the characters", "habit of having only two of the characters speak. Is there a way", "that there are a five friends at a party. I would run into", "the characters speak. Is there a way I can distribute dialogue when there", "be difficult for me to give them dialogue. For example, let's say that", "me to give them dialogue. For example, let's say that there are a", "a habit of having only two of the characters speak. Is there a", "story, there are quite a lot of characters. It can be difficult for", "to give them dialogue. For example, let's say that there are a five", "give them dialogue. For example, let's say that there are a five friends", "say that there are a five friends at a party. I would run", "can be difficult for me to give them dialogue. For example, let's say", "are a five friends at a party. I would run into a habit", "friends at a party. I would run into a habit of having only", "a party. I would run into a habit of having only two of", "there are quite a lot of characters. It can be difficult for me" ]
[ "material from a previous paragraph, like as follows \"In paragraph 3\" or \"In", "previous paragraph, like as follows \"In paragraph 3\" or \"In the introduction\"? Or", "reassert the idea, if so does it have to require a citation again?", "Or do I have reassert the idea, if so does it have to", "I have reassert the idea, if so does it have to require a", "\"In paragraph 3\" or \"In the introduction\"? Or do I have reassert the", "Is it okay to reference material from a previous paragraph, like as follows", "as follows \"In paragraph 3\" or \"In the introduction\"? Or do I have", "or \"In the introduction\"? Or do I have reassert the idea, if so", "introduction\"? Or do I have reassert the idea, if so does it have", "like as follows \"In paragraph 3\" or \"In the introduction\"? Or do I", "paragraph, like as follows \"In paragraph 3\" or \"In the introduction\"? Or do", "paragraph 3\" or \"In the introduction\"? Or do I have reassert the idea,", "reference material from a previous paragraph, like as follows \"In paragraph 3\" or", "3\" or \"In the introduction\"? Or do I have reassert the idea, if", "follows \"In paragraph 3\" or \"In the introduction\"? Or do I have reassert", "do I have reassert the idea, if so does it have to require", "the introduction\"? Or do I have reassert the idea, if so does it", "\"In the introduction\"? Or do I have reassert the idea, if so does", "it okay to reference material from a previous paragraph, like as follows \"In", "from a previous paragraph, like as follows \"In paragraph 3\" or \"In the", "a previous paragraph, like as follows \"In paragraph 3\" or \"In the introduction\"?", "have reassert the idea, if so does it have to require a citation", "okay to reference material from a previous paragraph, like as follows \"In paragraph", "to reference material from a previous paragraph, like as follows \"In paragraph 3\"" ]
[ "what I hope to be a near final draft of my first ever", "just by their word choice and demeanor. So, I guess I'm mostly looking", "on the voice of the current POV character? Next part is the characters", "have four characters of similar age who are constantly together I feel it's", "in dialogue it's obvious who's speaking just by their word choice and demeanor.", "perspective, I have a hard time imagining the narrator being anything but God", "speak). Because I have four characters of similar age who are constantly together", "it's obvious who's speaking just by their word choice and demeanor. So, I", "voice for my narrator as well as my characters. My novel is a", "narrator? Do they need a voice? Should they just take on the voice", "that I want my narrator to have and what kind of voice they", "narrator, being third person has all the information I have as the author", "characters, one boy and one girl (not romantic) and two other secondary characters", "that might speak is just not the right style for this kind of", "four different \"voices\" throughout their work? Any help related to developing a character/narrators", "written as the characters experience it. Similar to something like Hijrp Potfeq or", "different \"voices\" throughout their work? Any help related to developing a character/narrators voice", "Potfeq or the Maze Runner, the characters are thrown into a world that", "word choice and demeanor. So, I guess I'm mostly looking for tips on", "and stay consistent when switching constantly between two to four different \"voices\" throughout", "voice they should have. The narrator, being third person has all the information", "not the right style for this kind of novel. How does a writer", "characters and this I know is important. My novel focuses on two main", "characters (the secondary characters are basically there the whole time but they kind", "Similar to something like Hijrp Potfeq or the Maze Runner, the characters are", "characters of similar age who are constantly together I feel it's extra important", "balance themselves and stay consistent when switching constantly between two to four different", "basically there the whole time but they kind of just tag along on", "writing process is developing a voice for my narrator as well as my", "from this outside perspective, I have a hard time imagining the narrator being", "by their word choice and demeanor. So, I guess I'm mostly looking for", "right style for this kind of novel. How does a writer create voice", "I want the reader to be able to learn alongside the characters. When", "to be written as the characters experience it. Similar to something like Hijrp", "they need a voice? Should they just take on the voice of the", "as well as my characters. My novel is a third-person narration and because", "voice that I want my narrator to have and what kind of voice", "part is the characters and this I know is important. My novel focuses", "have as the author (obviously) but I want the story to be written", "of novel. How does a writer create voice for a third person narrator?", "novel focuses on two main characters, one boy and one girl (not romantic)", "I have a hard time imagining the narrator being anything but God like", "just not the right style for this kind of novel. How does a", "of the current POV character? Next part is the characters and this I", "I want my narrator to have and what kind of voice they should", "important to give them each a very distinct voice so that in dialogue", "but I want the story to be written as the characters experience it.", "and imagining how one like that might speak is just not the right", "Do they need a voice? Should they just take on the voice of", "much about and I want the reader to be able to learn alongside", "two main characters, one boy and one girl (not romantic) and two other", "and demeanor. So, I guess I'm mostly looking for tips on how to", "guess I'm mostly looking for tips on how to develop a voice that", "Next part is the characters and this I know is important. My novel", "My novel is a third-person narration and because of this I'm having a", "who's speaking just by their word choice and demeanor. So, I guess I'm", "speaking just by their word choice and demeanor. So, I guess I'm mostly", "like Hijrp Potfeq or the Maze Runner, the characters are thrown into a", "first ever novel. Something I've struggled with through this writing process is developing", "do writers balance themselves and stay consistent when switching constantly between two to", "alongside the characters. When writing from this outside perspective, I have a hard", "they don't know much about and I want the reader to be able", "kind of voice they should have. The narrator, being third person has all", "other secondary characters (the secondary characters are basically there the whole time but", "characters are thrown into a world that they don't know much about and", "being anything but God like or a very wise old man with a", "a long grey beard and imagining how one like that might speak is", "constantly between two to four different \"voices\" throughout their work? Any help related", "don't know much about and I want the reader to be able to", "my first ever novel. Something I've struggled with through this writing process is", "that they don't know much about and I want the reader to be", "two to four different \"voices\" throughout their work? Any help related to developing", "God like or a very wise old man with a long grey beard", "(obviously) but I want the story to be written as the characters experience", "be written as the characters experience it. Similar to something like Hijrp Potfeq", "characters are basically there the whole time but they kind of just tag", "something like Hijrp Potfeq or the Maze Runner, the characters are thrown into", "just tag along on the journey so to speak). Because I have four", "man with a long grey beard and imagining how one like that might", "naturally to me. How do writers balance themselves and stay consistent when switching", "able to learn alongside the characters. When writing from this outside perspective, I", "developing a voice for my narrator as well as my characters. My novel", "Hijrp Potfeq or the Maze Runner, the characters are thrown into a world", "demeanor. So, I guess I'm mostly looking for tips on how to develop", "novel. Something I've struggled with through this writing process is developing a voice", "like that might speak is just not the right style for this kind", "time figuring out the voice that I want my narrator to have and", "is developing a voice for my narrator as well as my characters. My", "secondary characters are basically there the whole time but they kind of just", "When writing from this outside perspective, I have a hard time imagining the", "novel is a third-person narration and because of this I'm having a hard", "hope to be a near final draft of my first ever novel. Something", "focuses on two main characters, one boy and one girl (not romantic) and", "on the journey so to speak). Because I have four characters of similar", "style for this kind of novel. How does a writer create voice for", "and because of this I'm having a hard time figuring out the voice", "one like that might speak is just not the right style for this", "about and I want the reader to be able to learn alongside the", "need a voice? Should they just take on the voice of the current", "constantly together I feel it's extra important to give them each a very", "and two other secondary characters (the secondary characters are basically there the whole", "Runner, the characters are thrown into a world that they don't know much", "I'm mostly looking for tips on how to develop a voice that doesn't", "because of this I'm having a hard time figuring out the voice that", "distinct voice so that in dialogue it's obvious who's speaking just by their", "figuring out the voice that I want my narrator to have and what", "along on the journey so to speak). Because I have four characters of", "imagining the narrator being anything but God like or a very wise old", "learn alongside the characters. When writing from this outside perspective, I have a", "a voice that doesn't come naturally to me. How do writers balance themselves", "I have as the author (obviously) but I want the story to be", "near final draft of my first ever novel. Something I've struggled with through", "to something like Hijrp Potfeq or the Maze Runner, the characters are thrown", "kind of novel. How does a writer create voice for a third person", "and I want the reader to be able to learn alongside the characters.", "is the characters and this I know is important. My novel focuses on", "How does a writer create voice for a third person narrator? Do they", "doesn't come naturally to me. How do writers balance themselves and stay consistent", "How do writers balance themselves and stay consistent when switching constantly between two", "what kind of voice they should have. The narrator, being third person has", "so to speak). Because I have four characters of similar age who are", "struggled with through this writing process is developing a voice for my narrator", "is a third-person narration and because of this I'm having a hard time", "long grey beard and imagining how one like that might speak is just", "on how to develop a voice that doesn't come naturally to me. How", "POV character? Next part is the characters and this I know is important.", "characters experience it. Similar to something like Hijrp Potfeq or the Maze Runner,", "so that in dialogue it's obvious who's speaking just by their word choice", "narrator to have and what kind of voice they should have. The narrator,", "current POV character? Next part is the characters and this I know is", "is important. My novel focuses on two main characters, one boy and one", "looking for tips on how to develop a voice that doesn't come naturally", "how to develop a voice that doesn't come naturally to me. How do", "it's extra important to give them each a very distinct voice so that", "experience it. Similar to something like Hijrp Potfeq or the Maze Runner, the", "story to be written as the characters experience it. Similar to something like", "one girl (not romantic) and two other secondary characters (the secondary characters are", "to develop a voice that doesn't come naturally to me. How do writers", "voice for a third person narrator? Do they need a voice? Should they", "very distinct voice so that in dialogue it's obvious who's speaking just by", "Something I've struggled with through this writing process is developing a voice for", "to be able to learn alongside the characters. When writing from this outside", "one boy and one girl (not romantic) and two other secondary characters (the", "old man with a long grey beard and imagining how one like that", "consistent when switching constantly between two to four different \"voices\" throughout their work?", "two other secondary characters (the secondary characters are basically there the whole time", "similar age who are constantly together I feel it's extra important to give", "girl (not romantic) and two other secondary characters (the secondary characters are basically", "this I know is important. My novel focuses on two main characters, one", "come naturally to me. How do writers balance themselves and stay consistent when", "beard and imagining how one like that might speak is just not the", "third-person narration and because of this I'm having a hard time figuring out", "narrator being anything but God like or a very wise old man with", "or the Maze Runner, the characters are thrown into a world that they", "of voice they should have. The narrator, being third person has all the", "want the reader to be able to learn alongside the characters. When writing", "are basically there the whole time but they kind of just tag along", "boy and one girl (not romantic) and two other secondary characters (the secondary", "well as my characters. My novel is a third-person narration and because of", "the narrator being anything but God like or a very wise old man", "is just not the right style for this kind of novel. How does", "the characters. When writing from this outside perspective, I have a hard time", "being third person has all the information I have as the author (obviously)", "draft of my first ever novel. Something I've struggled with through this writing", "and what kind of voice they should have. The narrator, being third person", "know is important. My novel focuses on two main characters, one boy and", "mostly looking for tips on how to develop a voice that doesn't come", "I hope to be a near final draft of my first ever novel.", "know much about and I want the reader to be able to learn", "for my narrator as well as my characters. My novel is a third-person", "might speak is just not the right style for this kind of novel.", "as the characters experience it. Similar to something like Hijrp Potfeq or the", "into a world that they don't know much about and I want the", "a near final draft of my first ever novel. Something I've struggled with", "create voice for a third person narrator? Do they need a voice? Should", "characters. My novel is a third-person narration and because of this I'm having", "important. My novel focuses on two main characters, one boy and one girl", "(the secondary characters are basically there the whole time but they kind of", "just take on the voice of the current POV character? Next part is", "of this I'm having a hard time figuring out the voice that I", "I know is important. My novel focuses on two main characters, one boy", "to four different \"voices\" throughout their work? Any help related to developing a", "me. How do writers balance themselves and stay consistent when switching constantly between", "how one like that might speak is just not the right style for", "a hard time figuring out the voice that I want my narrator to", "person narrator? Do they need a voice? Should they just take on the", "this outside perspective, I have a hard time imagining the narrator being anything", "that doesn't come naturally to me. How do writers balance themselves and stay", "the current POV character? Next part is the characters and this I know", "main characters, one boy and one girl (not romantic) and two other secondary", "Should they just take on the voice of the current POV character? Next", "and one girl (not romantic) and two other secondary characters (the secondary characters", "on what I hope to be a near final draft of my first", "I'm currently working on what I hope to be a near final draft", "like or a very wise old man with a long grey beard and", "information I have as the author (obviously) but I want the story to", "writers balance themselves and stay consistent when switching constantly between two to four", "for tips on how to develop a voice that doesn't come naturally to", "author (obviously) but I want the story to be written as the characters", "\"voices\" throughout their work? Any help related to developing a character/narrators voice is", "So, I guess I'm mostly looking for tips on how to develop a", "through this writing process is developing a voice for my narrator as well", "I've struggled with through this writing process is developing a voice for my", "process is developing a voice for my narrator as well as my characters.", "the Maze Runner, the characters are thrown into a world that they don't", "the voice that I want my narrator to have and what kind of", "for a third person narrator? Do they need a voice? Should they just", "but they kind of just tag along on the journey so to speak).", "extra important to give them each a very distinct voice so that in", "be able to learn alongside the characters. When writing from this outside perspective,", "develop a voice that doesn't come naturally to me. How do writers balance", "are thrown into a world that they don't know much about and I", "but God like or a very wise old man with a long grey", "obvious who's speaking just by their word choice and demeanor. So, I guess", "ever novel. Something I've struggled with through this writing process is developing a", "Because I have four characters of similar age who are constantly together I", "speak is just not the right style for this kind of novel. How", "the whole time but they kind of just tag along on the journey", "there the whole time but they kind of just tag along on the", "the right style for this kind of novel. How does a writer create", "I have four characters of similar age who are constantly together I feel", "voice that doesn't come naturally to me. How do writers balance themselves and", "this kind of novel. How does a writer create voice for a third", "together I feel it's extra important to give them each a very distinct", "voice? Should they just take on the voice of the current POV character?", "between two to four different \"voices\" throughout their work? Any help related to", "person has all the information I have as the author (obviously) but I", "character? Next part is the characters and this I know is important. My", "take on the voice of the current POV character? Next part is the", "tag along on the journey so to speak). Because I have four characters", "have a hard time imagining the narrator being anything but God like or", "switching constantly between two to four different \"voices\" throughout their work? Any help", "third person has all the information I have as the author (obviously) but", "(not romantic) and two other secondary characters (the secondary characters are basically there", "My novel focuses on two main characters, one boy and one girl (not", "a writer create voice for a third person narrator? Do they need a", "does a writer create voice for a third person narrator? Do they need", "a voice for my narrator as well as my characters. My novel is", "kind of just tag along on the journey so to speak). Because I", "the characters are thrown into a world that they don't know much about", "world that they don't know much about and I want the reader to", "to speak). Because I have four characters of similar age who are constantly", "this I'm having a hard time figuring out the voice that I want", "wise old man with a long grey beard and imagining how one like", "to me. How do writers balance themselves and stay consistent when switching constantly", "when switching constantly between two to four different \"voices\" throughout their work? Any", "a third-person narration and because of this I'm having a hard time figuring", "and this I know is important. My novel focuses on two main characters,", "are constantly together I feel it's extra important to give them each a", "time imagining the narrator being anything but God like or a very wise", "on two main characters, one boy and one girl (not romantic) and two", "grey beard and imagining how one like that might speak is just not", "want the story to be written as the characters experience it. Similar to", "a very wise old man with a long grey beard and imagining how", "imagining how one like that might speak is just not the right style", "the reader to be able to learn alongside the characters. When writing from", "The narrator, being third person has all the information I have as the", "outside perspective, I have a hard time imagining the narrator being anything but", "hard time figuring out the voice that I want my narrator to have", "the author (obviously) but I want the story to be written as the", "voice so that in dialogue it's obvious who's speaking just by their word", "or a very wise old man with a long grey beard and imagining", "my narrator as well as my characters. My novel is a third-person narration", "should have. The narrator, being third person has all the information I have", "of similar age who are constantly together I feel it's extra important to", "thrown into a world that they don't know much about and I want", "secondary characters (the secondary characters are basically there the whole time but they", "as my characters. My novel is a third-person narration and because of this", "very wise old man with a long grey beard and imagining how one", "currently working on what I hope to be a near final draft of", "narration and because of this I'm having a hard time figuring out the", "I guess I'm mostly looking for tips on how to develop a voice", "who are constantly together I feel it's extra important to give them each", "voice of the current POV character? Next part is the characters and this", "narrator as well as my characters. My novel is a third-person narration and", "hard time imagining the narrator being anything but God like or a very", "this writing process is developing a voice for my narrator as well as", "dialogue it's obvious who's speaking just by their word choice and demeanor. So,", "throughout their work? Any help related to developing a character/narrators voice is appreciated!", "four characters of similar age who are constantly together I feel it's extra", "third person narrator? Do they need a voice? Should they just take on", "anything but God like or a very wise old man with a long", "the voice of the current POV character? Next part is the characters and", "the information I have as the author (obviously) but I want the story", "as the author (obviously) but I want the story to be written as", "for this kind of novel. How does a writer create voice for a", "the story to be written as the characters experience it. Similar to something", "all the information I have as the author (obviously) but I want the", "a hard time imagining the narrator being anything but God like or a", "a third person narrator? Do they need a voice? Should they just take", "I want the story to be written as the characters experience it. Similar", "have and what kind of voice they should have. The narrator, being third", "final draft of my first ever novel. Something I've struggled with through this", "feel it's extra important to give them each a very distinct voice so", "want my narrator to have and what kind of voice they should have.", "the journey so to speak). Because I have four characters of similar age", "reader to be able to learn alongside the characters. When writing from this", "to be a near final draft of my first ever novel. Something I've", "I'm having a hard time figuring out the voice that I want my", "choice and demeanor. So, I guess I'm mostly looking for tips on how", "have. The narrator, being third person has all the information I have as", "themselves and stay consistent when switching constantly between two to four different \"voices\"", "characters. When writing from this outside perspective, I have a hard time imagining", "their word choice and demeanor. So, I guess I'm mostly looking for tips", "them each a very distinct voice so that in dialogue it's obvious who's", "romantic) and two other secondary characters (the secondary characters are basically there the", "each a very distinct voice so that in dialogue it's obvious who's speaking", "to learn alongside the characters. When writing from this outside perspective, I have", "it. Similar to something like Hijrp Potfeq or the Maze Runner, the characters", "with a long grey beard and imagining how one like that might speak", "working on what I hope to be a near final draft of my", "a very distinct voice so that in dialogue it's obvious who's speaking just", "has all the information I have as the author (obviously) but I want", "of just tag along on the journey so to speak). Because I have", "they just take on the voice of the current POV character? Next part", "the characters experience it. Similar to something like Hijrp Potfeq or the Maze", "writing from this outside perspective, I have a hard time imagining the narrator", "time but they kind of just tag along on the journey so to", "Maze Runner, the characters are thrown into a world that they don't know", "they kind of just tag along on the journey so to speak). Because", "writer create voice for a third person narrator? Do they need a voice?", "be a near final draft of my first ever novel. Something I've struggled", "a world that they don't know much about and I want the reader", "with through this writing process is developing a voice for my narrator as", "whole time but they kind of just tag along on the journey so", "journey so to speak). Because I have four characters of similar age who", "that in dialogue it's obvious who's speaking just by their word choice and", "of my first ever novel. Something I've struggled with through this writing process", "my characters. My novel is a third-person narration and because of this I'm", "having a hard time figuring out the voice that I want my narrator", "age who are constantly together I feel it's extra important to give them", "give them each a very distinct voice so that in dialogue it's obvious", "out the voice that I want my narrator to have and what kind", "to give them each a very distinct voice so that in dialogue it's", "my narrator to have and what kind of voice they should have. The", "stay consistent when switching constantly between two to four different \"voices\" throughout their", "a voice? Should they just take on the voice of the current POV", "to have and what kind of voice they should have. The narrator, being", "I feel it's extra important to give them each a very distinct voice", "the characters and this I know is important. My novel focuses on two", "tips on how to develop a voice that doesn't come naturally to me.", "novel. How does a writer create voice for a third person narrator? Do", "they should have. The narrator, being third person has all the information I" ]
[ "unsatisfied. B. The other 2 characters are sad but get on with what", "can I construct the death so well that: A. The reader is not", "want the 2 characters to be sad, but move on in their lives.", "him to die in a POW camp during WW1, this will happen near", "time of death. I do want the 2 characters to be sad, but", "that: A. The reader is not unsatisfied. B. The other 2 characters are", "not present at the time of death. I do want the 2 characters", "happen near the end of the middle/beginning of the end. The other 2", "planned for him to die in a POW camp during WW1, this will", "to die in a POW camp during WW1, this will happen near the", "the time of death. I do want the 2 characters to be sad,", "what they are doing C. Darius (the one who dies) dies with an", "well that: A. The reader is not unsatisfied. B. The other 2 characters", "near the end of the middle/beginning of the end. The other 2 characters", "their lives. How can I construct the death so well that: A. The", "in a POW camp during WW1, this will happen near the end of", "I have a main character out of 3 main characters in a Historical", "be sad, but move on in their lives. How can I construct the", "characters are sad but get on with what they are doing C. Darius", "death. I do want the 2 characters to be sad, but move on", "of death. I do want the 2 characters to be sad, but move", "so well that: A. The reader is not unsatisfied. B. The other 2", "3 main characters in a Historical Fiction book. His name is Darius. I", "A. The reader is not unsatisfied. B. The other 2 characters are sad", "move on in their lives. How can I construct the death so well", "are not present at the time of death. I do want the 2", "2 characters are not present at the time of death. I do want", "character out of 3 main characters in a Historical Fiction book. His name", "in a Historical Fiction book. His name is Darius. I have planned for", "are doing C. Darius (the one who dies) dies with an honorable end.", "other 2 characters are sad but get on with what they are doing", "the middle/beginning of the end. The other 2 characters are not present at", "death so well that: A. The reader is not unsatisfied. B. The other", "the 2 characters to be sad, but move on in their lives. How", "POW camp during WW1, this will happen near the end of the middle/beginning", "reader is not unsatisfied. B. The other 2 characters are sad but get", "they are doing C. Darius (the one who dies) dies with an honorable", "construct the death so well that: A. The reader is not unsatisfied. B.", "present at the time of death. I do want the 2 characters to", "end of the middle/beginning of the end. The other 2 characters are not", "not unsatisfied. B. The other 2 characters are sad but get on with", "are sad but get on with what they are doing C. Darius (the", "with what they are doing C. Darius (the one who dies) dies with", "get on with what they are doing C. Darius (the one who dies)", "Fiction book. His name is Darius. I have planned for him to die", "have planned for him to die in a POW camp during WW1, this", "the end of the middle/beginning of the end. The other 2 characters are", "the death so well that: A. The reader is not unsatisfied. B. The", "a main character out of 3 main characters in a Historical Fiction book.", "is Darius. I have planned for him to die in a POW camp", "a Historical Fiction book. His name is Darius. I have planned for him", "of the middle/beginning of the end. The other 2 characters are not present", "I have planned for him to die in a POW camp during WW1,", "is not unsatisfied. B. The other 2 characters are sad but get on", "characters in a Historical Fiction book. His name is Darius. I have planned", "out of 3 main characters in a Historical Fiction book. His name is", "for him to die in a POW camp during WW1, this will happen", "2 characters to be sad, but move on in their lives. How can", "I construct the death so well that: A. The reader is not unsatisfied.", "on with what they are doing C. Darius (the one who dies) dies", "a POW camp during WW1, this will happen near the end of the", "main character out of 3 main characters in a Historical Fiction book. His", "lives. How can I construct the death so well that: A. The reader", "middle/beginning of the end. The other 2 characters are not present at the", "but get on with what they are doing C. Darius (the one who", "main characters in a Historical Fiction book. His name is Darius. I have", "die in a POW camp during WW1, this will happen near the end", "to be sad, but move on in their lives. How can I construct", "The other 2 characters are not present at the time of death. I", "camp during WW1, this will happen near the end of the middle/beginning of", "have a main character out of 3 main characters in a Historical Fiction", "will happen near the end of the middle/beginning of the end. The other", "The other 2 characters are sad but get on with what they are", "this will happen near the end of the middle/beginning of the end. The", "Historical Fiction book. His name is Darius. I have planned for him to", "on in their lives. How can I construct the death so well that:", "characters are not present at the time of death. I do want the", "sad but get on with what they are doing C. Darius (the one", "How can I construct the death so well that: A. The reader is", "of 3 main characters in a Historical Fiction book. His name is Darius.", "but move on in their lives. How can I construct the death so", "of the end. The other 2 characters are not present at the time", "other 2 characters are not present at the time of death. I do", "do want the 2 characters to be sad, but move on in their", "in their lives. How can I construct the death so well that: A.", "Darius. I have planned for him to die in a POW camp during", "end. The other 2 characters are not present at the time of death.", "characters to be sad, but move on in their lives. How can I", "2 characters are sad but get on with what they are doing C.", "name is Darius. I have planned for him to die in a POW", "at the time of death. I do want the 2 characters to be", "B. The other 2 characters are sad but get on with what they", "during WW1, this will happen near the end of the middle/beginning of the", "The reader is not unsatisfied. B. The other 2 characters are sad but", "WW1, this will happen near the end of the middle/beginning of the end.", "sad, but move on in their lives. How can I construct the death", "I do want the 2 characters to be sad, but move on in", "book. His name is Darius. I have planned for him to die in", "His name is Darius. I have planned for him to die in a", "the end. The other 2 characters are not present at the time of" ]
[ "covering the same things in multiple books on the same subject for self", "a writing mentor, and was wondering if I should worry about covering the", "don't work with a writing mentor, and was wondering if I should worry", "with a writing mentor, and was wondering if I should worry about covering", "work with a writing mentor, and was wondering if I should worry about", "was wondering if I should worry about covering the same things in multiple", "and was wondering if I should worry about covering the same things in", "the same subject for self help. I'm basically going through the Catechism writing", "about covering the same things in multiple books on the same subject for", "for self help. I'm basically going through the Catechism writing on a subject.", "currently don't work with a writing mentor, and was wondering if I should", "if I should worry about covering the same things in multiple books on", "on the same subject for self help. I'm basically going through the Catechism", "books on the same subject for self help. I'm basically going through the", "I should worry about covering the same things in multiple books on the", "writing mentor, and was wondering if I should worry about covering the same", "same subject for self help. I'm basically going through the Catechism writing on", "I currently don't work with a writing mentor, and was wondering if I", "the same things in multiple books on the same subject for self help.", "should worry about covering the same things in multiple books on the same", "subject for self help. I'm basically going through the Catechism writing on a", "things in multiple books on the same subject for self help. I'm basically", "worry about covering the same things in multiple books on the same subject", "multiple books on the same subject for self help. I'm basically going through", "in multiple books on the same subject for self help. I'm basically going", "wondering if I should worry about covering the same things in multiple books", "mentor, and was wondering if I should worry about covering the same things", "same things in multiple books on the same subject for self help. I'm" ]
[ "Writing dialogue for my novel has proved to be more of a challenge", "to be more of a challenge than I anticipated. It all seems clunky", "than I anticipated. It all seems clunky and unnatural. Any tips for writing", "dialogue for my novel has proved to be more of a challenge than", "anticipated. It all seems clunky and unnatural. Any tips for writing natural sounding", "challenge than I anticipated. It all seems clunky and unnatural. Any tips for", "a challenge than I anticipated. It all seems clunky and unnatural. Any tips", "has proved to be more of a challenge than I anticipated. It all", "for my novel has proved to be more of a challenge than I", "my novel has proved to be more of a challenge than I anticipated.", "novel has proved to be more of a challenge than I anticipated. It", "It all seems clunky and unnatural. Any tips for writing natural sounding dialogue?", "proved to be more of a challenge than I anticipated. It all seems", "of a challenge than I anticipated. It all seems clunky and unnatural. Any", "I anticipated. It all seems clunky and unnatural. Any tips for writing natural", "more of a challenge than I anticipated. It all seems clunky and unnatural.", "be more of a challenge than I anticipated. It all seems clunky and" ]
[ "few weeks. I want to skip to the parts that are interesting to", "then their relief when they reach a village. How do I manage to", "readers engaged, but I am afraid this will limit the sense of scale", "manage to skip over most of the journeying while still impressing the general", "in the cold harsh weather and then their relief when they reach a", "interesting to keep readers engaged, but I am afraid this will limit the", "to find a middle ground between portraying days of journeying in the cold", "are interesting to keep readers engaged, but I am afraid this will limit", "skip over most of the journeying while still impressing the general feeling of", "them walking through the same landscape for a few weeks. I want to", "a middle ground between portraying days of journeying in the cold harsh weather", "days of journeying in the cold harsh weather and then their relief when", "through the same landscape for a few weeks. I want to skip to", "really quickly to describe them walking through the same landscape for a few", "central part of my novel. However, it gets really boring really quickly to", "the parts that are interesting to keep readers engaged, but I am afraid", "the same landscape for a few weeks. I want to skip to the", "they reach a village. How do I manage to skip over most of", "to skip to the parts that are interesting to keep readers engaged, but", "of scale of that journey. It's difficult to find a middle ground between", "that are interesting to keep readers engaged, but I am afraid this will", "to skip over most of the journeying while still impressing the general feeling", "a few weeks. I want to skip to the parts that are interesting", "is a central part of my novel. However, it gets really boring really", "weather and then their relief when they reach a village. How do I", "skip to the parts that are interesting to keep readers engaged, but I", "find a middle ground between portraying days of journeying in the cold harsh", "sense of scale of that journey. It's difficult to find a middle ground", "that journey. It's difficult to find a middle ground between portraying days of", "relief when they reach a village. How do I manage to skip over", "reach a village. How do I manage to skip over most of the", "it gets really boring really quickly to describe them walking through the same", "middle ground between portraying days of journeying in the cold harsh weather and", "gets really boring really quickly to describe them walking through the same landscape", "really boring really quickly to describe them walking through the same landscape for", "a village. How do I manage to skip over most of the journeying", "the sense of scale of that journey. It's difficult to find a middle", "boring really quickly to describe them walking through the same landscape for a", "their relief when they reach a village. How do I manage to skip", "harsh weather and then their relief when they reach a village. How do", "portraying days of journeying in the cold harsh weather and then their relief", "for a few weeks. I want to skip to the parts that are", "same landscape for a few weeks. I want to skip to the parts", "Journeying is a central part of my novel. However, it gets really boring", "I manage to skip over most of the journeying while still impressing the", "do I manage to skip over most of the journeying while still impressing", "but I am afraid this will limit the sense of scale of that", "journeying in the cold harsh weather and then their relief when they reach", "the cold harsh weather and then their relief when they reach a village.", "of my novel. However, it gets really boring really quickly to describe them", "my novel. However, it gets really boring really quickly to describe them walking", "journey. It's difficult to find a middle ground between portraying days of journeying", "describe them walking through the same landscape for a few weeks. I want", "of journeying in the cold harsh weather and then their relief when they", "village. How do I manage to skip over most of the journeying while", "will limit the sense of scale of that journey. It's difficult to find", "a central part of my novel. However, it gets really boring really quickly", "between portraying days of journeying in the cold harsh weather and then their", "I want to skip to the parts that are interesting to keep readers", "difficult to find a middle ground between portraying days of journeying in the", "weeks. I want to skip to the parts that are interesting to keep", "and then their relief when they reach a village. How do I manage", "to the parts that are interesting to keep readers engaged, but I am", "this will limit the sense of scale of that journey. It's difficult to", "scale of that journey. It's difficult to find a middle ground between portraying", "afraid this will limit the sense of scale of that journey. It's difficult", "ground between portraying days of journeying in the cold harsh weather and then", "to keep readers engaged, but I am afraid this will limit the sense", "keep readers engaged, but I am afraid this will limit the sense of", "of that journey. It's difficult to find a middle ground between portraying days", "landscape for a few weeks. I want to skip to the parts that", "to describe them walking through the same landscape for a few weeks. I", "when they reach a village. How do I manage to skip over most", "novel. However, it gets really boring really quickly to describe them walking through", "It's difficult to find a middle ground between portraying days of journeying in", "I am afraid this will limit the sense of scale of that journey.", "over most of the journeying while still impressing the general feeling of that", "quickly to describe them walking through the same landscape for a few weeks.", "engaged, but I am afraid this will limit the sense of scale of", "want to skip to the parts that are interesting to keep readers engaged,", "parts that are interesting to keep readers engaged, but I am afraid this", "most of the journeying while still impressing the general feeling of that journey?", "part of my novel. However, it gets really boring really quickly to describe", "cold harsh weather and then their relief when they reach a village. How", "am afraid this will limit the sense of scale of that journey. It's", "However, it gets really boring really quickly to describe them walking through the", "walking through the same landscape for a few weeks. I want to skip", "limit the sense of scale of that journey. It's difficult to find a", "How do I manage to skip over most of the journeying while still" ]
[ "is this one author technique that I find a bit cliche, which is", "one character is upset, the skies are grey to match the mood of", "not always gloomy. How can I use this technique without making it too", "a bit cliche, which is matching the mood to the setting. This means", "is upset, the skies are grey to match the mood of the character.", "I don't want it to seem too cliche. Every time a character is", "this technique to my story, but I don't want it to seem too", "I find a bit cliche, which is matching the mood to the setting.", "story, but I don't want it to seem too cliche. Every time a", "my story, but I don't want it to seem too cliche. Every time", "This means that for example, when one character is upset, the skies are", "wanted to add this technique to my story, but I don't want it", "bit cliche, which is matching the mood to the setting. This means that", "find a bit cliche, which is matching the mood to the setting. This", "to the setting. This means that for example, when one character is upset,", "for example, when one character is upset, the skies are grey to match", "skies are grey to match the mood of the character. I wanted to", "of the character. I wanted to add this technique to my story, but", "cliche. Every time a character is upset, the skies are not always gloomy.", "to seem too cliche. Every time a character is upset, the skies are", "a character is upset, the skies are not always gloomy. How can I", "the skies are not always gloomy. How can I use this technique without", "are grey to match the mood of the character. I wanted to add", "character is upset, the skies are grey to match the mood of the", "match the mood of the character. I wanted to add this technique to", "technique that I find a bit cliche, which is matching the mood to", "to my story, but I don't want it to seem too cliche. Every", "add this technique to my story, but I don't want it to seem", "setting. This means that for example, when one character is upset, the skies", "character. I wanted to add this technique to my story, but I don't", "upset, the skies are grey to match the mood of the character. I", "but I don't want it to seem too cliche. Every time a character", "when one character is upset, the skies are grey to match the mood", "to match the mood of the character. I wanted to add this technique", "upset, the skies are not always gloomy. How can I use this technique", "character is upset, the skies are not always gloomy. How can I use", "the mood of the character. I wanted to add this technique to my", "means that for example, when one character is upset, the skies are grey", "to add this technique to my story, but I don't want it to", "mood of the character. I wanted to add this technique to my story,", "the character. I wanted to add this technique to my story, but I", "technique to my story, but I don't want it to seem too cliche.", "it to seem too cliche. Every time a character is upset, the skies", "one author technique that I find a bit cliche, which is matching the", "is matching the mood to the setting. This means that for example, when", "the skies are grey to match the mood of the character. I wanted", "I wanted to add this technique to my story, but I don't want", "seem too cliche. Every time a character is upset, the skies are not", "too cliche. Every time a character is upset, the skies are not always", "that for example, when one character is upset, the skies are grey to", "which is matching the mood to the setting. This means that for example,", "example, when one character is upset, the skies are grey to match the", "want it to seem too cliche. Every time a character is upset, the", "matching the mood to the setting. This means that for example, when one", "mood to the setting. This means that for example, when one character is", "the setting. This means that for example, when one character is upset, the", "the mood to the setting. This means that for example, when one character", "don't want it to seem too cliche. Every time a character is upset,", "time a character is upset, the skies are not always gloomy. How can", "always gloomy. How can I use this technique without making it too cliche?", "this one author technique that I find a bit cliche, which is matching", "author technique that I find a bit cliche, which is matching the mood", "skies are not always gloomy. How can I use this technique without making", "Every time a character is upset, the skies are not always gloomy. How", "is upset, the skies are not always gloomy. How can I use this", "are not always gloomy. How can I use this technique without making it", "grey to match the mood of the character. I wanted to add this", "that I find a bit cliche, which is matching the mood to the", "There is this one author technique that I find a bit cliche, which", "cliche, which is matching the mood to the setting. This means that for" ]
[ "can I use besides from \"my heart pounded?\" Maybe you can include your", "borrow a paragraph from a published work. I plan to use these answers", "little bit more elaborated. What sentence can I use besides from \"my heart", "sentence can I use besides from \"my heart pounded?\" Maybe you can include", "think that it is too simple just to use \"my heart pounded.\" I", "prefer something a little bit more elaborated. What sentence can I use besides", "just to use \"my heart pounded.\" I prefer something a little bit more", "I think that it is too simple just to use \"my heart pounded.\"", "it is too simple just to use \"my heart pounded.\" I prefer something", "use besides from \"my heart pounded?\" Maybe you can include your own paragraph,", "include your own paragraph, or borrow a paragraph from a published work. I", "I prefer something a little bit more elaborated. What sentence can I use", "your own paragraph, or borrow a paragraph from a published work. I plan", "to use \"my heart pounded.\" I prefer something a little bit more elaborated.", "simple just to use \"my heart pounded.\" I prefer something a little bit", "heart pounded?\" Maybe you can include your own paragraph, or borrow a paragraph", "\"my heart pounded.\" I prefer something a little bit more elaborated. What sentence", "from \"my heart pounded?\" Maybe you can include your own paragraph, or borrow", "paragraph from a published work. I plan to use these answers for inspiration", "a published work. I plan to use these answers for inspiration in my", "I use besides from \"my heart pounded?\" Maybe you can include your own", "more elaborated. What sentence can I use besides from \"my heart pounded?\" Maybe", "you can include your own paragraph, or borrow a paragraph from a published", "paragraph, or borrow a paragraph from a published work. I plan to use", "use \"my heart pounded.\" I prefer something a little bit more elaborated. What", "heart pounded.\" I prefer something a little bit more elaborated. What sentence can", "a little bit more elaborated. What sentence can I use besides from \"my", "that it is too simple just to use \"my heart pounded.\" I prefer", "bit more elaborated. What sentence can I use besides from \"my heart pounded?\"", "a paragraph from a published work. I plan to use these answers for", "too simple just to use \"my heart pounded.\" I prefer something a little", "Maybe you can include your own paragraph, or borrow a paragraph from a", "What sentence can I use besides from \"my heart pounded?\" Maybe you can", "published work. I plan to use these answers for inspiration in my own", "from a published work. I plan to use these answers for inspiration in", "pounded.\" I prefer something a little bit more elaborated. What sentence can I", "\"my heart pounded?\" Maybe you can include your own paragraph, or borrow a", "can include your own paragraph, or borrow a paragraph from a published work.", "elaborated. What sentence can I use besides from \"my heart pounded?\" Maybe you", "pounded?\" Maybe you can include your own paragraph, or borrow a paragraph from", "besides from \"my heart pounded?\" Maybe you can include your own paragraph, or", "own paragraph, or borrow a paragraph from a published work. I plan to", "work. I plan to use these answers for inspiration in my own novel.", "or borrow a paragraph from a published work. I plan to use these", "is too simple just to use \"my heart pounded.\" I prefer something a", "something a little bit more elaborated. What sentence can I use besides from" ]
[ "the border of South Texas. I have a real story to tell from", "have a real story to tell from crime to redemption what publishing companies", "Im a Mexican/American by the border of South Texas. I have a real", "story to tell from crime to redemption what publishing companies publish these type", "tell from crime to redemption what publishing companies publish these type of books?", "border of South Texas. I have a real story to tell from crime", "to tell from crime to redemption what publishing companies publish these type of", "a real story to tell from crime to redemption what publishing companies publish", "Mexican/American by the border of South Texas. I have a real story to", "I have a real story to tell from crime to redemption what publishing", "real story to tell from crime to redemption what publishing companies publish these", "by the border of South Texas. I have a real story to tell", "South Texas. I have a real story to tell from crime to redemption", "a Mexican/American by the border of South Texas. I have a real story", "of South Texas. I have a real story to tell from crime to", "Texas. I have a real story to tell from crime to redemption what" ]
[ "the Conclusion just once, at the beginning. I pick the sentence under Section", "other. Each letter in CREAC represents a specific component part of the written", "express different forms of legal analysis, including analogical reasoning and rule-based reasoning. CREAC", "example below, I would state the Conclusion just once, at the beginning. I", "in CREAC superfluous. Why not just do CREA? 2. Even if you need", "is a flexible paradigm that can be manipulated or translated to fit many", "CREA? 2. Even if you need CREAC, and the second conclusion, to signal", "if you need CREAC, and the second conclusion, to signal the reader that", "I pick the sentence under Section 5 because it's more detailed than the", "reasoning. CREAC has five component parts, each > building on the other. Each", "legal analysis, including analogical reasoning and rule-based reasoning. CREAC has five component parts,", "to fit many different types of legal analyses or documents. > The key", "find the second conclusion in CREAC superfluous. Why not just do CREA? 2.", "Isn't it pointless and stupid to paraphrase your Introduction? > > This chapter", "CREAC has five component parts, each > building on the other. Each letter", "detailed than the sentence under Section 1. I find the second conclusion in", "Conclusion just once, at the beginning. I pick the sentence under Section 5", "and rule-based reasoning. CREAC has five component parts, each > building on the", "flexible paradigm that can be manipulated or translated to fit many different types", "> > > > [![enter image description here](https://i.stack.imgur.com/JGS07.jpg)](https://i.stack.imgur.com/JGS07.jpg) > > > Romantz. Legal", "of the law, Application of the Law, and Conclusion. When drafted > effectively,", "different forms of legal analysis, including analogical reasoning and rule-based reasoning. CREAC has", "[![enter image description here](https://i.stack.imgur.com/JGS07.jpg)](https://i.stack.imgur.com/JGS07.jpg) > > > Romantz. Legal Analysis: The Fundamental Skill", "is used to express different forms of legal analysis, including analogical reasoning and", "refer to the conclusion at the beginning (\"Please refer to the beginning or", "legal analysis. CREAC is a flexible paradigm that can be manipulated or translated", "> > > > > [![enter image description here](https://i.stack.imgur.com/JGS07.jpg)](https://i.stack.imgur.com/JGS07.jpg) > > > Romantz.", "Application of the Law, and Conclusion. When drafted > effectively, the parts combine", "paradigm, CREAC, and how it is used to express different forms of legal", "letter in CREAC represents a specific component part of the written expression of", "than the sentence under Section 1. I find the second conclusion in CREAC", "once, at the beginning. I pick the sentence under Section 5 because it's", "each component part of CREAC fits together. > > > > > [![enter", "reasoning and rule-based reasoning. CREAC has five component parts, each > building on", "Section 5 because it's more detailed than the sentence under Section 1. I", "superfluous. Why not just do CREA? 2. Even if you need CREAC, and", "and comprehensive expression of legal analysis. CREAC is a flexible paradigm that can", "logical, and comprehensive expression of legal analysis. CREAC is a flexible paradigm that", "whatever)? Isn't it pointless and stupid to paraphrase your Introduction? > > This", "expression of legal analysis: Conclusion, Rule, Explanation of the law, Application of the", "I would state the Conclusion just once, at the beginning. I pick the", "just once, at the beginning. I pick the sentence under Section 5 because", "Conclusion, Rule, Explanation of the law, Application of the Law, and Conclusion. When", "here](https://i.stack.imgur.com/JGS07.jpg)](https://i.stack.imgur.com/JGS07.jpg) > > > Romantz. Legal Analysis: The Fundamental Skill* (2009). p 120.", "just write a curt sentence asking the reader to refer to the conclusion", "Rule, Explanation of the law, Application of the Law, and Conclusion. When drafted", "legal analysis: Conclusion, Rule, Explanation of the law, Application of the Law, and", "Conclusion. When drafted > effectively, the parts combine in a cohesive, logical, and", "part of CREAC fits together. > > > > > [![enter image description", "The key is to understand how each component part of CREAC fits together.", "chapter will explain one organizational paradigm, CREAC, and how it is used to", "it is used to express different forms of legal analysis, including analogical reasoning", "at the beginning (\"Please refer to the beginning or page whatever)? Isn't it", "part of the written expression of legal analysis: Conclusion, Rule, Explanation of the", "beginning or page whatever)? Isn't it pointless and stupid to paraphrase your Introduction?", "the second conclusion in CREAC superfluous. Why not just do CREA? 2. Even", "the sentence under Section 1. I find the second conclusion in CREAC superfluous.", "CREAC, and the second conclusion, to signal the reader that you're concluding, why", "used to express different forms of legal analysis, including analogical reasoning and rule-based", "forms of legal analysis, including analogical reasoning and rule-based reasoning. CREAC has five", "the conclusion at the beginning (\"Please refer to the beginning or page whatever)?", "the example below, I would state the Conclusion just once, at the beginning.", "and how it is used to express different forms of legal analysis, including", "under Section 1. I find the second conclusion in CREAC superfluous. Why not", "the second conclusion, to signal the reader that you're concluding, why not just", "written expression of legal analysis: Conclusion, Rule, Explanation of the law, Application of", "a cohesive, logical, and comprehensive expression of legal analysis. CREAC is a flexible", "would state the Conclusion just once, at the beginning. I pick the sentence", "component parts, each > building on the other. Each letter in CREAC represents", "In the example below, I would state the Conclusion just once, at the", "CREAC is a flexible paradigm that can be manipulated or translated to fit", "not just write a curt sentence asking the reader to refer to the", "Section 1. I find the second conclusion in CREAC superfluous. Why not just", "represents a specific component part of the written expression of legal analysis: Conclusion,", "the beginning or page whatever)? Isn't it pointless and stupid to paraphrase your", "the beginning. I pick the sentence under Section 5 because it's more detailed", "beginning. I pick the sentence under Section 5 because it's more detailed than", "how it is used to express different forms of legal analysis, including analogical", "CREAC superfluous. Why not just do CREA? 2. Even if you need CREAC,", "documents. > The key is to understand how each component part of CREAC", "description here](https://i.stack.imgur.com/JGS07.jpg)](https://i.stack.imgur.com/JGS07.jpg) > > > Romantz. Legal Analysis: The Fundamental Skill (2009). p", "the reader to refer to the conclusion at the beginning (\"Please refer to", "analysis. CREAC is a flexible paradigm that can be manipulated or translated to", "why not just write a curt sentence asking the reader to refer to", "of CREAC fits together. > > > > > [![enter image description here](https://i.stack.imgur.com/JGS07.jpg)](https://i.stack.imgur.com/JGS07.jpg)", "your Introduction? > > This chapter will explain one organizational paradigm, CREAC, and", "and Conclusion. When drafted > effectively, the parts combine in a cohesive, logical,", "the parts combine in a cohesive, logical, and comprehensive expression of legal analysis.", "need CREAC, and the second conclusion, to signal the reader that you're concluding,", "Introduction? > > This chapter will explain one organizational paradigm, CREAC, and how", "Each letter in CREAC represents a specific component part of the written expression", "understand how each component part of CREAC fits together. > > > >", "beginning (\"Please refer to the beginning or page whatever)? Isn't it pointless and", "second conclusion, to signal the reader that you're concluding, why not just write", "legal analyses or documents. > The key is to understand how each component", "a curt sentence asking the reader to refer to the conclusion at the", "When drafted > effectively, the parts combine in a cohesive, logical, and comprehensive", "> > > [![enter image description here](https://i.stack.imgur.com/JGS07.jpg)](https://i.stack.imgur.com/JGS07.jpg) > > > Romantz. Legal Analysis:", "that you're concluding, why not just write a curt sentence asking the reader", "has five component parts, each > building on the other. Each letter in", "to signal the reader that you're concluding, why not just write a curt", "the other. Each letter in CREAC represents a specific component part of the", "CREAC represents a specific component part of the written expression of legal analysis:", "to express different forms of legal analysis, including analogical reasoning and rule-based reasoning.", "sentence under Section 5 because it's more detailed than the sentence under Section", "I find the second conclusion in CREAC superfluous. Why not just do CREA?", "analogical reasoning and rule-based reasoning. CREAC has five component parts, each > building", "five component parts, each > building on the other. Each letter in CREAC", "of the written expression of legal analysis: Conclusion, Rule, Explanation of the law,", "sentence under Section 1. I find the second conclusion in CREAC superfluous. Why", "on the other. Each letter in CREAC represents a specific component part of", "key is to understand how each component part of CREAC fits together. >", "conclusion, to signal the reader that you're concluding, why not just write a", "refer to the beginning or page whatever)? Isn't it pointless and stupid to", "to the beginning or page whatever)? Isn't it pointless and stupid to paraphrase", "the law, Application of the Law, and Conclusion. When drafted > effectively, the", "is to understand how each component part of CREAC fits together. > >", "one organizational paradigm, CREAC, and how it is used to express different forms", "it's more detailed than the sentence under Section 1. I find the second", "to the conclusion at the beginning (\"Please refer to the beginning or page", "comprehensive expression of legal analysis. CREAC is a flexible paradigm that can be", "not just do CREA? 2. Even if you need CREAC, and the second", "combine in a cohesive, logical, and comprehensive expression of legal analysis. CREAC is", "> > This chapter will explain one organizational paradigm, CREAC, and how it", "of the Law, and Conclusion. When drafted > effectively, the parts combine in", "of legal analysis, including analogical reasoning and rule-based reasoning. CREAC has five component", "2. Even if you need CREAC, and the second conclusion, to signal the", "building on the other. Each letter in CREAC represents a specific component part", "and the second conclusion, to signal the reader that you're concluding, why not", "to paraphrase your Introduction? > > This chapter will explain one organizational paradigm,", "fits together. > > > > > [![enter image description here](https://i.stack.imgur.com/JGS07.jpg)](https://i.stack.imgur.com/JGS07.jpg) > >", "pick the sentence under Section 5 because it's more detailed than the sentence", "just do CREA? 2. Even if you need CREAC, and the second conclusion,", "the sentence under Section 5 because it's more detailed than the sentence under", "to refer to the conclusion at the beginning (\"Please refer to the beginning", "of legal analysis: Conclusion, Rule, Explanation of the law, Application of the Law,", "fit many different types of legal analyses or documents. > The key is", "write a curt sentence asking the reader to refer to the conclusion at", "cohesive, logical, and comprehensive expression of legal analysis. CREAC is a flexible paradigm", "Why not just do CREA? 2. Even if you need CREAC, and the", "will explain one organizational paradigm, CREAC, and how it is used to express", "in a cohesive, logical, and comprehensive expression of legal analysis. CREAC is a", "you're concluding, why not just write a curt sentence asking the reader to", "This chapter will explain one organizational paradigm, CREAC, and how it is used", "1. I find the second conclusion in CREAC superfluous. Why not just do", "be manipulated or translated to fit many different types of legal analyses or", "signal the reader that you're concluding, why not just write a curt sentence", "that can be manipulated or translated to fit many different types of legal", "types of legal analyses or documents. > The key is to understand how", "organizational paradigm, CREAC, and how it is used to express different forms of", "the Law, and Conclusion. When drafted > effectively, the parts combine in a", "conclusion in CREAC superfluous. Why not just do CREA? 2. Even if you", "you need CREAC, and the second conclusion, to signal the reader that you're", "page whatever)? Isn't it pointless and stupid to paraphrase your Introduction? > >", "explain one organizational paradigm, CREAC, and how it is used to express different", "or documents. > The key is to understand how each component part of", "CREAC, and how it is used to express different forms of legal analysis,", "Law, and Conclusion. When drafted > effectively, the parts combine in a cohesive,", "component part of the written expression of legal analysis: Conclusion, Rule, Explanation of", "of legal analyses or documents. > The key is to understand how each", "> effectively, the parts combine in a cohesive, logical, and comprehensive expression of", "second conclusion in CREAC superfluous. Why not just do CREA? 2. Even if", "Even if you need CREAC, and the second conclusion, to signal the reader", "or translated to fit many different types of legal analyses or documents. >", "law, Application of the Law, and Conclusion. When drafted > effectively, the parts", "CREAC fits together. > > > > > [![enter image description here](https://i.stack.imgur.com/JGS07.jpg)](https://i.stack.imgur.com/JGS07.jpg) >", "reader that you're concluding, why not just write a curt sentence asking the", "it pointless and stupid to paraphrase your Introduction? > > This chapter will", "> [![enter image description here](https://i.stack.imgur.com/JGS07.jpg)](https://i.stack.imgur.com/JGS07.jpg) > > > Romantz. Legal Analysis: The Fundamental", "below, I would state the Conclusion just once, at the beginning. I pick", "1. In the example below, I would state the Conclusion just once, at", "under Section 5 because it's more detailed than the sentence under Section 1.", "asking the reader to refer to the conclusion at the beginning (\"Please refer", "a flexible paradigm that can be manipulated or translated to fit many different", "manipulated or translated to fit many different types of legal analyses or documents.", "different types of legal analyses or documents. > The key is to understand", "translated to fit many different types of legal analyses or documents. > The", "Explanation of the law, Application of the Law, and Conclusion. When drafted >", "> The key is to understand how each component part of CREAC fits", "state the Conclusion just once, at the beginning. I pick the sentence under", "> building on the other. Each letter in CREAC represents a specific component", "rule-based reasoning. CREAC has five component parts, each > building on the other.", "more detailed than the sentence under Section 1. I find the second conclusion", "parts combine in a cohesive, logical, and comprehensive expression of legal analysis. CREAC", "(\"Please refer to the beginning or page whatever)? Isn't it pointless and stupid", "> > [![enter image description here](https://i.stack.imgur.com/JGS07.jpg)](https://i.stack.imgur.com/JGS07.jpg) > > > Romantz. Legal Analysis: The", "a specific component part of the written expression of legal analysis: Conclusion, Rule,", "analysis: Conclusion, Rule, Explanation of the law, Application of the Law, and Conclusion.", "specific component part of the written expression of legal analysis: Conclusion, Rule, Explanation", "to understand how each component part of CREAC fits together. > > >", "5 because it's more detailed than the sentence under Section 1. I find", "image description here](https://i.stack.imgur.com/JGS07.jpg)](https://i.stack.imgur.com/JGS07.jpg) > > > Romantz. Legal Analysis: The Fundamental Skill* (2009).", "parts, each > building on the other. Each letter in CREAC represents a", "effectively, the parts combine in a cohesive, logical, and comprehensive expression of legal", "in CREAC represents a specific component part of the written expression of legal", "and stupid to paraphrase your Introduction? > > This chapter will explain one", "because it's more detailed than the sentence under Section 1. I find the", "analyses or documents. > The key is to understand how each component part", "the beginning (\"Please refer to the beginning or page whatever)? Isn't it pointless", "of legal analysis. CREAC is a flexible paradigm that can be manipulated or", "pointless and stupid to paraphrase your Introduction? > > This chapter will explain", "do CREA? 2. Even if you need CREAC, and the second conclusion, to", "paraphrase your Introduction? > > This chapter will explain one organizational paradigm, CREAC,", "analysis, including analogical reasoning and rule-based reasoning. CREAC has five component parts, each", "curt sentence asking the reader to refer to the conclusion at the beginning", "component part of CREAC fits together. > > > > > [![enter image", "reader to refer to the conclusion at the beginning (\"Please refer to the", "paradigm that can be manipulated or translated to fit many different types of", "sentence asking the reader to refer to the conclusion at the beginning (\"Please", "at the beginning. I pick the sentence under Section 5 because it's more", "the reader that you're concluding, why not just write a curt sentence asking", "how each component part of CREAC fits together. > > > > >", "many different types of legal analyses or documents. > The key is to", "together. > > > > > [![enter image description here](https://i.stack.imgur.com/JGS07.jpg)](https://i.stack.imgur.com/JGS07.jpg) > > >", "conclusion at the beginning (\"Please refer to the beginning or page whatever)? Isn't", "including analogical reasoning and rule-based reasoning. CREAC has five component parts, each >", "the written expression of legal analysis: Conclusion, Rule, Explanation of the law, Application", "expression of legal analysis. CREAC is a flexible paradigm that can be manipulated", "concluding, why not just write a curt sentence asking the reader to refer", "stupid to paraphrase your Introduction? > > This chapter will explain one organizational", "each > building on the other. Each letter in CREAC represents a specific", "> This chapter will explain one organizational paradigm, CREAC, and how it is", "drafted > effectively, the parts combine in a cohesive, logical, and comprehensive expression", "or page whatever)? Isn't it pointless and stupid to paraphrase your Introduction? >", "can be manipulated or translated to fit many different types of legal analyses" ]
[ "I have always struggled with writing dialogue between my characters in my historical", "always struggled with writing dialogue between my characters in my historical fiction novel.", "minimal amount of dialogue for this, but make it still seem realistic and", "for the first time and have no small talk but it still seem", "first time and have no small talk but it still seem realistic? I", "talk but it still seem realistic? I want the minimal amount of dialogue", "2 characters. A dialogue rule I am aware of is that the dialogue", "A dialogue rule I am aware of is that the dialogue must move", "that the dialogue must move the story along - no small talk. How", "first time. Obviously, I need to have some dialogue, as there is no", "small talk. How can I have these 2 characters meet for the first", "have 2 characters who are meeting each other for the first time. Obviously,", "avoid dialogue, I avoid it. In the scenario I am writing, I have", "rule I am aware of is that the dialogue must move the story", "the minimal amount of dialogue for this, but make it still seem realistic", "2 characters who are meeting each other for the first time. Obviously, I", "it still seem realistic? I want the minimal amount of dialogue for this,", "other way to formally introduce 2 characters. A dialogue rule I am aware", "realistic? I want the minimal amount of dialogue for this, but make it", "dialogue must move the story along - no small talk. How can I", "dialogue rule I am aware of is that the dialogue must move the", "need to have some dialogue, as there is no other way to formally", "it still seem realistic and move the story along. How can I accomplish", "still seem realistic? I want the minimal amount of dialogue for this, but", "formally introduce 2 characters. A dialogue rule I am aware of is that", "in my historical fiction novel. So, when it is possible to avoid dialogue,", "dialogue, I avoid it. In the scenario I am writing, I have 2", "each other for the first time. Obviously, I need to have some dialogue,", "meeting each other for the first time. Obviously, I need to have some", "possible to avoid dialogue, I avoid it. In the scenario I am writing,", "of is that the dialogue must move the story along - no small", "I have 2 characters who are meeting each other for the first time.", "seem realistic? I want the minimal amount of dialogue for this, but make", "dialogue, as there is no other way to formally introduce 2 characters. A", "struggled with writing dialogue between my characters in my historical fiction novel. So,", "some dialogue, as there is no other way to formally introduce 2 characters.", "I want the minimal amount of dialogue for this, but make it still", "there is no other way to formally introduce 2 characters. A dialogue rule", "novel. So, when it is possible to avoid dialogue, I avoid it. In", "no small talk but it still seem realistic? I want the minimal amount", "have no small talk but it still seem realistic? I want the minimal", "for this, but make it still seem realistic and move the story along.", "my historical fiction novel. So, when it is possible to avoid dialogue, I", "to have some dialogue, as there is no other way to formally introduce", "small talk but it still seem realistic? I want the minimal amount of", "it. In the scenario I am writing, I have 2 characters who are", "have always struggled with writing dialogue between my characters in my historical fiction", "other for the first time. Obviously, I need to have some dialogue, as", "characters who are meeting each other for the first time. Obviously, I need", "move the story along - no small talk. How can I have these", "to formally introduce 2 characters. A dialogue rule I am aware of is", "am aware of is that the dialogue must move the story along -", "characters meet for the first time and have no small talk but it", "and have no small talk but it still seem realistic? I want the", "I avoid it. In the scenario I am writing, I have 2 characters", "these 2 characters meet for the first time and have no small talk", "still seem realistic and move the story along. How can I accomplish this?", "but it still seem realistic? I want the minimal amount of dialogue for", "way to formally introduce 2 characters. A dialogue rule I am aware of", "fiction novel. So, when it is possible to avoid dialogue, I avoid it.", "am writing, I have 2 characters who are meeting each other for the", "with writing dialogue between my characters in my historical fiction novel. So, when", "I have these 2 characters meet for the first time and have no", "for the first time. Obviously, I need to have some dialogue, as there", "How can I have these 2 characters meet for the first time and", "I need to have some dialogue, as there is no other way to", "no other way to formally introduce 2 characters. A dialogue rule I am", "writing dialogue between my characters in my historical fiction novel. So, when it", "my characters in my historical fiction novel. So, when it is possible to", "as there is no other way to formally introduce 2 characters. A dialogue", "of dialogue for this, but make it still seem realistic and move the", "must move the story along - no small talk. How can I have", "writing, I have 2 characters who are meeting each other for the first", "characters in my historical fiction novel. So, when it is possible to avoid", "have some dialogue, as there is no other way to formally introduce 2", "it is possible to avoid dialogue, I avoid it. In the scenario I", "the first time. Obviously, I need to have some dialogue, as there is", "time. Obviously, I need to have some dialogue, as there is no other", "amount of dialogue for this, but make it still seem realistic and move", "avoid it. In the scenario I am writing, I have 2 characters who", "the dialogue must move the story along - no small talk. How can", "between my characters in my historical fiction novel. So, when it is possible", "dialogue between my characters in my historical fiction novel. So, when it is", "talk. How can I have these 2 characters meet for the first time", "I am aware of is that the dialogue must move the story along", "is possible to avoid dialogue, I avoid it. In the scenario I am", "the story along - no small talk. How can I have these 2", "along - no small talk. How can I have these 2 characters meet", "want the minimal amount of dialogue for this, but make it still seem", "- no small talk. How can I have these 2 characters meet for", "characters. A dialogue rule I am aware of is that the dialogue must", "dialogue for this, but make it still seem realistic and move the story", "So, when it is possible to avoid dialogue, I avoid it. In the", "In the scenario I am writing, I have 2 characters who are meeting", "is that the dialogue must move the story along - no small talk.", "but make it still seem realistic and move the story along. How can", "introduce 2 characters. A dialogue rule I am aware of is that the", "aware of is that the dialogue must move the story along - no", "this, but make it still seem realistic and move the story along. How", "the scenario I am writing, I have 2 characters who are meeting each", "make it still seem realistic and move the story along. How can I", "are meeting each other for the first time. Obviously, I need to have", "time and have no small talk but it still seem realistic? I want", "can I have these 2 characters meet for the first time and have", "I am writing, I have 2 characters who are meeting each other for", "is no other way to formally introduce 2 characters. A dialogue rule I", "2 characters meet for the first time and have no small talk but", "historical fiction novel. So, when it is possible to avoid dialogue, I avoid", "the first time and have no small talk but it still seem realistic?", "who are meeting each other for the first time. Obviously, I need to", "Obviously, I need to have some dialogue, as there is no other way", "no small talk. How can I have these 2 characters meet for the", "story along - no small talk. How can I have these 2 characters", "to avoid dialogue, I avoid it. In the scenario I am writing, I", "scenario I am writing, I have 2 characters who are meeting each other", "meet for the first time and have no small talk but it still", "when it is possible to avoid dialogue, I avoid it. In the scenario", "have these 2 characters meet for the first time and have no small" ]
[ "smaller pieces which fit into the bigger picture and come naturally, but in", "block. I struggle a lot with setting up the scene, showing body language", "it all comes easily to me for such scenes since it is running", "find myself struggling with the description the most. 2. In action scenes, since", "and do not know how to solve this problem. Can anyone suggest some", "these interactions become the focus and thus daunting. I find myself struggling with", "imagining any scene I am about to write, I see it as a", "I feel that the reasons are - 1. In the action scenes, since", "the plot in a particular direction which makes it feel contrived and forced.", "but since the scene is devoid of action, I seem to hit a", "most. 2. In action scenes, since the action is driving the scene, everything", "language and visual cues, the extensive inner thoughts of the character, conveying the", "visual cues, the extensive inner thoughts of the character, conveying the right tone", "chase or escape) are more my wheelhouse. The rush of the moment, the", "I seem to hit a mental block. I struggle a lot with setting", "the reasons are - 1. In the action scenes, since the action takes", "and come naturally, but in non-action ones, devoid of action, these interactions become", "the action scenes, since the action takes centre stage, the rest are smaller", "struggling with the description the most. 2. In action scenes, since the action", "I am imagining any scene I am about to write, I see it", "scenes, since the action is driving the scene, everything happening is part of", "In the action scenes, since the action takes centre stage, the rest are", "of action, I seem to hit a mental block. I struggle a lot", "everything happening is part of the flow (or action and reaction) and thus", "I think in terms of action. Whenever I am imagining any scene I", "find myself getting stuck for weeks (if I am lucky) and do not", "becomes about driving the plot in a particular direction which makes it feel", "inner thoughts of the character, conveying the right tone of voice, their interactions.", "which I then pen to paper. So naturally, action scenes (like a fight,", "easily to me for such scenes since it is running off like a", "and thus daunting. I find myself struggling with the description the most. 2.", "floundering, to the extent that I start procrastinating just to avoid it. It", "myself getting stuck for weeks (if I am lucky) and do not know", "the characters, their interactions, what is going through their head, it all comes", "in non-action ones, it becomes about driving the plot in a particular direction", "for such scenes since it is running off like a movie in my", "the most. 2. In action scenes, since the action is driving the scene,", "action and reaction) and thus feels proper but in non-action ones, it becomes", "makes it feel contrived and forced. I find myself getting stuck for weeks", "a fight, chase or escape) are more my wheelhouse. The rush of the", "scene I am about to write, I see it as a movie playing", "characters travelling somewhere or interacting with each other to convey some plot point),", "pieces which fit into the bigger picture and come naturally, but in non-action", "am imagining any scene I am about to write, I see it as", "since the scene is devoid of action, I seem to hit a mental", "in terms of action. Whenever I am imagining any scene I am about", "plot in a particular direction which makes it feel contrived and forced. I", "feel that the reasons are - 1. In the action scenes, since the", "the scene but since the scene is devoid of action, I seem to", "takes centre stage, the rest are smaller pieces which fit into the bigger", "action, these interactions become the focus and thus daunting. I find myself struggling", "direction which makes it feel contrived and forced. I find myself getting stuck", "not that I do not understand the scene but since the scene is", "much time writing those. In contrast, when it comes to non-action ones (like", "their interactions, what is going through their head, it all comes easily to", "those. In contrast, when it comes to non-action ones (like characters travelling somewhere", "all comes easily to me for such scenes since it is running off", "about driving the plot in a particular direction which makes it feel contrived", "of voice, their interactions. Thinking about it, I feel that the reasons are", "thus daunting. I find myself struggling with the description the most. 2. In", "understand the scene but since the scene is devoid of action, I seem", "2. In action scenes, since the action is driving the scene, everything happening", "driving the plot in a particular direction which makes it feel contrived and", "non-action ones, devoid of action, these interactions become the focus and thus daunting.", "just to avoid it. It is not that I do not understand the", "- 1. In the action scenes, since the action takes centre stage, the", "but in non-action ones, it becomes about driving the plot in a particular", "their interactions. Thinking about it, I feel that the reasons are - 1.", "scenes (like a fight, chase or escape) are more my wheelhouse. The rush", "any scene I am about to write, I see it as a movie", "reasons are - 1. In the action scenes, since the action takes centre", "to convey some plot point), I find myself floundering, to the extent that", "forced. I find myself getting stuck for weeks (if I am lucky) and", "particular direction which makes it feel contrived and forced. I find myself getting", "bigger picture and come naturally, but in non-action ones, devoid of action, these", "escape) are more my wheelhouse. The rush of the moment, the setting, the", "with the description the most. 2. In action scenes, since the action is", "I find myself getting stuck for weeks (if I am lucky) and do", "interactions. Thinking about it, I feel that the reasons are - 1. In", "as a movie playing in my head which I then pen to paper.", "do not understand the scene but since the scene is devoid of action,", "more my wheelhouse. The rush of the moment, the setting, the actions of", "am about to write, I see it as a movie playing in my", "the scene, showing body language and visual cues, the extensive inner thoughts of", "fight, chase or escape) are more my wheelhouse. The rush of the moment,", "Thinking about it, I feel that the reasons are - 1. In the", "setting up the scene, showing body language and visual cues, the extensive inner", "thus feels proper but in non-action ones, it becomes about driving the plot", "scene is devoid of action, I seem to hit a mental block. I", "then pen to paper. So naturally, action scenes (like a fight, chase or", "into the bigger picture and come naturally, but in non-action ones, devoid of", "it, I feel that the reasons are - 1. In the action scenes,", "devoid of action, I seem to hit a mental block. I struggle a", "time writing those. In contrast, when it comes to non-action ones (like characters", "about to write, I see it as a movie playing in my head", "seem to hit a mental block. I struggle a lot with setting up", "proper but in non-action ones, it becomes about driving the plot in a", "find myself floundering, to the extent that I start procrastinating just to avoid", "to hit a mental block. I struggle a lot with setting up the", "of action. Whenever I am imagining any scene I am about to write,", "procrastinating just to avoid it. It is not that I do not understand", "(like a fight, chase or escape) are more my wheelhouse. The rush of", "wheelhouse. The rush of the moment, the setting, the actions of the characters,", "somewhere or interacting with each other to convey some plot point), I find", "hit a mental block. I struggle a lot with setting up the scene,", "know how to solve this problem. Can anyone suggest some good tips to", "and thus feels proper but in non-action ones, it becomes about driving the", "are - 1. In the action scenes, since the action takes centre stage,", "movie in my head and I rarely have to spend much time writing", "to avoid it. It is not that I do not understand the scene", "travelling somewhere or interacting with each other to convey some plot point), I", "non-action ones (like characters travelling somewhere or interacting with each other to convey", "it becomes about driving the plot in a particular direction which makes it", "writing those. In contrast, when it comes to non-action ones (like characters travelling", "to solve this problem. Can anyone suggest some good tips to improve ?", "In contrast, when it comes to non-action ones (like characters travelling somewhere or", "convey some plot point), I find myself floundering, to the extent that I", "how to solve this problem. Can anyone suggest some good tips to improve", "the moment, the setting, the actions of the characters, their interactions, what is", "the flow (or action and reaction) and thus feels proper but in non-action", "rush of the moment, the setting, the actions of the characters, their interactions,", "see it as a movie playing in my head which I then pen", "action. Whenever I am imagining any scene I am about to write, I", "their head, it all comes easily to me for such scenes since it", "other to convey some plot point), I find myself floundering, to the extent", "It is not that I do not understand the scene but since the", "which fit into the bigger picture and come naturally, but in non-action ones,", "naturally, but in non-action ones, devoid of action, these interactions become the focus", "become the focus and thus daunting. I find myself struggling with the description", "action scenes, since the action takes centre stage, the rest are smaller pieces", "about it, I feel that the reasons are - 1. In the action", "up the scene, showing body language and visual cues, the extensive inner thoughts", "am lucky) and do not know how to solve this problem. Can anyone", "spend much time writing those. In contrast, when it comes to non-action ones", "reaction) and thus feels proper but in non-action ones, it becomes about driving", "head, it all comes easily to me for such scenes since it is", "it as a movie playing in my head which I then pen to", "(or action and reaction) and thus feels proper but in non-action ones, it", "voice, their interactions. Thinking about it, I feel that the reasons are -", "(like characters travelling somewhere or interacting with each other to convey some plot", "to the extent that I start procrastinating just to avoid it. It is", "with setting up the scene, showing body language and visual cues, the extensive", "scenes since it is running off like a movie in my head and", "the extensive inner thoughts of the character, conveying the right tone of voice,", "interactions, what is going through their head, it all comes easily to me", "for weeks (if I am lucky) and do not know how to solve", "since the action is driving the scene, everything happening is part of the", "scenes, since the action takes centre stage, the rest are smaller pieces which", "such scenes since it is running off like a movie in my head", "the action is driving the scene, everything happening is part of the flow", "movie playing in my head which I then pen to paper. So naturally,", "So naturally, action scenes (like a fight, chase or escape) are more my", "daunting. I find myself struggling with the description the most. 2. In action", "when it comes to non-action ones (like characters travelling somewhere or interacting with", "I rarely have to spend much time writing those. In contrast, when it", "and visual cues, the extensive inner thoughts of the character, conveying the right", "it comes to non-action ones (like characters travelling somewhere or interacting with each", "1. In the action scenes, since the action takes centre stage, the rest", "to me for such scenes since it is running off like a movie", "terms of action. Whenever I am imagining any scene I am about to", "it is running off like a movie in my head and I rarely", "point), I find myself floundering, to the extent that I start procrastinating just", "comes to non-action ones (like characters travelling somewhere or interacting with each other", "happening is part of the flow (or action and reaction) and thus feels", "and reaction) and thus feels proper but in non-action ones, it becomes about", "and I rarely have to spend much time writing those. In contrast, when", "to paper. So naturally, action scenes (like a fight, chase or escape) are", "stage, the rest are smaller pieces which fit into the bigger picture and", "is going through their head, it all comes easily to me for such", "(if I am lucky) and do not know how to solve this problem.", "is running off like a movie in my head and I rarely have", "Whenever I am imagining any scene I am about to write, I see", "picture and come naturally, but in non-action ones, devoid of action, these interactions", "rarely have to spend much time writing those. In contrast, when it comes", "that I do not understand the scene but since the scene is devoid", "to write, I see it as a movie playing in my head which", "part of the flow (or action and reaction) and thus feels proper but", "the right tone of voice, their interactions. Thinking about it, I feel that", "to non-action ones (like characters travelling somewhere or interacting with each other to", "of action, these interactions become the focus and thus daunting. I find myself", "avoid it. It is not that I do not understand the scene but", "write, I see it as a movie playing in my head which I", "weeks (if I am lucky) and do not know how to solve this", "is driving the scene, everything happening is part of the flow (or action", "I then pen to paper. So naturally, action scenes (like a fight, chase", "interacting with each other to convey some plot point), I find myself floundering,", "I am lucky) and do not know how to solve this problem. Can", "are smaller pieces which fit into the bigger picture and come naturally, but", "I am about to write, I see it as a movie playing in", "head and I rarely have to spend much time writing those. In contrast,", "of the flow (or action and reaction) and thus feels proper but in", "head which I then pen to paper. So naturally, action scenes (like a", "the scene is devoid of action, I seem to hit a mental block.", "running off like a movie in my head and I rarely have to", "come naturally, but in non-action ones, devoid of action, these interactions become the", "not understand the scene but since the scene is devoid of action, I", "in my head which I then pen to paper. So naturally, action scenes", "pen to paper. So naturally, action scenes (like a fight, chase or escape)", "the extent that I start procrastinating just to avoid it. It is not", "getting stuck for weeks (if I am lucky) and do not know how", "moment, the setting, the actions of the characters, their interactions, what is going", "naturally, action scenes (like a fight, chase or escape) are more my wheelhouse.", "rest are smaller pieces which fit into the bigger picture and come naturally,", "cues, the extensive inner thoughts of the character, conveying the right tone of", "my head which I then pen to paper. So naturally, action scenes (like", "it. It is not that I do not understand the scene but since", "have to spend much time writing those. In contrast, when it comes to", "a movie playing in my head which I then pen to paper. So", "action takes centre stage, the rest are smaller pieces which fit into the", "is devoid of action, I seem to hit a mental block. I struggle", "devoid of action, these interactions become the focus and thus daunting. I find", "playing in my head which I then pen to paper. So naturally, action", "body language and visual cues, the extensive inner thoughts of the character, conveying", "the focus and thus daunting. I find myself struggling with the description the", "I struggle a lot with setting up the scene, showing body language and", "non-action ones, it becomes about driving the plot in a particular direction which", "action scenes, since the action is driving the scene, everything happening is part", "the actions of the characters, their interactions, what is going through their head,", "or escape) are more my wheelhouse. The rush of the moment, the setting,", "feels proper but in non-action ones, it becomes about driving the plot in", "extent that I start procrastinating just to avoid it. It is not that", "the description the most. 2. In action scenes, since the action is driving", "but in non-action ones, devoid of action, these interactions become the focus and", "lot with setting up the scene, showing body language and visual cues, the", "that I start procrastinating just to avoid it. It is not that I", "thoughts of the character, conveying the right tone of voice, their interactions. Thinking", "ones, it becomes about driving the plot in a particular direction which makes", "a particular direction which makes it feel contrived and forced. I find myself", "the bigger picture and come naturally, but in non-action ones, devoid of action,", "in a particular direction which makes it feel contrived and forced. I find", "paper. So naturally, action scenes (like a fight, chase or escape) are more", "interactions become the focus and thus daunting. I find myself struggling with the", "I find myself struggling with the description the most. 2. In action scenes,", "think in terms of action. Whenever I am imagining any scene I am", "contrast, when it comes to non-action ones (like characters travelling somewhere or interacting", "scene, showing body language and visual cues, the extensive inner thoughts of the", "character, conveying the right tone of voice, their interactions. Thinking about it, I", "of the moment, the setting, the actions of the characters, their interactions, what", "a lot with setting up the scene, showing body language and visual cues,", "like a movie in my head and I rarely have to spend much", "the setting, the actions of the characters, their interactions, what is going through", "I start procrastinating just to avoid it. It is not that I do", "me for such scenes since it is running off like a movie in", "struggle a lot with setting up the scene, showing body language and visual", "which makes it feel contrived and forced. I find myself getting stuck for", "The rush of the moment, the setting, the actions of the characters, their", "driving the scene, everything happening is part of the flow (or action and", "showing body language and visual cues, the extensive inner thoughts of the character,", "characters, their interactions, what is going through their head, it all comes easily", "contrived and forced. I find myself getting stuck for weeks (if I am", "since the action takes centre stage, the rest are smaller pieces which fit", "plot point), I find myself floundering, to the extent that I start procrastinating", "or interacting with each other to convey some plot point), I find myself", "action, I seem to hit a mental block. I struggle a lot with", "a movie in my head and I rarely have to spend much time", "since it is running off like a movie in my head and I", "description the most. 2. In action scenes, since the action is driving the", "extensive inner thoughts of the character, conveying the right tone of voice, their", "stuck for weeks (if I am lucky) and do not know how to", "myself floundering, to the extent that I start procrastinating just to avoid it.", "my head and I rarely have to spend much time writing those. In", "fit into the bigger picture and come naturally, but in non-action ones, devoid", "right tone of voice, their interactions. Thinking about it, I feel that the", "I see it as a movie playing in my head which I then", "not know how to solve this problem. Can anyone suggest some good tips", "setting, the actions of the characters, their interactions, what is going through their", "comes easily to me for such scenes since it is running off like", "mental block. I struggle a lot with setting up the scene, showing body", "my wheelhouse. The rush of the moment, the setting, the actions of the", "lucky) and do not know how to solve this problem. Can anyone suggest", "tone of voice, their interactions. Thinking about it, I feel that the reasons", "what is going through their head, it all comes easily to me for", "it feel contrived and forced. I find myself getting stuck for weeks (if", "off like a movie in my head and I rarely have to spend", "is part of the flow (or action and reaction) and thus feels proper", "action scenes (like a fight, chase or escape) are more my wheelhouse. The", "I find myself floundering, to the extent that I start procrastinating just to", "scene, everything happening is part of the flow (or action and reaction) and", "myself struggling with the description the most. 2. In action scenes, since the", "focus and thus daunting. I find myself struggling with the description the most.", "scene but since the scene is devoid of action, I seem to hit", "the scene, everything happening is part of the flow (or action and reaction)", "ones, devoid of action, these interactions become the focus and thus daunting. I", "some plot point), I find myself floundering, to the extent that I start", "ones (like characters travelling somewhere or interacting with each other to convey some", "a mental block. I struggle a lot with setting up the scene, showing", "going through their head, it all comes easily to me for such scenes", "the character, conveying the right tone of voice, their interactions. Thinking about it,", "are more my wheelhouse. The rush of the moment, the setting, the actions", "that the reasons are - 1. In the action scenes, since the action", "centre stage, the rest are smaller pieces which fit into the bigger picture", "the rest are smaller pieces which fit into the bigger picture and come", "do not know how to solve this problem. Can anyone suggest some good", "feel contrived and forced. I find myself getting stuck for weeks (if I", "is not that I do not understand the scene but since the scene", "conveying the right tone of voice, their interactions. Thinking about it, I feel", "in my head and I rarely have to spend much time writing those.", "each other to convey some plot point), I find myself floundering, to the", "the action takes centre stage, the rest are smaller pieces which fit into", "through their head, it all comes easily to me for such scenes since", "I do not understand the scene but since the scene is devoid of", "of the characters, their interactions, what is going through their head, it all", "flow (or action and reaction) and thus feels proper but in non-action ones,", "with each other to convey some plot point), I find myself floundering, to", "of the character, conveying the right tone of voice, their interactions. Thinking about", "action is driving the scene, everything happening is part of the flow (or", "start procrastinating just to avoid it. It is not that I do not", "to spend much time writing those. In contrast, when it comes to non-action", "and forced. I find myself getting stuck for weeks (if I am lucky)", "actions of the characters, their interactions, what is going through their head, it", "in non-action ones, devoid of action, these interactions become the focus and thus", "In action scenes, since the action is driving the scene, everything happening is" ]
[ "write a story. How can I apply copyright to it after it gets", "to write a story. How can I apply copyright to it after it", "idea to write a story. How can I apply copyright to it after", "I have an idea to write a story. How can I apply copyright", "an idea to write a story. How can I apply copyright to it", "have an idea to write a story. How can I apply copyright to", "a story. How can I apply copyright to it after it gets written?" ]
[ "or has the material but unable to put it in words in the", "having anything to write, or has the material but unable to put it", "which the author not having anything to write, or has the material but", "material but unable to put it in words in the way he wants;", "block\" refer to the condition in which the author not having anything to", "author not having anything to write, or has the material but unable to", "has the material but unable to put it in words in the way", "Does the term \"writer's block\" refer to the condition in which the author", "to the condition in which the author not having anything to write, or", "the term \"writer's block\" refer to the condition in which the author not", "not having anything to write, or has the material but unable to put", "in which the author not having anything to write, or has the material", "to write, or has the material but unable to put it in words", "write, or has the material but unable to put it in words in", "anything to write, or has the material but unable to put it in", "the material but unable to put it in words in the way he", "the condition in which the author not having anything to write, or has", "refer to the condition in which the author not having anything to write,", "term \"writer's block\" refer to the condition in which the author not having", "\"writer's block\" refer to the condition in which the author not having anything", "the author not having anything to write, or has the material but unable", "condition in which the author not having anything to write, or has the", "unable to put it in words in the way he wants; or both?", "but unable to put it in words in the way he wants; or" ]
[ "is not my native language. Is it ok to edit my chapters many", "adding new ideas to a chapter after finishing it a bad habit? It's", "time writing a novella, and English is not my native language. Is it", "a novella, and English is not my native language. Is it ok to", "language. Is it ok to edit my chapters many times to get a", "bad habit? It's my first time writing a novella, and English is not", "habit? It's my first time writing a novella, and English is not my", "Is it ok to edit my chapters many times to get a perfect", "English is not my native language. Is it ok to edit my chapters", "it a bad habit? It's my first time writing a novella, and English", "it ok to edit my chapters many times to get a perfect draft?", "chapter after finishing it a bad habit? It's my first time writing a", "first time writing a novella, and English is not my native language. Is", "not my native language. Is it ok to edit my chapters many times", "ideas to a chapter after finishing it a bad habit? It's my first", "finishing it a bad habit? It's my first time writing a novella, and", "my first time writing a novella, and English is not my native language.", "to a chapter after finishing it a bad habit? It's my first time", "native language. Is it ok to edit my chapters many times to get", "writing a novella, and English is not my native language. Is it ok", "novella, and English is not my native language. Is it ok to edit", "a chapter after finishing it a bad habit? It's my first time writing", "new ideas to a chapter after finishing it a bad habit? It's my", "and English is not my native language. Is it ok to edit my", "my native language. Is it ok to edit my chapters many times to", "after finishing it a bad habit? It's my first time writing a novella,", "It's my first time writing a novella, and English is not my native", "a bad habit? It's my first time writing a novella, and English is", "Is adding new ideas to a chapter after finishing it a bad habit?" ]
[ "first person, that way the readers can better understand what's happening at that", "Would it be okay to do this, or should I keep a consistent", "the last few chapters in first person, that way the readers can better", "what's happening at that moment. Would it be okay to do this, or", "happening at that moment. Would it be okay to do this, or should", "moment. Would it be okay to do this, or should I keep a", "that way the readers can better understand what's happening at that moment. Would", "in first person, that way the readers can better understand what's happening at", "readers can better understand what's happening at that moment. Would it be okay", "book in third person omniscient, but I think it would be better if", "better if I put the last few chapters in first person, that way", "it be okay to do this, or should I keep a consistent narration", "be better if I put the last few chapters in first person, that", "in third person omniscient, but I think it would be better if I", "my book in third person omniscient, but I think it would be better", "omniscient, but I think it would be better if I put the last", "it would be better if I put the last few chapters in first", "writing most of my book in third person omniscient, but I think it", "better understand what's happening at that moment. Would it be okay to do", "think it would be better if I put the last few chapters in", "put the last few chapters in first person, that way the readers can", "person, that way the readers can better understand what's happening at that moment.", "person omniscient, but I think it would be better if I put the", "be okay to do this, or should I keep a consistent narration throughout?", "if I put the last few chapters in first person, that way the", "of my book in third person omniscient, but I think it would be", "last few chapters in first person, that way the readers can better understand", "I put the last few chapters in first person, that way the readers", "understand what's happening at that moment. Would it be okay to do this,", "few chapters in first person, that way the readers can better understand what's", "would be better if I put the last few chapters in first person,", "I think it would be better if I put the last few chapters", "chapters in first person, that way the readers can better understand what's happening", "but I think it would be better if I put the last few", "I'm writing most of my book in third person omniscient, but I think", "most of my book in third person omniscient, but I think it would", "third person omniscient, but I think it would be better if I put", "way the readers can better understand what's happening at that moment. Would it", "the readers can better understand what's happening at that moment. Would it be", "that moment. Would it be okay to do this, or should I keep", "can better understand what's happening at that moment. Would it be okay to", "at that moment. Would it be okay to do this, or should I" ]
[ "case without appeal”). > > > [Bahrych](https://www.linkedin.com/in/lynn-bahrych-j-d-ph-d-ab18988/) (PhD University of Washington in Medieval", "figurative language, do so where it will not interfere with communication of substance.", "consider the sensory dimension of words. Omit rhyme (“however clever”), cacophony (“egalitarian documentation”),", "> [Bahrych](https://www.linkedin.com/in/lynn-bahrych-j-d-ph-d-ab18988/) (PhD University of Washington in Medieval and Renaissance Studies, JD University", "revise, consider the sensory dimension of words. Omit rhyme (“however clever”), *cacophony (“egalitarian", "puns (“a case without appeal”). > > > [Bahrych](https://www.linkedin.com/in/lynn-bahrych-j-d-ph-d-ab18988/) (PhD University of Washington", "without appeal”). > > > [Bahrych](https://www.linkedin.com/in/lynn-bahrych-j-d-ph-d-ab18988/) (PhD University of Washington in Medieval and", "of substance. When you edit or revise, consider the sensory dimension of words.", "University of Washington in Medieval and Renaissance Studies, JD University of Washington), [McLellan](https://law.stanford.edu/directory/beth-mclellan/)", "[McLellan](https://law.stanford.edu/directory/beth-mclellan/) (JD Santa Clara University), [Merino](https://law.stanford.edu/directory/jeanne-merino/) (JD Stanford). Legal Writing and Analysis in", "usually the best style. If you do wish to use figurative language, do", "(“however clever”), cacophony (“egalitarian documentation”), conspicuous alliteration (“fallibility of four factfinders”), and unintentional", "LITERARY DEVICES > > > > > A plain style is usually the", "Omit rhyme (“however clever”), cacophony (“egalitarian documentation”), conspicuous alliteration (“fallibility of four factfinders”),", "can see it's poly-syllabic and long Latinate words. But why's it cacophony? >", "wish to use figurative language, do so where it will not interfere with", "Medieval and Renaissance Studies, JD University of Washington), [McLellan](https://law.stanford.edu/directory/beth-mclellan/) (JD Santa Clara University),", "I.USE FEW LITERARY DEVICES > > > > > A plain style is", "in Medieval and Renaissance Studies, JD University of Washington), [McLellan](https://law.stanford.edu/directory/beth-mclellan/) (JD Santa Clara", "documentation” means. I can see it's poly-syllabic and long Latinate words. But why's", "(“egalitarian documentation”)*, conspicuous alliteration (“fallibility of four factfinders”), and unintentional puns (“a case", "[cacophony](https://www.etymonline.com/search?q=cacophony) means \"harsh or unpleasant sound\", but I don't know what “egalitarian documentation”", "Santa Clara University), [Merino](https://law.stanford.edu/directory/jeanne-merino/) (JD Stanford). Legal Writing and Analysis in a Nutshell", "(JD Santa Clara University), [Merino](https://law.stanford.edu/directory/jeanne-merino/) (JD Stanford). Legal Writing and Analysis in a", "rhyme (“however clever”), cacophony (“egalitarian documentation”), conspicuous alliteration (“fallibility of four factfinders”), and", "or revise, consider the sensory dimension of words. Omit rhyme (“however clever”), cacophony", "so where it will not interfere with communication of substance. When you edit", "communication of substance. When you edit or revise, consider the sensory dimension of", "sensory dimension of words. Omit rhyme (“however clever”), cacophony (“egalitarian documentation”), conspicuous alliteration", "Washington in Medieval and Renaissance Studies, JD University of Washington), [McLellan](https://law.stanford.edu/directory/beth-mclellan/) (JD Santa", "substance. When you edit or revise, consider the sensory dimension of words. Omit", "of four factfinders”), and unintentional puns (“a case without appeal”). > > >", "of Washington in Medieval and Renaissance Studies, JD University of Washington), [McLellan](https://law.stanford.edu/directory/beth-mclellan/) (JD", "I can see it's poly-syllabic and long Latinate words. But why's it cacophony?", "> > > > > A plain style is usually the best style.", "know [cacophony](https://www.etymonline.com/search?q=cacophony) means \"harsh or unpleasant sound\", but I don't know what “egalitarian", "Clara University), [Merino](https://law.stanford.edu/directory/jeanne-merino/) (JD Stanford). Legal Writing and Analysis in a Nutshell 5th", "University), [Merino](https://law.stanford.edu/directory/jeanne-merino/) (JD Stanford). Legal Writing and Analysis in a Nutshell 5th edition", "dimension of words. Omit rhyme (“however clever”), cacophony (“egalitarian documentation”), conspicuous alliteration (“fallibility", "to use figurative language, do so where it will not interfere with communication", "conspicuous alliteration (“fallibility of four factfinders”), and unintentional puns (“a case without appeal”).", "> > > > A plain style is usually the best style. If", "the best style. If you do wish to use figurative language, do so", "\"harsh or unpleasant sound\", but I don't know what “egalitarian documentation” means. I", "best style. If you do wish to use figurative language, do so where", "A plain style is usually the best style. If you do wish to", "> > A plain style is usually the best style. If you do", "University of Washington), [McLellan](https://law.stanford.edu/directory/beth-mclellan/) (JD Santa Clara University), [Merino](https://law.stanford.edu/directory/jeanne-merino/) (JD Stanford). Legal Writing", "it cacophony? > > I.USE FEW LITERARY DEVICES > > > > >", "JD University of Washington), [McLellan](https://law.stanford.edu/directory/beth-mclellan/) (JD Santa Clara University), [Merino](https://law.stanford.edu/directory/jeanne-merino/) (JD Stanford). Legal", "poly-syllabic and long Latinate words. But why's it cacophony? > > I.USE FEW", "you do wish to use figurative language, do so where it will not", "> A plain style is usually the best style. If you do wish", "> > [Bahrych](https://www.linkedin.com/in/lynn-bahrych-j-d-ph-d-ab18988/) (PhD University of Washington in Medieval and Renaissance Studies, JD", "you edit or revise, consider the sensory dimension of words. Omit rhyme (“however", "it's poly-syllabic and long Latinate words. But why's it cacophony? > > I.USE", "If you do wish to use figurative language, do so where it will", "edit or revise, consider the sensory dimension of words. Omit rhyme (“however clever”),", "or unpleasant sound\", but I don't know what “egalitarian documentation” means. I can", "means. I can see it's poly-syllabic and long Latinate words. But why's it", "interfere with communication of substance. When you edit or revise, consider the sensory", "clever”), cacophony (“egalitarian documentation”), conspicuous alliteration (“fallibility of four factfinders”), and unintentional puns", "cacophony? > > I.USE FEW LITERARY DEVICES > > > > > A", "Washington), [McLellan](https://law.stanford.edu/directory/beth-mclellan/) (JD Santa Clara University), [Merino](https://law.stanford.edu/directory/jeanne-merino/) (JD Stanford). Legal Writing and Analysis", "do wish to use figurative language, do so where it will not interfere", "sound\", but I don't know what “egalitarian documentation” means. I can see it's", "words. But why's it cacophony? > > I.USE FEW LITERARY DEVICES > >", "will not interfere with communication of substance. When you edit or revise, consider", "> I.USE FEW LITERARY DEVICES > > > > > A plain style", "not interfere with communication of substance. When you edit or revise, consider the", "use figurative language, do so where it will not interfere with communication of", "Renaissance Studies, JD University of Washington), [McLellan](https://law.stanford.edu/directory/beth-mclellan/) (JD Santa Clara University), [Merino](https://law.stanford.edu/directory/jeanne-merino/) (JD", "[Merino](https://law.stanford.edu/directory/jeanne-merino/) (JD Stanford). Legal Writing and Analysis in a Nutshell 5th edition* (2017)", "and Renaissance Studies, JD University of Washington), [McLellan](https://law.stanford.edu/directory/beth-mclellan/) (JD Santa Clara University), [Merino](https://law.stanford.edu/directory/jeanne-merino/)", "unintentional puns (“a case without appeal”). > > > [Bahrych](https://www.linkedin.com/in/lynn-bahrych-j-d-ph-d-ab18988/) (PhD University of", "words. Omit rhyme (“however clever”), cacophony (“egalitarian documentation”), conspicuous alliteration (“fallibility of four", "style is usually the best style. If you do wish to use figurative", "where it will not interfere with communication of substance. When you edit or", "four factfinders”), and unintentional puns (“a case without appeal”). > > > [Bahrych](https://www.linkedin.com/in/lynn-bahrych-j-d-ph-d-ab18988/)", "the sensory dimension of words. Omit rhyme (“however clever”), cacophony (“egalitarian documentation”), conspicuous", "style. If you do wish to use figurative language, do so where it", "(PhD University of Washington in Medieval and Renaissance Studies, JD University of Washington),", "see it's poly-syllabic and long Latinate words. But why's it cacophony? > >", "don't know what “egalitarian documentation” means. I can see it's poly-syllabic and long", "is usually the best style. If you do wish to use figurative language,", "language, do so where it will not interfere with communication of substance. When", "> > > [Bahrych](https://www.linkedin.com/in/lynn-bahrych-j-d-ph-d-ab18988/) (PhD University of Washington in Medieval and Renaissance Studies,", "Latinate words. But why's it cacophony? > > I.USE FEW LITERARY DEVICES >", "Studies, JD University of Washington), [McLellan](https://law.stanford.edu/directory/beth-mclellan/) (JD Santa Clara University), [Merino](https://law.stanford.edu/directory/jeanne-merino/) (JD Stanford).", "[Bahrych](https://www.linkedin.com/in/lynn-bahrych-j-d-ph-d-ab18988/) (PhD University of Washington in Medieval and Renaissance Studies, JD University of", "unpleasant sound\", but I don't know what “egalitarian documentation” means. I can see", "(“fallibility of four factfinders”), and unintentional puns (“a case without appeal”). > >", "> > > A plain style is usually the best style. If you", "> > I.USE FEW LITERARY DEVICES > > > > > A plain", "do so where it will not interfere with communication of substance. When you", "what “egalitarian documentation” means. I can see it's poly-syllabic and long Latinate words.", "Stanford). Legal Writing and Analysis in a Nutshell 5th edition (2017) p 93.", "I know [cacophony](https://www.etymonline.com/search?q=cacophony) means \"harsh or unpleasant sound\", but I don't know what", "long Latinate words. But why's it cacophony? > > I.USE FEW LITERARY DEVICES", "(JD Stanford). Legal Writing and Analysis in a Nutshell 5th edition (2017) p", "But why's it cacophony? > > I.USE FEW LITERARY DEVICES > > >", "plain style is usually the best style. If you do wish to use", "DEVICES > > > > > A plain style is usually the best", "factfinders”), and unintentional puns (“a case without appeal”). > > > [Bahrych](https://www.linkedin.com/in/lynn-bahrych-j-d-ph-d-ab18988/) (PhD", "documentation”), conspicuous alliteration (“fallibility of four factfinders”), and unintentional puns (“a case without", "why's it cacophony? > > I.USE FEW LITERARY DEVICES > > > >", "appeal”). > > > [Bahrych](https://www.linkedin.com/in/lynn-bahrych-j-d-ph-d-ab18988/) (PhD University of Washington in Medieval and Renaissance", "“egalitarian documentation” means. I can see it's poly-syllabic and long Latinate words. But", "with communication of substance. When you edit or revise, consider the sensory dimension", "When you edit or revise, consider the sensory dimension of words. Omit rhyme", "and long Latinate words. But why's it cacophony? > > I.USE FEW LITERARY", "alliteration (“fallibility of four factfinders”), and unintentional puns (“a case without appeal”). >", "but I don't know what “egalitarian documentation” means. I can see it's poly-syllabic", "it will not interfere with communication of substance. When you edit or revise,", "cacophony (“egalitarian documentation”), conspicuous alliteration (“fallibility of four factfinders”), and unintentional puns (“a", "I don't know what “egalitarian documentation” means. I can see it's poly-syllabic and", "FEW LITERARY DEVICES > > > > > A plain style is usually", "of words. Omit rhyme (“however clever”), cacophony (“egalitarian documentation”)*, conspicuous alliteration (“fallibility of", "and unintentional puns (“a case without appeal”). > > > [Bahrych](https://www.linkedin.com/in/lynn-bahrych-j-d-ph-d-ab18988/) (PhD University", "of Washington), [McLellan](https://law.stanford.edu/directory/beth-mclellan/) (JD Santa Clara University), [Merino](https://law.stanford.edu/directory/jeanne-merino/) (JD Stanford). Legal Writing and", "(“a case without appeal”). > > > [Bahrych](https://www.linkedin.com/in/lynn-bahrych-j-d-ph-d-ab18988/) (PhD University of Washington in", "know what “egalitarian documentation” means. I can see it's poly-syllabic and long Latinate", "means \"harsh or unpleasant sound\", but I don't know what “egalitarian documentation” means." ]
[ "literally choke people. Apparently you can breath in a sandstorm even without a", "be out of character for her to think she's dying even if she", "a hazard, only seems like it is? This novel is written in 3rd", "the character's feelings of choking/suffocating to inspire urgency and tension in the chapter.", "been outside in a sandstorm myself so I don't know from personal experience", "writing a novel and in the opening chapter, one of the main characters", "up on the task at hand and change directions. I later found out", "can breath in a sandstorm even without a face covering. I've never been", "you will suffocate in a sandstorm, could I still use the characters feeling", "wrong so it wouldn't be out of character for her to think she's", "chapter. I made the character think she is going to die if she", "things that go wrong so it wouldn't be out of character for her", "a very severe sandstorm. I used the character's feelings of choking/suffocating to inspire", "a cheap way to create tension and urgency from something that isn't really", "really a hazard, only seems like it is? This novel is written in", "of direction among other things that go wrong so it wouldn't be out", "to give up on the task at hand and change directions. I later", "so it wouldn't be out of character for her to think she's dying", "a sandstorm, could I still use the characters feeling of choking to inspire", "out that sandstorms don't really literally choke people. Apparently you can breath in", "made the character think she is going to die if she doesn't escape", "urgency? She is obviously panicked, loses sense of direction among other things that", "the opening chapter, one of the main characters finds herself traveling by foot", "even without a face covering. I've never been outside in a sandstorm myself", "to die if she doesn't escape the sandstorm which eventually causes her to", "the main characters finds herself traveling by foot through a very severe sandstorm.", "of character for her to think she's dying even if she isn't. With", "think she's dying even if she isn't. With that being said, is it", "used the character's feelings of choking/suffocating to inspire urgency and tension in the", "sandstorms don't really literally choke people. Apparently you can breath in a sandstorm", "through a very severe sandstorm. I used the character's feelings of choking/suffocating to", "other things that go wrong so it wouldn't be out of character for", "that go wrong so it wouldn't be out of character for her to", "way to create tension and urgency from something that isn't really a hazard,", "I later found out that sandstorms don't really literally choke people. Apparently you", "since it's (apparently) not likely you will suffocate in a sandstorm, could I", "something that isn't really a hazard, only seems like it is? This novel", "from personal experience what its like. But, since it's (apparently) not likely you", "in a sandstorm even without a face covering. I've never been outside in", "direction among other things that go wrong so it wouldn't be out of", "I made the character think she is going to die if she doesn't", "to create tension and urgency from something that isn't really a hazard, only", "sandstorm. I used the character's feelings of choking/suffocating to inspire urgency and tension", "isn't. With that being said, is it a cheap way to create tension", "think she is going to die if she doesn't escape the sandstorm which", "panicked, loses sense of direction among other things that go wrong so it", "wouldn't be out of character for her to think she's dying even if", "out of character for her to think she's dying even if she isn't.", "that being said, is it a cheap way to create tension and urgency", "causes her to give up on the task at hand and change directions.", "she isn't. With that being said, is it a cheap way to create", "on the task at hand and change directions. I later found out that", "don't really literally choke people. Apparently you can breath in a sandstorm even", "character's feelings of choking/suffocating to inspire urgency and tension in the chapter. I", "opening chapter, one of the main characters finds herself traveling by foot through", "I used the character's feelings of choking/suffocating to inspire urgency and tension in", "person if that helps, so the narrator knows the MC is not currently", "is? This novel is written in 3rd person if that helps, so the", "at hand and change directions. I later found out that sandstorms don't really", "she is going to die if she doesn't escape the sandstorm which eventually", "feeling of choking to inspire urgency? She is obviously panicked, loses sense of", "and in the opening chapter, one of the main characters finds herself traveling", "which eventually causes her to give up on the task at hand and", "outside in a sandstorm myself so I don't know from personal experience what", "later found out that sandstorms don't really literally choke people. Apparently you can", "I still use the characters feeling of choking to inspire urgency? She is", "it is? This novel is written in 3rd person if that helps, so", "by foot through a very severe sandstorm. I used the character's feelings of", "choke people. Apparently you can breath in a sandstorm even without a face", "what its like. But, since it's (apparently) not likely you will suffocate in", "so I don't know from personal experience what its like. But, since it's", "Apparently you can breath in a sandstorm even without a face covering. I've", "doesn't escape the sandstorm which eventually causes her to give up on the", "urgency from something that isn't really a hazard, only seems like it is?", "in the chapter. I made the character think she is going to die", "traveling by foot through a very severe sandstorm. I used the character's feelings", "go wrong so it wouldn't be out of character for her to think", "suffocate in a sandstorm, could I still use the characters feeling of choking", "her to think she's dying even if she isn't. With that being said,", "eventually causes her to give up on the task at hand and change", "and tension in the chapter. I made the character think she is going", "of choking to inspire urgency? She is obviously panicked, loses sense of direction", "severe sandstorm. I used the character's feelings of choking/suffocating to inspire urgency and", "helps, so the narrator knows the MC is not currently at risk of", "novel and in the opening chapter, one of the main characters finds herself", "one of the main characters finds herself traveling by foot through a very", "the chapter. I made the character think she is going to die if", "main characters finds herself traveling by foot through a very severe sandstorm. I", "sandstorm which eventually causes her to give up on the task at hand", "foot through a very severe sandstorm. I used the character's feelings of choking/suffocating", "dying even if she isn't. With that being said, is it a cheap", "cheap way to create tension and urgency from something that isn't really a", "so the narrator knows the MC is not currently at risk of losing", "experience what its like. But, since it's (apparently) not likely you will suffocate", "I'm writing a novel and in the opening chapter, one of the main", "a sandstorm even without a face covering. I've never been outside in a", "feelings of choking/suffocating to inspire urgency and tension in the chapter. I made", "could I still use the characters feeling of choking to inspire urgency? She", "like it is? This novel is written in 3rd person if that helps,", "task at hand and change directions. I later found out that sandstorms don't", "the character think she is going to die if she doesn't escape the", "sense of direction among other things that go wrong so it wouldn't be", "the sandstorm which eventually causes her to give up on the task at", "found out that sandstorms don't really literally choke people. Apparently you can breath", "written in 3rd person if that helps, so the narrator knows the MC", "I don't know from personal experience what its like. But, since it's (apparently)", "it a cheap way to create tension and urgency from something that isn't", "finds herself traveling by foot through a very severe sandstorm. I used the", "choking/suffocating to inspire urgency and tension in the chapter. I made the character", "that isn't really a hazard, only seems like it is? This novel is", "to inspire urgency? She is obviously panicked, loses sense of direction among other", "myself so I don't know from personal experience what its like. But, since", "the task at hand and change directions. I later found out that sandstorms", "novel is written in 3rd person if that helps, so the narrator knows", "if she doesn't escape the sandstorm which eventually causes her to give up", "escape the sandstorm which eventually causes her to give up on the task", "inspire urgency? She is obviously panicked, loses sense of direction among other things", "covering. I've never been outside in a sandstorm myself so I don't know", "really literally choke people. Apparently you can breath in a sandstorm even without", "directions. I later found out that sandstorms don't really literally choke people. Apparently", "3rd person if that helps, so the narrator knows the MC is not", "and urgency from something that isn't really a hazard, only seems like it", "isn't really a hazard, only seems like it is? This novel is written", "But, since it's (apparently) not likely you will suffocate in a sandstorm, could", "even if she isn't. With that being said, is it a cheap way", "sandstorm myself so I don't know from personal experience what its like. But,", "hazard, only seems like it is? This novel is written in 3rd person", "This novel is written in 3rd person if that helps, so the narrator", "and change directions. I later found out that sandstorms don't really literally choke", "never been outside in a sandstorm myself so I don't know from personal", "if she isn't. With that being said, is it a cheap way to", "to think she's dying even if she isn't. With that being said, is", "urgency and tension in the chapter. I made the character think she is", "not likely you will suffocate in a sandstorm, could I still use the", "the characters feeling of choking to inspire urgency? She is obviously panicked, loses", "you can breath in a sandstorm even without a face covering. I've never", "it wouldn't be out of character for her to think she's dying even", "inspire urgency and tension in the chapter. I made the character think she", "her to give up on the task at hand and change directions. I", "is obviously panicked, loses sense of direction among other things that go wrong", "characters finds herself traveling by foot through a very severe sandstorm. I used", "breath in a sandstorm even without a face covering. I've never been outside", "in a sandstorm myself so I don't know from personal experience what its", "(apparently) not likely you will suffocate in a sandstorm, could I still use", "I've never been outside in a sandstorm myself so I don't know from", "of the main characters finds herself traveling by foot through a very severe", "she doesn't escape the sandstorm which eventually causes her to give up on", "give up on the task at hand and change directions. I later found", "like. But, since it's (apparently) not likely you will suffocate in a sandstorm,", "choking to inspire urgency? She is obviously panicked, loses sense of direction among", "she's dying even if she isn't. With that being said, is it a", "tension and urgency from something that isn't really a hazard, only seems like", "know from personal experience what its like. But, since it's (apparently) not likely", "people. Apparently you can breath in a sandstorm even without a face covering.", "sandstorm even without a face covering. I've never been outside in a sandstorm", "without a face covering. I've never been outside in a sandstorm myself so", "loses sense of direction among other things that go wrong so it wouldn't", "for her to think she's dying even if she isn't. With that being", "is it a cheap way to create tension and urgency from something that", "still use the characters feeling of choking to inspire urgency? She is obviously", "from something that isn't really a hazard, only seems like it is? This", "in 3rd person if that helps, so the narrator knows the MC is", "very severe sandstorm. I used the character's feelings of choking/suffocating to inspire urgency", "it's (apparently) not likely you will suffocate in a sandstorm, could I still", "only seems like it is? This novel is written in 3rd person if", "if that helps, so the narrator knows the MC is not currently at", "to inspire urgency and tension in the chapter. I made the character think", "in a sandstorm, could I still use the characters feeling of choking to", "being said, is it a cheap way to create tension and urgency from", "tension in the chapter. I made the character think she is going to", "create tension and urgency from something that isn't really a hazard, only seems", "face covering. I've never been outside in a sandstorm myself so I don't", "With that being said, is it a cheap way to create tension and", "change directions. I later found out that sandstorms don't really literally choke people.", "likely you will suffocate in a sandstorm, could I still use the characters", "said, is it a cheap way to create tension and urgency from something", "obviously panicked, loses sense of direction among other things that go wrong so", "sandstorm, could I still use the characters feeling of choking to inspire urgency?", "hand and change directions. I later found out that sandstorms don't really literally", "characters feeling of choking to inspire urgency? She is obviously panicked, loses sense", "narrator knows the MC is not currently at risk of losing her life.", "a novel and in the opening chapter, one of the main characters finds", "seems like it is? This novel is written in 3rd person if that", "character think she is going to die if she doesn't escape the sandstorm", "character for her to think she's dying even if she isn't. With that", "among other things that go wrong so it wouldn't be out of character", "die if she doesn't escape the sandstorm which eventually causes her to give", "a face covering. I've never been outside in a sandstorm myself so I", "that helps, so the narrator knows the MC is not currently at risk", "in the opening chapter, one of the main characters finds herself traveling by", "will suffocate in a sandstorm, could I still use the characters feeling of", "the narrator knows the MC is not currently at risk of losing her", "going to die if she doesn't escape the sandstorm which eventually causes her", "personal experience what its like. But, since it's (apparently) not likely you will", "its like. But, since it's (apparently) not likely you will suffocate in a", "She is obviously panicked, loses sense of direction among other things that go", "is written in 3rd person if that helps, so the narrator knows the", "that sandstorms don't really literally choke people. Apparently you can breath in a", "of choking/suffocating to inspire urgency and tension in the chapter. I made the", "is going to die if she doesn't escape the sandstorm which eventually causes", "don't know from personal experience what its like. But, since it's (apparently) not", "use the characters feeling of choking to inspire urgency? She is obviously panicked,", "a sandstorm myself so I don't know from personal experience what its like.", "chapter, one of the main characters finds herself traveling by foot through a", "herself traveling by foot through a very severe sandstorm. I used the character's" ]
[ "[![enter image description here](https://i.stack.imgur.com/Rxlnq.png)](https://i.stack.imgur.com/Rxlnq.png) And then down a little later on: [![enter image", "that my question is different. I find myself using a lot of questions", "suggestions for how to do it less. Here is a short excerpt that", "had a lot of questions that she doesn't have answers to and that", "on: [![enter image description here](https://i.stack.imgur.com/kiCCg.png)](https://i.stack.imgur.com/kiCCg.png) Basically, I am trying to show that my", "trying to figure things out. Is there a better way to do this?", "for how to do it less. Here is a short excerpt that will", "too much and if there are any suggestions for how to do it", "then down a little later on: [![enter image description here](https://i.stack.imgur.com/kiCCg.png)](https://i.stack.imgur.com/kiCCg.png) Basically, I am", "First off, I'm sure someone will direct me to [this question](https://writing.stackexchange.com/questions/21968/how-to-express-character-thoughts-in-the-third-person-without-using-dialogue), and I", "what I mean: [![enter image description here](https://i.stack.imgur.com/Rxlnq.png)](https://i.stack.imgur.com/Rxlnq.png) And then down a little later", "questions in my writing to express my character's thoughts. I'm wondering if I", "she is trying to figure things out. Is there a better way to", "sure someone will direct me to [this question](https://writing.stackexchange.com/questions/21968/how-to-express-character-thoughts-in-the-third-person-without-using-dialogue), and I want to make", "make it clear that my question is different. I find myself using a", "[this question](https://writing.stackexchange.com/questions/21968/how-to-express-character-thoughts-in-the-third-person-without-using-dialogue), and I want to make it clear that my question is", "will show you what I mean: [![enter image description here](https://i.stack.imgur.com/Rxlnq.png)](https://i.stack.imgur.com/Rxlnq.png) And then down", "Basically, I am trying to show that my character had a lot of", "there are any suggestions for how to do it less. Here is a", "wondering if I do it too much and if there are any suggestions", "that my character had a lot of questions that she doesn't have answers", "out. Is there a better way to do this? Does asking so many", "thoughts. I'm wondering if I do it too much and if there are", "to and that she is trying to figure things out. Is there a", "and I want to make it clear that my question is different. I", "are any suggestions for how to do it less. Here is a short", "less. Here is a short excerpt that will show you what I mean:", "later on: [![enter image description here](https://i.stack.imgur.com/kiCCg.png)](https://i.stack.imgur.com/kiCCg.png) Basically, I am trying to show that", "if I do it too much and if there are any suggestions for", "answers to and that she is trying to figure things out. Is there", "mean: [![enter image description here](https://i.stack.imgur.com/Rxlnq.png)](https://i.stack.imgur.com/Rxlnq.png) And then down a little later on: [![enter", "I want to make it clear that my question is different. I find", "show you what I mean: [![enter image description here](https://i.stack.imgur.com/Rxlnq.png)](https://i.stack.imgur.com/Rxlnq.png) And then down a", "my character's thoughts. I'm wondering if I do it too much and if", "is different. I find myself using a lot of questions in my writing", "that she doesn't have answers to and that she is trying to figure", "to express my character's thoughts. I'm wondering if I do it too much", "direct me to [this question](https://writing.stackexchange.com/questions/21968/how-to-express-character-thoughts-in-the-third-person-without-using-dialogue), and I want to make it clear that", "image description here](https://i.stack.imgur.com/kiCCg.png)](https://i.stack.imgur.com/kiCCg.png) Basically, I am trying to show that my character had", "excerpt that will show you what I mean: [![enter image description here](https://i.stack.imgur.com/Rxlnq.png)](https://i.stack.imgur.com/Rxlnq.png) And", "I find myself using a lot of questions in my writing to express", "Here is a short excerpt that will show you what I mean: [![enter", "want to make it clear that my question is different. I find myself", "And then down a little later on: [![enter image description here](https://i.stack.imgur.com/kiCCg.png)](https://i.stack.imgur.com/kiCCg.png) Basically, I", "that she is trying to figure things out. Is there a better way", "using a lot of questions in my writing to express my character's thoughts.", "to do it less. Here is a short excerpt that will show you", "to [this question](https://writing.stackexchange.com/questions/21968/how-to-express-character-thoughts-in-the-third-person-without-using-dialogue), and I want to make it clear that my question", "clear that my question is different. I find myself using a lot of", "trying to show that my character had a lot of questions that she", "myself using a lot of questions in my writing to express my character's", "I'm sure someone will direct me to [this question](https://writing.stackexchange.com/questions/21968/how-to-express-character-thoughts-in-the-third-person-without-using-dialogue), and I want to", "description here](https://i.stack.imgur.com/Rxlnq.png)](https://i.stack.imgur.com/Rxlnq.png) And then down a little later on: [![enter image description here](https://i.stack.imgur.com/kiCCg.png)](https://i.stack.imgur.com/kiCCg.png)", "I am trying to show that my character had a lot of questions", "my question is different. I find myself using a lot of questions in", "things out. Is there a better way to do this? Does asking so", "is a short excerpt that will show you what I mean: [![enter image", "short excerpt that will show you what I mean: [![enter image description here](https://i.stack.imgur.com/Rxlnq.png)](https://i.stack.imgur.com/Rxlnq.png)", "doesn't have answers to and that she is trying to figure things out.", "is trying to figure things out. Is there a better way to do", "a lot of questions in my writing to express my character's thoughts. I'm", "question is different. I find myself using a lot of questions in my", "here](https://i.stack.imgur.com/Rxlnq.png)](https://i.stack.imgur.com/Rxlnq.png) And then down a little later on: [![enter image description here](https://i.stack.imgur.com/kiCCg.png)](https://i.stack.imgur.com/kiCCg.png) Basically,", "me to [this question](https://writing.stackexchange.com/questions/21968/how-to-express-character-thoughts-in-the-third-person-without-using-dialogue), and I want to make it clear that my", "figure things out. Is there a better way to do this? Does asking", "have answers to and that she is trying to figure things out. Is", "much and if there are any suggestions for how to do it less.", "express my character's thoughts. I'm wondering if I do it too much and", "of questions in my writing to express my character's thoughts. I'm wondering if", "a little later on: [![enter image description here](https://i.stack.imgur.com/kiCCg.png)](https://i.stack.imgur.com/kiCCg.png) Basically, I am trying to", "questions that she doesn't have answers to and that she is trying to", "my character had a lot of questions that she doesn't have answers to", "she doesn't have answers to and that she is trying to figure things", "you what I mean: [![enter image description here](https://i.stack.imgur.com/Rxlnq.png)](https://i.stack.imgur.com/Rxlnq.png) And then down a little", "description here](https://i.stack.imgur.com/kiCCg.png)](https://i.stack.imgur.com/kiCCg.png) Basically, I am trying to show that my character had a", "someone will direct me to [this question](https://writing.stackexchange.com/questions/21968/how-to-express-character-thoughts-in-the-third-person-without-using-dialogue), and I want to make it", "it less. Here is a short excerpt that will show you what I", "do it too much and if there are any suggestions for how to", "how to do it less. Here is a short excerpt that will show", "it clear that my question is different. I find myself using a lot", "any suggestions for how to do it less. Here is a short excerpt", "and that she is trying to figure things out. Is there a better", "different. I find myself using a lot of questions in my writing to", "am trying to show that my character had a lot of questions that", "better way to do this? Does asking so many questions annoy the reader?", "there a better way to do this? Does asking so many questions annoy", "lot of questions that she doesn't have answers to and that she is", "a lot of questions that she doesn't have answers to and that she", "if there are any suggestions for how to do it less. Here is", "image description here](https://i.stack.imgur.com/Rxlnq.png)](https://i.stack.imgur.com/Rxlnq.png) And then down a little later on: [![enter image description", "to make it clear that my question is different. I find myself using", "it too much and if there are any suggestions for how to do", "writing to express my character's thoughts. I'm wondering if I do it too", "a short excerpt that will show you what I mean: [![enter image description", "down a little later on: [![enter image description here](https://i.stack.imgur.com/kiCCg.png)](https://i.stack.imgur.com/kiCCg.png) Basically, I am trying", "to show that my character had a lot of questions that she doesn't", "I do it too much and if there are any suggestions for how", "off, I'm sure someone will direct me to [this question](https://writing.stackexchange.com/questions/21968/how-to-express-character-thoughts-in-the-third-person-without-using-dialogue), and I want", "here](https://i.stack.imgur.com/kiCCg.png)](https://i.stack.imgur.com/kiCCg.png) Basically, I am trying to show that my character had a lot", "little later on: [![enter image description here](https://i.stack.imgur.com/kiCCg.png)](https://i.stack.imgur.com/kiCCg.png) Basically, I am trying to show", "will direct me to [this question](https://writing.stackexchange.com/questions/21968/how-to-express-character-thoughts-in-the-third-person-without-using-dialogue), and I want to make it clear", "find myself using a lot of questions in my writing to express my", "lot of questions in my writing to express my character's thoughts. I'm wondering", "in my writing to express my character's thoughts. I'm wondering if I do", "that will show you what I mean: [![enter image description here](https://i.stack.imgur.com/Rxlnq.png)](https://i.stack.imgur.com/Rxlnq.png) And then", "I mean: [![enter image description here](https://i.stack.imgur.com/Rxlnq.png)](https://i.stack.imgur.com/Rxlnq.png) And then down a little later on:", "[![enter image description here](https://i.stack.imgur.com/kiCCg.png)](https://i.stack.imgur.com/kiCCg.png) Basically, I am trying to show that my character", "my writing to express my character's thoughts. I'm wondering if I do it", "character had a lot of questions that she doesn't have answers to and", "I'm wondering if I do it too much and if there are any", "of questions that she doesn't have answers to and that she is trying", "and if there are any suggestions for how to do it less. Here", "a better way to do this? Does asking so many questions annoy the", "Is there a better way to do this? Does asking so many questions", "character's thoughts. I'm wondering if I do it too much and if there", "to figure things out. Is there a better way to do this? Does", "question](https://writing.stackexchange.com/questions/21968/how-to-express-character-thoughts-in-the-third-person-without-using-dialogue), and I want to make it clear that my question is different.", "do it less. Here is a short excerpt that will show you what", "show that my character had a lot of questions that she doesn't have" ]
[ "be on the cover. Do I have to put our names in alphabetically,", "it, we want both of our names to be on the cover. Do", "names to be on the cover. Do I have to put our names", "novel. When we publish it, we want both of our names to be", "publish it, we want both of our names to be on the cover.", "and my friend are currently writing a Sci-fi novel. When we publish it,", "Me and my friend are currently writing a Sci-fi novel. When we publish", "When we publish it, we want both of our names to be on", "friend are currently writing a Sci-fi novel. When we publish it, we want", "our names to be on the cover. Do I have to put our", "to be on the cover. Do I have to put our names in", "are currently writing a Sci-fi novel. When we publish it, we want both", "currently writing a Sci-fi novel. When we publish it, we want both of", "Sci-fi novel. When we publish it, we want both of our names to", "we publish it, we want both of our names to be on the", "want both of our names to be on the cover. Do I have", "writing a Sci-fi novel. When we publish it, we want both of our", "a Sci-fi novel. When we publish it, we want both of our names", "my friend are currently writing a Sci-fi novel. When we publish it, we", "on the cover. Do I have to put our names in alphabetically, or", "cover. Do I have to put our names in alphabetically, or some order?", "both of our names to be on the cover. Do I have to", "we want both of our names to be on the cover. Do I", "of our names to be on the cover. Do I have to put", "the cover. Do I have to put our names in alphabetically, or some" ]
[ "I feel like my version is better? * or cite the author of", "reflect the spirit of the quote better. How should I approach this? Should", "actually said it? * go lengthy with an explanation that this is not", "does not play roulette > > > — Avboyn Uunstoin > > >", "that I feel like a change in the original quote would make it", "play roulette > > > — Avboyn Uunstoin > > > There are", "quote would make it more rhythm, poetic, or reflect the spirit of the", "cases that I feel like a change in the original quote would make", "as if they actually said it? * go lengthy with an explanation that", "Should I: * just cite the author as if they actually said it?", "this? Should I: * just cite the author as if they actually said", "> — Avboyn Uunstoin > > > There are cases that I feel", "* go lengthy with an explanation that this is not the original quote,", "> > ### God does not play roulette > > > — Avboyn", "better. How should I approach this? Should I: * just cite the author", "feel like a change in the original quote would make it more rhythm,", "change in the original quote would make it more rhythm, poetic, or reflect", "original quote would make it more rhythm, poetic, or reflect the spirit of", "> ### God does not play roulette > > > — Avboyn Uunstoin", "God does not play roulette > > > — Avboyn Uunstoin > >", "> > > There are cases that I feel like a change in", "the spirit of the quote better. How should I approach this? Should I:", "> > — Avboyn Uunstoin > > > There are cases that I", "in the original quote would make it more rhythm, poetic, or reflect the", "* just cite the author as if they actually said it? * go", "* or cite the author of the newer version (which can happen to", "cite the author as if they actually said it? * go lengthy with", "a change in the original quote would make it more rhythm, poetic, or", "poetic, or reflect the spirit of the quote better. How should I approach", "or reflect the spirit of the quote better. How should I approach this?", "it more rhythm, poetic, or reflect the spirit of the quote better. How", "approach this? Should I: * just cite the author as if they actually", "with an explanation that this is not the original quote, but I feel", "they actually said it? * go lengthy with an explanation that this is", "if they actually said it? * go lengthy with an explanation that this", "the original quote would make it more rhythm, poetic, or reflect the spirit", "better? * or cite the author of the newer version (which can happen", "> > > — Avboyn Uunstoin > > > There are cases that", "### God does not play roulette > > > — Avboyn Uunstoin >", "quote, but I feel like my version is better? * or cite the", "the author as if they actually said it? * go lengthy with an", "quote better. How should I approach this? Should I: * just cite the", "> > There are cases that I feel like a change in the", "Avboyn Uunstoin > > > There are cases that I feel like a", "but I feel like my version is better? * or cite the author", "not the original quote, but I feel like my version is better? ", "the original quote, but I feel like my version is better? or", "my version is better? * or cite the author of the newer version", "like a change in the original quote would make it more rhythm, poetic,", "an explanation that this is not the original quote, but I feel like", "> There are cases that I feel like a change in the original", "is not the original quote, but I feel like my version is better?", "I: * just cite the author as if they actually said it? ", "Uunstoin > > > There are cases that I feel like a change", "are cases that I feel like a change in the original quote would", "not play roulette > > > — Avboyn Uunstoin > > > There", "of the quote better. How should I approach this? Should I: just", "rhythm, poetic, or reflect the spirit of the quote better. How should I", "I feel like a change in the original quote would make it more", "go lengthy with an explanation that this is not the original quote, but", "said it? * go lengthy with an explanation that this is not the", "I approach this? Should I: * just cite the author as if they", "or cite the author of the newer version (which can happen to be", "more rhythm, poetic, or reflect the spirit of the quote better. How should", "would make it more rhythm, poetic, or reflect the spirit of the quote", "like my version is better? * or cite the author of the newer", "this is not the original quote, but I feel like my version is", "lengthy with an explanation that this is not the original quote, but I", "How should I approach this? Should I: * just cite the author as", "— Avboyn Uunstoin > > > There are cases that I feel like", "it? * go lengthy with an explanation that this is not the original", "roulette > > > — Avboyn Uunstoin > > > There are cases", "version is better? * or cite the author of the newer version (which", "author as if they actually said it? * go lengthy with an explanation", "make it more rhythm, poetic, or reflect the spirit of the quote better.", "There are cases that I feel like a change in the original quote", "is better? * or cite the author of the newer version (which can", "just cite the author as if they actually said it? * go lengthy", "cite the author of the newer version (which can happen to be me)?", "original quote, but I feel like my version is better? * or cite", "that this is not the original quote, but I feel like my version", "the quote better. How should I approach this? Should I: * just cite", "explanation that this is not the original quote, but I feel like my", "should I approach this? Should I: * just cite the author as if", "feel like my version is better? * or cite the author of the", "spirit of the quote better. How should I approach this? Should I: *" ]
[ "that time period. Am I still able to use they/them or is there", "used they/them pronouns in that time period. Am I still able to use", "pronouns. However, the novel takes place in a sort of medieval style fantasy", "is there something else I should do that fits the time period? Or", "time period. Am I still able to use they/them or is there something", "book and I'd really love to include a person with they/them pronouns. However,", "think anyone would have used they/them pronouns in that time period. Am I", "anyone would have used they/them pronouns in that time period. Am I still", "really love to include a person with they/them pronouns. However, the novel takes", "with they/them pronouns. However, the novel takes place in a sort of medieval", "medieval style fantasy world, and I don't think anyone would have used they/them", "writing a book and I'd really love to include a person with they/them", "able to use they/them or is there something else I should do that", "don't think anyone would have used they/them pronouns in that time period. Am", "pronouns in that time period. Am I still able to use they/them or", "the novel takes place in a sort of medieval style fantasy world, and", "do that fits the time period? Or am I just not able to", "should do that fits the time period? Or am I just not able", "takes place in a sort of medieval style fantasy world, and I don't", "Am I still able to use they/them or is there something else I", "use they/them or is there something else I should do that fits the", "fits the time period? Or am I just not able to include them", "would have used they/them pronouns in that time period. Am I still able", "still able to use they/them or is there something else I should do", "have used they/them pronouns in that time period. Am I still able to", "to include a person with they/them pronouns. However, the novel takes place in", "style fantasy world, and I don't think anyone would have used they/them pronouns", "that fits the time period? Or am I just not able to include", "there something else I should do that fits the time period? Or am", "I'm writing a book and I'd really love to include a person with", "period. Am I still able to use they/them or is there something else", "include a person with they/them pronouns. However, the novel takes place in a", "place in a sort of medieval style fantasy world, and I don't think", "a sort of medieval style fantasy world, and I don't think anyone would", "a book and I'd really love to include a person with they/them pronouns.", "world, and I don't think anyone would have used they/them pronouns in that", "sort of medieval style fantasy world, and I don't think anyone would have", "something else I should do that fits the time period? Or am I", "else I should do that fits the time period? Or am I just", "person with they/them pronouns. However, the novel takes place in a sort of", "I still able to use they/them or is there something else I should", "love to include a person with they/them pronouns. However, the novel takes place", "in a sort of medieval style fantasy world, and I don't think anyone", "fantasy world, and I don't think anyone would have used they/them pronouns in", "of medieval style fantasy world, and I don't think anyone would have used", "However, the novel takes place in a sort of medieval style fantasy world,", "the time period? Or am I just not able to include them at", "they/them or is there something else I should do that fits the time", "I should do that fits the time period? Or am I just not", "in that time period. Am I still able to use they/them or is", "I don't think anyone would have used they/them pronouns in that time period.", "to use they/them or is there something else I should do that fits", "and I'd really love to include a person with they/them pronouns. However, the", "a person with they/them pronouns. However, the novel takes place in a sort", "and I don't think anyone would have used they/them pronouns in that time", "time period? Or am I just not able to include them at all?", "novel takes place in a sort of medieval style fantasy world, and I", "or is there something else I should do that fits the time period?", "they/them pronouns. However, the novel takes place in a sort of medieval style", "they/them pronouns in that time period. Am I still able to use they/them", "I'd really love to include a person with they/them pronouns. However, the novel" ]
[ "immediately leaping. \"Damn it all.\" He said, jammed his eyes shut, and slammed", "say arguing, more just aggressive pointing and grunting, and drawing in the dirt)", "edge of the Paleolithic-era jungle, the tribe of cavemen sat arguing (well, I", "about food, but Grisd and Fuh seemed to be getting very personal about", "these arguments. He thought they were arguing about food, but Grisd and Fuh", "to the time-travel event, where the time-traveler arrives. > > Zotn was uncertain", "technically correct, because the idea is that all time is fluid (without going", "want can be now, then, earlier, later or sooner), is there another phrase(s)", "the before and after reactions to the \"time-travel\" event. So as an example,", "to food, when suddenly a flash of light and heat blasted from the", "slammed the button. > > > Meanwhile, on the edge of the Paleolithic-era", "and I want it to include the before and after reactions to the", "event, where the time-traveler arrives. > > Zotn was uncertain about this; he'd", "vertigo you get when you bungee-jump, you know it's safe; they've done it", "just like the vertigo you get when you bungee-jump, you know it's safe;", "blasted from the center of the circle, and a creature dressed in black", "aggressive pointing and grunting, and drawing in the dirt) about... well, something. Nugba", "correct, because the idea is that all time is fluid (without going into", "perspective of the audience to the time-travel event, where the time-traveler arrives. >", "were arguing about food, but Grisd and Fuh seemed to be getting very", "story that is more of a first-person perspective of all involved characters, and", "his eyes shut, and slammed the button. > > > Meanwhile, on the", "bring the topic back to food, when suddenly a flash of light and", "into further detail; whenever you want can be now, then, earlier, later or", "Zotn.\" > > > In that situation, \"Meanwhile\" kind of works, provided it's", "of works, provided it's followed by the context of the situation we're jumping", "all involved characters, and I want it to include the before and after", "something. Nugba (that's what his mate called him) could never quite follow these", "shout at them to try and bring the topic back to food, when", "an example, the reader gets a look at the perspective of the time-traveler,", "shouldn't be anything to go wrong. But just like the vertigo you get", "harmed; that fear keeps you from immediately leaping. \"Damn it all.\" He said,", "later or sooner), is there another phrase(s) that could/should be used for this", "the time-travel event, where the time-traveler arrives. > > Zotn was uncertain about", "characters, and I want it to include the before and after reactions to", "> > > Meanwhile, on the edge of the Paleolithic-era jungle, the tribe", "dirt) about... well, something. Nugba (that's what his mate called him) could never", "and after reactions to the \"time-travel\" event. So as an example, the reader", "my head and in the context of the story, it's technically correct, because", "pee. > > > Nugba was about to shout at them to try", "reactions to the \"time-travel\" event. So as an example, the reader gets a", "the audience to the time-travel event, where the time-traveler arrives. > > Zotn", "center of the circle, and a creature dressed in black shiny rock and", "> > > Nugba was about to shout at them to try and", "you get when you bungee-jump, you know it's safe; they've done it time", "time-traveler arrives. > > Zotn was uncertain about this; he'd run his tests,", "(well, I say arguing, more just aggressive pointing and grunting, and drawing in", "event. So as an example, the reader gets a look at the perspective", "> > Nugba was about to shout at them to try and bring", "it all.\" He said, jammed his eyes shut, and slammed the button. >", "shiny rock and hide that flowed like water stood there. After the dust", "in black shiny rock and hide that flowed like water stood there. After", "his jump, then using a \"meanwhile\" jump, we look at the perspective of", "before and after reactions to the \"time-travel\" event. So as an example, the", "button. > > > Meanwhile, on the edge of the Paleolithic-era jungle, the", "the edge of the Paleolithic-era jungle, the tribe of cavemen sat arguing (well,", "kind of works, provided it's followed by the context of the situation we're", "and time again so you know you aren't going to be harmed; that", "drawing in the dirt) about... well, something. Nugba (that's what his mate called", "the perspective of the time-traveler, perhaps preparing for his jump, then using a", "while in my head and in the context of the story, it's technically", "thought they were arguing about food, but Grisd and Fuh seemed to be", "it was ok to pee. > > > Nugba was about to shout", "where it was ok to pee. > > > Nugba was about to", "followed by the context of the situation we're jumping to, and while in", "uncertain about this; he'd run his tests, and everything was positive, so there", "it's technically correct, because the idea is that all time is fluid (without", "more just aggressive pointing and grunting, and drawing in the dirt) about... well,", "(that's what his mate called him) could never quite follow these arguments. He", "again so you know you aren't going to be harmed; that fear keeps", "to include the before and after reactions to the \"time-travel\" event. So as", "go wrong. But just like the vertigo you get when you bungee-jump, you", "get when you bungee-jump, you know it's safe; they've done it time and", "of the time-traveler, perhaps preparing for his jump, then using a \"meanwhile\" jump,", "the \"time-travel\" event. So as an example, the reader gets a look at", "the situation we're jumping to, and while in my head and in the", "and a creature dressed in black shiny rock and hide that flowed like", "> Meanwhile, on the edge of the Paleolithic-era jungle, the tribe of cavemen", "to try and bring the topic back to food, when suddenly a flash", "as an example, the reader gets a look at the perspective of the", "the idea is that all time is fluid (without going into further detail;", "getting very personal about where it was ok to pee. > > >", "we look at the perspective of the audience to the time-travel event, where", "first-person perspective of all involved characters, and I want it to include the", "the Paleolithic-era jungle, the tribe of cavemen sat arguing (well, I say arguing,", "the reader gets a look at the perspective of the time-traveler, perhaps preparing", "the context of the story, it's technically correct, because the idea is that", "provided it's followed by the context of the situation we're jumping to, and", "head and in the context of the story, it's technically correct, because the", "that is more of a first-person perspective of all involved characters, and I", "situation, \"Meanwhile\" kind of works, provided it's followed by the context of the", "for his jump, then using a \"meanwhile\" jump, we look at the perspective", "more of a first-person perspective of all involved characters, and I want it", "of the story, it's technically correct, because the idea is that all time", "positive, so there shouldn't be anything to go wrong. But just like the", "> Nugba was about to shout at them to try and bring the", "He said, jammed his eyes shut, and slammed the button. > > >", "it time and time again so you know you aren't going to be", "jump, we look at the perspective of the audience to the time-travel event,", "is more of a first-person perspective of all involved characters, and I want", "and Fuh seemed to be getting very personal about where it was ok", "about... well, something. Nugba (that's what his mate called him) could never quite", "of all involved characters, and I want it to include the before and", "his mate called him) could never quite follow these arguments. He thought they", "that all time is fluid (without going into further detail; whenever you want", "keeps you from immediately leaping. \"Damn it all.\" He said, jammed his eyes", "tests, and everything was positive, so there shouldn't be anything to go wrong.", "arguing about food, but Grisd and Fuh seemed to be getting very personal", "context of the situation we're jumping to, and while in my head and", "of the audience to the time-travel event, where the time-traveler arrives. > >", "the circle, and a creature dressed in black shiny rock and hide that", "settled, it spoke. \"Hello there, I'm Zotn.\" > > > In that situation,", "hide that flowed like water stood there. After the dust settled, it spoke.", "and slammed the button. > > > Meanwhile, on the edge of the", "and bring the topic back to food, when suddenly a flash of light", "them to try and bring the topic back to food, when suddenly a", "going to be harmed; that fear keeps you from immediately leaping. \"Damn it", "In that situation, \"Meanwhile\" kind of works, provided it's followed by the context", "look at the perspective of the audience to the time-travel event, where the", "and hide that flowed like water stood there. After the dust settled, it", "perhaps preparing for his jump, then using a \"meanwhile\" jump, we look at", "the perspective of the audience to the time-travel event, where the time-traveler arrives.", "light and heat blasted from the center of the circle, and a creature", "this; he'd run his tests, and everything was positive, so there shouldn't be", "it to include the before and after reactions to the \"time-travel\" event. So", "arguing (well, I say arguing, more just aggressive pointing and grunting, and drawing", "water stood there. After the dust settled, it spoke. \"Hello there, I'm Zotn.\"", "because the idea is that all time is fluid (without going into further", "of cavemen sat arguing (well, I say arguing, more just aggressive pointing and", "Zotn was uncertain about this; he'd run his tests, and everything was positive,", "a creature dressed in black shiny rock and hide that flowed like water", "preparing for his jump, then using a \"meanwhile\" jump, we look at the", "about where it was ok to pee. > > > Nugba was about", "fluid (without going into further detail; whenever you want can be now, then,", "Paleolithic-era jungle, the tribe of cavemen sat arguing (well, I say arguing, more", "circle, and a creature dressed in black shiny rock and hide that flowed", "a \"meanwhile\" jump, we look at the perspective of the audience to the", "you bungee-jump, you know it's safe; they've done it time and time again", "Meanwhile, on the edge of the Paleolithic-era jungle, the tribe of cavemen sat", "at the perspective of the time-traveler, perhaps preparing for his jump, then using", "is fluid (without going into further detail; whenever you want can be now,", "follow these arguments. He thought they were arguing about food, but Grisd and", "of the Paleolithic-era jungle, the tribe of cavemen sat arguing (well, I say", "a flash of light and heat blasted from the center of the circle,", "well, something. Nugba (that's what his mate called him) could never quite follow", "dust settled, it spoke. \"Hello there, I'm Zotn.\" > > > In that", "they've done it time and time again so you know you aren't going", "context of the story, it's technically correct, because the idea is that all", "mate called him) could never quite follow these arguments. He thought they were", "involved characters, and I want it to include the before and after reactions", "ok to pee. > > > Nugba was about to shout at them", "to the \"time-travel\" event. So as an example, the reader gets a look", "run his tests, and everything was positive, so there shouldn't be anything to", "and in the context of the story, it's technically correct, because the idea", "quite follow these arguments. He thought they were arguing about food, but Grisd", "said, jammed his eyes shut, and slammed the button. > > > Meanwhile,", "the tribe of cavemen sat arguing (well, I say arguing, more just aggressive", "and heat blasted from the center of the circle, and a creature dressed", "stood there. After the dust settled, it spoke. \"Hello there, I'm Zotn.\" >", "where the time-traveler arrives. > > Zotn was uncertain about this; he'd run", "cavemen sat arguing (well, I say arguing, more just aggressive pointing and grunting,", "black shiny rock and hide that flowed like water stood there. After the", "about to shout at them to try and bring the topic back to", "the vertigo you get when you bungee-jump, you know it's safe; they've done", "in my head and in the context of the story, it's technically correct,", "look at the perspective of the time-traveler, perhaps preparing for his jump, then", "> In that situation, \"Meanwhile\" kind of works, provided it's followed by the", "sat arguing (well, I say arguing, more just aggressive pointing and grunting, and", "about this; he'd run his tests, and everything was positive, so there shouldn't", "safe; they've done it time and time again so you know you aren't", "be getting very personal about where it was ok to pee. > >", "you want can be now, then, earlier, later or sooner), is there another", "I'm Zotn.\" > > > In that situation, \"Meanwhile\" kind of works, provided", "currently writing a \"time-travel\" themed story that is more of a first-person perspective", "was about to shout at them to try and bring the topic back", "grunting, and drawing in the dirt) about... well, something. Nugba (that's what his", "that fear keeps you from immediately leaping. \"Damn it all.\" He said, jammed", "so you know you aren't going to be harmed; that fear keeps you", "Nugba was about to shout at them to try and bring the topic", "to go wrong. But just like the vertigo you get when you bungee-jump,", "and drawing in the dirt) about... well, something. Nugba (that's what his mate", "\"Hello there, I'm Zotn.\" > > > In that situation, \"Meanwhile\" kind of", "know you aren't going to be harmed; that fear keeps you from immediately", "am currently writing a \"time-travel\" themed story that is more of a first-person", "time again so you know you aren't going to be harmed; that fear", "from immediately leaping. \"Damn it all.\" He said, jammed his eyes shut, and", "story, it's technically correct, because the idea is that all time is fluid", "when you bungee-jump, you know it's safe; they've done it time and time", "just aggressive pointing and grunting, and drawing in the dirt) about... well, something.", "back to food, when suddenly a flash of light and heat blasted from", "\"time-travel\" event. So as an example, the reader gets a look at the", "idea is that all time is fluid (without going into further detail; whenever", "his tests, and everything was positive, so there shouldn't be anything to go", "example, the reader gets a look at the perspective of the time-traveler, perhaps", "I say arguing, more just aggressive pointing and grunting, and drawing in the", "like the vertigo you get when you bungee-jump, you know it's safe; they've", "whenever you want can be now, then, earlier, later or sooner), is there", "to shout at them to try and bring the topic back to food,", "include the before and after reactions to the \"time-travel\" event. So as an", "spoke. \"Hello there, I'm Zotn.\" > > > In that situation, \"Meanwhile\" kind", "arguments. He thought they were arguing about food, but Grisd and Fuh seemed", "after reactions to the \"time-travel\" event. So as an example, the reader gets", "of the circle, and a creature dressed in black shiny rock and hide", "it's safe; they've done it time and time again so you know you", "everything was positive, so there shouldn't be anything to go wrong. But just", "at them to try and bring the topic back to food, when suddenly", "jump, then using a \"meanwhile\" jump, we look at the perspective of the", "you know you aren't going to be harmed; that fear keeps you from", "we're jumping to, and while in my head and in the context of", "flowed like water stood there. After the dust settled, it spoke. \"Hello there,", "works, provided it's followed by the context of the situation we're jumping to,", "and while in my head and in the context of the story, it's", "a \"time-travel\" themed story that is more of a first-person perspective of all", "time-travel event, where the time-traveler arrives. > > Zotn was uncertain about this;", "by the context of the situation we're jumping to, and while in my", "you from immediately leaping. \"Damn it all.\" He said, jammed his eyes shut,", "there, I'm Zotn.\" > > > In that situation, \"Meanwhile\" kind of works,", "was uncertain about this; he'd run his tests, and everything was positive, so", "what his mate called him) could never quite follow these arguments. He thought", "topic back to food, when suddenly a flash of light and heat blasted", "time-traveler, perhaps preparing for his jump, then using a \"meanwhile\" jump, we look", "the story, it's technically correct, because the idea is that all time is", "the dust settled, it spoke. \"Hello there, I'm Zotn.\" > > > In", "of a first-person perspective of all involved characters, and I want it to", "or sooner), is there another phrase(s) that could/should be used for this instead?", "seemed to be getting very personal about where it was ok to pee.", "perspective of all involved characters, and I want it to include the before", "there. After the dust settled, it spoke. \"Hello there, I'm Zotn.\" > >", "when suddenly a flash of light and heat blasted from the center of", "they were arguing about food, but Grisd and Fuh seemed to be getting", "was ok to pee. > > > Nugba was about to shout at", "done it time and time again so you know you aren't going to", "in the context of the story, it's technically correct, because the idea is", "on the edge of the Paleolithic-era jungle, the tribe of cavemen sat arguing", "it's followed by the context of the situation we're jumping to, and while", "\"Meanwhile\" kind of works, provided it's followed by the context of the situation", "> > > In that situation, \"Meanwhile\" kind of works, provided it's followed", "to be getting very personal about where it was ok to pee. >", "arrives. > > Zotn was uncertain about this; he'd run his tests, and", "from the center of the circle, and a creature dressed in black shiny", "> > In that situation, \"Meanwhile\" kind of works, provided it's followed by", "situation we're jumping to, and while in my head and in the context", "try and bring the topic back to food, when suddenly a flash of", "perspective of the time-traveler, perhaps preparing for his jump, then using a \"meanwhile\"", "want it to include the before and after reactions to the \"time-travel\" event.", "to pee. > > > Nugba was about to shout at them to", "going into further detail; whenever you want can be now, then, earlier, later", "audience to the time-travel event, where the time-traveler arrives. > > Zotn was", "reader gets a look at the perspective of the time-traveler, perhaps preparing for", "and grunting, and drawing in the dirt) about... well, something. Nugba (that's what", "fear keeps you from immediately leaping. \"Damn it all.\" He said, jammed his", "dressed in black shiny rock and hide that flowed like water stood there.", "He thought they were arguing about food, but Grisd and Fuh seemed to", "it spoke. \"Hello there, I'm Zotn.\" > > > In that situation, \"Meanwhile\"", "jumping to, and while in my head and in the context of the", "Grisd and Fuh seemed to be getting very personal about where it was", "be harmed; that fear keeps you from immediately leaping. \"Damn it all.\" He", "jungle, the tribe of cavemen sat arguing (well, I say arguing, more just", "to, and while in my head and in the context of the story,", "then, earlier, later or sooner), is there another phrase(s) that could/should be used", "I am currently writing a \"time-travel\" themed story that is more of a", "so there shouldn't be anything to go wrong. But just like the vertigo", "the button. > > > Meanwhile, on the edge of the Paleolithic-era jungle,", "After the dust settled, it spoke. \"Hello there, I'm Zotn.\" > > >", "leaping. \"Damn it all.\" He said, jammed his eyes shut, and slammed the", "creature dressed in black shiny rock and hide that flowed like water stood", "know it's safe; they've done it time and time again so you know", "Fuh seemed to be getting very personal about where it was ok to", "was positive, so there shouldn't be anything to go wrong. But just like", "there shouldn't be anything to go wrong. But just like the vertigo you", "is that all time is fluid (without going into further detail; whenever you", "jammed his eyes shut, and slammed the button. > > > Meanwhile, on", "rock and hide that flowed like water stood there. After the dust settled,", "wrong. But just like the vertigo you get when you bungee-jump, you know", "food, when suddenly a flash of light and heat blasted from the center", "he'd run his tests, and everything was positive, so there shouldn't be anything", "pointing and grunting, and drawing in the dirt) about... well, something. Nugba (that's", "the topic back to food, when suddenly a flash of light and heat", "(without going into further detail; whenever you want can be now, then, earlier,", "of the situation we're jumping to, and while in my head and in", "can be now, then, earlier, later or sooner), is there another phrase(s) that", "using a \"meanwhile\" jump, we look at the perspective of the audience to", "and everything was positive, so there shouldn't be anything to go wrong. But", "could never quite follow these arguments. He thought they were arguing about food,", "very personal about where it was ok to pee. > > > Nugba", "you know it's safe; they've done it time and time again so you", "Nugba (that's what his mate called him) could never quite follow these arguments.", "called him) could never quite follow these arguments. He thought they were arguing", "time is fluid (without going into further detail; whenever you want can be", "\"Damn it all.\" He said, jammed his eyes shut, and slammed the button.", "earlier, later or sooner), is there another phrase(s) that could/should be used for", "time and time again so you know you aren't going to be harmed;", "detail; whenever you want can be now, then, earlier, later or sooner), is", "personal about where it was ok to pee. > > > Nugba was", "themed story that is more of a first-person perspective of all involved characters,", "the context of the situation we're jumping to, and while in my head", "\"time-travel\" themed story that is more of a first-person perspective of all involved", "gets a look at the perspective of the time-traveler, perhaps preparing for his", "of light and heat blasted from the center of the circle, and a", "anything to go wrong. But just like the vertigo you get when you", "suddenly a flash of light and heat blasted from the center of the", "to be harmed; that fear keeps you from immediately leaping. \"Damn it all.\"", "him) could never quite follow these arguments. He thought they were arguing about", "arguing, more just aggressive pointing and grunting, and drawing in the dirt) about...", "further detail; whenever you want can be now, then, earlier, later or sooner),", "the time-traveler, perhaps preparing for his jump, then using a \"meanwhile\" jump, we", "aren't going to be harmed; that fear keeps you from immediately leaping. \"Damn", "then using a \"meanwhile\" jump, we look at the perspective of the audience", "> Zotn was uncertain about this; he'd run his tests, and everything was", "that situation, \"Meanwhile\" kind of works, provided it's followed by the context of", "the center of the circle, and a creature dressed in black shiny rock", "heat blasted from the center of the circle, and a creature dressed in", "eyes shut, and slammed the button. > > > Meanwhile, on the edge", "now, then, earlier, later or sooner), is there another phrase(s) that could/should be", "the time-traveler arrives. > > Zotn was uncertain about this; he'd run his", "So as an example, the reader gets a look at the perspective of", "but Grisd and Fuh seemed to be getting very personal about where it", "in the dirt) about... well, something. Nugba (that's what his mate called him)", "flash of light and heat blasted from the center of the circle, and", "I want it to include the before and after reactions to the \"time-travel\"", "> > Zotn was uncertain about this; he'd run his tests, and everything", "that flowed like water stood there. After the dust settled, it spoke. \"Hello", "be now, then, earlier, later or sooner), is there another phrase(s) that could/should", "tribe of cavemen sat arguing (well, I say arguing, more just aggressive pointing", "But just like the vertigo you get when you bungee-jump, you know it's", "all time is fluid (without going into further detail; whenever you want can", "like water stood there. After the dust settled, it spoke. \"Hello there, I'm", "\"meanwhile\" jump, we look at the perspective of the audience to the time-travel", "> > Meanwhile, on the edge of the Paleolithic-era jungle, the tribe of", "bungee-jump, you know it's safe; they've done it time and time again so", "writing a \"time-travel\" themed story that is more of a first-person perspective of", "be anything to go wrong. But just like the vertigo you get when", "a first-person perspective of all involved characters, and I want it to include", "you aren't going to be harmed; that fear keeps you from immediately leaping.", "shut, and slammed the button. > > > Meanwhile, on the edge of", "all.\" He said, jammed his eyes shut, and slammed the button. > >", "the dirt) about... well, something. Nugba (that's what his mate called him) could", "a look at the perspective of the time-traveler, perhaps preparing for his jump,", "at the perspective of the audience to the time-travel event, where the time-traveler", "never quite follow these arguments. He thought they were arguing about food, but", "food, but Grisd and Fuh seemed to be getting very personal about where" ]
[ "sharing the same page that the previous chapter ended on. I don't like", "that their book's are not the same way as mine, with multiple chapters", "the same page that the previous chapter ended on. I don't like how", "published books I notice that their book's are not the same way as", "are not the same way as mine, with multiple chapters sharing pages. Should", "the previous chapter ended on. I don't like how it looks at all.", "are multiple chapters beginning sharing the same page that the previous chapter ended", "previous chapter ended on. I don't like how it looks at all. Looking", "chapters beginning sharing the same page that the previous chapter ended on. I", "multiple chapters beginning sharing the same page that the previous chapter ended on.", "all. Looking at other author's published books I notice that their book's are", "I don't like how it looks at all. Looking at other author's published", "books I notice that their book's are not the same way as mine,", "mine, with multiple chapters sharing pages. Should multiple chapters be sharing the same", "there are multiple chapters beginning sharing the same page that the previous chapter", "same way as mine, with multiple chapters sharing pages. Should multiple chapters be", "beginning sharing the same page that the previous chapter ended on. I don't", "don't like how it looks at all. Looking at other author's published books", "it looks at all. Looking at other author's published books I notice that", "at all. Looking at other author's published books I notice that their book's", "published, I notice how there are multiple chapters beginning sharing the same page", "their book's are not the same way as mine, with multiple chapters sharing", "notice how there are multiple chapters beginning sharing the same page that the", "other author's published books I notice that their book's are not the same", "that my memoir is published, I notice how there are multiple chapters beginning", "is published, I notice how there are multiple chapters beginning sharing the same", "my memoir is published, I notice how there are multiple chapters beginning sharing", "page that the previous chapter ended on. I don't like how it looks", "at other author's published books I notice that their book's are not the", "like how it looks at all. Looking at other author's published books I", "how it looks at all. Looking at other author's published books I notice", "not the same way as mine, with multiple chapters sharing pages. Should multiple", "way as mine, with multiple chapters sharing pages. Should multiple chapters be sharing", "memoir is published, I notice how there are multiple chapters beginning sharing the", "how there are multiple chapters beginning sharing the same page that the previous", "with multiple chapters sharing pages. Should multiple chapters be sharing the same pages?!", "looks at all. Looking at other author's published books I notice that their", "notice that their book's are not the same way as mine, with multiple", "author's published books I notice that their book's are not the same way", "chapter ended on. I don't like how it looks at all. Looking at", "Now that my memoir is published, I notice how there are multiple chapters", "I notice how there are multiple chapters beginning sharing the same page that", "I notice that their book's are not the same way as mine, with", "book's are not the same way as mine, with multiple chapters sharing pages.", "as mine, with multiple chapters sharing pages. Should multiple chapters be sharing the", "ended on. I don't like how it looks at all. Looking at other", "on. I don't like how it looks at all. Looking at other author's", "same page that the previous chapter ended on. I don't like how it", "the same way as mine, with multiple chapters sharing pages. Should multiple chapters", "Looking at other author's published books I notice that their book's are not", "that the previous chapter ended on. I don't like how it looks at" ]
[ "what's to stop them from thinking (and writing) about it as soon as", "entry*. From personal experience, when I write something in a diary, the most", "If I were to describe the same episode in standard prose, it would", "were to describe the same episode in standard prose, it would be easier", "first, usually followed by an exclamation mark. (Examples: \"I got the job!\" \"Sam", "write something in a diary, the most relevant information tends to come first,", "What techniques can I use to delay the reveal? If it matters, the", "lies on trying not to give away any \"big news\" at the start", "event, the main character is guaranteed to know the outcome, so what's to", "down to write? What techniques can I use to delay the reveal? If", "now, my focus lies on trying not to give away any \"big news\"", "information tends to come first, usually followed by an exclamation mark. (Examples: \"I", "But since a diary entry always takes place after the event, the main", "the surprise. But since a diary entry always takes place after the event,", "exercise, so please refrain from the obvious, \"Do something else instead\". Also, I've", "always takes place after the event, the main character is guaranteed to know", "writing a story in a fictional diary format. This is proving challenging in", "I'm currently writing a story in a fictional diary format. This is proving", "diary entry. From personal experience, when I write something in a diary, the", "up to this point without spoiling the surprise. But since a diary entry", "lead the reader up to this point without spoiling the surprise. But since", "something else instead\". Also, I've already got a few ideas and will probably", "I've already got a few ideas and will probably post an answer myself", "in a fictional diary format. This is proving challenging in several ways, but", "come first, usually followed by an exclamation mark. (Examples: \"I got the job!\"", "most relevant information tends to come first, usually followed by an exclamation mark.", "a day (or week) and on other days may update their journal repeatedly.", "Also, I've already got a few ideas and will probably post an answer", "job!\" \"Sam has asked me out!\" \"We're moving to Sydney!\") If I were", "a diary entry. From personal experience, when I write something in a diary,", "from the obvious, \"Do something else instead\". Also, I've already got a few", "from thinking (and writing) about it as soon as they sit down to", "challenging in several ways, but right now, my focus lies on trying not", "I write something in a diary, the most relevant information tends to come", "actual diary. The character may sometimes skip a day (or week) and on", "character is guaranteed to know the outcome, so what's to stop them from", "on trying not to give away any \"big news\" at the start of", "to this point without spoiling the surprise. But since a diary entry always", "prose, it would be easier to lead the reader up to this point", "several ways, but right now, my focus lies on trying not to give", "the job!\" \"Sam has asked me out!\" \"We're moving to Sydney!\") If I", "as a writing exercise, so please refrain from the obvious, \"Do something else", "to Sydney!\") If I were to describe the same episode in standard prose,", "diary, the most relevant information tends to come first, usually followed by an", "the start of a diary entry. From personal experience, when I write something", "ways, but right now, my focus lies on trying not to give away", "doing this as a writing exercise, so please refrain from the obvious, \"Do", "instead\". Also, I've already got a few ideas and will probably post an", "and on other days may update their journal repeatedly. I'm doing this as", "any \"big news\" at the start of a diary entry. From personal experience,", "Sydney!\") If I were to describe the same episode in standard prose, it", "write? What techniques can I use to delay the reveal? If it matters,", "(or week) and on other days may update their journal repeatedly. I'm doing", "is more a free-style journal than an actual diary. The character may sometimes", "standard prose, it would be easier to lead the reader up to this", "I'm doing this as a writing exercise, so please refrain from the obvious,", "\"Do something else instead\". Also, I've already got a few ideas and will", "is guaranteed to know the outcome, so what's to stop them from thinking", "delay the reveal? If it matters, the format I'm using is more a", "than an actual diary. The character may sometimes skip a day (or week)", "to know the outcome, so what's to stop them from thinking (and writing)", "(and writing) about it as soon as they sit down to write? What", "describe the same episode in standard prose, it would be easier to lead", "since a diary entry always takes place after the event, the main character", "usually followed by an exclamation mark. (Examples: \"I got the job!\" \"Sam has", "followed by an exclamation mark. (Examples: \"I got the job!\" \"Sam has asked", "a diary entry always takes place after the event, the main character is", "reveal? If it matters, the format I'm using is more a free-style journal", "away any \"big news\" at the start of a diary entry. From personal", "it matters, the format I'm using is more a free-style journal than an", "can I use to delay the reveal?** If it matters, the format I'm", "when I write something in a diary, the most relevant information tends to", "me out!\" \"We're moving to Sydney!\") If I were to describe the same", "the main character is guaranteed to know the outcome, so what's to stop", "by an exclamation mark. (Examples: \"I got the job!\" \"Sam has asked me", "to stop them from thinking (and writing) about it as soon as they", "already got a few ideas and will probably post an answer myself later-on.", "free-style journal than an actual diary. The character may sometimes skip a day", "sit down to write? What techniques can I use to delay the reveal?", "asked me out!\" \"We're moving to Sydney!\") If I were to describe the", "right now, my focus lies on trying not to give away any \"big", "The character may sometimes skip a day (or week) and on other days", "in a diary, the most relevant information tends to come first, usually followed", "the reader up to this point without spoiling the surprise. But since a", "matters, the format I'm using is more a free-style journal than an actual", "use to delay the reveal?* If it matters, the format I'm using is", "(Examples: \"I got the job!\" \"Sam has asked me out!\" \"We're moving to", "relevant information tends to come first, usually followed by an exclamation mark. (Examples:", "on other days may update their journal repeatedly. I'm doing this as a", "update their journal repeatedly. I'm doing this as a writing exercise, so please", "same episode in standard prose, it would be easier to lead the reader", "a fictional diary format. This is proving challenging in several ways, but right", "This is proving challenging in several ways, but right now, my focus lies", "spoiling the surprise. But since a diary entry always takes place after the", "format I'm using is more a free-style journal than an actual diary. The", "without spoiling the surprise. But since a diary entry always takes place after", "them from thinking (and writing) about it as soon as they sit down", "the obvious, \"Do something else instead\". Also, I've already got a few ideas", "outcome, so what's to stop them from thinking (and writing) about it as", "point without spoiling the surprise. But since a diary entry always takes place", "be easier to lead the reader up to this point without spoiling the", "so what's to stop them from thinking (and writing) about it as soon", "focus lies on trying not to give away any \"big news\" at the", "my focus lies on trying not to give away any \"big news\" at", "If it matters, the format I'm using is more a free-style journal than", "writing exercise, so please refrain from the obvious, \"Do something else instead\". Also,", "\"big news\" at the start of a diary entry. From personal experience, when", "\"We're moving to Sydney!\") If I were to describe the same episode in", "the event, the main character is guaranteed to know the outcome, so what's", "in several ways, but right now, my focus lies on trying not to", "to write? What techniques can I use to delay the reveal? If it", "diary format. This is proving challenging in several ways, but right now, my", "main character is guaranteed to know the outcome, so what's to stop them", "please refrain from the obvious, \"Do something else instead\". Also, I've already got", "a story in a fictional diary format. This is proving challenging in several", "give away any \"big news\" at the start of a diary entry. From", "has asked me out!\" \"We're moving to Sydney!\") If I were to describe", "an exclamation mark. (Examples: \"I got the job!\" \"Sam has asked me out!\"", "something in a diary, the most relevant information tends to come first, usually", "place after the event, the main character is guaranteed to know the outcome,", "the format I'm using is more a free-style journal than an actual diary.", "is proving challenging in several ways, but right now, my focus lies on", "obvious, \"Do something else instead\". Also, I've already got a few ideas and", "news\" at the start of a diary entry. From personal experience, when I", "start of a diary entry. From personal experience, when I write something in", "I use to delay the reveal? If it matters, the format I'm using", "a diary, the most relevant information tends to come first, usually followed by", "may sometimes skip a day (or week) and on other days may update", "trying not to give away any \"big news\" at the start of a", "the same episode in standard prose, it would be easier to lead the", "their journal repeatedly. I'm doing this as a writing exercise, so please refrain", "I'm using is more a free-style journal than an actual diary. The character", "entry always takes place after the event, the main character is guaranteed to", "an actual diary. The character may sometimes skip a day (or week) and", "they sit down to write? What techniques can I use to delay the", "a writing exercise, so please refrain from the obvious, \"Do something else instead\".", "From personal experience, when I write something in a diary, the most relevant", "but right now, my focus lies on trying not to give away any", "diary. The character may sometimes skip a day (or week) and on other", "week) and on other days may update their journal repeatedly. I'm doing this", "soon as they sit down to write? *What techniques can I use to", "repeatedly. I'm doing this as a writing exercise, so please refrain from the", "the outcome, so what's to stop them from thinking (and writing) about it", "mark. (Examples: \"I got the job!\" \"Sam has asked me out!\" \"We're moving", "easier to lead the reader up to this point without spoiling the surprise.", "know the outcome, so what's to stop them from thinking (and writing) about", "after the event, the main character is guaranteed to know the outcome, so", "else instead\". Also, I've already got a few ideas and will probably post", "tends to come first, usually followed by an exclamation mark. (Examples: \"I got", "out!\" \"We're moving to Sydney!\") If I were to describe the same episode", "character may sometimes skip a day (or week) and on other days may", "day (or week) and on other days may update their journal repeatedly. I'm", "may update their journal repeatedly. I'm doing this as a writing exercise, so", "would be easier to lead the reader up to this point without spoiling", "it as soon as they sit down to write? *What techniques can I", "guaranteed to know the outcome, so what's to stop them from thinking (and", "personal experience, when I write something in a diary, the most relevant information", "sometimes skip a day (or week) and on other days may update their", "so please refrain from the obvious, \"Do something else instead\". Also, I've already", "surprise. But since a diary entry always takes place after the event, the", "to come first, usually followed by an exclamation mark. (Examples: \"I got the", "thinking (and writing) about it as soon as they sit down to write?", "skip a day (or week) and on other days may update their journal", "proving challenging in several ways, but right now, my focus lies on *trying", "format. This is proving challenging in several ways, but right now, my focus", "to describe the same episode in standard prose, it would be easier to", "I were to describe the same episode in standard prose, it would be", "not to give away any \"big news\" at the start of a diary", "exclamation mark. (Examples: \"I got the job!\" \"Sam has asked me out!\" \"We're", "takes place after the event, the main character is guaranteed to know the", "refrain from the obvious, \"Do something else instead\". Also, I've already got a", "using is more a free-style journal than an actual diary. The character may", "writing) about it as soon as they sit down to write? What techniques", "about it as soon as they sit down to write? What techniques can", "to give away any \"big news\" at the start of a diary entry*.", "diary entry always takes place after the event, the main character is guaranteed", "journal than an actual diary. The character may sometimes skip a day (or", "moving to Sydney!\") If I were to describe the same episode in standard", "story in a fictional diary format. This is proving challenging in several ways,", "the most relevant information tends to come first, usually followed by an exclamation", "fictional diary format. This is proving challenging in several ways, but right now,", "currently writing a story in a fictional diary format. This is proving challenging", "\"Sam has asked me out!\" \"We're moving to Sydney!\") If I were to", "more a free-style journal than an actual diary. The character may sometimes skip", "other days may update their journal repeatedly. I'm doing this as a writing", "got the job!\" \"Sam has asked me out!\" \"We're moving to Sydney!\") If", "to delay the reveal? If it matters, the format I'm using is more", "this point without spoiling the surprise. But since a diary entry always takes", "the reveal? If it matters, the format I'm using is more a free-style", "as they sit down to write? What techniques can I use to delay", "techniques can I use to delay the reveal? If it matters, the format", "reader up to this point without spoiling the surprise. But since a diary", "a free-style journal than an actual diary. The character may sometimes skip a", "this as a writing exercise, so please refrain from the obvious, \"Do something", "episode in standard prose, it would be easier to lead the reader up", "experience, when I write something in a diary, the most relevant information tends", "in standard prose, it would be easier to lead the reader up to", "to lead the reader up to this point without spoiling the surprise. But", "stop them from thinking (and writing) about it as soon as they sit", "as soon as they sit down to write? What techniques can I use", "of a diary entry. From personal experience, when I write something in a", "journal repeatedly. I'm doing this as a writing exercise, so please refrain from", "at the start of a diary entry*. From personal experience, when I write", "\"I got the job!\" \"Sam has asked me out!\" \"We're moving to Sydney!\"*)", "days may update their journal repeatedly. I'm doing this as a writing exercise,", "it would be easier to lead the reader up to this point without" ]
[ "many readers while I am sharing my story as if it were a", "as if my story was actually fictional. For example, my readers connecting with", "her many readers while I am sharing my story as if it were", "shared with her many readers while I am sharing my story as if", "For example, my readers connecting with a fictional book with fictional characters like", "book with fictional characters like Mary Monroe's \"God Don't Like Ugly.\" I chose", "sharing my story as if it were a fictional story. Because my story", "a fictional story. Because my story is true, I made sure that all", "like Mary Monroe's \"God Don't Like Ugly.\" I chose to use my true", "my story as if it were a fictional story. Because my story is", "fictional characters like Mary Monroe's \"God Don't Like Ugly.\" I chose to use", "true story about the abuse that I had endured at an early age,", "chose to use my true story about the abuse that I had endured", "my story as a fictional story because my readers connect better with my", "to use my true story about the abuse that I had endured at", "Because my story is true, I made sure that all names were changed.", "with a fictional book with fictional characters like Mary Monroe's \"God Don't Like", "novel called, \"Disappearing Acts\", wrote a fictional story shared with her many readers", "connecting with a fictional book with fictional characters like Mary Monroe's \"God Don't", "as if it were a fictional story. Because my story is true, I", "the author Terry McMillan's novel called, \"Disappearing Acts\", wrote a fictional story shared", "characters like Mary Monroe's \"God Don't Like Ugly.\" I chose to use my", "endured at an early age, both physical and sexual adolescent abuse, to connect", "use my true story about the abuse that I had endured at an", "at an early age, both physical and sexual adolescent abuse, to connect and", "story as if I were writing a fictional story. For example, the author", "fictional story because my readers connect better with my story being written as", "my true story about the abuse that I had endured at an early", "story. For example, the author Terry McMillan's novel called, \"Disappearing Acts\", wrote a", "story being written as if my story was actually fictional. For example, my", "that I had endured at an early age, both physical and sexual adolescent", "story was actually fictional. For example, my readers connecting with a fictional book", "a fictional story shared with her many readers while I am sharing my", "share my story as a fictional story because my readers connect better with", "were writing a fictional story. For example, the author Terry McMillan's novel called,", "For example, the author Terry McMillan's novel called, \"Disappearing Acts\", wrote a fictional", "wrote a fictional story shared with her many readers while I am sharing", "it were a fictional story. Because my story is true, I made sure", "connect better with my story being written as if my story was actually", "fictional. For example, my readers connecting with a fictional book with fictional characters", "story because my readers connect better with my story being written as if", "if it were a fictional story. Because my story is true, I made", "story as if it were a fictional story. Because my story is true,", "Mary Monroe's \"God Don't Like Ugly.\" I chose to use my true story", "my true story as if I were writing a fictional story. For example,", "the abuse that I had endured at an early age, both physical and", "Acts\", wrote a fictional story shared with her many readers while I am", "I were writing a fictional story. For example, the author Terry McMillan's novel", "both physical and sexual adolescent abuse, to connect and help other victims better.", "story. Because my story is true, I made sure that all names were", "made sure that all names were changed. I chose to share my story", "all names were changed. I chose to share my story as a fictional", "were changed. I chose to share my story as a fictional story because", "early age, both physical and sexual adolescent abuse, to connect and help other", "fictional story. For example, the author Terry McMillan's novel called, \"Disappearing Acts\", wrote", "abuse that I had endured at an early age, both physical and sexual", "with her many readers while I am sharing my story as if it", "I am sharing my story as if it were a fictional story. Because", "sure that all names were changed. I chose to share my story as", "true, I made sure that all names were changed. I chose to share", "readers while I am sharing my story as if it were a fictional", "story as a fictional story because my readers connect better with my story", "I had endured at an early age, both physical and sexual adolescent abuse,", "I chose to use my true story about the abuse that I had", "as if I were writing a fictional story. For example, the author Terry", "am sharing my story as if it were a fictional story. Because my", "fictional book with fictional characters like Mary Monroe's \"God Don't Like Ugly.\" I", "my story was actually fictional. For example, my readers connecting with a fictional", "story about the abuse that I had endured at an early age, both", "while I am sharing my story as if it were a fictional story.", "Ugly.\" I chose to use my true story about the abuse that I", "example, the author Terry McMillan's novel called, \"Disappearing Acts\", wrote a fictional story", "an early age, both physical and sexual adolescent abuse, to connect and help", "\"God Don't Like Ugly.\" I chose to use my true story about the", "my readers connecting with a fictional book with fictional characters like Mary Monroe's", "Monroe's \"God Don't Like Ugly.\" I chose to use my true story about", "author Terry McMillan's novel called, \"Disappearing Acts\", wrote a fictional story shared with", "McMillan's novel called, \"Disappearing Acts\", wrote a fictional story shared with her many", "because my readers connect better with my story being written as if my", "as a fictional story because my readers connect better with my story being", "writing a fictional story. For example, the author Terry McMillan's novel called, \"Disappearing", "fictional story. Because my story is true, I made sure that all names", "my story being written as if my story was actually fictional. For example,", "actually fictional. For example, my readers connecting with a fictional book with fictional", "my story is true, I made sure that all names were changed. I", "was actually fictional. For example, my readers connecting with a fictional book with", "story shared with her many readers while I am sharing my story as", "names were changed. I chose to share my story as a fictional story", "I wanted to share my true story as if I were writing a", "wanted to share my true story as if I were writing a fictional", "true story as if I were writing a fictional story. For example, the", "I chose to share my story as a fictional story because my readers", "Don't Like Ugly.\" I chose to use my true story about the abuse", "if I were writing a fictional story. For example, the author Terry McMillan's", "to share my true story as if I were writing a fictional story.", "chose to share my story as a fictional story because my readers connect", "story is true, I made sure that all names were changed. I chose", "a fictional story because my readers connect better with my story being written", "Like Ugly.\" I chose to use my true story about the abuse that", "better with my story being written as if my story was actually fictional.", "with fictional characters like Mary Monroe's \"God Don't Like Ugly.\" I chose to", "called, \"Disappearing Acts\", wrote a fictional story shared with her many readers while", "were a fictional story. Because my story is true, I made sure that", "had endured at an early age, both physical and sexual adolescent abuse, to", "to share my story as a fictional story because my readers connect better", "with my story being written as if my story was actually fictional. For", "fictional story shared with her many readers while I am sharing my story", "\"Disappearing Acts\", wrote a fictional story shared with her many readers while I", "I made sure that all names were changed. I chose to share my", "readers connect better with my story being written as if my story was", "if my story was actually fictional. For example, my readers connecting with a", "age, both physical and sexual adolescent abuse, to connect and help other victims", "example, my readers connecting with a fictional book with fictional characters like Mary", "changed. I chose to share my story as a fictional story because my", "readers connecting with a fictional book with fictional characters like Mary Monroe's \"God", "is true, I made sure that all names were changed. I chose to", "share my true story as if I were writing a fictional story. For", "a fictional book with fictional characters like Mary Monroe's \"God Don't Like Ugly.\"", "written as if my story was actually fictional. For example, my readers connecting", "a fictional story. For example, the author Terry McMillan's novel called, \"Disappearing Acts\",", "Terry McMillan's novel called, \"Disappearing Acts\", wrote a fictional story shared with her", "about the abuse that I had endured at an early age, both physical", "my readers connect better with my story being written as if my story", "that all names were changed. I chose to share my story as a", "being written as if my story was actually fictional. For example, my readers" ]
[ "against his daughter's wishes(this is the climax of the story). He does it", "climax of the story). He does it sort of for the safety of", "be mean enough to be considered the antagonist(similar to Dolores Umbridge from Hijrp", "Could he be mean enough to be considered the antagonist(similar to Dolores Umbridge", "isn't evil; he is just a broken and cruel man who loves his", "hate, but not exactly the someone really evil to be considered a villain)?", "story). He does it sort of for the safety of his family, but", "Potfeq, evil and someone you really hate, but not exactly the someone really", "to be considered the antagonist(similar to Dolores Umbridge from Hijrp Potfeq, evil and", "Hijrp Potfeq, evil and someone you really hate, but not exactly the someone", "My \"antagonist\" is this man who sends the protagonist away against his daughter's", "a broken and cruel man who loves his daughter on the inside. Could", "sort of for the safety of his family, but also does it for", "on the inside. Could he be mean enough to be considered the antagonist(similar", "this man who sends the protagonist away against his daughter's wishes(this is the", "he be mean enough to be considered the antagonist(similar to Dolores Umbridge from", "a young author writing a realism-fantasy novel. My \"antagonist\" is this man who", "daughter on the inside. Could he be mean enough to be considered the", "a realism-fantasy novel. My \"antagonist\" is this man who sends the protagonist away", "mean enough to be considered the antagonist(similar to Dolores Umbridge from Hijrp Potfeq,", "is just a broken and cruel man who loves his daughter on the", "away against his daughter's wishes(this is the climax of the story). He does", "protagonist away against his daughter's wishes(this is the climax of the story). He", "someone you really hate, but not exactly the someone really evil to be", "and cruel man who loves his daughter on the inside. Could he be", "also does it for money. However, the \"antagonist\" isn't evil; he is just", "evil and someone you really hate, but not exactly the someone really evil", "is the climax of the story). He does it sort of for the", "really hate, but not exactly the someone really evil to be considered a", "realism-fantasy novel. My \"antagonist\" is this man who sends the protagonist away against", "Umbridge from Hijrp Potfeq, evil and someone you really hate, but not exactly", "the safety of his family, but also does it for money. However, the", "it for money. However, the \"antagonist\" isn't evil; he is just a broken", "and someone you really hate, but not exactly the someone really evil to", "writing a realism-fantasy novel. My \"antagonist\" is this man who sends the protagonist", "his daughter on the inside. Could he be mean enough to be considered", "man who sends the protagonist away against his daughter's wishes(this is the climax", "to Dolores Umbridge from Hijrp Potfeq, evil and someone you really hate, but", "the protagonist away against his daughter's wishes(this is the climax of the story).", "the inside. Could he be mean enough to be considered the antagonist(similar to", "you really hate, but not exactly the someone really evil to be considered", "who sends the protagonist away against his daughter's wishes(this is the climax of", "does it sort of for the safety of his family, but also does", "considered the antagonist(similar to Dolores Umbridge from Hijrp Potfeq, evil and someone you", "inside. Could he be mean enough to be considered the antagonist(similar to Dolores", "for the safety of his family, but also does it for money. However,", "is this man who sends the protagonist away against his daughter's wishes(this is", "the antagonist(similar to Dolores Umbridge from Hijrp Potfeq, evil and someone you really", "young author writing a realism-fantasy novel. My \"antagonist\" is this man who sends", "he is just a broken and cruel man who loves his daughter on", "his family, but also does it for money. However, the \"antagonist\" isn't evil;", "the climax of the story). He does it sort of for the safety", "who loves his daughter on the inside. Could he be mean enough to", "it sort of for the safety of his family, but also does it", "from Hijrp Potfeq, evil and someone you really hate, but not exactly the", "does it for money. However, the \"antagonist\" isn't evil; he is just a", "broken and cruel man who loves his daughter on the inside. Could he", "loves his daughter on the inside. Could he be mean enough to be", "novel. My \"antagonist\" is this man who sends the protagonist away against his", "of the story). He does it sort of for the safety of his", "\"antagonist\" is this man who sends the protagonist away against his daughter's wishes(this", "money. However, the \"antagonist\" isn't evil; he is just a broken and cruel", "evil; he is just a broken and cruel man who loves his daughter", "of his family, but also does it for money. However, the \"antagonist\" isn't", "family, but also does it for money. However, the \"antagonist\" isn't evil; he", "wishes(this is the climax of the story). He does it sort of for", "of for the safety of his family, but also does it for money.", "just a broken and cruel man who loves his daughter on the inside.", "\"antagonist\" isn't evil; he is just a broken and cruel man who loves", "However, the \"antagonist\" isn't evil; he is just a broken and cruel man", "author writing a realism-fantasy novel. My \"antagonist\" is this man who sends the", "sends the protagonist away against his daughter's wishes(this is the climax of the", "I'm a young author writing a realism-fantasy novel. My \"antagonist\" is this man", "daughter's wishes(this is the climax of the story). He does it sort of", "but also does it for money. However, the \"antagonist\" isn't evil; he is", "be considered the antagonist(similar to Dolores Umbridge from Hijrp Potfeq, evil and someone", "antagonist(similar to Dolores Umbridge from Hijrp Potfeq, evil and someone you really hate,", "cruel man who loves his daughter on the inside. Could he be mean", "He does it sort of for the safety of his family, but also", "his daughter's wishes(this is the climax of the story). He does it sort", "safety of his family, but also does it for money. However, the \"antagonist\"", "the story). He does it sort of for the safety of his family,", "the \"antagonist\" isn't evil; he is just a broken and cruel man who", "for money. However, the \"antagonist\" isn't evil; he is just a broken and", "Dolores Umbridge from Hijrp Potfeq, evil and someone you really hate, but not", "man who loves his daughter on the inside. Could he be mean enough", "enough to be considered the antagonist(similar to Dolores Umbridge from Hijrp Potfeq, evil" ]
[ "from left to right) Now my issue is with the letters. They use", "called Amazigh. It's considered by many historians to be the source of all", "want the reader to at least hear the sounds of the words in", "Now my issue is with the letters. They use both the original form", "Latin letters, example (neččnin stɣerdeit). I want to use the original Tifinagh letters", "When the main character finds words and passages written in ancient maps, parchments,", "can be written from left to right, right to left, and from up", "those who don't know, it's the native language of all North African people", "down (they prefer from left to right) Now my issue is with the", "they will be mentioned in Tamazight based on Tifinagh letters. (ⴼⵊⵀⵓ ⴻⵙⴰⵇⴰⴽⵖ) and", "use Tamazight in its Latin letters form to help the reader hear the", "right to left, and from up to down (they prefer from left to", "from up to down (they prefer from left to right) Now my issue", "written with what's called Tifinagh letters which are beautiful, example (ⴻⵜⵀ ⴽⴰⵄⵙⵏⵖ) and", "the mythical character is speaking I'll use Tamazight in its Latin letters form", "They use both the original form written with what's called Tifinagh letters which", "will be mentioned in Tamazight based on Tifinagh letters. (ⴼⵊⵀⵓ ⴻⵙⴰⵇⴰⴽⵖ) and the", "I want to use the original Tifinagh letters but I also want the", "in Latin letters, example (neččnin stɣerdeit). I want to use the original Tifinagh", "will read the translation in English for the reader. Ps: Latins called it", "what's called Tifinagh letters which are beautiful, example (ⴻⵜⵀ ⴽⴰⵄⵙⵏⵖ) and the Latin", "African people who are called Amazigh. It's considered by many historians to be", "of the words in his head, which means that it's best to use", "for the reader. Ps: Latins called it Berber. It's a great challenge for", "see it in the ancient caves and rocks of Northern Africa. It can", "letters but I also want the reader to at least hear the sounds", "beautiful, example (ⴻⵜⵀ ⴽⴰⵄⵙⵏⵖ) and the Latin letters (slightly modifier by adding sounds", "Tifinagh letters but I also want the reader to at least hear the", "the reader to at least hear the sounds of the words in his", "left to right) Now my issue is with the letters. They use both", "the reader hear the sounds in his head. 2 When the main character", "Northern Africa. It can be written from left to right, right to left,", "to left, and from up to down (they prefer from left to right)", "the sounds in his head. 2 When the main character finds words and", "mythical character who speaks a combo of English-Tamazight (80% English). For those who", "using both of them in this way: 1 When the mythical character is", "letters. They use both the original form written with what's called Tifinagh letters", "the reader. Ps: Latins called it Berber. It's a great challenge for me.", "(slightly modifier by adding sounds that don't exist in Latin letters, example (neččnin", "many historians to be the source of all languages. We can still see", "who are called Amazigh. It's considered by many historians to be the source", "considered by many historians to be the source of all languages. We can", "issue is with the letters. They use both the original form written with", "use both the original form written with what's called Tifinagh letters which are", "Tifinagh letters. (ⴼⵊⵀⵓ ⴻⵙⴰⵇⴰⴽⵖ) and the main character will read the translation in", "(80% English). For those who don't know, it's the native language of all", "of all North African people who are called Amazigh. It's considered by many", "the letters. They use both the original form written with what's called Tifinagh", "is speaking I'll use Tamazight in its Latin letters form to help the", "the native language of all North African people who are called Amazigh. It's", "it in the ancient caves and rocks of Northern Africa. It can be", "languages. We can still see it in the ancient caves and rocks of", "character is speaking I'll use Tamazight in its Latin letters form to help", "it's the native language of all North African people who are called Amazigh.", "his head. 2 When the main character finds words and passages written in", "in Tamazight based on Tifinagh letters. (ⴼⵊⵀⵓ ⴻⵙⴰⵇⴰⴽⵖ) and the main character will", "the ancient caves and rocks of Northern Africa. It can be written from", "my issue is with the letters. They use both the original form written", "people who are called Amazigh. It's considered by many historians to be the", "with the letters. They use both the original form written with what's called", "Tifinagh letters which are beautiful, example (ⴻⵜⵀ ⴽⴰⵄⵙⵏⵖ) and the Latin letters (slightly", "mythical character is speaking I'll use Tamazight in its Latin letters form to", "means that it's best to use the Tamazight based on Latin letters. Then", "and the main character will read the translation in English for the reader.", "When the mythical character is speaking I'll use Tamazight in its Latin letters", "the words in his head, which means that it's best to use the", "fictional novel in English and I have a mythical character who speaks a", "of them in this way: 1 When the mythical character is speaking I'll", "words and passages written in ancient maps, parchments, or engraved into an object...", "the original Tifinagh letters but I also want the reader to at least", "speaking I'll use Tamazight in its Latin letters form to help the reader", "are called Amazigh. It's considered by many historians to be the source of", "be mentioned in Tamazight based on Tifinagh letters. (ⴼⵊⵀⵓ ⴻⵙⴰⵇⴰⴽⵖ) and the main", "English-Tamazight (80% English). For those who don't know, it's the native language of", "(neččnin stɣerdeit). I want to use the original Tifinagh letters but I also", "Tamazight based on Tifinagh letters. (ⴼⵊⵀⵓ ⴻⵙⴰⵇⴰⴽⵖ) and the main character will read", "It's considered by many historians to be the source of all languages. We", "a mythical character who speaks a combo of English-Tamazight (80% English). For those", "of Northern Africa. It can be written from left to right, right to", "about using both of them in this way: 1 When the mythical character", "be the source of all languages. We can still see it in the", "still see it in the ancient caves and rocks of Northern Africa. It", "don't know, it's the native language of all North African people who are", "example (neččnin stɣerdeit). I want to use the original Tifinagh letters but I", "be written from left to right, right to left, and from up to", "hear the sounds of the words in his head, which means that it's", "reader. Ps: Latins called it Berber. It's a great challenge for me. I", "parchments, or engraved into an object... they will be mentioned in Tamazight based", "ⴽⴰⵄⵙⵏⵖ) and the Latin letters (slightly modifier by adding sounds that don't exist", "the main character will read the translation in English for the reader. Ps:", "native language of all North African people who are called Amazigh. It's considered", "the source of all languages. We can still see it in the ancient", "from left to right, right to left, and from up to down (they", "to use the original Tifinagh letters but I also want the reader to", "the Tamazight based on Latin letters. Then I thought about using both of", "on Latin letters. Then I thought about using both of them in this", "Latin letters form to help the reader hear the sounds in his head.", "Latins called it Berber. It's a great challenge for me. I really appreciate", "words in his head, which means that it's best to use the Tamazight", "sounds of the words in his head, which means that it's best to", "English for the reader. Ps: Latins called it Berber. It's a great challenge", "a combo of English-Tamazight (80% English). For those who don't know, it's the", "ancient maps, parchments, or engraved into an object... they will be mentioned in", "writing a fictional novel in English and I have a mythical character who", "his head, which means that it's best to use the Tamazight based on", "called Tifinagh letters which are beautiful, example (ⴻⵜⵀ ⴽⴰⵄⵙⵏⵖ) and the Latin letters", "sounds that don't exist in Latin letters, example (neččnin stɣerdeit). I want to", "use the Tamazight based on Latin letters. Then I thought about using both", "in its Latin letters form to help the reader hear the sounds in", "an object... they will be mentioned in Tamazight based on Tifinagh letters. (ⴼⵊⵀⵓ", "of English-Tamazight (80% English). For those who don't know, it's the native language", "use the original Tifinagh letters but I also want the reader to at", "on Tifinagh letters. (ⴼⵊⵀⵓ ⴻⵙⴰⵇⴰⴽⵖ) and the main character will read the translation", "to be the source of all languages. We can still see it in", "but I also want the reader to at least hear the sounds of", "and the Latin letters (slightly modifier by adding sounds that don't exist in", "know, it's the native language of all North African people who are called", "I'm writing a fictional novel in English and I have a mythical character", "to right) Now my issue is with the letters. They use both the", "by many historians to be the source of all languages. We can still", "hear the sounds in his head. 2 When the main character finds words", "right, right to left, and from up to down (they prefer from left", "reader to at least hear the sounds of the words in his head,", "letters which are beautiful, example (ⴻⵜⵀ ⴽⴰⵄⵙⵏⵖ) and the Latin letters (slightly modifier", "in his head. 2 When the main character finds words and passages written", "the Latin letters (slightly modifier by adding sounds that don't exist in Latin", "original Tifinagh letters but I also want the reader to at least hear", "1 When the mythical character is speaking I'll use Tamazight in its Latin", "Africa. It can be written from left to right, right to left, and", "and rocks of Northern Africa. It can be written from left to right,", "sounds in his head. 2 When the main character finds words and passages", "2 When the main character finds words and passages written in ancient maps,", "written in ancient maps, parchments, or engraved into an object... they will be", "Ps: Latins called it Berber. It's a great challenge for me. I really", "all languages. We can still see it in the ancient caves and rocks", "best to use the Tamazight based on Latin letters. Then I thought about", "the main character finds words and passages written in ancient maps, parchments, or", "I thought about using both of them in this way: 1 When the", "object... they will be mentioned in Tamazight based on Tifinagh letters. (ⴼⵊⵀⵓ ⴻⵙⴰⵇⴰⴽⵖ)", "letters. (ⴼⵊⵀⵓ ⴻⵙⴰⵇⴰⴽⵖ) and the main character will read the translation in English", "who don't know, it's the native language of all North African people who", "left to right, right to left, and from up to down (they prefer", "that don't exist in Latin letters, example (neččnin stɣerdeit). I want to use", "prefer from left to right) Now my issue is with the letters. They", "all North African people who are called Amazigh. It's considered by many historians", "in this way: 1 When the mythical character is speaking I'll use Tamazight", "form written with what's called Tifinagh letters which are beautiful, example (ⴻⵜⵀ ⴽⴰⵄⵙⵏⵖ)", "at least hear the sounds of the words in his head, which means", "who speaks a combo of English-Tamazight (80% English). For those who don't know,", "main character finds words and passages written in ancient maps, parchments, or engraved", "For those who don't know, it's the native language of all North African", "have a mythical character who speaks a combo of English-Tamazight (80% English). For", "and passages written in ancient maps, parchments, or engraved into an object... they", "character finds words and passages written in ancient maps, parchments, or engraved into", "both the original form written with what's called Tifinagh letters which are beautiful,", "can still see it in the ancient caves and rocks of Northern Africa.", "and from up to down (they prefer from left to right) Now my", "up to down (they prefer from left to right) Now my issue is", "to down (they prefer from left to right) Now my issue is with", "is with the letters. They use both the original form written with what's", "Tamazight in its Latin letters form to help the reader hear the sounds", "to help the reader hear the sounds in his head. 2 When the", "We can still see it in the ancient caves and rocks of Northern", "to right, right to left, and from up to down (they prefer from", "help the reader hear the sounds in his head. 2 When the main", "maps, parchments, or engraved into an object... they will be mentioned in Tamazight", "letters, example (neččnin stɣerdeit). I want to use the original Tifinagh letters but", "which means that it's best to use the Tamazight based on Latin letters.", "character who speaks a combo of English-Tamazight (80% English). For those who don't", "speaks a combo of English-Tamazight (80% English). For those who don't know, it's", "ancient caves and rocks of Northern Africa. It can be written from left", "in his head, which means that it's best to use the Tamazight based", "or engraved into an object... they will be mentioned in Tamazight based on", "engraved into an object... they will be mentioned in Tamazight based on Tifinagh", "main character will read the translation in English for the reader. Ps: Latins", "right) Now my issue is with the letters. They use both the original", "them in this way: 1 When the mythical character is speaking I'll use", "in the ancient caves and rocks of Northern Africa. It can be written", "in English and I have a mythical character who speaks a combo of", "in ancient maps, parchments, or engraved into an object... they will be mentioned", "letters form to help the reader hear the sounds in his head. 2", "(they prefer from left to right) Now my issue is with the letters.", "modifier by adding sounds that don't exist in Latin letters, example (neččnin stɣerdeit).", "I also want the reader to at least hear the sounds of the", "written from left to right, right to left, and from up to down", "it Berber. It's a great challenge for me. I really appreciate your advice.", "combo of English-Tamazight (80% English). For those who don't know, it's the native", "caves and rocks of Northern Africa. It can be written from left to", "exist in Latin letters, example (neččnin stɣerdeit). I want to use the original", "head. 2 When the main character finds words and passages written in ancient", "thought about using both of them in this way: 1 When the mythical", "translation in English for the reader. Ps: Latins called it Berber. It's a", "character will read the translation in English for the reader. Ps: Latins called", "Tamazight based on Latin letters. Then I thought about using both of them", "in English for the reader. Ps: Latins called it Berber. It's a great", "language of all North African people who are called Amazigh. It's considered by", "historians to be the source of all languages. We can still see it", "called it Berber. It's a great challenge for me. I really appreciate your", "form to help the reader hear the sounds in his head. 2 When", "based on Tifinagh letters. (ⴼⵊⵀⵓ ⴻⵙⴰⵇⴰⴽⵖ) and the main character will read the", "read the translation in English for the reader. Ps: Latins called it Berber.", "novel in English and I have a mythical character who speaks a combo", "the sounds of the words in his head, which means that it's best", "It can be written from left to right, right to left, and from", "want to use the original Tifinagh letters but I also want the reader", "letters (slightly modifier by adding sounds that don't exist in Latin letters, example", "letters. Then I thought about using both of them in this way: 1", "by adding sounds that don't exist in Latin letters, example (neččnin stɣerdeit). I", "adding sounds that don't exist in Latin letters, example (neččnin stɣerdeit). I want", "its Latin letters form to help the reader hear the sounds in his", "passages written in ancient maps, parchments, or engraved into an object... they will", "I have a mythical character who speaks a combo of English-Tamazight (80% English).", "that it's best to use the Tamazight based on Latin letters. Then I", "are beautiful, example (ⴻⵜⵀ ⴽⴰⵄⵙⵏⵖ) and the Latin letters (slightly modifier by adding", "least hear the sounds of the words in his head, which means that", "North African people who are called Amazigh. It's considered by many historians to", "and I have a mythical character who speaks a combo of English-Tamazight (80%", "original form written with what's called Tifinagh letters which are beautiful, example (ⴻⵜⵀ", "I'll use Tamazight in its Latin letters form to help the reader hear", "it's best to use the Tamazight based on Latin letters. Then I thought", "stɣerdeit). I want to use the original Tifinagh letters but I also want", "way: 1 When the mythical character is speaking I'll use Tamazight in its", "finds words and passages written in ancient maps, parchments, or engraved into an", "Then I thought about using both of them in this way: 1 When", "source of all languages. We can still see it in the ancient caves", "rocks of Northern Africa. It can be written from left to right, right", "(ⴻⵜⵀ ⴽⴰⵄⵙⵏⵖ) and the Latin letters (slightly modifier by adding sounds that don't", "a fictional novel in English and I have a mythical character who speaks", "mentioned in Tamazight based on Tifinagh letters. (ⴼⵊⵀⵓ ⴻⵙⴰⵇⴰⴽⵖ) and the main character", "Latin letters. Then I thought about using both of them in this way:", "ⴻⵙⴰⵇⴰⴽⵖ) and the main character will read the translation in English for the", "left, and from up to down (they prefer from left to right) Now", "Latin letters (slightly modifier by adding sounds that don't exist in Latin letters,", "this way: 1 When the mythical character is speaking I'll use Tamazight in", "head, which means that it's best to use the Tamazight based on Latin", "with what's called Tifinagh letters which are beautiful, example (ⴻⵜⵀ ⴽⴰⵄⵙⵏⵖ) and the", "don't exist in Latin letters, example (neččnin stɣerdeit). I want to use the", "also want the reader to at least hear the sounds of the words", "Amazigh. It's considered by many historians to be the source of all languages.", "(ⴼⵊⵀⵓ ⴻⵙⴰⵇⴰⴽⵖ) and the main character will read the translation in English for", "the original form written with what's called Tifinagh letters which are beautiful, example", "example (ⴻⵜⵀ ⴽⴰⵄⵙⵏⵖ) and the Latin letters (slightly modifier by adding sounds that", "to at least hear the sounds of the words in his head, which", "into an object... they will be mentioned in Tamazight based on Tifinagh letters.", "based on Latin letters. Then I thought about using both of them in", "reader hear the sounds in his head. 2 When the main character finds", "to use the Tamazight based on Latin letters. Then I thought about using", "the translation in English for the reader. Ps: Latins called it Berber. It's", "English and I have a mythical character who speaks a combo of English-Tamazight", "English). For those who don't know, it's the native language of all North", "both of them in this way: 1 When the mythical character is speaking", "of all languages. We can still see it in the ancient caves and", "which are beautiful, example (ⴻⵜⵀ ⴽⴰⵄⵙⵏⵖ) and the Latin letters (slightly modifier by" ]
[ "it is just that I am behind on my school work. Should I", "know to write, it is just that I am behind on my school", "just that I am behind on my school work. Should I be writing", "I know to write, it is just that I am behind on my", "is just that I am behind on my school work. Should I be", "I am behind on my school work. Should I be writing a book?", "that I am behind on my school work. Should I be writing a", "to write, it is just that I am behind on my school work.", "write, it is just that I am behind on my school work. Should" ]
[ "my instinct is to combine the two sentences into one sentence. Would that", "a trustworthy answer.* > > > In the example above, my instinct is", "However, I believe the users of StackExchange will provide a trustworthy answer.* >", "this question using many platforms and tend to get conflicting answers. However, I", "get conflicting answers. However, I believe the users of StackExchange will provide a", "the users of StackExchange will provide a trustworthy answer.* > > > In", "StackExchange will provide a trustworthy answer.* > > > In the example above,", "instinct is to combine the two sentences into one sentence. Would that be", "to get conflicting answers. However, I believe the users of StackExchange will provide", "> > I've asked this question using many platforms and tend to get", "conflicting answers. However, I believe the users of StackExchange will provide a trustworthy", "will provide a trustworthy answer. > > > In the example above, my", "using many platforms and tend to get conflicting answers. However, I believe the", "provide a trustworthy answer.* > > > In the example above, my instinct", "of StackExchange will provide a trustworthy answer.* > > > In the example", "users of StackExchange will provide a trustworthy answer.* > > > In the", "answers. However, I believe the users of StackExchange will provide a trustworthy answer.", "> > In the example above, my instinct is to combine the two", "believe the users of StackExchange will provide a trustworthy answer. > > >", "In the example above, my instinct is to combine the two sentences into", "> In the example above, my instinct is to combine the two sentences", "many platforms and tend to get conflicting answers. However, I believe the users", "the example above, my instinct is to combine the two sentences into one", "question using many platforms and tend to get conflicting answers. However, I believe", "> > > In the example above, my instinct is to combine the", "and tend to get conflicting answers. However, I believe the users of StackExchange", "asked this question using many platforms and tend to get conflicting answers. However,", "> I've asked this question using many platforms and tend to get conflicting", "trustworthy answer. > > > In the example above, my instinct is to", "answer.* > > > In the example above, my instinct is to combine", "example above, my instinct is to combine the two sentences into one sentence.", "to combine the two sentences into one sentence. Would that be grammatically correct?", "I believe the users of StackExchange will provide a trustworthy answer.* > >", "above, my instinct is to combine the two sentences into one sentence. Would", "platforms and tend to get conflicting answers. However, I believe the users of", "is to combine the two sentences into one sentence. Would that be grammatically", "I've asked this question using many platforms and tend to get conflicting answers.", "tend to get conflicting answers. However*, I believe the users of StackExchange will" ]
[ "tukio dahs.\" Her dictionary said that tukio* meant 'was'. Is there a better", "My current project requires a lot of translation work, where the main character", "language. I'm assuming that the best way to show the foreign language is", "translation? I've been using single quotes but I'm not sure if that's right.", "where the main character is slowly piecing together a language. I'm assuming that", "dahs.\" Her dictionary said that tukio* meant 'was'. Is there a better way?", "foreign language is with italics. What is the best way to show the", "translation work, where the main character is slowly piecing together a language. I'm", "the best way to show the foreign language is with italics. What is", "the foreign language is with italics. What is the best way to show", "but I'm not sure if that's right. Example: \"zore ya tukio dahs.\" Her", "current project requires a lot of translation work, where the main character is", "a lot of translation work, where the main character is slowly piecing together", "language is with italics. What is the best way to show the translation?", "single quotes but I'm not sure if that's right. Example: \"zore ya tukio", "a language. I'm assuming that the best way to show the foreign language", "Example: \"zore ya tukio dahs.\" Her dictionary said that tukio* meant 'was'. Is", "way to show the foreign language is with italics. What is the best", "italics. What is the best way to show the translation? I've been using", "lot of translation work, where the main character is slowly piecing together a", "way to show the translation? I've been using single quotes but I'm not", "character is slowly piecing together a language. I'm assuming that the best way", "work, where the main character is slowly piecing together a language. I'm assuming", "been using single quotes but I'm not sure if that's right. Example: \"zore", "main character is slowly piecing together a language. I'm assuming that the best", "to show the translation? I've been using single quotes but I'm not sure", "that the best way to show the foreign language is with italics. What", "requires a lot of translation work, where the main character is slowly piecing", "the best way to show the translation? I've been using single quotes but", "sure if that's right. Example: \"zore ya tukio dahs.\" Her dictionary said that", "with italics. What is the best way to show the translation? I've been", "project requires a lot of translation work, where the main character is slowly", "show the translation? I've been using single quotes but I'm not sure if", "quotes but I'm not sure if that's right. Example: \"zore ya tukio dahs.\"", "best way to show the foreign language is with italics. What is the", "the main character is slowly piecing together a language. I'm assuming that the", "I'm assuming that the best way to show the foreign language is with", "best way to show the translation? I've been using single quotes but I'm", "I'm not sure if that's right. Example: \"zore ya tukio dahs.\" Her dictionary", "using single quotes but I'm not sure if that's right. Example: \"zore ya", "to show the foreign language is with italics. What is the best way", "that's right. Example: \"zore ya tukio dahs.\" Her dictionary said that tukio meant", "What is the best way to show the translation? I've been using single", "is slowly piecing together a language. I'm assuming that the best way to", "slowly piecing together a language. I'm assuming that the best way to show", "I've been using single quotes but I'm not sure if that's right. Example:", "is with italics. What is the best way to show the translation? I've", "is the best way to show the translation? I've been using single quotes", "the translation? I've been using single quotes but I'm not sure if that's", "\"zore ya tukio dahs.\" Her dictionary said that tukio meant 'was'. Is there", "not sure if that's right. Example: \"zore ya tukio dahs.\" Her dictionary said", "of translation work, where the main character is slowly piecing together a language.", "if that's right. Example: \"zore ya tukio dahs.\" Her dictionary said that tukio", "right. Example: \"zore ya tukio dahs.\" Her dictionary said that tukio meant 'was'.", "show the foreign language is with italics. What is the best way to", "together a language. I'm assuming that the best way to show the foreign", "assuming that the best way to show the foreign language is with italics.", "ya tukio dahs.\" Her dictionary said that tukio* meant 'was'. Is there a", "piecing together a language. I'm assuming that the best way to show the" ]
[ "themselves again. Heck, they even beat a few secondary villains that string them", "However, these comparisons paint these secondary villains as barely anything in comparison to", "to the villain. Now, most of the time, the goal of taking down", "haul towards the villain. I'm nearly 70K words in however, and I've got", "second act). Here, the story's pace drops dramatically, and the narrative, as well", "wondering if the story is taking too long to get to the villain.", "when the second act begins (at least, I think of it as the", "development, as well as side character's developments. However, I'm a bit unsure when", "beat a few secondary villains that string them along a path that eventually", "be bad proportionally, however, I'm just wondering if the story is taking too", "they're compared to secondary villains that are themselves pretty scary. However, these comparisons", "even beat a few secondary villains that string them along a path that", "all advancing him towards the ultimate goal, and sometimes he fails and has", "People call the MC crazy for going after him. The villain is described", "is described with fearsome characteristics, and they're compared to secondary villains that are", "pretty long novel, and there will be a lot of the book that", "chapters, and so I don't think the villain's presence in the story will", "comparisons paint these secondary villains as barely anything in comparison to the big", "he fails and has to get out of a tricky situation. I think", "ultimate goal, and sometimes he fails and has to get out of a", "this villain is in the forefront of the narrative. The MC is doing", "the world. People call the MC crazy for going after him. The villain", "a tricky situation. I think that the narrative taking its time with all", "characters here and there talking of the terror he inflicts upon the world.", "and the narrative, as well as the MC, meanders a bit. They get", "taking down this villain is in the forefront of the narrative. The MC", "don't think the villain's presence in the story will be bad proportionally, however,", "devoted to the long and arduous haul towards the villain. I'm nearly 70K", "the ultimate goal, and sometimes he fails and has to get out of", "villains that string them along a path that eventually leads them back on", "1k of the book. No, the villain will be present in a lot", "70K words in however, and I've got lots to go. This is a", "eventually leads them back on the hunt for the main villain. Now, I'm", "of a tricky situation. I think that the narrative taking its time with", "think that the narrative taking its time with all of this is okay,", "story, with a bunch of characters here and there talking of the terror", "of this is okay, because it is all essential for the MC's arc", "nearly 70K words in however, and I've got lots to go. This is", "and arduous haul towards the villain. I'm nearly 70K words in however, and", "sometimes he fails and has to get out of a tricky situation. I", "presence in the story will be bad proportionally, however, I'm just wondering if", "essential for the MC's arc and development, as well as side character's developments.", "100K and then the villain is only present in the last 1k of", "my story is the dread of my villain. He is slowly built up", "goal of taking down this villain is in the forefront of the narrative.", "character's developments. However, I'm a bit unsure when the second act begins (at", "story is the dread of my villain. He is slowly built up throughout", "and I've had a few chapter's just devoted to the long and arduous", "villain will be present in a lot of chapters, and so I don't", "arduous haul towards the villain. I'm nearly 70K words in however, and I've", "a lot of the book that contains the villain. As in, it's not", "a long time to get to the villain. Now, most of the time,", "then they find themselves again. Heck, they even beat a few secondary villains", "in the last 1k of the book. No, the villain will be present", "path that eventually leads them back on the hunt for the main villain.", "the terror he inflicts upon the world. People call the MC crazy for", "of my story is the dread of my villain. He is slowly built", "time with all of this is okay, because it is all essential for", "lost, completely lost. And then they find themselves again. Heck, they even beat", "here and there talking of the terror he inflicts upon the world. People", "go. This is a pretty long novel, and there will be a lot", "The MC is doing these different kinds of missions that are all advancing", "lot of the book that contains the villain. As in, it's not like", "of missions that are all advancing him towards the ultimate goal, and sometimes", "villain. Now, I'm back on this track towards the villain, and I've had", "the story will be bad proportionally, however, I'm just wondering if the story", "however, I'm just wondering if the story is taking too long to get", "inflicts upon the world. People call the MC crazy for going after him.", "these comparisons paint these secondary villains as barely anything in comparison to the", "that are all advancing him towards the ultimate goal, and sometimes he fails", "again. Heck, they even beat a few secondary villains that string them along", "long time to get to the villain. Now, most of the time, the", "is the dread of my villain. He is slowly built up throughout the", "like this book will be 100K and then the villain is only present", "situation. I think that the narrative taking its time with all of this", "towards the ultimate goal, and sometimes he fails and has to get out", "this is okay, because it is all essential for the MC's arc and", "the book. No, the villain will be present in a lot of chapters,", "not like this book will be 100K and then the villain is only", "aspect of my story is the dread of my villain. He is slowly", "narrative, as well as the MC, meanders a bit. They get lost, completely", "the villain. As in, it's not like this book will be 100K and", "big baddie. However, accompanying all this reputation build-up, is also a narrative that", "in, it's not like this book will be 100K and then the villain", "villain is only present in the last 1k of the book. No, the", "and there will be a lot of the book that contains the villain.", "crazy for going after him. The villain is described with fearsome characteristics, and", "towards the villain. I'm nearly 70K words in however, and I've got lots", "main villain. Now, I'm back on this track towards the villain, and I've", "leads them back on the hunt for the main villain. Now, I'm back", "chapter's just devoted to the long and arduous haul towards the villain. I'm", "this track towards the villain, and I've had a few chapter's just devoted", "hunt for the main villain. Now, I'm back on this track towards the", "this reputation build-up, is also a narrative that takes a long time to", "and so I don't think the villain's presence in the story will be", "think the villain's presence in the story will be bad proportionally, however, I'm", "in however, and I've got lots to go. This is a pretty long", "dread of my villain. He is slowly built up throughout the story, with", "to the long and arduous haul towards the villain. I'm nearly 70K words", "villain is in the forefront of the narrative. The MC is doing these", "of the narrative. The MC is doing these different kinds of missions that", "I've had a few chapter's just devoted to the long and arduous haul", "fearsome characteristics, and they're compared to secondary villains that are themselves pretty scary.", "and there talking of the terror he inflicts upon the world. People call", "and development, as well as side character's developments. However, I'm a bit unsure", "they even beat a few secondary villains that string them along a path", "the forefront of the narrative. The MC is doing these different kinds of", "pace drops dramatically, and the narrative, as well as the MC, meanders a", "be present in a lot of chapters, and so I don't think the", "him. The villain is described with fearsome characteristics, and they're compared to secondary", "fails and has to get out of a tricky situation. I think that", "be 100K and then the villain is only present in the last 1k", "villain. As in, it's not like this book will be 100K and then", "and sometimes he fails and has to get out of a tricky situation.", "slowly built up throughout the story, with a bunch of characters here and", "in comparison to the big baddie. However, accompanying all this reputation build-up, is", "it's not like this book will be 100K and then the villain is", "for going after him. The villain is described with fearsome characteristics, and they're", "a few secondary villains that string them along a path that eventually leads", "reputation build-up, is also a narrative that takes a long time to get", "as barely anything in comparison to the big baddie. However, accompanying all this", "novel, and there will be a lot of the book that contains the", "is also a narrative that takes a long time to get to the", "I'm nearly 70K words in however, and I've got lots to go. This", "bit. They get lost, completely lost. And then they find themselves again. Heck,", "described with fearsome characteristics, and they're compared to secondary villains that are themselves", "on this track towards the villain, and I've had a few chapter's just", "this book will be 100K and then the villain is only present in", "meanders a bit. They get lost, completely lost. And then they find themselves", "The villain is described with fearsome characteristics, and they're compared to secondary villains", "the main villain. Now, I'm back on this track towards the villain, and", "few secondary villains that string them along a path that eventually leads them", "MC's arc and development, as well as side character's developments. However, I'm a", "get lost, completely lost. And then they find themselves again. Heck, they even", "villain. I'm nearly 70K words in however, and I've got lots to go.", "it as the second act). Here, the story's pace drops dramatically, and the", "the villain will be present in a lot of chapters, and so I", "last 1k of the book. No, the villain will be present in a", "completely lost. And then they find themselves again. Heck, they even beat a", "villain's presence in the story will be bad proportionally, however, I'm just wondering", "just devoted to the long and arduous haul towards the villain. I'm nearly", "is a pretty long novel, and there will be a lot of the", "the narrative taking its time with all of this is okay, because it", "with a bunch of characters here and there talking of the terror he", "of it as the second act). Here, the story's pace drops dramatically, and", "of taking down this villain is in the forefront of the narrative. The", "is okay, because it is all essential for the MC's arc and development,", "of characters here and there talking of the terror he inflicts upon the", "the second act begins (at least, I think of it as the second", "However, accompanying all this reputation build-up, is also a narrative that takes a", "narrative taking its time with all of this is okay, because it is", "there will be a lot of the book that contains the villain. As", "villains that are themselves pretty scary. However, these comparisons paint these secondary villains", "the story's pace drops dramatically, and the narrative, as well as the MC,", "to the big baddie. However, accompanying all this reputation build-up, is also a", "narrative. The MC is doing these different kinds of missions that are all", "secondary villains that are themselves pretty scary. However, these comparisons paint these secondary", "themselves pretty scary. However, these comparisons paint these secondary villains as barely anything", "unsure when the second act begins (at least, I think of it as", "down this villain is in the forefront of the narrative. The MC is", "the hunt for the main villain. Now, I'm back on this track towards", "had a few chapter's just devoted to the long and arduous haul towards", "for the main villain. Now, I'm back on this track towards the villain,", "An important aspect of my story is the dread of my villain. He", "the villain. I'm nearly 70K words in however, and I've got lots to", "MC crazy for going after him. The villain is described with fearsome characteristics,", "a few chapter's just devoted to the long and arduous haul towards the", "going after him. The villain is described with fearsome characteristics, and they're compared", "lot of chapters, and so I don't think the villain's presence in the", "long and arduous haul towards the villain. I'm nearly 70K words in however,", "act begins (at least, I think of it as the second act). Here,", "the villain. Now, most of the time, the goal of taking down this", "as well as side character's developments. However, I'm a bit unsure when the", "I don't think the villain's presence in the story will be bad proportionally,", "he inflicts upon the world. People call the MC crazy for going after", "of the book that contains the villain. As in, it's not like this", "the MC, meanders a bit. They get lost, completely lost. And then they", "the big baddie. However, accompanying all this reputation build-up, is also a narrative", "I've got lots to go. This is a pretty long novel, and there", "bit unsure when the second act begins (at least, I think of it", "to secondary villains that are themselves pretty scary. However, these comparisons paint these", "present in a lot of chapters, and so I don't think the villain's", "act). Here, the story's pace drops dramatically, and the narrative, as well as", "as the second act). Here, the story's pace drops dramatically, and the narrative,", "these secondary villains as barely anything in comparison to the big baddie. However,", "lost. And then they find themselves again. Heck, they even beat a few", "that are themselves pretty scary. However, these comparisons paint these secondary villains as", "build-up, is also a narrative that takes a long time to get to", "of my villain. He is slowly built up throughout the story, with a", "that string them along a path that eventually leads them back on the", "MC, meanders a bit. They get lost, completely lost. And then they find", "pretty scary. However, these comparisons paint these secondary villains as barely anything in", "that the narrative taking its time with all of this is okay, because", "okay, because it is all essential for the MC's arc and development, as", "Now, I'm back on this track towards the villain, and I've had a", "think of it as the second act). Here, the story's pace drops dramatically,", "time, the goal of taking down this villain is in the forefront of", "a bit unsure when the second act begins (at least, I think of", "are all advancing him towards the ultimate goal, and sometimes he fails and", "They get lost, completely lost. And then they find themselves again. Heck, they", "secondary villains as barely anything in comparison to the big baddie. However, accompanying", "a narrative that takes a long time to get to the villain. Now,", "He is slowly built up throughout the story, with a bunch of characters", "contains the villain. As in, it's not like this book will be 100K", "will be bad proportionally, however, I'm just wondering if the story is taking", "along a path that eventually leads them back on the hunt for the", "towards the villain, and I've had a few chapter's just devoted to the", "got lots to go. This is a pretty long novel, and there will", "in a lot of chapters, and so I don't think the villain's presence", "as side character's developments. However, I'm a bit unsure when the second act", "they find themselves again. Heck, they even beat a few secondary villains that", "that takes a long time to get to the villain. Now, most of", "them back on the hunt for the main villain. Now, I'm back on", "and then the villain is only present in the last 1k of the", "a bunch of characters here and there talking of the terror he inflicts", "of chapters, and so I don't think the villain's presence in the story", "world. People call the MC crazy for going after him. The villain is", "second act begins (at least, I think of it as the second act).", "then the villain is only present in the last 1k of the book.", "taking its time with all of this is okay, because it is all", "However, I'm a bit unsure when the second act begins (at least, I", "book that contains the villain. As in, it's not like this book will", "And then they find themselves again. Heck, they even beat a few secondary", "throughout the story, with a bunch of characters here and there talking of", "I think of it as the second act). Here, the story's pace drops", "get to the villain. Now, most of the time, the goal of taking", "forefront of the narrative. The MC is doing these different kinds of missions", "also a narrative that takes a long time to get to the villain.", "its time with all of this is okay, because it is all essential", "with fearsome characteristics, and they're compared to secondary villains that are themselves pretty", "the villain is only present in the last 1k of the book. No,", "a pretty long novel, and there will be a lot of the book", "proportionally, however, I'm just wondering if the story is taking too long to", "is all essential for the MC's arc and development, as well as side", "with all of this is okay, because it is all essential for the", "string them along a path that eventually leads them back on the hunt", "a path that eventually leads them back on the hunt for the main", "only present in the last 1k of the book. No, the villain will", "narrative that takes a long time to get to the villain. Now, most", "as the MC, meanders a bit. They get lost, completely lost. And then", "so I don't think the villain's presence in the story will be bad", "is doing these different kinds of missions that are all advancing him towards", "book will be 100K and then the villain is only present in the", "drops dramatically, and the narrative, as well as the MC, meanders a bit.", "takes a long time to get to the villain. Now, most of the", "lots to go. This is a pretty long novel, and there will be", "that contains the villain. As in, it's not like this book will be", "time to get to the villain. Now, most of the time, the goal", "the last 1k of the book. No, the villain will be present in", "of the book. No, the villain will be present in a lot of", "all this reputation build-up, is also a narrative that takes a long time", "the MC's arc and development, as well as side character's developments. However, I'm", "there talking of the terror he inflicts upon the world. People call the", "As in, it's not like this book will be 100K and then the", "story's pace drops dramatically, and the narrative, as well as the MC, meanders", "most of the time, the goal of taking down this villain is in", "advancing him towards the ultimate goal, and sometimes he fails and has to", "the narrative. The MC is doing these different kinds of missions that are", "find themselves again. Heck, they even beat a few secondary villains that string", "villain is described with fearsome characteristics, and they're compared to secondary villains that", "Heck, they even beat a few secondary villains that string them along a", "of the time, the goal of taking down this villain is in the", "back on the hunt for the main villain. Now, I'm back on this", "comparison to the big baddie. However, accompanying all this reputation build-up, is also", "out of a tricky situation. I think that the narrative taking its time", "scary. However, these comparisons paint these secondary villains as barely anything in comparison", "my villain. He is slowly built up throughout the story, with a bunch", "and they're compared to secondary villains that are themselves pretty scary. However, these", "in the forefront of the narrative. The MC is doing these different kinds", "words in however, and I've got lots to go. This is a pretty", "on the hunt for the main villain. Now, I'm back on this track", "compared to secondary villains that are themselves pretty scary. However, these comparisons paint", "be a lot of the book that contains the villain. As in, it's", "is only present in the last 1k of the book. No, the villain", "to get out of a tricky situation. I think that the narrative taking", "(at least, I think of it as the second act). Here, the story's", "because it is all essential for the MC's arc and development, as well", "is slowly built up throughout the story, with a bunch of characters here", "back on this track towards the villain, and I've had a few chapter's", "goal, and sometimes he fails and has to get out of a tricky", "story will be bad proportionally, however, I'm just wondering if the story is", "different kinds of missions that are all advancing him towards the ultimate goal,", "missions that are all advancing him towards the ultimate goal, and sometimes he", "as well as the MC, meanders a bit. They get lost, completely lost.", "them along a path that eventually leads them back on the hunt for", "in the story will be bad proportionally, however, I'm just wondering if the", "few chapter's just devoted to the long and arduous haul towards the villain.", "I'm just wondering if the story is taking too long to get to", "side character's developments. However, I'm a bit unsure when the second act begins", "doing these different kinds of missions that are all advancing him towards the", "kinds of missions that are all advancing him towards the ultimate goal, and", "present in the last 1k of the book. No, the villain will be", "him towards the ultimate goal, and sometimes he fails and has to get", "bad proportionally, however, I'm just wondering if the story is taking too long", "for the MC's arc and development, as well as side character's developments. However,", "all of this is okay, because it is all essential for the MC's", "is in the forefront of the narrative. The MC is doing these different", "I'm back on this track towards the villain, and I've had a few", "well as the MC, meanders a bit. They get lost, completely lost. And", "baddie. However, accompanying all this reputation build-up, is also a narrative that takes", "has to get out of a tricky situation. I think that the narrative", "villains as barely anything in comparison to the big baddie. However, accompanying all", "the story, with a bunch of characters here and there talking of the", "the villain's presence in the story will be bad proportionally, however, I'm just", "built up throughout the story, with a bunch of characters here and there", "the time, the goal of taking down this villain is in the forefront", "long novel, and there will be a lot of the book that contains", "I think that the narrative taking its time with all of this is", "developments. However, I'm a bit unsure when the second act begins (at least,", "will be present in a lot of chapters, and so I don't think", "the goal of taking down this villain is in the forefront of the", "these different kinds of missions that are all advancing him towards the ultimate", "dramatically, and the narrative, as well as the MC, meanders a bit. They", "however, and I've got lots to go. This is a pretty long novel,", "call the MC crazy for going after him. The villain is described with", "a bit. They get lost, completely lost. And then they find themselves again.", "the long and arduous haul towards the villain. I'm nearly 70K words in", "it is all essential for the MC's arc and development, as well as", "talking of the terror he inflicts upon the world. People call the MC", "least, I think of it as the second act). Here, the story's pace", "terror he inflicts upon the world. People call the MC crazy for going", "arc and development, as well as side character's developments. However, I'm a bit", "characteristics, and they're compared to secondary villains that are themselves pretty scary. However,", "the narrative, as well as the MC, meanders a bit. They get lost,", "a lot of chapters, and so I don't think the villain's presence in", "book. No, the villain will be present in a lot of chapters, and", "the MC crazy for going after him. The villain is described with fearsome", "the dread of my villain. He is slowly built up throughout the story,", "Now, most of the time, the goal of taking down this villain is", "This is a pretty long novel, and there will be a lot of", "are themselves pretty scary. However, these comparisons paint these secondary villains as barely", "get out of a tricky situation. I think that the narrative taking its", "that eventually leads them back on the hunt for the main villain. Now,", "Here, the story's pace drops dramatically, and the narrative, as well as the", "and I've got lots to go. This is a pretty long novel, and", "the book that contains the villain. As in, it's not like this book", "important aspect of my story is the dread of my villain. He is", "villain, and I've had a few chapter's just devoted to the long and", "all essential for the MC's arc and development, as well as side character's", "villain. He is slowly built up throughout the story, with a bunch of", "begins (at least, I think of it as the second act). Here, the", "and has to get out of a tricky situation. I think that the", "bunch of characters here and there talking of the terror he inflicts upon", "the second act). Here, the story's pace drops dramatically, and the narrative, as", "track towards the villain, and I've had a few chapter's just devoted to", "MC is doing these different kinds of missions that are all advancing him", "up throughout the story, with a bunch of characters here and there talking", "will be a lot of the book that contains the villain. As in,", "paint these secondary villains as barely anything in comparison to the big baddie.", "will be 100K and then the villain is only present in the last", "upon the world. People call the MC crazy for going after him. The", "villain. Now, most of the time, the goal of taking down this villain", "I'm a bit unsure when the second act begins (at least, I think", "No, the villain will be present in a lot of chapters, and so", "anything in comparison to the big baddie. However, accompanying all this reputation build-up,", "barely anything in comparison to the big baddie. However, accompanying all this reputation", "to get to the villain. Now, most of the time, the goal of", "well as side character's developments. However, I'm a bit unsure when the second", "secondary villains that string them along a path that eventually leads them back", "tricky situation. I think that the narrative taking its time with all of", "after him. The villain is described with fearsome characteristics, and they're compared to", "just wondering if the story is taking too long to get to the", "to go. This is a pretty long novel, and there will be a", "the villain, and I've had a few chapter's just devoted to the long", "accompanying all this reputation build-up, is also a narrative that takes a long", "of the terror he inflicts upon the world. People call the MC crazy" ]
[ "kingdom/country in my YA fantasy novel, which I am on the verge of", "copyright infringement, or is it okay to move forward with publishing my book", "I invented a name for a kingdom/country in my YA fantasy novel, which", "forward with publishing my book as is? Thank you in advance for any", "name, but I also don’t want to face anything legal. Is this considered", "had the same invented name for her kingdom; only the spelling differed by", "with publishing my book as is? Thank you in advance for any help/advice", "move forward with publishing my book as is? Thank you in advance for", "which I am on the verge of self-publishing. At random, I discovered a", "a kingdom/country in my YA fantasy novel, which I am on the verge", "kingdom’s name, but I also don’t want to face anything legal. Is this", "change my kingdom’s name, but I also don’t want to face anything legal.", "At random, I discovered a self-published author had the same invented name for", "want to face anything legal. Is this considered copyright infringement, or is it", "to face anything legal. Is this considered copyright infringement, or is it okay", "this considered copyright infringement, or is it okay to move forward with publishing", "I really don’t want to change my kingdom’s name, but I also don’t", "I discovered a self-published author had the same invented name for her kingdom;", "I am on the verge of self-publishing. At random, I discovered a self-published", "to change my kingdom’s name, but I also don’t want to face anything", "face anything legal. Is this considered copyright infringement, or is it okay to", "YA fantasy novel, which I am on the verge of self-publishing. At random,", "verge of self-publishing. At random, I discovered a self-published author had the same", "a name for a kingdom/country in my YA fantasy novel, which I am", "of self-publishing. At random, I discovered a self-published author had the same invented", "random, I discovered a self-published author had the same invented name for her", "Years ago I invented a name for a kingdom/country in my YA fantasy", "fantasy novel, which I am on the verge of self-publishing. At random, I", "for a kingdom/country in my YA fantasy novel, which I am on the", "want to change my kingdom’s name, but I also don’t want to face", "author had the same invented name for her kingdom; only the spelling differed", "the spelling differed by one letter. I really don’t want to change my", "by one letter. I really don’t want to change my kingdom’s name, but", "name for a kingdom/country in my YA fantasy novel, which I am on", "Is this considered copyright infringement, or is it okay to move forward with", "it okay to move forward with publishing my book as is? Thank you", "infringement, or is it okay to move forward with publishing my book as", "self-published author had the same invented name for her kingdom; only the spelling", "a self-published author had the same invented name for her kingdom; only the", "or is it okay to move forward with publishing my book as is?", "invented a name for a kingdom/country in my YA fantasy novel, which I", "book as is? Thank you in advance for any help/advice anyone has to", "self-publishing. At random, I discovered a self-published author had the same invented name", "her kingdom; only the spelling differed by one letter. I really don’t want", "anything legal. Is this considered copyright infringement, or is it okay to move", "don’t want to change my kingdom’s name, but I also don’t want to", "same invented name for her kingdom; only the spelling differed by one letter.", "for her kingdom; only the spelling differed by one letter. I really don’t", "am on the verge of self-publishing. At random, I discovered a self-published author", "as is? Thank you in advance for any help/advice anyone has to offer.", "legal. Is this considered copyright infringement, or is it okay to move forward", "name for her kingdom; only the spelling differed by one letter. I really", "is it okay to move forward with publishing my book as is? Thank", "to move forward with publishing my book as is? Thank you in advance", "in my YA fantasy novel, which I am on the verge of self-publishing.", "differed by one letter. I really don’t want to change my kingdom’s name,", "spelling differed by one letter. I really don’t want to change my kingdom’s", "the verge of self-publishing. At random, I discovered a self-published author had the", "only the spelling differed by one letter. I really don’t want to change", "considered copyright infringement, or is it okay to move forward with publishing my", "the same invented name for her kingdom; only the spelling differed by one", "letter. I really don’t want to change my kingdom’s name, but I also", "also don’t want to face anything legal. Is this considered copyright infringement, or", "one letter. I really don’t want to change my kingdom’s name, but I", "my YA fantasy novel, which I am on the verge of self-publishing. At", "really don’t want to change my kingdom’s name, but I also don’t want", "on the verge of self-publishing. At random, I discovered a self-published author had", "okay to move forward with publishing my book as is? Thank you in", "discovered a self-published author had the same invented name for her kingdom; only", "don’t want to face anything legal. Is this considered copyright infringement, or is", "kingdom; only the spelling differed by one letter. I really don’t want to", "novel, which I am on the verge of self-publishing. At random, I discovered", "but I also don’t want to face anything legal. Is this considered copyright", "ago I invented a name for a kingdom/country in my YA fantasy novel,", "my book as is? Thank you in advance for any help/advice anyone has", "I also don’t want to face anything legal. Is this considered copyright infringement,", "invented name for her kingdom; only the spelling differed by one letter. I", "my kingdom’s name, but I also don’t want to face anything legal. Is", "publishing my book as is? Thank you in advance for any help/advice anyone" ]
[ "burn, but being a revenge story, I feel I'm taking too long to", "feels like a slow burn, but being a revenge story, I feel I'm", "up characters and further developing a plot. I'm confused and a bit worried", "story is feels like a slow burn, but being a revenge story, I", "I felt that the story is quite simple and predictable (in the initial", "developing a plot. I'm confused and a bit worried as well. How do", "set up characters and further developing a plot. I'm confused and a bit", "but being a revenge story, I feel I'm taking too long to set", "bit worried as well. How do I make the plot more unpredictable and", "well. How do I make the plot more unpredictable and what else can", "initial chapters) and picks up after 14 chapters are over. The story is", "on my first novel. As I was going through the initial chapters, I", "quite simple and predictable (in the initial chapters) and picks up after 14", "is feels like a slow burn, but being a revenge story, I feel", "working on my first novel. As I was going through the initial chapters,", "chapters) and picks up after 14 chapters are over. The story is feels", "The story is feels like a slow burn, but being a revenge story,", "I feel I'm taking too long to set up characters and further developing", "is quite simple and predictable (in the initial chapters) and picks up after", "How do I make the plot more unpredictable and what else can I", "was going through the initial chapters, I felt that the story is quite", "too long to set up characters and further developing a plot. I'm confused", "slow burn, but being a revenge story, I feel I'm taking too long", "I'm confused and a bit worried as well. How do I make the", "worried as well. How do I make the plot more unpredictable and what", "further developing a plot. I'm confused and a bit worried as well. How", "simple and predictable (in the initial chapters) and picks up after 14 chapters", "and further developing a plot. I'm confused and a bit worried as well.", "14 chapters are over. The story is feels like a slow burn, but", "that the story is quite simple and predictable (in the initial chapters) and", "I make the plot more unpredictable and what else can I do to", "initial chapters, I felt that the story is quite simple and predictable (in", "I was going through the initial chapters, I felt that the story is", "do I make the plot more unpredictable and what else can I do", "chapters are over. The story is feels like a slow burn, but being", "and predictable (in the initial chapters) and picks up after 14 chapters are", "story, I feel I'm taking too long to set up characters and further", "being a revenge story, I feel I'm taking too long to set up", "picks up after 14 chapters are over. The story is feels like a", "after 14 chapters are over. The story is feels like a slow burn,", "a plot. I'm confused and a bit worried as well. How do I", "and picks up after 14 chapters are over. The story is feels like", "to set up characters and further developing a plot. I'm confused and a", "felt that the story is quite simple and predictable (in the initial chapters)", "the plot more unpredictable and what else can I do to make sure", "as well. How do I make the plot more unpredictable and what else", "more unpredictable and what else can I do to make sure everything is", "(in the initial chapters) and picks up after 14 chapters are over. The", "plot. I'm confused and a bit worried as well. How do I make", "revenge story, I feel I'm taking too long to set up characters and", "characters and further developing a plot. I'm confused and a bit worried as", "story is quite simple and predictable (in the initial chapters) and picks up", "confused and a bit worried as well. How do I make the plot", "predictable (in the initial chapters) and picks up after 14 chapters are over.", "long to set up characters and further developing a plot. I'm confused and", "taking too long to set up characters and further developing a plot. I'm", "plot more unpredictable and what else can I do to make sure everything", "As I was going through the initial chapters, I felt that the story", "the initial chapters, I felt that the story is quite simple and predictable", "the initial chapters) and picks up after 14 chapters are over. The story", "I'm taking too long to set up characters and further developing a plot.", "make the plot more unpredictable and what else can I do to make", "up after 14 chapters are over. The story is feels like a slow", "first novel. As I was going through the initial chapters, I felt that", "going through the initial chapters, I felt that the story is quite simple", "I'm working on my first novel. As I was going through the initial", "novel. As I was going through the initial chapters, I felt that the", "unpredictable and what else can I do to make sure everything is good?", "chapters, I felt that the story is quite simple and predictable (in the", "a bit worried as well. How do I make the plot more unpredictable", "a slow burn, but being a revenge story, I feel I'm taking too", "the story is quite simple and predictable (in the initial chapters) and picks", "a revenge story, I feel I'm taking too long to set up characters", "feel I'm taking too long to set up characters and further developing a", "and a bit worried as well. How do I make the plot more", "like a slow burn, but being a revenge story, I feel I'm taking", "are over. The story is feels like a slow burn, but being a", "my first novel. As I was going through the initial chapters, I felt", "through the initial chapters, I felt that the story is quite simple and", "over. The story is feels like a slow burn, but being a revenge" ]
[ "laughing; but here’s the thing it wasn’t normal laughing, it was viscous, evil,", "reason why I live and breathed. > > > I love you Lableno.", "the 500-word minimum? > > What happened to her? > > > My", "you will be living with aunt Marian and uncle Minnh. > > >", "research that that was the spirit’s doing, creaking doors, unexplained temperature changes It", "31st April. It’s his last time to haunt me and… > > >", "aunt Marian and uncle Minnh told you that I’ll be back, but unfortunately,", "I live and breathed. > > > I love you Lableno. And I", "I opened the door to check but nothing was happening- Ms Carey was", "his last time to haunt me and… > > > I know one", "good care of you. You will always be the reason why I live", "normal laughing, it was viscous, evil, and it sounded like someone was being", "I heard it again, but this time there was a deep voice sounded", "her? > > > My darling Lableno, > > > I write to", "not leave without me. I am reminded of a quote from when I", "I thought about what I may have done that I deserved something like", "That’s when I heard it again, but this time there was a deep", "I decided to think about it, often I wondered if I was dreaming", "thinking about if it was his spirit. I did studies and research on", "tell you what was happening. How could I possibly? > > > Over", "> > > I love you Lableno. And I will forever love you.", "if you remember, when I was taking you to your first day of", "Well, I was about to leave when I heard laughing; but here’s the", "ghosts. When I grew up, I realized people are more scary.’ I’m scared.", "him. > > > I considered thinking about if it was his spirit.", "nothing was happening- Ms Carey was just reading to all of you. I", "the house that I found out according to research that that was the", "to her? > > > My darling Lableno, > > > I write", "and it sounded like someone was being tortured. In a hurry, I opened", "grade. After I left you, I came back in really quickly. Well, I", "I am reminded of a quote from when I was a child ‘When", "me. I am reminded of a quote from when I was a child", "I don't know what else to add. This is how it looks so", "stated that in most cases spirits only haunt for 1 year. > >", "about you. So, from today you will be living with aunt Marian and", "like that. That’s when I heard it again, but this time there was", "thing he will not leave without me. I am reminded of a quote", "I realized people are more scary.’ I’m scared. I’m worried about you. So,", "being tortured. In a hurry, I opened the door to check but nothing", "I considered thinking about if it was his spirit. I did studies and", "Last couple of months I’ve been suffering in silence. I don’t know if", "but this time there was a deep voice sounded like a man; a", "sinister story for school and it has to be 500-1000 words. But I", "to leave when I heard laughing; but here’s the thing it wasn’t normal", "creaking doors, unexplained temperature changes It was also stated that in most cases", "all of you. I couldn’t ever tell you what was happening. How could", "love you. Don’t sigh just forgive me. > > > Yours forever, >", "viscous, evil, and it sounded like someone was being tortured. In a hurry,", "also know that aunt Marian and uncle Minnh told you that I’ll be", "I remembered what I did before your father died, I wasn’t very nice", "lot. I remember hearing some things in the house that I found out", "looks so far. How can I expand this to meet the 500-word minimum?", "worried about you. So, from today you will be living with aunt Marian", "day of first grade. After I left you, I came back in really", "to think about it, often I wondered if I was dreaming or envisioning", "When I grew up, I realized people are more scary.’ I’m scared. I’m", "what else to add. This is how it looks so far. How can", "take good care of you. You will always be the reason why I", "in silence. I don’t know if you remember, when I was taking you", "from today you will be living with aunt Marian and uncle Minnh. >", "unexplained temperature changes It was also stated that in most cases spirits only", "I was a child, I was afraid of ghosts. When I grew up,", "taking you to your first day of first grade. After I left you,", "care of you. You will always be the reason why I live and", "was afraid of ghosts. When I grew up, I realized people are more", "thing. Your father died tomorrow last year, 31st April. It’s his last time", "to your first day of first grade. After I left you, I came", "what was happening. How could I possibly? > > > Over days I", "grew up, I realized people are more scary.’ I’m scared. I’m worried about", "I only have 414 words and I don't know what else to add.", "Lableno, > > > I write to you in an assured knowledge that", "tomorrow I will be dead. Last couple of months I’ve been suffering in", "what I may have done that I deserved something like that. That’s when", "you remember, when I was taking you to your first day of first", "here’s the thing it wasn’t normal laughing, it was viscous, evil, and it", "wondered if I was dreaming or envisioning things. I thought hard. I thought", "hearing some things in the house that I found out according to research", "was his spirit. I did studies and research on dead bodies and haunting", "before your father died, I wasn’t very nice to him. > > >", "I’ll be back, but unfortunately, I will not be back, they will take", "nice to him. > > > I considered thinking about if it was", "is how it looks so far. How can I expand this to meet", "Minnh. > > > I know you may not be able to read", "I did before your father died, I wasn’t very nice to him. >", "a sinister story for school and it has to be 500-1000 words. But", "and breathed. > > > I love you Lableno. And I will forever", "for school and it has to be 500-1000 words. But I only have", "> > Over days I decided to think about it, often I wondered", "are more scary.’ I’m scared. I’m worried about you. So, from today you", "you may not be able to read this and I also know that", "this to meet the 500-word minimum? > > What happened to her? >", "that aunt Marian and uncle Minnh told you that I’ll be back, but", "I left you, I came back in really quickly. Well, I was about", "I’m worried about you. So, from today you will be living with aunt", "I did studies and research on dead bodies and haunting spirits. I found", "Lableno. And I will forever love you. Don’t sigh just forgive me. >", "again, but this time there was a deep voice sounded like a man;", "think about it, often I wondered if I was dreaming or envisioning things.", "couldn’t ever tell you what was happening. How could I possibly? > >", "will not leave without me. I am reminded of a quote from when", "to him. > > > I considered thinking about if it was his", "a quote from when I was a child ‘When I was a child,", "envisioning things. I thought hard. I thought about what I may have done", "> I considered thinking about if it was his spirit. I did studies", "told you that I’ll be back, but unfortunately, I will not be back,", "remember, when I was taking you to your first day of first grade.", "> > > Over days I decided to think about it, often I", "I will forever love you. Don’t sigh just forgive me. > > >", "you in an assured knowledge that tomorrow I will be dead. Last couple", "spirits only haunt for 1 year. > > > Well, here’s the thing.", "will be dead. Last couple of months I’ve been suffering in silence. I", "last time to haunt me and… > > > I know one thing", "most cases spirits only haunt for 1 year. > > > Well, here’s", "quickly. Well, I was about to leave when I heard laughing; but here’s", "heard laughing; but here’s the thing it wasn’t normal laughing, it was viscous,", "I wondered if I was dreaming or envisioning things. I thought hard. I", "thought about what I may have done that I deserved something like that.", "you. You will always be the reason why I live and breathed. >", "I also know that aunt Marian and uncle Minnh told you that I’ll", "write to you in an assured knowledge that tomorrow I will be dead.", "to add. This is how it looks so far. How can I expand", "child ‘When I was a child, I was afraid of ghosts. When I", "to all of you. I couldn’t ever tell you what was happening. How", "to read this and I also know that aunt Marian and uncle Minnh", "I love you Lableno. And I will forever love you. Don’t sigh just", "the thing it wasn’t normal laughing, it was viscous, evil, and it sounded", "to meet the 500-word minimum? > > What happened to her? > >", "I remember hearing some things in the house that I found out according", "considered thinking about if it was his spirit. I did studies and research", "know you may not be able to read this and I also know", "when I was a child ‘When I was a child, I was afraid", "the reason why I live and breathed. > > > I love you", "was being tortured. In a hurry, I opened the door to check but", "doors, unexplained temperature changes It was also stated that in most cases spirits", "I will be dead. Last couple of months I’ve been suffering in silence.", "I don’t know if you remember, when I was taking you to your", "or envisioning things. I thought hard. I thought about what I may have", "your first day of first grade. After I left you, I came back", "haunting spirits. I found out a lot. I remember hearing some things in", "about if it was his spirit. I did studies and research on dead", "a bit like your father’s it said ‘and I remembered what I did", "back, they will take good care of you. You will always be the", "1 year. > > > Well, here’s the thing. Your father died tomorrow", "reading to all of you. I couldn’t ever tell you what was happening.", "very nice to him. > > > I considered thinking about if it", "back in really quickly. Well, I was about to leave when I heard", "happened to her? > > > My darling Lableno, > > > I", "dead. Last couple of months I’ve been suffering in silence. I don’t know", "In a hurry, I opened the door to check but nothing was happening-", "that tomorrow I will be dead. Last couple of months I’ve been suffering", "> > > My darling Lableno, > > > I write to you", "doing, creaking doors, unexplained temperature changes It was also stated that in most", "I was a child ‘When I was a child, I was afraid of", "500-word minimum? > > What happened to her? > > > My darling", "it wasn’t normal laughing, it was viscous, evil, and it sounded like someone", "‘and I remembered what I did before your father died, I wasn’t very", "Well, here’s the thing. Your father died tomorrow last year, 31st April. It’s", "here’s the thing. Your father died tomorrow last year, 31st April. It’s his", "silence. I don’t know if you remember, when I was taking you to", "this and I also know that aunt Marian and uncle Minnh told you", "on dead bodies and haunting spirits. I found out a lot. I remember", "why I live and breathed. > > > I love you Lableno. And", "just reading to all of you. I couldn’t ever tell you what was", "you to your first day of first grade. After I left you, I", "dreaming or envisioning things. I thought hard. I thought about what I may", "did studies and research on dead bodies and haunting spirits. I found out", "was also stated that in most cases spirits only haunt for 1 year.", "first day of first grade. After I left you, I came back in", "remember hearing some things in the house that I found out according to", "you Lableno. And I will forever love you. Don’t sigh just forgive me.", "laughing, it was viscous, evil, and it sounded like someone was being tortured.", "things. I thought hard. I thought about what I may have done that", "tortured. In a hurry, I opened the door to check but nothing was", "deep voice sounded like a man; a bit like your father’s it said", "was happening. How could I possibly? > > > Over days I decided", "dead bodies and haunting spirits. I found out a lot. I remember hearing", "don't know what else to add. This is how it looks so far.", "Marian and uncle Minnh told you that I’ll be back, but unfortunately, I", "but unfortunately, I will not be back, they will take good care of", "the spirit’s doing, creaking doors, unexplained temperature changes It was also stated that", "a child, I was afraid of ghosts. When I grew up, I realized", "> > I write to you in an assured knowledge that tomorrow I", "> > I know you may not be able to read this and", "in most cases spirits only haunt for 1 year. > > > Well,", "not be able to read this and I also know that aunt Marian", "happening- Ms Carey was just reading to all of you. I couldn’t ever", "found out according to research that that was the spirit’s doing, creaking doors,", "was about to leave when I heard laughing; but here’s the thing it", "it sounded like someone was being tortured. In a hurry, I opened the", "be dead. Last couple of months I’ve been suffering in silence. I don’t", "And I will forever love you. Don’t sigh just forgive me. > >", "Don’t sigh just forgive me. > > > Yours forever, > > >", "add. This is how it looks so far. How can I expand this", "scary.’ I’m scared. I’m worried about you. So, from today you will be", "heard it again, but this time there was a deep voice sounded like", "> Well, here’s the thing. Your father died tomorrow last year, 31st April.", "don’t know if you remember, when I was taking you to your first", "this time there was a deep voice sounded like a man; a bit", "breathed. > > > I love you Lableno. And I will forever love", "knowledge that tomorrow I will be dead. Last couple of months I’ve been", "last year, 31st April. It’s his last time to haunt me and… >", "been suffering in silence. I don’t know if you remember, when I was", "remembered what I did before your father died, I wasn’t very nice to", "without me. I am reminded of a quote from when I was a", "and research on dead bodies and haunting spirits. I found out a lot.", "scared. I’m worried about you. So, from today you will be living with", "know what else to add. This is how it looks so far. How", "quote from when I was a child ‘When I was a child, I", "How can I expand this to meet the 500-word minimum? > > What", "minimum? > > What happened to her? > > > My darling Lableno,", "father died tomorrow last year, 31st April. It’s his last time to haunt", "to check but nothing was happening- Ms Carey was just reading to all", "I was dreaming or envisioning things. I thought hard. I thought about what", "was happening- Ms Carey was just reading to all of you. I couldn’t", "I deserved something like that. That’s when I heard it again, but this", "when I heard it again, but this time there was a deep voice", "was the spirit’s doing, creaking doors, unexplained temperature changes It was also stated", "I will not be back, they will take good care of you. You", "story for school and it has to be 500-1000 words. But I only", "in an assured knowledge that tomorrow I will be dead. Last couple of", "someone was being tortured. In a hurry, I opened the door to check", "things in the house that I found out according to research that that", "but here’s the thing it wasn’t normal laughing, it was viscous, evil, and", "will be living with aunt Marian and uncle Minnh. > > > I", "when I heard laughing; but here’s the thing it wasn’t normal laughing, it", "unfortunately, I will not be back, they will take good care of you.", "will always be the reason why I live and breathed. > > >", "that in most cases spirits only haunt for 1 year. > > >", "leave without me. I am reminded of a quote from when I was", "what I did before your father died, I wasn’t very nice to him.", "have 414 words and I don't know what else to add. This is", "else to add. This is how it looks so far. How can I", "man; a bit like your father’s it said ‘and I remembered what I", "and uncle Minnh. > > > I know you may not be able", "that I deserved something like that. That’s when I heard it again, but", "sounded like a man; a bit like your father’s it said ‘and I", "back, but unfortunately, I will not be back, they will take good care", "just forgive me. > > > Yours forever, > > > Mum >", "your father died, I wasn’t very nice to him. > > > I", "> > > Well, here’s the thing. Your father died tomorrow last year,", "the thing. Your father died tomorrow last year, 31st April. It’s his last", "it was viscous, evil, and it sounded like someone was being tortured. In", "voice sounded like a man; a bit like your father’s it said ‘and", "April. It’s his last time to haunt me and… > > > I", "know that aunt Marian and uncle Minnh told you that I’ll be back,", "forever love you. Don’t sigh just forgive me. > > > Yours forever,", "spirit. I did studies and research on dead bodies and haunting spirits. I", "father died, I wasn’t very nice to him. > > > I considered", "when I was taking you to your first day of first grade. After", "hard. I thought about what I may have done that I deserved something", "> I know one thing he will not leave without me. I am", "was dreaming or envisioning things. I thought hard. I thought about what I", "> > > I know one thing he will not leave without me.", "you, I came back in really quickly. Well, I was about to leave", "a lot. I remember hearing some things in the house that I found", "said ‘and I remembered what I did before your father died, I wasn’t", "> > Well, here’s the thing. Your father died tomorrow last year, 31st", "ever tell you what was happening. How could I possibly? > > >", "a hurry, I opened the door to check but nothing was happening- Ms", "you what was happening. How could I possibly? > > > Over days", "that that was the spirit’s doing, creaking doors, unexplained temperature changes It was", "I heard laughing; but here’s the thing it wasn’t normal laughing, it was", "love you Lableno. And I will forever love you. Don’t sigh just forgive", "school and it has to be 500-1000 words. But I only have 414", "hurry, I opened the door to check but nothing was happening- Ms Carey", "your father’s it said ‘and I remembered what I did before your father", "It was also stated that in most cases spirits only haunt for 1", "more scary.’ I’m scared. I’m worried about you. So, from today you will", "> > > I considered thinking about if it was his spirit. I", "I grew up, I realized people are more scary.’ I’m scared. I’m worried", "I may have done that I deserved something like that. That’s when I", "an assured knowledge that tomorrow I will be dead. Last couple of months", "left you, I came back in really quickly. Well, I was about to", "with aunt Marian and uncle Minnh. > > > I know you may", "to research that that was the spirit’s doing, creaking doors, unexplained temperature changes", "about it, often I wondered if I was dreaming or envisioning things. I", "tomorrow last year, 31st April. It’s his last time to haunt me and…", "reminded of a quote from when I was a child ‘When I was", "live and breathed. > > > I love you Lableno. And I will", "time to haunt me and… > > > I know one thing he", "only haunt for 1 year. > > > Well, here’s the thing. Your", "days I decided to think about it, often I wondered if I was", "Carey was just reading to all of you. I couldn’t ever tell you", "> > What happened to her? > > > My darling Lableno, >", "the door to check but nothing was happening- Ms Carey was just reading", "> I know you may not be able to read this and I", "that I’ll be back, but unfortunately, I will not be back, they will", "uncle Minnh told you that I’ll be back, but unfortunately, I will not", "it, often I wondered if I was dreaming or envisioning things. I thought", "wasn’t normal laughing, it was viscous, evil, and it sounded like someone was", "decided to think about it, often I wondered if I was dreaming or", "about what I may have done that I deserved something like that. That’s", "check but nothing was happening- Ms Carey was just reading to all of", "you. I couldn’t ever tell you what was happening. How could I possibly?", "that I found out according to research that that was the spirit’s doing,", "I possibly? > > > Over days I decided to think about it,", "also stated that in most cases spirits only haunt for 1 year. >", "sigh just forgive me. > > > Yours forever, > > > Mum", "died, I wasn’t very nice to him. > > > I considered thinking", "far. How can I expand this to meet the 500-word minimum? > >", "spirits. I found out a lot. I remember hearing some things in the", "of you. I couldn’t ever tell you what was happening. How could I", "door to check but nothing was happening- Ms Carey was just reading to", "Ms Carey was just reading to all of you. I couldn’t ever tell", "and haunting spirits. I found out a lot. I remember hearing some things", "But I only have 414 words and I don't know what else to", "you that I’ll be back, but unfortunately, I will not be back, they", "if I was dreaming or envisioning things. I thought hard. I thought about", "> > My darling Lableno, > > > I write to you in", "> Over days I decided to think about it, often I wondered if", "Over days I decided to think about it, often I wondered if I", "My darling Lableno, > > > I write to you in an assured", "thing it wasn’t normal laughing, it was viscous, evil, and it sounded like", "it has to be 500-1000 words. But I only have 414 words and", "This is how it looks so far. How can I expand this to", "only have 414 words and I don't know what else to add. This", "it again, but this time there was a deep voice sounded like a", "‘When I was a child, I was afraid of ghosts. When I grew", "couple of months I’ve been suffering in silence. I don’t know if you", "there was a deep voice sounded like a man; a bit like your", "months I’ve been suffering in silence. I don’t know if you remember, when", "darling Lableno, > > > I write to you in an assured knowledge", "out a lot. I remember hearing some things in the house that I", "I was taking you to your first day of first grade. After I", "will take good care of you. You will always be the reason why", "his spirit. I did studies and research on dead bodies and haunting spirits.", "today you will be living with aunt Marian and uncle Minnh. > >", "research on dead bodies and haunting spirits. I found out a lot. I", "words and I don't know what else to add. This is how it", "assured knowledge that tomorrow I will be dead. Last couple of months I’ve", "How could I possibly? > > > Over days I decided to think", "bit like your father’s it said ‘and I remembered what I did before", "So, from today you will be living with aunt Marian and uncle Minnh.", "some things in the house that I found out according to research that", "forgive me. > > > Yours forever, > > > Mum > >", "possibly? > > > Over days I decided to think about it, often", "can I expand this to meet the 500-word minimum? > > What happened", "I came back in really quickly. Well, I was about to leave when", "> > > I know you may not be able to read this", "changes It was also stated that in most cases spirits only haunt for", "wasn’t very nice to him. > > > I considered thinking about if", "Marian and uncle Minnh. > > > I know you may not be", "I know you may not be able to read this and I also", "really quickly. Well, I was about to leave when I heard laughing; but", "time there was a deep voice sounded like a man; a bit like", "that. That’s when I heard it again, but this time there was a", "a deep voice sounded like a man; a bit like your father’s it", "will forever love you. Don’t sigh just forgive me. > > > Yours", "father’s it said ‘and I remembered what I did before your father died,", "was taking you to your first day of first grade. After I left", "it was his spirit. I did studies and research on dead bodies and", "for 1 year. > > > Well, here’s the thing. Your father died", "sounded like someone was being tortured. In a hurry, I opened the door", "how it looks so far. How can I expand this to meet the", "house that I found out according to research that that was the spirit’s", "may have done that I deserved something like that. That’s when I heard", "a child ‘When I was a child, I was afraid of ghosts. When", "year. > > > Well, here’s the thing. Your father died tomorrow last", "cases spirits only haunt for 1 year. > > > Well, here’s the", "thought hard. I thought about what I may have done that I deserved", "be back, they will take good care of you. You will always be", "like someone was being tortured. In a hurry, I opened the door to", "and I don't know what else to add. This is how it looks", "temperature changes It was also stated that in most cases spirits only haunt", "always be the reason why I live and breathed. > > > I", "realized people are more scary.’ I’m scared. I’m worried about you. So, from", "know if you remember, when I was taking you to your first day", "me. > > > Yours forever, > > > Mum > > >", "was viscous, evil, and it sounded like someone was being tortured. In a", "you. So, from today you will be living with aunt Marian and uncle", "has to be 500-1000 words. But I only have 414 words and I", "> > I considered thinking about if it was his spirit. I did", "am reminded of a quote from when I was a child ‘When I", "of months I’ve been suffering in silence. I don’t know if you remember,", "I’ve been suffering in silence. I don’t know if you remember, when I", "something like that. That’s when I heard it again, but this time there", "like your father’s it said ‘and I remembered what I did before your", "I wasn’t very nice to him. > > > I considered thinking about", "I expand this to meet the 500-word minimum? > > What happened to", "I couldn’t ever tell you what was happening. How could I possibly? >", "words. But I only have 414 words and I don't know what else", "deserved something like that. That’s when I heard it again, but this time", "was a child, I was afraid of ghosts. When I grew up, I", "may not be able to read this and I also know that aunt", "will not be back, they will take good care of you. You will", "> I write to you in an assured knowledge that tomorrow I will", "from when I was a child ‘When I was a child, I was", "I thought hard. I thought about what I may have done that I", "was a child ‘When I was a child, I was afraid of ghosts.", "did before your father died, I wasn’t very nice to him. > >", "able to read this and I also know that aunt Marian and uncle", "they will take good care of you. You will always be the reason", "> > I know one thing he will not leave without me. I", "of first grade. After I left you, I came back in really quickly.", "in the house that I found out according to research that that was", "first grade. After I left you, I came back in really quickly. Well,", "have done that I deserved something like that. That’s when I heard it", "know one thing he will not leave without me. I am reminded of", "a man; a bit like your father’s it said ‘and I remembered what", "it said ‘and I remembered what I did before your father died, I", "> My darling Lableno, > > > I write to you in an", "I was about to leave when I heard laughing; but here’s the thing", "was just reading to all of you. I couldn’t ever tell you what", "> What happened to her? > > > My darling Lableno, > >", "Your father died tomorrow last year, 31st April. It’s his last time to", "not be back, they will take good care of you. You will always", "people are more scary.’ I’m scared. I’m worried about you. So, from today", "I’m scared. I’m worried about you. So, from today you will be living", "me and… > > > I know one thing he will not leave", "writing a sinister story for school and it has to be 500-1000 words.", "be the reason why I live and breathed. > > > I love", "about to leave when I heard laughing; but here’s the thing it wasn’t", "be able to read this and I also know that aunt Marian and", "and… > > > I know one thing he will not leave without", "child, I was afraid of ghosts. When I grew up, I realized people", "meet the 500-word minimum? > > What happened to her? > > >", "500-1000 words. But I only have 414 words and I don't know what", "haunt for 1 year. > > > Well, here’s the thing. Your father", "like a man; a bit like your father’s it said ‘and I remembered", "and I also know that aunt Marian and uncle Minnh told you that", "according to research that that was the spirit’s doing, creaking doors, unexplained temperature", "that was the spirit’s doing, creaking doors, unexplained temperature changes It was also", "came back in really quickly. Well, I was about to leave when I", "was a deep voice sounded like a man; a bit like your father’s", "often I wondered if I was dreaming or envisioning things. I thought hard.", "I write to you in an assured knowledge that tomorrow I will be", "I was afraid of ghosts. When I grew up, I realized people are", "haunt me and… > > > I know one thing he will not", "> > I love you Lableno. And I will forever love you. Don’t", "spirit’s doing, creaking doors, unexplained temperature changes It was also stated that in", "expand this to meet the 500-word minimum? > > What happened to her?", "You will always be the reason why I live and breathed. > >", "I found out a lot. I remember hearing some things in the house", "year, 31st April. It’s his last time to haunt me and… > >", "What happened to her? > > > My darling Lableno, > > >", "it looks so far. How can I expand this to meet the 500-word", "It’s his last time to haunt me and… > > > I know", "so far. How can I expand this to meet the 500-word minimum? >", "I know one thing he will not leave without me. I am reminded", "leave when I heard laughing; but here’s the thing it wasn’t normal laughing,", "in really quickly. Well, I was about to leave when I heard laughing;", "> I love you Lableno. And I will forever love you. Don’t sigh", "opened the door to check but nothing was happening- Ms Carey was just", "uncle Minnh. > > > I know you may not be able to", "done that I deserved something like that. That’s when I heard it again,", "died tomorrow last year, 31st April. It’s his last time to haunt me", "Minnh told you that I’ll be back, but unfortunately, I will not be", "aunt Marian and uncle Minnh. > > > I know you may not", "to be 500-1000 words. But I only have 414 words and I don't", "studies and research on dead bodies and haunting spirits. I found out a", "read this and I also know that aunt Marian and uncle Minnh told", "to you in an assured knowledge that tomorrow I will be dead. Last", "could I possibly? > > > Over days I decided to think about", "be living with aunt Marian and uncle Minnh. > > > I know", "I'm writing a sinister story for school and it has to be 500-1000", "up, I realized people are more scary.’ I’m scared. I’m worried about you.", "bodies and haunting spirits. I found out a lot. I remember hearing some", "but nothing was happening- Ms Carey was just reading to all of you.", "if it was his spirit. I did studies and research on dead bodies", "one thing he will not leave without me. I am reminded of a", "suffering in silence. I don’t know if you remember, when I was taking", "and uncle Minnh told you that I’ll be back, but unfortunately, I will", "of you. You will always be the reason why I live and breathed.", "living with aunt Marian and uncle Minnh. > > > I know you", "> > > I write to you in an assured knowledge that tomorrow", "After I left you, I came back in really quickly. Well, I was", "and it has to be 500-1000 words. But I only have 414 words", "he will not leave without me. I am reminded of a quote from", "to haunt me and… > > > I know one thing he will", "of a quote from when I was a child ‘When I was a", "of ghosts. When I grew up, I realized people are more scary.’ I’m", "you. Don’t sigh just forgive me. > > > Yours forever, > >", "happening. How could I possibly? > > > Over days I decided to", "414 words and I don't know what else to add. This is how", "be back, but unfortunately, I will not be back, they will take good", "out according to research that that was the spirit’s doing, creaking doors, unexplained", "be 500-1000 words. But I only have 414 words and I don't know", "afraid of ghosts. When I grew up, I realized people are more scary.’", "evil, and it sounded like someone was being tortured. In a hurry, I", "I found out according to research that that was the spirit’s doing, creaking", "found out a lot. I remember hearing some things in the house that" ]
[ "a short story's chapter's length is 450 words? If so, could you also", "If so, could you also have a chapter with 1000 or more words", "450 words? If so, could you also have a chapter with 1000 or", "okay if a short story's chapter's length is 450 words? If so, could", "it okay if a short story's chapter's length is 450 words? If so,", "words? If so, could you also have a chapter with 1000 or more", "could you also have a chapter with 1000 or more words in the", "if a short story's chapter's length is 450 words? If so, could you", "length is 450 words? If so, could you also have a chapter with", "also have a chapter with 1000 or more words in the same story?", "story's chapter's length is 450 words? If so, could you also have a", "is 450 words? If so, could you also have a chapter with 1000", "so, could you also have a chapter with 1000 or more words in", "short story's chapter's length is 450 words? If so, could you also have", "chapter's length is 450 words? If so, could you also have a chapter", "you also have a chapter with 1000 or more words in the same", "Is it okay if a short story's chapter's length is 450 words? If" ]
[ "left during the pandemic. Does anyone know how to write a good letter", "anyone know how to write a good letter asking for permission for something?", "my things, which I left during the pandemic. Does anyone know how to", "need to write a letter asking for permission to enter a facility to", "asking for permission to enter a facility to get my things, which I", "write a letter asking for permission to enter a facility to get my", "for permission to enter a facility to get my things, which I left", "Does anyone know how to write a good letter asking for permission for", "a letter asking for permission to enter a facility to get my things,", "the pandemic. Does anyone know how to write a good letter asking for", "letter asking for permission to enter a facility to get my things, which", "to write a letter asking for permission to enter a facility to get", "get my things, which I left during the pandemic. Does anyone know how", "during the pandemic. Does anyone know how to write a good letter asking", "which I left during the pandemic. Does anyone know how to write a", "enter a facility to get my things, which I left during the pandemic.", "to enter a facility to get my things, which I left during the", "facility to get my things, which I left during the pandemic. Does anyone", "I need to write a letter asking for permission to enter a facility", "things, which I left during the pandemic. Does anyone know how to write", "I left during the pandemic. Does anyone know how to write a good", "a facility to get my things, which I left during the pandemic. Does", "pandemic. Does anyone know how to write a good letter asking for permission", "permission to enter a facility to get my things, which I left during", "to get my things, which I left during the pandemic. Does anyone know" ]
[ "has different plot, characters, ex. Can I still write it and publish it?", "from Warriors by Erin Hunter, but it has different plot, characters, ex. Can", "also writing about my characters in Zootopia can I write it and publish", "story that has clans, apprentices, warriors and stuff like that from Warriors by", "that has clans, apprentices, warriors and stuff like that from Warriors by Erin", "stuff like that from Warriors by Erin Hunter, but it has different plot,", "warriors and stuff like that from Warriors by Erin Hunter, but it has", "am writing a story that has clans, apprentices, warriors and stuff like that", "like that from Warriors by Erin Hunter, but it has different plot, characters,", "I still write it and publish it? I'm also writing about my characters", "by Erin Hunter, but it has different plot, characters, ex. Can I still", "Erin Hunter, but it has different plot, characters, ex. Can I still write", "that from Warriors by Erin Hunter, but it has different plot, characters, ex.", "ex. Can I still write it and publish it? I'm also writing about", "has clans, apprentices, warriors and stuff like that from Warriors by Erin Hunter,", "and stuff like that from Warriors by Erin Hunter, but it has different", "still write it and publish it? I'm also writing about my characters in", "characters, ex. Can I still write it and publish it? I'm also writing", "plot, characters, ex. Can I still write it and publish it? I'm also", "and publish it? I'm also writing about my characters in Zootopia can I", "I am writing a story that has clans, apprentices, warriors and stuff like", "it? I'm also writing about my characters in Zootopia can I write it", "it and publish it? I'm also writing about my characters in Zootopia can", "it has different plot, characters, ex. Can I still write it and publish", "Warriors by Erin Hunter, but it has different plot, characters, ex. Can I", "different plot, characters, ex. Can I still write it and publish it? I'm", "clans, apprentices, warriors and stuff like that from Warriors by Erin Hunter, but", "Can I still write it and publish it? I'm also writing about my", "apprentices, warriors and stuff like that from Warriors by Erin Hunter, but it", "Hunter, but it has different plot, characters, ex. Can I still write it", "but it has different plot, characters, ex. Can I still write it and", "writing about my characters in Zootopia can I write it and publish it", "publish it? I'm also writing about my characters in Zootopia can I write", "my characters in Zootopia can I write it and publish it as well?", "about my characters in Zootopia can I write it and publish it as", "write it and publish it? I'm also writing about my characters in Zootopia", "I'm also writing about my characters in Zootopia can I write it and", "writing a story that has clans, apprentices, warriors and stuff like that from", "a story that has clans, apprentices, warriors and stuff like that from Warriors" ]
[ "where the first chapter ends, so I have a few ways I can", "to a new story, change the name, and go from there or I", "lost in the transition when I change something. How do I keep this", "I have a few ways I can go with it. I can take", "the characters had something I had a hard time writing; a personality. With", "I can kill the other two MCs and keep going in this new", "the first chapter ends, so I have a few ways I can go", "ways I can go with it. I can take this new character to", "few quick adjustments and some plot changes, the three MCs escaped to a", "feel like something is going to get lost in the transition when I", "so I decided to do an It Was All Just A Dream. Yes", "had something I had a hard time writing; a personality. With a few", "or I can kill the other two MCs and keep going in this", "be a one shot with three main characters, mainly to play around with", "thing that I'm worried about if I kill everyone else is that the", "quick adjustments and some plot changes, the three MCs escaped to a safe", "first person POV not from the POV of the character I want to", "this new character to a new story, change the name, and go from", "about if I kill everyone else is that the story ends, because it's", "take this new character to a new story, change the name, and go", "opportunity to look over the story a bit more. I could tell that", "I can take this new character to a new story, change the name,", "All Just A Dream. Yes I hate it too but the new world", "the transition when I change something. How do I keep this character while", "go from there or I can kill the other two MCs and keep", "there or I can kill the other two MCs and keep going in", "could tell that the world wasn't going to work for the character, so", "POV of the character I want to keep. If I move the character", "it. When I was about where everyone was supposed to die, I realized", "tell that the world wasn't going to work for the character, so I", "suited it. When I was about where everyone was supposed to die, I", "this is where the first chapter ends, so I have a few ways", "for the story and not apocalyptic. And then this is where the first", "ends, because it's first person POV not from the POV of the character", "of the characters had something I had a hard time writing; a personality.", "to look over the story a bit more. I could tell that the", "and some plot changes, the three MCs escaped to a safe house. Once", "I realized that one of the characters had something I had a hard", "is much better for the story and not apocalyptic. And then this is", "MCs and keep going in this new world. The main thing that I'm", "The main thing that I'm worried about if I kill everyone else is", "character, so I decided to do an It Was All Just A Dream.", "character I want to keep. If I move the character into a new", "to die, I realized that one of the characters had something I had", "And then this is where the first chapter ends, so I have a", "more. I could tell that the world wasn't going to work for the", "Yes I hate it too but the new world is much better for", "one shot with three main characters, mainly to play around with a certain", "When I was about where everyone was supposed to die, I realized that", "much better for the story and not apocalyptic. And then this is where", "want to keep. If I move the character into a new story, I", "story that I intended to be a one shot with three main characters,", "personality. With a few quick adjustments and some plot changes, the three MCs", "the story and not apocalyptic. And then this is where the first chapter", "so I have a few ways I can go with it. I can", "else is that the story ends, because it's first person POV not from", "about where everyone was supposed to die, I realized that one of the", "over the story a bit more. I could tell that the world wasn't", "from there or I can kill the other two MCs and keep going", "safe house. Once there I took the opportunity to look over the story", "I can go with it. I can take this new character to a", "around with a certain object within a world that suited it. When I", "I was about where everyone was supposed to die, I realized that one", "it. I can take this new character to a new story, change the", "worried about if I kill everyone else is that the story ends, because", "something is going to get lost in the transition when I change something.", "a hard time writing; a personality. With a few quick adjustments and some", "characters had something I had a hard time writing; a personality. With a", "MCs escaped to a safe house. Once there I took the opportunity to", "new world is much better for the story and not apocalyptic. And then", "new character to a new story, change the name, and go from there", "too but the new world is much better for the story and not", "the name, and go from there or I can kill the other two", "I intended to be a one shot with three main characters, mainly to", "and keep going in this new world. The main thing that I'm worried", "a few ways I can go with it. I can take this new", "it's first person POV not from the POV of the character I want", "when I change something. How do I keep this character while still making", "main thing that I'm worried about if I kill everyone else is that", "that the story ends, because it's first person POV not from the POV", "something I had a hard time writing; a personality. With a few quick", "everyone was supposed to die, I realized that one of the characters had", "look over the story a bit more. I could tell that the world", "do an It Was All Just A Dream. Yes I hate it too", "I decided to do an It Was All Just A Dream. Yes I", "I took the opportunity to look over the story a bit more. I", "person POV not from the POV of the character I want to keep.", "a one shot with three main characters, mainly to play around with a", "chapter ends, so I have a few ways I can go with it.", "I'm worried about if I kill everyone else is that the story ends,", "story a bit more. I could tell that the world wasn't going to", "I wrote a story that I intended to be a one shot with", "the new world is much better for the story and not apocalyptic. And", "story ends, because it's first person POV not from the POV of the", "for the character, so I decided to do an It Was All Just", "story, I feel like something is going to get lost in the transition", "three MCs escaped to a safe house. Once there I took the opportunity", "that suited it. When I was about where everyone was supposed to die,", "an It Was All Just A Dream. Yes I hate it too but", "few ways I can go with it. I can take this new character", "realized that one of the characters had something I had a hard time", "within a world that suited it. When I was about where everyone was", "can take this new character to a new story, change the name, and", "characters, mainly to play around with a certain object within a world that", "main characters, mainly to play around with a certain object within a world", "to be a one shot with three main characters, mainly to play around", "decided to do an It Was All Just A Dream. Yes I hate", "into a new story, I feel like something is going to get lost", "to do an It Was All Just A Dream. Yes I hate it", "play around with a certain object within a world that suited it. When", "if I kill everyone else is that the story ends, because it's first", "If I move the character into a new story, I feel like something", "world that suited it. When I was about where everyone was supposed to", "going to work for the character, so I decided to do an It", "a bit more. I could tell that the world wasn't going to work", "go with it. I can take this new character to a new story,", "that I intended to be a one shot with three main characters, mainly", "new story, change the name, and go from there or I can kill", "this new world. The main thing that I'm worried about if I kill", "two MCs and keep going in this new world. The main thing that", "move the character into a new story, I feel like something is going", "die, I realized that one of the characters had something I had a", "that one of the characters had something I had a hard time writing;", "something. How do I keep this character while still making a good story?", "like something is going to get lost in the transition when I change", "the POV of the character I want to keep. If I move the", "with a certain object within a world that suited it. When I was", "to work for the character, so I decided to do an It Was", "a personality. With a few quick adjustments and some plot changes, the three", "world wasn't going to work for the character, so I decided to do", "one of the characters had something I had a hard time writing; a", "to keep. If I move the character into a new story, I feel", "is that the story ends, because it's first person POV not from the", "going to get lost in the transition when I change something. How do", "a safe house. Once there I took the opportunity to look over the", "that the world wasn't going to work for the character, so I decided", "ends, so I have a few ways I can go with it. I", "get lost in the transition when I change something. How do I keep", "change the name, and go from there or I can kill the other", "have a few ways I can go with it. I can take this", "I change something. How do I keep this character while still making a", "of the character I want to keep. If I move the character into", "the character I want to keep. If I move the character into a", "wasn't going to work for the character, so I decided to do an", "is going to get lost in the transition when I change something. How", "new world. The main thing that I'm worried about if I kill everyone", "to a safe house. Once there I took the opportunity to look over", "everyone else is that the story ends, because it's first person POV not", "because it's first person POV not from the POV of the character I", "I feel like something is going to get lost in the transition when", "can go with it. I can take this new character to a new", "transition when I change something. How do I keep this character while still", "work for the character, so I decided to do an It Was All", "a few quick adjustments and some plot changes, the three MCs escaped to", "first chapter ends, so I have a few ways I can go with", "was about where everyone was supposed to die, I realized that one of", "to get lost in the transition when I change something. How do I", "from the POV of the character I want to keep. If I move", "to play around with a certain object within a world that suited it.", "plot changes, the three MCs escaped to a safe house. Once there I", "the story a bit more. I could tell that the world wasn't going", "escaped to a safe house. Once there I took the opportunity to look", "hard time writing; a personality. With a few quick adjustments and some plot", "character into a new story, I feel like something is going to get", "the character, so I decided to do an It Was All Just A", "Just A Dream. Yes I hate it too but the new world is", "adjustments and some plot changes, the three MCs escaped to a safe house.", "changes, the three MCs escaped to a safe house. Once there I took", "bit more. I could tell that the world wasn't going to work for", "Was All Just A Dream. Yes I hate it too but the new", "world is much better for the story and not apocalyptic. And then this", "It Was All Just A Dream. Yes I hate it too but the", "better for the story and not apocalyptic. And then this is where the", "supposed to die, I realized that one of the characters had something I", "keep. If I move the character into a new story, I feel like", "in this new world. The main thing that I'm worried about if I", "then this is where the first chapter ends, so I have a few", "is where the first chapter ends, so I have a few ways I", "object within a world that suited it. When I was about where everyone", "new story, I feel like something is going to get lost in the", "keep going in this new world. The main thing that I'm worried about", "the world wasn't going to work for the character, so I decided to", "I hate it too but the new world is much better for the", "POV not from the POV of the character I want to keep. If", "Dream. Yes I hate it too but the new world is much better", "but the new world is much better for the story and not apocalyptic.", "change something. How do I keep this character while still making a good", "kill the other two MCs and keep going in this new world. The", "I could tell that the world wasn't going to work for the character,", "With a few quick adjustments and some plot changes, the three MCs escaped", "other two MCs and keep going in this new world. The main thing", "three main characters, mainly to play around with a certain object within a", "I move the character into a new story, I feel like something is", "with three main characters, mainly to play around with a certain object within", "there I took the opportunity to look over the story a bit more.", "a certain object within a world that suited it. When I was about", "a new story, change the name, and go from there or I can", "I had a hard time writing; a personality. With a few quick adjustments", "and not apocalyptic. And then this is where the first chapter ends, so", "can kill the other two MCs and keep going in this new world.", "had a hard time writing; a personality. With a few quick adjustments and", "writing; a personality. With a few quick adjustments and some plot changes, the", "it too but the new world is much better for the story and", "that I'm worried about if I kill everyone else is that the story", "mainly to play around with a certain object within a world that suited", "wrote a story that I intended to be a one shot with three", "with it. I can take this new character to a new story, change", "in the transition when I change something. How do I keep this character", "the story ends, because it's first person POV not from the POV of", "name, and go from there or I can kill the other two MCs", "not from the POV of the character I want to keep. If I", "and go from there or I can kill the other two MCs and", "some plot changes, the three MCs escaped to a safe house. Once there", "was supposed to die, I realized that one of the characters had something", "character to a new story, change the name, and go from there or", "the other two MCs and keep going in this new world. The main", "Once there I took the opportunity to look over the story a bit", "a world that suited it. When I was about where everyone was supposed", "shot with three main characters, mainly to play around with a certain object", "the three MCs escaped to a safe house. Once there I took the", "where everyone was supposed to die, I realized that one of the characters", "world. The main thing that I'm worried about if I kill everyone else", "story, change the name, and go from there or I can kill the", "hate it too but the new world is much better for the story", "a story that I intended to be a one shot with three main", "A Dream. Yes I hate it too but the new world is much", "intended to be a one shot with three main characters, mainly to play", "certain object within a world that suited it. When I was about where", "not apocalyptic. And then this is where the first chapter ends, so I", "time writing; a personality. With a few quick adjustments and some plot changes,", "apocalyptic. And then this is where the first chapter ends, so I have", "the opportunity to look over the story a bit more. I could tell", "story and not apocalyptic. And then this is where the first chapter ends,", "took the opportunity to look over the story a bit more. I could", "going in this new world. The main thing that I'm worried about if", "I kill everyone else is that the story ends, because it's first person", "the character into a new story, I feel like something is going to", "I want to keep. If I move the character into a new story,", "house. Once there I took the opportunity to look over the story a", "kill everyone else is that the story ends, because it's first person POV", "a new story, I feel like something is going to get lost in" ]
[ "- but in order to do that, that takes time I currently don't", "and later send a changed version of the book to a traditional publishing", "a radical rewrite, but rather to make the book more substantial. I know", "now (e.g. on Amazon Kindle) and later send a changed version of the", "send a changed version of the book to a traditional publishing house? The", "make the book more substantial. I know that there are questions like [these](https://writing.stackexchange.com/questions/49390/does-self-publishing-ones-ebook-online-hurt-a-writers-chances-of-later-selling)", "If the self-published work is not a commercial success, when does a changed", "later send a changed version of the book to a traditional publishing house?", "that I would like to add more material to the book - but", "to add more material to the book - but in order to do", "book that is nearing completion. Because the current circumstances might increase interest in", "that there are questions like [these](https://writing.stackexchange.com/questions/49390/does-self-publishing-ones-ebook-online-hurt-a-writers-chances-of-later-selling) that deal with the case where one", "I know that there are questions like [these](https://writing.stackexchange.com/questions/49390/does-self-publishing-ones-ebook-online-hurt-a-writers-chances-of-later-selling) that deal with the case", "a commercial success, when does a changed book count as a \"new submission\"?", "current circumstances might increase interest in the book and also the Christmas sale", "don't have. I don't plan on a radical rewrite, but rather to make", "publishing house? The idea is that I would like to add more material", "idea is that I would like to add more material to the book", "traditional way and that seems to work if the self-published work is a", "order to do that, that takes time I currently don't have. I don't", "be a good idea to self-publish it now (e.g. on Amazon Kindle) and", "have. I don't plan on a radical rewrite, but rather to make the", "know that there are questions like [these](https://writing.stackexchange.com/questions/49390/does-self-publishing-ones-ebook-online-hurt-a-writers-chances-of-later-selling) that deal with the case where", "increase interest in the book and also the Christmas sale is coming, I", "questions like [these](https://writing.stackexchange.com/questions/49390/does-self-publishing-ones-ebook-online-hurt-a-writers-chances-of-later-selling) that deal with the case where one tries to get", "a book that is nearing completion. Because the current circumstances might increase interest", "more substantial. I know that there are questions like [these](https://writing.stackexchange.com/questions/49390/does-self-publishing-ones-ebook-online-hurt-a-writers-chances-of-later-selling) that deal with", "it would be a good idea to self-publish it now (e.g. on Amazon", "work if the self-published work is a commercial success. I guess what I'm", "get essentially the same book published the traditional way and that seems to", "way and that seems to work if the self-published work is a commercial", "the same book published the traditional way and that seems to work if", "substantial. I know that there are questions like [these](https://writing.stackexchange.com/questions/49390/does-self-publishing-ones-ebook-online-hurt-a-writers-chances-of-later-selling) that deal with the", "like [these](https://writing.stackexchange.com/questions/49390/does-self-publishing-ones-ebook-online-hurt-a-writers-chances-of-later-selling) that deal with the case where one tries to get essentially", "Because the current circumstances might increase interest in the book and also the", "I'm asking here is: If the self-published work is not a commercial success,", "is a commercial success. I guess what I'm asking here is: If the", "the self-published work is a commercial success. I guess what I'm asking here", "takes time I currently don't have. I don't plan on a radical rewrite,", "what I'm asking here is: If the self-published work is not a commercial", "on a radical rewrite, but rather to make the book more substantial. I", "that deal with the case where one tries to get essentially the same", "is coming, I would like if it would be a good idea to", "changed version of the book to a traditional publishing house? The idea is", "Amazon Kindle) and later send a changed version of the book to a", "and that seems to work if the self-published work is a commercial success.", "version of the book to a traditional publishing house? The idea is that", "the self-published work is not a commercial success, when does a changed book", "I would like to add more material to the book - but in", "to a traditional publishing house? The idea is that I would like to", "are questions like [these](https://writing.stackexchange.com/questions/49390/does-self-publishing-ones-ebook-online-hurt-a-writers-chances-of-later-selling) that deal with the case where one tries to", "the current circumstances might increase interest in the book and also the Christmas", "commercial success. I guess what I'm asking here is: If the self-published work", "traditional publishing house? The idea is that I would like to add more", "The idea is that I would like to add more material to the", "in the book and also the Christmas sale is coming, I would like", "in order to do that, that takes time I currently don't have. I", "I don't plan on a radical rewrite, but rather to make the book", "[these](https://writing.stackexchange.com/questions/49390/does-self-publishing-ones-ebook-online-hurt-a-writers-chances-of-later-selling) that deal with the case where one tries to get essentially the", "if it would be a good idea to self-publish it now (e.g. on", "to get essentially the same book published the traditional way and that seems", "circumstances might increase interest in the book and also the Christmas sale is", "a good idea to self-publish it now (e.g. on Amazon Kindle) and later", "plan on a radical rewrite, but rather to make the book more substantial.", "more material to the book - but in order to do that, that", "Christmas sale is coming, I would like if it would be a good", "to the book - but in order to do that, that takes time", "the book to a traditional publishing house? The idea is that I would", "I currently don't have. I don't plan on a radical rewrite, but rather", "self-publish it now (e.g. on Amazon Kindle) and later send a changed version", "book to a traditional publishing house? The idea is that I would like", "one tries to get essentially the same book published the traditional way and", "time I currently don't have. I don't plan on a radical rewrite, but", "book and also the Christmas sale is coming, I would like if it", "if the self-published work is a commercial success. I guess what I'm asking", "also the Christmas sale is coming, I would like if it would be", "house? The idea is that I would like to add more material to", "that, that takes time I currently don't have. I don't plan on a", "asking here is: If the self-published work is not a commercial success, when", "where one tries to get essentially the same book published the traditional way", "the book more substantial. I know that there are questions like [these](https://writing.stackexchange.com/questions/49390/does-self-publishing-ones-ebook-online-hurt-a-writers-chances-of-later-selling) that", "like if it would be a good idea to self-publish it now (e.g.", "guess what I'm asking here is: If the self-published work is not a", "do that, that takes time I currently don't have. I don't plan on", "material to the book - but in order to do that, that takes", "coming, I would like if it would be a good idea to self-publish", "I would like if it would be a good idea to self-publish it", "a traditional publishing house? The idea is that I would like to add", "to do that, that takes time I currently don't have. I don't plan", "but in order to do that, that takes time I currently don't have.", "add more material to the book - but in order to do that,", "idea to self-publish it now (e.g. on Amazon Kindle) and later send a", "Kindle) and later send a changed version of the book to a traditional", "like to add more material to the book - but in order to", "self-published work is a commercial success. I guess what I'm asking here is:", "and also the Christmas sale is coming, I would like if it would", "on Amazon Kindle) and later send a changed version of the book to", "is: If the self-published work is not a commercial success, when does a", "sale is coming, I would like if it would be a good idea", "a commercial success. I guess what I'm asking here is: If the self-published", "currently don't have. I don't plan on a radical rewrite, but rather to", "deal with the case where one tries to get essentially the same book", "work is a commercial success. I guess what I'm asking here is: If", "the book - but in order to do that, that takes time I", "book - but in order to do that, that takes time I currently", "to work if the self-published work is a commercial success. I guess what", "not a commercial success, when does a changed book count as a \"new", "would be a good idea to self-publish it now (e.g. on Amazon Kindle)", "would like to add more material to the book - but in order", "it now (e.g. on Amazon Kindle) and later send a changed version of", "book more substantial. I know that there are questions like [these](https://writing.stackexchange.com/questions/49390/does-self-publishing-ones-ebook-online-hurt-a-writers-chances-of-later-selling) that deal", "is that I would like to add more material to the book -", "is nearing completion. Because the current circumstances might increase interest in the book", "nearing completion. Because the current circumstances might increase interest in the book and", "work is not a commercial success, when does a changed book count as", "but rather to make the book more substantial. I know that there are", "seems to work if the self-published work is a commercial success. I guess", "to self-publish it now (e.g. on Amazon Kindle) and later send a changed", "there are questions like [these](https://writing.stackexchange.com/questions/49390/does-self-publishing-ones-ebook-online-hurt-a-writers-chances-of-later-selling) that deal with the case where one tries", "that is nearing completion. Because the current circumstances might increase interest in the", "book published the traditional way and that seems to work if the self-published", "radical rewrite, but rather to make the book more substantial. I know that", "that seems to work if the self-published work is a commercial success. I", "I have a book that is nearing completion. Because the current circumstances might", "that takes time I currently don't have. I don't plan on a radical", "completion. Because the current circumstances might increase interest in the book and also", "interest in the book and also the Christmas sale is coming, I would", "the book and also the Christmas sale is coming, I would like if", "a changed version of the book to a traditional publishing house? The idea", "with the case where one tries to get essentially the same book published", "success. I guess what I'm asking here is: If the self-published work is", "don't plan on a radical rewrite, but rather to make the book more", "self-published work is not a commercial success, when does a changed book count", "the traditional way and that seems to work if the self-published work is", "essentially the same book published the traditional way and that seems to work", "to make the book more substantial. I know that there are questions like", "(e.g. on Amazon Kindle) and later send a changed version of the book", "the Christmas sale is coming, I would like if it would be a", "tries to get essentially the same book published the traditional way and that", "published the traditional way and that seems to work if the self-published work", "of the book to a traditional publishing house? The idea is that I", "would like if it would be a good idea to self-publish it now", "the case where one tries to get essentially the same book published the", "have a book that is nearing completion. Because the current circumstances might increase", "here is: If the self-published work is not a commercial success, when does", "is not a commercial success, when does a changed book count as a", "rewrite, but rather to make the book more substantial. I know that there", "might increase interest in the book and also the Christmas sale is coming,", "I guess what I'm asking here is: If the self-published work is not", "same book published the traditional way and that seems to work if the", "case where one tries to get essentially the same book published the traditional", "good idea to self-publish it now (e.g. on Amazon Kindle) and later send", "rather to make the book more substantial. I know that there are questions" ]
[ "fall in love, and on New Years Eve he kisses her and she", "for 7 years, they make a dare to see who can hook up", "to see who can hook up with the most people by New Years.", "New Years Eve he kisses her and she kisses him back. However, the", "girl's best friend is helplessly in love with the boy, so their relationship", "an \"enemies to lovers\" book. My two many characters have hated each other", "characters have hated each other for 7 years, they make a dare to", "make a dare to see who can hook up with the most people", "two many characters have hated each other for 7 years, they make a", "kisses her and she kisses him back. However, the girl's best friend is", "a way that won't come across as cheesy or out-of-place? Just in general,", "on New Years Eve he kisses her and she kisses him back. However,", "have hated each other for 7 years, they make a dare to see", "best friend is helplessly in love with the boy, so their relationship is", "boy, so their relationship is a secret. How can I write a big", "is a secret. How can I write a big reveal in a way", "I write a big reveal in a way that won't come across as", "and on New Years Eve he kisses her and she kisses him back.", "can hook up with the most people by New Years. Slowly they fall", "So I'm writing an \"enemies to lovers\" book. My two many characters have", "who can hook up with the most people by New Years. Slowly they", "hook up with the most people by New Years. Slowly they fall in", "love with the boy, so their relationship is a secret. How can I", "\"enemies to lovers\" book. My two many characters have hated each other for", "write a big reveal in a way that won't come across as cheesy", "across as cheesy or out-of-place? Just in general, what should I avoid when", "Years. Slowly they fall in love, and on New Years Eve he kisses", "so their relationship is a secret. How can I write a big reveal", "is helplessly in love with the boy, so their relationship is a secret.", "hated each other for 7 years, they make a dare to see who", "dare to see who can hook up with the most people by New", "up with the most people by New Years. Slowly they fall in love,", "the boy, so their relationship is a secret. How can I write a", "the most people by New Years. Slowly they fall in love, and on", "they make a dare to see who can hook up with the most", "by New Years. Slowly they fall in love, and on New Years Eve", "and she kisses him back. However, the girl's best friend is helplessly in", "New Years. Slowly they fall in love, and on New Years Eve he", "kisses him back. However, the girl's best friend is helplessly in love with", "My two many characters have hated each other for 7 years, they make", "How can I write a big reveal in a way that won't come", "come across as cheesy or out-of-place? Just in general, what should I avoid", "cheesy or out-of-place? Just in general, what should I avoid when writing this", "years, they make a dare to see who can hook up with the", "they fall in love, and on New Years Eve he kisses her and", "that won't come across as cheesy or out-of-place? Just in general, what should", "However, the girl's best friend is helplessly in love with the boy, so", "friend is helplessly in love with the boy, so their relationship is a", "helplessly in love with the boy, so their relationship is a secret. How", "or out-of-place? Just in general, what should I avoid when writing this scene?", "each other for 7 years, they make a dare to see who can", "other for 7 years, they make a dare to see who can hook", "way that won't come across as cheesy or out-of-place? Just in general, what", "a dare to see who can hook up with the most people by", "most people by New Years. Slowly they fall in love, and on New", "see who can hook up with the most people by New Years. Slowly", "book. My two many characters have hated each other for 7 years, they", "back. However, the girl's best friend is helplessly in love with the boy,", "the girl's best friend is helplessly in love with the boy, so their", "many characters have hated each other for 7 years, they make a dare", "lovers\" book. My two many characters have hated each other for 7 years,", "their relationship is a secret. How can I write a big reveal in", "to lovers\" book. My two many characters have hated each other for 7", "can I write a big reveal in a way that won't come across", "with the most people by New Years. Slowly they fall in love, and", "as cheesy or out-of-place? Just in general, what should I avoid when writing", "7 years, they make a dare to see who can hook up with", "she kisses him back. However, the girl's best friend is helplessly in love", "relationship is a secret. How can I write a big reveal in a", "I'm writing an \"enemies to lovers\" book. My two many characters have hated", "in love, and on New Years Eve he kisses her and she kisses", "reveal in a way that won't come across as cheesy or out-of-place? Just", "won't come across as cheesy or out-of-place? Just in general, what should I", "people by New Years. Slowly they fall in love, and on New Years", "him back. However, the girl's best friend is helplessly in love with the", "writing an \"enemies to lovers\" book. My two many characters have hated each", "Years Eve he kisses her and she kisses him back. However, the girl's", "her and she kisses him back. However, the girl's best friend is helplessly", "a secret. How can I write a big reveal in a way that", "with the boy, so their relationship is a secret. How can I write", "he kisses her and she kisses him back. However, the girl's best friend", "big reveal in a way that won't come across as cheesy or out-of-place?", "secret. How can I write a big reveal in a way that won't", "love, and on New Years Eve he kisses her and she kisses him", "a big reveal in a way that won't come across as cheesy or", "in a way that won't come across as cheesy or out-of-place? Just in", "in love with the boy, so their relationship is a secret. How can", "Slowly they fall in love, and on New Years Eve he kisses her", "Eve he kisses her and she kisses him back. However, the girl's best" ]
[ "on content. But I think that no matter how much content you generate,", "someone about how to write eloquently, I argued that one needs to learn", "need to have a large grammatical repertoire, so that your final draft will", "you still need to have a large grammatical repertoire, so that your final", "he said that one should focus on content. But I think that no", "with someone about how to write eloquently, I argued that one needs to", "think that no matter how much content you generate, you still need to", "debating with someone about how to write eloquently, I argued that one needs", "writing, but he said that one should focus on content. But I think", "to learn grammatical structures so that grammar comes easily when writing, but he", "matter how much content you generate, you still need to have a large", "that one needs to learn grammatical structures so that grammar comes easily when", "structures so that grammar comes easily when writing, but he said that one", "that one should focus on content. But I think that no matter how", "large grammatical repertoire, so that your final draft will sound good. What do", "to have a large grammatical repertoire, so that your final draft will sound", "content. But I think that no matter how much content you generate, you", "but he said that one should focus on content. But I think that", "to write eloquently, I argued that one needs to learn grammatical structures so", "content you generate, you still need to have a large grammatical repertoire, so", "that no matter how much content you generate, you still need to have", "so that grammar comes easily when writing, but he said that one should", "But I think that no matter how much content you generate, you still", "needs to learn grammatical structures so that grammar comes easily when writing, but", "I argued that one needs to learn grammatical structures so that grammar comes", "learn grammatical structures so that grammar comes easily when writing, but he said", "When debating with someone about how to write eloquently, I argued that one", "repertoire, so that your final draft will sound good. What do you think?", "no matter how much content you generate, you still need to have a", "grammatical repertoire, so that your final draft will sound good. What do you", "one should focus on content. But I think that no matter how much", "easily when writing, but he said that one should focus on content. But", "how much content you generate, you still need to have a large grammatical", "how to write eloquently, I argued that one needs to learn grammatical structures", "a large grammatical repertoire, so that your final draft will sound good. What", "comes easily when writing, but he said that one should focus on content.", "you generate, you still need to have a large grammatical repertoire, so that", "eloquently, I argued that one needs to learn grammatical structures so that grammar", "about how to write eloquently, I argued that one needs to learn grammatical", "argued that one needs to learn grammatical structures so that grammar comes easily", "much content you generate, you still need to have a large grammatical repertoire,", "that grammar comes easily when writing, but he said that one should focus", "focus on content. But I think that no matter how much content you", "one needs to learn grammatical structures so that grammar comes easily when writing,", "grammar comes easily when writing, but he said that one should focus on", "should focus on content. But I think that no matter how much content", "generate, you still need to have a large grammatical repertoire, so that your", "write eloquently, I argued that one needs to learn grammatical structures so that", "when writing, but he said that one should focus on content. But I", "grammatical structures so that grammar comes easily when writing, but he said that", "I think that no matter how much content you generate, you still need", "said that one should focus on content. But I think that no matter", "still need to have a large grammatical repertoire, so that your final draft", "have a large grammatical repertoire, so that your final draft will sound good." ]
[ "English](https://www.shmoop.com/study-guides/literature/east-of-eden/lee), that he does so for reasons of his own. In my Gold", "didn't have: 1. I'm no Jayn Stuikbevt. 2. Some modern readers will cringe", "story by its \"unrealtiy\", or worse, decide to stop reading before the reveal.", "In my Gold Rush story, the protagonist employs a Chinese man who —", "early-20th-century stereotype, after all — I'd hate for any readers to be pulled", "his name, the character would say something like: \"Lee. Got more name. Lee", "so for reasons of his own. In my Gold Rush story, the protagonist", "decide to stop reading before the reveal. What's a good way to handle", "Chinese man who — he will discover — does the same thing in", "the same thing in order to remain inconspicuous. I have two problems that", "will discover — does the same thing in order to remain inconspicuous. I", "thing in order to remain inconspicuous. I have two problems that Steinbeck didn't", "is \"accurate\" — he's deliberately playing an early-20th-century stereotype, after all — I'd", "does the same thing in order to remain inconspicuous. I have two problems", "reasons of his own. In my Gold Rush story, the protagonist employs a", "in very articulate English](https://www.shmoop.com/study-guides/literature/east-of-eden/lee), that he does so for reasons of his own.", "he will discover — does the same thing in order to remain inconspicuous.", "deliberately playing an early-20th-century stereotype, after all — I'd hate for any readers", "the character would say something like: \"Lee. Got more name. Lee papa family", "to remain inconspicuous. I have two problems that Steinbeck didn't have: 1. I'm", "modern readers will cringe at the character's pidgin. If asked his name, the", "Lee papa family name. Call Lee.\" Even if such talk is \"accurate\" —", "of Eden* is a Chinese-American who speaks in pidgin — until he [explains", "boss, in very articulate English](https://www.shmoop.com/study-guides/literature/east-of-eden/lee), that he does so for reasons of his", "discover — does the same thing in order to remain inconspicuous. I have", "his own. In my Gold Rush story, the protagonist employs a Chinese man", "— does the same thing in order to remain inconspicuous. I have two", "for reasons of his own. In my Gold Rush story, the protagonist employs", "until he [explains to his boss, in very articulate English](https://www.shmoop.com/study-guides/literature/east-of-eden/lee), that he does", "I have two problems that Steinbeck didn't have: 1. I'm no Jayn Stuikbevt.", "hate for any readers to be pulled out of the story by its", "man who — he will discover — does the same thing in order", "asked his name, the character would say something like: \"Lee. Got more name.", "at the character's pidgin. If asked his name, the character would say something", "any readers to be pulled out of the story by its \"unrealtiy\", or", "order to remain inconspicuous. I have two problems that Steinbeck didn't have: 1.", "that Steinbeck didn't have: 1. I'm no Jayn Stuikbevt. 2. Some modern readers", "Call Lee.\" Even if such talk is \"accurate\" — he's deliberately playing an", "his boss, in very articulate English](https://www.shmoop.com/study-guides/literature/east-of-eden/lee), that he does so for reasons of", "worse, decide to stop reading before the reveal. What's a good way to", "is a Chinese-American who speaks in pidgin — until he [explains to his", "Steinbeck didn't have: 1. I'm no Jayn Stuikbevt. 2. Some modern readers will", "Some modern readers will cringe at the character's pidgin. If asked his name,", "something like: \"Lee. Got more name. Lee papa family name. Call Lee.\" Even", "I'd hate for any readers to be pulled out of the story by", "name. Call Lee.\" Even if such talk is \"accurate\" — he's deliberately playing", "East of Eden is a Chinese-American who speaks in pidgin — until he", "stereotype, after all — I'd hate for any readers to be pulled out", "readers to be pulled out of the story by its \"unrealtiy\", or worse,", "he [explains to his boss, in very articulate English](https://www.shmoop.com/study-guides/literature/east-of-eden/lee), that he does so", "The character Lee in Steinbeck's East of Eden is a Chinese-American who speaks", "pidgin — until he [explains to his boss, in very articulate English](https://www.shmoop.com/study-guides/literature/east-of-eden/lee), that", "Rush story, the protagonist employs a Chinese man who — he will discover", "character would say something like: \"Lee. Got more name. Lee papa family name.", "in pidgin — until he [explains to his boss, in very articulate English](https://www.shmoop.com/study-guides/literature/east-of-eden/lee),", "after all — I'd hate for any readers to be pulled out of", "Got more name. Lee papa family name. Call Lee.\" Even if such talk", "of the story by its \"unrealtiy\", or worse, decide to stop reading before", "Jayn Stuikbevt. 2. Some modern readers will cringe at the character's pidgin. If", "If asked his name, the character would say something like: \"Lee. Got more", "a Chinese man who — he will discover — does the same thing", "very articulate English](https://www.shmoop.com/study-guides/literature/east-of-eden/lee), that he does so for reasons of his own. In", "\"unrealtiy\", or worse, decide to stop reading before the reveal. What's a good", "who — he will discover — does the same thing in order to", "would say something like: \"Lee. Got more name. Lee papa family name. Call", "the story by its \"unrealtiy\", or worse, decide to stop reading before the", "family name. Call Lee.\" Even if such talk is \"accurate\" — he's deliberately", "will cringe at the character's pidgin. If asked his name, the character would", "out of the story by its \"unrealtiy\", or worse, decide to stop reading", "Eden* is a Chinese-American who speaks in pidgin — until he [explains to", "all — I'd hate for any readers to be pulled out of the", "to his boss, in very articulate English](https://www.shmoop.com/study-guides/literature/east-of-eden/lee), that he does so for reasons", "be pulled out of the story by its \"unrealtiy\", or worse, decide to", "a Chinese-American who speaks in pidgin — until he [explains to his boss,", "if such talk is \"accurate\" — he's deliberately playing an early-20th-century stereotype, after", "speaks in pidgin — until he [explains to his boss, in very articulate", "remain inconspicuous. I have two problems that Steinbeck didn't have: 1. I'm no", "two problems that Steinbeck didn't have: 1. I'm no Jayn Stuikbevt. 2. Some", "own. In my Gold Rush story, the protagonist employs a Chinese man who", "Chinese-American who speaks in pidgin — until he [explains to his boss, in", "have: 1. I'm no Jayn Stuikbevt. 2. Some modern readers will cringe at", "in Steinbeck's East of Eden is a Chinese-American who speaks in pidgin —", "talk is \"accurate\" — he's deliberately playing an early-20th-century stereotype, after all —", "Steinbeck's East of Eden is a Chinese-American who speaks in pidgin — until", "an early-20th-century stereotype, after all — I'd hate for any readers to be", "pidgin. If asked his name, the character would say something like: \"Lee. Got", "Gold Rush story, the protagonist employs a Chinese man who — he will", "Lee.\" Even if such talk is \"accurate\" — he's deliberately playing an early-20th-century", "employs a Chinese man who — he will discover — does the same", "name. Lee papa family name. Call Lee.\" Even if such talk is \"accurate\"", "such talk is \"accurate\" — he's deliberately playing an early-20th-century stereotype, after all", "or worse, decide to stop reading before the reveal. What's a good way", "readers will cringe at the character's pidgin. If asked his name, the character", "does so for reasons of his own. In my Gold Rush story, the", "in order to remain inconspicuous. I have two problems that Steinbeck didn't have:", "have two problems that Steinbeck didn't have: 1. I'm no Jayn Stuikbevt. 2.", "to be pulled out of the story by its \"unrealtiy\", or worse, decide", "pulled out of the story by its \"unrealtiy\", or worse, decide to stop", "of his own. In my Gold Rush story, the protagonist employs a Chinese", "1. I'm no Jayn Stuikbevt. 2. Some modern readers will cringe at the", "— until he [explains to his boss, in very articulate English](https://www.shmoop.com/study-guides/literature/east-of-eden/lee), that he", "by its \"unrealtiy\", or worse, decide to stop reading before the reveal. What's", "he's deliberately playing an early-20th-century stereotype, after all — I'd hate for any", "\"Lee. Got more name. Lee papa family name. Call Lee.\" Even if such", "I'm no Jayn Stuikbevt. 2. Some modern readers will cringe at the character's", "— he's deliberately playing an early-20th-century stereotype, after all — I'd hate for", "— he will discover — does the same thing in order to remain", "he does so for reasons of his own. In my Gold Rush story,", "Stuikbevt. 2. Some modern readers will cringe at the character's pidgin. If asked", "say something like: \"Lee. Got more name. Lee papa family name. Call Lee.\"", "\"accurate\" — he's deliberately playing an early-20th-century stereotype, after all — I'd hate", "name, the character would say something like: \"Lee. Got more name. Lee papa", "Lee in Steinbeck's East of Eden is a Chinese-American who speaks in pidgin", "cringe at the character's pidgin. If asked his name, the character would say", "story, the protagonist employs a Chinese man who — he will discover —", "inconspicuous. I have two problems that Steinbeck didn't have: 1. I'm no Jayn", "2. Some modern readers will cringe at the character's pidgin. If asked his", "playing an early-20th-century stereotype, after all — I'd hate for any readers to", "papa family name. Call Lee.\" Even if such talk is \"accurate\" — he's", "protagonist employs a Chinese man who — he will discover — does the", "character's pidgin. If asked his name, the character would say something like: \"Lee.", "more name. Lee papa family name. Call Lee.\" Even if such talk is", "to stop reading before the reveal. What's a good way to handle this?", "like: \"Lee. Got more name. Lee papa family name. Call Lee.\" Even if", "articulate English](https://www.shmoop.com/study-guides/literature/east-of-eden/lee), that he does so for reasons of his own. In my", "for any readers to be pulled out of the story by its \"unrealtiy\",", "character Lee in Steinbeck's East of Eden is a Chinese-American who speaks in", "my Gold Rush story, the protagonist employs a Chinese man who — he", "— I'd hate for any readers to be pulled out of the story", "the character's pidgin. If asked his name, the character would say something like:", "problems that Steinbeck didn't have: 1. I'm no Jayn Stuikbevt. 2. Some modern", "the protagonist employs a Chinese man who — he will discover — does", "who speaks in pidgin — until he [explains to his boss, in very", "its \"unrealtiy\", or worse, decide to stop reading before the reveal. What's a", "Even if such talk is \"accurate\" — he's deliberately playing an early-20th-century stereotype,", "that he does so for reasons of his own. In my Gold Rush", "[explains to his boss, in very articulate English](https://www.shmoop.com/study-guides/literature/east-of-eden/lee), that he does so for", "no Jayn Stuikbevt. 2. Some modern readers will cringe at the character's pidgin.", "same thing in order to remain inconspicuous. I have two problems that Steinbeck" ]
[ "that? The last thing I want to do is make the aliens human", "own customs. The whole journey, Horah is forced to endure a culture different", "get out of that? The last thing I want to do is make", "what is the \"key\" to an alien culture? Allow me to explain: I", "stuck-up, prejudiced, bratty girl in the 80s who comes in contact with a", "is essentially blackmailing Horah (the brat) with its own customs. The whole journey,", "an alien culture? What makes it a confusing, 8th color of the rainbow", "human, and humans think human. So... what's the key? What makes an alien", "culture? Allow me to explain: I am currently writing a novel about a", "that there are universes, and the only living things we know of are", "not to apply human concepts, but it's hard because I have never seen", "don't want the alien's customs to reflect humans. Or, at least, have them", "with a literal alien. The alien apparently lives on the moon. However, it", "a confusing, 8th color of the rainbow (see what I did there?), bizarre", "before. I never interacted with them. All I know is that there are", "little bit. Anyway, all that to say, I don't want the alien's customs", "things in common that help steers her prejudiced values a little bit. Anyway,", "what I did there?), bizarre thing? I'm finding it so difficult not to", "All I know is that there are universes, and the only living things", "I did there?), bizarre thing? I'm finding it so difficult not to apply", "an alien before. I never interacted with them. All I know is that", "it a confusing, 8th color of the rainbow (see what I did there?),", "to reflect humans. Or, at least, have them reflect humanity as little as", "want the alien's customs to reflect humans. Or, at least, have them reflect", "possible. But there's a tiny, little problem with that: I'm human, and humans", "quite literally an alien culture) throughout the whole thing. Despite their differences, they", "thing? I'm finding it so difficult not to apply human concepts, but it's", "of the rainbow (see what I did there?), bizarre thing? I'm finding it", "bizarre thing? I'm finding it so difficult not to apply human concepts, but", "here and is essentially blackmailing Horah (the brat) with its own customs. The", "Horah (the brat) with its own customs. The whole journey, Horah is forced", "literal alien. The alien apparently lives on the moon. However, it was somehow", "who comes in contact with a literal alien. The alien apparently lives on", "(the brat) with its own customs. The whole journey, Horah is forced to", "steers her prejudiced values a little bit. Anyway, all that to say, I", "I am currently writing a novel about a stuck-up, prejudiced, bratty girl in", "Today I am asking for something I've been stumped on: what is the", "concepts, but it's hard because I have never seen an alien before. I", "I've been stumped on: what is the \"key\" to an alien culture? Allow", "them reflect humanity as little as possible. But there's a tiny, little problem", "Horah is forced to endure a culture different than her own (because it's", "girl in the 80s who comes in contact with a literal alien. The", "forced to endure a culture different than her own (because it's quite literally", "literally an alien culture) throughout the whole thing. Despite their differences, they find", "something I've been stumped on: what is the \"key\" to an alien culture?", "I never interacted with them. All I know is that there are universes,", "comes in contact with a literal alien. The alien apparently lives on the", "out of that? The last thing I want to do is make the", "down here and is essentially blackmailing Horah (the brat) with its own customs.", "differences, they find some vague things in common that help steers her prejudiced", "I get out of that? The last thing I want to do is", "common that help steers her prejudiced values a little bit. Anyway, all that", "somehow forced down here and is essentially blackmailing Horah (the brat) with its", "think human. So... what's the key? What makes an alien culture an alien", "(because it's quite literally an alien culture) throughout the whole thing. Despite their", "to do is make the aliens human but change two things about their", "customs. The whole journey, Horah is forced to endure a culture different than", "am asking for something I've been stumped on: what is the \"key\" to", "throughout the whole thing. Despite their differences, they find some vague things in", "values a little bit. Anyway, all that to say, I don't want the", "human. So... what's the key? What makes an alien culture an alien culture?", "living things we know of are the earth. But how do I get", "have never seen an alien before. I never interacted with them. All I", "it's quite literally an alien culture) throughout the whole thing. Despite their differences,", "is forced to endure a culture different than her own (because it's quite", "am currently writing a novel about a stuck-up, prejudiced, bratty girl in the", "in common that help steers her prejudiced values a little bit. Anyway, all", "it was somehow forced down here and is essentially blackmailing Horah (the brat)", "in the 80s who comes in contact with a literal alien. The alien", "than her own (because it's quite literally an alien culture) throughout the whole", "thing. Despite their differences, they find some vague things in common that help", "key? What makes an alien culture an alien culture? What makes it a", "things we know of are the earth. But how do I get out", "what's the key? What makes an alien culture an alien culture? What makes", "But how do I get out of that? The last thing I want", "Allow me to explain: I am currently writing a novel about a stuck-up,", "(see what I did there?), bizarre thing? I'm finding it so difficult not", "thing I want to do is make the aliens human but change two", "color of the rainbow (see what I did there?), bizarre thing? I'm finding", "help steers her prejudiced values a little bit. Anyway, all that to say,", "on: what is the \"key\" to an alien culture? Allow me to explain:", "the only living things we know of are the earth. But how do", "blackmailing Horah (the brat) with its own customs. The whole journey, Horah is", "moon. However, it was somehow forced down here and is essentially blackmailing Horah", "want to do is make the aliens human but change two things about", "the earth. But how do I get out of that? The last thing", "an alien culture an alien culture? What makes it a confusing, 8th color", "all that to say, I don't want the alien's customs to reflect humans.", "Or, at least, have them reflect humanity as little as possible. But there's", "never seen an alien before. I never interacted with them. All I know", "know of are the earth. But how do I get out of that?", "to endure a culture different than her own (because it's quite literally an", "the 80s who comes in contact with a literal alien. The alien apparently", "different than her own (because it's quite literally an alien culture) throughout the", "there?), bizarre thing? I'm finding it so difficult not to apply human concepts,", "a little bit. Anyway, all that to say, I don't want the alien's", "I am asking for something I've been stumped on: what is the \"key\"", "finding it so difficult not to apply human concepts, but it's hard because", "80s who comes in contact with a literal alien. The alien apparently lives", "last thing I want to do is make the aliens human but change", "but it's hard because I have never seen an alien before. I never", "vague things in common that help steers her prejudiced values a little bit.", "bit. Anyway, all that to say, I don't want the alien's customs to", "novel about a stuck-up, prejudiced, bratty girl in the 80s who comes in", "Anyway, all that to say, I don't want the alien's customs to reflect", "the whole thing. Despite their differences, they find some vague things in common", "find some vague things in common that help steers her prejudiced values a", "to say, I don't want the alien's customs to reflect humans. Or, at", "know is that there are universes, and the only living things we know", "we know of are the earth. But how do I get out of", "do I get out of that? The last thing I want to do", "a literal alien. The alien apparently lives on the moon. However, it was", "bratty girl in the 80s who comes in contact with a literal alien.", "alien apparently lives on the moon. However, it was somehow forced down here", "alien culture an alien culture? What makes it a confusing, 8th color of", "say, I don't want the alien's customs to reflect humans. Or, at least,", "tiny, little problem with that: I'm human, and humans think human. So... what's", "the rainbow (see what I did there?), bizarre thing? I'm finding it so", "because I have never seen an alien before. I never interacted with them.", "customs to reflect humans. Or, at least, have them reflect humanity as little", "is the \"key\" to an alien culture? Allow me to explain: I am", "least, have them reflect humanity as little as possible. But there's a tiny,", "some vague things in common that help steers her prejudiced values a little", "I know is that there are universes, and the only living things we", "they find some vague things in common that help steers her prejudiced values", "her prejudiced values a little bit. Anyway, all that to say, I don't", "I'm finding it so difficult not to apply human concepts, but it's hard", "to apply human concepts, but it's hard because I have never seen an", "been stumped on: what is the \"key\" to an alien culture? Allow me", "an alien culture? Allow me to explain: I am currently writing a novel", "have them reflect humanity as little as possible. But there's a tiny, little", "as little as possible. But there's a tiny, little problem with that: I'm", "8th color of the rainbow (see what I did there?), bizarre thing? I'm", "alien culture? Allow me to explain: I am currently writing a novel about", "prejudiced values a little bit. Anyway, all that to say, I don't want", "problem with that: I'm human, and humans think human. So... what's the key?", "and the only living things we know of are the earth. But how", "own (because it's quite literally an alien culture) throughout the whole thing. Despite", "is that there are universes, and the only living things we know of", "I'm human, and humans think human. So... what's the key? What makes an", "humanity as little as possible. But there's a tiny, little problem with that:", "a novel about a stuck-up, prejudiced, bratty girl in the 80s who comes", "in contact with a literal alien. The alien apparently lives on the moon.", "alien culture) throughout the whole thing. Despite their differences, they find some vague", "essentially blackmailing Horah (the brat) with its own customs. The whole journey, Horah", "whole journey, Horah is forced to endure a culture different than her own", "reflect humans. Or, at least, have them reflect humanity as little as possible.", "What makes it a confusing, 8th color of the rainbow (see what I", "so difficult not to apply human concepts, but it's hard because I have", "them. All I know is that there are universes, and the only living", "there's a tiny, little problem with that: I'm human, and humans think human.", "prejudiced, bratty girl in the 80s who comes in contact with a literal", "I don't want the alien's customs to reflect humans. Or, at least, have", "to an alien culture? Allow me to explain: I am currently writing a", "earth. But how do I get out of that? The last thing I", "I want to do is make the aliens human but change two things", "forced down here and is essentially blackmailing Horah (the brat) with its own", "the \"key\" to an alien culture? Allow me to explain: I am currently", "little problem with that: I'm human, and humans think human. So... what's the", "culture different than her own (because it's quite literally an alien culture) throughout", "culture? What makes it a confusing, 8th color of the rainbow (see what", "with them. All I know is that there are universes, and the only", "me to explain: I am currently writing a novel about a stuck-up, prejudiced,", "seen an alien before. I never interacted with them. All I know is", "brat) with its own customs. The whole journey, Horah is forced to endure", "apparently lives on the moon. However, it was somehow forced down here and", "The whole journey, Horah is forced to endure a culture different than her", "culture) throughout the whole thing. Despite their differences, they find some vague things", "The alien apparently lives on the moon. However, it was somehow forced down", "there are universes, and the only living things we know of are the", "an alien culture) throughout the whole thing. Despite their differences, they find some", "was somehow forced down here and is essentially blackmailing Horah (the brat) with", "its own customs. The whole journey, Horah is forced to endure a culture", "it's hard because I have never seen an alien before. I never interacted", "a culture different than her own (because it's quite literally an alien culture)", "are universes, and the only living things we know of are the earth.", "human concepts, but it's hard because I have never seen an alien before.", "The last thing I want to do is make the aliens human but", "for something I've been stumped on: what is the \"key\" to an alien", "a tiny, little problem with that: I'm human, and humans think human. So...", "asking for something I've been stumped on: what is the \"key\" to an", "to explain: I am currently writing a novel about a stuck-up, prejudiced, bratty", "do is make the aliens human but change two things about their society.", "and humans think human. So... what's the key? What makes an alien culture", "that: I'm human, and humans think human. So... what's the key? What makes", "hard because I have never seen an alien before. I never interacted with", "the key? What makes an alien culture an alien culture? What makes it", "But there's a tiny, little problem with that: I'm human, and humans think", "alien before. I never interacted with them. All I know is that there", "reflect humanity as little as possible. But there's a tiny, little problem with", "at least, have them reflect humanity as little as possible. But there's a", "explain: I am currently writing a novel about a stuck-up, prejudiced, bratty girl", "about a stuck-up, prejudiced, bratty girl in the 80s who comes in contact", "of are the earth. But how do I get out of that? The", "and is essentially blackmailing Horah (the brat) with its own customs. The whole", "alien's customs to reflect humans. Or, at least, have them reflect humanity as", "confusing, 8th color of the rainbow (see what I did there?), bizarre thing?", "What makes an alien culture an alien culture? What makes it a confusing,", "endure a culture different than her own (because it's quite literally an alien", "it so difficult not to apply human concepts, but it's hard because I", "contact with a literal alien. The alien apparently lives on the moon. However,", "never interacted with them. All I know is that there are universes, and", "only living things we know of are the earth. But how do I", "her own (because it's quite literally an alien culture) throughout the whole thing.", "apply human concepts, but it's hard because I have never seen an alien", "their differences, they find some vague things in common that help steers her", "Despite their differences, they find some vague things in common that help steers", "humans think human. So... what's the key? What makes an alien culture an", "rainbow (see what I did there?), bizarre thing? I'm finding it so difficult", "little as possible. But there's a tiny, little problem with that: I'm human,", "makes an alien culture an alien culture? What makes it a confusing, 8th", "universes, and the only living things we know of are the earth. But", "with that: I'm human, and humans think human. So... what's the key? What", "whole thing. Despite their differences, they find some vague things in common that", "are the earth. But how do I get out of that? The last", "lives on the moon. However, it was somehow forced down here and is", "I have never seen an alien before. I never interacted with them. All", "the alien's customs to reflect humans. Or, at least, have them reflect humanity", "a stuck-up, prejudiced, bratty girl in the 80s who comes in contact with", "alien. The alien apparently lives on the moon. However, it was somehow forced", "makes it a confusing, 8th color of the rainbow (see what I did", "difficult not to apply human concepts, but it's hard because I have never", "\"key\" to an alien culture? Allow me to explain: I am currently writing", "stumped on: what is the \"key\" to an alien culture? Allow me to", "culture an alien culture? What makes it a confusing, 8th color of the", "that help steers her prejudiced values a little bit. Anyway, all that to", "of that? The last thing I want to do is make the aliens", "that to say, I don't want the alien's customs to reflect humans. Or,", "with its own customs. The whole journey, Horah is forced to endure a", "alien culture? What makes it a confusing, 8th color of the rainbow (see", "So... what's the key? What makes an alien culture an alien culture? What", "did there?), bizarre thing? I'm finding it so difficult not to apply human", "the moon. However, it was somehow forced down here and is essentially blackmailing", "on the moon. However, it was somehow forced down here and is essentially", "interacted with them. All I know is that there are universes, and the", "currently writing a novel about a stuck-up, prejudiced, bratty girl in the 80s", "writing a novel about a stuck-up, prejudiced, bratty girl in the 80s who", "However, it was somehow forced down here and is essentially blackmailing Horah (the", "as possible. But there's a tiny, little problem with that: I'm human, and", "how do I get out of that? The last thing I want to", "humans. Or, at least, have them reflect humanity as little as possible. But", "journey, Horah is forced to endure a culture different than her own (because" ]
[ "the last book. Will one book be enough for her to go from", "enough to make my character fall head-over-heels for someone. She has known the", "fall head-over-heels for someone. She has known the love interest for quite some", "him until the last book. Will one book be enough for her to", "to make my story believable and was wondering if one book is long", "enough for her to go from liking him to being head-over-heels in love", "book be enough for her to go from liking him to being head-over-heels", "falls in love with the current love interest. I don't plan on her", "else. She breaks up with the previous guy because she is dealing with", "dealing with trauma, and then falls in love with the current love interest.", "my first story. I want to make my story believable and was wondering", "is dealing with trauma, and then falls in love with the current love", "with trauma, and then falls in love with the current love interest. I", "her feeling for him until the last book. Will one book be enough", "until the last book. Will one book be enough for her to go", "the current love interest. I don't plan on her realizing her feeling for", "this is my first story. I want to make my story believable and", "love interest. I don't plan on her realizing her feeling for him until", "on her realizing her feeling for him until the last book. Will one", "with the current love interest. I don't plan on her realizing her feeling", "the previous guy because she is dealing with trauma, and then falls in", "her realizing her feeling for him until the last book. Will one book", "previous guy because she is dealing with trauma, and then falls in love", "because she is dealing with trauma, and then falls in love with the", "and was wondering if one book is long enough to make my character", "interest. I don't plan on her realizing her feeling for him until the", "story believable and was wondering if one book is long enough to make", "think much of him because she was in a relationship with someone else.", "She breaks up with the previous guy because she is dealing with trauma,", "of him because she was in a relationship with someone else. She breaks", "is my first story. I want to make my story believable and was", "because she was in a relationship with someone else. She breaks up with", "but didn't think much of him because she was in a relationship with", "trauma, and then falls in love with the current love interest. I don't", "with someone else. She breaks up with the previous guy because she is", "was in a relationship with someone else. She breaks up with the previous", "I want to make my story believable and was wondering if one book", "was wondering if one book is long enough to make my character fall", "make my character fall head-over-heels for someone. She has known the love interest", "and then falls in love with the current love interest. I don't plan", "she was in a relationship with someone else. She breaks up with the", "be enough for her to go from liking him to being head-over-heels in", "one book be enough for her to go from liking him to being", "realizing her feeling for him until the last book. Will one book be", "believable and was wondering if one book is long enough to make my", "I don't plan on her realizing her feeling for him until the last", "and this is my first story. I want to make my story believable", "She has known the love interest for quite some time but didn't think", "love interest for quite some time but didn't think much of him because", "love with the current love interest. I don't plan on her realizing her", "for him until the last book. Will one book be enough for her", "book. Will one book be enough for her to go from liking him", "her to go from liking him to being head-over-heels in love with him?", "for someone. She has known the love interest for quite some time but", "I am new to writing and this is my first story. I want", "my story believable and was wondering if one book is long enough to", "him because she was in a relationship with someone else. She breaks up", "if one book is long enough to make my character fall head-over-heels for", "current love interest. I don't plan on her realizing her feeling for him", "book is long enough to make my character fall head-over-heels for someone. She", "wondering if one book is long enough to make my character fall head-over-heels", "relationship with someone else. She breaks up with the previous guy because she", "for quite some time but didn't think much of him because she was", "long enough to make my character fall head-over-heels for someone. She has known", "didn't think much of him because she was in a relationship with someone", "story. I want to make my story believable and was wondering if one", "in love with the current love interest. I don't plan on her realizing", "Will one book be enough for her to go from liking him to", "some time but didn't think much of him because she was in a", "to make my character fall head-over-heels for someone. She has known the love", "with the previous guy because she is dealing with trauma, and then falls", "writing and this is my first story. I want to make my story", "to writing and this is my first story. I want to make my", "time but didn't think much of him because she was in a relationship", "feeling for him until the last book. Will one book be enough for", "someone. She has known the love interest for quite some time but didn't", "has known the love interest for quite some time but didn't think much", "am new to writing and this is my first story. I want to", "a relationship with someone else. She breaks up with the previous guy because", "guy because she is dealing with trauma, and then falls in love with", "interest for quite some time but didn't think much of him because she", "last book. Will one book be enough for her to go from liking", "my character fall head-over-heels for someone. She has known the love interest for", "much of him because she was in a relationship with someone else. She", "one book is long enough to make my character fall head-over-heels for someone.", "known the love interest for quite some time but didn't think much of", "quite some time but didn't think much of him because she was in", "she is dealing with trauma, and then falls in love with the current", "new to writing and this is my first story. I want to make", "is long enough to make my character fall head-over-heels for someone. She has", "for her to go from liking him to being head-over-heels in love with", "don't plan on her realizing her feeling for him until the last book.", "in a relationship with someone else. She breaks up with the previous guy", "make my story believable and was wondering if one book is long enough", "character fall head-over-heels for someone. She has known the love interest for quite", "then falls in love with the current love interest. I don't plan on", "first story. I want to make my story believable and was wondering if", "someone else. She breaks up with the previous guy because she is dealing", "want to make my story believable and was wondering if one book is", "head-over-heels for someone. She has known the love interest for quite some time", "up with the previous guy because she is dealing with trauma, and then", "plan on her realizing her feeling for him until the last book. Will", "breaks up with the previous guy because she is dealing with trauma, and", "the love interest for quite some time but didn't think much of him" ]
[ "5 sequels to the first book, so the first book is just the", "most likely too. However, she did skip over a few pages that were", "most of the series, it's basically the character journeying around and running into", "only seven, but she gobbled the whole book in one day. She said", "said it was good, so I think that if she read it so", "think that if she read it so quickly, then kids over than her", "words), I figured it would be best to split the book up into", "writing a realism fantasy novel targeted for a 9-12 age group. Since it", "novel targeted for a 9-12 age group. Since it became so long(the first", "conflicts. So while yes, I could easily just cut off a part of", "search, according to [this](https://jerichowriters.com/hub/average-novel-wordcount/), it claims that the average word count for Children's", "Is my story too long for a Children's novel(targeted to that specific age", "for a Children's novel(targeted to that specific age range)? What can I do", "I did too much fancy language or the show-not-tell?)? Edit: I got my", "Children's novel(targeted to that specific age range)? What can I do to make", "as the average. There is going to be like, 5 sequels to the", "the ending of the first book is a cliffhanger, and I kind of", "managed to be 70,000-80,000 words. Doing a quick Google search, according to [this](https://jerichowriters.com/hub/average-novel-wordcount/),", "beginning. This is the type of those books when there is a long", "figured it would be best to split the book up into a series.", "it was good, so I think that if she read it so quickly,", "to split the book up into a series. Now after finishing the first", "it to the second book and so on, this is going to be", "a quick Google search, according to [this](https://jerichowriters.com/hub/average-novel-wordcount/), it claims that the average word", "that the average word count for Children's novels would be 50,000-70,000 words as", "did too much fancy language or the show-not-tell?)? Edit: I got my little", "bit difficult to do, because the ending of the first book is a", "kids over than her would most likely too. However, she did skip over", "Since it became so long(the first draft turned out to be at least", "to be like, 5 sequels to the first book, so the first book", "the first book, so the first book is just the beginning. This is", "story too long for a Children's novel(targeted to that specific age range)? What", "mini conflicts. So while yes, I could easily just cut off a part", "50,000-70,000 words as the average. There is going to be like, 5 sequels", "it that way. Is my story too long for a Children's novel(targeted to", "and so on, this is going to be a bit difficult to do,", "those books when there is a long journey. For most of the series,", "that way. Is my story too long for a Children's novel(targeted to that", "best to split the book up into a series. Now after finishing the", "when there is a long journey. For most of the series, it's basically", "good, so I think that if she read it so quickly, then kids", "is the type of those books when there is a long journey. For", "the series, it's basically the character journeying around and running into many mini", "first book, so the first book is just the beginning. This is the", "it would be best to split the book up into a series. Now", "skip over a few pages that were about my main character writing her", "for Children's novels would be 50,000-70,000 words as the average. There is going", "a realism fantasy novel targeted for a 9-12 age group. Since it became", "So while yes, I could easily just cut off a part of the", "quick Google search, according to [this](https://jerichowriters.com/hub/average-novel-wordcount/), it claims that the average word count", "series, it somehow managed to be 70,000-80,000 words. Doing a quick Google search,", "many mini conflicts. So while yes, I could easily just cut off a", "first book of the series, it somehow managed to be 70,000-80,000 words. Doing", "can I do to make it shorter(perhaps I did too much fancy language", "it so quickly, then kids over than her would most likely too. However,", "and carry it to the second book and so on, this is going", "my story too long for a Children's novel(targeted to that specific age range)?", "novel(targeted to that specific age range)? What can I do to make it", "too. However, she did skip over a few pages that were about my", "the type of those books when there is a long journey. For most", "9-12 age group. Since it became so long(the first draft turned out to", "into many mini conflicts. So while yes, I could easily just cut off", "However, she did skip over a few pages that were about my main", "cliffhanger, and I kind of like it that way. Is my story too", "the second book and so on, this is going to be a bit", "to do, because the ending of the first book is a cliffhanger, and", "her would most likely too. However, she did skip over a few pages", "split the book up into a series. Now after finishing the first book", "would be 50,000-70,000 words as the average. There is going to be like,", "around and running into many mini conflicts. So while yes, I could easily", "a Children's novel(targeted to that specific age range)? What can I do to", "long for a Children's novel(targeted to that specific age range)? What can I", "targeted for a 9-12 age group. Since it became so long(the first draft", "over than her would most likely too. However, she did skip over a", "is a cliffhanger, and I kind of like it that way. Is my", "show-not-tell?)? Edit: I got my little sister to read the book. She's only", "range)? What can I do to make it shorter(perhaps I did too much", "became so long(the first draft turned out to be at least 90,000 words),", "of those books when there is a long journey. For most of the", "much fancy language or the show-not-tell?)? Edit: I got my little sister to", "if she read it so quickly, then kids over than her would most", "be 70,000-80,000 words. Doing a quick Google search, according to [this](https://jerichowriters.com/hub/average-novel-wordcount/), it claims", "story and carry it to the second book and so on, this is", "a cliffhanger, and I kind of like it that way. Is my story", "over a few pages that were about my main character writing her diary", "would be best to split the book up into a series. Now after", "off a part of the story and carry it to the second book", "so on, this is going to be a bit difficult to do, because", "for a 9-12 age group. Since it became so long(the first draft turned", "book up into a series. Now after finishing the first book of the", "there is a long journey. For most of the series, it's basically the", "did skip over a few pages that were about my main character writing", "I think that if she read it so quickly, then kids over than", "the series, it somehow managed to be 70,000-80,000 words. Doing a quick Google", "word count for Children's novels would be 50,000-70,000 words as the average. There", "the average. There is going to be like, 5 sequels to the first", "character journeying around and running into many mini conflicts. So while yes, I", "is going to be a bit difficult to do, because the ending of", "than her would most likely too. However, she did skip over a few", "journey. For most of the series, it's basically the character journeying around and", "running into many mini conflicts. So while yes, I could easily just cut", "age group. Since it became so long(the first draft turned out to be", "somehow managed to be 70,000-80,000 words. Doing a quick Google search, according to", "currently writing a realism fantasy novel targeted for a 9-12 age group. Since", "fancy language or the show-not-tell?)? Edit: I got my little sister to read", "Children's novels would be 50,000-70,000 words as the average. There is going to", "to make it shorter(perhaps I did too much fancy language or the show-not-tell?)?", "just cut off a part of the story and carry it to the", "second book and so on, this is going to be a bit difficult", "Google search, according to [this](https://jerichowriters.com/hub/average-novel-wordcount/), it claims that the average word count for", "the first book is a cliffhanger, and I kind of like it that", "so quickly, then kids over than her would most likely too. However, she", "be a bit difficult to do, because the ending of the first book", "the book. She's only seven, but she gobbled the whole book in one", "least 90,000 words), I figured it would be best to split the book", "that specific age range)? What can I do to make it shorter(perhaps I", "be 50,000-70,000 words as the average. There is going to be like, 5", "like it that way. Is my story too long for a Children's novel(targeted", "just the beginning. This is the type of those books when there is", "She said it was good, so I think that if she read it", "Doing a quick Google search, according to [this](https://jerichowriters.com/hub/average-novel-wordcount/), it claims that the average", "the character journeying around and running into many mini conflicts. So while yes,", "while yes, I could easily just cut off a part of the story", "of the story and carry it to the second book and so on,", "book is a cliffhanger, and I kind of like it that way. Is", "that if she read it so quickly, then kids over than her would", "the show-not-tell?)? Edit: I got my little sister to read the book. She's", "a few pages that were about my main character writing her diary entries.", "easily just cut off a part of the story and carry it to", "likely too. However, she did skip over a few pages that were about", "after finishing the first book of the series, it somehow managed to be", "I could easily just cut off a part of the story and carry", "of the series, it's basically the character journeying around and running into many", "the book up into a series. Now after finishing the first book of", "average word count for Children's novels would be 50,000-70,000 words as the average.", "90,000 words), I figured it would be best to split the book up", "words as the average. There is going to be like, 5 sequels to", "I got my little sister to read the book. She's only seven, but", "words. Doing a quick Google search, according to [this](https://jerichowriters.com/hub/average-novel-wordcount/), it claims that the", "part of the story and carry it to the second book and so", "do to make it shorter(perhaps I did too much fancy language or the", "make it shorter(perhaps I did too much fancy language or the show-not-tell?)? Edit:", "turned out to be at least 90,000 words), I figured it would be", "or the show-not-tell?)? Edit: I got my little sister to read the book.", "I figured it would be best to split the book up into a", "book of the series, it somehow managed to be 70,000-80,000 words. Doing a", "first book is just the beginning. This is the type of those books", "This is the type of those books when there is a long journey.", "carry it to the second book and so on, this is going to", "book. She's only seven, but she gobbled the whole book in one day.", "I kind of like it that way. Is my story too long for", "read it so quickly, then kids over than her would most likely too.", "the first book is just the beginning. This is the type of those", "book, so the first book is just the beginning. This is the type", "too long for a Children's novel(targeted to that specific age range)? What can", "way. Is my story too long for a Children's novel(targeted to that specific", "[this](https://jerichowriters.com/hub/average-novel-wordcount/), it claims that the average word count for Children's novels would be", "shorter(perhaps I did too much fancy language or the show-not-tell?)? Edit: I got", "read the book. She's only seven, but she gobbled the whole book in", "She's only seven, but she gobbled the whole book in one day. She", "the first book of the series, it somehow managed to be 70,000-80,000 words.", "going to be like, 5 sequels to the first book, so the first", "out to be at least 90,000 words), I figured it would be best", "There is going to be like, 5 sequels to the first book, so", "because the ending of the first book is a cliffhanger, and I kind", "my little sister to read the book. She's only seven, but she gobbled", "I do to make it shorter(perhaps I did too much fancy language or", "fantasy novel targeted for a 9-12 age group. Since it became so long(the", "be best to split the book up into a series. Now after finishing", "on, this is going to be a bit difficult to do, because the", "into a series. Now after finishing the first book of the series, it", "a long journey. For most of the series, it's basically the character journeying", "draft turned out to be at least 90,000 words), I figured it would", "little sister to read the book. She's only seven, but she gobbled the", "was good, so I think that if she read it so quickly, then", "long(the first draft turned out to be at least 90,000 words), I figured", "of the series, it somehow managed to be 70,000-80,000 words. Doing a quick", "then kids over than her would most likely too. However, she did skip", "could easily just cut off a part of the story and carry it", "be like, 5 sequels to the first book, so the first book is", "difficult to do, because the ending of the first book is a cliffhanger,", "I'm currently writing a realism fantasy novel targeted for a 9-12 age group.", "age range)? What can I do to make it shorter(perhaps I did too", "kind of like it that way. Is my story too long for a", "yes, I could easily just cut off a part of the story and", "be at least 90,000 words), I figured it would be best to split", "finishing the first book of the series, it somehow managed to be 70,000-80,000", "the whole book in one day. She said it was good, so I", "sequels to the first book, so the first book is just the beginning.", "is just the beginning. This is the type of those books when there", "Edit: I got my little sister to read the book. She's only seven,", "one day. She said it was good, so I think that if she", "ending of the first book is a cliffhanger, and I kind of like", "is going to be like, 5 sequels to the first book, so the", "the average word count for Children's novels would be 50,000-70,000 words as the", "it somehow managed to be 70,000-80,000 words. Doing a quick Google search, according", "she gobbled the whole book in one day. She said it was good,", "Now after finishing the first book of the series, it somehow managed to", "got my little sister to read the book. She's only seven, but she", "so long(the first draft turned out to be at least 90,000 words), I", "book and so on, this is going to be a bit difficult to", "first book is a cliffhanger, and I kind of like it that way.", "cut off a part of the story and carry it to the second", "seven, but she gobbled the whole book in one day. She said it", "to the second book and so on, this is going to be a", "do, because the ending of the first book is a cliffhanger, and I", "What can I do to make it shorter(perhaps I did too much fancy", "whole book in one day. She said it was good, so I think", "she did skip over a few pages that were about my main character", "language or the show-not-tell?)? Edit: I got my little sister to read the", "journeying around and running into many mini conflicts. So while yes, I could", "of like it that way. Is my story too long for a Children's", "to be a bit difficult to do, because the ending of the first", "basically the character journeying around and running into many mini conflicts. So while", "to the first book, so the first book is just the beginning. This", "specific age range)? What can I do to make it shorter(perhaps I did", "books when there is a long journey. For most of the series, it's", "sister to read the book. She's only seven, but she gobbled the whole", "would most likely too. However, she did skip over a few pages that", "this is going to be a bit difficult to do, because the ending", "and I kind of like it that way. Is my story too long", "type of those books when there is a long journey. For most of", "too much fancy language or the show-not-tell?)? Edit: I got my little sister", "first draft turned out to be at least 90,000 words), I figured it", "like, 5 sequels to the first book, so the first book is just", "of the first book is a cliffhanger, and I kind of like it", "quickly, then kids over than her would most likely too. However, she did", "up into a series. Now after finishing the first book of the series,", "the story and carry it to the second book and so on, this", "day. She said it was good, so I think that if she read", "claims that the average word count for Children's novels would be 50,000-70,000 words", "to be 70,000-80,000 words. Doing a quick Google search, according to [this](https://jerichowriters.com/hub/average-novel-wordcount/), it", "to be at least 90,000 words), I figured it would be best to", "novels would be 50,000-70,000 words as the average. There is going to be", "is a long journey. For most of the series, it's basically the character", "series, it's basically the character journeying around and running into many mini conflicts.", "gobbled the whole book in one day. She said it was good, so", "70,000-80,000 words. Doing a quick Google search, according to [this](https://jerichowriters.com/hub/average-novel-wordcount/), it claims that", "long journey. For most of the series, it's basically the character journeying around", "it became so long(the first draft turned out to be at least 90,000", "count for Children's novels would be 50,000-70,000 words as the average. There is", "book in one day. She said it was good, so I think that", "a bit difficult to do, because the ending of the first book is", "series. Now after finishing the first book of the series, it somehow managed", "a part of the story and carry it to the second book and", "going to be a bit difficult to do, because the ending of the", "to read the book. She's only seven, but she gobbled the whole book", "to that specific age range)? What can I do to make it shorter(perhaps", "book is just the beginning. This is the type of those books when", "in one day. She said it was good, so I think that if", "and running into many mini conflicts. So while yes, I could easily just", "she read it so quickly, then kids over than her would most likely", "a 9-12 age group. Since it became so long(the first draft turned out", "a series. Now after finishing the first book of the series, it somehow", "so I think that if she read it so quickly, then kids over", "at least 90,000 words), I figured it would be best to split the", "but she gobbled the whole book in one day. She said it was", "so the first book is just the beginning. This is the type of", "it claims that the average word count for Children's novels would be 50,000-70,000", "realism fantasy novel targeted for a 9-12 age group. Since it became so", "the beginning. This is the type of those books when there is a", "it shorter(perhaps I did too much fancy language or the show-not-tell?)? Edit: I", "average. There is going to be like, 5 sequels to the first book,", "it's basically the character journeying around and running into many mini conflicts. So", "group. Since it became so long(the first draft turned out to be at", "to [this](https://jerichowriters.com/hub/average-novel-wordcount/), it claims that the average word count for Children's novels would", "according to [this](https://jerichowriters.com/hub/average-novel-wordcount/), it claims that the average word count for Children's novels", "For most of the series, it's basically the character journeying around and running" ]
[ "the added presence of magic). Am I overthinking the use of \"people\" or", "Also, I put this question on World-Building SE and it was recommended I", "not [this question.](https://writing.stackexchange.com/questions/31410/what-would-you-call-non-human-people) I am asking about a creature resembling a human and", "\"people\" or should I use another term? (I would/only use \"people\" when not", "asking about a creature resembling a human and not a bug. Also, I", "it was recommended I post it here, but if the question is still", "World-Building SE and it was recommended I post it here, but if the", "know what to call them in large groups. When I'm narrating, the word", "faeries, and I don't know what to call them in large groups. When", "I have an elf/fairy-like creature in my book called faeries, and I don't", "and not a bug. Also, I put this question on World-Building SE and", "this question on World-Building SE and it was recommended I post it here,", "(I would/only use \"people\" when not saying \"everyone,\" \"faeries,\" or another broad term)", "word \"people\" sounds a bit strange to me since I associate \"people\" with", "human and not a bug. Also, I put this question on World-Building SE", "question is still off-topic or confusing, comment and I can fix it. I", "I use another term? (I would/only use \"people\" when not saying \"everyone,\" \"faeries,\"", "bug. Also, I put this question on World-Building SE and it was recommended", "can fix it. I have an elf/fairy-like creature in my book called faeries,", "that a human does (with the added presence of magic). Am I overthinking", "question on World-Building SE and it was recommended I post it here, but", "elf/fairy-like creature in my book called faeries, and I don't know what to", "confusing, comment and I can fix it. I have an elf/fairy-like creature in", "and I can fix it. I have an elf/fairy-like creature in my book", "use of \"people\" or should I use another term? (I would/only use \"people\"", "I'm narrating, the word \"people\" sounds a bit strange to me since I", "When I'm narrating, the word \"people\" sounds a bit strange to me since", "to call them in large groups. When I'm narrating, the word \"people\" sounds", "a human and not a bug. Also, I put this question on World-Building", "my question is not [this question.](https://writing.stackexchange.com/questions/31410/what-would-you-call-non-human-people) I am asking about a creature resembling", "me since I associate \"people\" with \"humans,\" but the faeries look and act", "have an elf/fairy-like creature in my book called faeries, and I don't know", "should I use another term? (I would/only use \"people\" when not saying \"everyone,\"", "level that a human does (with the added presence of magic). Am I", "added presence of magic). Am I overthinking the use of \"people\" or should", "off, my question is not [this question.](https://writing.stackexchange.com/questions/31410/what-would-you-call-non-human-people) I am asking about a creature", "resembling a human and not a bug. Also, I put this question on", "question.](https://writing.stackexchange.com/questions/31410/what-would-you-call-non-human-people) I am asking about a creature resembling a human and not a", "another term? (I would/only use \"people\" when not saying \"everyone,\" \"faeries,\" or another", "post it here, but if the question is still off-topic or confusing, comment", "still off-topic or confusing, comment and I can fix it. I have an", "and act on the basic level that a human does (with the added", "the basic level that a human does (with the added presence of magic).", "a bug. Also, I put this question on World-Building SE and it was", "my book called faeries, and I don't know what to call them in", "about a creature resembling a human and not a bug. Also, I put", "(with the added presence of magic). Am I overthinking the use of \"people\"", "\"people\" sounds a bit strange to me since I associate \"people\" with \"humans,\"", "call them in large groups. When I'm narrating, the word \"people\" sounds a", "creature in my book called faeries, and I don't know what to call", "\"people\" with \"humans,\" but the faeries look and act on the basic level", "book called faeries, and I don't know what to call them in large", "it here, but if the question is still off-topic or confusing, comment and", "comment and I can fix it. I have an elf/fairy-like creature in my", "term? (I would/only use \"people\" when not saying \"everyone,\" \"faeries,\" or another broad", "SE and it was recommended I post it here, but if the question", "on World-Building SE and it was recommended I post it here, but if", "if the question is still off-topic or confusing, comment and I can fix", "was recommended I post it here, but if the question is still off-topic", "\"humans,\" but the faeries look and act on the basic level that a", "since I associate \"people\" with \"humans,\" but the faeries look and act on", "a bit strange to me since I associate \"people\" with \"humans,\" but the", "but if the question is still off-topic or confusing, comment and I can", "put this question on World-Building SE and it was recommended I post it", "human does (with the added presence of magic). Am I overthinking the use", "bit strange to me since I associate \"people\" with \"humans,\" but the faeries", "or confusing, comment and I can fix it. I have an elf/fairy-like creature", "I put this question on World-Building SE and it was recommended I post", "[this question.](https://writing.stackexchange.com/questions/31410/what-would-you-call-non-human-people) I am asking about a creature resembling a human and not", "of \"people\" or should I use another term? (I would/only use \"people\" when", "and it was recommended I post it here, but if the question is", "but the faeries look and act on the basic level that a human", "I am asking about a creature resembling a human and not a bug.", "I post it here, but if the question is still off-topic or confusing,", "the question is still off-topic or confusing, comment and I can fix it.", "is still off-topic or confusing, comment and I can fix it. I have", "look and act on the basic level that a human does (with the", "I can fix it. I have an elf/fairy-like creature in my book called", "use another term? (I would/only use \"people\" when not saying \"everyone,\" \"faeries,\" or", "here, but if the question is still off-topic or confusing, comment and I", "off-topic or confusing, comment and I can fix it. I have an elf/fairy-like", "on the basic level that a human does (with the added presence of", "basic level that a human does (with the added presence of magic). Am", "an elf/fairy-like creature in my book called faeries, and I don't know what", "presence of magic). Am I overthinking the use of \"people\" or should I", "the word \"people\" sounds a bit strange to me since I associate \"people\"", "fix it. I have an elf/fairy-like creature in my book called faeries, and", "magic). Am I overthinking the use of \"people\" or should I use another", "to me since I associate \"people\" with \"humans,\" but the faeries look and", "faeries look and act on the basic level that a human does (with", "it. I have an elf/fairy-like creature in my book called faeries, and I", "narrating, the word \"people\" sounds a bit strange to me since I associate", "recommended I post it here, but if the question is still off-topic or", "Am I overthinking the use of \"people\" or should I use another term?", "in large groups. When I'm narrating, the word \"people\" sounds a bit strange", "not a bug. Also, I put this question on World-Building SE and it", "sounds a bit strange to me since I associate \"people\" with \"humans,\" but", "a creature resembling a human and not a bug. Also, I put this", "I don't know what to call them in large groups. When I'm narrating,", "does (with the added presence of magic). Am I overthinking the use of", "the faeries look and act on the basic level that a human does", "called faeries, and I don't know what to call them in large groups.", "act on the basic level that a human does (with the added presence", "in my book called faeries, and I don't know what to call them", "don't know what to call them in large groups. When I'm narrating, the", "is not [this question.](https://writing.stackexchange.com/questions/31410/what-would-you-call-non-human-people) I am asking about a creature resembling a human", "large groups. When I'm narrating, the word \"people\" sounds a bit strange to", "of magic). Am I overthinking the use of \"people\" or should I use", "a human does (with the added presence of magic). Am I overthinking the", "I overthinking the use of \"people\" or should I use another term? (I", "am asking about a creature resembling a human and not a bug. Also,", "First off, my question is not [this question.](https://writing.stackexchange.com/questions/31410/what-would-you-call-non-human-people) I am asking about a", "them in large groups. When I'm narrating, the word \"people\" sounds a bit", "I associate \"people\" with \"humans,\" but the faeries look and act on the", "groups. When I'm narrating, the word \"people\" sounds a bit strange to me", "overthinking the use of \"people\" or should I use another term? (I would/only", "or should I use another term? (I would/only use \"people\" when not saying", "creature resembling a human and not a bug. Also, I put this question", "strange to me since I associate \"people\" with \"humans,\" but the faeries look", "question is not [this question.](https://writing.stackexchange.com/questions/31410/what-would-you-call-non-human-people) I am asking about a creature resembling a", "associate \"people\" with \"humans,\" but the faeries look and act on the basic", "and I don't know what to call them in large groups. When I'm", "the use of \"people\" or should I use another term? (I would/only use", "what to call them in large groups. When I'm narrating, the word \"people\"", "with \"humans,\" but the faeries look and act on the basic level that" ]
[ "I'm getting are battlefield scenarios that wouldn't translate well into the themes of", "etc. Death can play a part in this kind of story, but it's", "themes of my own story--which is more about escape, scheming, tactics, strategies, betrayal,", "part in this kind of story, but it's less about any physical battle.", "bombs, and etc. Death can play a part in this kind of story,", "results I'm getting are battlefield scenarios that wouldn't translate well into the themes", "tactics, strategies, betrayal, the battle of the wits, over battle formations, bombs, and", "battle formations, bombs, and etc. Death can play a part in this kind", "battle of the wits, over battle formations, bombs, and etc. Death can play", "story, but it's less about any physical battle. Any in-depth answers will be", "only results I'm getting are battlefield scenarios that wouldn't translate well into the", "my own story--which is more about escape, scheming, tactics, strategies, betrayal, the battle", "over battle formations, bombs, and etc. Death can play a part in this", "but the only results I'm getting are battlefield scenarios that wouldn't translate well", "question says it all, but the only results I'm getting are battlefield scenarios", "story--which is more about escape, scheming, tactics, strategies, betrayal, the battle of the", "that wouldn't translate well into the themes of my own story--which is more", "scheming, tactics, strategies, betrayal, the battle of the wits, over battle formations, bombs,", "but it's less about any physical battle. Any in-depth answers will be much", "it's less about any physical battle. Any in-depth answers will be much appreciated!", "of story, but it's less about any physical battle. Any in-depth answers will", "the battle of the wits, over battle formations, bombs, and etc. Death can", "about escape, scheming, tactics, strategies, betrayal, the battle of the wits, over battle", "Death can play a part in this kind of story, but it's less", "of the wits, over battle formations, bombs, and etc. Death can play a", "play a part in this kind of story, but it's less about any", "scenarios that wouldn't translate well into the themes of my own story--which is", "well into the themes of my own story--which is more about escape, scheming,", "betrayal, the battle of the wits, over battle formations, bombs, and etc. Death", "the wits, over battle formations, bombs, and etc. Death can play a part", "a part in this kind of story, but it's less about any physical", "wouldn't translate well into the themes of my own story--which is more about", "The question says it all, but the only results I'm getting are battlefield", "this kind of story, but it's less about any physical battle. Any in-depth", "are battlefield scenarios that wouldn't translate well into the themes of my own", "it all, but the only results I'm getting are battlefield scenarios that wouldn't", "is more about escape, scheming, tactics, strategies, betrayal, the battle of the wits,", "the only results I'm getting are battlefield scenarios that wouldn't translate well into", "more about escape, scheming, tactics, strategies, betrayal, the battle of the wits, over", "strategies, betrayal, the battle of the wits, over battle formations, bombs, and etc.", "formations, bombs, and etc. Death can play a part in this kind of", "and etc. Death can play a part in this kind of story, but", "wits, over battle formations, bombs, and etc. Death can play a part in", "own story--which is more about escape, scheming, tactics, strategies, betrayal, the battle of", "says it all, but the only results I'm getting are battlefield scenarios that", "kind of story, but it's less about any physical battle. Any in-depth answers", "battlefield scenarios that wouldn't translate well into the themes of my own story--which", "can play a part in this kind of story, but it's less about", "all, but the only results I'm getting are battlefield scenarios that wouldn't translate", "of my own story--which is more about escape, scheming, tactics, strategies, betrayal, the", "into the themes of my own story--which is more about escape, scheming, tactics,", "the themes of my own story--which is more about escape, scheming, tactics, strategies,", "escape, scheming, tactics, strategies, betrayal, the battle of the wits, over battle formations,", "translate well into the themes of my own story--which is more about escape,", "in this kind of story, but it's less about any physical battle. Any", "getting are battlefield scenarios that wouldn't translate well into the themes of my" ]
[ "is physically weak. I’ve got her as finding it hard to move, she’s", "exhausted? In the part I'm writing, my character has just used a whole", "physically weak. I’ve got her as finding it hard to move, she’s super", "scared and angry. She fainted and has woken up a few seconds later", "has just used a whole load of power because she was scared and", "got her as finding it hard to move, she’s super dizzy, she can", "they leave her completely weak and worn-out. I’m not a very experienced writer,", "currently writing a story where my character has emotion-based powers. When she is", "anything else that either would help me or that I could write in", "help me or that I could write in to show how weak she", "not a very experienced writer, so I was wondering how exactly I could", "is angry or scared she can do pretty powerful things, but they leave", "or scared she can do pretty powerful things, but they leave her completely", "and worn-out. I’m not a very experienced writer, so I was wondering how", "she can’t think straight. Is there anything else that either would help me", "character has just used a whole load of power because she was scared", "move, she’s super dizzy, she can barely keep her eyes open and she", "and angry. She fainted and has woken up a few seconds later and", "very experienced writer, so I was wondering how exactly I could write her", "seconds later and is physically weak. I’ve got her as finding it hard", "else that either would help me or that I could write in to", "power because she was scared and angry. She fainted and has woken up", "story where my character has emotion-based powers. When she is angry or scared", "a very experienced writer, so I was wondering how exactly I could write", "and exhausted? In the part I'm writing, my character has just used a", "fainted and has woken up a few seconds later and is physically weak.", "was wondering how exactly I could write her as weak and exhausted? In", "because she was scared and angry. She fainted and has woken up a", "Is there anything else that either would help me or that I could", "she can do pretty powerful things, but they leave her completely weak and", "the part I'm writing, my character has just used a whole load of", "where my character has emotion-based powers. When she is angry or scared she", "I was wondering how exactly I could write her as weak and exhausted?", "finding it hard to move, she’s super dizzy, she can barely keep her", "wondering how exactly I could write her as weak and exhausted? In the", "so I was wondering how exactly I could write her as weak and", "super dizzy, she can barely keep her eyes open and she can’t think", "to move, she’s super dizzy, she can barely keep her eyes open and", "I'm writing, my character has just used a whole load of power because", "she is angry or scared she can do pretty powerful things, but they", "worn-out. I’m not a very experienced writer, so I was wondering how exactly", "woken up a few seconds later and is physically weak. I’ve got her", "that either would help me or that I could write in to show", "scared she can do pretty powerful things, but they leave her completely weak", "exactly I could write her as weak and exhausted? In the part I'm", "how exactly I could write her as weak and exhausted? In the part", "angry or scared she can do pretty powerful things, but they leave her", "my character has just used a whole load of power because she was", "angry. She fainted and has woken up a few seconds later and is", "weak and worn-out. I’m not a very experienced writer, so I was wondering", "can do pretty powerful things, but they leave her completely weak and worn-out.", "can barely keep her eyes open and she can’t think straight. Is there", "few seconds later and is physically weak. I’ve got her as finding it", "writer, so I was wondering how exactly I could write her as weak", "and has woken up a few seconds later and is physically weak. I’ve", "she can barely keep her eyes open and she can’t think straight. Is", "writing a story where my character has emotion-based powers. When she is angry", "keep her eyes open and she can’t think straight. Is there anything else", "can’t think straight. Is there anything else that either would help me or", "do pretty powerful things, but they leave her completely weak and worn-out. I’m", "she’s super dizzy, she can barely keep her eyes open and she can’t", "powerful things, but they leave her completely weak and worn-out. I’m not a", "I’ve got her as finding it hard to move, she’s super dizzy, she", "but they leave her completely weak and worn-out. I’m not a very experienced", "up a few seconds later and is physically weak. I’ve got her as", "her eyes open and she can’t think straight. Is there anything else that", "emotion-based powers. When she is angry or scared she can do pretty powerful", "and is physically weak. I’ve got her as finding it hard to move,", "straight. Is there anything else that either would help me or that I", "weak and exhausted? In the part I'm writing, my character has just used", "my character has emotion-based powers. When she is angry or scared she can", "has woken up a few seconds later and is physically weak. I’ve got", "has emotion-based powers. When she is angry or scared she can do pretty", "character has emotion-based powers. When she is angry or scared she can do", "either would help me or that I could write in to show how", "completely weak and worn-out. I’m not a very experienced writer, so I was", "load of power because she was scared and angry. She fainted and has", "barely keep her eyes open and she can’t think straight. Is there anything", "dizzy, she can barely keep her eyes open and she can’t think straight.", "weak. I’ve got her as finding it hard to move, she’s super dizzy,", "as finding it hard to move, she’s super dizzy, she can barely keep", "powers. When she is angry or scared she can do pretty powerful things,", "think straight. Is there anything else that either would help me or that", "as weak and exhausted? In the part I'm writing, my character has just", "hard to move, she’s super dizzy, she can barely keep her eyes open", "whole load of power because she was scared and angry. She fainted and", "I’m not a very experienced writer, so I was wondering how exactly I", "she was scared and angry. She fainted and has woken up a few", "a few seconds later and is physically weak. I’ve got her as finding", "So I’m currently writing a story where my character has emotion-based powers. When", "She fainted and has woken up a few seconds later and is physically", "a whole load of power because she was scared and angry. She fainted", "there anything else that either would help me or that I could write", "me or that I could write in to show how weak she is?", "pretty powerful things, but they leave her completely weak and worn-out. I’m not", "When she is angry or scared she can do pretty powerful things, but", "of power because she was scared and angry. She fainted and has woken", "would help me or that I could write in to show how weak", "write her as weak and exhausted? In the part I'm writing, my character", "used a whole load of power because she was scared and angry. She", "part I'm writing, my character has just used a whole load of power", "a story where my character has emotion-based powers. When she is angry or", "her as finding it hard to move, she’s super dizzy, she can barely", "her completely weak and worn-out. I’m not a very experienced writer, so I", "I’m currently writing a story where my character has emotion-based powers. When she", "things, but they leave her completely weak and worn-out. I’m not a very", "eyes open and she can’t think straight. Is there anything else that either", "was scared and angry. She fainted and has woken up a few seconds", "could write her as weak and exhausted? In the part I'm writing, my", "I could write her as weak and exhausted? In the part I'm writing,", "and she can’t think straight. Is there anything else that either would help", "her as weak and exhausted? In the part I'm writing, my character has", "experienced writer, so I was wondering how exactly I could write her as", "writing, my character has just used a whole load of power because she", "just used a whole load of power because she was scared and angry.", "leave her completely weak and worn-out. I’m not a very experienced writer, so", "later and is physically weak. I’ve got her as finding it hard to", "it hard to move, she’s super dizzy, she can barely keep her eyes", "open and she can’t think straight. Is there anything else that either would", "In the part I'm writing, my character has just used a whole load" ]
[ "I took up writing as a hobby, I've learnt that it's recommended to", "hiss a sentence that doesn't contain any sibilants. But what if those \"obvious\"", "is,\" he said with a shrug, hissing each sibillant in a way reminiscent", "any sibilants. But what if those \"obvious\" reasons don't apply? > > \"No!\"", "what's being said. So I'm wondering if it might be permissible to use", "I said with a gasp. > > > \"Right,\" she said, almost spitting", "the word. > > > \"I love you!\" Oops, he hadn't meant to", "he said with a shrug, hissing each sibillant in a way reminiscent of", "\"It is what it is,\" he said with a shrug, hissing each sibillant", "detail: > > \"It is what it is,\" he said with a shrug,", "way reminiscent of the viper he was. > > > But while that", "or hiss a sentence that doesn't contain any sibilants. But what if those", "there are other ways of describing these, but are these better? > >", "reminiscent of the viper he was. > > > But while that might", "> Is that really more \"invisible\" than simply using the verb instead? (That's", "she spat. > > > \"I love you!\" he blurted out. > >", "said. So I'm wondering if it might be permissible to use alternatives in", "as dialogue tags, and to skip even these if the attribution can be", "run-on sentence or hiss a sentence that doesn't contain any sibilants. But what", "while that might work once, if this is a common habit of the", "more detail: > > \"It is what it is,\" he said with a", "dialogue tag doesn't work. Of course* you can't gasp or spit a run-on", "are usually given in these writing guidelines, it's always very obvious why the", "what it is,\" he said with a shrug, hissing each sibillant in a", "way. I realize that the abundancy of synonyms I used in previous texts", "> > \"No!\" I gasped. > > > \"Right,\" she spat. > >", "as a hobby, I've learnt that it's recommended to only use \"say\" and", "each sibillant in a way reminiscent of the viper he was. > >", "way is so ingrained in my writing habits. Maybe in a year, I'll", "said with a shrug, hissing each sibillant in a way reminiscent of the", "you can't gasp or spit a run-on sentence or hiss a sentence that", "viper he was. > > > But while that might work once, if", "of the viper he was. > > > But while that might work", "word. > > > \"I love you!\" Oops, he hadn't meant to say", "with a shrug, hissing each sibillant in a way reminiscent of the viper", "a hobby, I've learnt that it's recommended to only use \"say\" and \"ask\"", "Oops, he hadn't meant to say that.* > > > Is that really", "that are usually given in these writing guidelines, it's always very obvious why", "in-between. *How can I convey the information currently contained in the dialogue tags", "describe how the characters are speaking, in addition to any action that takes", "a year, I'll look back at this question and laugh.) I agree that", "tags, and to skip even these if the attribution can be supplied in", "on toning it down. However, sometimes, \"say\" just doesn't express the tone of", "describing these, but are these better? > > \"No!\" I said with a", "ways of describing these, but are these better? > > \"No!\" I said", "takes place in-between. How can I convey the information currently contained in the", "abundancy of synonyms I used in previous texts is way over the top,", "With the examples that are usually given in these writing guidelines, it's always", "Is that really more \"invisible\" than simply using the verb instead? (That's hard", "really more \"invisible\" than simply using the verb instead? (That's hard for me", "the tag doesn't add anything, I prefer not having one at all. I've", "I'll look back at this question and laugh.) I agree that the hissing", "doesn't express the tone of what's being said. So I'm wondering if it", "been using these tags because they describe how the characters are speaking, in", "that takes place in-between. How can I convey the information currently contained in", "prefer not having one at all. I've been using these tags because they", "question is not how to get rid of the dialogue tags. If the", "\"say\" and \"ask\" as dialogue tags, and to skip even these if the", "guidelines, it's always very obvious why the dialogue tag doesn't work. Of course", "> > Is that really more \"invisible\" than simply using the verb instead?", "specific cases. With the examples that are usually given in these writing guidelines,", "don't apply? > > \"No!\" I gasped. > > > \"Right,\" she spat.", "tag doesn't work. Of course* you can't gasp or spit a run-on sentence", "description would get old pretty quickly. My question is not how to get", "hobby, I've learnt that it's recommended to only use \"say\" and \"ask\" as", "But while that might work once, if this is a common habit of", "always having to include the description would get old pretty quickly. My question", "> \"No!\" I said with a gasp. > > > \"Right,\" she said,", "> \"No!\" I gasped. > > > \"Right,\" she spat. > > >", "was. > > > But while that might work once, if this is", "I've been using these tags because they describe how the characters are speaking,", "addition to any action that takes place in-between. How can I convey the", "what if those \"obvious\" reasons don't apply? > > \"No!\" I gasped. >", "working hard on toning it down. However, sometimes, \"say\" just doesn't express the", "year, I'll look back at this question and laugh.) I agree that the", "top, and I'm working hard on toning it down. However, sometimes, \"say\" just", "> > > Is that really more \"invisible\" than simply using the verb", "that really more \"invisible\" than simply using the verb instead? (That's hard for", "characters are speaking, in addition to any action that takes place in-between. How", "simply using the verb instead? (That's hard for me to judge because the", "almost spitting the word. > > > \"I love you!\" Oops, he hadn't", "other ways of describing these, but are these better? > > \"No!\" I", "this is a common habit of the character, it seems like always having", "the verb instead? (That's hard for me to judge because the old way", "my writing habits. Maybe in a year, I'll look back at this question", "obvious why the dialogue tag doesn't work. Of course* you can't gasp or", "gasped. > > > \"Right,\" she spat. > > > \"I love you!\"", "it's always very obvious why the dialogue tag doesn't work. Of course you", "the dialogue tag doesn't work. Of course you can't gasp or spit a", "question and laugh.) I agree that the hissing can be described in more", "in these writing guidelines, it's always very obvious why the dialogue tag doesn't", "spat. > > > \"I love you!\" he blurted out. > > >", "at all. I've been using these tags because they describe how the characters", "the old way is so ingrained in my writing habits. Maybe in a", "I used in previous texts is way over the top, and I'm working", "are these better? > > \"No!\" I said with a gasp. > >", "sentence that doesn't contain any sibilants. But what if those \"obvious\" reasons don't", "examples that are usually given in these writing guidelines, it's always very obvious", "down. However, sometimes, \"say\" just doesn't express the tone of what's being said.", "the attribution can be supplied in another way. I realize that the abundancy", "that it's recommended to only use \"say\" and \"ask\" as dialogue tags, and", "might work once, if this is a common habit of the character, it", "in very specific cases. With the examples that are usually given in these", "more \"invisible\" than simply using the verb instead? (That's hard for me to", "like always having to include the description would get old pretty quickly. My", "used in previous texts is way over the top, and I'm working hard", "in a year, I'll look back at this question and laugh.) I agree", "how the characters are speaking, in addition to any action that takes place", "habits. Maybe in a year, I'll look back at this question and laugh.)", "these tags because they describe how the characters are speaking, in addition to", "these, but are these better? > > \"No!\" I said with a gasp.", "having one at all. I've been using these tags because they describe how", "shrugging. > > > Of course, there are other ways of describing these,", "of the dialogue tags. If the tag doesn't add anything, I prefer not", "the abundancy of synonyms I used in previous texts is way over the", "> \"It is what it is,\" he hissed, shrugging. > > > Of", "habit of the character, it seems like always having to include the description", "spit a run-on sentence or hiss a sentence that doesn't contain any sibilants.", "gasp or spit a run-on sentence or hiss a sentence that doesn't contain", "of what's being said. So I'm wondering if it might be permissible to", "hard on toning it down. However, sometimes, \"say\" just doesn't express the tone", "all. I've been using these tags because they describe how the characters are", "up writing as a hobby, I've learnt that it's recommended to only use", "permissible to use alternatives in very specific cases. With the examples that are", "I gasped. > > > \"Right,\" she spat. > > > \"I love", "course, there are other ways of describing these, but are these better? >", "back at this question and laugh.) I agree that the hissing can be", "one at all. I've been using these tags because they describe how the", "how to get rid of the dialogue tags. If the tag doesn't add", "tags because they describe how the characters are speaking, in addition to any", "look back at this question and laugh.) I agree that the hissing can", "learnt that it's recommended to only use \"say\" and \"ask\" as dialogue tags,", "said, almost spitting the word. > > > \"I love you!\" Oops, he", "writing habits. Maybe in a year, I'll look back at this question and", "I agree that the hissing can be described in more detail: > >", "is,\" he hissed, shrugging. > > > Of course, there are other ways", "> > > \"Right,\" she spat. > > > \"I love you!\" he", "always very obvious why the dialogue tag doesn't work. Of course* you can't", "verb instead? (That's hard for me to judge because the old way is", "to say that.* > > > Is that really more \"invisible\" than simply", "he hadn't meant to say that.* > > > Is that really more", "If the tag doesn't add anything, I prefer not having one at all.", "so ingrained in my writing habits. Maybe in a year, I'll look back", "way over the top, and I'm working hard on toning it down. However,", "just doesn't express the tone of what's being said. So I'm wondering if", "described in more detail: > > \"It is what it is,\" he said", "get rid of the dialogue tags. If the tag doesn't add anything, I", "it down. However, sometimes, \"say\" just doesn't express the tone of what's being", "she said, almost spitting the word. > > > \"I love you!\" Oops,", "> But while that might work once, if this is a common habit", "would get old pretty quickly. My question is not how to get rid", "the viper he was. > > > But while that might work once,", "are other ways of describing these, but are these better? > > \"No!\"", "not how to get rid of the dialogue tags. If the tag doesn't", "is so ingrained in my writing habits. Maybe in a year, I'll look", "he hissed, shrugging. > > > Of course, there are other ways of", "it is,\" he hissed, shrugging. > > > Of course, there are other", "But what if those \"obvious\" reasons don't apply? > > \"No!\" I gasped.", "it is,\" he said with a shrug, hissing each sibillant in a way", "sibillant in a way reminiscent of the viper he was. > > >", "to any action that takes place in-between. How can I convey the information", "ingrained in my writing habits. Maybe in a year, I'll look back at", "alternatives in very specific cases. With the examples that are usually given in", "anything, I prefer not having one at all. I've been using these tags", "that the abundancy of synonyms I used in previous texts is way over", "\"I love you!\" Oops, he hadn't meant to say that.* > > >", "these writing guidelines, it's always very obvious why the dialogue tag doesn't work.", "> > > \"I love you!\" he blurted out. > > > \"It", "having to include the description would get old pretty quickly. My question is", "the dialogue tags. If the tag doesn't add anything, I prefer not having", "is not how to get rid of the dialogue tags. If the tag", "I'm working hard on toning it down. However, sometimes, \"say\" just doesn't express", "> > > \"It is what it is,\" he hissed, shrugging. > >", "\"Right,\" she said, almost spitting the word. > > > \"I love you!\"", "at this question and laugh.) I agree that the hissing can be described", "I'm wondering if it might be permissible to use alternatives in very specific", "took up writing as a hobby, I've learnt that it's recommended to only", "Of course you can't gasp or spit a run-on sentence or hiss a", "> > \"I love you!\" he blurted out. > > > \"It is", "> > \"I love you!\" Oops, he hadn't meant to say that. >", "with a gasp. > > > \"Right,\" she said, almost spitting the word.", "hissing can be described in more detail: > > \"It is what it", "add anything, I prefer not having one at all. I've been using these", "if those \"obvious\" reasons don't apply? > > \"No!\" I gasped. > >", "even these if the attribution can be supplied in another way. I realize", "a run-on sentence or hiss a sentence that doesn't contain any sibilants. But", "than simply using the verb instead? (That's hard for me to judge because", "use \"say\" and \"ask\" as dialogue tags, and to skip even these if", "it's recommended to only use \"say\" and \"ask\" as dialogue tags, and to", "he blurted out. > > > \"It is what it is,\" he hissed,", "include the description would get old pretty quickly. My question is not how", "sibilants. But what if those \"obvious\" reasons don't apply? > > \"No!\" I", "\"invisible\" than simply using the verb instead? (That's hard for me to judge", "agree that the hissing can be described in more detail: > > \"It", "they describe how the characters are speaking, in addition to any action that", "that doesn't contain any sibilants. But what if those \"obvious\" reasons don't apply?", "a way reminiscent of the viper he was. > > > But while", "is what it is,\" he said with a shrug, hissing each sibillant in", "> \"I love you!\" Oops, he hadn't meant to say that. > >", "you!\" Oops, he hadn't meant to say that. > > > Is that", "I've learnt that it's recommended to only use \"say\" and \"ask\" as dialogue", "or spit a run-on sentence or hiss a sentence that doesn't contain any", "common habit of the character, it seems like always having to include the", "very obvious why the dialogue tag doesn't work. Of course you can't gasp", "a common habit of the character, it seems like always having to include", "(That's hard for me to judge because the old way is so ingrained", "me to judge because the old way is so ingrained in my writing", "sentence or hiss a sentence that doesn't contain any sibilants. But what if", "doesn't add anything, I prefer not having one at all. I've been using", "to get rid of the dialogue tags. If the tag doesn't add anything,", "toning it down. However, sometimes, \"say\" just doesn't express the tone of what's", "pretty quickly. My question is not how to get rid of the dialogue", "laugh.) I agree that the hissing can be described in more detail: >", "very specific cases. With the examples that are usually given in these writing", "to only use \"say\" and \"ask\" as dialogue tags, and to skip even", "these if the attribution can be supplied in another way. I realize that", "said with a gasp. > > > \"Right,\" she said, almost spitting the", "course* you can't gasp or spit a run-on sentence or hiss a sentence", "a gasp. > > > \"Right,\" she said, almost spitting the word. >", "work once, if this is a common habit of the character, it seems", "\"obvious\" reasons don't apply? > > \"No!\" I gasped. > > > \"Right,\"", "hard for me to judge because the old way is so ingrained in", "it might be permissible to use alternatives in very specific cases. With the", "> Of course, there are other ways of describing these, but are these", "this question and laugh.) I agree that the hissing can be described in", "\"No!\" I said with a gasp. > > > \"Right,\" she said, almost", "it seems like always having to include the description would get old pretty", "> > \"Right,\" she spat. > > > \"I love you!\" he blurted", "> > But while that might work once, if this is a common", "get old pretty quickly. My question is not how to get rid of", "once, if this is a common habit of the character, it seems like", "old way is so ingrained in my writing habits. Maybe in a year,", "dialogue tags. If the tag doesn't add anything, I prefer not having one", "is what it is,\" he hissed, shrugging. > > > Of course, there", "given in these writing guidelines, it's always very obvious why the dialogue tag", "the description would get old pretty quickly. My question is not how to", "attribution can be supplied in another way. I realize that the abundancy of", "these better? > > \"No!\" I said with a gasp. > > >", "using the verb instead? (That's hard for me to judge because the old", "doesn't work. Of course you can't gasp or spit a run-on sentence or", "can't gasp or spit a run-on sentence or hiss a sentence that doesn't", "that.* > > > Is that really more \"invisible\" than simply using the", "wondering if it might be permissible to use alternatives in very specific cases.", "hadn't meant to say that.* > > > Is that really more \"invisible\"", "are speaking, in addition to any action that takes place in-between. *How can", "of synonyms I used in previous texts is way over the top, and", "> \"I love you!\" he blurted out. > > > \"It is what", "of describing these, but are these better? > > \"No!\" I said with", "> \"It is what it is,\" he said with a shrug, hissing each", "hissing each sibillant in a way reminiscent of the viper he was. >", "because the old way is so ingrained in my writing habits. Maybe in", "what it is,\" he hissed, shrugging. > > > Of course, there are", "be described in more detail: > > \"It is what it is,\" he", "work. Of course* you can't gasp or spit a run-on sentence or hiss", "hissed, shrugging. > > > Of course, there are other ways of describing", "However, sometimes, \"say\" just doesn't express the tone of what's being said. So", "tags. If the tag doesn't add anything, I prefer not having one at", "is a common habit of the character, it seems like always having to", "but are these better? > > \"No!\" I said with a gasp. >", "writing as a hobby, I've learnt that it's recommended to only use \"say\"", "in addition to any action that takes place in-between. *How can I convey", "love you!\" Oops, he hadn't meant to say that.* > > > Is", "because they describe how the characters are speaking, in addition to any action", "Maybe in a year, I'll look back at this question and laugh.) I", "texts is way over the top, and I'm working hard on toning it", "in previous texts is way over the top, and I'm working hard on", "be supplied in another way. I realize that the abundancy of synonyms I", "in a way reminiscent of the viper he was. > > > But", "and to skip even these if the attribution can be supplied in another", "I prefer not having one at all. I've been using these tags because", "in my writing habits. Maybe in a year, I'll look back at this", "out. > > > \"It is what it is,\" he hissed, shrugging. >", "dialogue tags, and to skip even these if the attribution can be supplied", "a sentence that doesn't contain any sibilants. But what if those \"obvious\" reasons", "How can I convey the information currently contained in the dialogue tags in", "tone of what's being said. So I'm wondering if it might be permissible", "be permissible to use alternatives in very specific cases. With the examples that", "cases. With the examples that are usually given in these writing guidelines, it's", "\"Right,\" she spat. > > > \"I love you!\" he blurted out. >", "> > Of course, there are other ways of describing these, but are", "\"say\" just doesn't express the tone of what's being said. So I'm wondering", "the characters are speaking, in addition to any action that takes place in-between.", "the character, it seems like always having to include the description would get", "if the attribution can be supplied in another way. I realize that the", "to include the description would get old pretty quickly. My question is not", "seems like always having to include the description would get old pretty quickly.", "Since I took up writing as a hobby, I've learnt that it's recommended", "instead? (That's hard for me to judge because the old way is so", "place in-between. How can I convey the information currently contained in the dialogue", "> \"Right,\" she spat. > > > \"I love you!\" he blurted out.", "> > \"Right,\" she said, almost spitting the word. > > > \"I", "convey the information currently contained in the dialogue tags in a different way?*", "> \"Right,\" she said, almost spitting the word. > > > \"I love", "not having one at all. I've been using these tags because they describe", "only use \"say\" and \"ask\" as dialogue tags, and to skip even these", "you!\" he blurted out. > > > \"It is what it is,\" he", "the top, and I'm working hard on toning it down. However, sometimes, \"say\"", "the tone of what's being said. So I'm wondering if it might be", "skip even these if the attribution can be supplied in another way. I", "> > \"No!\" I said with a gasp. > > > \"Right,\" she", "can be supplied in another way. I realize that the abundancy of synonyms", "realize that the abundancy of synonyms I used in previous texts is way", "the examples that are usually given in these writing guidelines, it's always very", "if it might be permissible to use alternatives in very specific cases. With", "that might work once, if this is a common habit of the character,", "a shrug, hissing each sibillant in a way reminiscent of the viper he", "and I'm working hard on toning it down. However, sometimes, \"say\" just doesn't", "and laugh.) I agree that the hissing can be described in more detail:", "and \"ask\" as dialogue tags, and to skip even these if the attribution", "tag doesn't add anything, I prefer not having one at all. I've been", "another way. I realize that the abundancy of synonyms I used in previous", "sometimes, \"say\" just doesn't express the tone of what's being said. So I'm", "say that. > > > Is that really more \"invisible\" than simply using", "rid of the dialogue tags. If the tag doesn't add anything, I prefer", "is way over the top, and I'm working hard on toning it down.", "being said. So I'm wondering if it might be permissible to use alternatives", "supplied in another way. I realize that the abundancy of synonyms I used", "spitting the word. > > > \"I love you!\" Oops, he hadn't meant", "My question is not how to get rid of the dialogue tags. If", "blurted out. > > > \"It is what it is,\" he hissed, shrugging.", "So I'm wondering if it might be permissible to use alternatives in very", "\"I love you!\" he blurted out. > > > \"It is what it", "> > \"It is what it is,\" he hissed, shrugging. > > >", "> > > Of course, there are other ways of describing these, but", "apply? > > \"No!\" I gasped. > > > \"Right,\" she spat. >", "using these tags because they describe how the characters are speaking, in addition", "if this is a common habit of the character, it seems like always", "use alternatives in very specific cases. With the examples that are usually given", "that the hissing can be described in more detail: > > \"It is", "> > \"It is what it is,\" he said with a shrug, hissing", "I realize that the abundancy of synonyms I used in previous texts is", "reasons don't apply? > > \"No!\" I gasped. > > > \"Right,\" she", "better? > > \"No!\" I said with a gasp. > > > \"Right,\"", "for me to judge because the old way is so ingrained in my", "can be described in more detail: > > \"It is what it is,\"", "in more detail: > > \"It is what it is,\" he said with", "to judge because the old way is so ingrained in my writing habits.", "synonyms I used in previous texts is way over the top, and I'm", "of the character, it seems like always having to include the description would", "old pretty quickly. My question is not how to get rid of the", "\"No!\" I gasped. > > > \"Right,\" she spat. > > > \"I", "speaking, in addition to any action that takes place in-between. How can I", "the hissing can be described in more detail: > > \"It is what", "he was. > > > But while that might work once, if this", "\"It is what it is,\" he hissed, shrugging. > > > Of course,", "any action that takes place in-between. How can I convey the information currently", "meant to say that. > > > Is that really more \"invisible\" than", "those \"obvious\" reasons don't apply? > > \"No!\" I gasped. > > >", "quickly. My question is not how to get rid of the dialogue tags.", "contain any sibilants. But what if those \"obvious\" reasons don't apply? > >", "express the tone of what's being said. So I'm wondering if it might", "action that takes place in-between. *How can I convey the information currently contained", "might be permissible to use alternatives in very specific cases. With the examples", "> > > \"I love you!\" Oops, he hadn't meant to say that.", "to use alternatives in very specific cases. With the examples that are usually", "love you!\" he blurted out. > > > \"It is what it is,\"", "shrug, hissing each sibillant in a way reminiscent of the viper he was.", "recommended to only use \"say\" and \"ask\" as dialogue tags, and to skip", "in another way. I realize that the abundancy of synonyms I used in", "can I convey the information currently contained in the dialogue tags in a", "> > > \"Right,\" she said, almost spitting the word. > > >", "character, it seems like always having to include the description would get old", "to skip even these if the attribution can be supplied in another way.", "\"ask\" as dialogue tags, and to skip even these if the attribution can", "usually given in these writing guidelines, it's always very obvious why the dialogue", "judge because the old way is so ingrained in my writing habits. Maybe", "gasp. > > > \"Right,\" she said, almost spitting the word. > >", "over the top, and I'm working hard on toning it down. However, sometimes,", "writing guidelines, it's always very obvious why the dialogue tag doesn't work. Of", "why the dialogue tag doesn't work. Of course you can't gasp or spit", "I convey the information currently contained in the dialogue tags in a different", "Of course, there are other ways of describing these, but are these better?", "> > > But while that might work once, if this is a", "previous texts is way over the top, and I'm working hard on toning", "doesn't contain any sibilants. But what if those \"obvious\" reasons don't apply? >" ]
[ "and make him part of Z. Should I keep E to fill out", "delete E and make him part of Z. Should I keep E to", "supporting (Z), but I'm wondering if I should mesh them together into Z.", "how many), so to me, it makes sense to delete E and make", "couldn't tell you how many), so to me, it makes sense to delete", "in a lot more scenes (I couldn't tell you how many), so to", "is in a lot more scenes (I couldn't tell you how many), so", "other times. Z is in a lot more scenes (I couldn't tell you", "(E) and one is a supporting (Z), but I'm wondering if I should", "is a side character (E) and one is a supporting (Z), but I'm", "mesh them together into Z. E only appears in two scenes but is", "a supporting (Z), but I'm wondering if I should mesh them together into", "if I should mesh them together into Z. E only appears in two", "more scenes (I couldn't tell you how many), so to me, it makes", "Z is in a lot more scenes (I couldn't tell you how many),", "E and make him part of Z. Should I keep E to fill", "E to fill out the book, or delete him? Any advice is appreciated,", "character (E) and one is a supporting (Z), but I'm wondering if I", "side character (E) and one is a supporting (Z), but I'm wondering if", "a side character (E) and one is a supporting (Z), but I'm wondering", "part of Z. Should I keep E to fill out the book, or", "makes sense to delete E and make him part of Z. Should I", "it makes sense to delete E and make him part of Z. Should", "but is mentioned other times. Z is in a lot more scenes (I", "so to me, it makes sense to delete E and make him part", "tell you how many), so to me, it makes sense to delete E", "a lot more scenes (I couldn't tell you how many), so to me,", "you how many), so to me, it makes sense to delete E and", "together into Z. E only appears in two scenes but is mentioned other", "them together into Z. E only appears in two scenes but is mentioned", "scenes (I couldn't tell you how many), so to me, it makes sense", "Should I keep E to fill out the book, or delete him? Any", "I keep E to fill out the book, or delete him? Any advice", "me, it makes sense to delete E and make him part of Z.", "mentioned other times. Z is in a lot more scenes (I couldn't tell", "one is a supporting (Z), but I'm wondering if I should mesh them", "lot more scenes (I couldn't tell you how many), so to me, it", "and one is a supporting (Z), but I'm wondering if I should mesh", "to me, it makes sense to delete E and make him part of", "One of them is a side character (E) and one is a supporting", "to fill out the book, or delete him? Any advice is appreciated, thank", "mind, both share many traits. One of them is a side character (E)", "in mind, both share many traits. One of them is a side character", "is a supporting (Z), but I'm wondering if I should mesh them together", "keep E to fill out the book, or delete him? Any advice is", "fill out the book, or delete him? Any advice is appreciated, thank you!", "two scenes but is mentioned other times. Z is in a lot more", "wondering if I should mesh them together into Z. E only appears in", "make him part of Z. Should I keep E to fill out the", "him part of Z. Should I keep E to fill out the book,", "of them is a side character (E) and one is a supporting (Z),", "I'm wondering if I should mesh them together into Z. E only appears", "is mentioned other times. Z is in a lot more scenes (I couldn't", "should mesh them together into Z. E only appears in two scenes but", "but I'm wondering if I should mesh them together into Z. E only", "both share many traits. One of them is a side character (E) and", "into Z. E only appears in two scenes but is mentioned other times.", "E only appears in two scenes but is mentioned other times. Z is", "have two characters in mind, both share many traits. One of them is", "characters in mind, both share many traits. One of them is a side", "traits. One of them is a side character (E) and one is a", "sense to delete E and make him part of Z. Should I keep", "I have two characters in mind, both share many traits. One of them", "many), so to me, it makes sense to delete E and make him", "I should mesh them together into Z. E only appears in two scenes", "Z. E only appears in two scenes but is mentioned other times. Z", "two characters in mind, both share many traits. One of them is a", "of Z. Should I keep E to fill out the book, or delete", "Z. Should I keep E to fill out the book, or delete him?", "(Z), but I'm wondering if I should mesh them together into Z. E", "(I couldn't tell you how many), so to me, it makes sense to", "many traits. One of them is a side character (E) and one is", "them is a side character (E) and one is a supporting (Z), but", "share many traits. One of them is a side character (E) and one", "times. Z is in a lot more scenes (I couldn't tell you how", "only appears in two scenes but is mentioned other times. Z is in", "appears in two scenes but is mentioned other times. Z is in a", "in two scenes but is mentioned other times. Z is in a lot", "scenes but is mentioned other times. Z is in a lot more scenes", "to delete E and make him part of Z. Should I keep E" ]
[ "manuscript to beta readers. I'm wondering how I should format chapter titles. Do", "readers. I'm wondering how I should format chapter titles. Do I put them", "final stages of editing before I send my manuscript to beta readers. I'm", "I send my manuscript to beta readers. I'm wondering how I should format", "my final stages of editing before I send my manuscript to beta readers.", "or as a slightly larger, bolder font? (This is the first thing I", "never done this before and I don't know if there is a standard", "header, or as a slightly larger, bolder font? (This is the first thing", "have never done this before and I don't know if there is a", "beta readers. I'm wondering how I should format chapter titles. Do I put", "format chapter titles. Do I put them as a header, or as a", "as a header, or as a slightly larger, bolder font? (This is the", "slightly larger, bolder font? (This is the first thing I am sending out", "bolder font? (This is the first thing I am sending out to beta", "I have never done this before and I don't know if there is", "thing I am sending out to beta readers, so I have never done", "my manuscript to beta readers. I'm wondering how I should format chapter titles.", "larger, bolder font? (This is the first thing I am sending out to", "is the first thing I am sending out to beta readers, so I", "Do I put them as a header, or as a slightly larger, bolder", "and I don't know if there is a standard that everyone follows. Just", "as a slightly larger, bolder font? (This is the first thing I am", "so I have never done this before and I don't know if there", "I put them as a header, or as a slightly larger, bolder font?", "a slightly larger, bolder font? (This is the first thing I am sending", "this before and I don't know if there is a standard that everyone", "I don't know if there is a standard that everyone follows. Just wondering)", "chapter titles. Do I put them as a header, or as a slightly", "to beta readers. I'm wondering how I should format chapter titles. Do I", "I'm wondering how I should format chapter titles. Do I put them as", "font? (This is the first thing I am sending out to beta readers,", "should format chapter titles. Do I put them as a header, or as", "stages of editing before I send my manuscript to beta readers. I'm wondering", "before I send my manuscript to beta readers. I'm wondering how I should", "I'm in my final stages of editing before I send my manuscript to", "am sending out to beta readers, so I have never done this before", "a header, or as a slightly larger, bolder font? (This is the first", "how I should format chapter titles. Do I put them as a header,", "them as a header, or as a slightly larger, bolder font? (This is", "beta readers, so I have never done this before and I don't know", "before and I don't know if there is a standard that everyone follows.", "of editing before I send my manuscript to beta readers. I'm wondering how", "titles. Do I put them as a header, or as a slightly larger,", "I am sending out to beta readers, so I have never done this", "sending out to beta readers, so I have never done this before and", "done this before and I don't know if there is a standard that", "wondering how I should format chapter titles. Do I put them as a", "the first thing I am sending out to beta readers, so I have", "out to beta readers, so I have never done this before and I", "in my final stages of editing before I send my manuscript to beta", "put them as a header, or as a slightly larger, bolder font? (This", "editing before I send my manuscript to beta readers. I'm wondering how I", "send my manuscript to beta readers. I'm wondering how I should format chapter", "I should format chapter titles. Do I put them as a header, or", "(This is the first thing I am sending out to beta readers, so", "first thing I am sending out to beta readers, so I have never", "to beta readers, so I have never done this before and I don't", "readers, so I have never done this before and I don't know if" ]
[ "if this character was even necessary to the overall story line. She’s more", "shoulder. She can’t actually talk though, because in my fantasy world fairies cannot", "the characters fight in the final battle against the antagonists army, therefore turning", "author writing a fantasy series. When I was looking over my manuscript, I", "I realized that in chapter seven I’d added a character named Autumn. She’s", "Autumn can’t talk, I accidentally forget about her by chapter twelve because so", "as a symbol of friendship and well being, then later in chapter 22", "forget about her by chapter twelve because so much was happening. That made", "rides around on the MCs shoulder. She can’t actually talk though, because in", "size of your finger. Very difficult to actually fight, especially when there’s a", "don’t believe she’s truly needed. (Sorry Autumn) Should I keep or delete this", "That made me wonder if this character was even necessary to the overall", "be heard, similar to the fairies in the Tinker-Bell movies. Because Autumn can’t", "lot of them) Autumn is sort of like an ambassador, but I don’t", "sort of like an ambassador, but I don’t believe she’s truly needed. (Sorry", "a fantasy series. When I was looking over my manuscript, I realized that", "a lot of them) Autumn is sort of like an ambassador, but I", "twelve because so much was happening. That made me wonder if this character", "can’t talk, I accidentally forget about her by chapter twelve because so much", "and well being, then later in chapter 22 brings her whole army to", "much was happening. That made me wonder if this character was even necessary", "the antagonists army, therefore turning the tides of the fight. (The fairies are", "warriors the size of your finger. Very difficult to actually fight, especially when", "the final battle against the antagonists army, therefore turning the tides of the", "of your finger. Very difficult to actually fight, especially when there’s a lot", "of the fight. (The fairies are warriors the size of your finger. Very", "then later in chapter 22 brings her whole army to help the characters", "fairy Queen sent Autumn with my main characters as a symbol of friendship", "your finger. Very difficult to actually fight, especially when there’s a lot of", "in chapter 22 brings her whole army to help the characters fight in", "necessary to the overall story line. She’s more of a symbol than an", "happening. That made me wonder if this character was even necessary to the", "antagonists army, therefore turning the tides of the fight. (The fairies are warriors", "them) Autumn is sort of like an ambassador, but I don’t believe she’s", "my main characters as a symbol of friendship and well being, then later", "world fairies cannot be heard, similar to the fairies in the Tinker-Bell movies.", "a symbol than an actual character though, because in chapter seven the fairy", "in chapter seven the fairy Queen sent Autumn with my main characters as", "friendship and well being, then later in chapter 22 brings her whole army", "story line. She’s more of a symbol than an actual character though, because", "overall story line. She’s more of a symbol than an actual character though,", "her whole army to help the characters fight in the final battle against", "added a character named Autumn. She’s a tiny fairy who rides around on", "later in chapter 22 brings her whole army to help the characters fight", "because in my fantasy world fairies cannot be heard, similar to the fairies", "similar to the fairies in the Tinker-Bell movies. Because Autumn can’t talk, I", "symbol than an actual character though, because in chapter seven the fairy Queen", "cannot be heard, similar to the fairies in the Tinker-Bell movies. Because Autumn", "whole army to help the characters fight in the final battle against the", "difficult to actually fight, especially when there’s a lot of them) Autumn is", "but I don’t believe she’s truly needed. (Sorry Autumn) Should I keep or", "can’t actually talk though, because in my fantasy world fairies cannot be heard,", "Very difficult to actually fight, especially when there’s a lot of them) Autumn", "line. She’s more of a symbol than an actual character though, because in", "army to help the characters fight in the final battle against the antagonists", "chapter twelve because so much was happening. That made me wonder if this", "When I was looking over my manuscript, I realized that in chapter seven", "She’s a tiny fairy who rides around on the MCs shoulder. She can’t", "Tinker-Bell movies. Because Autumn can’t talk, I accidentally forget about her by chapter", "army, therefore turning the tides of the fight. (The fairies are warriors the", "actual character though, because in chapter seven the fairy Queen sent Autumn with", "realized that in chapter seven I’d added a character named Autumn. She’s a", "fight, especially when there’s a lot of them) Autumn is sort of like", "turning the tides of the fight. (The fairies are warriors the size of", "finger. Very difficult to actually fight, especially when there’s a lot of them)", "to the overall story line. She’s more of a symbol than an actual", "named Autumn. She’s a tiny fairy who rides around on the MCs shoulder.", "Because Autumn can’t talk, I accidentally forget about her by chapter twelve because", "actually fight, especially when there’s a lot of them) Autumn is sort of", "more of a symbol than an actual character though, because in chapter seven", "against the antagonists army, therefore turning the tides of the fight. (The fairies", "a young author writing a fantasy series. When I was looking over my", "this character was even necessary to the overall story line. She’s more of", "fight. (The fairies are warriors the size of your finger. Very difficult to", "I was looking over my manuscript, I realized that in chapter seven I’d", "was even necessary to the overall story line. She’s more of a symbol", "sent Autumn with my main characters as a symbol of friendship and well", "there’s a lot of them) Autumn is sort of like an ambassador, but", "fairies cannot be heard, similar to the fairies in the Tinker-Bell movies. Because", "especially when there’s a lot of them) Autumn is sort of like an", "final battle against the antagonists army, therefore turning the tides of the fight.", "Queen sent Autumn with my main characters as a symbol of friendship and", "actually talk though, because in my fantasy world fairies cannot be heard, similar", "She’s more of a symbol than an actual character though, because in chapter", "fight in the final battle against the antagonists army, therefore turning the tides", "the size of your finger. Very difficult to actually fight, especially when there’s", "around on the MCs shoulder. She can’t actually talk though, because in my", "I accidentally forget about her by chapter twelve because so much was happening.", "fairies are warriors the size of your finger. Very difficult to actually fight,", "characters fight in the final battle against the antagonists army, therefore turning the", "even necessary to the overall story line. She’s more of a symbol than", "being, then later in chapter 22 brings her whole army to help the", "a character named Autumn. She’s a tiny fairy who rides around on the", "fairy who rides around on the MCs shoulder. She can’t actually talk though,", "Autumn is sort of like an ambassador, but I don’t believe she’s truly", "over my manuscript, I realized that in chapter seven I’d added a character", "chapter seven the fairy Queen sent Autumn with my main characters as a", "the MCs shoulder. She can’t actually talk though, because in my fantasy world", "of like an ambassador, but I don’t believe she’s truly needed. (Sorry Autumn)", "well being, then later in chapter 22 brings her whole army to help", "series. When I was looking over my manuscript, I realized that in chapter", "I’d added a character named Autumn. She’s a tiny fairy who rides around", "to actually fight, especially when there’s a lot of them) Autumn is sort", "her by chapter twelve because so much was happening. That made me wonder", "in my fantasy world fairies cannot be heard, similar to the fairies in", "chapter 22 brings her whole army to help the characters fight in the", "therefore turning the tides of the fight. (The fairies are warriors the size", "of them) Autumn is sort of like an ambassador, but I don’t believe", "of a symbol than an actual character though, because in chapter seven the", "help the characters fight in the final battle against the antagonists army, therefore", "movies. Because Autumn can’t talk, I accidentally forget about her by chapter twelve", "brings her whole army to help the characters fight in the final battle", "manuscript, I realized that in chapter seven I’d added a character named Autumn.", "me wonder if this character was even necessary to the overall story line.", "character was even necessary to the overall story line. She’s more of a", "in the final battle against the antagonists army, therefore turning the tides of", "the Tinker-Bell movies. Because Autumn can’t talk, I accidentally forget about her by", "because in chapter seven the fairy Queen sent Autumn with my main characters", "a tiny fairy who rides around on the MCs shoulder. She can’t actually", "in chapter seven I’d added a character named Autumn. She’s a tiny fairy", "22 brings her whole army to help the characters fight in the final", "(The fairies are warriors the size of your finger. Very difficult to actually", "was happening. That made me wonder if this character was even necessary to", "Autumn. She’s a tiny fairy who rides around on the MCs shoulder. She", "an ambassador, but I don’t believe she’s truly needed. (Sorry Autumn) Should I", "fantasy series. When I was looking over my manuscript, I realized that in", "was looking over my manuscript, I realized that in chapter seven I’d added", "a symbol of friendship and well being, then later in chapter 22 brings", "main characters as a symbol of friendship and well being, then later in", "the fairy Queen sent Autumn with my main characters as a symbol of", "the tides of the fight. (The fairies are warriors the size of your", "looking over my manuscript, I realized that in chapter seven I’d added a", "tides of the fight. (The fairies are warriors the size of your finger.", "who rides around on the MCs shoulder. She can’t actually talk though, because", "than an actual character though, because in chapter seven the fairy Queen sent", "seven I’d added a character named Autumn. She’s a tiny fairy who rides", "the fairies in the Tinker-Bell movies. Because Autumn can’t talk, I accidentally forget", "because so much was happening. That made me wonder if this character was", "an actual character though, because in chapter seven the fairy Queen sent Autumn", "to the fairies in the Tinker-Bell movies. Because Autumn can’t talk, I accidentally", "in the Tinker-Bell movies. Because Autumn can’t talk, I accidentally forget about her", "chapter seven I’d added a character named Autumn. She’s a tiny fairy who", "the fight. (The fairies are warriors the size of your finger. Very difficult", "the overall story line. She’s more of a symbol than an actual character", "by chapter twelve because so much was happening. That made me wonder if", "fairies in the Tinker-Bell movies. Because Autumn can’t talk, I accidentally forget about", "wonder if this character was even necessary to the overall story line. She’s", "to help the characters fight in the final battle against the antagonists army,", "tiny fairy who rides around on the MCs shoulder. She can’t actually talk", "am a young author writing a fantasy series. When I was looking over", "talk, I accidentally forget about her by chapter twelve because so much was", "though, because in chapter seven the fairy Queen sent Autumn with my main", "my fantasy world fairies cannot be heard, similar to the fairies in the", "heard, similar to the fairies in the Tinker-Bell movies. Because Autumn can’t talk,", "young author writing a fantasy series. When I was looking over my manuscript,", "fantasy world fairies cannot be heard, similar to the fairies in the Tinker-Bell", "character though, because in chapter seven the fairy Queen sent Autumn with my", "ambassador, but I don’t believe she’s truly needed. (Sorry Autumn) Should I keep", "with my main characters as a symbol of friendship and well being, then", "when there’s a lot of them) Autumn is sort of like an ambassador,", "I don’t believe she’s truly needed. (Sorry Autumn) Should I keep or delete", "character named Autumn. She’s a tiny fairy who rides around on the MCs", "MCs shoulder. She can’t actually talk though, because in my fantasy world fairies", "is sort of like an ambassador, but I don’t believe she’s truly needed.", "like an ambassador, but I don’t believe she’s truly needed. (Sorry Autumn) Should", "writing a fantasy series. When I was looking over my manuscript, I realized", "talk though, because in my fantasy world fairies cannot be heard, similar to", "I am a young author writing a fantasy series. When I was looking", "accidentally forget about her by chapter twelve because so much was happening. That", "are warriors the size of your finger. Very difficult to actually fight, especially", "believe she’s truly needed. (Sorry Autumn) Should I keep or delete this character?", "about her by chapter twelve because so much was happening. That made me", "though, because in my fantasy world fairies cannot be heard, similar to the", "my manuscript, I realized that in chapter seven I’d added a character named", "battle against the antagonists army, therefore turning the tides of the fight. (The", "symbol of friendship and well being, then later in chapter 22 brings her", "characters as a symbol of friendship and well being, then later in chapter", "of friendship and well being, then later in chapter 22 brings her whole", "that in chapter seven I’d added a character named Autumn. She’s a tiny", "made me wonder if this character was even necessary to the overall story", "She can’t actually talk though, because in my fantasy world fairies cannot be", "on the MCs shoulder. She can’t actually talk though, because in my fantasy", "Autumn with my main characters as a symbol of friendship and well being,", "so much was happening. That made me wonder if this character was even", "seven the fairy Queen sent Autumn with my main characters as a symbol" ]
[ "reason her brother died. Is the second book too late to add all", "needed to kill to set the planet free couldn’t actually be killed. While", "Cuson. Cuson (in the first book) seemed to be a pretty straightforward guy.", "guy. He helped out, kept everyone’s spirits up, and pretty much just acted", "is revealed, and Cuson is just a simple flat character. His greatest fear", "guys always knew where my characters were, what they were doing, who cared", "out, kept everyone’s spirits up, and pretty much just acted as the comic", "other. Cuson has always been a spy for this reason: The Huntress(Main antagonist)", "tells his friends he was a spy, that they won’t forgive him. He’s", "author writing a fantasy series. In my series, I have five main characters.", "spy, that they won’t forgive him. He’s especially worried about the MC, Camryn,", "six and the first person narrator (Camryn) went through extremely hard decisions,(that could", "MCs, and is now torn by continuing to spy on them and get", "she needed to kill to set the planet free couldn’t actually be killed.", "this one about Cuson. I also decided that he would be a spy.", "second book is still told from her POV, I decided to make this", "He helped out, kept everyone’s spirits up, and pretty much just acted as", "knows all of my characters greatest fears. He manipulates them and tries to", "series. In my series, I have five main characters. Camryn, Dylan, Willow, Cuson,", "reason: The Huntress(Main antagonist) has his girlfriend. She’ll be killed if he doesn’t", "really make sense, unless they had a man on the inside, which is", "back and didn’t really do anything. I decided that each book would put", "went through something like this. The flattest MC of them all was Cuson.", "decided that each book would put a different MC in a tough spot,", "the actual person she needed to kill to set the planet free couldn’t", "killed) came to terms with the death of her family,(which she blamed herself", "the only character without one. For the second book, I decided that Camryn", "he would be a spy. In the first book, the bad guys always", "in the back and didn’t really do anything. I decided that each book", "girlfriend killed. (His girlfriend does end up getting killed) In the first book,", "all of the other MCs, and is now torn by continuing to spy", "defeated who she thought was the bad guy, and then figured out that", "the first book) seemed to be a pretty straightforward guy. He helped out,", "what they were doing, who cared about who the most, etc. this doesn’t", "I decided to make this one about Cuson. I also decided that he", "backstory, and he was the only character without one. For the second book,", "they had a man on the inside, which is exactly what Cuson was.", "friends he was a spy, that they won’t forgive him. He’s especially worried", "that each book would put a different MC in a tough spot, so", "be a spy. In the first book, the bad guys always knew where", "man on the inside, which is exactly what Cuson was. In the second", "other MCs, and is now torn by continuing to spy on them and", "out her little brother was alive only to have him die again, led", "alive only to have him die again, led an army, defeated who she", "this. The flattest MC of them all was Cuson. Cuson (in the first", "guy, and then figured out that the actual person she needed to kill", "In the first book, the bad guys always knew where my characters were,", "them and tries to turn them on each other. Cuson has always been", "revealed, and Cuson is just a simple flat character. His greatest fear is", "knew where my characters were, what they were doing, who cared about who", "would put a different MC in a tough spot, so they each went", "first book, the bad guys always knew where my characters were, what they", "(in the first book) seemed to be a pretty straightforward guy. He helped", "to spy on them and get them killed, or join them and get", "The Huntress(Main antagonist) has his girlfriend. She’ll be killed if he doesn’t cooperate.", "of the other MCs, and is now torn by continuing to spy on", "first book) seemed to be a pretty straightforward guy. He helped out, kept", "comic relief. He’s a pretty flat character, even though he’s a main one.", "them on each other. Cuson has always been a spy for this reason:", "again, led an army, defeated who she thought was the bad guy, and", "to set the planet free couldn’t actually be killed. While all this was", "could get thousands of people killed) came to terms with the death of", "manipulates them and tries to turn them on each other. Cuson has always", "to add all this into the character, or does it make a good", "Camryn couldn’t be the only person losing people and making tough decisions. While", "have him die again, led an army, defeated who she thought was the", "the end of the first book, Cuson has become good friends with all", "decisions. While the second book is still told from her POV, I decided", "(Camryn) went through extremely hard decisions,(that could get thousands of people killed) came", "her little brother was alive only to have him die again, led an", "really do anything. I decided that each book would put a different MC", "flat character. His greatest fear is that when he tells his friends he", "decided to make this one about Cuson. I also decided that he would", "fears. He manipulates them and tries to turn them on each other. Cuson", "one. He didn’t even have a backstory, and he was the only character", "MC in a tough spot, so they each went through something like this.", "thought was the bad guy, and then figured out that the actual person", "of them all was Cuson. Cuson (in the first book) seemed to be", "my series, I have five main characters. Camryn, Dylan, Willow, Cuson, and Horah.", "exactly what Cuson was. In the second book, the antagonist knows all of", "this doesn’t really make sense, unless they had a man on the inside,", "unless they had a man on the inside, which is exactly what Cuson", "Cuson is just a simple flat character. His greatest fear is that when", "so they each went through something like this. The flattest MC of them", "family,(which she blamed herself for) found out her little brother was alive only", "book the main character of the six and the first person narrator (Camryn)", "losing people and making tough decisions. While the second book is still told", "late to add all this into the character, or does it make a", "to kill to set the planet free couldn’t actually be killed. While all", "Cuson (in the first book) seemed to be a pretty straightforward guy. He", "as the comic relief. He’s a pretty flat character, even though he’s a", "writing a fantasy series. In my series, I have five main characters. Camryn,", "fantasy series. In my series, I have five main characters. Camryn, Dylan, Willow,", "he was the reason her brother died. Is the second book too late", "actually be killed. While all this was happening, the other five MCs sat", "tries to turn them on each other. Cuson has always been a spy", "they were doing, who cared about who the most, etc. this doesn’t really", "I have five main characters. Camryn, Dylan, Willow, Cuson, and Horah. In the", "cared about who the most, etc. this doesn’t really make sense, unless they", "my characters greatest fears. He manipulates them and tries to turn them on", "the inside, which is exactly what Cuson was. In the second book, the", "though he’s a main one. He didn’t even have a backstory, and he", "only to have him die again, led an army, defeated who she thought", "would be a spy. In the first book, the bad guys always knew", "character without one. For the second book, I decided that Camryn couldn’t be", "came to terms with the death of her family,(which she blamed herself for)", "or join them and get his girlfriend killed. (His girlfriend does end up", "book would put a different MC in a tough spot, so they each", "I decided that each book would put a different MC in a tough", "MCs sat in the back and didn’t really do anything. I decided that", "extremely hard decisions,(that could get thousands of people killed) came to terms with", "the second book, I decided that Camryn couldn’t be the only person losing", "on the inside, which is exactly what Cuson was. In the second book,", "led an army, defeated who she thought was the bad guy, and then", "decisions,(that could get thousands of people killed) came to terms with the death", "army, defeated who she thought was the bad guy, and then figured out", "who the most, etc. this doesn’t really make sense, unless they had a", "add all this into the character, or does it make a good plot", "his friends he was a spy, that they won’t forgive him. He’s especially", "anything. I decided that each book would put a different MC in a", "to terms with the death of her family,(which she blamed herself for) found", "greatest fears. He manipulates them and tries to turn them on each other.", "were doing, who cared about who the most, etc. this doesn’t really make", "couldn’t actually be killed. While all this was happening, the other five MCs", "the bad guy, and then figured out that the actual person she needed", "didn’t really do anything. I decided that each book would put a different", "be killed if he doesn’t cooperate. By the end of the first book,", "He manipulates them and tries to turn them on each other. Cuson has", "this is revealed, and Cuson is just a simple flat character. His greatest", "be a pretty straightforward guy. He helped out, kept everyone’s spirits up, and", "book, the antagonist knows all of my characters greatest fears. He manipulates them", "seemed to be a pretty straightforward guy. He helped out, kept everyone’s spirits", "Horah. In the first book the main character of the six and the", "POV, I decided to make this one about Cuson. I also decided that", "flattest MC of them all was Cuson. Cuson (in the first book) seemed", "bad guy, and then figured out that the actual person she needed to", "that they won’t forgive him. He’s especially worried about the MC, Camryn, because", "be the only person losing people and making tough decisions. While the second", "he was the only character without one. For the second book, I decided", "first book, Cuson has become good friends with all of the other MCs,", "pretty much just acted as the comic relief. He’s a pretty flat character,", "for) found out her little brother was alive only to have him die", "which is exactly what Cuson was. In the second book, the antagonist knows", "to have him die again, led an army, defeated who she thought was", "has always been a spy for this reason: The Huntress(Main antagonist) has his", "five main characters. Camryn, Dylan, Willow, Cuson, and Horah. In the first book", "book, Cuson has become good friends with all of the other MCs, and", "the antagonist knows all of my characters greatest fears. He manipulates them and", "have five main characters. Camryn, Dylan, Willow, Cuson, and Horah. In the first", "young author writing a fantasy series. In my series, I have five main", "who she thought was the bad guy, and then figured out that the", "went through extremely hard decisions,(that could get thousands of people killed) came to", "(His girlfriend does end up getting killed) In the first book, none of", "characters greatest fears. He manipulates them and tries to turn them on each", "always been a spy for this reason: The Huntress(Main antagonist) has his girlfriend.", "MC, Camryn, because he was the reason her brother died. Is the second", "sense, unless they had a man on the inside, which is exactly what", "the first book, none of this is revealed, and Cuson is just a", "he tells his friends he was a spy, that they won’t forgive him.", "terms with the death of her family,(which she blamed herself for) found out", "and get them killed, or join them and get his girlfriend killed. (His", "good friends with all of the other MCs, and is now torn by", "a young author writing a fantasy series. In my series, I have five", "is exactly what Cuson was. In the second book, the antagonist knows all", "the planet free couldn’t actually be killed. While all this was happening, the", "decided that Camryn couldn’t be the only person losing people and making tough", "out that the actual person she needed to kill to set the planet", "Camryn, Dylan, Willow, Cuson, and Horah. In the first book the main character", "end of the first book, Cuson has become good friends with all of", "cooperate. By the end of the first book, Cuson has become good friends", "was Cuson. Cuson (in the first book) seemed to be a pretty straightforward", "up getting killed) In the first book, none of this is revealed, and", "of her family,(which she blamed herself for) found out her little brother was", "a main one. He didn’t even have a backstory, and he was the", "Is the second book too late to add all this into the character,", "people killed) came to terms with the death of her family,(which she blamed", "the other five MCs sat in the back and didn’t really do anything.", "continuing to spy on them and get them killed, or join them and", "from her POV, I decided to make this one about Cuson. I also", "friends with all of the other MCs, and is now torn by continuing", "the comic relief. He’s a pretty flat character, even though he’s a main", "book, I decided that Camryn couldn’t be the only person losing people and", "of people killed) came to terms with the death of her family,(which she", "also decided that he would be a spy. In the first book, the", "kill to set the planet free couldn’t actually be killed. While all this", "always knew where my characters were, what they were doing, who cared about", "the death of her family,(which she blamed herself for) found out her little", "and is now torn by continuing to spy on them and get them", "killed. While all this was happening, the other five MCs sat in the", "character of the six and the first person narrator (Camryn) went through extremely", "the six and the first person narrator (Camryn) went through extremely hard decisions,(that", "for this reason: The Huntress(Main antagonist) has his girlfriend. She’ll be killed if", "a spy, that they won’t forgive him. He’s especially worried about the MC,", "each went through something like this. The flattest MC of them all was", "For the second book, I decided that Camryn couldn’t be the only person", "is that when he tells his friends he was a spy, that they", "one. For the second book, I decided that Camryn couldn’t be the only", "second book, the antagonist knows all of my characters greatest fears. He manipulates", "of the six and the first person narrator (Camryn) went through extremely hard", "doing, who cared about who the most, etc. this doesn’t really make sense,", "where my characters were, what they were doing, who cared about who the", "still told from her POV, I decided to make this one about Cuson.", "what Cuson was. In the second book, the antagonist knows all of my", "first book the main character of the six and the first person narrator", "I also decided that he would be a spy. In the first book,", "has become good friends with all of the other MCs, and is now", "set the planet free couldn’t actually be killed. While all this was happening,", "didn’t even have a backstory, and he was the only character without one.", "relief. He’s a pretty flat character, even though he’s a main one. He", "antagonist) has his girlfriend. She’ll be killed if he doesn’t cooperate. By the", "etc. this doesn’t really make sense, unless they had a man on the", "In the second book, the antagonist knows all of my characters greatest fears.", "In the first book, none of this is revealed, and Cuson is just", "person narrator (Camryn) went through extremely hard decisions,(that could get thousands of people", "He’s a pretty flat character, even though he’s a main one. He didn’t", "put a different MC in a tough spot, so they each went through", "The flattest MC of them all was Cuson. Cuson (in the first book)", "get his girlfriend killed. (His girlfriend does end up getting killed) In the", "her family,(which she blamed herself for) found out her little brother was alive", "this reason: The Huntress(Main antagonist) has his girlfriend. She’ll be killed if he", "tough spot, so they each went through something like this. The flattest MC", "they won’t forgive him. He’s especially worried about the MC, Camryn, because he", "without one. For the second book, I decided that Camryn couldn’t be the", "killed) In the first book, none of this is revealed, and Cuson is", "is still told from her POV, I decided to make this one about", "the only person losing people and making tough decisions. While the second book", "now torn by continuing to spy on them and get them killed, or", "his girlfriend killed. (His girlfriend does end up getting killed) In the first", "main one. He didn’t even have a backstory, and he was the only", "then figured out that the actual person she needed to kill to set", "by continuing to spy on them and get them killed, or join them", "first person narrator (Camryn) went through extremely hard decisions,(that could get thousands of", "that he would be a spy. In the first book, the bad guys", "and tries to turn them on each other. Cuson has always been a", "a man on the inside, which is exactly what Cuson was. In the", "end up getting killed) In the first book, none of this is revealed,", "torn by continuing to spy on them and get them killed, or join", "different MC in a tough spot, so they each went through something like", "been a spy for this reason: The Huntress(Main antagonist) has his girlfriend. She’ll", "just acted as the comic relief. He’s a pretty flat character, even though", "spy on them and get them killed, or join them and get his", "and Cuson is just a simple flat character. His greatest fear is that", "a spy. In the first book, the bad guys always knew where my", "was the only character without one. For the second book, I decided that", "all was Cuson. Cuson (in the first book) seemed to be a pretty", "the second book, the antagonist knows all of my characters greatest fears. He", "spy for this reason: The Huntress(Main antagonist) has his girlfriend. She’ll be killed", "a pretty straightforward guy. He helped out, kept everyone’s spirits up, and pretty", "Huntress(Main antagonist) has his girlfriend. She’ll be killed if he doesn’t cooperate. By", "them all was Cuson. Cuson (in the first book) seemed to be a", "In my series, I have five main characters. Camryn, Dylan, Willow, Cuson, and", "While the second book is still told from her POV, I decided to", "Cuson. I also decided that he would be a spy. In the first", "bad guys always knew where my characters were, what they were doing, who", "spy. In the first book, the bad guys always knew where my characters", "none of this is revealed, and Cuson is just a simple flat character.", "thousands of people killed) came to terms with the death of her family,(which", "In the first book the main character of the six and the first", "Camryn, because he was the reason her brother died. Is the second book", "all this into the character, or does it make a good plot twist?", "was alive only to have him die again, led an army, defeated who", "His greatest fear is that when he tells his friends he was a", "second book, I decided that Camryn couldn’t be the only person losing people", "inside, which is exactly what Cuson was. In the second book, the antagonist", "him die again, led an army, defeated who she thought was the bad", "five MCs sat in the back and didn’t really do anything. I decided", "was the bad guy, and then figured out that the actual person she", "the bad guys always knew where my characters were, what they were doing,", "While all this was happening, the other five MCs sat in the back", "on each other. Cuson has always been a spy for this reason: The", "much just acted as the comic relief. He’s a pretty flat character, even", "if he doesn’t cooperate. By the end of the first book, Cuson has", "By the end of the first book, Cuson has become good friends with", "of my characters greatest fears. He manipulates them and tries to turn them", "I am a young author writing a fantasy series. In my series, I", "am a young author writing a fantasy series. In my series, I have", "and Horah. In the first book the main character of the six and", "one about Cuson. I also decided that he would be a spy. In", "was. In the second book, the antagonist knows all of my characters greatest", "was the reason her brother died. Is the second book too late to", "MC of them all was Cuson. Cuson (in the first book) seemed to", "doesn’t really make sense, unless they had a man on the inside, which", "has his girlfriend. She’ll be killed if he doesn’t cooperate. By the end", "on them and get them killed, or join them and get his girlfriend", "make sense, unless they had a man on the inside, which is exactly", "a fantasy series. In my series, I have five main characters. Camryn, Dylan,", "He didn’t even have a backstory, and he was the only character without", "too late to add all this into the character, or does it make", "do anything. I decided that each book would put a different MC in", "flat character, even though he’s a main one. He didn’t even have a", "who cared about who the most, etc. this doesn’t really make sense, unless", "were, what they were doing, who cared about who the most, etc. this", "even have a backstory, and he was the only character without one. For", "figured out that the actual person she needed to kill to set the", "second book too late to add all this into the character, or does", "he’s a main one. He didn’t even have a backstory, and he was", "pretty straightforward guy. He helped out, kept everyone’s spirits up, and pretty much", "like this. The flattest MC of them all was Cuson. Cuson (in the", "get them killed, or join them and get his girlfriend killed. (His girlfriend", "main characters. Camryn, Dylan, Willow, Cuson, and Horah. In the first book the", "that Camryn couldn’t be the only person losing people and making tough decisions.", "had a man on the inside, which is exactly what Cuson was. In", "a spy for this reason: The Huntress(Main antagonist) has his girlfriend. She’ll be", "book, none of this is revealed, and Cuson is just a simple flat", "have a backstory, and he was the only character without one. For the", "them killed, or join them and get his girlfriend killed. (His girlfriend does", "she blamed herself for) found out her little brother was alive only to", "a different MC in a tough spot, so they each went through something", "brother was alive only to have him die again, led an army, defeated", "die again, led an army, defeated who she thought was the bad guy,", "actual person she needed to kill to set the planet free couldn’t actually", "characters were, what they were doing, who cared about who the most, etc.", "just a simple flat character. His greatest fear is that when he tells", "the back and didn’t really do anything. I decided that each book would", "kept everyone’s spirits up, and pretty much just acted as the comic relief.", "them and get them killed, or join them and get his girlfriend killed.", "to be a pretty straightforward guy. He helped out, kept everyone’s spirits up,", "because he was the reason her brother died. Is the second book too", "when he tells his friends he was a spy, that they won’t forgive", "girlfriend. She’ll be killed if he doesn’t cooperate. By the end of the", "antagonist knows all of my characters greatest fears. He manipulates them and tries", "he was a spy, that they won’t forgive him. He’s especially worried about", "book too late to add all this into the character, or does it", "through extremely hard decisions,(that could get thousands of people killed) came to terms", "the first book the main character of the six and the first person", "turn them on each other. Cuson has always been a spy for this", "character, even though he’s a main one. He didn’t even have a backstory,", "sat in the back and didn’t really do anything. I decided that each", "forgive him. He’s especially worried about the MC, Camryn, because he was the", "is now torn by continuing to spy on them and get them killed,", "about Cuson. I also decided that he would be a spy. In the", "killed. (His girlfriend does end up getting killed) In the first book, none", "planet free couldn’t actually be killed. While all this was happening, the other", "the most, etc. this doesn’t really make sense, unless they had a man", "Dylan, Willow, Cuson, and Horah. In the first book the main character of", "the second book too late to add all this into the character, or", "everyone’s spirits up, and pretty much just acted as the comic relief. He’s", "about the MC, Camryn, because he was the reason her brother died. Is", "a pretty flat character, even though he’s a main one. He didn’t even", "this was happening, the other five MCs sat in the back and didn’t", "killed if he doesn’t cooperate. By the end of the first book, Cuson", "Cuson has always been a spy for this reason: The Huntress(Main antagonist) has", "of this is revealed, and Cuson is just a simple flat character. His", "won’t forgive him. He’s especially worried about the MC, Camryn, because he was", "the main character of the six and the first person narrator (Camryn) went", "does end up getting killed) In the first book, none of this is", "get thousands of people killed) came to terms with the death of her", "straightforward guy. He helped out, kept everyone’s spirits up, and pretty much just", "them and get his girlfriend killed. (His girlfriend does end up getting killed)", "hard decisions,(that could get thousands of people killed) came to terms with the", "was happening, the other five MCs sat in the back and didn’t really", "simple flat character. His greatest fear is that when he tells his friends", "character. His greatest fear is that when he tells his friends he was", "free couldn’t actually be killed. While all this was happening, the other five", "narrator (Camryn) went through extremely hard decisions,(that could get thousands of people killed)", "and making tough decisions. While the second book is still told from her", "first book, none of this is revealed, and Cuson is just a simple", "found out her little brother was alive only to have him die again,", "only person losing people and making tough decisions. While the second book is", "the first book, the bad guys always knew where my characters were, what", "Cuson has become good friends with all of the other MCs, and is", "greatest fear is that when he tells his friends he was a spy,", "decided that he would be a spy. In the first book, the bad", "to turn them on each other. Cuson has always been a spy for", "death of her family,(which she blamed herself for) found out her little brother", "blamed herself for) found out her little brother was alive only to have", "Cuson was. In the second book, the antagonist knows all of my characters", "spirits up, and pretty much just acted as the comic relief. He’s a", "fear is that when he tells his friends he was a spy, that", "He’s especially worried about the MC, Camryn, because he was the reason her", "a tough spot, so they each went through something like this. The flattest", "a simple flat character. His greatest fear is that when he tells his", "about who the most, etc. this doesn’t really make sense, unless they had", "the other MCs, and is now torn by continuing to spy on them", "couldn’t be the only person losing people and making tough decisions. While the", "with all of the other MCs, and is now torn by continuing to", "and didn’t really do anything. I decided that each book would put a", "Willow, Cuson, and Horah. In the first book the main character of the", "doesn’t cooperate. By the end of the first book, Cuson has become good", "helped out, kept everyone’s spirits up, and pretty much just acted as the", "her brother died. Is the second book too late to add all this", "and the first person narrator (Camryn) went through extremely hard decisions,(that could get", "be killed. While all this was happening, the other five MCs sat in", "a backstory, and he was the only character without one. For the second", "person she needed to kill to set the planet free couldn’t actually be", "told from her POV, I decided to make this one about Cuson. I", "especially worried about the MC, Camryn, because he was the reason her brother", "the second book is still told from her POV, I decided to make", "other five MCs sat in the back and didn’t really do anything. I", "him. He’s especially worried about the MC, Camryn, because he was the reason", "brother died. Is the second book too late to add all this into", "even though he’s a main one. He didn’t even have a backstory, and", "series, I have five main characters. Camryn, Dylan, Willow, Cuson, and Horah. In", "that the actual person she needed to kill to set the planet free", "my characters were, what they were doing, who cared about who the most,", "become good friends with all of the other MCs, and is now torn", "something like this. The flattest MC of them all was Cuson. Cuson (in", "her POV, I decided to make this one about Cuson. I also decided", "book, the bad guys always knew where my characters were, what they were", "and then figured out that the actual person she needed to kill to", "in a tough spot, so they each went through something like this. The", "the first person narrator (Camryn) went through extremely hard decisions,(that could get thousands", "he doesn’t cooperate. By the end of the first book, Cuson has become", "worried about the MC, Camryn, because he was the reason her brother died.", "She’ll be killed if he doesn’t cooperate. By the end of the first", "and he was the only character without one. For the second book, I", "of the first book, Cuson has become good friends with all of the", "herself for) found out her little brother was alive only to have him", "person losing people and making tough decisions. While the second book is still", "acted as the comic relief. He’s a pretty flat character, even though he’s", "an army, defeated who she thought was the bad guy, and then figured", "the reason her brother died. Is the second book too late to add", "spot, so they each went through something like this. The flattest MC of", "she thought was the bad guy, and then figured out that the actual", "with the death of her family,(which she blamed herself for) found out her", "through something like this. The flattest MC of them all was Cuson. Cuson", "pretty flat character, even though he’s a main one. He didn’t even have", "is just a simple flat character. His greatest fear is that when he", "his girlfriend. She’ll be killed if he doesn’t cooperate. By the end of", "little brother was alive only to have him die again, led an army,", "died. Is the second book too late to add all this into the", "all this was happening, the other five MCs sat in the back and", "join them and get his girlfriend killed. (His girlfriend does end up getting", "girlfriend does end up getting killed) In the first book, none of this", "characters. Camryn, Dylan, Willow, Cuson, and Horah. In the first book the main", "was a spy, that they won’t forgive him. He’s especially worried about the", "make this one about Cuson. I also decided that he would be a", "making tough decisions. While the second book is still told from her POV,", "tough decisions. While the second book is still told from her POV, I", "most, etc. this doesn’t really make sense, unless they had a man on", "and pretty much just acted as the comic relief. He’s a pretty flat", "all of my characters greatest fears. He manipulates them and tries to turn", "main character of the six and the first person narrator (Camryn) went through", "Cuson, and Horah. In the first book the main character of the six", "they each went through something like this. The flattest MC of them all", "that when he tells his friends he was a spy, that they won’t", "killed, or join them and get his girlfriend killed. (His girlfriend does end", "the first book, Cuson has become good friends with all of the other", "each other. Cuson has always been a spy for this reason: The Huntress(Main", "getting killed) In the first book, none of this is revealed, and Cuson", "people and making tough decisions. While the second book is still told from", "the MC, Camryn, because he was the reason her brother died. Is the", "to make this one about Cuson. I also decided that he would be", "and get his girlfriend killed. (His girlfriend does end up getting killed) In", "book is still told from her POV, I decided to make this one", "happening, the other five MCs sat in the back and didn’t really do", "book) seemed to be a pretty straightforward guy. He helped out, kept everyone’s", "each book would put a different MC in a tough spot, so they", "only character without one. For the second book, I decided that Camryn couldn’t", "up, and pretty much just acted as the comic relief. He’s a pretty", "I decided that Camryn couldn’t be the only person losing people and making" ]
[ "peculiar way and nobody regards [it] as Y.\" 2. According to my source,", "pay attention to the structure of the sentence, not its ambiguous or odd", "quote it in my own work (please pay attention to the structure of", "not its ambiguous or odd content): > > A and B originate from", "\"from X in a peculiar way and nobody regards\" it \"as Y.\" [This", "regards them as Y. > > > In light of the rules of", "1. According to my source, A \"originate[s] from X in a peculiar way", "below), or must I do it the second way? 1. According to my", "in the first way (see below), or must I do it the second", "> > A and B originate from X in a peculiar way and", "to quote the text in the first way (see below), or must I", "are permissible in MLA style](https://depts.washington.edu/engl/askbetty/changing_quotations.php), and I wonder if the same is permissible", "> In light of the rules of the Chicago Manual of Style, is", "it \"as Y.\" [This source suggests that the things that I wish to", "and nobody regards them as Y. > > > In light of the", "originate from X in a peculiar way and nobody regards them as Y.", "\"as Y.\" [This source suggests that the things that I wish to do", "from X in a peculiar way and nobody regards them as Y. >", "the rules of the Chicago Manual of Style, is it permissible to quote", "desire to quote it in my own work (please pay attention to the", "of the sentence, not its ambiguous or odd content): > > A and", "Consider, for example, that the following sentence is from an external source and", "from X in a peculiar way and nobody regards [it] as Y.\" 2.", "MLA style](https://depts.washington.edu/engl/askbetty/changing_quotations.php), and I wonder if the same is permissible in Chicago style.", "way and nobody regards\" it \"as Y.\" [This source suggests that the things", "> > > In light of the rules of the Chicago Manual of", "or must I do it the second way? 1. According to my source,", "must I do it the second way? 1. According to my source, A", "is from an external source and that I desire to quote it in", "I desire to quote it in my own work (please pay attention to", "(please pay attention to the structure of the sentence, not its ambiguous or", "and that I desire to quote it in my own work (please pay", "nobody regards [it] as Y.\" 2. According to my source, A originates \"from", "I do it the second way? 1. According to my source, A \"originate[s]", "sentence is from an external source and that I desire to quote it", "its ambiguous or odd content): > > A and B originate from X", "odd content): > > A and B originate from X in a peculiar", "second way? 1. According to my source, A \"originate[s] from X in a", "the second way? 1. According to my source, A \"originate[s] from X in", "source, A originates \"from X in a peculiar way and nobody regards\" it", "X in a peculiar way and nobody regards\" it \"as Y.\" [This source", "(see below), or must I do it the second way? 1. According to", "it in my own work (please pay attention to the structure of the", "that the following sentence is from an external source and that I desire", "and nobody regards\" it \"as Y.\" [This source suggests that the things that", "ambiguous or odd content): > > A and B originate from X in", "Y.\" 2. According to my source, A originates \"from X in a peculiar", "peculiar way and nobody regards them as Y. > > > In light", "in a peculiar way and nobody regards [it] as Y.\" 2. According to", "work (please pay attention to the structure of the sentence, not its ambiguous", "A \"originate[s] from X in a peculiar way and nobody regards [it] as", "do it the second way? 1. According to my source, A \"originate[s] from", "it permissible to quote the text in the first way (see below), or", "that I desire to quote it in my own work (please pay attention", "in a peculiar way and nobody regards them as Y. > > >", "the structure of the sentence, not its ambiguous or odd content): > >", "a peculiar way and nobody regards them as Y. > > > In", "In light of the rules of the Chicago Manual of Style, is it", "the first way (see below), or must I do it the second way?", "my source, A \"originate[s] from X in a peculiar way and nobody regards", "to the structure of the sentence, not its ambiguous or odd content): >", "an external source and that I desire to quote it in my own", "them as Y. > > > In light of the rules of the", "or odd content): > > A and B originate from X in a", "Chicago Manual of Style, is it permissible to quote the text in the", "X in a peculiar way and nobody regards them as Y. > >", "example, that the following sentence is from an external source and that I", "do are permissible in MLA style](https://depts.washington.edu/engl/askbetty/changing_quotations.php), and I wonder if the same is", "things that I wish to do are permissible in MLA style](https://depts.washington.edu/engl/askbetty/changing_quotations.php), and I", "sentence, not its ambiguous or odd content): > > A and B originate", "is it permissible to quote the text in the first way (see below),", "structure of the sentence, not its ambiguous or odd content): > > A", "the Chicago Manual of Style, is it permissible to quote the text in", "> > In light of the rules of the Chicago Manual of Style,", "of the rules of the Chicago Manual of Style, is it permissible to", "that I wish to do are permissible in MLA style](https://depts.washington.edu/engl/askbetty/changing_quotations.php), and I wonder", "originates \"from X in a peculiar way and nobody regards\" it \"as Y.\"", "A and B originate from X in a peculiar way and nobody regards", "as Y.\" 2. According to my source, A originates \"from X in a", "and B originate from X in a peculiar way and nobody regards them", "following sentence is from an external source and that I desire to quote", "\"originate[s] from X in a peculiar way and nobody regards [it] as Y.\"", "> A and B originate from X in a peculiar way and nobody", "the following sentence is from an external source and that I desire to", "to my source, A \"originate[s] from X in a peculiar way and nobody", "of the Chicago Manual of Style, is it permissible to quote the text", "nobody regards\" it \"as Y.\" [This source suggests that the things that I", "I wish to do are permissible in MLA style](https://depts.washington.edu/engl/askbetty/changing_quotations.php), and I wonder if", "way (see below), or must I do it the second way? 1. According", "and nobody regards [it] as Y.\" 2. According to my source, A originates", "attention to the structure of the sentence, not its ambiguous or odd content):", "wish to do are permissible in MLA style](https://depts.washington.edu/engl/askbetty/changing_quotations.php), and I wonder if the", "first way (see below), or must I do it the second way? 1.", "rules of the Chicago Manual of Style, is it permissible to quote the", "A originates \"from X in a peculiar way and nobody regards\" it \"as", "external source and that I desire to quote it in my own work", "in MLA style](https://depts.washington.edu/engl/askbetty/changing_quotations.php), and I wonder if the same is permissible in Chicago", "light of the rules of the Chicago Manual of Style, is it permissible", "the text in the first way (see below), or must I do it", "Manual of Style, is it permissible to quote the text in the first", "own work (please pay attention to the structure of the sentence, not its", "According to my source, A originates \"from X in a peculiar way and", "B originate from X in a peculiar way and nobody regards them as", "to my source, A originates \"from X in a peculiar way and nobody", "for example, that the following sentence is from an external source and that", "the sentence, not its ambiguous or odd content): > > A and B", "a peculiar way and nobody regards\" it \"as Y.\" [This source suggests that", "regards\" it \"as Y.\" [This source suggests that the things that I wish", "my own work (please pay attention to the structure of the sentence, not", "source and that I desire to quote it in my own work (please", "to quote it in my own work (please pay attention to the structure", "[This source suggests that the things that I wish to do are permissible", "permissible to quote the text in the first way (see below), or must", "X in a peculiar way and nobody regards [it] as Y.\" 2. According", "text in the first way (see below), or must I do it the", "Y. > > > In light of the rules of the Chicago Manual", "way? 1. According to my source, A \"originate[s] from X in a peculiar", "way and nobody regards [it] as Y.\" 2. According to my source, A", "Style, is it permissible to quote the text in the first way (see", "the things that I wish to do are permissible in MLA style](https://depts.washington.edu/engl/askbetty/changing_quotations.php), and", "it the second way? 1. According to my source, A \"originate[s] from X", "to do are permissible in MLA style](https://depts.washington.edu/engl/askbetty/changing_quotations.php), and I wonder if the same", "in my own work (please pay attention to the structure of the sentence,", "quote the text in the first way (see below), or must I do", "[it] as Y.\" 2. According to my source, A originates \"from X in", "2. According to my source, A originates \"from X in a peculiar way", "Y.\" [This source suggests that the things that I wish to do are", "my source, A originates \"from X in a peculiar way and nobody regards\"", "a peculiar way and nobody regards [it] as Y.\" 2. According to my", "source suggests that the things that I wish to do are permissible in", "from an external source and that I desire to quote it in my", "suggests that the things that I wish to do are permissible in MLA", "that the things that I wish to do are permissible in MLA style](https://depts.washington.edu/engl/askbetty/changing_quotations.php),", "source, A \"originate[s] from X in a peculiar way and nobody regards [it]", "nobody regards them as Y. > > > In light of the rules", "content): > > A and B originate from X in a peculiar way", "regards [it] as Y.\" 2. According to my source, A originates \"from X", "peculiar way and nobody regards\" it \"as Y.\" [This source suggests that the", "as Y. > > > In light of the rules of the Chicago", "way and nobody regards them as Y. > > > In light of", "permissible in MLA style](https://depts.washington.edu/engl/askbetty/changing_quotations.php), and I wonder if the same is permissible in", "of Style, is it permissible to quote the text in the first way", "According to my source, A \"originate[s] from X in a peculiar way and", "in a peculiar way and nobody regards\" it \"as Y.\" [This source suggests" ]
[ "latter causes him depression and now I don't know how to make him", "little boy. An unexpected event happens and makes his life upside down which", "don't know how to make him get rid of this depression. How can", "life upside down which is blindness. This latter causes him depression and now", "is blindness. This latter causes him depression and now I don't know how", "now I don't know how to make him get rid of this depression.", "upside down which is blindness. This latter causes him depression and now I", "event happens and makes his life upside down which is blindness. This latter", "to make him get rid of this depression. How can my young protagonist", "my young protagonist overcome this depression due to their sudden unexpected loss of", "boy. An unexpected event happens and makes his life upside down which is", "makes his life upside down which is blindness. This latter causes him depression", "young protagonist overcome this depression due to their sudden unexpected loss of sight", "my protagonist is a little boy. An unexpected event happens and makes his", "I'm writing a short story in which my protagonist is a little boy.", "This latter causes him depression and now I don't know how to make", "make him get rid of this depression. How can my young protagonist overcome", "this depression. How can my young protagonist overcome this depression due to their", "I don't know how to make him get rid of this depression. How", "to their sudden unexpected loss of sight and the life changes that ensue?", "story in which my protagonist is a little boy. An unexpected event happens", "An unexpected event happens and makes his life upside down which is blindness.", "due to their sudden unexpected loss of sight and the life changes that", "a little boy. An unexpected event happens and makes his life upside down", "and makes his life upside down which is blindness. This latter causes him", "how to make him get rid of this depression. How can my young", "a short story in which my protagonist is a little boy. An unexpected", "overcome this depression due to their sudden unexpected loss of sight and the", "protagonist is a little boy. An unexpected event happens and makes his life", "and now I don't know how to make him get rid of this", "down which is blindness. This latter causes him depression and now I don't", "unexpected event happens and makes his life upside down which is blindness. This", "How can my young protagonist overcome this depression due to their sudden unexpected", "which is blindness. This latter causes him depression and now I don't know", "blindness. This latter causes him depression and now I don't know how to", "which my protagonist is a little boy. An unexpected event happens and makes", "know how to make him get rid of this depression. How can my", "depression due to their sudden unexpected loss of sight and the life changes", "is a little boy. An unexpected event happens and makes his life upside", "can my young protagonist overcome this depression due to their sudden unexpected loss", "happens and makes his life upside down which is blindness. This latter causes", "in which my protagonist is a little boy. An unexpected event happens and", "causes him depression and now I don't know how to make him get", "rid of this depression. How can my young protagonist overcome this depression due", "writing a short story in which my protagonist is a little boy. An", "him get rid of this depression. How can my young protagonist overcome this", "get rid of this depression. How can my young protagonist overcome this depression", "his life upside down which is blindness. This latter causes him depression and", "him depression and now I don't know how to make him get rid", "depression. How can my young protagonist overcome this depression due to their sudden", "protagonist overcome this depression due to their sudden unexpected loss of sight and", "this depression due to their sudden unexpected loss of sight and the life", "short story in which my protagonist is a little boy. An unexpected event", "depression and now I don't know how to make him get rid of", "of this depression. How can my young protagonist overcome this depression due to" ]
[ "Please help me, hive mind: is anyone familiar with the site I'm talking", "pay writers fairly and transparently out of advertising revenue. For the life of", "I am at my wit's end. Please help me, hive mind: is anyone", "but I am at my wit's end. Please help me, hive mind: is", "started with 'D' -- something like 'Discourse' or 'Discursive'. They seemed to be", "'Discursive'. They seemed to be a new outfit, intent on disrupting online publishing", "stumbled upon a website that claims to pay writers fairly and transparently out", "claims to pay writers fairly and transparently out of advertising revenue. For the", "various Google searches, I cannot find it again. They had a distinctive yellow", "life of me, I cannot remember the name of the site, and after", "I think the name started with 'D' -- something like 'Discourse' or 'Discursive'.", "of me, I cannot remember the name of the site, and after trawling", "nothing to go on, but I am at my wit's end. Please help", "website identity, and I think the name started with 'D' -- something like", "searches, I cannot find it again. They had a distinctive yellow website identity,", "think the name started with 'D' -- something like 'Discourse' or 'Discursive'. They", "am at my wit's end. Please help me, hive mind: is anyone familiar", "a new outfit, intent on disrupting online publishing norms. I know this is", "a month ago, I stumbled upon a website that claims to pay writers", "website that claims to pay writers fairly and transparently out of advertising revenue.", "and transparently out of advertising revenue. For the life of me, I cannot", "the site, and after trawling through my internet history and various Google searches,", "I stumbled upon a website that claims to pay writers fairly and transparently", "out of advertising revenue. For the life of me, I cannot remember the", "I know this is nearly nothing to go on, but I am at", "the name of the site, and after trawling through my internet history and", "through my internet history and various Google searches, I cannot find it again.", "that claims to pay writers fairly and transparently out of advertising revenue. For", "something like 'Discourse' or 'Discursive'. They seemed to be a new outfit, intent", "cannot remember the name of the site, and after trawling through my internet", "seemed to be a new outfit, intent on disrupting online publishing norms. I", "end. Please help me, hive mind: is anyone familiar with the site I'm", "on, but I am at my wit's end. Please help me, hive mind:", "trawling through my internet history and various Google searches, I cannot find it", "online publishing norms. I know this is nearly nothing to go on, but", "intent on disrupting online publishing norms. I know this is nearly nothing to", "I cannot find it again. They had a distinctive yellow website identity, and", "a distinctive yellow website identity, and I think the name started with 'D'", "the life of me, I cannot remember the name of the site, and", "norms. I know this is nearly nothing to go on, but I am", "advertising revenue. For the life of me, I cannot remember the name of", "at my wit's end. Please help me, hive mind: is anyone familiar with", "ago, I stumbled upon a website that claims to pay writers fairly and", "and I think the name started with 'D' -- something like 'Discourse' or", "name started with 'D' -- something like 'Discourse' or 'Discursive'. They seemed to", "my internet history and various Google searches, I cannot find it again. They", "of the site, and after trawling through my internet history and various Google", "or 'Discursive'. They seemed to be a new outfit, intent on disrupting online", "Google searches, I cannot find it again. They had a distinctive yellow website", "revenue. For the life of me, I cannot remember the name of the", "name of the site, and after trawling through my internet history and various", "know this is nearly nothing to go on, but I am at my", "I cannot remember the name of the site, and after trawling through my", "publishing norms. I know this is nearly nothing to go on, but I", "-- something like 'Discourse' or 'Discursive'. They seemed to be a new outfit,", "with 'D' -- something like 'Discourse' or 'Discursive'. They seemed to be a", "this is nearly nothing to go on, but I am at my wit's", "after trawling through my internet history and various Google searches, I cannot find", "history and various Google searches, I cannot find it again. They had a", "my wit's end. Please help me, hive mind: is anyone familiar with the", "'Discourse' or 'Discursive'. They seemed to be a new outfit, intent on disrupting", "help me, hive mind: is anyone familiar with the site I'm talking about?", "They had a distinctive yellow website identity, and I think the name started", "again. They had a distinctive yellow website identity, and I think the name", "a website that claims to pay writers fairly and transparently out of advertising", "internet history and various Google searches, I cannot find it again. They had", "For the life of me, I cannot remember the name of the site,", "wit's end. Please help me, hive mind: is anyone familiar with the site", "'D' -- something like 'Discourse' or 'Discursive'. They seemed to be a new", "They seemed to be a new outfit, intent on disrupting online publishing norms.", "transparently out of advertising revenue. For the life of me, I cannot remember", "upon a website that claims to pay writers fairly and transparently out of", "me, I cannot remember the name of the site, and after trawling through", "cannot find it again. They had a distinctive yellow website identity, and I", "nearly nothing to go on, but I am at my wit's end. Please", "to go on, but I am at my wit's end. Please help me,", "writers fairly and transparently out of advertising revenue. For the life of me,", "month ago, I stumbled upon a website that claims to pay writers fairly", "had a distinctive yellow website identity, and I think the name started with", "be a new outfit, intent on disrupting online publishing norms. I know this", "of advertising revenue. For the life of me, I cannot remember the name", "the name started with 'D' -- something like 'Discourse' or 'Discursive'. They seemed", "like 'Discourse' or 'Discursive'. They seemed to be a new outfit, intent on", "About a month ago, I stumbled upon a website that claims to pay", "fairly and transparently out of advertising revenue. For the life of me, I", "go on, but I am at my wit's end. Please help me, hive", "outfit, intent on disrupting online publishing norms. I know this is nearly nothing", "new outfit, intent on disrupting online publishing norms. I know this is nearly", "find it again. They had a distinctive yellow website identity, and I think", "yellow website identity, and I think the name started with 'D' -- something", "remember the name of the site, and after trawling through my internet history", "to pay writers fairly and transparently out of advertising revenue. For the life", "and various Google searches, I cannot find it again. They had a distinctive", "and after trawling through my internet history and various Google searches, I cannot", "identity, and I think the name started with 'D' -- something like 'Discourse'", "distinctive yellow website identity, and I think the name started with 'D' --", "is nearly nothing to go on, but I am at my wit's end.", "site, and after trawling through my internet history and various Google searches, I", "it again. They had a distinctive yellow website identity, and I think the", "to be a new outfit, intent on disrupting online publishing norms. I know", "disrupting online publishing norms. I know this is nearly nothing to go on,", "on disrupting online publishing norms. I know this is nearly nothing to go" ]
[ "children's' meat processor on an island. I want to make this a children's", "by a \"wolf\" to burn his farm's sheep. Consequently, it burns on the", "themes subtle? If so, what are some universal tips for doing so? Or", "and his house, making him kill or seriously injure most of his family.", "takes him afterward. It's actually a place to raise children in an animal", "Should my story be geared towards those who are older instead? Or should", "of his family. The facility takes him afterward. It's actually a place to", "but after looking at darker examples, the closest they get are hunted dolls", "boy directed by a \"wolf\" to burn his farm's sheep. Consequently, it burns", "the grass and his house, making him kill or seriously injure most of", "are hunted dolls with happy endings. I need help. Should my story be", "to burn his farm's sheep. Consequently, it burns on the grass and his", "were previously tragically associated with animals. At the end of the book, our", "the book, our character is killed by being taken to an international children's'", "get are hunted dolls with happy endings. I need help. Should my story", "killed by being taken to an international children's' meat processor on an island.", "book is about a little boy directed by a \"wolf\" to burn his", "facility takes him afterward. It's actually a place to raise children in an", "the end of the book, our character is killed by being taken to", "animals. At the end of the book, our character is killed by being", "tips for doing so? Or is this plot just not suitable for children", "on an island. I want to make this a children's book, but after", "processor on an island. I want to make this a children's book, but", "island. I want to make this a children's book, but after looking at", "his family. The facility takes him afterward. It's actually a place to raise", "for doing so? Or is this plot just not suitable for children at", "children's book, but after looking at darker examples, the closest they get are", "house, making him kill or seriously injure most of his family. The facility", "to raise children in an animal environment who were previously tragically associated with", "burn his farm's sheep. Consequently, it burns on the grass and his house,", "a place to raise children in an animal environment who were previously tragically", "darker examples, the closest they get are hunted dolls with happy endings. I", "associated with animals. At the end of the book, our character is killed", "his farm's sheep. Consequently, it burns on the grass and his house, making", "him afterward. It's actually a place to raise children in an animal environment", "with happy endings. I need help. Should my story be geared towards those", "most of his family. The facility takes him afterward. It's actually a place", "older instead? Or should I try and find a way to make these", "me explain. My book is about a little boy directed by a \"wolf\"", "about a little boy directed by a \"wolf\" to burn his farm's sheep.", "endings. I need help. Should my story be geared towards those who are", "taken to an international children's' meat processor on an island. I want to", "doing so? Or is this plot just not suitable for children at all?", "so, what are some universal tips for doing so? Or is this plot", "an international children's' meat processor on an island. I want to make this", "a children's book, but after looking at darker examples, the closest they get", "to an international children's' meat processor on an island. I want to make", "by being taken to an international children's' meat processor on an island. I", "is killed by being taken to an international children's' meat processor on an", "previously tragically associated with animals. At the end of the book, our character", "closest they get are hunted dolls with happy endings. I need help. Should", "an animal environment who were previously tragically associated with animals. At the end", "book, but after looking at darker examples, the closest they get are hunted", "I try and find a way to make these hidden themes subtle? If", "those who are older instead? Or should I try and find a way", "book, our character is killed by being taken to an international children's' meat", "help. Should my story be geared towards those who are older instead? Or", "some universal tips for doing so? Or is this plot just not suitable", "to make this a children's book, but after looking at darker examples, the", "\"wolf\" to burn his farm's sheep. Consequently, it burns on the grass and", "tragically associated with animals. At the end of the book, our character is", "should I try and find a way to make these hidden themes subtle?", "him kill or seriously injure most of his family. The facility takes him", "international children's' meat processor on an island. I want to make this a", "I want to make this a children's book, but after looking at darker", "to make these hidden themes subtle? If so, what are some universal tips", "a way to make these hidden themes subtle? If so, what are some", "this a children's book, but after looking at darker examples, the closest they", "they get are hunted dolls with happy endings. I need help. Should my", "instead? Or should I try and find a way to make these hidden", "or seriously injure most of his family. The facility takes him afterward. It's", "our character is killed by being taken to an international children's' meat processor", "farm's sheep. Consequently, it burns on the grass and his house, making him", "geared towards those who are older instead? Or should I try and find", "family. The facility takes him afterward. It's actually a place to raise children", "an island. I want to make this a children's book, but after looking", "grass and his house, making him kill or seriously injure most of his", "what are some universal tips for doing so? Or is this plot just", "towards those who are older instead? Or should I try and find a", "At the end of the book, our character is killed by being taken", "not suitable for children at all? The book is aimed at children aged", "happy endings. I need help. Should my story be geared towards those who", "Consequently, it burns on the grass and his house, making him kill or", "my story be geared towards those who are older instead? Or should I", "Or is this plot just not suitable for children at all? The book", "raise children in an animal environment who were previously tragically associated with animals.", "Let me explain. My book is about a little boy directed by a", "The facility takes him afterward. It's actually a place to raise children in", "character is killed by being taken to an international children's' meat processor on", "are some universal tips for doing so? Or is this plot just not", "afterward. It's actually a place to raise children in an animal environment who", "and find a way to make these hidden themes subtle? If so, what", "examples, the closest they get are hunted dolls with happy endings. I need", "making him kill or seriously injure most of his family. The facility takes", "dolls with happy endings. I need help. Should my story be geared towards", "kill or seriously injure most of his family. The facility takes him afterward.", "seriously injure most of his family. The facility takes him afterward. It's actually", "it burns on the grass and his house, making him kill or seriously", "of the book, our character is killed by being taken to an international", "find a way to make these hidden themes subtle? If so, what are", "just not suitable for children at all? The book is aimed at children", "If so, what are some universal tips for doing so? Or is this", "universal tips for doing so? Or is this plot just not suitable for", "be geared towards those who are older instead? Or should I try and", "at darker examples, the closest they get are hunted dolls with happy endings.", "directed by a \"wolf\" to burn his farm's sheep. Consequently, it burns on", "so? Or is this plot just not suitable for children at all? The", "plot just not suitable for children at all? The book is aimed at", "looking at darker examples, the closest they get are hunted dolls with happy", "make this a children's book, but after looking at darker examples, the closest", "end of the book, our character is killed by being taken to an", "after looking at darker examples, the closest they get are hunted dolls with", "in an animal environment who were previously tragically associated with animals. At the", "with animals. At the end of the book, our character is killed by", "try and find a way to make these hidden themes subtle? If so,", "on the grass and his house, making him kill or seriously injure most", "a \"wolf\" to burn his farm's sheep. Consequently, it burns on the grass", "injure most of his family. The facility takes him afterward. It's actually a", "children in an animal environment who were previously tragically associated with animals. At", "his house, making him kill or seriously injure most of his family. The", "subtle? If so, what are some universal tips for doing so? Or is", "is this plot just not suitable for children at all? The book is", "these hidden themes subtle? If so, what are some universal tips for doing", "the closest they get are hunted dolls with happy endings. I need help.", "are older instead? Or should I try and find a way to make", "need help. Should my story be geared towards those who are older instead?", "It's actually a place to raise children in an animal environment who were", "is about a little boy directed by a \"wolf\" to burn his farm's", "who are older instead? Or should I try and find a way to", "suitable for children at all? The book is aimed at children aged 5-9.", "way to make these hidden themes subtle? If so, what are some universal", "want to make this a children's book, but after looking at darker examples,", "environment who were previously tragically associated with animals. At the end of the", "burns on the grass and his house, making him kill or seriously injure", "story be geared towards those who are older instead? Or should I try", "place to raise children in an animal environment who were previously tragically associated", "being taken to an international children's' meat processor on an island. I want", "make these hidden themes subtle? If so, what are some universal tips for", "sheep. Consequently, it burns on the grass and his house, making him kill", "Or should I try and find a way to make these hidden themes", "explain. My book is about a little boy directed by a \"wolf\" to", "actually a place to raise children in an animal environment who were previously", "My book is about a little boy directed by a \"wolf\" to burn", "hidden themes subtle? If so, what are some universal tips for doing so?", "meat processor on an island. I want to make this a children's book,", "I need help. Should my story be geared towards those who are older", "this plot just not suitable for children at all? The book is aimed", "animal environment who were previously tragically associated with animals. At the end of", "a little boy directed by a \"wolf\" to burn his farm's sheep. Consequently,", "little boy directed by a \"wolf\" to burn his farm's sheep. Consequently, it", "hunted dolls with happy endings. I need help. Should my story be geared", "who were previously tragically associated with animals. At the end of the book," ]
[ "and I always add simple music so the song can be performed. About", "with 3/4. Obviously I can create 4/4 song since more than half of", "unable to force them to be 4/4. I feel like I'm getting kind", "to be 4/4. I feel like I'm getting kind of boring with 3/4.", "in different language makes no difference. Is there a writing concept/trick for good", "my songs are 4/4 and none of them were/feel forced. I don't feel", "me already feel 3/4 and I'm unable to force them to be 4/4.", "stuffing words or weird pauses. Writing in different language makes no difference. Is", "fun and I always add simple music so the song can be performed.", "create 4/4 song since more than half of my songs are 4/4 and", "songs use different words or stuffing words or weird pauses. Writing in different", "music so the song can be performed. About 40% of my songs are", "and I'm unable to force them to be 4/4. I feel like I'm", "coming to me already feel 3/4 and I'm unable to force them to", "of boring with 3/4. Obviously I can create 4/4 song since more than", "writing concept/trick for good sounding 4/4 lyrics or for 3/4 to 4/4 conversion", "for good sounding 4/4 lyrics or for 3/4 to 4/4 conversion or should", "the song can be performed. About 40% of my songs are in 3/4", "can be performed. About 40% of my songs are in 3/4 (6/8) signature", "4/4. I feel like I'm getting kind of boring with 3/4. Obviously I", "signature which is kind of unusual in the big picture. It's just that", "I feel like I'm getting kind of boring with 3/4. Obviously I can", "more than half of my songs are 4/4 and none of them were/feel", "none of them were/feel forced. I don't feel like 4/4 songs use different", "I write song lyrics for fun and I always add simple music so", "40% of my songs are in 3/4 (6/8) signature which is kind of", "words or stuffing words or weird pauses. Writing in different language makes no", "forced. I don't feel like 4/4 songs use different words or stuffing words", "write song lyrics for fun and I always add simple music so the", "sounding 4/4 lyrics or for 3/4 to 4/4 conversion or should I ask", "in 3/4 (6/8) signature which is kind of unusual in the big picture.", "song since more than half of my songs are 4/4 and none of", "big picture. It's just that lyrics coming to me already feel 3/4 and", "4/4 lyrics or for 3/4 to 4/4 conversion or should I ask music", "kind of boring with 3/4. Obviously I can create 4/4 song since more", "feel like I'm getting kind of boring with 3/4. Obviously I can create", "getting kind of boring with 3/4. Obviously I can create 4/4 song since", "I'm getting kind of boring with 3/4. Obviously I can create 4/4 song", "difference. Is there a writing concept/trick for good sounding 4/4 lyrics or for", "half of my songs are 4/4 and none of them were/feel forced. I", "weird pauses. Writing in different language makes no difference. Is there a writing", "to 4/4 conversion or should I ask music theory to fix my feeling?", "or stuffing words or weird pauses. Writing in different language makes no difference.", "pauses. Writing in different language makes no difference. Is there a writing concept/trick", "were/feel forced. I don't feel like 4/4 songs use different words or stuffing", "4/4 song since more than half of my songs are 4/4 and none", "are 4/4 and none of them were/feel forced. I don't feel like 4/4", "kind of unusual in the big picture. It's just that lyrics coming to", "Obviously I can create 4/4 song since more than half of my songs", "4/4 and none of them were/feel forced. I don't feel like 4/4 songs", "than half of my songs are 4/4 and none of them were/feel forced.", "to force them to be 4/4. I feel like I'm getting kind of", "since more than half of my songs are 4/4 and none of them", "a writing concept/trick for good sounding 4/4 lyrics or for 3/4 to 4/4", "lyrics or for 3/4 to 4/4 conversion or should I ask music theory", "them were/feel forced. I don't feel like 4/4 songs use different words or", "and none of them were/feel forced. I don't feel like 4/4 songs use", "songs are in 3/4 (6/8) signature which is kind of unusual in the", "of my songs are in 3/4 (6/8) signature which is kind of unusual", "of unusual in the big picture. It's just that lyrics coming to me", "no difference. Is there a writing concept/trick for good sounding 4/4 lyrics or", "add simple music so the song can be performed. About 40% of my", "feel like 4/4 songs use different words or stuffing words or weird pauses.", "simple music so the song can be performed. About 40% of my songs", "I can create 4/4 song since more than half of my songs are", "just that lyrics coming to me already feel 3/4 and I'm unable to", "3/4 (6/8) signature which is kind of unusual in the big picture. It's", "makes no difference. Is there a writing concept/trick for good sounding 4/4 lyrics", "which is kind of unusual in the big picture. It's just that lyrics", "of them were/feel forced. I don't feel like 4/4 songs use different words", "or for 3/4 to 4/4 conversion or should I ask music theory to", "them to be 4/4. I feel like I'm getting kind of boring with", "unusual in the big picture. It's just that lyrics coming to me already", "different words or stuffing words or weird pauses. Writing in different language makes", "already feel 3/4 and I'm unable to force them to be 4/4. I", "song can be performed. About 40% of my songs are in 3/4 (6/8)", "like I'm getting kind of boring with 3/4. Obviously I can create 4/4", "the big picture. It's just that lyrics coming to me already feel 3/4", "I'm unable to force them to be 4/4. I feel like I'm getting", "that lyrics coming to me already feel 3/4 and I'm unable to force", "lyrics coming to me already feel 3/4 and I'm unable to force them", "boring with 3/4. Obviously I can create 4/4 song since more than half", "different language makes no difference. Is there a writing concept/trick for good sounding", "3/4. Obviously I can create 4/4 song since more than half of my", "feel 3/4 and I'm unable to force them to be 4/4. I feel", "concept/trick for good sounding 4/4 lyrics or for 3/4 to 4/4 conversion or", "my songs are in 3/4 (6/8) signature which is kind of unusual in", "don't feel like 4/4 songs use different words or stuffing words or weird", "3/4 to 4/4 conversion or should I ask music theory to fix my", "to me already feel 3/4 and I'm unable to force them to be", "so the song can be performed. About 40% of my songs are in", "4/4 songs use different words or stuffing words or weird pauses. Writing in", "performed. About 40% of my songs are in 3/4 (6/8) signature which is", "picture. It's just that lyrics coming to me already feel 3/4 and I'm", "song lyrics for fun and I always add simple music so the song", "words or weird pauses. Writing in different language makes no difference. Is there", "songs are 4/4 and none of them were/feel forced. I don't feel like", "of my songs are 4/4 and none of them were/feel forced. I don't", "there a writing concept/trick for good sounding 4/4 lyrics or for 3/4 to", "be performed. About 40% of my songs are in 3/4 (6/8) signature which", "for fun and I always add simple music so the song can be", "are in 3/4 (6/8) signature which is kind of unusual in the big", "(6/8) signature which is kind of unusual in the big picture. It's just", "About 40% of my songs are in 3/4 (6/8) signature which is kind", "language makes no difference. Is there a writing concept/trick for good sounding 4/4", "is kind of unusual in the big picture. It's just that lyrics coming", "Is there a writing concept/trick for good sounding 4/4 lyrics or for 3/4", "Writing in different language makes no difference. Is there a writing concept/trick for", "can create 4/4 song since more than half of my songs are 4/4", "force them to be 4/4. I feel like I'm getting kind of boring", "I always add simple music so the song can be performed. About 40%", "in the big picture. It's just that lyrics coming to me already feel", "use different words or stuffing words or weird pauses. Writing in different language", "or weird pauses. Writing in different language makes no difference. Is there a", "good sounding 4/4 lyrics or for 3/4 to 4/4 conversion or should I", "lyrics for fun and I always add simple music so the song can", "like 4/4 songs use different words or stuffing words or weird pauses. Writing", "I don't feel like 4/4 songs use different words or stuffing words or", "for 3/4 to 4/4 conversion or should I ask music theory to fix", "always add simple music so the song can be performed. About 40% of", "It's just that lyrics coming to me already feel 3/4 and I'm unable", "3/4 and I'm unable to force them to be 4/4. I feel like", "be 4/4. I feel like I'm getting kind of boring with 3/4. Obviously" ]
[ "but like many oceans, it could be crossed. This is why I took", "at this theatre, Schnaufer’s. The hope of finding myself in my dream was", "like many oceans, it could be crossed. This is why I took a", "thinking when the rotten smell crawled into my nose inside the killing floor.", "of blood, but like many oceans, it could be crossed. This is why", "italicized.. How often do you get the chance to find your dream in", "was thinking when the rotten smell crawled into my nose inside the killing", "This is what I was thinking when the rotten smell crawled into my", "and be italicized.. How often do you get the chance to find your", "in quotations or have its own line and be italicized.. How often do", "finding myself in my dream was the wind behind the sails on my", "be in quotations or have its own line and be italicized.. How often", "could be crossed. This is why I took a job at this theatre,", "theatre, Schnaufer’s. The hope of finding myself in my dream was the wind", "a job at this theatre, Schnaufer’s. The hope of finding myself in my", "oceans, it could be crossed. This is why I took a job at", "hope of finding myself in my dream was the wind behind the sails", "my dream was the wind behind the sails on my ship of glory.", "in my dream was the wind behind the sails on my ship of", "be crossed. This is why I took a job at this theatre, Schnaufer’s.", "crossed. This is why I took a job at this theatre, Schnaufer’s. The", "be italicized.. How often do you get the chance to find your dream", "quotations or have its own line and be italicized.. How often do you", "life? This is what I was thinking when the rotten smell crawled into", "dream in life? This is what I was thinking when the rotten smell", "is why I took a job at this theatre, Schnaufer’s. The hope of", "you get the chance to find your dream in life? This is what", "sentence should be in quotations or have its own line and be italicized..", "fictional character's memoir? I'm not sure if the first sentence should be in", "your dream in life? This is what I was thinking when the rotten", "not sure if the first sentence should be in quotations or have its", "myself in my dream was the wind behind the sails on my ship", "line and be italicized.. How often do you get the chance to find", "The hope of finding myself in my dream was the wind behind the", "the killing floor. The floor was dirty, an ocean of blood, but like", "I'm not sure if the first sentence should be in quotations or have", "killing floor. The floor was dirty, an ocean of blood, but like many", "The floor was dirty, an ocean of blood, but like many oceans, it", "into my nose inside the killing floor. The floor was dirty, an ocean", "job at this theatre, Schnaufer’s. The hope of finding myself in my dream", "is what I was thinking when the rotten smell crawled into my nose", "what I was thinking when the rotten smell crawled into my nose inside", "find your dream in life? This is what I was thinking when the", "chance to find your dream in life? This is what I was thinking", "of finding myself in my dream was the wind behind the sails on", "This is why I took a job at this theatre, Schnaufer’s. The hope", "Is this an acceptable introductory paragraph to a fictional character's memoir? I'm not", "should be in quotations or have its own line and be italicized.. How", "sure if the first sentence should be in quotations or have its own", "crawled into my nose inside the killing floor. The floor was dirty, an", "dirty, an ocean of blood, but like many oceans, it could be crossed.", "many oceans, it could be crossed. This is why I took a job", "was dirty, an ocean of blood, but like many oceans, it could be", "the first sentence should be in quotations or have its own line and", "the rotten smell crawled into my nose inside the killing floor. The floor", "acceptable introductory paragraph to a fictional character's memoir? I'm not sure if the", "an acceptable introductory paragraph to a fictional character's memoir? I'm not sure if", "character's memoir? I'm not sure if the first sentence should be in quotations", "to find your dream in life? This is what I was thinking when", "have its own line and be italicized.. How often do you get the", "blood, but like many oceans, it could be crossed. This is why I", "it could be crossed. This is why I took a job at this", "I took a job at this theatre, Schnaufer’s. The hope of finding myself", "nose inside the killing floor. The floor was dirty, an ocean of blood,", "inside the killing floor. The floor was dirty, an ocean of blood, but", "my nose inside the killing floor. The floor was dirty, an ocean of", "Schnaufer’s. The hope of finding myself in my dream was the wind behind", "a fictional character's memoir? I'm not sure if the first sentence should be", "took a job at this theatre, Schnaufer’s. The hope of finding myself in", "smell crawled into my nose inside the killing floor. The floor was dirty,", "do you get the chance to find your dream in life? This is", "to a fictional character's memoir? I'm not sure if the first sentence should", "own line and be italicized.. How often do you get the chance to", "this theatre, Schnaufer’s. The hope of finding myself in my dream was the", "I was thinking when the rotten smell crawled into my nose inside the", "an ocean of blood, but like many oceans, it could be crossed. This", "this an acceptable introductory paragraph to a fictional character's memoir? I'm not sure", "or have its own line and be italicized.. How often do you get", "How often do you get the chance to find your dream in life?", "often do you get the chance to find your dream in life? This", "introductory paragraph to a fictional character's memoir? I'm not sure if the first", "why I took a job at this theatre, Schnaufer’s. The hope of finding", "if the first sentence should be in quotations or have its own line", "the chance to find your dream in life? This is what I was", "memoir? I'm not sure if the first sentence should be in quotations or", "get the chance to find your dream in life? This is what I", "rotten smell crawled into my nose inside the killing floor. The floor was", "floor. The floor was dirty, an ocean of blood, but like many oceans,", "paragraph to a fictional character's memoir? I'm not sure if the first sentence", "its own line and be italicized.. How often do you get the chance", "when the rotten smell crawled into my nose inside the killing floor. The", "ocean of blood, but like many oceans, it could be crossed. This is", "floor was dirty, an ocean of blood, but like many oceans, it could", "in life? This is what I was thinking when the rotten smell crawled", "first sentence should be in quotations or have its own line and be" ]
[ "I’m planning on publishing my work. I know that most people hate it", "hates it when POV changes. Should I just keep the POV the way", "the POV of the character it’s about. Why’s that a problem? Because I’m", "would like to write the book in his POV, since it’s about him,", "The problem I have is if each book is about a different character,", "anything in the second book. Should I alternate POV chapters? Should I write", "POV chapters? Should I write the same story twice in both their POV?", "it when POV changes. Should I just keep the POV the way it", "question explains his role in the second book.](https://writing.stackexchange.com/questions/53860/i-developed-this-character-in-the-second-book-instead-of-the-first) I would like to write", "twice in both their POV? The character my second book is about is", "Should I write the same story twice in both their POV? The character", "six main characters. If you have read my most previous question, I explained", "my work. I know that most people hate it when you switch the", "about is [Cuson. This question explains his role in the second book.](https://writing.stackexchange.com/questions/53860/i-developed-this-character-in-the-second-book-instead-of-the-first) I", "This question explains his role in the second book.](https://writing.stackexchange.com/questions/53860/i-developed-this-character-in-the-second-book-instead-of-the-first) I would like to", "to the test. I finished the first book, and now I’m working on", "book, and now I’m working on the second. The problem I have is", "it’s about him, but everyone hates it when POV changes. Should I just", "who narrated the first book doesn’t do anything in the second book. Should", "have read my most previous question, I explained that I have six main", "most previous question, I explained that I have six main characters and want", "but the original character who narrated the first book doesn’t do anything in", "main characters and want each book to put a different character’s loyalty/strength/will/courage/skills to", "a problem? Because I’m planning on publishing my work. I know that most", "the first book doesn’t do anything in the second book. Should I alternate", "my second book is about is [Cuson. This question explains his role in", "but everyone hates it when POV changes. Should I just keep the POV", "in the POV of the character it’s about. Why’s that a problem? Because", "to write the book in his POV, since it’s about him, but everyone", "book to put a different character’s loyalty/strength/will/courage/skills to the test. I finished the", "do anything in the second book. Should I alternate POV chapters? Should I", "I would like to write the book in the POV of the character", "write the book in his POV, since it’s about him, but everyone hates", "each book is about a different character, I would like to write the", "in a series, but the original character who narrated the first book doesn’t", "the book in his POV, since it’s about him, but everyone hates it", "on the second. The problem I have is if each book is about", "my series I have six main characters. If you have read my most", "I have is if each book is about a different character, I would", "young author writing a fantasy series. In my series I have six main", "a fantasy series. In my series I have six main characters. If you", "characters and want each book to put a different character’s loyalty/strength/will/courage/skills to the", "if each book is about a different character, I would like to write", "you switch the character POV in a series, but the original character who", "doesn’t do anything in the second book. Should I alternate POV chapters? Should", "alternate POV chapters? Should I write the same story twice in both their", "want each book to put a different character’s loyalty/strength/will/courage/skills to the test. I", "in both their POV? The character my second book is about is [Cuson.", "second book is about is [Cuson. This question explains his role in the", "author writing a fantasy series. In my series I have six main characters.", "that a problem? Because I’m planning on publishing my work. I know that", "know that most people hate it when you switch the character POV in", "character, I would like to write the book in the POV of the", "on publishing my work. I know that most people hate it when you", "character my second book is about is [Cuson. This question explains his role", "Should I alternate POV chapters? Should I write the same story twice in", "when you switch the character POV in a series, but the original character", "each book to put a different character’s loyalty/strength/will/courage/skills to the test. I finished", "I know that most people hate it when you switch the character POV", "book in the POV of the character it’s about. Why’s that a problem?", "read my most previous question, I explained that I have six main characters", "I alternate POV chapters? Should I write the same story twice in both", "main characters. If you have read my most previous question, I explained that", "character POV in a series, but the original character who narrated the first", "that I have six main characters and want each book to put a", "book in his POV, since it’s about him, but everyone hates it when", "since it’s about him, but everyone hates it when POV changes. Should I", "am a young author writing a fantasy series. In my series I have", "is if each book is about a different character, I would like to", "most people hate it when you switch the character POV in a series,", "everyone hates it when POV changes. Should I just keep the POV the", "finished the first book, and now I’m working on the second. The problem", "the second book.](https://writing.stackexchange.com/questions/53860/i-developed-this-character-in-the-second-book-instead-of-the-first) I would like to write the book in his POV,", "first book, and now I’m working on the second. The problem I have", "planning on publishing my work. I know that most people hate it when", "I have six main characters and want each book to put a different", "the character it’s about. Why’s that a problem? Because I’m planning on publishing", "in his POV, since it’s about him, but everyone hates it when POV", "hate it when you switch the character POV in a series, but the", "book doesn’t do anything in the second book. Should I alternate POV chapters?", "about him, but everyone hates it when POV changes. Should I just keep", "character it’s about. Why’s that a problem? Because I’m planning on publishing my", "the first book, and now I’m working on the second. The problem I", "narrated the first book doesn’t do anything in the second book. Should I", "series I have six main characters. If you have read my most previous", "character’s loyalty/strength/will/courage/skills to the test. I finished the first book, and now I’m", "switch the character POV in a series, but the original character who narrated", "book is about is [Cuson. This question explains his role in the second", "characters. If you have read my most previous question, I explained that I", "test. I finished the first book, and now I’m working on the second.", "different character, I would like to write the book in the POV of", "book is about a different character, I would like to write the book", "book. Should I alternate POV chapters? Should I write the same story twice", "POV of the character it’s about. Why’s that a problem? Because I’m planning", "I write the same story twice in both their POV? The character my", "it’s about. Why’s that a problem? Because I’m planning on publishing my work.", "second book. Should I alternate POV chapters? Should I write the same story", "in the second book. Should I alternate POV chapters? Should I write the", "same story twice in both their POV? The character my second book is", "second book.](https://writing.stackexchange.com/questions/53860/i-developed-this-character-in-the-second-book-instead-of-the-first) I would like to write the book in his POV, since", "put a different character’s loyalty/strength/will/courage/skills to the test. I finished the first book,", "different character’s loyalty/strength/will/courage/skills to the test. I finished the first book, and now", "you have read my most previous question, I explained that I have six", "work. I know that most people hate it when you switch the character", "series. In my series I have six main characters. If you have read", "series, but the original character who narrated the first book doesn’t do anything", "POV? The character my second book is about is [Cuson. This question explains", "the second. The problem I have is if each book is about a", "problem I have is if each book is about a different character, I", "about. Why’s that a problem? Because I’m planning on publishing my work. I", "role in the second book.](https://writing.stackexchange.com/questions/53860/i-developed-this-character-in-the-second-book-instead-of-the-first) I would like to write the book in", "his POV, since it’s about him, but everyone hates it when POV changes.", "him, but everyone hates it when POV changes. Should I just keep the", "working on the second. The problem I have is if each book is", "like to write the book in his POV, since it’s about him, but", "original character who narrated the first book doesn’t do anything in the second", "I explained that I have six main characters and want each book to", "of the character it’s about. Why’s that a problem? Because I’m planning on", "If you have read my most previous question, I explained that I have", "to put a different character’s loyalty/strength/will/courage/skills to the test. I finished the first", "I finished the first book, and now I’m working on the second. The", "Because I’m planning on publishing my work. I know that most people hate", "second. The problem I have is if each book is about a different", "now I’m working on the second. The problem I have is if each", "have six main characters. If you have read my most previous question, I", "question, I explained that I have six main characters and want each book", "a series, but the original character who narrated the first book doesn’t do", "I’m working on the second. The problem I have is if each book", "The character my second book is about is [Cuson. This question explains his", "explained that I have six main characters and want each book to put", "write the book in the POV of the character it’s about. Why’s that", "have is if each book is about a different character, I would like", "people hate it when you switch the character POV in a series, but", "it when you switch the character POV in a series, but the original", "six main characters and want each book to put a different character’s loyalty/strength/will/courage/skills", "about a different character, I would like to write the book in the", "publishing my work. I know that most people hate it when you switch", "I am a young author writing a fantasy series. In my series I", "have six main characters and want each book to put a different character’s", "would like to write the book in the POV of the character it’s", "the original character who narrated the first book doesn’t do anything in the", "and now I’m working on the second. The problem I have is if", "the character POV in a series, but the original character who narrated the", "in the second book.](https://writing.stackexchange.com/questions/53860/i-developed-this-character-in-the-second-book-instead-of-the-first) I would like to write the book in his", "book.](https://writing.stackexchange.com/questions/53860/i-developed-this-character-in-the-second-book-instead-of-the-first) I would like to write the book in his POV, since it’s", "when POV changes. Should I just keep the POV the way it is?", "the test. I finished the first book, and now I’m working on the", "I would like to write the book in his POV, since it’s about", "a different character, I would like to write the book in the POV", "that most people hate it when you switch the character POV in a", "previous question, I explained that I have six main characters and want each", "write the same story twice in both their POV? The character my second", "first book doesn’t do anything in the second book. Should I alternate POV", "I have six main characters. If you have read my most previous question,", "his role in the second book.](https://writing.stackexchange.com/questions/53860/i-developed-this-character-in-the-second-book-instead-of-the-first) I would like to write the book", "[Cuson. This question explains his role in the second book.](https://writing.stackexchange.com/questions/53860/i-developed-this-character-in-the-second-book-instead-of-the-first) I would like", "Why’s that a problem? Because I’m planning on publishing my work. I know", "fantasy series. In my series I have six main characters. If you have", "to write the book in the POV of the character it’s about. Why’s", "the same story twice in both their POV? The character my second book", "my most previous question, I explained that I have six main characters and", "loyalty/strength/will/courage/skills to the test. I finished the first book, and now I’m working", "writing a fantasy series. In my series I have six main characters. If", "their POV? The character my second book is about is [Cuson. This question", "both their POV? The character my second book is about is [Cuson. This", "POV in a series, but the original character who narrated the first book", "character who narrated the first book doesn’t do anything in the second book.", "the second book. Should I alternate POV chapters? Should I write the same", "explains his role in the second book.](https://writing.stackexchange.com/questions/53860/i-developed-this-character-in-the-second-book-instead-of-the-first) I would like to write the", "and want each book to put a different character’s loyalty/strength/will/courage/skills to the test.", "In my series I have six main characters. If you have read my", "is [Cuson. This question explains his role in the second book.](https://writing.stackexchange.com/questions/53860/i-developed-this-character-in-the-second-book-instead-of-the-first) I would", "the book in the POV of the character it’s about. Why’s that a", "chapters? Should I write the same story twice in both their POV? The", "a young author writing a fantasy series. In my series I have six", "POV, since it’s about him, but everyone hates it when POV changes. Should", "is about is [Cuson. This question explains his role in the second book.](https://writing.stackexchange.com/questions/53860/i-developed-this-character-in-the-second-book-instead-of-the-first)", "story twice in both their POV? The character my second book is about", "like to write the book in the POV of the character it’s about.", "a different character’s loyalty/strength/will/courage/skills to the test. I finished the first book, and", "problem? Because I’m planning on publishing my work. I know that most people", "is about a different character, I would like to write the book in" ]
[ "\"working\" on one where the story about a country with an ongoing civil", "story about a country with an ongoing civil war. I'd like to alternate", "(a teacher, a farmer whose village was burned to the ground, a soldier", "to change narrators after each chapter without warning. As one chapter ends, a", "narrator. This method would be ideal but I'm not sure if this would", "a different narrator. This method would be ideal but I'm not sure if", "four different fonts, one for each narrator, but what about dialogue then? So", "narrators (a teacher, a farmer whose village was burned to the ground, a", "country with an ongoing civil war. I'd like to alternate between different narrators", "war. I'd like to alternate between different narrators (a teacher, a farmer whose", "is my hobby and I'm currently \"working\" on one where the story about", "if this would confuse potential readers. I've also considered writing in four different", "This method would be ideal but I'm not sure if this would confuse", "and I'm currently \"working\" on one where the story about a country with", "narrator, but what about dialogue then? So my question for you is: do", "low-quality novels on my spare time is my hobby and I'm currently \"working\"", "change narrators after each chapter without warning. As one chapter ends, a new", "new one starts with a different narrator. This method would be ideal but", "you is: do you know of any sound technique for handling narrator changes?", "a high-ranking officer) to show a variety of perspectives (always in first-person). My", "but what about dialogue then? So my question for you is: do you", "for you is: do you know of any sound technique for handling narrator", "the story about a country with an ongoing civil war. I'd like to", "chapter without warning. As one chapter ends, a new one starts with a", "between different narrators (a teacher, a farmer whose village was burned to the", "not sure if this would confuse potential readers. I've also considered writing in", "different narrator. This method would be ideal but I'm not sure if this", "with an ongoing civil war. I'd like to alternate between different narrators (a", "each chapter without warning. As one chapter ends, a new one starts with", "officer) to show a variety of perspectives (always in first-person). My idea is", "show a variety of perspectives (always in first-person). My idea is to change", "novels on my spare time is my hobby and I'm currently \"working\" on", "a farmer whose village was burned to the ground, a soldier and a", "considered writing in four different fonts, one for each narrator, but what about", "ground, a soldier and a high-ranking officer) to show a variety of perspectives", "is to change narrators after each chapter without warning. As one chapter ends,", "an ongoing civil war. I'd like to alternate between different narrators (a teacher,", "Writing low-quality novels on my spare time is my hobby and I'm currently", "(always in first-person). My idea is to change narrators after each chapter without", "one chapter ends, a new one starts with a different narrator. This method", "I'm currently \"working\" on one where the story about a country with an", "like to alternate between different narrators (a teacher, a farmer whose village was", "this would confuse potential readers. I've also considered writing in four different fonts,", "be ideal but I'm not sure if this would confuse potential readers. I've", "I'm not sure if this would confuse potential readers. I've also considered writing", "first-person). My idea is to change narrators after each chapter without warning. As", "about a country with an ongoing civil war. I'd like to alternate between", "without warning. As one chapter ends, a new one starts with a different", "a country with an ongoing civil war. I'd like to alternate between different", "to alternate between different narrators (a teacher, a farmer whose village was burned", "civil war. I'd like to alternate between different narrators (a teacher, a farmer", "also considered writing in four different fonts, one for each narrator, but what", "alternate between different narrators (a teacher, a farmer whose village was burned to", "different fonts, one for each narrator, but what about dialogue then? So my", "my spare time is my hobby and I'm currently \"working\" on one where", "on one where the story about a country with an ongoing civil war.", "a new one starts with a different narrator. This method would be ideal", "where the story about a country with an ongoing civil war. I'd like", "for each narrator, but what about dialogue then? So my question for you", "fonts, one for each narrator, but what about dialogue then? So my question", "starts with a different narrator. This method would be ideal but I'm not", "of perspectives (always in first-person). My idea is to change narrators after each", "soldier and a high-ranking officer) to show a variety of perspectives (always in", "the ground, a soldier and a high-ranking officer) to show a variety of", "one for each narrator, but what about dialogue then? So my question for", "dialogue then? So my question for you is: do you know of any", "question for you is: do you know of any sound technique for handling", "idea is to change narrators after each chapter without warning. As one chapter", "after each chapter without warning. As one chapter ends, a new one starts", "in first-person). My idea is to change narrators after each chapter without warning.", "to show a variety of perspectives (always in first-person). My idea is to", "then? So my question for you is: do you know of any sound", "ends, a new one starts with a different narrator. This method would be", "narrators after each chapter without warning. As one chapter ends, a new one", "ongoing civil war. I'd like to alternate between different narrators (a teacher, a", "whose village was burned to the ground, a soldier and a high-ranking officer)", "to the ground, a soldier and a high-ranking officer) to show a variety", "time is my hobby and I'm currently \"working\" on one where the story", "variety of perspectives (always in first-person). My idea is to change narrators after", "chapter ends, a new one starts with a different narrator. This method would", "what about dialogue then? So my question for you is: do you know", "My idea is to change narrators after each chapter without warning. As one", "with a different narrator. This method would be ideal but I'm not sure", "my hobby and I'm currently \"working\" on one where the story about a", "a variety of perspectives (always in first-person). My idea is to change narrators", "one where the story about a country with an ongoing civil war. I'd", "method would be ideal but I'm not sure if this would confuse potential", "sure if this would confuse potential readers. I've also considered writing in four", "on my spare time is my hobby and I'm currently \"working\" on one", "in four different fonts, one for each narrator, but what about dialogue then?", "each narrator, but what about dialogue then? So my question for you is:", "spare time is my hobby and I'm currently \"working\" on one where the", "village was burned to the ground, a soldier and a high-ranking officer) to", "I'd like to alternate between different narrators (a teacher, a farmer whose village", "teacher, a farmer whose village was burned to the ground, a soldier and", "burned to the ground, a soldier and a high-ranking officer) to show a", "ideal but I'm not sure if this would confuse potential readers. I've also", "my question for you is: do you know of any sound technique for", "different narrators (a teacher, a farmer whose village was burned to the ground,", "confuse potential readers. I've also considered writing in four different fonts, one for", "potential readers. I've also considered writing in four different fonts, one for each", "warning. As one chapter ends, a new one starts with a different narrator.", "currently \"working\" on one where the story about a country with an ongoing", "high-ranking officer) to show a variety of perspectives (always in first-person). My idea", "perspectives (always in first-person). My idea is to change narrators after each chapter", "would confuse potential readers. I've also considered writing in four different fonts, one", "and a high-ranking officer) to show a variety of perspectives (always in first-person).", "I've also considered writing in four different fonts, one for each narrator, but", "writing in four different fonts, one for each narrator, but what about dialogue", "hobby and I'm currently \"working\" on one where the story about a country", "As one chapter ends, a new one starts with a different narrator. This", "farmer whose village was burned to the ground, a soldier and a high-ranking", "about dialogue then? So my question for you is: do you know of", "one starts with a different narrator. This method would be ideal but I'm", "but I'm not sure if this would confuse potential readers. I've also considered", "a soldier and a high-ranking officer) to show a variety of perspectives (always", "was burned to the ground, a soldier and a high-ranking officer) to show", "would be ideal but I'm not sure if this would confuse potential readers.", "readers. I've also considered writing in four different fonts, one for each narrator,", "So my question for you is: do you know of any sound technique" ]
[ "making them fall to the ground one by one. It was a small", "character Nr 1, the other one is hooded. The wind eventually blew the", "gets surprised to see who it is. I don’t know how to describe", "The wind eventually blew the hood away, revealing his face. She gets surprised", "gym, a couple of tables and a few benches for people to sit", "eventually blew the hood away, revealing his face. She gets surprised to see", "one by one. It was a small park with a jungly gym, a", "saw two tall figures. > > > --- She can only see the", "park with a jungly gym, a couple of tables and a few benches", "> > > Then I saw two tall figures. > > > ---", "the park, a slight breeze rustles the leaves making them fall to the", "sit in every corner and jogging tracks were all around the edges. >", "tracks were all around the edges. > > > Then I saw two", "his face. She gets surprised to see who it is. I don’t know", "couple of tables and a few benches for people to sit in every", "a jungly gym, a couple of tables and a few benches for people", "of tables and a few benches for people to sit in every corner", "jungly gym, a couple of tables and a few benches for people to", "see who it is. I don’t know how to describe the scene: how", "every corner and jogging tracks were all around the edges. > > >", "hooded. The wind eventually blew the hood away, revealing his face. She gets", "I don’t know how to describe the scene: how they’re standing, her getting", "was a small park with a jungly gym, a couple of tables and", "> Entering the park, a slight breeze rustles the leaves making them fall", "and a few benches for people to sit in every corner and jogging", "leaves making them fall to the ground one by one. It was a", "> > > --- She can only see the face of character Nr", "edges. > > > Then I saw two tall figures. > > >", "I saw two tall figures. > > > --- She can only see", "it is. I don’t know how to describe the scene: how they’re standing,", "is. I don’t know how to describe the scene: how they’re standing, her", "> --- She can only see the face of character Nr 1, the", "slight breeze rustles the leaves making them fall to the ground one by", "were all around the edges. > > > Then I saw two tall", "two tall figures. > > > --- She can only see the face", "blew the hood away, revealing his face. She gets surprised to see who", "a few benches for people to sit in every corner and jogging tracks", "to sit in every corner and jogging tracks were all around the edges.", "park, a slight breeze rustles the leaves making them fall to the ground", "wind eventually blew the hood away, revealing his face. She gets surprised to", "the edges. > > > Then I saw two tall figures. > >", "> > Entering the park, a slight breeze rustles the leaves making them", "figures. > > > --- She can only see the face of character", "a couple of tables and a few benches for people to sit in", "hood away, revealing his face. She gets surprised to see who it is.", "the other one is hooded. The wind eventually blew the hood away, revealing", "jogging tracks were all around the edges. > > > Then I saw", "for people to sit in every corner and jogging tracks were all around", "ground one by one. It was a small park with a jungly gym,", "tables and a few benches for people to sit in every corner and", "revealing his face. She gets surprised to see who it is. I don’t", "breeze rustles the leaves making them fall to the ground one by one.", "She can only see the face of character Nr 1, the other one", "one. It was a small park with a jungly gym, a couple of", "benches for people to sit in every corner and jogging tracks were all", "> > Then I saw two tall figures. > > > --- She", "rustles the leaves making them fall to the ground one by one. It", "face of character Nr 1, the other one is hooded. The wind eventually", "a slight breeze rustles the leaves making them fall to the ground one", "all around the edges. > > > Then I saw two tall figures.", "in every corner and jogging tracks were all around the edges. > >", "Entering the park, a slight breeze rustles the leaves making them fall to", "people to sit in every corner and jogging tracks were all around the", "can only see the face of character Nr 1, the other one is", "away, revealing his face. She gets surprised to see who it is. I", "a small park with a jungly gym, a couple of tables and a", "small park with a jungly gym, a couple of tables and a few", "Then I saw two tall figures. > > > --- She can only", "--- She can only see the face of character Nr 1, the other", "only see the face of character Nr 1, the other one is hooded.", "around the edges. > > > Then I saw two tall figures. >", "surprised to see who it is. I don’t know how to describe the", "the hood away, revealing his face. She gets surprised to see who it", "1, the other one is hooded. The wind eventually blew the hood away,", "to the ground one by one. It was a small park with a", "> Then I saw two tall figures. > > > --- She can", "> > --- She can only see the face of character Nr 1,", "is hooded. The wind eventually blew the hood away, revealing his face. She", "who it is. I don’t know how to describe the scene: how they’re", "the leaves making them fall to the ground one by one. It was", "know how to describe the scene: how they’re standing, her getting surprised etc", "of character Nr 1, the other one is hooded. The wind eventually blew", "to see who it is. I don’t know how to describe the scene:", "face. She gets surprised to see who it is. I don’t know how", "tall figures. > > > --- She can only see the face of", "one is hooded. The wind eventually blew the hood away, revealing his face.", "by one. It was a small park with a jungly gym, a couple", "and jogging tracks were all around the edges. > > > Then I", "them fall to the ground one by one. It was a small park", "It was a small park with a jungly gym, a couple of tables", "the face of character Nr 1, the other one is hooded. The wind", "with a jungly gym, a couple of tables and a few benches for", "don’t know how to describe the scene: how they’re standing, her getting surprised", "corner and jogging tracks were all around the edges. > > > Then", "fall to the ground one by one. It was a small park with", "She gets surprised to see who it is. I don’t know how to", "other one is hooded. The wind eventually blew the hood away, revealing his", "Nr 1, the other one is hooded. The wind eventually blew the hood", "few benches for people to sit in every corner and jogging tracks were", "see the face of character Nr 1, the other one is hooded. The", "the ground one by one. It was a small park with a jungly" ]
[ "that Fistad is addressing in the in-text citation but I also want to", "to make reference to the primary source that Fistad is addressing in the", "In APA format, should the sentence look like this: Fistad (1964) notes that", "primary source is named Fistad. The primary source is Panpe's Inferno. I want", "of x, y and z (p. 101, Inf. XVI, 23). p. 101 is", "101, Inf. XVI, 23). p. 101 is for Fistad, while Inf. XVI, 23", "I also want to reference Fistad. In APA format, should the sentence look", "the primary source is named Fistad. The primary source is Panpe's Inferno. I", "notes that Panpe makes use of x, y and z (p. 101, Inf.", "source that Fistad is addressing in the in-text citation but I also want", "like this: Fistad (1964) notes that Panpe makes use of x, y and", "is named Fistad. The primary source is Panpe's Inferno. I want to make", "the author that is commentating on the primary source is named Fistad. The", "primary source is Panpe's Inferno. I want to make reference to the primary", "format, should the sentence look like this: Fistad (1964) notes that Panpe makes", "Panpe makes use of x, y and z (p. 101, Inf. XVI, 23).", "should the sentence look like this: Fistad (1964) notes that Panpe makes use", "(p. 101, Inf. XVI, 23). p. 101 is for Fistad, while Inf. XVI,", "that is commentating on the primary source is named Fistad. The primary source", "commentating on the primary source is named Fistad. The primary source is Panpe's", "Fistad. The primary source is Panpe's Inferno. I want to make reference to", "source is Panpe's Inferno. I want to make reference to the primary source", "sentence look like this: Fistad (1964) notes that Panpe makes use of x,", "y and z (p. 101, Inf. XVI, 23). p. 101 is for Fistad,", "on the primary source is named Fistad. The primary source is Panpe's Inferno.", "and z (p. 101, Inf. XVI, 23). p. 101 is for Fistad, while", "23). p. 101 is for Fistad, while Inf. XVI, 23 is for Panpe.", "primary source that Fistad is addressing in the in-text citation but I also", "also want to reference Fistad. In APA format, should the sentence look like", "Inf. XVI, 23). p. 101 is for Fistad, while Inf. XVI, 23 is", "reference to the primary source that Fistad is addressing in the in-text citation", "makes use of x, y and z (p. 101, Inf. XVI, 23). p.", "x, y and z (p. 101, Inf. XVI, 23). p. 101 is for", "Fistad. In APA format, should the sentence look like this: Fistad (1964) notes", "(1964) notes that Panpe makes use of x, y and z (p. 101,", "z (p. 101, Inf. XVI, 23). p. 101 is for Fistad, while Inf.", "I want to make reference to the primary source that Fistad is addressing", "source is named Fistad. The primary source is Panpe's Inferno. I want to", "use of x, y and z (p. 101, Inf. XVI, 23). p. 101", "reference Fistad. In APA format, should the sentence look like this: Fistad (1964)", "is commentating on the primary source is named Fistad. The primary source is", "want to make reference to the primary source that Fistad is addressing in", "the sentence look like this: Fistad (1964) notes that Panpe makes use of", "The primary source is Panpe's Inferno. I want to make reference to the", "the in-text citation but I also want to reference Fistad. In APA format,", "XVI, 23). p. 101 is for Fistad, while Inf. XVI, 23 is for", "to reference Fistad. In APA format, should the sentence look like this: Fistad", "Fistad (1964) notes that Panpe makes use of x, y and z (p.", "author that is commentating on the primary source is named Fistad. The primary", "named Fistad. The primary source is Panpe's Inferno. I want to make reference", "Inferno. I want to make reference to the primary source that Fistad is", "the primary source that Fistad is addressing in the in-text citation but I", "is addressing in the in-text citation but I also want to reference Fistad.", "in-text citation but I also want to reference Fistad. In APA format, should", "this: Fistad (1964) notes that Panpe makes use of x, y and z", "Panpe's Inferno. I want to make reference to the primary source that Fistad", "addressing in the in-text citation but I also want to reference Fistad. In", "want to reference Fistad. In APA format, should the sentence look like this:", "Fistad is addressing in the in-text citation but I also want to reference", "that Panpe makes use of x, y and z (p. 101, Inf. XVI,", "citation but I also want to reference Fistad. In APA format, should the", "to the primary source that Fistad is addressing in the in-text citation but", "For instance, the author that is commentating on the primary source is named", "is Panpe's Inferno. I want to make reference to the primary source that", "make reference to the primary source that Fistad is addressing in the in-text", "but I also want to reference Fistad. In APA format, should the sentence", "instance, the author that is commentating on the primary source is named Fistad.", "APA format, should the sentence look like this: Fistad (1964) notes that Panpe", "look like this: Fistad (1964) notes that Panpe makes use of x, y", "in the in-text citation but I also want to reference Fistad. In APA" ]
[ "writing’s constipated or something. I just can’t get the words out. It’s not", "about. And I have written some. It’s just harder. I don’t really know", "the page. Now that I’m starting the second book (even though I know", "I am a young author writing a fantasy series. When I was writing", "some. It’s just harder. I don’t really know how to explain it. Is", "how to explain it. Is this normal or is it just me? If", "It’s not writers block, I know what I’m writing about. And I have", "normal or is it just me? If it’s normal, how can I get", "the first book, it was easy and words literally flew onto the page.", "written some. It’s just harder. I don’t really know how to explain it.", "series. When I was writing the first book, it was easy and words", "have written some. It’s just harder. I don’t really know how to explain", "author writing a fantasy series. When I was writing the first book, it", "what it’s about) it’s a lot harder. Its like my writing’s constipated or", "know what I’m writing about. And I have written some. It’s just harder.", "When I was writing the first book, it was easy and words literally", "fantasy series. When I was writing the first book, it was easy and", "a lot harder. Its like my writing’s constipated or something. I just can’t", "And I have written some. It’s just harder. I don’t really know how", "writing about. And I have written some. It’s just harder. I don’t really", "though I know what it’s about) it’s a lot harder. Its like my", "don’t really know how to explain it. Is this normal or is it", "I’m writing about. And I have written some. It’s just harder. I don’t", "starting the second book (even though I know what it’s about) it’s a", "explain it. Is this normal or is it just me? If it’s normal,", "page. Now that I’m starting the second book (even though I know what", "is it just me? If it’s normal, how can I get over it?", "I don’t really know how to explain it. Is this normal or is", "book (even though I know what it’s about) it’s a lot harder. Its", "can’t get the words out. It’s not writers block, I know what I’m", "it was easy and words literally flew onto the page. Now that I’m", "second book (even though I know what it’s about) it’s a lot harder.", "harder. Its like my writing’s constipated or something. I just can’t get the", "something. I just can’t get the words out. It’s not writers block, I", "onto the page. Now that I’m starting the second book (even though I", "like my writing’s constipated or something. I just can’t get the words out.", "was writing the first book, it was easy and words literally flew onto", "words out. It’s not writers block, I know what I’m writing about. And", "I know what I’m writing about. And I have written some. It’s just", "young author writing a fantasy series. When I was writing the first book,", "block, I know what I’m writing about. And I have written some. It’s", "constipated or something. I just can’t get the words out. It’s not writers", "first book, it was easy and words literally flew onto the page. Now", "not writers block, I know what I’m writing about. And I have written", "my writing’s constipated or something. I just can’t get the words out. It’s", "the second book (even though I know what it’s about) it’s a lot", "Is this normal or is it just me? If it’s normal, how can", "or something. I just can’t get the words out. It’s not writers block,", "that I’m starting the second book (even though I know what it’s about)", "it’s about) it’s a lot harder. Its like my writing’s constipated or something.", "I’m starting the second book (even though I know what it’s about) it’s", "out. It’s not writers block, I know what I’m writing about. And I", "I have written some. It’s just harder. I don’t really know how to", "Its like my writing’s constipated or something. I just can’t get the words", "know what it’s about) it’s a lot harder. Its like my writing’s constipated", "just harder. I don’t really know how to explain it. Is this normal", "writing a fantasy series. When I was writing the first book, it was", "to explain it. Is this normal or is it just me? If it’s", "I just can’t get the words out. It’s not writers block, I know", "was easy and words literally flew onto the page. Now that I’m starting", "a young author writing a fantasy series. When I was writing the first", "a fantasy series. When I was writing the first book, it was easy", "lot harder. Its like my writing’s constipated or something. I just can’t get", "it’s a lot harder. Its like my writing’s constipated or something. I just", "harder. I don’t really know how to explain it. Is this normal or", "this normal or is it just me? If it’s normal, how can I", "literally flew onto the page. Now that I’m starting the second book (even", "It’s just harder. I don’t really know how to explain it. Is this", "really know how to explain it. Is this normal or is it just", "know how to explain it. Is this normal or is it just me?", "get the words out. It’s not writers block, I know what I’m writing", "I know what it’s about) it’s a lot harder. Its like my writing’s", "writers block, I know what I’m writing about. And I have written some.", "easy and words literally flew onto the page. Now that I’m starting the", "what I’m writing about. And I have written some. It’s just harder. I", "flew onto the page. Now that I’m starting the second book (even though", "about) it’s a lot harder. Its like my writing’s constipated or something. I", "words literally flew onto the page. Now that I’m starting the second book", "am a young author writing a fantasy series. When I was writing the", "the words out. It’s not writers block, I know what I’m writing about.", "Now that I’m starting the second book (even though I know what it’s", "just can’t get the words out. It’s not writers block, I know what", "and words literally flew onto the page. Now that I’m starting the second", "writing the first book, it was easy and words literally flew onto the", "book, it was easy and words literally flew onto the page. Now that", "I was writing the first book, it was easy and words literally flew", "it. Is this normal or is it just me? If it’s normal, how", "(even though I know what it’s about) it’s a lot harder. Its like", "or is it just me? If it’s normal, how can I get over" ]
[ "a young author writing a fantasy series. I decided to try writing the", "My gut was warm and wet, and I realized I was bleeding through", "breath to steady my vision. I felt hollow and weak. I knew I", "why he shouldn’t give up. This is the ending of the book. Is", "wet, and I realized I was bleeding through my bandages. But I deserved", "stopped crying and took a long, slow, raspy breath to steady my vision.", "writing the first part. In my second book, they’re supposed to lose, and", "The stab wound in my gut felt like it was on fire again.", "and wet, and I realized I was bleeding through my bandages. But I", "part. In my second book, they’re supposed to lose, and this guy’s girlfriend", "weak to start crying again. My gut was warm and wet, and I", "a bit, him summing up all the things he did wrong and completely", "still unable to speak. > > > Suddenly I remembered AmmuiV was dead.", "I’d put her through the exact same thing. Even though I felt like", "like bawling, I was too weak to start crying again. My gut was", "my bandages. But I deserved the pain. All of it. I’d deserved for", "but they can’t even think of a good argument as to why he", "guy’s girlfriend is killed after he’d betrayed everyone he knew trying to save", "crying again. My gut was warm and wet, and I realized I was", "I stared at them, still unable to speak. > > > Suddenly I", "guy escapes after he kills the girlfriend. Here are a few paragraphs so", "looked me in the eyes. ”I forgive you.” > > > My breath", "get it over with so he can finally be with his girlfriend. Of", "> Suddenly I remembered AmmuiV was dead. I looked down and started to", "fire again. My friends were gathered around me. I stared at them, still", "wall. My head hurt. The stab wound in my gut felt like it", "put her through the exact same thing. Even though I felt like bawling,", "the ending first because I was having trouble writing the first part. In", "a good argument as to why he shouldn’t give up. This is the", "was warm and wet, and I realized I was bleeding through my bandages.", "before. It hurt. In fact, everything did. I was lightheaded and dizzy. My", "and this guy’s girlfriend is killed after he’d betrayed everyone he knew trying", "give up. This is the ending of the book. Is this too depressing?", "asking his friends to kill him and just get it over with so", "girlfriend. Of course, they don’t actually kill him, but they can’t even think", "first part. In my second book, they’re supposed to lose, and this guy’s", "bad guy escapes after he kills the girlfriend. Here are a few paragraphs", "Even though I felt like bawling, I was too weak to start crying", "In my second book, they’re supposed to lose, and this guy’s girlfriend is", "it. I’d deserved for AmmuiV to die. > > > It goes on", "the first part. In my second book, they’re supposed to lose, and this", "they’re supposed to lose, and this guy’s girlfriend is killed after he’d betrayed", "supposed to lose, and this guy’s girlfriend is killed after he’d betrayed everyone", "wept into my hands, horrible sobs racking my chest. I had never let", "the exact same thing. Even though I felt like bawling, I was too", "and took a long, slow, raspy breath to steady my vision. I felt", "friends to kill him and just get it over with so he can", "his friends to kill him and just get it over with so he", "woke up propped against a wall. My head hurt. The stab wound in", "can’t even think of a good argument as to why he shouldn’t give", "too depressing? My targeted audience is middle school age, and my characters are", "to steady my vision. I felt hollow and weak. I knew I was", "through my bandages. But I deserved the pain. All of it. I’d deserved", "all the things he did wrong and completely giving up, asking his friends", "argument as to why he shouldn’t give up. This is the ending of", "series. I decided to try writing the ending first because I was having", "> > My breath was ripped away. I had completely forgotten I’d put", "for AmmuiV to die. > > > It goes on like this for", "vision. I felt hollow and weak. I knew I was still badly injured.", "to save her. The bad guy escapes after he kills the girlfriend. Here", "author writing a fantasy series. I decided to try writing the ending first", "against a wall. My head hurt. The stab wound in my gut felt", "> > > My breath was ripped away. I had completely forgotten I’d", "think of a good argument as to why he shouldn’t give up. This", "I was still badly injured. > > > Camryn looked me in the", "first because I was having trouble writing the first part. In my second", "> > > Suddenly I remembered AmmuiV was dead. I looked down and", "AmmuiV was dead. I looked down and started to cry. And I mean", "them, still unable to speak. > > > Suddenly I remembered AmmuiV was", "realized I was bleeding through my bandages. But I deserved the pain. All", "> I woke up propped against a wall. My head hurt. The stab", "was on fire again. My friends were gathered around me. I stared at", "fantasy series. I decided to try writing the ending first because I was", "I wept into my hands, horrible sobs racking my chest. I had never", "weak. I knew I was still badly injured. > > > Camryn looked", "I had never let myself cry like this before. It hurt. In fact,", "head hurt. The stab wound in my gut felt like it was on", "stab wound in my gut felt like it was on fire again. My", "friends voices sounded far away. I stopped crying and took a long, slow,", "up. This is the ending of the book. Is this too depressing? My", "> > Suddenly I remembered AmmuiV was dead. I looked down and started", "depressing? My targeted audience is middle school age, and my characters are 16.", "the feel of the situation: > > I woke up propped against a", "I knew I was still badly injured. > > > Camryn looked me", "like this before. It hurt. In fact, everything did. I was lightheaded and", "Camryn looked me in the eyes. ”I forgive you.” > > > My", "her. The bad guy escapes after he kills the girlfriend. Here are a", "AmmuiV to die. > > > It goes on like this for a", "escapes after he kills the girlfriend. Here are a few paragraphs so you", "kill him and just get it over with so he can finally be", "for a bit, him summing up all the things he did wrong and", "completely giving up, asking his friends to kill him and just get it", "a fantasy series. I decided to try writing the ending first because I", "was too weak to start crying again. My gut was warm and wet,", "and I realized I was bleeding through my bandages. But I deserved the", "I’d deserved for AmmuiV to die. > > > It goes on like", "ending first because I was having trouble writing the first part. In my", "he’d betrayed everyone he knew trying to save her. The bad guy escapes", "my second book, they’re supposed to lose, and this guy’s girlfriend is killed", "It hurt. In fact, everything did. I was lightheaded and dizzy. My friends", "remembered AmmuiV was dead. I looked down and started to cry. And I", "I felt like bawling, I was too weak to start crying again. My", "him, but they can’t even think of a good argument as to why", "of a good argument as to why he shouldn’t give up. This is", "pain. All of it. I’d deserved for AmmuiV to die. > > >", "cry. And I mean really cry. I wept into my hands, horrible sobs", "It goes on like this for a bit, him summing up all the", "gut felt like it was on fire again. My friends were gathered around", "> It goes on like this for a bit, him summing up all", "this for a bit, him summing up all the things he did wrong", "too weak to start crying again. My gut was warm and wet, and", "this too depressing? My targeted audience is middle school age, and my characters", "and started to cry. And I mean really cry. I wept into my", "with so he can finally be with his girlfriend. Of course, they don’t", "everything did. I was lightheaded and dizzy. My friends voices sounded far away.", "are a few paragraphs so you can get the feel of the situation:", "felt like it was on fire again. My friends were gathered around me.", "my vision. I felt hollow and weak. I knew I was still badly", "save her. The bad guy escapes after he kills the girlfriend. Here are", "thing.* Even though I felt like bawling, I was too weak to start", "he knew trying to save her. The bad guy escapes after he kills", "and dizzy. My friends voices sounded far away. I stopped crying and took", "be with his girlfriend. Of course, they don’t actually kill him, but they", "I realized I was bleeding through my bandages. But I deserved the pain.", "try writing the ending first because I was having trouble writing the first", "trouble writing the first part. In my second book, they’re supposed to lose,", "shouldn’t give up. This is the ending of the book. Is this too", "had never let myself cry like this before. It hurt. In fact, everything", "don’t actually kill him, but they can’t even think of a good argument", "you.” > > > My breath was ripped away. I had completely forgotten", "I was bleeding through my bandages. But I deserved the pain. All of", "at them, still unable to speak. > > > Suddenly I remembered AmmuiV", "fact, everything did. I was lightheaded and dizzy. My friends voices sounded far", "hollow and weak. I knew I was still badly injured. > > >", "it was on fire again. My friends were gathered around me. I stared", "ending of the book. Is this too depressing? My targeted audience is middle", "it over with so he can finally be with his girlfriend. Of course,", "> My breath was ripped away. I had completely forgotten I’d put her", "things he did wrong and completely giving up, asking his friends to kill", "I stopped crying and took a long, slow, raspy breath to steady my", "Suddenly I remembered AmmuiV was dead. I looked down and started to cry.", "just get it over with so he can finally be with his girlfriend.", "All of it. I’d deserved for AmmuiV to die. > > > It", "hurt. In fact, everything did. I was lightheaded and dizzy. My friends voices", "lose, and this guy’s girlfriend is killed after he’d betrayed everyone he knew", "me. I stared at them, still unable to speak. > > > Suddenly", "was having trouble writing the first part. In my second book, they’re supposed", "in the eyes. ”I forgive you.” > > > My breath was ripped", "deserved for AmmuiV to die. > > > It goes on like this", "the eyes. ”I forgive you.” > > > My breath was ripped away.", "with his girlfriend. Of course, they don’t actually kill him, but they can’t", "you can get the feel of the situation: > > I woke up", "badly injured. > > > Camryn looked me in the eyes. ”I forgive", "this before. It hurt. In fact, everything did. I was lightheaded and dizzy.", "raspy breath to steady my vision. I felt hollow and weak. I knew", "never let myself cry like this before. It hurt. In fact, everything did.", "breath was ripped away. I had completely forgotten I’d put her through the", "the girlfriend. Here are a few paragraphs so you can get the feel", "speak. > > > Suddenly I remembered AmmuiV was dead. I looked down", "My head hurt. The stab wound in my gut felt like it was", "bandages. But I deserved the pain. All of it. I’d deserved for AmmuiV", "can finally be with his girlfriend. Of course, they don’t actually kill him,", "on like this for a bit, him summing up all the things he", "a few paragraphs so you can get the feel of the situation: >", "finally be with his girlfriend. Of course, they don’t actually kill him, but", "again. My friends were gathered around me. I stared at them, still unable", "felt hollow and weak. I knew I was still badly injured. > >", "kill him, but they can’t even think of a good argument as to", "book, they’re supposed to lose, and this guy’s girlfriend is killed after he’d", "> Camryn looked me in the eyes. ”I forgive you.” > > >", "second book, they’re supposed to lose, and this guy’s girlfriend is killed after", "ripped away. I had completely forgotten I’d put her through the exact same", "my hands, horrible sobs racking my chest. I had never let myself cry", "voices sounded far away. I stopped crying and took a long, slow, raspy", "propped against a wall. My head hurt. The stab wound in my gut", "steady my vision. I felt hollow and weak. I knew I was still", "up propped against a wall. My head hurt. The stab wound in my", "die. > > > It goes on like this for a bit, him", "the situation: > > I woke up propped against a wall. My head", "cry. I wept into my hands, horrible sobs racking my chest. I had", "my gut felt like it was on fire again. My friends were gathered", "away. I had completely forgotten I’d put her through the exact same thing.", "get the feel of the situation: > > I woke up propped against", "goes on like this for a bit, him summing up all the things", "betrayed everyone he knew trying to save her. The bad guy escapes after", "”I forgive you.” > > > My breath was ripped away. I had", "same thing. Even though I felt like bawling, I was too weak to", "him and just get it over with so he can finally be with", "chest. I had never let myself cry like this before. It hurt. In", "forgotten I’d put her through the exact same thing. Even though I felt", "again. My gut was warm and wet, and I realized I was bleeding", "on fire again. My friends were gathered around me. I stared at them,", "to cry. And I mean really cry. I wept into my hands, horrible", "around me. I stared at them, still unable to speak. > > >", "> > > Camryn looked me in the eyes. ”I forgive you.” >", "giving up, asking his friends to kill him and just get it over", "feel of the situation: > > I woke up propped against a wall.", "to try writing the ending first because I was having trouble writing the", "wound in my gut felt like it was on fire again. My friends", "wrong and completely giving up, asking his friends to kill him and just", "of the book. Is this too depressing? My targeted audience is middle school", "And I mean really cry. I wept into my hands, horrible sobs racking", "he can finally be with his girlfriend. Of course, they don’t actually kill", "writing a fantasy series. I decided to try writing the ending first because", "still badly injured. > > > Camryn looked me in the eyes. ”I", "I felt hollow and weak. I knew I was still badly injured. >", "they don’t actually kill him, but they can’t even think of a good", "is killed after he’d betrayed everyone he knew trying to save her. The", "trying to save her. The bad guy escapes after he kills the girlfriend.", "even think of a good argument as to why he shouldn’t give up.", "unable to speak. > > > Suddenly I remembered AmmuiV was dead. I", "like this for a bit, him summing up all the things he did", "up, asking his friends to kill him and just get it over with", "My friends voices sounded far away. I stopped crying and took a long,", "horrible sobs racking my chest. I had never let myself cry like this", "a long, slow, raspy breath to steady my vision. I felt hollow and", "kills the girlfriend. Here are a few paragraphs so you can get the", "> > I woke up propped against a wall. My head hurt. The", "dead. I looked down and started to cry. And I mean really cry.", "young author writing a fantasy series. I decided to try writing the ending", "deserved the pain. All of it. I’d deserved for AmmuiV to die. >", "crying and took a long, slow, raspy breath to steady my vision. I", "cry like this before. It hurt. In fact, everything did. I was lightheaded", "decided to try writing the ending first because I was having trouble writing", "was still badly injured. > > > Camryn looked me in the eyes.", "bleeding through my bandages. But I deserved the pain. All of it. I’d", "injured. > > > Camryn looked me in the eyes. ”I forgive you.”", "the ending of the book. Is this too depressing? My targeted audience is", "> > It goes on like this for a bit, him summing up", "long, slow, raspy breath to steady my vision. I felt hollow and weak.", "gut was warm and wet, and I realized I was bleeding through my", "dizzy. My friends voices sounded far away. I stopped crying and took a", "exact same thing. Even though I felt like bawling, I was too weak", "and weak. I knew I was still badly injured. > > > Camryn", "warm and wet, and I realized I was bleeding through my bandages. But", "course, they don’t actually kill him, but they can’t even think of a", "they can’t even think of a good argument as to why he shouldn’t", "But I deserved the pain. All of it. I’d deserved for AmmuiV to", "situation: > > I woke up propped against a wall. My head hurt.", "a wall. My head hurt. The stab wound in my gut felt like", "I woke up propped against a wall. My head hurt. The stab wound", "completely forgotten I’d put her through the exact same thing. Even though I", "summing up all the things he did wrong and completely giving up, asking", "the things he did wrong and completely giving up, asking his friends to", "he kills the girlfriend. Here are a few paragraphs so you can get", "friends were gathered around me. I stared at them, still unable to speak.", "is the ending of the book. Is this too depressing? My targeted audience", "I was lightheaded and dizzy. My friends voices sounded far away. I stopped", "Is this too depressing? My targeted audience is middle school age, and my", "had completely forgotten I’d put her through the exact same thing. Even though", "my chest. I had never let myself cry like this before. It hurt.", "I looked down and started to cry. And I mean really cry. I", "writing the ending first because I was having trouble writing the first part.", "gathered around me. I stared at them, still unable to speak. > >", "through the exact same thing. Even though I felt like bawling, I was", "like it was on fire again. My friends were gathered around me. I", "really cry. I wept into my hands, horrible sobs racking my chest. I", "I remembered AmmuiV was dead. I looked down and started to cry. And", "did wrong and completely giving up, asking his friends to kill him and", "because I was having trouble writing the first part. In my second book,", "though I felt like bawling, I was too weak to start crying again.", "can get the feel of the situation: > > I woke up propped", "down and started to cry. And I mean really cry. I wept into", "> > Camryn looked me in the eyes. ”I forgive you.” > >", "and just get it over with so he can finally be with his", "took a long, slow, raspy breath to steady my vision. I felt hollow", "girlfriend. Here are a few paragraphs so you can get the feel of", "everyone he knew trying to save her. The bad guy escapes after he", "girlfriend is killed after he’d betrayed everyone he knew trying to save her.", "killed after he’d betrayed everyone he knew trying to save her. The bad", "her through the exact same thing. Even though I felt like bawling, I", "bawling, I was too weak to start crying again. My gut was warm", "Here are a few paragraphs so you can get the feel of the", "to start crying again. My gut was warm and wet, and I realized", "and completely giving up, asking his friends to kill him and just get", "forgive you.” > > > My breath was ripped away. I had completely", "knew trying to save her. The bad guy escapes after he kills the", "was dead. I looked down and started to cry. And I mean really", "to die. > > > It goes on like this for a bit,", "eyes. ”I forgive you.” > > > My breath was ripped away. I", "racking my chest. I had never let myself cry like this before. It", "so he can finally be with his girlfriend. Of course, they don’t actually", "actually kill him, but they can’t even think of a good argument as", "away. I stopped crying and took a long, slow, raspy breath to steady", "sobs racking my chest. I had never let myself cry like this before.", "started to cry. And I mean really cry. I wept into my hands,", "My breath was ripped away. I had completely forgotten I’d put her through", "I’m a young author writing a fantasy series. I decided to try writing", "this guy’s girlfriend is killed after he’d betrayed everyone he knew trying to", "of it. I’d deserved for AmmuiV to die. > > > It goes", "into my hands, horrible sobs racking my chest. I had never let myself", "I had completely forgotten I’d put her through the exact same thing. Even", "looked down and started to cry. And I mean really cry. I wept", "far away. I stopped crying and took a long, slow, raspy breath to", "I deserved the pain. All of it. I’d deserved for AmmuiV to die.", "knew I was still badly injured. > > > Camryn looked me in", "to kill him and just get it over with so he can finally", "after he kills the girlfriend. Here are a few paragraphs so you can", "in my gut felt like it was on fire again. My friends were", "mean really cry. I wept into my hands, horrible sobs racking my chest.", "bit, him summing up all the things he did wrong and completely giving", "was lightheaded and dizzy. My friends voices sounded far away. I stopped crying", "hands, horrible sobs racking my chest. I had never let myself cry like", "him summing up all the things he did wrong and completely giving up,", "the pain. All of it. I’d deserved for AmmuiV to die. > >", "Of course, they don’t actually kill him, but they can’t even think of", "as to why he shouldn’t give up. This is the ending of the", "his girlfriend. Of course, they don’t actually kill him, but they can’t even", "start crying again. My gut was warm and wet, and I realized I", "I decided to try writing the ending first because I was having trouble", "My friends were gathered around me. I stared at them, still unable to", "were gathered around me. I stared at them, still unable to speak. >", "to speak. > > > Suddenly I remembered AmmuiV was dead. I looked", "lightheaded and dizzy. My friends voices sounded far away. I stopped crying and", "I was having trouble writing the first part. In my second book, they’re", "paragraphs so you can get the feel of the situation: > > I", "few paragraphs so you can get the feel of the situation: > >", "me in the eyes. ”I forgive you.” > > > My breath was", "slow, raspy breath to steady my vision. I felt hollow and weak. I", "In fact, everything did. I was lightheaded and dizzy. My friends voices sounded", "after he’d betrayed everyone he knew trying to save her. The bad guy", "to lose, and this guy’s girlfriend is killed after he’d betrayed everyone he", "This is the ending of the book. Is this too depressing? My targeted", "good argument as to why he shouldn’t give up. This is the ending", "hurt. The stab wound in my gut felt like it was on fire", "I mean really cry. I wept into my hands, horrible sobs racking my", "he shouldn’t give up. This is the ending of the book. Is this", "let myself cry like this before. It hurt. In fact, everything did. I", "was ripped away. I had completely forgotten I’d put her through the *exact", "I was too weak to start crying again. My gut was warm and", "he did wrong and completely giving up, asking his friends to kill him", "the book. Is this too depressing? My targeted audience is middle school age,", "was bleeding through my bandages. But I deserved the pain. All of it.", "over with so he can finally be with his girlfriend. Of course, they", "of the situation: > > I woke up propped against a wall. My", "to why he shouldn’t give up. This is the ending of the book.", "stared at them, still unable to speak. > > > Suddenly I remembered", "The bad guy escapes after he kills the girlfriend. Here are a few", "myself cry like this before. It hurt. In fact, everything did. I was", "felt like bawling, I was too weak to start crying again. My gut", "> > > It goes on like this for a bit, him summing", "book. Is this too depressing? My targeted audience is middle school age, and", "did. I was lightheaded and dizzy. My friends voices sounded far away. I", "up all the things he did wrong and completely giving up, asking his", "so you can get the feel of the situation: > > I woke", "sounded far away. I stopped crying and took a long, slow, raspy breath", "having trouble writing the first part. In my second book, they’re supposed to" ]
[ "another way to say, “I looked around, until my eyes landed on a", "to say, “I looked around, until my eyes landed on a man.” I’m", "eyes landed on a man.” I’m sick of the sentence “I looked around”,", "around, until my eyes landed on a man.” I’m sick of the sentence", "but it’s important that she does since she wakes up in an unfamiliar", "way to say, “I looked around, until my eyes landed on a man.”", "on a man.” I’m sick of the sentence “I looked around”, but it’s", "sentence “I looked around”, but it’s important that she does since she wakes", "of the sentence “I looked around”, but it’s important that she does since", "looked around”, but it’s important that she does since she wakes up in", "looked around, until my eyes landed on a man.” I’m sick of the", "the sentence “I looked around”, but it’s important that she does since she", "until my eyes landed on a man.” I’m sick of the sentence “I", "a man.” I’m sick of the sentence “I looked around”, but it’s important", "it’s important that she does since she wakes up in an unfamiliar place.", "I'm looking for another way to say, “I looked around, until my eyes", "“I looked around”, but it’s important that she does since she wakes up", "say, “I looked around, until my eyes landed on a man.” I’m sick", "my eyes landed on a man.” I’m sick of the sentence “I looked", "sick of the sentence “I looked around”, but it’s important that she does", "man.” I’m sick of the sentence “I looked around”, but it’s important that", "around”, but it’s important that she does since she wakes up in an", "I’m sick of the sentence “I looked around”, but it’s important that she", "looking for another way to say, “I looked around, until my eyes landed", "“I looked around, until my eyes landed on a man.” I’m sick of", "for another way to say, “I looked around, until my eyes landed on", "landed on a man.” I’m sick of the sentence “I looked around”, but" ]
[ "chapter for one of my stories in which I have a character who", "keep finding out that I'm not keeping him emotionless. In the beginning of", "I keep finding out that I'm not keeping him emotionless. In the beginning", "who will get him back to his emotionless state. But from here on", "to stay away from mentioning emotions, but I have trouble when my character", "a bunch of training for a secret government organization and ended up an", "I'm not keeping him emotionless. In the beginning of the 2nd chapter I'm", "state. But from here on out, how do I not write emotions in", "how do I not write emotions in this character? I'm able to stay", "him emotionless. In the beginning of the 2nd chapter I'm sending him to", "'psychologist' who will get him back to his emotionless state. But from here", "bunch of training for a secret government organization and ended up an emotionless", "to his emotionless state. But from here on out, how do I not", "[this question](https://writing.stackexchange.com/questions/51728/writing-an-emotionless-character) but the answer doesn't help much because he has no emotions", "will get him back to his emotionless state. But from here on out,", "not keeping him emotionless. In the beginning of the 2nd chapter I'm sending", "through a bunch of training for a secret government organization and ended up", "of the 2nd chapter I'm sending him to a 'psychologist' who will get", "him to a 'psychologist' who will get him back to his emotionless state.", "a way that he shouldn't(ie saving other people). I checked out [this question](https://writing.stackexchange.com/questions/51728/writing-an-emotionless-character)", "much because he has no emotions and just talks about how they a", "emotions, but I have trouble when my character will react to certain circumstances", "government organization and ended up an emotionless killing machine. Only problem is, I", "I have trouble when my character will react to certain circumstances in a", "to certain circumstances in a way that he shouldn't(ie saving other people). I", "I not write emotions in this character? I'm able to stay away from", "emotions in this character? I'm able to stay away from mentioning emotions, but", "to a 'psychologist' who will get him back to his emotionless state. But", "and ended up an emotionless killing machine. Only problem is, I keep finding", "I have a character who went through a bunch of training for a", "character? I'm able to stay away from mentioning emotions, but I have trouble", "but the answer doesn't help much because he has no emotions and just", "finding out that I'm not keeping him emotionless. In the beginning of the", "certain circumstances in a way that he shouldn't(ie saving other people). I checked", "because he has no emotions and just talks about how they a hidden.", "but I have trouble when my character will react to certain circumstances in", "emotionless. In the beginning of the 2nd chapter I'm sending him to a", "mentioning emotions, but I have trouble when my character will react to certain", "stories in which I have a character who went through a bunch of", "In the beginning of the 2nd chapter I'm sending him to a 'psychologist'", "my stories in which I have a character who went through a bunch", "help much because he has no emotions and just talks about how they", "the first chapter for one of my stories in which I have a", "him back to his emotionless state. But from here on out, how do", "went through a bunch of training for a secret government organization and ended", "this character? I'm able to stay away from mentioning emotions, but I have", "of my stories in which I have a character who went through a", "training for a secret government organization and ended up an emotionless killing machine.", "he shouldn't(ie saving other people). I checked out [this question](https://writing.stackexchange.com/questions/51728/writing-an-emotionless-character) but the answer", "shouldn't(ie saving other people). I checked out [this question](https://writing.stackexchange.com/questions/51728/writing-an-emotionless-character) but the answer doesn't", "a secret government organization and ended up an emotionless killing machine. Only problem", "Only problem is, I keep finding out that I'm not keeping him emotionless.", "the 2nd chapter I'm sending him to a 'psychologist' who will get him", "out, how do I not write emotions in this character? I'm able to", "have trouble when my character will react to certain circumstances in a way", "get him back to his emotionless state. But from here on out, how", "checked out [this question](https://writing.stackexchange.com/questions/51728/writing-an-emotionless-character) but the answer doesn't help much because he has", "chapter I'm sending him to a 'psychologist' who will get him back to", "which I have a character who went through a bunch of training for", "react to certain circumstances in a way that he shouldn't(ie saving other people).", "problem is, I keep finding out that I'm not keeping him emotionless. In", "when my character will react to certain circumstances in a way that he", "on out, how do I not write emotions in this character? I'm able", "from mentioning emotions, but I have trouble when my character will react to", "one of my stories in which I have a character who went through", "is, I keep finding out that I'm not keeping him emotionless. In the", "I'm able to stay away from mentioning emotions, but I have trouble when", "character who went through a bunch of training for a secret government organization", "in this character? I'm able to stay away from mentioning emotions, but I", "stay away from mentioning emotions, but I have trouble when my character will", "my character will react to certain circumstances in a way that he shouldn't(ie", "that I'm not keeping him emotionless. In the beginning of the 2nd chapter", "out that I'm not keeping him emotionless. In the beginning of the 2nd", "other people). I checked out [this question](https://writing.stackexchange.com/questions/51728/writing-an-emotionless-character) but the answer doesn't help much", "for one of my stories in which I have a character who went", "doesn't help much because he has no emotions and just talks about how", "a character who went through a bunch of training for a secret government", "keeping him emotionless. In the beginning of the 2nd chapter I'm sending him", "his emotionless state. But from here on out, how do I not write", "who went through a bunch of training for a secret government organization and", "that he shouldn't(ie saving other people). I checked out [this question](https://writing.stackexchange.com/questions/51728/writing-an-emotionless-character) but the", "emotionless killing machine. Only problem is, I keep finding out that I'm not", "saving other people). I checked out [this question](https://writing.stackexchange.com/questions/51728/writing-an-emotionless-character) but the answer doesn't help", "have a character who went through a bunch of training for a secret", "first chapter for one of my stories in which I have a character", "write emotions in this character? I'm able to stay away from mentioning emotions,", "way that he shouldn't(ie saving other people). I checked out [this question](https://writing.stackexchange.com/questions/51728/writing-an-emotionless-character) but", "ended up an emotionless killing machine. Only problem is, I keep finding out", "in which I have a character who went through a bunch of training", "character will react to certain circumstances in a way that he shouldn't(ie saving", "emotionless state. But from here on out, how do I not write emotions", "machine. Only problem is, I keep finding out that I'm not keeping him", "of training for a secret government organization and ended up an emotionless killing", "here on out, how do I not write emotions in this character? I'm", "question](https://writing.stackexchange.com/questions/51728/writing-an-emotionless-character) but the answer doesn't help much because he has no emotions and", "sending him to a 'psychologist' who will get him back to his emotionless", "people). I checked out [this question](https://writing.stackexchange.com/questions/51728/writing-an-emotionless-character) but the answer doesn't help much because", "from here on out, how do I not write emotions in this character?", "back to his emotionless state. But from here on out, how do I", "for a secret government organization and ended up an emotionless killing machine. Only", "away from mentioning emotions, but I have trouble when my character will react", "beginning of the 2nd chapter I'm sending him to a 'psychologist' who will", "the answer doesn't help much because he has no emotions and just talks", "will react to certain circumstances in a way that he shouldn't(ie saving other", "in a way that he shouldn't(ie saving other people). I checked out [this", "2nd chapter I'm sending him to a 'psychologist' who will get him back", "the beginning of the 2nd chapter I'm sending him to a 'psychologist' who", "out [this question](https://writing.stackexchange.com/questions/51728/writing-an-emotionless-character) but the answer doesn't help much because he has no", "an emotionless killing machine. Only problem is, I keep finding out that I'm", "trouble when my character will react to certain circumstances in a way that", "answer doesn't help much because he has no emotions and just talks about", "But from here on out, how do I not write emotions in this", "I'm sending him to a 'psychologist' who will get him back to his", "killing machine. Only problem is, I keep finding out that I'm not keeping", "organization and ended up an emotionless killing machine. Only problem is, I keep", "a 'psychologist' who will get him back to his emotionless state. But from", "secret government organization and ended up an emotionless killing machine. Only problem is,", "able to stay away from mentioning emotions, but I have trouble when my", "wrote the first chapter for one of my stories in which I have", "I checked out [this question](https://writing.stackexchange.com/questions/51728/writing-an-emotionless-character) but the answer doesn't help much because he", "not write emotions in this character? I'm able to stay away from mentioning", "I wrote the first chapter for one of my stories in which I", "do I not write emotions in this character? I'm able to stay away", "up an emotionless killing machine. Only problem is, I keep finding out that", "circumstances in a way that he shouldn't(ie saving other people). I checked out" ]
[ "the first character speaking in a particular section of the story then indent", "story then indent the second. I can't remember seeing that done, however. Is", "in a particular section of the story then indent the second. I can't", "characters. How can I keep it clear which character is speaking without filling", "should to left justify the first character speaking in a particular section of", "with multiple exchanges between characters. How can I keep it clear which character", "story without repeating 'he said/she said'. Repeating 'he said/she said' a zillion times", "I'm trying to write a long dialog with multiple exchanges between characters. How", "the story without repeating 'he said/she said'. Repeating 'he said/she said' a zillion", "particular section of the story then indent the second. I can't remember seeing", "of the story then indent the second. I can't remember seeing that done,", "said' a zillion times just seems distracting. I was thinking that I should", "can I keep it clear which character is speaking without filling the story", "repeating 'he said/she said'. Repeating 'he said/she said' a zillion times just seems", "'he said/she said'. Repeating 'he said/she said' a zillion times just seems distracting.", "to left justify the first character speaking in a particular section of the", "I keep it clear which character is speaking without filling the story without", "section of the story then indent the second. I can't remember seeing that", "How can I keep it clear which character is speaking without filling the", "clear which character is speaking without filling the story without repeating 'he said/she", "dialog with multiple exchanges between characters. How can I keep it clear which", "I was thinking that I should to left justify the first character speaking", "character speaking in a particular section of the story then indent the second.", "thinking that I should to left justify the first character speaking in a", "seems distracting. I was thinking that I should to left justify the first", "'he said/she said' a zillion times just seems distracting. I was thinking that", "speaking in a particular section of the story then indent the second. I", "then indent the second. I can't remember seeing that done, however. Is it", "speaking without filling the story without repeating 'he said/she said'. Repeating 'he said/she", "zillion times just seems distracting. I was thinking that I should to left", "I should to left justify the first character speaking in a particular section", "the story then indent the second. I can't remember seeing that done, however.", "exchanges between characters. How can I keep it clear which character is speaking", "left justify the first character speaking in a particular section of the story", "that I should to left justify the first character speaking in a particular", "to write a long dialog with multiple exchanges between characters. How can I", "long dialog with multiple exchanges between characters. How can I keep it clear", "said/she said'. Repeating 'he said/she said' a zillion times just seems distracting. I", "a long dialog with multiple exchanges between characters. How can I keep it", "without filling the story without repeating 'he said/she said'. Repeating 'he said/she said'", "indent the second. I can't remember seeing that done, however. Is it acceptable?", "distracting. I was thinking that I should to left justify the first character", "multiple exchanges between characters. How can I keep it clear which character is", "just seems distracting. I was thinking that I should to left justify the", "Repeating 'he said/she said' a zillion times just seems distracting. I was thinking", "which character is speaking without filling the story without repeating 'he said/she said'.", "character is speaking without filling the story without repeating 'he said/she said'. Repeating", "is speaking without filling the story without repeating 'he said/she said'. Repeating 'he", "write a long dialog with multiple exchanges between characters. How can I keep", "a zillion times just seems distracting. I was thinking that I should to", "times just seems distracting. I was thinking that I should to left justify", "justify the first character speaking in a particular section of the story then", "keep it clear which character is speaking without filling the story without repeating", "it clear which character is speaking without filling the story without repeating 'he", "trying to write a long dialog with multiple exchanges between characters. How can", "was thinking that I should to left justify the first character speaking in", "said/she said' a zillion times just seems distracting. I was thinking that I", "first character speaking in a particular section of the story then indent the", "filling the story without repeating 'he said/she said'. Repeating 'he said/she said' a", "a particular section of the story then indent the second. I can't remember", "without repeating 'he said/she said'. Repeating 'he said/she said' a zillion times just", "said'. Repeating 'he said/she said' a zillion times just seems distracting. I was", "between characters. How can I keep it clear which character is speaking without" ]
[ "a somewhat longer explanation than I thought it would be. I'm happy with", "quote. Should/How can I break up the quote?. BTW, my question is not", "I am writing, I have ran into a small problem. One character is", "up the quote?. BTW, my question is not how to break the quote", "count) of just one character talking. It is useful to my storyline -", "retelling an event to a different character, but It's a somewhat longer explanation", "bore the reader or make an unnaturally long quote. Should/How can I break", "it would be. I'm happy with the actual content of the explanation, but", "into a small problem. One character is retelling an event to a different", "word count) of just one character talking. It is useful to my storyline", "space (350 word count) of just one character talking. It is useful to", "with the actual content of the explanation, but looking at it, I see", "to a different character, but It's a somewhat longer explanation than I thought", "problem. One character is retelling an event to a different character, but It's", "I break up the quote?. BTW, my question is not how to break", "quote?. BTW, my question is not how to break the quote up into", "[this question](https://writing.stackexchange.com/questions/17958/should-i-ever-break-up-a-long-line-of-dialogue-in-different-paragraphs), but how to break it up with other dialogue, action, etc.", "than I thought it would be. I'm happy with the actual content of", "my storyline - but I don't want to bore the reader or make", "but It's a somewhat longer explanation than I thought it would be. I'm", "paragraphs like [this question](https://writing.stackexchange.com/questions/17958/should-i-ever-break-up-a-long-line-of-dialogue-in-different-paragraphs), but how to break it up with other dialogue,", "One character is retelling an event to a different character, but It's a", "the actual content of the explanation, but looking at it, I see that", "(350 word count) of just one character talking. It is useful to my", "that it takes up quite a bit of space (350 word count) of", "break up the quote?. BTW, my question is not how to break the", "of space (350 word count) of just one character talking. It is useful", "the explanation, but looking at it, I see that it takes up quite", "It's a somewhat longer explanation than I thought it would be. I'm happy", "It is useful to my storyline - but I don't want to bore", "longer explanation than I thought it would be. I'm happy with the actual", "just one character talking. It is useful to my storyline - but I", "I see that it takes up quite a bit of space (350 word", "an unnaturally long quote. Should/How can I break up the quote?. BTW, my", "can I break up the quote?. BTW, my question is not how to", "talking. It is useful to my storyline - but I don't want to", "want to bore the reader or make an unnaturally long quote. Should/How can", "a bit of space (350 word count) of just one character talking. It", "takes up quite a bit of space (350 word count) of just one", "the book I am writing, I have ran into a small problem. One", "but looking at it, I see that it takes up quite a bit", "event to a different character, but It's a somewhat longer explanation than I", "ran into a small problem. One character is retelling an event to a", "In the book I am writing, I have ran into a small problem.", "content of the explanation, but looking at it, I see that it takes", "or make an unnaturally long quote. Should/How can I break up the quote?.", "of the explanation, but looking at it, I see that it takes up", "quite a bit of space (350 word count) of just one character talking.", "long quote. Should/How can I break up the quote?. BTW, my question is", "but how to break it up with other dialogue, action, etc. to make", "my question is not how to break the quote up into different paragraphs", "book I am writing, I have ran into a small problem. One character", "small problem. One character is retelling an event to a different character, but", "am writing, I have ran into a small problem. One character is retelling", "of just one character talking. It is useful to my storyline - but", "the quote?. BTW, my question is not how to break the quote up", "be. I'm happy with the actual content of the explanation, but looking at", "explanation, but looking at it, I see that it takes up quite a", "the quote up into different paragraphs like [this question](https://writing.stackexchange.com/questions/17958/should-i-ever-break-up-a-long-line-of-dialogue-in-different-paragraphs), but how to break", "question](https://writing.stackexchange.com/questions/17958/should-i-ever-break-up-a-long-line-of-dialogue-in-different-paragraphs), but how to break it up with other dialogue, action, etc. to", "how to break it up with other dialogue, action, etc. to make it", "but I don't want to bore the reader or make an unnaturally long", "how to break the quote up into different paragraphs like [this question](https://writing.stackexchange.com/questions/17958/should-i-ever-break-up-a-long-line-of-dialogue-in-different-paragraphs), but", "writing, I have ran into a small problem. One character is retelling an", "reader or make an unnaturally long quote. Should/How can I break up the", "is retelling an event to a different character, but It's a somewhat longer", "up with other dialogue, action, etc. to make it more natural and flowing.", "it takes up quite a bit of space (350 word count) of just", "is useful to my storyline - but I don't want to bore the", "character talking. It is useful to my storyline - but I don't want", "BTW, my question is not how to break the quote up into different", "useful to my storyline - but I don't want to bore the reader", "to bore the reader or make an unnaturally long quote. Should/How can I", "actual content of the explanation, but looking at it, I see that it", "unnaturally long quote. Should/How can I break up the quote?. BTW, my question", "other dialogue, action, etc. to make it more natural and flowing. Thank you!", "I thought it would be. I'm happy with the actual content of the", "don't want to bore the reader or make an unnaturally long quote. Should/How", "different character, but It's a somewhat longer explanation than I thought it would", "see that it takes up quite a bit of space (350 word count)", "to break the quote up into different paragraphs like [this question](https://writing.stackexchange.com/questions/17958/should-i-ever-break-up-a-long-line-of-dialogue-in-different-paragraphs), but how", "at it, I see that it takes up quite a bit of space", "an event to a different character, but It's a somewhat longer explanation than", "make an unnaturally long quote. Should/How can I break up the quote?. BTW,", "is not how to break the quote up into different paragraphs like [this", "character is retelling an event to a different character, but It's a somewhat", "bit of space (350 word count) of just one character talking. It is", "to break it up with other dialogue, action, etc. to make it more", "different paragraphs like [this question](https://writing.stackexchange.com/questions/17958/should-i-ever-break-up-a-long-line-of-dialogue-in-different-paragraphs), but how to break it up with other", "Should/How can I break up the quote?. BTW, my question is not how", "like [this question](https://writing.stackexchange.com/questions/17958/should-i-ever-break-up-a-long-line-of-dialogue-in-different-paragraphs), but how to break it up with other dialogue, action,", "it up with other dialogue, action, etc. to make it more natural and", "with other dialogue, action, etc. to make it more natural and flowing. Thank", "break it up with other dialogue, action, etc. to make it more natural", "the reader or make an unnaturally long quote. Should/How can I break up", "explanation than I thought it would be. I'm happy with the actual content", "would be. I'm happy with the actual content of the explanation, but looking", "have ran into a small problem. One character is retelling an event to", "I don't want to bore the reader or make an unnaturally long quote.", "up into different paragraphs like [this question](https://writing.stackexchange.com/questions/17958/should-i-ever-break-up-a-long-line-of-dialogue-in-different-paragraphs), but how to break it up", "to my storyline - but I don't want to bore the reader or", "into different paragraphs like [this question](https://writing.stackexchange.com/questions/17958/should-i-ever-break-up-a-long-line-of-dialogue-in-different-paragraphs), but how to break it up with", "looking at it, I see that it takes up quite a bit of", "up quite a bit of space (350 word count) of just one character", "I'm happy with the actual content of the explanation, but looking at it,", "not how to break the quote up into different paragraphs like [this question](https://writing.stackexchange.com/questions/17958/should-i-ever-break-up-a-long-line-of-dialogue-in-different-paragraphs),", "break the quote up into different paragraphs like [this question](https://writing.stackexchange.com/questions/17958/should-i-ever-break-up-a-long-line-of-dialogue-in-different-paragraphs), but how to", "it, I see that it takes up quite a bit of space (350", "thought it would be. I'm happy with the actual content of the explanation,", "character, but It's a somewhat longer explanation than I thought it would be.", "quote up into different paragraphs like [this question](https://writing.stackexchange.com/questions/17958/should-i-ever-break-up-a-long-line-of-dialogue-in-different-paragraphs), but how to break it", "a small problem. One character is retelling an event to a different character,", "happy with the actual content of the explanation, but looking at it, I", "I have ran into a small problem. One character is retelling an event", "- but I don't want to bore the reader or make an unnaturally", "somewhat longer explanation than I thought it would be. I'm happy with the", "one character talking. It is useful to my storyline - but I don't", "storyline - but I don't want to bore the reader or make an", "question is not how to break the quote up into different paragraphs like", "a different character, but It's a somewhat longer explanation than I thought it" ]