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Choin FURUICHI (1452 - August 22, 1508) was a priest and busho (military commander) who lived in the Sengoku Period (Period of Warring States) in Japan. He was a monk-soldier at Kofuku-ji Temple in Nara. His father was Insen FURUICHI. His wife was a daughter of Iehide OCHI. He was also called Harima-no-kimi, Harima-hoshi, or Harima-risshi (Buddhist priest). | å€åž æŸè€ïŒãµããã¡ ã¡ããããã享埳å
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Yamatototohimomosohime no mikoto (date of birth and death unknown) was the Imperial princess of Emperor Korei. | å迹迹æ¥çŸè¥²åªåœïŒããŸãšãšãšã²ãããã²ãã®ã¿ããšãçæ²¡å¹Žäžè©³ïŒã¯ãåé倩çã®ç女ã |
On the day of Jinmu tenno-sai Festival, a ceremony is performed at the Korei-den (the Imperial Ancestors' Shrine), and an imperial messenger is sent to the Mausoleum of Emperor Jinmu to offer heihaku (Shinto offerings such as cloth, paper, and rope). Under the old system, it was speculated that the emperor himself visits the mausoleum of Emperor Jinmu on shiki nen sai for worshipping. | åœæ¥ãçéæ®¿ã§ååŒãè¡ãªããããšãšãã«ãç¥æŠå€©çéµã«ã¯å
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Rites and festivals are performed at some shrines across the country, mainly at the shrines that honor Emperor Jinmu such as Kashihara-jingu Shrine and Miyazaki-jingu Shrine. | ãŸããæ©¿åç¥å®®ã»å®®åŽç¥å®®ãªã©ã®ç¥æŠå€©çãç¥ãç¥ç€Ÿãäžå¿ãšããŠãå
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After the arrest, he was sent to Edo from Kyoto, and although he was tortured by receiving lashes all over his body during interrogation, he told nothing and died of illness in prison. There is another theory of the cause of death that he died of festering wound through torture. He died at the age of 45. | æçžåŸã¯äº¬éœããæ±æžã«éãããããå調ã¹ã§ãç¬æïŒã»ããããïŒã§å
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Unpin's graveyards extend across the country, and were established in Kaizen-ji Temple (Taito Ward, Tokyo Prefecture), Anshoin (Higashiyama Ward, Kyoto City) and Shogen-ji Temple (Obama City, Fukui Prefecture). | æ¢
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Unpin's monument was erected in Kyoto Ryozen Gokoku-jinja Shrine which is famous for Ryoma SAKAMOTO and close to Anshoin and many people who respect him still visit his monument. | å®ç¥¥é¢è¿ãã«ããã忬éŸéŠ¬ã§æåãªäº¬éœéå±±è·åœç¥ç€Ÿã«ã¯é²æµã®ç¢ã建ãŠãããŠãããä»ã鲿µãæ
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FUJIWARA no Nagasuke (1104 - February 13, 1156) was a Kugyo (top court official) who lived at the end of the Heian period. He was Gon Chunagon (a provisional vice-councilor of state), and the third son of FUJWIARA no Nagazane, zo daijo daijin (the Grand Minister, posthumously conferred). | è€å é·èŒïŒãµããã ã® ãªããããé·æ²»å
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He studied Neo-Confucianism under Tozan KAWAKAMI who was a Confucian in Hamamatsu, Japanese classical literature under Yoshiomi NAKAMURA in Itami, Morohira KANO of the Kishu Domain, and Nobutomo BAN in Edo, and waka under Hideo IIDA who was a Shinto priest in Inaba Province, and other scholars. | æ±ååŠã«ã€ããŠã¯ãæµæŸã®åè
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In September, 1891, he was enshrined together in Yasukuni-jinja Shrine, and in December he was posthumously conferred the rank of Jushii (Junior Fourth Rank). | 1891幎9æéåœç¥ç€Ÿåç¥ã12æåŸåäœè¿œèŽã |
He visited goryo (Imperial mausoleum) in Yamato, Kawachi and other Provinces and wrote 'Noyama no Nageki,' 'Yamatokoku Ryobo Kenko' and other literature, lamenting their desertion. Most of his works include many waka poems and such aspect characterizes these literature as being produced by a poet. | 倧åã»æ²³å
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Biography | çæ¶¯ |
On August 5, 737, while he was Sangi (councilor) Shikibukyo (the Highness of Ceremonial) and Senior Third Rank Dazai no sochi (Governor-General of the Dazai-fu offices), he died. His eldest son FUJIWARA no Hirotsugu caused the Rebellion of FUJIWARA no Hirotsugu three years later. He was the founder of Fujiwara Shikike (a sub branch of Fujiwara family). | 倩平9幎ïŒ737幎ïŒ8æ5æ¥ (æ§æŠ)åè°åŒéšå¿å
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The name INBE no Shikobuchi does not appear in "the Nihonshoki" (Chronicles of Japan) when it discusses the Jinshin War, but his older brother, INBE no Kobito appears. However, it is proven that Shikobuchi also performed some great deed according to the obituary notice in "Shoku Nihongi" (the second of the six classical Japanese history texts). | ãæ¥æ¬æžçŽãã®å£¬ç³ã®ä¹±ã®ãã ãã«å¿éšè²å€«ç¥ã®åã¯èŠãããå
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On February 16, 680, INBE no Obito (INBE no Kobito) attained Kabane of Muraji. Obito shared his jubilation with his younger brother, Shikohuchi, and venerated the Emperor. On January 15, 685, INBE and 50 other Muraji attained Kabane of Sukune. | 倩æŠå€©ç9幎ïŒ680幎ïŒ1æ8æ¥ãå¿éšéŠïŒå¿éšå人ïŒã«é£ã®å§ãäžããããã éŠã¯åŒã®è²åŒãšãšãã«åã³ã倩çãæããã 倩æŠå€©ç13幎ïŒ684幎ïŒ12æ2æ¥ã«ãå¿éšé£ãªã©50æ°ã宿犰ã®å§ãäžããããã |
On July 15, 701, INBE no Sukune Shikobuchi died. She had attained the rank of Shogoinojo (the fifth rank, upper grade). When the Imperial Rescript was produced, she attained the rank of Jushiijo (the junior fourth rand upper grade), due to her achievement in the year of Mizunoe-Saru (according to the Oriental Zodiac). | 倧å®å
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Buildings Excavations have indicated that the temple was large at the time of its founding but now only the main hall and Kannon-do hall remain. | 䌜è çºæèª¿æ»ã«ãããšåµå»ºåœåã¯åºå€§ãªå¯ºåã®å¯ºé¢ã§ãã£ãããã§ãããçŸåšã¯æ¬å ã芳é³å çãæ®ãã®ã¿ã§ããã |
Cultural property Seated statue of Shaka Nyorai (National Treasure) | æå財 éè¿ŠåŠæ¥ååïŒåœå®ïŒ |
Address 36 Kabata, Yamashiro Cho, Kizugawa City, Kyoto Prefecture | æåšå° 京éœåºæšæŽ¥å·åžå±±åçºç¶ºç°36 |
Usukawa-manju is cha-manju (steamed yeast bun with filling) smaller than its normal size. As the name suggests, it has a characteristic of having thin ('usu') skin ('kawa' that is made from flour and wraps sweet paste). | èç®é¥
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Some chain stores of Kashiwa-ya give demonstrations of making Usukawa-manju and let visitors have experience of making it (there is a charge for the experience). | æå±ã®åºèã«ãã£ãŠã¯èç®é¥
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Rekido ABEI (male, 1805-September 16, 1883) was a modern Japanese tenkokuka (artist of seal engraving). | å®éšäºæ«å ïŒãã¹ã ããã©ããç·æ§ãæå (å
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His name was Kai? (倧+ä»), his azana (adult male's nickname) was Daisuke, and his pseudonym was Kaishu. His popular name was Onto (é³é), later Onto (é³äºº). His original family name was Oka. He was from Hikone City, Omi Province. | åã¯ã«ã€ïŒïŒå€§+ä»ïŒãåã¯å€§ä»ãå· (ç§°å·)ã¯è¥èã éç§°é³éã®ã¡ã«é³äººã ã¯ããã®å§ã¯å²¡æ°ã è¿æ±åœåœŠæ ¹åžã®äººã |
Yoshida dormitory of Kyoto University is one of Kyoto University's dormitories. There are three two-storied wooden buildings (construction) (three buildings). It is one of the four major autonomous student dormitories in Japan. | 京éœå€§åŠåŠçå¯å®¿èåç°å¯®ïŒããããšã ãããããããããã
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Ippei SHIGEYAMA (June 12, 1979 -) is a Kyogen performer and actor (Kyogen: a genre of the Japanese traditional performing arts - a kind of farce). Born in Kyoto City Graduated from Higashiyama Junior High School and Higashiyama Senior High School Left Japanese History Major, College of Letters, Ritsumeikan University in mid-course | èå±± éžå¹³ïŒããã㟠ãã£ãºãã1979幎6æ12æ¥ -ïŒã¯çèšåž«ã»ä¿³åªã 京éœåžåºèº«ã æ±å±±äžåŠæ ¡ã»é«çåŠæ ¡åæ¥ã ç«åœé€šå€§åŠæåŠé𿥿¬å²åŠå°æ»äžéã |
He has made a remarkable showing too as an actor appearing in NHK's morning drama series "Kyo - Futari" and "Audrey (morning drama series)" and NHK historical drama "MUSASHI" (NHK General TV) and others. | 俳åªãšããŠããé£ç¶ãã¬ãå°èª¬ã京ããµããããããªãŒããªãŒ (æãã©)ããNHK倧河ãã©ããæŠèµ MUSASHIãïŒNHKç·åãã¬ããžã§ã³ïŒãªã©ã«åºæŒãããªã©æŽ»èºã |
He had suspended activities since September 17, 2006 due to making a visit to France as a trainee under the overseas study program for upcoming artists of the Agency for Cultural Affairs. | 2006幎9æ17æ¥ãããæååºæ°é²èžè¡å®¶æµ·å€ç ä¿®å¶åºŠã®ç ä¿®å¡ãšããŠãã©ã³ã¹çåŠã®ããäŒæ¥ã |
September 2007: Returned to Japan | 2007幎9æåž°åœã |
2008: Married January 2009: The eldest son was born. | 2008幎çµå©ã 2009幎1æ é·ç·èªçã |
The Battle of Fubeyama (Mt. Fube) was a war between an army of the Amago clan which was directed by Yukimori YAMANAKA to reconstruct the Amago clan and the Mori clan who was attempting to prevent it. | åžéšå±±ã®æŠãïŒãµã¹ããŸã®ããããïŒãšã¯ã1570幎ïŒå
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The house business was Ancient Shinto music and dancing. In the Edo period, the hereditary stipend was 350 koku. From the Meiji period onwards, the family held the title of count. | å®¶æ¥ã¯ç¥æ¥œã æ±æžæä»£ã®å®¶çŠã¯350ç³ã ææ²»æä»£ä»¥éã¯äŒ¯çµã |
Nikka-mon (or jikka mon) Gate was one of the naikaku-mon gates that comprised the dairi (Imperial Palace) and was located on the east side of the south garden of the Shishinden Hall (Throne Hall). | æ¥è¯éïŒã«ã£ãããã»ãã£ãããïŒã¯ãå
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The Nikka-mon Gate that stands in the present Kyoto Imperial Palace was rebuilt according to the ancient design. | çŸåšã®äº¬éœåŸ¡æã«ãå€åŒã«åã£ãŠå建ããããã®ãäŒãã£ãŠããã |
Torazo NINAGAWA (February 24, 1897 - February 27, 1981) was an economist and statistician. He was a former Kyoto Prefectural Governor (1950 -1978.) | è·å· èäž(ã«ãªãã ãšãããã1897幎2æ24æ¥ - 1981幎2æ27æ¥)ã¯ãçµæžåŠè
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As a result, he gradually won support from parts of conservative-blocs and centrist-blocs such as medical associations and agricultural organizations. Accordingly, he won overwhelming victories during elections. | ãã®ããããã ãã«å»åž«äŒã蟲æ¥å£äœãªã©ä¿å®ã»äžéç³»ã®äžéšã®æ¯æãç²åŸããã ãã®ããéžæã§ã¯å§åçãªåŒ·ããèªã£ãã |
Thereafter, he spent the rest of his life free from care, supporting the Japanese Communist Party, and in March 1981, he died at the age of 81. | ãã®åŸã¯ãã®ãã³ããšäœçãéããæ¥æ¬å
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He was a governor who left a profound impact on the present Kyoto prefecture for better or worse. In a sense, it might remain to be seen how Kyoto would develop and surpass the achievements accomplished in the Ninagawa era. | è¯ããæªãã京éœåºã®çŸåšã«å€å€§ãªåœ±é¿ãæ®ããç¥äºã§ãã£ãã ããæå³ãè·å·æä»£ãçºå±ããã©ãä¹ãè¶ããŠããããä»åŸã®äº¬éœã®èª²é¡ã§ãããã |
Person Ninagawa was popular among the Kyoto citizens and nicknamed '(Ninagawa no) Tora-san.' | äººç© äº¬éœåºæ°ããã¯ãïŒè·å·ã®ïŒãã©ããããšããæç§°ã§èŠªããŸããã |
Above-mentioned Hiromu NONAKA and Koichi TSUKAMOTO (Representative director of Wacoal Corporation), who was a business leader in Kyoto and the chairman of the Kyoto Chamber of Commerce and Industry, wrote in their books and writings that Ninagawa was an attractive person even if they conflicted with each other in a political point of view. | åè¿°ã®éäžåºåã京éœè²¡çã®ãªãŒããŒæ Œã§ãã£ã京éœåå·¥äŒè°æäŒé 塿¬å¹žäžïŒæ ªåŒäŒç€Ÿã¯ã³ãŒã«ä»£è¡šåç· åœ¹ïŒçãæ¿æ²»çã«ã¯å¯Ÿç«ããªãããé
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Books He wrote a memoire called "Rakuyo ni hoyu" (Howl in Kyoto) (published by Asahi shinbunsha) ISBN 402254631X. | èæž åæ³é²ãšããŠãæŽéœã«åŒãã(ææ¥æ°è瀟å) ISBN 402254631X ãããã |
His verses were selected for the imperial anthologies from 'Gosen Wakashu' (the Later Collection of Japanese Poetry) onwards. He compiled the private anthology 'Asatada-shu' (the Selected Verses of Asatada). | ãåŸæ°åæéã以äžã®å
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Ogura Hyakunin Isshu (the Ogura Anthology of One Hundred Tanka-poems by One Hundred Poets) No. 44: If I never saw her again, I would neither blame her nor lament my misery. ('Shui Wakashu' (the Collection of Gleanings of Japanese Poems), Love 1-678). | å°åçŸäººäžéŠ 44çªãé¢ãµããšã®ãçµ¶ããŠããªãã¯ããªããªãã«ã人ãã身ãããæšã¿ãããŸã ïŒãæŸéºåæéãæäž678ïŒ |
His daughter, FUJIWARA no Bokushi (also known as Atsuko), became the wife of the Minister of the Left, MINAMOTO no Masanobu, giving birth to MINAMOTO no Rinshi who was later married to the Regent, FUJIWARA no Michinaga. This means that the Regent, FUJIWARA no Yorimichi, was Asatada's great-grandson and Emperors Goichijo and Gosuzaku were his great-great grandsons (grandsons of his grandson). | åšè€åç©åã¯å·Šå€§è£æºé
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Kariginu costume comprises of underwear, sashinuki (a type of hakama, pleated trousers for formal wear) or Sashiko Japanese skirt, and kariginu. It also includes Eboshi (formal headwear for court nobles). | ç©è¡£è£
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As kariginu are informal clothes, there was no restriction on the color or pattern of the clothes. "Forbidden colors," seven colors traditionally reserved for the imperial family and nobility, were avoided. | æ®æ®µçãšããæ§è³ªäžãç©è¡£ã®è²ç®ã»çŽæ§ã¯å
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A costume of white kariginu and sashinuki with no pattern was called 'joe' and mainly worn in religious ceremonies. | ãªããçœè²ã®ç¡çŽç©è¡£ã»ç¡çŽæè²«ã®åœ¢ããæµè¡£ïŒããããïŒããšãããå°ãç¥äºã«çšããããã |
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Kurogo are persons dressed in black who help actors and manipulate stage props at Kabuki theaters. | æèäŒãªã©ã§ãé»è£
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By extension, kurogo also mean persons who do backroom work. | 転ããŠã圱ããè£æ¹ã«åŸ¹ãã人ãæãã |
Kurogo by actors Kabuki actors wear black costumes and help other actors. They help other actors to change costumes quickly and change props. Actors' disciples or supporting players usually work as kurogo. Kurogo also manipulate a butterfly or a bird on the end of a metal stick or a stuffed animal. | 圹è
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Kurogo by stage hands for large props Stage hands for large props wear black costumes and manipulate the set. They remove a rug on the stage or change settings. | 倧éå
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Kurogo dress in other colors, and they become namigo dressed in blue when the scene is in the sea or on the shore while they become yukigo dressed in white in the scene of snow. | é»è¡£ã«ã¯è²éãã®è£
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Geography Mt. Hiei Viewed from the Side (left side) The Tanba plateau and the Hira mountain region are separated by the Hanaore fault. For this reason, it is considered to belong to the Hiei mountain region, or the Hiei Daigo mountain region. | å°åœ¢ åŽããèŠãæ¯å¡å±±ïŒå·Šç«¯ïŒ 䞹波é«å°ãªãã³ã«æ¯è¯å±±å°ãšã¯è±ææå±€ãå¢ã«ããŠåãé¢ãããŠããã ãã®ãããæ¯å¡å±±å°ããããã¯æ¯å¡ééå±±å°ã«å±ãããšãããã |
Television Broadcast Towers On the side of Sakyo Ward of Kyoto City, there are television stations that service the Kyoto Prefecture area. The antennae have directional capabilities to prevent the signal from leaking to the Shiga Prefecture side. | ãã¬ãæŸéæ 京éœåžå·Šäº¬åºã®åŽã«ã¯ã京éœåºããšãªã¢ãšãããã¬ãå±ã®èŠªå±ãèšçœ®ãããŠããã æ»è³çåŽã«æ¥µå黿³¢ãæŒããªããããã¢ã³ããã«ã¯ã¢ã³ããæåæ§ãèšããããŠããã |
Land-based Digital Television Broadcasting Facilities | å°äžããžã¿ã«ãã¬ããžã§ã³æŸééä¿¡èšå |
Began broadcasting on April 1, 2005. | 2005幎4æ1æ¥æŸééå§ã |
Land-based Analog Television Broadcasting Facilities | å°äžã¢ããã°ãã¬ããžã§ã³æŸééä¿¡èšå |
Notes NHK Osaka, NHK Educational Television, MBS Mainichi Broadcasting, ABC Asahi Broadcasting, KTV Kansai TV, and ytv Yomiuri TV signals can be received directly from Mt. Ikoma (both digital and analog broadcasting). There are also many households that watch NHK Sogo from the Osaka broadcast on Mt. Ikoma. | åè NHKå€§éªæŸéå±NHKæè²ãã¬ããžã§ã³ãMBSæ¯æ¥æŸéãABCææ¥æŸéãKTVé¢è¥¿ãã¬ãæŸéãytvè®è³£ãã¬ãæŸéã«ã€ããŠã¯ãããžã¿ã«ã»ã¢ããã°ãšããçé§å±±ããã®é»æ³¢ãçŽæ¥åä¿¡ããŠèŠèŽããã NHKç·åã«ã€ããŠããçé§å±±éåºã®NHK倧éªç·åãèŠããšããäžåž¯ãå°ãªããªãã |
In Buddhism, Joruri means shojo (purity) or transparent lapis lazuli. It also refers to the land where Yakushi-nyorai resides. | 仿ã«ãããŠãæž
æµïŒããããããïŒãéæãªã©ãã¹ã©ãºãªã®ããšã è¬åž«åŠæ¥ã®ä»åœåã |
It is also the collective name for the traditional Japanese art of katarimono (narratives) (as described below). In some regions, this term specifically refers to Gidayu-bushi (musical narrative of the puppet theater), a representative school of Joruri. | æ¥æ¬ã®äŒçµ±èžèœã«ãããèªãç©ã®ç·ç§°ïŒæ¬é
ã§è©³è¿°ããïŒã ãŸãå°æ¹ã«ãã£ãŠã¯ãã®èªãç¹ã«ä»£è¡šçãªæµæŽŸã§ãã矩倪倫ç¯ãæããŠçšããããšãããã |
As for the origin of Ningyo Joruri (traditional Japanese puppet theater), refer to the items 'Origin' and 'Completion of Gidayu-bushi' mentioned below, and for the details of its performance refer to the item Bunraku. | 人圢æµç çã®çºç¥¥ã«ã€ããŠã¯ãæ¬çš¿ã®ãèµ·æºã- ã矩倪倫ç¯ã®å®æãã®é
ç®ãããã®äžæŒã«ã€ããŠã®è©³çްã¯ãææ¥œãåç
§ã®ããšã |
Joruri is one of the traditional Japanese musical forms. | æµç çïŒãããããïŒã¯ãæ¥æ¬ã®äŒçµ±çãªé³æ²ïŒé³æ¥œïŒã®äžçš®ã |
Although Joruri is often identified with Gidayu-bushi, such an interpretation is incorrect. Gidayu-bushi is just one Joruri school, but each school is unique. | ãªããæµç çã¯çŸ©å€ªå€«ç¯ã®ããšã§ãããšãã説æãåŸã
ã«ããŠèŠãããããããã¯èª€ãã§ããã 矩倪倫ç¯ã¯ãããŸã§ãæµç çã®äžæµæŽŸã§ãã£ãŠãåäžã®ãã®ã§ã¯ãªãã |
Because the verses/stories in this era were underdeveloped, one cannot give them high marks. However, works called 'Konpira Joruri,' which developed mainly in Edo, later had a significant influence on the aragoto (a style of play featuring exaggerated posture, makeup and costume) of Kabuki. | ãã®ææã®è©ç« ã»æ¯æ²ã¯æªçºéãªãã®ãå€ããããªããããé«ãè©äŸ¡ãäžããããšã¯ã§ããªãã ãã ããæ±æžãäžå¿ã«ããŠçºéãããéå¹³æµç çããšåŒã°ããäžé£ã®äœåã¯ãåŸã«æèäŒã®èäºã«å€§ããªåœ±é¿ãäžããããšã«ãªã£ãã |
Alice Mabel Bacon (1858 - May 1, 1918) was an American female educator. Her father was Leonard Bacon, a clergyman of New Haven, Connecticut, and her mother was Catharine. Catharine was the second wife and Alice was the youngest daughter among their fourteen children. | ã¢ãªã¹ã»ã¡ã€ãã«ã»ããŒã³ã³ïŒAlice Mabel Baconã1858幎ïœ1918幎5æ1æ¥ïŒã¯ãã¢ã¡ãªã«åè¡åœäººå¥³æ§æè²è
ã ç¶ã¯ã³ããã«ããå· ãã¥ãŒãã€ãã³ (ã³ããã«ããå·)ã®ç§åž«ã§ãã£ãã¬ãªãã«ãã»ããŒã³ã³ãæ¯ã¯ãã£ãµãªã³ã ãã£ãµãªã³ã¯åŸåŠ»ã§ãã¢ãªã¹ã¯14人å
åŒã®æ«åšã§ãã£ãã |
After returning to America, she kept devoting herself to education and she remained single all her life. However, she adopted two Japanese girls, Mitsuko WATANABE and Makiko HITOTSUYANAGI. Although Makiko HITOTSUYANAGI had been expected to become a teacher of Joshi Eigaku Juku, she married William Merrell Vories after she had returned to Japan. | åž°åœåŸãæè²ã«èº«ãæ§ããäžçç¬èº«ã§ãã£ãã ãã ããæž¡èŸºå
åãšäžæ³æºååãšãããµããã®æ¥æ¬å¥³æ§ãé€å¥³ãšããã äžæ³æºååã¯å¥³åè±åŠå¡Ÿã®æåž«ã«ãªãããšãæåŸ
ãããŠããããåž°åœåŸãŠã£ãªã¢ã ã»ã¡ã¬ã«ã»ãŽã©ãŒãªãºãšçµå©ããã |
Umakuta no kuni no miyatsuko (also known as Makuta no kuni no miyatsuko, Umakuta kokuzo, Makuta kokuzo) was a kuni no miyatsuko that ruled the middle west part of Kazusa Province in ancient Japan. | 銬æ¥ç°åœé ïŒããŸããã®ãã«ã®ã¿ãã€ãã»ãŸããã®ãã«ã®ã¿ãã€ãã»ããŸããããããã»ãŸãããããã)ã¯äžç·åœäžè¥¿éšãæ¯é
ããåœé ã |
"Bunkoku" is a unit used to delineate province-sized areas during the medieval period in Japan. The term applied to Heian-period chigyo-koku (province-wide fiefs). | ååœïŒã¶ãããïŒãšã¯ãæ¥æ¬ã®ã«äžäžããã1åœã®åäœã 平宿代ã®ç¥è¡åœã«ãããã |
Sengoku daimyo (Japanese territorial lord in the Sengoku period) during the Sengoku period (period of warring states) would come to rule their provinces by establishing an internal law called the Bungokuho, which had effect only within their own individual domains. | æŠåœæä»£ã«ã¯ãæŠåœå€§åã¯é å
ã察象ãšããååœæ³ãå¶å®ããŠçµ±æ²»ã |
Generally, when it comes to Ukiyoe today, one is solely reminded of the multicolor woodblock print (Nishikie [colored woodblock print]) in many cases, but original drawings (Nikuhitsu Ukiyoe [single copy paintings created by brush]) and so on are also included. | çŸåšäžè¬ã«æµ®äžçµµãšããã°ãå°ãå€è²å·ãã®æšçç»ïŒéŠçµµïŒãæ³èµ·ãããå Žåãå€ãããèçç»ïŒèçæµ®äžçµµïŒãªã©ãå«ãŸããã |
Shuzeiryo refers to an institution that belonged to Minbusho (Ministry of Popular Affairs) in the Ritsuryo system (a system of centralized government based on the ritsuryo code). This was called 'Chikara no Tsukasa' in a Japanese way. | äž»çšå¯®(ãã
ããããã)ã¯åŸä»€å¶ã«ãããŠæ°éšçã«å±ããæ©é¢ã åèšã¯ãã¡ããã®ã€ãããã |
Joko SEGAWA the third (1806 - June 28, 1881) was a Kabuki (traditional drama performed by male actors) playwright who was active from the end of Edo Period to the Meiji Period. His real name was Rokusaburo. His pen name as a haiku poet was Tobun (åè), while his pseudonyms for calligraphic works and paintings were Nigosha (äºäºç€Ÿ) and Sojakuan (èªé庵). | äžä»£ç® ç¬å·åŠçïŒããã ãã ããã ãããããæå (å
å·)3幎ïŒ1806å¹ŽïŒ - ææ²»14幎ïŒ1881幎ïŒ6æ28æ¥ïŒã¯å¹æ«ããææ²»ã«ãããŠæŽ»èºããæèäŒäœè
ã æ¬åã¯å
äžéïŒãããã¶ããïŒã 俳åã«åèãé
å·ã«äºäºç€Ÿã»èªé庵ãããã |
In his later years, he lost ground in front of the popularity of Mokuami and was not able to achieve great success as a Kabuki playwright, but he is now evaluated as a playwright who filled up the period between Nanboku TSURUYA the fourth and Mokuami. | æ©å¹Žã¯é»é¿åŒ¥ã®äººæ°ã«æŒããçèšäœè
ãšããŠå€§æãã¬ãŸãŸçµãã£ãããé¶Žå±åå (4代ç®)ãšé»é¿åŒ¥ã®éã®æä»£ãåããååšãšããŠè©äŸ¡ãããŠããã |
His grave was in Gufuku-ji Temple in Mukojima. Joko SEGAWA (the fourth) was his relative. | 墿ã¯åå³¶åŒçŠå¯ºã ç¬å·åŠç (4代ç®)ã¯èŠªæã«åœããã |
Sennyo (1602 - August 23, 1658) was a Jodo Shinshu (True Pure Land Sect Buddhism) priest and the 13th Hoshu (high priest) of the Higashi Hongan-ji Temple. His ingo (title given to a Buddhist priest) was Higashitaiin. His imina (personal name) was Koju. His gago (pseudonym) was Gukei. His childhood name was Nagamaro. | 宣åŠïŒããã«ãã1602å¹ŽïŒæ
¶é·7å¹ŽïŒ - 1658幎8æ23æ¥ïŒäžæ²»å
幎7æ25æ¥ (æ§æŠ)ïŒïŒã¯ãæµåçå®ã®å§ã§ãæ±æ¬é¡å¯ºç¬¬13代æ³äž»ã é¢å·ã¯æ±æ³°é¢ã 諱ã¯å
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He died on August 23, 1658 at the age of 57. | 1658幎8æ23æ¥ïŒäžæ²»å
幎7æ25æ¥ïŒã57æ³ã«ãŠéå»ã |
The foregoing irome was well established by the mid Heian Period and it is mentioned in the Tale of Genji and Makura no Soshi (The Pillow Book). | å¹³å®æä»£äžæã«ã¯ç¢ºç«ããŠãããæºæ°ç©èªãæèåã«èšåãèŠãããã |
Keeping the names and the actual color combinations accurately corresponding with one another was part of Yusoku kojitsu (the court and samurai rules of ceremony and etiquette) and they were organized until the Edo Period. Some color combinations slightly vary depending on the Yusoku kojitsu expert. | è²ç®ã®åãšå®éã®çµã¿åããã®å¯Ÿå¿ã¯ãæè·æ
å®ã®ã²ãšã€ã§ãããæ±æžæã«ãããŠæŽçãããã æè·æ
å®å®¶ã«ãã£ãŠè¥å¹²çµã¿åãããç°ãªããã®ãããã |
Those color combinations often serve as a useful reference for dressing today. | çŸä»£ã®è¡£æãªã©ã®çããªãã«æŒããŠãåèã«ãããäºãå€ãã |
Examples of Kasane no irome (color combinations for female court attire) | 襲ã®è²ç®ã®äŸ |
Toyonaga KANROJI (1590 - 1606) was a court noble who lived in the era from the Azuchi-Momoyama period to the Edo period. | çé²å¯º è±é·ïŒãããã ãšããªãã倩æ£18幎ïŒ1590å¹ŽïŒ ïŒ æ
¶é·11幎ïŒ1606幎ïŒïŒã¯ãå®åæ¡å±±æä»£ããæ±æžæä»£ã«ãããŠã®å
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He was the 29th head of the Kanroji family, a Tosho-ke (the hereditary lineage of Court nobles occupying relatively high ranks) (the family ranked as Meike (an important family) (a court noble), and belonged to the Kanshuji branch of the Takafuji line of the Northern House of the Fujiwara clan). | å äžå®¶ïŒåå®¶ (å
¬å®¶)ãè€ååå®¶é«è€æµå§ä¿®å¯ºå«¡æµïŒã§ãããçé²å¯ºå®¶ã®29代ç®åœäž»ã |
He was awarded Jugoinojo (Junior Fifth Rank, Upper Grade) and assumed the post of Uhyoe no suke (assistant captain of the Right Division of Middle Palace Guards). | å®éã¯ãåŸäºäœäžã»å³å
µè¡äœã |
Goryosha is a car which is designed for the Japanese Emperor and the Imperial family. | 埡æè»ïŒããããããïŒãšã¯ãæ¥æ¬ã®å€©çããã³çæãä¹è»ããããã®è»äž¡ã®ããšã§ããã |
Goryo' means the belongings of a noble person. | ã埡æè»ãã®ã埡æããšã¯ãé«è²Žãªäººã®ææç©ã»å©çšç©ã®æã§ããã |
Shinden faced south and had a south courtyard, but had no south gate, which is different from the style of mansions in China. Many kinds of annual ceremonies took place in the courtyard. | 坿®¿ã¯åé¢ããååºãèšããããããåéã®ãªãã£ãç¹ã¯äžåœã®åœ¢åŒãšç°è³ªã®ãã®ã§ããã 幎äžè¡äºã®ååŒã®å Žãšãããã |
Inside Shinden-zukuri is one room with no separating structures, so portable partitions such as kicho, byobu and tsuitate were used, but as the outer sides of the building have no walls and the interior and exterior become one space when the shitomido are raised, there is a panoramic view of the whole garden. | 坿®¿é ãã®å®€å
ã¯1宀äœå±
ã§éä»åã¯ãªããç§»åå®¶å
·ã§ããå åž³ã»å±é¢šã»è¡ç«ãªã©ã䜿ã£ãŠã®è»œãä»åã®ã¿ã§å»ºç©ã®å€åšã«å£ã¯ãªããèæžãè·³ãäžããã°ãŸã£ããéæŸãããŠå®€å
å€ã¯äžäœãšãªããåºå
šäœã¯ããã©ãã®ããã«èŠæž¡ãããšãã§ããã |
The paths of the yarimizu and its river walls of rocks were delicately designed to make changes in the flow, fascinating white bubbles on the rocks, and pleasant sounds. | 飿°Žã®æµè·¯ãšãã®è·å²žãšããŠã®ç³ç«ã¯ãæµãã«å€åãã€ãããã®ã§ãæ°Žãç³ã«ã€ãããã£ãŠçœãæ³¢ã ã€é¢çœããæ°Žé³ã«ãããŸããæ°ãé
ãããã |
Although the design of samurai houses in the Kamakura period is sometimes called 'bukezukuri,' accepted theory in architectural history says it is not an original style but a simplified version of shinden-zukuri. | ãªããéåæä»£ã®æŠå®¶äœå®
ã®æ§åŒããæŠå®¶é ããšåŒã¶ããšããããã坿®¿é ãç°¡ç¥åãããã®ã§ç¬èªã®æ§åŒã§ã¯ãªããšããã®ã建ç¯å²ã®é説ã§ããã |
Motoie YASUTOMI was a samurai who lived in the Sengoku period (period of warring states) (Japan). He was the main retainer of the Hosokawa clan. | å®å¯ å
å®¶ïŒãããšã¿ ããšããïŒã¯ãæŠåœæä»£ (æ¥æ¬)ã®æŠå°ã çŽ°å·æ°ã®å®¶å®°ã |
He was Shonii (Senior Second Rank), Kunitto (First Order of Merit), and a count. His family crest was Sendai (a geographical name) peony. | æ£äºäœå²äžç䌯çµã å®¶çŽã¯ä»å°ç¡äž¹ã |
Amenohiboko is a deity in Japanese mythology, who appears in "Kojiki" (The Records of Ancient Matters) and "Nihonshoki" (Chronicles of Japan). He was a prince of Silla (an ancient Korean kingdom). | ã¢ã¡ãããã³ïŒå€©ä¹æ¥çãå€©æ¥æ§ïŒã¯ããå€äºèšãããæ¥æ¬æžçŽãã®æ¥æ¬ç¥è©±ã«ç»å Žããç¥ã å
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His great-grandson was Tajimamori, a deity of sweets. Tajimamori's daughter was Katsuraginotakanukahime no mikoto, the mother of Okinagatarashihime no mikoto (Empress Jingu). Additionally, some say that Amenohiboko might have been connected to Koko, a Japanese retainer believed to have served Korean kings and help them found Silla. | ã¢ã¡ãããã³ã®æŸå«ããèåã®ç¥ãšãããã¿ããã¢ãªïŒå€é
æ©æ¯çãç°ééå®ïŒã§ããã æ¬¡ã®ä»£ã®å€é
æ©æ¯å€è©ã®åšãæ¯é·åž¯æ¯å£²åœïŒç¥åçåïŒã®æ¯ãèåé«é¡æ¯å£²åœã§ããã ãªããã¢ã¡ãããã³ã¯æ°çŸ
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¬ãšã®é¢é£ã®å¯èœæ§ããããšãã説ãããã |
In any event, his name, which contains the Chinese character of '倩' (heaven), suggests that he may have been closely connected to the ancestors of the imperial family (just like deities in Takamanohara (heaven)). There was no other prince from foreign countries whose name contained the Chinese character of '倩.' | ãããã«ãããã倩ããååã«ã€ããç宀ã®ç¥å
ã«æ·±ãé¢ä¿ããç¥ïŒäŸïŒé«å€©åã®ç¥ïŒäžŠã¿ã®è¡šèšã§ããã ä»åœã®çåã®åãšããŠã¯ã倩ãã®æŒ¢åãã€ããåã¯ãä»ã«é¡äŸããªãã |
Chikamitsu YUKI (year of birth unknown - March 2, 1336) was a busho (Japanese military commander) who lived from the Kamakura period to the period of the Northern and Southern Courts. Chikamitsu was the second son of Munehiro YUKI and his older brother was Chikatomo YUKI. Chikamitsu's common name was Kuro. | çµå 芪å
ïŒããã ã¡ãã¿ã€ãç幎äžè©³ - 1336幎2æ23æ¥ïŒå»¶å
å
幎/å»ºæŠ (æ¥æ¬)3幎1æ11æ¥ (æ§æŠ)ïŒïŒã¯ãéåæä»£ããå忿代 (æ¥æ¬)ã®æŠå°ã§ããã çµåå®åºã®2ç·ã§ãå
ã¯çµå芪æã åã¯ä¹éã |
Shunbun (Vernal Equinox) is one of the 24 seasons in the solar year. It falls around March 21. Or, it is the period from that day until Clear and Bright (Seimei) season in the same solar calendar. Mid February | æ¥åïŒãã
ãã¶ãïŒã¯ãäºååç¯æ°ã®1ã€ã 3æ21æ¥ããã ããã³ããã®æ¥ããæž
æãŸã§ã®æéã äºæäžã |
In astronomy Shunbun is defined as the very moment that the sun transits through the vernal equinox. That is, just when the sun is visible at the celestial longitude of 0 degrees. | 倩æåŠã§ã¯ã倪éœãæ¥åç¹ãééããç¬é ããªãã¡å€ªéœã®èŠé»çµã0床ãšãªã£ãç¬éãæ¥åãšå®çŸ©ããã |
Due to refraction in the atmosphere, the sun can look higher than it actually is. | 倧æ°ã«ãã屿ã§å€ªéœã®äœçœ®ãå®éããäžã«èŠãããã |
Dawn or sunset is defined as the very moment when the top edge of the sun is aligned with the horizon Due to this, the radius of the sun can cause dawn to be early or sunset late. The variance in timing between dawn and sunset can be extrapolated from this to be 1 minute 5 seconds. | 倪éœã®äžç«¯ãå°å¹³ç·ãšäžèŽããæå»ãæ¥åºãããã¯æ¥æ²¡ãšå®çŸ©ããŠããã ããã«ããã倪éœã®ååŸã®åãæ¥åºãæ©ããæ¥æ²¡ãé
ããªãã ããããèšç®ãããæ¥åºã»æ¥æ²¡ã®æéã®å·®ã¯çŽ1å5ç§ã§ããã |
During those days forming the vernal equinox, the sun rises from due East and sets due West. If a person makes observations from above the equator, the sun passes through the zenith at mid day. If a person makes observations at the North or South Pole, the vernal equinox sun will appear to be moving right along the horizon; not rising or sinking. | æ¥åãå«ãæ¥ã«ã¯ã倪éœã¯çæ±ããäžã£ãŠçè¥¿ã«æ²ãã èµ€éäžã®èŠ³æž¬è
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