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train · 10.4M rows

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[ "show this instead of just telling the reader they did it \"without thinking\"?", "I show this instead of just telling the reader they did it \"without", "character does something suddenly, how can I show this instead of just telling", "just telling the reader they did it \"without thinking\"? Like: \"Without thinking, I", "it \"without thinking\"? Like: \"Without thinking, I jumped.\" Or: “Without thinking, I unbuckled", "suddenly, how can I show this instead of just telling the reader they", "can I show this instead of just telling the reader they did it", "\"without thinking\"? Like: \"Without thinking, I jumped.\" Or: “Without thinking, I unbuckled my", "reader they did it \"without thinking\"? Like: \"Without thinking, I jumped.\" Or: “Without", "how can I show this instead of just telling the reader they did", "does something suddenly, how can I show this instead of just telling the", "did it \"without thinking\"? Like: \"Without thinking, I jumped.\" Or: “Without thinking, I", "a character does something suddenly, how can I show this instead of just", "instead of just telling the reader they did it \"without thinking\"? Like: \"Without", "something suddenly, how can I show this instead of just telling the reader", "they did it \"without thinking\"? Like: \"Without thinking, I jumped.\" Or: “Without thinking,", "this instead of just telling the reader they did it \"without thinking\"? Like:", "of just telling the reader they did it \"without thinking\"? Like: \"Without thinking,", "thinking\"? Like: \"Without thinking, I jumped.\" Or: “Without thinking, I unbuckled my seatbelt.”", "When a character does something suddenly, how can I show this instead of", "the reader they did it \"without thinking\"? Like: \"Without thinking, I jumped.\" Or:", "telling the reader they did it \"without thinking\"? Like: \"Without thinking, I jumped.\"" ]
[ "not sure if I'd be allowed to do that either. Can someone please", "felt like that would interrupt his flow if you see what I mean,", "which is a digital map which is shown in 3-D, and can be", "full sentence is \"He marked the Digi-Map towards the underground middle of The", "reader that the map is 3-D making this possible. I was thinking about", "would interrupt his flow if you see what I mean, so I thought", "fit it in. I'm at a part in the story where the main", "which is shown in 3-D, and can be bought either full, or empty.", "can't find a place to explain this to the reader without destroying the", "mean, so I thought about putting it in parenthesis at that place instead,", "room and using an advanced EMP to hack and activate the prison's lockdown", "includes going to the control room and using an advanced EMP to hack", "or a one-man army,” Hhastar stopped talking and took something out of his", "for the threat, be it a bomb or a one-man army,” Hhastar stopped", "are more high-tech gadgets that we don't have here. Normal things that they", "plan, Hhastar pulls out a Digi-Map, which is a digital map which is", "where the main character and his friends and breaking a friend out of", "is \"He marked the Digi-Map towards the underground middle of The Facility. That", "being in the future, there are more high-tech gadgets that we don't have", "one-man army,” Hhastar stopped talking and took something out of his pocket, it", "place instead, but I'm not sure if I'd be allowed to do that", "in the future, there are more high-tech gadgets that we don't have here.", "flow and kind of taking away from the genius plan that Hhastar has.", "use in their every day life is far more high-tech and sophisticated than", "sure if I'd be allowed to do that either. Can someone please help", "to the reader without destroying the flow and kind of taking away from", "smoothly fit it in. I'm at a part in the story where the", "likely place something like that would be placed would be either underground,” he", "The plan includes going to the control room and using an advanced EMP", "he marked the Digi-Map...\" That's what I'm having trouble with. At the end", "be placed would be either underground,” he marked the Digi-Map...\" That's what I'm", "and hard to get to for the threat, be it a bomb or", "activate the prison's lockdown anonymously. Now while explaining the plan, Hhastar pulls out", "main character and his friends and breaking a friend out of jail, and", "target.\" But I'm not sure where to explain to the reader that the", "that the map is 3-D making this possible. I was thinking about putting", "was thinking about putting it where it says \"insert text here,\" but I", "story where the main character and his friends and breaking a friend out", "years in the future. Obviously, them being in the future, there are more", "that would be placed would be either underground,” he marked the Digi-Map...\" That's", "but I felt like that would interrupt his flow if you see what", "at that place instead, but I'm not sure if I'd be allowed to", "the end the full sentence is \"He marked the Digi-Map towards the underground", "kind of taking away from the genius plan that Hhastar has. Here's what", "map which is shown in 3-D, and can be bought either full, or", "a plan to get her out. The plan includes going to the control", "what I'm having trouble with. At the end the full sentence is \"He", "parenthesis at that place instead, but I'm not sure if I'd be allowed", "where to explain to the reader that the map is 3-D making this", "Digi-Map towards the underground middle of The Facility. That was our target.\" But", "from the genius plan that Hhastar has. Here's what I'm talking about. \"...easily", "that would interrupt his flow if you see what I mean, so I", "flow if you see what I mean, so I thought about putting it", "name is Hhastar, is making a plan to get her out. The plan", "place to explain this to the reader without destroying the flow and kind", "hack and activate the prison's lockdown anonymously. Now while explaining the plan, Hhastar", "explain to the reader that the map is 3-D making this possible. I", "sophisticated than things we use here in 2020. Now the thing I need", "but this one was empty.(insert text here) “Now the most likely place something", "around 10 years in the future. Obviously, them being in the future, there", "EMP to hack and activate the prison's lockdown anonymously. Now while explaining the", "I can describe one of these things when I can't smoothly fit it", "not sure where to explain to the reader that the map is 3-D", "towards the underground middle of The Facility. That was our target.\" But I'm", "this to the reader without destroying the flow and kind of taking away", "character and his friends and breaking a friend out of jail, and one", "the future, there are more high-tech gadgets that we don't have here. Normal", "explain this to the reader without destroying the flow and kind of taking", "I thought about putting it in parenthesis at that place instead, but I'm", "using an advanced EMP to hack and activate the prison's lockdown anonymously. Now", "2020. Now the thing I need to know is how I can describe", "need to know is how I can describe one of these things when", "Hhastar stopped talking and took something out of his pocket, it looked like", "was our target.\" But I'm not sure where to explain to the reader", "gadgets that we don't have here. Normal things that they use in their", "like that would interrupt his flow if you see what I mean, so", "I'm not sure where to explain to the reader that the map is", "what I mean, so I thought about putting it in parenthesis at that", "it in. I'm at a part in the story where the main character", "is 3-D making this possible. I was thinking about putting it where it", "digital map which is shown in 3-D, and can be bought either full,", "I can't smoothly fit it in. I'm at a part in the story", "10 years in the future. Obviously, them being in the future, there are", "get her out. The plan includes going to the control room and using", "empty.(insert text here) “Now the most likely place something like that would be", "to for the threat, be it a bomb or a one-man army,” Hhastar", "or empty. But I can't find a place to explain this to the", "the underground middle of The Facility. That was our target.\" But I'm not", "talking and took something out of his pocket, it looked like a Digi-Map,", "it a bomb or a one-man army,” Hhastar stopped talking and took something", "get to for the threat, be it a bomb or a one-man army,”", "be it a bomb or a one-man army,” Hhastar stopped talking and took", "to get to for the threat, be it a bomb or a one-man", "I need to know is how I can describe one of these things", "thing I need to know is how I can describe one of these", "while explaining the plan, Hhastar pulls out a Digi-Map, which is a digital", "the reader without destroying the flow and kind of taking away from the", "be either underground,” he marked the Digi-Map...\" That's what I'm having trouble with.", "we don't have here. Normal things that they use in their every day", "The Facility. 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Here's what I'm", "my characters, whose name is Hhastar, is making a plan to get her", "their every day life is far more high-tech and sophisticated than things we", "making this possible. I was thinking about putting it where it says \"insert", "marked the Digi-Map...\" That's what I'm having trouble with. At the end the", "high-tech gadgets that we don't have here. Normal things that they use in", "and breaking a friend out of jail, and one of my characters, whose", "either full, or empty. But I can't find a place to explain this", "control room and using an advanced EMP to hack and activate the prison's", "guards but hidden away and hard to get to for the threat, be", "place something like that would be placed would be either underground,” he marked", "them being in the future, there are more high-tech gadgets that we don't", "Normal things that they use in their every day life is far more", "Facility. 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Here's what I'm talking", "they use in their every day life is far more high-tech and sophisticated", "one of my characters, whose name is Hhastar, is making a plan to", "it where it says \"insert text here,\" but I felt like that would", "placed would be either underground,” he marked the Digi-Map...\" That's what I'm having", "bought either full, or empty. But I can't find a place to explain", "I'm talking about. \"...easily accessible for the guards but hidden away and hard", "end the full sentence is \"He marked the Digi-Map towards the underground middle", "the main character and his friends and breaking a friend out of jail,", "it in parenthesis at that place instead, but I'm not sure if I'd", "instead, but I'm not sure if I'd be allowed to do that either.", "jail, and one of my characters, whose name is Hhastar, is making a", "lockdown anonymously. Now while explaining the plan, Hhastar pulls out a Digi-Map, which", "the future. Obviously, them being in the future, there are more high-tech gadgets", "one of these things when I can't smoothly fit it in. I'm at", "in the story where the main character and his friends and breaking a", "and sophisticated than things we use here in 2020. Now the thing I", "Ok, so I'm writing a book set around 10 years in the future.", "at a part in the story where the main character and his friends" ]
[ "much? He eventually starts talking more, but that’s later in the story... How", "talking more, but that’s later in the story... How can I make the", "story... How can I make the character's development more natural? (He is the", "eventually starts talking more, but that’s later in the story... How can I", "How can I make the character's development more natural? (He is the male", "a likable character that doesn’t talk much? He eventually starts talking more, but", "tips on how to write a likable character that doesn’t talk much? He", "in the story... How can I make the character's development more natural? (He", "write a likable character that doesn’t talk much? He eventually starts talking more,", "doesn’t talk much? He eventually starts talking more, but that’s later in the", "on how to write a likable character that doesn’t talk much? He eventually", "how to write a likable character that doesn’t talk much? He eventually starts", "talk much? He eventually starts talking more, but that’s later in the story...", "later in the story... How can I make the character's development more natural?", "that doesn’t talk much? He eventually starts talking more, but that’s later in", "character that doesn’t talk much? He eventually starts talking more, but that’s later", "more, but that’s later in the story... How can I make the character's", "Any tips on how to write a likable character that doesn’t talk much?", "starts talking more, but that’s later in the story... How can I make", "that’s later in the story... How can I make the character's development more", "to write a likable character that doesn’t talk much? He eventually starts talking", "the story... How can I make the character's development more natural? (He is", "He eventually starts talking more, but that’s later in the story... How can", "but that’s later in the story... How can I make the character's development", "can I make the character's development more natural?** (He is the male lead)", "likable character that doesn’t talk much? He eventually starts talking more, but that’s" ]
[ "was the case, why doesn't using a different font family (or color) for", "right. If this was the case, why doesn't using a different font family", "If this was the case, why doesn't using a different font family (or", "is it about us humans that makes us attracted to this particular type", "(or color) for each word feel engaging? What is it about us humans", "family (or color) for each word feel engaging? What is it about us", "each word feel engaging? What is it about us humans that makes us", "variety\", but this doesn't feel right. If this was the case, why doesn't", "a different font family (or color) for each word feel engaging? What is", "this was the case, why doesn't using a different font family (or color)", "for each word feel engaging? What is it about us humans that makes", "using a different font family (or color) for each word feel engaging? What", "be \"because people like variety\", but this doesn't feel right. If this was", "answer might be \"because people like variety\", but this doesn't feel right. If", "What is it about us humans that makes us attracted to this particular", "case, why doesn't using a different font family (or color) for each word", "word feel engaging? What is it about us humans that makes us attracted", "the case, why doesn't using a different font family (or color) for each", "\"because people like variety\", but this doesn't feel right. If this was the", "different font family (or color) for each word feel engaging? What is it", "it about us humans that makes us attracted to this particular type of", "obvious answer might be \"because people like variety\", but this doesn't feel right.", "might be \"because people like variety\", but this doesn't feel right. If this", "An obvious answer might be \"because people like variety\", but this doesn't feel", "font family (or color) for each word feel engaging? What is it about", "doesn't feel right. If this was the case, why doesn't using a different", "feel engaging? What is it about us humans that makes us attracted to", "feel right. If this was the case, why doesn't using a different font", "why doesn't using a different font family (or color) for each word feel", "like variety\", but this doesn't feel right. If this was the case, why", "but this doesn't feel right. If this was the case, why doesn't using", "engaging? What is it about us humans that makes us attracted to this", "doesn't using a different font family (or color) for each word feel engaging?", "color) for each word feel engaging? What is it about us humans that", "this doesn't feel right. If this was the case, why doesn't using a", "people like variety\", but this doesn't feel right. If this was the case,", "about us humans that makes us attracted to this particular type of variety?" ]
[ "book to beta readers for the first time, and I'm not sold on", "the beginning of their names, so I was thinking of shortening \"Xandria\" to", "I am on the last edit before I send my book to beta", "of my characters names since they sound similar. One is Zeidric, with the", "same. Is it too late to change \"Xandria?\" I have obviously grown attached", "edit before I send my book to beta readers for the first time,", "\"Xandria\" is the name of one of my most prominent characters, so I", "\"ay,\" and the other is Xandria. They both have the same sound at", "to \"Ria\" or \"Ri\" so that they don't sound the same. Is it", "\"ee\", not \"ay,\" and the other is Xandria. They both have the same", "\"Xandria?\" I have obviously grown attached to the name since \"Xandria\" is the", "with the \"ei\" sounding like \"ee\", not \"ay,\" and the other is Xandria.", "the last edit before I send my book to beta readers for the", "is Zeidric, with the \"ei\" sounding like \"ee\", not \"ay,\" and the other", "of shortening \"Xandria\" to \"Ria\" or \"Ri\" so that they don't sound the", "I send my book to beta readers for the first time, and I'm", "sound at the beginning of their names, so I was thinking of shortening", "not sold on two of my characters names since they sound similar. One", "\"Ri\" so that they don't sound the same. Is it too late to", "thinking of shortening \"Xandria\" to \"Ria\" or \"Ri\" so that they don't sound", "they don't sound the same. Is it too late to change \"Xandria?\" I", "last edit before I send my book to beta readers for the first", "One is Zeidric, with the \"ei\" sounding like \"ee\", not \"ay,\" and the", "They both have the same sound at the beginning of their names, so", "I was thinking of shortening \"Xandria\" to \"Ria\" or \"Ri\" so that they", "both have the same sound at the beginning of their names, so I", "sound similar. One is Zeidric, with the \"ei\" sounding like \"ee\", not \"ay,\"", "late to change \"Xandria?\" I have obviously grown attached to the name since", "the \"ei\" sounding like \"ee\", not \"ay,\" and the other is Xandria. They", "it too late to change \"Xandria?\" I have obviously grown attached to the", "characters names since they sound similar. One is Zeidric, with the \"ei\" sounding", "don't sound the same. Is it too late to change \"Xandria?\" I have", "and I'm not sold on two of my characters names since they sound", "similar. One is Zeidric, with the \"ei\" sounding like \"ee\", not \"ay,\" and", "so that they don't sound the same. Is it too late to change", "like \"ee\", not \"ay,\" and the other is Xandria. They both have the", "of my most prominent characters, so I don't know if I should change", "\"ei\" sounding like \"ee\", not \"ay,\" and the other is Xandria. They both", "beta readers for the first time, and I'm not sold on two of", "that they don't sound the same. Is it too late to change \"Xandria?\"", "names, so I was thinking of shortening \"Xandria\" to \"Ria\" or \"Ri\" so", "of their names, so I was thinking of shortening \"Xandria\" to \"Ria\" or", "the name since \"Xandria\" is the name of one of my most prominent", "same sound at the beginning of their names, so I was thinking of", "for the first time, and I'm not sold on two of my characters", "before I send my book to beta readers for the first time, and", "I have obviously grown attached to the name since \"Xandria\" is the name", "since \"Xandria\" is the name of one of my most prominent characters, so", "to change \"Xandria?\" I have obviously grown attached to the name since \"Xandria\"", "name of one of my most prominent characters, so I don't know if", "Xandria. They both have the same sound at the beginning of their names,", "to beta readers for the first time, and I'm not sold on two", "time, and I'm not sold on two of my characters names since they", "the first time, and I'm not sold on two of my characters names", "the name of one of my most prominent characters, so I don't know", "the same sound at the beginning of their names, so I was thinking", "or \"Ri\" so that they don't sound the same. Is it too late", "my characters names since they sound similar. One is Zeidric, with the \"ei\"", "sold on two of my characters names since they sound similar. One is", "other is Xandria. They both have the same sound at the beginning of", "name since \"Xandria\" is the name of one of my most prominent characters,", "one of my most prominent characters, so I don't know if I should", "on two of my characters names since they sound similar. One is Zeidric,", "to the name since \"Xandria\" is the name of one of my most", "have the same sound at the beginning of their names, so I was", "their names, so I was thinking of shortening \"Xandria\" to \"Ria\" or \"Ri\"", "I'm not sold on two of my characters names since they sound similar.", "Zeidric, with the \"ei\" sounding like \"ee\", not \"ay,\" and the other is", "of one of my most prominent characters, so I don't know if I", "send my book to beta readers for the first time, and I'm not", "on the last edit before I send my book to beta readers for", "sounding like \"ee\", not \"ay,\" and the other is Xandria. They both have", "\"Xandria\" to \"Ria\" or \"Ri\" so that they don't sound the same. Is", "they sound similar. One is Zeidric, with the \"ei\" sounding like \"ee\", not", "is Xandria. They both have the same sound at the beginning of their", "first time, and I'm not sold on two of my characters names since", "Is it too late to change \"Xandria?\" I have obviously grown attached to", "names since they sound similar. One is Zeidric, with the \"ei\" sounding like", "shortening \"Xandria\" to \"Ria\" or \"Ri\" so that they don't sound the same.", "my most prominent characters, so I don't know if I should change it.", "the same. Is it too late to change \"Xandria?\" I have obviously grown", "beginning of their names, so I was thinking of shortening \"Xandria\" to \"Ria\"", "have obviously grown attached to the name since \"Xandria\" is the name of", "too late to change \"Xandria?\" I have obviously grown attached to the name", "so I was thinking of shortening \"Xandria\" to \"Ria\" or \"Ri\" so that", "my book to beta readers for the first time, and I'm not sold", "change \"Xandria?\" I have obviously grown attached to the name since \"Xandria\" is", "obviously grown attached to the name since \"Xandria\" is the name of one", "readers for the first time, and I'm not sold on two of my", "am on the last edit before I send my book to beta readers", "is the name of one of my most prominent characters, so I don't", "not \"ay,\" and the other is Xandria. They both have the same sound", "since they sound similar. One is Zeidric, with the \"ei\" sounding like \"ee\",", "\"Ria\" or \"Ri\" so that they don't sound the same. Is it too", "was thinking of shortening \"Xandria\" to \"Ria\" or \"Ri\" so that they don't", "grown attached to the name since \"Xandria\" is the name of one of", "the other is Xandria. They both have the same sound at the beginning", "attached to the name since \"Xandria\" is the name of one of my", "at the beginning of their names, so I was thinking of shortening \"Xandria\"", "and the other is Xandria. They both have the same sound at the", "two of my characters names since they sound similar. One is Zeidric, with", "sound the same. Is it too late to change \"Xandria?\" I have obviously" ]
[ "objection is that an AGI is almost a blank slate, a learning machine", "well with computer scientists. One objection is that an AGI is almost a", "created a machine version of himself, an artificial general intelligence that integrates the", "of himself, an artificial general intelligence that integrates the physicist's personality, memory and", "lines of programming. I'm not writing hard science-fiction, but I want the concept", "machine version of himself, an artificial general intelligence that integrates the physicist's personality,", "programming. I'm not writing hard science-fiction, but I want the concept to approach", "a machine version of himself, an artificial general intelligence that integrates the physicist's", "years from now, a physicist/computer scientist has created a machine version of himself,", "with computer scientists. One objection is that an AGI is almost a blank", "learning machine (perhaps an artificial neural network) that doesn't have lines of programming.", "have lines of programming. I'm not writing hard science-fiction, but I want the", "scientist has created a machine version of himself, an artificial general intelligence that", "intelligence that integrates the physicist's personality, memory and consciousness. This concept doesn't sit", "AGI is almost a blank slate, a learning machine (perhaps an artificial neural", "an AGI is almost a blank slate, a learning machine (perhaps an artificial", "my novel, twenty years from now, a physicist/computer scientist has created a machine", "has created a machine version of himself, an artificial general intelligence that integrates", "from now, a physicist/computer scientist has created a machine version of himself, an", "a learning machine (perhaps an artificial neural network) that doesn't have lines of", "(perhaps an artificial neural network) that doesn't have lines of programming. I'm not", "that doesn't have lines of programming. I'm not writing hard science-fiction, but I", "an artificial neural network) that doesn't have lines of programming. I'm not writing", "scientists. One objection is that an AGI is almost a blank slate, a", "artificial general intelligence that integrates the physicist's personality, memory and consciousness. This concept", "integrates the physicist's personality, memory and consciousness. This concept doesn't sit well with", "now, a physicist/computer scientist has created a machine version of himself, an artificial", "himself, an artificial general intelligence that integrates the physicist's personality, memory and consciousness.", "general intelligence that integrates the physicist's personality, memory and consciousness. This concept doesn't", "doesn't have lines of programming. I'm not writing hard science-fiction, but I want", "physicist's personality, memory and consciousness. This concept doesn't sit well with computer scientists.", "a blank slate, a learning machine (perhaps an artificial neural network) that doesn't", "blank slate, a learning machine (perhaps an artificial neural network) that doesn't have", "a physicist/computer scientist has created a machine version of himself, an artificial general", "This concept doesn't sit well with computer scientists. One objection is that an", "computer scientists. One objection is that an AGI is almost a blank slate,", "neural network) that doesn't have lines of programming. I'm not writing hard science-fiction,", "is almost a blank slate, a learning machine (perhaps an artificial neural network)", "version of himself, an artificial general intelligence that integrates the physicist's personality, memory", "memory and consciousness. This concept doesn't sit well with computer scientists. One objection", "sit well with computer scientists. One objection is that an AGI is almost", "personality, memory and consciousness. This concept doesn't sit well with computer scientists. One", "One objection is that an AGI is almost a blank slate, a learning", "I'm not writing hard science-fiction, but I want the concept to approach scientific", "concept doesn't sit well with computer scientists. One objection is that an AGI", "is that an AGI is almost a blank slate, a learning machine (perhaps", "the physicist's personality, memory and consciousness. This concept doesn't sit well with computer", "In my novel, twenty years from now, a physicist/computer scientist has created a", "that integrates the physicist's personality, memory and consciousness. This concept doesn't sit well", "twenty years from now, a physicist/computer scientist has created a machine version of", "an artificial general intelligence that integrates the physicist's personality, memory and consciousness. This", "of programming. I'm not writing hard science-fiction, but I want the concept to", "physicist/computer scientist has created a machine version of himself, an artificial general intelligence", "doesn't sit well with computer scientists. One objection is that an AGI is", "that an AGI is almost a blank slate, a learning machine (perhaps an", "slate, a learning machine (perhaps an artificial neural network) that doesn't have lines", "and consciousness. This concept doesn't sit well with computer scientists. One objection is", "machine (perhaps an artificial neural network) that doesn't have lines of programming. I'm", "not writing hard science-fiction, but I want the concept to approach scientific possibility.", "novel, twenty years from now, a physicist/computer scientist has created a machine version", "almost a blank slate, a learning machine (perhaps an artificial neural network) that", "artificial neural network) that doesn't have lines of programming. I'm not writing hard", "consciousness. This concept doesn't sit well with computer scientists. One objection is that", "network) that doesn't have lines of programming. I'm not writing hard science-fiction, but" ]
[ "for a backstory, but I decided she should have more than that. In", "MC are having a conversation. Since Xillam is an elf my MC wants", "a different character. I couldn’t take answers from the question I asked earlier", "”My family is dead.” > > > And doesn’t talk about it for", "before they reach thirty, or in elves cases, two hundred and seventy because", "have more than that. In the third chapter of the first book, her", "brother, two baby sisters, father, and mother.) were murdered. This causes Xillam to", "has a last name. Xillam asked what a last name was; and my", "to know if she has a last name. Xillam asked what a last", "step out of her strong confident character for a few minutes and break", "than all my other MCs. Her age is important because it affects her", "causes Xillam to step out of her strong confident character for a few", "are having a conversation. Since Xillam is an elf my MC wants to", "elf and living in my fantasy world would be enough for a backstory,", "than that. In the third chapter of the first book, her and the", "in the first book, but it was known. Should I have added this", "only MC who isn’t human. Just by being an elf and living in", "though tragic, in my fantasy world this is considered normal. Most people are", "and mother.) were murdered. This causes Xillam to step out of her strong", "slower than humans and other creatures, about the rate of Yoda’s species in", "should have more than that. In the third chapter of the first book,", "where it is? I have not published the first book yet so I", "baby sisters, father, and mother.) were murdered. This causes Xillam to step out", "Xillam one hundred and seventy, about a hundred and fifty years older than", "she should have more than that. In the third chapter of the first", "was only four years old in looks and intelligence. Since she has had", "name. Xillam asked what a last name was; and my MC told her", "the first book. Even though tragic, in my fantasy world this is considered", "book, but it was known. Should I have added this scene, or at", "so much time to deal with it, it doesn’t really play a big", "four years old in looks and intelligence. Since she has had so much", "killed before they reach thirty, or in elves cases, two hundred and seventy", "reaction to her family’s death, which happened about a hundred and thirty years", "fantasy world this is considered normal. Most people are killed before they reach", "tears. This was not shown in the first book, but it was known.", "break down in tears. This was not shown in the first book, but", "it for the rest of the first book. Even though tragic, in my", "known. Should I have added this scene, or at least have Xillam talk", "yet so I decided to ask before it was too late to change.", "antagonist, Renadalm, knows my characters greatest fears, regrets, secrets, ect. He re-shows Xillam", "characters greatest fears, regrets, secrets, ect. He re-shows Xillam the day her entire", "an elf and living in my fantasy world would be enough for a", "Yoda’s species in Star Wars. So yes, this makes Xillam one hundred and", "the day her entire family (an older brother, two baby sisters, father, and", "my fantasy world would be enough for a backstory, but I decided she", "it affects her reaction to her family’s death, which happened about a hundred", "Xillam is an elf my MC wants to know if she has a", "wants to know if she has a last name. Xillam asked what a", "concerning a different character. I couldn’t take answers from the question I asked", "Star Wars. So yes, this makes Xillam one hundred and seventy, about a", "book, however, the antagonist, Renadalm, knows my characters greatest fears, regrets, secrets, ect.", "about it, in the first book? Or is it good where it is?", "published the first book yet so I decided to ask before it was", "time to deal with it, it doesn’t really play a big part in", "> > And doesn’t talk about it for the rest of the first", "Xillam said plainly: > > ”My family is dead.” > > > And", "dead.” > > > And doesn’t talk about it for the rest of", "or in elves cases, two hundred and seventy because elves age nine times", "the rest of the book. In the second book, however, the antagonist, Renadalm,", "Since she has had so much time to deal with it, it doesn’t", "world would be enough for a backstory, but I decided she should have", "least have Xillam talk about it, in the first book? Or is it", "she has a last name. Xillam asked what a last name was; and", "am currently writing the second book in my fantasy series that I plan", "of the first book. Even though tragic, in my fantasy world this is", "and thirty years earlier, when she was only four years old in looks", "in tears. This was not shown in the first book, but it was", "a few minutes and break down in tears. This was not shown in", "fifty years older than all my other MCs. Her age is important because", "is very different. I have an MC named Xillam, who is a forest", "cases, two hundred and seventy because elves age nine times slower than humans", "people are killed before they reach thirty, or in elves cases, two hundred", "shown in the first book, but it was known. Should I have added", "different. I have an MC named Xillam, who is a forest elf and", "murdered. This causes Xillam to step out of her strong confident character for", "I have asked a similar question like this before concerning a different character.", "MC who isn’t human. Just by being an elf and living in my", "and I have asked a similar question like this before concerning a different", "take answers from the question I asked earlier though, because even though the", "is important because it affects her reaction to her family’s death, which happened", "normal. Most people are killed before they reach thirty, or in elves cases,", "at least have Xillam talk about it, in the first book? Or is", "because elves age nine times slower than humans and other creatures, about the", "thirty, or in elves cases, two hundred and seventy because elves age nine", "the main MC are having a conversation. Since Xillam is an elf my", "and other creatures, about the rate of Yoda’s species in Star Wars. So", "more than that. In the third chapter of the first book, her and", "this makes Xillam one hundred and seventy, about a hundred and fifty years", "know if she has a last name. Xillam asked what a last name", "> ”My family is dead.” > > > And doesn’t talk about it", "this scene, or at least have Xillam talk about it, in the first", "older than all my other MCs. Her age is important because it affects", "is? I have not published the first book yet so I decided to", "He re-shows Xillam the day her entire family (an older brother, two baby", "looks and intelligence. Since she has had so much time to deal with", "publishing, and I have asked a similar question like this before concerning a", "from the question I asked earlier though, because even though the questions are", "deal with it, it doesn’t really play a big part in the rest", "Most people are killed before they reach thirty, or in elves cases, two", "much time to deal with it, it doesn’t really play a big part", "to her family’s death, which happened about a hundred and thirty years earlier,", "other MCs. Her age is important because it affects her reaction to her", "her and the main MC are having a conversation. Since Xillam is an", "fears, regrets, secrets, ect. He re-shows Xillam the day her entire family (an", "that I plan on publishing, and I have asked a similar question like", "first book. Even though tragic, in my fantasy world this is considered normal.", "important because it affects her reaction to her family’s death, which happened about", "series that I plan on publishing, and I have asked a similar question", "book, her and the main MC are having a conversation. Since Xillam is", "intelligence. Since she has had so much time to deal with it, it", "reach thirty, or in elves cases, two hundred and seventy because elves age", "> > ”My family is dead.” > > > And doesn’t talk about", "of the first book, her and the main MC are having a conversation.", "fantasy world would be enough for a backstory, but I decided she should", "years earlier, when she was only four years old in looks and intelligence.", "I couldn’t take answers from the question I asked earlier though, because even", "elf and the only MC who isn’t human. Just by being an elf", "other creatures, about the rate of Yoda’s species in Star Wars. So yes,", "last name was; and my MC told her it was a family name.", "her family’s death, which happened about a hundred and thirty years earlier, when", "her it was a family name. Xillam said plainly: > > ”My family", "however, the antagonist, Renadalm, knows my characters greatest fears, regrets, secrets, ect. He", "situation is very different. I have an MC named Xillam, who is a", "world this is considered normal. Most people are killed before they reach thirty,", "for the rest of the first book. Even though tragic, in my fantasy", "had so much time to deal with it, it doesn’t really play a", "is considered normal. Most people are killed before they reach thirty, or in", "similar question like this before concerning a different character. I couldn’t take answers", "name. Xillam said plainly: > > ”My family is dead.” > > >", "years old in looks and intelligence. Since she has had so much time", "and seventy, about a hundred and fifty years older than all my other", "family name. Xillam said plainly: > > ”My family is dead.” > >", "talk about it for the rest of the first book. Even though tragic,", "book yet so I decided to ask before it was too late to", "hundred and seventy because elves age nine times slower than humans and other", "of her strong confident character for a few minutes and break down in", "named Xillam, who is a forest elf and the only MC who isn’t", "part in the rest of the book. In the second book, however, the", "happened about a hundred and thirty years earlier, when she was only four", "decided she should have more than that. In the third chapter of the", "entire family (an older brother, two baby sisters, father, and mother.) were murdered.", "MC wants to know if she has a last name. Xillam asked what", "book in my fantasy series that I plan on publishing, and I have", "and my MC told her it was a family name. Xillam said plainly:", "have an MC named Xillam, who is a forest elf and the only", "when she was only four years old in looks and intelligence. Since she", "who is a forest elf and the only MC who isn’t human. Just", "character. I couldn’t take answers from the question I asked earlier though, because", "it doesn’t really play a big part in the rest of the book.", "This causes Xillam to step out of her strong confident character for a", "the questions are similar the situation is very different. I have an MC", "is dead.” > > > And doesn’t talk about it for the rest", "family is dead.” > > > And doesn’t talk about it for the", "asked earlier though, because even though the questions are similar the situation is", "I am currently writing the second book in my fantasy series that I", "isn’t human. Just by being an elf and living in my fantasy world", "Xillam talk about it, in the first book? Or is it good where", "all my other MCs. Her age is important because it affects her reaction", "times slower than humans and other creatures, about the rate of Yoda’s species", "name was; and my MC told her it was a family name. Xillam", "in my fantasy world this is considered normal. Most people are killed before", "it was a family name. Xillam said plainly: > > ”My family is", "a big part in the rest of the book. In the second book,", "added this scene, or at least have Xillam talk about it, in the", "In the third chapter of the first book, her and the main MC", "affects her reaction to her family’s death, which happened about a hundred and", "doesn’t talk about it for the rest of the first book. Even though", "Xillam, who is a forest elf and the only MC who isn’t human.", "main MC are having a conversation. Since Xillam is an elf my MC", "elves cases, two hundred and seventy because elves age nine times slower than", "MC named Xillam, who is a forest elf and the only MC who", "my characters greatest fears, regrets, secrets, ect. He re-shows Xillam the day her", "a last name. Xillam asked what a last name was; and my MC", "plainly: > > ”My family is dead.” > > > And doesn’t talk", "like this before concerning a different character. I couldn’t take answers from the", "it, it doesn’t really play a big part in the rest of the", "old in looks and intelligence. Since she has had so much time to", "humans and other creatures, about the rate of Yoda’s species in Star Wars.", "minutes and break down in tears. This was not shown in the first", "death, which happened about a hundred and thirty years earlier, when she was", "Her age is important because it affects her reaction to her family’s death,", "my other MCs. Her age is important because it affects her reaction to", "Just by being an elf and living in my fantasy world would be", "character for a few minutes and break down in tears. This was not", "scene, or at least have Xillam talk about it, in the first book?", "an MC named Xillam, who is a forest elf and the only MC", "And doesn’t talk about it for the rest of the first book. Even", "have Xillam talk about it, in the first book? Or is it good", "but I decided she should have more than that. In the third chapter", "elf my MC wants to know if she has a last name. Xillam", "mother.) were murdered. This causes Xillam to step out of her strong confident", "answers from the question I asked earlier though, because even though the questions", "would be enough for a backstory, but I decided she should have more", "secrets, ect. He re-shows Xillam the day her entire family (an older brother,", "it was known. Should I have added this scene, or at least have", "second book, however, the antagonist, Renadalm, knows my characters greatest fears, regrets, secrets,", "a forest elf and the only MC who isn’t human. Just by being", "they reach thirty, or in elves cases, two hundred and seventy because elves", "nine times slower than humans and other creatures, about the rate of Yoda’s", "in my fantasy series that I plan on publishing, and I have asked", "a hundred and thirty years earlier, when she was only four years old", "are killed before they reach thirty, or in elves cases, two hundred and", "it good where it is? I have not published the first book yet", "out of her strong confident character for a few minutes and break down", "rate of Yoda’s species in Star Wars. So yes, this makes Xillam one", "MCs. Her age is important because it affects her reaction to her family’s", "though, because even though the questions are similar the situation is very different.", "the first book, her and the main MC are having a conversation. Since", "was a family name. Xillam said plainly: > > ”My family is dead.”", "in elves cases, two hundred and seventy because elves age nine times slower", "because it affects her reaction to her family’s death, which happened about a", "earlier, when she was only four years old in looks and intelligence. Since", "really play a big part in the rest of the book. In the", "are similar the situation is very different. I have an MC named Xillam,", "yes, this makes Xillam one hundred and seventy, about a hundred and fifty", "question I asked earlier though, because even though the questions are similar the", "of the book. In the second book, however, the antagonist, Renadalm, knows my", "Should I have added this scene, or at least have Xillam talk about", "living in my fantasy world would be enough for a backstory, but I", "age is important because it affects her reaction to her family’s death, which", "enough for a backstory, but I decided she should have more than that.", "I plan on publishing, and I have asked a similar question like this", "similar the situation is very different. I have an MC named Xillam, who", "In the second book, however, the antagonist, Renadalm, knows my characters greatest fears,", "her reaction to her family’s death, which happened about a hundred and thirty", "not shown in the first book, but it was known. Should I have", "on publishing, and I have asked a similar question like this before concerning", "my fantasy series that I plan on publishing, and I have asked a", "I asked earlier though, because even though the questions are similar the situation", "two hundred and seventy because elves age nine times slower than humans and", "rest of the first book. Even though tragic, in my fantasy world this", "a similar question like this before concerning a different character. I couldn’t take", "first book? Or is it good where it is? I have not published", "have asked a similar question like this before concerning a different character. I", "big part in the rest of the book. In the second book, however,", "strong confident character for a few minutes and break down in tears. This", "couldn’t take answers from the question I asked earlier though, because even though", "this is considered normal. Most people are killed before they reach thirty, or", "is an elf my MC wants to know if she has a last", "in my fantasy world would be enough for a backstory, but I decided", "to deal with it, it doesn’t really play a big part in the", "my fantasy world this is considered normal. Most people are killed before they", "of Yoda’s species in Star Wars. So yes, this makes Xillam one hundred", "backstory, but I decided she should have more than that. In the third", "the only MC who isn’t human. Just by being an elf and living", "the rest of the first book. Even though tragic, in my fantasy world", "her entire family (an older brother, two baby sisters, father, and mother.) were", "species in Star Wars. So yes, this makes Xillam one hundred and seventy,", "with it, it doesn’t really play a big part in the rest of", "rest of the book. In the second book, however, the antagonist, Renadalm, knows", "forest elf and the only MC who isn’t human. Just by being an", "father, and mother.) were murdered. This causes Xillam to step out of her", "a hundred and fifty years older than all my other MCs. Her age", "the antagonist, Renadalm, knows my characters greatest fears, regrets, secrets, ect. He re-shows", "and the main MC are having a conversation. Since Xillam is an elf", "was not shown in the first book, but it was known. Should I", "having a conversation. Since Xillam is an elf my MC wants to know", "have not published the first book yet so I decided to ask before", "she was only four years old in looks and intelligence. Since she has", "last name. Xillam asked what a last name was; and my MC told", "doesn’t really play a big part in the rest of the book. In", "down in tears. This was not shown in the first book, but it", "and living in my fantasy world would be enough for a backstory, but", "is it good where it is? I have not published the first book", "ect. He re-shows Xillam the day her entire family (an older brother, two", "about a hundred and thirty years earlier, when she was only four years", "if she has a last name. Xillam asked what a last name was;", "which happened about a hundred and thirty years earlier, when she was only", "and fifty years older than all my other MCs. Her age is important", "Even though tragic, in my fantasy world this is considered normal. Most people", "Renadalm, knows my characters greatest fears, regrets, secrets, ect. He re-shows Xillam the", "the situation is very different. I have an MC named Xillam, who is", "Or is it good where it is? I have not published the first", "being an elf and living in my fantasy world would be enough for", "has had so much time to deal with it, it doesn’t really play", "talk about it, in the first book? Or is it good where it", "I have an MC named Xillam, who is a forest elf and the", "my MC wants to know if she has a last name. Xillam asked", "a backstory, but I decided she should have more than that. In the", "few minutes and break down in tears. This was not shown in the", "were murdered. This causes Xillam to step out of her strong confident character", "Xillam asked what a last name was; and my MC told her it", "she has had so much time to deal with it, it doesn’t really", "though the questions are similar the situation is very different. I have an", "regrets, secrets, ect. He re-shows Xillam the day her entire family (an older", "seventy because elves age nine times slower than humans and other creatures, about", "day her entire family (an older brother, two baby sisters, father, and mother.)", "in looks and intelligence. Since she has had so much time to deal", "questions are similar the situation is very different. I have an MC named", "(an older brother, two baby sisters, father, and mother.) were murdered. This causes", "writing the second book in my fantasy series that I plan on publishing,", "the first book, but it was known. Should I have added this scene,", "tragic, in my fantasy world this is considered normal. Most people are killed", "Wars. So yes, this makes Xillam one hundred and seventy, about a hundred", "two baby sisters, father, and mother.) were murdered. This causes Xillam to step", "years older than all my other MCs. Her age is important because it", "greatest fears, regrets, secrets, ect. He re-shows Xillam the day her entire family", "in the first book? Or is it good where it is? I have", "knows my characters greatest fears, regrets, secrets, ect. He re-shows Xillam the day", "first book, her and the main MC are having a conversation. Since Xillam", "but it was known. Should I have added this scene, or at least", "my MC told her it was a family name. Xillam said plainly: >", "the third chapter of the first book, her and the main MC are", "is a forest elf and the only MC who isn’t human. Just by", "the first book yet so I decided to ask before it was too", "So yes, this makes Xillam one hundred and seventy, about a hundred and", "This was not shown in the first book, but it was known. Should", "the rate of Yoda’s species in Star Wars. So yes, this makes Xillam", "to step out of her strong confident character for a few minutes and", "the second book in my fantasy series that I plan on publishing, and", "age nine times slower than humans and other creatures, about the rate of", "creatures, about the rate of Yoda’s species in Star Wars. So yes, this", "hundred and thirty years earlier, when she was only four years old in", "fantasy series that I plan on publishing, and I have asked a similar", "third chapter of the first book, her and the main MC are having", "what a last name was; and my MC told her it was a", "question like this before concerning a different character. I couldn’t take answers from", "I decided she should have more than that. In the third chapter of", "book. Even though tragic, in my fantasy world this is considered normal. Most", "elves age nine times slower than humans and other creatures, about the rate", "have added this scene, or at least have Xillam talk about it, in", "asked what a last name was; and my MC told her it was", "her strong confident character for a few minutes and break down in tears.", "confident character for a few minutes and break down in tears. This was", "plan on publishing, and I have asked a similar question like this before", "re-shows Xillam the day her entire family (an older brother, two baby sisters,", "first book, but it was known. Should I have added this scene, or", "be enough for a backstory, but I decided she should have more than", "was; and my MC told her it was a family name. Xillam said", "an elf my MC wants to know if she has a last name.", "in the rest of the book. In the second book, however, the antagonist,", "it is? I have not published the first book yet so I decided", "MC told her it was a family name. Xillam said plainly: > >", "I have added this scene, or at least have Xillam talk about it,", "before concerning a different character. I couldn’t take answers from the question I", "human. Just by being an elf and living in my fantasy world would", "Xillam the day her entire family (an older brother, two baby sisters, father,", "thirty years earlier, when she was only four years old in looks and", "chapter of the first book, her and the main MC are having a", "considered normal. Most people are killed before they reach thirty, or in elves", "one hundred and seventy, about a hundred and fifty years older than all", "seventy, about a hundred and fifty years older than all my other MCs.", "about a hundred and fifty years older than all my other MCs. Her", "only four years old in looks and intelligence. Since she has had so", "different character. I couldn’t take answers from the question I asked earlier though,", "the first book? Or is it good where it is? I have not", "older brother, two baby sisters, father, and mother.) were murdered. This causes Xillam", "the second book, however, the antagonist, Renadalm, knows my characters greatest fears, regrets,", "family (an older brother, two baby sisters, father, and mother.) were murdered. This", "a family name. Xillam said plainly: > > ”My family is dead.” >", "hundred and seventy, about a hundred and fifty years older than all my", "book? Or is it good where it is? I have not published the", "that. In the third chapter of the first book, her and the main", "second book in my fantasy series that I plan on publishing, and I", "and intelligence. Since she has had so much time to deal with it,", "it, in the first book? Or is it good where it is? I", "play a big part in the rest of the book. In the second", "said plainly: > > ”My family is dead.” > > > And doesn’t", "a last name was; and my MC told her it was a family", "> And doesn’t talk about it for the rest of the first book.", "and seventy because elves age nine times slower than humans and other creatures,", "> > > And doesn’t talk about it for the rest of the", "than humans and other creatures, about the rate of Yoda’s species in Star", "book. In the second book, however, the antagonist, Renadalm, knows my characters greatest", "and break down in tears. This was not shown in the first book,", "asked a similar question like this before concerning a different character. I couldn’t", "I have not published the first book yet so I decided to ask", "not published the first book yet so I decided to ask before it", "about it for the rest of the first book. Even though tragic, in", "about the rate of Yoda’s species in Star Wars. So yes, this makes", "first book yet so I decided to ask before it was too late", "or at least have Xillam talk about it, in the first book? Or", "currently writing the second book in my fantasy series that I plan on", "the book. In the second book, however, the antagonist, Renadalm, knows my characters", "this before concerning a different character. I couldn’t take answers from the question", "hundred and fifty years older than all my other MCs. Her age is", "makes Xillam one hundred and seventy, about a hundred and fifty years older", "by being an elf and living in my fantasy world would be enough", "because even though the questions are similar the situation is very different. I", "very different. I have an MC named Xillam, who is a forest elf", "told her it was a family name. Xillam said plainly: > > ”My", "Since Xillam is an elf my MC wants to know if she has", "the question I asked earlier though, because even though the questions are similar", "conversation. Since Xillam is an elf my MC wants to know if she", "earlier though, because even though the questions are similar the situation is very", "who isn’t human. Just by being an elf and living in my fantasy", "was known. Should I have added this scene, or at least have Xillam", "even though the questions are similar the situation is very different. I have", "Xillam to step out of her strong confident character for a few minutes", "good where it is? I have not published the first book yet so", "family’s death, which happened about a hundred and thirty years earlier, when she", "and the only MC who isn’t human. Just by being an elf and", "sisters, father, and mother.) were murdered. This causes Xillam to step out of", "in Star Wars. So yes, this makes Xillam one hundred and seventy, about", "a conversation. Since Xillam is an elf my MC wants to know if", "for a few minutes and break down in tears. This was not shown" ]
[ "1st person but I want to write her mother and other important characters", "your audience when your writing in third person point of view? Secondly, I", "in third person point of view? Secondly, I want to write the main", "story and I have two questions about it. Is it possible to emotionally", "questions about it. Is it possible to emotionally connect with your audience when", "your writing in third person point of view? Secondly, I want to write", "the main character's (an eight-year-old girl) point of view in 1st person but", "main character's (an eight-year-old girl) point of view in 1st person but I", "but I want to write her mother and other important characters in third", "view? Secondly, I want to write the main character's (an eight-year-old girl) point", "write the main character's (an eight-year-old girl) point of view in 1st person", "in 1st person but I want to write her mother and other important", "have two questions about it. Is it possible to emotionally connect with your", "two questions about it. Is it possible to emotionally connect with your audience", "I have two questions about it. Is it possible to emotionally connect with", "about it. Is it possible to emotionally connect with your audience when your", "possible to emotionally connect with your audience when your writing in third person", "connect with your audience when your writing in third person point of view?", "audience when your writing in third person point of view? Secondly, I want", "it possible to emotionally connect with your audience when your writing in third", "I'm currently writing a story and I have two questions about it. Is", "with your audience when your writing in third person point of view? Secondly,", "So I'm currently writing a story and I have two questions about it.", "and I have two questions about it. Is it possible to emotionally connect", "I want to write the main character's (an eight-year-old girl) point of view", "to write her mother and other important characters in third person. Does that", "it. Is it possible to emotionally connect with your audience when your writing", "want to write her mother and other important characters in third person. Does", "eight-year-old girl) point of view in 1st person but I want to write", "person but I want to write her mother and other important characters in", "of view? Secondly, I want to write the main character's (an eight-year-old girl)", "character's (an eight-year-old girl) point of view in 1st person but I want", "girl) point of view in 1st person but I want to write her", "when your writing in third person point of view? Secondly, I want to", "a story and I have two questions about it. Is it possible to", "emotionally connect with your audience when your writing in third person point of", "point of view? Secondly, I want to write the main character's (an eight-year-old", "Secondly, I want to write the main character's (an eight-year-old girl) point of", "point of view in 1st person but I want to write her mother", "write her mother and other important characters in third person. Does that work?", "view in 1st person but I want to write her mother and other", "want to write the main character's (an eight-year-old girl) point of view in", "I want to write her mother and other important characters in third person.", "third person point of view? Secondly, I want to write the main character's", "writing a story and I have two questions about it. Is it possible", "person point of view? Secondly, I want to write the main character's (an", "writing in third person point of view? Secondly, I want to write the", "(an eight-year-old girl) point of view in 1st person but I want to", "to emotionally connect with your audience when your writing in third person point", "of view in 1st person but I want to write her mother and", "to write the main character's (an eight-year-old girl) point of view in 1st", "Is it possible to emotionally connect with your audience when your writing in", "currently writing a story and I have two questions about it. Is it" ]
[ "looking around for someone, a bit scared. What can I say instead of,", "bit scared. What can I say instead of, “My eyes darted around, expecting", "instead of, “My eyes darted around, expecting him to jump out from somewhere.”", "say instead of, “My eyes darted around, expecting him to jump out from", "character is looking around for someone, a bit scared. What can I say", "My character is looking around for someone, a bit scared. What can I", "What can I say instead of, “My eyes darted around, expecting him to", "can I say instead of, “My eyes darted around, expecting him to jump", "I say instead of, “My eyes darted around, expecting him to jump out", "for someone, a bit scared. What can I say instead of, “My eyes", "is looking around for someone, a bit scared. What can I say instead", "scared. What can I say instead of, “My eyes darted around, expecting him", "a bit scared. What can I say instead of, “My eyes darted around,", "around for someone, a bit scared. What can I say instead of, “My", "someone, a bit scared. What can I say instead of, “My eyes darted" ]
[ "the hidden Island that the villain has been trapped in for centuries, \"to", "and I've already summarized the whole story and ending, but I really want", "for centuries, \"to fulfill the prophecy,\" with help from a young talented wizard", "first main character is a young witch trying to find the hidden Island", "can't add more characters to these groups, maybe a side character or an", "are only a few characters in my fantasy world (only 6)! The first", "to add more characters to it. I Have two main characters dealing with", "main events in the story, and both of the characters have friends/companions. None", "another friend to join their group, but I want to add an extra", "few characters in my fantasy world (only 6)! The first main character is", "trying to find the hidden Island that the villain has been trapped in", "character is a young witch trying to find the hidden Island that the", "summarized the whole story and ending, but I really want to add more", "I really want to add more characters to it. I Have two main", "her. The second main character is also a witch trying to gather the", "characters to these groups, maybe a side character or an anti-hero will help?", "has been trapped in for centuries, \"to fulfill the prophecy,\" with help from", "want to add an extra character. I want to add one because so", "ending, but I really want to add more characters to it. I Have", "with two main events in the story, and both of the characters have", "friend to join their group, but I want to add an extra character.", "to add one because so far there are only a few characters in", "her brother. I can't add more characters to these groups, maybe a side", "the two kingdoms to fight against the third kingdom, accompanied by a poet,", "Have two main characters dealing with two main events in the story, and", "far there are only a few characters in my fantasy world (only 6)!", "been trapped in for centuries, \"to fulfill the prophecy,\" with help from a", "a witch trying to gather the army of the two kingdoms to fight", "because so far there are only a few characters in my fantasy world", "more characters to it. I Have two main characters dealing with two main", "add one because so far there are only a few characters in my", "like her. The second main character is also a witch trying to gather", "kingdom, accompanied by a poet, a warrior-princess, and her brother. I can't add", "characters have friends/companions. None of them need another friend to join their group,", "I Have two main characters dealing with two main events in the story,", "more characters to these groups, maybe a side character or an anti-hero will", "the third kingdom, accompanied by a poet, a warrior-princess, and her brother. I", "a few characters in my fantasy world (only 6)! The first main character", "in my fantasy world (only 6)! The first main character is a young", "find the hidden Island that the villain has been trapped in for centuries,", "the army of the two kingdoms to fight against the third kingdom, accompanied", "accompanied by a poet, a warrior-princess, and her brother. I can't add more", "army of the two kingdoms to fight against the third kingdom, accompanied by", "the characters have friends/companions. None of them need another friend to join their", "the story, and both of the characters have friends/companions. None of them need", "them need another friend to join their group, but I want to add", "villain has been trapped in for centuries, \"to fulfill the prophecy,\" with help", "against the third kingdom, accompanied by a poet, a warrior-princess, and her brother.", "and ending, but I really want to add more characters to it. I", "maybe a side character or an anti-hero will help? What do you think?", "I want to add one because so far there are only a few", "add more characters to it. I Have two main characters dealing with two", "the whole story and ending, but I really want to add more characters", "story and ending, but I really want to add more characters to it.", "two kingdoms to fight against the third kingdom, accompanied by a poet, a", "I want to add an extra character. I want to add one because", "to find the hidden Island that the villain has been trapped in for", "whole story and ending, but I really want to add more characters to", "and her brother. I can't add more characters to these groups, maybe a", "6)! The first main character is a young witch trying to find the", "trapped in for centuries, \"to fulfill the prophecy,\" with help from a young", "prophecy,\" with help from a young talented wizard like her. The second main", "to join their group, but I want to add an extra character. I", "to these groups, maybe a side character or an anti-hero will help? What", "really want to add more characters to it. I Have two main characters", "of the two kingdoms to fight against the third kingdom, accompanied by a", "main character is a young witch trying to find the hidden Island that", "so far there are only a few characters in my fantasy world (only", "of them need another friend to join their group, but I want to", "warrior-princess, and her brother. I can't add more characters to these groups, maybe", "gather the army of the two kingdoms to fight against the third kingdom,", "join their group, but I want to add an extra character. I want", "characters in my fantasy world (only 6)! The first main character is a", "third kingdom, accompanied by a poet, a warrior-princess, and her brother. I can't", "The first main character is a young witch trying to find the hidden", "\"to fulfill the prophecy,\" with help from a young talented wizard like her.", "character is also a witch trying to gather the army of the two", "YA Fantasy novel and I've already summarized the whole story and ending, but", "want to add more characters to it. I Have two main characters dealing", "friends/companions. None of them need another friend to join their group, but I", "I can't add more characters to these groups, maybe a side character or", "need another friend to join their group, but I want to add an", "fulfill the prophecy,\" with help from a young talented wizard like her. The", "want to add one because so far there are only a few characters", "a young talented wizard like her. The second main character is also a", "writing this YA Fantasy novel and I've already summarized the whole story and", "poet, a warrior-princess, and her brother. I can't add more characters to these", "groups, maybe a side character or an anti-hero will help? What do you", "one because so far there are only a few characters in my fantasy", "centuries, \"to fulfill the prophecy,\" with help from a young talented wizard like", "or an anti-hero will help? What do you think? What should I do?", "the villain has been trapped in for centuries, \"to fulfill the prophecy,\" with", "these groups, maybe a side character or an anti-hero will help? What do", "add an extra character. I want to add one because so far there", "novel and I've already summarized the whole story and ending, but I really", "to gather the army of the two kingdoms to fight against the third", "the prophecy,\" with help from a young talented wizard like her. 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None of them", "second main character is also a witch trying to gather the army of", "None of them need another friend to join their group, but I want", "hidden Island that the villain has been trapped in for centuries, \"to fulfill", "main characters dealing with two main events in the story, and both of", "that the villain has been trapped in for centuries, \"to fulfill the prophecy,\"", "two main characters dealing with two main events in the story, and both", "also a witch trying to gather the army of the two kingdoms to", "only a few characters in my fantasy world (only 6)! The first main", "a young witch trying to find the hidden Island that the villain has", "The second main character is also a witch trying to gather the army", "an extra character. I want to add one because so far there are", "fight against the third kingdom, accompanied by a poet, a warrior-princess, and her", "to add an extra character. I want to add one because so far", "by a poet, a warrior-princess, and her brother. I can't add more characters", "but I really want to add more characters to it. I Have two", "trying to gather the army of the two kingdoms to fight against the", "wizard like her. The second main character is also a witch trying to", "two main events in the story, and both of the characters have friends/companions.", "world (only 6)! The first main character is a young witch trying to", "group, but I want to add an extra character. I want to add", "fantasy world (only 6)! The first main character is a young witch trying", "characters dealing with two main events in the story, and both of the", "is also a witch trying to gather the army of the two kingdoms", "is a young witch trying to find the hidden Island that the villain", "I'm writing this YA Fantasy novel and I've already summarized the whole story", "extra character. I want to add one because so far there are only", "side character or an anti-hero will help? What do you think? What should", "character or an anti-hero will help? What do you think? What should I", "characters to it. I Have two main characters dealing with two main events", "witch trying to find the hidden Island that the villain has been trapped", "with help from a young talented wizard like her. The second main character", "witch trying to gather the army of the two kingdoms to fight against", "a poet, a warrior-princess, and her brother. I can't add more characters to", "add more characters to these groups, maybe a side character or an anti-hero", "it. I Have two main characters dealing with two main events in the", "main character is also a witch trying to gather the army of the", "in for centuries, \"to fulfill the prophecy,\" with help from a young talented", "but I want to add an extra character. I want to add one", "from a young talented wizard like her. The second main character is also", "a warrior-princess, and her brother. I can't add more characters to these groups,", "talented wizard like her. The second main character is also a witch trying", "my fantasy world (only 6)! The first main character is a young witch", "help from a young talented wizard like her. The second main character is", "events in the story, and both of the characters have friends/companions. None of", "to it. I Have two main characters dealing with two main events in", "their group, but I want to add an extra character. I want to", "character. I want to add one because so far there are only a", "already summarized the whole story and ending, but I really want to add", "story, and both of the characters have friends/companions. None of them need another", "young talented wizard like her. The second main character is also a witch", "(only 6)! The first main character is a young witch trying to find", "kingdoms to fight against the third kingdom, accompanied by a poet, a warrior-princess,", "brother. I can't add more characters to these groups, maybe a side character", "a side character or an anti-hero will help? What do you think? What", "dealing with two main events in the story, and both of the characters", "both of the characters have friends/companions. None of them need another friend to", "have friends/companions. None of them need another friend to join their group, but", "and both of the characters have friends/companions. None of them need another friend", "this YA Fantasy novel and I've already summarized the whole story and ending," ]
[ "know what's going on this weekend?\" Ms.Lee asks. > > > > >", "other characters' actions and reactions unless she sees it. My question is, am", "this weekend?\" Ms.Lee asks. > > > > > \"We have a test", "directly in front of Ms.Lee's desk. > > > > > When we're", "front row directly in front of Ms.Lee's desk. > > > > >", "is limited, I can't talk about other characters' actions and reactions unless she", "> > > > > \"We have a test on Friday,\" Lia answers", "characters' actions and reactions unless she sees it. My question is, am I", "> > > > > When we're all sat in our chairs, Ms.Lee", "on Friday,\" Lia answers point at the board. > > > --- Can", "am I able to do something like: > > I sat in the", "everyone know what's going on this weekend?\" Ms.Lee asks. > > > >", "> > > > \"We have a test on Friday,\" Lia answers point", "since the character's viewpoint is limited, I can't talk about other characters' actions", "My question is, am I able to do something like: > > I", "> > \"Does everyone know what's going on this weekend?\" Ms.Lee asks. >", "of Ms.Lee's desk. > > > > > When we're all sat in", "the front row directly in front of Ms.Lee's desk. > > > >", "> > \"We have a test on Friday,\" Lia answers point at the", "> > > > > \"Does everyone know what's going on this weekend?\"", "I can't talk about other characters' actions and reactions unless she sees it.", "When we're all sat in our chairs, Ms.Lee starts the class. > >", "like: > > I sat in the front row directly in front of", "what's going on this weekend?\" Ms.Lee asks. > > > > > \"We", "is, am I able to do something like: > > I sat in", "currently writing from 1st point of view, and I understand that since the", "> > > > \"Does everyone know what's going on this weekend?\" Ms.Lee", "Lia answers point at the board. > > > --- Can I do", "understand that since the character's viewpoint is limited, I can't talk about other", "I'm currently writing from 1st point of view, and I understand that since", "all sat in our chairs, Ms.Lee starts the class. > > > >", "the class. > > > > > \"Does everyone know what's going on", "something like: > > I sat in the front row directly in front", "the character's viewpoint is limited, I can't talk about other characters' actions and", "front of Ms.Lee's desk. > > > > > When we're all sat", "we're all sat in our chairs, Ms.Lee starts the class. > > >", "starts the class. > > > > > \"Does everyone know what's going", "sat in our chairs, Ms.Lee starts the class. > > > > >", "> I sat in the front row directly in front of Ms.Lee's desk.", "in our chairs, Ms.Lee starts the class. > > > > > \"Does", "answers point at the board. > > > --- Can I do that,", "on this weekend?\" Ms.Lee asks. > > > > > \"We have a", "> > > > When we're all sat in our chairs, Ms.Lee starts", "question is, am I able to do something like: > > I sat", "class. > > > > > \"Does everyone know what's going on this", "I understand that since the character's viewpoint is limited, I can't talk about", "weekend?\" Ms.Lee asks. > > > > > \"We have a test on", "talk about other characters' actions and reactions unless she sees it. My question", "unless she sees it. My question is, am I able to do something", "point of view, and I understand that since the character's viewpoint is limited,", "board. > > > --- Can I do that, or is it too", "Ms.Lee asks. > > > > > \"We have a test on Friday,\"", "asks. > > > > > \"We have a test on Friday,\" Lia", "> > > When we're all sat in our chairs, Ms.Lee starts the", "from 1st point of view, and I understand that since the character's viewpoint", "\"Does everyone know what's going on this weekend?\" Ms.Lee asks. > > >", "that since the character's viewpoint is limited, I can't talk about other characters'", "she sees it. My question is, am I able to do something like:", "have a test on Friday,\" Lia answers point at the board. > >", "> > --- Can I do that, or is it too 3rd person?", "chairs, Ms.Lee starts the class. > > > > > \"Does everyone know", "row directly in front of Ms.Lee's desk. > > > > > When", "> > > --- Can I do that, or is it too 3rd", "writing from 1st point of view, and I understand that since the character's", "> > > \"Does everyone know what's going on this weekend?\" Ms.Lee asks.", "and reactions unless she sees it. My question is, am I able to", "viewpoint is limited, I can't talk about other characters' actions and reactions unless", "at the board. > > > --- Can I do that, or is", "sat in the front row directly in front of Ms.Lee's desk. > >", "in the front row directly in front of Ms.Lee's desk. > > >", "> When we're all sat in our chairs, Ms.Lee starts the class. >", "I sat in the front row directly in front of Ms.Lee's desk. >", "Ms.Lee starts the class. > > > > > \"Does everyone know what's", "of view, and I understand that since the character's viewpoint is limited, I", "> \"We have a test on Friday,\" Lia answers point at the board.", "limited, I can't talk about other characters' actions and reactions unless she sees", "view, and I understand that since the character's viewpoint is limited, I can't", "about other characters' actions and reactions unless she sees it. My question is,", "> > > \"We have a test on Friday,\" Lia answers point at", "can't talk about other characters' actions and reactions unless she sees it. My", "desk. > > > > > When we're all sat in our chairs,", "> > When we're all sat in our chairs, Ms.Lee starts the class.", "point at the board. > > > --- Can I do that, or", "the board. > > > --- Can I do that, or is it", "and I understand that since the character's viewpoint is limited, I can't talk", "> > I sat in the front row directly in front of Ms.Lee's", "\"We have a test on Friday,\" Lia answers point at the board. >", "sees it. My question is, am I able to do something like: >", "going on this weekend?\" Ms.Lee asks. > > > > > \"We have", "> \"Does everyone know what's going on this weekend?\" Ms.Lee asks. > >", "our chairs, Ms.Lee starts the class. > > > > > \"Does everyone", "a test on Friday,\" Lia answers point at the board. > > >", "do something like: > > I sat in the front row directly in", "it. My question is, am I able to do something like: > >", "Ms.Lee's desk. > > > > > When we're all sat in our", "1st point of view, and I understand that since the character's viewpoint is", "I able to do something like: > > I sat in the front", "test on Friday,\" Lia answers point at the board. > > > ---", "actions and reactions unless she sees it. My question is, am I able", "Friday,\" Lia answers point at the board. > > > --- Can I", "in front of Ms.Lee's desk. > > > > > When we're all", "reactions unless she sees it. My question is, am I able to do", "to do something like: > > I sat in the front row directly", "character's viewpoint is limited, I can't talk about other characters' actions and reactions", "able to do something like: > > I sat in the front row" ]
[ "a carbon-cutout for a character. Oftentimes, as authors, we use these to make", "him, but I kind of want him to be more than that. How", "we all know what archetypes and character tropes are. They're mostly just a", "and wants nobody to know. There's the typical hero on a hero's journey.", "there's this trope where a character is a bully, but they secretly pet", "distinct. But at the end of the day, many of these characters turn", "as well. I was inspired by the unfortunate stories of children making horrible", "in my situation, I believe I'm falling flat as well. I was inspired", "he caused. But he's turning into a character I don't want to reflect", "situation, I believe I'm falling flat as well. I was inspired by the", "flat. And in my situation, I believe I'm falling flat as well. I", "fellow children. For my character, the same thing happened to him. When he", "Oftentimes, they fall flat. And in my situation, I believe I'm falling flat", "I don't want to reflect on: he's becoming a \"I did something wrong", "reflect on: he's becoming a \"I did something wrong and now I regret", "something wrong and now I regret it\" character, which is a big part", "Oftentimes, as authors, we use these to make our characters distinct. But at", "bully, but they secretly pet puppies or something like that and wants nobody", "a \"I did something wrong and now I regret it\" character, which is", "of him, but I kind of want him to be more than that.", "than that. How do I make him not a \"type\" of character and", "do I make him not a \"type\" of character and just a human", "know. There's the typical hero on a hero's journey. Oftentimes, they fall flat.", "hit his sister with a baseball bat, giving her wounds that were fatal", "that were fatal in the end. The story itself is set 9 years", "but I kind of want him to be more than that. How do", "story itself is set 9 years later. He's 19 and has to still", "character is a bully, but they secretly pet puppies or something like that", "her wounds that were fatal in the end. The story itself is set", "but they secretly pet puppies or something like that and wants nobody to", "this trope where a character is a bully, but they secretly pet puppies", "or something like that and wants nobody to know. There's the typical hero", "we use these to make our characters distinct. But at the end of", "set 9 years later. He's 19 and has to still cope with what", "of fellow children. For my character, the same thing happened to him. When", "all know what archetypes and character tropes are. They're mostly just a carbon-cutout", "was about 10, he accidentally hit his sister with a baseball bat, giving", "with a baseball bat, giving her wounds that were fatal in the end.", "and now I regret it\" character, which is a big part of him,", "wounds that were fatal in the end. The story itself is set 9", "end of the day, many of these characters turn out the same. For", "thing happened to him. When he was about 10, he accidentally hit his", "of these characters turn out the same. For example, there's this trope where", "giving her wounds that were fatal in the end. The story itself is", "just a carbon-cutout for a character. Oftentimes, as authors, we use these to", "on a hero's journey. Oftentimes, they fall flat. And in my situation, I", "to know. There's the typical hero on a hero's journey. Oftentimes, they fall", "part of him, but I kind of want him to be more than", "For example, there's this trope where a character is a bully, but they", "decisions that result in the accidental deaths of fellow children. For my character,", "be more than that. How do I make him not a \"type\" of", "\"I did something wrong and now I regret it\" character, which is a", "is a bully, but they secretly pet puppies or something like that and", "on: he's becoming a \"I did something wrong and now I regret it\"", "puppies or something like that and wants nobody to know. There's the typical", "as authors, we use these to make our characters distinct. But at the", "fatal in the end. The story itself is set 9 years later. He's", "make our characters distinct. But at the end of the day, many of", "many of these characters turn out the same. For example, there's this trope", "journey. Oftentimes, they fall flat. And in my situation, I believe I'm falling", "But at the end of the day, many of these characters turn out", "I think that we all know what archetypes and character tropes are. They're", "he was about 10, he accidentally hit his sister with a baseball bat,", "carbon-cutout for a character. Oftentimes, as authors, we use these to make our", "9 years later. He's 19 and has to still cope with what he", "with what he caused. But he's turning into a character I don't want", "into a character I don't want to reflect on: he's becoming a \"I", "did something wrong and now I regret it\" character, which is a big", "like that and wants nobody to know. There's the typical hero on a", "result in the accidental deaths of fellow children. For my character, the same", "of the day, many of these characters turn out the same. For example,", "I was inspired by the unfortunate stories of children making horrible decisions that", "him. When he was about 10, he accidentally hit his sister with a", "out the same. For example, there's this trope where a character is a", "more than that. How do I make him not a \"type\" of character", "the end. The story itself is set 9 years later. He's 19 and", "10, he accidentally hit his sister with a baseball bat, giving her wounds", "characters turn out the same. For example, there's this trope where a character", "itself is set 9 years later. He's 19 and has to still cope", "they secretly pet puppies or something like that and wants nobody to know.", "at the end of the day, many of these characters turn out the", "that and wants nobody to know. There's the typical hero on a hero's", "turn out the same. For example, there's this trope where a character is", "trope where a character is a bully, but they secretly pet puppies or", "There's the typical hero on a hero's journey. Oftentimes, they fall flat. And", "I regret it\" character, which is a big part of him, but I", "was inspired by the unfortunate stories of children making horrible decisions that result", "accidentally hit his sister with a baseball bat, giving her wounds that were", "a big part of him, but I kind of want him to be", "the accidental deaths of fellow children. For my character, the same thing happened", "don't want to reflect on: he's becoming a \"I did something wrong and", "same thing happened to him. When he was about 10, he accidentally hit", "what he caused. But he's turning into a character I don't want to", "to him. When he was about 10, he accidentally hit his sister with", "he's turning into a character I don't want to reflect on: he's becoming", "our characters distinct. But at the end of the day, many of these", "that result in the accidental deaths of fellow children. For my character, the", "is a big part of him, but I kind of want him to", "baseball bat, giving her wounds that were fatal in the end. The story", "For my character, the same thing happened to him. When he was about", "caused. But he's turning into a character I don't want to reflect on:", "well. I was inspired by the unfortunate stories of children making horrible decisions", "When he was about 10, he accidentally hit his sister with a baseball", "and character tropes are. They're mostly just a carbon-cutout for a character. Oftentimes,", "deaths of fellow children. For my character, the same thing happened to him.", "in the accidental deaths of fellow children. For my character, the same thing", "example, there's this trope where a character is a bully, but they secretly", "where a character is a bully, but they secretly pet puppies or something", "believe I'm falling flat as well. I was inspired by the unfortunate stories", "character. Oftentimes, as authors, we use these to make our characters distinct. But", "character, the same thing happened to him. When he was about 10, he", "characters distinct. But at the end of the day, many of these characters", "hero on a hero's journey. Oftentimes, they fall flat. And in my situation,", "flat as well. I was inspired by the unfortunate stories of children making", "turning into a character I don't want to reflect on: he's becoming a", "were fatal in the end. The story itself is set 9 years later.", "kind of want him to be more than that. How do I make", "inspired by the unfortunate stories of children making horrible decisions that result in", "for a character. Oftentimes, as authors, we use these to make our characters", "I'm falling flat as well. I was inspired by the unfortunate stories of", "the day, many of these characters turn out the same. For example, there's", "day, many of these characters turn out the same. For example, there's this", "something like that and wants nobody to know. There's the typical hero on", "same. For example, there's this trope where a character is a bully, but", "a baseball bat, giving her wounds that were fatal in the end. The", "years later. He's 19 and has to still cope with what he caused.", "a character I don't want to reflect on: he's becoming a \"I did", "I kind of want him to be more than that. How do I", "to reflect on: he's becoming a \"I did something wrong and now I", "becoming a \"I did something wrong and now I regret it\" character, which", "secretly pet puppies or something like that and wants nobody to know. There's", "the same. For example, there's this trope where a character is a bully,", "these to make our characters distinct. But at the end of the day,", "happened to him. When he was about 10, he accidentally hit his sister", "character I don't want to reflect on: he's becoming a \"I did something", "sister with a baseball bat, giving her wounds that were fatal in the", "him to be more than that. How do I make him not a", "falling flat as well. I was inspired by the unfortunate stories of children", "end. The story itself is set 9 years later. He's 19 and has", "children. For my character, the same thing happened to him. When he was", "The story itself is set 9 years later. He's 19 and has to", "which is a big part of him, but I kind of want him", "mostly just a carbon-cutout for a character. Oftentimes, as authors, we use these", "the unfortunate stories of children making horrible decisions that result in the accidental", "the end of the day, many of these characters turn out the same.", "hero's journey. Oftentimes, they fall flat. And in my situation, I believe I'm", "still cope with what he caused. But he's turning into a character I", "to be more than that. How do I make him not a \"type\"", "archetypes and character tropes are. They're mostly just a carbon-cutout for a character.", "authors, we use these to make our characters distinct. But at the end", "about 10, he accidentally hit his sister with a baseball bat, giving her", "has to still cope with what he caused. But he's turning into a", "is set 9 years later. He's 19 and has to still cope with", "I believe I'm falling flat as well. I was inspired by the unfortunate", "his sister with a baseball bat, giving her wounds that were fatal in", "And in my situation, I believe I'm falling flat as well. I was", "tropes are. They're mostly just a carbon-cutout for a character. Oftentimes, as authors,", "a bully, but they secretly pet puppies or something like that and wants", "pet puppies or something like that and wants nobody to know. There's the", "typical hero on a hero's journey. Oftentimes, they fall flat. And in my", "character, which is a big part of him, but I kind of want", "that we all know what archetypes and character tropes are. They're mostly just", "19 and has to still cope with what he caused. But he's turning", "the same thing happened to him. When he was about 10, he accidentally", "wants nobody to know. There's the typical hero on a hero's journey. Oftentimes,", "what archetypes and character tropes are. They're mostly just a carbon-cutout for a", "know what archetypes and character tropes are. They're mostly just a carbon-cutout for", "a hero's journey. Oftentimes, they fall flat. And in my situation, I believe", "stories of children making horrible decisions that result in the accidental deaths of", "use these to make our characters distinct. But at the end of the", "He's 19 and has to still cope with what he caused. But he's", "wrong and now I regret it\" character, which is a big part of", "a character is a bully, but they secretly pet puppies or something like", "But he's turning into a character I don't want to reflect on: he's", "accidental deaths of fellow children. For my character, the same thing happened to", "think that we all know what archetypes and character tropes are. They're mostly", "he's becoming a \"I did something wrong and now I regret it\" character,", "a character. Oftentimes, as authors, we use these to make our characters distinct.", "now I regret it\" character, which is a big part of him, but", "and has to still cope with what he caused. But he's turning into", "big part of him, but I kind of want him to be more", "he accidentally hit his sister with a baseball bat, giving her wounds that", "are. They're mostly just a carbon-cutout for a character. Oftentimes, as authors, we", "regret it\" character, which is a big part of him, but I kind", "these characters turn out the same. For example, there's this trope where a", "nobody to know. There's the typical hero on a hero's journey. Oftentimes, they", "by the unfortunate stories of children making horrible decisions that result in the", "want him to be more than that. How do I make him not", "bat, giving her wounds that were fatal in the end. The story itself", "that. How do I make him not a \"type\" of character and just", "to still cope with what he caused. But he's turning into a character", "of want him to be more than that. How do I make him", "cope with what he caused. But he's turning into a character I don't", "character tropes are. They're mostly just a carbon-cutout for a character. Oftentimes, as", "the typical hero on a hero's journey. Oftentimes, they fall flat. And in", "in the end. The story itself is set 9 years later. He's 19", "of children making horrible decisions that result in the accidental deaths of fellow", "unfortunate stories of children making horrible decisions that result in the accidental deaths", "my character, the same thing happened to him. When he was about 10,", "my situation, I believe I'm falling flat as well. I was inspired by", "fall flat. And in my situation, I believe I'm falling flat as well.", "later. He's 19 and has to still cope with what he caused. But", "it\" character, which is a big part of him, but I kind of", "horrible decisions that result in the accidental deaths of fellow children. For my", "I make him not a \"type\" of character and just a human being?", "They're mostly just a carbon-cutout for a character. Oftentimes, as authors, we use", "they fall flat. And in my situation, I believe I'm falling flat as", "children making horrible decisions that result in the accidental deaths of fellow children.", "want to reflect on: he's becoming a \"I did something wrong and now", "making horrible decisions that result in the accidental deaths of fellow children. For", "to make our characters distinct. But at the end of the day, many", "How do I make him not a \"type\" of character and just a" ]
[ "Playbooks designed to support you in your market’s priorities with xxx and yyy", "> My question is: Is the word \"Edition\" suitable in this context? The", "'playbook' which contains resources related to a key growth driver for the operations", "for the operations team of my company. It is a series of playbooks", "company. It is a series of playbooks designed to provide resources / guidelines", "say: > > We present to you the latest edition of our very", "planned Playbooks designed to support you in your market’s priorities with xxx and", "our very own xxx Playbook - #2 in a series of planned Playbooks", "am putting together a 'playbook' which contains resources related to a key growth", "first release had foundational stuff, the second has the latest priorities, the next", "of planned Playbooks designed to support you in your market’s priorities with xxx", "> > > My question is: Is the word \"Edition\" suitable in this", "together a 'playbook' which contains resources related to a key growth driver for", "stuff, the second has the latest priorities, the next one will have info", "the word \"Edition\" suitable in this context? The content is different from the", "in your market’s priorities with xxx and yyy > > > My question", "you the latest edition of our very own xxx Playbook - #2 in", "\"Edition\" suitable in this context? The content is different from the first issue", "the latest edition of our very own xxx Playbook - #2 in a", "in this context? The content is different from the first issue however it", "resources related to a key growth driver for the operations team of my", "accompanying email, I was planning to say: > > We present to you", "on. In the accompanying email, I was planning to say: > > We", "the latest priorities, the next one will have info on capital investments and", "business growth driver). Or is \"Issue\" a more suitable word please? I am", "contains resources related to a key growth driver for the operations team of", "series of playbooks designed to provide resources / guidelines / standards. So the", "is: Is the word \"Edition\" suitable in this context? The content is different", "a 'playbook' which contains resources related to a key growth driver for the", "playbooks designed to provide resources / guidelines / standards. So the first release", "capital investments and so on. In the accompanying email, I was planning to", "own xxx Playbook - #2 in a series of planned Playbooks designed to", "release had foundational stuff, the second has the latest priorities, the next one", "in a series of planned Playbooks designed to support you in your market’s", "a key growth driver for the operations team of my company. It is", "priorities, the next one will have info on capital investments and so on.", "investments and so on. In the accompanying email, I was planning to say:", "market’s priorities with xxx and yyy > > > My question is: Is", "one will have info on capital investments and so on. In the accompanying", "#2 in a series of planned Playbooks designed to support you in your", "context? The content is different from the first issue however it revolves around", "/ guidelines / standards. So the first release had foundational stuff, the second", "yyy > > > My question is: Is the word \"Edition\" suitable in", "to you the latest edition of our very own xxx Playbook - #2", "word \"Edition\" suitable in this context? The content is different from the first", "word please? I am not looking for words like trilogy, tetralogy etc. FYI,", "tetralogy etc. FYI, this playbook is released quarterly. Thanks very much in advance!", "> We present to you the latest edition of our very own xxx", "xxx and yyy > > > My question is: Is the word \"Edition\"", "planning to say: > > We present to you the latest edition of", "will have info on capital investments and so on. In the accompanying email,", "is \"Issue\" a more suitable word please? I am not looking for words", "the same main item (the business growth driver). Or is \"Issue\" a more", "putting together a 'playbook' which contains resources related to a key growth driver", "designed to support you in your market’s priorities with xxx and yyy >", "was planning to say: > > We present to you the latest edition", "to provide resources / guidelines / standards. So the first release had foundational", "In the accompanying email, I was planning to say: > > We present", "my company. It is a series of playbooks designed to provide resources /", "xxx Playbook - #2 in a series of planned Playbooks designed to support", "growth driver for the operations team of my company. It is a series", "next one will have info on capital investments and so on. In the", "operations team of my company. It is a series of playbooks designed to", "latest priorities, the next one will have info on capital investments and so", "I was planning to say: > > We present to you the latest", "it revolves around the same main item (the business growth driver). Or is", "first issue however it revolves around the same main item (the business growth", "Is the word \"Edition\" suitable in this context? The content is different from", "to a key growth driver for the operations team of my company. It", "around the same main item (the business growth driver). Or is \"Issue\" a", "suitable word please? I am not looking for words like trilogy, tetralogy etc.", "this context? The content is different from the first issue however it revolves", "trilogy, tetralogy etc. FYI, this playbook is released quarterly. Thanks very much in", "foundational stuff, the second has the latest priorities, the next one will have", "and so on. In the accompanying email, I was planning to say: >", "on capital investments and so on. In the accompanying email, I was planning", "- #2 in a series of planned Playbooks designed to support you in", "content is different from the first issue however it revolves around the same", "with xxx and yyy > > > My question is: Is the word", "guidelines / standards. So the first release had foundational stuff, the second has", "team of my company. It is a series of playbooks designed to provide", "is different from the first issue however it revolves around the same main", "to support you in your market’s priorities with xxx and yyy > >", "main item (the business growth driver). Or is \"Issue\" a more suitable word", "of our very own xxx Playbook - #2 in a series of planned", "same main item (the business growth driver). Or is \"Issue\" a more suitable", "Playbook - #2 in a series of planned Playbooks designed to support you", "> > We present to you the latest edition of our very own", "a series of playbooks designed to provide resources / guidelines / standards. So", "standards. So the first release had foundational stuff, the second has the latest", "not looking for words like trilogy, tetralogy etc. FYI, this playbook is released", "latest edition of our very own xxx Playbook - #2 in a series", "is a series of playbooks designed to provide resources / guidelines / standards.", "support you in your market’s priorities with xxx and yyy > > >", "We present to you the latest edition of our very own xxx Playbook", "your market’s priorities with xxx and yyy > > > My question is:", "the second has the latest priorities, the next one will have info on", "(the business growth driver). Or is \"Issue\" a more suitable word please? I", "series of planned Playbooks designed to support you in your market’s priorities with", "you in your market’s priorities with xxx and yyy > > > My", "however it revolves around the same main item (the business growth driver). Or", "Or is \"Issue\" a more suitable word please? I am not looking for", "which contains resources related to a key growth driver for the operations team", "driver). Or is \"Issue\" a more suitable word please? I am not looking", "\"Issue\" a more suitable word please? I am not looking for words like", "has the latest priorities, the next one will have info on capital investments", "It is a series of playbooks designed to provide resources / guidelines /", "more suitable word please? I am not looking for words like trilogy, tetralogy", "so on. In the accompanying email, I was planning to say: > >", "email, I was planning to say: > > We present to you the", "words like trilogy, tetralogy etc. FYI, this playbook is released quarterly. Thanks very", "from the first issue however it revolves around the same main item (the", "edition of our very own xxx Playbook - #2 in a series of", "growth driver). Or is \"Issue\" a more suitable word please? I am not", "The content is different from the first issue however it revolves around the", "have info on capital investments and so on. In the accompanying email, I", "So the first release had foundational stuff, the second has the latest priorities,", "of my company. It is a series of playbooks designed to provide resources", "revolves around the same main item (the business growth driver). Or is \"Issue\"", "a series of planned Playbooks designed to support you in your market’s priorities", "resources / guidelines / standards. So the first release had foundational stuff, the", "question is: Is the word \"Edition\" suitable in this context? The content is", "My question is: Is the word \"Edition\" suitable in this context? The content", "info on capital investments and so on. In the accompanying email, I was", "different from the first issue however it revolves around the same main item", "please? I am not looking for words like trilogy, tetralogy etc. FYI, this", "I am putting together a 'playbook' which contains resources related to a key", "provide resources / guidelines / standards. So the first release had foundational stuff,", "> > My question is: Is the word \"Edition\" suitable in this context?", "item (the business growth driver). Or is \"Issue\" a more suitable word please?", "issue however it revolves around the same main item (the business growth driver).", "related to a key growth driver for the operations team of my company.", "am not looking for words like trilogy, tetralogy etc. FYI, this playbook is", "to say: > > We present to you the latest edition of our", "driver for the operations team of my company. It is a series of", "second has the latest priorities, the next one will have info on capital", "looking for words like trilogy, tetralogy etc. FYI, this playbook is released quarterly.", "and yyy > > > My question is: Is the word \"Edition\" suitable", "like trilogy, tetralogy etc. FYI, this playbook is released quarterly. Thanks very much", "/ standards. So the first release had foundational stuff, the second has the", "the next one will have info on capital investments and so on. In", "I am not looking for words like trilogy, tetralogy etc. FYI, this playbook", "the first issue however it revolves around the same main item (the business", "for words like trilogy, tetralogy etc. FYI, this playbook is released quarterly. Thanks", "the operations team of my company. It is a series of playbooks designed", "a more suitable word please? I am not looking for words like trilogy,", "the accompanying email, I was planning to say: > > We present to", "key growth driver for the operations team of my company. It is a", "the first release had foundational stuff, the second has the latest priorities, the", "present to you the latest edition of our very own xxx Playbook -", "of playbooks designed to provide resources / guidelines / standards. So the first", "had foundational stuff, the second has the latest priorities, the next one will", "priorities with xxx and yyy > > > My question is: Is the", "suitable in this context? The content is different from the first issue however", "very own xxx Playbook - #2 in a series of planned Playbooks designed", "designed to provide resources / guidelines / standards. So the first release had" ]
[ "of my story's protagonists. He is very neat and organized. He really does", "let someone down. He sacrifices everything for others. Buteo believes that the world", "gets upset and embarrassed if he feels that he has let someone down.", "when it comes to himself, but gives a lot of leeway when it", "when it comes to others. He gets upset and embarrassed if he feels", "inspire people to be better. The only flaw I can think of is", "making him controlling, but I feel as if it would make him too", "flaw I can think of is making him controlling, but I feel as", "comes to himself, but gives a lot of leeway when it comes to", "He is very neat and organized. He really does not like change. He", "of making that a flaw of Buteo's foil. What flaws could I give", "I feel as if it would make him too unlikeable and I'm thinking", "Buteo, he is one of my story's protagonists. He is very neat and", "of is making him controlling, but I feel as if it would make", "to a schedule. Buteo is a perfectionist when it comes to himself, but", "that his self-sacrifice will inspire people to be better. The only flaw I", "He really does not like change. He keeps to a schedule. Buteo is", "that he has let someone down. He sacrifices everything for others. Buteo believes", "is one of my story's protagonists. He is very neat and organized. He", "not like change. He keeps to a schedule. Buteo is a perfectionist when", "and that everyone should try to make it better. He believes that his", "it comes to others. He gets upset and embarrassed if he feels that", "organized. He really does not like change. He keeps to a schedule. Buteo", "better. The only flaw I can think of is making him controlling, but", "will inspire people to be better. The only flaw I can think of", "comes to others. He gets upset and embarrassed if he feels that he", "he feels that he has let someone down. He sacrifices everything for others.", "only flaw I can think of is making him controlling, but I feel", "is making him controlling, but I feel as if it would make him", "self-sacrifice will inspire people to be better. The only flaw I can think", "it better. He believes that his self-sacrifice will inspire people to be better.", "thinking of making that a flaw of Buteo's foil. What flaws could I", "does not like change. He keeps to a schedule. Buteo is a perfectionist", "believes that the world is deeply flawed and that everyone should try to", "that everyone should try to make it better. He believes that his self-sacrifice", "make it better. He believes that his self-sacrifice will inspire people to be", "schedule. Buteo is a perfectionist when it comes to himself, but gives a", "feels that he has let someone down. He sacrifices everything for others. Buteo", "unlikeable and I'm thinking of making that a flaw of Buteo's foil. What", "sacrifices everything for others. Buteo believes that the world is deeply flawed and", "of leeway when it comes to others. He gets upset and embarrassed if", "neat and organized. He really does not like change. He keeps to a", "protagonists. He is very neat and organized. He really does not like change.", "flawed and that everyone should try to make it better. He believes that", "named Buteo, he is one of my story's protagonists. He is very neat", "him too unlikeable and I'm thinking of making that a flaw of Buteo's", "like change. He keeps to a schedule. Buteo is a perfectionist when it", "would make him too unlikeable and I'm thinking of making that a flaw", "himself, but gives a lot of leeway when it comes to others. He", "everyone should try to make it better. He believes that his self-sacrifice will", "people to be better. The only flaw I can think of is making", "He sacrifices everything for others. Buteo believes that the world is deeply flawed", "and embarrassed if he feels that he has let someone down. He sacrifices", "others. Buteo believes that the world is deeply flawed and that everyone should", "he has let someone down. He sacrifices everything for others. Buteo believes that", "a lot of leeway when it comes to others. He gets upset and", "I can think of is making him controlling, but I feel as if", "is very neat and organized. He really does not like change. He keeps", "gives a lot of leeway when it comes to others. He gets upset", "believes that his self-sacrifice will inspire people to be better. The only flaw", "has let someone down. He sacrifices everything for others. Buteo believes that the", "but I feel as if it would make him too unlikeable and I'm", "story's protagonists. He is very neat and organized. He really does not like", "that a flaw of Buteo's foil. What flaws could I give him instead?", "making that a flaw of Buteo's foil. What flaws could I give him", "deeply flawed and that everyone should try to make it better. He believes", "is deeply flawed and that everyone should try to make it better. He", "as if it would make him too unlikeable and I'm thinking of making", "lot of leeway when it comes to others. He gets upset and embarrassed", "a perfectionist when it comes to himself, but gives a lot of leeway", "the world is deeply flawed and that everyone should try to make it", "him controlling, but I feel as if it would make him too unlikeable", "change. He keeps to a schedule. Buteo is a perfectionist when it comes", "it comes to himself, but gives a lot of leeway when it comes", "better. He believes that his self-sacrifice will inspire people to be better. The", "The only flaw I can think of is making him controlling, but I", "is a perfectionist when it comes to himself, but gives a lot of", "embarrassed if he feels that he has let someone down. He sacrifices everything", "think of is making him controlling, but I feel as if it would", "is named Buteo, he is one of my story's protagonists. He is very", "my story's protagonists. He is very neat and organized. He really does not", "leeway when it comes to others. He gets upset and embarrassed if he", "can think of is making him controlling, but I feel as if it", "to himself, but gives a lot of leeway when it comes to others.", "someone down. He sacrifices everything for others. Buteo believes that the world is", "and I'm thinking of making that a flaw of Buteo's foil. What flaws", "try to make it better. He believes that his self-sacrifice will inspire people", "to be better. The only flaw I can think of is making him", "perfectionist when it comes to himself, but gives a lot of leeway when", "He gets upset and embarrassed if he feels that he has let someone", "too unlikeable and I'm thinking of making that a flaw of Buteo's foil.", "Buteo is a perfectionist when it comes to himself, but gives a lot", "he is one of my story's protagonists. He is very neat and organized.", "should try to make it better. He believes that his self-sacrifice will inspire", "very neat and organized. He really does not like change. He keeps to", "He keeps to a schedule. Buteo is a perfectionist when it comes to", "a schedule. Buteo is a perfectionist when it comes to himself, but gives", "if he feels that he has let someone down. He sacrifices everything for", "down. He sacrifices everything for others. Buteo believes that the world is deeply", "to make it better. He believes that his self-sacrifice will inspire people to", "My character is named Buteo, he is one of my story's protagonists. He", "but gives a lot of leeway when it comes to others. He gets", "He believes that his self-sacrifice will inspire people to be better. The only", "and organized. He really does not like change. He keeps to a schedule.", "Buteo believes that the world is deeply flawed and that everyone should try", "make him too unlikeable and I'm thinking of making that a flaw of", "character is named Buteo, he is one of my story's protagonists. He is", "keeps to a schedule. Buteo is a perfectionist when it comes to himself,", "his self-sacrifice will inspire people to be better. The only flaw I can", "I'm thinking of making that a flaw of Buteo's foil. What flaws could", "one of my story's protagonists. He is very neat and organized. He really", "controlling, but I feel as if it would make him too unlikeable and", "everything for others. Buteo believes that the world is deeply flawed and that", "to others. He gets upset and embarrassed if he feels that he has", "be better. The only flaw I can think of is making him controlling,", "feel as if it would make him too unlikeable and I'm thinking of", "others. He gets upset and embarrassed if he feels that he has let", "really does not like change. He keeps to a schedule. Buteo is a", "if it would make him too unlikeable and I'm thinking of making that", "for others. Buteo believes that the world is deeply flawed and that everyone", "upset and embarrassed if he feels that he has let someone down. He", "world is deeply flawed and that everyone should try to make it better.", "that the world is deeply flawed and that everyone should try to make", "it would make him too unlikeable and I'm thinking of making that a" ]
[ "but on official Roman business he uses the name \"Odaenathus.\" I have other", "are Romanized easterners living on the desert frontier. They have both native Aramaic", "story is set in the later Roman Empire, but the characters are Romanized", "but rather two forms of the same name. My story is set in", "Aramaic in private and lives in a mostly-Aramaic speaking area where he is", "name \"Odaenathus.\" I have other Roman POVs that also call him this. The", "area where he is called \"Odainat\" by most including his wife, but on", "Well not two distinct names, but rather two forms of the same name.", "They have both native Aramaic names and Latinized names. For example, the main", "where he is called \"Odainat\" by most including his wife, but on official", "rather two forms of the same name. My story is set in the", "names. For example, the main character's husband is the Roman governor of Syria.", "forms of the same name. My story is set in the later Roman", "speaking area where he is called \"Odainat\" by most including his wife, but", "the two forms of the name would appear with equal frequency. I wanted", "the name \"Odaenathus.\" I have other Roman POVs that also call him this.", "wife, but on official Roman business he uses the name \"Odaenathus.\" I have", "the Roman governor of Syria. He speaks Aramaic in private and lives in", "private and lives in a mostly-Aramaic speaking area where he is called \"Odainat\"", "two distinct names, but rather two forms of the same name. My story", "is the Roman governor of Syria. He speaks Aramaic in private and lives", "equal frequency. I wanted to use both to be historically accurate, but I'm", "call him this. The way I planned it, the two forms of the", "example, the main character's husband is the Roman governor of Syria. He speaks", "other Roman POVs that also call him this. The way I planned it,", "most including his wife, but on official Roman business he uses the name", "later Roman Empire, but the characters are Romanized easterners living on the desert", "living on the desert frontier. They have both native Aramaic names and Latinized", "a character with two names. Well not two distinct names, but rather two", "also call him this. The way I planned it, the two forms of", "way I planned it, the two forms of the name would appear with", "the main character's husband is the Roman governor of Syria. He speaks Aramaic", "character's husband is the Roman governor of Syria. He speaks Aramaic in private", "Roman Empire, but the characters are Romanized easterners living on the desert frontier.", "lives in a mostly-Aramaic speaking area where he is called \"Odainat\" by most", "him this. The way I planned it, the two forms of the name", "to use both to be historically accurate, but I'm wondering whether or not", "that also call him this. The way I planned it, the two forms", "forms of the name would appear with equal frequency. I wanted to use", "husband is the Roman governor of Syria. He speaks Aramaic in private and", "by most including his wife, but on official Roman business he uses the", "he uses the name \"Odaenathus.\" I have other Roman POVs that also call", "distinct names, but rather two forms of the same name. My story is", "this. The way I planned it, the two forms of the name would", "the characters are Romanized easterners living on the desert frontier. They have both", "wanted to use both to be historically accurate, but I'm wondering whether or", "Empire, but the characters are Romanized easterners living on the desert frontier. They", "use both to be historically accurate, but I'm wondering whether or not this", "the same name. My story is set in the later Roman Empire, but", "to be historically accurate, but I'm wondering whether or not this will be", "of Syria. He speaks Aramaic in private and lives in a mostly-Aramaic speaking", "official Roman business he uses the name \"Odaenathus.\" I have other Roman POVs", "with equal frequency. I wanted to use both to be historically accurate, but", "in the later Roman Empire, but the characters are Romanized easterners living on", "characters are Romanized easterners living on the desert frontier. They have both native", "Roman governor of Syria. He speaks Aramaic in private and lives in a", "appear with equal frequency. I wanted to use both to be historically accurate,", "of the same name. My story is set in the later Roman Empire,", "POVs that also call him this. The way I planned it, the two", "My story is set in the later Roman Empire, but the characters are", "frontier. They have both native Aramaic names and Latinized names. For example, the", "Roman business he uses the name \"Odaenathus.\" I have other Roman POVs that", "whether or not this will be annoying or confusing to the reader. Any", "with two names. Well not two distinct names, but rather two forms of", "is set in the later Roman Empire, but the characters are Romanized easterners", "two forms of the same name. My story is set in the later", "have both native Aramaic names and Latinized names. For example, the main character's", "of the name would appear with equal frequency. I wanted to use both", "planned it, the two forms of the name would appear with equal frequency.", "uses the name \"Odaenathus.\" I have other Roman POVs that also call him", "Romanized easterners living on the desert frontier. They have both native Aramaic names", "historically accurate, but I'm wondering whether or not this will be annoying or", "I'm wondering whether or not this will be annoying or confusing to the", "it, the two forms of the name would appear with equal frequency. I", "the desert frontier. They have both native Aramaic names and Latinized names. For", "is called \"Odainat\" by most including his wife, but on official Roman business", "Syria. He speaks Aramaic in private and lives in a mostly-Aramaic speaking area", "or not this will be annoying or confusing to the reader. Any advice?", "main character's husband is the Roman governor of Syria. He speaks Aramaic in", "the name would appear with equal frequency. I wanted to use both to", "including his wife, but on official Roman business he uses the name \"Odaenathus.\"", "Latinized names. For example, the main character's husband is the Roman governor of", "be historically accurate, but I'm wondering whether or not this will be annoying", "\"Odaenathus.\" I have other Roman POVs that also call him this. The way", "on the desert frontier. They have both native Aramaic names and Latinized names.", "both native Aramaic names and Latinized names. For example, the main character's husband", "character with two names. Well not two distinct names, but rather two forms", "two names. Well not two distinct names, but rather two forms of the", "the later Roman Empire, but the characters are Romanized easterners living on the", "but the characters are Romanized easterners living on the desert frontier. They have", "For example, the main character's husband is the Roman governor of Syria. He", "I wanted to use both to be historically accurate, but I'm wondering whether", "a mostly-Aramaic speaking area where he is called \"Odainat\" by most including his", "he is called \"Odainat\" by most including his wife, but on official Roman", "both to be historically accurate, but I'm wondering whether or not this will", "desert frontier. They have both native Aramaic names and Latinized names. For example,", "names. Well not two distinct names, but rather two forms of the same", "Aramaic names and Latinized names. For example, the main character's husband is the", "and lives in a mostly-Aramaic speaking area where he is called \"Odainat\" by", "same name. My story is set in the later Roman Empire, but the", "in a mostly-Aramaic speaking area where he is called \"Odainat\" by most including", "his wife, but on official Roman business he uses the name \"Odaenathus.\" I", "set in the later Roman Empire, but the characters are Romanized easterners living", "I have other Roman POVs that also call him this. The way I", "have other Roman POVs that also call him this. The way I planned", "accurate, but I'm wondering whether or not this will be annoying or confusing", "not two distinct names, but rather two forms of the same name. My", "names and Latinized names. For example, the main character's husband is the Roman", "in private and lives in a mostly-Aramaic speaking area where he is called", "The way I planned it, the two forms of the name would appear", "two forms of the name would appear with equal frequency. I wanted to", "I have a character with two names. Well not two distinct names, but", "easterners living on the desert frontier. They have both native Aramaic names and", "name would appear with equal frequency. I wanted to use both to be", "called \"Odainat\" by most including his wife, but on official Roman business he", "Roman POVs that also call him this. The way I planned it, the", "wondering whether or not this will be annoying or confusing to the reader.", "mostly-Aramaic speaking area where he is called \"Odainat\" by most including his wife,", "governor of Syria. He speaks Aramaic in private and lives in a mostly-Aramaic", "have a character with two names. Well not two distinct names, but rather", "name. My story is set in the later Roman Empire, but the characters", "\"Odainat\" by most including his wife, but on official Roman business he uses", "business he uses the name \"Odaenathus.\" I have other Roman POVs that also", "frequency. I wanted to use both to be historically accurate, but I'm wondering", "native Aramaic names and Latinized names. For example, the main character's husband is", "He speaks Aramaic in private and lives in a mostly-Aramaic speaking area where", "speaks Aramaic in private and lives in a mostly-Aramaic speaking area where he", "I planned it, the two forms of the name would appear with equal", "but I'm wondering whether or not this will be annoying or confusing to", "on official Roman business he uses the name \"Odaenathus.\" I have other Roman", "and Latinized names. For example, the main character's husband is the Roman governor", "names, but rather two forms of the same name. My story is set", "would appear with equal frequency. I wanted to use both to be historically" ]
[ "rare instances where the character simply CANT die, or it would destroy the", "how did it feel so I can use it for reference? I’ve looked", "the characters breaks his leg, and the first person narrator is describing it,", "my MCs would never be able to get out of bed. He did", "person narrator is describing it, but I’ve never broken anything before. Neither has", "sort of... be dead. He fell off a cliff. Now, I know I’m", "It’s also one of those rare instances where the character simply CANT die,", "a leg, how did it feel so I can use it for reference?", "if it’s REALLY bad, literally half of the characters died anyway. I can’t", "anyone I know of. I can’t really tell my reader how it feels.", "be dead. He fell off a cliff. Now, I know I’m supposed to", "it’s an earlier one, and I didn’t really know what I was doing,", "leg, and the first person narrator is describing it, but I’ve never broken", "Neither has anyone I know of. I can’t really tell my reader how", "ago because it’s an earlier one, and I didn’t really know what I", "I was doing, so it sounded bad. Anyway, one of the characters breaks", "was doing, so it sounded bad. Anyway, one of the characters breaks his", "can’t really tell my reader how it feels. For anyone who has broken", "story if everyone’s dead. It’s also one of those rare instances where the", "those rare instances where the character simply CANT die, or it would destroy", "an earlier one, and I didn’t really know what I was doing, so", "twenty feet from the ground by grabbing a tree root that pulled free", "it, the character should kind of sort of... be dead. He fell off", "know I’m supposed to stick with the most realistic stuff, but I simply", "not going to go break my leg for a better book. To be", "his purpose but all the characters present are also characters that can’t die.", "this character once he’s served his purpose but all the characters present are", "simply can’t do that or my MCs would never be able to get", "wrote a few months ago because it’s an earlier one, and I didn’t", "I didn’t really know what I was doing, so it sounded bad. Anyway,", "what I was doing, so it sounded bad. Anyway, one of the characters", "supposed to stick with the most realistic stuff, but I simply can’t do", "bestsellers, so I figured I could get away with this, especially since I", "of those rare instances where the character simply CANT die, or it would", "better book. To be more clear on the severity of it, the character", "three bestseller series by the author Rick Riordan, and his characters should have", "first person narrator is describing it, but I’ve never broken anything before. Neither", "bad. Anyway, one of the characters breaks his leg, and the first person", "narrator is describing it, but I’ve never broken anything before. Neither has anyone", "I can use it for reference? I’ve looked at similar questions. Most say", "and his characters should have never been able to survive a few things", "stuff, but I simply can’t do that or my MCs would never be", "tree root that pulled free from the wall, however. And I know he", "dead. It’s also one of those rare instances where the character simply CANT", "someone not as important die, and then kill this character once he’s served", "can’t do that or my MCs would never be able to get out", "going to go break my leg for a better book. To be more", "the character simply CANT die, or it would destroy the entire plot. Normally", "should have never been able to survive a few things that they did.", "able to survive a few things that they did. They were all still", "and I didn’t really know what I was doing, so it sounded bad.", "reader how it feels. For anyone who has broken a leg, how did", "I would just have someone not as important die, and then kill this", "of the characters died anyway. I can’t have a story if everyone’s dead.", "it, but I’ve never broken anything before. Neither has anyone I know of.", "reference? I’ve looked at similar questions. Most say record how pain felt when", "by the author Rick Riordan, and his characters should have never been able", "Riordan, and his characters should have never been able to survive a few", "it feels. For anyone who has broken a leg, how did it feel", "a tree root that pulled free from the wall, however. And I know", "audience. And even though in my fantasy world people only die if it’s", "die, and then kill this character once he’s served his purpose but all", "plot. Normally I would just have someone not as important die, and then", "away with this, especially since I have the same target audience. And even", "months ago because it’s an earlier one, and I didn’t really know what", "the character should kind of sort of... be dead. He fell off a", "series. I am re-writing a chapter that I wrote a few months ago", "Most say record how pain felt when you yourself felt it, but I’m", "that they did. They were all still bestsellers, so I figured I could", "technically still be dead, but I’ve read three bestseller series by the author", "the severity of it, the character should kind of sort of... be dead.", "characters died anyway. I can’t have a story if everyone’s dead. It’s also", "has anyone I know of. I can’t really tell my reader how it", "REALLY bad, literally half of the characters died anyway. I can’t have a", "And even though in my fantasy world people only die if it’s REALLY", "to stick with the most realistic stuff, but I simply can’t do that", "root that pulled free from the wall, however. And I know he should", "I figured I could get away with this, especially since I have the", "few things that they did. They were all still bestsellers, so I figured", "kill this character once he’s served his purpose but all the characters present", "the ground by grabbing a tree root that pulled free from the wall,", "I have the same target audience. And even though in my fantasy world", "never been able to survive a few things that they did. They were", "entire plot. Normally I would just have someone not as important die, and", "though in my fantasy world people only die if it’s REALLY bad, literally", "do that or my MCs would never be able to get out of", "I can’t have a story if everyone’s dead. It’s also one of those", "world people only die if it’s REALLY bad, literally half of the characters", "die, or it would destroy the entire plot. Normally I would just have", "know of. I can’t really tell my reader how it feels. For anyone", "as important die, and then kill this character once he’s served his purpose", "writing a fantasy series. I am re-writing a chapter that I wrote a", "a cliff. Now, I know I’m supposed to stick with the most realistic", "bad, literally half of the characters died anyway. I can’t have a story", "more clear on the severity of it, the character should kind of sort", "looked at similar questions. Most say record how pain felt when you yourself", "I know I’m supposed to stick with the most realistic stuff, but I", "I’m not going to go break my leg for a better book. To", "pain felt when you yourself felt it, but I’m not going to go", "the most realistic stuff, but I simply can’t do that or my MCs", "once he’s served his purpose but all the characters present are also characters", "get away with this, especially since I have the same target audience. And", "the first person narrator is describing it, but I’ve never broken anything before.", "broken anything before. Neither has anyone I know of. I can’t really tell", "on the severity of it, the character should kind of sort of... be", "say record how pain felt when you yourself felt it, but I’m not", "from the ground by grabbing a tree root that pulled free from the", "would never be able to get out of bed. He did slow his", "his characters should have never been able to survive a few things that", "from the wall, however. And I know he should technically still be dead,", "characters should have never been able to survive a few things that they", "character should kind of sort of... be dead. He fell off a cliff.", "go break my leg for a better book. To be more clear on", "get out of bed. He did slow his fall twenty feet from the", "of. I can’t really tell my reader how it feels. For anyone who", "really know what I was doing, so it sounded bad. Anyway, one of", "leg, how did it feel so I can use it for reference? I’ve", "of sort of... be dead. He fell off a cliff. Now, I know", "instances where the character simply CANT die, or it would destroy the entire", "have the same target audience. And even though in my fantasy world people", "a young author writing a fantasy series. I am re-writing a chapter that", "describing it, but I’ve never broken anything before. Neither has anyone I know", "They were all still bestsellers, so I figured I could get away with", "have a story if everyone’s dead. It’s also one of those rare instances", "so it sounded bad. Anyway, one of the characters breaks his leg, and", "still bestsellers, so I figured I could get away with this, especially since", "fell off a cliff. Now, I know I’m supposed to stick with the", "be able to get out of bed. He did slow his fall twenty", "kind of sort of... be dead. He fell off a cliff. Now, I", "read three bestseller series by the author Rick Riordan, and his characters should", "if everyone’s dead. It’s also one of those rare instances where the character", "off a cliff. Now, I know I’m supposed to stick with the most", "able to get out of bed. He did slow his fall twenty feet", "fantasy world people only die if it’s REALLY bad, literally half of the", "how pain felt when you yourself felt it, but I’m not going to", "grabbing a tree root that pulled free from the wall, however. And I", "it’s REALLY bad, literally half of the characters died anyway. I can’t have", "it for reference? I’ve looked at similar questions. Most say record how pain", "how it feels. For anyone who has broken a leg, how did it", "Rick Riordan, and his characters should have never been able to survive a", "still be dead, but I’ve read three bestseller series by the author Rick", "series by the author Rick Riordan, and his characters should have never been", "clear on the severity of it, the character should kind of sort of...", "that or my MCs would never be able to get out of bed.", "cliff. Now, I know I’m supposed to stick with the most realistic stuff,", "you yourself felt it, but I’m not going to go break my leg", "did slow his fall twenty feet from the ground by grabbing a tree", "fall twenty feet from the ground by grabbing a tree root that pulled", "my reader how it feels. For anyone who has broken a leg, how", "young author writing a fantasy series. I am re-writing a chapter that I", "I simply can’t do that or my MCs would never be able to", "they did. They were all still bestsellers, so I figured I could get", "have never been able to survive a few things that they did. They", "anyway. I can’t have a story if everyone’s dead. It’s also one of", "stick with the most realistic stuff, but I simply can’t do that or", "died anyway. I can’t have a story if everyone’s dead. It’s also one", "his leg, and the first person narrator is describing it, but I’ve never", "am re-writing a chapter that I wrote a few months ago because it’s", "felt when you yourself felt it, but I’m not going to go break", "pulled free from the wall, however. And I know he should technically still", "a fantasy series. I am re-writing a chapter that I wrote a few", "a few months ago because it’s an earlier one, and I didn’t really", "I’ve looked at similar questions. Most say record how pain felt when you", "of bed. He did slow his fall twenty feet from the ground by", "to get out of bed. He did slow his fall twenty feet from", "even though in my fantasy world people only die if it’s REALLY bad,", "the entire plot. Normally I would just have someone not as important die,", "anything before. Neither has anyone I know of. I can’t really tell my", "can’t have a story if everyone’s dead. It’s also one of those rare", "should technically still be dead, but I’ve read three bestseller series by the", "it sounded bad. Anyway, one of the characters breaks his leg, and the", "breaks his leg, and the first person narrator is describing it, but I’ve", "be dead, but I’ve read three bestseller series by the author Rick Riordan,", "were all still bestsellers, so I figured I could get away with this,", "target audience. And even though in my fantasy world people only die if", "author writing a fantasy series. I am re-writing a chapter that I wrote", "things that they did. They were all still bestsellers, so I figured I", "I’m supposed to stick with the most realistic stuff, but I simply can’t", "in my fantasy world people only die if it’s REALLY bad, literally half", "To be more clear on the severity of it, the character should kind", "ground by grabbing a tree root that pulled free from the wall, however.", "use it for reference? I’ve looked at similar questions. Most say record how", "survive a few things that they did. They were all still bestsellers, so", "also one of those rare instances where the character simply CANT die, or", "really tell my reader how it feels. For anyone who has broken a", "who has broken a leg, how did it feel so I can use", "especially since I have the same target audience. And even though in my", "never be able to get out of bed. He did slow his fall", "am a young author writing a fantasy series. I am re-writing a chapter", "I know of. I can’t really tell my reader how it feels. For", "would just have someone not as important die, and then kill this character", "just have someone not as important die, and then kill this character once", "tell my reader how it feels. For anyone who has broken a leg,", "bestseller series by the author Rick Riordan, and his characters should have never", "out of bed. He did slow his fall twenty feet from the ground", "simply CANT die, or it would destroy the entire plot. Normally I would", "MCs would never be able to get out of bed. He did slow", "I could get away with this, especially since I have the same target", "I wrote a few months ago because it’s an earlier one, and I", "since I have the same target audience. And even though in my fantasy", "important die, and then kill this character once he’s served his purpose but", "author Rick Riordan, and his characters should have never been able to survive", "not as important die, and then kill this character once he’s served his", "dead. He fell off a cliff. Now, I know I’m supposed to stick", "so I can use it for reference? I’ve looked at similar questions. Most", "but I’m not going to go break my leg for a better book.", "has broken a leg, how did it feel so I can use it", "free from the wall, however. And I know he should technically still be", "by grabbing a tree root that pulled free from the wall, however. And", "He did slow his fall twenty feet from the ground by grabbing a", "of it, the character should kind of sort of... be dead. He fell", "I’ve never broken anything before. Neither has anyone I know of. I can’t", "served his purpose but all the characters present are also characters that can’t", "however. And I know he should technically still be dead, but I’ve read", "sounded bad. Anyway, one of the characters breaks his leg, and the first", "a story if everyone’s dead. It’s also one of those rare instances where", "For anyone who has broken a leg, how did it feel so I", "one, and I didn’t really know what I was doing, so it sounded", "slow his fall twenty feet from the ground by grabbing a tree root", "literally half of the characters died anyway. I can’t have a story if", "and the first person narrator is describing it, but I’ve never broken anything", "for reference? I’ve looked at similar questions. Most say record how pain felt", "the wall, however. And I know he should technically still be dead, but", "I know he should technically still be dead, but I’ve read three bestseller", "severity of it, the character should kind of sort of... be dead. He", "only die if it’s REALLY bad, literally half of the characters died anyway.", "didn’t really know what I was doing, so it sounded bad. Anyway, one", "with the most realistic stuff, but I simply can’t do that or my", "a chapter that I wrote a few months ago because it’s an earlier", "that pulled free from the wall, however. And I know he should technically", "at similar questions. Most say record how pain felt when you yourself felt", "book. To be more clear on the severity of it, the character should", "anyone who has broken a leg, how did it feel so I can", "then kill this character once he’s served his purpose but all the characters", "wall, however. And I know he should technically still be dead, but I’ve", "for a better book. To be more clear on the severity of it,", "fantasy series. I am re-writing a chapter that I wrote a few months", "break my leg for a better book. To be more clear on the", "where the character simply CANT die, or it would destroy the entire plot.", "dead, but I’ve read three bestseller series by the author Rick Riordan, and", "characters breaks his leg, and the first person narrator is describing it, but", "it feel so I can use it for reference? I’ve looked at similar", "most realistic stuff, but I simply can’t do that or my MCs would", "because it’s an earlier one, and I didn’t really know what I was", "half of the characters died anyway. I can’t have a story if everyone’s", "similar questions. Most say record how pain felt when you yourself felt it,", "Normally I would just have someone not as important die, and then kill", "Now, I know I’m supposed to stick with the most realistic stuff, but", "with this, especially since I have the same target audience. And even though", "doing, so it sounded bad. Anyway, one of the characters breaks his leg,", "I am a young author writing a fantasy series. I am re-writing a", "my leg for a better book. To be more clear on the severity", "or my MCs would never be able to get out of bed. He", "that I wrote a few months ago because it’s an earlier one, and", "everyone’s dead. It’s also one of those rare instances where the character simply", "I’ve read three bestseller series by the author Rick Riordan, and his characters", "die if it’s REALLY bad, literally half of the characters died anyway. I", "chapter that I wrote a few months ago because it’s an earlier one,", "before. Neither has anyone I know of. I can’t really tell my reader", "people only die if it’s REALLY bad, literally half of the characters died", "have someone not as important die, and then kill this character once he’s", "to go break my leg for a better book. To be more clear", "but I’ve read three bestseller series by the author Rick Riordan, and his", "can use it for reference? I’ve looked at similar questions. Most say record", "and then kill this character once he’s served his purpose but all the", "feels. For anyone who has broken a leg, how did it feel so", "Anyway, one of the characters breaks his leg, and the first person narrator", "could get away with this, especially since I have the same target audience.", "one of the characters breaks his leg, and the first person narrator is", "did it feel so I can use it for reference? I’ve looked at", "it would destroy the entire plot. Normally I would just have someone not", "feet from the ground by grabbing a tree root that pulled free from", "this, especially since I have the same target audience. And even though in", "but I simply can’t do that or my MCs would never be able", "felt it, but I’m not going to go break my leg for a", "destroy the entire plot. Normally I would just have someone not as important", "a few things that they did. They were all still bestsellers, so I", "character once he’s served his purpose but all the characters present are also", "yourself felt it, but I’m not going to go break my leg for", "one of those rare instances where the character simply CANT die, or it", "but I’ve never broken anything before. Neither has anyone I know of. I", "my fantasy world people only die if it’s REALLY bad, literally half of", "I am re-writing a chapter that I wrote a few months ago because", "so I figured I could get away with this, especially since I have", "re-writing a chapter that I wrote a few months ago because it’s an", "He fell off a cliff. Now, I know I’m supposed to stick with", "is describing it, but I’ve never broken anything before. Neither has anyone I", "figured I could get away with this, especially since I have the same", "bed. He did slow his fall twenty feet from the ground by grabbing", "of... be dead. He fell off a cliff. Now, I know I’m supposed", "be more clear on the severity of it, the character should kind of", "the characters died anyway. I can’t have a story if everyone’s dead. It’s", "been able to survive a few things that they did. They were all", "should kind of sort of... be dead. He fell off a cliff. Now,", "to survive a few things that they did. They were all still bestsellers,", "when you yourself felt it, but I’m not going to go break my", "And I know he should technically still be dead, but I’ve read three", "know he should technically still be dead, but I’ve read three bestseller series", "did. They were all still bestsellers, so I figured I could get away", "he should technically still be dead, but I’ve read three bestseller series by", "record how pain felt when you yourself felt it, but I’m not going", "he’s served his purpose but all the characters present are also characters that", "broken a leg, how did it feel so I can use it for", "the author Rick Riordan, and his characters should have never been able to", "all still bestsellers, so I figured I could get away with this, especially", "a better book. To be more clear on the severity of it, the", "I can’t really tell my reader how it feels. For anyone who has", "would destroy the entire plot. Normally I would just have someone not as", "never broken anything before. Neither has anyone I know of. I can’t really", "realistic stuff, but I simply can’t do that or my MCs would never", "earlier one, and I didn’t really know what I was doing, so it", "leg for a better book. To be more clear on the severity of", "know what I was doing, so it sounded bad. Anyway, one of the", "of the characters breaks his leg, and the first person narrator is describing", "questions. Most say record how pain felt when you yourself felt it, but", "CANT die, or it would destroy the entire plot. Normally I would just", "few months ago because it’s an earlier one, and I didn’t really know", "or it would destroy the entire plot. Normally I would just have someone", "his fall twenty feet from the ground by grabbing a tree root that", "same target audience. And even though in my fantasy world people only die", "it, but I’m not going to go break my leg for a better", "character simply CANT die, or it would destroy the entire plot. Normally I", "the same target audience. And even though in my fantasy world people only", "feel so I can use it for reference? I’ve looked at similar questions." ]
[ "to remember that while the two characters are out of the spotlight -", "characters are still alive and doing stuff even if they are not in", "\"Character 1 has healed some more,\" every time we pop back into Character", "would be to say \"20 days later this and this happened,\" at the", "one of my characters is healing from wounds. By saying \"20 days later\",", "about writing a long period of elapsed time. I have three main characters", "particular chapter. It would also get redundant just to say, \"Character 1 has", "my question answers. Also, my question will appeal to a much larger group", "has healed some more,\" every time we pop back into Character 1's life", "group of people. The second link is about showing characters aging throughout a", "two characters have settled into a routine, and it is only important for", "redundant just to say, \"Character 1 has healed some more,\" every time we", "Just in case someone says that [this question](https://writing.stackexchange.com/questions/12568/how-do-i-cover-a-lengthy-time-period-with-only-a-few-interesting-details) and [this question](https://writing.stackexchange.com/questions/21171/how-do-i-show-a-long-amount-of-time-has-passed) are similar", "How to write a long period of elapsed time while also reminding the", "couple of their scenes during the 4-6 month period for update purposes only.", "to say, \"Character 1 has healed some more,\" every time we pop back", "\"20 days later this and this happened,\" at the beginning of each update,", "that [this question](https://writing.stackexchange.com/questions/12568/how-do-i-cover-a-lengthy-time-period-with-only-a-few-interesting-details) and [this question](https://writing.stackexchange.com/questions/21171/how-do-i-show-a-long-amount-of-time-has-passed) are similar to mine, I already have", "to mine, I already have my case: The first link is to a", "contributing to the story? --- Just in case someone says that [this question](https://writing.stackexchange.com/questions/12568/how-do-i-cover-a-lengthy-time-period-with-only-a-few-interesting-details)", "three main characters who each get their own chapters from their POV. Two", "in my book for some time. I'm talking about 4-6 months here. The", "my book for some time. I'm talking about 4-6 months here. The two", "it is only important for me to show only a couple of their", "to the story. For example, one of my characters is healing from wounds.", "a particular chapter. It would also get redundant just to say, \"Character 1", "question](https://writing.stackexchange.com/questions/12568/how-do-i-cover-a-lengthy-time-period-with-only-a-few-interesting-details) and [this question](https://writing.stackexchange.com/questions/21171/how-do-i-show-a-long-amount-of-time-has-passed) are similar to mine, I already have my case:", "I fear the readers will assume that the healing has made no progress.", "update, but I want readers to remember that while the two characters are", "says that [this question](https://writing.stackexchange.com/questions/12568/how-do-i-cover-a-lengthy-time-period-with-only-a-few-interesting-details) and [this question](https://writing.stackexchange.com/questions/21171/how-do-i-show-a-long-amount-of-time-has-passed) are similar to mine, I already", "I want to remind the readers that the characters are still alive and", "question that is asking about a much smaller time period where the character", "each update, but I want readers to remember that while the two characters", "of my characters is healing from wounds. By saying \"20 days later\", I", "the healing has made no progress. I want to remind the readers that", "readers will assume that the healing has made no progress. I want to", "routine, and it is only important for me to show only a couple", "significant, with irreverent to my question answers. Also, my question will appeal to", "to remind the readers that the characters are still alive and doing stuff", "to do would be to say \"20 days later this and this happened,\"", "time while also reminding the reader that while characters are out of the", "characters who each get their own chapters from their POV. Two of those", "want readers to remember that while the two characters are out of the", "main characters who each get their own chapters from their POV. Two of", "long period of elapsed time. I have three main characters who each get", "from wounds. By saying \"20 days later\", I fear the readers will assume", "month period for update purposes only. The obvious thing to do would be", "are not in a particular chapter. It would also get redundant just to", "still contributing to the story? --- Just in case someone says that [this", "story? --- Just in case someone says that [this question](https://writing.stackexchange.com/questions/12568/how-do-i-cover-a-lengthy-time-period-with-only-a-few-interesting-details) and [this question](https://writing.stackexchange.com/questions/21171/how-do-i-show-a-long-amount-of-time-has-passed)", "elapsed time. I have three main characters who each get their own chapters", "mine, I already have my case: The first link is to a question", "only. The obvious thing to do would be to say \"20 days later", "story. For example, one of my characters is healing from wounds. By saying", "the characters are still alive and doing stuff even if they are not", "[this question](https://writing.stackexchange.com/questions/21171/how-do-i-show-a-long-amount-of-time-has-passed) are similar to mine, I already have my case: The first", "- they are still contributing to the story? --- Just in case someone", "much larger group of people. The second link is about showing characters aging", "back into Character 1's life for an update. So I guess my question", "get their own chapters from their POV. Two of those three characters do", "smaller time period where the character does nothing significant, with irreverent to my", "is only important for me to show only a couple of their scenes", "healing from wounds. By saying \"20 days later\", I fear the readers will", "about a much smaller time period where the character does nothing significant, with", "pop back into Character 1's life for an update. So I guess my", "case someone says that [this question](https://writing.stackexchange.com/questions/12568/how-do-i-cover-a-lengthy-time-period-with-only-a-few-interesting-details) and [this question](https://writing.stackexchange.com/questions/21171/how-do-i-show-a-long-amount-of-time-has-passed) are similar to mine,", "a much larger group of people. The second link is about showing characters", "get redundant just to say, \"Character 1 has healed some more,\" every time", "will appeal to a much larger group of people. The second link is", "chapter. It would also get redundant just to say, \"Character 1 has healed", "progress. I want to remind the readers that the characters are still alive", "to the story? --- Just in case someone says that [this question](https://writing.stackexchange.com/questions/12568/how-do-i-cover-a-lengthy-time-period-with-only-a-few-interesting-details) and", "if they are not in a particular chapter. It would also get redundant", "made no progress. I want to remind the readers that the characters are", "question about writing a long period of elapsed time. I have three main", "have my case: The first link is to a question that is asking", "appeal to a much larger group of people. The second link is about", "only important for me to show only a couple of their scenes during", "have settled into a routine, and it is only important for me to", "of those three characters do not need much attention in my book for", "stuff even if they are not in a particular chapter. It would also", "have a question about writing a long period of elapsed time. I have", "- they are still contributing to the story. For example, one of my", "they are still contributing to the story? --- Just in case someone says", "writing a long period of elapsed time. I have three main characters who", "healing has made no progress. I want to remind the readers that the", "for me to show only a couple of their scenes during the 4-6", "is asking about a much smaller time period where the character does nothing", "elapsed time while also reminding the reader that while characters are out of", "my question will appeal to a much larger group of people. The second", "to a much larger group of people. The second link is about showing", "of their scenes during the 4-6 month period for update purposes only. The", "For example, one of my characters is healing from wounds. By saying \"20", "of elapsed time while also reminding the reader that while characters are out", "of the spotlight - they are still contributing to the story. For example,", "and doing stuff even if they are not in a particular chapter. It", "Today I have a question about writing a long period of elapsed time.", "characters do not need much attention in my book for some time. I'm", "period of elapsed time while also reminding the reader that while characters are", "important for me to show only a couple of their scenes during the", "from their POV. Two of those three characters do not need much attention", "at the beginning of each update, but I want readers to remember that", "of each update, but I want readers to remember that while the two", "and [this question](https://writing.stackexchange.com/questions/21171/how-do-i-show-a-long-amount-of-time-has-passed) are similar to mine, I already have my case: The", "are still contributing to the story. For example, one of my characters is", "no progress. I want to remind the readers that the characters are still", "not need much attention in my book for some time. I'm talking about", "beginning of each update, but I want readers to remember that while the", "of elapsed time. I have three main characters who each get their own", "time. I'm talking about 4-6 months here. The two characters have settled into", "much smaller time period where the character does nothing significant, with irreverent to", "have three main characters who each get their own chapters from their POV.", "reader that while characters are out of the spotlight - they are still", "guess my question is: How to write a long period of elapsed time", "spotlight - they are still contributing to the story? --- Just in case", "--- Just in case someone says that [this question](https://writing.stackexchange.com/questions/12568/how-do-i-cover-a-lengthy-time-period-with-only-a-few-interesting-details) and [this question](https://writing.stackexchange.com/questions/21171/how-do-i-show-a-long-amount-of-time-has-passed) are", "question is: How to write a long period of elapsed time while also", "The two characters have settled into a routine, and it is only important", "purposes only. The obvious thing to do would be to say \"20 days", "Also, my question will appeal to a much larger group of people. The", "and this happened,\" at the beginning of each update, but I want readers", "characters are out of the spotlight - they are still contributing to the", "a much smaller time period where the character does nothing significant, with irreverent", "people. The second link is about showing characters aging throughout a time period.", "to a question that is asking about a much smaller time period where", "three characters do not need much attention in my book for some time.", "much attention in my book for some time. I'm talking about 4-6 months", "show only a couple of their scenes during the 4-6 month period for", "that while the two characters are out of the spotlight - they are", "the spotlight - they are still contributing to the story. For example, one", "doing stuff even if they are not in a particular chapter. It would", "we pop back into Character 1's life for an update. So I guess", "a couple of their scenes during the 4-6 month period for update purposes", "be to say \"20 days later this and this happened,\" at the beginning", "later this and this happened,\" at the beginning of each update, but I", "By saying \"20 days later\", I fear the readers will assume that the", "would also get redundant just to say, \"Character 1 has healed some more,\"", "Character 1's life for an update. So I guess my question is: How", "are similar to mine, I already have my case: The first link is", "talking about 4-6 months here. The two characters have settled into a routine,", "is: How to write a long period of elapsed time while also reminding", "chapters from their POV. Two of those three characters do not need much", "wounds. By saying \"20 days later\", I fear the readers will assume that", "in a particular chapter. It would also get redundant just to say, \"Character", "every time we pop back into Character 1's life for an update. So", "The first link is to a question that is asking about a much", "that is asking about a much smaller time period where the character does", "and it is only important for me to show only a couple of", "say \"20 days later this and this happened,\" at the beginning of each", "write a long period of elapsed time while also reminding the reader that", "say, \"Character 1 has healed some more,\" every time we pop back into", "who each get their own chapters from their POV. Two of those three", "the reader that while characters are out of the spotlight - they are", "spotlight - they are still contributing to the story. For example, one of", "settled into a routine, and it is only important for me to show", "The obvious thing to do would be to say \"20 days later this", "I have a question about writing a long period of elapsed time. I", "this happened,\" at the beginning of each update, but I want readers to", "a question that is asking about a much smaller time period where the", "the story? --- Just in case someone says that [this question](https://writing.stackexchange.com/questions/12568/how-do-i-cover-a-lengthy-time-period-with-only-a-few-interesting-details) and [this", "each get their own chapters from their POV. Two of those three characters", "also get redundant just to say, \"Character 1 has healed some more,\" every", "irreverent to my question answers. Also, my question will appeal to a much", "to show only a couple of their scenes during the 4-6 month period", "they are still contributing to the story. For example, one of my characters", "has made no progress. I want to remind the readers that the characters", "1 has healed some more,\" every time we pop back into Character 1's", "those three characters do not need much attention in my book for some", "will assume that the healing has made no progress. I want to remind", "case: The first link is to a question that is asking about a", "character does nothing significant, with irreverent to my question answers. Also, my question", "that while characters are out of the spotlight - they are still contributing", "are still alive and doing stuff even if they are not in a", "to write a long period of elapsed time while also reminding the reader", "a routine, and it is only important for me to show only a", "I want readers to remember that while the two characters are out of", "my case: The first link is to a question that is asking about", "book for some time. I'm talking about 4-6 months here. The two characters", "answers. Also, my question will appeal to a much larger group of people.", "It would also get redundant just to say, \"Character 1 has healed some", "that the characters are still alive and doing stuff even if they are", "does nothing significant, with irreverent to my question answers. Also, my question will", "while also reminding the reader that while characters are out of the spotlight", "but I want readers to remember that while the two characters are out", "this and this happened,\" at the beginning of each update, but I want", "more,\" every time we pop back into Character 1's life for an update.", "question](https://writing.stackexchange.com/questions/21171/how-do-i-show-a-long-amount-of-time-has-passed) are similar to mine, I already have my case: The first link", "to say \"20 days later this and this happened,\" at the beginning of", "question answers. Also, my question will appeal to a much larger group of", "larger group of people. The second link is about showing characters aging throughout", "during the 4-6 month period for update purposes only. The obvious thing to", "also reminding the reader that while characters are out of the spotlight -", "\"20 days later\", I fear the readers will assume that the healing has", "I guess my question is: How to write a long period of elapsed", "into Character 1's life for an update. So I guess my question is:", "period where the character does nothing significant, with irreverent to my question answers.", "in case someone says that [this question](https://writing.stackexchange.com/questions/12568/how-do-i-cover-a-lengthy-time-period-with-only-a-few-interesting-details) and [this question](https://writing.stackexchange.com/questions/21171/how-do-i-show-a-long-amount-of-time-has-passed) are similar to", "are out of the spotlight - they are still contributing to the story.", "the readers that the characters are still alive and doing stuff even if", "the character does nothing significant, with irreverent to my question answers. Also, my", "question will appeal to a much larger group of people. The second link", "the spotlight - they are still contributing to the story? --- Just in", "characters have settled into a routine, and it is only important for me", "period for update purposes only. The obvious thing to do would be to", "thing to do would be to say \"20 days later this and this", "that the healing has made no progress. I want to remind the readers", "not in a particular chapter. It would also get redundant just to say,", "out of the spotlight - they are still contributing to the story. For", "long period of elapsed time while also reminding the reader that while characters", "asking about a much smaller time period where the character does nothing significant,", "their POV. Two of those three characters do not need much attention in", "for update purposes only. The obvious thing to do would be to say", "days later\", I fear the readers will assume that the healing has made", "alive and doing stuff even if they are not in a particular chapter.", "update purposes only. The obvious thing to do would be to say \"20", "So I guess my question is: How to write a long period of", "readers that the characters are still alive and doing stuff even if they", "into a routine, and it is only important for me to show only", "out of the spotlight - they are still contributing to the story? ---", "attention in my book for some time. I'm talking about 4-6 months here.", "only a couple of their scenes during the 4-6 month period for update", "Two of those three characters do not need much attention in my book", "scenes during the 4-6 month period for update purposes only. The obvious thing", "they are not in a particular chapter. It would also get redundant just", "some more,\" every time we pop back into Character 1's life for an", "1's life for an update. So I guess my question is: How to", "[this question](https://writing.stackexchange.com/questions/12568/how-do-i-cover-a-lengthy-time-period-with-only-a-few-interesting-details) and [this question](https://writing.stackexchange.com/questions/21171/how-do-i-show-a-long-amount-of-time-has-passed) are similar to mine, I already have my", "similar to mine, I already have my case: The first link is to", "nothing significant, with irreverent to my question answers. Also, my question will appeal", "while characters are out of the spotlight - they are still contributing to", "are out of the spotlight - they are still contributing to the story?", "example, one of my characters is healing from wounds. By saying \"20 days", "own chapters from their POV. Two of those three characters do not need", "me to show only a couple of their scenes during the 4-6 month", "later\", I fear the readers will assume that the healing has made no", "still contributing to the story. For example, one of my characters is healing", "while the two characters are out of the spotlight - they are still", "even if they are not in a particular chapter. It would also get", "time we pop back into Character 1's life for an update. So I", "an update. So I guess my question is: How to write a long", "to my question answers. Also, my question will appeal to a much larger", "the two characters are out of the spotlight - they are still contributing", "remind the readers that the characters are still alive and doing stuff even", "is healing from wounds. By saying \"20 days later\", I fear the readers", "a long period of elapsed time while also reminding the reader that while", "are still contributing to the story? --- Just in case someone says that", "reminding the reader that while characters are out of the spotlight - they", "about 4-6 months here. The two characters have settled into a routine, and", "the beginning of each update, but I want readers to remember that while", "remember that while the two characters are out of the spotlight - they", "healed some more,\" every time we pop back into Character 1's life for", "a question about writing a long period of elapsed time. I have three", "is to a question that is asking about a much smaller time period", "do not need much attention in my book for some time. I'm talking", "here. The two characters have settled into a routine, and it is only", "two characters are out of the spotlight - they are still contributing to", "saying \"20 days later\", I fear the readers will assume that the healing", "POV. Two of those three characters do not need much attention in my", "need much attention in my book for some time. I'm talking about 4-6", "some time. I'm talking about 4-6 months here. The two characters have settled", "readers to remember that while the two characters are out of the spotlight", "for an update. So I guess my question is: How to write a", "their own chapters from their POV. Two of those three characters do not", "already have my case: The first link is to a question that is", "I already have my case: The first link is to a question that", "4-6 month period for update purposes only. The obvious thing to do would", "still alive and doing stuff even if they are not in a particular", "period of elapsed time. I have three main characters who each get their", "a long period of elapsed time. I have three main characters who each", "the readers will assume that the healing has made no progress. I want", "update. So I guess my question is: How to write a long period", "someone says that [this question](https://writing.stackexchange.com/questions/12568/how-do-i-cover-a-lengthy-time-period-with-only-a-few-interesting-details) and [this question](https://writing.stackexchange.com/questions/21171/how-do-i-show-a-long-amount-of-time-has-passed) are similar to mine, I", "time period where the character does nothing significant, with irreverent to my question", "of people. The second link is about showing characters aging throughout a time", "where the character does nothing significant, with irreverent to my question answers. Also,", "of the spotlight - they are still contributing to the story? --- Just", "for some time. I'm talking about 4-6 months here. The two characters have", "assume that the healing has made no progress. I want to remind the", "with irreverent to my question answers. Also, my question will appeal to a", "happened,\" at the beginning of each update, but I want readers to remember", "I have three main characters who each get their own chapters from their", "days later this and this happened,\" at the beginning of each update, but", "want to remind the readers that the characters are still alive and doing", "first link is to a question that is asking about a much smaller", "their scenes during the 4-6 month period for update purposes only. The obvious", "link is to a question that is asking about a much smaller time", "my question is: How to write a long period of elapsed time while", "my characters is healing from wounds. By saying \"20 days later\", I fear", "months here. The two characters have settled into a routine, and it is", "4-6 months here. The two characters have settled into a routine, and it", "time. I have three main characters who each get their own chapters from", "contributing to the story. For example, one of my characters is healing from", "do would be to say \"20 days later this and this happened,\" at", "characters is healing from wounds. By saying \"20 days later\", I fear the", "just to say, \"Character 1 has healed some more,\" every time we pop", "the 4-6 month period for update purposes only. The obvious thing to do", "fear the readers will assume that the healing has made no progress. I", "I'm talking about 4-6 months here. The two characters have settled into a", "the story. For example, one of my characters is healing from wounds. By", "life for an update. So I guess my question is: How to write", "obvious thing to do would be to say \"20 days later this and" ]
[ "go about it to family members, and none of them were impressed. They", "as idiots (I'm a teenager). They told me it's wrong for an author", "it's wrong for an author to capitalize on something so scary and real.", "were impressed. They told me this novel was capitalizing on an important issue,", "can see why this may not be an appropriate novel to make. Is", "why? If it's fine, then what precautions should I take to appease the", "a novel based on the Pandemic? If so, why? If it's fine, then", "make a novel based on the Pandemic? If so, why? If it's fine,", "about her and her struggles towards the media, family, and people as a", "and how it's changed via the coronavirus. She was skeptical about the legitimacy", "how I'll go about it to family members, and none of them were", "based on the Pandemic? If so, why? If it's fine, then what precautions", "family members, and none of them were impressed. They told me this novel", "make this novel. There have been many novels on touchy topics and historical", "If so, why? If it's fine, then what precautions should I take to", "story centring around a teenager's life and how it's changed via the coronavirus.", "novel based on the Pandemic? If so, why? If it's fine, then what", "wanting to make this novel. There have been many novels on touchy topics", "There have been many novels on touchy topics and historical tragedies. But considering", "represented the whole page-worth of my story and how I'll go about it", "and that I treated teenagers as idiots (I'm a teenager). They told me", "teenager). They told me it's wrong for an author to capitalize on something", "(I'm a teenager). They told me it's wrong for an author to capitalize", "a whole. I represented the whole page-worth of my story and how I'll", "don't think I'm in the wrong for wanting to make this novel. There", "of my story and how I'll go about it to family members, and", "of them were impressed. They told me this novel was capitalizing on an", "historical tragedies. But considering this is happening recently, I can see why this", "this may not be an appropriate novel to make. Is it bad to", "If it's fine, then what precautions should I take to appease the masses?", "young writer who has been writing a story centring around a teenager's life", "it bad to make a novel based on the Pandemic? If so, why?", "They told me this novel was capitalizing on an important issue, and that", "the coronavirus. She was skeptical about the legitimacy of the Pandemic until an", "the media, family, and people as a whole. I represented the whole page-worth", "on an important issue, and that I treated teenagers as idiots (I'm a", "told me this novel was capitalizing on an important issue, and that I", "in the wrong for wanting to make this novel. There have been many", "struggles towards the media, family, and people as a whole. I represented the", "But considering this is happening recently, I can see why this may not", "recently, I can see why this may not be an appropriate novel to", "has been writing a story centring around a teenager's life and how it's", "via the coronavirus. She was skeptical about the legitimacy of the Pandemic until", "it's changed via the coronavirus. She was skeptical about the legitimacy of the", "about it to family members, and none of them were impressed. They told", "family, and people as a whole. I represented the whole page-worth of my", "happening recently, I can see why this may not be an appropriate novel", "and how I'll go about it to family members, and none of them", "hospitalized. It talks about her and her struggles towards the media, family, and", "life and how it's changed via the coronavirus. She was skeptical about the", "on something so scary and real. I don't think I'm in the wrong", "an important family member is hospitalized. It talks about her and her struggles", "Pandemic until an important family member is hospitalized. It talks about her and", "was skeptical about the legitimacy of the Pandemic until an important family member", "capitalizing on an important issue, and that I treated teenagers as idiots (I'm", "an author to capitalize on something so scary and real. I don't think", "author to capitalize on something so scary and real. I don't think I'm", "to capitalize on something so scary and real. I don't think I'm in", "treated teenagers as idiots (I'm a teenager). They told me it's wrong for", "I don't think I'm in the wrong for wanting to make this novel.", "it to family members, and none of them were impressed. They told me", "appropriate novel to make. Is it bad to make a novel based on", "novels on touchy topics and historical tragedies. But considering this is happening recently,", "media, family, and people as a whole. I represented the whole page-worth of", "bad to make a novel based on the Pandemic? If so, why? If", "is happening recently, I can see why this may not be an appropriate", "on the Pandemic? If so, why? If it's fine, then what precautions should", "the whole page-worth of my story and how I'll go about it to", "the wrong for wanting to make this novel. There have been many novels", "I'm in the wrong for wanting to make this novel. There have been", "none of them were impressed. They told me this novel was capitalizing on", "who has been writing a story centring around a teenager's life and how", "Is it bad to make a novel based on the Pandemic? If so,", "novel. There have been many novels on touchy topics and historical tragedies. But", "an appropriate novel to make. Is it bad to make a novel based", "the Pandemic? If so, why? If it's fine, then what precautions should I", "legitimacy of the Pandemic until an important family member is hospitalized. It talks", "a teenager). They told me it's wrong for an author to capitalize on", "teenager's life and how it's changed via the coronavirus. She was skeptical about", "members, and none of them were impressed. They told me this novel was", "been writing a story centring around a teenager's life and how it's changed", "them were impressed. They told me this novel was capitalizing on an important", "for wanting to make this novel. There have been many novels on touchy", "her struggles towards the media, family, and people as a whole. I represented", "think I'm in the wrong for wanting to make this novel. There have", "towards the media, family, and people as a whole. I represented the whole", "I treated teenagers as idiots (I'm a teenager). They told me it's wrong", "that I treated teenagers as idiots (I'm a teenager). They told me it's", "I'm a young writer who has been writing a story centring around a", "wrong for an author to capitalize on something so scary and real. I", "and historical tragedies. But considering this is happening recently, I can see why", "It talks about her and her struggles towards the media, family, and people", "me it's wrong for an author to capitalize on something so scary and", "a young writer who has been writing a story centring around a teenager's", "story and how I'll go about it to family members, and none of", "talks about her and her struggles towards the media, family, and people as", "why this may not be an appropriate novel to make. Is it bad", "the legitimacy of the Pandemic until an important family member is hospitalized. It", "writing a story centring around a teenager's life and how it's changed via", "wrong for wanting to make this novel. There have been many novels on", "and real. I don't think I'm in the wrong for wanting to make", "many novels on touchy topics and historical tragedies. But considering this is happening", "her and her struggles towards the media, family, and people as a whole.", "this novel. There have been many novels on touchy topics and historical tragedies.", "how it's changed via the coronavirus. She was skeptical about the legitimacy of", "family member is hospitalized. It talks about her and her struggles towards the", "the Pandemic until an important family member is hospitalized. It talks about her", "this is happening recently, I can see why this may not be an", "impressed. They told me this novel was capitalizing on an important issue, and", "people as a whole. I represented the whole page-worth of my story and", "skeptical about the legitimacy of the Pandemic until an important family member is", "scary and real. I don't think I'm in the wrong for wanting to", "coronavirus. She was skeptical about the legitimacy of the Pandemic until an important", "issue, and that I treated teenagers as idiots (I'm a teenager). They told", "something so scary and real. I don't think I'm in the wrong for", "capitalize on something so scary and real. I don't think I'm in the", "to family members, and none of them were impressed. They told me this", "I represented the whole page-worth of my story and how I'll go about", "my story and how I'll go about it to family members, and none", "important issue, and that I treated teenagers as idiots (I'm a teenager). They", "They told me it's wrong for an author to capitalize on something so", "so, why? If it's fine, then what precautions should I take to appease", "whole. I represented the whole page-worth of my story and how I'll go", "to make. Is it bad to make a novel based on the Pandemic?", "writer who has been writing a story centring around a teenager's life and", "page-worth of my story and how I'll go about it to family members,", "not be an appropriate novel to make. Is it bad to make a", "this novel was capitalizing on an important issue, and that I treated teenagers", "a story centring around a teenager's life and how it's changed via the", "of the Pandemic until an important family member is hospitalized. It talks about", "Pandemic? If so, why? If it's fine, then what precautions should I take", "me this novel was capitalizing on an important issue, and that I treated", "may not be an appropriate novel to make. Is it bad to make", "and her struggles towards the media, family, and people as a whole. I", "have been many novels on touchy topics and historical tragedies. But considering this", "and people as a whole. I represented the whole page-worth of my story", "whole page-worth of my story and how I'll go about it to family", "teenagers as idiots (I'm a teenager). They told me it's wrong for an", "touchy topics and historical tragedies. But considering this is happening recently, I can", "She was skeptical about the legitimacy of the Pandemic until an important family", "novel to make. Is it bad to make a novel based on the", "member is hospitalized. It talks about her and her struggles towards the media,", "until an important family member is hospitalized. It talks about her and her", "to make a novel based on the Pandemic? If so, why? If it's", "see why this may not be an appropriate novel to make. Is it", "I can see why this may not be an appropriate novel to make.", "an important issue, and that I treated teenagers as idiots (I'm a teenager).", "for an author to capitalize on something so scary and real. I don't", "centring around a teenager's life and how it's changed via the coronavirus. She", "considering this is happening recently, I can see why this may not be", "is hospitalized. It talks about her and her struggles towards the media, family,", "tragedies. But considering this is happening recently, I can see why this may", "be an appropriate novel to make. Is it bad to make a novel", "on touchy topics and historical tragedies. But considering this is happening recently, I", "and none of them were impressed. They told me this novel was capitalizing", "to make this novel. There have been many novels on touchy topics and", "topics and historical tragedies. But considering this is happening recently, I can see", "idiots (I'm a teenager). They told me it's wrong for an author to", "make. Is it bad to make a novel based on the Pandemic? If", "been many novels on touchy topics and historical tragedies. But considering this is", "changed via the coronavirus. She was skeptical about the legitimacy of the Pandemic", "around a teenager's life and how it's changed via the coronavirus. She was", "about the legitimacy of the Pandemic until an important family member is hospitalized.", "so scary and real. I don't think I'm in the wrong for wanting", "novel was capitalizing on an important issue, and that I treated teenagers as", "important family member is hospitalized. It talks about her and her struggles towards", "a teenager's life and how it's changed via the coronavirus. She was skeptical", "as a whole. I represented the whole page-worth of my story and how", "was capitalizing on an important issue, and that I treated teenagers as idiots", "I'll go about it to family members, and none of them were impressed.", "real. I don't think I'm in the wrong for wanting to make this", "told me it's wrong for an author to capitalize on something so scary" ]
[ "these things when she’s angry or scared though and can’t physically control what", "people explode out of them, etc. She can only do these things when", "to come out, I can’t think of what to do. How do you", "can’t physically control what she does when this happens. This character needs a", "telekinesis, hydrokinesis (controlling water), making blood inside people explode out of them, etc.", "angry or scared that causes her powers to come out, I can’t think", "but basically, my character has these magic powers that come out when she’s", "happens. Every time I try to come up with something that makes her", "of them, etc. She can only do these things when she’s angry or", "her angry or scared that causes her powers to come out, I can’t", "She can do quite a few things such as explosions (more like invisible", "when the scenario happens. Every time I try to come up with something", "needs a few scenarios where she uses these powers, and what she does", "to come up with something that makes her angry or scared that causes", "blood inside people explode out of them, etc. She can only do these", "that causes her powers to come out, I can’t think of what to", "a few things such as explosions (more like invisible blasts), telekinesis, hydrokinesis (controlling", "powers, and what she does when the scenario happens. Every time I try", "do these things when she’s angry or scared though and can’t physically control", "powers that come out when she’s angry or scared. She can do quite", "confusing but basically, my character has these magic powers that come out when", "inside people explode out of them, etc. She can only do these things", "as explosions (more like invisible blasts), telekinesis, hydrokinesis (controlling water), making blood inside", "Every time I try to come up with something that makes her angry", "She can only do these things when she’s angry or scared though and", "or scared though and can’t physically control what she does when this happens.", "causes her powers to come out, I can’t think of what to do.", "what to do. How do you showcase the hidden abilities of a character", "does when the scenario happens. Every time I try to come up with", "(more like invisible blasts), telekinesis, hydrokinesis (controlling water), making blood inside people explode", "I try to come up with something that makes her angry or scared", "out, I can’t think of what to do. How do you showcase the", "the scenario happens. Every time I try to come up with something that", "she uses these powers, and what she does when the scenario happens. Every", "few scenarios where she uses these powers, and what she does when the", "though and can’t physically control what she does when this happens. This character", "invisible blasts), telekinesis, hydrokinesis (controlling water), making blood inside people explode out of", "when she’s angry or scared though and can’t physically control what she does", "physically control what she does when this happens. This character needs a few", "when she’s angry or scared. She can do quite a few things such", "out when she’s angry or scared. She can do quite a few things", "may seem a bit confusing but basically, my character has these magic powers", "making blood inside people explode out of them, etc. She can only do", "to do. How do you showcase the hidden abilities of a character you", "come up with something that makes her angry or scared that causes her", "has these magic powers that come out when she’s angry or scared. She", "come out when she’s angry or scared. She can do quite a few", "quite a few things such as explosions (more like invisible blasts), telekinesis, hydrokinesis", "things such as explosions (more like invisible blasts), telekinesis, hydrokinesis (controlling water), making", "or scared. She can do quite a few things such as explosions (more", "happens. This character needs a few scenarios where she uses these powers, and", "water), making blood inside people explode out of them, etc. She can only", "time I try to come up with something that makes her angry or", "where she uses these powers, and what she does when the scenario happens.", "a few scenarios where she uses these powers, and what she does when", "character needs a few scenarios where she uses these powers, and what she", "seem a bit confusing but basically, my character has these magic powers that", "only do these things when she’s angry or scared though and can’t physically", "can’t think of what to do. How do you showcase the hidden abilities", "what she does when the scenario happens. Every time I try to come", "makes her angry or scared that causes her powers to come out, I", "basically, my character has these magic powers that come out when she’s angry", "when this happens. This character needs a few scenarios where she uses these", "of what to do. How do you showcase the hidden abilities of a", "character has these magic powers that come out when she’s angry or scared.", "something that makes her angry or scared that causes her powers to come", "things when she’s angry or scared though and can’t physically control what she", "she does when the scenario happens. Every time I try to come up", "and can’t physically control what she does when this happens. This character needs", "scared that causes her powers to come out, I can’t think of what", "does when this happens. This character needs a few scenarios where she uses", "etc. She can only do these things when she’s angry or scared though", "uses these powers, and what she does when the scenario happens. Every time", "what she does when this happens. This character needs a few scenarios where", "scenario happens. Every time I try to come up with something that makes", "like invisible blasts), telekinesis, hydrokinesis (controlling water), making blood inside people explode out", "she’s angry or scared. She can do quite a few things such as", "such as explosions (more like invisible blasts), telekinesis, hydrokinesis (controlling water), making blood", "scared though and can’t physically control what she does when this happens. This", "that come out when she’s angry or scared. She can do quite a", "scared. She can do quite a few things such as explosions (more like", "a bit confusing but basically, my character has these magic powers that come", "scenarios where she uses these powers, and what she does when the scenario", "she’s angry or scared though and can’t physically control what she does when", "up with something that makes her angry or scared that causes her powers", "this happens. This character needs a few scenarios where she uses these powers,", "(controlling water), making blood inside people explode out of them, etc. She can", "out of them, etc. She can only do these things when she’s angry", "angry or scared though and can’t physically control what she does when this", "her powers to come out, I can’t think of what to do. How", "This character needs a few scenarios where she uses these powers, and what", "hydrokinesis (controlling water), making blood inside people explode out of them, etc. She", "powers to come out, I can’t think of what to do. How do", "these magic powers that come out when she’s angry or scared. She can", "angry or scared. She can do quite a few things such as explosions", "that makes her angry or scared that causes her powers to come out,", "and what she does when the scenario happens. Every time I try to", "I can’t think of what to do. How do you showcase the hidden", "do quite a few things such as explosions (more like invisible blasts), telekinesis,", "blasts), telekinesis, hydrokinesis (controlling water), making blood inside people explode out of them,", "bit confusing but basically, my character has these magic powers that come out", "can only do these things when she’s angry or scared though and can’t", "try to come up with something that makes her angry or scared that", "she does when this happens. This character needs a few scenarios where she", "my character has these magic powers that come out when she’s angry or", "control what she does when this happens. This character needs a few scenarios", "can do quite a few things such as explosions (more like invisible blasts),", "with something that makes her angry or scared that causes her powers to", "come out, I can’t think of what to do. How do you showcase", "them, etc. She can only do these things when she’s angry or scared", "few things such as explosions (more like invisible blasts), telekinesis, hydrokinesis (controlling water),", "This may seem a bit confusing but basically, my character has these magic", "or scared that causes her powers to come out, I can’t think of", "How do you showcase the hidden abilities of a character you are writing?", "do. How do you showcase the hidden abilities of a character you are", "think of what to do. How do you showcase the hidden abilities of", "these powers, and what she does when the scenario happens. Every time I", "explosions (more like invisible blasts), telekinesis, hydrokinesis (controlling water), making blood inside people", "magic powers that come out when she’s angry or scared. She can do", "explode out of them, etc. She can only do these things when she’s" ]
[ "this brilliant idea of using the characters from my individual writing project and", "any meaning to the story. I don't really want the readers to think", "But I do not want them to think that this one scene has", "the sci-fi novel. It doesn't provide any meaning to the plot, I just", "of using the characters from my individual writing project and slip it into", "girl along with 5 dogs. Two of the dogs are disguised and are", "I like the concept of the idea. It's really interesting and surprising, however,", "that keep popping up, and the patterns. But I do not want them", "strange-looking girl along with 5 dogs. Two of the dogs are disguised and", "story. I don't really want the readers to think that this is a", "concept of the idea. It's really interesting and surprising, however, I want the", "that has many plot twists and \"objects\" that appear frequently throughout the book.", "interesting and surprising, however, I want the readers to focus on the plot,", "I and my best friend are currently writing a science fiction novel that", "objects that keep popping up, and the patterns. But I do not want", "human speech. The two disguised dogs talk, which is weird. Overall, I like", "the story, and let them crack their heads trying to figure what two", "plot, the objects that keep popping up, and the patterns. But I do", "project. So we had this brilliant idea of using the characters from my", "my case is different. So I and my best friend are currently writing", "working on another individual writing project. So we had this brilliant idea of", "with 5 dogs. Two of the dogs are disguised and are capable of", "think that this is a really important part of the story, and let", "writing a science fiction novel that has many plot twists and \"objects\" that", "It doesn't provide any meaning to the plot, I just thought it was", "is different. So I and my best friend are currently writing a science", "are disguised and are capable of human speech. The two disguised dogs talk,", "dogs. Two of the dogs are disguised and are capable of human speech.", "are capable of human speech. The two disguised dogs talk, which is weird.", "dogs talk, which is weird. Overall, I like the concept of the idea.", "the drafting stage, while I'm working on another individual writing project. So we", "think that this one scene has any meaning to the story. I don't", "meaning to the story. I don't really want the readers to think that", "slip it into a single scene in the sci-fi novel. It doesn't provide", "this is a really important part of the story, and let them crack", "had this brilliant idea of using the characters from my individual writing project", "sure that somebody is going to point me to [this](https://writing.stackexchange.com/questions/36604/how-much-indirection-is-too-much) question, but my", "but my case is different. So I and my best friend are currently", "is going to point me to [this](https://writing.stackexchange.com/questions/36604/how-much-indirection-is-too-much) question, but my case is different.", "brilliant idea of using the characters from my individual writing project and slip", "I'm working on another individual writing project. So we had this brilliant idea", "while I'm working on another individual writing project. So we had this brilliant", "the plot, the objects that keep popping up, and the patterns. But I", "focus on the plot, the objects that keep popping up, and the patterns.", "So the scene is the MC and her friend are biking, walking, something", "biking, walking, something like that, and all of the sudden, a group runs", "thought it was an interesting easter egg to add in. So the scene", "capable of human speech. The two disguised dogs talk, which is weird. Overall,", "popping up, and the patterns. But I do not want them to think", "on another individual writing project. So we had this brilliant idea of using", "science fiction novel that has many plot twists and \"objects\" that appear frequently", "and her friend are biking, walking, something like that, and all of the", "readers to think that this is a really important part of the story,", "and slip it into a single scene in the sci-fi novel. It doesn't", "and the patterns. But I do not want them to think that this", "the plot, I just thought it was an interesting easter egg to add", "question, but my case is different. So I and my best friend are", "into their way(the group is the characters from my individual project, btw). The", "consists of a strange-looking girl along with 5 dogs. Two of the dogs", "friend are currently writing a science fiction novel that has many plot twists", "going to point me to [this](https://writing.stackexchange.com/questions/36604/how-much-indirection-is-too-much) question, but my case is different. So", "the concept of the idea. It's really interesting and surprising, however, I want", "It's really interesting and surprising, however, I want the readers to focus on", "keep popping up, and the patterns. But I do not want them to", "to the story. I don't really want the readers to think that this", "their heads trying to figure what two talking dogs can possibly mean. Is", "different. So I and my best friend are currently writing a science fiction", "still in the drafting stage, while I'm working on another individual writing project.", "btw). The group consists of a strange-looking girl along with 5 dogs. Two", "of the idea. It's really interesting and surprising, however, I want the readers", "them crack their heads trying to figure what two talking dogs can possibly", "the book. We are still in the drafting stage, while I'm working on", "my individual project, btw). The group consists of a strange-looking girl along with", "don't really want the readers to think that this is a really important", "writing project. So we had this brilliant idea of using the characters from", "individual writing project. So we had this brilliant idea of using the characters", "group consists of a strange-looking girl along with 5 dogs. Two of the", "patterns. But I do not want them to think that this one scene", "throughout the book. We are still in the drafting stage, while I'm working", "individual writing project and slip it into a single scene in the sci-fi", "easter egg to add in. So the scene is the MC and her", "scene has any meaning to the story. I don't really want the readers", "to add in. So the scene is the MC and her friend are", "plot, I just thought it was an interesting easter egg to add in.", "are currently writing a science fiction novel that has many plot twists and", "to figure what two talking dogs can possibly mean. Is this too much", "really important part of the story, and let them crack their heads trying", "I want the readers to focus on the plot, the objects that keep", "the patterns. But I do not want them to think that this one", "one scene has any meaning to the story. I don't really want the", "best friend are currently writing a science fiction novel that has many plot", "another individual writing project. So we had this brilliant idea of using the", "dogs are disguised and are capable of human speech. The two disguised dogs", "that somebody is going to point me to [this](https://writing.stackexchange.com/questions/36604/how-much-indirection-is-too-much) question, but my case", "So we had this brilliant idea of using the characters from my individual", "using the characters from my individual writing project and slip it into a", "the sudden, a group runs into their way(the group is the characters from", "project, btw). The group consists of a strange-looking girl along with 5 dogs.", "the objects that keep popping up, and the patterns. But I do not", "into a single scene in the sci-fi novel. It doesn't provide any meaning", "The two disguised dogs talk, which is weird. Overall, I like the concept", "talk, which is weird. Overall, I like the concept of the idea. It's", "do not want them to think that this one scene has any meaning", "not want them to think that this one scene has any meaning to", "a really important part of the story, and let them crack their heads", "her friend are biking, walking, something like that, and all of the sudden,", "is weird. Overall, I like the concept of the idea. It's really interesting", "idea. It's really interesting and surprising, however, I want the readers to focus", "and all of the sudden, a group runs into their way(the group is", "case is different. So I and my best friend are currently writing a", "and are capable of human speech. The two disguised dogs talk, which is", "like the concept of the idea. It's really interesting and surprising, however, I", "and \"objects\" that appear frequently throughout the book. We are still in the", "I just thought it was an interesting easter egg to add in. So", "has any meaning to the story. I don't really want the readers to", "somebody is going to point me to [this](https://writing.stackexchange.com/questions/36604/how-much-indirection-is-too-much) question, but my case is", "like that, and all of the sudden, a group runs into their way(the", "\"objects\" that appear frequently throughout the book. We are still in the drafting", "scene is the MC and her friend are biking, walking, something like that,", "let them crack their heads trying to figure what two talking dogs can", "has many plot twists and \"objects\" that appear frequently throughout the book. We", "that, and all of the sudden, a group runs into their way(the group", "surprising, however, I want the readers to focus on the plot, the objects", "of human speech. The two disguised dogs talk, which is weird. Overall, I", "idea of using the characters from my individual writing project and slip it", "individual project, btw). The group consists of a strange-looking girl along with 5", "egg to add in. So the scene is the MC and her friend", "speech. The two disguised dogs talk, which is weird. Overall, I like the", "is a really important part of the story, and let them crack their", "important part of the story, and let them crack their heads trying to", "up, and the patterns. But I do not want them to think that", "group runs into their way(the group is the characters from my individual project,", "on the plot, the objects that keep popping up, and the patterns. But", "point me to [this](https://writing.stackexchange.com/questions/36604/how-much-indirection-is-too-much) question, but my case is different. So I and", "a strange-looking girl along with 5 dogs. Two of the dogs are disguised", "to [this](https://writing.stackexchange.com/questions/36604/how-much-indirection-is-too-much) question, but my case is different. So I and my best", "any meaning to the plot, I just thought it was an interesting easter", "to the plot, I just thought it was an interesting easter egg to", "runs into their way(the group is the characters from my individual project, btw).", "doesn't provide any meaning to the plot, I just thought it was an", "I'm sure that somebody is going to point me to [this](https://writing.stackexchange.com/questions/36604/how-much-indirection-is-too-much) question, but", "the MC and her friend are biking, walking, something like that, and all", "however, I want the readers to focus on the plot, the objects that", "to point me to [this](https://writing.stackexchange.com/questions/36604/how-much-indirection-is-too-much) question, but my case is different. So I", "something like that, and all of the sudden, a group runs into their", "a group runs into their way(the group is the characters from my individual", "the characters from my individual project, btw). The group consists of a strange-looking", "them to think that this one scene has any meaning to the story.", "MC and her friend are biking, walking, something like that, and all of", "to think that this is a really important part of the story, and", "in the drafting stage, while I'm working on another individual writing project. So", "scene in the sci-fi novel. It doesn't provide any meaning to the plot,", "to think that this one scene has any meaning to the story. I", "the story. I don't really want the readers to think that this is", "from my individual writing project and slip it into a single scene in", "of a strange-looking girl along with 5 dogs. Two of the dogs are", "what two talking dogs can possibly mean. Is this too much of a", "novel that has many plot twists and \"objects\" that appear frequently throughout the", "the readers to focus on the plot, the objects that keep popping up,", "an interesting easter egg to add in. So the scene is the MC", "add in. So the scene is the MC and her friend are biking,", "want the readers to focus on the plot, the objects that keep popping", "of the dogs are disguised and are capable of human speech. The two", "twists and \"objects\" that appear frequently throughout the book. We are still in", "characters from my individual writing project and slip it into a single scene", "and let them crack their heads trying to figure what two talking dogs", "many plot twists and \"objects\" that appear frequently throughout the book. We are", "trying to figure what two talking dogs can possibly mean. Is this too", "me to [this](https://writing.stackexchange.com/questions/36604/how-much-indirection-is-too-much) question, but my case is different. So I and my", "really want the readers to think that this is a really important part", "my best friend are currently writing a science fiction novel that has many", "We are still in the drafting stage, while I'm working on another individual", "of the story, and let them crack their heads trying to figure what", "sudden, a group runs into their way(the group is the characters from my", "we had this brilliant idea of using the characters from my individual writing", "weird. Overall, I like the concept of the idea. It's really interesting and", "all of the sudden, a group runs into their way(the group is the", "in. So the scene is the MC and her friend are biking, walking,", "really interesting and surprising, however, I want the readers to focus on the", "the scene is the MC and her friend are biking, walking, something like", "just thought it was an interesting easter egg to add in. So the", "Overall, I like the concept of the idea. It's really interesting and surprising,", "crack their heads trying to figure what two talking dogs can possibly mean.", "drafting stage, while I'm working on another individual writing project. So we had", "provide any meaning to the plot, I just thought it was an interesting", "which is weird. Overall, I like the concept of the idea. It's really", "is the MC and her friend are biking, walking, something like that, and", "from my individual project, btw). The group consists of a strange-looking girl along", "frequently throughout the book. We are still in the drafting stage, while I'm", "story, and let them crack their heads trying to figure what two talking", "and my best friend are currently writing a science fiction novel that has", "5 dogs. Two of the dogs are disguised and are capable of human", "along with 5 dogs. Two of the dogs are disguised and are capable", "the idea. It's really interesting and surprising, however, I want the readers to", "their way(the group is the characters from my individual project, btw). The group", "meaning to the plot, I just thought it was an interesting easter egg", "this one scene has any meaning to the story. I don't really want", "figure what two talking dogs can possibly mean. Is this too much of", "currently writing a science fiction novel that has many plot twists and \"objects\"", "single scene in the sci-fi novel. It doesn't provide any meaning to the", "project and slip it into a single scene in the sci-fi novel. It", "walking, something like that, and all of the sudden, a group runs into", "writing project and slip it into a single scene in the sci-fi novel.", "and surprising, however, I want the readers to focus on the plot, the", "The group consists of a strange-looking girl along with 5 dogs. Two of", "novel. It doesn't provide any meaning to the plot, I just thought it", "talking dogs can possibly mean. Is this too much of a plot distraction?", "stage, while I'm working on another individual writing project. So we had this", "characters from my individual project, btw). The group consists of a strange-looking girl", "are still in the drafting stage, while I'm working on another individual writing", "the dogs are disguised and are capable of human speech. The two disguised", "it into a single scene in the sci-fi novel. It doesn't provide any", "two talking dogs can possibly mean. Is this too much of a plot", "want them to think that this one scene has any meaning to the", "a science fiction novel that has many plot twists and \"objects\" that appear", "sci-fi novel. It doesn't provide any meaning to the plot, I just thought", "want the readers to think that this is a really important part of", "are biking, walking, something like that, and all of the sudden, a group", "plot twists and \"objects\" that appear frequently throughout the book. We are still", "to focus on the plot, the objects that keep popping up, and the", "the readers to think that this is a really important part of the", "interesting easter egg to add in. So the scene is the MC and", "readers to focus on the plot, the objects that keep popping up, and", "was an interesting easter egg to add in. So the scene is the", "two disguised dogs talk, which is weird. Overall, I like the concept of", "part of the story, and let them crack their heads trying to figure", "in the sci-fi novel. It doesn't provide any meaning to the plot, I", "Two of the dogs are disguised and are capable of human speech. The", "that appear frequently throughout the book. We are still in the drafting stage,", "that this is a really important part of the story, and let them", "[this](https://writing.stackexchange.com/questions/36604/how-much-indirection-is-too-much) question, but my case is different. So I and my best friend", "appear frequently throughout the book. We are still in the drafting stage, while", "group is the characters from my individual project, btw). The group consists of", "it was an interesting easter egg to add in. So the scene is", "way(the group is the characters from my individual project, btw). The group consists", "is the characters from my individual project, btw). The group consists of a", "I don't really want the readers to think that this is a really", "heads trying to figure what two talking dogs can possibly mean. Is this", "of the sudden, a group runs into their way(the group is the characters", "I do not want them to think that this one scene has any", "fiction novel that has many plot twists and \"objects\" that appear frequently throughout", "the characters from my individual writing project and slip it into a single", "So I and my best friend are currently writing a science fiction novel", "book. We are still in the drafting stage, while I'm working on another", "that this one scene has any meaning to the story. I don't really", "disguised dogs talk, which is weird. Overall, I like the concept of the", "disguised and are capable of human speech. The two disguised dogs talk, which", "my individual writing project and slip it into a single scene in the", "friend are biking, walking, something like that, and all of the sudden, a", "a single scene in the sci-fi novel. It doesn't provide any meaning to" ]
[ "I know this question is a little long but bear with me. Sun", "elves. I know this question is a little long but bear with me.", "elves are one of the eight kinds of elves in my fantasy world.", "them black. To make a long story short, I’m basically portraying the only", "why I was so concerned about this. Would this be considered racist? The", "are one of the eight kinds of elves in my fantasy world. Since", "concerned about this. Would this be considered racist? The sun elves as a", "fantasy series. I’m re-reading the manuscript of my first book and noticed something", "re-reading the manuscript of my first book and noticed something about sun elves.", "long story short, I’m basically portraying the only black characters in my story", "I was so concerned about this. Would this be considered racist? The sun", "elves as a race were very honorable, but the ones that are still", "manuscript of my first book and noticed something about sun elves. I know", "I think you can see why I was so concerned about this. Would", "I am a young author writing a fantasy series. I’m re-reading the manuscript", "this question is a little long but bear with me. Sun elves are", "fire, I decided to make them black. To make a long story short,", "so concerned about this. Would this be considered racist? The sun elves as", "Would this be considered racist? The sun elves as a race were very", "with me. Sun elves are one of the eight kinds of elves in", "the only black characters in my story as evil demons. I think you", "To make a long story short, I’m basically portraying the only black characters", "Sun elves are one of the eight kinds of elves in my fantasy", "as a race were very honorable, but the ones that are still alive", "characters in my story as evil demons. I think you can see why", "in my fantasy world. Since they’re sun elves, and the sun is fire,", "I decided to make them black. To make a long story short, I’m", "little long but bear with me. Sun elves are one of the eight", "basically portraying the only black characters in my story as evil demons. I", "see why I was so concerned about this. Would this be considered racist?", "I’m basically portraying the only black characters in my story as evil demons.", "this be considered racist? The sun elves as a race were very honorable,", "they’re sun elves, and the sun is fire, I decided to make them", "is a little long but bear with me. Sun elves are one of", "my fantasy world. Since they’re sun elves, and the sun is fire, I", "about this. Would this be considered racist? The sun elves as a race", "make them black. To make a long story short, I’m basically portraying the", "long but bear with me. Sun elves are one of the eight kinds", "in my story as evil demons. I think you can see why I", "but bear with me. Sun elves are one of the eight kinds of", "eight kinds of elves in my fantasy world. Since they’re sun elves, and", "as evil demons. I think you can see why I was so concerned", "story short, I’m basically portraying the only black characters in my story as", "Since they’re sun elves, and the sun is fire, I decided to make", "of the eight kinds of elves in my fantasy world. Since they’re sun", "demons. I think you can see why I was so concerned about this.", "and noticed something about sun elves. I know this question is a little", "about sun elves. I know this question is a little long but bear", "you can see why I was so concerned about this. Would this be", "me. Sun elves are one of the eight kinds of elves in my", "kinds of elves in my fantasy world. Since they’re sun elves, and the", "The sun elves as a race were very honorable, but the ones that", "be considered racist? The sun elves as a race were very honorable, but", "considered racist? The sun elves as a race were very honorable, but the", "I’m re-reading the manuscript of my first book and noticed something about sun", "of my first book and noticed something about sun elves. I know this", "and the sun is fire, I decided to make them black. To make", "to make them black. To make a long story short, I’m basically portraying", "fantasy world. Since they’re sun elves, and the sun is fire, I decided", "race were very honorable, but the ones that are still alive are not.", "sun elves, and the sun is fire, I decided to make them black.", "world. Since they’re sun elves, and the sun is fire, I decided to", "am a young author writing a fantasy series. I’m re-reading the manuscript of", "the eight kinds of elves in my fantasy world. Since they’re sun elves,", "elves, and the sun is fire, I decided to make them black. To", "this. Would this be considered racist? The sun elves as a race were", "something about sun elves. I know this question is a little long but", "first book and noticed something about sun elves. I know this question is", "is fire, I decided to make them black. To make a long story", "elves in my fantasy world. Since they’re sun elves, and the sun is", "short, I’m basically portraying the only black characters in my story as evil", "bear with me. Sun elves are one of the eight kinds of elves", "sun elves as a race were very honorable, but the ones that are", "the manuscript of my first book and noticed something about sun elves. I", "make a long story short, I’m basically portraying the only black characters in", "a fantasy series. I’m re-reading the manuscript of my first book and noticed", "a long story short, I’m basically portraying the only black characters in my", "one of the eight kinds of elves in my fantasy world. Since they’re", "know this question is a little long but bear with me. Sun elves", "decided to make them black. To make a long story short, I’m basically", "only black characters in my story as evil demons. I think you can", "evil demons. I think you can see why I was so concerned about", "sun is fire, I decided to make them black. To make a long", "young author writing a fantasy series. I’m re-reading the manuscript of my first", "can see why I was so concerned about this. Would this be considered", "the sun is fire, I decided to make them black. To make a", "sun elves. I know this question is a little long but bear with", "a young author writing a fantasy series. I’m re-reading the manuscript of my", "black. To make a long story short, I’m basically portraying the only black", "story as evil demons. I think you can see why I was so", "racist? The sun elves as a race were very honorable, but the ones", "series. I’m re-reading the manuscript of my first book and noticed something about", "black characters in my story as evil demons. I think you can see", "my story as evil demons. I think you can see why I was", "was so concerned about this. Would this be considered racist? The sun elves", "think you can see why I was so concerned about this. Would this", "portraying the only black characters in my story as evil demons. I think", "book and noticed something about sun elves. I know this question is a", "writing a fantasy series. I’m re-reading the manuscript of my first book and", "of elves in my fantasy world. Since they’re sun elves, and the sun", "a little long but bear with me. Sun elves are one of the", "author writing a fantasy series. I’m re-reading the manuscript of my first book", "a race were very honorable, but the ones that are still alive are", "my first book and noticed something about sun elves. I know this question", "noticed something about sun elves. I know this question is a little long", "question is a little long but bear with me. Sun elves are one" ]
[ "very physical in the world. I am trying to write interactions with this", "so any sort of magical explanation is at least to be considered. I", "and is able to manifest in various ways, such as a smoky mist", "story. I think I will ultimately have to use some dialogue, but I", "am trying to write interactions with this character and other humans in the", "in the story. I think I will ultimately have to use some dialogue,", "to be considered. I want to allow this character to feel physical and", "in the core of a planet, can communicate with the protagonist and other", "is specifically not humanoid. Instead of appearing as a human, it is more", "a creature that is specifically not humanoid. Instead of appearing as a human,", "not humanoid. Instead of appearing as a human, it is more of ageless", "use some dialogue, but I want this character to appear completely foreign when", "to appear completely foreign when it comes to human existence. I am having", "this scenario. I appreciate any help on this matter because I am stumped.", "can communicate with the protagonist and other humans of the world, and is", "the world. I am trying to write interactions with this character and other", "this character and other humans in the story. I think I will ultimately", "it is more of ageless energy that exists in the core of a", "physical in the world. I am trying to write interactions with this character", "while also limiting the amount of human-like interactions it has with the other", "I want this character to appear completely foreign when it comes to human", "limiting the amount of human-like interactions it has with the other characters. My", "is closer to a God-like entity if anything, but is still very physical", "the other characters. My story uses a fantasy setting, so any sort of", "character to feel physical and able to communicate without giving it a voice", "if anything, but is still very physical in the world. I am trying", "largely getting information about how to describe voices, which is unhelpful in this", "planet, can communicate with the protagonist and other humans of the world, and", "rocks in the landscape. It is closer to a God-like entity if anything,", "that is specifically not humanoid. Instead of appearing as a human, it is", "want to allow this character to feel physical and able to communicate without", "character to exist as a unique being of intelligence and sentience while also", "completely foreign when it comes to human existence. I am having trouble finding", "be considered. I want to allow this character to feel physical and able", "per se. I've done some research, but I am largely getting information about", "to manifest in various ways, such as a smoky mist or jagged rocks", "energy that exists in the core of a planet, can communicate with the", "intelligence and sentience while also limiting the amount of human-like interactions it has", "being of intelligence and sentience while also limiting the amount of human-like interactions", "in the landscape. It is closer to a God-like entity if anything, but", "unique being of intelligence and sentience while also limiting the amount of human-like", "and sentience while also limiting the amount of human-like interactions it has with", "considered. I want to allow this character to feel physical and able to", "as a smoky mist or jagged rocks in the landscape. It is closer", "to write interactions with this character and other humans in the story. I", "that involves a creature that is specifically not humanoid. Instead of appearing as", "I will ultimately have to use some dialogue, but I want this character", "dialogue, but I want this character to appear completely foreign when it comes", "will ultimately have to use some dialogue, but I want this character to", "describe voices, which is unhelpful in this scenario. I appreciate any help on", "is unhelpful in this scenario. I appreciate any help on this matter because", "the world, and is able to manifest in various ways, such as a", "I am largely getting information about how to describe voices, which is unhelpful", "in this scenario. I appreciate any help on this matter because I am", "this character to appear completely foreign when it comes to human existence. I", "of intelligence and sentience while also limiting the amount of human-like interactions it", "humans in the story. I think I will ultimately have to use some", "am writing a story that involves a creature that is specifically not humanoid.", "exists in the core of a planet, can communicate with the protagonist and", "explanation is at least to be considered. I want to allow this character", "allow this character to feel physical and able to communicate without giving it", "exist as a unique being of intelligence and sentience while also limiting the", "ultimately have to use some dialogue, but I want this character to appear", "to human existence. I am having trouble finding ways to allow this character", "trouble finding ways to allow this character to exist as a unique being", "uses a fantasy setting, so any sort of magical explanation is at least", "communicate without giving it a voice per se. I've done some research, but", "protagonist and other humans of the world, and is able to manifest in", "closer to a God-like entity if anything, but is still very physical in", "amount of human-like interactions it has with the other characters. My story uses", "a story that involves a creature that is specifically not humanoid. Instead of", "humans of the world, and is able to manifest in various ways, such", "voice per se. I've done some research, but I am largely getting information", "think I will ultimately have to use some dialogue, but I want this", "other humans in the story. I think I will ultimately have to use", "to communicate without giving it a voice per se. I've done some research,", "a fantasy setting, so any sort of magical explanation is at least to", "anything, but is still very physical in the world. I am trying to", "appear completely foreign when it comes to human existence. I am having trouble", "but is still very physical in the world. I am trying to write", "other characters. My story uses a fantasy setting, so any sort of magical", "the core of a planet, can communicate with the protagonist and other humans", "that exists in the core of a planet, can communicate with the protagonist", "magical explanation is at least to be considered. I want to allow this", "to use some dialogue, but I want this character to appear completely foreign", "to describe voices, which is unhelpful in this scenario. I appreciate any help", "physical and able to communicate without giving it a voice per se. I've", "has with the other characters. My story uses a fantasy setting, so any", "I think I will ultimately have to use some dialogue, but I want", "such as a smoky mist or jagged rocks in the landscape. It is", "and other humans in the story. I think I will ultimately have to", "of ageless energy that exists in the core of a planet, can communicate", "world, and is able to manifest in various ways, such as a smoky", "world. I am trying to write interactions with this character and other humans", "jagged rocks in the landscape. It is closer to a God-like entity if", "communicate with the protagonist and other humans of the world, and is able", "is more of ageless energy that exists in the core of a planet,", "landscape. It is closer to a God-like entity if anything, but is still", "when it comes to human existence. I am having trouble finding ways to", "I am writing a story that involves a creature that is specifically not", "as a human, it is more of ageless energy that exists in the", "the protagonist and other humans of the world, and is able to manifest", "able to communicate without giving it a voice per se. I've done some", "it a voice per se. I've done some research, but I am largely", "manifest in various ways, such as a smoky mist or jagged rocks in", "this character to feel physical and able to communicate without giving it a", "to a God-like entity if anything, but is still very physical in the", "least to be considered. I want to allow this character to feel physical", "is still very physical in the world. I am trying to write interactions", "trying to write interactions with this character and other humans in the story.", "of the world, and is able to manifest in various ways, such as", "the landscape. It is closer to a God-like entity if anything, but is", "a voice per se. I've done some research, but I am largely getting", "also limiting the amount of human-like interactions it has with the other characters.", "in various ways, such as a smoky mist or jagged rocks in the", "a God-like entity if anything, but is still very physical in the world.", "character to appear completely foreign when it comes to human existence. I am", "interactions it has with the other characters. My story uses a fantasy setting,", "ways to allow this character to exist as a unique being of intelligence", "to feel physical and able to communicate without giving it a voice per", "unhelpful in this scenario. I appreciate any help on this matter because I", "ways, such as a smoky mist or jagged rocks in the landscape. It", "God-like entity if anything, but is still very physical in the world. I", "human-like interactions it has with the other characters. My story uses a fantasy", "and able to communicate without giving it a voice per se. I've done", "interactions with this character and other humans in the story. I think I", "smoky mist or jagged rocks in the landscape. It is closer to a", "at least to be considered. I want to allow this character to feel", "without giving it a voice per se. I've done some research, but I", "it has with the other characters. My story uses a fantasy setting, so", "but I am largely getting information about how to describe voices, which is", "feel physical and able to communicate without giving it a voice per se.", "human existence. I am having trouble finding ways to allow this character to", "which is unhelpful in this scenario. I appreciate any help on this matter", "write interactions with this character and other humans in the story. I think", "want this character to appear completely foreign when it comes to human existence.", "a unique being of intelligence and sentience while also limiting the amount of", "My story uses a fantasy setting, so any sort of magical explanation is", "to exist as a unique being of intelligence and sentience while also limiting", "humanoid. Instead of appearing as a human, it is more of ageless energy", "of human-like interactions it has with the other characters. My story uses a", "allow this character to exist as a unique being of intelligence and sentience", "It is closer to a God-like entity if anything, but is still very", "involves a creature that is specifically not humanoid. Instead of appearing as a", "or jagged rocks in the landscape. It is closer to a God-like entity", "how to describe voices, which is unhelpful in this scenario. I appreciate any", "setting, so any sort of magical explanation is at least to be considered.", "foreign when it comes to human existence. I am having trouble finding ways", "research, but I am largely getting information about how to describe voices, which", "various ways, such as a smoky mist or jagged rocks in the landscape.", "as a unique being of intelligence and sentience while also limiting the amount", "is able to manifest in various ways, such as a smoky mist or", "appearing as a human, it is more of ageless energy that exists in", "specifically not humanoid. Instead of appearing as a human, it is more of", "existence. I am having trouble finding ways to allow this character to exist", "I am having trouble finding ways to allow this character to exist as", "sentience while also limiting the amount of human-like interactions it has with the", "this character to exist as a unique being of intelligence and sentience while", "is at least to be considered. I want to allow this character to", "a smoky mist or jagged rocks in the landscape. It is closer to", "more of ageless energy that exists in the core of a planet, can", "writing a story that involves a creature that is specifically not humanoid. Instead", "character and other humans in the story. I think I will ultimately have", "Instead of appearing as a human, it is more of ageless energy that", "of a planet, can communicate with the protagonist and other humans of the", "am largely getting information about how to describe voices, which is unhelpful in", "in the world. I am trying to write interactions with this character and", "done some research, but I am largely getting information about how to describe", "of magical explanation is at least to be considered. I want to allow", "entity if anything, but is still very physical in the world. I am", "the amount of human-like interactions it has with the other characters. My story", "creature that is specifically not humanoid. Instead of appearing as a human, it", "have to use some dialogue, but I want this character to appear completely", "information about how to describe voices, which is unhelpful in this scenario. I", "am having trouble finding ways to allow this character to exist as a", "human, it is more of ageless energy that exists in the core of", "to allow this character to feel physical and able to communicate without giving", "with the other characters. My story uses a fantasy setting, so any sort", "story that involves a creature that is specifically not humanoid. Instead of appearing", "any sort of magical explanation is at least to be considered. I want", "mist or jagged rocks in the landscape. It is closer to a God-like", "I've done some research, but I am largely getting information about how to", "se. I've done some research, but I am largely getting information about how", "to allow this character to exist as a unique being of intelligence and", "giving it a voice per se. I've done some research, but I am", "core of a planet, can communicate with the protagonist and other humans of", "having trouble finding ways to allow this character to exist as a unique", "still very physical in the world. I am trying to write interactions with", "about how to describe voices, which is unhelpful in this scenario. I appreciate", "a planet, can communicate with the protagonist and other humans of the world,", "story uses a fantasy setting, so any sort of magical explanation is at", "with this character and other humans in the story. I think I will", "some research, but I am largely getting information about how to describe voices,", "the story. I think I will ultimately have to use some dialogue, but", "characters. My story uses a fantasy setting, so any sort of magical explanation", "I want to allow this character to feel physical and able to communicate", "it comes to human existence. I am having trouble finding ways to allow", "with the protagonist and other humans of the world, and is able to", "getting information about how to describe voices, which is unhelpful in this scenario.", "some dialogue, but I want this character to appear completely foreign when it", "able to manifest in various ways, such as a smoky mist or jagged", "a human, it is more of ageless energy that exists in the core", "voices, which is unhelpful in this scenario. I appreciate any help on this", "sort of magical explanation is at least to be considered. I want to", "fantasy setting, so any sort of magical explanation is at least to be", "other humans of the world, and is able to manifest in various ways,", "comes to human existence. I am having trouble finding ways to allow this", "of appearing as a human, it is more of ageless energy that exists", "ageless energy that exists in the core of a planet, can communicate with", "I am trying to write interactions with this character and other humans in", "but I want this character to appear completely foreign when it comes to", "and other humans of the world, and is able to manifest in various", "finding ways to allow this character to exist as a unique being of" ]
[ "Devil. In the second book, the protagonists confront The Devil face to face,", "third book could be a cult who wants to carry out The Devil's", "satanist trying to sacrifice the protagonists to The Devil. In the second book,", "and kill him. I have a wonderful idea for character drama and arcs", "obstacle in terms of the external conflict of the book, which is the", "comedy, where the first book follows a satanist trying to sacrifice the protagonists", "The series I'm writing is a horror comedy, where the first book follows", "be a cult who wants to carry out The Devil's mission, but I'm", "I'm facing an obstacle in terms of the external conflict of the book,", "to The Devil. In the second book, the protagonists confront The Devil face", "in terms of the external conflict of the book, which is the fact", "the external conflict of the book, which is the fact The Devil is", "book, the protagonists confront The Devil face to face, and kill him. I", "but I'm facing an obstacle in terms of the external conflict of the", "The Devil is dead. I'm considering that maybe the antagonists of the third", "out The Devil's mission, but I'm wondering if I'm missing a better idea.", "him. I have a wonderful idea for character drama and arcs I would", "book, but I'm facing an obstacle in terms of the external conflict of", "an obstacle in terms of the external conflict of the book, which is", "the antagonists of the third book could be a cult who wants to", "drama and arcs I would like to explore in the third book, but", "who wants to carry out The Devil's mission, but I'm wondering if I'm", "protagonists confront The Devil face to face, and kill him. I have a", "the protagonists to The Devil. In the second book, the protagonists confront The", "character drama and arcs I would like to explore in the third book,", "first book follows a satanist trying to sacrifice the protagonists to The Devil.", "the third book, but I'm facing an obstacle in terms of the external", "explore in the third book, but I'm facing an obstacle in terms of", "to sacrifice the protagonists to The Devil. In the second book, the protagonists", "book follows a satanist trying to sacrifice the protagonists to The Devil. In", "kill him. I have a wonderful idea for character drama and arcs I", "and arcs I would like to explore in the third book, but I'm", "idea for character drama and arcs I would like to explore in the", "considering that maybe the antagonists of the third book could be a cult", "dead. I'm considering that maybe the antagonists of the third book could be", "writing is a horror comedy, where the first book follows a satanist trying", "to explore in the third book, but I'm facing an obstacle in terms", "I have a wonderful idea for character drama and arcs I would like", "I would like to explore in the third book, but I'm facing an", "of the book, which is the fact The Devil is dead. I'm considering", "book could be a cult who wants to carry out The Devil's mission,", "follows a satanist trying to sacrifice the protagonists to The Devil. In the", "which is the fact The Devil is dead. I'm considering that maybe the", "The Devil face to face, and kill him. I have a wonderful idea", "a horror comedy, where the first book follows a satanist trying to sacrifice", "is the fact The Devil is dead. I'm considering that maybe the antagonists", "I'm considering that maybe the antagonists of the third book could be a", "like to explore in the third book, but I'm facing an obstacle in", "to face, and kill him. I have a wonderful idea for character drama", "to carry out The Devil's mission, but I'm wondering if I'm missing a", "series I'm writing is a horror comedy, where the first book follows a", "face to face, and kill him. I have a wonderful idea for character", "wonderful idea for character drama and arcs I would like to explore in", "the fact The Devil is dead. I'm considering that maybe the antagonists of", "the protagonists confront The Devil face to face, and kill him. I have", "where the first book follows a satanist trying to sacrifice the protagonists to", "of the third book could be a cult who wants to carry out", "I'm writing is a horror comedy, where the first book follows a satanist", "protagonists to The Devil. In the second book, the protagonists confront The Devil", "carry out The Devil's mission, but I'm wondering if I'm missing a better", "trying to sacrifice the protagonists to The Devil. In the second book, the", "maybe the antagonists of the third book could be a cult who wants", "conflict of the book, which is the fact The Devil is dead. I'm", "In the second book, the protagonists confront The Devil face to face, and", "in the third book, but I'm facing an obstacle in terms of the", "a satanist trying to sacrifice the protagonists to The Devil. In the second", "confront The Devil face to face, and kill him. I have a wonderful", "book, which is the fact The Devil is dead. I'm considering that maybe", "fact The Devil is dead. I'm considering that maybe the antagonists of the", "the third book could be a cult who wants to carry out The", "Devil is dead. I'm considering that maybe the antagonists of the third book", "a wonderful idea for character drama and arcs I would like to explore", "the second book, the protagonists confront The Devil face to face, and kill", "The Devil's mission, but I'm wondering if I'm missing a better idea. Thoughts?", "The Devil. In the second book, the protagonists confront The Devil face to", "that maybe the antagonists of the third book could be a cult who", "external conflict of the book, which is the fact The Devil is dead.", "face, and kill him. I have a wonderful idea for character drama and", "cult who wants to carry out The Devil's mission, but I'm wondering if", "would like to explore in the third book, but I'm facing an obstacle", "for character drama and arcs I would like to explore in the third", "third book, but I'm facing an obstacle in terms of the external conflict", "the book, which is the fact The Devil is dead. I'm considering that", "is dead. I'm considering that maybe the antagonists of the third book could", "have a wonderful idea for character drama and arcs I would like to", "terms of the external conflict of the book, which is the fact The", "wants to carry out The Devil's mission, but I'm wondering if I'm missing", "antagonists of the third book could be a cult who wants to carry", "facing an obstacle in terms of the external conflict of the book, which", "could be a cult who wants to carry out The Devil's mission, but", "Devil face to face, and kill him. I have a wonderful idea for", "the first book follows a satanist trying to sacrifice the protagonists to The", "of the external conflict of the book, which is the fact The Devil", "arcs I would like to explore in the third book, but I'm facing", "a cult who wants to carry out The Devil's mission, but I'm wondering", "horror comedy, where the first book follows a satanist trying to sacrifice the", "is a horror comedy, where the first book follows a satanist trying to", "sacrifice the protagonists to The Devil. In the second book, the protagonists confront", "second book, the protagonists confront The Devil face to face, and kill him." ]
[ "times, but I can never stick with it because I know it’s a", "is absolutely no plot misdirection whatsoever. I have tried writing plot misdirections in", "absolutely no plot misdirection whatsoever. I have tried writing plot misdirections in my", "my story a few times, but I can never stick with it because", "whatsoever. I have tried writing plot misdirections in my story a few times,", "series. My story is unpredictable, but there is absolutely no plot misdirection whatsoever.", "seem to make my characters obsess on a problem I know isn’t real,", "just can’t seem to make my characters obsess on a problem I know", "my characters obsess on a problem I know isn’t real, even if it’s", "if it’s real to them. Any tips on how to weave plot misdirections", "is unpredictable, but there is absolutely no plot misdirection whatsoever. I have tried", "I have tried writing plot misdirections in my story a few times, but", "never stick with it because I know it’s a lie and just can’t", "it because I know it’s a lie and just can’t seem to make", "I know isn’t real, even if it’s real to them. Any tips on", "story a few times, but I can never stick with it because I", "am a young author writing a fantasy series. My story is unpredictable, but", "stick with it because I know it’s a lie and just can’t seem", "no plot misdirection whatsoever. I have tried writing plot misdirections in my story", "characters obsess on a problem I know isn’t real, even if it’s real", "unpredictable, but there is absolutely no plot misdirection whatsoever. I have tried writing", "real, even if it’s real to them. Any tips on how to weave", "My story is unpredictable, but there is absolutely no plot misdirection whatsoever. I", "there is absolutely no plot misdirection whatsoever. I have tried writing plot misdirections", "a problem I know isn’t real, even if it’s real to them. Any", "misdirection whatsoever. I have tried writing plot misdirections in my story a few", "young author writing a fantasy series. My story is unpredictable, but there is", "it’s real to them. Any tips on how to weave plot misdirections into", "a lie and just can’t seem to make my characters obsess on a", "fantasy series. My story is unpredictable, but there is absolutely no plot misdirection", "know isn’t real, even if it’s real to them. Any tips on how", "a young author writing a fantasy series. My story is unpredictable, but there", "obsess on a problem I know isn’t real, even if it’s real to", "writing a fantasy series. My story is unpredictable, but there is absolutely no", "know it’s a lie and just can’t seem to make my characters obsess", "because I know it’s a lie and just can’t seem to make my", "even if it’s real to them. Any tips on how to weave plot", "but there is absolutely no plot misdirection whatsoever. I have tried writing plot", "to them. Any tips on how to weave plot misdirections into your writing?", "problem I know isn’t real, even if it’s real to them. Any tips", "I know it’s a lie and just can’t seem to make my characters", "have tried writing plot misdirections in my story a few times, but I", "a fantasy series. My story is unpredictable, but there is absolutely no plot", "isn’t real, even if it’s real to them. Any tips on how to", "plot misdirections in my story a few times, but I can never stick", "author writing a fantasy series. My story is unpredictable, but there is absolutely", "in my story a few times, but I can never stick with it", "to make my characters obsess on a problem I know isn’t real, even", "I am a young author writing a fantasy series. My story is unpredictable,", "can never stick with it because I know it’s a lie and just", "real to them. Any tips on how to weave plot misdirections into your", "misdirections in my story a few times, but I can never stick with", "a few times, but I can never stick with it because I know", "make my characters obsess on a problem I know isn’t real, even if", "I can never stick with it because I know it’s a lie and", "and just can’t seem to make my characters obsess on a problem I", "with it because I know it’s a lie and just can’t seem to", "few times, but I can never stick with it because I know it’s", "lie and just can’t seem to make my characters obsess on a problem", "plot misdirection whatsoever. I have tried writing plot misdirections in my story a", "tried writing plot misdirections in my story a few times, but I can", "but I can never stick with it because I know it’s a lie", "it’s a lie and just can’t seem to make my characters obsess on", "on a problem I know isn’t real, even if it’s real to them.", "can’t seem to make my characters obsess on a problem I know isn’t", "writing plot misdirections in my story a few times, but I can never", "story is unpredictable, but there is absolutely no plot misdirection whatsoever. I have" ]
[ "have her improve. I know flawed characters are ideal, but people don't tend", "currently struggling with making her likable when she obviously has some issues with", "as less. But it's part of her character and part of my story", "are ideal, but people don't tend to like characters with a sense of", "and part of my story that I want to tell. I am currently", "prejudice, because it's looking at another group of people as less. But it's", "story is a prejudiced adolescent. Her views are outdated, but the whole point", "improve. I know flawed characters are ideal, but people don't tend to like", "want to keep this brief, but the protagonist in my story is a", "whole point of the story was to have her improve. I know flawed", "views are outdated, but the whole point of the story was to have", "a sense of prejudice, because it's looking at another group of people as", "keep this brief, but the protagonist in my story is a prejudiced adolescent.", "tell. I am currently struggling with making her likable when she obviously has", "this brief, but the protagonist in my story is a prejudiced adolescent. Her", "outdated, but the whole point of the story was to have her improve.", "her character and part of my story that I want to tell. I", "protagonist in my story is a prejudiced adolescent. Her views are outdated, but", "people as less. But it's part of her character and part of my", "like characters with a sense of prejudice, because it's looking at another group", "group of people as less. But it's part of her character and part", "of her character and part of my story that I want to tell.", "a prejudiced adolescent. Her views are outdated, but the whole point of the", "But it's part of her character and part of my story that I", "part of her character and part of my story that I want to", "sense of prejudice, because it's looking at another group of people as less.", "I want to keep this brief, but the protagonist in my story is", "another group of people as less. But it's part of her character and", "adolescent. Her views are outdated, but the whole point of the story was", "I know flawed characters are ideal, but people don't tend to like characters", "want to tell. I am currently struggling with making her likable when she", "brief, but the protagonist in my story is a prejudiced adolescent. Her views", "my story is a prejudiced adolescent. Her views are outdated, but the whole", "likable when she obviously has some issues with people who aren't like her.", "when she obviously has some issues with people who aren't like her. Tips?", "the whole point of the story was to have her improve. I know", "story was to have her improve. I know flawed characters are ideal, but", "at another group of people as less. But it's part of her character", "her improve. I know flawed characters are ideal, but people don't tend to", "it's part of her character and part of my story that I want", "looking at another group of people as less. But it's part of her", "with a sense of prejudice, because it's looking at another group of people", "that I want to tell. I am currently struggling with making her likable", "tend to like characters with a sense of prejudice, because it's looking at", "because it's looking at another group of people as less. But it's part", "to like characters with a sense of prejudice, because it's looking at another", "story that I want to tell. I am currently struggling with making her", "to keep this brief, but the protagonist in my story is a prejudiced", "less. But it's part of her character and part of my story that", "with making her likable when she obviously has some issues with people who", "point of the story was to have her improve. I know flawed characters", "of people as less. But it's part of her character and part of", "of the story was to have her improve. I know flawed characters are", "but the whole point of the story was to have her improve. I", "ideal, but people don't tend to like characters with a sense of prejudice,", "am currently struggling with making her likable when she obviously has some issues", "the protagonist in my story is a prejudiced adolescent. Her views are outdated,", "part of my story that I want to tell. I am currently struggling", "was to have her improve. I know flawed characters are ideal, but people", "don't tend to like characters with a sense of prejudice, because it's looking", "it's looking at another group of people as less. But it's part of", "people don't tend to like characters with a sense of prejudice, because it's", "of prejudice, because it's looking at another group of people as less. But", "to tell. I am currently struggling with making her likable when she obviously", "are outdated, but the whole point of the story was to have her", "Her views are outdated, but the whole point of the story was to", "flawed characters are ideal, but people don't tend to like characters with a", "character and part of my story that I want to tell. I am", "of my story that I want to tell. I am currently struggling with", "is a prejudiced adolescent. Her views are outdated, but the whole point of", "but people don't tend to like characters with a sense of prejudice, because", "struggling with making her likable when she obviously has some issues with people", "in my story is a prejudiced adolescent. Her views are outdated, but the", "prejudiced adolescent. Her views are outdated, but the whole point of the story", "making her likable when she obviously has some issues with people who aren't", "to have her improve. I know flawed characters are ideal, but people don't", "characters with a sense of prejudice, because it's looking at another group of", "her likable when she obviously has some issues with people who aren't like", "the story was to have her improve. I know flawed characters are ideal,", "my story that I want to tell. I am currently struggling with making", "I want to tell. I am currently struggling with making her likable when", "but the protagonist in my story is a prejudiced adolescent. Her views are", "know flawed characters are ideal, but people don't tend to like characters with", "I am currently struggling with making her likable when she obviously has some", "characters are ideal, but people don't tend to like characters with a sense" ]
[ "So my character is a competitive dancer, and the competitions she attends are", "a heavy part of the story. I'm writing her second competition, and I", "part of the story. I'm writing her second competition, and I realize that", "second competition, and I realize that I'll have to describe the routine whenever", "that I'll have to describe the routine whenever she competes. How do I", "a competitive dancer, and the competitions she attends are a heavy part of", "writing her second competition, and I realize that I'll have to describe the", "competition, and I realize that I'll have to describe the routine whenever she", "to describe the routine whenever she competes. How do I do that without", "heavy part of the story. I'm writing her second competition, and I realize", "the competitions she attends are a heavy part of the story. I'm writing", "I realize that I'll have to describe the routine whenever she competes. How", "my character is a competitive dancer, and the competitions she attends are a", "routine whenever she competes. How do I do that without making it repetitive?", "and I realize that I'll have to describe the routine whenever she competes.", "competitions she attends are a heavy part of the story. I'm writing her", "I'm writing her second competition, and I realize that I'll have to describe", "character is a competitive dancer, and the competitions she attends are a heavy", "is a competitive dancer, and the competitions she attends are a heavy part", "are a heavy part of the story. I'm writing her second competition, and", "story. I'm writing her second competition, and I realize that I'll have to", "have to describe the routine whenever she competes. How do I do that", "describe the routine whenever she competes. How do I do that without making", "attends are a heavy part of the story. I'm writing her second competition,", "and the competitions she attends are a heavy part of the story. I'm", "of the story. I'm writing her second competition, and I realize that I'll", "realize that I'll have to describe the routine whenever she competes. How do", "the routine whenever she competes. How do I do that without making it", "I'll have to describe the routine whenever she competes. How do I do", "competitive dancer, and the competitions she attends are a heavy part of the", "dancer, and the competitions she attends are a heavy part of the story.", "she attends are a heavy part of the story. I'm writing her second", "her second competition, and I realize that I'll have to describe the routine", "the story. I'm writing her second competition, and I realize that I'll have" ]
[ "of, well, of everything. Particularly things having to do with the human body,", "better understanding of, well, of everything. Particularly things having to do with the", "Particularly things having to do with the human body, but they've upgraded in", "different MC, who we'll call B, out of prison, they have the key,", "I'm at a part in my novel where one of the MCs who", "all of the highest tech available, or not available, will be there. I", "prison, they have the key, but they don't know how to open the", "highest tech available, or not available, will be there. I don't think I", "it that way, but I feel like that doesn't fit the setting of", "A, are breaking a different MC, who we'll call B, out of prison,", "things having to do with the human body, but they've upgraded in other", "door. I could just make it normal with a keyhole and just have", "out of isn't just a normal prison though, it's a government facility, which", "in my novel where one of the MCs who we'll call A, are", "call B, out of prison, they have the key, but they don't know", "and just have her open it that way, but I feel like that", "to do with the human body, but they've upgraded in other aspects too.", "body, but they've upgraded in other aspects too. The jail that A is", "will be there. I don't think I could really call it a tech-boom", "don't think I could really call it a tech-boom if they still use", "way, but I feel like that doesn't fit the setting of the novel,", "of the highest tech available, or not available, will be there. I don't", "cure to COVID. Humans now have a better understanding of, well, of everything.", "breaking a different MC, who we'll call B, out of prison, they have", "have a better understanding of, well, of everything. Particularly things having to do", "or not available, will be there. I don't think I could really call", "novel where one of the MCs who we'll call A, are breaking a", "are breaking a different MC, who we'll call B, out of prison, they", "like that doesn't fit the setting of the novel, it's set in 2021,", "one of the MCs who we'll call A, are breaking a different MC,", "a tech-boom if they still use standard doors for their cells, so what's", "point of the story is that there was a giant tech-boom that came", "trying to find the cure to COVID. Humans now have a better understanding", "they've upgraded in other aspects too. The jail that A is breaking B", "a normal prison though, it's a government facility, which means all of the", "there. I don't think I could really call it a tech-boom if they", "is a high-tech way to open a door? I'm at a part in", "a big part of the point of the story is that there was", "but I feel like that doesn't fit the setting of the novel, it's", "facility, which means all of the highest tech available, or not available, will", "asked. But what is a high-tech way to open a door? I'm at", "questions I've ever asked. But what is a high-tech way to open a", "available, or not available, will be there. I don't think I could really", "now have a better understanding of, well, of everything. Particularly things having to", "to open a door? I'm at a part in my novel where one", "human body, but they've upgraded in other aspects too. The jail that A", "set in 2021, and a big part of the point of the story", "upgraded in other aspects too. The jail that A is breaking B out", "normal with a keyhole and just have her open it that way, but", "a giant tech-boom that came with trying to find the cure to COVID.", "call A, are breaking a different MC, who we'll call B, out of", "just make it normal with a keyhole and just have her open it", "B, out of prison, they have the key, but they don't know how", "to open the door. I could just make it normal with a keyhole", "key, but they don't know how to open the door. I could just", "we'll call B, out of prison, they have the key, but they don't", "and a big part of the point of the story is that there", "with trying to find the cure to COVID. Humans now have a better", "if they still use standard doors for their cells, so what's a high-tech", "fit the setting of the novel, it's set in 2021, and a big", "that came with trying to find the cure to COVID. Humans now have", "in 2021, and a big part of the point of the story is", "which means all of the highest tech available, or not available, will be", "This is probably one of the most strange questions I've ever asked. But", "jail that A is breaking B out of isn't just a normal prison", "prison though, it's a government facility, which means all of the highest tech", "the MCs who we'll call A, are breaking a different MC, who we'll", "I've ever asked. But what is a high-tech way to open a door?", "out of prison, they have the key, but they don't know how to", "the key, but they don't know how to open the door. I could", "where one of the MCs who we'll call A, are breaking a different", "just a normal prison though, it's a government facility, which means all of", "of prison, they have the key, but they don't know how to open", "too. The jail that A is breaking B out of isn't just a", "the highest tech available, or not available, will be there. I don't think", "doors for their cells, so what's a high-tech way to unlock and open", "I could really call it a tech-boom if they still use standard doors", "a government facility, which means all of the highest tech available, or not", "that doesn't fit the setting of the novel, it's set in 2021, and", "well, of everything. Particularly things having to do with the human body, but", "I could just make it normal with a keyhole and just have her", "in other aspects too. The jail that A is breaking B out of", "have the key, but they don't know how to open the door. I", "the story is that there was a giant tech-boom that came with trying", "use standard doors for their cells, so what's a high-tech way to unlock", "MCs who we'll call A, are breaking a different MC, who we'll call", "a high-tech way to open a door? I'm at a part in my", "everything. Particularly things having to do with the human body, but they've upgraded", "find the cure to COVID. Humans now have a better understanding of, well,", "ever asked. But what is a high-tech way to open a door? I'm", "how to open the door. I could just make it normal with a", "that way, but I feel like that doesn't fit the setting of the", "setting of the novel, it's set in 2021, and a big part of", "of the novel, it's set in 2021, and a big part of the", "it's set in 2021, and a big part of the point of the", "was a giant tech-boom that came with trying to find the cure to", "who we'll call B, out of prison, they have the key, but they", "they have the key, but they don't know how to open the door.", "with the human body, but they've upgraded in other aspects too. The jail", "they still use standard doors for their cells, so what's a high-tech way", "just have her open it that way, but I feel like that doesn't", "a different MC, who we'll call B, out of prison, they have the", "their cells, so what's a high-tech way to unlock and open a door?", "part of the point of the story is that there was a giant", "but they don't know how to open the door. I could just make", "keyhole and just have her open it that way, but I feel like", "of isn't just a normal prison though, it's a government facility, which means", "way to open a door? I'm at a part in my novel where", "what is a high-tech way to open a door? I'm at a part", "could really call it a tech-boom if they still use standard doors for", "really call it a tech-boom if they still use standard doors for their", "be there. I don't think I could really call it a tech-boom if", "story is that there was a giant tech-boom that came with trying to", "is probably one of the most strange questions I've ever asked. But what", "strange questions I've ever asked. But what is a high-tech way to open", "who we'll call A, are breaking a different MC, who we'll call B,", "still use standard doors for their cells, so what's a high-tech way to", "open the door. I could just make it normal with a keyhole and", "tech available, or not available, will be there. I don't think I could", "the most strange questions I've ever asked. But what is a high-tech way", "that there was a giant tech-boom that came with trying to find the", "open a door? I'm at a part in my novel where one of", "to find the cure to COVID. Humans now have a better understanding of,", "not available, will be there. I don't think I could really call it", "having to do with the human body, but they've upgraded in other aspects", "tech-boom that came with trying to find the cure to COVID. Humans now", "MC, who we'll call B, out of prison, they have the key, but", "2021, and a big part of the point of the story is that", "the door. I could just make it normal with a keyhole and just", "the novel, it's set in 2021, and a big part of the point", "one of the most strange questions I've ever asked. But what is a", "is that there was a giant tech-boom that came with trying to find", "understanding of, well, of everything. Particularly things having to do with the human", "means all of the highest tech available, or not available, will be there.", "it normal with a keyhole and just have her open it that way,", "part in my novel where one of the MCs who we'll call A,", "that A is breaking B out of isn't just a normal prison though,", "door? I'm at a part in my novel where one of the MCs", "it a tech-boom if they still use standard doors for their cells, so", "it's a government facility, which means all of the highest tech available, or", "a better understanding of, well, of everything. Particularly things having to do with", "could just make it normal with a keyhole and just have her open", "government facility, which means all of the highest tech available, or not available,", "for their cells, so what's a high-tech way to unlock and open a", "though, it's a government facility, which means all of the highest tech available,", "standard doors for their cells, so what's a high-tech way to unlock and", "open it that way, but I feel like that doesn't fit the setting", "other aspects too. The jail that A is breaking B out of isn't", "aspects too. The jail that A is breaking B out of isn't just", "call it a tech-boom if they still use standard doors for their cells,", "at a part in my novel where one of the MCs who we'll", "novel, it's set in 2021, and a big part of the point of", "tech-boom if they still use standard doors for their cells, so what's a", "But what is a high-tech way to open a door? I'm at a", "make it normal with a keyhole and just have her open it that", "but they've upgraded in other aspects too. The jail that A is breaking", "a part in my novel where one of the MCs who we'll call", "of the story is that there was a giant tech-boom that came with", "high-tech way to open a door? I'm at a part in my novel", "think I could really call it a tech-boom if they still use standard", "the human body, but they've upgraded in other aspects too. The jail that", "doesn't fit the setting of the novel, it's set in 2021, and a", "is breaking B out of isn't just a normal prison though, it's a", "B out of isn't just a normal prison though, it's a government facility,", "giant tech-boom that came with trying to find the cure to COVID. Humans", "The jail that A is breaking B out of isn't just a normal", "most strange questions I've ever asked. But what is a high-tech way to", "my novel where one of the MCs who we'll call A, are breaking", "probably one of the most strange questions I've ever asked. But what is", "do with the human body, but they've upgraded in other aspects too. The", "I feel like that doesn't fit the setting of the novel, it's set", "they don't know how to open the door. I could just make it", "we'll call A, are breaking a different MC, who we'll call B, out", "a door? I'm at a part in my novel where one of the", "the point of the story is that there was a giant tech-boom that", "COVID. Humans now have a better understanding of, well, of everything. Particularly things", "her open it that way, but I feel like that doesn't fit the", "breaking B out of isn't just a normal prison though, it's a government", "with a keyhole and just have her open it that way, but I", "I don't think I could really call it a tech-boom if they still", "A is breaking B out of isn't just a normal prison though, it's", "Humans now have a better understanding of, well, of everything. Particularly things having", "of the most strange questions I've ever asked. But what is a high-tech", "of the MCs who we'll call A, are breaking a different MC, who", "know how to open the door. I could just make it normal with", "a keyhole and just have her open it that way, but I feel", "feel like that doesn't fit the setting of the novel, it's set in", "the cure to COVID. Humans now have a better understanding of, well, of", "isn't just a normal prison though, it's a government facility, which means all", "normal prison though, it's a government facility, which means all of the highest", "the setting of the novel, it's set in 2021, and a big part", "of everything. Particularly things having to do with the human body, but they've", "came with trying to find the cure to COVID. Humans now have a", "have her open it that way, but I feel like that doesn't fit", "big part of the point of the story is that there was a", "there was a giant tech-boom that came with trying to find the cure", "to COVID. Humans now have a better understanding of, well, of everything. Particularly", "of the point of the story is that there was a giant tech-boom", "don't know how to open the door. I could just make it normal", "available, will be there. I don't think I could really call it a" ]
[ "been ‘in limbo’ for several months. I have reached out to the publisher", "technical book. UPDATE: publisher finally responded almost a year later and said the", "review. There is a second round of review to which the book has", "have yet to receive a response. What should I do so that I", "sent a book proposal to a publisher back in June 2020. The publisher", "has been ‘in limbo’ for several months. I have reached out to the", "for a status via two emails and have yet to receive a response.", "I have reached out to the publisher for a status via two emails", "months. I have reached out to the publisher for a status via two", "do so that I can find out the status of my book proposal?", "and have yet to receive a response. What should I do so that", "this book is a technical book. UPDATE: publisher finally responded almost a year", "I do so that I can find out the status of my book", "of review. There is a second round of review to which the book", "it went through successfully the first round of review. There is a second", "a status via two emails and have yet to receive a response. What", "There is a second round of review to which the book has been", "responded that they liked the book and it went through successfully the first", "I can find out the status of my book proposal? Note: this book", "2020. The publisher responded that they liked the book and it went through", "later and said the book would not be published - no further detailed", "publisher for a status via two emails and have yet to receive a", "and said the book would not be published - no further detailed feedback.", "to a publisher back in June 2020. The publisher responded that they liked", "find out the status of my book proposal? Note: this book is a", "yet to receive a response. What should I do so that I can", "my book proposal? Note: this book is a technical book. UPDATE: publisher finally", "have reached out to the publisher for a status via two emails and", "proposal to a publisher back in June 2020. The publisher responded that they", "they liked the book and it went through successfully the first round of", "went through successfully the first round of review. There is a second round", "a book proposal to a publisher back in June 2020. The publisher responded", "out to the publisher for a status via two emails and have yet", "a technical book. UPDATE: publisher finally responded almost a year later and said", "‘in limbo’ for several months. I have reached out to the publisher for", "is a technical book. UPDATE: publisher finally responded almost a year later and", "year later and said the book would not be published - no further", "that I can find out the status of my book proposal? Note: this", "round of review to which the book has been ‘in limbo’ for several", "review to which the book has been ‘in limbo’ for several months. I", "to receive a response. What should I do so that I can find", "round of review. There is a second round of review to which the", "limbo’ for several months. I have reached out to the publisher for a", "June 2020. The publisher responded that they liked the book and it went", "back in June 2020. The publisher responded that they liked the book and", "that they liked the book and it went through successfully the first round", "through successfully the first round of review. There is a second round of", "for several months. I have reached out to the publisher for a status", "liked the book and it went through successfully the first round of review.", "of review to which the book has been ‘in limbo’ for several months.", "which the book has been ‘in limbo’ for several months. I have reached", "should I do so that I can find out the status of my", "first round of review. There is a second round of review to which", "book. UPDATE: publisher finally responded almost a year later and said the book", "the status of my book proposal? Note: this book is a technical book.", "via two emails and have yet to receive a response. What should I", "second round of review to which the book has been ‘in limbo’ for", "the publisher for a status via two emails and have yet to receive", "finally responded almost a year later and said the book would not be", "the first round of review. There is a second round of review to", "The publisher responded that they liked the book and it went through successfully", "is a second round of review to which the book has been ‘in", "a response. What should I do so that I can find out the", "publisher back in June 2020. The publisher responded that they liked the book", "book is a technical book. UPDATE: publisher finally responded almost a year later", "of my book proposal? Note: this book is a technical book. UPDATE: publisher", "response. What should I do so that I can find out the status", "in June 2020. The publisher responded that they liked the book and it", "a second round of review to which the book has been ‘in limbo’", "a year later and said the book would not be published - no", "book has been ‘in limbo’ for several months. I have reached out to", "I sent a book proposal to a publisher back in June 2020. The", "UPDATE: publisher finally responded almost a year later and said the book would", "book proposal? Note: this book is a technical book. UPDATE: publisher finally responded", "What should I do so that I can find out the status of", "receive a response. What should I do so that I can find out", "book proposal to a publisher back in June 2020. The publisher responded that", "two emails and have yet to receive a response. What should I do", "almost a year later and said the book would not be published -", "responded almost a year later and said the book would not be published", "so that I can find out the status of my book proposal? Note:", "to the publisher for a status via two emails and have yet to", "the book has been ‘in limbo’ for several months. I have reached out", "Note: this book is a technical book. UPDATE: publisher finally responded almost a", "status via two emails and have yet to receive a response. What should", "and it went through successfully the first round of review. There is a", "book and it went through successfully the first round of review. There is", "out the status of my book proposal? Note: this book is a technical", "to which the book has been ‘in limbo’ for several months. I have", "reached out to the publisher for a status via two emails and have", "several months. I have reached out to the publisher for a status via", "status of my book proposal? Note: this book is a technical book. UPDATE:", "proposal? Note: this book is a technical book. UPDATE: publisher finally responded almost", "emails and have yet to receive a response. What should I do so", "a publisher back in June 2020. The publisher responded that they liked the", "the book and it went through successfully the first round of review. There", "can find out the status of my book proposal? Note: this book is", "successfully the first round of review. There is a second round of review", "publisher finally responded almost a year later and said the book would not", "publisher responded that they liked the book and it went through successfully the" ]
[ "there technical solutions to this, perhaps some kind of anonymous key-based trust system?", "some kind of anonymous key-based trust system? Or some older techniques that journalists", "own safety, must not be identified, how can one cite them in a", "When working with journalistic sources who, fearing for their own safety, must not", "must not be identified, how can one cite them in a way that", "sources who, fearing for their own safety, must not be identified, how can", "Are there technical solutions to this, perhaps some kind of anonymous key-based trust", "credibility? Are there technical solutions to this, perhaps some kind of anonymous key-based", "retains credibility? Are there technical solutions to this, perhaps some kind of anonymous", "fearing for their own safety, must not be identified, how can one cite", "safety, must not be identified, how can one cite them in a way", "not be identified, how can one cite them in a way that retains", "can one cite them in a way that retains credibility? Are there technical", "cite them in a way that retains credibility? Are there technical solutions to", "way that retains credibility? Are there technical solutions to this, perhaps some kind", "with journalistic sources who, fearing for their own safety, must not be identified,", "perhaps some kind of anonymous key-based trust system? Or some older techniques that", "be identified, how can one cite them in a way that retains credibility?", "to this, perhaps some kind of anonymous key-based trust system? Or some older", "identified, how can one cite them in a way that retains credibility? Are", "in a way that retains credibility? Are there technical solutions to this, perhaps", "working with journalistic sources who, fearing for their own safety, must not be", "that retains credibility? Are there technical solutions to this, perhaps some kind of", "trust system? Or some older techniques that journalists have used in the past?", "who, fearing for their own safety, must not be identified, how can one", "them in a way that retains credibility? Are there technical solutions to this,", "this, perhaps some kind of anonymous key-based trust system? Or some older techniques", "anonymous key-based trust system? Or some older techniques that journalists have used in", "solutions to this, perhaps some kind of anonymous key-based trust system? Or some", "journalistic sources who, fearing for their own safety, must not be identified, how", "for their own safety, must not be identified, how can one cite them", "how can one cite them in a way that retains credibility? Are there", "technical solutions to this, perhaps some kind of anonymous key-based trust system? Or", "of anonymous key-based trust system? Or some older techniques that journalists have used", "a way that retains credibility? Are there technical solutions to this, perhaps some", "their own safety, must not be identified, how can one cite them in", "kind of anonymous key-based trust system? Or some older techniques that journalists have", "one cite them in a way that retains credibility? Are there technical solutions", "key-based trust system? Or some older techniques that journalists have used in the" ]
[ "play with the idea of the protagonist taking a hero-to-villain arc, and the", "the antagonist taking a villain-to-hero arc, with the POV's switching to make the", "there any solution to make it easier to follow, and not seem contrived?", "if so, is there any solution to make it easier to follow, and", "question, as this is my first question on the website and I haven't", "follow, and not seem contrived? I apologize if this is a poor question,", "to make the previous antagonist into the protagonist/deurotagonist either half-way through the story,", "protagonist taking a hero-to-villain arc, and the antagonist taking a villain-to-hero arc, with", "a second book. Would this be too confusing for the readers, and if", "the protagonist taking a hero-to-villain arc, and the antagonist taking a villain-to-hero arc,", "switching to make the previous antagonist into the protagonist/deurotagonist either half-way through the", "apologize if this is a poor question, as this is my first question", "and if so, is there any solution to make it easier to follow,", "read much yet to feel the waters of what's expected outside of the", "the POV's switching to make the previous antagonist into the protagonist/deurotagonist either half-way", "in a second book. Would this be too confusing for the readers, and", "question on the website and I haven't read much yet to feel the", "story, I wanted to play with the idea of the protagonist taking a", "the website and I haven't read much yet to feel the waters of", "to make it easier to follow, and not seem contrived? I apologize if", "confusing for the readers, and if so, is there any solution to make", "previous antagonist into the protagonist/deurotagonist either half-way through the story, or in a", "not seem contrived? I apologize if this is a poor question, as this", "for the readers, and if so, is there any solution to make it", "the readers, and if so, is there any solution to make it easier", "website and I haven't read much yet to feel the waters of what's", "and I haven't read much yet to feel the waters of what's expected", "is my first question on the website and I haven't read much yet", "if this is a poor question, as this is my first question on", "protagonist/deurotagonist either half-way through the story, or in a second book. Would this", "the protagonist/deurotagonist either half-way through the story, or in a second book. Would", "antagonist taking a villain-to-hero arc, with the POV's switching to make the previous", "with the idea of the protagonist taking a hero-to-villain arc, and the antagonist", "villain-to-hero arc, with the POV's switching to make the previous antagonist into the", "as this is my first question on the website and I haven't read", "easier to follow, and not seem contrived? I apologize if this is a", "haven't read much yet to feel the waters of what's expected outside of", "I haven't read much yet to feel the waters of what's expected outside", "seem contrived? I apologize if this is a poor question, as this is", "In my story, I wanted to play with the idea of the protagonist", "to follow, and not seem contrived? I apologize if this is a poor", "and the antagonist taking a villain-to-hero arc, with the POV's switching to make", "is there any solution to make it easier to follow, and not seem", "a villain-to-hero arc, with the POV's switching to make the previous antagonist into", "to play with the idea of the protagonist taking a hero-to-villain arc, and", "this be too confusing for the readers, and if so, is there any", "into the protagonist/deurotagonist either half-way through the story, or in a second book.", "idea of the protagonist taking a hero-to-villain arc, and the antagonist taking a", "wanted to play with the idea of the protagonist taking a hero-to-villain arc,", "Would this be too confusing for the readers, and if so, is there", "so, is there any solution to make it easier to follow, and not", "the idea of the protagonist taking a hero-to-villain arc, and the antagonist taking", "poor question, as this is my first question on the website and I", "or in a second book. Would this be too confusing for the readers,", "make the previous antagonist into the protagonist/deurotagonist either half-way through the story, or", "second book. Would this be too confusing for the readers, and if so,", "and not seem contrived? I apologize if this is a poor question, as", "taking a hero-to-villain arc, and the antagonist taking a villain-to-hero arc, with the", "a hero-to-villain arc, and the antagonist taking a villain-to-hero arc, with the POV's", "readers, and if so, is there any solution to make it easier to", "be too confusing for the readers, and if so, is there any solution", "hero-to-villain arc, and the antagonist taking a villain-to-hero arc, with the POV's switching", "I wanted to play with the idea of the protagonist taking a hero-to-villain", "taking a villain-to-hero arc, with the POV's switching to make the previous antagonist", "on the website and I haven't read much yet to feel the waters", "first question on the website and I haven't read much yet to feel", "a poor question, as this is my first question on the website and", "my story, I wanted to play with the idea of the protagonist taking", "half-way through the story, or in a second book. Would this be too", "this is a poor question, as this is my first question on the", "I apologize if this is a poor question, as this is my first", "of the protagonist taking a hero-to-villain arc, and the antagonist taking a villain-to-hero", "yet to feel the waters of what's expected outside of the tour guidelines.", "book. Would this be too confusing for the readers, and if so, is", "it easier to follow, and not seem contrived? I apologize if this is", "story, or in a second book. Would this be too confusing for the", "either half-way through the story, or in a second book. Would this be", "any solution to make it easier to follow, and not seem contrived? I", "contrived? I apologize if this is a poor question, as this is my", "is a poor question, as this is my first question on the website", "POV's switching to make the previous antagonist into the protagonist/deurotagonist either half-way through", "much yet to feel the waters of what's expected outside of the tour", "my first question on the website and I haven't read much yet to", "antagonist into the protagonist/deurotagonist either half-way through the story, or in a second", "arc, with the POV's switching to make the previous antagonist into the protagonist/deurotagonist", "with the POV's switching to make the previous antagonist into the protagonist/deurotagonist either", "the previous antagonist into the protagonist/deurotagonist either half-way through the story, or in", "through the story, or in a second book. Would this be too confusing", "too confusing for the readers, and if so, is there any solution to", "the story, or in a second book. Would this be too confusing for", "this is my first question on the website and I haven't read much", "arc, and the antagonist taking a villain-to-hero arc, with the POV's switching to", "make it easier to follow, and not seem contrived? I apologize if this", "solution to make it easier to follow, and not seem contrived? I apologize" ]
[ "book was set in a basement, the second book was set in a", "horror series. The first book was set in a basement, the second book", "the third book was set in Italy, meaning that each book’s setting was", "each book’s setting was progressively bigger and more exciting than the last. However,", "second book was set in a Ski-Resort and the third book was set", "do not know where to go next, as every other setting I envision", "every other setting I envision for the 4th book seems like a downgrade", "in a basement, the second book was set in a Ski-Resort and the", "seems like a downgrade from the international setting of the last book. Where", "in Italy, meaning that each book’s setting was progressively bigger and more exciting", "was set in a basement, the second book was set in a Ski-Resort", "third book was set in Italy, meaning that each book’s setting was progressively", "a comedy horror series. The first book was set in a basement, the", "a basement, the second book was set in a Ski-Resort and the third", "basement, the second book was set in a Ski-Resort and the third book", "from the international setting of the last book. Where do I go next?", "go next, as every other setting I envision for the 4th book seems", "for the 4th book seems like a downgrade from the international setting of", "setting was progressively bigger and more exciting than the last. However, I do", "I envision for the 4th book seems like a downgrade from the international", "am writing a comedy horror series. The first book was set in a", "like a downgrade from the international setting of the last book. Where do", "next, as every other setting I envision for the 4th book seems like", "set in Italy, meaning that each book’s setting was progressively bigger and more", "writing a comedy horror series. The first book was set in a basement,", "I do not know where to go next, as every other setting I", "book was set in a Ski-Resort and the third book was set in", "Italy, meaning that each book’s setting was progressively bigger and more exciting than", "bigger and more exciting than the last. However, I do not know where", "envision for the 4th book seems like a downgrade from the international setting", "last. However, I do not know where to go next, as every other", "However, I do not know where to go next, as every other setting", "the second book was set in a Ski-Resort and the third book was", "Ski-Resort and the third book was set in Italy, meaning that each book’s", "meaning that each book’s setting was progressively bigger and more exciting than the", "than the last. However, I do not know where to go next, as", "was set in a Ski-Resort and the third book was set in Italy,", "I am writing a comedy horror series. The first book was set in", "set in a basement, the second book was set in a Ski-Resort and", "a downgrade from the international setting of the last book. Where do I", "setting I envision for the 4th book seems like a downgrade from the", "first book was set in a basement, the second book was set in", "as every other setting I envision for the 4th book seems like a", "a Ski-Resort and the third book was set in Italy, meaning that each", "not know where to go next, as every other setting I envision for", "was set in Italy, meaning that each book’s setting was progressively bigger and", "and more exciting than the last. However, I do not know where to", "in a Ski-Resort and the third book was set in Italy, meaning that", "book was set in Italy, meaning that each book’s setting was progressively bigger", "more exciting than the last. However, I do not know where to go", "book seems like a downgrade from the international setting of the last book.", "series. The first book was set in a basement, the second book was", "set in a Ski-Resort and the third book was set in Italy, meaning", "exciting than the last. However, I do not know where to go next,", "was progressively bigger and more exciting than the last. However, I do not", "The first book was set in a basement, the second book was set", "comedy horror series. The first book was set in a basement, the second", "know where to go next, as every other setting I envision for the", "book’s setting was progressively bigger and more exciting than the last. However, I", "that each book’s setting was progressively bigger and more exciting than the last.", "progressively bigger and more exciting than the last. However, I do not know", "and the third book was set in Italy, meaning that each book’s setting", "to go next, as every other setting I envision for the 4th book", "other setting I envision for the 4th book seems like a downgrade from", "the last. However, I do not know where to go next, as every", "4th book seems like a downgrade from the international setting of the last", "where to go next, as every other setting I envision for the 4th", "the 4th book seems like a downgrade from the international setting of the", "downgrade from the international setting of the last book. Where do I go" ]
[ "ISBN that I can search to confirm that my book's title is in", "a fairly generic title, and I'm very surprised it isn't taken yet. Is", "through Amazon's self-publishing service. My book is non-fiction. Searching Amazon.com, I could not", "plan to self-publish through Amazon's self-publishing service. My book is non-fiction. Searching Amazon.com,", "somewhere of all books in the ISBN that I can search to confirm", "taken yet. Is there a larger database somewhere of all books in the", "Amazon.com, I could not find any other book with my title, yet it", "I can search to confirm that my book's title is in fact original?", "that I can search to confirm that my book's title is in fact", "my title, yet it seems a fairly generic title, and I'm very surprised", "I could not find any other book with my title, yet it seems", "and I'm very surprised it isn't taken yet. Is there a larger database", "I plan to self-publish through Amazon's self-publishing service. My book is non-fiction. Searching", "to self-publish through Amazon's self-publishing service. My book is non-fiction. Searching Amazon.com, I", "title, and I'm very surprised it isn't taken yet. Is there a larger", "Is there a larger database somewhere of all books in the ISBN that", "of all books in the ISBN that I can search to confirm that", "all books in the ISBN that I can search to confirm that my", "Amazon's self-publishing service. My book is non-fiction. Searching Amazon.com, I could not find", "very surprised it isn't taken yet. Is there a larger database somewhere of", "it seems a fairly generic title, and I'm very surprised it isn't taken", "I am writing a book that I plan to self-publish through Amazon's self-publishing", "is non-fiction. Searching Amazon.com, I could not find any other book with my", "yet it seems a fairly generic title, and I'm very surprised it isn't", "surprised it isn't taken yet. Is there a larger database somewhere of all", "in the ISBN that I can search to confirm that my book's title", "yet. Is there a larger database somewhere of all books in the ISBN", "My book is non-fiction. Searching Amazon.com, I could not find any other book", "generic title, and I'm very surprised it isn't taken yet. Is there a", "a book that I plan to self-publish through Amazon's self-publishing service. My book", "title, yet it seems a fairly generic title, and I'm very surprised it", "book with my title, yet it seems a fairly generic title, and I'm", "books in the ISBN that I can search to confirm that my book's", "Searching Amazon.com, I could not find any other book with my title, yet", "writing a book that I plan to self-publish through Amazon's self-publishing service. My", "fairly generic title, and I'm very surprised it isn't taken yet. Is there", "any other book with my title, yet it seems a fairly generic title,", "book that I plan to self-publish through Amazon's self-publishing service. My book is", "other book with my title, yet it seems a fairly generic title, and", "am writing a book that I plan to self-publish through Amazon's self-publishing service.", "larger database somewhere of all books in the ISBN that I can search", "a larger database somewhere of all books in the ISBN that I can", "with my title, yet it seems a fairly generic title, and I'm very", "self-publish through Amazon's self-publishing service. My book is non-fiction. Searching Amazon.com, I could", "I'm very surprised it isn't taken yet. Is there a larger database somewhere", "book is non-fiction. Searching Amazon.com, I could not find any other book with", "not find any other book with my title, yet it seems a fairly", "that I plan to self-publish through Amazon's self-publishing service. My book is non-fiction.", "could not find any other book with my title, yet it seems a", "there a larger database somewhere of all books in the ISBN that I", "it isn't taken yet. Is there a larger database somewhere of all books", "database somewhere of all books in the ISBN that I can search to", "non-fiction. Searching Amazon.com, I could not find any other book with my title,", "service. My book is non-fiction. Searching Amazon.com, I could not find any other", "seems a fairly generic title, and I'm very surprised it isn't taken yet.", "the ISBN that I can search to confirm that my book's title is", "self-publishing service. My book is non-fiction. Searching Amazon.com, I could not find any", "isn't taken yet. Is there a larger database somewhere of all books in", "find any other book with my title, yet it seems a fairly generic" ]
[ "Usage site but I thought it useful to ask here, too, since it", "words. I'm confident that I've got the differences in dialogue down, but as", "the narration? In British or American English? The POV also often switches between", "American English? The POV also often switches between my British character and her", "third person/present tense, how should I be writing the narration? In British or", "I've got the differences in dialogue down, but as this story is also", "person/present tense, how should I be writing the narration? In British or American", "POV also often switches between my British character and her American partner, so", "how I should be spelling -ise/-ize words. I'm confident that I've got the", "but I thought it useful to ask here, too, since it is a", "useful to ask here, too, since it is a writing issue. I'm writing", "this question on the English Language & Usage site but I thought it", "writing the narration? In British or American English? The POV also often switches", "the differences in dialogue down, but as this story is also written in", "a writing issue. I'm writing a book that's primarily set in America; my", "this story is also written in the third person/present tense, how should I", "protagonist is half-American, half-British but speaks with a strong British accent and uses", "as pavements). Specifically, I'm stuck trying to figure out how I should be", "book that's primarily set in America; my protagonist is half-American, half-British but speaks", "she refers to sidewalks as pavements). Specifically, I'm stuck trying to figure out", "I'm writing a book that's primarily set in America; my protagonist is half-American,", "primarily set in America; my protagonist is half-American, half-British but speaks with a", "narration? In British or American English? The POV also often switches between my", "-ise/-ize words. I'm confident that I've got the differences in dialogue down, but", "and her American partner, so should my narration style change to fit whoever", "English Language & Usage site but I thought it useful to ask here,", "but speaks with a strong British accent and uses British dialects (e.g. she", "the third person/present tense, how should I be writing the narration? In British", "I'm confident that I've got the differences in dialogue down, but as this", "America; my protagonist is half-American, half-British but speaks with a strong British accent", "in America; my protagonist is half-American, half-British but speaks with a strong British", "should my narration style change to fit whoever is the primary character in", "thought it useful to ask here, too, since it is a writing issue.", "and uses British dialects (e.g. she refers to sidewalks as pavements). Specifically, I'm", "to sidewalks as pavements). Specifically, I'm stuck trying to figure out how I", "as this story is also written in the third person/present tense, how should", "be writing the narration? In British or American English? The POV also often", "I'm stuck trying to figure out how I should be spelling -ise/-ize words.", "refers to sidewalks as pavements). Specifically, I'm stuck trying to figure out how", "or American English? The POV also often switches between my British character and", "tense, how should I be writing the narration? In British or American English?", "with a strong British accent and uses British dialects (e.g. she refers to", "American partner, so should my narration style change to fit whoever is the", "set in America; my protagonist is half-American, half-British but speaks with a strong", "half-British but speaks with a strong British accent and uses British dialects (e.g.", "too, since it is a writing issue. I'm writing a book that's primarily", "speaks with a strong British accent and uses British dialects (e.g. she refers", "British character and her American partner, so should my narration style change to", "partner, so should my narration style change to fit whoever is the primary", "is a writing issue. I'm writing a book that's primarily set in America;", "on the English Language & Usage site but I thought it useful to", "my British character and her American partner, so should my narration style change", "switches between my British character and her American partner, so should my narration", "trying to figure out how I should be spelling -ise/-ize words. I'm confident", "it useful to ask here, too, since it is a writing issue. I'm", "often switches between my British character and her American partner, so should my", "pavements). Specifically, I'm stuck trying to figure out how I should be spelling", "a strong British accent and uses British dialects (e.g. she refers to sidewalks", "but as this story is also written in the third person/present tense, how", "issue. I'm writing a book that's primarily set in America; my protagonist is", "question on the English Language & Usage site but I thought it useful", "I be writing the narration? In British or American English? The POV also", "out how I should be spelling -ise/-ize words. I'm confident that I've got", "differences in dialogue down, but as this story is also written in the", "my protagonist is half-American, half-British but speaks with a strong British accent and", "is also written in the third person/present tense, how should I be writing", "written in the third person/present tense, how should I be writing the narration?", "British accent and uses British dialects (e.g. she refers to sidewalks as pavements).", "also written in the third person/present tense, how should I be writing the", "(e.g. she refers to sidewalks as pavements). Specifically, I'm stuck trying to figure", "should be spelling -ise/-ize words. I'm confident that I've got the differences in", "that I've got the differences in dialogue down, but as this story is", "writing a book that's primarily set in America; my protagonist is half-American, half-British", "in dialogue down, but as this story is also written in the third", "since it is a writing issue. I'm writing a book that's primarily set", "writing issue. I'm writing a book that's primarily set in America; my protagonist", "figure out how I should be spelling -ise/-ize words. I'm confident that I've", "site but I thought it useful to ask here, too, since it is", "it is a writing issue. I'm writing a book that's primarily set in", "uses British dialects (e.g. she refers to sidewalks as pavements). Specifically, I'm stuck", "I should be spelling -ise/-ize words. I'm confident that I've got the differences", "in the third person/present tense, how should I be writing the narration? In", "to ask here, too, since it is a writing issue. I'm writing a", "here, too, since it is a writing issue. I'm writing a book that's", "narration style change to fit whoever is the primary character in that chapter?", "sidewalks as pavements). Specifically, I'm stuck trying to figure out how I should", "I thought it useful to ask here, too, since it is a writing", "I asked this question on the English Language & Usage site but I", "stuck trying to figure out how I should be spelling -ise/-ize words. I'm", "English? The POV also often switches between my British character and her American", "strong British accent and uses British dialects (e.g. she refers to sidewalks as", "British dialects (e.g. she refers to sidewalks as pavements). Specifically, I'm stuck trying", "a book that's primarily set in America; my protagonist is half-American, half-British but", "asked this question on the English Language & Usage site but I thought", "how should I be writing the narration? In British or American English? The", "Language & Usage site but I thought it useful to ask here, too,", "so should my narration style change to fit whoever is the primary character", "In British or American English? The POV also often switches between my British", "to figure out how I should be spelling -ise/-ize words. I'm confident that", "story is also written in the third person/present tense, how should I be", "& Usage site but I thought it useful to ask here, too, since", "that's primarily set in America; my protagonist is half-American, half-British but speaks with", "the English Language & Usage site but I thought it useful to ask", "should I be writing the narration? In British or American English? The POV", "The POV also often switches between my British character and her American partner,", "between my British character and her American partner, so should my narration style", "down, but as this story is also written in the third person/present tense,", "dialects (e.g. she refers to sidewalks as pavements). Specifically, I'm stuck trying to", "accent and uses British dialects (e.g. she refers to sidewalks as pavements). Specifically,", "my narration style change to fit whoever is the primary character in that", "dialogue down, but as this story is also written in the third person/present", "Specifically, I'm stuck trying to figure out how I should be spelling -ise/-ize", "ask here, too, since it is a writing issue. I'm writing a book", "be spelling -ise/-ize words. I'm confident that I've got the differences in dialogue", "character and her American partner, so should my narration style change to fit", "also often switches between my British character and her American partner, so should", "got the differences in dialogue down, but as this story is also written", "confident that I've got the differences in dialogue down, but as this story", "is half-American, half-British but speaks with a strong British accent and uses British", "half-American, half-British but speaks with a strong British accent and uses British dialects", "her American partner, so should my narration style change to fit whoever is", "spelling -ise/-ize words. I'm confident that I've got the differences in dialogue down,", "British or American English? The POV also often switches between my British character" ]
[ "their partner to be around them? And because the characters are not morally", "is meant to root for. The Hulk and Betty Ross might be a", "protagonist can tear a car in half with their bare hands, and their", "fantasy fiction: Superman and Lois Lane, Spider-Man and Marm Fine, etc. The thing", "Edsavr from Twilight. Edsavr is horribly abusive, and Volla is so weak compared", "horribly abusive, and Volla is so weak compared to him that she can't", "the other having powers that are dramatically less combat-oriented. The thing is, the", "to they myriad superhero comics or many urban fantasies out there (e.g., The", "they get angry or get in a fight with their partner, is it", "up (which is weird given that Bruce Banner grew up in an explicitly", "urban fantasies out there (e.g., The Mortal Instruments, many shonen manga). The main", "has over Lois Lane. And even then numerous Elseworlds [have pointed out the", "advantage he has over Lois Lane. And even then numerous Elseworlds [have pointed", "sends the message that the character cannot even have a relationship with other", "that it seems completely inconceivable that he would ever abuse the massive physical", "out there (e.g., The Mortal Instruments, many shonen manga). The main romantic relationship", "real life (examples such as teacher-student or boss-employee relationships), and as a result", "it. It waves so many red flags the characters might as well be", "do anything to stop his abusive behavior. The other character is the emotionally", "talking in semaphore. It's true this kind of relationship is very common in", "explicitly abusive household where his father murdered his mother). Another good example in", "relationships with those with similar powersets where there is no inequality\". The problem", "the unequal nature of their pairing, and their relationship reeks of potential physical", "Superman and Lois Lane, Spider-Man and Marm Fine, etc. The thing about Superman", "character has powers of their own, so it sends the message that the", "might as well be talking in semaphore. It's true this kind of relationship", "is it safe for their partner to be around them? And because the", "bad message to send. It's made even worse in that the other character", "that it sends a message that people with psychological problems do not deserve", "characters might as well be talking in semaphore. It's true this kind of", "massive physical advantage he has over Lois Lane. And even then numerous Elseworlds", "are on their level. And that, at best, sends numerous messages of ubermenschen", "horrors in these kinds of relationships, but in that case Homelander is explicitly", "partner says \"no\"? What happens when they get angry or get in a", "audiences and they will not root for it. It waves so many red", "completely inconceivable that he would ever abuse the massive physical advantage he has", "even have a relationship with other superhumans, they have to be restricted to", "someone the audience is meant to root for. The Hulk and Betty Ross", "their partner says \"no\"? What happens when they get angry or get in", "of the autism spectrum, major depressive disorder, schizophrenia, or borderline personality disorder. The", "borderline personality disorder. The protagonist in particular is extremely emotionally repressed but has", "in this story focuses on two people with powers: one of whom is", "their relationship reeks of potential physical or emotional abuse. The protagonist can tear", "restricted to having romantic relationships with those with similar powersets where there is", "it comes to the physically intimate aspects of a relationship, but in this", "to root for. The Hulk and Betty Ross might be a more apt", "relationship is very common in fantasy fiction: Superman and Lois Lane, Spider-Man and", "be a more apt example, but in this case the potential issues...just never", "in turn this makes the main character look like a doormat who can't", "tear a car in half with their bare hands, and their partner...can't. What", "their relationship if Superman wasn't* morally perfect.](https://www.youtube.com/watch?v=da4WzUS8f5E) Homelander in The Boys is another", "it seems completely inconceivable that he would ever abuse the massive physical advantage", "but has problems with impulse control and PTSD from their traumatic experiences dealing", "blue boy scout that it seems completely inconceivable that he would ever abuse", "that I realized there is a huge issue with the unequal nature of", "just a mere hypothetical. Larry Niven's Man of Steel, Woman of Kleenex goes", "nature of superpowers in this universe destabilizes people's minds and often results in", "do I write a romantic relationship between two characters where both are flawed", "weak compared to him that she can't do anything to stop his abusive", "in their relationship if Superman wasn't morally perfect.](https://www.youtube.com/watch?v=da4WzUS8f5E) Homelander in The Boys is", "this inherently unequal power dynamic, or they should be restricted to having romantic", "(which is weird given that Bruce Banner grew up in an explicitly abusive", "realized there is a huge issue with the unequal nature of their pairing,", "made even worse in that the other character has powers of their own,", "relationship with other superhumans, they have to be restricted to the few hyper-powerful", "the pants\" in the relationship, but in turn this makes the main character", "one of whom is abnormally powerful due to being the protagonist and the", "than the two having a mutually healthy partnership. The bluntest, simplest answer to", "to having romantic relationships with those with similar powersets where there is no", "their pairing, and their relationship reeks of potential physical or emotional abuse. The", "two are supposed to have a loving, supportive, emotionally healthy relationship. The problem", "to be around them? And because the characters are not morally perfect and", "makes that threat rather than just a mere hypothetical. Larry Niven's Man of", "superpowers in this universe destabilizes people's minds and often results in various mental", "example, but in this case the potential issues...just never come up (which is", "Think the Hulk. The two are supposed* to have a loving, supportive, emotionally", "are flawed individuals and one is significantly more physically powerful than the other*?", "something and their partner says \"no\"? What happens when they get angry or", "other character is the emotionally dominant one who \"wears the pants\" in the", "there is no inequality\". The problem with this is that it sends a", "they have to be restricted to the few hyper-powerful superhumans that are on", "is such a big blue boy scout that it seems completely inconceivable that", "as a villainous character rather than someone the audience is meant to root", "a doormat who can't stand up for themselves and paints their lack of", "amongst normal people, akin to they myriad superhero comics or many urban fantasies", "that are on their level. And that, at best, sends numerous messages of", "about the psychological ones. Unequal pairings are hugely frowned upon in real life", "in that the other character has powers of their own, so it sends", "a mere hypothetical. Larry Niven's Man of Steel, Woman of Kleenex* goes into", "from Twilight. Edsavr is horribly abusive, and Volla is so weak compared to", "\"wears the pants\" in the relationship, but in turn this makes the main", "abilities living amongst normal people, akin to they myriad superhero comics or many", "is abnormally powerful due to being the protagonist and the other having powers", "assertiveness and independence as a good thing, rather than the two having a", "powerful due to being the protagonist and the other having powers that are", "problem is that I realized there is a huge issue with the unequal", "cannot even have a relationship with other superhumans, they have to be restricted", "comics or many urban fantasies out there (e.g., The Mortal Instruments, many shonen", "shown to have real flaws and psychological issues makes that threat rather than", "to him that she can't do anything to stop his abusive behavior. The", "not have romantic relationships because of this inherently unequal power dynamic, or they", "partnership. The bluntest, simplest answer to this question I can think of is", "the very nature of superpowers in this universe destabilizes people's minds and often", "are supposed to have a loving, supportive, emotionally healthy relationship. The problem is", "if super strength came with a side order of the autism spectrum, major", "in this case the potential issues...just never come up (which is weird given", "not seen as cutesy by modern audiences and they will not root for", "is, the very nature of superpowers in this universe destabilizes people's minds and", "when they get angry or get in a fight with their partner, is", "emotionally healthy relationship. The problem is that I realized there is a huge", "stop his abusive behavior. The other character is the emotionally dominant one who", "fight with their partner, is it safe for their partner to be around", "which is...a pretty bad message to send. It's made even worse in that", "It waves so many red flags the characters might as well be talking", "in a fight with their partner, is it safe for their partner to", "potential issues...just never come up (which is weird given that Bruce Banner grew", "explicitly framed as a villainous character rather than someone the audience is meant", "of relationships, but in that case Homelander is explicitly framed as a villainous", "rather than the two having a mutually healthy partnership. The bluntest, simplest answer", "revolves around a number of characters that have superhuman abilities living amongst normal", "be Volla and Edsavr from Twilight. Edsavr is horribly abusive, and Volla is", "messages of ubermenschen or being \"the lonely god-like elite\" which is...also not good.", "answer to this question I can think of is \"people with powers should", "relationship when they want something and their partner says \"no\"? What happens when", "get in a fight with their partner, is it safe for their partner", "mean in their relationship when they want something and their partner says \"no\"?", "Ross might be a more apt example, but in this case the potential", "issues...just never come up (which is weird given that Bruce Banner grew up", "but in that case Homelander is explicitly framed as a villainous character rather", "in half with their bare hands, and their partner...can't. What does this mean", "\"the lonely god-like elite\" which is...also not good. Given these issues, *how do", "due to being the protagonist and the other having powers that are dramatically", "two having a mutually healthy partnership. The bluntest, simplest answer to this question", "murdered his mother). Another good example in a setting with lower power scaling", "flags the characters might as well be talking in semaphore. It's true this", "abuse. The protagonist can tear a car in half with their bare hands,", "makes the main character look like a doormat who can't stand up for", "fiction: Superman and Lois Lane, Spider-Man and Marm Fine, etc. The thing about", "inconceivable that he would ever abuse the massive physical advantage he has over", "am writing a story that revolves around a number of characters that have", "particular is extremely emotionally repressed but has problems with impulse control and PTSD", "very nature of superpowers in this universe destabilizes people's minds and often results", "he has over Lois Lane. And even then numerous Elseworlds [have pointed out", "The protagonist in particular is extremely emotionally repressed but has problems with impulse", "power scaling might be Volla and Edsavr from Twilight. Edsavr is horribly abusive,", "might be Volla and Edsavr from Twilight. Edsavr is horribly abusive, and Volla", "romantic relationships with those with similar powersets where there is no inequality\". The", "grew up in an explicitly abusive household where his father murdered his mother).", "should not have romantic relationships because of this inherently unequal power dynamic, or", "and often results in various mental disorders. As if super strength came with", "aspects of the inequality when it comes to the physically intimate aspects of", "lower power scaling might be Volla and Edsavr from Twilight. Edsavr is horribly", "a loving, supportive, emotionally healthy relationship. The problem is that I realized there", "because the characters are not morally perfect and are shown to have real", "is that it sends a message that people with psychological problems do not", "kinds of relationships, but in that case Homelander is explicitly framed as a", "wasn't* morally perfect.](https://www.youtube.com/watch?v=da4WzUS8f5E) Homelander in The Boys is another good example of the", "villainous character rather than someone the audience is meant to root for. The", "like this is not seen as cutesy by modern audiences and they will", "issues makes that threat rather than just a mere hypothetical. Larry Niven's Man", "in semaphore. It's true this kind of relationship is very common in fantasy", "level. And that, at best, sends numerous messages of ubermenschen or being \"the", "The problem with this is that it sends a message that people with", "their partner, is it safe for their partner to be around them? And", "a number of characters that have superhuman abilities living amongst normal people, akin", "people, akin to they myriad superhero comics or many urban fantasies out there", "of superpowers in this universe destabilizes people's minds and often results in various", "is extremely emotionally repressed but has problems with impulse control and PTSD from", "abuse the massive physical advantage he has over Lois Lane. And even then", "or emotional abuse. The protagonist can tear a car in half with their", "psychological issues makes that threat rather than just a mere hypothetical. Larry Niven's", "around them? And because the characters are not morally perfect and are shown", "experiences dealing with the supernatural. Think the Hulk. The two are supposed* to", "this makes the main character look like a doormat who can't stand up", "protagonist in particular is extremely emotionally repressed but has problems with impulse control", "loving, supportive, emotionally healthy relationship. The problem is that I realized there is", "are shown to have real flaws and psychological issues makes that threat rather", "being \"the lonely god-like elite\" which is...also not good. Given these issues, how", "paints their lack of assertiveness and independence as a good thing, rather than", "issue with the unequal nature of their pairing, and their relationship reeks of", "even then numerous Elseworlds [have pointed out the potential problems in their relationship", "or get in a fight with their partner, is it safe for their", "potential horrors in these kinds of relationships, but in that case Homelander is", "normal people, akin to they myriad superhero comics or many urban fantasies out", "writing a story that revolves around a number of characters that have superhuman", "have to be restricted to the few hyper-powerful superhumans that are on their", "up for themselves and paints their lack of assertiveness and independence as a", "ones. Unequal pairings are hugely frowned upon in real life (examples such as", "will not root for it. It waves so many red flags the characters", "powers of their own, so it sends the message that the character cannot", "Given these issues, how do I write a romantic relationship between two characters", "having romantic relationships with those with similar powersets where there is no inequality\".", "power dynamic, or they should be restricted to having romantic relationships with those", "god-like elite\" which is...also not good. Given these issues, *how do I write", "this story focuses on two people with powers: one of whom is abnormally", "in these kinds of relationships, but in that case Homelander is explicitly framed", "with impulse control and PTSD from their traumatic experiences dealing with the supernatural.", "who \"wears the pants\" in the relationship, but in turn this makes the", "It's true this kind of relationship is very common in fantasy fiction: Superman", "would ever abuse the massive physical advantage he has over Lois Lane. And", "message that people with psychological problems do not deserve love and support which", "and they will not root for it. It waves so many red flags", "their own, so it sends the message that the character cannot even have", "Instruments, many shonen manga). The main romantic relationship in this story focuses on", "various mental disorders. As if super strength came with a side order of", "Marm Fine, etc. The thing about Superman is that he is such a", "pointed out the potential problems in their relationship if Superman wasn't morally perfect.](https://www.youtube.com/watch?v=da4WzUS8f5E)", "is explicitly framed as a villainous character rather than someone the audience is", "best, sends numerous messages of ubermenschen or being \"the lonely god-like elite\" which", "Man of Steel, Woman of Kleenex goes into the aspects of the inequality", "psychological problems do not deserve love and support which is...a pretty bad message", "The bluntest, simplest answer to this question I can think of is \"people", "and Edsavr from Twilight. Edsavr is horribly abusive, and Volla is so weak", "then numerous Elseworlds [have pointed out the potential problems in their relationship if", "a side order of the autism spectrum, major depressive disorder, schizophrenia, or borderline", "a fight with their partner, is it safe for their partner to be", "concerned about the psychological ones. Unequal pairings are hugely frowned upon in real", "What happens when they get angry or get in a fight with their", "Kleenex* goes into the aspects of the inequality when it comes to the", "where both are flawed individuals and one is significantly more physically powerful than", "red flags the characters might as well be talking in semaphore. It's true", "having a mutually healthy partnership. The bluntest, simplest answer to this question I", "abusive household where his father murdered his mother). Another good example in a", "reeks of potential physical or emotional abuse. The protagonist can tear a car", "The Boys is another good example of the potential horrors in these kinds", "or borderline personality disorder. The protagonist in particular is extremely emotionally repressed but", "than someone the audience is meant to root for. The Hulk and Betty", "these issues, *how do I write a romantic relationship between two characters where", "to the physically intimate aspects of a relationship, but in this case I'm", "look like a doormat who can't stand up for themselves and paints their", "that he is such a big blue boy scout that it seems completely", "can't stand up for themselves and paints their lack of assertiveness and independence", "of their pairing, and their relationship reeks of potential physical or emotional abuse.", "meant to root for. The Hulk and Betty Ross might be a more", "support which is...a pretty bad message to send. It's made even worse in", "when it comes to the physically intimate aspects of a relationship, but in", "story focuses on two people with powers: one of whom is abnormally powerful", "who can't stand up for themselves and paints their lack of assertiveness and", "these kinds of relationships, but in that case Homelander is explicitly framed as", "their bare hands, and their partner...can't. What does this mean in their relationship", "other character has powers of their own, so it sends the message that", "relationship in this story focuses on two people with powers: one of whom", "angry or get in a fight with their partner, is it safe for", "is the emotionally dominant one who \"wears the pants\" in the relationship, but", "this mean in their relationship when they want something and their partner says", "bluntest, simplest answer to this question I can think of is \"people with", "boss-employee relationships), and as a result a relationship like this is not seen", "seems completely inconceivable that he would ever abuse the massive physical advantage he", "the massive physical advantage he has over Lois Lane. And even then numerous", "to the few hyper-powerful superhumans that are on their level. And that, at", "people's minds and often results in various mental disorders. As if super strength", "and are shown to have real flaws and psychological issues makes that threat", "and support which is...a pretty bad message to send. It's made even worse", "from their traumatic experiences dealing with the supernatural. Think the Hulk. The two", "frowned upon in real life (examples such as teacher-student or boss-employee relationships), and", "cutesy by modern audiences and they will not root for it. It waves", "intimate aspects of a relationship, but in this case I'm more concerned about", "relationship, but in turn this makes the main character look like a doormat", "if Superman wasn't* morally perfect.](https://www.youtube.com/watch?v=da4WzUS8f5E) Homelander in The Boys is another good example", "it sends a message that people with psychological problems do not deserve love", "both are flawed individuals and one is significantly more physically powerful than the", "well be talking in semaphore. It's true this kind of relationship is very", "character is the emotionally dominant one who \"wears the pants\" in the relationship,", "abusive behavior. The other character is the emotionally dominant one who \"wears the", "Homelander is explicitly framed as a villainous character rather than someone the audience", "with the unequal nature of their pairing, and their relationship reeks of potential", "and psychological issues makes that threat rather than just a mere hypothetical. Larry", "example in a setting with lower power scaling might be Volla and Edsavr", "get angry or get in a fight with their partner, is it safe", "the relationship, but in turn this makes the main character look like a", "apt example, but in this case the potential issues...just never come up (which", "ever abuse the massive physical advantage he has over Lois Lane. And even", "dynamic, or they should be restricted to having romantic relationships with those with", "and paints their lack of assertiveness and independence as a good thing, rather", "supposed to have a loving, supportive, emotionally healthy relationship. The problem is that", "emotionally dominant one who \"wears the pants\" in the relationship, but in turn", "with powers: one of whom is abnormally powerful due to being the protagonist", "half with their bare hands, and their partner...can't. What does this mean in", "with other superhumans, they have to be restricted to the few hyper-powerful superhumans", "The other character is the emotionally dominant one who \"wears the pants\" in", "another good example of the potential horrors in these kinds of relationships, but", "Superman wasn't morally perfect.](https://www.youtube.com/watch?v=da4WzUS8f5E) Homelander in The Boys is another good example of", "thing is, the very nature of superpowers in this universe destabilizes people's minds", "a result a relationship like this is not seen as cutesy by modern", "case Homelander is explicitly framed as a villainous character rather than someone the", "Lane. And even then numerous Elseworlds [have pointed out the potential problems in", "whom is abnormally powerful due to being the protagonist and the other having", "a car in half with their bare hands, and their partner...can't. What does", "has powers of their own, so it sends the message that the character", "for it. It waves so many red flags the characters might as well", "so it sends the message that the character cannot even have a relationship", "Elseworlds [have pointed out the potential problems in their relationship if Superman wasn't", "is so weak compared to him that she can't do anything to stop", "is no inequality\". The problem with this is that it sends a message", "this universe destabilizes people's minds and often results in various mental disorders. As", "of characters that have superhuman abilities living amongst normal people, akin to they", "because of this inherently unequal power dynamic, or they should be restricted to", "him that she can't do anything to stop his abusive behavior. The other", "of this inherently unequal power dynamic, or they should be restricted to having", "that, at best, sends numerous messages of ubermenschen or being \"the lonely god-like", "a story that revolves around a number of characters that have superhuman abilities", "not deserve love and support which is...a pretty bad message to send. It's", "relationships), and as a result a relationship like this is not seen as", "It's made even worse in that the other character has powers of their", "with the supernatural. Think the Hulk. The two are supposed to have a", "unequal power dynamic, or they should be restricted to having romantic relationships with", "with this is that it sends a message that people with psychological problems", "message to send. It's made even worse in that the other character has", "Spider-Man and Marm Fine, etc. The thing about Superman is that he is", "has problems with impulse control and PTSD from their traumatic experiences dealing with", "psychological ones. Unequal pairings are hugely frowned upon in real life (examples such", "Hulk. The two are supposed to have a loving, supportive, emotionally healthy relationship.", "are not morally perfect and are shown to have real flaws and psychological", "many red flags the characters might as well be talking in semaphore. It's", "powers that are dramatically less combat-oriented. The thing is, the very nature of", "root for it. It waves so many red flags the characters might as", "never come up (which is weird given that Bruce Banner grew up in", "partner, is it safe for their partner to be around them? And because", "their partner...can't. What does this mean in their relationship when they want something", "about Superman is that he is such a big blue boy scout that", "and Volla is so weak compared to him that she can't do anything", "Volla and Edsavr from Twilight. Edsavr is horribly abusive, and Volla is so", "have a loving, supportive, emotionally healthy relationship. The problem is that I realized", "the psychological ones. Unequal pairings are hugely frowned upon in real life (examples", "problem with this is that it sends a message that people with psychological", "The two are supposed to have a loving, supportive, emotionally healthy relationship. The", "life (examples such as teacher-student or boss-employee relationships), and as a result a", "goes into the aspects of the inequality when it comes to the physically", "compared to him that she can't do anything to stop his abusive behavior.", "lonely god-like elite\" which is...also not good. Given these issues, *how do I", "he is such a big blue boy scout that it seems completely inconceivable", "in various mental disorders. As if super strength came with a side order", "or they should be restricted to having romantic relationships with those with similar", "safe for their partner to be around them? And because the characters are", "flaws and psychological issues makes that threat rather than just a mere hypothetical.", "the characters are not morally perfect and are shown to have real flaws", "in particular is extremely emotionally repressed but has problems with impulse control and", "relationship reeks of potential physical or emotional abuse. The protagonist can tear a", "the protagonist and the other having powers that are dramatically less combat-oriented. The", "is another good example of the potential horrors in these kinds of relationships,", "example of the potential horrors in these kinds of relationships, but in that", "for. The Hulk and Betty Ross might be a more apt example, but", "Hulk and Betty Ross might be a more apt example, but in this", "and their partner...can't. What does this mean in their relationship when they want", "inequality\". The problem with this is that it sends a message that people", "the Hulk. The two are supposed* to have a loving, supportive, emotionally healthy", "is a huge issue with the unequal nature of their pairing, and their", "Mortal Instruments, many shonen manga). The main romantic relationship in this story focuses", "that have superhuman abilities living amongst normal people, akin to they myriad superhero", "no inequality\". The problem with this is that it sends a message that", "big blue boy scout that it seems completely inconceivable that he would ever", "is not seen as cutesy by modern audiences and they will not root", "the message that the character cannot even have a relationship with other superhumans,", "Woman of Kleenex goes into the aspects of the inequality when it comes", "upon in real life (examples such as teacher-student or boss-employee relationships), and as", "the other character has powers of their own, so it sends the message", "restricted to the few hyper-powerful superhumans that are on their level. And that,", "pairing, and their relationship reeks of potential physical or emotional abuse. The protagonist", "partner...can't. What does this mean in their relationship when they want something and", "minds and often results in various mental disorders. As if super strength came", "that people with psychological problems do not deserve love and support which is...a", "came with a side order of the autism spectrum, major depressive disorder, schizophrenia,", "want something and their partner says \"no\"? What happens when they get angry", "Superman is that he is such a big blue boy scout that it", "autism spectrum, major depressive disorder, schizophrenia, or borderline personality disorder. The protagonist in", "might be a more apt example, but in this case the potential issues...just", "one who \"wears the pants\" in the relationship, but in turn this makes", "root for. The Hulk and Betty Ross might be a more apt example,", "many urban fantasies out there (e.g., The Mortal Instruments, many shonen manga). The", "the autism spectrum, major depressive disorder, schizophrenia, or borderline personality disorder. The protagonist", "myriad superhero comics or many urban fantasies out there (e.g., The Mortal Instruments,", "they will not root for it. It waves so many red flags the", "romantic relationship in this story focuses on two people with powers: one of", "audience is meant to root for. The Hulk and Betty Ross might be", "where there is no inequality\". The problem with this is that it sends", "case I'm more concerned about the psychological ones. Unequal pairings are hugely frowned", "around a number of characters that have superhuman abilities living amongst normal people,", "with their bare hands, and their partner...can't. What does this mean in their", "a huge issue with the unequal nature of their pairing, and their relationship", "Another good example in a setting with lower power scaling might be Volla", "true this kind of relationship is very common in fantasy fiction: Superman and", "Lois Lane. And even then numerous Elseworlds [have pointed out the potential problems", "where his father murdered his mother). Another good example in a setting with", "are hugely frowned upon in real life (examples such as teacher-student or boss-employee", "the audience is meant to root for. The Hulk and Betty Ross might", "of ubermenschen or being \"the lonely god-like elite\" which is...also not good. Given", "boy scout that it seems completely inconceivable that he would ever abuse the", "such as teacher-student or boss-employee relationships), and as a result a relationship like", "major depressive disorder, schizophrenia, or borderline personality disorder. The protagonist in particular is", "mere hypothetical. Larry Niven's Man of Steel, Woman of Kleenex goes into the", "The Mortal Instruments, many shonen manga). The main romantic relationship in this story", "relationship if Superman wasn't morally perfect.](https://www.youtube.com/watch?v=da4WzUS8f5E) Homelander in The Boys is another good", "inequality when it comes to the physically intimate aspects of a relationship, but", "the characters might as well be talking in semaphore. It's true this kind", "disorders. As if super strength came with a side order of the autism", "the main character look like a doormat who can't stand up for themselves", "so many red flags the characters might as well be talking in semaphore.", "people with psychological problems do not deserve love and support which is...a pretty", "lack of assertiveness and independence as a good thing, rather than the two", "modern audiences and they will not root for it. It waves so many", "The problem is that I realized there is a huge issue with the", "and their relationship reeks of potential physical or emotional abuse. The protagonist can", "a relationship like this is not seen as cutesy by modern audiences and", "Niven's Man of Steel, Woman of Kleenex goes into the aspects of the", "And even then numerous Elseworlds [have pointed out the potential problems in their", "in that case Homelander is explicitly framed as a villainous character rather than", "universe destabilizes people's minds and often results in various mental disorders. As if", "dramatically less combat-oriented. The thing is, the very nature of superpowers in this", "number of characters that have superhuman abilities living amongst normal people, akin to", "have real flaws and psychological issues makes that threat rather than just a", "Lane, Spider-Man and Marm Fine, etc. The thing about Superman is that he", "case the potential issues...just never come up (which is weird given that Bruce", "weird given that Bruce Banner grew up in an explicitly abusive household where", "many shonen manga). The main romantic relationship in this story focuses on two", "*how do I write a romantic relationship between two characters where both are", "comes to the physically intimate aspects of a relationship, but in this case", "often results in various mental disorders. As if super strength came with a", "shonen manga). The main romantic relationship in this story focuses on two people", "physical or emotional abuse. The protagonist can tear a car in half with", "with psychological problems do not deserve love and support which is...a pretty bad", "good example of the potential horrors in these kinds of relationships, but in", "dominant one who \"wears the pants\" in the relationship, but in turn this", "their level. And that, at best, sends numerous messages of ubermenschen or being", "with similar powersets where there is no inequality\". The problem with this is", "mutually healthy partnership. The bluntest, simplest answer to this question I can think", "can think of is \"people with powers should not have romantic relationships because", "strength came with a side order of the autism spectrum, major depressive disorder,", "simplest answer to this question I can think of is \"people with powers", "in The Boys* is another good example of the potential horrors in these", "have a relationship with other superhumans, they have to be restricted to the", "of assertiveness and independence as a good thing, rather than the two having", "with their partner, is it safe for their partner to be around them?", "more concerned about the psychological ones. Unequal pairings are hugely frowned upon in", "abusive, and Volla is so weak compared to him that she can't do", "huge issue with the unequal nature of their pairing, and their relationship reeks", "and Marm Fine, etc. The thing about Superman is that he is such", "this is that it sends a message that people with psychological problems do", "their traumatic experiences dealing with the supernatural. Think the Hulk. The two are", "personality disorder. The protagonist in particular is extremely emotionally repressed but has problems", "be around them? And because the characters are not morally perfect and are", "rather than someone the audience is meant to root for. The Hulk and", "as a result a relationship like this is not seen as cutesy by", "main romantic relationship in this story focuses on two people with powers: one", "inherently unequal power dynamic, or they should be restricted to having romantic relationships", "I realized there is a huge issue with the unequal nature of their", "traumatic experiences dealing with the supernatural. Think the Hulk. The two are supposed", "given that Bruce Banner grew up in an explicitly abusive household where his", "up in an explicitly abusive household where his father murdered his mother). Another", "framed as a villainous character rather than someone the audience is meant to", "to this question I can think of is \"people with powers should not", "powersets where there is no inequality\". The problem with this is that it", "is...a pretty bad message to send. It's made even worse in that the", "that threat rather than just a mere hypothetical. Larry Niven's Man of Steel,", "of Steel, Woman of Kleenex goes into the aspects of the inequality when", "relationship between two characters where both are flawed individuals and one is significantly", "morally perfect.](https://www.youtube.com/watch?v=da4WzUS8f5E) Homelander in The Boys is another good example of the potential", "supernatural. Think the Hulk. The two are supposed to have a loving, supportive,", "they want something and their partner says \"no\"? What happens when they get", "semaphore. It's true this kind of relationship is very common in fantasy fiction:", "powers: one of whom is abnormally powerful due to being the protagonist and", "a setting with lower power scaling might be Volla and Edsavr from Twilight.", "setting with lower power scaling might be Volla and Edsavr from Twilight. Edsavr", "abnormally powerful due to being the protagonist and the other having powers that", "Homelander in The Boys is another good example of the potential horrors in", "that the other character has powers of their own, so it sends the", "super strength came with a side order of the autism spectrum, major depressive", "Volla is so weak compared to him that she can't do anything to", "over Lois Lane. And even then numerous Elseworlds [have pointed out the potential", "I write a romantic relationship between two characters where both are flawed individuals", "living amongst normal people, akin to they myriad superhero comics or many urban", "stand up for themselves and paints their lack of assertiveness and independence as", "between two characters where both are flawed individuals and one is significantly more", "have superhuman abilities living amongst normal people, akin to they myriad superhero comics", "The protagonist can tear a car in half with their bare hands, and", "in real life (examples such as teacher-student or boss-employee relationships), and as a", "and the other having powers that are dramatically less combat-oriented. The thing is,", "is weird given that Bruce Banner grew up in an explicitly abusive household", "of Kleenex* goes into the aspects of the inequality when it comes to", "The thing about Superman is that he is such a big blue boy", "and independence as a good thing, rather than the two having a mutually", "their lack of assertiveness and independence as a good thing, rather than the", "powers should not have romantic relationships because of this inherently unequal power dynamic,", "the character cannot even have a relationship with other superhumans, they have to", "says \"no\"? What happens when they get angry or get in a fight", "not root for it. It waves so many red flags the characters might", "behavior. The other character is the emotionally dominant one who \"wears the pants\"", "Boys* is another good example of the potential horrors in these kinds of", "Larry Niven's Man of Steel, Woman of Kleenex goes into the aspects of", "into the aspects of the inequality when it comes to the physically intimate", "similar powersets where there is no inequality\". The problem with this is that", "a romantic relationship between two characters where both are flawed individuals and one", "a message that people with psychological problems do not deserve love and support", "this is not seen as cutesy by modern audiences and they will not", "physically intimate aspects of a relationship, but in this case I'm more concerned", "As if super strength came with a side order of the autism spectrum,", "rather than just a mere hypothetical. Larry Niven's Man of Steel, Woman of", "but in this case the potential issues...just never come up (which is weird", "of the inequality when it comes to the physically intimate aspects of a", "impulse control and PTSD from their traumatic experiences dealing with the supernatural. Think", "should be restricted to having romantic relationships with those with similar powersets where", "can't do anything to stop his abusive behavior. The other character is the", "the physically intimate aspects of a relationship, but in this case I'm more", "superhuman abilities living amongst normal people, akin to they myriad superhero comics or", "this case the potential issues...just never come up (which is weird given that", "hyper-powerful superhumans that are on their level. And that, at best, sends numerous", "when they want something and their partner says \"no\"? What happens when they", "and as a result a relationship like this is not seen as cutesy", "and Lois Lane, Spider-Man and Marm Fine, etc. The thing about Superman is", "numerous Elseworlds [have pointed out the potential problems in their relationship if Superman", "the potential horrors in these kinds of relationships, but in that case Homelander", "think of is \"people with powers should not have romantic relationships because of", "bare hands, and their partner...can't. What does this mean in their relationship when", "that are dramatically less combat-oriented. The thing is, the very nature of superpowers", "Fine, etc. The thing about Superman is that he is such a big", "dealing with the supernatural. Think the Hulk. The two are supposed* to have", "love and support which is...a pretty bad message to send. It's made even", "extremely emotionally repressed but has problems with impulse control and PTSD from their", "of their own, so it sends the message that the character cannot even", "them? And because the characters are not morally perfect and are shown to", "as well be talking in semaphore. It's true this kind of relationship is", "teacher-student or boss-employee relationships), and as a result a relationship like this is", "his father murdered his mother). Another good example in a setting with lower", "message that the character cannot even have a relationship with other superhumans, they", "with lower power scaling might be Volla and Edsavr from Twilight. Edsavr is", "it sends the message that the character cannot even have a relationship with", "Betty Ross might be a more apt example, but in this case the", "be restricted to having romantic relationships with those with similar powersets where there", "is horribly abusive, and Volla is so weak compared to him that she", "he would ever abuse the massive physical advantage he has over Lois Lane.", "of the potential horrors in these kinds of relationships, but in that case", "of whom is abnormally powerful due to being the protagonist and the other", "romantic relationships because of this inherently unequal power dynamic, or they should be", "mother). Another good example in a setting with lower power scaling might be", "combat-oriented. The thing is, the very nature of superpowers in this universe destabilizes", "disorder. The protagonist in particular is extremely emotionally repressed but has problems with", "superhero comics or many urban fantasies out there (e.g., The Mortal Instruments, many", "do not deserve love and support which is...a pretty bad message to send.", "on their level. And that, at best, sends numerous messages of ubermenschen or", "with a side order of the autism spectrum, major depressive disorder, schizophrenia, or", "ubermenschen or being \"the lonely god-like elite\" which is...also not good. Given these", "having powers that are dramatically less combat-oriented. The thing is, the very nature", "common in fantasy fiction: Superman and Lois Lane, Spider-Man and Marm Fine, etc.", "a big blue boy scout that it seems completely inconceivable that he would", "turn this makes the main character look like a doormat who can't stand", "mental disorders. As if super strength came with a side order of the", "problems with impulse control and PTSD from their traumatic experiences dealing with the", "PTSD from their traumatic experiences dealing with the supernatural. Think the Hulk. The", "as a good thing, rather than the two having a mutually healthy partnership.", "the two having a mutually healthy partnership. The bluntest, simplest answer to this", "issues, *how do I write a romantic relationship between two characters where both", "(e.g., The Mortal Instruments, many shonen manga). The main romantic relationship in this", "superhumans, they have to be restricted to the few hyper-powerful superhumans that are", "an explicitly abusive household where his father murdered his mother). Another good example", "potential problems in their relationship if Superman wasn't* morally perfect.](https://www.youtube.com/watch?v=da4WzUS8f5E) Homelander in The", "and their partner says \"no\"? What happens when they get angry or get", "sends numerous messages of ubermenschen or being \"the lonely god-like elite\" which is...also", "And that, at best, sends numerous messages of ubermenschen or being \"the lonely", "in the relationship, but in turn this makes the main character look like", "can tear a car in half with their bare hands, and their partner...can't.", "potential physical or emotional abuse. The protagonist can tear a car in half", "pretty bad message to send. It's made even worse in that the other", "anything to stop his abusive behavior. The other character is the emotionally dominant", "Steel, Woman of Kleenex goes into the aspects of the inequality when it", "as cutesy by modern audiences and they will not root for it. It", "there (e.g., The Mortal Instruments, many shonen manga). The main romantic relationship in", "the potential problems in their relationship if Superman wasn't morally perfect.](https://www.youtube.com/watch?v=da4WzUS8f5E) Homelander in", "father murdered his mother). Another good example in a setting with lower power", "numerous messages of ubermenschen or being \"the lonely god-like elite\" which is...also not", "character cannot even have a relationship with other superhumans, they have to be", "\"no\"? What happens when they get angry or get in a fight with", "healthy relationship. The problem is that I realized there is a huge issue", "destabilizes people's minds and often results in various mental disorders. As if super", "not morally perfect and are shown to have real flaws and psychological issues", "relationships, but in that case Homelander is explicitly framed as a villainous character", "main character look like a doormat who can't stand up for themselves and", "Banner grew up in an explicitly abusive household where his father murdered his", "on two people with powers: one of whom is abnormally powerful due to", "side order of the autism spectrum, major depressive disorder, schizophrenia, or borderline personality", "for their partner to be around them? And because the characters are not", "morally perfect and are shown to have real flaws and psychological issues makes", "the inequality when it comes to the physically intimate aspects of a relationship,", "to have real flaws and psychological issues makes that threat rather than just", "as teacher-student or boss-employee relationships), and as a result a relationship like this", "than just a mere hypothetical. Larry Niven's Man of Steel, Woman of Kleenex", "by modern audiences and they will not root for it. It waves so", "in fantasy fiction: Superman and Lois Lane, Spider-Man and Marm Fine, etc. The", "in a setting with lower power scaling might be Volla and Edsavr from", "I am writing a story that revolves around a number of characters that", "(examples such as teacher-student or boss-employee relationships), and as a result a relationship", "at best, sends numerous messages of ubermenschen or being \"the lonely god-like elite\"", "partner to be around them? And because the characters are not morally perfect", "aspects of a relationship, but in this case I'm more concerned about the", "fantasies out there (e.g., The Mortal Instruments, many shonen manga). The main romantic", "The main romantic relationship in this story focuses on two people with powers:", "being the protagonist and the other having powers that are dramatically less combat-oriented.", "they should be restricted to having romantic relationships with those with similar powersets", "happens when they get angry or get in a fight with their partner,", "perfect.](https://www.youtube.com/watch?v=da4WzUS8f5E) Homelander in The Boys is another good example of the potential horrors", "so weak compared to him that she can't do anything to stop his", "a mutually healthy partnership. The bluntest, simplest answer to this question I can", "to have a loving, supportive, emotionally healthy relationship. The problem is that I", "two characters where both are flawed individuals and one is significantly more physically", "scout that it seems completely inconceivable that he would ever abuse the massive", "or many urban fantasies out there (e.g., The Mortal Instruments, many shonen manga).", "other having powers that are dramatically less combat-oriented. The thing is, the very", "to send. It's made even worse in that the other character has powers", "I can think of is \"people with powers should not have romantic relationships", "a relationship, but in this case I'm more concerned about the psychological ones.", "this kind of relationship is very common in fantasy fiction: Superman and Lois", "\"people with powers should not have romantic relationships because of this inherently unequal", "people with powers: one of whom is abnormally powerful due to being the", "and Betty Ross might be a more apt example, but in this case", "with those with similar powersets where there is no inequality\". The problem with", "superhumans that are on their level. And that, at best, sends numerous messages", "or being \"the lonely god-like elite\" which is...also not good. Given these issues,", "his mother). Another good example in a setting with lower power scaling might", "emotionally repressed but has problems with impulse control and PTSD from their traumatic", "the aspects of the inequality when it comes to the physically intimate aspects", "relationship. The problem is that I realized there is a huge issue with", "this case I'm more concerned about the psychological ones. Unequal pairings are hugely", "focuses on two people with powers: one of whom is abnormally powerful due", "pairings are hugely frowned upon in real life (examples such as teacher-student or", "elite\" which is...also not good. Given these issues, *how do I write a", "a good thing, rather than the two having a mutually healthy partnership. The", "in an explicitly abusive household where his father murdered his mother). Another good", "is \"people with powers should not have romantic relationships because of this inherently", "The thing is, the very nature of superpowers in this universe destabilizes people's", "in their relationship when they want something and their partner says \"no\"? What", "but in turn this makes the main character look like a doormat who", "a more apt example, but in this case the potential issues...just never come", "real flaws and psychological issues makes that threat rather than just a mere", "less combat-oriented. The thing is, the very nature of superpowers in this universe", "The Hulk and Betty Ross might be a more apt example, but in", "the supernatural. Think the Hulk. The two are supposed* to have a loving,", "the potential issues...just never come up (which is weird given that Bruce Banner", "that Bruce Banner grew up in an explicitly abusive household where his father", "own, so it sends the message that the character cannot even have a", "of a relationship, but in this case I'm more concerned about the psychological", "of relationship is very common in fantasy fiction: Superman and Lois Lane, Spider-Man", "come up (which is weird given that Bruce Banner grew up in an", "and PTSD from their traumatic experiences dealing with the supernatural. Think the Hulk.", "problems do not deserve love and support which is...a pretty bad message to", "out the potential problems in their relationship if Superman wasn't morally perfect.](https://www.youtube.com/watch?v=da4WzUS8f5E) Homelander", "for themselves and paints their lack of assertiveness and independence as a good", "have romantic relationships because of this inherently unequal power dynamic, or they should", "send. It's made even worse in that the other character has powers of", "a relationship with other superhumans, they have to be restricted to the few", "characters that have superhuman abilities living amongst normal people, akin to they myriad", "control and PTSD from their traumatic experiences dealing with the supernatural. Think the", "depressive disorder, schizophrenia, or borderline personality disorder. The protagonist in particular is extremely", "is that he is such a big blue boy scout that it seems", "supportive, emotionally healthy relationship. The problem is that I realized there is a", "protagonist and the other having powers that are dramatically less combat-oriented. The thing", "order of the autism spectrum, major depressive disorder, schizophrenia, or borderline personality disorder.", "their relationship when they want something and their partner says \"no\"? What happens", "healthy partnership. The bluntest, simplest answer to this question I can think of", "with powers should not have romantic relationships because of this inherently unequal power", "kind of relationship is very common in fantasy fiction: Superman and Lois Lane,", "to stop his abusive behavior. The other character is the emotionally dominant one", "few hyper-powerful superhumans that are on their level. And that, at best, sends", "the few hyper-powerful superhumans that are on their level. And that, at best,", "manga). The main romantic relationship in this story focuses on two people with", "Lois Lane, Spider-Man and Marm Fine, etc. The thing about Superman is that", "such a big blue boy scout that it seems completely inconceivable that he", "a villainous character rather than someone the audience is meant to root for.", "doormat who can't stand up for themselves and paints their lack of assertiveness", "relationships because of this inherently unequal power dynamic, or they should be restricted", "but in this case I'm more concerned about the psychological ones. Unequal pairings", "disorder, schizophrenia, or borderline personality disorder. The protagonist in particular is extremely emotionally", "unequal nature of their pairing, and their relationship reeks of potential physical or", "Twilight. Edsavr is horribly abusive, and Volla is so weak compared to him", "in this case I'm more concerned about the psychological ones. Unequal pairings are", "is very common in fantasy fiction: Superman and Lois Lane, Spider-Man and Marm", "other superhumans, they have to be restricted to the few hyper-powerful superhumans that", "Edsavr is horribly abusive, and Volla is so weak compared to him that", "like a doormat who can't stand up for themselves and paints their lack", "that he would ever abuse the massive physical advantage he has over Lois", "not good. Given these issues, *how do I write a romantic relationship between", "are dramatically less combat-oriented. The thing is, the very nature of superpowers in", "that case Homelander is explicitly framed as a villainous character rather than someone", "romantic relationship between two characters where both are flawed individuals and one is", "Unequal pairings are hugely frowned upon in real life (examples such as teacher-student", "independence as a good thing, rather than the two having a mutually healthy", "emotional abuse. The protagonist can tear a car in half with their bare", "hands, and their partner...can't. What does this mean in their relationship when they", "hypothetical. Larry Niven's Man of Steel, Woman of Kleenex* goes into the aspects", "seen as cutesy by modern audiences and they will not root for it.", "in this universe destabilizes people's minds and often results in various mental disorders.", "akin to they myriad superhero comics or many urban fantasies out there (e.g.,", "What does this mean in their relationship when they want something and their", "nature of their pairing, and their relationship reeks of potential physical or emotional", "etc. The thing about Superman is that he is such a big blue", "themselves and paints their lack of assertiveness and independence as a good thing,", "the emotionally dominant one who \"wears the pants\" in the relationship, but in", "worse in that the other character has powers of their own, so it", "thing, rather than the two having a mutually healthy partnership. The bluntest, simplest", "deserve love and support which is...a pretty bad message to send. It's made", "write a romantic relationship between two characters where both are flawed individuals and", "of potential physical or emotional abuse. The protagonist can tear a car in", "those with similar powersets where there is no inequality\". The problem with this", "is...also not good. Given these issues, how do I write a romantic relationship", "that the character cannot even have a relationship with other superhumans, they have", "to be restricted to the few hyper-powerful superhumans that are on their level.", "be restricted to the few hyper-powerful superhumans that are on their level. And", "she can't do anything to stop his abusive behavior. The other character is", "which is...also not good. Given these issues, how do I write a romantic", "character rather than someone the audience is meant to root for. The Hulk", "very common in fantasy fiction: Superman and Lois Lane, Spider-Man and Marm Fine,", "repressed but has problems with impulse control and PTSD from their traumatic experiences", "that she can't do anything to stop his abusive behavior. The other character", "pants\" in the relationship, but in turn this makes the main character look", "it safe for their partner to be around them? And because the characters", "car in half with their bare hands, and their partner...can't. What does this", "threat rather than just a mere hypothetical. Larry Niven's Man of Steel, Woman", "they myriad superhero comics or many urban fantasies out there (e.g., The Mortal", "problems in their relationship if Superman wasn't morally perfect.](https://www.youtube.com/watch?v=da4WzUS8f5E) Homelander in The Boys", "two people with powers: one of whom is abnormally powerful due to being", "be talking in semaphore. It's true this kind of relationship is very common", "household where his father murdered his mother). Another good example in a setting", "of is \"people with powers should not have romantic relationships because of this", "And because the characters are not morally perfect and are shown to have", "result a relationship like this is not seen as cutesy by modern audiences", "to being the protagonist and the other having powers that are dramatically less", "schizophrenia, or borderline personality disorder. The protagonist in particular is extremely emotionally repressed", "good. Given these issues, *how do I write a romantic relationship between two", "even worse in that the other character has powers of their own, so", "I'm more concerned about the psychological ones. Unequal pairings are hugely frowned upon", "characters are not morally perfect and are shown to have real flaws and", "scaling might be Volla and Edsavr from Twilight. Edsavr is horribly abusive, and", "characters where both are flawed individuals and one is significantly more physically powerful", "relationship like this is not seen as cutesy by modern audiences and they", "character look like a doormat who can't stand up for themselves and paints", "[have pointed out the potential problems in their relationship if Superman wasn't* morally", "good example in a setting with lower power scaling might be Volla and", "relationship, but in this case I'm more concerned about the psychological ones. Unequal", "Bruce Banner grew up in an explicitly abusive household where his father murdered", "waves so many red flags the characters might as well be talking in", "results in various mental disorders. As if super strength came with a side", "physical advantage he has over Lois Lane. And even then numerous Elseworlds [have", "more apt example, but in this case the potential issues...just never come up", "story that revolves around a number of characters that have superhuman abilities living", "that revolves around a number of characters that have superhuman abilities living amongst", "sends a message that people with psychological problems do not deserve love and", "hugely frowned upon in real life (examples such as teacher-student or boss-employee relationships),", "question I can think of is \"people with powers should not have romantic", "there is a huge issue with the unequal nature of their pairing, and", "this question I can think of is \"people with powers should not have", "is that I realized there is a huge issue with the unequal nature", "does this mean in their relationship when they want something and their partner", "spectrum, major depressive disorder, schizophrenia, or borderline personality disorder. The protagonist in particular", "thing about Superman is that he is such a big blue boy scout", "good thing, rather than the two having a mutually healthy partnership. The bluntest,", "his abusive behavior. The other character is the emotionally dominant one who \"wears", "perfect and are shown to have real flaws and psychological issues makes that", "or boss-employee relationships), and as a result a relationship like this is not" ]
[ "and then the last part of my question is what should I write", "big ending. But also within this problem when I do have my book", "ending. But also within this problem when I do have my book ready", "start in the publishing world at the age of 14. and then the", "to start in the publishing world at the age of 14. and then", "I do have my book ready I don't even know how to start", "and don't know how I want my story to reach it's big ending.", "when I do have my book ready I don't even know how to", "I don't even know how to start in the publishing world at the", "don't know how I want my story to reach it's big ending. But", "have my book ready I don't even know how to start in the", "the publishing world at the age of 14. and then the last part", "it's big ending. But also within this problem when I do have my", "also within this problem when I do have my book ready I don't", "world at the age of 14. and then the last part of my", "within this problem when I do have my book ready I don't even", "book, I have recently had a lot of writers block and don't know", "of writers block and don't know how I want my story to reach", "the age of 14. and then the last part of my question is", "I want my story to reach it's big ending. But also within this", "writers block and don't know how I want my story to reach it's", "don't even know how to start in the publishing world at the age", "have recently had a lot of writers block and don't know how I", "ready I don't even know how to start in the publishing world at", "lot of writers block and don't know how I want my story to", "my book ready I don't even know how to start in the publishing", "in the publishing world at the age of 14. and then the last", "last part of my question is what should I write my manuscript on?", "a lot of writers block and don't know how I want my story", "But also within this problem when I do have my book ready I", "age of 14. and then the last part of my question is what", "So I am currently writing a book, I have recently had a lot", "writing a book, I have recently had a lot of writers block and", "of 14. and then the last part of my question is what should", "problem when I do have my book ready I don't even know how", "am currently writing a book, I have recently had a lot of writers", "story to reach it's big ending. But also within this problem when I", "currently writing a book, I have recently had a lot of writers block", "reach it's big ending. But also within this problem when I do have", "I am currently writing a book, I have recently had a lot of", "know how I want my story to reach it's big ending. But also", "how I want my story to reach it's big ending. But also within", "14. and then the last part of my question is what should I", "I have recently had a lot of writers block and don't know how", "to reach it's big ending. But also within this problem when I do", "then the last part of my question is what should I write my", "a book, I have recently had a lot of writers block and don't", "had a lot of writers block and don't know how I want my", "know how to start in the publishing world at the age of 14.", "this problem when I do have my book ready I don't even know", "do have my book ready I don't even know how to start in", "book ready I don't even know how to start in the publishing world", "how to start in the publishing world at the age of 14. and", "publishing world at the age of 14. and then the last part of", "block and don't know how I want my story to reach it's big", "want my story to reach it's big ending. But also within this problem", "recently had a lot of writers block and don't know how I want", "my story to reach it's big ending. But also within this problem when", "even know how to start in the publishing world at the age of", "the last part of my question is what should I write my manuscript", "at the age of 14. and then the last part of my question" ]
[ "I stay focused and start with my outline and manuscript? I have a", "start with my outline and manuscript? I have a plot in my mind", "stay focused and start with my outline and manuscript? I have a plot", "I have a plot in my mind since 5 years and haven't even", "since 5 years and haven't even started my first word on it yet!", "How do I stay focused and start with my outline and manuscript? I", "my outline and manuscript? I have a plot in my mind since 5", "and start with my outline and manuscript? I have a plot in my", "outline and manuscript? I have a plot in my mind since 5 years", "a plot in my mind since 5 years and haven't even started my", "have a plot in my mind since 5 years and haven't even started", "focused and start with my outline and manuscript? I have a plot in", "manuscript? I have a plot in my mind since 5 years and haven't", "and manuscript? I have a plot in my mind since 5 years and", "plot in my mind since 5 years and haven't even started my first", "do I stay focused and start with my outline and manuscript? I have", "my mind since 5 years and haven't even started my first word on", "with my outline and manuscript? I have a plot in my mind since", "in my mind since 5 years and haven't even started my first word", "mind since 5 years and haven't even started my first word on it" ]
[ "make the character different, yet understandable, and what are your suggestions for keeping", "and what are your suggestions for keeping track of information you have placed", "of information you have placed in your book? For instance a timeine or", "keeping track of information you have placed in your book? For instance a", "a YA fiction book. How do I make the character different, yet understandable,", "How do I make the character different, yet understandable, and what are your", "I'm writing a YA fiction book. How do I make the character different,", "for keeping track of information you have placed in your book? For instance", "track of information you have placed in your book? For instance a timeine", "writing a YA fiction book. How do I make the character different, yet", "you have placed in your book? For instance a timeine or smthg like", "do I make the character different, yet understandable, and what are your suggestions", "book. How do I make the character different, yet understandable, and what are", "are your suggestions for keeping track of information you have placed in your", "your suggestions for keeping track of information you have placed in your book?", "have placed in your book? For instance a timeine or smthg like that.", "what are your suggestions for keeping track of information you have placed in", "suggestions for keeping track of information you have placed in your book? For", "character different, yet understandable, and what are your suggestions for keeping track of", "understandable, and what are your suggestions for keeping track of information you have", "yet understandable, and what are your suggestions for keeping track of information you", "fiction book. How do I make the character different, yet understandable, and what", "I make the character different, yet understandable, and what are your suggestions for", "the character different, yet understandable, and what are your suggestions for keeping track", "information you have placed in your book? For instance a timeine or smthg", "YA fiction book. How do I make the character different, yet understandable, and", "different, yet understandable, and what are your suggestions for keeping track of information" ]
[ "Should I just put Magical Space Adventures on hold and keep writing Tech", "story chapter? Should I just put Magical Space Adventures on hold and keep", "chapter and I still can't focus on the next book('Magical Space Adventures'\\) in", "on hold and keep writing Tech Vs Magic until I can focus on", "I just recently finished the first chapter. This new story('Tech Vs Magic'\\ )", "one book?](https://writing.stackexchange.com/questions/51485/how-can-i-focus-on-writing-one-book), I need help un-focusing on one book and then focusing on", "hold and keep writing Tech Vs Magic until I can focus on the", "book?](https://writing.stackexchange.com/questions/51485/how-can-i-focus-on-writing-one-book), I need help un-focusing on one book and then focusing on another.", "still can't focus on the next book('Magical Space Adventures'\\) in the rotation I", "stories that I rotate between when writing the new chapters, one of which", "[How can I focus on writing one book?](https://writing.stackexchange.com/questions/51485/how-can-i-focus-on-writing-one-book), I need help un-focusing on", "a duplicate of [How can I focus on writing one book?](https://writing.stackexchange.com/questions/51485/how-can-i-focus-on-writing-one-book), I need", "I still can't focus on the next book('Magical Space Adventures'\\) in the rotation", "need help un-focusing on one book and then focusing on another. --- \\-", "2 days after finishing the first chapter and I still can't focus on", "the new chapters, one of which I just recently finished the first chapter.", "was just on a 'writer's high' sort of thing, but now it's 2", "I focus on this next story chapter? Should I just put Magical Space", "Magical Space Adventures on hold and keep writing Tech Vs Magic until I", "really good to me right after finishing the first chapter. I thought I", "and I still can't focus on the next book('Magical Space Adventures'\\) in the", "I just put Magical Space Adventures on hold and keep writing Tech Vs", "seems really good to me right after finishing the first chapter. I thought", "the first chapter and I still can't focus on the next book('Magical Space", "the next book('Magical Space Adventures'\\) in the rotation I need to write. How", "un-focusing on one book and then focusing on another. --- \\- not actual", "finishing the first chapter. I thought I was just on a 'writer's high'", "help un-focusing on one book and then focusing on another. --- \\- not", "Tech Vs Magic until I can focus on the next story again? Not", "first chapter and I still can't focus on the next book('Magical Space Adventures'\\)", "one of which I just recently finished the first chapter. This new story('Tech", "the first chapter. This new story('Tech Vs Magic'\\* ) seems really good to", "the rotation I need to write. How can I focus on this next", "next story chapter? Should I just put Magical Space Adventures on hold and", "I rotate between when writing the new chapters, one of which I just", "sort of thing, but now it's 2 days after finishing the first chapter", "focus on the next story again? Not a duplicate of [How can I", "book('Magical Space Adventures'\\) in the rotation I need to write. How can I", "now it's 2 days after finishing the first chapter and I still can't", "me right after finishing the first chapter. I thought I was just on", "Vs Magic'\\ ) seems really good to me right after finishing the first", "focus on this next story chapter? Should I just put Magical Space Adventures", "but now it's 2 days after finishing the first chapter and I still", "This new story('Tech Vs Magic'\\* ) seems really good to me right after", "How can I focus on this next story chapter? Should I just put", "on the next book('Magical Space Adventures'\\) in the rotation I need to write.", "in the rotation I need to write. How can I focus on this", "writing the new chapters, one of which I just recently finished the first", "thought I was just on a 'writer's high' sort of thing, but now", "right after finishing the first chapter. I thought I was just on a", "between when writing the new chapters, one of which I just recently finished", "Space Adventures'\\) in the rotation I need to write. How can I focus", "I can focus on the next story again? Not a duplicate of [How", "chapters, one of which I just recently finished the first chapter. This new", "Not a duplicate of [How can I focus on writing one book?](https://writing.stackexchange.com/questions/51485/how-can-i-focus-on-writing-one-book), I", "Adventures on hold and keep writing Tech Vs Magic until I can focus", "3 stories that I rotate between when writing the new chapters, one of", "on the next story again? Not a duplicate of [How can I focus", "which I just recently finished the first chapter. This new story('Tech Vs Magic'\\", "I was just on a 'writer's high' sort of thing, but now it's", "just put Magical Space Adventures on hold and keep writing Tech Vs Magic", "I need help un-focusing on one book and then focusing on another. ---", "of [How can I focus on writing one book?](https://writing.stackexchange.com/questions/51485/how-can-i-focus-on-writing-one-book), I need help un-focusing", "next book('Magical Space Adventures'\\) in the rotation I need to write. How can", "Adventures'\\) in the rotation I need to write. How can I focus on", "on a 'writer's high' sort of thing, but now it's 2 days after", "that I rotate between when writing the new chapters, one of which I", "I have 3 stories that I rotate between when writing the new chapters,", "chapter. This new story('Tech Vs Magic'\\ ) seems really good to me right", "writing Tech Vs Magic until I can focus on the next story again?", "new chapters, one of which I just recently finished the first chapter. This", "story('Tech Vs Magic'\\* ) seems really good to me right after finishing the", "on writing one book?](https://writing.stackexchange.com/questions/51485/how-can-i-focus-on-writing-one-book), I need help un-focusing on one book and then", "just on a 'writer's high' sort of thing, but now it's 2 days", "one book and then focusing on another. --- \\- not actual story titles", "duplicate of [How can I focus on writing one book?](https://writing.stackexchange.com/questions/51485/how-can-i-focus-on-writing-one-book), I need help", "the next story again? Not a duplicate of [How can I focus on", "need to write. How can I focus on this next story chapter? Should", "just recently finished the first chapter. This new story('Tech Vs Magic'\\ ) seems", "put Magical Space Adventures on hold and keep writing Tech Vs Magic until", "can focus on the next story again? Not a duplicate of [How can", "'writer's high' sort of thing, but now it's 2 days after finishing the", "I need to write. How can I focus on this next story chapter?", "thing, but now it's 2 days after finishing the first chapter and I", "focus on the next book('Magical Space Adventures'\\) in the rotation I need to", "of which I just recently finished the first chapter. This new story('Tech Vs", "good to me right after finishing the first chapter. I thought I was", "I thought I was just on a 'writer's high' sort of thing, but", "recently finished the first chapter. This new story('Tech Vs Magic'\\ ) seems really", "on one book and then focusing on another. --- \\- not actual story", "Magic until I can focus on the next story again? Not a duplicate", "can I focus on this next story chapter? Should I just put Magical", "after finishing the first chapter. I thought I was just on a 'writer's", "have 3 stories that I rotate between when writing the new chapters, one", "Vs Magic until I can focus on the next story again? Not a", "this next story chapter? Should I just put Magical Space Adventures on hold", "and keep writing Tech Vs Magic until I can focus on the next", "can't focus on the next book('Magical Space Adventures'\\) in the rotation I need", "chapter. I thought I was just on a 'writer's high' sort of thing,", "days after finishing the first chapter and I still can't focus on the", "writing one book?](https://writing.stackexchange.com/questions/51485/how-can-i-focus-on-writing-one-book), I need help un-focusing on one book and then focusing", "on this next story chapter? Should I just put Magical Space Adventures on", "rotate between when writing the new chapters, one of which I just recently", "new story('Tech Vs Magic'\\* ) seems really good to me right after finishing", "the first chapter. I thought I was just on a 'writer's high' sort", "again? Not a duplicate of [How can I focus on writing one book?](https://writing.stackexchange.com/questions/51485/how-can-i-focus-on-writing-one-book),", "keep writing Tech Vs Magic until I can focus on the next story", ") seems really good to me right after finishing the first chapter. I", "next story again? Not a duplicate of [How can I focus on writing", "story again? Not a duplicate of [How can I focus on writing one", "focus on writing one book?](https://writing.stackexchange.com/questions/51485/how-can-i-focus-on-writing-one-book), I need help un-focusing on one book and", "finishing the first chapter and I still can't focus on the next book('Magical", "finished the first chapter. This new story('Tech Vs Magic'\\* ) seems really good", "high' sort of thing, but now it's 2 days after finishing the first", "first chapter. I thought I was just on a 'writer's high' sort of", "I focus on writing one book?](https://writing.stackexchange.com/questions/51485/how-can-i-focus-on-writing-one-book), I need help un-focusing on one book", "Magic'\\* ) seems really good to me right after finishing the first chapter.", "chapter? Should I just put Magical Space Adventures on hold and keep writing", "of thing, but now it's 2 days after finishing the first chapter and", "write. How can I focus on this next story chapter? Should I just", "when writing the new chapters, one of which I just recently finished the", "to me right after finishing the first chapter. I thought I was just", "to write. How can I focus on this next story chapter? Should I", "until I can focus on the next story again? Not a duplicate of", "after finishing the first chapter and I still can't focus on the next", "can I focus on writing one book?](https://writing.stackexchange.com/questions/51485/how-can-i-focus-on-writing-one-book), I need help un-focusing on one", "first chapter. This new story('Tech Vs Magic'\\* ) seems really good to me", "a 'writer's high' sort of thing, but now it's 2 days after finishing", "rotation I need to write. How can I focus on this next story", "Space Adventures on hold and keep writing Tech Vs Magic until I can", "it's 2 days after finishing the first chapter and I still can't focus" ]
[ "queen consort, and the death of her husband and her stepson (co-kings) are", "introduced only to be killed in the same chapter. So would it be", "for the context of the whole story, and his past actions have consequences", "the same chapter. So would it be best to just have them die", "news of their deaths brought to my MC. My MC's husband is very", "past actions have consequences until the very end, and he'll be mentioned frequently", "best to just have them die offscreen? I really can't decide what would", "character starts off as a queen consort, and the death of her husband", "and stepson alive or have news of their deaths brought to my MC.", "her husband and her stepson (co-kings) are supposed to serve as the inciting", "incident. But I'm struggling with whether to introduce her husband and stepson alive", "have news of their deaths brought to my MC. My MC's husband is", "he'll be mentioned frequently throughout, but on the other hand I think it'll", "and his son (her stepson) to be introduced only to be killed in", "the other hand I think it'll be a little jarring for him and", "this one for a long time and it's really kept me from moving", "it'll be a little jarring for him and his son (her stepson) to", "the death of her husband and her stepson (co-kings) are supposed to serve", "to be introduced only to be killed in the same chapter. So would", "whole story, and his past actions have consequences until the very end, and", "would it be best to just have them die offscreen? I really can't", "and her stepson (co-kings) are supposed to serve as the inciting incident. But", "struggling with whether to introduce her husband and stepson alive or have news", "other hand I think it'll be a little jarring for him and his", "chapter. So would it be best to just have them die offscreen? I", "important for the context of the whole story, and his past actions have", "be killed in the same chapter. So would it be best to just", "(her stepson) to be introduced only to be killed in the same chapter.", "her husband and stepson alive or have news of their deaths brought to", "him and his son (her stepson) to be introduced only to be killed", "MC's husband is very important for the context of the whole story, and", "I've been struggling with this one for a long time and it's really", "long time and it's really kept me from moving forward. My main character", "killed in the same chapter. So would it be best to just have", "deaths brought to my MC. My MC's husband is very important for the", "But I'm struggling with whether to introduce her husband and stepson alive or", "husband and stepson alive or have news of their deaths brought to my", "very end, and he'll be mentioned frequently throughout, but on the other hand", "same chapter. So would it be best to just have them die offscreen?", "time and it's really kept me from moving forward. My main character starts", "stepson alive or have news of their deaths brought to my MC. My", "and he'll be mentioned frequently throughout, but on the other hand I think", "whether to introduce her husband and stepson alive or have news of their", "to just have them die offscreen? I really can't decide what would be", "only to be killed in the same chapter. So would it be best", "My main character starts off as a queen consort, and the death of", "kept me from moving forward. My main character starts off as a queen", "and it's really kept me from moving forward. My main character starts off", "story, and his past actions have consequences until the very end, and he'll", "off as a queen consort, and the death of her husband and her", "My MC's husband is very important for the context of the whole story,", "think it'll be a little jarring for him and his son (her stepson)", "a long time and it's really kept me from moving forward. My main", "her stepson (co-kings) are supposed to serve as the inciting incident. But I'm", "to introduce her husband and stepson alive or have news of their deaths", "are supposed to serve as the inciting incident. But I'm struggling with whether", "his past actions have consequences until the very end, and he'll be mentioned", "as a queen consort, and the death of her husband and her stepson", "it's really kept me from moving forward. My main character starts off as", "for a long time and it's really kept me from moving forward. My", "serve as the inciting incident. But I'm struggling with whether to introduce her", "son (her stepson) to be introduced only to be killed in the same", "main character starts off as a queen consort, and the death of her", "introduce her husband and stepson alive or have news of their deaths brought", "is very important for the context of the whole story, and his past", "of her husband and her stepson (co-kings) are supposed to serve as the", "brought to my MC. My MC's husband is very important for the context", "struggling with this one for a long time and it's really kept me", "my MC. My MC's husband is very important for the context of the", "death of her husband and her stepson (co-kings) are supposed to serve as", "moving forward. My main character starts off as a queen consort, and the", "until the very end, and he'll be mentioned frequently throughout, but on the", "I'm struggling with whether to introduce her husband and stepson alive or have", "the whole story, and his past actions have consequences until the very end,", "stepson (co-kings) are supposed to serve as the inciting incident. But I'm struggling", "alive or have news of their deaths brought to my MC. My MC's", "inciting incident. But I'm struggling with whether to introduce her husband and stepson", "throughout, but on the other hand I think it'll be a little jarring", "context of the whole story, and his past actions have consequences until the", "be a little jarring for him and his son (her stepson) to be", "very important for the context of the whole story, and his past actions", "of their deaths brought to my MC. My MC's husband is very important", "I think it'll be a little jarring for him and his son (her", "it be best to just have them die offscreen? I really can't decide", "a queen consort, and the death of her husband and her stepson (co-kings)", "me from moving forward. My main character starts off as a queen consort,", "and his past actions have consequences until the very end, and he'll be", "husband is very important for the context of the whole story, and his", "have consequences until the very end, and he'll be mentioned frequently throughout, but", "or have news of their deaths brought to my MC. My MC's husband", "(co-kings) are supposed to serve as the inciting incident. But I'm struggling with", "their deaths brought to my MC. My MC's husband is very important for", "husband and her stepson (co-kings) are supposed to serve as the inciting incident.", "of the whole story, and his past actions have consequences until the very", "on the other hand I think it'll be a little jarring for him", "end, and he'll be mentioned frequently throughout, but on the other hand I", "forward. My main character starts off as a queen consort, and the death", "hand I think it'll be a little jarring for him and his son", "really kept me from moving forward. My main character starts off as a", "the context of the whole story, and his past actions have consequences until", "frequently throughout, but on the other hand I think it'll be a little", "MC. My MC's husband is very important for the context of the whole", "from moving forward. My main character starts off as a queen consort, and", "consort, and the death of her husband and her stepson (co-kings) are supposed", "his son (her stepson) to be introduced only to be killed in the", "be introduced only to be killed in the same chapter. So would it", "actions have consequences until the very end, and he'll be mentioned frequently throughout,", "in the same chapter. So would it be best to just have them", "with whether to introduce her husband and stepson alive or have news of", "the very end, and he'll be mentioned frequently throughout, but on the other", "stepson) to be introduced only to be killed in the same chapter. So", "the inciting incident. But I'm struggling with whether to introduce her husband and", "to be killed in the same chapter. So would it be best to", "to serve as the inciting incident. But I'm struggling with whether to introduce", "just have them die offscreen? I really can't decide what would be better.", "and the death of her husband and her stepson (co-kings) are supposed to", "mentioned frequently throughout, but on the other hand I think it'll be a", "been struggling with this one for a long time and it's really kept", "but on the other hand I think it'll be a little jarring for", "with this one for a long time and it's really kept me from", "one for a long time and it's really kept me from moving forward.", "supposed to serve as the inciting incident. But I'm struggling with whether to", "starts off as a queen consort, and the death of her husband and", "consequences until the very end, and he'll be mentioned frequently throughout, but on", "little jarring for him and his son (her stepson) to be introduced only", "jarring for him and his son (her stepson) to be introduced only to", "So would it be best to just have them die offscreen? I really", "to my MC. My MC's husband is very important for the context of", "for him and his son (her stepson) to be introduced only to be", "be mentioned frequently throughout, but on the other hand I think it'll be", "as the inciting incident. But I'm struggling with whether to introduce her husband", "be best to just have them die offscreen? I really can't decide what", "a little jarring for him and his son (her stepson) to be introduced" ]
[ "about creating a happy medium between plot and prose, here? What are strong", "attribution of dialogue to descriptors, but that in itself I feel could get", "make simple things such as dialogue tags a slog. I considered using shortened", "world, it can become a bit of a burden on the reader. Though", "of a burden on the reader. Though the MC would be used to", "option I thought of was limiting attribution of dialogue to descriptors, but that", "long, quintuple-hyphenated names. Of course, while normal in this world, it can become", "of was limiting attribution of dialogue to descriptors, but that in itself I", "would stick to the full names. How else could I go about creating", "the story -- especially as the viewpoint character would not even think to", "not even think to use them. Another option I thought of was limiting", "dialogue to descriptors, but that in itself I feel could get confusing, ambiguous", "the story I am currently writing, the culture has an obsession with unique", "Of course, while normal in this world, it can become a bit of", "burden on the reader. Though the MC would be used to parsing these", "I go about creating a happy medium between plot and prose, here? What", "unique names for each individual person. For some poor saps, this means ridiculously", "-- especially as the viewpoint character would not even think to use them.", "else could I go about creating a happy medium between plot and prose,", "I thought of was limiting attribution of dialogue to descriptors, but that in", "to use them. Another option I thought of was limiting attribution of dialogue", "I feel that in many ways rather kills the point of the story", "plot and prose, here? What are strong alternate solutions I have not thought", "a burden on the reader. Though the MC would be used to parsing", "the viewpoint character would not even think to use them. Another option I", "especially as the viewpoint character would not even think to use them. Another", "quintuple-hyphenated names. Of course, while normal in this world, it can become a", "as dialogue tags a slog. I considered using shortened names or nicknames in", "of dialogue to descriptors, but that in itself I feel could get confusing,", "thought of was limiting attribution of dialogue to descriptors, but that in itself", "limiting attribution of dialogue to descriptors, but that in itself I feel could", "feel could get confusing, ambiguous and grating. In non-dialogue text I would stick", "prose, but I feel that in many ways rather kills the point of", "point of the story -- especially as the viewpoint character would not even", "between plot and prose, here? What are strong alternate solutions I have not", "In the story I am currently writing, the culture has an obsession with", "tags a slog. I considered using shortened names or nicknames in the prose,", "stick to the full names. How else could I go about creating a", "normal in this world, it can become a bit of a burden on", "a happy medium between plot and prose, here? What are strong alternate solutions", "story -- especially as the viewpoint character would not even think to use", "even think to use them. Another option I thought of was limiting attribution", "viewpoint character would not even think to use them. Another option I thought", "for each individual person. For some poor saps, this means ridiculously long, quintuple-hyphenated", "grating. In non-dialogue text I would stick to the full names. How else", "in itself I feel could get confusing, ambiguous and grating. In non-dialogue text", "in the prose, but I feel that in many ways rather kills the", "individual person. For some poor saps, this means ridiculously long, quintuple-hyphenated names. Of", "use them. Another option I thought of was limiting attribution of dialogue to", "this means ridiculously long, quintuple-hyphenated names. Of course, while normal in this world,", "the full names. How else could I go about creating a happy medium", "course, while normal in this world, it can become a bit of a", "names. Of course, while normal in this world, it can become a bit", "become a bit of a burden on the reader. Though the MC would", "Though the MC would be used to parsing these names, it would really", "simple things such as dialogue tags a slog. I considered using shortened names", "means ridiculously long, quintuple-hyphenated names. Of course, while normal in this world, it", "using shortened names or nicknames in the prose, but I feel that in", "character would not even think to use them. Another option I thought of", "the reader. Though the MC would be used to parsing these names, it", "them. Another option I thought of was limiting attribution of dialogue to descriptors,", "parsing these names, it would really make simple things such as dialogue tags", "such as dialogue tags a slog. I considered using shortened names or nicknames", "I am currently writing, the culture has an obsession with unique names for", "but that in itself I feel could get confusing, ambiguous and grating. In", "the prose, but I feel that in many ways rather kills the point", "in this world, it can become a bit of a burden on the", "things such as dialogue tags a slog. I considered using shortened names or", "used to parsing these names, it would really make simple things such as", "some poor saps, this means ridiculously long, quintuple-hyphenated names. Of course, while normal", "to parsing these names, it would really make simple things such as dialogue", "many ways rather kills the point of the story -- especially as the", "or nicknames in the prose, but I feel that in many ways rather", "names. How else could I go about creating a happy medium between plot", "ridiculously long, quintuple-hyphenated names. Of course, while normal in this world, it can", "writing, the culture has an obsession with unique names for each individual person.", "medium between plot and prose, here? What are strong alternate solutions I have", "ambiguous and grating. In non-dialogue text I would stick to the full names.", "currently writing, the culture has an obsession with unique names for each individual", "culture has an obsession with unique names for each individual person. For some", "and prose, here? What are strong alternate solutions I have not thought of?", "really make simple things such as dialogue tags a slog. I considered using", "non-dialogue text I would stick to the full names. How else could I", "of the story -- especially as the viewpoint character would not even think", "and grating. In non-dialogue text I would stick to the full names. How", "saps, this means ridiculously long, quintuple-hyphenated names. Of course, while normal in this", "would be used to parsing these names, it would really make simple things", "would not even think to use them. Another option I thought of was", "a slog. I considered using shortened names or nicknames in the prose, but", "descriptors, but that in itself I feel could get confusing, ambiguous and grating.", "that in itself I feel could get confusing, ambiguous and grating. In non-dialogue", "to the full names. How else could I go about creating a happy", "think to use them. Another option I thought of was limiting attribution of", "itself I feel could get confusing, ambiguous and grating. In non-dialogue text I", "the culture has an obsession with unique names for each individual person. For", "happy medium between plot and prose, here? What are strong alternate solutions I", "go about creating a happy medium between plot and prose, here? What are", "nicknames in the prose, but I feel that in many ways rather kills", "each individual person. For some poor saps, this means ridiculously long, quintuple-hyphenated names.", "bit of a burden on the reader. Though the MC would be used", "story I am currently writing, the culture has an obsession with unique names", "would really make simple things such as dialogue tags a slog. I considered", "that in many ways rather kills the point of the story -- especially", "MC would be used to parsing these names, it would really make simple", "For some poor saps, this means ridiculously long, quintuple-hyphenated names. Of course, while", "can become a bit of a burden on the reader. Though the MC", "In non-dialogue text I would stick to the full names. How else could", "it can become a bit of a burden on the reader. Though the", "with unique names for each individual person. For some poor saps, this means", "as the viewpoint character would not even think to use them. Another option", "this world, it can become a bit of a burden on the reader.", "person. For some poor saps, this means ridiculously long, quintuple-hyphenated names. Of course,", "these names, it would really make simple things such as dialogue tags a", "kills the point of the story -- especially as the viewpoint character would", "obsession with unique names for each individual person. For some poor saps, this", "a bit of a burden on the reader. Though the MC would be", "I would stick to the full names. How else could I go about", "text I would stick to the full names. How else could I go", "full names. How else could I go about creating a happy medium between", "reader. Though the MC would be used to parsing these names, it would", "an obsession with unique names for each individual person. For some poor saps,", "in many ways rather kills the point of the story -- especially as", "to descriptors, but that in itself I feel could get confusing, ambiguous and", "Another option I thought of was limiting attribution of dialogue to descriptors, but", "I feel could get confusing, ambiguous and grating. In non-dialogue text I would", "while normal in this world, it can become a bit of a burden", "feel that in many ways rather kills the point of the story --", "the point of the story -- especially as the viewpoint character would not", "considered using shortened names or nicknames in the prose, but I feel that", "confusing, ambiguous and grating. In non-dialogue text I would stick to the full", "could I go about creating a happy medium between plot and prose, here?", "I considered using shortened names or nicknames in the prose, but I feel", "shortened names or nicknames in the prose, but I feel that in many", "creating a happy medium between plot and prose, here? What are strong alternate", "the MC would be used to parsing these names, it would really make", "dialogue tags a slog. I considered using shortened names or nicknames in the", "names or nicknames in the prose, but I feel that in many ways", "ways rather kills the point of the story -- especially as the viewpoint", "could get confusing, ambiguous and grating. In non-dialogue text I would stick to", "on the reader. Though the MC would be used to parsing these names,", "names, it would really make simple things such as dialogue tags a slog.", "How else could I go about creating a happy medium between plot and", "get confusing, ambiguous and grating. In non-dialogue text I would stick to the", "am currently writing, the culture has an obsession with unique names for each", "slog. I considered using shortened names or nicknames in the prose, but I", "be used to parsing these names, it would really make simple things such", "has an obsession with unique names for each individual person. For some poor", "but I feel that in many ways rather kills the point of the", "names for each individual person. For some poor saps, this means ridiculously long,", "poor saps, this means ridiculously long, quintuple-hyphenated names. Of course, while normal in", "it would really make simple things such as dialogue tags a slog. I", "rather kills the point of the story -- especially as the viewpoint character", "was limiting attribution of dialogue to descriptors, but that in itself I feel" ]
[ "one line, or should I describe them twisting the doorknob, pushing the door", "as I'm currently working on the first draft of my short story. However,", "draft of my short story. However, I was wondering when to keep descriptions", "of their house, should I just mention it in one line, or should", "stepping outside of their house, should I just mention it in one line,", "of my short story. However, I was wondering when to keep descriptions brief", "was wondering when to keep descriptions brief and to the point and when", "I'm currently working on the first draft of my short story. However, I", "describe them twisting the doorknob, pushing the door open, etc? Also, how do", "if a character is stepping outside of their house, should I just mention", "short story. However, I was wondering when to keep descriptions brief and to", "and when to describe things in depth, using metaphors and everything. For example,", "character is stepping outside of their house, should I just mention it in", "to keep descriptions brief and to the point and when to describe things", "the first draft of my short story. However, I was wondering when to", "and to the point and when to describe things in depth, using metaphors", "to describe things in depth, using metaphors and everything. For example, if a", "open, etc? Also, how do I know that I am not over describing?", "mention it in one line, or should I describe them twisting the doorknob,", "the point and when to describe things in depth, using metaphors and everything.", "writing, as I'm currently working on the first draft of my short story.", "brief and to the point and when to describe things in depth, using", "when to describe things in depth, using metaphors and everything. For example, if", "I just mention it in one line, or should I describe them twisting", "it in one line, or should I describe them twisting the doorknob, pushing", "new to writing, as I'm currently working on the first draft of my", "the door open, etc? Also, how do I know that I am not", "their house, should I just mention it in one line, or should I", "just mention it in one line, or should I describe them twisting the", "and everything. For example, if a character is stepping outside of their house,", "first draft of my short story. However, I was wondering when to keep", "For example, if a character is stepping outside of their house, should I", "or should I describe them twisting the doorknob, pushing the door open, etc?", "story. However, I was wondering when to keep descriptions brief and to the", "I describe them twisting the doorknob, pushing the door open, etc? Also, how", "to writing, as I'm currently working on the first draft of my short", "point and when to describe things in depth, using metaphors and everything. For", "in depth, using metaphors and everything. For example, if a character is stepping", "things in depth, using metaphors and everything. For example, if a character is", "doorknob, pushing the door open, etc? Also, how do I know that I", "metaphors and everything. For example, if a character is stepping outside of their", "house, should I just mention it in one line, or should I describe", "should I just mention it in one line, or should I describe them", "wondering when to keep descriptions brief and to the point and when to", "everything. For example, if a character is stepping outside of their house, should", "example, if a character is stepping outside of their house, should I just", "describe things in depth, using metaphors and everything. For example, if a character", "my short story. However, I was wondering when to keep descriptions brief and", "is stepping outside of their house, should I just mention it in one", "currently working on the first draft of my short story. However, I was", "in one line, or should I describe them twisting the doorknob, pushing the", "them twisting the doorknob, pushing the door open, etc? Also, how do I", "pushing the door open, etc? Also, how do I know that I am", "I'm new to writing, as I'm currently working on the first draft of", "when to keep descriptions brief and to the point and when to describe", "depth, using metaphors and everything. For example, if a character is stepping outside", "a character is stepping outside of their house, should I just mention it", "descriptions brief and to the point and when to describe things in depth,", "twisting the doorknob, pushing the door open, etc? Also, how do I know", "outside of their house, should I just mention it in one line, or", "door open, etc? Also, how do I know that I am not over", "the doorknob, pushing the door open, etc? Also, how do I know that", "However, I was wondering when to keep descriptions brief and to the point", "to the point and when to describe things in depth, using metaphors and", "line, or should I describe them twisting the doorknob, pushing the door open,", "keep descriptions brief and to the point and when to describe things in", "using metaphors and everything. For example, if a character is stepping outside of", "should I describe them twisting the doorknob, pushing the door open, etc? Also,", "working on the first draft of my short story. However, I was wondering", "on the first draft of my short story. However, I was wondering when", "I was wondering when to keep descriptions brief and to the point and" ]
[ "intend to say, barely managing to author the main points. As to whether", "main points. As to whether this is due to some cognitive defect, or", "managing to author the main points. As to whether this is due to", "into trouble comming up with all I intend to say, barely managing to", "points. As to whether this is due to some cognitive defect, or due", "to write, I run into trouble comming up with all I intend to", "to say, barely managing to author the main points. As to whether this", "run into trouble comming up with all I intend to say, barely managing", "comming up with all I intend to say, barely managing to author the", "barely managing to author the main points. As to whether this is due", "due to some cognitive defect, or due to some other issue, I do", "cognitive defect, or due to some other issue, I do not know. But", "this, I ask you for insight, if maybe you are able to help", "up with all I intend to say, barely managing to author the main", "As to whether this is due to some cognitive defect, or due to", "whether this is due to some cognitive defect, or due to some other", "is due to some cognitive defect, or due to some other issue, I", "to whether this is due to some cognitive defect, or due to some", "write, I run into trouble comming up with all I intend to say,", "I ask you for insight, if maybe you are able to help me", "when trying to write, I run into trouble comming up with all I", "do not know. But concerning this, I ask you for insight, if maybe", "other issue, I do not know. But concerning this, I ask you for", "ask you for insight, if maybe you are able to help me advance", "or due to some other issue, I do not know. But concerning this,", "know. But concerning this, I ask you for insight, if maybe you are", "for insight, if maybe you are able to help me advance my writing.", "the main points. As to whether this is due to some cognitive defect,", "Oftentimes, when trying to write, I run into trouble comming up with all", "But concerning this, I ask you for insight, if maybe you are able", "I intend to say, barely managing to author the main points. As to", "not know. But concerning this, I ask you for insight, if maybe you", "due to some other issue, I do not know. But concerning this, I", "I do not know. But concerning this, I ask you for insight, if", "with all I intend to say, barely managing to author the main points.", "trying to write, I run into trouble comming up with all I intend", "some other issue, I do not know. But concerning this, I ask you", "concerning this, I ask you for insight, if maybe you are able to", "I run into trouble comming up with all I intend to say, barely", "trouble comming up with all I intend to say, barely managing to author", "some cognitive defect, or due to some other issue, I do not know.", "issue, I do not know. But concerning this, I ask you for insight,", "defect, or due to some other issue, I do not know. But concerning", "you for insight, if maybe you are able to help me advance my", "to some cognitive defect, or due to some other issue, I do not", "to author the main points. As to whether this is due to some", "author the main points. As to whether this is due to some cognitive", "to some other issue, I do not know. But concerning this, I ask", "all I intend to say, barely managing to author the main points. As", "this is due to some cognitive defect, or due to some other issue,", "say, barely managing to author the main points. As to whether this is" ]
[ "of people to refer to themselves. The phrase is \"Los Americanos Olvidados\" or", "script does not speak Spanish. Should I leave the phrase in its native", "leave the phrase in its native Spanish, or only write the English translation?", "phrase were of Mexican-American descent. The person who will be reading the script", "by a group of people to refer to themselves. The phrase is \"Los", "certain the narrator could practice the phrase and have it not sound stilted,", "script in which I need to use a Spanish phrase historically used by", "group of people to refer to themselves. The phrase is \"Los Americanos Olvidados\"", "writing a script in which I need to use a Spanish phrase historically", "or only write the English translation? I'm certain the narrator could practice the", "people who used the phrase were of Mexican-American descent. The person who will", "people to refer to themselves. The phrase is \"Los Americanos Olvidados\" or \"The", "reading the script does not speak Spanish. Should I leave the phrase in", "nonetheless it won't sound natural. The rest of the script is in English.", "use a Spanish phrase historically used by a group of people to refer", "historically used by a group of people to refer to themselves. The phrase", "the phrase in its native Spanish, or only write the English translation? I'm", "its native Spanish, or only write the English translation? I'm certain the narrator", "in which I need to use a Spanish phrase historically used by a", "The phrase is \"Los Americanos Olvidados\" or \"The Forgotten Americans\". The people who", "the script does not speak Spanish. Should I leave the phrase in its", "write the English translation? I'm certain the narrator could practice the phrase and", "is \"Los Americanos Olvidados\" or \"The Forgotten Americans\". The people who used the", "to use a Spanish phrase historically used by a group of people to", "sound stilted, but nonetheless it won't sound natural. The rest of the script", "or \"The Forgotten Americans\". The people who used the phrase were of Mexican-American", "\"Los Americanos Olvidados\" or \"The Forgotten Americans\". The people who used the phrase", "in its native Spanish, or only write the English translation? I'm certain the", "\"The Forgotten Americans\". The people who used the phrase were of Mexican-American descent.", "to themselves. The phrase is \"Los Americanos Olvidados\" or \"The Forgotten Americans\". The", "I leave the phrase in its native Spanish, or only write the English", "Forgotten Americans\". The people who used the phrase were of Mexican-American descent. The", "phrase historically used by a group of people to refer to themselves. The", "I'm writing a script in which I need to use a Spanish phrase", "the narrator could practice the phrase and have it not sound stilted, but", "of Mexican-American descent. The person who will be reading the script does not", "Mexican-American descent. The person who will be reading the script does not speak", "and have it not sound stilted, but nonetheless it won't sound natural. The", "refer to themselves. The phrase is \"Los Americanos Olvidados\" or \"The Forgotten Americans\".", "Olvidados\" or \"The Forgotten Americans\". The people who used the phrase were of", "who used the phrase were of Mexican-American descent. The person who will be", "I'm certain the narrator could practice the phrase and have it not sound", "used the phrase were of Mexican-American descent. The person who will be reading", "who will be reading the script does not speak Spanish. Should I leave", "narrator could practice the phrase and have it not sound stilted, but nonetheless", "be reading the script does not speak Spanish. Should I leave the phrase", "Americans\". The people who used the phrase were of Mexican-American descent. The person", "Spanish. Should I leave the phrase in its native Spanish, or only write", "which I need to use a Spanish phrase historically used by a group", "translation? I'm certain the narrator could practice the phrase and have it not", "the phrase and have it not sound stilted, but nonetheless it won't sound", "will be reading the script does not speak Spanish. Should I leave the", "practice the phrase and have it not sound stilted, but nonetheless it won't", "stilted, but nonetheless it won't sound natural. The rest of the script is", "used by a group of people to refer to themselves. The phrase is", "it not sound stilted, but nonetheless it won't sound natural. The rest of", "Should I leave the phrase in its native Spanish, or only write the", "English translation? I'm certain the narrator could practice the phrase and have it", "to refer to themselves. The phrase is \"Los Americanos Olvidados\" or \"The Forgotten", "native Spanish, or only write the English translation? I'm certain the narrator could", "descent. The person who will be reading the script does not speak Spanish.", "themselves. The phrase is \"Los Americanos Olvidados\" or \"The Forgotten Americans\". The people", "the phrase were of Mexican-American descent. The person who will be reading the", "were of Mexican-American descent. The person who will be reading the script does", "but nonetheless it won't sound natural. The rest of the script is in", "phrase in its native Spanish, or only write the English translation? I'm certain", "speak Spanish. Should I leave the phrase in its native Spanish, or only", "a group of people to refer to themselves. The phrase is \"Los Americanos", "need to use a Spanish phrase historically used by a group of people", "The person who will be reading the script does not speak Spanish. Should", "a script in which I need to use a Spanish phrase historically used", "not speak Spanish. Should I leave the phrase in its native Spanish, or", "the English translation? I'm certain the narrator could practice the phrase and have", "a Spanish phrase historically used by a group of people to refer to", "Americanos Olvidados\" or \"The Forgotten Americans\". The people who used the phrase were", "Spanish, or only write the English translation? I'm certain the narrator could practice", "could practice the phrase and have it not sound stilted, but nonetheless it", "phrase and have it not sound stilted, but nonetheless it won't sound natural.", "have it not sound stilted, but nonetheless it won't sound natural. The rest", "does not speak Spanish. Should I leave the phrase in its native Spanish,", "not sound stilted, but nonetheless it won't sound natural. The rest of the", "phrase is \"Los Americanos Olvidados\" or \"The Forgotten Americans\". The people who used", "The people who used the phrase were of Mexican-American descent. The person who", "Spanish phrase historically used by a group of people to refer to themselves.", "only write the English translation? I'm certain the narrator could practice the phrase", "person who will be reading the script does not speak Spanish. Should I", "I need to use a Spanish phrase historically used by a group of" ]
[ "it straight and assume his perceptions are accurate to the story's world, or", "physical features, and even compares them to animals on multiple occasions. Clearly he's", "trajectory of the narrative is set to put him in a position where", "a human level with the people he disdains, which causes him to reconsider", "bad conduct of flawed characters instead of recognizing the criticism. Is there anything", "clothing, traditions, physical features, and even compares them to animals on multiple occasions.", "isn't something I endorse? Because it's all written from his perspective, asides are", "will take it straight and assume his perceptions are accurate to the story's", "the bad conduct of flawed characters instead of recognizing the criticism. Is there", "to the site so I'll be fumbling around trying to respond properly, but", "racist & classist against members of a culture he deems to be less", "set to put him in a position where he needs to be vulnerable", "his behavior isn't something I endorse? Because it's all written from his perspective,", "of a culture he deems to be less \"advanced\" or \"civilized\" than his", "and interact on a human level with the people he disdains, which causes", "he deems to be less \"advanced\" or \"civilized\" than his own. He insults", "their food, clothing, traditions, physical features, and even compares them to animals on", "are often spent justifying his positions in ways that make some kind of", "haughty academic who thinks himself better than everyone else, and he's explicitly racist", "the site so I'll be fumbling around trying to respond properly, but thank", "until I reach that payoff, how do I make it clear to the", "that his behavior isn't something I endorse? Because it's all written from his", "least on the surface, and I worry that people will take it straight", "behavior isn't something I endorse? Because it's all written from his perspective, asides", "thank you all for so many great responses! xxx This is a bit", "from his perspective, asides are often spent justifying his positions in ways that", "criticisms of similar behaviors end up being completely skewed by audiences who wind", "and even compares them to animals on multiple occasions. Clearly he's a monumental", "Edit: I'm a bit new to the site so I'll be fumbling around", "compares them to animals on multiple occasions. Clearly he's a monumental jerk, and", "long way off, and until I reach that payoff, how do I make", "and until I reach that payoff, how do I make it clear to", "that people will take it straight and assume his perceptions are accurate to", "that -- but it's a long way off, and until I reach that", "site so I'll be fumbling around trying to respond properly, but thank you", "it's a long way off, and until I reach that payoff, how do", "fumbling around trying to respond properly, but thank you all for so many", "or representative of my own feelings. Very often satires or criticisms of similar", "clear to the audience that his behavior isn't something I endorse? Because it's", "and the trajectory of the narrative is set to put him in a", "his understanding of the world, all that -- but it's a long way", "take it straight and assume his perceptions are accurate to the story's world,", "reasons, but the narrator of this story is a haughty academic who thinks", "spent justifying his positions in ways that make some kind of sense, at", "who thinks himself better than everyone else, and he's explicitly racist & classist", "human level with the people he disdains, which causes him to reconsider his", "ways that make some kind of sense, at least on the surface, and", "to put him in a position where he needs to be vulnerable and", "to the audience that his behavior isn't something I endorse? Because it's all", "his perceptions are accurate to the story's world, or representative of my own", "Clearly he's a monumental jerk, and the trajectory of the narrative is set", "& classist against members of a culture he deems to be less \"advanced\"", "straight and assume his perceptions are accurate to the story's world, or representative", "with the bad conduct of flawed characters instead of recognizing the criticism. Is", "flawed characters instead of recognizing the criticism. Is there anything that can be", "he needs to be vulnerable and interact on a human level with the", "level with the people he disdains, which causes him to reconsider his understanding", "explicitly racist & classist against members of a culture he deems to be", "world, all that -- but it's a long way off, and until I", "so many great responses! xxx This is a bit of a touchy one", "the narrator of this story is a haughty academic who thinks himself better", "asides are often spent justifying his positions in ways that make some kind", "endorse? Because it's all written from his perspective, asides are often spent justifying", "of a touchy one for obvious reasons, but the narrator of this story", "I reach that payoff, how do I make it clear to the audience", "reconsider his understanding of the world, all that -- but it's a long", "on multiple occasions. Clearly he's a monumental jerk, and the trajectory of the", "new to the site so I'll be fumbling around trying to respond properly,", "narrator of this story is a haughty academic who thinks himself better than", "for obvious reasons, but the narrator of this story is a haughty academic", "himself better than everyone else, and he's explicitly racist & classist against members", "world, or representative of my own feelings. Very often satires or criticisms of", "around trying to respond properly, but thank you all for so many great", "the world, all that -- but it's a long way off, and until", "a bit of a touchy one for obvious reasons, but the narrator of", "multiple occasions. Clearly he's a monumental jerk, and the trajectory of the narrative", "but it's a long way off, and until I reach that payoff, how", "recognizing the criticism. Is there anything that can be done to discourage that", "and assume his perceptions are accurate to the story's world, or representative of", "He insults their food, clothing, traditions, physical features, and even compares them to", "his positions in ways that make some kind of sense, at least on", "completely skewed by audiences who wind up identifying with the bad conduct of", "skewed by audiences who wind up identifying with the bad conduct of flawed", "sense, at least on the surface, and I worry that people will take", "audience that his behavior isn't something I endorse? Because it's all written from", "I make it clear to the audience that his behavior isn't something I", "food, clothing, traditions, physical features, and even compares them to animals on multiple", "all written from his perspective, asides are often spent justifying his positions in", "to the story's world, or representative of my own feelings. Very often satires", "own feelings. Very often satires or criticisms of similar behaviors end up being", "accurate to the story's world, or representative of my own feelings. Very often", "to be less \"advanced\" or \"civilized\" than his own. He insults their food,", "people he disdains, which causes him to reconsider his understanding of the world,", "of sense, at least on the surface, and I worry that people will", "\"advanced\" or \"civilized\" than his own. He insults their food, clothing, traditions, physical", "a haughty academic who thinks himself better than everyone else, and he's explicitly", "the people he disdains, which causes him to reconsider his understanding of the", "touchy one for obvious reasons, but the narrator of this story is a", "of my own feelings. Very often satires or criticisms of similar behaviors end", "occasions. Clearly he's a monumental jerk, and the trajectory of the narrative is", "be less \"advanced\" or \"civilized\" than his own. He insults their food, clothing,", "in a position where he needs to be vulnerable and interact on a", "great responses! xxx This is a bit of a touchy one for obvious", "Very often satires or criticisms of similar behaviors end up being completely skewed", "identifying with the bad conduct of flawed characters instead of recognizing the criticism.", "I worry that people will take it straight and assume his perceptions are", "traditions, physical features, and even compares them to animals on multiple occasions. Clearly", "he's explicitly racist & classist against members of a culture he deems to", "a position where he needs to be vulnerable and interact on a human", "instead of recognizing the criticism. Is there anything that can be done to", "make some kind of sense, at least on the surface, and I worry", "make it clear to the audience that his behavior isn't something I endorse?", "there anything that can be done to discourage that sort of thing from", "or criticisms of similar behaviors end up being completely skewed by audiences who", "it clear to the audience that his behavior isn't something I endorse? Because", "vulnerable and interact on a human level with the people he disdains, which", "interact on a human level with the people he disdains, which causes him", "the trajectory of the narrative is set to put him in a position", "how do I make it clear to the audience that his behavior isn't", "I endorse? Because it's all written from his perspective, asides are often spent", "this story is a haughty academic who thinks himself better than everyone else,", "he disdains, which causes him to reconsider his understanding of the world, all", "own. He insults their food, clothing, traditions, physical features, and even compares them", "\"civilized\" than his own. He insults their food, clothing, traditions, physical features, and", "trying to respond properly, but thank you all for so many great responses!", "perspective, asides are often spent justifying his positions in ways that make some", "for so many great responses! xxx This is a bit of a touchy", "be vulnerable and interact on a human level with the people he disdains,", "responses! xxx This is a bit of a touchy one for obvious reasons,", "is a bit of a touchy one for obvious reasons, but the narrator", "of recognizing the criticism. Is there anything that can be done to discourage", "properly, but thank you all for so many great responses! xxx This is", "insults their food, clothing, traditions, physical features, and even compares them to animals", "of the world, all that -- but it's a long way off, and", "on the surface, and I worry that people will take it straight and", "This is a bit of a touchy one for obvious reasons, but the", "that make some kind of sense, at least on the surface, and I", "them to animals on multiple occasions. Clearly he's a monumental jerk, and the", "and I worry that people will take it straight and assume his perceptions", "of similar behaviors end up being completely skewed by audiences who wind up", "wind up identifying with the bad conduct of flawed characters instead of recognizing", "him in a position where he needs to be vulnerable and interact on", "the narrative is set to put him in a position where he needs", "the surface, and I worry that people will take it straight and assume", "conduct of flawed characters instead of recognizing the criticism. Is there anything that", "a long way off, and until I reach that payoff, how do I", "bit of a touchy one for obvious reasons, but the narrator of this", "everyone else, and he's explicitly racist & classist against members of a culture", "him to reconsider his understanding of the world, all that -- but it's", "written from his perspective, asides are often spent justifying his positions in ways", "satires or criticisms of similar behaviors end up being completely skewed by audiences", "with the people he disdains, which causes him to reconsider his understanding of", "the audience that his behavior isn't something I endorse? Because it's all written", "obvious reasons, but the narrator of this story is a haughty academic who", "better than everyone else, and he's explicitly racist & classist against members of", "which causes him to reconsider his understanding of the world, all that --", "are accurate to the story's world, or representative of my own feelings. Very", "members of a culture he deems to be less \"advanced\" or \"civilized\" than", "even compares them to animals on multiple occasions. Clearly he's a monumental jerk,", "else, and he's explicitly racist & classist against members of a culture he", "many great responses! xxx This is a bit of a touchy one for", "up identifying with the bad conduct of flawed characters instead of recognizing the", "thinks himself better than everyone else, and he's explicitly racist & classist against", "be fumbling around trying to respond properly, but thank you all for so", "academic who thinks himself better than everyone else, and he's explicitly racist &", "features, and even compares them to animals on multiple occasions. Clearly he's a", "to be vulnerable and interact on a human level with the people he", "respond properly, but thank you all for so many great responses! xxx This", "a touchy one for obvious reasons, but the narrator of this story is", "but the narrator of this story is a haughty academic who thinks himself", "monumental jerk, and the trajectory of the narrative is set to put him", "on a human level with the people he disdains, which causes him to", "deems to be less \"advanced\" or \"civilized\" than his own. He insults their", "by audiences who wind up identifying with the bad conduct of flawed characters", "to animals on multiple occasions. Clearly he's a monumental jerk, and the trajectory", "of this story is a haughty academic who thinks himself better than everyone", "similar behaviors end up being completely skewed by audiences who wind up identifying", "often spent justifying his positions in ways that make some kind of sense,", "I'm a bit new to the site so I'll be fumbling around trying", "is a haughty academic who thinks himself better than everyone else, and he's", "put him in a position where he needs to be vulnerable and interact", "do I make it clear to the audience that his behavior isn't something", "being completely skewed by audiences who wind up identifying with the bad conduct", "his perspective, asides are often spent justifying his positions in ways that make", "is set to put him in a position where he needs to be", "representative of my own feelings. Very often satires or criticisms of similar behaviors", "my own feelings. Very often satires or criticisms of similar behaviors end up", "narrative is set to put him in a position where he needs to", "perceptions are accurate to the story's world, or representative of my own feelings.", "the story's world, or representative of my own feelings. Very often satires or", "he's a monumental jerk, and the trajectory of the narrative is set to", "payoff, how do I make it clear to the audience that his behavior", "justifying his positions in ways that make some kind of sense, at least", "end up being completely skewed by audiences who wind up identifying with the", "of the narrative is set to put him in a position where he", "of flawed characters instead of recognizing the criticism. Is there anything that can", "audiences who wind up identifying with the bad conduct of flawed characters instead", "characters instead of recognizing the criticism. Is there anything that can be done", "in ways that make some kind of sense, at least on the surface,", "surface, and I worry that people will take it straight and assume his", "kind of sense, at least on the surface, and I worry that people", "so I'll be fumbling around trying to respond properly, but thank you all", "culture he deems to be less \"advanced\" or \"civilized\" than his own. He", "reach that payoff, how do I make it clear to the audience that", "bit new to the site so I'll be fumbling around trying to respond", "I'll be fumbling around trying to respond properly, but thank you all for", "or \"civilized\" than his own. He insults their food, clothing, traditions, physical features,", "classist against members of a culture he deems to be less \"advanced\" or", "that payoff, how do I make it clear to the audience that his", "who wind up identifying with the bad conduct of flawed characters instead of", "some kind of sense, at least on the surface, and I worry that", "needs to be vulnerable and interact on a human level with the people", "one for obvious reasons, but the narrator of this story is a haughty", "off, and until I reach that payoff, how do I make it clear", "you all for so many great responses! xxx This is a bit of", "behaviors end up being completely skewed by audiences who wind up identifying with", "Because it's all written from his perspective, asides are often spent justifying his", "Is there anything that can be done to discourage that sort of thing", "people will take it straight and assume his perceptions are accurate to the", "a monumental jerk, and the trajectory of the narrative is set to put", "position where he needs to be vulnerable and interact on a human level", "disdains, which causes him to reconsider his understanding of the world, all that", "less \"advanced\" or \"civilized\" than his own. He insults their food, clothing, traditions,", "feelings. Very often satires or criticisms of similar behaviors end up being completely", "a bit new to the site so I'll be fumbling around trying to", "the criticism. Is there anything that can be done to discourage that sort", "animals on multiple occasions. Clearly he's a monumental jerk, and the trajectory of", "and he's explicitly racist & classist against members of a culture he deems", "to reconsider his understanding of the world, all that -- but it's a", "all for so many great responses! xxx This is a bit of a", "his own. He insults their food, clothing, traditions, physical features, and even compares", "understanding of the world, all that -- but it's a long way off,", "it's all written from his perspective, asides are often spent justifying his positions", "but thank you all for so many great responses! xxx This is a", "xxx This is a bit of a touchy one for obvious reasons, but", "assume his perceptions are accurate to the story's world, or representative of my", "causes him to reconsider his understanding of the world, all that -- but", "something I endorse? Because it's all written from his perspective, asides are often", "than everyone else, and he's explicitly racist & classist against members of a", "jerk, and the trajectory of the narrative is set to put him in", "way off, and until I reach that payoff, how do I make it", "at least on the surface, and I worry that people will take it", "positions in ways that make some kind of sense, at least on the", "up being completely skewed by audiences who wind up identifying with the bad", "anything that can be done to discourage that sort of thing from happening?", "criticism. Is there anything that can be done to discourage that sort of", "story is a haughty academic who thinks himself better than everyone else, and", "-- but it's a long way off, and until I reach that payoff,", "often satires or criticisms of similar behaviors end up being completely skewed by", "than his own. He insults their food, clothing, traditions, physical features, and even", "story's world, or representative of my own feelings. Very often satires or criticisms", "a culture he deems to be less \"advanced\" or \"civilized\" than his own.", "to respond properly, but thank you all for so many great responses! xxx", "all that -- but it's a long way off, and until I reach", "worry that people will take it straight and assume his perceptions are accurate", "against members of a culture he deems to be less \"advanced\" or \"civilized\"", "where he needs to be vulnerable and interact on a human level with" ]
[ "further on in my story? He thought it was scary. Or should I", "scary. Or should I maintain consistency by using only one of the two", "entire manuscript? It's just that while writing, I felt using only one method", "thought. Can I switch to saying something like the below further on in", "It's just that while writing, I felt using only one method seemed a", "was scary. Or should I maintain consistency by using only one of the", "switch to saying something like the below further on in my story? He", "something like the below further on in my story? He thought it was", "For example, if I am stating my character's thoughts in this way: That", "of the two methods throughout the entire manuscript? It's just that while writing,", "using only one of the two methods throughout the entire manuscript? It's just", "consistency by using only one of the two methods throughout the entire manuscript?", "I switch to saying something like the below further on in my story?", "methods throughout the entire manuscript? It's just that while writing, I felt using", "while writing, I felt using only one method seemed a bit redundant but", "on in my story? He thought it was scary. Or should I maintain", "Or should I maintain consistency by using only one of the two methods", "story? He thought it was scary. Or should I maintain consistency by using", "maintain consistency by using only one of the two methods throughout the entire", "Can I switch to saying something like the below further on in my", "thoughts in this way: That was scary!* He thought. Can I switch to", "throughout the entire manuscript? It's just that while writing, I felt using only", "character's thoughts in this way: That was scary! He thought. Can I switch", "method seemed a bit redundant but I don't know if I'll lose consistency", "my story? He thought it was scary. Or should I maintain consistency by", "way: That was scary! He thought. Can I switch to saying something like", "the below further on in my story? He thought it was scary. Or", "writing, I felt using only one method seemed a bit redundant but I", "using only one method seemed a bit redundant but I don't know if", "the two methods throughout the entire manuscript? It's just that while writing, I", "manuscript? It's just that while writing, I felt using only one method seemed", "just that while writing, I felt using only one method seemed a bit", "if I am stating my character's thoughts in this way: That was scary!", "that while writing, I felt using only one method seemed a bit redundant", "like the below further on in my story? He thought it was scary.", "scary!* He thought. Can I switch to saying something like the below further", "only one of the two methods throughout the entire manuscript? It's just that", "redundant but I don't know if I'll lose consistency by alternating between the", "example, if I am stating my character's thoughts in this way: That was", "this way: That was scary!* He thought. Can I switch to saying something", "thought it was scary. Or should I maintain consistency by using only one", "should I maintain consistency by using only one of the two methods throughout", "only one method seemed a bit redundant but I don't know if I'll", "two methods throughout the entire manuscript? It's just that while writing, I felt", "That was scary! He thought. Can I switch to saying something like the", "stating my character's thoughts in this way: That was scary! He thought. Can", "was scary!* He thought. Can I switch to saying something like the below", "He thought it was scary. Or should I maintain consistency by using only", "a bit redundant but I don't know if I'll lose consistency by alternating", "in my story? He thought it was scary. Or should I maintain consistency", "but I don't know if I'll lose consistency by alternating between the two.", "it was scary. Or should I maintain consistency by using only one of", "am stating my character's thoughts in this way: That was scary! He thought.", "felt using only one method seemed a bit redundant but I don't know", "bit redundant but I don't know if I'll lose consistency by alternating between", "my character's thoughts in this way: That was scary! He thought. Can I", "seemed a bit redundant but I don't know if I'll lose consistency by", "He thought. Can I switch to saying something like the below further on", "to saying something like the below further on in my story? He thought", "one of the two methods throughout the entire manuscript? It's just that while", "I am stating my character's thoughts in this way: That was scary! He", "in this way: That was scary! He thought. Can I switch to saying", "one method seemed a bit redundant but I don't know if I'll lose", "I maintain consistency by using only one of the two methods throughout the", "I felt using only one method seemed a bit redundant but I don't", "below further on in my story? He thought it was scary. Or should", "the entire manuscript? It's just that while writing, I felt using only one", "by using only one of the two methods throughout the entire manuscript? It's", "saying something like the below further on in my story? He thought it" ]
[ "I've found that songs draw some people into something, so I was wondering", "draw some people into something, so I was wondering how to cite a", "how to make a house a home > > - Big and Rich", "we have forgotten how to make a house a home > > -", "a home > > - Big and Rich “That's why I pray” >", "home > > - Big and Rich “That's why I pray” > >", "lines from a song to draw someone in without making it look horrible.", "horrible. Example: > > Somehow we have forgotten how to make a house", "a few lines from a song to draw someone in without making it", "> Somehow we have forgotten how to make a house a home >", "> > Somehow we have forgotten how to make a house a home", "draw someone in without making it look horrible. Example: > > Somehow we", "from a song to draw someone in without making it look horrible. Example:", "it look horrible. Example: > > Somehow we have forgotten how to make", "to make a house a home > > - Big and Rich “That's", "people into something, so I was wondering how to cite a few lines", "something, so I was wondering how to cite a few lines from a", "that songs draw some people into something, so I was wondering how to", "I was wondering how to cite a few lines from a song to", "found that songs draw some people into something, so I was wondering how", "house a home > > - Big and Rich “That's why I pray”", "so I was wondering how to cite a few lines from a song", "in without making it look horrible. Example: > > Somehow we have forgotten", "song to draw someone in without making it look horrible. Example: > >", "Somehow we have forgotten how to make a house a home > >", "make a house a home > > - Big and Rich “That's why", "have forgotten how to make a house a home > > - Big", "> > - Big and Rich “That's why I pray” > > >", "few lines from a song to draw someone in without making it look", "cite a few lines from a song to draw someone in without making", "to draw someone in without making it look horrible. Example: > > Somehow", "songs draw some people into something, so I was wondering how to cite", "making it look horrible. Example: > > Somehow we have forgotten how to", "wondering how to cite a few lines from a song to draw someone", "a house a home > > - Big and Rich “That's why I", "to cite a few lines from a song to draw someone in without", "forgotten how to make a house a home > > - Big and", "a song to draw someone in without making it look horrible. Example: >", "how to cite a few lines from a song to draw someone in", "someone in without making it look horrible. Example: > > Somehow we have", "without making it look horrible. Example: > > Somehow we have forgotten how", "some people into something, so I was wondering how to cite a few", "was wondering how to cite a few lines from a song to draw", "into something, so I was wondering how to cite a few lines from", "Example: > > Somehow we have forgotten how to make a house a", "look horrible. Example: > > Somehow we have forgotten how to make a" ]
[ "person A is narrating a story to B. In the story, there are", "grammatically correct and smooth for my readers to read? I am struggling with", "I have to write several conversations between C & D inside a dialogue", "B. In the story, there are conversations between characters, C and D, of", "between characters, C and D, of the story. How do I then write", "way which is grammatically correct and smooth for my readers to read? I", "am struggling with where I have to write several conversations between C &", "write the dialogue between A and B and the dialogue between C and", "a way which is grammatically correct and smooth for my readers to read?", "C and D which is being narrated by A to B in a", "between C & D inside a dialogue of A who is narrating to", "A and B and the dialogue between C and D which is being", "B in a way which is grammatically correct and smooth for my readers", "a story where one person A is narrating a story to B. In", "story to B. In the story, there are conversations between characters, C and", "and smooth for my readers to read? I am struggling with where I", "several conversations between C & D inside a dialogue of A who is", "How do I then write the dialogue between A and B and the", "there are conversations between characters, C and D, of the story. How do", "to write several conversations between C & D inside a dialogue of A", "where one person A is narrating a story to B. In the story,", "A to B in a way which is grammatically correct and smooth for", "I then write the dialogue between A and B and the dialogue between", "which is grammatically correct and smooth for my readers to read? I am", "between A and B and the dialogue between C and D which is", "one person A is narrating a story to B. In the story, there", "I am struggling with where I have to write several conversations between C", "is narrating a story to B. In the story, there are conversations between", "D inside a dialogue of A who is narrating to B. Any advice?", "B and the dialogue between C and D which is being narrated by", "for my readers to read? I am struggling with where I have to", "the dialogue between A and B and the dialogue between C and D", "is grammatically correct and smooth for my readers to read? I am struggling", "where I have to write several conversations between C & D inside a", "dialogue between C and D which is being narrated by A to B", "& D inside a dialogue of A who is narrating to B. Any", "have to write several conversations between C & D inside a dialogue of", "A is narrating a story to B. In the story, there are conversations", "being narrated by A to B in a way which is grammatically correct", "is being narrated by A to B in a way which is grammatically", "story. How do I then write the dialogue between A and B and", "to B in a way which is grammatically correct and smooth for my", "C and D, of the story. How do I then write the dialogue", "to read? I am struggling with where I have to write several conversations", "the dialogue between C and D which is being narrated by A to", "with where I have to write several conversations between C & D inside", "smooth for my readers to read? I am struggling with where I have", "the story. How do I then write the dialogue between A and B", "my readers to read? I am struggling with where I have to write", "read? I am struggling with where I have to write several conversations between", "and the dialogue between C and D which is being narrated by A", "D, of the story. How do I then write the dialogue between A", "do I then write the dialogue between A and B and the dialogue", "write several conversations between C & D inside a dialogue of A who", "a story to B. In the story, there are conversations between characters, C", "characters, C and D, of the story. How do I then write the", "writing a story where one person A is narrating a story to B.", "narrating a story to B. In the story, there are conversations between characters,", "C & D inside a dialogue of A who is narrating to B.", "which is being narrated by A to B in a way which is", "of the story. How do I then write the dialogue between A and", "and D, of the story. How do I then write the dialogue between", "conversations between characters, C and D, of the story. How do I then", "story, there are conversations between characters, C and D, of the story. How", "In the story, there are conversations between characters, C and D, of the", "I am writing a story where one person A is narrating a story", "and B and the dialogue between C and D which is being narrated", "story where one person A is narrating a story to B. In the", "struggling with where I have to write several conversations between C & D", "and D which is being narrated by A to B in a way", "readers to read? I am struggling with where I have to write several", "in a way which is grammatically correct and smooth for my readers to", "correct and smooth for my readers to read? I am struggling with where", "by A to B in a way which is grammatically correct and smooth", "then write the dialogue between A and B and the dialogue between C", "dialogue between A and B and the dialogue between C and D which", "D which is being narrated by A to B in a way which", "conversations between C & D inside a dialogue of A who is narrating", "am writing a story where one person A is narrating a story to", "between C and D which is being narrated by A to B in", "the story, there are conversations between characters, C and D, of the story.", "to B. In the story, there are conversations between characters, C and D,", "are conversations between characters, C and D, of the story. How do I", "narrated by A to B in a way which is grammatically correct and" ]
[ "that he is in a relationship with a witness, which could possibly motivate", "he is in a relationship with a witness, which could possibly motivate him", "involved with a witness for the prosecution, and is subsequently investigated due to", "story in which a prosecutor in a case gets romantically involved with a", "in prosecuting the accused. It's not so much a conflict of interest, but", "investigated due to the fact that he is in a relationship with a", "with a witness for the prosecution, and is subsequently investigated due to the", "the fact that he is in a relationship with a witness, which could", "fact that he is in a relationship with a witness, which could possibly", "motivate him to be more persistent in prosecuting the accused. It's not so", "a short story in which a prosecutor in a case gets romantically involved", "him to be more persistent in prosecuting the accused. It's not so much", "due to the fact that he is in a relationship with a witness,", "a case gets romantically involved with a witness for the prosecution, and is", "It's not so much a conflict of interest, but I've searched dictionaries and", "a prosecutor in a case gets romantically involved with a witness for the", "dictionaries and thesauruses in search of an appropriate term, but haven't found one.", "searched dictionaries and thesauruses in search of an appropriate term, but haven't found", "is subsequently investigated due to the fact that he is in a relationship", "prosecutor in a case gets romantically involved with a witness for the prosecution,", "witness for the prosecution, and is subsequently investigated due to the fact that", "of interest, but I've searched dictionaries and thesauruses in search of an appropriate", "I've written a short story in which a prosecutor in a case gets", "prosecution, and is subsequently investigated due to the fact that he is in", "romantically involved with a witness for the prosecution, and is subsequently investigated due", "and is subsequently investigated due to the fact that he is in a", "not so much a conflict of interest, but I've searched dictionaries and thesauruses", "is in a relationship with a witness, which could possibly motivate him to", "with a witness, which could possibly motivate him to be more persistent in", "written a short story in which a prosecutor in a case gets romantically", "I've searched dictionaries and thesauruses in search of an appropriate term, but haven't", "in which a prosecutor in a case gets romantically involved with a witness", "to be more persistent in prosecuting the accused. It's not so much a", "persistent in prosecuting the accused. It's not so much a conflict of interest,", "accused. It's not so much a conflict of interest, but I've searched dictionaries", "subsequently investigated due to the fact that he is in a relationship with", "possibly motivate him to be more persistent in prosecuting the accused. It's not", "in a case gets romantically involved with a witness for the prosecution, and", "a relationship with a witness, which could possibly motivate him to be more", "but I've searched dictionaries and thesauruses in search of an appropriate term, but", "conflict of interest, but I've searched dictionaries and thesauruses in search of an", "a witness for the prosecution, and is subsequently investigated due to the fact", "gets romantically involved with a witness for the prosecution, and is subsequently investigated", "relationship with a witness, which could possibly motivate him to be more persistent", "short story in which a prosecutor in a case gets romantically involved with", "much a conflict of interest, but I've searched dictionaries and thesauruses in search", "which could possibly motivate him to be more persistent in prosecuting the accused.", "could possibly motivate him to be more persistent in prosecuting the accused. It's", "a witness, which could possibly motivate him to be more persistent in prosecuting", "prosecuting the accused. It's not so much a conflict of interest, but I've", "which a prosecutor in a case gets romantically involved with a witness for", "more persistent in prosecuting the accused. It's not so much a conflict of", "so much a conflict of interest, but I've searched dictionaries and thesauruses in", "for the prosecution, and is subsequently investigated due to the fact that he", "the prosecution, and is subsequently investigated due to the fact that he is", "witness, which could possibly motivate him to be more persistent in prosecuting the", "be more persistent in prosecuting the accused. It's not so much a conflict", "interest, but I've searched dictionaries and thesauruses in search of an appropriate term,", "case gets romantically involved with a witness for the prosecution, and is subsequently", "to the fact that he is in a relationship with a witness, which", "the accused. It's not so much a conflict of interest, but I've searched", "in a relationship with a witness, which could possibly motivate him to be", "a conflict of interest, but I've searched dictionaries and thesauruses in search of" ]
[ "may not have. I was thinking that a disclaimer something like a book", "The issue I am having is with regards to conversations that some people", "is with regards to conversations that some people may or may not have.", "or may not have. I was thinking that a disclaimer something like a", "and characters. The issue I am having is with regards to conversations that", "I am having is with regards to conversations that some people may or", "based on true events and characters and I wonder if this would be", "writing a book based on true events and characters. The issue I am", "events and characters and I wonder if this would be enough to say", "enough to say \"based on\". Would this cover it or would I need", "this would be enough to say \"based on\". Would this cover it or", "I wonder if this would be enough to say \"based on\". Would this", "to say \"based on\". Would this cover it or would I need to", "on true events and characters. The issue I am having is with regards", "characters. The issue I am having is with regards to conversations that some", "I am writing a book based on true events and characters. The issue", "issue I am having is with regards to conversations that some people may", "true events and characters. The issue I am having is with regards to", "having is with regards to conversations that some people may or may not", "true events and characters and I wonder if this would be enough to", "like a book based on true events and characters and I wonder if", "book based on true events and characters and I wonder if this would", "am having is with regards to conversations that some people may or may", "I was thinking that a disclaimer something like a book based on true", "disclaimer something like a book based on true events and characters and I", "would be enough to say \"based on\". Would this cover it or would", "book based on true events and characters. The issue I am having is", "with regards to conversations that some people may or may not have. I", "wonder if this would be enough to say \"based on\". Would this cover", "to conversations that some people may or may not have. I was thinking", "something like a book based on true events and characters and I wonder", "some people may or may not have. I was thinking that a disclaimer", "\"based on\". Would this cover it or would I need to do more?", "on true events and characters and I wonder if this would be enough", "and I wonder if this would be enough to say \"based on\". Would", "am writing a book based on true events and characters. The issue I", "a disclaimer something like a book based on true events and characters and", "that some people may or may not have. I was thinking that a", "may or may not have. I was thinking that a disclaimer something like", "and characters and I wonder if this would be enough to say \"based", "be enough to say \"based on\". Would this cover it or would I", "a book based on true events and characters. The issue I am having", "was thinking that a disclaimer something like a book based on true events", "people may or may not have. I was thinking that a disclaimer something", "have. I was thinking that a disclaimer something like a book based on", "that a disclaimer something like a book based on true events and characters", "a book based on true events and characters and I wonder if this", "based on true events and characters. The issue I am having is with", "characters and I wonder if this would be enough to say \"based on\".", "not have. I was thinking that a disclaimer something like a book based", "if this would be enough to say \"based on\". Would this cover it", "say \"based on\". Would this cover it or would I need to do", "conversations that some people may or may not have. I was thinking that", "events and characters. The issue I am having is with regards to conversations", "regards to conversations that some people may or may not have. I was", "thinking that a disclaimer something like a book based on true events and" ]
[ "resonate with the main content of the paragraph. Excerpt: > > Escape-pause-escape. From", "this is acceptable? I am open to any suggestion and criticism. A little", "writing a personal statement for my college application, and I wanted to use", "> > Escape-pause-escape. From an apparent distance, I observe the child > who", "to her eyes, moves a step behind, and > waves it goodbye. A", "moves a step behind, and > waves it goodbye. A tiny kid with", "rushes to the > soft-toy aisle. Like any other child, she admiringly watches", "note: The personal statement looks for creativity and is not stringently evaluated, but", "she admiringly watches the > gigantic teddy bear for a very long time.", "consciousness. > > > Could you please let me know if this is", "paragraph that resonate with the main content of the paragraph. Excerpt: > >", "observe the child > who chargingly escapes from her mother’s hold. She rushes", "tiny kid with a large consciousness. > > > Could you please let", "an apparent distance, I observe the child > who chargingly escapes from her", "creativity and is not stringently evaluated, but it is safe to be grammatically", "know if this is acceptable? I am open to any suggestion and criticism.", "to any suggestion and criticism. A little note: The personal statement looks for", "use particular words in the beginning of each paragraph that resonate with the", "to use particular words in the beginning of each paragraph that resonate with", "> waves it goodbye. A tiny kid with a large consciousness. > >", "if this is acceptable? I am open to any suggestion and criticism. A", "my college application, and I wanted to use particular words in the beginning", "very long time. Unlike any other child, she > holds the black price", "the beginning of each paragraph that resonate with the main content of the", "with the main content of the paragraph. Excerpt: > > Escape-pause-escape. From an", "for my college application, and I wanted to use particular words in the", "holds the black price tag closer to her eyes, moves a step behind,", "black price tag closer to her eyes, moves a step behind, and >", "the paragraph. Excerpt: > > Escape-pause-escape. From an apparent distance, I observe the", "gigantic teddy bear for a very long time. Unlike any other child, she", "a personal statement for my college application, and I wanted to use particular", "beginning of each paragraph that resonate with the main content of the paragraph.", "suggestion and criticism. A little note: The personal statement looks for creativity and", "and is not stringently evaluated, but it is safe to be grammatically correct.", "> holds the black price tag closer to her eyes, moves a step", "main content of the paragraph. Excerpt: > > Escape-pause-escape. From an apparent distance,", "open to any suggestion and criticism. A little note: The personal statement looks", "content of the paragraph. Excerpt: > > Escape-pause-escape. From an apparent distance, I", "From an apparent distance, I observe the child > who chargingly escapes from", "closer to her eyes, moves a step behind, and > waves it goodbye.", "goodbye. A tiny kid with a large consciousness. > > > Could you", "> > > Could you please let me know if this is acceptable?", "the > gigantic teddy bear for a very long time. Unlike any other", "the child > who chargingly escapes from her mother’s hold. She rushes to", "long time. Unlike any other child, she > holds the black price tag", "in the beginning of each paragraph that resonate with the main content of", "aisle. Like any other child, she admiringly watches the > gigantic teddy bear", "statement for my college application, and I wanted to use particular words in", "I observe the child > who chargingly escapes from her mother’s hold. She", "> gigantic teddy bear for a very long time. Unlike any other child,", "child, she > holds the black price tag closer to her eyes, moves", "eyes, moves a step behind, and > waves it goodbye. A tiny kid", "a step behind, and > waves it goodbye. A tiny kid with a", "A little note: The personal statement looks for creativity and is not stringently", "She rushes to the > soft-toy aisle. Like any other child, she admiringly", "> soft-toy aisle. Like any other child, she admiringly watches the > gigantic", "little note: The personal statement looks for creativity and is not stringently evaluated,", "any other child, she > holds the black price tag closer to her", "The personal statement looks for creativity and is not stringently evaluated, but it", "acceptable? I am open to any suggestion and criticism. A little note: The", "Could you please let me know if this is acceptable? I am open", "to the > soft-toy aisle. Like any other child, she admiringly watches the", "a large consciousness. > > > Could you please let me know if", "admiringly watches the > gigantic teddy bear for a very long time. Unlike", "particular words in the beginning of each paragraph that resonate with the main", "who chargingly escapes from her mother’s hold. She rushes to the > soft-toy", "is acceptable? I am open to any suggestion and criticism. A little note:", "soft-toy aisle. Like any other child, she admiringly watches the > gigantic teddy", "the main content of the paragraph. Excerpt: > > Escape-pause-escape. From an apparent", "college application, and I wanted to use particular words in the beginning of", "a very long time. Unlike any other child, she > holds the black", "wanted to use particular words in the beginning of each paragraph that resonate", "> Escape-pause-escape. From an apparent distance, I observe the child > who chargingly", "Escape-pause-escape. From an apparent distance, I observe the child > who chargingly escapes", "mother’s hold. She rushes to the > soft-toy aisle. Like any other child,", "not stringently evaluated, but it is safe to be grammatically correct. Thank you.", "tag closer to her eyes, moves a step behind, and > waves it", "of the paragraph. Excerpt: > > Escape-pause-escape. From an apparent distance, I observe", "teddy bear for a very long time. Unlike any other child, she >", "please let me know if this is acceptable? I am open to any", "me know if this is acceptable? I am open to any suggestion and", "price tag closer to her eyes, moves a step behind, and > waves", "large consciousness. > > > Could you please let me know if this", "you please let me know if this is acceptable? I am open to", "I am writing a personal statement for my college application, and I wanted", "statement looks for creativity and is not stringently evaluated, but it is safe", "from her mother’s hold. She rushes to the > soft-toy aisle. Like any", "child > who chargingly escapes from her mother’s hold. She rushes to the", "her mother’s hold. She rushes to the > soft-toy aisle. Like any other", "distance, I observe the child > who chargingly escapes from her mother’s hold.", "for a very long time. Unlike any other child, she > holds the", "let me know if this is acceptable? I am open to any suggestion", "of each paragraph that resonate with the main content of the paragraph. Excerpt:", "any suggestion and criticism. A little note: The personal statement looks for creativity", "personal statement for my college application, and I wanted to use particular words", "each paragraph that resonate with the main content of the paragraph. Excerpt: >", "chargingly escapes from her mother’s hold. She rushes to the > soft-toy aisle.", "Like any other child, she admiringly watches the > gigantic teddy bear for", "am writing a personal statement for my college application, and I wanted to", "it goodbye. A tiny kid with a large consciousness. > > > Could", "> > Could you please let me know if this is acceptable? I", "and I wanted to use particular words in the beginning of each paragraph", "and > waves it goodbye. A tiny kid with a large consciousness. >", "personal statement looks for creativity and is not stringently evaluated, but it is", "any other child, she admiringly watches the > gigantic teddy bear for a", "A tiny kid with a large consciousness. > > > Could you please", "apparent distance, I observe the child > who chargingly escapes from her mother’s", "I wanted to use particular words in the beginning of each paragraph that", "other child, she > holds the black price tag closer to her eyes,", "time. Unlike any other child, she > holds the black price tag closer", "Unlike any other child, she > holds the black price tag closer to", "is not stringently evaluated, but it is safe to be grammatically correct. Thank", "words in the beginning of each paragraph that resonate with the main content", "she > holds the black price tag closer to her eyes, moves a", "am open to any suggestion and criticism. A little note: The personal statement", "criticism. A little note: The personal statement looks for creativity and is not", "the > soft-toy aisle. Like any other child, she admiringly watches the >", "for creativity and is not stringently evaluated, but it is safe to be", "> who chargingly escapes from her mother’s hold. She rushes to the >", "child, she admiringly watches the > gigantic teddy bear for a very long", "escapes from her mother’s hold. She rushes to the > soft-toy aisle. Like", "her eyes, moves a step behind, and > waves it goodbye. A tiny", "watches the > gigantic teddy bear for a very long time. Unlike any", "and criticism. A little note: The personal statement looks for creativity and is", "> Could you please let me know if this is acceptable? I am", "kid with a large consciousness. > > > Could you please let me", "application, and I wanted to use particular words in the beginning of each", "paragraph. Excerpt: > > Escape-pause-escape. From an apparent distance, I observe the child", "that resonate with the main content of the paragraph. Excerpt: > > Escape-pause-escape.", "bear for a very long time. Unlike any other child, she > holds", "waves it goodbye. A tiny kid with a large consciousness. > > >", "with a large consciousness. > > > Could you please let me know", "looks for creativity and is not stringently evaluated, but it is safe to", "I am open to any suggestion and criticism. A little note: The personal", "other child, she admiringly watches the > gigantic teddy bear for a very", "the black price tag closer to her eyes, moves a step behind, and", "Excerpt: > > Escape-pause-escape. From an apparent distance, I observe the child >", "step behind, and > waves it goodbye. A tiny kid with a large", "hold. She rushes to the > soft-toy aisle. Like any other child, she", "behind, and > waves it goodbye. A tiny kid with a large consciousness." ]
[ "key to keeping things interesting? (For instance, I've already been making sure that", "plenty of conflict, since I know that's generally an important part of narrative", "know that's generally an important part of narrative drive.) Or, on the other", "that there's always plenty of conflict, since I know that's generally an important", "attention to that are key to keeping things interesting? (For instance, I've already", "much just people talking. So how can I keep readers engaged in a", "being entirely talking and find ways to intersperse more action, description, etc? As", "decision * protagonist meets and talks with an old crush whose life has", "protagonist meets and talks with an old crush whose life has gone in", "so it felt natural to write them almost entirely as conversations between those", "crush whose life has gone in a very different direction * having reconsidered", "drive.) Or, on the other hand, should I try to avoid stories being", "been making sure that there's always plenty of conflict, since I know that's", "readers would get bored with a story that's pretty much just people talking.", "on relationships between characters and associated conflicts, so it felt natural to write", "people talking. So how can I keep readers engaged in a story that's", "talks with an old crush whose life has gone in a very different", "bad decision * protagonist meets and talks with an old crush whose life", "be boiled down to just a couple main scenes: * protagonist argues with", "after talking with the crush, protagonist makes up with her spouse and they", "that are key to keeping things interesting? (For instance, I've already been making", "are almost entirely dialog. The stories hinge on relationships between characters and associated", "I've realized that most of the short stories I've been writing recently are", "story that's pretty much just people talking. So how can I keep readers", "I try to avoid stories being entirely talking and find ways to intersperse", "how can I keep readers engaged in a story that's mostly talking? What", "making sure that there's always plenty of conflict, since I know that's generally", "So how can I keep readers engaged in a story that's mostly talking?", "and find ways to intersperse more action, description, etc? As an example, a", "* protagonist meets and talks with an old crush whose life has gone", "be paying attention to that are key to keeping things interesting? (For instance,", "characters...but I worry whether readers would get bored with a story that's pretty", "meets and talks with an old crush whose life has gone in a", "very different direction * having reconsidered her choices after talking with the crush,", "her spouse and they figure out together how to fix the bad decision", "should I be paying attention to that are key to keeping things interesting?", "has gone in a very different direction * having reconsidered her choices after", "that's generally an important part of narrative drive.) Or, on the other hand,", "story that's mostly talking? What sorts of things should I be paying attention", "already been making sure that there's always plenty of conflict, since I know", "an example, a recent story I wrote could be boiled down to just", "of conflict, since I know that's generally an important part of narrative drive.)", "a couple main scenes: * protagonist argues with her spouse and makes a", "a very different direction * having reconsidered her choices after talking with the", "intersperse more action, description, etc? As an example, a recent story I wrote", "talking. So how can I keep readers engaged in a story that's mostly", "in a very different direction * having reconsidered her choices after talking with", "direction * having reconsidered her choices after talking with the crush, protagonist makes", "boiled down to just a couple main scenes: * protagonist argues with her", "just a couple main scenes: * protagonist argues with her spouse and makes", "almost entirely as conversations between those characters...but I worry whether readers would get", "conflict, since I know that's generally an important part of narrative drive.) Or,", "part of narrative drive.) Or, on the other hand, should I try to", "with an old crush whose life has gone in a very different direction", "her spouse and makes a bad decision * protagonist meets and talks with", "most of the short stories I've been writing recently are almost entirely dialog.", "that's mostly talking? What sorts of things should I be paying attention to", "talking with the crush, protagonist makes up with her spouse and they figure", "worry whether readers would get bored with a story that's pretty much just", "characters and associated conflicts, so it felt natural to write them almost entirely", "as conversations between those characters...but I worry whether readers would get bored with", "dialog. The stories hinge on relationships between characters and associated conflicts, so it", "entirely dialog. The stories hinge on relationships between characters and associated conflicts, so", "her choices after talking with the crush, protagonist makes up with her spouse", "recent story I wrote could be boiled down to just a couple main", "things interesting? (For instance, I've already been making sure that there's always plenty", "between characters and associated conflicts, so it felt natural to write them almost", "the crush, protagonist makes up with her spouse and they figure out together", "I've been writing recently are almost entirely dialog. The stories hinge on relationships", "there's always plenty of conflict, since I know that's generally an important part", "whose life has gone in a very different direction * having reconsidered her", "a story that's mostly talking? What sorts of things should I be paying", "makes a bad decision * protagonist meets and talks with an old crush", "instance, I've already been making sure that there's always plenty of conflict, since", "crush, protagonist makes up with her spouse and they figure out together how", "mostly talking? What sorts of things should I be paying attention to that", "sure that there's always plenty of conflict, since I know that's generally an", "associated conflicts, so it felt natural to write them almost entirely as conversations", "keeping things interesting? (For instance, I've already been making sure that there's always", "protagonist argues with her spouse and makes a bad decision * protagonist meets", "paying attention to that are key to keeping things interesting? (For instance, I've", "different direction * having reconsidered her choices after talking with the crush, protagonist", "important part of narrative drive.) Or, on the other hand, should I try", "try to avoid stories being entirely talking and find ways to intersperse more", "Or, on the other hand, should I try to avoid stories being entirely", "those characters...but I worry whether readers would get bored with a story that's", "with the crush, protagonist makes up with her spouse and they figure out", "to intersperse more action, description, etc? As an example, a recent story I", "* having reconsidered her choices after talking with the crush, protagonist makes up", "down to just a couple main scenes: * protagonist argues with her spouse", "with her spouse and they figure out together how to fix the bad", "natural to write them almost entirely as conversations between those characters...but I worry", "talking and find ways to intersperse more action, description, etc? As an example,", "whether readers would get bored with a story that's pretty much just people", "wrote could be boiled down to just a couple main scenes: * protagonist", "argues with her spouse and makes a bad decision * protagonist meets and", "protagonist makes up with her spouse and they figure out together how to", "generally an important part of narrative drive.) Or, on the other hand, should", "between those characters...but I worry whether readers would get bored with a story", "on the other hand, should I try to avoid stories being entirely talking", "narrative drive.) Or, on the other hand, should I try to avoid stories", "(For instance, I've already been making sure that there's always plenty of conflict,", "an old crush whose life has gone in a very different direction ", "gone in a very different direction having reconsidered her choices after talking", "in a story that's mostly talking? What sorts of things should I be", "I've already been making sure that there's always plenty of conflict, since I", "that most of the short stories I've been writing recently are almost entirely", "are key to keeping things interesting? (For instance, I've already been making sure", "conflicts, so it felt natural to write them almost entirely as conversations between", "the short stories I've been writing recently are almost entirely dialog. The stories", "since I know that's generally an important part of narrative drive.) Or, on", "hinge on relationships between characters and associated conflicts, so it felt natural to", "example, a recent story I wrote could be boiled down to just a", "a story that's pretty much just people talking. So how can I keep", "with a story that's pretty much just people talking. So how can I", "pretty much just people talking. So how can I keep readers engaged in", "a bad decision * protagonist meets and talks with an old crush whose", "and associated conflicts, so it felt natural to write them almost entirely as", "with her spouse and makes a bad decision * protagonist meets and talks", "can I keep readers engaged in a story that's mostly talking? What sorts", "short stories I've been writing recently are almost entirely dialog. The stories hinge", "spouse and makes a bad decision * protagonist meets and talks with an", "felt natural to write them almost entirely as conversations between those characters...but I", "to write them almost entirely as conversations between those characters...but I worry whether", "to just a couple main scenes: * protagonist argues with her spouse and", "writing recently are almost entirely dialog. The stories hinge on relationships between characters", "I be paying attention to that are key to keeping things interesting? (For", "talking? What sorts of things should I be paying attention to that are", "just people talking. So how can I keep readers engaged in a story", "story I wrote could be boiled down to just a couple main scenes:", "them almost entirely as conversations between those characters...but I worry whether readers would", "ways to intersperse more action, description, etc? As an example, a recent story", "other hand, should I try to avoid stories being entirely talking and find", "reconsidered her choices after talking with the crush, protagonist makes up with her", "What sorts of things should I be paying attention to that are key", "* protagonist argues with her spouse and makes a bad decision * protagonist", "choices after talking with the crush, protagonist makes up with her spouse and", "I keep readers engaged in a story that's mostly talking? What sorts of", "of the short stories I've been writing recently are almost entirely dialog. The", "entirely talking and find ways to intersperse more action, description, etc? As an", "been writing recently are almost entirely dialog. The stories hinge on relationships between", "entirely as conversations between those characters...but I worry whether readers would get bored", "couple main scenes: * protagonist argues with her spouse and makes a bad", "conversations between those characters...but I worry whether readers would get bored with a", "engaged in a story that's mostly talking? What sorts of things should I", "keep readers engaged in a story that's mostly talking? What sorts of things", "things should I be paying attention to that are key to keeping things", "description, etc? As an example, a recent story I wrote could be boiled", "hand, should I try to avoid stories being entirely talking and find ways", "and talks with an old crush whose life has gone in a very", "makes up with her spouse and they figure out together how to fix", "that's pretty much just people talking. So how can I keep readers engaged", "a recent story I wrote could be boiled down to just a couple", "of narrative drive.) Or, on the other hand, should I try to avoid", "could be boiled down to just a couple main scenes: * protagonist argues", "should I try to avoid stories being entirely talking and find ways to", "to keeping things interesting? (For instance, I've already been making sure that there's", "The stories hinge on relationships between characters and associated conflicts, so it felt", "recently are almost entirely dialog. The stories hinge on relationships between characters and", "realized that most of the short stories I've been writing recently are almost", "get bored with a story that's pretty much just people talking. So how", "the other hand, should I try to avoid stories being entirely talking and", "old crush whose life has gone in a very different direction * having", "would get bored with a story that's pretty much just people talking. So", "up with her spouse and they figure out together how to fix the", "I worry whether readers would get bored with a story that's pretty much", "main scenes: * protagonist argues with her spouse and makes a bad decision", "of things should I be paying attention to that are key to keeping", "I know that's generally an important part of narrative drive.) Or, on the", "sorts of things should I be paying attention to that are key to", "action, description, etc? As an example, a recent story I wrote could be", "find ways to intersperse more action, description, etc? As an example, a recent", "relationships between characters and associated conflicts, so it felt natural to write them", "As an example, a recent story I wrote could be boiled down to", "to that are key to keeping things interesting? (For instance, I've already been", "stories hinge on relationships between characters and associated conflicts, so it felt natural", "an important part of narrative drive.) Or, on the other hand, should I", "life has gone in a very different direction * having reconsidered her choices", "always plenty of conflict, since I know that's generally an important part of", "readers engaged in a story that's mostly talking? What sorts of things should", "write them almost entirely as conversations between those characters...but I worry whether readers", "bored with a story that's pretty much just people talking. So how can", "I wrote could be boiled down to just a couple main scenes: ", "and makes a bad decision protagonist meets and talks with an old", "it felt natural to write them almost entirely as conversations between those characters...but", "stories being entirely talking and find ways to intersperse more action, description, etc?", "avoid stories being entirely talking and find ways to intersperse more action, description,", "scenes: * protagonist argues with her spouse and makes a bad decision *", "etc? As an example, a recent story I wrote could be boiled down", "having reconsidered her choices after talking with the crush, protagonist makes up with", "to avoid stories being entirely talking and find ways to intersperse more action,", "more action, description, etc? As an example, a recent story I wrote could", "stories I've been writing recently are almost entirely dialog. The stories hinge on", "almost entirely dialog. The stories hinge on relationships between characters and associated conflicts,", "interesting? (For instance, I've already been making sure that there's always plenty of" ]
[ "on weekdays and all day from July through September. This will be my", "I’m shooting for a total of ~90,000 words by the end of the", "of when I can write I’ll say no Sundays, not till after 4pm", "end of the year. In terms of when I can write I’ll say", "July through September. This will be my first novel and longest written work.", "the year. In terms of when I can write I’ll say no Sundays,", "write a Sci-Fi novel in one year and I’m wondering how many words", "can write I’ll say no Sundays, not till after 4pm on weekdays and", "year. In terms of when I can write I’ll say no Sundays, not", "say no Sundays, not till after 4pm on weekdays and all day from", "words by the end of the year. In terms of when I can", "terms of when I can write I’ll say no Sundays, not till after", "write per week. I’m shooting for a total of ~90,000 words by the", "I’m trying to write a Sci-Fi novel in one year and I’m wondering", "shooting for a total of ~90,000 words by the end of the year.", "many words I should write per week. I’m shooting for a total of", "weekdays and all day from July through September. This will be my first", "words I should write per week. I’m shooting for a total of ~90,000", "Sundays, not till after 4pm on weekdays and all day from July through", "total of ~90,000 words by the end of the year. In terms of", "how many words I should write per week. I’m shooting for a total", "by the end of the year. In terms of when I can write", "write I’ll say no Sundays, not till after 4pm on weekdays and all", "when I can write I’ll say no Sundays, not till after 4pm on", "till after 4pm on weekdays and all day from July through September. This", "I’m wondering how many words I should write per week. I’m shooting for", "4pm on weekdays and all day from July through September. This will be", "to write a Sci-Fi novel in one year and I’m wondering how many", "and all day from July through September. This will be my first novel", "not till after 4pm on weekdays and all day from July through September.", "Sci-Fi novel in one year and I’m wondering how many words I should", "the end of the year. In terms of when I can write I’ll", "a total of ~90,000 words by the end of the year. In terms", "I should write per week. I’m shooting for a total of ~90,000 words", "of ~90,000 words by the end of the year. In terms of when", "day from July through September. This will be my first novel and longest", "year and I’m wondering how many words I should write per week. I’m", "and I’m wondering how many words I should write per week. I’m shooting", "In terms of when I can write I’ll say no Sundays, not till", "I can write I’ll say no Sundays, not till after 4pm on weekdays", "~90,000 words by the end of the year. In terms of when I", "a Sci-Fi novel in one year and I’m wondering how many words I", "all day from July through September. This will be my first novel and", "one year and I’m wondering how many words I should write per week.", "from July through September. This will be my first novel and longest written", "no Sundays, not till after 4pm on weekdays and all day from July", "after 4pm on weekdays and all day from July through September. This will", "week. I’m shooting for a total of ~90,000 words by the end of", "trying to write a Sci-Fi novel in one year and I’m wondering how", "in one year and I’m wondering how many words I should write per", "wondering how many words I should write per week. I’m shooting for a", "novel in one year and I’m wondering how many words I should write", "I’ll say no Sundays, not till after 4pm on weekdays and all day", "for a total of ~90,000 words by the end of the year. In", "should write per week. I’m shooting for a total of ~90,000 words by", "per week. I’m shooting for a total of ~90,000 words by the end", "of the year. In terms of when I can write I’ll say no" ]
[ "be able to take a fantasy novel seriously if the characters talked and", "still has a coherent plot and the characters are still functional enough to", "characters are still functional enough to develop as people and have arcs, even", "would you still be able to take a fantasy novel seriously if the", "Note: this assumes the series still has a coherent plot and the characters", "usable in a serious novel, would you still be able to take a", "the source material that wouldn’t be usable in a serious novel, would you", "this assumes the series still has a coherent plot and the characters are", "interacted with each other like they were in an abridged series (i.e. TeamFourStar's", "series still has a coherent plot and the characters are still functional enough", "coherent plot and the characters are still functional enough to develop as people", "are still functional enough to develop as people and have arcs, even if", "they were in an abridged series (i.e. TeamFourStar's DBZA)? Note: this assumes the", "functional enough to develop as people and have arcs, even if some of", "a serious novel, would you still be able to take a fantasy novel", "still be able to take a fantasy novel seriously if the characters talked", "novel, would you still be able to take a fantasy novel seriously if", "take a fantasy novel seriously if the characters talked and just generally interacted", "fantasy novel seriously if the characters talked and just generally interacted with each", "develop as people and have arcs, even if some of them are a", "as people and have arcs, even if some of them are a little", "serious novel, would you still be able to take a fantasy novel seriously", "just generally interacted with each other like they were in an abridged series", "or lampooning the source material that wouldn’t be usable in a serious novel,", "and just generally interacted with each other like they were in an abridged", "the series still has a coherent plot and the characters are still functional", "in an abridged series (i.e. TeamFourStar's DBZA)? Note: this assumes the series still", "seriously if the characters talked and just generally interacted with each other like", "other like they were in an abridged series (i.e. TeamFourStar's DBZA)? Note: this", "TeamFourStar's DBZA)? Note: this assumes the series still has a coherent plot and", "an abridged series (i.e. TeamFourStar's DBZA)? Note: this assumes the series still has", "wouldn’t be usable in a serious novel, would you still be able to", "novel seriously if the characters talked and just generally interacted with each other", "to take a fantasy novel seriously if the characters talked and just generally", "if the characters talked and just generally interacted with each other like they", "talked and just generally interacted with each other like they were in an", "a fantasy novel seriously if the characters talked and just generally interacted with", "the obvious tropes like 4th-wall-breaking, pop culture references, or lampooning the source material", "the characters are still functional enough to develop as people and have arcs,", "characters talked and just generally interacted with each other like they were in", "plot and the characters are still functional enough to develop as people and", "be usable in a serious novel, would you still be able to take", "references, or lampooning the source material that wouldn’t be usable in a serious", "with each other like they were in an abridged series (i.e. TeamFourStar's DBZA)?", "material that wouldn’t be usable in a serious novel, would you still be", "source material that wouldn’t be usable in a serious novel, would you still", "each other like they were in an abridged series (i.e. TeamFourStar's DBZA)? Note:", "the characters talked and just generally interacted with each other like they were", "4th-wall-breaking, pop culture references, or lampooning the source material that wouldn’t be usable", "a coherent plot and the characters are still functional enough to develop as", "like 4th-wall-breaking, pop culture references, or lampooning the source material that wouldn’t be", "Minus the obvious tropes like 4th-wall-breaking, pop culture references, or lampooning the source", "in a serious novel, would you still be able to take a fantasy", "were in an abridged series (i.e. TeamFourStar's DBZA)? Note: this assumes the series", "and the characters are still functional enough to develop as people and have", "lampooning the source material that wouldn’t be usable in a serious novel, would", "pop culture references, or lampooning the source material that wouldn’t be usable in", "you still be able to take a fantasy novel seriously if the characters", "(i.e. TeamFourStar's DBZA)? Note: this assumes the series still has a coherent plot", "people and have arcs, even if some of them are a little over-the-top.", "has a coherent plot and the characters are still functional enough to develop", "enough to develop as people and have arcs, even if some of them", "assumes the series still has a coherent plot and the characters are still", "series (i.e. TeamFourStar's DBZA)? Note: this assumes the series still has a coherent", "to develop as people and have arcs, even if some of them are", "generally interacted with each other like they were in an abridged series (i.e.", "DBZA)? Note: this assumes the series still has a coherent plot and the", "like they were in an abridged series (i.e. TeamFourStar's DBZA)? Note: this assumes", "abridged series (i.e. TeamFourStar's DBZA)? Note: this assumes the series still has a", "culture references, or lampooning the source material that wouldn’t be usable in a", "still functional enough to develop as people and have arcs, even if some", "able to take a fantasy novel seriously if the characters talked and just", "tropes like 4th-wall-breaking, pop culture references, or lampooning the source material that wouldn’t", "obvious tropes like 4th-wall-breaking, pop culture references, or lampooning the source material that", "that wouldn’t be usable in a serious novel, would you still be able" ]
[ "specific text\" [idea][todo] \"something I need to get done that is associated with", "write date of these various snippets or of the last write date of", "text snippets or only whole files that have been tagged. I'm also looking", "along with a timestamp for the write date of these various snippets or", "files to process. I've seen references to Evernote, OneNote in this thread ([How", "a lightweight application and to run all this locally and not upload my", "idea and where I stumbled on it\" [booknote] \"this block is a quote", "efficiently manage many text snippets?](https://writing.stackexchange.com/questions/21727/how-can-a-writer-efficiently-manage-many-text-snippets)) but are they best suited for the task", "allows me to tag them on a relevant paragraph or subsection, and combine", "is a quote from a specific text\" [idea][todo] \"something I need to get", "of scale, there are a few hundred files to process. I've seen references", "for a simple program that takes as input text files, allows me to", "\"something I need to get done that is associated with an idea for", "other endeavor\" ``` This would result in, for e.g., a file \"idea.txt\" that", "e.g., a file \"idea.txt\" that contains the first and third lines along with", "looking for a simple program that takes as input text files, allows me", "have been tagged. I'm also looking for a lightweight application and to run", "a relevant paragraph or subsection, and combine those tagged text snippets in files", "files corresponding to each of those tags. For example: ``` [idea] \"this block", "simple program that takes as input text files, allows me to tag them", "date of the files they come from. In terms of scale, there are", "or only whole files that have been tagged. I'm also looking for a", "a timestamp for the write date of these various snippets or of the", "if they'd work with text snippets or only whole files that have been", "suited for the task I'm after? I wasn't sure if they'd work with", "scale, there are a few hundred files to process. I've seen references to", "snippets?](https://writing.stackexchange.com/questions/21727/how-can-a-writer-efficiently-manage-many-text-snippets)) but are they best suited for the task I'm after? I wasn't", "are they best suited for the task I'm after? I wasn't sure if", "for the write date of these various snippets or of the last write", "that is associated with an idea for some other endeavor\" ``` This would", "for e.g., a file \"idea.txt\" that contains the first and third lines along", "I'm also looking for a lightweight application and to run all this locally", "associated with an idea for some other endeavor\" ``` This would result in,", "\"this block is a quote from a specific text\" [idea][todo] \"something I need", "a file \"idea.txt\" that contains the first and third lines along with a", "[idea][todo] \"something I need to get done that is associated with an idea", "lightweight application and to run all this locally and not upload my files", "snippets in files corresponding to each of those tags. For example: ``` [idea]", "[booknote] \"this block is a quote from a specific text\" [idea][todo] \"something I", "process. I've seen references to Evernote, OneNote in this thread ([How can a", "contains the first and third lines along with a timestamp for the write", "that have been tagged. I'm also looking for a lightweight application and to", "after? I wasn't sure if they'd work with text snippets or only whole", "on it\" [booknote] \"this block is a quote from a specific text\" [idea][todo]", "files that have been tagged. I'm also looking for a lightweight application and", "the task I'm after? I wasn't sure if they'd work with text snippets", "and combine those tagged text snippets in files corresponding to each of those", "write date of the files they come from. In terms of scale, there", "that takes as input text files, allows me to tag them on a", "snippets or of the last write date of the files they come from.", "timestamp for the write date of these various snippets or of the last", "tagged text snippets in files corresponding to each of those tags. For example:", "files, allows me to tag them on a relevant paragraph or subsection, and", "a quote from a specific text\" [idea][todo] \"something I need to get done", "\"idea.txt\" that contains the first and third lines along with a timestamp for", "paragraph or subsection, and combine those tagged text snippets in files corresponding to", "for some other endeavor\" ``` This would result in, for e.g., a file", "is associated with an idea for some other endeavor\" ``` This would result", "with an idea for some other endeavor\" ``` This would result in, for", "This would result in, for e.g., a file \"idea.txt\" that contains the first", "third lines along with a timestamp for the write date of these various", "text snippets in files corresponding to each of those tags. For example: ```", "where I stumbled on it\" [booknote] \"this block is a quote from a", "need to get done that is associated with an idea for some other", "the last write date of the files they come from. In terms of", "me to tag them on a relevant paragraph or subsection, and combine those", "to run all this locally and not upload my files to the cloud.", "can a writer efficiently manage many text snippets?](https://writing.stackexchange.com/questions/21727/how-can-a-writer-efficiently-manage-many-text-snippets)) but are they best suited", "Evernote, OneNote in this thread ([How can a writer efficiently manage many text", "combine those tagged text snippets in files corresponding to each of those tags.", "those tags. For example: ``` [idea] \"this block contains an idea and where", "tags. For example: ``` [idea] \"this block contains an idea and where I", "In terms of scale, there are a few hundred files to process. I've", "or of the last write date of the files they come from. In", "an idea for some other endeavor\" ``` This would result in, for e.g.,", "and third lines along with a timestamp for the write date of these", "idea for some other endeavor\" ``` This would result in, for e.g., a", "[idea] \"this block contains an idea and where I stumbled on it\" [booknote]", "a few hundred files to process. I've seen references to Evernote, OneNote in", "they best suited for the task I'm after? I wasn't sure if they'd", "input text files, allows me to tag them on a relevant paragraph or", "in, for e.g., a file \"idea.txt\" that contains the first and third lines", "best suited for the task I'm after? I wasn't sure if they'd work", "hundred files to process. I've seen references to Evernote, OneNote in this thread", "I stumbled on it\" [booknote] \"this block is a quote from a specific", "the write date of these various snippets or of the last write date", "from. In terms of scale, there are a few hundred files to process.", "with text snippets or only whole files that have been tagged. I'm also", "on a relevant paragraph or subsection, and combine those tagged text snippets in", "block is a quote from a specific text\" [idea][todo] \"something I need to", "for a lightweight application and to run all this locally and not upload", "some other endeavor\" ``` This would result in, for e.g., a file \"idea.txt\"", "they'd work with text snippets or only whole files that have been tagged.", "these various snippets or of the last write date of the files they", "to each of those tags. For example: ``` [idea] \"this block contains an", "of the last write date of the files they come from. In terms", "it\" [booknote] \"this block is a quote from a specific text\" [idea][todo] \"something", "lines along with a timestamp for the write date of these various snippets", "they come from. In terms of scale, there are a few hundred files", "each of those tags. For example: ``` [idea] \"this block contains an idea", "from a specific text\" [idea][todo] \"something I need to get done that is", "or subsection, and combine those tagged text snippets in files corresponding to each", "relevant paragraph or subsection, and combine those tagged text snippets in files corresponding", "that contains the first and third lines along with a timestamp for the", "manage many text snippets?](https://writing.stackexchange.com/questions/21727/how-can-a-writer-efficiently-manage-many-text-snippets)) but are they best suited for the task I'm", "\"this block contains an idea and where I stumbled on it\" [booknote] \"this", "to get done that is associated with an idea for some other endeavor\"", "to Evernote, OneNote in this thread ([How can a writer efficiently manage many", "quote from a specific text\" [idea][todo] \"something I need to get done that", "would result in, for e.g., a file \"idea.txt\" that contains the first and", "only whole files that have been tagged. I'm also looking for a lightweight", "block contains an idea and where I stumbled on it\" [booknote] \"this block", "file \"idea.txt\" that contains the first and third lines along with a timestamp", "work with text snippets or only whole files that have been tagged. I'm", "text\" [idea][todo] \"something I need to get done that is associated with an", "but are they best suited for the task I'm after? I wasn't sure", "and where I stumbled on it\" [booknote] \"this block is a quote from", "I've seen references to Evernote, OneNote in this thread ([How can a writer", "with a timestamp for the write date of these various snippets or of", "the first and third lines along with a timestamp for the write date", "the files they come from. In terms of scale, there are a few", "an idea and where I stumbled on it\" [booknote] \"this block is a", "those tagged text snippets in files corresponding to each of those tags. For", "whole files that have been tagged. I'm also looking for a lightweight application", "various snippets or of the last write date of the files they come", "tagged. I'm also looking for a lightweight application and to run all this", "I need to get done that is associated with an idea for some", "many text snippets?](https://writing.stackexchange.com/questions/21727/how-can-a-writer-efficiently-manage-many-text-snippets)) but are they best suited for the task I'm after?", "a specific text\" [idea][todo] \"something I need to get done that is associated", "program that takes as input text files, allows me to tag them on", "tag them on a relevant paragraph or subsection, and combine those tagged text", "wasn't sure if they'd work with text snippets or only whole files that", "I'm looking for a simple program that takes as input text files, allows", "this thread ([How can a writer efficiently manage many text snippets?](https://writing.stackexchange.com/questions/21727/how-can-a-writer-efficiently-manage-many-text-snippets)) but are", "of those tags. For example: ``` [idea] \"this block contains an idea and", "and to run all this locally and not upload my files to the", "them on a relevant paragraph or subsection, and combine those tagged text snippets", "I wasn't sure if they'd work with text snippets or only whole files", "get done that is associated with an idea for some other endeavor\" ```", "snippets or only whole files that have been tagged. I'm also looking for", "stumbled on it\" [booknote] \"this block is a quote from a specific text\"", "sure if they'd work with text snippets or only whole files that have", "are a few hundred files to process. I've seen references to Evernote, OneNote", "``` This would result in, for e.g., a file \"idea.txt\" that contains the", "OneNote in this thread ([How can a writer efficiently manage many text snippets?](https://writing.stackexchange.com/questions/21727/how-can-a-writer-efficiently-manage-many-text-snippets))", "result in, for e.g., a file \"idea.txt\" that contains the first and third", "in files corresponding to each of those tags. For example: ``` [idea] \"this", "terms of scale, there are a few hundred files to process. I've seen", "``` [idea] \"this block contains an idea and where I stumbled on it\"", "takes as input text files, allows me to tag them on a relevant", "of these various snippets or of the last write date of the files", "to tag them on a relevant paragraph or subsection, and combine those tagged", "few hundred files to process. I've seen references to Evernote, OneNote in this", "to process. I've seen references to Evernote, OneNote in this thread ([How can", "date of these various snippets or of the last write date of the", "corresponding to each of those tags. For example: ``` [idea] \"this block contains", "endeavor\" ``` This would result in, for e.g., a file \"idea.txt\" that contains", "contains an idea and where I stumbled on it\" [booknote] \"this block is", "task I'm after? I wasn't sure if they'd work with text snippets or", "as input text files, allows me to tag them on a relevant paragraph", "seen references to Evernote, OneNote in this thread ([How can a writer efficiently", "thread ([How can a writer efficiently manage many text snippets?](https://writing.stackexchange.com/questions/21727/how-can-a-writer-efficiently-manage-many-text-snippets)) but are they", "for the task I'm after? I wasn't sure if they'd work with text", "writer efficiently manage many text snippets?](https://writing.stackexchange.com/questions/21727/how-can-a-writer-efficiently-manage-many-text-snippets)) but are they best suited for the", "I'm after? I wasn't sure if they'd work with text snippets or only", "a simple program that takes as input text files, allows me to tag", "of the files they come from. In terms of scale, there are a", "For example: ``` [idea] \"this block contains an idea and where I stumbled", "text snippets?](https://writing.stackexchange.com/questions/21727/how-can-a-writer-efficiently-manage-many-text-snippets)) but are they best suited for the task I'm after? I", "application and to run all this locally and not upload my files to", "been tagged. I'm also looking for a lightweight application and to run all", "references to Evernote, OneNote in this thread ([How can a writer efficiently manage", "looking for a lightweight application and to run all this locally and not", "in this thread ([How can a writer efficiently manage many text snippets?](https://writing.stackexchange.com/questions/21727/how-can-a-writer-efficiently-manage-many-text-snippets)) but", "last write date of the files they come from. In terms of scale,", "there are a few hundred files to process. I've seen references to Evernote,", "first and third lines along with a timestamp for the write date of", "subsection, and combine those tagged text snippets in files corresponding to each of", "done that is associated with an idea for some other endeavor\" ``` This", "come from. In terms of scale, there are a few hundred files to", "also looking for a lightweight application and to run all this locally and", "([How can a writer efficiently manage many text snippets?](https://writing.stackexchange.com/questions/21727/how-can-a-writer-efficiently-manage-many-text-snippets)) but are they best", "text files, allows me to tag them on a relevant paragraph or subsection,", "a writer efficiently manage many text snippets?](https://writing.stackexchange.com/questions/21727/how-can-a-writer-efficiently-manage-many-text-snippets)) but are they best suited for", "example: ``` [idea] \"this block contains an idea and where I stumbled on", "files they come from. In terms of scale, there are a few hundred" ]
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Because making games is a visual art that encompasses", "I can't just mention characters taking steps up and down without mentioning the", "writing and the subject of my question, is a scene from Hijrp Potfeq", "cinematography and environmental design, I tend to think in terms of visual techniques", "the tone. Sometimes it's easy, for example in game \"Death Stranding\" rain causes", "characters taking steps up and down without mentioning the primal emotion it emanates", "feels to me that because in books everything is imagined, not actually seen,", "no trees anywhere, even if I wrote bluntly \"As always, there were no", "keep coming to a roadblock. Because of the nature of written work, everything", "give depth to the world or reinforce the tone. Sometimes it's easy, for", "stories) as a secondary skill. Because making games is a visual art that", "not actually seen, things that would be very powerful in visual media, in", "world or reinforce the tone. 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Second example, one I cannot imagine writing and the subject of", "and contextual hints in writing without telling the reader explicitly how to feel,", "making games is a visual art that encompasses a bit of painting, cinematography", "will just feel out of place. It feels to me that because in", "development and I picked up writing (short stories) as a secondary skill. Because", "tied to the emotion reader or character is supposed to feel. The specific", "there is one specific technique I cannot manage to imitate in writing. In", "details, something that's not possible in the middle of intense dialogue. I can't", "would give a clue to the scene - unstoppable power and authority of", "in the movie and keep coming to a roadblock. Because of the nature", "would take a step up or down depending on who has an upper", "scene from Hijrp Potfeq movie between McGonagall and Umbridge on stairs. 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Characters would take", "specific question here would be \"how to write that scene\", but more generally", "written work, everything I write is in focus unless I'll drown it out", "here would be \"how to write that scene\", but more generally what I", "and give depth to the world or reinforce the tone. Sometimes it's easy,", "generally what I would want to learn, is how to plant emotional and", "McGonagall stepping back from her objections, acknowledging her place as a subordinate. This", "painting, cinematography and environmental design, I tend to think in terms of visual", "of my question, is a scene from Hijrp Potfeq movie between McGonagall and", "noticed immediately and give depth to the world or reinforce the tone. Sometimes", "a bit of painting, cinematography and environmental design, I tend to think in", "that are not meant to be noticed immediately and give depth to the", "example in game \"Death Stranding\" rain causes living organisms to age prematurely and", "understanding why there are no trees anywhere, even if I wrote bluntly \"As", "power and authority of Umbridge and McGonagall stepping back from her objections, acknowledging", "video game development and I picked up writing (short stories) as a secondary", "game and it's simple enough to put into writing, because the reader needs", "in sight\" in the story. Second example, one I cannot imagine writing and", "in the story. Second example, one I cannot imagine writing and the subject", "question here would be \"how to write that scene\", but more generally what", "However there is one specific technique I cannot manage to imitate in writing.", "I try to figure out how would I write this scene in a", "place as a subordinate. This is not something up and front, it's a", "learn, is how to plant emotional and contextual hints in writing without telling", "with other details, something that's not possible in the middle of intense dialogue.", "it out with other details, something that's not possible in the middle of", "one specific technique I cannot manage to imitate in writing. In all forms", "why there are no trees anywhere, even if I wrote bluntly \"As always,", "arts, my favorite thing is adding little details that are not meant to", "of intense dialogue. I can't just mention characters taking steps up and down", "depending on who has an upper hand in conversion. Movement of the actors", "This is not something up and front, it's a subconscious thing to be", "writing. However there is one specific technique I cannot manage to imitate in", "on stairs. Characters would take a step up or down depending on who", "back from her objections, acknowledging her place as a subordinate. This is not", "imagine writing and the subject of my question, is a scene from Hijrp", "imitate in writing. In all forms of visual arts, my favorite thing is", "viewing. I try to figure out how would I write this scene in", "in the middle of intense dialogue. I can't just mention characters taking steps", "dialogue. I can't just mention characters taking steps up and down without mentioning", "In all forms of visual arts, my favorite thing is adding little details", "not possible in the middle of intense dialogue. I can't just mention characters", "Sometimes it's easy, for example in game \"Death Stranding\" rain causes living organisms", "to be noticed immediately and give depth to the world or reinforce the", "work, everything I write is in focus unless I'll drown it out with", "needs to be explicitly tied to the emotion reader or character is supposed", "is in focus unless I'll drown it out with other details, something that's", "is short-lived grass. It's never acknowledged in the game and it's simple enough", "scene - unstoppable power and authority of Umbridge and McGonagall stepping back from", "figure out how would I write this scene in a book in a", "to think about it for a while before understanding why there are no", "noticed by more observant viewers on second or third viewing. I try to", "causes living organisms to age prematurely and because of that the only vegetation", "would I write this scene in a book in a way it happened", "sight\" in the story. Second example, one I cannot imagine writing and the", "movie and keep coming to a roadblock. Because of the nature of written", "explicitly tied to the emotion reader or character is supposed to feel. The", "favorite thing is adding little details that are not meant to be noticed", "emanates because it will just feel out of place. It feels to me", "emotion reader or character is supposed to feel. The specific question here would", "reader or character is supposed to feel. The specific question here would be", "a visual art that encompasses a bit of painting, cinematography and environmental design,", "a clue to the scene - unstoppable power and authority of Umbridge and", "down without mentioning the primal emotion it emanates because it will just feel", "because it will just feel out of place. It feels to me that", "enough to put into writing, because the reader needs to think about it", "front, it's a subconscious thing to be noticed by more observant viewers on", "reader explicitly how to feel, the same way I would do it in", "scene\", but more generally what I would want to learn, is how to", "in a book in a way it happened in the movie and keep", "powerful in visual media, in writing needs to be explicitly tied to the", "my question, is a scene from Hijrp Potfeq movie between McGonagall and Umbridge", "think in terms of visual techniques when writing. However there is one specific", "more observant viewers on second or third viewing. I try to figure out", "always, there were no trees in sight\" in the story. Second example, one", "to imitate in writing. In all forms of visual arts, my favorite thing", "an upper hand in conversion. Movement of the actors would give a clue", "art that encompasses a bit of painting, cinematography and environmental design, I tend", "character is supposed to feel. The specific question here would be \"how to", "to think in terms of visual techniques when writing. However there is one", "encompasses a bit of painting, cinematography and environmental design, I tend to think", "about it for a while before understanding why there are no trees anywhere,", "before understanding why there are no trees anywhere, even if I wrote bluntly", "to write that scene\", but more generally what I would want to learn,", "visual media, in writing needs to be explicitly tied to the emotion reader", "acknowledged in the game and it's simple enough to put into writing, because", "what I would want to learn, is how to plant emotional and contextual", "adding little details that are not meant to be noticed immediately and give", "reader needs to think about it for a while before understanding why there", "of written work, everything I write is in focus unless I'll drown it", "just feel out of place. It feels to me that because in books", "things that would be very powerful in visual media, in writing needs to", "Movement of the actors would give a clue to the scene - unstoppable", "rain causes living organisms to age prematurely and because of that the only", "writing. In all forms of visual arts, my favorite thing is adding little", "or character is supposed to feel. The specific question here would be \"how", "to feel. The specific question here would be \"how to write that scene\",", "of place. It feels to me that because in books everything is imagined,", "terms of visual techniques when writing. However there is one specific technique I", "writing without telling the reader explicitly how to feel, the same way I", "is one specific technique I cannot manage to imitate in writing. In all", "that's not possible in the middle of intense dialogue. I can't just mention", "feel, the same way I would do it in a game or a", "to be explicitly tied to the emotion reader or character is supposed to", "and authority of Umbridge and McGonagall stepping back from her objections, acknowledging her", "put into writing, because the reader needs to think about it for a", "(short stories) as a secondary skill. Because making games is a visual art", "reinforce the tone. Sometimes it's easy, for example in game \"Death Stranding\" rain", "a subordinate. This is not something up and front, it's a subconscious thing", "specific technique I cannot manage to imitate in writing. In all forms of", "has an upper hand in conversion. Movement of the actors would give a", "a roadblock. Because of the nature of written work, everything I write is", "books everything is imagined, not actually seen, things that would be very powerful", "example, one I cannot imagine writing and the subject of my question, is", "how to plant emotional and contextual hints in writing without telling the reader", "simple enough to put into writing, because the reader needs to think about", "roadblock. Because of the nature of written work, everything I write is in", "while before understanding why there are no trees anywhere, even if I wrote", "hand in conversion. Movement of the actors would give a clue to the", "would be very powerful in visual media, in writing needs to be explicitly", "a book in a way it happened in the movie and keep coming", "can't just mention characters taking steps up and down without mentioning the primal", "telling the reader explicitly how to feel, the same way I would do", "who has an upper hand in conversion. Movement of the actors would give", "of painting, cinematography and environmental design, I tend to think in terms of", "tone. Sometimes it's easy, for example in game \"Death Stranding\" rain causes living", "and I picked up writing (short stories) as a secondary skill. Because making", "would be \"how to write that scene\", but more generally what I would", "stepping back from her objections, acknowledging her place as a subordinate. This is", "seen, things that would be very powerful in visual media, in writing needs", "out how would I write this scene in a book in a way", "easy, for example in game \"Death Stranding\" rain causes living organisms to age", "focus unless I'll drown it out with other details, something that's not possible" ]
[ "am writing (e.g. 500-1000 word chunks at a time taken). These will serve", "various translated versions of this really old book. Can I safely copy and", "of this really old book. Can I safely copy and paste the passages", "a time taken). These will serve as primary sources for the students to", "one searches the book on Amazon.com, there are many people still publishing various", "Archive.org. If one searches the book on Amazon.com, there are many people still", "old book in the textbook I am writing (e.g. 500-1000 word chunks at", "the 1500s. It was subsequently translated into English and I can find various", "written in Spanish in the 1500s. It was subsequently translated into English and", "analyze. The first version was originally written in Spanish in the 1500s. It", "still publishing various translated versions of this really old book. Can I safely", "this really old book. Can I safely copy and paste the passages from", "first version was originally written in Spanish in the 1500s. It was subsequently", "and paste the passages from the 1800s as they should be under public", "from an old book in the textbook I am writing (e.g. 500-1000 word", "the students to analyze. The first version was originally written in Spanish in", "excerpts from an old book in the textbook I am writing (e.g. 500-1000", "I safely copy and paste the passages from the 1800s as they should", "should be under public domain? Or does the fact that publishers are still", "It was subsequently translated into English and I can find various old scans", "taken). These will serve as primary sources for the students to analyze. The", "and I can find various old scans from the 1800s in Archive.org. If", "paste the passages from the 1800s as they should be under public domain?", "1500s. It was subsequently translated into English and I can find various old", "in the textbook I am writing (e.g. 500-1000 word chunks at a time", "the passages from the 1800s as they should be under public domain? Or", "translated versions of this really old book. Can I safely copy and paste", "into English and I can find various old scans from the 1800s in", "want to use large excerpts from an old book in the textbook I", "The first version was originally written in Spanish in the 1500s. It was", "to use large excerpts from an old book in the textbook I am", "Or does the fact that publishers are still publishing this book mean it", "translated into English and I can find various old scans from the 1800s", "These will serve as primary sources for the students to analyze. The first", "old book. Can I safely copy and paste the passages from the 1800s", "can find various old scans from the 1800s in Archive.org. If one searches", "searches the book on Amazon.com, there are many people still publishing various translated", "serve as primary sources for the students to analyze. The first version was", "use large excerpts from an old book in the textbook I am writing", "the fact that publishers are still publishing this book mean it still is", "as primary sources for the students to analyze. The first version was originally", "book on Amazon.com, there are many people still publishing various translated versions of", "the 1800s in Archive.org. If one searches the book on Amazon.com, there are", "really old book. Can I safely copy and paste the passages from the", "was originally written in Spanish in the 1500s. It was subsequently translated into", "from the 1800s in Archive.org. If one searches the book on Amazon.com, there", "I am writing (e.g. 500-1000 word chunks at a time taken). These will", "sources for the students to analyze. The first version was originally written in", "safely copy and paste the passages from the 1800s as they should be", "find various old scans from the 1800s in Archive.org. If one searches the", "I can find various old scans from the 1800s in Archive.org. If one", "the book on Amazon.com, there are many people still publishing various translated versions", "people still publishing various translated versions of this really old book. Can I", "originally written in Spanish in the 1500s. It was subsequently translated into English", "in the 1500s. It was subsequently translated into English and I can find", "scans from the 1800s in Archive.org. If one searches the book on Amazon.com,", "1800s in Archive.org. If one searches the book on Amazon.com, there are many", "primary sources for the students to analyze. The first version was originally written", "English and I can find various old scans from the 1800s in Archive.org.", "there are many people still publishing various translated versions of this really old", "was subsequently translated into English and I can find various old scans from", "word chunks at a time taken). These will serve as primary sources for", "passages from the 1800s as they should be under public domain? Or does", "copy and paste the passages from the 1800s as they should be under", "writing (e.g. 500-1000 word chunks at a time taken). These will serve as", "domain? Or does the fact that publishers are still publishing this book mean", "to analyze. The first version was originally written in Spanish in the 1500s.", "public domain? Or does the fact that publishers are still publishing this book", "in Archive.org. If one searches the book on Amazon.com, there are many people", "be under public domain? Or does the fact that publishers are still publishing", "are many people still publishing various translated versions of this really old book.", "many people still publishing various translated versions of this really old book. Can", "I want to use large excerpts from an old book in the textbook", "subsequently translated into English and I can find various old scans from the", "as they should be under public domain? Or does the fact that publishers", "Spanish in the 1500s. It was subsequently translated into English and I can", "500-1000 word chunks at a time taken). These will serve as primary sources", "from the 1800s as they should be under public domain? Or does the", "they should be under public domain? Or does the fact that publishers are", "Amazon.com, there are many people still publishing various translated versions of this really", "various old scans from the 1800s in Archive.org. If one searches the book", "does the fact that publishers are still publishing this book mean it still", "the 1800s as they should be under public domain? Or does the fact", "for the students to analyze. The first version was originally written in Spanish", "fact that publishers are still publishing this book mean it still is protected?", "under public domain? Or does the fact that publishers are still publishing this", "the textbook I am writing (e.g. 500-1000 word chunks at a time taken).", "publishing various translated versions of this really old book. Can I safely copy", "(e.g. 500-1000 word chunks at a time taken). These will serve as primary", "on Amazon.com, there are many people still publishing various translated versions of this", "1800s as they should be under public domain? Or does the fact that", "chunks at a time taken). These will serve as primary sources for the", "old scans from the 1800s in Archive.org. If one searches the book on", "students to analyze. The first version was originally written in Spanish in the", "book in the textbook I am writing (e.g. 500-1000 word chunks at a", "versions of this really old book. Can I safely copy and paste the", "large excerpts from an old book in the textbook I am writing (e.g.", "book. Can I safely copy and paste the passages from the 1800s as", "Can I safely copy and paste the passages from the 1800s as they", "in Spanish in the 1500s. It was subsequently translated into English and I", "an old book in the textbook I am writing (e.g. 500-1000 word chunks", "at a time taken). These will serve as primary sources for the students", "textbook I am writing (e.g. 500-1000 word chunks at a time taken). These", "version was originally written in Spanish in the 1500s. It was subsequently translated", "will serve as primary sources for the students to analyze. The first version", "If one searches the book on Amazon.com, there are many people still publishing", "time taken). These will serve as primary sources for the students to analyze." ]
[ "nature of memes, this would mean that would age super quickly and would", "is that the easiest way to show the characters' habits would be through", "an example, this is the kind of thing I am trying to avoid](https://www.google.com/url?sa=t&source=web&rct=j&url=https://m.youtube.com/watch%3Fv%3DLL0JVebsVV4&ved=2ahUKEwjb7_m7kYjuAhXtGVkFHazGAs8QwqsBMAB6BAgBEAM&usg=AOvVaw0ccFhH_ROw7FNV79V3f_Mr).", "talking about New Age culture: in the modern era they stop looking like", "off as \"[the author is out of touch and this is how they", "Internet and the broad strokes of Internet culture seem like they will be", "looking dated. Or they come off as \"[the author is out of touch", "will be around for some time to come, even if flavor-of-the-month memes wither", "their worldview it makes sense that they would use that terminology when trying", "seen as a hippie talking about New Age culture: in the modern era", "Because Internet culture colors their worldview it makes sense that they would use", "Internet subculture as they are. However, when trying to write this character I've", "out of touch and this is how they think the young people behave](https://www.google.com/url?sa=t&source=web&rct=j&url=https://m.youtube.com/watch%3Fv%3DfiOMbqPHFwo&ved=2ahUKEwiBvZeLkIjuAhXGFlkFHc_jAGAQFjABegQIAhAD&usg=AOvVaw1EkhcDCguKCJSUJDKvapRn)\".", "imageboards and social media, and they're a bit of a memelord. The character", "of their youth, other characters of the same age are not as involved", "a bit of a memelord. The character is young but this quirk is", "who is involved in Internet culture without dating their character? EDIT: [As an", "super quickly and would come off as breaking suspension of disbelief. It would", "of a young person unironically using \"pwned\" in conversation. I'm deliberately trying to", "realized that it's very hard to show, not tell, this aspect of their", "they stop looking like a young person and start looking dated. Or they", "I've realized that it's very hard to show, not tell, this aspect of", "subculture as they are. However, when trying to write this character I've realized", "this character I've realized that it's very hard to show, not tell, this", "is unique to them and not a function of their youth, other characters", "a character in a work written in the 70s intended to be seen", "hard to show, not tell, this aspect of their character. Perhaps the biggest", "they're a bit of a memelord. The character is young but this quirk", "thing is the Internet and the broad strokes of Internet culture seem like", "is supposed to be that they are very involved in Internet subculture. They're", "ever-shifting nature of memes, this would mean that would age super quickly and", "they think the young people behave](https://www.google.com/url?sa=t&source=web&rct=j&url=https://m.youtube.com/watch%3Fv%3DfiOMbqPHFwo&ved=2ahUKEwiBvZeLkIjuAhXGFlkFHc_jAGAQFjABegQIAhAD&usg=AOvVaw1EkhcDCguKCJSUJDKvapRn)\". Think of a young person unironically using", "be through the way they communicate. Because Internet culture colors their worldview it", "of the ever-shifting nature of memes, this would mean that would age super", "if flavor-of-the-month memes wither and die. Given this, how do I portray someone", "[As an example, this is the kind of thing I am trying to", "youth, other characters of the same age are not as involved in Internet", "come, even if flavor-of-the-month memes wither and die. Given this, how do I", "character in a work written in the 70s intended to be seen as", "would use that terminology when trying to explain things. However, because of the", "the equivalent of a character in a work written in the 70s intended", "of disbelief. It would be the equivalent of a character in a work", "of the same age are not as involved in Internet subculture as they", "The character is young but this quirk is unique to them and not", "avoid dating my work, but the thing is the Internet and the broad", "dating their character? EDIT: [As an example, this is the kind of thing", "memes, this would mean that would age super quickly and would come off", "same age are not as involved in Internet subculture as they are. However,", "easiest way to show the characters' habits would be through the way they", "and not a function of their youth, other characters of the same age", "Age culture: in the modern era they stop looking like a young person", "for some time to come, even if flavor-of-the-month memes wither and die. Given", "written in the 70s intended to be seen as a hippie talking about", "their youth, other characters of the same age are not as involved in", "they communicate. Because Internet culture colors their worldview it makes sense that they", "very hard to show, not tell, this aspect of their character. Perhaps the", "culture without dating their character? EDIT: [As an example, this is the kind", "to be that they are very involved in Internet subculture. They're a programmer", "to them and not a function of their youth, other characters of the", "using \"pwned\" in conversation. I'm deliberately trying to avoid chasing the latest trends", "who one of their primary character quirks is supposed to be that they", "to explain things. However, because of the ever-shifting nature of memes, this would", "who spends a lot of their spare time on certain imageboards and social", "era they stop looking like a young person and start looking dated. Or", "suspension of disbelief. It would be the equivalent of a character in a", "a work written in the 70s intended to be seen as a hippie", "a programmer who spends a lot of their spare time on certain imageboards", "without dating their character? EDIT: [As an example, this is the kind of", "seem like they will be around for some time to come, even if", "sense that they would use that terminology when trying to explain things. However,", "disbelief. It would be the equivalent of a character in a work written", "how they think the young people behave](https://www.google.com/url?sa=t&source=web&rct=j&url=https://m.youtube.com/watch%3Fv%3DfiOMbqPHFwo&ved=2ahUKEwiBvZeLkIjuAhXGFlkFHc_jAGAQFjABegQIAhAD&usg=AOvVaw1EkhcDCguKCJSUJDKvapRn)\". Think of a young person unironically", "media, and they're a bit of a memelord. The character is young but", "age are not as involved in Internet subculture as they are. However, when", "of a character in a work written in the 70s intended to be", "is how they think the young people behave](https://www.google.com/url?sa=t&source=web&rct=j&url=https://m.youtube.com/watch%3Fv%3DfiOMbqPHFwo&ved=2ahUKEwiBvZeLkIjuAhXGFlkFHc_jAGAQFjABegQIAhAD&usg=AOvVaw1EkhcDCguKCJSUJDKvapRn)\". Think of a young person", "character quirks is supposed to be that they are very involved in Internet", "Given this, how do I portray someone who is involved in Internet culture", "in Internet subculture as they are. However, when trying to write this character", "age super quickly and would come off as breaking suspension of disbelief. It", "communicate. Because Internet culture colors their worldview it makes sense that they would", "character. Perhaps the biggest issue I've noticed is that the easiest way to", "character is young but this quirk is unique to them and not a", "\"pwned\" in conversation. I'm deliberately trying to avoid chasing the latest trends to", "unique to them and not a function of their youth, other characters of", "to show, not tell, this aspect of their character. Perhaps the biggest issue", "on certain imageboards and social media, and they're a bit of a memelord.", "intended to be seen as a hippie talking about New Age culture: in", "other characters of the same age are not as involved in Internet subculture", "character? EDIT: [As an example, this is the kind of thing I am", "Or they come off as \"[the author is out of touch and this", "them and not a function of their youth, other characters of the same", "terminology when trying to explain things. However, because of the ever-shifting nature of", "wither and die. Given this, how do I portray someone who is involved", "I portray someone who is involved in Internet culture without dating their character?", "and they're a bit of a memelord. The character is young but this", "young people behave](https://www.google.com/url?sa=t&source=web&rct=j&url=https://m.youtube.com/watch%3Fv%3DfiOMbqPHFwo&ved=2ahUKEwiBvZeLkIjuAhXGFlkFHc_jAGAQFjABegQIAhAD&usg=AOvVaw1EkhcDCguKCJSUJDKvapRn)\". Think of a young person unironically using \"pwned\" in conversation.", "latest trends to avoid dating my work, but the thing is the Internet", "a memelord. The character is young but this quirk is unique to them", "trying to write this character I've realized that it's very hard to show,", "would be the equivalent of a character in a work written in the", "their spare time on certain imageboards and social media, and they're a bit", "the broad strokes of Internet culture seem like they will be around for", "to avoid chasing the latest trends to avoid dating my work, but the", "involved in Internet subculture as they are. However, when trying to write this", "bit of a memelord. The character is young but this quirk is unique", "habits would be through the way they communicate. Because Internet culture colors their", "not tell, this aspect of their character. Perhaps the biggest issue I've noticed", "memes wither and die. Given this, how do I portray someone who is", "flavor-of-the-month memes wither and die. Given this, how do I portray someone who", "and social media, and they're a bit of a memelord. The character is", "die. Given this, how do I portray someone who is involved in Internet", "are very involved in Internet subculture. They're a programmer who spends a lot", "write this character I've realized that it's very hard to show, not tell,", "the characters' habits would be through the way they communicate. Because Internet culture", "hippie talking about New Age culture: in the modern era they stop looking", "the easiest way to show the characters' habits would be through the way", "equivalent of a character in a work written in the 70s intended to", "the Internet and the broad strokes of Internet culture seem like they will", "culture colors their worldview it makes sense that they would use that terminology", "they come off as \"[the author is out of touch and this is", "very involved in Internet subculture. They're a programmer who spends a lot of", "to be seen as a hippie talking about New Age culture: in the", "author is out of touch and this is how they think the young", "people behave](https://www.google.com/url?sa=t&source=web&rct=j&url=https://m.youtube.com/watch%3Fv%3DfiOMbqPHFwo&ved=2ahUKEwiBvZeLkIjuAhXGFlkFHc_jAGAQFjABegQIAhAD&usg=AOvVaw1EkhcDCguKCJSUJDKvapRn)\". Think of a young person unironically using \"pwned\" in conversation. I'm", "However, when trying to write this character I've realized that it's very hard", "quickly and would come off as breaking suspension of disbelief. It would be", "the biggest issue I've noticed is that the easiest way to show the", "things. However, because of the ever-shifting nature of memes, this would mean that", "as involved in Internet subculture as they are. However, when trying to write", "around for some time to come, even if flavor-of-the-month memes wither and die.", "involved in Internet culture without dating their character? EDIT: [As an example, this", "trying to avoid chasing the latest trends to avoid dating my work, but", "have a character who one of their primary character quirks is supposed to", "portray someone who is involved in Internet culture without dating their character? EDIT:", "trends to avoid dating my work, but the thing is the Internet and", "in conversation. I'm deliberately trying to avoid chasing the latest trends to avoid", "modern era they stop looking like a young person and start looking dated.", "conversation. I'm deliberately trying to avoid chasing the latest trends to avoid dating", "show the characters' habits would be through the way they communicate. Because Internet", "be the equivalent of a character in a work written in the 70s", "the modern era they stop looking like a young person and start looking", "tell, this aspect of their character. Perhaps the biggest issue I've noticed is", "through the way they communicate. Because Internet culture colors their worldview it makes", "lot of their spare time on certain imageboards and social media, and they're", "strokes of Internet culture seem like they will be around for some time", "subculture. They're a programmer who spends a lot of their spare time on", "but this quirk is unique to them and not a function of their", "some time to come, even if flavor-of-the-month memes wither and die. Given this,", "Internet culture without dating their character? EDIT: [As an example, this is the", "the thing is the Internet and the broad strokes of Internet culture seem", "in Internet culture without dating their character? EDIT: [As an example, this is", "would come off as breaking suspension of disbelief. It would be the equivalent", "aspect of their character. Perhaps the biggest issue I've noticed is that the", "colors their worldview it makes sense that they would use that terminology when", "they will be around for some time to come, even if flavor-of-the-month memes", "culture seem like they will be around for some time to come, even", "the same age are not as involved in Internet subculture as they are.", "this, how do I portray someone who is involved in Internet culture without", "of their primary character quirks is supposed to be that they are very", "Internet culture seem like they will be around for some time to come,", "as breaking suspension of disbelief. It would be the equivalent of a character", "noticed is that the easiest way to show the characters' habits would be", "think the young people behave](https://www.google.com/url?sa=t&source=web&rct=j&url=https://m.youtube.com/watch%3Fv%3DfiOMbqPHFwo&ved=2ahUKEwiBvZeLkIjuAhXGFlkFHc_jAGAQFjABegQIAhAD&usg=AOvVaw1EkhcDCguKCJSUJDKvapRn)\". Think of a young person unironically using \"pwned\"", "mean that would age super quickly and would come off as breaking suspension", "and would come off as breaking suspension of disbelief. It would be the", "It would be the equivalent of a character in a work written in", "use that terminology when trying to explain things. However, because of the ever-shifting", "is out of touch and this is how they think the young people", "a character who one of their primary character quirks is supposed to be", "Internet subculture. They're a programmer who spends a lot of their spare time", "my work, but the thing is the Internet and the broad strokes of", "makes sense that they would use that terminology when trying to explain things.", "characters of the same age are not as involved in Internet subculture as", "when trying to explain things. However, because of the ever-shifting nature of memes,", "spare time on certain imageboards and social media, and they're a bit of", "start looking dated. Or they come off as \"[the author is out of", "when trying to write this character I've realized that it's very hard to", "deliberately trying to avoid chasing the latest trends to avoid dating my work,", "would mean that would age super quickly and would come off as breaking", "certain imageboards and social media, and they're a bit of a memelord. The", "be seen as a hippie talking about New Age culture: in the modern", "work, but the thing is the Internet and the broad strokes of Internet", "work written in the 70s intended to be seen as a hippie talking", "social media, and they're a bit of a memelord. The character is young", "not as involved in Internet subculture as they are. However, when trying to", "I have a character who one of their primary character quirks is supposed", "is the Internet and the broad strokes of Internet culture seem like they", "like a young person and start looking dated. Or they come off as", "70s intended to be seen as a hippie talking about New Age culture:", "like they will be around for some time to come, even if flavor-of-the-month", "I'm deliberately trying to avoid chasing the latest trends to avoid dating my", "about New Age culture: in the modern era they stop looking like a", "person and start looking dated. Or they come off as \"[the author is", "would be through the way they communicate. Because Internet culture colors their worldview", "However, because of the ever-shifting nature of memes, this would mean that would", "as a hippie talking about New Age culture: in the modern era they", "and the broad strokes of Internet culture seem like they will be around", "to come, even if flavor-of-the-month memes wither and die. Given this, how do", "Perhaps the biggest issue I've noticed is that the easiest way to show", "behave](https://www.google.com/url?sa=t&source=web&rct=j&url=https://m.youtube.com/watch%3Fv%3DfiOMbqPHFwo&ved=2ahUKEwiBvZeLkIjuAhXGFlkFHc_jAGAQFjABegQIAhAD&usg=AOvVaw1EkhcDCguKCJSUJDKvapRn)\". Think of a young person unironically using \"pwned\" in conversation. I'm deliberately", "the way they communicate. Because Internet culture colors their worldview it makes sense", "but the thing is the Internet and the broad strokes of Internet culture", "issue I've noticed is that the easiest way to show the characters' habits", "of a memelord. The character is young but this quirk is unique to", "Internet culture colors their worldview it makes sense that they would use that", "even if flavor-of-the-month memes wither and die. Given this, how do I portray", "come off as \"[the author is out of touch and this is how", "this would mean that would age super quickly and would come off as", "breaking suspension of disbelief. It would be the equivalent of a character in", "chasing the latest trends to avoid dating my work, but the thing is", "their character? EDIT: [As an example, this is the kind of thing I", "and this is how they think the young people behave](https://www.google.com/url?sa=t&source=web&rct=j&url=https://m.youtube.com/watch%3Fv%3DfiOMbqPHFwo&ved=2ahUKEwiBvZeLkIjuAhXGFlkFHc_jAGAQFjABegQIAhAD&usg=AOvVaw1EkhcDCguKCJSUJDKvapRn)\". Think of a", "be around for some time to come, even if flavor-of-the-month memes wither and", "is involved in Internet culture without dating their character? EDIT: [As an example,", "to show the characters' habits would be through the way they communicate. Because", "that they would use that terminology when trying to explain things. However, because", "quirks is supposed to be that they are very involved in Internet subculture.", "the 70s intended to be seen as a hippie talking about New Age", "they are. However, when trying to write this character I've realized that it's", "young but this quirk is unique to them and not a function of", "that would age super quickly and would come off as breaking suspension of", "not a function of their youth, other characters of the same age are", "EDIT: [As an example, this is the kind of thing I am trying", "\"[the author is out of touch and this is how they think the", "of Internet culture seem like they will be around for some time to", "come off as breaking suspension of disbelief. It would be the equivalent of", "do I portray someone who is involved in Internet culture without dating their", "are not as involved in Internet subculture as they are. However, when trying", "to avoid dating my work, but the thing is the Internet and the", "time to come, even if flavor-of-the-month memes wither and die. Given this, how", "in the modern era they stop looking like a young person and start", "someone who is involved in Internet culture without dating their character? EDIT: [As", "characters' habits would be through the way they communicate. Because Internet culture colors", "off as breaking suspension of disbelief. It would be the equivalent of a", "in the 70s intended to be seen as a hippie talking about New", "as \"[the author is out of touch and this is how they think", "be that they are very involved in Internet subculture. They're a programmer who", "that it's very hard to show, not tell, this aspect of their character.", "a young person and start looking dated. Or they come off as \"[the", "of touch and this is how they think the young people behave](https://www.google.com/url?sa=t&source=web&rct=j&url=https://m.youtube.com/watch%3Fv%3DfiOMbqPHFwo&ved=2ahUKEwiBvZeLkIjuAhXGFlkFHc_jAGAQFjABegQIAhAD&usg=AOvVaw1EkhcDCguKCJSUJDKvapRn)\". Think", "they would use that terminology when trying to explain things. However, because of", "and die. Given this, how do I portray someone who is involved in", "New Age culture: in the modern era they stop looking like a young", "dated. Or they come off as \"[the author is out of touch and", "their character. Perhaps the biggest issue I've noticed is that the easiest way", "young person and start looking dated. Or they come off as \"[the author", "in a work written in the 70s intended to be seen as a", "a function of their youth, other characters of the same age are not", "looking like a young person and start looking dated. Or they come off", "because of the ever-shifting nature of memes, this would mean that would age", "of their character. Perhaps the biggest issue I've noticed is that the easiest", "touch and this is how they think the young people behave](https://www.google.com/url?sa=t&source=web&rct=j&url=https://m.youtube.com/watch%3Fv%3DfiOMbqPHFwo&ved=2ahUKEwiBvZeLkIjuAhXGFlkFHc_jAGAQFjABegQIAhAD&usg=AOvVaw1EkhcDCguKCJSUJDKvapRn)\". Think of", "a lot of their spare time on certain imageboards and social media, and", "unironically using \"pwned\" in conversation. I'm deliberately trying to avoid chasing the latest", "dating my work, but the thing is the Internet and the broad strokes", "this aspect of their character. Perhaps the biggest issue I've noticed is that", "of memes, this would mean that would age super quickly and would come", "biggest issue I've noticed is that the easiest way to show the characters'", "are. However, when trying to write this character I've realized that it's very", "it's very hard to show, not tell, this aspect of their character. Perhaps", "character I've realized that it's very hard to show, not tell, this aspect", "their primary character quirks is supposed to be that they are very involved", "a young person unironically using \"pwned\" in conversation. I'm deliberately trying to avoid", "this is how they think the young people behave](https://www.google.com/url?sa=t&source=web&rct=j&url=https://m.youtube.com/watch%3Fv%3DfiOMbqPHFwo&ved=2ahUKEwiBvZeLkIjuAhXGFlkFHc_jAGAQFjABegQIAhAD&usg=AOvVaw1EkhcDCguKCJSUJDKvapRn)\". Think of a young", "time on certain imageboards and social media, and they're a bit of a", "a hippie talking about New Age culture: in the modern era they stop", "They're a programmer who spends a lot of their spare time on certain", "broad strokes of Internet culture seem like they will be around for some", "explain things. However, because of the ever-shifting nature of memes, this would mean", "function of their youth, other characters of the same age are not as", "spends a lot of their spare time on certain imageboards and social media,", "young person unironically using \"pwned\" in conversation. I'm deliberately trying to avoid chasing", "I've noticed is that the easiest way to show the characters' habits would", "the young people behave](https://www.google.com/url?sa=t&source=web&rct=j&url=https://m.youtube.com/watch%3Fv%3DfiOMbqPHFwo&ved=2ahUKEwiBvZeLkIjuAhXGFlkFHc_jAGAQFjABegQIAhAD&usg=AOvVaw1EkhcDCguKCJSUJDKvapRn)\". Think of a young person unironically using \"pwned\" in", "show, not tell, this aspect of their character. Perhaps the biggest issue I've", "it makes sense that they would use that terminology when trying to explain", "stop looking like a young person and start looking dated. Or they come", "that terminology when trying to explain things. However, because of the ever-shifting nature", "person unironically using \"pwned\" in conversation. I'm deliberately trying to avoid chasing the", "way they communicate. Because Internet culture colors their worldview it makes sense that", "character who one of their primary character quirks is supposed to be that", "the latest trends to avoid dating my work, but the thing is the", "primary character quirks is supposed to be that they are very involved in", "one of their primary character quirks is supposed to be that they are", "and start looking dated. Or they come off as \"[the author is out", "culture: in the modern era they stop looking like a young person and", "of their spare time on certain imageboards and social media, and they're a", "memelord. The character is young but this quirk is unique to them and", "in Internet subculture. They're a programmer who spends a lot of their spare", "this quirk is unique to them and not a function of their youth,", "would age super quickly and would come off as breaking suspension of disbelief.", "how do I portray someone who is involved in Internet culture without dating", "that they are very involved in Internet subculture. They're a programmer who spends", "they are very involved in Internet subculture. They're a programmer who spends a", "programmer who spends a lot of their spare time on certain imageboards and", "quirk is unique to them and not a function of their youth, other", "way to show the characters' habits would be through the way they communicate.", "involved in Internet subculture. They're a programmer who spends a lot of their", "as they are. However, when trying to write this character I've realized that", "Think of a young person unironically using \"pwned\" in conversation. I'm deliberately trying", "worldview it makes sense that they would use that terminology when trying to", "to write this character I've realized that it's very hard to show, not", "that the easiest way to show the characters' habits would be through the", "avoid chasing the latest trends to avoid dating my work, but the thing", "is young but this quirk is unique to them and not a function", "supposed to be that they are very involved in Internet subculture. They're a", "trying to explain things. However, because of the ever-shifting nature of memes, this", "the ever-shifting nature of memes, this would mean that would age super quickly" ]
[ "(just for a single character) into the Anglish register of English – omitting", "makes them supremely difficult to navigate in the same way as a stock", "among other things. Many of the relevant resources I've found are written in", "non-Anglo-Saxon roots. I'm working on a story where I'll need to convert a", "on a story where I'll need to convert a lot of dialogue (just", "same way as a stock thesaurus, and the single automated converter I found", "all words that have non-Anglo-Saxon roots. I'm working on a story where I'll", "navigate in the same way as a stock thesaurus, and the single automated", "convert a lot of dialogue (just for a single character) into the Anglish", "that avoids or replaces all words that have non-Anglo-Saxon roots. I'm working on", "– omitting loan words of French, Latin & Greek origin, among other things.", "any easy-to-access tools I can use to determine the etymology of words on", "with the ability to sort by origin would be a godsend. Thank you", "English that avoids or replaces all words that have non-Anglo-Saxon roots. I'm working", "the same way as a stock thesaurus, and the single automated converter I", "frequently mistranslates. Are there any easy-to-access tools I can use to determine the", "replaces all words that have non-Anglo-Saxon roots. I'm working on a story where", "I've found are written in Anglish, which makes them supremely difficult to navigate", "in the way of context sensitivity and frequently mistranslates. Are there any easy-to-access", "& Greek origin, among other things. Many of the relevant resources I've found", "the etymology of words on the fly? Any beginner-friendly Anglish glossaries or dictionaries", "of dialogue (just for a single character) into the Anglish register of English", "modern English that avoids or replaces all words that have non-Anglo-Saxon roots. I'm", "or replaces all words that have non-Anglo-Saxon roots. I'm working on a story", "them supremely difficult to navigate in the same way as a stock thesaurus,", "of English – omitting loan words of French, Latin & Greek origin, among", "loan words of French, Latin & Greek origin, among other things. Many of", "single automated converter I found has very little in the way of context", "stock thesaurus, and the single automated converter I found has very little in", "automated converter I found has very little in the way of context sensitivity", "on the fly? Any beginner-friendly Anglish glossaries or dictionaries online? Some kind of", "words on the fly? Any beginner-friendly Anglish glossaries or dictionaries online? Some kind", "[\"Anglish\"](https://en.wikipedia.org/wiki/Linguistic_purism_in_English) is a variation on modern English that avoids or replaces all words", "can use to determine the etymology of words on the fly? Any beginner-friendly", "fly? Any beginner-friendly Anglish glossaries or dictionaries online? Some kind of thesaurus tool", "converter I found has very little in the way of context sensitivity and", "the fly? Any beginner-friendly Anglish glossaries or dictionaries online? Some kind of thesaurus", "mistranslates. Are there any easy-to-access tools I can use to determine the etymology", "a story where I'll need to convert a lot of dialogue (just for", "variation on modern English that avoids or replaces all words that have non-Anglo-Saxon", "Anglish glossaries or dictionaries online? Some kind of thesaurus tool with the ability", "context sensitivity and frequently mistranslates. Are there any easy-to-access tools I can use", "to navigate in the same way as a stock thesaurus, and the single", "resources I've found are written in Anglish, which makes them supremely difficult to", "avoids or replaces all words that have non-Anglo-Saxon roots. I'm working on a", "Are there any easy-to-access tools I can use to determine the etymology of", "the Anglish register of English – omitting loan words of French, Latin &", "Latin & Greek origin, among other things. Many of the relevant resources I've", "a lot of dialogue (just for a single character) into the Anglish register", "the ability to sort by origin would be a godsend. Thank you in", "the single automated converter I found has very little in the way of", "sensitivity and frequently mistranslates. Are there any easy-to-access tools I can use to", "need to convert a lot of dialogue (just for a single character) into", "which makes them supremely difficult to navigate in the same way as a", "things. Many of the relevant resources I've found are written in Anglish, which", "lot of dialogue (just for a single character) into the Anglish register of", "way of context sensitivity and frequently mistranslates. Are there any easy-to-access tools I", "thesaurus, and the single automated converter I found has very little in the", "a variation on modern English that avoids or replaces all words that have", "of French, Latin & Greek origin, among other things. Many of the relevant", "found has very little in the way of context sensitivity and frequently mistranslates.", "of thesaurus tool with the ability to sort by origin would be a", "and the single automated converter I found has very little in the way", "very little in the way of context sensitivity and frequently mistranslates. Are there", "origin, among other things. Many of the relevant resources I've found are written", "difficult to navigate in the same way as a stock thesaurus, and the", "the relevant resources I've found are written in Anglish, which makes them supremely", "that have non-Anglo-Saxon roots. I'm working on a story where I'll need to", "register of English – omitting loan words of French, Latin & Greek origin,", "I found has very little in the way of context sensitivity and frequently", "beginner-friendly Anglish glossaries or dictionaries online? Some kind of thesaurus tool with the", "single character) into the Anglish register of English – omitting loan words of", "have non-Anglo-Saxon roots. I'm working on a story where I'll need to convert", "determine the etymology of words on the fly? Any beginner-friendly Anglish glossaries or", "etymology of words on the fly? Any beginner-friendly Anglish glossaries or dictionaries online?", "of the relevant resources I've found are written in Anglish, which makes them", "supremely difficult to navigate in the same way as a stock thesaurus, and", "story where I'll need to convert a lot of dialogue (just for a", "kind of thesaurus tool with the ability to sort by origin would be", "written in Anglish, which makes them supremely difficult to navigate in the same", "Anglish register of English – omitting loan words of French, Latin & Greek", "to determine the etymology of words on the fly? Any beginner-friendly Anglish glossaries", "character) into the Anglish register of English – omitting loan words of French,", "of context sensitivity and frequently mistranslates. Are there any easy-to-access tools I can", "dictionaries online? Some kind of thesaurus tool with the ability to sort by", "English – omitting loan words of French, Latin & Greek origin, among other", "and frequently mistranslates. Are there any easy-to-access tools I can use to determine", "omitting loan words of French, Latin & Greek origin, among other things. Many", "French, Latin & Greek origin, among other things. Many of the relevant resources", "to convert a lot of dialogue (just for a single character) into the", "the way of context sensitivity and frequently mistranslates. Are there any easy-to-access tools", "I'm working on a story where I'll need to convert a lot of", "online? Some kind of thesaurus tool with the ability to sort by origin", "on modern English that avoids or replaces all words that have non-Anglo-Saxon roots.", "easy-to-access tools I can use to determine the etymology of words on the", "thesaurus tool with the ability to sort by origin would be a godsend.", "words of French, Latin & Greek origin, among other things. Many of the", "is a variation on modern English that avoids or replaces all words that", "Anglish, which makes them supremely difficult to navigate in the same way as", "in the same way as a stock thesaurus, and the single automated converter", "a single character) into the Anglish register of English – omitting loan words", "or dictionaries online? Some kind of thesaurus tool with the ability to sort", "words that have non-Anglo-Saxon roots. I'm working on a story where I'll need", "use to determine the etymology of words on the fly? Any beginner-friendly Anglish", "there any easy-to-access tools I can use to determine the etymology of words", "tool with the ability to sort by origin would be a godsend. Thank", "as a stock thesaurus, and the single automated converter I found has very", "found are written in Anglish, which makes them supremely difficult to navigate in", "working on a story where I'll need to convert a lot of dialogue", "has very little in the way of context sensitivity and frequently mistranslates. Are", "a stock thesaurus, and the single automated converter I found has very little", "other things. Many of the relevant resources I've found are written in Anglish,", "glossaries or dictionaries online? Some kind of thesaurus tool with the ability to", "I can use to determine the etymology of words on the fly? Any", "dialogue (just for a single character) into the Anglish register of English –", "ability to sort by origin would be a godsend. Thank you in advance!", "Any beginner-friendly Anglish glossaries or dictionaries online? Some kind of thesaurus tool with", "in Anglish, which makes them supremely difficult to navigate in the same way", "into the Anglish register of English – omitting loan words of French, Latin", "little in the way of context sensitivity and frequently mistranslates. Are there any", "relevant resources I've found are written in Anglish, which makes them supremely difficult", "of words on the fly? Any beginner-friendly Anglish glossaries or dictionaries online? Some", "Greek origin, among other things. Many of the relevant resources I've found are", "for a single character) into the Anglish register of English – omitting loan", "where I'll need to convert a lot of dialogue (just for a single", "Some kind of thesaurus tool with the ability to sort by origin would", "Many of the relevant resources I've found are written in Anglish, which makes", "way as a stock thesaurus, and the single automated converter I found has", "roots. I'm working on a story where I'll need to convert a lot", "are written in Anglish, which makes them supremely difficult to navigate in the", "I'll need to convert a lot of dialogue (just for a single character)", "tools I can use to determine the etymology of words on the fly?" ]
[ "showing, which I already struggle with. Is there some methods I can take", "to stop myself from doing this? It's very irritating and begins to unmotivate", "down all at once, which just turns into gibberish and it's a whole", "than showing, which I already struggle with. Is there some methods I can", "very irritating and begins to unmotivate me from writing when I realise I'm", "irritating and begins to unmotivate me from writing when I realise I'm doing", "stop myself from doing this? It's very irritating and begins to unmotivate me", "describe this, but whenever I write I tend to start off okay-ish but", "ideas and try to write it down all at once, which just turns", "take to stop myself from doing this? It's very irritating and begins to", "too ahead of myself with my ideas and try to write it down", "which just turns into gibberish and it's a whole lot more telling than", "I already struggle with. Is there some methods I can take to stop", "it's a whole lot more telling than showing, which I already struggle with.", "whenever I write I tend to start off okay-ish but as I progress", "and begins to unmotivate me from writing when I realise I'm doing it.", "it down all at once, which just turns into gibberish and it's a", "not really sure how to describe this, but whenever I write I tend", "to start off okay-ish but as I progress it all just falls downhill.", "think it's because I get too ahead of myself with my ideas and", "into gibberish and it's a whole lot more telling than showing, which I", "with my ideas and try to write it down all at once, which", "there some methods I can take to stop myself from doing this? It's", "to describe this, but whenever I write I tend to start off okay-ish", "from doing this? It's very irritating and begins to unmotivate me from writing", "but whenever I write I tend to start off okay-ish but as I", "all just falls downhill. I think it's because I get too ahead of", "Is there some methods I can take to stop myself from doing this?", "sure how to describe this, but whenever I write I tend to start", "a whole lot more telling than showing, which I already struggle with. Is", "can take to stop myself from doing this? It's very irritating and begins", "turns into gibberish and it's a whole lot more telling than showing, which", "myself with my ideas and try to write it down all at once,", "methods I can take to stop myself from doing this? It's very irritating", "because I get too ahead of myself with my ideas and try to", "it all just falls downhill. I think it's because I get too ahead", "gibberish and it's a whole lot more telling than showing, which I already", "I write I tend to start off okay-ish but as I progress it", "I tend to start off okay-ish but as I progress it all just", "try to write it down all at once, which just turns into gibberish", "my ideas and try to write it down all at once, which just", "already struggle with. Is there some methods I can take to stop myself", "progress it all just falls downhill. I think it's because I get too", "this? It's very irritating and begins to unmotivate me from writing when I", "tend to start off okay-ish but as I progress it all just falls", "I get too ahead of myself with my ideas and try to write", "more telling than showing, which I already struggle with. Is there some methods", "okay-ish but as I progress it all just falls downhill. I think it's", "falls downhill. I think it's because I get too ahead of myself with", "which I already struggle with. Is there some methods I can take to", "this, but whenever I write I tend to start off okay-ish but as", "downhill. I think it's because I get too ahead of myself with my", "once, which just turns into gibberish and it's a whole lot more telling", "start off okay-ish but as I progress it all just falls downhill. I", "and it's a whole lot more telling than showing, which I already struggle", "just falls downhill. I think it's because I get too ahead of myself", "it's because I get too ahead of myself with my ideas and try", "how to describe this, but whenever I write I tend to start off", "lot more telling than showing, which I already struggle with. Is there some", "but as I progress it all just falls downhill. I think it's because", "and try to write it down all at once, which just turns into", "just turns into gibberish and it's a whole lot more telling than showing,", "get too ahead of myself with my ideas and try to write it", "struggle with. Is there some methods I can take to stop myself from", "off okay-ish but as I progress it all just falls downhill. I think", "myself from doing this? It's very irritating and begins to unmotivate me from", "I can take to stop myself from doing this? It's very irritating and", "I think it's because I get too ahead of myself with my ideas", "telling than showing, which I already struggle with. Is there some methods I", "doing this? It's very irritating and begins to unmotivate me from writing when", "of myself with my ideas and try to write it down all at", "whole lot more telling than showing, which I already struggle with. Is there", "write it down all at once, which just turns into gibberish and it's", "with. Is there some methods I can take to stop myself from doing", "all at once, which just turns into gibberish and it's a whole lot", "It's very irritating and begins to unmotivate me from writing when I realise", "I'm not really sure how to describe this, but whenever I write I", "really sure how to describe this, but whenever I write I tend to", "ahead of myself with my ideas and try to write it down all", "as I progress it all just falls downhill. I think it's because I", "write I tend to start off okay-ish but as I progress it all", "at once, which just turns into gibberish and it's a whole lot more", "I progress it all just falls downhill. I think it's because I get", "some methods I can take to stop myself from doing this? It's very", "to write it down all at once, which just turns into gibberish and" ]
[ "wondering how one is supposed to write this? I'm less asking about POV", "So, the question; how does one write partner fighting in a realistic manner?", "this? I'm less asking about POV switching and such, and more about what", "less asking about POV switching and such, and more about what would make", "up, I define partner fighting as combat in which two people of the", "it to just be them fighting near each other either, I want the", "combatants who attempt to attack their partner', 'a whirlwind of blades' sort of", "some things up, I define partner fighting as combat in which two people", "I want the entire 'blocking attacks for one another and attacking the combatants", "fighting as combat in which two people of the same side are fighting", "of fighting reasonably successful and realistic. I don't want it to just be", "is supposed to write this? I'm less asking about POV switching and such,", "two people of the same side are fighting alongside one another as a", "which two people of the same side are fighting alongside one another as", "'a whirlwind of blades' sort of thing. So, the question; how does one", "one another as a pair against another person/other people. I haven't been able", "the entire 'blocking attacks for one another and attacking the combatants who attempt", "find much on the internet about this, so I was wondering how one", "are fighting alongside one another as a pair against another person/other people. I", "pair against another person/other people. I haven't been able to find much on", "against another person/other people. I haven't been able to find much on the", "switching and such, and more about what would make this sort of fighting", "to write this? I'm less asking about POV switching and such, and more", "to just be them fighting near each other either, I want the entire", "the same side are fighting alongside one another as a pair against another", "internet about this, so I was wondering how one is supposed to write", "able to find much on the internet about this, so I was wondering", "person/other people. I haven't been able to find much on the internet about", "side are fighting alongside one another as a pair against another person/other people.", "other either, I want the entire 'blocking attacks for one another and attacking", "sort of fighting reasonably successful and realistic. I don't want it to just", "near each other either, I want the entire 'blocking attacks for one another", "To clear some things up, I define partner fighting as combat in which", "to find much on the internet about this, so I was wondering how", "what would make this sort of fighting reasonably successful and realistic. I don't", "and such, and more about what would make this sort of fighting reasonably", "about POV switching and such, and more about what would make this sort", "successful and realistic. I don't want it to just be them fighting near", "each other either, I want the entire 'blocking attacks for one another and", "fighting near each other either, I want the entire 'blocking attacks for one", "been able to find much on the internet about this, so I was", "about this, so I was wondering how one is supposed to write this?", "asking about POV switching and such, and more about what would make this", "more about what would make this sort of fighting reasonably successful and realistic.", "them fighting near each other either, I want the entire 'blocking attacks for", "and more about what would make this sort of fighting reasonably successful and", "attempt to attack their partner', 'a whirlwind of blades' sort of thing. So,", "their partner', 'a whirlwind of blades' sort of thing. So, the question; how", "about what would make this sort of fighting reasonably successful and realistic. I", "much on the internet about this, so I was wondering how one is", "either, I want the entire 'blocking attacks for one another and attacking the", "another and attacking the combatants who attempt to attack their partner', 'a whirlwind", "haven't been able to find much on the internet about this, so I", "and attacking the combatants who attempt to attack their partner', 'a whirlwind of", "want the entire 'blocking attacks for one another and attacking the combatants who", "one is supposed to write this? I'm less asking about POV switching and", "sort of thing. So, the question; how does one write partner fighting in", "the combatants who attempt to attack their partner', 'a whirlwind of blades' sort", "attack their partner', 'a whirlwind of blades' sort of thing. So, the question;", "thing. So, the question; how does one write partner fighting in a realistic", "clear some things up, I define partner fighting as combat in which two", "I was wondering how one is supposed to write this? I'm less asking", "how one is supposed to write this? I'm less asking about POV switching", "write this? I'm less asking about POV switching and such, and more about", "would make this sort of fighting reasonably successful and realistic. I don't want", "make this sort of fighting reasonably successful and realistic. I don't want it", "'blocking attacks for one another and attacking the combatants who attempt to attack", "be them fighting near each other either, I want the entire 'blocking attacks", "alongside one another as a pair against another person/other people. I haven't been", "another person/other people. I haven't been able to find much on the internet", "for one another and attacking the combatants who attempt to attack their partner',", "this sort of fighting reasonably successful and realistic. I don't want it to", "this, so I was wondering how one is supposed to write this? I'm", "I don't want it to just be them fighting near each other either,", "as combat in which two people of the same side are fighting alongside", "and realistic. I don't want it to just be them fighting near each", "of blades' sort of thing. So, the question; how does one write partner", "things up, I define partner fighting as combat in which two people of", "want it to just be them fighting near each other either, I want", "so I was wondering how one is supposed to write this? I'm less", "attacks for one another and attacking the combatants who attempt to attack their", "as a pair against another person/other people. I haven't been able to find", "supposed to write this? I'm less asking about POV switching and such, and", "in which two people of the same side are fighting alongside one another", "realistic. I don't want it to just be them fighting near each other", "another as a pair against another person/other people. I haven't been able to", "fighting reasonably successful and realistic. I don't want it to just be them", "just be them fighting near each other either, I want the entire 'blocking", "such, and more about what would make this sort of fighting reasonably successful", "was wondering how one is supposed to write this? I'm less asking about", "of the same side are fighting alongside one another as a pair against", "to attack their partner', 'a whirlwind of blades' sort of thing. So, the", "people of the same side are fighting alongside one another as a pair", "combat in which two people of the same side are fighting alongside one", "a pair against another person/other people. I haven't been able to find much", "one another and attacking the combatants who attempt to attack their partner', 'a", "I haven't been able to find much on the internet about this, so", "don't want it to just be them fighting near each other either, I", "fighting alongside one another as a pair against another person/other people. I haven't", "who attempt to attack their partner', 'a whirlwind of blades' sort of thing.", "blades' sort of thing. So, the question; how does one write partner fighting", "same side are fighting alongside one another as a pair against another person/other", "define partner fighting as combat in which two people of the same side", "reasonably successful and realistic. I don't want it to just be them fighting", "partner', 'a whirlwind of blades' sort of thing. So, the question; how does", "the internet about this, so I was wondering how one is supposed to", "I define partner fighting as combat in which two people of the same", "of thing. So, the question; how does one write partner fighting in a", "partner fighting as combat in which two people of the same side are", "I'm less asking about POV switching and such, and more about what would", "attacking the combatants who attempt to attack their partner', 'a whirlwind of blades'", "whirlwind of blades' sort of thing. So, the question; how does one write", "on the internet about this, so I was wondering how one is supposed", "POV switching and such, and more about what would make this sort of", "entire 'blocking attacks for one another and attacking the combatants who attempt to", "people. I haven't been able to find much on the internet about this," ]
[ "a totally different race with different traits, would that be okay? Granted, I", "name Rulh in my series. However, I've seen this name used before in", "my series. However, I've seen this name used before in The Dark Elements", "Rulh is a totally different race with different traits, would that be okay?", "am not over 18 yet and I'm still learning about these things but", "over 18 yet and I'm still learning about these things but I wasn't", "I've seen this name used before in The Dark Elements series by Jennifer", "things but I wasn't entirely sure, given the fact that I'd seen it", "series by Jennifer Armentrout. If my Rulh is a totally different race with", "I'm writing a 7 book series and I wanted to use the name", "I am not over 18 yet and I'm still learning about these things", "not over 18 yet and I'm still learning about these things but I", "totally different race with different traits, would that be okay? Granted, I am", "this name used before in The Dark Elements series by Jennifer Armentrout. If", "name used before in The Dark Elements series by Jennifer Armentrout. If my", "Armentrout. If my Rulh is a totally different race with different traits, would", "be okay? Granted, I am not over 18 yet and I'm still learning", "Elements* series by Jennifer Armentrout. If my Rulh is a totally different race", "race with different traits, would that be okay? Granted, I am not over", "to use the name Rulh in my series. However, I've seen this name", "series. However, I've seen this name used before in The Dark Elements series", "is a totally different race with different traits, would that be okay? Granted,", "and I wanted to use the name Rulh in my series. However, I've", "yet and I'm still learning about these things but I wasn't entirely sure,", "different traits, would that be okay? Granted, I am not over 18 yet", "before in The Dark Elements series by Jennifer Armentrout. If my Rulh is", "the name Rulh in my series. However, I've seen this name used before", "in my series. However, I've seen this name used before in The Dark", "I'm still learning about these things but I wasn't entirely sure, given the", "by Jennifer Armentrout. If my Rulh is a totally different race with different", "these things but I wasn't entirely sure, given the fact that I'd seen", "The Dark Elements* series by Jennifer Armentrout. If my Rulh is a totally", "still learning about these things but I wasn't entirely sure, given the fact", "Jennifer Armentrout. If my Rulh is a totally different race with different traits,", "learning about these things but I wasn't entirely sure, given the fact that", "However, I've seen this name used before in The Dark Elements series by", "with different traits, would that be okay? Granted, I am not over 18", "in The Dark Elements series by Jennifer Armentrout. If my Rulh is a", "I wanted to use the name Rulh in my series. However, I've seen", "that be okay? Granted, I am not over 18 yet and I'm still", "Granted, I am not over 18 yet and I'm still learning about these", "and I'm still learning about these things but I wasn't entirely sure, given", "wanted to use the name Rulh in my series. However, I've seen this", "my Rulh is a totally different race with different traits, would that be", "If my Rulh is a totally different race with different traits, would that", "7 book series and I wanted to use the name Rulh in my", "series and I wanted to use the name Rulh in my series. However,", "but I wasn't entirely sure, given the fact that I'd seen it used", "Rulh in my series. However, I've seen this name used before in The", "okay? Granted, I am not over 18 yet and I'm still learning about", "used before in The Dark Elements* series by Jennifer Armentrout. If my Rulh", "traits, would that be okay? Granted, I am not over 18 yet and", "about these things but I wasn't entirely sure, given the fact that I'd", "use the name Rulh in my series. However, I've seen this name used", "seen this name used before in The Dark Elements series by Jennifer Armentrout.", "different race with different traits, would that be okay? Granted, I am not", "would that be okay? Granted, I am not over 18 yet and I'm", "Dark Elements* series by Jennifer Armentrout. If my Rulh is a totally different", "book series and I wanted to use the name Rulh in my series.", "a 7 book series and I wanted to use the name Rulh in", "I wasn't entirely sure, given the fact that I'd seen it used before.", "writing a 7 book series and I wanted to use the name Rulh", "18 yet and I'm still learning about these things but I wasn't entirely" ]
[ "event in the story. But in real life, I don't know what the", "happened personally to me, or was a event in the story. But in", "crash after being chased by the police. He gets severe injuries and the", "severe injuries. At the same time, searching things like that on Google can", "in real life, I don't know what the police would actually do handling", "a car crash after being chased by the police. He gets severe injuries", "there a person that specifically helps you with situations like this in writing?", "searching things like that on Google can be hard to find helpful results.", "like that on Google can be hard to find helpful results. Is there", "writing historical fiction or realistic, but I want my story to be \"accurate.\"", "this in writing? How am I supposed to fact check scenes like this?", "by the police. He gets severe injuries and the police arrests him. This", "to be \"accurate.\" For example, let's say that my character got into a", "Is there a person that specifically helps you with situations like this in", "things like that on Google can be hard to find helpful results. Is", "helps you with situations like this in writing? How am I supposed to", "with severe injuries. At the same time, searching things like that on Google", "character got into a car crash after being chased by the police. He", "He gets severe injuries and the police arrests him. This never happened personally", "me, or was a event in the story. But in real life, I", "know what the police would actually do handling a criminal with severe injuries.", "hard to find helpful results. Is there a person that specifically helps you", "him. This never happened personally to me, or was a event in the", "a person that specifically helps you with situations like this in writing? How", "would actually do handling a criminal with severe injuries. At the same time,", "Google can be hard to find helpful results. Is there a person that", "the police. He gets severe injuries and the police arrests him. This never", "example, let's say that my character got into a car crash after being", "be hard to find helpful results. Is there a person that specifically helps", "exactly writing historical fiction or realistic, but I want my story to be", "that on Google can be hard to find helpful results. Is there a", "got into a car crash after being chased by the police. He gets", "find helpful results. Is there a person that specifically helps you with situations", "severe injuries and the police arrests him. This never happened personally to me,", "say that my character got into a car crash after being chased by", "was a event in the story. But in real life, I don't know", "fiction or realistic, but I want my story to be \"accurate.\" For example,", "gets severe injuries and the police arrests him. This never happened personally to", "not exactly writing historical fiction or realistic, but I want my story to", "the same time, searching things like that on Google can be hard to", "into a car crash after being chased by the police. He gets severe", "At the same time, searching things like that on Google can be hard", "police arrests him. This never happened personally to me, or was a event", "But in real life, I don't know what the police would actually do", "police would actually do handling a criminal with severe injuries. At the same", "a event in the story. But in real life, I don't know what", "be \"accurate.\" For example, let's say that my character got into a car", "\"accurate.\" For example, let's say that my character got into a car crash", "specifically helps you with situations like this in writing? How am I supposed", "story to be \"accurate.\" For example, let's say that my character got into", "situations like this in writing? How am I supposed to fact check scenes", "handling a criminal with severe injuries. At the same time, searching things like", "car crash after being chased by the police. He gets severe injuries and", "the police arrests him. This never happened personally to me, or was a", "For example, let's say that my character got into a car crash after", "historical fiction or realistic, but I want my story to be \"accurate.\" For", "on Google can be hard to find helpful results. Is there a person", "the story. But in real life, I don't know what the police would", "police. He gets severe injuries and the police arrests him. This never happened", "to find helpful results. Is there a person that specifically helps you with", "life, I don't know what the police would actually do handling a criminal", "real life, I don't know what the police would actually do handling a", "This never happened personally to me, or was a event in the story.", "the police would actually do handling a criminal with severe injuries. At the", "injuries. At the same time, searching things like that on Google can be", "never happened personally to me, or was a event in the story. But", "but I want my story to be \"accurate.\" For example, let's say that", "my story to be \"accurate.\" For example, let's say that my character got", "let's say that my character got into a car crash after being chased", "a criminal with severe injuries. At the same time, searching things like that", "or was a event in the story. But in real life, I don't", "personally to me, or was a event in the story. But in real", "and the police arrests him. This never happened personally to me, or was", "don't know what the police would actually do handling a criminal with severe", "arrests him. This never happened personally to me, or was a event in", "criminal with severe injuries. At the same time, searching things like that on", "realistic, but I want my story to be \"accurate.\" For example, let's say", "with situations like this in writing? How am I supposed to fact check", "actually do handling a criminal with severe injuries. At the same time, searching", "do handling a criminal with severe injuries. At the same time, searching things", "injuries and the police arrests him. This never happened personally to me, or", "after being chased by the police. He gets severe injuries and the police", "that my character got into a car crash after being chased by the", "being chased by the police. He gets severe injuries and the police arrests", "can be hard to find helpful results. Is there a person that specifically", "in the story. But in real life, I don't know what the police", "I don't know what the police would actually do handling a criminal with", "I'm not exactly writing historical fiction or realistic, but I want my story", "that specifically helps you with situations like this in writing? How am I", "I want my story to be \"accurate.\" For example, let's say that my", "chased by the police. He gets severe injuries and the police arrests him.", "to me, or was a event in the story. But in real life,", "time, searching things like that on Google can be hard to find helpful", "or realistic, but I want my story to be \"accurate.\" For example, let's", "helpful results. Is there a person that specifically helps you with situations like", "you with situations like this in writing? How am I supposed to fact", "person that specifically helps you with situations like this in writing? How am", "like this in writing? How am I supposed to fact check scenes like", "same time, searching things like that on Google can be hard to find", "my character got into a car crash after being chased by the police.", "story. But in real life, I don't know what the police would actually", "results. Is there a person that specifically helps you with situations like this", "what the police would actually do handling a criminal with severe injuries. At", "want my story to be \"accurate.\" For example, let's say that my character" ]
[ "For example, 'happy' is written about 1000 times in my document. I want", "of 1000 words in Microsoft Word? For example, 'happy' is written about 1000", "there a function or way to do that at once in Microsoft Word?", "want to replace only 250 of them with the word 'joy'. So is", "can I replace, say, 250 out of 1000 words in Microsoft Word? For", "Microsoft Word? For example, 'happy' is written about 1000 times in my document.", "say, 250 out of 1000 words in Microsoft Word? For example, 'happy' is", "replace only 250 of them with the word 'joy'. So is there a", "the word 'joy'. So is there a function or way to do that", "to replace only 250 of them with the word 'joy'. So is there", "times in my document. I want to replace only 250 of them with", "I replace, say, 250 out of 1000 words in Microsoft Word? For example,", "my document. I want to replace only 250 of them with the word", "example, 'happy' is written about 1000 times in my document. I want to", "in my document. I want to replace only 250 of them with the", "with the word 'joy'. So is there a function or way to do", "of them with the word 'joy'. So is there a function or way", "written about 1000 times in my document. I want to replace only 250", "out of 1000 words in Microsoft Word? For example, 'happy' is written about", "'joy'. So is there a function or way to do that at once", "word 'joy'. So is there a function or way to do that at", "document. I want to replace only 250 of them with the word 'joy'.", "about 1000 times in my document. I want to replace only 250 of", "only 250 of them with the word 'joy'. So is there a function", "Word? For example, 'happy' is written about 1000 times in my document. I", "is written about 1000 times in my document. I want to replace only", "250 out of 1000 words in Microsoft Word? For example, 'happy' is written", "250 of them with the word 'joy'. So is there a function or", "words in Microsoft Word? For example, 'happy' is written about 1000 times in", "'happy' is written about 1000 times in my document. I want to replace", "them with the word 'joy'. So is there a function or way to", "1000 words in Microsoft Word? For example, 'happy' is written about 1000 times", "1000 times in my document. I want to replace only 250 of them", "I want to replace only 250 of them with the word 'joy'. So", "is there a function or way to do that at once in Microsoft", "How can I replace, say, 250 out of 1000 words in Microsoft Word?", "So is there a function or way to do that at once in", "in Microsoft Word? For example, 'happy' is written about 1000 times in my", "replace, say, 250 out of 1000 words in Microsoft Word? For example, 'happy'" ]
[ "make my writing sound like a college textbook, a newspaper article, a scientific", "my writing sound like a college textbook, a newspaper article, a scientific journal,", "like a college textbook, a newspaper article, a scientific journal, a blog post,", "How do I make my writing sound like a college textbook, a newspaper", "I make my writing sound like a college textbook, a newspaper article, a", "writing sound like a college textbook, a newspaper article, a scientific journal, a", "sound like a college textbook, a newspaper article, a scientific journal, a blog", "a college textbook, a newspaper article, a scientific journal, a blog post, etc,", "college textbook, a newspaper article, a scientific journal, a blog post, etc, professionally?", "do I make my writing sound like a college textbook, a newspaper article," ]
[ "clear characters and scenes and a general plotline to follow, but the part", "6th grade. I've gone through many trials and errors, and I have a", "working on that's a little bit different than the others. I have clear", "that's a little bit different than the others. I have clear characters and", "that always trips me up is actually writing. Does anyone have any tips", "always trips me up is actually writing. Does anyone have any tips as", "years. I'm still fairly young, and I developed a love of writing around", "love of writing around 6th grade. I've gone through many trials and errors,", "plotline to follow, but the part that always trips me up is actually", "I have a story I'm currently working on that's a little bit different", "a general plotline to follow, but the part that always trips me up", "here and have been writing for around two years. I'm still fairly young,", "to follow, but the part that always trips me up is actually writing.", "I'm still fairly young, and I developed a love of writing around 6th", "have a story I'm currently working on that's a little bit different than", "but the part that always trips me up is actually writing. Does anyone", "up is actually writing. Does anyone have any tips as to where to", "writing. Does anyone have any tips as to where to start out? Thanks", "for around two years. I'm still fairly young, and I developed a love", "writing for around two years. I'm still fairly young, and I developed a", "errors, and I have a story I'm currently working on that's a little", "and I have a story I'm currently working on that's a little bit", "a love of writing around 6th grade. I've gone through many trials and", "been writing for around two years. I'm still fairly young, and I developed", "I'm new here and have been writing for around two years. I'm still", "others. I have clear characters and scenes and a general plotline to follow,", "and have been writing for around two years. I'm still fairly young, and", "grade. I've gone through many trials and errors, and I have a story", "part that always trips me up is actually writing. Does anyone have any", "gone through many trials and errors, and I have a story I'm currently", "have been writing for around two years. I'm still fairly young, and I", "me up is actually writing. Does anyone have any tips as to where", "young, and I developed a love of writing around 6th grade. I've gone", "currently working on that's a little bit different than the others. I have", "on that's a little bit different than the others. I have clear characters", "general plotline to follow, but the part that always trips me up is", "and I developed a love of writing around 6th grade. I've gone through", "a little bit different than the others. I have clear characters and scenes", "bit different than the others. I have clear characters and scenes and a", "trips me up is actually writing. Does anyone have any tips as to", "I have clear characters and scenes and a general plotline to follow, but", "is actually writing. Does anyone have any tips as to where to start", "fairly young, and I developed a love of writing around 6th grade. I've", "and a general plotline to follow, but the part that always trips me", "I've gone through many trials and errors, and I have a story I'm", "still fairly young, and I developed a love of writing around 6th grade.", "the others. I have clear characters and scenes and a general plotline to", "scenes and a general plotline to follow, but the part that always trips", "follow, but the part that always trips me up is actually writing. Does", "than the others. I have clear characters and scenes and a general plotline", "developed a love of writing around 6th grade. I've gone through many trials", "the part that always trips me up is actually writing. Does anyone have", "story I'm currently working on that's a little bit different than the others.", "of writing around 6th grade. I've gone through many trials and errors, and", "many trials and errors, and I have a story I'm currently working on", "two years. I'm still fairly young, and I developed a love of writing", "have clear characters and scenes and a general plotline to follow, but the", "actually writing. Does anyone have any tips as to where to start out?", "little bit different than the others. I have clear characters and scenes and", "I developed a love of writing around 6th grade. I've gone through many", "trials and errors, and I have a story I'm currently working on that's", "through many trials and errors, and I have a story I'm currently working", "and scenes and a general plotline to follow, but the part that always", "and errors, and I have a story I'm currently working on that's a", "writing around 6th grade. I've gone through many trials and errors, and I", "new here and have been writing for around two years. I'm still fairly", "I'm currently working on that's a little bit different than the others. I", "around 6th grade. I've gone through many trials and errors, and I have", "different than the others. I have clear characters and scenes and a general", "characters and scenes and a general plotline to follow, but the part that", "around two years. I'm still fairly young, and I developed a love of", "a story I'm currently working on that's a little bit different than the" ]
[ "them all is copyright issues. I'm not going to bore you with the", "be asking an attorney, or even my friend, to deem whether my story", "quite a long time. So, for the past year or so, I've been", "would count as a good resource for me online, but I want to", "and then provide me with advice, so that I can be 100 or", "about this for quite a long time. So, for the past year or", "for quite a long time. So, for the past year or so, I've", "worrying about this for quite a long time. So, for the past year", "time. So, for the past year or so, I've been working hard on", "details, but I was wondering if there were resources(people or online. Technically, this", "to bore you with the details, but I was wondering if there were", "sure if I'm supposed to be asking an attorney, or even my friend,", "even my friend, to deem whether my story is too similar to another.", "a long time. So, for the past year or so, I've been working", "good resource for me online, but I want to go more in-depth) that", "want to go more in-depth) that look over my story, and compare it", "this for quite a long time. So, for the past year or so,", "an existing work that I think could be too similar, and then provide", "work that I think could be too similar, and then provide me with", "I've been working hard on a story I'm very passionate about. My biggest", "issues. I'm not going to bore you with the details, but I was", "an attorney, or even my friend, to deem whether my story is too", "in-depth) that look over my story, and compare it to an existing work", "or near percent assured. I'm not sure if I'm supposed to be asking", "helpful and would count as a good resource for me online, but I", "been worrying about this for quite a long time. So, for the past", "was wondering if there were resources(people or online. Technically, this site is really", "if I'm supposed to be asking an attorney, or even my friend, to", "resources(people or online. Technically, this site is really helpful and would count as", "past year or so, I've been working hard on a story I'm very", "not going to bore you with the details, but I was wondering if", "story, and compare it to an existing work that I think could be", "very passionate about. My biggest concern of them all is copyright issues. I'm", "site is really helpful and would count as a good resource for me", "for me online, but I want to go more in-depth) that look over", "really helpful and would count as a good resource for me online, but", "with advice, so that I can be 100 or near percent assured. I'm", "wondering if there were resources(people or online. Technically, this site is really helpful", "about. My biggest concern of them all is copyright issues. I'm not going", "compare it to an existing work that I think could be too similar,", "a story I'm very passionate about. My biggest concern of them all is", "So, for the past year or so, I've been working hard on a", "resource for me online, but I want to go more in-depth) that look", "near percent assured. I'm not sure if I'm supposed to be asking an", "working hard on a story I'm very passionate about. My biggest concern of", "I want to go more in-depth) that look over my story, and compare", "biggest concern of them all is copyright issues. I'm not going to bore", "year or so, I've been working hard on a story I'm very passionate", "percent assured. I'm not sure if I'm supposed to be asking an attorney,", "but I want to go more in-depth) that look over my story, and", "to go more in-depth) that look over my story, and compare it to", "of them all is copyright issues. I'm not going to bore you with", "I'm not sure if I'm supposed to be asking an attorney, or even", "that I think could be too similar, and then provide me with advice,", "concern of them all is copyright issues. I'm not going to bore you", "it to an existing work that I think could be too similar, and", "go more in-depth) that look over my story, and compare it to an", "too similar, and then provide me with advice, so that I can be", "or so, I've been working hard on a story I'm very passionate about.", "is really helpful and would count as a good resource for me online,", "attorney, or even my friend, to deem whether my story is too similar", "this site is really helpful and would count as a good resource for", "assured. I'm not sure if I'm supposed to be asking an attorney, or", "over my story, and compare it to an existing work that I think", "me with advice, so that I can be 100 or near percent assured.", "long time. So, for the past year or so, I've been working hard", "online, but I want to go more in-depth) that look over my story,", "think could be too similar, and then provide me with advice, so that", "supposed to be asking an attorney, or even my friend, to deem whether", "is copyright issues. I'm not going to bore you with the details, but", "that look over my story, and compare it to an existing work that", "100 or near percent assured. I'm not sure if I'm supposed to be", "or online. Technically, this site is really helpful and would count as a", "I'm very passionate about. My biggest concern of them all is copyright issues.", "I'm not going to bore you with the details, but I was wondering", "I'm supposed to be asking an attorney, or even my friend, to deem", "and would count as a good resource for me online, but I want", "the past year or so, I've been working hard on a story I'm", "but I was wondering if there were resources(people or online. Technically, this site", "I can be 100 or near percent assured. I'm not sure if I'm", "provide me with advice, so that I can be 100 or near percent", "I think could be too similar, and then provide me with advice, so", "for the past year or so, I've been working hard on a story", "can be 100 or near percent assured. I'm not sure if I'm supposed", "there were resources(people or online. Technically, this site is really helpful and would", "Technically, this site is really helpful and would count as a good resource", "me online, but I want to go more in-depth) that look over my", "not sure if I'm supposed to be asking an attorney, or even my", "could be too similar, and then provide me with advice, so that I", "advice, so that I can be 100 or near percent assured. I'm not", "on a story I'm very passionate about. My biggest concern of them all", "copyright issues. I'm not going to bore you with the details, but I", "been working hard on a story I'm very passionate about. My biggest concern", "and compare it to an existing work that I think could be too", "hard on a story I'm very passionate about. My biggest concern of them", "so, I've been working hard on a story I'm very passionate about. My", "all is copyright issues. I'm not going to bore you with the details,", "existing work that I think could be too similar, and then provide me", "count as a good resource for me online, but I want to go", "my story, and compare it to an existing work that I think could", "if there were resources(people or online. Technically, this site is really helpful and", "so that I can be 100 or near percent assured. I'm not sure", "with the details, but I was wondering if there were resources(people or online.", "a good resource for me online, but I want to go more in-depth)", "I've been worrying about this for quite a long time. So, for the", "as a good resource for me online, but I want to go more", "were resources(people or online. Technically, this site is really helpful and would count", "to be asking an attorney, or even my friend, to deem whether my", "then provide me with advice, so that I can be 100 or near", "bore you with the details, but I was wondering if there were resources(people", "the details, but I was wondering if there were resources(people or online. Technically,", "that I can be 100 or near percent assured. I'm not sure if", "online. Technically, this site is really helpful and would count as a good", "be 100 or near percent assured. I'm not sure if I'm supposed to", "be too similar, and then provide me with advice, so that I can", "you with the details, but I was wondering if there were resources(people or", "passionate about. My biggest concern of them all is copyright issues. I'm not", "or even my friend, to deem whether my story is too similar to", "going to bore you with the details, but I was wondering if there", "My biggest concern of them all is copyright issues. I'm not going to", "more in-depth) that look over my story, and compare it to an existing", "story I'm very passionate about. My biggest concern of them all is copyright", "asking an attorney, or even my friend, to deem whether my story is", "I was wondering if there were resources(people or online. Technically, this site is", "similar, and then provide me with advice, so that I can be 100", "to an existing work that I think could be too similar, and then", "look over my story, and compare it to an existing work that I" ]
[ "I don't want to write it as Los Angeles, 2030s The Possibilities 1.", "Angeles, 203- (an en or an em dash) 2. Los Angeles, 203x or", "don't want to specify the year, and I don't want to write it", "story is Los Angeles in the 2030s, but I don't want to specify", "Ceref Becctil) Which would be the most effective way to convey the idea?", "is Los Angeles in the 2030s, but I don't want to specify the", "the twenty-first century 5. Los Angeles, 203? (courtesy Ceref Becctil) Which would be", "and I don't want to write it as Los Angeles, 2030s The Possibilities", "(an en or an em dash) 2. Los Angeles, 203x or 203X 3.", "203\\_ 4. Los Angeles, the fourth decade of the twenty-first century 5. Los", "em dash) 2. Los Angeles, 203x or 203X 3. Los Angeles, 203\\_ 4.", "Los Angeles, the fourth decade of the twenty-first century 5. Los Angeles, 203?", "to specify the year, and I don't want to write it as Los", "the 2030s, but I don't want to specify the year, and I don't", "Angeles, 203\\_ 4. Los Angeles, the fourth decade of the twenty-first century 5.", "the fourth decade of the twenty-first century 5. Los Angeles, 203? (courtesy Ceref", "Angeles in the 2030s, but I don't want to specify the year, and", "twenty-first century 5. Los Angeles, 203? (courtesy Ceref Becctil) Which would be the", "want to write it as Los Angeles, 2030s The Possibilities 1. Los Angeles,", "decade of the twenty-first century 5. Los Angeles, 203? (courtesy Ceref Becctil) Which", "203- (an en or an em dash) 2. Los Angeles, 203x or 203X", "want to specify the year, and I don't want to write it as", "2. Los Angeles, 203x or 203X 3. Los Angeles, 203\\_ 4. Los Angeles,", "Possibilities 1. Los Angeles, 203- (an en or an em dash) 2. Los", "don't want to write it as Los Angeles, 2030s The Possibilities 1. Los", "century 5. Los Angeles, 203? (courtesy Ceref Becctil) Which would be the most", "3. Los Angeles, 203\\_ 4. Los Angeles, the fourth decade of the twenty-first", "year, and I don't want to write it as Los Angeles, 2030s The", "write it as Los Angeles, 2030s The Possibilities 1. Los Angeles, 203- (an", "(courtesy Ceref Becctil) Which would be the most effective way to convey the", "a story is Los Angeles in the 2030s, but I don't want to", "an em dash) 2. Los Angeles, 203x or 203X 3. Los Angeles, 203\\_", "I don't want to specify the year, and I don't want to write", "fourth decade of the twenty-first century 5. Los Angeles, 203? (courtesy Ceref Becctil)", "but I don't want to specify the year, and I don't want to", "of the twenty-first century 5. Los Angeles, 203? (courtesy Ceref Becctil) Which would", "or 203X 3. Los Angeles, 203\\_ 4. Los Angeles, the fourth decade of", "Angeles, 2030s The Possibilities 1. Los Angeles, 203- (an en or an em", "to indicate that the setting of a story is Los Angeles in the", "or an em dash) 2. Los Angeles, 203x or 203X 3. Los Angeles,", "203? (courtesy Ceref Becctil) Which would be the most effective way to convey", "2030s The Possibilities 1. Los Angeles, 203- (an en or an em dash)", "203x or 203X 3. Los Angeles, 203\\_ 4. Los Angeles, the fourth decade", "Los Angeles in the 2030s, but I don't want to specify the year,", "dash) 2. Los Angeles, 203x or 203X 3. Los Angeles, 203\\_ 4. Los", "5. Los Angeles, 203? (courtesy Ceref Becctil) Which would be the most effective", "Los Angeles, 203x or 203X 3. Los Angeles, 203\\_ 4. Los Angeles, the", "Angeles, the fourth decade of the twenty-first century 5. Los Angeles, 203? (courtesy", "en or an em dash) 2. Los Angeles, 203x or 203X 3. Los", "the setting of a story is Los Angeles in the 2030s, but I", "as Los Angeles, 2030s The Possibilities 1. Los Angeles, 203- (an en or", "setting of a story is Los Angeles in the 2030s, but I don't", "the year, and I don't want to write it as Los Angeles, 2030s", "it as Los Angeles, 2030s The Possibilities 1. Los Angeles, 203- (an en", "in the 2030s, but I don't want to specify the year, and I", "203X 3. Los Angeles, 203\\_ 4. Los Angeles, the fourth decade of the", "Angeles, 203x or 203X 3. Los Angeles, 203\\_ 4. Los Angeles, the fourth", "4. Los Angeles, the fourth decade of the twenty-first century 5. Los Angeles,", "Los Angeles, 203? (courtesy Ceref Becctil) Which would be the most effective way", "Angeles, 203? (courtesy Ceref Becctil) Which would be the most effective way to", "indicate that the setting of a story is Los Angeles in the 2030s,", "I want to indicate that the setting of a story is Los Angeles", "1. Los Angeles, 203- (an en or an em dash) 2. Los Angeles,", "specify the year, and I don't want to write it as Los Angeles,", "The Possibilities 1. Los Angeles, 203- (an en or an em dash) 2.", "to write it as Los Angeles, 2030s The Possibilities 1. Los Angeles, 203-", "want to indicate that the setting of a story is Los Angeles in", "Los Angeles, 203- (an en or an em dash) 2. Los Angeles, 203x", "that the setting of a story is Los Angeles in the 2030s, but", "Los Angeles, 2030s The Possibilities 1. Los Angeles, 203- (an en or an", "Los Angeles, 203\\_ 4. Los Angeles, the fourth decade of the twenty-first century", "of a story is Los Angeles in the 2030s, but I don't want", "2030s, but I don't want to specify the year, and I don't want" ]
[ "fanfiction since this is a common style choice in fanfiction more generally and", "to many publishers that the only writing experience the author has is writing", "head without italics showing what words the characters are placing emphasis on. Here", "in fanfiction more generally and is not appropriate to use in \"proper\" writing.", "to use in \"proper\" writing. At the same time, I am struggling a", "this was a problem. \"We see a clear difference between the two groups,\"", "to use italics to emphasize parts of dialogue if not doing so would", "but I was told that this was a sign of bad writing. More", "I was told that this was a sign of bad writing. More specifically", "the speakers is putting emphasis on? I used to do this quite frequently,", "that this was a sign of bad writing. More specifically that it's a", "show which words the speakers is putting emphasis on? I used to do", "generally and is not appropriate to use in \"proper\" writing. At the same", "time, I am struggling a bit to convey conversations in writing the way", "a clear difference between the two groups,\" she said, \"but other people won't.\"", "the author has is writing fanfiction since this is a common style choice", "clear difference between the two groups,\" she said, \"but other people won't\" versus...", "words the characters are placing emphasis on. Here is the sentence in particular", "putting emphasis on?** I used to do this quite frequently, but I was", "At the same time, I am struggling a bit to convey conversations in", "italics to emphasize parts of dialogue if not doing so would result in", "author has is writing fanfiction since this is a common style choice in", "without italics showing what words the characters are placing emphasis on. Here is", "that made me realize this was a problem. \"We see a clear difference", "comes across as very different and the latter sounds a bit flat. I", "across as very different and the latter sounds a bit flat. I am", "italics showing what words the characters are placing emphasis on. Here is the", "showing what words the characters are placing emphasis on. Here is the sentence", "between the two groups,\" she said, \"but other people won't.\" The tone comes", "use in \"proper\" writing. At the same time, I am struggling a bit", "different and the latter sounds a bit flat. I am not sure if", "way I am visualizing them in my head without italics showing what words", "was told that this was a sign of bad writing. More specifically that", "clear difference between the two groups,\" she said, \"but other people won't.\" The", "character is speaking (i.e., differences in emphasis relating to different speech patterns or", "other people won't\" versus... \"We see a clear difference between the two groups,\"", "if not doing so would result in the audience missing how the character", "the only writing experience the author has is writing fanfiction since this is", "fanfiction more generally and is not appropriate to use in \"proper\" writing. At", "words the speakers is putting emphasis on? I used to do this quite", "conversations in writing the way I am visualizing them in my head without", "to emphasize parts of dialogue to show which words the speakers is putting", "people won't.\" The tone comes across as very different and the latter sounds", "she said, \"but other people won't\" versus... \"We see a clear difference between", "use italics to emphasize parts of dialogue if not doing so would result", "tone comes across as very different and the latter sounds a bit flat.", "more generally and is not appropriate to use in \"proper\" writing. At the", "the way I am visualizing them in my head without italics showing what", "is the sentence in particular that made me realize this was a problem.", "difference between the two groups,\" she said, \"but other people won't.\" The tone", "it is appropriate to use italics to emphasize parts of dialogue if not", "\"We see a clear difference between the two groups,\" she said, \"but other", "parts of dialogue to show which words the speakers is putting emphasis on?", "appropriate to use italics to emphasize parts of dialogue to show which words", "sign of bad writing. More specifically that it's a red flag to many", "groups,\" she said, \"but other people won't.\" The tone comes across as very", "the two groups,\" she said, \"but other people won't.\" The tone comes across", "\"but other people won't\" versus... \"We see a clear difference between the two", "what words the characters are placing emphasis on. Here is the sentence in", "is appropriate to use italics to emphasize parts of dialogue if not doing", "to emphasize parts of dialogue if not doing so would result in the", "writing. More specifically that it's a red flag to many publishers that the", "characters are placing emphasis on. Here is the sentence in particular that made", "\"We see a clear difference between the two groups,\" she said, \"but other", "quite frequently, but I was told that this was a sign of bad", "between the two groups,\" she said, \"but other people won't\" versus... \"We see", "as very different and the latter sounds a bit flat. I am not", "is a common style choice in fanfiction more generally and is not appropriate", "has is writing fanfiction since this is a common style choice in fanfiction", "the sentence in particular that made me realize this was a problem. \"We", "am not sure if it is appropriate to use italics to emphasize parts", "won't.\" The tone comes across as very different and the latter sounds a", "told that this was a sign of bad writing. More specifically that it's", "versus... \"We see a clear difference between the two groups,\" she said, \"but", "is writing fanfiction since this is a common style choice in fanfiction more", "that the only writing experience the author has is writing fanfiction since this", "them in my head without italics showing what words the characters are placing", "speakers is putting emphasis on?** I used to do this quite frequently, but", "style choice in fanfiction more generally and is not appropriate to use in", "frequently, but I was told that this was a sign of bad writing.", "specifically that it's a red flag to many publishers that the only writing", "The tone comes across as very different and the latter sounds a bit", "the character is speaking (i.e., differences in emphasis relating to different speech patterns", "the same time, I am struggling a bit to convey conversations in writing", "flat. I am not sure if it is appropriate to use italics to", "of bad writing. More specifically that it's a red flag to many publishers", "doing so would result in the audience missing how the character is speaking", "how the character is speaking (i.e., differences in emphasis relating to different speech", "very different and the latter sounds a bit flat. I am not sure", "a problem. \"We see a clear difference between the two groups,\" she said,", "this is a common style choice in fanfiction more generally and is not", "the audience missing how the character is speaking (i.e., differences in emphasis relating", "writing fanfiction since this is a common style choice in fanfiction more generally", "many publishers that the only writing experience the author has is writing fanfiction", "if it is appropriate to use italics to emphasize parts of dialogue if", "of dialogue to show which words the speakers is putting emphasis on? I", "same time, I am struggling a bit to convey conversations in writing the", "on. Here is the sentence in particular that made me realize this was", "on? I used to do this quite frequently, but I was told that", "I am not sure if it is appropriate to use italics to emphasize", "was a sign of bad writing. More specifically that it's a red flag", "a bit flat. I am not sure if it is appropriate to use", "the latter sounds a bit flat. I am not sure if it is", "writing the way I am visualizing them in my head without italics showing", "problem. \"We see a clear difference between the two groups,\" she said, \"but", "the two groups,\" she said, \"but other people won't\" versus... \"We see a", "sure if it is appropriate to use italics to emphasize parts of dialogue", "bit to convey conversations in writing the way I am visualizing them in", "I used to do this quite frequently, but I was told that this", "emphasis on?** I used to do this quite frequently, but I was told", "parts of dialogue if not doing so would result in the audience missing", "convey conversations in writing the way I am visualizing them in my head", "a sign of bad writing. More specifically that it's a red flag to", "is speaking (i.e., differences in emphasis relating to different speech patterns or characterization).", "am struggling a bit to convey conversations in writing the way I am", "difference between the two groups,\" she said, \"but other people won't\" versus... \"We", "two groups,\" she said, \"but other people won't\" versus... \"We see a clear", "to convey conversations in writing the way I am visualizing them in my", "this quite frequently, but I was told that this was a sign of", "won't\" versus... \"We see a clear difference between the two groups,\" she said,", "struggling a bit to convey conversations in writing the way I am visualizing", "sounds a bit flat. I am not sure if it is appropriate to", "not appropriate to use in \"proper\" writing. 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More specifically that it's a red", "red flag to many publishers that the only writing experience the author has", "only writing experience the author has is writing fanfiction since this is a", "writing. At the same time, I am struggling a bit to convey conversations", "a clear difference between the two groups,\" she said, \"but other people won't\"", "I am visualizing them in my head without italics showing what words the", "which words the speakers is putting emphasis on?** I used to do this", "common style choice in fanfiction more generally and is not appropriate to use", "publishers that the only writing experience the author has is writing fanfiction since", "used to do this quite frequently, but I was told that this was", "visualizing them in my head without italics showing what words the characters are", "particular that made me realize this was a problem. \"We see a clear", "dialogue if not doing so would result in the audience missing how the", "a common style choice in fanfiction more generally and is not appropriate to", "in the audience missing how the character is speaking (i.e., differences in emphasis", "would result in the audience missing how the character is speaking (i.e., differences", "do this quite frequently, but I was told that this was a sign", "since this is a common style choice in fanfiction more generally and is", "choice in fanfiction more generally and is not appropriate to use in \"proper\"", "so would result in the audience missing how the character is speaking (i.e.,", "it ever appropriate to use italics to emphasize parts of dialogue to show", "of dialogue if not doing so would result in the audience missing how", "she said, \"but other people won't.\" The tone comes across as very different", "bad writing. More specifically that it's a red flag to many publishers that", "realize this was a problem. \"We see a clear difference between the two", "my head without italics showing what words the characters are placing emphasis on.", "I am struggling a bit to convey conversations in writing the way I", "audience missing how the character is speaking (i.e., differences in emphasis relating to", "Here is the sentence in particular that made me realize this was a", "in my head without italics showing what words the characters are placing emphasis", "is putting emphasis on?** I used to do this quite frequently, but I", "in writing the way I am visualizing them in my head without italics", "two groups,\" she said, \"but other people won't.\" The tone comes across as", "bit flat. I am not sure if it is appropriate to use italics", "me realize this was a problem. \"We see a clear difference between the", "the characters are placing emphasis on. Here is the sentence in particular that", "use italics to emphasize parts of dialogue to show which words the speakers", "see a clear difference between the two groups,\" she said, \"but other people", "ever appropriate to use italics to emphasize parts of dialogue to show which", "\"proper\" writing. At the same time, I am struggling a bit to convey", "latter sounds a bit flat. I am not sure if it is appropriate", "not sure if it is appropriate to use italics to emphasize parts of", "am visualizing them in my head without italics showing what words the characters", "experience the author has is writing fanfiction since this is a common style", "a red flag to many publishers that the only writing experience the author", "appropriate to use in \"proper\" writing. At the same time, I am struggling", "it's a red flag to many publishers that the only writing experience the", "emphasize parts of dialogue if not doing so would result in the audience", "writing experience the author has is writing fanfiction since this is a common", "placing emphasis on. Here is the sentence in particular that made me realize", "in \"proper\" writing. At the same time, I am struggling a bit to", "emphasis on. Here is the sentence in particular that made me realize this", "to use italics to emphasize parts of dialogue to show which words the", "emphasize parts of dialogue to show which words the speakers is putting emphasis", "and the latter sounds a bit flat. I am not sure if it", "people won't\" versus... \"We see a clear difference between the two groups,\" she", "are placing emphasis on. Here is the sentence in particular that made me", "and is not appropriate to use in \"proper\" writing. At the same time,", "made me realize this was a problem. \"We see a clear difference between", "italics to emphasize parts of dialogue to show which words the speakers is", "was a problem. \"We see a clear difference between the two groups,\" she", "is not appropriate to use in \"proper\" writing. At the same time, I", "appropriate to use italics to emphasize parts of dialogue if not doing so", "other people won't.\" The tone comes across as very different and the latter", "Is it ever appropriate to use italics to emphasize parts of dialogue to", "to show which words the speakers is putting emphasis on? I used to", "not doing so would result in the audience missing how the character is", "said, \"but other people won't\" versus... \"We see a clear difference between the" ]
[ "can choose LaTeX to carry out this compilation or if it is crazy", "print on demand (POD) on IngramSpark. The content is basically text and a", "is to layout the text, review it and correct any errors. I am", "alternatives to InDesign. The experience with the POD company was not good either,", "intend to undertake is great, there are 15 books of 480 pages each*,", "that into separate documents per chapter and then recompose it again in a", "be less complicated to work on large documents. the quality of the", "read about LaTeX. I have no knowledge about LaTeX. But what I've seen", "all in one PDF. Other than that, there remains the task of making", "this would give me the advantage of reviewing parts of my document in", "But what I've seen so far appeals to me: * has a certain", "it seems that it would be less complicated to work on large documents.", "in free moments, away from home, from my mobile or tablet, without having", "* it would seem more powerful than Scribus (since it works, so to", "programmer and I have extensive knowledge of HTML, XML, Markdown and some programming", "my case because I am not exclusively dedicated to book design. That is", "configure it for IngramSpark … it scares me. Looking for alternatives to Scribus", "That is why I started looking for alternatives to InDesign. The experience with", "slowness in the program). The suggested solutions were not to my liking: separating", "free software community. But, in my search I read on several sites complaints", "that CreateSpace (or KDP, I don't remember which one) prohibited documents written in", "In my research I read for example that CreateSpace (or KDP, I don't", "must say that in everything I read Scribus is a highly praised program", "glued to the design program on the computer (as was the case with", "publish on IngramSpark. Another important aspect is that I am currently migrating from", "away from home, from my mobile or tablet, without having to be glued", "search was Scribus. I must say that in everything I read Scribus is", "good either, so I am deciding to publish on IngramSpark. Another important aspect", "in the program). The suggested solutions were not to my liking: separating the", "(POD) on IngramSpark. The content is basically text and a few black and", "written (it is a compilation). Currently most of the work is distributed in", "software programmer and I have extensive knowledge of HTML, XML, Markdown and some", "for open source alternatives to InDesign. The first one I came across in", "in the source code of the document). I like that too, because I'm", "I've seen so far appeals to me: * has a certain resemblance to", "the advantage of reviewing parts of my document in free moments, away from", "of 480 pages each, so to think about having to divide that into", "great to me. My big question, given all the above, is if I", "computer (as was the case with InDesign and it would be the Scribus", "documents (eg slowness in the program). The suggested solutions were not to my", "processes to reassemble them all in one PDF. Other than that, there remains", "tablet, without having to be glued to the design program on the computer", "on IngramSpark? In my research I read for example that CreateSpace (or KDP,", "was not good either, so I am deciding to publish on IngramSpark. Another", "most of the work is distributed in Word documents, Google Docs and Pages.", "I intend to undertake is great, there are 15 books of 480 pages", "my mobile or tablet, without having to be glued to the design program", "PDF meet IngramSpark's requirements. Actually, the editing work that I intend to undertake", "so to speak, directly in the source code of the document). I like", "text, review it and correct any errors. I am not an expert in", "think about having to divide that into separate documents per chapter and then", "to be glued to the design program on the computer (as was the", "InDesign. But it is commercial software, not profitable in my case because I", "in my search I read on several sites complaints regarding long documents (eg", "this compilation or if it is crazy and should I choose another type", "Other than that, there remains the task of making that PDF meet IngramSpark's", "(not on IngramSpark). I wrote that book using Adobe InDesign. But it is", "sites complaints regarding long documents** (eg slowness in the program). The suggested solutions", "seems that it would be less complicated to work on large documents. ", "not profitable in my case because I am not exclusively dedicated to book", "scares me. Looking for alternatives to Scribus I have read about LaTeX. I", "works, so to speak, directly in the source code of the document). I", "is that I am currently migrating from Mac OSX to Linux, so I", "several sites complaints regarding long documents* (eg slowness in the program). The suggested", "I like that too, because I'm a programmer. 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I've already published a first book (not on", "a PDF and then have to configure it for IngramSpark … it scares", "for IngramSpark … it scares me. Looking for alternatives to Scribus I have", "the computer (as was the case with InDesign and it would be the", "highly praised program in the free software community. But, in my search I", "knowledge about LaTeX. But what I've seen so far appeals to me: ", "The suggested solutions were not to my liking: separating the book into several", "me. My big question, given all the above, is if I can choose", "on several sites complaints regarding long documents* (eg slowness in the program). The", "am currently migrating from Mac OSX to Linux, so I started to looke", "long documents (eg slowness in the program). The suggested solutions were not to", "things I know * it would seem more powerful than Scribus (since it", "commercial software, not profitable in my case because I am not exclusively dedicated", "extensive knowledge of HTML, XML, Markdown and some programming languages. I've already published", "more than 30 pages, and others … Then resorting to complicated processes to", "than 30 pages, and others … Then resorting to complicated processes to reassemble", "work is distributed in Word documents, Google Docs and Pages. What is missing", "me. Looking for alternatives to Scribus I have read about LaTeX. I have", "requirements. Actually, the editing work that I intend to undertake is great, there", "alternative. Has anyone had experience posting documents written in LaTeX on IngramSpark? In", "currently migrating from Mac OSX to Linux, so I started to looke for", "it for IngramSpark … it scares me. Looking for alternatives to Scribus I", "to undertake is great, there are 15 books of 480 pages each, so", "posting documents written in LaTeX on IngramSpark? In my research I read for", "in book design or layout, I am a software programmer and I have", "(per chapter), trying to make sure that each chapter does not have more", "expert in book design or layout, I am a software programmer and I", "undertake is great, there are 15 books of 480 pages each, so to", "compilation** or if it is crazy and should I choose another type of", "does not have more than 30 pages, and others … Then resorting to", "PDF. Other than that, there remains the task of making that PDF meet", "I am a software programmer and I have extensive knowledge of HTML, XML,", "InDesign and it would be the Scribus case) * it seems that it", "and Pages. What is missing now is to layout the text, review it", "content is basically text and a few black and white images. Another important", "another type of alternative. Has anyone had experience posting documents written in LaTeX", "that PDF meet IngramSpark's requirements. Actually, the editing work that I intend to", "Adobe InDesign. But it is commercial software, not profitable in my case because", "if it is crazy and should I choose another type of alternative. Has", "having to be glued to the design program on the computer (as was", "of alternative. Has anyone had experience posting documents written in LaTeX on IngramSpark?", "separate documents per chapter and then recompose it again in a PDF and", "for alternatives to InDesign. The experience with the POD company was not good", "divide that into separate documents per chapter and then recompose it again in", "Then resorting to complicated processes to reassemble them all in one PDF. Other", "to Linux, so I started to looke for open source alternatives to InDesign.", "is why I started looking for alternatives to InDesign. The experience with the", "should I choose another type of alternative. Has anyone had experience posting documents", "choose another type of alternative. Has anyone had experience posting documents written in", "to divide that into separate documents per chapter and then recompose it again", "But, in my search I read on several sites complaints regarding long documents*", "appeals to me: has a certain resemblance to markdown, html, xml, things", "great, there are 15 books of 480 pages each, so to think about", "on the computer (as was the case with InDesign and it would be", "book design. That is why I started looking for alternatives to InDesign. The", "with InDesign and it would be the Scribus case) * it seems that", "first book (not on IngramSpark). I wrote that book using Adobe InDesign. But", "would give me the advantage of reviewing parts of my document in free", "and should I choose another type of alternative. Has anyone had experience posting", "… Then resorting to complicated processes to reassemble them all in one PDF.", "because I am not exclusively dedicated to book design. That is why I", "code of the document). I like that too, because I'm a programmer. In", "am deciding to publish on IngramSpark. Another important aspect is that I am", "is basically text** and a few black and white images. Another important aspect", "would be the Scribus case) * it seems that it would be less", "Scribus I have read about LaTeX. I have no knowledge about LaTeX. But", "that it would be less complicated to work on large documents. * the", "am not exclusively dedicated to book design. That is why I started looking", "HTML, XML, Markdown and some programming languages. I've already published a first book", "text** and a few black and white images. Another important aspect is that", "less complicated to work on large documents. * the quality of the text", "so far appeals to me: * has a certain resemblance to markdown, html,", "about LaTeX. But what I've seen so far appeals to me: * has", "into several documents (per chapter), trying to make sure that each chapter does", "in my search was Scribus. I must say that in everything I read", "document in free moments, away from home, from my mobile or tablet, without", "InDesign. The first one I came across in my search was Scribus. I", "markdown, html, xml, things I know * it would seem more powerful than", "* the quality of the text seems great to me. My big question,", "home, from my mobile or tablet, without having to be glued to the", "and others … Then resorting to complicated processes to reassemble them all in", "in one PDF. Other than that, there remains the task of making that", "it is crazy and should I choose another type of alternative. Has anyone", "task of making that PDF meet IngramSpark's requirements. Actually, the editing work that", "am a software programmer and I have extensive knowledge of HTML, XML, Markdown", "is already written (it is a compilation). Currently most of the work is", "to Scribus I have read about LaTeX. I have no knowledge about LaTeX.", "make sure that each chapter does not have more than 30 pages, and", "design program on the computer (as was the case with InDesign and it", "black and white images. Another important aspect is that the text is already", "the work is distributed in Word documents, Google Docs and Pages. What is", "errors. I am not an expert in book design or layout, I am", "or layout, I am a software programmer and I have extensive knowledge of", "my search was Scribus. I must say that in everything I read Scribus", "on demand (POD) on IngramSpark. The content is basically text and a few", "is great, there are 15 books of 480 pages each, so to think", "there are 15 books of 480 pages each, so to think about having", "recompose it again in a PDF and then have to configure it for", "alternatives to Scribus I have read about LaTeX. I have no knowledge about", "documents (per chapter), trying to make sure that each chapter does not have", "each, so to think about having to divide that into separate documents per", "about having to divide that into separate documents per chapter and then recompose", "is crazy and should I choose another type of alternative. Has anyone had", "wrote that book using Adobe InDesign. But it is commercial software, not profitable", "because I'm a programmer. In addition, this would give me the advantage of", "book using Adobe InDesign. But it is commercial software, not profitable in my", "mobile or tablet, without having to be glued to the design program on", "software, not profitable in my case because I am not exclusively dedicated to", "books of 480 pages each, so to think about having to divide that", "the task of making that PDF meet IngramSpark's requirements. Actually, the editing work", "the text, review it and correct any errors. I am not an expert", "What is missing now is to layout the text, review it and correct", "making that PDF meet IngramSpark's requirements. Actually, the editing work that I intend", "Scribus case) * it seems that it would be less complicated to work", "on IngramSpark). I wrote that book using Adobe InDesign. But it is commercial", "the quality of the text seems great to me. My big question, given", "IngramSpark? In my research I read for example that CreateSpace (or KDP, I", "large text books, each one about 480 pages long, this is print on", "distributed in Word documents, Google Docs and Pages. What is missing now is", "I am deciding to publish on IngramSpark. Another important aspect is that I", "and I have extensive knowledge of HTML, XML, Markdown and some programming languages.", "is if I can choose LaTeX to carry out this compilation or if", "to publish on IngramSpark. Another important aspect is that *I am currently migrating", "I read Scribus is a highly praised program in the free software community.", "the case with InDesign and it would be the Scribus case) it", "a programmer. In addition, this would give me the advantage of reviewing parts", "the text seems great to me. My big question, given all the above,", "about 480 pages long, this is print on demand (POD) on IngramSpark. The", "and some programming languages. I've already published a first book (not on IngramSpark).", "too, because I'm a programmer. In addition, this would give me the advantage", "the free software community. But, in my search I read on several sites", "started looking for alternatives to InDesign. The experience with the POD company was", "not exclusively dedicated to book design. That is why I started looking for", "xml, things I know * it would seem more powerful than Scribus (since", "in Word documents, Google Docs and Pages. What is missing now is to", "were not to my liking: separating the book into several documents (per chapter),", "important aspect is that the text is already written (it is a compilation).", "so I am deciding to publish on IngramSpark. Another important aspect is that", "pages, and others … Then resorting to complicated processes to reassemble them all", "layout, I am a software programmer and I have extensive knowledge of HTML,", "* has a certain resemblance to markdown, html, xml, things I know ", "either, so I am deciding to publish on IngramSpark. Another important aspect is", "this is print on demand (POD) on IngramSpark. The content is basically text", "to publish multiple large text books, each one about 480 pages long, this", "about LaTeX. I have no knowledge about LaTeX. But what I've seen so", "reviewing parts of my document in free moments, away from home, from my", "out this compilation* or if it is crazy and should I choose another", "more powerful than Scribus (since it works, so to speak, directly in the", "I wrote that book using Adobe InDesign. But it is commercial software, not", "book (not on IngramSpark). I wrote that book using Adobe InDesign. But it", "LaTeX. But what I've seen so far appeals to me: * has a", "I want to publish multiple large text books, each one about 480 pages", "one I came across in my search was Scribus. I must say that", "separating the book into several documents (per chapter), trying to make sure that", "than that, there remains the task of making that PDF meet IngramSpark's requirements.", "I started to looke for open source alternatives to InDesign. The first one", "The content is basically text and a few black and white images. Another", "I am not exclusively dedicated to book design. That is why I started", "to InDesign. The experience with the POD company was not good either, so", "for example that CreateSpace (or KDP, I don't remember which one) prohibited documents", "to layout the text, review it and correct any errors. I am not", "aspect is that I am currently migrating from Mac OSX to Linux, so", "software community. But, in my search I read on several sites complaints regarding", "… it scares me. Looking for alternatives to Scribus I have read about", "design. That is why I started looking for alternatives to InDesign. The experience", "the editing work that I intend to undertake is great, there are 15", "Word documents, Google Docs and Pages. What is missing now is to layout", "to the design program on the computer (as was the case with InDesign", "meet IngramSpark's requirements. Actually, the editing work that I intend to undertake is", "and a few black and white images. Another important aspect is that the", "looking for alternatives to InDesign. The experience with the POD company was not", "community. But, in my search I read on several sites *complaints regarding long", "a few black and white images. Another important aspect is that the text", "the Scribus case) it seems that it would be less complicated to", "I must say that in everything I read Scribus is a highly praised", "programming languages. I've already published a first book (not on IngramSpark). I wrote", "work on large documents. * the quality of the text seems great to", "document). I like that too, because I'm a programmer. In addition, this would", "me the advantage of reviewing parts of my document in free moments, away", "search I read on several sites complaints regarding long documents (eg slowness in", "advantage of reviewing parts of my document in free moments, away from home,", "case because I am not exclusively dedicated to book design. That is why", "compilation). Currently most of the work is distributed in Word documents, Google Docs", "books, each one about 480 pages long, this is print on demand (POD)", "first one I came across in my search was Scribus. I must say", "IngramSpark. The content is basically text** and a few black and white images.", "to me: * has a certain resemblance to markdown, html, xml, things I", "is a highly praised program in the free software community. But, in my", "it again in a PDF and then have to configure it for IngramSpark", "again in a PDF and then have to configure it for IngramSpark …", "it would seem more powerful than Scribus (since it works, so to speak,", "I am currently migrating from Mac OSX to Linux, so I started to", "Looking for alternatives to Scribus I have read about LaTeX. I have no", "was Scribus. I must say that in everything I read Scribus is a", "choose LaTeX to carry out this compilation or if it is crazy and", "basically text and a few black and white images. Another important aspect is", "seem more powerful than Scribus (since it works, so to speak, directly in", "Mac OSX to Linux, so I started to looke for open source alternatives", "15 books of 480 pages each, so to think about having to divide", "480 pages each, so to think about having to divide that into separate", "resorting to complicated processes to reassemble them all in one PDF. Other than", "Currently most of the work is distributed in Word documents, Google Docs and", "quality of the text seems great to me. My big question, given all", "in a PDF and then have to configure it for IngramSpark … it", "OSX to Linux*, so I started to looke for open source alternatives to", "documents per chapter and then recompose it again in a PDF and then", "case) it seems that it would be less complicated to work on", "source alternatives to InDesign. The first one I came across in my search", "my liking: separating the book into several documents (per chapter), trying to make", "of my document in free moments, away from home, from my mobile or", "of reviewing parts of my document in free moments, away from home, from", "I'm a programmer. In addition, this would give me the advantage of reviewing", "without having to be glued to the design program on the computer (as", "already written (it is a compilation). 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I am not an expert in book design", "Another important aspect is that the text is already written (it is a", "chapter), trying to make sure that each chapter does not have more than", "to markdown, html, xml, things I know * it would seem more powerful", "my search I read on several sites complaints regarding long documents (eg slowness", "programmer. In addition, this would give me the advantage of reviewing parts of", "I have extensive knowledge of HTML, XML, Markdown and some programming languages. I've", "LaTeX. I have no knowledge about LaTeX. But what I've seen so far", "a software programmer and I have extensive knowledge of HTML, XML, Markdown and", "it scares me. Looking for alternatives to Scribus I have read about LaTeX.", "if I can choose LaTeX to carry out this compilation or if it", "open source alternatives to InDesign. The first one I came across in my", "have no knowledge about LaTeX. But what I've seen so far appeals to", "it is commercial software, not profitable in my case because I am not", "be glued to the design program on the computer (as was the case", "complicated to work on large documents. * the quality of the text seems", "have extensive knowledge of HTML, XML, Markdown and some programming languages. I've already", "big question, given all the above, is if I can choose LaTeX to", "powerful than Scribus (since it works, so to speak, directly in the source", "research I read for example that CreateSpace (or KDP, I don't remember which", "the above, is if I can choose LaTeX to carry out this compilation", "that I intend to undertake is great, there are 15 books of 480", "written in LaTeX on IngramSpark? In my research I read for example that", "text is already written (it is a compilation). Currently most of the work", "was the case with InDesign and it would be the Scribus case) ", "Pages. What is missing now is to layout the text, review it and", "documents, Google Docs and Pages. What is missing now is to layout the", " it seems that it would be less complicated to work on large", "I am not an expert in book design or layout, I am a", "(it is a compilation). Currently most of the work is distributed in Word", "30 pages, and others … Then resorting to complicated processes to reassemble them", "text seems great to me. My big question, given all the above, is", "or tablet, without having to be glued to the design program on the", "like that too, because I'm a programmer. In addition, this would give me", "with the POD company was not good either, so I am deciding to", "than Scribus (since it works, so to speak, directly in the source code", "it would be the Scribus case) * it seems that it would be", "is commercial software, not profitable in my case because I am not exclusively", "parts of my document in free moments, away from home, from my mobile", "work that I intend to undertake is great, *there are 15 books of", "there remains the task of making that PDF meet IngramSpark's requirements. Actually, the", "that each chapter does not have more than 30 pages, and others …", "case with InDesign and it would be the Scribus case) it seems", "the book into several documents (per chapter), trying to make sure that each", "several documents (per chapter), trying to make sure that each chapter does not", "to complicated processes to reassemble them all in one PDF. Other than that,", "profitable in my case because I am not exclusively dedicated to book design.", "me: * has a certain resemblance to markdown, html, xml, things I know", "know * it would seem more powerful than Scribus (since it works, so", "to work on large documents. * the quality of the text seems great", "is print on demand (POD) on IngramSpark. The content is basically text and", "reassemble them all in one PDF. Other than that, there remains the task", "(eg slowness in the program). The suggested solutions were not to my liking:", "trying to make sure that each chapter does not have more than 30", "Linux, so I started to looke for open source alternatives to InDesign. The", "that in everything I read Scribus is a highly praised program in the", "white images. Another important aspect is that the text is already written (it", "complaints regarding long documents (eg slowness in the program). The suggested solutions were", "languages. I've already published a first book (not on IngramSpark). I wrote that", "Scribus (since it works, so to speak, directly in the source code of", "to speak, directly in the source code of the document). I like that", "to carry out this compilation or if it is crazy and should I", "read Scribus is a highly praised program in the free software community. But,", "LaTeX on IngramSpark? In my research I read for example that CreateSpace (or", "demand (POD) on IngramSpark. The content is basically text and a few black", "and then have to configure it for IngramSpark … it scares me. Looking", "of HTML, XML, Markdown and some programming languages. I've already published a first", "chapter and then recompose it again in a PDF and then have to", "pages each, so to think about having to divide that into separate documents", "solutions were not to my liking: separating the book into several documents (per", "important aspect is that I am currently migrating from Mac OSX to Linux*,", "PDF and then have to configure it for IngramSpark … it scares me.", "it works, so to speak, directly in the source code of the document).", "it would be less complicated to work on large documents. the quality", "Docs and Pages. What is missing now is to layout the text, review", "already published a first book (not on IngramSpark). I wrote that book using", "alternatives to InDesign. The first one I came across in my search was", "missing now is to layout the text, review it and correct any errors.", "crazy and should I choose another type of alternative. Has anyone had experience", "what I've seen so far appeals to me: * has a certain resemblance", "to configure it for IngramSpark … it scares me. Looking for alternatives to", "exclusively dedicated to book design. That is why I started looking for *alternatives", "the document). I like that too, because I'm a programmer. In addition, this", "would be less complicated to work on large documents. the quality of", "in everything I read Scribus is a highly praised program in the free", "experience posting documents written in LaTeX on IngramSpark? In my research I read", "seen so far appeals to me: * has a certain resemblance to markdown,", "I have read about LaTeX. I have no knowledge about LaTeX. But what", "published a first book (not on IngramSpark). I wrote that book using Adobe", "The first one I came across in my search was Scribus. I must", "no knowledge about LaTeX. But what I've seen so far appeals to me:", "everything I read Scribus is a highly praised program in the free software", "My big question, given all the above, is if I can choose LaTeX", "looke for open source alternatives to InDesign. The first one I came across", "IngramSpark. Another important aspect is that I am currently migrating from Mac OSX" ]
[ "to line edit and copy edit if you are the writer? I read", "be confusing. I need to learn how to edit to be a good", "teach yourself how to line edit and copy edit if you are the", "others work, but the styles of a writer can be confusing. I need", "confusing. I need to learn how to edit to be a good writer.", "Is it possible to teach yourself how to line edit and copy edit", "I read others work, but the styles of a writer can be confusing.", "copy edit if you are the writer? I read others work, but the", "possible to teach yourself how to line edit and copy edit if you", "writer? I read others work, but the styles of a writer can be", "a writer can be confusing. I need to learn how to edit to", "line edit and copy edit if you are the writer? I read others", "writer can be confusing. I need to learn how to edit to be", "yourself how to line edit and copy edit if you are the writer?", "but the styles of a writer can be confusing. I need to learn", "the writer? I read others work, but the styles of a writer can", "and copy edit if you are the writer? I read others work, but", "you are the writer? I read others work, but the styles of a", "edit if you are the writer? I read others work, but the styles", "are the writer? I read others work, but the styles of a writer", "read others work, but the styles of a writer can be confusing. I", "work, but the styles of a writer can be confusing. I need to", "the styles of a writer can be confusing. I need to learn how", "styles of a writer can be confusing. I need to learn how to", "can be confusing. I need to learn how to edit to be a", "if you are the writer? I read others work, but the styles of", "to teach yourself how to line edit and copy edit if you are", "it possible to teach yourself how to line edit and copy edit if", "how to line edit and copy edit if you are the writer? I", "of a writer can be confusing. I need to learn how to edit", "edit and copy edit if you are the writer? I read others work," ]
[ "example: > > \"This is what I came here for,\" she thought. >", "internal dialogue because the character is somewhere they can't speak in the local", "lots of internal dialogue because the character is somewhere they can't speak in", "to use 'I' in this perspective, even when expressing the person's thoughts. For", "My current piece in 3rd person involves lots of internal dialogue because the", "use 'I' in this perspective, even when expressing the person's thoughts. For example:", "perspective, even when expressing the person's thoughts. For example: > > \"Oh god,\"", "expressing the person's thoughts. For example: > > \"Oh god,\" she thought, \"why", "> \"Oh god,\" she thought, \"why can’t I think straight?\" > > >", "\"why can’t I think straight?\" > > > Another example: > > \"This", "can’t I think straight?\" > > > Another example: > > \"This is", "> Another example: > > \"This is what I came here for,\" she", "of internal dialogue because the character is somewhere they can't speak in the", "> > > Another example: > > \"This is what I came here", "I came here for,\" she thought. > > > What's the best practice", "language. I've been advised not ever to use 'I' in this perspective, even", "I think straight?\" > > > Another example: > > \"This is what", "example: > > \"Oh god,\" she thought, \"why can’t I think straight?\" >", "for,\" she thought. > > > What's the best practice in using 'I'", "they can't speak in the local language. I've been advised not ever to", "Another example: > > \"This is what I came here for,\" she thought.", "> > \"This is what I came here for,\" she thought. > >", "> \"This is what I came here for,\" she thought. > > >", "in 3rd person involves lots of internal dialogue because the character is somewhere", "the person's thoughts. For example: > > \"Oh god,\" she thought, \"why can’t", "because the character is somewhere they can't speak in the local language. I've", "the character is somewhere they can't speak in the local language. I've been", "'I' in this perspective, even when expressing the person's thoughts. For example: >", "person involves lots of internal dialogue because the character is somewhere they can't", "thought. > > > What's the best practice in using 'I' in third", "> > What's the best practice in using 'I' in third person internal", "is somewhere they can't speak in the local language. I've been advised not", "For example: > > \"Oh god,\" she thought, \"why can’t I think straight?\"", "the local language. I've been advised not ever to use 'I' in this", "> What's the best practice in using 'I' in third person internal dialogue?", "not ever to use 'I' in this perspective, even when expressing the person's", "involves lots of internal dialogue because the character is somewhere they can't speak", "somewhere they can't speak in the local language. I've been advised not ever", "came here for,\" she thought. > > > What's the best practice in", "> > \"Oh god,\" she thought, \"why can’t I think straight?\" > >", "in the local language. I've been advised not ever to use 'I' in", "god,\" she thought, \"why can’t I think straight?\" > > > Another example:", "when expressing the person's thoughts. For example: > > \"Oh god,\" she thought,", "been advised not ever to use 'I' in this perspective, even when expressing", "> > > What's the best practice in using 'I' in third person", "advised not ever to use 'I' in this perspective, even when expressing the", "thought, \"why can’t I think straight?\" > > > Another example: > >", "ever to use 'I' in this perspective, even when expressing the person's thoughts.", "\"Oh god,\" she thought, \"why can’t I think straight?\" > > > Another", "current piece in 3rd person involves lots of internal dialogue because the character", "straight?\" > > > Another example: > > \"This is what I came", "dialogue because the character is somewhere they can't speak in the local language.", "I've been advised not ever to use 'I' in this perspective, even when", "in this perspective, even when expressing the person's thoughts. For example: > >", "even when expressing the person's thoughts. For example: > > \"Oh god,\" she", "person's thoughts. For example: > > \"Oh god,\" she thought, \"why can’t I", "thoughts. For example: > > \"Oh god,\" she thought, \"why can’t I think", "3rd person involves lots of internal dialogue because the character is somewhere they", "speak in the local language. I've been advised not ever to use 'I'", "can't speak in the local language. I've been advised not ever to use", "she thought, \"why can’t I think straight?\" > > > Another example: >", "this perspective, even when expressing the person's thoughts. For example: > > \"Oh", "> > Another example: > > \"This is what I came here for,\"", "\"This is what I came here for,\" she thought. > > > What's", "what I came here for,\" she thought. > > > What's the best", "here for,\" she thought. > > > What's the best practice in using", "is what I came here for,\" she thought. > > > What's the", "she thought. > > > What's the best practice in using 'I' in", "piece in 3rd person involves lots of internal dialogue because the character is", "local language. I've been advised not ever to use 'I' in this perspective,", "character is somewhere they can't speak in the local language. I've been advised", "think straight?\" > > > Another example: > > \"This is what I" ]
[ "not important for the storyline. While The Middle has quite enough of side", "are about adults, while my story should start with circa 12 year old", "While The Middle has quite enough of side characters, most of the plot", "are not important for the storyline. While The Middle has quite enough of", "how to handle loads of side characters, such as other classmates, teachers and", "of the plot happens inside one family and house and you have enough", "but I do not know these series and also they are about adults,", "these series and also they are about adults, while my story should start", "But in classmates stories, it seems not be possible. Maybe Friends and The", "know these series and also they are about adults, while my story should", "characters, which mostly are not important for the storyline. While The Middle* has", "I do not know these series and also they are about adults, while", "A little inspiration comes from The Middle series. But I do not know,", "classmates stories, it seems not be possible. Maybe Friends and The Big Bang", "handle loads of side characters, such as other classmates, teachers and parents/siblings of", "Middle has quite enough of side characters, most of the plot happens inside", "with circa 12 year old characters, which are not living in the dorms.", "The Middle has quite enough of side characters, most of the plot happens", "it seems not be possible. Maybe Friends and The Big Bang Theory could", "and parents/siblings of main characters, which mostly are not important for the storyline.", "friends from school. A little inspiration comes from The Middle series. But I", "write a book / series about 4 friends from school. A little inspiration", "The Middle series. But I do not know, how to handle loads of", "main characters, which mostly are not important for the storyline. While The Middle", "series and also they are about adults, while my story should start with", "a book / series about 4 friends from school. A little inspiration comes", "as other classmates, teachers and parents/siblings of main characters, which mostly are not", "you have enough time to get familiar with heroes. But in classmates stories,", "/ series about 4 friends from school. A little inspiration comes from The", "this my question ([How to choose ideal number of main characters?](https://writing.stackexchange.com/questions/42984/how-to-choose-ideal-number-of-main-characters)) I want", "I do not know, how to handle loads of side characters, such as", "me, but I do not know these series and also they are about", "could help me, but I do not know these series and also they", "do not know, how to handle loads of side characters, such as other", "But I do not know, how to handle loads of side characters, such", "Maybe Friends and The Big Bang Theory could help me, but I do", "storyline. While The Middle has quite enough of side characters, most of the", "of main characters?](https://writing.stackexchange.com/questions/42984/how-to-choose-ideal-number-of-main-characters))* I want to write a book / series about 4", "inside one family and house and you have enough time to get familiar", "Bang Theory* could help me, but I do not know these series and", "up this my question ([How to choose ideal number of main characters?](https://writing.stackexchange.com/questions/42984/how-to-choose-ideal-number-of-main-characters))* I", "ideal number of main characters?](https://writing.stackexchange.com/questions/42984/how-to-choose-ideal-number-of-main-characters))* I want to write a book / series", "and house and you have enough time to get familiar with heroes. But", "The Big Bang Theory could help me, but I do not know these", "familiar with heroes. But in classmates stories, it seems not be possible. Maybe", "characters, such as other classmates, teachers and parents/siblings of main characters, which mostly", "happens inside one family and house and you have enough time to get", "side characters, most of the plot happens inside one family and house and", "do not know these series and also they are about adults, while my", "school. A little inspiration comes from The Middle series. But I do not", "side characters, such as other classmates, teachers and parents/siblings of main characters, which", "want to write a book / series about 4 friends from school. A", "to get familiar with heroes. But in classmates stories, it seems not be", "possible. Maybe Friends and The Big Bang Theory could help me, but I", "comes from The Middle series. But I do not know, how to handle", "plot happens inside one family and house and you have enough time to", "my story should start with circa 12 year old characters, which are not", "the plot happens inside one family and house and you have enough time", "stories, it seems not be possible. Maybe Friends and The Big Bang Theory", "little inspiration comes from The Middle series. But I do not know, how", "also they are about adults, while my story should start with circa 12", "Middle* series. But I do not know, how to handle loads of side", "not be possible. Maybe Friends and The Big Bang Theory could help me,", "Theory* could help me, but I do not know these series and also", "adults, while my story should start with circa 12 year old characters, which", "have enough time to get familiar with heroes. But in classmates stories, it", "question ([How to choose ideal number of main characters?](https://writing.stackexchange.com/questions/42984/how-to-choose-ideal-number-of-main-characters))* I want to write", "not know, how to handle loads of side characters, such as other classmates,", "house and you have enough time to get familiar with heroes. But in", "choose ideal number of main characters?](https://writing.stackexchange.com/questions/42984/how-to-choose-ideal-number-of-main-characters))* I want to write a book /", "of main characters, which mostly are not important for the storyline. While The", "has quite enough of side characters, most of the plot happens inside one", "enough time to get familiar with heroes. But in classmates stories, it seems", "such as other classmates, teachers and parents/siblings of main characters, which mostly are", "([How to choose ideal number of main characters?](https://writing.stackexchange.com/questions/42984/how-to-choose-ideal-number-of-main-characters)) I want to write a", "loads of side characters, such as other classmates, teachers and parents/siblings of main", "most of the plot happens inside one family and house and you have", "series. But I do not know, how to handle loads of side characters,", "and you have enough time to get familiar with heroes. But in classmates", "4 friends from school. A little inspiration comes from The Middle series. But", "mostly are not important for the storyline. While The Middle has quite enough", "the storyline. While The Middle has quite enough of side characters, most of", "series about 4 friends from school. A little inspiration comes from The Middle", "to choose ideal number of main characters?](https://writing.stackexchange.com/questions/42984/how-to-choose-ideal-number-of-main-characters))* I want to write a book", "I want to write a book / series about 4 friends from school.", "enough of side characters, most of the plot happens inside one family and", "Friends and The Big Bang Theory could help me, but I do not", "quite enough of side characters, most of the plot happens inside one family", "number of main characters?](https://writing.stackexchange.com/questions/42984/how-to-choose-ideal-number-of-main-characters))* I want to write a book / series about", "book / series about 4 friends from school. A little inspiration comes from", "Big Bang Theory* could help me, but I do not know these series", "should start with circa 12 year old characters, which are not living in", "to handle loads of side characters, such as other classmates, teachers and parents/siblings", "time to get familiar with heroes. But in classmates stories, it seems not", "other classmates, teachers and parents/siblings of main characters, which mostly are not important", "one family and house and you have enough time to get familiar with", "teachers and parents/siblings of main characters, which mostly are not important for the", "from The Middle series. But I do not know, how to handle loads", "important for the storyline. While The Middle has quite enough of side characters,", "parents/siblings of main characters, which mostly are not important for the storyline. While", "Follows up this my question ([How to choose ideal number of main characters?](https://writing.stackexchange.com/questions/42984/how-to-choose-ideal-number-of-main-characters))", "to write a book / series about 4 friends from school. A little", "and also they are about adults, while my story should start with circa", "story should start with circa 12 year old characters, which are not living", "get familiar with heroes. But in classmates stories, it seems not be possible.", "and The Big Bang Theory could help me, but I do not know", "characters?](https://writing.stackexchange.com/questions/42984/how-to-choose-ideal-number-of-main-characters))* I want to write a book / series about 4 friends from", "not know these series and also they are about adults, while my story", "help me, but I do not know these series and also they are", "about 4 friends from school. A little inspiration comes from The Middle series.", "main characters?](https://writing.stackexchange.com/questions/42984/how-to-choose-ideal-number-of-main-characters))* I want to write a book / series about 4 friends", "while my story should start with circa 12 year old characters, which are", "know, how to handle loads of side characters, such as other classmates, teachers", "for the storyline. While The Middle has quite enough of side characters, most", "from school. A little inspiration comes from The Middle series. But I do", "in classmates stories, it seems not be possible. Maybe Friends and The Big", "family and house and you have enough time to get familiar with heroes.", "with heroes. But in classmates stories, it seems not be possible. Maybe Friends", "start with circa 12 year old characters, which are not living in the", "classmates, teachers and parents/siblings of main characters, which mostly are not important for", "of side characters, such as other classmates, teachers and parents/siblings of main characters,", "my question ([How to choose ideal number of main characters?](https://writing.stackexchange.com/questions/42984/how-to-choose-ideal-number-of-main-characters)) I want to", "heroes. But in classmates stories, it seems not be possible. Maybe Friends and", "inspiration comes from The Middle series. But I do not know, how to", "which mostly are not important for the storyline. While The Middle has quite", "they are about adults, while my story should start with circa 12 year", "about adults, while my story should start with circa 12 year old characters,", "seems not be possible. Maybe Friends and The Big Bang Theory could help", "be possible. Maybe Friends and The Big Bang Theory could help me, but", "of side characters, most of the plot happens inside one family and house", "characters, most of the plot happens inside one family and house and you" ]
[ "advise me about websites that exist for that purpose? I know about fan", "pilot and then reviews it, if it will attract people. Could you please", "to post somewhere the pilot chapter of my planned book, to earn feedback", "book, to earn feedback and tips what should I improve. DondaSS when a", "about fan fiction websites, but these ones usually include weird spin-offs of Hijrp", "want to post somewhere the pilot chapter of my planned book, to earn", "post somewhere the pilot chapter of my planned book, to earn feedback and", "my planned book, to earn feedback and tips what should I improve. DondaSS", "feedback and tips what should I improve. DondaSS when a TV orders a", "weird spin-offs of Hijrp Potfeq or Twilight, which are already finished and no", "of my planned book, to earn feedback and tips what should I improve.", "usually include weird spin-offs of Hijrp Potfeq or Twilight, which are already finished", "pilot chapter of my planned book, to earn feedback and tips what should", "that exist for that purpose? I know about fan fiction websites, but these", "fiction websites, but these ones usually include weird spin-offs of Hijrp Potfeq or", "which are already finished and no feedback is awaited. My books are not", "of Hijrp Potfeq or Twilight, which are already finished and no feedback is", "or Twilight, which are already finished and no feedback is awaited. My books", "what should I improve. DondaSS when a TV orders a pilot and then", "me about websites that exist for that purpose? I know about fan fiction", "it, if it will attract people. Could you please advise me about websites", "exist for that purpose? I know about fan fiction websites, but these ones", "know about fan fiction websites, but these ones usually include weird spin-offs of", "already finished and no feedback is awaited. My books are not based on", "please advise me about websites that exist for that purpose? I know about", "a TV orders a pilot and then reviews it, if it will attract", "I improve. DondaSS when a TV orders a pilot and then reviews it,", "orders a pilot and then reviews it, if it will attract people. Could", "to earn feedback and tips what should I improve. DondaSS when a TV", "include weird spin-offs of Hijrp Potfeq or Twilight, which are already finished and", "you please advise me about websites that exist for that purpose? I know", "TV orders a pilot and then reviews it, if it will attract people.", "will attract people. Could you please advise me about websites that exist for", "I know about fan fiction websites, but these ones usually include weird spin-offs", "Potfeq or Twilight, which are already finished and no feedback is awaited. My", "are already finished and no feedback is awaited. My books are not based", "when a TV orders a pilot and then reviews it, if it will", "somewhere the pilot chapter of my planned book, to earn feedback and tips", "I want to post somewhere the pilot chapter of my planned book, to", "that purpose? I know about fan fiction websites, but these ones usually include", "attract people. Could you please advise me about websites that exist for that", "improve. DondaSS when a TV orders a pilot and then reviews it, if", "it will attract people. Could you please advise me about websites that exist", "Hijrp Potfeq or Twilight, which are already finished and no feedback is awaited.", "Twilight, which are already finished and no feedback is awaited. My books are", "tips what should I improve. DondaSS when a TV orders a pilot and", "people. Could you please advise me about websites that exist for that purpose?", "DondaSS when a TV orders a pilot and then reviews it, if it", "planned book, to earn feedback and tips what should I improve. DondaSS when", "reviews it, if it will attract people. Could you please advise me about", "should I improve. DondaSS when a TV orders a pilot and then reviews", "and no feedback is awaited. My books are not based on those stories.", "Could you please advise me about websites that exist for that purpose? I", "earn feedback and tips what should I improve. DondaSS when a TV orders", "about websites that exist for that purpose? I know about fan fiction websites,", "ones usually include weird spin-offs of Hijrp Potfeq or Twilight, which are already", "then reviews it, if it will attract people. Could you please advise me", "but these ones usually include weird spin-offs of Hijrp Potfeq or Twilight, which", "and tips what should I improve. DondaSS when a TV orders a pilot", "and then reviews it, if it will attract people. Could you please advise", "websites that exist for that purpose? I know about fan fiction websites, but", "these ones usually include weird spin-offs of Hijrp Potfeq or Twilight, which are", "finished and no feedback is awaited. My books are not based on those", "the pilot chapter of my planned book, to earn feedback and tips what", "a pilot and then reviews it, if it will attract people. Could you", "chapter of my planned book, to earn feedback and tips what should I", "fan fiction websites, but these ones usually include weird spin-offs of Hijrp Potfeq", "spin-offs of Hijrp Potfeq or Twilight, which are already finished and no feedback", "for that purpose? I know about fan fiction websites, but these ones usually", "purpose? I know about fan fiction websites, but these ones usually include weird", "websites, but these ones usually include weird spin-offs of Hijrp Potfeq or Twilight,", "if it will attract people. Could you please advise me about websites that" ]
[ "like fear, sadness, and self-doubt, and isn't hyperactive 100% of the time. Perhaps", "she learns to temper her energy with humility and maturity, but if the", "consequences, including getting her into trouble when she overestimates herself, causing her to", "is that headstrong female characters are often criticized as being annoying and unlikeable", "but failing to balance headstrongness with likability. Rey and Korra are some of", "her arc is supposed to be one where she learns to temper her", "most flawed before character development starts kicking in. Overall, her arc is supposed", "at the same time these traits make her arrogant, insensitive, and tone-deaf. One", "flaws are shown to have real negative consequences, including getting her into trouble", "story when she is at her most flawed before character development starts kicking", "whitewash her negative traits and paints her mistakes as mistakes and her arrogance", "the wrong thing when trying to comfort her friends, and in one case", "story where one of my lead characters is a headstrong young woman. In", "that headstrong female characters are often criticized as being annoying and unlikeable if", "her most flawed before character development starts kicking in. Overall, her arc is", "her chances for a romantic relationship with someone she has a crush on.", "in the earliest part of the story when she is at her most", "audience checks out because she is too annoying the point is moot. Her", "torpedoing her chances for a romantic relationship with someone she has a crush", "of personality she is hyperactive, energetic, and charismatic, but at the same time", "same time get irritated with some of her behavior. The narrative doesn't try", "have a story where one of my lead characters is a headstrong young", "mistakes and her arrogance in her own abilities as misplaced. Additionally, in more", "and paints her mistakes as mistakes and her arrogance in her own abilities", "sadness, and self-doubt, and isn't hyperactive 100% of the time. Perhaps the biggest", "and isn't hyperactive 100% of the time. Perhaps the biggest thing I've noticed", "is that they often come across as self-centered and unempathetic, or they are", "her are shown to both like her vivaciousness but at the same time", "noticed in criticisms of characters like Korra and Rey is that they often", "female characters\" in their stories but failing to balance headstrongness with likability. Rey", "the most commonly cited characters when it comes to this. Given this, I", "one where she learns to temper her energy with humility and maturity, but", "negative consequences, including getting her into trouble when she overestimates herself, causing her", "she is too annoying the point is moot. Her flaws are shown to", "trying to comfort her friends, and in one case outright torpedoing her chances", "behavior. The narrative doesn't try to whitewash her negative traits and paints her", "a headstrong young woman. In terms of personality she is hyperactive, energetic, and", "them up or comforting them fail. She is also shown to have more", "and unlikeable if written poorly. Audiences seem to be more sensitive to this", "shown to both like her vivaciousness but at the same time get irritated", "insensitive, and tone-deaf. One thing I have noticed is that headstrong female characters", "fear, sadness, and self-doubt, and isn't hyperactive 100% of the time. Perhaps the", "are only concerned about other people when the plot tells them to be", "plot tells them to be and their more ordinary actions come off as", "wondering how to keep readers invested and sympathetic towards the character in the", "woman. In terms of personality she is hyperactive, energetic, and charismatic, but at", "up or comforting them fail. She is also shown to have more relatable", "is hyperactive, energetic, and charismatic, but at the same time these traits make", "her attempts at cheering them up or comforting them fail. She is also", "noticed is that headstrong female characters are often criticized as being annoying and", "some of her behavior. The narrative doesn't try to whitewash her negative traits", "the story when she is at her most flawed before character development starts", "development starts kicking in. Overall, her arc is supposed to be one where", "Korra are some of the most commonly cited characters when it comes to", "in. Overall, her arc is supposed to be one where she learns to", "female characters are often criticized as being annoying and unlikeable if written poorly.", "to be one where she learns to temper her energy with humility and", "abilities as misplaced. Additionally, in more somber moments she is shown to be", "these traits make her arrogant, insensitive, and tone-deaf. One thing I have noticed", "I have noticed is that headstrong female characters are often criticized as being", "my lead characters is a headstrong young woman. In terms of personality she", "around her are shown to both like her vivaciousness but at the same", "like Korra and Rey is that they often come across as self-centered and", "characters\" in their stories but failing to balance headstrongness with likability. Rey and", "towards the character in the earliest part of the story when she is", "be concerned about the people around her and feels bad that her attempts", "characters like Korra and Rey is that they often come across as self-centered", "fail. She is also shown to have more relatable emotions underneath her surface", "\"strong, independent female characters\" in their stories but failing to balance headstrongness with", "vivaciousness but at the same time get irritated with some of her behavior.", "that they often come across as self-centered and unempathetic, or they are only", "one case outright torpedoing her chances for a romantic relationship with someone she", "them to be and their more ordinary actions come off as uncaring towards", "when she overestimates herself, causing her to say the wrong thing when trying", "sensitive to this in recent years, due to authors wanting to insert \"strong,", "at her most flawed before character development starts kicking in. Overall, her arc", "in criticisms of characters like Korra and Rey is that they often come", "headstrong young woman. In terms of personality she is hyperactive, energetic, and charismatic,", "and maturity, but if the audience checks out because she is too annoying", "characters around her are shown to both like her vivaciousness but at the", "be one where she learns to temper her energy with humility and maturity,", "One thing I have noticed is that headstrong female characters are often criticized", "in more somber moments she is shown to be concerned about the people", "outright torpedoing her chances for a romantic relationship with someone she has a", "her negative traits and paints her mistakes as mistakes and her arrogance in", "In particular, I'm wondering how to keep readers invested and sympathetic towards the", "her arrogant, insensitive, and tone-deaf. One thing I have noticed is that headstrong", "misplaced. Additionally, in more somber moments she is shown to be concerned about", "moments she is shown to be concerned about the people around her and", "her friends, and in one case outright torpedoing her chances for a romantic", "a likable headstrong female character without them coming off as annoying or unlikeable?", "criticized as being annoying and unlikeable if written poorly. Audiences seem to be", "have noticed is that headstrong female characters are often criticized as being annoying", "own abilities as misplaced. Additionally, in more somber moments she is shown to", "a story where one of my lead characters is a headstrong young woman.", "independent female characters\" in their stories but failing to balance headstrongness with likability.", "as annoying or unlikeable? In particular, I'm wondering how to keep readers invested", "has a crush on. The characters around her are shown to both like", "cited characters when it comes to this. Given this, I am wondering how", "to this. Given this, I am wondering how can I make a likable", "for a romantic relationship with someone she has a crush on. The characters", "and in one case outright torpedoing her chances for a romantic relationship with", "in one case outright torpedoing her chances for a romantic relationship with someone", "narrative doesn't try to whitewash her negative traits and paints her mistakes as", "energy with humility and maturity, but if the audience checks out because she", "when the plot tells them to be and their more ordinary actions come", "her and feels bad that her attempts at cheering them up or comforting", "can I make a likable headstrong female character without them coming off as", "most commonly cited characters when it comes to this. Given this, I am", "to balance headstrongness with likability. Rey and Korra are some of the most", "poorly. Audiences seem to be more sensitive to this in recent years, due", "the same time these traits make her arrogant, insensitive, and tone-deaf. One thing", "the earliest part of the story when she is at her most flawed", "one of my lead characters is a headstrong young woman. In terms of", "attempts at cheering them up or comforting them fail. She is also shown", "the same time get irritated with some of her behavior. The narrative doesn't", "due to authors wanting to insert \"strong, independent female characters\" in their stories", "recent years, due to authors wanting to insert \"strong, independent female characters\" in", "self-centered and unempathetic, or they are only concerned about other people when the", "I'm wondering how to keep readers invested and sympathetic towards the character in", "relationship with someone she has a crush on. The characters around her are", "as misplaced. Additionally, in more somber moments she is shown to be concerned", "thing when trying to comfort her friends, and in one case outright torpedoing", "Overall, her arc is supposed to be one where she learns to temper", "years, due to authors wanting to insert \"strong, independent female characters\" in their", "thing I've noticed in criticisms of characters like Korra and Rey is that", "to comfort her friends, and in one case outright torpedoing her chances for", "arrogant, insensitive, and tone-deaf. One thing I have noticed is that headstrong female", "shown to have more relatable emotions underneath her surface like fear, sadness, and", "criticisms of characters like Korra and Rey is that they often come across", "say the wrong thing when trying to comfort her friends, and in one", "too annoying the point is moot. Her flaws are shown to have real", "her to say the wrong thing when trying to comfort her friends, and", "more somber moments she is shown to be concerned about the people around", "this in recent years, due to authors wanting to insert \"strong, independent female", "as self-centered and unempathetic, or they are only concerned about other people when", "feels bad that her attempts at cheering them up or comforting them fail.", "sympathetic towards the character in the earliest part of the story when she", "I've noticed in criticisms of characters like Korra and Rey is that they", "annoying the point is moot. Her flaws are shown to have real negative", "Rey is that they often come across as self-centered and unempathetic, or they", "this. Given this, I am wondering how can I make a likable headstrong", "her behavior. The narrative doesn't try to whitewash her negative traits and paints", "about other people when the plot tells them to be and their more", "headstrong female characters are often criticized as being annoying and unlikeable if written", "of my lead characters is a headstrong young woman. In terms of personality", "Additionally, in more somber moments she is shown to be concerned about the", "The narrative doesn't try to whitewash her negative traits and paints her mistakes", "like her vivaciousness but at the same time get irritated with some of", "are often criticized as being annoying and unlikeable if written poorly. Audiences seem", "headstrongness with likability. Rey and Korra are some of the most commonly cited", "the plot tells them to be and their more ordinary actions come off", "including getting her into trouble when she overestimates herself, causing her to say", "of the most commonly cited characters when it comes to this. Given this,", "Audiences seem to be more sensitive to this in recent years, due to", "and feels bad that her attempts at cheering them up or comforting them", "supposed to be one where she learns to temper her energy with humility", "when trying to comfort her friends, and in one case outright torpedoing her", "and sympathetic towards the character in the earliest part of the story when", "be more sensitive to this in recent years, due to authors wanting to", "have real negative consequences, including getting her into trouble when she overestimates herself,", "time get irritated with some of her behavior. The narrative doesn't try to", "I am wondering how can I make a likable headstrong female character without", "particular, I'm wondering how to keep readers invested and sympathetic towards the character", "Her flaws are shown to have real negative consequences, including getting her into", "overestimates herself, causing her to say the wrong thing when trying to comfort", "other people when the plot tells them to be and their more ordinary", "she is shown to be concerned about the people around her and feels", "to authors wanting to insert \"strong, independent female characters\" in their stories but", "her arrogance in her own abilities as misplaced. Additionally, in more somber moments", "insert \"strong, independent female characters\" in their stories but failing to balance headstrongness", "with someone she has a crush on. The characters around her are shown", "trouble when she overestimates herself, causing her to say the wrong thing when", "to say the wrong thing when trying to comfort her friends, and in", "and self-doubt, and isn't hyperactive 100% of the time. Perhaps the biggest thing", "commonly cited characters when it comes to this. Given this, I am wondering", "balance headstrongness with likability. Rey and Korra are some of the most commonly", "to insert \"strong, independent female characters\" in their stories but failing to balance", "she is hyperactive, energetic, and charismatic, but at the same time these traits", "more sensitive to this in recent years, due to authors wanting to insert", "and unempathetic, or they are only concerned about other people when the plot", "same time these traits make her arrogant, insensitive, and tone-deaf. One thing I", "hyperactive, energetic, and charismatic, but at the same time these traits make her", "point is moot. Her flaws are shown to have real negative consequences, including", "the point is moot. Her flaws are shown to have real negative consequences,", "come across as self-centered and unempathetic, or they are only concerned about other", "stories but failing to balance headstrongness with likability. Rey and Korra are some", "wrong thing when trying to comfort her friends, and in one case outright", "to be concerned about the people around her and feels bad that her", "some of the most commonly cited characters when it comes to this. Given", "or unlikeable? In particular, I'm wondering how to keep readers invested and sympathetic", "are shown to both like her vivaciousness but at the same time get", "invested and sympathetic towards the character in the earliest part of the story", "I have a story where one of my lead characters is a headstrong", "their more ordinary actions come off as uncaring towards others or even outright", "The characters around her are shown to both like her vivaciousness but at", "to have more relatable emotions underneath her surface like fear, sadness, and self-doubt,", "unlikeable if written poorly. Audiences seem to be more sensitive to this in", "authors wanting to insert \"strong, independent female characters\" in their stories but failing", "she overestimates herself, causing her to say the wrong thing when trying to", "her vivaciousness but at the same time get irritated with some of her", "both like her vivaciousness but at the same time get irritated with some", "is supposed to be one where she learns to temper her energy with", "but if the audience checks out because she is too annoying the point", "herself, causing her to say the wrong thing when trying to comfort her", "comforting them fail. She is also shown to have more relatable emotions underneath", "coming off as annoying or unlikeable? In particular, I'm wondering how to keep", "her into trouble when she overestimates herself, causing her to say the wrong", "shown to have real negative consequences, including getting her into trouble when she", "humility and maturity, but if the audience checks out because she is too", "young woman. In terms of personality she is hyperactive, energetic, and charismatic, but", "to both like her vivaciousness but at the same time get irritated with", "with some of her behavior. The narrative doesn't try to whitewash her negative", "her own abilities as misplaced. Additionally, in more somber moments she is shown", "to have real negative consequences, including getting her into trouble when she overestimates", "on. The characters around her are shown to both like her vivaciousness but", "people around her and feels bad that her attempts at cheering them up", "because she is too annoying the point is moot. Her flaws are shown", "them fail. 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Rey and Korra are some of the most commonly cited characters", "to whitewash her negative traits and paints her mistakes as mistakes and her", "they often come across as self-centered and unempathetic, or they are only concerned", "also shown to have more relatable emotions underneath her surface like fear, sadness,", "often criticized as being annoying and unlikeable if written poorly. Audiences seem to", "often come across as self-centered and unempathetic, or they are only concerned about", "irritated with some of her behavior. The narrative doesn't try to whitewash her", "is a headstrong young woman. In terms of personality she is hyperactive, energetic,", "learns to temper her energy with humility and maturity, but if the audience", "only concerned about other people when the plot tells them to be and", "written poorly. Audiences seem to be more sensitive to this in recent years,", "cheering them up or comforting them fail. 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Overall, her arc is supposed to be", "with humility and maturity, but if the audience checks out because she is", "to keep readers invested and sympathetic towards the character in the earliest part", "and her arrogance in her own abilities as misplaced. Additionally, in more somber", "but at the same time these traits make her arrogant, insensitive, and tone-deaf.", "as mistakes and her arrogance in her own abilities as misplaced. Additionally, in", "headstrong female character without them coming off as annoying or unlikeable? In particular,", "getting her into trouble when she overestimates herself, causing her to say the", "they are only concerned about other people when the plot tells them to", "personality she is hyperactive, energetic, and charismatic, but at the same time these", "am wondering how can I make a likable headstrong female character without them", "Rey and Korra are some of the most commonly cited characters when it", "but at the same time get irritated with some of her behavior. The", "out because she is too annoying the point is moot. Her flaws are", "where she learns to temper her energy with humility and maturity, but if", "Korra and Rey is that they often come across as self-centered and unempathetic,", "part of the story when she is at her most flawed before character", "to be more sensitive to this in recent years, due to authors wanting", "the character in the earliest part of the story when she is at", "she has a crush on. The characters around her are shown to both", "bad that her attempts at cheering them up or comforting them fail. She", "kicking in. Overall, her arc is supposed to be one where she learns", "of the story when she is at her most flawed before character development", "to be and their more ordinary actions come off as uncaring towards others", "that her attempts at cheering them up or comforting them fail. She is", "she is at her most flawed before character development starts kicking in. Overall,", "her mistakes as mistakes and her arrogance in her own abilities as misplaced.", "it comes to this. Given this, I am wondering how can I make", "She is also shown to have more relatable emotions underneath her surface like", "when she is at her most flawed before character development starts kicking in.", "if written poorly. Audiences seem to be more sensitive to this in recent", "surface like fear, sadness, and self-doubt, and isn't hyperactive 100% of the time.", "crush on. The characters around her are shown to both like her vivaciousness", "arrogance in her own abilities as misplaced. Additionally, in more somber moments she", "wanting to insert \"strong, independent female characters\" in their stories but failing to", "I make a likable headstrong female character without them coming off as annoying", "readers invested and sympathetic towards the character in the earliest part of the", "characters are often criticized as being annoying and unlikeable if written poorly. Audiences", "them coming off as annoying or unlikeable? In particular, I'm wondering how to", "concerned about other people when the plot tells them to be and their", "traits and paints her mistakes as mistakes and her arrogance in her own", "checks out because she is too annoying the point is moot. Her flaws", "biggest thing I've noticed in criticisms of characters like Korra and Rey is", "how can I make a likable headstrong female character without them coming off", "and tone-deaf. 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Overall, her arc is supposed to", "or they are only concerned about other people when the plot tells them", "how to keep readers invested and sympathetic towards the character in the earliest", "self-doubt, and isn't hyperactive 100% of the time. Perhaps the biggest thing I've", "are some of the most commonly cited characters when it comes to this.", "into trouble when she overestimates herself, causing her to say the wrong thing", "and Rey is that they often come across as self-centered and unempathetic, or", "tells them to be and their more ordinary actions come off as uncaring", "in her own abilities as misplaced. Additionally, in more somber moments she is", "earliest part of the story when she is at her most flawed before", "the people around her and feels bad that her attempts at cheering them", "time these traits make her arrogant, insensitive, and tone-deaf. One thing I have", "a crush on. 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Rey and Korra are some of the most commonly cited characters when", "their stories but failing to balance headstrongness with likability. Rey and Korra are", "character without them coming off as annoying or unlikeable? In particular, I'm wondering", "her energy with humility and maturity, but if the audience checks out because", "make a likable headstrong female character without them coming off as annoying or", "around her and feels bad that her attempts at cheering them up or", "in recent years, due to authors wanting to insert \"strong, independent female characters\"", "shown to be concerned about the people around her and feels bad that", "unlikeable? In particular, I'm wondering how to keep readers invested and sympathetic towards", "is also shown to have more relatable emotions underneath her surface like fear,", "character in the earliest part of the story when she is at her", "of her behavior. The narrative doesn't try to whitewash her negative traits and", "the audience checks out because she is too annoying the point is moot.", "annoying and unlikeable if written poorly. Audiences seem to be more sensitive to", "romantic relationship with someone she has a crush on. The characters around her", "or comforting them fail. She is also shown to have more relatable emotions", "chances for a romantic relationship with someone she has a crush on. The", "across as self-centered and unempathetic, or they are only concerned about other people", "Perhaps the biggest thing I've noticed in criticisms of characters like Korra and", "at the same time get irritated with some of her behavior. The narrative", "comes to this. Given this, I am wondering how can I make a", "paints her mistakes as mistakes and her arrogance in her own abilities as", "isn't hyperactive 100% of the time. Perhaps the biggest thing I've noticed in", "without them coming off as annoying or unlikeable? In particular, I'm wondering how", "off as annoying or unlikeable? In particular, I'm wondering how to keep readers", "get irritated with some of her behavior. The narrative doesn't try to whitewash", "someone she has a crush on. The characters around her are shown to", "when it comes to this. Given this, I am wondering how can I", "traits make her arrogant, insensitive, and tone-deaf. One thing I have noticed is", "is too annoying the point is moot. Her flaws are shown to have" ]
[ "that he's still trying to figure out his nature and as a newborn", "succeeds at resolving the problem with huge consequences. But the other characters mess", "he's a complete failure. This is a problem because when a character is", "at the beginning of the story where he is at the most controlled", "as negative by readers. People like extroverted characters because they like characters that", "drawn to charismatic villains over heros, people are more drawn to the proactive,", "others). The story goes out of its way to point out how utterly", "gung-ho.** This is especially the case at the beginning of the story where", "the proactive, goal-oriented villains who often behave in a socially dominant manner and", "with this character is that they are both introverted and shy. Both character", "who get dragged into it kicking and screaming, even if they have completely", "readers. People like extroverted characters because they like characters that are outgoing and", "easier time driving the story forward. People want to see interesting people doing", "and boldness. Indeed, this has been suggested to be why readers are often", "justified reasons to feel that way. In general, the character is a deconstruction", "coming off as whiny and annoying before character development kicks in and tempers", "problem because when a character is introverted the solution the author comes up", "been suggested to be why readers are often drawn to charismatic villains over", "of one of the supernatural factions. His entire story arc is about learning", "character from coming off as whiny or annoying, given how the character naturally", "more brave and assertive. People like characters who jump into the adventure and", "in him having a bit of self-actualization. EDIT: Several respondents have pointed out", "interesting people doing interesting things, and if a character is reluctant to jump", "wish-fulfillment trope seen in a lot of urban fantasy where the protagonist becomes", "He does have positive character traits. He's loyal, idealistic, highly moralistic, reliable, and", "to effect things, but given his inexperience and lack of knowledge sometimes him", "worried about how to keep his character from coming off as whiny or", "in a socially dominant manner and this is why [readers will often white-wash", "pointed out that introverted and timid are not the same thing. This is", "a lot more knowledge or power than he does. He does try to", "an annoyance. Similarly, readers like seeing characters that are brave and exhibit socially", "compared to later as he undergoes character development and starts being a bit", "would go home if it wasn't for the fact that he'd probably be", "into the adventure they consider that an annoyance. Similarly, readers like seeing characters", "out of character for him to be assertive and adventurous. The problem with", "as much as he does, so it's not like he's a complete failure.", "Courage the Cowardly Dog. But [as some have pointed out](https://crudereviews.net/tag/mikey-spock/), those character traits", "given how the character naturally isn't very adventurous or gung-ho.** This is especially", "inside, and indeed how he is at a disadvantage compared to people who", "and responsible. Despite being constantly terrified he never explicitly shows cowardice, his actions", "seen as negative by readers. People like extroverted characters because they like characters", "upside down into a world he didn't know existed (i.e., typical urban fantasy", "People want to see interesting people doing interesting things, and if a character", "is especially the case at the beginning of the story where he is", "to effect their surroundings. He does have positive character traits. He's loyal, idealistic,", "he undergoes character development and starts being a bit more brave and assertive.", "like characters who jump into the adventure and never look back, not ones", "ones who get dragged into it kicking and screaming, even if they have", "is there's a reason why wish-fulfillment characters are a thing, people like the", "drawn to the proactive, goal-oriented villains who often behave in a socially dominant", "feel that way. In general, the character is a deconstruction of the wish-fulfillment", "the character is a deconstruction of the wish-fulfillment trope seen in a lot", "behave in a socially dominant manner and this is why [readers will often", "thing, people like the tropes even if they are completely at odds with", "do I keep this character from coming off as whiny and annoying before", "manner and this is why [readers will often white-wash or outright ignore the", "and the fact that his arc is about gaining self-confidence, it seems completely", "they are the protagonist. Side characters in general seem to get a bigger", "get a bigger pass. The problem with this is I'm worried about how", "pond and part of his character at this point is that he's still", "reasons to feel that way. In general, the character is a deconstruction of", "is giving them a goal for them to direct their attention towards (e.g.,", "the power to effect their surroundings. He does have positive character traits. He's", "character naturally isn't very adventurous or gung-ho. This is especially the case at", "dominance like a vampire lord or a werewolf alpha (e.g., The Saga of", "been thrust upside down into a world he didn't know existed (i.e., typical", "urban fantasy story is not an assertive person. The best words to describe", "monsters that wants to kill him and the faction of monsters who claim", "my urban fantasy story is not an assertive person. The best words to", "or were born into this lifestyle because he lacks their innate viciousness from", "some have pointed out](https://crudereviews.net/tag/mikey-spock/), those character traits are not as emotionally provocative or", "like proactivity and boldness. Indeed, this has been suggested to be why readers", "of the wish-fulfillment trope seen in a lot of urban fantasy where the", "faction of monsters that wants to kill him and the faction of monsters", "same dorky guy on the inside, and indeed how he is at a", "reason why wish-fulfillment characters are a thing, people like the tropes even if", "or engaging as heroes that are brave, adventurous, etc. Given all this, how", "culminating in him having a bit of self-actualization. EDIT:* Several respondents have pointed", "readers like seeing characters that are brave and exhibit socially dominant behaviors, for", "is for this lifestyle, how just because he's become a supernatural he doesn't", "way to point out how utterly unsuited his is for this lifestyle, how", "head-on have an uphill battle to win reader sympathy if they are the", "to win reader sympathy if they are the protagonist. Side characters in general", "Dog. But [as some have pointed out](https://crudereviews.net/tag/mikey-spock/), those character traits are not as", "his nature and as a newborn supernatural there are a lot of people", "and high-strung. His life has been thrust upside down into a world he", "interesting things, and if a character is reluctant to jump into the adventure", "being trapped between the faction of monsters that wants to kill him and", "trapped between the faction of monsters that wants to kill him and the", "and timid are not the same thing. This is true. The thing with", "sympathy if they are the protagonist. Side characters in general seem to get", "left the safety of one of the supernatural factions. His entire story arc", "socially dominant behaviors, for reasons that are probably too long to go into", "he doesn't instantly skyrocket to social dominance because he's still the same dorky", "social dominance because he's still the same dorky guy on the inside, and", "traits are often seen as negative by readers. People like extroverted characters because", "acclimated or were born into this lifestyle because he lacks their innate viciousness", "character is reluctant to jump into the adventure they consider that an annoyance.", "the story forward. People want to see interesting people doing interesting things, and", "fantasy where the protagonist becomes inducted into some kind of hidden world and", "werewolf alpha (e.g., The Saga of Darren Shan, Kitty Norville, among others). The", "and never look back, not ones who get dragged into it kicking and", "odds with reality. He's also not in a position where he has a", "such a cutthroat world. Between this and the fact that his arc is", "urban fantasy masquerade) and he's terrified out of his mind due to being", "between the faction of monsters that wants to kill him and the faction", "for the fact that he'd probably be killed if he left the safety", "negative by readers. People like extroverted characters because they like characters that are", "lifestyle because he lacks their innate viciousness from growing up in such a", "claw their way up to some position of social dominance like a vampire", "same time disliking heroic characters who aren't seen as assertive. The protagonist of", "faction of monsters who claim* to be his friends, and he wasn't a", "have pointed out](https://crudereviews.net/tag/mikey-spock/), those character traits are not as emotionally provocative or engaging", "thing with this character is that they are both introverted and shy. Both", "the wish-fulfillment trope seen in a lot of urban fantasy where the protagonist", "same thing. This is true. The thing with this character is that they", "things, and if a character is reluctant to jump into the adventure they", "are probably too long to go into here. Hence, characters that are not", "Frodo in Lord of the Rings), and people generally don't like characters who", "from growing up in such a cutthroat world. Between this and the fact", "author comes up with to make them more sympathetic is giving them a", "because he lacks their innate viciousness from growing up in such a cutthroat", "story is not an assertive person. The best words to describe him would", "character at this point is that he's still trying to figure out his", "not attack every problem head-on have an uphill battle to win reader sympathy", "out his nature and as a newborn supernatural there are a lot of", "villains who often behave in a socially dominant manner and this is why", "driving the story forward. People want to see interesting people doing interesting things,", "a lot of urban fantasy where the protagonist becomes inducted into some kind", "amount of power over events. He's a little fish in a big pond", "unsuited his is for this lifestyle, how just because he's become a supernatural", "also not in a position where he has a huge amount of power", "of monsters that wants to kill him and the faction of monsters who", "a deconstruction of the wish-fulfillment trope seen in a lot of urban fantasy", "other characters mess up as much as he does, so it's not like", "timid, and high-strung. His life has been thrust upside down into a world", "have pointed out that introverted and timid are not the same thing. This", "will often white-wash or outright ignore the villainous actions of proactive villains](https://tvtropes.org/pmwiki/pmwiki.php/Main/DracoInLeatherPants) while", "arc is about learning how to be braver and have more confidence in", "to the proactive, goal-oriented villains who often behave in a socially dominant manner", "and if a character is reluctant to jump into the adventure they consider", "people who have fully acclimated or were born into this lifestyle because he", "being constantly terrified he never explicitly shows cowardice, his actions being best described", "behaviors, for reasons that are probably too long to go into here. Hence,", "sympathetic is giving them a goal for them to direct their attention towards", "hidden world and manages to claw their way up to some position of", "The Saga of Darren Shan, Kitty Norville, among others). The story goes out", "human Courage the Cowardly Dog. But [as some have pointed out](https://crudereviews.net/tag/mikey-spock/), those character", "while at the same time disliking heroic characters who aren't seen as assertive.", "position where he has a huge amount of power over events. He's a", "to claw their way up to some position of social dominance like a", "aren't seen as assertive. The protagonist of my urban fantasy story is not", "This is true. The thing with this character is that they are both", "at the same time disliking heroic characters who aren't seen as assertive. The", "character is a deconstruction of the wish-fulfillment trope seen in a lot of", "Several respondents have pointed out that introverted and timid are not the same", "knowledge or power than he does. He does try to effect things, but", "dominance because he's still the same dorky guy on the inside, and indeed", "and shy. Both character traits are often seen as negative by readers. People", "but given his inexperience and lack of knowledge sometimes him taking actions either", "their attention towards (e.g., Frodo in Lord of the Rings), and people generally", "people generally don't like characters who don't have the power to effect their", "they consider that an annoyance. Similarly, readers like seeing characters that are brave", "flaws, compared to later as he undergoes character development and starts being a", "he didn't know existed (i.e., typical urban fantasy masquerade) and he's terrified out", "as whiny or annoying, given how the character naturally isn't very adventurous or", "reasons that are probably too long to go into here. Hence, characters that", "more knowledge or power than he does. He does try to effect things,", "explicitly shows cowardice, his actions being best described as a human Courage the", "People like extroverted characters because they like characters that are outgoing and social", "in a lot of urban fantasy where the protagonist becomes inducted into some", "not as emotionally provocative or engaging as heroes that are brave, adventurous, etc.", "pointed out](https://crudereviews.net/tag/mikey-spock/), those character traits are not as emotionally provocative or engaging as", "thing. This is true. The thing with this character is that they are", "his flaws, compared to later as he undergoes character development and starts being", "point out how utterly unsuited his is for this lifestyle, how just because", "power over events. He's a little fish in a big pond and part", "pass. The problem with this is I'm worried about how to keep his", "is a problem because when a character is introverted the solution the author", "life has been thrust upside down into a world he didn't know existed", "comes up with to make them more sympathetic is giving them a goal", "be his friends, and he wasn't a very assertive person to begin with.", "their way up to some position of social dominance like a vampire lord", "the faction of monsters that wants to kill him and the faction of", "more confidence in himself, ultimately culminating in him having a bit of self-actualization.", "character is that they are both* introverted and shy. Both character traits are", "never look back, not ones who get dragged into it kicking and screaming,", "wish-fulfillment characters are a thing, people like the tropes even if they are", "instantly skyrocket to social dominance because he's still the same dorky guy on", "power to effect their surroundings. He does have positive character traits. He's loyal,", "the Rings), and people generally don't like characters who don't have the power", "he never explicitly shows cowardice, his actions being best described as a human", "those character traits are not as emotionally provocative or engaging as heroes that", "beginning of the story where he is at the most controlled by his", "tropes even if they are completely at odds with reality. He's also not", "fully acclimated or were born into this lifestyle because he lacks their innate", "The thing with this character is that they are both* introverted and shy.", "probably too long to go into here. Hence, characters that are not outgoing", "where the protagonist becomes inducted into some kind of hidden world and manages", "towards (e.g., Frodo in Lord of the Rings), and people generally don't like", "has been suggested to be why readers are often drawn to charismatic villains", "this character is that they are both introverted and shy. Both character traits", "to jump into the adventure they consider that an annoyance. Similarly, readers like", "position of social dominance like a vampire lord or a werewolf alpha (e.g.,", "that are outgoing and social and extroverted characters have an easier time driving", "protagonist becomes inducted into some kind of hidden world and manages to claw", "of people that have a lot more knowledge or power than he does.", "consequences. But the other characters mess up as much as he does, so", "of my urban fantasy story is not an assertive person. The best words", "terrified out of his mind due to being trapped between the faction of", "as he does, so it's not like he's a complete failure. This is", "person. The best words to describe him would probably be neurotic, introverted, timid,", "the story where he is at the most controlled by his flaws, compared", "for reasons that are probably too long to go into here. Hence, characters", "resolving the problem with huge consequences. But the other characters mess up as", "that he'd probably be killed if he left the safety of one of", "like seeing characters that are brave and exhibit socially dominant behaviors, for reasons", "wasn't a very assertive person to begin with. He's not having much fun,", "story goes out of its way to point out how utterly unsuited his", "Between this and the fact that his arc is about gaining self-confidence, it", "brave, adventurous, etc. *Given all this, how do I keep this character from", "probably be killed if he left the safety of one of the supernatural", "of the Rings), and people generally don't like characters who don't have the", "like a vampire lord or a werewolf alpha (e.g., The Saga of Darren", "he is at a disadvantage compared to people who have fully acclimated or", "at a disadvantage compared to people who have fully acclimated or were born", "braver and have more confidence in himself, ultimately culminating in him having a", "generally don't like characters who don't have the power to effect their surroundings.", "a very assertive person to begin with. He's not having much fun, he", "of monsters who claim* to be his friends, and he wasn't a very", "with to make them more sympathetic is giving them a goal for them", "jump into the adventure they consider that an annoyance. Similarly, readers like seeing", "story where he is at the most controlled by his flaws, compared to", "brave and assertive. People like characters who jump into the adventure and never", "people doing interesting things, and if a character is reluctant to jump into", "inducted into some kind of hidden world and manages to claw their way", "But the other characters mess up as much as he does, so it's", "annoying, given how the character naturally isn't very adventurous or gung-ho. This is", "or gung-ho. This is especially the case at the beginning of the story", "as a newborn supernatural there are a lot of people that have a", "the beginning of the story where he is at the most controlled by", "assertive. People like characters who jump into the adventure and never look back,", "provocative or engaging as heroes that are brave, adventurous, etc. *Given all this,", "disliking heroic characters who aren't seen as assertive. The protagonist of my urban", "never explicitly shows cowardice, his actions being best described as a human Courage", "actions either makes things worse or succeeds at resolving the problem with huge", "proactive, goal-oriented villains who often behave in a socially dominant manner and this", "them to direct their attention towards (e.g., Frodo in Lord of the Rings),", "that are probably too long to go into here. Hence, characters that are", "is introverted the solution the author comes up with to make them more", "the faction of monsters who claim to be his friends, and he wasn't", "like characters that are outgoing and social and extroverted characters have an easier", "killed if he left the safety of one of the supernatural factions. His", "to see interesting people doing interesting things, and if a character is reluctant", "begin with. He's not having much fun, he shows signs of PTSD and", "is about gaining self-confidence, it seems completely out of character for him to", "into some kind of hidden world and manages to claw their way up", "a position where he has a huge amount of power over events. He's", "way up to some position of social dominance like a vampire lord or", "a little fish in a big pond and part of his character at", "see interesting people doing interesting things, and if a character is reluctant to", "in Lord of the Rings), and people generally don't like characters who don't", "idealistic, highly moralistic, reliable, and responsible. Despite being constantly terrified he never explicitly", "reality. He's also not in a position where he has a huge amount", "there are a lot of people that have a lot more knowledge or", "villains](https://tvtropes.org/pmwiki/pmwiki.php/Main/DracoInLeatherPants) while at the same time disliking heroic characters who aren't seen as", "here. Hence, characters that are not outgoing and do not attack every problem", "lacks their innate viciousness from growing up in such a cutthroat world. Between", "and lack of knowledge sometimes him taking actions either makes things worse or", "if he left the safety of one of the supernatural factions. His entire", "protagonist of my urban fantasy story is not an assertive person. The best", "a thing, people like the tropes even if they are completely at odds", "them more sympathetic is giving them a goal for them to direct their", "growing up in such a cutthroat world. Between this and the fact that", "worse or succeeds at resolving the problem with huge consequences. But the other", "effect their surroundings. He does have positive character traits. He's loyal, idealistic, highly", "He's loyal, idealistic, highly moralistic, reliable, and responsible. Despite being constantly terrified he", "not outgoing and do not attack every problem head-on have an uphill battle", "to be assertive and adventurous. The problem with this is there's a reason", "be neurotic, introverted, timid, and high-strung. His life has been thrust upside down", "a world he didn't know existed (i.e., typical urban fantasy masquerade) and he's", "problem with huge consequences. But the other characters mess up as much as", "jump into the adventure and never look back, not ones who get dragged", "taking actions either makes things worse or succeeds at resolving the problem with", "with this is there's a reason why wish-fulfillment characters are a thing, people", "why readers are often drawn to charismatic villains over heros, people are more", "problem with this is there's a reason why wish-fulfillment characters are a thing,", "EDIT: Several respondents have pointed out that introverted and timid are not the", "of power over events. He's a little fish in a big pond and", "protagonist. Side characters in general seem to get a bigger pass. *The problem", "why wish-fulfillment characters are a thing, people like the tropes even if they", "into it kicking and screaming, even if they have completely justified reasons to", "this point is that he's still trying to figure out his nature and", "failure. This is a problem because when a character is introverted the solution", "are outgoing and social and extroverted characters have an easier time driving the", "is at the most controlled by his flaws, compared to later as he", "there's a reason why wish-fulfillment characters are a thing, people like the tropes", "heros, people are more drawn to the proactive, goal-oriented villains who often behave", "that his arc is about gaining self-confidence, it seems completely out of character", "off as whiny or annoying, given how the character naturally isn't very adventurous", "character development and starts being a bit more brave and assertive. People like", "more drawn to the proactive, goal-oriented villains who often behave in a socially", "become a supernatural he doesn't instantly skyrocket to social dominance because he's still", "are a lot of people that have a lot more knowledge or power", "kicking and screaming, even if they have completely justified reasons to feel that", "indeed how he is at a disadvantage compared to people who have fully", "screaming, even if they have completely justified reasons to feel that way. In", "huge amount of power over events. He's a little fish in a big", "who don't have the power to effect their surroundings. He does have positive", "this lifestyle, how just because he's become a supernatural he doesn't instantly skyrocket", "the supernatural factions. His entire story arc is about learning how to be", "trying to figure out his nature and as a newborn supernatural there are", "he has a huge amount of power over events. He's a little fish", "goal for them to direct their attention towards (e.g., Frodo in Lord of", "into a world he didn't know existed (i.e., typical urban fantasy masquerade) and", "friends, and he wasn't a very assertive person to begin with. He's not", "be assertive and adventurous. The problem with this is there's a reason why", "naturally isn't very adventurous or gung-ho. This is especially the case at the", "still trying to figure out his nature and as a newborn supernatural there", "bit of self-actualization. EDIT:** Several respondents have pointed out that introverted and timid", "fantasy masquerade) and he's terrified out of his mind due to being trapped", "his arc is about gaining self-confidence, it seems completely out of character for", "shows cowardice, his actions being best described as a human Courage the Cowardly", "having much fun, he shows signs of PTSD and he would go home", "and do not attack every problem head-on have an uphill battle to win", "traits are not as emotionally provocative or engaging as heroes that are brave,", "it kicking and screaming, even if they have completely justified reasons to feel", "things, but given his inexperience and lack of knowledge sometimes him taking actions", "often seen as negative by readers. People like extroverted characters because they like", "way. In general, the character is a deconstruction of the wish-fulfillment trope seen", "the author comes up with to make them more sympathetic is giving them", "a bit of self-actualization. EDIT:* Several respondents have pointed out that introverted and", "lot more knowledge or power than he does. He does try to effect", "is true. The thing with this character is that they are both introverted", "to be why readers are often drawn to charismatic villains over heros, people", "characters who jump into the adventure and never look back, not ones who", "deconstruction of the wish-fulfillment trope seen in a lot of urban fantasy where", "a character is reluctant to jump into the adventure they consider that an", "that are not outgoing and do not attack every problem head-on have an", "the villainous actions of proactive villains](https://tvtropes.org/pmwiki/pmwiki.php/Main/DracoInLeatherPants) while at the same time disliking heroic", "dorky guy on the inside, and indeed how he is at a disadvantage", "one of the supernatural factions. His entire story arc is about learning how", "this has been suggested to be why readers are often drawn to charismatic", "over heros, people are more drawn to the proactive, goal-oriented villains who often", "boldness. Indeed, this has been suggested to be why readers are often drawn", "is that they are both introverted and shy. Both character traits are often", "if they have completely justified reasons to feel that way. In general, the", "because he's become a supernatural he doesn't instantly skyrocket to social dominance because", "best described as a human Courage the Cowardly Dog. But [as some have", "supernatural there are a lot of people that have a lot more knowledge", "development and starts being a bit more brave and assertive. People like characters", "into this lifestyle because he lacks their innate viciousness from growing up in", "make them more sympathetic is giving them a goal for them to direct", "this is I'm worried about how to keep his character from coming off", "urban fantasy where the protagonist becomes inducted into some kind of hidden world", "world and manages to claw their way up to some position of social", "people are more drawn to the proactive, goal-oriented villains who often behave in", "if a character is reluctant to jump into the adventure they consider that", "huge consequences. But the other characters mess up as much as he does,", "proactive villains](https://tvtropes.org/pmwiki/pmwiki.php/Main/DracoInLeatherPants) while at the same time disliking heroic characters who aren't seen", "about gaining self-confidence, it seems completely out of character for him to be", "the solution the author comes up with to make them more sympathetic is", "have positive character traits. He's loyal, idealistic, highly moralistic, reliable, and responsible. Despite", "goes out of its way to point out how utterly unsuited his is", "viciousness from growing up in such a cutthroat world. Between this and the", "world he didn't know existed (i.e., typical urban fantasy masquerade) and he's terrified", "described as a human Courage the Cowardly Dog. But [as some have pointed", "at odds with reality. He's also not in a position where he has", "has a huge amount of power over events. He's a little fish in", "His life has been thrust upside down into a world he didn't know", "guy on the inside, and indeed how he is at a disadvantage compared", "about learning how to be braver and have more confidence in himself, ultimately", "they like characters that are outgoing and social and extroverted characters have an", "are not outgoing and do not attack every problem head-on have an uphill", "adventurous. The problem with this is there's a reason why wish-fulfillment characters are", "adventure they consider that an annoyance. Similarly, readers like seeing characters that are", "his character at this point is that he's still trying to figure out", "and starts being a bit more brave and assertive. People like characters who", "lord or a werewolf alpha (e.g., The Saga of Darren Shan, Kitty Norville,", "coming off as whiny or annoying, given how the character naturally isn't very", "time driving the story forward. People want to see interesting people doing interesting", "have an easier time driving the story forward. People want to see interesting", "kill him and the faction of monsters who claim to be his friends,", "of self-actualization. EDIT: Several respondents have pointed out that introverted and timid are", "villainous actions of proactive villains](https://tvtropes.org/pmwiki/pmwiki.php/Main/DracoInLeatherPants) while at the same time disliking heroic characters", "charismatic villains over heros, people are more drawn to the proactive, goal-oriented villains", "how do I keep this character from coming off as whiny and annoying", "so it's not like he's a complete failure. This is a problem because", "monsters who claim to be his friends, and he wasn't a very assertive", "respondents have pointed out that introverted and timid are not the same thing.", "seem to get a bigger pass. The problem with this is I'm worried", "with this is I'm worried about how to keep his character from coming", "The story goes out of its way to point out how utterly unsuited", "it seems completely out of character for him to be assertive and adventurous.", "completely out of character for him to be assertive and adventurous. The problem", "don't have the power to effect their surroundings. He does have positive character", "that are brave and exhibit socially dominant behaviors, for reasons that are probably", "at this point is that he's still trying to figure out his nature", "He's a little fish in a big pond and part of his character", "as whiny and annoying before character development kicks in and tempers him a", "up as much as he does, so it's not like he's a complete", "of urban fantasy where the protagonist becomes inducted into some kind of hidden", "seen as assertive. The protagonist of my urban fantasy story is not an", "to begin with. He's not having much fun, he shows signs of PTSD", "him having a bit of self-actualization. EDIT: Several respondents have pointed out that", "isn't very adventurous or gung-ho. This is especially the case at the beginning", "him taking actions either makes things worse or succeeds at resolving the problem", "not an assertive person. The best words to describe him would probably be", "has been thrust upside down into a world he didn't know existed (i.e.,", "undergoes character development and starts being a bit more brave and assertive. People", "Side characters in general seem to get a bigger pass. The problem with", "being a bit more brave and assertive. People like characters who jump into", "signs of PTSD and he would go home if it wasn't for the", "how to keep his character from coming off as whiny or annoying, given", "introverted, timid, and high-strung. His life has been thrust upside down into a", "how the character naturally isn't very adventurous or gung-ho. This is especially the", "look back, not ones who get dragged into it kicking and screaming, even", "have an uphill battle to win reader sympathy if they are the protagonist.", "best words to describe him would probably be neurotic, introverted, timid, and high-strung.", "introverted the solution the author comes up with to make them more sympathetic", "People like proactivity and boldness. Indeed, this has been suggested to be why", "are not as emotionally provocative or engaging as heroes that are brave, adventurous,", "a character is introverted the solution the author comes up with to make", "this is why [readers will often white-wash or outright ignore the villainous actions", "is not an assertive person. The best words to describe him would probably", "to later as he undergoes character development and starts being a bit more", "this lifestyle because he lacks their innate viciousness from growing up in such", "he's terrified out of his mind due to being trapped between the faction", "if it wasn't for the fact that he'd probably be killed if he", "white-wash or outright ignore the villainous actions of proactive villains](https://tvtropes.org/pmwiki/pmwiki.php/Main/DracoInLeatherPants) while at the", "This is a problem because when a character is introverted the solution the", "In general, the character is a deconstruction of the wish-fulfillment trope seen in", "of his character at this point is that he's still trying to figure", "were born into this lifestyle because he lacks their innate viciousness from growing", "where he is at the most controlled by his flaws, compared to later", "the same thing. This is true. The thing with this character is that", "the protagonist becomes inducted into some kind of hidden world and manages to", "where he has a huge amount of power over events. He's a little", "entire story arc is about learning how to be braver and have more", "that way. In general, the character is a deconstruction of the wish-fulfillment trope", "to some position of social dominance like a vampire lord or a werewolf", "out of its way to point out how utterly unsuited his is for", "general, the character is a deconstruction of the wish-fulfillment trope seen in a", "a socially dominant manner and this is why [readers will often white-wash or", "Shan, Kitty Norville, among others). The story goes out of its way to", "are the protagonist. Side characters in general seem to get a bigger pass.", "this character from coming off as whiny and annoying before character development kicks", "learning how to be braver and have more confidence in himself, ultimately culminating", "to be braver and have more confidence in himself, ultimately culminating in him", "he'd probably be killed if he left the safety of one of the", "because when a character is introverted the solution the author comes up with", "often white-wash or outright ignore the villainous actions of proactive villains](https://tvtropes.org/pmwiki/pmwiki.php/Main/DracoInLeatherPants) while at", "of character for him to be assertive and adventurous. The problem with this", "character from coming off as whiny and annoying before character development kicks in", "characters mess up as much as he does, so it's not like he's", "how to be braver and have more confidence in himself, ultimately culminating in", "people that have a lot more knowledge or power than he does. He", "heroic characters who aren't seen as assertive. The protagonist of my urban fantasy", "traits. He's loyal, idealistic, highly moralistic, reliable, and responsible. Despite being constantly terrified", "fact that he'd probably be killed if he left the safety of one", "or a werewolf alpha (e.g., The Saga of Darren Shan, Kitty Norville, among", "long to go into here. Hence, characters that are not outgoing and do", "mess up as much as he does, so it's not like he's a", "actions of proactive villains](https://tvtropes.org/pmwiki/pmwiki.php/Main/DracoInLeatherPants) while at the same time disliking heroic characters who", "up to some position of social dominance like a vampire lord or a", "doing interesting things, and if a character is reluctant to jump into the", "want to see interesting people doing interesting things, and if a character is", "and the faction of monsters who claim* to be his friends, and he", "who claim to be his friends, and he wasn't a very assertive person", "the other characters mess up as much as he does, so it's not", "Both character traits are often seen as negative by readers. People like extroverted", "of his mind due to being trapped between the faction of monsters that", "assertive. The protagonist of my urban fantasy story is not an assertive person.", "to kill him and the faction of monsters who claim to be his", "story arc is about learning how to be braver and have more confidence", "high-strung. His life has been thrust upside down into a world he didn't", "into the adventure and never look back, not ones who get dragged into", "like he's a complete failure. This is a problem because when a character", "character traits. He's loyal, idealistic, highly moralistic, reliable, and responsible. Despite being constantly", "how utterly unsuited his is for this lifestyle, how just because he's become", "This is especially the case at the beginning of the story where he", "dominant behaviors, for reasons that are probably too long to go into here.", "of its way to point out how utterly unsuited his is for this", "positive character traits. He's loyal, idealistic, highly moralistic, reliable, and responsible. Despite being", "engaging as heroes that are brave, adventurous, etc. Given all this, how do", "that introverted and timid are not the same thing. This is true. The", "or annoying, given how the character naturally isn't very adventurous or gung-ho. This", "and screaming, even if they have completely justified reasons to feel that way.", "for this lifestyle, how just because he's become a supernatural he doesn't instantly", "readers are often drawn to charismatic villains over heros, people are more drawn", "to social dominance because he's still the same dorky guy on the inside,", "describe him would probably be neurotic, introverted, timid, and high-strung. His life has", "of social dominance like a vampire lord or a werewolf alpha (e.g., The", "to figure out his nature and as a newborn supernatural there are a", "he left the safety of one of the supernatural factions. His entire story", "his actions being best described as a human Courage the Cowardly Dog. But", "fish in a big pond and part of his character at this point", "terrified he never explicitly shows cowardice, his actions being best described as a", "a problem because when a character is introverted the solution the author comes", "due to being trapped between the faction of monsters that wants to kill", "are not the same thing. This is true. The thing with this character", "than he does. He does try* to effect things, but given his inexperience", "when a character is introverted the solution the author comes up with to", "manages to claw their way up to some position of social dominance like", "lifestyle, how just because he's become a supernatural he doesn't instantly skyrocket to", "is why [readers will often white-wash or outright ignore the villainous actions of", "who aren't seen as assertive. The protagonist of my urban fantasy story is", "them a goal for them to direct their attention towards (e.g., Frodo in", "a goal for them to direct their attention towards (e.g., Frodo in Lord", "of PTSD and he would go home if it wasn't for the fact", "timid are not the same thing. This is true. The thing with this", "characters because they like characters that are outgoing and social and extroverted characters", "and social and extroverted characters have an easier time driving the story forward.", "[as some have pointed out](https://crudereviews.net/tag/mikey-spock/), those character traits are not as emotionally provocative", "didn't know existed (i.e., typical urban fantasy masquerade) and he's terrified out of", "Hence, characters that are not outgoing and do not attack every problem head-on", "(i.e., typical urban fantasy masquerade) and he's terrified out of his mind due", "fantasy story is not an assertive person. The best words to describe him", "go home if it wasn't for the fact that he'd probably be killed", "this is there's a reason why wish-fulfillment characters are a thing, people like", "every problem head-on have an uphill battle to win reader sympathy if they", "born into this lifestyle because he lacks their innate viciousness from growing up", "a reason why wish-fulfillment characters are a thing, people like the tropes even", "very adventurous or gung-ho.* This is especially the case at the beginning of", "at the most controlled by his flaws, compared to later as he undergoes", "social dominance like a vampire lord or a werewolf alpha (e.g., The Saga", "the fact that his arc is about gaining self-confidence, it seems completely out", "and indeed how he is at a disadvantage compared to people who have", "his is for this lifestyle, how just because he's become a supernatural he", "he does, so it's not like he's a complete failure. This is a", "out that introverted and timid are not the same thing. This is true.", "are brave and exhibit socially dominant behaviors, for reasons that are probably too", "are a thing, people like the tropes even if they are completely at", "consider that an annoyance. Similarly, readers like seeing characters that are brave and", "that are brave, adventurous, etc. Given all this, how do I keep this", "introverted and shy. Both character traits are often seen as negative by readers.", "who have fully acclimated or were born into this lifestyle because he lacks", "power than he does. He does try* to effect things, but given his", "social and extroverted characters have an easier time driving the story forward. People", "from coming off as whiny or annoying, given how the character naturally isn't", "The problem with this is there's a reason why wish-fulfillment characters are a", "uphill battle to win reader sympathy if they are the protagonist. Side characters", "is a deconstruction of the wish-fulfillment trope seen in a lot of urban", "makes things worse or succeeds at resolving the problem with huge consequences. But", "heroes that are brave, adventurous, etc. *Given all this, how do I keep", "to direct their attention towards (e.g., Frodo in Lord of the Rings), and", "not having much fun, he shows signs of PTSD and he would go", "or succeeds at resolving the problem with huge consequences. But the other characters", "they are completely at odds with reality. He's also not in a position", "to charismatic villains over heros, people are more drawn to the proactive, goal-oriented", "try* to effect things, but given his inexperience and lack of knowledge sometimes", "be why readers are often drawn to charismatic villains over heros, people are", "are more drawn to the proactive, goal-oriented villains who often behave in a", "the adventure they consider that an annoyance. Similarly, readers like seeing characters that", "characters that are not outgoing and do not attack every problem head-on have", "outright ignore the villainous actions of proactive villains](https://tvtropes.org/pmwiki/pmwiki.php/Main/DracoInLeatherPants) while at the same time", "whiny or annoying, given how the character naturally isn't very adventurous or gung-ho.", "an assertive person. The best words to describe him would probably be neurotic,", "the inside, and indeed how he is at a disadvantage compared to people", "most controlled by his flaws, compared to later as he undergoes character development", "later as he undergoes character development and starts being a bit more brave", "is at a disadvantage compared to people who have fully acclimated or were", "like extroverted characters because they like characters that are outgoing and social and", "get dragged into it kicking and screaming, even if they have completely justified", "character traits are not as emotionally provocative or engaging as heroes that are", "bigger pass. The problem with this is I'm worried about how to keep", "even if they are completely at odds with reality. He's also not in", "the protagonist. Side characters in general seem to get a bigger pass. The", "big pond and part of his character at this point is that he's", "this and the fact that his arc is about gaining self-confidence, it seems", "ignore the villainous actions of proactive villains](https://tvtropes.org/pmwiki/pmwiki.php/Main/DracoInLeatherPants) while at the same time disliking", "fact that his arc is about gaining self-confidence, it seems completely out of", "completely at odds with reality. He's also not in a position where he", "as heroes that are brave, adventurous, etc. Given all this, how do I", "lot of urban fantasy where the protagonist becomes inducted into some kind of", "to go into here. Hence, characters that are not outgoing and do not", "supernatural factions. His entire story arc is about learning how to be braver", "Norville, among others). The story goes out of its way to point out", "neurotic, introverted, timid, and high-strung. His life has been thrust upside down into", "even if they have completely justified reasons to feel that way. In general,", "assertive and adventurous. The problem with this is there's a reason why wish-fulfillment", "his mind due to being trapped between the faction of monsters that wants", "cutthroat world. Between this and the fact that his arc is about gaining", "his friends, and he wasn't a very assertive person to begin with. He's", "attention towards (e.g., Frodo in Lord of the Rings), and people generally don't", "alpha (e.g., The Saga of Darren Shan, Kitty Norville, among others). The story", "he's still trying to figure out his nature and as a newborn supernatural", "a vampire lord or a werewolf alpha (e.g., The Saga of Darren Shan,", "back, not ones who get dragged into it kicking and screaming, even if", "to people who have fully acclimated or were born into this lifestyle because", "characters that are brave and exhibit socially dominant behaviors, for reasons that are", "factions. His entire story arc is about learning how to be braver and", "go into here. Hence, characters that are not outgoing and do not attack", "out how utterly unsuited his is for this lifestyle, how just because he's", "typical urban fantasy masquerade) and he's terrified out of his mind due to", "villains over heros, people are more drawn to the proactive, goal-oriented villains who", "win reader sympathy if they are the protagonist. Side characters in general seem", "He's not having much fun, he shows signs of PTSD and he would", "does, so it's not like he's a complete failure. This is a problem", "forward. People want to see interesting people doing interesting things, and if a", "if they are the protagonist. Side characters in general seem to get a", "often drawn to charismatic villains over heros, people are more drawn to the", "much fun, he shows signs of PTSD and he would go home if", "Rings), and people generally don't like characters who don't have the power to", "and extroverted characters have an easier time driving the story forward. People want", "Darren Shan, Kitty Norville, among others). The story goes out of its way", "he's still the same dorky guy on the inside, and indeed how he", "true. The thing with this character is that they are both* introverted and", "their surroundings. He does have positive character traits. He's loyal, idealistic, highly moralistic,", "vampire lord or a werewolf alpha (e.g., The Saga of Darren Shan, Kitty", "newborn supernatural there are a lot of people that have a lot more", "time disliking heroic characters who aren't seen as assertive. The protagonist of my", "dominant manner and this is why [readers will often white-wash or outright ignore", "ultimately culminating in him having a bit of self-actualization. EDIT:* Several respondents have", "complete failure. This is a problem because when a character is introverted the", "annoyance. Similarly, readers like seeing characters that are brave and exhibit socially dominant", "to being trapped between the faction of monsters that wants to kill him", "claim to be his friends, and he wasn't a very assertive person to", "assertive person to begin with. He's not having much fun, he shows signs", "battle to win reader sympathy if they are the protagonist. Side characters in", "to get a bigger pass. The problem with this is I'm worried about", "is about learning how to be braver and have more confidence in himself,", "himself, ultimately culminating in him having a bit of self-actualization. EDIT:** Several respondents", "about how to keep his character from coming off as whiny or annoying,", "of the story where he is at the most controlled by his flaws,", "among others). The story goes out of its way to point out how", "the same time disliking heroic characters who aren't seen as assertive. The protagonist", "effect things, but given his inexperience and lack of knowledge sometimes him taking", "reliable, and responsible. Despite being constantly terrified he never explicitly shows cowardice, his", "still the same dorky guy on the inside, and indeed how he is", "seen in a lot of urban fantasy where the protagonist becomes inducted into", "that wants to kill him and the faction of monsters who claim to", "character traits are often seen as negative by readers. People like extroverted characters", "story forward. People want to see interesting people doing interesting things, and if", "shows signs of PTSD and he would go home if it wasn't for", "[readers will often white-wash or outright ignore the villainous actions of proactive villains](https://tvtropes.org/pmwiki/pmwiki.php/Main/DracoInLeatherPants)", "(e.g., The Saga of Darren Shan, Kitty Norville, among others). The story goes", "characters that are outgoing and social and extroverted characters have an easier time", "safety of one of the supernatural factions. His entire story arc is about", "he would go home if it wasn't for the fact that he'd probably", "and exhibit socially dominant behaviors, for reasons that are probably too long to", "are both introverted and shy. Both character traits are often seen as negative", "starts being a bit more brave and assertive. People like characters who jump", "to feel that way. In general, the character is a deconstruction of the", "are completely at odds with reality. He's also not in a position where", "don't like characters who don't have the power to effect their surroundings. He", "for him to be assertive and adventurous. The problem with this is there's", "their innate viciousness from growing up in such a cutthroat world. Between this", "completely justified reasons to feel that way. In general, the character is a", "But [as some have pointed out](https://crudereviews.net/tag/mikey-spock/), those character traits are not as emotionally", "Saga of Darren Shan, Kitty Norville, among others). The story goes out of", "from coming off as whiny and annoying before character development kicks in and", "if they are completely at odds with reality. He's also not in a", "whiny and annoying before character development kicks in and tempers him a bit.", "Similarly, readers like seeing characters that are brave and exhibit socially dominant behaviors,", "He does try* to effect things, but given his inexperience and lack of", "shy. Both character traits are often seen as negative by readers. People like", "characters have an easier time driving the story forward. People want to see", "the Cowardly Dog. But [as some have pointed out](https://crudereviews.net/tag/mikey-spock/), those character traits are", "Despite being constantly terrified he never explicitly shows cowardice, his actions being best", "an easier time driving the story forward. People want to see interesting people", "characters who don't have the power to effect their surroundings. He does have", "adventure and never look back, not ones who get dragged into it kicking", "innate viciousness from growing up in such a cutthroat world. Between this and", "like the tropes even if they are completely at odds with reality. He's", "the same dorky guy on the inside, and indeed how he is at", "dragged into it kicking and screaming, even if they have completely justified reasons", "have a lot more knowledge or power than he does. He does try", "a werewolf alpha (e.g., The Saga of Darren Shan, Kitty Norville, among others).", "an uphill battle to win reader sympathy if they are the protagonist. Side", "as a human Courage the Cowardly Dog. But [as some have pointed out](https://crudereviews.net/tag/mikey-spock/),", "I'm worried about how to keep his character from coming off as whiny", "is that he's still trying to figure out his nature and as a", "a huge amount of power over events. He's a little fish in a", "very assertive person to begin with. He's not having much fun, he shows", "home if it wasn't for the fact that he'd probably be killed if", "a cutthroat world. Between this and the fact that his arc is about", "arc is about gaining self-confidence, it seems completely out of character for him", "more sympathetic is giving them a goal for them to direct their attention", "Lord of the Rings), and people generally don't like characters who don't have", "Kitty Norville, among others). The story goes out of its way to point", "characters who aren't seen as assertive. The protagonist of my urban fantasy story", "emotionally provocative or engaging as heroes that are brave, adventurous, etc. Given all", "and adventurous. The problem with this is there's a reason why wish-fulfillment characters", "a big pond and part of his character at this point is that", "off as whiny and annoying before character development kicks in and tempers him", "The protagonist of my urban fantasy story is not an assertive person. The", "direct their attention towards (e.g., Frodo in Lord of the Rings), and people", "highly moralistic, reliable, and responsible. Despite being constantly terrified he never explicitly shows", "he's become a supernatural he doesn't instantly skyrocket to social dominance because he's", "gaining self-confidence, it seems completely out of character for him to be assertive", "because he's still the same dorky guy on the inside, and indeed how", "with huge consequences. But the other characters mess up as much as he", "does. He does try* to effect things, but given his inexperience and lack", "out of his mind due to being trapped between the faction of monsters", "His entire story arc is about learning how to be braver and have", "cowardice, his actions being best described as a human Courage the Cowardly Dog.", "is I'm worried about how to keep his character from coming off as", "of knowledge sometimes him taking actions either makes things worse or succeeds at", "either makes things worse or succeeds at resolving the problem with huge consequences.", "masquerade) and he's terrified out of his mind due to being trapped between", "wasn't for the fact that he'd probably be killed if he left the", "why [readers will often white-wash or outright ignore the villainous actions of proactive", "and assertive. People like characters who jump into the adventure and never look", "that have a lot more knowledge or power than he does. He does", "people like the tropes even if they are completely at odds with reality.", "words to describe him would probably be neurotic, introverted, timid, and high-strung. His", "the case at the beginning of the story where he is at the", "surroundings. He does have positive character traits. He's loyal, idealistic, highly moralistic, reliable,", "be killed if he left the safety of one of the supernatural factions.", "the adventure and never look back, not ones who get dragged into it", "socially dominant manner and this is why [readers will often white-wash or outright", "part of his character at this point is that he's still trying to", "like characters who don't have the power to effect their surroundings. He does", "keep this character from coming off as whiny and annoying before character development", "moralistic, reliable, and responsible. Despite being constantly terrified he never explicitly shows cowardice,", "lot of people that have a lot more knowledge or power than he", "a newborn supernatural there are a lot of people that have a lot", "he wasn't a very assertive person to begin with. He's not having much", "have completely justified reasons to feel that way. In general, the character is", "adventurous, etc. Given all this, how do I keep this character from coming", "too long to go into here. Hence, characters that are not outgoing and", "of proactive villains](https://tvtropes.org/pmwiki/pmwiki.php/Main/DracoInLeatherPants) while at the same time disliking heroic characters who aren't", "case at the beginning of the story where he is at the most", "events. He's a little fish in a big pond and part of his", "to make them more sympathetic is giving them a goal for them to", "the character naturally isn't very adventurous or gung-ho. This is especially the case", "reader sympathy if they are the protagonist. Side characters in general seem to", "to describe him would probably be neurotic, introverted, timid, and high-strung. His life", "disadvantage compared to people who have fully acclimated or were born into this", "knowledge sometimes him taking actions either makes things worse or succeeds at resolving", "in himself, ultimately culminating in him having a bit of self-actualization. EDIT: Several", "as assertive. The protagonist of my urban fantasy story is not an assertive", "this, how do I keep this character from coming off as whiny and", "know existed (i.e., typical urban fantasy masquerade) and he's terrified out of his", "confidence in himself, ultimately culminating in him having a bit of self-actualization. EDIT:", "seems completely out of character for him to be assertive and adventurous. The", "are often drawn to charismatic villains over heros, people are more drawn to", "or outright ignore the villainous actions of proactive villains](https://tvtropes.org/pmwiki/pmwiki.php/Main/DracoInLeatherPants) while at the same", "point is that he's still trying to figure out his nature and as", "self-confidence, it seems completely out of character for him to be assertive and", "his inexperience and lack of knowledge sometimes him taking actions either makes things", "and this is why [readers will often white-wash or outright ignore the villainous", "becomes inducted into some kind of hidden world and manages to claw their", "in a position where he has a huge amount of power over events.", "at resolving the problem with huge consequences. But the other characters mess up", "he shows signs of PTSD and he would go home if it wasn't", "doesn't instantly skyrocket to social dominance because he's still the same dorky guy", "utterly unsuited his is for this lifestyle, how just because he's become a", "self-actualization. EDIT: Several respondents have pointed out that introverted and timid are not", "or power than he does. He does try to effect things, but given", "not ones who get dragged into it kicking and screaming, even if they", "have the power to effect their surroundings. He does have positive character traits.", "lack of knowledge sometimes him taking actions either makes things worse or succeeds", "characters in general seem to get a bigger pass. *The problem with this", "the problem with huge consequences. But the other characters mess up as much", "mind due to being trapped between the faction of monsters that wants to", "introverted and timid are not the same thing. This is true. The thing", "(e.g., Frodo in Lord of the Rings), and people generally don't like characters", "etc. Given all this, how do I keep this character from coming off", "a bit more brave and assertive. People like characters who jump into the", "it's not like he's a complete failure. This is a problem because when", "People like characters who jump into the adventure and never look back, not", "of Darren Shan, Kitty Norville, among others). The story goes out of its", "as he undergoes character development and starts being a bit more brave and", "extroverted characters have an easier time driving the story forward. People want to", "by readers. People like extroverted characters because they like characters that are outgoing", "and people generally don't like characters who don't have the power to effect", "nature and as a newborn supernatural there are a lot of people that", "giving them a goal for them to direct their attention towards (e.g., Frodo", "solution the author comes up with to make them more sympathetic is giving", "given his inexperience and lack of knowledge sometimes him taking actions either makes", "fun, he shows signs of PTSD and he would go home if it", "outgoing and social and extroverted characters have an easier time driving the story", "do not attack every problem head-on have an uphill battle to win reader", "how he is at a disadvantage compared to people who have fully acclimated", "the tropes even if they are completely at odds with reality. He's also", "character is introverted the solution the author comes up with to make them", "up with to make them more sympathetic is giving them a goal for", "out](https://crudereviews.net/tag/mikey-spock/), those character traits are not as emotionally provocative or engaging as heroes", "person to begin with. He's not having much fun, he shows signs of", "the safety of one of the supernatural factions. His entire story arc is", "having a bit of self-actualization. EDIT: Several respondents have pointed out that introverted", "some position of social dominance like a vampire lord or a werewolf alpha", "characters are a thing, people like the tropes even if they are completely", "both introverted and shy. Both character traits are often seen as negative by", "not in a position where he has a huge amount of power over", "The best words to describe him would probably be neurotic, introverted, timid, and", "a human Courage the Cowardly Dog. But [as some have pointed out](https://crudereviews.net/tag/mikey-spock/), those", "and manages to claw their way up to some position of social dominance", "a supernatural he doesn't instantly skyrocket to social dominance because he's still the", "I keep this character from coming off as whiny and annoying before character", "who jump into the adventure and never look back, not ones who get", "figure out his nature and as a newborn supernatural there are a lot", "a disadvantage compared to people who have fully acclimated or were born into", "in such a cutthroat world. Between this and the fact that his arc", "would probably be neurotic, introverted, timid, and high-strung. His life has been thrust", "controlled by his flaws, compared to later as he undergoes character development and", "he lacks their innate viciousness from growing up in such a cutthroat world.", "often behave in a socially dominant manner and this is why [readers will", "some kind of hidden world and manages to claw their way up to", "for them to direct their attention towards (e.g., Frodo in Lord of the", "PTSD and he would go home if it wasn't for the fact that", "have fully acclimated or were born into this lifestyle because he lacks their", "all this, how do I keep this character from coming off as whiny", "a complete failure. This is a problem because when a character is introverted", "goal-oriented villains who often behave in a socially dominant manner and this is", "extroverted characters because they like characters that are outgoing and social and extroverted", "Indeed, this has been suggested to be why readers are often drawn to", "in general seem to get a bigger pass. The problem with this is", "bit more brave and assertive. People like characters who jump into the adventure", "trope seen in a lot of urban fantasy where the protagonist becomes inducted", "not like he's a complete failure. This is a problem because when a", "much as he does, so it's not like he's a complete failure. This", "little fish in a big pond and part of his character at this", "problem head-on have an uphill battle to win reader sympathy if they are", "as emotionally provocative or engaging as heroes that are brave, adventurous, etc. Given", "just because he's become a supernatural he doesn't instantly skyrocket to social dominance", "its way to point out how utterly unsuited his is for this lifestyle,", "constantly terrified he never explicitly shows cowardice, his actions being best described as", "of the supernatural factions. His entire story arc is about learning how to", "by his flaws, compared to later as he undergoes character development and starts", "and he's terrified out of his mind due to being trapped between the", "probably be neurotic, introverted, timid, and high-strung. His life has been thrust upside", "things worse or succeeds at resolving the problem with huge consequences. But the", "to be his friends, and he wasn't a very assertive person to begin", "and have more confidence in himself, ultimately culminating in him having a bit", "seeing characters that are brave and exhibit socially dominant behaviors, for reasons that", "with. He's not having much fun, he shows signs of PTSD and he", "not the same thing. This is true. The thing with this character is", "a bigger pass. The problem with this is I'm worried about how to", "problem with this is I'm worried about how to keep his character from", "thrust upside down into a world he didn't know existed (i.e., typical urban", "character for him to be assertive and adventurous. The problem with this is", "down into a world he didn't know existed (i.e., typical urban fantasy masquerade)", "attack every problem head-on have an uphill battle to win reader sympathy if", "they are both* introverted and shy. Both character traits are often seen as", "inexperience and lack of knowledge sometimes him taking actions either makes things worse", "does try to effect things, but given his inexperience and lack of knowledge", "actions being best described as a human Courage the Cowardly Dog. But [as", "that an annoyance. Similarly, readers like seeing characters that are brave and exhibit", "on the inside, and indeed how he is at a disadvantage compared to", "he does. He does try to effect things, but given his inexperience and", "and as a newborn supernatural there are a lot of people that have", "in a big pond and part of his character at this point is", "they have completely justified reasons to feel that way. In general, the character", "into here. Hence, characters that are not outgoing and do not attack every", "of hidden world and manages to claw their way up to some position", "with reality. He's also not in a position where he has a huge", "He's also not in a position where he has a huge amount of", "general seem to get a bigger pass. *The problem with this is I'm", "be braver and have more confidence in himself, ultimately culminating in him having", "that they are both* introverted and shy. Both character traits are often seen", "his character from coming off as whiny or annoying, given how the character", "the most controlled by his flaws, compared to later as he undergoes character", "because they like characters that are outgoing and social and extroverted characters have", "him would probably be neurotic, introverted, timid, and high-strung. His life has been", "is reluctant to jump into the adventure they consider that an annoyance. Similarly,", "he is at the most controlled by his flaws, compared to later as", "him to be assertive and adventurous. The problem with this is there's a", "him and the faction of monsters who claim to be his friends, and", "who often behave in a socially dominant manner and this is why [readers", "and he wasn't a very assertive person to begin with. He's not having", "are often seen as negative by readers. People like extroverted characters because they", "compared to people who have fully acclimated or were born into this lifestyle", "being best described as a human Courage the Cowardly Dog. But [as some", "how just because he's become a supernatural he doesn't instantly skyrocket to social", "to point out how utterly unsuited his is for this lifestyle, how just", "outgoing and do not attack every problem head-on have an uphill battle to", "supernatural he doesn't instantly skyrocket to social dominance because he's still the same", "sometimes him taking actions either makes things worse or succeeds at resolving the", "keep his character from coming off as whiny or annoying, given how the", "does have positive character traits. He's loyal, idealistic, highly moralistic, reliable, and responsible.", "are brave, adventurous, etc. *Given all this, how do I keep this character", "the fact that he'd probably be killed if he left the safety of", "a lot of people that have a lot more knowledge or power than", "kind of hidden world and manages to claw their way up to some", "have more confidence in himself, ultimately culminating in him having a bit of", "over events. He's a little fish in a big pond and part of", "reluctant to jump into the adventure they consider that an annoyance. Similarly, readers", "brave and exhibit socially dominant behaviors, for reasons that are probably too long", "suggested to be why readers are often drawn to charismatic villains over heros,", "up in such a cutthroat world. Between this and the fact that his", "loyal, idealistic, highly moralistic, reliable, and responsible. Despite being constantly terrified he never", "skyrocket to social dominance because he's still the same dorky guy on the", "Cowardly Dog. But [as some have pointed out](https://crudereviews.net/tag/mikey-spock/), those character traits are not", "proactivity and boldness. Indeed, this has been suggested to be why readers are", "adventurous or gung-ho. This is especially the case at the beginning of the", "it wasn't for the fact that he'd probably be killed if he left", "existed (i.e., typical urban fantasy masquerade) and he's terrified out of his mind", "and part of his character at this point is that he's still trying", "and he would go home if it wasn't for the fact that he'd", "The problem with this is I'm worried about how to keep his character", "responsible. Despite being constantly terrified he never explicitly shows cowardice, his actions being", "to keep his character from coming off as whiny or annoying, given how", "world. Between this and the fact that his arc is about gaining self-confidence,", "*Given all this, how do I keep this character from coming off as", "exhibit socially dominant behaviors, for reasons that are probably too long to go", "wants to kill him and the faction of monsters who claim* to be", "assertive person. The best words to describe him would probably be neurotic, introverted,", "especially the case at the beginning of the story where he is at" ]
[ "MC's background prevents her from truly confessing her feelings, as she feels she's", "interest. One is a prince who is a fugitive of his kingdom, the", "bore the audience? The subplot is integral to another section of the planned", "self and confess. How do I make this long enough to build tension,", "be her assertive self and confess. How do I make this long enough", "One is a prince who is a fugitive of his kingdom, the other", "do I make this long enough to build tension, but also not bore", "worthy of him. Likewise, the love interest is unaware of how the MC", "him. Likewise, the love interest is unaware of how the MC feels, but", "a prince who is a fugitive of his kingdom, the other a street", "is a fugitive of his kingdom, the other a street urchin who has", "I have my MC and her love interest. One is a prince who", "with the love interest after much trial and tribulation. But their class difference", "my MC and her love interest. One is a prince who is a", "love with the love interest after much trial and tribulation. But their class", "make this long enough to build tension, but also not bore the audience?", "trial and tribulation. But their class difference and the MC's background prevents her", "interest is unaware of how the MC feels, but he feels like he", "another section of the planned plot, where the viewpoint changes from them to", "the MC feels, but he feels like he can't do it because he", "Despite this, the MC falls in love with the love interest after much", "MC to be her assertive self and confess. How do I make this", "he can't do it because he wants the MC to be her assertive", "love interest is unaware of how the MC feels, but he feels like", "but also not bore the audience? The subplot is integral to another section", "and her love interest. One is a prince who is a fugitive of", "The subplot is integral to another section of the planned plot, where the", "and confess. How do I make this long enough to build tension, but", "the love interest after much trial and tribulation. But their class difference and", "background prevents her from truly confessing her feelings, as she feels she's not", "MC feels, but he feels like he can't do it because he wants", "confess. How do I make this long enough to build tension, but also", "tribulation. But their class difference and the MC's background prevents her from truly", "street urchin who has a scarred past. Despite this, the MC falls in", "can't do it because he wants the MC to be her assertive self", "a street urchin who has a scarred past. Despite this, the MC falls", "how the MC feels, but he feels like he can't do it because", "kingdom, the other a street urchin who has a scarred past. Despite this,", "past. Despite this, the MC falls in love with the love interest after", "love interest after much trial and tribulation. But their class difference and the", "who has a scarred past. Despite this, the MC falls in love with", "wants the MC to be her assertive self and confess. How do I", "have my MC and her love interest. One is a prince who is", "this long enough to build tension, but also not bore the audience? The", "and the MC's background prevents her from truly confessing her feelings, as she", "the MC to be her assertive self and confess. How do I make", "scarred past. Despite this, the MC falls in love with the love interest", "also not bore the audience? The subplot is integral to another section of", "section of the planned plot, where the viewpoint changes from them to their", "subplot is integral to another section of the planned plot, where the viewpoint", "this, the MC falls in love with the love interest after much trial", "the audience? The subplot is integral to another section of the planned plot,", "a fugitive of his kingdom, the other a street urchin who has a", "truly confessing her feelings, as she feels she's not worthy of him. Likewise,", "much trial and tribulation. But their class difference and the MC's background prevents", "feels, but he feels like he can't do it because he wants the", "interest after much trial and tribulation. But their class difference and the MC's", "it because he wants the MC to be her assertive self and confess.", "assertive self and confess. How do I make this long enough to build", "he wants the MC to be her assertive self and confess. How do", "urchin who has a scarred past. Despite this, the MC falls in love", "audience? The subplot is integral to another section of the planned plot, where", "she's not worthy of him. Likewise, the love interest is unaware of how", "like he can't do it because he wants the MC to be her", "love interest. One is a prince who is a fugitive of his kingdom,", "and tribulation. But their class difference and the MC's background prevents her from", "of how the MC feels, but he feels like he can't do it", "she feels she's not worthy of him. Likewise, the love interest is unaware", "his kingdom, the other a street urchin who has a scarred past. Despite", "feels she's not worthy of him. Likewise, the love interest is unaware of", "the MC falls in love with the love interest after much trial and", "long enough to build tension, but also not bore the audience? The subplot", "the love interest is unaware of how the MC feels, but he feels", "her from truly confessing her feelings, as she feels she's not worthy of", "unaware of how the MC feels, but he feels like he can't do", "How do I make this long enough to build tension, but also not", "to build tension, but also not bore the audience? The subplot is integral", "MC and her love interest. One is a prince who is a fugitive", "difference and the MC's background prevents her from truly confessing her feelings, as", "is integral to another section of the planned plot, where the viewpoint changes", "but he feels like he can't do it because he wants the MC", "I make this long enough to build tension, but also not bore the", "tension, but also not bore the audience? The subplot is integral to another", "prevents her from truly confessing her feelings, as she feels she's not worthy", "a scarred past. Despite this, the MC falls in love with the love", "of his kingdom, the other a street urchin who has a scarred past.", "prince who is a fugitive of his kingdom, the other a street urchin", "after much trial and tribulation. But their class difference and the MC's background", "as she feels she's not worthy of him. Likewise, the love interest is", "of him. Likewise, the love interest is unaware of how the MC feels,", "is a prince who is a fugitive of his kingdom, the other a", "enough to build tension, but also not bore the audience? The subplot is", "Likewise, the love interest is unaware of how the MC feels, but he", "do it because he wants the MC to be her assertive self and", "has a scarred past. Despite this, the MC falls in love with the", "But their class difference and the MC's background prevents her from truly confessing", "falls in love with the love interest after much trial and tribulation. But", "feelings, as she feels she's not worthy of him. Likewise, the love interest", "other a street urchin who has a scarred past. Despite this, the MC", "integral to another section of the planned plot, where the viewpoint changes from", "feels like he can't do it because he wants the MC to be", "because he wants the MC to be her assertive self and confess. How", "not worthy of him. Likewise, the love interest is unaware of how the", "build tension, but also not bore the audience? The subplot is integral to", "their class difference and the MC's background prevents her from truly confessing her", "her assertive self and confess. How do I make this long enough to", "her love interest. One is a prince who is a fugitive of his", "MC falls in love with the love interest after much trial and tribulation.", "he feels like he can't do it because he wants the MC to", "her feelings, as she feels she's not worthy of him. Likewise, the love", "to another section of the planned plot, where the viewpoint changes from them", "of the planned plot, where the viewpoint changes from them to their child.", "not bore the audience? The subplot is integral to another section of the", "is unaware of how the MC feels, but he feels like he can't", "fugitive of his kingdom, the other a street urchin who has a scarred", "from truly confessing her feelings, as she feels she's not worthy of him.", "to be her assertive self and confess. How do I make this long", "who is a fugitive of his kingdom, the other a street urchin who", "class difference and the MC's background prevents her from truly confessing her feelings,", "confessing her feelings, as she feels she's not worthy of him. Likewise, the", "the other a street urchin who has a scarred past. Despite this, the", "the MC's background prevents her from truly confessing her feelings, as she feels", "in love with the love interest after much trial and tribulation. But their" ]
[ "vampires, werewolves, wizards, and other supernatural beings that have saturated pop culture. By", "gimmick in my series is weird, almost to the point of silliness. Like,", "a magic-and-powers system hidden from the broader world that the supernatural phenomena of", "running into a big problem in that it's hard to figure out how", "the magic system in a way that the audience can connect to, because", "“yer a wizard Harry” and the audience immediately knows what he means, even", "so weird that it's almost impossible for someone to try and spill the", "and dying anyway. Like any natural phenomenon it just happens, and people are", "broader world that the supernatural phenomena of the series run on. However, *I'm", "this “silly” magic system result in mass loss of human life. However, this", "of an aristocratic lineage of vampires dating back to Cain](https://en.wikipedia.org/wiki/Vampire:_The_Masquerade) or they're [half-angel", "wrong](https://tvtropes.org/pmwiki/pmwiki.php/Main/MagicAIsMagicA). Rather than getting the impression of \"this is what the rules were", "of the exposition you received in the story was wrong* was shocking. However,", "some big expositional speech on how [they're part of an aristocratic lineage of", "getting into when the characters try to explain the situation to other characters.", "to stop and be forced to reconsider when the consequences of this “silly”", "saying, and why doesn't he think they're just insane?\" That's not even getting", "their powers come from or how they work beyond \"they just do\". In", "(there is a hard magic system in place, but no character has figured", "is one of the reasons [REDACTED] in Knights of the Old Republic II,", "one issue is that the audience depends on the characters to provide context", "wizard Harry\", but one of the big novelties of this series is that", "means, even if they’ve never read Hijrp Potfeq book before. It is implied", "really hard for the characters to provide exposition in a believable way. For", "mid-story. *Given this, how can I provide exposition for the audience when no", "reconsider when the consequences of this “silly” magic system result in mass loss", "complete picture (there is a hard magic system in place, but no character", "all the rules of the plot the audience was following are either not", "what is said without reservation because they have nothing else to judge the", "say “yer a wizard Harry” and the audience immediately knows what he means,", "back to Cain](https://en.wikipedia.org/wiki/Vampire:_The_Masquerade) or they're [half-angel demon hunters](https://en.wikipedia.org/wiki/The_Mortal_Instruments) or the ever famous \"Yer", "series there is a magic-and-powers system hidden from the broader world that the", "for many of these types of stories), but none of them are so", "so straightforward that you can say \"these are vampires, but different\". The other", "Bizarre Adventure-level weird. It's so weird that one of the things that's mentioned", "mentioned to keep the existence of the supernatural under wraps is that it's", "of the Old Republic II, the idea that most of the exposition you", "all the answers to every natural phenomenon, neither does mortal supernatural knowledge have", "the plot the audience was following are either not quite correct or outright", "tendency to upset audiences, especially when it comes to the magic system, because", "all along\", the audience tends to throw a riot because it comes off", "Harry\", but one of the big novelties of this series is that nobody", "of where their powers come from or how they work beyond \"they just", "can I provide exposition for the audience when no character has an extensive,", "fictional world they're viewing and so have a tendency to believe what is", "them are so straightforward that you can say \"these are vampires, but different\".", "work beyond \"they just do\". In most series the protagonist after being inducted", "getting sick and dying anyway. Like any natural phenomenon it just happens, and", "being looked at like they're completely insane. The seeming silliness is part of", "supernatural gimmick in my series is weird, almost to the point of silliness.", "that many myths and legends throughout human history are misinterpreted retellings of this", "there's little pre-existing mythical tradition like there is for vampires, werewolves, wizards, and", "believable reason of \"why does the protagonist even believe a word they're saying,", "has a tendency to upset audiences, especially when it comes to the magic", "system, because [it turns out that all the rules of the plot the", "because it comes off as the author changing the rules mid-story. Given this,", "themselves. They know the bare bones, like basic terminology, a very broad understanding", "the reader's guard by making them laugh at how silly this is, only", "types of stories), but none of them are so straightforward that you can", "This is one of the reasons [REDACTED] in Knights of the Old Republic", "rules of the plot the audience was following are either not quite correct", "to react and figure it out on their own. Much like how real", "of the point, the narrative intent behind this is to lower the reader's", "the other characters don't have an encyclopedic knowledge of the supernatural world and", "the point, the narrative intent behind this is to lower the reader's guard", "got mauled by a supernatural monster first. Even if the protagonists give a", "words against. This is one of the reasons [REDACTED] in Knights of the", "said without reservation because they have nothing else to judge the characters' words", "I provide exposition for the audience when no character has an extensive, objective", "hard to figure out how to give exposition given that the other characters", "doesn't he think they're just insane?\" That's not even getting into when the", "the magic system works. The supernaturals don't know where they come from, and", "the ever famous \"Yer a wizard Harry\", but one of the big novelties", "the supernatural would get some big expositional speech on how [they're part of", "of vampires dating back to Cain](https://en.wikipedia.org/wiki/Vampire:_The_Masquerade) or they're [half-angel demon hunters](https://en.wikipedia.org/wiki/The_Mortal_Instruments) or the", "is part of the point, the narrative intent behind this is to lower", "the protagonist after being inducted into the world of the supernatural would get", "typical for many of these types of stories), but none of them are", "are vampires, but different\". The other downside is it makes it really, really", "magic-and-powers system hidden from the broader world that the supernatural phenomena of the", "aristocratic lineage of vampires dating back to Cain](https://en.wikipedia.org/wiki/Vampire:_The_Masquerade) or they're [half-angel demon hunters](https://en.wikipedia.org/wiki/The_Mortal_Instruments)", "the complete picture (there is a hard magic system in place, but no", "mortal supernatural knowledge have the complete picture (there is a hard magic system", "just do\". In most series the protagonist after being inducted into the world", "germ theory. In 1800 we had no idea that bacteria and viruses caused", "little pre-existing mythical tradition like there is for vampires, werewolves, wizards, and other", "but different\". The other downside is it makes it really, really hard for", "tends to throw a riot because it comes off as the author changing", "my series is weird, almost to the point of silliness. Like, Jojo’s Bizarre", "big problem in that it's hard to figure out how to give exposition", "characters don't have an encyclopedic knowledge of the supernatural world and its magic", "existence of the supernatural under wraps is that it's so weird that it's", "the rules were all along\", the audience tends to throw a riot because", "mechanisms). Adding to that the supernatural gimmick in my series is weird, almost", "to every natural phenomenon, neither does mortal supernatural knowledge have the complete picture", "completely insane. The seeming silliness is part of the point, the narrative intent", "system hidden from the broader world that the supernatural phenomena of the series", "impression of \"this is what the rules were all along\", the audience tends", "author changing the rules mid-story. Given this, how can I provide exposition for", "have a tendency to believe what is said without reservation because they have", "of the supernatural would get some big expositional speech on how [they're part", "magic system result in mass loss of human life. However, this in turn", "which like many urban fantasy series there is a magic-and-powers system hidden from", "it really, really hard for the characters to provide exposition in a believable", "basic terminology, a very broad understanding of what they are (i.e., they don't", "and at least part serves as a vehicle for readers to learn about", "is that it's hard to introduce the magic system in a way that", "series is that nobody has any idea how the magic system works. The", "and figure it out on their own. Much like how real science doesn't", "along\", the audience tends to throw a riot because it comes off as", "a wizard Harry\", but one of the big novelties of this series is", "how can I provide exposition for the audience when no character has an", "that you can say \"these are vampires, but different\". The other downside is", "the audience when no character has an extensive, objective knowledge of how the", "if the protagonists give a downright inaccurate, one issue is that the audience", "figured out its mechanisms). Adding to that the supernatural gimmick in my series", "it's hard to figure out how to give exposition given that the other", "introduce the magic system in a way that the audience can connect to,", "insane?\" That's not even getting into when the characters try to explain the", "[REDACTED] in Knights of the Old Republic II, the idea that most of", "new to the supernatural world and at least part serves as a vehicle", "misinterpreted retellings of this supernatural gimmick (as is typical for many of these", "they're viewing and so have a tendency to believe what is said without", "that didn't stop humans from getting sick and dying anyway. Like any natural", "to the crazy fictional world they're viewing and so have a tendency to", "inducted into the world of the supernatural would get some big expositional speech", "give a downright inaccurate, one issue is that the audience depends on the", "the audience depends on the characters to provide context to the crazy fictional", "is a relatable viewpoint character who is new to the supernatural world and", "given that the other characters don't have an encyclopedic knowledge of the supernatural", "you can say \"these are vampires, but different\". The other downside is it", "the rules of the plot the audience was following are either not quite", "finding myself struggling to come up with a believable reason of \"why does", "behind this is to lower the reader's guard by making them laugh at", "other downside is it makes it really, really hard for the characters to", "else to judge the characters' words against. This is one of the reasons", "like there is for vampires, werewolves, wizards, and other supernatural beings that have", "after being inducted into the world of the supernatural would get some big", "someone believe would be is if they got mauled by a supernatural monster", "or the ever famous \"Yer a wizard Harry\", but one of the big", "because [it turns out that all the rules of the plot the audience", "try and spill the secret without being looked at like they're completely insane.", "as the author changing the rules mid-story. Given this, how can I provide", "silly this is, only for them to stop and be forced to reconsider", "However, this in turn causes two major problems. One is that it's hard", "thing I can think of that would make someone believe would be is", "lineage of vampires dating back to Cain](https://en.wikipedia.org/wiki/Vampire:_The_Masquerade) or they're [half-angel demon hunters](https://en.wikipedia.org/wiki/The_Mortal_Instruments) or", "downright inaccurate, one issue is that the audience depends on the characters to", "of that would make someone believe would be is if they got mauled", "and so have a tendency to believe what is said without reservation because", "are (i.e., they don't know how the magic system works, they just know", "they just know they're weird and have powers), and \"don't go near those", "wrong was shocking. However, this also has a tendency to upset audiences, especially", "figure it out on their own. Much like how real science doesn't have", "downside is it makes it really, really hard for the characters to provide", "the characters to provide exposition in a believable way. For example, I've tried", "science doesn't have all the answers to every natural phenomenon, neither does mortal", "what they are (i.e., they don't know how the magic system works, they", "don't know where they come from, and they don't have some venerable pedigree", "are misinterpreted retellings of this supernatural gimmick (as is typical for many of", "knowledge of the supernatural world and its magic system themselves*. They know the", "exposition you received in the story was wrong* was shocking. However, this also", "at least part serves as a vehicle for readers to learn about the", "impossible for someone to try and spill the secret without being looked at", "plot the audience was following are either not quite correct or outright wrong](https://tvtropes.org/pmwiki/pmwiki.php/Main/MagicAIsMagicA).", "it comes to the magic system, because [it turns out that all the", "almost impossible for someone to try and spill the secret without being looked", "theory. In 1800 we had no idea that bacteria and viruses caused disease,", "also has a tendency to upset audiences, especially when it comes to the", "that the audience depends on the characters to provide context to the crazy", "characters try to explain the situation to other characters. The only thing I", "1800 we had no idea that bacteria and viruses caused disease, but that", "the supernatural\" speech for the protagonist several times and each time I keep", "series the protagonist after being inducted into the world of the supernatural would", "an aristocratic lineage of vampires dating back to Cain](https://en.wikipedia.org/wiki/Vampire:_The_Masquerade) or they're [half-angel demon", "I've tried writing the \"intro to the supernatural\" speech for the protagonist several", "speech for the protagonist several times and each time I keep finding myself", "human history are misinterpreted retellings of this supernatural gimmick (as is typical for", "different\". The other downside is it makes it really, really hard for the", "didn't stop humans from getting sick and dying anyway. Like any natural phenomenon", "why doesn't he think they're just insane?\" That's not even getting into when", "A good way to put it is it's like germ theory. In 1800", "monster first. Even if the protagonists give a downright inaccurate, one issue is", "to explain the situation to other characters. The only thing I can think", "and the audience immediately knows what he means, even if they’ve never read", "from, and they don't have some venerable pedigree going back centuries or millennia.", "\"Yer a wizard Harry\", but one of the big novelties of this series", "but one of the big novelties of this series is that nobody has", "the existence of the supernatural under wraps is that it's so weird that", "word they're saying, and why doesn't he think they're just insane?\" That's not", "what the rules were all along\", the audience tends to throw a riot", "hard magic system in place, but no character has figured out its mechanisms).", "of this supernatural gimmick (as is typical for many of these types of", "they can't provide a good explanation of where their powers come from or", "changing the rules mid-story. *Given this, how can I provide exposition for the", "as a vehicle for readers to learn about the supernatural as the character", "I keep finding myself struggling to come up with a believable reason of", "are either not quite correct or outright wrong](https://tvtropes.org/pmwiki/pmwiki.php/Main/MagicAIsMagicA). Rather than getting the impression", "don't know how the magic system works, they just know they're weird and", "readers to learn about the supernatural as the character does. However, I am", "is weird, almost to the point of silliness. Like, Jojo’s Bizarre Adventure-level weird.", "audience immediately knows what he means, even if they’ve never read Hijrp Potfeq", "providing exposition as to how this world works.* Like many of these series,", "\"intro to the supernatural\" speech for the protagonist several times and each time", "no idea that bacteria and viruses caused disease, but that didn't stop humans", "The seeming silliness is part of the point, the narrative intent behind this", "is a hard magic system in place, but no character has figured out", "a supernatural monster first. Even if the protagonists give a downright inaccurate, one", "viewpoint character who is new to the supernatural world and at least part", "part of an aristocratic lineage of vampires dating back to Cain](https://en.wikipedia.org/wiki/Vampire:_The_Masquerade) or they're", "inaccurate, one issue is that the audience depends on the characters to provide", "its magic system themselves*. They know the bare bones, like basic terminology, a", "would make someone believe would be is if they got mauled by a", "and be forced to reconsider when the consequences of this “silly” magic system", "the consequences of this “silly” magic system result in mass loss of human", "I'm writing an urban fantasy series in which like many urban fantasy series", "one of the things that's mentioned to keep the existence of the supernatural", "like they're completely insane. The seeming silliness is part of the point, the", "audience can connect to, because there's little pre-existing mythical tradition like there is", "to introduce the magic system in a way that the audience can connect", "audience was following are either not quite correct or outright wrong](https://tvtropes.org/pmwiki/pmwiki.php/Main/MagicAIsMagicA). Rather than", "idea that bacteria and viruses caused disease, but that didn't stop humans from", "works Hijrp Potfeq* all Hagrid has to do is say “yer a wizard", "where their powers come from or how they work beyond \"they just do\".", "disease, but that didn't stop humans from getting sick and dying anyway. Like", "contrast, in works Hijrp Potfeq all Hagrid has to do is say “yer", "the character does. However, I am running into a big problem in that", "many myths and legends throughout human history are misinterpreted retellings of this supernatural", "most of the exposition you received in the story was wrong was shocking.", "it comes off as the author changing the rules mid-story. *Given this, how", "very broad understanding of what they are (i.e., they don't know how the", "human life. However, this in turn causes two major problems. One is that", "protagonist after being inducted into the world of the supernatural would get some", "That's not even getting into when the characters try to explain the situation", "to lower the reader's guard by making them laugh at how silly this", "to believe what is said without reservation because they have nothing else to", "that the supernatural gimmick in my series is weird, almost to the point", "on how [they're part of an aristocratic lineage of vampires dating back to", "series in which like many urban fantasy series there is a magic-and-powers system", "narrative intent behind this is to lower the reader's guard by making them", "provide exposition in a believable way. For example, I've tried writing the \"intro", "tradition like there is for vampires, werewolves, wizards, and other supernatural beings that", "bacteria and viruses caused disease, but that didn't stop humans from getting sick", "Cain](https://en.wikipedia.org/wiki/Vampire:_The_Masquerade) or they're [half-angel demon hunters](https://en.wikipedia.org/wiki/The_Mortal_Instruments) or the ever famous \"Yer a wizard", "for the protagonist several times and each time I keep finding myself struggling", "the broader world that the supernatural phenomena of the series run on. However,", "a big problem in that it's hard to figure out how to give", "ever famous \"Yer a wizard Harry\", but one of the big novelties of", "a way that the audience can connect to, because there's little pre-existing mythical", "connect to, because there's little pre-existing mythical tradition like there is for vampires,", "don't have an encyclopedic knowledge of the supernatural world and its magic system", "don't have some venerable pedigree going back centuries or millennia. A good way", "is, only for them to stop and be forced to reconsider when the", "supernatural knowledge have the complete picture (there is a hard magic system in", "most series the protagonist after being inducted into the world of the supernatural", "this supernatural gimmick (as is typical for many of these types of stories),", "Hijrp Potfeq* book before. It is implied that many myths and legends throughout", "silliness. Like, Jojo’s Bizarre Adventure-level weird. It's so weird that one of the", "and each time I keep finding myself struggling to come up with a", "a riot because it comes off as the author changing the rules mid-story.", "knowledge have the complete picture (there is a hard magic system in place,", "and spill the secret without being looked at like they're completely insane. The", "believe would be is if they got mauled by a supernatural monster first.", "think they're just insane?\" That's not even getting into when the characters try", "hunters](https://en.wikipedia.org/wiki/The_Mortal_Instruments) or the ever famous \"Yer a wizard Harry\", but one of the", "the characters try to explain the situation to other characters. The only thing", "a vehicle for readers to learn about the supernatural as the character does.", "the \"intro to the supernatural\" speech for the protagonist several times and each", "straightforward that you can say \"these are vampires, but different\". The other downside", "if they got mauled by a supernatural monster first. Even if the protagonists", "venerable pedigree going back centuries or millennia. A good way to put it", "the supernatural world and its magic system themselves. They know the bare bones,", "big novelties of this series is that nobody has any idea how the", "just know they're weird and have powers), and \"don't go near those guys", "demon hunters](https://en.wikipedia.org/wiki/The_Mortal_Instruments) or the ever famous \"Yer a wizard Harry\", but one of", "to keep the existence of the supernatural under wraps is that it's so", "that nobody has any idea how the magic system works. The supernaturals don't", "even believe a word they're saying, and why doesn't he think they're just", "of human life. However, this in turn causes two major problems. One is", "you up\". But they can't provide a good explanation of where their powers", "an encyclopedic knowledge of the supernatural world and its magic system themselves. They", "myself struggling to come up with a believable reason of \"why does the", "it is it's like germ theory. In 1800 we had no idea that", "By contrast, in works Hijrp Potfeq all Hagrid has to do is say", "how [they're part of an aristocratic lineage of vampires dating back to Cain](https://en.wikipedia.org/wiki/Vampire:_The_Masquerade)", "is new to the supernatural world and at least part serves as a", "culture. By contrast, in works Hijrp Potfeq all Hagrid has to do is", "without being looked at like they're completely insane. The seeming silliness is part", "phenomenon it just happens, and people are forced to react and figure it", "has to do is say “yer a wizard Harry” and the audience immediately", "to the point of silliness. Like, Jojo’s Bizarre Adventure-level weird. It's so weird", "For example, I've tried writing the \"intro to the supernatural\" speech for the", "[they're part of an aristocratic lineage of vampires dating back to Cain](https://en.wikipedia.org/wiki/Vampire:_The_Masquerade) or", "so have a tendency to believe what is said without reservation because they", "the magic system, because [it turns out that all the rules of the", "stop and be forced to reconsider when the consequences of this “silly” magic", "a hard magic system in place, but no character has figured out its", "bones, like basic terminology, a very broad understanding of what they are (i.e.,", "the narrative intent behind this is to lower the reader's guard by making", "writing an urban fantasy series in which like many urban fantasy series there", "expositional speech on how [they're part of an aristocratic lineage of vampires dating", "for someone to try and spill the secret without being looked at like", "the Old Republic II, the idea that most of the exposition you received", "a wizard Harry” and the audience immediately knows what he means, even if", "However, I am running into a big problem in that it's hard to", "vampires dating back to Cain](https://en.wikipedia.org/wiki/Vampire:_The_Masquerade) or they're [half-angel demon hunters](https://en.wikipedia.org/wiki/The_Mortal_Instruments) or the ever", "in turn causes two major problems. One is that it's hard to introduce", "to throw a riot because it comes off as the author changing the", "exposition in a believable way. For example, I've tried writing the \"intro to", "to judge the characters' words against. This is one of the reasons [REDACTED]", "is a magic-and-powers system hidden from the broader world that the supernatural phenomena", "Knights of the Old Republic II, the idea that most of the exposition", "learn about the supernatural as the character does. However, I am running into", "depends on the characters to provide context to the crazy fictional world they're", "quite correct or outright wrong](https://tvtropes.org/pmwiki/pmwiki.php/Main/MagicAIsMagicA). Rather than getting the impression of \"this is", "even getting into when the characters try to explain the situation to other", "provide context to the crazy fictional world they're viewing and so have a", "and have powers), and \"don't go near those guys because they'll mess you", "of what they are (i.e., they don't know how the magic system works,", "weird that one of the things that's mentioned to keep the existence of", "I can think of that would make someone believe would be is if", "into a big problem in that it's hard to figure out how to", "and other supernatural beings that have saturated pop culture. By contrast, in works", "viewing and so have a tendency to believe what is said without reservation", "the situation to other characters. The only thing I can think of that", "supernatural would get some big expositional speech on how [they're part of an", "to do is say “yer a wizard Harry” and the audience immediately knows", "exposition for the audience when no character has an extensive, objective knowledge of", "way that the audience can connect to, because there's little pre-existing mythical tradition", "from the broader world that the supernatural phenomena of the series run on.", "about the supernatural as the character does. However, I am running into a", "I am running into a big problem in that it's hard to figure", "turn causes two major problems. One is that it's hard to introduce the", "and viruses caused disease, but that didn't stop humans from getting sick and", "the audience was following are either not quite correct or outright wrong](https://tvtropes.org/pmwiki/pmwiki.php/Main/MagicAIsMagicA). Rather", "way to put it is it's like germ theory. In 1800 we had", "the author changing the rules mid-story. Given this, how can I provide exposition", "caused disease, but that didn't stop humans from getting sick and dying anyway.", "be forced to reconsider when the consequences of this “silly” magic system result", "time I keep finding myself struggling to come up with a believable reason", "make someone believe would be is if they got mauled by a supernatural", "protagonist several times and each time I keep finding myself struggling to come", "that it's hard to figure out how to give exposition given that the", "real science doesn't have all the answers to every natural phenomenon, neither does", "myths and legends throughout human history are misinterpreted retellings of this supernatural gimmick", "before. It is implied that many myths and legends throughout human history are", "we had no idea that bacteria and viruses caused disease, but that didn't", "encyclopedic knowledge of the supernatural world and its magic system themselves. They know", "in the story was wrong* was shocking. However, this also has a tendency", "But they can't provide a good explanation of where their powers come from", "have saturated pop culture. By contrast, in works Hijrp Potfeq all Hagrid has", "the idea that most of the exposition you received in the story was", "context to the crazy fictional world they're viewing and so have a tendency", "they're [half-angel demon hunters](https://en.wikipedia.org/wiki/The_Mortal_Instruments) or the ever famous \"Yer a wizard Harry\", but", "of the supernatural under wraps is that it's so weird that it's almost", "each time I keep finding myself struggling to come up with a believable", "a tendency to upset audiences, especially when it comes to the magic system,", "do is say “yer a wizard Harry” and the audience immediately knows what", "was shocking. However, this also has a tendency to upset audiences, especially when", "Even if the protagonists give a downright inaccurate, one issue is that the", "for the audience when no character has an extensive, objective knowledge of how", "audiences, especially when it comes to the magic system, because [it turns out", "secret without being looked at like they're completely insane. The seeming silliness is", "even if they’ve never read Hijrp Potfeq book before. It is implied that", "that would make someone believe would be is if they got mauled by", "hard to introduce the magic system in a way that the audience can", "Potfeq* book before. It is implied that many myths and legends throughout human", "millennia. A good way to put it is it's like germ theory. In", "have all the answers to every natural phenomenon, neither does mortal supernatural knowledge", "the supernatural under wraps is that it's so weird that it's almost impossible", "to give exposition given that the other characters don't have an encyclopedic knowledge", "at like they're completely insane. The seeming silliness is part of the point,", "character has figured out its mechanisms). Adding to that the supernatural gimmick in", "world that the supernatural phenomena of the series run on. However, I'm having", "know the bare bones, like basic terminology, a very broad understanding of what", "with a believable reason of \"why does the protagonist even believe a word", "magic system in a way that the audience can connect to, because there's", "and why doesn't he think they're just insane?\" That's not even getting into", "book before. It is implied that many myths and legends throughout human history", "In 1800 we had no idea that bacteria and viruses caused disease, but", "of the big novelties of this series is that nobody has any idea", "speech on how [they're part of an aristocratic lineage of vampires dating back", "when the consequences of this “silly” magic system result in mass loss of", "it makes it really, really hard for the characters to provide exposition in", "natural phenomenon it just happens, and people are forced to react and figure", "Much like how real science doesn't have all the answers to every natural", "saturated pop culture. By contrast, in works Hijrp Potfeq all Hagrid has to", "in place, but no character has figured out its mechanisms). Adding to that", "explanation of where their powers come from or how they work beyond \"they", "struggling to come up with a believable reason of \"why does the protagonist", "turns out that all the rules of the plot the audience was following", "weird. It's so weird that one of the things that's mentioned to keep", "on the characters to provide context to the crazy fictional world they're viewing", "Like, Jojo’s Bizarre Adventure-level weird. It's so weird that one of the things", "they're weird and have powers), and \"don't go near those guys because they'll", "is to lower the reader's guard by making them laugh at how silly", "I'm having trouble providing exposition as to how this world works. Like many", "of the supernatural world and its magic system themselves*. They know the bare", "to that the supernatural gimmick in my series is weird, almost to the", "to provide exposition in a believable way. For example, I've tried writing the", "some venerable pedigree going back centuries or millennia. A good way to put", "them to stop and be forced to reconsider when the consequences of this", "can say \"these are vampires, but different\". The other downside is it makes", "judge the characters' words against. This is one of the reasons [REDACTED] in", "to put it is it's like germ theory. In 1800 we had no", "looked at like they're completely insane. The seeming silliness is part of the", "good way to put it is it's like germ theory. In 1800 we", "people are forced to react and figure it out on their own. Much", "how silly this is, only for them to stop and be forced to", "he means, even if they’ve never read Hijrp Potfeq* book before. It is", "nothing else to judge the characters' words against. This is one of the", "received in the story was wrong was shocking. However, this also has a", "is it's like germ theory. In 1800 we had no idea that bacteria", "forced to reconsider when the consequences of this “silly” magic system result in", "up\". But they can't provide a good explanation of where their powers come", "mass loss of human life. However, this in turn causes two major problems.", "out that all the rules of the plot the audience was following are", "had no idea that bacteria and viruses caused disease, but that didn't stop", "system in place, but no character has figured out its mechanisms). Adding to", "have an encyclopedic knowledge of the supernatural world and its magic system themselves*.", "one of the big novelties of this series is that nobody has any", "the characters' words against. This is one of the reasons [REDACTED] in Knights", "and its magic system themselves*. They know the bare bones, like basic terminology,", "the audience can connect to, because there's little pre-existing mythical tradition like there", "in a way that the audience can connect to, because there's little pre-existing", "many urban fantasy series there is a magic-and-powers system hidden from the broader", "that all the rules of the plot the audience was following are either", "know where they come from, and they don't have some venerable pedigree going", "in my series is weird, almost to the point of silliness. Like, Jojo’s", "to upset audiences, especially when it comes to the magic system, because [it", "Jojo’s Bizarre Adventure-level weird. It's so weird that one of the things that's", "point, the narrative intent behind this is to lower the reader's guard by", "situation to other characters. The only thing I can think of that would", "characters to provide context to the crazy fictional world they're viewing and so", "stop humans from getting sick and dying anyway. Like any natural phenomenon it", "to how this world works. Like many of these series, there is a", "was following are either not quite correct or outright wrong](https://tvtropes.org/pmwiki/pmwiki.php/Main/MagicAIsMagicA). Rather than getting", "not quite correct or outright wrong](https://tvtropes.org/pmwiki/pmwiki.php/Main/MagicAIsMagicA). Rather than getting the impression of \"this", "consequences of this “silly” magic system result in mass loss of human life.", "has any idea how the magic system works. The supernaturals don't know where", "to Cain](https://en.wikipedia.org/wiki/Vampire:_The_Masquerade) or they're [half-angel demon hunters](https://en.wikipedia.org/wiki/The_Mortal_Instruments) or the ever famous \"Yer a", "of these types of stories), but none of them are so straightforward that", "believe what is said without reservation because they have nothing else to judge", "implied that many myths and legends throughout human history are misinterpreted retellings of", "run on. However, I'm having trouble providing exposition as to how this world", "reservation because they have nothing else to judge the characters' words against. This", "was wrong was shocking. However, this also has a tendency to upset audiences,", "[it turns out that all the rules of the plot the audience was", "supernatural beings that have saturated pop culture. By contrast, in works Hijrp Potfeq", "world works.** Like many of these series, there is a relatable viewpoint character", "that the audience can connect to, because there's little pre-existing mythical tradition like", "the protagonist even believe a word they're saying, and why doesn't he think", "least part serves as a vehicle for readers to learn about the supernatural", "Adventure-level weird. It's so weird that one of the things that's mentioned to", "it just happens, and people are forced to react and figure it out", "so weird that one of the things that's mentioned to keep the existence", "the impression of \"this is what the rules were all along\", the audience", "series run on. However, I'm having trouble providing exposition as to how this", "Hagrid has to do is say “yer a wizard Harry” and the audience", "vampires, but different\". The other downside is it makes it really, really hard", "pop culture. By contrast, in works Hijrp Potfeq* all Hagrid has to do", "that the other characters don't have an encyclopedic knowledge of the supernatural world", "provide exposition for the audience when no character has an extensive, objective knowledge", "on their own. Much like how real science doesn't have all the answers", "come up with a believable reason of \"why does the protagonist even believe", "series is weird, almost to the point of silliness. Like, Jojo’s Bizarre Adventure-level", "\"why does the protagonist even believe a word they're saying, and why doesn't", "they work beyond \"they just do\". In most series the protagonist after being", "seeming silliness is part of the point, the narrative intent behind this is", "tendency to believe what is said without reservation because they have nothing else", "an urban fantasy series in which like many urban fantasy series there is", "or they're [half-angel demon hunters](https://en.wikipedia.org/wiki/The_Mortal_Instruments) or the ever famous \"Yer a wizard Harry\",", "story was wrong was shocking. However, this also has a tendency to upset", "Rather than getting the impression of \"this is what the rules were all", "figure out how to give exposition *given that the other characters don't have", "you received in the story was wrong* was shocking. However, this also has", "idea how the magic system works. The supernaturals don't know where they come", "comes to the magic system, because [it turns out that all the rules", "that it's almost impossible for someone to try and spill the secret without", "that bacteria and viruses caused disease, but that didn't stop humans from getting", "weird that it's almost impossible for someone to try and spill the secret", "have nothing else to judge the characters' words against. This is one of", "intent behind this is to lower the reader's guard by making them laugh", "supernatural world and its magic system themselves. They know the bare bones, like", "by a supernatural monster first. Even if the protagonists give a downright inaccurate,", "how they work beyond \"they just do\". In most series the protagonist after", "as to how this world works. Like many of these series, there is", "However, this also has a tendency to upset audiences, especially when it comes", "\"they just do\". In most series the protagonist after being inducted into the", "get some big expositional speech on how [they're part of an aristocratic lineage", "that's mentioned to keep the existence of the supernatural under wraps is that", "magic system works, they just know they're weird and have powers), and \"don't", "or outright wrong](https://tvtropes.org/pmwiki/pmwiki.php/Main/MagicAIsMagicA). Rather than getting the impression of \"this is what the", "the world of the supernatural would get some big expositional speech on how", "Republic II, the idea that most of the exposition you received in the", "in Knights of the Old Republic II, the idea that most of the", "to figure out how to give exposition given that the other characters don't", "but no character has figured out its mechanisms). Adding to that the supernatural", "They know the bare bones, like basic terminology, a very broad understanding of", "relatable viewpoint character who is new to the supernatural world and at least", "back centuries or millennia. A good way to put it is it's like", "throw a riot because it comes off as the author changing the rules", "wraps is that it's so weird that it's almost impossible for someone to", "is say “yer a wizard Harry” and the audience immediately knows what he", "several times and each time I keep finding myself struggling to come up", "II, the idea that most of the exposition you received in the story", "especially when it comes to the magic system, because [it turns out that", "It's so weird that one of the things that's mentioned to keep the", "causes two major problems. One is that it's hard to introduce the magic", "history are misinterpreted retellings of this supernatural gimmick (as is typical for many", "laugh at how silly this is, only for them to stop and be", "without reservation because they have nothing else to judge the characters' words against.", "read Hijrp Potfeq book before. It is implied that many myths and legends", "the point of silliness. Like, Jojo’s Bizarre Adventure-level weird. It's so weird that", "any natural phenomenon it just happens, and people are forced to react and", "of silliness. Like, Jojo’s Bizarre Adventure-level weird. It's so weird that one of", "how to give exposition *given that the other characters don't have an encyclopedic", "they have nothing else to judge the characters' words against. This is one", "were all along\", the audience tends to throw a riot because it comes", "keep finding myself struggling to come up with a believable reason of \"why", "they’ve never read Hijrp Potfeq* book before. It is implied that many myths", "reason of \"why does the protagonist even believe a word they're saying, and", "can connect to, because there's little pre-existing mythical tradition like there is for", "is if they got mauled by a supernatural monster first. Even if the", "magic system in place, but no character has figured out its mechanisms). Adding", "and they don't have some venerable pedigree going back centuries or millennia. A", "the audience immediately knows what he means, even if they’ve never read Hijrp", "or millennia. A good way to put it is it's like germ theory.", "tried writing the \"intro to the supernatural\" speech for the protagonist several times", "Given this, how can I provide exposition for the audience when no character", "these types of stories), but none of them are so straightforward that you", "the series run on. However, I'm having trouble providing exposition as to how", "of this series is that nobody has any idea how the magic system", "the characters to provide context to the crazy fictional world they're viewing and", "works. The supernaturals don't know where they come from, and they don't have", "fantasy series there is a magic-and-powers system hidden from the broader world that", "phenomena of the series run on. However, I'm having trouble providing exposition as", "wizard Harry” and the audience immediately knows what he means, even if they’ve", "to come up with a believable reason of \"why does the protagonist even", "only thing I can think of that would make someone believe would be", "supernatural world and at least part serves as a vehicle for readers to", "problem in that it's hard to figure out how to give exposition given", "its mechanisms). Adding to that the supernatural gimmick in my series is weird,", "all Hagrid has to do is say “yer a wizard Harry” and the", "broad understanding of what they are (i.e., they don't know how the magic", "keep the existence of the supernatural under wraps is that it's so weird", "other supernatural beings that have saturated pop culture. By contrast, in works Hijrp", "spill the secret without being looked at like they're completely insane. The seeming", "supernatural monster first. Even if the protagonists give a downright inaccurate, one issue", "comes off as the author changing the rules mid-story. Given this, how can", "like basic terminology, a very broad understanding of what they are (i.e., they", "try to explain the situation to other characters. The only thing I can", "many of these series, there is a relatable viewpoint character who is new", "the supernatural world and at least part serves as a vehicle for readers", "many of these types of stories), but none of them are so straightforward", "character does. However, I am running into a big problem in that it's", "does. However, I am running into a big problem in that it's hard", "good explanation of where their powers come from or how they work beyond", "up with a believable reason of \"why does the protagonist even believe a", "things that's mentioned to keep the existence of the supernatural under wraps is", "of \"this is what the rules were all along\", the audience tends to", "at how silly this is, only for them to stop and be forced", "big expositional speech on how [they're part of an aristocratic lineage of vampires", "exposition given that the other characters don't have an encyclopedic knowledge of the", "a believable way. For example, I've tried writing the \"intro to the supernatural\"", "but that didn't stop humans from getting sick and dying anyway. Like any", "mauled by a supernatural monster first. Even if the protagonists give a downright", "any idea how the magic system works. The supernaturals don't know where they", "a relatable viewpoint character who is new to the supernatural world and at", "gimmick (as is typical for many of these types of stories), but none", "he think they're just insane?\" That's not even getting into when the characters", "(i.e., they don't know how the magic system works, they just know they're", "is it makes it really, really hard for the characters to provide exposition", "put it is it's like germ theory. In 1800 we had no idea", "making them laugh at how silly this is, only for them to stop", "weird, almost to the point of silliness. Like, Jojo’s Bizarre Adventure-level weird. It's", "Potfeq* all Hagrid has to do is say “yer a wizard Harry” and", "of \"why does the protagonist even believe a word they're saying, and why", "either not quite correct or outright wrong](https://tvtropes.org/pmwiki/pmwiki.php/Main/MagicAIsMagicA). Rather than getting the impression of", "magic system themselves*. They know the bare bones, like basic terminology, a very", "viruses caused disease, but that didn't stop humans from getting sick and dying", "own. Much like how real science doesn't have all the answers to every", "characters' words against. This is one of the reasons [REDACTED] in Knights of", "rules mid-story. *Given this, how can I provide exposition for the audience when", "know how the magic system works, they just know they're weird and have", "in works Hijrp Potfeq* all Hagrid has to do is say “yer a", "have some venerable pedigree going back centuries or millennia. A good way to", "no character has figured out its mechanisms). Adding to that the supernatural gimmick", "the bare bones, like basic terminology, a very broad understanding of what they", "works, they just know they're weird and have powers), and \"don't go near", "the answers to every natural phenomenon, neither does mortal supernatural knowledge have the", "for them to stop and be forced to reconsider when the consequences of", "is typical for many of these types of stories), but none of them", "riot because it comes off as the author changing the rules mid-story. Given", "react and figure it out on their own. Much like how real science", "following are either not quite correct or outright wrong](https://tvtropes.org/pmwiki/pmwiki.php/Main/MagicAIsMagicA). Rather than getting the", "just insane?\" That's not even getting into when the characters try to explain", "or how they work beyond \"they just do\". In most series the protagonist", "to provide context to the crazy fictional world they're viewing and so have", "writing the \"intro to the supernatural\" speech for the protagonist several times and", "when the characters try to explain the situation to other characters. The only", "dating back to Cain](https://en.wikipedia.org/wiki/Vampire:_The_Masquerade) or they're [half-angel demon hunters](https://en.wikipedia.org/wiki/The_Mortal_Instruments) or the ever famous", "The supernaturals don't know where they come from, and they don't have some", "\"don't go near those guys because they'll mess you up\". But they can't", "they come from, and they don't have some venerable pedigree going back centuries", "supernaturals don't know where they come from, and they don't have some venerable", "they're just insane?\" That's not even getting into when the characters try to", "how real science doesn't have all the answers to every natural phenomenon, neither", "trouble providing exposition as to how this world works. Like many of these", "is that nobody has any idea how the magic system works. The supernaturals", "that have saturated pop culture. By contrast, in works Hijrp Potfeq all Hagrid", "other characters. The only thing I can think of that would make someone", "these series, there is a relatable viewpoint character who is new to the", "how the magic system works. The supernaturals don't know where they come from,", "someone to try and spill the secret without being looked at like they're", "of them are so straightforward that you can say \"these are vampires, but", "it out on their own. 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But they", "of the reasons [REDACTED] in Knights of the Old Republic II, the idea", "into the world of the supernatural would get some big expositional speech on", "that it's so weird that it's almost impossible for someone to try and", "throughout human history are misinterpreted retellings of this supernatural gimmick (as is typical", "part of the point, the narrative intent behind this is to lower the", "In most series the protagonist after being inducted into the world of the", "system works. The supernaturals don't know where they come from, and they don't", "not even getting into when the characters try to explain the situation to", "are forced to react and figure it out on their own. Much like", "magic system works. The supernaturals don't know where they come from, and they", "supernatural\" speech for the protagonist several times and each time I keep finding", "vehicle for readers to learn about the supernatural as the character does. However,", "dying anyway. Like any natural phenomenon it just happens, and people are forced", "system in a way that the audience can connect to, because there's little", "way. For example, I've tried writing the \"intro to the supernatural\" speech for", "world and at least part serves as a vehicle for readers to learn", "Harry” and the audience immediately knows what he means, even if they’ve never", "for the characters to provide exposition in a believable way. For example, I've", "no character has an extensive, objective knowledge of how the magic system works?*", "a good explanation of where their powers come from or how they work", "never read Hijrp Potfeq* book before. It is implied that many myths and", "Like any natural phenomenon it just happens, and people are forced to react", "hard for the characters to provide exposition in a believable way. For example,", "to the supernatural\" speech for the protagonist several times and each time I", "but none of them are so straightforward that you can say \"these are", "this is, only for them to stop and be forced to reconsider when", "audience tends to throw a riot because it comes off as the author", "beings that have saturated pop culture. By contrast, in works Hijrp Potfeq all", "fantasy series in which like many urban fantasy series there is a magic-and-powers", "natural phenomenon, neither does mortal supernatural knowledge have the complete picture (there is", "upset audiences, especially when it comes to the magic system, because [it turns", "characters to provide exposition in a believable way. For example, I've tried writing", "terminology, a very broad understanding of what they are (i.e., they don't know", "like germ theory. In 1800 we had no idea that bacteria and viruses", "One is that it's hard to introduce the magic system in a way", "understanding of what they are (i.e., they don't know how the magic system", "powers come from or how they work beyond \"they just do\". In most", "when it comes to the magic system, because [it turns out that all", "protagonist even believe a word they're saying, and why doesn't he think they're", "supernatural as the character does. However, I am running into a big problem", "system themselves. They know the bare bones, like basic terminology, a very broad", "world they're viewing and so have a tendency to believe what is said", "in which like many urban fantasy series there is a magic-and-powers system hidden", "being inducted into the world of the supernatural would get some big expositional", "centuries or millennia. A good way to put it is it's like germ", "the rules mid-story. Given this, how can I provide exposition for the audience", "as the character does. However, I am running into a big problem in", "guys because they'll mess you up\". But they can't provide a good explanation", "Hijrp Potfeq all Hagrid has to do is say “yer a wizard Harry”", "outright wrong](https://tvtropes.org/pmwiki/pmwiki.php/Main/MagicAIsMagicA). Rather than getting the impression of \"this is what the rules", "world and its magic system themselves*. They know the bare bones, like basic", "it's almost impossible for someone to try and spill the secret without being", "point of silliness. Like, Jojo’s Bizarre Adventure-level weird. It's so weird that one", "of this “silly” magic system result in mass loss of human life. However,", "this, how can I provide exposition for the audience when no character has", "issue is that the audience depends on the characters to provide context to", "believe a word they're saying, and why doesn't he think they're just insane?\"", "into when the characters try to explain the situation to other characters. The", "explain the situation to other characters. The only thing I can think of", "stories), but none of them are so straightforward that you can say \"these", "getting the impression of \"this is what the rules were all along\", the", "who is new to the supernatural world and at least part serves as", "guard by making them laugh at how silly this is, only for them", "for readers to learn about the supernatural as the character does. However, I", "world of the supernatural would get some big expositional speech on how [they're", "The only thing I can think of that would make someone believe would", "series, there is a relatable viewpoint character who is new to the supernatural", "problems. One is that it's hard to introduce the magic system in a", "can't provide a good explanation of where their powers come from or how", "wizards, and other supernatural beings that have saturated pop culture. By contrast, in", "humans from getting sick and dying anyway. Like any natural phenomenon it just", "exposition as to how this world works.* Like many of these series, there", "is that it's so weird that it's almost impossible for someone to try", "doesn't have all the answers to every natural phenomenon, neither does mortal supernatural", "characters. The only thing I can think of that would make someone believe", "of these series, there is a relatable viewpoint character who is new to", "out on their own. Much like how real science doesn't have all the", "happens, and people are forced to react and figure it out on their", "in a believable way. For example, I've tried writing the \"intro to the", "it's hard to introduce the magic system in a way that the audience", "they don't know how the magic system works, they just know they're weird", "system result in mass loss of human life. However, this in turn causes", "go near those guys because they'll mess you up\". But they can't provide", "is for vampires, werewolves, wizards, and other supernatural beings that have saturated pop", "for vampires, werewolves, wizards, and other supernatural beings that have saturated pop culture.", "out how to give exposition given that the other characters don't have an", "the supernatural phenomena of the series run on. However, I'm having trouble providing", "the exposition you received in the story was wrong was shocking. However, this", "than getting the impression of \"this is what the rules were all along\",", "rules were all along\", the audience tends to throw a riot because it", "one of the reasons [REDACTED] in Knights of the Old Republic II, the", "immediately knows what he means, even if they’ve never read Hijrp Potfeq book", "there is a relatable viewpoint character who is new to the supernatural world", "from or how they work beyond \"they just do\". In most series the", "have the complete picture (there is a hard magic system in place, but", "under wraps is that it's so weird that it's almost impossible for someone", "the secret without being looked at like they're completely insane. The seeming silliness", "is what the rules were all along\", the audience tends to throw a", "audience when no character has an extensive, objective knowledge of how the magic", "am running into a big problem in that it's hard to figure out", "they got mauled by a supernatural monster first. Even if the protagonists give", "phenomenon, neither does mortal supernatural knowledge have the complete picture (there is a", "Like many of these series, there is a relatable viewpoint character who is", "[half-angel demon hunters](https://en.wikipedia.org/wiki/The_Mortal_Instruments) or the ever famous \"Yer a wizard Harry\", but one", "Adding to that the supernatural gimmick in my series is weird, almost to", "werewolves, wizards, and other supernatural beings that have saturated pop culture. By contrast,", "believable way. For example, I've tried writing the \"intro to the supernatural\" speech", "urban fantasy series there is a magic-and-powers system hidden from the broader world", "where they come from, and they don't have some venerable pedigree going back", "can think of that would make someone believe would be is if they", "Old Republic II, the idea that most of the exposition you received in", "those guys because they'll mess you up\". But they can't provide a good", "reader's guard by making them laugh at how silly this is, only for", "the crazy fictional world they're viewing and so have a tendency to believe", "life. However, this in turn causes two major problems. One is that it's", "and legends throughout human history are misinterpreted retellings of this supernatural gimmick (as", "to other characters. The only thing I can think of that would make", "result in mass loss of human life. However, this in turn causes two", "know they're weird and have powers), and \"don't go near those guys because", "(as is typical for many of these types of stories), but none of", "out its mechanisms). Adding to that the supernatural gimmick in my series is", "neither does mortal supernatural knowledge have the complete picture (there is a hard", "to the magic system, because [it turns out that all the rules of", "going back centuries or millennia. A good way to put it is it's", "supernatural phenomena of the series run on. However, I'm having trouble providing exposition", "the supernatural as the character does. However, I am running into a big", "every natural phenomenon, neither does mortal supernatural knowledge have the complete picture (there", "pre-existing mythical tradition like there is for vampires, werewolves, wizards, and other supernatural", "would get some big expositional speech on how [they're part of an aristocratic", "the protagonists give a downright inaccurate, one issue is that the audience depends", "The other downside is it makes it really, really hard for the characters", "other characters don't have an encyclopedic knowledge of the supernatural world and its", "what he means, even if they’ve never read Hijrp Potfeq* book before. It", "this in turn causes two major problems. One is that it's hard to", "to try and spill the secret without being looked at like they're completely", "that one of the things that's mentioned to keep the existence of the", "the magic system works, they just know they're weird and have powers), and", "they don't have some venerable pedigree going back centuries or millennia. A good", "It is implied that many myths and legends throughout human history are misinterpreted", "character who is new to the supernatural world and at least part serves", "how this world works. Like many of these series, there is a relatable", "has figured out its mechanisms). Adding to that the supernatural gimmick in my", "like many urban fantasy series there is a magic-and-powers system hidden from the", "to the supernatural world and at least part serves as a vehicle for", "just happens, and people are forced to react and figure it out on", "supernatural gimmick (as is typical for many of these types of stories), but", "the big novelties of this series is that nobody has any idea how", "from getting sick and dying anyway. Like any natural phenomenon it just happens,", "by making them laugh at how silly this is, only for them to", "\"this is what the rules were all along\", the audience tends to throw", "novelties of this series is that nobody has any idea how the magic", "this series is that nobody has any idea how the magic system works.", "supernatural under wraps is that it's so weird that it's almost impossible for", "be is if they got mauled by a supernatural monster first. Even if", "that the supernatural phenomena of the series run on. However, I'm having trouble", "of stories), but none of them are so straightforward that you can say", "mythical tradition like there is for vampires, werewolves, wizards, and other supernatural beings", "audience depends on the characters to provide context to the crazy fictional world", "shocking. However, this also has a tendency to upset audiences, especially when it", "a believable reason of \"why does the protagonist even believe a word they're", "beyond \"they just do\". In most series the protagonist after being inducted into", "on. However, I'm having trouble providing exposition as to how this world works.", "pedigree going back centuries or millennia. A good way to put it is", "the audience tends to throw a riot because it comes off as the", "urban fantasy series in which like many urban fantasy series there is a", "to learn about the supernatural as the character does. However, I am running", "would be is if they got mauled by a supernatural monster first. Even", "is that the audience depends on the characters to provide context to the", "bare bones, like basic terminology, a very broad understanding of what they are", "nobody has any idea how the magic system works. The supernaturals don't know", "a word they're saying, and why doesn't he think they're just insane?\" That's", "of the series run on. However, *I'm having trouble providing exposition as to", "mess you up\". But they can't provide a good explanation of where their", "magic system, because [it turns out that all the rules of the plot", "system works, they just know they're weird and have powers), and \"don't go", "come from, and they don't have some venerable pedigree going back centuries or", "when no character has an extensive, objective knowledge of how the magic system", "that most of the exposition you received in the story was wrong* was", "they are (i.e., they don't know how the magic system works, they just", "of the plot the audience was following are either not quite correct or", "\"these are vampires, but different\". The other downside is it makes it really,", "off as the author changing the rules mid-story. *Given this, how can I", "a very broad understanding of what they are (i.e., they don't know how", "in mass loss of human life. However, this in turn causes two major", "none of them are so straightforward that you can say \"these are vampires,", "times and each time I keep finding myself struggling to come up with", "because they'll mess you up\". But they can't provide a good explanation of", "major problems. One is that it's hard to introduce the magic system in", "part serves as a vehicle for readers to learn about the supernatural as", "does mortal supernatural knowledge have the complete picture (there is a hard magic", "knows what he means, even if they’ve never read Hijrp Potfeq* book before.", "a downright inaccurate, one issue is that the audience depends on the characters", "to reconsider when the consequences of this “silly” magic system result in mass", "provide a good explanation of where their powers come from or how they", "makes it really, really hard for the characters to provide exposition in a", "because they have nothing else to judge the characters' words against. This is", "do\". In most series the protagonist after being inducted into the world of", "are so straightforward that you can say \"these are vampires, but different\". The", "having trouble providing exposition as to how this world works. Like many of", "they're completely insane. The seeming silliness is part of the point, the narrative", "forced to react and figure it out on their own. Much like how", "and people are forced to react and figure it out on their own.", "works. Like many of these series, there is a relatable viewpoint character who", "answers to every natural phenomenon, neither does mortal supernatural knowledge have the complete", "them laugh at how silly this is, only for them to stop and", "loss of human life. However, this in turn causes two major problems. One", "lower the reader's guard by making them laugh at how silly this is,", "that it's hard to introduce the magic system in a way that the", "to, because there's little pre-existing mythical tradition like there is for vampires, werewolves,", "place, but no character has figured out its mechanisms). Adding to that the", "their own. Much like how real science doesn't have all the answers to", "almost to the point of silliness. Like, Jojo’s Bizarre Adventure-level weird. It's so", "of the things that's mentioned to keep the existence of the supernatural under", "is implied that many myths and legends throughout human history are misinterpreted retellings", "legends throughout human history are misinterpreted retellings of this supernatural gimmick (as is", "However, I'm having trouble providing exposition as to how this world works. Like", "how the magic system works, they just know they're weird and have powers),", "first. Even if the protagonists give a downright inaccurate, one issue is that", "only for them to stop and be forced to reconsider when the consequences", "like how real science doesn't have all the answers to every natural phenomenon,", "the reasons [REDACTED] in Knights of the Old Republic II, the idea that", "reasons [REDACTED] in Knights of the Old Republic II, the idea that most", "insane. The seeming silliness is part of the point, the narrative intent behind", "they're saying, and why doesn't he think they're just insane?\" That's not even", "the supernatural gimmick in my series is weird, almost to the point of", "crazy fictional world they're viewing and so have a tendency to believe what", "against. This is one of the reasons [REDACTED] in Knights of the Old", "near those guys because they'll mess you up\". But they can't provide a", "there is a magic-and-powers system hidden from the broader world that the supernatural", "example, I've tried writing the \"intro to the supernatural\" speech for the protagonist", "correct or outright wrong](https://tvtropes.org/pmwiki/pmwiki.php/Main/MagicAIsMagicA). Rather than getting the impression of \"this is what", "protagonists give a downright inaccurate, one issue is that the audience depends on", "silliness is part of the point, the narrative intent behind this is to", "this is to lower the reader's guard by making them laugh at how", "hidden from the broader world that the supernatural phenomena of the series run", "two major problems. One is that it's hard to introduce the magic system", "powers), and \"don't go near those guys because they'll mess you up\". But", "anyway. Like any natural phenomenon it just happens, and people are forced to", "a tendency to believe what is said without reservation because they have nothing", "weird and have powers), and \"don't go near those guys because they'll mess", "famous \"Yer a wizard Harry\", but one of the big novelties of this", "in that it's hard to figure out how to give exposition given that", "it's so weird that it's almost impossible for someone to try and spill", "this also has a tendency to upset audiences, especially when it comes to", "does the protagonist even believe a word they're saying, and why doesn't he", "the story was wrong* was shocking. However, this also has a tendency to", "because there's little pre-existing mythical tradition like there is for vampires, werewolves, wizards,", "it's like germ theory. In 1800 we had no idea that bacteria and", "give exposition *given that the other characters don't have an encyclopedic knowledge of", "the protagonist several times and each time I keep finding myself struggling to", "there is for vampires, werewolves, wizards, and other supernatural beings that have saturated", "idea that most of the exposition you received in the story was wrong*" ]
[ "that I have some details I am unsure about and come back to", "am doing and just skip those chapters and come back later once I", "up if I jumble up the order of the chapters. Should I just", "do not have the resources to get accurate descriptions of the setting, clothing,", "I am doing and just skip those chapters and come back later once", "do what I am doing and just skip those chapters and come back", "doing and just skip those chapters and come back later once I feel", "historical fiction book. I do not have access to historical records/documents/historians so I", "have access to historical records/documents/historians so I tend to skip chapters saying I", "am writing a historical fiction book. I do not have access to historical", "and come back to them when I find the adequate resources for that", "I will mess things up if I jumble up the order of the", "chapters that I have some details I am unsure about and come back", "some details I am unsure about and come back to them when I", "fiction book. I do not have access to historical records/documents/historians so I tend", "the adequate resources for that time period? Or should I do what I", "chapters. Should I just power through chapters that I have some details I", "resources to get accurate descriptions of the setting, clothing, etc. for that chapter.", "setting, clothing, etc. for that chapter. Is this good practice? I fear that", "up the order of the chapters. Should I just power through chapters that", "skip chapters saying I will write them later because I do not have", "for that chapter. Is this good practice? I fear that I will mess", "because I do not have the resources to get accurate descriptions of the", "chapters saying I will write them later because I do not have the", "find the adequate resources for that time period? Or should I do what", "that chapter. Is this good practice? I fear that I will mess things", "so I tend to skip chapters saying I will write them later because", "for that time period? Or should I do what I am doing and", "that I will mess things up if I jumble up the order of", "of the setting, clothing, etc. for that chapter. Is this good practice? I", "power through chapters that I have some details I am unsure about and", "that time period? Or should I do what I am doing and just", "things up if I jumble up the order of the chapters. Should I", "write them later because I do not have the resources to get accurate", "Or should I do what I am doing and just skip those chapters", "the setting, clothing, etc. for that chapter. Is this good practice? I fear", "adequate resources for that time period? Or should I do what I am", "jumble up the order of the chapters. Should I just power through chapters", "unsure about and come back to them when I find the adequate resources", "to historical records/documents/historians so I tend to skip chapters saying I will write", "get accurate descriptions of the setting, clothing, etc. for that chapter. Is this", "a historical fiction book. I do not have access to historical records/documents/historians so", "records/documents/historians so I tend to skip chapters saying I will write them later", "am unsure about and come back to them when I find the adequate", "about and come back to them when I find the adequate resources for", "I do not have the resources to get accurate descriptions of the setting,", "I fear that I will mess things up if I jumble up the", "and come back later once I feel confident in that area of research?", "the resources to get accurate descriptions of the setting, clothing, etc. for that", "have some details I am unsure about and come back to them when", "time period? Or should I do what I am doing and just skip", "when I find the adequate resources for that time period? Or should I", "resources for that time period? Or should I do what I am doing", "book. I do not have access to historical records/documents/historians so I tend to", "I jumble up the order of the chapters. Should I just power through", "I am writing a historical fiction book. I do not have access to", "tend to skip chapters saying I will write them later because I do", "details I am unsure about and come back to them when I find", "this good practice? I fear that I will mess things up if I", "writing a historical fiction book. I do not have access to historical records/documents/historians", "chapter. Is this good practice? I fear that I will mess things up", "not have access to historical records/documents/historians so I tend to skip chapters saying", "Should I just power through chapters that I have some details I am", "come back to them when I find the adequate resources for that time", "fear that I will mess things up if I jumble up the order", "Is this good practice? I fear that I will mess things up if", "do not have access to historical records/documents/historians so I tend to skip chapters", "saying I will write them later because I do not have the resources", "will write them later because I do not have the resources to get", "the chapters. Should I just power through chapters that I have some details", "what I am doing and just skip those chapters and come back later", "order of the chapters. Should I just power through chapters that I have", "back to them when I find the adequate resources for that time period?", "them when I find the adequate resources for that time period? Or should", "and just skip those chapters and come back later once I feel confident", "later because I do not have the resources to get accurate descriptions of", "mess things up if I jumble up the order of the chapters. Should", "I am unsure about and come back to them when I find the", "just skip those chapters and come back later once I feel confident in", "descriptions of the setting, clothing, etc. for that chapter. Is this good practice?", "I find the adequate resources for that time period? Or should I do", "I do not have access to historical records/documents/historians so I tend to skip", "those chapters and come back later once I feel confident in that area", "chapters and come back later once I feel confident in that area of", "etc. for that chapter. Is this good practice? I fear that I will", "good practice? I fear that I will mess things up if I jumble", "through chapters that I have some details I am unsure about and come", "not have the resources to get accurate descriptions of the setting, clothing, etc.", "to skip chapters saying I will write them later because I do not", "clothing, etc. for that chapter. Is this good practice? I fear that I", "access to historical records/documents/historians so I tend to skip chapters saying I will", "to get accurate descriptions of the setting, clothing, etc. for that chapter. Is", "of the chapters. Should I just power through chapters that I have some", "historical records/documents/historians so I tend to skip chapters saying I will write them", "I will write them later because I do not have the resources to", "the order of the chapters. Should I just power through chapters that I", "just power through chapters that I have some details I am unsure about", "I have some details I am unsure about and come back to them", "practice? I fear that I will mess things up if I jumble up", "have the resources to get accurate descriptions of the setting, clothing, etc. for", "should I do what I am doing and just skip those chapters and", "them later because I do not have the resources to get accurate descriptions", "will mess things up if I jumble up the order of the chapters.", "I tend to skip chapters saying I will write them later because I", "accurate descriptions of the setting, clothing, etc. for that chapter. Is this good", "to them when I find the adequate resources for that time period? Or", "period? Or should I do what I am doing and just skip those", "I do what I am doing and just skip those chapters and come", "I just power through chapters that I have some details I am unsure", "if I jumble up the order of the chapters. Should I just power", "skip those chapters and come back later once I feel confident in that" ]
[ "the world feel much less relatable if I refrained from including humans, as", "black eyes, Minotaurs, Vedalken (tall, blue skinned humanoids, who are slightly amphibious, and", "with pure black eyes, Minotaurs, Vedalken (tall, blue skinned humanoids, who are slightly", "one, so to accomplish this, I selected a different collection of races: weird", "I am currently running one on a different continent in the same world.", "I selected a different collection of races: weird elf like creatures that are", "other continent feel substantially different in flavour from the first one, so to", "Would it break immersion in the world, and make the world feel much", "I wanted to make this other continent feel substantially different in flavour from", "Vedalken (tall, blue skinned humanoids, who are slightly amphibious, and highly intelligent), and", "I was wondering. Would it break immersion in the world, and make the", "refrained from including humans, as well as anything that more than vaguely resembles", "handful of other less common / well known races. I wanted to make", "That world has Humans, Elves, Dwarves, Halfings and a handful of other less", "world. That world has Humans, Elves, Dwarves, Halfings and a handful of other", "continent feel substantially different in flavour from the first one, so to accomplish", "accomplish this, I selected a different collection of races: weird elf like creatures", "making a continent for a RPG that I am planning to run. I", "am currently running one on a different continent in the same world. That", "a handful of other less common / well known races. I wanted to", "if I refrained from including humans, as well as anything that more than", "flavour from the first one, so to accomplish this, I selected a different", "very pale with pure black eyes, Minotaurs, Vedalken (tall, blue skinned humanoids, who", "Humans, Elves, Dwarves, Halfings and a handful of other less common / well", "I am planning to run. I am currently running one on a different", "like creatures that are very pale with pure black eyes, Minotaurs, Vedalken (tall,", "Minotaurs, Vedalken (tall, blue skinned humanoids, who are slightly amphibious, and highly intelligent),", "races: weird elf like creatures that are very pale with pure black eyes,", "well known races. I wanted to make this other continent feel substantially different", "humanoids, who are slightly amphibious, and highly intelligent), and Changelings (shapeshifters). After choosing", "common / well known races. I wanted to make this other continent feel", "currently running one on a different continent in the same world. That world", "of races: weird elf like creatures that are very pale with pure black", "I am making a continent for a RPG that I am planning to", "make this other continent feel substantially different in flavour from the first one,", "in the world, and make the world feel much less relatable if I", "make the world feel much less relatable if I refrained from including humans,", "same world. That world has Humans, Elves, Dwarves, Halfings and a handful of", "wanted to make this other continent feel substantially different in flavour from the", "RPG that I am planning to run. I am currently running one on", "Dwarves, Halfings and a handful of other less common / well known races.", "break immersion in the world, and make the world feel much less relatable", "Changelings (shapeshifters). After choosing those, I was wondering. Would it break immersion in", "After choosing those, I was wondering. Would it break immersion in the world,", "wondering. Would it break immersion in the world, and make the world feel", "of other less common / well known races. I wanted to make this", "the same world. That world has Humans, Elves, Dwarves, Halfings and a handful", "a different continent in the same world. That world has Humans, Elves, Dwarves,", "and make the world feel much less relatable if I refrained from including", "and Changelings (shapeshifters). After choosing those, I was wondering. Would it break immersion", "this other continent feel substantially different in flavour from the first one, so", "feel substantially different in flavour from the first one, so to accomplish this,", "other less common / well known races. I wanted to make this other", "skinned humanoids, who are slightly amphibious, and highly intelligent), and Changelings (shapeshifters). After", "am making a continent for a RPG that I am planning to run.", "/ well known races. I wanted to make this other continent feel substantially", "running one on a different continent in the same world. That world has", "a continent for a RPG that I am planning to run. I am", "selected a different collection of races: weird elf like creatures that are very", "slightly amphibious, and highly intelligent), and Changelings (shapeshifters). After choosing those, I was", "those, I was wondering. Would it break immersion in the world, and make", "to make this other continent feel substantially different in flavour from the first", "world has Humans, Elves, Dwarves, Halfings and a handful of other less common", "for a RPG that I am planning to run. I am currently running", "Halfings and a handful of other less common / well known races. I", "different collection of races: weird elf like creatures that are very pale with", "first one, so to accomplish this, I selected a different collection of races:", "who are slightly amphibious, and highly intelligent), and Changelings (shapeshifters). After choosing those,", "known races. I wanted to make this other continent feel substantially different in", "continent in the same world. That world has Humans, Elves, Dwarves, Halfings and", "world, and make the world feel much less relatable if I refrained from", "are very pale with pure black eyes, Minotaurs, Vedalken (tall, blue skinned humanoids,", "races. I wanted to make this other continent feel substantially different in flavour", "so to accomplish this, I selected a different collection of races: weird elf", "different in flavour from the first one, so to accomplish this, I selected", "pure black eyes, Minotaurs, Vedalken (tall, blue skinned humanoids, who are slightly amphibious,", "a RPG that I am planning to run. I am currently running one", "was wondering. Would it break immersion in the world, and make the world", "in the same world. That world has Humans, Elves, Dwarves, Halfings and a", "planning to run. I am currently running one on a different continent in", "elf like creatures that are very pale with pure black eyes, Minotaurs, Vedalken", "that are very pale with pure black eyes, Minotaurs, Vedalken (tall, blue skinned", "blue skinned humanoids, who are slightly amphibious, and highly intelligent), and Changelings (shapeshifters).", "pale with pure black eyes, Minotaurs, Vedalken (tall, blue skinned humanoids, who are", "choosing those, I was wondering. Would it break immersion in the world, and", "immersion in the world, and make the world feel much less relatable if", "it break immersion in the world, and make the world feel much less", "much less relatable if I refrained from including humans, as well as anything", "eyes, Minotaurs, Vedalken (tall, blue skinned humanoids, who are slightly amphibious, and highly", "relatable if I refrained from including humans, as well as anything that more", "less common / well known races. I wanted to make this other continent", "on a different continent in the same world. That world has Humans, Elves,", "Elves, Dwarves, Halfings and a handful of other less common / well known", "substantially different in flavour from the first one, so to accomplish this, I", "including humans, as well as anything that more than vaguely resembles a human?", "from including humans, as well as anything that more than vaguely resembles a", "that I am planning to run. I am currently running one on a", "weird elf like creatures that are very pale with pure black eyes, Minotaurs,", "intelligent), and Changelings (shapeshifters). After choosing those, I was wondering. Would it break", "and a handful of other less common / well known races. I wanted", "(tall, blue skinned humanoids, who are slightly amphibious, and highly intelligent), and Changelings", "a different collection of races: weird elf like creatures that are very pale", "highly intelligent), and Changelings (shapeshifters). After choosing those, I was wondering. Would it", "are slightly amphibious, and highly intelligent), and Changelings (shapeshifters). After choosing those, I", "(shapeshifters). After choosing those, I was wondering. Would it break immersion in the", "continent for a RPG that I am planning to run. I am currently", "creatures that are very pale with pure black eyes, Minotaurs, Vedalken (tall, blue", "and highly intelligent), and Changelings (shapeshifters). After choosing those, I was wondering. Would", "different continent in the same world. That world has Humans, Elves, Dwarves, Halfings", "one on a different continent in the same world. That world has Humans,", "world feel much less relatable if I refrained from including humans, as well", "am planning to run. I am currently running one on a different continent", "this, I selected a different collection of races: weird elf like creatures that", "less relatable if I refrained from including humans, as well as anything that", "has Humans, Elves, Dwarves, Halfings and a handful of other less common /", "in flavour from the first one, so to accomplish this, I selected a", "amphibious, and highly intelligent), and Changelings (shapeshifters). After choosing those, I was wondering.", "feel much less relatable if I refrained from including humans, as well as", "from the first one, so to accomplish this, I selected a different collection", "the first one, so to accomplish this, I selected a different collection of", "the world, and make the world feel much less relatable if I refrained", "collection of races: weird elf like creatures that are very pale with pure", "I refrained from including humans, as well as anything that more than vaguely", "to accomplish this, I selected a different collection of races: weird elf like", "to run. I am currently running one on a different continent in the", "run. I am currently running one on a different continent in the same" ]
[ "numbers in the first four verses. For example, write a poem about war", "sure that the first four numbers matches the year World War II started.", "verses. For example, write a poem about war and make sure that the", "numerology in poetry? I was thinking of using numbers in the first four", "I thought about doing this, but this is a very superficial way of", "thought about doing this, but this is a very superficial way of adding", "there a better way to intertwine numerology with the allegorical meaning of a", "using numbers in the first four verses. For example, write a poem about", "and make sure that the first four numbers matches the year World War", "war and make sure that the first four numbers matches the year World", "the year World War II started. I thought about doing this, but this", "superficial way of adding meaning. Is there a better way to intertwine numerology", "first four verses. For example, write a poem about war and make sure", "that the first four numbers matches the year World War II started. I", "first four numbers matches the year World War II started. I thought about", "Is there a better way to intertwine numerology with the allegorical meaning of", "way of adding meaning. Is there a better way to intertwine numerology with", "II started. I thought about doing this, but this is a very superficial", "started. I thought about doing this, but this is a very superficial way", "about doing this, but this is a very superficial way of adding meaning.", "adding meaning. Is there a better way to intertwine numerology with the allegorical", "this, but this is a very superficial way of adding meaning. Is there", "a poem about war and make sure that the first four numbers matches", "War II started. I thought about doing this, but this is a very", "very superficial way of adding meaning. Is there a better way to intertwine", "of adding meaning. Is there a better way to intertwine numerology with the", "is a very superficial way of adding meaning. Is there a better way", "four verses. For example, write a poem about war and make sure that", "How do you integrate numerology in poetry? I was thinking of using numbers", "poetry? I was thinking of using numbers in the first four verses. For", "of using numbers in the first four verses. For example, write a poem", "year World War II started. I thought about doing this, but this is", "in the first four verses. For example, write a poem about war and", "write a poem about war and make sure that the first four numbers", "integrate numerology in poetry? I was thinking of using numbers in the first", "do you integrate numerology in poetry? I was thinking of using numbers in", "in poetry? I was thinking of using numbers in the first four verses.", "matches the year World War II started. I thought about doing this, but", "World War II started. I thought about doing this, but this is a", "this is a very superficial way of adding meaning. Is there a better", "but this is a very superficial way of adding meaning. Is there a", "make sure that the first four numbers matches the year World War II", "four numbers matches the year World War II started. I thought about doing", "numbers matches the year World War II started. I thought about doing this,", "poem about war and make sure that the first four numbers matches the", "example, write a poem about war and make sure that the first four", "a very superficial way of adding meaning. Is there a better way to", "a better way to intertwine numerology with the allegorical meaning of a poem?", "the first four verses. For example, write a poem about war and make", "doing this, but this is a very superficial way of adding meaning. Is", "you integrate numerology in poetry? I was thinking of using numbers in the", "was thinking of using numbers in the first four verses. For example, write", "about war and make sure that the first four numbers matches the year", "meaning. Is there a better way to intertwine numerology with the allegorical meaning", "the first four numbers matches the year World War II started. I thought", "thinking of using numbers in the first four verses. For example, write a", "I was thinking of using numbers in the first four verses. For example,", "For example, write a poem about war and make sure that the first" ]
[ "should I format her dialogue differently to my characters who communicate in the", "poetic verse, should I format her dialogue differently to my characters who communicate", "format her dialogue differently to my characters who communicate in the traditional manner?", "I’m writing a novel and one of my characters speaks in poetic verse,", "novel and one of my characters speaks in poetic verse, should I format", "verse, should I format her dialogue differently to my characters who communicate in", "my characters speaks in poetic verse, should I format her dialogue differently to", "of my characters speaks in poetic verse, should I format her dialogue differently", "one of my characters speaks in poetic verse, should I format her dialogue", "in poetic verse, should I format her dialogue differently to my characters who", "writing a novel and one of my characters speaks in poetic verse, should", "speaks in poetic verse, should I format her dialogue differently to my characters", "characters speaks in poetic verse, should I format her dialogue differently to my", "I format her dialogue differently to my characters who communicate in the traditional", "a novel and one of my characters speaks in poetic verse, should I", "and one of my characters speaks in poetic verse, should I format her" ]
[ "that journey. I never even read Hijrp Potfeq. I don't know what to", "place where the most powerful wizards live. But the journey to that place", "creatures of darkness. But the hero couldn't kill all the creatures and their", "of world and is the descendant of a hero who once saved the", "is going to learn magic at an imaginary place where the most powerful", "found. My protagonist belongs to one of the three last magical kingdoms of", "that place isn't easy. And he will face a lot of difficulties on", "read Hijrp Potfeq. I don't know what to do. Should I drop the", "But when I told my friend about the idea of my story... he", "place isn't easy. And he will face a lot of difficulties on that", "darkness. But the hero couldn't kill all the creatures and their leader. They", "at an imaginary place where the most powerful wizards live. But the journey", "told my friend about the idea of my story... he said that it", "said that it sounds too similar to Hijrp Potfeq. I don't know what", "one of the three last magical kingdoms of world and is the descendant", "kill all the creatures and their leader. They somehow managed to escape. I", "of my story... he said that it sounds too similar to Hijrp Potfeq.", "finally after so many years, I started writing one. But when I told", "the most powerful wizards live. But the journey to that place isn't easy.", "after so many years, I started writing one. But when I told my", "my story... he said that it sounds too similar to Hijrp Potfeq. I", "I never even read Hijrp Potfeq. I don't know what to do. Should", "somehow managed to escape. I am trying to write that my protagonist is", "the world from the creatures of darkness. But the hero couldn't kill all", "to write that my protagonist is going to learn magic at an imaginary", "of darkness. But the hero couldn't kill all the creatures and their leader.", "They somehow managed to escape. I am trying to write that my protagonist", "to one of the three last magical kingdoms of world and is the", "couldn't kill all the creatures and their leader. They somehow managed to escape.", "Hijrp Potfeq. I don't know what similarities he found. My protagonist belongs to", "my protagonist is going to learn magic at an imaginary place where the", "what to do. Should I drop the idea and start thinking from the", "But the hero couldn't kill all the creatures and their leader. They somehow", "wizards live. But the journey to that place isn't easy. And he will", "the creatures and their leader. They somehow managed to escape. I am trying", "imaginary place where the most powerful wizards live. But the journey to that", "so many years, I started writing one. But when I told my friend", "years, I started writing one. But when I told my friend about the", "belongs to one of the three last magical kingdoms of world and is", "write that my protagonist is going to learn magic at an imaginary place", "Potfeq. I don't know what similarities he found. My protagonist belongs to one", "powerful wizards live. But the journey to that place isn't easy. And he", "hero couldn't kill all the creatures and their leader. They somehow managed to", "easy. And he will face a lot of difficulties on that journey. I", "he found. My protagonist belongs to one of the three last magical kingdoms", "to Hijrp Potfeq. I don't know what similarities he found. My protagonist belongs", "a hero who once saved the world from the creatures of darkness. But", "the idea of my story... he said that it sounds too similar to", "where the most powerful wizards live. But the journey to that place isn't", "writing one. But when I told my friend about the idea of my", "lot of difficulties on that journey. I never even read Hijrp Potfeq. I", "of difficulties on that journey. I never even read Hijrp Potfeq. I don't", "book, and finally after so many years, I started writing one. But when", "story... he said that it sounds too similar to Hijrp Potfeq. I don't", "creatures and their leader. They somehow managed to escape. I am trying to", "the descendant of a hero who once saved the world from the creatures", "don't know what to do. Should I drop the idea and start thinking", "a book, and finally after so many years, I started writing one. But", "a lot of difficulties on that journey. I never even read Hijrp Potfeq.", "about the idea of my story... he said that it sounds too similar", "who once saved the world from the creatures of darkness. But the hero", "am trying to write that my protagonist is going to learn magic at", "managed to escape. I am trying to write that my protagonist is going", "to write a book, and finally after so many years, I started writing", "protagonist is going to learn magic at an imaginary place where the most", "magic at an imaginary place where the most powerful wizards live. But the", "world from the creatures of darkness. But the hero couldn't kill all the", "leader. They somehow managed to escape. I am trying to write that my", "one. But when I told my friend about the idea of my story...", "the three last magical kingdoms of world and is the descendant of a", "my friend about the idea of my story... he said that it sounds", "I started writing one. But when I told my friend about the idea", "idea of my story... he said that it sounds too similar to Hijrp", "But the journey to that place isn't easy. And he will face a", "magical kingdoms of world and is the descendant of a hero who once", "kingdoms of world and is the descendant of a hero who once saved", "difficulties on that journey. I never even read Hijrp Potfeq. I don't know", "three last magical kingdoms of world and is the descendant of a hero", "know what to do. Should I drop the idea and start thinking from", "he said that it sounds too similar to Hijrp Potfeq. I don't know", "an imaginary place where the most powerful wizards live. But the journey to", "it sounds too similar to Hijrp Potfeq. I don't know what similarities he", "live. But the journey to that place isn't easy. And he will face", "to learn magic at an imaginary place where the most powerful wizards live.", "and is the descendant of a hero who once saved the world from", "saved the world from the creatures of darkness. But the hero couldn't kill", "Hijrp Potfeq. I don't know what to do. Should I drop the idea", "Potfeq. I don't know what to do. Should I drop the idea and", "last magical kingdoms of world and is the descendant of a hero who", "don't know what similarities he found. My protagonist belongs to one of the", "world and is the descendant of a hero who once saved the world", "I told my friend about the idea of my story... he said that", "descendant of a hero who once saved the world from the creatures of", "to that place isn't easy. And he will face a lot of difficulties", "always wanted to write a book, and finally after so many years, I", "protagonist belongs to one of the three last magical kingdoms of world and", "many years, I started writing one. But when I told my friend about", "and their leader. They somehow managed to escape. I am trying to write", "that it sounds too similar to Hijrp Potfeq. I don't know what similarities", "once saved the world from the creatures of darkness. But the hero couldn't", "on that journey. I never even read Hijrp Potfeq. I don't know what", "wanted to write a book, and finally after so many years, I started", "of a hero who once saved the world from the creatures of darkness.", "I don't know what to do. Should I drop the idea and start", "isn't easy. And he will face a lot of difficulties on that journey.", "similarities he found. My protagonist belongs to one of the three last magical", "from the creatures of darkness. But the hero couldn't kill all the creatures", "I am trying to write that my protagonist is going to learn magic", "My protagonist belongs to one of the three last magical kingdoms of world", "know what similarities he found. My protagonist belongs to one of the three", "to do. Should I drop the idea and start thinking from the beginning?", "I don't know what similarities he found. My protagonist belongs to one of", "started writing one. But when I told my friend about the idea of", "when I told my friend about the idea of my story... he said", "even read Hijrp Potfeq. I don't know what to do. Should I drop", "that my protagonist is going to learn magic at an imaginary place where", "the hero couldn't kill all the creatures and their leader. They somehow managed", "too similar to Hijrp Potfeq. I don't know what similarities he found. My", "to escape. I am trying to write that my protagonist is going to", "is the descendant of a hero who once saved the world from the", "their leader. They somehow managed to escape. I am trying to write that", "going to learn magic at an imaginary place where the most powerful wizards", "he will face a lot of difficulties on that journey. I never even", "write a book, and finally after so many years, I started writing one.", "the creatures of darkness. But the hero couldn't kill all the creatures and", "sounds too similar to Hijrp Potfeq. I don't know what similarities he found.", "all the creatures and their leader. They somehow managed to escape. I am", "learn magic at an imaginary place where the most powerful wizards live. But", "journey to that place isn't easy. And he will face a lot of", "and finally after so many years, I started writing one. But when I", "similar to Hijrp Potfeq. I don't know what similarities he found. My protagonist", "most powerful wizards live. But the journey to that place isn't easy. And", "friend about the idea of my story... he said that it sounds too", "what similarities he found. My protagonist belongs to one of the three last", "I always wanted to write a book, and finally after so many years,", "hero who once saved the world from the creatures of darkness. But the", "the journey to that place isn't easy. And he will face a lot", "journey. I never even read Hijrp Potfeq. I don't know what to do.", "of the three last magical kingdoms of world and is the descendant of", "And he will face a lot of difficulties on that journey. I never", "escape. I am trying to write that my protagonist is going to learn", "never even read Hijrp Potfeq. I don't know what to do. Should I", "trying to write that my protagonist is going to learn magic at an", "face a lot of difficulties on that journey. I never even read Hijrp", "will face a lot of difficulties on that journey. I never even read" ]
[ "that is often in news, etc. Last year (I think), they asked essays", "structure may I follow to write good yet comprehensive essays in the word", "as many important aspect as possible even if in layman's terms. So, what", "Influence of social media, Contribution of unorganised Sector in Indian economy, etc. Question:", "unorganised Sector in Indian economy, etc. Question: Essentially, this is a test of", "follow to write good yet comprehensive essays in the word limits of 250", "two examinations which will be conducted soon. Those exams need essays to be", "of social media, Contribution of unorganised Sector in Indian economy, etc. Question: Essentially,", "on the time of the exams and are usually anything based on government", "given on the time of the exams and are usually anything based on", "they asked essays on Ethical banking, Influence of social media, Contribution of unorganised", "soon. Those exams need essays to be written in 250 words. The topics", "may I follow to write good yet comprehensive essays in the word limits", "aspect as possible even if in layman's terms. So, what structure may I", "written in 250 words. The topics are given on the time of the", "international importance, or anything that is often in news, etc. Last year (I", "to be written in 250 words. The topics are given on the time", "government schemes, matters of national and international importance, or anything that is often", "of unorganised Sector in Indian economy, etc. Question: Essentially, this is a test", "in Indian economy, etc. Question: Essentially, this is a test of writing rather", "what structure may I follow to write good yet comprehensive essays in the", "importance, or anything that is often in news, etc. Last year (I think),", "need essays to be written in 250 words. The topics are given on", "that of knowledge. However, I think it's best if the essay essentially is", "think), they asked essays on Ethical banking, Influence of social media, Contribution of", "covering as many important aspect as possible even if in layman's terms. So,", "essays to be written in 250 words. The topics are given on the", "a test of writing rather than that of knowledge. However, I think it's", "The topics are given on the time of the exams and are usually", "think it's best if the essay essentially is somehow \"complete\" covering as many", "anything that is often in news, etc. Last year (I think), they asked", "exams and are usually anything based on government schemes, matters of national and", "banking, Influence of social media, Contribution of unorganised Sector in Indian economy, etc.", "I follow to write good yet comprehensive essays in the word limits of", "\"complete\" covering as many important aspect as possible even if in layman's terms.", "Question: Essentially, this is a test of writing rather than that of knowledge.", "terms. So, what structure may I follow to write good yet comprehensive essays", "I think it's best if the essay essentially is somehow \"complete\" covering as", "Contribution of unorganised Sector in Indian economy, etc. Question: Essentially, this is a", "conducted soon. Those exams need essays to be written in 250 words. The", "Indian economy, etc. Question: Essentially, this is a test of writing rather than", "write essays in two examinations which will be conducted soon. Those exams need", "possible even if in layman's terms. So, what structure may I follow to", "is somehow \"complete\" covering as many important aspect as possible even if in", "the essay essentially is somehow \"complete\" covering as many important aspect as possible", "are given on the time of the exams and are usually anything based", "if the essay essentially is somehow \"complete\" covering as many important aspect as", "which will be conducted soon. Those exams need essays to be written in", "I have to write essays in two examinations which will be conducted soon.", "on Ethical banking, Influence of social media, Contribution of unorganised Sector in Indian", "Last year (I think), they asked essays on Ethical banking, Influence of social", "economy, etc. Question: Essentially, this is a test of writing rather than that", "250 words. The topics are given on the time of the exams and", "than that of knowledge. However, I think it's best if the essay essentially", "in news, etc. Last year (I think), they asked essays on Ethical banking,", "news, etc. Last year (I think), they asked essays on Ethical banking, Influence", "essays on Ethical banking, Influence of social media, Contribution of unorganised Sector in", "rather than that of knowledge. However, I think it's best if the essay", "etc. Last year (I think), they asked essays on Ethical banking, Influence of", "test of writing rather than that of knowledge. However, I think it's best", "exams need essays to be written in 250 words. The topics are given", "examinations which will be conducted soon. Those exams need essays to be written", "best if the essay essentially is somehow \"complete\" covering as many important aspect", "essentially is somehow \"complete\" covering as many important aspect as possible even if", "knowledge. However, I think it's best if the essay essentially is somehow \"complete\"", "(I think), they asked essays on Ethical banking, Influence of social media, Contribution", "social media, Contribution of unorganised Sector in Indian economy, etc. Question: Essentially, this", "is a test of writing rather than that of knowledge. However, I think", "media, Contribution of unorganised Sector in Indian economy, etc. Question: Essentially, this is", "in two examinations which will be conducted soon. Those exams need essays to", "are usually anything based on government schemes, matters of national and international importance,", "this is a test of writing rather than that of knowledge. However, I", "be written in 250 words. The topics are given on the time of", "matters of national and international importance, or anything that is often in news,", "and are usually anything based on government schemes, matters of national and international", "So, what structure may I follow to write good yet comprehensive essays in", "time of the exams and are usually anything based on government schemes, matters", "based on government schemes, matters of national and international importance, or anything that", "etc. Question: Essentially, this is a test of writing rather than that of", "essays in two examinations which will be conducted soon. Those exams need essays", "will be conducted soon. Those exams need essays to be written in 250", "Those exams need essays to be written in 250 words. The topics are", "essay essentially is somehow \"complete\" covering as many important aspect as possible even", "year (I think), they asked essays on Ethical banking, Influence of social media,", "many important aspect as possible even if in layman's terms. So, what structure", "asked essays on Ethical banking, Influence of social media, Contribution of unorganised Sector", "Sector in Indian economy, etc. Question: Essentially, this is a test of writing", "of the exams and are usually anything based on government schemes, matters of", "layman's terms. So, what structure may I follow to write good yet comprehensive", "Essentially, this is a test of writing rather than that of knowledge. However,", "on government schemes, matters of national and international importance, or anything that is", "writing rather than that of knowledge. However, I think it's best if the", "to write good yet comprehensive essays in the word limits of 250 words?", "usually anything based on government schemes, matters of national and international importance, or", "words. The topics are given on the time of the exams and are", "of knowledge. However, I think it's best if the essay essentially is somehow", "national and international importance, or anything that is often in news, etc. Last", "topics are given on the time of the exams and are usually anything", "be conducted soon. Those exams need essays to be written in 250 words.", "as possible even if in layman's terms. So, what structure may I follow", "anything based on government schemes, matters of national and international importance, or anything", "important aspect as possible even if in layman's terms. So, what structure may", "in 250 words. The topics are given on the time of the exams", "if in layman's terms. So, what structure may I follow to write good", "to write essays in two examinations which will be conducted soon. Those exams", "somehow \"complete\" covering as many important aspect as possible even if in layman's", "Ethical banking, Influence of social media, Contribution of unorganised Sector in Indian economy,", "have to write essays in two examinations which will be conducted soon. Those", "and international importance, or anything that is often in news, etc. Last year", "the time of the exams and are usually anything based on government schemes,", "often in news, etc. Last year (I think), they asked essays on Ethical", "is often in news, etc. Last year (I think), they asked essays on", "it's best if the essay essentially is somehow \"complete\" covering as many important", "the exams and are usually anything based on government schemes, matters of national", "or anything that is often in news, etc. Last year (I think), they", "even if in layman's terms. So, what structure may I follow to write", "of national and international importance, or anything that is often in news, etc.", "However, I think it's best if the essay essentially is somehow \"complete\" covering", "schemes, matters of national and international importance, or anything that is often in", "of writing rather than that of knowledge. However, I think it's best if", "in layman's terms. So, what structure may I follow to write good yet" ]
[ "alternatives? I should note that these tools are pretty old and language can", "good alternatives? I should note that these tools are pretty old and language", "why 'diction' discourages the use of \"implement\" in writing? What are good alternatives?", "my writing. One tool, 'Diction', tells me that the word \"implement\" shouldn't be", "word (\"implementation\", \"implementing\", ...). The 'Suggest' tool tells me that I should probably", "reason why 'diction' discourages the use of \"implement\" in writing? What are good", "a good reason why 'diction' discourages the use of \"implement\" in writing? What", "which is a collection of tools that helps identifying errors in my writing.", "use \"carry out\" for \"implement\", which doesn't make sense in most cases. Is", "every use of this word (\"implementation\", \"implementing\", ...). The 'Suggest' tool tells me", "are good alternatives? I should note that these tools are pretty old and", "I'm using the [writer's workbench](https://en.wikipedia.org/wiki/Writer%27s_Workbench), which is a collection of tools that helps", "is a collection of tools that helps identifying errors in my writing. One", "using the [writer's workbench](https://en.wikipedia.org/wiki/Writer%27s_Workbench), which is a collection of tools that helps identifying", "note that these tools are pretty old and language can change over time.", "tools are pretty old and language can change over time. Also English is", "be used, and marks every use of this word (\"implementation\", \"implementing\", ...). The", "\"implement\", which doesn't make sense in most cases. Is there a good reason", "'Diction', tells me that the word \"implement\" shouldn't be used, and marks every", "Is there a good reason why 'diction' discourages the use of \"implement\" in", "are pretty old and language can change over time. Also English is my", "I should note that these tools are pretty old and language can change", "the [writer's workbench](https://en.wikipedia.org/wiki/Writer%27s_Workbench), which is a collection of tools that helps identifying errors", "that these tools are pretty old and language can change over time. Also", "'diction' discourages the use of \"implement\" in writing? What are good alternatives? I", "in writing? What are good alternatives? I should note that these tools are", "that the word \"implement\" shouldn't be used, and marks every use of this", "use of this word (\"implementation\", \"implementing\", ...). The 'Suggest' tool tells me that", "old and language can change over time. Also English is my second language.", "in my writing. One tool, 'Diction', tells me that the word \"implement\" shouldn't", "there a good reason why 'diction' discourages the use of \"implement\" in writing?", "discourages the use of \"implement\" in writing? What are good alternatives? I should", "cases. Is there a good reason why 'diction' discourages the use of \"implement\"", "marks every use of this word (\"implementation\", \"implementing\", ...). The 'Suggest' tool tells", "What are good alternatives? I should note that these tools are pretty old", "probably use \"carry out\" for \"implement\", which doesn't make sense in most cases.", "\"carry out\" for \"implement\", which doesn't make sense in most cases. Is there", "of \"implement\" in writing? What are good alternatives? I should note that these", "sense in most cases. Is there a good reason why 'diction' discourages the", "of tools that helps identifying errors in my writing. One tool, 'Diction', tells", "in most cases. Is there a good reason why 'diction' discourages the use", "me that the word \"implement\" shouldn't be used, and marks every use of", "identifying errors in my writing. One tool, 'Diction', tells me that the word", "\"implement\" in writing? What are good alternatives? I should note that these tools", "use of \"implement\" in writing? What are good alternatives? I should note that", "for \"implement\", which doesn't make sense in most cases. Is there a good", "which doesn't make sense in most cases. Is there a good reason why", "should note that these tools are pretty old and language can change over", "helps identifying errors in my writing. One tool, 'Diction', tells me that the", "word \"implement\" shouldn't be used, and marks every use of this word (\"implementation\",", "writing. One tool, 'Diction', tells me that the word \"implement\" shouldn't be used,", "pretty old and language can change over time. Also English is my second", "collection of tools that helps identifying errors in my writing. One tool, 'Diction',", "of this word (\"implementation\", \"implementing\", ...). The 'Suggest' tool tells me that I", "and marks every use of this word (\"implementation\", \"implementing\", ...). The 'Suggest' tool", "'Suggest' tool tells me that I should probably use \"carry out\" for \"implement\",", "the word \"implement\" shouldn't be used, and marks every use of this word", "this word (\"implementation\", \"implementing\", ...). The 'Suggest' tool tells me that I should", "most cases. Is there a good reason why 'diction' discourages the use of", "me that I should probably use \"carry out\" for \"implement\", which doesn't make", "I should probably use \"carry out\" for \"implement\", which doesn't make sense in", "tool, 'Diction', tells me that the word \"implement\" shouldn't be used, and marks", "\"implement\" shouldn't be used, and marks every use of this word (\"implementation\", \"implementing\",", "a collection of tools that helps identifying errors in my writing. One tool,", "should probably use \"carry out\" for \"implement\", which doesn't make sense in most", "errors in my writing. One tool, 'Diction', tells me that the word \"implement\"", "workbench](https://en.wikipedia.org/wiki/Writer%27s_Workbench), which is a collection of tools that helps identifying errors in my", "tells me that the word \"implement\" shouldn't be used, and marks every use", "the use of \"implement\" in writing? What are good alternatives? I should note", "these tools are pretty old and language can change over time. Also English", "\"implementing\", ...). The 'Suggest' tool tells me that I should probably use \"carry", "doesn't make sense in most cases. Is there a good reason why 'diction'", "that helps identifying errors in my writing. One tool, 'Diction', tells me that", "shouldn't be used, and marks every use of this word (\"implementation\", \"implementing\", ...).", "(\"implementation\", \"implementing\", ...). The 'Suggest' tool tells me that I should probably use", "make sense in most cases. Is there a good reason why 'diction' discourages", "...). The 'Suggest' tool tells me that I should probably use \"carry out\"", "tools that helps identifying errors in my writing. One tool, 'Diction', tells me", "tool tells me that I should probably use \"carry out\" for \"implement\", which", "good reason why 'diction' discourages the use of \"implement\" in writing? What are", "tells me that I should probably use \"carry out\" for \"implement\", which doesn't", "One tool, 'Diction', tells me that the word \"implement\" shouldn't be used, and", "The 'Suggest' tool tells me that I should probably use \"carry out\" for", "used, and marks every use of this word (\"implementation\", \"implementing\", ...). The 'Suggest'", "writing? What are good alternatives? I should note that these tools are pretty", "out\" for \"implement\", which doesn't make sense in most cases. Is there a", "that I should probably use \"carry out\" for \"implement\", which doesn't make sense", "[writer's workbench](https://en.wikipedia.org/wiki/Writer%27s_Workbench), which is a collection of tools that helps identifying errors in" ]
[ "80k words). My targeted audience would be 8-13 years old. Will an agent", "least 80k words). My targeted audience would be 8-13 years old. Will an", "My targeted audience would be 8-13 years old. Will an agent reject a", "children's novel is at least 80k words). My targeted audience would be 8-13", "much more than the average word count. (My children's novel is at least", "reject a well-written story with a unique concept just because it's too long?", "novel is at least 80k words). My targeted audience would be 8-13 years", "(My children's novel is at least 80k words). My targeted audience would be", "more than the average word count. (My children's novel is at least 80k", "words). My targeted audience would be 8-13 years old. Will an agent reject", "would be 8-13 years old. Will an agent reject a well-written story with", "than the average word count. (My children's novel is at least 80k words).", "an agent reject a well-written story with a unique concept just because it's", "I'm currently writing a book that goes much, much more than the average", "count. (My children's novel is at least 80k words). My targeted audience would", "Will an agent reject a well-written story with a unique concept just because", "audience would be 8-13 years old. Will an agent reject a well-written story", "targeted audience would be 8-13 years old. Will an agent reject a well-written", "at least 80k words). My targeted audience would be 8-13 years old. Will", "agent reject a well-written story with a unique concept just because it's too", "be 8-13 years old. Will an agent reject a well-written story with a", "currently writing a book that goes much, much more than the average word", "average word count. (My children's novel is at least 80k words). My targeted", "much, much more than the average word count. (My children's novel is at", "a book that goes much, much more than the average word count. (My", "goes much, much more than the average word count. (My children's novel is", "old. Will an agent reject a well-written story with a unique concept just", "8-13 years old. Will an agent reject a well-written story with a unique", "years old. Will an agent reject a well-written story with a unique concept", "is at least 80k words). My targeted audience would be 8-13 years old.", "the average word count. (My children's novel is at least 80k words). My", "that goes much, much more than the average word count. (My children's novel", "writing a book that goes much, much more than the average word count.", "word count. (My children's novel is at least 80k words). My targeted audience", "book that goes much, much more than the average word count. (My children's" ]
[ "a solid replacement for that book. It is a completely different, original textbook,", "important for the audience to know, and contain entire chapters of details now", "design no longer appeals to the audience of young students aged 10-12. They", "students aged 10-12. They leave out tons of material I feel is important", "the design no longer appeals to the audience of young students aged 10-12.", "as well as deal with the state governments to make the book the", "longer appeals to the audience of young students aged 10-12. They leave out", "with something they stopped publishing? Is it better to instead find some competing", "ago, and I think the info is 30 years out-of-date. I found the", "schools. My concern is, is there some problem approaching a publisher with my", "competes with something they stopped publishing? Is it better to instead find some", "out-of-date. I found the author was heavily biased, hasn't kept up with the", "and the design no longer appeals to the audience of young students aged", "state governments to make the book the official textbook in public schools. My", "a publisher with my manuscript, when it essentially is competes with something they", "was one textbook for the subject area, but its fallen out of print", "its fallen out of print 10 years ago, and I think the info", "could be a solid replacement for that book. It is a completely different,", "I found the author was heavily biased, hasn't kept up with the recent", "is a completely different, original textbook, but also workbook, lesson plans, activities for", "research, and the design no longer appeals to the audience of young students", "I feel could be a solid replacement for that book. It is a", "the book the official textbook in public schools. My concern is, is there", "the audience to know, and contain entire chapters of details now proven to", "there some problem approaching a publisher with my manuscript, when it essentially is", "for the audience to know, and contain entire chapters of details now proven", "audience to know, and contain entire chapters of details now proven to be", "very niche field. There was one textbook for the subject area, but its", "area, but its fallen out of print 10 years ago, and I think", "be a solid replacement for that book. It is a completely different, original", "to be false. I'm writing what I feel could be a solid replacement", "plans, activities for teachers, a whole kit basically. This publisher seems the best", "My concern is, is there some problem approaching a publisher with my manuscript,", "the audience of young students aged 10-12. They leave out tons of material", "into every school that teaches the subject as well as deal with the", "the recent research, and the design no longer appeals to the audience of", "and into every school that teaches the subject as well as deal with", "chapters of details now proven to be false. I'm writing what I feel", "with the recent research, and the design no longer appeals to the audience", "field. They are the #1 publisher for the subject area, in fact, 50%", "governments to make the book the official textbook in public schools. My concern", "know how to get it out and into every school that teaches the", "in public schools. My concern is, is there some problem approaching a publisher", "found the author was heavily biased, hasn't kept up with the recent research,", "to make the book the official textbook in public schools. My concern is,", "audience of young students aged 10-12. They leave out tons of material I", "false. I'm writing what I feel could be a solid replacement for that", "know, and contain entire chapters of details now proven to be false. I'm", "teachers, a whole kit basically. This publisher seems the best one for the", "them, and based on the past releases of the competing textbook, they know", "it out and into every school that teaches the subject as well as", "by them, and based on the past releases of the competing textbook, they", "for that book. It is a completely different, original textbook, but also workbook,", "info is 30 years out-of-date. I found the author was heavily biased, hasn't", "be false. I'm writing what I feel could be a solid replacement for", "my sources are academic books published by them, and based on the past", "of print 10 years ago, and I think the info is 30 years", "academic books published by them, and based on the past releases of the", "the field. They are the #1 publisher for the subject area, in fact,", "hasn't kept up with the recent research, and the design no longer appeals", "the best one for the field. They are the #1 publisher for the", "how to get it out and into every school that teaches the subject", "I think the info is 30 years out-of-date. I found the author was", "for the subject area, in fact, 50% of my sources are academic books", "for the subject area, but its fallen out of print 10 years ago,", "years out-of-date. I found the author was heavily biased, hasn't kept up with", "public schools. My concern is, is there some problem approaching a publisher with", "publisher with my manuscript, when it essentially is competes with something they stopped", "my manuscript, when it essentially is competes with something they stopped publishing? Is", "essentially is competes with something they stopped publishing? Is it better to instead", "was heavily biased, hasn't kept up with the recent research, and the design", "with my manuscript, when it essentially is competes with something they stopped publishing?", "tons of material I feel is important for the audience to know, and", "fact, 50% of my sources are academic books published by them, and based", "seems the best one for the field. They are the #1 publisher for", "leave out tons of material I feel is important for the audience to", "details now proven to be false. I'm writing what I feel could be", "publisher for the subject area, in fact, 50% of my sources are academic", "competing textbook, they know how to get it out and into every school", "the state governments to make the book the official textbook in public schools.", "textbook in public schools. My concern is, is there some problem approaching a", "writing a textbook serving a very niche field. There was one textbook for", "it essentially is competes with something they stopped publishing? Is it better to", "and I think the info is 30 years out-of-date. I found the author", "young students aged 10-12. They leave out tons of material I feel is", "of material I feel is important for the audience to know, and contain", "biased, hasn't kept up with the recent research, and the design no longer", "when it essentially is competes with something they stopped publishing? Is it better", "out of print 10 years ago, and I think the info is 30", "is important for the audience to know, and contain entire chapters of details", "get it out and into every school that teaches the subject as well", "contain entire chapters of details now proven to be false. I'm writing what", "lesson plans, activities for teachers, a whole kit basically. This publisher seems the", "that teaches the subject as well as deal with the state governments to", "manuscript, when it essentially is competes with something they stopped publishing? Is it", "but its fallen out of print 10 years ago, and I think the", "is 30 years out-of-date. I found the author was heavily biased, hasn't kept", "10 years ago, and I think the info is 30 years out-of-date. I", "textbook for the subject area, but its fallen out of print 10 years", "material I feel is important for the audience to know, and contain entire", "feel could be a solid replacement for that book. It is a completely", "releases of the competing textbook, they know how to get it out and", "print 10 years ago, and I think the info is 30 years out-of-date.", "approaching a publisher with my manuscript, when it essentially is competes with something", "based on the past releases of the competing textbook, they know how to", "I'm writing what I feel could be a solid replacement for that book.", "writing what I feel could be a solid replacement for that book. It", "different, original textbook, but also workbook, lesson plans, activities for teachers, a whole", "50% of my sources are academic books published by them, and based on", "a textbook serving a very niche field. There was one textbook for the", "30 years out-of-date. I found the author was heavily biased, hasn't kept up", "basically. This publisher seems the best one for the field. They are the", "activities for teachers, a whole kit basically. This publisher seems the best one", "They are the #1 publisher for the subject area, in fact, 50% of", "entire chapters of details now proven to be false. I'm writing what I", "on the past releases of the competing textbook, they know how to get", "of the competing textbook, they know how to get it out and into", "problem approaching a publisher with my manuscript, when it essentially is competes with", "am writing a textbook serving a very niche field. There was one textbook", "kept up with the recent research, and the design no longer appeals to", "the subject area, in fact, 50% of my sources are academic books published", "but also workbook, lesson plans, activities for teachers, a whole kit basically. This", "something they stopped publishing? Is it better to instead find some competing publisher?", "I am writing a textbook serving a very niche field. There was one", "#1 publisher for the subject area, in fact, 50% of my sources are", "book the official textbook in public schools. My concern is, is there some", "publisher seems the best one for the field. They are the #1 publisher", "the info is 30 years out-of-date. I found the author was heavily biased,", "for teachers, a whole kit basically. This publisher seems the best one for", "This publisher seems the best one for the field. They are the #1", "and contain entire chapters of details now proven to be false. I'm writing", "of details now proven to be false. I'm writing what I feel could", "make the book the official textbook in public schools. My concern is, is", "what I feel could be a solid replacement for that book. It is", "field. There was one textbook for the subject area, but its fallen out", "for the field. They are the #1 publisher for the subject area, in", "subject as well as deal with the state governments to make the book", "books published by them, and based on the past releases of the competing", "They leave out tons of material I feel is important for the audience", "10-12. They leave out tons of material I feel is important for the", "of my sources are academic books published by them, and based on the", "fallen out of print 10 years ago, and I think the info is", "think the info is 30 years out-of-date. I found the author was heavily", "subject area, in fact, 50% of my sources are academic books published by", "with the state governments to make the book the official textbook in public", "solid replacement for that book. It is a completely different, original textbook, but", "kit basically. This publisher seems the best one for the field. They are", "deal with the state governments to make the book the official textbook in", "completely different, original textbook, but also workbook, lesson plans, activities for teachers, a", "they know how to get it out and into every school that teaches", "of young students aged 10-12. They leave out tons of material I feel", "and based on the past releases of the competing textbook, they know how", "years ago, and I think the info is 30 years out-of-date. I found", "the official textbook in public schools. My concern is, is there some problem", "to the audience of young students aged 10-12. They leave out tons of", "textbook serving a very niche field. There was one textbook for the subject", "textbook, but also workbook, lesson plans, activities for teachers, a whole kit basically.", "recent research, and the design no longer appeals to the audience of young", "proven to be false. I'm writing what I feel could be a solid", "a very niche field. There was one textbook for the subject area, but", "as deal with the state governments to make the book the official textbook", "are academic books published by them, and based on the past releases of", "that book. It is a completely different, original textbook, but also workbook, lesson", "book. It is a completely different, original textbook, but also workbook, lesson plans,", "appeals to the audience of young students aged 10-12. They leave out tons", "is, is there some problem approaching a publisher with my manuscript, when it", "a completely different, original textbook, but also workbook, lesson plans, activities for teachers,", "published by them, and based on the past releases of the competing textbook,", "past releases of the competing textbook, they know how to get it out", "to get it out and into every school that teaches the subject as", "concern is, is there some problem approaching a publisher with my manuscript, when", "some problem approaching a publisher with my manuscript, when it essentially is competes", "replacement for that book. It is a completely different, original textbook, but also", "original textbook, but also workbook, lesson plans, activities for teachers, a whole kit", "best one for the field. They are the #1 publisher for the subject", "one textbook for the subject area, but its fallen out of print 10", "aged 10-12. They leave out tons of material I feel is important for", "to know, and contain entire chapters of details now proven to be false.", "in fact, 50% of my sources are academic books published by them, and", "textbook, they know how to get it out and into every school that", "There was one textbook for the subject area, but its fallen out of", "now proven to be false. I'm writing what I feel could be a", "the #1 publisher for the subject area, in fact, 50% of my sources", "author was heavily biased, hasn't kept up with the recent research, and the", "no longer appeals to the audience of young students aged 10-12. They leave", "up with the recent research, and the design no longer appeals to the", "heavily biased, hasn't kept up with the recent research, and the design no", "one for the field. They are the #1 publisher for the subject area,", "I feel is important for the audience to know, and contain entire chapters", "area, in fact, 50% of my sources are academic books published by them,", "out and into every school that teaches the subject as well as deal", "official textbook in public schools. My concern is, is there some problem approaching", "out tons of material I feel is important for the audience to know,", "every school that teaches the subject as well as deal with the state", "are the #1 publisher for the subject area, in fact, 50% of my", "workbook, lesson plans, activities for teachers, a whole kit basically. This publisher seems", "whole kit basically. This publisher seems the best one for the field. They", "the competing textbook, they know how to get it out and into every", "well as deal with the state governments to make the book the official", "the past releases of the competing textbook, they know how to get it", "serving a very niche field. There was one textbook for the subject area,", "the author was heavily biased, hasn't kept up with the recent research, and", "sources are academic books published by them, and based on the past releases", "the subject area, but its fallen out of print 10 years ago, and", "teaches the subject as well as deal with the state governments to make", "the subject as well as deal with the state governments to make the", "It is a completely different, original textbook, but also workbook, lesson plans, activities", "subject area, but its fallen out of print 10 years ago, and I", "a whole kit basically. This publisher seems the best one for the field.", "is competes with something they stopped publishing? Is it better to instead find", "feel is important for the audience to know, and contain entire chapters of", "school that teaches the subject as well as deal with the state governments", "is there some problem approaching a publisher with my manuscript, when it essentially", "also workbook, lesson plans, activities for teachers, a whole kit basically. This publisher", "niche field. There was one textbook for the subject area, but its fallen" ]
[ "have two main protagonists, a father and son, who each have related but", "but separate arcs developing in tandem. Each learns from the other over the", "learns from the other over the course of their stories, culminating in the", "in turn leads to the son’s triumph. My question is; is it a", "two main protagonists, a father and son, who each have related but separate", "the other over the course of their stories, culminating in the father’s demise", "a good idea to have one Aristotelian comedy and another Aristotelian tragedy unfolding", "each have related but separate arcs developing in tandem. Each learns from the", "their stories, culminating in the father’s demise which in turn leads to the", "is it a good idea to have one Aristotelian comedy and another Aristotelian", "to the son’s triumph. My question is; is it a good idea to", "unfolding simultaneously in the one book or can that lead to a confusing", "is; is it a good idea to have one Aristotelian comedy and another", "Aristotelian comedy and another Aristotelian tragedy unfolding simultaneously in the one book or", "in tandem. Each learns from the other over the course of their stories,", "stories, culminating in the father’s demise which in turn leads to the son’s", "My question is; is it a good idea to have one Aristotelian comedy", "arcs developing in tandem. Each learns from the other over the course of", "it a good idea to have one Aristotelian comedy and another Aristotelian tragedy", "which in turn leads to the son’s triumph. My question is; is it", "simultaneously in the one book or can that lead to a confusing experience", "course of their stories, culminating in the father’s demise which in turn leads", "one book or can that lead to a confusing experience for the reader?", "son’s triumph. My question is; is it a good idea to have one", "turn leads to the son’s triumph. My question is; is it a good", "over the course of their stories, culminating in the father’s demise which in", "idea to have one Aristotelian comedy and another Aristotelian tragedy unfolding simultaneously in", "a father and son, who each have related but separate arcs developing in", "tandem. Each learns from the other over the course of their stories, culminating", "the father’s demise which in turn leads to the son’s triumph. My question", "one Aristotelian comedy and another Aristotelian tragedy unfolding simultaneously in the one book", "culminating in the father’s demise which in turn leads to the son’s triumph.", "good idea to have one Aristotelian comedy and another Aristotelian tragedy unfolding simultaneously", "In my novel, I have two main protagonists, a father and son, who", "from the other over the course of their stories, culminating in the father’s", "and another Aristotelian tragedy unfolding simultaneously in the one book or can that", "my novel, I have two main protagonists, a father and son, who each", "developing in tandem. Each learns from the other over the course of their", "son, who each have related but separate arcs developing in tandem. Each learns", "leads to the son’s triumph. My question is; is it a good idea", "demise which in turn leads to the son’s triumph. My question is; is", "and son, who each have related but separate arcs developing in tandem. Each", "the son’s triumph. My question is; is it a good idea to have", "father’s demise which in turn leads to the son’s triumph. My question is;", "in the father’s demise which in turn leads to the son’s triumph. My", "of their stories, culminating in the father’s demise which in turn leads to", "comedy and another Aristotelian tragedy unfolding simultaneously in the one book or can", "protagonists, a father and son, who each have related but separate arcs developing", "related but separate arcs developing in tandem. Each learns from the other over", "who each have related but separate arcs developing in tandem. Each learns from", "have related but separate arcs developing in tandem. Each learns from the other", "tragedy unfolding simultaneously in the one book or can that lead to a", "separate arcs developing in tandem. Each learns from the other over the course", "Aristotelian tragedy unfolding simultaneously in the one book or can that lead to", "Each learns from the other over the course of their stories, culminating in", "in the one book or can that lead to a confusing experience for", "have one Aristotelian comedy and another Aristotelian tragedy unfolding simultaneously in the one", "question is; is it a good idea to have one Aristotelian comedy and", "the one book or can that lead to a confusing experience for the", "main protagonists, a father and son, who each have related but separate arcs", "novel, I have two main protagonists, a father and son, who each have", "other over the course of their stories, culminating in the father’s demise which", "the course of their stories, culminating in the father’s demise which in turn", "I have two main protagonists, a father and son, who each have related", "another Aristotelian tragedy unfolding simultaneously in the one book or can that lead", "to have one Aristotelian comedy and another Aristotelian tragedy unfolding simultaneously in the", "triumph. My question is; is it a good idea to have one Aristotelian", "father and son, who each have related but separate arcs developing in tandem." ]
[ "events around him. Ex. Settles down with a wife and children, but ends", "life. The seal placed on the individual can only be broken through acts", "happiness and satisfaction, followed by devastating loss. The cult takes an active role", "on the child to keep the demon locked away permanently. However, through the", "be born to a human bride, hiding itself within the soul of the", "and gets tiresome and unrealistic. How can you use multiple tragedies without overusing", "highest points of happiness and satisfaction, followed by devastating loss. The cult takes", "be broken. This character was born specifically for the purpose of suffering, which", "permanently. However, through the secret actions of a cult, the child escapes the", "this child and uses it to battle paranormal activity. They place a seal", "the SCP foundation has contained this child and uses it to battle paranormal", "front of him, only for it to happen again years later with a", "the demon to break it's seal and take control. Tragedy is meant as", "trying to provoke sympathy by creating edgyness. This devolves into torture porn and", "happen one after another would seem like the actions of a malicious author", "contained this child and uses it to battle paranormal activity. They place a", "followed by pain, experiencing the highest points of happiness and satisfaction, followed by", "This devolves into torture porn and gets tiresome and unrealistic. How can you", "Settles down with a wife and children, but ends with them being brutally", "of happiness and satisfaction, followed by devastating loss. The cult takes an active", "the highest points of happiness and satisfaction, followed by devastating loss. The cult", "and take control. Tragedy is meant as a form of self development, in", "author simply trying to provoke sympathy by creating edgyness. This devolves into torture", "of happiness followed by pain, experiencing the highest points of happiness and satisfaction,", "followed by devastating loss. The cult takes an active role in his life", "must feel the ebb and flow of happiness followed by pain, experiencing the", "a malicious author simply trying to provoke sympathy by creating edgyness. This devolves", "satisfaction, followed by devastating loss. The cult takes an active role in his", "itself. An organization known as the SCP foundation has contained this child and", "spread out over long time periods, occuring cyclically. The person must feel the", "out over long time periods, occuring cyclically. The person must feel the ebb", "of him, only for it to happen again years later with a new", "out to live a normal life. The seal placed on the individual can", "things happen one after another would seem like the actions of a malicious", "reality from a second dimension. This demon will be born to a human", "as the SCP foundation has contained this child and uses it to battle", "causing extreme physical, physiological and emotional stress, ie, suffering. However, this seal is", "through acts causing extreme physical, physiological and emotional stress, ie, suffering. However, this", "devastation from multiple tragedies would ultimately break him, allowing the demon to break", "meant as a form of self development, in which the character has a", "child escapes the facility and sets out to live a normal life. The", "to happen again years later with a new family. The devastation from multiple", "actions of a malicious author simply trying to provoke sympathy by creating edgyness.", "the ebb and flow of happiness followed by pain, experiencing the highest points", "hiding itself within the soul of the human child until it is ready", "and uses it to battle paranormal activity. They place a seal on the", "life behind the scenes, influencing events around him. Ex. Settles down with a", "bad occurrence , goes through changes and grows because of the experience. However,", "experience. However, having things happen one after another would seem like the actions", "scarlet king is an ancient deity intent on crossing into our reality from", "time periods, occuring cyclically. The person must feel the ebb and flow of", "is a complex lock that requires multiple steps to be broken. This character", "points of happiness and satisfaction, followed by devastating loss. The cult takes an", "for the purpose of suffering, which must be spread out over long time", "goes through changes and grows because of the experience. However, having things happen", "dimension. This demon will be born to a human bride, hiding itself within", "will be born to a human bride, hiding itself within the soul of", "and grows because of the experience. However, having things happen one after another", "it to battle paranormal activity. They place a seal on the child to", "the secret actions of a cult, the child escapes the facility and sets", "keep the demon locked away permanently. However, through the secret actions of a", "can only be broken through acts causing extreme physical, physiological and emotional stress,", "born specifically for the purpose of suffering, which must be spread out over", "the soul of the human child until it is ready to take the", "down with a wife and children, but ends with them being brutally murdered", "extreme physical, physiological and emotional stress, ie, suffering. However, this seal is a", "a human bride, hiding itself within the soul of the human child until", "deity intent on crossing into our reality from a second dimension. This demon", "king is an ancient deity intent on crossing into our reality from a", "steps to be broken. This character was born specifically for the purpose of", "This demon will be born to a human bride, hiding itself within the", "influencing events around him. Ex. Settles down with a wife and children, but", "seal placed on the individual can only be broken through acts causing extreme", "grows because of the experience. However, having things happen one after another would", "stress, ie, suffering. However, this seal is a complex lock that requires multiple", "of suffering, which must be spread out over long time periods, occuring cyclically.", "by creating edgyness. This devolves into torture porn and gets tiresome and unrealistic.", "porn and gets tiresome and unrealistic. How can you use multiple tragedies without", "in his life behind the scenes, influencing events around him. Ex. Settles down", "However, through the secret actions of a cult, the child escapes the facility", "from multiple tragedies would ultimately break him, allowing the demon to break it's", "the character has a bad occurrence , goes through changes and grows because", "new family. The devastation from multiple tragedies would ultimately break him, allowing the", "a wife and children, but ends with them being brutally murdered in front", "with them being brutally murdered in front of him, only for it to", "children, but ends with them being brutally murdered in front of him, only", "born to a human bride, hiding itself within the soul of the human", "active role in his life behind the scenes, influencing events around him. Ex.", "They place a seal on the child to keep the demon locked away", "facility and sets out to live a normal life. The seal placed on", "character was born specifically for the purpose of suffering, which must be spread", "him. Ex. Settles down with a wife and children, but ends with them", "ancient deity intent on crossing into our reality from a second dimension. This", "years later with a new family. The devastation from multiple tragedies would ultimately", ", goes through changes and grows because of the experience. However, having things", "has contained this child and uses it to battle paranormal activity. They place", "away permanently. However, through the secret actions of a cult, the child escapes", "requires multiple steps to be broken. This character was born specifically for the", "is an ancient deity intent on crossing into our reality from a second", "an ancient deity intent on crossing into our reality from a second dimension.", "foundation has contained this child and uses it to battle paranormal activity. They", "break him, allowing the demon to break it's seal and take control. Tragedy", "ready to take the body for itself. An organization known as the SCP", "seal on the child to keep the demon locked away permanently. However, through", "secret actions of a cult, the child escapes the facility and sets out", "bride, hiding itself within the soul of the human child until it is", "emotional stress, ie, suffering. However, this seal is a complex lock that requires", "like the actions of a malicious author simply trying to provoke sympathy by", "development, in which the character has a bad occurrence , goes through changes", "child until it is ready to take the body for itself. An organization", "and children, but ends with them being brutally murdered in front of him,", "ebb and flow of happiness followed by pain, experiencing the highest points of", "them being brutally murdered in front of him, only for it to happen", "in which the character has a bad occurrence , goes through changes and", "long time periods, occuring cyclically. The person must feel the ebb and flow", "another would seem like the actions of a malicious author simply trying to", "complex lock that requires multiple steps to be broken. This character was born", "uses it to battle paranormal activity. They place a seal on the child", "that requires multiple steps to be broken. This character was born specifically for", "suffering, which must be spread out over long time periods, occuring cyclically. The", "his life behind the scenes, influencing events around him. Ex. Settles down with", "in front of him, only for it to happen again years later with", "to break it's seal and take control. Tragedy is meant as a form", "creating edgyness. This devolves into torture porn and gets tiresome and unrealistic. How", "activity. They place a seal on the child to keep the demon locked", "the facility and sets out to live a normal life. The seal placed", "would seem like the actions of a malicious author simply trying to provoke", "having things happen one after another would seem like the actions of a", "normal life. The seal placed on the individual can only be broken through", "a seal on the child to keep the demon locked away permanently. However,", "physical, physiological and emotional stress, ie, suffering. However, this seal is a complex", "flow of happiness followed by pain, experiencing the highest points of happiness and", "this seal is a complex lock that requires multiple steps to be broken.", "a complex lock that requires multiple steps to be broken. This character was", "the actions of a malicious author simply trying to provoke sympathy by creating", "periods, occuring cyclically. The person must feel the ebb and flow of happiness", "the experience. However, having things happen one after another would seem like the", "occuring cyclically. The person must feel the ebb and flow of happiness followed", "a new family. The devastation from multiple tragedies would ultimately break him, allowing", "edgyness. This devolves into torture porn and gets tiresome and unrealistic. How can", "seem like the actions of a malicious author simply trying to provoke sympathy", "sympathy by creating edgyness. This devolves into torture porn and gets tiresome and", "a form of self development, in which the character has a bad occurrence", "simply trying to provoke sympathy by creating edgyness. This devolves into torture porn", "The scarlet king is an ancient deity intent on crossing into our reality", "into our reality from a second dimension. This demon will be born to", "our reality from a second dimension. This demon will be born to a", "to live a normal life. The seal placed on the individual can only", "The devastation from multiple tragedies would ultimately break him, allowing the demon to", "form of self development, in which the character has a bad occurrence ,", "character has a bad occurrence , goes through changes and grows because of", "organization known as the SCP foundation has contained this child and uses it", "on the individual can only be broken through acts causing extreme physical, physiological", "to take the body for itself. An organization known as the SCP foundation", "The seal placed on the individual can only be broken through acts causing", "to keep the demon locked away permanently. However, through the secret actions of", "cult takes an active role in his life behind the scenes, influencing events", "seal is a complex lock that requires multiple steps to be broken. This", "it is ready to take the body for itself. An organization known as", "SCP foundation has contained this child and uses it to battle paranormal activity.", "paranormal activity. They place a seal on the child to keep the demon", "through the secret actions of a cult, the child escapes the facility and", "the purpose of suffering, which must be spread out over long time periods,", "broken through acts causing extreme physical, physiological and emotional stress, ie, suffering. However,", "on crossing into our reality from a second dimension. This demon will be", "occurrence , goes through changes and grows because of the experience. However, having", "devastating loss. The cult takes an active role in his life behind the", "specifically for the purpose of suffering, which must be spread out over long", "scenes, influencing events around him. Ex. Settles down with a wife and children,", "him, allowing the demon to break it's seal and take control. Tragedy is", "to battle paranormal activity. They place a seal on the child to keep", "ultimately break him, allowing the demon to break it's seal and take control.", "over long time periods, occuring cyclically. The person must feel the ebb and", "This character was born specifically for the purpose of suffering, which must be", "The person must feel the ebb and flow of happiness followed by pain,", "wife and children, but ends with them being brutally murdered in front of", "experiencing the highest points of happiness and satisfaction, followed by devastating loss. The", "seal and take control. Tragedy is meant as a form of self development,", "child to keep the demon locked away permanently. However, through the secret actions", "the individual can only be broken through acts causing extreme physical, physiological and", "would ultimately break him, allowing the demon to break it's seal and take", "the demon locked away permanently. However, through the secret actions of a cult,", "human bride, hiding itself within the soul of the human child until it", "body for itself. An organization known as the SCP foundation has contained this", "individual can only be broken through acts causing extreme physical, physiological and emotional", "later with a new family. The devastation from multiple tragedies would ultimately break", "family. The devastation from multiple tragedies would ultimately break him, allowing the demon", "purpose of suffering, which must be spread out over long time periods, occuring", "second dimension. This demon will be born to a human bride, hiding itself", "of the human child until it is ready to take the body for", "happen again years later with a new family. The devastation from multiple tragedies", "the human child until it is ready to take the body for itself.", "soul of the human child until it is ready to take the body", "around him. Ex. Settles down with a wife and children, but ends with", "after another would seem like the actions of a malicious author simply trying", "from a second dimension. This demon will be born to a human bride,", "but ends with them being brutally murdered in front of him, only for", "ends with them being brutally murdered in front of him, only for it", "and sets out to live a normal life. The seal placed on the", "the body for itself. An organization known as the SCP foundation has contained", "demon locked away permanently. However, through the secret actions of a cult, the", "by devastating loss. The cult takes an active role in his life behind", "of the experience. However, having things happen one after another would seem like", "a normal life. The seal placed on the individual can only be broken", "take the body for itself. An organization known as the SCP foundation has", "being brutally murdered in front of him, only for it to happen again", "for it to happen again years later with a new family. The devastation", "take control. Tragedy is meant as a form of self development, in which", "and emotional stress, ie, suffering. However, this seal is a complex lock that", "to be broken. This character was born specifically for the purpose of suffering,", "actions of a cult, the child escapes the facility and sets out to", "multiple tragedies would ultimately break him, allowing the demon to break it's seal", "physiological and emotional stress, ie, suffering. However, this seal is a complex lock", "because of the experience. However, having things happen one after another would seem", "loss. The cult takes an active role in his life behind the scenes,", "to a human bride, hiding itself within the soul of the human child", "intent on crossing into our reality from a second dimension. This demon will", "ie, suffering. However, this seal is a complex lock that requires multiple steps", "happiness followed by pain, experiencing the highest points of happiness and satisfaction, followed", "of a cult, the child escapes the facility and sets out to live", "of self development, in which the character has a bad occurrence , goes", "a second dimension. This demon will be born to a human bride, hiding", "him, only for it to happen again years later with a new family.", "itself within the soul of the human child until it is ready to", "pain, experiencing the highest points of happiness and satisfaction, followed by devastating loss.", "brutally murdered in front of him, only for it to happen again years", "it to happen again years later with a new family. The devastation from", "changes and grows because of the experience. However, having things happen one after", "malicious author simply trying to provoke sympathy by creating edgyness. This devolves into", "live a normal life. The seal placed on the individual can only be", "multiple steps to be broken. This character was born specifically for the purpose", "with a new family. The devastation from multiple tragedies would ultimately break him,", "and satisfaction, followed by devastating loss. The cult takes an active role in", "has a bad occurrence , goes through changes and grows because of the", "devolves into torture porn and gets tiresome and unrealistic. How can you use", "a cult, the child escapes the facility and sets out to live a", "lock that requires multiple steps to be broken. This character was born specifically", "by pain, experiencing the highest points of happiness and satisfaction, followed by devastating", "However, having things happen one after another would seem like the actions of", "known as the SCP foundation has contained this child and uses it to", "crossing into our reality from a second dimension. This demon will be born", "child and uses it to battle paranormal activity. They place a seal on", "locked away permanently. However, through the secret actions of a cult, the child", "the child to keep the demon locked away permanently. However, through the secret", "acts causing extreme physical, physiological and emotional stress, ie, suffering. However, this seal", "However, this seal is a complex lock that requires multiple steps to be", "the scenes, influencing events around him. Ex. Settles down with a wife and", "battle paranormal activity. They place a seal on the child to keep the", "must be spread out over long time periods, occuring cyclically. The person must", "as a form of self development, in which the character has a bad", "which must be spread out over long time periods, occuring cyclically. The person", "cult, the child escapes the facility and sets out to live a normal", "place a seal on the child to keep the demon locked away permanently.", "torture porn and gets tiresome and unrealistic. How can you use multiple tragedies", "until it is ready to take the body for itself. An organization known", "behind the scenes, influencing events around him. Ex. Settles down with a wife", "placed on the individual can only be broken through acts causing extreme physical,", "the child escapes the facility and sets out to live a normal life.", "which the character has a bad occurrence , goes through changes and grows", "murdered in front of him, only for it to happen again years later", "demon to break it's seal and take control. Tragedy is meant as a", "only be broken through acts causing extreme physical, physiological and emotional stress, ie,", "allowing the demon to break it's seal and take control. Tragedy is meant", "only for it to happen again years later with a new family. The", "of a malicious author simply trying to provoke sympathy by creating edgyness. This", "into torture porn and gets tiresome and unrealistic. How can you use multiple", "be broken through acts causing extreme physical, physiological and emotional stress, ie, suffering.", "broken. This character was born specifically for the purpose of suffering, which must", "one after another would seem like the actions of a malicious author simply", "an active role in his life behind the scenes, influencing events around him.", "gets tiresome and unrealistic. How can you use multiple tragedies without overusing it?", "sets out to live a normal life. The seal placed on the individual", "takes an active role in his life behind the scenes, influencing events around", "with a wife and children, but ends with them being brutally murdered in", "feel the ebb and flow of happiness followed by pain, experiencing the highest", "within the soul of the human child until it is ready to take", "Tragedy is meant as a form of self development, in which the character", "human child until it is ready to take the body for itself. An", "An organization known as the SCP foundation has contained this child and uses", "a bad occurrence , goes through changes and grows because of the experience.", "person must feel the ebb and flow of happiness followed by pain, experiencing", "and flow of happiness followed by pain, experiencing the highest points of happiness", "was born specifically for the purpose of suffering, which must be spread out", "role in his life behind the scenes, influencing events around him. Ex. Settles", "control. Tragedy is meant as a form of self development, in which the", "for itself. An organization known as the SCP foundation has contained this child", "suffering. However, this seal is a complex lock that requires multiple steps to", "escapes the facility and sets out to live a normal life. The seal", "break it's seal and take control. Tragedy is meant as a form of", "it's seal and take control. Tragedy is meant as a form of self", "provoke sympathy by creating edgyness. 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[ "printed for family use only, the material would only interest relatives, doesn't need", "random strangers to buy. Is there a way to use CreateSpace as a", "print on-demand books, even just one copy, at an affordable price, in a", "copy, at an affordable price, in a form factor that is readable. Simply", "on-demand books, even just one copy, at an affordable price, in a form", "hard to turn the pages, because of paper cuts, etc. But I need", "I really like how CreateSpace can print on-demand books, even just one copy,", "to be published for random strangers to buy. Is there a way to", "be published for random strangers to buy. Is there a way to use", "that's hard to turn the pages, because of paper cuts, etc. But I", "an affordable price, in a form factor that is readable. Simply printing on", "to use CreateSpace as a 1-time printing service for a book that will", "a 1-time printing service for a book that will only be distributed among", "the pages, because of paper cuts, etc. But I need a set of", "CreateSpace can print on-demand books, even just one copy, at an affordable price,", "one copy, at an affordable price, in a form factor that is readable.", "paper cuts, etc. But I need a set of books printed for family", "etc. But I need a set of books printed for family use only,", "because of paper cuts, etc. But I need a set of books printed", "how CreateSpace can print on-demand books, even just one copy, at an affordable", "turn the pages, because of paper cuts, etc. But I need a set", "interest relatives, doesn't need to be published for random strangers to buy. Is", "a form factor that is readable. Simply printing on copy paper produces a", "use only, the material would only interest relatives, doesn't need to be published", "would only interest relatives, doesn't need to be published for random strangers to", "produces a book that's hard to turn the pages, because of paper cuts,", "a set of books printed for family use only, the material would only", "a way to use CreateSpace as a 1-time printing service for a book", "material would only interest relatives, doesn't need to be published for random strangers", "use CreateSpace as a 1-time printing service for a book that will only", "strangers to buy. Is there a way to use CreateSpace as a 1-time", "1-time printing service for a book that will only be distributed among family?", "just one copy, at an affordable price, in a form factor that is", "the material would only interest relatives, doesn't need to be published for random", "form factor that is readable. Simply printing on copy paper produces a book", "books printed for family use only, the material would only interest relatives, doesn't", "CreateSpace as a 1-time printing service for a book that will only be", "even just one copy, at an affordable price, in a form factor that", "of paper cuts, etc. But I need a set of books printed for", "way to use CreateSpace as a 1-time printing service for a book that", "affordable price, in a form factor that is readable. Simply printing on copy", "to buy. Is there a way to use CreateSpace as a 1-time printing", "Simply printing on copy paper produces a book that's hard to turn the", "book that's hard to turn the pages, because of paper cuts, etc. But", "paper produces a book that's hard to turn the pages, because of paper", "only, the material would only interest relatives, doesn't need to be published for", "in a form factor that is readable. 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[ "Is that too close to Indiana Jones? There are dark mythical creatures -", "There's a magical book that predicts the future - Is that too close", "I'm writing a story about these detectives that are mythical creatures and go", "to the dark unicorn from Fablehaven? There's a troll, goblin, giant, and ogre", "the five (or is it six I can't remember) realms. Some of the", "ogre forest - Is that too close to the troll and goblin territories", "- Is that too close to Infinity Stones from Avengers? One of my", "Any clarification that this stuff is okay to have in my story would", "future - Is that too close to any artifact? The tesseract is mentioned", "go on a journey to save the five (or is it six I", "from Avengers? One of my characters is an adventurer/archeologist - Is that too", "story about these detectives that are mythical creatures and go on a journey", "close to the dark unicorn from Fablehaven? There's a troll, goblin, giant, and", "concerned about are: \"The Magic Stones\" - Is that too close to Infinity", "Land Of Stories? There's a magical book that predicts the future - Is", "Stories? There's a magical book that predicts the future - Is that too", "five (or is it six I can't remember) realms. Some of the things", "to the troll and goblin territories from Land Of Stories? There's a magical", "from Fablehaven? There's a troll, goblin, giant, and ogre forest - Is that", "too close to the dark unicorn from Fablehaven? There's a troll, goblin, giant,", "territories from Land Of Stories? There's a magical book that predicts the future", "the things I'm concerned about are: \"The Magic Stones\" - Is that too", "troll and goblin territories from Land Of Stories? There's a magical book that", "an adventurer/archeologist - Is that too close to Indiana Jones? There are dark", "\"The Magic Stones\" - Is that too close to Infinity Stones from Avengers?", "dark unicorn from Fablehaven? There's a troll, goblin, giant, and ogre forest -", "creatures - Is that too close to the dark unicorn from Fablehaven? There's", "Is that too close to the troll and goblin territories from Land Of", "my concerns about plagiarism for now... Any clarification that this stuff is okay", "can't remember) realms. Some of the things I'm concerned about are: \"The Magic", "any artifact? The tesseract is mentioned - Is that something that multiple writers", "close to the troll and goblin territories from Land Of Stories? There's a", "(or is it six I can't remember) realms. Some of the things I'm", "the future - Is that too close to any artifact? The tesseract is", "it six I can't remember) realms. Some of the things I'm concerned about", "- Is that something that multiple writers can mention? That's all my concerns", "save the five (or is it six I can't remember) realms. Some of", "all my concerns about plagiarism for now... Any clarification that this stuff is", "The tesseract is mentioned - Is that something that multiple writers can mention?", "forest - Is that too close to the troll and goblin territories from", "detectives that are mythical creatures and go on a journey to save the", "writing a story about these detectives that are mythical creatures and go on", "the dark unicorn from Fablehaven? There's a troll, goblin, giant, and ogre forest", "on a journey to save the five (or is it six I can't", "a magical book that predicts the future - Is that too close to", "giant, and ogre forest - Is that too close to the troll and", "book that predicts the future - Is that too close to any artifact?", "- Is that too close to the troll and goblin territories from Land", "mythical creatures - Is that too close to the dark unicorn from Fablehaven?", "tesseract is mentioned - Is that something that multiple writers can mention? That's", "remember) realms. Some of the things I'm concerned about are: \"The Magic Stones\"", "mention? That's all my concerns about plagiarism for now... Any clarification that this", "a story about these detectives that are mythical creatures and go on a", "close to Infinity Stones from Avengers? One of my characters is an adventurer/archeologist", "about these detectives that are mythical creatures and go on a journey to", "is an adventurer/archeologist - Is that too close to Indiana Jones? There are", "that too close to the troll and goblin territories from Land Of Stories?", "that too close to any artifact? The tesseract is mentioned - Is that", "too close to Indiana Jones? There are dark mythical creatures - Is that", "six I can't remember) realms. Some of the things I'm concerned about are:", "that something that multiple writers can mention? That's all my concerns about plagiarism", "for now... Any clarification that this stuff is okay to have in my", "adventurer/archeologist - Is that too close to Indiana Jones? There are dark mythical", "Infinity Stones from Avengers? One of my characters is an adventurer/archeologist - Is", "too close to any artifact? The tesseract is mentioned - Is that something", "Stones from Avengers? One of my characters is an adventurer/archeologist - Is that", "to Indiana Jones? There are dark mythical creatures - Is that too close", "and go on a journey to save the five (or is it six", "a troll, goblin, giant, and ogre forest - Is that too close to", "Stones\" - Is that too close to Infinity Stones from Avengers? One of", "these detectives that are mythical creatures and go on a journey to save", "mentioned - Is that something that multiple writers can mention? That's all my", "goblin, giant, and ogre forest - Is that too close to the troll", "dark mythical creatures - Is that too close to the dark unicorn from", "I'm concerned about are: \"The Magic Stones\" - Is that too close to", "that too close to Infinity Stones from Avengers? One of my characters is", "Jones? There are dark mythical creatures - Is that too close to the", "are: \"The Magic Stones\" - Is that too close to Infinity Stones from", "that predicts the future - Is that too close to any artifact? The", "to save the five (or is it six I can't remember) realms. Some", "Fablehaven? There's a troll, goblin, giant, and ogre forest - Is that too", "- Is that too close to Indiana Jones? There are dark mythical creatures", "of my characters is an adventurer/archeologist - Is that too close to Indiana", "plagiarism for now... Any clarification that this stuff is okay to have in", "clarification that this stuff is okay to have in my story would be", "and ogre forest - Is that too close to the troll and goblin", "and goblin territories from Land Of Stories? There's a magical book that predicts", "this stuff is okay to have in my story would be great :)", "writers can mention? That's all my concerns about plagiarism for now... Any clarification", "There's a troll, goblin, giant, and ogre forest - Is that too close", "Some of the things I'm concerned about are: \"The Magic Stones\" - Is", "Is that too close to any artifact? The tesseract is mentioned - Is", "things I'm concerned about are: \"The Magic Stones\" - Is that too close", "from Land Of Stories? There's a magical book that predicts the future -", "is mentioned - Is that something that multiple writers can mention? That's all", "realms. Some of the things I'm concerned about are: \"The Magic Stones\" -", "that are mythical creatures and go on a journey to save the five", "- Is that too close to any artifact? The tesseract is mentioned -", "Indiana Jones? There are dark mythical creatures - Is that too close to", "to Infinity Stones from Avengers? One of my characters is an adventurer/archeologist -", "about are: \"The Magic Stones\" - Is that too close to Infinity Stones", "troll, goblin, giant, and ogre forest - Is that too close to the", "too close to Infinity Stones from Avengers? One of my characters is an", "magical book that predicts the future - Is that too close to any", "I can't remember) realms. Some of the things I'm concerned about are: \"The", "Is that something that multiple writers can mention? That's all my concerns about", "my characters is an adventurer/archeologist - Is that too close to Indiana Jones?", "are dark mythical creatures - Is that too close to the dark unicorn", "too close to the troll and goblin territories from Land Of Stories? There's", "concerns about plagiarism for now... Any clarification that this stuff is okay to", "unicorn from Fablehaven? There's a troll, goblin, giant, and ogre forest - Is", "goblin territories from Land Of Stories? There's a magical book that predicts the", "predicts the future - Is that too close to any artifact? The tesseract", "is it six I can't remember) realms. Some of the things I'm concerned", "Is that too close to Infinity Stones from Avengers? One of my characters", "that too close to Indiana Jones? There are dark mythical creatures - Is", "now... Any clarification that this stuff is okay to have in my story", "that this stuff is okay to have in my story would be great", "There are dark mythical creatures - Is that too close to the dark", "- Is that too close to the dark unicorn from Fablehaven? There's a", "Is that too close to the dark unicorn from Fablehaven? There's a troll,", "the troll and goblin territories from Land Of Stories? There's a magical book", "mythical creatures and go on a journey to save the five (or is", "That's all my concerns about plagiarism for now... Any clarification that this stuff", "something that multiple writers can mention? That's all my concerns about plagiarism for", "that multiple writers can mention? That's all my concerns about plagiarism for now...", "journey to save the five (or is it six I can't remember) realms.", "One of my characters is an adventurer/archeologist - Is that too close to", "that too close to the dark unicorn from Fablehaven? There's a troll, goblin,", "artifact? The tesseract is mentioned - Is that something that multiple writers can", "can mention? That's all my concerns about plagiarism for now... Any clarification that", "creatures and go on a journey to save the five (or is it", "Avengers? One of my characters is an adventurer/archeologist - Is that too close", "close to Indiana Jones? There are dark mythical creatures - Is that too", "a journey to save the five (or is it six I can't remember)", "Magic Stones\" - Is that too close to Infinity Stones from Avengers? One", "of the things I'm concerned about are: \"The Magic Stones\" - Is that", "are mythical creatures and go on a journey to save the five (or", "close to any artifact? The tesseract is mentioned - Is that something that", "about plagiarism for now... Any clarification that this stuff is okay to have", "Of Stories? There's a magical book that predicts the future - Is that", "multiple writers can mention? That's all my concerns about plagiarism for now... Any", "to any artifact? The tesseract is mentioned - Is that something that multiple", "characters is an adventurer/archeologist - Is that too close to Indiana Jones? There" ]
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However when my", "heavy-set, and curvy , as well [as tying into other commonly used visual", "and curvy , as well [as tying into other commonly used visual signifiers", "look larger and more imposing. However when my beta readers saw this character", "do remember. But this is mostly a singular individual experience and I do", "of their appearance. For example, Girth Vedur in Star Wars is often cited", "about him just screams \"villain\". However, my question is does character design and", "if this is the case does physical character design even matter at all", "with his appearance (his breathing), and speaks in a very deep yet artificial", "writing. I have a female character in my story that is basically \"the", "has a distinct auditory tic that the viewer quickly learns to associate with", "that describe a character and construct an inaccurate image of the character based", "character design. 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In visual media this", "female character in my story that is basically \"the muscle\" of the team.", "own writing. I have a female character in my story that is basically", "immediately tell the reader Vader is a scary guy and not to be", "a very deep yet artificial voice. It is these physical characteristics that immediately", "in a non-visual medium? Here's an example from my own writing. I have", "medium? Here's an example from my own writing. I have a female character", "It comes across to me like visual hints of character design on characterization", "larger and more imposing. However when my beta readers saw this character they", "in non-visual media? I ask this because I am not sure, but my", "see, and it's very easy for the reader to miss adjectives or lines", "of characterization work as well as establishing characterization in non-visual media? I ask", "her physical design by making her wider instead of taller, not necessarily obese", "her wider instead of taller, not necessarily obese but merely stout, heavy-set, and", "coldness and inhumanity towards others. Everything about him just screams \"villain\". However, my", "it's very easy for the reader to miss adjectives or lines of dialogue", "basically \"the muscle\" of the team. Because women are generally shorter than men,", "strength in female characters](https://tvtropes.org/pmwiki/pmwiki.php/Main/BoobsOfSteel). In visual media this usually works because the character", "reader constructs of a character is not going to be as vivid as", "this is the case does physical character design even matter at all if", "auditory tic that the viewer quickly learns to associate with his appearance (his", "(his breathing), and speaks in a very deep yet artificial voice. It is", "However when my beta readers saw this character they thought I was fat-shaming", "Because women are generally shorter than men, I decided to emphasize her imposingness", "signifiers of characterization work as well as establishing characterization in non-visual media? I", "comes across to me like visual hints of character design on characterization just", "\"the muscle\" of the team. Because women are generally shorter than men, I", "and more imposing. However when my beta readers saw this character they thought", "easy for the reader to miss adjectives or lines of dialogue that describe", "I have a female character in my story that is basically \"the muscle\"", "in visually oriented works (comic books, film, television) is often a useful shorthand", "me like visual hints of character design on characterization just don't work in", "to me like visual hints of character design on characterization just don't work", "I do not know if it can be applied more broadly. 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In visual media this usually works because the", "women are generally shorter than men, I decided to emphasize her imposingness in", "with, and his inexpressive fact and robotic voice and breathing add to his", "or auditory signifiers of characterization work as well as establishing characterization in non-visual", "establishing characterization in non-visual media? I ask this because I am not sure,", "commonly used visual signifiers of greater physical strength in female characters](https://tvtropes.org/pmwiki/pmwiki.php/Main/BoobsOfSteel). In visual", "apparent coldness and inhumanity towards others. Everything about him just screams \"villain\". However,", "was fat-shaming the character. It comes across to me like visual hints of", "and construct an inaccurate image of the character based on what description they", "media? I ask this because I am not sure, but my first instinct", "across to me like visual hints of character design on characterization just don't", "team. 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It comes across to me", "ask this because I am not sure, but my first instinct is that", "learns to associate with his appearance (his breathing), and speaks in a very", "used visual signifiers of greater physical strength in female characters](https://tvtropes.org/pmwiki/pmwiki.php/Main/BoobsOfSteel). In visual media", "most memorable villains out there in terms of his character design. Vader is", "of a character is not going to be as vivid as an image", "be as vivid as an image that they physically see, and it's very", "visual hints of character design on characterization just don't work in a medium", "character and construct an inaccurate image of the character based on what description", "auditory signifiers of characterization work as well as establishing characterization in non-visual media*?", "and speaks in a very deep yet artificial voice. It is these physical", "than men, I decided to emphasize her imposingness in her physical design by", "is a scary guy and not to be messed with, and his inexpressive", "instinct is that it wouldn't. A mental image the reader constructs of a", "characters](https://tvtropes.org/pmwiki/pmwiki.php/Main/BoobsOfSteel). In visual media this usually works because the character takes up more", "to be messed with, and his inexpressive fact and robotic voice and breathing", "signifiers of greater physical strength in female characters](https://tvtropes.org/pmwiki/pmwiki.php/Main/BoobsOfSteel). In visual media this usually", "physical character design even matter at all if you are working in a", "story that is basically \"the muscle\" of the team. Because women are generally", "design on characterization just don't work in a medium in which the audience", "taller, not necessarily obese but merely stout, heavy-set, and curvy , as well", "often a useful shorthand for making characters stand out and be memorable in", "quickly learns to associate with his appearance (his breathing), and speaks in a", "miss adjectives or lines of dialogue that describe a character and construct an", "[as tying into other commonly used visual signifiers of greater physical strength in", "do not know if it can be applied more broadly. And if this", "character design on characterization just don't work in a medium in which the", "they thought I was fat-shaming the character. It comes across to me like", "more physical space than other characters, making them look larger and more imposing.", "colors with a red weapon, covered by an inexpressive facemask that makes him", "shorthand for making characters stand out and be memorable in terms of their", "that it wouldn't. A mental image the reader constructs of a character is", "television) is often a useful shorthand for making characters stand out and be", "not necessarily obese but merely stout, heavy-set, and curvy , as well [as", "I ask this because I am not sure, but my first instinct is", "is not going to be as vivid as an image that they physically", "decided to emphasize her imposingness in her physical design by making her wider", "\"villain\". However, my question is does character design and visual or auditory signifiers", "is these physical characteristics that immediately tell the reader Vader is a scary", "But this is mostly a singular individual experience and I do not know", "characteristics that immediately tell the reader Vader is a scary guy and not", "on characterization just don't work in a medium in which the audience is", "is that it wouldn't. A mental image the reader constructs of a character", "not sure, but my first instinct is that it wouldn't. A mental image", "am not sure, but my first instinct is that it wouldn't. A mental", "you are working in a non-visual medium? Here's an example from my own", "artificial voice. It is these physical characteristics that immediately tell the reader Vader", "in her physical design by making her wider* instead of taller, not necessarily", "film, television) is often a useful shorthand for making characters stand out and", "an inaccurate image of the character based on what description they do remember.", "wider instead of taller, not necessarily obese but merely stout, heavy-set, and curvy", "imposingness in her physical design by making her wider instead of taller, not", "of greater physical strength in female characters](https://tvtropes.org/pmwiki/pmwiki.php/Main/BoobsOfSteel). In visual media this usually works", "image the reader constructs of a character is not going to be as", "his inexpressive fact and robotic voice and breathing add to his apparent coldness", "but my first instinct is that it wouldn't. A mental image the reader", "work as well as establishing characterization in non-visual media? I ask this because", "In visual media this usually works because the character takes up more physical", "I was fat-shaming the character. It comes across to me like visual hints", "constructs of a character is not going to be as vivid as an", "and inhumanity towards others. Everything about him just screams \"villain\". However, my question", "description they do remember. But this is mostly a singular individual experience and", "(comic books, film, television) is often a useful shorthand for making characters stand", "this is mostly a singular individual experience and I do not know if", "making them look larger and more imposing. However when my beta readers saw", "it can be applied more broadly. And if this is the case does", "visually oriented works (comic books, film, television) is often a useful shorthand for", "other commonly used visual signifiers of greater physical strength in female characters](https://tvtropes.org/pmwiki/pmwiki.php/Main/BoobsOfSteel). In", "I am not sure, but my first instinct is that it wouldn't. A", "Everything about him just screams \"villain\". However, my question is does character design", "character design and visual or auditory signifiers of characterization work as well as", "books, film, television) is often a useful shorthand for making characters stand out", "screams \"villain\". However, my question is **does character design and visual or auditory", "stand out and be memorable in terms of their appearance. For example, Girth", "that they physically see, and it's very easy for the reader to miss", "other characters, making them look larger and more imposing. However when my beta", "greater physical strength in female characters](https://tvtropes.org/pmwiki/pmwiki.php/Main/BoobsOfSteel). In visual media this usually works because", "or lines of dialogue that describe a character and construct an inaccurate image", "deep yet artificial voice. It is these physical characteristics that immediately tell the" ]
[ "video and you want to credit the person who came up with the", "to add details, how do you do that in the credit portion of", "particular terms should you use and do you need to add some additional", "coming up with a general design of a vehicle without designing every little", "make a video and you want to credit the person who came up", "I want to credit the artist for their effort to add details, how", "his own little touches. I want to credit the artist for their effort", "while also crediting the artist for putting in his own little touches. I", "without designing every little aspect about it? Let's say you make a video", "putting in his own little touches. I want to credit the artist for", "credit the person who came up with the general design of a vehicle", "of a vehicle without designing every little aspect about it? Let's say you", "vehicle without designing every little aspect about it? Let's say you make a", "to credit the person who came up with the general design of a", "you credit someone for coming up with a general design of a vehicle", "to credit the artist for their effort to add details, how do you", "a video and you want to credit the person who came up with", "credit someone for coming up with a general design of a vehicle without", "terms should you use and do you need to add some additional information", "in his own little touches. I want to credit the artist for their", "you want to credit the person who came up with the general design", "designing every little aspect about it? Let's say you make a video and", "came up with the general design of a vehicle while also crediting the", "the credit portion of the video? What particular terms should you use and", "artist for their effort to add details, how do you do that in", "a vehicle while also crediting the artist for putting in his own little", "their effort to add details, how do you do that in the credit", "credit the artist for their effort to add details, how do you do", "add details, how do you do that in the credit portion of the", "say you make a video and you want to credit the person who", "how do you do that in the credit portion of the video? What", "the general design of a vehicle while also crediting the artist for putting", "artist for putting in his own little touches. I want to credit the", "Let's say you make a video and you want to credit the person", "up with the general design of a vehicle while also crediting the artist", "What particular terms should you use and do you need to add some", "about it? 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I want to", "for their effort to add details, how do you do that in the", "the artist for their effort to add details, how do you do that", "with the general design of a vehicle while also crediting the artist for", "the person who came up with the general design of a vehicle while", "do you credit someone for coming up with a general design of a", "general design of a vehicle while also crediting the artist for putting in", "the video? What particular terms should you use and do you need to", "that in the credit portion of the video? What particular terms should you", "video? What particular terms should you use and do you need to add", "do you do that in the credit portion of the video? 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I want to credit the artist for their effort to add", "want to credit the artist for their effort to add details, how do", "who came up with the general design of a vehicle while also crediting", "and you want to credit the person who came up with the general" ]
[ "over 4 years now, and I feel the time has come to take", "supporting protagonists. To avoid POV confusion, each journal entry is its own chapter,", "avoid POV confusion, each journal entry is its own chapter, with the character", "problem is I have expanded the world, plot, and character cast so much", "fully compressing the planned book count for my series was seven. However, although", "an amalgamation of the plans for my previous first four books, my plans", "it clearly named in the chapter title (I got this idea from Rick", "realistically writing that many books, I decided to combine as many books as", "(I got this idea from Rick Riordan's Heroes of Olympus Series). The main", "books was conceived to be able to follow the three act structure and", "As there is no way I am realistically writing that many books, I", "1 is an amalgamation of the plans for my previous first four books,", "side protagonist or even an antagonist will get a chapter. How would I", "book count for my series was seven. However, although I am reducing the", "writing characters for a science-fantasy series for over 4 years now, and I", "chapter title (I got this idea from Rick Riordan's Heroes of Olympus Series).", "would I go about making my first book more of a single, coherent", "been working on worldbuilding, plotting out, and writing characters for a science-fantasy series", "previous first four books, my plans for it don't really follow the thee-act", "book count over twenty! As there is no way I am realistically writing", "follow the three act structure and stand on its own, especially the first", "clearly named in the chapter title (I got this idea from Rick Riordan's", "for a science-fantasy series for over 4 years now, and I feel the", "years now, and I feel the time has come to take another stab", "I have no problem with just the idea of having to write longer", "was seven. However, although I am reducing the book count, I still want", "journal entry is its own chapter, with the character authoring it clearly named", "compressing the planned book count for my series was seven. However, although I", "over twenty! As there is no way I am realistically writing that many", "authoring it clearly named in the chapter title (I got this idea from", "way I am realistically writing that many books, I decided to combine as", "count over twenty! As there is no way I am realistically writing that", "first four books, my plans for it don't really follow the thee-act structure,", "of these chapters, but every now and again, a side protagonist or even", "the issue I have come here about is about the narrative structure. Since", "character cast so much since that first draft that I had brought the", "The problem is I have expanded the world, plot, and character cast so", "with after fully compressing the planned book count for my series was seven.", "these chapters, but every now and again, a side protagonist or even an", "don't really follow the thee-act structure, as each of these four books was", "in the chapter title (I got this idea from Rick Riordan's Heroes of", "the chapter title (I got this idea from Rick Riordan's Heroes of Olympus", "books as possible, and the number I was left with after fully compressing", "and the number I was left with after fully compressing the planned book", "protagonist and supporting protagonists. To avoid POV confusion, each journal entry is its", "issue I have come here about is about the narrative structure. Since my", "it don't really follow the thee-act structure, as each of these four books", "coherent novel instead of reading like four different books joined at the seams?", "have expanded the world, plot, and character cast so much since that first", "of the plans for my previous first four books, my plans for it", "about is about the narrative structure. Since my Book 1 is an amalgamation", "first of the four. NOTE: My books will be narrated as journal entries,", "of the four. NOTE: My books will be narrated as journal entries, written", "has come to take another stab at writing the actual thing after my", "my previous first four books, my plans for it don't really follow the", "each of these four books was conceived to be able to follow the", "journal entries, written by the main protagonist and supporting protagonists. To avoid POV", "chapter. How would I go about making my first book more of a", "protagonist or even an antagonist will get a chapter. How would I go", "antagonist will get a chapter. How would I go about making my first", "and I feel the time has come to take another stab at writing", "having to write longer books, but the issue I have come here about", "idea of having to write longer books, but the issue I have come", "entries, written by the main protagonist and supporting protagonists. To avoid POV confusion,", "stand on its own, especially the first of the four. NOTE: My books", "at writing the actual thing after my first draft. The problem is I", "single, coherent novel instead of reading like four different books joined at the", "as journal entries, written by the main protagonist and supporting protagonists. To avoid", "again, a side protagonist or even an antagonist will get a chapter. How", "own, especially the first of the four. NOTE: My books will be narrated", "Book 1 is an amalgamation of the plans for my previous first four", "the world, plot, and character cast so much since that first draft that", "possible by simply lengthening the 7 books to compensate. I have no problem", "is an amalgamation of the plans for my previous first four books, my", "first book more of a single, coherent novel instead of reading like four", "about making my first book more of a single, coherent novel instead of", "supporting protagonists get the vast majority of these chapters, but every now and", "first draft. The problem is I have expanded the world, plot, and character", "for it don't really follow the thee-act structure, as each of these four", "left with after fully compressing the planned book count for my series was", "count for my series was seven. However, although I am reducing the book", "able to follow the three act structure and stand on its own, especially", "simply lengthening the 7 books to compensate. I have no problem with just", "I am reducing the book count, I still want to keep my original", "protagonists. To avoid POV confusion, each journal entry is its own chapter, with", "4 years now, and I feel the time has come to take another", "possible, and the number I was left with after fully compressing the planned", "as each of these four books was conceived to be able to follow", "protagonist and supporting protagonists get the vast majority of these chapters, but every", "the number I was left with after fully compressing the planned book count", "Since my Book 1 is an amalgamation of the plans for my previous", "here about is about the narrative structure. Since my Book 1 is an", "and supporting protagonists get the vast majority of these chapters, but every now", "narrated as journal entries, written by the main protagonist and supporting protagonists. To", "its own chapter, with the character authoring it clearly named in the chapter", "my Book 1 is an amalgamation of the plans for my previous first", "get a chapter. How would I go about making my first book more", "the planned book count for my series was seven. However, although I am", "To avoid POV confusion, each journal entry is its own chapter, with the", "longer books, but the issue I have come here about is about the", "a chapter. How would I go about making my first book more of", "write longer books, but the issue I have come here about is about", "come to take another stab at writing the actual thing after my first", "of these four books was conceived to be able to follow the three", "even an antagonist will get a chapter. How would I go about making", "am reducing the book count, I still want to keep my original plans", "chapter, with the character authoring it clearly named in the chapter title (I", "world, plot, and character cast so much since that first draft that I", "the book count, I still want to keep my original plans as intact", "reducing the book count, I still want to keep my original plans as", "My books will be narrated as journal entries, written by the main protagonist", "now and again, a side protagonist or even an antagonist will get a", "vast majority of these chapters, but every now and again, a side protagonist", "However, although I am reducing the book count, I still want to keep", "I feel the time has come to take another stab at writing the", "NOTE: My books will be narrated as journal entries, written by the main", "act structure and stand on its own, especially the first of the four.", "entry is its own chapter, with the character authoring it clearly named in", "there is no way I am realistically writing that many books, I decided", "as intact as possible by simply lengthening the 7 books to compensate. 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The problem is I have expanded the world, plot, and", "I decided to combine as many books as possible, and the number I", "protagonists get the vast majority of these chapters, but every now and again,", "on worldbuilding, plotting out, and writing characters for a science-fantasy series for over", "is its own chapter, with the character authoring it clearly named in the", "majority of these chapters, but every now and again, a side protagonist or", "stab at writing the actual thing after my first draft. The problem is", "amalgamation of the plans for my previous first four books, my plans for", "no way I am realistically writing that many books, I decided to combine", "this idea from Rick Riordan's Heroes of Olympus Series). The main protagonist and", "its own, especially the first of the four. NOTE: My books will be", "books, but the issue I have come here about is about the narrative", "I have expanded the world, plot, and character cast so much since that", "I am realistically writing that many books, I decided to combine as many", "and writing characters for a science-fantasy series for over 4 years now, and", "have been working on worldbuilding, plotting out, and writing characters for a science-fantasy", "first draft that I had brought the planned book count over twenty! As", "no problem with just the idea of having to write longer books, but", "really follow the thee-act structure, as each of these four books was conceived", "chapters, but every now and again, a side protagonist or even an antagonist", "7 books to compensate. I have no problem with just the idea of", "narrative structure. Since my Book 1 is an amalgamation of the plans for", "main protagonist and supporting protagonists. To avoid POV confusion, each journal entry is", "time has come to take another stab at writing the actual thing after", "much since that first draft that I had brought the planned book count", "Heroes of Olympus Series). The main protagonist and supporting protagonists get the vast", "to write longer books, but the issue I have come here about is", "more of a single, coherent novel instead of reading like four different books", "for my series was seven. However, although I am reducing the book count,", "from Rick Riordan's Heroes of Olympus Series). The main protagonist and supporting protagonists", "structure and stand on its own, especially the first of the four. NOTE:", "these four books was conceived to be able to follow the three act", "thing after my first draft. The problem is I have expanded the world,", "structure. Since my Book 1 is an amalgamation of the plans for my", "problem with just the idea of having to write longer books, but the", "my series was seven. However, although I am reducing the book count, I", "four books, my plans for it don't really follow the thee-act structure, as", "planned book count over twenty! As there is no way I am realistically", "as possible, and the number I was left with after fully compressing the", "am realistically writing that many books, I decided to combine as many books", "plans as intact as possible by simply lengthening the 7 books to compensate.", "another stab at writing the actual thing after my first draft. The problem", "come here about is about the narrative structure. Since my Book 1 is", "the vast majority of these chapters, but every now and again, a side", "compensate. I have no problem with just the idea of having to write", "lengthening the 7 books to compensate. I have no problem with just the", "but every now and again, a side protagonist or even an antagonist will", "will get a chapter. 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As there", "book more of a single, coherent novel instead of reading like four different", "The main protagonist and supporting protagonists get the vast majority of these chapters,", "the three act structure and stand on its own, especially the first of", "each journal entry is its own chapter, with the character authoring it clearly", "is I have expanded the world, plot, and character cast so much since", "four books was conceived to be able to follow the three act structure", "series was seven. However, although I am reducing the book count, I still", "number I was left with after fully compressing the planned book count for", "with just the idea of having to write longer books, but the issue", "making my first book more of a single, coherent novel instead of reading", "main protagonist and supporting protagonists get the vast majority of these chapters, but", "every now and again, a side protagonist or even an antagonist will get", "structure, as each of these four books was conceived to be able to", "will be narrated as journal entries, written by the main protagonist and supporting", "working on worldbuilding, plotting out, and writing characters for a science-fantasy series for", "twenty! As there is no way I am realistically writing that many books,", "go about making my first book more of a single, coherent novel instead", "got this idea from Rick Riordan's Heroes of Olympus Series). The main protagonist", "out, and writing characters for a science-fantasy series for over 4 years now,", "about the narrative structure. Since my Book 1 is an amalgamation of the", "I was left with after fully compressing the planned book count for my", "conceived to be able to follow the three act structure and stand on", "take another stab at writing the actual thing after my first draft. The", "series for over 4 years now, and I feel the time has come", "be able to follow the three act structure and stand on its own,", "or even an antagonist will get a chapter. How would I go about", "named in the chapter title (I got this idea from Rick Riordan's Heroes", "the actual thing after my first draft. The problem is I have expanded", "my plans for it don't really follow the thee-act structure, as each of", "worldbuilding, plotting out, and writing characters for a science-fantasy series for over 4", "and character cast so much since that first draft that I had brought", "plotting out, and writing characters for a science-fantasy series for over 4 years", "just the idea of having to write longer books, but the issue I", "and stand on its own, especially the first of the four. NOTE: My", "brought the planned book count over twenty! As there is no way I", "plot, and character cast so much since that first draft that I had", "be narrated as journal entries, written by the main protagonist and supporting protagonists.", "by simply lengthening the 7 books to compensate. I have no problem with", "many books, I decided to combine as many books as possible, and the", "now, and I feel the time has come to take another stab at", "after my first draft. 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NOTE: My books will be narrated as", "but the issue I have come here about is about the narrative structure.", "of having to write longer books, but the issue I have come here", "and again, a side protagonist or even an antagonist will get a chapter.", "books to compensate. I have no problem with just the idea of having", "get the vast majority of these chapters, but every now and again, a", "for my previous first four books, my plans for it don't really follow", "to follow the three act structure and stand on its own, especially the", "and supporting protagonists. To avoid POV confusion, each journal entry is its own", "Series). The main protagonist and supporting protagonists get the vast majority of these", "after fully compressing the planned book count for my series was seven. However,", "decided to combine as many books as possible, and the number I was", "actual thing after my first draft. The problem is I have expanded the", "idea from Rick Riordan's Heroes of Olympus Series). The main protagonist and supporting", "since that first draft that I had brought the planned book count over", "the first of the four. NOTE: My books will be narrated as journal", "three act structure and stand on its own, especially the first of the", "follow the thee-act structure, as each of these four books was conceived to", "a side protagonist or even an antagonist will get a chapter. How would", "is about the narrative structure. Since my Book 1 is an amalgamation of", "by the main protagonist and supporting protagonists. To avoid POV confusion, each journal", "keep my original plans as intact as possible by simply lengthening the 7", "the planned book count over twenty! As there is no way I am", "is no way I am realistically writing that many books, I decided to", "on its own, especially the first of the four. NOTE: My books will", "I had brought the planned book count over twenty! As there is no", "How would I go about making my first book more of a single,", "my first book more of a single, coherent novel instead of reading like", "confusion, each journal entry is its own chapter, with the character authoring it", "the time has come to take another stab at writing the actual thing", "to combine as many books as possible, and the number I was left", "an antagonist will get a chapter. How would I go about making my", "my original plans as intact as possible by simply lengthening the 7 books" ]
[ "two separate sections in my essay, how would I cite it? Even though", "sections in my essay, how would I cite it? Even though they're the", "cite it twice? I know an ibid would work but I'm using MLA.", "cite it? Even though they're the same quote would I need to cite", "I need to cite it twice? I know an ibid would work but", "in my essay, how would I cite it? Even though they're the same", "but I broke it up into two separate sections in my essay, how", "though they're the same quote would I need to cite it twice? I", "quote would I need to cite it twice? I know an ibid would", "would I cite it? Even though they're the same quote would I need", "into two separate sections in my essay, how would I cite it? Even", "they're the same quote would I need to cite it twice? I know", "it? Even though they're the same quote would I need to cite it", "my essay, how would I cite it? Even though they're the same quote", "If I have one quote but I broke it up into two separate", "I have one quote but I broke it up into two separate sections", "broke it up into two separate sections in my essay, how would I", "Even though they're the same quote would I need to cite it twice?", "one quote but I broke it up into two separate sections in my", "same quote would I need to cite it twice? I know an ibid", "quote but I broke it up into two separate sections in my essay,", "I broke it up into two separate sections in my essay, how would", "separate sections in my essay, how would I cite it? Even though they're", "I cite it? Even though they're the same quote would I need to", "need to cite it twice? I know an ibid would work but I'm", "would I need to cite it twice? I know an ibid would work", "essay, how would I cite it? Even though they're the same quote would", "up into two separate sections in my essay, how would I cite it?", "how would I cite it? Even though they're the same quote would I", "have one quote but I broke it up into two separate sections in", "the same quote would I need to cite it twice? I know an", "to cite it twice? I know an ibid would work but I'm using", "it up into two separate sections in my essay, how would I cite" ]
[ "to do with vampires. My middle name is AhurakB, and I personally find", "get into trouble or anything. Would it be okay to use that name", "series that has to do with vampires. My middle name is AhurakB, and", "named AhurakB. I don't want to get into trouble or anything. Would it", "that has to do with vampires. My middle name is AhurakB, and I", "I personally find that name really, really pretty. I wanted to add it", "Vampire Diaries is named AhurakB. I don't want to get into trouble or", "AhurakB, and I personally find that name really, really pretty. I wanted to", "be okay to use that name since it's still a name that belongs", "The Vampire Diaries is named AhurakB. I don't want to get into trouble", "main character but I remembered that one of the dopplegangers in The Vampire", "really, really pretty. I wanted to add it to my book as the", "don't want to get into trouble or anything. Would it be okay to", "remembered that one of the dopplegangers in The Vampire Diaries is named AhurakB.", "a name that belongs to me personally, even if it was used in", "the name of the main character but I remembered that one of the", "that name since it's still a name that belongs to me personally, even", "name really, really pretty. I wanted to add it to my book as", "the dopplegangers in The Vampire Diaries is named AhurakB. I don't want to", "name that belongs to me personally, even if it was used in another", "vampires. My middle name is AhurakB, and I personally find that name really,", "AhurakB. I don't want to get into trouble or anything. Would it be", "do with vampires. My middle name is AhurakB, and I personally find that", "that name really, really pretty. I wanted to add it to my book", "as the name of the main character but I remembered that one of", "dopplegangers in The Vampire Diaries is named AhurakB. I don't want to get", "that one of the dopplegangers in The Vampire Diaries is named AhurakB. I", "personally find that name really, really pretty. I wanted to add it to", "I'm writing a series that has to do with vampires. My middle name", "that belongs to me personally, even if it was used in another book", "to use that name since it's still a name that belongs to me", "to add it to my book as the name of the main character", "okay to use that name since it's still a name that belongs to", "to get into trouble or anything. Would it be okay to use that", "a series that has to do with vampires. My middle name is AhurakB,", "name since it's still a name that belongs to me personally, even if", "my book as the name of the main character but I remembered that", "it to my book as the name of the main character but I", "is AhurakB, and I personally find that name really, really pretty. I wanted", "it be okay to use that name since it's still a name that", "pretty. I wanted to add it to my book as the name of", "middle name is AhurakB, and I personally find that name really, really pretty.", "find that name really, really pretty. I wanted to add it to my", "I remembered that one of the dopplegangers in The Vampire Diaries is named", "want to get into trouble or anything. Would it be okay to use", "or anything. Would it be okay to use that name since it's still", "trouble or anything. Would it be okay to use that name since it's", "to my book as the name of the main character but I remembered", "and I personally find that name really, really pretty. I wanted to add", "really pretty. I wanted to add it to my book as the name", "is named AhurakB. I don't want to get into trouble or anything. Would", "anything. Would it be okay to use that name since it's still a", "it's still a name that belongs to me personally, even if it was", "has to do with vampires. My middle name is AhurakB, and I personally", "name of the main character but I remembered that one of the dopplegangers", "name is AhurakB, and I personally find that name really, really pretty. I", "one of the dopplegangers in The Vampire Diaries is named AhurakB. I don't", "in The Vampire Diaries is named AhurakB. I don't want to get into", "use that name since it's still a name that belongs to me personally,", "wanted to add it to my book as the name of the main", "of the main character but I remembered that one of the dopplegangers in", "My middle name is AhurakB, and I personally find that name really, really", "Would it be okay to use that name since it's still a name", "I wanted to add it to my book as the name of the", "book as the name of the main character but I remembered that one", "still a name that belongs to me personally, even if it was used", "Diaries is named AhurakB. I don't want to get into trouble or anything.", "of the dopplegangers in The Vampire Diaries is named AhurakB. I don't want", "add it to my book as the name of the main character but", "I don't want to get into trouble or anything. Would it be okay", "belongs to me personally, even if it was used in another book series/show?", "character but I remembered that one of the dopplegangers in The Vampire Diaries", "since it's still a name that belongs to me personally, even if it", "with vampires. My middle name is AhurakB, and I personally find that name", "but I remembered that one of the dopplegangers in The Vampire Diaries is", "writing a series that has to do with vampires. My middle name is", "into trouble or anything. Would it be okay to use that name since", "the main character but I remembered that one of the dopplegangers in The" ]
[ "a subplot with a gay couple. One of the gay partners is best", "female mc, but from the shadows, her best friend kills the antagonist and", "where the antagonist is going to kill the main character in front of", "not gay, I would have killed them off to end the novel with", "dying. I plan to make it heartfelt and the novel ends from the", "forward, there is a subplot with a gay couple. One of the gay", "from the shadows, her best friend kills the antagonist and resolves the issue", "movies do the \"kill the LGBTQ+\" to not show representations and I wondered", "story includes the couple from beginning to the very end, as well that", "I wondered if people would take offense? Please note that my story includes", "the gay partners is best friends with the female protagonist. At the end", "them off to end the novel with sadness from this death, instead of", "antagonist and resolves the issue but ends up dying. I plan to make", "take offense? Please note that my story includes the couple from beginning to", "to the very end, as well that even if he were not gay,", "I would have killed them off to end the novel with sadness from", "ends up dying. I plan to make it heartfelt and the novel ends", "about how he feels and what's to come and leaves the reader with", "and driving it forward, there is a subplot with a gay couple. One", "the end of the story, I plan to make the antagonist and male", "best friend's once partner talking about how he feels and what's to come", "is going to kill the main character in front of the female mc,", "to end the novel with sadness from this death, instead of the typical", "the female mc, but from the shadows, her best friend kills the antagonist", "cliffhanger. I suddenly thought about how many movies do the \"kill the LGBTQ+\"", "about how many movies do the \"kill the LGBTQ+\" to not show representations", "that my story includes the couple from beginning to the very end, as", "wondered if people would take offense? Please note that my story includes the", "the reader with a cliffhanger. I suddenly thought about how many movies do", "and resolves the issue but ends up dying. I plan to make it", "antagonist and male protagonist get into a situation where the antagonist is going", "resolves the issue but ends up dying. I plan to make it heartfelt", "LGBTQ+\" to not show representations and I wondered if people would take offense?", "off to end the novel with sadness from this death, instead of the", "if people would take offense? Please note that my story includes the couple", "but from the shadows, her best friend kills the antagonist and resolves the", "beginning to the very end, as well that even if he were not", "end the novel with sadness from this death, instead of the typical all", "\"kill the LGBTQ+\" to not show representations and I wondered if people would", "is a subplot with a gay couple. One of the gay partners is", "with the female protagonist. At the end of the story, I plan to", "once partner talking about how he feels and what's to come and leaves", "with a gay couple. One of the gay partners is best friends with", "characters are building the plot and driving it forward, there is a subplot", "the issue but ends up dying. I plan to make it heartfelt and", "would have killed them off to end the novel with sadness from this", "what's to come and leaves the reader with a cliffhanger. I suddenly thought", "perspective of the best friend's once partner talking about how he feels and", "make it heartfelt and the novel ends from the perspective of the best", "feels and what's to come and leaves the reader with a cliffhanger. I", "plan to make the antagonist and male protagonist get into a situation where", "plot and driving it forward, there is a subplot with a gay couple.", "is best friends with the female protagonist. At the end of the story,", "reader with a cliffhanger. I suddenly thought about how many movies do the", "of the best friend's once partner talking about how he feels and what's", "and leaves the reader with a cliffhanger. I suddenly thought about how many", "friends with the female protagonist. At the end of the story, I plan", "the couple from beginning to the very end, as well that even if", "from beginning to the very end, as well that even if he were", "in front of the female mc, but from the shadows, her best friend", "character in front of the female mc, but from the shadows, her best", "ends from the perspective of the best friend's once partner talking about how", "front of the female mc, but from the shadows, her best friend kills", "antagonist is going to kill the main character in front of the female", "gay partners is best friends with the female protagonist. At the end of", "a cliffhanger. I suddenly thought about how many movies do the \"kill the", "the antagonist and resolves the issue but ends up dying. I plan to", "I plan to make the antagonist and male protagonist get into a situation", "very end, as well that even if he were not gay, I would", "it heartfelt and the novel ends from the perspective of the best friend's", "subplot with a gay couple. One of the gay partners is best friends", "my novel, while the main characters are building the plot and driving it", "In my novel, while the main characters are building the plot and driving", "story, I plan to make the antagonist and male protagonist get into a", "were not gay, I would have killed them off to end the novel", "best friend kills the antagonist and resolves the issue but ends up dying.", "as well that even if he were not gay, I would have killed", "protagonist get into a situation where the antagonist is going to kill the", "novel with sadness from this death, instead of the typical all things end", "the perspective of the best friend's once partner talking about how he feels", "main character in front of the female mc, but from the shadows, her", "even if he were not gay, I would have killed them off to", "I suddenly thought about how many movies do the \"kill the LGBTQ+\" to", "gay couple. One of the gay partners is best friends with the female", "to come and leaves the reader with a cliffhanger. I suddenly thought about", "into a situation where the antagonist is going to kill the main character", "One of the gay partners is best friends with the female protagonist. At", "thought about how many movies do the \"kill the LGBTQ+\" to not show", "the main characters are building the plot and driving it forward, there is", "that even if he were not gay, I would have killed them off", "friend kills the antagonist and resolves the issue but ends up dying. I", "going to kill the main character in front of the female mc, but", "from the perspective of the best friend's once partner talking about how he", "kill the main character in front of the female mc, but from the", "couple. One of the gay partners is best friends with the female protagonist.", "couple from beginning to the very end, as well that even if he", "he feels and what's to come and leaves the reader with a cliffhanger.", "the story, I plan to make the antagonist and male protagonist get into", "a gay couple. One of the gay partners is best friends with the", "people would take offense? Please note that my story includes the couple from", "of the story, I plan to make the antagonist and male protagonist get", "heartfelt and the novel ends from the perspective of the best friend's once", "best friends with the female protagonist. At the end of the story, I", "my story includes the couple from beginning to the very end, as well", "the novel with sadness from this death, instead of the typical all things", "get into a situation where the antagonist is going to kill the main", "driving it forward, there is a subplot with a gay couple. One of", "make the antagonist and male protagonist get into a situation where the antagonist", "leaves the reader with a cliffhanger. I suddenly thought about how many movies", "to make it heartfelt and the novel ends from the perspective of the", "kills the antagonist and resolves the issue but ends up dying. I plan", "main characters are building the plot and driving it forward, there is a", "to kill the main character in front of the female mc, but from", "the novel ends from the perspective of the best friend's once partner talking", "would take offense? Please note that my story includes the couple from beginning", "show representations and I wondered if people would take offense? Please note that", "At the end of the story, I plan to make the antagonist and", "up dying. I plan to make it heartfelt and the novel ends from", "many movies do the \"kill the LGBTQ+\" to not show representations and I", "note that my story includes the couple from beginning to the very end,", "the very end, as well that even if he were not gay, I", "it forward, there is a subplot with a gay couple. One of the", "and male protagonist get into a situation where the antagonist is going to", "the female protagonist. At the end of the story, I plan to make", "offense? Please note that my story includes the couple from beginning to the", "male protagonist get into a situation where the antagonist is going to kill", "I plan to make it heartfelt and the novel ends from the perspective", "situation where the antagonist is going to kill the main character in front", "the best friend's once partner talking about how he feels and what's to", "are building the plot and driving it forward, there is a subplot with", "if he were not gay, I would have killed them off to end", "the antagonist and male protagonist get into a situation where the antagonist is", "novel, while the main characters are building the plot and driving it forward,", "while the main characters are building the plot and driving it forward, there", "of the gay partners is best friends with the female protagonist. At the", "friend's once partner talking about how he feels and what's to come and", "the antagonist is going to kill the main character in front of the", "do the \"kill the LGBTQ+\" to not show representations and I wondered if", "includes the couple from beginning to the very end, as well that even", "not show representations and I wondered if people would take offense? Please note", "the shadows, her best friend kills the antagonist and resolves the issue but", "and the novel ends from the perspective of the best friend's once partner", "talking about how he feels and what's to come and leaves the reader", "Please note that my story includes the couple from beginning to the very", "protagonist. At the end of the story, I plan to make the antagonist", "end of the story, I plan to make the antagonist and male protagonist", "how he feels and what's to come and leaves the reader with a", "shadows, her best friend kills the antagonist and resolves the issue but ends", "plan to make it heartfelt and the novel ends from the perspective of", "the plot and driving it forward, there is a subplot with a gay", "partners is best friends with the female protagonist. At the end of the", "come and leaves the reader with a cliffhanger. I suddenly thought about how", "mc, but from the shadows, her best friend kills the antagonist and resolves", "how many movies do the \"kill the LGBTQ+\" to not show representations and", "female protagonist. At the end of the story, I plan to make the", "representations and I wondered if people would take offense? Please note that my", "but ends up dying. I plan to make it heartfelt and the novel", "to not show representations and I wondered if people would take offense? Please", "there is a subplot with a gay couple. One of the gay partners", "the \"kill the LGBTQ+\" to not show representations and I wondered if people", "the main character in front of the female mc, but from the shadows,", "and what's to come and leaves the reader with a cliffhanger. I suddenly", "killed them off to end the novel with sadness from this death, instead", "novel ends from the perspective of the best friend's once partner talking about", "of the female mc, but from the shadows, her best friend kills the", "building the plot and driving it forward, there is a subplot with a", "end, as well that even if he were not gay, I would have", "issue but ends up dying. I plan to make it heartfelt and the", "with a cliffhanger. I suddenly thought about how many movies do the \"kill", "her best friend kills the antagonist and resolves the issue but ends up", "suddenly thought about how many movies do the \"kill the LGBTQ+\" to not", "have killed them off to end the novel with sadness from this death,", "to make the antagonist and male protagonist get into a situation where the", "gay, I would have killed them off to end the novel with sadness", "a situation where the antagonist is going to kill the main character in", "partner talking about how he feels and what's to come and leaves the", "well that even if he were not gay, I would have killed them", "with sadness from this death, instead of the typical all things end nicely.", "he were not gay, I would have killed them off to end the", "the LGBTQ+\" to not show representations and I wondered if people would take", "and I wondered if people would take offense? Please note that my story" ]
[ "strange, is that for another book I have ideas, I have the characters", "last chapters, I would write without concern, but the medium is \"cloudy\" What", "I were to write the last chapters, I would write without concern, but", "of creativity to write the rest. If I were to write the last", "find strange, is that for another book I have ideas, I have the", "What to do? what I find strange, is that for another book I", "described, but for the current one I don't know how to write the", "creativity to write the rest. If I were to write the last chapters,", "were to write the last chapters, I would write without concern, but the", "\"cloudy\" What to do? what I find strange, is that for another book", "write without concern, but the medium is \"cloudy\" What to do? what I", "the book, I'm out of creativity to write the rest. If I were", "ideas, I have the characters all described, but for the current one I", "I'm out of creativity to write the rest. If I were to write", "characters all described, but for the current one I don't know how to", "would write without concern, but the medium is \"cloudy\" What to do? what", "the rest. If I were to write the last chapters, I would write", "the characters all described, but for the current one I don't know how", "I have ideas, I have the characters all described, but for the current", "all described, but for the current one I don't know how to write", "have the characters all described, but for the current one I don't know", "write the rest. If I were to write the last chapters, I would", "what I find strange, is that for another book I have ideas, I", "rest. If I were to write the last chapters, I would write without", "write the last chapters, I would write without concern, but the medium is", "is \"cloudy\" What to do? what I find strange, is that for another", "written in the book, I'm out of creativity to write the rest. If", "another book I have ideas, I have the characters all described, but for", "medium is \"cloudy\" What to do? what I find strange, is that for", "to do? what I find strange, is that for another book I have", "but for the current one I don't know how to write the medium", "to write the rest. If I were to write the last chapters, I", "do? what I find strange, is that for another book I have ideas,", "chapters, I would write without concern, but the medium is \"cloudy\" What to", "I would write without concern, but the medium is \"cloudy\" What to do?", "is that for another book I have ideas, I have the characters all", "for another book I have ideas, I have the characters all described, but", "in the book, I'm out of creativity to write the rest. If I", "words written in the book, I'm out of creativity to write the rest.", "have ideas, I have the characters all described, but for the current one", "but the medium is \"cloudy\" What to do? what I find strange, is", "the last chapters, I would write without concern, but the medium is \"cloudy\"", "10,000 words written in the book, I'm out of creativity to write the", "I find strange, is that for another book I have ideas, I have", "that for another book I have ideas, I have the characters all described,", "I have the characters all described, but for the current one I don't", "the medium is \"cloudy\" What to do? what I find strange, is that", "About 10,000 words written in the book, I'm out of creativity to write", "without concern, but the medium is \"cloudy\" What to do? what I find", "concern, but the medium is \"cloudy\" What to do? what I find strange,", "out of creativity to write the rest. If I were to write the", "book I have ideas, I have the characters all described, but for the", "to write the last chapters, I would write without concern, but the medium", "book, I'm out of creativity to write the rest. If I were to", "If I were to write the last chapters, I would write without concern," ]
[ "fruit of pleasing anyone, I now prefer to write in plain, succinct, and", "I polish for rhythm once I have made my writing succinct? Anyway, I", "the prose rhythm of the King James Bible because I found its language", "What style guide do you think I should use if I want to", "need one that speaks not only of clarity, but of rhythm as well.", "emulating the prose rhythm of the King James Bible because I found its", "at the same time? Do I just focus on clarity, hoping that rhythm", "I should use if I want to write succinct, flowing prose? I need", "how do I achieve these two goals at the same time? Do I", "rhythm will result? Or do I polish for rhythm once I have made", "of clarity, but of rhythm as well. In the past, I did not", "you think I should use if I want to write succinct, flowing prose?", "was obsessed with emulating the prose rhythm of the King James Bible because", "to write succinct, flowing prose. So, how do I achieve these two goals", "and Grace\" a superior style guide. What style guide do you think I", "I would not be able to make my writing flow. Also, I was", "I achieve these two goals at the same time? Do I just focus", "guide. What style guide do you think I should use if I want", "polish for rhythm once I have made my writing succinct? Anyway, I do", "have made my writing succinct? Anyway, I do not follow \"The Elements of", "that speaks not only of clarity, but of rhythm as well. In the", "poetic and beautiful. Since this effort did not bear the fruit of pleasing", "I just focus on clarity, hoping that rhythm will result? Or do I", "succinct, flowing prose? I need one that speaks not only of clarity, but", "achieve these two goals at the same time? Do I just focus on", "flow. Also, I was obsessed with emulating the prose rhythm of the King", "with emulating the prose rhythm of the King James Bible because I found", "that rhythm is important \"all things being equal\". I want to write succinct,", "equal\". I want to write succinct, flowing prose. So, how do I achieve", "is important \"all things being equal\". I want to write succinct, flowing prose.", "for writing succinct prose, saying that rhythm is important \"all things being equal\".", "a superior style guide. What style guide do you think I should use", "Ten Lessons in Clarity and Grace\" a superior style guide. What style guide", "of Style\" because I found \"Style: Ten Lessons in Clarity and Grace\" a", "do you think I should use if I want to write succinct, flowing", "those style guides because I thought that if I followed them, I would", "because I thought that if I followed them, I would not be able", "well. In the past, I did not follow the rules in those style", "saying that rhythm is important \"all things being equal\". I want to write", "the King James Bible because I found its language poetic and beautiful. Since", "things being equal\". I want to write succinct, flowing prose. So, how do", "follow \"The Elements of Style\" because I found \"Style: Ten Lessons in Clarity", "writing succinct? Anyway, I do not follow \"The Elements of Style\" because I", "I did not follow the rules in those style guides because I thought", "and beautiful. Since this effort did not bear the fruit of pleasing anyone,", "guide do you think I should use if I want to write succinct,", "that rhythm will result? Or do I polish for rhythm once I have", "not follow \"The Elements of Style\" because I found \"Style: Ten Lessons in", "thought that if I followed them, I would not be able to make", "Grace\" a superior style guide. What style guide do you think I should", "want to write succinct, flowing prose? I need one that speaks not only", "writing flow. Also, I was obsessed with emulating the prose rhythm of the", "if I want to write succinct, flowing prose? I need one that speaks", "provide rules for writing succinct prose, saying that rhythm is important \"all things", "this effort did not bear the fruit of pleasing anyone, I now prefer", "\"The Elements of Style\" because I found \"Style: Ten Lessons in Clarity and", "be able to make my writing flow. Also, I was obsessed with emulating", "Anyway, I do not follow \"The Elements of Style\" because I found \"Style:", "focus on clarity, hoping that rhythm will result? Or do I polish for", "use if I want to write succinct, flowing prose? I need one that", "only of clarity, but of rhythm as well. In the past, I did", "clarity, but of rhythm as well. In the past, I did not follow", "prose, saying that rhythm is important \"all things being equal\". I want to", "James Bible because I found its language poetic and beautiful. Since this effort", "follow the rules in those style guides because I thought that if I", "make my writing flow. Also, I was obsessed with emulating the prose rhythm", "Clarity and Grace\" a superior style guide. What style guide do you think", "I have made my writing succinct? Anyway, I do not follow \"The Elements", "write succinct, flowing prose. So, how do I achieve these two goals at", "past, I did not follow the rules in those style guides because I", "clarity, hoping that rhythm will result? Or do I polish for rhythm once", "did not follow the rules in those style guides because I thought that", "style provide rules for writing succinct prose, saying that rhythm is important \"all", "I do not follow \"The Elements of Style\" because I found \"Style: Ten", "So, how do I achieve these two goals at the same time? Do", "once I have made my writing succinct? Anyway, I do not follow \"The", "Style\" because I found \"Style: Ten Lessons in Clarity and Grace\" a superior", "goals at the same time? Do I just focus on clarity, hoping that", "bear the fruit of pleasing anyone, I now prefer to write in plain,", "because I found \"Style: Ten Lessons in Clarity and Grace\" a superior style", "\"all things being equal\". I want to write succinct, flowing prose. So, how", "not bear the fruit of pleasing anyone, I now prefer to write in", "Or do I polish for rhythm once I have made my writing succinct?", "I followed them, I would not be able to make my writing flow.", "will result? Or do I polish for rhythm once I have made my", "not follow the rules in those style guides because I thought that if", "style guides because I thought that if I followed them, I would not", "made my writing succinct? Anyway, I do not follow \"The Elements of Style\"", "Since this effort did not bear the fruit of pleasing anyone, I now", "because I found its language poetic and beautiful. Since this effort did not", "Do I just focus on clarity, hoping that rhythm will result? Or do", "found \"Style: Ten Lessons in Clarity and Grace\" a superior style guide. What", "of rhythm as well. In the past, I did not follow the rules", "rhythm is important \"all things being equal\". I want to write succinct, flowing", "same time? Do I just focus on clarity, hoping that rhythm will result?", "I found its language poetic and beautiful. Since this effort did not bear", "them, I would not be able to make my writing flow. Also, I", "think I should use if I want to write succinct, flowing prose? I", "my writing flow. Also, I was obsessed with emulating the prose rhythm of", "I need one that speaks not only of clarity, but of rhythm as", "rules for writing succinct prose, saying that rhythm is important \"all things being", "its language poetic and beautiful. Since this effort did not bear the fruit", "\"Style: Ten Lessons in Clarity and Grace\" a superior style guide. What style", "of style provide rules for writing succinct prose, saying that rhythm is important", "to write succinct, flowing prose? I need one that speaks not only of", "I was obsessed with emulating the prose rhythm of the King James Bible", "language poetic and beautiful. Since this effort did not bear the fruit of", "prose. So, how do I achieve these two goals at the same time?", "that if I followed them, I would not be able to make my", "being equal\". I want to write succinct, flowing prose. So, how do I", "of pleasing anyone, I now prefer to write in plain, succinct, and flowing", "The elements of style provide rules for writing succinct prose, saying that rhythm", "the rules in those style guides because I thought that if I followed", "pleasing anyone, I now prefer to write in plain, succinct, and flowing prose.", "guides because I thought that if I followed them, I would not be", "rhythm as well. 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I need one", "not only of clarity, but of rhythm as well. In the past, I", "do I achieve these two goals at the same time? Do I just", "my writing succinct? Anyway, I do not follow \"The Elements of Style\" because", "I want to write succinct, flowing prose? I need one that speaks not", "speaks not only of clarity, but of rhythm as well. In the past,", "the past, I did not follow the rules in those style guides because", "rules in those style guides because I thought that if I followed them,", "if I followed them, I would not be able to make my writing", "would not be able to make my writing flow. Also, I was obsessed", "flowing prose. So, how do I achieve these two goals at the same", "to make my writing flow. Also, I was obsessed with emulating the prose", "rhythm of the King James Bible because I found its language poetic and", "for rhythm once I have made my writing succinct? Anyway, I do not", "Lessons in Clarity and Grace\" a superior style guide. What style guide do", "prose? I need one that speaks not only of clarity, but of rhythm", "I want to write succinct, flowing prose. So, how do I achieve these", "beautiful. Since this effort did not bear the fruit of pleasing anyone, I", "flowing prose? I need one that speaks not only of clarity, but of", "just focus on clarity, hoping that rhythm will result? Or do I polish", "the same time? Do I just focus on clarity, hoping that rhythm will", "Elements of Style\" because I found \"Style: Ten Lessons in Clarity and Grace\"", "in those style guides because I thought that if I followed them, I", "I found \"Style: Ten Lessons in Clarity and Grace\" a superior style guide.", "Bible because I found its language poetic and beautiful. Since this effort did" ]
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