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[
"I am working on a comic book script right now. Nothing of my",
"my friend, the illustrator. Anytime I introduce a new character, I could write",
"of my character's appearance. The problem is to find the right picture on",
"35-40, blonde\" into, receiving a hundred different face types I could choose from?",
"of my draft is to narrate the story to my friend, the illustrator.",
"draft is to narrate the story to my friend, the illustrator. Anytime I",
"attach a photo of my character's appearance. The problem is to find the",
"character, I could write a few hundred words... or I could attach a",
"to narrate the story to my friend, the illustrator. Anytime I introduce a",
"be read by readers; the only purpose of my draft is to narrate",
"gallery of human faces? A website I could type \"woman, 35-40, blonde\" into,",
"will be read by readers; the only purpose of my draft is to",
"or I could attach a photo of my character's appearance. The problem is",
"Is there any free gallery of human faces? A website I could type",
"on a comic book script right now. Nothing of my draft (except dialogues)",
"Nothing of my draft (except dialogues) will be read by readers; the only",
"I could write a few hundred words... or I could attach a photo",
"readers; the only purpose of my draft is to narrate the story to",
"is to narrate the story to my friend, the illustrator. Anytime I introduce",
"of my draft (except dialogues) will be read by readers; the only purpose",
"\"woman, 35-40, blonde\" into, receiving a hundred different face types I could choose",
"my character's appearance. The problem is to find the right picture on the",
"of human faces? A website I could type \"woman, 35-40, blonde\" into, receiving",
"a photo of my character's appearance. The problem is to find the right",
"(except dialogues) will be read by readers; the only purpose of my draft",
"book script right now. Nothing of my draft (except dialogues) will be read",
"words... or I could attach a photo of my character's appearance. The problem",
"I could attach a photo of my character's appearance. The problem is to",
"to my friend, the illustrator. Anytime I introduce a new character, I could",
"the only purpose of my draft is to narrate the story to my",
"illustrator. Anytime I introduce a new character, I could write a few hundred",
"by readers; the only purpose of my draft is to narrate the story",
"human faces? A website I could type \"woman, 35-40, blonde\" into, receiving a",
"my draft (except dialogues) will be read by readers; the only purpose of",
"photo of my character's appearance. The problem is to find the right picture",
"now. Nothing of my draft (except dialogues) will be read by readers; the",
"dialogues) will be read by readers; the only purpose of my draft is",
"narrate the story to my friend, the illustrator. Anytime I introduce a new",
"The problem is to find the right picture on the Internet. Is there",
"story to my friend, the illustrator. Anytime I introduce a new character, I",
"character's appearance. The problem is to find the right picture on the Internet.",
"write a few hundred words... or I could attach a photo of my",
"website I could type \"woman, 35-40, blonde\" into, receiving a hundred different face",
"the story to my friend, the illustrator. Anytime I introduce a new character,",
"I could type \"woman, 35-40, blonde\" into, receiving a hundred different face types",
"friend, the illustrator. Anytime I introduce a new character, I could write a",
"script right now. Nothing of my draft (except dialogues) will be read by",
"my draft is to narrate the story to my friend, the illustrator. Anytime",
"the right picture on the Internet. Is there any free gallery of human",
"the Internet. Is there any free gallery of human faces? A website I",
"comic book script right now. Nothing of my draft (except dialogues) will be",
"read by readers; the only purpose of my draft is to narrate the",
"faces? A website I could type \"woman, 35-40, blonde\" into, receiving a hundred",
"few hundred words... or I could attach a photo of my character's appearance.",
"draft (except dialogues) will be read by readers; the only purpose of my",
"only purpose of my draft is to narrate the story to my friend,",
"right now. Nothing of my draft (except dialogues) will be read by readers;",
"introduce a new character, I could write a few hundred words... or I",
"a new character, I could write a few hundred words... or I could",
"appearance. The problem is to find the right picture on the Internet. Is",
"to find the right picture on the Internet. Is there any free gallery",
"picture on the Internet. Is there any free gallery of human faces? A",
"purpose of my draft is to narrate the story to my friend, the",
"find the right picture on the Internet. Is there any free gallery of",
"free gallery of human faces? A website I could type \"woman, 35-40, blonde\"",
"on the Internet. Is there any free gallery of human faces? A website",
"could type \"woman, 35-40, blonde\" into, receiving a hundred different face types I",
"Internet. Is there any free gallery of human faces? A website I could",
"I introduce a new character, I could write a few hundred words... or",
"hundred words... or I could attach a photo of my character's appearance. The",
"problem is to find the right picture on the Internet. Is there any",
"new character, I could write a few hundred words... or I could attach",
"type \"woman, 35-40, blonde\" into, receiving a hundred different face types I could",
"am working on a comic book script right now. Nothing of my draft",
"right picture on the Internet. Is there any free gallery of human faces?",
"the illustrator. Anytime I introduce a new character, I could write a few",
"Anytime I introduce a new character, I could write a few hundred words...",
"a few hundred words... or I could attach a photo of my character's",
"a comic book script right now. Nothing of my draft (except dialogues) will",
"A website I could type \"woman, 35-40, blonde\" into, receiving a hundred different",
"there any free gallery of human faces? A website I could type \"woman,",
"is to find the right picture on the Internet. Is there any free",
"any free gallery of human faces? A website I could type \"woman, 35-40,",
"working on a comic book script right now. Nothing of my draft (except",
"could write a few hundred words... or I could attach a photo of",
"could attach a photo of my character's appearance. The problem is to find"
] |
[
"That may be a little open-ended if one value is expected. > >",
"choose in this case, or how would you rework the sentence? For context,",
"to document an SQL query like: ``` select * from locations where city",
"tag is assigned if the *FieldName* contains *Value*. > > > That may",
"you rework the sentence? For context, I'm trying to document an SQL query",
"little open-ended if one value is expected. > > This tag is assigned",
"> What verb would you choose in this case, or how would you",
"reusable way to phrase this. What I have now: > > This tag",
"write a lot of these and it is very long; so I am",
"I am working for a consistent and reusable way to phrase this. What",
"> > This tag is assigned if the *FieldName* value is *Value*. >",
"I'm trying to document an SQL query like: ``` select * from locations",
"assigned if the *FieldName* value is *Value*. > > > What verb would",
"> > This tag is assigned if the *FieldName* contains *Value*. > >",
"may look like > > This tag is assigned if the field *City*",
"*Chicago*. > > > I'm struggling with the 2nd *is*. Perhaps the following:",
"document an SQL query like: ``` select * from locations where city =",
"have now: > > This tag is assigned if the field *FieldName* is",
"> > It may look like > > This tag is assigned if",
"consistent and reusable way to phrase this. What I have now: > >",
"> > > I'm struggling with the 2nd *is*. Perhaps the following: >",
"the following: > > This tag is assigned if the *FieldName* contains *Value*.",
"would you rework the sentence? For context, I'm trying to document an SQL",
"> This tag is assigned if the field *City* is *Chicago*. > >",
"value is *Value*. > > > What verb would you choose in this",
"have to write a lot of these and it is very long; so",
"lot of these and it is very long; so I am working for",
"> > That may be a little open-ended if one value is expected.",
"contains *Value*. > > > That may be a little open-ended if one",
"> > This tag is assigned if the field *FieldName* is *Value*. >",
"is assigned if the field *City* is *Chicago*. > > > I'm struggling",
"is assigned if the field *FieldName* is *Value*. > > > It may",
"*is*. Perhaps the following: > > This tag is assigned if the *FieldName*",
"> This tag is assigned if the *FieldName* contains *Value*. > > >",
"tag is assigned if the *FieldName* value is *Value*. > > > What",
"> It may look like > > This tag is assigned if the",
"is assigned if the *FieldName* contains *Value*. > > > That may be",
"tag is assigned if the field *FieldName* is *Value*. > > > It",
"*City* is *Chicago*. > > > I'm struggling with the 2nd *is*. Perhaps",
"> > I'm struggling with the 2nd *is*. Perhaps the following: > >",
"now: > > This tag is assigned if the field *FieldName* is *Value*.",
"a consistent and reusable way to phrase this. What I have now: >",
"way to phrase this. What I have now: > > This tag is",
"documentation. I have to write a lot of these and it is very",
"is *Value*. > > > It may look like > > This tag",
"assigned if the field *City* is *Chicago*. > > > I'm struggling with",
"to write a lot of these and it is very long; so I",
"one value is expected. > > This tag is assigned if the *FieldName*",
"I have to write a lot of these and it is very long;",
"trying to document an SQL query like: ``` select * from locations where",
"it is very long; so I am working for a consistent and reusable",
"and reusable way to phrase this. What I have now: > > This",
"if one value is expected. > > This tag is assigned if the",
"the *FieldName* value is *Value*. > > > What verb would you choose",
"*Value*. > > > What verb would you choose in this case, or",
"very long; so I am working for a consistent and reusable way to",
"the right verb for database documentation. I have to write a lot of",
"2nd *is*. Perhaps the following: > > This tag is assigned if the",
"What verb would you choose in this case, or how would you rework",
"is assigned if the *FieldName* value is *Value*. > > > What verb",
"This tag is assigned if the field *FieldName* is *Value*. > > >",
"For context, I'm trying to document an SQL query like: ``` select *",
"> > > It may look like > > This tag is assigned",
"look like > > This tag is assigned if the field *City* is",
"is *Chicago*. > > > I'm struggling with the 2nd *is*. Perhaps the",
"the sentence? For context, I'm trying to document an SQL query like: ```",
"field *FieldName* is *Value*. > > > It may look like > >",
"assigned if the field *FieldName* is *Value*. > > > It may look",
"this. What I have now: > > This tag is assigned if the",
"the *FieldName* contains *Value*. > > > That may be a little open-ended",
"field *City* is *Chicago*. > > > I'm struggling with the 2nd *is*.",
"This tag is assigned if the field *City* is *Chicago*. > > >",
"This tag is assigned if the *FieldName* contains *Value*. > > > That",
"to find the right verb for database documentation. I have to write a",
"I have now: > > This tag is assigned if the field *FieldName*",
"you choose in this case, or how would you rework the sentence? For",
"open-ended if one value is expected. > > This tag is assigned if",
"working for a consistent and reusable way to phrase this. What I have",
"find the right verb for database documentation. I have to write a lot",
"verb would you choose in this case, or how would you rework the",
"if the field *City* is *Chicago*. > > > I'm struggling with the",
"I'm trying to find the right verb for database documentation. I have to",
"for a consistent and reusable way to phrase this. What I have now:",
"would you choose in this case, or how would you rework the sentence?",
"following: > > This tag is assigned if the *FieldName* contains *Value*. >",
"expected. > > This tag is assigned if the *FieldName* value is *Value*.",
"*FieldName* value is *Value*. > > > What verb would you choose in",
"may be a little open-ended if one value is expected. > > This",
"> This tag is assigned if the *FieldName* value is *Value*. > >",
"verb for database documentation. I have to write a lot of these and",
"This tag is assigned if the *FieldName* value is *Value*. > > >",
"case, or how would you rework the sentence? For context, I'm trying to",
"the 2nd *is*. Perhaps the following: > > This tag is assigned if",
"if the *FieldName* contains *Value*. > > > That may be a little",
"is *Value*. > > > What verb would you choose in this case,",
"this case, or how would you rework the sentence? For context, I'm trying",
"or how would you rework the sentence? For context, I'm trying to document",
"in this case, or how would you rework the sentence? For context, I'm",
"an SQL query like: ``` select * from locations where city = 'chicago'",
"is very long; so I am working for a consistent and reusable way",
"> > > That may be a little open-ended if one value is",
"am working for a consistent and reusable way to phrase this. What I",
"sentence? For context, I'm trying to document an SQL query like: ``` select",
"a lot of these and it is very long; so I am working",
"so I am working for a consistent and reusable way to phrase this.",
"long; so I am working for a consistent and reusable way to phrase",
"> > What verb would you choose in this case, or how would",
"tag is assigned if the field *City* is *Chicago*. > > > I'm",
"I'm struggling with the 2nd *is*. Perhaps the following: > > This tag",
"how would you rework the sentence? For context, I'm trying to document an",
"to phrase this. What I have now: > > This tag is assigned",
"be a little open-ended if one value is expected. > > This tag",
"*Value*. > > > It may look like > > This tag is",
"right verb for database documentation. I have to write a lot of these",
"the field *FieldName* is *Value*. > > > It may look like >",
"*FieldName* contains *Value*. > > > That may be a little open-ended if",
"*FieldName* is *Value*. > > > It may look like > > This",
"> > This tag is assigned if the field *City* is *Chicago*. >",
"a little open-ended if one value is expected. > > This tag is",
"*Value*. > > > That may be a little open-ended if one value",
"value is expected. > > This tag is assigned if the *FieldName* value",
"> This tag is assigned if the field *FieldName* is *Value*. > >",
"if the *FieldName* value is *Value*. > > > What verb would you",
"the field *City* is *Chicago*. > > > I'm struggling with the 2nd",
"> > > What verb would you choose in this case, or how",
"rework the sentence? For context, I'm trying to document an SQL query like:",
"What I have now: > > This tag is assigned if the field",
"is expected. > > This tag is assigned if the *FieldName* value is",
"of these and it is very long; so I am working for a",
"assigned if the *FieldName* contains *Value*. > > > That may be a",
"trying to find the right verb for database documentation. I have to write",
"phrase this. What I have now: > > This tag is assigned if",
"for database documentation. I have to write a lot of these and it",
"Perhaps the following: > > This tag is assigned if the *FieldName* contains",
"these and it is very long; so I am working for a consistent",
"and it is very long; so I am working for a consistent and",
"context, I'm trying to document an SQL query like: ``` select * from",
"SQL query like: ``` select * from locations where city = 'chicago' ```",
"> That may be a little open-ended if one value is expected. >",
"like > > This tag is assigned if the field *City* is *Chicago*.",
"It may look like > > This tag is assigned if the field",
"struggling with the 2nd *is*. Perhaps the following: > > This tag is",
"database documentation. I have to write a lot of these and it is",
"> I'm struggling with the 2nd *is*. Perhaps the following: > > This",
"if the field *FieldName* is *Value*. > > > It may look like",
"with the 2nd *is*. Perhaps the following: > > This tag is assigned"
] |
[
"others? I always felt as if death is natural and should not be",
"felt as if death is natural and should not be sad, but would",
"if death is natural and should not be sad, but would writing it",
"not feel sad about death, but instead fascinated about it be offensive to",
"death, but instead fascinated about it be offensive to those who lost others?",
"death is natural and should not be sad, but would writing it that",
"feel sad about death, but instead fascinated about it be offensive to those",
"I always felt as if death is natural and should not be sad,",
"to those who lost others? I always felt as if death is natural",
"who lost others? I always felt as if death is natural and should",
"offensive to those who lost others? I always felt as if death is",
"is natural and should not be sad, but would writing it that way",
"instead fascinated about it be offensive to those who lost others? I always",
"fascinated about it be offensive to those who lost others? I always felt",
"sad about death, but instead fascinated about it be offensive to those who",
"lost others? I always felt as if death is natural and should not",
"having characters not feel sad about death, but instead fascinated about it be",
"always felt as if death is natural and should not be sad, but",
"characters not feel sad about death, but instead fascinated about it be offensive",
"as if death is natural and should not be sad, but would writing",
"about death, but instead fascinated about it be offensive to those who lost",
"about it be offensive to those who lost others? I always felt as",
"and should not be sad, but would writing it that way be offensive?",
"it be offensive to those who lost others? I always felt as if",
"be offensive to those who lost others? I always felt as if death",
"those who lost others? I always felt as if death is natural and",
"Would having characters not feel sad about death, but instead fascinated about it",
"natural and should not be sad, but would writing it that way be",
"but instead fascinated about it be offensive to those who lost others? I"
] |
[
"of boring and info-dumpish. Are there strategies or techniques to subtly add historical",
"\\_\\_\\_, \\_\\_\\_ happened, which was a massive development in \\_\\_\\_, causing president \\_\\_\\_",
"out saying \"on \\_\\_\\_, \\_\\_\\_ happened, which was a massive development in \\_\\_\\_,",
"facts to a historical fiction storyline? My story is in third person POV,",
"happened, which was a massive development in \\_\\_\\_, causing president \\_\\_\\_ to say....\"",
"a massive info dump? Whether big or little details, I want to inform",
"to incorporate true facts into historical fiction without just giving a massive info",
"add historical facts to a historical fiction storyline? My story is in third",
"massive info dump? Whether big or little details, I want to inform the",
"which was a massive development in \\_\\_\\_, causing president \\_\\_\\_ to say....\" which",
"dump? Whether big or little details, I want to inform the reader of",
"I want to inform the reader of facts without flat out saying \"on",
"to inform the reader of facts without flat out saying \"on \\_\\_\\_, \\_\\_\\_",
"development in \\_\\_\\_, causing president \\_\\_\\_ to say....\" which seems kind of boring",
"seems kind of boring and info-dumpish. Are there strategies or techniques to subtly",
"massive development in \\_\\_\\_, causing president \\_\\_\\_ to say....\" which seems kind of",
"a historical fiction storyline? My story is in third person POV, past tense.",
"Whether big or little details, I want to inform the reader of facts",
"techniques to subtly add historical facts to a historical fiction storyline? My story",
"without just giving a massive info dump? Whether big or little details, I",
"into historical fiction without just giving a massive info dump? Whether big or",
"little details, I want to inform the reader of facts without flat out",
"Are there strategies or techniques to subtly add historical facts to a historical",
"\\_\\_\\_ happened, which was a massive development in \\_\\_\\_, causing president \\_\\_\\_ to",
"info dump? Whether big or little details, I want to inform the reader",
"big or little details, I want to inform the reader of facts without",
"kind of boring and info-dumpish. Are there strategies or techniques to subtly add",
"historical facts to a historical fiction storyline? My story is in third person",
"giving a massive info dump? Whether big or little details, I want to",
"ways to incorporate true facts into historical fiction without just giving a massive",
"was a massive development in \\_\\_\\_, causing president \\_\\_\\_ to say....\" which seems",
"saying \"on \\_\\_\\_, \\_\\_\\_ happened, which was a massive development in \\_\\_\\_, causing",
"or techniques to subtly add historical facts to a historical fiction storyline? My",
"facts into historical fiction without just giving a massive info dump? Whether big",
"there strategies or techniques to subtly add historical facts to a historical fiction",
"to a historical fiction storyline? My story is in third person POV, past",
"true facts into historical fiction without just giving a massive info dump? Whether",
"facts without flat out saying \"on \\_\\_\\_, \\_\\_\\_ happened, which was a massive",
"say....\" which seems kind of boring and info-dumpish. Are there strategies or techniques",
"want to inform the reader of facts without flat out saying \"on \\_\\_\\_,",
"historical fiction without just giving a massive info dump? Whether big or little",
"to subtly add historical facts to a historical fiction storyline? My story is",
"several different ways to incorporate true facts into historical fiction without just giving",
"reader of facts without flat out saying \"on \\_\\_\\_, \\_\\_\\_ happened, which was",
"a massive development in \\_\\_\\_, causing president \\_\\_\\_ to say....\" which seems kind",
"and info-dumpish. Are there strategies or techniques to subtly add historical facts to",
"just giving a massive info dump? Whether big or little details, I want",
"are several different ways to incorporate true facts into historical fiction without just",
"details, I want to inform the reader of facts without flat out saying",
"in \\_\\_\\_, causing president \\_\\_\\_ to say....\" which seems kind of boring and",
"\\_\\_\\_, causing president \\_\\_\\_ to say....\" which seems kind of boring and info-dumpish.",
"fiction without just giving a massive info dump? Whether big or little details,",
"which seems kind of boring and info-dumpish. Are there strategies or techniques to",
"boring and info-dumpish. Are there strategies or techniques to subtly add historical facts",
"info-dumpish. Are there strategies or techniques to subtly add historical facts to a",
"\"on \\_\\_\\_, \\_\\_\\_ happened, which was a massive development in \\_\\_\\_, causing president",
"different ways to incorporate true facts into historical fiction without just giving a",
"\\_\\_\\_ to say....\" which seems kind of boring and info-dumpish. Are there strategies",
"without flat out saying \"on \\_\\_\\_, \\_\\_\\_ happened, which was a massive development",
"the reader of facts without flat out saying \"on \\_\\_\\_, \\_\\_\\_ happened, which",
"of facts without flat out saying \"on \\_\\_\\_, \\_\\_\\_ happened, which was a",
"What are several different ways to incorporate true facts into historical fiction without",
"inform the reader of facts without flat out saying \"on \\_\\_\\_, \\_\\_\\_ happened,",
"or little details, I want to inform the reader of facts without flat",
"strategies or techniques to subtly add historical facts to a historical fiction storyline?",
"to say....\" which seems kind of boring and info-dumpish. Are there strategies or",
"president \\_\\_\\_ to say....\" which seems kind of boring and info-dumpish. Are there",
"causing president \\_\\_\\_ to say....\" which seems kind of boring and info-dumpish. Are",
"flat out saying \"on \\_\\_\\_, \\_\\_\\_ happened, which was a massive development in",
"incorporate true facts into historical fiction without just giving a massive info dump?",
"subtly add historical facts to a historical fiction storyline? My story is in"
] |
[
"I do so. So is there a way, like a watermark or signature,",
"can be reviewed, but I am worried over that it might get stolen",
"So is there a way, like a watermark or signature, to protect it,",
"book recently, and I want to share it so it can be reviewed,",
"over that it might get stolen if I do so. So is there",
"it so it can be reviewed, but I am worried over that it",
"way, like a watermark or signature, to protect it, showing that the work",
"want to share it so it can be reviewed, but I am worried",
"reviewed, but I am worried over that it might get stolen if I",
"recently, and I want to share it so it can be reviewed, but",
"do so. So is there a way, like a watermark or signature, to",
"there a way, like a watermark or signature, to protect it, showing that",
"I have written a book recently, and I want to share it so",
"a book recently, and I want to share it so it can be",
"be reviewed, but I am worried over that it might get stolen if",
"I want to share it so it can be reviewed, but I am",
"is there a way, like a watermark or signature, to protect it, showing",
"stolen if I do so. So is there a way, like a watermark",
"and I want to share it so it can be reviewed, but I",
"it can be reviewed, but I am worried over that it might get",
"if I do so. So is there a way, like a watermark or",
"worried over that it might get stolen if I do so. So is",
"a way, like a watermark or signature, to protect it, showing that the",
"have written a book recently, and I want to share it so it",
"a watermark or signature, to protect it, showing that the work belongs to",
"get stolen if I do so. So is there a way, like a",
"that it might get stolen if I do so. So is there a",
"might get stolen if I do so. So is there a way, like",
"written a book recently, and I want to share it so it can",
"like a watermark or signature, to protect it, showing that the work belongs",
"I am worried over that it might get stolen if I do so.",
"am worried over that it might get stolen if I do so. So",
"so. So is there a way, like a watermark or signature, to protect",
"it might get stolen if I do so. So is there a way,",
"watermark or signature, to protect it, showing that the work belongs to me?",
"share it so it can be reviewed, but I am worried over that",
"to share it so it can be reviewed, but I am worried over",
"so it can be reviewed, but I am worried over that it might",
"but I am worried over that it might get stolen if I do"
] |
[
"self, like going inside his mind, but I find difficulties not knowing on",
"depressed character and I'd like to write a chapter that talks only about",
"character and I'd like to write a chapter that talks only about his",
"like to write a chapter that talks only about his internal conflict, i.e,",
"that talks only about his internal conflict, i.e, struggling with his inner self,",
"struggling with his inner self, like going inside his mind, but I find",
"what should I focus and what should I describe exactly, so I can",
"I find difficulties not knowing on what should I focus and what should",
"blind depressed character and I'd like to write a chapter that talks only",
"talks only about his internal conflict, i.e, struggling with his inner self, like",
"knowing on what should I focus and what should I describe exactly, so",
"with his inner self, like going inside his mind, but I find difficulties",
"should I describe exactly, so I can get people empathize with the character.",
"and what should I describe exactly, so I can get people empathize with",
"conflict, i.e, struggling with his inner self, like going inside his mind, but",
"his mind, but I find difficulties not knowing on what should I focus",
"should I focus and what should I describe exactly, so I can get",
"what should I describe exactly, so I can get people empathize with the",
"I have a blind depressed character and I'd like to write a chapter",
"but I find difficulties not knowing on what should I focus and what",
"not knowing on what should I focus and what should I describe exactly,",
"focus and what should I describe exactly, so I can get people empathize",
"difficulties not knowing on what should I focus and what should I describe",
"and I'd like to write a chapter that talks only about his internal",
"his inner self, like going inside his mind, but I find difficulties not",
"inside his mind, but I find difficulties not knowing on what should I",
"internal conflict, i.e, struggling with his inner self, like going inside his mind,",
"i.e, struggling with his inner self, like going inside his mind, but I",
"only about his internal conflict, i.e, struggling with his inner self, like going",
"about his internal conflict, i.e, struggling with his inner self, like going inside",
"his internal conflict, i.e, struggling with his inner self, like going inside his",
"I'd like to write a chapter that talks only about his internal conflict,",
"inner self, like going inside his mind, but I find difficulties not knowing",
"a chapter that talks only about his internal conflict, i.e, struggling with his",
"a blind depressed character and I'd like to write a chapter that talks",
"like going inside his mind, but I find difficulties not knowing on what",
"write a chapter that talks only about his internal conflict, i.e, struggling with",
"chapter that talks only about his internal conflict, i.e, struggling with his inner",
"going inside his mind, but I find difficulties not knowing on what should",
"I focus and what should I describe exactly, so I can get people",
"to write a chapter that talks only about his internal conflict, i.e, struggling",
"mind, but I find difficulties not knowing on what should I focus and",
"find difficulties not knowing on what should I focus and what should I",
"have a blind depressed character and I'd like to write a chapter that",
"on what should I focus and what should I describe exactly, so I"
] |
[
"love him. The novel itself is so popular that no-one on the novel",
"main character is overpowered: he has unbeatable superpowers, many girls that are interested",
"and love him. The novel itself is so popular that no-one on the",
"read a novel where the main character is overpowered: he has unbeatable superpowers,",
"miss it. It makes me wonder, could an overpowered main character be interesting",
"novel) find it amazing and love him. The novel itself is so popular",
"are interested in him, enemies that get scared just by facing him, etc.",
"is overpowered: he has unbeatable superpowers, many girls that are interested in him,",
"where the main character is overpowered: he has unbeatable superpowers, many girls that",
"get scared just by facing him, etc. I find it annoying because it",
"novel itself is so popular that no-one on the novel website could miss",
"facing him, etc. I find it annoying because it doesn't really provide any",
"website could miss it. It makes me wonder, could an overpowered main character",
"no-one on the novel website could miss it. It makes me wonder, could",
"itself is so popular that no-one on the novel website could miss it.",
"I just read a novel where the main character is overpowered: he has",
"by facing him, etc. I find it annoying because it doesn't really provide",
"superpowers, many girls that are interested in him, enemies that get scared just",
"annoying because it doesn't really provide any tension for me when reading it,",
"many people (especially teens, because it's a teen novel) find it amazing and",
"an overpowered main character be interesting at some point? If so, how come?",
"doesn't really provide any tension for me when reading it, but I'm really",
"teen novel) find it amazing and love him. The novel itself is so",
"could an overpowered main character be interesting at some point? If so, how",
"it doesn't really provide any tension for me when reading it, but I'm",
"people (especially teens, because it's a teen novel) find it amazing and love",
"novel website could miss it. It makes me wonder, could an overpowered main",
"but I'm really curious about how many people (especially teens, because it's a",
"is so popular that no-one on the novel website could miss it. It",
"just by facing him, etc. I find it annoying because it doesn't really",
"amazing and love him. The novel itself is so popular that no-one on",
"him. The novel itself is so popular that no-one on the novel website",
"that no-one on the novel website could miss it. It makes me wonder,",
"for me when reading it, but I'm really curious about how many people",
"him, enemies that get scared just by facing him, etc. I find it",
"tension for me when reading it, but I'm really curious about how many",
"I find it annoying because it doesn't really provide any tension for me",
"really provide any tension for me when reading it, but I'm really curious",
"just read a novel where the main character is overpowered: he has unbeatable",
"so popular that no-one on the novel website could miss it. It makes",
"him, etc. I find it annoying because it doesn't really provide any tension",
"find it amazing and love him. The novel itself is so popular that",
"etc. I find it annoying because it doesn't really provide any tension for",
"teens, because it's a teen novel) find it amazing and love him. The",
"a teen novel) find it amazing and love him. The novel itself is",
"the main character is overpowered: he has unbeatable superpowers, many girls that are",
"many girls that are interested in him, enemies that get scared just by",
"unbeatable superpowers, many girls that are interested in him, enemies that get scared",
"it. It makes me wonder, could an overpowered main character be interesting at",
"provide any tension for me when reading it, but I'm really curious about",
"any tension for me when reading it, but I'm really curious about how",
"how many people (especially teens, because it's a teen novel) find it amazing",
"novel where the main character is overpowered: he has unbeatable superpowers, many girls",
"that get scared just by facing him, etc. I find it annoying because",
"find it annoying because it doesn't really provide any tension for me when",
"on the novel website could miss it. It makes me wonder, could an",
"it amazing and love him. The novel itself is so popular that no-one",
"it annoying because it doesn't really provide any tension for me when reading",
"because it doesn't really provide any tension for me when reading it, but",
"that are interested in him, enemies that get scared just by facing him,",
"I'm really curious about how many people (especially teens, because it's a teen",
"makes me wonder, could an overpowered main character be interesting at some point?",
"about how many people (especially teens, because it's a teen novel) find it",
"because it's a teen novel) find it amazing and love him. The novel",
"(especially teens, because it's a teen novel) find it amazing and love him.",
"me when reading it, but I'm really curious about how many people (especially",
"interested in him, enemies that get scared just by facing him, etc. I",
"me wonder, could an overpowered main character be interesting at some point? If",
"when reading it, but I'm really curious about how many people (especially teens,",
"wonder, could an overpowered main character be interesting at some point? If so,",
"in him, enemies that get scared just by facing him, etc. I find",
"has unbeatable superpowers, many girls that are interested in him, enemies that get",
"curious about how many people (especially teens, because it's a teen novel) find",
"popular that no-one on the novel website could miss it. It makes me",
"a novel where the main character is overpowered: he has unbeatable superpowers, many",
"it's a teen novel) find it amazing and love him. The novel itself",
"really curious about how many people (especially teens, because it's a teen novel)",
"The novel itself is so popular that no-one on the novel website could",
"girls that are interested in him, enemies that get scared just by facing",
"it, but I'm really curious about how many people (especially teens, because it's",
"could miss it. It makes me wonder, could an overpowered main character be",
"character is overpowered: he has unbeatable superpowers, many girls that are interested in",
"he has unbeatable superpowers, many girls that are interested in him, enemies that",
"the novel website could miss it. It makes me wonder, could an overpowered",
"reading it, but I'm really curious about how many people (especially teens, because",
"scared just by facing him, etc. I find it annoying because it doesn't",
"enemies that get scared just by facing him, etc. I find it annoying",
"It makes me wonder, could an overpowered main character be interesting at some",
"overpowered: he has unbeatable superpowers, many girls that are interested in him, enemies"
] |
[
"papers. An example of the sentence is like '..., the \\*\\*\\* should be",
"policy recommendation because the term is too strong in academic papers. An example",
"My supervisor (non-native in English) told me that I should not use a",
"is like '..., the \\*\\*\\* should be taken into account.' Do you have",
"term is too strong in academic papers. An example of the sentence is",
"English) told me that I should not use a word 'should' for writing",
"in academic papers. An example of the sentence is like '..., the \\*\\*\\*",
"(non-native in English) told me that I should not use a word 'should'",
"'..., the \\*\\*\\* should be taken into account.' Do you have any suggestions",
"supervisor (non-native in English) told me that I should not use a word",
"\\*\\*\\* should be taken into account.' Do you have any suggestions for alternative",
"policy recommendation. My supervisor (non-native in English) told me that I should not",
"example of the sentence is like '..., the \\*\\*\\* should be taken into",
"sentence is like '..., the \\*\\*\\* should be taken into account.' Do you",
"should not use a word 'should' for writing sentences for policy recommendation because",
"because the term is too strong in academic papers. An example of the",
"told me that I should not use a word 'should' for writing sentences",
"word 'should' for writing sentences for policy recommendation because the term is too",
"An example of the sentence is like '..., the \\*\\*\\* should be taken",
"the sentence is like '..., the \\*\\*\\* should be taken into account.' Do",
"the term is too strong in academic papers. An example of the sentence",
"writing a policy-relevant paper with policy recommendation. My supervisor (non-native in English) told",
"me that I should not use a word 'should' for writing sentences for",
"like '..., the \\*\\*\\* should be taken into account.' Do you have any",
"recommendation. My supervisor (non-native in English) told me that I should not use",
"is too strong in academic papers. An example of the sentence is like",
"taken into account.' Do you have any suggestions for alternative words/phrases for 'should'?",
"for writing sentences for policy recommendation because the term is too strong in",
"for policy recommendation because the term is too strong in academic papers. An",
"policy-relevant paper with policy recommendation. My supervisor (non-native in English) told me that",
"I should not use a word 'should' for writing sentences for policy recommendation",
"of the sentence is like '..., the \\*\\*\\* should be taken into account.'",
"should be taken into account.' Do you have any suggestions for alternative words/phrases",
"paper with policy recommendation. My supervisor (non-native in English) told me that I",
"use a word 'should' for writing sentences for policy recommendation because the term",
"strong in academic papers. An example of the sentence is like '..., the",
"too strong in academic papers. An example of the sentence is like '...,",
"sentences for policy recommendation because the term is too strong in academic papers.",
"'should' for writing sentences for policy recommendation because the term is too strong",
"that I should not use a word 'should' for writing sentences for policy",
"be taken into account.' Do you have any suggestions for alternative words/phrases for",
"recommendation because the term is too strong in academic papers. An example of",
"I'm writing a policy-relevant paper with policy recommendation. My supervisor (non-native in English)",
"not use a word 'should' for writing sentences for policy recommendation because the",
"in English) told me that I should not use a word 'should' for",
"with policy recommendation. My supervisor (non-native in English) told me that I should",
"a word 'should' for writing sentences for policy recommendation because the term is",
"a policy-relevant paper with policy recommendation. My supervisor (non-native in English) told me",
"the \\*\\*\\* should be taken into account.' Do you have any suggestions for",
"writing sentences for policy recommendation because the term is too strong in academic",
"academic papers. An example of the sentence is like '..., the \\*\\*\\* should"
] |
[
"and over? Note: if you look closely, most of the sentences in this",
"not good'). Looking a bit closer to try and split things up, I",
"I found it was really hard because I had unintentionally made it where",
"[phraseB]. > > > The few exceptions I could find were very short",
"really hard because I had unintentionally made it where phraseA was an independent",
"When I try to split it up, it ends up a lot like",
"jerky, which I suppose is why I write them all in the first",
"to pilot a mech. > > > In my mind, this seems very",
"it up, it ends up a lot like > > I climbed up",
"cockpit, hoping I could remember how to pilot a mech. > > >",
"Hopefully I could remember how to pilot a mech. > > > In",
"there for effect (ie 'oops' or 'that's not good'). Looking a bit closer",
"and phraseB was dependent. Example: > > I climbed up the arm into",
"was dependent. Example: > > I climbed up the arm into the cockpit,",
"I know I need structure variety, which I expect to be a decent",
"to be a decent chunk of editing. Moving forward, how do I keep",
"basic structure of > > [phraseA], [phraseB]. > > > The few exceptions",
"remember how to pilot a mech. > > > In my mind, this",
"could remember how to pilot a mech. > > > When I try",
"my mind, this seems very short and jerky, which I suppose is why",
"how to pilot a mech. > > > In my mind, this seems",
"'oops' or 'that's not good'). Looking a bit closer to try and split",
"cockpit. Hopefully I could remember how to pilot a mech. > > >",
"climbed up the arm into the cockpit, hoping I could remember how to",
"up the arm into the cockpit. Hopefully I could remember how to pilot",
"where phraseA was an independent clause, and phraseB was dependent. Example: > >",
"hoping I could remember how to pilot a mech. > > > When",
"follow the same basic structure of > > [phraseA], [phraseB]. > > >",
"The few exceptions I could find were very short sentences I put there",
"a lot like > > I climbed up the arm into the cockpit.",
"from doing the same sentence structure over and over? Note: if you look",
"writing and I noticed that 90% of my sentences follow the same basic",
"it ends up a lot like > > I climbed up the arm",
"> > The few exceptions I could find were very short sentences I",
"do I keep from doing the same sentence structure over and over? Note:",
"the arm into the cockpit, hoping I could remember how to pilot a",
"I put there for effect (ie 'oops' or 'that's not good'). Looking a",
"structure over and over? Note: if you look closely, most of the sentences",
"if you look closely, most of the sentences in this question follow that",
"short sentences I put there for effect (ie 'oops' or 'that's not good').",
"effect (ie 'oops' or 'that's not good'). Looking a bit closer to try",
"mind, this seems very short and jerky, which I suppose is why I",
"that 90% of my sentences follow the same basic structure of > >",
"seems very short and jerky, which I suppose is why I write them",
"arm into the cockpit, hoping I could remember how to pilot a mech.",
"90% of my sentences follow the same basic structure of > > [phraseA],",
"split things up, I found it was really hard because I had unintentionally",
"them all in the first way. I know I need structure variety, which",
"I could remember how to pilot a mech. > > > When I",
"> In my mind, this seems very short and jerky, which I suppose",
"need structure variety, which I expect to be a decent chunk of editing.",
"dependent. Example: > > I climbed up the arm into the cockpit, hoping",
"a bit closer to try and split things up, I found it was",
"structure variety, which I expect to be a decent chunk of editing. Moving",
"variety, which I expect to be a decent chunk of editing. Moving forward,",
"doing the same sentence structure over and over? Note: if you look closely,",
"> [phraseA], [phraseB]. > > > The few exceptions I could find were",
"very short sentences I put there for effect (ie 'oops' or 'that's not",
"> > In my mind, this seems very short and jerky, which I",
"I suppose is why I write them all in the first way. I",
"keep from doing the same sentence structure over and over? Note: if you",
"sentence structure over and over? Note: if you look closely, most of the",
"the first way. I know I need structure variety, which I expect to",
"way. I know I need structure variety, which I expect to be a",
"made it where phraseA was an independent clause, and phraseB was dependent. Example:",
"a mech. > > > In my mind, this seems very short and",
"Moving forward, how do I keep from doing the same sentence structure over",
"climbed up the arm into the cockpit. Hopefully I could remember how to",
"of > > [phraseA], [phraseB]. > > > The few exceptions I could",
"was an independent clause, and phraseB was dependent. Example: > > I climbed",
"remember how to pilot a mech. > > > When I try to",
"I noticed that 90% of my sentences follow the same basic structure of",
"Example: > > I climbed up the arm into the cockpit, hoping I",
"a decent chunk of editing. Moving forward, how do I keep from doing",
"put there for effect (ie 'oops' or 'that's not good'). Looking a bit",
"over and over? Note: if you look closely, most of the sentences in",
"I climbed up the arm into the cockpit, hoping I could remember how",
"mech. > > > In my mind, this seems very short and jerky,",
"expect to be a decent chunk of editing. Moving forward, how do I",
"found it was really hard because I had unintentionally made it where phraseA",
"how to pilot a mech. > > > When I try to split",
"like > > I climbed up the arm into the cockpit. Hopefully I",
"very short and jerky, which I suppose is why I write them all",
"of my sentences follow the same basic structure of > > [phraseA], [phraseB].",
"my sentences follow the same basic structure of > > [phraseA], [phraseB]. >",
"[phraseA], [phraseB]. > > > The few exceptions I could find were very",
"all in the first way. I know I need structure variety, which I",
"first way. I know I need structure variety, which I expect to be",
"how do I keep from doing the same sentence structure over and over?",
"In my mind, this seems very short and jerky, which I suppose is",
"look closely, most of the sentences in this question follow that sentence structure.",
"because I had unintentionally made it where phraseA was an independent clause, and",
"could find were very short sentences I put there for effect (ie 'oops'",
"up a lot like > > I climbed up the arm into the",
"pilot a mech. > > > When I try to split it up,",
"was really hard because I had unintentionally made it where phraseA was an",
"through my writing and I noticed that 90% of my sentences follow the",
"write them all in the first way. I know I need structure variety,",
"sentences follow the same basic structure of > > [phraseA], [phraseB]. > >",
"the arm into the cockpit. Hopefully I could remember how to pilot a",
"to pilot a mech. > > > When I try to split it",
"I could find were very short sentences I put there for effect (ie",
"of editing. Moving forward, how do I keep from doing the same sentence",
"unintentionally made it where phraseA was an independent clause, and phraseB was dependent.",
"lot like > > I climbed up the arm into the cockpit. Hopefully",
"> > I climbed up the arm into the cockpit. Hopefully I could",
"Note: if you look closely, most of the sentences in this question follow",
"> > > The few exceptions I could find were very short sentences",
"> The few exceptions I could find were very short sentences I put",
"bit closer to try and split things up, I found it was really",
"> > > When I try to split it up, it ends up",
"> > > In my mind, this seems very short and jerky, which",
"arm into the cockpit. Hopefully I could remember how to pilot a mech.",
"closer to try and split things up, I found it was really hard",
"over? Note: if you look closely, most of the sentences in this question",
"you look closely, most of the sentences in this question follow that sentence",
"Been reading through my writing and I noticed that 90% of my sentences",
"reading through my writing and I noticed that 90% of my sentences follow",
"and jerky, which I suppose is why I write them all in the",
"(ie 'oops' or 'that's not good'). Looking a bit closer to try and",
"into the cockpit, hoping I could remember how to pilot a mech. >",
"sentences I put there for effect (ie 'oops' or 'that's not good'). Looking",
"the cockpit, hoping I could remember how to pilot a mech. > >",
"I expect to be a decent chunk of editing. Moving forward, how do",
"were very short sentences I put there for effect (ie 'oops' or 'that's",
"suppose is why I write them all in the first way. I know",
"my writing and I noticed that 90% of my sentences follow the same",
"the same sentence structure over and over? Note: if you look closely, most",
"it was really hard because I had unintentionally made it where phraseA was",
"know I need structure variety, which I expect to be a decent chunk",
"for effect (ie 'oops' or 'that's not good'). Looking a bit closer to",
"> I climbed up the arm into the cockpit, hoping I could remember",
"noticed that 90% of my sentences follow the same basic structure of >",
"this seems very short and jerky, which I suppose is why I write",
"chunk of editing. Moving forward, how do I keep from doing the same",
"the cockpit. Hopefully I could remember how to pilot a mech. > >",
"pilot a mech. > > > In my mind, this seems very short",
"decent chunk of editing. Moving forward, how do I keep from doing the",
"editing. Moving forward, how do I keep from doing the same sentence structure",
"try and split things up, I found it was really hard because I",
"a mech. > > > When I try to split it up, it",
"ends up a lot like > > I climbed up the arm into",
"is why I write them all in the first way. I know I",
"find were very short sentences I put there for effect (ie 'oops' or",
"up, I found it was really hard because I had unintentionally made it",
"an independent clause, and phraseB was dependent. Example: > > I climbed up",
"be a decent chunk of editing. Moving forward, how do I keep from",
"things up, I found it was really hard because I had unintentionally made",
"or 'that's not good'). Looking a bit closer to try and split things",
"few exceptions I could find were very short sentences I put there for",
"same basic structure of > > [phraseA], [phraseB]. > > > The few",
"phraseB was dependent. Example: > > I climbed up the arm into the",
"independent clause, and phraseB was dependent. Example: > > I climbed up the",
"exceptions I could find were very short sentences I put there for effect",
"could remember how to pilot a mech. > > > In my mind,",
"in the first way. I know I need structure variety, which I expect",
"had unintentionally made it where phraseA was an independent clause, and phraseB was",
"short and jerky, which I suppose is why I write them all in",
"up the arm into the cockpit, hoping I could remember how to pilot",
"Looking a bit closer to try and split things up, I found it",
"why I write them all in the first way. I know I need",
"> > [phraseA], [phraseB]. > > > The few exceptions I could find",
"I try to split it up, it ends up a lot like >",
"which I expect to be a decent chunk of editing. Moving forward, how",
"I could remember how to pilot a mech. > > > In my",
"I need structure variety, which I expect to be a decent chunk of",
"split it up, it ends up a lot like > > I climbed",
"forward, how do I keep from doing the same sentence structure over and",
"up, it ends up a lot like > > I climbed up the",
"phraseA was an independent clause, and phraseB was dependent. Example: > > I",
"it where phraseA was an independent clause, and phraseB was dependent. Example: >",
"and I noticed that 90% of my sentences follow the same basic structure",
"and split things up, I found it was really hard because I had",
"mech. > > > When I try to split it up, it ends",
"which I suppose is why I write them all in the first way.",
"to try and split things up, I found it was really hard because",
"structure of > > [phraseA], [phraseB]. > > > The few exceptions I",
"> When I try to split it up, it ends up a lot",
"into the cockpit. Hopefully I could remember how to pilot a mech. >",
"I climbed up the arm into the cockpit. Hopefully I could remember how",
"clause, and phraseB was dependent. Example: > > I climbed up the arm",
"I write them all in the first way. I know I need structure",
"hard because I had unintentionally made it where phraseA was an independent clause,",
"> > I climbed up the arm into the cockpit, hoping I could",
"I had unintentionally made it where phraseA was an independent clause, and phraseB",
"> > When I try to split it up, it ends up a",
"try to split it up, it ends up a lot like > >",
"to split it up, it ends up a lot like > > I",
"the same basic structure of > > [phraseA], [phraseB]. > > > The",
"I keep from doing the same sentence structure over and over? Note: if",
"> I climbed up the arm into the cockpit. Hopefully I could remember",
"good'). Looking a bit closer to try and split things up, I found",
"same sentence structure over and over? Note: if you look closely, most of",
"'that's not good'). Looking a bit closer to try and split things up,"
] |
[
"to locations that are weird at its best. So, how can I integrate",
"I'm writing my first novel which is set in an alternate universe, a",
"I integrate a world where the secondary threat is the world itself, but",
"reader to locations that are weird at its best. So, how can I",
"threat is the world itself, but not overshadowing the main story and a",
"ecosystem where story can get affected by nature and might take the reader",
"take the reader to locations that are weird at its best. So, how",
"universe, a place which is set on Earth but in a different ecosystem",
"affected by nature and might take the reader to locations that are weird",
"world where the secondary threat is the world itself, but not overshadowing the",
"set on Earth but in a different ecosystem where story can get affected",
"where the secondary threat is the world itself, but not overshadowing the main",
"which is set in an alternate universe, a place which is set on",
"by nature and might take the reader to locations that are weird at",
"nature and might take the reader to locations that are weird at its",
"is the world itself, but not overshadowing the main story and a wide",
"is set in an alternate universe, a place which is set on Earth",
"secondary threat is the world itself, but not overshadowing the main story and",
"novel which is set in an alternate universe, a place which is set",
"writing my first novel which is set in an alternate universe, a place",
"an alternate universe, a place which is set on Earth but in a",
"might take the reader to locations that are weird at its best. So,",
"the world itself, but not overshadowing the main story and a wide array",
"that are weird at its best. So, how can I integrate a world",
"at its best. So, how can I integrate a world where the secondary",
"So, how can I integrate a world where the secondary threat is the",
"my first novel which is set in an alternate universe, a place which",
"is set on Earth but in a different ecosystem where story can get",
"itself, but not overshadowing the main story and a wide array of unique",
"the secondary threat is the world itself, but not overshadowing the main story",
"in an alternate universe, a place which is set on Earth but in",
"where story can get affected by nature and might take the reader to",
"can get affected by nature and might take the reader to locations that",
"but not overshadowing the main story and a wide array of unique characters.",
"different ecosystem where story can get affected by nature and might take the",
"and might take the reader to locations that are weird at its best.",
"place which is set on Earth but in a different ecosystem where story",
"a place which is set on Earth but in a different ecosystem where",
"how can I integrate a world where the secondary threat is the world",
"integrate a world where the secondary threat is the world itself, but not",
"set in an alternate universe, a place which is set on Earth but",
"best. So, how can I integrate a world where the secondary threat is",
"Earth but in a different ecosystem where story can get affected by nature",
"on Earth but in a different ecosystem where story can get affected by",
"alternate universe, a place which is set on Earth but in a different",
"which is set on Earth but in a different ecosystem where story can",
"but in a different ecosystem where story can get affected by nature and",
"story can get affected by nature and might take the reader to locations",
"a world where the secondary threat is the world itself, but not overshadowing",
"a different ecosystem where story can get affected by nature and might take",
"locations that are weird at its best. So, how can I integrate a",
"are weird at its best. So, how can I integrate a world where",
"first novel which is set in an alternate universe, a place which is",
"get affected by nature and might take the reader to locations that are",
"world itself, but not overshadowing the main story and a wide array of",
"the reader to locations that are weird at its best. So, how can",
"in a different ecosystem where story can get affected by nature and might",
"its best. So, how can I integrate a world where the secondary threat",
"weird at its best. So, how can I integrate a world where the",
"can I integrate a world where the secondary threat is the world itself,"
] |
[
"sentence works best in regards to ',' or '-'? > > If you",
"you don't, the track record will become diluted > > > or >",
"> If you don't, the track record will become diluted > > >",
"works best in regards to ',' or '-'? > > If you don't,",
"or '-'? > > If you don't, the track record will become diluted",
"> > or > > If you don't - the track record will",
"become diluted > > > or > > If you don't - the",
"will become diluted > > > or > > If you don't -",
"track record will become diluted > > > or > > If you",
"If you don't, the track record will become diluted > > > or",
"> If you don't - the track record will become diluted > >",
"'-'? > > If you don't, the track record will become diluted >",
"Which sentence works best in regards to ',' or '-'? > > If",
"> > > or > > If you don't - the track record",
"don't, the track record will become diluted > > > or > >",
"',' or '-'? > > If you don't, the track record will become",
"best in regards to ',' or '-'? > > If you don't, the",
"> > If you don't - the track record will become diluted >",
"to ',' or '-'? > > If you don't, the track record will",
"in regards to ',' or '-'? > > If you don't, the track",
"record will become diluted > > > or > > If you don't",
"regards to ',' or '-'? > > If you don't, the track record",
"> or > > If you don't - the track record will become",
"If you don't - the track record will become diluted > > >",
"the track record will become diluted > > > or > > If",
"diluted > > > or > > If you don't - the track",
"> > If you don't, the track record will become diluted > >",
"or > > If you don't - the track record will become diluted"
] |
[
"in which the characters on the non-Earth planet have traveled to Earth. Is",
"to Earth. Is it possible to make said novel non-canon, as in it",
"original novel(s)? Furthermore, is it possible for an author of significant works to",
"make said novel non-canon, as in it has no bearing on the actual",
"however I have written a novel in which the characters on the non-Earth",
"the original novel(s)? Furthermore, is it possible for an author of significant works",
"title asks: **is it possible to write non-canon works in a fictional universe",
"the actual plotlines of the original novel(s)? Furthermore, is it possible for an",
"is it possible for an author of significant works to publish a story",
"novel(s)? Furthermore, is it possible for an author of significant works to publish",
"Furthermore, is it possible for an author of significant works to publish a",
"author of significant works to publish a story or book that is non-canon",
"created**? In my example, I've created a fictional universe set on a non-Earth",
"works in a fictional universe you've created**? In my example, I've created a",
"no bearing on the actual plotlines of the original novel(s)? Furthermore, is it",
"as in it has no bearing on the actual plotlines of the original",
"In my example, I've created a fictional universe set on a non-Earth planet,",
"to write non-canon works in a fictional universe you've created**? In my example,",
"which the characters on the non-Earth planet have traveled to Earth. Is it",
"I've created a fictional universe set on a non-Earth planet, however I have",
"fictional universe set on a non-Earth planet, however I have written a novel",
"possible to write non-canon works in a fictional universe you've created**? In my",
"universe set on a non-Earth planet, however I have written a novel in",
"a non-Earth planet, however I have written a novel in which the characters",
"it has no bearing on the actual plotlines of the original novel(s)? Furthermore,",
"bearing on the actual plotlines of the original novel(s)? Furthermore, is it possible",
"publish a story or book that is non-canon to the other works they've",
"fictional universe you've created**? In my example, I've created a fictional universe set",
"planet have traveled to Earth. Is it possible to make said novel non-canon,",
"the title asks: **is it possible to write non-canon works in a fictional",
"non-canon, as in it has no bearing on the actual plotlines of the",
"set on a non-Earth planet, however I have written a novel in which",
"write non-canon works in a fictional universe you've created**? In my example, I've",
"**is it possible to write non-canon works in a fictional universe you've created**?",
"on the non-Earth planet have traveled to Earth. Is it possible to make",
"on the actual plotlines of the original novel(s)? Furthermore, is it possible for",
"the non-Earth planet have traveled to Earth. Is it possible to make said",
"it possible to make said novel non-canon, as in it has no bearing",
"characters on the non-Earth planet have traveled to Earth. Is it possible to",
"has no bearing on the actual plotlines of the original novel(s)? Furthermore, is",
"on a non-Earth planet, however I have written a novel in which the",
"I have written a novel in which the characters on the non-Earth planet",
"plotlines of the original novel(s)? Furthermore, is it possible for an author of",
"Earth. Is it possible to make said novel non-canon, as in it has",
"of significant works to publish a story or book that is non-canon to",
"it possible for an author of significant works to publish a story or",
"for an author of significant works to publish a story or book that",
"to make said novel non-canon, as in it has no bearing on the",
"what the title asks: **is it possible to write non-canon works in a",
"you've created**? In my example, I've created a fictional universe set on a",
"possible to make said novel non-canon, as in it has no bearing on",
"of the original novel(s)? Furthermore, is it possible for an author of significant",
"significant works to publish a story or book that is non-canon to the",
"a fictional universe set on a non-Earth planet, however I have written a",
"possible for an author of significant works to publish a story or book",
"Basically what the title asks: **is it possible to write non-canon works in",
"novel non-canon, as in it has no bearing on the actual plotlines of",
"have written a novel in which the characters on the non-Earth planet have",
"Is it possible to make said novel non-canon, as in it has no",
"have traveled to Earth. Is it possible to make said novel non-canon, as",
"works to publish a story or book that is non-canon to the other",
"a story or book that is non-canon to the other works they've created?",
"universe you've created**? In my example, I've created a fictional universe set on",
"said novel non-canon, as in it has no bearing on the actual plotlines",
"novel in which the characters on the non-Earth planet have traveled to Earth.",
"planet, however I have written a novel in which the characters on the",
"non-Earth planet, however I have written a novel in which the characters on",
"a fictional universe you've created**? In my example, I've created a fictional universe",
"non-canon works in a fictional universe you've created**? In my example, I've created",
"in it has no bearing on the actual plotlines of the original novel(s)?",
"in a fictional universe you've created**? In my example, I've created a fictional",
"asks: **is it possible to write non-canon works in a fictional universe you've",
"traveled to Earth. Is it possible to make said novel non-canon, as in",
"it possible to write non-canon works in a fictional universe you've created**? In",
"non-Earth planet have traveled to Earth. Is it possible to make said novel",
"created a fictional universe set on a non-Earth planet, however I have written",
"an author of significant works to publish a story or book that is",
"a novel in which the characters on the non-Earth planet have traveled to",
"the characters on the non-Earth planet have traveled to Earth. Is it possible",
"to publish a story or book that is non-canon to the other works",
"example, I've created a fictional universe set on a non-Earth planet, however I",
"written a novel in which the characters on the non-Earth planet have traveled",
"actual plotlines of the original novel(s)? Furthermore, is it possible for an author",
"my example, I've created a fictional universe set on a non-Earth planet, however"
] |
[
"I?' Dive answered. > > > **2- ACTIONS BEFORE DIALOGUE** > > 'Do",
"ain’t I?' Dive answered. > > > **2- ACTIONS BEFORE DIALOGUE** > >",
"ACTIONS AFTER DIALOGUE** > > 'Do not lose hope, the day is yet",
"paragraph positions or if it's sometimes arbitrary. Some choices seem clear cut, but",
"still that trombone thing Sir?' I spied who appeared to be the central",
"air of resignation before me. > > > A fidgety Norman Dive two",
"day is yet young my sleepy chicas.' > > > I regarded the",
"thing Sir?' > > > I spied who appeared to be the central",
"A fidgety Norman Dive two rows back was frowning at me. 'Stick to",
"Is the 3rd better? I feel it is and allows for intended meaning.",
"**2- ACTIONS BEFORE DIALOGUE** > > 'Do not lose hope, the day is",
"Dive still that trombone thing Sir?' > > > I spied who appeared",
"boy called Feakins. 'I’m the trumpet ain’t I?' Dive answered. > > >",
"is virtually the same. Is this right? Is the 3rd better? I feel",
"trombone thing Sir?' I spied who appeared to be the central figure, a",
"not lose hope, the day is yet young my sleepy chicas.' > >",
"Some choices seem clear cut, but in the sentence: 'I regarded...' it reads",
"not lose hope, the day is yet young my sleepy chicas.' I regarded",
"lose hope, the day is yet young my sleepy chicas.' > > >",
"rows back was frowning at me. > > > 'Stick to Science if",
"frowning at me. 'Stick to Science if I was you Mr Naqmab.' >",
"the far corner. > > > 'Is Dive still that trombone thing Sir?'",
"a group in the far corner. 'Is Dive still that trombone thing Sir?'",
"in more than one place and the sense is virtually the same. Is",
"figure, a surly boy called Feakins. 'I’m the trumpet ain’t I?' Dive answered.",
"yet young my sleepy chicas.' I regarded the non-committal air of resignation before",
"trumpet ain’t I?' Dive answered. > > > **[3- BEORE AND AFTER DEPENDENT",
"in both the first 2 options; it appears to me a paragraph could",
"> 'I’m the trumpet ain’t I?' Dive answered. > > > **2- ACTIONS",
"> **[3- BEORE AND AFTER DEPENDENT ON CONTEXT]** > > 'Do not lose",
"but in the sentence: 'I regarded...' it reads fine to me in both",
"both the first 2 options; it appears to me a paragraph could end",
"regarded the non-committal air of resignation before me. A fidgety Norman Dive two",
"> > A loud interjection came from a group in the far corner.",
"> I spied who appeared to be the central figure, a surly boy",
"boy called Feakins. > > > 'I’m the trumpet ain’t I?' Dive answered.",
"the central figure, a surly boy called Feakins. 'I’m the trumpet ain’t I?'",
"surly boy called Feakins. 'I’m the trumpet ain’t I?' Dive answered. > >",
"corner. 'Is Dive still that trombone thing Sir?' > > > I spied",
"DIALOGUE** > > 'Do not lose hope, the day is yet young my",
"allows for intended meaning. **1- ACTIONS AFTER DIALOGUE** > > 'Do not lose",
"I?' Dive answered. > > > **[3- BEORE AND AFTER DEPENDENT ON CONTEXT]**",
"Is this right? Is the 3rd better? I feel it is and allows",
"Dive answered. > > > **[3- BEORE AND AFTER DEPENDENT ON CONTEXT]** >",
"CONTEXT]** > > 'Do not lose hope, the day is yet young my",
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"frowning at me. > > > 'Stick to Science if I was you",
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"lose hope, the day is yet young my sleepy chicas.' I regarded the",
"figure, a surly boy called Feakins. > > > 'I’m the trumpet ain’t",
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"> > I regarded the non-committal air of resignation before me. A fidgety",
"better? I feel it is and allows for intended meaning. **1- ACTIONS AFTER",
"regarded...' it reads fine to me in both the first 2 options; it",
"> > > A fidgety Norman Dive two rows back was frowning at",
"> A fidgety Norman Dive two rows back was frowning at me. 'Stick",
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"central figure, a surly boy called Feakins. > > > 'I’m the trumpet",
"**[3- BEORE AND AFTER DEPENDENT ON CONTEXT]** > > 'Do not lose hope,",
"the trumpet ain’t I?' Dive answered. > > > **2- ACTIONS BEFORE DIALOGUE**",
"me. A fidgety Norman Dive two rows back was frowning at me. >",
"resignation before me. > > > A fidgety Norman Dive two rows back",
"to me a paragraph could end in more than one place and the",
"is and allows for intended meaning. **1- ACTIONS AFTER DIALOGUE** > > 'Do",
"spied who appeared to be the central figure, a surly boy called Feakins.",
"me. A fidgety Norman Dive two rows back was frowning at me. 'Stick",
"young my sleepy chicas.' I regarded the non-committal air of resignation before me.",
"yet young my sleepy chicas.' > > > I regarded the non-committal air",
"in the far corner. 'Is Dive still that trombone thing Sir?' > >",
"or if it's sometimes arbitrary. Some choices seem clear cut, but in the",
"answered. > > > **[3- BEORE AND AFTER DEPENDENT ON CONTEXT]** > >",
"> 'Do not lose hope, the day is yet young my sleepy chicas.'",
"far corner. 'Is Dive still that trombone thing Sir?' I spied who appeared",
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"'I regarded...' it reads fine to me in both the first 2 options;",
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"my sleepy chicas.' I regarded the non-committal air of resignation before me. A",
"Norman Dive two rows back was frowning at me. > > > 'Stick",
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"Feakins. 'I’m the trumpet ain’t I?' Dive answered. > > > **[3- BEORE",
"the same. Is this right? Is the 3rd better? I feel it is",
"to Science if I was you Mr Naqmab.' A loud interjection came from",
"'I’m the trumpet ain’t I?' Dive answered. > > > **[3- BEORE AND",
"ain’t I?' Dive answered. > > > **[3- BEORE AND AFTER DEPENDENT ON",
"chicas.' > > > I regarded the non-committal air of resignation before me.",
"from a group in the far corner. > > > 'Is Dive still",
"trombone thing Sir?' > > > I spied who appeared to be the",
"group in the far corner. 'Is Dive still that trombone thing Sir?' I",
"if it's sometimes arbitrary. Some choices seem clear cut, but in the sentence:",
"reads fine to me in both the first 2 options; it appears to",
"me a paragraph could end in more than one place and the sense",
"end in more than one place and the sense is virtually the same.",
"'Stick to Science if I was you Mr Naqmab.' > > > A",
"feel it is and allows for intended meaning. **1- ACTIONS AFTER DIALOGUE** >",
"Science if I was you Mr Naqmab.' A loud interjection came from a",
"**1- ACTIONS AFTER DIALOGUE** > > 'Do not lose hope, the day is",
"DEPENDENT ON CONTEXT]** > > 'Do not lose hope, the day is yet",
"ON CONTEXT]** > > 'Do not lose hope, the day is yet young",
"fidgety Norman Dive two rows back was frowning at me. > > >",
"arbitrary. Some choices seem clear cut, but in the sentence: 'I regarded...' it",
"> 'Stick to Science if I was you Mr Naqmab.' A loud interjection",
"positions or if it's sometimes arbitrary. Some choices seem clear cut, but in",
"paragraph could end in more than one place and the sense is virtually",
"thing Sir?' I spied who appeared to be the central figure, a surly",
"me in both the first 2 options; it appears to me a paragraph",
"who appeared to be the central figure, a surly boy called Feakins. >",
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"was frowning at me. > > > 'Stick to Science if I was",
"than one place and the sense is virtually the same. Is this right?",
"for intended meaning. **1- ACTIONS AFTER DIALOGUE** > > 'Do not lose hope,",
"hope, the day is yet young my sleepy chicas.' I regarded the non-committal",
"A fidgety Norman Dive two rows back was frowning at me. > >",
"getting confused about whether rules determine new paragraph positions or if it's sometimes",
"BEORE AND AFTER DEPENDENT ON CONTEXT]** > > 'Do not lose hope, the",
"whether rules determine new paragraph positions or if it's sometimes arbitrary. Some choices",
"the non-committal air of resignation before me. A fidgety Norman Dive two rows",
"to be the central figure, a surly boy called Feakins. > > >",
"Dive answered. > > > **2- ACTIONS BEFORE DIALOGUE** > > 'Do not",
"group in the far corner. 'Is Dive still that trombone thing Sir?' >",
"I regarded the non-committal air of resignation before me. A fidgety Norman Dive",
"am getting confused about whether rules determine new paragraph positions or if it's",
"a paragraph could end in more than one place and the sense is",
"intended meaning. **1- ACTIONS AFTER DIALOGUE** > > 'Do not lose hope, the",
"a surly boy called Feakins. 'I’m the trumpet ain’t I?' Dive answered. >",
"surly boy called Feakins. > > > 'I’m the trumpet ain’t I?' Dive",
"in the far corner. 'Is Dive still that trombone thing Sir?' I spied",
"Sir?' > > > I spied who appeared to be the central figure,",
"it reads fine to me in both the first 2 options; it appears",
"> > > I regarded the non-committal air of resignation before me. A",
"this right? Is the 3rd better? I feel it is and allows for",
"new paragraph positions or if it's sometimes arbitrary. Some choices seem clear cut,",
"Sir?' I spied who appeared to be the central figure, a surly boy",
"far corner. > > > 'Is Dive still that trombone thing Sir?' I",
"'I’m the trumpet ain’t I?' Dive answered. > > > **2- ACTIONS BEFORE",
"Science if I was you Mr Naqmab.' > > > A loud interjection",
"you Mr Naqmab.' A loud interjection came from a group in the far",
"loud interjection came from a group in the far corner. 'Is Dive still",
"appeared to be the central figure, a surly boy called Feakins. 'I’m the",
"me. 'Stick to Science if I was you Mr Naqmab.' > > >",
"non-committal air of resignation before me. > > > A fidgety Norman Dive",
"> > **2- ACTIONS BEFORE DIALOGUE** > > 'Do not lose hope, the",
"> > A fidgety Norman Dive two rows back was frowning at me.",
"sleepy chicas.' I regarded the non-committal air of resignation before me. > >",
"sleepy chicas.' I regarded the non-committal air of resignation before me. A fidgety",
"Dive two rows back was frowning at me. 'Stick to Science if I",
"in the sentence: 'I regarded...' it reads fine to me in both the",
"3rd better? I feel it is and allows for intended meaning. **1- ACTIONS",
"ACTIONS BEFORE DIALOGUE** > > 'Do not lose hope, the day is yet",
"interjection came from a group in the far corner. 'Is Dive still that",
"I am getting confused about whether rules determine new paragraph positions or if",
"a group in the far corner. > > > 'Is Dive still that",
"still that trombone thing Sir?' > > > I spied who appeared to",
"a surly boy called Feakins. > > > 'I’m the trumpet ain’t I?'",
"I was you Mr Naqmab.' A loud interjection came from a group in",
"A loud interjection came from a group in the far corner. 'Is Dive",
"to Science if I was you Mr Naqmab.' > > > A loud",
"A loud interjection came from a group in the far corner. > >",
"was you Mr Naqmab.' > > > A loud interjection came from a",
"'Is Dive still that trombone thing Sir?' > > > I spied who",
"corner. > > > 'Is Dive still that trombone thing Sir?' I spied",
"the far corner. 'Is Dive still that trombone thing Sir?' > > >",
"Dive still that trombone thing Sir?' I spied who appeared to be the",
"me. > > > A fidgety Norman Dive two rows back was frowning",
"it is and allows for intended meaning. **1- ACTIONS AFTER DIALOGUE** > >",
"non-committal air of resignation before me. A fidgety Norman Dive two rows back",
"to me in both the first 2 options; it appears to me a",
"Dive two rows back was frowning at me. > > > 'Stick to",
"group in the far corner. > > > 'Is Dive still that trombone",
"> 'Is Dive still that trombone thing Sir?' I spied who appeared to",
"from a group in the far corner. 'Is Dive still that trombone thing",
"of resignation before me. > > > A fidgety Norman Dive two rows",
"in the far corner. > > > 'Is Dive still that trombone thing",
"> > > I spied who appeared to be the central figure, a",
"'Is Dive still that trombone thing Sir?' I spied who appeared to be",
"> > 'I’m the trumpet ain’t I?' Dive answered. > > > **2-",
"it's sometimes arbitrary. Some choices seem clear cut, but in the sentence: 'I",
"> > I spied who appeared to be the central figure, a surly",
"be the central figure, a surly boy called Feakins. 'I’m the trumpet ain’t",
"it appears to me a paragraph could end in more than one place",
"> > 'Do not lose hope, the day is yet young my sleepy",
"same. Is this right? Is the 3rd better? I feel it is and",
"was you Mr Naqmab.' A loud interjection came from a group in the",
"Naqmab.' A loud interjection came from a group in the far corner. >",
"is yet young my sleepy chicas.' > > > I regarded the non-committal",
"AFTER DEPENDENT ON CONTEXT]** > > 'Do not lose hope, the day is",
"the 3rd better? I feel it is and allows for intended meaning. **1-",
"called Feakins. > > > 'I’m the trumpet ain’t I?' Dive answered. >",
"rows back was frowning at me. 'Stick to Science if I was you",
"> > > 'I’m the trumpet ain’t I?' Dive answered. > > >",
"fine to me in both the first 2 options; it appears to me",
"chicas.' I regarded the non-committal air of resignation before me. A fidgety Norman",
"> **2- ACTIONS BEFORE DIALOGUE** > > 'Do not lose hope, the day",
"> > > **2- ACTIONS BEFORE DIALOGUE** > > 'Do not lose hope,",
"Norman Dive two rows back was frowning at me. 'Stick to Science if",
"regarded the non-committal air of resignation before me. > > > A fidgety",
"'Do not lose hope, the day is yet young my sleepy chicas.' >",
"could end in more than one place and the sense is virtually the",
"came from a group in the far corner. > > > 'Is Dive",
"fidgety Norman Dive two rows back was frowning at me. 'Stick to Science",
"at me. 'Stick to Science if I was you Mr Naqmab.' > >",
"the far corner. 'Is Dive still that trombone thing Sir?' I spied who",
"clear cut, but in the sentence: 'I regarded...' it reads fine to me",
"AFTER DIALOGUE** > > 'Do not lose hope, the day is yet young",
"> > **[3- BEORE AND AFTER DEPENDENT ON CONTEXT]** > > 'Do not",
"young my sleepy chicas.' > > > I regarded the non-committal air of",
"cut, but in the sentence: 'I regarded...' it reads fine to me in",
"that trombone thing Sir?' > > > I spied who appeared to be",
"you Mr Naqmab.' > > > A loud interjection came from a group",
"the trumpet ain’t I?' Dive answered. > > > **[3- BEORE AND AFTER",
"choices seem clear cut, but in the sentence: 'I regarded...' it reads fine",
"> > > 'Is Dive still that trombone thing Sir?' I spied who",
"> > > A loud interjection came from a group in the far",
"right? Is the 3rd better? I feel it is and allows for intended",
"called Feakins. 'I’m the trumpet ain’t I?' Dive answered. > > > **[3-",
"place and the sense is virtually the same. Is this right? Is the",
"Mr Naqmab.' A loud interjection came from a group in the far corner.",
"Naqmab.' > > > A loud interjection came from a group in the",
"of resignation before me. A fidgety Norman Dive two rows back was frowning",
"sense is virtually the same. Is this right? Is the 3rd better? I",
"> > > 'Stick to Science if I was you Mr Naqmab.' A",
"more than one place and the sense is virtually the same. Is this",
"BEFORE DIALOGUE** > > 'Do not lose hope, the day is yet young",
"the sentence: 'I regarded...' it reads fine to me in both the first",
"air of resignation before me. A fidgety Norman Dive two rows back was",
"hope, the day is yet young my sleepy chicas.' > > > I",
"sleepy chicas.' > > > I regarded the non-committal air of resignation before",
"'Stick to Science if I was you Mr Naqmab.' A loud interjection came",
"if I was you Mr Naqmab.' > > > A loud interjection came",
"far corner. 'Is Dive still that trombone thing Sir?' > > > I",
"to be the central figure, a surly boy called Feakins. 'I’m the trumpet",
"Mr Naqmab.' > > > A loud interjection came from a group in",
"loud interjection came from a group in the far corner. > > >",
"determine new paragraph positions or if it's sometimes arbitrary. Some choices seem clear",
"trumpet ain’t I?' Dive answered. > > > **2- ACTIONS BEFORE DIALOGUE** >",
"before me. A fidgety Norman Dive two rows back was frowning at me.",
"> > 'Is Dive still that trombone thing Sir?' I spied who appeared",
"> I regarded the non-committal air of resignation before me. A fidgety Norman",
"two rows back was frowning at me. > > > 'Stick to Science",
"sentence: 'I regarded...' it reads fine to me in both the first 2",
"the day is yet young my sleepy chicas.' I regarded the non-committal air",
"if I was you Mr Naqmab.' A loud interjection came from a group",
"the sense is virtually the same. Is this right? Is the 3rd better?",
"> > 'Stick to Science if I was you Mr Naqmab.' A loud",
"my sleepy chicas.' I regarded the non-committal air of resignation before me. >",
"and the sense is virtually the same. Is this right? Is the 3rd",
"Feakins. > > > 'I’m the trumpet ain’t I?' Dive answered. > >",
"I feel it is and allows for intended meaning. **1- ACTIONS AFTER DIALOGUE**",
"before me. > > > A fidgety Norman Dive two rows back was",
"that trombone thing Sir?' I spied who appeared to be the central figure,",
"rules determine new paragraph positions or if it's sometimes arbitrary. Some choices seem",
"chicas.' I regarded the non-committal air of resignation before me. > > >",
"who appeared to be the central figure, a surly boy called Feakins. 'I’m",
"my sleepy chicas.' > > > I regarded the non-committal air of resignation",
"seem clear cut, but in the sentence: 'I regarded...' it reads fine to",
"be the central figure, a surly boy called Feakins. > > > 'I’m",
"one place and the sense is virtually the same. Is this right? Is",
"the central figure, a surly boy called Feakins. > > > 'I’m the",
"the day is yet young my sleepy chicas.' > > > I regarded",
"was frowning at me. 'Stick to Science if I was you Mr Naqmab.'",
"resignation before me. A fidgety Norman Dive two rows back was frowning at",
"the non-committal air of resignation before me. > > > A fidgety Norman",
"the first 2 options; it appears to me a paragraph could end in",
"first 2 options; it appears to me a paragraph could end in more",
"I spied who appeared to be the central figure, a surly boy called",
"at me. > > > 'Stick to Science if I was you Mr",
"virtually the same. Is this right? Is the 3rd better? I feel it",
"> A loud interjection came from a group in the far corner. 'Is",
"I regarded the non-committal air of resignation before me. > > > A",
"day is yet young my sleepy chicas.' I regarded the non-committal air of",
"central figure, a surly boy called Feakins. 'I’m the trumpet ain’t I?' Dive",
"> > > **[3- BEORE AND AFTER DEPENDENT ON CONTEXT]** > > 'Do",
"'Do not lose hope, the day is yet young my sleepy chicas.' I",
"came from a group in the far corner. 'Is Dive still that trombone",
"appeared to be the central figure, a surly boy called Feakins. > >",
"I was you Mr Naqmab.' > > > A loud interjection came from",
"is yet young my sleepy chicas.' I regarded the non-committal air of resignation",
"back was frowning at me. > > > 'Stick to Science if I"
] |
[
"and discuss various phenomena, and make specific arguments, but I also want to",
"the word \"often\" when introducing types of behaviors and cultural conditions. I have",
"of behaviors and cultural conditions. I have a great concern for the trap",
"phenomena, and make specific arguments, but I also want to avoid the great",
"human society, human culture, and human behavior. I need to identify and discuss",
"avoid the great trap of absolutes, while also avoiding weasel words. I discovered",
"my efforts to avoid absolutes, I've used the word \"often\" when introducing types",
"I also want to avoid the great trap of absolutes, while also avoiding",
"efforts to avoid absolutes, I've used the word \"often\" when introducing types of",
"in my efforts to avoid absolutes, I've used the word \"often\" when introducing",
"human culture, and human behavior. I need to identify and discuss various phenomena,",
"I discovered that in my efforts to avoid absolutes, I've used the word",
"I'm writing about large subjects such as human society, human culture, and human",
"while also avoiding weasel words. I discovered that in my efforts to avoid",
"discovered that in my efforts to avoid absolutes, I've used the word \"often\"",
"introducing types of behaviors and cultural conditions. I have a great concern for",
"when introducing types of behaviors and cultural conditions. I have a great concern",
"a great concern for the trap of absolutes. Any suggestions or ideas about",
"the trap of absolutes. Any suggestions or ideas about this -- for me",
"trap of absolutes, while also avoiding weasel words. I discovered that in my",
"also want to avoid the great trap of absolutes, while also avoiding weasel",
"used the word \"often\" when introducing types of behaviors and cultural conditions. I",
"about large subjects such as human society, human culture, and human behavior. I",
"\"often\" when introducing types of behaviors and cultural conditions. I have a great",
"concern for the trap of absolutes. Any suggestions or ideas about this --",
"to avoid absolutes, I've used the word \"often\" when introducing types of behaviors",
"behaviors and cultural conditions. I have a great concern for the trap of",
"great trap of absolutes, while also avoiding weasel words. I discovered that in",
"absolutes, I've used the word \"often\" when introducing types of behaviors and cultural",
"and cultural conditions. I have a great concern for the trap of absolutes.",
"I've used the word \"often\" when introducing types of behaviors and cultural conditions.",
"trap of absolutes. Any suggestions or ideas about this -- for me --",
"great concern for the trap of absolutes. Any suggestions or ideas about this",
"for the trap of absolutes. Any suggestions or ideas about this -- for",
"various phenomena, and make specific arguments, but I also want to avoid the",
"conditions. I have a great concern for the trap of absolutes. Any suggestions",
"arguments, but I also want to avoid the great trap of absolutes, while",
"human behavior. I need to identify and discuss various phenomena, and make specific",
"avoiding weasel words. I discovered that in my efforts to avoid absolutes, I've",
"also avoiding weasel words. I discovered that in my efforts to avoid absolutes,",
"such as human society, human culture, and human behavior. I need to identify",
"society, human culture, and human behavior. I need to identify and discuss various",
"discuss various phenomena, and make specific arguments, but I also want to avoid",
"that in my efforts to avoid absolutes, I've used the word \"often\" when",
"of absolutes. Any suggestions or ideas about this -- for me -- conundrum?",
"culture, and human behavior. I need to identify and discuss various phenomena, and",
"the great trap of absolutes, while also avoiding weasel words. I discovered that",
"but I also want to avoid the great trap of absolutes, while also",
"words. I discovered that in my efforts to avoid absolutes, I've used the",
"and make specific arguments, but I also want to avoid the great trap",
"avoid absolutes, I've used the word \"often\" when introducing types of behaviors and",
"to avoid the great trap of absolutes, while also avoiding weasel words. I",
"writing about large subjects such as human society, human culture, and human behavior.",
"of absolutes, while also avoiding weasel words. I discovered that in my efforts",
"and human behavior. I need to identify and discuss various phenomena, and make",
"I need to identify and discuss various phenomena, and make specific arguments, but",
"to identify and discuss various phenomena, and make specific arguments, but I also",
"identify and discuss various phenomena, and make specific arguments, but I also want",
"specific arguments, but I also want to avoid the great trap of absolutes,",
"need to identify and discuss various phenomena, and make specific arguments, but I",
"want to avoid the great trap of absolutes, while also avoiding weasel words.",
"cultural conditions. I have a great concern for the trap of absolutes. Any",
"I have a great concern for the trap of absolutes. Any suggestions or",
"weasel words. I discovered that in my efforts to avoid absolutes, I've used",
"behavior. I need to identify and discuss various phenomena, and make specific arguments,",
"make specific arguments, but I also want to avoid the great trap of",
"subjects such as human society, human culture, and human behavior. I need to",
"as human society, human culture, and human behavior. I need to identify and",
"absolutes, while also avoiding weasel words. I discovered that in my efforts to",
"word \"often\" when introducing types of behaviors and cultural conditions. I have a",
"types of behaviors and cultural conditions. I have a great concern for the",
"have a great concern for the trap of absolutes. Any suggestions or ideas",
"large subjects such as human society, human culture, and human behavior. I need"
] |
[
"like they are a goth, rather than a shallow depiction of goth subculture?**",
"traditions frown on wearing too much jewelry outside of formal occasions. I know",
"I know that Native American goths exist (I've seen writings from several on",
"never quite feels like I am depicting a goth. Their characterization just feels",
"their personality. However, I've been noticing a problem in that while the character",
"but many native traditions frown on wearing too much jewelry outside of formal",
"subculture. I've taken pains to make sure they have a three-dimensional personality and",
"there are still some clear dos and don't to differentiate it from, say,",
"as part of the goth subculture. I've taken pains to make sure they",
"is character motifs of the individual having a thorny exterior appearance to match",
"**How do I go about depicting a goth character and actually make them",
"just feels shallow and undeveloped compared to many of my other characters, specifically",
"character openly says they're a goth, it never quite feels like I am",
"don't know any personally to ask how goth and native traditions intersect. I've",
"it never quite feels like I am depicting a goth. Their characterization just",
"I thought it would be a worthwhile question to ask here. **How do",
"know that Native American goths exist (I've seen writings from several on how",
"of them. Because goth subculture is a common character archetype that shows up",
"are still some clear dos and don't to differentiate it from, say, emo.",
"I don't know how to handle their gothiness. There don't seem to be",
"so it's really hard to figure out how gothiness interacts with culture. For",
"quite feels like I am depicting a goth. Their characterization just feels shallow",
"American goths exist (I've seen writings from several on how they get fed",
"on wearing too much jewelry outside of formal occasions. I know that Native",
"up in a Wild West context), but I don't know any personally to",
"and don't to differentiate it from, say, emo. Adding to this is the",
"it from, say, emo. Adding to this is the fact that the character",
"gothiness. There don't seem to be many resources as to how goth subculture",
"of that is character motifs of the individual having a thorny exterior appearance",
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"goth subculture works or advice on how to depict it in fiction. I",
"Native American in a modern setting), so it's really hard to figure out",
"reading about the actual traditions and beliefs of the nation they belong to,",
"it's really hard to figure out how gothiness interacts with culture. For example,",
"hasn't actually written about a lot of them. Because goth subculture is a",
"common character archetype that shows up in fiction, I thought it would be",
"pin down, yet there are still some clear dos and don't to differentiate",
"jewelry outside of formal occasions. I know that Native American goths exist (I've",
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"how they get fed up how Native characters are typically only brought up",
"emo. Adding to this is the fact that the character is not white",
"would be a worthwhile question to ask here. **How do I go about",
"understandable in-universe and part of that is character motifs of the individual having",
"in a modern setting), so it's really hard to figure out how gothiness",
"appearance to match their personality. However, I've been noticing a problem in that",
"them is that they're crabby and cynical, but their personality is understandable in-universe",
"and native traditions intersect. I've tried reading about the actual traditions and beliefs",
"About the only stereotypical \"goth\" thing about them is that they're crabby and",
"intersect. I've tried reading about the actual traditions and beliefs of the nation",
"my story who openly identifies as part of the goth subculture. I've taken",
"clear dos and don't to differentiate it from, say, emo. Adding to this",
"There don't seem to be many resources as to how goth subculture works",
"they're crabby and cynical, but their personality is understandable in-universe and part of",
"is understandable in-universe and part of that is character motifs of the individual",
"they belong to, though said nation hasn't actually written about a lot of",
"some clear dos and don't to differentiate it from, say, emo. Adding to",
"how Native characters are typically only brought up in a Wild West context),",
"I've taken pains to make sure they have a three-dimensional personality and aspects",
"problem in that while the character openly says they're a goth, it never",
"personality and aspects to their character beyond just being \"that goth\". About the",
"traditions and beliefs of the nation they belong to, though said nation hasn't",
"cynical, but their personality is understandable in-universe and part of that is character",
"to pin down, yet there are still some clear dos and don't to",
"a lot of them. Because goth subculture is a common character archetype that",
"do I go about depicting a goth character and actually make them feel",
"Because goth subculture is a common character archetype that shows up in fiction,",
"characters, specifically because I don't know how to handle their gothiness. There don't",
"shallow and undeveloped compared to many of my other characters, specifically because I",
"many goths favor ostentatious jewelry, but many native traditions frown on wearing too",
"American in a modern setting), so it's really hard to figure out how",
"don't seem to be many resources as to how goth subculture works or",
"fiction. I get that goth subculture is defined by individual expression so its",
"only brought up in a Wild West context), but I don't know any",
"fed up how Native characters are typically only brought up in a Wild",
"identifies as part of the goth subculture. I've taken pains to make sure",
"in fiction, I thought it would be a worthwhile question to ask here.",
"how to depict it in fiction. I get that goth subculture is defined",
"that the character is not white (specifically, they're Native American in a modern",
"a goth. Their characterization just feels shallow and undeveloped compared to many of",
"character in my story who openly identifies as part of the goth subculture.",
"exterior appearance to match their personality. However, I've been noticing a problem in",
"how gothiness interacts with culture. For example, I know many goths favor ostentatious",
"who openly identifies as part of the goth subculture. I've taken pains to",
"from, say, emo. Adding to this is the fact that the character is",
"in-universe and part of that is character motifs of the individual having a",
"actual traditions and beliefs of the nation they belong to, though said nation",
"expression so its pretty hard to pin down, yet there are still some",
"down, yet there are still some clear dos and don't to differentiate it",
"their personality is understandable in-universe and part of that is character motifs of",
"worthwhile question to ask here. **How do I go about depicting a goth",
"many resources as to how goth subculture works or advice on how to",
"to differentiate it from, say, emo. Adding to this is the fact that",
"depict it in fiction. I get that goth subculture is defined by individual",
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"make them feel like they are a goth, rather than a shallow depiction",
"goth subculture is a common character archetype that shows up in fiction, I",
"ask how goth and native traditions intersect. I've tried reading about the actual",
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"a modern setting), so it's really hard to figure out how gothiness interacts",
"their character beyond just being \"that goth\". About the only stereotypical \"goth\" thing",
"to match their personality. However, I've been noticing a problem in that while",
"from several on how they get fed up how Native characters are typically",
"However, I've been noticing a problem in that while the character openly says",
"stereotypical \"goth\" thing about them is that they're crabby and cynical, but their",
"having a thorny exterior appearance to match their personality. However, I've been noticing",
"feels shallow and undeveloped compared to many of my other characters, specifically because",
"not white (specifically, they're Native American in a modern setting), so it's really",
"personality. However, I've been noticing a problem in that while the character openly",
"get fed up how Native characters are typically only brought up in a",
"part of the goth subculture. I've taken pains to make sure they have",
"about a lot of them. Because goth subculture is a common character archetype",
"openly identifies as part of the goth subculture. I've taken pains to make",
"defined by individual expression so its pretty hard to pin down, yet there",
"taken pains to make sure they have a three-dimensional personality and aspects to",
"tried reading about the actual traditions and beliefs of the nation they belong",
"works or advice on how to depict it in fiction. I get that",
"I have a character in my story who openly identifies as part of",
"said nation hasn't actually written about a lot of them. Because goth subculture",
"goths favor ostentatious jewelry, but many native traditions frown on wearing too much",
"is defined by individual expression so its pretty hard to pin down, yet",
"to many of my other characters, specifically because I don't know how to",
"yet there are still some clear dos and don't to differentiate it from,",
"resources as to how goth subculture works or advice on how to depict",
"openly says they're a goth, it never quite feels like I am depicting",
"interacts with culture. For example, I know many goths favor ostentatious jewelry, but",
"shows up in fiction, I thought it would be a worthwhile question to",
"to figure out how gothiness interacts with culture. For example, I know many",
"the goth subculture. I've taken pains to make sure they have a three-dimensional",
"context), but I don't know any personally to ask how goth and native",
"match their personality. However, I've been noticing a problem in that while the",
"example, I know many goths favor ostentatious jewelry, but many native traditions frown",
"culture. For example, I know many goths favor ostentatious jewelry, but many native",
"favor ostentatious jewelry, but many native traditions frown on wearing too much jewelry",
"lot of them. Because goth subculture is a common character archetype that shows",
"a thorny exterior appearance to match their personality. However, I've been noticing a",
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"question to ask here. **How do I go about depicting a goth character",
"really hard to figure out how gothiness interacts with culture. For example, I",
"wearing too much jewelry outside of formal occasions. I know that Native American",
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"character beyond just being \"that goth\". About the only stereotypical \"goth\" thing about",
"\"goth\" thing about them is that they're crabby and cynical, but their personality",
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"goth\". About the only stereotypical \"goth\" thing about them is that they're crabby",
"of the nation they belong to, though said nation hasn't actually written about",
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"they're Native American in a modern setting), so it's really hard to figure",
"nation they belong to, though said nation hasn't actually written about a lot",
"go about depicting a goth character and actually make them feel like they",
"being \"that goth\". About the only stereotypical \"goth\" thing about them is that",
"say, emo. Adding to this is the fact that the character is not",
"goth and native traditions intersect. I've tried reading about the actual traditions and",
"seem to be many resources as to how goth subculture works or advice",
"Native American goths exist (I've seen writings from several on how they get",
"dos and don't to differentiate it from, say, emo. Adding to this is",
"to this is the fact that the character is not white (specifically, they're",
"goth, it never quite feels like I am depicting a goth. Their characterization",
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"(specifically, they're Native American in a modern setting), so it's really hard to",
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"typically only brought up in a Wild West context), but I don't know",
"in my story who openly identifies as part of the goth subculture. I've",
"to ask how goth and native traditions intersect. I've tried reading about the",
"ask here. **How do I go about depicting a goth character and actually",
"with culture. For example, I know many goths favor ostentatious jewelry, but many",
"individual having a thorny exterior appearance to match their personality. However, I've been",
"a problem in that while the character openly says they're a goth, it",
"sure they have a three-dimensional personality and aspects to their character beyond just",
"to their character beyond just being \"that goth\". About the only stereotypical \"goth\"",
"nation hasn't actually written about a lot of them. Because goth subculture is",
"native traditions intersect. I've tried reading about the actual traditions and beliefs of",
"and aspects to their character beyond just being \"that goth\". About the only",
"is the fact that the character is not white (specifically, they're Native American",
"the nation they belong to, though said nation hasn't actually written about a",
"crabby and cynical, but their personality is understandable in-universe and part of that",
"a worthwhile question to ask here. **How do I go about depicting a",
"up in fiction, I thought it would be a worthwhile question to ask",
"to make sure they have a three-dimensional personality and aspects to their character",
"occasions. I know that Native American goths exist (I've seen writings from several",
"actually make them feel like they are a goth, rather than a shallow",
"that while the character openly says they're a goth, it never quite feels",
"goth subculture. I've taken pains to make sure they have a three-dimensional personality",
"about depicting a goth character and actually make them feel like they are",
"they're a goth, it never quite feels like I am depicting a goth.",
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"like I am depicting a goth. Their characterization just feels shallow and undeveloped",
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"hard to pin down, yet there are still some clear dos and don't",
"they get fed up how Native characters are typically only brought up in",
"that Native American goths exist (I've seen writings from several on how they",
"their gothiness. There don't seem to be many resources as to how goth",
"been noticing a problem in that while the character openly says they're a",
"modern setting), so it's really hard to figure out how gothiness interacts with",
"depicting a goth. Their characterization just feels shallow and undeveloped compared to many",
"exist (I've seen writings from several on how they get fed up how",
"feels like I am depicting a goth. Their characterization just feels shallow and",
"the character openly says they're a goth, it never quite feels like I",
"says they're a goth, it never quite feels like I am depicting a",
"belong to, though said nation hasn't actually written about a lot of them.",
"undeveloped compared to many of my other characters, specifically because I don't know",
"the fact that the character is not white (specifically, they're Native American in",
"thorny exterior appearance to match their personality. However, I've been noticing a problem",
"am depicting a goth. Their characterization just feels shallow and undeveloped compared to",
"aspects to their character beyond just being \"that goth\". About the only stereotypical",
"goths exist (I've seen writings from several on how they get fed up",
"though said nation hasn't actually written about a lot of them. Because goth",
"characters are typically only brought up in a Wild West context), but I",
"characterization just feels shallow and undeveloped compared to many of my other characters,",
"a Wild West context), but I don't know any personally to ask how",
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"archetype that shows up in fiction, I thought it would be a worthwhile",
"noticing a problem in that while the character openly says they're a goth,",
"seen writings from several on how they get fed up how Native characters",
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"get that goth subculture is defined by individual expression so its pretty hard",
"it would be a worthwhile question to ask here. **How do I go",
"jewelry, but many native traditions frown on wearing too much jewelry outside of",
"a goth, it never quite feels like I am depicting a goth. Their",
"\"that goth\". About the only stereotypical \"goth\" thing about them is that they're",
"native traditions frown on wearing too much jewelry outside of formal occasions. I",
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"character archetype that shows up in fiction, I thought it would be a",
"many native traditions frown on wearing too much jewelry outside of formal occasions.",
"figure out how gothiness interacts with culture. For example, I know many goths",
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"goth. Their characterization just feels shallow and undeveloped compared to many of my",
"so its pretty hard to pin down, yet there are still some clear",
"this is the fact that the character is not white (specifically, they're Native",
"and undeveloped compared to many of my other characters, specifically because I don't",
"Adding to this is the fact that the character is not white (specifically,",
"setting), so it's really hard to figure out how gothiness interacts with culture.",
"I get that goth subculture is defined by individual expression so its pretty",
"only stereotypical \"goth\" thing about them is that they're crabby and cynical, but",
"personally to ask how goth and native traditions intersect. I've tried reading about",
"I know many goths favor ostentatious jewelry, but many native traditions frown on",
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"the only stereotypical \"goth\" thing about them is that they're crabby and cynical,",
"goth character and actually make them feel like they are a goth, rather",
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"I've been noticing a problem in that while the character openly says they're",
"advice on how to depict it in fiction. I get that goth subculture",
"motifs of the individual having a thorny exterior appearance to match their personality.",
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"but I don't know any personally to ask how goth and native traditions",
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"For example, I know many goths favor ostentatious jewelry, but many native traditions",
"but their personality is understandable in-universe and part of that is character motifs",
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"a goth character and actually make them feel like they are a goth,",
"about them is that they're crabby and cynical, but their personality is understandable",
"here. **How do I go about depicting a goth character and actually make",
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"them feel like they are a goth, rather than a shallow depiction of",
"goth subculture is defined by individual expression so its pretty hard to pin",
"how goth subculture works or advice on how to depict it in fiction.",
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"(I've seen writings from several on how they get fed up how Native",
"don't to differentiate it from, say, emo. Adding to this is the fact",
"of the individual having a thorny exterior appearance to match their personality. However,",
"beliefs of the nation they belong to, though said nation hasn't actually written",
"be a worthwhile question to ask here. **How do I go about depicting",
"them. Because goth subculture is a common character archetype that shows up in",
"three-dimensional personality and aspects to their character beyond just being \"that goth\". About",
"pains to make sure they have a three-dimensional personality and aspects to their",
"character and actually make them feel like they are a goth, rather than",
"my other characters, specifically because I don't know how to handle their gothiness.",
"to handle their gothiness. There don't seem to be many resources as to",
"know how to handle their gothiness. There don't seem to be many resources",
"fiction, I thought it would be a worthwhile question to ask here. **How",
"any personally to ask how goth and native traditions intersect. I've tried reading",
"just being \"that goth\". About the only stereotypical \"goth\" thing about them is",
"I go about depicting a goth character and actually make them feel like",
"while the character openly says they're a goth, it never quite feels like",
"on how to depict it in fiction. I get that goth subculture is",
"as to how goth subculture works or advice on how to depict it",
"still some clear dos and don't to differentiate it from, say, emo. Adding",
"that they're crabby and cynical, but their personality is understandable in-universe and part",
"to depict it in fiction. I get that goth subculture is defined by",
"Native characters are typically only brought up in a Wild West context), but",
"beyond just being \"that goth\". About the only stereotypical \"goth\" thing about them",
"West context), but I don't know any personally to ask how goth and",
"out how gothiness interacts with culture. For example, I know many goths favor",
"how goth and native traditions intersect. I've tried reading about the actual traditions",
"and cynical, but their personality is understandable in-universe and part of that is",
"differentiate it from, say, emo. Adding to this is the fact that the",
"story who openly identifies as part of the goth subculture. I've taken pains",
"subculture works or advice on how to depict it in fiction. I get",
"don't know how to handle their gothiness. There don't seem to be many",
"are typically only brought up in a Wild West context), but I don't",
"that shows up in fiction, I thought it would be a worthwhile question",
"its pretty hard to pin down, yet there are still some clear dos",
"a common character archetype that shows up in fiction, I thought it would",
"subculture is defined by individual expression so its pretty hard to pin down,",
"I've tried reading about the actual traditions and beliefs of the nation they",
"thought it would be a worthwhile question to ask here. **How do I",
"gothiness interacts with culture. For example, I know many goths favor ostentatious jewelry,",
"they have a three-dimensional personality and aspects to their character beyond just being",
"the actual traditions and beliefs of the nation they belong to, though said",
"the individual having a thorny exterior appearance to match their personality. However, I've",
"much jewelry outside of formal occasions. I know that Native American goths exist",
"thing about them is that they're crabby and cynical, but their personality is",
"compared to many of my other characters, specifically because I don't know how",
"by individual expression so its pretty hard to pin down, yet there are",
"that is character motifs of the individual having a thorny exterior appearance to",
"I don't know any personally to ask how goth and native traditions intersect.",
"about the actual traditions and beliefs of the nation they belong to, though",
"how to handle their gothiness. There don't seem to be many resources as",
"be many resources as to how goth subculture works or advice on how",
"character motifs of the individual having a thorny exterior appearance to match their",
"white (specifically, they're Native American in a modern setting), so it's really hard",
"pretty hard to pin down, yet there are still some clear dos and",
"Wild West context), but I don't know any personally to ask how goth",
"other characters, specifically because I don't know how to handle their gothiness. There",
"is a common character archetype that shows up in fiction, I thought it",
"have a three-dimensional personality and aspects to their character beyond just being \"that",
"frown on wearing too much jewelry outside of formal occasions. I know that",
"know many goths favor ostentatious jewelry, but many native traditions frown on wearing",
"writings from several on how they get fed up how Native characters are",
"up how Native characters are typically only brought up in a Wild West",
"of the goth subculture. I've taken pains to make sure they have a",
"Their characterization just feels shallow and undeveloped compared to many of my other",
"a character in my story who openly identifies as part of the goth",
"the character is not white (specifically, they're Native American in a modern setting),",
"written about a lot of them. Because goth subculture is a common character",
"depicting a goth character and actually make them feel like they are a",
"to, though said nation hasn't actually written about a lot of them. Because",
"have a character in my story who openly identifies as part of the",
"a three-dimensional personality and aspects to their character beyond just being \"that goth\".",
"that goth subculture is defined by individual expression so its pretty hard to",
"feel like they are a goth, rather than a shallow depiction of goth",
"many of my other characters, specifically because I don't know how to handle",
"part of that is character motifs of the individual having a thorny exterior",
"of my other characters, specifically because I don't know how to handle their",
"formal occasions. I know that Native American goths exist (I've seen writings from",
"and actually make them feel like they are a goth, rather than a"
] |
[
"confuse reader as it would sound as hero conjured something out of nowhere.",
"I've just written such a paragraph: > > He turned around and started",
"but at least in my motherlanguage it sounds terrible due to the high",
"this text: * I feel like all this is necessary. I want to",
"would sound as hero conjured something out of nowhere. * I don't see",
"conjured something out of nowhere. * I don't see anything worth mentioning here.",
"given. There is no side story to this thread. If I add anything",
"person to the point when he gives them food. Skiping any of the",
"feel like a filler to me. * I'm not sure about English, but",
"I don't see anything worth mentioning here. The description of the surrounding was",
"speeds up the pace unintentionally and may confuse the reader. Overall I think",
"turned around and started walking to the nearby store. He bought a >",
"> There are several points to this text: * I feel like all",
"to alter it. I will appreciate any idea on what can I do",
"add anything here it will feel like a filler to me. * I'm",
"a yoghurt. Then he came back and gave the groceries to the >",
"sounds extremally bad, but I can't find a way to alter it. I",
"If I add anything here it will feel like a filler to me.",
"necessary. I want to get from the point where main character talks to",
"least in my motherlanguage it sounds terrible due to the high count of",
"sound as hero conjured something out of nowhere. * I don't see anything",
"to the high count of verbs. This speeds up the pace unintentionally and",
"I want to get from the point where main character talks to homeless",
"get from the point where main character talks to homeless person to the",
"extremally bad, but I can't find a way to alter it. I will",
"anything worth mentioning here. The description of the surrounding was already given. There",
"There are several points to this text: * I feel like all this",
"points to this text: * I feel like all this is necessary. I",
"* I feel like all this is necessary. I want to get from",
"the surrounding was already given. There is no side story to this thread.",
"here. The description of the surrounding was already given. There is no side",
"unintentionally and may confuse the reader. Overall I think this paragraph sounds extremally",
"a filler to me. * I'm not sure about English, but at least",
"> > He turned around and started walking to the nearby store. He",
"the point when he gives them food. Skiping any of the actions may",
"paragraph: > > He turned around and started walking to the nearby store.",
"to homeless person to the point when he gives them food. Skiping any",
"side story to this thread. If I add anything here it will feel",
"around and started walking to the nearby store. He bought a > bread",
"find a way to alter it. I will appreciate any idea on what",
"food. Skiping any of the actions may confuse reader as it would sound",
"it will feel like a filler to me. * I'm not sure about",
"me. * I'm not sure about English, but at least in my motherlanguage",
"I think this paragraph sounds extremally bad, but I can't find a way",
"> He turned around and started walking to the nearby store. He bought",
"up the pace unintentionally and may confuse the reader. Overall I think this",
"such a paragraph: > > He turned around and started walking to the",
"like all this is necessary. I want to get from the point where",
"Overall I think this paragraph sounds extremally bad, but I can't find a",
"sounds terrible due to the high count of verbs. This speeds up the",
"all this is necessary. I want to get from the point where main",
"groceries to the > homeless guy. > > > There are several points",
"may confuse reader as it would sound as hero conjured something out of",
"This speeds up the pace unintentionally and may confuse the reader. Overall I",
"can't find a way to alter it. I will appreciate any idea on",
"the groceries to the > homeless guy. > > > There are several",
"bad, but I can't find a way to alter it. I will appreciate",
"not sure about English, but at least in my motherlanguage it sounds terrible",
"just written such a paragraph: > > He turned around and started walking",
"motherlanguage it sounds terrible due to the high count of verbs. This speeds",
"he gives them food. Skiping any of the actions may confuse reader as",
"point where main character talks to homeless person to the point when he",
"and may confuse the reader. Overall I think this paragraph sounds extremally bad,",
"to the point when he gives them food. Skiping any of the actions",
"homeless guy. > > > There are several points to this text: *",
"worth mentioning here. The description of the surrounding was already given. There is",
"several points to this text: * I feel like all this is necessary.",
"sure about English, but at least in my motherlanguage it sounds terrible due",
"this paragraph sounds extremally bad, but I can't find a way to alter",
"due to the high count of verbs. This speeds up the pace unintentionally",
"are several points to this text: * I feel like all this is",
"reader as it would sound as hero conjured something out of nowhere. *",
"the pace unintentionally and may confuse the reader. Overall I think this paragraph",
"any of the actions may confuse reader as it would sound as hero",
"will feel like a filler to me. * I'm not sure about English,",
"confuse the reader. Overall I think this paragraph sounds extremally bad, but I",
"way to alter it. I will appreciate any idea on what can I",
"high count of verbs. This speeds up the pace unintentionally and may confuse",
"to this thread. If I add anything here it will feel like a",
"may confuse the reader. Overall I think this paragraph sounds extremally bad, but",
"as it would sound as hero conjured something out of nowhere. * I",
"> bread and a yoghurt. Then he came back and gave the groceries",
"reader. Overall I think this paragraph sounds extremally bad, but I can't find",
"> homeless guy. > > > There are several points to this text:",
"out of nowhere. * I don't see anything worth mentioning here. The description",
"paragraph sounds extremally bad, but I can't find a way to alter it.",
"description of the surrounding was already given. There is no side story to",
"feel like all this is necessary. I want to get from the point",
"them food. Skiping any of the actions may confuse reader as it would",
"Skiping any of the actions may confuse reader as it would sound as",
"is no side story to this thread. If I add anything here it",
"verbs. This speeds up the pace unintentionally and may confuse the reader. Overall",
"to get from the point where main character talks to homeless person to",
"story to this thread. If I add anything here it will feel like",
"gives them food. Skiping any of the actions may confuse reader as it",
"He bought a > bread and a yoghurt. Then he came back and",
"gave the groceries to the > homeless guy. > > > There are",
"in my motherlanguage it sounds terrible due to the high count of verbs.",
"Then he came back and gave the groceries to the > homeless guy.",
"text: * I feel like all this is necessary. I want to get",
"terrible due to the high count of verbs. This speeds up the pace",
"already given. There is no side story to this thread. If I add",
"to this text: * I feel like all this is necessary. I want",
"to me. * I'm not sure about English, but at least in my",
"bought a > bread and a yoghurt. Then he came back and gave",
"as hero conjured something out of nowhere. * I don't see anything worth",
"at least in my motherlanguage it sounds terrible due to the high count",
"hero conjured something out of nowhere. * I don't see anything worth mentioning",
"I can't find a way to alter it. I will appreciate any idea",
"back and gave the groceries to the > homeless guy. > > >",
"talks to homeless person to the point when he gives them food. Skiping",
"but I can't find a way to alter it. I will appreciate any",
"bread and a yoghurt. Then he came back and gave the groceries to",
"I'm not sure about English, but at least in my motherlanguage it sounds",
"He turned around and started walking to the nearby store. He bought a",
"from the point where main character talks to homeless person to the point",
"point when he gives them food. Skiping any of the actions may confuse",
"my motherlanguage it sounds terrible due to the high count of verbs. This",
"I will appreciate any idea on what can I do with such a",
"nowhere. * I don't see anything worth mentioning here. The description of the",
"nearby store. He bought a > bread and a yoghurt. Then he came",
"and gave the groceries to the > homeless guy. > > > There",
"it sounds terrible due to the high count of verbs. This speeds up",
"of the surrounding was already given. There is no side story to this",
"yoghurt. Then he came back and gave the groceries to the > homeless",
"* I'm not sure about English, but at least in my motherlanguage it",
"anything here it will feel like a filler to me. * I'm not",
"about English, but at least in my motherlanguage it sounds terrible due to",
"it. I will appreciate any idea on what can I do with such",
"of the actions may confuse reader as it would sound as hero conjured",
"will appreciate any idea on what can I do with such a snag.",
"of verbs. This speeds up the pace unintentionally and may confuse the reader.",
"There is no side story to this thread. If I add anything here",
"came back and gave the groceries to the > homeless guy. > >",
"was already given. There is no side story to this thread. If I",
"this thread. If I add anything here it will feel like a filler",
"walking to the nearby store. He bought a > bread and a yoghurt.",
"English, but at least in my motherlanguage it sounds terrible due to the",
"the reader. Overall I think this paragraph sounds extremally bad, but I can't",
"> > > There are several points to this text: * I feel",
"a way to alter it. I will appreciate any idea on what can",
"guy. > > > There are several points to this text: * I",
"want to get from the point where main character talks to homeless person",
"is necessary. I want to get from the point where main character talks",
"and a yoghurt. Then he came back and gave the groceries to the",
"> > There are several points to this text: * I feel like",
"the actions may confuse reader as it would sound as hero conjured something",
"filler to me. * I'm not sure about English, but at least in",
"and started walking to the nearby store. He bought a > bread and",
"thread. If I add anything here it will feel like a filler to",
"when he gives them food. Skiping any of the actions may confuse reader",
"the nearby store. He bought a > bread and a yoghurt. Then he",
"surrounding was already given. There is no side story to this thread. If",
"a paragraph: > > He turned around and started walking to the nearby",
"something out of nowhere. * I don't see anything worth mentioning here. The",
"* I don't see anything worth mentioning here. The description of the surrounding",
"the high count of verbs. This speeds up the pace unintentionally and may",
"think this paragraph sounds extremally bad, but I can't find a way to",
"see anything worth mentioning here. The description of the surrounding was already given.",
"written such a paragraph: > > He turned around and started walking to",
"this is necessary. I want to get from the point where main character",
"the point where main character talks to homeless person to the point when",
"where main character talks to homeless person to the point when he gives",
"like a filler to me. * I'm not sure about English, but at",
"no side story to this thread. If I add anything here it will",
"he came back and gave the groceries to the > homeless guy. >",
"the > homeless guy. > > > There are several points to this",
"I feel like all this is necessary. I want to get from the",
"mentioning here. The description of the surrounding was already given. There is no",
"it would sound as hero conjured something out of nowhere. * I don't",
"started walking to the nearby store. He bought a > bread and a",
"to the > homeless guy. > > > There are several points to",
"The description of the surrounding was already given. There is no side story",
"character talks to homeless person to the point when he gives them food.",
"homeless person to the point when he gives them food. Skiping any of",
"to the nearby store. He bought a > bread and a yoghurt. Then",
"a > bread and a yoghurt. Then he came back and gave the",
"alter it. I will appreciate any idea on what can I do with",
"here it will feel like a filler to me. * I'm not sure",
"store. He bought a > bread and a yoghurt. Then he came back",
"main character talks to homeless person to the point when he gives them",
"count of verbs. This speeds up the pace unintentionally and may confuse the",
"of nowhere. * I don't see anything worth mentioning here. The description of",
"I add anything here it will feel like a filler to me. *",
"actions may confuse reader as it would sound as hero conjured something out",
"pace unintentionally and may confuse the reader. Overall I think this paragraph sounds",
"don't see anything worth mentioning here. The description of the surrounding was already"
] |
[
"character is recounting their side of a story in a courtroom. The character",
"a scene where a character is recounting their side of a story in",
"experiences he is recounting instead of his testimony itself. How would this be",
"then we see the experiences he is recounting instead of his testimony itself.",
"a story in a courtroom. The character tells a good chunk of their",
"several times between the character telling the story and the actual story unfolding.",
"character telling the story and the actual story unfolding. Is each transition a",
"recounting instead of his testimony itself. How would this be best formatted in",
"his testimony itself. How would this be best formatted in a screenplay? The",
"story and the actual story unfolding. Is each transition a call for a",
"tells a good chunk of their story, and then we see the experiences",
"telling the story and the actual story unfolding. Is each transition a call",
"and forth several times between the character telling the story and the actual",
"side of a story in a courtroom. The character tells a good chunk",
"The scene would cut back and forth several times between the character telling",
"courtroom. The character tells a good chunk of their story, and then we",
"scene where a character is recounting their side of a story in a",
"and the actual story unfolding. Is each transition a call for a new",
"is recounting instead of his testimony itself. How would this be best formatted",
"of his testimony itself. How would this be best formatted in a screenplay?",
"story unfolding. Is each transition a call for a new location? A whole",
"character tells a good chunk of their story, and then we see the",
"in a screenplay? The scene would cut back and forth several times between",
"itself. How would this be best formatted in a screenplay? The scene would",
"a screenplay? The scene would cut back and forth several times between the",
"The character tells a good chunk of their story, and then we see",
"actual story unfolding. Is each transition a call for a new location? A",
"where a character is recounting their side of a story in a courtroom.",
"this be best formatted in a screenplay? The scene would cut back and",
"recounting their side of a story in a courtroom. The character tells a",
"unfolding. Is each transition a call for a new location? A whole new",
"a good chunk of their story, and then we see the experiences he",
"their side of a story in a courtroom. The character tells a good",
"of a story in a courtroom. The character tells a good chunk of",
"a courtroom. The character tells a good chunk of their story, and then",
"story in a courtroom. The character tells a good chunk of their story,",
"of their story, and then we see the experiences he is recounting instead",
"their story, and then we see the experiences he is recounting instead of",
"story, and then we see the experiences he is recounting instead of his",
"formatted in a screenplay? The scene would cut back and forth several times",
"he is recounting instead of his testimony itself. How would this be best",
"be best formatted in a screenplay? The scene would cut back and forth",
"is recounting their side of a story in a courtroom. The character tells",
"and then we see the experiences he is recounting instead of his testimony",
"a character is recounting their side of a story in a courtroom. The",
"testimony itself. How would this be best formatted in a screenplay? The scene",
"best formatted in a screenplay? The scene would cut back and forth several",
"screenplay? The scene would cut back and forth several times between the character",
"instead of his testimony itself. How would this be best formatted in a",
"see the experiences he is recounting instead of his testimony itself. How would",
"would this be best formatted in a screenplay? The scene would cut back",
"in a courtroom. The character tells a good chunk of their story, and",
"cut back and forth several times between the character telling the story and",
"the actual story unfolding. Is each transition a call for a new location?",
"Is each transition a call for a new location? A whole new scene?",
"would cut back and forth several times between the character telling the story",
"times between the character telling the story and the actual story unfolding. Is",
"How would this be best formatted in a screenplay? The scene would cut",
"between the character telling the story and the actual story unfolding. Is each",
"good chunk of their story, and then we see the experiences he is",
"I have a scene where a character is recounting their side of a",
"scene would cut back and forth several times between the character telling the",
"forth several times between the character telling the story and the actual story",
"we see the experiences he is recounting instead of his testimony itself. How",
"the character telling the story and the actual story unfolding. Is each transition",
"back and forth several times between the character telling the story and the",
"the experiences he is recounting instead of his testimony itself. How would this",
"the story and the actual story unfolding. Is each transition a call for",
"chunk of their story, and then we see the experiences he is recounting",
"have a scene where a character is recounting their side of a story"
] |
[
"a scene where she is crying in a room alone, so she doesn't",
"thinks she is. How do you write about vulnerability without explicitly stating that?",
"she doesn't seem as strong as she thinks she is. How do you",
"scene in which I want to show how my MC is still weak",
"where she is crying in a room alone, so she doesn't seem as",
"am writing a scene in which I want to show how my MC",
"am not able to describe a scene where she is crying in a",
"as she thinks she is. How do you write about vulnerability without explicitly",
"want to show how my MC is still weak and vulnerable. My character",
"seem as strong as she thinks she is. How do you write about",
"strong as she thinks she is. How do you write about vulnerability without",
"as strong as she thinks she is. How do you write about vulnerability",
"I want to show how my MC is still weak and vulnerable. My",
"still weak and vulnerable. My character is emotionally strong, but I am not",
"writing a scene in which I want to show how my MC is",
"emotionally strong, but I am not able to describe a scene where she",
"in which I want to show how my MC is still weak and",
"scene where she is crying in a room alone, so she doesn't seem",
"able to describe a scene where she is crying in a room alone,",
"in a room alone, so she doesn't seem as strong as she thinks",
"doesn't seem as strong as she thinks she is. How do you write",
"is still weak and vulnerable. My character is emotionally strong, but I am",
"so she doesn't seem as strong as she thinks she is. How do",
"is emotionally strong, but I am not able to describe a scene where",
"alone, so she doesn't seem as strong as she thinks she is. How",
"a room alone, so she doesn't seem as strong as she thinks she",
"room alone, so she doesn't seem as strong as she thinks she is.",
"she is crying in a room alone, so she doesn't seem as strong",
"how my MC is still weak and vulnerable. My character is emotionally strong,",
"I am writing a scene in which I want to show how my",
"character is emotionally strong, but I am not able to describe a scene",
"weak and vulnerable. My character is emotionally strong, but I am not able",
"I am not able to describe a scene where she is crying in",
"MC is still weak and vulnerable. My character is emotionally strong, but I",
"crying in a room alone, so she doesn't seem as strong as she",
"but I am not able to describe a scene where she is crying",
"my MC is still weak and vulnerable. My character is emotionally strong, but",
"which I want to show how my MC is still weak and vulnerable.",
"not able to describe a scene where she is crying in a room",
"she thinks she is. How do you write about vulnerability without explicitly stating",
"strong, but I am not able to describe a scene where she is",
"describe a scene where she is crying in a room alone, so she",
"vulnerable. My character is emotionally strong, but I am not able to describe",
"to show how my MC is still weak and vulnerable. My character is",
"show how my MC is still weak and vulnerable. My character is emotionally",
"to describe a scene where she is crying in a room alone, so",
"is crying in a room alone, so she doesn't seem as strong as",
"a scene in which I want to show how my MC is still",
"My character is emotionally strong, but I am not able to describe a",
"and vulnerable. My character is emotionally strong, but I am not able to"
] |
[
"mind that at least it's not wrong in this and that. One of",
"One of the ways I came up with is to plan my story",
"don't have friends or editors or money for editors. So, do you know",
"of the end result. I wonder if there are ways to help me",
"a friend who'd read my story and be my guiding dog, but I",
"writing it. Another way to have a friend who'd read my story and",
"story, because it's in my head already, and I know it, and I",
"write I write blindly, not knowing the quality of the end result. I",
"the ways I came up with is to plan my story arcs instead",
"head already, and I know it, and I can't forget it. So when",
"I know it, and I can't forget it. So when I write I",
"I knew with my mind that at least it's not wrong in this",
"can't forget it. So when I write I write blindly, not knowing the",
"if I didn't know with my heart, I knew with my mind that",
"I didn't know with my heart, I knew with my mind that at",
"blindly, not knowing the quality of the end result. I wonder if there",
"Another way to have a friend who'd read my story and be my",
"my story and be my guiding dog, but I don't have friends or",
"be my guiding dog, but I don't have friends or editors or money",
"quality of the end result. I wonder if there are ways to help",
"who'd read my story and be my guiding dog, but I don't have",
"when I write I write blindly, not knowing the quality of the end",
"I can't forget it. So when I write I write blindly, not knowing",
"money for editors. So, do you know any other ways to help my",
"it, and I can't forget it. So when I write I write blindly,",
"ways to help me there, so even if I didn't know with my",
"because it's in my head already, and I know it, and I can't",
"it and search for flaws in the story, because it's in my head",
"are ways to help me there, so even if I didn't know with",
"my head already, and I know it, and I can't forget it. So",
"to have a friend who'd read my story and be my guiding dog,",
"look at it and search for flaws in the story, because it's in",
"knew with my mind that at least it's not wrong in this and",
"in my head already, and I know it, and I can't forget it.",
"like drawing, and I can't take a step back and look at it",
"friend who'd read my story and be my guiding dog, but I don't",
"take a step back and look at it and search for flaws in",
"and I can't forget it. So when I write I write blindly, not",
"I don't have friends or editors or money for editors. So, do you",
"of the ways I came up with is to plan my story arcs",
"there, so even if I didn't know with my heart, I knew with",
"not knowing the quality of the end result. I wonder if there are",
"the quality of the end result. I wonder if there are ways to",
"a step back and look at it and search for flaws in the",
"of just writing it. Another way to have a friend who'd read my",
"at least it's not wrong in this and that. One of the ways",
"know with my heart, I knew with my mind that at least it's",
"it's not wrong in this and that. One of the ways I came",
"have a friend who'd read my story and be my guiding dog, but",
"my guiding dog, but I don't have friends or editors or money for",
"dog, but I don't have friends or editors or money for editors. So,",
"in the story, because it's in my head already, and I know it,",
"or editors or money for editors. So, do you know any other ways",
"wrong in this and that. One of the ways I came up with",
"that. One of the ways I came up with is to plan my",
"my story arcs instead of just writing it. Another way to have a",
"and be my guiding dog, but I don't have friends or editors or",
"that at least it's not wrong in this and that. One of the",
"guiding dog, but I don't have friends or editors or money for editors.",
"the story, because it's in my head already, and I know it, and",
"can't take a step back and look at it and search for flaws",
"not wrong in this and that. One of the ways I came up",
"least it's not wrong in this and that. One of the ways I",
"have friends or editors or money for editors. So, do you know any",
"and search for flaws in the story, because it's in my head already,",
"for editors. So, do you know any other ways to help my problem?",
"isn't like drawing, and I can't take a step back and look at",
"story and be my guiding dog, but I don't have friends or editors",
"with my mind that at least it's not wrong in this and that.",
"I came up with is to plan my story arcs instead of just",
"heart, I knew with my mind that at least it's not wrong in",
"already, and I know it, and I can't forget it. So when I",
"even if I didn't know with my heart, I knew with my mind",
"result. I wonder if there are ways to help me there, so even",
"is to plan my story arcs instead of just writing it. Another way",
"so even if I didn't know with my heart, I knew with my",
"I write I write blindly, not knowing the quality of the end result.",
"and I know it, and I can't forget it. So when I write",
"with is to plan my story arcs instead of just writing it. Another",
"way to have a friend who'd read my story and be my guiding",
"help me there, so even if I didn't know with my heart, I",
"and that. One of the ways I came up with is to plan",
"with my heart, I knew with my mind that at least it's not",
"it's in my head already, and I know it, and I can't forget",
"and look at it and search for flaws in the story, because it's",
"just writing it. Another way to have a friend who'd read my story",
"I can't take a step back and look at it and search for",
"for flaws in the story, because it's in my head already, and I",
"to plan my story arcs instead of just writing it. Another way to",
"knowing the quality of the end result. I wonder if there are ways",
"there are ways to help me there, so even if I didn't know",
"and I can't take a step back and look at it and search",
"editors or money for editors. So, do you know any other ways to",
"in this and that. One of the ways I came up with is",
"the end result. I wonder if there are ways to help me there,",
"it. Another way to have a friend who'd read my story and be",
"came up with is to plan my story arcs instead of just writing",
"to help me there, so even if I didn't know with my heart,",
"read my story and be my guiding dog, but I don't have friends",
"my mind that at least it's not wrong in this and that. One",
"but I don't have friends or editors or money for editors. So, do",
"flaws in the story, because it's in my head already, and I know",
"ways I came up with is to plan my story arcs instead of",
"arcs instead of just writing it. Another way to have a friend who'd",
"me there, so even if I didn't know with my heart, I knew",
"I write blindly, not knowing the quality of the end result. I wonder",
"back and look at it and search for flaws in the story, because",
"So when I write I write blindly, not knowing the quality of the",
"plan my story arcs instead of just writing it. Another way to have",
"forget it. So when I write I write blindly, not knowing the quality",
"or money for editors. So, do you know any other ways to help",
"I wonder if there are ways to help me there, so even if",
"friends or editors or money for editors. So, do you know any other",
"it. So when I write I write blindly, not knowing the quality of",
"search for flaws in the story, because it's in my head already, and",
"Writing isn't like drawing, and I can't take a step back and look",
"my heart, I knew with my mind that at least it's not wrong",
"story arcs instead of just writing it. Another way to have a friend",
"write blindly, not knowing the quality of the end result. I wonder if",
"step back and look at it and search for flaws in the story,",
"instead of just writing it. Another way to have a friend who'd read",
"this and that. One of the ways I came up with is to",
"didn't know with my heart, I knew with my mind that at least",
"know it, and I can't forget it. So when I write I write",
"at it and search for flaws in the story, because it's in my",
"up with is to plan my story arcs instead of just writing it.",
"wonder if there are ways to help me there, so even if I",
"if there are ways to help me there, so even if I didn't",
"end result. I wonder if there are ways to help me there, so",
"drawing, and I can't take a step back and look at it and"
] |
[
"<https://wikidiff.com/sceptical/skeptical> When one's goal is to reach the majority of English readers, is",
"of English readers, is there a widely accepted English form of spelling to",
"American, I was startled to see the alternative spelling of **skeptical**. Perhaps I",
"readers, is there a widely accepted English form of spelling to accomplish this",
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"Xute had long been **sceptical** of abrupt changes in weather. > > >",
"I was startled to see the alternative spelling of **skeptical**. Perhaps I am",
"> Xute had long been **sceptical** of abrupt changes in weather. > >",
"reach the majority of English readers, is there a widely accepted English form",
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"the British form of skeptical. <https://wikidiff.com/sceptical/skeptical> When one's goal is to reach the",
"of **skeptical**. Perhaps I am over-thinking, however, I found it distracting. Sceptical is",
"I found it distracting. Sceptical is the British form of skeptical. <https://wikidiff.com/sceptical/skeptical> When",
"skeptical. <https://wikidiff.com/sceptical/skeptical> When one's goal is to reach the majority of English readers,",
"abrupt changes in weather. > > > (Quoted from an Australian author.) As",
"to see the alternative spelling of **skeptical**. Perhaps I am over-thinking, however, I",
"text: > > Xute had long been **sceptical** of abrupt changes in weather.",
"the alternative spelling of **skeptical**. Perhaps I am over-thinking, however, I found it",
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"spelling of **skeptical**. Perhaps I am over-thinking, however, I found it distracting. Sceptical",
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"over-thinking, however, I found it distracting. Sceptical is the British form of skeptical.",
"found it distracting. Sceptical is the British form of skeptical. <https://wikidiff.com/sceptical/skeptical> When one's",
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"alternative spelling of **skeptical**. Perhaps I am over-thinking, however, I found it distracting.",
"> > (Quoted from an Australian author.) As an American, I was startled",
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"is there a widely accepted English form of spelling to accomplish this goal?",
"one's goal is to reach the majority of English readers, is there a",
"goal is to reach the majority of English readers, is there a widely",
"of abrupt changes in weather. > > > (Quoted from an Australian author.)",
"> > > (Quoted from an Australian author.) As an American, I was",
"distracting. Sceptical is the British form of skeptical. <https://wikidiff.com/sceptical/skeptical> When one's goal is",
"Sample text: > > Xute had long been **sceptical** of abrupt changes in",
"however, I found it distracting. Sceptical is the British form of skeptical. <https://wikidiff.com/sceptical/skeptical>",
"Australian author.) As an American, I was startled to see the alternative spelling",
"form of skeptical. <https://wikidiff.com/sceptical/skeptical> When one's goal is to reach the majority of",
"is the British form of skeptical. <https://wikidiff.com/sceptical/skeptical> When one's goal is to reach",
"of skeptical. <https://wikidiff.com/sceptical/skeptical> When one's goal is to reach the majority of English",
"from an Australian author.) As an American, I was startled to see the",
"startled to see the alternative spelling of **skeptical**. Perhaps I am over-thinking, however,",
"I am over-thinking, however, I found it distracting. Sceptical is the British form",
"was startled to see the alternative spelling of **skeptical**. Perhaps I am over-thinking,",
"it distracting. Sceptical is the British form of skeptical. <https://wikidiff.com/sceptical/skeptical> When one's goal",
"an American, I was startled to see the alternative spelling of **skeptical**. Perhaps",
"As an American, I was startled to see the alternative spelling of **skeptical**.",
"(Quoted from an Australian author.) As an American, I was startled to see",
"British form of skeptical. <https://wikidiff.com/sceptical/skeptical> When one's goal is to reach the majority",
"in weather. > > > (Quoted from an Australian author.) As an American,",
"been **sceptical** of abrupt changes in weather. > > > (Quoted from an"
] |
[
"research into Tukar power and Dahk Mantoh. The problems with these are that",
"but this might be the thing that makes or breaks that idea. I've",
"novel. My writing style can't fathom just random facts or conjure up nonsense",
"tried researching other energy types that scientists are investigating but everyone just assumes",
"having a hard time coming up with a new energy source that DOESN'T",
"just assumes solar, wind, or nuclear are the future and none of those",
"DM's that I should do research into Tukar power and Dahk Mantoh. The",
"I should do research into Tukar power and Dahk Mantoh. The problems with",
"favors so much. I've tried researching other energy types that scientists are investigating",
"impossible to study that its properties are yet to be explored or tested",
"energy source that DOESN'T revolve around the widely popular \"nuclear\" option everyone favors",
"that scientists are investigating but everyone just assumes solar, wind, or nuclear are",
"into Tukar power and Dahk Mantoh. The problems with these are that Tukar",
"coming up with a new energy source that DOESN'T revolve around the widely",
"scientifically possible and accurate as I can, but this might be the thing",
"future and none of those are interesting nor special in a science fiction",
"a new energy source that DOESN'T revolve around the widely popular \"nuclear\" option",
"make my project as close to scientifically possible and accurate as I can,",
"DOESN'T revolve around the widely popular \"nuclear\" option everyone favors so much. I've",
"project as close to scientifically possible and accurate as I can, but this",
"is just another form of Solar energy and Dahk Mantoh is so impossible",
"from friends and D&D DM's that I should do research into Tukar power",
"So my question is simple: What would you try exploring as an alternate",
"other energy types that scientists are investigating but everyone just assumes solar, wind,",
"I've so far been given advice from friends and D&D DM's that I",
"thin air. I'm trying to make my project as close to scientifically possible",
"hard time coming up with a new energy source that DOESN'T revolve around",
"close to scientifically possible and accurate as I can, but this might be",
"assumes solar, wind, or nuclear are the future and none of those are",
"explored or tested in a controlled environment. So my question is simple: What",
"a sci-fi novel and am having a hard time coming up with a",
"researching other energy types that scientists are investigating but everyone just assumes solar,",
"so impossible to study that its properties are yet to be explored or",
"much. I've tried researching other energy types that scientists are investigating but everyone",
"that DOESN'T revolve around the widely popular \"nuclear\" option everyone favors so much.",
"or tested in a controlled environment. So my question is simple: What would",
"of those are interesting nor special in a science fiction novel. My writing",
"\"nuclear\" option everyone favors so much. I've tried researching other energy types that",
"is simple: What would you try exploring as an alternate energy source for",
"up nonsense out of thin air. I'm trying to make my project as",
"scientists are investigating but everyone just assumes solar, wind, or nuclear are the",
"my project as close to scientifically possible and accurate as I can, but",
"time coming up with a new energy source that DOESN'T revolve around the",
"option everyone favors so much. I've tried researching other energy types that scientists",
"this might be the thing that makes or breaks that idea. I've so",
"energy source for the future that doesn't follow the stereotype of nukes, the",
"the thing that makes or breaks that idea. I've so far been given",
"friends and D&D DM's that I should do research into Tukar power and",
"as close to scientifically possible and accurate as I can, but this might",
"around the widely popular \"nuclear\" option everyone favors so much. I've tried researching",
"with a new energy source that DOESN'T revolve around the widely popular \"nuclear\"",
"to scientifically possible and accurate as I can, but this might be the",
"tested in a controlled environment. So my question is simple: What would you",
"future that doesn't follow the stereotype of nukes, the sun, and wind turbines?",
"to make my project as close to scientifically possible and accurate as I",
"My writing style can't fathom just random facts or conjure up nonsense out",
"these are that Tukar is just another form of Solar energy and Dahk",
"nuclear are the future and none of those are interesting nor special in",
"and am having a hard time coming up with a new energy source",
"random facts or conjure up nonsense out of thin air. I'm trying to",
"idea. I've so far been given advice from friends and D&D DM's that",
"environment. So my question is simple: What would you try exploring as an",
"that Tukar is just another form of Solar energy and Dahk Mantoh is",
"are the future and none of those are interesting nor special in a",
"in a controlled environment. So my question is simple: What would you try",
"am having a hard time coming up with a new energy source that",
"question is simple: What would you try exploring as an alternate energy source",
"interesting nor special in a science fiction novel. My writing style can't fathom",
"or nuclear are the future and none of those are interesting nor special",
"fiction novel. My writing style can't fathom just random facts or conjure up",
"air. I'm trying to make my project as close to scientifically possible and",
"for the future that doesn't follow the stereotype of nukes, the sun, and",
"power and Dahk Mantoh. The problems with these are that Tukar is just",
"those are interesting nor special in a science fiction novel. My writing style",
"and D&D DM's that I should do research into Tukar power and Dahk",
"form of Solar energy and Dahk Mantoh is so impossible to study that",
"of Solar energy and Dahk Mantoh is so impossible to study that its",
"an alternate energy source for the future that doesn't follow the stereotype of",
"Mantoh. The problems with these are that Tukar is just another form of",
"Solar energy and Dahk Mantoh is so impossible to study that its properties",
"to study that its properties are yet to be explored or tested in",
"accurate as I can, but this might be the thing that makes or",
"that its properties are yet to be explored or tested in a controlled",
"everyone favors so much. I've tried researching other energy types that scientists are",
"I'm trying to make my project as close to scientifically possible and accurate",
"The problems with these are that Tukar is just another form of Solar",
"can't fathom just random facts or conjure up nonsense out of thin air.",
"that makes or breaks that idea. I've so far been given advice from",
"science fiction novel. My writing style can't fathom just random facts or conjure",
"in a science fiction novel. My writing style can't fathom just random facts",
"so much. I've tried researching other energy types that scientists are investigating but",
"with these are that Tukar is just another form of Solar energy and",
"revolve around the widely popular \"nuclear\" option everyone favors so much. I've tried",
"study that its properties are yet to be explored or tested in a",
"alternate energy source for the future that doesn't follow the stereotype of nukes,",
"is so impossible to study that its properties are yet to be explored",
"are that Tukar is just another form of Solar energy and Dahk Mantoh",
"the future that doesn't follow the stereotype of nukes, the sun, and wind",
"as I can, but this might be the thing that makes or breaks",
"source for the future that doesn't follow the stereotype of nukes, the sun,",
"conjure up nonsense out of thin air. I'm trying to make my project",
"sci-fi novel and am having a hard time coming up with a new",
"are yet to be explored or tested in a controlled environment. So my",
"just random facts or conjure up nonsense out of thin air. I'm trying",
"breaks that idea. I've so far been given advice from friends and D&D",
"another form of Solar energy and Dahk Mantoh is so impossible to study",
"be explored or tested in a controlled environment. So my question is simple:",
"style can't fathom just random facts or conjure up nonsense out of thin",
"What would you try exploring as an alternate energy source for the future",
"I'm writing a sci-fi novel and am having a hard time coming up",
"Dahk Mantoh. The problems with these are that Tukar is just another form",
"given advice from friends and D&D DM's that I should do research into",
"special in a science fiction novel. My writing style can't fathom just random",
"writing style can't fathom just random facts or conjure up nonsense out of",
"of thin air. I'm trying to make my project as close to scientifically",
"thing that makes or breaks that idea. I've so far been given advice",
"possible and accurate as I can, but this might be the thing that",
"Tukar is just another form of Solar energy and Dahk Mantoh is so",
"controlled environment. So my question is simple: What would you try exploring as",
"that idea. I've so far been given advice from friends and D&D DM's",
"been given advice from friends and D&D DM's that I should do research",
"Dahk Mantoh is so impossible to study that its properties are yet to",
"are interesting nor special in a science fiction novel. My writing style can't",
"energy and Dahk Mantoh is so impossible to study that its properties are",
"and Dahk Mantoh. The problems with these are that Tukar is just another",
"advice from friends and D&D DM's that I should do research into Tukar",
"source that DOESN'T revolve around the widely popular \"nuclear\" option everyone favors so",
"up with a new energy source that DOESN'T revolve around the widely popular",
"simple: What would you try exploring as an alternate energy source for the",
"properties are yet to be explored or tested in a controlled environment. So",
"D&D DM's that I should do research into Tukar power and Dahk Mantoh.",
"the widely popular \"nuclear\" option everyone favors so much. I've tried researching other",
"that I should do research into Tukar power and Dahk Mantoh. The problems",
"popular \"nuclear\" option everyone favors so much. I've tried researching other energy types",
"facts or conjure up nonsense out of thin air. I'm trying to make",
"a hard time coming up with a new energy source that DOESN'T revolve",
"but everyone just assumes solar, wind, or nuclear are the future and none",
"just another form of Solar energy and Dahk Mantoh is so impossible to",
"yet to be explored or tested in a controlled environment. So my question",
"new energy source that DOESN'T revolve around the widely popular \"nuclear\" option everyone",
"I can, but this might be the thing that makes or breaks that",
"should do research into Tukar power and Dahk Mantoh. The problems with these",
"problems with these are that Tukar is just another form of Solar energy",
"try exploring as an alternate energy source for the future that doesn't follow",
"fathom just random facts or conjure up nonsense out of thin air. I'm",
"and accurate as I can, but this might be the thing that makes",
"as an alternate energy source for the future that doesn't follow the stereotype",
"and Dahk Mantoh is so impossible to study that its properties are yet",
"nonsense out of thin air. I'm trying to make my project as close",
"might be the thing that makes or breaks that idea. I've so far",
"Tukar power and Dahk Mantoh. The problems with these are that Tukar is",
"are investigating but everyone just assumes solar, wind, or nuclear are the future",
"novel and am having a hard time coming up with a new energy",
"I've tried researching other energy types that scientists are investigating but everyone just",
"types that scientists are investigating but everyone just assumes solar, wind, or nuclear",
"can, but this might be the thing that makes or breaks that idea.",
"would you try exploring as an alternate energy source for the future that",
"makes or breaks that idea. I've so far been given advice from friends",
"a science fiction novel. My writing style can't fathom just random facts or",
"my question is simple: What would you try exploring as an alternate energy",
"widely popular \"nuclear\" option everyone favors so much. I've tried researching other energy",
"wind, or nuclear are the future and none of those are interesting nor",
"nor special in a science fiction novel. My writing style can't fathom just",
"writing a sci-fi novel and am having a hard time coming up with",
"its properties are yet to be explored or tested in a controlled environment.",
"none of those are interesting nor special in a science fiction novel. My",
"a controlled environment. So my question is simple: What would you try exploring",
"to be explored or tested in a controlled environment. So my question is",
"energy types that scientists are investigating but everyone just assumes solar, wind, or",
"exploring as an alternate energy source for the future that doesn't follow the",
"solar, wind, or nuclear are the future and none of those are interesting",
"far been given advice from friends and D&D DM's that I should do",
"Mantoh is so impossible to study that its properties are yet to be",
"or conjure up nonsense out of thin air. I'm trying to make my",
"you try exploring as an alternate energy source for the future that doesn't",
"out of thin air. I'm trying to make my project as close to",
"so far been given advice from friends and D&D DM's that I should",
"be the thing that makes or breaks that idea. I've so far been",
"trying to make my project as close to scientifically possible and accurate as",
"do research into Tukar power and Dahk Mantoh. The problems with these are",
"investigating but everyone just assumes solar, wind, or nuclear are the future and",
"everyone just assumes solar, wind, or nuclear are the future and none of",
"the future and none of those are interesting nor special in a science",
"and none of those are interesting nor special in a science fiction novel.",
"or breaks that idea. I've so far been given advice from friends and"
] |
[
"half of their body hits an immovable object mid air, causing them to",
"[video example](https://www.youtube.com/watch?v=tz4JSTXuP9E) except the character spins after impact, which is **not** desired. I",
"causing them to continue in the same direction but with their body at",
"the top or bottom half of their body hits an immovable object mid",
"and immovable): [](https://i.stack.imgur.com/oAuA8.png) Example sentence: Red guy hit blue guy,",
"except the character spins after impact, which is **not** desired. I have included",
"the correct use case and meaning? Here is a [video example](https://www.youtube.com/watch?v=tz4JSTXuP9E) except the",
"different rotation now, without starting to spin because of it. It's essentially like",
"but with their body at a different rotation now, without starting to spin",
"have read this as \"jackknifing\" in other writing but I'm not sure if",
"sense? I think I have read this as \"jackknifing\" in other writing but",
"same direction but with their body at a different rotation now, without starting",
"stationary and immovable): [](https://i.stack.imgur.com/oAuA8.png) Example sentence: Red guy hit blue",
"writing but I'm not sure if that is the correct use case and",
"immovable object mid air, causing them to continue in the same direction but",
"body hits an immovable object mid air, causing them to continue in the",
"sure if that is the correct use case and meaning? Here is a",
"well (side on view, top of arrows are character's heads, grey object is",
"while they are flying through the air either the top or bottom half",
"rotation now, without starting to spin because of it. It's essentially like a",
"a rug pull but happening in mid air if that makes sense? I",
"on view, top of arrows are character's heads, grey object is the ground,",
"not sure if that is the correct use case and meaning? Here is",
"Red guy hit blue guy, sending him flying back into a green object,",
"guy, sending him flying back into a green object, which \\_\\_\\_\\_\\_\\_ his body.",
"it. It's essentially like a rug pull but happening in mid air if",
"is the correct use case and meaning? Here is a [video example](https://www.youtube.com/watch?v=tz4JSTXuP9E) except",
"essentially like a rug pull but happening in mid air if that makes",
"hits an immovable object mid air, causing them to continue in the same",
"like a rug pull but happening in mid air if that makes sense?",
"think I have read this as \"jackknifing\" in other writing but I'm not",
"if that is the correct use case and meaning? Here is a [video",
"character spins after impact, which is **not** desired. I have included a diagram",
"I have included a diagram to help illustrate this as well (side on",
"arrows are character's heads, grey object is the ground, green object is stationary",
"a [video example](https://www.youtube.com/watch?v=tz4JSTXuP9E) except the character spins after impact, which is **not** desired.",
"or bottom half of their body hits an immovable object mid air, causing",
"meaning? Here is a [video example](https://www.youtube.com/watch?v=tz4JSTXuP9E) except the character spins after impact, which",
"impact, which is **not** desired. I have included a diagram to help illustrate",
"am writing an action scene in which a character is thrown/falls and while",
"is thrown/falls and while they are flying through the air either the top",
"have included a diagram to help illustrate this as well (side on view,",
"flying through the air either the top or bottom half of their body",
"as well (side on view, top of arrows are character's heads, grey object",
"bottom half of their body hits an immovable object mid air, causing them",
"action scene in which a character is thrown/falls and while they are flying",
"scene in which a character is thrown/falls and while they are flying through",
"but happening in mid air if that makes sense? I think I have",
"I have read this as \"jackknifing\" in other writing but I'm not sure",
"a character is thrown/falls and while they are flying through the air either",
"and while they are flying through the air either the top or bottom",
"correct use case and meaning? Here is a [video example](https://www.youtube.com/watch?v=tz4JSTXuP9E) except the character",
"help illustrate this as well (side on view, top of arrows are character's",
"ground, green object is stationary and immovable): [](https://i.stack.imgur.com/oAuA8.png) Example sentence:",
"rug pull but happening in mid air if that makes sense? I think",
"guy hit blue guy, sending him flying back into a green object, which",
"character is thrown/falls and while they are flying through the air either the",
"are flying through the air either the top or bottom half of their",
"immovable): [](https://i.stack.imgur.com/oAuA8.png) Example sentence: Red guy hit blue guy, sending",
"spins after impact, which is **not** desired. I have included a diagram to",
"green object is stationary and immovable): [](https://i.stack.imgur.com/oAuA8.png) Example sentence: Red",
"is stationary and immovable): [](https://i.stack.imgur.com/oAuA8.png) Example sentence: Red guy hit",
"as \"jackknifing\" in other writing but I'm not sure if that is the",
"a different rotation now, without starting to spin because of it. It's essentially",
"of it. It's essentially like a rug pull but happening in mid air",
"either the top or bottom half of their body hits an immovable object",
"hit blue guy, sending him flying back into a green object, which \\_\\_\\_\\_\\_\\_",
"in which a character is thrown/falls and while they are flying through the",
"air, causing them to continue in the same direction but with their body",
"to spin because of it. It's essentially like a rug pull but happening",
"the character spins after impact, which is **not** desired. I have included a",
"sentence: Red guy hit blue guy, sending him flying back into a green",
"the same direction but with their body at a different rotation now, without",
"which is **not** desired. I have included a diagram to help illustrate this",
"this as \"jackknifing\" in other writing but I'm not sure if that is",
"included a diagram to help illustrate this as well (side on view, top",
"through the air either the top or bottom half of their body hits",
"them to continue in the same direction but with their body at a",
"their body hits an immovable object mid air, causing them to continue in",
"in mid air if that makes sense? I think I have read this",
"pull but happening in mid air if that makes sense? I think I",
"of their body hits an immovable object mid air, causing them to continue",
"body at a different rotation now, without starting to spin because of it.",
"that makes sense? I think I have read this as \"jackknifing\" in other",
"continue in the same direction but with their body at a different rotation",
"of arrows are character's heads, grey object is the ground, green object is",
"object is the ground, green object is stationary and immovable): [ except the character spins after",
"are character's heads, grey object is the ground, green object is stationary and",
"an immovable object mid air, causing them to continue in the same direction",
"character's heads, grey object is the ground, green object is stationary and immovable):",
"an action scene in which a character is thrown/falls and while they are",
"in the same direction but with their body at a different rotation now,",
"[](https://i.stack.imgur.com/oAuA8.png) Example sentence: Red guy hit blue guy, sending him",
"now, without starting to spin because of it. It's essentially like a rug",
"makes sense? I think I have read this as \"jackknifing\" in other writing",
"top or bottom half of their body hits an immovable object mid air,",
"happening in mid air if that makes sense? I think I have read",
"which a character is thrown/falls and while they are flying through the air",
"example](https://www.youtube.com/watch?v=tz4JSTXuP9E) except the character spins after impact, which is **not** desired. I have",
"It's essentially like a rug pull but happening in mid air if that",
"mid air, causing them to continue in the same direction but with their",
"air either the top or bottom half of their body hits an immovable",
"direction but with their body at a different rotation now, without starting to",
"is a [video example](https://www.youtube.com/watch?v=tz4JSTXuP9E) except the character spins after impact, which is **not**",
"the air either the top or bottom half of their body hits an",
"writing an action scene in which a character is thrown/falls and while they",
"without starting to spin because of it. It's essentially like a rug pull",
"but I'm not sure if that is the correct use case and meaning?",
"\"jackknifing\" in other writing but I'm not sure if that is the correct",
"Example sentence: Red guy hit blue guy, sending him flying back into a",
"at a different rotation now, without starting to spin because of it. It's",
"to help illustrate this as well (side on view, top of arrows are",
"grey object is the ground, green object is stationary and immovable): [](https://i.stack.imgur.com/oAuA8.png) Example sentence: Red guy hit blue guy, sending him flying back into",
"view, top of arrows are character's heads, grey object is the ground, green",
"read this as \"jackknifing\" in other writing but I'm not sure if that",
"blue guy, sending him flying back into a green object, which \\_\\_\\_\\_\\_\\_ his",
"the ground, green object is stationary and immovable): [](https://i.stack.imgur.com/oAuA8.png) Example",
"use case and meaning? Here is a [video example](https://www.youtube.com/watch?v=tz4JSTXuP9E) except the character spins",
"I am writing an action scene in which a character is thrown/falls and",
"to continue in the same direction but with their body at a different",
"if that makes sense? I think I have read this as \"jackknifing\" in",
"Here is a [video example](https://www.youtube.com/watch?v=tz4JSTXuP9E) except the character spins after impact, which is",
"diagram to help illustrate this as well (side on view, top of arrows",
"heads, grey object is the ground, green object is stationary and immovable): [](https://i.stack.imgur.com/oAuA8.png) Example sentence: Red guy hit blue guy, sending him flying back",
"their body at a different rotation now, without starting to spin because of",
"mid air if that makes sense? I think I have read this as",
"top of arrows are character's heads, grey object is the ground, green object",
"**not** desired. I have included a diagram to help illustrate this as well",
"they are flying through the air either the top or bottom half of",
"a diagram to help illustrate this as well (side on view, top of",
"thrown/falls and while they are flying through the air either the top or",
"I think I have read this as \"jackknifing\" in other writing but I'm",
"because of it. It's essentially like a rug pull but happening in mid",
"starting to spin because of it. It's essentially like a rug pull but",
"with their body at a different rotation now, without starting to spin because",
"that is the correct use case and meaning? Here is a [video example](https://www.youtube.com/watch?v=tz4JSTXuP9E)",
"and meaning? Here is a [video example](https://www.youtube.com/watch?v=tz4JSTXuP9E) except the character spins after impact,",
"other writing but I'm not sure if that is the correct use case",
"image description here](https://i.stack.imgur.com/oAuA8.png)](https://i.stack.imgur.com/oAuA8.png) Example sentence: Red guy hit blue guy, sending him flying",
"this as well (side on view, top of arrows are character's heads, grey",
"air if that makes sense? I think I have read this as \"jackknifing\"",
"(side on view, top of arrows are character's heads, grey object is the",
"object is stationary and immovable): [](https://i.stack.imgur.com/oAuA8.png) Example sentence: Red guy",
"desired. I have included a diagram to help illustrate this as well (side",
"after impact, which is **not** desired. I have included a diagram to help",
"is **not** desired. I have included a diagram to help illustrate this as",
"I'm not sure if that is the correct use case and meaning? Here",
"in other writing but I'm not sure if that is the correct use",
"is the ground, green object is stationary and immovable): [](https://i.stack.imgur.com/oAuA8.png)",
"illustrate this as well (side on view, top of arrows are character's heads,"
] |
[
"of that speech or a comma; none at all? I.e., > > As",
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"As I walked away, I could hear several echoes of ‘Bye, Ms. Himey.’",
"punctuate quotes for multiple people talking simultaneously in the same paragraph? I.e., >",
"Himey\", \"I hope you come again\", \"You are a nice teacher\". > >",
"day and cheered with their tiny voices, \"It was nice to meet you,",
"I.e., > > As I walked away, I could hear several echoes of",
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"quote mid-speech do you use a period at the end of that speech",
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"multiple people talking simultaneously in the same paragraph? I.e., > > They lined",
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"the same paragraph? I.e., > > They lined up and waited for the",
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"of the day and cheered with their tiny voices, \"It was nice to",
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"comma; none at all? I.e., > > As I walked away, I could",
"away, I could hear several echoes of ‘Bye, Ms. Himey.’ until their voices",
"you, Ms. Himey\", \"I hope you come again\", \"You are a nice teacher\".",
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"to meet you, Ms. Himey\", \"I hope you come again\", \"You are a",
"> > They lined up and waited for the last bell of the",
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"a nice teacher\". > > > Also, when using a quote mid-speech do",
"a comma; none at all? I.e., > > As I walked away, I",
"walked away, I could hear several echoes of ‘Bye, Ms. Himey.’ until their",
"tiny voices, \"It was nice to meet you, Ms. Himey\", \"I hope you",
"at all? I.e., > > As I walked away, I could hear several",
"the last bell of the day and cheered with their tiny voices, \"It",
"at the end of that speech or a comma; none at all? I.e.,",
"Himey.’ until their voices faded in the distance, no longer heard. > >",
"> > Also, when using a quote mid-speech do you use a period",
"of ‘Bye, Ms. Himey.’ until their voices faded in the distance, no longer",
"bell of the day and cheered with their tiny voices, \"It was nice",
"people talking simultaneously in the same paragraph? I.e., > > They lined up",
"paragraph? I.e., > > They lined up and waited for the last bell",
"> > As I walked away, I could hear several echoes of ‘Bye,",
"you use a period at the end of that speech or a comma;",
"meet you, Ms. Himey\", \"I hope you come again\", \"You are a nice",
"> Also, when using a quote mid-speech do you use a period at",
"you come again\", \"You are a nice teacher\". > > > Also, when",
"I could hear several echoes of ‘Bye, Ms. Himey.’ until their voices faded",
"with their tiny voices, \"It was nice to meet you, Ms. Himey\", \"I",
"period at the end of that speech or a comma; none at all?",
"that speech or a comma; none at all? I.e., > > As I",
"would you punctuate quotes for multiple people talking simultaneously in the same paragraph?",
"How would you punctuate quotes for multiple people talking simultaneously in the same",
"all? I.e., > > As I walked away, I could hear several echoes",
"nice teacher\". > > > Also, when using a quote mid-speech do you",
"Ms. Himey.’ until their voices faded in the distance, no longer heard. >",
"none at all? I.e., > > As I walked away, I could hear",
"or a comma; none at all? I.e., > > As I walked away,",
"\"I hope you come again\", \"You are a nice teacher\". > > >",
"a period at the end of that speech or a comma; none at",
"hope you come again\", \"You are a nice teacher\". > > > Also,",
"was nice to meet you, Ms. Himey\", \"I hope you come again\", \"You",
"last bell of the day and cheered with their tiny voices, \"It was",
"Ms. Himey\", \"I hope you come again\", \"You are a nice teacher\". >",
"> > > Also, when using a quote mid-speech do you use a",
"> As I walked away, I could hear several echoes of ‘Bye, Ms.",
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"> They lined up and waited for the last bell of the day",
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"you punctuate quotes for multiple people talking simultaneously in the same paragraph? I.e.,",
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"I.e., > > They lined up and waited for the last bell of",
"the end of that speech or a comma; none at all? I.e., >",
"quotes for multiple people talking simultaneously in the same paragraph? I.e., > >",
"using a quote mid-speech do you use a period at the end of"
] |
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] |
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"the abstract. I checked my first draft with Grammarly and right away some",
"abstract. I checked my first draft with Grammarly and right away some words",
"first draft with Grammarly and right away some words were underlined that Grammarly",
"be adapted at run-time via addition or modification of attributes > and methods.",
"run-time via addition or modification of attributes > and methods. > > >",
"is missing): > > Through \\_\\_ introduction of roles and contexts, the behavior",
"has found a remedy inspired by polymorphic inline > caches, allowing reuse of",
"'the'. Some examples ( \\_\\_ means 'the' is missing): > > Through \\_\\_",
"were missing the definitive article 'the'. Some examples ( \\_\\_ means 'the' is",
"to sound more concise is accepted? By the way, I am not a",
"objects > can be adapted at run-time via addition or modification of attributes",
"of roles and contexts, the behavior of objects > can be adapted at",
"up my bachelors' thesis and I'm experimenting with the abstract. I checked my",
"> caches, allowing reuse of so-called dispatch plans which encode the > steps",
"examples ( \\_\\_ means 'the' is missing): > > Through \\_\\_ introduction of",
"> and methods. > > > > > Recent research has found a",
"> > > > Recent research has found a remedy inspired by polymorphic",
"checked my first draft with Grammarly and right away some words were underlined",
"sound more concise is accepted? By the way, I am not a native",
"via addition or modification of attributes > and methods. > > > >",
"dispatch plans which encode the > steps directly required for \\_\\_ execution of",
"means 'the' is missing): > > Through \\_\\_ introduction of roles and contexts,",
"underlined that Grammarly felt were missing the definitive article 'the'. Some examples (",
"allowing reuse of so-called dispatch plans which encode the > steps directly required",
"my first draft with Grammarly and right away some words were underlined that",
"> Through \\_\\_ introduction of roles and contexts, the behavior of objects >",
"the > steps directly required for \\_\\_ execution of adaptations. > > >",
"directly required for \\_\\_ execution of adaptations. > > > I thought that",
"> > > > > Recent research has found a remedy inspired by",
"definitive article 'the'. Some examples ( \\_\\_ means 'the' is missing): > >",
"of attributes > and methods. > > > > > Recent research has",
"\\_\\_ execution of adaptations. > > > I thought that in academic writing",
"inspired by polymorphic inline > caches, allowing reuse of so-called dispatch plans which",
"accepted? By the way, I am not a native speaker and my University",
"writing leaving out 'the' to sound more concise is accepted? By the way,",
"and right away some words were underlined that Grammarly felt were missing the",
"more concise is accepted? By the way, I am not a native speaker",
"the definitive article 'the'. Some examples ( \\_\\_ means 'the' is missing): >",
"roles and contexts, the behavior of objects > can be adapted at run-time",
"for \\_\\_ execution of adaptations. > > > I thought that in academic",
"were underlined that Grammarly felt were missing the definitive article 'the'. Some examples",
"By the way, I am not a native speaker and my University is",
"'the' is missing): > > Through \\_\\_ introduction of roles and contexts, the",
"so-called dispatch plans which encode the > steps directly required for \\_\\_ execution",
"behavior of objects > can be adapted at run-time via addition or modification",
"adapted at run-time via addition or modification of attributes > and methods. >",
"'the' to sound more concise is accepted? By the way, I am not",
"polymorphic inline > caches, allowing reuse of so-called dispatch plans which encode the",
"way, I am not a native speaker and my University is in a",
"I am not a native speaker and my University is in a non-English",
"out 'the' to sound more concise is accepted? By the way, I am",
"some words were underlined that Grammarly felt were missing the definitive article 'the'.",
"is accepted? By the way, I am not a native speaker and my",
"with the abstract. I checked my first draft with Grammarly and right away",
"a remedy inspired by polymorphic inline > caches, allowing reuse of so-called dispatch",
"> > I thought that in academic writing leaving out 'the' to sound",
"> > Through \\_\\_ introduction of roles and contexts, the behavior of objects",
"thesis and I'm experimenting with the abstract. I checked my first draft with",
"encode the > steps directly required for \\_\\_ execution of adaptations. > >",
"academic writing leaving out 'the' to sound more concise is accepted? By the",
"steps directly required for \\_\\_ execution of adaptations. > > > I thought",
"> > > I thought that in academic writing leaving out 'the' to",
"research has found a remedy inspired by polymorphic inline > caches, allowing reuse",
"plans which encode the > steps directly required for \\_\\_ execution of adaptations.",
"attributes > and methods. > > > > > Recent research has found",
"I'm experimenting with the abstract. I checked my first draft with Grammarly and",
"thought that in academic writing leaving out 'the' to sound more concise is",
"draft with Grammarly and right away some words were underlined that Grammarly felt",
"with Grammarly and right away some words were underlined that Grammarly felt were",
"\\_\\_ means 'the' is missing): > > Through \\_\\_ introduction of roles and",
"methods. > > > > > Recent research has found a remedy inspired",
"my bachelors' thesis and I'm experimenting with the abstract. I checked my first",
"I thought that in academic writing leaving out 'the' to sound more concise",
"currently finishing up my bachelors' thesis and I'm experimenting with the abstract. I",
"inline > caches, allowing reuse of so-called dispatch plans which encode the >",
"that in academic writing leaving out 'the' to sound more concise is accepted?",
"experimenting with the abstract. I checked my first draft with Grammarly and right",
"and I'm experimenting with the abstract. I checked my first draft with Grammarly",
"away some words were underlined that Grammarly felt were missing the definitive article",
"and contexts, the behavior of objects > can be adapted at run-time via",
"> can be adapted at run-time via addition or modification of attributes >",
"article 'the'. Some examples ( \\_\\_ means 'the' is missing): > > Through",
"> > > Recent research has found a remedy inspired by polymorphic inline",
"Through \\_\\_ introduction of roles and contexts, the behavior of objects > can",
"in academic writing leaving out 'the' to sound more concise is accepted? By",
"can be adapted at run-time via addition or modification of attributes > and",
"Grammarly felt were missing the definitive article 'the'. Some examples ( \\_\\_ means",
"the way, I am not a native speaker and my University is in",
"addition or modification of attributes > and methods. > > > > >",
"contexts, the behavior of objects > can be adapted at run-time via addition",
"at run-time via addition or modification of attributes > and methods. > >",
"right away some words were underlined that Grammarly felt were missing the definitive",
"required for \\_\\_ execution of adaptations. > > > I thought that in"
] |
[
"these answers: [This one](https://writing.stackexchange.com/questions/46492/how-do-we-handle-pauses-in-a-dialogue) was helpful, but not what I am looking for.",
"was helpful, but not what I am looking for. [This one](https://writing.stackexchange.com/questions/23942/how-do-i-convey-messages-that-are-clear-but-unspoken) didn't have",
"situations? I have read these answers: [This one](https://writing.stackexchange.com/questions/46492/how-do-we-handle-pauses-in-a-dialogue) was helpful, but not what",
"are pauses for various reasons; in videos, the contexts of these pauses are",
"These are a few examples at the top of my head, but I",
"about a character who does this a lot, then the description starts to",
"about them again. Since you have used every trick in the bag while",
"helpful, but not what I am looking for. [This one](https://writing.stackexchange.com/questions/23942/how-do-i-convey-messages-that-are-clear-but-unspoken) didn't have a",
"nice question, but it talked more about emphasis rather than the scene and",
"free to add). In general, what should a writer do about these situations?",
"description seems cliches. These long pauses arrive during: 1. When people say something",
"he does not know what to say. 3. Staring deep into the eyes",
"few examples at the top of my head, but I am sure there",
"have read these answers: [This one](https://writing.stackexchange.com/questions/46492/how-do-we-handle-pauses-in-a-dialogue) was helpful, but not what I am",
"gets smacked in an argument. These are a few examples at the top",
"the contexts of these pauses are clear because of the characters facial expression.",
"lot, then the description starts to fall apart, and the problem escalates if",
"to add). In general, what should a writer do about these situations? I",
"bag while you were writing about the character, the chances of reputation increases",
"conversations, there are pauses for various reasons; in videos, the contexts of these",
"increases and soon the description seems cliches. These long pauses arrive during: 1.",
"deep into the eyes scene. 4. When the character gets smacked in an",
"something unexpected, and the other character does not know what to say. 2.",
"escalates if further in the story you have to write about them again.",
"seems cliches. These long pauses arrive during: 1. When people say something unexpected,",
"while writing, at first you can use filler description to annotate these pauses,",
"pauses arrive during: 1. When people say something unexpected, and the other character",
"what to say. 2. When the character gets an answer (in the heat",
"answer (in the heat of an argument) and he does not know what",
"looking for. [This one](https://writing.stackexchange.com/questions/23942/how-do-i-convey-messages-that-are-clear-but-unspoken) didn't have a proper answer. [This was](https://writing.stackexchange.com/questions/26468/how-to-show-a-brief-hesitation-around-a-word) a nice",
"scene. 4. When the character gets smacked in an argument. These are a",
"character who does this a lot, then the description starts to fall apart,",
"soon the description seems cliches. These long pauses arrive during: 1. When people",
"not what I am looking for. [This one](https://writing.stackexchange.com/questions/23942/how-do-i-convey-messages-that-are-clear-but-unspoken) didn't have a proper answer.",
"proper answer. [This was](https://writing.stackexchange.com/questions/26468/how-to-show-a-brief-hesitation-around-a-word) a nice question, but it talked more about emphasis",
"while you were writing about the character, the chances of reputation increases and",
"add). In general, what should a writer do about these situations? I have",
"the character gets an answer (in the heat of an argument) and he",
"you have used every trick in the bag while you were writing about",
"not know what to say. 3. Staring deep into the eyes scene. 4.",
"arrive during: 1. When people say something unexpected, and the other character does",
"the chances of reputation increases and soon the description seems cliches. These long",
"should a writer do about these situations? I have read these answers: [This",
"was](https://writing.stackexchange.com/questions/26468/how-to-show-a-brief-hesitation-around-a-word) a nice question, but it talked more about emphasis rather than the",
"a writer do about these situations? I have read these answers: [This one](https://writing.stackexchange.com/questions/46492/how-do-we-handle-pauses-in-a-dialogue)",
"in the story you have to write about them again. Since you have",
"[This was](https://writing.stackexchange.com/questions/26468/how-to-show-a-brief-hesitation-around-a-word) a nice question, but it talked more about emphasis rather than",
"2. When the character gets an answer (in the heat of an argument)",
"character gets smacked in an argument. These are a few examples at the",
"contexts of these pauses are clear because of the characters facial expression. But",
"other character does not know what to say. 2. When the character gets",
"because of the characters facial expression. But while writing, at first you can",
"general, what should a writer do about these situations? I have read these",
"writing about a character who does this a lot, then the description starts",
"a lot, then the description starts to fall apart, and the problem escalates",
"of these pauses are clear because of the characters facial expression. But while",
"character, the chances of reputation increases and soon the description seems cliches. These",
"say. 2. When the character gets an answer (in the heat of an",
"of an argument) and he does not know what to say. 3. Staring",
"videos, the contexts of these pauses are clear because of the characters facial",
"the story you have to write about them again. Since you have used",
"argument) and he does not know what to say. 3. Staring deep into",
"are a few examples at the top of my head, but I am",
"and the problem escalates if further in the story you have to write",
"but I am sure there are more (if you know any, feel free",
"a few examples at the top of my head, but I am sure",
"answer. [This was](https://writing.stackexchange.com/questions/26468/how-to-show-a-brief-hesitation-around-a-word) a nice question, but it talked more about emphasis rather",
"question, but it talked more about emphasis rather than the scene and surrounding.",
"clear because of the characters facial expression. But while writing, at first you",
"(in the heat of an argument) and he does not know what to",
"in an argument. These are a few examples at the top of my",
"pauses are clear because of the characters facial expression. But while writing, at",
"does this a lot, then the description starts to fall apart, and the",
"if you are writing about a character who does this a lot, then",
"know what to say. 2. When the character gets an answer (in the",
"in conversations, there are pauses for various reasons; in videos, the contexts of",
"problem escalates if further in the story you have to write about them",
"the character, the chances of reputation increases and soon the description seems cliches.",
"to say. 2. When the character gets an answer (in the heat of",
"feel free to add). In general, what should a writer do about these",
"When the character gets an answer (in the heat of an argument) and",
"story you have to write about them again. Since you have used every",
"I am looking for. [This one](https://writing.stackexchange.com/questions/23942/how-do-i-convey-messages-that-are-clear-but-unspoken) didn't have a proper answer. [This was](https://writing.stackexchange.com/questions/26468/how-to-show-a-brief-hesitation-around-a-word)",
"every trick in the bag while you were writing about the character, the",
"At times in conversations, there are pauses for various reasons; in videos, the",
"[This one](https://writing.stackexchange.com/questions/23942/how-do-i-convey-messages-that-are-clear-but-unspoken) didn't have a proper answer. [This was](https://writing.stackexchange.com/questions/26468/how-to-show-a-brief-hesitation-around-a-word) a nice question, but",
"this a lot, then the description starts to fall apart, and the problem",
"filler description to annotate these pauses, but if you are writing about a",
"a nice question, but it talked more about emphasis rather than the scene",
"the characters facial expression. But while writing, at first you can use filler",
"sure there are more (if you know any, feel free to add). In",
"any, feel free to add). In general, what should a writer do about",
"various reasons; in videos, the contexts of these pauses are clear because of",
"the bag while you were writing about the character, the chances of reputation",
"there are pauses for various reasons; in videos, the contexts of these pauses",
"character gets an answer (in the heat of an argument) and he does",
"at first you can use filler description to annotate these pauses, but if",
"When the character gets smacked in an argument. These are a few examples",
"what to say. 3. Staring deep into the eyes scene. 4. When the",
"again. Since you have used every trick in the bag while you were",
"at the top of my head, but I am sure there are more",
"writing, at first you can use filler description to annotate these pauses, but",
"used every trick in the bag while you were writing about the character,",
"long pauses arrive during: 1. When people say something unexpected, and the other",
"answers: [This one](https://writing.stackexchange.com/questions/46492/how-do-we-handle-pauses-in-a-dialogue) was helpful, but not what I am looking for. [This",
"in videos, the contexts of these pauses are clear because of the characters",
"facial expression. But while writing, at first you can use filler description to",
"if further in the story you have to write about them again. Since",
"In general, what should a writer do about these situations? I have read",
"characters facial expression. But while writing, at first you can use filler description",
"further in the story you have to write about them again. Since you",
"who does this a lot, then the description starts to fall apart, and",
"(if you know any, feel free to add). In general, what should a",
"during: 1. When people say something unexpected, and the other character does not",
"into the eyes scene. 4. When the character gets smacked in an argument.",
"the character gets smacked in an argument. These are a few examples at",
"you were writing about the character, the chances of reputation increases and soon",
"argument. These are a few examples at the top of my head, but",
"about these situations? I have read these answers: [This one](https://writing.stackexchange.com/questions/46492/how-do-we-handle-pauses-in-a-dialogue) was helpful, but",
"more (if you know any, feel free to add). In general, what should",
"an argument) and he does not know what to say. 3. Staring deep",
"these pauses are clear because of the characters facial expression. But while writing,",
"expression. But while writing, at first you can use filler description to annotate",
"writing about the character, the chances of reputation increases and soon the description",
"Staring deep into the eyes scene. 4. When the character gets smacked in",
"am sure there are more (if you know any, feel free to add).",
"to fall apart, and the problem escalates if further in the story you",
"you know any, feel free to add). In general, what should a writer",
"what should a writer do about these situations? I have read these answers:",
"say. 3. Staring deep into the eyes scene. 4. When the character gets",
"I have read these answers: [This one](https://writing.stackexchange.com/questions/46492/how-do-we-handle-pauses-in-a-dialogue) was helpful, but not what I",
"gets an answer (in the heat of an argument) and he does not",
"the other character does not know what to say. 2. When the character",
"Since you have used every trick in the bag while you were writing",
"but if you are writing about a character who does this a lot,",
"fall apart, and the problem escalates if further in the story you have",
"the description starts to fall apart, and the problem escalates if further in",
"write about them again. Since you have used every trick in the bag",
"to say. 3. Staring deep into the eyes scene. 4. When the character",
"apart, and the problem escalates if further in the story you have to",
"of my head, but I am sure there are more (if you know",
"them again. Since you have used every trick in the bag while you",
"to annotate these pauses, but if you are writing about a character who",
"These long pauses arrive during: 1. When people say something unexpected, and the",
"of the characters facial expression. But while writing, at first you can use",
"for various reasons; in videos, the contexts of these pauses are clear because",
"When people say something unexpected, and the other character does not know what",
"But while writing, at first you can use filler description to annotate these",
"first you can use filler description to annotate these pauses, but if you",
"read these answers: [This one](https://writing.stackexchange.com/questions/46492/how-do-we-handle-pauses-in-a-dialogue) was helpful, but not what I am looking",
"reputation increases and soon the description seems cliches. These long pauses arrive during:",
"heat of an argument) and he does not know what to say. 3.",
"my head, but I am sure there are more (if you know any,",
"of reputation increases and soon the description seems cliches. These long pauses arrive",
"these situations? I have read these answers: [This one](https://writing.stackexchange.com/questions/46492/how-do-we-handle-pauses-in-a-dialogue) was helpful, but not",
"the eyes scene. 4. When the character gets smacked in an argument. These",
"reasons; in videos, the contexts of these pauses are clear because of the",
"I am sure there are more (if you know any, feel free to",
"were writing about the character, the chances of reputation increases and soon the",
"[This one](https://writing.stackexchange.com/questions/46492/how-do-we-handle-pauses-in-a-dialogue) was helpful, but not what I am looking for. [This one](https://writing.stackexchange.com/questions/23942/how-do-i-convey-messages-that-are-clear-but-unspoken)",
"the heat of an argument) and he does not know what to say.",
"use filler description to annotate these pauses, but if you are writing about",
"times in conversations, there are pauses for various reasons; in videos, the contexts",
"what I am looking for. [This one](https://writing.stackexchange.com/questions/23942/how-do-i-convey-messages-that-are-clear-but-unspoken) didn't have a proper answer. [This",
"pauses, but if you are writing about a character who does this a",
"cliches. These long pauses arrive during: 1. When people say something unexpected, and",
"to write about them again. Since you have used every trick in the",
"are writing about a character who does this a lot, then the description",
"and he does not know what to say. 3. Staring deep into the",
"but not what I am looking for. [This one](https://writing.stackexchange.com/questions/23942/how-do-i-convey-messages-that-are-clear-but-unspoken) didn't have a proper",
"are more (if you know any, feel free to add). In general, what",
"one](https://writing.stackexchange.com/questions/23942/how-do-i-convey-messages-that-are-clear-but-unspoken) didn't have a proper answer. [This was](https://writing.stackexchange.com/questions/26468/how-to-show-a-brief-hesitation-around-a-word) a nice question, but it",
"about the character, the chances of reputation increases and soon the description seems",
"top of my head, but I am sure there are more (if you",
"the description seems cliches. These long pauses arrive during: 1. When people say",
"you can use filler description to annotate these pauses, but if you are",
"can use filler description to annotate these pauses, but if you are writing",
"3. Staring deep into the eyes scene. 4. When the character gets smacked",
"have a proper answer. [This was](https://writing.stackexchange.com/questions/26468/how-to-show-a-brief-hesitation-around-a-word) a nice question, but it talked more",
"a proper answer. [This was](https://writing.stackexchange.com/questions/26468/how-to-show-a-brief-hesitation-around-a-word) a nice question, but it talked more about",
"annotate these pauses, but if you are writing about a character who does",
"these pauses, but if you are writing about a character who does this",
"in the bag while you were writing about the character, the chances of",
"know what to say. 3. Staring deep into the eyes scene. 4. When",
"an argument. These are a few examples at the top of my head,",
"do about these situations? I have read these answers: [This one](https://writing.stackexchange.com/questions/46492/how-do-we-handle-pauses-in-a-dialogue) was helpful,",
"didn't have a proper answer. [This was](https://writing.stackexchange.com/questions/26468/how-to-show-a-brief-hesitation-around-a-word) a nice question, but it talked",
"description to annotate these pauses, but if you are writing about a character",
"eyes scene. 4. When the character gets smacked in an argument. These are",
"head, but I am sure there are more (if you know any, feel",
"not know what to say. 2. When the character gets an answer (in",
"am looking for. [This one](https://writing.stackexchange.com/questions/23942/how-do-i-convey-messages-that-are-clear-but-unspoken) didn't have a proper answer. [This was](https://writing.stackexchange.com/questions/26468/how-to-show-a-brief-hesitation-around-a-word) a",
"have used every trick in the bag while you were writing about the",
"you have to write about them again. Since you have used every trick",
"chances of reputation increases and soon the description seems cliches. These long pauses",
"and soon the description seems cliches. These long pauses arrive during: 1. When",
"starts to fall apart, and the problem escalates if further in the story",
"know any, feel free to add). In general, what should a writer do",
"writer do about these situations? I have read these answers: [This one](https://writing.stackexchange.com/questions/46492/how-do-we-handle-pauses-in-a-dialogue) was",
"smacked in an argument. These are a few examples at the top of",
"then the description starts to fall apart, and the problem escalates if further",
"examples at the top of my head, but I am sure there are",
"a character who does this a lot, then the description starts to fall",
"description starts to fall apart, and the problem escalates if further in the",
"and the other character does not know what to say. 2. When the",
"there are more (if you know any, feel free to add). In general,",
"have to write about them again. Since you have used every trick in",
"the problem escalates if further in the story you have to write about",
"people say something unexpected, and the other character does not know what to",
"4. When the character gets smacked in an argument. These are a few",
"unexpected, and the other character does not know what to say. 2. When",
"for. [This one](https://writing.stackexchange.com/questions/23942/how-do-i-convey-messages-that-are-clear-but-unspoken) didn't have a proper answer. [This was](https://writing.stackexchange.com/questions/26468/how-to-show-a-brief-hesitation-around-a-word) a nice question,",
"pauses for various reasons; in videos, the contexts of these pauses are clear",
"character does not know what to say. 2. When the character gets an",
"does not know what to say. 3. Staring deep into the eyes scene.",
"the top of my head, but I am sure there are more (if",
"you are writing about a character who does this a lot, then the",
"an answer (in the heat of an argument) and he does not know",
"does not know what to say. 2. When the character gets an answer",
"are clear because of the characters facial expression. But while writing, at first",
"say something unexpected, and the other character does not know what to say.",
"one](https://writing.stackexchange.com/questions/46492/how-do-we-handle-pauses-in-a-dialogue) was helpful, but not what I am looking for. [This one](https://writing.stackexchange.com/questions/23942/how-do-i-convey-messages-that-are-clear-but-unspoken) didn't",
"trick in the bag while you were writing about the character, the chances",
"1. When people say something unexpected, and the other character does not know"
] |
[
"setting seem more authentic: i.e., readers that had been to the region would",
"reference to this fast food franchise to make the setting seem more authentic:",
"that included one of these regional franchises. I wanted to include a reference",
"is set in this state\", but at the same time I don't want",
"Oklahoma. Locals in Oklahoma and Texas love eating at *Sonic* and *Whataburger*, to",
"are virtually unique to the Rocky Mountain states like Utah, Wyoming, and the",
"other countries, but in North America in addition to the major chains that",
"that this will get me in legal trouble because it will be seen",
"for other countries, but in North America in addition to the major chains",
"case for other countries, but in North America in addition to the major",
"able to include the reference as there aren't a ton of thing in",
"the Great Lakes, to the point that Canadians eating at *Tim Horton's* is",
"The character ends up getting fired, but they're fired because of their own",
"* *Taco John's* and *Arctic Circle* are two really weird examples that are",
"state the local *McDonalds* tended to be rather empty. * *In-N-Out* is a",
"weather is warm enough for their business model to work. *Whataburger* is a",
"ends up getting fired, but they're fired because of their own flaws. What",
"hates being forced to work a fast food job\" than anything specifically aimed",
"to include a reference to this fast food franchise to make the setting",
"doesn't seem covered by the previous examples. I don't know if this is",
"a nonhuman being with no social skills. The character ends up getting fired,",
"you're probably in Canada. I have a case where I have a story",
"point that Canadians eating at *Tim Horton's* is practically a Canadian stereotype. *",
"*Sonic* is a drive-in burger chain based out of Oklahoma and is primarily",
"names [has been brought](https://writing.stackexchange.com/questions/49995/use-of-real-company-name-in-fiction-generic-common-names) [up before](https://writing.stackexchange.com/questions/12369/pros-and-cons-of-using-real-brand-company-names?rq=1), but this is a really weird example",
"to the region would go \"oh, the author does know what life is",
"a similar chain located primarily in Texas and Oklahoma. Locals in Oklahoma and",
"Pacific Coast. * *Taco John's* and *Arctic Circle* are two really weird examples",
"character ends up getting fired, but they're fired because of their own flaws.",
"is primarily found in the American Deep South where the weather is warm",
"I'm worried about the legality of the whole thing. The idea was that",
"which are common along the Pacific Coast. * *Taco John's* and *Arctic Circle*",
"gets a part-time job working at this fast food restaurant, and its your",
"The idea was that a teenage character gets a part-time job working at",
"character gets a part-time job working at this fast food restaurant, and its",
"Canadians eating at *Tim Horton's* is practically a Canadian stereotype. * *Sonic* is",
"America in addition to the major chains that everyone thinks of when fast",
"in the American Deep South where the weather is warm enough for their",
"the region would go \"oh, the author does know what life is like",
"Oklahoma and is primarily found in the American Deep South where the weather",
"are two really weird examples that are virtually unique to the Rocky Mountain",
"the Pacific Coast. * *Taco John's* and *Arctic Circle* are two really weird",
"\"oh, the author does know what life is like in that state\" rather",
"* *Tim Horton's* is located predominantly in Canada and the states bordering Canada",
"there was a minor comedic subplot that included one of these regional franchises.",
"similar chain located primarily in Texas and Oklahoma. Locals in Oklahoma and Texas",
"example that I've run into that doesn't seem covered by the previous examples.",
"of setting the different regions of North America apart. I.e., if you wandered",
"franchises. I wanted to include a reference to this fast food franchise to",
"*Tim Horton's* is located predominantly in Canada and the states bordering Canada across",
"region of the United States, and there was a minor comedic subplot that",
"weird example that I've run into that doesn't seem covered by the previous",
"will get me in legal trouble because it will be seen as disparaging",
"case where I have a story set in a particular region of the",
"and its your typical soul-crushing burger-flipping job that many young people go through",
"a ton of thing in that part of the U.S. that scream \"this",
"to the Rocky Mountain states like Utah, Wyoming, and the surrounding regions. These",
"Utah, Wyoming, and the surrounding regions. These fast food chains are often notable",
"*Whataburger*, to the point that when I've visited the state the local *McDonalds*",
"set in a particular region of the United States, and there was a",
"notable parts of the local culture of an area and can do a",
"of the local culture of an area and can do a pretty good",
"rather empty. * *In-N-Out* is a similar drive-in burger chain that is primarily",
"Horton's* is located predominantly in Canada and the states bordering Canada across the",
"work a fast food job\" than anything specifically aimed at the franchise. I",
"*Sonic* and *Whataburger*, to the point that when I've visited the state the",
"life is like in that state\" rather than just depicting the region as",
"author does know what life is like in that state\" rather than just",
"in that state\" rather than just depicting the region as a genetic flyover",
"a fast food job\" than anything specifically aimed at the franchise. I liked",
"if this is the case for other countries, but in North America in",
"a pretty good job of setting the different regions of North America apart.",
"minor comedic subplot that included one of these regional franchises. I wanted to",
"is that this will get me in legal trouble because it will be",
"a number of smaller regional chains that are unique to certain areas. For",
"of smaller regional chains that are unique to certain areas. For example: *",
"know what life is like in that state\" rather than just depicting the",
"include the reference as there aren't a ton of thing in that part",
"of thing in that part of the U.S. that scream \"this is set",
"job of setting the different regions of North America apart. I.e., if you",
"like in that state\" rather than just depicting the region as a genetic",
"region would go \"oh, the author does know what life is like in",
"off. The issue is I'm worried about the legality of the whole thing.",
"when I've visited the state the local *McDonalds* tended to be rather empty.",
"I'm making fun of a very small chain. And the comedy is just",
"skills. The character ends up getting fired, but they're fired because of their",
"is a similar drive-in burger chain that is primarily located in California and",
"story set in a particular region of the United States, and there was",
"up getting fired, but they're fired because of their own flaws. What I'm",
"is brought up (e.g., *McDonalds*, *Domuxi's*, *KFC*, *Subway*) there are a number of",
"brought up (e.g., *McDonalds*, *Domuxi's*, *KFC*, *Subway*) there are a number of smaller",
"make the setting seem more authentic: i.e., readers that had been to the",
"America apart. I.e., if you wandered out of the woods after being lost",
"fact that I was able to include the reference as there aren't a",
"in Canada. I have a case where I have a story set in",
"love eating at *Sonic* and *Whataburger*, to the point that when I've visited",
"predominantly in Canada and the states bordering Canada across the Great Lakes, to",
"a *Tim Horton's*, you're probably in Canada. I have a case where I",
"in Oklahoma and Texas love eating at *Sonic* and *Whataburger*, to the point",
"bordering Canada across the Great Lakes, to the point that Canadians eating at",
"seem covered by the previous examples. I don't know if this is the",
"in North America in addition to the major chains that everyone thinks of",
"up (e.g., *McDonalds*, *Domuxi's*, *KFC*, *Subway*) there are a number of smaller regional",
"Lakes, to the point that Canadians eating at *Tim Horton's* is practically a",
"Wyoming, and the surrounding regions. These fast food chains are often notable parts",
"food franchise to make the setting seem more authentic: i.e., readers that had",
"pretty good job of setting the different regions of North America apart. I.e.,",
"to this fast food franchise to make the setting seem more authentic: i.e.,",
"forced to work a fast food job\" than anything specifically aimed at the",
"The chain has hundreds of locations, so it's not like I'm making fun",
"for fish-out-of-water comedy because the character is a nonhuman being with no social",
"depicting the region as a genetic flyover state with the numbers filed off.",
"is practically a Canadian stereotype. * *Sonic* is a drive-in burger chain based",
"and Texas love eating at *Sonic* and *Whataburger*, to the point that when",
"franchise to make the setting seem more authentic: i.e., readers that had been",
"that when I've visited the state the local *McDonalds* tended to be rather",
"this fast food franchise to make the setting seem more authentic: i.e., readers",
"regions. These fast food chains are often notable parts of the local culture",
"be rather empty. * *In-N-Out* is a similar drive-in burger chain that is",
"franchise. I liked the fact that I was able to include the reference",
"that are virtually unique to the Rocky Mountain states like Utah, Wyoming, and",
"disparaging to the chain. The chain has hundreds of locations, so it's not",
"setting the different regions of North America apart. I.e., if you wandered out",
"but this is a really weird example that I've run into that doesn't",
"reference as there aren't a ton of thing in that part of the",
"in addition to the major chains that everyone thinks of when fast food",
"to the point that Canadians eating at *Tim Horton's* is practically a Canadian",
"the Rocky Mountain states like Utah, Wyoming, and the surrounding regions. These fast",
"U.S. that scream \"this is set in this state\", but at the same",
"in that part of the U.S. that scream \"this is set in this",
"point that when I've visited the state the local *McDonalds* tended to be",
"because it will be seen as disparaging to the chain. The chain has",
"in this state\", but at the same time I don't want to get",
"legality of the whole thing. The idea was that a teenage character gets",
"it will be seen as disparaging to the chain. The chain has hundreds",
"Canada. I have a case where I have a story set in a",
"own flaws. What I'm worried is that this will get me in legal",
"fish-out-of-water comedy because the character is a nonhuman being with no social skills.",
"certain areas. For example: * *Tim Horton's* is located predominantly in Canada and",
"unique to certain areas. For example: * *Tim Horton's* is located predominantly in",
"their own flaws. What I'm worried is that this will get me in",
"job that many young people go through in the Western world, played for",
"in legal trouble because it will be seen as disparaging to the chain.",
"i.e., readers that had been to the region would go \"oh, the author",
"\"teenager hates being forced to work a fast food job\" than anything specifically",
"been brought](https://writing.stackexchange.com/questions/49995/use-of-real-company-name-in-fiction-generic-common-names) [up before](https://writing.stackexchange.com/questions/12369/pros-and-cons-of-using-real-brand-company-names?rq=1), but this is a really weird example that I've",
"more authentic: i.e., readers that had been to the region would go \"oh,",
"readers that had been to the region would go \"oh, the author does",
"flyover state with the numbers filed off. The issue is I'm worried about",
"weird examples that are virtually unique to the Rocky Mountain states like Utah,",
"Deep South where the weather is warm enough for their business model to",
"a minor comedic subplot that included one of these regional franchises. I wanted",
"chain has hundreds of locations, so it's not like I'm making fun of",
"*Domuxi's*, *KFC*, *Subway*) there are a number of smaller regional chains that are",
"teenage character gets a part-time job working at this fast food restaurant, and",
"stereotype. * *Sonic* is a drive-in burger chain based out of Oklahoma and",
"to work. *Whataburger* is a similar chain located primarily in Texas and Oklahoma.",
"everyone thinks of when fast food is brought up (e.g., *McDonalds*, *Domuxi's*, *KFC*,",
"working at this fast food restaurant, and its your typical soul-crushing burger-flipping job",
"Horton's* is practically a Canadian stereotype. * *Sonic* is a drive-in burger chain",
"chain that is primarily located in California and is really popular among Californians.",
"chains that are unique to certain areas. For example: * *Tim Horton's* is",
"have a story set in a particular region of the United States, and",
"this fast food restaurant, and its your typical soul-crushing burger-flipping job that many",
"culture of an area and can do a pretty good job of setting",
"a Canadian stereotype. * *Sonic* is a drive-in burger chain based out of",
"was that a teenage character gets a part-time job working at this fast",
"chains that everyone thinks of when fast food is brought up (e.g., *McDonalds*,",
"to the point that when I've visited the state the local *McDonalds* tended",
"States, and there was a minor comedic subplot that included one of these",
"to be rather empty. * *In-N-Out* is a similar drive-in burger chain that",
"located predominantly in Canada and the states bordering Canada across the Great Lakes,",
"a couple of other chains which are common along the Pacific Coast. *",
"through in the Western world, played for fish-out-of-water comedy because the character is",
"include a reference to this fast food franchise to make the setting seem",
"the Western world, played for fish-out-of-water comedy because the character is a nonhuman",
"but at the same time I don't want to get sued for defamation.",
"people go through in the Western world, played for fish-out-of-water comedy because the",
"authentic: i.e., readers that had been to the region would go \"oh, the",
"and is primarily found in the American Deep South where the weather is",
"countries, but in North America in addition to the major chains that everyone",
"where the weather is warm enough for their business model to work. *Whataburger*",
"the United States, and there was a minor comedic subplot that included one",
"of these regional franchises. I wanted to include a reference to this fast",
"so it's not like I'm making fun of a very small chain. And",
"for their business model to work. *Whataburger* is a similar chain located primarily",
"fast food is brought up (e.g., *McDonalds*, *Domuxi's*, *KFC*, *Subway*) there are a",
"among Californians. There are a couple of other chains which are common along",
"filed off. The issue is I'm worried about the legality of the whole",
"Western world, played for fish-out-of-water comedy because the character is a nonhuman being",
"thing in that part of the U.S. that scream \"this is set in",
"parts of the local culture of an area and can do a pretty",
"set in this state\", but at the same time I don't want to",
"this is a really weird example that I've run into that doesn't seem",
"be seen as disparaging to the chain. The chain has hundreds of locations,",
"does know what life is like in that state\" rather than just depicting",
"Locals in Oklahoma and Texas love eating at *Sonic* and *Whataburger*, to the",
"unique to the Rocky Mountain states like Utah, Wyoming, and the surrounding regions.",
"aimed at the franchise. I liked the fact that I was able to",
"food job\" than anything specifically aimed at the franchise. I liked the fact",
"the franchise. I liked the fact that I was able to include the",
"the legality of the whole thing. The idea was that a teenage character",
"*McDonalds* tended to be rather empty. * *In-N-Out* is a similar drive-in burger",
"fired, but they're fired because of their own flaws. What I'm worried is",
"world, played for fish-out-of-water comedy because the character is a nonhuman being with",
"across the Great Lakes, to the point that Canadians eating at *Tim Horton's*",
"North America apart. I.e., if you wandered out of the woods after being",
"like Utah, Wyoming, and the surrounding regions. These fast food chains are often",
"common along the Pacific Coast. * *Taco John's* and *Arctic Circle* are two",
"restaurant, and its your typical soul-crushing burger-flipping job that many young people go",
"like I'm making fun of a very small chain. And the comedy is",
"*Whataburger* is a similar chain located primarily in Texas and Oklahoma. Locals in",
"wandered out of the woods after being lost and saw a *Tim Horton's*,",
"good job of setting the different regions of North America apart. I.e., if",
"ton of thing in that part of the U.S. that scream \"this is",
"Oklahoma and Texas love eating at *Sonic* and *Whataburger*, to the point that",
"Great Lakes, to the point that Canadians eating at *Tim Horton's* is practically",
"trouble because it will be seen as disparaging to the chain. The chain",
"*McDonalds*, *Domuxi's*, *KFC*, *Subway*) there are a number of smaller regional chains that",
"hundreds of locations, so it's not like I'm making fun of a very",
"the fact that I was able to include the reference as there aren't",
"being forced to work a fast food job\" than anything specifically aimed at",
"by the previous examples. I don't know if this is the case for",
"burger-flipping job that many young people go through in the Western world, played",
"had been to the region would go \"oh, the author does know what",
"of a very small chain. And the comedy is just generic \"teenager hates",
"questions regarding the usage of real-life company names [has been brought](https://writing.stackexchange.com/questions/49995/use-of-real-company-name-in-fiction-generic-common-names) [up before](https://writing.stackexchange.com/questions/12369/pros-and-cons-of-using-real-brand-company-names?rq=1),",
"locations, so it's not like I'm making fun of a very small chain.",
"to the major chains that everyone thinks of when fast food is brought",
"drive-in burger chain based out of Oklahoma and is primarily found in the",
"at this fast food restaurant, and its your typical soul-crushing burger-flipping job that",
"an area and can do a pretty good job of setting the different",
"that are unique to certain areas. For example: * *Tim Horton's* is located",
"been to the region would go \"oh, the author does know what life",
"major chains that everyone thinks of when fast food is brought up (e.g.,",
"at the franchise. I liked the fact that I was able to include",
"a particular region of the United States, and there was a minor comedic",
"would go \"oh, the author does know what life is like in that",
"regional chains that are unique to certain areas. For example: * *Tim Horton's*",
"apart. I.e., if you wandered out of the woods after being lost and",
"the numbers filed off. The issue is I'm worried about the legality of",
"in California and is really popular among Californians. There are a couple of",
"I.e., if you wandered out of the woods after being lost and saw",
"in a particular region of the United States, and there was a minor",
"the comedy is just generic \"teenager hates being forced to work a fast",
"anything specifically aimed at the franchise. I liked the fact that I was",
"surrounding regions. These fast food chains are often notable parts of the local",
"because the character is a nonhuman being with no social skills. The character",
"I was able to include the reference as there aren't a ton of",
"and can do a pretty good job of setting the different regions of",
"have a case where I have a story set in a particular region",
"do a pretty good job of setting the different regions of North America",
"model to work. *Whataburger* is a similar chain located primarily in Texas and",
"What I'm worried is that this will get me in legal trouble because",
"out of Oklahoma and is primarily found in the American Deep South where",
"that state\" rather than just depicting the region as a genetic flyover state",
"I'm worried is that this will get me in legal trouble because it",
"about the legality of the whole thing. The idea was that a teenage",
"really weird examples that are virtually unique to the Rocky Mountain states like",
"go \"oh, the author does know what life is like in that state\"",
"not like I'm making fun of a very small chain. And the comedy",
"soul-crushing burger-flipping job that many young people go through in the Western world,",
"getting fired, but they're fired because of their own flaws. What I'm worried",
"*Subway*) there are a number of smaller regional chains that are unique to",
"Rocky Mountain states like Utah, Wyoming, and the surrounding regions. These fast food",
"social skills. The character ends up getting fired, but they're fired because of",
"tended to be rather empty. * *In-N-Out* is a similar drive-in burger chain",
"is like in that state\" rather than just depicting the region as a",
"the different regions of North America apart. I.e., if you wandered out of",
"making fun of a very small chain. And the comedy is just generic",
"There are a couple of other chains which are common along the Pacific",
"example: * *Tim Horton's* is located predominantly in Canada and the states bordering",
"the surrounding regions. These fast food chains are often notable parts of the",
"is a nonhuman being with no social skills. The character ends up getting",
"and the states bordering Canada across the Great Lakes, to the point that",
"is the case for other countries, but in North America in addition to",
"rather than just depicting the region as a genetic flyover state with the",
"before](https://writing.stackexchange.com/questions/12369/pros-and-cons-of-using-real-brand-company-names?rq=1), but this is a really weird example that I've run into that",
"a similar drive-in burger chain that is primarily located in California and is",
"there aren't a ton of thing in that part of the U.S. that",
"that everyone thinks of when fast food is brought up (e.g., *McDonalds*, *Domuxi's*,",
"part of the U.S. that scream \"this is set in this state\", but",
"Canadian stereotype. * *Sonic* is a drive-in burger chain based out of Oklahoma",
"the local *McDonalds* tended to be rather empty. * *In-N-Out* is a similar",
"comedic subplot that included one of these regional franchises. I wanted to include",
"are a number of smaller regional chains that are unique to certain areas.",
"\"this is set in this state\", but at the same time I don't",
"(e.g., *McDonalds*, *Domuxi's*, *KFC*, *Subway*) there are a number of smaller regional chains",
"work. *Whataburger* is a similar chain located primarily in Texas and Oklahoma. Locals",
"me in legal trouble because it will be seen as disparaging to the",
"chain. And the comedy is just generic \"teenager hates being forced to work",
"at *Tim Horton's* is practically a Canadian stereotype. * *Sonic* is a drive-in",
"number of smaller regional chains that are unique to certain areas. For example:",
"Canada across the Great Lakes, to the point that Canadians eating at *Tim",
"*Tim Horton's* is practically a Canadian stereotype. * *Sonic* is a drive-in burger",
"nonhuman being with no social skills. The character ends up getting fired, but",
"I wanted to include a reference to this fast food franchise to make",
"Circle* are two really weird examples that are virtually unique to the Rocky",
"a really weird example that I've run into that doesn't seem covered by",
"was able to include the reference as there aren't a ton of thing",
"that Canadians eating at *Tim Horton's* is practically a Canadian stereotype. * *Sonic*",
"John's* and *Arctic Circle* are two really weird examples that are virtually unique",
"typical soul-crushing burger-flipping job that many young people go through in the Western",
"fun of a very small chain. And the comedy is just generic \"teenager",
"[up before](https://writing.stackexchange.com/questions/12369/pros-and-cons-of-using-real-brand-company-names?rq=1), but this is a really weird example that I've run into",
"are often notable parts of the local culture of an area and can",
"to certain areas. For example: * *Tim Horton's* is located predominantly in Canada",
"into that doesn't seem covered by the previous examples. I don't know if",
"and the surrounding regions. These fast food chains are often notable parts of",
"Horton's*, you're probably in Canada. I have a case where I have a",
"these regional franchises. I wanted to include a reference to this fast food",
"United States, and there was a minor comedic subplot that included one of",
"food chains are often notable parts of the local culture of an area",
"regarding the usage of real-life company names [has been brought](https://writing.stackexchange.com/questions/49995/use-of-real-company-name-in-fiction-generic-common-names) [up before](https://writing.stackexchange.com/questions/12369/pros-and-cons-of-using-real-brand-company-names?rq=1), but",
"local culture of an area and can do a pretty good job of",
"issue is I'm worried about the legality of the whole thing. The idea",
"the American Deep South where the weather is warm enough for their business",
"smaller regional chains that are unique to certain areas. For example: * *Tim",
"generic \"teenager hates being forced to work a fast food job\" than anything",
"lost and saw a *Tim Horton's*, you're probably in Canada. I have a",
"that is primarily located in California and is really popular among Californians. There",
"really weird example that I've run into that doesn't seem covered by the",
"this state\", but at the same time I don't want to get sued",
"covered by the previous examples. I don't know if this is the case",
"of when fast food is brought up (e.g., *McDonalds*, *Domuxi's*, *KFC*, *Subway*) there",
"states bordering Canada across the Great Lakes, to the point that Canadians eating",
"couple of other chains which are common along the Pacific Coast. * *Taco",
"local *McDonalds* tended to be rather empty. * *In-N-Out* is a similar drive-in",
"the point that Canadians eating at *Tim Horton's* is practically a Canadian stereotype.",
"really popular among Californians. There are a couple of other chains which are",
"I liked the fact that I was able to include the reference as",
"and Oklahoma. Locals in Oklahoma and Texas love eating at *Sonic* and *Whataburger*,",
"These fast food chains are often notable parts of the local culture of",
"fast food chains are often notable parts of the local culture of an",
"food is brought up (e.g., *McDonalds*, *Domuxi's*, *KFC*, *Subway*) there are a number",
"it's not like I'm making fun of a very small chain. And the",
"Canada and the states bordering Canada across the Great Lakes, to the point",
"after being lost and saw a *Tim Horton's*, you're probably in Canada. I",
"North America in addition to the major chains that everyone thinks of when",
"what life is like in that state\" rather than just depicting the region",
"the whole thing. The idea was that a teenage character gets a part-time",
"* *Sonic* is a drive-in burger chain based out of Oklahoma and is",
"is really popular among Californians. There are a couple of other chains which",
"is a similar chain located primarily in Texas and Oklahoma. Locals in Oklahoma",
"regions of North America apart. I.e., if you wandered out of the woods",
"practically a Canadian stereotype. * *Sonic* is a drive-in burger chain based out",
"is a drive-in burger chain based out of Oklahoma and is primarily found",
"is warm enough for their business model to work. *Whataburger* is a similar",
"included one of these regional franchises. I wanted to include a reference to",
"two really weird examples that are virtually unique to the Rocky Mountain states",
"enough for their business model to work. *Whataburger* is a similar chain located",
"Mountain states like Utah, Wyoming, and the surrounding regions. These fast food chains",
"don't know if this is the case for other countries, but in North",
"fast food restaurant, and its your typical soul-crushing burger-flipping job that many young",
"So, I know that questions regarding the usage of real-life company names [has",
"of the United States, and there was a minor comedic subplot that included",
"addition to the major chains that everyone thinks of when fast food is",
"with no social skills. The character ends up getting fired, but they're fired",
"is just generic \"teenager hates being forced to work a fast food job\"",
"particular region of the United States, and there was a minor comedic subplot",
"but they're fired because of their own flaws. What I'm worried is that",
"state\", but at the same time I don't want to get sued for",
"if you wandered out of the woods after being lost and saw a",
"that I was able to include the reference as there aren't a ton",
"the character is a nonhuman being with no social skills. The character ends",
"probably in Canada. I have a case where I have a story set",
"burger chain based out of Oklahoma and is primarily found in the American",
"when fast food is brought up (e.g., *McDonalds*, *Domuxi's*, *KFC*, *Subway*) there are",
"and saw a *Tim Horton's*, you're probably in Canada. I have a case",
"scream \"this is set in this state\", but at the same time I",
"the state the local *McDonalds* tended to be rather empty. * *In-N-Out* is",
"Texas love eating at *Sonic* and *Whataburger*, to the point that when I've",
"comedy is just generic \"teenager hates being forced to work a fast food",
"brought](https://writing.stackexchange.com/questions/49995/use-of-real-company-name-in-fiction-generic-common-names) [up before](https://writing.stackexchange.com/questions/12369/pros-and-cons-of-using-real-brand-company-names?rq=1), but this is a really weird example that I've run",
"the point that when I've visited the state the local *McDonalds* tended to",
"warm enough for their business model to work. *Whataburger* is a similar chain",
"legal trouble because it will be seen as disparaging to the chain. The",
"this is the case for other countries, but in North America in addition",
"numbers filed off. The issue is I'm worried about the legality of the",
"And the comedy is just generic \"teenager hates being forced to work a",
"primarily in Texas and Oklahoma. Locals in Oklahoma and Texas love eating at",
"previous examples. I don't know if this is the case for other countries,",
"thing. The idea was that a teenage character gets a part-time job working",
"to the chain. The chain has hundreds of locations, so it's not like",
"small chain. And the comedy is just generic \"teenager hates being forced to",
"the usage of real-life company names [has been brought](https://writing.stackexchange.com/questions/49995/use-of-real-company-name-in-fiction-generic-common-names) [up before](https://writing.stackexchange.com/questions/12369/pros-and-cons-of-using-real-brand-company-names?rq=1), but this",
"will be seen as disparaging to the chain. The chain has hundreds of",
"of the woods after being lost and saw a *Tim Horton's*, you're probably",
"state with the numbers filed off. The issue is I'm worried about the",
"genetic flyover state with the numbers filed off. The issue is I'm worried",
"that had been to the region would go \"oh, the author does know",
"being with no social skills. The character ends up getting fired, but they're",
"the weather is warm enough for their business model to work. *Whataburger* is",
"fired because of their own flaws. What I'm worried is that this will",
"get me in legal trouble because it will be seen as disparaging to",
"woods after being lost and saw a *Tim Horton's*, you're probably in Canada.",
"is a really weird example that I've run into that doesn't seem covered",
"other chains which are common along the Pacific Coast. * *Taco John's* and",
"part-time job working at this fast food restaurant, and its your typical soul-crushing",
"job working at this fast food restaurant, and its your typical soul-crushing burger-flipping",
"than anything specifically aimed at the franchise. I liked the fact that I",
"eating at *Sonic* and *Whataburger*, to the point that when I've visited the",
"the major chains that everyone thinks of when fast food is brought up",
"I've visited the state the local *McDonalds* tended to be rather empty. *",
"area and can do a pretty good job of setting the different regions",
"virtually unique to the Rocky Mountain states like Utah, Wyoming, and the surrounding",
"often notable parts of the local culture of an area and can do",
"where I have a story set in a particular region of the United",
"they're fired because of their own flaws. What I'm worried is that this",
"fast food job\" than anything specifically aimed at the franchise. I liked the",
"and there was a minor comedic subplot that included one of these regional",
"liked the fact that I was able to include the reference as there",
"Texas and Oklahoma. Locals in Oklahoma and Texas love eating at *Sonic* and",
"food restaurant, and its your typical soul-crushing burger-flipping job that many young people",
"than just depicting the region as a genetic flyover state with the numbers",
"along the Pacific Coast. * *Taco John's* and *Arctic Circle* are two really",
"there are a number of smaller regional chains that are unique to certain",
"young people go through in the Western world, played for fish-out-of-water comedy because",
"I've run into that doesn't seem covered by the previous examples. I don't",
"primarily located in California and is really popular among Californians. There are a",
"know if this is the case for other countries, but in North America",
"the states bordering Canada across the Great Lakes, to the point that Canadians",
"eating at *Tim Horton's* is practically a Canadian stereotype. * *Sonic* is a",
"subplot that included one of these regional franchises. I wanted to include a",
"a very small chain. And the comedy is just generic \"teenager hates being",
"with the numbers filed off. The issue is I'm worried about the legality",
"I don't know if this is the case for other countries, but in",
"was a minor comedic subplot that included one of these regional franchises. I",
"*In-N-Out* is a similar drive-in burger chain that is primarily located in California",
"For example: * *Tim Horton's* is located predominantly in Canada and the states",
"that scream \"this is set in this state\", but at the same time",
"is primarily located in California and is really popular among Californians. There are",
"the chain. The chain has hundreds of locations, so it's not like I'm",
"and is really popular among Californians. There are a couple of other chains",
"American Deep South where the weather is warm enough for their business model",
"found in the American Deep South where the weather is warm enough for",
"flaws. What I'm worried is that this will get me in legal trouble",
"*Taco John's* and *Arctic Circle* are two really weird examples that are virtually",
"that part of the U.S. that scream \"this is set in this state\",",
"at *Sonic* and *Whataburger*, to the point that when I've visited the state",
"seem more authentic: i.e., readers that had been to the region would go",
"are a couple of other chains which are common along the Pacific Coast.",
"you wandered out of the woods after being lost and saw a *Tim",
"based out of Oklahoma and is primarily found in the American Deep South",
"drive-in burger chain that is primarily located in California and is really popular",
"a part-time job working at this fast food restaurant, and its your typical",
"specifically aimed at the franchise. I liked the fact that I was able",
"California and is really popular among Californians. There are a couple of other",
"chains which are common along the Pacific Coast. * *Taco John's* and *Arctic",
"Coast. * *Taco John's* and *Arctic Circle* are two really weird examples that",
"a case where I have a story set in a particular region of",
"played for fish-out-of-water comedy because the character is a nonhuman being with no",
"a story set in a particular region of the United States, and there",
"of other chains which are common along the Pacific Coast. * *Taco John's*",
"in Canada and the states bordering Canada across the Great Lakes, to the",
"of real-life company names [has been brought](https://writing.stackexchange.com/questions/49995/use-of-real-company-name-in-fiction-generic-common-names) [up before](https://writing.stackexchange.com/questions/12369/pros-and-cons-of-using-real-brand-company-names?rq=1), but this is a",
"located primarily in Texas and Oklahoma. Locals in Oklahoma and Texas love eating",
"go through in the Western world, played for fish-out-of-water comedy because the character",
"wanted to include a reference to this fast food franchise to make the",
"as there aren't a ton of thing in that part of the U.S.",
"your typical soul-crushing burger-flipping job that many young people go through in the",
"character is a nonhuman being with no social skills. The character ends up",
"burger chain that is primarily located in California and is really popular among",
"to make the setting seem more authentic: i.e., readers that had been to",
"Californians. There are a couple of other chains which are common along the",
"the local culture of an area and can do a pretty good job",
"but in North America in addition to the major chains that everyone thinks",
"company names [has been brought](https://writing.stackexchange.com/questions/49995/use-of-real-company-name-in-fiction-generic-common-names) [up before](https://writing.stackexchange.com/questions/12369/pros-and-cons-of-using-real-brand-company-names?rq=1), but this is a really weird",
"its your typical soul-crushing burger-flipping job that many young people go through in",
"usage of real-life company names [has been brought](https://writing.stackexchange.com/questions/49995/use-of-real-company-name-in-fiction-generic-common-names) [up before](https://writing.stackexchange.com/questions/12369/pros-and-cons-of-using-real-brand-company-names?rq=1), but this is",
"can do a pretty good job of setting the different regions of North",
"that a teenage character gets a part-time job working at this fast food",
"of North America apart. I.e., if you wandered out of the woods after",
"thinks of when fast food is brought up (e.g., *McDonalds*, *Domuxi's*, *KFC*, *Subway*)",
"*KFC*, *Subway*) there are a number of smaller regional chains that are unique",
"*Tim Horton's*, you're probably in Canada. I have a case where I have",
"seen as disparaging to the chain. The chain has hundreds of locations, so",
"to work a fast food job\" than anything specifically aimed at the franchise.",
"job\" than anything specifically aimed at the franchise. I liked the fact that",
"I have a case where I have a story set in a particular",
"region as a genetic flyover state with the numbers filed off. The issue",
"to include the reference as there aren't a ton of thing in that",
"is I'm worried about the legality of the whole thing. The idea was",
"regional franchises. I wanted to include a reference to this fast food franchise",
"located in California and is really popular among Californians. There are a couple",
"idea was that a teenage character gets a part-time job working at this",
"is located predominantly in Canada and the states bordering Canada across the Great",
"and *Arctic Circle* are two really weird examples that are virtually unique to",
"this will get me in legal trouble because it will be seen as",
"one of these regional franchises. I wanted to include a reference to this",
"just generic \"teenager hates being forced to work a fast food job\" than",
"visited the state the local *McDonalds* tended to be rather empty. * *In-N-Out*",
"because of their own flaws. What I'm worried is that this will get",
"the previous examples. I don't know if this is the case for other",
"similar drive-in burger chain that is primarily located in California and is really",
"of locations, so it's not like I'm making fun of a very small",
"I know that questions regarding the usage of real-life company names [has been",
"of the U.S. that scream \"this is set in this state\", but at",
"are unique to certain areas. For example: * *Tim Horton's* is located predominantly",
"chain located primarily in Texas and Oklahoma. Locals in Oklahoma and Texas love",
"chain based out of Oklahoma and is primarily found in the American Deep",
"of the whole thing. The idea was that a teenage character gets a",
"saw a *Tim Horton's*, you're probably in Canada. I have a case where",
"areas. For example: * *Tim Horton's* is located predominantly in Canada and the",
"that many young people go through in the Western world, played for fish-out-of-water",
"worried is that this will get me in legal trouble because it will",
"aren't a ton of thing in that part of the U.S. that scream",
"state\" rather than just depicting the region as a genetic flyover state with",
"states like Utah, Wyoming, and the surrounding regions. These fast food chains are",
"empty. * *In-N-Out* is a similar drive-in burger chain that is primarily located",
"that questions regarding the usage of real-life company names [has been brought](https://writing.stackexchange.com/questions/49995/use-of-real-company-name-in-fiction-generic-common-names) [up",
"that I've run into that doesn't seem covered by the previous examples. I",
"chain. The chain has hundreds of locations, so it's not like I'm making",
"the woods after being lost and saw a *Tim Horton's*, you're probably in",
"the author does know what life is like in that state\" rather than",
"the region as a genetic flyover state with the numbers filed off. The",
"are common along the Pacific Coast. * *Taco John's* and *Arctic Circle* are",
"and *Whataburger*, to the point that when I've visited the state the local",
"many young people go through in the Western world, played for fish-out-of-water comedy",
"in Texas and Oklahoma. Locals in Oklahoma and Texas love eating at *Sonic*",
"in the Western world, played for fish-out-of-water comedy because the character is a",
"of their own flaws. What I'm worried is that this will get me",
"being lost and saw a *Tim Horton's*, you're probably in Canada. I have",
"[has been brought](https://writing.stackexchange.com/questions/49995/use-of-real-company-name-in-fiction-generic-common-names) [up before](https://writing.stackexchange.com/questions/12369/pros-and-cons-of-using-real-brand-company-names?rq=1), but this is a really weird example that",
"of an area and can do a pretty good job of setting the",
"chains are often notable parts of the local culture of an area and",
"examples. I don't know if this is the case for other countries, but",
"a genetic flyover state with the numbers filed off. The issue is I'm",
"know that questions regarding the usage of real-life company names [has been brought](https://writing.stackexchange.com/questions/49995/use-of-real-company-name-in-fiction-generic-common-names)",
"comedy because the character is a nonhuman being with no social skills. The",
"The issue is I'm worried about the legality of the whole thing. The",
"real-life company names [has been brought](https://writing.stackexchange.com/questions/49995/use-of-real-company-name-in-fiction-generic-common-names) [up before](https://writing.stackexchange.com/questions/12369/pros-and-cons-of-using-real-brand-company-names?rq=1), but this is a really",
"a drive-in burger chain based out of Oklahoma and is primarily found in",
"a reference to this fast food franchise to make the setting seem more",
"as disparaging to the chain. The chain has hundreds of locations, so it's",
"the reference as there aren't a ton of thing in that part of",
"run into that doesn't seem covered by the previous examples. I don't know",
"just depicting the region as a genetic flyover state with the numbers filed",
"a teenage character gets a part-time job working at this fast food restaurant,",
"fast food franchise to make the setting seem more authentic: i.e., readers that",
"no social skills. The character ends up getting fired, but they're fired because",
"very small chain. And the comedy is just generic \"teenager hates being forced",
"examples that are virtually unique to the Rocky Mountain states like Utah, Wyoming,",
"out of the woods after being lost and saw a *Tim Horton's*, you're",
"popular among Californians. There are a couple of other chains which are common",
"primarily found in the American Deep South where the weather is warm enough",
"worried about the legality of the whole thing. The idea was that a",
"the case for other countries, but in North America in addition to the",
"whole thing. The idea was that a teenage character gets a part-time job",
"business model to work. *Whataburger* is a similar chain located primarily in Texas",
"different regions of North America apart. I.e., if you wandered out of the",
"has hundreds of locations, so it's not like I'm making fun of a",
"of Oklahoma and is primarily found in the American Deep South where the",
"I have a story set in a particular region of the United States,",
"their business model to work. *Whataburger* is a similar chain located primarily in",
"*Arctic Circle* are two really weird examples that are virtually unique to the",
"the setting seem more authentic: i.e., readers that had been to the region",
"that doesn't seem covered by the previous examples. I don't know if this",
"* *In-N-Out* is a similar drive-in burger chain that is primarily located in",
"as a genetic flyover state with the numbers filed off. The issue is",
"the U.S. that scream \"this is set in this state\", but at the",
"South where the weather is warm enough for their business model to work."
] |
[
"comics like The Walking Dead seem to have SFX for every action in",
"I'm currently writing my first graphic novel/comic and am wondering when people feel",
"had no SFX whatsoever, while others did, which kind of confuses me. So",
"such as Marvel's X-Men don't. Just flipping through X-Men 8-10, many actions such",
"some cases such as a particularly significant explosion when no SFX should be",
"it probably depends on the tone of the story (for reference mine leans",
"to combat scenes. Some comics like The Walking Dead seem to have SFX",
"swords and explosions had no SFX whatsoever, while others did, which kind of",
"Just flipping through X-Men 8-10, many actions such as slashing of swords and",
"every action in combat scenes, from explosions to gunshots, where as others such",
"probably depends on the tone of the story (for reference mine leans on",
"as others such as Marvel's X-Men don't. Just flipping through X-Men 8-10, many",
"as a particularly significant explosion when no SFX should be added? What's the",
"I add them? Are there some cases such as a particularly significant explosion",
"currently writing my first graphic novel/comic and am wondering when people feel SFX",
"I intend to limit them mainly to combat scenes. Some comics like The",
"I know it probably depends on the tone of the story (for reference",
"for every action in combat scenes, from explosions to gunshots, where as others",
"scenes, from explosions to gunshots, where as others such as Marvel's X-Men don't.",
"action in combat scenes, from explosions to gunshots, where as others such as",
"and explosions had no SFX whatsoever, while others did, which kind of confuses",
"be added. I know it probably depends on the tone of the story",
"to limit them mainly to combat scenes. Some comics like The Walking Dead",
"when should I add them? Are there some cases such as a particularly",
"of swords and explosions had no SFX whatsoever, while others did, which kind",
"did, which kind of confuses me. So this leaves me with the question",
"added? What's the general rule, if any? Any advice and thoughts on this",
"should be added? What's the general rule, if any? Any advice and thoughts",
"I know for myself I intend to limit them mainly to combat scenes.",
"limit them mainly to combat scenes. Some comics like The Walking Dead seem",
"combat scenes. Some comics like The Walking Dead seem to have SFX for",
"on the tone of the story (for reference mine leans on the more",
"like The Walking Dead seem to have SFX for every action in combat",
"for myself I intend to limit them mainly to combat scenes. Some comics",
"significant explosion when no SFX should be added? What's the general rule, if",
"in combat scenes, from explosions to gunshots, where as others such as Marvel's",
"me with the question of when should I add them? Are there some",
"which kind of confuses me. So this leaves me with the question of",
"X-Men 8-10, many actions such as slashing of swords and explosions had no",
"where as others such as Marvel's X-Men don't. Just flipping through X-Men 8-10,",
"reference mine leans on the more serious side, a sci-fi civil war story).",
"actions such as slashing of swords and explosions had no SFX whatsoever, while",
"them mainly to combat scenes. Some comics like The Walking Dead seem to",
"What's the general rule, if any? Any advice and thoughts on this topic",
"no SFX whatsoever, while others did, which kind of confuses me. So this",
"mine leans on the more serious side, a sci-fi civil war story). I",
"the tone of the story (for reference mine leans on the more serious",
"sci-fi civil war story). I know for myself I intend to limit them",
"slashing of swords and explosions had no SFX whatsoever, while others did, which",
"have SFX for every action in combat scenes, from explosions to gunshots, where",
"seem to have SFX for every action in combat scenes, from explosions to",
"be added? What's the general rule, if any? Any advice and thoughts on",
"combat scenes, from explosions to gunshots, where as others such as Marvel's X-Men",
"others such as Marvel's X-Men don't. Just flipping through X-Men 8-10, many actions",
"any? Any advice and thoughts on this topic are much appreciated, thanks :)",
"explosions to gunshots, where as others such as Marvel's X-Men don't. Just flipping",
"of when should I add them? Are there some cases such as a",
"tone of the story (for reference mine leans on the more serious side,",
"don't. Just flipping through X-Men 8-10, many actions such as slashing of swords",
"such as slashing of swords and explosions had no SFX whatsoever, while others",
"question of when should I add them? Are there some cases such as",
"when people feel SFX should be added. I know it probably depends on",
"the more serious side, a sci-fi civil war story). I know for myself",
"myself I intend to limit them mainly to combat scenes. Some comics like",
"intend to limit them mainly to combat scenes. Some comics like The Walking",
"flipping through X-Men 8-10, many actions such as slashing of swords and explosions",
"SFX whatsoever, while others did, which kind of confuses me. So this leaves",
"gunshots, where as others such as Marvel's X-Men don't. Just flipping through X-Men",
"on the more serious side, a sci-fi civil war story). I know for",
"8-10, many actions such as slashing of swords and explosions had no SFX",
"confuses me. So this leaves me with the question of when should I",
"a particularly significant explosion when no SFX should be added? What's the general",
"as slashing of swords and explosions had no SFX whatsoever, while others did,",
"SFX should be added? What's the general rule, if any? Any advice and",
"SFX should be added. I know it probably depends on the tone of",
"added. I know it probably depends on the tone of the story (for",
"story (for reference mine leans on the more serious side, a sci-fi civil",
"more serious side, a sci-fi civil war story). I know for myself I",
"Walking Dead seem to have SFX for every action in combat scenes, from",
"Dead seem to have SFX for every action in combat scenes, from explosions",
"such as a particularly significant explosion when no SFX should be added? What's",
"Marvel's X-Men don't. Just flipping through X-Men 8-10, many actions such as slashing",
"and am wondering when people feel SFX should be added. I know it",
"leaves me with the question of when should I add them? Are there",
"explosion when no SFX should be added? What's the general rule, if any?",
"should I add them? Are there some cases such as a particularly significant",
"(for reference mine leans on the more serious side, a sci-fi civil war",
"first graphic novel/comic and am wondering when people feel SFX should be added.",
"depends on the tone of the story (for reference mine leans on the",
"SFX for every action in combat scenes, from explosions to gunshots, where as",
"my first graphic novel/comic and am wondering when people feel SFX should be",
"the story (for reference mine leans on the more serious side, a sci-fi",
"feel SFX should be added. I know it probably depends on the tone",
"people feel SFX should be added. I know it probably depends on the",
"serious side, a sci-fi civil war story). I know for myself I intend",
"from explosions to gunshots, where as others such as Marvel's X-Men don't. Just",
"novel/comic and am wondering when people feel SFX should be added. I know",
"leans on the more serious side, a sci-fi civil war story). I know",
"general rule, if any? Any advice and thoughts on this topic are much",
"cases such as a particularly significant explosion when no SFX should be added?",
"with the question of when should I add them? Are there some cases",
"no SFX should be added? What's the general rule, if any? Any advice",
"So this leaves me with the question of when should I add them?",
"should be added. I know it probably depends on the tone of the",
"others did, which kind of confuses me. So this leaves me with the",
"the general rule, if any? Any advice and thoughts on this topic are",
"to have SFX for every action in combat scenes, from explosions to gunshots,",
"graphic novel/comic and am wondering when people feel SFX should be added. I",
"a sci-fi civil war story). I know for myself I intend to limit",
"through X-Men 8-10, many actions such as slashing of swords and explosions had",
"Are there some cases such as a particularly significant explosion when no SFX",
"many actions such as slashing of swords and explosions had no SFX whatsoever,",
"when no SFX should be added? What's the general rule, if any? Any",
"the question of when should I add them? Are there some cases such",
"mainly to combat scenes. Some comics like The Walking Dead seem to have",
"X-Men don't. Just flipping through X-Men 8-10, many actions such as slashing of",
"particularly significant explosion when no SFX should be added? What's the general rule,",
"to gunshots, where as others such as Marvel's X-Men don't. Just flipping through",
"of the story (for reference mine leans on the more serious side, a",
"there some cases such as a particularly significant explosion when no SFX should",
"war story). I know for myself I intend to limit them mainly to",
"me. So this leaves me with the question of when should I add",
"wondering when people feel SFX should be added. I know it probably depends",
"as Marvel's X-Men don't. Just flipping through X-Men 8-10, many actions such as",
"kind of confuses me. So this leaves me with the question of when",
"Some comics like The Walking Dead seem to have SFX for every action",
"rule, if any? Any advice and thoughts on this topic are much appreciated,",
"of confuses me. So this leaves me with the question of when should",
"add them? Are there some cases such as a particularly significant explosion when",
"them? Are there some cases such as a particularly significant explosion when no",
"writing my first graphic novel/comic and am wondering when people feel SFX should",
"story). I know for myself I intend to limit them mainly to combat",
"know for myself I intend to limit them mainly to combat scenes. Some",
"civil war story). I know for myself I intend to limit them mainly",
"scenes. Some comics like The Walking Dead seem to have SFX for every",
"while others did, which kind of confuses me. So this leaves me with",
"am wondering when people feel SFX should be added. I know it probably",
"side, a sci-fi civil war story). I know for myself I intend to",
"know it probably depends on the tone of the story (for reference mine",
"this leaves me with the question of when should I add them? Are",
"explosions had no SFX whatsoever, while others did, which kind of confuses me.",
"if any? Any advice and thoughts on this topic are much appreciated, thanks",
"whatsoever, while others did, which kind of confuses me. So this leaves me",
"The Walking Dead seem to have SFX for every action in combat scenes,"
] |
[
"a solid climax--which I've always known as a turning point for the characters",
"group of supporting characters in a plan to save people who were taken",
"they've seen in the past and now they find themselves needing to stop",
"plan and everything that goes with it is basically the whole premise of",
"reveal) and have a separate climax for A and B? Or combine them?",
"a whole new climax? I hope this is clear. (By the way, I",
"POV's--to become lovers at some point in the story/series. They are brought together",
"saves A's sister, and then ally with a group of supporting characters in",
"save people who were taken away by the government as part of a",
"I hope this is clear. (By the way, I don't plan for this",
"hope this is clear. (By the way, I don't plan for this novel",
"were taken away by the government as part of a \"corrupted plan,\" lets",
"to do with Characters A and B. But their romance is more of",
"goes with it is basically the whole premise of the story, but its",
"don't know about. My \"climax\" was originally going to be when this corrupted",
"whole new climax? I hope this is clear. (By the way, I don't",
"plan to save people who were taken away by the government as part",
"lets call it, they don't know about. My \"climax\" was originally going to",
"about. My \"climax\" was originally going to be when this corrupted plan is",
"known as a turning point for the characters and usually the most dramatic",
"I could keep that climax (the reveal) and have a separate climax for",
"the story, but its reveal doesn't really seem like a turning point for",
"plan for Character A and Character B--the two POV's--to become lovers at some",
"like a turning point for my characters. Is there a way I could",
"ally with a group of supporting characters in a plan to save people",
"B. But their romance is more of subplot, not really affecting the main",
"their romance is more of subplot, not really affecting the main plot much.",
"climax? I hope this is clear. (By the way, I don't plan for",
"really seem like a turning point for my characters. Is there a way",
"and B. But their romance is more of subplot, not really affecting the",
"I'm currently outlining a YA dystopian/science fiction novel, with two alternating POV's, but",
"and then ally with a group of supporting characters in a plan to",
"B saves A's sister, and then ally with a group of supporting characters",
"originally going to be when this corrupted plan is revealed by the president",
"B? Or combine them? Or just figure out a whole new climax? I",
"but I realized I don't really have a solid climax--which I've always known",
"\"corrupted plan.\" Stopping the plan and everything that goes with it is basically",
"at some point in the story/series. They are brought together after B saves",
"president of this dystopian society. This causes the main characters to connect the",
"should have something to do with Characters A and B. But their romance",
"the plot would be stopping the \"corrupted plan.\" Stopping the plan and everything",
"climax for A and B? Or combine them? Or just figure out a",
"this corrupted plan is revealed by the president of this dystopian society. This",
"away by the government as part of a \"corrupted plan,\" lets call it,",
"a \"corrupted plan,\" lets call it, they don't know about. My \"climax\" was",
"whole premise of the story, but its reveal doesn't really seem like a",
"to save people who were taken away by the government as part of",
"the past and now they find themselves needing to stop this plan. I",
"by the government as part of a \"corrupted plan,\" lets call it, they",
"government as part of a \"corrupted plan,\" lets call it, they don't know",
"clear. (By the way, I don't plan for this novel to be a",
"brought together after B saves A's sister, and then ally with a group",
"and B? Or combine them? Or just figure out a whole new climax?",
"who were taken away by the government as part of a \"corrupted plan,\"",
"novel, with two alternating POV's, but I realized I don't really have a",
"realized I don't really have a solid climax--which I've always known as a",
"characters in a plan to save people who were taken away by the",
"taken away by the government as part of a \"corrupted plan,\" lets call",
"The main part of the plot would be stopping the \"corrupted plan.\" Stopping",
"was originally going to be when this corrupted plan is revealed by the",
"of the plot would be stopping the \"corrupted plan.\" Stopping the plan and",
"a turning point for the characters and usually the most dramatic part of",
"don't really have a solid climax--which I've always known as a turning point",
"as a turning point for the characters and usually the most dramatic part",
"part of the story. **Some background:** I plan for Character A and Character",
"causes the main characters to connect the dots from what they've seen in",
"characters to connect the dots from what they've seen in the past and",
"but its reveal doesn't really seem like a turning point for my characters.",
"a separate climax for A and B? Or combine them? Or just figure",
"seen in the past and now they find themselves needing to stop this",
"the dots from what they've seen in the past and now they find",
"is revealed by the president of this dystopian society. This causes the main",
"a way I could keep that climax (the reveal) and have a separate",
"characters and usually the most dramatic part of the story. **Some background:** I",
"needing to stop this plan. I was thinking the climax should have something",
"dystopian society. This causes the main characters to connect the dots from what",
"they find themselves needing to stop this plan. I was thinking the climax",
"from what they've seen in the past and now they find themselves needing",
"have something to do with Characters A and B. But their romance is",
"I realized I don't really have a solid climax--which I've always known as",
"the plan and everything that goes with it is basically the whole premise",
"two alternating POV's, but I realized I don't really have a solid climax--which",
"supporting characters in a plan to save people who were taken away by",
"separate climax for A and B? Or combine them? Or just figure out",
"A and B? Or combine them? Or just figure out a whole new",
"and now they find themselves needing to stop this plan. I was thinking",
"the characters and usually the most dramatic part of the story. **Some background:**",
"the \"corrupted plan.\" Stopping the plan and everything that goes with it is",
"of supporting characters in a plan to save people who were taken away",
"story, but its reveal doesn't really seem like a turning point for my",
"dystopian/science fiction novel, with two alternating POV's, but I realized I don't really",
"and everything that goes with it is basically the whole premise of the",
"plot much. The main part of the plot would be stopping the \"corrupted",
"new climax? I hope this is clear. (By the way, I don't plan",
"basically the whole premise of the story, but its reveal doesn't really seem",
"outlining a YA dystopian/science fiction novel, with two alternating POV's, but I realized",
"a YA dystopian/science fiction novel, with two alternating POV's, but I realized I",
"my characters. Is there a way I could keep that climax (the reveal)",
"I don't really have a solid climax--which I've always known as a turning",
"have a solid climax--which I've always known as a turning point for the",
"I was thinking the climax should have something to do with Characters A",
"would be stopping the \"corrupted plan.\" Stopping the plan and everything that goes",
"usually the most dramatic part of the story. **Some background:** I plan for",
"to be when this corrupted plan is revealed by the president of this",
"then ally with a group of supporting characters in a plan to save",
"A and Character B--the two POV's--to become lovers at some point in the",
"the president of this dystopian society. This causes the main characters to connect",
"for A and B? Or combine them? Or just figure out a whole",
"for the characters and usually the most dramatic part of the story. **Some",
"do with Characters A and B. But their romance is more of subplot,",
"story. **Some background:** I plan for Character A and Character B--the two POV's--to",
"plot would be stopping the \"corrupted plan.\" Stopping the plan and everything that",
"a plan to save people who were taken away by the government as",
"this plan. I was thinking the climax should have something to do with",
"Is there a way I could keep that climax (the reveal) and have",
"when this corrupted plan is revealed by the president of this dystopian society.",
"I plan for Character A and Character B--the two POV's--to become lovers at",
"corrupted plan is revealed by the president of this dystopian society. This causes",
"most dramatic part of the story. **Some background:** I plan for Character A",
"affecting the main plot much. The main part of the plot would be",
"of a \"corrupted plan,\" lets call it, they don't know about. My \"climax\"",
"this dystopian society. This causes the main characters to connect the dots from",
"dramatic part of the story. **Some background:** I plan for Character A and",
"and Character B--the two POV's--to become lovers at some point in the story/series.",
"climax (the reveal) and have a separate climax for A and B? Or",
"out a whole new climax? I hope this is clear. (By the way,",
"in the past and now they find themselves needing to stop this plan.",
"two POV's--to become lovers at some point in the story/series. They are brought",
"was thinking the climax should have something to do with Characters A and",
"the story. **Some background:** I plan for Character A and Character B--the two",
"seem like a turning point for my characters. Is there a way I",
"romance is more of subplot, not really affecting the main plot much. The",
"and have a separate climax for A and B? Or combine them? Or",
"with a group of supporting characters in a plan to save people who",
"point for my characters. Is there a way I could keep that climax",
"reveal doesn't really seem like a turning point for my characters. Is there",
"that climax (the reveal) and have a separate climax for A and B?",
"just figure out a whole new climax? I hope this is clear. (By",
"revealed by the president of this dystopian society. This causes the main characters",
"premise of the story, but its reveal doesn't really seem like a turning",
"them? Or just figure out a whole new climax? I hope this is",
"main part of the plot would be stopping the \"corrupted plan.\" Stopping the",
"Or just figure out a whole new climax? I hope this is clear.",
"this is clear. (By the way, I don't plan for this novel to",
"what they've seen in the past and now they find themselves needing to",
"society. This causes the main characters to connect the dots from what they've",
"combine them? Or just figure out a whole new climax? I hope this",
"the most dramatic part of the story. **Some background:** I plan for Character",
"its reveal doesn't really seem like a turning point for my characters. Is",
"are brought together after B saves A's sister, and then ally with a",
"the climax should have something to do with Characters A and B. But",
"and usually the most dramatic part of the story. **Some background:** I plan",
"\"climax\" was originally going to be when this corrupted plan is revealed by",
"call it, they don't know about. My \"climax\" was originally going to be",
"past and now they find themselves needing to stop this plan. I was",
"stop this plan. I was thinking the climax should have something to do",
"part of the plot would be stopping the \"corrupted plan.\" Stopping the plan",
"a group of supporting characters in a plan to save people who were",
"by the president of this dystopian society. This causes the main characters to",
"Stopping the plan and everything that goes with it is basically the whole",
"solid climax--which I've always known as a turning point for the characters and",
"people who were taken away by the government as part of a \"corrupted",
"it, they don't know about. My \"climax\" was originally going to be when",
"find themselves needing to stop this plan. I was thinking the climax should",
"way I could keep that climax (the reveal) and have a separate climax",
"with two alternating POV's, but I realized I don't really have a solid",
"My \"climax\" was originally going to be when this corrupted plan is revealed",
"They are brought together after B saves A's sister, and then ally with",
"have a separate climax for A and B? Or combine them? Or just",
"the story/series. They are brought together after B saves A's sister, and then",
"with Characters A and B. But their romance is more of subplot, not",
"the main plot much. The main part of the plot would be stopping",
"of the story, but its reveal doesn't really seem like a turning point",
"subplot, not really affecting the main plot much. The main part of the",
"currently outlining a YA dystopian/science fiction novel, with two alternating POV's, but I",
"the government as part of a \"corrupted plan,\" lets call it, they don't",
"there a way I could keep that climax (the reveal) and have a",
"point for the characters and usually the most dramatic part of the story.",
"point in the story/series. They are brought together after B saves A's sister,",
"main plot much. The main part of the plot would be stopping the",
"B--the two POV's--to become lovers at some point in the story/series. They are",
"to connect the dots from what they've seen in the past and now",
"is basically the whole premise of the story, but its reveal doesn't really",
"as part of a \"corrupted plan,\" lets call it, they don't know about.",
"Or combine them? Or just figure out a whole new climax? I hope",
"the whole premise of the story, but its reveal doesn't really seem like",
"become lovers at some point in the story/series. They are brought together after",
"of the story. **Some background:** I plan for Character A and Character B--the",
"POV's, but I realized I don't really have a solid climax--which I've always",
"always known as a turning point for the characters and usually the most",
"fiction novel, with two alternating POV's, but I realized I don't really have",
"the main characters to connect the dots from what they've seen in the",
"something to do with Characters A and B. But their romance is more",
"is clear. (By the way, I don't plan for this novel to be",
"climax--which I've always known as a turning point for the characters and usually",
"turning point for my characters. Is there a way I could keep that",
"plan,\" lets call it, they don't know about. My \"climax\" was originally going",
"it is basically the whole premise of the story, but its reveal doesn't",
"(the reveal) and have a separate climax for A and B? Or combine",
"main characters to connect the dots from what they've seen in the past",
"(By the way, I don't plan for this novel to be a standalone)",
"could keep that climax (the reveal) and have a separate climax for A",
"themselves needing to stop this plan. I was thinking the climax should have",
"going to be when this corrupted plan is revealed by the president of",
"turning point for the characters and usually the most dramatic part of the",
"for Character A and Character B--the two POV's--to become lovers at some point",
"of this dystopian society. This causes the main characters to connect the dots",
"Characters A and B. But their romance is more of subplot, not really",
"But their romance is more of subplot, not really affecting the main plot",
"really affecting the main plot much. The main part of the plot would",
"figure out a whole new climax? I hope this is clear. (By the",
"they don't know about. My \"climax\" was originally going to be when this",
"I've always known as a turning point for the characters and usually the",
"together after B saves A's sister, and then ally with a group of",
"stopping the \"corrupted plan.\" Stopping the plan and everything that goes with it",
"after B saves A's sister, and then ally with a group of supporting",
"now they find themselves needing to stop this plan. I was thinking the",
"\"corrupted plan,\" lets call it, they don't know about. My \"climax\" was originally",
"of subplot, not really affecting the main plot much. The main part of",
"be stopping the \"corrupted plan.\" Stopping the plan and everything that goes with",
"keep that climax (the reveal) and have a separate climax for A and",
"plan.\" Stopping the plan and everything that goes with it is basically the",
"that goes with it is basically the whole premise of the story, but",
"thinking the climax should have something to do with Characters A and B.",
"be when this corrupted plan is revealed by the president of this dystopian",
"plan is revealed by the president of this dystopian society. This causes the",
"climax should have something to do with Characters A and B. But their",
"A and B. But their romance is more of subplot, not really affecting",
"**Some background:** I plan for Character A and Character B--the two POV's--to become",
"lovers at some point in the story/series. They are brought together after B",
"A's sister, and then ally with a group of supporting characters in a",
"really have a solid climax--which I've always known as a turning point for",
"Character B--the two POV's--to become lovers at some point in the story/series. They",
"in the story/series. They are brought together after B saves A's sister, and",
"know about. My \"climax\" was originally going to be when this corrupted plan",
"is more of subplot, not really affecting the main plot much. The main",
"much. The main part of the plot would be stopping the \"corrupted plan.\"",
"a turning point for my characters. Is there a way I could keep",
"sister, and then ally with a group of supporting characters in a plan",
"This causes the main characters to connect the dots from what they've seen",
"YA dystopian/science fiction novel, with two alternating POV's, but I realized I don't",
"Character A and Character B--the two POV's--to become lovers at some point in",
"to stop this plan. I was thinking the climax should have something to",
"everything that goes with it is basically the whole premise of the story,",
"characters. Is there a way I could keep that climax (the reveal) and",
"more of subplot, not really affecting the main plot much. The main part",
"background:** I plan for Character A and Character B--the two POV's--to become lovers",
"story/series. They are brought together after B saves A's sister, and then ally",
"plan. I was thinking the climax should have something to do with Characters",
"for my characters. Is there a way I could keep that climax (the",
"some point in the story/series. They are brought together after B saves A's",
"in a plan to save people who were taken away by the government",
"connect the dots from what they've seen in the past and now they",
"doesn't really seem like a turning point for my characters. Is there a",
"dots from what they've seen in the past and now they find themselves",
"part of a \"corrupted plan,\" lets call it, they don't know about. My",
"not really affecting the main plot much. The main part of the plot",
"alternating POV's, but I realized I don't really have a solid climax--which I've",
"with it is basically the whole premise of the story, but its reveal"
] |
[
"went out.' There! Issue solved.\" But she kinda went psyched about the topic.",
"question that my friend asked me one day and I was caught unprepared.",
"never been in the boy's restroom before, how do you know what it",
"went to the restroom then went out.' There! Issue solved.\" But she kinda",
"This is a highly embarrassing question that my friend asked me one day",
"eyes widened. \"What if your character went into the restroom?!\" I still didn't",
"been in the boy's restroom before, how do you know what it like",
"\"Yeah. What wrong with it?\" Then her eyes widened. \"What if your character",
"like: \"You never been in the boy's restroom before, how do you know",
"the boy's restroom before, how do you know what it like inside?\" And",
"typing this question for her. How do authors describe the inside of private",
"went into the restroom?!\" I still didn't understand the problem until she was",
"the restroom by typing 'I went to the restroom then went out.' There!",
"before, how do you know what it like inside?\" And I was like,",
"kinda went psyched about the topic. So that why I'm typing this question",
"how do you know what it like inside?\" And I was like, \"I'm",
"topic. So that why I'm typing this question for her. How do authors",
"restroom then went out.' There! Issue solved.\" But she kinda went psyched about",
"restroom before, how do you know what it like inside?\" And I was",
"why I'm typing this question for her. How do authors describe the inside",
"do authors describe the inside of private *inside* when they never been in",
"day and I was caught unprepared. She was like, \"You're writing in a",
"Then her eyes widened. \"What if your character went into the restroom?!\" I",
"said, \"Yeah. What wrong with it?\" Then her eyes widened. \"What if your",
"going to avoid describing the restroom by typing 'I went to the restroom",
"do you know what it like inside?\" And I was like, \"I'm going",
"avoid describing the restroom by typing 'I went to the restroom then went",
"out.' There! Issue solved.\" But she kinda went psyched about the topic. So",
"the problem until she was like: \"You never been in the boy's restroom",
"authors describe the inside of private *inside* when they never been in before?",
"one day and I was caught unprepared. She was like, \"You're writing in",
"\"You're writing in a boy's perspective, right?\" I said, \"Yeah. What wrong with",
"it?\" Then her eyes widened. \"What if your character went into the restroom?!\"",
"the topic. So that why I'm typing this question for her. How do",
"then went out.' There! Issue solved.\" But she kinda went psyched about the",
"friend asked me one day and I was caught unprepared. She was like,",
"inside?\" And I was like, \"I'm going to avoid describing the restroom by",
"know what it like inside?\" And I was like, \"I'm going to avoid",
"it like inside?\" And I was like, \"I'm going to avoid describing the",
"restroom?!\" I still didn't understand the problem until she was like: \"You never",
"solved.\" But she kinda went psyched about the topic. So that why I'm",
"she kinda went psyched about the topic. So that why I'm typing this",
"a boy's perspective, right?\" I said, \"Yeah. What wrong with it?\" Then her",
"into the restroom?!\" I still didn't understand the problem until she was like:",
"that my friend asked me one day and I was caught unprepared. She",
"the restroom then went out.' There! Issue solved.\" But she kinda went psyched",
"caught unprepared. She was like, \"You're writing in a boy's perspective, right?\" I",
"So that why I'm typing this question for her. How do authors describe",
"like inside?\" And I was like, \"I'm going to avoid describing the restroom",
"a highly embarrassing question that my friend asked me one day and I",
"\"You never been in the boy's restroom before, how do you know what",
"about the topic. So that why I'm typing this question for her. How",
"like, \"You're writing in a boy's perspective, right?\" I said, \"Yeah. What wrong",
"She was like, \"You're writing in a boy's perspective, right?\" I said, \"Yeah.",
"in the boy's restroom before, how do you know what it like inside?\"",
"me one day and I was caught unprepared. She was like, \"You're writing",
"I was caught unprepared. She was like, \"You're writing in a boy's perspective,",
"like, \"I'm going to avoid describing the restroom by typing 'I went to",
"boy's restroom before, how do you know what it like inside?\" And I",
"embarrassing question that my friend asked me one day and I was caught",
"\"I'm going to avoid describing the restroom by typing 'I went to the",
"There! Issue solved.\" But she kinda went psyched about the topic. So that",
"right?\" I said, \"Yeah. What wrong with it?\" Then her eyes widened. \"What",
"Issue solved.\" But she kinda went psyched about the topic. So that why",
"was like: \"You never been in the boy's restroom before, how do you",
"her eyes widened. \"What if your character went into the restroom?!\" I still",
"for her. How do authors describe the inside of private *inside* when they",
"describing the restroom by typing 'I went to the restroom then went out.'",
"typing 'I went to the restroom then went out.' There! Issue solved.\" But",
"was like, \"You're writing in a boy's perspective, right?\" I said, \"Yeah. What",
"until she was like: \"You never been in the boy's restroom before, how",
"that why I'm typing this question for her. How do authors describe the",
"writing in a boy's perspective, right?\" I said, \"Yeah. What wrong with it?\"",
"in a boy's perspective, right?\" I said, \"Yeah. What wrong with it?\" Then",
"And I was like, \"I'm going to avoid describing the restroom by typing",
"this question for her. How do authors describe the inside of private *inside*",
"still didn't understand the problem until she was like: \"You never been in",
"I was like, \"I'm going to avoid describing the restroom by typing 'I",
"I said, \"Yeah. What wrong with it?\" Then her eyes widened. \"What if",
"was like, \"I'm going to avoid describing the restroom by typing 'I went",
"character went into the restroom?!\" I still didn't understand the problem until she",
"your character went into the restroom?!\" I still didn't understand the problem until",
"you know what it like inside?\" And I was like, \"I'm going to",
"is a highly embarrassing question that my friend asked me one day and",
"\"What if your character went into the restroom?!\" I still didn't understand the",
"what it like inside?\" And I was like, \"I'm going to avoid describing",
"her. How do authors describe the inside of private *inside* when they never",
"the restroom?!\" I still didn't understand the problem until she was like: \"You",
"What wrong with it?\" Then her eyes widened. \"What if your character went",
"she was like: \"You never been in the boy's restroom before, how do",
"was caught unprepared. She was like, \"You're writing in a boy's perspective, right?\"",
"my friend asked me one day and I was caught unprepared. She was",
"by typing 'I went to the restroom then went out.' There! Issue solved.\"",
"psyched about the topic. So that why I'm typing this question for her.",
"unprepared. She was like, \"You're writing in a boy's perspective, right?\" I said,",
"wrong with it?\" Then her eyes widened. \"What if your character went into",
"'I went to the restroom then went out.' There! Issue solved.\" But she",
"with it?\" Then her eyes widened. \"What if your character went into the",
"How do authors describe the inside of private *inside* when they never been",
"perspective, right?\" I said, \"Yeah. What wrong with it?\" Then her eyes widened.",
"and I was caught unprepared. She was like, \"You're writing in a boy's",
"question for her. How do authors describe the inside of private *inside* when",
"I'm typing this question for her. How do authors describe the inside of",
"problem until she was like: \"You never been in the boy's restroom before,",
"to avoid describing the restroom by typing 'I went to the restroom then",
"to the restroom then went out.' There! Issue solved.\" But she kinda went",
"widened. \"What if your character went into the restroom?!\" I still didn't understand",
"restroom by typing 'I went to the restroom then went out.' There! Issue",
"if your character went into the restroom?!\" I still didn't understand the problem",
"highly embarrassing question that my friend asked me one day and I was",
"went psyched about the topic. So that why I'm typing this question for",
"boy's perspective, right?\" I said, \"Yeah. What wrong with it?\" Then her eyes",
"I still didn't understand the problem until she was like: \"You never been",
"understand the problem until she was like: \"You never been in the boy's",
"But she kinda went psyched about the topic. So that why I'm typing",
"asked me one day and I was caught unprepared. She was like, \"You're",
"didn't understand the problem until she was like: \"You never been in the"
] |
[
"1 is the absolute maximum for some reason, an explanation for that would",
"do, it's difficult to weave all of the threads back together. Any tips/resources",
"all of the threads back together. Any tips/resources for selecting the correct scope",
"scope for an essay or structuring one to accommodate several threads? (If 1",
"essay or structuring one to accommodate several threads? (If 1 is the absolute",
"I'm trying to write an essay but find myself tempted to spin off",
"essay but find myself tempted to spin off in too many directions. Once",
"maximum for some reason, an explanation for that would be helpful as well.)",
"weave all of the threads back together. Any tips/resources for selecting the correct",
"trying to write an essay but find myself tempted to spin off in",
"threads? (If 1 is the absolute maximum for some reason, an explanation for",
"many directions. Once I do, it's difficult to weave all of the threads",
"Any tips/resources for selecting the correct scope for an essay or structuring one",
"an essay or structuring one to accommodate several threads? (If 1 is the",
"for selecting the correct scope for an essay or structuring one to accommodate",
"to accommodate several threads? (If 1 is the absolute maximum for some reason,",
"threads back together. Any tips/resources for selecting the correct scope for an essay",
"(If 1 is the absolute maximum for some reason, an explanation for that",
"difficult to weave all of the threads back together. Any tips/resources for selecting",
"for an essay or structuring one to accommodate several threads? (If 1 is",
"Once I do, it's difficult to weave all of the threads back together.",
"too many directions. Once I do, it's difficult to weave all of the",
"tempted to spin off in too many directions. Once I do, it's difficult",
"of the threads back together. Any tips/resources for selecting the correct scope for",
"tips/resources for selecting the correct scope for an essay or structuring one to",
"for some reason, an explanation for that would be helpful as well.) Thanks!",
"structuring one to accommodate several threads? (If 1 is the absolute maximum for",
"several threads? (If 1 is the absolute maximum for some reason, an explanation",
"I do, it's difficult to weave all of the threads back together. Any",
"off in too many directions. Once I do, it's difficult to weave all",
"or structuring one to accommodate several threads? (If 1 is the absolute maximum",
"the threads back together. Any tips/resources for selecting the correct scope for an",
"directions. Once I do, it's difficult to weave all of the threads back",
"selecting the correct scope for an essay or structuring one to accommodate several",
"the absolute maximum for some reason, an explanation for that would be helpful",
"find myself tempted to spin off in too many directions. Once I do,",
"together. Any tips/resources for selecting the correct scope for an essay or structuring",
"one to accommodate several threads? (If 1 is the absolute maximum for some",
"absolute maximum for some reason, an explanation for that would be helpful as",
"is the absolute maximum for some reason, an explanation for that would be",
"write an essay but find myself tempted to spin off in too many",
"accommodate several threads? (If 1 is the absolute maximum for some reason, an",
"myself tempted to spin off in too many directions. Once I do, it's",
"in too many directions. Once I do, it's difficult to weave all of",
"an essay but find myself tempted to spin off in too many directions.",
"to weave all of the threads back together. Any tips/resources for selecting the",
"correct scope for an essay or structuring one to accommodate several threads? (If",
"back together. Any tips/resources for selecting the correct scope for an essay or",
"but find myself tempted to spin off in too many directions. Once I",
"it's difficult to weave all of the threads back together. Any tips/resources for",
"to spin off in too many directions. Once I do, it's difficult to",
"to write an essay but find myself tempted to spin off in too",
"spin off in too many directions. Once I do, it's difficult to weave",
"the correct scope for an essay or structuring one to accommodate several threads?"
] |
[
"> The cottage had a weary, tired look, but, little in size, it",
"I'm seeing this throughout the story I'm writing... Should I fix an overuse",
"with commas. There is this one, which I can just split in half:",
"overuse of commas? I noticed that the prepositions in the following examples were",
"between commas. I felt that I wanted to keep that pause between, but",
"and wildflowers adorning the brick. > > > But then, I have many",
"I'm writing... Should I fix an overuse of commas in general? How would",
"danced down when winds carried through. > > > Are these big enough",
"childish, with overgrown weeds and wildflowers adorning the brick. > > > But",
"then it leaves a sentence that's scattered with commas. There is this one,",
"that the prepositions in the following examples were sandwiched between commas. I felt",
"examples, but I'm seeing this throughout the story I'm writing... Should I fix",
"felt that I wanted to keep that pause between, but then it leaves",
"I can just split in half: > > The cottage had a weary,",
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"> > > Are these big enough problems? These are only two examples,",
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"commas, but I don't know if it's a big enough deal. I do",
"just split in half: > > The cottage had a weary, tired look,"
] |
[
"at my high school, but my home was just a block away so",
"a few adults he plans to move to a new community and assume",
"get permission to such such a bathroom. When I was in high school",
"never doing anything wrong, and on his reputation, and if it is ever",
"for gym class. Or maybe he will negotiate a reason to be exempted",
"have read that in some modern high schools that is no longer the",
"identity as a ten-year-old girl entering the seventh grade junior high school. Being",
"to girls. Though of course they wouldn't realize just how much different he",
"take him as a test to see how the boys might react to",
"grades. HIs only reason for going to a school instead of studying on",
"wrong, and on his reputation, and if it is ever discovered that he",
"school. And of course there are many thousands of contemporary American high schools",
"of their gym costumes for gym class. And of course if he did",
"be much smaller than his classmates. Anyway, those are the main factors I",
"to be exempted from taking gym class, perhaps on the grounds he will",
"reason to be exempted from taking gym class, perhaps on the grounds he",
"make such an impersonation impossible. So how could my charcter handle those problems",
"might not be possible for him to go home during lunch break, and",
"several more grades. HIs only reason for going to a school instead of",
"to a school instead of studying on the internet is to have a",
"If that is the case he can get away with his deception. As",
"at a time, so he might be able to get permission to such",
"he would see them in their underwear or less. Being a highly eccentric",
"plans to move to a new community and assume a new identity as",
"won't bother explaining. So, with the advice and cooperation of a few adults",
"suffer. So maybe he will wear his gym costume instead of regular clothes",
"being a boy, and everyone will think he is a weird and eccentric",
"of making at least one friend to replace the ones in the old",
"he might not be able to avoid using the bathroom all day. I",
"have restrooms for students who are not gender typical, and those should be",
"boy has three separate strong reasons to take on a new identity, which",
"in the old school he had to leave. Fortunately he is so cute",
"and if it is ever discovered that he is a boy, his reputation",
"me to ask about a story idea I have been thinking about. The",
"one friend to replace the ones in the old school he had to",
"HIs only reason for going to a school instead of studying on the",
"As I remember, kids changed into and out of their gym costumes for",
"ever discovered that he is a boy, his reputation will suffer. So maybe",
"he will wear his gym costume instead of regular clothes all the school",
"chance of making at least one friend to replace the ones in the",
"boys might react to girls. Though of course they wouldn't realize just how",
"class, perhaps on the grounds he will probably graduate before becoming full grown",
"I won't bother explaining. So, with the advice and cooperation of a few",
"those are the main factors I can think of which might make such",
"boy, or how little the school's experience with him will relate to their",
"was often described as a beautiful little girl dressed like a boy, so",
"boy, so if he dresses iike a girl he should not be suspected",
"he should not be suspected of being a boy, and everyone will think",
"exempted from taking gym class, perhaps on the grounds he will probably graduate",
"on the internet is to have a chance of making at least one",
"class, and presumably the girls also did. But I have read that in",
"gym class. Or maybe he will negotiate a reason to be exempted from",
"cooperation of a few adults he plans to move to a new community",
"showered after gym class, and presumably the girls also did. But I have",
"away with his deception. As I remember, kids changed into and out of",
"charcter handle those problems and are there any other big problems I haven't",
"how much different he is from a typical girl or boy, or how",
"One thing he could do is go to an all boys school which",
"the case he can get away with his deception. As I remember, kids",
"wrong for him to use either the boy's bathroom or the girl's bathroom.",
"Though of course they wouldn't realize just how much different he is from",
"with him will relate to their future experience with normal girls. Thus he",
"into and out of their gym costumes for gym class. And of course",
"all boys school which is going to becoming co ed in the future.",
"using the bathroom all day. I hear that some modern schools have restrooms",
"students who are not gender typical, and those should be small enough for",
"block away so I went home and used our bathroom during lunch break",
"that with the girls he would see them in their underwear or less.",
"and thus will always be much smaller than his classmates. Anyway, those are",
"the girls also did. But I have read that in some modern high",
"be better if they could manage it in a more typical high school.",
"girl's bathroom. I never used the boy's bathroom in six years at my",
"as a ten-year-old girl entering the seventh grade junior high school. Being highly",
"could my charcter handle those problems and are there any other big problems",
"a fake identity as a member of a different gender in a contemporary",
"to use either the boy's bathroom or the girl's bathroom. I never used",
"I can think of which might make such an impersonation impossible. So how",
"better if they could manage it in a more typical high school. The",
"often described as a beautiful little girl dressed like a boy, so if",
"much sooner than usual, skipping several more grades. HIs only reason for going",
"and assume a new identity as a ten-year-old girl entering the seventh grade",
"case he can get away with his deception. As I remember, kids changed",
"would be better if they could manage it in a more typical high",
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"thousands of contemporary American high schools and there are probably at least a",
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"thing he could do is go to an all boys school which is",
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"the boys might react to girls. Though of course they wouldn't realize just",
"have any problems with their deception, but It would be better if they",
"a new identity, which I won't bother explaining. So, with the advice and",
"not have any problems with their deception, but It would be better if",
"intends to only take about every other grade and graduate much sooner than",
"to have a chance of making at least one friend to replace the",
"instead of studying on the internet is to have a chance of making",
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"underwear or less. Being a highly eccentric child, he prides himself on never",
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"iike a girl he should not be suspected of being a boy, and",
"making at least one friend to replace the ones in the old school",
"04-25-2021 One thing he could do is go to an all boys school",
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"their underwear or less. Being a highly eccentric child, he prides himself on",
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"using a fake identity as a member of a different gender in a",
"Added 04-25-2021 One thing he could do is go to an all boys",
"any other big problems I haven't thought of? Added 04-25-2021 One thing he",
"those problems and are there any other big problems I haven't thought of?",
"It would be better if they could manage it in a more typical",
"problems with their deception, but It would be better if they could manage",
"school's experience with him will relate to their future experience with normal girls.",
"high school. And of course there are many thousands of contemporary American high",
"not be able to avoid using the bathroom all day. I hear that",
"have a chance of making at least one friend to replace the ones",
"there are many thousands of contemporary American high schools and there are probably",
"him to skip a grade, and he intends to only take about every",
"him to use either the boy's bathroom or the girl's bathroom. I never",
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"and showers, and the girl's locker room and showers would not exist yet.",
"many thousands of contemporary American high schools and there are probably at least",
"haven't thought of? Added 04-25-2021 One thing he could do is go to",
"at least a few where the character would not have any problems with",
"but It would be better if they could manage it in a more",
"during lunch break -I only ate in the school cafeteria once. But it",
"persuaded to take him as a test to see how the boys might",
"it in a more typical high school. The premise is that a rather",
"inspires me to ask about a story idea I have been thinking about.",
"three separate strong reasons to take on a new identity, which I won't",
"handle those problems and are there any other big problems I haven't thought",
"deception. As I remember, kids changed into and out of their gym costumes",
"thus will always be much smaller than his classmates. Anyway, those are the",
"member of a different gender in a contemporary American high school. And of",
"with his deception. As I remember, kids changed into and out of their",
"high schools and there are probably at least a few where the character",
"least one friend to replace the ones in the old school he had",
"probably graduate before becoming full grown and thus will always be much smaller",
"highly eccentric child, he prides himself on never doing anything wrong, and on",
"not be possible for him to go home during lunch break, and he",
"for future girl students a few years in the future. So possibly the",
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"factors I can think of which might make such an impersonation impossible. So",
"are many thousands of contemporary American high schools and there are probably at",
"advice and cooperation of a few adults he plans to move to a",
"and eccentric ten year old boy has three separate strong reasons to take",
"boys showered after gym class, and presumably the girls also did. But I",
"he can get away with his deception. As I remember, kids changed into",
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"less. Being a highly eccentric child, he prides himself on never doing anything",
"ones in the old school he had to leave. Fortunately he is so",
"and eccentric little girl instead of weird and eccentric little boy. Obviously it",
"I hear that some modern schools have restrooms for students who are not",
"bathroom. When I was in high school such an impersonation would never work,",
"to take on a new identity, which I won't bother explaining. So, with",
"be small enough for only one person at a time, so he might",
"high school, but my home was just a block away so I went",
"a beautiful little girl dressed like a boy, so if he dresses iike",
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"gym costumes for gym class. And of course if he did that with",
"and eccentric little boy. Obviously it would be wrong for him to use",
"will always be much smaller than his classmates. Anyway, those are the main",
"reason for going to a school instead of studying on the internet is",
"of changing into it for gym class. Or maybe he will negotiate a",
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"to get permission to such such a bathroom. When I was in high",
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"was in high school such an impersonation would never work, because the boys",
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"be suspected of being a boy, and everyone will think he is a",
"presumably the girls also did. But I have read that in some modern",
"might make such an impersonation impossible. So how could my charcter handle those",
"that some modern schools have restrooms for students who are not gender typical,",
"deception, but It would be better if they could manage it in a",
"with their deception, but It would be better if they could manage it",
"of regular clothes all the school day instead of changing into it for",
"neighbordhood he was often described as a beautiful little girl dressed like a",
"the girls he would see them in their underwear or less. Being a",
"about. The problems of using a fake identity as a member of a",
"the boys showered after gym class, and presumably the girls also did. But",
"anything wrong, and on his reputation, and if it is ever discovered that",
"there are probably at least a few where the character would not have",
"at least one friend to replace the ones in the old school he",
"are there any other big problems I haven't thought of? Added 04-25-2021 One",
"cute that in his old neighbordhood he was often described as a beautiful",
"see how the boys might react to girls. Though of course they wouldn't",
"will wear his gym costume instead of regular clothes all the school day",
"costumes for gym class. And of course if he did that with the",
"react to girls. Though of course they wouldn't realize just how much different",
"a reason to be exempted from taking gym class, perhaps on the grounds",
"of being a boy, and everyone will think he is a weird and",
"in their underwear or less. Being a highly eccentric child, he prides himself",
"old neighbordhood he was often described as a beautiful little girl dressed like",
"So, with the advice and cooperation of a few adults he plans to",
"is to have a chance of making at least one friend to replace",
"his old neighbordhood he was often described as a beautiful little girl dressed",
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"be wrong for him to use either the boy's bathroom or the girl's",
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"eccentric little boy. Obviously it would be wrong for him to use either",
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"I remember, kids changed into and out of their gym costumes for gym",
"negotiate a reason to be exempted from taking gym class, perhaps on the",
"able to get permission to such such a bathroom. When I was in",
"they could manage it in a more typical high school. The premise is",
"how the boys might react to girls. Though of course they wouldn't realize",
"year old boy has three separate strong reasons to take on a new",
"for students who are not gender typical, and those should be small enough",
"out of their gym costumes for gym class. And of course if he",
"taking gym class, perhaps on the grounds he will probably graduate before becoming",
"is ever discovered that he is a boy, his reputation will suffer. So",
"that is no longer the practice. If that is the case he can",
"only one person at a time, so he might be able to get",
"grade, and he intends to only take about every other grade and graduate",
"about every other grade and graduate much sooner than usual, skipping several more",
"school day instead of changing into it for gym class. Or maybe he",
"and presumably the girls also did. But I have read that in some",
"the boy's bathroom or the girl's bathroom. I never used the boy's bathroom",
"weird and eccentric ten year old boy has three separate strong reasons to",
"bathroom or the girl's bathroom. I never used the boy's bathroom in six",
"would never work, because the boys showered after gym class, and presumably the",
"classmates. Anyway, those are the main factors I can think of which might",
"This question [https://writing.stackexchange.com/questions/55633/restrooms-for-characters[1]](https://writing.stackexchange.com/questions/55633/restrooms-for-characters%5B1%5D) inspires me to ask about a story idea I have",
"a few years in the future. So possibly the school might be persuaded",
"a ten-year-old girl entering the seventh grade junior high school. Being highly intelligent",
"going to a school instead of studying on the internet is to have",
"to their future experience with normal girls. Thus he would be except from",
"and cooperation of a few adults he plans to move to a new",
"the school's experience with him will relate to their future experience with normal",
"did that with the girls he would see them in their underwear or",
"the practice. If that is the case he can get away with his",
"which is going to becoming co ed in the future. So they plan",
"possible for him to go home during lunch break, and he might not",
"all the school day instead of changing into it for gym class. Or",
"American high schools and there are probably at least a few where the",
"only take about every other grade and graduate much sooner than usual, skipping",
"assume a new identity as a ten-year-old girl entering the seventh grade junior",
"enough for only one person at a time, so he might be able",
"also did. But I have read that in some modern high schools that",
"move to a new community and assume a new identity as a ten-year-old",
"he dresses iike a girl he should not be suspected of being a",
"of course there are many thousands of contemporary American high schools and there",
"a bathroom. When I was in high school such an impersonation would never",
"and he intends to only take about every other grade and graduate much",
"boy. Obviously it would be wrong for him to use either the boy's",
"is no longer the practice. If that is the case he can get",
"modern schools have restrooms for students who are not gender typical, and those",
"he might be able to get permission to such such a bathroom. When",
"it might not be possible for him to go home during lunch break,",
"him to go home during lunch break, and he might not be able",
"grade and graduate much sooner than usual, skipping several more grades. HIs only",
"home during lunch break, and he might not be able to avoid using",
"always be much smaller than his classmates. Anyway, those are the main factors",
"for him to go home during lunch break, and he might not be",
"he did that with the girls he would see them in their underwear",
"take about every other grade and graduate much sooner than usual, skipping several",
"the advice and cooperation of a few adults he plans to move to",
"prides himself on never doing anything wrong, and on his reputation, and if",
"think he is a weird and eccentric little girl instead of weird and",
"costume instead of regular clothes all the school day instead of changing into",
"I never used the boy's bathroom in six years at my high school,",
"go to an all boys school which is going to becoming co ed",
"which might make such an impersonation impossible. So how could my charcter handle",
"six years at my high school, but my home was just a block",
"little the school's experience with him will relate to their future experience with",
"to replace the ones in the old school he had to leave. Fortunately",
"So maybe he will wear his gym costume instead of regular clothes all",
"years in the future. So possibly the school might be persuaded to take",
"dressed like a boy, so if he dresses iike a girl he should",
"eccentric little girl instead of weird and eccentric little boy. Obviously it would",
"girls he would see them in their underwear or less. Being a highly",
"to avoid using the bathroom all day. I hear that some modern schools",
"the character would not have any problems with their deception, but It would",
"remember, kids changed into and out of their gym costumes for gym class.",
"thought of? Added 04-25-2021 One thing he could do is go to an",
"discovered that he is a boy, his reputation will suffer. So maybe he",
"the ones in the old school he had to leave. Fortunately he is",
"is from a typical girl or boy, or how little the school's experience",
"so cute that in his old neighbordhood he was often described as a",
"he is so cute that in his old neighbordhood he was often described",
"seventh grade junior high school. Being highly intelligent it is easy for him",
"of a different gender in a contemporary American high school. And of course",
"do is go to an all boys school which is going to becoming",
"will probably graduate before becoming full grown and thus will always be much",
"everyone will think he is a weird and eccentric little girl instead of",
"on his reputation, and if it is ever discovered that he is a",
"typical, and those should be small enough for only one person at a",
"are the main factors I can think of which might make such an",
"can get away with his deception. As I remember, kids changed into and",
"so he might be able to get permission to such such a bathroom.",
"thinking about. The problems of using a fake identity as a member of",
"to move to a new community and assume a new identity as a",
"graduate before becoming full grown and thus will always be much smaller than",
"or how little the school's experience with him will relate to their future",
"the school day instead of changing into it for gym class. Or maybe",
"into it for gym class. Or maybe he will negotiate a reason to",
"and used our bathroom during lunch break -I only ate in the school",
"to leave. Fortunately he is so cute that in his old neighbordhood he",
"and those should be small enough for only one person at a time,",
"home was just a block away so I went home and used our",
"bathroom all day. I hear that some modern schools have restrooms for students",
"is a weird and eccentric little girl instead of weird and eccentric little",
"school he had to leave. Fortunately he is so cute that in his",
"is a boy, his reputation will suffer. So maybe he will wear his",
"used the boy's bathroom in six years at my high school, but my",
"if he dresses iike a girl he should not be suspected of being",
"sooner than usual, skipping several more grades. HIs only reason for going to",
"a contemporary American high school. And of course there are many thousands of",
"before becoming full grown and thus will always be much smaller than his",
"smaller than his classmates. Anyway, those are the main factors I can think",
"premise is that a rather weird and eccentric ten year old boy has",
"such an impersonation would never work, because the boys showered after gym class,",
"But I have read that in some modern high schools that is no",
"girl dressed like a boy, so if he dresses iike a girl he",
"went home and used our bathroom during lunch break -I only ate in",
"of weird and eccentric little boy. Obviously it would be wrong for him",
"grade junior high school. Being highly intelligent it is easy for him to",
"than usual, skipping several more grades. HIs only reason for going to a",
"I was in high school such an impersonation would never work, because the",
"new identity, which I won't bother explaining. So, with the advice and cooperation",
"be exempted from taking gym class, perhaps on the grounds he will probably",
"I have been thinking about. The problems of using a fake identity as",
"school, but my home was just a block away so I went home",
"only reason for going to a school instead of studying on the internet",
"eccentric child, he prides himself on never doing anything wrong, and on his",
"school. Being highly intelligent it is easy for him to skip a grade,",
"full grown and thus will always be much smaller than his classmates. Anyway,",
"ten-year-old girl entering the seventh grade junior high school. Being highly intelligent it",
"hear that some modern schools have restrooms for students who are not gender",
"to such such a bathroom. When I was in high school such an",
"would be wrong for him to use either the boy's bathroom or the",
"so if he dresses iike a girl he should not be suspected of",
"character would not have any problems with their deception, but It would be",
"boys school which is going to becoming co ed in the future. So",
"new community and assume a new identity as a ten-year-old girl entering the",
"are probably at least a few where the character would not have any",
"a weird and eccentric little girl instead of weird and eccentric little boy.",
"go home during lunch break, and he might not be able to avoid",
"of? Added 04-25-2021 One thing he could do is go to an all",
"But it might not be possible for him to go home during lunch",
"wear his gym costume instead of regular clothes all the school day instead",
"from using the boy's locker room and showers, and the girl's locker room",
"one person at a time, so he might be able to get permission",
"if he did that with the girls he would see them in their",
"least a few where the character would not have any problems with their",
"a rather weird and eccentric ten year old boy has three separate strong",
"just a block away so I went home and used our bathroom during",
"his deception. As I remember, kids changed into and out of their gym",
"course they wouldn't realize just how much different he is from a typical",
"with normal girls. Thus he would be except from using the boy's locker",
"leave. Fortunately he is so cute that in his old neighbordhood he was",
"from taking gym class, perhaps on the grounds he will probably graduate before",
"has three separate strong reasons to take on a new identity, which I",
"story idea I have been thinking about. The problems of using a fake",
"big problems I haven't thought of? Added 04-25-2021 One thing he could do",
"is go to an all boys school which is going to becoming co",
"skip a grade, and he intends to only take about every other grade",
"could manage it in a more typical high school. The premise is that",
"or less. Being a highly eccentric child, he prides himself on never doing",
"girls. Though of course they wouldn't realize just how much different he is",
"experience with normal girls. Thus he would be except from using the boy's",
"class. And of course if he did that with the girls he would",
"much smaller than his classmates. Anyway, those are the main factors I can",
"weird and eccentric little boy. Obviously it would be wrong for him to",
"never work, because the boys showered after gym class, and presumably the girls",
"I have read that in some modern high schools that is no longer",
"wouldn't realize just how much different he is from a typical girl or",
"is going to becoming co ed in the future. So they plan to",
"probably at least a few where the character would not have any problems",
"a boy, so if he dresses iike a girl he should not be",
"gym class, perhaps on the grounds he will probably graduate before becoming full",
"see them in their underwear or less. Being a highly eccentric child, he",
"a story idea I have been thinking about. The problems of using a",
"to build facilities for future girl students a few years in the future.",
"their deception, but It would be better if they could manage it in",
"that in some modern high schools that is no longer the practice. If",
"a typical girl or boy, or how little the school's experience with him",
"for going to a school instead of studying on the internet is to",
"not gender typical, and those should be small enough for only one person",
"restrooms for students who are not gender typical, and those should be small",
"gym class. And of course if he did that with the girls he",
"to only take about every other grade and graduate much sooner than usual,",
"identity, which I won't bother explaining. So, with the advice and cooperation of",
"school such an impersonation would never work, because the boys showered after gym",
"problems of using a fake identity as a member of a different gender",
"a school instead of studying on the internet is to have a chance",
"the internet is to have a chance of making at least one friend",
"problems I haven't thought of? Added 04-25-2021 One thing he could do is",
"experience with him will relate to their future experience with normal girls. Thus",
"a boy, and everyone will think he is a weird and eccentric little",
"should be small enough for only one person at a time, so he",
"other big problems I haven't thought of? Added 04-25-2021 One thing he could",
"them in their underwear or less. Being a highly eccentric child, he prides",
"some modern high schools that is no longer the practice. If that is",
"an all boys school which is going to becoming co ed in the",
"except from using the boy's locker room and showers, and the girl's locker",
"rather weird and eccentric ten year old boy has three separate strong reasons",
"changing into it for gym class. Or maybe he will negotiate a reason",
"be possible for him to go home during lunch break, and he might",
"should not be suspected of being a boy, and everyone will think he",
"would not have any problems with their deception, but It would be better",
"there any other big problems I haven't thought of? Added 04-25-2021 One thing",
"to go home during lunch break, and he might not be able to",
"would be except from using the boy's locker room and showers, and the",
"use either the boy's bathroom or the girl's bathroom. I never used the",
"question [https://writing.stackexchange.com/questions/55633/restrooms-for-characters[1]](https://writing.stackexchange.com/questions/55633/restrooms-for-characters%5B1%5D) inspires me to ask about a story idea I have been",
"the future. So they plan to build facilities for future girl students a",
"all day. I hear that some modern schools have restrooms for students who",
"graduate much sooner than usual, skipping several more grades. HIs only reason for",
"reasons to take on a new identity, which I won't bother explaining. So,",
"on a new identity, which I won't bother explaining. So, with the advice",
"friend to replace the ones in the old school he had to leave.",
"years at my high school, but my home was just a block away",
"my charcter handle those problems and are there any other big problems I",
"the bathroom all day. I hear that some modern schools have restrooms for",
"an impersonation would never work, because the boys showered after gym class, and",
"main factors I can think of which might make such an impersonation impossible.",
"his classmates. Anyway, those are the main factors I can think of which",
"get away with his deception. As I remember, kids changed into and out",
"every other grade and graduate much sooner than usual, skipping several more grades.",
"lunch break, and he might not be able to avoid using the bathroom",
"to take him as a test to see how the boys might react",
"schools that is no longer the practice. If that is the case he",
"because the boys showered after gym class, and presumably the girls also did.",
"using the boy's locker room and showers, and the girl's locker room and",
"was just a block away so I went home and used our bathroom",
"to see how the boys might react to girls. Though of course they",
"after gym class, and presumably the girls also did. But I have read",
"becoming full grown and thus will always be much smaller than his classmates.",
"as a beautiful little girl dressed like a boy, so if he dresses",
"his gym costume instead of regular clothes all the school day instead of",
"internet is to have a chance of making at least one friend to",
"high school such an impersonation would never work, because the boys showered after",
"boy, his reputation will suffer. So maybe he will wear his gym costume",
"intelligent it is easy for him to skip a grade, and he intends",
"schools have restrooms for students who are not gender typical, and those should",
"And of course if he did that with the girls he would see",
"in the future. So they plan to build facilities for future girl students",
"school instead of studying on the internet is to have a chance of",
"beautiful little girl dressed like a boy, so if he dresses iike a",
"himself on never doing anything wrong, and on his reputation, and if it",
"in six years at my high school, but my home was just a",
"cafeteria once. But it might not be possible for him to go home",
"such such a bathroom. When I was in high school such an impersonation",
"little boy. Obviously it would be wrong for him to use either the",
"their future experience with normal girls. Thus he would be except from using",
"test to see how the boys might react to girls. Though of course",
"my home was just a block away so I went home and used",
"with the girls he would see them in their underwear or less. Being",
"more grades. HIs only reason for going to a school instead of studying",
"community and assume a new identity as a ten-year-old girl entering the seventh",
"a block away so I went home and used our bathroom during lunch",
"from a typical girl or boy, or how little the school's experience with",
"than his classmates. Anyway, those are the main factors I can think of",
"bathroom. I never used the boy's bathroom in six years at my high",
"girl instead of weird and eccentric little boy. Obviously it would be wrong",
"just how much different he is from a typical girl or boy, or",
"had to leave. Fortunately he is so cute that in his old neighbordhood",
"not be suspected of being a boy, and everyone will think he is",
"in the school cafeteria once. But it might not be possible for him",
"a different gender in a contemporary American high school. And of course there",
"the future. So possibly the school might be persuaded to take him as",
"he plans to move to a new community and assume a new identity",
"reputation, and if it is ever discovered that he is a boy, his",
"in some modern high schools that is no longer the practice. If that",
"students a few years in the future. So possibly the school might be",
"locker room and showers, and the girl's locker room and showers would not",
"girls also did. But I have read that in some modern high schools",
"if they could manage it in a more typical high school. The premise",
"of which might make such an impersonation impossible. So how could my charcter",
"about a story idea I have been thinking about. The problems of using",
"And of course there are many thousands of contemporary American high schools and",
"changed into and out of their gym costumes for gym class. And of",
"in the future. So possibly the school might be persuaded to take him",
"might not be able to avoid using the bathroom all day. I hear",
"break -I only ate in the school cafeteria once. But it might not",
"once. But it might not be possible for him to go home during",
"manage it in a more typical high school. The premise is that a",
"Obviously it would be wrong for him to use either the boy's bathroom",
"bother explaining. So, with the advice and cooperation of a few adults he",
"be persuaded to take him as a test to see how the boys",
"be except from using the boy's locker room and showers, and the girl's",
"more typical high school. The premise is that a rather weird and eccentric",
"our bathroom during lunch break -I only ate in the school cafeteria once.",
"bathroom during lunch break -I only ate in the school cafeteria once. But",
"will negotiate a reason to be exempted from taking gym class, perhaps on",
"high school. The premise is that a rather weird and eccentric ten year",
"dresses iike a girl he should not be suspected of being a boy,",
"it is ever discovered that he is a boy, his reputation will suffer.",
"did. But I have read that in some modern high schools that is",
"take on a new identity, which I won't bother explaining. So, with the",
"skipping several more grades. HIs only reason for going to a school instead",
"bathroom in six years at my high school, but my home was just",
"and out of their gym costumes for gym class. And of course if",
"possibly the school might be persuaded to take him as a test to",
"how little the school's experience with him will relate to their future experience",
"boy's locker room and showers, and the girl's locker room and showers would",
"is easy for him to skip a grade, and he intends to only",
"Thus he would be except from using the boy's locker room and showers,",
"typical high school. The premise is that a rather weird and eccentric ten",
"of a few adults he plans to move to a new community and",
"I haven't thought of? Added 04-25-2021 One thing he could do is go",
"he will probably graduate before becoming full grown and thus will always be",
"impossible. So how could my charcter handle those problems and are there any",
"think of which might make such an impersonation impossible. So how could my",
"as a member of a different gender in a contemporary American high school.",
"lunch break -I only ate in the school cafeteria once. But it might",
"no longer the practice. If that is the case he can get away",
"which I won't bother explaining. So, with the advice and cooperation of a",
"grown and thus will always be much smaller than his classmates. Anyway, those",
"boy, and everyone will think he is a weird and eccentric little girl",
"new identity as a ten-year-old girl entering the seventh grade junior high school.",
"read that in some modern high schools that is no longer the practice.",
"So how could my charcter handle those problems and are there any other",
"might be persuaded to take him as a test to see how the",
"for only one person at a time, so he might be able to",
"problems and are there any other big problems I haven't thought of? Added",
"Or maybe he will negotiate a reason to be exempted from taking gym",
"in his old neighbordhood he was often described as a beautiful little girl",
"Fortunately he is so cute that in his old neighbordhood he was often",
"time, so he might be able to get permission to such such a",
"for him to use either the boy's bathroom or the girl's bathroom. I",
"is so cute that in his old neighbordhood he was often described as",
"The problems of using a fake identity as a member of a different",
"weird and eccentric little girl instead of weird and eccentric little boy. Obviously",
"to ask about a story idea I have been thinking about. The problems",
"home and used our bathroom during lunch break -I only ate in the",
"the grounds he will probably graduate before becoming full grown and thus will",
"of using a fake identity as a member of a different gender in",
"separate strong reasons to take on a new identity, which I won't bother",
"clothes all the school day instead of changing into it for gym class.",
"course there are many thousands of contemporary American high schools and there are",
"to a new community and assume a new identity as a ten-year-old girl",
"little girl instead of weird and eccentric little boy. Obviously it would be",
"a new community and assume a new identity as a ten-year-old girl entering",
"he was often described as a beautiful little girl dressed like a boy,",
"he is a weird and eccentric little girl instead of weird and eccentric",
"a girl he should not be suspected of being a boy, and everyone",
"it is easy for him to skip a grade, and he intends to",
"and he might not be able to avoid using the bathroom all day.",
"becoming co ed in the future. So they plan to build facilities for",
"how could my charcter handle those problems and are there any other big",
"few years in the future. So possibly the school might be persuaded to",
"gym costume instead of regular clothes all the school day instead of changing",
"have been thinking about. The problems of using a fake identity as a",
"the girl's bathroom. I never used the boy's bathroom in six years at",
"a more typical high school. The premise is that a rather weird and",
"small enough for only one person at a time, so he might be",
"replace the ones in the old school he had to leave. Fortunately he",
"a highly eccentric child, he prides himself on never doing anything wrong, and",
"The premise is that a rather weird and eccentric ten year old boy",
"would see them in their underwear or less. Being a highly eccentric child,",
"instead of regular clothes all the school day instead of changing into it",
"gender in a contemporary American high school. And of course there are many",
"co ed in the future. So they plan to build facilities for future",
"in high school such an impersonation would never work, because the boys showered",
"longer the practice. If that is the case he can get away with",
"to skip a grade, and he intends to only take about every other",
"the old school he had to leave. Fortunately he is so cute that",
"future. So possibly the school might be persuaded to take him as a",
"my high school, but my home was just a block away so I",
"he will negotiate a reason to be exempted from taking gym class, perhaps",
"will relate to their future experience with normal girls. Thus he would be",
"who are not gender typical, and those should be small enough for only",
"he is from a typical girl or boy, or how little the school's",
"that a rather weird and eccentric ten year old boy has three separate",
"gym class, and presumably the girls also did. But I have read that",
"it would be wrong for him to use either the boy's bathroom or",
"school. The premise is that a rather weird and eccentric ten year old",
"work, because the boys showered after gym class, and presumably the girls also",
"perhaps on the grounds he will probably graduate before becoming full grown and",
"normal girls. Thus he would be except from using the boy's locker room",
"junior high school. Being highly intelligent it is easy for him to skip",
"course if he did that with the girls he would see them in",
"gender typical, and those should be small enough for only one person at",
"Being highly intelligent it is easy for him to skip a grade, and",
"permission to such such a bathroom. When I was in high school such",
"day. I hear that some modern schools have restrooms for students who are",
"it for gym class. Or maybe he will negotiate a reason to be",
"is that a rather weird and eccentric ten year old boy has three",
"high school. Being highly intelligent it is easy for him to skip a",
"impersonation impossible. So how could my charcter handle those problems and are there",
"ed in the future. So they plan to build facilities for future girl",
"a few where the character would not have any problems with their deception,",
"a test to see how the boys might react to girls. Though of",
"the seventh grade junior high school. Being highly intelligent it is easy for",
"a grade, and he intends to only take about every other grade and",
"so I went home and used our bathroom during lunch break -I only",
"they wouldn't realize just how much different he is from a typical girl",
"might be able to get permission to such such a bathroom. When I",
"So possibly the school might be persuaded to take him as a test",
"few adults he plans to move to a new community and assume a",
"a new identity as a ten-year-old girl entering the seventh grade junior high",
"the school cafeteria once. But it might not be possible for him to",
"reputation will suffer. So maybe he will wear his gym costume instead of",
"[https://writing.stackexchange.com/questions/55633/restrooms-for-characters[1]](https://writing.stackexchange.com/questions/55633/restrooms-for-characters%5B1%5D) inspires me to ask about a story idea I have been thinking",
"in a more typical high school. The premise is that a rather weird",
"during lunch break, and he might not be able to avoid using the",
"break, and he might not be able to avoid using the bathroom all",
"a chance of making at least one friend to replace the ones in",
"highly intelligent it is easy for him to skip a grade, and he",
"contemporary American high schools and there are probably at least a few where",
"the boy's bathroom in six years at my high school, but my home",
"he could do is go to an all boys school which is going",
"kids changed into and out of their gym costumes for gym class. And",
"a boy, his reputation will suffer. So maybe he will wear his gym",
"going to becoming co ed in the future. So they plan to build",
"school might be persuaded to take him as a test to see how",
"be able to get permission to such such a bathroom. When I was",
"and on his reputation, and if it is ever discovered that he is",
"ate in the school cafeteria once. But it might not be possible for",
"he is a boy, his reputation will suffer. So maybe he will wear",
"and there are probably at least a few where the character would not",
"for him to skip a grade, and he intends to only take about",
"Anyway, those are the main factors I can think of which might make",
"contemporary American high school. And of course there are many thousands of contemporary",
"could do is go to an all boys school which is going to",
"adults he plans to move to a new community and assume a new",
"with the advice and cooperation of a few adults he plans to move",
"that he is a boy, his reputation will suffer. So maybe he will",
"of contemporary American high schools and there are probably at least a few",
"build facilities for future girl students a few years in the future. So",
"that in his old neighbordhood he was often described as a beautiful little",
"described as a beautiful little girl dressed like a boy, so if he",
"the main factors I can think of which might make such an impersonation",
"future girl students a few years in the future. So possibly the school",
"I went home and used our bathroom during lunch break -I only ate",
"any problems with their deception, but It would be better if they could",
"doing anything wrong, and on his reputation, and if it is ever discovered",
"he would be except from using the boy's locker room and showers, and",
"of course if he did that with the girls he would see them",
"class. Or maybe he will negotiate a reason to be exempted from taking",
"ten year old boy has three separate strong reasons to take on a",
"those should be small enough for only one person at a time, so",
"some modern schools have restrooms for students who are not gender typical, and",
"plan to build facilities for future girl students a few years in the",
"as a test to see how the boys might react to girls. Though",
"avoid using the bathroom all day. I hear that some modern schools have",
"an impersonation impossible. So how could my charcter handle those problems and are",
"facilities for future girl students a few years in the future. So possibly",
"in a contemporary American high school. And of course there are many thousands",
"where the character would not have any problems with their deception, but It",
"but my home was just a block away so I went home and",
"able to avoid using the bathroom all day. I hear that some modern",
"relate to their future experience with normal girls. Thus he would be except",
"old school he had to leave. Fortunately he is so cute that in",
"few where the character would not have any problems with their deception, but",
"might react to girls. Though of course they wouldn't realize just how much",
"idea I have been thinking about. The problems of using a fake identity",
"and graduate much sooner than usual, skipping several more grades. HIs only reason",
"he had to leave. Fortunately he is so cute that in his old",
"Being a highly eccentric child, he prides himself on never doing anything wrong,",
"explaining. So, with the advice and cooperation of a few adults he plans",
"usual, skipping several more grades. HIs only reason for going to a school",
"school cafeteria once. But it might not be possible for him to go",
"American high school. And of course there are many thousands of contemporary American",
"modern high schools that is no longer the practice. If that is the",
"will suffer. So maybe he will wear his gym costume instead of regular",
"So they plan to build facilities for future girl students a few years",
"easy for him to skip a grade, and he intends to only take",
"different he is from a typical girl or boy, or how little the",
"on the grounds he will probably graduate before becoming full grown and thus",
"can think of which might make such an impersonation impossible. So how could",
"for gym class. And of course if he did that with the girls",
"of studying on the internet is to have a chance of making at",
"maybe he will wear his gym costume instead of regular clothes all the",
"strong reasons to take on a new identity, which I won't bother explaining.",
"other grade and graduate much sooner than usual, skipping several more grades. HIs",
"eccentric ten year old boy has three separate strong reasons to take on",
"suspected of being a boy, and everyone will think he is a weird",
"been thinking about. The problems of using a fake identity as a member",
"him as a test to see how the boys might react to girls.",
"that is the case he can get away with his deception. As I",
"-I only ate in the school cafeteria once. But it might not be",
"if it is ever discovered that he is a boy, his reputation will",
"is the case he can get away with his deception. As I remember,",
"practice. If that is the case he can get away with his deception.",
"girls. Thus he would be except from using the boy's locker room and",
"future. So they plan to build facilities for future girl students a few",
"used our bathroom during lunch break -I only ate in the school cafeteria",
"only ate in the school cafeteria once. But it might not be possible",
"instead of changing into it for gym class. Or maybe he will negotiate",
"like a boy, so if he dresses iike a girl he should not",
"schools and there are probably at least a few where the character would",
"the school might be persuaded to take him as a test to see",
"ask about a story idea I have been thinking about. The problems of",
"to becoming co ed in the future. So they plan to build facilities",
"typical girl or boy, or how little the school's experience with him will",
"he intends to only take about every other grade and graduate much sooner",
"and everyone will think he is a weird and eccentric little girl instead",
"boy's bathroom or the girl's bathroom. I never used the boy's bathroom in",
"regular clothes all the school day instead of changing into it for gym",
"and are there any other big problems I haven't thought of? Added 04-25-2021",
"realize just how much different he is from a typical girl or boy,",
"such a bathroom. When I was in high school such an impersonation would",
"girl entering the seventh grade junior high school. Being highly intelligent it is",
"such an impersonation impossible. So how could my charcter handle those problems and",
"little girl dressed like a boy, so if he dresses iike a girl",
"studying on the internet is to have a chance of making at least",
"are not gender typical, and those should be small enough for only one",
"his reputation will suffer. So maybe he will wear his gym costume instead",
"future experience with normal girls. Thus he would be except from using the",
"high schools that is no longer the practice. If that is the case",
"of course they wouldn't realize just how much different he is from a",
"on never doing anything wrong, and on his reputation, and if it is",
"their gym costumes for gym class. And of course if he did that",
"much different he is from a typical girl or boy, or how little",
"instead of weird and eccentric little boy. Obviously it would be wrong for"
] |
[
"am 13 years old. **Is there any age restriction on publishing an audiobook",
"I am looking to publish an audiobook on ACX, and I am 13",
"ACX?** For example, during registration, it asks me if I hold a US",
"on publishing an audiobook on ACX?** For example, during registration, it asks me",
"on ACX?** For example, during registration, it asks me if I hold a",
"and I am 13 years old. **Is there any age restriction on publishing",
"it asks me if I hold a US tax ID for the payments",
"an audiobook on ACX, and I am 13 years old. **Is there any",
"restriction on publishing an audiobook on ACX?** For example, during registration, it asks",
"example, during registration, it asks me if I hold a US tax ID",
"age restriction on publishing an audiobook on ACX?** For example, during registration, it",
"me if I hold a US tax ID for the payments from ACX.",
"publish an audiobook on ACX, and I am 13 years old. **Is there",
"ACX, and I am 13 years old. **Is there any age restriction on",
"to publish an audiobook on ACX, and I am 13 years old. **Is",
"publishing an audiobook on ACX?** For example, during registration, it asks me if",
"any age restriction on publishing an audiobook on ACX?** For example, during registration,",
"I am 13 years old. **Is there any age restriction on publishing an",
"For example, during registration, it asks me if I hold a US tax",
"am looking to publish an audiobook on ACX, and I am 13 years",
"on ACX, and I am 13 years old. **Is there any age restriction",
"there any age restriction on publishing an audiobook on ACX?** For example, during",
"old. **Is there any age restriction on publishing an audiobook on ACX?** For",
"during registration, it asks me if I hold a US tax ID for",
"years old. **Is there any age restriction on publishing an audiobook on ACX?**",
"registration, it asks me if I hold a US tax ID for the",
"audiobook on ACX?** For example, during registration, it asks me if I hold",
"an audiobook on ACX?** For example, during registration, it asks me if I",
"13 years old. **Is there any age restriction on publishing an audiobook on",
"asks me if I hold a US tax ID for the payments from",
"audiobook on ACX, and I am 13 years old. **Is there any age",
"looking to publish an audiobook on ACX, and I am 13 years old.",
"**Is there any age restriction on publishing an audiobook on ACX?** For example,"
] |
[
"and I want to I really want to write and tell the story",
"I want to write a thought-provoking and a deep story with interesting characters",
"seems so scattered and I find it makes me cringe. What should I",
"conceptualizing the idea of my story into a full fledged fiction novel has",
"a deep story with interesting characters and I want to I really want",
"review my work, my writing seems so scattered and I find it makes",
"for me. Every time I review my work, my writing seems so scattered",
"of things about writing. I want to write a thought-provoking and a deep",
"and I accept I may be missing a lot of things about writing.",
"out to be a nightmare for me. Every time I review my work,",
"I find it makes me cringe. What should I do to write better",
"possible. But, conceptualizing the idea of my story into a full fledged fiction",
"I review my work, my writing seems so scattered and I find it",
"to be a nightmare for me. Every time I review my work, my",
"I do to write better and where to start? Any piece of advice",
"What should I do to write better and where to start? Any piece",
"be missing a lot of things about writing. I want to write a",
"not an avid reader and I accept I may be missing a lot",
"Every time I review my work, my writing seems so scattered and I",
"cringe. What should I do to write better and where to start? Any",
"better and where to start? Any piece of advice will be highly appreciated!",
"avid reader and I accept I may be missing a lot of things",
"and a deep story with interesting characters and I want to I really",
"into a full fledged fiction novel has turned out to be a nightmare",
"do to write better and where to start? Any piece of advice will",
"may be missing a lot of things about writing. I want to write",
"that I am not an avid reader and I accept I may be",
"I want to I really want to write and tell the story in",
"write better and where to start? Any piece of advice will be highly",
"nightmare for me. Every time I review my work, my writing seems so",
"thought-provoking and a deep story with interesting characters and I want to I",
"should I do to write better and where to start? Any piece of",
"my story into a full fledged fiction novel has turned out to be",
"be a nightmare for me. Every time I review my work, my writing",
"a full fledged fiction novel has turned out to be a nightmare for",
"so scattered and I find it makes me cringe. What should I do",
"I accept I may be missing a lot of things about writing. I",
"should be clearly understood that I am not an avid reader and I",
"and tell the story in the most unique way possible. But, conceptualizing the",
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"scattered and I find it makes me cringe. What should I do to",
"turned out to be a nightmare for me. Every time I review my",
"story into a full fledged fiction novel has turned out to be a",
"interesting characters and I want to I really want to write and tell",
"accept I may be missing a lot of things about writing. I want",
"I really want to write and tell the story in the most unique",
"I am not an avid reader and I accept I may be missing",
"makes me cringe. What should I do to write better and where to",
"really want to write and tell the story in the most unique way",
"the story in the most unique way possible. But, conceptualizing the idea of",
"idea of my story into a full fledged fiction novel has turned out",
"want to write and tell the story in the most unique way possible.",
"a nightmare for me. Every time I review my work, my writing seems",
"story in the most unique way possible. But, conceptualizing the idea of my",
"to write better and where to start? Any piece of advice will be",
"the idea of my story into a full fledged fiction novel has turned",
"story with interesting characters and I want to I really want to write",
"want to I really want to write and tell the story in the",
"way possible. But, conceptualizing the idea of my story into a full fledged",
"missing a lot of things about writing. I want to write a thought-provoking",
"It should be clearly understood that I am not an avid reader and",
"a lot of things about writing. I want to write a thought-provoking and",
"work, my writing seems so scattered and I find it makes me cringe.",
"an avid reader and I accept I may be missing a lot of",
"writing. I want to write a thought-provoking and a deep story with interesting",
"novel has turned out to be a nightmare for me. Every time I",
"things about writing. I want to write a thought-provoking and a deep story",
"me cringe. What should I do to write better and where to start?",
"full fledged fiction novel has turned out to be a nightmare for me.",
"the most unique way possible. But, conceptualizing the idea of my story into",
"fledged fiction novel has turned out to be a nightmare for me. Every",
"my writing seems so scattered and I find it makes me cringe. What",
"I may be missing a lot of things about writing. I want to",
"unique way possible. But, conceptualizing the idea of my story into a full",
"writing seems so scattered and I find it makes me cringe. What should",
"about writing. I want to write a thought-provoking and a deep story with",
"write and tell the story in the most unique way possible. But, conceptualizing",
"of my story into a full fledged fiction novel has turned out to",
"in the most unique way possible. But, conceptualizing the idea of my story",
"my work, my writing seems so scattered and I find it makes me",
"want to write a thought-provoking and a deep story with interesting characters and",
"fiction novel has turned out to be a nightmare for me. Every time",
"a thought-provoking and a deep story with interesting characters and I want to",
"has turned out to be a nightmare for me. Every time I review",
"characters and I want to I really want to write and tell the",
"find it makes me cringe. What should I do to write better and",
"it makes me cringe. What should I do to write better and where",
"am not an avid reader and I accept I may be missing a",
"and I find it makes me cringe. What should I do to write",
"to write and tell the story in the most unique way possible. But,",
"clearly understood that I am not an avid reader and I accept I",
"with interesting characters and I want to I really want to write and",
"deep story with interesting characters and I want to I really want to",
"me. Every time I review my work, my writing seems so scattered and",
"But, conceptualizing the idea of my story into a full fledged fiction novel",
"lot of things about writing. I want to write a thought-provoking and a",
"time I review my work, my writing seems so scattered and I find",
"to I really want to write and tell the story in the most",
"write a thought-provoking and a deep story with interesting characters and I want",
"be clearly understood that I am not an avid reader and I accept",
"understood that I am not an avid reader and I accept I may",
"reader and I accept I may be missing a lot of things about",
"tell the story in the most unique way possible. But, conceptualizing the idea",
"to write a thought-provoking and a deep story with interesting characters and I"
] |
[
"enough time to grow to like this \"new\" MC before we were off",
"fill the gaps, but adding a chapter at age 20 made it worse.",
"of the work takes place in three stages: at ages 17, 23, and",
"the work takes place in three stages: at ages 17, 23, and 29.",
"before they could settle down a MC they could connect with. So, I",
"tried writing chapters to fill the gaps, but adding a chapter at age",
"29. I have divided my book into three parts... but no matter what",
"feel like I'm having to choose between writing an entertaining story and rewriting",
"three stages: at ages 17, 23, and 29. I have divided my book",
"are meaningless at age 29. I tried writing chapters to fill the gaps,",
"and feel like they don't know her, but not spend enough time to",
"would lose the lesson I wanted to teach in thr first place: sometimes,",
"have to labor for twelve years to achieve success. What can I do",
"for twelve years to achieve success. What can I do to fix my",
"year, and this was also bad. The reader spent too much time in",
"at age 17, skip to age 20 and feel like they don't know",
"don't know her, but not spend enough time to grow to like this",
"to choose between writing an entertaining story and rewriting history. If I made",
"If I made this complete fiction and less history, I could speed up",
"skip to when she's 23. The things important at age 23 are meaningless",
"a chapter at age 20 made it worse. Beta readers hated it even",
"23 are meaningless at age 29. I tried writing chapters to fill the",
"grow to like this \"new\" MC before we were off to age 23.",
"first place: sometimes, you have to labor for twelve years to achieve success.",
"to labor for twelve years to achieve success. What can I do to",
"chapter for each year, and this was also bad. The reader spent too",
"place in three stages: at ages 17, 23, and 29. I have divided",
"would be more pleasing to read, but it would lose the lesson I",
"I tried writing chapters to fill the gaps, but adding a chapter at",
"too much time in limbo before they could settle down a MC they",
"feel like they don't know her, but not spend enough time to grow",
"I feel like I'm having to choose between writing an entertaining story and",
"they don't know her, but not spend enough time to grow to like",
"age 23. I also tried to write one chapter for each year, and",
"it even more. The reader would fall in love with the MC at",
"twelve years to achieve success. What can I do to fix my story?",
"an entertaining story and rewriting history. If I made this complete fiction and",
"her, but not spend enough time to grow to like this \"new\" MC",
"spent too much time in limbo before they could settle down a MC",
"will find endearing when the MC is 17 suddenly vanish when we skip",
"20 made it worse. Beta readers hated it even more. The reader would",
"ficional story about a historical figure. My MC takes twelve years to achieve",
"to age 23. I also tried to write one chapter for each year,",
"between writing an entertaining story and rewriting history. If I made this complete",
"like they don't know her, but not spend enough time to grow to",
"write one chapter for each year, and this was also bad. The reader",
"rewriting history. If I made this complete fiction and less history, I could",
"and rewriting history. If I made this complete fiction and less history, I",
"the gaps, but adding a chapter at age 20 made it worse. Beta",
"when we skip to when she's 23. The things important at age 23",
"up time and make the MC accomplish an impossible feat in a span",
"read, but it would lose the lesson I wanted to teach in thr",
"success. But the bulk of the work takes place in three stages: at",
"a ficional story about a historical figure. My MC takes twelve years to",
"2-3 years. It would be more pleasing to read, but it would lose",
"with the MC at age 17, skip to age 20 and feel like",
"writing a ficional story about a historical figure. My MC takes twelve years",
"to write one chapter for each year, and this was also bad. The",
"time and make the MC accomplish an impossible feat in a span of",
"made this complete fiction and less history, I could speed up time and",
"what I do, it feels jolting skipping the time gap. The quirks that",
"the reader will find endearing when the MC is 17 suddenly vanish when",
"I wanted to teach in thr first place: sometimes, you have to labor",
"to read, but it would lose the lesson I wanted to teach in",
"twelve years to achieve a major success. But the bulk of the work",
"in love with the MC at age 17, skip to age 20 and",
"things important at age 23 are meaningless at age 29. I tried writing",
"feat in a span of 2-3 years. It would be more pleasing to",
"29. I tried writing chapters to fill the gaps, but adding a chapter",
"this was also bad. The reader spent too much time in limbo before",
"I'm writing a ficional story about a historical figure. My MC takes twelve",
"MC accomplish an impossible feat in a span of 2-3 years. It would",
"reader would fall in love with the MC at age 17, skip to",
"lose the lesson I wanted to teach in thr first place: sometimes, you",
"I'm having to choose between writing an entertaining story and rewriting history. If",
"have divided my book into three parts... but no matter what I do,",
"each year, and this was also bad. The reader spent too much time",
"settle down a MC they could connect with. So, I feel like I'm",
"years. It would be more pleasing to read, but it would lose the",
"we were off to age 23. I also tried to write one chapter",
"worse. Beta readers hated it even more. The reader would fall in love",
"the MC accomplish an impossible feat in a span of 2-3 years. It",
"23. The things important at age 23 are meaningless at age 29. I",
"but adding a chapter at age 20 made it worse. Beta readers hated",
"connect with. So, I feel like I'm having to choose between writing an",
"parts... but no matter what I do, it feels jolting skipping the time",
"age 23 are meaningless at age 29. I tried writing chapters to fill",
"and less history, I could speed up time and make the MC accomplish",
"23, and 29. I have divided my book into three parts... but no",
"but no matter what I do, it feels jolting skipping the time gap.",
"complete fiction and less history, I could speed up time and make the",
"chapter at age 20 made it worse. Beta readers hated it even more.",
"impossible feat in a span of 2-3 years. It would be more pleasing",
"spend enough time to grow to like this \"new\" MC before we were",
"vanish when we skip to when she's 23. The things important at age",
"off to age 23. I also tried to write one chapter for each",
"in a span of 2-3 years. It would be more pleasing to read,",
"my book into three parts... but no matter what I do, it feels",
"accomplish an impossible feat in a span of 2-3 years. It would be",
"more. The reader would fall in love with the MC at age 17,",
"But the bulk of the work takes place in three stages: at ages",
"writing chapters to fill the gaps, but adding a chapter at age 20",
"I do, it feels jolting skipping the time gap. The quirks that the",
"I made this complete fiction and less history, I could speed up time",
"much time in limbo before they could settle down a MC they could",
"the bulk of the work takes place in three stages: at ages 17,",
"adding a chapter at age 20 made it worse. Beta readers hated it",
"MC before we were off to age 23. I also tried to write",
"also tried to write one chapter for each year, and this was also",
"MC is 17 suddenly vanish when we skip to when she's 23. The",
"skip to age 20 and feel like they don't know her, but not",
"feels jolting skipping the time gap. The quirks that the reader will find",
"at age 20 made it worse. Beta readers hated it even more. The",
"could connect with. So, I feel like I'm having to choose between writing",
"stages: at ages 17, 23, and 29. I have divided my book into",
"gaps, but adding a chapter at age 20 made it worse. Beta readers",
"major success. But the bulk of the work takes place in three stages:",
"age 29. I tried writing chapters to fill the gaps, but adding a",
"like this \"new\" MC before we were off to age 23. I also",
"not spend enough time to grow to like this \"new\" MC before we",
"divided my book into three parts... but no matter what I do, it",
"also bad. The reader spent too much time in limbo before they could",
"matter what I do, it feels jolting skipping the time gap. The quirks",
"My MC takes twelve years to achieve a major success. But the bulk",
"history, I could speed up time and make the MC accomplish an impossible",
"story about a historical figure. My MC takes twelve years to achieve a",
"endearing when the MC is 17 suddenly vanish when we skip to when",
"17 suddenly vanish when we skip to when she's 23. The things important",
"entertaining story and rewriting history. If I made this complete fiction and less",
"thr first place: sometimes, you have to labor for twelve years to achieve",
"I could speed up time and make the MC accomplish an impossible feat",
"takes twelve years to achieve a major success. But the bulk of the",
"bad. The reader spent too much time in limbo before they could settle",
"it worse. Beta readers hated it even more. The reader would fall in",
"the MC at age 17, skip to age 20 and feel like they",
"years to achieve a major success. But the bulk of the work takes",
"Beta readers hated it even more. The reader would fall in love with",
"hated it even more. The reader would fall in love with the MC",
"fall in love with the MC at age 17, skip to age 20",
"to grow to like this \"new\" MC before we were off to age",
"into three parts... but no matter what I do, it feels jolting skipping",
"story and rewriting history. If I made this complete fiction and less history,",
"I have divided my book into three parts... but no matter what I",
"and make the MC accomplish an impossible feat in a span of 2-3",
"that the reader will find endearing when the MC is 17 suddenly vanish",
"labor for twelve years to achieve success. What can I do to fix",
"the MC is 17 suddenly vanish when we skip to when she's 23.",
"in three stages: at ages 17, 23, and 29. I have divided my",
"could speed up time and make the MC accomplish an impossible feat in",
"The things important at age 23 are meaningless at age 29. I tried",
"of 2-3 years. It would be more pleasing to read, but it would",
"one chapter for each year, and this was also bad. The reader spent",
"like I'm having to choose between writing an entertaining story and rewriting history.",
"they could settle down a MC they could connect with. So, I feel",
"three parts... but no matter what I do, it feels jolting skipping the",
"suddenly vanish when we skip to when she's 23. The things important at",
"at age 23 are meaningless at age 29. I tried writing chapters to",
"to like this \"new\" MC before we were off to age 23. I",
"chapters to fill the gaps, but adding a chapter at age 20 made",
"before we were off to age 23. I also tried to write one",
"they could connect with. So, I feel like I'm having to choose between",
"be more pleasing to read, but it would lose the lesson I wanted",
"to achieve a major success. But the bulk of the work takes place",
"and 29. I have divided my book into three parts... but no matter",
"this complete fiction and less history, I could speed up time and make",
"find endearing when the MC is 17 suddenly vanish when we skip to",
"love with the MC at age 17, skip to age 20 and feel",
"having to choose between writing an entertaining story and rewriting history. If I",
"more pleasing to read, but it would lose the lesson I wanted to",
"down a MC they could connect with. So, I feel like I'm having",
"MC at age 17, skip to age 20 and feel like they don't",
"an impossible feat in a span of 2-3 years. It would be more",
"limbo before they could settle down a MC they could connect with. So,",
"writing an entertaining story and rewriting history. If I made this complete fiction",
"important at age 23 are meaningless at age 29. I tried writing chapters",
"even more. The reader would fall in love with the MC at age",
"the time gap. The quirks that the reader will find endearing when the",
"but not spend enough time to grow to like this \"new\" MC before",
"readers hated it even more. The reader would fall in love with the",
"book into three parts... but no matter what I do, it feels jolting",
"meaningless at age 29. I tried writing chapters to fill the gaps, but",
"time to grow to like this \"new\" MC before we were off to",
"quirks that the reader will find endearing when the MC is 17 suddenly",
"lesson I wanted to teach in thr first place: sometimes, you have to",
"wanted to teach in thr first place: sometimes, you have to labor for",
"reader spent too much time in limbo before they could settle down a",
"is 17 suddenly vanish when we skip to when she's 23. The things",
"work takes place in three stages: at ages 17, 23, and 29. I",
"I also tried to write one chapter for each year, and this was",
"pleasing to read, but it would lose the lesson I wanted to teach",
"23. I also tried to write one chapter for each year, and this",
"jolting skipping the time gap. The quirks that the reader will find endearing",
"could settle down a MC they could connect with. So, I feel like",
"with. So, I feel like I'm having to choose between writing an entertaining",
"time gap. The quirks that the reader will find endearing when the MC",
"17, 23, and 29. I have divided my book into three parts... but",
"time in limbo before they could settle down a MC they could connect",
"in limbo before they could settle down a MC they could connect with.",
"17, skip to age 20 and feel like they don't know her, but",
"It would be more pleasing to read, but it would lose the lesson",
"know her, but not spend enough time to grow to like this \"new\"",
"at age 29. I tried writing chapters to fill the gaps, but adding",
"you have to labor for twelve years to achieve success. What can I",
"The reader would fall in love with the MC at age 17, skip",
"this \"new\" MC before we were off to age 23. I also tried",
"but it would lose the lesson I wanted to teach in thr first",
"MC they could connect with. So, I feel like I'm having to choose",
"figure. My MC takes twelve years to achieve a major success. But the",
"do, it feels jolting skipping the time gap. The quirks that the reader",
"a historical figure. My MC takes twelve years to achieve a major success.",
"age 17, skip to age 20 and feel like they don't know her,",
"less history, I could speed up time and make the MC accomplish an",
"So, I feel like I'm having to choose between writing an entertaining story",
"to when she's 23. The things important at age 23 are meaningless at",
"at ages 17, 23, and 29. I have divided my book into three",
"for each year, and this was also bad. The reader spent too much",
"reader will find endearing when the MC is 17 suddenly vanish when we",
"make the MC accomplish an impossible feat in a span of 2-3 years.",
"in thr first place: sometimes, you have to labor for twelve years to",
"sometimes, you have to labor for twelve years to achieve success. What can",
"bulk of the work takes place in three stages: at ages 17, 23,",
"\"new\" MC before we were off to age 23. I also tried to",
"tried to write one chapter for each year, and this was also bad.",
"the lesson I wanted to teach in thr first place: sometimes, you have",
"choose between writing an entertaining story and rewriting history. If I made this",
"it feels jolting skipping the time gap. The quirks that the reader will",
"fiction and less history, I could speed up time and make the MC",
"history. If I made this complete fiction and less history, I could speed",
"when she's 23. The things important at age 23 are meaningless at age",
"it would lose the lesson I wanted to teach in thr first place:",
"teach in thr first place: sometimes, you have to labor for twelve years",
"takes place in three stages: at ages 17, 23, and 29. I have",
"was also bad. The reader spent too much time in limbo before they",
"age 20 made it worse. Beta readers hated it even more. The reader",
"to teach in thr first place: sometimes, you have to labor for twelve",
"speed up time and make the MC accomplish an impossible feat in a",
"no matter what I do, it feels jolting skipping the time gap. The",
"made it worse. Beta readers hated it even more. The reader would fall",
"and this was also bad. The reader spent too much time in limbo",
"a MC they could connect with. So, I feel like I'm having to",
"20 and feel like they don't know her, but not spend enough time",
"to age 20 and feel like they don't know her, but not spend",
"place: sometimes, you have to labor for twelve years to achieve success. What",
"historical figure. My MC takes twelve years to achieve a major success. But",
"skipping the time gap. The quirks that the reader will find endearing when",
"The quirks that the reader will find endearing when the MC is 17",
"we skip to when she's 23. The things important at age 23 are",
"to fill the gaps, but adding a chapter at age 20 made it",
"The reader spent too much time in limbo before they could settle down",
"span of 2-3 years. It would be more pleasing to read, but it",
"were off to age 23. I also tried to write one chapter for",
"a span of 2-3 years. It would be more pleasing to read, but",
"she's 23. The things important at age 23 are meaningless at age 29.",
"when the MC is 17 suddenly vanish when we skip to when she's",
"gap. The quirks that the reader will find endearing when the MC is",
"achieve a major success. But the bulk of the work takes place in",
"a major success. But the bulk of the work takes place in three",
"would fall in love with the MC at age 17, skip to age",
"ages 17, 23, and 29. I have divided my book into three parts...",
"about a historical figure. My MC takes twelve years to achieve a major",
"age 20 and feel like they don't know her, but not spend enough",
"MC takes twelve years to achieve a major success. But the bulk of"
] |
[
"detective and his wife meet him there) that is investigating the victims of",
"his own engaging aspects (his charisma, taste, master manipulator etc.) and the detective",
"is that I don't know how to raise the stakes for the characters.",
"restaurant and the detective and his wife meet him there) that is investigating",
"stakes for the characters. While the characters are mostly great, with the villain",
"the characters are mostly great, with the villain with his own engaging aspects",
"mostly great, with the villain with his own engaging aspects (his charisma, taste,",
"how to raise the stakes for the characters. While the characters are mostly",
"that either annoyed him in some way or got in his way) and",
"that I don't know how to raise the stakes for the characters. While",
"the victims of his. One thing that has me inching is that I",
"that is investigating the victims of his. One thing that has me inching",
"murderer owns a restaurant and the detective and his wife meet him there)",
"victims of his. One thing that has me inching is that I don't",
"sympathetic side, I feel like I don't know how to set the stakes",
"owns a restaurant and the detective and his wife meet him there) that",
"the stakes for the characters. While the characters are mostly great, with the",
"know how to set the stakes for my killer to focus on his",
"inching is that I don't know how to raise the stakes for the",
"investigating the victims of his. One thing that has me inching is that",
"there) that is investigating the victims of his. One thing that has me",
"the characters. While the characters are mostly great, with the villain with his",
"for the characters. While the characters are mostly great, with the villain with",
"own engaging aspects (his charisma, taste, master manipulator etc.) and the detective with",
"and what the detective knows. So I would like any recommendation on how",
"villain with his own engaging aspects (his charisma, taste, master manipulator etc.) and",
"to raise the stakes for the characters. While the characters are mostly great,",
"currently writing a story about a psychopathic serial killer that meets a detective",
"knows. So I would like any recommendation on how to make their relationship",
"with his own engaging aspects (his charisma, taste, master manipulator etc.) and the",
"focus on his next victims (he kills people that either annoyed him in",
"his wife meet him there) that is investigating the victims of his. One",
"is investigating the victims of his. One thing that has me inching is",
"characters are mostly great, with the villain with his own engaging aspects (his",
"has me inching is that I don't know how to raise the stakes",
"a detective (the murderer owns a restaurant and the detective and his wife",
"great, with the villain with his own engaging aspects (his charisma, taste, master",
"charisma, taste, master manipulator etc.) and the detective with his sympathetic side, I",
"etc.) and the detective with his sympathetic side, I feel like I don't",
"are mostly great, with the villain with his own engaging aspects (his charisma,",
"I don't know how to raise the stakes for the characters. While the",
"on his next victims (he kills people that either annoyed him in some",
"to focus on his next victims (he kills people that either annoyed him",
"and the detective and his wife meet him there) that is investigating the",
"(he kills people that either annoyed him in some way or got in",
"feel like I don't know how to set the stakes for my killer",
"(the murderer owns a restaurant and the detective and his wife meet him",
"a restaurant and the detective and his wife meet him there) that is",
"(his charisma, taste, master manipulator etc.) and the detective with his sympathetic side,",
"victims (he kills people that either annoyed him in some way or got",
"with his sympathetic side, I feel like I don't know how to set",
"So I would like any recommendation on how to make their relationship more",
"some way or got in his way) and what the detective knows. So",
"detective knows. So I would like any recommendation on how to make their",
"know how to raise the stakes for the characters. While the characters are",
"killer to focus on his next victims (he kills people that either annoyed",
"serial killer that meets a detective (the murderer owns a restaurant and the",
"his. One thing that has me inching is that I don't know how",
"his next victims (he kills people that either annoyed him in some way",
"about a psychopathic serial killer that meets a detective (the murderer owns a",
"I'm currently writing a story about a psychopathic serial killer that meets a",
"either annoyed him in some way or got in his way) and what",
"wife meet him there) that is investigating the victims of his. One thing",
"his way) and what the detective knows. So I would like any recommendation",
"detective (the murderer owns a restaurant and the detective and his wife meet",
"next victims (he kills people that either annoyed him in some way or",
"like I don't know how to set the stakes for my killer to",
"don't know how to set the stakes for my killer to focus on",
"One thing that has me inching is that I don't know how to",
"characters. While the characters are mostly great, with the villain with his own",
"psychopathic serial killer that meets a detective (the murderer owns a restaurant and",
"I feel like I don't know how to set the stakes for my",
"annoyed him in some way or got in his way) and what the",
"meets a detective (the murderer owns a restaurant and the detective and his",
"him in some way or got in his way) and what the detective",
"what the detective knows. So I would like any recommendation on how to",
"a story about a psychopathic serial killer that meets a detective (the murderer",
"stakes for my killer to focus on his next victims (he kills people",
"his sympathetic side, I feel like I don't know how to set the",
"and the detective with his sympathetic side, I feel like I don't know",
"engaging aspects (his charisma, taste, master manipulator etc.) and the detective with his",
"aspects (his charisma, taste, master manipulator etc.) and the detective with his sympathetic",
"the villain with his own engaging aspects (his charisma, taste, master manipulator etc.)",
"in his way) and what the detective knows. So I would like any",
"and his wife meet him there) that is investigating the victims of his.",
"way) and what the detective knows. So I would like any recommendation on",
"that meets a detective (the murderer owns a restaurant and the detective and",
"thing that has me inching is that I don't know how to raise",
"taste, master manipulator etc.) and the detective with his sympathetic side, I feel",
"don't know how to raise the stakes for the characters. While the characters",
"the detective with his sympathetic side, I feel like I don't know how",
"how to set the stakes for my killer to focus on his next",
"the stakes for my killer to focus on his next victims (he kills",
"meet him there) that is investigating the victims of his. One thing that",
"story about a psychopathic serial killer that meets a detective (the murderer owns",
"master manipulator etc.) and the detective with his sympathetic side, I feel like",
"manipulator etc.) and the detective with his sympathetic side, I feel like I",
"or got in his way) and what the detective knows. So I would",
"people that either annoyed him in some way or got in his way)",
"kills people that either annoyed him in some way or got in his",
"raise the stakes for the characters. While the characters are mostly great, with",
"to set the stakes for my killer to focus on his next victims",
"that has me inching is that I don't know how to raise the",
"While the characters are mostly great, with the villain with his own engaging",
"writing a story about a psychopathic serial killer that meets a detective (the",
"a psychopathic serial killer that meets a detective (the murderer owns a restaurant",
"side, I feel like I don't know how to set the stakes for",
"of his. One thing that has me inching is that I don't know",
"me inching is that I don't know how to raise the stakes for",
"way or got in his way) and what the detective knows. So I",
"the detective and his wife meet him there) that is investigating the victims",
"I would like any recommendation on how to make their relationship more dynamic.",
"set the stakes for my killer to focus on his next victims (he",
"the detective knows. So I would like any recommendation on how to make",
"got in his way) and what the detective knows. So I would like",
"detective with his sympathetic side, I feel like I don't know how to",
"I don't know how to set the stakes for my killer to focus",
"killer that meets a detective (the murderer owns a restaurant and the detective",
"him there) that is investigating the victims of his. One thing that has",
"in some way or got in his way) and what the detective knows.",
"my killer to focus on his next victims (he kills people that either",
"with the villain with his own engaging aspects (his charisma, taste, master manipulator",
"for my killer to focus on his next victims (he kills people that"
] |
[
"In particular, when Should I capitalize the word \"to?\" Sometimes I see it",
"capitalize the words of a section title? In particular, when Should I capitalize",
"particular, when Should I capitalize the word \"to?\" Sometimes I see it capitalized",
"title? In particular, when Should I capitalize the word \"to?\" Sometimes I see",
"How to capitalize the words of a section title? In particular, when Should",
"to capitalize the words of a section title? In particular, when Should I",
"when Should I capitalize the word \"to?\" Sometimes I see it capitalized and",
"of a section title? In particular, when Should I capitalize the word \"to?\"",
"a section title? In particular, when Should I capitalize the word \"to?\" Sometimes",
"the words of a section title? In particular, when Should I capitalize the",
"Should I capitalize the word \"to?\" Sometimes I see it capitalized and sometimes",
"words of a section title? In particular, when Should I capitalize the word",
"section title? In particular, when Should I capitalize the word \"to?\" Sometimes I",
"I capitalize the word \"to?\" Sometimes I see it capitalized and sometimes not."
] |
[
"sucks to know that readers are now skipping over the description that tends",
"character without making a huge list of words. It sucks to know that",
"that tends to be boring and go right into the story. So I",
"I am mostly messing up at describing my character without making a huge",
"up at describing my character without making a huge list of words. It",
"to be boring and go right into the story. So I would like",
"go right into the story. So I would like some advice to fix",
"words. It sucks to know that readers are now skipping over the description",
"huge list of words. It sucks to know that readers are now skipping",
"question above, I am mostly messing up at describing my character without making",
"am mostly messing up at describing my character without making a huge list",
"are now skipping over the description that tends to be boring and go",
"readers are now skipping over the description that tends to be boring and",
"the story. So I would like some advice to fix my 'Describing' problem.",
"list of words. It sucks to know that readers are now skipping over",
"the description that tends to be boring and go right into the story.",
"my character without making a huge list of words. It sucks to know",
"know that readers are now skipping over the description that tends to be",
"be boring and go right into the story. So I would like some",
"that readers are now skipping over the description that tends to be boring",
"right into the story. So I would like some advice to fix my",
"to know that readers are now skipping over the description that tends to",
"boring and go right into the story. So I would like some advice",
"It sucks to know that readers are now skipping over the description that",
"messing up at describing my character without making a huge list of words.",
"making a huge list of words. It sucks to know that readers are",
"mostly messing up at describing my character without making a huge list of",
"my question above, I am mostly messing up at describing my character without",
"now skipping over the description that tends to be boring and go right",
"above, I am mostly messing up at describing my character without making a",
"and go right into the story. So I would like some advice to",
"a huge list of words. It sucks to know that readers are now",
"over the description that tends to be boring and go right into the",
"of words. It sucks to know that readers are now skipping over the",
"without making a huge list of words. It sucks to know that readers",
"into the story. So I would like some advice to fix my 'Describing'",
"tends to be boring and go right into the story. So I would",
"skipping over the description that tends to be boring and go right into",
"description that tends to be boring and go right into the story. So",
"Like my question above, I am mostly messing up at describing my character",
"describing my character without making a huge list of words. It sucks to",
"at describing my character without making a huge list of words. It sucks"
] |
[
"story to cover up someone's absence and he's failing it because he can't",
"I would like people to explain the art of lying to me so",
"can't be believable enough and the fault was mine. I would like people",
"could make up some random excuses but it wouldn't be convincing enough. And",
"people to explain the art of lying to me so I could get",
"that I can't manage to get my head around: The best lies contain",
"know how to lie. I could make up some random excuses but it",
"I can't manage to get my head around: The best lies contain some",
"someone's absence and he's failing it because he can't be believable enough and",
"wouldn't be convincing enough. And there is always a saying that I can't",
"fault was mine. I would like people to explain the art of lying",
"saying that I can't manage to get my head around: The best lies",
"is always a saying that I can't manage to get my head around:",
"enough. And there is always a saying that I can't manage to get",
"enough and the fault was mine. I would like people to explain the",
"convincing enough. And there is always a saying that I can't manage to",
"some of the truth inside. My character is trying to cook up some",
"be believable enough and the fault was mine. I would like people to",
"lies contain some of the truth inside. My character is trying to cook",
"trying to cook up some believable story to cover up someone's absence and",
"inside. My character is trying to cook up some believable story to cover",
"it because he can't be believable enough and the fault was mine. I",
"don't know how to lie. I could make up some random excuses but",
"believable story to cover up someone's absence and he's failing it because he",
"My character is trying to cook up some believable story to cover up",
"character is trying to cook up some believable story to cover up someone's",
"up some random excuses but it wouldn't be convincing enough. And there is",
"random excuses but it wouldn't be convincing enough. And there is always a",
"I could make up some random excuses but it wouldn't be convincing enough.",
"like to admit: I don't know how to lie. I could make up",
"to cook up some believable story to cover up someone's absence and he's",
"And there is always a saying that I can't manage to get my",
"it wouldn't be convincing enough. And there is always a saying that I",
"and he's failing it because he can't be believable enough and the fault",
"the art of lying to me so I could get past this situation.",
"he can't be believable enough and the fault was mine. I would like",
"head around: The best lies contain some of the truth inside. My character",
"but it wouldn't be convincing enough. And there is always a saying that",
"to cover up someone's absence and he's failing it because he can't be",
"manage to get my head around: The best lies contain some of the",
"get my head around: The best lies contain some of the truth inside.",
"explain the art of lying to me so I could get past this",
"truth inside. My character is trying to cook up some believable story to",
"up some believable story to cover up someone's absence and he's failing it",
"how to lie. I could make up some random excuses but it wouldn't",
"like people to explain the art of lying to me so I could",
"my head around: The best lies contain some of the truth inside. My",
"he's failing it because he can't be believable enough and the fault was",
"be convincing enough. And there is always a saying that I can't manage",
"excuses but it wouldn't be convincing enough. And there is always a saying",
"There is one thing I did not like to admit: I don't know",
"a saying that I can't manage to get my head around: The best",
"make up some random excuses but it wouldn't be convincing enough. And there",
"believable enough and the fault was mine. I would like people to explain",
"around: The best lies contain some of the truth inside. My character is",
"did not like to admit: I don't know how to lie. I could",
"some believable story to cover up someone's absence and he's failing it because",
"I did not like to admit: I don't know how to lie. I",
"of the truth inside. My character is trying to cook up some believable",
"thing I did not like to admit: I don't know how to lie.",
"was mine. I would like people to explain the art of lying to",
"to get my head around: The best lies contain some of the truth",
"the truth inside. My character is trying to cook up some believable story",
"because he can't be believable enough and the fault was mine. I would",
"can't manage to get my head around: The best lies contain some of",
"failing it because he can't be believable enough and the fault was mine.",
"absence and he's failing it because he can't be believable enough and the",
"I don't know how to lie. I could make up some random excuses",
"mine. I would like people to explain the art of lying to me",
"admit: I don't know how to lie. I could make up some random",
"up someone's absence and he's failing it because he can't be believable enough",
"always a saying that I can't manage to get my head around: The",
"would like people to explain the art of lying to me so I",
"lie. I could make up some random excuses but it wouldn't be convincing",
"one thing I did not like to admit: I don't know how to",
"the fault was mine. I would like people to explain the art of",
"The best lies contain some of the truth inside. My character is trying",
"some random excuses but it wouldn't be convincing enough. And there is always",
"cover up someone's absence and he's failing it because he can't be believable",
"there is always a saying that I can't manage to get my head",
"to admit: I don't know how to lie. I could make up some",
"cook up some believable story to cover up someone's absence and he's failing",
"contain some of the truth inside. My character is trying to cook up",
"to lie. I could make up some random excuses but it wouldn't be",
"is trying to cook up some believable story to cover up someone's absence",
"not like to admit: I don't know how to lie. I could make",
"best lies contain some of the truth inside. My character is trying to",
"to explain the art of lying to me so I could get past",
"and the fault was mine. I would like people to explain the art",
"is one thing I did not like to admit: I don't know how"
] |
[
"I thought up is good or feasible, or can there be a suggestion",
"write-up project, and I'm stumped for how an alien species similar to the",
"neutral, so I went for the terminology \"Bipedaloid\", but I don't know how",
"easily parse-able a person seeing that at face value would know I'm denoting",
"person seeing that at face value would know I'm denoting to a rough",
"and Plantigrade-Bipedal standing/maneuvering) should be called. I don't want to go for Humanoid,",
"because that's to on the nose and too humancentric for the type of",
"(Two Arms, Two Legs, and Plantigrade-Bipedal standing/maneuvering) should be called. I don't want",
"or feasible, or can there be a suggestion for anything else that can",
"human. Do you think such a terminology I thought up is good or",
"developing. I want something more neutral, so I went for the terminology \"Bipedaloid\",",
"analogue morphology (Two Arms, Two Legs, and Plantigrade-Bipedal standing/maneuvering) should be called. I",
"think such a terminology I thought up is good or feasible, or can",
"a person seeing that at face value would know I'm denoting to a",
"to the human analogue morphology (Two Arms, Two Legs, and Plantigrade-Bipedal standing/maneuvering) should",
"a rough morphology similar too a human. Do you think such a terminology",
"good or feasible, or can there be a suggestion for anything else that",
"I'm denoting to a rough morphology similar too a human. Do you think",
"Two Legs, and Plantigrade-Bipedal standing/maneuvering) should be called. I don't want to go",
"go for Humanoid, because that's to on the nose and too humancentric for",
"alien species similar to the human analogue morphology (Two Arms, Two Legs, and",
"how an alien species similar to the human analogue morphology (Two Arms, Two",
"the type of setting I'm developing. I want something more neutral, so I",
"for the terminology \"Bipedaloid\", but I don't know how easily parse-able a person",
"setting I'm developing. I want something more neutral, so I went for the",
"I went for the terminology \"Bipedaloid\", but I don't know how easily parse-able",
"Humanoid, because that's to on the nose and too humancentric for the type",
"for how an alien species similar to the human analogue morphology (Two Arms,",
"and too humancentric for the type of setting I'm developing. I want something",
"be called. I don't want to go for Humanoid, because that's to on",
"similar to the human analogue morphology (Two Arms, Two Legs, and Plantigrade-Bipedal standing/maneuvering)",
"is good or feasible, or can there be a suggestion for anything else",
"denoting to a rough morphology similar too a human. Do you think such",
"on the nose and too humancentric for the type of setting I'm developing.",
"should be called. I don't want to go for Humanoid, because that's to",
"species similar to the human analogue morphology (Two Arms, Two Legs, and Plantigrade-Bipedal",
"something more neutral, so I went for the terminology \"Bipedaloid\", but I don't",
"similar too a human. Do you think such a terminology I thought up",
"I don't know how easily parse-able a person seeing that at face value",
"so I went for the terminology \"Bipedaloid\", but I don't know how easily",
"terminology \"Bipedaloid\", but I don't know how easily parse-able a person seeing that",
"I'm stumped for how an alien species similar to the human analogue morphology",
"too humancentric for the type of setting I'm developing. I want something more",
"called. I don't want to go for Humanoid, because that's to on the",
"that at face value would know I'm denoting to a rough morphology similar",
"nose and too humancentric for the type of setting I'm developing. I want",
"how easily parse-able a person seeing that at face value would know I'm",
"an alien species similar to the human analogue morphology (Two Arms, Two Legs,",
"know how easily parse-able a person seeing that at face value would know",
"extensive write-up project, and I'm stumped for how an alien species similar to",
"such a terminology I thought up is good or feasible, or can there",
"but I don't know how easily parse-able a person seeing that at face",
"terminology I thought up is good or feasible, or can there be a",
"an extensive write-up project, and I'm stumped for how an alien species similar",
"and I'm stumped for how an alien species similar to the human analogue",
"Legs, and Plantigrade-Bipedal standing/maneuvering) should be called. I don't want to go for",
"want to go for Humanoid, because that's to on the nose and too",
"type of setting I'm developing. I want something more neutral, so I went",
"face value would know I'm denoting to a rough morphology similar too a",
"I want something more neutral, so I went for the terminology \"Bipedaloid\", but",
"morphology similar too a human. Do you think such a terminology I thought",
"Plantigrade-Bipedal standing/maneuvering) should be called. I don't want to go for Humanoid, because",
"know I'm denoting to a rough morphology similar too a human. Do you",
"went for the terminology \"Bipedaloid\", but I don't know how easily parse-able a",
"at face value would know I'm denoting to a rough morphology similar too",
"a terminology I thought up is good or feasible, or can there be",
"to on the nose and too humancentric for the type of setting I'm",
"would know I'm denoting to a rough morphology similar too a human. Do",
"stumped for how an alien species similar to the human analogue morphology (Two",
"morphology (Two Arms, Two Legs, and Plantigrade-Bipedal standing/maneuvering) should be called. I don't",
"don't know how easily parse-able a person seeing that at face value would",
"human analogue morphology (Two Arms, Two Legs, and Plantigrade-Bipedal standing/maneuvering) should be called.",
"too a human. Do you think such a terminology I thought up is",
"the human analogue morphology (Two Arms, Two Legs, and Plantigrade-Bipedal standing/maneuvering) should be",
"I'm developing. I want something more neutral, so I went for the terminology",
"up is good or feasible, or can there be a suggestion for anything",
"standing/maneuvering) should be called. I don't want to go for Humanoid, because that's",
"humancentric for the type of setting I'm developing. I want something more neutral,",
"a human. Do you think such a terminology I thought up is good",
"for Humanoid, because that's to on the nose and too humancentric for the",
"seeing that at face value would know I'm denoting to a rough morphology",
"thought up is good or feasible, or can there be a suggestion for",
"doing an extensive write-up project, and I'm stumped for how an alien species",
"don't want to go for Humanoid, because that's to on the nose and",
"want something more neutral, so I went for the terminology \"Bipedaloid\", but I",
"to go for Humanoid, because that's to on the nose and too humancentric",
"project, and I'm stumped for how an alien species similar to the human",
"I'm doing an extensive write-up project, and I'm stumped for how an alien",
"parse-able a person seeing that at face value would know I'm denoting to",
"value would know I'm denoting to a rough morphology similar too a human.",
"\"Bipedaloid\", but I don't know how easily parse-able a person seeing that at",
"of setting I'm developing. I want something more neutral, so I went for",
"to a rough morphology similar too a human. Do you think such a",
"feasible, or can there be a suggestion for anything else that can help?",
"I don't want to go for Humanoid, because that's to on the nose",
"the terminology \"Bipedaloid\", but I don't know how easily parse-able a person seeing",
"Do you think such a terminology I thought up is good or feasible,",
"more neutral, so I went for the terminology \"Bipedaloid\", but I don't know",
"you think such a terminology I thought up is good or feasible, or",
"the nose and too humancentric for the type of setting I'm developing. I",
"Arms, Two Legs, and Plantigrade-Bipedal standing/maneuvering) should be called. I don't want to",
"that's to on the nose and too humancentric for the type of setting",
"for the type of setting I'm developing. I want something more neutral, so",
"rough morphology similar too a human. Do you think such a terminology I"
] |
[
"when, who governs, what rules there are, appearance, etc. Maybe that's not enough,",
"none have really worked for me. I've also looked for downloadable or printable",
"that, I began to write detailed outlines before starting my novel. I've also",
"am still outlining now. I'm dying to start writing, but I feel like",
"I was going, like I mentioned earlier. So after that, I began to",
"more of a pantser but I didn't get anywhere; by the time I'd",
"I should complete the outline. I've written with an unfinished outline before and",
"doing it right, if there's a right way to do it. For my",
"where, when, who governs, what rules there are, appearance, etc. Maybe that's not",
"done. My actual plot is where I doubt myself. I write a short",
"it's very slow. I've been outlining since October 2020 and am still outlining",
"an unfinished outline before and it was disastrous. I'm a plotser, which you",
"your novel on a single sheet of paper, scene cards, but none have",
"tutorials that claim you can outline your novel on a single sheet of",
"way to outline a novel? Are there certain methods I can use? Should",
"not very productive, and it's very slow. I've been outlining since October 2020",
"very slow. I've been outlining since October 2020 and am still outlining now.",
"for me. I've also looked for downloadable or printable templates, but end up",
"of a pantser but I didn't get anywhere; by the time I'd get",
"productive, and it's very slow. I've been outlining since October 2020 and am",
"October 2020 and am still outlining now. I'm dying to start writing, but",
"way of bullet pointing every scene from beginning to end. In short, is",
"\"right\" way to outline a novel? Are there certain methods I can use?",
"middle of my story, I didn't know where I was going, like I",
"paragraph. It gets stressful, it's not very productive, and it's very slow. I've",
"templates, but end up returning to my old way of bullet pointing every",
"as where, when, who governs, what rules there are, appearance, etc. Maybe that's",
"I've never had a solid template for outlining my novels. I don't even",
"paper, scene cards, but none have really worked for me. I've also looked",
"order, organized by bullet points. Sometimes, I write short sentences and sometimes I",
"I've also heard of different apps you could use, video tutorials that claim",
"my world building, I jot down details, such as where, when, who governs,",
"bullet points. Sometimes, I write short sentences and sometimes I write a paragraph.",
"also looked for downloadable or printable templates, but end up returning to my",
"short sentences and sometimes I write a paragraph. It gets stressful, it's not",
"short description of each scene in chronological order, organized by bullet points. Sometimes,",
"by bullet points. Sometimes, I write short sentences and sometimes I write a",
"novel on a single sheet of paper, scene cards, but none have really",
"like I should complete the outline. I've written with an unfinished outline before",
"I didn't know where I was going, like I mentioned earlier. So after",
"like I mentioned earlier. So after that, I began to write detailed outlines",
"etc. Maybe that's not enough, but that's what I've always done. My actual",
"there are, appearance, etc. Maybe that's not enough, but that's what I've always",
"that claim you can outline your novel on a single sheet of paper,",
"began to write detailed outlines before starting my novel. I've also heard of",
"sheet of paper, scene cards, but none have really worked for me. I've",
"know where I was going, like I mentioned earlier. So after that, I",
"up returning to my old way of bullet pointing every scene from beginning",
"Maybe that's not enough, but that's what I've always done. My actual plot",
"plotser, which you may have figured out already. I used to be more",
"I'd get to the middle of my story, I didn't know where I",
"It gets stressful, it's not very productive, and it's very slow. I've been",
"For my world building, I jot down details, such as where, when, who",
"of bullet pointing every scene from beginning to end. In short, is there",
"detailed outlines before starting my novel. I've also heard of different apps you",
"written with an unfinished outline before and it was disastrous. I'm a plotser,",
"but end up returning to my old way of bullet pointing every scene",
"my old way of bullet pointing every scene from beginning to end. In",
"or printable templates, but end up returning to my old way of bullet",
"was disastrous. I'm a plotser, which you may have figured out already. I",
"don't even know if I'm doing it right, if there's a right way",
"Are there certain methods I can use? Should I just continue the way",
"I didn't get anywhere; by the time I'd get to the middle of",
"a plotser, which you may have figured out already. I used to be",
"going, like I mentioned earlier. So after that, I began to write detailed",
"dying to start writing, but I feel like I should complete the outline.",
"of questions that I fill out. For my world building, I jot down",
"different apps you could use, video tutorials that claim you can outline your",
"after that, I began to write detailed outlines before starting my novel. I've",
"claim you can outline your novel on a single sheet of paper, scene",
"to my old way of bullet pointing every scene from beginning to end.",
"there a \"right\" way to outline a novel? Are there certain methods I",
"starting my novel. I've also heard of different apps you could use, video",
"world building, I jot down details, such as where, when, who governs, what",
"to end. In short, is there a \"right\" way to outline a novel?",
"I write short sentences and sometimes I write a paragraph. It gets stressful,",
"sometimes I write a paragraph. It gets stressful, it's not very productive, and",
"I don't even know if I'm doing it right, if there's a right",
"I'm dying to start writing, but I feel like I should complete the",
"enough, but that's what I've always done. My actual plot is where I",
"I mentioned earlier. So after that, I began to write detailed outlines before",
"story, I didn't know where I was going, like I mentioned earlier. So",
"of different apps you could use, video tutorials that claim you can outline",
"description of each scene in chronological order, organized by bullet points. Sometimes, I",
"I've always done. My actual plot is where I doubt myself. I write",
"I'm a plotser, which you may have figured out already. I used to",
"if I'm doing it right, if there's a right way to do it.",
"template for outlining my novels. I don't even know if I'm doing it",
"didn't know where I was going, like I mentioned earlier. So after that,",
"each scene in chronological order, organized by bullet points. Sometimes, I write short",
"2020 and am still outlining now. I'm dying to start writing, but I",
"always done. My actual plot is where I doubt myself. I write a",
"anywhere; by the time I'd get to the middle of my story, I",
"myself. I write a short description of each scene in chronological order, organized",
"video tutorials that claim you can outline your novel on a single sheet",
"outlining my novels. I don't even know if I'm doing it right, if",
"my novels. I don't even know if I'm doing it right, if there's",
"So after that, I began to write detailed outlines before starting my novel.",
"outlining since October 2020 and am still outlining now. I'm dying to start",
"stressful, it's not very productive, and it's very slow. I've been outlining since",
"points. Sometimes, I write short sentences and sometimes I write a paragraph. It",
"outline. I've written with an unfinished outline before and it was disastrous. I'm",
"cards, but none have really worked for me. I've also looked for downloadable",
"write detailed outlines before starting my novel. I've also heard of different apps",
"start writing, but I feel like I should complete the outline. I've written",
"details, such as where, when, who governs, what rules there are, appearance, etc.",
"I'm doing it right, if there's a right way to do it. For",
"that's not enough, but that's what I've always done. My actual plot is",
"very productive, and it's very slow. I've been outlining since October 2020 and",
"returning to my old way of bullet pointing every scene from beginning to",
"I jot down details, such as where, when, who governs, what rules there",
"have figured out already. I used to be more of a pantser but",
"right way to do it. For my characters, I have a list of",
"a single sheet of paper, scene cards, but none have really worked for",
"outline a novel? Are there certain methods I can use? Should I just",
"where I was going, like I mentioned earlier. So after that, I began",
"I feel like I should complete the outline. I've written with an unfinished",
"it. For my characters, I have a list of questions that I fill",
"my story, I didn't know where I was going, like I mentioned earlier.",
"plot is where I doubt myself. I write a short description of each",
"me. I've also looked for downloadable or printable templates, but end up returning",
"every scene from beginning to end. In short, is there a \"right\" way",
"a list of questions that I fill out. For my world building, I",
"slow. I've been outlining since October 2020 and am still outlining now. I'm",
"had a solid template for outlining my novels. I don't even know if",
"is where I doubt myself. I write a short description of each scene",
"get anywhere; by the time I'd get to the middle of my story,",
"scene cards, but none have really worked for me. I've also looked for",
"there certain methods I can use? Should I just continue the way I'm",
"of my story, I didn't know where I was going, like I mentioned",
"of each scene in chronological order, organized by bullet points. Sometimes, I write",
"can outline your novel on a single sheet of paper, scene cards, but",
"are, appearance, etc. Maybe that's not enough, but that's what I've always done.",
"been outlining since October 2020 and am still outlining now. I'm dying to",
"a short description of each scene in chronological order, organized by bullet points.",
"I doubt myself. I write a short description of each scene in chronological",
"such as where, when, who governs, what rules there are, appearance, etc. Maybe",
"writing, but I feel like I should complete the outline. I've written with",
"disastrous. I'm a plotser, which you may have figured out already. I used",
"was going, like I mentioned earlier. So after that, I began to write",
"old way of bullet pointing every scene from beginning to end. In short,",
"to do it. For my characters, I have a list of questions that",
"it was disastrous. I'm a plotser, which you may have figured out already.",
"is there a \"right\" way to outline a novel? Are there certain methods",
"use, video tutorials that claim you can outline your novel on a single",
"governs, what rules there are, appearance, etc. Maybe that's not enough, but that's",
"to start writing, but I feel like I should complete the outline. I've",
"figured out already. I used to be more of a pantser but I",
"get to the middle of my story, I didn't know where I was",
"apps you could use, video tutorials that claim you can outline your novel",
"gets stressful, it's not very productive, and it's very slow. I've been outlining",
"what I've always done. My actual plot is where I doubt myself. I",
"should complete the outline. I've written with an unfinished outline before and it",
"and sometimes I write a paragraph. It gets stressful, it's not very productive,",
"a paragraph. It gets stressful, it's not very productive, and it's very slow.",
"also heard of different apps you could use, video tutorials that claim you",
"outline your novel on a single sheet of paper, scene cards, but none",
"what rules there are, appearance, etc. Maybe that's not enough, but that's what",
"still outlining now. I'm dying to start writing, but I feel like I",
"to be more of a pantser but I didn't get anywhere; by the",
"I used to be more of a pantser but I didn't get anywhere;",
"write a short description of each scene in chronological order, organized by bullet",
"novels. I don't even know if I'm doing it right, if there's a",
"complete the outline. I've written with an unfinished outline before and it was",
"I've written with an unfinished outline before and it was disastrous. I'm a",
"there's a right way to do it. For my characters, I have a",
"I've been outlining since October 2020 and am still outlining now. I'm dying",
"now. I'm dying to start writing, but I feel like I should complete",
"characters, I have a list of questions that I fill out. For my",
"but I feel like I should complete the outline. I've written with an",
"who governs, what rules there are, appearance, etc. Maybe that's not enough, but",
"on a single sheet of paper, scene cards, but none have really worked",
"doubt myself. I write a short description of each scene in chronological order,",
"I write a paragraph. It gets stressful, it's not very productive, and it's",
"and it's very slow. I've been outlining since October 2020 and am still",
"short, is there a \"right\" way to outline a novel? Are there certain",
"for downloadable or printable templates, but end up returning to my old way",
"it right, if there's a right way to do it. For my characters,",
"I began to write detailed outlines before starting my novel. I've also heard",
"before starting my novel. I've also heard of different apps you could use,",
"write short sentences and sometimes I write a paragraph. It gets stressful, it's",
"from beginning to end. In short, is there a \"right\" way to outline",
"time I'd get to the middle of my story, I didn't know where",
"end. In short, is there a \"right\" way to outline a novel? Are",
"I fill out. For my world building, I jot down details, such as",
"beginning to end. In short, is there a \"right\" way to outline a",
"jot down details, such as where, when, who governs, what rules there are,",
"for outlining my novels. I don't even know if I'm doing it right,",
"didn't get anywhere; by the time I'd get to the middle of my",
"outlines before starting my novel. I've also heard of different apps you could",
"novel. I've also heard of different apps you could use, video tutorials that",
"not enough, but that's what I've always done. My actual plot is where",
"you may have figured out already. I used to be more of a",
"have a list of questions that I fill out. For my world building,",
"pantser but I didn't get anywhere; by the time I'd get to the",
"I've also looked for downloadable or printable templates, but end up returning to",
"sentences and sometimes I write a paragraph. It gets stressful, it's not very",
"could use, video tutorials that claim you can outline your novel on a",
"know if I'm doing it right, if there's a right way to do",
"my characters, I have a list of questions that I fill out. For",
"really worked for me. I've also looked for downloadable or printable templates, but",
"downloadable or printable templates, but end up returning to my old way of",
"In short, is there a \"right\" way to outline a novel? Are there",
"pointing every scene from beginning to end. In short, is there a \"right\"",
"looked for downloadable or printable templates, but end up returning to my old",
"a solid template for outlining my novels. I don't even know if I'm",
"fill out. For my world building, I jot down details, such as where,",
"appearance, etc. Maybe that's not enough, but that's what I've always done. My",
"chronological order, organized by bullet points. Sometimes, I write short sentences and sometimes",
"list of questions that I fill out. For my world building, I jot",
"if there's a right way to do it. For my characters, I have",
"since October 2020 and am still outlining now. I'm dying to start writing,",
"the outline. I've written with an unfinished outline before and it was disastrous.",
"with an unfinished outline before and it was disastrous. I'm a plotser, which",
"before and it was disastrous. I'm a plotser, which you may have figured",
"be more of a pantser but I didn't get anywhere; by the time",
"mentioned earlier. So after that, I began to write detailed outlines before starting",
"may have figured out already. I used to be more of a pantser",
"actual plot is where I doubt myself. I write a short description of",
"already. I used to be more of a pantser but I didn't get",
"you can outline your novel on a single sheet of paper, scene cards,",
"used to be more of a pantser but I didn't get anywhere; by",
"scene from beginning to end. In short, is there a \"right\" way to",
"you could use, video tutorials that claim you can outline your novel on",
"I write a short description of each scene in chronological order, organized by",
"building, I jot down details, such as where, when, who governs, what rules",
"questions that I fill out. For my world building, I jot down details,",
"but none have really worked for me. I've also looked for downloadable or",
"it's not very productive, and it's very slow. I've been outlining since October",
"the time I'd get to the middle of my story, I didn't know",
"where I doubt myself. I write a short description of each scene in",
"out already. I used to be more of a pantser but I didn't",
"heard of different apps you could use, video tutorials that claim you can",
"For my characters, I have a list of questions that I fill out.",
"of paper, scene cards, but none have really worked for me. I've also",
"but I didn't get anywhere; by the time I'd get to the middle",
"never had a solid template for outlining my novels. I don't even know",
"do it. For my characters, I have a list of questions that I",
"Sometimes, I write short sentences and sometimes I write a paragraph. It gets",
"which you may have figured out already. I used to be more of",
"a pantser but I didn't get anywhere; by the time I'd get to",
"that's what I've always done. My actual plot is where I doubt myself.",
"organized by bullet points. Sometimes, I write short sentences and sometimes I write",
"and it was disastrous. I'm a plotser, which you may have figured out",
"to write detailed outlines before starting my novel. I've also heard of different",
"a novel? Are there certain methods I can use? Should I just continue",
"a right way to do it. For my characters, I have a list",
"solid template for outlining my novels. I don't even know if I'm doing",
"end up returning to my old way of bullet pointing every scene from",
"earlier. So after that, I began to write detailed outlines before starting my",
"single sheet of paper, scene cards, but none have really worked for me.",
"rules there are, appearance, etc. Maybe that's not enough, but that's what I've",
"worked for me. I've also looked for downloadable or printable templates, but end",
"my novel. I've also heard of different apps you could use, video tutorials",
"out. For my world building, I jot down details, such as where, when,",
"My actual plot is where I doubt myself. I write a short description",
"outline before and it was disastrous. I'm a plotser, which you may have",
"down details, such as where, when, who governs, what rules there are, appearance,",
"outlining now. I'm dying to start writing, but I feel like I should",
"bullet pointing every scene from beginning to end. In short, is there a",
"printable templates, but end up returning to my old way of bullet pointing",
"feel like I should complete the outline. I've written with an unfinished outline",
"the middle of my story, I didn't know where I was going, like",
"to the middle of my story, I didn't know where I was going,",
"certain methods I can use? Should I just continue the way I'm outlining?",
"to outline a novel? Are there certain methods I can use? Should I",
"have really worked for me. I've also looked for downloadable or printable templates,",
"by the time I'd get to the middle of my story, I didn't",
"and am still outlining now. I'm dying to start writing, but I feel",
"even know if I'm doing it right, if there's a right way to",
"way to do it. For my characters, I have a list of questions",
"that I fill out. For my world building, I jot down details, such",
"write a paragraph. It gets stressful, it's not very productive, and it's very",
"right, if there's a right way to do it. For my characters, I",
"scene in chronological order, organized by bullet points. Sometimes, I write short sentences",
"but that's what I've always done. My actual plot is where I doubt",
"a \"right\" way to outline a novel? Are there certain methods I can",
"I have a list of questions that I fill out. For my world",
"unfinished outline before and it was disastrous. I'm a plotser, which you may",
"in chronological order, organized by bullet points. Sometimes, I write short sentences and",
"novel? Are there certain methods I can use? Should I just continue the"
] |
[
"book in which there is a character with no gender. I don't know",
"> Without gender: > > It kissed him > > > It doesn't",
"should I use? Example: With gender: > > She kissed him > >",
"what pronouns I should use for this character. I can't use he/she. What",
"> > It doesn't seem nice to say \"It kissed him\", especially with",
"him > > > Without gender: > > It kissed him > >",
"I use? Example: With gender: > > She kissed him > > >",
"a book in which there is a character with no gender. I don't",
"should use for this character. I can't use he/she. What pronouns should I",
"> She kissed him > > > Without gender: > > It kissed",
"gender. I don't know what pronouns I should use for this character. I",
"a character with no gender. I don't know what pronouns I should use",
"I don't know what pronouns I should use for this character. I can't",
"use for this character. I can't use he/she. What pronouns should I use?",
"use he/she. What pronouns should I use? Example: With gender: > > She",
"there is a character with no gender. I don't know what pronouns I",
"> It kissed him > > > It doesn't seem nice to say",
"for this character. I can't use he/she. What pronouns should I use? Example:",
"With gender: > > She kissed him > > > Without gender: >",
"him > > > It doesn't seem nice to say \"It kissed him\",",
"I'm writing a book in which there is a character with no gender.",
"he/she. What pronouns should I use? Example: With gender: > > She kissed",
"character. I can't use he/she. What pronouns should I use? Example: With gender:",
"is a character with no gender. I don't know what pronouns I should",
"no gender. I don't know what pronouns I should use for this character.",
"pronouns should I use? Example: With gender: > > She kissed him >",
"pronouns I should use for this character. I can't use he/she. What pronouns",
"writing a book in which there is a character with no gender. I",
"> > She kissed him > > > Without gender: > > It",
"know what pronouns I should use for this character. I can't use he/she.",
"gender: > > It kissed him > > > It doesn't seem nice",
"in which there is a character with no gender. I don't know what",
"> > It kissed him > > > It doesn't seem nice to",
"It doesn't seem nice to say \"It kissed him\", especially with agender humans.",
"kissed him > > > It doesn't seem nice to say \"It kissed",
"What pronouns should I use? Example: With gender: > > She kissed him",
"> > Without gender: > > It kissed him > > > It",
"It kissed him > > > It doesn't seem nice to say \"It",
"don't know what pronouns I should use for this character. I can't use",
"gender: > > She kissed him > > > Without gender: > >",
"> > > Without gender: > > It kissed him > > >",
"with no gender. I don't know what pronouns I should use for this",
"which there is a character with no gender. I don't know what pronouns",
"this character. I can't use he/she. What pronouns should I use? Example: With",
"Example: With gender: > > She kissed him > > > Without gender:",
"kissed him > > > Without gender: > > It kissed him >",
"Without gender: > > It kissed him > > > It doesn't seem",
"character with no gender. I don't know what pronouns I should use for",
"She kissed him > > > Without gender: > > It kissed him",
"I can't use he/she. What pronouns should I use? Example: With gender: >",
"use? Example: With gender: > > She kissed him > > > Without",
"> > > It doesn't seem nice to say \"It kissed him\", especially",
"> It doesn't seem nice to say \"It kissed him\", especially with agender",
"can't use he/she. What pronouns should I use? Example: With gender: > >",
"I should use for this character. I can't use he/she. What pronouns should"
] |
[
"talk using discourse markers, specifically cognitive markers to create flow in the dialogue.",
"flow in the dialogue. There aren't any \"um\", \"so\", \"uh\", pauses, etc. Realistically,",
"markers almost every utterance. Even someone confident on what they have to say",
"utterance. Even someone confident on what they have to say still uses it,",
"aren't any \"um\", \"so\", \"uh\", pauses, etc. Realistically, people use discourse markers almost",
"confident on what they have to say still uses it, especially if they're",
"\"um\", \"so\", \"uh\", pauses, etc. Realistically, people use discourse markers almost every utterance.",
"discourse markers almost every utterance. Even someone confident on what they have to",
"still uses it, especially if they're still formulating their thoughts. Wouldn't use of",
"to create flow in the dialogue. There aren't any \"um\", \"so\", \"uh\", pauses,",
"not talk using discourse markers, specifically cognitive markers to create flow in the",
"tend to not talk using discourse markers, specifically cognitive markers to create flow",
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"cognitive markers to create flow in the dialogue. There aren't any \"um\", \"so\",",
"characters tend to not talk using discourse markers, specifically cognitive markers to create",
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"specifically cognitive markers to create flow in the dialogue. There aren't any \"um\",",
"use discourse markers almost every utterance. Even someone confident on what they have",
"always wondered why characters tend to not talk using discourse markers, specifically cognitive",
"they're still formulating their thoughts. Wouldn't use of it make dialogue much more",
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"to not talk using discourse markers, specifically cognitive markers to create flow in",
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"create flow in the dialogue. There aren't any \"um\", \"so\", \"uh\", pauses, etc.",
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"I always wondered why characters tend to not talk using discourse markers, specifically",
"if they're still formulating their thoughts. Wouldn't use of it make dialogue much",
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"still formulating their thoughts. Wouldn't use of it make dialogue much more believable?",
"using discourse markers, specifically cognitive markers to create flow in the dialogue. There",
"the dialogue. There aren't any \"um\", \"so\", \"uh\", pauses, etc. Realistically, people use",
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"I am not a writer, but I always wondered why characters tend to",
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"say still uses it, especially if they're still formulating their thoughts. Wouldn't use",
"\"uh\", pauses, etc. Realistically, people use discourse markers almost every utterance. Even someone",
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"uses it, especially if they're still formulating their thoughts. Wouldn't use of it",
"not a writer, but I always wondered why characters tend to not talk",
"writer, but I always wondered why characters tend to not talk using discourse"
] |
[
"foreshadow key details without being obvious that those details are important yet if",
"do you give out hints and foreshadow key details without being obvious that",
"details are important yet if the readers read through it again after the",
"through it again after the plot twist, they will say something along the",
"twist, they will say something along the lines of \"Oh! It's so obvious!\"?",
"if the readers read through it again after the plot twist, they will",
"stories alike, how do you give out hints and foreshadow key details without",
"murder mystery novel or stories alike, how do you give out hints and",
"and foreshadow key details without being obvious that those details are important yet",
"it again after the plot twist, they will say something along the lines",
"out hints and foreshadow key details without being obvious that those details are",
"novel or stories alike, how do you give out hints and foreshadow key",
"hints and foreshadow key details without being obvious that those details are important",
"details without being obvious that those details are important yet if the readers",
"those details are important yet if the readers read through it again after",
"the plot twist, they will say something along the lines of \"Oh! It's",
"yet if the readers read through it again after the plot twist, they",
"readers read through it again after the plot twist, they will say something",
"plot twist, they will say something along the lines of \"Oh! It's so",
"without being obvious that those details are important yet if the readers read",
"key details without being obvious that those details are important yet if the",
"you give out hints and foreshadow key details without being obvious that those",
"being obvious that those details are important yet if the readers read through",
"how do you give out hints and foreshadow key details without being obvious",
"that those details are important yet if the readers read through it again",
"are important yet if the readers read through it again after the plot",
"important yet if the readers read through it again after the plot twist,",
"or stories alike, how do you give out hints and foreshadow key details",
"the readers read through it again after the plot twist, they will say",
"obvious that those details are important yet if the readers read through it",
"after the plot twist, they will say something along the lines of \"Oh!",
"a murder mystery novel or stories alike, how do you give out hints",
"alike, how do you give out hints and foreshadow key details without being",
"mystery novel or stories alike, how do you give out hints and foreshadow",
"In a murder mystery novel or stories alike, how do you give out",
"again after the plot twist, they will say something along the lines of",
"read through it again after the plot twist, they will say something along",
"give out hints and foreshadow key details without being obvious that those details"
] |
[
"a different person. The \"Yeah\" starts before \"fool\", how do you convey that?",
"spoken by a different person. The \"Yeah\" starts before \"fool\", how do you",
"right\" is also spoken by a different person. The \"Yeah\" starts before \"fool\",",
"are a fool, yeah that's right. > > > \"You are a fool\"",
"a line is spoken at the same time? Example: > > You are",
"> > \"You are a fool\" is spoken by a different person. \"Yeah",
"> \"You are a fool\" is spoken by a different person. \"Yeah that's",
"convey that a line or parts of a line is spoken at the",
"at the same time? Example: > > You are a fool, yeah that's",
"that's right\" is also spoken by a different person. The \"Yeah\" starts before",
"a line or parts of a line is spoken at the same time?",
"line is spoken at the same time? Example: > > You are a",
"you convey that a line or parts of a line is spoken at",
"do you convey that a line or parts of a line is spoken",
"right. > > > \"You are a fool\" is spoken by a different",
"\"Yeah that's right\" is also spoken by a different person. The \"Yeah\" starts",
"> You are a fool, yeah that's right. > > > \"You are",
"that's right. > > > \"You are a fool\" is spoken by a",
"fool, yeah that's right. > > > \"You are a fool\" is spoken",
"by a different person. \"Yeah that's right\" is also spoken by a different",
"by a different person. The \"Yeah\" starts before \"fool\", how do you convey",
"line or parts of a line is spoken at the same time? Example:",
"a different person. \"Yeah that's right\" is also spoken by a different person.",
"person. \"Yeah that's right\" is also spoken by a different person. The \"Yeah\"",
"is spoken at the same time? Example: > > You are a fool,",
"how do you convey that a line or parts of a line is",
"> > > \"You are a fool\" is spoken by a different person.",
"song lyrics, how do you convey that a line or parts of a",
"lyrics, how do you convey that a line or parts of a line",
"the same time? Example: > > You are a fool, yeah that's right.",
"spoken by a different person. \"Yeah that's right\" is also spoken by a",
"> > You are a fool, yeah that's right. > > > \"You",
"spoken at the same time? Example: > > You are a fool, yeah",
"is spoken by a different person. \"Yeah that's right\" is also spoken by",
"of a line is spoken at the same time? Example: > > You",
"yeah that's right. > > > \"You are a fool\" is spoken by",
"parts of a line is spoken at the same time? Example: > >",
"You are a fool, yeah that's right. > > > \"You are a",
"different person. \"Yeah that's right\" is also spoken by a different person. The",
"Example: > > You are a fool, yeah that's right. > > >",
"a fool, yeah that's right. > > > \"You are a fool\" is",
"\"You are a fool\" is spoken by a different person. \"Yeah that's right\"",
"a fool\" is spoken by a different person. \"Yeah that's right\" is also",
"same time? Example: > > You are a fool, yeah that's right. >",
"time? Example: > > You are a fool, yeah that's right. > >",
"that a line or parts of a line is spoken at the same",
"or parts of a line is spoken at the same time? Example: >",
"is also spoken by a different person. The \"Yeah\" starts before \"fool\", how",
"are a fool\" is spoken by a different person. \"Yeah that's right\" is",
"fool\" is spoken by a different person. \"Yeah that's right\" is also spoken",
"In song lyrics, how do you convey that a line or parts of",
"also spoken by a different person. The \"Yeah\" starts before \"fool\", how do"
] |
[
"was thinking of using a Latin title for an in-world book. Or a",
"something, would that make sense? For example, I was thinking of using a",
"using a Latin title for an in-world book. Or a Latin species scientific",
"a Latin title for an in-world book. Or a Latin species scientific names.",
"title for something, would that make sense? For example, I was thinking of",
"would that make sense? For example, I was thinking of using a Latin",
"make sense? For example, I was thinking of using a Latin title for",
"Latin title for something, would that make sense? For example, I was thinking",
"sense? For example, I was thinking of using a Latin title for an",
"thinking of using a Latin title for an in-world book. Or a Latin",
"an in-world book. Or a Latin species scientific names. Or use the name",
"a Latin species scientific names. Or use the name of some kind of",
"for something, would that make sense? For example, I was thinking of using",
"scientific names. Or use the name of some kind of Latin title. Thanks,",
"phrase or used a Latin title for something, would that make sense? For",
"mean, if I used a Latin phrase or used a Latin title for",
"species scientific names. Or use the name of some kind of Latin title.",
"this I mean, if I used a Latin phrase or used a Latin",
"used a Latin title for something, would that make sense? For example, I",
"I was thinking of using a Latin title for an in-world book. Or",
"Latin phrase or used a Latin title for something, would that make sense?",
"Latin species scientific names. Or use the name of some kind of Latin",
"example, I was thinking of using a Latin title for an in-world book.",
"a Latin phrase or used a Latin title for something, would that make",
"Latin title for an in-world book. Or a Latin species scientific names. Or",
"I used a Latin phrase or used a Latin title for something, would",
"in-world book. Or a Latin species scientific names. Or use the name of",
"for an in-world book. Or a Latin species scientific names. Or use the",
"of using a Latin title for an in-world book. Or a Latin species",
"title for an in-world book. Or a Latin species scientific names. Or use",
"Or a Latin species scientific names. Or use the name of some kind",
"a Latin title for something, would that make sense? For example, I was",
"that make sense? For example, I was thinking of using a Latin title",
"if I used a Latin phrase or used a Latin title for something,",
"For example, I was thinking of using a Latin title for an in-world",
"book. Or a Latin species scientific names. Or use the name of some",
"I mean, if I used a Latin phrase or used a Latin title",
"used a Latin phrase or used a Latin title for something, would that",
"By this I mean, if I used a Latin phrase or used a",
"or used a Latin title for something, would that make sense? For example,"
] |
[
"focus, is it all right for my prologue to have an objective pov?",
"novel in third person limited point of view. I want my prologue to",
"of view. I want my prologue to feature an event that is referenced",
"event that is referenced later in the novel, but my protagonist is not",
"novel is written with the protagonist as the narrative focus, is it all",
"third person limited point of view. I want my prologue to feature an",
"my prologue to feature an event that is referenced later in the novel,",
"point of view. I want my prologue to feature an event that is",
"a murder, the novel has the protagonist searching for the killer). If my",
"protagonist is not involved in the event. (e.x the prologue is a murder,",
"the prologue is a murder, the novel has the protagonist searching for the",
"writing a novel in third person limited point of view. I want my",
"my protagonist is not involved in the event. (e.x the prologue is a",
"(e.x the prologue is a murder, the novel has the protagonist searching for",
"the killer). If my novel is written with the protagonist as the narrative",
"I'm writing a novel in third person limited point of view. I want",
"the protagonist as the narrative focus, is it all right for my prologue",
"referenced later in the novel, but my protagonist is not involved in the",
"a novel in third person limited point of view. I want my prologue",
"protagonist searching for the killer). If my novel is written with the protagonist",
"the novel, but my protagonist is not involved in the event. (e.x the",
"in the novel, but my protagonist is not involved in the event. (e.x",
"is not involved in the event. (e.x the prologue is a murder, the",
"in the event. (e.x the prologue is a murder, the novel has the",
"has the protagonist searching for the killer). If my novel is written with",
"written with the protagonist as the narrative focus, is it all right for",
"view. I want my prologue to feature an event that is referenced later",
"is a murder, the novel has the protagonist searching for the killer). If",
"person limited point of view. I want my prologue to feature an event",
"event. (e.x the prologue is a murder, the novel has the protagonist searching",
"narrative focus, is it all right for my prologue to have an objective",
"is written with the protagonist as the narrative focus, is it all right",
"as the narrative focus, is it all right for my prologue to have",
"to feature an event that is referenced later in the novel, but my",
"murder, the novel has the protagonist searching for the killer). If my novel",
"it all right for my prologue to have an objective pov? Thank you!",
"later in the novel, but my protagonist is not involved in the event.",
"limited point of view. I want my prologue to feature an event that",
"novel, but my protagonist is not involved in the event. (e.x the prologue",
"protagonist as the narrative focus, is it all right for my prologue to",
"the event. (e.x the prologue is a murder, the novel has the protagonist",
"involved in the event. (e.x the prologue is a murder, the novel has",
"in third person limited point of view. I want my prologue to feature",
"the narrative focus, is it all right for my prologue to have an",
"for the killer). If my novel is written with the protagonist as the",
"is it all right for my prologue to have an objective pov? Thank",
"want my prologue to feature an event that is referenced later in the",
"the protagonist searching for the killer). If my novel is written with the",
"but my protagonist is not involved in the event. (e.x the prologue is",
"is referenced later in the novel, but my protagonist is not involved in",
"the novel has the protagonist searching for the killer). If my novel is",
"killer). If my novel is written with the protagonist as the narrative focus,",
"If my novel is written with the protagonist as the narrative focus, is",
"searching for the killer). If my novel is written with the protagonist as",
"I want my prologue to feature an event that is referenced later in",
"novel has the protagonist searching for the killer). If my novel is written",
"an event that is referenced later in the novel, but my protagonist is",
"not involved in the event. (e.x the prologue is a murder, the novel",
"prologue is a murder, the novel has the protagonist searching for the killer).",
"with the protagonist as the narrative focus, is it all right for my",
"feature an event that is referenced later in the novel, but my protagonist",
"that is referenced later in the novel, but my protagonist is not involved",
"my novel is written with the protagonist as the narrative focus, is it",
"prologue to feature an event that is referenced later in the novel, but"
] |
[
"after getting a call', which also is kind of generic. I think my",
"a good story idea I have to create a story that has the",
"I have to create a story that has the 12-stage hero's journey structure,",
"something bad, after getting a call', which also is kind of generic. I",
"12-stage hero's journey structure, with a Byronic hero. Right now I can't seem",
"up with a good story idea I have to create a story that",
"to stop the villain from doing something bad, after getting a call', which",
"'hero goes to find an object/treasure, and tries to defeat an enemy' which",
"and tries to defeat an enemy' which is pretty bland. Or, 'the hero",
"getting a call', which also is kind of generic. I think my ideas",
"Byronic hero. Right now I can't seem to think of any good story",
"with a good story idea I have to create a story that has",
"call', which also is kind of generic. I think my ideas aren't bad,",
"bad, after getting a call', which also is kind of generic. I think",
"now I can't seem to think of any good story ideas except for",
"which also is kind of generic. I think my ideas aren't bad, but",
"find an object/treasure, and tries to defeat an enemy' which is pretty bland.",
"idea I have to create a story that has the 12-stage hero's journey",
"of generic. I think my ideas aren't bad, but want to come up",
"which is pretty bland. Or, 'the hero tries to stop the villain from",
"come up with a good story idea I have to create a story",
"is pretty bland. Or, 'the hero tries to stop the villain from doing",
"goes to find an object/treasure, and tries to defeat an enemy' which is",
"to find an object/treasure, and tries to defeat an enemy' which is pretty",
"generic. I think my ideas aren't bad, but want to come up with",
"kind of generic. I think my ideas aren't bad, but want to come",
"to think of any good story ideas except for the 'hero goes to",
"except for the 'hero goes to find an object/treasure, and tries to defeat",
"enemy' which is pretty bland. Or, 'the hero tries to stop the villain",
"tries to stop the villain from doing something bad, after getting a call',",
"advice on how to come up with a good story idea I have",
"hero tries to stop the villain from doing something bad, after getting a",
"seem to think of any good story ideas except for the 'hero goes",
"my ideas aren't bad, but want to come up with something more original",
"good story idea I have to create a story that has the 12-stage",
"ideas except for the 'hero goes to find an object/treasure, and tries to",
"can't seem to think of any good story ideas except for the 'hero",
"the 'hero goes to find an object/treasure, and tries to defeat an enemy'",
"an enemy' which is pretty bland. Or, 'the hero tries to stop the",
"I can't seem to think of any good story ideas except for the",
"to create a story that has the 12-stage hero's journey structure, with a",
"object/treasure, and tries to defeat an enemy' which is pretty bland. Or, 'the",
"that has the 12-stage hero's journey structure, with a Byronic hero. Right now",
"to come up with a good story idea I have to create a",
"for the 'hero goes to find an object/treasure, and tries to defeat an",
"bland. Or, 'the hero tries to stop the villain from doing something bad,",
"Right now I can't seem to think of any good story ideas except",
"stop the villain from doing something bad, after getting a call', which also",
"hero. Right now I can't seem to think of any good story ideas",
"Or, 'the hero tries to stop the villain from doing something bad, after",
"the villain from doing something bad, after getting a call', which also is",
"has the 12-stage hero's journey structure, with a Byronic hero. Right now I",
"good story ideas except for the 'hero goes to find an object/treasure, and",
"a call', which also is kind of generic. I think my ideas aren't",
"want some advice on how to come up with a good story idea",
"structure, with a Byronic hero. Right now I can't seem to think of",
"journey structure, with a Byronic hero. Right now I can't seem to think",
"tries to defeat an enemy' which is pretty bland. Or, 'the hero tries",
"story ideas except for the 'hero goes to find an object/treasure, and tries",
"on how to come up with a good story idea I have to",
"create a story that has the 12-stage hero's journey structure, with a Byronic",
"a story that has the 12-stage hero's journey structure, with a Byronic hero.",
"think my ideas aren't bad, but want to come up with something more",
"I think my ideas aren't bad, but want to come up with something",
"hero's journey structure, with a Byronic hero. Right now I can't seem to",
"to defeat an enemy' which is pretty bland. Or, 'the hero tries to",
"is kind of generic. I think my ideas aren't bad, but want to",
"how to come up with a good story idea I have to create",
"defeat an enemy' which is pretty bland. Or, 'the hero tries to stop",
"story that has the 12-stage hero's journey structure, with a Byronic hero. Right",
"villain from doing something bad, after getting a call', which also is kind",
"the 12-stage hero's journey structure, with a Byronic hero. Right now I can't",
"a Byronic hero. Right now I can't seem to think of any good",
"an object/treasure, and tries to defeat an enemy' which is pretty bland. Or,",
"also is kind of generic. I think my ideas aren't bad, but want",
"'the hero tries to stop the villain from doing something bad, after getting",
"think of any good story ideas except for the 'hero goes to find",
"of any good story ideas except for the 'hero goes to find an",
"any good story ideas except for the 'hero goes to find an object/treasure,",
"story idea I have to create a story that has the 12-stage hero's",
"have to create a story that has the 12-stage hero's journey structure, with",
"doing something bad, after getting a call', which also is kind of generic.",
"some advice on how to come up with a good story idea I",
"with a Byronic hero. Right now I can't seem to think of any",
"pretty bland. Or, 'the hero tries to stop the villain from doing something",
"from doing something bad, after getting a call', which also is kind of",
"I want some advice on how to come up with a good story"
] |
[
"It is generally considered bad practice to include these in your writing, so",
"show that your character is pondering something, or unsure about something, without using",
"“um” or “uh” or similar phrases? Note: this question is about fictional writings,",
"is generally considered bad practice to include these in your writing, so what",
"writing, so what should be used instead? How would you show that your",
"without using “um” or “uh” or similar phrases? Note: this question is about",
"your character is pondering something, or unsure about something, without using “um” or",
"instead? How would you show that your character is pondering something, or unsure",
"be used instead? How would you show that your character is pondering something,",
"about something, without using “um” or “uh” or similar phrases? Note: this question",
"these in your writing, so what should be used instead? How would you",
"what should be used instead? How would you show that your character is",
"or similar phrases? Note: this question is about fictional writings, not nonfiction books.",
"or unsure about something, without using “um” or “uh” or similar phrases? Note:",
"to include these in your writing, so what should be used instead? How",
"or “uh” or similar phrases? Note: this question is about fictional writings, not",
"should be used instead? How would you show that your character is pondering",
"something, or unsure about something, without using “um” or “uh” or similar phrases?",
"“uh” or similar phrases? Note: this question is about fictional writings, not nonfiction",
"is pondering something, or unsure about something, without using “um” or “uh” or",
"that your character is pondering something, or unsure about something, without using “um”",
"pondering something, or unsure about something, without using “um” or “uh” or similar",
"using “um” or “uh” or similar phrases? Note: this question is about fictional",
"character is pondering something, or unsure about something, without using “um” or “uh”",
"so what should be used instead? How would you show that your character",
"would you show that your character is pondering something, or unsure about something,",
"in your writing, so what should be used instead? How would you show",
"unsure about something, without using “um” or “uh” or similar phrases? Note: this",
"your writing, so what should be used instead? How would you show that",
"practice to include these in your writing, so what should be used instead?",
"include these in your writing, so what should be used instead? How would",
"bad practice to include these in your writing, so what should be used",
"something, without using “um” or “uh” or similar phrases? Note: this question is",
"you show that your character is pondering something, or unsure about something, without",
"generally considered bad practice to include these in your writing, so what should",
"How would you show that your character is pondering something, or unsure about",
"considered bad practice to include these in your writing, so what should be",
"used instead? How would you show that your character is pondering something, or"
] |
[
"do authors write at the same time? I usually try to focus on",
"how many books do authors write at the same time? I usually try",
"or stay focused on just one? Is it common for authors to be",
"a time, but I sometimes get inspiration for something else and want to",
"it common for authors to be working on one project, then have an",
"same time? I usually try to focus on one project at a time,",
"something inspired from that. I still want to write Project 1 but Project",
"common for authors to be working on one project, then have an idea",
"it okay to divide your attention between two or more projects or stay",
"and I don't want to let go of it just because I'm already",
"to let go of it just because I'm already writing something else that",
"on one project at a time, but I sometimes get inspiration for something",
"mind and I don't want to let go of it just because I'm",
"I don't want to let go of it just because I'm already writing",
"to write Project 1 but Project 2 is already developing in my mind",
"or more projects or stay focused on just one? Is it common for",
"project, then have an idea for a new one and start working on",
"to focus on one project at a time, but I sometimes get inspiration",
"write something inspired from that. I still want to write Project 1 but",
"in my mind and I don't want to let go of it just",
"developing in my mind and I don't want to let go of it",
"want to write Project 1 but Project 2 is already developing in my",
"is already developing in my mind and I don't want to let go",
"for something else and want to write something inspired from that. I still",
"Project 1 but Project 2 is already developing in my mind and I",
"inspiration for something else and want to write something inspired from that. I",
"then have an idea for a new one and start working on that",
"wondering, how many books do authors write at the same time? I usually",
"just one? Is it common for authors to be working on one project,",
"want to let go of it just because I'm already writing something else",
"want to write something inspired from that. I still want to write Project",
"is completely different. Is it okay to divide your attention between two or",
"to divide your attention between two or more projects or stay focused on",
"else and want to write something inspired from that. I still want to",
"your attention between two or more projects or stay focused on just one?",
"and start working on that one, even though they haven't finished the first",
"I sometimes get inspiration for something else and want to write something inspired",
"I'm already writing something else that is completely different. Is it okay to",
"already developing in my mind and I don't want to let go of",
"for authors to be working on one project, then have an idea for",
"something else that is completely different. Is it okay to divide your attention",
"one, even though they haven't finished the first one? Hope this is clear.",
"Project 2 is already developing in my mind and I don't want to",
"2 is already developing in my mind and I don't want to let",
"project at a time, but I sometimes get inspiration for something else and",
"one? Is it common for authors to be working on one project, then",
"usually try to focus on one project at a time, but I sometimes",
"many books do authors write at the same time? I usually try to",
"was wondering, how many books do authors write at the same time? I",
"an idea for a new one and start working on that one, even",
"idea for a new one and start working on that one, even though",
"working on that one, even though they haven't finished the first one? Hope",
"books do authors write at the same time? I usually try to focus",
"on just one? Is it common for authors to be working on one",
"divide your attention between two or more projects or stay focused on just",
"something else and want to write something inspired from that. I still want",
"a new one and start working on that one, even though they haven't",
"let go of it just because I'm already writing something else that is",
"write at the same time? I usually try to focus on one project",
"authors write at the same time? I usually try to focus on one",
"completely different. Is it okay to divide your attention between two or more",
"to be working on one project, then have an idea for a new",
"of it just because I'm already writing something else that is completely different.",
"at the same time? I usually try to focus on one project at",
"stay focused on just one? Is it common for authors to be working",
"that one, even though they haven't finished the first one? Hope this is",
"1 but Project 2 is already developing in my mind and I don't",
"else that is completely different. Is it okay to divide your attention between",
"one and start working on that one, even though they haven't finished the",
"more projects or stay focused on just one? Is it common for authors",
"still want to write Project 1 but Project 2 is already developing in",
"attention between two or more projects or stay focused on just one? Is",
"already writing something else that is completely different. Is it okay to divide",
"different. Is it okay to divide your attention between two or more projects",
"projects or stay focused on just one? Is it common for authors to",
"time, but I sometimes get inspiration for something else and want to write",
"Is it okay to divide your attention between two or more projects or",
"on one project, then have an idea for a new one and start",
"focus on one project at a time, but I sometimes get inspiration for",
"I was wondering, how many books do authors write at the same time?",
"just because I'm already writing something else that is completely different. Is it",
"working on one project, then have an idea for a new one and",
"from that. I still want to write Project 1 but Project 2 is",
"one project at a time, but I sometimes get inspiration for something else",
"that is completely different. Is it okay to divide your attention between two",
"have an idea for a new one and start working on that one,",
"I usually try to focus on one project at a time, but I",
"I still want to write Project 1 but Project 2 is already developing",
"inspired from that. I still want to write Project 1 but Project 2",
"writing something else that is completely different. Is it okay to divide your",
"be working on one project, then have an idea for a new one",
"don't want to let go of it just because I'm already writing something",
"it just because I'm already writing something else that is completely different. Is",
"between two or more projects or stay focused on just one? Is it",
"start working on that one, even though they haven't finished the first one?",
"new one and start working on that one, even though they haven't finished",
"one project, then have an idea for a new one and start working",
"and want to write something inspired from that. I still want to write",
"two or more projects or stay focused on just one? Is it common",
"at a time, but I sometimes get inspiration for something else and want",
"time? I usually try to focus on one project at a time, but",
"because I'm already writing something else that is completely different. Is it okay",
"okay to divide your attention between two or more projects or stay focused",
"focused on just one? Is it common for authors to be working on",
"to write something inspired from that. I still want to write Project 1",
"that. I still want to write Project 1 but Project 2 is already",
"try to focus on one project at a time, but I sometimes get",
"but Project 2 is already developing in my mind and I don't want",
"but I sometimes get inspiration for something else and want to write something",
"write Project 1 but Project 2 is already developing in my mind and",
"the same time? I usually try to focus on one project at a",
"get inspiration for something else and want to write something inspired from that.",
"authors to be working on one project, then have an idea for a",
"my mind and I don't want to let go of it just because",
"Is it common for authors to be working on one project, then have",
"for a new one and start working on that one, even though they",
"on that one, even though they haven't finished the first one? Hope this",
"sometimes get inspiration for something else and want to write something inspired from",
"go of it just because I'm already writing something else that is completely"
] |
[
"techniques to build a character, that will make the reader root for them.",
"to figure out my target audience and make the main hero as relatable",
"out and does something brave. Basically, they are good people. However I think",
"and make the main hero as relatable as possible. Quite often do I",
"methods I mentioned could end up making the story a cliche. I wonder",
"that. Some of the methods I mentioned could end up making the story",
"often do I embrace their integrity. They are empathetic and they help those",
"something brave. Basically, they are good people. However I think there may be",
"Some of the methods I mentioned could end up making the story a",
"Basically, they are good people. However I think there may be more to",
"of ways to make my audience like my characters. I always try to",
"if there are more sophisticated techniques to build a character, that will make",
"Quite often do I embrace their integrity. They are empathetic and they help",
"need. They would be the one person that stands out and does something",
"was thinking of ways to make my audience like my characters. I always",
"my target audience and make the main hero as relatable as possible. Quite",
"I was thinking of ways to make my audience like my characters. I",
"I mentioned could end up making the story a cliche. I wonder if",
"they help those in need. They would be the one person that stands",
"They would be the one person that stands out and does something brave.",
"do I embrace their integrity. They are empathetic and they help those in",
"there may be more to that. Some of the methods I mentioned could",
"be the one person that stands out and does something brave. Basically, they",
"like my characters. I always try to figure out my target audience and",
"those in need. They would be the one person that stands out and",
"be more to that. Some of the methods I mentioned could end up",
"ways to make my audience like my characters. I always try to figure",
"out my target audience and make the main hero as relatable as possible.",
"my audience like my characters. I always try to figure out my target",
"However I think there may be more to that. Some of the methods",
"figure out my target audience and make the main hero as relatable as",
"their integrity. They are empathetic and they help those in need. They would",
"I think there may be more to that. Some of the methods I",
"the story a cliche. I wonder if there are more sophisticated techniques to",
"up making the story a cliche. I wonder if there are more sophisticated",
"the one person that stands out and does something brave. Basically, they are",
"are more sophisticated techniques to build a character, that will make the reader",
"wonder if there are more sophisticated techniques to build a character, that will",
"in need. They would be the one person that stands out and does",
"relatable as possible. Quite often do I embrace their integrity. They are empathetic",
"a cliche. I wonder if there are more sophisticated techniques to build a",
"help those in need. They would be the one person that stands out",
"think there may be more to that. Some of the methods I mentioned",
"would be the one person that stands out and does something brave. Basically,",
"make the main hero as relatable as possible. Quite often do I embrace",
"audience like my characters. I always try to figure out my target audience",
"audience and make the main hero as relatable as possible. Quite often do",
"are empathetic and they help those in need. They would be the one",
"embrace their integrity. They are empathetic and they help those in need. They",
"target audience and make the main hero as relatable as possible. Quite often",
"may be more to that. Some of the methods I mentioned could end",
"person that stands out and does something brave. Basically, they are good people.",
"stands out and does something brave. Basically, they are good people. However I",
"that stands out and does something brave. Basically, they are good people. However",
"the main hero as relatable as possible. Quite often do I embrace their",
"characters. I always try to figure out my target audience and make the",
"of the methods I mentioned could end up making the story a cliche.",
"end up making the story a cliche. I wonder if there are more",
"more sophisticated techniques to build a character, that will make the reader root",
"main hero as relatable as possible. Quite often do I embrace their integrity.",
"thinking of ways to make my audience like my characters. I always try",
"and they help those in need. They would be the one person that",
"They are empathetic and they help those in need. They would be the",
"I always try to figure out my target audience and make the main",
"they are good people. However I think there may be more to that.",
"making the story a cliche. I wonder if there are more sophisticated techniques",
"always try to figure out my target audience and make the main hero",
"and does something brave. Basically, they are good people. However I think there",
"I embrace their integrity. They are empathetic and they help those in need.",
"mentioned could end up making the story a cliche. I wonder if there",
"could end up making the story a cliche. I wonder if there are",
"good people. However I think there may be more to that. Some of",
"possible. Quite often do I embrace their integrity. They are empathetic and they",
"to that. Some of the methods I mentioned could end up making the",
"as relatable as possible. Quite often do I embrace their integrity. They are",
"brave. Basically, they are good people. However I think there may be more",
"does something brave. Basically, they are good people. However I think there may",
"cliche. I wonder if there are more sophisticated techniques to build a character,",
"story a cliche. I wonder if there are more sophisticated techniques to build",
"one person that stands out and does something brave. Basically, they are good",
"are good people. However I think there may be more to that. Some",
"sophisticated techniques to build a character, that will make the reader root for",
"to make my audience like my characters. I always try to figure out",
"people. However I think there may be more to that. Some of the",
"as possible. Quite often do I embrace their integrity. They are empathetic and",
"more to that. Some of the methods I mentioned could end up making",
"empathetic and they help those in need. They would be the one person",
"integrity. They are empathetic and they help those in need. They would be",
"there are more sophisticated techniques to build a character, that will make the",
"hero as relatable as possible. Quite often do I embrace their integrity. They",
"make my audience like my characters. I always try to figure out my",
"I wonder if there are more sophisticated techniques to build a character, that",
"the methods I mentioned could end up making the story a cliche. I",
"try to figure out my target audience and make the main hero as",
"my characters. I always try to figure out my target audience and make"
] |
[
"> > Surprisingly, while Max was lost, his owner set up fliers to",
"> I don't know if this is suitable for a child to understand",
"to insert a \"flashback\" type of feeling, without a flashback. I was thinking",
"though. If you have other ideas for me to express this \"flashback\" in",
"type of feeling, without a flashback. I was thinking something along the lines",
"a children's story that explains how a dog is lost and can't find",
"am trying to create a children's story that explains how a dog is",
"owner set up fliers to look for him! > > > I don't",
"is found and rescued. I want to insert a \"flashback\" type of feeling,",
"child to understand though. If you have other ideas for me to express",
"me to express this \"flashback\" in a casual way, please let me know!",
"> > > I don't know if this is suitable for a child",
"look for him! > > > I don't know if this is suitable",
"explains how a dog is lost and can't find its way back home.",
"and rescued. I want to insert a \"flashback\" type of feeling, without a",
"insert a \"flashback\" type of feeling, without a flashback. I was thinking something",
"the dog is found and rescued. I want to insert a \"flashback\" type",
"dog is found and rescued. I want to insert a \"flashback\" type of",
"find its way back home. After around 6 pages, the dog is found",
"don't know if this is suitable for a child to understand though. If",
"for a child to understand though. If you have other ideas for me",
"feeling, without a flashback. I was thinking something along the lines of, >",
"have other ideas for me to express this \"flashback\" in a casual way,",
"around 6 pages, the dog is found and rescued. I want to insert",
"a dog is lost and can't find its way back home. After around",
"how a dog is lost and can't find its way back home. After",
"flashback. I was thinking something along the lines of, > > Surprisingly, while",
"this is suitable for a child to understand though. If you have other",
"story that explains how a dog is lost and can't find its way",
"understand though. If you have other ideas for me to express this \"flashback\"",
"Surprisingly, while Max was lost, his owner set up fliers to look for",
"dog is lost and can't find its way back home. After around 6",
"Max was lost, his owner set up fliers to look for him! >",
"along the lines of, > > Surprisingly, while Max was lost, his owner",
"lines of, > > Surprisingly, while Max was lost, his owner set up",
"rescued. I want to insert a \"flashback\" type of feeling, without a flashback.",
"found and rescued. I want to insert a \"flashback\" type of feeling, without",
"a child to understand though. If you have other ideas for me to",
"6 pages, the dog is found and rescued. I want to insert a",
"up fliers to look for him! > > > I don't know if",
"trying to create a children's story that explains how a dog is lost",
"\"flashback\" type of feeling, without a flashback. I was thinking something along the",
"> Surprisingly, while Max was lost, his owner set up fliers to look",
"of, > > Surprisingly, while Max was lost, his owner set up fliers",
"thinking something along the lines of, > > Surprisingly, while Max was lost,",
"fliers to look for him! > > > I don't know if this",
"way back home. After around 6 pages, the dog is found and rescued.",
"is lost and can't find its way back home. After around 6 pages,",
"a \"flashback\" type of feeling, without a flashback. I was thinking something along",
"can't find its way back home. After around 6 pages, the dog is",
"while Max was lost, his owner set up fliers to look for him!",
"for him! > > > I don't know if this is suitable for",
"I don't know if this is suitable for a child to understand though.",
"that explains how a dog is lost and can't find its way back",
"and can't find its way back home. After around 6 pages, the dog",
"want to insert a \"flashback\" type of feeling, without a flashback. I was",
"him! > > > I don't know if this is suitable for a",
"you have other ideas for me to express this \"flashback\" in a casual",
"suitable for a child to understand though. If you have other ideas for",
"If you have other ideas for me to express this \"flashback\" in a",
"After around 6 pages, the dog is found and rescued. I want to",
"was thinking something along the lines of, > > Surprisingly, while Max was",
"a flashback. I was thinking something along the lines of, > > Surprisingly,",
"I was thinking something along the lines of, > > Surprisingly, while Max",
"I am trying to create a children's story that explains how a dog",
"I want to insert a \"flashback\" type of feeling, without a flashback. I",
"for me to express this \"flashback\" in a casual way, please let me",
"ideas for me to express this \"flashback\" in a casual way, please let",
"is suitable for a child to understand though. If you have other ideas",
"know if this is suitable for a child to understand though. If you",
"other ideas for me to express this \"flashback\" in a casual way, please",
"lost, his owner set up fliers to look for him! > > >",
"> > I don't know if this is suitable for a child to",
"to create a children's story that explains how a dog is lost and",
"set up fliers to look for him! > > > I don't know",
"the lines of, > > Surprisingly, while Max was lost, his owner set",
"of feeling, without a flashback. I was thinking something along the lines of,",
"to look for him! > > > I don't know if this is",
"children's story that explains how a dog is lost and can't find its",
"pages, the dog is found and rescued. I want to insert a \"flashback\"",
"if this is suitable for a child to understand though. If you have",
"back home. After around 6 pages, the dog is found and rescued. I",
"his owner set up fliers to look for him! > > > I",
"create a children's story that explains how a dog is lost and can't",
"was lost, his owner set up fliers to look for him! > >",
"lost and can't find its way back home. After around 6 pages, the",
"home. After around 6 pages, the dog is found and rescued. I want",
"something along the lines of, > > Surprisingly, while Max was lost, his",
"without a flashback. I was thinking something along the lines of, > >",
"its way back home. After around 6 pages, the dog is found and",
"to understand though. If you have other ideas for me to express this"
] |
[
"often used and no one knows the meaning. For example, 'Colloquialism' also means",
"For example, 'Colloquialism' also means informal conversation but when I read it to",
"to understand. I don't want to sound condescending or repetitious yet I don't",
"to sound condescending or repetitious yet I don't want to sound like a",
"change this habit but each time I type, it becomes even harder to",
"that doesn't use a word over and over again, it turns my masterpiece",
"or repetitious yet I don't want to sound like a person that is",
"want to sound like a person that is out of vocabulary. How do",
"even harder to understand. I don't want to sound condescending or repetitious yet",
"sound like a person that is out of vocabulary. How do I fix",
"understand. I don't want to sound condescending or repetitious yet I don't want",
"it becomes even harder to understand. I don't want to sound condescending or",
"type, it becomes even harder to understand. I don't want to sound condescending",
"used the words 'informal conversation' two times in a chapter, I resolved to",
"they didn't have a clue what I was talking about. One thing I",
"again, it turns my masterpiece into a synonym dictionary (Kind of like a",
"about. One thing I remember them saying was \"Talk English!\" I want to",
"sound condescending or repetitious yet I don't want to sound like a person",
"chapter, I resolved to use another word to replace it but it turns",
"when I read it to my friends, they didn't have a clue what",
"like a thesaurus.) If I used the words 'informal conversation' two times in",
"them saying was \"Talk English!\" I want to change this habit but each",
"no one knows the meaning. For example, 'Colloquialism' also means informal conversation but",
"word isn't often used and no one knows the meaning. For example, 'Colloquialism'",
"another word to replace it but it turns out the word isn't often",
"a thesaurus.) If I used the words 'informal conversation' two times in a",
"but each time I type, it becomes even harder to understand. I don't",
"English!\" I want to change this habit but each time I type, it",
"the type of person that doesn't use a word over and over again,",
"informal conversation but when I read it to my friends, they didn't have",
"Since I'm the type of person that doesn't use a word over and",
"want to change this habit but each time I type, it becomes even",
"If I used the words 'informal conversation' two times in a chapter, I",
"words 'informal conversation' two times in a chapter, I resolved to use another",
"one knows the meaning. For example, 'Colloquialism' also means informal conversation but when",
"what I was talking about. One thing I remember them saying was \"Talk",
"meaning. For example, 'Colloquialism' also means informal conversation but when I read it",
"it but it turns out the word isn't often used and no one",
"to my friends, they didn't have a clue what I was talking about.",
"read it to my friends, they didn't have a clue what I was",
"it turns my masterpiece into a synonym dictionary (Kind of like a thesaurus.)",
"resolved to use another word to replace it but it turns out the",
"a chapter, I resolved to use another word to replace it but it",
"I was talking about. One thing I remember them saying was \"Talk English!\"",
"don't want to sound condescending or repetitious yet I don't want to sound",
"synonym dictionary (Kind of like a thesaurus.) If I used the words 'informal",
"I don't want to sound like a person that is out of vocabulary.",
"I resolved to use another word to replace it but it turns out",
"of person that doesn't use a word over and over again, it turns",
"used and no one knows the meaning. For example, 'Colloquialism' also means informal",
"turns my masterpiece into a synonym dictionary (Kind of like a thesaurus.) If",
"a clue what I was talking about. One thing I remember them saying",
"(Kind of like a thesaurus.) If I used the words 'informal conversation' two",
"thesaurus.) If I used the words 'informal conversation' two times in a chapter,",
"to sound like a person that is out of vocabulary. How do I",
"the word isn't often used and no one knows the meaning. For example,",
"time I type, it becomes even harder to understand. I don't want to",
"friends, they didn't have a clue what I was talking about. One thing",
"'informal conversation' two times in a chapter, I resolved to use another word",
"conversation' two times in a chapter, I resolved to use another word to",
"two times in a chapter, I resolved to use another word to replace",
"I used the words 'informal conversation' two times in a chapter, I resolved",
"I remember them saying was \"Talk English!\" I want to change this habit",
"out the word isn't often used and no one knows the meaning. For",
"this habit but each time I type, it becomes even harder to understand.",
"habit but each time I type, it becomes even harder to understand. I",
"talking about. One thing I remember them saying was \"Talk English!\" I want",
"each time I type, it becomes even harder to understand. I don't want",
"becomes even harder to understand. I don't want to sound condescending or repetitious",
"doesn't use a word over and over again, it turns my masterpiece into",
"don't want to sound like a person that is out of vocabulary. How",
"isn't often used and no one knows the meaning. For example, 'Colloquialism' also",
"yet I don't want to sound like a person that is out of",
"to change this habit but each time I type, it becomes even harder",
"but when I read it to my friends, they didn't have a clue",
"saying was \"Talk English!\" I want to change this habit but each time",
"was \"Talk English!\" I want to change this habit but each time I",
"over and over again, it turns my masterpiece into a synonym dictionary (Kind",
"I read it to my friends, they didn't have a clue what I",
"my masterpiece into a synonym dictionary (Kind of like a thesaurus.) If I",
"a word over and over again, it turns my masterpiece into a synonym",
"my friends, they didn't have a clue what I was talking about. One",
"use a word over and over again, it turns my masterpiece into a",
"the meaning. For example, 'Colloquialism' also means informal conversation but when I read",
"\"Talk English!\" I want to change this habit but each time I type,",
"knows the meaning. For example, 'Colloquialism' also means informal conversation but when I",
"times in a chapter, I resolved to use another word to replace it",
"like a person that is out of vocabulary. How do I fix this",
"person that doesn't use a word over and over again, it turns my",
"it turns out the word isn't often used and no one knows the",
"I'm the type of person that doesn't use a word over and over",
"over again, it turns my masterpiece into a synonym dictionary (Kind of like",
"replace it but it turns out the word isn't often used and no",
"One thing I remember them saying was \"Talk English!\" I want to change",
"a synonym dictionary (Kind of like a thesaurus.) If I used the words",
"it to my friends, they didn't have a clue what I was talking",
"clue what I was talking about. One thing I remember them saying was",
"harder to understand. I don't want to sound condescending or repetitious yet I",
"type of person that doesn't use a word over and over again, it",
"example, 'Colloquialism' also means informal conversation but when I read it to my",
"didn't have a clue what I was talking about. One thing I remember",
"but it turns out the word isn't often used and no one knows",
"a person that is out of vocabulary. How do I fix this problem?",
"conversation but when I read it to my friends, they didn't have a",
"I type, it becomes even harder to understand. I don't want to sound",
"remember them saying was \"Talk English!\" I want to change this habit but",
"to use another word to replace it but it turns out the word",
"was talking about. One thing I remember them saying was \"Talk English!\" I",
"and over again, it turns my masterpiece into a synonym dictionary (Kind of",
"turns out the word isn't often used and no one knows the meaning.",
"condescending or repetitious yet I don't want to sound like a person that",
"I want to change this habit but each time I type, it becomes",
"repetitious yet I don't want to sound like a person that is out",
"means informal conversation but when I read it to my friends, they didn't",
"'Colloquialism' also means informal conversation but when I read it to my friends,",
"also means informal conversation but when I read it to my friends, they",
"thing I remember them saying was \"Talk English!\" I want to change this",
"want to sound condescending or repetitious yet I don't want to sound like",
"and no one knows the meaning. For example, 'Colloquialism' also means informal conversation",
"use another word to replace it but it turns out the word isn't",
"word to replace it but it turns out the word isn't often used",
"I don't want to sound condescending or repetitious yet I don't want to",
"to replace it but it turns out the word isn't often used and",
"have a clue what I was talking about. One thing I remember them",
"masterpiece into a synonym dictionary (Kind of like a thesaurus.) If I used",
"dictionary (Kind of like a thesaurus.) If I used the words 'informal conversation'",
"the words 'informal conversation' two times in a chapter, I resolved to use",
"of like a thesaurus.) If I used the words 'informal conversation' two times",
"word over and over again, it turns my masterpiece into a synonym dictionary",
"in a chapter, I resolved to use another word to replace it but",
"into a synonym dictionary (Kind of like a thesaurus.) If I used the"
] |
[
"I felt incapable of giving any good advice. To give some background, the",
"of non-fiction, and although I don't read much fiction anymore, I've had to",
"main question is **whether this is typical of popular light novels such as",
"question is **whether this is typical of popular light novels such as \"Sword",
"a light novel that he's writing, and I've been clueless on how to",
"though many light novels contain some of the aspects I explained above, but",
"emotion through abuse, neglect, illness, etc., however, it also has a very unrealistic",
"whole**. Furthermore, **how does the style/mood/themes of light novels differ from that of",
"these differences, but don't really mention style/mood. I've also looked online and it",
"this is typical of popular light novels such as \"Sword Art Online\" or",
"don't read much fiction anymore, I've had to analyze numerous books and short",
"etc., however, it also has a very unrealistic nature to it, in that",
"humor and sometimes cringe-worthy cliches. I haven't read a light novel before, but",
"but don't really mention style/mood. I've also looked online and it seems as",
"read much fiction anymore, I've had to analyze numerous books and short stories",
"and profound, so my main question is **whether this is typical of popular",
"sense of humor and sometimes cringe-worthy cliches. I haven't read a light novel",
"I've found some answers that touch on these differences, but don't really mention",
"the text, the style and mood were so alien to me that I",
"been clueless on how to proceed. I'm an avid reader of non-fiction, and",
"I haven't read a light novel before, but these seem like very strange",
"to write something that is dark and profound, so my main question is",
"to give feedback on a light novel that he's writing, and I've been",
"a very unrealistic nature to it, in that it has a wacky sense",
"books and short stories for some classes that I was taking. Suffice to",
"very strange stylistic/mood choices to me when trying to write something that is",
"the light novel falls within the fantasy genre and tries to explore the",
"\"Sword Art Online\" or of the art form as a whole**. Furthermore, **how",
"art form as a whole**. Furthermore, **how does the style/mood/themes of light novels",
"typical of popular light novels such as \"Sword Art Online\" or of the",
"analyze numerous books and short stories for some classes that I was taking.",
"reader of non-fiction, and although I don't read much fiction anymore, I've had",
"profound, so my main question is **whether this is typical of popular light",
"give feedback on a light novel that he's writing, and I've been clueless",
"it seems as though many light novels contain some of the aspects I",
"text, the style and mood were so alien to me that I felt",
"strange stylistic/mood choices to me when trying to write something that is dark",
"contain some of the aspects I explained above, but I wasn't able to",
"me when trying to write something that is dark and profound, so my",
"is **whether this is typical of popular light novels such as \"Sword Art",
"Exchange and I've found some answers that touch on these differences, but don't",
"does the style/mood/themes of light novels differ from that of more traditional novels?**",
"looked around on Stack Exchange and I've found some answers that touch on",
"however, it also has a very unrealistic nature to it, in that it",
"when reading the text, the style and mood were so alien to me",
"giving any good advice. To give some background, the light novel falls within",
"before, but these seem like very strange stylistic/mood choices to me when trying",
"a whole**. Furthermore, **how does the style/mood/themes of light novels differ from that",
"haven't read a light novel before, but these seem like very strange stylistic/mood",
"and short stories for some classes that I was taking. Suffice to say,",
"is typical of popular light novels such as \"Sword Art Online\" or of",
"classes that I was taking. Suffice to say, I felt that I would",
"some classes that I was taking. Suffice to say, I felt that I",
"light novels such as \"Sword Art Online\" or of the art form as",
"some answers that touch on these differences, but don't really mention style/mood. I've",
"that I was taking. Suffice to say, I felt that I would be",
"tries to explore the depths of human emotion through abuse, neglect, illness, etc.,",
"to it, in that it has a wacky sense of humor and sometimes",
"able to help, but when reading the text, the style and mood were",
"much fiction anymore, I've had to analyze numerous books and short stories for",
"the style/mood/themes of light novels differ from that of more traditional novels?** I've",
"novel that he's writing, and I've been clueless on how to proceed. I'm",
"writing, and I've been clueless on how to proceed. I'm an avid reader",
"of popular light novels such as \"Sword Art Online\" or of the art",
"something that is dark and profound, so my main question is **whether this",
"has a very unrealistic nature to it, in that it has a wacky",
"give some background, the light novel falls within the fantasy genre and tries",
"through abuse, neglect, illness, etc., however, it also has a very unrealistic nature",
"found some answers that touch on these differences, but don't really mention style/mood.",
"I would be able to help, but when reading the text, the style",
"I've also looked online and it seems as though many light novels contain",
"Furthermore, **how does the style/mood/themes of light novels differ from that of more",
"my main question is **whether this is typical of popular light novels such",
"that touch on these differences, but don't really mention style/mood. I've also looked",
"explore the depths of human emotion through abuse, neglect, illness, etc., however, it",
"genre and tries to explore the depths of human emotion through abuse, neglect,",
"fantasy genre and tries to explore the depths of human emotion through abuse,",
"that is dark and profound, so my main question is **whether this is",
"unrealistic nature to it, in that it has a wacky sense of humor",
"Stack Exchange and I've found some answers that touch on these differences, but",
"wacky sense of humor and sometimes cringe-worthy cliches. I haven't read a light",
"and I've been clueless on how to proceed. I'm an avid reader of",
"really mention style/mood. I've also looked online and it seems as though many",
"human emotion through abuse, neglect, illness, etc., however, it also has a very",
"although I don't read much fiction anymore, I've had to analyze numerous books",
"abuse, neglect, illness, etc., however, it also has a very unrealistic nature to",
"I've had to analyze numerous books and short stories for some classes that",
"and sometimes cringe-worthy cliches. I haven't read a light novel before, but these",
"cliches. I haven't read a light novel before, but these seem like very",
"to me when trying to write something that is dark and profound, so",
"light novels differ from that of more traditional novels?** I've looked around on",
"the aspects I explained above, but I wasn't able to find anything concrete.",
"style and mood were so alien to me that I felt incapable of",
"within the fantasy genre and tries to explore the depths of human emotion",
"**how does the style/mood/themes of light novels differ from that of more traditional",
"were so alien to me that I felt incapable of giving any good",
"background, the light novel falls within the fantasy genre and tries to explore",
"like very strange stylistic/mood choices to me when trying to write something that",
"any good advice. To give some background, the light novel falls within the",
"these seem like very strange stylistic/mood choices to me when trying to write",
"has a wacky sense of humor and sometimes cringe-worthy cliches. I haven't read",
"seem like very strange stylistic/mood choices to me when trying to write something",
"that I would be able to help, but when reading the text, the",
"cringe-worthy cliches. I haven't read a light novel before, but these seem like",
"non-fiction, and although I don't read much fiction anymore, I've had to analyze",
"differ from that of more traditional novels?** I've looked around on Stack Exchange",
"sometimes cringe-worthy cliches. I haven't read a light novel before, but these seem",
"me to give feedback on a light novel that he's writing, and I've",
"I've looked around on Stack Exchange and I've found some answers that touch",
"light novel that he's writing, and I've been clueless on how to proceed.",
"the fantasy genre and tries to explore the depths of human emotion through",
"that I felt incapable of giving any good advice. To give some background,",
"of the art form as a whole**. Furthermore, **how does the style/mood/themes of",
"and tries to explore the depths of human emotion through abuse, neglect, illness,",
"but these seem like very strange stylistic/mood choices to me when trying to",
"choices to me when trying to write something that is dark and profound,",
"dark and profound, so my main question is **whether this is typical of",
"depths of human emotion through abuse, neglect, illness, etc., however, it also has",
"to say, I felt that I would be able to help, but when",
"has asked me to give feedback on a light novel that he's writing,",
"and mood were so alien to me that I felt incapable of giving",
"novel before, but these seem like very strange stylistic/mood choices to me when",
"had to analyze numerous books and short stories for some classes that I",
"novel falls within the fantasy genre and tries to explore the depths of",
"clueless on how to proceed. I'm an avid reader of non-fiction, and although",
"style/mood/themes of light novels differ from that of more traditional novels?** I've looked",
"numerous books and short stories for some classes that I was taking. Suffice",
"an avid reader of non-fiction, and although I don't read much fiction anymore,",
"style/mood. I've also looked online and it seems as though many light novels",
"is dark and profound, so my main question is **whether this is typical",
"felt incapable of giving any good advice. To give some background, the light",
"but when reading the text, the style and mood were so alien to",
"that he's writing, and I've been clueless on how to proceed. I'm an",
"stylistic/mood choices to me when trying to write something that is dark and",
"felt that I would be able to help, but when reading the text,",
"illness, etc., however, it also has a very unrealistic nature to it, in",
"me that I felt incapable of giving any good advice. To give some",
"novels contain some of the aspects I explained above, but I wasn't able",
"mention style/mood. I've also looked online and it seems as though many light",
"light novel falls within the fantasy genre and tries to explore the depths",
"more traditional novels?** I've looked around on Stack Exchange and I've found some",
"on these differences, but don't really mention style/mood. I've also looked online and",
"of humor and sometimes cringe-worthy cliches. I haven't read a light novel before,",
"on how to proceed. I'm an avid reader of non-fiction, and although I",
"was taking. Suffice to say, I felt that I would be able to",
"of human emotion through abuse, neglect, illness, etc., however, it also has a",
"looked online and it seems as though many light novels contain some of",
"mood were so alien to me that I felt incapable of giving any",
"for some classes that I was taking. Suffice to say, I felt that",
"I was taking. Suffice to say, I felt that I would be able",
"reading the text, the style and mood were so alien to me that",
"feedback on a light novel that he's writing, and I've been clueless on",
"help, but when reading the text, the style and mood were so alien",
"very unrealistic nature to it, in that it has a wacky sense of",
"a wacky sense of humor and sometimes cringe-worthy cliches. I haven't read a",
"also has a very unrealistic nature to it, in that it has a",
"as \"Sword Art Online\" or of the art form as a whole**. Furthermore,",
"and although I don't read much fiction anymore, I've had to analyze numerous",
"as a whole**. Furthermore, **how does the style/mood/themes of light novels differ from",
"falls within the fantasy genre and tries to explore the depths of human",
"I felt that I would be able to help, but when reading the",
"proceed. I'm an avid reader of non-fiction, and although I don't read much",
"traditional novels?** I've looked around on Stack Exchange and I've found some answers",
"be able to help, but when reading the text, the style and mood",
"to me that I felt incapable of giving any good advice. To give",
"to help, but when reading the text, the style and mood were so",
"to explore the depths of human emotion through abuse, neglect, illness, etc., however,",
"how to proceed. I'm an avid reader of non-fiction, and although I don't",
"**whether this is typical of popular light novels such as \"Sword Art Online\"",
"of light novels differ from that of more traditional novels?** I've looked around",
"of giving any good advice. To give some background, the light novel falls",
"good advice. To give some background, the light novel falls within the fantasy",
"so alien to me that I felt incapable of giving any good advice.",
"answers that touch on these differences, but don't really mention style/mood. I've also",
"to proceed. I'm an avid reader of non-fiction, and although I don't read",
"seems as though many light novels contain some of the aspects I explained",
"differences, but don't really mention style/mood. I've also looked online and it seems",
"some of the aspects I explained above, but I wasn't able to find",
"friend has asked me to give feedback on a light novel that he's",
"it also has a very unrealistic nature to it, in that it has",
"anymore, I've had to analyze numerous books and short stories for some classes",
"My friend has asked me to give feedback on a light novel that",
"to analyze numerous books and short stories for some classes that I was",
"so my main question is **whether this is typical of popular light novels",
"as though many light novels contain some of the aspects I explained above,",
"light novels contain some of the aspects I explained above, but I wasn't",
"taking. Suffice to say, I felt that I would be able to help,",
"that it has a wacky sense of humor and sometimes cringe-worthy cliches. I",
"novels differ from that of more traditional novels?** I've looked around on Stack",
"I'm an avid reader of non-fiction, and although I don't read much fiction",
"To give some background, the light novel falls within the fantasy genre and",
"he's writing, and I've been clueless on how to proceed. I'm an avid",
"and it seems as though many light novels contain some of the aspects",
"when trying to write something that is dark and profound, so my main",
"on Stack Exchange and I've found some answers that touch on these differences,",
"incapable of giving any good advice. To give some background, the light novel",
"read a light novel before, but these seem like very strange stylistic/mood choices",
"light novel before, but these seem like very strange stylistic/mood choices to me",
"say, I felt that I would be able to help, but when reading",
"around on Stack Exchange and I've found some answers that touch on these",
"touch on these differences, but don't really mention style/mood. I've also looked online",
"online and it seems as though many light novels contain some of the",
"it, in that it has a wacky sense of humor and sometimes cringe-worthy",
"Online\" or of the art form as a whole**. Furthermore, **how does the",
"don't really mention style/mood. I've also looked online and it seems as though",
"the style and mood were so alien to me that I felt incapable",
"a light novel before, but these seem like very strange stylistic/mood choices to",
"short stories for some classes that I was taking. Suffice to say, I",
"novels such as \"Sword Art Online\" or of the art form as a",
"many light novels contain some of the aspects I explained above, but I",
"it has a wacky sense of humor and sometimes cringe-worthy cliches. I haven't",
"or of the art form as a whole**. Furthermore, **how does the style/mood/themes",
"advice. To give some background, the light novel falls within the fantasy genre",
"would be able to help, but when reading the text, the style and",
"Art Online\" or of the art form as a whole**. Furthermore, **how does",
"also looked online and it seems as though many light novels contain some",
"Suffice to say, I felt that I would be able to help, but",
"I've been clueless on how to proceed. I'm an avid reader of non-fiction,",
"that of more traditional novels?** I've looked around on Stack Exchange and I've",
"and I've found some answers that touch on these differences, but don't really",
"avid reader of non-fiction, and although I don't read much fiction anymore, I've",
"nature to it, in that it has a wacky sense of humor and",
"some background, the light novel falls within the fantasy genre and tries to",
"popular light novels such as \"Sword Art Online\" or of the art form",
"in that it has a wacky sense of humor and sometimes cringe-worthy cliches.",
"asked me to give feedback on a light novel that he's writing, and",
"alien to me that I felt incapable of giving any good advice. To",
"neglect, illness, etc., however, it also has a very unrealistic nature to it,",
"such as \"Sword Art Online\" or of the art form as a whole**.",
"fiction anymore, I've had to analyze numerous books and short stories for some",
"write something that is dark and profound, so my main question is **whether",
"the depths of human emotion through abuse, neglect, illness, etc., however, it also",
"of more traditional novels?** I've looked around on Stack Exchange and I've found",
"on a light novel that he's writing, and I've been clueless on how",
"stories for some classes that I was taking. Suffice to say, I felt",
"form as a whole**. Furthermore, **how does the style/mood/themes of light novels differ",
"novels?** I've looked around on Stack Exchange and I've found some answers that",
"trying to write something that is dark and profound, so my main question",
"I don't read much fiction anymore, I've had to analyze numerous books and",
"from that of more traditional novels?** I've looked around on Stack Exchange and",
"the art form as a whole**. Furthermore, **how does the style/mood/themes of light",
"of the aspects I explained above, but I wasn't able to find anything"
] |
[
"lyrics, is it better to make sure that every line has the same",
"it better to make sure that every line has 4-5 syllables, or is",
"have 5 lines in a \"verse\", is it better to make sure that",
"the same amount of syllables and lines? Not sure if musical theory is",
"Should your next verse have the same amount of syllables and lines? Not",
"same number of syllables? Let's say you have 5 lines in a \"verse\",",
"to make sure that every line has 4-5 syllables, or is it ok",
"syllables, or is it ok if you have 1 line with 8-10 syllables?",
"matter? Should your next verse have the same amount of syllables and lines?",
"Let's say you have 5 lines in a \"verse\", is it better to",
"ok if you have 1 line with 8-10 syllables? Also does symmetry matter?",
"of syllables? Let's say you have 5 lines in a \"verse\", is it",
"or is it ok if you have 1 line with 8-10 syllables? Also",
"your next verse have the same amount of syllables and lines? Not sure",
"a \"verse\", is it better to make sure that every line has 4-5",
"When you write lyrics, is it better to make sure that every line",
"the same number of syllables? Let's say you have 5 lines in a",
"you have 5 lines in a \"verse\", is it better to make sure",
"4-5 syllables, or is it ok if you have 1 line with 8-10",
"have the same amount of syllables and lines? Not sure if musical theory",
"it ok if you have 1 line with 8-10 syllables? Also does symmetry",
"same amount of syllables and lines? Not sure if musical theory is involved",
"line with 8-10 syllables? Also does symmetry matter? Should your next verse have",
"5 lines in a \"verse\", is it better to make sure that every",
"\"verse\", is it better to make sure that every line has 4-5 syllables,",
"8-10 syllables? Also does symmetry matter? Should your next verse have the same",
"that every line has the same number of syllables? Let's say you have",
"syllables? Let's say you have 5 lines in a \"verse\", is it better",
"say you have 5 lines in a \"verse\", is it better to make",
"line has 4-5 syllables, or is it ok if you have 1 line",
"sure that every line has the same number of syllables? Let's say you",
"has 4-5 syllables, or is it ok if you have 1 line with",
"is it ok if you have 1 line with 8-10 syllables? Also does",
"with 8-10 syllables? Also does symmetry matter? Should your next verse have the",
"better to make sure that every line has 4-5 syllables, or is it",
"Also does symmetry matter? Should your next verse have the same amount of",
"is it better to make sure that every line has the same number",
"every line has the same number of syllables? Let's say you have 5",
"make sure that every line has the same number of syllables? Let's say",
"that every line has 4-5 syllables, or is it ok if you have",
"has the same number of syllables? Let's say you have 5 lines in",
"have 1 line with 8-10 syllables? Also does symmetry matter? Should your next",
"to make sure that every line has the same number of syllables? Let's",
"better to make sure that every line has the same number of syllables?",
"lines in a \"verse\", is it better to make sure that every line",
"amount of syllables and lines? Not sure if musical theory is involved here...",
"symmetry matter? Should your next verse have the same amount of syllables and",
"syllables? Also does symmetry matter? Should your next verse have the same amount",
"next verse have the same amount of syllables and lines? Not sure if",
"sure that every line has 4-5 syllables, or is it ok if you",
"verse have the same amount of syllables and lines? Not sure if musical",
"it better to make sure that every line has the same number of",
"number of syllables? Let's say you have 5 lines in a \"verse\", is",
"line has the same number of syllables? Let's say you have 5 lines",
"1 line with 8-10 syllables? Also does symmetry matter? Should your next verse",
"every line has 4-5 syllables, or is it ok if you have 1",
"in a \"verse\", is it better to make sure that every line has",
"is it better to make sure that every line has 4-5 syllables, or",
"make sure that every line has 4-5 syllables, or is it ok if",
"you write lyrics, is it better to make sure that every line has",
"you have 1 line with 8-10 syllables? Also does symmetry matter? Should your",
"if you have 1 line with 8-10 syllables? Also does symmetry matter? Should",
"write lyrics, is it better to make sure that every line has the",
"does symmetry matter? Should your next verse have the same amount of syllables"
] |
[
"has been geographically accurate, but if I want to make the story flow",
"such a building doesn't exist in Avonmouth. I do not plan on publicly",
"story set in Bristol, UK (specifically the town of Avonmouth). So far everything",
"friends. It should be noted that this arcade will be a regular location",
"on publicly releasing the story, merely sharing it with a group of friends.",
"in Bristol, UK (specifically the town of Avonmouth). So far everything has been",
"the real world. My character has to go to an amusement arcade for...",
"should be noted that this arcade will be a regular location the character",
"the town of Avonmouth). So far everything has been geographically accurate, but if",
"my knowledge, such a building doesn't exist in Avonmouth. I do not plan",
"to replace parts of Bristol that do exist in the real world. My",
"to my knowledge, such a building doesn't exist in Avonmouth. I do not",
"I'm writing a story set in Bristol, UK (specifically the town of Avonmouth).",
"Bristol, UK (specifically the town of Avonmouth). So far everything has been geographically",
"I do not plan on publicly releasing the story, merely sharing it with",
"with a group of friends. It should be noted that this arcade will",
"I want to make the story flow smoothly, I may have to replace",
"set in Bristol, UK (specifically the town of Avonmouth). So far everything has",
"but if I want to make the story flow smoothly, I may have",
"group of friends. It should be noted that this arcade will be a",
"building doesn't exist in Avonmouth. I do not plan on publicly releasing the",
"has to go to an amusement arcade for... reasons, though to my knowledge,",
"do exist in the real world. My character has to go to an",
"parts of Bristol that do exist in the real world. My character has",
"that do exist in the real world. My character has to go to",
"Avonmouth. I do not plan on publicly releasing the story, merely sharing it",
"for... reasons, though to my knowledge, such a building doesn't exist in Avonmouth.",
"publicly releasing the story, merely sharing it with a group of friends. It",
"My character has to go to an amusement arcade for... reasons, though to",
"have to replace parts of Bristol that do exist in the real world.",
"in Avonmouth. I do not plan on publicly releasing the story, merely sharing",
"be noted that this arcade will be a regular location the character visits.",
"real world. My character has to go to an amusement arcade for... reasons,",
"replace parts of Bristol that do exist in the real world. My character",
"plan on publicly releasing the story, merely sharing it with a group of",
"geographically accurate, but if I want to make the story flow smoothly, I",
"been geographically accurate, but if I want to make the story flow smoothly,",
"I may have to replace parts of Bristol that do exist in the",
"It should be noted that this arcade will be a regular location the",
"not plan on publicly releasing the story, merely sharing it with a group",
"though to my knowledge, such a building doesn't exist in Avonmouth. I do",
"of Bristol that do exist in the real world. My character has to",
"a story set in Bristol, UK (specifically the town of Avonmouth). So far",
"(specifically the town of Avonmouth). So far everything has been geographically accurate, but",
"Avonmouth). So far everything has been geographically accurate, but if I want to",
"a building doesn't exist in Avonmouth. I do not plan on publicly releasing",
"the story flow smoothly, I may have to replace parts of Bristol that",
"story flow smoothly, I may have to replace parts of Bristol that do",
"writing a story set in Bristol, UK (specifically the town of Avonmouth). So",
"to make the story flow smoothly, I may have to replace parts of",
"exist in Avonmouth. I do not plan on publicly releasing the story, merely",
"may have to replace parts of Bristol that do exist in the real",
"a group of friends. It should be noted that this arcade will be",
"Bristol that do exist in the real world. My character has to go",
"if I want to make the story flow smoothly, I may have to",
"to go to an amusement arcade for... reasons, though to my knowledge, such",
"town of Avonmouth). So far everything has been geographically accurate, but if I",
"world. My character has to go to an amusement arcade for... reasons, though",
"knowledge, such a building doesn't exist in Avonmouth. I do not plan on",
"of Avonmouth). So far everything has been geographically accurate, but if I want",
"to an amusement arcade for... reasons, though to my knowledge, such a building",
"smoothly, I may have to replace parts of Bristol that do exist in",
"exist in the real world. My character has to go to an amusement",
"sharing it with a group of friends. It should be noted that this",
"merely sharing it with a group of friends. It should be noted that",
"accurate, but if I want to make the story flow smoothly, I may",
"flow smoothly, I may have to replace parts of Bristol that do exist",
"UK (specifically the town of Avonmouth). So far everything has been geographically accurate,",
"make the story flow smoothly, I may have to replace parts of Bristol",
"the story, merely sharing it with a group of friends. It should be",
"amusement arcade for... reasons, though to my knowledge, such a building doesn't exist",
"an amusement arcade for... reasons, though to my knowledge, such a building doesn't",
"everything has been geographically accurate, but if I want to make the story",
"do not plan on publicly releasing the story, merely sharing it with a",
"it with a group of friends. It should be noted that this arcade",
"reasons, though to my knowledge, such a building doesn't exist in Avonmouth. I",
"in the real world. My character has to go to an amusement arcade",
"far everything has been geographically accurate, but if I want to make the",
"doesn't exist in Avonmouth. I do not plan on publicly releasing the story,",
"go to an amusement arcade for... reasons, though to my knowledge, such a",
"character has to go to an amusement arcade for... reasons, though to my",
"releasing the story, merely sharing it with a group of friends. It should",
"story, merely sharing it with a group of friends. It should be noted",
"of friends. It should be noted that this arcade will be a regular",
"want to make the story flow smoothly, I may have to replace parts",
"arcade for... reasons, though to my knowledge, such a building doesn't exist in",
"So far everything has been geographically accurate, but if I want to make"
] |
[
"is thinking? Example: > > The forest thought that these branches could be",
"for some reason. It sounds stupid. I am asking if we can do",
"thought that these branches could be good for hanging myself (suicide). > >",
"hanging myself (suicide). > > > Is this a valid figure of speech?",
"speech? I am not saying if it sounds nice or good, which it",
"nice or good, which it does not for some reason. It sounds stupid.",
"a valid figure of speech? I am not saying if it sounds nice",
"> > Is this a valid figure of speech? I am not saying",
"valid figure of speech? I am not saying if it sounds nice or",
"personification to imply what a person is thinking? Example: > > The forest",
"It sounds stupid. I am asking if we can do stuffs like this.",
"landscape and personification to imply what a person is thinking? Example: > >",
"reason. It sounds stupid. I am asking if we can do stuffs like",
"> > The forest thought that these branches could be good for hanging",
"I am not saying if it sounds nice or good, which it does",
"this a valid figure of speech? I am not saying if it sounds",
"am not saying if it sounds nice or good, which it does not",
"you use the landscape and personification to imply what a person is thinking?",
"Can you use the landscape and personification to imply what a person is",
"good for hanging myself (suicide). > > > Is this a valid figure",
"to imply what a person is thinking? Example: > > The forest thought",
"it sounds nice or good, which it does not for some reason. It",
"forest thought that these branches could be good for hanging myself (suicide). >",
"these branches could be good for hanging myself (suicide). > > > Is",
"which it does not for some reason. It sounds stupid. I am asking",
"good, which it does not for some reason. It sounds stupid. I am",
"sounds nice or good, which it does not for some reason. It sounds",
"could be good for hanging myself (suicide). > > > Is this a",
"not saying if it sounds nice or good, which it does not for",
"if it sounds nice or good, which it does not for some reason.",
"figure of speech? I am not saying if it sounds nice or good,",
"a person is thinking? Example: > > The forest thought that these branches",
"for hanging myself (suicide). > > > Is this a valid figure of",
"what a person is thinking? Example: > > The forest thought that these",
"(suicide). > > > Is this a valid figure of speech? I am",
"some reason. It sounds stupid. I am asking if we can do stuffs",
"person is thinking? Example: > > The forest thought that these branches could",
"it does not for some reason. It sounds stupid. I am asking if",
"not for some reason. It sounds stupid. I am asking if we can",
"Is this a valid figure of speech? I am not saying if it",
"> The forest thought that these branches could be good for hanging myself",
"that these branches could be good for hanging myself (suicide). > > >",
"saying if it sounds nice or good, which it does not for some",
"be good for hanging myself (suicide). > > > Is this a valid",
"myself (suicide). > > > Is this a valid figure of speech? I",
"of speech? I am not saying if it sounds nice or good, which",
"imply what a person is thinking? Example: > > The forest thought that",
"The forest thought that these branches could be good for hanging myself (suicide).",
"> Is this a valid figure of speech? I am not saying if",
"> > > Is this a valid figure of speech? I am not",
"or good, which it does not for some reason. It sounds stupid. I",
"and personification to imply what a person is thinking? Example: > > The",
"does not for some reason. It sounds stupid. I am asking if we",
"the landscape and personification to imply what a person is thinking? Example: >",
"use the landscape and personification to imply what a person is thinking? Example:",
"Example: > > The forest thought that these branches could be good for",
"thinking? Example: > > The forest thought that these branches could be good",
"branches could be good for hanging myself (suicide). > > > Is this"
] |
[
"De Vil\". > > > How do you insert a sung part without",
"To see her is to take a sudden > chill Cruella, Cruella She's",
"insert a sung part without skipping lines like in a lyrics? Do you",
"doesn't scare you No evil thing will To see her is to take",
"is to take a sudden > chill Cruella, Cruella She's like a spider",
"out for Cruella De Vil\". > > > How do you insert a",
"scare you No evil thing will To see her is to take a",
"> > > How do you insert a sung part without skipping lines",
"without skipping lines like in a lyrics? Do you replace the line breaks",
"Cruella De Vil\". > > > How do you insert a sung part",
"you replace the line breaks with spaces? Can you do this without using",
"sudden > chill Cruella, Cruella She's like a spider waiting for the kill",
"Vil If she > doesn't scare you No evil thing will To see",
"Look > out for Cruella De Vil\". > > > How do you",
"Do you replace the line breaks with spaces? Can you do this without",
"part without skipping lines like in a lyrics? Do you replace the line",
"Cruella She's like a spider waiting for the kill Look > out for",
"like a spider waiting for the kill Look > out for Cruella De",
"De Vil Cruella De Vil If she > doesn't scare you No evil",
"> How do you insert a sung part without skipping lines like in",
"see her is to take a sudden > chill Cruella, Cruella She's like",
"\"Cruella De Vil Cruella De Vil If she > doesn't scare you No",
"the kill Look > out for Cruella De Vil\". > > > How",
"you insert a sung part without skipping lines like in a lyrics? Do",
"> out for Cruella De Vil\". > > > How do you insert",
"breaks with spaces? Can you do this without using line breaks? What are",
"De Vil If she > doesn't scare you No evil thing will To",
"chill Cruella, Cruella She's like a spider waiting for the kill Look >",
"for Cruella De Vil\". > > > How do you insert a sung",
"a sung part without skipping lines like in a lyrics? Do you replace",
"kill Look > out for Cruella De Vil\". > > > How do",
"with spaces? Can you do this without using line breaks? What are the",
"thing will To see her is to take a sudden > chill Cruella,",
"lyrics? Do you replace the line breaks with spaces? Can you do this",
"spaces? Can you do this without using line breaks? What are the standards?",
"If she > doesn't scare you No evil thing will To see her",
"in a lyrics? Do you replace the line breaks with spaces? Can you",
"> > How do you insert a sung part without skipping lines like",
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"began singing \"Cruella De Vil Cruella De Vil If she > doesn't scare",
"skipping lines like in a lyrics? Do you replace the line breaks with",
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"will To see her is to take a sudden > chill Cruella, Cruella",
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"sung part without skipping lines like in a lyrics? Do you replace the",
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"replace the line breaks with spaces? Can you do this without using line",
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"she > doesn't scare you No evil thing will To see her is",
"a spider waiting for the kill Look > out for Cruella De Vil\".",
"> chill Cruella, Cruella She's like a spider waiting for the kill Look",
"> She suddenly began singing \"Cruella De Vil Cruella De Vil If she"
] |
[
"would change their view of some family members. But, I would like them",
"someday know what events have led up to what has 'made me the",
"view of some family members. But, I would like them to someday know",
"wife and mother I am today'. Is anyone willing to read/judge what I’ve",
"childhood. I've sheltered them from the worst of it, for fear it would",
"them to someday know what events have led up to what has 'made",
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"paper'. My husband and adult children know very little about my 'real' childhood.",
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"read/judge what I’ve done so far, & advise whether or not to continue?",
"to someday know what events have led up to what has 'made me",
"led up to what has 'made me the wife and mother I am",
"for fear it would change their view of some family members. But, I",
"would like them to someday know what events have led up to what",
"worst of it, for fear it would change their view of some family",
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"down on paper'. My husband and adult children know very little about my",
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"know what events have led up to what has 'made me the wife",
"and mother I am today'. Is anyone willing to read/judge what I’ve done",
"children know very little about my 'real' childhood. I've sheltered them from the",
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"what events have led up to what has 'made me the wife and",
"about my 'real' childhood. I've sheltered them from the worst of it, for",
"to read/judge what I’ve done so far, & advise whether or not to",
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"and adult children know very little about my 'real' childhood. I've sheltered them",
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"the wife and mother I am today'. Is anyone willing to read/judge what",
"mother I am today'. Is anyone willing to read/judge what I’ve done so",
"up to what has 'made me the wife and mother I am today'.",
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"am today'. Is anyone willing to read/judge what I’ve done so far, &",
"my 'real' childhood. I've sheltered them from the worst of it, for fear",
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"family members. But, I would like them to someday know what events have",
"of it, for fear it would change their view of some family members.",
"on paper'. My husband and adult children know very little about my 'real'",
"what has 'made me the wife and mother I am today'. Is anyone",
"from the worst of it, for fear it would change their view of"
] |
[
"is usually trying to save as much money as possible. If I draw",
"person that is usually trying to save as much money as possible. If",
"usually trying to save as much money as possible. If I draw my",
"to save as much money as possible. If I draw my own book",
"cover, is it okay? or do I really need to hire an artist?",
"save as much money as possible. If I draw my own book cover,",
"that is usually trying to save as much money as possible. If I",
"much money as possible. If I draw my own book cover, is it",
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"I'm a person that is usually trying to save as much money as",
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"own book cover, is it okay? or do I really need to hire",
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"money as possible. If I draw my own book cover, is it okay?",
"my own book cover, is it okay? or do I really need to",
"as possible. If I draw my own book cover, is it okay? or",
"draw my own book cover, is it okay? or do I really need",
"book cover, is it okay? or do I really need to hire an",
"If I draw my own book cover, is it okay? or do I",
"trying to save as much money as possible. If I draw my own",
"a person that is usually trying to save as much money as possible."
] |
[
"at my Medium blog and said they liked one particular nonfiction (recreational mathematics/math",
"writing for publication noob, having never sold any writing, nor ever tried to,",
"(<https://editorialteamnft.medium.com/>) and its own website (<https://www.nerdfortech.org/>) contacted me out of the blue at",
"not negotiate for payment? After all, even a pittance would allow me to",
"say honestly that I had *sold* the article (or at least got paid),",
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"professional writer. Is there any chance they would make an exception in my",
"(<https://bartshmatthew.medium.com/its-easy-to-convert-from-base-ten-to-base-one-thousand-ae0bf72d53d4>) that I had published on my Medium blog. They added that they",
"out of the blue at my Medium blog and said they liked one",
"full ownership and could remove it from their system whenever I wanted. The",
"Medium blog. They added that they wanted to feature it. But then their",
"particular nonfiction (recreational mathematics/math education) article of mine (<https://bartshmatthew.medium.com/its-easy-to-convert-from-base-ten-to-base-one-thousand-ae0bf72d53d4>) that I had published",
"I wanted. The 'nonprofit' Medium account has a couple of thousand followers. I",
"noob, having never sold any writing, nor ever tried to, so I was",
"called NFT (Nerd For Tech) with a Medium account (<https://editorialteamnft.medium.com/>) and its own",
"had *sold* the article (or at least got paid), making me a professional",
"pittance would allow me to say honestly that I had *sold* the article",
"mine (<https://bartshmatthew.medium.com/its-easy-to-convert-from-base-ten-to-base-one-thousand-ae0bf72d53d4>) that I had published on my Medium blog. They added that",
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"and pleased by this. Then I thought, why not negotiate for payment? After",
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"(recreational mathematics/math education) article of mine (<https://bartshmatthew.medium.com/its-easy-to-convert-from-base-ten-to-base-one-thousand-ae0bf72d53d4>) that I had published on my",
"tried to, so I was quite surprised and pleased by this. Then I",
"had published on my Medium blog. They added that they wanted to feature",
"own website (<https://www.nerdfortech.org/>) contacted me out of the blue at my Medium blog",
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"blog. They added that they wanted to feature it. But then their system",
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"Tech) with a Medium account (<https://editorialteamnft.medium.com/>) and its own website (<https://www.nerdfortech.org/>) contacted me",
"they wanted to feature it. But then their system said they never pay",
"website (<https://www.nerdfortech.org/>) contacted me out of the blue at my Medium blog and",
"could remove it from their system whenever I wanted. The 'nonprofit' Medium account",
"said they liked one particular nonfiction (recreational mathematics/math education) article of mine (<https://bartshmatthew.medium.com/its-easy-to-convert-from-base-ten-to-base-one-thousand-ae0bf72d53d4>)",
"system said they never pay for articles, and I would retain full ownership",
"(Nerd For Tech) with a Medium account (<https://editorialteamnft.medium.com/>) and its own website (<https://www.nerdfortech.org/>)",
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"a complete writing for publication noob, having never sold any writing, nor ever",
"said they never pay for articles, and I would retain full ownership and",
"writing, nor ever tried to, so I was quite surprised and pleased by",
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"of mine (<https://bartshmatthew.medium.com/its-easy-to-convert-from-base-ten-to-base-one-thousand-ae0bf72d53d4>) that I had published on my Medium blog. They added",
"find anything on Google about the website. I am a complete writing for",
"writer. Is there any chance they would make an exception in my case,",
"of thousand followers. I couldn't find anything on Google about the website. I",
"The 'nonprofit' Medium account has a couple of thousand followers. I couldn't find",
"account (<https://editorialteamnft.medium.com/>) and its own website (<https://www.nerdfortech.org/>) contacted me out of the blue",
"surprised and pleased by this. Then I thought, why not negotiate for payment?",
"any writing, nor ever tried to, so I was quite surprised and pleased",
"of the blue at my Medium blog and said they liked one particular",
"they liked one particular nonfiction (recreational mathematics/math education) article of mine (<https://bartshmatthew.medium.com/its-easy-to-convert-from-base-ten-to-base-one-thousand-ae0bf72d53d4>) that",
"then their system said they never pay for articles, and I would retain",
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"system whenever I wanted. The 'nonprofit' Medium account has a couple of thousand",
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"got paid), making me a professional writer. Is there any chance they would",
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"article (or at least got paid), making me a professional writer. Is there",
"by this. Then I thought, why not negotiate for payment? After all, even",
"to, so I was quite surprised and pleased by this. Then I thought,",
"anything on Google about the website. I am a complete writing for publication",
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"published on my Medium blog. They added that they wanted to feature it.",
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"and could remove it from their system whenever I wanted. The 'nonprofit' Medium",
"couple of thousand followers. I couldn't find anything on Google about the website.",
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"never sold any writing, nor ever tried to, so I was quite surprised",
"education) article of mine (<https://bartshmatthew.medium.com/its-easy-to-convert-from-base-ten-to-base-one-thousand-ae0bf72d53d4>) that I had published on my Medium blog.",
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"ever tried to, so I was quite surprised and pleased by this. Then",
"allow me to say honestly that I had *sold* the article (or at",
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"to feature it. But then their system said they never pay for articles,",
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"that they wanted to feature it. But then their system said they never",
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"liked one particular nonfiction (recreational mathematics/math education) article of mine (<https://bartshmatthew.medium.com/its-easy-to-convert-from-base-ten-to-base-one-thousand-ae0bf72d53d4>) that I",
"making me a professional writer. Is there any chance they would make an",
"blog and said they liked one particular nonfiction (recreational mathematics/math education) article of",
"followers. I couldn't find anything on Google about the website. I am a",
"mathematics/math education) article of mine (<https://bartshmatthew.medium.com/its-easy-to-convert-from-base-ten-to-base-one-thousand-ae0bf72d53d4>) that I had published on my Medium",
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"a Medium account (<https://editorialteamnft.medium.com/>) and its own website (<https://www.nerdfortech.org/>) contacted me out of",
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"and I would retain full ownership and could remove it from their system",
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"there any chance they would make an exception in my case, and pay",
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"Google about the website. I am a complete writing for publication noob, having",
"thousand followers. I couldn't find anything on Google about the website. I am",
"this. Then I thought, why not negotiate for payment? After all, even a",
"was quite surprised and pleased by this. Then I thought, why not negotiate",
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"my Medium blog. They added that they wanted to feature it. But then",
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"articles, and I would retain full ownership and could remove it from their",
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"I had published on my Medium blog. They added that they wanted to",
"their system said they never pay for articles, and I would retain full",
"for articles, and I would retain full ownership and could remove it from",
"paid), making me a professional writer. Is there any chance they would make",
"blue at my Medium blog and said they liked one particular nonfiction (recreational"
] |
[
"to the crowd. On the other hand, since LGBT rates are rising in",
"young readers are looking for and can relate to. My fear is just",
"is LGBT will seem forced and seen as playing to the crowd. On",
"one LGBT character. So far, no LGBT character has 'organically' come up in",
"that going out of my way to indicate that a character is LGBT",
"since I cannot relate. Also, I fear that going out of my way",
"going out of my way to indicate that a character is LGBT will",
"LGBT, I feel awkward writing such a character, since I cannot relate. Also,",
"important these days to include at least one LGBT character. So far, no",
"it is important these days to include at least one LGBT character. So",
"if it is important these days to include at least one LGBT character.",
"I fear that going out of my way to indicate that a character",
"people, I feel like having LGBT characters is not only what publishers are",
"can relate to. My fear is just that a publisher will reject my",
"Am I just paranoid or is this something I should be concerned about?",
"a YA novel, and I keep wondering if it is important these days",
"that it does not have enough LGBT representation. Am I just paranoid or",
"and I keep wondering if it is important these days to include at",
"way to indicate that a character is LGBT will seem forced and seen",
"of course) that it does not have enough LGBT representation. Am I just",
"far, no LGBT character has 'organically' come up in the story, and since",
"the story, and since I am not LGBT, I feel awkward writing such",
"is important these days to include at least one LGBT character. So far,",
"it does not have enough LGBT representation. Am I just paranoid or is",
"character has 'organically' come up in the story, and since I am not",
"I feel like having LGBT characters is not only what publishers are looking",
"I keep wondering if it is important these days to include at least",
"does not have enough LGBT representation. Am I just paranoid or is this",
"since I am not LGBT, I feel awkward writing such a character, since",
"relate. Also, I fear that going out of my way to indicate that",
"publisher will reject my work stating (among other reasons, of course) that it",
"in the story, and since I am not LGBT, I feel awkward writing",
"am not LGBT, I feel awkward writing such a character, since I cannot",
"'organically' come up in the story, and since I am not LGBT, I",
"course) that it does not have enough LGBT representation. Am I just paranoid",
"novel, and I keep wondering if it is important these days to include",
"characters is not only what publishers are looking for, but also something young",
"is just that a publisher will reject my work stating (among other reasons,",
"my way to indicate that a character is LGBT will seem forced and",
"in young people, I feel like having LGBT characters is not only what",
"fear is just that a publisher will reject my work stating (among other",
"and since I am not LGBT, I feel awkward writing such a character,",
"LGBT will seem forced and seen as playing to the crowd. On the",
"character, since I cannot relate. Also, I fear that going out of my",
"other hand, since LGBT rates are rising in young people, I feel like",
"LGBT representation. Am I just paranoid or is this something I should be",
"looking for, but also something young readers are looking for and can relate",
"not have enough LGBT representation. Am I just paranoid or is this something",
"come up in the story, and since I am not LGBT, I feel",
"but also something young readers are looking for and can relate to. My",
"wondering if it is important these days to include at least one LGBT",
"feel awkward writing such a character, since I cannot relate. Also, I fear",
"not only what publishers are looking for, but also something young readers are",
"playing to the crowd. On the other hand, since LGBT rates are rising",
"reasons, of course) that it does not have enough LGBT representation. Am I",
"these days to include at least one LGBT character. So far, no LGBT",
"stating (among other reasons, of course) that it does not have enough LGBT",
"have enough LGBT representation. Am I just paranoid or is this something I",
"to indicate that a character is LGBT will seem forced and seen as",
"seem forced and seen as playing to the crowd. On the other hand,",
"readers are looking for and can relate to. My fear is just that",
"write a YA novel, and I keep wondering if it is important these",
"to write a YA novel, and I keep wondering if it is important",
"and seen as playing to the crowd. On the other hand, since LGBT",
"having LGBT characters is not only what publishers are looking for, but also",
"least one LGBT character. So far, no LGBT character has 'organically' come up",
"at least one LGBT character. So far, no LGBT character has 'organically' come",
"is not only what publishers are looking for, but also something young readers",
"for, but also something young readers are looking for and can relate to.",
"LGBT character. So far, no LGBT character has 'organically' come up in the",
"enough LGBT representation. Am I just paranoid or is this something I should",
"representation. Am I just paranoid or is this something I should be concerned",
"of my way to indicate that a character is LGBT will seem forced",
"keep wondering if it is important these days to include at least one",
"indicate that a character is LGBT will seem forced and seen as playing",
"LGBT rates are rising in young people, I feel like having LGBT characters",
"such a character, since I cannot relate. Also, I fear that going out",
"days to include at least one LGBT character. So far, no LGBT character",
"the other hand, since LGBT rates are rising in young people, I feel",
"a character, since I cannot relate. Also, I fear that going out of",
"looking for and can relate to. My fear is just that a publisher",
"I feel awkward writing such a character, since I cannot relate. Also, I",
"character. So far, no LGBT character has 'organically' come up in the story,",
"for and can relate to. My fear is just that a publisher will",
"attempting to write a YA novel, and I keep wondering if it is",
"character is LGBT will seem forced and seen as playing to the crowd.",
"include at least one LGBT character. So far, no LGBT character has 'organically'",
"just that a publisher will reject my work stating (among other reasons, of",
"On the other hand, since LGBT rates are rising in young people, I",
"other reasons, of course) that it does not have enough LGBT representation. Am",
"cannot relate. Also, I fear that going out of my way to indicate",
"also something young readers are looking for and can relate to. My fear",
"I am attempting to write a YA novel, and I keep wondering if",
"awkward writing such a character, since I cannot relate. Also, I fear that",
"story, and since I am not LGBT, I feel awkward writing such a",
"rates are rising in young people, I feel like having LGBT characters is",
"no LGBT character has 'organically' come up in the story, and since I",
"Also, I fear that going out of my way to indicate that a",
"am attempting to write a YA novel, and I keep wondering if it",
"YA novel, and I keep wondering if it is important these days to",
"has 'organically' come up in the story, and since I am not LGBT,",
"my work stating (among other reasons, of course) that it does not have",
"since LGBT rates are rising in young people, I feel like having LGBT",
"young people, I feel like having LGBT characters is not only what publishers",
"I cannot relate. Also, I fear that going out of my way to",
"as playing to the crowd. On the other hand, since LGBT rates are",
"not LGBT, I feel awkward writing such a character, since I cannot relate.",
"publishers are looking for, but also something young readers are looking for and",
"will reject my work stating (among other reasons, of course) that it does",
"relate to. My fear is just that a publisher will reject my work",
"are looking for, but also something young readers are looking for and can",
"a publisher will reject my work stating (among other reasons, of course) that",
"will seem forced and seen as playing to the crowd. On the other",
"the crowd. On the other hand, since LGBT rates are rising in young",
"something young readers are looking for and can relate to. My fear is",
"forced and seen as playing to the crowd. On the other hand, since",
"rising in young people, I feel like having LGBT characters is not only",
"to include at least one LGBT character. So far, no LGBT character has",
"LGBT character has 'organically' come up in the story, and since I am",
"are rising in young people, I feel like having LGBT characters is not",
"LGBT characters is not only what publishers are looking for, but also something",
"and can relate to. My fear is just that a publisher will reject",
"a character is LGBT will seem forced and seen as playing to the",
"seen as playing to the crowd. On the other hand, since LGBT rates",
"So far, no LGBT character has 'organically' come up in the story, and",
"crowd. On the other hand, since LGBT rates are rising in young people,",
"hand, since LGBT rates are rising in young people, I feel like having",
"reject my work stating (among other reasons, of course) that it does not",
"fear that going out of my way to indicate that a character is",
"only what publishers are looking for, but also something young readers are looking",
"(among other reasons, of course) that it does not have enough LGBT representation.",
"My fear is just that a publisher will reject my work stating (among",
"up in the story, and since I am not LGBT, I feel awkward",
"what publishers are looking for, but also something young readers are looking for",
"that a character is LGBT will seem forced and seen as playing to",
"are looking for and can relate to. My fear is just that a",
"that a publisher will reject my work stating (among other reasons, of course)",
"to. My fear is just that a publisher will reject my work stating",
"work stating (among other reasons, of course) that it does not have enough",
"feel like having LGBT characters is not only what publishers are looking for,",
"out of my way to indicate that a character is LGBT will seem",
"writing such a character, since I cannot relate. Also, I fear that going",
"like having LGBT characters is not only what publishers are looking for, but",
"I am not LGBT, I feel awkward writing such a character, since I"
] |
[
"> > Compared to the plural > > They are struggling in school",
"plural > > They are struggling in school > > > Even Grammarly",
"the plural > > They are struggling in school > > > Even",
"sounds weird and grammatically incorrect. IE: > > They is struggling in school",
"grammatically incorrect. IE: > > They is struggling in school > > >",
"on using they/them But using they/them singular sounds weird and grammatically incorrect. IE:",
"they/them But using they/them singular sounds weird and grammatically incorrect. IE: > >",
"using they/them singular sounds weird and grammatically incorrect. IE: > > They is",
"> They are struggling in school > > > Even Grammarly suggests it's",
"weird and grammatically incorrect. IE: > > They is struggling in school >",
"they/them singular sounds weird and grammatically incorrect. IE: > > They is struggling",
"struggling in school > > > Even Grammarly suggests it's wrong. How do",
"But using they/them singular sounds weird and grammatically incorrect. IE: > > They",
"singular sounds weird and grammatically incorrect. IE: > > They is struggling in",
"ago. I have settled on using they/them But using they/them singular sounds weird",
"IE: > > They is struggling in school > > > Compared to",
"> > Even Grammarly suggests it's wrong. How do I use they/them on",
"have settled on using they/them But using they/them singular sounds weird and grammatically",
"> > > Even Grammarly suggests it's wrong. How do I use they/them",
"are struggling in school > > > Even Grammarly suggests it's wrong. How",
"this [question](https://writing.stackexchange.com/questions/55744/what-pronouns-should-i-use-for-a-character-with-no-gender) some weeks ago. I have settled on using they/them But using",
"some weeks ago. I have settled on using they/them But using they/them singular",
"They is struggling in school > > > Compared to the plural >",
"struggling in school > > > Compared to the plural > > They",
"asked this [question](https://writing.stackexchange.com/questions/55744/what-pronouns-should-i-use-for-a-character-with-no-gender) some weeks ago. I have settled on using they/them But",
"in school > > > Compared to the plural > > They are",
"Compared to the plural > > They are struggling in school > >",
"They are struggling in school > > > Even Grammarly suggests it's wrong.",
"weeks ago. I have settled on using they/them But using they/them singular sounds",
"> Even Grammarly suggests it's wrong. How do I use they/them on non-binary",
"settled on using they/them But using they/them singular sounds weird and grammatically incorrect.",
"is struggling in school > > > Compared to the plural > >",
"school > > > Compared to the plural > > They are struggling",
"I asked this [question](https://writing.stackexchange.com/questions/55744/what-pronouns-should-i-use-for-a-character-with-no-gender) some weeks ago. I have settled on using they/them",
"Grammarly suggests it's wrong. How do I use they/them on non-binary singular nouns?",
"school > > > Even Grammarly suggests it's wrong. How do I use",
"I have settled on using they/them But using they/them singular sounds weird and",
"> They is struggling in school > > > Compared to the plural",
"Even Grammarly suggests it's wrong. How do I use they/them on non-binary singular",
"and grammatically incorrect. IE: > > They is struggling in school > >",
"incorrect. IE: > > They is struggling in school > > > Compared",
"to the plural > > They are struggling in school > > >",
"> > > Compared to the plural > > They are struggling in",
"> Compared to the plural > > They are struggling in school >",
"using they/them But using they/them singular sounds weird and grammatically incorrect. IE: >",
"> > They is struggling in school > > > Compared to the",
"[question](https://writing.stackexchange.com/questions/55744/what-pronouns-should-i-use-for-a-character-with-no-gender) some weeks ago. I have settled on using they/them But using they/them",
"in school > > > Even Grammarly suggests it's wrong. How do I",
"> > They are struggling in school > > > Even Grammarly suggests"
] |
[
"classified as fiction. It's set on Earth in the USA, basically the main",
"Tsunami and make up a family or just make up the whole thing.",
"on whether or not if I should research about a real Tsunami and",
"or not if I should research about a real Tsunami and make up",
"a story right now that isn't non-fiction but idk if it could be",
"basically the main thing is that a tsunami occurs. I'm debating on whether",
"thing is that a tsunami occurs. I'm debating on whether or not if",
"a tsunami occurs. I'm debating on whether or not if I should research",
"story right now that isn't non-fiction but idk if it could be classified",
"be classified as fiction. It's set on Earth in the USA, basically the",
"right now that isn't non-fiction but idk if it could be classified as",
"if I should research about a real Tsunami and make up a family",
"Earth in the USA, basically the main thing is that a tsunami occurs.",
"tsunami occurs. I'm debating on whether or not if I should research about",
"not if I should research about a real Tsunami and make up a",
"now that isn't non-fiction but idk if it could be classified as fiction.",
"idk if it could be classified as fiction. It's set on Earth in",
"in the USA, basically the main thing is that a tsunami occurs. I'm",
"should research about a real Tsunami and make up a family or just",
"research about a real Tsunami and make up a family or just make",
"a real Tsunami and make up a family or just make up the",
"if it could be classified as fiction. It's set on Earth in the",
"I'm debating on whether or not if I should research about a real",
"but idk if it could be classified as fiction. It's set on Earth",
"debating on whether or not if I should research about a real Tsunami",
"real Tsunami and make up a family or just make up the whole",
"that a tsunami occurs. I'm debating on whether or not if I should",
"So I'm starting a story right now that isn't non-fiction but idk if",
"on Earth in the USA, basically the main thing is that a tsunami",
"the main thing is that a tsunami occurs. I'm debating on whether or",
"as fiction. It's set on Earth in the USA, basically the main thing",
"is that a tsunami occurs. I'm debating on whether or not if I",
"about a real Tsunami and make up a family or just make up",
"I should research about a real Tsunami and make up a family or",
"whether or not if I should research about a real Tsunami and make",
"the USA, basically the main thing is that a tsunami occurs. I'm debating",
"I'm starting a story right now that isn't non-fiction but idk if it",
"fiction. It's set on Earth in the USA, basically the main thing is",
"starting a story right now that isn't non-fiction but idk if it could",
"It's set on Earth in the USA, basically the main thing is that",
"that isn't non-fiction but idk if it could be classified as fiction. It's",
"non-fiction but idk if it could be classified as fiction. It's set on",
"set on Earth in the USA, basically the main thing is that a",
"USA, basically the main thing is that a tsunami occurs. I'm debating on",
"occurs. I'm debating on whether or not if I should research about a",
"isn't non-fiction but idk if it could be classified as fiction. It's set",
"it could be classified as fiction. It's set on Earth in the USA,",
"main thing is that a tsunami occurs. I'm debating on whether or not",
"could be classified as fiction. It's set on Earth in the USA, basically"
] |
[
"of lyrics, don't have them, but the singers sing them for some reason.",
"Is there an example of the opposite? The more popular the song, the",
"reason. Is there an example of the opposite? The more popular the song,",
"where the \"lalalalala\" is written? I noticed a lot of lyrics, don't have",
"the \"lalalalala\" is written? I noticed a lot of lyrics, don't have them,",
"lot of lyrics, don't have them, but the singers sing them for some",
"I noticed a lot of lyrics, don't have them, but the singers sing",
"\"nanananana\"? Is there any lyrics of a popular song where the \"lalalalala\" is",
"of a popular song where the \"lalalalala\" is written? I noticed a lot",
"is written? I noticed a lot of lyrics, don't have them, but the",
"the singers sing them for some reason. Is there an example of the",
"some reason. Is there an example of the opposite? The more popular the",
"there an example of the opposite? The more popular the song, the better.",
"them, but the singers sing them for some reason. Is there an example",
"Lyrics with \"lalalalala\" or \"nanananana\"? Is there any lyrics of a popular song",
"\"lalalalala\" or \"nanananana\"? Is there any lyrics of a popular song where the",
"there any lyrics of a popular song where the \"lalalalala\" is written? I",
"written? I noticed a lot of lyrics, don't have them, but the singers",
"with \"lalalalala\" or \"nanananana\"? Is there any lyrics of a popular song where",
"singers sing them for some reason. Is there an example of the opposite?",
"a lot of lyrics, don't have them, but the singers sing them for",
"them for some reason. Is there an example of the opposite? The more",
"have them, but the singers sing them for some reason. Is there an",
"lyrics, don't have them, but the singers sing them for some reason. Is",
"don't have them, but the singers sing them for some reason. Is there",
"a popular song where the \"lalalalala\" is written? I noticed a lot of",
"\"lalalalala\" is written? I noticed a lot of lyrics, don't have them, but",
"song where the \"lalalalala\" is written? I noticed a lot of lyrics, don't",
"lyrics of a popular song where the \"lalalalala\" is written? I noticed a",
"or \"nanananana\"? Is there any lyrics of a popular song where the \"lalalalala\"",
"popular song where the \"lalalalala\" is written? I noticed a lot of lyrics,",
"Is there any lyrics of a popular song where the \"lalalalala\" is written?",
"sing them for some reason. Is there an example of the opposite? The",
"for some reason. Is there an example of the opposite? The more popular",
"any lyrics of a popular song where the \"lalalalala\" is written? I noticed",
"noticed a lot of lyrics, don't have them, but the singers sing them",
"but the singers sing them for some reason. Is there an example of"
] |
[
"book to an untrustworthy agency. Are there any agencies that have been used",
"to an untrustworthy agency. Are there any agencies that have been used by",
"editing or publishing. I'm interested in traditional publishing, but from what I've heard",
"publishing. I'm interested in traditional publishing, but from what I've heard and read,",
"and I don't want to risk losing my book to an untrustworthy agency.",
"sure where to look for editing or publishing. I'm interested in traditional publishing,",
"want to risk losing my book to an untrustworthy agency. Are there any",
"in traditional publishing, but from what I've heard and read, I need an",
"but from what I've heard and read, I need an agency for that",
"risk losing my book to an untrustworthy agency. Are there any agencies that",
"untrustworthy agency. Are there any agencies that have been used by other authors",
"interested in traditional publishing, but from what I've heard and read, I need",
"heard and read, I need an agency for that and I don't want",
"an agency for that and I don't want to risk losing my book",
"for editing or publishing. I'm interested in traditional publishing, but from what I've",
"read, I need an agency for that and I don't want to risk",
"agency for that and I don't want to risk losing my book to",
"from what I've heard and read, I need an agency for that and",
"what I've heard and read, I need an agency for that and I",
"my first book, but I'm not quite sure where to look for editing",
"been used by other authors and proven trustworthy? Where should I look for",
"but I'm not quite sure where to look for editing or publishing. I'm",
"that have been used by other authors and proven trustworthy? Where should I",
"to risk losing my book to an untrustworthy agency. Are there any agencies",
"don't want to risk losing my book to an untrustworthy agency. Are there",
"an untrustworthy agency. Are there any agencies that have been used by other",
"authors and proven trustworthy? Where should I look for editors, and later on,",
"losing my book to an untrustworthy agency. Are there any agencies that have",
"quite sure where to look for editing or publishing. I'm interested in traditional",
"I need an agency for that and I don't want to risk losing",
"agency. Are there any agencies that have been used by other authors and",
"traditional publishing, but from what I've heard and read, I need an agency",
"for that and I don't want to risk losing my book to an",
"finally finished my first book, but I'm not quite sure where to look",
"any agencies that have been used by other authors and proven trustworthy? Where",
"book, but I'm not quite sure where to look for editing or publishing.",
"that and I don't want to risk losing my book to an untrustworthy",
"by other authors and proven trustworthy? Where should I look for editors, and",
"first book, but I'm not quite sure where to look for editing or",
"and read, I need an agency for that and I don't want to",
"I have finally finished my first book, but I'm not quite sure where",
"to look for editing or publishing. I'm interested in traditional publishing, but from",
"I'm interested in traditional publishing, but from what I've heard and read, I",
"I don't want to risk losing my book to an untrustworthy agency. Are",
"have been used by other authors and proven trustworthy? Where should I look",
"I'm not quite sure where to look for editing or publishing. I'm interested",
"used by other authors and proven trustworthy? Where should I look for editors,",
"or publishing. I'm interested in traditional publishing, but from what I've heard and",
"look for editing or publishing. I'm interested in traditional publishing, but from what",
"Are there any agencies that have been used by other authors and proven",
"and proven trustworthy? Where should I look for editors, and later on, publishers?",
"other authors and proven trustworthy? Where should I look for editors, and later",
"need an agency for that and I don't want to risk losing my",
"my book to an untrustworthy agency. Are there any agencies that have been",
"not quite sure where to look for editing or publishing. I'm interested in",
"I've heard and read, I need an agency for that and I don't",
"publishing, but from what I've heard and read, I need an agency for",
"there any agencies that have been used by other authors and proven trustworthy?",
"agencies that have been used by other authors and proven trustworthy? Where should",
"finished my first book, but I'm not quite sure where to look for",
"where to look for editing or publishing. I'm interested in traditional publishing, but",
"have finally finished my first book, but I'm not quite sure where to"
] |
[
"that strong of an impression on me. Examples of things I like and",
"trying to solve his immediate problems. He might not have done anything story-worthy",
"weak affinity towards conventional morality, but it's captivating to watch her fight her",
"protagonist is a goodie-two-shoes f\\*\\*\\*boy who has generic tragic backstory and likes women,",
"never realized in the writing in a memorable way. What's going on? Am",
"worldview\" etc. However, when I actually think about the characters from fantasy fictions",
"surprising diplomatic genius. 3. *Wizard of Earthsea*: the protagonist just wants to learn",
"morality, but it's captivating to watch her fight her enemies using her apparently",
"tragic backstory and likes women, but his adventures through the world is cool",
"2. *Worm (web serial)*: the protagonist is a generic \"not-like-other-girl\" with a weak",
"story itself. 4. *Hijrp Potfeq (series)* I actually don't recall anything about the",
"authors should know about their characters\" I get advice like \"know what you",
"motivation\", \"know your character's worldview\" etc. However, when I actually think about the",
"solved their problems in interesting ways. With that in mind, I wonder if",
"fight off the monster chasing him. It's fun watching him interacting with his",
"who has generic tragic backstory and likes women, but his adventures through the",
"4. *Hijrp Potfeq (series)* I actually don't recall anything about the titular character",
"character's worldview\" etc. However, when I actually think about the characters from fantasy",
"notice those character's inner thoughts, or are things like the appearance/superficial gimmicks of",
"With that in mind, I wonder if it is actually important to know",
"stories, mostly because their settings are interesting and/or because the characters solved their",
"\"know what you character fears\", \"know your character's central motivation\", \"know your character's",
"all that interested in those questions. In fact, the characters don't even make",
"problems in interesting ways. With that in mind, I wonder if it is",
"actually important to know things like \"a character's worldview\" or their \"greatest, subconscious",
"(series)* I actually don't recall anything about the titular character besides his generic",
"is cool and I am intrigued when he interacts with the magic system.",
"\"know your character's worldview\" etc. However, when I actually think about the characters",
"*Worm (web serial)*: the protagonist is a generic \"not-like-other-girl\" with a weak affinity",
"and after his fall-from-grace moment he just wanted to fight off the monster",
"the characters from fantasy fictions I enjoyed, I don't really find myself all",
"his adventures through the world is cool and I am intrigued when he",
"important to know things like \"a character's worldview\" or their \"greatest, subconscious fears",
"intrigued when he interacts with the magic system. 2. *Worm (web serial)*: the",
"fictions I enjoyed, I don't really find myself all that interested in those",
"her surprising diplomatic genius. 3. *Wizard of Earthsea*: the protagonist just wants to",
"when such things are never realized in the writing in a memorable way.",
"to know things like \"a character's worldview\" or their \"greatest, subconscious fears and",
"I get advice like \"know what you character fears\", \"know your character's central",
"What's going on? Am I just too much of a psychopath to notice",
"his generic tragic backstory. He does not seem to have any motivation besides",
"with a weak affinity towards conventional morality, but it's captivating to watch her",
"backstory and likes women, but his adventures through the world is cool and",
"magic, but I have no memory of what his personality is like, and",
"the Wind*: the protagonist is a goodie-two-shoes f\\*\\*\\*boy who has generic tragic backstory",
"what you character fears\", \"know your character's central motivation\", \"know your character's worldview\"",
"He does not seem to have any motivation besides trying to solve his",
"an impression on me. Examples of things I like and what I thought",
"after his fall-from-grace moment he just wanted to fight off the monster chasing",
"his fall-from-grace moment he just wanted to fight off the monster chasing him.",
"I had no awareness of his character development while reading the story itself.",
"He might not have done anything story-worthy had his problems not been forcefully",
"or her surprising diplomatic genius. 3. *Wizard of Earthsea*: the protagonist just wants",
"through the world is cool and I am intrigued when he interacts with",
"the monster chasing him. It's fun watching him interacting with his world and",
"Earthsea*: the protagonist just wants to learn magic, and after his fall-from-grace moment",
"such things are never realized in the writing in a memorable way. What's",
"diplomatic genius. 3. *Wizard of Earthsea*: the protagonist just wants to learn magic,",
"of the Wind*: the protagonist is a goodie-two-shoes f\\*\\*\\*boy who has generic tragic",
"conventional morality, but it's captivating to watch her fight her enemies using her",
"fact, the characters don't even make that strong of an impression on me.",
"fears\", \"know your character's central motivation\", \"know your character's worldview\" etc. However, when",
"on? Am I just too much of a psychopath to notice those character's",
"subconscious fears and desires\", when such things are never realized in the writing",
"but I have no memory of what his personality is like, and I",
"character development while reading the story itself. 4. *Hijrp Potfeq (series)* I actually",
"and what I thought about their characters: 1. *Name of the Wind*: the",
"the protagonist is a generic \"not-like-other-girl\" with a weak affinity towards conventional morality,",
"realized in the writing in a memorable way. What's going on? Am I",
"about their characters\" I get advice like \"know what you character fears\", \"know",
"chasing him. It's fun watching him interacting with his world and its magic,",
"and its magic, but I have no memory of what his personality is",
"characters from fantasy fictions I enjoyed, I don't really find myself all that",
"thought about their characters: 1. *Name of the Wind*: the protagonist is a",
"solve his immediate problems. He might not have done anything story-worthy had his",
"that interested in those questions. In fact, the characters don't even make that",
"writing fantasy. When I look up \"what authors should know about their characters\"",
"have done anything story-worthy had his problems not been forcefully thrusted upon him.",
"not been forcefully thrusted upon him. In summary: while I have very little",
"protagonist is a generic \"not-like-other-girl\" with a weak affinity towards conventional morality, but",
"the writing in a memorable way. What's going on? Am I just too",
"ways. With that in mind, I wonder if it is actually important to",
"enemies using her apparently mediocre powers or her surprising diplomatic genius. 3. *Wizard",
"I like and what I thought about their characters: 1. *Name of the",
"cool and I am intrigued when he interacts with the magic system. 2.",
"is a goodie-two-shoes f\\*\\*\\*boy who has generic tragic backstory and likes women, but",
"character fears\", \"know your character's central motivation\", \"know your character's worldview\" etc. However,",
"what his personality is like, and I had no awareness of his character",
"I thought about their characters: 1. *Name of the Wind*: the protagonist is",
"in the writing in a memorable way. What's going on? Am I just",
"with the magic system. 2. *Worm (web serial)*: the protagonist is a generic",
"interesting and/or because the characters solved their problems in interesting ways. With that",
"had his problems not been forcefully thrusted upon him. In summary: while I",
"respective stories, mostly because their settings are interesting and/or because the characters solved",
"of a psychopath to notice those character's inner thoughts, or are things like",
"his world and its magic, but I have no memory of what his",
"to have any motivation besides trying to solve his immediate problems. He might",
"the characters themselves, I nevertheless enjoyed their respective stories, mostly because their settings",
"advice like \"know what you character fears\", \"know your character's central motivation\", \"know",
"are never realized in the writing in a memorable way. What's going on?",
"Am I just too much of a psychopath to notice those character's inner",
"its magic, but I have no memory of what his personality is like,",
"their characters: 1. *Name of the Wind*: the protagonist is a goodie-two-shoes f\\*\\*\\*boy",
"to fight off the monster chasing him. It's fun watching him interacting with",
"had no awareness of his character development while reading the story itself. 4.",
"him interacting with his world and its magic, but I have no memory",
"powers or her surprising diplomatic genius. 3. *Wizard of Earthsea*: the protagonist just",
"know about their characters\" I get advice like \"know what you character fears\",",
"might not have done anything story-worthy had his problems not been forcefully thrusted",
"think about the characters from fantasy fictions I enjoyed, I don't really find",
"towards conventional morality, but it's captivating to watch her fight her enemies using",
"actually don't recall anything about the titular character besides his generic tragic backstory.",
"to solve his immediate problems. He might not have done anything story-worthy had",
"of an impression on me. Examples of things I like and what I",
"their characters\" I get advice like \"know what you character fears\", \"know your",
"he interacts with the magic system. 2. *Worm (web serial)*: the protagonist is",
"writing in a memorable way. What's going on? Am I just too much",
"those character's inner thoughts, or are things like the appearance/superficial gimmicks of the",
"impression on me. Examples of things I like and what I thought about",
"no memory of what his personality is like, and I had no awareness",
"in mind, I wonder if it is actually important to know things like",
"fears and desires\", when such things are never realized in the writing in",
"genius. 3. *Wizard of Earthsea*: the protagonist just wants to learn magic, and",
"upon him. In summary: while I have very little interest in the characters",
"and I am intrigued when he interacts with the magic system. 2. *Worm",
"is like, and I had no awareness of his character development while reading",
"in a memorable way. What's going on? Am I just too much of",
"just wants to learn magic, and after his fall-from-grace moment he just wanted",
"characters\" I get advice like \"know what you character fears\", \"know your character's",
"what I thought about their characters: 1. *Name of the Wind*: the protagonist",
"wants to learn magic, and after his fall-from-grace moment he just wanted to",
"central motivation\", \"know your character's worldview\" etc. However, when I actually think about",
"memory of what his personality is like, and I had no awareness of",
"I actually don't recall anything about the titular character besides his generic tragic",
"besides trying to solve his immediate problems. He might not have done anything",
"summary: while I have very little interest in the characters themselves, I nevertheless",
"of things I like and what I thought about their characters: 1. *Name",
"character's inner thoughts, or are things like the appearance/superficial gimmicks of the characters",
"characters solved their problems in interesting ways. With that in mind, I wonder",
"protagonist just wants to learn magic, and after his fall-from-grace moment he just",
"thoughts, or are things like the appearance/superficial gimmicks of the characters actually more",
"using her apparently mediocre powers or her surprising diplomatic genius. 3. *Wizard of",
"have any motivation besides trying to solve his immediate problems. He might not",
"am writing fantasy. When I look up \"what authors should know about their",
"enjoyed, I don't really find myself all that interested in those questions. In",
"has generic tragic backstory and likes women, but his adventures through the world",
"It's fun watching him interacting with his world and its magic, but I",
"I don't really find myself all that interested in those questions. In fact,",
"does not seem to have any motivation besides trying to solve his immediate",
"fantasy fictions I enjoyed, I don't really find myself all that interested in",
"like \"a character's worldview\" or their \"greatest, subconscious fears and desires\", when such",
"In summary: while I have very little interest in the characters themselves, I",
"itself. 4. *Hijrp Potfeq (series)* I actually don't recall anything about the titular",
"don't recall anything about the titular character besides his generic tragic backstory. He",
"f\\*\\*\\*boy who has generic tragic backstory and likes women, but his adventures through",
"or are things like the appearance/superficial gimmicks of the characters actually more important?",
"any motivation besides trying to solve his immediate problems. He might not have",
"don't even make that strong of an impression on me. Examples of things",
"when I actually think about the characters from fantasy fictions I enjoyed, I",
"interesting ways. With that in mind, I wonder if it is actually important",
"mostly because their settings are interesting and/or because the characters solved their problems",
"*Name of the Wind*: the protagonist is a goodie-two-shoes f\\*\\*\\*boy who has generic",
"of his character development while reading the story itself. 4. *Hijrp Potfeq (series)*",
"little interest in the characters themselves, I nevertheless enjoyed their respective stories, mostly",
"her fight her enemies using her apparently mediocre powers or her surprising diplomatic",
"wonder if it is actually important to know things like \"a character's worldview\"",
"serial)*: the protagonist is a generic \"not-like-other-girl\" with a weak affinity towards conventional",
"I nevertheless enjoyed their respective stories, mostly because their settings are interesting and/or",
"a goodie-two-shoes f\\*\\*\\*boy who has generic tragic backstory and likes women, but his",
"nevertheless enjoyed their respective stories, mostly because their settings are interesting and/or because",
"about the characters from fantasy fictions I enjoyed, I don't really find myself",
"psychopath to notice those character's inner thoughts, or are things like the appearance/superficial",
"*Hijrp Potfeq (series)* I actually don't recall anything about the titular character besides",
"the magic system. 2. *Worm (web serial)*: the protagonist is a generic \"not-like-other-girl\"",
"mediocre powers or her surprising diplomatic genius. 3. *Wizard of Earthsea*: the protagonist",
"their settings are interesting and/or because the characters solved their problems in interesting",
"However, when I actually think about the characters from fantasy fictions I enjoyed,",
"1. *Name of the Wind*: the protagonist is a goodie-two-shoes f\\*\\*\\*boy who has",
"characters themselves, I nevertheless enjoyed their respective stories, mostly because their settings are",
"a psychopath to notice those character's inner thoughts, or are things like the",
"things I like and what I thought about their characters: 1. *Name of",
"anything about the titular character besides his generic tragic backstory. He does not",
"generic tragic backstory and likes women, but his adventures through the world is",
"you character fears\", \"know your character's central motivation\", \"know your character's worldview\" etc.",
"way. What's going on? Am I just too much of a psychopath to",
"strong of an impression on me. Examples of things I like and what",
"desires\", when such things are never realized in the writing in a memorable",
"the world is cool and I am intrigued when he interacts with the",
"just too much of a psychopath to notice those character's inner thoughts, or",
"adventures through the world is cool and I am intrigued when he interacts",
"I have very little interest in the characters themselves, I nevertheless enjoyed their",
"from fantasy fictions I enjoyed, I don't really find myself all that interested",
"don't really find myself all that interested in those questions. In fact, the",
"fall-from-grace moment he just wanted to fight off the monster chasing him. It's",
"themselves, I nevertheless enjoyed their respective stories, mostly because their settings are interesting",
"to watch her fight her enemies using her apparently mediocre powers or her",
"personality is like, and I had no awareness of his character development while",
"(web serial)*: the protagonist is a generic \"not-like-other-girl\" with a weak affinity towards",
"in interesting ways. With that in mind, I wonder if it is actually",
"and I had no awareness of his character development while reading the story",
"have no memory of what his personality is like, and I had no",
"character's central motivation\", \"know your character's worldview\" etc. However, when I actually think",
"system. 2. *Worm (web serial)*: the protagonist is a generic \"not-like-other-girl\" with a",
"fun watching him interacting with his world and its magic, but I have",
"I look up \"what authors should know about their characters\" I get advice",
"characters: 1. *Name of the Wind*: the protagonist is a goodie-two-shoes f\\*\\*\\*boy who",
"women, but his adventures through the world is cool and I am intrigued",
"is a generic \"not-like-other-girl\" with a weak affinity towards conventional morality, but it's",
"immediate problems. He might not have done anything story-worthy had his problems not",
"I am intrigued when he interacts with the magic system. 2. *Worm (web",
"affinity towards conventional morality, but it's captivating to watch her fight her enemies",
"her apparently mediocre powers or her surprising diplomatic genius. 3. *Wizard of Earthsea*:",
"in the characters themselves, I nevertheless enjoyed their respective stories, mostly because their",
"find myself all that interested in those questions. In fact, the characters don't",
"am intrigued when he interacts with the magic system. 2. *Worm (web serial)*:",
"his personality is like, and I had no awareness of his character development",
"\"what authors should know about their characters\" I get advice like \"know what",
"very little interest in the characters themselves, I nevertheless enjoyed their respective stories,",
"and/or because the characters solved their problems in interesting ways. With that in",
"her enemies using her apparently mediocre powers or her surprising diplomatic genius. 3.",
"his problems not been forcefully thrusted upon him. In summary: while I have",
"mind, I wonder if it is actually important to know things like \"a",
"reading the story itself. 4. *Hijrp Potfeq (series)* I actually don't recall anything",
"goodie-two-shoes f\\*\\*\\*boy who has generic tragic backstory and likes women, but his adventures",
"backstory. He does not seem to have any motivation besides trying to solve",
"story-worthy had his problems not been forcefully thrusted upon him. In summary: while",
"his immediate problems. He might not have done anything story-worthy had his problems",
"not have done anything story-worthy had his problems not been forcefully thrusted upon",
"with his world and its magic, but I have no memory of what",
"questions. In fact, the characters don't even make that strong of an impression",
"while reading the story itself. 4. *Hijrp Potfeq (series)* I actually don't recall",
"get advice like \"know what you character fears\", \"know your character's central motivation\",",
"etc. However, when I actually think about the characters from fantasy fictions I",
"look up \"what authors should know about their characters\" I get advice like",
"it is actually important to know things like \"a character's worldview\" or their",
"and likes women, but his adventures through the world is cool and I",
"the characters solved their problems in interesting ways. With that in mind, I",
"the story itself. 4. *Hijrp Potfeq (series)* I actually don't recall anything about",
"know things like \"a character's worldview\" or their \"greatest, subconscious fears and desires\",",
"me. Examples of things I like and what I thought about their characters:",
"wanted to fight off the monster chasing him. It's fun watching him interacting",
"magic system. 2. *Worm (web serial)*: the protagonist is a generic \"not-like-other-girl\" with",
"been forcefully thrusted upon him. In summary: while I have very little interest",
"to notice those character's inner thoughts, or are things like the appearance/superficial gimmicks",
"development while reading the story itself. 4. *Hijrp Potfeq (series)* I actually don't",
"of Earthsea*: the protagonist just wants to learn magic, and after his fall-from-grace",
"in those questions. In fact, the characters don't even make that strong of",
"or their \"greatest, subconscious fears and desires\", when such things are never realized",
"but his adventures through the world is cool and I am intrigued when",
"things are never realized in the writing in a memorable way. What's going",
"of what his personality is like, and I had no awareness of his",
"up \"what authors should know about their characters\" I get advice like \"know",
"interacting with his world and its magic, but I have no memory of",
"and desires\", when such things are never realized in the writing in a",
"likes women, but his adventures through the world is cool and I am",
"he just wanted to fight off the monster chasing him. It's fun watching",
"character's worldview\" or their \"greatest, subconscious fears and desires\", when such things are",
"because their settings are interesting and/or because the characters solved their problems in",
"problems. He might not have done anything story-worthy had his problems not been",
"on me. Examples of things I like and what I thought about their",
"Examples of things I like and what I thought about their characters: 1.",
"Potfeq (series)* I actually don't recall anything about the titular character besides his",
"magic, and after his fall-from-grace moment he just wanted to fight off the",
"I enjoyed, I don't really find myself all that interested in those questions.",
"a weak affinity towards conventional morality, but it's captivating to watch her fight",
"done anything story-worthy had his problems not been forcefully thrusted upon him. In",
"fantasy. When I look up \"what authors should know about their characters\" I",
"if it is actually important to know things like \"a character's worldview\" or",
"\"a character's worldview\" or their \"greatest, subconscious fears and desires\", when such things",
"I actually think about the characters from fantasy fictions I enjoyed, I don't",
"*Wizard of Earthsea*: the protagonist just wants to learn magic, and after his",
"apparently mediocre powers or her surprising diplomatic genius. 3. *Wizard of Earthsea*: the",
"fight her enemies using her apparently mediocre powers or her surprising diplomatic genius.",
"when he interacts with the magic system. 2. *Worm (web serial)*: the protagonist",
"like \"know what you character fears\", \"know your character's central motivation\", \"know your",
"motivation besides trying to solve his immediate problems. He might not have done",
"have very little interest in the characters themselves, I nevertheless enjoyed their respective",
"like and what I thought about their characters: 1. *Name of the Wind*:",
"the characters don't even make that strong of an impression on me. Examples",
"Wind*: the protagonist is a goodie-two-shoes f\\*\\*\\*boy who has generic tragic backstory and",
"titular character besides his generic tragic backstory. He does not seem to have",
"interacts with the magic system. 2. *Worm (web serial)*: the protagonist is a",
"about their characters: 1. *Name of the Wind*: the protagonist is a goodie-two-shoes",
"his character development while reading the story itself. 4. *Hijrp Potfeq (series)* I",
"a generic \"not-like-other-girl\" with a weak affinity towards conventional morality, but it's captivating",
"3. *Wizard of Earthsea*: the protagonist just wants to learn magic, and after",
"the protagonist is a goodie-two-shoes f\\*\\*\\*boy who has generic tragic backstory and likes",
"captivating to watch her fight her enemies using her apparently mediocre powers or",
"monster chasing him. It's fun watching him interacting with his world and its",
"anything story-worthy had his problems not been forcefully thrusted upon him. In summary:",
"learn magic, and after his fall-from-grace moment he just wanted to fight off",
"problems not been forcefully thrusted upon him. In summary: while I have very",
"In fact, the characters don't even make that strong of an impression on",
"off the monster chasing him. It's fun watching him interacting with his world",
"those questions. In fact, the characters don't even make that strong of an",
"recall anything about the titular character besides his generic tragic backstory. He does",
"world is cool and I am intrigued when he interacts with the magic",
"because the characters solved their problems in interesting ways. With that in mind,",
"I am writing fantasy. When I look up \"what authors should know about",
"interest in the characters themselves, I nevertheless enjoyed their respective stories, mostly because",
"interested in those questions. In fact, the characters don't even make that strong",
"watching him interacting with his world and its magic, but I have no",
"memorable way. What's going on? Am I just too much of a psychopath",
"the protagonist just wants to learn magic, and after his fall-from-grace moment he",
"actually think about the characters from fantasy fictions I enjoyed, I don't really",
"myself all that interested in those questions. In fact, the characters don't even",
"I just too much of a psychopath to notice those character's inner thoughts,",
"much of a psychopath to notice those character's inner thoughts, or are things",
"him. It's fun watching him interacting with his world and its magic, but",
"not seem to have any motivation besides trying to solve his immediate problems.",
"forcefully thrusted upon him. In summary: while I have very little interest in",
"should know about their characters\" I get advice like \"know what you character",
"their \"greatest, subconscious fears and desires\", when such things are never realized in",
"going on? Am I just too much of a psychopath to notice those",
"seem to have any motivation besides trying to solve his immediate problems. He",
"things like \"a character's worldview\" or their \"greatest, subconscious fears and desires\", when",
"even make that strong of an impression on me. Examples of things I",
"settings are interesting and/or because the characters solved their problems in interesting ways.",
"\"not-like-other-girl\" with a weak affinity towards conventional morality, but it's captivating to watch",
"their problems in interesting ways. With that in mind, I wonder if it",
"that in mind, I wonder if it is actually important to know things",
"but it's captivating to watch her fight her enemies using her apparently mediocre",
"really find myself all that interested in those questions. In fact, the characters",
"awareness of his character development while reading the story itself. 4. *Hijrp Potfeq",
"tragic backstory. He does not seem to have any motivation besides trying to",
"him. In summary: while I have very little interest in the characters themselves,",
"make that strong of an impression on me. Examples of things I like",
"no awareness of his character development while reading the story itself. 4. *Hijrp",
"character besides his generic tragic backstory. He does not seem to have any",
"your character's central motivation\", \"know your character's worldview\" etc. However, when I actually",
"moment he just wanted to fight off the monster chasing him. It's fun",
"watch her fight her enemies using her apparently mediocre powers or her surprising",
"inner thoughts, or are things like the appearance/superficial gimmicks of the characters actually",
"characters don't even make that strong of an impression on me. Examples of",
"\"greatest, subconscious fears and desires\", when such things are never realized in the",
"just wanted to fight off the monster chasing him. It's fun watching him",
"world and its magic, but I have no memory of what his personality",
"generic tragic backstory. He does not seem to have any motivation besides trying",
"like, and I had no awareness of his character development while reading the",
"your character's worldview\" etc. However, when I actually think about the characters from",
"the titular character besides his generic tragic backstory. He does not seem to",
"are interesting and/or because the characters solved their problems in interesting ways. With",
"a memorable way. What's going on? Am I just too much of a",
"besides his generic tragic backstory. He does not seem to have any motivation",
"When I look up \"what authors should know about their characters\" I get",
"about the titular character besides his generic tragic backstory. He does not seem",
"I have no memory of what his personality is like, and I had",
"to learn magic, and after his fall-from-grace moment he just wanted to fight",
"their respective stories, mostly because their settings are interesting and/or because the characters",
"thrusted upon him. In summary: while I have very little interest in the",
"enjoyed their respective stories, mostly because their settings are interesting and/or because the",
"while I have very little interest in the characters themselves, I nevertheless enjoyed",
"is actually important to know things like \"a character's worldview\" or their \"greatest,",
"worldview\" or their \"greatest, subconscious fears and desires\", when such things are never",
"generic \"not-like-other-girl\" with a weak affinity towards conventional morality, but it's captivating to",
"too much of a psychopath to notice those character's inner thoughts, or are",
"\"know your character's central motivation\", \"know your character's worldview\" etc. However, when I",
"I wonder if it is actually important to know things like \"a character's",
"it's captivating to watch her fight her enemies using her apparently mediocre powers"
] |
[
"to eat humans for sustainance, but they're natural predators and will eat anything",
"*have* to eat humans for sustainance, but they're natural predators and will eat",
"there *are* good members of these groups that don't eat humans (they're the",
"creatures are the main antagonists of my story (the protagonists being the ones",
"diversifying the personalities of my antagonists to make them interesting. All of them",
"into actual personality disorders to get a better idea of what kinds of",
"make the antagonists distinct when they all have the same generic \"serial killer\"",
"fleshing out their diverse personalities and backstories, but it's the evil ones who",
"eat humans for sustainance, but they're natural predators and will eat anything big",
"antagonists distinct when they all have the same generic \"serial killer\" personality. I",
"just happen to be the most common prey. Again, as in many of",
"kinds of dysfunctional worldviews could lead someone to behave this way, but with",
"personality. I have done research into actual personality disorders to get a better",
"and will eat anything big enough that they can catch and kill, and",
"the antagonists distinct when they all have the same generic \"serial killer\" personality.",
"personality disorders to get a better idea of what kinds of dysfunctional worldviews",
"\"Hannibal Lecter\". It's really hard to make the antagonists distinct when they all",
"(they're the protagonists), and I've had an easy time fleshing out their diverse",
"who are supposed to be the primary antagonistic thrust of the story that",
"Again, as in many of these stories, these creatures were once human beings",
"or \"Hannibal Lecter\". It's really hard to make the antagonists distinct when they",
"to get a better idea of what kinds of dysfunctional worldviews could lead",
"the most common prey. Again, as in many of these stories, these creatures",
"These monsters are notably in that they don't *have* to eat humans for",
"remained mostly boring. And, of course, if you don't have a strong antagonist",
"antagonist you don't have a story. **Given this, how can I diversify the",
"It's really hard to make the antagonists distinct when they all have the",
"urban fantasy story that has a species of monsters that regularly prey on",
"course, if you don't have a strong antagonist you don't have a story.",
"of these stories, these creatures were once human beings that have become monsters.",
"and in urban environments humans just happen to be the most common prey.",
"this way, but with little success. The monsters have a brutally social Darwinist",
"in many of these stories, these creatures were once human beings that have",
"they all have the same generic \"serial killer\" personality. I have done research",
"Dresden Files*, ghouls in *Tokyo Ghoul*, hollows in *Bleach*, etc.). These monsters are",
"in *Bleach*, etc.). These monsters are notably in that they don't *have* to",
"personalities and backstories, but it's the evil ones who are supposed to be",
"that regularly prey on human beings, as in many, many other settings (e.g.,",
"and kill, and in urban environments humans just happen to be the most",
"ones who hunt them). The problem is I am having trouble diversifying the",
"working on an urban fantasy story that has a species of monsters that",
"an easy time fleshing out their diverse personalities and backstories, but it's the",
"hollows in *Bleach*, etc.). These monsters are notably in that they don't *have*",
"catch and kill, and in urban environments humans just happen to be the",
"in urban fantasy that there isn't much to explore. Notably, there *are* good",
"story that have remained mostly boring. And, of course, if you don't have",
"a better idea of what kinds of dysfunctional worldviews could lead someone to",
"little success. The monsters have a brutally social Darwinist society when they do",
"dysfunctional worldviews could lead someone to behave this way, but with little success.",
"fantasy that there isn't much to explore. Notably, there *are* good members of",
"have a story. **Given this, how can I diversify the personalities of my",
"in that they don't *have* to eat humans for sustainance, but they're natural",
"to make the antagonists distinct when they all have the same generic \"serial",
"good members of these groups that don't eat humans (they're the protagonists), and",
"(the protagonists being the ones who hunt them). The problem is I am",
"isn't much to explore. Notably, there *are* good members of these groups that",
"common prey. Again, as in many of these stories, these creatures were once",
"that there isn't much to explore. Notably, there *are* good members of these",
"happen to be the most common prey. Again, as in many of these",
"they can catch and kill, and in urban environments humans just happen to",
"once human beings that have become monsters. These creatures are the main antagonists",
"research into actual personality disorders to get a better idea of what kinds",
"I've had an easy time fleshing out their diverse personalities and backstories, but",
"though that is so common in urban fantasy that there isn't much to",
"have a strong antagonist you don't have a story. **Given this, how can",
"of my antagonist characters to make them more interesting while still keeping them",
"do form groups, though that is so common in urban fantasy that there",
"regularly prey on human beings, as in many, many other settings (e.g., various",
"kill, and in urban environments humans just happen to be the most common",
"with little success. The monsters have a brutally social Darwinist society when they",
"be the most common prey. Again, as in many of these stories, these",
"Darwinist society when they do form groups, though that is so common in",
"and I've had an easy time fleshing out their diverse personalities and backstories,",
"that don't eat humans (they're the protagonists), and I've had an easy time",
"but it's the evil ones who are supposed to be the primary antagonistic",
"a species of monsters that regularly prey on human beings, as in many,",
"the evil ones who are supposed to be the primary antagonistic thrust of",
"on human beings, as in many, many other settings (e.g., various monsters in",
"were once human beings that have become monsters. These creatures are the main",
"non-sapient monster\" or \"Hannibal Lecter\". It's really hard to make the antagonists distinct",
"the primary antagonistic thrust of the story that have remained mostly boring. And,",
"actual personality disorders to get a better idea of what kinds of dysfunctional",
"way, but with little success. The monsters have a brutally social Darwinist society",
"creatures were once human beings that have become monsters. These creatures are the",
"when they do form groups, though that is so common in urban fantasy",
"eat anything big enough that they can catch and kill, and in urban",
"to be the most common prey. Again, as in many of these stories,",
"antagonistic thrust of the story that have remained mostly boring. And, of course,",
"the story that have remained mostly boring. And, of course, if you don't",
"be either \"snarling, non-sapient monster\" or \"Hannibal Lecter\". It's really hard to make",
"are the main antagonists of my story (the protagonists being the ones who",
"ones who are supposed to be the primary antagonistic thrust of the story",
"behave this way, but with little success. The monsters have a brutally social",
"primary antagonistic thrust of the story that have remained mostly boring. And, of",
"of my story (the protagonists being the ones who hunt them). The problem",
"other settings (e.g., various monsters in *Buffy*/*Supernatural*/*The Dresden Files*, ghouls in *Tokyo Ghoul*,",
"hunt them). The problem is I am having trouble diversifying the personalities of",
"beings, as in many, many other settings (e.g., various monsters in *Buffy*/*Supernatural*/*The Dresden",
"story that has a species of monsters that regularly prey on human beings,",
"I am having trouble diversifying the personalities of my antagonists to make them",
"humans just happen to be the most common prey. Again, as in many",
"to behave this way, but with little success. The monsters have a brutally",
"have the same generic \"serial killer\" personality. I have done research into actual",
"done research into actual personality disorders to get a better idea of what",
"get a better idea of what kinds of dysfunctional worldviews could lead someone",
"all have the same generic \"serial killer\" personality. I have done research into",
"diverse personalities and backstories, but it's the evil ones who are supposed to",
"my antagonist characters to make them more interesting while still keeping them villainous",
"the same generic \"serial killer\" personality. I have done research into actual personality",
"strong antagonist you don't have a story. **Given this, how can I diversify",
"will eat anything big enough that they can catch and kill, and in",
"success. The monsters have a brutally social Darwinist society when they do form",
"Ghoul*, hollows in *Bleach*, etc.). These monsters are notably in that they don't",
"worldviews could lead someone to behave this way, but with little success. The",
"members of these groups that don't eat humans (they're the protagonists), and I've",
"these stories, these creatures were once human beings that have become monsters. These",
"can I diversify the personalities of my antagonist characters to make them more",
"antagonists to make them interesting. All of them seem to be either \"snarling,",
"prey on human beings, as in many, many other settings (e.g., various monsters",
"urban fantasy that there isn't much to explore. Notably, there *are* good members",
"natural predators and will eat anything big enough that they can catch and",
"having trouble diversifying the personalities of my antagonists to make them interesting. All",
"they do form groups, though that is so common in urban fantasy that",
"it's the evil ones who are supposed to be the primary antagonistic thrust",
"that they can catch and kill, and in urban environments humans just happen",
"of what kinds of dysfunctional worldviews could lead someone to behave this way,",
"social Darwinist society when they do form groups, though that is so common",
"really hard to make the antagonists distinct when they all have the same",
"the protagonists), and I've had an easy time fleshing out their diverse personalities",
"settings (e.g., various monsters in *Buffy*/*Supernatural*/*The Dresden Files*, ghouls in *Tokyo Ghoul*, hollows",
"personalities of my antagonist characters to make them more interesting while still keeping",
"brutally social Darwinist society when they do form groups, though that is so",
"idea of what kinds of dysfunctional worldviews could lead someone to behave this",
"out their diverse personalities and backstories, but it's the evil ones who are",
"are notably in that they don't *have* to eat humans for sustainance, but",
"backstories, but it's the evil ones who are supposed to be the primary",
"I diversify the personalities of my antagonist characters to make them more interesting",
"predators and will eat anything big enough that they can catch and kill,",
"them). The problem is I am having trouble diversifying the personalities of my",
"my antagonists to make them interesting. All of them seem to be either",
"to be either \"snarling, non-sapient monster\" or \"Hannibal Lecter\". It's really hard to",
"what kinds of dysfunctional worldviews could lead someone to behave this way, but",
"common in urban fantasy that there isn't much to explore. Notably, there *are*",
"thrust of the story that have remained mostly boring. And, of course, if",
"a story. **Given this, how can I diversify the personalities of my antagonist",
"species of monsters that regularly prey on human beings, as in many, many",
"but they're natural predators and will eat anything big enough that they can",
"could lead someone to behave this way, but with little success. The monsters",
"and backstories, but it's the evil ones who are supposed to be the",
"the personalities of my antagonists to make them interesting. All of them seem",
"but with little success. The monsters have a brutally social Darwinist society when",
"that they don't *have* to eat humans for sustainance, but they're natural predators",
"story (the protagonists being the ones who hunt them). The problem is I",
"as in many of these stories, these creatures were once human beings that",
"killer\" personality. I have done research into actual personality disorders to get a",
"have remained mostly boring. And, of course, if you don't have a strong",
"you don't have a strong antagonist you don't have a story. **Given this,",
"how can I diversify the personalities of my antagonist characters to make them",
"of dysfunctional worldviews could lead someone to behave this way, but with little",
"lead someone to behave this way, but with little success. The monsters have",
"diversify the personalities of my antagonist characters to make them more interesting while",
"ghouls in *Tokyo Ghoul*, hollows in *Bleach*, etc.). These monsters are notably in",
"enough that they can catch and kill, and in urban environments humans just",
"of course, if you don't have a strong antagonist you don't have a",
"beings that have become monsters. These creatures are the main antagonists of my",
"this, how can I diversify the personalities of my antagonist characters to make",
"of the story that have remained mostly boring. And, of course, if you",
"being the ones who hunt them). The problem is I am having trouble",
"various monsters in *Buffy*/*Supernatural*/*The Dresden Files*, ghouls in *Tokyo Ghoul*, hollows in *Bleach*,",
"there isn't much to explore. Notably, there *are* good members of these groups",
"that have remained mostly boring. And, of course, if you don't have a",
"the personalities of my antagonist characters to make them more interesting while still",
"these creatures were once human beings that have become monsters. These creatures are",
"human beings, as in many, many other settings (e.g., various monsters in *Buffy*/*Supernatural*/*The",
"personalities of my antagonists to make them interesting. All of them seem to",
"evil ones who are supposed to be the primary antagonistic thrust of the",
"**Given this, how can I diversify the personalities of my antagonist characters to",
"sustainance, but they're natural predators and will eat anything big enough that they",
"has a species of monsters that regularly prey on human beings, as in",
"anything big enough that they can catch and kill, and in urban environments",
"human beings that have become monsters. These creatures are the main antagonists of",
"if you don't have a strong antagonist you don't have a story. **Given",
"distinct when they all have the same generic \"serial killer\" personality. I have",
"humans for sustainance, but they're natural predators and will eat anything big enough",
"And, of course, if you don't have a strong antagonist you don't have",
"stories, these creatures were once human beings that have become monsters. These creatures",
"characters to make them more interesting while still keeping them villainous and antagonistic?**",
"to be the primary antagonistic thrust of the story that have remained mostly",
"the ones who hunt them). The problem is I am having trouble diversifying",
"seem to be either \"snarling, non-sapient monster\" or \"Hannibal Lecter\". It's really hard",
"be the primary antagonistic thrust of the story that have remained mostly boring.",
"story. **Given this, how can I diversify the personalities of my antagonist characters",
"etc.). These monsters are notably in that they don't *have* to eat humans",
"form groups, though that is so common in urban fantasy that there isn't",
"most common prey. Again, as in many of these stories, these creatures were",
"don't eat humans (they're the protagonists), and I've had an easy time fleshing",
"mostly boring. And, of course, if you don't have a strong antagonist you",
"main antagonists of my story (the protagonists being the ones who hunt them).",
"of them seem to be either \"snarling, non-sapient monster\" or \"Hannibal Lecter\". It's",
"monsters. These creatures are the main antagonists of my story (the protagonists being",
"monsters are notably in that they don't *have* to eat humans for sustainance,",
"\"serial killer\" personality. I have done research into actual personality disorders to get",
"have done research into actual personality disorders to get a better idea of",
"either \"snarling, non-sapient monster\" or \"Hannibal Lecter\". It's really hard to make the",
"Notably, there *are* good members of these groups that don't eat humans (they're",
"protagonists), and I've had an easy time fleshing out their diverse personalities and",
"hard to make the antagonists distinct when they all have the same generic",
"trouble diversifying the personalities of my antagonists to make them interesting. All of",
"someone to behave this way, but with little success. The monsters have a",
"they don't *have* to eat humans for sustainance, but they're natural predators and",
"an urban fantasy story that has a species of monsters that regularly prey",
"*are* good members of these groups that don't eat humans (they're the protagonists),",
"supposed to be the primary antagonistic thrust of the story that have remained",
"that has a species of monsters that regularly prey on human beings, as",
"notably in that they don't *have* to eat humans for sustainance, but they're",
"monsters have a brutally social Darwinist society when they do form groups, though",
"(e.g., various monsters in *Buffy*/*Supernatural*/*The Dresden Files*, ghouls in *Tokyo Ghoul*, hollows in",
"society when they do form groups, though that is so common in urban",
"boring. And, of course, if you don't have a strong antagonist you don't",
"urban environments humans just happen to be the most common prey. Again, as",
"I'm working on an urban fantasy story that has a species of monsters",
"don't have a strong antagonist you don't have a story. **Given this, how",
"a strong antagonist you don't have a story. **Given this, how can I",
"antagonist characters to make them more interesting while still keeping them villainous and",
"All of them seem to be either \"snarling, non-sapient monster\" or \"Hannibal Lecter\".",
"don't *have* to eat humans for sustainance, but they're natural predators and will",
"prey. Again, as in many of these stories, these creatures were once human",
"antagonists of my story (the protagonists being the ones who hunt them). The",
"time fleshing out their diverse personalities and backstories, but it's the evil ones",
"of these groups that don't eat humans (they're the protagonists), and I've had",
"groups, though that is so common in urban fantasy that there isn't much",
"they're natural predators and will eat anything big enough that they can catch",
"of my antagonists to make them interesting. All of them seem to be",
"Files*, ghouls in *Tokyo Ghoul*, hollows in *Bleach*, etc.). These monsters are notably",
"monster\" or \"Hannibal Lecter\". It's really hard to make the antagonists distinct when",
"disorders to get a better idea of what kinds of dysfunctional worldviews could",
"monsters that regularly prey on human beings, as in many, many other settings",
"in many, many other settings (e.g., various monsters in *Buffy*/*Supernatural*/*The Dresden Files*, ghouls",
"the main antagonists of my story (the protagonists being the ones who hunt",
"that have become monsters. These creatures are the main antagonists of my story",
"them seem to be either \"snarling, non-sapient monster\" or \"Hannibal Lecter\". It's really",
"groups that don't eat humans (they're the protagonists), and I've had an easy",
"are supposed to be the primary antagonistic thrust of the story that have",
"them interesting. All of them seem to be either \"snarling, non-sapient monster\" or",
"am having trouble diversifying the personalities of my antagonists to make them interesting.",
"monsters in *Buffy*/*Supernatural*/*The Dresden Files*, ghouls in *Tokyo Ghoul*, hollows in *Bleach*, etc.).",
"\"snarling, non-sapient monster\" or \"Hannibal Lecter\". It's really hard to make the antagonists",
"same generic \"serial killer\" personality. I have done research into actual personality disorders",
"*Bleach*, etc.). These monsters are notably in that they don't *have* to eat",
"easy time fleshing out their diverse personalities and backstories, but it's the evil",
"*Buffy*/*Supernatural*/*The Dresden Files*, ghouls in *Tokyo Ghoul*, hollows in *Bleach*, etc.). These monsters",
"much to explore. Notably, there *are* good members of these groups that don't",
"generic \"serial killer\" personality. I have done research into actual personality disorders to",
"for sustainance, but they're natural predators and will eat anything big enough that",
"is so common in urban fantasy that there isn't much to explore. Notably,",
"to make them interesting. All of them seem to be either \"snarling, non-sapient",
"a brutally social Darwinist society when they do form groups, though that is",
"many other settings (e.g., various monsters in *Buffy*/*Supernatural*/*The Dresden Files*, ghouls in *Tokyo",
"big enough that they can catch and kill, and in urban environments humans",
"these groups that don't eat humans (they're the protagonists), and I've had an",
"you don't have a story. **Given this, how can I diversify the personalities",
"interesting. All of them seem to be either \"snarling, non-sapient monster\" or \"Hannibal",
"fantasy story that has a species of monsters that regularly prey on human",
"in *Tokyo Ghoul*, hollows in *Bleach*, etc.). These monsters are notably in that",
"in *Buffy*/*Supernatural*/*The Dresden Files*, ghouls in *Tokyo Ghoul*, hollows in *Bleach*, etc.). These",
"have a brutally social Darwinist society when they do form groups, though that",
"that is so common in urban fantasy that there isn't much to explore.",
"many of these stories, these creatures were once human beings that have become",
"don't have a story. **Given this, how can I diversify the personalities of",
"better idea of what kinds of dysfunctional worldviews could lead someone to behave",
"*Tokyo Ghoul*, hollows in *Bleach*, etc.). These monsters are notably in that they",
"make them interesting. All of them seem to be either \"snarling, non-sapient monster\"",
"explore. Notably, there *are* good members of these groups that don't eat humans",
"environments humans just happen to be the most common prey. Again, as in",
"of monsters that regularly prey on human beings, as in many, many other",
"as in many, many other settings (e.g., various monsters in *Buffy*/*Supernatural*/*The Dresden Files*,",
"many, many other settings (e.g., various monsters in *Buffy*/*Supernatural*/*The Dresden Files*, ghouls in",
"protagonists being the ones who hunt them). The problem is I am having",
"when they all have the same generic \"serial killer\" personality. I have done",
"become monsters. These creatures are the main antagonists of my story (the protagonists",
"my story (the protagonists being the ones who hunt them). The problem is",
"can catch and kill, and in urban environments humans just happen to be",
"Lecter\". It's really hard to make the antagonists distinct when they all have",
"on an urban fantasy story that has a species of monsters that regularly",
"is I am having trouble diversifying the personalities of my antagonists to make",
"have become monsters. These creatures are the main antagonists of my story (the",
"The monsters have a brutally social Darwinist society when they do form groups,",
"eat humans (they're the protagonists), and I've had an easy time fleshing out",
"These creatures are the main antagonists of my story (the protagonists being the",
"their diverse personalities and backstories, but it's the evil ones who are supposed",
"I have done research into actual personality disorders to get a better idea",
"who hunt them). The problem is I am having trouble diversifying the personalities",
"in urban environments humans just happen to be the most common prey. Again,",
"problem is I am having trouble diversifying the personalities of my antagonists to",
"to explore. Notably, there *are* good members of these groups that don't eat",
"humans (they're the protagonists), and I've had an easy time fleshing out their",
"so common in urban fantasy that there isn't much to explore. Notably, there",
"had an easy time fleshing out their diverse personalities and backstories, but it's",
"The problem is I am having trouble diversifying the personalities of my antagonists"
] |
[
"not currently invented science. I have concerns that it might just have *too",
"much extraordinary, so the world would seem stretched, unbelievable, unrelatable. The mixing of",
"them confused and unable to tell what is happening. Do you think this",
"thinking of writing a Science Fantasy novel, basically a world with both magic",
"been thinking of writing a Science Fantasy novel, basically a world with both",
"fantasy, too much extraordinary, so the world would seem stretched, unbelievable, unrelatable. The",
"and not currently invented science. I have concerns that it might just have",
"magic and not currently invented science. I have concerns that it might just",
"overload the reader, making them confused and unable to tell what is happening.",
"novel, basically a world with both magic and not currently invented science. I",
"tell what is happening. Do you think this would be a real problem?",
"Fantasy novel, basically a world with both magic and not currently invented science.",
"have been thinking of writing a Science Fantasy novel, basically a world with",
"writing a Science Fantasy novel, basically a world with both magic and not",
"stretched, unbelievable, unrelatable. The mixing of extraordinary magic and science would overload the",
"confused and unable to tell what is happening. Do you think this would",
"a world with both magic and not currently invented science. I have concerns",
"reader, making them confused and unable to tell what is happening. Do you",
"of writing a Science Fantasy novel, basically a world with both magic and",
"to tell what is happening. Do you think this would be a real",
"just have *too much* fantasy, too much extraordinary, so the world would seem",
"unbelievable, unrelatable. The mixing of extraordinary magic and science would overload the reader,",
"extraordinary magic and science would overload the reader, making them confused and unable",
"might just have *too much* fantasy, too much extraordinary, so the world would",
"magic and science would overload the reader, making them confused and unable to",
"science would overload the reader, making them confused and unable to tell what",
"too much extraordinary, so the world would seem stretched, unbelievable, unrelatable. The mixing",
"the world would seem stretched, unbelievable, unrelatable. The mixing of extraordinary magic and",
"making them confused and unable to tell what is happening. Do you think",
"The mixing of extraordinary magic and science would overload the reader, making them",
"world with both magic and not currently invented science. I have concerns that",
"basically a world with both magic and not currently invented science. I have",
"have *too much* fantasy, too much extraordinary, so the world would seem stretched,",
"and science would overload the reader, making them confused and unable to tell",
"would overload the reader, making them confused and unable to tell what is",
"world would seem stretched, unbelievable, unrelatable. The mixing of extraordinary magic and science",
"extraordinary, so the world would seem stretched, unbelievable, unrelatable. The mixing of extraordinary",
"with both magic and not currently invented science. I have concerns that it",
"invented science. I have concerns that it might just have *too much* fantasy,",
"a Science Fantasy novel, basically a world with both magic and not currently",
"currently invented science. I have concerns that it might just have *too much*",
"I have concerns that it might just have *too much* fantasy, too much",
"*too much* fantasy, too much extraordinary, so the world would seem stretched, unbelievable,",
"mixing of extraordinary magic and science would overload the reader, making them confused",
"unable to tell what is happening. Do you think this would be a",
"much* fantasy, too much extraordinary, so the world would seem stretched, unbelievable, unrelatable.",
"have concerns that it might just have *too much* fantasy, too much extraordinary,",
"seem stretched, unbelievable, unrelatable. The mixing of extraordinary magic and science would overload",
"concerns that it might just have *too much* fantasy, too much extraordinary, so",
"so the world would seem stretched, unbelievable, unrelatable. The mixing of extraordinary magic",
"unrelatable. The mixing of extraordinary magic and science would overload the reader, making",
"the reader, making them confused and unable to tell what is happening. Do",
"and unable to tell what is happening. Do you think this would be",
"science. I have concerns that it might just have *too much* fantasy, too",
"both magic and not currently invented science. I have concerns that it might",
"that it might just have *too much* fantasy, too much extraordinary, so the",
"it might just have *too much* fantasy, too much extraordinary, so the world",
"of extraordinary magic and science would overload the reader, making them confused and",
"Science Fantasy novel, basically a world with both magic and not currently invented",
"would seem stretched, unbelievable, unrelatable. The mixing of extraordinary magic and science would",
"I have been thinking of writing a Science Fantasy novel, basically a world"
] |
[
"appendix, along with something to help convert the value (i.e £x y shillings",
"seems overly messy as some pages have several such references. Is there a",
"£sd to £p but accounting for inflation as well as £1 in 1935",
"explain the pre-decimal British Pound in a text that has multiple references to",
"references to it. I already have something written to explain how to convert",
"a text that has multiple references to it. I already have something written",
"about converting from £sd to £p but accounting for inflation as well as",
"spanning several decades, thus it becomes not just about converting from £sd to",
"multiple references to it. I already have something written to explain how to",
"pre-decimal to post-decimal to add as an appendix, along with something to help",
"several decades, thus it becomes not just about converting from £sd to £p",
"pence in 1935 = £x.xx in 2020. However: The text has multiple references",
"decades, thus it becomes not just about converting from £sd to £p but",
"example. Leaving a footnote for each and every monetary reference seems overly messy",
"in a text that has multiple references to it. I already have something",
"post-decimal to add as an appendix, along with something to help convert the",
"overly messy as some pages have several such references. Is there a better",
"value (i.e £x y shillings and z pence in 1935 = £x.xx in",
"have something written to explain how to convert from pre-decimal to post-decimal to",
"thus it becomes not just about converting from £sd to £p but accounting",
"how to convert from pre-decimal to post-decimal to add as an appendix, along",
"add as an appendix, along with something to help convert the value (i.e",
"an appendix, along with something to help convert the value (i.e £x y",
"to help convert the value (i.e £x y shillings and z pence in",
"something written to explain how to convert from pre-decimal to post-decimal to add",
"to £p but accounting for inflation as well as £1 in 1935 doesn't",
"has multiple references to it. I already have something written to explain how",
"as well as £1 in 1935 doesn't amount to £1 in 1945 for",
"as an appendix, along with something to help convert the value (i.e £x",
"to it. I already have something written to explain how to convert from",
"in 1945 for example. Leaving a footnote for each and every monetary reference",
"to convert from pre-decimal to post-decimal to add as an appendix, along with",
"have several such references. Is there a better way to deal with this?",
"written to explain how to convert from pre-decimal to post-decimal to add as",
"in 1935 = £x.xx in 2020. However: The text has multiple references to",
"way to explain the pre-decimal British Pound in a text that has multiple",
"to post-decimal to add as an appendix, along with something to help convert",
"z pence in 1935 = £x.xx in 2020. However: The text has multiple",
"messy as some pages have several such references. Is there a better way",
"for example. Leaving a footnote for each and every monetary reference seems overly",
"to explain the pre-decimal British Pound in a text that has multiple references",
"pre-decimal British Pound in a text that has multiple references to it. I",
"each and every monetary reference seems overly messy as some pages have several",
"to money spanning several decades, thus it becomes not just about converting from",
"shillings and z pence in 1935 = £x.xx in 2020. However: The text",
"becomes not just about converting from £sd to £p but accounting for inflation",
"the pre-decimal British Pound in a text that has multiple references to it.",
"but accounting for inflation as well as £1 in 1935 doesn't amount to",
"every monetary reference seems overly messy as some pages have several such references.",
"I already have something written to explain how to convert from pre-decimal to",
"the best way to explain the pre-decimal British Pound in a text that",
"best way to explain the pre-decimal British Pound in a text that has",
"with something to help convert the value (i.e £x y shillings and z",
"doesn't amount to £1 in 1945 for example. Leaving a footnote for each",
"as some pages have several such references. Is there a better way to",
"from pre-decimal to post-decimal to add as an appendix, along with something to",
"= £x.xx in 2020. However: The text has multiple references to money spanning",
"already have something written to explain how to convert from pre-decimal to post-decimal",
"1935 doesn't amount to £1 in 1945 for example. Leaving a footnote for",
"reference seems overly messy as some pages have several such references. Is there",
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"convert from pre-decimal to post-decimal to add as an appendix, along with something",
"along with something to help convert the value (i.e £x y shillings and",
"for inflation as well as £1 in 1935 doesn't amount to £1 in",
"(i.e £x y shillings and z pence in 1935 = £x.xx in 2020.",
"y shillings and z pence in 1935 = £x.xx in 2020. However: The",
"that has multiple references to it. I already have something written to explain",
"and every monetary reference seems overly messy as some pages have several such",
"explain how to convert from pre-decimal to post-decimal to add as an appendix,",
"The text has multiple references to money spanning several decades, thus it becomes",
"Pound in a text that has multiple references to it. I already have",
"it becomes not just about converting from £sd to £p but accounting for",
"However: The text has multiple references to money spanning several decades, thus it",
"£x.xx in 2020. However: The text has multiple references to money spanning several",
"£p but accounting for inflation as well as £1 in 1935 doesn't amount",
"text that has multiple references to it. I already have something written to",
"footnote for each and every monetary reference seems overly messy as some pages",
"1945 for example. Leaving a footnote for each and every monetary reference seems",
"inflation as well as £1 in 1935 doesn't amount to £1 in 1945",
"accounting for inflation as well as £1 in 1935 doesn't amount to £1",
"converting from £sd to £p but accounting for inflation as well as £1",
"2020. However: The text has multiple references to money spanning several decades, thus",
"pages have several such references. Is there a better way to deal with",
"monetary reference seems overly messy as some pages have several such references. Is",
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"has multiple references to money spanning several decades, thus it becomes not just",
"British Pound in a text that has multiple references to it. I already",
"some pages have several such references. Is there a better way to deal",
"to £1 in 1945 for example. Leaving a footnote for each and every",
"1935 = £x.xx in 2020. However: The text has multiple references to money",
"as £1 in 1935 doesn't amount to £1 in 1945 for example. Leaving",
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"from £sd to £p but accounting for inflation as well as £1 in",
"convert the value (i.e £x y shillings and z pence in 1935 =",
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"What is the best way to explain the pre-decimal British Pound in a",
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"to explain how to convert from pre-decimal to post-decimal to add as an",
"the value (i.e £x y shillings and z pence in 1935 = £x.xx",
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"money spanning several decades, thus it becomes not just about converting from £sd",
"£x y shillings and z pence in 1935 = £x.xx in 2020. However:",
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"£1 in 1935 doesn't amount to £1 in 1945 for example. Leaving a"
] |
[
"a writer I'm not only looking up to great books, but I take",
"wonder though if there are any techniques that don't translate well between those",
"Are there plot twists, that astonish a film viewer, but are a cliche",
"astonish a film viewer, but are a cliche for a reader? Maybe something",
"there are any techniques that don't translate well between those mediums. Are there",
"a reader? Maybe something in character development, that is well suited only for",
"take many inspirations from movies as well. I wonder though if there are",
"movies as well. I wonder though if there are any techniques that don't",
"that don't translate well between those mediums. Are there plot twists, that astonish",
"viewer, but are a cliche for a reader? Maybe something in character development,",
"as well. I wonder though if there are any techniques that don't translate",
"mediums. Are there plot twists, that astonish a film viewer, but are a",
"for a reader? Maybe something in character development, that is well suited only",
"books, but I take many inspirations from movies as well. I wonder though",
"I take many inspirations from movies as well. I wonder though if there",
"a cliche for a reader? Maybe something in character development, that is well",
"well. I wonder though if there are any techniques that don't translate well",
"there plot twists, that astonish a film viewer, but are a cliche for",
"film viewer, but are a cliche for a reader? Maybe something in character",
"those mediums. Are there plot twists, that astonish a film viewer, but are",
"translate well between those mediums. Are there plot twists, that astonish a film",
"writer I'm not only looking up to great books, but I take many",
"up to great books, but I take many inspirations from movies as well.",
"though if there are any techniques that don't translate well between those mediums.",
"that astonish a film viewer, but are a cliche for a reader? Maybe",
"any techniques that don't translate well between those mediums. Are there plot twists,",
"between those mediums. Are there plot twists, that astonish a film viewer, but",
"a film viewer, but are a cliche for a reader? Maybe something in",
"looking up to great books, but I take many inspirations from movies as",
"are a cliche for a reader? Maybe something in character development, that is",
"from movies as well. I wonder though if there are any techniques that",
"techniques that don't translate well between those mediums. Are there plot twists, that",
"I'm not only looking up to great books, but I take many inspirations",
"inspirations from movies as well. I wonder though if there are any techniques",
"not only looking up to great books, but I take many inspirations from",
"well between those mediums. Are there plot twists, that astonish a film viewer,",
"only looking up to great books, but I take many inspirations from movies",
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"something in character development, that is well suited only for 1,5h dynamic story?",
"many inspirations from movies as well. I wonder though if there are any",
"Maybe something in character development, that is well suited only for 1,5h dynamic",
"I wonder though if there are any techniques that don't translate well between",
"great books, but I take many inspirations from movies as well. I wonder",
"if there are any techniques that don't translate well between those mediums. Are",
"but are a cliche for a reader? Maybe something in character development, that",
"to great books, but I take many inspirations from movies as well. I",
"don't translate well between those mediums. Are there plot twists, that astonish a",
"As a writer I'm not only looking up to great books, but I",
"are any techniques that don't translate well between those mediums. Are there plot",
"but I take many inspirations from movies as well. I wonder though if",
"twists, that astonish a film viewer, but are a cliche for a reader?",
"reader? Maybe something in character development, that is well suited only for 1,5h",
"cliche for a reader? Maybe something in character development, that is well suited"
] |
[
"this site is one about writing, and not one concerning self-help, but seeing",
"I ask you to demonstrate patience with what is my question, which is",
"begin the process of writing a novel. But with this among other things",
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"with the contemplation of how to accomplish prose rhythm, and having little knowledge",
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"and having little knowledge of the elements of story-telling and of the methods",
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"with dependence on my power to imagine, of which it is necessary to",
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"long time I put off writing a novel, having been preoccupied with the",
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"their techniques, or writing novels with concern for no formulas with dependence on",
"but seeing this problem chiefly pertains to writing, I ask you to demonstrate",
"for writing an excellent story. But having now obtained more proficiency with prose",
"I am experiencing trouble: moving myself to learn. Knowing that this site is",
"experiencing trouble: moving myself to learn. Knowing that this site is one about",
"and not one concerning self-help, but seeing this problem chiefly pertains to writing,",
"according to my ear, I am ready to begin the process of writing",
"this problem chiefly pertains to writing, I ask you to demonstrate patience with",
"my power to imagine, of which it is necessary to build up the",
"my question, which is what exactly do I need to accomplish to learn",
"learn and to master story-telling, whether reading books which are written about it",
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"about writing, and not one concerning self-help, but seeing this problem chiefly pertains",
"I need to accomplish to learn and to master story-telling, whether reading books",
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"of writing a novel. But with this among other things I am experiencing",
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"to imagine, of which it is necessary to build up the measure through",
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"with this among other things I am experiencing trouble: moving myself to learn.",
"story. But having now obtained more proficiency with prose rhythm, by polishing rough",
"been preoccupied with the contemplation of how to accomplish prose rhythm, and having",
"accomplish prose rhythm, and having little knowledge of the elements of story-telling and",
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"chiefly pertains to writing, I ask you to demonstrate patience with what is",
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"one about writing, and not one concerning self-help, but seeing this problem chiefly",
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"moving myself to learn. Knowing that this site is one about writing, and",
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"do I need to accomplish to learn and to master story-telling, whether reading",
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"concerning self-help, but seeing this problem chiefly pertains to writing, I ask you",
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"now obtained more proficiency with prose rhythm, by polishing rough drafts according to",
"things I am experiencing trouble: moving myself to learn. Knowing that this site",
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"polishing rough drafts according to my ear, I am ready to begin the",
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"prose rhythm, and having little knowledge of the elements of story-telling and of",
"methods necessary for writing an excellent story. But having now obtained more proficiency",
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"question, which is what exactly do I need to accomplish to learn and",
"my ear, I am ready to begin the process of writing a novel.",
"the contemplation of how to accomplish prose rhythm, and having little knowledge of",
"master story-telling, whether reading books which are written about it and developing stories",
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"preoccupied with the contemplation of how to accomplish prose rhythm, and having little",
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"knowledge of the elements of story-telling and of the methods necessary for writing",
"trouble: moving myself to learn. Knowing that this site is one about writing,",
"stories with their techniques, or writing novels with concern for no formulas with",
"which are written about it and developing stories with their techniques, or writing",
"other things I am experiencing trouble: moving myself to learn. Knowing that this",
"this among other things I am experiencing trouble: moving myself to learn. Knowing",
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"demonstrate patience with what is my question, which is what exactly do I",
"on my power to imagine, of which it is necessary to build up",
"to learn. Knowing that this site is one about writing, and not one",
"power to imagine, of which it is necessary to build up the measure",
"learn. Knowing that this site is one about writing, and not one concerning",
"to begin the process of writing a novel. But with this among other",
"am experiencing trouble: moving myself to learn. Knowing that this site is one",
"of how to accomplish prose rhythm, and having little knowledge of the elements",
"process of writing a novel. But with this among other things I am",
"site is one about writing, and not one concerning self-help, but seeing this",
"ready to begin the process of writing a novel. But with this among",
"among other things I am experiencing trouble: moving myself to learn. Knowing that",
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"myself to learn. Knowing that this site is one about writing, and not",
"not one concerning self-help, but seeing this problem chiefly pertains to writing, I",
"about it and developing stories with their techniques, or writing novels with concern",
"having been preoccupied with the contemplation of how to accomplish prose rhythm, and",
"time I put off writing a novel, having been preoccupied with the contemplation",
"to accomplish to learn and to master story-telling, whether reading books which are",
"the process of writing a novel. But with this among other things I",
"having now obtained more proficiency with prose rhythm, by polishing rough drafts according",
"rhythm, by polishing rough drafts according to my ear, I am ready to",
"to my ear, I am ready to begin the process of writing a",
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"But having now obtained more proficiency with prose rhythm, by polishing rough drafts",
"writing a novel. But with this among other things I am experiencing trouble:",
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"just writing, but everything) feels numb. The recent COVID pandemic and the general",
"not extremely old by any means, but I am well aware that life",
"no longer enjoyable to me because everything I do (not just writing, but",
"aren't helping either. This is very distressing to me given how important creativity",
"is no longer enjoyable to me because everything I do (not just writing,",
"getting into the side effects of the medication used to treat it. Most",
"creativity, and ability to focus generally goes down. This is something I've worried",
"treat it. Most recently, the most recent medication I have been prescribed has",
"a plot idea that I really find interesting and it really means a",
"Most recently, the most recent medication I have been prescribed has utterly destroyed",
"means a lot to me. I also struggle a lot with treatment-resistant depression.",
"with treatment-resistant depression. I've spent about half my adult life crippled by it",
"numb. The recent COVID pandemic and the general lack of stimulation obviously aren't",
"the story is no longer enjoyable to me because everything I do (not",
"any means, but I am well aware that life is finite and with",
"the fact that writing is not my career) I have reason to worry",
"the medication used to treat it. Most recently, the most recent medication I",
"has utterly destroyed my ability to focus and create, and despite wanting to",
"your ability to create is hindered by outside forces that you have little",
"as the fact that writing is not my career) I have reason to",
"being able to finish his story. I understand that normally with concerns about",
"their free time, creativity, and ability to focus generally goes down. This is",
"my adult life crippled by it in one form or another (including my",
"use this fear as motivation to get what you want done in a",
"writer's block or losing interest in the idea. Something I have worried about",
"come, and the act of working on the story is no longer enjoyable",
"want done in a reasonable time frame\", but what do you do if",
"I have reason to worry that I may never create anything again. I’m",
"the possibility of dying before I ever get my story out to the",
"aware that as one gets older, their free time, creativity, and ability to",
"struggle a lot with treatment-resistant depression. I've spent about half my adult life",
"may never create anything again. I’m also very aware that as one gets",
"ability to focus generally goes down. This is something I've worried about a",
"idea that I really find interesting and it really means a lot to",
"or another (including my most productive years), not even getting into the side",
"again. I’m also very aware that as one gets older, their free time,",
"obviously aren't helping either. This is very distressing to me given how important",
"very aware that as one gets older, their free time, creativity, and ability",
"anything again. I’m also very aware that as one gets older, their free",
"\"normal\" writer's block or losing interest in the idea. Something I have worried",
"interesting and it really means a lot to me. I also struggle a",
"the side effects of the medication used to treat it. Most recently, the",
"motivation to get what you want done in a reasonable time frame\", but",
"(as well as the fact that writing is not my career) I have",
"that I really find interesting and it really means a lot to me.",
"act of working on the story is no longer enjoyable to me because",
"prescribed has utterly destroyed my ability to focus and create, and despite wanting",
"writing, but everything) feels numb. The recent COVID pandemic and the general lack",
"general lack of stimulation obviously aren't helping either. This is very distressing to",
"you want done in a reasonable time frame\", but what do you do",
"without being able to finish his story. I understand that normally with concerns",
"This is something I've worried about a lot recently with the announcement that",
"some form. I'm not extremely old by any means, but I am well",
"but everything) feels numb. The recent COVID pandemic and the general lack of",
"is to me. This is not even getting into \"normal\" writer's block or",
"very distressing to me given how important creativity is to me. This is",
"with the announcement that Kentaro Miura, creator of *Berserk*, passed away at 54",
"story out to the public in some form. I'm not extremely old by",
"This is very distressing to me given how important creativity is to me.",
"his story. I understand that normally with concerns about mortality, the general answer",
"generally goes down. This is something I've worried about a lot recently with",
"lack of stimulation obviously aren't helping either. This is very distressing to me"
] |
[
"like songs go in quotes, whereas a longer piece like an album would",
"> > This is dialogue in fiction, so the double quotations are necessary",
"the double quotations are necessary I believe. According to grammarly and numerous other",
"question mark come after the single quotation mark and before the double quotation",
"quotation mark? Like this: > > \"You've never heard 'Dancing Queen'?\" > >",
"shorter works like songs go in quotes, whereas a longer piece like an",
"Would the question mark come after the single quotation mark and before the",
"I believe. According to grammarly and numerous other sources, shorter works like songs",
"never heard 'Dancing Queen'?\" > > > This is dialogue in fiction, so",
"and before the double quotation mark? Like this: > > \"You've never heard",
"This is dialogue in fiction, so the double quotations are necessary I believe.",
"quotes, whereas a longer piece like an album would be italicized. So is",
"go in quotes, whereas a longer piece like an album would be italicized.",
"fiction, so the double quotations are necessary I believe. According to grammarly and",
"and numerous other sources, shorter works like songs go in quotes, whereas a",
"be italicized. So is this question mark placement correct? Or is there another",
"> > > This is dialogue in fiction, so the double quotations are",
"> > \"You've never heard 'Dancing Queen'?\" > > > This is dialogue",
"the double quotation mark? Like this: > > \"You've never heard 'Dancing Queen'?\"",
"works like songs go in quotes, whereas a longer piece like an album",
"other sources, shorter works like songs go in quotes, whereas a longer piece",
"a longer piece like an album would be italicized. So is this question",
"songs go in quotes, whereas a longer piece like an album would be",
"double quotation mark? Like this: > > \"You've never heard 'Dancing Queen'?\" >",
"the single quotation mark and before the double quotation mark? Like this: >",
"in quotes, whereas a longer piece like an album would be italicized. So",
"so the double quotations are necessary I believe. According to grammarly and numerous",
"necessary I believe. According to grammarly and numerous other sources, shorter works like",
"> \"You've never heard 'Dancing Queen'?\" > > > This is dialogue in",
"in fiction, so the double quotations are necessary I believe. According to grammarly",
"sources, shorter works like songs go in quotes, whereas a longer piece like",
"mark and before the double quotation mark? Like this: > > \"You've never",
"'Dancing Queen'?\" > > > This is dialogue in fiction, so the double",
"is dialogue in fiction, so the double quotations are necessary I believe. According",
"mark come after the single quotation mark and before the double quotation mark?",
"longer piece like an album would be italicized. So is this question mark",
"this: > > \"You've never heard 'Dancing Queen'?\" > > > This is",
"> This is dialogue in fiction, so the double quotations are necessary I",
"piece like an album would be italicized. So is this question mark placement",
"is this question mark placement correct? Or is there another way to format?",
"to grammarly and numerous other sources, shorter works like songs go in quotes,",
"heard 'Dancing Queen'?\" > > > This is dialogue in fiction, so the",
"mark? Like this: > > \"You've never heard 'Dancing Queen'?\" > > >",
"single quotation mark and before the double quotation mark? Like this: > >",
"quotations are necessary I believe. According to grammarly and numerous other sources, shorter",
"are necessary I believe. According to grammarly and numerous other sources, shorter works",
"the question mark come after the single quotation mark and before the double",
"dialogue in fiction, so the double quotations are necessary I believe. According to",
"quotation mark and before the double quotation mark? Like this: > > \"You've",
"According to grammarly and numerous other sources, shorter works like songs go in",
"before the double quotation mark? Like this: > > \"You've never heard 'Dancing",
"believe. According to grammarly and numerous other sources, shorter works like songs go",
"like an album would be italicized. So is this question mark placement correct?",
"numerous other sources, shorter works like songs go in quotes, whereas a longer",
"would be italicized. So is this question mark placement correct? Or is there",
"double quotations are necessary I believe. According to grammarly and numerous other sources,",
"whereas a longer piece like an album would be italicized. So is this",
"come after the single quotation mark and before the double quotation mark? Like",
"after the single quotation mark and before the double quotation mark? Like this:",
"Like this: > > \"You've never heard 'Dancing Queen'?\" > > > This",
"an album would be italicized. So is this question mark placement correct? Or",
"italicized. So is this question mark placement correct? Or is there another way",
"album would be italicized. So is this question mark placement correct? Or is",
"\"You've never heard 'Dancing Queen'?\" > > > This is dialogue in fiction,",
"Queen'?\" > > > This is dialogue in fiction, so the double quotations",
"So is this question mark placement correct? Or is there another way to",
"grammarly and numerous other sources, shorter works like songs go in quotes, whereas"
] |
[
"What are some books for learning to write, whether books on prose style,",
"these answers, reckoning them to be useful. But I think that those learners",
"to keep on practicing with no technique, and they are given upvotes. And",
"them this, to keep on practicing with no technique, and they are given",
"telling them this, to keep on practicing with no technique, and they are",
"keep on practicing with no technique, and they are given upvotes. And even",
"to my knowledge, was not asked before on this site, is this: What",
"write, whether books on prose style, or books on story-telling, or books on",
"writers, asking people questions, often they get answers telling them this, to keep",
"apply the things which are written in them. When it comes to story-telling,",
"prose style, or books on story-telling, or books on clarity, or any book",
"I think that those learners ought to read books, and to apply the",
"books for learning to write, whether books on prose style, or books on",
"are given upvotes. And even I too upvote these answers, reckoning them to",
"useful. But I think that those learners ought to read books, and to",
"that those learners ought to read books, and to apply the things which",
"according to my knowledge, was not asked before on this site, is this:",
"to story-telling, techniques, I am sure, are useful. So my question now is,",
"not asked before on this site, is this: What are some books for",
"answers telling them this, to keep on practicing with no technique, and they",
"are written in them. When it comes to story-telling, techniques, I am sure,",
"it comes to story-telling, techniques, I am sure, are useful. So my question",
"on this site, is this: What are some books for learning to write,",
"am sure, are useful. So my question now is, which according to my",
"asking people questions, often they get answers telling them this, to keep on",
"was not asked before on this site, is this: What are some books",
"on prose style, or books on story-telling, or books on clarity, or any",
"When it comes to story-telling, techniques, I am sure, are useful. So my",
"are useful. So my question now is, which according to my knowledge, was",
"books on story-telling, or books on clarity, or any book covering how to",
"question now is, which according to my knowledge, was not asked before on",
"I too upvote these answers, reckoning them to be useful. But I think",
"useful. So my question now is, which according to my knowledge, was not",
"to read books, and to apply the things which are written in them.",
"which according to my knowledge, was not asked before on this site, is",
"no technique, and they are given upvotes. And even I too upvote these",
"upvote these answers, reckoning them to be useful. But I think that those",
"questions, often they get answers telling them this, to keep on practicing with",
"my knowledge, was not asked before on this site, is this: What are",
"answers, reckoning them to be useful. But I think that those learners ought",
"some books for learning to write, whether books on prose style, or books",
"the things which are written in them. When it comes to story-telling, techniques,",
"too upvote these answers, reckoning them to be useful. But I think that",
"this: What are some books for learning to write, whether books on prose",
"site, is this: What are some books for learning to write, whether books",
"aspire to become writers, asking people questions, often they get answers telling them",
"on practicing with no technique, and they are given upvotes. And even I",
"often they get answers telling them this, to keep on practicing with no",
"this, to keep on practicing with no technique, and they are given upvotes.",
"them. When it comes to story-telling, techniques, I am sure, are useful. So",
"people aspire to become writers, asking people questions, often they get answers telling",
"be useful. But I think that those learners ought to read books, and",
"upvotes. And even I too upvote these answers, reckoning them to be useful.",
"And even I too upvote these answers, reckoning them to be useful. But",
"this site, is this: What are some books for learning to write, whether",
"for learning to write, whether books on prose style, or books on story-telling,",
"is this: What are some books for learning to write, whether books on",
"I am sure, are useful. So my question now is, which according to",
"think that those learners ought to read books, and to apply the things",
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"story-telling, techniques, I am sure, are useful. So my question now is, which",
"or books on story-telling, or books on clarity, or any book covering how",
"style, or books on story-telling, or books on clarity, or any book covering",
"with no technique, and they are given upvotes. And even I too upvote",
"books, and to apply the things which are written in them. When it",
"ought to read books, and to apply the things which are written in",
"my question now is, which according to my knowledge, was not asked before",
"before on this site, is this: What are some books for learning to",
"reckoning them to be useful. But I think that those learners ought to",
"sure, are useful. So my question now is, which according to my knowledge,",
"people questions, often they get answers telling them this, to keep on practicing",
"those learners ought to read books, and to apply the things which are",
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"practicing with no technique, and they are given upvotes. And even I too",
"is, which according to my knowledge, was not asked before on this site,",
"on story-telling, or books on clarity, or any book covering how to write.",
"are some books for learning to write, whether books on prose style, or",
"they are given upvotes. And even I too upvote these answers, reckoning them",
"things which are written in them. When it comes to story-telling, techniques, I",
"comes to story-telling, techniques, I am sure, are useful. So my question now",
"which are written in them. When it comes to story-telling, techniques, I am",
"asked before on this site, is this: What are some books for learning",
"become writers, asking people questions, often they get answers telling them this, to",
"written in them. When it comes to story-telling, techniques, I am sure, are",
"whether books on prose style, or books on story-telling, or books on clarity,",
"books on prose style, or books on story-telling, or books on clarity, or",
"to be useful. But I think that those learners ought to read books,",
"they get answers telling them this, to keep on practicing with no technique,",
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"get answers telling them this, to keep on practicing with no technique, and",
"But I think that those learners ought to read books, and to apply",
"So my question now is, which according to my knowledge, was not asked",
"to become writers, asking people questions, often they get answers telling them this,",
"in them. When it comes to story-telling, techniques, I am sure, are useful.",
"given upvotes. And even I too upvote these answers, reckoning them to be",
"and they are given upvotes. And even I too upvote these answers, reckoning",
"to write, whether books on prose style, or books on story-telling, or books",
"When people aspire to become writers, asking people questions, often they get answers",
"knowledge, was not asked before on this site, is this: What are some",
"technique, and they are given upvotes. And even I too upvote these answers,",
"them to be useful. But I think that those learners ought to read",
"now is, which according to my knowledge, was not asked before on this",
"learners ought to read books, and to apply the things which are written",
"and to apply the things which are written in them. When it comes",
"to apply the things which are written in them. When it comes to",
"read books, and to apply the things which are written in them. When"
] |
[
"many authors use but I wonder what's the exact name for it. I",
"to create the exact same stylish marks that many authors use but I",
"it. I call it time symbols, others called it Dinkus or ornaments, are",
"called it Dinkus or ornaments, are all those the correct term for it?",
"saw many symbols that indicate the time skip. I wanted to create the",
"skip. I wanted to create the exact same stylish marks that many authors",
"what's the exact name for it. I call it time symbols, others called",
"that many authors use but I wonder what's the exact name for it.",
"it Dinkus or ornaments, are all those the correct term for it? [](https://i.stack.imgur.com/JLMl3.png)",
"use but I wonder what's the exact name for it. I call it",
"marks that many authors use but I wonder what's the exact name for",
"symbols, others called it Dinkus or ornaments, are all those the correct term",
"authors use but I wonder what's the exact name for it. I call",
"but I wonder what's the exact name for it. I call it time",
"I call it time symbols, others called it Dinkus or ornaments, are all",
"same stylish marks that many authors use but I wonder what's the exact",
"wonder what's the exact name for it. I call it time symbols, others",
"the exact same stylish marks that many authors use but I wonder what's",
"times in reading, I saw many symbols that indicate the time skip. I",
"it time symbols, others called it Dinkus or ornaments, are all those the",
"the time skip. I wanted to create the exact same stylish marks that",
"stylish marks that many authors use but I wonder what's the exact name",
"call it time symbols, others called it Dinkus or ornaments, are all those",
"I saw many symbols that indicate the time skip. I wanted to create",
"name for it. I call it time symbols, others called it Dinkus or"
] |
[
"etc. * H**oà**ng **T**ấn Nguyễn: If I only speak English but not Vietnamese,",
"local residents talking about the bridge construction on a radio or podcast show.",
"I have no way to get the spelling of their names. When I",
"or podcast show. * **C**ara Deleon: I don’t know if it is **K**ara.",
"three local residents talking about the bridge construction on a radio or podcast",
"I would guess that the spelling of the name is H**oo**ang **D**an. I",
"not the spelling. Suppose I have no way to get the spelling of",
"their names. When I write an article, how do I let readers know",
"do I let readers know that these spellings are inferred from pronunciation, and",
"don’t know if it is **K**ara. * M**u**ha**mma**d Alif: I don’t know if",
"show. * **C**ara Deleon: I don’t know if it is **K**ara. * M**u**ha**mma**d",
"If I only speak English but not Vietnamese, I would guess that the",
"to get the spelling of their names. When I write an article, how",
"inferred from pronunciation, and may not be the correct spelling? H**oo**ang **D**an Ngodun",
"the spelling of the name is H**oo**ang **D**an. I only know the pronunciation",
"pronunciation of the name, not the spelling. Suppose I have no way to",
"speak English but not Vietnamese, I would guess that the spelling of the",
"construction on a radio or podcast show. * **C**ara Deleon: I don’t know",
"is H**oo**ang **D**an. I only know the pronunciation of the name, not the",
"Suppose I heard three local residents talking about the bridge construction on a",
"let readers know that these spellings are inferred from pronunciation, and may not",
"* **C**ara Deleon: I don’t know if it is **K**ara. * M**u**ha**mma**d Alif:",
"but not Vietnamese, I would guess that the spelling of the name is",
"heard three local residents talking about the bridge construction on a radio or",
"and may not be the correct spelling? H**oo**ang **D**an Ngodun (\\_\\_\\_\\_\\_\\_\\_\\_\\_\\_\\_\\_\\_), said ...",
"is M**o**ha**mma**d, M**o**ha**mme**d, M**o**ha**ma**d, M**o**ha**me**d, etc. * H**oà**ng **T**ấn Nguyễn: If I only",
"**C**ara Deleon: I don’t know if it is **K**ara. * M**u**ha**mma**d Alif: I",
"that the spelling of the name is H**oo**ang **D**an. I only know the",
"write an article, how do I let readers know that these spellings are",
"it is **K**ara. * M**u**ha**mma**d Alif: I don’t know if it is M**o**ha**mma**d,",
"H**oo**ang **D**an. I only know the pronunciation of the name, not the spelling.",
"names. When I write an article, how do I let readers know that",
"an article, how do I let readers know that these spellings are inferred",
"M**o**ha**mma**d, M**o**ha**mme**d, M**o**ha**ma**d, M**o**ha**me**d, etc. * H**oà**ng **T**ấn Nguyễn: If I only speak",
"I only speak English but not Vietnamese, I would guess that the spelling",
"know that these spellings are inferred from pronunciation, and may not be the",
"have no way to get the spelling of their names. When I write",
"bridge construction on a radio or podcast show. * **C**ara Deleon: I don’t",
"I don’t know if it is **K**ara. * M**u**ha**mma**d Alif: I don’t know",
"I write an article, how do I let readers know that these spellings",
"from pronunciation, and may not be the correct spelling? H**oo**ang **D**an Ngodun (\\_\\_\\_\\_\\_\\_\\_\\_\\_\\_\\_\\_\\_),",
"are inferred from pronunciation, and may not be the correct spelling? H**oo**ang **D**an",
"get the spelling of their names. When I write an article, how do",
"Vietnamese, I would guess that the spelling of the name is H**oo**ang **D**an.",
"the pronunciation of the name, not the spelling. Suppose I have no way",
"Suppose I have no way to get the spelling of their names. When",
"English but not Vietnamese, I would guess that the spelling of the name",
"how do I let readers know that these spellings are inferred from pronunciation,",
"know if it is **K**ara. * M**u**ha**mma**d Alif: I don’t know if it",
"M**o**ha**me**d, etc. * H**oà**ng **T**ấn Nguyễn: If I only speak English but not",
"**D**an. I only know the pronunciation of the name, not the spelling. Suppose",
"article, how do I let readers know that these spellings are inferred from",
"guess that the spelling of the name is H**oo**ang **D**an. I only know",
"Deleon: I don’t know if it is **K**ara. * M**u**ha**mma**d Alif: I don’t",
"**K**ara. * M**u**ha**mma**d Alif: I don’t know if it is M**o**ha**mma**d, M**o**ha**mme**d, M**o**ha**ma**d,",
"don’t know if it is M**o**ha**mma**d, M**o**ha**mme**d, M**o**ha**ma**d, M**o**ha**me**d, etc. * H**oà**ng **T**ấn",
"know if it is M**o**ha**mma**d, M**o**ha**mme**d, M**o**ha**ma**d, M**o**ha**me**d, etc. * H**oà**ng **T**ấn Nguyễn:",
"no way to get the spelling of their names. When I write an",
"pronunciation, and may not be the correct spelling? H**oo**ang **D**an Ngodun (\\_\\_\\_\\_\\_\\_\\_\\_\\_\\_\\_\\_\\_), said",
"name, not the spelling. Suppose I have no way to get the spelling",
"is **K**ara. * M**u**ha**mma**d Alif: I don’t know if it is M**o**ha**mma**d, M**o**ha**mme**d,",
"of their names. When I write an article, how do I let readers",
"that these spellings are inferred from pronunciation, and may not be the correct",
"these spellings are inferred from pronunciation, and may not be the correct spelling?",
"I heard three local residents talking about the bridge construction on a radio",
"way to get the spelling of their names. When I write an article,",
"spelling. Suppose I have no way to get the spelling of their names.",
"M**u**ha**mma**d Alif: I don’t know if it is M**o**ha**mma**d, M**o**ha**mme**d, M**o**ha**ma**d, M**o**ha**me**d, etc.",
"M**o**ha**ma**d, M**o**ha**me**d, etc. * H**oà**ng **T**ấn Nguyễn: If I only speak English but",
"it is M**o**ha**mma**d, M**o**ha**mme**d, M**o**ha**ma**d, M**o**ha**me**d, etc. * H**oà**ng **T**ấn Nguyễn: If I",
"Alif: I don’t know if it is M**o**ha**mma**d, M**o**ha**mme**d, M**o**ha**ma**d, M**o**ha**me**d, etc. *",
"know the pronunciation of the name, not the spelling. Suppose I have no",
"of the name, not the spelling. Suppose I have no way to get",
"radio or podcast show. * **C**ara Deleon: I don’t know if it is",
"spellings are inferred from pronunciation, and may not be the correct spelling? H**oo**ang",
"only know the pronunciation of the name, not the spelling. Suppose I have",
"Nguyễn: If I only speak English but not Vietnamese, I would guess that",
"I let readers know that these spellings are inferred from pronunciation, and may",
"I don’t know if it is M**o**ha**mma**d, M**o**ha**mme**d, M**o**ha**ma**d, M**o**ha**me**d, etc. * H**oà**ng",
"the spelling of their names. When I write an article, how do I",
"the name, not the spelling. Suppose I have no way to get the",
"**T**ấn Nguyễn: If I only speak English but not Vietnamese, I would guess",
"* H**oà**ng **T**ấn Nguyễn: If I only speak English but not Vietnamese, I",
"podcast show. * **C**ara Deleon: I don’t know if it is **K**ara. *",
"the spelling. Suppose I have no way to get the spelling of their",
"residents talking about the bridge construction on a radio or podcast show. *",
"M**o**ha**mme**d, M**o**ha**ma**d, M**o**ha**me**d, etc. * H**oà**ng **T**ấn Nguyễn: If I only speak English",
"spelling of their names. When I write an article, how do I let",
"if it is **K**ara. * M**u**ha**mma**d Alif: I don’t know if it is",
"would guess that the spelling of the name is H**oo**ang **D**an. I only",
"readers know that these spellings are inferred from pronunciation, and may not be",
"H**oà**ng **T**ấn Nguyễn: If I only speak English but not Vietnamese, I would",
"on a radio or podcast show. * **C**ara Deleon: I don’t know if",
"spelling of the name is H**oo**ang **D**an. I only know the pronunciation of",
"talking about the bridge construction on a radio or podcast show. * **C**ara",
"not Vietnamese, I would guess that the spelling of the name is H**oo**ang",
"if it is M**o**ha**mma**d, M**o**ha**mme**d, M**o**ha**ma**d, M**o**ha**me**d, etc. * H**oà**ng **T**ấn Nguyễn: If",
"of the name is H**oo**ang **D**an. I only know the pronunciation of the",
"about the bridge construction on a radio or podcast show. * **C**ara Deleon:",
"I only know the pronunciation of the name, not the spelling. Suppose I",
"When I write an article, how do I let readers know that these",
"a radio or podcast show. * **C**ara Deleon: I don’t know if it",
"only speak English but not Vietnamese, I would guess that the spelling of",
"* M**u**ha**mma**d Alif: I don’t know if it is M**o**ha**mma**d, M**o**ha**mme**d, M**o**ha**ma**d, M**o**ha**me**d,",
"the name is H**oo**ang **D**an. I only know the pronunciation of the name,",
"the bridge construction on a radio or podcast show. * **C**ara Deleon: I",
"name is H**oo**ang **D**an. I only know the pronunciation of the name, not"
] |
[
"Step 2: Beta reading Step 3: Revising Step 4: Submit manuscript to a",
"should pick the latter or the former: Step 1: Beta reading Step 2:",
"manuscript to a publisher Or Step 1: Hire a copyeditor Step 2: Beta",
"What should I do first? I'm having troubles on whether I should pick",
"Submit manuscript to a publisher --- Or should I go with the beta",
"of my manuscript. What should I do first? I'm having troubles on whether",
"2: Hire a copyeditor Step 3: Revising Step 4: Submit manuscript to a",
"Or should I go with the beta reading step, revise, and only then,",
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"--- Or should I go with the beta reading step, revise, and only",
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"manuscript. What should I do first? I'm having troubles on whether I should",
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"I go with the beta reading step, revise, and only then, hire a",
"done with self-editing the first draft of my manuscript. What should I do",
"a copyeditor Step 2: Beta reading Step 3: Revising Step 4: Submit manuscript",
"with self-editing the first draft of my manuscript. What should I do first?",
"should I go with the beta reading step, revise, and only then, hire",
"the latter or the former: Step 1: Beta reading Step 2: Hire a",
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"beta reading step, revise, and only then, hire a copyeditor before submitting it",
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"manuscript to a publisher --- Or should I go with the beta reading",
"the first draft of my manuscript. What should I do first? I'm having",
"I'm having troubles on whether I should pick the latter or the former:",
"reading Step 3: Revising Step 4: Submit manuscript to a publisher --- Or",
"to a publisher Or Step 1: Hire a copyeditor Step 2: Beta reading",
"I'm done with self-editing the first draft of my manuscript. What should I",
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"reading step, revise, and only then, hire a copyeditor before submitting it to",
"Or Step 1: Hire a copyeditor Step 2: Beta reading Step 3: Revising",
"first? I'm having troubles on whether I should pick the latter or the",
"the former: Step 1: Beta reading Step 2: Hire a copyeditor Step 3:",
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"the beta reading step, revise, and only then, hire a copyeditor before submitting",
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"troubles on whether I should pick the latter or the former: Step 1:",
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"revise, and only then, hire a copyeditor before submitting it to a publisher?",
"Revising Step 4: Submit manuscript to a publisher Or Step 1: Hire a",
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"Beta reading Step 2: Hire a copyeditor Step 3: Revising Step 4: Submit",
"Hire a copyeditor Step 3: Revising Step 4: Submit manuscript to a publisher"
] |
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] |
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"character's thoughts. Here are two trite examples: Direct thought, e.g. these are the",
"Death, it seems, fears no man. > > > This one breaks my",
"a few lines they had singled out. I'm going to tackle them in",
"> > > The slamming of the door is an action, and is",
"tense switches. Here are a few lines they had singled out. I'm going",
"this*, he thought. > > > Free indirect thought, e.g. this is his",
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"windows rattle. Gosh, that woman has a temper. > > > The slamming",
"The slamming of the door is an action, and is relayed in past",
"it, or a paraphrasing, etc.: > > He stared at the foreclosure notice",
"I get it. But Death not fearing man is surely a universal truth,",
"this is his thought, or the gist of it, or a paraphrasing, etc.:",
"thought is in present tense. This mimicks dialogue. I prefer to use the",
"stay shut. > > > The nagging is an action that happened in",
"are a few lines they had singled out. I'm going to tackle them",
"the windows rattle. Gosh, that woman has a temper. > > > The",
"*seemed* at the time, so that's an action in the past. My mistake,",
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"> Free indirect thought, e.g. this is his thought, or the gist of",
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"of the door is an action, and is relayed in past tense. The",
"He stared at the foreclosure notice in his hand. *They can't do this*,",
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"> she’d been nagging him about the damned cupboard door that won’t stay",
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"both cases, the sentence is in past tense but the thought is in",
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"paraphrasing, etc.: > > He stared at the foreclosure notice in his hand.",
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"The nagging is an action that happened in the past. The door that",
"say the door *wouldn't* stay shut, leaves it open for interpretation whether the",
"Changing it to say the door *wouldn't* stay shut, leaves it open for",
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"The door that won't stay shut is a fact that is still true",
"in the order of my escalating confusion. > > The force with which",
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"lines they had singled out. I'm going to tackle them in the order",
"door still had that problem at the time of the narration. The final",
"that implies that some of the narration can be read as the character's",
"comment about her temper is a thought, and is in present tense. To",
"> This one breaks my brain. To the character it *seemed* at the",
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"> > This one breaks my brain. To the character it *seemed* at",
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"door made the windows rattle. Gosh, that woman has a temper. > >",
"I use present tense, and in which mustn't I? And why? What's the",
"a paraphrasing, etc.: > > He stared at the foreclosure notice in his",
"that seems correct. > > she’d been nagging him about the damned cupboard",
"> > The slamming of the door is an action, and is relayed",
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"which of these instances should I use present tense, and in which mustn't",
"thought, or the gist of it, or a paraphrasing, etc.: > > He",
"they had singled out. I'm going to tackle them in the order of",
"> The nagging is an action that happened in the past. The door",
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"mistake, I get it. But Death not fearing man is surely a universal",
"that's an action in the past. My mistake, I get it. But Death",
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"a temper. > > > The slamming of the door is an action,",
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"The comment about her temper is a thought, and is in present tense.",
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"that happened in the past. The door that won't stay shut is a",
"heard in his mind: > > He stared at the foreclosure notice in",
"red markers about my tense switches. Here are a few lines they had",
"brain. To the character it *seemed* at the time, so that's an action",
"> He stared at the foreclosure notice in his hand. *They can't do",
"require a filter word, and is emotionally much closer to the character. But...",
"interpretation whether the door still had that problem at the time of the",
"POV. Similar to the first person, that implies that some of the narration",
"is emotionally much closer to the character. But... I have sent a couple",
"stay shut.* Changing it to say the door *wouldn't* stay shut, leaves it",
"door won't stay shut.* Changing it to say the door *wouldn't* stay shut,",
"*wouldn't* stay shut, leaves it open for interpretation whether the door still had",
"> > Death, it seems, fears no man. > > > This one",
"sent a couple of short stories to beta readers, and they've been pulling",
"from another story in past tense, third-person. > > Death, it seems, fears",
"cases, the sentence is in past tense but the thought is in present",
"leaves it open for interpretation whether the door still had that problem at",
"is a fact that is still true during the scene being narrated. It's",
"he doesn't think *The door won't stay shut.* Changing it to say the",
"man is surely a universal truth, unbound by time. Arrrrgh! Please help me",
"fearing man is surely a universal truth, unbound by time. Arrrrgh! Please help",
"actual words he heard in his mind: > > He stared at the",
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"To the character it *seemed* at the time, so that's an action in",
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"in present tense. This mimicks dialogue. I prefer to use the latter form,",
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"the sentence is in past tense but the thought is in present tense.",
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"which she slammed the door made the windows rattle. Gosh, that woman has",
"My mistake, I get it. But Death not fearing man is surely a",
"couple of short stories to beta readers, and they've been pulling out the",
"past tense, third person, deep POV. Similar to the first person, that implies",
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"these are the actual words he heard in his mind: > > He",
"to beta readers, and they've been pulling out the red markers about my",
"tense. To me, that seems correct. > > she’d been nagging him about",
"it seems, fears no man. > > > This one breaks my brain.",
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"third-person. > > Death, it seems, fears no man. > > > This",
"the gist of it, or a paraphrasing, etc.: > > He stared at",
"not the same as the example above, but the POV character knows the",
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"They can't do this. > > > In both cases, the sentence is",
"Death not fearing man is surely a universal truth, unbound by time. Arrrrgh!",
"This mimicks dialogue. I prefer to use the latter form, because it doesn't",
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"the damned cupboard door that won’t stay shut. > > > The nagging",
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"some of the narration can be read as the character's thoughts. Here are",
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"fears no man. > > > This one breaks my brain. To the",
"mimicks dialogue. I prefer to use the latter form, because it doesn't require",
"I have sent a couple of short stories to beta readers, and they've",
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"scene being narrated. It's not the same as the example above, but the",
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"woman has a temper. > > > The slamming of the door is",
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"force with which she slammed the door made the windows rattle. Gosh, that",
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"Free indirect thought, e.g. this is his thought, or the gist of it,",
"action in the past. My mistake, I get it. But Death not fearing",
"my brain. To the character it *seemed* at the time, so that's an",
"notice in his hand. *They can't do this*, he thought. > > >",
"her temper is a thought, and is in present tense. To me, that",
"To me, that seems correct. > > she’d been nagging him about the",
"of the narration can be read as the character's thoughts. Here are two",
"thought, and is in present tense. To me, that seems correct. > >",
"Similar to the first person, that implies that some of the narration can",
"if he doesn't think *The door won't stay shut.* Changing it to say",
"temper is a thought, and is in present tense. To me, that seems",
"is his thought, or the gist of it, or a paraphrasing, etc.: >",
"> > He stared at the foreclosure notice in his hand. They can't",
"I prefer to use the latter form, because it doesn't require a filter",
"narration can be read as the character's thoughts. Here are two trite examples:",
"not fearing man is surely a universal truth, unbound by time. Arrrrgh! Please",
"me, that seems correct. > > she’d been nagging him about the damned",
"indirect thought, e.g. this is his thought, or the gist of it, or",
"to use the latter form, because it doesn't require a filter word, and",
"in past tense, third-person. > > Death, it seems, fears no man. >",
"problem at the time of the narration. The final example, from another story",
"in past tense. The comment about her temper is a thought, and is",
"breaks my brain. To the character it *seemed* at the time, so that's",
"markers about my tense switches. Here are a few lines they had singled",
"of these instances should I use present tense, and in which mustn't I?",
"> > > Free indirect thought, e.g. this is his thought, or the",
"being narrated. It's not the same as the example above, but the POV",
"hand. *They can't do this*, he thought. > > > Free indirect thought,",
"won't stay shut.* Changing it to say the door *wouldn't* stay shut, leaves",
"door that won’t stay shut. > > > The nagging is an action",
"the character it *seemed* at the time, so that's an action in the",
"surely a universal truth, unbound by time. Arrrrgh! Please help me out. In",
"out the red markers about my tense switches. Here are a few lines",
"the past tense, third person, deep POV. Similar to the first person, that",
"so that's an action in the past. My mistake, I get it. But",
"is in present tense. To me, that seems correct. > > she’d been",
"open for interpretation whether the door still had that problem at the time",
"present tense. To me, that seems correct. > > she’d been nagging him",
"him about the damned cupboard door that won’t stay shut. > > >",
"the narration can be read as the character's thoughts. Here are two trite",
"the scene being narrated. It's not the same as the example above, but",
"pulling out the red markers about my tense switches. Here are a few",
"switches. Here are a few lines they had singled out. I'm going to",
"nagging is an action that happened in the past. The door that won't",
"tense but the thought is in present tense. This mimicks dialogue. I prefer",
"won’t stay shut. > > > The nagging is an action that happened",
"his hand. They can't do this. > > > In both cases, the",
"> > she’d been nagging him about the damned cupboard door that won’t",
"The force with which she slammed the door made the windows rattle. Gosh,",
"doesn't think *The door won't stay shut.* Changing it to say the door",
"at the time, so that's an action in the past. My mistake, I",
"cupboard door that won’t stay shut. > > > The nagging is an",
"action that happened in the past. The door that won't stay shut is",
"story in the past tense, third person, deep POV. Similar to the first",
"even if he doesn't think *The door won't stay shut.* Changing it to",
"the foreclosure notice in his hand. They can't do this. > > >",
"out. In which of these instances should I use present tense, and in",
"thought. > > > Free indirect thought, e.g. this is his thought, or",
"but the POV character knows the door won't stay shut, even if he",
"of the narration. The final example, from another story in past tense, third-person.",
"correct. > > she’d been nagging him about the damned cupboard door that",
"> > > The nagging is an action that happened in the past.",
"is in present tense. This mimicks dialogue. I prefer to use the latter",
"his mind: > > He stared at the foreclosure notice in his hand.",
"the POV character knows the door won't stay shut, even if he doesn't",
"In which of these instances should I use present tense, and in which",
"should I use present tense, and in which mustn't I? And why? What's",
"with which she slammed the door made the windows rattle. Gosh, that woman",
"are two trite examples: Direct thought, e.g. these are the actual words he",
"slammed the door made the windows rattle. Gosh, that woman has a temper.",
"at the time of the narration. The final example, from another story in",
"another story in past tense, third-person. > > Death, it seems, fears no",
"the time, so that's an action in the past. My mistake, I get",
"do this*, he thought. > > > Free indirect thought, e.g. this is",
"the same as the example above, but the POV character knows the door",
"character it *seemed* at the time, so that's an action in the past.",
"tense. This mimicks dialogue. I prefer to use the latter form, because it",
"> > > This one breaks my brain. To the character it *seemed*",
"use the latter form, because it doesn't require a filter word, and is",
"the latter form, because it doesn't require a filter word, and is emotionally",
"first person, that implies that some of the narration can be read as",
"door won't stay shut, even if he doesn't think *The door won't stay",
"or the gist of it, or a paraphrasing, etc.: > > He stared",
"tense, third-person. > > Death, it seems, fears no man. > > >",
"a story in the past tense, third person, deep POV. Similar to the",
"person, that implies that some of the narration can be read as the",
"the first person, that implies that some of the narration can be read",
"a universal truth, unbound by time. Arrrrgh! Please help me out. In which",
"one breaks my brain. To the character it *seemed* at the time, so",
"Gosh, that woman has a temper. > > > The slamming of the",
"e.g. these are the actual words he heard in his mind: > >",
"the thought is in present tense. This mimicks dialogue. I prefer to use",
"> > In both cases, the sentence is in past tense but the",
"past. The door that won't stay shut is a fact that is still",
"the door *wouldn't* stay shut, leaves it open for interpretation whether the door",
"the character. But... I have sent a couple of short stories to beta",
"sentence is in past tense but the thought is in present tense. This",
"slamming of the door is an action, and is relayed in past tense.",
"singled out. I'm going to tackle them in the order of my escalating",
"beta readers, and they've been pulling out the red markers about my tense",
"is a thought, and is in present tense. To me, that seems correct.",
"Direct thought, e.g. these are the actual words he heard in his mind:",
"in his mind: > > He stared at the foreclosure notice in his",
"can be read as the character's thoughts. Here are two trite examples: Direct",
"> > The nagging is an action that happened in the past. The",
"foreclosure notice in his hand. *They can't do this*, he thought. > >",
"been nagging him about the damned cupboard door that won’t stay shut. >",
"shut, even if he doesn't think *The door won't stay shut.* Changing it",
"> > > In both cases, the sentence is in past tense but",
"Arrrrgh! Please help me out. In which of these instances should I use",
"examples: Direct thought, e.g. these are the actual words he heard in his",
"damned cupboard door that won’t stay shut. > > > The nagging is",
"the example above, but the POV character knows the door won't stay shut,",
"relayed in past tense. The comment about her temper is a thought, and",
"past. My mistake, I get it. But Death not fearing man is surely",
"during the scene being narrated. It's not the same as the example above,",
"the foreclosure notice in his hand. *They can't do this*, he thought. >",
"made the windows rattle. Gosh, that woman has a temper. > > >",
"as the character's thoughts. Here are two trite examples: Direct thought, e.g. these",
"a filter word, and is emotionally much closer to the character. But... I",
"> > He stared at the foreclosure notice in his hand. *They can't",
"to the character. But... I have sent a couple of short stories to",
"confusion. > > The force with which she slammed the door made the",
"temper. > > > The slamming of the door is an action, and",
"past tense. The comment about her temper is a thought, and is in",
"going to tackle them in the order of my escalating confusion. > >",
"in his hand. *They can't do this*, he thought. > > > Free",
"that problem at the time of the narration. The final example, from another",
"word, and is emotionally much closer to the character. But... I have sent",
"But Death not fearing man is surely a universal truth, unbound by time.",
"short stories to beta readers, and they've been pulling out the red markers",
"tense, third person, deep POV. Similar to the first person, that implies that",
"had that problem at the time of the narration. The final example, from",
"are the actual words he heard in his mind: > > He stared",
"door that won't stay shut is a fact that is still true during",
"his hand. *They can't do this*, he thought. > > > Free indirect",
"for interpretation whether the door still had that problem at the time of",
"but the thought is in present tense. This mimicks dialogue. I prefer to",
"hand. They can't do this. > > > In both cases, the sentence",
"still had that problem at the time of the narration. The final example,",
"to tackle them in the order of my escalating confusion. > > The",
"etc.: > > He stared at the foreclosure notice in his hand. They",
"has a temper. > > > The slamming of the door is an",
"trite examples: Direct thought, e.g. these are the actual words he heard in",
"two trite examples: Direct thought, e.g. these are the actual words he heard",
"This one breaks my brain. To the character it *seemed* at the time,",
"emotionally much closer to the character. But... I have sent a couple of",
"mind: > > He stared at the foreclosure notice in his hand. *They",
"unbound by time. Arrrrgh! Please help me out. In which of these instances",
"stories to beta readers, and they've been pulling out the red markers about",
"story in past tense, third-person. > > Death, it seems, fears no man.",
"he heard in his mind: > > He stared at the foreclosure notice",
"The final example, from another story in past tense, third-person. > > Death,",
"doesn't require a filter word, and is emotionally much closer to the character.",
"He stared at the foreclosure notice in his hand. They can't do this.",
"> The slamming of the door is an action, and is relayed in",
"tackle them in the order of my escalating confusion. > > The force",
"> Death, it seems, fears no man. > > > This one breaks",
"in the past tense, third person, deep POV. Similar to the first person,",
"order of my escalating confusion. > > The force with which she slammed",
"think *The door won't stay shut.* Changing it to say the door *wouldn't*",
"past tense, third-person. > > Death, it seems, fears no man. > >",
"same as the example above, but the POV character knows the door won't",
"> He stared at the foreclosure notice in his hand. They can't do",
"narrated. It's not the same as the example above, but the POV character",
"and is relayed in past tense. The comment about her temper is a",
"an action, and is relayed in past tense. The comment about her temper",
"by time. Arrrrgh! Please help me out. In which of these instances should",
"writing a story in the past tense, third person, deep POV. Similar to",
"filter word, and is emotionally much closer to the character. But... I have",
"my tense switches. Here are a few lines they had singled out. I'm",
"> > Free indirect thought, e.g. this is his thought, or the gist",
"deep POV. Similar to the first person, that implies that some of the",
"a couple of short stories to beta readers, and they've been pulling out",
"the door is an action, and is relayed in past tense. The comment",
"happened in the past. The door that won't stay shut is a fact",
"had singled out. I'm going to tackle them in the order of my",
"in the past. My mistake, I get it. But Death not fearing man",
"won't stay shut, even if he doesn't think *The door won't stay shut.*",
"she’d been nagging him about the damned cupboard door that won’t stay shut.",
"stared at the foreclosure notice in his hand. *They can't do this*, he",
"> In both cases, the sentence is in past tense but the thought",
"a fact that is still true during the scene being narrated. It's not",
"character knows the door won't stay shut, even if he doesn't think *The",
"it *seemed* at the time, so that's an action in the past. My",
"have sent a couple of short stories to beta readers, and they've been",
"character. But... I have sent a couple of short stories to beta readers,",
"> > The force with which she slammed the door made the windows",
"shut, leaves it open for interpretation whether the door still had that problem",
"final example, from another story in past tense, third-person. > > Death, it",
"thought, e.g. this is his thought, or the gist of it, or a",
"of it, or a paraphrasing, etc.: > > He stared at the foreclosure",
"that won't stay shut is a fact that is still true during the",
"me out. In which of these instances should I use present tense, and",
"the character's thoughts. Here are two trite examples: Direct thought, e.g. these are",
"stared at the foreclosure notice in his hand. They can't do this. >",
"> The force with which she slammed the door made the windows rattle.",
"and is in present tense. To me, that seems correct. > > she’d",
"above, but the POV character knows the door won't stay shut, even if",
"can't do this*, he thought. > > > Free indirect thought, e.g. this",
"gist of it, or a paraphrasing, etc.: > > He stared at the",
"Here are a few lines they had singled out. I'm going to tackle",
"they've been pulling out the red markers about my tense switches. Here are",
"he thought. > > > Free indirect thought, e.g. this is his thought,",
"the door still had that problem at the time of the narration. The",
"Please help me out. In which of these instances should I use present",
"won't stay shut is a fact that is still true during the scene",
"example, from another story in past tense, third-person. > > Death, it seems,",
"is still true during the scene being narrated. It's not the same as",
"shut is a fact that is still true during the scene being narrated.",
"door *wouldn't* stay shut, leaves it open for interpretation whether the door still",
"implies that some of the narration can be read as the character's thoughts.",
"e.g. this is his thought, or the gist of it, or a paraphrasing,",
"*They can't do this*, he thought. > > > Free indirect thought, e.g.",
"rattle. Gosh, that woman has a temper. > > > The slamming of",
"POV character knows the door won't stay shut, even if he doesn't think",
"It's not the same as the example above, but the POV character knows",
"in past tense but the thought is in present tense. This mimicks dialogue.",
"she slammed the door made the windows rattle. Gosh, that woman has a",
"time. Arrrrgh! Please help me out. In which of these instances should I",
"in present tense. To me, that seems correct. > > she’d been nagging",
"past tense but the thought is in present tense. This mimicks dialogue. I",
"an action in the past. My mistake, I get it. But Death not",
"words he heard in his mind: > > He stared at the foreclosure",
"whether the door still had that problem at the time of the narration.",
"that is still true during the scene being narrated. It's not the same",
"the actual words he heard in his mind: > > He stared at",
"seems correct. > > she’d been nagging him about the damned cupboard door",
"of my escalating confusion. > > The force with which she slammed the",
"and they've been pulling out the red markers about my tense switches. Here",
"to say the door *wouldn't* stay shut, leaves it open for interpretation whether",
"tense. The comment about her temper is a thought, and is in present"
] |
[
"format this properly. I am wondering what to do with the quotes and",
"do you format a dialogue when it is interrupted by an action verb",
"this properly. I am wondering what to do with the quotes and what",
"I am wondering what to do with the quotes and what to do",
"a dialogue when it is interrupted by an action verb or sound? I",
"> How do you format a dialogue when it is interrupted by an",
"format a dialogue when it is interrupted by an action verb or sound?",
"interrupted by an action verb or sound? I don't think this is the",
"verb or sound? I don't think this is the proper way. I am",
"looking for a better alternative or the best alternative to format this properly.",
"the quotes and what to do with pants and how to indicate there's",
"by an action verb or sound? I don't think this is the proper",
"to format this properly. I am wondering what to do with the quotes",
"what to do with pants and how to indicate there's an interruption in",
"proper way. I am looking for a better alternative or the best alternative",
"the proper way. I am looking for a better alternative or the best",
"best alternative to format this properly. I am wondering what to do with",
"quotes and what to do with pants and how to indicate there's an",
"and what to do with pants and how to indicate there's an interruption",
"> > \"I wanna be - pants the president.\" > > > How",
"with the quotes and what to do with pants and how to indicate",
"way. I am looking for a better alternative or the best alternative to",
"what to do with the quotes and what to do with pants and",
"is interrupted by an action verb or sound? I don't think this is",
"wondering what to do with the quotes and what to do with pants",
"to do with pants and how to indicate there's an interruption in speech.",
"to do with the quotes and what to do with pants and how",
"you format a dialogue when it is interrupted by an action verb or",
"it is interrupted by an action verb or sound? I don't think this",
"I am looking for a better alternative or the best alternative to format",
"for a better alternative or the best alternative to format this properly. I",
"wanna be - pants the president.\" > > > How do you format",
"is the proper way. I am looking for a better alternative or the",
"or the best alternative to format this properly. I am wondering what to",
"when it is interrupted by an action verb or sound? I don't think",
"do with the quotes and what to do with pants and how to",
"or sound? I don't think this is the proper way. I am looking",
"How do you format a dialogue when it is interrupted by an action",
"a better alternative or the best alternative to format this properly. I am",
"pants the president.\" > > > How do you format a dialogue when",
"alternative or the best alternative to format this properly. I am wondering what",
"> > > How do you format a dialogue when it is interrupted",
"am wondering what to do with the quotes and what to do with",
"an action verb or sound? I don't think this is the proper way.",
"better alternative or the best alternative to format this properly. I am wondering",
"action verb or sound? I don't think this is the proper way. I",
"think this is the proper way. I am looking for a better alternative",
"> \"I wanna be - pants the president.\" > > > How do",
"\"I wanna be - pants the president.\" > > > How do you",
"I don't think this is the proper way. I am looking for a",
"this is the proper way. I am looking for a better alternative or",
"- pants the president.\" > > > How do you format a dialogue",
"the president.\" > > > How do you format a dialogue when it",
"be - pants the president.\" > > > How do you format a",
"sound? I don't think this is the proper way. I am looking for",
"don't think this is the proper way. I am looking for a better",
"president.\" > > > How do you format a dialogue when it is",
"am looking for a better alternative or the best alternative to format this",
"the best alternative to format this properly. I am wondering what to do",
"alternative to format this properly. I am wondering what to do with the",
"dialogue when it is interrupted by an action verb or sound? I don't",
"properly. I am wondering what to do with the quotes and what to",
"> > How do you format a dialogue when it is interrupted by"
] |
[
"then the second right on Maple.\" > > > > > O'Malley remembered",
"the dialog be surrounded by double-quotes or single-quotes, be italicized, or get no",
"directions precisely: Take the first left on Pine, then the second right on",
"on Pine, then the second right on Maple.\" > > > > >",
"> > > O'Malley remembered the witness's directions precisely: *Take the first left",
"the witness's directions precisely: *Take the first left on Pine, then the second",
"> > > > O'Malley remembered the witness's directions precisely: 'Take the first",
"verbatim, should the dialog be surrounded by double-quotes or single-quotes, be italicized, or",
"remembered the witness's directions precisely: *Take the first left on Pine, then the",
"Maple.\" > > > > > O'Malley remembered the witness's directions precisely: 'Take",
"witness's directions precisely: Take the first left on Pine, then the second right",
"O'Malley remembered the witness's directions precisely: 'Take the first left on Pine, then",
"special treatment at all? For example: > > O'Malley remembered the witness's directions",
"left on Pine, then the second right on Maple.' > > > >",
"Maple*. > > > > > O'Malley remembered the witness's directions precisely: Take",
"the first left on Pine, then the second right on Maple.\" > >",
"then the second right on Maple*. > > > > > O'Malley remembered",
"O'Malley remembered the witness's directions precisely: *Take the first left on Pine, then",
"dialog be surrounded by double-quotes or single-quotes, be italicized, or get no special",
"on Pine, then the second right on Maple*. > > > > >",
"> O'Malley remembered the witness's directions precisely: Take the first left on Pine,",
"no special treatment at all? For example: > > O'Malley remembered the witness's",
"> O'Malley remembered the witness's directions precisely: *Take the first left on Pine,",
"> > > O'Malley remembered the witness's directions precisely: 'Take the first left",
"the witness's directions precisely: \"Take the first left on Pine, then the second",
"the witness's directions precisely: 'Take the first left on Pine, then the second",
"then the second right on Maple.' > > > > > O'Malley remembered",
"directions precisely: 'Take the first left on Pine, then the second right on",
"directions precisely: \"Take the first left on Pine, then the second right on",
"first left on Pine, then the second right on Maple*. > > >",
"first left on Pine, then the second right on Maple.' > > >",
"or get no special treatment at all? For example: > > O'Malley remembered",
"is mentally recalling prior dialog verbatim, should the dialog be surrounded by double-quotes",
"\"Take the first left on Pine, then the second right on Maple.\" >",
"by double-quotes or single-quotes, be italicized, or get no special treatment at all?",
"the first left on Pine, then the second right on Maple.' > >",
"> > > > > O'Malley remembered the witness's directions precisely: Take the",
"or single-quotes, be italicized, or get no special treatment at all? For example:",
"the first left on Pine, then the second right on Maple*. > >",
"get no special treatment at all? For example: > > O'Malley remembered the",
"double-quotes or single-quotes, be italicized, or get no special treatment at all? For",
"witness's directions precisely: *Take the first left on Pine, then the second right",
"For example: > > O'Malley remembered the witness's directions precisely: \"Take the first",
"> > O'Malley remembered the witness's directions precisely: *Take the first left on",
"second right on Maple.\" > > > > > O'Malley remembered the witness's",
"witness's directions precisely: \"Take the first left on Pine, then the second right",
"right on Maple*. > > > > > O'Malley remembered the witness's directions",
"> > > > O'Malley remembered the witness's directions precisely: *Take the first",
"Pine, then the second right on Maple.' > > > > > O'Malley",
"> O'Malley remembered the witness's directions precisely: \"Take the first left on Pine,",
"on Maple.\" > > > > > O'Malley remembered the witness's directions precisely:",
"italicized, or get no special treatment at all? For example: > > O'Malley",
"first left on Pine, then the second right on Maple.\" > > >",
"Maple.' > > > > > O'Malley remembered the witness's directions precisely: *Take",
"O'Malley remembered the witness's directions precisely: Take the first left on Pine, then",
"at all? For example: > > O'Malley remembered the witness's directions precisely: \"Take",
"recalling prior dialog verbatim, should the dialog be surrounded by double-quotes or single-quotes,",
"Pine, then the second right on Maple.\" > > > > > O'Malley",
"the second right on Maple.\" > > > > > O'Malley remembered the",
"> > > O'Malley remembered the witness's directions precisely: Take the first left",
"*Take the first left on Pine, then the second right on Maple*. >",
"single-quotes, be italicized, or get no special treatment at all? For example: >",
"right on Maple.' > > > > > O'Malley remembered the witness's directions",
"> > > > > O'Malley remembered the witness's directions precisely: *Take the",
"the witness's directions precisely: Take the first left on Pine, then the second",
"> > > > O'Malley remembered the witness's directions precisely: Take the first",
"Take the first left on Pine, then the second right on Maple. >",
"remembered the witness's directions precisely: \"Take the first left on Pine, then the",
"be italicized, or get no special treatment at all? For example: > >",
"precisely: Take the first left on Pine, then the second right on Maple.",
"treatment at all? For example: > > O'Malley remembered the witness's directions precisely:",
"> > > > > O'Malley remembered the witness's directions precisely: 'Take the",
"the second right on Maple*. > > > > > O'Malley remembered the",
"the second right on Maple.' > > > > > O'Malley remembered the",
"O'Malley remembered the witness's directions precisely: \"Take the first left on Pine, then",
"second right on Maple*. > > > > > O'Malley remembered the witness's",
"be surrounded by double-quotes or single-quotes, be italicized, or get no special treatment",
"character is mentally recalling prior dialog verbatim, should the dialog be surrounded by",
"a character is mentally recalling prior dialog verbatim, should the dialog be surrounded",
"witness's directions precisely: 'Take the first left on Pine, then the second right",
"> > O'Malley remembered the witness's directions precisely: Take the first left on",
"> > O'Malley remembered the witness's directions precisely: 'Take the first left on",
"should the dialog be surrounded by double-quotes or single-quotes, be italicized, or get",
"mentally recalling prior dialog verbatim, should the dialog be surrounded by double-quotes or",
"Pine, then the second right on Maple*. > > > > > O'Malley",
"> > O'Malley remembered the witness's directions precisely: \"Take the first left on",
"on Maple*. > > > > > O'Malley remembered the witness's directions precisely:",
"the first left on Pine, then the second right on Maple. > >",
"precisely: 'Take the first left on Pine, then the second right on Maple.'",
"all? For example: > > O'Malley remembered the witness's directions precisely: \"Take the",
"example: > > O'Malley remembered the witness's directions precisely: \"Take the first left",
"on Maple.' > > > > > O'Malley remembered the witness's directions precisely:",
"remembered the witness's directions precisely: Take the first left on Pine, then the",
"on Pine, then the second right on Maple.' > > > > >",
"right on Maple.\" > > > > > O'Malley remembered the witness's directions",
"dialog verbatim, should the dialog be surrounded by double-quotes or single-quotes, be italicized,",
"prior dialog verbatim, should the dialog be surrounded by double-quotes or single-quotes, be",
"When a character is mentally recalling prior dialog verbatim, should the dialog be",
"second right on Maple.' > > > > > O'Malley remembered the witness's",
"precisely: \"Take the first left on Pine, then the second right on Maple.\"",
"remembered the witness's directions precisely: 'Take the first left on Pine, then the",
"> O'Malley remembered the witness's directions precisely: 'Take the first left on Pine,",
"left on Pine, then the second right on Maple.\" > > > >",
"left on Pine, then the second right on Maple*. > > > >",
"precisely: *Take the first left on Pine, then the second right on Maple*.",
"directions precisely: *Take the first left on Pine, then the second right on",
"surrounded by double-quotes or single-quotes, be italicized, or get no special treatment at",
"first left on Pine, then the second right on Maple. > > >",
"'Take the first left on Pine, then the second right on Maple.' >"
] |
[
"arms of his jacket, indicating his status. It was not rank insignia. Here",
"traffic controllers, officers on duty). The word \"paszomány\" means something like lacing, braiding,",
"officer school. Even if they didn't want to, they were usually promoted to",
"arm\". It means a soldier, either conscripted or volunteer, who completed high school.",
"to sergeants. So, they're NOT cadets, NOT officer candidates, NOT simply conscripts and",
"were often sent to NCO training or officer school. Even if they didn't",
"school. That was a fairly high academic achievement in the 1930's, so these",
"with armband). I don't think \"armband\" can be used here in any form",
"= ensign with armband). I don't think \"armband\" can be used here in",
"before their actual rank (\"karpaszományos zászlós\" = ensign with armband). I don't think",
"often sent to NCO training or officer school. Even if they didn't want",
"NOT officer candidates, NOT simply conscripts and it's NOT a rank but a",
"to NCO training or officer school. Even if they didn't want to, they",
"person on special duty (MPs, traffic controllers, officers on duty). The word \"paszomány\"",
"duty (MPs, traffic controllers, officers on duty). The word \"paszomány\" means something like",
"cadets, NOT officer candidates, NOT simply conscripts and it's NOT a rank but",
"words which I understand perfectly, but have a hard time finding a proper",
"II memoir from Hungarian to English. I keep running into certain words which",
"a proper translation. Can you guys help me out? Not with the translation",
"a fairly high academic achievement in the 1930's, so these guys received special",
"controllers, officers on duty). The word \"paszomány\" means something like lacing, braiding, knotted",
"English speaking army ever had privilege classes. A \"karpaszományos\" wore a thin band",
"is a picture of a \"karpaszományos\" jacket. [](https://i.stack.imgur.com/krJSP.jpg) I am looking for a",
"Hungarian to English. I keep running into certain words which I understand perfectly,",
"high academic achievement in the 1930's, so these guys received special privileges in",
"guys received special privileges in the army, and were often sent to NCO",
"privilege classes. A \"karpaszományos\" wore a thin band around the arms of his",
"to find a good English equivalent. The original word is \"karpaszományos\". The word",
"classes. A \"karpaszományos\" wore a thin band around the arms of his jacket,",
"NOT simply conscripts and it's NOT a rank but a privilege class. For",
"rank but a privilege class. For that matter no English speaking army ever",
"or officer school. Even if they didn't want to, they were usually promoted",
"good English equivalent. The original word is \"karpaszományos\". The word itself literally translates",
"perfectly, but have a hard time finding a proper translation. Can you guys",
"achievement in the 1930's, so these guys received special privileges in the army,",
"special privileges in the army, and were often sent to NCO training or",
"A \"karpaszományos\" wore a thin band around the arms of his jacket, indicating",
"rank (\"karpaszományos zászlós\" = ensign with armband). I don't think \"armband\" can be",
"which can be used when addressing them (similarly to calling someone by his",
"guys help me out? Not with the translation itself, but to find a",
"or can be a title before their actual rank (\"karpaszományos zászlós\" = ensign",
"I am translating a World War II memoir from Hungarian to English. I",
"can be used when addressing them (similarly to calling someone by his rank),",
"his status. It was not rank insignia. Here is a picture of a",
"a rank but a privilege class. For that matter no English speaking army",
"sergeants. So, they're NOT cadets, NOT officer candidates, NOT simply conscripts and it's",
"jacket, indicating his status. It was not rank insignia. Here is a picture",
"I am looking for a single, descriptive English word to denote these soldiers,",
"keep running into certain words which I understand perfectly, but have a hard",
"addressing them (similarly to calling someone by his rank), or can be a",
"on special duty (MPs, traffic controllers, officers on duty). The word \"paszomány\" means",
"officer candidates, NOT simply conscripts and it's NOT a rank but a privilege",
"indicate a person on special duty (MPs, traffic controllers, officers on duty). The",
"English word to denote these soldiers, which can be used when addressing them",
"original word is \"karpaszományos\". The word itself literally translates as \"person with a",
"the translation itself, but to find a good English equivalent. The original word",
"in any form because armbands are generally used to indicate a person on",
"here in any form because armbands are generally used to indicate a person",
"It means a soldier, either conscripted or volunteer, who completed high school. That",
"so these guys received special privileges in the army, and were often sent",
"his rank), or can be a title before their actual rank (\"karpaszományos zászlós\"",
"NOT a rank but a privilege class. For that matter no English speaking",
"a privilege class. For that matter no English speaking army ever had privilege",
"which I understand perfectly, but have a hard time finding a proper translation.",
"War II memoir from Hungarian to English. I keep running into certain words",
"school. Even if they didn't want to, they were usually promoted to sergeants.",
"training or officer school. Even if they didn't want to, they were usually",
"finding a proper translation. Can you guys help me out? Not with the",
"thin band around the arms of his jacket, indicating his status. It was",
"had privilege classes. A \"karpaszományos\" wore a thin band around the arms of",
"am translating a World War II memoir from Hungarian to English. I keep",
"World War II memoir from Hungarian to English. I keep running into certain",
"So, they're NOT cadets, NOT officer candidates, NOT simply conscripts and it's NOT",
"was not rank insignia. Here is a picture of a \"karpaszományos\" jacket. [](https://i.stack.imgur.com/krJSP.jpg)",
"can be a title before their actual rank (\"karpaszományos zászlós\" = ensign with",
"generally used to indicate a person on special duty (MPs, traffic controllers, officers",
"privileges in the army, and were often sent to NCO training or officer",
"find a good English equivalent. The original word is \"karpaszományos\". The word itself",
"was a fairly high academic achievement in the 1930's, so these guys received",
"time finding a proper translation. Can you guys help me out? Not with",
"word is \"karpaszományos\". The word itself literally translates as \"person with a ribbon",
"itself, but to find a good English equivalent. The original word is \"karpaszományos\".",
"of his jacket, indicating his status. It was not rank insignia. Here is",
"rank), or can be a title before their actual rank (\"karpaszományos zászlós\" =",
"privilege class. For that matter no English speaking army ever had privilege classes.",
"either conscripted or volunteer, who completed high school. That was a fairly high",
"The word itself literally translates as \"person with a ribbon on his arm\".",
"the army, and were often sent to NCO training or officer school. Even",
"a title before their actual rank (\"karpaszományos zászlós\" = ensign with armband). I",
"from Hungarian to English. I keep running into certain words which I understand",
"special duty (MPs, traffic controllers, officers on duty). The word \"paszomány\" means something",
"English equivalent. The original word is \"karpaszományos\". The word itself literally translates as",
"NOT cadets, NOT officer candidates, NOT simply conscripts and it's NOT a rank",
"Not with the translation itself, but to find a good English equivalent. The",
"with a ribbon on his arm\". It means a soldier, either conscripted or",
"itself literally translates as \"person with a ribbon on his arm\". It means",
"(\"karpaszományos zászlós\" = ensign with armband). I don't think \"armband\" can be used",
"with the translation itself, but to find a good English equivalent. The original",
"armbands are generally used to indicate a person on special duty (MPs, traffic",
"completed high school. That was a fairly high academic achievement in the 1930's,",
"can be used here in any form because armbands are generally used to",
"hard time finding a proper translation. Can you guys help me out? Not",
"means a soldier, either conscripted or volunteer, who completed high school. That was",
"want to, they were usually promoted to sergeants. So, they're NOT cadets, NOT",
"by his rank), or can be a title before their actual rank (\"karpaszományos",
"(similarly to calling someone by his rank), or can be a title before",
"sent to NCO training or officer school. Even if they didn't want to,",
"if they didn't want to, they were usually promoted to sergeants. So, they're",
"simply conscripts and it's NOT a rank but a privilege class. For that",
"\"karpaszományos\" jacket. [](https://i.stack.imgur.com/krJSP.jpg) I am looking for a single, descriptive English word to",
"a single, descriptive English word to denote these soldiers, which can be used",
"promoted to sergeants. So, they're NOT cadets, NOT officer candidates, NOT simply conscripts",
"be used when addressing them (similarly to calling someone by his rank), or",
"on his arm\". It means a soldier, either conscripted or volunteer, who completed",
"certain words which I understand perfectly, but have a hard time finding a",
"a ribbon on his arm\". It means a soldier, either conscripted or volunteer,",
"The original word is \"karpaszományos\". The word itself literally translates as \"person with",
"denote these soldiers, which can be used when addressing them (similarly to calling",
"received special privileges in the army, and were often sent to NCO training",
"someone by his rank), or can be a title before their actual rank",
"a person on special duty (MPs, traffic controllers, officers on duty). The word",
"a World War II memoir from Hungarian to English. I keep running into",
"picture of a \"karpaszományos\" jacket. [](https://i.stack.imgur.com/krJSP.jpg) I am looking for a single, descriptive",
"of a \"karpaszományos\" jacket. [](https://i.stack.imgur.com/krJSP.jpg) I am looking for a single, descriptive English",
"word itself literally translates as \"person with a ribbon on his arm\". It",
"these guys received special privileges in the army, and were often sent to",
"memoir from Hungarian to English. I keep running into certain words which I",
"equivalent. The original word is \"karpaszományos\". The word itself literally translates as \"person",
"1930's, so these guys received special privileges in the army, and were often",
"matter no English speaking army ever had privilege classes. A \"karpaszományos\" wore a",
"not rank insignia. Here is a picture of a \"karpaszományos\" jacket. [](https://i.stack.imgur.com/krJSP.jpg) I",
"are generally used to indicate a person on special duty (MPs, traffic controllers,",
"but to find a good English equivalent. The original word is \"karpaszományos\". The",
"Can you guys help me out? Not with the translation itself, but to",
"them (similarly to calling someone by his rank), or can be a title",
"translation. Can you guys help me out? Not with the translation itself, but",
"in the 1930's, so these guys received special privileges in the army, and",
"who completed high school. That was a fairly high academic achievement in the",
"descriptive English word to denote these soldiers, which can be used when addressing",
"they didn't want to, they were usually promoted to sergeants. So, they're NOT",
"\"karpaszományos\" wore a thin band around the arms of his jacket, indicating his",
"calling someone by his rank), or can be a title before their actual",
"(MPs, traffic controllers, officers on duty). The word \"paszomány\" means something like lacing,",
"\"person with a ribbon on his arm\". It means a soldier, either conscripted",
"For that matter no English speaking army ever had privilege classes. A \"karpaszományos\"",
"academic achievement in the 1930's, so these guys received special privileges in the",
"army ever had privilege classes. A \"karpaszományos\" wore a thin band around the",
"to English. I keep running into certain words which I understand perfectly, but",
"proper translation. Can you guys help me out? Not with the translation itself,",
"wore a thin band around the arms of his jacket, indicating his status.",
"indicating his status. It was not rank insignia. Here is a picture of",
"usually promoted to sergeants. So, they're NOT cadets, NOT officer candidates, NOT simply",
"soldiers, which can be used when addressing them (similarly to calling someone by",
"understand perfectly, but have a hard time finding a proper translation. Can you",
"high school. That was a fairly high academic achievement in the 1930's, so",
"used to indicate a person on special duty (MPs, traffic controllers, officers on",
"in the army, and were often sent to NCO training or officer school.",
"have a hard time finding a proper translation. Can you guys help me",
"conscripted or volunteer, who completed high school. That was a fairly high academic",
"think \"armband\" can be used here in any form because armbands are generally",
"no English speaking army ever had privilege classes. A \"karpaszományos\" wore a thin",
"volunteer, who completed high school. That was a fairly high academic achievement in",
"to calling someone by his rank), or can be a title before their",
"his arm\". It means a soldier, either conscripted or volunteer, who completed high",
"the 1930's, so these guys received special privileges in the army, and were",
"me out? Not with the translation itself, but to find a good English",
"That was a fairly high academic achievement in the 1930's, so these guys",
"used when addressing them (similarly to calling someone by his rank), or can",
"I keep running into certain words which I understand perfectly, but have a",
"It was not rank insignia. Here is a picture of a \"karpaszományos\" jacket.",
"don't think \"armband\" can be used here in any form because armbands are",
"\"karpaszományos\". The word itself literally translates as \"person with a ribbon on his",
"I don't think \"armband\" can be used here in any form because armbands",
"or volunteer, who completed high school. That was a fairly high academic achievement",
"I understand perfectly, but have a hard time finding a proper translation. Can",
"around the arms of his jacket, indicating his status. It was not rank",
"out? Not with the translation itself, but to find a good English equivalent.",
"his jacket, indicating his status. It was not rank insignia. Here is a",
"a picture of a \"karpaszományos\" jacket. [](https://i.stack.imgur.com/krJSP.jpg) I am looking for a single,",
"when addressing them (similarly to calling someone by his rank), or can be",
"soldier, either conscripted or volunteer, who completed high school. That was a fairly",
"the arms of his jacket, indicating his status. It was not rank insignia.",
"armband). I don't think \"armband\" can be used here in any form because",
"form because armbands are generally used to indicate a person on special duty",
"but have a hard time finding a proper translation. Can you guys help",
"were usually promoted to sergeants. So, they're NOT cadets, NOT officer candidates, NOT",
"officers on duty). The word \"paszomány\" means something like lacing, braiding, knotted decoration.",
"for a single, descriptive English word to denote these soldiers, which can be",
"be used here in any form because armbands are generally used to indicate",
"help me out? Not with the translation itself, but to find a good",
"a thin band around the arms of his jacket, indicating his status. It",
"rank insignia. Here is a picture of a \"karpaszományos\" jacket. [](https://i.stack.imgur.com/krJSP.jpg) I am",
"title before their actual rank (\"karpaszományos zászlós\" = ensign with armband). I don't",
"insignia. Here is a picture of a \"karpaszományos\" jacket. [](https://i.stack.imgur.com/krJSP.jpg) I am looking",
"English. I keep running into certain words which I understand perfectly, but have",
"ribbon on his arm\". It means a soldier, either conscripted or volunteer, who",
"you guys help me out? Not with the translation itself, but to find",
"they're NOT cadets, NOT officer candidates, NOT simply conscripts and it's NOT a",
"Even if they didn't want to, they were usually promoted to sergeants. So,",
"but a privilege class. For that matter no English speaking army ever had",
"their actual rank (\"karpaszományos zászlós\" = ensign with armband). I don't think \"armband\"",
"translates as \"person with a ribbon on his arm\". It means a soldier,",
"to, they were usually promoted to sergeants. So, they're NOT cadets, NOT officer",
"NCO training or officer school. Even if they didn't want to, they were",
"army, and were often sent to NCO training or officer school. Even if",
"band around the arms of his jacket, indicating his status. It was not",
"translation itself, but to find a good English equivalent. The original word is",
"candidates, NOT simply conscripts and it's NOT a rank but a privilege class.",
"actual rank (\"karpaszományos zászlós\" = ensign with armband). I don't think \"armband\" can",
"running into certain words which I understand perfectly, but have a hard time",
"it's NOT a rank but a privilege class. For that matter no English",
"ever had privilege classes. A \"karpaszományos\" wore a thin band around the arms",
"because armbands are generally used to indicate a person on special duty (MPs,",
"status. It was not rank insignia. Here is a picture of a \"karpaszományos\"",
"a hard time finding a proper translation. Can you guys help me out?",
"Here is a picture of a \"karpaszományos\" jacket. [](https://i.stack.imgur.com/krJSP.jpg) I am looking for",
"any form because armbands are generally used to indicate a person on special",
"a good English equivalent. The original word is \"karpaszományos\". The word itself literally",
"a soldier, either conscripted or volunteer, who completed high school. That was a",
"and were often sent to NCO training or officer school. Even if they",
"conscripts and it's NOT a rank but a privilege class. For that matter",
"into certain words which I understand perfectly, but have a hard time finding",
"zászlós\" = ensign with armband). I don't think \"armband\" can be used here",
"am looking for a single, descriptive English word to denote these soldiers, which",
"as \"person with a ribbon on his arm\". It means a soldier, either",
"jacket. [](https://i.stack.imgur.com/krJSP.jpg) I am looking for a single, descriptive English word to denote",
"word to denote these soldiers, which can be used when addressing them (similarly",
"be a title before their actual rank (\"karpaszományos zászlós\" = ensign with armband).",
"literally translates as \"person with a ribbon on his arm\". It means a",
"to denote these soldiers, which can be used when addressing them (similarly to",
"didn't want to, they were usually promoted to sergeants. So, they're NOT cadets,",
"ensign with armband). I don't think \"armband\" can be used here in any",
"speaking army ever had privilege classes. A \"karpaszományos\" wore a thin band around",
"[](https://i.stack.imgur.com/krJSP.jpg) I am looking for a single, descriptive English word to denote these",
"\"armband\" can be used here in any form because armbands are generally used",
"a \"karpaszományos\" jacket. [](https://i.stack.imgur.com/krJSP.jpg) I am looking for a single, descriptive English word",
"used here in any form because armbands are generally used to indicate a",
"fairly high academic achievement in the 1930's, so these guys received special privileges",
"translating a World War II memoir from Hungarian to English. I keep running",
"single, descriptive English word to denote these soldiers, which can be used when",
"is \"karpaszományos\". The word itself literally translates as \"person with a ribbon on",
"that matter no English speaking army ever had privilege classes. A \"karpaszományos\" wore",
"they were usually promoted to sergeants. So, they're NOT cadets, NOT officer candidates,",
"looking for a single, descriptive English word to denote these soldiers, which can",
"class. For that matter no English speaking army ever had privilege classes. A",
"to indicate a person on special duty (MPs, traffic controllers, officers on duty).",
"and it's NOT a rank but a privilege class. For that matter no",
"these soldiers, which can be used when addressing them (similarly to calling someone"
] |
[
"if it weren't for the grade level. Is it fine for me to",
"an audience level of middle grade and up, so I refrained from adding",
"reflect badly on me as a person? Considering that I'm not supposed to",
"to my book or should I refrain from adding it since it might",
"grade level. Is it fine for me to add strong language to my",
"drag on longer, I began to think that adding in the words may",
"the villains. I aim for an audience level of middle grade and up,",
"stories but in the end, I think my book needs them for extra",
"in the end, I think my book needs them for extra violent highlights",
"Considering that I'm not supposed to know the F-word at the age of",
"book needs them for extra violent highlights that would do well for the",
"in the words may be a good idea if it weren't for the",
"to add strong language to my book or should I refrain from adding",
"that aren't appropriate in stories but in the end, I think my book",
"be a good idea if it weren't for the grade level. Is it",
"I think my book needs them for extra violent highlights that would do",
"longer, I began to think that adding in the words may be a",
"end, I think my book needs them for extra violent highlights that would",
"on longer, I began to think that adding in the words may be",
"I refrain from adding it since it might reflect badly on me as",
"might reflect badly on me as a person? Considering that I'm not supposed",
"that I'm not supposed to know the F-word at the age of thirteen.",
"level of middle grade and up, so I refrained from adding in any",
"As my story drag on longer, I began to think that adding in",
"book or should I refrain from adding it since it might reflect badly",
"think that adding in the words may be a good idea if it",
"up, so I refrained from adding in any 'Curse' words. As my story",
"grade and up, so I refrained from adding in any 'Curse' words. As",
"needs them for extra violent highlights that would do well for the villains.",
"level. Is it fine for me to add strong language to my book",
"I refrained from adding in any 'Curse' words. As my story drag on",
"adding in any 'Curse' words. As my story drag on longer, I began",
"well for the villains. I aim for an audience level of middle grade",
"badly on me as a person? Considering that I'm not supposed to know",
"and up, so I refrained from adding in any 'Curse' words. As my",
"weren't for the grade level. Is it fine for me to add strong",
"it fine for me to add strong language to my book or should",
"of middle grade and up, so I refrained from adding in any 'Curse'",
"add strong language to my book or should I refrain from adding it",
"strong language to my book or should I refrain from adding it since",
"appropriate in stories but in the end, I think my book needs them",
"the end, I think my book needs them for extra violent highlights that",
"adding in the words may be a good idea if it weren't for",
"good idea if it weren't for the grade level. Is it fine for",
"I began to think that adding in the words may be a good",
"it might reflect badly on me as a person? Considering that I'm not",
"know that some books contain strong languages that aren't appropriate in stories but",
"or should I refrain from adding it since it might reflect badly on",
"extra violent highlights that would do well for the villains. I aim for",
"that adding in the words may be a good idea if it weren't",
"in any 'Curse' words. As my story drag on longer, I began to",
"my book or should I refrain from adding it since it might reflect",
"but in the end, I think my book needs them for extra violent",
"think my book needs them for extra violent highlights that would do well",
"began to think that adding in the words may be a good idea",
"for the grade level. Is it fine for me to add strong language",
"books contain strong languages that aren't appropriate in stories but in the end,",
"me to add strong language to my book or should I refrain from",
"my story drag on longer, I began to think that adding in the",
"that would do well for the villains. I aim for an audience level",
"adding it since it might reflect badly on me as a person? Considering",
"I know that some books contain strong languages that aren't appropriate in stories",
"violent highlights that would do well for the villains. I aim for an",
"Is it fine for me to add strong language to my book or",
"language to my book or should I refrain from adding it since it",
"it weren't for the grade level. Is it fine for me to add",
"any 'Curse' words. As my story drag on longer, I began to think",
"I aim for an audience level of middle grade and up, so I",
"to think that adding in the words may be a good idea if",
"as a person? Considering that I'm not supposed to know the F-word at",
"languages that aren't appropriate in stories but in the end, I think my",
"do well for the villains. I aim for an audience level of middle",
"refrain from adding it since it might reflect badly on me as a",
"some books contain strong languages that aren't appropriate in stories but in the",
"words. As my story drag on longer, I began to think that adding",
"that some books contain strong languages that aren't appropriate in stories but in",
"fine for me to add strong language to my book or should I",
"from adding in any 'Curse' words. As my story drag on longer, I",
"should I refrain from adding it since it might reflect badly on me",
"aim for an audience level of middle grade and up, so I refrained",
"middle grade and up, so I refrained from adding in any 'Curse' words.",
"since it might reflect badly on me as a person? Considering that I'm",
"the grade level. Is it fine for me to add strong language to",
"person? Considering that I'm not supposed to know the F-word at the age",
"refrained from adding in any 'Curse' words. As my story drag on longer,",
"a good idea if it weren't for the grade level. Is it fine",
"from adding it since it might reflect badly on me as a person?",
"words may be a good idea if it weren't for the grade level.",
"idea if it weren't for the grade level. Is it fine for me",
"the words may be a good idea if it weren't for the grade",
"for me to add strong language to my book or should I refrain",
"for an audience level of middle grade and up, so I refrained from",
"so I refrained from adding in any 'Curse' words. As my story drag",
"story drag on longer, I began to think that adding in the words",
"highlights that would do well for the villains. I aim for an audience",
"on me as a person? Considering that I'm not supposed to know the",
"me as a person? Considering that I'm not supposed to know the F-word",
"contain strong languages that aren't appropriate in stories but in the end, I",
"villains. I aim for an audience level of middle grade and up, so",
"strong languages that aren't appropriate in stories but in the end, I think",
"them for extra violent highlights that would do well for the villains. I",
"it since it might reflect badly on me as a person? Considering that",
"in stories but in the end, I think my book needs them for",
"aren't appropriate in stories but in the end, I think my book needs",
"a person? Considering that I'm not supposed to know the F-word at the",
"for the villains. I aim for an audience level of middle grade and",
"'Curse' words. As my story drag on longer, I began to think that",
"would do well for the villains. I aim for an audience level of",
"may be a good idea if it weren't for the grade level. Is",
"audience level of middle grade and up, so I refrained from adding in",
"my book needs them for extra violent highlights that would do well for",
"for extra violent highlights that would do well for the villains. I aim"
] |
[
"it okay for me to use symbols to replace the curse words so",
"okay for me to use symbols to replace the curse words so that",
"if I could use strong language in my mid-grade book. This time I",
"me is it okay for me to use symbols to replace the curse",
"tell me is it okay for me to use symbols to replace the",
"use strong language?](https://writing.stackexchange.com/questions/56054/could-i-use-strong-language), I was wondering if I could use strong language in",
"my earlier question [Could I use strong language?](https://writing.stackexchange.com/questions/56054/could-i-use-strong-language), I was wondering if I",
"to replace the need for me to write out the curse word in",
"time I wanted to ask if someone could tell me is it okay",
"reader wouldn't be too affected by the strong language. Main question: If I",
"question [Could I use strong language?](https://writing.stackexchange.com/questions/56054/could-i-use-strong-language), I was wondering if I could use",
"someone could tell me is it okay for me to use symbols to",
"to replace the curse words so that the reader wouldn't be too affected",
"language. Main question: If I use symbols like '@#$^^' would this be able",
"question: If I use symbols like '@#$^^' would this be able to replace",
"this be able to replace the need for me to write out the",
"be able to replace the need for me to write out the curse",
"like '@#$^^' would this be able to replace the need for me to",
"to ask if someone could tell me is it okay for me to",
"be too affected by the strong language. Main question: If I use symbols",
"by the strong language. Main question: If I use symbols like '@#$^^' would",
"the need for me to write out the curse word in the story?",
"too affected by the strong language. Main question: If I use symbols like",
"to use symbols to replace the curse words so that the reader wouldn't",
"wondering if I could use strong language in my mid-grade book. This time",
"replace the need for me to write out the curse word in the",
"I could use strong language in my mid-grade book. This time I wanted",
"is it okay for me to use symbols to replace the curse words",
"in my mid-grade book. This time I wanted to ask if someone could",
"curse words so that the reader wouldn't be too affected by the strong",
"strong language. Main question: If I use symbols like '@#$^^' would this be",
"If I use symbols like '@#$^^' would this be able to replace the",
"my mid-grade book. This time I wanted to ask if someone could tell",
"replace the curse words so that the reader wouldn't be too affected by",
"I use strong language?](https://writing.stackexchange.com/questions/56054/could-i-use-strong-language), I was wondering if I could use strong language",
"could use strong language in my mid-grade book. This time I wanted to",
"I wanted to ask if someone could tell me is it okay for",
"the reader wouldn't be too affected by the strong language. Main question: If",
"would this be able to replace the need for me to write out",
"symbols like '@#$^^' would this be able to replace the need for me",
"use symbols like '@#$^^' would this be able to replace the need for",
"affected by the strong language. Main question: If I use symbols like '@#$^^'",
"book. This time I wanted to ask if someone could tell me is",
"symbols to replace the curse words so that the reader wouldn't be too",
"This time I wanted to ask if someone could tell me is it",
"'@#$^^' would this be able to replace the need for me to write",
"for me to use symbols to replace the curse words so that the",
"In my earlier question [Could I use strong language?](https://writing.stackexchange.com/questions/56054/could-i-use-strong-language), I was wondering if",
"use strong language in my mid-grade book. This time I wanted to ask",
"[Could I use strong language?](https://writing.stackexchange.com/questions/56054/could-i-use-strong-language), I was wondering if I could use strong",
"able to replace the need for me to write out the curse word",
"I was wondering if I could use strong language in my mid-grade book.",
"wanted to ask if someone could tell me is it okay for me",
"language in my mid-grade book. This time I wanted to ask if someone",
"strong language?](https://writing.stackexchange.com/questions/56054/could-i-use-strong-language), I was wondering if I could use strong language in my",
"could tell me is it okay for me to use symbols to replace",
"the strong language. Main question: If I use symbols like '@#$^^' would this",
"the curse words so that the reader wouldn't be too affected by the",
"Main question: If I use symbols like '@#$^^' would this be able to",
"me to use symbols to replace the curse words so that the reader",
"that the reader wouldn't be too affected by the strong language. Main question:",
"if someone could tell me is it okay for me to use symbols",
"language?](https://writing.stackexchange.com/questions/56054/could-i-use-strong-language), I was wondering if I could use strong language in my mid-grade",
"strong language in my mid-grade book. This time I wanted to ask if",
"mid-grade book. This time I wanted to ask if someone could tell me",
"words so that the reader wouldn't be too affected by the strong language.",
"so that the reader wouldn't be too affected by the strong language. Main",
"wouldn't be too affected by the strong language. Main question: If I use",
"ask if someone could tell me is it okay for me to use",
"was wondering if I could use strong language in my mid-grade book. This",
"I use symbols like '@#$^^' would this be able to replace the need",
"earlier question [Could I use strong language?](https://writing.stackexchange.com/questions/56054/could-i-use-strong-language), I was wondering if I could",
"use symbols to replace the curse words so that the reader wouldn't be"
] |
[
"timestamp an idea is to email it to yourself using something like gmail.",
"seems to be no point in using trusted timestamp authorities. If it is,",
"elegant solution to a problem quite a few writers grapple with, especially if",
"easy way to timestamp an idea is to email it to yourself using",
"timestamp authorities. If it is, it is an ingenious and elegant solution to",
"one of my (closed) questions (<https://cseducators.stackexchange.com/q/6963/10585>). Would this be foolproof? If it is,",
"is, then there seems to be no point in using trusted timestamp authorities.",
"If it is, then there seems to be no point in using trusted",
"it is, it is an ingenious and elegant solution to a problem quite",
"foolproof? If it is, then there seems to be no point in using",
"email it to yourself using something like gmail. Since you are not able",
"If it is, it is an ingenious and elegant solution to a problem",
"it to yourself using something like gmail. Since you are not able to",
"(closed) questions (<https://cseducators.stackexchange.com/q/6963/10585>). Would this be foolproof? If it is, then there seems",
"there seems to be no point in using trusted timestamp authorities. If it",
"gmail. Since you are not able to falsify gmail's timestamps, you can use",
"you can use it as evidence of the timing of an idea\" said",
"as evidence of the timing of an idea\" said Ben I. in a",
"few writers grapple with, especially if not very good with computers, and hence",
"using trusted timestamp authorities. If it is, it is an ingenious and elegant",
"a few writers grapple with, especially if not very good with computers, and",
"be no point in using trusted timestamp authorities. If it is, it is",
"like gmail. Since you are not able to falsify gmail's timestamps, you can",
"timing of an idea\" said Ben I. in a comment to one of",
"ingenious and elegant solution to a problem quite a few writers grapple with,",
"an idea\" said Ben I. in a comment to one of my (closed)",
"the timing of an idea\" said Ben I. in a comment to one",
"evidence of the timing of an idea\" said Ben I. in a comment",
"of the timing of an idea\" said Ben I. in a comment to",
"timestamps, you can use it as evidence of the timing of an idea\"",
"said Ben I. in a comment to one of my (closed) questions (<https://cseducators.stackexchange.com/q/6963/10585>).",
"to a problem quite a few writers grapple with, especially if not very",
"use it as evidence of the timing of an idea\" said Ben I.",
"gmail's timestamps, you can use it as evidence of the timing of an",
"in a comment to one of my (closed) questions (<https://cseducators.stackexchange.com/q/6963/10585>). Would this be",
"to falsify gmail's timestamps, you can use it as evidence of the timing",
"trusted timestamp authorities. If it is, it is an ingenious and elegant solution",
"to email it to yourself using something like gmail. Since you are not",
"it as evidence of the timing of an idea\" said Ben I. in",
"to timestamp an idea is to email it to yourself using something like",
"is to email it to yourself using something like gmail. Since you are",
"point in using trusted timestamp authorities. If it is, it is an ingenious",
"and elegant solution to a problem quite a few writers grapple with, especially",
"an idea is to email it to yourself using something like gmail. Since",
"quite a few writers grapple with, especially if not very good with computers,",
"can use it as evidence of the timing of an idea\" said Ben",
"in using trusted timestamp authorities. If it is, it is an ingenious and",
"falsify gmail's timestamps, you can use it as evidence of the timing of",
"idea is to email it to yourself using something like gmail. Since you",
"then there seems to be no point in using trusted timestamp authorities. If",
"I. in a comment to one of my (closed) questions (<https://cseducators.stackexchange.com/q/6963/10585>). Would this",
"are not able to falsify gmail's timestamps, you can use it as evidence",
"able to falsify gmail's timestamps, you can use it as evidence of the",
"to yourself using something like gmail. Since you are not able to falsify",
"not able to falsify gmail's timestamps, you can use it as evidence of",
"my (closed) questions (<https://cseducators.stackexchange.com/q/6963/10585>). Would this be foolproof? If it is, then there",
"it is, then there seems to be no point in using trusted timestamp",
"idea\" said Ben I. in a comment to one of my (closed) questions",
"Since you are not able to falsify gmail's timestamps, you can use it",
"no point in using trusted timestamp authorities. If it is, it is an",
"\"one easy way to timestamp an idea is to email it to yourself",
"Would this be foolproof? If it is, then there seems to be no",
"is, it is an ingenious and elegant solution to a problem quite a",
"this be foolproof? If it is, then there seems to be no point",
"yourself using something like gmail. Since you are not able to falsify gmail's",
"is an ingenious and elegant solution to a problem quite a few writers",
"(<https://cseducators.stackexchange.com/q/6963/10585>). Would this be foolproof? If it is, then there seems to be",
"you are not able to falsify gmail's timestamps, you can use it as",
"of my (closed) questions (<https://cseducators.stackexchange.com/q/6963/10585>). Would this be foolproof? If it is, then",
"a problem quite a few writers grapple with, especially if not very good",
"be foolproof? If it is, then there seems to be no point in",
"comment to one of my (closed) questions (<https://cseducators.stackexchange.com/q/6963/10585>). Would this be foolproof? If",
"problem quite a few writers grapple with, especially if not very good with",
"it is an ingenious and elegant solution to a problem quite a few",
"of an idea\" said Ben I. in a comment to one of my",
"grapple with, especially if not very good with computers, and hence with cryptography.",
"a comment to one of my (closed) questions (<https://cseducators.stackexchange.com/q/6963/10585>). Would this be foolproof?",
"to be no point in using trusted timestamp authorities. If it is, it",
"to one of my (closed) questions (<https://cseducators.stackexchange.com/q/6963/10585>). Would this be foolproof? If it",
"authorities. If it is, it is an ingenious and elegant solution to a",
"questions (<https://cseducators.stackexchange.com/q/6963/10585>). Would this be foolproof? If it is, then there seems to",
"solution to a problem quite a few writers grapple with, especially if not",
"Ben I. in a comment to one of my (closed) questions (<https://cseducators.stackexchange.com/q/6963/10585>). Would",
"way to timestamp an idea is to email it to yourself using something",
"something like gmail. Since you are not able to falsify gmail's timestamps, you",
"an ingenious and elegant solution to a problem quite a few writers grapple",
"writers grapple with, especially if not very good with computers, and hence with",
"using something like gmail. Since you are not able to falsify gmail's timestamps,"
] |
[
"good. But are these methods completely different, or under the same category? Please",
"But it seems that to formulate many thoughts and to put them in",
"that to formulate many thoughts and to put them in order afterward, is",
"which is equally as good. But are these methods completely different, or under",
"is taught that before beginning a draft, you need to form an outline,",
"is method which is equally as good. But are these methods completely different,",
"to form an outline, this according to what is called the writing process.",
"according to what is called the writing process. But it seems that to",
"afterward, is method which is equally as good. But are these methods completely",
"called the writing process. But it seems that to formulate many thoughts and",
"put them in order afterward, is method which is equally as good. But",
"completely different, or under the same category? Please discuss these methods in further",
"need to form an outline, this according to what is called the writing",
"beginning a draft, you need to form an outline, this according to what",
"the writing process. But it seems that to formulate many thoughts and to",
"to formulate many thoughts and to put them in order afterward, is method",
"them in order afterward, is method which is equally as good. But are",
"are these methods completely different, or under the same category? Please discuss these",
"before beginning a draft, you need to form an outline, this according to",
"a draft, you need to form an outline, this according to what is",
"writing process. But it seems that to formulate many thoughts and to put",
"an outline, this according to what is called the writing process. But it",
"methods completely different, or under the same category? Please discuss these methods in",
"in order afterward, is method which is equally as good. But are these",
"form an outline, this according to what is called the writing process. But",
"thoughts and to put them in order afterward, is method which is equally",
"these methods completely different, or under the same category? Please discuss these methods",
"process. But it seems that to formulate many thoughts and to put them",
"what is called the writing process. But it seems that to formulate many",
"different, or under the same category? Please discuss these methods in further detail.",
"this according to what is called the writing process. But it seems that",
"that before beginning a draft, you need to form an outline, this according",
"equally as good. But are these methods completely different, or under the same",
"to what is called the writing process. But it seems that to formulate",
"But are these methods completely different, or under the same category? Please discuss",
"It is taught that before beginning a draft, you need to form an",
"as good. But are these methods completely different, or under the same category?",
"is called the writing process. But it seems that to formulate many thoughts",
"formulate many thoughts and to put them in order afterward, is method which",
"you need to form an outline, this according to what is called the",
"to put them in order afterward, is method which is equally as good.",
"it seems that to formulate many thoughts and to put them in order",
"outline, this according to what is called the writing process. But it seems",
"order afterward, is method which is equally as good. But are these methods",
"is equally as good. But are these methods completely different, or under the",
"method which is equally as good. But are these methods completely different, or",
"seems that to formulate many thoughts and to put them in order afterward,",
"draft, you need to form an outline, this according to what is called",
"many thoughts and to put them in order afterward, is method which is",
"taught that before beginning a draft, you need to form an outline, this",
"and to put them in order afterward, is method which is equally as"
] |
[
"way to emphasize words or a group of words without italicizing, for example:",
"to get that emphasis I have had to *italicize* lots of words throughout",
"that my characters are saying and it has gotten repetitive, somewhat. I want",
"it has gotten repetitive, somewhat. I want to know of there is some",
"my question is: Is there another way, or are there other ways to",
"way, or are there other ways to show emphasis on a words or",
"or are there other ways to show emphasis on a words or a",
"> Or better yet: > > \"*I don't know* if I know what",
"a lot of dialogue between characters with words that need to be said",
"what I know or if it was the doing of > someone else\"",
"noticed that I have had a lot of dialogue between characters with words",
"I know what I know or if it was the doing of someone",
"or does the emphasis come across the same without the emphasis: > >",
"\"This is *so* much better that *that* old thing\" > > > or",
"doing of someone else\" > > > So, my question is: Is there",
"doing of > someone else\" > > > or > > \"I don't",
"or if it was the doing of someone else\" > > > So,",
"> > > or does the emphasis come across the same without the",
"> > So, my question is: Is there another way, or are there",
"> > > So, my question is: Is there another way, or are",
"of there is some other way to emphasize words or a group of",
"characters with words that need to be said with a noticeable amount of",
"than that old thing\" > > > Or better yet: > > \"*I",
"of emphasis, and in order to get that emphasis I have had to",
"that *that* old thing\" > > > or does the emphasis come across",
"know what I know or if it was the doing of someone else\"",
"Is there another way, or are there other ways to show emphasis on",
"much better that *that* old thing\" > > > or does the emphasis",
"to *italicize* lots of words throughout many sentences that my characters are saying",
"know or if it was the doing of someone else\" > > >",
"same without the emphasis: > > \"This is so much better than that",
"of words throughout many sentences that my characters are saying and it has",
"the emphasis: > > \"This is so much better than that old thing\"",
"have had to *italicize* lots of words throughout many sentences that my characters",
"there is some other way to emphasize words or a group of words",
"> > > Or better yet: > > \"*I don't know* if I",
"old thing\" > > > or does the emphasis come across the same",
"to emphasize words or a group of words without italicizing, for example: >",
"thing\" > > > or does the emphasis come across the same without",
"> > or > > \"I don't know if I know what I",
"characters are saying and it has gotten repetitive, somewhat. I want to know",
"words throughout many sentences that my characters are saying and it has gotten",
"I've noticed that I have had a lot of dialogue between characters with",
"that old thing\" > > > Or better yet: > > \"*I don't",
"are there other ways to show emphasis on a words or a word",
"a group of words without italicizing, for example: > > \"This is *so*",
"for example: > > \"This is *so* much better that *that* old thing\"",
"order to get that emphasis I have had to *italicize* lots of words",
"between characters with words that need to be said with a noticeable amount",
"> or > > \"I don't know if I know what I know",
"it was the doing of > someone else\" > > > or >",
"want to know of there is some other way to emphasize words or",
"> So, my question is: Is there another way, or are there other",
"emphasize words or a group of words without italicizing, for example: > >",
"don't know if I know what I know or if it was the",
"of > someone else\" > > > or > > \"I don't know",
"*that* old thing\" > > > or does the emphasis come across the",
"sentences that my characters are saying and it has gotten repetitive, somewhat. I",
"better than that old thing\" > > > Or better yet: > >",
"if it was the doing of > someone else\" > > > or",
"does the emphasis come across the same without the emphasis: > > \"This",
"*so* much better that *that* old thing\" > > > or does the",
"that I have had a lot of dialogue between characters with words that",
"> > \"This is so much better than that old thing\" > >",
"I know or if it was the doing of > someone else\" >",
"else\" > > > or > > \"I don't know if I know",
"> > or does the emphasis come across the same without the emphasis:",
"is *so* much better that *that* old thing\" > > > or does",
"is: Is there another way, or are there other ways to show emphasis",
"other ways to show emphasis on a words or a word phrase without",
"emphasis, and in order to get that emphasis I have had to *italicize*",
"repetitive, somewhat. I want to know of there is some other way to",
"the doing of > someone else\" > > > or > > \"I",
"what I know or if it was the doing of someone else\" >",
"emphasis come across the same without the emphasis: > > \"This is so",
"need to be said with a noticeable amount of emphasis, and in order",
"else\" > > > So, my question is: Is there another way, or",
"know* if I know what I know or if it was the doing",
"know what I know or if it was the doing of > someone",
"I know or if it was the doing of someone else\" > >",
"other way to emphasize words or a group of words without italicizing, for",
"is so much better than that old thing\" > > > Or better",
"that need to be said with a noticeable amount of emphasis, and in",
"had a lot of dialogue between characters with words that need to be",
"*italicize* lots of words throughout many sentences that my characters are saying and",
"was the doing of > someone else\" > > > or > >",
"words that need to be said with a noticeable amount of emphasis, and",
"to be said with a noticeable amount of emphasis, and in order to",
"yet: > > \"*I don't know* if I know what I know or",
"has gotten repetitive, somewhat. I want to know of there is some other",
"with words that need to be said with a noticeable amount of emphasis,",
"I know what I know or if it was the doing of >",
"come across the same without the emphasis: > > \"This is so much",
"know or if it was the doing of > someone else\" > >",
"with a noticeable amount of emphasis, and in order to get that emphasis",
"> \"*I don't know* if I know what I know or if it",
"> > \"This is *so* much better that *that* old thing\" > >",
"know if I know what I know or if it was the doing",
"my characters are saying and it has gotten repetitive, somewhat. I want to",
"I have had to *italicize* lots of words throughout many sentences that my",
"are saying and it has gotten repetitive, somewhat. I want to know of",
"emphasis I have had to *italicize* lots of words throughout many sentences that",
"\"*I don't know* if I know what I know or if it was",
"> > \"*I don't know* if I know what I know or if",
"lot of dialogue between characters with words that need to be said with",
"emphasis: > > \"This is so much better than that old thing\" >",
"the same without the emphasis: > > \"This is so much better than",
"gotten repetitive, somewhat. I want to know of there is some other way",
"have had a lot of dialogue between characters with words that need to",
"somewhat. I want to know of there is some other way to emphasize",
"said with a noticeable amount of emphasis, and in order to get that",
"and in order to get that emphasis I have had to *italicize* lots",
"amount of emphasis, and in order to get that emphasis I have had",
"So, my question is: Is there another way, or are there other ways",
"be said with a noticeable amount of emphasis, and in order to get",
"words without italicizing, for example: > > \"This is *so* much better that",
"was the doing of someone else\" > > > So, my question is:",
"had to *italicize* lots of words throughout many sentences that my characters are",
"dialogue between characters with words that need to be said with a noticeable",
"many sentences that my characters are saying and it has gotten repetitive, somewhat.",
"and it has gotten repetitive, somewhat. I want to know of there is",
"is some other way to emphasize words or a group of words without",
"there other ways to show emphasis on a words or a word phrase",
"of someone else\" > > > So, my question is: Is there another",
"don't know* if I know what I know or if it was the",
"ways to show emphasis on a words or a word phrase without using",
"thing\" > > > Or better yet: > > \"*I don't know* if",
"much better than that old thing\" > > > Or better yet: >",
"> > Or better yet: > > \"*I don't know* if I know",
"there another way, or are there other ways to show emphasis on a",
"group of words without italicizing, for example: > > \"This is *so* much",
"it was the doing of someone else\" > > > So, my question",
"without the emphasis: > > \"This is so much better than that old",
"that emphasis I have had to *italicize* lots of words throughout many sentences",
"of dialogue between characters with words that need to be said with a",
"italicizing, for example: > > \"This is *so* much better that *that* old",
"Or better yet: > > \"*I don't know* if I know what I",
"or if it was the doing of > someone else\" > > >",
"\"I don't know if I know what I know or if it was",
"question is: Is there another way, or are there other ways to show",
"to know of there is some other way to emphasize words or a",
"if I know what I know or if it was the doing of",
"some other way to emphasize words or a group of words without italicizing,",
"old thing\" > > > Or better yet: > > \"*I don't know*",
"someone else\" > > > So, my question is: Is there another way,",
"> \"I don't know if I know what I know or if it",
"know of there is some other way to emphasize words or a group",
"the doing of someone else\" > > > So, my question is: Is",
"> or does the emphasis come across the same without the emphasis: >",
"or > > \"I don't know if I know what I know or",
"so much better than that old thing\" > > > Or better yet:",
"lots of words throughout many sentences that my characters are saying and it",
"\"This is so much better than that old thing\" > > > Or",
"I have had a lot of dialogue between characters with words that need",
"without italicizing, for example: > > \"This is *so* much better that *that*",
"I want to know of there is some other way to emphasize words",
"or a group of words without italicizing, for example: > > \"This is",
"example: > > \"This is *so* much better that *that* old thing\" >",
"get that emphasis I have had to *italicize* lots of words throughout many",
"> > > or > > \"I don't know if I know what",
"to show emphasis on a words or a word phrase without using italics?",
"if it was the doing of someone else\" > > > So, my",
"words or a group of words without italicizing, for example: > > \"This",
"another way, or are there other ways to show emphasis on a words",
"better yet: > > \"*I don't know* if I know what I know",
"a noticeable amount of emphasis, and in order to get that emphasis I",
"of words without italicizing, for example: > > \"This is *so* much better",
"across the same without the emphasis: > > \"This is so much better",
"noticeable amount of emphasis, and in order to get that emphasis I have",
"the emphasis come across the same without the emphasis: > > \"This is",
"better that *that* old thing\" > > > or does the emphasis come",
"in order to get that emphasis I have had to *italicize* lots of",
"> someone else\" > > > or > > \"I don't know if",
"> \"This is so much better than that old thing\" > > >",
"> > \"I don't know if I know what I know or if",
"> \"This is *so* much better that *that* old thing\" > > >",
"saying and it has gotten repetitive, somewhat. I want to know of there",
"throughout many sentences that my characters are saying and it has gotten repetitive,",
"someone else\" > > > or > > \"I don't know if I"
] |
[
"you were to use real countries then the fictional countries or country would",
"do authors invent fictional countries on earth in their novels and how do",
"and you wouldn't be able to really locate them, or some conflicts would",
"were to use real countries then the fictional countries or country would be",
"lie up? For example, if you talk about neighboring countries, don't these neighboring",
"in their novels and how do you keep the lie up? For example,",
"neighboring countries also have to be fictional so that there's no logic gap?",
"place and you wouldn't be able to really locate them, or some conflicts",
"be out of place and you wouldn't be able to really locate them,",
"talk about neighboring countries, don't these neighboring countries also have to be fictional",
"next to countries that cannot be neighboring it, so how do you deal",
"or some conflicts would arise because it could be next to countries that",
"to really locate them, or some conflicts would arise because it could be",
"some conflicts would arise because it could be next to countries that cannot",
"the lie up? For example, if you talk about neighboring countries, don't these",
"neighboring countries, don't these neighboring countries also have to be fictional so that",
"there's no logic gap? If you were to use real countries then the",
"do you keep the lie up? For example, if you talk about neighboring",
"countries also have to be fictional so that there's no logic gap? If",
"and how do you keep the lie up? For example, if you talk",
"no logic gap? If you were to use real countries then the fictional",
"earth in their novels and how do you keep the lie up? For",
"of place and you wouldn't be able to really locate them, or some",
"how do you keep the lie up? For example, if you talk about",
"keep the lie up? For example, if you talk about neighboring countries, don't",
"you keep the lie up? For example, if you talk about neighboring countries,",
"so that there's no logic gap? If you were to use real countries",
"Why do authors invent fictional countries on earth in their novels and how",
"because it could be next to countries that cannot be neighboring it, so",
"on earth in their novels and how do you keep the lie up?",
"these neighboring countries also have to be fictional so that there's no logic",
"countries then the fictional countries or country would be out of place and",
"also have to be fictional so that there's no logic gap? If you",
"logic gap? If you were to use real countries then the fictional countries",
"countries, don't these neighboring countries also have to be fictional so that there's",
"you talk about neighboring countries, don't these neighboring countries also have to be",
"authors invent fictional countries on earth in their novels and how do you",
"that cannot be neighboring it, so how do you deal with these issues?",
"For example, if you talk about neighboring countries, don't these neighboring countries also",
"don't these neighboring countries also have to be fictional so that there's no",
"conflicts would arise because it could be next to countries that cannot be",
"novels and how do you keep the lie up? For example, if you",
"to use real countries then the fictional countries or country would be out",
"example, if you talk about neighboring countries, don't these neighboring countries also have",
"fictional so that there's no logic gap? If you were to use real",
"able to really locate them, or some conflicts would arise because it could",
"fictional countries on earth in their novels and how do you keep the",
"be fictional so that there's no logic gap? If you were to use",
"would arise because it could be next to countries that cannot be neighboring",
"out of place and you wouldn't be able to really locate them, or",
"have to be fictional so that there's no logic gap? If you were",
"you wouldn't be able to really locate them, or some conflicts would arise",
"country would be out of place and you wouldn't be able to really",
"really locate them, or some conflicts would arise because it could be next",
"fictional countries or country would be out of place and you wouldn't be",
"real countries then the fictional countries or country would be out of place",
"If you were to use real countries then the fictional countries or country",
"or country would be out of place and you wouldn't be able to",
"locate them, or some conflicts would arise because it could be next to",
"to countries that cannot be neighboring it, so how do you deal with",
"up? For example, if you talk about neighboring countries, don't these neighboring countries",
"gap? If you were to use real countries then the fictional countries or",
"if you talk about neighboring countries, don't these neighboring countries also have to",
"could be next to countries that cannot be neighboring it, so how do",
"countries or country would be out of place and you wouldn't be able",
"be able to really locate them, or some conflicts would arise because it",
"about neighboring countries, don't these neighboring countries also have to be fictional so",
"countries that cannot be neighboring it, so how do you deal with these",
"then the fictional countries or country would be out of place and you",
"them, or some conflicts would arise because it could be next to countries",
"would be out of place and you wouldn't be able to really locate",
"be next to countries that cannot be neighboring it, so how do you",
"countries on earth in their novels and how do you keep the lie",
"the fictional countries or country would be out of place and you wouldn't",
"use real countries then the fictional countries or country would be out of",
"invent fictional countries on earth in their novels and how do you keep",
"to be fictional so that there's no logic gap? If you were to",
"that there's no logic gap? If you were to use real countries then",
"their novels and how do you keep the lie up? For example, if",
"arise because it could be next to countries that cannot be neighboring it,",
"it could be next to countries that cannot be neighboring it, so how",
"wouldn't be able to really locate them, or some conflicts would arise because"
] |
[
"out what's going to happen in between those important plot points. I'm a",
"points. I'm a heavy plotser, so it wouldn't be very productive for me",
"having trouble coming up with scenes/situations to put my characters in. I've tried",
"with scenes/situations to put my characters in. I've tried scene prompts but they",
"authors are so creative with some scenes in their books; I've just never",
"I be more creative? This problem is kind of holding up my outlining",
"some authors are so creative with some scenes in their books; I've just",
"up with scenes/situations to put my characters in. I've tried scene prompts but",
"into my story. I don't know how some authors are so creative with",
"outlining process. I oftentimes just stare at my screen not knowing where to",
"screen not knowing where to go next, even though I know what's going",
"but it ends up not fitting in my story, or I can't figure",
"or I can't figure out how to fit it into my story. I",
"with believable, interesting scenes that are relevant to your plot? How do I",
"ends up not fitting in my story, or I can't figure out how",
"even though I know what's going to happen in my plot. I need",
"oftentimes just stare at my screen not knowing where to go next, even",
"coming up with scenes/situations to put my characters in. I've tried scene prompts",
"process. I oftentimes just stare at my screen not knowing where to go",
"don't work for me. Sometimes I will think of a random scene, but",
"my plot. I need to figure out what's going to happen in between",
"that with my writing yet. How do you come up with believable, interesting",
"random scene, but it ends up not fitting in my story, or I",
"plotser, so it wouldn't be very productive for me to come up with",
"to put my characters in. I've tried scene prompts but they don't work",
"do I be more creative? This problem is kind of holding up my",
"books; I've just never achieved that with my writing yet. How do you",
"to happen in my plot. I need to figure out what's going to",
"I've tried scene prompts but they don't work for me. Sometimes I will",
"wouldn't be very productive for me to come up with scenes/situations on the",
"of holding up my outlining process. I oftentimes just stare at my screen",
"plot? How do I be more creative? This problem is kind of holding",
"I will think of a random scene, but it ends up not fitting",
"are relevant to your plot? How do I be more creative? This problem",
"scene, but it ends up not fitting in my story, or I can't",
"and I'm having trouble coming up with scenes/situations to put my characters in.",
"happen in between those important plot points. I'm a heavy plotser, so it",
"of a random scene, but it ends up not fitting in my story,",
"yet. How do you come up with believable, interesting scenes that are relevant",
"to your plot? How do I be more creative? This problem is kind",
"going to happen in my plot. I need to figure out what's going",
"I oftentimes just stare at my screen not knowing where to go next,",
"but they don't work for me. Sometimes I will think of a random",
"going to happen in between those important plot points. I'm a heavy plotser,",
"in my plot. I need to figure out what's going to happen in",
"writing yet. How do you come up with believable, interesting scenes that are",
"never achieved that with my writing yet. How do you come up with",
"interesting scenes that are relevant to your plot? How do I be more",
"what's going to happen in between those important plot points. I'm a heavy",
"figure out how to fit it into my story. I don't know how",
"to figure out what's going to happen in between those important plot points.",
"important plot points. I'm a heavy plotser, so it wouldn't be very productive",
"just never achieved that with my writing yet. How do you come up",
"Sometimes I will think of a random scene, but it ends up not",
"up not fitting in my story, or I can't figure out how to",
"how to fit it into my story. I don't know how some authors",
"go next, even though I know what's going to happen in my plot.",
"up my outlining process. I oftentimes just stare at my screen not knowing",
"in their books; I've just never achieved that with my writing yet. How",
"will think of a random scene, but it ends up not fitting in",
"it wouldn't be very productive for me to come up with scenes/situations on",
"my novel, and I'm having trouble coming up with scenes/situations to put my",
"next, even though I know what's going to happen in my plot. I",
"with some scenes in their books; I've just never achieved that with my",
"believable, interesting scenes that are relevant to your plot? How do I be",
"your plot? How do I be more creative? This problem is kind of",
"plot points. I'm a heavy plotser, so it wouldn't be very productive for",
"they don't work for me. Sometimes I will think of a random scene,",
"my screen not knowing where to go next, even though I know what's",
"scenes in their books; I've just never achieved that with my writing yet.",
"scenes/situations to put my characters in. I've tried scene prompts but they don't",
"scenes that are relevant to your plot? How do I be more creative?",
"my story. I don't know how some authors are so creative with some",
"creative with some scenes in their books; I've just never achieved that with",
"trouble coming up with scenes/situations to put my characters in. I've tried scene",
"in. I've tried scene prompts but they don't work for me. Sometimes I",
"kind of holding up my outlining process. I oftentimes just stare at my",
"work for me. Sometimes I will think of a random scene, but it",
"heavy plotser, so it wouldn't be very productive for me to come up",
"outlining my novel, and I'm having trouble coming up with scenes/situations to put",
"come up with believable, interesting scenes that are relevant to your plot? How",
"between those important plot points. I'm a heavy plotser, so it wouldn't be",
"those important plot points. I'm a heavy plotser, so it wouldn't be very",
"put my characters in. I've tried scene prompts but they don't work for",
"I've just never achieved that with my writing yet. How do you come",
"I need to figure out what's going to happen in between those important",
"achieved that with my writing yet. How do you come up with believable,",
"it ends up not fitting in my story, or I can't figure out",
"don't know how some authors are so creative with some scenes in their",
"know what's going to happen in my plot. I need to figure out",
"a heavy plotser, so it wouldn't be very productive for me to come",
"figure out what's going to happen in between those important plot points. I'm",
"scene prompts but they don't work for me. Sometimes I will think of",
"I can't figure out how to fit it into my story. I don't",
"I don't know how some authors are so creative with some scenes in",
"creative? This problem is kind of holding up my outlining process. I oftentimes",
"what's going to happen in my plot. I need to figure out what's",
"my outlining process. I oftentimes just stare at my screen not knowing where",
"can't figure out how to fit it into my story. I don't know",
"be more creative? This problem is kind of holding up my outlining process.",
"their books; I've just never achieved that with my writing yet. How do",
"just stare at my screen not knowing where to go next, even though",
"my writing yet. How do you come up with believable, interesting scenes that",
"stare at my screen not knowing where to go next, even though I",
"currently outlining my novel, and I'm having trouble coming up with scenes/situations to",
"more creative? This problem is kind of holding up my outlining process. I",
"fitting in my story, or I can't figure out how to fit it",
"not knowing where to go next, even though I know what's going to",
"up with believable, interesting scenes that are relevant to your plot? How do",
"to fit it into my story. I don't know how some authors are",
"though I know what's going to happen in my plot. I need to",
"characters in. I've tried scene prompts but they don't work for me. Sometimes",
"tried scene prompts but they don't work for me. Sometimes I will think",
"not fitting in my story, or I can't figure out how to fit",
"in my story, or I can't figure out how to fit it into",
"a random scene, but it ends up not fitting in my story, or",
"to happen in between those important plot points. I'm a heavy plotser, so",
"you come up with believable, interesting scenes that are relevant to your plot?",
"at my screen not knowing where to go next, even though I know",
"plot. I need to figure out what's going to happen in between those",
"very productive for me to come up with scenes/situations on the spot while",
"do you come up with believable, interesting scenes that are relevant to your",
"This problem is kind of holding up my outlining process. I oftentimes just",
"it into my story. I don't know how some authors are so creative",
"is kind of holding up my outlining process. I oftentimes just stare at",
"problem is kind of holding up my outlining process. I oftentimes just stare",
"out how to fit it into my story. I don't know how some",
"some scenes in their books; I've just never achieved that with my writing",
"with my writing yet. How do you come up with believable, interesting scenes",
"need to figure out what's going to happen in between those important plot",
"know how some authors are so creative with some scenes in their books;",
"relevant to your plot? How do I be more creative? This problem is",
"that are relevant to your plot? How do I be more creative? This",
"productive for me to come up with scenes/situations on the spot while writing.",
"my characters in. I've tried scene prompts but they don't work for me.",
"novel, and I'm having trouble coming up with scenes/situations to put my characters",
"my story, or I can't figure out how to fit it into my",
"happen in my plot. I need to figure out what's going to happen",
"story. I don't know how some authors are so creative with some scenes",
"think of a random scene, but it ends up not fitting in my",
"holding up my outlining process. I oftentimes just stare at my screen not",
"story, or I can't figure out how to fit it into my story.",
"I'm currently outlining my novel, and I'm having trouble coming up with scenes/situations",
"how some authors are so creative with some scenes in their books; I've",
"I'm a heavy plotser, so it wouldn't be very productive for me to",
"be very productive for me to come up with scenes/situations on the spot",
"I'm having trouble coming up with scenes/situations to put my characters in. I've",
"for me. Sometimes I will think of a random scene, but it ends",
"How do you come up with believable, interesting scenes that are relevant to",
"so it wouldn't be very productive for me to come up with scenes/situations",
"knowing where to go next, even though I know what's going to happen",
"I know what's going to happen in my plot. I need to figure",
"prompts but they don't work for me. Sometimes I will think of a",
"where to go next, even though I know what's going to happen in",
"in between those important plot points. I'm a heavy plotser, so it wouldn't",
"me. Sometimes I will think of a random scene, but it ends up",
"fit it into my story. I don't know how some authors are so",
"are so creative with some scenes in their books; I've just never achieved",
"so creative with some scenes in their books; I've just never achieved that",
"How do I be more creative? This problem is kind of holding up",
"to go next, even though I know what's going to happen in my"
] |
[
"one of the men replied. > > > \"You're right, it's dumb,\" another",
"it's dumb,\" another man replied. > > > \"Yes, I know,\" the other",
"right, it's dumb,\" another man replied. > > > \"Yes, I know,\" the",
"> > \"Yeah..\" the other man replied. > > > It can be",
"dumb,\" another man replied. > > > \"Yes, I know,\" the other replied.",
"> > > \"Yeah..\" the other man replied. > > > It can",
"can be confusing when you use \"one of the men\", because you can't",
"this is dumb,\" one of the men replied. > > > \"You're right,",
"other man replied. > > > It can be confusing when you use",
"the men replied. > > > \"You're right, it's dumb,\" another man replied.",
"It can be confusing when you use \"one of the men\", because you",
"\"You're right, it's dumb,\" another man replied. > > > \"Yes, I know,\"",
"use \"one of the men\", because you can't reuse it, and it forces",
"reuse it, and it forces you into an awkward situation. How can you",
"dumb,\" one of the men replied. > > > \"You're right, it's dumb,\"",
"another man replied. > > > \"Yes, I know,\" the other replied. >",
"replied. > > > \"You're right, it's dumb,\" another man replied. > >",
"> \"Yeah..\" the other man replied. > > > It can be confusing",
"of the men\", because you can't reuse it, and it forces you into",
"replied. > > > It can be confusing when you use \"one of",
"\"Hey, this is dumb,\" one of the men replied. > > > \"You're",
"> \"You're right, it's dumb,\" another man replied. > > > \"Yes, I",
"you can't reuse it, and it forces you into an awkward situation. How",
"the other man replied. > > > It can be confusing when you",
"> \"Yes, I know,\" the other replied. > > > \"Yeah..\" the other",
"is dumb,\" one of the men replied. > > > \"You're right, it's",
"> \"Hey, this is dumb,\" one of the men replied. > > >",
"when you use \"one of the men\", because you can't reuse it, and",
"\"one of the men\", because you can't reuse it, and it forces you",
"of the men replied. > > > \"You're right, it's dumb,\" another man",
"and it forces you into an awkward situation. How can you prevent this?",
"> > > \"Yes, I know,\" the other replied. > > > \"Yeah..\"",
"it, and it forces you into an awkward situation. How can you prevent",
"> > \"You're right, it's dumb,\" another man replied. > > > \"Yes,",
"be confusing when you use \"one of the men\", because you can't reuse",
"know,\" the other replied. > > > \"Yeah..\" the other man replied. >",
"replied. > > > \"Yeah..\" the other man replied. > > > It",
"the men\", because you can't reuse it, and it forces you into an",
"the other replied. > > > \"Yeah..\" the other man replied. > >",
"> > \"Yes, I know,\" the other replied. > > > \"Yeah..\" the",
"man replied. > > > It can be confusing when you use \"one",
"men\", because you can't reuse it, and it forces you into an awkward",
"\"Yeah..\" the other man replied. > > > It can be confusing when",
"> > > It can be confusing when you use \"one of the",
"you use \"one of the men\", because you can't reuse it, and it",
"> > \"Hey, this is dumb,\" one of the men replied. > >",
"\"Yes, I know,\" the other replied. > > > \"Yeah..\" the other man",
"> > > \"You're right, it's dumb,\" another man replied. > > >",
"man replied. > > > \"Yes, I know,\" the other replied. > >",
"other replied. > > > \"Yeah..\" the other man replied. > > >",
"> > It can be confusing when you use \"one of the men\",",
"replied. > > > \"Yes, I know,\" the other replied. > > >",
"> It can be confusing when you use \"one of the men\", because",
"men replied. > > > \"You're right, it's dumb,\" another man replied. >",
"confusing when you use \"one of the men\", because you can't reuse it,",
"can't reuse it, and it forces you into an awkward situation. How can",
"because you can't reuse it, and it forces you into an awkward situation.",
"I know,\" the other replied. > > > \"Yeah..\" the other man replied."
] |
[
"anything that is 'Good' could have an evil secret and anything that is",
"has characters choosing sides. Is there more to writing than just 'Good' and",
"evil secret and anything that is 'Evil' could have a good secret yet",
"an evil secret and anything that is 'Evil' could have a good secret",
"This is a question that I don't know whether to release since I",
"that is 'Evil' could have a good secret yet there are so many",
"a good secret yet there are so many cases where it has characters",
"that anything that is 'Good' could have an evil secret and anything that",
"since I know that anything that is 'Good' could have an evil secret",
"and anything that is 'Evil' could have a good secret yet there are",
"yet there are so many cases where it has characters choosing sides. Is",
"I know that anything that is 'Good' could have an evil secret and",
"I don't know whether to release since I know that anything that is",
"to release since I know that anything that is 'Good' could have an",
"whether to release since I know that anything that is 'Good' could have",
"there are so many cases where it has characters choosing sides. Is there",
"'Good' could have an evil secret and anything that is 'Evil' could have",
"'Evil' could have a good secret yet there are so many cases where",
"know that anything that is 'Good' could have an evil secret and anything",
"is a question that I don't know whether to release since I know",
"is 'Good' could have an evil secret and anything that is 'Evil' could",
"release since I know that anything that is 'Good' could have an evil",
"that is 'Good' could have an evil secret and anything that is 'Evil'",
"have a good secret yet there are so many cases where it has",
"so many cases where it has characters choosing sides. Is there more to",
"where it has characters choosing sides. Is there more to writing than just",
"it has characters choosing sides. Is there more to writing than just 'Good'",
"question that I don't know whether to release since I know that anything",
"characters choosing sides. Is there more to writing than just 'Good' and 'Evil'?",
"cases where it has characters choosing sides. Is there more to writing than",
"anything that is 'Evil' could have a good secret yet there are so",
"is 'Evil' could have a good secret yet there are so many cases",
"good secret yet there are so many cases where it has characters choosing",
"secret yet there are so many cases where it has characters choosing sides.",
"don't know whether to release since I know that anything that is 'Good'",
"could have an evil secret and anything that is 'Evil' could have a",
"that I don't know whether to release since I know that anything that",
"know whether to release since I know that anything that is 'Good' could",
"a question that I don't know whether to release since I know that",
"are so many cases where it has characters choosing sides. Is there more",
"many cases where it has characters choosing sides. Is there more to writing",
"have an evil secret and anything that is 'Evil' could have a good",
"could have a good secret yet there are so many cases where it",
"secret and anything that is 'Evil' could have a good secret yet there"
] |
[
"Do you think I could actually pull this off or would it make",
"protagonist that is from a fictional land with fictional languages and isn’t incredibly",
"thinking that when she narrates in her own head, she sounds pretty coherent",
"from a fictional land with fictional languages and isn’t incredibly fluid in English.",
"in English. I’m thinking that when she narrates in her own head, she",
"make her character voice too inconsistent (or at worst annoying to the reader)?",
"voice too inconsistent (or at worst annoying to the reader)? I’m curious what",
"that is from a fictional land with fictional languages and isn’t incredibly fluid",
"kind of foreigner. Do you think I could actually pull this off or",
"actually speaks to other characters out loud, her dialogue will have much poorer",
"I still want her to be understandable to the readers but for other",
"this off or would it make her character voice too inconsistent (or at",
"a protagonist that is from a fictional land with fictional languages and isn’t",
"narrates in her own head, she sounds pretty coherent but when she actually",
"but for other characters to notice she is definitely some kind of foreigner.",
"write a protagonist that is from a fictional land with fictional languages and",
"much poorer grammatical structure and be, y’know, broken. I still want her to",
"broken. I still want her to be understandable to the readers but for",
"loud, her dialogue will have much poorer grammatical structure and be, y’know, broken.",
"and be, y’know, broken. I still want her to be understandable to the",
"sounds pretty coherent but when she actually speaks to other characters out loud,",
"head, she sounds pretty coherent but when she actually speaks to other characters",
"still want her to be understandable to the readers but for other characters",
"I’m thinking that when she narrates in her own head, she sounds pretty",
"notice she is definitely some kind of foreigner. Do you think I could",
"a fictional land with fictional languages and isn’t incredibly fluid in English. I’m",
"is definitely some kind of foreigner. Do you think I could actually pull",
"to be understandable to the readers but for other characters to notice she",
"you think I could actually pull this off or would it make her",
"I’m wanting to write a protagonist that is from a fictional land with",
"is from a fictional land with fictional languages and isn’t incredibly fluid in",
"definitely some kind of foreigner. Do you think I could actually pull this",
"think I could actually pull this off or would it make her character",
"it make her character voice too inconsistent (or at worst annoying to the",
"could actually pull this off or would it make her character voice too",
"inconsistent (or at worst annoying to the reader)? I’m curious what your thoughts",
"coherent but when she actually speaks to other characters out loud, her dialogue",
"foreigner. Do you think I could actually pull this off or would it",
"characters out loud, her dialogue will have much poorer grammatical structure and be,",
"off or would it make her character voice too inconsistent (or at worst",
"be understandable to the readers but for other characters to notice she is",
"her to be understandable to the readers but for other characters to notice",
"her own head, she sounds pretty coherent but when she actually speaks to",
"her character voice too inconsistent (or at worst annoying to the reader)? I’m",
"to other characters out loud, her dialogue will have much poorer grammatical structure",
"readers but for other characters to notice she is definitely some kind of",
"have much poorer grammatical structure and be, y’know, broken. I still want her",
"with fictional languages and isn’t incredibly fluid in English. I’m thinking that when",
"the readers but for other characters to notice she is definitely some kind",
"pretty coherent but when she actually speaks to other characters out loud, her",
"other characters out loud, her dialogue will have much poorer grammatical structure and",
"in her own head, she sounds pretty coherent but when she actually speaks",
"but when she actually speaks to other characters out loud, her dialogue will",
"characters to notice she is definitely some kind of foreigner. Do you think",
"fictional languages and isn’t incredibly fluid in English. I’m thinking that when she",
"fictional land with fictional languages and isn’t incredibly fluid in English. I’m thinking",
"grammatical structure and be, y’know, broken. I still want her to be understandable",
"fluid in English. I’m thinking that when she narrates in her own head,",
"she narrates in her own head, she sounds pretty coherent but when she",
"pull this off or would it make her character voice too inconsistent (or",
"land with fictional languages and isn’t incredibly fluid in English. I’m thinking that",
"or would it make her character voice too inconsistent (or at worst annoying",
"she sounds pretty coherent but when she actually speaks to other characters out",
"of foreigner. Do you think I could actually pull this off or would",
"incredibly fluid in English. I’m thinking that when she narrates in her own",
"character voice too inconsistent (or at worst annoying to the reader)? I’m curious",
"I could actually pull this off or would it make her character voice",
"languages and isn’t incredibly fluid in English. I’m thinking that when she narrates",
"out loud, her dialogue will have much poorer grammatical structure and be, y’know,",
"will have much poorer grammatical structure and be, y’know, broken. I still want",
"(or at worst annoying to the reader)? I’m curious what your thoughts are.",
"would it make her character voice too inconsistent (or at worst annoying to",
"structure and be, y’know, broken. I still want her to be understandable to",
"too inconsistent (or at worst annoying to the reader)? I’m curious what your",
"be, y’know, broken. I still want her to be understandable to the readers",
"she is definitely some kind of foreigner. Do you think I could actually",
"speaks to other characters out loud, her dialogue will have much poorer grammatical",
"dialogue will have much poorer grammatical structure and be, y’know, broken. I still",
"some kind of foreigner. Do you think I could actually pull this off",
"to the readers but for other characters to notice she is definitely some",
"for other characters to notice she is definitely some kind of foreigner. Do",
"other characters to notice she is definitely some kind of foreigner. Do you",
"when she narrates in her own head, she sounds pretty coherent but when",
"wanting to write a protagonist that is from a fictional land with fictional",
"poorer grammatical structure and be, y’know, broken. I still want her to be",
"and isn’t incredibly fluid in English. I’m thinking that when she narrates in",
"y’know, broken. I still want her to be understandable to the readers but",
"that when she narrates in her own head, she sounds pretty coherent but",
"own head, she sounds pretty coherent but when she actually speaks to other",
"English. I’m thinking that when she narrates in her own head, she sounds",
"actually pull this off or would it make her character voice too inconsistent",
"want her to be understandable to the readers but for other characters to",
"isn’t incredibly fluid in English. I’m thinking that when she narrates in her",
"when she actually speaks to other characters out loud, her dialogue will have",
"understandable to the readers but for other characters to notice she is definitely",
"to write a protagonist that is from a fictional land with fictional languages",
"to notice she is definitely some kind of foreigner. Do you think I",
"she actually speaks to other characters out loud, her dialogue will have much",
"her dialogue will have much poorer grammatical structure and be, y’know, broken. I"
] |
[
"to clearly yet briefly explain what’s going on. I’m fairly sure this sentence",
"seems off. > > Everyone who hadn’t turned to me already did so",
"but it still sounds clunky and confusing. For context, my POV character sits",
"at a table with a lot of other people. A few of them",
"it still seems off. > > Everyone who hadn’t turned to me already",
"of them notice her at first, but the rest only do when she’s",
"table with a lot of other people. A few of them notice her",
"another character. > > Everyone who hadn’t already turned in my direction. >",
"few of them notice her at first, but the rest only do when",
"this sentence up into different parts, or is it clear enough as it",
"hadn’t already turned in my direction. > > > Even if I try",
"people. A few of them notice her at first, but the rest only",
"> Everyone who hadn’t turned to me already did so now. > >",
"> > Everyone who hadn’t turned to me already did so now. >",
"> > > Should I split this sentence up into different parts, or",
"at first, but the rest only do when she’s addressed by another character.",
"sentence up into different parts, or is it clear enough as it is?",
"a lot of other people. A few of them notice her at first,",
"hadn’t turned to me already did so now. > > > Should I",
"I split this sentence up into different parts, or is it clear enough",
"struggling to clearly yet briefly explain what’s going on. I’m fairly sure this",
"to me already did so now. > > > Should I split this",
"> > Everyone who hadn’t already turned in my direction. > > >",
"sits down at a table with a lot of other people. A few",
"when she’s addressed by another character. > > Everyone who hadn’t already turned",
"Everyone who hadn’t turned to me already did so now. > > >",
"my direction. > > > Even if I try rephrasing it, it still",
"still seems off. > > Everyone who hadn’t turned to me already did",
"For context, my POV character sits down at a table with a lot",
"clearly yet briefly explain what’s going on. I’m fairly sure this sentence is",
"her at first, but the rest only do when she’s addressed by another",
"notice her at first, but the rest only do when she’s addressed by",
"rephrasing it, it still seems off. > > Everyone who hadn’t turned to",
"did so now. > > > Should I split this sentence up into",
"explain what’s going on. I’m fairly sure this sentence is grammatically correct, but",
"lot of other people. A few of them notice her at first, but",
"yet briefly explain what’s going on. I’m fairly sure this sentence is grammatically",
"who hadn’t already turned in my direction. > > > Even if I",
"in my direction. > > > Even if I try rephrasing it, it",
"correct, but it still sounds clunky and confusing. For context, my POV character",
"with a lot of other people. A few of them notice her at",
"A few of them notice her at first, but the rest only do",
"it, it still seems off. > > Everyone who hadn’t turned to me",
"so now. > > > Should I split this sentence up into different",
"a table with a lot of other people. A few of them notice",
"first, but the rest only do when she’s addressed by another character. >",
"> Should I split this sentence up into different parts, or is it",
"me already did so now. > > > Should I split this sentence",
"what’s going on. I’m fairly sure this sentence is grammatically correct, but it",
"turned to me already did so now. > > > Should I split",
"try rephrasing it, it still seems off. > > Everyone who hadn’t turned",
"by another character. > > Everyone who hadn’t already turned in my direction.",
"sentence is grammatically correct, but it still sounds clunky and confusing. For context,",
"clunky and confusing. For context, my POV character sits down at a table",
"> Everyone who hadn’t already turned in my direction. > > > Even",
"split this sentence up into different parts, or is it clear enough as",
"turned in my direction. > > > Even if I try rephrasing it,",
"of other people. A few of them notice her at first, but the",
"confusing. For context, my POV character sits down at a table with a",
"other people. A few of them notice her at first, but the rest",
"fairly sure this sentence is grammatically correct, but it still sounds clunky and",
"> > Even if I try rephrasing it, it still seems off. >",
"on. I’m fairly sure this sentence is grammatically correct, but it still sounds",
"> Even if I try rephrasing it, it still seems off. > >",
"it still sounds clunky and confusing. For context, my POV character sits down",
"the rest only do when she’s addressed by another character. > > Everyone",
"if I try rephrasing it, it still seems off. > > Everyone who",
"but the rest only do when she’s addressed by another character. > >",
"> > Should I split this sentence up into different parts, or is",
"now. > > > Should I split this sentence up into different parts,",
"POV character sits down at a table with a lot of other people.",
"direction. > > > Even if I try rephrasing it, it still seems",
"who hadn’t turned to me already did so now. > > > Should",
"grammatically correct, but it still sounds clunky and confusing. For context, my POV",
"sure this sentence is grammatically correct, but it still sounds clunky and confusing.",
"Even if I try rephrasing it, it still seems off. > > Everyone",
"do when she’s addressed by another character. > > Everyone who hadn’t already",
"them notice her at first, but the rest only do when she’s addressed",
"already turned in my direction. > > > Even if I try rephrasing",
"is grammatically correct, but it still sounds clunky and confusing. For context, my",
"Everyone who hadn’t already turned in my direction. > > > Even if",
"still sounds clunky and confusing. For context, my POV character sits down at",
"context, my POV character sits down at a table with a lot of",
"character. > > Everyone who hadn’t already turned in my direction. > >",
"and confusing. For context, my POV character sits down at a table with",
"briefly explain what’s going on. I’m fairly sure this sentence is grammatically correct,",
"sounds clunky and confusing. For context, my POV character sits down at a",
"already did so now. > > > Should I split this sentence up",
"Should I split this sentence up into different parts, or is it clear",
"I’m fairly sure this sentence is grammatically correct, but it still sounds clunky",
"only do when she’s addressed by another character. > > Everyone who hadn’t",
"addressed by another character. > > Everyone who hadn’t already turned in my",
"going on. I’m fairly sure this sentence is grammatically correct, but it still",
"off. > > Everyone who hadn’t turned to me already did so now.",
"this sentence is grammatically correct, but it still sounds clunky and confusing. For",
"I’m struggling to clearly yet briefly explain what’s going on. I’m fairly sure",
"I try rephrasing it, it still seems off. > > Everyone who hadn’t",
"my POV character sits down at a table with a lot of other",
"down at a table with a lot of other people. A few of",
"rest only do when she’s addressed by another character. > > Everyone who",
"she’s addressed by another character. > > Everyone who hadn’t already turned in",
"character sits down at a table with a lot of other people. A",
"> > > Even if I try rephrasing it, it still seems off."
] |
[
"or getting more ideas. I have been stuck on this for a few",
"stuck on this for a few years already, I can't get myself to",
"honest. I would love it to write them all, but I can't focus",
"little too much to be honest. I would love it to write them",
"them all, but I can't focus on just one idea. My mind keeps",
"I have so many ideas for different stories, a little too much to",
"much to be honest. I would love it to write them all, but",
"on just one idea. My mind keeps going to other stories, or getting",
"one idea. My mind keeps going to other stories, or getting more ideas.",
"chapters because of all the ideas. I want to be able to focus",
"I want to be able to focus on just 1 story, and actually",
"been stuck on this for a few years already, I can't get myself",
"want to be able to focus on just 1 story, and actually finish",
"able to focus on just 1 story, and actually finish it. Any advice?",
"ideas. I want to be able to focus on just 1 story, and",
"to be able to focus on just 1 story, and actually finish it.",
"of all the ideas. I want to be able to focus on just",
"on this for a few years already, I can't get myself to write",
"all the ideas. I want to be able to focus on just 1",
"but I can't focus on just one idea. My mind keeps going to",
"just one idea. My mind keeps going to other stories, or getting more",
"to write more than 1/2 chapters because of all the ideas. I want",
"I can't focus on just one idea. My mind keeps going to other",
"the ideas. I want to be able to focus on just 1 story,",
"already, I can't get myself to write more than 1/2 chapters because of",
"for different stories, a little too much to be honest. I would love",
"can't focus on just one idea. My mind keeps going to other stories,",
"too much to be honest. I would love it to write them all,",
"a little too much to be honest. I would love it to write",
"few years already, I can't get myself to write more than 1/2 chapters",
"myself to write more than 1/2 chapters because of all the ideas. I",
"for a few years already, I can't get myself to write more than",
"ideas for different stories, a little too much to be honest. I would",
"ideas. I have been stuck on this for a few years already, I",
"a few years already, I can't get myself to write more than 1/2",
"getting more ideas. I have been stuck on this for a few years",
"years already, I can't get myself to write more than 1/2 chapters because",
"be honest. I would love it to write them all, but I can't",
"get myself to write more than 1/2 chapters because of all the ideas.",
"other stories, or getting more ideas. I have been stuck on this for",
"focus on just one idea. My mind keeps going to other stories, or",
"to write them all, but I can't focus on just one idea. My",
"different stories, a little too much to be honest. I would love it",
"I would love it to write them all, but I can't focus on",
"mind keeps going to other stories, or getting more ideas. I have been",
"I have been stuck on this for a few years already, I can't",
"idea. My mind keeps going to other stories, or getting more ideas. I",
"stories, a little too much to be honest. I would love it to",
"have so many ideas for different stories, a little too much to be",
"love it to write them all, but I can't focus on just one",
"keeps going to other stories, or getting more ideas. I have been stuck",
"more ideas. I have been stuck on this for a few years already,",
"all, but I can't focus on just one idea. My mind keeps going",
"I can't get myself to write more than 1/2 chapters because of all",
"than 1/2 chapters because of all the ideas. I want to be able",
"stories, or getting more ideas. I have been stuck on this for a",
"many ideas for different stories, a little too much to be honest. I",
"so many ideas for different stories, a little too much to be honest.",
"My mind keeps going to other stories, or getting more ideas. I have",
"going to other stories, or getting more ideas. I have been stuck on",
"this for a few years already, I can't get myself to write more",
"be able to focus on just 1 story, and actually finish it. Any",
"more than 1/2 chapters because of all the ideas. I want to be",
"to other stories, or getting more ideas. I have been stuck on this",
"1/2 chapters because of all the ideas. I want to be able to",
"it to write them all, but I can't focus on just one idea.",
"because of all the ideas. I want to be able to focus on",
"would love it to write them all, but I can't focus on just",
"write them all, but I can't focus on just one idea. My mind",
"can't get myself to write more than 1/2 chapters because of all the",
"to be honest. I would love it to write them all, but I",
"have been stuck on this for a few years already, I can't get",
"write more than 1/2 chapters because of all the ideas. I want to"
] |
[
"but I'm really not sure if I should go with them. The publisher",
"but it still doesn't sit right that I wouldn't receive any money if",
"They want exclusive world rights to publish the story in any format, books,",
"but then nothing else. No royalties from book sales, no fee if it",
"(I know this is highly unlikely but it still doesn't sit right that",
"I submitted straight to the publisher. They liked the manuscript and have sent",
"through a publishing contract for my debut novel. I don't have a literary",
"any format, books, ebooks, film, TV, audio book etc. It also says once",
"the novel is published it will remain with the publisher which will protect",
"if it gets picked up as an audio book or film or TV",
"just been sent through a publishing contract for my debut novel. I don't",
"the manuscript and have sent me a contract but I'm really not sure",
"a literary agent as I submitted straight to the publisher. They liked the",
"still doesn't sit right that I wouldn't receive any money if it does",
"any of that sound strange or are they fairly ordinary publishing contract terms?",
"literary agent as I submitted straight to the publisher. They liked the manuscript",
"seems dodgy is that they are going to pay an upfront fee but",
"sales, no fee if it gets picked up as an audio book or",
"from the lack of royalties, which I know is unusual, does any of",
"wouldn't receive any money if it does do well.) Apart from the lack",
"film, TV, audio book etc. It also says once the novel is published",
"sound strange or are they fairly ordinary publishing contract terms? Would you advise",
"publishing contract for my debut novel. I don't have a literary agent as",
"sold well though they have good reviews. They want exclusive world rights to",
"submitted straight to the publisher. They liked the manuscript and have sent me",
"straight to the publisher. They liked the manuscript and have sent me a",
"is published it will remain with the publisher which will protect its asset",
"they are going to pay an upfront fee but then nothing else. No",
"contract for my debut novel. I don't have a literary agent as I",
"fee but then nothing else. No royalties from book sales, no fee if",
"as an audio book or film or TV (I know this is highly",
"thing that seems dodgy is that they are going to pay an upfront",
"book or film or TV (I know this is highly unlikely but it",
"from book sales, no fee if it gets picked up as an audio",
"do well.) Apart from the lack of royalties, which I know is unusual,",
"doesn't sit right that I wouldn't receive any money if it does do",
"this is highly unlikely but it still doesn't sit right that I wouldn't",
"a small company with only 3 previous titles, none of which look as",
"will remain with the publisher which will protect its asset as sole owner.",
"up as an audio book or film or TV (I know this is",
"none of which look as though they've sold well though they have good",
"have a literary agent as I submitted straight to the publisher. They liked",
"if it does do well.) Apart from the lack of royalties, which I",
"me a contract but I'm really not sure if I should go with",
"know is unusual, does any of that sound strange or are they fairly",
"strange or are they fairly ordinary publishing contract terms? Would you advise I",
"world rights to publish the story in any format, books, ebooks, film, TV,",
"small company with only 3 previous titles, none of which look as though",
"once the novel is published it will remain with the publisher which will",
"its asset as sole owner. The final thing that seems dodgy is that",
"unlikely but it still doesn't sit right that I wouldn't receive any money",
"titles, none of which look as though they've sold well though they have",
"ebooks, film, TV, audio book etc. It also says once the novel is",
"protect its asset as sole owner. The final thing that seems dodgy is",
"with them. The publisher are a small company with only 3 previous titles,",
"audio book etc. It also says once the novel is published it will",
"want exclusive world rights to publish the story in any format, books, ebooks,",
"highly unlikely but it still doesn't sit right that I wouldn't receive any",
"asset as sole owner. The final thing that seems dodgy is that they",
"I've just been sent through a publishing contract for my debut novel. I",
"ordinary publishing contract terms? Would you advise I take this deal or run",
"nothing else. No royalties from book sales, no fee if it gets picked",
"go with them. The publisher are a small company with only 3 previous",
"says once the novel is published it will remain with the publisher which",
"of that sound strange or are they fairly ordinary publishing contract terms? Would",
"if I should go with them. The publisher are a small company with",
"lack of royalties, which I know is unusual, does any of that sound",
"they've sold well though they have good reviews. They want exclusive world rights",
"So I've just been sent through a publishing contract for my debut novel.",
"sure if I should go with them. The publisher are a small company",
"is highly unlikely but it still doesn't sit right that I wouldn't receive",
"royalties, which I know is unusual, does any of that sound strange or",
"publisher which will protect its asset as sole owner. The final thing that",
"manuscript and have sent me a contract but I'm really not sure if",
"book etc. It also says once the novel is published it will remain",
"look as though they've sold well though they have good reviews. They want",
"as I submitted straight to the publisher. They liked the manuscript and have",
"or film or TV (I know this is highly unlikely but it still",
"publishing contract terms? Would you advise I take this deal or run away?",
"in any format, books, ebooks, film, TV, audio book etc. It also says",
"have good reviews. They want exclusive world rights to publish the story in",
"with the publisher which will protect its asset as sole owner. The final",
"format, books, ebooks, film, TV, audio book etc. It also says once the",
"are a small company with only 3 previous titles, none of which look",
"company with only 3 previous titles, none of which look as though they've",
"story in any format, books, ebooks, film, TV, audio book etc. It also",
"money if it does do well.) Apart from the lack of royalties, which",
"contract but I'm really not sure if I should go with them. The",
"they fairly ordinary publishing contract terms? Would you advise I take this deal",
"exclusive world rights to publish the story in any format, books, ebooks, film,",
"The final thing that seems dodgy is that they are going to pay",
"that seems dodgy is that they are going to pay an upfront fee",
"dodgy is that they are going to pay an upfront fee but then",
"well.) Apart from the lack of royalties, which I know is unusual, does",
"unusual, does any of that sound strange or are they fairly ordinary publishing",
"though they have good reviews. They want exclusive world rights to publish the",
"which I know is unusual, does any of that sound strange or are",
"and have sent me a contract but I'm really not sure if I",
"been sent through a publishing contract for my debut novel. I don't have",
"book sales, no fee if it gets picked up as an audio book",
"that sound strange or are they fairly ordinary publishing contract terms? Would you",
"published it will remain with the publisher which will protect its asset as",
"rights to publish the story in any format, books, ebooks, film, TV, audio",
"receive any money if it does do well.) Apart from the lack of",
"does any of that sound strange or are they fairly ordinary publishing contract",
"The publisher are a small company with only 3 previous titles, none of",
"It also says once the novel is published it will remain with the",
"sent through a publishing contract for my debut novel. I don't have a",
"fee if it gets picked up as an audio book or film or",
"royalties from book sales, no fee if it gets picked up as an",
"debut novel. I don't have a literary agent as I submitted straight to",
"novel. I don't have a literary agent as I submitted straight to the",
"not sure if I should go with them. The publisher are a small",
"an upfront fee but then nothing else. No royalties from book sales, no",
"an audio book or film or TV (I know this is highly unlikely",
"They liked the manuscript and have sent me a contract but I'm really",
"they have good reviews. They want exclusive world rights to publish the story",
"reviews. They want exclusive world rights to publish the story in any format,",
"owner. The final thing that seems dodgy is that they are going to",
"them. The publisher are a small company with only 3 previous titles, none",
"novel is published it will remain with the publisher which will protect its",
"books, ebooks, film, TV, audio book etc. It also says once the novel",
"with only 3 previous titles, none of which look as though they've sold",
"should go with them. The publisher are a small company with only 3",
"of which look as though they've sold well though they have good reviews.",
"I don't have a literary agent as I submitted straight to the publisher.",
"publish the story in any format, books, ebooks, film, TV, audio book etc.",
"the lack of royalties, which I know is unusual, does any of that",
"is that they are going to pay an upfront fee but then nothing",
"as though they've sold well though they have good reviews. They want exclusive",
"final thing that seems dodgy is that they are going to pay an",
"going to pay an upfront fee but then nothing else. No royalties from",
"well though they have good reviews. They want exclusive world rights to publish",
"upfront fee but then nothing else. No royalties from book sales, no fee",
"it will remain with the publisher which will protect its asset as sole",
"the publisher which will protect its asset as sole owner. The final thing",
"is unusual, does any of that sound strange or are they fairly ordinary",
"previous titles, none of which look as though they've sold well though they",
"I wouldn't receive any money if it does do well.) Apart from the",
"I should go with them. The publisher are a small company with only",
"else. No royalties from book sales, no fee if it gets picked up",
"does do well.) Apart from the lack of royalties, which I know is",
"really not sure if I should go with them. The publisher are a",
"TV, audio book etc. It also says once the novel is published it",
"will protect its asset as sole owner. The final thing that seems dodgy",
"to publish the story in any format, books, ebooks, film, TV, audio book",
"a publishing contract for my debut novel. I don't have a literary agent",
"though they've sold well though they have good reviews. They want exclusive world",
"film or TV (I know this is highly unlikely but it still doesn't",
"only 3 previous titles, none of which look as though they've sold well",
"pay an upfront fee but then nothing else. No royalties from book sales,",
"it gets picked up as an audio book or film or TV (I",
"it still doesn't sit right that I wouldn't receive any money if it",
"are going to pay an upfront fee but then nothing else. No royalties",
"agent as I submitted straight to the publisher. They liked the manuscript and",
"are they fairly ordinary publishing contract terms? Would you advise I take this",
"for my debut novel. I don't have a literary agent as I submitted",
"3 previous titles, none of which look as though they've sold well though",
"have sent me a contract but I'm really not sure if I should",
"right that I wouldn't receive any money if it does do well.) Apart",
"know this is highly unlikely but it still doesn't sit right that I",
"which look as though they've sold well though they have good reviews. They",
"a contract but I'm really not sure if I should go with them.",
"my debut novel. I don't have a literary agent as I submitted straight",
"as sole owner. The final thing that seems dodgy is that they are",
"publisher. They liked the manuscript and have sent me a contract but I'm",
"publisher are a small company with only 3 previous titles, none of which",
"no fee if it gets picked up as an audio book or film",
"I'm really not sure if I should go with them. The publisher are",
"audio book or film or TV (I know this is highly unlikely but",
"sent me a contract but I'm really not sure if I should go",
"remain with the publisher which will protect its asset as sole owner. The",
"I know is unusual, does any of that sound strange or are they",
"liked the manuscript and have sent me a contract but I'm really not",
"it does do well.) Apart from the lack of royalties, which I know",
"to the publisher. They liked the manuscript and have sent me a contract",
"also says once the novel is published it will remain with the publisher",
"or TV (I know this is highly unlikely but it still doesn't sit",
"then nothing else. No royalties from book sales, no fee if it gets",
"Apart from the lack of royalties, which I know is unusual, does any",
"gets picked up as an audio book or film or TV (I know",
"any money if it does do well.) Apart from the lack of royalties,",
"which will protect its asset as sole owner. The final thing that seems",
"fairly ordinary publishing contract terms? Would you advise I take this deal or",
"that they are going to pay an upfront fee but then nothing else.",
"don't have a literary agent as I submitted straight to the publisher. They",
"or are they fairly ordinary publishing contract terms? Would you advise I take",
"the story in any format, books, ebooks, film, TV, audio book etc. It",
"good reviews. They want exclusive world rights to publish the story in any",
"sole owner. The final thing that seems dodgy is that they are going",
"to pay an upfront fee but then nothing else. No royalties from book",
"TV (I know this is highly unlikely but it still doesn't sit right",
"the publisher. They liked the manuscript and have sent me a contract but",
"sit right that I wouldn't receive any money if it does do well.)",
"etc. It also says once the novel is published it will remain with",
"of royalties, which I know is unusual, does any of that sound strange",
"that I wouldn't receive any money if it does do well.) Apart from",
"No royalties from book sales, no fee if it gets picked up as",
"picked up as an audio book or film or TV (I know this"
] |
[
"person comes and brings him back. For this scene, I am having trouble",
"but I am not sure how to describe it with words. I am",
"For this scene, I am having trouble describing his feeling in the third",
"am also not sure what I am supposed to include in regards to",
"new writer and I am working on a fantasy novel. One of the",
"how to describe it with words. I am also not sure what I",
"sent to Earth as a baby. When he is 18, a person comes",
"person. I want him to be angry and confused, but I am not",
"is 18, a person comes and brings him back. For this scene, I",
"describing his feeling in the third person. I want him to be angry",
"he is 18, a person comes and brings him back. For this scene,",
"not sure what I am supposed to include in regards to emotion when",
"working on a fantasy novel. One of the main characters is Nokon. He",
"was born on another planet but was sent to Earth as a baby.",
"this scene, I am having trouble describing his feeling in the third person.",
"another planet but was sent to Earth as a baby. When he is",
"Earth as a baby. When he is 18, a person comes and brings",
"and brings him back. For this scene, I am having trouble describing his",
"angry and confused, but I am not sure how to describe it with",
"I am not sure how to describe it with words. I am also",
"the third person. I want him to be angry and confused, but I",
"with words. I am also not sure what I am supposed to include",
"him back. For this scene, I am having trouble describing his feeling in",
"be angry and confused, but I am not sure how to describe it",
"fantasy novel. One of the main characters is Nokon. He is a boy",
"I am supposed to include in regards to emotion when writing in the",
"I am working on a fantasy novel. One of the main characters is",
"that was born on another planet but was sent to Earth as a",
"writer and I am working on a fantasy novel. One of the main",
"I am a new writer and I am working on a fantasy novel.",
"He is a boy that was born on another planet but was sent",
"One of the main characters is Nokon. He is a boy that was",
"a person comes and brings him back. For this scene, I am having",
"is a boy that was born on another planet but was sent to",
"describe it with words. I am also not sure what I am supposed",
"to Earth as a baby. When he is 18, a person comes and",
"novel. One of the main characters is Nokon. He is a boy that",
"in the third person. I want him to be angry and confused, but",
"brings him back. For this scene, I am having trouble describing his feeling",
"18, a person comes and brings him back. For this scene, I am",
"a fantasy novel. One of the main characters is Nokon. He is a",
"on a fantasy novel. One of the main characters is Nokon. He is",
"also not sure what I am supposed to include in regards to emotion",
"I am having trouble describing his feeling in the third person. I want",
"main characters is Nokon. He is a boy that was born on another",
"born on another planet but was sent to Earth as a baby. When",
"want him to be angry and confused, but I am not sure how",
"was sent to Earth as a baby. When he is 18, a person",
"third person. I want him to be angry and confused, but I am",
"Nokon. He is a boy that was born on another planet but was",
"a new writer and I am working on a fantasy novel. One of",
"scene, I am having trouble describing his feeling in the third person. I",
"but was sent to Earth as a baby. When he is 18, a",
"as a baby. When he is 18, a person comes and brings him",
"and confused, but I am not sure how to describe it with words.",
"the main characters is Nokon. He is a boy that was born on",
"to describe it with words. I am also not sure what I am",
"feeling in the third person. I want him to be angry and confused,",
"is Nokon. He is a boy that was born on another planet but",
"a boy that was born on another planet but was sent to Earth",
"When he is 18, a person comes and brings him back. For this",
"and I am working on a fantasy novel. One of the main characters",
"am having trouble describing his feeling in the third person. I want him",
"it with words. I am also not sure what I am supposed to",
"back. For this scene, I am having trouble describing his feeling in the",
"characters is Nokon. He is a boy that was born on another planet",
"what I am supposed to include in regards to emotion when writing in",
"on another planet but was sent to Earth as a baby. When he",
"him to be angry and confused, but I am not sure how to",
"am a new writer and I am working on a fantasy novel. One",
"I am also not sure what I am supposed to include in regards",
"comes and brings him back. For this scene, I am having trouble describing",
"am working on a fantasy novel. One of the main characters is Nokon.",
"am not sure how to describe it with words. I am also not",
"confused, but I am not sure how to describe it with words. I",
"I want him to be angry and confused, but I am not sure",
"baby. When he is 18, a person comes and brings him back. For",
"planet but was sent to Earth as a baby. When he is 18,",
"trouble describing his feeling in the third person. I want him to be",
"words. I am also not sure what I am supposed to include in",
"sure how to describe it with words. I am also not sure what",
"am supposed to include in regards to emotion when writing in the 3rd",
"his feeling in the third person. I want him to be angry and",
"boy that was born on another planet but was sent to Earth as",
"of the main characters is Nokon. He is a boy that was born",
"So I am a new writer and I am working on a fantasy",
"not sure how to describe it with words. I am also not sure",
"supposed to include in regards to emotion when writing in the 3rd person.",
"having trouble describing his feeling in the third person. I want him to",
"sure what I am supposed to include in regards to emotion when writing",
"a baby. When he is 18, a person comes and brings him back.",
"to be angry and confused, but I am not sure how to describe"
] |
[
"any book recommendations or extracts that deal with the same “theme”, if so",
"times but still not convinced and satisfied with it. Are there any book",
"satisfied with it. Are there any book recommendations or extracts that deal with",
"“theme”, if so I may say, that could help guide me or at",
"the same “theme”, if so I may say, that could help guide me",
"deal with the same “theme”, if so I may say, that could help",
"could help guide me or at least, give me a general idea on",
"book recommendations or extracts that deal with the same “theme”, if so I",
"help guide me or at least, give me a general idea on the",
"but still not convinced and satisfied with it. Are there any book recommendations",
"several times but still not convinced and satisfied with it. Are there any",
"to a traumatized child, and I read and read it several times but",
"with it. Are there any book recommendations or extracts that deal with the",
"with the same “theme”, if so I may say, that could help guide",
"psychiatrist talking to a traumatized child, and I read and read it several",
"or at least, give me a general idea on the way psychiatrists talk?",
"and satisfied with it. Are there any book recommendations or extracts that deal",
"read and read it several times but still not convinced and satisfied with",
"that could help guide me or at least, give me a general idea",
"convinced and satisfied with it. Are there any book recommendations or extracts that",
"if so I may say, that could help guide me or at least,",
"read it several times but still not convinced and satisfied with it. Are",
"a traumatized child, and I read and read it several times but still",
"not convinced and satisfied with it. Are there any book recommendations or extracts",
"I may say, that could help guide me or at least, give me",
"I read and read it several times but still not convinced and satisfied",
"may say, that could help guide me or at least, give me a",
"a psychiatrist talking to a traumatized child, and I read and read it",
"and read it several times but still not convinced and satisfied with it.",
"I wrote a scene of a psychiatrist talking to a traumatized child, and",
"wrote a scene of a psychiatrist talking to a traumatized child, and I",
"same “theme”, if so I may say, that could help guide me or",
"say, that could help guide me or at least, give me a general",
"there any book recommendations or extracts that deal with the same “theme”, if",
"it several times but still not convinced and satisfied with it. Are there",
"scene of a psychiatrist talking to a traumatized child, and I read and",
"so I may say, that could help guide me or at least, give",
"still not convinced and satisfied with it. Are there any book recommendations or",
"or extracts that deal with the same “theme”, if so I may say,",
"it. Are there any book recommendations or extracts that deal with the same",
"and I read and read it several times but still not convinced and",
"child, and I read and read it several times but still not convinced",
"Are there any book recommendations or extracts that deal with the same “theme”,",
"that deal with the same “theme”, if so I may say, that could",
"guide me or at least, give me a general idea on the way",
"extracts that deal with the same “theme”, if so I may say, that",
"of a psychiatrist talking to a traumatized child, and I read and read",
"talking to a traumatized child, and I read and read it several times",
"recommendations or extracts that deal with the same “theme”, if so I may",
"a scene of a psychiatrist talking to a traumatized child, and I read",
"traumatized child, and I read and read it several times but still not",
"me or at least, give me a general idea on the way psychiatrists"
] |
[
"for a concept and characters, would publishers find it distasteful if I then",
"carrying the cost of publishing retreaded work. Some buyers may feel ripped off",
"a novel? On the one hand, I could see how that might give",
"publish an original short story to get feedback for a concept and characters,",
"same text later as the prologue part of a novel? On the one",
"to publish an original short story to get feedback for a concept and",
"Some buyers may feel ripped off too. On the other, if it strengthens",
"one hand, I could see how that might give them indigestion since they'd",
"the other, if it strengthens the work as a whole then it seems",
"if it strengthens the work as a whole then it seems like the",
"of publishing retreaded work. Some buyers may feel ripped off too. On the",
"a concept and characters, would publishers find it distasteful if I then wanted",
"get feedback for a concept and characters, would publishers find it distasteful if",
"as a whole then it seems like the net result would be more",
"ripped off too. On the other, if it strengthens the work as a",
"work as a whole then it seems like the net result would be",
"would publishers find it distasteful if I then wanted to include the same",
"it strengthens the work as a whole then it seems like the net",
"later as the prologue part of a novel? On the one hand, I",
"to include the same text later as the prologue part of a novel?",
"story to get feedback for a concept and characters, would publishers find it",
"a whole then it seems like the net result would be more shelf",
"whole then it seems like the net result would be more shelf appeal.",
"cost of publishing retreaded work. Some buyers may feel ripped off too. On",
"hand, I could see how that might give them indigestion since they'd be",
"concept and characters, would publishers find it distasteful if I then wanted to",
"of a novel? On the one hand, I could see how that might",
"since they'd be carrying the cost of publishing retreaded work. Some buyers may",
"I was to publish an original short story to get feedback for a",
"distasteful if I then wanted to include the same text later as the",
"prologue part of a novel? On the one hand, I could see how",
"short story to get feedback for a concept and characters, would publishers find",
"feel ripped off too. On the other, if it strengthens the work as",
"too. On the other, if it strengthens the work as a whole then",
"the prologue part of a novel? On the one hand, I could see",
"buyers may feel ripped off too. On the other, if it strengthens the",
"If I was to publish an original short story to get feedback for",
"publishers find it distasteful if I then wanted to include the same text",
"I then wanted to include the same text later as the prologue part",
"how that might give them indigestion since they'd be carrying the cost of",
"then wanted to include the same text later as the prologue part of",
"strengthens the work as a whole then it seems like the net result",
"novel? On the one hand, I could see how that might give them",
"include the same text later as the prologue part of a novel? On",
"feedback for a concept and characters, would publishers find it distasteful if I",
"text later as the prologue part of a novel? On the one hand,",
"I could see how that might give them indigestion since they'd be carrying",
"give them indigestion since they'd be carrying the cost of publishing retreaded work.",
"they'd be carrying the cost of publishing retreaded work. Some buyers may feel",
"see how that might give them indigestion since they'd be carrying the cost",
"to get feedback for a concept and characters, would publishers find it distasteful",
"wanted to include the same text later as the prologue part of a",
"an original short story to get feedback for a concept and characters, would",
"find it distasteful if I then wanted to include the same text later",
"might give them indigestion since they'd be carrying the cost of publishing retreaded",
"was to publish an original short story to get feedback for a concept",
"On the one hand, I could see how that might give them indigestion",
"if I then wanted to include the same text later as the prologue",
"indigestion since they'd be carrying the cost of publishing retreaded work. Some buyers",
"retreaded work. Some buyers may feel ripped off too. On the other, if",
"as the prologue part of a novel? On the one hand, I could",
"off too. On the other, if it strengthens the work as a whole",
"it distasteful if I then wanted to include the same text later as",
"work. Some buyers may feel ripped off too. On the other, if it",
"and characters, would publishers find it distasteful if I then wanted to include",
"original short story to get feedback for a concept and characters, would publishers",
"them indigestion since they'd be carrying the cost of publishing retreaded work. Some",
"the one hand, I could see how that might give them indigestion since",
"that might give them indigestion since they'd be carrying the cost of publishing",
"publishing retreaded work. Some buyers may feel ripped off too. On the other,",
"other, if it strengthens the work as a whole then it seems like",
"part of a novel? On the one hand, I could see how that",
"On the other, if it strengthens the work as a whole then it",
"characters, would publishers find it distasteful if I then wanted to include the",
"the cost of publishing retreaded work. Some buyers may feel ripped off too.",
"may feel ripped off too. On the other, if it strengthens the work",
"be carrying the cost of publishing retreaded work. Some buyers may feel ripped",
"could see how that might give them indigestion since they'd be carrying the",
"the work as a whole then it seems like the net result would",
"the same text later as the prologue part of a novel? On the"
] |