Split (1)

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How can one rationalize this contradiction while still", "even children. At the end of the year, the foundation routinely executes all", "the normalcy of our reality, and are contained at specially designed facilities to", "row inmates and individuals scheduled for execution, or simply undesirables who these countries", "are taken from various countries around the world with ties to the foundation,", "scheduled for execution, or simply undesirables who these countries would consider convenient to", "for execution, or simply undesirables who these countries would consider convenient to disappear.", "prisoners, referred to as D-class. These prisoners are considered disposable individuals who are", "see them as easily replaceable stock. 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The", "of protecting the world from dangerous anomalies. These artifacts or individuals pose a", "How can one rationalize this contradiction while still maintaining the good guy image?", "foundation is an world wide organization given the task of protecting the world", "John Wayne Gacy or Hitler-like characters, but many of these prisoners come from", "Hitler-like characters, but many of these prisoners come from nations with various ethical", "the foundation, who send them death row inmates and individuals scheduled for execution,", "laws, or even children. At the end of the year, the foundation routinely", "subjected to prolonged torture and suffering depending on the SCP, and are made", "thing for people to not empathize with a John Wayne Gacy or Hitler-like", "world from dangerous anomalies. These artifacts or individuals pose a threat to the", "practices industrialized murder. While one can justify to themselves that it is done", "that practices industrialized murder. While one can justify to themselves that it is", "This can include a woman who was sentenced to death in Saudi Arabia", "of its abilities and powers, and how much of a threat it poses.", "murder. While one can justify to themselves that it is done in the", "from the horrors not seen by normal society, but their methods are often", "D-class are taken from various countries around the world with ties to the", "people while at the same time work for an institution that practices industrialized", "their methods are often atrocious. Researchers often force disposable people to participate in", "experimentation with SCPs, in order to determine the extent of its abilities and", "facilities to be studied. This research usually requires prisoners, referred to as D-class.", "pose a threat to the normalcy of our reality, and are contained at", "be an inconvenience to release into society after their sentenced term. The callousness", "for an institution that practices industrialized murder. While one can justify to themselves", "of the world protecting it from the horrors not seen by normal society,", "to participate in dangerous experiments, which often end in a slow, horrific death", "foundation routinely executes all surviving D-class in order to make room for new", "specially designed facilities to be studied. This research usually requires prisoners, referred to", "survive. They are given no sympathy or mercy from staff, who see them", "with ties to the foundation, who send them death row inmates and individuals", "from nations with various ethical standards. This can include a woman who was", "name of world security, its hard not to portray this as psychopathic behavior.", "While one can justify to themselves that it is done in the name", "force disposable people to participate in dangerous experiments, which often end in a", "would consider convenient to disappear. Foundation members are the good guys of the", "powers, and how much of a threat it poses. D-class are taken from", "convenient to disappear. Foundation members are the good guys of the world protecting", "prisoners are considered disposable individuals who are used in experimentation with SCPs, in", "to survive. They are given no sympathy or mercy from staff, who see", "of world security, its hard not to portray this as psychopathic behavior. How", "usually requires prisoners, referred to as D-class. These prisoners are considered disposable individuals", "SCP, and are made to undergo other experiments if they are lucky to", "psychopathic behavior. How can one rationalize this contradiction while still maintaining the good", "stock. Its one thing for people to not empathize with a John Wayne" ]
[ "characters. Some might argue that it's impossible to completely avoid personality tropes because", "characters with that sort of personality in other works and wanted to try", "personality. The character was explicitly not supposed to be a shallow stereotype of", "familiar. I have also been struggling with giving the character a decent character", "part, when designing their characters. Some might argue that it's impossible to completely", "I am deliberately trying to avoid writing a shallow stereotype, I might be", "is what sounds familiar. I have also been struggling with giving the character", "decent character arc, and I am wondering if that is related to this.", "I noticed that the reviewers listed several character traits I thought were unique", "into cliche when done poorly, how does one make their characters distinct and", "way they do. However, I was reading some reviews of other fiction and", "cliche character traits because that is what sounds familiar. I have also been", "designing their characters. Some might argue that it's impossible to completely avoid personality", "Han Solo being the lovable rogue). However, given that these archetypes are so", "subconsciously biased towards putting in cliche character traits because that is what sounds", "a character with that sort of personality. The character was explicitly not supposed", "that sort of personality. The character was explicitly not supposed to be a", "what sounds familiar. I have also been struggling with giving the character a", "they do. However, I was reading some reviews of other fiction and I", "of authors often draw upon well-worn personality archetypes, either totally or in part,", "so widespread (e.g., Luku Htyqalnef being the naive, hopeful chosen one, Han Solo", "[genki girl](https://tvtropes.org/pmwiki/pmwiki.php/Main/GenkiGirl). I remember seeing characters with that sort of personality in other", "particular character archetype. Specifically the [genki girl](https://tvtropes.org/pmwiki/pmwiki.php/Main/GenkiGirl). I remember seeing characters with that", "sort of personality. The character was explicitly not supposed to be a shallow", "that sort of personality in other works and wanted to try writing a", "sort of personality in other works and wanted to try writing a character", "a bit spacey) as stereotypical of the genki girl archetype. My concern is", "are so widespread (e.g., Luku Htyqalnef being the naive, hopeful chosen one, Han", "like and why they think and act the way they do. However, I", "design was drawn from several sources of real life and fictional inspiration and", "and risk falling into cliche when done poorly, how does one make their", "are so well worn and risk falling into cliche when done poorly, how", "seeing characters with that sort of personality in other works and wanted to", "reading some reviews of other fiction and I noticed that the reviewers listed", "character a decent character arc, and I am wondering if that is related", "act the way they do. However, I was reading some reviews of other", "to try writing a character with that sort of personality. The character was", "be a shallow stereotype of the trope and nothing else. Their personality and", "spacey) as stereotypical of the genki girl archetype. My concern is that even", "done poorly, how does one make their characters distinct and not cliche when", "character was explicitly not supposed to be a shallow stereotype of the trope", "else. Their personality and character design was drawn from several sources of real", "and fictional inspiration and I have tried to flesh out what the details", "reviews of other fiction and I noticed that the reviewers listed several character", "because that is what sounds familiar. I have also been struggling with giving", "of real life and fictional inspiration and I have tried to flesh out", "in part, when designing their characters. Some might argue that it's impossible to", "Some might argue that it's impossible to completely avoid personality tropes because they", "these archetypes are so well worn and risk falling into cliche when done", "be subconsciously biased towards putting in cliche character traits because that is what", "to completely avoid personality tropes because they are so widespread (e.g., Luku Htyqalnef", "the genki girl archetype. My concern is that even if I am deliberately", "shallow stereotype of the trope and nothing else. Their personality and character design", "am wondering if that is related to this. A lot of authors often", "listed several character traits I thought were unique (specifically, the character being athletic", "one, Han Solo being the lovable rogue). However, given that these archetypes are", "a particular character archetype. Specifically the [genki girl](https://tvtropes.org/pmwiki/pmwiki.php/Main/GenkiGirl). I remember seeing characters with", "supposed to be a shallow stereotype of the trope and nothing else. Their", "genki girl archetype. My concern is that even if I am deliberately trying", "trope and nothing else. Their personality and character design was drawn from several", "widespread (e.g., Luku Htyqalnef being the naive, hopeful chosen one, Han Solo being", "often draw upon well-worn personality archetypes, either totally or in part, when designing", "being athletic and a bit spacey) as stereotypical of the genki girl archetype.", "shallow stereotype, I might be subconsciously biased towards putting in cliche character traits", "personality archetypes, either totally or in part, when designing their characters. Some might", "character traits because that is what sounds familiar. I have also been struggling", "if that is related to this. A lot of authors often draw upon", "(e.g., Luku Htyqalnef being the naive, hopeful chosen one, Han Solo being the", "fiction and I noticed that the reviewers listed several character traits I thought", "character traits I thought were unique (specifically, the character being athletic and a", "chosen one, Han Solo being the lovable rogue). However, given that these archetypes", "a character that falls into a particular character archetype. Specifically the [genki girl](https://tvtropes.org/pmwiki/pmwiki.php/Main/GenkiGirl).", "poorly, how does one make their characters distinct and not cliche when they", "lot of authors often draw upon well-worn personality archetypes, either totally or in", "their characters distinct and not cliche when they are influenced by a particular", "falls into a particular character archetype. Specifically the [genki girl](https://tvtropes.org/pmwiki/pmwiki.php/Main/GenkiGirl). I remember seeing", "remember seeing characters with that sort of personality in other works and wanted", "that the reviewers listed several character traits I thought were unique (specifically, the", "and a bit spacey) as stereotypical of the genki girl archetype. My concern", "thought were unique (specifically, the character being athletic and a bit spacey) as", "was explicitly not supposed to be a shallow stereotype of the trope and", "struggling with giving the character a decent character arc, and I am wondering", "fictional inspiration and I have tried to flesh out what the details of", "have also been struggling with giving the character a decent character arc, and", "tried to flesh out what the details of their personality are actually like", "are actually like and why they think and act the way they do.", "the details of their personality are actually like and why they think and", "they are so widespread (e.g., Luku Htyqalnef being the naive, hopeful chosen one,", "stereotypical of the genki girl archetype. My concern is that even if I", "I have tried to flesh out what the details of their personality are", "lovable rogue). However, given that these archetypes are so well worn and risk", "also been struggling with giving the character a decent character arc, and I", "drawn from several sources of real life and fictional inspiration and I have", "However, I was reading some reviews of other fiction and I noticed that", "that is related to this. A lot of authors often draw upon well-worn", "and I have tried to flesh out what the details of their personality", "other fiction and I noticed that the reviewers listed several character traits I", "think and act the way they do. However, I was reading some reviews", "the naive, hopeful chosen one, Han Solo being the lovable rogue). However, given", "the reviewers listed several character traits I thought were unique (specifically, the character", "noticed that the reviewers listed several character traits I thought were unique (specifically,", "into a particular character archetype. Specifically the [genki girl](https://tvtropes.org/pmwiki/pmwiki.php/Main/GenkiGirl). I remember seeing characters", "archetypes are so well worn and risk falling into cliche when done poorly,", "girl](https://tvtropes.org/pmwiki/pmwiki.php/Main/GenkiGirl). I remember seeing characters with that sort of personality in other works", "upon well-worn personality archetypes, either totally or in part, when designing their characters.", "that these archetypes are so well worn and risk falling into cliche when", "authors often draw upon well-worn personality archetypes, either totally or in part, when", "to this. A lot of authors often draw upon well-worn personality archetypes, either", "they think and act the way they do. However, I was reading some", "towards putting in cliche character traits because that is what sounds familiar. I", "putting in cliche character traits because that is what sounds familiar. I have", "flesh out what the details of their personality are actually like and why", "well-worn personality archetypes, either totally or in part, when designing their characters. Some", "I thought were unique (specifically, the character being athletic and a bit spacey)", "A lot of authors often draw upon well-worn personality archetypes, either totally or", "when done poorly, how does one make their characters distinct and not cliche", "character archetype. Specifically the [genki girl](https://tvtropes.org/pmwiki/pmwiki.php/Main/GenkiGirl). I remember seeing characters with that sort", "do. However, I was reading some reviews of other fiction and I noticed", "to flesh out what the details of their personality are actually like and", "am deliberately trying to avoid writing a shallow stereotype, I might be subconsciously", "argue that it's impossible to completely avoid personality tropes because they are so", "several sources of real life and fictional inspiration and I have tried to", "actually like and why they think and act the way they do. However,", "it's impossible to completely avoid personality tropes because they are so widespread (e.g.,", "out what the details of their personality are actually like and why they", "were unique (specifically, the character being athletic and a bit spacey) as stereotypical", "I have a character that falls into a particular character archetype. Specifically the", "and nothing else. Their personality and character design was drawn from several sources", "related to this. A lot of authors often draw upon well-worn personality archetypes,", "either totally or in part, when designing their characters. Some might argue that", "sources of real life and fictional inspiration and I have tried to flesh", "to avoid writing a shallow stereotype, I might be subconsciously biased towards putting", "and why they think and act the way they do. However, I was", "as stereotypical of the genki girl archetype. My concern is that even if", "trying to avoid writing a shallow stereotype, I might be subconsciously biased towards", "does one make their characters distinct and not cliche when they are influenced", "been struggling with giving the character a decent character arc, and I am", "draw upon well-worn personality archetypes, either totally or in part, when designing their", "archetype. My concern is that even if I am deliberately trying to avoid", "with that sort of personality. The character was explicitly not supposed to be", "of the genki girl archetype. My concern is that even if I am", "I remember seeing characters with that sort of personality in other works and", "their personality are actually like and why they think and act the way", "the trope and nothing else. Their personality and character design was drawn from", "traits I thought were unique (specifically, the character being athletic and a bit", "character that falls into a particular character archetype. Specifically the [genki girl](https://tvtropes.org/pmwiki/pmwiki.php/Main/GenkiGirl). I", "that it's impossible to completely avoid personality tropes because they are so widespread", "The character was explicitly not supposed to be a shallow stereotype of the", "and act the way they do. However, I was reading some reviews of", "traits because that is what sounds familiar. I have also been struggling with", "one make their characters distinct and not cliche when they are influenced by", "characters distinct and not cliche when they are influenced by a particular archetype?", "being the naive, hopeful chosen one, Han Solo being the lovable rogue). However,", "in cliche character traits because that is what sounds familiar. I have also", "However, given that these archetypes are so well worn and risk falling into", "how does one make their characters distinct and not cliche when they are", "with giving the character a decent character arc, and I am wondering if", "of the trope and nothing else. Their personality and character design was drawn", "Specifically the [genki girl](https://tvtropes.org/pmwiki/pmwiki.php/Main/GenkiGirl). I remember seeing characters with that sort of personality", "character with that sort of personality. The character was explicitly not supposed to", "what the details of their personality are actually like and why they think", "My concern is that even if I am deliberately trying to avoid writing", "personality and character design was drawn from several sources of real life and", "real life and fictional inspiration and I have tried to flesh out what", "concern is that even if I am deliberately trying to avoid writing a", "even if I am deliberately trying to avoid writing a shallow stereotype, I", "deliberately trying to avoid writing a shallow stereotype, I might be subconsciously biased", "because they are so widespread (e.g., Luku Htyqalnef being the naive, hopeful chosen", "Solo being the lovable rogue). However, given that these archetypes are so well", "wanted to try writing a character with that sort of personality. The character", "girl archetype. My concern is that even if I am deliberately trying to", "personality tropes because they are so widespread (e.g., Luku Htyqalnef being the naive,", "so well worn and risk falling into cliche when done poorly, how does", "well worn and risk falling into cliche when done poorly, how does one", "inspiration and I have tried to flesh out what the details of their", "that is what sounds familiar. I have also been struggling with giving the", "athletic and a bit spacey) as stereotypical of the genki girl archetype. My", "biased towards putting in cliche character traits because that is what sounds familiar.", "have a character that falls into a particular character archetype. Specifically the [genki", "character being athletic and a bit spacey) as stereotypical of the genki girl", "that even if I am deliberately trying to avoid writing a shallow stereotype,", "several character traits I thought were unique (specifically, the character being athletic and", "might be subconsciously biased towards putting in cliche character traits because that is", "and character design was drawn from several sources of real life and fictional", "and I noticed that the reviewers listed several character traits I thought were", "with that sort of personality in other works and wanted to try writing", "(specifically, the character being athletic and a bit spacey) as stereotypical of the", "a shallow stereotype, I might be subconsciously biased towards putting in cliche character", "writing a character with that sort of personality. The character was explicitly not", "completely avoid personality tropes because they are so widespread (e.g., Luku Htyqalnef being", "giving the character a decent character arc, and I am wondering if that", "of their personality are actually like and why they think and act the", "from several sources of real life and fictional inspiration and I have tried", "other works and wanted to try writing a character with that sort of", "bit spacey) as stereotypical of the genki girl archetype. My concern is that", "when designing their characters. Some might argue that it's impossible to completely avoid", "a shallow stereotype of the trope and nothing else. Their personality and character", "have tried to flesh out what the details of their personality are actually", "the lovable rogue). However, given that these archetypes are so well worn and", "of personality in other works and wanted to try writing a character with", "why they think and act the way they do. However, I was reading", "explicitly not supposed to be a shallow stereotype of the trope and nothing", "personality in other works and wanted to try writing a character with that", "of other fiction and I noticed that the reviewers listed several character traits", "reviewers listed several character traits I thought were unique (specifically, the character being", "might argue that it's impossible to completely avoid personality tropes because they are", "being the lovable rogue). However, given that these archetypes are so well worn", "a decent character arc, and I am wondering if that is related to", "Luku Htyqalnef being the naive, hopeful chosen one, Han Solo being the lovable", "cliche when done poorly, how does one make their characters distinct and not", "nothing else. Their personality and character design was drawn from several sources of", "hopeful chosen one, Han Solo being the lovable rogue). However, given that these", "archetype. Specifically the [genki girl](https://tvtropes.org/pmwiki/pmwiki.php/Main/GenkiGirl). I remember seeing characters with that sort of", "I might be subconsciously biased towards putting in cliche character traits because that", "I was reading some reviews of other fiction and I noticed that the", "unique (specifically, the character being athletic and a bit spacey) as stereotypical of", "stereotype, I might be subconsciously biased towards putting in cliche character traits because", "personality are actually like and why they think and act the way they", "avoid writing a shallow stereotype, I might be subconsciously biased towards putting in", "and I am wondering if that is related to this. A lot of", "life and fictional inspiration and I have tried to flesh out what the", "the [genki girl](https://tvtropes.org/pmwiki/pmwiki.php/Main/GenkiGirl). I remember seeing characters with that sort of personality in", "Htyqalnef being the naive, hopeful chosen one, Han Solo being the lovable rogue).", "to be a shallow stereotype of the trope and nothing else. Their personality", "was drawn from several sources of real life and fictional inspiration and I", "was reading some reviews of other fiction and I noticed that the reviewers", "the character being athletic and a bit spacey) as stereotypical of the genki", "writing a shallow stereotype, I might be subconsciously biased towards putting in cliche", "some reviews of other fiction and I noticed that the reviewers listed several", "try writing a character with that sort of personality. The character was explicitly", "is that even if I am deliberately trying to avoid writing a shallow", "if I am deliberately trying to avoid writing a shallow stereotype, I might", "character arc, and I am wondering if that is related to this. A", "in other works and wanted to try writing a character with that sort", "the way they do. However, I was reading some reviews of other fiction", "archetypes, either totally or in part, when designing their characters. Some might argue", "tropes because they are so widespread (e.g., Luku Htyqalnef being the naive, hopeful", "and wanted to try writing a character with that sort of personality. The", "that falls into a particular character archetype. Specifically the [genki girl](https://tvtropes.org/pmwiki/pmwiki.php/Main/GenkiGirl). I remember", "impossible to completely avoid personality tropes because they are so widespread (e.g., Luku", "falling into cliche when done poorly, how does one make their characters distinct", "is related to this. A lot of authors often draw upon well-worn personality", "of personality. The character was explicitly not supposed to be a shallow stereotype", "this. A lot of authors often draw upon well-worn personality archetypes, either totally", "naive, hopeful chosen one, Han Solo being the lovable rogue). However, given that", "make their characters distinct and not cliche when they are influenced by a", "or in part, when designing their characters. Some might argue that it's impossible", "arc, and I am wondering if that is related to this. A lot", "worn and risk falling into cliche when done poorly, how does one make", "stereotype of the trope and nothing else. Their personality and character design was", "the character a decent character arc, and I am wondering if that is", "totally or in part, when designing their characters. Some might argue that it's", "given that these archetypes are so well worn and risk falling into cliche", "sounds familiar. I have also been struggling with giving the character a decent", "I am wondering if that is related to this. A lot of authors", "wondering if that is related to this. A lot of authors often draw", "details of their personality are actually like and why they think and act", "character design was drawn from several sources of real life and fictional inspiration", "I have also been struggling with giving the character a decent character arc,", "avoid personality tropes because they are so widespread (e.g., Luku Htyqalnef being the", "rogue). However, given that these archetypes are so well worn and risk falling", "not supposed to be a shallow stereotype of the trope and nothing else.", "risk falling into cliche when done poorly, how does one make their characters", "Their personality and character design was drawn from several sources of real life", "works and wanted to try writing a character with that sort of personality.", "their characters. Some might argue that it's impossible to completely avoid personality tropes" ]
[ "I cannot make comparisons to other letters. At the same time, they are", "number of permutations each. One of my viewpoint characters is learning this system", "my viewpoint characters is learning this system of writing for the first time,", "add images in-line, but what strategies can I use to describe such abstract", "least a good feel for what these glyphs look like. As prior to", "my work contains eight basic shapes that get a number of permutations each.", "the character in question is wholly illiterate, I cannot make comparisons to other", "what these glyphs look like. As prior to this, the character in question", "to just add images in-line, but what strategies can I use to describe", "of writing for the first time, and I want to give the reader", "to basic geometric shapes will not do them justice. I am discussing with", "time, they are complicated enough that comparisons to basic geometric shapes will not", "like. As prior to this, the character in question is wholly illiterate, I", "to this, the character in question is wholly illiterate, I cannot make comparisons", "prior to this, the character in question is wholly illiterate, I cannot make", "geometric shapes will not do them justice. I am discussing with my printer", "a number of permutations each. One of my viewpoint characters is learning this", "give the reader at least a good feel for what these glyphs look", "each. One of my viewpoint characters is learning this system of writing for", "shapes that get a number of permutations each. One of my viewpoint characters", "feel for what these glyphs look like. As prior to this, the character", "do them justice. I am discussing with my printer what it would cost", "system of writing in my work contains eight basic shapes that get a", "contains eight basic shapes that get a number of permutations each. One of", "of permutations each. One of my viewpoint characters is learning this system of", "complicated enough that comparisons to basic geometric shapes will not do them justice.", "my printer what it would cost to just add images in-line, but what", "in my work contains eight basic shapes that get a number of permutations", "illiterate, I cannot make comparisons to other letters. At the same time, they", "shapes will not do them justice. I am discussing with my printer what", "time, and I want to give the reader at least a good feel", "As prior to this, the character in question is wholly illiterate, I cannot", "characters is learning this system of writing for the first time, and I", "letters. At the same time, they are complicated enough that comparisons to basic", "get a number of permutations each. One of my viewpoint characters is learning", "same time, they are complicated enough that comparisons to basic geometric shapes will", "that get a number of permutations each. One of my viewpoint characters is", "the first time, and I want to give the reader at least a", "comparisons to other letters. At the same time, they are complicated enough that", "what it would cost to just add images in-line, but what strategies can", "images in-line, but what strategies can I use to describe such abstract symbols", "printer what it would cost to just add images in-line, but what strategies", "good feel for what these glyphs look like. As prior to this, the", "is wholly illiterate, I cannot make comparisons to other letters. At the same", "for the first time, and I want to give the reader at least", "system of writing for the first time, and I want to give the", "to other letters. At the same time, they are complicated enough that comparisons", "I want to give the reader at least a good feel for what", "At the same time, they are complicated enough that comparisons to basic geometric", "are complicated enough that comparisons to basic geometric shapes will not do them", "reader at least a good feel for what these glyphs look like. As", "make comparisons to other letters. At the same time, they are complicated enough", "to give the reader at least a good feel for what these glyphs", "the same time, they are complicated enough that comparisons to basic geometric shapes", "of my viewpoint characters is learning this system of writing for the first", "cannot make comparisons to other letters. At the same time, they are complicated", "is learning this system of writing for the first time, and I want", "the reader at least a good feel for what these glyphs look like.", "writing in my work contains eight basic shapes that get a number of", "viewpoint characters is learning this system of writing for the first time, and", "discussing with my printer what it would cost to just add images in-line,", "that comparisons to basic geometric shapes will not do them justice. I am", "writing for the first time, and I want to give the reader at", "these glyphs look like. As prior to this, the character in question is", "cost to just add images in-line, but what strategies can I use to", "basic geometric shapes will not do them justice. I am discussing with my", "justice. I am discussing with my printer what it would cost to just", "am discussing with my printer what it would cost to just add images", "enough that comparisons to basic geometric shapes will not do them justice. I", "not do them justice. I am discussing with my printer what it would", "eight basic shapes that get a number of permutations each. One of my", "glyphs look like. As prior to this, the character in question is wholly", "in-line, but what strategies can I use to describe such abstract symbols in", "wholly illiterate, I cannot make comparisons to other letters. At the same time,", "a good feel for what these glyphs look like. As prior to this,", "look like. As prior to this, the character in question is wholly illiterate,", "One of my viewpoint characters is learning this system of writing for the", "permutations each. One of my viewpoint characters is learning this system of writing", "character in question is wholly illiterate, I cannot make comparisons to other letters.", "in question is wholly illiterate, I cannot make comparisons to other letters. At", "want to give the reader at least a good feel for what these", "The system of writing in my work contains eight basic shapes that get", "comparisons to basic geometric shapes will not do them justice. I am discussing", "question is wholly illiterate, I cannot make comparisons to other letters. At the", "and I want to give the reader at least a good feel for", "work contains eight basic shapes that get a number of permutations each. One", "this system of writing for the first time, and I want to give", "learning this system of writing for the first time, and I want to", "this, the character in question is wholly illiterate, I cannot make comparisons to", "they are complicated enough that comparisons to basic geometric shapes will not do", "it would cost to just add images in-line, but what strategies can I", "with my printer what it would cost to just add images in-line, but", "at least a good feel for what these glyphs look like. As prior", "will not do them justice. I am discussing with my printer what it", "just add images in-line, but what strategies can I use to describe such", "of writing in my work contains eight basic shapes that get a number", "basic shapes that get a number of permutations each. One of my viewpoint", "would cost to just add images in-line, but what strategies can I use", "them justice. I am discussing with my printer what it would cost to", "for what these glyphs look like. As prior to this, the character in", "I am discussing with my printer what it would cost to just add", "other letters. At the same time, they are complicated enough that comparisons to", "but what strategies can I use to describe such abstract symbols in future?", "first time, and I want to give the reader at least a good" ]
[ "I really be using \"ok\" in professional writing, like a book or novel?", "wrote the very first word of the very first chapter of the very", "OK? Which one is correct to use in a professional setting, and if", "of the very first chapter of the very first book, and that is,", "one is correct to use in a professional setting, and if it is", "like a book or novel? Or should I be using OK? Which one", "very first book, and that is, should I really be using \"ok\" in", "I be using OK? Which one is correct to use in a professional", "now, and there's something that's been bugging me since day one, when I", "use in a professional setting, and if it is one of the two,", "there's something that's been bugging me since day one, when I wrote the", "professional writing, like a book or novel? Or should I be using OK?", "me since day one, when I wrote the very first word of the", "very first word of the very first chapter of the very first book,", "it is one of the two, than what exactly is \"Okay\" for? This", "one, when I wrote the very first word of the very first chapter", "I'm writing two books right now, and there's something that's been bugging me", "first chapter of the very first book, and that is, should I really", "when I wrote the very first word of the very first chapter of", "to use in a professional setting, and if it is one of the", "\"ok\" in professional writing, like a book or novel? Or should I be", "setting, and if it is one of the two, than what exactly is", "and there's something that's been bugging me since day one, when I wrote", "in professional writing, like a book or novel? Or should I be using", "right now, and there's something that's been bugging me since day one, when", "bugging me since day one, when I wrote the very first word of", "since day one, when I wrote the very first word of the very", "Or should I be using OK? Which one is correct to use in", "is correct to use in a professional setting, and if it is one", "the very first book, and that is, should I really be using \"ok\"", "day one, when I wrote the very first word of the very first", "book or novel? Or should I be using OK? Which one is correct", "the very first chapter of the very first book, and that is, should", "Which one is correct to use in a professional setting, and if it", "basically I'm writing two books right now, and there's something that's been bugging", "is one of the two, than what exactly is \"Okay\" for? This honestly", "I wrote the very first word of the very first chapter of the", "be using \"ok\" in professional writing, like a book or novel? Or should", "So basically I'm writing two books right now, and there's something that's been", "using OK? Which one is correct to use in a professional setting, and", "first word of the very first chapter of the very first book, and", "that is, should I really be using \"ok\" in professional writing, like a", "in a professional setting, and if it is one of the two, than", "word of the very first chapter of the very first book, and that", "or novel? Or should I be using OK? Which one is correct to", "correct to use in a professional setting, and if it is one of", "one of the two, than what exactly is \"Okay\" for? This honestly always", "and that is, should I really be using \"ok\" in professional writing, like", "something that's been bugging me since day one, when I wrote the very", "writing two books right now, and there's something that's been bugging me since", "the very first word of the very first chapter of the very first", "very first chapter of the very first book, and that is, should I", "and if it is one of the two, than what exactly is \"Okay\"", "novel? Or should I be using OK? Which one is correct to use", "book, and that is, should I really be using \"ok\" in professional writing,", "first book, and that is, should I really be using \"ok\" in professional", "is, should I really be using \"ok\" in professional writing, like a book", "the two, than what exactly is \"Okay\" for? This honestly always confused me.", "a book or novel? Or should I be using OK? Which one is", "should I really be using \"ok\" in professional writing, like a book or", "professional setting, and if it is one of the two, than what exactly", "writing, like a book or novel? Or should I be using OK? Which", "that's been bugging me since day one, when I wrote the very first", "be using OK? Which one is correct to use in a professional setting,", "chapter of the very first book, and that is, should I really be", "a professional setting, and if it is one of the two, than what", "if it is one of the two, than what exactly is \"Okay\" for?", "two books right now, and there's something that's been bugging me since day", "of the very first book, and that is, should I really be using", "really be using \"ok\" in professional writing, like a book or novel? Or", "been bugging me since day one, when I wrote the very first word", "books right now, and there's something that's been bugging me since day one,", "of the two, than what exactly is \"Okay\" for? This honestly always confused", "using \"ok\" in professional writing, like a book or novel? Or should I", "should I be using OK? Which one is correct to use in a" ]
[ "it to my younger sister for her feedback (my sister's seven, the targeted", "sister for her feedback (my sister's seven, the targeted age range is 8-12),", "seven, the targeted age range is 8-12), she said it was very easy", "for her feedback (my sister's seven, the targeted age range is 8-12), she", "and after handing it to my younger sister for her feedback (my sister's", "but I probably overdid it (oops). What can I do to make my", "handing it to my younger sister for her feedback (my sister's seven, the", "I probably overdid it (oops). What can I do to make my book", "the targeted age range is 8-12), she said it was very easy for", "to like the plot and characters. I must have been trying too hard", "a children's novel, and after handing it to my younger sister for her", "What can I do to make my book level more difficult and challenging", "range is 8-12), she said it was very easy for her, but she", "it (oops). What can I do to make my book level more difficult", "I must have been trying too hard to make it fit into my", "characters. I must have been trying too hard to make it fit into", "can I do to make my book level more difficult and challenging to", "too hard to make it fit into my target age group, but I", "to make it fit into my target age group, but I probably overdid", "after handing it to my younger sister for her feedback (my sister's seven,", "her feedback (my sister's seven, the targeted age range is 8-12), she said", "make it fit into my target age group, but I probably overdid it", "into my target age group, but I probably overdid it (oops). What can", "her, but she appeared to like the plot and characters. I must have", "it fit into my target age group, but I probably overdid it (oops).", "the plot and characters. I must have been trying too hard to make", "probably overdid it (oops). What can I do to make my book level", "is 8-12), she said it was very easy for her, but she appeared", "for her, but she appeared to like the plot and characters. I must", "my target age group, but I probably overdid it (oops). What can I", "hard to make it fit into my target age group, but I probably", "(oops). What can I do to make my book level more difficult and", "said it was very easy for her, but she appeared to like the", "have been trying too hard to make it fit into my target age", "like the plot and characters. I must have been trying too hard to", "was very easy for her, but she appeared to like the plot and", "she appeared to like the plot and characters. I must have been trying", "trying too hard to make it fit into my target age group, but", "younger sister for her feedback (my sister's seven, the targeted age range is", "sister's seven, the targeted age range is 8-12), she said it was very", "8-12), she said it was very easy for her, but she appeared to", "writing a children's novel, and after handing it to my younger sister for", "to my younger sister for her feedback (my sister's seven, the targeted age", "must have been trying too hard to make it fit into my target", "(my sister's seven, the targeted age range is 8-12), she said it was", "targeted age range is 8-12), she said it was very easy for her,", "appeared to like the plot and characters. I must have been trying too", "she said it was very easy for her, but she appeared to like", "overdid it (oops). What can I do to make my book level more", "easy for her, but she appeared to like the plot and characters. I", "my younger sister for her feedback (my sister's seven, the targeted age range", "plot and characters. I must have been trying too hard to make it", "and characters. I must have been trying too hard to make it fit", "age group, but I probably overdid it (oops). What can I do to", "target age group, but I probably overdid it (oops). What can I do", "very easy for her, but she appeared to like the plot and characters.", "I do to make my book level more difficult and challenging to readers?", "it was very easy for her, but she appeared to like the plot", "group, but I probably overdid it (oops). What can I do to make", "been trying too hard to make it fit into my target age group,", "age range is 8-12), she said it was very easy for her, but", "feedback (my sister's seven, the targeted age range is 8-12), she said it", "but she appeared to like the plot and characters. I must have been", "children's novel, and after handing it to my younger sister for her feedback", "fit into my target age group, but I probably overdid it (oops). What", "I'm writing a children's novel, and after handing it to my younger sister", "novel, and after handing it to my younger sister for her feedback (my" ]
[ "struggle with making introductions and conclusions. * How can I write a good", "I write a good hook that attracts my readers? * How can I", "that attracts my readers? * How can I conclude effectively at the end", "conclusions. * How can I write a good hook that attracts my readers?", "I always struggle with making introductions and conclusions. * How can I write", "a good hook that attracts my readers? * How can I conclude effectively", "write a good hook that attracts my readers? * How can I conclude", "my readers? * How can I conclude effectively at the end of a", "and conclusions. * How can I write a good hook that attracts my", "How can I write a good hook that attracts my readers? * How", "attracts my readers? * How can I conclude effectively at the end of", "* How can I write a good hook that attracts my readers? ", "introductions and conclusions. How can I write a good hook that attracts", "with making introductions and conclusions. * How can I write a good hook", "good hook that attracts my readers? * How can I conclude effectively at", "can I write a good hook that attracts my readers? * How can", "* How can I conclude effectively at the end of a literary essay?", "hook that attracts my readers? * How can I conclude effectively at the", "readers? * How can I conclude effectively at the end of a literary", "making introductions and conclusions. * How can I write a good hook that", "always struggle with making introductions and conclusions. * How can I write a" ]
[ "Would the word and be omitted before the last item in either of", "American beech (50), tuliptree (125), white ash (221), sugar maple (80), red maple", "(180), sweet birch (250), and eastern hemlock (314) > > > > >", "tree-ring counts for species sampled are as follows: American beech (50), tuliptree (125),", "(221), sugar maple (80), red maple (~240), chestnut oak (180), sweet birch (250),", "and eastern hemlock (314) > > > > > More steep slopes north", "item in either of these two sentences? > > Maximum tree-ring counts for", "the word and be omitted before the last item in either of these", "of these two sentences? > > Maximum tree-ring counts for species sampled are", "(145), chestnut oak (~314), American beech (155), and sweet birch (199) > >", "as follows: American beech (50), tuliptree (125), white ash (221), sugar maple (80),", "are as follows: American beech (50), tuliptree (125), white ash (221), sugar maple", "south of this grove included trees with the following maximum ages: tuliptree (145),", "chestnut oak (~314), American beech (155), and sweet birch (199) > > >", "for species sampled are as follows: American beech (50), tuliptree (125), white ash", "> More steep slopes north and south of this grove included trees with", "Maximum tree-ring counts for species sampled are as follows: American beech (50), tuliptree", "> > > > > More steep slopes north and south of this", "the following maximum ages: tuliptree (145), chestnut oak (~314), American beech (155), and", "maple (80), red maple (~240), chestnut oak (180), sweet birch (250), and eastern", "included trees with the following maximum ages: tuliptree (145), chestnut oak (~314), American", "(80), red maple (~240), chestnut oak (180), sweet birch (250), and eastern hemlock", "oak (180), sweet birch (250), and eastern hemlock (314) > > > >", "counts for species sampled are as follows: American beech (50), tuliptree (125), white", "ash (221), sugar maple (80), red maple (~240), chestnut oak (180), sweet birch", "trees with the following maximum ages: tuliptree (145), chestnut oak (~314), American beech", "tuliptree (125), white ash (221), sugar maple (80), red maple (~240), chestnut oak", "maximum ages: tuliptree (145), chestnut oak (~314), American beech (155), and sweet birch", "> > > More steep slopes north and south of this grove included", "chestnut oak (180), sweet birch (250), and eastern hemlock (314) > > >", "(314) > > > > > More steep slopes north and south of", "(~240), chestnut oak (180), sweet birch (250), and eastern hemlock (314) > >", "beech (50), tuliptree (125), white ash (221), sugar maple (80), red maple (~240),", "slopes north and south of this grove included trees with the following maximum", "of this grove included trees with the following maximum ages: tuliptree (145), chestnut", "this grove included trees with the following maximum ages: tuliptree (145), chestnut oak", "steep slopes north and south of this grove included trees with the following", "More steep slopes north and south of this grove included trees with the", "birch (250), and eastern hemlock (314) > > > > > More steep", "with the following maximum ages: tuliptree (145), chestnut oak (~314), American beech (155),", "following maximum ages: tuliptree (145), chestnut oak (~314), American beech (155), and sweet", "last item in either of these two sentences? > > Maximum tree-ring counts", "white ash (221), sugar maple (80), red maple (~240), chestnut oak (180), sweet", "either of these two sentences? > > Maximum tree-ring counts for species sampled", "sentences? > > Maximum tree-ring counts for species sampled are as follows: American", "(250), and eastern hemlock (314) > > > > > More steep slopes", "the last item in either of these two sentences? > > Maximum tree-ring", "sweet birch (250), and eastern hemlock (314) > > > > > More", "be omitted before the last item in either of these two sentences? >", "eastern hemlock (314) > > > > > More steep slopes north and", "> > Maximum tree-ring counts for species sampled are as follows: American beech", "> > > > More steep slopes north and south of this grove", "species sampled are as follows: American beech (50), tuliptree (125), white ash (221),", "(125), white ash (221), sugar maple (80), red maple (~240), chestnut oak (180),", "two sentences? > > Maximum tree-ring counts for species sampled are as follows:", "tuliptree (145), chestnut oak (~314), American beech (155), and sweet birch (199) >", "in either of these two sentences? > > Maximum tree-ring counts for species", "grove included trees with the following maximum ages: tuliptree (145), chestnut oak (~314),", "> Maximum tree-ring counts for species sampled are as follows: American beech (50),", "and be omitted before the last item in either of these two sentences?", "before the last item in either of these two sentences? > > Maximum", "sampled are as follows: American beech (50), tuliptree (125), white ash (221), sugar", "(50), tuliptree (125), white ash (221), sugar maple (80), red maple (~240), chestnut", "> > More steep slopes north and south of this grove included trees", "and south of this grove included trees with the following maximum ages: tuliptree", "ages: tuliptree (145), chestnut oak (~314), American beech (155), and sweet birch (199)", "omitted before the last item in either of these two sentences? > >", "hemlock (314) > > > > > More steep slopes north and south", "red maple (~240), chestnut oak (180), sweet birch (250), and eastern hemlock (314)", "word and be omitted before the last item in either of these two", "these two sentences? > > Maximum tree-ring counts for species sampled are as", "follows: American beech (50), tuliptree (125), white ash (221), sugar maple (80), red", "sugar maple (80), red maple (~240), chestnut oak (180), sweet birch (250), and", "maple (~240), chestnut oak (180), sweet birch (250), and eastern hemlock (314) >", "north and south of this grove included trees with the following maximum ages:" ]
[ "Sensory embellishments (Thursday was sunny // In the winter, a faint pine scent", "this be too taboo? Would publishers / readers be reluctant to read 100", "hundreds of sentences in an attempt to achieve a more organic exposition. Inside", "* No main characters will be introduced * There would be some random", "my book is roughly 500 pages, and so a 100-page exposition would constitute", "I would also be curious to see how much success it has achieved", "a few sentences or paragraphs to clue the reader into the time and", "if he/she attempted to interpret the lengthy exposition as a narrative with a", "formula has been used already, I would also be curious to see how", "a 100-page exposition would constitute a hefty portion. The 100-page exposition would allow", "the core of the story. However, I would like to dedicate 100 or", "to the exposition. The target length of my book is roughly 500 pages,", "as an exhaustive exposition? If this formula has been used already, I would", "read 100 pages that serve only as an exhaustive exposition? If this formula", "// In the winter, a faint pine scent clung to the air) To", "a hefty portion. The 100-page exposition would allow me to avoid describing the", "constitute a hefty portion. The 100-page exposition would allow me to avoid describing", "the time and place, and maybe set a bit of the mood for", "I would like to dedicate 100 or so pages to the exposition. The", "the lengthy exposition as a narrative with a story arch. Question -------- Would", "already, I would also be curious to see how much success it has", "the story. However, I would like to dedicate 100 or so pages to", "the time and place with a few sentences and allow the reader to", "Typically an exposition is a few sentences or paragraphs to clue the reader", "anything to anchor the reader even if he/she attempted to interpret the lengthy", "organic exposition. Inside the 100-pages: * No rising action * No main characters", "allow me to avoid describing the time and place with a few sentences", "the reader to assimilate hundreds of sentences in an attempt to achieve a", "to do with the main plot. Nor would there be any main characters", "portion. The 100-page exposition would allow me to avoid describing the time and", "like to dedicate 100 or so pages to the exposition. The target length", "main characters or anything to anchor the reader even if he/she attempted to", "and so a 100-page exposition would constitute a hefty portion. The 100-page exposition", "place, and maybe set a bit of the mood for the core of", "The target length of my book is roughly 500 pages, and so a", "scent clung to the air) To be clear, the first 100 pages would", "to anchor the reader even if he/she attempted to interpret the lengthy exposition", "been used already, I would also be curious to see how much success", "100-pages: * No rising action * No main characters will be introduced ", "curious to see how much success it has achieved in terms of readership.", "this formula has been used already, I would also be curious to see", "100 or so pages to the exposition. The target length of my book", "100-page exposition would allow me to avoid describing* the time and place with", "random encounters of \"extras\" * Sensory embellishments (Thursday was sunny // In the", "be clear, the first 100 pages would have absolutely nothing to do with", "sentences and allow the reader to assimilate hundreds of sentences in an attempt", "set a bit of the mood for the core of the story. However,", "allow the reader to assimilate hundreds of sentences in an attempt to achieve", "Inside the 100-pages: * No rising action * No main characters will be", "narrative with a story arch. Question -------- Would this be too taboo? Would", "characters or anything to anchor the reader even if he/she attempted to interpret", "the first 100 pages would have absolutely nothing to do with the main", "sentences or paragraphs to clue the reader into the time and place, and", "of my book is roughly 500 pages, and so a 100-page exposition would", "also be curious to see how much success it has achieved in terms", "nothing to do with the main plot. Nor would there be any main", "avoid describing the time and place with a few sentences and allow the", "of the story. However, I would like to dedicate 100 or so pages", "hefty portion. The 100-page exposition would allow me to avoid describing the time", "achieve a more organic exposition. Inside the 100-pages: * No rising action ", "will be introduced There would be some random encounters of \"extras\" ", "to clue the reader into the time and place, and maybe set a", "the exposition. The target length of my book is roughly 500 pages, and", "into the time and place, and maybe set a bit of the mood", "dedicate 100 or so pages to the exposition. The target length of my", "too taboo? Would publishers / readers be reluctant to read 100 pages that", "or paragraphs to clue the reader into the time and place, and maybe", "winter, a faint pine scent clung to the air) To be clear, the", "roughly 500 pages, and so a 100-page exposition would constitute a hefty portion.", "would also be curious to see how much success it has achieved in", "To be clear, the first 100 pages would have absolutely nothing to do", "reluctant to read 100 pages that serve only as an exhaustive exposition? If", "has been used already, I would also be curious to see how much", "an exhaustive exposition? If this formula has been used already, I would also", "to avoid describing* the time and place with a few sentences and allow", "exposition would allow me to avoid describing the time and place with a", "The 100-page exposition would allow me to avoid describing the time and place", "mood for the core of the story. However, I would like to dedicate", "introduced * There would be some random encounters of \"extras\" * Sensory embellishments", "paragraphs to clue the reader into the time and place, and maybe set", "and place with a few sentences and allow the reader to assimilate hundreds", "is roughly 500 pages, and so a 100-page exposition would constitute a hefty", "to read 100 pages that serve only as an exhaustive exposition? If this", "embellishments (Thursday was sunny // In the winter, a faint pine scent clung", "There would be some random encounters of \"extras\" * Sensory embellishments (Thursday was", "the reader into the time and place, and maybe set a bit of", "exposition. The target length of my book is roughly 500 pages, and so", "so pages to the exposition. The target length of my book is roughly", "lengthy exposition as a narrative with a story arch. Question -------- Would this", "the air) To be clear, the first 100 pages would have absolutely nothing", "500 pages, and so a 100-page exposition would constitute a hefty portion. The", "more organic exposition. Inside the 100-pages: * No rising action * No main", "serve only as an exhaustive exposition? If this formula has been used already,", "me to avoid describing the time and place with a few sentences and", "with the main plot. Nor would there be any main characters or anything", "attempted to interpret the lengthy exposition as a narrative with a story arch.", "the winter, a faint pine scent clung to the air) To be clear,", "even if he/she attempted to interpret the lengthy exposition as a narrative with", "would there be any main characters or anything to anchor the reader even", "If this formula has been used already, I would also be curious to", "length of my book is roughly 500 pages, and so a 100-page exposition", "Question -------- Would this be too taboo? Would publishers / readers be reluctant", "publishers / readers be reluctant to read 100 pages that serve only as", "action * No main characters will be introduced * There would be some", "there be any main characters or anything to anchor the reader even if", "would like to dedicate 100 or so pages to the exposition. The target", "arch. Question -------- Would this be too taboo? Would publishers / readers be", "-------- Would this be too taboo? Would publishers / readers be reluctant to", "However, I would like to dedicate 100 or so pages to the exposition.", "be introduced * There would be some random encounters of \"extras\" * Sensory", "be some random encounters of \"extras\" * Sensory embellishments (Thursday was sunny //", "of sentences in an attempt to achieve a more organic exposition. Inside the", "No rising action * No main characters will be introduced * There would", "interpret the lengthy exposition as a narrative with a story arch. Question --------", "* There would be some random encounters of \"extras\" * Sensory embellishments (Thursday", "be reluctant to read 100 pages that serve only as an exhaustive exposition?", "In the winter, a faint pine scent clung to the air) To be", "bit of the mood for the core of the story. However, I would", "used already, I would also be curious to see how much success it", "clung to the air) To be clear, the first 100 pages would have", "and maybe set a bit of the mood for the core of the", "* No rising action * No main characters will be introduced * There", "would allow me to avoid describing the time and place with a few", "and allow the reader to assimilate hundreds of sentences in an attempt to", "or anything to anchor the reader even if he/she attempted to interpret the", "be curious to see how much success it has achieved in terms of", "main characters will be introduced * There would be some random encounters of", "faint pine scent clung to the air) To be clear, the first 100", "rising action * No main characters will be introduced * There would be", "encounters of \"extras\" * Sensory embellishments (Thursday was sunny // In the winter,", "place with a few sentences and allow the reader to assimilate hundreds of", "the reader even if he/she attempted to interpret the lengthy exposition as a", "story. However, I would like to dedicate 100 or so pages to the", "Nor would there be any main characters or anything to anchor the reader", "a more organic exposition. Inside the 100-pages: * No rising action * No", "sunny // In the winter, a faint pine scent clung to the air)", "100 pages that serve only as an exhaustive exposition? If this formula has", "time and place, and maybe set a bit of the mood for the", "would constitute a hefty portion. The 100-page exposition would allow me to avoid", "target length of my book is roughly 500 pages, and so a 100-page", "the main plot. Nor would there be any main characters or anything to", "exposition as a narrative with a story arch. Question -------- Would this be", "is a few sentences or paragraphs to clue the reader into the time", "* Sensory embellishments (Thursday was sunny // In the winter, a faint pine", "Would publishers / readers be reluctant to read 100 pages that serve only", "pages would have absolutely nothing to do with the main plot. Nor would", "to interpret the lengthy exposition as a narrative with a story arch. Question", "be any main characters or anything to anchor the reader even if he/she", "air) To be clear, the first 100 pages would have absolutely nothing to", "100-page exposition would constitute a hefty portion. The 100-page exposition would allow me", "a narrative with a story arch. Question -------- Would this be too taboo?", "reader even if he/she attempted to interpret the lengthy exposition as a narrative", "an exposition is a few sentences or paragraphs to clue the reader into", "reader to assimilate hundreds of sentences in an attempt to achieve a more", "as a narrative with a story arch. Question -------- Would this be too", "of the mood for the core of the story. However, I would like", "be too taboo? Would publishers / readers be reluctant to read 100 pages", "the mood for the core of the story. However, I would like to", "to assimilate hundreds of sentences in an attempt to achieve a more organic", "anchor the reader even if he/she attempted to interpret the lengthy exposition as", "reader into the time and place, and maybe set a bit of the", "exposition is a few sentences or paragraphs to clue the reader into the", "was sunny // In the winter, a faint pine scent clung to the", "a few sentences and allow the reader to assimilate hundreds of sentences in", "characters will be introduced * There would be some random encounters of \"extras\"", "to dedicate 100 or so pages to the exposition. The target length of", "(Thursday was sunny // In the winter, a faint pine scent clung to", "few sentences or paragraphs to clue the reader into the time and place,", "in an attempt to achieve a more organic exposition. Inside the 100-pages: ", "story arch. Question -------- Would this be too taboo? Would publishers / readers", "only as an exhaustive exposition? If this formula has been used already, I", "attempt to achieve a more organic exposition. Inside the 100-pages: No rising", "\"extras\" * Sensory embellishments (Thursday was sunny // In the winter, a faint", "taboo? Would publishers / readers be reluctant to read 100 pages that serve", "to achieve a more organic exposition. Inside the 100-pages: * No rising action", "some random encounters of \"extras\" * Sensory embellishments (Thursday was sunny // In", "time and place with a few sentences and allow the reader to assimilate", "sentences in an attempt to achieve a more organic exposition. Inside the 100-pages:", "maybe set a bit of the mood for the core of the story.", "a bit of the mood for the core of the story. However, I", "of \"extras\" * Sensory embellishments (Thursday was sunny // In the winter, a", "first 100 pages would have absolutely nothing to do with the main plot.", "a story arch. Question -------- Would this be too taboo? Would publishers /", "pages that serve only as an exhaustive exposition? If this formula has been", "an attempt to achieve a more organic exposition. Inside the 100-pages: * No", "clear, the first 100 pages would have absolutely nothing to do with the", "with a story arch. Question -------- Would this be too taboo? Would publishers", "pine scent clung to the air) To be clear, the first 100 pages", "or so pages to the exposition. The target length of my book is", "describing the time and place with a few sentences and allow the reader", "book is roughly 500 pages, and so a 100-page exposition would constitute a", "that serve only as an exhaustive exposition? If this formula has been used", "so a 100-page exposition would constitute a hefty portion. The 100-page exposition would", "a faint pine scent clung to the air) To be clear, the first", "exposition? If this formula has been used already, I would also be curious", "core of the story. However, I would like to dedicate 100 or so", "exhaustive exposition? If this formula has been used already, I would also be", "the 100-pages: * No rising action * No main characters will be introduced", "exposition would constitute a hefty portion. The 100-page exposition would allow me to", "exposition. Inside the 100-pages: * No rising action * No main characters will", "he/she attempted to interpret the lengthy exposition as a narrative with a story", "have absolutely nothing to do with the main plot. Nor would there be", "absolutely nothing to do with the main plot. Nor would there be any", "Would this be too taboo? Would publishers / readers be reluctant to read", "readers be reluctant to read 100 pages that serve only as an exhaustive", "pages to the exposition. The target length of my book is roughly 500", "and place, and maybe set a bit of the mood for the core", "100 pages would have absolutely nothing to do with the main plot. Nor", "clue the reader into the time and place, and maybe set a bit", "to the air) To be clear, the first 100 pages would have absolutely", "main plot. Nor would there be any main characters or anything to anchor", "any main characters or anything to anchor the reader even if he/she attempted", "would have absolutely nothing to do with the main plot. Nor would there", "plot. Nor would there be any main characters or anything to anchor the", "for the core of the story. However, I would like to dedicate 100", "No main characters will be introduced * There would be some random encounters", "do with the main plot. Nor would there be any main characters or", "few sentences and allow the reader to assimilate hundreds of sentences in an", "would be some random encounters of \"extras\" * Sensory embellishments (Thursday was sunny", "/ readers be reluctant to read 100 pages that serve only as an", "assimilate hundreds of sentences in an attempt to achieve a more organic exposition.", "pages, and so a 100-page exposition would constitute a hefty portion. The 100-page", "with a few sentences and allow the reader to assimilate hundreds of sentences" ]
[ "of the dreams was quite Lovecraftian. Some are concerned with my breaking the", "quite Lovecraftian. Some are concerned with my breaking the law and being on", "for information on this drug will be ignored. This is a necessary and", "inspiration from their dreams? Is this a recognized 'technique'? --- \\Spare me the", "will be ignored. This is a necessary and prescribed medicine for a genuine", "resources other than a damaged phone that is hard to operate. Question** Is", "far as I know, it is not thought to be hallucinogenic. I could", "I've never been inspired to invent and connect ideas to make a convincing", "- even to the point of surprising me with the events that occur", "me with the events that occur (How is that possible?). 2. One of", "possibly because of some medication I have to take\\, I started having long", "because of some medication I have to take\\, I started having long involved", "events that occur (How is that possible?). 2. One of the dreams was", "They have logic, surprises, and interaction with individuals all wrapped up in a", "for a genuine condition. As far as I know, it is not thought", "been inspired to invent and connect ideas to make a convincing tale. Recently;", "I have an idea for a story but I've never been inspired to", "my sleeping imagination is so much more productive than my waking - even", "the run. Others are of adventures such as going on a road trip", "of adventures such as going on a road trip with no resources other", "is not thought to be hallucinogenic. I could even be wrong about this", "convincing tale. Recently; however, possibly because of some medication I have to take\\,", "--- \\Spare me the jokes about illegal substances! Requests for information on this", "authors regularly draw inspiration from their dreams? Is this a recognized 'technique'? ---", "the jokes about illegal substances! Requests for information on this drug will be", "whether some authors regularly draw inspiration from their dreams? Is this a recognized", "NPCs. 1. I am puzzled how my sleeping imagination is so much more", "some authors regularly draw inspiration from their dreams? Is this a recognized 'technique'?", "regularly draw inspiration from their dreams? Is this a recognized 'technique'? --- \\Spare", "prescribed medicine for a genuine condition. As far as I know, it is", "One of the dreams was quite Lovecraftian. Some are concerned with my breaking", "I started having long involved dreams that subjectively go on for hours. They", "the law and being on the run. Others are of adventures such as", "known whether some authors regularly draw inspiration from their dreams? Is this a", "an idea for a story but I've never been inspired to invent and", "more productive than my waking - even to the point of surprising me", "the dreams was quite Lovecraftian. Some are concerned with my breaking the law", "As far as I know, it is not thought to be hallucinogenic. I", "when I wake up and even recall conversations with NPCs. 1. I am", "condition. As far as I know, it is not thought to be hallucinogenic.", "dreams was quite Lovecraftian. Some are concerned with my breaking the law and", "adventures such as going on a road trip with no resources other than", "how my sleeping imagination is so much more productive than my waking -", "surprising me with the events that occur (How is that possible?). 2. One", "\\Spare me the jokes about illegal substances! Requests for information on this drug", "be hallucinogenic. I could even be wrong about this being the cause of", "about illegal substances! Requests for information on this drug will be ignored. This", "involved dreams that subjectively go on for hours. They have logic, surprises, and", "make a convincing tale. Recently; however, possibly because of some medication I have", "productive than my waking - even to the point of surprising me with", "sleeping imagination is so much more productive than my waking - even to", "are concerned with my breaking the law and being on the run. Others", "inspired to invent and connect ideas to make a convincing tale. Recently; however,", "necessary and prescribed medicine for a genuine condition. As far as I know,", "a road trip with no resources other than a damaged phone that is", "go on for hours. They have logic, surprises, and interaction with individuals all", "Is it known whether some authors regularly draw inspiration from their dreams? Is", "know, it is not thought to be hallucinogenic. I could even be wrong", "hours. They have logic, surprises, and interaction with individuals all wrapped up in", "but I've never been inspired to invent and connect ideas to make a", "operate. Question* Is it known whether some authors regularly draw inspiration from their", "Question Is it known whether some authors regularly draw inspiration from their dreams?", "me the jokes about illegal substances! Requests for information on this drug will", "to operate. Question Is it known whether some authors regularly draw inspiration from", "never been inspired to invent and connect ideas to make a convincing tale.", "even recall conversations with NPCs. 1. I am puzzled how my sleeping imagination", "even to the point of surprising me with the events that occur (How", "invent and connect ideas to make a convincing tale. Recently; however, possibly because", "point of surprising me with the events that occur (How is that possible?).", "this a recognized 'technique'? --- \\Spare me the jokes about illegal substances! Requests", "this drug will be ignored. This is a necessary and prescribed medicine for", "remember them in detail when I wake up and even recall conversations with", "This is a necessary and prescribed medicine for a genuine condition. As far", "damaged phone that is hard to operate. Question** Is it known whether some", "information on this drug will be ignored. This is a necessary and prescribed", "and prescribed medicine for a genuine condition. As far as I know, it", "it known whether some authors regularly draw inspiration from their dreams? Is this", "to make a convincing tale. Recently; however, possibly because of some medication I", "Occasionally I have an idea for a story but I've never been inspired", "detail when I wake up and even recall conversations with NPCs. 1. I", "I am puzzled how my sleeping imagination is so much more productive than", "much more productive than my waking - even to the point of surprising", "tale. Recently; however, possibly because of some medication I have to take\\, I", "conversations with NPCs. 1. I am puzzled how my sleeping imagination is so", "is a necessary and prescribed medicine for a genuine condition. As far as", "occur (How is that possible?). 2. One of the dreams was quite Lovecraftian.", "from their dreams? Is this a recognized 'technique'? --- \\Spare me the jokes", "it is not thought to be hallucinogenic. I could even be wrong about", "started having long involved dreams that subjectively go on for hours. They have", "not an author. Occasionally I have an idea for a story but I've", "Is this a recognized 'technique'? --- \\Spare me the jokes about illegal substances!", "a damaged phone that is hard to operate. Question* Is it known whether", "and even recall conversations with NPCs. 1. I am puzzled how my sleeping", "for hours. They have logic, surprises, and interaction with individuals all wrapped up", "am puzzled how my sleeping imagination is so much more productive than my", "concerned with my breaking the law and being on the run. Others are", "however, possibly because of some medication I have to take\\, I started having", "medication I have to take\\, I started having long involved dreams that subjectively", "in a mini-drama. I can remember them in detail when I wake up", "with NPCs. 1. I am puzzled how my sleeping imagination is so much", "all wrapped up in a mini-drama. I can remember them in detail when", "have to take\\, I started having long involved dreams that subjectively go on", "of surprising me with the events that occur (How is that possible?). 2.", "hard to operate. Question* Is it known whether some authors regularly draw inspiration", "up in a mini-drama. I can remember them in detail when I wake", "the events that occur (How is that possible?). 2. One of the dreams", "Others are of adventures such as going on a road trip with no", "road trip with no resources other than a damaged phone that is hard", "waking - even to the point of surprising me with the events that", "with no resources other than a damaged phone that is hard to operate.", "ignored. This is a necessary and prescribed medicine for a genuine condition. As", "on this drug will be ignored. This is a necessary and prescribed medicine", "have an idea for a story but I've never been inspired to invent", "a mini-drama. I can remember them in detail when I wake up and", "be ignored. This is a necessary and prescribed medicine for a genuine condition.", "on a road trip with no resources other than a damaged phone that", "interaction with individuals all wrapped up in a mini-drama. I can remember them", "trip with no resources other than a damaged phone that is hard to", "my breaking the law and being on the run. Others are of adventures", "draw inspiration from their dreams? Is this a recognized 'technique'? --- \\Spare me", "Requests for information on this drug will be ignored. This is a necessary", "not thought to be hallucinogenic. I could even be wrong about this being", "a recognized 'technique'? --- \\Spare me the jokes about illegal substances! Requests for", "my waking - even to the point of surprising me with the events", "I know, it is not thought to be hallucinogenic. I could even be", "with individuals all wrapped up in a mini-drama. I can remember them in", "so much more productive than my waking - even to the point of", "medicine for a genuine condition. As far as I know, it is not", "genuine condition. As far as I know, it is not thought to be", "I wake up and even recall conversations with NPCs. 1. I am puzzled", "Recently; however, possibly because of some medication I have to take\\, I started", "illegal substances! Requests for information on this drug will be ignored. This is", "surprises, and interaction with individuals all wrapped up in a mini-drama. I can", "run. Others are of adventures such as going on a road trip with", "subjectively go on for hours. They have logic, surprises, and interaction with individuals", "a story but I've never been inspired to invent and connect ideas to", "author. Occasionally I have an idea for a story but I've never been", "with the events that occur (How is that possible?). 2. One of the", "than my waking - even to the point of surprising me with the", "jokes about illegal substances! Requests for information on this drug will be ignored.", "and being on the run. Others are of adventures such as going on", "story but I've never been inspired to invent and connect ideas to make", "idea for a story but I've never been inspired to invent and connect", "an author. Occasionally I have an idea for a story but I've never", "substances! Requests for information on this drug will be ignored. This is a", "long involved dreams that subjectively go on for hours. They have logic, surprises,", "possible?). 2. One of the dreams was quite Lovecraftian. Some are concerned with", "phone that is hard to operate. Question* Is it known whether some authors", "to take\\, I started having long involved dreams that subjectively go on for", "a convincing tale. Recently; however, possibly because of some medication I have to", "was quite Lovecraftian. Some are concerned with my breaking the law and being", "2. One of the dreams was quite Lovecraftian. Some are concerned with my", "Some are concerned with my breaking the law and being on the run.", "1. I am puzzled how my sleeping imagination is so much more productive", "as going on a road trip with no resources other than a damaged", "to be hallucinogenic. I could even be wrong about this being the cause", "of some medication I have to take\\, I started having long involved dreams", "breaking the law and being on the run. Others are of adventures such", "logic, surprises, and interaction with individuals all wrapped up in a mini-drama. I", "individuals all wrapped up in a mini-drama. I can remember them in detail", "dreams? Is this a recognized 'technique'? --- \\*Spare me the jokes about illegal", "with my breaking the law and being on the run. Others are of", "hallucinogenic. I could even be wrong about this being the cause of the", "I could even be wrong about this being the cause of the dreams.", "a necessary and prescribed medicine for a genuine condition. As far as I", "on for hours. They have logic, surprises, and interaction with individuals all wrapped", "going on a road trip with no resources other than a damaged phone", "I have to take\\, I started having long involved dreams that subjectively go", "is that possible?). 2. One of the dreams was quite Lovecraftian. Some are", "law and being on the run. Others are of adventures such as going", "that occur (How is that possible?). 2. One of the dreams was quite", "some medication I have to take\\, I started having long involved dreams that", "can remember them in detail when I wake up and even recall conversations", "is so much more productive than my waking - even to the point", "up and even recall conversations with NPCs. 1. I am puzzled how my", "and connect ideas to make a convincing tale. Recently; however, possibly because of", "connect ideas to make a convincing tale. Recently; however, possibly because of some", "in detail when I wake up and even recall conversations with NPCs. 1.", "drug will be ignored. This is a necessary and prescribed medicine for a", "as I know, it is not thought to be hallucinogenic. I could even", "thought to be hallucinogenic. I could even be wrong about this being the", "a genuine condition. As far as I know, it is not thought to", "them in detail when I wake up and even recall conversations with NPCs.", "have logic, surprises, and interaction with individuals all wrapped up in a mini-drama.", "imagination is so much more productive than my waking - even to the", "than a damaged phone that is hard to operate. Question Is it known", "on the run. Others are of adventures such as going on a road", "that is hard to operate. Question Is it known whether some authors regularly", "wrapped up in a mini-drama. I can remember them in detail when I", "to the point of surprising me with the events that occur (How is", "the point of surprising me with the events that occur (How is that", "their dreams? Is this a recognized 'technique'? --- \\Spare me the jokes about", "and interaction with individuals all wrapped up in a mini-drama. I can remember", "to invent and connect ideas to make a convincing tale. Recently; however, possibly", "is hard to operate. Question Is it known whether some authors regularly draw", "are of adventures such as going on a road trip with no resources", "puzzled how my sleeping imagination is so much more productive than my waking", "I can remember them in detail when I wake up and even recall", "such as going on a road trip with no resources other than a", "recognized 'technique'? --- \\Spare me the jokes about illegal substances! Requests for information", "wake up and even recall conversations with NPCs. 1. I am puzzled how", "am not an author. Occasionally I have an idea for a story but", "mini-drama. I can remember them in detail when I wake up and even", "having long involved dreams that subjectively go on for hours. They have logic,", "that possible?). 2. One of the dreams was quite Lovecraftian. Some are concerned", "no resources other than a damaged phone that is hard to operate. Question", "(How is that possible?). 2. One of the dreams was quite Lovecraftian. Some", "recall conversations with NPCs. 1. I am puzzled how my sleeping imagination is", "I am not an author. Occasionally I have an idea for a story", "that subjectively go on for hours. They have logic, surprises, and interaction with", "other than a damaged phone that is hard to operate. Question Is it", "ideas to make a convincing tale. Recently; however, possibly because of some medication", "for a story but I've never been inspired to invent and connect ideas", "Lovecraftian. Some are concerned with my breaking the law and being on the", "take\\, I started having long involved dreams that subjectively go on for hours.", "being on the run. Others are of adventures such as going on a", "dreams that subjectively go on for hours. They have logic, surprises, and interaction", "'technique'? --- \\*Spare me the jokes about illegal substances! Requests for information on" ]
[ "would be correct in this context. Since both so and as could work,", "to read it over, they suggested that I use so instead of as.", "> > \"Although both of my parents have bachelor’s degrees now, they were", "instead of as. I looked it up, and I found that generally negative", "employed when I was growing up.\" > > > When I asked someone", "sentences is: > > \"Although both of my parents have bachelor’s degrees now,", "stably employed when I was growing up.\" > > > When I asked", "is: > > \"Although both of my parents have bachelor’s degrees now, they", "comparisons use so, so it would be correct in this context. Since both", "> \"Although both of my parents have bachelor’s degrees now, they were not", "and I found that generally negative comparisons use so, so it would be", "I found that generally negative comparisons use so, so it would be correct", "so instead of as. I looked it up, and I found that generally", "of my parents have bachelor’s degrees now, they were not as well educated", "I asked someone to read it over, they suggested that I use so", "negative comparisons use so, so it would be correct in this context. Since", "of as. I looked it up, and I found that generally negative comparisons", "I use so instead of as. I looked it up, and I found", "essay and one of my sentences is: > > \"Although both of my", "they were not as well educated or stably employed when I was growing", "\"Although both of my parents have bachelor’s degrees now, they were not as", "suggested that I use so instead of as. I looked it up, and", "context. Since both so and as could work, which is more grammatically correct?", "both of my parents have bachelor’s degrees now, they were not as well", "over, they suggested that I use so instead of as. I looked it", "I was growing up.\" > > > When I asked someone to read", "bachelor’s degrees now, they were not as well educated or stably employed when", "someone to read it over, they suggested that I use so instead of", "this context. Since both so and as could work, which is more grammatically", "educated or stably employed when I was growing up.\" > > > When", "when I was growing up.\" > > > When I asked someone to", "so it would be correct in this context. Since both so and as", "parents have bachelor’s degrees now, they were not as well educated or stably", "was growing up.\" > > > When I asked someone to read it", "now, they were not as well educated or stably employed when I was", "correct in this context. Since both so and as could work, which is", "> > > When I asked someone to read it over, they suggested", "in this context. Since both so and as could work, which is more", "use so instead of as. I looked it up, and I found that", "asked someone to read it over, they suggested that I use so instead", "use so, so it would be correct in this context. Since both so", "generally negative comparisons use so, so it would be correct in this context.", "growing up.\" > > > When I asked someone to read it over,", "my parents have bachelor’s degrees now, they were not as well educated or", "so, so it would be correct in this context. Since both so and", "or stably employed when I was growing up.\" > > > When I", "up, and I found that generally negative comparisons use so, so it would", "that generally negative comparisons use so, so it would be correct in this", "one of my sentences is: > > \"Although both of my parents have", "up.\" > > > When I asked someone to read it over, they", "it over, they suggested that I use so instead of as. I looked", "it up, and I found that generally negative comparisons use so, so it", "writing a scholarship essay and one of my sentences is: > > \"Although", "I looked it up, and I found that generally negative comparisons use so,", "it would be correct in this context. Since both so and as could", "am writing a scholarship essay and one of my sentences is: > >", "be correct in this context. Since both so and as could work, which", "> When I asked someone to read it over, they suggested that I", "they suggested that I use so instead of as. I looked it up,", "I am writing a scholarship essay and one of my sentences is: >", "not as well educated or stably employed when I was growing up.\" >", "have bachelor’s degrees now, they were not as well educated or stably employed", "found that generally negative comparisons use so, so it would be correct in", "When I asked someone to read it over, they suggested that I use", "> > When I asked someone to read it over, they suggested that", "read it over, they suggested that I use so instead of as. I", "scholarship essay and one of my sentences is: > > \"Although both of", "as. I looked it up, and I found that generally negative comparisons use", "looked it up, and I found that generally negative comparisons use so, so", "and one of my sentences is: > > \"Although both of my parents", "a scholarship essay and one of my sentences is: > > \"Although both", "that I use so instead of as. I looked it up, and I", "were not as well educated or stably employed when I was growing up.\"", "well educated or stably employed when I was growing up.\" > > >", "as well educated or stably employed when I was growing up.\" > >", "my sentences is: > > \"Although both of my parents have bachelor’s degrees", "degrees now, they were not as well educated or stably employed when I", "of my sentences is: > > \"Although both of my parents have bachelor’s" ]
[ "too harsh I mean it offends or hurts them in some way and", "there's about thirty miscellaneous spelling/minor plot errors, plus a page of feedback on", "in my mind. How harsh is too harsh when reviewing/critiquing? By too harsh", "well as a bit of overall feedback and advice for moving forward. I", "it's a bit overwhelming but is mostly fixed by clicking 'accept' and then", "mostly fixed by clicking 'accept' and then reading the extra page at the", "document to beta review, so I transferred it to Google Docs and started", "harsh when reviewing/critiquing? By too harsh I mean it offends or hurts them", "way and makes them discouraged when writing in the future. Any guidance on", "of feedback on the bottom about larger plot, personality, description, and word repetition", "was a new writer, and as far as I know this was their", "I'm through the four pages, there's about thirty miscellaneous spelling/minor plot errors, plus", "that this was a new writer, and as far as I know this", "and word repetition issues, as well as a bit of overall feedback and", "pages, there's about thirty miscellaneous spelling/minor plot errors, plus a page of feedback", "makes them discouraged when writing in the future. Any guidance on this would", "when writing in the future. Any guidance on this would be appreciated, thanks!", "mind. How harsh is too harsh when reviewing/critiquing? By too harsh I mean", "or hurts them in some way and makes them discouraged when writing in", "when reviewing/critiquing? By too harsh I mean it offends or hurts them in", "I transferred it to Google Docs and started making suggestions. Once I'm through", "feedback on the bottom about larger plot, personality, description, and word repetition issues,", "I mean it offends or hurts them in some way and makes them", "will make them stop writing, but it raised a good question in my", "and makes them discouraged when writing in the future. Any guidance on this", "I know this was their first story. With my current suggestions, it's a", "I don't think this will make them stop writing, but it raised a", "personality, description, and word repetition issues, as well as a bit of overall", "plot errors, plus a page of feedback on the bottom about larger plot,", "description, and word repetition issues, as well as a bit of overall feedback", "reading the extra page at the bottom. I don't think this will make", "them in some way and makes them discouraged when writing in the future.", "a document to beta review, so I transferred it to Google Docs and", "page of feedback on the bottom about larger plot, personality, description, and word", "you that this was a new writer, and as far as I know", "raised a good question in my mind. How harsh is too harsh when", "through the four pages, there's about thirty miscellaneous spelling/minor plot errors, plus a", "offends or hurts them in some way and makes them discouraged when writing", "them discouraged when writing in the future. Any guidance on this would be", "fixed by clicking 'accept' and then reading the extra page at the bottom.", "reviewing/critiquing? By too harsh I mean it offends or hurts them in some", "By too harsh I mean it offends or hurts them in some way", "I should probably tell you that this was a new writer, and as", "was recently sent a document to beta review, so I transferred it to", "a good question in my mind. How harsh is too harsh when reviewing/critiquing?", "repetition issues, as well as a bit of overall feedback and advice for", "my mind. How harsh is too harsh when reviewing/critiquing? By too harsh I", "by clicking 'accept' and then reading the extra page at the bottom. I", "should probably tell you that this was a new writer, and as far", "so I transferred it to Google Docs and started making suggestions. Once I'm", "on the bottom about larger plot, personality, description, and word repetition issues, as", "the bottom about larger plot, personality, description, and word repetition issues, as well", "a page of feedback on the bottom about larger plot, personality, description, and", "writer, and as far as I know this was their first story. With", "to Google Docs and started making suggestions. Once I'm through the four pages,", "this will make them stop writing, but it raised a good question in", "forward. I should probably tell you that this was a new writer, and", "thirty miscellaneous spelling/minor plot errors, plus a page of feedback on the bottom", "hurts them in some way and makes them discouraged when writing in the", "it to Google Docs and started making suggestions. Once I'm through the four", "in some way and makes them discouraged when writing in the future. Any", "know this was their first story. With my current suggestions, it's a bit", "current suggestions, it's a bit overwhelming but is mostly fixed by clicking 'accept'", "as well as a bit of overall feedback and advice for moving forward.", "think this will make them stop writing, but it raised a good question", "and as far as I know this was their first story. With my", "as a bit of overall feedback and advice for moving forward. I should", "then reading the extra page at the bottom. I don't think this will", "How harsh is too harsh when reviewing/critiquing? By too harsh I mean it", "for moving forward. I should probably tell you that this was a new", "it offends or hurts them in some way and makes them discouraged when", "about thirty miscellaneous spelling/minor plot errors, plus a page of feedback on the", "and then reading the extra page at the bottom. I don't think this", "at the bottom. I don't think this will make them stop writing, but", "as far as I know this was their first story. With my current", "overwhelming but is mostly fixed by clicking 'accept' and then reading the extra", "mean it offends or hurts them in some way and makes them discouraged", "transferred it to Google Docs and started making suggestions. Once I'm through the", "Docs and started making suggestions. Once I'm through the four pages, there's about", "is mostly fixed by clicking 'accept' and then reading the extra page at", "but it raised a good question in my mind. How harsh is too", "beta review, so I transferred it to Google Docs and started making suggestions.", "word repetition issues, as well as a bit of overall feedback and advice", "but is mostly fixed by clicking 'accept' and then reading the extra page", "advice for moving forward. I should probably tell you that this was a", "spelling/minor plot errors, plus a page of feedback on the bottom about larger", "plot, personality, description, and word repetition issues, as well as a bit of", "Once I'm through the four pages, there's about thirty miscellaneous spelling/minor plot errors,", "harsh I mean it offends or hurts them in some way and makes", "sent a document to beta review, so I transferred it to Google Docs", "the bottom. I don't think this will make them stop writing, but it", "clicking 'accept' and then reading the extra page at the bottom. I don't", "started making suggestions. Once I'm through the four pages, there's about thirty miscellaneous", "a bit of overall feedback and advice for moving forward. I should probably", "bottom. I don't think this will make them stop writing, but it raised", "recently sent a document to beta review, so I transferred it to Google", "it raised a good question in my mind. How harsh is too harsh", "a new writer, and as far as I know this was their first", "review, so I transferred it to Google Docs and started making suggestions. Once", "moving forward. I should probably tell you that this was a new writer,", "bottom about larger plot, personality, description, and word repetition issues, as well as", "Google Docs and started making suggestions. Once I'm through the four pages, there's", "first story. With my current suggestions, it's a bit overwhelming but is mostly", "feedback and advice for moving forward. I should probably tell you that this", "'accept' and then reading the extra page at the bottom. I don't think", "far as I know this was their first story. With my current suggestions,", "overall feedback and advice for moving forward. I should probably tell you that", "of overall feedback and advice for moving forward. I should probably tell you", "bit overwhelming but is mostly fixed by clicking 'accept' and then reading the", "good question in my mind. How harsh is too harsh when reviewing/critiquing? By", "stop writing, but it raised a good question in my mind. How harsh", "too harsh when reviewing/critiquing? By too harsh I mean it offends or hurts", "some way and makes them discouraged when writing in the future. Any guidance", "their first story. With my current suggestions, it's a bit overwhelming but is", "errors, plus a page of feedback on the bottom about larger plot, personality,", "making suggestions. Once I'm through the four pages, there's about thirty miscellaneous spelling/minor", "this was a new writer, and as far as I know this was", "question in my mind. How harsh is too harsh when reviewing/critiquing? By too", "bit of overall feedback and advice for moving forward. I should probably tell", "larger plot, personality, description, and word repetition issues, as well as a bit", "writing, but it raised a good question in my mind. How harsh is", "extra page at the bottom. I don't think this will make them stop", "was their first story. With my current suggestions, it's a bit overwhelming but", "to beta review, so I transferred it to Google Docs and started making", "this was their first story. With my current suggestions, it's a bit overwhelming", "don't think this will make them stop writing, but it raised a good", "I was recently sent a document to beta review, so I transferred it", "and started making suggestions. Once I'm through the four pages, there's about thirty", "the four pages, there's about thirty miscellaneous spelling/minor plot errors, plus a page", "issues, as well as a bit of overall feedback and advice for moving", "my current suggestions, it's a bit overwhelming but is mostly fixed by clicking", "tell you that this was a new writer, and as far as I", "them stop writing, but it raised a good question in my mind. How", "four pages, there's about thirty miscellaneous spelling/minor plot errors, plus a page of", "new writer, and as far as I know this was their first story.", "harsh is too harsh when reviewing/critiquing? By too harsh I mean it offends", "suggestions. Once I'm through the four pages, there's about thirty miscellaneous spelling/minor plot", "miscellaneous spelling/minor plot errors, plus a page of feedback on the bottom about", "and advice for moving forward. I should probably tell you that this was", "the extra page at the bottom. I don't think this will make them", "make them stop writing, but it raised a good question in my mind.", "page at the bottom. I don't think this will make them stop writing,", "is too harsh when reviewing/critiquing? By too harsh I mean it offends or", "about larger plot, personality, description, and word repetition issues, as well as a", "a bit overwhelming but is mostly fixed by clicking 'accept' and then reading", "With my current suggestions, it's a bit overwhelming but is mostly fixed by", "story. With my current suggestions, it's a bit overwhelming but is mostly fixed", "suggestions, it's a bit overwhelming but is mostly fixed by clicking 'accept' and", "plus a page of feedback on the bottom about larger plot, personality, description,", "probably tell you that this was a new writer, and as far as", "discouraged when writing in the future. Any guidance on this would be appreciated,", "as I know this was their first story. With my current suggestions, it's" ]
[ "He has to make a lot of deals, take plenty of gambles and", "'normal' people around, per see. However, whilst creating the plot, world, and characters,", "the more I'm thinking his character is coming across this way. How do", "his character is coming across this way. How do I refrain from making", "sympathize with this character mainly because he doesn't have any physical abilities as", "slightest. However, the more I'm writing about this world, the more I'm thinking", "this character mainly because he doesn't have any physical abilities as other beasts", "yet he's here as well. I don't want people to get the theme", "making people sympathize with this character mainly because he doesn't have any physical", "any physical abilities as other beasts do in the story, and instead with", "as other beasts do in the story, and instead with his other traits?", "background: I'm writing a story centered around a boy who is not special.", "own. He has to make a lot of deals, take plenty of gambles", "whilst creating the plot, world, and characters, I noticed that my character could", "be met to the average human eye, yet he's here as well. I", "There are no other 'normal' people around, per see. However, whilst creating the", "make a lot of deals, take plenty of gambles and trust those he", "but because everything else put inside this abomination seems to be creatures of", "physical abilities as other beasts do in the story, and instead with his", "that my character could come across as somebody to sympathize with. Not because", "things too'. That's not what I'm going for at the slightest. However, the", "he isn't in a realistic setting. He is trapped in something of a", "I noticed that my character could come across as somebody to sympathize with.", "could come across as somebody to sympathize with. Not because of the situation,", "going for at the slightest. However, the more I'm writing about this world,", "there is nothing too defining about him physically. The thing is, he isn't", "doesn't have any physical abilities as other beasts do in the story, and", "setting. He is trapped in something of a hellhole, but it's highly unlikely", "around a boy who is not special. As in, there is nothing too", "of deals, take plenty of gambles and trust those he wouldn't trust. There", "Just some background: I'm writing a story centered around a boy who is", "people to get the theme that 'normal people can do things too'. That's", "my character could come across as somebody to sympathize with. Not because of", "hellhole, but it's highly unlikely he will survive on his own. He has", "some background: I'm writing a story centered around a boy who is not", "more I'm thinking his character is coming across this way. How do I", "people can do things too'. That's not what I'm going for at the", "highly unlikely he will survive on his own. He has to make a", "because he doesn't have any physical abilities as other beasts do in the", "he will survive on his own. He has to make a lot of", "those he wouldn't trust. There are no other 'normal' people around, per see.", "in something of a hellhole, but it's highly unlikely he will survive on", "and characters, I noticed that my character could come across as somebody to", "it's highly unlikely he will survive on his own. He has to make", "to the average human eye, yet he's here as well. I don't want", "the more I'm writing about this world, the more I'm thinking his character", "in, there is nothing too defining about him physically. The thing is, he", "trapped in something of a hellhole, but it's highly unlikely he will survive", "He is trapped in something of a hellhole, but it's highly unlikely he", "realistic setting. He is trapped in something of a hellhole, but it's highly", "are no other 'normal' people around, per see. However, whilst creating the plot,", "across as somebody to sympathize with. Not because of the situation, but because", "put inside this abomination seems to be creatures of sorts that couldn't be", "As in, there is nothing too defining about him physically. The thing is,", "is nothing too defining about him physically. The thing is, he isn't in", "not special. As in, there is nothing too defining about him physically. The", "a lot of deals, take plenty of gambles and trust those he wouldn't", "way. How do I refrain from making people sympathize with this character mainly", "on his own. He has to make a lot of deals, take plenty", "of gambles and trust those he wouldn't trust. There are no other 'normal'", "to sympathize with. Not because of the situation, but because everything else put", "everything else put inside this abomination seems to be creatures of sorts that", "the situation, but because everything else put inside this abomination seems to be", "defining about him physically. The thing is, he isn't in a realistic setting.", "average human eye, yet he's here as well. I don't want people to", "don't want people to get the theme that 'normal people can do things", "this way. How do I refrain from making people sympathize with this character", "do I refrain from making people sympathize with this character mainly because he", "noticed that my character could come across as somebody to sympathize with. Not", "other 'normal' people around, per see. However, whilst creating the plot, world, and", "because everything else put inside this abomination seems to be creatures of sorts", "a story centered around a boy who is not special. As in, there", "I'm writing a story centered around a boy who is not special. As", "he's here as well. I don't want people to get the theme that", "world, and characters, I noticed that my character could come across as somebody", "what I'm going for at the slightest. However, the more I'm writing about", "from making people sympathize with this character mainly because he doesn't have any", "he doesn't have any physical abilities as other beasts do in the story,", "nothing too defining about him physically. The thing is, he isn't in a", "writing a story centered around a boy who is not special. As in,", "something of a hellhole, but it's highly unlikely he will survive on his", "want people to get the theme that 'normal people can do things too'.", "writing about this world, the more I'm thinking his character is coming across", "is, he isn't in a realistic setting. He is trapped in something of", "abilities as other beasts do in the story, and instead with his other", "trust those he wouldn't trust. There are no other 'normal' people around, per", "this abomination seems to be creatures of sorts that couldn't be met to", "to get the theme that 'normal people can do things too'. That's not", "the slightest. However, the more I'm writing about this world, the more I'm", "is trapped in something of a hellhole, but it's highly unlikely he will", "at the slightest. However, the more I'm writing about this world, the more", "abomination seems to be creatures of sorts that couldn't be met to the", "story centered around a boy who is not special. As in, there is", "around, per see. However, whilst creating the plot, world, and characters, I noticed", "per see. However, whilst creating the plot, world, and characters, I noticed that", "characters, I noticed that my character could come across as somebody to sympathize", "refrain from making people sympathize with this character mainly because he doesn't have", "his own. He has to make a lot of deals, take plenty of", "couldn't be met to the average human eye, yet he's here as well.", "with this character mainly because he doesn't have any physical abilities as other", "The thing is, he isn't in a realistic setting. He is trapped in", "I'm thinking his character is coming across this way. How do I refrain", "else put inside this abomination seems to be creatures of sorts that couldn't", "about this world, the more I'm thinking his character is coming across this", "world, the more I'm thinking his character is coming across this way. How", "thinking his character is coming across this way. How do I refrain from", "'normal people can do things too'. That's not what I'm going for at", "seems to be creatures of sorts that couldn't be met to the average", "him physically. The thing is, he isn't in a realistic setting. He is", "creatures of sorts that couldn't be met to the average human eye, yet", "Not because of the situation, but because everything else put inside this abomination", "theme that 'normal people can do things too'. That's not what I'm going", "plenty of gambles and trust those he wouldn't trust. There are no other", "sorts that couldn't be met to the average human eye, yet he's here", "too defining about him physically. The thing is, he isn't in a realistic", "but it's highly unlikely he will survive on his own. He has to", "has to make a lot of deals, take plenty of gambles and trust", "survive on his own. He has to make a lot of deals, take", "the plot, world, and characters, I noticed that my character could come across", "I'm writing about this world, the more I'm thinking his character is coming", "across this way. How do I refrain from making people sympathize with this", "to be creatures of sorts that couldn't be met to the average human", "well. I don't want people to get the theme that 'normal people can", "as well. I don't want people to get the theme that 'normal people", "for at the slightest. However, the more I'm writing about this world, the", "mainly because he doesn't have any physical abilities as other beasts do in", "this world, the more I'm thinking his character is coming across this way.", "be creatures of sorts that couldn't be met to the average human eye,", "more I'm writing about this world, the more I'm thinking his character is", "I refrain from making people sympathize with this character mainly because he doesn't", "unlikely he will survive on his own. He has to make a lot", "of a hellhole, but it's highly unlikely he will survive on his own.", "to make a lot of deals, take plenty of gambles and trust those", "who is not special. As in, there is nothing too defining about him", "trust. There are no other 'normal' people around, per see. However, whilst creating", "a hellhole, but it's highly unlikely he will survive on his own. He", "creating the plot, world, and characters, I noticed that my character could come", "somebody to sympathize with. Not because of the situation, but because everything else", "about him physically. The thing is, he isn't in a realistic setting. He", "However, whilst creating the plot, world, and characters, I noticed that my character", "physically. The thing is, he isn't in a realistic setting. He is trapped", "get the theme that 'normal people can do things too'. That's not what", "gambles and trust those he wouldn't trust. There are no other 'normal' people", "of sorts that couldn't be met to the average human eye, yet he's", "people around, per see. However, whilst creating the plot, world, and characters, I", "That's not what I'm going for at the slightest. However, the more I'm", "met to the average human eye, yet he's here as well. I don't", "situation, but because everything else put inside this abomination seems to be creatures", "and trust those he wouldn't trust. There are no other 'normal' people around,", "is not special. As in, there is nothing too defining about him physically.", "special. As in, there is nothing too defining about him physically. The thing", "deals, take plenty of gambles and trust those he wouldn't trust. There are", "that 'normal people can do things too'. That's not what I'm going for", "do things too'. That's not what I'm going for at the slightest. However,", "coming across this way. How do I refrain from making people sympathize with", "How do I refrain from making people sympathize with this character mainly because", "the theme that 'normal people can do things too'. That's not what I'm", "have any physical abilities as other beasts do in the story, and instead", "take plenty of gambles and trust those he wouldn't trust. There are no", "isn't in a realistic setting. He is trapped in something of a hellhole,", "centered around a boy who is not special. As in, there is nothing", "with. Not because of the situation, but because everything else put inside this", "as somebody to sympathize with. Not because of the situation, but because everything", "wouldn't trust. There are no other 'normal' people around, per see. However, whilst", "human eye, yet he's here as well. I don't want people to get", "boy who is not special. As in, there is nothing too defining about", "inside this abomination seems to be creatures of sorts that couldn't be met", "see. However, whilst creating the plot, world, and characters, I noticed that my", "because of the situation, but because everything else put inside this abomination seems", "eye, yet he's here as well. I don't want people to get the", "come across as somebody to sympathize with. Not because of the situation, but", "character is coming across this way. How do I refrain from making people", "sympathize with. Not because of the situation, but because everything else put inside", "can do things too'. That's not what I'm going for at the slightest.", "in a realistic setting. He is trapped in something of a hellhole, but", "he wouldn't trust. There are no other 'normal' people around, per see. However,", "lot of deals, take plenty of gambles and trust those he wouldn't trust.", "thing is, he isn't in a realistic setting. He is trapped in something", "here as well. I don't want people to get the theme that 'normal", "character could come across as somebody to sympathize with. Not because of the", "too'. That's not what I'm going for at the slightest. However, the more", "character mainly because he doesn't have any physical abilities as other beasts do", "a boy who is not special. As in, there is nothing too defining", "I'm going for at the slightest. However, the more I'm writing about this", "no other 'normal' people around, per see. However, whilst creating the plot, world,", "is coming across this way. How do I refrain from making people sympathize", "a realistic setting. He is trapped in something of a hellhole, but it's", "people sympathize with this character mainly because he doesn't have any physical abilities", "not what I'm going for at the slightest. However, the more I'm writing", "the average human eye, yet he's here as well. I don't want people", "I don't want people to get the theme that 'normal people can do", "will survive on his own. He has to make a lot of deals,", "of the situation, but because everything else put inside this abomination seems to", "plot, world, and characters, I noticed that my character could come across as", "that couldn't be met to the average human eye, yet he's here as", "However, the more I'm writing about this world, the more I'm thinking his" ]
[ "chapters feel like they have 500 characters while 1 chapter should become 3000", "characters while 1 chapter should become 3000 - 5000 words. Is there a", "story in which I'm a ghost and buried in a graveyard and then", "could expand it? My chapters feel like they have 500 characters while 1", "book and I was wondering how I could expand it? My chapters feel", "I could expand it? My chapters feel like they have 500 characters while", "chapter should become 3000 - 5000 words. Is there a way to expand", "have 500 characters while 1 chapter should become 3000 - 5000 words. Is", "they have 500 characters while 1 chapter should become 3000 - 5000 words.", "500 characters while 1 chapter should become 3000 - 5000 words. Is there", "words. Is there a way to expand it? Note: I'm writing a first-person", "while 1 chapter should become 3000 - 5000 words. Is there a way", "3000 - 5000 words. Is there a way to expand it? Note: I'm", "how I could expand it? My chapters feel like they have 500 characters", "Note: I'm writing a first-person ghost romance story in which I'm a ghost", "it? Note: I'm writing a first-person ghost romance story in which I'm a", "and I was wondering how I could expand it? My chapters feel like", "was wondering how I could expand it? My chapters feel like they have", "romance story in which I'm a ghost and buried in a graveyard and", "I'm a ghost and buried in a graveyard and then I meet my", "wondering how I could expand it? My chapters feel like they have 500", "feel like they have 500 characters while 1 chapter should become 3000 -", "like they have 500 characters while 1 chapter should become 3000 - 5000", "I'm writing a first-person ghost romance story in which I'm a ghost and", "a ghost and buried in a graveyard and then I meet my love.", "first-person ghost romance story in which I'm a ghost and buried in a", "Is there a way to expand it? Note: I'm writing a first-person ghost", "I'm writing a book and I was wondering how I could expand it?", "way to expand it? Note: I'm writing a first-person ghost romance story in", "which I'm a ghost and buried in a graveyard and then I meet", "a book and I was wondering how I could expand it? My chapters", "there a way to expand it? Note: I'm writing a first-person ghost romance", "5000 words. Is there a way to expand it? Note: I'm writing a", "My chapters feel like they have 500 characters while 1 chapter should become", "expand it? My chapters feel like they have 500 characters while 1 chapter", "in which I'm a ghost and buried in a graveyard and then I", "should become 3000 - 5000 words. Is there a way to expand it?", "a first-person ghost romance story in which I'm a ghost and buried in", "1 chapter should become 3000 - 5000 words. Is there a way to", "I was wondering how I could expand it? My chapters feel like they", "- 5000 words. Is there a way to expand it? Note: I'm writing", "expand it? Note: I'm writing a first-person ghost romance story in which I'm", "writing a first-person ghost romance story in which I'm a ghost and buried", "writing a book and I was wondering how I could expand it? My", "to expand it? Note: I'm writing a first-person ghost romance story in which", "become 3000 - 5000 words. Is there a way to expand it? Note:", "ghost romance story in which I'm a ghost and buried in a graveyard", "it? My chapters feel like they have 500 characters while 1 chapter should", "a way to expand it? Note: I'm writing a first-person ghost romance story" ]
[ "abbreviations. Do experts agree with this? Looking forward to getting a reply soon.", "childhood that an ampersand is not supposed to be used in a formal", "is not supposed to be used in a formal context and it is", "in a formal context and it is best suitable between abbreviations. Do experts", "my childhood that an ampersand is not supposed to be used in a", "was taught in my childhood that an ampersand is not supposed to be", "supposed to be used in a formal context and it is best suitable", "is best suitable between abbreviations. Do experts agree with this? Looking forward to", "in my childhood that an ampersand is not supposed to be used in", "used in a formal context and it is best suitable between abbreviations. Do", "not supposed to be used in a formal context and it is best", "that an ampersand is not supposed to be used in a formal context", "context and it is best suitable between abbreviations. Do experts agree with this?", "ampersand is not supposed to be used in a formal context and it", "an ampersand is not supposed to be used in a formal context and", "between abbreviations. Do experts agree with this? Looking forward to getting a reply", "taught in my childhood that an ampersand is not supposed to be used", "I was taught in my childhood that an ampersand is not supposed to", "best suitable between abbreviations. Do experts agree with this? Looking forward to getting", "be used in a formal context and it is best suitable between abbreviations.", "and it is best suitable between abbreviations. Do experts agree with this? Looking", "it is best suitable between abbreviations. Do experts agree with this? Looking forward", "formal context and it is best suitable between abbreviations. Do experts agree with", "suitable between abbreviations. Do experts agree with this? Looking forward to getting a", "a formal context and it is best suitable between abbreviations. Do experts agree", "to be used in a formal context and it is best suitable between" ]
[ "For example, if one might describe themselves as an \"occasional writer;\" or, identifies", "example, if one might describe themselves as an \"occasional writer;\" or, identifies as", "themselves as an \"occasional writer;\" or, identifies as a writer, yet only \"writes", "describe themselves as an \"occasional writer;\" or, identifies as a writer, yet only", "or, identifies as a writer, yet only \"writes occasionally.\" Would \"sometimes-writer\" be a", "as a writer, yet only \"writes occasionally.\" Would \"sometimes-writer\" be a more laconic", "a writer, yet only \"writes occasionally.\" Would \"sometimes-writer\" be a more laconic way", "writer, yet only \"writes occasionally.\" Would \"sometimes-writer\" be a more laconic way to", "as an \"occasional writer;\" or, identifies as a writer, yet only \"writes occasionally.\"", "if one might describe themselves as an \"occasional writer;\" or, identifies as a", "only \"writes occasionally.\" Would \"sometimes-writer\" be a more laconic way to express this?", "might describe themselves as an \"occasional writer;\" or, identifies as a writer, yet", "one might describe themselves as an \"occasional writer;\" or, identifies as a writer,", "writer;\" or, identifies as a writer, yet only \"writes occasionally.\" Would \"sometimes-writer\" be", "an \"occasional writer;\" or, identifies as a writer, yet only \"writes occasionally.\" Would", "identifies as a writer, yet only \"writes occasionally.\" Would \"sometimes-writer\" be a more", "yet only \"writes occasionally.\" Would \"sometimes-writer\" be a more laconic way to express", "\"occasional writer;\" or, identifies as a writer, yet only \"writes occasionally.\" Would \"sometimes-writer\"" ]
[ "book. It wasn't a consistent process and as such, it has many inconsistencies", "a cohesive whole? I am happy to rewrite the whole thing, but how", "I put the scenes together into a cohesive whole? I am happy to", "scenes. How can I put the scenes together into a cohesive whole? I", "How can I put the scenes together into a cohesive whole? I am", "happy to rewrite the whole thing, but how can I decide which parts", "and as such, it has many inconsistencies and obsolete scenes. At the moment,", "like a mess of unrelated scenes. How can I put the scenes together", "lockdown, I wrote 60,000 words of my children's fiction book. It wasn't a", "and obsolete scenes. At the moment, the draft looks like a mess of", "such, it has many inconsistencies and obsolete scenes. At the moment, the draft", "mess of unrelated scenes. How can I put the scenes together into a", "many inconsistencies and obsolete scenes. At the moment, the draft looks like a", "At the moment, the draft looks like a mess of unrelated scenes. How", "consistent process and as such, it has many inconsistencies and obsolete scenes. At", "looks like a mess of unrelated scenes. How can I put the scenes", "unrelated scenes. How can I put the scenes together into a cohesive whole?", "how can I decide which parts of my writing are good and which", "the lockdown, I wrote 60,000 words of my children's fiction book. It wasn't", "cohesive whole? I am happy to rewrite the whole thing, but how can", "I decide which parts of my writing are good and which should be", "the whole thing, but how can I decide which parts of my writing", "inconsistencies and obsolete scenes. At the moment, the draft looks like a mess", "my children's fiction book. It wasn't a consistent process and as such, it", "a mess of unrelated scenes. How can I put the scenes together into", "wrote 60,000 words of my children's fiction book. It wasn't a consistent process", "a consistent process and as such, it has many inconsistencies and obsolete scenes.", "as such, it has many inconsistencies and obsolete scenes. At the moment, the", "children's fiction book. It wasn't a consistent process and as such, it has", "can I decide which parts of my writing are good and which should", "During the lockdown, I wrote 60,000 words of my children's fiction book. It", "scenes. At the moment, the draft looks like a mess of unrelated scenes.", "fiction book. It wasn't a consistent process and as such, it has many", "of my children's fiction book. It wasn't a consistent process and as such,", "wasn't a consistent process and as such, it has many inconsistencies and obsolete", "moment, the draft looks like a mess of unrelated scenes. How can I", "I wrote 60,000 words of my children's fiction book. It wasn't a consistent", "It wasn't a consistent process and as such, it has many inconsistencies and", "draft looks like a mess of unrelated scenes. How can I put the", "the scenes together into a cohesive whole? I am happy to rewrite the", "together into a cohesive whole? I am happy to rewrite the whole thing,", "whole? I am happy to rewrite the whole thing, but how can I", "has many inconsistencies and obsolete scenes. At the moment, the draft looks like", "to rewrite the whole thing, but how can I decide which parts of", "put the scenes together into a cohesive whole? I am happy to rewrite", "scenes together into a cohesive whole? I am happy to rewrite the whole", "the moment, the draft looks like a mess of unrelated scenes. How can", "can I put the scenes together into a cohesive whole? I am happy", "rewrite the whole thing, but how can I decide which parts of my", "am happy to rewrite the whole thing, but how can I decide which", "thing, but how can I decide which parts of my writing are good", "I am happy to rewrite the whole thing, but how can I decide", "decide which parts of my writing are good and which should be dropped?", "it has many inconsistencies and obsolete scenes. At the moment, the draft looks", "into a cohesive whole? I am happy to rewrite the whole thing, but", "obsolete scenes. At the moment, the draft looks like a mess of unrelated", "whole thing, but how can I decide which parts of my writing are", "the draft looks like a mess of unrelated scenes. How can I put", "but how can I decide which parts of my writing are good and", "60,000 words of my children's fiction book. It wasn't a consistent process and", "of unrelated scenes. How can I put the scenes together into a cohesive", "words of my children's fiction book. It wasn't a consistent process and as", "process and as such, it has many inconsistencies and obsolete scenes. At the" ]
[ "given. 3. It is required that a, b, and (depending on a and", "that a, b, and, depending on a and b, c is given. 2.", "is required that a, b, and, depending on a and b, c is", "for a scientific publication: 1. It is required that a, b, and, depending", "2. It is required that a, b, and - depending on a and", "is required that a, b, and - depending on a and b -", "that a, b, and - depending on a and b - c is", "that a, b, and (depending on a and b) c is given. Thank", "b, and - depending on a and b - c is given. 3.", "3. It is required that a, b, and (depending on a and b)", "a, b, and - depending on a and b - c is given.", "a scientific publication: 1. It is required that a, b, and, depending on", "a, b, and (depending on a and b) c is given. Thank you!", "style for a scientific publication: 1. It is required that a, b, and,", "publication: 1. It is required that a, b, and, depending on a and", "required that a, b, and, depending on a and b, c is given.", "scientific publication: 1. It is required that a, b, and, depending on a", "on a and b, c is given. 2. It is required that a,", "depending on a and b, c is given. 2. It is required that", "a and b - c is given. 3. It is required that a,", "c is given. 3. It is required that a, b, and (depending on", "and b, c is given. 2. It is required that a, b, and", "is given. 2. It is required that a, b, and - depending on", "It is required that a, b, and (depending on a and b) c", "- depending on a and b - c is given. 3. It is", "1. It is required that a, b, and, depending on a and b,", "and b - c is given. 3. It is required that a, b,", "required that a, b, and (depending on a and b) c is given.", "b, and, depending on a and b, c is given. 2. It is", "required that a, b, and - depending on a and b - c", "a, b, and, depending on a and b, c is given. 2. It", "It is required that a, b, and, depending on a and b, c", "b - c is given. 3. It is required that a, b, and", "the proper style for a scientific publication: 1. It is required that a,", "- c is given. 3. It is required that a, b, and (depending", "would be the proper style for a scientific publication: 1. It is required", "and, depending on a and b, c is given. 2. It is required", "is given. 3. It is required that a, b, and (depending on a", "It is required that a, b, and - depending on a and b", "c is given. 2. It is required that a, b, and - depending", "given. 2. It is required that a, b, and - depending on a", "Which would be the proper style for a scientific publication: 1. It is", "proper style for a scientific publication: 1. It is required that a, b,", "a and b, c is given. 2. It is required that a, b,", "depending on a and b - c is given. 3. It is required", "is required that a, b, and (depending on a and b) c is", "b, c is given. 2. It is required that a, b, and -", "be the proper style for a scientific publication: 1. It is required that", "on a and b - c is given. 3. It is required that", "and - depending on a and b - c is given. 3. It" ]
[ "special things about him is his dialogue. He speaks usually out of annoyance,", "have an intelligent character. He's basically there just for comic relief, but also", "I'm not quite sure how to do that. I tried using more complicating", "but it just doesn't sound right and out of place. Every time I", "to show his intelligence, but I'm not quite sure how to do that.", "character. He's basically there just for comic relief, but also helps the MC.", "doesn't sound right and out of place. Every time I try to craft", "to craft his dialogue, it doesn't sound clever or shrewd, or distinctive. It", "dislike the character. What can I do to make my character more clever-sounding?", "is his dialogue. He speaks usually out of annoyance, like when people provide", "but I'm not quite sure how to do that. I tried using more", "He's basically there just for comic relief, but also helps the MC. One", "do that. I tried using more complicating words, but it just doesn't sound", "to do that. I tried using more complicating words, but it just doesn't", "shrewd, or distinctive. It sounds quite cheesy, in a way I don't like.", "just doesn't sound right and out of place. Every time I try to", "place. Every time I try to craft his dialogue, it doesn't sound clever", "dialogue. He speaks usually out of annoyance, like when people provide misinformation. I", "of annoyance, like when people provide misinformation. I want my dialogue to show", "using more complicating words, but it just doesn't sound right and out of", "complicating words, but it just doesn't sound right and out of place. Every", "annoyance, like when people provide misinformation. I want my dialogue to show his", "provide misinformation. I want my dialogue to show his intelligence, but I'm not", "his intelligence, but I'm not quite sure how to do that. I tried", "show his intelligence, but I'm not quite sure how to do that. I", "makes the reader dislike the character. What can I do to make my", "how to do that. I tried using more complicating words, but it just", "intelligence, but I'm not quite sure how to do that. I tried using", "of place. Every time I try to craft his dialogue, it doesn't sound", "dialogue, it doesn't sound clever or shrewd, or distinctive. It sounds quite cheesy,", "words, but it just doesn't sound right and out of place. Every time", "try to craft his dialogue, it doesn't sound clever or shrewd, or distinctive.", "sound clever or shrewd, or distinctive. It sounds quite cheesy, in a way", "his dialogue, it doesn't sound clever or shrewd, or distinctive. It sounds quite", "tried using more complicating words, but it just doesn't sound right and out", "relief, but also helps the MC. One of the special things about him", "It also makes the reader dislike the character. What can I do to", "not quite sure how to do that. I tried using more complicating words,", "I have an intelligent character. He's basically there just for comic relief, but", "comic relief, but also helps the MC. One of the special things about", "there just for comic relief, but also helps the MC. One of the", "or shrewd, or distinctive. It sounds quite cheesy, in a way I don't", "that. I tried using more complicating words, but it just doesn't sound right", "like. It also makes the reader dislike the character. What can I do", "when people provide misinformation. I want my dialogue to show his intelligence, but", "doesn't sound clever or shrewd, or distinctive. It sounds quite cheesy, in a", "the reader dislike the character. What can I do to make my character", "just for comic relief, but also helps the MC. One of the special", "out of annoyance, like when people provide misinformation. I want my dialogue to", "It sounds quite cheesy, in a way I don't like. It also makes", "usually out of annoyance, like when people provide misinformation. I want my dialogue", "intelligent character. He's basically there just for comic relief, but also helps the", "a way I don't like. It also makes the reader dislike the character.", "helps the MC. One of the special things about him is his dialogue.", "clever or shrewd, or distinctive. It sounds quite cheesy, in a way I", "right and out of place. Every time I try to craft his dialogue,", "but also helps the MC. One of the special things about him is", "MC. One of the special things about him is his dialogue. He speaks", "don't like. It also makes the reader dislike the character. What can I", "He speaks usually out of annoyance, like when people provide misinformation. I want", "quite cheesy, in a way I don't like. It also makes the reader", "sure how to do that. I tried using more complicating words, but it", "in a way I don't like. It also makes the reader dislike the", "craft his dialogue, it doesn't sound clever or shrewd, or distinctive. It sounds", "things about him is his dialogue. He speaks usually out of annoyance, like", "cheesy, in a way I don't like. It also makes the reader dislike", "the special things about him is his dialogue. He speaks usually out of", "sound right and out of place. Every time I try to craft his", "or distinctive. It sounds quite cheesy, in a way I don't like. It", "the MC. One of the special things about him is his dialogue. He", "dialogue to show his intelligence, but I'm not quite sure how to do", "also helps the MC. One of the special things about him is his", "him is his dialogue. He speaks usually out of annoyance, like when people", "my dialogue to show his intelligence, but I'm not quite sure how to", "I want my dialogue to show his intelligence, but I'm not quite sure", "out of place. Every time I try to craft his dialogue, it doesn't", "way I don't like. It also makes the reader dislike the character. What", "misinformation. I want my dialogue to show his intelligence, but I'm not quite", "people provide misinformation. I want my dialogue to show his intelligence, but I'm", "for comic relief, but also helps the MC. One of the special things", "One of the special things about him is his dialogue. He speaks usually", "distinctive. It sounds quite cheesy, in a way I don't like. It also", "it doesn't sound clever or shrewd, or distinctive. It sounds quite cheesy, in", "and out of place. Every time I try to craft his dialogue, it", "want my dialogue to show his intelligence, but I'm not quite sure how", "more complicating words, but it just doesn't sound right and out of place.", "time I try to craft his dialogue, it doesn't sound clever or shrewd,", "about him is his dialogue. He speaks usually out of annoyance, like when", "of the special things about him is his dialogue. He speaks usually out", "also makes the reader dislike the character. What can I do to make", "speaks usually out of annoyance, like when people provide misinformation. I want my", "it just doesn't sound right and out of place. Every time I try", "sounds quite cheesy, in a way I don't like. It also makes the", "like when people provide misinformation. I want my dialogue to show his intelligence,", "reader dislike the character. What can I do to make my character more", "basically there just for comic relief, but also helps the MC. One of", "I don't like. It also makes the reader dislike the character. What can", "Every time I try to craft his dialogue, it doesn't sound clever or", "his dialogue. He speaks usually out of annoyance, like when people provide misinformation.", "an intelligent character. He's basically there just for comic relief, but also helps", "quite sure how to do that. I tried using more complicating words, but", "I tried using more complicating words, but it just doesn't sound right and", "I try to craft his dialogue, it doesn't sound clever or shrewd, or" ]
[ "is clear that character A has a simplistic understanding of character B, and", "character A has a simplistic understanding of character B, and therefore character A's", "understanding of character B, and therefore character A's assessment of character B as", "a simplistic understanding of character B, and therefore character A's assessment of character", "for me to use this line or should I scrap it entirely? Basically,", "character B, and therefore character A's assessment of character B as \"a lunatic\"", "B (not to their face) \"a lunatic\". In the context of my story,", "scrap it entirely? Basically, I'm wondering if \"lunatic\" would be considered an ableist", "(not to their face) \"a lunatic\". In the context of my story, it", "that character A has a simplistic understanding of character B, and therefore character", "has a simplistic understanding of character B, and therefore character A's assessment of", "In the context of my story, it is clear that character A has", "Additionally, character A is established to be a judgmental person. Would it be", "A's assessment of character B as \"a lunatic\" is incorrect. Additionally, character A", "of dialogue in which character A calls character B (not to their face)", "writing a line of dialogue in which character A calls character B (not", "to be a judgmental person. Would it be okay for me to use", "it is clear that character A has a simplistic understanding of character B,", "a line of dialogue in which character A calls character B (not to", "character A calls character B (not to their face) \"a lunatic\". In the", "character A's assessment of character B as \"a lunatic\" is incorrect. Additionally, character", "A has a simplistic understanding of character B, and therefore character A's assessment", "lunatic\". In the context of my story, it is clear that character A", "it be okay for me to use this line or should I scrap", "should I scrap it entirely? Basically, I'm wondering if \"lunatic\" would be considered", "person. Would it be okay for me to use this line or should", "am considering writing a line of dialogue in which character A calls character", "line of dialogue in which character A calls character B (not to their", "judgmental person. Would it be okay for me to use this line or", "dialogue in which character A calls character B (not to their face) \"a", "calls character B (not to their face) \"a lunatic\". In the context of", "\"a lunatic\". In the context of my story, it is clear that character", "is incorrect. Additionally, character A is established to be a judgmental person. Would", "Would it be okay for me to use this line or should I", "be okay for me to use this line or should I scrap it", "it entirely? Basically, I'm wondering if \"lunatic\" would be considered an ableist slur?", "B as \"a lunatic\" is incorrect. Additionally, character A is established to be", "me to use this line or should I scrap it entirely? Basically, I'm", "story, it is clear that character A has a simplistic understanding of character", "okay for me to use this line or should I scrap it entirely?", "which character A calls character B (not to their face) \"a lunatic\". In", "line or should I scrap it entirely? Basically, I'm wondering if \"lunatic\" would", "simplistic understanding of character B, and therefore character A's assessment of character B", "be a judgmental person. Would it be okay for me to use this", "would be considered an ableist slur? If so, what should I replace it", "clear that character A has a simplistic understanding of character B, and therefore", "Basically, I'm wondering if \"lunatic\" would be considered an ableist slur? If so,", "their face) \"a lunatic\". In the context of my story, it is clear", "character B (not to their face) \"a lunatic\". In the context of my", "or should I scrap it entirely? Basically, I'm wondering if \"lunatic\" would be", "is established to be a judgmental person. Would it be okay for me", "a judgmental person. Would it be okay for me to use this line", "my story, it is clear that character A has a simplistic understanding of", "if \"lunatic\" would be considered an ableist slur? If so, what should I", "I am considering writing a line of dialogue in which character A calls", "and therefore character A's assessment of character B as \"a lunatic\" is incorrect.", "B, and therefore character A's assessment of character B as \"a lunatic\" is", "established to be a judgmental person. Would it be okay for me to", "I scrap it entirely? Basically, I'm wondering if \"lunatic\" would be considered an", "the context of my story, it is clear that character A has a", "assessment of character B as \"a lunatic\" is incorrect. Additionally, character A is", "to their face) \"a lunatic\". In the context of my story, it is", "\"lunatic\" would be considered an ableist slur? If so, what should I replace", "entirely? Basically, I'm wondering if \"lunatic\" would be considered an ableist slur? If", "this line or should I scrap it entirely? Basically, I'm wondering if \"lunatic\"", "\"a lunatic\" is incorrect. Additionally, character A is established to be a judgmental", "as \"a lunatic\" is incorrect. Additionally, character A is established to be a", "context of my story, it is clear that character A has a simplistic", "incorrect. Additionally, character A is established to be a judgmental person. Would it", "face) \"a lunatic\". In the context of my story, it is clear that", "I'm wondering if \"lunatic\" would be considered an ableist slur? If so, what", "lunatic\" is incorrect. Additionally, character A is established to be a judgmental person.", "use this line or should I scrap it entirely? Basically, I'm wondering if", "character B as \"a lunatic\" is incorrect. Additionally, character A is established to", "to use this line or should I scrap it entirely? Basically, I'm wondering", "of character B as \"a lunatic\" is incorrect. Additionally, character A is established", "A calls character B (not to their face) \"a lunatic\". In the context", "wondering if \"lunatic\" would be considered an ableist slur? If so, what should", "therefore character A's assessment of character B as \"a lunatic\" is incorrect. Additionally,", "in which character A calls character B (not to their face) \"a lunatic\".", "of character B, and therefore character A's assessment of character B as \"a", "of my story, it is clear that character A has a simplistic understanding", "be considered an ableist slur? If so, what should I replace it with?", "character A is established to be a judgmental person. Would it be okay", "considering writing a line of dialogue in which character A calls character B", "A is established to be a judgmental person. Would it be okay for" ]
[ "and creates conflict for themselves are they a protagonist, an antagonist, or both?", "to stop themselves and creates conflict for themselves are they a protagonist, an", "seeks to stop themselves and creates conflict for themselves are they a protagonist,", "stop themselves and creates conflict for themselves are they a protagonist, an antagonist,", "the protagonist seeks to stop themselves and creates conflict for themselves are they", "themselves and creates conflict for themselves are they a protagonist, an antagonist, or", "If the protagonist seeks to stop themselves and creates conflict for themselves are", "protagonist seeks to stop themselves and creates conflict for themselves are they a" ]
[ "of the novel, would it be proper in the mind of an editor", "novel, what is the proper way in US English to refer to a", "the proper way in US English to refer to a group by the", "so, they start referring to themselves as the \"Hacker\\_Masters.\" In the text of", "to refer to a group by the character's self-styled label? For example: In", "US English to refer to a group by the character's self-styled label? For", "In a novel, what is the proper way in US English to refer", "to a group by the character's self-styled label? For example: In a novel,", "a group by the character's self-styled label? For example: In a novel, assume", "self-styled label? For example: In a novel, assume a group of software coders", "proper way in US English to refer to a group by the character's", "group by the character's self-styled label? For example: In a novel, assume a", "example: In a novel, assume a group of software coders are working on", "novel, assume a group of software coders are working on an extremely challenging", "of software coders are working on an extremely challenging problem. While doing so,", "way in US English to refer to a group by the character's self-styled", "extremely challenging problem. While doing so, they start referring to themselves as the", "in US English to refer to a group by the character's self-styled label?", "a group of software coders are working on an extremely challenging problem. While", "refer to a group by the character's self-styled label? For example: In a", "to themselves as the \"Hacker\\_Masters.\" In the text of the novel, would it", "on an extremely challenging problem. While doing so, they start referring to themselves", "group of software coders are working on an extremely challenging problem. While doing", "mind of an editor to refer to their label as: * Hacker\\_Masters ", " Hacker\\_Masters * Hacker\\_Masters * \"Hacker\\_Masters\" * \"Hacker\\_Masters\" * hacker\\_masters * or something", "is the proper way in US English to refer to a group by", "In a novel, assume a group of software coders are working on an", "a novel, what is the proper way in US English to refer to", "an extremely challenging problem. While doing so, they start referring to themselves as", "to refer to their label as: * Hacker\\_Masters * Hacker\\_Masters * \"Hacker\\_Masters\" ", "as: Hacker\\_Masters * Hacker\\_Masters * \"Hacker\\_Masters\" * \"Hacker\\_Masters\" * hacker\\_masters * or", "coders are working on an extremely challenging problem. While doing so, they start", "themselves as the \"Hacker\\_Masters.\" In the text of the novel, would it be", "as the \"Hacker\\_Masters.\" In the text of the novel, would it be proper", "start referring to themselves as the \"Hacker\\_Masters.\" In the text of the novel,", "by the character's self-styled label? For example: In a novel, assume a group", "character's self-styled label? For example: In a novel, assume a group of software", "working on an extremely challenging problem. While doing so, they start referring to", "label? For example: In a novel, assume a group of software coders are", "\"Hacker\\_Masters.\" In the text of the novel, would it be proper in the", "of an editor to refer to their label as: * Hacker\\_Masters * Hacker\\_Masters", "In the text of the novel, would it be proper in the mind", "novel, would it be proper in the mind of an editor to refer", "in the mind of an editor to refer to their label as: ", "their label as: Hacker\\_Masters * Hacker\\_Masters * \"Hacker\\_Masters\" * \"Hacker\\_Masters\" * hacker\\_masters", "Hacker\\_Masters * Hacker\\_Masters * \"Hacker\\_Masters\" * \"Hacker\\_Masters\" * hacker\\_masters * or something else?", "proper in the mind of an editor to refer to their label as:", "text of the novel, would it be proper in the mind of an", "to their label as: * Hacker\\_Masters * Hacker\\_Masters * \"Hacker\\_Masters\" * \"Hacker\\_Masters\" ", "For example: In a novel, assume a group of software coders are working", "are working on an extremely challenging problem. While doing so, they start referring", "assume a group of software coders are working on an extremely challenging problem.", "the character's self-styled label? For example: In a novel, assume a group of", "English to refer to a group by the character's self-styled label? For example:", "While doing so, they start referring to themselves as the \"Hacker\\_Masters.\" In the", "doing so, they start referring to themselves as the \"Hacker\\_Masters.\" In the text", "an editor to refer to their label as: Hacker\\_Masters * Hacker\\_Masters ", "would it be proper in the mind of an editor to refer to", "the novel, would it be proper in the mind of an editor to", "it be proper in the mind of an editor to refer to their", "editor to refer to their label as: Hacker\\_Masters * Hacker\\_Masters * \"Hacker\\_Masters\"", "label as: * Hacker\\_Masters * Hacker\\_Masters * \"Hacker\\_Masters\" * \"Hacker\\_Masters\" * hacker\\_masters ", "the mind of an editor to refer to their label as: Hacker\\_Masters", "what is the proper way in US English to refer to a group", "a novel, assume a group of software coders are working on an extremely", "the text of the novel, would it be proper in the mind of", "refer to their label as: * Hacker\\_Masters * Hacker\\_Masters * \"Hacker\\_Masters\" * \"Hacker\\_Masters\"", "they start referring to themselves as the \"Hacker\\_Masters.\" In the text of the", "software coders are working on an extremely challenging problem. While doing so, they", "challenging problem. While doing so, they start referring to themselves as the \"Hacker\\_Masters.\"", "be proper in the mind of an editor to refer to their label", "problem. While doing so, they start referring to themselves as the \"Hacker\\_Masters.\" In", "referring to themselves as the \"Hacker\\_Masters.\" In the text of the novel, would", "the \"Hacker\\_Masters.\" In the text of the novel, would it be proper in" ]
[ "to be for the paperback version rather than ebook because you can normally", "wave of reviewing before I publish, there's gonna be a lot of people", "free. So, is there a way to get a dozen or so 'free", "I publish, there's gonna be a lot of people who help. I know", "of the book, preferably for free. So, is there a way to get", "people who've really helped along the way, and with another huge wave of", "who help. I know that Betas mostly work for free, but I want", "really helped along the way, and with another huge wave of reviewing before", "is better. I'd like the codes to be for the paperback version rather", "to give back just a bit by letting them have a copy of", "for free, but I want to give back just a bit by letting", "reviewing before I publish, there's gonna be a lot of people who help.", "publish, there's gonna be a lot of people who help. I know that", "another huge wave of reviewing before I publish, there's gonna be a lot", "give back just a bit by letting them have a copy of the", "to the people who've helped the most when publishing through Amazon? Reduced price", "Amazon, probably with a paperback option as well as E-book. There's been some", "like the codes to be for the paperback version rather than ebook because", "dozen or so 'free codes' to give to the people who've helped the", "a dozen or so 'free codes' to give to the people who've helped", "be a lot of people who help. I know that Betas mostly work", "book, preferably for free. So, is there a way to get a dozen", "the most when publishing through Amazon? Reduced price works as well but free", "with a paperback option as well as E-book. There's been some people who've", "to give to the people who've helped the most when publishing through Amazon?", "by letting them have a copy of the book, preferably for free. So,", "works as well but free is better. I'd like the codes to be", "before I publish, there's gonna be a lot of people who help. I", "through Amazon, probably with a paperback option as well as E-book. There's been", "help. I know that Betas mostly work for free, but I want to", "free, but I want to give back just a bit by letting them", "but I want to give back just a bit by letting them have", "in July or August through Amazon, probably with a paperback option as well", "publishing through Amazon? Reduced price works as well but free is better. I'd", "So, is there a way to get a dozen or so 'free codes'", "helped the most when publishing through Amazon? Reduced price works as well but", "July or August through Amazon, probably with a paperback option as well as", "mostly work for free, but I want to give back just a bit", "the way, and with another huge wave of reviewing before I publish, there's", "codes to be for the paperback version rather than ebook because you can", "version rather than ebook because you can normally get those for free with", "I know that Betas mostly work for free, but I want to give", "who've helped the most when publishing through Amazon? Reduced price works as well", "is there a way to get a dozen or so 'free codes' to", "most when publishing through Amazon? Reduced price works as well but free is", "know that Betas mostly work for free, but I want to give back", "letting them have a copy of the book, preferably for free. So, is", "some people who've really helped along the way, and with another huge wave", "for the paperback version rather than ebook because you can normally get those", "a paperback option as well as E-book. There's been some people who've really", "better. I'd like the codes to be for the paperback version rather than", "publish a book in July or August through Amazon, probably with a paperback", "lot of people who help. I know that Betas mostly work for free,", "of reviewing before I publish, there's gonna be a lot of people who", "with another huge wave of reviewing before I publish, there's gonna be a", "been some people who've really helped along the way, and with another huge", "'free codes' to give to the people who've helped the most when publishing", "well but free is better. I'd like the codes to be for the", "so 'free codes' to give to the people who've helped the most when", "gonna be a lot of people who help. I know that Betas mostly", "along the way, and with another huge wave of reviewing before I publish,", "as E-book. There's been some people who've really helped along the way, and", "free is better. I'd like the codes to be for the paperback version", "rather than ebook because you can normally get those for free with Kindle", "but free is better. I'd like the codes to be for the paperback", "a lot of people who help. I know that Betas mostly work for", "than ebook because you can normally get those for free with Kindle Unlimited.", "I want to give back just a bit by letting them have a", "just a bit by letting them have a copy of the book, preferably", "give to the people who've helped the most when publishing through Amazon? Reduced", "there's gonna be a lot of people who help. I know that Betas", "work for free, but I want to give back just a bit by", "I'd like the codes to be for the paperback version rather than ebook", "get a dozen or so 'free codes' to give to the people who've", "Betas mostly work for free, but I want to give back just a", "Reduced price works as well but free is better. I'd like the codes", "or so 'free codes' to give to the people who've helped the most", "hoping to publish a book in July or August through Amazon, probably with", "that Betas mostly work for free, but I want to give back just", "people who help. I know that Betas mostly work for free, but I", "a copy of the book, preferably for free. So, is there a way", "way, and with another huge wave of reviewing before I publish, there's gonna", "and with another huge wave of reviewing before I publish, there's gonna be", "as well as E-book. There's been some people who've really helped along the", "a book in July or August through Amazon, probably with a paperback option", "them have a copy of the book, preferably for free. So, is there", "I'm hoping to publish a book in July or August through Amazon, probably", "option as well as E-book. There's been some people who've really helped along", "through Amazon? Reduced price works as well but free is better. I'd like", "way to get a dozen or so 'free codes' to give to the", "There's been some people who've really helped along the way, and with another", "paperback option as well as E-book. There's been some people who've really helped", "bit by letting them have a copy of the book, preferably for free.", "to get a dozen or so 'free codes' to give to the people", "a bit by letting them have a copy of the book, preferably for", "helped along the way, and with another huge wave of reviewing before I", "as well but free is better. I'd like the codes to be for", "price works as well but free is better. I'd like the codes to", "who've really helped along the way, and with another huge wave of reviewing", "have a copy of the book, preferably for free. So, is there a", "August through Amazon, probably with a paperback option as well as E-book. There's", "back just a bit by letting them have a copy of the book,", "book in July or August through Amazon, probably with a paperback option as", "or August through Amazon, probably with a paperback option as well as E-book.", "Amazon? Reduced price works as well but free is better. I'd like the", "preferably for free. So, is there a way to get a dozen or", "want to give back just a bit by letting them have a copy", "copy of the book, preferably for free. So, is there a way to", "to publish a book in July or August through Amazon, probably with a", "paperback version rather than ebook because you can normally get those for free", "people who've helped the most when publishing through Amazon? Reduced price works as", "a way to get a dozen or so 'free codes' to give to", "huge wave of reviewing before I publish, there's gonna be a lot of", "of people who help. I know that Betas mostly work for free, but", "the codes to be for the paperback version rather than ebook because you", "be for the paperback version rather than ebook because you can normally get", "when publishing through Amazon? Reduced price works as well but free is better.", "the book, preferably for free. So, is there a way to get a", "codes' to give to the people who've helped the most when publishing through", "the paperback version rather than ebook because you can normally get those for", "there a way to get a dozen or so 'free codes' to give", "for free. So, is there a way to get a dozen or so", "probably with a paperback option as well as E-book. There's been some people", "well as E-book. There's been some people who've really helped along the way,", "the people who've helped the most when publishing through Amazon? Reduced price works", "E-book. There's been some people who've really helped along the way, and with" ]
[ "write about aside from asking and answering questions of the competition. Should I", "feel that my writing is very poor. I can't find events to write", "about aside from asking and answering questions of the competition. Should I just", "I feel that my writing is very poor. I can't find events to", "find events to write about aside from asking and answering questions of the", "is having an educational competition and I feel that my writing is very", "writing a chapter where my character is having an educational competition and I", "a chapter where my character is having an educational competition and I feel", "can't find events to write about aside from asking and answering questions of", "competition and I feel that my writing is very poor. I can't find", "that my writing is very poor. I can't find events to write about", "educational competition and I feel that my writing is very poor. I can't", "writing is very poor. I can't find events to write about aside from", "my character is having an educational competition and I feel that my writing", "having an educational competition and I feel that my writing is very poor.", "I can't find events to write about aside from asking and answering questions", "to write about aside from asking and answering questions of the competition. Should", "I'm writing a chapter where my character is having an educational competition and", "my writing is very poor. I can't find events to write about aside", "aside from asking and answering questions of the competition. Should I just drop", "chapter where my character is having an educational competition and I feel that", "an educational competition and I feel that my writing is very poor. I", "poor. I can't find events to write about aside from asking and answering", "character is having an educational competition and I feel that my writing is", "asking and answering questions of the competition. Should I just drop this chapter?", "from asking and answering questions of the competition. Should I just drop this", "events to write about aside from asking and answering questions of the competition.", "where my character is having an educational competition and I feel that my", "is very poor. I can't find events to write about aside from asking", "and I feel that my writing is very poor. I can't find events", "very poor. I can't find events to write about aside from asking and" ]
[ "just to simply remove the female characters, but that cripples the story. Male", "image search the title with your kids and will likely run into something.", "mean to lecture, but taking characters people poured their time and energy into", "story. Male and female characters offer dynamics into a story. Any advice would", "I'm sure some of you have noticed the current trend. From Disney characters", "am sad for the world. I do not mean to lecture, but taking", "a story for a video game. For the story, I created a male", "characters like Mario, you can literally just Google image search the title with", "I am writing a story for a video game. For the story, I", "their personality, traits, etc. It makes them very fun and interesting. However, I", "sharing how they look because of a fear of people taking these characters", "for a video game. For the story, I created a male lead but", "you can literally just Google image search the title with your kids and", "etc. It makes them very fun and interesting. However, I am extremely discouraged", "just want to make porn parodies out of Intellectual Properties. Does anyone else", "them. I'm sure some of you have noticed the current trend. From Disney", "etc out of them. I'm sure some of you have noticed the current", "from pervs who just want to make porn parodies out of Intellectual Properties.", "characters like Frozen, to video game characters like Mario, you can literally just", "out of them. I'm sure some of you have noticed the current trend.", "of people taking these characters that I love and created and making... inappropriate", "taking characters people poured their time and energy into developing and just corrupting", "One solution would be just to simply remove the female characters, but that", "that cripples the story. Male and female characters offer dynamics into a story.", "personality, traits, etc. It makes them very fun and interesting. However, I am", "to simply remove the female characters, but that cripples the story. Male and", "female characters. I love their personality, traits, etc. It makes them very fun", "However, I am extremely discouraged from sharing how they look because of a", "inappropriate pictures, comics, etc out of them. I'm sure some of you have", "like Frozen, to video game characters like Mario, you can literally just Google", "just corrupting them is wrong. But the thing is, I've searched online and", "searched online and do not see any way to protect my creation from", "cope/deal with this? One solution would be just to simply remove the female", "of them. I'm sure some of you have noticed the current trend. From", "do not mean to lecture, but taking characters people poured their time and", "how do you cope/deal with this? One solution would be just to simply", "would be just to simply remove the female characters, but that cripples the", "characters people poured their time and energy into developing and just corrupting them", "From Disney characters like Frozen, to video game characters like Mario, you can", "And if so, how do you cope/deal with this? One solution would be", "your kids and will likely run into something. I'll be honest, I am", "out of Intellectual Properties. Does anyone else relate to this? And if so,", "remove the female characters, but that cripples the story. Male and female characters", "you have noticed the current trend. From Disney characters like Frozen, to video", "poured their time and energy into developing and just corrupting them is wrong.", "taking these characters that I love and created and making... inappropriate pictures, comics,", "cripples the story. Male and female characters offer dynamics into a story. Any", "fun and interesting. However, I am extremely discouraged from sharing how they look", "the story, I created a male lead but have some female characters. I", "game. For the story, I created a male lead but have some female", "the title with your kids and will likely run into something. I'll be", "with your kids and will likely run into something. I'll be honest, I", "is wrong. But the thing is, I've searched online and do not see", "a video game. For the story, I created a male lead but have", "to make porn parodies out of Intellectual Properties. Does anyone else relate to", "to video game characters like Mario, you can literally just Google image search", "any way to protect my creation from pervs who just want to make", "them very fun and interesting. However, I am extremely discouraged from sharing how", "love and created and making... inappropriate pictures, comics, etc out of them. I'm", "of Intellectual Properties. Does anyone else relate to this? And if so, how", "look because of a fear of people taking these characters that I love", "the world. I do not mean to lecture, but taking characters people poured", "female characters offer dynamics into a story. Any advice would be appreciated. Thank", "offer dynamics into a story. Any advice would be appreciated. Thank you everyone!", "people taking these characters that I love and created and making... inappropriate pictures,", "protect my creation from pervs who just want to make porn parodies out", "and interesting. However, I am extremely discouraged from sharing how they look because", "corrupting them is wrong. But the thing is, I've searched online and do", "just Google image search the title with your kids and will likely run", "to this? And if so, how do you cope/deal with this? One solution", "but taking characters people poured their time and energy into developing and just", "and female characters offer dynamics into a story. Any advice would be appreciated.", "my creation from pervs who just want to make porn parodies out of", "and created and making... inappropriate pictures, comics, etc out of them. I'm sure", "the story. Male and female characters offer dynamics into a story. Any advice", "honest, I am sad for the world. I do not mean to lecture,", "this? And if so, how do you cope/deal with this? One solution would", "have noticed the current trend. From Disney characters like Frozen, to video game", "current trend. From Disney characters like Frozen, to video game characters like Mario,", "not see any way to protect my creation from pervs who just want", "that I love and created and making... inappropriate pictures, comics, etc out of", "these characters that I love and created and making... inappropriate pictures, comics, etc", "I created a male lead but have some female characters. I love their", "a male lead but have some female characters. I love their personality, traits,", "Male and female characters offer dynamics into a story. Any advice would be", "I do not mean to lecture, but taking characters people poured their time", "so, how do you cope/deal with this? One solution would be just to", "be honest, I am sad for the world. I do not mean to", "and will likely run into something. I'll be honest, I am sad for", "game characters like Mario, you can literally just Google image search the title", "is, I've searched online and do not see any way to protect my", "this? One solution would be just to simply remove the female characters, but", "do not see any way to protect my creation from pervs who just", "thing is, I've searched online and do not see any way to protect", "video game. For the story, I created a male lead but have some", "I am sad for the world. I do not mean to lecture, but", "their time and energy into developing and just corrupting them is wrong. But", "them is wrong. But the thing is, I've searched online and do not", "parodies out of Intellectual Properties. Does anyone else relate to this? And if", "characters offer dynamics into a story. Any advice would be appreciated. Thank you", "kids and will likely run into something. I'll be honest, I am sad", "they look because of a fear of people taking these characters that I", "because of a fear of people taking these characters that I love and", "trend. From Disney characters like Frozen, to video game characters like Mario, you", "and making... inappropriate pictures, comics, etc out of them. I'm sure some of", "video game characters like Mario, you can literally just Google image search the", "story, I created a male lead but have some female characters. I love", "who just want to make porn parodies out of Intellectual Properties. Does anyone", "you cope/deal with this? One solution would be just to simply remove the", "male lead but have some female characters. I love their personality, traits, etc.", "can literally just Google image search the title with your kids and will", "porn parodies out of Intellectual Properties. Does anyone else relate to this? And", "if so, how do you cope/deal with this? One solution would be just", "and do not see any way to protect my creation from pervs who", "Google image search the title with your kids and will likely run into", "I love and created and making... inappropriate pictures, comics, etc out of them.", "into developing and just corrupting them is wrong. But the thing is, I've", "pictures, comics, etc out of them. I'm sure some of you have noticed", "lecture, but taking characters people poured their time and energy into developing and", "But the thing is, I've searched online and do not see any way", "be just to simply remove the female characters, but that cripples the story.", "female characters, but that cripples the story. Male and female characters offer dynamics", "want to make porn parodies out of Intellectual Properties. Does anyone else relate", "Disney characters like Frozen, to video game characters like Mario, you can literally", "writing a story for a video game. For the story, I created a", "Mario, you can literally just Google image search the title with your kids", "likely run into something. I'll be honest, I am sad for the world.", "with this? One solution would be just to simply remove the female characters,", "like Mario, you can literally just Google image search the title with your", "people poured their time and energy into developing and just corrupting them is", "Frozen, to video game characters like Mario, you can literally just Google image", "do you cope/deal with this? One solution would be just to simply remove", "I've searched online and do not see any way to protect my creation", "Intellectual Properties. Does anyone else relate to this? And if so, how do", "makes them very fun and interesting. However, I am extremely discouraged from sharing", "but that cripples the story. Male and female characters offer dynamics into a", "not mean to lecture, but taking characters people poured their time and energy", "the thing is, I've searched online and do not see any way to", "online and do not see any way to protect my creation from pervs", "time and energy into developing and just corrupting them is wrong. But the", "of you have noticed the current trend. From Disney characters like Frozen, to", "traits, etc. It makes them very fun and interesting. However, I am extremely", "to lecture, but taking characters people poured their time and energy into developing", "discouraged from sharing how they look because of a fear of people taking", "title with your kids and will likely run into something. I'll be honest,", "some female characters. I love their personality, traits, etc. It makes them very", "It makes them very fun and interesting. However, I am extremely discouraged from", "I love their personality, traits, etc. It makes them very fun and interesting.", "pervs who just want to make porn parodies out of Intellectual Properties. Does", "lead but have some female characters. I love their personality, traits, etc. It", "and just corrupting them is wrong. But the thing is, I've searched online", "characters that I love and created and making... inappropriate pictures, comics, etc out", "relate to this? And if so, how do you cope/deal with this? One", "have some female characters. I love their personality, traits, etc. It makes them", "something. I'll be honest, I am sad for the world. I do not", "for the world. I do not mean to lecture, but taking characters people", "a fear of people taking these characters that I love and created and", "love their personality, traits, etc. It makes them very fun and interesting. However,", "making... inappropriate pictures, comics, etc out of them. I'm sure some of you", "see any way to protect my creation from pervs who just want to", "way to protect my creation from pervs who just want to make porn", "interesting. However, I am extremely discouraged from sharing how they look because of", "developing and just corrupting them is wrong. But the thing is, I've searched", "For the story, I created a male lead but have some female characters.", "to protect my creation from pervs who just want to make porn parodies", "some of you have noticed the current trend. From Disney characters like Frozen,", "created a male lead but have some female characters. I love their personality,", "Does anyone else relate to this? And if so, how do you cope/deal", "noticed the current trend. From Disney characters like Frozen, to video game characters", "into something. I'll be honest, I am sad for the world. I do", "solution would be just to simply remove the female characters, but that cripples", "search the title with your kids and will likely run into something. I'll", "the female characters, but that cripples the story. Male and female characters offer", "but have some female characters. I love their personality, traits, etc. It makes", "characters, but that cripples the story. Male and female characters offer dynamics into", "from sharing how they look because of a fear of people taking these", "of a fear of people taking these characters that I love and created", "am extremely discouraged from sharing how they look because of a fear of", "creation from pervs who just want to make porn parodies out of Intellectual", "story for a video game. For the story, I created a male lead", "wrong. But the thing is, I've searched online and do not see any", "I am extremely discouraged from sharing how they look because of a fear", "anyone else relate to this? And if so, how do you cope/deal with", "very fun and interesting. However, I am extremely discouraged from sharing how they", "sure some of you have noticed the current trend. From Disney characters like", "sad for the world. I do not mean to lecture, but taking characters", "comics, etc out of them. I'm sure some of you have noticed the", "will likely run into something. I'll be honest, I am sad for the", "how they look because of a fear of people taking these characters that", "world. I do not mean to lecture, but taking characters people poured their", "created and making... inappropriate pictures, comics, etc out of them. I'm sure some", "Properties. Does anyone else relate to this? And if so, how do you", "else relate to this? And if so, how do you cope/deal with this?", "and energy into developing and just corrupting them is wrong. But the thing", "energy into developing and just corrupting them is wrong. But the thing is,", "characters. I love their personality, traits, etc. It makes them very fun and", "am writing a story for a video game. For the story, I created", "I'll be honest, I am sad for the world. I do not mean", "simply remove the female characters, but that cripples the story. Male and female", "the current trend. From Disney characters like Frozen, to video game characters like", "literally just Google image search the title with your kids and will likely", "extremely discouraged from sharing how they look because of a fear of people", "fear of people taking these characters that I love and created and making...", "make porn parodies out of Intellectual Properties. Does anyone else relate to this?", "run into something. I'll be honest, I am sad for the world. I" ]
[ "person, and Cgras is always a bit hyped up and excited. And as", "a book, and in my book, I have a habit to name every", "excited. And as for KumaZd's friend group, they all have names directly meaning", "should I avoid doing this and just choose names randomly like a normal", "writing a book, and in my book, I have a habit to name", "their personality. My main characters, KumaZd and Cgras mean sun and moon, but", "and moon, but not only are they soul mates, but KumaZd is also", "one of my characters based on their personality. My main characters, KumaZd and", "So I'm writing a book, and in my book, I have a habit", "mean sun and moon, but not only are they soul mates, but KumaZd", "but not only are they soul mates, but KumaZd is also a calm", "Some people's names also include hints and foreshadowing about what will happen later", "habit to name every one of my characters based on their personality. My", "every one of my characters based on their personality. My main characters, KumaZd", "is always a bit hyped up and excited. And as for KumaZd's friend", "brother\" of the friend group. Some people's names also include hints and foreshadowing", "happens that he is the \"big brother\" of the friend group. Some people's", "okay or should I avoid doing this and just choose names randomly like", "kind person, and Cgras is always a bit hyped up and excited. And", "a bit hyped up and excited. And as for KumaZd's friend group, they", "up and excited. And as for KumaZd's friend group, they all have names", "the book, is this okay or should I avoid doing this and just", "main characters, KumaZd and Cgras mean sun and moon, but not only are", "in the group is named Hansuke, which basically means \"helpful\" and \"companion\", and", "which basically means \"helpful\" and \"companion\", and it just happens that he is", "to name every one of my characters based on their personality. My main", "they all have names directly meaning what their personality is. This Japanese dude", "also include hints and foreshadowing about what will happen later in the book,", "book, is this okay or should I avoid doing this and just choose", "the group is named Hansuke, which basically means \"helpful\" and \"companion\", and it", "directly meaning what their personality is. This Japanese dude in the group is", "means \"helpful\" and \"companion\", and it just happens that he is the \"big", "the friend group. Some people's names also include hints and foreshadowing about what", "\"big brother\" of the friend group. Some people's names also include hints and", "about what will happen later in the book, is this okay or should", "on their personality. My main characters, KumaZd and Cgras mean sun and moon,", "group is named Hansuke, which basically means \"helpful\" and \"companion\", and it just", "friend group. Some people's names also include hints and foreshadowing about what will", "my characters based on their personality. My main characters, KumaZd and Cgras mean", "what their personality is. This Japanese dude in the group is named Hansuke,", "in the book, is this okay or should I avoid doing this and", "a habit to name every one of my characters based on their personality.", "of the friend group. Some people's names also include hints and foreshadowing about", "have a habit to name every one of my characters based on their", "hyped up and excited. And as for KumaZd's friend group, they all have", "or should I avoid doing this and just choose names randomly like a", "sun and moon, but not only are they soul mates, but KumaZd is", "And as for KumaZd's friend group, they all have names directly meaning what", "the \"big brother\" of the friend group. Some people's names also include hints", "is also a calm and kind person, and Cgras is always a bit", "that he is the \"big brother\" of the friend group. Some people's names", "moon, but not only are they soul mates, but KumaZd is also a", "friend group, they all have names directly meaning what their personality is. This", "always a bit hyped up and excited. And as for KumaZd's friend group,", "names directly meaning what their personality is. This Japanese dude in the group", "\"helpful\" and \"companion\", and it just happens that he is the \"big brother\"", "foreshadowing about what will happen later in the book, is this okay or", "KumaZd is also a calm and kind person, and Cgras is always a", "I avoid doing this and just choose names randomly like a normal person?", "and kind person, and Cgras is always a bit hyped up and excited.", "bit hyped up and excited. And as for KumaZd's friend group, they all", "I have a habit to name every one of my characters based on", "only are they soul mates, but KumaZd is also a calm and kind", "include hints and foreshadowing about what will happen later in the book, is", "group, they all have names directly meaning what their personality is. This Japanese", "calm and kind person, and Cgras is always a bit hyped up and", "is the \"big brother\" of the friend group. Some people's names also include", "have names directly meaning what their personality is. This Japanese dude in the", "are they soul mates, but KumaZd is also a calm and kind person,", "just happens that he is the \"big brother\" of the friend group. Some", "will happen later in the book, is this okay or should I avoid", "for KumaZd's friend group, they all have names directly meaning what their personality", "hints and foreshadowing about what will happen later in the book, is this", "as for KumaZd's friend group, they all have names directly meaning what their", "book, and in my book, I have a habit to name every one", "book, I have a habit to name every one of my characters based", "name every one of my characters based on their personality. My main characters,", "and \"companion\", and it just happens that he is the \"big brother\" of", "characters based on their personality. My main characters, KumaZd and Cgras mean sun", "characters, KumaZd and Cgras mean sun and moon, but not only are they", "their personality is. This Japanese dude in the group is named Hansuke, which", "KumaZd and Cgras mean sun and moon, but not only are they soul", "mates, but KumaZd is also a calm and kind person, and Cgras is", "my book, I have a habit to name every one of my characters", "they soul mates, but KumaZd is also a calm and kind person, and", "in my book, I have a habit to name every one of my", "later in the book, is this okay or should I avoid doing this", "personality is. This Japanese dude in the group is named Hansuke, which basically", "group. Some people's names also include hints and foreshadowing about what will happen", "this okay or should I avoid doing this and just choose names randomly", "I'm writing a book, and in my book, I have a habit to", "people's names also include hints and foreshadowing about what will happen later in", "and Cgras mean sun and moon, but not only are they soul mates,", "he is the \"big brother\" of the friend group. Some people's names also", "Japanese dude in the group is named Hansuke, which basically means \"helpful\" and", "names also include hints and foreshadowing about what will happen later in the", "Hansuke, which basically means \"helpful\" and \"companion\", and it just happens that he", "Cgras is always a bit hyped up and excited. And as for KumaZd's", "is named Hansuke, which basically means \"helpful\" and \"companion\", and it just happens", "Cgras mean sun and moon, but not only are they soul mates, but", "This Japanese dude in the group is named Hansuke, which basically means \"helpful\"", "what will happen later in the book, is this okay or should I", "and foreshadowing about what will happen later in the book, is this okay", "soul mates, but KumaZd is also a calm and kind person, and Cgras", "but KumaZd is also a calm and kind person, and Cgras is always", "is. This Japanese dude in the group is named Hansuke, which basically means", "and in my book, I have a habit to name every one of", "based on their personality. My main characters, KumaZd and Cgras mean sun and", "is this okay or should I avoid doing this and just choose names", "and Cgras is always a bit hyped up and excited. And as for", "basically means \"helpful\" and \"companion\", and it just happens that he is the", "it just happens that he is the \"big brother\" of the friend group.", "all have names directly meaning what their personality is. This Japanese dude in", "personality. My main characters, KumaZd and Cgras mean sun and moon, but not", "My main characters, KumaZd and Cgras mean sun and moon, but not only", "a calm and kind person, and Cgras is always a bit hyped up", "KumaZd's friend group, they all have names directly meaning what their personality is.", "of my characters based on their personality. My main characters, KumaZd and Cgras", "named Hansuke, which basically means \"helpful\" and \"companion\", and it just happens that", "and it just happens that he is the \"big brother\" of the friend", "dude in the group is named Hansuke, which basically means \"helpful\" and \"companion\",", "and excited. And as for KumaZd's friend group, they all have names directly", "happen later in the book, is this okay or should I avoid doing", "not only are they soul mates, but KumaZd is also a calm and", "meaning what their personality is. This Japanese dude in the group is named", "also a calm and kind person, and Cgras is always a bit hyped", "\"companion\", and it just happens that he is the \"big brother\" of the" ]
[ "(knowing that it's not my mother tongue), but I'm always haunted by thoughts", "since I can't find a partner to proofread or edit my writing. How", "of rejection by readers which makes me hesitate to publish my work and", "sometimes makes me stop writing, especially since I can't find a partner to", "to publish my work and sometimes makes me stop writing, especially since I", "me hesitate to publish my work and sometimes makes me stop writing, especially", "me stop writing, especially since I can't find a partner to proofread or", "English (knowing that it's not my mother tongue), but I'm always haunted by", "not my mother tongue), but I'm always haunted by thoughts of rejection by", "readers which makes me hesitate to publish my work and sometimes makes me", "haunted by thoughts of rejection by readers which makes me hesitate to publish", "like writing in English (knowing that it's not my mother tongue), but I'm", "but I'm always haunted by thoughts of rejection by readers which makes me", "I'm always haunted by thoughts of rejection by readers which makes me hesitate", "publish my work and sometimes makes me stop writing, especially since I can't", "thoughts of rejection by readers which makes me hesitate to publish my work", "always haunted by thoughts of rejection by readers which makes me hesitate to", "makes me hesitate to publish my work and sometimes makes me stop writing,", "writing, especially since I can't find a partner to proofread or edit my", "that it's not my mother tongue), but I'm always haunted by thoughts of", "and sometimes makes me stop writing, especially since I can't find a partner", "I can't find a partner to proofread or edit my writing. How can", "hesitate to publish my work and sometimes makes me stop writing, especially since", "rejection by readers which makes me hesitate to publish my work and sometimes", "I like writing in English (knowing that it's not my mother tongue), but", "can't find a partner to proofread or edit my writing. How can I", "work and sometimes makes me stop writing, especially since I can't find a", "mother tongue), but I'm always haunted by thoughts of rejection by readers which", "find a partner to proofread or edit my writing. How can I move", "especially since I can't find a partner to proofread or edit my writing.", "by readers which makes me hesitate to publish my work and sometimes makes", "my work and sometimes makes me stop writing, especially since I can't find", "by thoughts of rejection by readers which makes me hesitate to publish my", "in English (knowing that it's not my mother tongue), but I'm always haunted", "a partner to proofread or edit my writing. How can I move forward?", "which makes me hesitate to publish my work and sometimes makes me stop", "makes me stop writing, especially since I can't find a partner to proofread", "my mother tongue), but I'm always haunted by thoughts of rejection by readers", "it's not my mother tongue), but I'm always haunted by thoughts of rejection", "tongue), but I'm always haunted by thoughts of rejection by readers which makes", "stop writing, especially since I can't find a partner to proofread or edit", "writing in English (knowing that it's not my mother tongue), but I'm always" ]
[ "I would like to use flashbacks in my novel. I am not sure", "would like to use flashbacks in my novel. I am not sure when", "to place them - in the middle of a chapter, at the end", "own. What are the advantages and common usages for flashbacks that I can", "place them - in the middle of a chapter, at the end of", "chapter on its own. What are the advantages and common usages for flashbacks", "its own. What are the advantages and common usages for flashbacks that I", "are the advantages and common usages for flashbacks that I can refer to?", "use flashbacks in my novel. I am not sure when to place them", "in the middle of a chapter, at the end of a chapter, as", "sure when to place them - in the middle of a chapter, at", "the end of a chapter, as a chapter on its own. What are", "a chapter, as a chapter on its own. What are the advantages and", "a chapter, at the end of a chapter, as a chapter on its", "of a chapter, as a chapter on its own. What are the advantages", "not sure when to place them - in the middle of a chapter,", "my novel. I am not sure when to place them - in the", "flashbacks in my novel. I am not sure when to place them -", "end of a chapter, as a chapter on its own. What are the", "chapter, at the end of a chapter, as a chapter on its own.", "- in the middle of a chapter, at the end of a chapter,", "chapter, as a chapter on its own. What are the advantages and common", "as a chapter on its own. What are the advantages and common usages", "am not sure when to place them - in the middle of a", "on its own. What are the advantages and common usages for flashbacks that", "middle of a chapter, at the end of a chapter, as a chapter", "I am not sure when to place them - in the middle of", "a chapter on its own. What are the advantages and common usages for", "to use flashbacks in my novel. I am not sure when to place", "novel. I am not sure when to place them - in the middle", "of a chapter, at the end of a chapter, as a chapter on", "like to use flashbacks in my novel. I am not sure when to", "at the end of a chapter, as a chapter on its own. What", "the middle of a chapter, at the end of a chapter, as a", "when to place them - in the middle of a chapter, at the", "in my novel. I am not sure when to place them - in", "them - in the middle of a chapter, at the end of a", "What are the advantages and common usages for flashbacks that I can refer" ]
[ "of a story. The really big issue is that an author is generally", "characters because I've never dated or romantically interacted with someone. Or writing about", "I kind of dislike people in general. What I lack is a visceral", "I just taught myself to stop feeling. I work in a job that", "with. My entire life can be described as only viewing humanity from a", "romantically interacted with someone. Or writing about a teenage character working a soul-sucking", "experience. All stories, no matter the genre, are people stories. We're always writing", "We're always writing about the human condition, our take on it, what we", "Not to mention every character can't behave this way. Given this, *how does", "I never acted on. I'm not religious. I intentionally have next to no", "and use your perspective to inform that. However, the broader issue with that", "keeping with the nature of a story. The really* big issue is that", "about \"the human condition, our take on it, what we see in our", "The same was true of college, and even today I don't have people", "uplifting message about human nature and not sabotaging it with my own nihlism", "the reader in order to maintain a sense of verisimilitude, and if your", "real-life friendships to show emotional bonds between characters. Writing is fundamentally about having", "creative energy\". This is a big problem for me, because I don't really", "on a regular basis. I've learned to be hyper-independent because I've largely learned", "up I had next to no circle of friends, and the few people", "I did hang around were abusive and toxic. The same was true of", "Honestly given what I've seen about humanity I kind of dislike people in", "I have no siblings, and I have no relatives that I see on", "or romantically interacted with someone. Or writing about a teenage character working a", "take on it, what we see in our world and experience. All stories,", "an author is generally expected to know more than the reader in order", "start off, I am a high-functioning autistic, so my perspective is already warped.", "off, I am a high-functioning autistic, so my perspective is already warped. Growing", "overly idealistic or cynical in keeping with the nature of a story. The", "life can be described as only viewing humanity from a distance as an", "have never had any romantic relationships besides one-sided crushes from afar that I", "television, which most would agree is…not the most reliable perspective for understanding human", "about human nature and not sabotaging it with my own nihlism and cynicism.", "today I don't have people I have strong emotional connections to. Not because", "human condition you don't know why you are writing, and in that case", "fan communities, I have no Internet friends, etc. My parents were dysfunctional and", "third-party perspective. I've had people tell me that \"well, if you struggle to", "but they still have a society. Not to mention every character can't behave", "college, and even today I don't have people I have strong emotional connections", "storytelling feel real to the audience. E.g., struggling to write romantic interactions between", "I see on a regular basis. I've learned to be hyper-independent because I've", "learned to be hyper-independent because I've largely learned that other people are untrustworthy", "stop feeling. I work in a job that requires minimal social interaction. I", "with the readers, even if one is writing from a third-party perspective. I've", "help me to illuminate and illustrate my observations about the human condition? If", "because I've never worked such a job nor know someone who has. Or", "for, but it's harder to write about something that theoretically most readers know", "and a bit emotionally abusive, and while I've come to realize their behavior", "as an outsider looking in. To start off, I am a high-functioning autistic,", "I have no Internet friends, etc. My parents were dysfunctional and a bit", "working a soul-sucking temp job at a fast-food restaurant because I've never worked", "and in that case writing is typically a waste of creative energy\". This", "behavior is not what a normal adult should behave like, I have little", "yourself the following question: how will what I'm writing today help me to", "fiction are) when they have no baseline to compare it to or draw", "be described as only viewing humanity from a distance as an outsider looking", "such a job nor know someone who has. Or writing a story that", "job that requires minimal social interaction. I have never had any romantic relationships", "human condition\" better than you do as an author you're playing at a", "stereotypes of autistic people being emotionless or clueless, saying \"I don't understand humanity\"", "or otherwise overly idealistic or cynical in keeping with the nature of a", "when these works do try to ape human interaction, they often do so", "me that \"well, if you struggle to understand humanity so much, why don't", "media, I do not frequent forums, I do not belong to any fan", "are untrustworthy and can't be relied upon. I'm not trying to spin a", "and in fact because of my status as an outsider looking in I've", "parents were dysfunctional and a bit emotionally abusive, and while I've come to", "and I have no relatives that I see on a regular basis. I've", "merely as a third-party observer, and the lived experiences that writers draw on", "on real-life friendships to show emotional bonds between characters. Writing is fundamentally about", "must answer to yourself the following question: how will what I'm writing today", "and \"the human condition\" (as pretty much all character-driven works of fiction are)", "see in our world and experience. Every time you sit down to write", "fundamentally about \"the human condition, our take on it, what we see in", "frame of reference for, but it's harder to write about something that theoretically", "have strong emotional connections to. Not because I am autistic, but because I", "burned so many times I just taught myself to stop feeling. I work", "as an author you're playing at a disadvantage. It's easy to write about", "is even aliens and other non-human characters invariably have some sort of social", "people aren't. Honestly given what I've seen about humanity I kind of dislike", "to inform that. However, the broader issue with that is even aliens and", "I do not frequent forums, I do not belong to any fan communities,", "abusive, and while I've come to realize their behavior is not what a", "in. To start off, I am a high-functioning autistic, so my perspective is", "do try to ape human interaction, they often do so in a way", "drawing on real-life friendships to show emotional bonds between characters. Writing is fundamentally", "that I see on a regular basis. I've learned to be hyper-independent because", "\"the human condition\" because the lifelines for which one typically learns about the", "writing a story that I intended to have an uplifting message about human", "to have an uplifting message about human nature and not sabotaging it with", "sabotaging it with my own nihlism and cynicism. Or drawing on real-life friendships", "and experience. Every time you sit down to write you must answer to", "idealistic or cynical in keeping with the nature of a story. The really", "human nature and not sabotaging it with my own nihlism and cynicism. Or", "to pick up when people are lying to themselves or others about the", "that other people are untrustworthy and can't be relied upon. I'm not trying", "I've never worked such a job nor know someone who has. Or writing", "lifelines for which one typically learns about the human condition are not present", "our world and experience. All stories, no matter the genre, are people stories.", "normal adult should behave like, I have little baseline for what people should", "I have no point of context about \"the human condition\" because the lifelines", "the real, often self-centered reasoning behind their motivations even when other people aren't.", "to stop feeling. I work in a job that requires minimal social interaction.", "I've seen about humanity I kind of dislike people in general. What I", "you don't know why you are writing, and in that case writing is", "temp job at a fast-food restaurant because I've never worked such a job", "had any romantic relationships besides one-sided crushes from afar that I never acted", "Or drawing on real-life friendships to show emotional bonds between characters. Writing is", "of fiction are) when they have no baseline to compare it to or", "being emotionless or clueless, saying \"I don't understand humanity\" is a bit hyperbolic.", "agree is…not the most reliable perspective for understanding human behavior. Even when these", "human motivations quite well, and in fact because of my status as an", "verisimilitude, and if your readers understand human emotions and \"the human condition\" better", "The really big issue is that an author is generally expected to know", "works of fiction are) when they have no baseline to compare it to", "my status as an outsider looking in I've often been able to pick", "have no siblings, and I have no relatives that I see on a", "that \"well, if you struggle to understand humanity so much, why don't you", "order to make their characters and storytelling feel real to the audience. E.g.,", "about \"the human condition\" because the lifelines for which one typically learns about", "I do not use social media, I do not frequent forums, I do", "this, *how does one write a story about human interaction and \"the human", "to write about things that people have no frame of reference for, but", "regular basis. I've learned to be hyper-independent because I've largely learned that other", "non-television, non-movie fiction since visual spectacle is limited). Vulcans in Star Trek* may", "they often do so in a way that is played for drama or", "What I lack is a visceral understanding of how it feels to be", "basis. I've learned to be hyper-independent because I've largely learned that other people", "at a fast-food restaurant because I've never worked such a job nor know", "typically learns about the human condition are not present in my life. About", "of context about \"the human condition\" because the lifelines for which one typically", "don't understand the human condition you don't know why you are writing, and", "with some writers, and they were mentioning how writing is fundamentally about \"the", "humanity from a distance as an outsider looking in. To start off, I", "the human condition you don't know why you are writing, and in that", "theoretically most readers know something about. Now, I'm not trying to play into", "much all character-driven works of fiction are) when they have no baseline to", "to know more than the reader in order to maintain a sense of", "hyper-logical and vampires in Vampire: The Masquerade are antisocial, but they still have", "fiction interesting (especially non-television, non-movie fiction since visual spectacle is limited). Vulcans in", "besides one-sided crushes from afar that I never acted on. I'm not religious.", "don't really get the human condition to begin with. My entire life can", "condition to begin with. My entire life can be described as only viewing", "about things that people have no frame of reference for, but it's harder", "condition? If you don't understand the human condition you don't know why you", "write alien characters or ones that are otherwise non-human\", and use your perspective", "about the human condition, our take on it, what we see in our", "behind their motivations even when other people aren't. Honestly given what I've seen", "or clueless, saying \"I don't understand humanity\" is a bit hyperbolic. I understand", "to show emotional bonds between characters. Writing is fundamentally about having the character's", "teenage character working a soul-sucking temp job at a fast-food restaurant because I've", "maintain a sense of verisimilitude, and if your readers understand human emotions and", "or cynical in keeping with the nature of a story. The really big", "reliable perspective for understanding human behavior. Even when these works do try to", "you must answer to yourself the following question: how will what I'm writing", "never acted on. I'm not religious. I intentionally have next to no Internet", "Star Trek may be hyper-logical and vampires in Vampire: The Masquerade are antisocial,", "in general. What I lack is a visceral understanding of how it feels", "play into stereotypes of autistic people being emotionless or clueless, saying \"I don't", "no matter the genre, are people stories. We're always writing about the human", "a teenage character working a soul-sucking temp job at a fast-food restaurant because", "is typically a waste of creative energy\". This is a big problem for", "like, I have little baseline for what people should behave like. I have", "times I just taught myself to stop feeling. I work in a job", "the few people I did hang around were abusive and toxic. The same", "illuminate and illustrate my observations about the human condition? If you don't understand", "know something about. Now, I'm not trying to play into stereotypes of autistic", "real, often self-centered reasoning behind their motivations even when other people aren't. Honestly", "when people are lying to themselves or others about the real, often self-centered", "stories. We're always writing about the human condition, our take on it, what", "is fundamentally about having the character's emotions resonate with the readers, even if", "show emotional bonds between characters. Writing is fundamentally about having the character's emotions", "was talking with some writers, and they were mentioning how writing is fundamentally", "the following question: how will what I'm writing today help me to illuminate", "real to the audience. E.g., struggling to write romantic interactions between characters because", "one write a story about human interaction and \"the human condition\" (as pretty", "we see in our world and experience. Every time you sit down to", "adult should behave like, I have little baseline for what people should behave", "to ape human interaction, they often do so in a way that is", "trying to play into stereotypes of autistic people being emotionless or clueless, saying", "big issue is that an author is generally expected to know more than", "if one is writing from a third-party perspective. I've had people tell me", "you struggle to understand humanity so much, why don't you just write alien", "world and experience. Every time you sit down to write you must answer", "is writing from a third-party perspective. I've had people tell me that \"well,", "and experience. All stories, no matter the genre, are people stories. We're always", "can't behave this way. Given this, *how does one write a story about", "since visual spectacle is limited). Vulcans in Star Trek* may be hyper-logical and", "human condition? If you don't understand the human condition you don't know why", "that I never acted on. I'm not religious. I intentionally have next to", "to maintain a sense of verisimilitude, and if your readers understand human emotions", "be hyper-logical and vampires in Vampire: The Masquerade are antisocial, but they still", "My parents were dysfunctional and a bit emotionally abusive, and while I've come", "that case writing is typically a waste of creative energy\". This is a", "see on a regular basis. I've learned to be hyper-independent because I've largely", "my only guide for how people actually behave is anime and television, which", "I've come to realize their behavior is not what a normal adult should", "about having the character's emotions resonate with the readers, even if one is", "for drama or otherwise overly idealistic or cynical in keeping with the nature", "life. About my only guide for how people actually behave is anime and", "how people actually behave is anime and television, which most would agree is…not", "do not use social media, I do not frequent forums, I do not", "the lived experiences that writers draw on in order to make their characters", "they still have a society. Not to mention every character can't behave this", "are people stories. We're always writing about the human condition, our take on", "often been able to pick up when people are lying to themselves or", "outsider looking in. To start off, I am a high-functioning autistic, so my", "feeling. I work in a job that requires minimal social interaction. I have", "If you don't understand the human condition you don't know why you are", "dysfunctional and a bit emotionally abusive, and while I've come to realize their", "viewing humanity from a distance as an outsider looking in. To start off,", "our take on it, what we see in our world and experience. All", "can't be relied upon. I'm not trying to spin a sob story, my", "of reference for, but it's harder to write about something that theoretically most", "readers, even if one is writing from a third-party perspective. I've had people", "easy to write about things that people have no frame of reference for,", "a third-party perspective. I've had people tell me that \"well, if you struggle", "with that is even aliens and other non-human characters invariably have some sort", "writers, and they were mentioning how writing is fundamentally about \"the human condition,", "about the human condition are not present in my life. About my only", "condition\" (as pretty much all character-driven works of fiction are) when they have", "friends, and the few people I did hang around were abusive and toxic.", "perspective for understanding human behavior. Even when these works do try to ape", "the nature of a story. The really big issue is that an author", "I've often been able to pick up when people are lying to themselves", "and storytelling feel real to the audience. E.g., struggling to write romantic interactions", "have an uplifting message about human nature and not sabotaging it with my", "who has. Or writing a story that I intended to have an uplifting", "readers understand human emotions and \"the human condition\" better than you do as", "were abusive and toxic. The same was true of college, and even today", "saying \"I don't understand humanity\" is a bit hyperbolic. I understand human motivations", "well, and in fact because of my status as an outsider looking in", "clueless, saying \"I don't understand humanity\" is a bit hyperbolic. I understand human", "context about \"the human condition\" because the lifelines for which one typically learns", "a story. The really big issue is that an author is generally expected", "are lying to themselves or others about the real, often self-centered reasoning behind", "you sit down to write you must answer to yourself the following question:", "use social media, I do not frequent forums, I do not belong to", "human emotions and \"the human condition\" better than you do as an author", "struggle to understand humanity so much, why don't you just write alien characters", "way. Given this, *how does one write a story about human interaction and", "behave like. I have no siblings, and I have no relatives that I", "that. However, the broader issue with that is even aliens and other non-human", "not belong to any fan communities, I have no Internet friends, etc. My", "Internet presence: I do not use social media, I do not frequent forums,", "with the nature of a story. The really* big issue is that an", "social interactions are what make fiction interesting (especially non-television, non-movie fiction since visual", "some writers, and they were mentioning how writing is fundamentally about \"the human", "may be hyper-logical and vampires in Vampire: The Masquerade are antisocial, but they", "every character can't behave this way. Given this, how does one write a", "I don't have people I have strong emotional connections to. Not because I", "for how people actually behave is anime and television, which most would agree", "how does one write a story about human interaction and \"the human condition\"", "work in a job that requires minimal social interaction. I have never had", "sob story, my broader point is that I have no point of context", "fiction since visual spectacle is limited). Vulcans in Star Trek may be hyper-logical", "have no Internet friends, etc. My parents were dysfunctional and a bit emotionally", "have some sort of social structure because social interactions are what make fiction", "Even when these works do try to ape human interaction, they often do", "the character's emotions resonate with the readers, even if one is writing from", "to write romantic interactions between characters because I've never dated or romantically interacted", "so many times I just taught myself to stop feeling. I work in", "mentioning how writing is fundamentally about \"the human condition, our take on it,", "Internet friends, etc. My parents were dysfunctional and a bit emotionally abusive, and", "bit emotionally abusive, and while I've come to realize their behavior is not", "Or writing about a teenage character working a soul-sucking temp job at a", "and they were mentioning how writing is fundamentally about \"the human condition, our", "people I did hang around were abusive and toxic. The same was true", "writing about a teenage character working a soul-sucking temp job at a fast-food", "characters invariably have some sort of social structure because social interactions are what", "writing, and in that case writing is typically a waste of creative energy\".", "than you do as an author you're playing at a disadvantage. It's easy", "why don't you just write alien characters or ones that are otherwise non-human\",", "had people tell me that \"well, if you struggle to understand humanity so", "to be hyper-independent because I've largely learned that other people are untrustworthy and", "behave this way. Given this, *how does one write a story about human", "take on it, what we see in our world and experience. Every time", "relied upon. I'm not trying to spin a sob story, my broader point", "writing today help me to illuminate and illustrate my observations about the human", "I have never had any romantic relationships besides one-sided crushes from afar that", "described as only viewing humanity from a distance as an outsider looking in.", "even today I don't have people I have strong emotional connections to. Not", "This is a big problem for me, because I don't really get the", "reasoning behind their motivations even when other people aren't. Honestly given what I've", "answer to yourself the following question: how will what I'm writing today help", "general. What I lack is a visceral understanding of how it feels to", "trying to spin a sob story, my broader point is that I have", "condition are not present in my life. About my only guide for how", "guide for how people actually behave is anime and television, which most would", "a visceral understanding of how it feels to be in these positions rather", "or ones that are otherwise non-human\", and use your perspective to inform that.", "dislike people in general. What I lack is a visceral understanding of how", "can be described as only viewing humanity from a distance as an outsider", "but because I got burned so many times I just taught myself to", "same was true of college, and even today I don't have people I", "in keeping with the nature of a story. The really* big issue is", "I'm writing today help me to illuminate and illustrate my observations about the", "social interaction. I have never had any romantic relationships besides one-sided crushes from", "use your perspective to inform that. However, the broader issue with that is", "this way. Given this, *how does one write a story about human interaction", "between characters. Writing is fundamentally about having the character's emotions resonate with the", "because I've largely learned that other people are untrustworthy and can't be relied", "alien characters or ones that are otherwise non-human\", and use your perspective to", "human condition\" because the lifelines for which one typically learns about the human", "job nor know someone who has. Or writing a story that I intended", "my broader point is that I have no point of context about \"the", "antisocial, but they still have a society. Not to mention every* character can't", "Writing is fundamentally about having the character's emotions resonate with the readers, even", "etc. My parents were dysfunctional and a bit emotionally abusive, and while I've", "all character-driven works of fiction are) when they have no baseline to compare", "that are otherwise non-human\", and use your perspective to inform that. However, the", "in Star Trek may be hyper-logical and vampires in Vampire: The Masquerade are", "be hyper-independent because I've largely learned that other people are untrustworthy and can't", "humanity\" is a bit hyperbolic. I understand human motivations quite well, and in", "no point of context about \"the human condition\" because the lifelines for which", "otherwise overly idealistic or cynical in keeping with the nature of a story.", "point is that I have no point of context about \"the human condition\"", "learns about the human condition are not present in my life. About my", "that people have no frame of reference for, but it's harder to write", "story that I intended to have an uplifting message about human nature and", "between characters because I've never dated or romantically interacted with someone. Or writing", "emotional bonds between characters. Writing is fundamentally about having the character's emotions resonate", "something that theoretically most readers know something about. Now, I'm not trying to", "feel real to the audience. E.g., struggling to write romantic interactions between characters", "writing about the human condition, our take on it, what we see in", "their behavior is not what a normal adult should behave like, I have", "about something that theoretically most readers know something about. Now, I'm not trying", "don't have people I have strong emotional connections to. Not because I am", "nature and not sabotaging it with my own nihlism and cynicism. Or drawing", "don't you just write alien characters or ones that are otherwise non-human\", and", "any romantic relationships besides one-sided crushes from afar that I never acted on.", "no relatives that I see on a regular basis. I've learned to be", "story. The really big issue is that an author is generally expected to", "a society. Not to mention every character can't behave this way. Given this,", "the genre, are people stories. We're always writing about the human condition, our", "what a normal adult should behave like, I have little baseline for what", "people are untrustworthy and can't be relied upon. I'm not trying to spin", "and not sabotaging it with my own nihlism and cynicism. Or drawing on", "one typically learns about the human condition are not present in my life.", "I do not belong to any fan communities, I have no Internet friends,", "in Vampire: The Masquerade are antisocial, but they still have a society. Not", "inform that. However, the broader issue with that is even aliens and other", "don't know why you are writing, and in that case writing is typically", "high-functioning autistic, so my perspective is already warped. Growing up I had next", "have little baseline for what people should behave like. I have no siblings,", "other people are untrustworthy and can't be relied upon. I'm not trying to", "condition\" because the lifelines for which one typically learns about the human condition", "visceral understanding of how it feels to be in these positions rather than", "a way that is played for drama or otherwise overly idealistic or cynical", "reference for, but it's harder to write about something that theoretically most readers", "an uplifting message about human nature and not sabotaging it with my own", "bonds between characters. Writing is fundamentally about having the character's emotions resonate with", "non-human\", and use your perspective to inform that. However, the broader issue with", "I understand human motivations quite well, and in fact because of my status", "a big problem for me, because I don't really get the human condition", "quite well, and in fact because of my status as an outsider looking", "story about human interaction and \"the human condition\" (as pretty much all character-driven", "a job nor know someone who has. Or writing a story that I", "All stories, no matter the genre, are people stories. We're always writing about", "been able to pick up when people are lying to themselves or others", "not religious. I intentionally have next to no Internet presence: I do not", "of my status as an outsider looking in I've often been able to", "issue with that is even aliens and other non-human characters invariably have some", "intended to have an uplifting message about human nature and not sabotaging it", "for understanding human behavior. Even when these works do try to ape human", "no circle of friends, and the few people I did hang around were", "no siblings, and I have no relatives that I see on a regular", "fast-food restaurant because I've never worked such a job nor know someone who", "issue is that an author is generally expected to know more than the", "realize their behavior is not what a normal adult should behave like, I", "the readers, even if one is writing from a third-party perspective. I've had", "behavior. Even when these works do try to ape human interaction, they often", "try to ape human interaction, they often do so in a way that", "have people I have strong emotional connections to. Not because I am autistic,", "it feels to be in these positions rather than merely as a third-party", "understand human emotions and \"the human condition\" better than you do as an", "with my own nihlism and cynicism. Or drawing on real-life friendships to show", "someone. Or writing about a teenage character working a soul-sucking temp job at", "around were abusive and toxic. The same was true of college, and even", "with someone. Or writing about a teenage character working a soul-sucking temp job", "worked such a job nor know someone who has. Or writing a story", "a distance as an outsider looking in. To start off, I am a", "write a story about human interaction and \"the human condition\" (as pretty much", "interactions are what make fiction interesting (especially non-television, non-movie fiction since visual spectacle", "it's harder to write about something that theoretically most readers know something about.", "to begin with. My entire life can be described as only viewing humanity", "write about something that theoretically most readers know something about. Now, I'm not", "for which one typically learns about the human condition are not present in", "got burned so many times I just taught myself to stop feeling. I", "lying to themselves or others about the real, often self-centered reasoning behind their", "\"the human condition\" better than you do as an author you're playing at", "I was talking with some writers, and they were mentioning how writing is", "on it, what we see in our world and experience. Every time you", "largely learned that other people are untrustworthy and can't be relied upon. I'm", "up when people are lying to themselves or others about the real, often", "in order to make their characters and storytelling feel real to the audience.", "The Masquerade* are antisocial, but they still have a society. Not to mention", "of how it feels to be in these positions rather than merely as", "no frame of reference for, but it's harder to write about something that", "writing is fundamentally about \"the human condition, our take on it, what we", "next to no circle of friends, and the few people I did hang", "to understand humanity so much, why don't you just write alien characters or", "do so in a way that is played for drama or otherwise overly", "in these positions rather than merely as a third-party observer, and the lived", "were mentioning how writing is fundamentally about \"the human condition, our take on", "taught myself to stop feeling. I work in a job that requires minimal", "Vulcans in Star Trek may be hyper-logical and vampires in Vampire: The Masquerade", "today help me to illuminate and illustrate my observations about the human condition?", "characters. Writing is fundamentally about having the character's emotions resonate with the readers,", "even aliens and other non-human characters invariably have some sort of social structure", "most reliable perspective for understanding human behavior. Even when these works do try", "siblings, and I have no relatives that I see on a regular basis.", "someone who has. Or writing a story that I intended to have an", "afar that I never acted on. I'm not religious. I intentionally have next", "to spin a sob story, my broader point is that I have no", "most would agree is…not the most reliable perspective for understanding human behavior. Even", "reader in order to maintain a sense of verisimilitude, and if your readers", "on in order to make their characters and storytelling feel real to the", "character working a soul-sucking temp job at a fast-food restaurant because I've never", "condition, our take on it, what we see in our world and experience.", "or others about the real, often self-centered reasoning behind their motivations even when", "and the lived experiences that writers draw on in order to make their", "interacted with someone. Or writing about a teenage character working a soul-sucking temp", "human condition\" (as pretty much all character-driven works of fiction are) when they", "never had any romantic relationships besides one-sided crushes from afar that I never", "outsider looking in I've often been able to pick up when people are", "to no circle of friends, and the few people I did hang around", "is…not the most reliable perspective for understanding human behavior. 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It's easy to write about things that people have no frame of", "not present in my life. About my only guide for how people actually", "I've had people tell me that \"well, if you struggle to understand humanity", "illustrate my observations about the human condition? 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All stories, no matter the genre, are", "intentionally have next to no Internet presence: I do not use social media,", "and television, which most would agree is…not the most reliable perspective for understanding", "It's easy to write about things that people have no frame of reference", "writing from a third-party perspective. I've had people tell me that \"well, if", "their characters and storytelling feel real to the audience. E.g., struggling to write", "ones that are otherwise non-human\", and use your perspective to inform that. However,", "case writing is typically a waste of creative energy\". This is a big", "harder to write about something that theoretically most readers know something about. Now,", "only guide for how people actually behave is anime and television, which most", "stories, no matter the genre, are people stories. We're always writing about the", "about the human condition? If you don't understand the human condition you don't", "never dated or romantically interacted with someone. Or writing about a teenage character", "even if one is writing from a third-party perspective. I've had people tell", "what I'm writing today help me to illuminate and illustrate my observations about", "cynical in keeping with the nature of a story. The really* big issue", "and if your readers understand human emotions and \"the human condition\" better than", "character can't behave this way. Given this, *how does one write a story", "experiences that writers draw on in order to make their characters and storytelling", "know why you are writing, and in that case writing is typically a", "a normal adult should behave like, I have little baseline for what people", "fact because of my status as an outsider looking in I've often been", "a waste of creative energy\". This is a big problem for me, because", "looking in I've often been able to pick up when people are lying", "observations about the human condition? If you don't understand the human condition you", "nihlism and cynicism. Or drawing on real-life friendships to show emotional bonds between", "actually behave is anime and television, which most would agree is…not the most", "To start off, I am a high-functioning autistic, so my perspective is already", "have a society. Not to mention every* character can't behave this way. Given", "distance as an outsider looking in. To start off, I am a high-functioning", "autistic, so my perspective is already warped. Growing up I had next to", "human interaction and \"the human condition\" (as pretty much all character-driven works of", "romantic interactions between characters because I've never dated or romantically interacted with someone.", "did hang around were abusive and toxic. The same was true of college,", "about humanity I kind of dislike people in general. What I lack is", "no Internet presence: I do not use social media, I do not frequent", "are writing, and in that case writing is typically a waste of creative", "and toxic. The same was true of college, and even today I don't", "human condition are not present in my life. About my only guide for", "tell me that \"well, if you struggle to understand humanity so much, why", "are otherwise non-human\", and use your perspective to inform that. However, the broader", "drama or otherwise overly idealistic or cynical in keeping with the nature of", "people have no frame of reference for, but it's harder to write about", "I have strong emotional connections to. Not because I am autistic, but because", "\"the human condition, our take on it, what we see in our world", "that is played for drama or otherwise overly idealistic or cynical in keeping", "which most would agree is…not the most reliable perspective for understanding human behavior.", "you don't understand the human condition you don't know why you are writing,", "because I've never dated or romantically interacted with someone. Or writing about a", "it with my own nihlism and cynicism. Or drawing on real-life friendships to", "me to illuminate and illustrate my observations about the human condition? If you", "readers know something about. Now, I'm not trying to play into stereotypes of", "relatives that I see on a regular basis. I've learned to be hyper-independent", "connections to. Not because I am autistic, but because I got burned so", "on. I'm not religious. I intentionally have next to no Internet presence: I", "spin a sob story, my broader point is that I have no point", "your readers understand human emotions and \"the human condition\" better than you do", "my observations about the human condition? If you don't understand the human condition", "I'm not religious. I intentionally have next to no Internet presence: I do", "Vampire: The Masquerade are antisocial, but they still have a society. Not to", "often do so in a way that is played for drama or otherwise", "in a way that is played for drama or otherwise overly idealistic or", "that I intended to have an uplifting message about human nature and not", "much, why don't you just write alien characters or ones that are otherwise", "Or writing a story that I intended to have an uplifting message about", "forums, I do not belong to any fan communities, I have no Internet", "writing is typically a waste of creative energy\". 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Now, I'm not trying to play into stereotypes of autistic people being", "people being emotionless or clueless, saying \"I don't understand humanity\" is a bit", "understand human motivations quite well, and in fact because of my status as", "status as an outsider looking in I've often been able to pick up", "when other people aren't. Honestly given what I've seen about humanity I kind", "about human interaction and \"the human condition\" (as pretty much all character-driven works", "\"I don't understand humanity\" is a bit hyperbolic. I understand human motivations quite", "if your readers understand human emotions and \"the human condition\" better than you", "few people I did hang around were abusive and toxic. The same was", "understand humanity\" is a bit hyperbolic. I understand human motivations quite well, and", "how will what I'm writing today help me to illuminate and illustrate my", "begin with. My entire life can be described as only viewing humanity from", "the human condition? If you don't understand the human condition you don't know", "Growing up I had next to no circle of friends, and the few", "your perspective to inform that. However, the broader issue with that is even", "job at a fast-food restaurant because I've never worked such a job nor", "E.g., struggling to write romantic interactions between characters because I've never dated or", "upon. I'm not trying to spin a sob story, my broader point is", "but it's harder to write about something that theoretically most readers know something", "human condition, our take on it, what we see in our world and", "I don't really get the human condition to begin with. My entire life", "to make their characters and storytelling feel real to the audience. 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About my only guide for how people actually behave is", "is fundamentally about \"the human condition, our take on it, what we see", "motivations quite well, and in fact because of my status as an outsider", "circle of friends, and the few people I did hang around were abusive", "to play into stereotypes of autistic people being emotionless or clueless, saying \"I", "looking in. To start off, I am a high-functioning autistic, so my perspective", "hang around were abusive and toxic. The same was true of college, and", "that I have no point of context about \"the human condition\" because the", "my perspective is already warped. Growing up I had next to no circle", "they were mentioning how writing is fundamentally about \"the human condition, our take", "my life. About my only guide for how people actually behave is anime", "emotional connections to. 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It's easy to write about things that people have", "understanding of how it feels to be in these positions rather than merely", "humanity so much, why don't you just write alien characters or ones that", "\"the human condition\" (as pretty much all character-driven works of fiction are) when", "you do as an author you're playing at a disadvantage. It's easy to", "broader point is that I have no point of context about \"the human", "talking with some writers, and they were mentioning how writing is fundamentally about", "to no Internet presence: I do not use social media, I do not", "in that case writing is typically a waste of creative energy\". This is", "to any fan communities, I have no Internet friends, etc. My parents were", "given what I've seen about humanity I kind of dislike people in general.", "what we see in our world and experience. Every time you sit down", "and while I've come to realize their behavior is not what a normal", "still have a society. 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Or writing a story that I intended to have an uplifting message", "(as pretty much all character-driven works of fiction are) when they have no", "people actually behave is anime and television, which most would agree is…not the", "the audience. E.g., struggling to write romantic interactions between characters because I've never", "point of context about \"the human condition\" because the lifelines for which one", "is already warped. Growing up I had next to no circle of friends,", "way that is played for drama or otherwise overly idealistic or cynical in", "have next to no Internet presence: I do not use social media, I", "I've never dated or romantically interacted with someone. Or writing about a teenage", "is not what a normal adult should behave like, I have little baseline", "even when other people aren't. Honestly given what I've seen about humanity I", "have no relatives that I see on a regular basis. I've learned to", "social structure because social interactions are what make fiction interesting (especially non-television, non-movie", "people should behave like. I have no siblings, and I have no relatives", "come to realize their behavior is not what a normal adult should behave", "something about. Now, I'm not trying to play into stereotypes of autistic people", "limited). Vulcans in Star Trek may be hyper-logical and vampires in Vampire: The", "social media, I do not frequent forums, I do not belong to any", "were dysfunctional and a bit emotionally abusive, and while I've come to realize", "perspective to inform that. However, the broader issue with that is even aliens", "will what I'm writing today help me to illuminate and illustrate my observations", "people are lying to themselves or others about the real, often self-centered reasoning", "visual spectacle is limited). Vulcans in Star Trek* may be hyper-logical and vampires", "interesting (especially non-television, non-movie fiction since visual spectacle is limited). Vulcans in Star", "understand the human condition you don't know why you are writing, and in", "why you are writing, and in that case writing is typically a waste", "many times I just taught myself to stop feeling. I work in a", "and vampires in Vampire: The Masquerade* are antisocial, but they still have a", "be relied upon. I'm not trying to spin a sob story, my broader", "to themselves or others about the real, often self-centered reasoning behind their motivations", "you just write alien characters or ones that are otherwise non-human\", and use", "other people aren't. Honestly given what I've seen about humanity I kind of", "other non-human characters invariably have some sort of social structure because social interactions", "make fiction interesting (especially non-television, non-movie fiction since visual spectacle is limited). Vulcans", "and cynicism. Or drawing on real-life friendships to show emotional bonds between characters.", "write you must answer to yourself the following question: how will what I'm", "interaction and \"the human condition\" (as pretty much all character-driven works of fiction", "Given this, *how does one write a story about human interaction and \"the", "often self-centered reasoning behind their motivations even when other people aren't. Honestly given", "be in these positions rather than merely as a third-party observer, and the", "anime and television, which most would agree is…not the most reliable perspective for", "if you struggle to understand humanity so much, why don't you just write", "to the audience. E.g., struggling to write romantic interactions between characters because I've", "should behave like, I have little baseline for what people should behave like.", "character's emotions resonate with the readers, even if one is writing from a", "genre, are people stories. We're always writing about the human condition, our take", "I got burned so many times I just taught myself to stop feeling.", "communities, I have no Internet friends, etc. My parents were dysfunctional and a", "that theoretically most readers know something about. Now, I'm not trying to play", "than merely as a third-party observer, and the lived experiences that writers draw", "not sabotaging it with my own nihlism and cynicism. Or drawing on real-life", "of social structure because social interactions are what make fiction interesting (especially non-television,", "(especially non-television, non-movie fiction since visual spectacle is limited). Vulcans in Star Trek*", "am autistic, but because I got burned so many times I just taught", "I have little baseline for what people should behave like. I have no", "of friends, and the few people I did hang around were abusive and", "into stereotypes of autistic people being emotionless or clueless, saying \"I don't understand", "time you sit down to write you must answer to yourself the following", "structure because social interactions are what make fiction interesting (especially non-television, non-movie fiction", "my own nihlism and cynicism. Or drawing on real-life friendships to show emotional", "I work in a job that requires minimal social interaction. I have never", "from a distance as an outsider looking in. To start off, I am", "next to no Internet presence: I do not use social media, I do", "in fact because of my status as an outsider looking in I've often", "are not present in my life. About my only guide for how people", "own nihlism and cynicism. Or drawing on real-life friendships to show emotional bonds", "expected to know more than the reader in order to maintain a sense", "not trying to play into stereotypes of autistic people being emotionless or clueless," ]
[ "third-person narrative, and while she is notified of the male character's job, she", "he is. She simply takes a wild guess that he is eighteen at", "is eighteen-years-old. I am not sure how to refer to him - boy", "the male character's job, she doesn't know how old he is. She simply", "The male character is legally an adult, he has a job and makes", "narrative, and while she is notified of the male character's job, she doesn't", "male character who is eighteen-years-old. I am not sure how to refer to", "an adult, he has a job and makes his own money. The chapter", "has a job and makes his own money. The chapter is written from", "his own money. The chapter is written from the protagonist's perspective, third-person narrative,", "to refer to him - boy or man. The male character is legally", "is notified of the male character's job, she doesn't know how old he", "eighteen-years-old. I am not sure how to refer to him - boy or", "takes a wild guess that he is eighteen at most. What would make", "most. What would make more sense: her referring to him as a boy", "notified of the male character's job, she doesn't know how old he is.", "he is eighteen at most. What would make more sense: her referring to", "not sure how to refer to him - boy or man. The male", "male character is legally an adult, he has a job and makes his", "make more sense: her referring to him as a boy or a man?", "protagonist meets a male character who is eighteen-years-old. I am not sure how", "doesn't know how old he is. She simply takes a wild guess that", "sixteen-year-old protagonist meets a male character who is eighteen-years-old. I am not sure", "- boy or man. The male character is legally an adult, he has", "is. She simply takes a wild guess that he is eighteen at most.", "simply takes a wild guess that he is eighteen at most. What would", "part where the sixteen-year-old protagonist meets a male character who is eighteen-years-old. I", "or man. The male character is legally an adult, he has a job", "own money. The chapter is written from the protagonist's perspective, third-person narrative, and", "where the sixteen-year-old protagonist meets a male character who is eighteen-years-old. I am", "job and makes his own money. The chapter is written from the protagonist's", "job, she doesn't know how old he is. She simply takes a wild", "character who is eighteen-years-old. I am not sure how to refer to him", "The chapter is written from the protagonist's perspective, third-person narrative, and while she", "perspective, third-person narrative, and while she is notified of the male character's job,", "who is eighteen-years-old. I am not sure how to refer to him -", "She simply takes a wild guess that he is eighteen at most. What", "a part where the sixteen-year-old protagonist meets a male character who is eighteen-years-old.", "she doesn't know how old he is. She simply takes a wild guess", "a job and makes his own money. The chapter is written from the", "guess that he is eighteen at most. What would make more sense: her", "refer to him - boy or man. The male character is legally an", "writing a part where the sixteen-year-old protagonist meets a male character who is", "meets a male character who is eighteen-years-old. I am not sure how to", "adult, he has a job and makes his own money. The chapter is", "to him - boy or man. The male character is legally an adult,", "sure how to refer to him - boy or man. The male character", "is legally an adult, he has a job and makes his own money.", "the sixteen-year-old protagonist meets a male character who is eighteen-years-old. I am not", "am writing a part where the sixteen-year-old protagonist meets a male character who", "he has a job and makes his own money. The chapter is written", "makes his own money. The chapter is written from the protagonist's perspective, third-person", "and makes his own money. The chapter is written from the protagonist's perspective,", "I am writing a part where the sixteen-year-old protagonist meets a male character", "chapter is written from the protagonist's perspective, third-person narrative, and while she is", "while she is notified of the male character's job, she doesn't know how", "I am not sure how to refer to him - boy or man.", "legally an adult, he has a job and makes his own money. The", "is written from the protagonist's perspective, third-person narrative, and while she is notified", "know how old he is. She simply takes a wild guess that he", "What would make more sense: her referring to him as a boy or", "and while she is notified of the male character's job, she doesn't know", "a male character who is eighteen-years-old. I am not sure how to refer", "boy or man. The male character is legally an adult, he has a", "how old he is. She simply takes a wild guess that he is", "eighteen at most. What would make more sense: her referring to him as", "she is notified of the male character's job, she doesn't know how old", "character is legally an adult, he has a job and makes his own", "money. The chapter is written from the protagonist's perspective, third-person narrative, and while", "protagonist's perspective, third-person narrative, and while she is notified of the male character's", "at most. What would make more sense: her referring to him as a", "him - boy or man. The male character is legally an adult, he", "character's job, she doesn't know how old he is. She simply takes a", "am not sure how to refer to him - boy or man. The", "would make more sense: her referring to him as a boy or a", "a wild guess that he is eighteen at most. What would make more", "the protagonist's perspective, third-person narrative, and while she is notified of the male", "written from the protagonist's perspective, third-person narrative, and while she is notified of", "wild guess that he is eighteen at most. What would make more sense:", "man. The male character is legally an adult, he has a job and", "how to refer to him - boy or man. The male character is", "male character's job, she doesn't know how old he is. She simply takes", "that he is eighteen at most. What would make more sense: her referring", "of the male character's job, she doesn't know how old he is. She", "is eighteen at most. What would make more sense: her referring to him", "from the protagonist's perspective, third-person narrative, and while she is notified of the", "old he is. She simply takes a wild guess that he is eighteen" ]
[ "will work. I'm leaning toward the idea of the same conflict happening, just", "to squeeze my little fiction story into real events and still make sense.", "wars between the French and British, are taking place. But, after doing research,", "looking to be difficult to squeeze my little fiction story into real events", "find a timeframe and space where it will work. I'm leaning toward the", "I distort and tweak the facts? Would it still make a good story", "make a good story and would it be fine if it ever gets", "and still make sense. I'm still looking deeper to find a timeframe and", "as close to the truth as possible, but is it acceptable if I", "conflict happening, just that it's happening differently. Overall, I'll try to keep it", "real events and still make sense. I'm still looking deeper to find a", "I'm writing fiction but in it, historical events, such as wars between the", "doing research, it's looking to be difficult to squeeze my little fiction story", "Would it still make a good story and would it be fine if", "still make sense. I'm still looking deeper to find a timeframe and space", "work. I'm leaning toward the idea of the same conflict happening, just that", "fiction story into real events and still make sense. I'm still looking deeper", "is it acceptable if I distort and tweak the facts? Would it still", "acceptable if I distort and tweak the facts? Would it still make a", "fiction but in it, historical events, such as wars between the French and", "it, historical events, such as wars between the French and British, are taking", "timeframe and space where it will work. I'm leaning toward the idea of", "to find a timeframe and space where it will work. I'm leaning toward", "the truth as possible, but is it acceptable if I distort and tweak", "such as wars between the French and British, are taking place. But, after", "be difficult to squeeze my little fiction story into real events and still", "tweak the facts? Would it still make a good story and would it", "events, such as wars between the French and British, are taking place. But,", "toward the idea of the same conflict happening, just that it's happening differently.", "truth as possible, but is it acceptable if I distort and tweak the", "to be difficult to squeeze my little fiction story into real events and", "but is it acceptable if I distort and tweak the facts? Would it", "the idea of the same conflict happening, just that it's happening differently. Overall,", "after doing research, it's looking to be difficult to squeeze my little fiction", "historical events, such as wars between the French and British, are taking place.", "events and still make sense. I'm still looking deeper to find a timeframe", "distort and tweak the facts? Would it still make a good story and", "happening differently. Overall, I'll try to keep it as close to the truth", "I'm leaning toward the idea of the same conflict happening, just that it's", "are taking place. But, after doing research, it's looking to be difficult to", "close to the truth as possible, but is it acceptable if I distort", "my little fiction story into real events and still make sense. I'm still", "make sense. I'm still looking deeper to find a timeframe and space where", "idea of the same conflict happening, just that it's happening differently. Overall, I'll", "still looking deeper to find a timeframe and space where it will work.", "where it will work. I'm leaning toward the idea of the same conflict", "taking place. But, after doing research, it's looking to be difficult to squeeze", "the same conflict happening, just that it's happening differently. Overall, I'll try to", "a timeframe and space where it will work. I'm leaning toward the idea", "to the truth as possible, but is it acceptable if I distort and", "between the French and British, are taking place. But, after doing research, it's", "So, I'm writing fiction but in it, historical events, such as wars between", "if I distort and tweak the facts? Would it still make a good", "that it's happening differently. Overall, I'll try to keep it as close to", "differently. Overall, I'll try to keep it as close to the truth as", "as possible, but is it acceptable if I distort and tweak the facts?", "it will work. I'm leaning toward the idea of the same conflict happening,", "it acceptable if I distort and tweak the facts? Would it still make", "looking deeper to find a timeframe and space where it will work. I'm", "happening, just that it's happening differently. Overall, I'll try to keep it as", "it still make a good story and would it be fine if it", "deeper to find a timeframe and space where it will work. I'm leaning", "but in it, historical events, such as wars between the French and British,", "Overall, I'll try to keep it as close to the truth as possible,", "the facts? Would it still make a good story and would it be", "into real events and still make sense. I'm still looking deeper to find", "still make a good story and would it be fine if it ever", "French and British, are taking place. But, after doing research, it's looking to", "to keep it as close to the truth as possible, but is it", "possible, but is it acceptable if I distort and tweak the facts? Would", "story into real events and still make sense. I'm still looking deeper to", "it's happening differently. Overall, I'll try to keep it as close to the", "writing fiction but in it, historical events, such as wars between the French", "facts? Would it still make a good story and would it be fine", "just that it's happening differently. Overall, I'll try to keep it as close", "the French and British, are taking place. But, after doing research, it's looking", "and space where it will work. I'm leaning toward the idea of the", "sense. I'm still looking deeper to find a timeframe and space where it", "difficult to squeeze my little fiction story into real events and still make", "it as close to the truth as possible, but is it acceptable if", "leaning toward the idea of the same conflict happening, just that it's happening", "same conflict happening, just that it's happening differently. Overall, I'll try to keep", "squeeze my little fiction story into real events and still make sense. I'm", "it's looking to be difficult to squeeze my little fiction story into real", "British, are taking place. But, after doing research, it's looking to be difficult", "and tweak the facts? Would it still make a good story and would", "space where it will work. I'm leaning toward the idea of the same", "and British, are taking place. But, after doing research, it's looking to be", "in it, historical events, such as wars between the French and British, are", "as wars between the French and British, are taking place. But, after doing", "try to keep it as close to the truth as possible, but is", "little fiction story into real events and still make sense. I'm still looking", "keep it as close to the truth as possible, but is it acceptable", "research, it's looking to be difficult to squeeze my little fiction story into", "place. But, after doing research, it's looking to be difficult to squeeze my", "I'll try to keep it as close to the truth as possible, but", "But, after doing research, it's looking to be difficult to squeeze my little", "I'm still looking deeper to find a timeframe and space where it will", "of the same conflict happening, just that it's happening differently. Overall, I'll try", "a good story and would it be fine if it ever gets published?" ]
[ "words mean or assume the reader will figure it out from the information", "then Lola and her mami had lived with her abuela. Lola loved her", "mami had lived with her abuela. Lola loved her abuelita, she was her", "to explain what the words mean or assume the reader will figure it", "familiar language (e.g. Spanish). Do I need to explain what the words mean", "story in English and my main character is bilingual and of a different", "it out from the information presented? Also, I read that the foreign words", "a different culture. The characters and narrator uses common words in the familiar", "I need to explain what the words mean or assume the reader will", "The characters and narrator uses common words in the familiar language (e.g. Spanish).", "common words in the familiar language (e.g. Spanish). Do I need to explain", "am writing a story in English and my main character is bilingual and", "from taking Lola, her mother moved them into a single-story studio apartment. >", "I am writing a story in English and my main character is bilingual", "and of a different culture. The characters and narrator uses common words in", "in English and my main character is bilingual and of a different culture.", "> Until then Lola and her mami had lived with her abuela. Lola", "lived with her abuela. Lola loved her abuelita, she was her world. >", "had lived with her abuela. Lola loved her abuelita, she was her world.", "foreign words should be italicized is this correct? e.g. > > Until then", "with her abuela. Lola loved her abuelita, she was her world. > >", "from the information presented? Also, I read that the foreign words should be", "she was her world. > > > Abuela refused to allow Hector to", "figure it out from the information presented? Also, I read that the foreign", "my main character is bilingual and of a different culture. The characters and", "and my main character is bilingual and of a different culture. The characters", "culture. The characters and narrator uses common words in the familiar language (e.g.", "Lola and her mami had lived with her abuela. Lola loved her abuelita,", "her house so, even though her grandmother tried to stop Ecicio from taking", "language (e.g. Spanish). Do I need to explain what the words mean or", "bilingual and of a different culture. The characters and narrator uses common words", "need to explain what the words mean or assume the reader will figure", "> > Until then Lola and her mami had lived with her abuela.", "abuelita, she was her world. > > > Abuela refused to allow Hector", "Also, I read that the foreign words should be italicized is this correct?", "words in the familiar language (e.g. Spanish). Do I need to explain what", "world. > > > Abuela refused to allow Hector to live in her", "stop Ecicio from taking Lola, her mother moved them into a single-story studio", "in her house so, even though her grandmother tried to stop Ecicio from", "Do I need to explain what the words mean or assume the reader", "or assume the reader will figure it out from the information presented? Also,", "Abuela refused to allow Hector to live in her house so, even though", "writing a story in English and my main character is bilingual and of", "her grandmother tried to stop Ecicio from taking Lola, her mother moved them", "Spanish). Do I need to explain what the words mean or assume the", "house so, even though her grandmother tried to stop Ecicio from taking Lola,", "English and my main character is bilingual and of a different culture. The", "this correct? e.g. > > Until then Lola and her mami had lived", "Hector to live in her house so, even though her grandmother tried to", "> Abuela refused to allow Hector to live in her house so, even", "assume the reader will figure it out from the information presented? Also, I", "correct? e.g. > > Until then Lola and her mami had lived with", "the information presented? Also, I read that the foreign words should be italicized", "refused to allow Hector to live in her house so, even though her", "though her grandmother tried to stop Ecicio from taking Lola, her mother moved", "will figure it out from the information presented? Also, I read that the", "explain what the words mean or assume the reader will figure it out", "> > Abuela refused to allow Hector to live in her house so,", "(e.g. Spanish). Do I need to explain what the words mean or assume", "Lola loved her abuelita, she was her world. > > > Abuela refused", "and narrator uses common words in the familiar language (e.g. Spanish). Do I", "characters and narrator uses common words in the familiar language (e.g. Spanish). Do", "her abuelita, she was her world. > > > Abuela refused to allow", "e.g. > > Until then Lola and her mami had lived with her", "> > > Abuela refused to allow Hector to live in her house", "of a different culture. The characters and narrator uses common words in the", "presented? Also, I read that the foreign words should be italicized is this", "the familiar language (e.g. Spanish). Do I need to explain what the words", "loved her abuelita, she was her world. > > > Abuela refused to", "the reader will figure it out from the information presented? Also, I read", "grandmother tried to stop Ecicio from taking Lola, her mother moved them into", "mean or assume the reader will figure it out from the information presented?", "Until then Lola and her mami had lived with her abuela. Lola loved", "what the words mean or assume the reader will figure it out from", "so, even though her grandmother tried to stop Ecicio from taking Lola, her", "in the familiar language (e.g. Spanish). Do I need to explain what the", "tried to stop Ecicio from taking Lola, her mother moved them into a", "that the foreign words should be italicized is this correct? e.g. > >", "narrator uses common words in the familiar language (e.g. Spanish). Do I need", "the foreign words should be italicized is this correct? e.g. > > Until", "words should be italicized is this correct? e.g. > > Until then Lola", "italicized is this correct? e.g. > > Until then Lola and her mami", "a story in English and my main character is bilingual and of a", "out from the information presented? Also, I read that the foreign words should", "her mami had lived with her abuela. Lola loved her abuelita, she was", "be italicized is this correct? e.g. > > Until then Lola and her", "character is bilingual and of a different culture. The characters and narrator uses", "should be italicized is this correct? e.g. > > Until then Lola and", "different culture. The characters and narrator uses common words in the familiar language", "live in her house so, even though her grandmother tried to stop Ecicio", "to stop Ecicio from taking Lola, her mother moved them into a single-story", "the words mean or assume the reader will figure it out from the", "reader will figure it out from the information presented? Also, I read that", "allow Hector to live in her house so, even though her grandmother tried", "is this correct? e.g. > > Until then Lola and her mami had", "information presented? Also, I read that the foreign words should be italicized is", "read that the foreign words should be italicized is this correct? e.g. >", "I read that the foreign words should be italicized is this correct? e.g.", "even though her grandmother tried to stop Ecicio from taking Lola, her mother", "main character is bilingual and of a different culture. The characters and narrator", "Lola, her mother moved them into a single-story studio apartment. > > >", "uses common words in the familiar language (e.g. Spanish). Do I need to", "is bilingual and of a different culture. The characters and narrator uses common", "Ecicio from taking Lola, her mother moved them into a single-story studio apartment.", "abuela. Lola loved her abuelita, she was her world. > > > Abuela", "to live in her house so, even though her grandmother tried to stop", "her abuela. Lola loved her abuelita, she was her world. > > >", "to allow Hector to live in her house so, even though her grandmother", "and her mami had lived with her abuela. Lola loved her abuelita, she", "was her world. > > > Abuela refused to allow Hector to live", "taking Lola, her mother moved them into a single-story studio apartment. > >", "her world. > > > Abuela refused to allow Hector to live in" ]
[ "a cliché of sorts and I should avoid it. However, this event is", "or a bomb exploding, etc. to hook the reader. I feel like I", "first chapter was a plane crashing, a car chase, or a bomb exploding,", "to avoid being cliché](https://writing.stackexchange.com/questions/20916/trying-to-avoid-being-clich%C3%A9) as that question asks about the opening line, rather", "so I had a question about one: Would an action-packed event happening in", "often it has became a cliché of sorts and I should avoid it.", "as that question asks about the opening line, rather than an opening event.", "asks about the opening line, rather than an opening event. --- I am", "about one: Would an action-packed event happening in the first chapter of a", "and I have also heard attention-grabbing first chapters are a good thing. So...", "However, this event is important to my storyline and I have also heard", "a book be considered a trope or cliché? For example, if the very", "clichés out there, so I had a question about one: Would an action-packed", "hook the reader. I feel like I heard somewhere that this method is", "this method is used so often it has became a cliché of sorts", "out there, so I had a question about one: Would an action-packed event", "the opening line, rather than an opening event. --- I am trying to", "or cliché? For example, if the very first chapter was a plane crashing,", "this event is important to my storyline and I have also heard attention-grabbing", "also heard attention-grabbing first chapters are a good thing. So... would this be", "bomb exploding, etc. to hook the reader. I feel like I heard somewhere", "heard attention-grabbing first chapters are a good thing. So... would this be a", "so often it has became a cliché of sorts and I should avoid", "there, so I had a question about one: *Would an action-packed event happening", "if the very first chapter was a plane crashing, a car chase, or", "event is* important to my storyline and I have also heard attention-grabbing first", "For example, if the very first chapter was a plane crashing, a car", "a bomb exploding, etc. to hook the reader. I feel like I heard", "an opening event. --- I am trying to avoid the many clichés out", "example, if the very first chapter was a plane crashing, a car chase,", "of sorts and I should avoid it. However, this event is important to", "to avoid the many clichés out there, so I had a question about", "of a book be considered a trope or cliché?** For example, if the", "have also heard attention-grabbing first chapters are a good thing. So... would this", "a question about one: *Would an action-packed event happening in the first chapter", "storyline and I have also heard attention-grabbing first chapters are a good* thing.", "first chapter of a book be considered a trope or cliché?** For example,", "to hook the reader. I feel like I heard somewhere that this method", "and I should avoid it. However, this event is important to my storyline", "it. However, this event is important to my storyline and I have also", "action-packed event happening in the first chapter of a book be considered a", "the reader. I feel like I heard somewhere that this method is used", "question asks about the opening line, rather than an opening event. --- I", "of [Trying to avoid being cliché](https://writing.stackexchange.com/questions/20916/trying-to-avoid-being-clich%C3%A9) as that question asks about the opening", "that question asks about the opening line, rather than an opening event. ---", "one: Would an action-packed event happening in the first chapter of a book", "that this method is used so often it has became a cliché of", "is used so often it has became a cliché of sorts and I", "important to my storyline and I have also heard attention-grabbing first chapters are", "a trope or cliché? For example, if the very first chapter was a", "happening in the first chapter of a book be considered a trope or", "avoid the many clichés out there, so I had a question about one:", "duplicate of [Trying to avoid being cliché](https://writing.stackexchange.com/questions/20916/trying-to-avoid-being-clich%C3%A9) as that question asks about the", "line, rather than an opening event. --- I am trying to avoid the", "the very first chapter was a plane crashing, a car chase, or a", "event happening in the first chapter of a book be considered a trope", "about the opening line, rather than an opening event. --- I am trying", "exploding, etc. to hook the reader. I feel like I heard somewhere that", "my storyline and I have also heard attention-grabbing first chapters are a good", "like I heard somewhere that this method is used so often it has", "be considered a trope or cliché? For example, if the very first chapter", "I had a question about one: Would an action-packed event happening in the", "in the first chapter of a book be considered a trope or cliché?*", "chase, or a bomb exploding, etc. to hook the reader. I feel like", "became a cliché of sorts and I should avoid it. However, this event", "is* important to my storyline and I have also heard attention-grabbing first chapters", "a car chase, or a bomb exploding, etc. to hook the reader. I", "trope or cliché? For example, if the very first chapter was a plane", "book be considered a trope or cliché? For example, if the very first", "cliché? For example, if the very first chapter was a plane crashing, a", "crashing, a car chase, or a bomb exploding, etc. to hook the reader.", "the first chapter of a book be considered a trope or cliché? For", "heard somewhere that this method is used so often it has became a", "was a plane crashing, a car chase, or a bomb exploding, etc. to", "attention-grabbing first chapters are a good thing. So... would this be a trope?", "*Would an action-packed event happening in the first chapter of a book be", "I feel like I heard somewhere that this method is used so often", "it has became a cliché of sorts and I should avoid it. However,", "I have also heard attention-grabbing first chapters are a good* thing. So... would", "method is used so often it has became a cliché of sorts and", "rather than an opening event. --- I am trying to avoid the many", "car chase, or a bomb exploding, etc. to hook the reader. I feel", "a duplicate of [Trying to avoid being cliché](https://writing.stackexchange.com/questions/20916/trying-to-avoid-being-clich%C3%A9) as that question asks about", "avoid being cliché](https://writing.stackexchange.com/questions/20916/trying-to-avoid-being-clich%C3%A9) as that question asks about the opening line, rather than", "question about one: *Would an action-packed event happening in the first chapter of", "event. --- I am trying to avoid the many clichés out there, so", "to my storyline and I have also heard attention-grabbing first chapters are a", "sorts and I should avoid it. However, this event is* important to my", "an action-packed event happening in the first chapter of a book be considered", "reader. I feel like I heard somewhere that this method is used so", "used so often it has became a cliché of sorts and I should", "I should avoid it. However, this event is important to my storyline and", "many clichés out there, so I had a question about one: Would an", "chapter of a book be considered a trope or cliché? For example, if", "[Trying to avoid being cliché](https://writing.stackexchange.com/questions/20916/trying-to-avoid-being-clich%C3%A9) as that question asks about the opening line,", "than an opening event. --- I am trying to avoid the many clichés", "plane crashing, a car chase, or a bomb exploding, etc. to hook the", "opening line, rather than an opening event. --- I am trying to avoid", "feel like I heard somewhere that this method is used so often it", "am trying to avoid the many clichés out there, so I had a", "very first chapter was a plane crashing, a car chase, or a bomb", "being cliché](https://writing.stackexchange.com/questions/20916/trying-to-avoid-being-clich%C3%A9) as that question asks about the opening line, rather than an", "I am trying to avoid the many clichés out there, so I had", "avoid it. However, this event is important to my storyline and I have", "considered a trope or cliché? For example, if the very first chapter was", "a plane crashing, a car chase, or a bomb exploding, etc. to hook", "the many clichés out there, so I had a question about one: Would", "chapter was a plane crashing, a car chase, or a bomb exploding, etc.", "has became a cliché of sorts and I should avoid it. However, this", "somewhere that this method is used so often it has became a cliché", "--- I am trying to avoid the many clichés out there, so I", "cliché of sorts and I should avoid it. However, this event is important", "opening event. --- I am trying to avoid the many clichés out there,", "had a question about one: *Would an action-packed event happening in the first", "Not a duplicate of [Trying to avoid being cliché](https://writing.stackexchange.com/questions/20916/trying-to-avoid-being-clich%C3%A9) as that question asks", "etc. to hook the reader. I feel like I heard somewhere that this", "cliché](https://writing.stackexchange.com/questions/20916/trying-to-avoid-being-clich%C3%A9) as that question asks about the opening line, rather than an opening", "trying to avoid the many clichés out there, so I had a question", "I heard somewhere that this method is used so often it has became", "should avoid it. However, this event is* important to my storyline and I" ]
[ "suddenly implied he was beyond a regular human at that point without fully", "the limitations should be. * Hard to kill, with some weak point, like", "*How should I tread the story to not make it boring for the", "slowly transforming into a non-human being. Which makes him invulnerable... Or at least", "hearts, werewolves with silver bullets, etc.) Or immortal with exceptions. Think Highlander,", "with exceptions. Think Highlander, for example. So he can only be killed by", "I'm writing this fantasy story with the MC slowly transforming into a non-human", "in their hearts, werewolves with silver bullets, etc.) * Or immortal with exceptions.", "off with him? In any case, my worry is: *How should I tread", "point, like your typical monster (vampires with a stake in their hearts, werewolves", "for example. So he can only be killed by someone like him (the", "obvious from the start that there was something off with him? In any", "least quite resistant. The problem is that I'm still not fully sure which", "Think Highlander, for example. So he can only be killed by someone like", "not fully sure which the limitations should be. Hard to kill, with", "there was something off with him? In any case, my worry is: *How", "the start that there was something off with him? In any case, my", "make it boring for the readers because of the MC being maybe* impossible", "it so the MC doesn't discover all of this until around halfway through", "stake in their hearts, werewolves with silver bullets, etc.) * Or immortal with", "with silver bullets, etc.) * Or immortal with exceptions. Think Highlander, for example.", "silver bullets, etc.) * Or immortal with exceptions. Think Highlander, for example. So", "can only be killed by someone like him (the antagonist). Also, I planned", "problem is that I'm still not fully sure which the limitations should be.", "enough if I made it obvious from the start that there was something", "boring for the readers because of the MC being maybe impossible to kill?*", "The problem is that I'm still not fully sure which the limitations should", "antagonist). Also, I planned it so the MC doesn't discover all of this", "killed by someone like him (the antagonist). Also, I planned it so the", "implied he was beyond a regular human at that point without fully knowing", "it was suddenly implied he was beyond a regular human at that point", "fully sure which the limitations should be. Hard to kill, with some", "fully knowing it? Would it be enough if I made it obvious from", "at least quite resistant. The problem is that I'm still not fully sure", "I made it obvious from the start that there was something off with", "through the story, or maybe even later. And I wondered, would it demerit", "the story, or maybe even later. And I wondered, would it demerit his", "still not fully sure which the limitations should be. * Hard to kill,", "werewolves with silver bullets, etc.) * Or immortal with exceptions. Think Highlander, for", "Hard to kill, with some weak point, like your typical monster (vampires with", "non-human being. Which makes him invulnerable... Or at least quite resistant. The problem", "by someone like him (the antagonist). Also, I planned it so the MC", "I wondered, would it demerit his previous victories if it was suddenly implied", "was suddenly implied he was beyond a regular human at that point without", "or maybe even later. And I wondered, would it demerit his previous victories", "which the limitations should be. * Hard to kill, with some weak point,", "immortal with exceptions. Think Highlander, for example. So he can only be killed", "with him? In any case, my worry is: *How should I tread the", "Highlander, for example. So he can only be killed by someone like him", "him? In any case, my worry is: How should I tread the story", "that point without fully knowing it? Would it be enough if I made", "Would it be enough if I made it obvious from the start that", "kill, with some weak point, like your typical monster (vampires with a stake", "limitations should be. Hard to kill, with some weak point, like your", "their hearts, werewolves with silver bullets, etc.) * Or immortal with exceptions. Think", "planned it so the MC doesn't discover all of this until around halfway", "the MC doesn't discover all of this until around halfway through the story,", "Also, I planned it so the MC doesn't discover all of this until", "quite resistant. The problem is that I'm still not fully sure which the", "someone like him (the antagonist). Also, I planned it so the MC doesn't", "In any case, my worry is: *How should I tread the story to", "point without fully knowing it? Would it be enough if I made it", "with some weak point, like your typical monster (vampires with a stake in", "maybe even later. And I wondered, would it demerit his previous victories if", "discover all of this until around halfway through the story, or maybe even", "etc.) Or immortal with exceptions. Think Highlander, for example. So he can", "all of this until around halfway through the story, or maybe even later.", "was something off with him? In any case, my worry is: *How should", "start that there was something off with him? In any case, my worry", "if it was suddenly implied he was beyond a regular human at that", "only be killed by someone like him (the antagonist). Also, I planned it", "makes him invulnerable... Or at least quite resistant. The problem is that I'm", "Which makes him invulnerable... Or at least quite resistant. The problem is that", "is that I'm still not fully sure which the limitations should be. ", "halfway through the story, or maybe even later. And I wondered, would it", "if I made it obvious from the start that there was something off", "I'm still not fully sure which the limitations should be. * Hard to", "even later. And I wondered, would it demerit his previous victories if it", "at that point without fully knowing it? Would it be enough if I", "And I wondered, would it demerit his previous victories if it was suddenly", "story, or maybe even later. And I wondered, would it demerit his previous", "tread the story to not make it boring for the readers because of", "story with the MC slowly transforming into a non-human being. Which makes him", "be killed by someone like him (the antagonist). Also, I planned it so", "him invulnerable... Or at least quite resistant. The problem is that I'm still", "a stake in their hearts, werewolves with silver bullets, etc.) * Or immortal", "him (the antagonist). Also, I planned it so the MC doesn't discover all", "later. And I wondered, would it demerit his previous victories if it was", "that there was something off with him? In any case, my worry is:", "he was beyond a regular human at that point without fully knowing it?", "this fantasy story with the MC slowly transforming into a non-human being. Which", "typical monster (vampires with a stake in their hearts, werewolves with silver bullets,", "case, my worry is: How should I tread the story to not make", "knowing it? Would it be enough if I made it obvious from the", "my worry is: How should I tread the story to not make it", "of this until around halfway through the story, or maybe even later. And", "is: *How should I tread the story to not make it boring for", "(vampires with a stake in their hearts, werewolves with silver bullets, etc.) ", "be. * Hard to kill, with some weak point, like your typical monster", "without fully knowing it? Would it be enough if I made it obvious", "a non-human being. Which makes him invulnerable... Or at least quite resistant. The", "* Or immortal with exceptions. Think Highlander, for example. So he can only", "would it demerit his previous victories if it was suddenly implied he was", "the story to not make it boring for the readers because of the", "should be. * Hard to kill, with some weak point, like your typical", "resistant. The problem is that I'm still not fully sure which the limitations", "I tread the story to not make it boring for the readers because", "human at that point without fully knowing it? Would it be enough if", "fantasy story with the MC slowly transforming into a non-human being. Which makes", "MC doesn't discover all of this until around halfway through the story, or", "worry is: How should I tread the story to not make it boring", "until around halfway through the story, or maybe even later. And I wondered,", "like him (the antagonist). Also, I planned it so the MC doesn't discover", "from the start that there was something off with him? In any case,", "it obvious from the start that there was something off with him? In", "demerit his previous victories if it was suddenly implied he was beyond a", "so the MC doesn't discover all of this until around halfway through the", "something off with him? In any case, my worry is: How should I", "to not make it boring for the readers because of the MC being", "Or immortal with exceptions. Think Highlander, for example. So he can only be", "wondered, would it demerit his previous victories if it was suddenly implied he", "story to not make it boring for the readers because of the MC", "monster (vampires with a stake in their hearts, werewolves with silver bullets, etc.)", "it boring for the readers because of the MC being maybe impossible to", "like your typical monster (vampires with a stake in their hearts, werewolves with", "the MC slowly transforming into a non-human being. Which makes him invulnerable... Or", "doesn't discover all of this until around halfway through the story, or maybe", "this until around halfway through the story, or maybe even later. And I", "be enough if I made it obvious from the start that there was", "* Hard to kill, with some weak point, like your typical monster (vampires", "not make it boring for the readers because of the MC being maybe", "sure which the limitations should be. * Hard to kill, with some weak", "some weak point, like your typical monster (vampires with a stake in their", "regular human at that point without fully knowing it? Would it be enough", "it demerit his previous victories if it was suddenly implied he was beyond", "example. So he can only be killed by someone like him (the antagonist).", "So he can only be killed by someone like him (the antagonist). Also,", "weak point, like your typical monster (vampires with a stake in their hearts,", "a regular human at that point without fully knowing it? Would it be", "I planned it so the MC doesn't discover all of this until around", "he can only be killed by someone like him (the antagonist). Also, I", "exceptions. Think Highlander, for example. So he can only be killed by someone", "should I tread the story to not make it boring for the readers", "to kill, with some weak point, like your typical monster (vampires with a", "into a non-human being. Which makes him invulnerable... Or at least quite resistant.", "transforming into a non-human being. Which makes him invulnerable... Or at least quite", "with a stake in their hearts, werewolves with silver bullets, etc.) * Or", "Or at least quite resistant. The problem is that I'm still not fully", "was beyond a regular human at that point without fully knowing it? Would", "your typical monster (vampires with a stake in their hearts, werewolves with silver", "that I'm still not fully sure which the limitations should be. * Hard", "previous victories if it was suddenly implied he was beyond a regular human", "writing this fantasy story with the MC slowly transforming into a non-human being.", "it be enough if I made it obvious from the start that there", "being. Which makes him invulnerable... Or at least quite resistant. The problem is", "bullets, etc.) * Or immortal with exceptions. Think Highlander, for example. So he", "beyond a regular human at that point without fully knowing it? Would it", "(the antagonist). Also, I planned it so the MC doesn't discover all of", "with the MC slowly transforming into a non-human being. Which makes him invulnerable...", "around halfway through the story, or maybe even later. And I wondered, would", "made it obvious from the start that there was something off with him?", "his previous victories if it was suddenly implied he was beyond a regular", "MC slowly transforming into a non-human being. Which makes him invulnerable... Or at", "it? Would it be enough if I made it obvious from the start", "victories if it was suddenly implied he was beyond a regular human at", "any case, my worry is: **How should I tread the story to not", "invulnerable... Or at least quite resistant. The problem is that I'm still not" ]
[ "make the other character just tell those to my protagonist) The information is", "questions? Or should I use a different method to reveal those facts? (e.g.", "(e.g. make the other character just tell those to my protagonist) The information", "because she hasn't known anyone besides her grandmother and cousin for as long", "also here, etc.? If not, how can I show that my main character", "because the last thing she remembers is an accident and she just woke", "as she can remember. She hasn't had any social life. She however is", "remembers is an accident and she just woke up from a very intense", "cousin for as long as she can remember. She hasn't had any social", "woke up from a very intense dream. Would it make sense for my", "is, if her grandmother and cousin are also here, etc.? If not, how", "character breaks the silence first. She is in a state of panic because", "is timid or an introvert but because she hasn't known anyone besides her", "my protagonist, who doesn't know how to treat people besides her grandmother and", "or an introvert but because she hasn't known anyone besides her grandmother and", "how to treat people besides her grandmother and cousin, to ask the new", "meets someone new. It's dark and she can't see anything but learns that", "the other character is, if her grandmother and cousin are also here, etc.?", "away where she is, who the other character is, if her grandmother and", "are also here, etc.? If not, how can I show that my main", "other character breaks the silence first. She is in a state of panic", "and she can't see anything but learns that someone else is there because", "to ask the new character right away where she is, who the other", "and she just woke up from a very intense dream. Would it make", "else is there because the other character breaks the silence first. She is", "who the other character is, if her grandmother and cousin are also here,", "the last thing she remembers is an accident and she just woke up", "Or should I use a different method to reveal those facts? (e.g. make", "this particular scene, the protagonist is left alone in a place she has", "new. It's dark and she can't see anything but learns that someone else", "protagonist is left alone in a place she has never been to and", "who doesn't know how to treat people besides her grandmother and cousin, to", "character is, if her grandmother and cousin are also here, etc.? If not,", "front of people she is used to. In this particular scene, the protagonist", "other character is, if her grandmother and cousin are also here, etc.? If", "of people she is used to. In this particular scene, the protagonist is", "she remembers is an accident and she just woke up from a very", "In this particular scene, the protagonist is left alone in a place she", "learns that someone else is there because the other character breaks the silence", "place she has never been to and meets someone new. It's dark and", "timid or an introvert but because she hasn't known anyone besides her grandmother", "anyone besides her grandmother and cousin for as long as she can remember.", "to. In this particular scene, the protagonist is left alone in a place", "people. It's not because she is timid or an introvert but because she", "breaks the silence first. She is in a state of panic because the", "ask the new character right away where she is, who the other character", "is left alone in a place she has never been to and meets", "remember. She hasn't had any social life. She however is talkative in front", "used to. In this particular scene, the protagonist is left alone in a", "someone new. It's dark and she can't see anything but learns that someone", "very intense dream. Would it make sense for my protagonist, who doesn't know", "she is used to. In this particular scene, the protagonist is left alone", "she has never been to and meets someone new. It's dark and she", "treat people besides her grandmother and cousin, to ask the new character right", "known anyone besides her grandmother and cousin for as long as she can", "doesn't know how to treat people besides her grandmother and cousin, to ask", "different method to reveal those facts? (e.g. make the other character just tell", "sense for my protagonist, who doesn't know how to treat people besides her", "her grandmother and cousin for as long as she can remember. She hasn't", "social life. She however is talkative in front of people she is used", "protagonist, who doesn't know how to treat people besides her grandmother and cousin,", "first. She is in a state of panic because the last thing she", "very good with people. It's not because she is timid or an introvert", "unfamiliar people while asking these questions? Or should I use a different method", "It's dark and she can't see anything but learns that someone else is", "she can't see anything but learns that someone else is there because the", "in front of people she is used to. In this particular scene, the", "not, how can I show that my main character is awkward in front", "make sense for my protagonist, who doesn't know how to treat people besides", "and cousin, to ask the new character right away where she is, who", "people while asking these questions? Or should I use a different method to", "here, etc.? If not, how can I show that my main character is", "protagonist isn't very good with people. It's not because she is timid or", "other character just tell those to my protagonist) The information is necessary for", "can I show that my main character is awkward in front of unfamiliar", "grandmother and cousin for as long as she can remember. She hasn't had", "there because the other character breaks the silence first. She is in a", "is there because the other character breaks the silence first. She is in", "My protagonist isn't very good with people. It's not because she is timid", "her grandmother and cousin are also here, etc.? If not, how can I", "awkward in front of unfamiliar people while asking these questions? Or should I", "because she is timid or an introvert but because she hasn't known anyone", "she can remember. She hasn't had any social life. She however is talkative", "and cousin for as long as she can remember. She hasn't had any", "to reveal those facts? (e.g. make the other character just tell those to", "she is timid or an introvert but because she hasn't known anyone besides", "she just woke up from a very intense dream. Would it make sense", "because the other character breaks the silence first. She is in a state", "long as she can remember. She hasn't had any social life. She however", "thing she remembers is an accident and she just woke up from a", "new character right away where she is, who the other character is, if", "main character is awkward in front of unfamiliar people while asking these questions?", "is an accident and she just woke up from a very intense dream.", "dark and she can't see anything but learns that someone else is there", "isn't very good with people. It's not because she is timid or an", "is awkward in front of unfamiliar people while asking these questions? Or should", "besides her grandmother and cousin, to ask the new character right away where", "from a very intense dream. Would it make sense for my protagonist, who", "character is awkward in front of unfamiliar people while asking these questions? Or", "Would it make sense for my protagonist, who doesn't know how to treat", "of panic because the last thing she remembers is an accident and she", "a very intense dream. Would it make sense for my protagonist, who doesn't", "I use a different method to reveal those facts? (e.g. make the other", "facts? (e.g. make the other character just tell those to my protagonist) The", "see anything but learns that someone else is there because the other character", "she hasn't known anyone besides her grandmother and cousin for as long as", "been to and meets someone new. It's dark and she can't see anything", "hasn't had any social life. She however is talkative in front of people", "has never been to and meets someone new. It's dark and she can't", "just tell those to my protagonist) The information is necessary for the plot", "the other character just tell those to my protagonist) The information is necessary", "however is talkative in front of people she is used to. In this", "never been to and meets someone new. It's dark and she can't see", "talkative in front of people she is used to. In this particular scene,", "hasn't known anyone besides her grandmother and cousin for as long as she", "She is in a state of panic because the last thing she remembers", "for my protagonist, who doesn't know how to treat people besides her grandmother", "a place she has never been to and meets someone new. It's dark", "that my main character is awkward in front of unfamiliar people while asking", "how can I show that my main character is awkward in front of", "left alone in a place she has never been to and meets someone", "character just tell those to my protagonist) The information is necessary for the", "my main character is awkward in front of unfamiliar people while asking these", "can't see anything but learns that someone else is there because the other", "intense dream. Would it make sense for my protagonist, who doesn't know how", "character right away where she is, who the other character is, if her", "anything but learns that someone else is there because the other character breaks", "the silence first. She is in a state of panic because the last", "reveal those facts? (e.g. make the other character just tell those to my", "those facts? (e.g. make the other character just tell those to my protagonist)", "method to reveal those facts? (e.g. make the other character just tell those", "introvert but because she hasn't known anyone besides her grandmother and cousin for", "up from a very intense dream. Would it make sense for my protagonist,", "If not, how can I show that my main character is awkward in", "people besides her grandmother and cousin, to ask the new character right away", "had any social life. She however is talkative in front of people she", "her grandmother and cousin, to ask the new character right away where she", "in front of unfamiliar people while asking these questions? Or should I use", "someone else is there because the other character breaks the silence first. She", "the new character right away where she is, who the other character is,", "in a state of panic because the last thing she remembers is an", "front of unfamiliar people while asking these questions? Or should I use a", "these questions? Or should I use a different method to reveal those facts?", "the protagonist is left alone in a place she has never been to", "life. She however is talkative in front of people she is used to.", "the other character breaks the silence first. She is in a state of", "an accident and she just woke up from a very intense dream. Would", "to treat people besides her grandmother and cousin, to ask the new character", "and cousin are also here, etc.? If not, how can I show that", "asking these questions? Or should I use a different method to reveal those", "while asking these questions? Or should I use a different method to reveal", "grandmother and cousin are also here, etc.? If not, how can I show", "right away where she is, who the other character is, if her grandmother", "She hasn't had any social life. She however is talkative in front of", "silence first. She is in a state of panic because the last thing", "I show that my main character is awkward in front of unfamiliar people", "it make sense for my protagonist, who doesn't know how to treat people", "is talkative in front of people she is used to. In this particular", "people she is used to. In this particular scene, the protagonist is left", "for as long as she can remember. She hasn't had any social life.", "is in a state of panic because the last thing she remembers is", "panic because the last thing she remembers is an accident and she just", "but because she hasn't known anyone besides her grandmother and cousin for as", "to and meets someone new. It's dark and she can't see anything but", "grandmother and cousin, to ask the new character right away where she is,", "use a different method to reveal those facts? (e.g. make the other character", "those to my protagonist) The information is necessary for the plot to proceed.", "dream. Would it make sense for my protagonist, who doesn't know how to", "and meets someone new. It's dark and she can't see anything but learns", "cousin, to ask the new character right away where she is, who the", "she is, who the other character is, if her grandmother and cousin are", "in a place she has never been to and meets someone new. It's", "should I use a different method to reveal those facts? (e.g. make the", "but learns that someone else is there because the other character breaks the", "that someone else is there because the other character breaks the silence first.", "cousin are also here, etc.? If not, how can I show that my", "of unfamiliar people while asking these questions? Or should I use a different", "etc.? If not, how can I show that my main character is awkward", "state of panic because the last thing she remembers is an accident and", "good with people. It's not because she is timid or an introvert but", "tell those to my protagonist) The information is necessary for the plot to", "particular scene, the protagonist is left alone in a place she has never", "as long as she can remember. She hasn't had any social life. She", "with people. It's not because she is timid or an introvert but because", "know how to treat people besides her grandmother and cousin, to ask the", "if her grandmother and cousin are also here, etc.? If not, how can", "not because she is timid or an introvert but because she hasn't known", "a different method to reveal those facts? (e.g. make the other character just", "is used to. In this particular scene, the protagonist is left alone in", "an introvert but because she hasn't known anyone besides her grandmother and cousin", "She however is talkative in front of people she is used to. In", "where she is, who the other character is, if her grandmother and cousin", "is, who the other character is, if her grandmother and cousin are also", "It's not because she is timid or an introvert but because she hasn't", "last thing she remembers is an accident and she just woke up from", "besides her grandmother and cousin for as long as she can remember. She", "accident and she just woke up from a very intense dream. Would it", "any social life. She however is talkative in front of people she is", "show that my main character is awkward in front of unfamiliar people while", "can remember. She hasn't had any social life. She however is talkative in", "just woke up from a very intense dream. Would it make sense for", "a state of panic because the last thing she remembers is an accident", "alone in a place she has never been to and meets someone new.", "scene, the protagonist is left alone in a place she has never been" ]
[ "that a daily diary is pretty much the same thing as a letter", "said that a daily diary is pretty much the same thing as a", "same thing as a letter to a friend, except; it begins with \"Dear", "as a letter to a friend, except; it begins with \"Dear diary\" instead", "teacher once said that a daily diary is pretty much the same thing", "except; it begins with \"Dear diary\" instead of \"Dear friend\". Is this true?", "is pretty much the same thing as a letter to a friend, except;", "thing as a letter to a friend, except; it begins with \"Dear diary\"", "My teacher once said that a daily diary is pretty much the same", "the same thing as a letter to a friend, except; it begins with", "a daily diary is pretty much the same thing as a letter to", "diary is pretty much the same thing as a letter to a friend,", "friend, except; it begins with \"Dear diary\" instead of \"Dear friend\". Is this", "daily diary is pretty much the same thing as a letter to a", "once said that a daily diary is pretty much the same thing as", "letter to a friend, except; it begins with \"Dear diary\" instead of \"Dear", "a letter to a friend, except; it begins with \"Dear diary\" instead of", "a friend, except; it begins with \"Dear diary\" instead of \"Dear friend\". Is", "pretty much the same thing as a letter to a friend, except; it", "much the same thing as a letter to a friend, except; it begins", "to a friend, except; it begins with \"Dear diary\" instead of \"Dear friend\"." ]
[ "How can I make it clear to the reader what is happening without", "refer to him as \"Amox\", \"an actor\" and \"a man\". It feels like", "man and an actor. I'm describing a long dialogue of him and another", "describing a long dialogue of him and another person. I need to specify", "can I make it clear to the reader what is happening without repetitive", "words way too often. How can I make it clear to the reader", "what. I refer to him as \"Amox\", \"an actor\" and \"a man\". It", "is a person speaking quite often so the reader is not confused who", "long dialogue of him and another person. I need to specify he is", "him as \"Amox\", \"an actor\" and \"a man\". It feels like I'm repeating", "confused who said what. I refer to him as \"Amox\", \"an actor\" and", "I make it clear to the reader what is happening without repetitive descriptions?", "an actor. I'm describing a long dialogue of him and another person. I", "said what. I refer to him as \"Amox\", \"an actor\" and \"a man\".", "and an actor. I'm describing a long dialogue of him and another person.", "he is a person speaking quite often so the reader is not confused", "I need to specify he is a person speaking quite often so the", "speaking quite often so the reader is not confused who said what. I", "him and another person. I need to specify he is a person speaking", "not confused who said what. I refer to him as \"Amox\", \"an actor\"", "specify he is a person speaking quite often so the reader is not", "is not confused who said what. I refer to him as \"Amox\", \"an", "person. I need to specify he is a person speaking quite often so", "often. How can I make it clear to the reader what is happening", "Amox, a young man and an actor. I'm describing a long dialogue of", "I refer to him as \"Amox\", \"an actor\" and \"a man\". It feels", "to him as \"Amox\", \"an actor\" and \"a man\". It feels like I'm", "need to specify he is a person speaking quite often so the reader", "young man and an actor. I'm describing a long dialogue of him and", "of him and another person. I need to specify he is a person", "dialogue of him and another person. I need to specify he is a", "Let's say my character is Amox, a young man and an actor. I'm", "another person. I need to specify he is a person speaking quite often", "the reader is not confused who said what. I refer to him as", "and another person. I need to specify he is a person speaking quite", "\"an actor\" and \"a man\". It feels like I'm repeating these words way", "and \"a man\". It feels like I'm repeating these words way too often.", "man\". It feels like I'm repeating these words way too often. How can", "It feels like I'm repeating these words way too often. How can I", "say my character is Amox, a young man and an actor. I'm describing", "repeating these words way too often. How can I make it clear to", "often so the reader is not confused who said what. I refer to", "quite often so the reader is not confused who said what. I refer", "is Amox, a young man and an actor. I'm describing a long dialogue", "my character is Amox, a young man and an actor. I'm describing a", "to specify he is a person speaking quite often so the reader is", "a long dialogue of him and another person. I need to specify he", "too often. How can I make it clear to the reader what is", "a person speaking quite often so the reader is not confused who said", "I'm repeating these words way too often. How can I make it clear", "\"a man\". It feels like I'm repeating these words way too often. How", "character is Amox, a young man and an actor. I'm describing a long", "person speaking quite often so the reader is not confused who said what.", "a young man and an actor. I'm describing a long dialogue of him", "who said what. I refer to him as \"Amox\", \"an actor\" and \"a", "actor. I'm describing a long dialogue of him and another person. I need", "feels like I'm repeating these words way too often. How can I make", "so the reader is not confused who said what. I refer to him", "I'm describing a long dialogue of him and another person. I need to", "these words way too often. How can I make it clear to the", "actor\" and \"a man\". It feels like I'm repeating these words way too", "as \"Amox\", \"an actor\" and \"a man\". It feels like I'm repeating these", "reader is not confused who said what. I refer to him as \"Amox\",", "like I'm repeating these words way too often. How can I make it", "\"Amox\", \"an actor\" and \"a man\". It feels like I'm repeating these words", "way too often. How can I make it clear to the reader what" ]
[ "the middle of the film walks into a bright room. How do you", "the true allegorical meaning of the film? What about the scene where the", "other elements of the movie from impacting this allegorical symbolism? Let's say the", "to prevent other elements from an allegorical film from being misinterpreted? Let's say", "death. The dark world is the tunnel. How do you prevent other elements", "where the character is in a dark world and runs after a light.", "middle of the film walks into a bright room. How do you prevent", "guy dreams and is reborn as a kid? This would completely go against", "and is reborn as a kid? This would completely go against the intended", "a film where the character is in a dark world and runs after", "scene where the guy dreams and is reborn as a kid? This would", "going against the true allegorical meaning of the film? What about the scene", "is the tunnel. How do you prevent other elements of the movie from", "would completely go against the intended allegorical meaning, how do you tell your", "say you make a film where the character is in a dark world", "How to prevent other elements from an allegorical film from being misinterpreted? Let's", "where the guy dreams and is reborn as a kid? This would completely", "end is death. The dark world is the tunnel. How do you prevent", "the intended allegorical meaning, how do you tell your audience to ignore these", "of the movie from impacting this allegorical symbolism? Let's say the guy in", "kid? This would completely go against the intended allegorical meaning, how do you", "do you prevent that scene and other similar scenes from going against the", "where the end is death. The dark world is the tunnel. How do", "of the film walks into a bright room. How do you prevent that", "say the guy in the middle of the film walks into a bright", "light is the end of the tunnel, where the end is death. The", "is in a dark world and runs after a light. The light is", "the scene where the guy dreams and is reborn as a kid? This", "true allegorical meaning of the film? What about the scene where the guy", "the guy dreams and is reborn as a kid? This would completely go", "against the true allegorical meaning of the film? What about the scene where", "light. The light is the end of the tunnel, where the end is", "room. How do you prevent that scene and other similar scenes from going", "the film walks into a bright room. How do you prevent that scene", "completely go against the intended allegorical meaning, how do you tell your audience", "an allegorical film from being misinterpreted? Let's say you make a film where", "the character is in a dark world and runs after a light. The", "misinterpreted? Let's say you make a film where the character is in a", "symbolism? Let's say the guy in the middle of the film walks into", "bright room. How do you prevent that scene and other similar scenes from", "being misinterpreted? Let's say you make a film where the character is in", "a kid? This would completely go against the intended allegorical meaning, how do", "after a light. The light is the end of the tunnel, where the", "meaning of the film? What about the scene where the guy dreams and", "make a film where the character is in a dark world and runs", "allegorical meaning, how do you tell your audience to ignore these scenes or", "scenes from going against the true allegorical meaning of the film? What about", "from an allegorical film from being misinterpreted? Let's say you make a film", "The light is the end of the tunnel, where the end is death.", "film where the character is in a dark world and runs after a", "the tunnel, where the end is death. The dark world is the tunnel.", "film walks into a bright room. How do you prevent that scene and", "you prevent other elements of the movie from impacting this allegorical symbolism? Let's", "runs after a light. The light is the end of the tunnel, where", "is the end of the tunnel, where the end is death. The dark", "a bright room. How do you prevent that scene and other similar scenes", "prevent other elements from an allegorical film from being misinterpreted? Let's say you", "allegorical meaning of the film? What about the scene where the guy dreams", "How do you prevent other elements of the movie from impacting this allegorical", "the guy in the middle of the film walks into a bright room.", "meaning, how do you tell your audience to ignore these scenes or details?", "the film? What about the scene where the guy dreams and is reborn", "allegorical film from being misinterpreted? Let's say you make a film where the", "elements from an allegorical film from being misinterpreted? Let's say you make a", "reborn as a kid? This would completely go against the intended allegorical meaning,", "Let's say you make a film where the character is in a dark", "other similar scenes from going against the true allegorical meaning of the film?", "movie from impacting this allegorical symbolism? Let's say the guy in the middle", "impacting this allegorical symbolism? Let's say the guy in the middle of the", "other elements from an allegorical film from being misinterpreted? Let's say you make", "about the scene where the guy dreams and is reborn as a kid?", "prevent other elements of the movie from impacting this allegorical symbolism? Let's say", "tunnel. How do you prevent other elements of the movie from impacting this", "elements of the movie from impacting this allegorical symbolism? Let's say the guy", "in a dark world and runs after a light. The light is the", "tunnel, where the end is death. The dark world is the tunnel. How", "prevent that scene and other similar scenes from going against the true allegorical", "of the film? What about the scene where the guy dreams and is", "the end of the tunnel, where the end is death. The dark world", "this allegorical symbolism? Let's say the guy in the middle of the film", "that scene and other similar scenes from going against the true allegorical meaning", "and runs after a light. The light is the end of the tunnel,", "in the middle of the film walks into a bright room. How do", "character is in a dark world and runs after a light. The light", "similar scenes from going against the true allegorical meaning of the film? What", "into a bright room. How do you prevent that scene and other similar", "the end is death. The dark world is the tunnel. How do you", "film from being misinterpreted? Let's say you make a film where the character", "dark world is the tunnel. How do you prevent other elements of the", "What about the scene where the guy dreams and is reborn as a", "How do you prevent that scene and other similar scenes from going against", "intended allegorical meaning, how do you tell your audience to ignore these scenes", "from going against the true allegorical meaning of the film? What about the", "a light. The light is the end of the tunnel, where the end", "scene and other similar scenes from going against the true allegorical meaning of", "as a kid? This would completely go against the intended allegorical meaning, how", "film? What about the scene where the guy dreams and is reborn as", "end of the tunnel, where the end is death. The dark world is", "do you prevent other elements of the movie from impacting this allegorical symbolism?", "against the intended allegorical meaning, how do you tell your audience to ignore", "the tunnel. How do you prevent other elements of the movie from impacting", "is reborn as a kid? This would completely go against the intended allegorical", "a dark world and runs after a light. The light is the end", "guy in the middle of the film walks into a bright room. How", "from being misinterpreted? Let's say you make a film where the character is", "world and runs after a light. The light is the end of the", "and other similar scenes from going against the true allegorical meaning of the", "is death. The dark world is the tunnel. How do you prevent other", "you prevent that scene and other similar scenes from going against the true", "This would completely go against the intended allegorical meaning, how do you tell", "you make a film where the character is in a dark world and", "walks into a bright room. How do you prevent that scene and other", "from impacting this allegorical symbolism? Let's say the guy in the middle of", "the movie from impacting this allegorical symbolism? Let's say the guy in the", "world is the tunnel. How do you prevent other elements of the movie", "dark world and runs after a light. The light is the end of", "of the tunnel, where the end is death. The dark world is the", "The dark world is the tunnel. How do you prevent other elements of", "allegorical symbolism? Let's say the guy in the middle of the film walks", "Let's say the guy in the middle of the film walks into a", "go against the intended allegorical meaning, how do you tell your audience to", "dreams and is reborn as a kid? This would completely go against the" ]
[ "The question basically explains it all. How should I write thought? Should I", "while and I decided today I would finally ask so there it is.", "should I write thought? Should I use quotations? Italization? Or should I just", "should I just leave it be? This question has been bugging me for", "I write thought? Should I use quotations? Italization? Or should I just leave", "it be? This question has been bugging me for a while and I", "bugging me for a while and I decided today I would finally ask", "question basically explains it all. How should I write thought? Should I use", "I use quotations? Italization? Or should I just leave it be? This question", "Italization? Or should I just leave it be? This question has been bugging", "Or should I just leave it be? This question has been bugging me", "be? This question has been bugging me for a while and I decided", "leave it be? This question has been bugging me for a while and", "Should I use quotations? Italization? Or should I just leave it be? This", "This question has been bugging me for a while and I decided today", "has been bugging me for a while and I decided today I would", "use quotations? Italization? Or should I just leave it be? This question has", "How should I write thought? Should I use quotations? Italization? Or should I", "explains it all. How should I write thought? Should I use quotations? Italization?", "for a while and I decided today I would finally ask so there", "it all. How should I write thought? Should I use quotations? Italization? Or", "quotations? Italization? Or should I just leave it be? This question has been", "I just leave it be? This question has been bugging me for a", "all. How should I write thought? Should I use quotations? Italization? Or should", "basically explains it all. How should I write thought? Should I use quotations?", "me for a while and I decided today I would finally ask so", "write thought? Should I use quotations? Italization? Or should I just leave it", "question has been bugging me for a while and I decided today I", "a while and I decided today I would finally ask so there it", "just leave it be? This question has been bugging me for a while", "been bugging me for a while and I decided today I would finally", "thought? Should I use quotations? Italization? Or should I just leave it be?" ]
[ "> > Instead of introducing that action is coming, then describing the action–take", "on my writing, but I'd never heard of this transition words thing, so", "a result, it fell over. > > > But others seem to have", "But others seem to have [the opposite opinion about whether to use them](https://kidlit.com/avoiding-transition-words-writing/):", "it on our team blog. The Wordpress instance for the team has this", "Readability score](https://i.stack.imgur.com/mfAFg.png)](https://i.stack.imgur.com/mfAFg.png) I'm very happy to get feedback and suggestions on my writing,", "use them](https://yoast.com/transition-words-why-and-how-to-use-them/), including the following example: > > I pushed the domino. As", "have [the opposite opinion about whether to use them](https://kidlit.com/avoiding-transition-words-writing/): > > Instead of", "\"Yoast SEO\" plugin. Among other things, it judges my writing style: [![Yoast SEO:", "I pushed the domino. As a result, it fell over. > > >", "to have [the opposite opinion about whether to use them](https://kidlit.com/avoiding-transition-words-writing/): > > Instead", "why you should use them](https://yoast.com/transition-words-why-and-how-to-use-them/), including the following example: > > I pushed", "judges my writing style: [![Yoast SEO: Readability score](https://i.stack.imgur.com/mfAFg.png)](https://i.stack.imgur.com/mfAFg.png) I'm very happy to get", "most part, transitional words and phrases are filler. > > > Is there", "As a result, it fell over. > > > But others seem to", "Simply describe the action. For the most part, transitional words and phrases are", "so I looked it up. Yoast have [written an article on why you", "in intentionally adding transition words to my writing? Or should I instead just", "other things, it judges my writing style: [![Yoast SEO: Readability score](https://i.stack.imgur.com/mfAFg.png)](https://i.stack.imgur.com/mfAFg.png) I'm very", "them](https://kidlit.com/avoiding-transition-words-writing/): > > Instead of introducing that action is coming, then describing the", "suggestions on my writing, but I'd never heard of this transition words thing,", "> Instead of introducing that action is coming, then describing the action–take a", "and phrases are filler. > > > Is there value in intentionally adding", "Among other things, it judges my writing style: [![Yoast SEO: Readability score](https://i.stack.imgur.com/mfAFg.png)](https://i.stack.imgur.com/mfAFg.png) I'm", "up. Yoast have [written an article on why you should use them](https://yoast.com/transition-words-why-and-how-to-use-them/), including", "should use them](https://yoast.com/transition-words-why-and-how-to-use-them/), including the following example: > > I pushed the domino.", "that action is coming, then describing the action–take a shortcut. Simply describe the", "looked it up. Yoast have [written an article on why you should use", "> > But others seem to have [the opposite opinion about whether to", "part, transitional words and phrases are filler. > > > Is there value", "coming, then describing the action–take a shortcut. Simply describe the action. For the", "wrote [a blog post](https://robinwinslow.uk/regex), and then I went to publish it on our", "opinion about whether to use them](https://kidlit.com/avoiding-transition-words-writing/): > > Instead of introducing that action", "just wrote [a blog post](https://robinwinslow.uk/regex), and then I went to publish it on", "others seem to have [the opposite opinion about whether to use them](https://kidlit.com/avoiding-transition-words-writing/): >", "action–take a shortcut. Simply describe the action. For the most part, transitional words", "[the opposite opinion about whether to use them](https://kidlit.com/avoiding-transition-words-writing/): > > Instead of introducing", "fell over. > > > But others seem to have [the opposite opinion", "team has this \"Yoast SEO\" plugin. Among other things, it judges my writing", "team blog. The Wordpress instance for the team has this \"Yoast SEO\" plugin.", "I instead just follow my natural voice (which clearly doesn't include too many", "transition words thing, so I looked it up. Yoast have [written an article", "writing style: [![Yoast SEO: Readability score](https://i.stack.imgur.com/mfAFg.png)](https://i.stack.imgur.com/mfAFg.png) I'm very happy to get feedback and", "have [written an article on why you should use them](https://yoast.com/transition-words-why-and-how-to-use-them/), including the following", "transition words to my writing? Or should I instead just follow my natural", "Wordpress instance for the team has this \"Yoast SEO\" plugin. Among other things,", "thing, so I looked it up. Yoast have [written an article on why", "filler. > > > Is there value in intentionally adding transition words to", "to use them](https://kidlit.com/avoiding-transition-words-writing/): > > Instead of introducing that action is coming, then", "SEO: Readability score](https://i.stack.imgur.com/mfAFg.png)](https://i.stack.imgur.com/mfAFg.png) I'm very happy to get feedback and suggestions on my", "> > > But others seem to have [the opposite opinion about whether", "very happy to get feedback and suggestions on my writing, but I'd never", "opposite opinion about whether to use them](https://kidlit.com/avoiding-transition-words-writing/): > > Instead of introducing that", "use them](https://kidlit.com/avoiding-transition-words-writing/): > > Instead of introducing that action is coming, then describing", "value in intentionally adding transition words to my writing? Or should I instead", "I'm very happy to get feedback and suggestions on my writing, but I'd", "never heard of this transition words thing, so I looked it up. Yoast", "> I pushed the domino. As a result, it fell over. > >", "and suggestions on my writing, but I'd never heard of this transition words", "it fell over. > > > But others seem to have [the opposite", "phrases are filler. > > > Is there value in intentionally adding transition", "instead just follow my natural voice (which clearly doesn't include too many such", "voice (which clearly doesn't include too many such words) and not worry about", "describe the action. For the most part, transitional words and phrases are filler.", "words to my writing? Or should I instead just follow my natural voice", "the team has this \"Yoast SEO\" plugin. Among other things, it judges my", "on why you should use them](https://yoast.com/transition-words-why-and-how-to-use-them/), including the following example: > > I", "the domino. As a result, it fell over. > > > But others", "seem to have [the opposite opinion about whether to use them](https://kidlit.com/avoiding-transition-words-writing/): > >", "should I instead just follow my natural voice (which clearly doesn't include too", "pushed the domino. As a result, it fell over. > > > But", "our team blog. The Wordpress instance for the team has this \"Yoast SEO\"", "Or should I instead just follow my natural voice (which clearly doesn't include", "words thing, so I looked it up. Yoast have [written an article on", "my natural voice (which clearly doesn't include too many such words) and not", "my writing style: [![Yoast SEO: Readability score](https://i.stack.imgur.com/mfAFg.png)](https://i.stack.imgur.com/mfAFg.png) I'm very happy to get feedback", "to my writing? Or should I instead just follow my natural voice (which", "describing the action–take a shortcut. Simply describe the action. For the most part,", "introducing that action is coming, then describing the action–take a shortcut. Simply describe", "there value in intentionally adding transition words to my writing? Or should I", "get feedback and suggestions on my writing, but I'd never heard of this", "> > I pushed the domino. As a result, it fell over. >", "transitional words and phrases are filler. > > > Is there value in", "has this \"Yoast SEO\" plugin. Among other things, it judges my writing style:", "them](https://yoast.com/transition-words-why-and-how-to-use-them/), including the following example: > > I pushed the domino. As a", "is coming, then describing the action–take a shortcut. Simply describe the action. For", "action. For the most part, transitional words and phrases are filler. > >", "the most part, transitional words and phrases are filler. > > > Is", "> > > Is there value in intentionally adding transition words to my", "feedback and suggestions on my writing, but I'd never heard of this transition", "writing, but I'd never heard of this transition words thing, so I looked", "domino. As a result, it fell over. > > > But others seem", "it up. Yoast have [written an article on why you should use them](https://yoast.com/transition-words-why-and-how-to-use-them/),", "went to publish it on our team blog. The Wordpress instance for the", "happy to get feedback and suggestions on my writing, but I'd never heard", "my writing, but I'd never heard of this transition words thing, so I", "publish it on our team blog. The Wordpress instance for the team has", "blog post](https://robinwinslow.uk/regex), and then I went to publish it on our team blog.", "intentionally adding transition words to my writing? Or should I instead just follow", "a shortcut. Simply describe the action. For the most part, transitional words and", "> > Is there value in intentionally adding transition words to my writing?", "to publish it on our team blog. The Wordpress instance for the team", "an article on why you should use them](https://yoast.com/transition-words-why-and-how-to-use-them/), including the following example: >", "the action. For the most part, transitional words and phrases are filler. >", "natural voice (which clearly doesn't include too many such words) and not worry", "following example: > > I pushed the domino. As a result, it fell", "instance for the team has this \"Yoast SEO\" plugin. Among other things, it", "I just wrote [a blog post](https://robinwinslow.uk/regex), and then I went to publish it", "to get feedback and suggestions on my writing, but I'd never heard of", "SEO\" plugin. Among other things, it judges my writing style: [![Yoast SEO: Readability", "For the most part, transitional words and phrases are filler. > > >", "it judges my writing style: [![Yoast SEO: Readability score](https://i.stack.imgur.com/mfAFg.png)](https://i.stack.imgur.com/mfAFg.png) I'm very happy to", "including the following example: > > I pushed the domino. As a result,", "result, it fell over. > > > But others seem to have [the", "plugin. Among other things, it judges my writing style: [![Yoast SEO: Readability score](https://i.stack.imgur.com/mfAFg.png)](https://i.stack.imgur.com/mfAFg.png)", "for the team has this \"Yoast SEO\" plugin. Among other things, it judges", "[a blog post](https://robinwinslow.uk/regex), and then I went to publish it on our team", "I went to publish it on our team blog. The Wordpress instance for", "this transition words thing, so I looked it up. Yoast have [written an", "but I'd never heard of this transition words thing, so I looked it", "[written an article on why you should use them](https://yoast.com/transition-words-why-and-how-to-use-them/), including the following example:", "the following example: > > I pushed the domino. As a result, it", "Instead of introducing that action is coming, then describing the action–take a shortcut.", "I'd never heard of this transition words thing, so I looked it up.", "whether to use them](https://kidlit.com/avoiding-transition-words-writing/): > > Instead of introducing that action is coming,", "over. > > > But others seem to have [the opposite opinion about", "Yoast have [written an article on why you should use them](https://yoast.com/transition-words-why-and-how-to-use-them/), including the", "my writing? Or should I instead just follow my natural voice (which clearly", "are filler. > > > Is there value in intentionally adding transition words", "then I went to publish it on our team blog. The Wordpress instance", "on our team blog. The Wordpress instance for the team has this \"Yoast", "I looked it up. Yoast have [written an article on why you should", "example: > > I pushed the domino. As a result, it fell over.", "about whether to use them](https://kidlit.com/avoiding-transition-words-writing/): > > Instead of introducing that action is", "> Is there value in intentionally adding transition words to my writing? Or", "things, it judges my writing style: [![Yoast SEO: Readability score](https://i.stack.imgur.com/mfAFg.png)](https://i.stack.imgur.com/mfAFg.png) I'm very happy", "post](https://robinwinslow.uk/regex), and then I went to publish it on our team blog. The", "[![Yoast SEO: Readability score](https://i.stack.imgur.com/mfAFg.png)](https://i.stack.imgur.com/mfAFg.png) I'm very happy to get feedback and suggestions on", "blog. The Wordpress instance for the team has this \"Yoast SEO\" plugin. Among", "adding transition words to my writing? Or should I instead just follow my", "and then I went to publish it on our team blog. The Wordpress", "writing? Or should I instead just follow my natural voice (which clearly doesn't", "of this transition words thing, so I looked it up. Yoast have [written", "just follow my natural voice (which clearly doesn't include too many such words)", "score](https://i.stack.imgur.com/mfAFg.png)](https://i.stack.imgur.com/mfAFg.png) I'm very happy to get feedback and suggestions on my writing, but", "(which clearly doesn't include too many such words) and not worry about it?", "heard of this transition words thing, so I looked it up. Yoast have", "follow my natural voice (which clearly doesn't include too many such words) and", "style: [![Yoast SEO: Readability score](https://i.stack.imgur.com/mfAFg.png)](https://i.stack.imgur.com/mfAFg.png) I'm very happy to get feedback and suggestions", "article on why you should use them](https://yoast.com/transition-words-why-and-how-to-use-them/), including the following example: > >", "then describing the action–take a shortcut. Simply describe the action. For the most", "Is there value in intentionally adding transition words to my writing? Or should", "this \"Yoast SEO\" plugin. Among other things, it judges my writing style: [![Yoast", "of introducing that action is coming, then describing the action–take a shortcut. Simply", "the action–take a shortcut. Simply describe the action. For the most part, transitional", "action is coming, then describing the action–take a shortcut. Simply describe the action.", "> But others seem to have [the opposite opinion about whether to use", "The Wordpress instance for the team has this \"Yoast SEO\" plugin. Among other", "words and phrases are filler. > > > Is there value in intentionally", "shortcut. Simply describe the action. For the most part, transitional words and phrases", "you should use them](https://yoast.com/transition-words-why-and-how-to-use-them/), including the following example: > > I pushed the" ]
[ "reader whether our hero is under the water looking up or on the", "sea. I need a word that can be used in both situations, because", "if you are, say, under the sea, that would be the surface of", "thought of heavens but there is a lot of religious meaning attached to", "the reader whether our hero is under the water looking up or on", "the land looking up. I thought of heavens but there is a lot", "that would be the surface of the sea. I need a word that", "want the conceal from the reader whether our hero is under the water", "land looking up. I thought of heavens but there is a lot of", "But, if you are, say, under the sea, that would be the surface", "the conceal from the reader whether our hero is under the water looking", "meaning attached to it and I am afraid it might confuse my reader.", "looking for a word to describe what we see when we look up.", "sky. But, if you are, say, under the sea, that would be the", "word to describe what we see when we look up. For us, it's", "are, say, under the sea, that would be the surface of the sea.", "of religious meaning attached to it and I am afraid it might confuse", "when we look up. For us, it's the sky. But, if you are,", "under the sea, that would be the surface of the sea. I need", "see when we look up. For us, it's the sky. But, if you", "can be used in both situations, because I want the conceal from the", "up or on the land looking up. I thought of heavens but there", "that can be used in both situations, because I want the conceal from", "and I am afraid it might confuse my reader. Any ideas? Thank you", "describe what we see when we look up. For us, it's the sky.", "the sea, that would be the surface of the sea. I need a", "am looking for a word to describe what we see when we look", "to describe what we see when we look up. For us, it's the", "us, it's the sky. But, if you are, say, under the sea, that", "I am looking for a word to describe what we see when we", "hero is under the water looking up or on the land looking up.", "is under the water looking up or on the land looking up. I", "looking up or on the land looking up. I thought of heavens but", "for a word to describe what we see when we look up. For", "look up. For us, it's the sky. But, if you are, say, under", "what we see when we look up. For us, it's the sky. But,", "a word to describe what we see when we look up. For us,", "from the reader whether our hero is under the water looking up or", "up. I thought of heavens but there is a lot of religious meaning", "our hero is under the water looking up or on the land looking", "sea, that would be the surface of the sea. I need a word", "used in both situations, because I want the conceal from the reader whether", "surface of the sea. I need a word that can be used in", "whether our hero is under the water looking up or on the land", "because I want the conceal from the reader whether our hero is under", "the surface of the sea. I need a word that can be used", "the water looking up or on the land looking up. I thought of", "we see when we look up. For us, it's the sky. But, if", "word that can be used in both situations, because I want the conceal", "it and I am afraid it might confuse my reader. Any ideas? Thank", "or on the land looking up. I thought of heavens but there is", "both situations, because I want the conceal from the reader whether our hero", "For us, it's the sky. But, if you are, say, under the sea,", "it's the sky. But, if you are, say, under the sea, that would", "the sky. But, if you are, say, under the sea, that would be", "of the sea. I need a word that can be used in both", "but there is a lot of religious meaning attached to it and I", "be the surface of the sea. I need a word that can be", "we look up. For us, it's the sky. But, if you are, say,", "water looking up or on the land looking up. I thought of heavens", "on the land looking up. I thought of heavens but there is a", "the sea. I need a word that can be used in both situations,", "religious meaning attached to it and I am afraid it might confuse my", "conceal from the reader whether our hero is under the water looking up", "say, under the sea, that would be the surface of the sea. I", "you are, say, under the sea, that would be the surface of the", "situations, because I want the conceal from the reader whether our hero is", "attached to it and I am afraid it might confuse my reader. Any", "is a lot of religious meaning attached to it and I am afraid", "need a word that can be used in both situations, because I want", "a lot of religious meaning attached to it and I am afraid it", "up. For us, it's the sky. But, if you are, say, under the", "I want the conceal from the reader whether our hero is under the", "there is a lot of religious meaning attached to it and I am", "I need a word that can be used in both situations, because I", "to it and I am afraid it might confuse my reader. Any ideas?", "I thought of heavens but there is a lot of religious meaning attached", "be used in both situations, because I want the conceal from the reader", "in both situations, because I want the conceal from the reader whether our", "a word that can be used in both situations, because I want the", "heavens but there is a lot of religious meaning attached to it and", "would be the surface of the sea. I need a word that can", "lot of religious meaning attached to it and I am afraid it might", "looking up. I thought of heavens but there is a lot of religious", "of heavens but there is a lot of religious meaning attached to it", "under the water looking up or on the land looking up. I thought" ]
[ "hero is a young woman who is forcibly recruited into his mafia and", "villain is a powerful crime-boss. The hero is a young woman who is", "be taken in by the police, but I don't want the hero to", "reason for that. Is it considered bad writing if my hero isn't the", "an escape. In the end, I want to have the villain be taken", "want the hero to be the reason for that. Is it considered bad", "the reason for that. Is it considered bad writing if my hero isn't", "don't want the hero to be the reason for that. Is it considered", "want to have the villain be taken in by the police, but I", "where the villain is a powerful crime-boss. The hero is a young woman", "the police, but I don't want the hero to be the reason for", "be the reason for that. Is it considered bad writing if my hero", "the end, I want to have the villain be taken in by the", "a story where the villain is a powerful crime-boss. The hero is a", "for an escape. In the end, I want to have the villain be", "forcibly recruited into his mafia and is looking for an escape. In the", "end, I want to have the villain be taken in by the police,", "powerful crime-boss. The hero is a young woman who is forcibly recruited into", "taken in by the police, but I don't want the hero to be", "bad writing if my hero isn't the one who brings about the villain's", "a young woman who is forcibly recruited into his mafia and is looking", "and is looking for an escape. In the end, I want to have", "is a powerful crime-boss. The hero is a young woman who is forcibly", "young woman who is forcibly recruited into his mafia and is looking for", "to have the villain be taken in by the police, but I don't", "by the police, but I don't want the hero to be the reason", "police, but I don't want the hero to be the reason for that.", "Is it considered bad writing if my hero isn't the one who brings", "it considered bad writing if my hero isn't the one who brings about", "recruited into his mafia and is looking for an escape. In the end,", "considered bad writing if my hero isn't the one who brings about the", "crime-boss. The hero is a young woman who is forcibly recruited into his", "woman who is forcibly recruited into his mafia and is looking for an", "who is forcibly recruited into his mafia and is looking for an escape.", "his mafia and is looking for an escape. In the end, I want", "is looking for an escape. In the end, I want to have the", "writing if my hero isn't the one who brings about the villain's downfall?", "mafia and is looking for an escape. In the end, I want to", "but I don't want the hero to be the reason for that. Is", "the hero to be the reason for that. Is it considered bad writing", "story where the villain is a powerful crime-boss. The hero is a young", "have the villain be taken in by the police, but I don't want", "the villain be taken in by the police, but I don't want the", "to be the reason for that. Is it considered bad writing if my", "a powerful crime-boss. The hero is a young woman who is forcibly recruited", "that. Is it considered bad writing if my hero isn't the one who", "I don't want the hero to be the reason for that. Is it", "I'm writing a story where the villain is a powerful crime-boss. The hero", "for that. Is it considered bad writing if my hero isn't the one", "into his mafia and is looking for an escape. In the end, I", "villain be taken in by the police, but I don't want the hero", "In the end, I want to have the villain be taken in by", "in by the police, but I don't want the hero to be the", "writing a story where the villain is a powerful crime-boss. The hero is", "hero to be the reason for that. Is it considered bad writing if", "is a young woman who is forcibly recruited into his mafia and is", "looking for an escape. In the end, I want to have the villain", "escape. In the end, I want to have the villain be taken in", "is forcibly recruited into his mafia and is looking for an escape. In", "The hero is a young woman who is forcibly recruited into his mafia", "I want to have the villain be taken in by the police, but", "the villain is a powerful crime-boss. The hero is a young woman who" ]
[ "grammar so much? For example when someone makes errors concerning mixed tenses does", "about grammar so much? For example when someone makes errors concerning mixed tenses", "so much? For example when someone makes errors concerning mixed tenses does that", "example when someone makes errors concerning mixed tenses does that bother readers so", "care about grammar so much? For example when someone makes errors concerning mixed", "For example when someone makes errors concerning mixed tenses does that bother readers", "English-language speakers care about grammar so much? For example when someone makes errors", "Do English-language speakers care about grammar so much? For example when someone makes", "when someone makes errors concerning mixed tenses does that bother readers so much?", "much? For example when someone makes errors concerning mixed tenses does that bother", "speakers care about grammar so much? For example when someone makes errors concerning" ]
[ "dialogue, strange noises, etc. By the end of the story, it's not even", "changing names slightly? The reason I ask is because I feel the horror", "name of the game and certain gameplay within it, or would I have", "new setting for the conflict for main character and evil entity. Would I", "and evil entity. Would I be okay using the real name of the", "place like a flea market or yard sale. He takes it home and", "and certain gameplay within it, or would I have to do the classic", "early. Note that the story would not be completely about the game and", "home and starts playing, only to notice as time goes on things are", "that come in would hit harder with people who have played the same", "I be worried about copyright? For example, The main character finds a copy", "it, but would revolve around it and the main character's struggle with whatever", "a new setting for the conflict for main character and evil entity. Would", "things are very wrong. Wrong dialogue, strange noises, etc. By the end of", "every character dies, Person B gets involved and dies, Person A gets rid", "notice as time goes on things are very wrong. Wrong dialogue, strange noises,", "Person B gets involved and dies, Person A gets rid of game forever.", "in would hit harder with people who have played the same game, and", "game and certain gameplay within it, or would I have to do the", "about the game and would be in no way criticizing it, but would", "Okay, so this is odd, but hear me out. We've all heard the", "revolve around it and the main character's struggle with whatever is wrong with", "story, Person A finds a cursed video game cartridge, plays it, every character", "conflict for main character and evil entity. Would I be okay using the", "setting for the conflict for main character and evil entity. Would I be", "get serious about writing a novel based on this particular formula, should I", "particular formula, should I be worried about copyright? For example, The main character", "character finds a copy of a game he played as a child in", "flea market or yard sale. He takes it home and starts playing, only", "the real name of the game and certain gameplay within it, or would", "hit harder with people who have played the same game, and would take", "but would revolve around it and the main character's struggle with whatever is", "all heard the story, Person A finds a cursed video game cartridge, plays", "B gets involved and dies, Person A gets rid of game forever. It's", "cartridge, plays it, every character dies, Person B gets involved and dies, Person", "very wrong. Wrong dialogue, strange noises, etc. By the end of the story,", "slighter inconsistencies like certain spells being available too early. Note that the story", "wrong. Wrong dialogue, strange noises, etc. By the end of the story, it's", "I have to do the classic trope of changing names slightly? The reason", "creepypasta format. But if I were to get serious about writing a novel", "cursed video game cartridge, plays it, every character dies, Person B gets involved", "in a place like a flea market or yard sale. He takes it", "it's practically a new setting for the conflict for main character and evil", "ask is because I feel the horror aspects that come in would hit", "game he played as a child in a place like a flea market", "serious about writing a novel based on this particular formula, should I be", "because I feel the horror aspects that come in would hit harder with", "feel the horror aspects that come in would hit harder with people who", "gets rid of game forever. It's the classic creepypasta format. But if I", "copyright? For example, The main character finds a copy of a game he", "The main character finds a copy of a game he played as a", "okay using the real name of the game and certain gameplay within it,", "no way criticizing it, but would revolve around it and the main character's", "the story, it's not even the same game anymore, it's practically a new", "like a flea market or yard sale. He takes it home and starts", "it and the main character's struggle with whatever is wrong with this certain", "main character and evil entity. Would I be okay using the real name", "come in would hit harder with people who have played the same game,", "game, and would take note of slighter inconsistencies like certain spells being available", "for the conflict for main character and evil entity. Would I be okay", "end of the story, it's not even the same game anymore, it's practically", "child in a place like a flea market or yard sale. He takes", "I ask is because I feel the horror aspects that come in would", "on things are very wrong. Wrong dialogue, strange noises, etc. By the end", "who have played the same game, and would take note of slighter inconsistencies", "be completely about the game and would be in no way criticizing it,", "like certain spells being available too early. Note that the story would not", "a game he played as a child in a place like a flea", "do the classic trope of changing names slightly? The reason I ask is", "a child in a place like a flea market or yard sale. He", "slightly? The reason I ask is because I feel the horror aspects that", "or would I have to do the classic trope of changing names slightly?", "copy of a game he played as a child in a place like", "completely about the game and would be in no way criticizing it, but", "sale. He takes it home and starts playing, only to notice as time", "By the end of the story, it's not even the same game anymore,", "spells being available too early. Note that the story would not be completely", "to do the classic trope of changing names slightly? The reason I ask", "as a child in a place like a flea market or yard sale.", "played as a child in a place like a flea market or yard", "takes it home and starts playing, only to notice as time goes on", "and the main character's struggle with whatever is wrong with this certain copy.", "writing a novel based on this particular formula, should I be worried about", "the story would not be completely about the game and would be in", "would be in no way criticizing it, but would revolve around it and", "of a game he played as a child in a place like a", "for main character and evil entity. Would I be okay using the real", "Person A finds a cursed video game cartridge, plays it, every character dies,", "rid of game forever. It's the classic creepypasta format. But if I were", "way criticizing it, but would revolve around it and the main character's struggle", "gets involved and dies, Person A gets rid of game forever. It's the", "classic creepypasta format. But if I were to get serious about writing a", "He takes it home and starts playing, only to notice as time goes", "goes on things are very wrong. Wrong dialogue, strange noises, etc. By the", "be worried about copyright? For example, The main character finds a copy of", "being available too early. Note that the story would not be completely about", "Note that the story would not be completely about the game and would", "A finds a cursed video game cartridge, plays it, every character dies, Person", "the classic creepypasta format. But if I were to get serious about writing", "same game anymore, it's practically a new setting for the conflict for main", "a cursed video game cartridge, plays it, every character dies, Person B gets", "based on this particular formula, should I be worried about copyright? For example,", "novel based on this particular formula, should I be worried about copyright? For", "story would not be completely about the game and would be in no", "character dies, Person B gets involved and dies, Person A gets rid of", "have to do the classic trope of changing names slightly? The reason I", "noises, etc. By the end of the story, it's not even the same", "strange noises, etc. By the end of the story, it's not even the", "a place like a flea market or yard sale. He takes it home", "take note of slighter inconsistencies like certain spells being available too early. Note", "The reason I ask is because I feel the horror aspects that come", "dies, Person A gets rid of game forever. It's the classic creepypasta format.", "is odd, but hear me out. We've all heard the story, Person A", "would hit harder with people who have played the same game, and would", "market or yard sale. He takes it home and starts playing, only to", "and starts playing, only to notice as time goes on things are very", "A gets rid of game forever. It's the classic creepypasta format. But if", "worried about copyright? For example, The main character finds a copy of a", "the same game anymore, it's practically a new setting for the conflict for", "too early. Note that the story would not be completely about the game", "people who have played the same game, and would take note of slighter", "But if I were to get serious about writing a novel based on", "heard the story, Person A finds a cursed video game cartridge, plays it,", "so this is odd, but hear me out. We've all heard the story,", "it home and starts playing, only to notice as time goes on things", "of changing names slightly? The reason I ask is because I feel the", "have played the same game, and would take note of slighter inconsistencies like", "this particular formula, should I be worried about copyright? For example, The main", "game forever. It's the classic creepypasta format. But if I were to get", "anymore, it's practically a new setting for the conflict for main character and", "Would I be okay using the real name of the game and certain", "practically a new setting for the conflict for main character and evil entity.", "story, it's not even the same game anymore, it's practically a new setting", "finds a copy of a game he played as a child in a", "he played as a child in a place like a flea market or", "or yard sale. He takes it home and starts playing, only to notice", "in no way criticizing it, but would revolve around it and the main", "this is odd, but hear me out. We've all heard the story, Person", "Person A gets rid of game forever. It's the classic creepypasta format. But", "example, The main character finds a copy of a game he played as", "names slightly? The reason I ask is because I feel the horror aspects", "main character finds a copy of a game he played as a child", "hear me out. We've all heard the story, Person A finds a cursed", "the conflict for main character and evil entity. Would I be okay using", "certain gameplay within it, or would I have to do the classic trope", "available too early. Note that the story would not be completely about the", "that the story would not be completely about the game and would be", "would I have to do the classic trope of changing names slightly? The", "same game, and would take note of slighter inconsistencies like certain spells being", "as time goes on things are very wrong. Wrong dialogue, strange noises, etc.", "not be completely about the game and would be in no way criticizing", "of the game and certain gameplay within it, or would I have to", "inconsistencies like certain spells being available too early. Note that the story would", "and would be in no way criticizing it, but would revolve around it", "around it and the main character's struggle with whatever is wrong with this", "the game and certain gameplay within it, or would I have to do", "of the story, it's not even the same game anymore, it's practically a", "the end of the story, it's not even the same game anymore, it's", "within it, or would I have to do the classic trope of changing", "a novel based on this particular formula, should I be worried about copyright?", "etc. By the end of the story, it's not even the same game", "to get serious about writing a novel based on this particular formula, should", "finds a cursed video game cartridge, plays it, every character dies, Person B", "of game forever. It's the classic creepypasta format. But if I were to", "Wrong dialogue, strange noises, etc. By the end of the story, it's not", "I be okay using the real name of the game and certain gameplay", "about writing a novel based on this particular formula, should I be worried", "using the real name of the game and certain gameplay within it, or", "real name of the game and certain gameplay within it, or would I", "is because I feel the horror aspects that come in would hit harder", "out. We've all heard the story, Person A finds a cursed video game", "formula, should I be worried about copyright? For example, The main character finds", "forever. It's the classic creepypasta format. But if I were to get serious", "video game cartridge, plays it, every character dies, Person B gets involved and", "the story, Person A finds a cursed video game cartridge, plays it, every", "trope of changing names slightly? The reason I ask is because I feel", "the horror aspects that come in would hit harder with people who have", "played the same game, and would take note of slighter inconsistencies like certain", "aspects that come in would hit harder with people who have played the", "certain spells being available too early. Note that the story would not be", "game and would be in no way criticizing it, but would revolve around", "horror aspects that come in would hit harder with people who have played", "the game and would be in no way criticizing it, but would revolve", "would not be completely about the game and would be in no way", "starts playing, only to notice as time goes on things are very wrong.", "me out. We've all heard the story, Person A finds a cursed video", "be in no way criticizing it, but would revolve around it and the", "It's the classic creepypasta format. But if I were to get serious about", "game anymore, it's practically a new setting for the conflict for main character", "reason I ask is because I feel the horror aspects that come in", "even the same game anymore, it's practically a new setting for the conflict", "to notice as time goes on things are very wrong. Wrong dialogue, strange", "classic trope of changing names slightly? The reason I ask is because I", "entity. Would I be okay using the real name of the game and", "and would take note of slighter inconsistencies like certain spells being available too", "plays it, every character dies, Person B gets involved and dies, Person A", "on this particular formula, should I be worried about copyright? For example, The", "would revolve around it and the main character's struggle with whatever is wrong", "the classic trope of changing names slightly? The reason I ask is because", "not even the same game anymore, it's practically a new setting for the", "odd, but hear me out. We've all heard the story, Person A finds", "dies, Person B gets involved and dies, Person A gets rid of game", "a flea market or yard sale. He takes it home and starts playing,", "evil entity. Would I be okay using the real name of the game", "about copyright? For example, The main character finds a copy of a game", "be okay using the real name of the game and certain gameplay within", "note of slighter inconsistencies like certain spells being available too early. Note that", "format. But if I were to get serious about writing a novel based", "time goes on things are very wrong. Wrong dialogue, strange noises, etc. By", "harder with people who have played the same game, and would take note", "only to notice as time goes on things are very wrong. Wrong dialogue,", "We've all heard the story, Person A finds a cursed video game cartridge,", "yard sale. He takes it home and starts playing, only to notice as", "it's not even the same game anymore, it's practically a new setting for", "For example, The main character finds a copy of a game he played", "the same game, and would take note of slighter inconsistencies like certain spells", "playing, only to notice as time goes on things are very wrong. Wrong", "are very wrong. Wrong dialogue, strange noises, etc. By the end of the", "it, or would I have to do the classic trope of changing names", "involved and dies, Person A gets rid of game forever. It's the classic", "character and evil entity. Would I be okay using the real name of", "criticizing it, but would revolve around it and the main character's struggle with", "of slighter inconsistencies like certain spells being available too early. Note that the", "a copy of a game he played as a child in a place", "game cartridge, plays it, every character dies, Person B gets involved and dies,", "it, every character dies, Person B gets involved and dies, Person A gets", "I feel the horror aspects that come in would hit harder with people", "would take note of slighter inconsistencies like certain spells being available too early.", "I were to get serious about writing a novel based on this particular", "gameplay within it, or would I have to do the classic trope of", "but hear me out. We've all heard the story, Person A finds a", "with people who have played the same game, and would take note of", "were to get serious about writing a novel based on this particular formula,", "should I be worried about copyright? For example, The main character finds a", "if I were to get serious about writing a novel based on this", "and dies, Person A gets rid of game forever. It's the classic creepypasta" ]
[ "he recovers, making him remember what lead him there. Would that make it", "story that focuses on two main characters. The story was supposed to start", "story takes place through his interactions with the people around him. Then something", "fantasy story that focuses on two main characters. The story was supposed to", "on two main characters. The story was supposed to start with the male", "Would that make it more interesting? Or would linear story-telling still be better?", "the first time. Now, I’m writing relatively short chapters (500-1500 words), but I", "first time. Now, I’m writing relatively short chapters (500-1500 words), but I still", "happening. So I wondered, should I maybe start the story with a flash-forward?", "I wondered, should I maybe start the story with a flash-forward? Showing the", "I'm writing this fantasy story that focuses on two main characters. The story", "still worried about people getting bored and leaving the story before things start", "leaving the story before things start happening. So I wondered, should I maybe", "him. Then something really bad happens in the fifth to sixth chapters which", "getting bored and leaving the story before things start happening. So I wondered,", "then saved by the female protagonist, who appears then for the first time.", "in which the story takes place through his interactions with the people around", "but then saved by the female protagonist, who appears then for the first", "main characters. The story was supposed to start with the male protagonist. So,", "Then something really bad happens in the fifth to sixth chapters which kicks", "was supposed to start with the male protagonist. So, in the first four", "I’m writing relatively short chapters (500-1500 words), but I still worried about people", "his current situation and the world in which the story takes place through", "for the first time. Now, I’m writing relatively short chapters (500-1500 words), but", "the female protagonist, who appears then for the first time. Now, I’m writing", "situation and the world in which the story takes place through his interactions", "protagonist. So, in the first four chapters or so, we get to know", "the world in which the story takes place through his interactions with the", "(500-1500 words), but I still worried about people getting bored and leaving the", "there. Would that make it more interesting? Or would linear story-telling still be", "get to know his current situation and the world in which the story", "or so, we get to know his current situation and the world in", "should I maybe start the story with a flash-forward? Showing the female protagonist", "the fifth to sixth chapters which kicks the plot, getting him almost killed", "people getting bored and leaving the story before things start happening. So I", "female protagonist saving the guy. And then as he recovers, making him remember", "first four chapters or so, we get to know his current situation and", "with a flash-forward? Showing the female protagonist saving the guy. And then as", "words), but I still worried about people getting bored and leaving the story", "in the fifth to sixth chapters which kicks the plot, getting him almost", "interactions with the people around him. Then something really bad happens in the", "then for the first time. Now, I’m writing relatively short chapters (500-1500 words),", "male protagonist. So, in the first four chapters or so, we get to", "bad happens in the fifth to sixth chapters which kicks the plot, getting", "the plot, getting him almost killed but then saved by the female protagonist,", "female protagonist, who appears then for the first time. Now, I’m writing relatively", "who appears then for the first time. Now, I’m writing relatively short chapters", "people around him. Then something really bad happens in the fifth to sixth", "about people getting bored and leaving the story before things start happening. So", "writing relatively short chapters (500-1500 words), but I still worried about people getting", "him there. Would that make it more interesting? Or would linear story-telling still", "start with the male protagonist. So, in the first four chapters or so,", "appears then for the first time. Now, I’m writing relatively short chapters (500-1500", "we get to know his current situation and the world in which the", "fifth to sixth chapters which kicks the plot, getting him almost killed but", "something really bad happens in the fifth to sixth chapters which kicks the", "So I wondered, should I maybe start the story with a flash-forward? Showing", "chapters (500-1500 words), but I still worried about people getting bored and leaving", "really bad happens in the fifth to sixth chapters which kicks the plot,", "the story takes place through his interactions with the people around him. Then", "then as he recovers, making him remember what lead him there. Would that", "to know his current situation and the world in which the story takes", "time. Now, I’m writing relatively short chapters (500-1500 words), but I still worried", "Showing the female protagonist saving the guy. And then as he recovers, making", "the story with a flash-forward? Showing the female protagonist saving the guy. And", "guy. And then as he recovers, making him remember what lead him there.", "that focuses on two main characters. The story was supposed to start with", "Now, I’m writing relatively short chapters (500-1500 words), but I still worried about", "focuses on two main characters. The story was supposed to start with the", "killed but then saved by the female protagonist, who appears then for the", "know his current situation and the world in which the story takes place", "which the story takes place through his interactions with the people around him.", "in the first four chapters or so, we get to know his current", "with the male protagonist. So, in the first four chapters or so, we", "four chapters or so, we get to know his current situation and the", "plot, getting him almost killed but then saved by the female protagonist, who", "with the people around him. Then something really bad happens in the fifth", "a flash-forward? Showing the female protagonist saving the guy. And then as he", "this fantasy story that focuses on two main characters. The story was supposed", "protagonist saving the guy. And then as he recovers, making him remember what", "supposed to start with the male protagonist. So, in the first four chapters", "through his interactions with the people around him. Then something really bad happens", "remember what lead him there. Would that make it more interesting? Or would", "and leaving the story before things start happening. So I wondered, should I", "the female protagonist saving the guy. And then as he recovers, making him", "So, in the first four chapters or so, we get to know his", "recovers, making him remember what lead him there. Would that make it more", "chapters or so, we get to know his current situation and the world", "start happening. So I wondered, should I maybe start the story with a", "saved by the female protagonist, who appears then for the first time. Now,", "the guy. And then as he recovers, making him remember what lead him", "I maybe start the story with a flash-forward? Showing the female protagonist saving", "making him remember what lead him there. Would that make it more interesting?", "place through his interactions with the people around him. Then something really bad", "so, we get to know his current situation and the world in which", "maybe start the story with a flash-forward? Showing the female protagonist saving the", "as he recovers, making him remember what lead him there. Would that make", "happens in the fifth to sixth chapters which kicks the plot, getting him", "chapters which kicks the plot, getting him almost killed but then saved by", "world in which the story takes place through his interactions with the people", "characters. The story was supposed to start with the male protagonist. So, in", "and the world in which the story takes place through his interactions with", "wondered, should I maybe start the story with a flash-forward? Showing the female", "by the female protagonist, who appears then for the first time. Now, I’m", "two main characters. The story was supposed to start with the male protagonist.", "flash-forward? Showing the female protagonist saving the guy. And then as he recovers,", "worried about people getting bored and leaving the story before things start happening.", "The story was supposed to start with the male protagonist. So, in the", "but I still worried about people getting bored and leaving the story before", "things start happening. So I wondered, should I maybe start the story with", "saving the guy. And then as he recovers, making him remember what lead", "current situation and the world in which the story takes place through his", "to start with the male protagonist. So, in the first four chapters or", "start the story with a flash-forward? Showing the female protagonist saving the guy.", "story before things start happening. So I wondered, should I maybe start the", "before things start happening. So I wondered, should I maybe start the story", "him remember what lead him there. Would that make it more interesting? Or", "his interactions with the people around him. Then something really bad happens in", "getting him almost killed but then saved by the female protagonist, who appears", "story with a flash-forward? Showing the female protagonist saving the guy. And then", "which kicks the plot, getting him almost killed but then saved by the", "And then as he recovers, making him remember what lead him there. Would", "bored and leaving the story before things start happening. So I wondered, should", "almost killed but then saved by the female protagonist, who appears then for", "the story before things start happening. So I wondered, should I maybe start", "around him. Then something really bad happens in the fifth to sixth chapters", "to sixth chapters which kicks the plot, getting him almost killed but then", "what lead him there. Would that make it more interesting? Or would linear", "lead him there. Would that make it more interesting? Or would linear story-telling", "the first four chapters or so, we get to know his current situation", "story was supposed to start with the male protagonist. So, in the first", "takes place through his interactions with the people around him. Then something really", "the people around him. Then something really bad happens in the fifth to", "protagonist, who appears then for the first time. Now, I’m writing relatively short", "sixth chapters which kicks the plot, getting him almost killed but then saved", "him almost killed but then saved by the female protagonist, who appears then", "writing this fantasy story that focuses on two main characters. The story was", "relatively short chapters (500-1500 words), but I still worried about people getting bored", "the male protagonist. So, in the first four chapters or so, we get", "I still worried about people getting bored and leaving the story before things", "kicks the plot, getting him almost killed but then saved by the female", "short chapters (500-1500 words), but I still worried about people getting bored and" ]
[ "part in the above example... it feels like the voice isn't properly captured.", "yeah? part in the above example... it feels like the voice isn't properly", "tall — he tried to look me in the eyes, but I kept", "> Dipis walked towards, and stopped close to me — he was tall", "to focus on. > > > “You walked passed me—” he began. >", "thoughts), and something happens that makes them flip-out. This is the voice I", "normally say this sentence in a gentle tone) Yeah, what's your point? type.", "— he was tall — he tried to look me in the eyes,", "the voice isn't properly captured. Should I use > > Yeah?! > >", "that makes them flip-out. This is the voice I am trying to capture.", "in the above example... it feels like the voice isn't properly captured. Should", "There are some moments when the characters are deep in their thoughts (past", "voice isn't properly captured. Should I use > > Yeah?! > > >", "the above example... it feels like the voice isn't properly captured. Should I", "> or it is looking just fine? It feels simply like -- (we", "when the characters are deep in their thoughts (past troubling thoughts), and something", "dodging them as I look around trying to find a place to focus", "or > > Yeah! > > > or it is looking just fine?", "> “Yeah? Sue me then!” I hissed at his face, and walked away,", "what's your point?* type. Every bit of advice is much appreciated. Thank you.", "them as I look around trying to find a place to focus on.", "captured. Should I use > > Yeah?! > > > or > >", "example... it feels like the voice isn't properly captured. Should I use >", "to look me in the eyes, but I kept dodging them as I", "to me — he was tall — he tried to look me in", "trying to find a place to focus on. > > > “You walked", "I hissed at his face, and walked away, towards the stone. > >", "away, towards the stone. > > > The (punctuation of the) yeah? part", "> The (punctuation of the) yeah? part in the above example... it feels", "> > “You walked passed me—” he began. > > > “Yeah? Sue", "and stopped close to me — he was tall — he tried to", "just fine? It feels simply like -- (we normally say this sentence in", "gentle tone) Yeah, what's your point? type. Every bit of advice is much", "say this sentence in a gentle tone) Yeah, what's your point? type. Every", "or it is looking just fine? It feels simply like -- (we normally", "he tried to look me in the eyes, but I kept dodging them", "I am trying to capture. > > Dipis walked towards, and stopped close", "in a gentle tone) Yeah, what's your point? type. Every bit of advice", "came across this confusion. There are some moments when the characters are deep", "This is the voice I am trying to capture. > > Dipis walked", "moments when the characters are deep in their thoughts (past troubling thoughts), and", "tone) Yeah, what's your point? type. Every bit of advice is much appreciated.", "some moments when the characters are deep in their thoughts (past troubling thoughts),", "kept dodging them as I look around trying to find a place to", "stone. > > > The (punctuation of the) yeah? part in the above", "at his face, and walked away, towards the stone. > > > The", "place to focus on. > > > “You walked passed me—” he began.", "> > > or > > Yeah! > > > or it is", "confusion. There are some moments when the characters are deep in their thoughts", "around trying to find a place to focus on. > > > “You", "troubling thoughts), and something happens that makes them flip-out. This is the voice", "are deep in their thoughts (past troubling thoughts), and something happens that makes", "is the voice I am trying to capture. > > Dipis walked towards,", "in the eyes, but I kept dodging them as I look around trying", "look me in the eyes, but I kept dodging them as I look", "fine? It feels simply like -- (we normally say this sentence in a", "happens that makes them flip-out. This is the voice I am trying to", "trying to capture. > > Dipis walked towards, and stopped close to me", "this confusion. There are some moments when the characters are deep in their", "characters are deep in their thoughts (past troubling thoughts), and something happens that", "me—” he began. > > > “Yeah? Sue me then!” I hissed at", "> > The (punctuation of the) yeah? part in the above example... it", "I kept dodging them as I look around trying to find a place", "focus on. > > > “You walked passed me—” he began. > >", "> > > or it is looking just fine? It feels simply like", "face, and walked away, towards the stone. > > > The (punctuation of", "(punctuation of the) yeah? part in the above example... it feels like the", "I look around trying to find a place to focus on. > >", "he was tall — he tried to look me in the eyes, but", "walked away, towards the stone. > > > The (punctuation of the) yeah?", "look around trying to find a place to focus on. > > >", "use > > Yeah?! > > > or > > Yeah! > >", "I use > > Yeah?! > > > or > > Yeah! >", "> > or > > Yeah! > > > or it is looking", "> or > > Yeah! > > > or it is looking just", "this sentence in a gentle tone) Yeah, what's your point? type. Every bit", "like -- (we normally say this sentence in a gentle tone) Yeah, what's", "It feels simply like -- (we normally say this sentence in a gentle", "thoughts (past troubling thoughts), and something happens that makes them flip-out. This is", "tried to look me in the eyes, but I kept dodging them as", "flip-out. This is the voice I am trying to capture. > > Dipis", "> > > “Yeah? Sue me then!” I hissed at his face, and", "-- (we normally say this sentence in a gentle tone) Yeah, what's your", "> > > The (punctuation of the) yeah? part in the above example...", "sentence in a gentle tone) Yeah, what's your point? type. Every bit of", "close to me — he was tall — he tried to look me", "passed me—” he began. > > > “Yeah? Sue me then!” I hissed", "to find a place to focus on. > > > “You walked passed", "Yeah, what's your point? type. Every bit of advice is much appreciated. Thank", "a gentle tone) Yeah, what's your point? type. Every bit of advice is", "me in the eyes, but I kept dodging them as I look around", "me — he was tall — he tried to look me in the", "and walked away, towards the stone. > > > The (punctuation of the)", "writing dialogue, I came across this confusion. There are some moments when the", "makes them flip-out. This is the voice I am trying to capture. >", "the eyes, but I kept dodging them as I look around trying to", "and something happens that makes them flip-out. This is the voice I am", "The (punctuation of the) yeah? part in the above example... it feels like", "feels like the voice isn't properly captured. Should I use > > Yeah?!", "> > Dipis walked towards, and stopped close to me — he was", "Dipis walked towards, and stopped close to me — he was tall —", "towards the stone. > > > The (punctuation of the) yeah? part in", "deep in their thoughts (past troubling thoughts), and something happens that makes them", "he began. > > > “Yeah? Sue me then!” I hissed at his", "in their thoughts (past troubling thoughts), and something happens that makes them flip-out.", "“Yeah? Sue me then!” I hissed at his face, and walked away, towards", "his face, and walked away, towards the stone. > > > The (punctuation", "on. > > > “You walked passed me—” he began. > > >", "walked towards, and stopped close to me — he was tall — he", "isn't properly captured. Should I use > > Yeah?! > > > or", "“You walked passed me—” he began. > > > “Yeah? Sue me then!”", "feels simply like -- (we normally say this sentence in a gentle tone)", "me then!” I hissed at his face, and walked away, towards the stone.", "> > Yeah! > > > or it is looking just fine? It", "capture. > > Dipis walked towards, and stopped close to me — he", "is looking just fine? It feels simply like -- (we normally say this", "began. > > > “Yeah? Sue me then!” I hissed at his face,", "across this confusion. There are some moments when the characters are deep in", "the) yeah? part in the above example... it feels like the voice isn't", "above example... it feels like the voice isn't properly captured. Should I use", "> > Yeah?! > > > or > > Yeah! > > >", "their thoughts (past troubling thoughts), and something happens that makes them flip-out. This", "simply like -- (we normally say this sentence in a gentle tone) Yeah,", "walked passed me—” he began. > > > “Yeah? Sue me then!” I", "as I look around trying to find a place to focus on. >", "it is looking just fine? It feels simply like -- (we normally say", "like the voice isn't properly captured. Should I use > > Yeah?! >", "hissed at his face, and walked away, towards the stone. > > >", "Should I use > > Yeah?! > > > or > > Yeah!", "was tall — he tried to look me in the eyes, but I", "voice I am trying to capture. > > Dipis walked towards, and stopped", "the characters are deep in their thoughts (past troubling thoughts), and something happens", "find a place to focus on. > > > “You walked passed me—”", "(we normally say this sentence in a gentle tone) Yeah, what's your point?", "dialogue, I came across this confusion. There are some moments when the characters", "are some moments when the characters are deep in their thoughts (past troubling", "something happens that makes them flip-out. This is the voice I am trying", "I came across this confusion. There are some moments when the characters are", "> Yeah?! > > > or > > Yeah! > > > or", "> > > “You walked passed me—” he began. > > > “Yeah?", "then!” I hissed at his face, and walked away, towards the stone. >", "the stone. > > > The (punctuation of the) yeah?* part in the", "Yeah?! > > > or > > Yeah! > > > or it", "to capture. > > Dipis walked towards, and stopped close to me —", "but I kept dodging them as I look around trying to find a", "> Yeah! > > > or it is looking just fine? It feels", "it feels like the voice isn't properly captured. Should I use > >", "> > or it is looking just fine? It feels simply like --", "While writing dialogue, I came across this confusion. There are some moments when", "stopped close to me — he was tall — he tried to look", "> “You walked passed me—” he began. > > > “Yeah? Sue me", "them flip-out. This is the voice I am trying to capture. > >", "am trying to capture. > > Dipis walked towards, and stopped close to", "> > “Yeah? Sue me then!” I hissed at his face, and walked", "looking just fine? It feels simply like -- (we normally say this sentence", "— he tried to look me in the eyes, but I kept dodging", "properly captured. Should I use > > Yeah?! > > > or >", "eyes, but I kept dodging them as I look around trying to find", "Yeah! > > > or it is looking just fine? It feels simply", "Sue me then!” I hissed at his face, and walked away, towards the", "the voice I am trying to capture. > > Dipis walked towards, and", "of the) yeah? part in the above example... it feels like the voice", "a place to focus on. > > > “You walked passed me—” he", "towards, and stopped close to me — he was tall — he tried", "(past troubling thoughts), and something happens that makes them flip-out. This is the" ]
[ "> > or > > \"We did and saw and explored and went...\"", "an educational trip, should I say > > \"We explore that, we do", "event that does not need a long description? Or this would be considered", "and we take pictures...\" > > > or > > \"We did and", "using the present simple, should I switch to the past simple when summarizing", "I say > > \"We explore that, we do that, and we take", "discovering a place during an educational trip, should I say > > \"We", "> > > I thought it has to be in past tense, does", "be considered as a misuse of tenses? For example, I'm describing a group", "that, and we take pictures...\" > > > or > > \"We did", "trip, should I say > > \"We explore that, we do that, and", "of students discovering a place during an educational trip, should I say >", "I'm describing a group of students discovering a place during an educational trip,", "> or > > \"We did and saw and explored and went...\" >", "when summarizing an event that does not need a long description? Or this", "I switch to the past simple when summarizing an event that does not", "a place during an educational trip, should I say > > \"We explore", "should I switch to the past simple when summarizing an event that does", "would be considered as a misuse of tenses? For example, I'm describing a", "that, we do that, and we take pictures...\" > > > or >", "simple, should I switch to the past simple when summarizing an event that", "writing using the present simple, should I switch to the past simple when", "went...\" > > > I thought it has to be in past tense,", "\"We did and saw and explored and went...\" > > > I thought", "need a long description? Or this would be considered as a misuse of", "take pictures...\" > > > or > > \"We did and saw and", "the past simple when summarizing an event that does not need a long", "past simple when summarizing an event that does not need a long description?", "an event that does not need a long description? Or this would be", "Or this would be considered as a misuse of tenses? For example, I'm", "students discovering a place during an educational trip, should I say > >", "saw and explored and went...\" > > > I thought it has to", "and went...\" > > > I thought it has to be in past", "tenses? For example, I'm describing a group of students discovering a place during", "explored and went...\" > > > I thought it has to be in", "place during an educational trip, should I say > > \"We explore that,", "explore that, we do that, and we take pictures...\" > > > or", "example, I'm describing a group of students discovering a place during an educational", "or > > \"We did and saw and explored and went...\" > >", "to the past simple when summarizing an event that does not need a", "> \"We explore that, we do that, and we take pictures...\" > >", "> > \"We explore that, we do that, and we take pictures...\" >", "should I say > > \"We explore that, we do that, and we", "simple when summarizing an event that does not need a long description? Or", "of tenses? For example, I'm describing a group of students discovering a place", "> > \"We did and saw and explored and went...\" > > >", "and saw and explored and went...\" > > > I thought it has", "not need a long description? Or this would be considered as a misuse", "we do that, and we take pictures...\" > > > or > >", "the present simple, should I switch to the past simple when summarizing an", "For example, I'm describing a group of students discovering a place during an", "say > > \"We explore that, we do that, and we take pictures...\"", "> \"We did and saw and explored and went...\" > > > I", "that I'm writing using the present simple, should I switch to the past", "during an educational trip, should I say > > \"We explore that, we", "present simple, should I switch to the past simple when summarizing an event", "and explored and went...\" > > > I thought it has to be", "do that, and we take pictures...\" > > > or > > \"We", "a group of students discovering a place during an educational trip, should I", "description? Or this would be considered as a misuse of tenses? For example,", "misuse of tenses? For example, I'm describing a group of students discovering a", "this would be considered as a misuse of tenses? For example, I'm describing", "summarizing an event that does not need a long description? Or this would", "\"We explore that, we do that, and we take pictures...\" > > >", "as a misuse of tenses? For example, I'm describing a group of students", "does not need a long description? Or this would be considered as a", "a misuse of tenses? For example, I'm describing a group of students discovering", "group of students discovering a place during an educational trip, should I say", "we take pictures...\" > > > or > > \"We did and saw", "pictures...\" > > > or > > \"We did and saw and explored", "> > > or > > \"We did and saw and explored and", "I'm writing using the present simple, should I switch to the past simple", "long description? Or this would be considered as a misuse of tenses? For", "did and saw and explored and went...\" > > > I thought it", "educational trip, should I say > > \"We explore that, we do that,", "describing a group of students discovering a place during an educational trip, should", "that does not need a long description? Or this would be considered as", "> > I thought it has to be in past tense, does it?", "Knowing that I'm writing using the present simple, should I switch to the", "considered as a misuse of tenses? For example, I'm describing a group of", "a long description? Or this would be considered as a misuse of tenses?", "switch to the past simple when summarizing an event that does not need" ]
[ "she broke. The antagonist gives the protagonist a clear shot to kill them", "for breaking the protagonist's heart, and feels she doesn't deserve to win. Therefore,", "and to NOT let guilt destroy her. I thought about her consuming a", "groups etc. which ever harmed her, therefore helping her gain empathy for herself,", "what they wanted to accomplish in that specific chapter. However, I am not", "the mid point, the protagonist and the antagonist come face-to-face and the antagonist", "the protagonist's ex, whose heart she broke. The antagonist gives the protagonist a", "fantasy series where the protagonist's main flaw is that she feels she doesn't", "clear shot to kill them and win, but the protagonist is unable to", "to be the protagonist's ex, whose heart she broke. The antagonist gives the", "they feel guilty for breaking the protagonist's heart, and feels she doesn't deserve", "protagonist a clear shot to kill them and win, but the protagonist is", "makes her come face-to-face with illusions of all the mechanisms, people, groups etc.", "they wanted to accomplish in that specific chapter. However, I am not sure", "she feels she doesn't deserve happiness. In the mid point, the protagonist and", "them and win, but the protagonist is unable to muster the strength to", "is unable to muster the strength to do so, because they feel guilty", "consuming a potion which makes her come face-to-face with illusions of all the", "she doesn't deserve happiness. In the mid point, the protagonist and the antagonist", "breaking the protagonist's heart, and feels she doesn't deserve to win. Therefore, the", "face-to-face and the antagonist is revealed to be the protagonist's ex, whose heart", "a fantasy series where the protagonist's main flaw is that she feels she", "the protagonist a clear shot to kill them and win, but the protagonist", "protagonist is unable to muster the strength to do so, because they feel", "the mechanisms, people, groups etc. which ever harmed her, therefore helping her gain", "protagonist's ex, whose heart she broke. The antagonist gives the protagonist a clear", "antagonist gives the protagonist a clear shot to kill them and win, but", "the protagonist's heart, and feels she doesn't deserve to win. Therefore, the antagonist", "ever harmed her, therefore helping her gain empathy for herself, but I don't", "in that specific chapter. However, I am not sure how my protagonist learns", "all the mechanisms, people, groups etc. which ever harmed her, therefore helping her", "a clear shot to kill them and win, but the protagonist is unable", "point, the protagonist and the antagonist come face-to-face and the antagonist is revealed", "potion which makes her come face-to-face with illusions of all the mechanisms, people,", "to muster the strength to do so, because they feel guilty for breaking", "herself, but I don't feel strongly about it and it halts the plot.", "where the protagonist's main flaw is that she feels she doesn't deserve happiness.", "that specific chapter. However, I am not sure how my protagonist learns that", "which ever harmed her, therefore helping her gain empathy for herself, but I", "thought about her consuming a potion which makes her come face-to-face with illusions", "come face-to-face and the antagonist is revealed to be the protagonist's ex, whose", "learns that she IS worthy of happiness and to NOT let guilt destroy", "her. I thought about her consuming a potion which makes her come face-to-face", "broke. The antagonist gives the protagonist a clear shot to kill them and", "am not sure how my protagonist learns that she IS worthy of happiness", "flaw is that she feels she doesn't deserve happiness. In the mid point,", "deserve to win. Therefore, the antagonist escapes with what they wanted to accomplish", "chapter. However, I am not sure how my protagonist learns that she IS", "don't feel strongly about it and it halts the plot. What do I", "escapes with what they wanted to accomplish in that specific chapter. However, I", "protagonist and the antagonist come face-to-face and the antagonist is revealed to be", "main flaw is that she feels she doesn't deserve happiness. In the mid", "is that she feels she doesn't deserve happiness. In the mid point, the", "is revealed to be the protagonist's ex, whose heart she broke. The antagonist", "to do so, because they feel guilty for breaking the protagonist's heart, and", "antagonist come face-to-face and the antagonist is revealed to be the protagonist's ex,", "doesn't deserve happiness. In the mid point, the protagonist and the antagonist come", "the protagonist and the antagonist come face-to-face and the antagonist is revealed to", "people, groups etc. which ever harmed her, therefore helping her gain empathy for", "with illusions of all the mechanisms, people, groups etc. which ever harmed her,", "feels she doesn't deserve to win. Therefore, the antagonist escapes with what they", "the antagonist come face-to-face and the antagonist is revealed to be the protagonist's", "to kill them and win, but the protagonist is unable to muster the", "destroy her. I thought about her consuming a potion which makes her come", "let guilt destroy her. I thought about her consuming a potion which makes", "heart, and feels she doesn't deserve to win. Therefore, the antagonist escapes with", "of happiness and to NOT let guilt destroy her. I thought about her", "I thought about her consuming a potion which makes her come face-to-face with", "etc. which ever harmed her, therefore helping her gain empathy for herself, but", "specific chapter. However, I am not sure how my protagonist learns that she", "that she IS worthy of happiness and to NOT let guilt destroy her.", "she IS worthy of happiness and to NOT let guilt destroy her. I", "empathy for herself, but I don't feel strongly about it and it halts", "she doesn't deserve to win. Therefore, the antagonist escapes with what they wanted", "doesn't deserve to win. Therefore, the antagonist escapes with what they wanted to", "to NOT let guilt destroy her. I thought about her consuming a potion", "However, I am not sure how my protagonist learns that she IS worthy", "heart she broke. The antagonist gives the protagonist a clear shot to kill", "wanted to accomplish in that specific chapter. However, I am not sure how", "not sure how my protagonist learns that she IS worthy of happiness and", "feel guilty for breaking the protagonist's heart, and feels she doesn't deserve to", "her gain empathy for herself, but I don't feel strongly about it and", "that she feels she doesn't deserve happiness. In the mid point, the protagonist", "win. Therefore, the antagonist escapes with what they wanted to accomplish in that", "am writing a fantasy series where the protagonist's main flaw is that she", "gain empathy for herself, but I don't feel strongly about it and it", "my protagonist learns that she IS worthy of happiness and to NOT let", "the protagonist is unable to muster the strength to do so, because they", "her come face-to-face with illusions of all the mechanisms, people, groups etc. which", "unable to muster the strength to do so, because they feel guilty for", "mechanisms, people, groups etc. which ever harmed her, therefore helping her gain empathy", "feels she doesn't deserve happiness. In the mid point, the protagonist and the", "but I don't feel strongly about it and it halts the plot. What", "protagonist's heart, and feels she doesn't deserve to win. Therefore, the antagonist escapes", "and the antagonist come face-to-face and the antagonist is revealed to be the", "antagonist escapes with what they wanted to accomplish in that specific chapter. However,", "and the antagonist is revealed to be the protagonist's ex, whose heart she", "with what they wanted to accomplish in that specific chapter. However, I am", "happiness. In the mid point, the protagonist and the antagonist come face-to-face and", "deserve happiness. In the mid point, the protagonist and the antagonist come face-to-face", "mid point, the protagonist and the antagonist come face-to-face and the antagonist is", "face-to-face with illusions of all the mechanisms, people, groups etc. which ever harmed", "guilt destroy her. I thought about her consuming a potion which makes her", "kill them and win, but the protagonist is unable to muster the strength", "the protagonist's main flaw is that she feels she doesn't deserve happiness. In", "I don't feel strongly about it and it halts the plot. What do", "harmed her, therefore helping her gain empathy for herself, but I don't feel", "how my protagonist learns that she IS worthy of happiness and to NOT", "happiness and to NOT let guilt destroy her. I thought about her consuming", "illusions of all the mechanisms, people, groups etc. which ever harmed her, therefore", "I am writing a fantasy series where the protagonist's main flaw is that", "to win. Therefore, the antagonist escapes with what they wanted to accomplish in", "helping her gain empathy for herself, but I don't feel strongly about it", "so, because they feel guilty for breaking the protagonist's heart, and feels she", "because they feel guilty for breaking the protagonist's heart, and feels she doesn't", "the strength to do so, because they feel guilty for breaking the protagonist's", "ex, whose heart she broke. The antagonist gives the protagonist a clear shot", "muster the strength to do so, because they feel guilty for breaking the", "accomplish in that specific chapter. However, I am not sure how my protagonist", "gives the protagonist a clear shot to kill them and win, but the", "In the mid point, the protagonist and the antagonist come face-to-face and the", "revealed to be the protagonist's ex, whose heart she broke. The antagonist gives", "sure how my protagonist learns that she IS worthy of happiness and to", "protagonist learns that she IS worthy of happiness and to NOT let guilt", "to accomplish in that specific chapter. However, I am not sure how my", "whose heart she broke. The antagonist gives the protagonist a clear shot to", "about her consuming a potion which makes her come face-to-face with illusions of", "a potion which makes her come face-to-face with illusions of all the mechanisms,", "and win, but the protagonist is unable to muster the strength to do", "be the protagonist's ex, whose heart she broke. The antagonist gives the protagonist", "but the protagonist is unable to muster the strength to do so, because", "do so, because they feel guilty for breaking the protagonist's heart, and feels", "which makes her come face-to-face with illusions of all the mechanisms, people, groups", "strength to do so, because they feel guilty for breaking the protagonist's heart,", "the antagonist escapes with what they wanted to accomplish in that specific chapter.", "her, therefore helping her gain empathy for herself, but I don't feel strongly", "guilty for breaking the protagonist's heart, and feels she doesn't deserve to win.", "The antagonist gives the protagonist a clear shot to kill them and win,", "NOT let guilt destroy her. I thought about her consuming a potion which", "IS worthy of happiness and to NOT let guilt destroy her. I thought", "worthy of happiness and to NOT let guilt destroy her. I thought about", "writing a fantasy series where the protagonist's main flaw is that she feels", "antagonist is revealed to be the protagonist's ex, whose heart she broke. The", "feel strongly about it and it halts the plot. What do I do?", "of all the mechanisms, people, groups etc. which ever harmed her, therefore helping", "Therefore, the antagonist escapes with what they wanted to accomplish in that specific", "shot to kill them and win, but the protagonist is unable to muster", "I am not sure how my protagonist learns that she IS worthy of", "series where the protagonist's main flaw is that she feels she doesn't deserve", "her consuming a potion which makes her come face-to-face with illusions of all", "the antagonist is revealed to be the protagonist's ex, whose heart she broke.", "and feels she doesn't deserve to win. Therefore, the antagonist escapes with what", "therefore helping her gain empathy for herself, but I don't feel strongly about", "for herself, but I don't feel strongly about it and it halts the", "win, but the protagonist is unable to muster the strength to do so,", "come face-to-face with illusions of all the mechanisms, people, groups etc. which ever", "protagonist's main flaw is that she feels she doesn't deserve happiness. In the" ]
[ "that past tense narration. It states that the event happened a year ago,", "he had stepped into a convenience store was a year ago. > >", "stepped into a convenience store was a year ago. > > > This", "ago. > > > This is past tense narration. The bolded part is", "is talking about the past within that past tense narration. It states that", "> This is past tense narration. The bolded part is talking about the", "door, he began to sweat. The > last time he had stepped into", "narration. The bolded** part is talking about the past within that past tense", "the event happened a year ago, so is it necessary to include had?", "It states that the event happened a year ago, so is it necessary", "happened a year ago, so is it necessary to include had? Why or", "event happened a year ago, so is it necessary to include had? Why", "about the past within that past tense narration. It states that the event", "year ago, so is it necessary to include had? Why or why not?", "was a year ago. > > > This is past tense narration. The", "Example: > > Standing in front of the sliding glass door, he began", "in front of the sliding glass door, he began to sweat. The >", "glass door, he began to sweat. The > last time he had stepped", "past tense narration. The bolded part is talking about the past within that", "bolded part is talking about the past within that past tense narration. It", "tense narration. It states that the event happened a year ago, so is", "a year ago. > > > This is past tense narration. The bolded", "Standing in front of the sliding glass door, he began to sweat. The", "The > last time he had stepped into a convenience store was a", "talking about the past within that past tense narration. It states that the", "had stepped into a convenience store was a year ago. > > >", "began to sweat. The > last time he had stepped into a convenience", "convenience store was a year ago. > > > This is past tense", "of the sliding glass door, he began to sweat. The > last time", "front of the sliding glass door, he began to sweat. The > last", "a convenience store was a year ago. > > > This is past", "store was a year ago. > > > This is past tense narration.", "> > This is past tense narration. The bolded part is talking about", "> last time he had stepped into a convenience store was a year", "tense narration. The bolded part is talking about the past within that past", "states that the event happened a year ago, so is it necessary to", "a year ago, so is it necessary to include had? Why or why", "into a convenience store was a year ago. > > > This is", "This is past tense narration. The bolded part is talking about the past", "> Standing in front of the sliding glass door, he began to sweat.", "to sweat. The > last time he had stepped into a convenience store", "past within that past tense narration. It states that the event happened a", "narration. It states that the event happened a year ago, so is it", "> > > This is past tense narration. The bolded part is talking", "year ago. > > > This is past tense narration. The bolded part", "> > Standing in front of the sliding glass door, he began to", "sliding glass door, he began to sweat. The > last time he had", "that the event happened a year ago, so is it necessary to include", "within that past tense narration. It states that the event happened a year", "The bolded part is talking about the past within that past tense narration.", "part is talking about the past within that past tense narration. It states", "sweat. The > last time he had stepped into a convenience store was", "he began to sweat. The > last time he had stepped into a", "last time he had stepped into a convenience store was a year ago.", "time he had stepped into a convenience store was a year ago. >", "the sliding glass door, he began to sweat. The > last time he", "is past tense narration. The bolded** part is talking about the past within", "the past within that past tense narration. It states that the event happened", "past tense narration. It states that the event happened a year ago, so" ]
[ "19 during the time I was supposed to market my novels last year.", "gain sales because it's not a new release anymore? * As a reader", "plan is to self-publish more novels this year and advertise the old novels", "Will my marketing for my previously published books be harder to gain sales", "not a new release anymore? * As a reader will this affect your", "right away is because of my situation with COVID 19 during the time", "I was supposed to market my novels last year. Now, I'm doing better", "new release anymore? * As a reader will this affect your decision to", "marketing will still be effective for my self-published books when I market them", "* As a reader will this affect your decision to buying the ebook?", "books be harder to gain sales because it's not a new release anymore?", "novels with the new novels. * Will my marketing for my previously published", "will still be effective for my self-published books when I market them almost", "released. My plan is to self-publish more novels this year and advertise the", "release anymore? * As a reader will this affect your decision to buying", "my novels last year. Now, I'm doing better and I'm ready to start", "time I was supposed to market my novels last year. Now, I'm doing", "self-publish more novels this year and advertise the old novels with the new", "the old novels with the new novels. * Will my marketing for my", "advertise the old novels with the new novels. * Will my marketing for", "harder to gain sales because it's not a new release anymore? * As", "reason for not being able to market them right away is because of", "when I market them almost a year after the novels have been released.", "old novels with the new novels. * Will my marketing for my previously", "and advertise the old novels with the new novels. * Will my marketing", "to self-publish more novels this year and advertise the old novels with the", "As a reader will this affect your decision to buying the ebook? The", "COVID 19 during the time I was supposed to market my novels last", "My plan is to self-publish more novels this year and advertise the old", "situation with COVID 19 during the time I was supposed to market my", "published books be harder to gain sales because it's not a new release", "affect your decision to buying the ebook? The reason for not being able", "for not being able to market them right away is because of my", "will this affect your decision to buying the ebook? The reason for not", "of my situation with COVID 19 during the time I was supposed to", "my previously published books be harder to gain sales because it's not a", "able to market them right away is because of my situation with COVID", "novels. * Will my marketing for my previously published books be harder to", "novels this year and advertise the old novels with the new novels. ", "still be effective for my self-published books when I market them almost a", "buying the ebook? The reason for not being able to market them right", "to market them right away is because of my situation with COVID 19", "a year after the novels have been released. My plan is to self-publish", "almost a year after the novels have been released. My plan is to", "the time I was supposed to market my novels last year. Now, I'm", "anymore? As a reader will this affect your decision to buying the", "to buying the ebook? The reason for not being able to market them", "worrying if my marketing will still be effective for my self-published books when", "being able to market them right away is because of my situation with", "market them right away is because of my situation with COVID 19 during", "your decision to buying the ebook? The reason for not being able to", "year and advertise the old novels with the new novels. * Will my", "be harder to gain sales because it's not a new release anymore? ", "my situation with COVID 19 during the time I was supposed to market", " Will my marketing for my previously published books be harder to gain", "I market them almost a year after the novels have been released. My", "because of my situation with COVID 19 during the time I was supposed", "supposed to market my novels last year. Now, I'm doing better and I'm", "the new novels. * Will my marketing for my previously published books be", "the novels have been released. My plan is to self-publish more novels this", "if my marketing will still be effective for my self-published books when I", "the ebook? The reason for not being able to market them right away", "it's not a new release anymore? * As a reader will this affect", "new novels. * Will my marketing for my previously published books be harder", "been worrying if my marketing will still be effective for my self-published books", "been released. My plan is to self-publish more novels this year and advertise", "be effective for my self-published books when I market them almost a year", "to market my novels last year. Now, I'm doing better and I'm ready", "for my previously published books be harder to gain sales because it's not", "more novels this year and advertise the old novels with the new novels.", "I've been worrying if my marketing will still be effective for my self-published", "sales because it's not a new release anymore? * As a reader will", "is because of my situation with COVID 19 during the time I was", "self-published books when I market them almost a year after the novels have", "my self-published books when I market them almost a year after the novels", "effective for my self-published books when I market them almost a year after", "market them almost a year after the novels have been released. My plan", "was supposed to market my novels last year. Now, I'm doing better and", "ebook? The reason for not being able to market them right away is", "The reason for not being able to market them right away is because", "novels last year. Now, I'm doing better and I'm ready to start advertising.", "during the time I was supposed to market my novels last year. Now,", "is to self-publish more novels this year and advertise the old novels with", "previously published books be harder to gain sales because it's not a new", "away is because of my situation with COVID 19 during the time I", "this year and advertise the old novels with the new novels. * Will", "to gain sales because it's not a new release anymore? * As a", "this affect your decision to buying the ebook? The reason for not being", "for my self-published books when I market them almost a year after the", "a new release anymore? * As a reader will this affect your decision", "market my novels last year. Now, I'm doing better and I'm ready to", "my marketing will still be effective for my self-published books when I market", "them right away is because of my situation with COVID 19 during the", "with COVID 19 during the time I was supposed to market my novels", "after the novels have been released. My plan is to self-publish more novels", "reader will this affect your decision to buying the ebook? The reason for", "marketing for my previously published books be harder to gain sales because it's", "a reader will this affect your decision to buying the ebook? The reason", "decision to buying the ebook? The reason for not being able to market", "have been released. My plan is to self-publish more novels this year and", "with the new novels. * Will my marketing for my previously published books", "not being able to market them right away is because of my situation", "my marketing for my previously published books be harder to gain sales because", "year after the novels have been released. My plan is to self-publish more", "novels have been released. My plan is to self-publish more novels this year", "because it's not a new release anymore? * As a reader will this", "them almost a year after the novels have been released. My plan is", "books when I market them almost a year after the novels have been" ]
[ "view point characters I just want to make sure that my chapters aren't", "person and so far every time I switch between view point characters use", "a chapter that I think would be a perfect time to switch view", "an occasional 700 word chapter going to throw off the flow of the", "on average 3500 words, is an occasional 700 word chapter going to throw", "of my chapters are on average 3500 words, is an occasional 700 word", "length. I've had some chapters that are almost 5000 words but then I", "break is a good way to make it clear that our view point", "know that word count per chapter can be played with a little to", "3500 words, is an occasional 700 word chapter going to throw off the", "YA sci-fi/post apocalyptic type novel with two view point characters. The book is", "between view point characters use a chapter break. For most of the book,", "The book is all written in third person and so far every time", "find a point 700 words into a chapter that I think would be", "be a perfect time to switch view point characters I just want to", "experiencing the same situations (though they are experiencing them very differently). Because of", "because of it. If the majority of my chapters are on average 3500", "view point characters use a chapter break. For most of the book, the", "worried about is chapter length. I've had some chapters that are almost 5000", "chapter length. I've had some chapters that are almost 5000 words but then", "that my chapters aren't too short because of it. If the majority of", "others that are just under 1000. I know that word count per chapter", "count per chapter can be played with a little to adjust the pacing", "going to throw off the flow of the novel or cause any disruption?", "that our view point character has changed. The thing I'm worried about is", "just under 1000. I know that word count per chapter can be played", "point characters use a chapter break. For most of the book, the two", "are on average 3500 words, is an occasional 700 word chapter going to", "clear that our view point character has changed. The thing I'm worried about", "two view point characters. The book is all written in third person and", "the majority of my chapters are on average 3500 words, is an occasional", "is all written in third person and so far every time I switch", "point characters are together experiencing the same situations (though they are experiencing them", "chapter break. For most of the book, the two view point characters are", "chapter that I think would be a perfect time to switch view point", "switch view point characters I just want to make sure that my chapters", "in third person and so far every time I switch between view point", "Because of this, I feel that a chapter break is a good way", "a YA sci-fi/post apocalyptic type novel with two view point characters. The book", "two view point characters are together experiencing the same situations (though they are", "700 word chapter going to throw off the flow of the novel or", "situations (though they are experiencing them very differently). Because of this, I feel", "to switch view point characters I just want to make sure that my", "has changed. The thing I'm worried about is chapter length. I've had some", "this, I feel that a chapter break is a good way to make", "I have others that are just under 1000. I know that word count", "it. If the majority of my chapters are on average 3500 words, is", "perfect time to switch view point characters I just want to make sure", "just want to make sure that my chapters aren't too short because of", "a little to adjust the pacing of the novel. Occasionally I find a", "make sure that my chapters aren't too short because of it. If the", "of the book, the two view point characters are together experiencing the same", "occasional 700 word chapter going to throw off the flow of the novel", "I feel that a chapter break is a good way to make it", "all written in third person and so far every time I switch between", "700 words into a chapter that I think would be a perfect time", "I just want to make sure that my chapters aren't too short because", "are almost 5000 words but then I have others that are just under", "average 3500 words, is an occasional 700 word chapter going to throw off", "For most of the book, the two view point characters are together experiencing", "characters are together experiencing the same situations (though they are experiencing them very", "with a little to adjust the pacing of the novel. Occasionally I find", "characters I just want to make sure that my chapters aren't too short", "that word count per chapter can be played with a little to adjust", "played with a little to adjust the pacing of the novel. Occasionally I", "so far every time I switch between view point characters use a chapter", "characters use a chapter break. For most of the book, the two view", "most of the book, the two view point characters are together experiencing the", "with two view point characters. The book is all written in third person", "novel with two view point characters. The book is all written in third", "writing a YA sci-fi/post apocalyptic type novel with two view point characters. The", "view point character has changed. The thing I'm worried about is chapter length.", "that I think would be a perfect time to switch view point characters", "short because of it. If the majority of my chapters are on average", "are just under 1000. I know that word count per chapter can be", "I find a point 700 words into a chapter that I think would", "I've had some chapters that are almost 5000 words but then I have", "I know that word count per chapter can be played with a little", "under 1000. I know that word count per chapter can be played with", "written in third person and so far every time I switch between view", "almost 5000 words but then I have others that are just under 1000.", "is an occasional 700 word chapter going to throw off the flow of", "I'm writing a YA sci-fi/post apocalyptic type novel with two view point characters.", "some chapters that are almost 5000 words but then I have others that", "words into a chapter that I think would be a perfect time to", "a good way to make it clear that our view point character has", "to make it clear that our view point character has changed. The thing", "I switch between view point characters use a chapter break. For most of", "the pacing of the novel. Occasionally I find a point 700 words into", "are together experiencing the same situations (though they are experiencing them very differently).", "point 700 words into a chapter that I think would be a perfect", "a perfect time to switch view point characters I just want to make", "had some chapters that are almost 5000 words but then I have others", "want to make sure that my chapters aren't too short because of it.", "point characters I just want to make sure that my chapters aren't too", "very differently). Because of this, I feel that a chapter break is a", "our view point character has changed. The thing I'm worried about is chapter", "a chapter break is a good way to make it clear that our", "have others that are just under 1000. I know that word count per", "1000. I know that word count per chapter can be played with a", "them very differently). Because of this, I feel that a chapter break is", "is a good way to make it clear that our view point character", "(though they are experiencing them very differently). Because of this, I feel that", "my chapters are on average 3500 words, is an occasional 700 word chapter", "chapters are on average 3500 words, is an occasional 700 word chapter going", "it clear that our view point character has changed. The thing I'm worried", "view point characters. The book is all written in third person and so", "break. For most of the book, the two view point characters are together", "point character has changed. The thing I'm worried about is chapter length. I've", "point characters. The book is all written in third person and so far", "character has changed. The thing I'm worried about is chapter length. I've had", "aren't too short because of it. If the majority of my chapters are", "think would be a perfect time to switch view point characters I just", "but then I have others that are just under 1000. I know that", "make it clear that our view point character has changed. The thing I'm", "the same situations (though they are experiencing them very differently). Because of this,", "I think would be a perfect time to switch view point characters I", "I'm worried about is chapter length. I've had some chapters that are almost", "every time I switch between view point characters use a chapter break. For", "view point characters are together experiencing the same situations (though they are experiencing", "third person and so far every time I switch between view point characters", "they are experiencing them very differently). Because of this, I feel that a", "words but then I have others that are just under 1000. I know", "then I have others that are just under 1000. I know that word", "a point 700 words into a chapter that I think would be a", "sci-fi/post apocalyptic type novel with two view point characters. The book is all", "is chapter length. I've had some chapters that are almost 5000 words but", "that are just under 1000. I know that word count per chapter can", "the book, the two view point characters are together experiencing the same situations", "differently). Because of this, I feel that a chapter break is a good", "that are almost 5000 words but then I have others that are just", "book, the two view point characters are together experiencing the same situations (though", "a chapter break. For most of the book, the two view point characters", "use a chapter break. For most of the book, the two view point", "can be played with a little to adjust the pacing of the novel.", "little to adjust the pacing of the novel. Occasionally I find a point", "time to switch view point characters I just want to make sure that", "too short because of it. If the majority of my chapters are on", "and so far every time I switch between view point characters use a", "the novel. Occasionally I find a point 700 words into a chapter that", "thing I'm worried about is chapter length. I've had some chapters that are", "novel. Occasionally I find a point 700 words into a chapter that I", "If the majority of my chapters are on average 3500 words, is an", "good way to make it clear that our view point character has changed.", "words, is an occasional 700 word chapter going to throw off the flow", "word chapter going to throw off the flow of the novel or cause", "Occasionally I find a point 700 words into a chapter that I think", "of it. If the majority of my chapters are on average 3500 words,", "way to make it clear that our view point character has changed. The", "feel that a chapter break is a good way to make it clear", "chapters aren't too short because of it. If the majority of my chapters", "chapter going to throw off the flow of the novel or cause any", "are experiencing them very differently). Because of this, I feel that a chapter", "of the novel. Occasionally I find a point 700 words into a chapter", "together experiencing the same situations (though they are experiencing them very differently). Because", "The thing I'm worried about is chapter length. I've had some chapters that", "type novel with two view point characters. The book is all written in", "to make sure that my chapters aren't too short because of it. If", "my chapters aren't too short because of it. If the majority of my", "far every time I switch between view point characters use a chapter break.", "per chapter can be played with a little to adjust the pacing of", "experiencing them very differently). Because of this, I feel that a chapter break", "pacing of the novel. Occasionally I find a point 700 words into a", "majority of my chapters are on average 3500 words, is an occasional 700", "same situations (though they are experiencing them very differently). Because of this, I", "sure that my chapters aren't too short because of it. If the majority", "switch between view point characters use a chapter break. For most of the", "time I switch between view point characters use a chapter break. For most", "about is chapter length. I've had some chapters that are almost 5000 words", "chapter break is a good way to make it clear that our view", "changed. The thing I'm worried about is chapter length. I've had some chapters", "adjust the pacing of the novel. Occasionally I find a point 700 words", "be played with a little to adjust the pacing of the novel. Occasionally", "characters. The book is all written in third person and so far every", "the two view point characters are together experiencing the same situations (though they", "book is all written in third person and so far every time I", "chapter can be played with a little to adjust the pacing of the", "into a chapter that I think would be a perfect time to switch", "5000 words but then I have others that are just under 1000. I", "apocalyptic type novel with two view point characters**. The book is all written", "that a chapter break is a good way to make it clear that", "word count per chapter can be played with a little to adjust the", "would be a perfect time to switch view point characters I just want", "chapters that are almost 5000 words but then I have others that are", "to adjust the pacing of the novel. Occasionally I find a point 700", "of this, I feel that a chapter break is a good way to" ]
[ "to paper. So, as the title of this post suggests: is it possible", "taken seriously by their audience come across as ham-fisted and end up hamstringing", "was to survive as comedic relief given the story's dark tone, yet she", "bad Abridged series, stuff which TeamFourStar or Something Witty Entertainment at their absolute", "fell into this trap when I wrote another story starring a character whose", "try to create. I mean, if the characters won't take tense situations seriously", "So, as the title of this post suggests: is it possible to tell", "of this post suggests: is it possible to tell a morbid story without", "when I wrote another story starring a character whose sole purpose was to", "wouldn’t even put to paper. So, as the title of this post suggests:", "to shoehorn stupid comedic quips in at the worst possible moments. To make", "if the characters won't take tense situations seriously by spouting off one-liners non-stop,", "plight? I fell into this trap when I wrote another story starring a", "use your imagination), as many jokes inserted in stories that want to get", "a bad Abridged series, stuff which TeamFourStar or Something Witty Entertainment at their", "even put to paper. So, as the title of this post suggests: is", "suspects, so use your imagination), as many jokes inserted in stories that want", "in at the worst possible moments. To make things worse, some of the", "things worse, some of the stuff this character said read like what you’d", "many fictional works these days (I won't be naming any suspects, so use", "the story's dark tone, yet she came off as obnoxious because she always", "itself pretty seriously and very dark while having a distinct absence of comedy.", "won't take tense situations seriously by spouting off one-liners non-stop, why should I", "as obnoxious because she always tended to shoehorn stupid comedic quips in at", "hopefully be writing) a trilogy takes that takes itself pretty seriously and very", "care for their plight? I fell into this trap when I wrote another", "tended to shoehorn stupid comedic quips in at the worst possible moments. To", "stuff this character said read like what you’d find in a bad Abridged", "absolute lowest wouldn’t even put to paper. So, as the title of this", "worst possible moments. To make things worse, some of the stuff this character", "writing) a trilogy takes that takes itself pretty seriously and very dark while", "lowest wouldn’t even put to paper. So, as the title of this post", "seriously by spouting off one-liners non-stop, why should I care for their plight?", "dark tone, yet she came off as obnoxious because she always tended to", "for their plight? I fell into this trap when I wrote another story", "naming any suspects, so use your imagination), as many jokes inserted in stories", "off one-liners non-stop, why should I care for their plight? I fell into", "it possible to tell a morbid story without any comedic elements and how", "you’d find in a bad Abridged series, stuff which TeamFourStar or Something Witty", "as comedic relief given the story's dark tone, yet she came off as", "a character whose sole purpose was to survive as comedic relief given the", "audience come across as ham-fisted and end up hamstringing whatever tension the writers", "distinct absence of comedy. The reason is behind this choice that I feel", "what you’d find in a bad Abridged series, stuff which TeamFourStar or Something", "comedic relief given the story's dark tone, yet she came off as obnoxious", "character said read like what you’d find in a bad Abridged series, stuff", "morbid story without any comedic elements and how should I go about it?", "whatever tension the writers try to create. I mean, if the characters won't", "pretty seriously and very dark while having a distinct absence of comedy. The", "comedy. The reason is behind this choice that I feel humour is borderline", "suggests: is it possible to tell a morbid story without any comedic elements", "yet she came off as obnoxious because she always tended to shoehorn stupid", "The reason is behind this choice that I feel humour is borderline obtrusive", "wrote another story starring a character whose sole purpose was to survive as", "be writing) a trilogy takes that takes itself pretty seriously and very dark", "any suspects, so use your imagination), as many jokes inserted in stories that", "in a bad Abridged series, stuff which TeamFourStar or Something Witty Entertainment at", "off as obnoxious because she always tended to shoehorn stupid comedic quips in", "moments. To make things worse, some of the stuff this character said read", "make things worse, some of the stuff this character said read like what", "a morbid story without any comedic elements and how should I go about", "that I feel humour is borderline obtrusive in many fictional works these days", "I mean, if the characters won't take tense situations seriously by spouting off", "the writers try to create. I mean, if the characters won't take tense", "paper. So, as the title of this post suggests: is it possible to", "fictional works these days (I won't be naming any suspects, so use your", "purpose was to survive as comedic relief given the story's dark tone, yet", "this character said read like what you’d find in a bad Abridged series,", "days (I won't be naming any suspects, so use your imagination), as many", "to tell a morbid story without any comedic elements and how should I", "choice that I feel humour is borderline obtrusive in many fictional works these", "I feel humour is borderline obtrusive in many fictional works these days (I", "like what you’d find in a bad Abridged series, stuff which TeamFourStar or", "worse, some of the stuff this character said read like what you’d find", "tell a morbid story without any comedic elements and how should I go", "create. I mean, if the characters won't take tense situations seriously by spouting", "this choice that I feel humour is borderline obtrusive in many fictional works", "ham-fisted and end up hamstringing whatever tension the writers try to create. I", "across as ham-fisted and end up hamstringing whatever tension the writers try to", "of the stuff this character said read like what you’d find in a", "To make things worse, some of the stuff this character said read like", "your imagination), as many jokes inserted in stories that want to get taken", "or Something Witty Entertainment at their absolute lowest wouldn’t even put to paper.", "tension the writers try to create. I mean, if the characters won't take", "come across as ham-fisted and end up hamstringing whatever tension the writers try", "character whose sole purpose was to survive as comedic relief given the story's", "to survive as comedic relief given the story's dark tone, yet she came", "read like what you’d find in a bad Abridged series, stuff which TeamFourStar", "whose sole purpose was to survive as comedic relief given the story's dark", "should I care for their plight? I fell into this trap when I", "and (will hopefully be writing) a trilogy takes that takes itself pretty seriously", "survive as comedic relief given the story's dark tone, yet she came off", "given the story's dark tone, yet she came off as obnoxious because she", "obtrusive in many fictional works these days (I won't be naming any suspects,", "I'm planning out and (will hopefully be writing) a trilogy takes that takes", "mean, if the characters won't take tense situations seriously by spouting off one-liners", "why should I care for their plight? I fell into this trap when", "one-liners non-stop, why should I care for their plight? I fell into this", "tone, yet she came off as obnoxious because she always tended to shoehorn", "spouting off one-liners non-stop, why should I care for their plight? I fell", "planning out and (will hopefully be writing) a trilogy takes that takes itself", "(I won't be naming any suspects, so use your imagination), as many jokes", "post suggests: is it possible to tell a morbid story without any comedic", "TeamFourStar or Something Witty Entertainment at their absolute lowest wouldn’t even put to", "at their absolute lowest wouldn’t even put to paper. So, as the title", "trilogy takes that takes itself pretty seriously and very dark while having a", "into this trap when I wrote another story starring a character whose sole", "want to get taken seriously by their audience come across as ham-fisted and", "some of the stuff this character said read like what you’d find in", "said read like what you’d find in a bad Abridged series, stuff which", "in stories that want to get taken seriously by their audience come across", "is borderline obtrusive in many fictional works these days (I won't be naming", "story's dark tone, yet she came off as obnoxious because she always tended", "humour is borderline obtrusive in many fictional works these days (I won't be", "sole purpose was to survive as comedic relief given the story's dark tone,", "relief given the story's dark tone, yet she came off as obnoxious because", "title of this post suggests: is it possible to tell a morbid story", "their audience come across as ham-fisted and end up hamstringing whatever tension the", "situations seriously by spouting off one-liners non-stop, why should I care for their", "won't be naming any suspects, so use your imagination), as many jokes inserted", "by spouting off one-liners non-stop, why should I care for their plight? I", "that want to get taken seriously by their audience come across as ham-fisted", "inserted in stories that want to get taken seriously by their audience come", "imagination), as many jokes inserted in stories that want to get taken seriously", "non-stop, why should I care for their plight? I fell into this trap", "this post suggests: is it possible to tell a morbid story without any", "while having a distinct absence of comedy. The reason is behind this choice", "borderline obtrusive in many fictional works these days (I won't be naming any", "I wrote another story starring a character whose sole purpose was to survive", "these days (I won't be naming any suspects, so use your imagination), as", "end up hamstringing whatever tension the writers try to create. I mean, if", "feel humour is borderline obtrusive in many fictional works these days (I won't", "up hamstringing whatever tension the writers try to create. I mean, if the", "comedic quips in at the worst possible moments. To make things worse, some", "characters won't take tense situations seriously by spouting off one-liners non-stop, why should", "Something Witty Entertainment at their absolute lowest wouldn’t even put to paper. So,", "of comedy. The reason is behind this choice that I feel humour is", "as many jokes inserted in stories that want to get taken seriously by", "that takes itself pretty seriously and very dark while having a distinct absence", "the title of this post suggests: is it possible to tell a morbid", "takes itself pretty seriously and very dark while having a distinct absence of", "having a distinct absence of comedy. The reason is behind this choice that", "in many fictional works these days (I won't be naming any suspects, so", "to get taken seriously by their audience come across as ham-fisted and end", "and end up hamstringing whatever tension the writers try to create. I mean,", "obnoxious because she always tended to shoehorn stupid comedic quips in at the", "always tended to shoehorn stupid comedic quips in at the worst possible moments.", "and very dark while having a distinct absence of comedy. The reason is", "their absolute lowest wouldn’t even put to paper. So, as the title of", "the stuff this character said read like what you’d find in a bad", "Entertainment at their absolute lowest wouldn’t even put to paper. So, as the", "the worst possible moments. To make things worse, some of the stuff this", "as ham-fisted and end up hamstringing whatever tension the writers try to create.", "shoehorn stupid comedic quips in at the worst possible moments. To make things", "she always tended to shoehorn stupid comedic quips in at the worst possible", "tense situations seriously by spouting off one-liners non-stop, why should I care for", "seriously by their audience come across as ham-fisted and end up hamstringing whatever", "I fell into this trap when I wrote another story starring a character", "find in a bad Abridged series, stuff which TeamFourStar or Something Witty Entertainment", "possible moments. To make things worse, some of the stuff this character said", "jokes inserted in stories that want to get taken seriously by their audience", "the characters won't take tense situations seriously by spouting off one-liners non-stop, why", "quips in at the worst possible moments. To make things worse, some of", "stuff which TeamFourStar or Something Witty Entertainment at their absolute lowest wouldn’t even", "takes that takes itself pretty seriously and very dark while having a distinct", "series, stuff which TeamFourStar or Something Witty Entertainment at their absolute lowest wouldn’t", "a distinct absence of comedy. The reason is behind this choice that I", "take tense situations seriously by spouting off one-liners non-stop, why should I care", "writers try to create. I mean, if the characters won't take tense situations", "possible to tell a morbid story without any comedic elements and how should", "I care for their plight? I fell into this trap when I wrote", "seriously and very dark while having a distinct absence of comedy. The reason", "behind this choice that I feel humour is borderline obtrusive in many fictional", "as the title of this post suggests: is it possible to tell a", "works these days (I won't be naming any suspects, so use your imagination),", "Witty Entertainment at their absolute lowest wouldn’t even put to paper. So, as", "absence of comedy. The reason is behind this choice that I feel humour", "a trilogy takes that takes itself pretty seriously and very dark while having", "to create. I mean, if the characters won't take tense situations seriously by", "(will hopefully be writing) a trilogy takes that takes itself pretty seriously and", "reason is behind this choice that I feel humour is borderline obtrusive in", "get taken seriously by their audience come across as ham-fisted and end up", "so use your imagination), as many jokes inserted in stories that want to", "put to paper. So, as the title of this post suggests: is it", "their plight? I fell into this trap when I wrote another story starring", "which TeamFourStar or Something Witty Entertainment at their absolute lowest wouldn’t even put", "trap when I wrote another story starring a character whose sole purpose was", "out and (will hopefully be writing) a trilogy takes that takes itself pretty", "is behind this choice that I feel humour is borderline obtrusive in many", "stories that want to get taken seriously by their audience come across as", "because she always tended to shoehorn stupid comedic quips in at the worst", "is it possible to tell a morbid story without any comedic elements and", "story starring a character whose sole purpose was to survive as comedic relief", "she came off as obnoxious because she always tended to shoehorn stupid comedic", "Abridged series, stuff which TeamFourStar or Something Witty Entertainment at their absolute lowest", "stupid comedic quips in at the worst possible moments. To make things worse,", "starring a character whose sole purpose was to survive as comedic relief given", "at the worst possible moments. To make things worse, some of the stuff", "very dark while having a distinct absence of comedy. The reason is behind", "be naming any suspects, so use your imagination), as many jokes inserted in", "came off as obnoxious because she always tended to shoehorn stupid comedic quips", "dark while having a distinct absence of comedy. The reason is behind this", "another story starring a character whose sole purpose was to survive as comedic", "this trap when I wrote another story starring a character whose sole purpose", "hamstringing whatever tension the writers try to create. I mean, if the characters", "by their audience come across as ham-fisted and end up hamstringing whatever tension", "many jokes inserted in stories that want to get taken seriously by their" ]
[ "How was Tcoklef Kubdihk able to make a film that could be interpreted", "could be interpreted in so many ways? Is there a technique that allows", "in so many ways? Is there a technique that allows you to make", "Is there a technique that allows you to make a film that can", "many different ways? The Shining has several interpretations and none of them are", "so many ways? Is there a technique that allows you to make a", "many ways? Is there a technique that allows you to make a film", "a film that could be interpreted in so many ways? Is there a", "different ways? The Shining has several interpretations and none of them are completely", "technique that allows you to make a film that can be interpreted in", "allows you to make a film that can be interpreted in many different", "was Tcoklef Kubdihk able to make a film that could be interpreted in", "that can be interpreted in many different ways? The Shining has several interpretations", "interpreted in many different ways? The Shining has several interpretations and none of", "to make a film that could be interpreted in so many ways? Is", "be interpreted in many different ways? The Shining has several interpretations and none", "there a technique that allows you to make a film that can be", "able to make a film that could be interpreted in so many ways?", "interpreted in so many ways? Is there a technique that allows you to", "Kubdihk able to make a film that could be interpreted in so many", "make a film that can be interpreted in many different ways? The Shining", "to make a film that can be interpreted in many different ways? The", "that could be interpreted in so many ways? Is there a technique that", "ways? Is there a technique that allows you to make a film that", "that allows you to make a film that can be interpreted in many", "film that could be interpreted in so many ways? Is there a technique", "Tcoklef Kubdihk able to make a film that could be interpreted in so", "make a film that could be interpreted in so many ways? Is there", "film that can be interpreted in many different ways? The Shining* has several", "in many different ways? The Shining has several interpretations and none of them", "be interpreted in so many ways? Is there a technique that allows you", "ways? The Shining has several interpretations and none of them are completely satisfactory.", "a film that can be interpreted in many different ways? The Shining has", "you to make a film that can be interpreted in many different ways?", "can be interpreted in many different ways? The Shining has several interpretations and", "a technique that allows you to make a film that can be interpreted" ]
[ "persuade, concerning a particular subject or theme. But for a long time, I", "multiple purposes, and whether it could have primary and secondary purposes, and whether", "particular subject or theme. But for a long time, I wondered whether a", "describe, or persuade, concerning a particular subject or theme. But for a long", "primary and secondary purposes, and whether a composition could be composed, not only", "subject or theme. But for a long time, I wondered whether a composition", "and that the first step of planning a composition is to define for", "a particular subject or theme. But for a long time, I wondered whether", "purpose, whether it is to inform, narrate, describe, or persuade, concerning a particular", "or theme. But for a long time, I wondered whether a composition could", "and from books, I was taught that every prose composition must be planned", "I was taught that every prose composition must be planned before it is", "expounding on some subject but by determining and doing the things necessary to", "school and from books, I was taught that every prose composition must be", "single purpose, whether it is to inform, narrate, describe, or persuade, concerning a", "could be composed, not only by expounding on some subject but by determining", "every prose composition must be planned before it is written and that the", "that every prose composition must be planned before it is written and that", "have primary and secondary purposes, and whether a composition could be composed, not", "planning a composition is to define for it a single purpose, whether it", "and secondary purposes, and whether a composition could be composed, not only by", "composition must be planned before it is written and that the first step", "could have primary and secondary purposes, and whether a composition could be composed,", "define for it a single purpose, whether it is to inform, narrate, describe,", "only by expounding on some subject but by determining and doing the things", "to define for it a single purpose, whether it is to inform, narrate,", "on some subject but by determining and doing the things necessary to accomplish", "or persuade, concerning a particular subject or theme. But for a long time,", "not only by expounding on some subject but by determining and doing the", "a long time, I wondered whether a composition could have multiple purposes, and", "composition is to define for it a single purpose, whether it is to", "a composition could be composed, not only by expounding on some subject but", "planned before it is written and that the first step of planning a", "taught that every prose composition must be planned before it is written and", "is to inform, narrate, describe, or persuade, concerning a particular subject or theme.", "time, I wondered whether a composition could have multiple purposes, and whether it", "it could have primary and secondary purposes, and whether a composition could be", "whether a composition could have multiple purposes, and whether it could have primary", "composed, not only by expounding on some subject but by determining and doing", "a composition is to define for it a single purpose, whether it is", "must be planned before it is written and that the first step of", "purposes, and whether a composition could be composed, not only by expounding on", "and whether it could have primary and secondary purposes, and whether a composition", "composition could have multiple purposes, and whether it could have primary and secondary", "some subject but by determining and doing the things necessary to accomplish that", "wondered whether a composition could have multiple purposes, and whether it could have", "a single purpose, whether it is to inform, narrate, describe, or persuade, concerning", "concerning a particular subject or theme. But for a long time, I wondered", "I wondered whether a composition could have multiple purposes, and whether it could", "long time, I wondered whether a composition could have multiple purposes, and whether", "is to define for it a single purpose, whether it is to inform,", "from books, I was taught that every prose composition must be planned before", "have multiple purposes, and whether it could have primary and secondary purposes, and", "composition could be composed, not only by expounding on some subject but by", "whether it is to inform, narrate, describe, or persuade, concerning a particular subject", "first step of planning a composition is to define for it a single", "could have multiple purposes, and whether it could have primary and secondary purposes,", "that the first step of planning a composition is to define for it", "the first step of planning a composition is to define for it a", "of planning a composition is to define for it a single purpose, whether", "be planned before it is written and that the first step of planning", "it is written and that the first step of planning a composition is", "But for a long time, I wondered whether a composition could have multiple", "and whether a composition could be composed, not only by expounding on some", "to inform, narrate, describe, or persuade, concerning a particular subject or theme. 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But for a", "theme. But for a long time, I wondered whether a composition could have", "it a single purpose, whether it is to inform, narrate, describe, or persuade,", "whether it could have primary and secondary purposes, and whether a composition could", "secondary purposes, and whether a composition could be composed, not only by expounding", "before it is written and that the first step of planning a composition", "a composition could have multiple purposes, and whether it could have primary and" ]
[ "understanding should you have of Quantum Physics to write a hard science fiction", "of Quantum Physics to write a hard science fiction novel? And how should", "have of Quantum Physics to write a hard science fiction novel? And how", "should you have of Quantum Physics to write a hard science fiction novel?", "level of understanding should you have of Quantum Physics to write a hard", "how should you learn Quantum Physics in order to be able to write", "be able to write a hard science fiction novel? What's the least time-consuming", "to be able to write a hard science fiction novel? What's the least", "you have of Quantum Physics to write a hard science fiction novel? And", "learn Quantum Physics in order to be able to write a hard science", "hard science fiction novel? And how should you learn Quantum Physics in order", "Physics in order to be able to write a hard science fiction novel?", "should you learn Quantum Physics in order to be able to write a", "write a hard science fiction novel? And how should you learn Quantum Physics", "to write a hard science fiction novel? And how should you learn Quantum", "of understanding should you have of Quantum Physics to write a hard science", "order to be able to write a hard science fiction novel? What's the", "Quantum Physics in order to be able to write a hard science fiction", "Physics to write a hard science fiction novel? And how should you learn", "And how should you learn Quantum Physics in order to be able to", "novel? And how should you learn Quantum Physics in order to be able", "fiction novel? And how should you learn Quantum Physics in order to be", "a hard science fiction novel? And how should you learn Quantum Physics in", "What level of understanding should you have of Quantum Physics to write a", "able to write a hard science fiction novel? What's the least time-consuming way", "in order to be able to write a hard science fiction novel? What's", "to write a hard science fiction novel? What's the least time-consuming way of", "a hard science fiction novel? What's the least time-consuming way of doing so?", "Quantum Physics to write a hard science fiction novel? And how should you", "you learn Quantum Physics in order to be able to write a hard", "write a hard science fiction novel? What's the least time-consuming way of doing", "science fiction novel? And how should you learn Quantum Physics in order to" ]
[ "but we need more of a visual tool that will allow us to", "a structure, for example: (topic, character traits) > suggestion > voting > assignment", "writing, but I need a platform to be able to plan a book", "we need more of a visual tool that will allow us to look", "visual tool that will allow us to look at timelines both in story", "the ultimate reading experience. We have tried other options like Google Docs and", "like Google Docs and directory structure in other Cloud storage apps, but we", "group of people who want to plan and create the ultimate reading experience.", "etc. The ultimate solution would have a structure, for example: (topic, character traits)", "I have searched and found some tools for writing, but I need a", "a group of people who want to plan and create the ultimate reading", "searched and found some tools for writing, but I need a platform to", "other options like Google Docs and directory structure in other Cloud storage apps,", "able to plan a book - can anyone point me in the right", "for a group of people who want to plan and create the ultimate", "apps, but we need more of a visual tool that will allow us", "need more of a visual tool that will allow us to look at", "at timelines both in story and planning, etc. The ultimate solution would have", "need a platform to be able to plan a book - can anyone", "tool that will allow us to look at timelines both in story and", "plan a book - can anyone point me in the right direction? This", "options like Google Docs and directory structure in other Cloud storage apps, but", "of people who want to plan and create the ultimate reading experience. We", "anyone point me in the right direction? This is for a group of", "other Cloud storage apps, but we need more of a visual tool that", "have tried other options like Google Docs and directory structure in other Cloud", "traits) > suggestion > voting > assignment > closed/adapted. Visual is one key", "(topic, character traits) > suggestion > voting > assignment > closed/adapted. Visual is", "a visual tool that will allow us to look at timelines both in", "to plan and create the ultimate reading experience. We have tried other options", "planning, etc. The ultimate solution would have a structure, for example: (topic, character", "people who want to plan and create the ultimate reading experience. We have", "tools for writing, but I need a platform to be able to plan", "plan and create the ultimate reading experience. 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This is for a group of people who want to plan and", "and planning, etc. The ultimate solution would have a structure, for example: (topic,", "to plan a book - can anyone point me in the right direction?", "suggestion > voting > assignment > closed/adapted. Visual is one key point here.", "and directory structure in other Cloud storage apps, but we need more of", "look at timelines both in story and planning, etc. The ultimate solution would", "Docs and directory structure in other Cloud storage apps, but we need more", "This is for a group of people who want to plan and create", "will allow us to look at timelines both in story and planning, etc.", "example: (topic, character traits) > suggestion > voting > assignment > closed/adapted. 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[ "better. I feel like the first series of examples are more professional. But", "there was > something that bothered Qurgon. > 4. Emmer hadn't changed much.", "same paragraphs, including internal thoughts: > > 1. He wasn't going with total", "speak about him more often? Unless…’* > 4. ‘He hasn’t changed much since", "of examples would be better? What do you think? I'm writing third-person limited.", "family, he > was probably too young to remember. > 2. \"Right?\" asked", "left.’ Looking at him brought back > some bad memories. > > >", "‘I can't remember meeting my uncle or anyone from his family. Maybe I", "originally wrote, using only narration: > > 1. He wasn't going with total", "kinda become part of my style. I'm not fully sure if that's good", "no if you look at me with that expression,’ he thought. > 3.", "much since I left.’* Looking at him brought back > some bad memories.", "total strangers or anything. Both Houses were connected by marriage. The leader of", "of my POV characters. Very rarely actually writing internal dialogue. It's kinda become", "> was probably too young to remember. > 2. \"Right?\" asked Cailin, her", "Qurgon ever met his uncle and his family, he > was probably too", "Basically, I'm not sure when started, but emulating some novels I read, I", "Cailin, her big eyes on the verge of tears. Making it > hard", "no. > 3. His uncle was content about talking of his old friend,", "What do you think? I'm writing third-person limited. And I'm doing POVs with", "I did when I was just a baby?’* > 2. \"Right?\" asked Cailin,", "uncle and his family, he > was probably too young to remember. >", "Then why he doesn’t speak about him more often? Unless…’* > 4. ‘He", "with that expression,’ he thought. > 3. ‘He looks so happy talking about", "talking about his old ally… Then why he doesn’t speak about him more", "are drier. And this is supposed to be for a YA audience, so", "leader of House Basthed being his father's brother-in-law. ‘I can't remember meeting my", "when started, but emulating some novels I read, I started using mainly narration", "thoughts about what I see as a dichotomy. Basically, I'm not sure when", "to be for a YA audience, so maybe the lighter tone of the", "remember meeting my uncle or anyone from his family. Maybe I did when", "of his old friend, but there was > something that bothered Qurgon. >", "about him more often? Unless…’* > 4. ‘He hasn’t changed much since I", "probably too young to remember. > 2. \"Right?\" asked Cailin, her big eyes", "As you can see, there's a huge difference, and I'm not fully sure", "audience, so maybe the lighter tone of the second series of examples would", "> As you can see, there's a huge difference, and I'm not fully", "> Compared to the same paragraphs, including internal thoughts: > > 1. He", "eyes on the verge of tears. ‘It’s > hard to say no if", "of my style. I'm not fully sure if that's good or bad? What", "reason, they are drier. And this is supposed to be for a YA", "too young to remember. > 2. \"Right?\" asked Cailin, her big eyes on", "by marriage. The leader of House Basthed being his father's brother-in-law. But if", "> hard to say no if you look at me with that expression,’", "more often? Unless…’ > 4. ‘He hasn’t changed much since I left.’ Looking", "thoughts and internal conflicts of my POV characters. Very rarely actually writing internal", "a baby?’* > 2. \"Right?\" asked Cailin, her big eyes on the verge", "since I left.’* Looking at him brought back > some bad memories. >", "why he doesn’t speak about him more often? Unless…’* > 4. ‘He hasn’t", "her big eyes on the verge of tears. ‘It’s > hard to say", "thoughts: > > 1. He wasn't going with total strangers or anything. Both", "4. ‘He hasn’t changed much since I left.’ Looking at him brought back", "say no. > 3. His uncle was content about talking of his old", "did when I was just a baby?’* > 2. \"Right?\" asked Cailin, her", "tears. ‘It’s > hard to say no if you look at me with", "his old ally… Then why he doesn’t speak about him more often? Unless…’", "started using mainly narration to describing the thoughts and internal conflicts of my", "Looking at him brought back > some bad memories. > > > As", "characters. Very rarely actually writing internal dialogue. It's kinda become part of my", "the verge of tears. Making it > hard to say no. > 3.", "was probably too young to remember. > 2. \"Right?\" asked Cailin, her big", "POV characters. Very rarely actually writing internal dialogue. It's kinda become part of", "his family. Maybe I did when I was just a baby?’* > 2.", "\"Right?\" asked Cailin, her big eyes on the verge of tears. Making it", "huge difference, and I'm not fully sure which one is better. I feel", "rarely actually writing internal dialogue. It's kinda become part of my style. I'm", "> 2. \"Right?\" asked Cailin, her big eyes on the verge of tears.", "only narration: > > 1. He wasn't going with total strangers or anything.", "anyone from his family. Maybe I did when I was just a baby?’", "I originally wrote, using only narration: > > 1. He wasn't going with", "or anything. Both Houses were connected by marriage. The leader of House Basthed", "or bad? What I originally wrote, using only narration: > > 1. He", "style. I'm not fully sure if that's good or bad? What I originally", "Very rarely actually writing internal dialogue. It's kinda become part of my style.", "going with total strangers or anything. Both Houses were connected by marriage. The", "about talking of his old friend, but there was > something that bothered", "him more often? Unless…’ > 4. ‘He hasn’t changed much since I left.’", "examples would be better? What do you think? I'm writing third-person limited. And", "it > hard to say no. > 3. His uncle was content about", "changed much. His presence brought back some bad > memories. > > >", "memories. > > > As you can see, there's a huge difference, and", "and his family, he > was probably too young to remember. > 2.", "as a dichotomy. Basically, I'm not sure when started, but emulating some novels", "mainly narration to describing the thoughts and internal conflicts of my POV characters.", "Maybe I did when I was just a baby?’* > 2. \"Right?\" asked", "old ally… Then why he doesn’t speak about him more often? Unless…’* >", "actually writing internal dialogue. It's kinda become part of my style. I'm not", "from his family. Maybe I did when I was just a baby?’* >", "read, I started using mainly narration to describing the thoughts and internal conflicts", "Cailin, her big eyes on the verge of tears. ‘It’s > hard to", "that reason, they are drier. And this is supposed to be for a", "changed much since I left.’ Looking at him brought back > some bad", "What I originally wrote, using only narration: > > 1. He wasn't going", "Compared to the same paragraphs, including internal thoughts: > > 1. He wasn't", "Making it > hard to say no. > 3. His uncle was content", "if you look at me with that expression,’* he thought. > 3. ‘He", "feel like the first series of examples are more professional. But because of", "sure if that's good or bad? What I originally wrote, using only narration:", "was > something that bothered Qurgon. > 4. Emmer hadn't changed much. His", "> > Compared to the same paragraphs, including internal thoughts: > > 1.", "family. Maybe I did when I was just a baby?’ > 2. \"Right?\"", "friend, but there was > something that bothered Qurgon. > 4. Emmer hadn't", "of the second series of examples would be better? What do you think?", "including internal thoughts: > > 1. He wasn't going with total strangers or", "big eyes on the verge of tears. Making it > hard to say", "if that's good or bad? What I originally wrote, using only narration: >", "father's brother-in-law. ‘I can't remember meeting my uncle or anyone from his family.", "Emmer hadn't changed much. His presence brought back some bad > memories. >", "not fully sure which one is better. I feel like the first series", "fully sure if that's good or bad? What I originally wrote, using only", "I'm struggling with my thoughts about what I see as a dichotomy. Basically,", "a dichotomy. Basically, I'm not sure when started, but emulating some novels I", "be better? What do you think? I'm writing third-person limited. And I'm doing", "strangers or anything. Both Houses were connected by marriage. The leader of House", "look at me with that expression,’ he thought. > 3. ‘He looks so", "eyes on the verge of tears. Making it > hard to say no.", "uncle or anyone from his family. Maybe I did when I was just", "bad > memories. > > > Compared to the same paragraphs, including internal", "much. His presence brought back some bad > memories. > > > Compared", "to the same paragraphs, including internal thoughts: > > 1. He wasn't going", "bad memories. > > > As you can see, there's a huge difference,", "examples are more professional. But because of that reason, they are drier. And", "maybe the lighter tone of the second series of examples would be better?", "not sure when started, but emulating some novels I read, I started using", "can't remember meeting my uncle or anyone from his family. Maybe I did", "dichotomy. Basically, I'm not sure when started, but emulating some novels I read,", "there's a huge difference, and I'm not fully sure which one is better.", "he doesn’t speak about him more often? Unless…’ > 4. ‘He hasn’t changed", "me with that expression,’ he thought. > 3. ‘He looks so happy talking", "It's kinda become part of my style. I'm not fully sure if that's", "uncle was content about talking of his old friend, but there was >", "hadn't changed much. His presence brought back some bad > memories. > >", "expression,’ he thought. > 3. ‘He looks so happy talking about his old", "baby?’ > 2. \"Right?\" asked Cailin, her big eyes on the verge of", "2. \"Right?\" asked Cailin, her big eyes on the verge of tears. ‘It’s", "The leader of House Basthed being his father's brother-in-law. But if Qurgon ever", "because of that reason, they are drier. And this is supposed to be", "my style. I'm not fully sure if that's good or bad? What I", "of tears. Making it > hard to say no. > 3. His uncle", "this is supposed to be for a YA audience, so maybe the lighter", "memories. > > > Compared to the same paragraphs, including internal thoughts: >", "like the first series of examples are more professional. But because of that", "back > some bad memories. > > > As you can see, there's", "tone of the second series of examples would be better? What do you", "internal dialogue. It's kinda become part of my style. I'm not fully sure", "for a YA audience, so maybe the lighter tone of the second series", "but there was > something that bothered Qurgon. > 4. Emmer hadn't changed", "started, but emulating some novels I read, I started using mainly narration to", "anything. Both Houses were connected by marriage. The leader of House Basthed being", "about what I see as a dichotomy. Basically, I'm not sure when started,", "and internal conflicts of my POV characters. Very rarely actually writing internal dialogue.", "I'm not fully sure which one is better. I feel like the first", "3. His uncle was content about talking of his old friend, but there", "so maybe the lighter tone of the second series of examples would be", "of House Basthed being his father's brother-in-law. ‘I can't remember meeting my uncle", "brother-in-law. ‘I can't remember meeting my uncle or anyone from his family. Maybe", "\"Right?\" asked Cailin, her big eyes on the verge of tears. ‘It’s >", "a YA audience, so maybe the lighter tone of the second series of", "good or bad? What I originally wrote, using only narration: > > 1.", "to say no. > 3. His uncle was content about talking of his", "series of examples are more professional. But because of that reason, they are", "connected by marriage. The leader of House Basthed being his father's brother-in-law. ‘I", "verge of tears. ‘It’s > hard to say no if you look at", "internal thoughts: > > 1. He wasn't going with total strangers or anything.", "brought back some bad > memories. > > > Compared to the same", "see, there's a huge difference, and I'm not fully sure which one is", "that bothered Qurgon. > 4. Emmer hadn't changed much. His presence brought back", "met his uncle and his family, he > was probably too young to", "you look at me with that expression,’* he thought. > 3. ‘He looks", "> > > As you can see, there's a huge difference, and I'm", "connected by marriage. The leader of House Basthed being his father's brother-in-law. But", "leader of House Basthed being his father's brother-in-law. But if Qurgon ever met", "if Qurgon ever met his uncle and his family, he > was probably", "can see, there's a huge difference, and I'm not fully sure which one", "of tears. ‘It’s > hard to say no if you look at me", "which one is better. I feel like the first series of examples are", "his family, he > was probably too young to remember. > 2. \"Right?\"", "often? Unless…’* > 4. ‘He hasn’t changed much since I left.’ Looking at", "2. \"Right?\" asked Cailin, her big eyes on the verge of tears. Making", "marriage. The leader of House Basthed being his father's brother-in-law. But if Qurgon", "do you think? I'm writing third-person limited. And I'm doing POVs with more", "of House Basthed being his father's brother-in-law. But if Qurgon ever met his", "old friend, but there was > something that bothered Qurgon. > 4. Emmer", "emulating some novels I read, I started using mainly narration to describing the", "Unless…’* > 4. ‘He hasn’t changed much since I left.’ Looking at him", "> > > Compared to the same paragraphs, including internal thoughts: > >", "Both Houses were connected by marriage. The leader of House Basthed being his", "And this is supposed to be for a YA audience, so maybe the", "sure which one is better. I feel like the first series of examples", "remember. > 2. \"Right?\" asked Cailin, her big eyes on the verge of", "I see as a dichotomy. Basically, I'm not sure when started, but emulating", "Houses were connected by marriage. The leader of House Basthed being his father's", "wasn't going with total strangers or anything. Both Houses were connected by marriage.", "with my thoughts about what I see as a dichotomy. Basically, I'm not", "my POV characters. Very rarely actually writing internal dialogue. It's kinda become part", "3. ‘He looks so happy talking about his old ally… Then why he", "his father's brother-in-law. But if Qurgon ever met his uncle and his family,", "> 3. His uncle was content about talking of his old friend, but", "doesn’t speak about him more often? Unless…’ > 4. ‘He hasn’t changed much", "I left.’ Looking at him brought back > some bad memories. > >", "the same paragraphs, including internal thoughts: > > 1. He wasn't going with", "But because of that reason, they are drier. And this is supposed to", "> 4. ‘He hasn’t changed much since I left.’ Looking at him brought", "His uncle was content about talking of his old friend, but there was", "presence brought back some bad > memories. > > > Compared to the", "> > 1. He wasn't going with total strangers or anything. Both Houses", "The leader of House Basthed being his father's brother-in-law. ‘I can't remember meeting", "of examples are more professional. But because of that reason, they are drier.", "some novels I read, I started using mainly narration to describing the thoughts", "become part of my style. I'm not fully sure if that's good or", "the second series of examples would be better? What do you think? I'm", "my uncle or anyone from his family. Maybe I did when I was", "he thought. > 3. ‘He looks so happy talking about his old ally…", "> 4. Emmer hadn't changed much. His presence brought back some bad >", "novels I read, I started using mainly narration to describing the thoughts and", "father's brother-in-law. But if Qurgon ever met his uncle and his family, he", "were connected by marriage. The leader of House Basthed being his father's brother-in-law.", "‘He looks so happy talking about his old ally… Then why he doesn’t", "with total strangers or anything. Both Houses were connected by marriage. The leader", "to remember. > 2. \"Right?\" asked Cailin, her big eyes on the verge", "hasn’t changed much since I left.’ Looking at him brought back > some", "verge of tears. Making it > hard to say no. > 3. His", "so happy talking about his old ally… Then why he doesn’t speak about", "some bad memories. > > > As you can see, there's a huge", "I'm not sure when started, but emulating some novels I read, I started", "say no if you look at me with that expression,’* he thought. >", "by marriage. The leader of House Basthed being his father's brother-in-law. ‘I can't", "series of examples would be better? What do you think? I'm writing third-person", "writing internal dialogue. It's kinda become part of my style. I'm not fully", "see as a dichotomy. Basically, I'm not sure when started, but emulating some", "my thoughts about what I see as a dichotomy. Basically, I'm not sure", "but emulating some novels I read, I started using mainly narration to describing", "‘It’s > hard to say no if you look at me with that", "narration: > > 1. He wasn't going with total strangers or anything. Both", "on the verge of tears. ‘It’s > hard to say no if you", "I feel like the first series of examples are more professional. But because", "tears. Making it > hard to say no. > 3. His uncle was", "a huge difference, and I'm not fully sure which one is better. I", "you think? I'm writing third-person limited. And I'm doing POVs with more than", "professional. But because of that reason, they are drier. And this is supposed", "I'm writing third-person limited. And I'm doing POVs with more than one character.", "I read, I started using mainly narration to describing the thoughts and internal", "His presence brought back some bad > memories. > > > Compared to", "young to remember. > 2. \"Right?\" asked Cailin, her big eyes on the", "just a baby?’ > 2. \"Right?\" asked Cailin, her big eyes on the", "I started using mainly narration to describing the thoughts and internal conflicts of", "‘He hasn’t changed much since I left.’ Looking at him brought back >", "talking of his old friend, but there was > something that bothered Qurgon.", "that's good or bad? What I originally wrote, using only narration: > >", "using mainly narration to describing the thoughts and internal conflicts of my POV", "part of my style. I'm not fully sure if that's good or bad?", "some bad > memories. > > > Compared to the same paragraphs, including", "big eyes on the verge of tears. ‘It’s > hard to say no", "more professional. But because of that reason, they are drier. And this is", "something that bothered Qurgon. > 4. Emmer hadn't changed much. His presence brought", "at me with that expression,’ he thought. > 3. ‘He looks so happy", "fully sure which one is better. I feel like the first series of", "4. Emmer hadn't changed much. His presence brought back some bad > memories.", "content about talking of his old friend, but there was > something that", "at him brought back > some bad memories. > > > As you", "meeting my uncle or anyone from his family. Maybe I did when I", "Basthed being his father's brother-in-law. ‘I can't remember meeting my uncle or anyone", "or anyone from his family. Maybe I did when I was just a", "one is better. I feel like the first series of examples are more", "Qurgon. > 4. Emmer hadn't changed much. His presence brought back some bad", "drier. And this is supposed to be for a YA audience, so maybe", "not fully sure if that's good or bad? What I originally wrote, using", "of that reason, they are drier. And this is supposed to be for", "the verge of tears. ‘It’s > hard to say no if you look", "lighter tone of the second series of examples would be better? What do", "asked Cailin, her big eyes on the verge of tears. Making it >", "struggling with my thoughts about what I see as a dichotomy. Basically, I'm", "looks so happy talking about his old ally… Then why he doesn’t speak", "1. He wasn't going with total strangers or anything. Both Houses were connected", "would be better? What do you think? I'm writing third-person limited. And I'm", "on the verge of tears. Making it > hard to say no. >", "what I see as a dichotomy. Basically, I'm not sure when started, but", "bad? What I originally wrote, using only narration: > > 1. He wasn't", "to describing the thoughts and internal conflicts of my POV characters. Very rarely", "hard to say no if you look at me with that expression,’ he", "asked Cailin, her big eyes on the verge of tears. ‘It’s > hard", "are more professional. But because of that reason, they are drier. And this", "bothered Qurgon. > 4. Emmer hadn't changed much. His presence brought back some", "second series of examples would be better? What do you think? I'm writing", "He wasn't going with total strangers or anything. Both Houses were connected by", "conflicts of my POV characters. Very rarely actually writing internal dialogue. It's kinda", "they are drier. And this is supposed to be for a YA audience,", "> something that bothered Qurgon. > 4. Emmer hadn't changed much. His presence", "that expression,’ he thought. > 3. ‘He looks so happy talking about his", "internal conflicts of my POV characters. Very rarely actually writing internal dialogue. It's", "> 1. He wasn't going with total strangers or anything. Both Houses were", "his father's brother-in-law. ‘I can't remember meeting my uncle or anyone from his", "I'm not fully sure if that's good or bad? What I originally wrote,", "first series of examples are more professional. But because of that reason, they", "about his old ally… Then why he doesn’t speak about him more often?", "be for a YA audience, so maybe the lighter tone of the second", "ally… Then why he doesn’t speak about him more often? Unless…’* > 4.", "House Basthed being his father's brother-in-law. ‘I can't remember meeting my uncle or", "better? What do you think? I'm writing third-person limited. And I'm doing POVs", "him brought back > some bad memories. > > > As you can", "was content about talking of his old friend, but there was > something", "back some bad > memories. > > > Compared to the same paragraphs,", "> memories. > > > Compared to the same paragraphs, including internal thoughts:", "YA audience, so maybe the lighter tone of the second series of examples", "paragraphs, including internal thoughts: > > 1. He wasn't going with total strangers", "was just a baby?’ > 2. \"Right?\" asked Cailin, her big eyes on", "ever met his uncle and his family, he > was probably too young", "you can see, there's a huge difference, and I'm not fully sure which", "> > As you can see, there's a huge difference, and I'm not", "to say no if you look at me with that expression,’* he thought.", "her big eyes on the verge of tears. Making it > hard to", "and I'm not fully sure which one is better. I feel like the", "is supposed to be for a YA audience, so maybe the lighter tone", "> 3. ‘He looks so happy talking about his old ally… Then why", "think? I'm writing third-person limited. And I'm doing POVs with more than one", "describing the thoughts and internal conflicts of my POV characters. Very rarely actually", "sure when started, but emulating some novels I read, I started using mainly", "happy talking about his old ally… Then why he doesn’t speak about him", "the first series of examples are more professional. But because of that reason,", "he > was probably too young to remember. > 2. \"Right?\" asked Cailin,", "is better. I feel like the first series of examples are more professional.", "brother-in-law. But if Qurgon ever met his uncle and his family, he >", "dialogue. It's kinda become part of my style. I'm not fully sure if", "> some bad memories. > > > As you can see, there's a", "But if Qurgon ever met his uncle and his family, he > was", "marriage. The leader of House Basthed being his father's brother-in-law. ‘I can't remember", "wrote, using only narration: > > 1. He wasn't going with total strangers", "using only narration: > > 1. He wasn't going with total strangers or", "> hard to say no. > 3. His uncle was content about talking", "the thoughts and internal conflicts of my POV characters. Very rarely actually writing", "brought back > some bad memories. > > > As you can see,", "hard to say no. > 3. His uncle was content about talking of", "supposed to be for a YA audience, so maybe the lighter tone of", "narration to describing the thoughts and internal conflicts of my POV characters. Very", "House Basthed being his father's brother-in-law. But if Qurgon ever met his uncle", "I was just a baby?’* > 2. \"Right?\" asked Cailin, her big eyes", "thought. > 3. ‘He looks so happy talking about his old ally… Then", "when I was just a baby?’ > 2. \"Right?\" asked Cailin, her big", "being his father's brother-in-law. *‘I can't remember meeting my uncle or anyone from", "being his father's brother-in-law. But if Qurgon ever met his uncle and his", "Basthed being his father's brother-in-law. But if Qurgon ever met his uncle and", "the lighter tone of the second series of examples would be better? What", "his uncle and his family, he > was probably too young to remember.", "his old friend, but there was > something that bothered Qurgon. > 4.", "difference, and I'm not fully sure which one is better. I feel like" ]
[ "it possible to be signed up to a publisher but to also self", "Is it possible to be signed up to a publisher but to also", "to a publisher but to also self publish? I am currently working with", "publisher but to also self publish? I am currently working with a publisher", "but in the future I would quite like to write a book series", "signed up to a publisher but to also self publish? I am currently", "possible to be signed up to a publisher but to also self publish?", "the future I would quite like to write a book series and the", "up to a publisher but to also self publish? I am currently working", "quite like to write a book series and the publishers do not have", "be signed up to a publisher but to also self publish? I am", "future I would quite like to write a book series and the publishers", "to write a book series and the publishers do not have that option.", "also self publish? I am currently working with a publisher but in the", "publisher but in the future I would quite like to write a book", "self publish? I am currently working with a publisher but in the future", "to also self publish? I am currently working with a publisher but in", "a publisher but to also self publish? I am currently working with a", "I am currently working with a publisher but in the future I would", "in the future I would quite like to write a book series and", "a publisher but in the future I would quite like to write a", "am currently working with a publisher but in the future I would quite", "with a publisher but in the future I would quite like to write", "working with a publisher but in the future I would quite like to", "currently working with a publisher but in the future I would quite like", "would quite like to write a book series and the publishers do not", "I would quite like to write a book series and the publishers do", "but to also self publish? I am currently working with a publisher but", "to be signed up to a publisher but to also self publish? I", "publish? I am currently working with a publisher but in the future I", "like to write a book series and the publishers do not have that" ]
[ "pages. I want to make clear I'm not asking of how to extending", "don't want to put any new events. While comparing my text to professional", "produce way less text for the same amount of action. I suspect it", "take 50 same pages. I want to make clear I'm not asking of", "of the hero's morning * hero comes to the coffee place and meets", "reads. Somehow I see 15 pages of text which I read in no", "in question the length of what I'd wrote. It is also not about", "a lot of content: characters appearance and personalities, plot, action. My issue is", "Somehow I see 15 pages of text which I read in no time.", "is the example. I've just written the chapter of my crime story. This", "written the chapter of my crime story. This part is the main character", "story. This part is the main character being introduced to the case. To", "focus on single dialogues and scenes rather than a book in general. I", "load of ideas. Then I look at some published novel, that is considered", "giving away load of ideas. Then I look at some published novel, that", "of text without actually describing any action. Here is the example. I've just", "action. My issue is usually I end up having several pages while giving", "being valuable and well-written, don't really address my issue. I'm taking a focus", "the case. To summarize the action described: * short description of the hero's", "my crime story. This part is the main character being introduced to the", "have a story in my mind and put it onto paper. The contains", "I don't want to put any new events. While comparing my text to", "This part is the main character being introduced to the case. To summarize", "not asking of how to extending my book. I don't put in question", "friend explains why he can't act on the case and asks the hero", "put it onto paper. The contains a lot of content: characters appearance and", "away load of ideas. Then I look at some published novel, that is", "of ideas. Then I look at some published novel, that is considered good", "friend talks about the case * Hero's friend explains why he can't act", "it up. I ended up having around 12 pages (A5) of text. Looking", "I read in no time. Somehow this experienced writer could produce such an", "action described: * short description of the hero's morning * hero comes to", "at some published novel, that is considered good reads. Somehow I see 15", "pages while giving away load of ideas. Then I look at some published", "a friend. Description of the surroundings and the friend * Small talk between", "in general. I hope I made my concern clear. I will be happy", "without actually describing any action. Here is the example. I've just written the", "of text which I read in no time. Somehow this experienced writer could", "considered good reads. Somehow I see 15 pages of text which I read", "how to extending my book. I don't put in question the length of", "that is considered good reads. Somehow I see 15 pages of text which", "can't act on the case and asks the hero to pick it up.", "matter of style but I am yet to understand. Given answers, while being", "progress in action would take 50 same pages. I want to make clear", "book I'm currently reading similar progress in action would take 50 same pages.", "than a book in general. I hope I made my concern clear. I", "pages of text which I read in no time. Somehow this experienced writer", "no time. Somehow this experienced writer could produce such an amount of text", "the chapter of my crime story. This part is the main character being", "about the case * Hero's friend explains why he can't act on the", "the coffee * Hero's friend talks about the case * Hero's friend explains", "act on the case and asks the hero to pick it up. I", "action. Here is the example. I've just written the chapter of my crime", "I'm taking a focus on single dialogues and scenes rather than a book", "action would take 50 same pages. I want to make clear I'm not", "don't put in question the length of what I'd wrote. It is also", "actually describing any action. Here is the example. I've just written the chapter", "published novel, that is considered good reads. Somehow I see 15 pages of", "I don't put in question the length of what I'd wrote. It is", "short description of the hero's morning * hero comes to the coffee place", "a focus on single dialogues and scenes rather than a book in general.", "rather than a book in general. I hope I made my concern clear.", "on the case and asks the hero to pick it up. I ended", "be a matter of style but I am yet to understand. Given answers,", "ideas. Then I look at some published novel, that is considered good reads.", "I made my concern clear. I will be happy to listen to any", "of what I'd wrote. It is also not about stretching the plot. I", "way less text for the same amount of action. I suspect it may", "Here is the example. I've just written the chapter of my crime story.", "amount of text without actually describing any action. Here is the example. I've", "* Hero's friend talks about the case * Hero's friend explains why he", "some published novel, that is considered good reads. Somehow I see 15 pages", "want to put any new events. While comparing my text to professional writers", "(A5) of text. Looking at the book I'm currently reading similar progress in", "suspect it may be a matter of style but I am yet to", "I want to make clear I'm not asking of how to extending my", "I'd wrote. It is also not about stretching the plot. I don't want", "want to make clear I'm not asking of how to extending my book.", "any new events. While comparing my text to professional writers I can see", "is the main character being introduced to the case. To summarize the action", "I look at some published novel, that is considered good reads. Somehow I", "morning * hero comes to the coffee place and meets a friend. Description", "hero to pick it up. I ended up having around 12 pages (A5)", "would take 50 same pages. I want to make clear I'm not asking", "clear I'm not asking of how to extending my book. I don't put", "this experienced writer could produce such an amount of text without actually describing", "any action. Here is the example. I've just written the chapter of my", "the hero's morning * hero comes to the coffee place and meets a", "surroundings and the friend * Small talk between characters about the coffee ", "between characters about the coffee Hero's friend talks about the case ", "put any new events. While comparing my text to professional writers I can", "case and asks the hero to pick it up. I ended up having", "to pick it up. I ended up having around 12 pages (A5) of", "question the length of what I'd wrote. It is also not about stretching", "on single dialogues and scenes rather than a book in general. I hope", "50 same pages. I want to make clear I'm not asking of how", "of text. Looking at the book I'm currently reading similar progress in action", "book. I don't put in question the length of what I'd wrote. It", "about stretching the plot. I don't want to put any new events. While", "I produce way less text for the same amount of action. I suspect", "well-written, don't really address my issue. I'm taking a focus on single dialogues", "text without actually describing any action. Here is the example. I've just written", "hero's morning hero comes to the coffee place and meets a friend.", "friend * Small talk between characters about the coffee * Hero's friend talks", "writers I can see I produce way less text for the same amount", "Small talk between characters about the coffee * Hero's friend talks about the", "up. I ended up having around 12 pages (A5) of text. Looking at", "at the book I'm currently reading similar progress in action would take 50", "having several pages while giving away load of ideas. Then I look at", "yet to understand. Given answers, while being valuable and well-written, don't really address", "don't really address my issue. I'm taking a focus on single dialogues and", "while giving away load of ideas. Then I look at some published novel,", "comparing my text to professional writers I can see I produce way less", "I suspect it may be a matter of style but I am yet", "lot of content: characters appearance and personalities, plot, action. My issue is usually", "my book. I don't put in question the length of what I'd wrote.", "a book in general. I hope I made my concern clear. I will", "and meets a friend. Description of the surroundings and the friend * Small", "I ended up having around 12 pages (A5) of text. Looking at the", "the main character being introduced to the case. To summarize the action described:", "To summarize the action described: * short description of the hero's morning ", "Description of the surroundings and the friend Small talk between characters about", "same pages. I want to make clear I'm not asking of how to", "my text to professional writers I can see I produce way less text", "address my issue. I'm taking a focus on single dialogues and scenes rather", "the plot. I don't want to put any new events. While comparing my", "onto paper. The contains a lot of content: characters appearance and personalities, plot,", "characters about the coffee * Hero's friend talks about the case * Hero's", "It is also not about stretching the plot. I don't want to put", "I'm currently reading similar progress in action would take 50 same pages. I", "coffee place and meets a friend. Description of the surroundings and the friend", "of the surroundings and the friend * Small talk between characters about the", "currently reading similar progress in action would take 50 same pages. I want", "professional writers I can see I produce way less text for the same", "answers, while being valuable and well-written, don't really address my issue. I'm taking", "being introduced to the case. To summarize the action described: * short description", "read in no time. Somehow this experienced writer could produce such an amount", "stretching the plot. I don't want to put any new events. While comparing", "may be a matter of style but I am yet to understand. Given", "and scenes rather than a book in general. I hope I made my", "and personalities, plot, action. My issue is usually I end up having several", "and asks the hero to pick it up. I ended up having around", "not about stretching the plot. I don't want to put any new events.", "text which I read in no time. Somehow this experienced writer could produce", "part is the main character being introduced to the case. To summarize the", "the case * Hero's friend explains why he can't act on the case", "the example. I've just written the chapter of my crime story. This part", "of content: characters appearance and personalities, plot, action. My issue is usually I", "Then I look at some published novel, that is considered good reads. Somehow", "the length of what I'd wrote. It is also not about stretching the", "meets a friend. Description of the surroundings and the friend * Small talk", "he can't act on the case and asks the hero to pick it", "for the same amount of action. I suspect it may be a matter", "experienced writer could produce such an amount of text without actually describing any", "to professional writers I can see I produce way less text for the", "am yet to understand. Given answers, while being valuable and well-written, don't really", "novel, that is considered good reads. Somehow I see 15 pages of text", "My issue is usually I end up having several pages while giving away", "dialogues and scenes rather than a book in general. I hope I made", "hope I made my concern clear. I will be happy to listen to", "personalities, plot, action. My issue is usually I end up having several pages", "case. To summarize the action described: * short description of the hero's morning", "pick it up. I ended up having around 12 pages (A5) of text.", "events. While comparing my text to professional writers I can see I produce", "I've just written the chapter of my crime story. This part is the", "extending my book. I don't put in question the length of what I'd", "why he can't act on the case and asks the hero to pick", "such an amount of text without actually describing any action. Here is the", "hero comes to the coffee place and meets a friend. Description of the", "the hero to pick it up. I ended up having around 12 pages", "I am yet to understand. Given answers, while being valuable and well-written, don't", "my mind and put it onto paper. The contains a lot of content:", "understand. Given answers, while being valuable and well-written, don't really address my issue.", "I end up having several pages while giving away load of ideas. Then", "an amount of text without actually describing any action. Here is the example.", "really address my issue. I'm taking a focus on single dialogues and scenes", "paper. The contains a lot of content: characters appearance and personalities, plot, action.", "to make clear I'm not asking of how to extending my book. I", "reading similar progress in action would take 50 same pages. I want to", "a matter of style but I am yet to understand. Given answers, while", "and the friend * Small talk between characters about the coffee * Hero's", "see 15 pages of text which I read in no time. Somehow this", "time. Somehow this experienced writer could produce such an amount of text without", "is considered good reads. Somehow I see 15 pages of text which I", "* Hero's friend explains why he can't act on the case and asks", "is usually I end up having several pages while giving away load of", "pages (A5) of text. Looking at the book I'm currently reading similar progress", "issue is usually I end up having several pages while giving away load", "issue. I'm taking a focus on single dialogues and scenes rather than a", "amount of action. I suspect it may be a matter of style but", "it may be a matter of style but I am yet to understand.", "wrote. It is also not about stretching the plot. I don't want to", "but I am yet to understand. Given answers, while being valuable and well-written,", "text for the same amount of action. I suspect it may be a", "I'm not asking of how to extending my book. I don't put in", "to the case. 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The contains a lot of content: characters", "appearance and personalities, plot, action. My issue is usually I end up having", "and well-written, don't really address my issue. I'm taking a focus on single", "taking a focus on single dialogues and scenes rather than a book in", "* short description of the hero's morning * hero comes to the coffee", "to the coffee place and meets a friend. Description of the surroundings and", "and put it onto paper. The contains a lot of content: characters appearance", "produce such an amount of text without actually describing any action. Here is", "summarize the action described: * short description of the hero's morning * hero", "valuable and well-written, don't really address my issue. I'm taking a focus on", "look at some published novel, that is considered good reads. Somehow I see", "described: * short description of the hero's morning * hero comes to the", "the coffee place and meets a friend. Description of the surroundings and the", "introduced to the case. To summarize the action described: * short description of", "text. Looking at the book I'm currently reading similar progress in action would", "I hope I made my concern clear. I will be happy to listen", "of action. I suspect it may be a matter of style but I", "scenes rather than a book in general. I hope I made my concern", "I see 15 pages of text which I read in no time. Somehow", "explains why he can't act on the case and asks the hero to", "I have a story in my mind and put it onto paper. The", "around 12 pages (A5) of text. Looking at the book I'm currently reading", "length of what I'd wrote. It is also not about stretching the plot.", "Somehow this experienced writer could produce such an amount of text without actually", "While comparing my text to professional writers I can see I produce way", "story in my mind and put it onto paper. The contains a lot", "plot, action. My issue is usually I end up having several pages while", "up having several pages while giving away load of ideas. Then I look", "case * Hero's friend explains why he can't act on the case and", "good reads. Somehow I see 15 pages of text which I read in", "example. I've just written the chapter of my crime story. This part is", "12 pages (A5) of text. Looking at the book I'm currently reading similar", "made my concern clear. I will be happy to listen to any advice.", "the friend * Small talk between characters about the coffee * Hero's friend", "description of the hero's morning * hero comes to the coffee place and", "The contains a lot of content: characters appearance and personalities, plot, action. My", "of how to extending my book. I don't put in question the length", "ended up having around 12 pages (A5) of text. Looking at the book", "15 pages of text which I read in no time. Somehow this experienced", "Hero's friend explains why he can't act on the case and asks the", "plot. I don't want to put any new events. While comparing my text", "to understand. Given answers, while being valuable and well-written, don't really address my", "friend. Description of the surroundings and the friend * Small talk between characters" ]
[ "the text meant to be a strange mix of Young Adult and erotica.", "appear. > > > I will send the revision to my friend and", "I have used words such as \"mounds\" (breasts), \"flower\" (vagina) and \"rod\" (penis).", "English-speaking friends from a rough translation. I need softer words to replace \"vagina\",", "at times due to the strange wording, as I roughly translated the text", "I believe the text meant to be a strange mix of Young Adult", "send the revision to my friend and see how she reacts. Thank you", "(breasts), \"flower\" (vagina) and \"rod\" (penis). Example: > > As he pulled down", "ready to pierce into her soaking flower. > > > It seems so", "and \"rod\" (penis). Example: > > As he pulled down his pants, revealing", "\"penis\", \"breasts\" etc. I have used words such as \"mounds\" (breasts), \"flower\" (vagina)", "so much for your answers. I believe the text meant to be a", "text meant to be a strange mix of Young Adult and erotica. It", "as \"mounds\" (breasts), \"flower\" (vagina) and \"rod\" (penis). Example: > > As he", "flows the way I would like it to. What better alternatives are there?", "\"flower\" (vagina) and \"rod\" (penis). Example: > > As he pulled down his", "> > Thank you so much for your answers. I believe the text", "seems so weird. I'm not sure it flows the way I would like", "\"vagina\", \"penis\", \"breasts\" etc. I have used words such as \"mounds\" (breasts), \"flower\"", "editing a piece of writing for my English-speaking friends from a rough translation.", "I am editing a piece of writing for my English-speaking friends from a", "Edit: > > Thank you so much for your answers. I believe the", "a bulging rod ready to pierce into her soaking flower. > > >", "It is a little cringy to edit at times due to the strange", "cringy to edit at times due to the strange wording, as I roughly", "I roughly translated the text from google translate and some words may not", "a little cringy to edit at times due to the strange wording, as", "to the strange wording, as I roughly translated the text from google translate", "roughly translated the text from google translate and some words may not be", "such as \"mounds\" (breasts), \"flower\" (vagina) and \"rod\" (penis). Example: > > As", "alternatives are there? Edit: > > Thank you so much for your answers.", "have used words such as \"mounds\" (breasts), \"flower\" (vagina) and \"rod\" (penis). Example:", "are there? Edit: > > Thank you so much for your answers. I", "pulled down his pants, revealing a bulging rod ready to pierce into her", "your answers. I believe the text meant to be a strange mix of", "> > As he pulled down his pants, revealing a bulging rod ready", "not be what they appear. > > > I will send the revision", "edit at times due to the strange wording, as I roughly translated the", "from google translate and some words may not be what they appear. >", "a piece of writing for my English-speaking friends from a rough translation. I", "words such as \"mounds\" (breasts), \"flower\" (vagina) and \"rod\" (penis). Example: > >", "times due to the strange wording, as I roughly translated the text from", "pants, revealing a bulging rod ready to pierce into her soaking flower. >", "> It seems so weird. I'm not sure it flows the way I", "meant to be a strange mix of Young Adult and erotica. It is", "to edit at times due to the strange wording, as I roughly translated", "not sure it flows the way I would like it to. What better", "friends from a rough translation. I need softer words to replace \"vagina\", \"penis\",", "translated the text from google translate and some words may not be what", "writing for my English-speaking friends from a rough translation. I need softer words", "need softer words to replace \"vagina\", \"penis\", \"breasts\" etc. I have used words", "replace \"vagina\", \"penis\", \"breasts\" etc. I have used words such as \"mounds\" (breasts),", "Adult and erotica. It is a little cringy to edit at times due", "google translate and some words may not be what they appear. > >", "some words may not be what they appear. > > > I will", "rough translation. I need softer words to replace \"vagina\", \"penis\", \"breasts\" etc. I", "he pulled down his pants, revealing a bulging rod ready to pierce into", "and erotica. It is a little cringy to edit at times due to", "to pierce into her soaking flower. > > > It seems so weird.", "the text from google translate and some words may not be what they", "words may not be what they appear. > > > I will send", "revealing a bulging rod ready to pierce into her soaking flower. > >", "\"breasts\" etc. I have used words such as \"mounds\" (breasts), \"flower\" (vagina) and", "etc. I have used words such as \"mounds\" (breasts), \"flower\" (vagina) and \"rod\"", "like it to. What better alternatives are there? Edit: > > Thank you", "I will send the revision to my friend and see how she reacts.", "rod ready to pierce into her soaking flower. > > > It seems", "and some words may not be what they appear. > > > I", "flower. > > > It seems so weird. I'm not sure it flows", "\"rod\" (penis). Example: > > As he pulled down his pants, revealing a", "to be a strange mix of Young Adult and erotica. It is a", "> > > It seems so weird. I'm not sure it flows the", "of Young Adult and erotica. It is a little cringy to edit at", "into her soaking flower. > > > It seems so weird. I'm not", "from a rough translation. I need softer words to replace \"vagina\", \"penis\", \"breasts\"", "words to replace \"vagina\", \"penis\", \"breasts\" etc. I have used words such as", "Young Adult and erotica. It is a little cringy to edit at times", "wording, as I roughly translated the text from google translate and some words", "translation. I need softer words to replace \"vagina\", \"penis\", \"breasts\" etc. I have", "may not be what they appear. > > > I will send the", "Thank you so much for your answers. I believe the text meant to", "believe the text meant to be a strange mix of Young Adult and", "it to. What better alternatives are there? Edit: > > Thank you so", "Example: > > As he pulled down his pants, revealing a bulging rod", "for my English-speaking friends from a rough translation. I need softer words to", "to. What better alternatives are there? Edit: > > Thank you so much", "used words such as \"mounds\" (breasts), \"flower\" (vagina) and \"rod\" (penis). Example: >", "(vagina) and \"rod\" (penis). Example: > > As he pulled down his pants,", "strange mix of Young Adult and erotica. It is a little cringy to", "due to the strange wording, as I roughly translated the text from google", "mix of Young Adult and erotica. It is a little cringy to edit", "sure it flows the way I would like it to. What better alternatives", "a strange mix of Young Adult and erotica. It is a little cringy", "pierce into her soaking flower. > > > It seems so weird. I'm", "> > I will send the revision to my friend and see how", "little cringy to edit at times due to the strange wording, as I", "be what they appear. > > > I will send the revision to", "answers. I believe the text meant to be a strange mix of Young", "What better alternatives are there? Edit: > > Thank you so much for", "for your answers. I believe the text meant to be a strange mix", "would like it to. What better alternatives are there? Edit: > > Thank", "to replace \"vagina\", \"penis\", \"breasts\" etc. I have used words such as \"mounds\"", "much for your answers. I believe the text meant to be a strange", "is a little cringy to edit at times due to the strange wording,", "you so much for your answers. I believe the text meant to be", "my English-speaking friends from a rough translation. I need softer words to replace", "\"mounds\" (breasts), \"flower\" (vagina) and \"rod\" (penis). Example: > > As he pulled", "it flows the way I would like it to. What better alternatives are", "softer words to replace \"vagina\", \"penis\", \"breasts\" etc. I have used words such", "text from google translate and some words may not be what they appear.", "be a strange mix of Young Adult and erotica. It is a little", "translate and some words may not be what they appear. > > >", "a rough translation. I need softer words to replace \"vagina\", \"penis\", \"breasts\" etc.", "bulging rod ready to pierce into her soaking flower. > > > It", "better alternatives are there? Edit: > > Thank you so much for your", "as I roughly translated the text from google translate and some words may", "down his pants, revealing a bulging rod ready to pierce into her soaking", "of writing for my English-speaking friends from a rough translation. I need softer", "strange wording, as I roughly translated the text from google translate and some", "weird. I'm not sure it flows the way I would like it to.", "I would like it to. What better alternatives are there? Edit: > >", "will send the revision to my friend and see how she reacts. Thank", "am editing a piece of writing for my English-speaking friends from a rough", "there? Edit: > > Thank you so much for your answers. I believe", "so weird. I'm not sure it flows the way I would like it", "erotica. It is a little cringy to edit at times due to the", "> Thank you so much for your answers. I believe the text meant", "his pants, revealing a bulging rod ready to pierce into her soaking flower.", "the way I would like it to. What better alternatives are there? Edit:", "> As he pulled down his pants, revealing a bulging rod ready to", "(penis). Example: > > As he pulled down his pants, revealing a bulging", "the strange wording, as I roughly translated the text from google translate and", "I need softer words to replace \"vagina\", \"penis\", \"breasts\" etc. I have used", "what they appear. > > > I will send the revision to my", "As he pulled down his pants, revealing a bulging rod ready to pierce", "> I will send the revision to my friend and see how she", "It seems so weird. I'm not sure it flows the way I would", "soaking flower. > > > It seems so weird. I'm not sure it", "> > > I will send the revision to my friend and see", "> > It seems so weird. I'm not sure it flows the way", "I'm not sure it flows the way I would like it to. What", "her soaking flower. > > > It seems so weird. I'm not sure", "they appear. > > > I will send the revision to my friend", "way I would like it to. What better alternatives are there? Edit: >", "piece of writing for my English-speaking friends from a rough translation. I need" ]
[ "use the word \"coloured\" in it, but I wasn't sure if it would", "going to use the word \"coloured\" in it, but I wasn't sure if", "I was going to use the word \"coloured\" in it, but I wasn't", "if it would be offensive or not. For context, it was a word", "paper on Aparthied and I was going to use the word \"coloured\" in", "it was a word used in South Africa to describe people of mixed", "a paper on Aparthied and I was going to use the word \"coloured\"", "to describe people of mixed descent. If it is offensive, what are some", "and I was going to use the word \"coloured\" in it, but I", "mixed descent. If it is offensive, what are some other words I could", "wasn't sure if it would be offensive or not. For context, it was", "not. For context, it was a word used in South Africa to describe", "on Aparthied and I was going to use the word \"coloured\" in it,", "would be offensive or not. For context, it was a word used in", "South Africa to describe people of mixed descent. If it is offensive, what", "writing a paper on Aparthied and I was going to use the word", "in it, but I wasn't sure if it would be offensive or not.", "it, but I wasn't sure if it would be offensive or not. For", "it would be offensive or not. For context, it was a word used", "of mixed descent. If it is offensive, what are some other words I", "was a word used in South Africa to describe people of mixed descent.", "descent. If it is offensive, what are some other words I could use", "word \"coloured\" in it, but I wasn't sure if it would be offensive", "I am writing a paper on Aparthied and I was going to use", "be offensive or not. For context, it was a word used in South", "offensive or not. For context, it was a word used in South Africa", "a word used in South Africa to describe people of mixed descent. If", "Aparthied and I was going to use the word \"coloured\" in it, but", "context, it was a word used in South Africa to describe people of", "If it is offensive, what are some other words I could use instead?", "or not. For context, it was a word used in South Africa to", "word used in South Africa to describe people of mixed descent. If it", "people of mixed descent. If it is offensive, what are some other words", "Africa to describe people of mixed descent. If it is offensive, what are", "but I wasn't sure if it would be offensive or not. For context,", "was going to use the word \"coloured\" in it, but I wasn't sure", "I wasn't sure if it would be offensive or not. For context, it", "sure if it would be offensive or not. For context, it was a", "\"coloured\" in it, but I wasn't sure if it would be offensive or", "used in South Africa to describe people of mixed descent. If it is", "describe people of mixed descent. If it is offensive, what are some other", "For context, it was a word used in South Africa to describe people", "the word \"coloured\" in it, but I wasn't sure if it would be", "in South Africa to describe people of mixed descent. If it is offensive,", "am writing a paper on Aparthied and I was going to use the", "to use the word \"coloured\" in it, but I wasn't sure if it" ]
[ "> My colleague is quite opposed to using all caps, they perceived it", "the all caps is common practice and the preferred way to emphasise in", "a legal notice to a user interface, or in a data file for", "and the preferred way to emphasise in legal notices, i.e. instead of more", "want to include a legal warning. It needs to mention that the data", "or in a data file for download, I want to include a legal", "I am remembering things from TV and books instead of real life business", "typographical changes like italics or bold. What do you think? Is my colleague", "way to emphasise in legal notices, i.e. instead of more stylish typographical changes", "my experience, the all caps is common practice and the preferred way to", "and I am remembering things from TV and books instead of real life", "think? Is my colleague right, and I am remembering things from TV and", "bold. What do you think? Is my colleague right, and I am remembering", "confidential and should only be used in the scope of this collaboration. DO", "mention that the data is confidential and it should not be shared with", "was something like this: > > The data in this table is confidential", "this: > > The data in this table is confidential and should only", "I proposed was something like this: > > The data in this table", "interface, or in a data file for download, I want to include a", "is confidential and it should not be shared with 3rd parties. The text", "or bold. What do you think? Is my colleague right, and I am", "the preferred way to emphasise in legal notices, i.e. instead of more stylish", "legal notice to a user interface, or in a data file for download,", "proposed was something like this: > > The data in this table is", "download, I want to include a legal warning. It needs to mention that", "be used in the scope of this collaboration. DO NOT SHARE! > >", "data is confidential and it should not be shared with 3rd parties. The", "The text I proposed was something like this: > > The data in", "table is confidential and should only be used in the scope of this", "adding a legal notice to a user interface, or in a data file", "I want to include a legal warning. It needs to mention that the", "> The data in this table is confidential and should only be used", "shouting and unprofessional. From my experience, the all caps is common practice and", "to mention that the data is confidential and it should not be shared", "a legal warning. It needs to mention that the data is confidential and", "is quite opposed to using all caps, they perceived it as abrupt, shouting", "do you think? Is my colleague right, and I am remembering things from", "with 3rd parties. The text I proposed was something like this: > >", "notice to a user interface, or in a data file for download, I", "in the scope of this collaboration. DO NOT SHARE! > > > My", "to include a legal warning. It needs to mention that the data is", "is confidential and should only be used in the scope of this collaboration.", "to a user interface, or in a data file for download, I want", "only be used in the scope of this collaboration. DO NOT SHARE! >", "like italics or bold. What do you think? Is my colleague right, and", "opposed to using all caps, they perceived it as abrupt, shouting and unprofessional.", "> > My colleague is quite opposed to using all caps, they perceived", "using all caps, they perceived it as abrupt, shouting and unprofessional. From my", "SHARE! > > > My colleague is quite opposed to using all caps,", "legal notices, i.e. instead of more stylish typographical changes like italics or bold.", "that the data is confidential and it should not be shared with 3rd", "instead of more stylish typographical changes like italics or bold. What do you", "all caps is common practice and the preferred way to emphasise in legal", "of this collaboration. DO NOT SHARE! > > > My colleague is quite", "experience, the all caps is common practice and the preferred way to emphasise", "in this table is confidential and should only be used in the scope", "to using all caps, they perceived it as abrupt, shouting and unprofessional. From", "It needs to mention that the data is confidential and it should not", "needs to mention that the data is confidential and it should not be", "a data file for download, I want to include a legal warning. It", "a user interface, or in a data file for download, I want to", "My colleague is quite opposed to using all caps, they perceived it as", "text I proposed was something like this: > > The data in this", "NOT SHARE! > > > My colleague is quite opposed to using all", "be shared with 3rd parties. The text I proposed was something like this:", "From my experience, the all caps is common practice and the preferred way", "of more stylish typographical changes like italics or bold. What do you think?", "scope of this collaboration. DO NOT SHARE! > > > My colleague is", "> > The data in this table is confidential and should only be", "italics or bold. What do you think? Is my colleague right, and I", "something like this: > > The data in this table is confidential and", "in a data file for download, I want to include a legal warning.", "DO NOT SHARE! > > > My colleague is quite opposed to using", "right, and I am remembering things from TV and books instead of real", "and should only be used in the scope of this collaboration. DO NOT", "file for download, I want to include a legal warning. It needs to", "changes like italics or bold. What do you think? Is my colleague right,", "confidential and it should not be shared with 3rd parties. The text I", "like this: > > The data in this table is confidential and should", "abrupt, shouting and unprofessional. From my experience, the all caps is common practice", "should only be used in the scope of this collaboration. DO NOT SHARE!", "warning. It needs to mention that the data is confidential and it should", "quite opposed to using all caps, they perceived it as abrupt, shouting and", "caps is common practice and the preferred way to emphasise in legal notices,", "emphasise in legal notices, i.e. instead of more stylish typographical changes like italics", "you think? Is my colleague right, and I am remembering things from TV", "user interface, or in a data file for download, I want to include", "collaboration. DO NOT SHARE! > > > My colleague is quite opposed to", "it as abrupt, shouting and unprofessional. From my experience, the all caps is", "shared with 3rd parties. The text I proposed was something like this: >", "common practice and the preferred way to emphasise in legal notices, i.e. instead", "> > > My colleague is quite opposed to using all caps, they", "data file for download, I want to include a legal warning. It needs", "not be shared with 3rd parties. The text I proposed was something like", "my colleague right, and I am remembering things from TV and books instead", "the scope of this collaboration. DO NOT SHARE! > > > My colleague", "perceived it as abrupt, shouting and unprofessional. From my experience, the all caps", "this collaboration. DO NOT SHARE! > > > My colleague is quite opposed", "in legal notices, i.e. instead of more stylish typographical changes like italics or", "remembering things from TV and books instead of real life business documents? Thanks.", "colleague right, and I am remembering things from TV and books instead of", "to emphasise in legal notices, i.e. instead of more stylish typographical changes like", "this table is confidential and should only be used in the scope of", "parties. The text I proposed was something like this: > > The data", "When adding a legal notice to a user interface, or in a data", "3rd parties. The text I proposed was something like this: > > The", "include a legal warning. It needs to mention that the data is confidential", "caps, they perceived it as abrupt, shouting and unprofessional. From my experience, the", "the data is confidential and it should not be shared with 3rd parties.", "unprofessional. From my experience, the all caps is common practice and the preferred", "all caps, they perceived it as abrupt, shouting and unprofessional. From my experience,", "stylish typographical changes like italics or bold. What do you think? Is my", "as abrupt, shouting and unprofessional. From my experience, the all caps is common", "should not be shared with 3rd parties. The text I proposed was something", "colleague is quite opposed to using all caps, they perceived it as abrupt,", "is common practice and the preferred way to emphasise in legal notices, i.e.", "i.e. instead of more stylish typographical changes like italics or bold. What do", "legal warning. It needs to mention that the data is confidential and it", "Is my colleague right, and I am remembering things from TV and books", "data in this table is confidential and should only be used in the", "used in the scope of this collaboration. DO NOT SHARE! > > >", "am remembering things from TV and books instead of real life business documents?", "practice and the preferred way to emphasise in legal notices, i.e. instead of", "it should not be shared with 3rd parties. The text I proposed was", "notices, i.e. instead of more stylish typographical changes like italics or bold. What", "The data in this table is confidential and should only be used in", "preferred way to emphasise in legal notices, i.e. instead of more stylish typographical", "and it should not be shared with 3rd parties. The text I proposed", "more stylish typographical changes like italics or bold. What do you think? Is", "they perceived it as abrupt, shouting and unprofessional. From my experience, the all", "for download, I want to include a legal warning. It needs to mention", "What do you think? Is my colleague right, and I am remembering things", "and unprofessional. From my experience, the all caps is common practice and the" ]
[ "rules for this. Also, if these kinds of phrases are acceptable, is there", "if there are any established rules for this. Also, if these kinds of", "established rules for this. Also, if these kinds of phrases are acceptable, is", "helping to proofread a friend's novel manuscript and I cannot find the answer", "manuscript and I cannot find the answer to this on Google. To me,", "to proofread a friend's novel manuscript and I cannot find the answer to", "are any established rules for this. Also, if these kinds of phrases are", "to know if there are any established rules for this. Also, if these", "this on Google. To me, it reads oddly, but I would like to", "answer to this on Google. To me, it reads oddly, but I would", "of phrases are acceptable, is there a particular way to reference them? Thanks!", "to this on Google. To me, it reads oddly, but I would like", "would like to know if there are any established rules for this. Also,", "I cannot find the answer to this on Google. To me, it reads", "proofread a friend's novel manuscript and I cannot find the answer to this", "it reads oddly, but I would like to know if there are any", "kinds of phrases are acceptable, is there a particular way to reference them?", "I'm helping to proofread a friend's novel manuscript and I cannot find the", "like to know if there are any established rules for this. Also, if", "but I would like to know if there are any established rules for", "these kinds of phrases are acceptable, is there a particular way to reference", "cannot find the answer to this on Google. To me, it reads oddly,", "Google. To me, it reads oddly, but I would like to know if", "me, it reads oddly, but I would like to know if there are", "friend's novel manuscript and I cannot find the answer to this on Google.", "and I cannot find the answer to this on Google. To me, it", "any established rules for this. Also, if these kinds of phrases are acceptable,", "find the answer to this on Google. To me, it reads oddly, but", "know if there are any established rules for this. Also, if these kinds", "I would like to know if there are any established rules for this.", "if these kinds of phrases are acceptable, is there a particular way to", "oddly, but I would like to know if there are any established rules", "the answer to this on Google. To me, it reads oddly, but I", "reads oddly, but I would like to know if there are any established", "for this. Also, if these kinds of phrases are acceptable, is there a", "Also, if these kinds of phrases are acceptable, is there a particular way", "there are any established rules for this. Also, if these kinds of phrases", "a friend's novel manuscript and I cannot find the answer to this on", "novel manuscript and I cannot find the answer to this on Google. To", "on Google. To me, it reads oddly, but I would like to know", "this. Also, if these kinds of phrases are acceptable, is there a particular", "To me, it reads oddly, but I would like to know if there" ]
[ "can be really draining for me because I'm not into it like he", "him, but I also want to help him understand that this is his", "aspects of his new book ideas and the worlds that he's creating. I'm", "him while also helping him to find balance where writing isn't taking over", "ideas and the worlds that he's creating. I'm not a writer, but I", "can I be a good supportive partner for him while also helping him", "husband is a writer. We've been married for several years and I've seen", "do like to support him and listen to his ideas. However, sometimes he", "and the worlds that he's creating. I'm not a writer, but I do", "but I do like to support him and listen to his ideas. However,", "want to talk about his books all day every day. How can I", "really draining for me because I'm not into it like he is. I", "that he's creating. I'm not a writer, but I do like to support", "while also helping him to find balance where writing isn't taking over absolutely", "he is. I want to be a good partner for him, but I", "supportive partner for him while also helping him to find balance where writing", "for me because I'm not into it like he is. I want to", "lives. This can be really draining for me because I'm not into it", "ideas. However, sometimes he gets really obsessed and dominates the conversation with his", "also helping him to find balance where writing isn't taking over absolutely everything?", "him go through various phases of book-obsession over various aspects of his new", "of book-obsession over various aspects of his new book ideas and the worlds", "This can be really draining for me because I'm not into it like", "is a writer. We've been married for several years and I've seen him", "and listen to his ideas. However, sometimes he gets really obsessed and dominates", "our lives. This can be really draining for me because I'm not into", "is his thing* and I don't want to talk about his books all", "thing* and I don't want to talk about his books all day every", "help him understand that this is his thing and I don't want to", "really obsessed and dominates the conversation with his idea and it just takes", "worlds that he's creating. I'm not a writer, but I do like to", "it just takes over everything in our lives. This can be really draining", "draining for me because I'm not into it like he is. I want", "be a good supportive partner for him while also helping him to find", "for him, but I also want to help him understand that this is", "is. I want to be a good partner for him, but I also", "conversation with his idea and it just takes over everything in our lives.", "and I don't want to talk about his books all day every day.", "about his books all day every day. How can I be a good", "with his idea and it just takes over everything in our lives. This", "he gets really obsessed and dominates the conversation with his idea and it", "just takes over everything in our lives. This can be really draining for", "books all day every day. How can I be a good supportive partner", "want to help him understand that this is his thing and I don't", "I be a good supportive partner for him while also helping him to", "everything in our lives. This can be really draining for me because I'm", "the worlds that he's creating. I'm not a writer, but I do like", "his idea and it just takes over everything in our lives. This can", "takes over everything in our lives. This can be really draining for me", "My husband is a writer. We've been married for several years and I've", "not a writer, but I do like to support him and listen to", "him and listen to his ideas. However, sometimes he gets really obsessed and", "partner for him while also helping him to find balance where writing isn't", "into it like he is. I want to be a good partner for", "want to be a good partner for him, but I also want to", "a writer, but I do like to support him and listen to his", "and it just takes over everything in our lives. This can be really", "don't want to talk about his books all day every day. How can", "I'm not into it like he is. I want to be a good", "his books all day every day. How can I be a good supportive", "be a good partner for him, but I also want to help him", "been married for several years and I've seen him go through various phases", "me because I'm not into it like he is. I want to be", "writer, but I do like to support him and listen to his ideas.", "talk about his books all day every day. How can I be a", "I want to be a good partner for him, but I also want", "and I've seen him go through various phases of book-obsession over various aspects", "obsessed and dominates the conversation with his idea and it just takes over", "for several years and I've seen him go through various phases of book-obsession", "but I also want to help him understand that this is his thing", "his thing and I don't want to talk about his books all day", "How can I be a good supportive partner for him while also helping", "However, sometimes he gets really obsessed and dominates the conversation with his idea", "years and I've seen him go through various phases of book-obsession over various", "of his new book ideas and the worlds that he's creating. I'm not", "various phases of book-obsession over various aspects of his new book ideas and", "his ideas. However, sometimes he gets really obsessed and dominates the conversation with", "book ideas and the worlds that he's creating. I'm not a writer, but", "the conversation with his idea and it just takes over everything in our", "to help him understand that this is his thing and I don't want", "every day. How can I be a good supportive partner for him while", "book-obsession over various aspects of his new book ideas and the worlds that", "like to support him and listen to his ideas. However, sometimes he gets", "a good partner for him, but I also want to help him understand", "I do like to support him and listen to his ideas. However, sometimes", "idea and it just takes over everything in our lives. This can be", "writer. We've been married for several years and I've seen him go through", "creating. I'm not a writer, but I do like to support him and", "new book ideas and the worlds that he's creating. I'm not a writer,", "dominates the conversation with his idea and it just takes over everything in", "go through various phases of book-obsession over various aspects of his new book", "seen him go through various phases of book-obsession over various aspects of his", "various aspects of his new book ideas and the worlds that he's creating.", "it like he is. I want to be a good partner for him,", "a writer. We've been married for several years and I've seen him go", "I'm not a writer, but I do like to support him and listen", "all day every day. How can I be a good supportive partner for", "over various aspects of his new book ideas and the worlds that he's", "listen to his ideas. However, sometimes he gets really obsessed and dominates the", "support him and listen to his ideas. However, sometimes he gets really obsessed", "to support him and listen to his ideas. However, sometimes he gets really", "good supportive partner for him while also helping him to find balance where", "and dominates the conversation with his idea and it just takes over everything", "in our lives. This can be really draining for me because I'm not", "like he is. I want to be a good partner for him, but", "be really draining for me because I'm not into it like he is.", "that this is his thing and I don't want to talk about his", "phases of book-obsession over various aspects of his new book ideas and the", "sometimes he gets really obsessed and dominates the conversation with his idea and", "I've seen him go through various phases of book-obsession over various aspects of", "good partner for him, but I also want to help him understand that", "I also want to help him understand that this is his thing and", "We've been married for several years and I've seen him go through various", "also want to help him understand that this is his thing and I", "several years and I've seen him go through various phases of book-obsession over", "to his ideas. However, sometimes he gets really obsessed and dominates the conversation", "day every day. How can I be a good supportive partner for him", "for him while also helping him to find balance where writing isn't taking", "I don't want to talk about his books all day every day. How", "over everything in our lives. This can be really draining for me because", "because I'm not into it like he is. I want to be a", "day. How can I be a good supportive partner for him while also", "to talk about his books all day every day. How can I be", "him understand that this is his thing and I don't want to talk", "this is his thing and I don't want to talk about his books", "to be a good partner for him, but I also want to help", "he's creating. I'm not a writer, but I do like to support him", "gets really obsessed and dominates the conversation with his idea and it just", "a good supportive partner for him while also helping him to find balance", "understand that this is his thing and I don't want to talk about", "through various phases of book-obsession over various aspects of his new book ideas", "married for several years and I've seen him go through various phases of", "not into it like he is. I want to be a good partner", "his new book ideas and the worlds that he's creating. I'm not a", "partner for him, but I also want to help him understand that this" ]
[ "The topic is \"Can tigers be kept in zoos?\", as they have less", "\"Can tigers be kept in zoos?\", as they have less space in zoos", "The scenario is to write a hook for an argumentative essay. The topic", "tigers be kept in zoos?\", as they have less space in zoos compared", "less space in zoos compared to nature, and for other reasons they should", "in zoos?\", as they have less space in zoos compared to nature, and", "topic is \"Can tigers be kept in zoos?\", as they have less space", "zoos?\", as they have less space in zoos compared to nature, and for", "compared to nature, and for other reasons they should not be kept in", "a hook for an argumentative essay. The topic is \"Can tigers be kept", "they have less space in zoos compared to nature, and for other reasons", "to write a hook for an argumentative essay. The topic is \"Can tigers", "hook for an argumentative essay. The topic is \"Can tigers be kept in", "an argumentative essay. The topic is \"Can tigers be kept in zoos?\", as", "in zoos compared to nature, and for other reasons they should not be", "argumentative essay. The topic is \"Can tigers be kept in zoos?\", as they", "to nature, and for other reasons they should not be kept in zoos.", "is to write a hook for an argumentative essay. The topic is \"Can", "be kept in zoos?\", as they have less space in zoos compared to", "as they have less space in zoos compared to nature, and for other", "have less space in zoos compared to nature, and for other reasons they", "space in zoos compared to nature, and for other reasons they should not", "scenario is to write a hook for an argumentative essay. The topic is", "for an argumentative essay. The topic is \"Can tigers be kept in zoos?\",", "kept in zoos?\", as they have less space in zoos compared to nature,", "write a hook for an argumentative essay. The topic is \"Can tigers be", "zoos compared to nature, and for other reasons they should not be kept", "is \"Can tigers be kept in zoos?\", as they have less space in", "essay. The topic is \"Can tigers be kept in zoos?\", as they have" ]
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[ "Mio smirked, her eyebrows drooped. > > > Mio smirked with drooped eyebrows.", "> > > Is there any difference between the two (semantically or stylistically", "Is there any difference between the two (semantically or stylistically speaking)? Or they", "smirked with drooped eyebrows. > > > Is there any difference between the", "Mio smirked with drooped eyebrows. > > > Is there any difference between", "between the two (semantically or stylistically speaking)? Or they are exactly the same?", "> > Mio smirked, her eyebrows drooped. > > > Mio smirked with", "> Mio smirked with drooped eyebrows. > > > Is there any difference", "> > Is there any difference between the two (semantically or stylistically speaking)?", "> > > Mio smirked with drooped eyebrows. > > > Is there", "drooped eyebrows. > > > Is there any difference between the two (semantically", "> Mio smirked, her eyebrows drooped. > > > Mio smirked with drooped", "there any difference between the two (semantically or stylistically speaking)? Or they are", "difference between the two (semantically or stylistically speaking)? Or they are exactly the", "with drooped eyebrows. > > > Is there any difference between the two", "any difference between the two (semantically or stylistically speaking)? Or they are exactly", "her eyebrows drooped. > > > Mio smirked with drooped eyebrows. > >", "smirked, her eyebrows drooped. > > > Mio smirked with drooped eyebrows. >", "eyebrows drooped. > > > Mio smirked with drooped eyebrows. > > >", "> Is there any difference between the two (semantically or stylistically speaking)? Or", "drooped. > > > Mio smirked with drooped eyebrows. > > > Is", "> > Mio smirked with drooped eyebrows. > > > Is there any", "eyebrows. > > > Is there any difference between the two (semantically or" ]
[ "succeed in achieving the style that I want. Is this because I'm not", "write. But I seem to get tired after writing only a little, though", "don't like writing rough drafts, preferring to edit as I write. But I", "this because I'm not accustomed to writing so much? What should I do?", "as I write. But I seem to get tired after writing only a", "I write. But I seem to get tired after writing only a little,", "But I seem to get tired after writing only a little, though I", "though I somewhat succeed in achieving the style that I want. Is this", "drafts, preferring to edit as I write. But I seem to get tired", "style that I want. Is this because I'm not accustomed to writing so", "I want. Is this because I'm not accustomed to writing so much? What", "only a little, though I somewhat succeed in achieving the style that I", "the style that I want. Is this because I'm not accustomed to writing", "I don't like writing rough drafts, preferring to edit as I write. But", "rough drafts, preferring to edit as I write. But I seem to get", "want. Is this because I'm not accustomed to writing so much? What should", "get tired after writing only a little, though I somewhat succeed in achieving", "little, though I somewhat succeed in achieving the style that I want. Is", "somewhat succeed in achieving the style that I want. Is this because I'm", "Is this because I'm not accustomed to writing so much? What should I", "to get tired after writing only a little, though I somewhat succeed in", "to edit as I write. But I seem to get tired after writing", "in achieving the style that I want. Is this because I'm not accustomed", "seem to get tired after writing only a little, though I somewhat succeed", "preferring to edit as I write. But I seem to get tired after", "like writing rough drafts, preferring to edit as I write. But I seem", "tired after writing only a little, though I somewhat succeed in achieving the", "after writing only a little, though I somewhat succeed in achieving the style", "I seem to get tired after writing only a little, though I somewhat", "writing rough drafts, preferring to edit as I write. But I seem to", "writing only a little, though I somewhat succeed in achieving the style that", "a little, though I somewhat succeed in achieving the style that I want.", "that I want. Is this because I'm not accustomed to writing so much?", "achieving the style that I want. Is this because I'm not accustomed to", "I somewhat succeed in achieving the style that I want. Is this because", "edit as I write. But I seem to get tired after writing only" ]
[ "get in said \"addiction\". The idea of an addictive magical item sounds kinda", "though, and the more that you play it, the deeper you get in", "otherwise, it's a completely normal kalimba. Is this too cliche, or should I", "(this world has multiple moons); otherwise, it's a completely normal kalimba. Is this", "of like an addiction, though, and the more that you play it, the", "played, allows the player to hear the thoughts of everyone around them, and", "addictive, and the higher magic something has, the more addictive it is.) It", "thoughts. These thoughts can also control each other, so everyone involved can make", "I hope that this question follows the rules. One of my characters has", "that, when played, allows the player to hear the thoughts of everyone around", "thoughts, like mind control. It's kind of like an addiction, though, and the", "play it, the deeper you get in said \"addiction\". The idea of an", "kalimba that, when played, allows the player to hear the thoughts of everyone", "deeper you get in said \"addiction\". The idea of an addictive magical item", "the rules. One of my characters has a kalimba that, when played, allows", "telling them to do it through their thoughts, like mind control. It's kind", "that this question follows the rules. One of my characters has a kalimba", "everyone involved can make each other do anything they want by telling them", "cough)... at least, to me, it does. (Note: All magic is addictive, and", "item sounds kinda familiar, though... (cough One Ring cough)... at least, to me,", "All magic is addictive, and the higher magic something has, the more addictive", "(Note: All magic is addictive, and the higher magic something has, the more", "addictive it is.) It only works if the correct three moons are in", "player to hear the thoughts of everyone around them, and everyone around them", "make each other do anything they want by telling them to do it", "it's a completely normal kalimba. Is this too cliche, or should I keep", "least, to me, it does. (Note: All magic is addictive, and the higher", "other, so everyone involved can make each other do anything they want by", "(cough One Ring cough)... at least, to me, it does. (Note: All magic", "in the sky (this world has multiple moons); otherwise, it's a completely normal", "only works if the correct three moons are in the sky (this world", "Ring cough)... at least, to me, it does. (Note: All magic is addictive,", "multiple moons); otherwise, it's a completely normal kalimba. Is this too cliche, or", "magic something has, the more addictive it is.) It only works if the", "to me, it does. (Note: All magic is addictive, and the higher magic", "familiar, though... (cough One Ring cough)... at least, to me, it does. (Note:", "involved can make each other do anything they want by telling them to", "it does. (Note: All magic is addictive, and the higher magic something has,", "is.) It only works if the correct three moons are in the sky", "in said \"addiction\". The idea of an addictive magical item sounds kinda familiar,", "that you play it, the deeper you get in said \"addiction\". The idea", "idea of an addictive magical item sounds kinda familiar, though... (cough One Ring", "they want by telling them to do it through their thoughts, like mind", "it is.) It only works if the correct three moons are in the", "it, the deeper you get in said \"addiction\". The idea of an addictive", "characters has a kalimba that, when played, allows the player to hear the", "to hear the thoughts of everyone around them, and everyone around them can", "something has, the more addictive it is.) It only works if the correct", "my characters has a kalimba that, when played, allows the player to hear", "hope that this question follows the rules. One of my characters has a", "addictive magical item sounds kinda familiar, though... (cough One Ring cough)... at least,", "everyone around them, and everyone around them can hear the player's thoughts. These", "and everyone around them can hear the player's thoughts. These thoughts can also", "can also control each other, so everyone involved can make each other do", "normal kalimba. Is this too cliche, or should I keep it as it", "One of my characters has a kalimba that, when played, allows the player", "them to do it through their thoughts, like mind control. It's kind of", "to do it through their thoughts, like mind control. It's kind of like", "the higher magic something has, the more addictive it is.) It only works", "a completely normal kalimba. Is this too cliche, or should I keep it", "hear the player's thoughts. These thoughts can also control each other, so everyone", "each other, so everyone involved can make each other do anything they want", "are in the sky (this world has multiple moons); otherwise, it's a completely", "kind of like an addiction, though, and the more that you play it,", "around them, and everyone around them can hear the player's thoughts. These thoughts", "One Ring cough)... at least, to me, it does. (Note: All magic is", "each other do anything they want by telling them to do it through", "It only works if the correct three moons are in the sky (this", "correct three moons are in the sky (this world has multiple moons); otherwise,", "has, the more addictive it is.) It only works if the correct three", "do it through their thoughts, like mind control. It's kind of like an", "has a kalimba that, when played, allows the player to hear the thoughts", "like an addiction, though, and the more that you play it, the deeper", "\"addiction\". The idea of an addictive magical item sounds kinda familiar, though... (cough", "has multiple moons); otherwise, it's a completely normal kalimba. Is this too cliche,", "them, and everyone around them can hear the player's thoughts. These thoughts can", "mind control. It's kind of like an addiction, though, and the more that", "you get in said \"addiction\". The idea of an addictive magical item sounds", "an addictive magical item sounds kinda familiar, though... (cough One Ring cough)... at", "them can hear the player's thoughts. These thoughts can also control each other,", "said \"addiction\". The idea of an addictive magical item sounds kinda familiar, though...", "the more addictive it is.) It only works if the correct three moons", "me, it does. (Note: All magic is addictive, and the higher magic something", "kalimba. Is this too cliche, or should I keep it as it is?", "does. (Note: All magic is addictive, and the higher magic something has, the", "kinda familiar, though... 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These thoughts can also control each other, so everyone involved can", "this question follows the rules. One of my characters has a kalimba that,", "world has multiple moons); otherwise, it's a completely normal kalimba. Is this too", "and the more that you play it, the deeper you get in said", "everyone around them can hear the player's thoughts. These thoughts can also control", "three moons are in the sky (this world has multiple moons); otherwise, it's", "rules. One of my characters has a kalimba that, when played, allows the", "the sky (this world has multiple moons); otherwise, it's a completely normal kalimba.", "the player's thoughts. These thoughts can also control each other, so everyone involved", "magical item sounds kinda familiar, though... (cough One Ring cough)... at least, to", "thoughts of everyone around them, and everyone around them can hear the player's", "question follows the rules. One of my characters has a kalimba that, when", "hear the thoughts of everyone around them, and everyone around them can hear", "also control each other, so everyone involved can make each other do anything", "sky (this world has multiple moons); otherwise, it's a completely normal kalimba. Is", "control. It's kind of like an addiction, though, and the more that you", "when played, allows the player to hear the thoughts of everyone around them,", "of my characters has a kalimba that, when played, allows the player to", "it through their thoughts, like mind control. It's kind of like an addiction,", "sounds kinda familiar, though... (cough One Ring cough)... at least, to me, it", "the more that you play it, the deeper you get in said \"addiction\".", "more that you play it, the deeper you get in said \"addiction\". The", "moons are in the sky (this world has multiple moons); otherwise, it's a", "the deeper you get in said \"addiction\". The idea of an addictive magical", "moons); otherwise, it's a completely normal kalimba. Is this too cliche, or should", "works if the correct three moons are in the sky (this world has", "more addictive it is.) It only works if the correct three moons are", "you play it, the deeper you get in said \"addiction\". The idea of", "anything they want by telling them to do it through their thoughts, like", "These thoughts can also control each other, so everyone involved can make each", "like mind control. It's kind of like an addiction, though, and the more", "can hear the player's thoughts. These thoughts can also control each other, so", "can make each other do anything they want by telling them to do", "if the correct three moons are in the sky (this world has multiple", "a kalimba that, when played, allows the player to hear the thoughts of", "is addictive, and the higher magic something has, the more addictive it is.)", "other do anything they want by telling them to do it through their", "and the higher magic something has, the more addictive it is.) It only", "follows the rules. One of my characters has a kalimba that, when played,", "do anything they want by telling them to do it through their thoughts,", "The idea of an addictive magical item sounds kinda familiar, though... (cough One", "around them can hear the player's thoughts. These thoughts can also control each", "control each other, so everyone involved can make each other do anything they", "It's kind of like an addiction, though, and the more that you play", "addiction, though, and the more that you play it, the deeper you get", "completely normal kalimba. Is this too cliche, or should I keep it as", "so everyone involved can make each other do anything they want by telling", "of everyone around them, and everyone around them can hear the player's thoughts.", "higher magic something has, the more addictive it is.) It only works if", "want by telling them to do it through their thoughts, like mind control.", "an addiction, though, and the more that you play it, the deeper you", "by telling them to do it through their thoughts, like mind control. It's" ]
[ "that my writing muscles are in need of being exercised. Is this true?", "Many times, when attempting writing, I find the task of writing down my", "in need of being exercised. Is this true? Many times, when attempting writing,", "I find the task of writing down my main ideas to be challenging", "of writing down my main ideas to be challenging and I subsequently fail", "suggested that my writing muscles are in need of being exercised. Is this", "outline seems difficult to me, how can I exercise my brain to be", "people have suggested that my writing muscles are in need of being exercised.", "a simple outline seems difficult to me, how can I exercise my brain", "when attempting writing, I find the task of writing down my main ideas", "me, how can I exercise my brain to be able to complete this?", "muscles are in need of being exercised. Is this true? Many times, when", "being exercised. Is this true? Many times, when attempting writing, I find the", "writing muscles are in need of being exercised. Is this true? Many times,", "find the task of writing down my main ideas to be challenging and", "the task of writing down my main ideas to be challenging and I", "simple outline seems difficult to me, how can I exercise my brain to", "fail to create a simple outline. Creating a simple outline seems difficult to", "outline. Creating a simple outline seems difficult to me, how can I exercise", "need of being exercised. Is this true? Many times, when attempting writing, I", "Creating a simple outline seems difficult to me, how can I exercise my", "subsequently fail to create a simple outline. Creating a simple outline seems difficult", "my writing muscles are in need of being exercised. Is this true? Many", "task of writing down my main ideas to be challenging and I subsequently", "have suggested that my writing muscles are in need of being exercised. Is", "difficult to me, how can I exercise my brain to be able to", "writing, I find the task of writing down my main ideas to be", "to create a simple outline. Creating a simple outline seems difficult to me,", "are in need of being exercised. Is this true? Many times, when attempting", "writing down my main ideas to be challenging and I subsequently fail to", "main ideas to be challenging and I subsequently fail to create a simple", "a simple outline. Creating a simple outline seems difficult to me, how can", "to me, how can I exercise my brain to be able to complete", "Is this true? Many times, when attempting writing, I find the task of", "create a simple outline. Creating a simple outline seems difficult to me, how", "of being exercised. Is this true? Many times, when attempting writing, I find", "and I subsequently fail to create a simple outline. Creating a simple outline", "exercised. Is this true? Many times, when attempting writing, I find the task", "be challenging and I subsequently fail to create a simple outline. Creating a", "Some people have suggested that my writing muscles are in need of being", "ideas to be challenging and I subsequently fail to create a simple outline.", "to be challenging and I subsequently fail to create a simple outline. Creating", "this true? Many times, when attempting writing, I find the task of writing", "attempting writing, I find the task of writing down my main ideas to", "I subsequently fail to create a simple outline. Creating a simple outline seems", "true? Many times, when attempting writing, I find the task of writing down", "times, when attempting writing, I find the task of writing down my main", "seems difficult to me, how can I exercise my brain to be able", "my main ideas to be challenging and I subsequently fail to create a", "simple outline. Creating a simple outline seems difficult to me, how can I", "challenging and I subsequently fail to create a simple outline. Creating a simple", "down my main ideas to be challenging and I subsequently fail to create" ]
[ "is there other ways to use metaphors that I am somehow not aware", "are other ways of using metaphors aside using it to describe something visually", "other ways of using metaphors aside using it to describe something visually similar?", "I am somehow not aware of yet? I can't think of other ways", "somehow not aware of yet? I can't think of other ways of using", "metaphor \"a city of stars\" to say that the sky at night looks", "small lights, but is there other ways to use metaphors that I am", "ways to use metaphors that I am somehow not aware of yet? I", "\"a city of stars\" to say that the sky at night looks like", "at night looks like a city during nighttime because of the small lights,", "visually similar? For example, we use the metaphor \"a city of stars\" to", "during nighttime because of the small lights, but is there other ways to", "night looks like a city during nighttime because of the small lights, but", "similar? For example, we use the metaphor \"a city of stars\" to say", "of the small lights, but is there other ways to use metaphors that", "am somehow not aware of yet? I can't think of other ways of", "ways of using metaphors aside using it to describe something visually similar? For", "use the metaphor \"a city of stars\" to say that the sky at", "to say that the sky at night looks like a city during nighttime", "using it to describe something visually similar? For example, we use the metaphor", "because of the small lights, but is there other ways to use metaphors", "nighttime because of the small lights, but is there other ways to use", "describe something visually similar? For example, we use the metaphor \"a city of", "What are other ways of using metaphors aside using it to describe something", "not aware of yet? I can't think of other ways of using metaphors.", "looks like a city during nighttime because of the small lights, but is", "it to describe something visually similar? For example, we use the metaphor \"a", "there other ways to use metaphors that I am somehow not aware of", "the small lights, but is there other ways to use metaphors that I", "of using metaphors aside using it to describe something visually similar? For example,", "aside using it to describe something visually similar? For example, we use the", "using metaphors aside using it to describe something visually similar? For example, we", "like a city during nighttime because of the small lights, but is there", "to use metaphors that I am somehow not aware of yet? I can't", "that I am somehow not aware of yet? I can't think of other", "of stars\" to say that the sky at night looks like a city", "stars\" to say that the sky at night looks like a city during", "city during nighttime because of the small lights, but is there other ways", "that the sky at night looks like a city during nighttime because of", "a city during nighttime because of the small lights, but is there other", "something visually similar? For example, we use the metaphor \"a city of stars\"", "to describe something visually similar? For example, we use the metaphor \"a city", "say that the sky at night looks like a city during nighttime because", "metaphors aside using it to describe something visually similar? For example, we use", "the sky at night looks like a city during nighttime because of the", "sky at night looks like a city during nighttime because of the small", "For example, we use the metaphor \"a city of stars\" to say that", "we use the metaphor \"a city of stars\" to say that the sky", "city of stars\" to say that the sky at night looks like a", "lights, but is there other ways to use metaphors that I am somehow", "but is there other ways to use metaphors that I am somehow not", "the metaphor \"a city of stars\" to say that the sky at night", "metaphors that I am somehow not aware of yet? I can't think of", "use metaphors that I am somehow not aware of yet? I can't think", "example, we use the metaphor \"a city of stars\" to say that the", "other ways to use metaphors that I am somehow not aware of yet?" ]
[ "want to call it, I managed to sandwich a good chunk of chapters", "and extend the conversation into another day but I just can't find a", "and in my plotting/planning/drafting/whatever you want to call it, I managed to sandwich", "or reflecting on things. What I don't want is for someone to be", "all jammed into one day. A few of those chapter breaks are there", "thought, \"dang that must've been a long day?\" I'm writing a YA fiction", "chapters together because it's a real turning point to the story where one", "characters (who have two very different experiences and perspectives on the world)have a", "that I don't think either of the characters would be able to stop", "for someone to be reading my book, come to this section and lose", "How much is too much for one day? Will a long day in", "those chapter breaks are there mostly for point of view changes. I jammed", "those two events, the main characters (who have two very different experiences and", "big event leads pretty much directly into another and following those two events,", "to break it up and extend the conversation into another day but I", "find a spot that makes sense. I understand that in real life people", "two different world perspectives. I've looked back through this section of writing trying", "able to stop asking questions or reflecting on things. What I don't want", "to call it, I managed to sandwich a good chunk of chapters into", "reflecting on things. What I don't want is for someone to be reading", "to exchange between the two different world perspectives. I've looked back through this", "think either of the characters would be able to stop asking questions or", "another day but I just can't find a spot that makes sense. I", "people get tired but the situation is so tense that I don't think", "back through this section of writing trying to find a good spot to", "think, \"these kids couldn't have possibly done all this in one day.\" So", "situation is so tense that I don't think either of the characters would", "asking questions or reflecting on things. What I don't want is for someone", "two events, the main characters (who have two very different experiences and perspectives", "another and following those two events, the main characters (who have two very", "few of those chapter breaks are there mostly for point of view changes.", "real life people get tired but the situation is so tense that I", "a YA fiction novel and in my plotting/planning/drafting/whatever you want to call it,", "chapter breaks are there mostly for point of view changes. I jammed all", "too much for one day? Will a long day in the life of", "their sense of immersion because they think, \"these kids couldn't have possibly done", "a book and thought, \"dang that must've been a long day?\" I'm writing", "someone to be reading my book, come to this section and lose their", "lot to talk about. A lot of information to exchange between the two", "I understand that in real life people get tired but the situation is", "be reading my book, come to this section and lose their sense of", "I have 6 chapters (approximately 10000 words over 37 pages) all jammed into", "this section and lose their sense of immersion because they think, \"these kids", "it's a real turning point to the story where one big event leads", "come to this section and lose their sense of immersion because they think,", "lot of information to exchange between the two different world perspectives. I've looked", "have possibly done all this in one day.\" So I ask, How much", "through this section of writing trying to find a good spot to break", "point to the story where one big event leads pretty much directly into", "the world)have a lot to talk about. A lot of information to exchange", "just can't find a spot that makes sense. I understand that in real", "I just can't find a spot that makes sense. I understand that in", "chapters into one day. I have 6 chapters (approximately 10000 words over 37", "long day in the life of the characters wreck the immersion of the", "information to exchange between the two different world perspectives. I've looked back through", "on the world)have a lot to talk about. A lot of information to", "this section of writing trying to find a good spot to break it", "different world perspectives. I've looked back through this section of writing trying to", "would be able to stop asking questions or reflecting on things. What I", "and lose their sense of immersion because they think, \"these kids couldn't have", "day in the life of the characters wreck the immersion of the story?", "together because it's a real turning point to the story where one big", "much for one day? Will a long day in the life of the", "YA fiction novel and in my plotting/planning/drafting/whatever you want to call it, I", "it, I managed to sandwich a good chunk of chapters into one day.", "been reading a book and thought, \"dang that must've been a long day?\"", "writing a YA fiction novel and in my plotting/planning/drafting/whatever you want to call", "you ever been reading a book and thought, \"dang that must've been a", "sandwich a good chunk of chapters into one day. I have 6 chapters", "view changes. I jammed all these chapters together because it's a real turning", "that in real life people get tired but the situation is so tense", "these chapters together because it's a real turning point to the story where", "one day. A few of those chapter breaks are there mostly for point", "to talk about. A lot of information to exchange between the two different", "10000 words over 37 pages) all jammed into one day. A few of", "to stop asking questions or reflecting on things. What I don't want is", "for one day? Will a long day in the life of the characters", "I jammed all these chapters together because it's a real turning point to", "very different experiences and perspectives on the world)have a lot to talk about.", "kids couldn't have possibly done all this in one day.\" So I ask,", "one day.\" So I ask, How much is too much for one day?", "book, come to this section and lose their sense of immersion because they", "(approximately 10000 words over 37 pages) all jammed into one day. A few", "events, the main characters (who have two very different experiences and perspectives on", "So I ask, How much is too much for one day? Will a", "real turning point to the story where one big event leads pretty much", "chunk of chapters into one day. I have 6 chapters (approximately 10000 words", "don't think either of the characters would be able to stop asking questions", "a good spot to break it up and extend the conversation into another", "good chunk of chapters into one day. I have 6 chapters (approximately 10000", "Will a long day in the life of the characters wreck the immersion", "day. A few of those chapter breaks are there mostly for point of", "are there mostly for point of view changes. I jammed all these chapters", "into another and following those two events, the main characters (who have two", "changes. I jammed all these chapters together because it's a real turning point", "sense of immersion because they think, \"these kids couldn't have possibly done all", "of the characters would be able to stop asking questions or reflecting on", "immersion because they think, \"these kids couldn't have possibly done all this in", "a lot to talk about. A lot of information to exchange between the", "point of view changes. I jammed all these chapters together because it's a", "jammed all these chapters together because it's a real turning point to the", "A lot of information to exchange between the two different world perspectives. I've", "chapters (approximately 10000 words over 37 pages) all jammed into one day. A", "breaks are there mostly for point of view changes. I jammed all these", "there mostly for point of view changes. I jammed all these chapters together", "of immersion because they think, \"these kids couldn't have possibly done all this", "that must've been a long day?\" I'm writing a YA fiction novel and", "is for someone to be reading my book, come to this section and", "\"dang that must've been a long day?\" I'm writing a YA fiction novel", "a long day?\" I'm writing a YA fiction novel and in my plotting/planning/drafting/whatever", "main characters (who have two very different experiences and perspectives on the world)have", "be able to stop asking questions or reflecting on things. What I don't", "and thought, \"dang that must've been a long day?\" I'm writing a YA", "exchange between the two different world perspectives. I've looked back through this section", "words over 37 pages) all jammed into one day. A few of those", "directly into another and following those two events, the main characters (who have", "between the two different world perspectives. I've looked back through this section of", "What I don't want is for someone to be reading my book, come", "characters would be able to stop asking questions or reflecting on things. What", "into one day. A few of those chapter breaks are there mostly for", "to the story where one big event leads pretty much directly into another", "the main characters (who have two very different experiences and perspectives on the", "so tense that I don't think either of the characters would be able", "to be reading my book, come to this section and lose their sense", "jammed into one day. A few of those chapter breaks are there mostly", "much is too much for one day? Will a long day in the", "questions or reflecting on things. What I don't want is for someone to", "day. I have 6 chapters (approximately 10000 words over 37 pages) all jammed", "37 pages) all jammed into one day. A few of those chapter breaks", "can't find a spot that makes sense. I understand that in real life", "A few of those chapter breaks are there mostly for point of view", "sense. I understand that in real life people get tired but the situation", "into another day but I just can't find a spot that makes sense.", "6 chapters (approximately 10000 words over 37 pages) all jammed into one day.", "I managed to sandwich a good chunk of chapters into one day. I", "to sandwich a good chunk of chapters into one day. I have 6", "world perspectives. I've looked back through this section of writing trying to find", "it up and extend the conversation into another day but I just can't", "day but I just can't find a spot that makes sense. I understand", "all these chapters together because it's a real turning point to the story", "of those chapter breaks are there mostly for point of view changes. I", "different experiences and perspectives on the world)have a lot to talk about. A", "because it's a real turning point to the story where one big event", "understand that in real life people get tired but the situation is so", "the conversation into another day but I just can't find a spot that", "the two different world perspectives. I've looked back through this section of writing", "lose their sense of immersion because they think, \"these kids couldn't have possibly", "to this section and lose their sense of immersion because they think, \"these", "is so tense that I don't think either of the characters would be", "novel and in my plotting/planning/drafting/whatever you want to call it, I managed to", "leads pretty much directly into another and following those two events, the main", "get tired but the situation is so tense that I don't think either", "find a good spot to break it up and extend the conversation into", "section of writing trying to find a good spot to break it up", "conversation into another day but I just can't find a spot that makes", "makes sense. I understand that in real life people get tired but the", "pages) all jammed into one day. A few of those chapter breaks are", "trying to find a good spot to break it up and extend the", "that makes sense. I understand that in real life people get tired but", "I don't think either of the characters would be able to stop asking", "possibly done all this in one day.\" So I ask, How much is", "(who have two very different experiences and perspectives on the world)have a lot", "life people get tired but the situation is so tense that I don't", "want is for someone to be reading my book, come to this section", "is too much for one day? Will a long day in the life", "and following those two events, the main characters (who have two very different", "up and extend the conversation into another day but I just can't find", "because they think, \"these kids couldn't have possibly done all this in one", "writing trying to find a good spot to break it up and extend", "all this in one day.\" So I ask, How much is too much", "one big event leads pretty much directly into another and following those two", "into one day. I have 6 chapters (approximately 10000 words over 37 pages)", "over 37 pages) all jammed into one day. A few of those chapter", "tired but the situation is so tense that I don't think either of", "two very different experiences and perspectives on the world)have a lot to talk", "must've been a long day?\" I'm writing a YA fiction novel and in", "to find a good spot to break it up and extend the conversation", "spot that makes sense. I understand that in real life people get tired", "section and lose their sense of immersion because they think, \"these kids couldn't", "talk about. A lot of information to exchange between the two different world", "plotting/planning/drafting/whatever you want to call it, I managed to sandwich a good chunk", "have 6 chapters (approximately 10000 words over 37 pages) all jammed into one", "of information to exchange between the two different world perspectives. I've looked back", "of writing trying to find a good spot to break it up and", "extend the conversation into another day but I just can't find a spot", "you want to call it, I managed to sandwich a good chunk of", "have two very different experiences and perspectives on the world)have a lot to", "about. A lot of information to exchange between the two different world perspectives.", "ever been reading a book and thought, \"dang that must've been a long", "stop asking questions or reflecting on things. What I don't want is for", "they think, \"these kids couldn't have possibly done all this in one day.\"", "turning point to the story where one big event leads pretty much directly", "a long day in the life of the characters wreck the immersion of", "either of the characters would be able to stop asking questions or reflecting", "I ask, How much is too much for one day? Will a long", "reading my book, come to this section and lose their sense of immersion", "looked back through this section of writing trying to find a good spot", "on things. What I don't want is for someone to be reading my", "don't want is for someone to be reading my book, come to this", "following those two events, the main characters (who have two very different experiences", "my plotting/planning/drafting/whatever you want to call it, I managed to sandwich a good", "tense that I don't think either of the characters would be able to", "of view changes. I jammed all these chapters together because it's a real", "experiences and perspectives on the world)have a lot to talk about. A lot", "one day? Will a long day in the life of the characters wreck", "in my plotting/planning/drafting/whatever you want to call it, I managed to sandwich a", "this in one day.\" So I ask, How much is too much for", "in real life people get tired but the situation is so tense that", "\"these kids couldn't have possibly done all this in one day.\" So I", "in one day.\" So I ask, How much is too much for one", "day.\" So I ask, How much is too much for one day? Will", "reading a book and thought, \"dang that must've been a long day?\" I'm", "perspectives. I've looked back through this section of writing trying to find a", "mostly for point of view changes. I jammed all these chapters together because", "managed to sandwich a good chunk of chapters into one day. I have", "couldn't have possibly done all this in one day.\" So I ask, How", "book and thought, \"dang that must've been a long day?\" I'm writing a", "one day. I have 6 chapters (approximately 10000 words over 37 pages) all", "I don't want is for someone to be reading my book, come to", "been a long day?\" I'm writing a YA fiction novel and in my", "a good chunk of chapters into one day. I have 6 chapters (approximately", "done all this in one day.\" So I ask, How much is too", "perspectives on the world)have a lot to talk about. A lot of information", "but the situation is so tense that I don't think either of the", "call it, I managed to sandwich a good chunk of chapters into one", "ask, How much is too much for one day? Will a long day", "I've looked back through this section of writing trying to find a good", "the characters would be able to stop asking questions or reflecting on things.", "world)have a lot to talk about. A lot of information to exchange between", "a real turning point to the story where one big event leads pretty", "things. What I don't want is for someone to be reading my book,", "story where one big event leads pretty much directly into another and following", "much directly into another and following those two events, the main characters (who", "the story where one big event leads pretty much directly into another and", "and perspectives on the world)have a lot to talk about. A lot of", "day?\" I'm writing a YA fiction novel and in my plotting/planning/drafting/whatever you want", "for point of view changes. I jammed all these chapters together because it's", "Have you ever been reading a book and thought, \"dang that must've been", "break it up and extend the conversation into another day but I just", "a spot that makes sense. I understand that in real life people get", "the situation is so tense that I don't think either of the characters", "my book, come to this section and lose their sense of immersion because", "where one big event leads pretty much directly into another and following those", "event leads pretty much directly into another and following those two events, the", "day? Will a long day in the life of the characters wreck the", "fiction novel and in my plotting/planning/drafting/whatever you want to call it, I managed", "but I just can't find a spot that makes sense. I understand that", "good spot to break it up and extend the conversation into another day", "pretty much directly into another and following those two events, the main characters", "spot to break it up and extend the conversation into another day but", "I'm writing a YA fiction novel and in my plotting/planning/drafting/whatever you want to", "of chapters into one day. I have 6 chapters (approximately 10000 words over", "long day?\" I'm writing a YA fiction novel and in my plotting/planning/drafting/whatever you" ]
[ "if it evokes other interpretations or associations for you, I'd welcome them. This", "side too, and I am not looking just for literal interpretations only, if", "one can interpret it as if you are actually living in a dream,", "other interpretations or associations for you, I'd welcome them. This might eventually become", "and I am not looking just for literal interpretations only, if it evokes", "a dream > > > as > > to think about that dream", "the phrase is to be on the more poetic side too, and I", "so I want to see how people understand that phrase, not just dictionaries.", "> > I also like the possibility that one can interpret it as", "This might eventually become a part of a title so I want to", "often or maybe sometime after I had dreamed it. > > > I", "after I had dreamed it. > > > I also like the possibility", "dwell on a dream > > > as > > to think about", "to be on the more poetic side too, and I am not looking", "can interpret it as if you are actually living in a dream, not", "too, and I am not looking just for literal interpretations only, if it", "maybe often or maybe sometime after I had dreamed it. > > >", "is to be on the more poetic side too, and I am not", "I'd welcome them. This might eventually become a part of a title so", "it as if you are actually living in a dream, not in the", "as > > to think about that dream after waking up, maybe often", "> > to dwell on a dream > > > as > >", "> > to think about that dream after waking up, maybe often or", "possibility that one can interpret it as if you are actually living in", "literal interpretations only, if it evokes other interpretations or associations for you, I'd", "title so I want to see how people understand that phrase, not just", "as if you are actually living in a dream, not in the real", "on the more poetic side too, and I am not looking just for", "like the possibility that one can interpret it as if you are actually", "associations for you, I'd welcome them. This might eventually become a part of", "the possibility that one can interpret it as if you are actually living", "only, if it evokes other interpretations or associations for you, I'd welcome them.", "about that dream after waking up, maybe often or maybe sometime after I", "dreamed it. > > > I also like the possibility that one can", "that one can interpret it as if you are actually living in a", "it. > > > I also like the possibility that one can interpret", "that dream after waking up, maybe often or maybe sometime after I had", "them. This might eventually become a part of a title so I want", "eventually become a part of a title so I want to see how", "you are actually living in a dream, not in the real world. The", "dream, not in the real world. The goal of the phrase is to", "part of a title so I want to see how people understand that", "> > > I also like the possibility that one can interpret it", "for literal interpretations only, if it evokes other interpretations or associations for you,", "> > as > > to think about that dream after waking up,", "or maybe sometime after I had dreamed it. > > > I also", "up, maybe often or maybe sometime after I had dreamed it. > >", "interpretations or associations for you, I'd welcome them. This might eventually become a", "not looking just for literal interpretations only, if it evokes other interpretations or", "a title so I want to see how people understand that phrase, not", "looking just for literal interpretations only, if it evokes other interpretations or associations", "become a part of a title so I want to see how people", "think about that dream after waking up, maybe often or maybe sometime after", "after waking up, maybe often or maybe sometime after I had dreamed it.", "a dream, not in the real world. The goal of the phrase is", "world. The goal of the phrase is to be on the more poetic", "The goal of the phrase is to be on the more poetic side", "you, I'd welcome them. This might eventually become a part of a title", "on a dream > > > as > > to think about that", "> > > as > > to think about that dream after waking", "had dreamed it. > > > I also like the possibility that one", "evokes other interpretations or associations for you, I'd welcome them. This might eventually", "of the phrase is to be on the more poetic side too, and", "are actually living in a dream, not in the real world. The goal", "sometime after I had dreamed it. > > > I also like the", "welcome them. This might eventually become a part of a title so I", "poetic side too, and I am not looking just for literal interpretations only,", "I also like the possibility that one can interpret it as if you", "the real world. The goal of the phrase is to be on the", "understand the phrase > > to dwell on a dream > > >", "> as > > to think about that dream after waking up, maybe", "be on the more poetic side too, and I am not looking just", "the more poetic side too, and I am not looking just for literal", "dream > > > as > > to think about that dream after", "might eventually become a part of a title so I want to see", "am not looking just for literal interpretations only, if it evokes other interpretations", "interpret it as if you are actually living in a dream, not in", "interpretations only, if it evokes other interpretations or associations for you, I'd welcome", "goal of the phrase is to be on the more poetic side too,", "phrase > > to dwell on a dream > > > as >", "if you are actually living in a dream, not in the real world.", "more poetic side too, and I am not looking just for literal interpretations", "living in a dream, not in the real world. The goal of the", "also like the possibility that one can interpret it as if you are", "of a title so I want to see how people understand that phrase,", "it evokes other interpretations or associations for you, I'd welcome them. This might", "real world. The goal of the phrase is to be on the more", "a part of a title so I want to see how people understand", "in the real world. The goal of the phrase is to be on", "I had dreamed it. > > > I also like the possibility that", "not in the real world. The goal of the phrase is to be", "in a dream, not in the real world. The goal of the phrase", "just for literal interpretations only, if it evokes other interpretations or associations for", "> I also like the possibility that one can interpret it as if", "to think about that dream after waking up, maybe often or maybe sometime", "or associations for you, I'd welcome them. This might eventually become a part", "> to think about that dream after waking up, maybe often or maybe", "dream after waking up, maybe often or maybe sometime after I had dreamed", "phrase is to be on the more poetic side too, and I am", "actually living in a dream, not in the real world. The goal of", "waking up, maybe often or maybe sometime after I had dreamed it. >", "for you, I'd welcome them. This might eventually become a part of a", "> to dwell on a dream > > > as > > to", "the phrase > > to dwell on a dream > > > as", "I am not looking just for literal interpretations only, if it evokes other", "I understand the phrase > > to dwell on a dream > >", "maybe sometime after I had dreamed it. > > > I also like", "to dwell on a dream > > > as > > to think" ]
[ "real companies - bricks, bikes, food, real estate, etc. But more relevant to", "been used for ages for fictional purposes - not just as a company", "long in the tooth. Even to me (not a boomer but definitely not", "companies - bricks, bikes, food, real estate, etc. But more relevant to this", "food, real estate, etc. But more relevant to this point, it has also", "cartoons, but also as a fictional company in training materials, documentation, marketing, etc.", "as \"Acme\" used to? I'm not aware of any but I'm not remotely", "company in training materials, documentation, marketing, etc. And for that purpose, it's also", "for marketing to college students in STEM fields. I'm wondering if there's a", "there's a newer, kinda pop-culture fictional company name that serves a similar purpose", "that purpose, it's also quite long in the tooth. Even to me (not", "used by many real companies - bricks, bikes, food, real estate, etc. But", "tooth. Even to me (not a boomer but definitely not \"young\"), it seems", "purpose as \"Acme\" used to? I'm not aware of any but I'm not", "wondering if there's a newer, kinda pop-culture fictional company name that serves a", "has also been used for ages for fictional purposes - not just as", "of any but I'm not remotely in that demographic. I thought of \"Skynet\"", "fictional company name that serves a similar purpose as \"Acme\" used to? I'm", "a similar purpose as \"Acme\" used to? I'm not aware of any but", "I'm not remotely in that demographic. I thought of \"Skynet\" but even that", "not \"young\"), it seems quaint if not archaic. We need a fictional company", "ages for fictional purposes - not just as a company making all kinds", "as a company making all kinds of dangerous stuff in Road Runner cartoons,", "I'm not aware of any but I'm not remotely in that demographic. I", "- bricks, bikes, food, real estate, etc. But more relevant to this point,", "to me (not a boomer but definitely not \"young\"), it seems quaint if", "the tooth. Even to me (not a boomer but definitely not \"young\"), it", "more relevant to this point, it has also been used for ages for", "that demographic. I thought of \"Skynet\" but even that reference is 30 years", "real estate, etc. But more relevant to this point, it has also been", "I'm wondering if there's a newer, kinda pop-culture fictional company name that serves", "any but I'm not remotely in that demographic. I thought of \"Skynet\" but", "\"Acme\" used to? I'm not aware of any but I'm not remotely in", "in Road Runner cartoons, but also as a fictional company in training materials,", "not aware of any but I'm not remotely in that demographic. I thought", "purpose, it's also quite long in the tooth. Even to me (not a", "me (not a boomer but definitely not \"young\"), it seems quaint if not", "to this point, it has also been used for ages for fictional purposes", "- not just as a company making all kinds of dangerous stuff in", "fictional purposes - not just as a company making all kinds of dangerous", "quaint if not archaic. We need a fictional company name for marketing to", "for ages for fictional purposes - not just as a company making all", "company name for marketing to college students in STEM fields. I'm wondering if", "it's also quite long in the tooth. Even to me (not a boomer", "pop-culture fictional company name that serves a similar purpose as \"Acme\" used to?", "actual company name used by many real companies - bricks, bikes, food, real", "company name used by many real companies - bricks, bikes, food, real estate,", "\"young\"), it seems quaint if not archaic. We need a fictional company name", "also been used for ages for fictional purposes - not just as a", "just as a company making all kinds of dangerous stuff in Road Runner", "materials, documentation, marketing, etc. And for that purpose, it's also quite long in", "if there's a newer, kinda pop-culture fictional company name that serves a similar", "kinds of dangerous stuff in Road Runner cartoons, but also as a fictional", "name for marketing to college students in STEM fields. I'm wondering if there's", "Yes, Acme is an actual company name used by many real companies -", "Acme is an actual company name used by many real companies - bricks,", "archaic. We need a fictional company name for marketing to college students in", "a boomer but definitely not \"young\"), it seems quaint if not archaic. We", "similar purpose as \"Acme\" used to? I'm not aware of any but I'm", "used to? I'm not aware of any but I'm not remotely in that", "for that purpose, it's also quite long in the tooth. Even to me", "as a fictional company in training materials, documentation, marketing, etc. And for that", "a newer, kinda pop-culture fictional company name that serves a similar purpose as", "remotely in that demographic. I thought of \"Skynet\" but even that reference is", "estate, etc. But more relevant to this point, it has also been used", "in training materials, documentation, marketing, etc. And for that purpose, it's also quite", "etc. And for that purpose, it's also quite long in the tooth. Even", "also as a fictional company in training materials, documentation, marketing, etc. And for", "in the tooth. Even to me (not a boomer but definitely not \"young\"),", "also quite long in the tooth. Even to me (not a boomer but", "boomer but definitely not \"young\"), it seems quaint if not archaic. We need", "STEM fields. I'm wondering if there's a newer, kinda pop-culture fictional company name", "But more relevant to this point, it has also been used for ages", "not just as a company making all kinds of dangerous stuff in Road", "And for that purpose, it's also quite long in the tooth. Even to", "that serves a similar purpose as \"Acme\" used to? I'm not aware of", "marketing to college students in STEM fields. I'm wondering if there's a newer,", "students in STEM fields. I'm wondering if there's a newer, kinda pop-culture fictional", "making all kinds of dangerous stuff in Road Runner cartoons, but also as", "dangerous stuff in Road Runner cartoons, but also as a fictional company in", "need a fictional company name for marketing to college students in STEM fields.", "newer, kinda pop-culture fictional company name that serves a similar purpose as \"Acme\"", "college students in STEM fields. I'm wondering if there's a newer, kinda pop-culture", "Even to me (not a boomer but definitely not \"young\"), it seems quaint", "name that serves a similar purpose as \"Acme\" used to? I'm not aware", "documentation, marketing, etc. And for that purpose, it's also quite long in the", "(not a boomer but definitely not \"young\"), it seems quaint if not archaic.", "but definitely not \"young\"), it seems quaint if not archaic. We need a", "a fictional company in training materials, documentation, marketing, etc. And for that purpose,", "relevant to this point, it has also been used for ages for fictional", "in that demographic. I thought of \"Skynet\" but even that reference is 30", "fictional company in training materials, documentation, marketing, etc. And for that purpose, it's", "training materials, documentation, marketing, etc. And for that purpose, it's also quite long", "for fictional purposes - not just as a company making all kinds of", "to college students in STEM fields. I'm wondering if there's a newer, kinda", "quite long in the tooth. Even to me (not a boomer but definitely", "this point, it has also been used for ages for fictional purposes -", "purposes - not just as a company making all kinds of dangerous stuff", "to? I'm not aware of any but I'm not remotely in that demographic.", "many real companies - bricks, bikes, food, real estate, etc. But more relevant", "an actual company name used by many real companies - bricks, bikes, food,", "point, it has also been used for ages for fictional purposes - not", "a company making all kinds of dangerous stuff in Road Runner cartoons, but", "bikes, food, real estate, etc. But more relevant to this point, it has", "a fictional company name for marketing to college students in STEM fields. I'm", "company name that serves a similar purpose as \"Acme\" used to? I'm not", "marketing, etc. And for that purpose, it's also quite long in the tooth.", "in STEM fields. I'm wondering if there's a newer, kinda pop-culture fictional company", "of dangerous stuff in Road Runner cartoons, but also as a fictional company", "but I'm not remotely in that demographic. I thought of \"Skynet\" but even", "demographic. I thought of \"Skynet\" but even that reference is 30 years old.", "kinda pop-culture fictional company name that serves a similar purpose as \"Acme\" used", "name used by many real companies - bricks, bikes, food, real estate, etc.", "We need a fictional company name for marketing to college students in STEM", "if not archaic. We need a fictional company name for marketing to college", "definitely not \"young\"), it seems quaint if not archaic. We need a fictional", "aware of any but I'm not remotely in that demographic. I thought of", "serves a similar purpose as \"Acme\" used to? I'm not aware of any", "Runner cartoons, but also as a fictional company in training materials, documentation, marketing,", "it seems quaint if not archaic. We need a fictional company name for", "seems quaint if not archaic. We need a fictional company name for marketing", "not archaic. We need a fictional company name for marketing to college students", "fields. I'm wondering if there's a newer, kinda pop-culture fictional company name that", "etc. But more relevant to this point, it has also been used for", "used for ages for fictional purposes - not just as a company making", "fictional company name for marketing to college students in STEM fields. I'm wondering", "is an actual company name used by many real companies - bricks, bikes,", "Road Runner cartoons, but also as a fictional company in training materials, documentation,", "bricks, bikes, food, real estate, etc. But more relevant to this point, it", "but also as a fictional company in training materials, documentation, marketing, etc. And", "all kinds of dangerous stuff in Road Runner cartoons, but also as a", "company making all kinds of dangerous stuff in Road Runner cartoons, but also", "not remotely in that demographic. I thought of \"Skynet\" but even that reference", "stuff in Road Runner cartoons, but also as a fictional company in training", "it has also been used for ages for fictional purposes - not just", "by many real companies - bricks, bikes, food, real estate, etc. But more" ]
[ "pattern for a formal letter to close the correspondence with the name of", "close the correspondence with the name of the correspondent. But, sometimes people write", "name and other information in the body of the letter, as we must", "letter only use appropriate pronouns (I, we, us, and 'the party of the", "to close the correspondence with the name of the correspondent. But, sometimes people", "of the letter as well. Is it superfluous to write your name and", "appropriate pronouns (I, we, us, and 'the party of the first part') when", "people write their names in the body of the letter as well. Is", "of the letter only use appropriate pronouns (I, we, us, and 'the party", "at the bottom anyway? As in should the body of the letter only", "letter as well. Is it superfluous to write your name and other information", "the bottom anyway? As in should the body of the letter only use", "in the body of the letter, as we must write it at the", "the body of the letter as well. Is it superfluous to write your", "the letter as well. Is it superfluous to write your name and other", "your name and other information in the body of the letter, as we", "only use appropriate pronouns (I, we, us, and 'the party of the first", "the correspondence with the name of the correspondent. But, sometimes people write their", "should the body of the letter only use appropriate pronouns (I, we, us,", "to write your name and other information in the body of the letter,", "in should the body of the letter only use appropriate pronouns (I, we,", "other information in the body of the letter, as we must write it", "write it at the bottom anyway? As in should the body of the", "well. Is it superfluous to write your name and other information in the", "write their names in the body of the letter as well. Is it", "names in the body of the letter as well. Is it superfluous to", "superfluous to write your name and other information in the body of the", "and other information in the body of the letter, as we must write", "of the letter, as we must write it at the bottom anyway? As", "we must write it at the bottom anyway? As in should the body", "the body of the letter only use appropriate pronouns (I, we, us, and", "with the name of the correspondent. But, sometimes people write their names in", "pronouns (I, we, us, and 'the party of the first part') when referring", "it superfluous to write your name and other information in the body of", "The expected pattern for a formal letter to close the correspondence with the", "their names in the body of the letter as well. Is it superfluous", "as well. Is it superfluous to write your name and other information in", "we, us, and 'the party of the first part') when referring to the", "letter to close the correspondence with the name of the correspondent. But, sometimes", "(I, we, us, and 'the party of the first part') when referring to", "correspondence with the name of the correspondent. But, sometimes people write their names", "the correspondent. But, sometimes people write their names in the body of the", "us, and 'the party of the first part') when referring to the correspondent?", "name of the correspondent. But, sometimes people write their names in the body", "sometimes people write their names in the body of the letter as well.", "body of the letter as well. Is it superfluous to write your name", "But, sometimes people write their names in the body of the letter as", "body of the letter, as we must write it at the bottom anyway?", "the letter, as we must write it at the bottom anyway? As in", "in the body of the letter as well. Is it superfluous to write", "it at the bottom anyway? As in should the body of the letter", "As in should the body of the letter only use appropriate pronouns (I,", "the name of the correspondent. But, sometimes people write their names in the", "a formal letter to close the correspondence with the name of the correspondent.", "the letter only use appropriate pronouns (I, we, us, and 'the party of", "letter, as we must write it at the bottom anyway? As in should", "body of the letter only use appropriate pronouns (I, we, us, and 'the", "write your name and other information in the body of the letter, as", "Is it superfluous to write your name and other information in the body", "information in the body of the letter, as we must write it at", "must write it at the bottom anyway? As in should the body of", "formal letter to close the correspondence with the name of the correspondent. But,", "of the correspondent. But, sometimes people write their names in the body of", "the body of the letter, as we must write it at the bottom", "expected pattern for a formal letter to close the correspondence with the name", "use appropriate pronouns (I, we, us, and 'the party of the first part')", "for a formal letter to close the correspondence with the name of the", "correspondent. But, sometimes people write their names in the body of the letter", "as we must write it at the bottom anyway? As in should the", "anyway? As in should the body of the letter only use appropriate pronouns", "bottom anyway? As in should the body of the letter only use appropriate" ]
[ "that covered. This isn't a whole new world rather than a new landmass", "novel and I can't figure out whether I am able to reference an", "amount of words (about 24) that one is able to directly quote before", "story with a happy ending\" by Erun Yoiyer I know there is a", "with quotes from other artists, and utilize AoTs military ranking system because it's", "for a horror story with a happy ending\" by Erun Yoiyer I know", "those I quoted for whatever reason, not that they would ever read my", "now but you gone get it later\" from Nate by NF Even perhaps", "able to get permission from those I quoted for whatever reason, not that", "and arrogance, you hearing this I know you don't get it now but", "it now but you gone get it later\" from Nate by NF Even", "landmass in our current world. I want to use lyrics from their songs,", "from their songs, along with quotes from other artists, and utilize AoTs military", "artists, and utilize AoTs military ranking system because it's extremely simple and effective", "\"Would you believe me if I said I wasn't build for love 'cause", "someone saying \"Run like the titans just broke through the walls\" or \"I", "new landmass in our current world. I want to use lyrics from their", "they did. What then? Basically what I'm trying to say is: how much", "from the parties in question, but say I wanted to use more than", "but say I wanted to use more than the set number of words", "simplicity's sake, let's say they did. What then? Basically what I'm trying to", "by Erun Yoiyer I know there is a certain amount of words (about", "quotes like \"You can't hope for a horror story with a happy ending\"", "an abundance of different people, places, and/or things. I've had this idea of", "an issue, I've got that covered. This isn't a whole new world rather", "have subtle references like someone saying \"Run like the titans just broke through", "and/or things that I've come into contact with or loved as a kid", "of words (about 24) that one is able to directly quote before needing", "I've had this idea of wanting to sneak in a sizable amount of", "What then? Basically what I'm trying to say is: how much am I", "I'm currently writing my first novel and I can't figure out whether I", "and I can't figure out whether I am able to reference an abundance", "between confidence and arrogance, you hearing this I know you don't get it", "quoted for whatever reason, not that they would ever read my book, but", "even love myself\" from Better Alone by Jake Hill or \"There's a big", "writing my first novel and I can't figure out whether I am able", "I am able to reference an abundance of different people, places, and/or things.", "our current world. I want to use lyrics from their songs, along with", "arrogance, you hearing this I know you don't get it now but you", "can't hope for a horror story with a happy ending\" by Erun Yoiyer", "to get permission from those I quoted for whatever reason, not that they", "how much am I able to freely borrow and/or somewhat directly quote without", "24) that one is able to directly quote before needing permission from the", "am able to reference an abundance of different people, places, and/or things. I've", "simple and effective and I want to have subtle references like someone saying", "the titans just broke through the walls\" or \"I don't suppose you can", "wanting to sneak in a sizable amount of references into my novel of", "broke through the walls\" or \"I don't suppose you can turn into a", "for love 'cause I can't even love myself\" from Better Alone by Jake", "of people places and/or things that I've come into contact with or loved", "I've got that covered. This isn't a whole new world rather than a", "want to have subtle references like someone saying \"Run like the titans just", "say they did. What then? Basically what I'm trying to say is: how", "this I know you don't get it now but you gone get it", "I'm not able to get permission from those I quoted for whatever reason,", "into my novel of people places and/or things that I've come into contact", "there is a certain amount of words (about 24) that one is able", "utilize AoTs military ranking system because it's extremely simple and effective and I", "military ranking system because it's extremely simple and effective and I want to", "use more than the set number of words and I'm not able to", "extremely simple and effective and I want to have subtle references like someone", "I wasn't build for love 'cause I can't even love myself\" from Better", "had this idea of wanting to sneak in a sizable amount of references", "or \"There's a big difference between confidence and arrogance, you hearing this I", "\"I don't suppose you can turn into a 50-ft-tall armored giant\", or someone", "many of which may end up being of the \"if you know, you", "issue, I've got that covered. This isn't a whole new world rather than", "and effective and I want to have subtle references like someone saying \"Run", "confidence and arrogance, you hearing this I know you don't get it now", "let's say they did. What then? Basically what I'm trying to say is:", "along with quotes from other artists, and utilize AoTs military ranking system because", "Erun Yoiyer I know there is a certain amount of words (about 24)", "through the walls\" or \"I don't suppose you can turn into a 50-ft-tall", "I know you don't get it now but you gone get it later\"", "rough, buddy\". Or lyrics like \"Would you believe me if I said I", "to have subtle references like someone saying \"Run like the titans just broke", "believe me if I said I wasn't build for love 'cause I can't", "the parties in question, but say I wanted to use more than the", "Suspension of disbelief isn't an issue, I've got that covered. This isn't a", "did. What then? Basically what I'm trying to say is: how much am", "know there is a certain amount of words (about 24) that one is", "is able to directly quote before needing permission from the parties in question,", "me if I said I wasn't build for love 'cause I can't even", "to directly quote before needing permission from the parties in question, but say", "(about 24) that one is able to directly quote before needing permission from", "I want to use lyrics from their songs, along with quotes from other", "I know there is a certain amount of words (about 24) that one", "trying to say is: how much am I able to freely borrow and/or", "that I've come into contact with or loved as a kid growing up,", "read my book, but for simplicity's sake, let's say they did. What then?", "'cause I can't even love myself\" from Better Alone by Jake Hill or", "that they would ever read my book, but for simplicity's sake, let's say", "don't suppose you can turn into a 50-ft-tall armored giant\", or someone saying", "big difference between confidence and arrogance, you hearing this I know you don't", "than the set number of words and I'm not able to get permission", "AoTs military ranking system because it's extremely simple and effective and I want", "world. I want to use lyrics from their songs, along with quotes from", "love myself\" from Better Alone by Jake Hill or \"There's a big difference", "wanted to use more than the set number of words and I'm not", "parties in question, but say I wanted to use more than the set", "songs, along with quotes from other artists, and utilize AoTs military ranking system", "\"if you know, you know\" variant. Suspension of disbelief isn't an issue, I've", "a whole new world rather than a new landmass in our current world.", "figure out whether I am able to reference an abundance of different people,", "the walls\" or \"I don't suppose you can turn into a 50-ft-tall armored", "like the titans just broke through the walls\" or \"I don't suppose you", "to freely borrow and/or somewhat directly quote without there being any legal infringement", "a 50-ft-tall armored giant\", or someone saying \"That's rough, buddy\". Or lyrics like", "lyrics from their songs, along with quotes from other artists, and utilize AoTs", "first novel and I can't figure out whether I am able to reference", "amount of references into my novel of people places and/or things that I've", "variant. Suspension of disbelief isn't an issue, I've got that covered. This isn't", "difference between confidence and arrogance, you hearing this I know you don't get", "of disbelief isn't an issue, I've got that covered. This isn't a whole", "subtle references like someone saying \"Run like the titans just broke through the", "use lyrics from their songs, along with quotes from other artists, and utilize", "from other artists, and utilize AoTs military ranking system because it's extremely simple", "get permission from those I quoted for whatever reason, not that they would", "a happy ending\" by Erun Yoiyer I know there is a certain amount", "get it now but you gone get it later\" from Nate by NF", "of the \"if you know, you know\" variant. Suspension of disbelief isn't an", "I able to freely borrow and/or somewhat directly quote without there being any", "it later\" from Nate by NF Even perhaps use quotes like \"You can't", "you believe me if I said I wasn't build for love 'cause I", "permission from the parties in question, but say I wanted to use more", "This isn't a whole new world rather than a new landmass in our", "\"There's a big difference between confidence and arrogance, you hearing this I know", "system because it's extremely simple and effective and I want to have subtle", "able to reference an abundance of different people, places, and/or things. I've had", "or someone saying \"That's rough, buddy\". Or lyrics like \"Would you believe me", "words and I'm not able to get permission from those I quoted for", "a horror story with a happy ending\" by Erun Yoiyer I know there", "whatever reason, not that they would ever read my book, but for simplicity's", "idea of wanting to sneak in a sizable amount of references into my", "much am I able to freely borrow and/or somewhat directly quote without there", "quotes from other artists, and utilize AoTs military ranking system because it's extremely", "from Better Alone by Jake Hill or \"There's a big difference between confidence", "a sizable amount of references into my novel of people places and/or things", "to use more than the set number of words and I'm not able", "sizable amount of references into my novel of people places and/or things that", "set number of words and I'm not able to get permission from those", "whole new world rather than a new landmass in our current world. I", "titans just broke through the walls\" or \"I don't suppose you can turn", "isn't a whole new world rather than a new landmass in our current", "I've come into contact with or loved as a kid growing up, many", "or loved as a kid growing up, many of which may end up", "got that covered. This isn't a whole new world rather than a new", "book, but for simplicity's sake, let's say they did. What then? Basically what", "by NF Even perhaps use quotes like \"You can't hope for a horror", "my novel of people places and/or things that I've come into contact with", "later\" from Nate by NF Even perhaps use quotes like \"You can't hope", "use quotes like \"You can't hope for a horror story with a happy", "one is able to directly quote before needing permission from the parties in", "like \"You can't hope for a horror story with a happy ending\" by", "Yoiyer I know there is a certain amount of words (about 24) that", "whether I am able to reference an abundance of different people, places, and/or", "\"Run like the titans just broke through the walls\" or \"I don't suppose", "their songs, along with quotes from other artists, and utilize AoTs military ranking", "say is: how much am I able to freely borrow and/or somewhat directly", "you know\" variant. Suspension of disbelief isn't an issue, I've got that covered.", "rather than a new landmass in our current world. I want to use", "\"That's rough, buddy\". Or lyrics like \"Would you believe me if I said", "wasn't build for love 'cause I can't even love myself\" from Better Alone", "come into contact with or loved as a kid growing up, many of", "in a sizable amount of references into my novel of people places and/or", "don't get it now but you gone get it later\" from Nate by", "number of words and I'm not able to get permission from those I", "permission from those I quoted for whatever reason, not that they would ever", "I said I wasn't build for love 'cause I can't even love myself\"", "know, you know\" variant. Suspension of disbelief isn't an issue, I've got that", "up being of the \"if you know, you know\" variant. Suspension of disbelief", "of references into my novel of people places and/or things that I've come", "contact with or loved as a kid growing up, many of which may", "and utilize AoTs military ranking system because it's extremely simple and effective and", "places, and/or things. I've had this idea of wanting to sneak in a", "growing up, many of which may end up being of the \"if you", "gone get it later\" from Nate by NF Even perhaps use quotes like", "able to freely borrow and/or somewhat directly quote without there being any legal", "disbelief isn't an issue, I've got that covered. This isn't a whole new", "of which may end up being of the \"if you know, you know\"", "for simplicity's sake, let's say they did. What then? Basically what I'm trying", "end up being of the \"if you know, you know\" variant. Suspension of", "what I'm trying to say is: how much am I able to freely", "as a kid growing up, many of which may end up being of", "current world. I want to use lyrics from their songs, along with quotes", "for whatever reason, not that they would ever read my book, but for", "references into my novel of people places and/or things that I've come into", "I'm trying to say is: how much am I able to freely borrow", "love 'cause I can't even love myself\" from Better Alone by Jake Hill", "to reference an abundance of different people, places, and/or things. I've had this", "abundance of different people, places, and/or things. I've had this idea of wanting", "not able to get permission from those I quoted for whatever reason, not", "can't figure out whether I am able to reference an abundance of different", "I quoted for whatever reason, not that they would ever read my book,", "like \"Would you believe me if I said I wasn't build for love", "you don't get it now but you gone get it later\" from Nate", "would ever read my book, but for simplicity's sake, let's say they did.", "and/or somewhat directly quote without there being any legal infringement on the referenced", "Jake Hill or \"There's a big difference between confidence and arrogance, you hearing", "more than the set number of words and I'm not able to get", "\"You can't hope for a horror story with a happy ending\" by Erun", "of words and I'm not able to get permission from those I quoted", "Alone by Jake Hill or \"There's a big difference between confidence and arrogance,", "buddy\". Or lyrics like \"Would you believe me if I said I wasn't", "you hearing this I know you don't get it now but you gone", "kid growing up, many of which may end up being of the \"if", "ranking system because it's extremely simple and effective and I want to have", "Or lyrics like \"Would you believe me if I said I wasn't build", "freely borrow and/or somewhat directly quote without there being any legal infringement on", "from those I quoted for whatever reason, not that they would ever read", "references like someone saying \"Run like the titans just broke through the walls\"", "happy ending\" by Erun Yoiyer I know there is a certain amount of", "directly quote before needing permission from the parties in question, but say I", "but you gone get it later\" from Nate by NF Even perhaps use", "currently writing my first novel and I can't figure out whether I am", "by Jake Hill or \"There's a big difference between confidence and arrogance, you", "covered. This isn't a whole new world rather than a new landmass in", "being of the \"if you know, you know\" variant. Suspension of disbelief isn't", "new world rather than a new landmass in our current world. I want", "saying \"That's rough, buddy\". Or lyrics like \"Would you believe me if I", "I can't even love myself\" from Better Alone by Jake Hill or \"There's", "able to directly quote before needing permission from the parties in question, but", "out whether I am able to reference an abundance of different people, places,", "a kid growing up, many of which may end up being of the", "loved as a kid growing up, many of which may end up being", "my first novel and I can't figure out whether I am able to", "other artists, and utilize AoTs military ranking system because it's extremely simple and", "of wanting to sneak in a sizable amount of references into my novel", "know\" variant. Suspension of disbelief isn't an issue, I've got that covered. This", "with or loved as a kid growing up, many of which may end", "somewhat directly quote without there being any legal infringement on the referenced works.", "question, but say I wanted to use more than the set number of", "am I able to freely borrow and/or somewhat directly quote without there being", "NF Even perhaps use quotes like \"You can't hope for a horror story", "and I want to have subtle references like someone saying \"Run like the", "people places and/or things that I've come into contact with or loved as", "a big difference between confidence and arrogance, you hearing this I know you", "up, many of which may end up being of the \"if you know,", "want to use lyrics from their songs, along with quotes from other artists,", "things that I've come into contact with or loved as a kid growing", "my book, but for simplicity's sake, let's say they did. What then? Basically", "giant\", or someone saying \"That's rough, buddy\". Or lyrics like \"Would you believe", "sneak in a sizable amount of references into my novel of people places", "lyrics like \"Would you believe me if I said I wasn't build for", "ever read my book, but for simplicity's sake, let's say they did. What", "may end up being of the \"if you know, you know\" variant. Suspension", "suppose you can turn into a 50-ft-tall armored giant\", or someone saying \"That's", "words (about 24) that one is able to directly quote before needing permission", "but for simplicity's sake, let's say they did. What then? Basically what I'm", "hope for a horror story with a happy ending\" by Erun Yoiyer I", "things. I've had this idea of wanting to sneak in a sizable amount", "into contact with or loved as a kid growing up, many of which", "sake, let's say they did. What then? Basically what I'm trying to say", "into a 50-ft-tall armored giant\", or someone saying \"That's rough, buddy\". Or lyrics", "then? Basically what I'm trying to say is: how much am I able", "isn't an issue, I've got that covered. This isn't a whole new world", "Hill or \"There's a big difference between confidence and arrogance, you hearing this", "50-ft-tall armored giant\", or someone saying \"That's rough, buddy\". Or lyrics like \"Would", "Even perhaps use quotes like \"You can't hope for a horror story with", "a certain amount of words (about 24) that one is able to directly", "can turn into a 50-ft-tall armored giant\", or someone saying \"That's rough, buddy\".", "in our current world. I want to use lyrics from their songs, along", "walls\" or \"I don't suppose you can turn into a 50-ft-tall armored giant\",", "I can't figure out whether I am able to reference an abundance of", "hearing this I know you don't get it now but you gone get", "I want to have subtle references like someone saying \"Run like the titans", "know you don't get it now but you gone get it later\" from", "to say is: how much am I able to freely borrow and/or somewhat", "you gone get it later\" from Nate by NF Even perhaps use quotes", "reason, not that they would ever read my book, but for simplicity's sake,", "because it's extremely simple and effective and I want to have subtle references", "and I'm not able to get permission from those I quoted for whatever", "perhaps use quotes like \"You can't hope for a horror story with a", "reference an abundance of different people, places, and/or things. I've had this idea", "say I wanted to use more than the set number of words and", "of different people, places, and/or things. I've had this idea of wanting to", "I wanted to use more than the set number of words and I'm", "world rather than a new landmass in our current world. I want to", "turn into a 50-ft-tall armored giant\", or someone saying \"That's rough, buddy\". Or", "just broke through the walls\" or \"I don't suppose you can turn into", "is a certain amount of words (about 24) that one is able to", "to sneak in a sizable amount of references into my novel of people", "is: how much am I able to freely borrow and/or somewhat directly quote", "someone saying \"That's rough, buddy\". Or lyrics like \"Would you believe me if", "can't even love myself\" from Better Alone by Jake Hill or \"There's a", "which may end up being of the \"if you know, you know\" variant.", "effective and I want to have subtle references like someone saying \"Run like", "armored giant\", or someone saying \"That's rough, buddy\". Or lyrics like \"Would you", "it's extremely simple and effective and I want to have subtle references like", "quote before needing permission from the parties in question, but say I wanted", "this idea of wanting to sneak in a sizable amount of references into", "or \"I don't suppose you can turn into a 50-ft-tall armored giant\", or", "different people, places, and/or things. I've had this idea of wanting to sneak", "Nate by NF Even perhaps use quotes like \"You can't hope for a", "get it later\" from Nate by NF Even perhaps use quotes like \"You", "Basically what I'm trying to say is: how much am I able to", "borrow and/or somewhat directly quote without there being any legal infringement on the", "saying \"Run like the titans just broke through the walls\" or \"I don't", "people, places, and/or things. I've had this idea of wanting to sneak in", "from Nate by NF Even perhaps use quotes like \"You can't hope for", "than a new landmass in our current world. I want to use lyrics", "places and/or things that I've come into contact with or loved as a", "they would ever read my book, but for simplicity's sake, let's say they", "that one is able to directly quote before needing permission from the parties", "the set number of words and I'm not able to get permission from", "Better Alone by Jake Hill or \"There's a big difference between confidence and", "said I wasn't build for love 'cause I can't even love myself\" from", "if I said I wasn't build for love 'cause I can't even love", "certain amount of words (about 24) that one is able to directly quote", "needing permission from the parties in question, but say I wanted to use", "before needing permission from the parties in question, but say I wanted to", "horror story with a happy ending\" by Erun Yoiyer I know there is", "novel of people places and/or things that I've come into contact with or", "build for love 'cause I can't even love myself\" from Better Alone by", "to use lyrics from their songs, along with quotes from other artists, and", "in question, but say I wanted to use more than the set number", "with a happy ending\" by Erun Yoiyer I know there is a certain", "you know, you know\" variant. Suspension of disbelief isn't an issue, I've got", "and/or things. I've had this idea of wanting to sneak in a sizable", "a new landmass in our current world. I want to use lyrics from", "like someone saying \"Run like the titans just broke through the walls\" or", "ending\" by Erun Yoiyer I know there is a certain amount of words", "myself\" from Better Alone by Jake Hill or \"There's a big difference between", "the \"if you know, you know\" variant. Suspension of disbelief isn't an issue,", "not that they would ever read my book, but for simplicity's sake, let's", "you can turn into a 50-ft-tall armored giant\", or someone saying \"That's rough," ]
[ "evoking language and words never heard in the past. So how does one", "heard in the past. So how does one advance to the level by", "never heard in the past. So how does one advance to the level", "many is thought evoking language and words never heard in the past. So", "language and words never heard in the past. So how does one advance", "So how does one advance to the level by which they can form", "Pleasurable to many is thought evoking language and words never heard in the", "and words never heard in the past. So how does one advance to", "to many is thought evoking language and words never heard in the past.", "the past. So how does one advance to the level by which they", "past. So how does one advance to the level by which they can", "how does one advance to the level by which they can form them?", "is thought evoking language and words never heard in the past. So how", "in the past. So how does one advance to the level by which", "thought evoking language and words never heard in the past. So how does", "words never heard in the past. So how does one advance to the" ]
[ "The best example of what I mean would be that documenting by \"feature\"", "what they do and when to use them. When documenting by \"process\", then", "that goes through all the reports in the system and what they do", "of \"process\" (i.e. accomplishing specific business tasks) or \"features\" (i.e. the different parts", "a software package and need to write a user manual. I'm trying to", "documenting by \"feature\" might have a section called \"Reporting\" that goes through all", "walk you through specific business processes. In this case, printing a given report", "them. When documenting by \"process\", then the documentation would have sections that walk", "to use them. When documenting by \"process\", then the documentation would have sections", "be listed as one step in a particular process. (i.e. Step 4 of", "as one step in a particular process. (i.e. Step 4 of the process", "use them. When documenting by \"process\", then the documentation would have sections that", "the perspective of \"process\" (i.e. accomplishing specific business tasks) or \"features\" (i.e. the", "(i.e. Step 4 of the process X is to print the Jury Summons)", "in the system and what they do and when to use them. When", "section called \"Reporting\" that goes through all the reports in the system and", "goes through all the reports in the system and what they do and", "package and need to write a user manual. I'm trying to determine if", "you through specific business processes. In this case, printing a given report might", "is to print the Jury Summons) Is there a preferred method or a", "be that documenting by \"feature\" might have a section called \"Reporting\" that goes", "by \"feature\" might have a section called \"Reporting\" that goes through all the", "might have a section called \"Reporting\" that goes through all the reports in", "step in a particular process. (i.e. Step 4 of the process X is", "the reports in the system and what they do and when to use", "the process X is to print the Jury Summons) Is there a preferred", "from the perspective of \"process\" (i.e. accomplishing specific business tasks) or \"features\" (i.e.", "have sections that walk you through specific business processes. In this case, printing", "to print the Jury Summons) Is there a preferred method or a standard", "X is to print the Jury Summons) Is there a preferred method or", "if the manual should be approached from the perspective of \"process\" (i.e. accomplishing", "I mean would be that documenting by \"feature\" might have a section called", "write a user manual. I'm trying to determine if the manual should be", "listed as one step in a particular process. (i.e. Step 4 of the", "and when to use them. When documenting by \"process\", then the documentation would", "documentation would have sections that walk you through specific business processes. In this", "trying to determine if the manual should be approached from the perspective of", "to determine if the manual should be approached from the perspective of \"process\"", "they do and when to use them. When documenting by \"process\", then the", "report might be listed as one step in a particular process. (i.e. Step", "through all the reports in the system and what they do and when", "one step in a particular process. (i.e. Step 4 of the process X", "When documenting by \"process\", then the documentation would have sections that walk you", "tasks) or \"features\" (i.e. the different parts of the system). The best example", "that documenting by \"feature\" might have a section called \"Reporting\" that goes through", "given report might be listed as one step in a particular process. (i.e.", "manual should be approached from the perspective of \"process\" (i.e. accomplishing specific business", "business tasks) or \"features\" (i.e. the different parts of the system). The best", "do and when to use them. When documenting by \"process\", then the documentation", "printing a given report might be listed as one step in a particular", "example of what I mean would be that documenting by \"feature\" might have", "\"Reporting\" that goes through all the reports in the system and what they", "\"process\", then the documentation would have sections that walk you through specific business", "user manual. I'm trying to determine if the manual should be approached from", "of what I mean would be that documenting by \"feature\" might have a", "what I mean would be that documenting by \"feature\" might have a section", "of the process X is to print the Jury Summons) Is there a", "the manual should be approached from the perspective of \"process\" (i.e. accomplishing specific", "In this case, printing a given report might be listed as one step", "have developed a software package and need to write a user manual. I'm", "specific business tasks) or \"features\" (i.e. the different parts of the system). The", "when to use them. When documenting by \"process\", then the documentation would have", "and what they do and when to use them. When documenting by \"process\",", "processes. In this case, printing a given report might be listed as one", "reports in the system and what they do and when to use them.", "need to write a user manual. I'm trying to determine if the manual", "might be listed as one step in a particular process. (i.e. Step 4", "business processes. In this case, printing a given report might be listed as", "print the Jury Summons) Is there a preferred method or a standard guideline", "and need to write a user manual. I'm trying to determine if the", "different parts of the system). The best example of what I mean would", "a section called \"Reporting\" that goes through all the reports in the system", "called \"Reporting\" that goes through all the reports in the system and what", "the different parts of the system). The best example of what I mean", "a user manual. I'm trying to determine if the manual should be approached", "be approached from the perspective of \"process\" (i.e. accomplishing specific business tasks) or", "developed a software package and need to write a user manual. I'm trying", "Jury Summons) Is there a preferred method or a standard guideline for this?", "approached from the perspective of \"process\" (i.e. accomplishing specific business tasks) or \"features\"", "or \"features\" (i.e. the different parts of the system). The best example of", "Step 4 of the process X is to print the Jury Summons) Is", "then the documentation would have sections that walk you through specific business processes.", "\"process\" (i.e. accomplishing specific business tasks) or \"features\" (i.e. the different parts of", "by \"process\", then the documentation would have sections that walk you through specific", "4 of the process X is to print the Jury Summons) Is there", "(i.e. accomplishing specific business tasks) or \"features\" (i.e. the different parts of the", "of the system). The best example of what I mean would be that", "through specific business processes. In this case, printing a given report might be", "\"features\" (i.e. the different parts of the system). The best example of what", "system and what they do and when to use them. When documenting by", "have a section called \"Reporting\" that goes through all the reports in the", "manual. I'm trying to determine if the manual should be approached from the", "that walk you through specific business processes. In this case, printing a given", "to write a user manual. I'm trying to determine if the manual should", "the Jury Summons) Is there a preferred method or a standard guideline for", "would have sections that walk you through specific business processes. In this case,", "software package and need to write a user manual. I'm trying to determine", "mean would be that documenting by \"feature\" might have a section called \"Reporting\"", "the system). The best example of what I mean would be that documenting", "system). The best example of what I mean would be that documenting by", "the documentation would have sections that walk you through specific business processes. In", "\"feature\" might have a section called \"Reporting\" that goes through all the reports", "perspective of \"process\" (i.e. accomplishing specific business tasks) or \"features\" (i.e. the different", "process. (i.e. Step 4 of the process X is to print the Jury", "documenting by \"process\", then the documentation would have sections that walk you through", "this case, printing a given report might be listed as one step in", "I'm trying to determine if the manual should be approached from the perspective", "a given report might be listed as one step in a particular process.", "case, printing a given report might be listed as one step in a", "would be that documenting by \"feature\" might have a section called \"Reporting\" that", "specific business processes. In this case, printing a given report might be listed", "parts of the system). The best example of what I mean would be", "should be approached from the perspective of \"process\" (i.e. accomplishing specific business tasks)", "in a particular process. (i.e. Step 4 of the process X is to", "accomplishing specific business tasks) or \"features\" (i.e. the different parts of the system).", "a particular process. (i.e. Step 4 of the process X is to print", "the system and what they do and when to use them. When documenting", "particular process. (i.e. Step 4 of the process X is to print the", "process X is to print the Jury Summons) Is there a preferred method", "all the reports in the system and what they do and when to", "determine if the manual should be approached from the perspective of \"process\" (i.e.", "sections that walk you through specific business processes. In this case, printing a", "best example of what I mean would be that documenting by \"feature\" might", "(i.e. the different parts of the system). The best example of what I", "We have developed a software package and need to write a user manual." ]
[ "complexity of the character, but feeling as if they had rarely spent any", "sounds like a lot, it's truly really difficult to repress and character and", "novellas, you have 100-250 pages or so to make your reader see the", "the reader invested in the characters. It's really easy to make your character", "one of the more difficult parts of writing is making the reader invested", "However, it's even more common in novellas. With novellas, you have 100-250 pages", "writing is making the reader invested in the characters. It's really easy to", "that the time was rushed. With this being said, what are good tips", "of writing is making the reader invested in the characters. It's really easy", "With this being said, what are good tips to making your reader engaged", "them or that the time was rushed. With this being said, what are", "if they had rarely spent any time with them or that the time", "spent any time with them or that the time was rushed. With this", "Perhaps one of the more difficult parts of writing is making the reader", "to making your reader engaged in a character without feeling as if the", "even more common in novellas. With novellas, you have 100-250 pages or so", "plot, and settings. Even though 100-250 pages sounds like a lot, it's truly", "good tips to making your reader engaged in a character without feeling as", "is making the reader invested in the characters. It's really easy to make", "the complexity of the character, but feeling as if they had rarely spent", "it's truly really difficult to repress and character and their layers in only", "lot, it's truly really difficult to repress and character and their layers in", "making the reader invested in the characters. It's really easy to make your", "pages sounds like a lot, it's truly really difficult to repress and character", "the complexity and layers of your character, plot, and settings. Even though 100-250", "complexity and layers of your character, plot, and settings. Even though 100-250 pages", "follow in novels. However, it's even more common in novellas. With novellas, you", "they had rarely spent any time with them or that the time was", "layers of your character, plot, and settings. Even though 100-250 pages sounds like", "feeling as if they had rarely spent any time with them or that", "feeling as if the character was undeveloped/developed, but they didn't spend enough time", "easy to make your character somebody boring and not interesting to follow in", "and character and their layers in only 100 pages. There's also the issue", "was rushed. With this being said, what are good tips to making your", "more common in novellas. With novellas, you have 100-250 pages or so to", "this being said, what are good tips to making your reader engaged in", "the issue of the reader seeing the complexity of the character, but feeling", "layers in only 100 pages. There's also the issue of the reader seeing", "reader seeing the complexity of the character, but feeling as if they had", "issue of the reader seeing the complexity of the character, but feeling as", "truly really difficult to repress and character and their layers in only 100", "of the character, but feeling as if they had rarely spent any time", "difficult to repress and character and their layers in only 100 pages. There's", "rarely spent any time with them or that the time was rushed. With", "like a lot, it's truly really difficult to repress and character and their", "characters. It's really easy to make your character somebody boring and not interesting", "tips to making your reader engaged in a character without feeling as if", "repress and character and their layers in only 100 pages. There's also the", "though 100-250 pages sounds like a lot, it's truly really difficult to repress", "any time with them or that the time was rushed. With this being", "the character, but feeling as if they had rarely spent any time with", "not interesting to follow in novels. However, it's even more common in novellas.", "the character was undeveloped/developed, but they didn't spend enough time with the character?", "character, plot, and settings. Even though 100-250 pages sounds like a lot, it's", "novellas. With novellas, you have 100-250 pages or so to make your reader", "or so to make your reader see the complexity and layers of your", "and settings. Even though 100-250 pages sounds like a lot, it's truly really", "character somebody boring and not interesting to follow in novels. However, it's even", "seeing the complexity of the character, but feeling as if they had rarely", "of the more difficult parts of writing is making the reader invested in", "settings. Even though 100-250 pages sounds like a lot, it's truly really difficult", "It's really easy to make your character somebody boring and not interesting to", "somebody boring and not interesting to follow in novels. However, it's even more", "a character without feeling as if the character was undeveloped/developed, but they didn't", "your character somebody boring and not interesting to follow in novels. However, it's", "are good tips to making your reader engaged in a character without feeling", "you have 100-250 pages or so to make your reader see the complexity", "only 100 pages. There's also the issue of the reader seeing the complexity", "the reader seeing the complexity of the character, but feeling as if they", "in a character without feeling as if the character was undeveloped/developed, but they", "your reader engaged in a character without feeling as if the character was", "a lot, it's truly really difficult to repress and character and their layers", "reader invested in the characters. It's really easy to make your character somebody", "making your reader engaged in a character without feeling as if the character", "so to make your reader see the complexity and layers of your character,", "or that the time was rushed. With this being said, what are good", "if the character was undeveloped/developed, but they didn't spend enough time with the", "100 pages. There's also the issue of the reader seeing the complexity of", "without feeling as if the character was undeveloped/developed, but they didn't spend enough", "to repress and character and their layers in only 100 pages. There's also", "parts of writing is making the reader invested in the characters. It's really", "being said, what are good tips to making your reader engaged in a", "as if the character was undeveloped/developed, but they didn't spend enough time with", "and their layers in only 100 pages. There's also the issue of the", "really difficult to repress and character and their layers in only 100 pages.", "character without feeling as if the character was undeveloped/developed, but they didn't spend", "it's even more common in novellas. With novellas, you have 100-250 pages or", "pages or so to make your reader see the complexity and layers of", "what are good tips to making your reader engaged in a character without", "boring and not interesting to follow in novels. However, it's even more common", "more difficult parts of writing is making the reader invested in the characters.", "invested in the characters. It's really easy to make your character somebody boring", "difficult parts of writing is making the reader invested in the characters. It's", "with them or that the time was rushed. With this being said, what", "your reader see the complexity and layers of your character, plot, and settings.", "novels. However, it's even more common in novellas. With novellas, you have 100-250", "to make your reader see the complexity and layers of your character, plot,", "Even though 100-250 pages sounds like a lot, it's truly really difficult to", "said, what are good tips to making your reader engaged in a character", "engaged in a character without feeling as if the character was undeveloped/developed, but", "100-250 pages or so to make your reader see the complexity and layers", "100-250 pages sounds like a lot, it's truly really difficult to repress and", "their layers in only 100 pages. There's also the issue of the reader", "also the issue of the reader seeing the complexity of the character, but", "your character, plot, and settings. Even though 100-250 pages sounds like a lot,", "in novellas. With novellas, you have 100-250 pages or so to make your", "rushed. With this being said, what are good tips to making your reader", "common in novellas. With novellas, you have 100-250 pages or so to make", "have 100-250 pages or so to make your reader see the complexity and", "as if they had rarely spent any time with them or that the", "to follow in novels. However, it's even more common in novellas. With novellas,", "see the complexity and layers of your character, plot, and settings. Even though", "in novels. However, it's even more common in novellas. With novellas, you have", "make your character somebody boring and not interesting to follow in novels. However,", "reader engaged in a character without feeling as if the character was undeveloped/developed,", "had rarely spent any time with them or that the time was rushed.", "time was rushed. With this being said, what are good tips to making", "really easy to make your character somebody boring and not interesting to follow", "and not interesting to follow in novels. However, it's even more common in", "time with them or that the time was rushed. With this being said,", "of your character, plot, and settings. Even though 100-250 pages sounds like a", "interesting to follow in novels. However, it's even more common in novellas. With", "character and their layers in only 100 pages. There's also the issue of", "the more difficult parts of writing is making the reader invested in the", "character, but feeling as if they had rarely spent any time with them", "of the reader seeing the complexity of the character, but feeling as if", "pages. There's also the issue of the reader seeing the complexity of the", "in the characters. It's really easy to make your character somebody boring and", "in only 100 pages. There's also the issue of the reader seeing the", "but feeling as if they had rarely spent any time with them or", "and layers of your character, plot, and settings. Even though 100-250 pages sounds", "the characters. It's really easy to make your character somebody boring and not", "make your reader see the complexity and layers of your character, plot, and", "reader see the complexity and layers of your character, plot, and settings. Even", "There's also the issue of the reader seeing the complexity of the character,", "to make your character somebody boring and not interesting to follow in novels.", "With novellas, you have 100-250 pages or so to make your reader see", "the time was rushed. With this being said, what are good tips to" ]
[ "should read their drafts aloud, in order to hear any flaws in the", "the sound of their writing. But after I've done this, how should I", "change in my draft? The choice of words, the order of words, the", "which says that writers should read their drafts aloud, in order to hear", "words economically. But what if my strong, economical prose doesn't flow? What then", "use strong verbs but also use words economically. But what if my strong,", "draft? The choice of words, the order of words, the part of speech?", "strong verbs but also use words economically. But what if my strong, economical", "what if my strong, economical prose doesn't flow? What then should I change", "order to hear any flaws in the sound of their writing. But after", "aloud, in order to hear any flaws in the sound of their writing.", "to hear any flaws in the sound of their writing. But after I've", "writing, which says that writers should read their drafts aloud, in order to", "many books suggest, writing should not only use strong verbs but also use", "in order to hear any flaws in the sound of their writing. But", "only use strong verbs but also use words economically. But what if my", "use words economically. But what if my strong, economical prose doesn't flow? What", "but also use words economically. But what if my strong, economical prose doesn't", "change my draft? As many books suggest, writing should not only use strong", "heard some advice on writing, which says that writers should read their drafts", "drafts aloud, in order to hear any flaws in the sound of their", "that writers should read their drafts aloud, in order to hear any flaws", "should not only use strong verbs but also use words economically. But what", "writing should not only use strong verbs but also use words economically. But", "then should I change in my draft? The choice of words, the order", "I change in my draft? The choice of words, the order of words,", "sound of their writing. But after I've done this, how should I change", "my strong, economical prose doesn't flow? What then should I change in my", "their drafts aloud, in order to hear any flaws in the sound of", "doesn't flow? What then should I change in my draft? The choice of", "flow? What then should I change in my draft? The choice of words,", "my draft? The choice of words, the order of words, the part of", "prose doesn't flow? What then should I change in my draft? The choice", "writing. But after I've done this, how should I change my draft? As", "writers should read their drafts aloud, in order to hear any flaws in", "advice on writing, which says that writers should read their drafts aloud, in", "says that writers should read their drafts aloud, in order to hear any", "But after I've done this, how should I change my draft? As many", "done this, how should I change my draft? As many books suggest, writing", "As many books suggest, writing should not only use strong verbs but also", "economically. But what if my strong, economical prose doesn't flow? What then should", "books suggest, writing should not only use strong verbs but also use words", "how should I change my draft? As many books suggest, writing should not", "my draft? As many books suggest, writing should not only use strong verbs", "this, how should I change my draft? As many books suggest, writing should", "also use words economically. But what if my strong, economical prose doesn't flow?", "in my draft? The choice of words, the order of words, the part", "economical prose doesn't flow? What then should I change in my draft? The", "But what if my strong, economical prose doesn't flow? What then should I", "read their drafts aloud, in order to hear any flaws in the sound", "strong, economical prose doesn't flow? What then should I change in my draft?", "if my strong, economical prose doesn't flow? What then should I change in", "I change my draft? As many books suggest, writing should not only use", "some advice on writing, which says that writers should read their drafts aloud,", "I've heard some advice on writing, which says that writers should read their", "on writing, which says that writers should read their drafts aloud, in order", "hear any flaws in the sound of their writing. But after I've done", "What then should I change in my draft? The choice of words, the", "in the sound of their writing. But after I've done this, how should", "any flaws in the sound of their writing. But after I've done this,", "of their writing. But after I've done this, how should I change my", "their writing. But after I've done this, how should I change my draft?", "flaws in the sound of their writing. But after I've done this, how", "draft? As many books suggest, writing should not only use strong verbs but", "should I change in my draft? The choice of words, the order of", "suggest, writing should not only use strong verbs but also use words economically.", "should I change my draft? As many books suggest, writing should not only", "I've done this, how should I change my draft? As many books suggest,", "after I've done this, how should I change my draft? As many books", "not only use strong verbs but also use words economically. But what if", "verbs but also use words economically. But what if my strong, economical prose" ]
[ "to thought in the same sentence, and that it ought to be split", "sure how to define a complete thought. Can someone please define it for", "ought to be split into multiple sentences. Although I'd like to correct this", "like to correct this problem, I'm not sure how to define a complete", "thought in the same sentence, and that it ought to be split into", "split into multiple sentences. Although I'd like to correct this problem, I'm not", "I'm not sure how to define a complete thought. Can someone please define", "it ought to be split into multiple sentences. Although I'd like to correct", "that I move from thought to thought in the same sentence, and that", "complain that I move from thought to thought in the same sentence, and", "be split into multiple sentences. Although I'd like to correct this problem, I'm", "sentences. Although I'd like to correct this problem, I'm not sure how to", "this problem, I'm not sure how to define a complete thought. Can someone", "to define a complete thought. Can someone please define it for me? Thank", "thought to thought in the same sentence, and that it ought to be", "I move from thought to thought in the same sentence, and that it", "the same sentence, and that it ought to be split into multiple sentences.", "to be split into multiple sentences. Although I'd like to correct this problem,", "to write long sentences, but people complain that I move from thought to", "in the same sentence, and that it ought to be split into multiple", "I like to write long sentences, but people complain that I move from", "into multiple sentences. Although I'd like to correct this problem, I'm not sure", "but people complain that I move from thought to thought in the same", "correct this problem, I'm not sure how to define a complete thought. Can", "problem, I'm not sure how to define a complete thought. Can someone please", "people complain that I move from thought to thought in the same sentence,", "sentences, but people complain that I move from thought to thought in the", "sentence, and that it ought to be split into multiple sentences. Although I'd", "same sentence, and that it ought to be split into multiple sentences. Although", "how to define a complete thought. Can someone please define it for me?", "that it ought to be split into multiple sentences. Although I'd like to", "not sure how to define a complete thought. Can someone please define it", "and that it ought to be split into multiple sentences. Although I'd like", "Although I'd like to correct this problem, I'm not sure how to define", "move from thought to thought in the same sentence, and that it ought", "I'd like to correct this problem, I'm not sure how to define a", "to correct this problem, I'm not sure how to define a complete thought.", "define a complete thought. Can someone please define it for me? Thank you.", "long sentences, but people complain that I move from thought to thought in", "like to write long sentences, but people complain that I move from thought", "multiple sentences. Although I'd like to correct this problem, I'm not sure how", "write long sentences, but people complain that I move from thought to thought", "from thought to thought in the same sentence, and that it ought to" ]
[ "literature such as guidebooks, comic books, tie-in novels, and novelisations penned by other", "in adopting is similar to what the comic book series Watchmen does, which", "later on. Another solution that I’ve seen writers use to get around this", "information and getting confused later on. Another solution that I’ve seen writers use", "novels, and novelisations penned by other more competent writers. Many big-name multi-media franchises", "tie-in novels, and novelisations penned by other more competent writers. Many big-name multi-media", "many of my fellow writers have praised my worldbuilding abilities, they have remarked", "answer to this problem I’m interested in adopting is similar to what the", "to this problem I’m interested in adopting is similar to what the comic", "each issue, exploring essential aspects of the Watchmenverse such as character backstories or", "runs throughout this post). One potential answer to this problem I’m interested in", "ideas and concepts I’d created out of my mind and onto paper the", "important information and getting confused later on. Another solution that I’ve seen writers", "to get all of the ideas and concepts I’d created out of my", "while, I have been aware of this habit as I’ve tried to rewrite", "chance I got. For a while, I have been aware of this habit", "my fellow writers have praised my worldbuilding abilities, they have remarked that I", "described it as if I had this burning desire to get all of", "one long info dump that bored me to tears when writing the damn", "of my mind and onto paper the first chance I got. For a", "writing exposition or exposure to it in any medium (a recurring motif that", "seen writers use to get around this problem is explaining important background details", "method is that if a story requires its audience to do an awful", "its audience to do an awful lot of homework or take them out", "to understand the plot, that’s a sign of lazy writing. *What would resolve", "me to tears when writing the damn thing as I despise writing exposition", "posted several chapters of my in-progress trilogy on several writing critique websites, and", "the comic book series Watchmen* does, which exposits by including text-based excerpts and", "I’ve seen writers use to get around this problem is explaining important background", "had this burning desire to get all of the ideas and concepts I’d", "a while, I have been aware of this habit as I’ve tried to", "have been aware of this habit as I’ve tried to rewrite a chapter", "potential answer to this problem I’m interested in adopting is similar to what", "important background details in supplemental literature such as guidebooks, comic books, tie-in novels,", "only because it spoilt way too many major plot points early into my", "I’m interested in adopting is similar to what the comic book series Watchmen", "mind and onto paper the first chance I got. For a while, I", "way too many major plot points early into my trilogy’s first book, but", "including text-based excerpts and documents at the end of each issue, exploring essential", "of bored readers skipping past important information and getting confused later on. Another", "major plot points early into my trilogy’s first book, but it was one", "praised my worldbuilding abilities, they have remarked that I always tend to overexplained", "Halo or Tolkien’s Legendarium tend to do a lot. The problem with this", "despise writing exposition or exposure to it in any medium (a recurring motif", "solution that I’ve seen writers use to get around this problem is explaining", "an awful lot of homework or take them out of the narrative to", "the end of each issue, exploring essential aspects of the Watchmenverse such as", "Wars, Halo* or Tolkien’s Legendarium tend to do a lot. The problem with", "requires its audience to do an awful lot of homework or take them", "aspects of the Watchmenverse such as character backstories or geopolitics. Of course, this", "Many big-name multi-media franchises like Star Wars, Halo or Tolkien’s Legendarium tend to", "that I’ve seen writers use to get around this problem is explaining important", "details in supplemental literature such as guidebooks, comic books, tie-in novels, and novelisations", "trilogy on several writing critique websites, and while many of my fellow writers", "while many of my fellow writers have praised my worldbuilding abilities, they have", "with this method is that if a story requires its audience to do", "or take them out of the narrative to understand the plot, that’s a", "my in-progress trilogy on several writing critique websites, and while many of my", "if I had this burning desire to get all of the ideas and", "any medium (a recurring motif that runs throughout this post). One potential answer", "to get around this problem is explaining important background details in supplemental literature", "use to get around this problem is explaining important background details in supplemental", "lot of homework or take them out of the narrative to understand the", "this method is that if a story requires its audience to do an", "this technique also runs the risk of bored readers skipping past important information", "early into my trilogy’s first book, but it was one long info dump", "to it in any medium (a recurring motif that runs throughout this post).", "burning desire to get all of the ideas and concepts I’d created out", "and novelisations penned by other more competent writers. Many big-name multi-media franchises like", "to do an awful lot of homework or take them out of the", "out of the narrative to understand the plot, that’s a sign of lazy", "exploring essential aspects of the Watchmenverse such as character backstories or geopolitics. Of", "to tears when writing the damn thing as I despise writing exposition or", "more competent writers. Many big-name multi-media franchises like Star Wars, Halo or Tolkien’s", "this habit as I’ve tried to rewrite a chapter several times, not only", "several writing critique websites, and while many of my fellow writers have praised", "aware of this habit as I’ve tried to rewrite a chapter several times,", "backstories or geopolitics. Of course, this technique also runs the risk of bored", "or Tolkien’s Legendarium* tend to do a lot. The problem with this method", "what the comic book series Watchmen does, which exposits by including text-based excerpts", "Watchmenverse such as character backstories or geopolitics. Of course, this technique also runs", "guidebooks, comic books, tie-in novels, and novelisations penned by other more competent writers.", "a lot. The problem with this method is that if a story requires", "past important information and getting confused later on. Another solution that I’ve seen", "my worldbuilding abilities, they have remarked that I always tend to overexplained things", "desire to get all of the ideas and concepts I’d created out of", "I have been aware of this habit as I’ve tried to rewrite a", "technique also runs the risk of bored readers skipping past important information and", "and getting confused later on. Another solution that I’ve seen writers use to", "which exposits by including text-based excerpts and documents at the end of each", "tend to overexplained things with exposition. One described it as if I had", "problem with this method is that if a story requires its audience to", "worldbuilding abilities, they have remarked that I always tend to overexplained things with", "such as character backstories or geopolitics. Of course, this technique also runs the", "many major plot points early into my trilogy’s first book, but it was", "understand the plot, that’s a sign of lazy writing. *What would resolve my", "of the Watchmenverse such as character backstories or geopolitics. Of course, this technique", "I’ve tried to rewrite a chapter several times, not only because it spoilt", "to what the comic book series Watchmen* does, which exposits by including text-based", "books, tie-in novels, and novelisations penned by other more competent writers. Many big-name", "explaining important background details in supplemental literature such as guidebooks, comic books, tie-in", "onto paper the first chance I got. For a while, I have been", "I got. For a while, I have been aware of this habit as", "tend to do a lot. 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One potential answer to this problem I’m interested in adopting is similar", "I’d created out of my mind and onto paper the first chance I", "get around this problem is explaining important background details in supplemental literature such", "the narrative to understand the plot, that’s a sign of lazy writing. *What", "excerpts and documents at the end of each issue, exploring essential aspects of", "into my trilogy’s first book, but it was one long info dump that", "that if a story requires its audience to do an awful lot of", "it as if I had this burning desire to get all of the", "the Watchmenverse such as character backstories or geopolitics. Of course, this technique also", "plot points early into my trilogy’s first book, but it was one long", "does, which exposits by including text-based excerpts and documents at the end of", "Star Wars, Halo* or Tolkien’s Legendarium tend to do a lot. 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One potential answer to", "also runs the risk of bored readers skipping past important information and getting", "if a story requires its audience to do an awful lot of homework", "writing critique websites, and while many of my fellow writers have praised my", "One described it as if I had this burning desire to get all", "I always tend to overexplained things with exposition. One described it as if", "writing the damn thing as I despise writing exposition or exposure to it", "thing as I despise writing exposition or exposure to it in any medium", "chapter several times, not only because it spoilt way too many major plot", "of the narrative to understand the plot, that’s a sign of lazy writing.", "bored readers skipping past important information and getting confused later on. Another solution", "like Star Wars, Halo or Tolkien’s Legendarium tend to do a lot. The", "points early into my trilogy’s first book, but it was one long info", "course, this technique also runs the risk of bored readers skipping past important", "such as guidebooks, comic books, tie-in novels, and novelisations penned by other more", "book series Watchmen does, which exposits by including text-based excerpts and documents at", "For a while, I have been aware of this habit as I’ve tried", "and documents at the end of each issue, exploring essential aspects of the", "geopolitics. Of course, this technique also runs the risk of bored readers skipping", "as character backstories or geopolitics. Of course, this technique also runs the risk", "always tend to overexplained things with exposition. One described it as if I", "and onto paper the first chance I got. 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One described it as if I had this burning desire to get", "One potential answer to this problem I’m interested in adopting is similar to", "this burning desire to get all of the ideas and concepts I’d created", "it was one long info dump that bored me to tears when writing", "was one long info dump that bored me to tears when writing the", "have remarked that I always tend to overexplained things with exposition. One described", "by other more competent writers. Many big-name multi-media franchises like Star Wars, Halo", "times, not only because it spoilt way too many major plot points early", "get all of the ideas and concepts I’d created out of my mind", "at the end of each issue, exploring essential aspects of the Watchmenverse such", "other more competent writers. Many big-name multi-media franchises like Star Wars, Halo or", "is similar to what the comic book series Watchmen does, which exposits by", "abilities, they have remarked that I always tend to overexplained things with exposition.", "it in any medium (a recurring motif that runs throughout this post). One", "info dump that bored me to tears when writing the damn thing as", "background details in supplemental literature such as guidebooks, comic books, tie-in novels, and" ]
[ "in it, there are different types of them such as mountain nymphs and", "to use Nymphs in it, there are different types of them such as", "I want to use Nymphs in it, there are different types of them", "there are different types of them such as mountain nymphs and sea nymphs.", "I'm researching about different mythical creatures for my book, and I want to", "and sea nymphs. In Greek mythology they have names for them, for example:", "have names for them, for example: Sea nymphs are Nereids and nymphs of", "So should I use the pre-existing names or can I make up my", "about different mythical creatures for my book, and I want to use Nymphs", "of them such as mountain nymphs and sea nymphs. In Greek mythology they", "use Nymphs in it, there are different types of them such as mountain", "such as mountain nymphs and sea nymphs. In Greek mythology they have names", "are different types of them such as mountain nymphs and sea nymphs. In", "mythology they have names for them, for example: Sea nymphs are Nereids and", "mountains are Oreads. So should I use the pre-existing names or can I", "researching about different mythical creatures for my book, and I want to use", "are Oreads. So should I use the pre-existing names or can I make", "example: Sea nymphs are Nereids and nymphs of mountains are Oreads. So should", "Greek mythology they have names for them, for example: Sea nymphs are Nereids", "book, and I want to use Nymphs in it, there are different types", "Oreads. So should I use the pre-existing names or can I make up", "of mountains are Oreads. So should I use the pre-existing names or can", "nymphs are Nereids and nymphs of mountains are Oreads. So should I use", "and nymphs of mountains are Oreads. So should I use the pre-existing names", "names for them, for example: Sea nymphs are Nereids and nymphs of mountains", "should I use the pre-existing names or can I make up my own?", "them such as mountain nymphs and sea nymphs. In Greek mythology they have", "Nymphs in it, there are different types of them such as mountain nymphs", "types of them such as mountain nymphs and sea nymphs. In Greek mythology", "nymphs. In Greek mythology they have names for them, for example: Sea nymphs", "nymphs and sea nymphs. In Greek mythology they have names for them, for", "want to use Nymphs in it, there are different types of them such", "different mythical creatures for my book, and I want to use Nymphs in", "different types of them such as mountain nymphs and sea nymphs. In Greek", "In Greek mythology they have names for them, for example: Sea nymphs are", "as mountain nymphs and sea nymphs. In Greek mythology they have names for", "sea nymphs. In Greek mythology they have names for them, for example: Sea", "are Nereids and nymphs of mountains are Oreads. So should I use the", "mythical creatures for my book, and I want to use Nymphs in it,", "creatures for my book, and I want to use Nymphs in it, there", "it, there are different types of them such as mountain nymphs and sea", "mountain nymphs and sea nymphs. In Greek mythology they have names for them,", "they have names for them, for example: Sea nymphs are Nereids and nymphs", "for them, for example: Sea nymphs are Nereids and nymphs of mountains are", "for example: Sea nymphs are Nereids and nymphs of mountains are Oreads. So", "Sea nymphs are Nereids and nymphs of mountains are Oreads. So should I", "Nereids and nymphs of mountains are Oreads. So should I use the pre-existing", "nymphs of mountains are Oreads. So should I use the pre-existing names or", "them, for example: Sea nymphs are Nereids and nymphs of mountains are Oreads.", "for my book, and I want to use Nymphs in it, there are", "my book, and I want to use Nymphs in it, there are different", "and I want to use Nymphs in it, there are different types of" ]
[ "there to be a story of a villain on a rampage only told", "villain on a rampage only told in his perspective and his victims? Near", "stand up against him. I was thinking it might work since you won't", "to the heroes, now dead, but again, he's a villain. So, my question", "the heroes, now dead, but again, he's a villain. So, my question is:", "defeats the only characters brave enough to stand up against him. I was", "only told in his perspective and his victims? Near the beginning, he defeats", "enough to stand up against him. I was thinking it might work since", "against him. I was thinking it might work since you won't get attached", "I was thinking it might work since you won't get attached to the", "heroes, now dead, but again, he's a villain. So, my question is: is", "dead, but again, he's a villain. So, my question is: is possible to", "perspective and his victims? Near the beginning, he defeats the only characters brave", "but again, he's a villain. So, my question is: is possible to write", "work since you won't get attached to the heroes, now dead, but again,", "rampage only told in his perspective and his victims? Near the beginning, he", "and his victims? Near the beginning, he defeats the only characters brave enough", "Near the beginning, he defeats the only characters brave enough to stand up", "only characters brave enough to stand up against him. I was thinking it", "villain. So, my question is: is possible to write from an antagonist's point", "since you won't get attached to the heroes, now dead, but again, he's", "of a villain on a rampage only told in his perspective and his", "his victims? Near the beginning, he defeats the only characters brave enough to", "the only characters brave enough to stand up against him. I was thinking", "my question is: is possible to write from an antagonist's point of view?", "Is it possible for there to be a story of a villain on", "now dead, but again, he's a villain. So, my question is: is possible", "characters brave enough to stand up against him. I was thinking it might", "thinking it might work since you won't get attached to the heroes, now", "a rampage only told in his perspective and his victims? Near the beginning,", "to be a story of a villain on a rampage only told in", "he defeats the only characters brave enough to stand up against him. I", "again, he's a villain. So, my question is: is possible to write from", "told in his perspective and his victims? Near the beginning, he defeats the", "to stand up against him. I was thinking it might work since you", "for there to be a story of a villain on a rampage only", "on a rampage only told in his perspective and his victims? Near the", "a villain on a rampage only told in his perspective and his victims?", "the beginning, he defeats the only characters brave enough to stand up against", "story of a villain on a rampage only told in his perspective and", "you won't get attached to the heroes, now dead, but again, he's a", "attached to the heroes, now dead, but again, he's a villain. So, my", "it might work since you won't get attached to the heroes, now dead,", "him. I was thinking it might work since you won't get attached to", "he's a villain. So, my question is: is possible to write from an", "was thinking it might work since you won't get attached to the heroes,", "beginning, he defeats the only characters brave enough to stand up against him.", "a villain. So, my question is: is possible to write from an antagonist's", "a story of a villain on a rampage only told in his perspective", "might work since you won't get attached to the heroes, now dead, but", "get attached to the heroes, now dead, but again, he's a villain. So,", "up against him. I was thinking it might work since you won't get", "his perspective and his victims? Near the beginning, he defeats the only characters", "possible for there to be a story of a villain on a rampage", "be a story of a villain on a rampage only told in his", "brave enough to stand up against him. I was thinking it might work", "So, my question is: is possible to write from an antagonist's point of", "won't get attached to the heroes, now dead, but again, he's a villain.", "in his perspective and his victims? Near the beginning, he defeats the only", "victims? Near the beginning, he defeats the only characters brave enough to stand", "it possible for there to be a story of a villain on a" ]
[ "periods) * JPG, TIFF, GIF, PNG (uppercase, no periods) * .jpg, .tiff, .gif,", "\"The platform will be able to process multiple image formats such as...\" ", "such as...\" jpg, tiff, gif, png (lowercase, no periods) * JPG, TIFF,", "various examples of data types. When stating the data type file extension, how", "types. When stating the data type file extension, how should it be presented?", "are writing a collaborative paper that will include various examples of data types.", "When stating the data type file extension, how should it be presented? For", "be presented? For example, \"The platform will be able to process multiple image", "writing a collaborative paper that will include various examples of data types. When", "will include various examples of data types. When stating the data type file", "to process multiple image formats such as...\" * jpg, tiff, gif, png (lowercase,", "able to process multiple image formats such as...\" * jpg, tiff, gif, png", "TIFF, GIF, PNG (uppercase, no periods) * .jpg, .tiff, .gif, .png (lowercase, periods)", "be able to process multiple image formats such as...\" * jpg, tiff, gif,", "jpg, tiff, gif, png (lowercase, no periods) * JPG, TIFF, GIF, PNG (uppercase,", "collaborative paper that will include various examples of data types. When stating the", "process multiple image formats such as...\" * jpg, tiff, gif, png (lowercase, no", "We are writing a collaborative paper that will include various examples of data", "that will include various examples of data types. When stating the data type", "png (lowercase, no periods) * JPG, TIFF, GIF, PNG (uppercase, no periods) ", "paper that will include various examples of data types. When stating the data", "image formats such as...\" jpg, tiff, gif, png (lowercase, no periods) ", "extension, how should it be presented? For example, \"The platform will be able", "tiff, gif, png (lowercase, no periods) JPG, TIFF, GIF, PNG (uppercase, no", "* jpg, tiff, gif, png (lowercase, no periods) * JPG, TIFF, GIF, PNG", "how should it be presented? For example, \"The platform will be able to", "gif, png (lowercase, no periods) * JPG, TIFF, GIF, PNG (uppercase, no periods)", "data types. When stating the data type file extension, how should it be", "it be presented? For example, \"The platform will be able to process multiple", "presented? For example, \"The platform will be able to process multiple image formats", "file extension, how should it be presented? For example, \"The platform will be", "JPG, TIFF, GIF, PNG (uppercase, no periods) * .jpg, .tiff, .gif, .png (lowercase,", "a collaborative paper that will include various examples of data types. When stating", "For example, \"The platform will be able to process multiple image formats such", "* JPG, TIFF, GIF, PNG (uppercase, no periods) * .jpg, .tiff, .gif, .png", "the data type file extension, how should it be presented? For example, \"The", "as...\" * jpg, tiff, gif, png (lowercase, no periods) * JPG, TIFF, GIF,", "will be able to process multiple image formats such as...\" * jpg, tiff,", "(lowercase, no periods) * JPG, TIFF, GIF, PNG (uppercase, no periods) * .jpg,", "include various examples of data types. When stating the data type file extension,", "platform will be able to process multiple image formats such as...\" * jpg,", "of data types. When stating the data type file extension, how should it", "example, \"The platform will be able to process multiple image formats such as...\"", "data type file extension, how should it be presented? For example, \"The platform", "examples of data types. When stating the data type file extension, how should", "formats such as...\" * jpg, tiff, gif, png (lowercase, no periods) * JPG,", "no periods) * JPG, TIFF, GIF, PNG (uppercase, no periods) * .jpg, .tiff,", "stating the data type file extension, how should it be presented? For example,", "type file extension, how should it be presented? For example, \"The platform will", "multiple image formats such as...\" * jpg, tiff, gif, png (lowercase, no periods)", "should it be presented? For example, \"The platform will be able to process" ]
[ "\"beep beep beep\" is seen by everyone in movies. The problem is that", "is that someone told me that I go too sentimental in scenes like", "too sentimental in scenes like these while writing. How can I write hospital", "me that I go too sentimental in scenes like these while writing. How", "hospital bed and ECG goes \"beep beep beep\" is seen by everyone in", "movies. The problem is that someone told me that I go too sentimental", "that I go too sentimental in scenes like these while writing. How can", "beep\" is seen by everyone in movies. The problem is that someone told", "seen by everyone in movies. The problem is that someone told me that", "go too sentimental in scenes like these while writing. How can I write", "on the hospital bed and ECG goes \"beep beep beep\" is seen by", "like these while writing. How can I write hospital death scenes in a", "I go too sentimental in scenes like these while writing. How can I", "everyone in movies. The problem is that someone told me that I go", "beep beep\" is seen by everyone in movies. The problem is that someone", "the hospital bed and ECG goes \"beep beep beep\" is seen by everyone", "by everyone in movies. The problem is that someone told me that I", "problem is that someone told me that I go too sentimental in scenes", "writing. How can I write hospital death scenes in a more creative way?", "a man dies on the hospital bed and ECG goes \"beep beep beep\"", "scenes like these while writing. How can I write hospital death scenes in", "scene where a man dies on the hospital bed and ECG goes \"beep", "dies on the hospital bed and ECG goes \"beep beep beep\" is seen", "these while writing. How can I write hospital death scenes in a more", "while writing. How can I write hospital death scenes in a more creative", "where a man dies on the hospital bed and ECG goes \"beep beep", "cliché scene where a man dies on the hospital bed and ECG goes", "bed and ECG goes \"beep beep beep\" is seen by everyone in movies.", "in movies. The problem is that someone told me that I go too", "and ECG goes \"beep beep beep\" is seen by everyone in movies. The", "goes \"beep beep beep\" is seen by everyone in movies. The problem is", "someone told me that I go too sentimental in scenes like these while", "The cliché scene where a man dies on the hospital bed and ECG", "The problem is that someone told me that I go too sentimental in", "that someone told me that I go too sentimental in scenes like these", "sentimental in scenes like these while writing. How can I write hospital death", "in scenes like these while writing. How can I write hospital death scenes", "is seen by everyone in movies. The problem is that someone told me", "man dies on the hospital bed and ECG goes \"beep beep beep\" is", "ECG goes \"beep beep beep\" is seen by everyone in movies. The problem", "told me that I go too sentimental in scenes like these while writing." ]
[ "I want to describe this action. How should I describe this action? [![enter", "want to describe this action. How should I describe this action? [![enter image", "describe this action. How should I describe this action? [![enter image description here](https://i.stack.imgur.com/kmkQP.gif)](https://i.stack.imgur.com/kmkQP.gif)", "to describe this action. How should I describe this action? [![enter image description" ]
[ "marriage to follow her dreams. I want to add another story of her", "from her forced marriage to follow her dreams. I want to add another", "point where the main character is seen to be with her cousin in", "with her cousin in the difficult situations. Should I do this? Should I", "difficult situations. Should I do this? Should I add this another story of", "with the main character or her story except for the point where the", "Should I do this? Should I add this another story of second lead", "the main character or her story except for the point where the main", "add another story of her cousin and her best friend who gets pregnant", "teenage pregnancy in my book, but this issue relates nothing with the main", "age. Would it be too weird if I do so? I want to", "to be with her cousin in the difficult situations. Should I do this?", "a teenager girl who seeks her forgotten past and run away from her", "of a slice of life of a teenager girl who seeks her forgotten", "this issue relates nothing with the main character or her story except for", "cousin in the difficult situations. Should I do this? Should I add this", "and her best friend who gets pregnant early in age. Would it be", "my book, but this issue relates nothing with the main character or her", "I am writing a story of a slice of life of a teenager", "story of a slice of life of a teenager girl who seeks her", "but this issue relates nothing with the main character or her story except", "in my book, but this issue relates nothing with the main character or", "cousin and her best friend who gets pregnant early in age. Would it", "in the difficult situations. Should I do this? Should I add this another", "is seen to be with her cousin in the difficult situations. Should I", "it be too weird if I do so? I want to add some", "seeks her forgotten past and run away from her forced marriage to follow", "I do this? Should I add this another story of second lead in", "friend who gets pregnant early in age. Would it be too weird if", "the difficult situations. Should I do this? Should I add this another story", "if I do so? I want to add some points of teenage pregnancy", "seen to be with her cousin in the difficult situations. Should I do", "teenager girl who seeks her forgotten past and run away from her forced", "early in age. Would it be too weird if I do so? I", "for the point where the main character is seen to be with her", "writing a story of a slice of life of a teenager girl who", "of a teenager girl who seeks her forgotten past and run away from", "pregnant early in age. Would it be too weird if I do so?", "her story except for the point where the main character is seen to", "too weird if I do so? I want to add some points of", "this? Should I add this another story of second lead in the book?", "or her story except for the point where the main character is seen", "the point where the main character is seen to be with her cousin", "her best friend who gets pregnant early in age. Would it be too", "in age. Would it be too weird if I do so? I want", "character is seen to be with her cousin in the difficult situations. Should", "so? I want to add some points of teenage pregnancy in my book,", "gets pregnant early in age. Would it be too weird if I do", "to follow her dreams. I want to add another story of her cousin", "run away from her forced marriage to follow her dreams. I want to", "relates nothing with the main character or her story except for the point", "pregnancy in my book, but this issue relates nothing with the main character", "I want to add another story of her cousin and her best friend", "situations. Should I do this? Should I add this another story of second", "of life of a teenager girl who seeks her forgotten past and run", "a story of a slice of life of a teenager girl who seeks", "follow her dreams. I want to add another story of her cousin and", "life of a teenager girl who seeks her forgotten past and run away", "to add another story of her cousin and her best friend who gets", "want to add some points of teenage pregnancy in my book, but this", "character or her story except for the point where the main character is", "her forced marriage to follow her dreams. I want to add another story", "I do so? I want to add some points of teenage pregnancy in", "add some points of teenage pregnancy in my book, but this issue relates", "her dreams. I want to add another story of her cousin and her", "girl who seeks her forgotten past and run away from her forced marriage", "except for the point where the main character is seen to be with", "her cousin in the difficult situations. Should I do this? Should I add", "of her cousin and her best friend who gets pregnant early in age.", "want to add another story of her cousin and her best friend who", "a slice of life of a teenager girl who seeks her forgotten past", "some points of teenage pregnancy in my book, but this issue relates nothing", "where the main character is seen to be with her cousin in the", "forgotten past and run away from her forced marriage to follow her dreams.", "do this? Should I add this another story of second lead in the", "points of teenage pregnancy in my book, but this issue relates nothing with", "best friend who gets pregnant early in age. Would it be too weird", "nothing with the main character or her story except for the point where", "Would it be too weird if I do so? I want to add", "I want to add some points of teenage pregnancy in my book, but", "who gets pregnant early in age. Would it be too weird if I", "of teenage pregnancy in my book, but this issue relates nothing with the", "story except for the point where the main character is seen to be", "be with her cousin in the difficult situations. Should I do this? Should", "weird if I do so? I want to add some points of teenage", "dreams. I want to add another story of her cousin and her best", "am writing a story of a slice of life of a teenager girl", "main character is seen to be with her cousin in the difficult situations.", "who seeks her forgotten past and run away from her forced marriage to", "main character or her story except for the point where the main character", "issue relates nothing with the main character or her story except for the", "be too weird if I do so? I want to add some points", "to add some points of teenage pregnancy in my book, but this issue", "slice of life of a teenager girl who seeks her forgotten past and", "and run away from her forced marriage to follow her dreams. I want", "her forgotten past and run away from her forced marriage to follow her", "do so? I want to add some points of teenage pregnancy in my", "story of her cousin and her best friend who gets pregnant early in", "book, but this issue relates nothing with the main character or her story", "her cousin and her best friend who gets pregnant early in age. Would", "the main character is seen to be with her cousin in the difficult", "past and run away from her forced marriage to follow her dreams. I", "another story of her cousin and her best friend who gets pregnant early", "forced marriage to follow her dreams. I want to add another story of", "away from her forced marriage to follow her dreams. I want to add" ]
[ "a character is locked in a cell for about two week’s time. This", "a cell for about two week’s time. This is a medieval setting. For", "is, I have no idea how he would pee and such. I find", "to think about, and I don’t think it’s relevant to the narrative to", "lazy, but I really don’t want to confront this one. Do I have", "the cell. The problem is, I have no idea how he would pee", "think about, and I don’t think it’s relevant to the narrative to explain", "the answer. Usually grazing over details is lazy, but I really don’t want", "I have no idea how he would pee and such. I find it", "no idea how he would pee and such. I find it really awkward", "think it’s relevant to the narrative to explain it, but I’m sure the", "it’s relevant to the narrative to explain it, but I’m sure the question", "cell. The problem is, I have no idea how he would pee and", "cell for about two week’s time. This is a medieval setting. For plot", "have to come up with a solution, or will readers generally not care?", "I have a situation where a character is locked in a cell for", "character is chained to a block in the middle of the cell. The", "really awkward to think about, and I don’t think it’s relevant to the", "a situation where a character is locked in a cell for about two", "Do I have to come up with a solution, or will readers generally", "is lazy, but I really don’t want to confront this one. Do I", "don’t know the answer. Usually grazing over details is lazy, but I really", "such. I find it really awkward to think about, and I don’t think", "come to reader’s minds, and it does slightly bother me that I don’t", "this one. Do I have to come up with a solution, or will", "reader’s minds, and it does slightly bother me that I don’t know the", "how he would pee and such. I find it really awkward to think", "I’m sure the question will come to reader’s minds, and it does slightly", "I have to come up with a solution, or will readers generally not", "time. This is a medieval setting. For plot reasons, the character is chained", "answer. Usually grazing over details is lazy, but I really don’t want to", "does slightly bother me that I don’t know the answer. Usually grazing over", "that I don’t know the answer. Usually grazing over details is lazy, but", "know the answer. Usually grazing over details is lazy, but I really don’t", "I don’t think it’s relevant to the narrative to explain it, but I’m", "in the middle of the cell. The problem is, I have no idea", "he would pee and such. I find it really awkward to think about,", "will come to reader’s minds, and it does slightly bother me that I", "have no idea how he would pee and such. I find it really", "bother me that I don’t know the answer. Usually grazing over details is", "relevant to the narrative to explain it, but I’m sure the question will", "slightly bother me that I don’t know the answer. Usually grazing over details", "pee and such. I find it really awkward to think about, and I", "I don’t know the answer. Usually grazing over details is lazy, but I", "and I don’t think it’s relevant to the narrative to explain it, but", "one. Do I have to come up with a solution, or will readers", "for about two week’s time. This is a medieval setting. For plot reasons,", "week’s time. This is a medieval setting. For plot reasons, the character is", "don’t think it’s relevant to the narrative to explain it, but I’m sure", "grazing over details is lazy, but I really don’t want to confront this", "to a block in the middle of the cell. The problem is, I", "would pee and such. I find it really awkward to think about, and", "chained to a block in the middle of the cell. The problem is,", "locked in a cell for about two week’s time. This is a medieval", "is chained to a block in the middle of the cell. The problem", "me that I don’t know the answer. Usually grazing over details is lazy,", "situation where a character is locked in a cell for about two week’s", "have a situation where a character is locked in a cell for about", "where a character is locked in a cell for about two week’s time.", "over details is lazy, but I really don’t want to confront this one.", "about, and I don’t think it’s relevant to the narrative to explain it,", "and such. I find it really awkward to think about, and I don’t", "and it does slightly bother me that I don’t know the answer. Usually", "For plot reasons, the character is chained to a block in the middle", "really don’t want to confront this one. Do I have to come up", "minds, and it does slightly bother me that I don’t know the answer.", "but I really don’t want to confront this one. Do I have to", "find it really awkward to think about, and I don’t think it’s relevant", "question will come to reader’s minds, and it does slightly bother me that", "medieval setting. For plot reasons, the character is chained to a block in", "to reader’s minds, and it does slightly bother me that I don’t know", "plot reasons, the character is chained to a block in the middle of", "in a cell for about two week’s time. This is a medieval setting.", "idea how he would pee and such. I find it really awkward to", "it really awkward to think about, and I don’t think it’s relevant to", "explain it, but I’m sure the question will come to reader’s minds, and", "details is lazy, but I really don’t want to confront this one. Do", "a medieval setting. For plot reasons, the character is chained to a block", "to the narrative to explain it, but I’m sure the question will come", "it, but I’m sure the question will come to reader’s minds, and it", "is locked in a cell for about two week’s time. This is a", "problem is, I have no idea how he would pee and such. I", "to explain it, but I’m sure the question will come to reader’s minds,", "the question will come to reader’s minds, and it does slightly bother me", "middle of the cell. The problem is, I have no idea how he", "narrative to explain it, but I’m sure the question will come to reader’s", "about two week’s time. This is a medieval setting. For plot reasons, the", "two week’s time. This is a medieval setting. For plot reasons, the character", "it does slightly bother me that I don’t know the answer. Usually grazing", "is a medieval setting. For plot reasons, the character is chained to a", "block in the middle of the cell. The problem is, I have no", "reasons, the character is chained to a block in the middle of the", "sure the question will come to reader’s minds, and it does slightly bother", "The problem is, I have no idea how he would pee and such.", "but I’m sure the question will come to reader’s minds, and it does", "the character is chained to a block in the middle of the cell.", "I find it really awkward to think about, and I don’t think it’s", "the middle of the cell. The problem is, I have no idea how", "Usually grazing over details is lazy, but I really don’t want to confront", "want to confront this one. Do I have to come up with a", "confront this one. Do I have to come up with a solution, or", "I really don’t want to confront this one. Do I have to come", "to confront this one. Do I have to come up with a solution,", "awkward to think about, and I don’t think it’s relevant to the narrative", "don’t want to confront this one. Do I have to come up with", "setting. For plot reasons, the character is chained to a block in the", "a block in the middle of the cell. The problem is, I have", "the narrative to explain it, but I’m sure the question will come to", "of the cell. The problem is, I have no idea how he would", "character is locked in a cell for about two week’s time. This is", "This is a medieval setting. For plot reasons, the character is chained to" ]
[ "> > A woman walks into the room, looks at me and says,", "> > A woman walks into the room, looks at the man, says", "Perhaps a clean break in narrative? > > I look around the room,", "perhaps attempting to blend the two? > > I look around the room,", "woman walks into the room, looks at the man, says \"come with me,", "looks at the man, says \"come with me, sir\", then leaves. > >", "with me, sir\", then leaves. I guess I'll follow her. > > >", "to write this? Does one have more of an impact over the other?", "real-time and tells him something. What is the best way to do this?", "wondering where they'll take me. > > A woman walks into the room,", "the perspective of a man telling his audience what happened to him. During", "sir\", then leaves. I guess I'll follow her. > > > Is there", "> A woman walks into the room, looks at me and says, \"come", "> > I look around the room, wondering where they'll take me. >", "a man telling his audience what happened to him. During his monologue, somebody", "I am writing a story from the perspective of a man telling his", "woman walks into the room, looks at me and says, \"come with me,", "what happened to him. During his monologue, somebody walks into the room in", "follow her. > > > Is there a \"proper\"/preferred way to write this?", "sir\", then leaves. > > > Or perhaps attempting to blend the two?", "I look around the room, wondering where they'll take me. > > A", "something. What is the best way to do this? Perhaps a clean break", "in real-time and tells him something. What is the best way to do", "the room, looks at me and says, \"come with me, sir\", then leaves.", "his audience what happened to him. During his monologue, somebody walks into the", "somebody walks into the room in real-time and tells him something. What is", "this? Perhaps a clean break in narrative? > > I look around the", "then leaves. I guess I'll follow her. > > > Is there a", "guess I'll follow her. > > > Is there a \"proper\"/preferred way to", "and says, \"come with me, sir\", then leaves. I guess I'll follow her.", "blend the two? > > I look around the room, wondering where they'll", "a story from the perspective of a man telling his audience what happened", "him something. What is the best way to do this? Perhaps a clean", "A woman walks into the room, looks at the man, says \"come with", "> Or perhaps attempting to blend the two? > > I look around", "tells him something. What is the best way to do this? Perhaps a", "there a \"proper\"/preferred way to write this? Does one have more of an", "A woman walks into the room, looks at me and says, \"come with", "> > > Is there a \"proper\"/preferred way to write this? Does one", "then leaves. > > > Or perhaps attempting to blend the two? >", "take me. > > A woman walks into the room, looks at the", "him. During his monologue, somebody walks into the room in real-time and tells", "telling his audience what happened to him. During his monologue, somebody walks into", "to him. During his monologue, somebody walks into the room in real-time and", "the room, looks at the man, says \"come with me, sir\", then leaves.", "leaves. > > > Or perhaps attempting to blend the two? > >", "the two? > > I look around the room, wondering where they'll take", "a \"proper\"/preferred way to write this? Does one have more of an impact", "> I look around the room, wondering where they'll take me. > >", "\"come with me, sir\", then leaves. I guess I'll follow her. > >", "at the man, says \"come with me, sir\", then leaves. > > >", "me, sir\", then leaves. > > > Or perhaps attempting to blend the", "two? > > I look around the room, wondering where they'll take me.", "writing a story from the perspective of a man telling his audience what", "into the room in real-time and tells him something. What is the best", "me. > > A woman walks into the room, looks at the man,", "best way to do this? Perhaps a clean break in narrative? > >", "narrative? > > I look around the room, wondering where they'll take me.", "\"proper\"/preferred way to write this? Does one have more of an impact over", "they'll take me. > > A woman walks into the room, looks at", "his monologue, somebody walks into the room in real-time and tells him something.", "What is the best way to do this? Perhaps a clean break in", "me and says, \"come with me, sir\", then leaves. I guess I'll follow", "way to do this? Perhaps a clean break in narrative? > > I", "with me, sir\", then leaves. > > > Or perhaps attempting to blend", "> > > Or perhaps attempting to blend the two? > > I", "walks into the room, looks at me and says, \"come with me, sir\",", "man, says \"come with me, sir\", then leaves. > > > Or perhaps", "a clean break in narrative? > > I look around the room, wondering", "attempting to blend the two? > > I look around the room, wondering", "says, \"come with me, sir\", then leaves. I guess I'll follow her. >", "monologue, somebody walks into the room in real-time and tells him something. What", "story from the perspective of a man telling his audience what happened to", "says \"come with me, sir\", then leaves. > > > Or perhaps attempting", "to do this? Perhaps a clean break in narrative? > > I look", "way to write this? Does one have more of an impact over the", "walks into the room, looks at the man, says \"come with me, sir\",", "walks into the room in real-time and tells him something. What is the", "\"come with me, sir\", then leaves. > > > Or perhaps attempting to", "clean break in narrative? > > I look around the room, wondering where", "Or perhaps attempting to blend the two? > > I look around the", "at me and says, \"come with me, sir\", then leaves. I guess I'll", "looks at me and says, \"come with me, sir\", then leaves. I guess", "in narrative? > > I look around the room, wondering where they'll take", "into the room, looks at me and says, \"come with me, sir\", then", "around the room, wondering where they'll take me. > > A woman walks", "her. > > > Is there a \"proper\"/preferred way to write this? Does", "perspective of a man telling his audience what happened to him. During his", "leaves. I guess I'll follow her. > > > Is there a \"proper\"/preferred", "look around the room, wondering where they'll take me. > > A woman", "of a man telling his audience what happened to him. During his monologue,", "> > Is there a \"proper\"/preferred way to write this? Does one have", "audience what happened to him. During his monologue, somebody walks into the room", "and tells him something. What is the best way to do this? Perhaps", "me. > > A woman walks into the room, looks at me and", "I'll follow her. > > > Is there a \"proper\"/preferred way to write", "to blend the two? > > I look around the room, wondering where", "the best way to do this? Perhaps a clean break in narrative? >", "Is there a \"proper\"/preferred way to write this? Does one have more of", "> A woman walks into the room, looks at the man, says \"come", "from the perspective of a man telling his audience what happened to him.", "the room in real-time and tells him something. What is the best way", "happened to him. During his monologue, somebody walks into the room in real-time", "where they'll take me. > > A woman walks into the room, looks", "room in real-time and tells him something. What is the best way to", "do this? Perhaps a clean break in narrative? > > I look around", "> Is there a \"proper\"/preferred way to write this? Does one have more", "am writing a story from the perspective of a man telling his audience", "into the room, looks at the man, says \"come with me, sir\", then", "room, wondering where they'll take me. > > A woman walks into the", "I guess I'll follow her. > > > Is there a \"proper\"/preferred way", "man telling his audience what happened to him. During his monologue, somebody walks", "During his monologue, somebody walks into the room in real-time and tells him", "room, looks at me and says, \"come with me, sir\", then leaves. I", "room, looks at the man, says \"come with me, sir\", then leaves. >", "the room, wondering where they'll take me. > > A woman walks into", "the man, says \"come with me, sir\", then leaves. > > > Or", "break in narrative? > > I look around the room, wondering where they'll", "take me. > > A woman walks into the room, looks at me", "me, sir\", then leaves. I guess I'll follow her. > > > Is", "is the best way to do this? Perhaps a clean break in narrative?", "> > Or perhaps attempting to blend the two? > > I look" ]
[ "and had completely missed what their ethnicity was and that this was why", "find a tasteful way to describe the color of their skin and start", "level of cultural awareness of a reader, and so certain aspects of a", "convey a character's race/ethnicity clearly (while hopefully steering clear of stereotypes) but appropriately", "ethnicity was and that this was why they were speaking this way. My", "that allows them to show their heritage compared to other characters eg. name,", "work has multiracial characters and I tend to use elements of ethnicity in", "sure why. So with all that said what are some ways to convey", "they wear and like etc. I've recently had someone read a particular scene", "to other characters eg. name, how they speak, where they're from, what they", "of my work has multiracial characters and I tend to use elements of", "to describe the color of their skin and start them in a scenario", "what their ethnicity was and that this was why they were speaking this", "etc. I've recently had someone read a particular scene involving a character, and", "ethnicity if that reader has little to no knowledge of that particular culture,", "didn't understand why the character was speaking a certain way (slang etc) and", "scene involving a character, and was surprised afterwards, when they told me that", "can never predict the level of cultural awareness of a reader, and so", "was and that this was why they were speaking this way. My point", "(while hopefully steering clear of stereotypes) but appropriately (without sounding racist or offending", "read a particular scene involving a character, and was surprised afterwards, when they", "a tasteful way to describe the color of their skin and start them", "But this is rare in books and I'm not sure why. So with", "and that this was why they were speaking this way. My point is", "them to show their heritage compared to other characters eg. name, how they", "in books and I'm not sure why. So with all that said what", "affect that reader's enjoyment. When comparing books and film for example, I find", "a particular scene involving a character, and was surprised afterwards, when they told", "a characterization will fail to convey the character's ethnicity if that reader has", "character's ethnicity if that reader has little to no knowledge of that particular", "I tend to use elements of ethnicity in characterization. Most of the time", "and I'm not sure why. So with all that said what are some", "color of their skin and start them in a scenario that allows them", "a character, and was surprised afterwards, when they told me that they didn't", "scenario that allows them to show their heritage compared to other characters eg.", "particular culture, which will affect that reader's enjoyment. When comparing books and film", "very up front about character ethnicity eg. Trent, 21, Black. But this is", "a scenario that allows them to show their heritage compared to other characters", "of their skin and start them in a scenario that allows them to", "books and film for example, I find it interesting that many film scripts", "why the character was speaking a certain way (slang etc) and had completely", "has little to no knowledge of that particular culture, which will affect that", "film for example, I find it interesting that many film scripts I have", "if that reader has little to no knowledge of that particular culture, which", "that many film scripts I have read are very up front about character", "film scripts I have read are very up front about character ethnicity eg.", "when they told me that they didn't understand why the character was speaking", "this is rare in books and I'm not sure why. So with all", "When comparing books and film for example, I find it interesting that many", "why they were speaking this way. My point is that you can never", "are some ways to convey a character's race/ethnicity clearly (while hopefully steering clear", "interesting that many film scripts I have read are very up front about", "where they're from, what they wear and like etc. I've recently had someone", "a character's race/ethnicity clearly (while hopefully steering clear of stereotypes) but appropriately (without", "not sure why. So with all that said what are some ways to", "to use elements of ethnicity in characterization. Most of the time I find", "I have read are very up front about character ethnicity eg. Trent, 21,", "the character was speaking a certain way (slang etc) and had completely missed", "in a scenario that allows them to show their heritage compared to other", "reader has little to no knowledge of that particular culture, which will affect", "with all that said what are some ways to convey a character's race/ethnicity", "speaking a certain way (slang etc) and had completely missed what their ethnicity", "a lot of my work has multiracial characters and I tend to use", "way. My point is that you can never predict the level of cultural", "what they wear and like etc. I've recently had someone read a particular", "were speaking this way. My point is that you can never predict the", "have read are very up front about character ethnicity eg. Trent, 21, Black.", "this was why they were speaking this way. My point is that you", "their heritage compared to other characters eg. name, how they speak, where they're", "how they speak, where they're from, what they wear and like etc. I've", "of their race/ethnicity since a lot of my work has multiracial characters and", "they're from, what they wear and like etc. I've recently had someone read", "characterization. Most of the time I find a tasteful way to describe the", "you can never predict the level of cultural awareness of a reader, and", "speaking this way. My point is that you can never predict the level", "My point is that you can never predict the level of cultural awareness", "will fail to convey the character's ethnicity if that reader has little to", "characters eg. name, how they speak, where they're from, what they wear and", "name, how they speak, where they're from, what they wear and like etc.", "in characterization. Most of the time I find a tasteful way to describe", "read are very up front about character ethnicity eg. Trent, 21, Black. But", "of that particular culture, which will affect that reader's enjoyment. When comparing books", "said what are some ways to convey a character's race/ethnicity clearly (while hopefully", "wear and like etc. I've recently had someone read a particular scene involving", "they speak, where they're from, what they wear and like etc. I've recently", "other characters eg. name, how they speak, where they're from, what they wear", "of a reader, and so certain aspects of a characterization will fail to", "all that said what are some ways to convey a character's race/ethnicity clearly", "are very up front about character ethnicity eg. Trent, 21, Black. But this", "culture, which will affect that reader's enjoyment. When comparing books and film for", "etc) and had completely missed what their ethnicity was and that this was", "way to describe the color of their skin and start them in a", "lot of my work has multiracial characters and I tend to use elements", "that reader's enjoyment. When comparing books and film for example, I find it", "is that you can never predict the level of cultural awareness of a", "reader, and so certain aspects of a characterization will fail to convey the", "tasteful way to describe the color of their skin and start them in", "I find it interesting that many film scripts I have read are very", "they told me that they didn't understand why the character was speaking a", "usually provide some indication of their race/ethnicity since a lot of my work", "use elements of ethnicity in characterization. Most of the time I find a", "like etc. I've recently had someone read a particular scene involving a character,", "When describing a character I usually provide some indication of their race/ethnicity since", "and start them in a scenario that allows them to show their heritage", "describe the color of their skin and start them in a scenario that", "tend to use elements of ethnicity in characterization. Most of the time I", "that they didn't understand why the character was speaking a certain way (slang", "books and I'm not sure why. So with all that said what are", "that this was why they were speaking this way. My point is that", "start them in a scenario that allows them to show their heritage compared", "fail to convey the character's ethnicity if that reader has little to no", "front about character ethnicity eg. Trent, 21, Black. But this is rare in", "Trent, 21, Black. But this is rare in books and I'm not sure", "character, and was surprised afterwards, when they told me that they didn't understand", "character ethnicity eg. Trent, 21, Black. But this is rare in books and", "predict the level of cultural awareness of a reader, and so certain aspects", "the level of cultural awareness of a reader, and so certain aspects of", "I find a tasteful way to describe the color of their skin and", "which will affect that reader's enjoyment. When comparing books and film for example,", "character I usually provide some indication of their race/ethnicity since a lot of", "aspects of a characterization will fail to convey the character's ethnicity if that", "clearly (while hopefully steering clear of stereotypes) but appropriately (without sounding racist or", "was speaking a certain way (slang etc) and had completely missed what their", "So with all that said what are some ways to convey a character's", "me that they didn't understand why the character was speaking a certain way", "eg. name, how they speak, where they're from, what they wear and like", "provide some indication of their race/ethnicity since a lot of my work has", "Most of the time I find a tasteful way to describe the color", "convey the character's ethnicity if that reader has little to no knowledge of", "multiracial characters and I tend to use elements of ethnicity in characterization. Most", "to show their heritage compared to other characters eg. name, how they speak,", "someone read a particular scene involving a character, and was surprised afterwards, when", "no knowledge of that particular culture, which will affect that reader's enjoyment. When", "enjoyment. When comparing books and film for example, I find it interesting that", "completely missed what their ethnicity was and that this was why they were", "ethnicity eg. Trent, 21, Black. But this is rare in books and I'm", "hopefully steering clear of stereotypes) but appropriately (without sounding racist or offending anyone)?", "of a characterization will fail to convey the character's ethnicity if that reader", "show their heritage compared to other characters eg. name, how they speak, where", "ethnicity in characterization. Most of the time I find a tasteful way to", "the color of their skin and start them in a scenario that allows", "had completely missed what their ethnicity was and that this was why they", "this way. My point is that you can never predict the level of", "of ethnicity in characterization. Most of the time I find a tasteful way", "Black. But this is rare in books and I'm not sure why. So", "particular scene involving a character, and was surprised afterwards, when they told me", "was surprised afterwards, when they told me that they didn't understand why the", "of cultural awareness of a reader, and so certain aspects of a characterization", "a character I usually provide some indication of their race/ethnicity since a lot", "the time I find a tasteful way to describe the color of their", "I've recently had someone read a particular scene involving a character, and was", "race/ethnicity clearly (while hopefully steering clear of stereotypes) but appropriately (without sounding racist", "describing a character I usually provide some indication of their race/ethnicity since a", "so certain aspects of a characterization will fail to convey the character's ethnicity", "a reader, and so certain aspects of a characterization will fail to convey", "from, what they wear and like etc. I've recently had someone read a", "has multiracial characters and I tend to use elements of ethnicity in characterization.", "had someone read a particular scene involving a character, and was surprised afterwards,", "find it interesting that many film scripts I have read are very up", "scripts I have read are very up front about character ethnicity eg. Trent,", "way (slang etc) and had completely missed what their ethnicity was and that", "my work has multiracial characters and I tend to use elements of ethnicity", "allows them to show their heritage compared to other characters eg. name, how", "that you can never predict the level of cultural awareness of a reader,", "characterization will fail to convey the character's ethnicity if that reader has little", "and like etc. I've recently had someone read a particular scene involving a", "little to no knowledge of that particular culture, which will affect that reader's", "and was surprised afterwards, when they told me that they didn't understand why", "their ethnicity was and that this was why they were speaking this way.", "to convey a character's race/ethnicity clearly (while hopefully steering clear of stereotypes) but", "race/ethnicity since a lot of my work has multiracial characters and I tend", "and so certain aspects of a characterization will fail to convey the character's", "was why they were speaking this way. My point is that you can", "reader's enjoyment. When comparing books and film for example, I find it interesting", "I'm not sure why. So with all that said what are some ways", "certain way (slang etc) and had completely missed what their ethnicity was and", "to convey the character's ethnicity if that reader has little to no knowledge", "surprised afterwards, when they told me that they didn't understand why the character", "some ways to convey a character's race/ethnicity clearly (while hopefully steering clear of", "why. So with all that said what are some ways to convey a", "time I find a tasteful way to describe the color of their skin", "knowledge of that particular culture, which will affect that reader's enjoyment. When comparing", "their skin and start them in a scenario that allows them to show", "and film for example, I find it interesting that many film scripts I", "many film scripts I have read are very up front about character ethnicity", "that said what are some ways to convey a character's race/ethnicity clearly (while", "of the time I find a tasteful way to describe the color of", "awareness of a reader, and so certain aspects of a characterization will fail", "rare in books and I'm not sure why. So with all that said", "it interesting that many film scripts I have read are very up front", "characters and I tend to use elements of ethnicity in characterization. Most of", "about character ethnicity eg. Trent, 21, Black. 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But this is rare in books and I'm not", "is rare in books and I'm not sure why. So with all that", "will affect that reader's enjoyment. When comparing books and film for example, I", "comparing books and film for example, I find it interesting that many film", "speak, where they're from, what they wear and like etc. I've recently had", "for example, I find it interesting that many film scripts I have read", "compared to other characters eg. name, how they speak, where they're from, what", "the character's ethnicity if that reader has little to no knowledge of that", "involving a character, and was surprised afterwards, when they told me that they", "their race/ethnicity since a lot of my work has multiracial characters and I", "since a lot of my work has multiracial characters and I tend to", "afterwards, when they told me that they didn't understand why the character was", "what are some ways to convey a character's race/ethnicity clearly (while hopefully steering", "that particular culture, which will affect that reader's enjoyment. When comparing books and", "that reader has little to no knowledge of that particular culture, which will", "understand why the character was speaking a certain way (slang etc) and had", "elements of ethnicity in characterization. Most of the time I find a tasteful", "heritage compared to other characters eg. name, how they speak, where they're from,", "character's race/ethnicity clearly (while hopefully steering clear of stereotypes) but appropriately (without sounding", "some indication of their race/ethnicity since a lot of my work has multiracial", "up front about character ethnicity eg. Trent, 21, Black. But this is rare" ]
[ "> > > it just didn't feel right with the type of person", "tends to think things through. The one who had the blame wrongly pinned", "her. The one who had pinned the blame is traditionally a level-headed, rational", "vehicle for about 10 minutes and had sustained heavy damage. A few of", "of the accident on her. The one who had pinned the blame is", "to display a lack of lady-like manners. When I reread the sections >", "to think things through. The one who had the blame wrongly pinned on", "and > > she turned and walked out of the room, Aletuydor called", "is: How do I make a character with a certain personality react in", "his aid. At first, I had made a character(F18) break down after someone", "of them. > > > it just didn't feel right with the type", "where the main character(M17) was in a huge car crash. He'd been in", "a point in my story where the main character(M17) was in a huge", "that. So my question is: How do I make a character with a", "who is overprotective of the MC put the blame of the accident on", "is traditionally a level-headed, rational person who tends to think things through. The", "his friends had come to his aid. At first, I had made a", "the accident on her. The one who had pinned the blame is traditionally", "sustained heavy damage. A few of his friends had come to his aid.", "front of them. > > > it just didn't feel right with the", "out of the room, Aletuydor called after her, but she didn't answer as", "overwhelming sense of guilt > > > and > > she turned and", "and had sustained heavy damage. A few of his friends had come to", "story where the main character(M17) was in a huge car crash. He'd been", "and cheerful personality, and tends to display a lack of lady-like manners. When", "as she was hit by an overwhelming sense of guilt > > >", "of person she is. I had a whole scene centered around her being", "whole scene centered around her being upset and yelling and everything, and now", "in an overturned vehicle for about 10 minutes and had sustained heavy damage.", "had a whole scene centered around her being upset and yelling and everything,", "in my story where the main character(M17) was in a huge car crash.", "pinned on her has a very relaxed, upbeat, and cheerful personality, and tends", "after someone else(F17) who is overprotective of the MC put the blame of", "much less cry in front of them. > > > it just didn't", "her has a very relaxed, upbeat, and cheerful personality, and tends to display", "So my question is: How do I make a character with a certain", "personality, and tends to display a lack of lady-like manners. When I reread", "do that. So my question is: How do I make a character with", "relaxed, upbeat, and cheerful personality, and tends to display a lack of lady-like", "it out, but then the whole scene would have to get changed as", "my story where the main character(M17) was in a huge car crash. He'd", "a very relaxed, upbeat, and cheerful personality, and tends to display a lack", "eyes started to water as she was hit by an overwhelming sense of", "> > and > > she turned and walked out of the room,", "upbeat, and cheerful personality, and tends to display a lack of lady-like manners.", "person she is. I had a whole scene centered around her being upset", "is. I had a whole scene centered around her being upset and yelling", "of guilt > > > and > > she turned and walked out", "do I make a character with a certain personality react in a certain", "everything, and now it feels like I should change it out, but then", "worse, much less cry in front of them. > > > it just", "it feels like I should change it out, but then the whole scene", "character(M17) was in a huge car crash. He'd been in an overturned vehicle", "want to feel any worse, much less cry in front of them. >", "a huge car crash. He'd been in an overturned vehicle for about 10", "a character(F18) break down after someone else(F17) who is overprotective of the MC", "at a point in my story where the main character(M17) was in a", "was hit by an overwhelming sense of guilt > > > and >", "display a lack of lady-like manners. When I reread the sections > >", "question is: How do I make a character with a certain personality react", "to feel any worse, much less cry in front of them. > >", "made a character(F18) break down after someone else(F17) who is overprotective of the", "had come to his aid. At first, I had made a character(F18) break", "she didn't answer as she didn't want to feel any worse, much less", "I had a whole scene centered around her being upset and yelling and", "the blame wrongly pinned on her has a very relaxed, upbeat, and cheerful", "but she didn't answer as she didn't want to feel any worse, much", "a whole scene centered around her being upset and yelling and everything, and", "I reread the sections > > her eyes started to water as she", "level-headed, rational person who tends to think things through. The one who had", "10 minutes and had sustained heavy damage. A few of his friends had", "rational person who tends to think things through. The one who had the", "> > she turned and walked out of the room, Aletuydor called after", "> it just didn't feel right with the type of person she is.", "is overprotective of the MC put the blame of the accident on her.", "had pinned the blame is traditionally a level-headed, rational person who tends to", "them. > > > it just didn't feel right with the type of", "else(F17) who is overprotective of the MC put the blame of the accident", "for about 10 minutes and had sustained heavy damage. A few of his", "> her eyes started to water as she was hit by an overwhelming", "sense of guilt > > > and > > she turned and walked", "she was hit by an overwhelming sense of guilt > > > and", "reread the sections > > her eyes started to water as she was", "The one who had the blame wrongly pinned on her has a very", "break down after someone else(F17) who is overprotective of the MC put the", "down after someone else(F17) who is overprotective of the MC put the blame", "> she turned and walked out of the room, Aletuydor called after her,", "called after her, but she didn't answer as she didn't want to feel", "how to do that. So my question is: How do I make a", "feel right with the type of person she is. I had a whole", "walked out of the room, Aletuydor called after her, but she didn't answer", "Aletuydor called after her, but she didn't answer as she didn't want to", "and now it feels like I should change it out, but then the", "changed as well and I'm not sure how to do that. So my", "just didn't feel right with the type of person she is. I had", "come to his aid. At first, I had made a character(F18) break down", "her eyes started to water as she was hit by an overwhelming sense", "on her. The one who had pinned the blame is traditionally a level-headed,", "right with the type of person she is. I had a whole scene", "minutes and had sustained heavy damage. A few of his friends had come", "first, I had made a character(F18) break down after someone else(F17) who is", "she didn't want to feel any worse, much less cry in front of", "and walked out of the room, Aletuydor called after her, but she didn't", "one who had the blame wrongly pinned on her has a very relaxed,", "He'd been in an overturned vehicle for about 10 minutes and had sustained", "her being upset and yelling and everything, and now it feels like I", "any worse, much less cry in front of them. > > > it", "very relaxed, upbeat, and cheerful personality, and tends to display a lack of", "as well and I'm not sure how to do that. So my question", "blame of the accident on her. The one who had pinned the blame", "then the whole scene would have to get changed as well and I'm", "I'm at a point in my story where the main character(M17) was in", "few of his friends had come to his aid. At first, I had", "by an overwhelming sense of guilt > > > and > > she", "room, Aletuydor called after her, but she didn't answer as she didn't want", "feels like I should change it out, but then the whole scene would", "her, but she didn't answer as she didn't want to feel any worse,", "scene would have to get changed as well and I'm not sure how", "in front of them. > > > it just didn't feel right with", "I make a character with a certain personality react in a certain situation?", "has a very relaxed, upbeat, and cheerful personality, and tends to display a", "about 10 minutes and had sustained heavy damage. A few of his friends", "I should change it out, but then the whole scene would have to", "I had made a character(F18) break down after someone else(F17) who is overprotective", "cry in front of them. > > > it just didn't feel right", "as she didn't want to feel any worse, much less cry in front", "to get changed as well and I'm not sure how to do that.", "of his friends had come to his aid. At first, I had made", "overprotective of the MC put the blame of the accident on her. The", "now it feels like I should change it out, but then the whole", "being upset and yelling and everything, and now it feels like I should", "accident on her. The one who had pinned the blame is traditionally a", "like I should change it out, but then the whole scene would have", "lack of lady-like manners. When I reread the sections > > her eyes", "scene centered around her being upset and yelling and everything, and now it", "car crash. He'd been in an overturned vehicle for about 10 minutes and", "How do I make a character with a certain personality react in a", "hit by an overwhelming sense of guilt > > > and > >", "an overturned vehicle for about 10 minutes and had sustained heavy damage. A", "she is. I had a whole scene centered around her being upset and", "water as she was hit by an overwhelming sense of guilt > >", "been in an overturned vehicle for about 10 minutes and had sustained heavy", "lady-like manners. When I reread the sections > > her eyes started to", "a lack of lady-like manners. When I reread the sections > > her", "started to water as she was hit by an overwhelming sense of guilt", "point in my story where the main character(M17) was in a huge car", "to do that. So my question is: How do I make a character", "in a huge car crash. He'd been in an overturned vehicle for about", "didn't feel right with the type of person she is. I had a", "who had pinned the blame is traditionally a level-headed, rational person who tends", "it just didn't feel right with the type of person she is. I", "and tends to display a lack of lady-like manners. When I reread the", "person who tends to think things through. The one who had the blame", "traditionally a level-headed, rational person who tends to think things through. The one", "was in a huge car crash. He'd been in an overturned vehicle for", "the room, Aletuydor called after her, but she didn't answer as she didn't", "damage. A few of his friends had come to his aid. At first,", "get changed as well and I'm not sure how to do that. So", "whole scene would have to get changed as well and I'm not sure", "after her, but she didn't answer as she didn't want to feel any", "less cry in front of them. > > > it just didn't feel", "would have to get changed as well and I'm not sure how to", "who tends to think things through. The one who had the blame wrongly", "had the blame wrongly pinned on her has a very relaxed, upbeat, and", "a level-headed, rational person who tends to think things through. The one who", "had made a character(F18) break down after someone else(F17) who is overprotective of", "overturned vehicle for about 10 minutes and had sustained heavy damage. A few", "who had the blame wrongly pinned on her has a very relaxed, upbeat,", "of the room, Aletuydor called after her, but she didn't answer as she", "sure how to do that. So my question is: How do I make", "think things through. The one who had the blame wrongly pinned on her", "the blame of the accident on her. The one who had pinned the", "tends to display a lack of lady-like manners. When I reread the sections", "turned and walked out of the room, Aletuydor called after her, but she", "I'm not sure how to do that. So my question is: How do", "The one who had pinned the blame is traditionally a level-headed, rational person", "manners. When I reread the sections > > her eyes started to water", "answer as she didn't want to feel any worse, much less cry in", "aid. At first, I had made a character(F18) break down after someone else(F17)", "> and > > she turned and walked out of the room, Aletuydor", "feel any worse, much less cry in front of them. > > >", "yelling and everything, and now it feels like I should change it out,", "and yelling and everything, and now it feels like I should change it", "had sustained heavy damage. A few of his friends had come to his", "upset and yelling and everything, and now it feels like I should change", "When I reread the sections > > her eyes started to water as", "she turned and walked out of the room, Aletuydor called after her, but", "with the type of person she is. I had a whole scene centered", "MC put the blame of the accident on her. The one who had", "an overwhelming sense of guilt > > > and > > she turned", "well and I'm not sure how to do that. So my question is:", "to water as she was hit by an overwhelming sense of guilt >", "the main character(M17) was in a huge car crash. He'd been in an", "my question is: How do I make a character with a certain personality", "heavy damage. A few of his friends had come to his aid. At", "the blame is traditionally a level-headed, rational person who tends to think things", "of the MC put the blame of the accident on her. The one", "A few of his friends had come to his aid. At first, I", "change it out, but then the whole scene would have to get changed", "> > her eyes started to water as she was hit by an", "character(F18) break down after someone else(F17) who is overprotective of the MC put", "have to get changed as well and I'm not sure how to do", "didn't answer as she didn't want to feel any worse, much less cry", "should change it out, but then the whole scene would have to get", "and everything, and now it feels like I should change it out, but", "didn't want to feel any worse, much less cry in front of them.", "things through. The one who had the blame wrongly pinned on her has", "sections > > her eyes started to water as she was hit by", "> > > and > > she turned and walked out of the", "centered around her being upset and yelling and everything, and now it feels", "cheerful personality, and tends to display a lack of lady-like manners. When I", "crash. He'd been in an overturned vehicle for about 10 minutes and had", "friends had come to his aid. At first, I had made a character(F18)", "main character(M17) was in a huge car crash. He'd been in an overturned", "type of person she is. I had a whole scene centered around her", "At first, I had made a character(F18) break down after someone else(F17) who", "one who had pinned the blame is traditionally a level-headed, rational person who", "huge car crash. He'd been in an overturned vehicle for about 10 minutes", "but then the whole scene would have to get changed as well and", "and I'm not sure how to do that. So my question is: How", "blame wrongly pinned on her has a very relaxed, upbeat, and cheerful personality,", "through. The one who had the blame wrongly pinned on her has a", "blame is traditionally a level-headed, rational person who tends to think things through.", "put the blame of the accident on her. The one who had pinned", "the MC put the blame of the accident on her. The one who", "on her has a very relaxed, upbeat, and cheerful personality, and tends to", "the sections > > her eyes started to water as she was hit", "of lady-like manners. When I reread the sections > > her eyes started", "guilt > > > and > > she turned and walked out of", "the type of person she is. I had a whole scene centered around", "out, but then the whole scene would have to get changed as well", "someone else(F17) who is overprotective of the MC put the blame of the", "pinned the blame is traditionally a level-headed, rational person who tends to think", "> > it just didn't feel right with the type of person she", "to his aid. At first, I had made a character(F18) break down after", "not sure how to do that. So my question is: How do I", "around her being upset and yelling and everything, and now it feels like", "wrongly pinned on her has a very relaxed, upbeat, and cheerful personality, and", "the whole scene would have to get changed as well and I'm not" ]
[ "a way that looks professional without removing the \"audio\" information of how the", "> > The question is how do you write no in a way", "an actor, how long and loud the actor should sound like when he", "way that looks professional without removing the \"audio\" information of how the \"no\"", "write no in a way that looks professional without removing the \"audio\" information", "professional without removing the \"audio\" information of how the \"no\" should be uttered", "do you write no in a way that looks professional without removing the", "information of how the \"no\" should be uttered by an actor, how long", "> NOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOO!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! > > > The question is how do you write no", "looks professional without removing the \"audio\" information of how the \"no\" should be", "of how the \"no\" should be uttered by an actor, how long and", "> > > Rumerz: > NOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOO!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! > > > The question is how", "The question is how do you write no in a way that looks", "should be uttered by an actor, how long and loud the actor should", "by an actor, how long and loud the actor should sound like when", "be uttered by an actor, how long and loud the actor should sound", "no in a way that looks professional without removing the \"audio\" information of", "> > Rumerz: > NOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOO!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! > > > The question is how do", "your daddy. > > > Rumerz: > NOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOO!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! > > > The question", "removing the \"audio\" information of how the \"no\" should be uttered by an", "you write no in a way that looks professional without removing the \"audio\"", "> Stephen: I am your daddy. > > > Rumerz: > NOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOO!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! >", "Stephen: I am your daddy. > > > Rumerz: > NOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOO!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! > >", "actor should sound like when he utters the line. How is this normally", "question is how do you write no in a way that looks professional", "that looks professional without removing the \"audio\" information of how the \"no\" should", "Rumerz: > NOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOO!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! > > > The question is how do you write", "am your daddy. > > > Rumerz: > NOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOO!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! > > > The", "how the \"no\" should be uttered by an actor, how long and loud", "actor, how long and loud the actor should sound like when he utters", "how long and loud the actor should sound like when he utters the", "the \"audio\" information of how the \"no\" should be uttered by an actor,", "the \"no\" should be uttered by an actor, how long and loud the", "\"no\" should be uttered by an actor, how long and loud the actor", "loud the actor should sound like when he utters the line. How is", "how do you write no in a way that looks professional without removing", "the actor should sound like when he utters the line. How is this", "in a way that looks professional without removing the \"audio\" information of how", "> The question is how do you write no in a way that", "> Rumerz: > NOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOO!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! > > > The question is how do you", "\"audio\" information of how the \"no\" should be uttered by an actor, how", "daddy. > > > Rumerz: > NOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOO!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! > > > The question is", "should sound like when he utters the line. How is this normally done?", "NOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOO!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! > > > The question is how do you write no in", "> > > The question is how do you write no in a", "is how do you write no in a way that looks professional without", "uttered by an actor, how long and loud the actor should sound like", "> > Stephen: I am your daddy. > > > Rumerz: > NOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOO!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!", "and loud the actor should sound like when he utters the line. How", "long and loud the actor should sound like when he utters the line.", "without removing the \"audio\" information of how the \"no\" should be uttered by", "I am your daddy. > > > Rumerz: > NOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOO!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! > > >" ]
[ "narrator/character is talking to themselves in a sane way. For example, to demonstrate", "translate over otherwise. However, the challenge I'm having is that indirect thought is", "those reactions/feelings. I would like any thoughts (indirect or direct) of the narrator/character", "would become voice-over in the film script, and action narration would stay as", "has been asked at [Movie and TV Stack Exchange](https://movies.stackexchange.com/questions/24956/what-are-the-methods-of-including-a-characters-thoughts-in-an-audiovisual-mediu), some very useful suggestions", "been doing rewrites of the indirect thoughts to make them convey the same", "medium? A similar question has been asked at [Movie and TV Stack Exchange](https://movies.stackexchange.com/questions/24956/what-are-the-methods-of-including-a-characters-thoughts-in-an-audiovisual-mediu),", "still feels a bit forced, however; I can't come up with anything better.", "reminded Ritp of her ex-husband which is why she decided to stay here.", "sister, is living here, she moved to the docks after her divorce. 3.", "narrator/character to be having direct thoughts about things they already know, and therefore", "her divorce. I hate the docks, thought Jolr. *The smell of the water", "suddenly, appearing from around the corner. \"Your son tells me you're planning to", "sense when the narrator/character is talking to themselves in a sane way. For", "living here, she had moved to the docks after her divorce. 2. First", "would stay as action on screen. But this isn't very straightforward, for me", "into a film script. The book uses third-person past tense narration that switches", "similar question has been asked at [Movie and TV Stack Exchange](https://movies.stackexchange.com/questions/24956/what-are-the-methods-of-including-a-characters-thoughts-in-an-audiovisual-mediu), some very", "a bit forced, however; I can't come up with anything better. Is there", "switches between several characters from chapter to chapter and thus is always from", "possible yet still taking advantage of film as a medium? A similar question", "moved to the docks after her divorce. 2. First Rewrite (direct thought with", "Is there a better way to approach this kind of \"conversion\" while staying", "of film as a medium? A similar question has been asked at [Movie", "sister, was living here, she had moved to the docks after her divorce.", "still taking advantage of film as a medium? A similar question has been", "narration in the film since I cannot see how these would translate over", "present. At first, I thought, just convert all indirect thought to direct thought.", "indirect thought is in third person past, direct thought is in first person", "thoughts (indirect or direct) of the narrator/character to become voice-over narration in the", "and therefore makes it very contrived and obvious that these thoughts are there", "Second Rewrite (direct thought with additional changes) My sister Ritp should be", "indirect thought, italics is direct thought. > > Jolr arrived earlier than expected", "best to me but still feels a bit forced, however; I can't come", "to the docks after her divorce. 2. First Rewrite (direct thought with tense", "to show character reactions/feelings in situations where they don't want the other characters", "the audience and each time it happens it feels like a fourth wall", "my sister, is living here, she moved to the docks after her divorce.", "with tense change only) * Ritp, my sister, is living here, she moved", "direct) of the narrator/character to become voice-over narration in the film since I", "as possible yet still taking advantage of film as a medium? A similar", "arrived earlier than expected and so decided to visit a block of flats", "(direct thought with tense change only) * Ritp, my sister, is living here,", "ex-husband and she used to go sailing. The third sounds the best to", "etc. Direct thought is also used to show character reactions/feelings in situations where", "to make them convey the same details but in a way that would", "I hate the docks, thought Jolr. *The smell of the water reminded Ritp", "Damn you Ritp!* > > > So as mentioned, simply changing the bold", "a sane way. For example, to demonstrate the above, bold is indirect thought,", "book uses third-person past tense narration that switches between several characters from chapter", "voice-over narration in the film since I cannot see how these would translate", "about when her ex-husband and she used to go sailing. The third sounds", "Ritp!* > > > So as mentioned, simply changing the bold above to", "her divorce. 3. Second Rewrite (direct thought with additional changes) * My sister", "first, I thought, just convert all indirect thought to direct thought. This would", "way to approach this kind of \"conversion\" while staying as true to the", "have more funny stories about when her ex-husband and she used to go", "past events, etc. Direct thought is also used to show character reactions/feelings in", "thought, seems to just make the narrator/character sound a little crazy or suffering", "she moved to the docks after her divorce. 3. Second Rewrite (direct thought", "quite a bit of indirect thought from the narrator/character in which they add", "This would make everything very simple since all thoughts would become voice-over in", "thought, just convert all indirect thought to direct thought. This would make everything", "narration would stay as action on screen. But this isn't very straightforward, for", "wall break. At this stage, I have been doing rewrites of the indirect", "example, to demonstrate the above, bold is indirect thought, italics is direct thought.", "move away, I should tell Ritp soon.* \"Hi Jolr,\" said Ritp suddenly, appearing", "approach this kind of \"conversion\" while staying as true to the source material", "film script, and action narration would stay as action on screen. But this", "italics is direct thought. > > Jolr arrived earlier than expected and so", "thought to direct thought. This would make everything very simple since all thoughts", "the docks after her divorce. 3. Second Rewrite (direct thought with additional changes)", "rewrites of the indirect thoughts to make them convey the same details but", "how these would translate over otherwise. However, the challenge I'm having is that", "her ex-husband which is why she decided to stay here.** Next year I'll", "is that indirect thought is in third person past, direct thought is in", "the best to me but still feels a bit forced, however; I can't", "in first person present. At first, I thought, just convert all indirect thought", "direct thought, seems to just make the narrator/character sound a little crazy or", "book into a film script. The book uses third-person past tense narration that", "soon. \"Hi Jolr,\" said Ritp suddenly, appearing from around the corner. \"Your son", "obvious that these thoughts are there just for the audience and each time", "she used to go sailing. The third sounds the best to me but", "details but in a way that would make sense when the narrator/character is", "hear those reactions/feelings. I would like any thoughts (indirect or direct) of the", "mentioned, simply changing the bold above to first-person present as direct thought, seems", "them convey the same details but in a way that would make sense", "thoughts to make them convey the same details but in a way that", "I am trying to convert a fiction book into a film script. The", "(direct thought with additional changes) * My sister Ritp should be home around", "next year. Explain.\" Damn you Ritp! > > > So as mentioned, simply", "year I'll have to move away, I should tell Ritp soon.* \"Hi Jolr,\"", "for the audience and each time it happens it feels like a fourth", "uses third-person past tense narration that switches between several characters from chapter to", "would make sense when the narrator/character is talking to themselves in a sane", "up with anything better. Is there a better way to approach this kind", "stage, I have been doing rewrites of the indirect thoughts to make them", "make sense for the narrator/character to be having direct thoughts about things they", "direct thought. > > Jolr arrived earlier than expected and so decided to", "from the narrator/character in which they add more details about characters, setting, past", "I cannot see how these would translate over otherwise. However, the challenge I'm", "first-person present as direct thought, seems to just make the narrator/character sound a", "thoughts about things they already know, and therefore makes it very contrived and", "around now, maybe she'll have more funny stories about when her ex-husband and", "thus is always from a particular character's viewpoint. There is quite a bit", "of the narrator/character to become voice-over narration in the film since I cannot", "home around now, maybe she'll have more funny stories about when her ex-husband", "sister, was living here, she had moved to the docks after her divorce.*", "go sailing. The third sounds the best to me but still feels a", "Rewrite (direct thought with tense change only) Ritp, my sister, is living", "be having direct thoughts about things they already know, and therefore makes it", "Ritp suddenly, appearing from around the corner. \"Your son tells me you're planning", "these would translate over otherwise. However, the challenge I'm having is that indirect", "a film script. The book uses third-person past tense narration that switches between", "she'll have more funny stories about when her ex-husband and she used to", "The smell of the water reminded Ritp of her ex-husband which is why", "third person past, direct thought is in first person present. At first, I", "material as possible yet still taking advantage of film as a medium? A", "is why she decided to stay here. Next year I'll have to move", "changing the bold above to first-person present as direct thought, seems to just", "So as mentioned, simply changing the bold above to first-person present as direct", "example of a rewrite: 1. Original (indirect thought) Ritp, Jolr's sister, was", "to approach this kind of \"conversion\" while staying as true to the source", "same details but in a way that would make sense when the narrator/character", "narrator/character sound a little crazy or suffering from memory loss. Here is an", "so decided to visit a block of flats nearby. *Ritp, Jolr's sister, was", "always from a particular character's viewpoint. There is quite a bit of indirect", "change only) Ritp, my sister, is living here, she moved to the", "is indirect thought, italics is direct thought. > > Jolr arrived earlier than", "* My sister Ritp should be home around now, maybe she'll have more", "time it happens it feels like a fourth wall break. At this stage,", "is that it doesn't make sense for the narrator/character to be having direct", "very contrived and obvious that these thoughts are there just for the audience", "tells me you're planning to move next year. Explain.\" Damn you Ritp! >", "me but still feels a bit forced, however; I can't come up with", "that would make sense when the narrator/character is talking to themselves in a", "*Ritp, Jolr's sister, was living here, she had moved to the docks after", "chapter and thus is always from a particular character's viewpoint. There is quite", "for the narrator/character to be having direct thoughts about things they already know,", "appearing from around the corner. \"Your son tells me you're planning to move", "but still feels a bit forced, however; I can't come up with anything", "loss. Here is an example of a rewrite: 1. Original (indirect thought) ", "when the narrator/character is talking to themselves in a sane way. For example,", "move next year. Explain.\" Damn you Ritp! > > > So as mentioned,", "to chapter and thus is always from a particular character's viewpoint. There is", "fiction book into a film script. The book uses third-person past tense narration", "> > > So as mentioned, simply changing the bold above to first-person", "taking advantage of film as a medium? A similar question has been asked", "a particular character's viewpoint. There is quite a bit of indirect thought from", "each time it happens it feels like a fourth wall break. At this", "character's viewpoint. There is quite a bit of indirect thought from the narrator/character", "film script. The book uses third-person past tense narration that switches between several", "they add more details about characters, setting, past events, etc. Direct thought is", "very simple since all thoughts would become voice-over in the film script, and", "make sense when the narrator/character is talking to themselves in a sane way.", "(indirect thought) * Ritp, Jolr's sister, was living here, she had moved to", "already know, and therefore makes it very contrived and obvious that these thoughts", "indirect thought from the narrator/character in which they add more details about characters,", "action on screen. But this isn't very straightforward, for me at least. A", "thought is also used to show character reactions/feelings in situations where they don't", "Next year I'll have to move away, I should tell Ritp soon. \"Hi", "which they add more details about characters, setting, past events, etc. Direct thought", "don't want the other characters around them to hear those reactions/feelings. I would", "the docks after her divorce.** I hate the docks, thought Jolr. The smell", "to stay here. Next year I'll have to move away, I should tell", "challenge I'm having is that indirect thought is in third person past, direct", "as direct thought, seems to just make the narrator/character sound a little crazy", "There is quite a bit of indirect thought from the narrator/character in which", "and thus is always from a particular character's viewpoint. There is quite a", "see how these would translate over otherwise. However, the challenge I'm having is", "in situations where they don't want the other characters around them to hear", "convey the same details but in a way that would make sense when", "to convert a fiction book into a film script. The book uses third-person", "contrived and obvious that these thoughts are there just for the audience and", "the narrator/character to be having direct thoughts about things they already know, and", "Direct thought is also used to show character reactions/feelings in situations where they", "details about characters, setting, past events, etc. Direct thought is also used to", "living here, she moved to the docks after her divorce. 3. Second Rewrite", "she had moved to the docks after her divorce. 2. First Rewrite (direct", "Jolr. The smell of the water reminded Ritp of her ex-husband which is", "than expected and so decided to visit a block of flats nearby. Ritp,", "person past, direct thought is in first person present. At first, I thought,", "would translate over otherwise. However, the challenge I'm having is that indirect thought", "Ritp of her ex-husband which is why she decided to stay here.* Next", "above, bold* is indirect thought, italics is direct thought. > > Jolr arrived", "over otherwise. However, the challenge I'm having is that indirect thought is in", "I should tell Ritp soon.* \"Hi Jolr,\" said Ritp suddenly, appearing from around", "to be having direct thoughts about things they already know, and therefore makes", "here, she moved to the docks after her divorce. 3. Second Rewrite (direct", "ex-husband which is why she decided to stay here.** Next year I'll have", "tell Ritp soon. \"Hi Jolr,\" said Ritp suddenly, appearing from around the corner.", "planning to move next year. Explain.\" Damn you Ritp! > > > So", "the corner. \"Your son tells me you're planning to move next year. Explain.\"", "I thought, just convert all indirect thought to direct thought. This would make", "reactions/feelings. I would like any thoughts (indirect or direct) of the narrator/character to", "tense narration that switches between several characters from chapter to chapter and thus", "of a rewrite: 1. Original (indirect thought) * Ritp, Jolr's sister, was living", "while staying as true to the source material as possible yet still taking", "decided to stay here.** Next year I'll have to move away, I should", "after her divorce. 2. First Rewrite (direct thought with tense change only) ", "would make everything very simple since all thoughts would become voice-over in the", "stay here.** Next year I'll have to move away, I should tell Ritp", "rewrite: 1. Original (indirect thought) Ritp, Jolr's sister, was living here, she", "from a particular character's viewpoint. There is quite a bit of indirect thought", "I'm having is that indirect thought is in third person past, direct thought", "there a better way to approach this kind of \"conversion\" while staying as", "be home around now, maybe she'll have more funny stories about when her", "the bold above to first-person present as direct thought, seems to just make", "better way to approach this kind of \"conversion\" while staying as true to", "thought, italics is direct thought. > > Jolr arrived earlier than expected and", "talking to themselves in a sane way. For example, to demonstrate the above,", "but in a way that would make sense when the narrator/character is talking", "to the source material as possible yet still taking advantage of film as", "thought is in first person present. At first, I thought, just convert all", "a way that would make sense when the narrator/character is talking to themselves", "first person present. At first, I thought, just convert all indirect thought to", "on screen. But this isn't very straightforward, for me at least. A large", "\"Hi Jolr,\" said Ritp suddenly, appearing from around the corner. \"Your son tells", "these thoughts are there just for the audience and each time it happens", "of the water reminded Ritp of her ex-husband which is why she decided", "to me but still feels a bit forced, however; I can't come up", "to themselves in a sane way. For example, to demonstrate the above, bold", "of \"conversion\" while staying as true to the source material as possible yet", "A large part of the problem is that it doesn't make sense for", "away, I should tell Ritp soon.* \"Hi Jolr,\" said Ritp suddenly, appearing from", "to direct thought. This would make everything very simple since all thoughts would", "thought is in third person past, direct thought is in first person present.", "audience and each time it happens it feels like a fourth wall break.", "and so decided to visit a block of flats nearby. *Ritp, Jolr's sister,", "thoughts are there just for the audience and each time it happens it", "bold above to first-person present as direct thought, seems to just make the", "to become voice-over narration in the film since I cannot see how these", "her ex-husband and she used to go sailing. The third sounds the best", "to first-person present as direct thought, seems to just make the narrator/character sound", "several characters from chapter to chapter and thus is always from a particular", "year. Explain.\" Damn you Ritp!* > > > So as mentioned, simply changing", "The third sounds the best to me but still feels a bit forced,", "as mentioned, simply changing the bold above to first-person present as direct thought,", "problem is that it doesn't make sense for the narrator/character to be having", "me you're planning to move next year. Explain.\" Damn you Ritp! > >", "a rewrite: 1. Original (indirect thought) * Ritp, Jolr's sister, was living here,", "thought) * Ritp, Jolr's sister, was living here, she had moved to the", "little crazy or suffering from memory loss. Here is an example of a", "> > Jolr arrived earlier than expected and so decided to visit a", "But this isn't very straightforward, for me at least. A large part of", "would like any thoughts (indirect or direct) of the narrator/character to become voice-over", "However, the challenge I'm having is that indirect thought is in third person", "indirect thoughts to make them convey the same details but in a way", "direct thought. This would make everything very simple since all thoughts would become", "of indirect thought from the narrator/character in which they add more details about", "Explain.\" Damn you Ritp! > > > So as mentioned, simply changing the", "present as direct thought, seems to just make the narrator/character sound a little", "that indirect thought is in third person past, direct thought is in first", "above to first-person present as direct thought, seems to just make the narrator/character", "yet still taking advantage of film as a medium? A similar question has", "earlier than expected and so decided to visit a block of flats nearby.", "tense change only) * Ritp, my sister, is living here, she moved to", "things they already know, and therefore makes it very contrived and obvious that", "stories about when her ex-husband and she used to go sailing. The third", "this kind of \"conversion\" while staying as true to the source material as", "A similar question has been asked at [Movie and TV Stack Exchange](https://movies.stackexchange.com/questions/24956/what-are-the-methods-of-including-a-characters-thoughts-in-an-audiovisual-mediu), some", "viewpoint. There is quite a bit of indirect thought from the narrator/character in", "moved to the docks after her divorce. 3. Second Rewrite (direct thought with", "the narrator/character to become voice-over narration in the film since I cannot see", "and obvious that these thoughts are there just for the audience and each", "of flats nearby. Ritp, Jolr's sister, was living here, she had moved to", "was living here, she had moved to the docks after her divorce. I", "to just make the narrator/character sound a little crazy or suffering from memory", "after her divorce. 3. Second Rewrite (direct thought with additional changes) My", "narration that switches between several characters from chapter to chapter and thus is", "to visit a block of flats nearby. Ritp, Jolr's sister, was living here,", "other characters around them to hear those reactions/feelings. I would like any thoughts", "nearby. Ritp, Jolr's sister, was living here, she had moved to the docks", "from around the corner. \"Your son tells me you're planning to move next", "past, direct thought is in first person present. At first, I thought, just", "it happens it feels like a fourth wall break. At this stage, I", "way. For example, to demonstrate the above, bold is indirect thought, italics is", "happens it feels like a fourth wall break. At this stage, I have", "corner. \"Your son tells me you're planning to move next year. Explain.\" Damn", "the narrator/character in which they add more details about characters, setting, past events,", "just make the narrator/character sound a little crazy or suffering from memory loss.", "asked at [Movie and TV Stack Exchange](https://movies.stackexchange.com/questions/24956/what-are-the-methods-of-including-a-characters-thoughts-in-an-audiovisual-mediu), some very useful suggestions over there.", "since I cannot see how these would translate over otherwise. However, the challenge", "is an example of a rewrite: 1. Original (indirect thought) Ritp, Jolr's", "First Rewrite (direct thought with tense change only) * Ritp, my sister, is", "crazy or suffering from memory loss. Here is an example of a rewrite:", "you're planning to move next year. Explain.\" Damn you Ritp! > > >", "only) * Ritp, my sister, is living here, she moved to the docks", "to go sailing. The third sounds the best to me but still feels", "isn't very straightforward, for me at least. A large part of the problem", "thought Jolr. *The smell of the water reminded Ritp of her ex-husband which", "just for the audience and each time it happens it feels like a", "script, and action narration would stay as action on screen. But this isn't", "script. The book uses third-person past tense narration that switches between several characters", "narrator/character to become voice-over narration in the film since I cannot see how", "Jolr's sister, was living here, she had moved to the docks after her", "better. Is there a better way to approach this kind of \"conversion\" while", "like any thoughts (indirect or direct) of the narrator/character to become voice-over narration", "sounds the best to me but still feels a bit forced, however; I", "thoughts would become voice-over in the film script, and action narration would stay", "however; I can't come up with anything better. Is there a better way", "Original (indirect thought) Ritp, Jolr's sister, was living here, she had moved", "break. At this stage, I have been doing rewrites of the indirect thoughts", "straightforward, for me at least. A large part of the problem is that", "as true to the source material as possible yet still taking advantage of", "reactions/feelings in situations where they don't want the other characters around them to", "fourth wall break. At this stage, I have been doing rewrites of the", "doesn't make sense for the narrator/character to be having direct thoughts about things", "from chapter to chapter and thus is always from a particular character's viewpoint.", "having is that indirect thought is in third person past, direct thought is", "me at least. A large part of the problem is that it doesn't", "everything very simple since all thoughts would become voice-over in the film script,", "to the docks after her divorce.** I hate the docks, thought Jolr. The", "flats nearby. Ritp, Jolr's sister, was living here, she had moved to the", "a bit of indirect thought from the narrator/character in which they add more", "from memory loss. Here is an example of a rewrite: 1. Original (indirect", "therefore makes it very contrived and obvious that these thoughts are there just", "cannot see how these would translate over otherwise. However, the challenge I'm having", "a fiction book into a film script. The book uses third-person past tense", "voice-over in the film script, and action narration would stay as action on", "should be home around now, maybe she'll have more funny stories about when", "action narration would stay as action on screen. But this isn't very straightforward,", "screen. But this isn't very straightforward, for me at least. A large part", "doing rewrites of the indirect thoughts to make them convey the same details", "son tells me you're planning to move next year. Explain.\" Damn you Ritp!", "that it doesn't make sense for the narrator/character to be having direct thoughts", "like a fourth wall break. At this stage, I have been doing rewrites", "the docks after her divorce. 2. First Rewrite (direct thought with tense change", "feels like a fourth wall break. At this stage, I have been doing", "living here, she had moved to the docks after her divorce.** I hate", "docks, thought Jolr. The smell of the water reminded Ritp of her ex-husband", "it doesn't make sense for the narrator/character to be having direct thoughts about", "the film since I cannot see how these would translate over otherwise. However,", "the film script, and action narration would stay as action on screen. But", "My sister Ritp should be home around now, maybe she'll have more funny", "simply changing the bold above to first-person present as direct thought, seems to", "to hear those reactions/feelings. I would like any thoughts (indirect or direct) of", "bit of indirect thought from the narrator/character in which they add more details", "For example, to demonstrate the above, bold** is indirect thought, italics is direct", "when her ex-husband and she used to go sailing. The third sounds the", "since all thoughts would become voice-over in the film script, and action narration", "sense for the narrator/character to be having direct thoughts about things they already", "3. Second Rewrite (direct thought with additional changes) * My sister Ritp should", "memory loss. Here is an example of a rewrite: 1. Original (indirect thought)", "otherwise. However, the challenge I'm having is that indirect thought is in third", "sound a little crazy or suffering from memory loss. Here is an example", "docks after her divorce. 3. Second Rewrite (direct thought with additional changes) ", "here, she had moved to the docks after her divorce. 2. First Rewrite", "the water reminded Ritp of her ex-husband which is why she decided to", "film since I cannot see how these would translate over otherwise. However, the", "of the indirect thoughts to make them convey the same details but in", "particular character's viewpoint. There is quite a bit of indirect thought from the", "here.* Next year I'll have to move away, I should tell Ritp soon.", "to demonstrate the above, bold is indirect thought, italics is direct thought. >", "situations where they don't want the other characters around them to hear those", "of the problem is that it doesn't make sense for the narrator/character to", "changes) * My sister Ritp should be home around now, maybe she'll have", "narrator/character in which they add more details about characters, setting, past events, etc.", "thought. This would make everything very simple since all thoughts would become voice-over", "become voice-over narration in the film since I cannot see how these would", "it very contrived and obvious that these thoughts are there just for the", "suffering from memory loss. Here is an example of a rewrite: 1. Original", "that these thoughts are there just for the audience and each time it", "events, etc. Direct thought is also used to show character reactions/feelings in situations", "moved to the docks after her divorce.** I hate the docks, thought Jolr.", "at least. A large part of the problem is that it doesn't make", "of her ex-husband which is why she decided to stay here.** Next year", "simple since all thoughts would become voice-over in the film script, and action", "Here is an example of a rewrite: 1. Original (indirect thought) Ritp,", "smell of the water reminded Ritp of her ex-husband which is why she", "maybe she'll have more funny stories about when her ex-husband and she used", "block of flats nearby. Ritp, Jolr's sister, was living here, she had moved", "here, she had moved to the docks after her divorce. I hate the", "the challenge I'm having is that indirect thought is in third person past,", "convert a fiction book into a film script. The book uses third-person past", "thought. > > Jolr arrived earlier than expected and so decided to visit", "kind of \"conversion\" while staying as true to the source material as possible", "am trying to convert a fiction book into a film script. The book", "decided to visit a block of flats nearby. Ritp, Jolr's sister, was living", "I have been doing rewrites of the indirect thoughts to make them convey", "add more details about characters, setting, past events, etc. Direct thought is also", "and action narration would stay as action on screen. But this isn't very", "or suffering from memory loss. Here is an example of a rewrite: 1.", "is in first person present. At first, I thought, just convert all indirect", "a medium? A similar question has been asked at [Movie and TV Stack", "in a sane way. For example, to demonstrate the above, bold* is indirect", "show character reactions/feelings in situations where they don't want the other characters around", "around them to hear those reactions/feelings. I would like any thoughts (indirect or", "direct thoughts about things they already know, and therefore makes it very contrived", "her divorce. 2. First Rewrite (direct thought with tense change only) * Ritp,", "make them convey the same details but in a way that would make", "as action on screen. But this isn't very straightforward, for me at least.", "characters, setting, past events, etc. Direct thought is also used to show character", "source material as possible yet still taking advantage of film as a medium?", "where they don't want the other characters around them to hear those reactions/feelings.", "had moved to the docks after her divorce. 2. First Rewrite (direct thought", "come up with anything better. Is there a better way to approach this", "this isn't very straightforward, for me at least. A large part of the", "very straightforward, for me at least. A large part of the problem is", "the problem is that it doesn't make sense for the narrator/character to be", "> > So as mentioned, simply changing the bold above to first-person present", "makes it very contrived and obvious that these thoughts are there just for", "third sounds the best to me but still feels a bit forced, however;", "thought with additional changes) * My sister Ritp should be home around now,", "additional changes) * My sister Ritp should be home around now, maybe she'll", "or direct) of the narrator/character to become voice-over narration in the film since", "is living here, she moved to the docks after her divorce. 3. Second", "have to move away, I should tell Ritp soon.* \"Hi Jolr,\" said Ritp", "sister Ritp should be home around now, maybe she'll have more funny stories", "the source material as possible yet still taking advantage of film as a", "Jolr arrived earlier than expected and so decided to visit a block of", "more funny stories about when her ex-husband and she used to go sailing.", "with anything better. Is there a better way to approach this kind of", "thought from the narrator/character in which they add more details about characters, setting,", "also used to show character reactions/feelings in situations where they don't want the", "should tell Ritp soon.* \"Hi Jolr,\" said Ritp suddenly, appearing from around the", "sailing. The third sounds the best to me but still feels a bit", "about things they already know, and therefore makes it very contrived and obvious", "Ritp should be home around now, maybe she'll have more funny stories about", "and she used to go sailing. The third sounds the best to me", "stay as action on screen. But this isn't very straightforward, for me at", "way that would make sense when the narrator/character is talking to themselves in", "the narrator/character is talking to themselves in a sane way. For example, to", "bold is indirect thought, italics is direct thought. > > Jolr arrived earlier", "sane way. For example, to demonstrate the above, bold is indirect thought, italics", "The book uses third-person past tense narration that switches between several characters from", "divorce.** I hate the docks, thought Jolr. *The smell of the water reminded", "more details about characters, setting, past events, etc. Direct thought is also used", "staying as true to the source material as possible yet still taking advantage", "I would like any thoughts (indirect or direct) of the narrator/character to become", "said Ritp suddenly, appearing from around the corner. \"Your son tells me you're", "they don't want the other characters around them to hear those reactions/feelings. I", "Rewrite (direct thought with additional changes) My sister Ritp should be home", "there just for the audience and each time it happens it feels like", "for me at least. A large part of the problem is that it", "make everything very simple since all thoughts would become voice-over in the film", "feels a bit forced, however; I can't come up with anything better. Is", "after her divorce.** I hate the docks, thought Jolr. *The smell of the", "now, maybe she'll have more funny stories about when her ex-husband and she", "in which they add more details about characters, setting, past events, etc. Direct", "a better way to approach this kind of \"conversion\" while staying as true", "the other characters around them to hear those reactions/feelings. I would like any", "just convert all indirect thought to direct thought. This would make everything very", "hate the docks, thought Jolr. *The smell of the water reminded Ritp of", "an example of a rewrite: 1. Original (indirect thought) Ritp, Jolr's sister,", "chapter to chapter and thus is always from a particular character's viewpoint. There", "Ritp soon.* \"Hi Jolr,\" said Ritp suddenly, appearing from around the corner. \"Your", "about characters, setting, past events, etc. Direct thought is also used to show", "Ritp, my sister, is living here, she moved to the docks after her", "question has been asked at [Movie and TV Stack Exchange](https://movies.stackexchange.com/questions/24956/what-are-the-methods-of-including-a-characters-thoughts-in-an-audiovisual-mediu), some very useful", "between several characters from chapter to chapter and thus is always from a", "setting, past events, etc. Direct thought is also used to show character reactions/feelings", "know, and therefore makes it very contrived and obvious that these thoughts are", "in a way that would make sense when the narrator/character is talking to", "divorce. 3. Second Rewrite (direct thought with additional changes) * My sister Ritp", "is also used to show character reactions/feelings in situations where they don't want", "2. First Rewrite (direct thought with tense change only) * Ritp, my sister,", "large part of the problem is that it doesn't make sense for the", "and each time it happens it feels like a fourth wall break. At", "this stage, I have been doing rewrites of the indirect thoughts to make", "1. Original (indirect thought) * Ritp, Jolr's sister, was living here, she had", "I can't come up with anything better. Is there a better way to", "film as a medium? A similar question has been asked at [Movie and", "to the docks after her divorce. 3. Second Rewrite (direct thought with additional", "past tense narration that switches between several characters from chapter to chapter and", "true to the source material as possible yet still taking advantage of film", "them to hear those reactions/feelings. I would like any thoughts (indirect or direct)", "she decided to stay here.** Next year I'll have to move away, I", "having direct thoughts about things they already know, and therefore makes it very", "can't come up with anything better. Is there a better way to approach", "person present. At first, I thought, just convert all indirect thought to direct", "become voice-over in the film script, and action narration would stay as action", "which is why she decided to stay here.* Next year I'll have to", "indirect thought to direct thought. This would make everything very simple since all", "I'll have to move away, I should tell Ritp soon. \"Hi Jolr,\" said", "in third person past, direct thought is in first person present. At first,", "> Jolr arrived earlier than expected and so decided to visit a block", "why she decided to stay here.** Next year I'll have to move away,", "all indirect thought to direct thought. This would make everything very simple since", "want the other characters around them to hear those reactions/feelings. I would like", "is always from a particular character's viewpoint. There is quite a bit of", "themselves in a sane way. For example, to demonstrate the above, bold* is", "character reactions/feelings in situations where they don't want the other characters around them", "all thoughts would become voice-over in the film script, and action narration would", "At this stage, I have been doing rewrites of the indirect thoughts to", "the above, bold is indirect thought, italics is direct thought. > > Jolr", "* Ritp, Jolr's sister, was living here, she had moved to the docks", "the narrator/character sound a little crazy or suffering from memory loss. Here is", "any thoughts (indirect or direct) of the narrator/character to become voice-over narration in", "\"conversion\" while staying as true to the source material as possible yet still", "to move next year. Explain.\" Damn you Ritp! > > > So as", "advantage of film as a medium? A similar question has been asked at", "was living here, she had moved to the docks after her divorce. 2.", "third-person past tense narration that switches between several characters from chapter to chapter", "with additional changes) * My sister Ritp should be home around now, maybe", "trying to convert a fiction book into a film script. The book uses", "in the film script, and action narration would stay as action on screen.", "expected and so decided to visit a block of flats nearby. Ritp, Jolr's", "part of the problem is that it doesn't make sense for the narrator/character", "a block of flats nearby. Ritp, Jolr's sister, was living here, she had", "direct thought is in first person present. At first, I thought, just convert", "the docks, thought Jolr. The smell of the water reminded Ritp of her", "docks after her divorce.* I hate the docks, thought Jolr. The smell of", "demonstrate the above, bold** is indirect thought, italics is direct thought. > >", "as a medium? A similar question has been asked at [Movie and TV", "a little crazy or suffering from memory loss. Here is an example of", "to move away, I should tell Ritp soon.* \"Hi Jolr,\" said Ritp suddenly,", "that switches between several characters from chapter to chapter and thus is always", "forced, however; I can't come up with anything better. Is there a better", "are there just for the audience and each time it happens it feels", "around the corner. \"Your son tells me you're planning to move next year.", "seems to just make the narrator/character sound a little crazy or suffering from", "bit forced, however; I can't come up with anything better. Is there a", "is in third person past, direct thought is in first person present. At", "characters around them to hear those reactions/feelings. I would like any thoughts (indirect", "it feels like a fourth wall break. At this stage, I have been", "funny stories about when her ex-husband and she used to go sailing. The", "they already know, and therefore makes it very contrived and obvious that these", "characters from chapter to chapter and thus is always from a particular character's", "is quite a bit of indirect thought from the narrator/character in which they", "water reminded Ritp of her ex-husband which is why she decided to stay", "At first, I thought, just convert all indirect thought to direct thought. This", "* Ritp, my sister, is living here, she moved to the docks after", "used to show character reactions/feelings in situations where they don't want the other", "visit a block of flats nearby. *Ritp, Jolr's sister, was living here, she", "convert all indirect thought to direct thought. This would make everything very simple", "been asked at [Movie and TV Stack Exchange](https://movies.stackexchange.com/questions/24956/what-are-the-methods-of-including-a-characters-thoughts-in-an-audiovisual-mediu), some very useful suggestions over", "(indirect or direct) of the narrator/character to become voice-over narration in the film", "the same details but in a way that would make sense when the", "divorce. 2. First Rewrite (direct thought with tense change only) Ritp, my", "in the film since I cannot see how these would translate over otherwise.", "the indirect thoughts to make them convey the same details but in a", "a fourth wall break. At this stage, I have been doing rewrites of", "is direct thought. > > Jolr arrived earlier than expected and so decided", "she had moved to the docks after her divorce.** I hate the docks,", "is talking to themselves in a sane way. For example, to demonstrate the", "least. A large part of the problem is that it doesn't make sense", "Ritp, Jolr's sister, was living here, she had moved to the docks after", "Jolr,\" said Ritp suddenly, appearing from around the corner. \"Your son tells me", "make the narrator/character sound a little crazy or suffering from memory loss. Here", "docks after her divorce. 2. First Rewrite (direct thought with tense change only)", "you Ritp!* > > > So as mentioned, simply changing the bold above", "anything better. Is there a better way to approach this kind of \"conversion\"", "\"Your son tells me you're planning to move next year. Explain.\" Damn you", "> So as mentioned, simply changing the bold above to first-person present as", "had moved to the docks after her divorce.* I hate the docks, thought", "used to go sailing. The third sounds the best to me but still", "have been doing rewrites of the indirect thoughts to make them convey the", "thought with tense change only) * Ritp, my sister, is living here, she" ]
[ "like an idiot). I can't use the cliche of them bickering because they", "seem to have some chemistry together, writing later scenes for them they seem", "because that's not the kind of relationship they have. I think this is", "written in third-person limited, so it's not possible to give the reader a", "me retconning them into having good chemistry rather than writing a satisfying relationship.", "feelings for the other. They just seem to \"fall into\" a relationship rather", "the fact that a third party, a female best friend, seems to develop", "to the point where they realize that they have mutual feelings for one", "until the climax. However, I am having difficulty characterizing the early part of", "sell the sexual tension between them. As a result, the two characters seem", "first met to the point where they realize that they have mutual feelings", "harder is the fact that a third party, a female best friend, seems", "masculine way (read: by acting like an idiot). I can't use the cliche", "I think this is part of the reason the female best friend comes", "they have. I think this is part of the reason the female best", "own unrequited feelings for each other by the climax in order to make", "first sight\" tropes, not only because I find them frequently unsatisfying from a", "naturally with both of them than they do with each other. The big", "is that the girl is a stoic who is oblivious to social cues", "writing a satisfying relationship. I know there's a lot of questions about how", "limited, so it's not possible to give the reader a look into the", "point where they realize that they have mutual feelings for one another. Essentially,", "to this difficulty is that the girl is a stoic who is oblivious", "another, but they don't even realize it at first and the two aren't", "result, the two characters seem to jump from being relative strangers to both", "do with each other. The big issue is the two leads have to", "the climax in order to make the first arc's climax and the broader", "I can't use the cliche of them bickering because they like each other", "way (read: by acting like an idiot). I can't use the cliche of", "they don't even realize it at first and the two aren't aware of", "with each other. The big issue is the two leads have to be", "before they actively try to attract the other and am coming up blank.", "with both of them than they do with each other. The big issue", "am coming up blank. I can't even draw on my own experiences because", "other are not overt to sell the sexual tension between them. As a", "the reason the female best friend comes off as having a developing relationship,", "her in a traditionally masculine way (read: by acting like an idiot). I", "poorly written \"love at first sight\" plots. However, I also know that many", "met to the point where they realize that they have mutual feelings for", "sexist, for example the recent depiction of Ytash and Iris West in the", "difficulty characterizing the early part of their relationship when their feelings for each", "because I've never been in that situation myself. I honestly don't know how", "in order to make the first arc's climax and the broader plot work.", "leads aren't actively together as a couple, this part of the story focuses", "seem to do rather well together, but the problem is if I cannot", "They just seem to \"fall into\" a relationship rather than have it develop", "with a crush on one another, both before and after they realize they", "on my own experiences because I've never been in that situation myself. I", "them. As a result, the two characters seem to jump from being relative", "arc's climax and the broader plot work. I've been trying to avoid \"love", "relative strangers to both being aware that they have mutual feelings for the", "has an issue with poorly written \"love at first sight\" plots. However, I", "early on and get the characters over that hump it comes off as", "party, a female best friend, seems to develop potentially romantic chemistry more naturally", "between very early stages of the relationship, from when people first meet as", "myself. I honestly don't know how people with a crush on each other", "Adding to this difficulty is that the girl is a stoic who is", "authors use to characterize sexual tension between characters have been criticized for being", "they realize that they have mutual feelings for one another. Essentially, they both", "to when they become aware of their feelings for one another. The broader", "of their relationship when their feelings for each other are not overt to", "female best friend, seems to develop potentially romantic chemistry more naturally with both", "do rather well together, but the problem is if I cannot establish that", "in love but before they actively try to attract the other and am", "have a romance arc as one of the major series-long plots of my", "the two aren't aware of how important each is to the other until", "thinking and thus clue them in that there are feelings going on. Adding", "character's heads to see what they are thinking and thus clue them in", "problem is if I cannot establish that chemistry early on and get the", "developing relationship, because this character is more extroverted and hence it is easier", "when they become aware of their feelings for one another. The broader problem", "feelings. The two leads do seem to have some chemistry together, writing later", "the major series-long plots of my story. In the first major story arc,", "in the Snyder-cut Justice League. The novel is written in third-person limited, so", "relationship. I know there's a lot of questions about how to write romantic", "characterize sexual tension between characters have been criticized for being creepy or sexist,", "character is more extroverted and hence it is easier to read her actions", "can't even draw on my own experiences because I've never been in that", "traditionally masculine way (read: by acting like an idiot). I can't use the", "later scenes for them they seem to do rather well together, but the", "best friend, seems to develop potentially romantic chemistry more naturally with both of", "introverted (and is somewhat intimidated by her) and so is unlikely to try", "where they realize that they have mutual feelings for one another. Essentially, they", "other until the climax. However, I am having difficulty characterizing the early part", "as having a developing relationship, because this character is more extroverted and hence", "and write two characters with a crush on one another, both before and", "sexual tension between them. As a result, the two characters seem to jump", "heads to see what they are thinking and thus clue them in that", "be aware of their own unrequited feelings for each other by the climax", "the reader a look into the character's heads to see what they are", "romance arc as one of the major series-long plots of my story. In", "to give the reader a look into the character's heads to see what", "been criticized for being creepy or sexist, for example the recent depiction of", "criticized for being creepy or sexist, for example the recent depiction of Ytash", "I'm specifically wondering about is how to bridge the gap between very early", "easier to read her actions as being driven by subconscious feelings. The two", "there's a lot of questions about how to write romantic relationships on this", "aware of their feelings for one another. The broader problem is *I am", "two characters with a crush on one another, both before and after they", "gap between very early stages of the relationship, from when people first meet", "to both being aware that they have mutual feelings for the other. They", "this part of the story focuses on when they first met to the", "write two characters with a crush on one another, both before and after", "genre I am writing in has an issue with poorly written \"love at", "by her) and so is unlikely to try wooing her in a traditionally", "that's not the kind of relationship they have. I think this is part", "one another. Essentially, they both have crushes on one another, but they don't", "own experiences because I've never been in that situation myself. I honestly don't", "the problem is if I cannot establish that chemistry early on and get", "because the genre I am writing in has an issue with poorly written", "potentially romantic chemistry more naturally with both of them than they do with", "never been in that situation myself. I honestly don't know how people with", "a satisfying relationship. I know there's a lot of questions about how to", "sight\" tropes, not only because I find them frequently unsatisfying from a reader's", "what I'm specifically wondering about is how to bridge the gap between very", "not the kind of relationship they have. I think this is part of", "only because I find them frequently unsatisfying from a reader's perspective but also", "story focuses on when they first met to the point where they realize", "between them. As a result, the two characters seem to jump from being", "seem to jump from being relative strangers to both being aware that they", "is unlikely to try wooing her in a traditionally masculine way (read: by", "depiction of Ytash and Iris West in the Snyder-cut Justice League. The novel", "to bridge the gap between very early stages of the relationship, from when", "trying to figure out how to depict and write two characters with a", "is written in third-person limited, so it's not possible to give the reader", "very shy and introverted (and is somewhat intimidated by her) and so is", "is the two leads have to be aware of their own unrequited feelings", "that hump it comes off as me retconning them into having good chemistry", "aware of how important each is to the other until the climax. However,", "are feelings going on. Adding to this difficulty is that the girl is", "my own experiences because I've never been in that situation myself. I honestly", "best friend comes off as having a developing relationship, because this character is", "story arc, the two romantic leads aren't actively together as a couple, this", "they actively try to attract the other* and am coming up blank. I", "leads do seem to have some chemistry together, writing later scenes for them", "early part of their relationship when their feelings for each other are not", "many techniques authors use to characterize sexual tension between characters have been criticized", "and the two aren't aware of how important each is to the other", "both of them than they do with each other. The big issue is", "chemistry early on and get the characters over that hump it comes off", "a couple, this part of the story focuses on when they first met", "Making it harder is the fact that a third party, a female best", "they realize they are in love but before they actively try to attract", "seems to develop potentially romantic chemistry more naturally with both of them than", "try wooing her in a traditionally masculine way (read: by acting like an", "it's not possible to give the reader a look into the character's heads", "the point where they realize that they have mutual feelings for one another.", "of the major series-long plots of my story. In the first major story", "my story. In the first major story arc, the two romantic leads aren't", "chemistry rather than writing a satisfying relationship. I know there's a lot of", "I can't even draw on my own experiences because I've never been in", "whereas the guy is very shy and introverted (and is somewhat intimidated by", "first arc's climax and the broader plot work. I've been trying to avoid", "that the girl is a stoic who is oblivious to social cues and", "on and get the characters over that hump it comes off as me", "think this is part of the reason the female best friend comes off", "but what I'm specifically wondering about is how to bridge the gap between", "they have mutual feelings for the other. They just seem to \"fall into\"", "of the reason the female best friend comes off as having a developing", "climax and the broader plot work. I've been trying to avoid \"love at", "oblivious to social cues and barely even understands her own emotions on a", "the guy is very shy and introverted (and is somewhat intimidated by her)", "satisfying relationship. I know there's a lot of questions about how to write", "romantic leads aren't actively together as a couple, this part of the story", "friend comes off as having a developing relationship, because this character is more", "they are in love but before they actively try to attract the other", "the story focuses on when they first met to the point where they", "to depict and write two characters with a crush on one another, both", "plots. However, I also know that many techniques authors use to characterize sexual", "at first sight\" tropes, not only because I find them frequently unsatisfying from", "of them than they do with each other. The big issue is the", "am having difficulty characterizing the early part of their relationship when their feelings", "clue them in that there are feelings going on. Adding to this difficulty", "tension between them. As a result, the two characters seem to jump from", "techniques authors use to characterize sexual tension between characters have been criticized for", "the gap between very early stages of the relationship, from when people first", "it develop naturally. Making it harder is the fact that a third party,", "series-long plots of my story. In the first major story arc, the two", "comes off as having a developing relationship, because this character is more extroverted", "other because that's not the kind of relationship they have. I think this", "having difficulty characterizing the early part of their relationship when their feelings for", "this character is more extroverted and hence it is easier to read her", "part of the story focuses on when they first met to the point", "develop potentially romantic chemistry more naturally with both of them than they do", "I am writing in has an issue with poorly written \"love at first", "the characters over that hump it comes off as me retconning them into", "meet as strangers to when they become aware of their feelings for one", "unsatisfying from a reader's perspective but also because the genre I am writing", "to do rather well together, but the problem is if I cannot establish", "but also because the genre I am writing in has an issue with", "perspective but also because the genre I am writing in has an issue", "for them they seem to do rather well together, but the problem is", "it harder is the fact that a third party, a female best friend,", "story. In the first major story arc, the two romantic leads aren't actively", "for one another. The broader problem is I am trying to figure out", "being driven by subconscious feelings. The two leads do seem to have some", "into\" a relationship rather than have it develop naturally. Making it harder is", "the genre I am writing in has an issue with poorly written \"love", "big issue is the two leads have to be aware of their own", "depict and write two characters with a crush on one another, both before", "over that hump it comes off as me retconning them into having good", "tropes, not only because I find them frequently unsatisfying from a reader's perspective", "unrequited feelings for each other by the climax in order to make the", "Ytash and Iris West in the Snyder-cut Justice League. The novel is written", "have it develop naturally. Making it harder is the fact that a third", "leads have to be aware of their own unrequited feelings for each other", "have mutual feelings for the other. They just seem to \"fall into\" a", "The broader problem is *I am trying to figure out how to depict", "to social cues and barely even understands her own emotions on a good", "bridge the gap between very early stages of the relationship, from when people", "of Ytash and Iris West in the Snyder-cut Justice League. The novel is", "kind of relationship they have. I think this is part of the reason", "work. I've been trying to avoid \"love at first sight\" tropes, not only", "have to be aware of their own unrequited feelings for each other by", "cannot establish that chemistry early on and get the characters over that hump", "love but before they actively try to attract the other* and am coming", "situation myself. I honestly don't know how people with a crush on each", "first and the two aren't aware of how important each is to the", "is the fact that a third party, a female best friend, seems to", "because they like each other because that's not the kind of relationship they", "going on. Adding to this difficulty is that the girl is a stoic", "use to characterize sexual tension between characters have been criticized for being creepy", "their relationship when their feelings for each other are not overt to sell", "rather than have it develop naturally. Making it harder is the fact that", "it is easier to read her actions as being driven by subconscious feelings.", "them than they do with each other. The big issue is the two", "plots of my story. In the first major story arc, the two romantic", "rather than writing a satisfying relationship. I know there's a lot of questions", "to characterize sexual tension between characters have been criticized for being creepy or", "blank. I can't even draw on my own experiences because I've never been", "couple, this part of the story focuses on when they first met to", "before and after they realize they are in love but before they actively", "and after they realize they are in love but before they actively try", "I've been trying to avoid \"love at first sight\" tropes, not only because", "In the first major story arc, the two romantic leads aren't actively together", "(read: by acting like an idiot). I can't use the cliche of them", "that they have mutual feelings for the other. They just seem to \"fall", "social cues and barely even understands her own emotions on a good day,", "on one another, but they don't even realize it at first and the", "the recent depiction of Ytash and Iris West in the Snyder-cut Justice League.", "when their feelings for each other are not overt to sell the sexual", "barely even understands her own emotions on a good day, whereas the guy", "more extroverted and hence it is easier to read her actions as being", "issue with poorly written \"love at first sight\" plots. However, I also know", "another. Essentially, they both have crushes on one another, but they don't even", "them bickering because they like each other because that's not the kind of", "the Snyder-cut Justice League. The novel is written in third-person limited, so it's", "a stoic who is oblivious to social cues and barely even understands her", "that situation myself. I honestly don't know how people with a crush on", "that a third party, a female best friend, seems to develop potentially romantic", "is oblivious to social cues and barely even understands her own emotions on", "I find them frequently unsatisfying from a reader's perspective but also because the", "their feelings for each other are not overt to sell the sexual tension", "an issue with poorly written \"love at first sight\" plots. However, I also", "because I find them frequently unsatisfying from a reader's perspective but also because", "to figure out how to depict and write two characters with a crush", "stoic who is oblivious to social cues and barely even understands her own", "they have mutual feelings for one another. Essentially, they both have crushes on", "cues and barely even understands her own emotions on a good day, whereas", "off as having a developing relationship, because this character is more extroverted and", "realize it at first and the two aren't aware of how important each", "good chemistry rather than writing a satisfying relationship. I know there's a lot", "it at first and the two aren't aware of how important each is", "a result, the two characters seem to jump from being relative strangers to", "coming up blank. I can't even draw on my own experiences because I've", "I have a romance arc as one of the major series-long plots of", "aren't actively together as a couple, this part of the story focuses on", "one another. The broader problem is I am trying to figure out how", "reader's perspective but also because the genre I am writing in has an", "but the problem is if I cannot establish that chemistry early on and", "feelings for each other by the climax in order to make the first", "they first met to the point where they realize that they have mutual", "the other and am coming up blank. I can't even draw on my", "relationship when their feelings for each other are not overt to sell the", "broader problem is I am trying to figure out how to depict and", "know that many techniques authors use to characterize sexual tension between characters have", "but before they actively try to attract the other and am coming up", "even draw on my own experiences because I've never been in that situation", "from when people first meet as strangers to when they become aware of", "is more extroverted and hence it is easier to read her actions as", "being relative strangers to both being aware that they have mutual feelings for", "and get the characters over that hump it comes off as me retconning", "and barely even understands her own emotions on a good day, whereas the", "being aware that they have mutual feelings for the other. They just seem", "possible to give the reader a look into the character's heads to see", "other. The big issue is the two leads have to be aware of", "establish that chemistry early on and get the characters over that hump it", "writing in has an issue with poorly written \"love at first sight\" plots.", "Justice League. The novel is written in third-person limited, so it's not possible", "can't use the cliche of them bickering because they like each other because", "actions as being driven by subconscious feelings. The two leads do seem to", "each other. The big issue is the two leads have to be aware", "first sight\" plots. However, I also know that many techniques authors use to", "on. Adding to this difficulty is that the girl is a stoic who", "major story arc, the two romantic leads aren't actively together as a couple,", "of their own unrequited feelings for each other by the climax in order", "to see what they are thinking and thus clue them in that there", "\"love at first sight\" plots. However, I also know that many techniques authors", "having good chemistry rather than writing a satisfying relationship. I know there's a", "two romantic leads aren't actively together as a couple, this part of the", "to \"fall into\" a relationship rather than have it develop naturally. Making it", "the relationship, from when people first meet as strangers to when they become", "for example the recent depiction of Ytash and Iris West in the Snyder-cut", "develop naturally. Making it harder is the fact that a third party, a", "arc as one of the major series-long plots of my story. In the", "by acting like an idiot). I can't use the cliche of them bickering", "Snyder-cut Justice League. The novel is written in third-person limited, so it's not", "a look into the character's heads to see what they are thinking and", "as being driven by subconscious feelings. The two leads do seem to have", "have been criticized for being creepy or sexist, for example the recent depiction", "than writing a satisfying relationship. I know there's a lot of questions about", "into having good chemistry rather than writing a satisfying relationship. I know there's", "guy is very shy and introverted (and is somewhat intimidated by her) and", "to write romantic relationships on this site, but what I'm specifically wondering about", "sight\" plots. However, I also know that many techniques authors use to characterize", "problem is *I am trying to figure out how to depict and write", "in third-person limited, so it's not possible to give the reader a look", "of questions about how to write romantic relationships on this site, but what", "cliche of them bickering because they like each other because that's not the", "early stages of the relationship, from when people first meet as strangers to", "issue is the two leads have to be aware of their own unrequited", "tension between characters have been criticized for being creepy or sexist, for example", "give the reader a look into the character's heads to see what they", "characters have been criticized for being creepy or sexist, for example the recent", "recent depiction of Ytash and Iris West in the Snyder-cut Justice League. The", "of the relationship, from when people first meet as strangers to when they", "more naturally with both of them than they do with each other. The", "stages of the relationship, from when people first meet as strangers to when", "is very shy and introverted (and is somewhat intimidated by her) and so", "to attract the other* and am coming up blank. I can't even draw", "have. I think this is part of the reason the female best friend", "third-person limited, so it's not possible to give the reader a look into", "actively try to attract the other and am coming up blank. I can't", "on this site, but what I'm specifically wondering about is how to bridge", "that there are feelings going on. Adding to this difficulty is that the", "so is unlikely to try wooing her in a traditionally masculine way (read:", "Essentially, they both have crushes on one another, but they don't even realize", "However, I am having difficulty characterizing the early part of their relationship when", "as one of the major series-long plots of my story. In the first", "characters seem to jump from being relative strangers to both being aware that", "in has an issue with poorly written \"love at first sight\" plots. However,", "bickering because they like each other because that's not the kind of relationship", "on a good day, whereas the guy is very shy and introverted (and", "together, but the problem is if I cannot establish that chemistry early on", "hump it comes off as me retconning them into having good chemistry rather", "strangers to when they become aware of their feelings for one another. The", "when people first meet as strangers to when they become aware of their", "on one another, both before and after they realize they are in love", "romantic relationships on this site, but what I'm specifically wondering about is how", "crush on one another, both before and after they realize they are in", "from being relative strangers to both being aware that they have mutual feelings", "is to the other until the climax. However, I am having difficulty characterizing", "am writing in has an issue with poorly written \"love at first sight\"", "them in that there are feelings going on. Adding to this difficulty is", "realize they are in love but before they actively try to attract the", "site, but what I'm specifically wondering about is how to bridge the gap", "feelings for each other are not overt to sell the sexual tension between", "one of the major series-long plots of my story. In the first major", "each is to the other until the climax. However, I am having difficulty", "a reader's perspective but also because the genre I am writing in has", "but they don't even realize it at first and the two aren't aware", "look into the character's heads to see what they are thinking and thus", "I've never been in that situation myself. I honestly don't know how people", "I am having difficulty characterizing the early part of their relationship when their", "is how to bridge the gap between very early stages of the relationship,", "know there's a lot of questions about how to write romantic relationships on", "is if I cannot establish that chemistry early on and get the characters", "written \"love at first sight\" plots. However, I also know that many techniques", "The two leads do seem to have some chemistry together, writing later scenes", "find them frequently unsatisfying from a reader's perspective but also because the genre", "the other. They just seem to \"fall into\" a relationship rather than have", "sexual tension between characters have been criticized for being creepy or sexist, for", "figure out how to depict and write two characters with a crush on", "another, both before and after they realize they are in love but before", "I know there's a lot of questions about how to write romantic relationships", "with poorly written \"love at first sight\" plots. However, I also know that", "female best friend comes off as having a developing relationship, because this character", "of relationship they have. I think this is part of the reason the", "novel is written in third-person limited, so it's not possible to give the", "is I am trying to figure out how to depict and write two", "have mutual feelings for one another. Essentially, they both have crushes on one", "the two romantic leads aren't actively together as a couple, this part of", "the female best friend comes off as having a developing relationship, because this", "to avoid \"love at first sight\" tropes, not only because I find them", "other. They just seem to \"fall into\" a relationship rather than have it", "\"fall into\" a relationship rather than have it develop naturally. Making it harder", "write romantic relationships on this site, but what I'm specifically wondering about is", "actively together as a couple, this part of the story focuses on when", "the other until the climax. However, I am having difficulty characterizing the early", "a third party, a female best friend, seems to develop potentially romantic chemistry", "been trying to avoid \"love at first sight\" tropes, not only because I", "not only because I find them frequently unsatisfying from a reader's perspective but", "also because the genre I am writing in has an issue with poorly", "part of the reason the female best friend comes off as having a", "the early part of their relationship when their feelings for each other are", "As a result, the two characters seem to jump from being relative strangers", "questions about how to write romantic relationships on this site, but what I'm", "I honestly don't know how people with a crush on each other act.", "on when they first met to the point where they realize that they", "to sell the sexual tension between them. As a result, the two characters", "there are feelings going on. Adding to this difficulty is that the girl", "between characters have been criticized for being creepy or sexist, for example the", "climax. However, I am having difficulty characterizing the early part of their relationship", "together, writing later scenes for them they seem to do rather well together,", "specifically wondering about is how to bridge the gap between very early stages", "chemistry together, writing later scenes for them they seem to do rather well", "draw on my own experiences because I've never been in that situation myself.", "characterizing the early part of their relationship when their feelings for each other", "reader a look into the character's heads to see what they are thinking", "aware of their own unrequited feelings for each other by the climax in", "make the first arc's climax and the broader plot work. I've been trying", "a relationship rather than have it develop naturally. Making it harder is the", "and hence it is easier to read her actions as being driven by", "to be aware of their own unrequited feelings for each other by the", "and the broader plot work. I've been trying to avoid \"love at first", "reason the female best friend comes off as having a developing relationship, because", "not possible to give the reader a look into the character's heads to", "relationship rather than have it develop naturally. Making it harder is the fact", "important each is to the other until the climax. However, I am having", "attract the other and am coming up blank. I can't even draw on", "mutual feelings for one another. Essentially, they both have crushes on one another,", "aren't aware of how important each is to the other until the climax.", "they become aware of their feelings for one another. The broader problem is", "become aware of their feelings for one another. The broader problem is I", "as me retconning them into having good chemistry rather than writing a satisfying", "The big issue is the two leads have to be aware of their", "for the other. They just seem to \"fall into\" a relationship rather than", "read her actions as being driven by subconscious feelings. The two leads do", "aware that they have mutual feelings for the other. They just seem to", "her) and so is unlikely to try wooing her in a traditionally masculine", "off as me retconning them into having good chemistry rather than writing a", "like each other because that's not the kind of relationship they have. I", "or sexist, for example the recent depiction of Ytash and Iris West in", "the cliche of them bickering because they like each other because that's not", "understands her own emotions on a good day, whereas the guy is very", "try to attract the other** and am coming up blank. I can't even", "some chemistry together, writing later scenes for them they seem to do rather", "when they first met to the point where they realize that they have", "characters over that hump it comes off as me retconning them into having", "good day, whereas the guy is very shy and introverted (and is somewhat", "people first meet as strangers to when they become aware of their feelings", "even understands her own emotions on a good day, whereas the guy is", "see what they are thinking and thus clue them in that there are", "overt to sell the sexual tension between them. As a result, the two", "out how to depict and write two characters with a crush on one", "intimidated by her) and so is unlikely to try wooing her in a", "in a traditionally masculine way (read: by acting like an idiot). I can't", "this is part of the reason the female best friend comes off as", "both have crushes on one another, but they don't even realize it at", "strangers to both being aware that they have mutual feelings for the other.", "Iris West in the Snyder-cut Justice League. The novel is written in third-person", "plot work. I've been trying to avoid \"love at first sight\" tropes, not", "is somewhat intimidated by her) and so is unlikely to try wooing her", "mutual feelings for the other. They just seem to \"fall into\" a relationship", "at first and the two aren't aware of how important each is to", "just seem to \"fall into\" a relationship rather than have it develop naturally.", "the two characters seem to jump from being relative strangers to both being", "idiot). I can't use the cliche of them bickering because they like each", "for each other by the climax in order to make the first arc's", "wooing her in a traditionally masculine way (read: by acting like an idiot).", "are thinking and thus clue them in that there are feelings going on.", "driven by subconscious feelings. The two leads do seem to have some chemistry", "a female best friend, seems to develop potentially romantic chemistry more naturally with", "League. The novel is written in third-person limited, so it's not possible to", "how to depict and write two characters with a crush on one another,", "also know that many techniques authors use to characterize sexual tension between characters", "hence it is easier to read her actions as being driven by subconscious", "use the cliche of them bickering because they like each other because that's", "comes off as me retconning them into having good chemistry rather than writing", "of them bickering because they like each other because that's not the kind", "climax in order to make the first arc's climax and the broader plot", "a traditionally masculine way (read: by acting like an idiot). I can't use", "first major story arc, the two romantic leads aren't actively together as a", "two leads do seem to have some chemistry together, writing later scenes for", "a romance arc as one of the major series-long plots of my story.", "I cannot establish that chemistry early on and get the characters over that", "trying to avoid \"love at first sight\" tropes, not only because I find", "romantic chemistry more naturally with both of them than they do with each", "what they are thinking and thus clue them in that there are feelings", "both being aware that they have mutual feelings for the other. They just", "being creepy or sexist, for example the recent depiction of Ytash and Iris", "of how important each is to the other until the climax. However, I", "who is oblivious to social cues and barely even understands her own emotions", "by the climax in order to make the first arc's climax and the", "two leads have to be aware of their own unrequited feelings for each", "order to make the first arc's climax and the broader plot work. I've", "that they have mutual feelings for one another. Essentially, they both have crushes", "the girl is a stoic who is oblivious to social cues and barely", "about how to write romantic relationships on this site, but what I'm specifically", "extroverted and hence it is easier to read her actions as being driven", "very early stages of the relationship, from when people first meet as strangers", "of the story focuses on when they first met to the point where", "their own unrequited feelings for each other by the climax in order to", "her own emotions on a good day, whereas the guy is very shy", "two characters seem to jump from being relative strangers to both being aware", "and thus clue them in that there are feelings going on. Adding to", "an idiot). I can't use the cliche of them bickering because they like", "somewhat intimidated by her) and so is unlikely to try wooing her in", "third party, a female best friend, seems to develop potentially romantic chemistry more", "to read her actions as being driven by subconscious feelings. The two leads", "fact that a third party, a female best friend, seems to develop potentially", "how to bridge the gap between very early stages of the relationship, from", "how important each is to the other until the climax. However, I am", "in that there are feelings going on. Adding to this difficulty is that", "to make the first arc's climax and the broader plot work. I've been", "into the character's heads to see what they are thinking and thus clue", "and Iris West in the Snyder-cut Justice League. The novel is written in", "are not overt to sell the sexual tension between them. As a result,", "part of their relationship when their feelings for each other are not overt", "creepy or sexist, for example the recent depiction of Ytash and Iris West", "and so is unlikely to try wooing her in a traditionally masculine way", "day, whereas the guy is very shy and introverted (and is somewhat intimidated", "they seem to do rather well together, but the problem is if I", "lot of questions about how to write romantic relationships on this site, but", "of my story. In the first major story arc, the two romantic leads", "and introverted (and is somewhat intimidated by her) and so is unlikely to", "for one another. Essentially, they both have crushes on one another, but they", "The novel is written in third-person limited, so it's not possible to give", "how to write romantic relationships on this site, but what I'm specifically wondering", "first meet as strangers to when they become aware of their feelings for", "and am coming up blank. I can't even draw on my own experiences", "characters with a crush on one another, both before and after they realize", "girl is a stoic who is oblivious to social cues and barely even", "the first major story arc, the two romantic leads aren't actively together as", "one another, both before and after they realize they are in love but", "is a stoic who is oblivious to social cues and barely even understands", "writing later scenes for them they seem to do rather well together, but", "experiences because I've never been in that situation myself. I honestly don't know", "I am trying to figure out how to depict and write two characters", "the two leads have to be aware of their own unrequited feelings for", "them they seem to do rather well together, but the problem is if", "they are thinking and thus clue them in that there are feelings going", "it comes off as me retconning them into having good chemistry rather than", "relationship, because this character is more extroverted and hence it is easier to", "wondering about is how to bridge the gap between very early stages of", "than have it develop naturally. Making it harder is the fact that a", "of their feelings for one another. The broader problem is I am trying", "other* and am coming up blank. I can't even draw on my own", "difficulty is that the girl is a stoic who is oblivious to social", "each other are not overt to sell the sexual tension between them. As", "in that situation myself. I honestly don't know how people with a crush", "arc, the two romantic leads aren't actively together as a couple, this part", "because this character is more extroverted and hence it is easier to read", "I also know that many techniques authors use to characterize sexual tension between", "scenes for them they seem to do rather well together, but the problem", "retconning them into having good chemistry rather than writing a satisfying relationship. I", "that chemistry early on and get the characters over that hump it comes", "are in love but before they actively try to attract the other** and", "am trying to figure out how to depict and write two characters with", "not overt to sell the sexual tension between them. As a result, the", "from a reader's perspective but also because the genre I am writing in", "West in the Snyder-cut Justice League. The novel is written in third-person limited,", "their feelings for one another. The broader problem is I am trying to", "\"love at first sight\" tropes, not only because I find them frequently unsatisfying", "even realize it at first and the two aren't aware of how important", "each other by the climax in order to make the first arc's climax", "other by the climax in order to make the first arc's climax and", "do seem to have some chemistry together, writing later scenes for them they", "avoid \"love at first sight\" tropes, not only because I find them frequently", "another. The broader problem is I am trying to figure out how to", "so it's not possible to give the reader a look into the character's", "to the other until the climax. However, I am having difficulty characterizing the", "a lot of questions about how to write romantic relationships on this site,", "relationship they have. I think this is part of the reason the female", "to develop potentially romantic chemistry more naturally with both of them than they", "naturally. Making it harder is the fact that a third party, a female", "to jump from being relative strangers to both being aware that they have", "they both have crushes on one another, but they don't even realize it", "they like each other because that's not the kind of relationship they have.", "them frequently unsatisfying from a reader's perspective but also because the genre I", "subconscious feelings. The two leads do seem to have some chemistry together, writing", "by subconscious feelings. The two leads do seem to have some chemistry together,", "about is how to bridge the gap between very early stages of the", "they do with each other. The big issue is the two leads have", "broader plot work. I've been trying to avoid \"love at first sight\" tropes,", "have crushes on one another, but they don't even realize it at first", "that many techniques authors use to characterize sexual tension between characters have been", "both before and after they realize they are in love but before they", "However, I also know that many techniques authors use to characterize sexual tension", "get the characters over that hump it comes off as me retconning them", "this site, but what I'm specifically wondering about is how to bridge the", "at first sight\" plots. However, I also know that many techniques authors use", "feelings for one another. Essentially, they both have crushes on one another, but", "two aren't aware of how important each is to the other until the", "this difficulty is that the girl is a stoic who is oblivious to", "together as a couple, this part of the story focuses on when they", "the character's heads to see what they are thinking and thus clue them", "acting like an idiot). I can't use the cliche of them bickering because", "having a developing relationship, because this character is more extroverted and hence it", "feelings for one another. The broader problem is *I am trying to figure", "one another, but they don't even realize it at first and the two", "well together, but the problem is if I cannot establish that chemistry early", "rather well together, but the problem is if I cannot establish that chemistry", "own emotions on a good day, whereas the guy is very shy and", "a good day, whereas the guy is very shy and introverted (and is", "to try wooing her in a traditionally masculine way (read: by acting like", "to have some chemistry together, writing later scenes for them they seem to", "emotions on a good day, whereas the guy is very shy and introverted", "realize that they have mutual feelings for one another. Essentially, they both have", "relationships on this site, but what I'm specifically wondering about is how to", "the climax. However, I am having difficulty characterizing the early part of their", "jump from being relative strangers to both being aware that they have mutual", "for each other are not overt to sell the sexual tension between them.", "the kind of relationship they have. I think this is part of the", "her actions as being driven by subconscious feelings. The two leads do seem", "them into having good chemistry rather than writing a satisfying relationship. I know", "a crush on one another, both before and after they realize they are", "the first arc's climax and the broader plot work. I've been trying to", "seem to \"fall into\" a relationship rather than have it develop naturally. Making", "shy and introverted (and is somewhat intimidated by her) and so is unlikely", "focuses on when they first met to the point where they realize that", "example the recent depiction of Ytash and Iris West in the Snyder-cut Justice", "feelings going on. Adding to this difficulty is that the girl is a", "after they realize they are in love but before they actively try to", "frequently unsatisfying from a reader's perspective but also because the genre I am", "(and is somewhat intimidated by her) and so is unlikely to try wooing", "the broader plot work. I've been trying to avoid \"love at first sight\"", "if I cannot establish that chemistry early on and get the characters over", "than they do with each other. The big issue is the two leads", "major series-long plots of my story. In the first major story arc, the", "as a couple, this part of the story focuses on when they first", "chemistry more naturally with both of them than they do with each other.", "have some chemistry together, writing later scenes for them they seem to do", "friend, seems to develop potentially romantic chemistry more naturally with both of them", "up blank. I can't even draw on my own experiences because I've never", "unlikely to try wooing her in a traditionally masculine way (read: by acting", "relationship, from when people first meet as strangers to when they become aware", "been in that situation myself. I honestly don't know how people with a", "as strangers to when they become aware of their feelings for one another.", "is easier to read her actions as being driven by subconscious feelings. The", "is part of the reason the female best friend comes off as having", "each other because that's not the kind of relationship they have. I think", "a developing relationship, because this character is more extroverted and hence it is", "crushes on one another, but they don't even realize it at first and", "don't even realize it at first and the two aren't aware of how", "thus clue them in that there are feelings going on. Adding to this", "the sexual tension between them. As a result, the two characters seem to", "for being creepy or sexist, for example the recent depiction of Ytash and" ]
[ "TV series, talks to the camera, is that 3rd person or another technical", "notice too. They talk to the camera to convey their thoughts to the", "3rd person or another technical term for the point of view? It's often", "to the viewer. I can see it as the equivalent of the thought", "too. They talk to the camera to convey their thoughts to the viewer.", "talk to the camera to convey their thoughts to the viewer. I can", "series, talks to the camera, is that 3rd person or another technical term", "and Miranda TV series, talks to the camera, is that 3rd person or", "viewer. I can see it as the equivalent of the thought bubble in", "character in Fleabag and Miranda TV series, talks to the camera, is that", "their thoughts to the viewer. I can see it as the equivalent of", "to the camera to convey their thoughts to the viewer. I can see", "main character in Fleabag and Miranda TV series, talks to the camera, is", "camera to convey their thoughts to the viewer. I can see it as", "to convey their thoughts to the viewer. I can see it as the", "Miranda TV series, talks to the camera, is that 3rd person or another", "the camera to convey their thoughts to the viewer. I can see it", "in Fleabag and Miranda TV series, talks to the camera, is that 3rd", "talks to the camera, is that 3rd person or another technical term for", "often used in TV adverts I notice too. They talk to the camera", "thoughts to the viewer. I can see it as the equivalent of the", "TV adverts I notice too. They talk to the camera to convey their", "person or another technical term for the point of view? It's often used", "technical term for the point of view? It's often used in TV adverts", "the viewer. I can see it as the equivalent of the thought bubble", "convey their thoughts to the viewer. I can see it as the equivalent", "When the main character in Fleabag and Miranda TV series, talks to the", "Fleabag and Miranda TV series, talks to the camera, is that 3rd person", "for the point of view? It's often used in TV adverts I notice", "view? It's often used in TV adverts I notice too. They talk to", "the point of view? It's often used in TV adverts I notice too.", "It's often used in TV adverts I notice too. They talk to the", "used in TV adverts I notice too. They talk to the camera to", "the camera, is that 3rd person or another technical term for the point", "They talk to the camera to convey their thoughts to the viewer. I", "camera, is that 3rd person or another technical term for the point of", "is that 3rd person or another technical term for the point of view?", "term for the point of view? It's often used in TV adverts I", "I can see it as the equivalent of the thought bubble in comics.", "adverts I notice too. They talk to the camera to convey their thoughts", "in TV adverts I notice too. They talk to the camera to convey", "I notice too. They talk to the camera to convey their thoughts to", "another technical term for the point of view? It's often used in TV", "that 3rd person or another technical term for the point of view? It's", "the main character in Fleabag and Miranda TV series, talks to the camera,", "of view? It's often used in TV adverts I notice too. They talk", "point of view? It's often used in TV adverts I notice too. They", "to the camera, is that 3rd person or another technical term for the", "or another technical term for the point of view? It's often used in" ]
[ "in place of the one discussed). There will be a web of episodes", "kind of relationship), and also the electric lamp made the combustion-based lamps mostly", "A simple example to show this, starting with four possible episodes: Let's say", "use of a wick, so I might also need an episode to explain", "more other key-points (in other episodes). Why a mind-map doesn't fit my needs", "as though I need a UML class-diagram to describe everything, and I'm trying", "now my problem: How to describe the domain in a way that lets", "total all of which will have clusters of relationships. A class-diagram alternative? As", "episode on gas lamps, and an episode on electric lamps. These are alternatives", "Let's say I have an episode on candles, one on oil lamps, an", "electric lamps the newest. Oh, and by the way, both candles and oil", "(This may not be the best SE site for this, it seemed closest", "key-points (in other episodes). Why a mind-map doesn't fit my needs A simple", "how wicks work, and link that to the oil-lamp and candle episodes (as", "that to the oil-lamp and candle episodes (as something that \"might be interesting\")?", "candles and oil lamps make use of a wick, so I might also", "engineering background, this is starting to make me feel a bit as though", "dependencies, and other relationships, between topics and episodes? A mind map doesn't quite", "episodes). Why a mind-map doesn't fit my needs A simple example to show", "in building and reviewing the episode plan! Does anyone know of a diagramming", "of a diagramming type that would fit to what I'm trying to do", "really old, gas-lamps relatively new, and electric lamps the newest. Oh, and by", "so I might also need an episode to explain how wicks work, and", "be interesting\")? So even with very few episodes, there are a lot of", "points', each of which might be individually relevant to one or more episodes,", "combustion-based lamps mostly obsolete (another kind of relationship). Then there's the temporal aspect,", "topics at the end of each episode (\"If you found this episode interesting,", "similar to a video-based Wikipedia). To try to keep this engaging and manageable", "this episode interesting, you might also want to watch...\"). Ideally I want to", "be used in place of the one discussed). There will be a web", "frequently cover topics that are in some way a 'gateway' or 'foundation' topic", "and by the way, both candles and oil lamps make use of a", "would fit to what I'm trying to do please? (This may not be", "engaging and manageable (both to create and consume), I want this to have", "I don't have a single thing with radiating spokes. Also each relationship I", "all of which will have clusters of relationships. A class-diagram alternative? As I", "something that is similar to a video-based Wikipedia). To try to keep this", "different levels making a highly interconnected web. I think I need around 40", "a video-based Wikipedia). To try to keep this engaging and manageable (both to", "jumping-off points to related topics at the end of each episode (\"If you", "to know about...\"), and also to be able to give jumping-off points to", "give jumping-off points to related topics at the end of each episode (\"If", "lamp made the combustion-based lamps mostly obsolete (another kind of relationship). Then there's", "something that \"might be interesting\")? So even with very few episodes, there are", "different types and at different levels making a highly interconnected web. I think", "types and at different levels making a highly interconnected web. I think I", "to be able to give jumping-off points to related topics at the end", "domain in a way that lets me map, understand and communicate dependencies, and", "(kind-of a story). My reasoning being that episodes will frequently cover topics that", "show this, starting with four possible episodes: Let's say I have an episode", "want to be able to say within each episode if there is any", "interconnected web. I think I need around 40 episodes in total all of", "made into individual videos to explain different technologies and how they interrelate at", "(e.g. an alternative technology that could be used in place of the one", "spokes. Also each relationship I need to capture/express might be directed (e.g. a", "each relationship I need to capture/express might be directed (e.g. a dependency) or", "video-based Wikipedia). To try to keep this engaging and manageable (both to create", "Why a mind-map doesn't fit my needs A simple example to show this,", "highly interconnected web. I think I need around 40 episodes in total all", "consume), I want this to have an underlying structure (kind-of a story). My", "(in other episodes). Why a mind-map doesn't fit my needs A simple example", "very few episodes, there are a lot of links of different types and", "topic for understanding another episode. So, I want to be able to say", "on gas lamps, and an episode on electric lamps. These are alternatives to", "plan! Does anyone know of a diagramming type that would fit to what", "to create and consume), I want this to have an underlying structure (kind-of", "wicks work, and link that to the oil-lamp and candle episodes (as something", "don't have a single thing with radiating spokes. Also each relationship I need", "might be directed (e.g. a dependency) or undirected (e.g. an alternative technology that", "that are in some way a 'gateway' or 'foundation' topic for understanding another", "episode (\"Before you watch this episode, you may find it useful to know", "of episodes that will be made into individual videos to explain different technologies", "Oh, and by the way, both candles and oil lamps make use of", "Which is now my problem: How to describe the domain in a way", "episode if there is any prerequisite knowledge for the episode (\"Before you watch", "my problem: How to describe the domain in a way that lets me", "web of episodes where each node (episode) has nested 'key points', each of", "able to colloborate with non-software people in building and reviewing the episode plan!", "episodes in total all of which will have clusters of relationships. A class-diagram", "(e.g. a dependency) or undirected (e.g. an alternative technology that could be used", "another episode. So, I want to be able to say within each episode", "non-software people in building and reviewing the episode plan! Does anyone know of", "to explain different technologies and how they interrelate at different levels within a", "story). My reasoning being that episodes will frequently cover topics that are in", "also to be able to give jumping-off points to related topics at the", "which will have clusters of relationships. A class-diagram alternative? As I have a", "have an underlying structure (kind-of a story). My reasoning being that episodes will", "and link that to the oil-lamp and candle episodes (as something that \"might", "are really old, gas-lamps relatively new, and electric lamps the newest. Oh, and", "levels within a specific application domain (the aim being to produce something that", "know about...\"), and also to be able to give jumping-off points to related", "in total all of which will have clusters of relationships. A class-diagram alternative?", "is any prerequisite knowledge for the episode (\"Before you watch this episode, you", "there's the temporal aspect, oil-lamps and are really old, gas-lamps relatively new, and", "that could be used in place of the one discussed). There will be", "by the way, both candles and oil lamps make use of a wick,", "I have an episode on candles, one on oil lamps, an episode on", "of which will have clusters of relationships. A class-diagram alternative? As I have", "to colloborate with non-software people in building and reviewing the episode plan! Does", "(as something that \"might be interesting\")? So even with very few episodes, there", "and at different levels making a highly interconnected web. I think I need", "My reasoning being that episodes will frequently cover topics that are in some", "to be able to say within each episode if there is any prerequisite", "to explain how wicks work, and link that to the oil-lamp and candle", "at different levels making a highly interconnected web. I think I need around", "and are really old, gas-lamps relatively new, and electric lamps the newest. Oh,", "undirected (e.g. an alternative technology that could be used in place of the", "are in some way a 'gateway' or 'foundation' topic for understanding another episode.", "Does anyone know of a diagramming type that would fit to what I'm", "that is similar to a video-based Wikipedia). To try to keep this engaging", "on electric lamps. These are alternatives to one another (one kind of relationship),", "aim being to produce something that is similar to a video-based Wikipedia). To", "map doesn't quite work, as I don't have a single thing with radiating", "found this episode interesting, you might also want to watch...\"). Ideally I want", "as I want to be able to colloborate with non-software people in building", "other key-points (in other episodes). Why a mind-map doesn't fit my needs A", "episodes will frequently cover topics that are in some way a 'gateway' or", "to one another (one kind of relationship), and also the electric lamp made", "at the end of each episode (\"If you found this episode interesting, you", "to do please? (This may not be the best SE site for this,", "a series of episodes that will be made into individual videos to explain", "feel a bit as though I need a UML class-diagram to describe everything,", "to produce something that is similar to a video-based Wikipedia). To try to", "produce something that is similar to a video-based Wikipedia). To try to keep", "underlying structure (kind-of a story). My reasoning being that episodes will frequently cover", "to watch...\"). Ideally I want to approach this mapping task graphically. Which is", "may not be the best SE site for this, it seemed closest though)", "dependency) or undirected (e.g. an alternative technology that could be used in place", "other episodes). Why a mind-map doesn't fit my needs A simple example to", "trying to do please? (This may not be the best SE site for", "obsolete (another kind of relationship). Then there's the temporal aspect, oil-lamps and are", "problem: How to describe the domain in a way that lets me map,", "making a highly interconnected web. I think I need around 40 episodes in", "want to watch...\"). Ideally I want to approach this mapping task graphically. Which", "the end of each episode (\"If you found this episode interesting, you might", "diagramming type that would fit to what I'm trying to do please? (This", "(both to create and consume), I want this to have an underlying structure", "alternative technology that could be used in place of the one discussed). There", "As I have a software engineering background, this is starting to make me", "wick, so I might also need an episode to explain how wicks work,", "type that would fit to what I'm trying to do please? (This may", "some way a 'gateway' or 'foundation' topic for understanding another episode. So, I", "end of each episode (\"If you found this episode interesting, you might also", "and other relationships, between topics and episodes? A mind map doesn't quite work,", "I need around 40 episodes in total all of which will have clusters", "on a series of episodes that will be made into individual videos to", "lamps. These are alternatives to one another (one kind of relationship), and also", "'foundation' topic for understanding another episode. So, I want to be able to", "clusters of relationships. A class-diagram alternative? As I have a software engineering background,", "manageable (both to create and consume), I want this to have an underlying", "for the episode (\"Before you watch this episode, you may find it useful", "task graphically. Which is now my problem: How to describe the domain in", "episodes (as something that \"might be interesting\")? So even with very few episodes,", "any prerequisite knowledge for the episode (\"Before you watch this episode, you may", "with radiating spokes. Also each relationship I need to capture/express might be directed", "a bit as though I need a UML class-diagram to describe everything, and", "different technologies and how they interrelate at different levels within a specific application", "useful to know about...\"), and also to be able to give jumping-off points", "I need to capture/express might be directed (e.g. a dependency) or undirected (e.g.", "I have a software engineering background, this is starting to make me feel", "need to capture/express might be directed (e.g. a dependency) or undirected (e.g. an", "lot of links of different types and at different levels making a highly", "a dependency) or undirected (e.g. an alternative technology that could be used in", "(the aim being to produce something that is similar to a video-based Wikipedia).", "how they interrelate at different levels within a specific application domain (the aim", "keep this engaging and manageable (both to create and consume), I want this", "Also each relationship I need to capture/express might be directed (e.g. a dependency)", "this mapping task graphically. 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So even with very few", "think I need around 40 episodes in total all of which will have", "(one kind of relationship), and also the electric lamp made the combustion-based lamps", "relationship), and also the electric lamp made the combustion-based lamps mostly obsolete (another", "on oil lamps, an episode on gas lamps, and an episode on electric", "though, as I want to be able to colloborate with non-software people in", "of relationships. A class-diagram alternative? As I have a software engineering background, this", "that will be made into individual videos to explain different technologies and how", "a wick, so I might also need an episode to explain how wicks", "anyone know of a diagramming type that would fit to what I'm trying", "my needs A simple example to show this, starting with four possible episodes:", "has nested 'key points', each of which might be individually relevant to one", "a specific application domain (the aim being to produce something that is similar", "and electric lamps the newest. Oh, and by the way, both candles and", "way a 'gateway' or 'foundation' topic for understanding another episode. So, I want", "within a specific application domain (the aim being to produce something that is", "understanding another episode. So, I want to be able to say within each", "working on a series of episodes that will be made into individual videos", "episode, you may find it useful to know about...\"), and also to be", "knowledge for the episode (\"Before you watch this episode, you may find it", "made the combustion-based lamps mostly obsolete (another kind of relationship). Then there's the", "of different types and at different levels making a highly interconnected web. I", "will have clusters of relationships. A class-diagram alternative? As I have a software", "you watch this episode, you may find it useful to know about...\"), and", "episodes, there are a lot of links of different types and at different", "There will be a web of episodes where each node (episode) has nested", "A class-diagram alternative? As I have a software engineering background, this is starting", "people in building and reviewing the episode plan! Does anyone know of a", "graphically. Which is now my problem: How to describe the domain in a", "aspect, oil-lamps and are really old, gas-lamps relatively new, and electric lamps the", "will be made into individual videos to explain different technologies and how they", "a UML class-diagram to describe everything, and I'm trying to avoid that though,", "to be able to colloborate with non-software people in building and reviewing the", "episodes that will be made into individual videos to explain different technologies and", "episode plan! Does anyone know of a diagramming type that would fit to", "used in place of the one discussed). There will be a web of", "topics and episodes? A mind map doesn't quite work, as I don't have", "each of which might be individually relevant to one or more episodes, or", "this engaging and manageable (both to create and consume), I want this to", "to related topics at the end of each episode (\"If you found this", "that would fit to what I'm trying to do please? (This may not", "approach this mapping task graphically. Which is now my problem: How to describe", "and manageable (both to create and consume), I want this to have an", "one or more episodes, or one ore more other key-points (in other episodes).", "also want to watch...\"). Ideally I want to approach this mapping task graphically.", "of relationship), and also the electric lamp made the combustion-based lamps mostly obsolete", "Ideally I want to approach this mapping task graphically. Which is now my", "fit to what I'm trying to do please? (This may not be the", "might be individually relevant to one or more episodes, or one ore more", "another (one kind of relationship), and also the electric lamp made the combustion-based", "episode to explain how wicks work, and link that to the oil-lamp and", "the way, both candles and oil lamps make use of a wick, so", "are a lot of links of different types and at different levels making", "to describe everything, and I'm trying to avoid that though, as I want", "episode on electric lamps. These are alternatives to one another (one kind of", "an underlying structure (kind-of a story). My reasoning being that episodes will frequently", "to say within each episode if there is any prerequisite knowledge for the", "make me feel a bit as though I need a UML class-diagram to", "gas-lamps relatively new, and electric lamps the newest. Oh, and by the way,", "which might be individually relevant to one or more episodes, or one ore", "levels making a highly interconnected web. I think I need around 40 episodes", "of which might be individually relevant to one or more episodes, or one", "cover topics that are in some way a 'gateway' or 'foundation' topic for", "episodes, or one ore more other key-points (in other episodes). Why a mind-map", "starting with four possible episodes: Let's say I have an episode on candles,", "each episode (\"If you found this episode interesting, you might also want to", "will be a web of episodes where each node (episode) has nested 'key", "These are alternatives to one another (one kind of relationship), and also the", "a 'gateway' or 'foundation' topic for understanding another episode. So, I want to", "of each episode (\"If you found this episode interesting, you might also want", "episodes? A mind map doesn't quite work, as I don't have a single", "oil-lamp and candle episodes (as something that \"might be interesting\")? So even with", "to the oil-lamp and candle episodes (as something that \"might be interesting\")? So", "could be used in place of the one discussed). There will be a", "say within each episode if there is any prerequisite knowledge for the episode", "technology that could be used in place of the one discussed). There will", "Then there's the temporal aspect, oil-lamps and are really old, gas-lamps relatively new,", "episodes where each node (episode) has nested 'key points', each of which might", "in a way that lets me map, understand and communicate dependencies, and other", "40 episodes in total all of which will have clusters of relationships. A", "have a software engineering background, this is starting to make me feel a", "to have an underlying structure (kind-of a story). My reasoning being that episodes", "web. I think I need around 40 episodes in total all of which", "directed (e.g. a dependency) or undirected (e.g. an alternative technology that could be", "episode. So, I want to be able to say within each episode if", "and episodes? A mind map doesn't quite work, as I don't have a", "mind-map doesn't fit my needs A simple example to show this, starting with", "software engineering background, this is starting to make me feel a bit as", "simple example to show this, starting with four possible episodes: Let's say I", "that lets me map, understand and communicate dependencies, and other relationships, between topics", "being that episodes will frequently cover topics that are in some way a", "and oil lamps make use of a wick, so I might also need", "are alternatives to one another (one kind of relationship), and also the electric", "episodes: Let's say I have an episode on candles, one on oil lamps,", "other relationships, between topics and episodes? A mind map doesn't quite work, as", "both candles and oil lamps make use of a wick, so I might", "what I'm trying to do please? (This may not be the best SE", "might also need an episode to explain how wicks work, and link that", "work, as I don't have a single thing with radiating spokes. Also each", "How to describe the domain in a way that lets me map, understand", "on candles, one on oil lamps, an episode on gas lamps, and an", "'gateway' or 'foundation' topic for understanding another episode. So, I want to be", "that though, as I want to be able to colloborate with non-software people", "might also want to watch...\"). Ideally I want to approach this mapping task", "relationships. A class-diagram alternative? As I have a software engineering background, this is", "describe the domain in a way that lets me map, understand and communicate", "(episode) has nested 'key points', each of which might be individually relevant to", "nested 'key points', each of which might be individually relevant to one or", "or 'foundation' topic for understanding another episode. So, I want to be able", "me feel a bit as though I need a UML class-diagram to describe", "ore more other key-points (in other episodes). Why a mind-map doesn't fit my", "being to produce something that is similar to a video-based Wikipedia). To try", "if there is any prerequisite knowledge for the episode (\"Before you watch this", "please? (This may not be the best SE site for this, it seemed", "where each node (episode) has nested 'key points', each of which might be", "relevant to one or more episodes, or one ore more other key-points (in", "relationship). Then there's the temporal aspect, oil-lamps and are really old, gas-lamps relatively", "within each episode if there is any prerequisite knowledge for the episode (\"Before", "and consume), I want this to have an underlying structure (kind-of a story).", "domain (the aim being to produce something that is similar to a video-based", "So, I want to be able to say within each episode if there", "a single thing with radiating spokes. Also each relationship I need to capture/express", "want to approach this mapping task graphically. Which is now my problem: How", "lamps, and an episode on electric lamps. These are alternatives to one another", "capture/express might be directed (e.g. a dependency) or undirected (e.g. an alternative technology", "and communicate dependencies, and other relationships, between topics and episodes? A mind map", "in some way a 'gateway' or 'foundation' topic for understanding another episode. So,", "fit my needs A simple example to show this, starting with four possible", "I want to be able to say within each episode if there is", "will frequently cover topics that are in some way a 'gateway' or 'foundation'", "thing with radiating spokes. Also each relationship I need to capture/express might be", "the domain in a way that lets me map, understand and communicate dependencies,", "explain how wicks work, and link that to the oil-lamp and candle episodes", "try to keep this engaging and manageable (both to create and consume), I", "application domain (the aim being to produce something that is similar to a", "lamps make use of a wick, so I might also need an episode", "old, gas-lamps relatively new, and electric lamps the newest. Oh, and by the", "of episodes where each node (episode) has nested 'key points', each of which", "be individually relevant to one or more episodes, or one ore more other", "create and consume), I want this to have an underlying structure (kind-of a", "different levels within a specific application domain (the aim being to produce something", "(another kind of relationship). Then there's the temporal aspect, oil-lamps and are really", "I might also need an episode to explain how wicks work, and link", "the episode (\"Before you watch this episode, you may find it useful to", "an episode on electric lamps. These are alternatives to one another (one kind", "structure (kind-of a story). My reasoning being that episodes will frequently cover topics", "kind of relationship). Then there's the temporal aspect, oil-lamps and are really old,", "a diagramming type that would fit to what I'm trying to do please?", "have an episode on candles, one on oil lamps, an episode on gas", "describe everything, and I'm trying to avoid that though, as I want to", "me map, understand and communicate dependencies, and other relationships, between topics and episodes?", "points to related topics at the end of each episode (\"If you found", "series of episodes that will be made into individual videos to explain different", "this to have an underlying structure (kind-of a story). My reasoning being that", "doesn't quite work, as I don't have a single thing with radiating spokes.", "with very few episodes, there are a lot of links of different types", "mapping task graphically. Which is now my problem: How to describe the domain", "the temporal aspect, oil-lamps and are really old, gas-lamps relatively new, and electric", "more episodes, or one ore more other key-points (in other episodes). Why a", "that episodes will frequently cover topics that are in some way a 'gateway'", "and candle episodes (as something that \"might be interesting\")? So even with very", "this episode, you may find it useful to know about...\"), and also to", "the combustion-based lamps mostly obsolete (another kind of relationship). Then there's the temporal", "be able to give jumping-off points to related topics at the end of", "few episodes, there are a lot of links of different types and at", "newest. Oh, and by the way, both candles and oil lamps make use", "building and reviewing the episode plan! Does anyone know of a diagramming type", "explain different technologies and how they interrelate at different levels within a specific", "the electric lamp made the combustion-based lamps mostly obsolete (another kind of relationship).", "lamps, an episode on gas lamps, and an episode on electric lamps. These", "mostly obsolete (another kind of relationship). Then there's the temporal aspect, oil-lamps and", "or more episodes, or one ore more other key-points (in other episodes). Why", "interesting, you might also want to watch...\"). Ideally I want to approach this", "be made into individual videos to explain different technologies and how they interrelate", "able to say within each episode if there is any prerequisite knowledge for", "this, starting with four possible episodes: Let's say I have an episode on", "a software engineering background, this is starting to make me feel a bit", "starting to make me feel a bit as though I need a UML", "the one discussed). There will be a web of episodes where each node", "example to show this, starting with four possible episodes: Let's say I have", "each episode if there is any prerequisite knowledge for the episode (\"Before you", "electric lamps. These are alternatives to one another (one kind of relationship), and", "need a UML class-diagram to describe everything, and I'm trying to avoid that", "and how they interrelate at different levels within a specific application domain (the", "four possible episodes: Let's say I have an episode on candles, one on", "to what I'm trying to do please? (This may not be the best", "'key points', each of which might be individually relevant to one or more", "between topics and episodes? A mind map doesn't quite work, as I don't", "an episode on candles, one on oil lamps, an episode on gas lamps,", "relatively new, and electric lamps the newest. Oh, and by the way, both", "individual videos to explain different technologies and how they interrelate at different levels", "one discussed). There will be a web of episodes where each node (episode)", "to avoid that though, as I want to be able to colloborate with", "and I'm trying to avoid that though, as I want to be able", "watch this episode, you may find it useful to know about...\"), and also", "is similar to a video-based Wikipedia). To try to keep this engaging and", "I want this to have an underlying structure (kind-of a story). My reasoning", "radiating spokes. Also each relationship I need to capture/express might be directed (e.g.", "to give jumping-off points to related topics at the end of each episode", "to capture/express might be directed (e.g. a dependency) or undirected (e.g. an alternative", "one another (one kind of relationship), and also the electric lamp made the", "I think I need around 40 episodes in total all of which will", "at different levels within a specific application domain (the aim being to produce", "alternative? As I have a software engineering background, this is starting to make", "say I have an episode on candles, one on oil lamps, an episode", "electric lamp made the combustion-based lamps mostly obsolete (another kind of relationship). Then", "to make me feel a bit as though I need a UML class-diagram", "watch...\"). Ideally I want to approach this mapping task graphically. Which is now", "I'm trying to do please? (This may not be the best SE site", "also need an episode to explain how wicks work, and link that to", "temporal aspect, oil-lamps and are really old, gas-lamps relatively new, and electric lamps", "oil-lamps and are really old, gas-lamps relatively new, and electric lamps the newest.", "quite work, as I don't have a single thing with radiating spokes. Also", "into individual videos to explain different technologies and how they interrelate at different", "map, understand and communicate dependencies, and other relationships, between topics and episodes? A", "to one or more episodes, or one ore more other key-points (in other", "possible episodes: Let's say I have an episode on candles, one on oil", "episode on candles, one on oil lamps, an episode on gas lamps, and", "I want to be able to colloborate with non-software people in building and", "I want to approach this mapping task graphically. Which is now my problem:", "a way that lets me map, understand and communicate dependencies, and other relationships,", "a lot of links of different types and at different levels making a", "also the electric lamp made the combustion-based lamps mostly obsolete (another kind of", "or one ore more other key-points (in other episodes). Why a mind-map doesn't", "discussed). There will be a web of episodes where each node (episode) has", "one on oil lamps, an episode on gas lamps, and an episode on", "lamps the newest. Oh, and by the way, both candles and oil lamps", "a story). My reasoning being that episodes will frequently cover topics that are", "there is any prerequisite knowledge for the episode (\"Before you watch this episode,", "relationships, between topics and episodes? A mind map doesn't quite work, as I", "need an episode to explain how wicks work, and link that to the", "technologies and how they interrelate at different levels within a specific application domain", "of the one discussed). There will be a web of episodes where each", "an episode to explain how wicks work, and link that to the oil-lamp", "background, this is starting to make me feel a bit as though I", "prerequisite knowledge for the episode (\"Before you watch this episode, you may find", "bit as though I need a UML class-diagram to describe everything, and I'm", "with non-software people in building and reviewing the episode plan! Does anyone know", "for understanding another episode. So, I want to be able to say within", "work, and link that to the oil-lamp and candle episodes (as something that", "single thing with radiating spokes. Also each relationship I need to capture/express might", "an alternative technology that could be used in place of the one discussed).", "the oil-lamp and candle episodes (as something that \"might be interesting\")? So even", "do please? (This may not be the best SE site for this, it", "make use of a wick, so I might also need an episode to", "videos to explain different technologies and how they interrelate at different levels within", "specific application domain (the aim being to produce something that is similar to", "is now my problem: How to describe the domain in a way that", "mind map doesn't quite work, as I don't have a single thing with", "links of different types and at different levels making a highly interconnected web.", "be a web of episodes where each node (episode) has nested 'key points',", "know of a diagramming type that would fit to what I'm trying to", "So even with very few episodes, there are a lot of links of", "around 40 episodes in total all of which will have clusters of relationships.", "understand and communicate dependencies, and other relationships, between topics and episodes? A mind", "and also the electric lamp made the combustion-based lamps mostly obsolete (another kind", "have clusters of relationships. A class-diagram alternative? As I have a software engineering", "candles, one on oil lamps, an episode on gas lamps, and an episode", "class-diagram to describe everything, and I'm trying to avoid that though, as I", "way that lets me map, understand and communicate dependencies, and other relationships, between", "everything, and I'm trying to avoid that though, as I want to be", "(\"If you found this episode interesting, you might also want to watch...\"). Ideally", "as I don't have a single thing with radiating spokes. Also each relationship", "and also to be able to give jumping-off points to related topics at", "A mind map doesn't quite work, as I don't have a single thing", "have a single thing with radiating spokes. Also each relationship I need to", "even with very few episodes, there are a lot of links of different", "class-diagram alternative? As I have a software engineering background, this is starting to", "individually relevant to one or more episodes, or one ore more other key-points", "node (episode) has nested 'key points', each of which might be individually relevant", "I need a UML class-diagram to describe everything, and I'm trying to avoid", "the newest. Oh, and by the way, both candles and oil lamps make", "to show this, starting with four possible episodes: Let's say I have an", "interrelate at different levels within a specific application domain (the aim being to", "you found this episode interesting, you might also want to watch...\"). Ideally I", "of relationship). Then there's the temporal aspect, oil-lamps and are really old, gas-lamps", "new, and electric lamps the newest. Oh, and by the way, both candles", "trying to avoid that though, as I want to be able to colloborate", "interesting\")? So even with very few episodes, there are a lot of links", "want to be able to colloborate with non-software people in building and reviewing", "able to give jumping-off points to related topics at the end of each", "you may find it useful to know about...\"), and also to be able", "relationship I need to capture/express might be directed (e.g. a dependency) or undirected", "needs A simple example to show this, starting with four possible episodes: Let's", "lamps mostly obsolete (another kind of relationship). Then there's the temporal aspect, oil-lamps", "place of the one discussed). There will be a web of episodes where", "episode interesting, you might also want to watch...\"). Ideally I want to approach", "colloborate with non-software people in building and reviewing the episode plan! Does anyone", "be able to say within each episode if there is any prerequisite knowledge", "I'm trying to avoid that though, as I want to be able to", "and an episode on electric lamps. These are alternatives to one another (one", "of links of different types and at different levels making a highly interconnected", "gas lamps, and an episode on electric lamps. These are alternatives to one", "to approach this mapping task graphically. Which is now my problem: How to", "avoid that though, as I want to be able to colloborate with non-software", "of a wick, so I might also need an episode to explain how", "and reviewing the episode plan! Does anyone know of a diagramming type that", "lets me map, understand and communicate dependencies, and other relationships, between topics and", "they interrelate at different levels within a specific application domain (the aim being", "or undirected (e.g. an alternative technology that could be used in place of", "that \"might be interesting\")? So even with very few episodes, there are a", "be able to colloborate with non-software people in building and reviewing the episode", "want this to have an underlying structure (kind-of a story). My reasoning being", "to a video-based Wikipedia). To try to keep this engaging and manageable (both", "with four possible episodes: Let's say I have an episode on candles, one", "alternatives to one another (one kind of relationship), and also the electric lamp", "way, both candles and oil lamps make use of a wick, so I", "Wikipedia). To try to keep this engaging and manageable (both to create and", "though I need a UML class-diagram to describe everything, and I'm trying to", "topics that are in some way a 'gateway' or 'foundation' topic for understanding", "this is starting to make me feel a bit as though I need", "reviewing the episode plan! Does anyone know of a diagramming type that would", "it useful to know about...\"), and also to be able to give jumping-off", "an episode on gas lamps, and an episode on electric lamps. These are", "may find it useful to know about...\"), and also to be able to", "a mind-map doesn't fit my needs A simple example to show this, starting", "episode (\"If you found this episode interesting, you might also want to watch...\").", "there are a lot of links of different types and at different levels", "a highly interconnected web. I think I need around 40 episodes in total", "oil lamps, an episode on gas lamps, and an episode on electric lamps.", "(\"Before you watch this episode, you may find it useful to know about...\"),", "reasoning being that episodes will frequently cover topics that are in some way", "the episode plan! Does anyone know of a diagramming type that would fit", "be directed (e.g. a dependency) or undirected (e.g. an alternative technology that could", "is starting to make me feel a bit as though I need a" ]
[ "mixed tribal heritage. This detribalized population only exists, however, because of a policy", "is a massive wealth and technology gap between the cities and rural tribes.", "settlers from elsewhere and are based mostly on Zulu, Mongolian, and Maori cultures", "as mostly \"the bad guys\" make it look like I am promoting colonialism", "the detriment of those who live there. 6. By far the most populous", "its own advancements ever since (however, a new king named Migkaol who is", "second in population only to Ishga and will grow rapidly even as the", "Seeing the golden opportunity, Tate, along with several prominent members of the galaxy's", "this happens is that the setting is essentially a brutal, 19-year-long war between", "criminal underworld set up a massive pyramid scheme disguised as a legitimate company", "\"Dominus\" in lieu of Consuls. 3. Least populous of the three main powers.", "and will spend the first few books both defending Aurea from Tate's minions", "5. One main planet but has colonized several previously uninhabited worlds around it", "as Tate simply takes an artifact he needs, commits an almost total genocide", "of war, the three main powers can basically be summed up as follows:", "and rule it himself to fix the damage or find and use a", "oppressive system of colonialism for which his forefathers are responsible. However, this is", "that bullied weaker planets for land and resources while greedily hoarding its own", "led by a royal family that bullied weaker planets for land and resources", "minions and implementing an absolute ton of reforms to rapidly modernize the planet.", "galaxy (which has a reputation for being a barely inhabited backwater) to hide", "of the galaxy's area. 4. The vast majority of these worlds side with", "and has bullied resources out of and taken land from worlds that are", "the fact that many of these colonies will be needed to win this", "the galaxy. He sees the galaxy as so thoroughly ruined by Ishga colonialism", "so industrializing and modernizing its military with stolen Ishga technology acquired through Tate's", "the context for a [previous question](https://worldbuilding.stackexchange.com/questions/198446/how-would-limited-space-travel-change-late-medieval-early-renaissance-era-warfar). 7. Those three outlying provinces I mentioned", "will tepidly side with Ishga and Aurea at first, but many of their", "three main powers can basically be summed up as follows: Ishga 1. Based", "Tatiian, and Ishga descent form a narrow majority of the population of these", "three main powers, being home to almost half the entire galaxy's population Aurea", "the entire galaxy's population Aurea 1. Based mostly on Greco-Roman culture, but three", "(president) is our main protagonist, who is a close friend of King Migkaol", "The vast majority of both supporting protagonists and supporting antagonists are from these", "of unequal treaties with Ishga (kind of like the ones set up by", "as mostly \"the good guys\", while the (on paper) anti-colonialist (but incredibly hypocritical)", "citizens have Tatian sympathies and all of these worlds change hands at least", "who is a supporting protagonist has ousted the old dynasty and wants to", "beings of the galaxy and have them create a new galaxy in his", "is composed of dozens of tribes based on various Native American and Inuit", "has a history of oppressive Ishga rule in the past (although the current", "tribes off their lands, forcibly disbands them, and scatters their people into various", "6. The vast majority of both supporting protagonists and supporting antagonists are from", "mostly run by the detribalized urban population of mixed tribal heritage. This detribalized", "1. Composed of 10 Worlds: Planet Squid, Aztlan, Awal, Arturia, Ryu 97, Ryu", "Rest of the Galaxy 1. Composed of 10 Worlds: Planet Squid, Aztlan, Awal,", "as the war goes on. Rest of the Galaxy 1. Composed of 10", "its industrial revolution about 200 years ago and has been led by a", "that we have that massive info dump out of the way, here is", "4. The vast majority of these worlds side with Tate and their inhabitants", "have only reached the cities, and there is a massive wealth and technology", "along with several prominent members of the galaxy's criminal underworld set up a", "reasons not relevant to this question, then leaves. 6. The vast majority of", "close friend of King Migkaol), and the rest all have some sort of", "Originally called Navayu before Tate's rule Various UNISYN Colonies 1. Before Tate's rise", "indistinguishable from magic 4. Had its industrial revolution about 200 years ago and", "and weaponry), and the government is essentially the Roman Republic with a non-term-limited", "the past (although the current ruler has put this behind him and is", "friends to join as well, and so on and so forth. The profits", "many of these colonies will be needed to win this galactic equivalent of", "the war will be fought here as well, as they are the cultural,", "are comrpised of all of the peoples of the galaxy, but those of", "Star Wars by the end. The way this happens is that the setting", "with the first plan, the second is his backup in case he starts", "from Star Wars 3. Technology so advanced it's basically indistinguishable from magic 4.", "of their citizens have Tatian sympathies and all of these worlds change hands", "as they are the cultural, historical, and magical heart of the galaxy and", "anti-colonialist? --- I already asked this on Worldbuilding SE and they closed it", "Galaxy 1. Composed of 10 Worlds: Planet Squid, Aztlan, Awal, Arturia, Ryu 97,", "several prominent members of the galaxy's criminal underworld set up a massive pyramid", "as farming colonies to feed itself and has bullied resources out of and", "as well, as they are the cultural, historical, and magical heart of the", "once during the war. Aztlan is the exception as Tate simply takes an", "allies in the galaxy's criminal underworld. However, most of these benefits have only", "history of oppressive Ishga rule in the past (although the current ruler has", "war, the three main powers can basically be summed up as follows: Ishga*", "what keep Caput Tatiium financially afloat. 2. The majority of the war will", "get friends to join as well, and so on and so forth. The", "in and get friends to join as well, and so on and so", "worlds. Many battles of the war will be fought here as well, as", "Ishga and the sort-of-colonialist world of Aurea portrayed as mostly* \"the good guys\",", "and so forth. The profits from this are basically what keep Caput Tatiium", "on the fantasy end of the spectrum but moves more and more towards", "and Rinascita 2. All are generally at early Renaissance levels of technological, military,", "from worlds that are inhabited, to the detriment of those who live there.", "will be needed to win this galactic equivalent of WWII.) 5. One main", "forefathers are responsible. However, this is complicated by the fact that many of", "artifact he needs, commits an almost total genocide on Aztlan's populace for reasons", "create a new galaxy in his own image. His plan switches back and", "they closed it and told me it belonged here, so here it is.", "Aurea from Tate's minions and implementing an absolute ton of reforms to rapidly", "outlying provinces I mentioned are composed of people groups completely separate from most", "are second in population only to Ishga and will grow rapidly even as", "to most of the artifacts Tate needs for his ritual. 5. These worlds", "Tate's rise to power on Caput Tatiium, the vast majority of habitable planets", "fantasy end of the spectrum but moves more and more towards the sci-fi", "separate from most Aureans, were conquered by the Aurean Government a few centuries", "---------- The book series I'm working on can basically be summed up as", "a few decades back by Tate, which kicks rebellious tribes off their lands,", "galaxy's criminal underworld. However, most of these benefits have only reached the cities,", "science-fantasy series that starts out leaning much more on the fantasy end of", "for reasons not relevant to this question, then leaves. 6. The vast majority", "the fantasy end of the spectrum but moves more and more towards the", "have a complicated relationship with their identity as Aureans, as well as with", "Consuls. 3. Least populous of the three main powers. 4. Aurea's current Dominus", "at first, but many of their citizens have Tatian sympathies and all of", "than Aurea but less so than the UNISYN worlds. Many battles of the", "rather than being anti-colonialist? --- I already asked this on Worldbuilding SE and", "looks like a cross between the Legend of Korra and Star Wars by", "this is complicated by the fact that many of these colonies will be", "that many of these colonies will be needed to win this galactic equivalent", "4. Had its industrial revolution about 200 years ago and has been led", "of the war will be fought here as well, as they are the", "in what is practically the blink of an eye. Setting and plot details", "more and more towards the sci-fi end of the spectrum as it progresses", "starts losing). Tate rules Caput Tatiium as an absolute monarch. 3. Second most", "a non-term-limited US President called the \"Dominus\" in lieu of Consuls. 3. Least", "the vast majority of the galaxy's area. 4. The vast majority of these", "run by the detribalized urban population of mixed tribal heritage. This detribalized population", "on these worlds, and these people were rewarded for getting friends of theirs", "colonialism that he wants to either conquer it all and rule it himself", "on how well he is doing in the war (when he is winning", "historical, and magical heart of the galaxy and are home to most of", "and taken land from worlds that are inhabited, to the detriment of those", "guys\", while the (on paper) anti-colonialist (but incredibly hypocritical) world of Caput Tatiium", "him and is a close friend of King Migkaol), and the rest all", "and wants to both democratize the planet and end and atone for the", "on the late Roman imperial system (but with Kommnenian-era Byzantine technology and weaponry),", "those of Aurean, Caput Tatiian, and Ishga descent form a narrow majority of", "has ousted the old dynasty and wants to both democratize the planet and", "war will be fought here as well, as they are the cultural, historical,", "backwater) to hide its massive industrialization projects and expansion through UNISYN. 6. Originally", "modernize the planet. 5. Aurea is a single planet. 6. Like all preindustrial", "the sci-fi end of the spectrum as it progresses until it looks like", "the outlying provinces are descended from various waves of settlers from elsewhere and", "have Tatian sympathies and all of these worlds change hands at least once", "theirs to buy in and get friends to join as well, and so", "population only to Ishga and will grow rapidly even as the war goes", "Coruscant from Star Wars 3. Technology so advanced it's basically indistinguishable from magic", "leaning much more on the fantasy end of the spectrum but moves more", "Aurean Government a few centuries back, and have a complicated relationship with their", "parts of their land under Ishga rule, Arturia has a history of oppressive", "is my question: ---------------------------------------------------------------------------- Does having the reforming but still colonialist world of", "land from worlds that are inhabited, to the detriment of those who live", "At the outbreak of war, the three main powers can basically be summed", "colonies are second in population only to Ishga and will grow rapidly even", "Squid, Aztlan, Awal, Arturia, Ryu 97, Ryu 108, Atlantea, Bharatam, Vigam, and Rinascita", "it himself to fix the damage or find and use a combination of", "of WWII.) 5. One main planet but has colonized several previously uninhabited worlds", "will spend the first few books both defending Aurea from Tate's minions and", "the exception as Tate simply takes an artifact he needs, commits an almost", "all have some sort of unequal treaties with Ishga (kind of like the", "Tatiium portrayed as mostly \"the bad guys\" make it look like I am", "with several prominent members of the galaxy's criminal underworld set up a massive", "own image. His plan switches back and forth between the two depending on", "these worlds. Now that we have that massive info dump out of the", "were conquered by the Aurean Government a few centuries back, and have a", "of tribes based on various Native American and Inuit cultures that live in", "Ishga (kind of like the ones set up by European powers with China", "development. 3. Vigam, Aztlan, and Atlantea all have parts of their land under", "system (but with Kommnenian-era Byzantine technology and weaponry), and the government is essentially", "Tatiium as an absolute monarch. 3. Second most populous of the three main", "with Kommnenian-era Byzantine technology and weaponry), and the government is essentially the Roman", "the old dynasty and wants to both democratize the planet and end and", "the setting is essentially a brutal, 19-year-long war between the galaxy's biggest powers", "Startreaders, which I outlined in the context for a [previous question](https://worldbuilding.stackexchange.com/questions/198446/how-would-limited-space-travel-change-late-medieval-early-renaissance-era-warfar). 7. Those", "fix the damage or find and use a combination of long-lost ancient artifacts", "losing). Tate rules Caput Tatiium as an absolute monarch. 3. Second most populous", "galaxy's criminal underworld set up a massive pyramid scheme disguised as a legitimate", "1. Most of its population is composed of dozens of tribes based on", "the Aurean Government a few centuries back, and have a complicated relationship with", "it all and rule it himself to fix the damage or find and", "populous of the three main powers. 4. Aurea's current Dominus (president) is our", "a close friend of King Migkaol), and the rest all have some sort", "narrow majority of the population of these worlds. 6. Combined, the UNISYN colonies", "Uses its location on the far western edge of the galaxy (which has", "(when he is winning and controls most of the galaxy, he is fine", "Rinascita 2. All are generally at early Renaissance levels of technological, military, and", "the sort-of-colonialist world of Aurea portrayed as mostly \"the good guys\", while the", "UNISYN worlds. Many battles of the war will be fought here as well,", "of the outlying provinces are descended from various waves of settlers from elsewhere", "I outlined in the context for a [previous question](https://worldbuilding.stackexchange.com/questions/198446/how-would-limited-space-travel-change-late-medieval-early-renaissance-era-warfar). 7. Those three outlying", "Tate, a rogue mutant of Ishga heritage whose mutation gives him talent with", "whose mutation gives him talent with magic that rivals the Gods' powers. Tate", "summed up as follows: Ishga 1. Based on the culture of Victorian-era London", "bases his worldview on the Ishgas' previous oppression of the galaxy. He sees", "heritage whose mutation gives him talent with magic that rivals the Gods' powers.", "stolen Ishga technology acquired through Tate's allies in the galaxy's criminal underworld. However,", "simply takes an artifact he needs, commits an almost total genocide on Aztlan's", "but moves more and more towards the sci-fi end of the spectrum as", "industrialization projects and expansion through UNISYN. 6. Originally called Navayu before Tate's rule", "travel with Startreaders, which I outlined in the context for a [previous question](https://worldbuilding.stackexchange.com/questions/198446/how-would-limited-space-travel-change-late-medieval-early-renaissance-era-warfar).", "am promoting colonialism rather than being anti-colonialist? --- I already asked this on", "western edge of the galaxy (which has a reputation for being a barely", "ones set up by European powers with China after the Opium Wars). 4.", "the (on paper) anti-colonialist (but incredibly hypocritical) world of Caput Tatiium portrayed as", "through Tate's allies in the galaxy's criminal underworld. However, most of these benefits", "oppression of the galaxy. He sees the galaxy as so thoroughly ruined by", "majority of the galaxy's area. 4. The vast majority of these worlds side", "rivals the Gods' powers. Tate is the main antagonist of the series and", "galaxy's area. 4. The vast majority of these worlds side with Tate and", "Aureans, were conquered by the Aurean Government a few centuries back, and have", "Combined, these worlds are more populous than Aurea but less so than the", "Aztlan is the exception as Tate simply takes an artifact he needs, commits", "He sees the galaxy as so thoroughly ruined by Ishga colonialism that he", "worlds that are inhabited, to the detriment of those who live there. 6.", "to summon the 3 primordial beings of the galaxy and have them create", "with Ishga and Aurea at first, but many of their citizens have Tatian", "an absolute ton of reforms to rapidly modernize the planet. 5. Aurea is", "these people were rewarded for getting friends of theirs to buy in and", "population only exists, however, because of a policy implemented a few decades back", "UNISYN Colonists are comrpised of all of the peoples of the galaxy, but", "Aurea at first, but many of their citizens have Tatian sympathies and all", "been led by a royal family that bullied weaker planets for land and", "cultures respectively. 2. The military is based on the late Roman imperial system", "and technology gap between the cities and rural tribes. 5. Uses its location", "set up by European powers with China after the Opium Wars). 4. Combined,", "of the galaxy and have them create a new galaxy in his own", "Tatiium financially afloat. 2. The majority of the war will be fought here.", "technological, military, and societal development. 3. Vigam, Aztlan, and Atlantea all have parts", "of and taken land from worlds that are inhabited, to the detriment of", "space travel with Startreaders, which I outlined in the context for a [previous", "out of the way, here is my question: ---------------------------------------------------------------------------- Does having the reforming", "all preindustrial worlds, Aurea conducts space travel with Startreaders, which I outlined in", "One main planet but has colonized several previously uninhabited worlds around it for", "those who live there. 6. By far the most populous of the three", "an eye. Setting and plot details ------------------------ At the outbreak of war, the", "of Victorian-era London 2. Ecumenopolis similar to Coruscant from Star Wars 3. Technology", "well as with the Aurean Government. Caput Tatiium 1. Most of its population", "up as a science-fantasy series that starts out leaning much more on the", "a policy implemented a few decades back by Tate, which kicks rebellious tribes", "[previous question](https://worldbuilding.stackexchange.com/questions/198446/how-would-limited-space-travel-change-late-medieval-early-renaissance-era-warfar). 7. Those three outlying provinces I mentioned are composed of people", "into various cities spread out across the planet. 2. Led by Tate, a", "of the galaxy (which has a reputation for being a barely inhabited backwater)", "antagonists are from these worlds. Now that we have that massive info dump", "and so on and so forth. The profits from this are basically what", "of the spectrum as it progresses until it looks like a cross between", "gap between the cities and rural tribes. 5. Uses its location on the", "and atone for the oppressive system of colonialism for which his forefathers are", "Migkaol of Ishga, and will spend the first few books both defending Aurea", "most of these benefits have only reached the cities, and there is a", "UNISYN sold people land on these worlds, and these people were rewarded for", "portrayed as mostly \"the bad guys\" make it look like I am promoting", "2. All are generally at early Renaissance levels of technological, military, and societal", "opportunity, Tate, along with several prominent members of the galaxy's criminal underworld set", "are composed of people groups completely separate from most Aureans, were conquered by", "200 years ago and has been led by a royal family that bullied", "for getting friends of theirs to buy in and get friends to join", "the past three decades or so industrializing and modernizing its military with stolen", "the galaxy (which has a reputation for being a barely inhabited backwater) to", "powers. Tate is the main antagonist of the series and bases his worldview", "Republic with a non-term-limited US President called the \"Dominus\" in lieu of Consuls.", "these worlds change hands at least once during the war. Aztlan is the", "tribes. 5. Uses its location on the far western edge of the galaxy", "and scatters their people into various cities spread out across the planet. 2.", "the current ruler has put this behind him and is a close friend", "there. 6. By far the most populous of the three main powers, being", "Navayu before Tate's rule Various UNISYN Colonies 1. Before Tate's rise to power", "make it look like I am promoting colonialism rather than being anti-colonialist? ---", "form a narrow majority of the population of these worlds. 6. Combined, the", "while the (on paper) anti-colonialist (but incredibly hypocritical) world of Caput Tatiium portrayed", "Tatian sympathies and all of these worlds change hands at least once during", "conquer it all and rule it himself to fix the damage or find", "Worldbuilding SE and they closed it and told me it belonged here, so", "way, here is my question: ---------------------------------------------------------------------------- Does having the reforming but still colonialist", "have them create a new galaxy in his own image. His plan switches", "government and military are mostly run by the detribalized urban population of mixed", "military. 5. UNISYN Colonists are comrpised of all of the peoples of the", "across the planet. 2. Led by Tate, a rogue mutant of Ishga heritage", "industrial revolution about 200 years ago and has been led by a royal", "it look like I am promoting colonialism rather than being anti-colonialist? --- I", "here is my question: ---------------------------------------------------------------------------- Does having the reforming but still colonialist world", "the detribalized urban population of mixed tribal heritage. This detribalized population only exists,", "3. Vigam, Aztlan, and Atlantea all have parts of their land under Ishga", "weaker planets for land and resources while greedily hoarding its own advancements ever", "happens is that the setting is essentially a brutal, 19-year-long war between the", "with their identity as Aureans, as well as with the Aurean Government. *Caput", "least once during the war. Aztlan is the exception as Tate simply takes", "basically indistinguishable from magic 4. Had its industrial revolution about 200 years ago", "sympathies and all of these worlds change hands at least once during the", "of Aurea portrayed as mostly* \"the good guys\", while the (on paper) anti-colonialist", "galaxy, but those of Aurean, Caput Tatiian, and Ishga descent form a narrow", "Mongolian, and Maori cultures respectively. 2. The military is based on the late", "and have a complicated relationship with their identity as Aureans, as well as", "Caput Tatiium 1. Most of its population is composed of dozens of tribes", "will be fought here as well, as they are the cultural, historical, and", "then leaves. 6. The vast majority of both supporting protagonists and supporting antagonists", "are mostly run by the detribalized urban population of mixed tribal heritage. This", "powers that industrializes the wider galaxy in what is practically the blink of", "outbreak of war, the three main powers can basically be summed up as", "and are home to most of the artifacts Tate needs for his ritual.", "several previously uninhabited worlds around it for use as farming colonies to feed", "in the galaxy's criminal underworld. However, most of these benefits have only reached", "world of Aurea portrayed as mostly \"the good guys\", while the (on paper)", "progresses until it looks like a cross between the Legend of Korra and", "series and bases his worldview on the Ishgas' previous oppression of the galaxy.", "complicated relationship with their identity as Aureans, as well as with the Aurean", "more towards the sci-fi end of the spectrum as it progresses until it", "so advanced it's basically indistinguishable from magic 4. Had its industrial revolution about", "planet and end and atone for the oppressive system of colonialism for which", "details ------------------------ At the outbreak of war, the three main powers can basically", "be summed up as follows: Ishga 1. Based on the culture of Victorian-era", "modernizing its military with stolen Ishga technology acquired through Tate's allies in the", "essentially the Roman Republic with a non-term-limited US President called the \"Dominus\" in", "His plan switches back and forth between the two depending on how well", "decades back by Tate, which kicks rebellious tribes off their lands, forcibly disbands", "spread out across the planet. 2. Led by Tate, a rogue mutant of", "the culture of Victorian-era London 2. Ecumenopolis similar to Coruscant from Star Wars", "powers can basically be summed up as follows: Ishga 1. Based on the", "majority of habitable planets in the galaxy were uninhabited. Seeing the golden opportunity,", "habitable planets in the galaxy were uninhabited. Seeing the golden opportunity, Tate, along", "a combination of long-lost ancient artifacts to summon the 3 primordial beings of", "the outbreak of war, the three main powers can basically be summed up", "about 200 years ago and has been led by a royal family that", "in rural areas. However, its government and military are mostly run by the", "greedily hoarding its own advancements ever since (however, a new king named Migkaol", "Arturia has a history of oppressive Ishga rule in the past (although the", "their identity as Aureans, as well as with the Aurean Government. Caput Tatiium", "late Roman imperial system (but with Kommnenian-era Byzantine technology and weaponry), and the", "first plan, the second is his backup in case he starts losing). Tate", "industrializes the wider galaxy in what is practically the blink of an eye.", "there is a massive wealth and technology gap between the cities and rural", "the war will be fought here. 3. UNISYN worlds occupy the vast majority", "off their lands, forcibly disbands them, and scatters their people into various cities", "implementing an absolute ton of reforms to rapidly modernize the planet. 5. Aurea", "I am promoting colonialism rather than being anti-colonialist? --- I already asked this", "and societal development. 3. Vigam, Aztlan, and Atlantea all have parts of their", "main antagonist of the series and bases his worldview on the Ishgas' previous", "composed of dozens of tribes based on various Native American and Inuit cultures", "advanced it's basically indistinguishable from magic 4. Had its industrial revolution about 200", "or find and use a combination of long-lost ancient artifacts to summon the", "5. These worlds will tepidly side with Ishga and Aurea at first, but", "practically the blink of an eye. Setting and plot details ------------------------ At the", "in which UNISYN sold people land on these worlds, and these people were", "European powers with China after the Opium Wars). 4. Combined, these worlds are", "policy implemented a few decades back by Tate, which kicks rebellious tribes off", "Technology so advanced it's basically indistinguishable from magic 4. Had its industrial revolution", "in his own image. His plan switches back and forth between the two", "elsewhere and are based mostly on Zulu, Mongolian, and Maori cultures respectively. 2.", "keep Caput Tatiium financially afloat. 2. The majority of the war will be", "wants to either conquer it all and rule it himself to fix the", "uninhabited. Seeing the golden opportunity, Tate, along with several prominent members of the", "Star Wars 3. Technology so advanced it's basically indistinguishable from magic 4. Had", "many of their citizens have Tatian sympathies and all of these worlds change", "spectrum as it progresses until it looks like a cross between the Legend", "question](https://worldbuilding.stackexchange.com/questions/198446/how-would-limited-space-travel-change-late-medieval-early-renaissance-era-warfar). 7. Those three outlying provinces I mentioned are composed of people groups", "majority of both supporting protagonists and supporting antagonists are from these worlds. Now", "(but with Kommnenian-era Byzantine technology and weaponry), and the government is essentially the", "and will grow rapidly even as the war goes on. Rest of the", "rule Various UNISYN Colonies 1. Before Tate's rise to power on Caput Tatiium,", "The profits from this are basically what keep Caput Tatiium financially afloat. 2.", "on Aztlan's populace for reasons not relevant to this question, then leaves. 6.", "of his military. 5. UNISYN Colonists are comrpised of all of the peoples", "disbands them, and scatters their people into various cities spread out across the", "main planet but has colonized several previously uninhabited worlds around it for use", "Ishga and Aurea at first, but many of their citizens have Tatian sympathies", "half the entire galaxy's population Aurea 1. Based mostly on Greco-Roman culture, but", "but has colonized several previously uninhabited worlds around it for use as farming", "magic that rivals the Gods' powers. Tate is the main antagonist of the", "UNISYN. 6. Originally called Navayu before Tate's rule Various UNISYN Colonies 1. Before", "the galaxy, he is fine with the first plan, the second is his", "is doing in the war (when he is winning and controls most of", "three outlying provinces I mentioned are composed of people groups completely separate from", "behind him and is a close friend of King Migkaol), and the rest", "these worlds, and these people were rewarded for getting friends of theirs to", "fact that many of these colonies will be needed to win this galactic", "almost half the entire galaxy's population Aurea** 1. Based mostly on Greco-Roman culture,", "the cultural, historical, and magical heart of the galaxy and are home to", "them, and scatters their people into various cities spread out across the planet.", "galactic equivalent of WWII.) 5. One main planet but has colonized several previously", "to fix the damage or find and use a combination of long-lost ancient", "for a [previous question](https://worldbuilding.stackexchange.com/questions/198446/how-would-limited-space-travel-change-late-medieval-early-renaissance-era-warfar). 7. Those three outlying provinces I mentioned are composed", "incredibly hypocritical) world of Caput Tatiium portrayed as mostly \"the bad guys\" make", "their lands, forcibly disbands them, and scatters their people into various cities spread", "that industrializes the wider galaxy in what is practically the blink of an", "from various waves of settlers from elsewhere and are based mostly on Zulu,", "Kommnenian-era Byzantine technology and weaponry), and the government is essentially the Roman Republic", "for being a barely inhabited backwater) to hide its massive industrialization projects and", "waves of settlers from elsewhere and are based mostly on Zulu, Mongolian, and", "and implementing an absolute ton of reforms to rapidly modernize the planet. 5.", "the second is his backup in case he starts losing). Tate rules Caput", "based on the late Roman imperial system (but with Kommnenian-era Byzantine technology and", "scheme disguised as a legitimate company in which UNISYN sold people land on", "Government a few centuries back, and have a complicated relationship with their identity", "sold people land on these worlds, and these people were rewarded for getting", "completely separate from most Aureans, were conquered by the Aurean Government a few", "Migkaol who is a supporting protagonist has ousted the old dynasty and wants", "friends of theirs to buy in and get friends to join as well,", "majority of these worlds side with Tate and their inhabitants form the bulk", "sees the galaxy as so thoroughly ruined by Ishga colonialism that he wants", "goes on. Rest of the Galaxy 1. Composed of 10 Worlds: Planet Squid,", "of both supporting protagonists and supporting antagonists are from these worlds. Now that", "3. Second most populous of the three main powers. 4. Has spent the", "an almost total genocide on Aztlan's populace for reasons not relevant to this", "entire galaxy's population Aurea 1. Based mostly on Greco-Roman culture, but three of", "both supporting protagonists and supporting antagonists are from these worlds. Now that we", "Tate needs for his ritual. 5. These worlds will tepidly side with Ishga", "the galaxy's criminal underworld. However, most of these benefits have only reached the", "supporting antagonists are from these worlds. Now that we have that massive info", "while greedily hoarding its own advancements ever since (however, a new king named", "imperial system (but with Kommnenian-era Byzantine technology and weaponry), and the government is", "dump out of the way, here is my question: ---------------------------------------------------------------------------- Does having the", "of the peoples of the galaxy, but those of Aurean, Caput Tatiian, and", "is practically the blink of an eye. Setting and plot details ------------------------ At", "galaxy were uninhabited. Seeing the golden opportunity, Tate, along with several prominent members", "few decades back by Tate, which kicks rebellious tribes off their lands, forcibly", "three decades or so industrializing and modernizing its military with stolen Ishga technology", "bulk of his military. 5. UNISYN Colonists are comrpised of all of the", "as with the Aurean Government. Caput Tatiium 1. Most of its population is", "the galaxy and are home to most of the artifacts Tate needs for", "centuries back, and have a complicated relationship with their identity as Aureans, as", "an absolute monarch. 3. Second most populous of the three main powers. 4.", "is essentially a brutal, 19-year-long war between the galaxy's biggest powers that industrializes", "these benefits have only reached the cities, and there is a massive wealth", "President called the \"Dominus\" in lieu of Consuls. 3. Least populous of the", "this galactic equivalent of WWII.) 5. One main planet but has colonized several", "as an absolute monarch. 3. Second most populous of the three main powers.", "talent with magic that rivals the Gods' powers. Tate is the main antagonist", "live in rural areas. However, its government and military are mostly run by", "win this galactic equivalent of WWII.) 5. One main planet but has colonized", "and military are mostly run by the detribalized urban population of mixed tribal", "By far the most populous of the three main powers, being home to", "new king named Migkaol who is a supporting protagonist has ousted the old", "3. Least populous of the three main powers. 4. Aurea's current Dominus (president)", "Caput Tatiium, the vast majority of habitable planets in the galaxy were uninhabited.", "them create a new galaxy in his own image. His plan switches back", "military is based on the late Roman imperial system (but with Kommnenian-era Byzantine", "and end and atone for the oppressive system of colonialism for which his", "Wars). 4. Combined, these worlds are more populous than Aurea but less so", "hypocritical) world of Caput Tatiium portrayed as mostly \"the bad guys\" make it", "were uninhabited. Seeing the golden opportunity, Tate, along with several prominent members of", "based mostly on Zulu, Mongolian, and Maori cultures respectively. 2. The military is", "either conquer it all and rule it himself to fix the damage or", "end of the spectrum as it progresses until it looks like a cross", "Ishga heritage whose mutation gives him talent with magic that rivals the Gods'", "it for use as farming colonies to feed itself and has bullied resources", "which I outlined in the context for a [previous question](https://worldbuilding.stackexchange.com/questions/198446/how-would-limited-space-travel-change-late-medieval-early-renaissance-era-warfar). 7. Those three", "lands, forcibly disbands them, and scatters their people into various cities spread out", "reputation for being a barely inhabited backwater) to hide its massive industrialization projects", "this question, then leaves. 6. The vast majority of both supporting protagonists and", "the Aurean Government. Caput Tatiium 1. Most of its population is composed of", "with Ishga (kind of like the ones set up by European powers with", "Planet Squid, Aztlan, Awal, Arturia, Ryu 97, Ryu 108, Atlantea, Bharatam, Vigam, and", "second is his backup in case he starts losing). Tate rules Caput Tatiium", "royal family that bullied weaker planets for land and resources while greedily hoarding", "out leaning much more on the fantasy end of the spectrum but moves", "use as farming colonies to feed itself and has bullied resources out of", "by Tate, a rogue mutant of Ishga heritage whose mutation gives him talent", "the two depending on how well he is doing in the war (when", "Awal, Arturia, Ryu 97, Ryu 108, Atlantea, Bharatam, Vigam, and Rinascita 2. All", "be fought here. 3. UNISYN worlds occupy the vast majority of the galaxy's", "SE and they closed it and told me it belonged here, so here", "democratize the planet and end and atone for the oppressive system of colonialism", "the late Roman imperial system (but with Kommnenian-era Byzantine technology and weaponry), and", "ruler has put this behind him and is a close friend of King", "on various Native American and Inuit cultures that live in rural areas. However,", "by European powers with China after the Opium Wars). 4. Combined, these worlds", "starts out leaning much more on the fantasy end of the spectrum but", "disguised as a legitimate company in which UNISYN sold people land on these", "inhabitants form the bulk of his military. 5. UNISYN Colonists are comrpised of", "projects and expansion through UNISYN. 6. Originally called Navayu before Tate's rule Various", "Before Tate's rise to power on Caput Tatiium, the vast majority of habitable", "on Caput Tatiium, the vast majority of habitable planets in the galaxy were", "forcibly disbands them, and scatters their people into various cities spread out across", "needs for his ritual. 5. These worlds will tepidly side with Ishga and", "rogue mutant of Ishga heritage whose mutation gives him talent with magic that", "artifacts to summon the 3 primordial beings of the galaxy and have them", "planet but has colonized several previously uninhabited worlds around it for use as", "the oppressive system of colonialism for which his forefathers are responsible. However, this", "plan, the second is his backup in case he starts losing). Tate rules", "of the galaxy. He sees the galaxy as so thoroughly ruined by Ishga", "the three main powers. 4. Aurea's current Dominus (president) is our main protagonist,", "massive info dump out of the way, here is my question: ---------------------------------------------------------------------------- Does", "are generally at early Renaissance levels of technological, military, and societal development. 3.", "doing in the war (when he is winning and controls most of the", "plot details ------------------------ At the outbreak of war, the three main powers can", "cultures that live in rural areas. However, its government and military are mostly", "wealth and technology gap between the cities and rural tribes. 5. Uses its", "worlds are more populous than Aurea but less so than the UNISYN worlds.", "our main protagonist, who is a close friend of King Migkaol of Ishga,", "the population of these worlds. 6. Combined, the UNISYN colonies are second in", "the main antagonist of the series and bases his worldview on the Ishgas'", "we have that massive info dump out of the way, here is my", "respectively. 2. The military is based on the late Roman imperial system (but", "here. 3. UNISYN worlds occupy the vast majority of the galaxy's area. 4.", "under Ishga rule, Arturia has a history of oppressive Ishga rule in the", "current Dominus (president) is our main protagonist, who is a close friend of", "rapidly modernize the planet. 5. Aurea is a single planet. 6. Like all", "antagonist of the series and bases his worldview on the Ishgas' previous oppression", "having the reforming but still colonialist world of Ishga and the sort-of-colonialist world", "from Tate's minions and implementing an absolute ton of reforms to rapidly modernize", "change hands at least once during the war. Aztlan is the exception as", "of an eye. Setting and plot details ------------------------ At the outbreak of war,", "Tate's allies in the galaxy's criminal underworld. However, most of these benefits have", "Least populous of the three main powers. 4. Aurea's current Dominus (president) is", "criminal underworld. However, most of these benefits have only reached the cities, and", "to Coruscant from Star Wars 3. Technology so advanced it's basically indistinguishable from", "inhabited, to the detriment of those who live there. 6. By far the", "rule, Arturia has a history of oppressive Ishga rule in the past (although", "that the setting is essentially a brutal, 19-year-long war between the galaxy's biggest", "supporting protagonist has ousted the old dynasty and wants to both democratize the", "Gods' powers. Tate is the main antagonist of the series and bases his", "as follows: Ishga** 1. Based on the culture of Victorian-era London 2. Ecumenopolis", "rest all have some sort of unequal treaties with Ishga (kind of like", "underworld set up a massive pyramid scheme disguised as a legitimate company in", "be needed to win this galactic equivalent of WWII.) 5. One main planet", "being a barely inhabited backwater) to hide its massive industrialization projects and expansion", "ton of reforms to rapidly modernize the planet. 5. Aurea is a single", "in case he starts losing). Tate rules Caput Tatiium as an absolute monarch.", "and magical heart of the galaxy and are home to most of the", "promoting colonialism rather than being anti-colonialist? --- I already asked this on Worldbuilding", "to buy in and get friends to join as well, and so on", "some sort of unequal treaties with Ishga (kind of like the ones set", "case he starts losing). Tate rules Caput Tatiium as an absolute monarch. 3.", "(although the current ruler has put this behind him and is a close", "between the two depending on how well he is doing in the war", "technology gap between the cities and rural tribes. 5. Uses its location on", "of Ishga and the sort-of-colonialist world of Aurea portrayed as mostly \"the good", "Caput Tatiium portrayed as mostly \"the bad guys\" make it look like I", "have parts of their land under Ishga rule, Arturia has a history of", "to win this galactic equivalent of WWII.) 5. One main planet but has", "these worlds are more populous than Aurea but less so than the UNISYN", "the Galaxy 1. Composed of 10 Worlds: Planet Squid, Aztlan, Awal, Arturia, Ryu", "grow rapidly even as the war goes on. Rest of the Galaxy** 1.", "my question: ---------------------------------------------------------------------------- Does having the reforming but still colonialist world of Ishga", "Background ---------- The book series I'm working on can basically be summed up", "groups completely separate from most Aureans, were conquered by the Aurean Government a", "exception as Tate simply takes an artifact he needs, commits an almost total", "own advancements ever since (however, a new king named Migkaol who is a", "of these colonies will be needed to win this galactic equivalent of WWII.)", "wider galaxy in what is practically the blink of an eye. Setting and", "and there is a massive wealth and technology gap between the cities and", "company in which UNISYN sold people land on these worlds, and these people", "in lieu of Consuls. 3. Least populous of the three main powers. 4.", "military, and societal development. 3. Vigam, Aztlan, and Atlantea all have parts of", "but many of their citizens have Tatian sympathies and all of these worlds", "6. Originally called Navayu before Tate's rule Various UNISYN Colonies 1. Before Tate's", "Aurea is a single planet. 6. Like all preindustrial worlds, Aurea conducts space", "based on various Native American and Inuit cultures that live in rural areas.", "combination of long-lost ancient artifacts to summon the 3 primordial beings of the", "being home to almost half the entire galaxy's population Aurea 1. Based mostly", "switches back and forth between the two depending on how well he is", "of all of the peoples of the galaxy, but those of Aurean, Caput", "all of these worlds change hands at least once during the war. Aztlan", "can basically be summed up as a science-fantasy series that starts out leaning", "world of Caput Tatiium portrayed as mostly \"the bad guys\" make it look", "main powers. 4. Has spent the past three decades or so industrializing and", "the first plan, the second is his backup in case he starts losing).", "their inhabitants form the bulk of his military. 5. UNISYN Colonists are comrpised", "rural areas. However, its government and military are mostly run by the detribalized", "guys\" make it look like I am promoting colonialism rather than being anti-colonialist?", "Ishgas' previous oppression of the galaxy. He sees the galaxy as so thoroughly", "people land on these worlds, and these people were rewarded for getting friends", "by Tate, which kicks rebellious tribes off their lands, forcibly disbands them, and", "its military with stolen Ishga technology acquired through Tate's allies in the galaxy's", "areas. However, its government and military are mostly run by the detribalized urban", "worlds, and these people were rewarded for getting friends of theirs to buy", "Caput Tatiian, and Ishga descent form a narrow majority of the population of", "Ishga and will grow rapidly even as the war goes on. Rest of", "has colonized several previously uninhabited worlds around it for use as farming colonies", "for use as farming colonies to feed itself and has bullied resources out", "the end. The way this happens is that the setting is essentially a", "military with stolen Ishga technology acquired through Tate's allies in the galaxy's criminal", "WWII.) 5. One main planet but has colonized several previously uninhabited worlds around", "Tatiium 1. Most of its population is composed of dozens of tribes based", "three main powers. 4. Aurea's current Dominus (president) is our main protagonist, who", "setting is essentially a brutal, 19-year-long war between the galaxy's biggest powers that", "Atlantea, Bharatam, Vigam, and Rinascita 2. All are generally at early Renaissance levels", "commits an almost total genocide on Aztlan's populace for reasons not relevant to", "and resources while greedily hoarding its own advancements ever since (however, a new", "I mentioned are composed of people groups completely separate from most Aureans, were", "working on can basically be summed up as a science-fantasy series that starts", "to join as well, and so on and so forth. The profits from", "of the artifacts Tate needs for his ritual. 5. These worlds will tepidly", "the ones set up by European powers with China after the Opium Wars).", "profits from this are basically what keep Caput Tatiium financially afloat. 2. The", "the cities, and there is a massive wealth and technology gap between the", "a massive wealth and technology gap between the cities and rural tribes. 5.", "friend of King Migkaol), and the rest all have some sort of unequal", "are responsible. However, this is complicated by the fact that many of these", "Ryu 108, Atlantea, Bharatam, Vigam, and Rinascita 2. All are generally at early", "being anti-colonialist? --- I already asked this on Worldbuilding SE and they closed", "as a legitimate company in which UNISYN sold people land on these worlds,", "to both democratize the planet and end and atone for the oppressive system", "system of colonialism for which his forefathers are responsible. However, this is complicated", "members of the galaxy's criminal underworld set up a massive pyramid scheme disguised", "a rogue mutant of Ishga heritage whose mutation gives him talent with magic", "back by Tate, which kicks rebellious tribes off their lands, forcibly disbands them,", "back and forth between the two depending on how well he is doing", "for land and resources while greedily hoarding its own advancements ever since (however,", "the \"Dominus\" in lieu of Consuls. 3. Least populous of the three main", "technology acquired through Tate's allies in the galaxy's criminal underworld. However, most of", "it progresses until it looks like a cross between the Legend of Korra", "in the galaxy were uninhabited. Seeing the golden opportunity, Tate, along with several", "on Greco-Roman culture, but three of the outlying provinces are descended from various", "from magic 4. Had its industrial revolution about 200 years ago and has", "detriment of those who live there. 6. By far the most populous of", "of the spectrum but moves more and more towards the sci-fi end of", "I'm working on can basically be summed up as a science-fantasy series that", "and all of these worlds change hands at least once during the war.", "rewarded for getting friends of theirs to buy in and get friends to", "himself to fix the damage or find and use a combination of long-lost", "put this behind him and is a close friend of King Migkaol), and", "three main powers. 4. Has spent the past three decades or so industrializing", "planet. 5. Aurea is a single planet. 6. Like all preindustrial worlds, Aurea", "worlds will tepidly side with Ishga and Aurea at first, but many of", "This detribalized population only exists, however, because of a policy implemented a few", "bad guys\" make it look like I am promoting colonialism rather than being", "monarch. 3. Second most populous of the three main powers. 4. Has spent", "on the far western edge of the galaxy (which has a reputation for", "most of the artifacts Tate needs for his ritual. 5. These worlds will", "on Worldbuilding SE and they closed it and told me it belonged here,", "and Atlantea all have parts of their land under Ishga rule, Arturia has", "context for a [previous question](https://worldbuilding.stackexchange.com/questions/198446/how-would-limited-space-travel-change-late-medieval-early-renaissance-era-warfar). 7. Those three outlying provinces I mentioned are", "and Aurea at first, but many of their citizens have Tatian sympathies and", "King Migkaol of Ishga, and will spend the first few books both defending", "he is winning and controls most of the galaxy, he is fine with", "are inhabited, to the detriment of those who live there. 6. By far", "of their land under Ishga rule, Arturia has a history of oppressive Ishga", "dozens of tribes based on various Native American and Inuit cultures that live", "by Ishga colonialism that he wants to either conquer it all and rule", "and the sort-of-colonialist world of Aurea portrayed as mostly \"the good guys\", while", "and Maori cultures respectively. 2. The military is based on the late Roman", "population of mixed tribal heritage. This detribalized population only exists, however, because of", "Korra and Star Wars by the end. The way this happens is that", "(which has a reputation for being a barely inhabited backwater) to hide its", "reforms to rapidly modernize the planet. 5. Aurea is a single planet. 6.", "image. His plan switches back and forth between the two depending on how", "basically be summed up as a science-fantasy series that starts out leaning much", "he starts losing). Tate rules Caput Tatiium as an absolute monarch. 3. Second", "home to most of the artifacts Tate needs for his ritual. 5. These", "end. The way this happens is that the setting is essentially a brutal,", "of Ishga heritage whose mutation gives him talent with magic that rivals the", "their land under Ishga rule, Arturia has a history of oppressive Ishga rule", "of these worlds. 6. Combined, the UNISYN colonies are second in population only", "rules Caput Tatiium as an absolute monarch. 3. Second most populous of the", "the Roman Republic with a non-term-limited US President called the \"Dominus\" in lieu", "info dump out of the way, here is my question: ---------------------------------------------------------------------------- Does having", "relevant to this question, then leaves. 6. The vast majority of both supporting", "the Opium Wars). 4. Combined, these worlds are more populous than Aurea but", "reached the cities, and there is a massive wealth and technology gap between", "but less so than the UNISYN worlds. Many battles of the war will", "that massive info dump out of the way, here is my question: ----------------------------------------------------------------------------", "from elsewhere and are based mostly on Zulu, Mongolian, and Maori cultures respectively.", "Tate, along with several prominent members of the galaxy's criminal underworld set up", "peoples of the galaxy, but those of Aurean, Caput Tatiian, and Ishga descent", "past (although the current ruler has put this behind him and is a", "is a close friend of King Migkaol of Ishga, and will spend the", "not relevant to this question, then leaves. 6. The vast majority of both", "his ritual. 5. These worlds will tepidly side with Ishga and Aurea at", "people groups completely separate from most Aureans, were conquered by the Aurean Government", "like the ones set up by European powers with China after the Opium", "of 10 Worlds: Planet Squid, Aztlan, Awal, Arturia, Ryu 97, Ryu 108, Atlantea,", "is that the setting is essentially a brutal, 19-year-long war between the galaxy's", "heart of the galaxy and are home to most of the artifacts Tate", "but those of Aurean, Caput Tatiian, and Ishga descent form a narrow majority", "few books both defending Aurea from Tate's minions and implementing an absolute ton", "Colonists are comrpised of all of the peoples of the galaxy, but those", "Ishga descent form a narrow majority of the population of these worlds. 6.", "essentially a brutal, 19-year-long war between the galaxy's biggest powers that industrializes the", "7. Those three outlying provinces I mentioned are composed of people groups completely", "of theirs to buy in and get friends to join as well, and", "6. By far the most populous of the three main powers, being home", "a reputation for being a barely inhabited backwater) to hide its massive industrialization", "that starts out leaning much more on the fantasy end of the spectrum", "massive industrialization projects and expansion through UNISYN. 6. Originally called Navayu before Tate's", "revolution about 200 years ago and has been led by a royal family", "of dozens of tribes based on various Native American and Inuit cultures that", "thoroughly ruined by Ishga colonialism that he wants to either conquer it all", "war. Aztlan is the exception as Tate simply takes an artifact he needs,", "only exists, however, because of a policy implemented a few decades back by", "than the UNISYN worlds. Many battles of the war will be fought here", "on the culture of Victorian-era London 2. Ecumenopolis similar to Coruscant from Star", "the reforming but still colonialist world of Ishga and the sort-of-colonialist world of", "Victorian-era London 2. Ecumenopolis similar to Coruscant from Star Wars 3. Technology so", "home to almost half the entire galaxy's population Aurea 1. Based mostly on", "Roman imperial system (but with Kommnenian-era Byzantine technology and weaponry), and the government", "a brutal, 19-year-long war between the galaxy's biggest powers that industrializes the wider", "Aztlan, and Atlantea all have parts of their land under Ishga rule, Arturia", "golden opportunity, Tate, along with several prominent members of the galaxy's criminal underworld", "during the war. Aztlan is the exception as Tate simply takes an artifact", "non-term-limited US President called the \"Dominus\" in lieu of Consuls. 3. Least populous", "Ishga rule in the past (although the current ruler has put this behind", "around it for use as farming colonies to feed itself and has bullied", "this on Worldbuilding SE and they closed it and told me it belonged", "worlds around it for use as farming colonies to feed itself and has", "or so industrializing and modernizing its military with stolen Ishga technology acquired through", "is the exception as Tate simply takes an artifact he needs, commits an", "various cities spread out across the planet. 2. Led by Tate, a rogue", "protagonists and supporting antagonists are from these worlds. Now that we have that", "and they closed it and told me it belonged here, so here it", "massive pyramid scheme disguised as a legitimate company in which UNISYN sold people", "Does having the reforming but still colonialist world of Ishga and the sort-of-colonialist", "itself and has bullied resources out of and taken land from worlds that", "10 Worlds: Planet Squid, Aztlan, Awal, Arturia, Ryu 97, Ryu 108, Atlantea, Bharatam,", "have that massive info dump out of the way, here is my question:", "However, most of these benefits have only reached the cities, and there is", "Tate's rule Various UNISYN Colonies 1. Before Tate's rise to power on Caput", "a massive pyramid scheme disguised as a legitimate company in which UNISYN sold", "populous of the three main powers. 4. Has spent the past three decades", "a legitimate company in which UNISYN sold people land on these worlds, and", "financially afloat. 2. The majority of the war will be fought here. 3.", "Had its industrial revolution about 200 years ago and has been led by", "well he is doing in the war (when he is winning and controls", "spectrum but moves more and more towards the sci-fi end of the spectrum", "mentioned are composed of people groups completely separate from most Aureans, were conquered", "Second most populous of the three main powers. 4. Has spent the past", "a royal family that bullied weaker planets for land and resources while greedily", "ruined by Ishga colonialism that he wants to either conquer it all and", "backup in case he starts losing). Tate rules Caput Tatiium as an absolute", "its location on the far western edge of the galaxy (which has a", "to Ishga and will grow rapidly even as the war goes on. *Rest", "years ago and has been led by a royal family that bullied weaker", "be summed up as a science-fantasy series that starts out leaning much more", "culture, but three of the outlying provinces are descended from various waves of", "relationship with their identity as Aureans, as well as with the Aurean Government.", "spend the first few books both defending Aurea from Tate's minions and implementing", "so forth. The profits from this are basically what keep Caput Tatiium financially", "almost total genocide on Aztlan's populace for reasons not relevant to this question,", "Aztlan's populace for reasons not relevant to this question, then leaves. 6. The", "it's basically indistinguishable from magic 4. Had its industrial revolution about 200 years", "for which his forefathers are responsible. However, this is complicated by the fact", "summon the 3 primordial beings of the galaxy and have them create a", "feed itself and has bullied resources out of and taken land from worlds", "(but incredibly hypocritical) world of Caput Tatiium portrayed as mostly* \"the bad guys\"", "him talent with magic that rivals the Gods' powers. Tate is the main", "outlined in the context for a [previous question](https://worldbuilding.stackexchange.com/questions/198446/how-would-limited-space-travel-change-late-medieval-early-renaissance-era-warfar). 7. Those three outlying provinces", "bullied weaker planets for land and resources while greedily hoarding its own advancements", "that are inhabited, to the detriment of those who live there. 6. By", "rebellious tribes off their lands, forcibly disbands them, and scatters their people into", "technology and weaponry), and the government is essentially the Roman Republic with a", "populace for reasons not relevant to this question, then leaves. 6. The vast", "Aurean, Caput Tatiian, and Ishga descent form a narrow majority of the population", "the government is essentially the Roman Republic with a non-term-limited US President called", "of the population of these worlds. 6. Combined, the UNISYN colonies are second", "US President called the \"Dominus\" in lieu of Consuls. 3. Least populous of", "rural tribes. 5. Uses its location on the far western edge of the", "will grow rapidly even as the war goes on. Rest of the Galaxy", "anti-colonialist (but incredibly hypocritical) world of Caput Tatiium portrayed as mostly \"the bad", "of these worlds side with Tate and their inhabitants form the bulk of", "Inuit cultures that live in rural areas. However, its government and military are", "of the way, here is my question: ---------------------------------------------------------------------------- Does having the reforming but", "is his backup in case he starts losing). Tate rules Caput Tatiium as", "buy in and get friends to join as well, and so on and", "far the most populous of the three main powers, being home to almost", "what is practically the blink of an eye. Setting and plot details ------------------------", "fine with the first plan, the second is his backup in case he", "(kind of like the ones set up by European powers with China after", "societal development. 3. Vigam, Aztlan, and Atlantea all have parts of their land", "is the main antagonist of the series and bases his worldview on the", "of Caput Tatiium portrayed as mostly \"the bad guys\" make it look like", "old dynasty and wants to both democratize the planet and end and atone", "and use a combination of long-lost ancient artifacts to summon the 3 primordial", "3. UNISYN worlds occupy the vast majority of the galaxy's area. 4. The", "These worlds will tepidly side with Ishga and Aurea at first, but many", "the rest all have some sort of unequal treaties with Ishga (kind of", "Aurean Government. Caput Tatiium 1. Most of its population is composed of dozens", "cross between the Legend of Korra and Star Wars by the end. The", "conducts space travel with Startreaders, which I outlined in the context for a", "conquered by the Aurean Government a few centuries back, and have a complicated", "galaxy and are home to most of the artifacts Tate needs for his", "of the galaxy, but those of Aurean, Caput Tatiian, and Ishga descent form", "on the Ishgas' previous oppression of the galaxy. He sees the galaxy as", "all of the peoples of the galaxy, but those of Aurean, Caput Tatiian,", "6. Like all preindustrial worlds, Aurea conducts space travel with Startreaders, which I", "levels of technological, military, and societal development. 3. Vigam, Aztlan, and Atlantea all", "the Ishgas' previous oppression of the galaxy. He sees the galaxy as so", "population Aurea 1. Based mostly on Greco-Roman culture, but three of the outlying", "Colonies 1. Before Tate's rise to power on Caput Tatiium, the vast majority", "The way this happens is that the setting is essentially a brutal, 19-year-long", "as well as with the Aurean Government. Caput Tatiium** 1. Most of its", "of Ishga, and will spend the first few books both defending Aurea from", "Native American and Inuit cultures that live in rural areas. However, its government", "King Migkaol), and the rest all have some sort of unequal treaties with", "these worlds side with Tate and their inhabitants form the bulk of his", "most Aureans, were conquered by the Aurean Government a few centuries back, and", "the war (when he is winning and controls most of the galaxy, he", "his military. 5. UNISYN Colonists are comrpised of all of the peoples of", "4. Has spent the past three decades or so industrializing and modernizing its", "rise to power on Caput Tatiium, the vast majority of habitable planets in", "genocide on Aztlan's populace for reasons not relevant to this question, then leaves.", "paper) anti-colonialist (but incredibly hypocritical) world of Caput Tatiium portrayed as mostly \"the", "Most of its population is composed of dozens of tribes based on various", "of settlers from elsewhere and are based mostly on Zulu, Mongolian, and Maori", "galaxy's biggest powers that industrializes the wider galaxy in what is practically the", "Tate rules Caput Tatiium as an absolute monarch. 3. Second most populous of", "Tate's minions and implementing an absolute ton of reforms to rapidly modernize the", "than being anti-colonialist? --- I already asked this on Worldbuilding SE and they", "galaxy in his own image. His plan switches back and forth between the", "Setting and plot details ------------------------ At the outbreak of war, the three main", "ancient artifacts to summon the 3 primordial beings of the galaxy and have", "three of the outlying provinces are descended from various waves of settlers from", "as a science-fantasy series that starts out leaning much more on the fantasy", "population is composed of dozens of tribes based on various Native American and", "Now that we have that massive info dump out of the way, here", "However, its government and military are mostly run by the detribalized urban population", "oppressive Ishga rule in the past (although the current ruler has put this", "of like the ones set up by European powers with China after the", "already asked this on Worldbuilding SE and they closed it and told me", "the three main powers can basically be summed up as follows: Ishga 1.", "Ryu 97, Ryu 108, Atlantea, Bharatam, Vigam, and Rinascita 2. All are generally", "portrayed as mostly \"the good guys\", while the (on paper) anti-colonialist (but incredibly", "hoarding its own advancements ever since (however, a new king named Migkaol who", "series that starts out leaning much more on the fantasy end of the", "on Zulu, Mongolian, and Maori cultures respectively. 2. The military is based on", "as so thoroughly ruined by Ishga colonialism that he wants to either conquer", "its massive industrialization projects and expansion through UNISYN. 6. Originally called Navayu before", "unequal treaties with Ishga (kind of like the ones set up by European", "Bharatam, Vigam, and Rinascita 2. All are generally at early Renaissance levels of", "and Star Wars by the end. The way this happens is that the", "their citizens have Tatian sympathies and all of these worlds change hands at", "blink of an eye. Setting and plot details ------------------------ At the outbreak of", "main protagonist, who is a close friend of King Migkaol of Ishga, and", "the Gods' powers. Tate is the main antagonist of the series and bases", "colonialism for which his forefathers are responsible. However, this is complicated by the", "Aurea's current Dominus (president) is our main protagonist, who is a close friend", "mutation gives him talent with magic that rivals the Gods' powers. Tate is", "main powers. 4. Aurea's current Dominus (president) is our main protagonist, who is", "of Aurean, Caput Tatiian, and Ishga descent form a narrow majority of the", "can basically be summed up as follows: Ishga 1. Based on the culture", "of technological, military, and societal development. 3. Vigam, Aztlan, and Atlantea all have", "and more towards the sci-fi end of the spectrum as it progresses until", "well, and so on and so forth. The profits from this are basically", "use a combination of long-lost ancient artifacts to summon the 3 primordial beings", "getting friends of theirs to buy in and get friends to join as", "Ecumenopolis similar to Coruscant from Star Wars 3. Technology so advanced it's basically", "exists, however, because of a policy implemented a few decades back by Tate,", "of the Galaxy** 1. Composed of 10 Worlds: Planet Squid, Aztlan, Awal, Arturia,", "acquired through Tate's allies in the galaxy's criminal underworld. However, most of these", "in the context for a [previous question](https://worldbuilding.stackexchange.com/questions/198446/how-would-limited-space-travel-change-late-medieval-early-renaissance-era-warfar). 7. Those three outlying provinces I", "atone for the oppressive system of colonialism for which his forefathers are responsible.", "the galaxy, but those of Aurean, Caput Tatiian, and Ishga descent form a", "19-year-long war between the galaxy's biggest powers that industrializes the wider galaxy in", "of its population is composed of dozens of tribes based on various Native", "of reforms to rapidly modernize the planet. 5. Aurea is a single planet.", "Aurea portrayed as mostly \"the good guys\", while the (on paper) anti-colonialist (but", "out of and taken land from worlds that are inhabited, to the detriment", "an artifact he needs, commits an almost total genocide on Aztlan's populace for", "a narrow majority of the population of these worlds. 6. Combined, the UNISYN", "Maori cultures respectively. 2. The military is based on the late Roman imperial", "called Navayu before Tate's rule Various UNISYN Colonies 1. Before Tate's rise to", "which UNISYN sold people land on these worlds, and these people were rewarded", "with Startreaders, which I outlined in the context for a [previous question](https://worldbuilding.stackexchange.com/questions/198446/how-would-limited-space-travel-change-late-medieval-early-renaissance-era-warfar). 7.", "to almost half the entire galaxy's population Aurea 1. Based mostly on Greco-Roman", "less so than the UNISYN worlds. Many battles of the war will be", "way this happens is that the setting is essentially a brutal, 19-year-long war", "of the series and bases his worldview on the Ishgas' previous oppression of", "like a cross between the Legend of Korra and Star Wars by the", "world of Ishga and the sort-of-colonialist world of Aurea portrayed as mostly \"the", "worlds, Aurea conducts space travel with Startreaders, which I outlined in the context", "because of a policy implemented a few decades back by Tate, which kicks", "comrpised of all of the peoples of the galaxy, but those of Aurean,", "108, Atlantea, Bharatam, Vigam, and Rinascita 2. All are generally at early Renaissance", "and has been led by a royal family that bullied weaker planets for", "that live in rural areas. However, its government and military are mostly run", "Like all preindustrial worlds, Aurea conducts space travel with Startreaders, which I outlined", "detribalized population only exists, however, because of a policy implemented a few decades", "worlds. 6. Combined, the UNISYN colonies are second in population only to Ishga", "1. Before Tate's rise to power on Caput Tatiium, the vast majority of", "the UNISYN colonies are second in population only to Ishga and will grow", "American and Inuit cultures that live in rural areas. However, its government and", "gives him talent with magic that rivals the Gods' powers. Tate is the", "of the galaxy and are home to most of the artifacts Tate needs", "cities and rural tribes. 5. Uses its location on the far western edge", "advancements ever since (however, a new king named Migkaol who is a supporting", "towards the sci-fi end of the spectrum as it progresses until it looks", "has a reputation for being a barely inhabited backwater) to hide its massive", "Various UNISYN Colonies 1. Before Tate's rise to power on Caput Tatiium, the", "worlds. Now that we have that massive info dump out of the way,", "3. Technology so advanced it's basically indistinguishable from magic 4. Had its industrial", "has been led by a royal family that bullied weaker planets for land", "his backup in case he starts losing). Tate rules Caput Tatiium as an", "question, then leaves. 6. The vast majority of both supporting protagonists and supporting", "he needs, commits an almost total genocide on Aztlan's populace for reasons not", "treaties with Ishga (kind of like the ones set up by European powers", "with the Aurean Government. Caput Tatiium 1. Most of its population is composed", "are home to most of the artifacts Tate needs for his ritual. 5.", "magical heart of the galaxy and are home to most of the artifacts", "Aztlan, Awal, Arturia, Ryu 97, Ryu 108, Atlantea, Bharatam, Vigam, and Rinascita 2.", "fought here as well, as they are the cultural, historical, and magical heart", "massive wealth and technology gap between the cities and rural tribes. 5. Uses", "\"the good guys\", while the (on paper) anti-colonialist (but incredibly hypocritical) world of", "first few books both defending Aurea from Tate's minions and implementing an absolute", "Led by Tate, a rogue mutant of Ishga heritage whose mutation gives him", "mostly on Zulu, Mongolian, and Maori cultures respectively. 2. The military is based", "biggest powers that industrializes the wider galaxy in what is practically the blink", "are more populous than Aurea but less so than the UNISYN worlds. Many", "of people groups completely separate from most Aureans, were conquered by the Aurean", "ritual. 5. These worlds will tepidly side with Ishga and Aurea at first,", "be fought here as well, as they are the cultural, historical, and magical", "China after the Opium Wars). 4. Combined, these worlds are more populous than", "past three decades or so industrializing and modernizing its military with stolen Ishga", "and get friends to join as well, and so on and so forth.", "(on paper) anti-colonialist (but incredibly hypocritical) world of Caput Tatiium portrayed as mostly", "this are basically what keep Caput Tatiium financially afloat. 2. The majority of", "the vast majority of habitable planets in the galaxy were uninhabited. Seeing the", "of a policy implemented a few decades back by Tate, which kicks rebellious", "from this are basically what keep Caput Tatiium financially afloat. 2. The majority", "galaxy. He sees the galaxy as so thoroughly ruined by Ishga colonialism that", "and modernizing its military with stolen Ishga technology acquired through Tate's allies in", "main powers can basically be summed up as follows: Ishga 1. Based on", "Aurea conducts space travel with Startreaders, which I outlined in the context for", "the UNISYN worlds. Many battles of the war will be fought here as", "to either conquer it all and rule it himself to fix the damage", "vast majority of the galaxy's area. 4. The vast majority of these worlds", "people into various cities spread out across the planet. 2. Led by Tate,", "Many battles of the war will be fought here as well, as they", "long-lost ancient artifacts to summon the 3 primordial beings of the galaxy and", "2. The majority of the war will be fought here. 3. UNISYN worlds", "and rural tribes. 5. Uses its location on the far western edge of", "its population is composed of dozens of tribes based on various Native American", "benefits have only reached the cities, and there is a massive wealth and", "until it looks like a cross between the Legend of Korra and Star", "occupy the vast majority of the galaxy's area. 4. The vast majority of", "Composed of 10 Worlds: Planet Squid, Aztlan, Awal, Arturia, Ryu 97, Ryu 108,", "previously uninhabited worlds around it for use as farming colonies to feed itself", "that he wants to either conquer it all and rule it himself to", "preindustrial worlds, Aurea conducts space travel with Startreaders, which I outlined in the", "war will be fought here. 3. UNISYN worlds occupy the vast majority of", "the far western edge of the galaxy (which has a reputation for being", "of King Migkaol of Ishga, and will spend the first few books both", "from these worlds. Now that we have that massive info dump out of", "for his ritual. 5. These worlds will tepidly side with Ishga and Aurea", "are from these worlds. Now that we have that massive info dump out", "forth. The profits from this are basically what keep Caput Tatiium financially afloat.", "colonies will be needed to win this galactic equivalent of WWII.) 5. One", "industrializing and modernizing its military with stolen Ishga technology acquired through Tate's allies", "Vigam, and Rinascita 2. All are generally at early Renaissance levels of technological,", "and Ishga descent form a narrow majority of the population of these worlds.", "populous than Aurea but less so than the UNISYN worlds. Many battles of", "join as well, and so on and so forth. The profits from this", "provinces are descended from various waves of settlers from elsewhere and are based", "most populous of the three main powers, being home to almost half the", "uninhabited worlds around it for use as farming colonies to feed itself and", "few centuries back, and have a complicated relationship with their identity as Aureans,", "Ishga 1. Based on the culture of Victorian-era London 2. Ecumenopolis similar to", "worldview on the Ishgas' previous oppression of the galaxy. He sees the galaxy", "decades or so industrializing and modernizing its military with stolen Ishga technology acquired", "all and rule it himself to fix the damage or find and use", "up a massive pyramid scheme disguised as a legitimate company in which UNISYN", "97, Ryu 108, Atlantea, Bharatam, Vigam, and Rinascita 2. All are generally at", "generally at early Renaissance levels of technological, military, and societal development. 3. Vigam,", "Byzantine technology and weaponry), and the government is essentially the Roman Republic with", "scatters their people into various cities spread out across the planet. 2. Led", "are descended from various waves of settlers from elsewhere and are based mostly", "the war. Aztlan is the exception as Tate simply takes an artifact he", "of King Migkaol), and the rest all have some sort of unequal treaties", "powers, being home to almost half the entire galaxy's population Aurea 1. Based", "the spectrum as it progresses until it looks like a cross between the", "land and resources while greedily hoarding its own advancements ever since (however, a", "current ruler has put this behind him and is a close friend of", "its government and military are mostly run by the detribalized urban population of", "colonialist world of Ishga and the sort-of-colonialist world of Aurea portrayed as mostly", "side with Ishga and Aurea at first, but many of their citizens have", "military are mostly run by the detribalized urban population of mixed tribal heritage.", "which his forefathers are responsible. However, this is complicated by the fact that", "like I am promoting colonialism rather than being anti-colonialist? --- I already asked", "Combined, the UNISYN colonies are second in population only to Ishga and will", "of Korra and Star Wars by the end. The way this happens is", "worlds change hands at least once during the war. Aztlan is the exception", "hands at least once during the war. Aztlan is the exception as Tate", "responsible. However, this is complicated by the fact that many of these colonies", "who live there. 6. By far the most populous of the three main", "weaponry), and the government is essentially the Roman Republic with a non-term-limited US", "as it progresses until it looks like a cross between the Legend of", "previous oppression of the galaxy. He sees the galaxy as so thoroughly ruined", "galaxy in what is practically the blink of an eye. Setting and plot", "by the fact that many of these colonies will be needed to win", "absolute monarch. 3. Second most populous of the three main powers. 4. Has", "All are generally at early Renaissance levels of technological, military, and societal development.", "tepidly side with Ishga and Aurea at first, but many of their citizens", "the war goes on. Rest of the Galaxy 1. Composed of 10 Worlds:", "vast majority of both supporting protagonists and supporting antagonists are from these worlds.", "the spectrum but moves more and more towards the sci-fi end of the", "spent the past three decades or so industrializing and modernizing its military with", "The majority of the war will be fought here. 3. UNISYN worlds occupy", "ago and has been led by a royal family that bullied weaker planets", "of oppressive Ishga rule in the past (although the current ruler has put", "needs, commits an almost total genocide on Aztlan's populace for reasons not relevant", "mutant of Ishga heritage whose mutation gives him talent with magic that rivals", "side with Tate and their inhabitants form the bulk of his military. 5.", "are the cultural, historical, and magical heart of the galaxy and are home", "primordial beings of the galaxy and have them create a new galaxy in", "galaxy as so thoroughly ruined by Ishga colonialism that he wants to either", "from most Aureans, were conquered by the Aurean Government a few centuries back,", "named Migkaol who is a supporting protagonist has ousted the old dynasty and", "Tatiium, the vast majority of habitable planets in the galaxy were uninhabited. Seeing", "Ishga colonialism that he wants to either conquer it all and rule it", "they are the cultural, historical, and magical heart of the galaxy and are", "a close friend of King Migkaol of Ishga, and will spend the first", "Aureans, as well as with the Aurean Government. Caput Tatiium 1. Most of", "supporting protagonists and supporting antagonists are from these worlds. Now that we have", "family that bullied weaker planets for land and resources while greedily hoarding its", "Based mostly on Greco-Roman culture, but three of the outlying provinces are descended", "taken land from worlds that are inhabited, to the detriment of those who", "as well, and so on and so forth. The profits from this are", "the three main powers. 4. Has spent the past three decades or so", "5. Aurea is a single planet. 6. Like all preindustrial worlds, Aurea conducts", "Greco-Roman culture, but three of the outlying provinces are descended from various waves", "both democratize the planet and end and atone for the oppressive system of", "planet. 2. Led by Tate, a rogue mutant of Ishga heritage whose mutation", "planets in the galaxy were uninhabited. Seeing the golden opportunity, Tate, along with", "question: ---------------------------------------------------------------------------- Does having the reforming but still colonialist world of Ishga and", "government is essentially the Roman Republic with a non-term-limited US President called the", "However, this is complicated by the fact that many of these colonies will", "as Aureans, as well as with the Aurean Government. Caput Tatiium 1. Most", "farming colonies to feed itself and has bullied resources out of and taken", "colonies to feed itself and has bullied resources out of and taken land", "only to Ishga and will grow rapidly even as the war goes on.", "the cities and rural tribes. 5. Uses its location on the far western", "Atlantea all have parts of their land under Ishga rule, Arturia has a", "pyramid scheme disguised as a legitimate company in which UNISYN sold people land", "London 2. Ecumenopolis similar to Coruscant from Star Wars 3. Technology so advanced", "Has spent the past three decades or so industrializing and modernizing its military", "he wants to either conquer it all and rule it himself to fix", "powers. 4. Aurea's current Dominus (president) is our main protagonist, who is a", "4. Combined, these worlds are more populous than Aurea but less so than", "reforming but still colonialist world of Ishga and the sort-of-colonialist world of Aurea", "a new galaxy in his own image. His plan switches back and forth", "is our main protagonist, who is a close friend of King Migkaol of", "up as follows: Ishga 1. Based on the culture of Victorian-era London 2.", "lieu of Consuls. 3. Least populous of the three main powers. 4. Aurea's", "to this question, then leaves. 6. The vast majority of both supporting protagonists", "series I'm working on can basically be summed up as a science-fantasy series", "of habitable planets in the galaxy were uninhabited. Seeing the golden opportunity, Tate,", "on can basically be summed up as a science-fantasy series that starts out", "of mixed tribal heritage. This detribalized population only exists, however, because of a", "will be fought here. 3. UNISYN worlds occupy the vast majority of the", "live there. 6. By far the most populous of the three main powers,", "up by European powers with China after the Opium Wars). 4. Combined, these", "and the rest all have some sort of unequal treaties with Ishga (kind", "cities spread out across the planet. 2. Led by Tate, a rogue mutant", "I already asked this on Worldbuilding SE and they closed it and told", "he is fine with the first plan, the second is his backup in", "he is doing in the war (when he is winning and controls most", "a complicated relationship with their identity as Aureans, as well as with the", "are based mostly on Zulu, Mongolian, and Maori cultures respectively. 2. The military", "the galaxy as so thoroughly ruined by Ishga colonialism that he wants to", "and these people were rewarded for getting friends of theirs to buy in", "provinces I mentioned are composed of people groups completely separate from most Aureans,", "The vast majority of these worlds side with Tate and their inhabitants form", "various Native American and Inuit cultures that live in rural areas. However, its", "planets for land and resources while greedily hoarding its own advancements ever since", "war (when he is winning and controls most of the galaxy, he is", "1. Based mostly on Greco-Roman culture, but three of the outlying provinces are", "by the Aurean Government a few centuries back, and have a complicated relationship", "2. Ecumenopolis similar to Coruscant from Star Wars 3. Technology so advanced it's", "of the three main powers. 4. Aurea's current Dominus (president) is our main", "with stolen Ishga technology acquired through Tate's allies in the galaxy's criminal underworld.", "of these worlds change hands at least once during the war. Aztlan is", "land under Ishga rule, Arturia has a history of oppressive Ishga rule in", "the planet and end and atone for the oppressive system of colonialism for", "barely inhabited backwater) to hide its massive industrialization projects and expansion through UNISYN.", "defending Aurea from Tate's minions and implementing an absolute ton of reforms to", "controls most of the galaxy, he is fine with the first plan, the", "the galaxy's biggest powers that industrializes the wider galaxy in what is practically", "of the three main powers. 4. Has spent the past three decades or", "basically be summed up as follows: Ishga 1. Based on the culture of", "which kicks rebellious tribes off their lands, forcibly disbands them, and scatters their", "cities, and there is a massive wealth and technology gap between the cities", "and expansion through UNISYN. 6. Originally called Navayu before Tate's rule Various UNISYN", "to power on Caput Tatiium, the vast majority of habitable planets in the", "the wider galaxy in what is practically the blink of an eye. Setting", "culture of Victorian-era London 2. Ecumenopolis similar to Coruscant from Star Wars 3.", "between the galaxy's biggest powers that industrializes the wider galaxy in what is", "and supporting antagonists are from these worlds. Now that we have that massive", "look like I am promoting colonialism rather than being anti-colonialist? --- I already", "in the past (although the current ruler has put this behind him and", "that rivals the Gods' powers. Tate is the main antagonist of the series", "galaxy's population Aurea 1. Based mostly on Greco-Roman culture, but three of the", "protagonist has ousted the old dynasty and wants to both democratize the planet", "Ishga technology acquired through Tate's allies in the galaxy's criminal underworld. However, most", "by the end. The way this happens is that the setting is essentially", "is based on the late Roman imperial system (but with Kommnenian-era Byzantine technology", "and the government is essentially the Roman Republic with a non-term-limited US President", "books both defending Aurea from Tate's minions and implementing an absolute ton of", "Government. Caput Tatiium 1. Most of its population is composed of dozens of", "wants to both democratize the planet and end and atone for the oppressive", "the blink of an eye. Setting and plot details ------------------------ At the outbreak", "---------------------------------------------------------------------------- Does having the reforming but still colonialist world of Ishga and the", "to hide its massive industrialization projects and expansion through UNISYN. 6. Originally called", "the 3 primordial beings of the galaxy and have them create a new", "needed to win this galactic equivalent of WWII.) 5. One main planet but", "have some sort of unequal treaties with Ishga (kind of like the ones", "these colonies will be needed to win this galactic equivalent of WWII.) 5.", "colonized several previously uninhabited worlds around it for use as farming colonies to", "well, as they are the cultural, historical, and magical heart of the galaxy", "it looks like a cross between the Legend of Korra and Star Wars", "ousted the old dynasty and wants to both democratize the planet and end", "the planet. 5. Aurea is a single planet. 6. Like all preindustrial worlds,", "by the detribalized urban population of mixed tribal heritage. This detribalized population only", "Opium Wars). 4. Combined, these worlds are more populous than Aurea but less", "protagonist, who is a close friend of King Migkaol of Ishga, and will", "the galaxy's criminal underworld set up a massive pyramid scheme disguised as a", "legitimate company in which UNISYN sold people land on these worlds, and these", "ever since (however, a new king named Migkaol who is a supporting protagonist", "at least once during the war. Aztlan is the exception as Tate simply", "these worlds. 6. Combined, the UNISYN colonies are second in population only to", "5. Uses its location on the far western edge of the galaxy (which", "Ishga rule, Arturia has a history of oppressive Ishga rule in the past", "and their inhabitants form the bulk of his military. 5. UNISYN Colonists are", "through UNISYN. 6. Originally called Navayu before Tate's rule Various UNISYN Colonies 1.", "a supporting protagonist has ousted the old dynasty and wants to both democratize", "UNISYN colonies are second in population only to Ishga and will grow rapidly", "of the three main powers, being home to almost half the entire galaxy's", "the first few books both defending Aurea from Tate's minions and implementing an", "of the war will be fought here. 3. UNISYN worlds occupy the vast", "6. Combined, the UNISYN colonies are second in population only to Ishga and", "so than the UNISYN worlds. Many battles of the war will be fought", "main powers, being home to almost half the entire galaxy's population Aurea 1.", "leaves. 6. The vast majority of both supporting protagonists and supporting antagonists are", "composed of people groups completely separate from most Aureans, were conquered by the", "on. Rest of the Galaxy 1. Composed of 10 Worlds: Planet Squid, Aztlan,", "the galaxy were uninhabited. Seeing the golden opportunity, Tate, along with several prominent", "and plot details ------------------------ At the outbreak of war, the three main powers", "urban population of mixed tribal heritage. This detribalized population only exists, however, because", "with a non-term-limited US President called the \"Dominus\" in lieu of Consuls. 3.", "set up a massive pyramid scheme disguised as a legitimate company in which", "eye. Setting and plot details ------------------------ At the outbreak of war, the three", "sort of unequal treaties with Ishga (kind of like the ones set up", "to feed itself and has bullied resources out of and taken land from", "battles of the war will be fought here as well, as they are", "people were rewarded for getting friends of theirs to buy in and get", "the artifacts Tate needs for his ritual. 5. These worlds will tepidly side", "and have them create a new galaxy in his own image. His plan", "galaxy and have them create a new galaxy in his own image. His", "rapidly even as the war goes on. Rest of the Galaxy** 1. Composed", "a new king named Migkaol who is a supporting protagonist has ousted the", "Renaissance levels of technological, military, and societal development. 3. Vigam, Aztlan, and Atlantea", "the damage or find and use a combination of long-lost ancient artifacts to", "the most populous of the three main powers, being home to almost half", "is a close friend of King Migkaol), and the rest all have some", "a [previous question](https://worldbuilding.stackexchange.com/questions/198446/how-would-limited-space-travel-change-late-medieval-early-renaissance-era-warfar). 7. Those three outlying provinces I mentioned are composed of", "galaxy, he is fine with the first plan, the second is his backup", "with China after the Opium Wars). 4. Combined, these worlds are more populous", "complicated by the fact that many of these colonies will be needed to", "and forth between the two depending on how well he is doing in", "single planet. 6. Like all preindustrial worlds, Aurea conducts space travel with Startreaders,", "find and use a combination of long-lost ancient artifacts to summon the 3", "edge of the galaxy (which has a reputation for being a barely inhabited", "majority of the population of these worlds. 6. Combined, the UNISYN colonies are", "basically what keep Caput Tatiium financially afloat. 2. The majority of the war", "book series I'm working on can basically be summed up as a science-fantasy", "forth between the two depending on how well he is doing in the", "underworld. However, most of these benefits have only reached the cities, and there", "damage or find and use a combination of long-lost ancient artifacts to summon", "Those three outlying provinces I mentioned are composed of people groups completely separate", "land on these worlds, and these people were rewarded for getting friends of", "worlds occupy the vast majority of the galaxy's area. 4. The vast majority", "absolute ton of reforms to rapidly modernize the planet. 5. Aurea is a", "vast majority of these worlds side with Tate and their inhabitants form the", "tribal heritage. This detribalized population only exists, however, because of a policy implemented", "and Inuit cultures that live in rural areas. However, its government and military", "and controls most of the galaxy, he is fine with the first plan,", "mostly \"the good guys\", while the (on paper) anti-colonialist (but incredibly hypocritical) world", "Aurea 1. Based mostly on Greco-Roman culture, but three of the outlying provinces", "artifacts Tate needs for his ritual. 5. These worlds will tepidly side with", "his own image. His plan switches back and forth between the two depending", "rule in the past (although the current ruler has put this behind him", "far western edge of the galaxy (which has a reputation for being a", "expansion through UNISYN. 6. Originally called Navayu before Tate's rule Various UNISYN Colonies", "even as the war goes on. Rest of the Galaxy 1. Composed of", "1. Based on the culture of Victorian-era London 2. Ecumenopolis similar to Coruscant", "equivalent of WWII.) 5. One main planet but has colonized several previously uninhabited", "two depending on how well he is doing in the war (when he", "is essentially the Roman Republic with a non-term-limited US President called the \"Dominus\"", "close friend of King Migkaol of Ishga, and will spend the first few", "for the oppressive system of colonialism for which his forefathers are responsible. However,", "is complicated by the fact that many of these colonies will be needed", "dynasty and wants to both democratize the planet and end and atone for", "are basically what keep Caput Tatiium financially afloat. 2. The majority of the", "Roman Republic with a non-term-limited US President called the \"Dominus\" in lieu of", "and is a close friend of King Migkaol), and the rest all have", "Caput Tatiium financially afloat. 2. The majority of the war will be fought", "and are based mostly on Zulu, Mongolian, and Maori cultures respectively. 2. The", "Arturia, Ryu 97, Ryu 108, Atlantea, Bharatam, Vigam, and Rinascita 2. All are", "his forefathers are responsible. However, this is complicated by the fact that many", "planet. 6. Like all preindustrial worlds, Aurea conducts space travel with Startreaders, which", "Zulu, Mongolian, and Maori cultures respectively. 2. The military is based on the", "the planet. 2. Led by Tate, a rogue mutant of Ishga heritage whose", "resources while greedily hoarding its own advancements ever since (however, a new king", "at early Renaissance levels of technological, military, and societal development. 3. Vigam, Aztlan,", "a few centuries back, and have a complicated relationship with their identity as", "implemented a few decades back by Tate, which kicks rebellious tribes off their", "his worldview on the Ishgas' previous oppression of the galaxy. He sees the", "most of the galaxy, he is fine with the first plan, the second", "in the war (when he is winning and controls most of the galaxy,", "------------------------ At the outbreak of war, the three main powers can basically be", "of long-lost ancient artifacts to summon the 3 primordial beings of the galaxy", "end and atone for the oppressive system of colonialism for which his forefathers", "bullied resources out of and taken land from worlds that are inhabited, to", "location on the far western edge of the galaxy (which has a reputation", "mostly \"the bad guys\" make it look like I am promoting colonialism rather", "friend of King Migkaol of Ishga, and will spend the first few books", "2. The military is based on the late Roman imperial system (but with", "end of the spectrum but moves more and more towards the sci-fi end", "Tate, which kicks rebellious tribes off their lands, forcibly disbands them, and scatters", "UNISYN worlds occupy the vast majority of the galaxy's area. 4. The vast", "the peoples of the galaxy, but those of Aurean, Caput Tatiian, and Ishga", "the Legend of Korra and Star Wars by the end. The way this", "\"the bad guys\" make it look like I am promoting colonialism rather than", "form the bulk of his military. 5. UNISYN Colonists are comrpised of all", "various waves of settlers from elsewhere and are based mostly on Zulu, Mongolian,", "more on the fantasy end of the spectrum but moves more and more", "back, and have a complicated relationship with their identity as Aureans, as well", "powers. 4. Has spent the past three decades or so industrializing and modernizing", "sci-fi end of the spectrum as it progresses until it looks like a", "outlying provinces are descended from various waves of settlers from elsewhere and are", "still colonialist world of Ishga and the sort-of-colonialist world of Aurea portrayed as", "but still colonialist world of Ishga and the sort-of-colonialist world of Aurea portrayed", "after the Opium Wars). 4. Combined, these worlds are more populous than Aurea", "of colonialism for which his forefathers are responsible. However, this is complicated by", "since (however, a new king named Migkaol who is a supporting protagonist has", "resources out of and taken land from worlds that are inhabited, to the", "a history of oppressive Ishga rule in the past (although the current ruler", "(however, a new king named Migkaol who is a supporting protagonist has ousted", "a science-fantasy series that starts out leaning much more on the fantasy end", "the galaxy's area. 4. The vast majority of these worlds side with Tate", "the bulk of his military. 5. UNISYN Colonists are comrpised of all of", "much more on the fantasy end of the spectrum but moves more and", "who is a close friend of King Migkaol of Ishga, and will spend", "a barely inhabited backwater) to hide its massive industrialization projects and expansion through", "cultural, historical, and magical heart of the galaxy and are home to most", "mostly on Greco-Roman culture, but three of the outlying provinces are descended from", "follows: Ishga 1. Based on the culture of Victorian-era London 2. Ecumenopolis similar", "both defending Aurea from Tate's minions and implementing an absolute ton of reforms", "the three main powers, being home to almost half the entire galaxy's population", "sort-of-colonialist world of Aurea portrayed as mostly \"the good guys\", while the (on", "of the galaxy's criminal underworld set up a massive pyramid scheme disguised as", "4. Aurea's current Dominus (president) is our main protagonist, who is a close", "a single planet. 6. Like all preindustrial worlds, Aurea conducts space travel with", "population of these worlds. 6. Combined, the UNISYN colonies are second in population", "descent form a narrow majority of the population of these worlds. 6. Combined,", "to rapidly modernize the planet. 5. Aurea is a single planet. 6. Like", "of those who live there. 6. By far the most populous of the", "total genocide on Aztlan's populace for reasons not relevant to this question, then", "powers with China after the Opium Wars). 4. Combined, these worlds are more", "good guys\", while the (on paper) anti-colonialist (but incredibly hypocritical) world of Caput", "king named Migkaol who is a supporting protagonist has ousted the old dynasty", "called the \"Dominus\" in lieu of Consuls. 3. Least populous of the three", "area. 4. The vast majority of these worlds side with Tate and their", "so thoroughly ruined by Ishga colonialism that he wants to either conquer it", "with Tate and their inhabitants form the bulk of his military. 5. UNISYN", "early Renaissance levels of technological, military, and societal development. 3. Vigam, Aztlan, and", "out across the planet. 2. Led by Tate, a rogue mutant of Ishga", "fought here. 3. UNISYN worlds occupy the vast majority of the galaxy's area.", "brutal, 19-year-long war between the galaxy's biggest powers that industrializes the wider galaxy", "winning and controls most of the galaxy, he is fine with the first", "tribes based on various Native American and Inuit cultures that live in rural", "plan switches back and forth between the two depending on how well he", "war goes on. Rest of the Galaxy 1. Composed of 10 Worlds: Planet", "heritage. This detribalized population only exists, however, because of a policy implemented a", "a cross between the Legend of Korra and Star Wars by the end.", "3 primordial beings of the galaxy and have them create a new galaxy", "their people into various cities spread out across the planet. 2. Led by", "how well he is doing in the war (when he is winning and", "The military is based on the late Roman imperial system (but with Kommnenian-era", "war between the galaxy's biggest powers that industrializes the wider galaxy in what", "Based on the culture of Victorian-era London 2. Ecumenopolis similar to Coruscant from", "before Tate's rule Various UNISYN Colonies 1. Before Tate's rise to power on", "of these benefits have only reached the cities, and there is a massive", "here as well, as they are the cultural, historical, and magical heart of", "all have parts of their land under Ishga rule, Arturia has a history", "first, but many of their citizens have Tatian sympathies and all of these", "between the Legend of Korra and Star Wars by the end. The way", "afloat. 2. The majority of the war will be fought here. 3. UNISYN", "Ishga, and will spend the first few books both defending Aurea from Tate's", "has put this behind him and is a close friend of King Migkaol),", "this behind him and is a close friend of King Migkaol), and the", "Caput Tatiium as an absolute monarch. 3. Second most populous of the three", "--- I already asked this on Worldbuilding SE and they closed it and", "The book series I'm working on can basically be summed up as a", "Worlds: Planet Squid, Aztlan, Awal, Arturia, Ryu 97, Ryu 108, Atlantea, Bharatam, Vigam,", "so on and so forth. The profits from this are basically what keep", "detribalized urban population of mixed tribal heritage. This detribalized population only exists, however,", "Aurea but less so than the UNISYN worlds. Many battles of the war", "new galaxy in his own image. His plan switches back and forth between", "similar to Coruscant from Star Wars 3. Technology so advanced it's basically indistinguishable", "the way, here is my question: ---------------------------------------------------------------------------- Does having the reforming but still", "Tate and their inhabitants form the bulk of his military. 5. UNISYN Colonists", "magic 4. Had its industrial revolution about 200 years ago and has been", "kicks rebellious tribes off their lands, forcibly disbands them, and scatters their people", "has bullied resources out of and taken land from worlds that are inhabited,", "is winning and controls most of the galaxy, he is fine with the", "Migkaol), and the rest all have some sort of unequal treaties with Ishga", "depending on how well he is doing in the war (when he is", "by a royal family that bullied weaker planets for land and resources while", "Dominus (president) is our main protagonist, who is a close friend of King", "is a single planet. 6. Like all preindustrial worlds, Aurea conducts space travel", "asked this on Worldbuilding SE and they closed it and told me it", "but three of the outlying provinces are descended from various waves of settlers", "the golden opportunity, Tate, along with several prominent members of the galaxy's criminal", "is a supporting protagonist has ousted the old dynasty and wants to both", "with magic that rivals the Gods' powers. Tate is the main antagonist of", "rule it himself to fix the damage or find and use a combination", "power on Caput Tatiium, the vast majority of habitable planets in the galaxy", "UNISYN Colonies 1. Before Tate's rise to power on Caput Tatiium, the vast", "identity as Aureans, as well as with the Aurean Government. Caput Tatiium** 1.", "between the cities and rural tribes. 5. Uses its location on the far", "Tate is the main antagonist of the series and bases his worldview on", "hide its massive industrialization projects and expansion through UNISYN. 6. Originally called Navayu", "Wars by the end. The way this happens is that the setting is", "more populous than Aurea but less so than the UNISYN worlds. Many battles", "on and so forth. The profits from this are basically what keep Caput", "most populous of the three main powers. 4. Has spent the past three", "Wars 3. Technology so advanced it's basically indistinguishable from magic 4. Had its", "2. Led by Tate, a rogue mutant of Ishga heritage whose mutation gives", "Tate simply takes an artifact he needs, commits an almost total genocide on", "the galaxy and have them create a new galaxy in his own image.", "however, because of a policy implemented a few decades back by Tate, which", "in population only to Ishga and will grow rapidly even as the war", "colonialism rather than being anti-colonialist? --- I already asked this on Worldbuilding SE", "of Consuls. 3. Least populous of the three main powers. 4. Aurea's current", "majority of the war will be fought here. 3. UNISYN worlds occupy the", "to the detriment of those who live there. 6. By far the most", "Legend of Korra and Star Wars by the end. The way this happens", "worlds side with Tate and their inhabitants form the bulk of his military.", "and bases his worldview on the Ishgas' previous oppression of the galaxy. He", "descended from various waves of settlers from elsewhere and are based mostly on", "takes an artifact he needs, commits an almost total genocide on Aztlan's populace", "is fine with the first plan, the second is his backup in case", "were rewarded for getting friends of theirs to buy in and get friends", "moves more and more towards the sci-fi end of the spectrum as it", "5. UNISYN Colonists are comrpised of all of the peoples of the galaxy,", "of the galaxy, he is fine with the first plan, the second is", "Vigam, Aztlan, and Atlantea all have parts of their land under Ishga rule,", "prominent members of the galaxy's criminal underworld set up a massive pyramid scheme", "only reached the cities, and there is a massive wealth and technology gap", "inhabited backwater) to hide its massive industrialization projects and expansion through UNISYN. 6.", "populous of the three main powers, being home to almost half the entire", "the series and bases his worldview on the Ishgas' previous oppression of the", "summed up as a science-fantasy series that starts out leaning much more on", "vast majority of habitable planets in the galaxy were uninhabited. Seeing the golden" ]
[ "say about it, so, what are some tips for writing dialogue when you", "of these characters are very well-rounded and important, and most make an appearance", "thought my favorite character was dead, and of course, they all have something", "people and it all comes out choppy and disorganized. These nine, important characters", "into is that I have too many characters in one place talking at", "have something to say, like on a group chat with twenty people and", "has a cast of 59 characters, 25 of which are either protagonists or", "series is one of these nine and is extremely important to the plotline.", "important, and most make an appearance at least once in each book. Though", "25 of which are either protagonists or antagonists. Nine of these characters are", "These nine, important characters are all surprised because they thought my favorite character", "he fakes his death later in the book. Because I have such a", "talking at once and they all have something to say, like on a", "plotline. Long story short, he fakes his death later in the book. Because", "so, what are some tips for writing dialogue when you have a large", "characters in one place talking at once and they all have something to", "Because I have such a large cast, the main problem I run into", "character was dead, and of course, they all have something to say about", "short, he fakes his death later in the book. Because I have such", "not the MC, my favorite character of the entire series is one of", "the entire series is one of these nine and is extremely important to", "have such a large cast, the main problem I run into is that", "most make an appearance at least once in each book. Though not the", "MC, my favorite character of the entire series is one of these nine", "like on a group chat with twenty people and it all comes out", "these nine and is extremely important to the plotline. Long story short, he", "with twenty people and it all comes out choppy and disorganized. These nine,", "it, so, what are some tips for writing dialogue when you have a", "cast, the main problem I run into is that I have too many", "or antagonists. Nine of these characters are very well-rounded and important, and most", "they all have something to say about it, so, what are some tips", "later in the book. Because I have such a large cast, the main", "nine, important characters are all surprised because they thought my favorite character was", "of 59 characters, 25 of which are either protagonists or antagonists. Nine of", "are very well-rounded and important, and most make an appearance at least once", "tips for writing dialogue when you have a large group of characters in", "one place talking at once and they all have something to say, like", "about it, so, what are some tips for writing dialogue when you have", "and they all have something to say, like on a group chat with", "his death later in the book. Because I have such a large cast,", "of the entire series is one of these nine and is extremely important", "such a large cast, the main problem I run into is that I", "is extremely important to the plotline. Long story short, he fakes his death", "all comes out choppy and disorganized. These nine, important characters are all surprised", "are either protagonists or antagonists. Nine of these characters are very well-rounded and", "characters, 25 of which are either protagonists or antagonists. Nine of these characters", "writing dialogue when you have a large group of characters in one place?", "they thought my favorite character was dead, and of course, they all have", "and it all comes out choppy and disorganized. These nine, important characters are", "Long story short, he fakes his death later in the book. Because I", "all have something to say about it, so, what are some tips for", "and important, and most make an appearance at least once in each book.", "My story has a cast of 59 characters, 25 of which are either", "are some tips for writing dialogue when you have a large group of", "once and they all have something to say, like on a group chat", "the main problem I run into is that I have too many characters", "of which are either protagonists or antagonists. 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Long story short, he fakes", "say, like on a group chat with twenty people and it all comes", "some tips for writing dialogue when you have a large group of characters", "out choppy and disorganized. These nine, important characters are all surprised because they", "my favorite character of the entire series is one of these nine and", "it all comes out choppy and disorganized. These nine, important characters are all", "extremely important to the plotline. Long story short, he fakes his death later", "death later in the book. Because I have such a large cast, the", "each book. Though not the MC, my favorite character of the entire series", "character of the entire series is one of these nine and is extremely", "twenty people and it all comes out choppy and disorganized. These nine, important", "important to the plotline. Long story short, he fakes his death later in", "fakes his death later in the book. Because I have such a large", "many characters in one place talking at once and they all have something", "disorganized. These nine, important characters are all surprised because they thought my favorite", "something to say, like on a group chat with twenty people and it", "to say about it, so, what are some tips for writing dialogue when", "was dead, and of course, they all have something to say about it,", "I run into is that I have too many characters in one place", "my favorite character was dead, and of course, they all have something to", "very well-rounded and important, and most make an appearance at least once in", "these characters are very well-rounded and important, and most make an appearance at", "I have too many characters in one place talking at once and they", "surprised because they thought my favorite character was dead, and of course, they", "either protagonists or antagonists. Nine of these characters are very well-rounded and important,", "Nine of these characters are very well-rounded and important, and most make an", "course, they all have something to say about it, so, what are some", "which are either protagonists or antagonists. Nine of these characters are very well-rounded", "least once in each book. Though not the MC, my favorite character of", "59 characters, 25 of which are either protagonists or antagonists. Nine of these", "have too many characters in one place talking at once and they all", "are all surprised because they thought my favorite character was dead, and of", "the book. Because I have such a large cast, the main problem I", "in the book. Because I have such a large cast, the main problem", "problem I run into is that I have too many characters in one", "protagonists or antagonists. Nine of these characters are very well-rounded and important, and", "is that I have too many characters in one place talking at once", "book. Because I have such a large cast, the main problem I run", "is one of these nine and is extremely important to the plotline. Long", "for writing dialogue when you have a large group of characters in one", "dead, and of course, they all have something to say about it, so,", "in each book. Though not the MC, my favorite character of the entire", "at least once in each book. Though not the MC, my favorite character", "too many characters in one place talking at once and they all have", "a cast of 59 characters, 25 of which are either protagonists or antagonists.", "place talking at once and they all have something to say, like on", "to the plotline. Long story short, he fakes his death later in the", "large cast, the main problem I run into is that I have too", "an appearance at least once in each book. Though not the MC, my", "at once and they all have something to say, like on a group", "characters are all surprised because they thought my favorite character was dead, and", "all surprised because they thought my favorite character was dead, and of course,", "on a group chat with twenty people and it all comes out choppy", "choppy and disorganized. These nine, important characters are all surprised because they thought", "entire series is one of these nine and is extremely important to the", "and is extremely important to the plotline. Long story short, he fakes his", "appearance at least once in each book. Though not the MC, my favorite", "comes out choppy and disorganized. These nine, important characters are all surprised because", "they all have something to say, like on a group chat with twenty", "of course, they all have something to say about it, so, what are", "run into is that I have too many characters in one place talking" ]